Barco iD R600+ Instruction manual

Barco iD R600/R600+
Owners Manual
R9010340
R9010341
R5976837/02
21/09/2006
Product revision
Software version: V1.30
Barco nv Presentations
Noordlaan 5, 8520 Kuurne
Phone: +32 56.36.82.11
Fax: +32 56.35.86.51
E-mail: presentations.bid@barco.com
Visit us at the web: www.barco.com
Printed in Belgium
Guarantee and Compensation
Barco provides a guarantee relating to perfect manufacturing as part of the legally stipulated terms of guarantee. On receipt, the purchaser
must immediately inspect all delivered goods for damage incurred during transport, as well as for material and manufacturing faults Barco
must be informed immediately in writing of any complaints.
The period of guarantee begins on the date of transfer of risks, in the case of special systems and software on the date of commissioning,
at latest 30 days after the transfer of risks. In the event of justified notice of complaint, Barco can repair the fault or provide a replacement
at its own discretion within an appropriate period. If this measure proves to be impossible or unsuccessful, the purchaser can demand a
reduction in the purchase price or cancellation of the contract. All other claims, in particular those relating to compensation for direct or
indirect damage, and also damage attributed to the operation of software as well as to other services provided by Barco, being a component
of the system or independent service, will be deemed invalid provided the damage is not proven to be attributed to the absence of properties
guaranteed in writing or due to the intent or gross negligence or part of Barco.
If the purchaser or a third party carries out modifications or repairs on goods delivered by Barco, or if the goods are handled incorrectly,
in particular if the systems are commissioned operated incorrectly or if, after the transfer of risks, the goods are subject to influences not
agreed upon in the contract, all guarantee claims of the purchaser will be rendered invalid. Not included in the guarantee coverage are
system failures which are attributed to programs or special electronic circuitry provided by the purchaser, e.g. interfaces. Normal wear as
well as normal maintenance are not subject to the guarantee provided by Barco either.
The environmental conditions as well as the servicing and maintenance regulations specified in the this manual must be complied with by
the customer.
Changes
Barco provides this manual ’as is’ without warranty of any kind, either expressed or implied, including but not limited to the implied warranties or merchantability and fitness for a particular purpose. Barco may make improvements and/or changes to the product(s) and/or the
program(s) described in this publication at any time without notice.
This publication could contain technical inaccuracies or typographical errors. Changes are periodically made to the information in this
publication; these changes are incorporated in new editions of this publication.
Copyright ©
All rights reserved. No part of this document may be copied, reproduced or translated. It shall not otherwise be recorded, transmitted or
stored in a retrieval system without the prior written consent of Barco.
Federal Communications Commission (FCC Statement)
This equipment has been tested and found to comply with the limits for a class A digital device, pursuant to Part 15 of the FCC rules.
These limits are designed to provide reasonable protection against harmful interference when the equipment is operated in a commercial
environment. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with
the instruction manual, may cause harmful interference to radio communications. Operation of this equipment in a residential area may
cause harmful interference, in which case the user will be responsible for correcting any interference.
EN55022/CISPR22 Class A ITE (Information Technology Equipment)
Class A ITE is a category of all other ITE which satisfies the class A ITE limits but not the class B ITE limits. Such equipment should not
be restricted in its sale but the following warning shall be included in the instructions for use:
Warning : This is a class A product. In a domestic environment this product may cause radio interference in which case the user may be
required to take adequate measures.
Trademarks
Brand and product names mentioned in this manual may be trademarks, registered trademarks or copyrights of their respective holders.
All brand and product names mentioned in this manual serve as comments or examples and are not to be understood as advertising for
the products or their manufactures.
Table of contents
TABLE OF CONTENTS
1. Packaging. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3
1.1
Unpacking . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3
2. Installation guidelines . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5
2.1
2.2
Safety warnings. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5
Installation guidelines . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5
3. Installation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
3.1
3.2
Battery installation in the RCU . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
Lens installation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9
3.2.1 Lens installation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9
3.2.2 Removing the lens . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9
3.2.3 Lens range . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10
3.2.4 Lens Formulas . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10
3.3 Projector configuration . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10
3.4 Positioning the projector. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11
3.5 Connections . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14
3.5.1 Power connection . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14
3.5.2 Input Source connections. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14
3.5.2.1
Input section . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14
3.5.2.2
Input facilities . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14
3.5.2.3
5-Cable input . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15
3.5.2.4
Composite Video Input . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16
3.5.2.5
S-Video input . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17
3.5.2.6
Digital Visual Interface (DVI) input . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18
3.5.2.7
Computer input . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18
3.5.2.8
Serial Digital Interface (Optional) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19
3.5.2.9
Audio input/Output (Optional) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19
3.5.2.10 Communications Connections . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20
3.5.2.10.1 RS232 IN connection . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20
4. Setup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21
4.1
4.2
4.3
4.4
4.5
4.6
4.7
4.8
RCU & Local keypad . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21
Terminology overview . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22
Switching on . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24
Setting up the RCU address . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25
Projector address . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26
Orientation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27
Adjusting the lens. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27
Preferences . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29
4.8.1 Language. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29
4.8.2 Quick access keys . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30
4.8.3 Automatic startup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30
5. Getting started . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33
5.1
5.2
5.3
Start up . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33
Creating your personal PiP Layout . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33
Adjusting the image . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35
6. Advanced . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37
6.1
6.2
Using the Dialog boxes. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37
Source Selection . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38
6.2.1 Source selection . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38
6.2.2 Composite Video . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39
6.2.3 S-Video . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40
6.3 General menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41
6.3.1 Pause. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41
6.3.2 Freeze . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42
6.3.3 Standby Timer. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42
6.3.4 Audio (Optional). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43
6.3.4.1
Audio Setup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43
6.3.4.2
Audio Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44
6.3.5 Identification. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45
6.4 Image menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46
6.4.1 Settings. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46
6.4.1.1
Contrast. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47
6.4.1.2
Brightness . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47
6.4.1.3
Color . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48
6.4.1.4
Tint (hue) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48
6.4.1.5
Sharpness . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48
6.4.1.6
Gamma . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49
6.4.1.7
Phase . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49
6.4.1.8
Noise reduction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49
R5976837 BARCO ID R600/R600+ 21/09/2006
1
Table of contents
6.4.2 Aspect ratio . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50
6.4.3 Show native resolution. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52
6.4.4 Keystone . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54
6.4.5 Color temperature. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55
6.4.6 Filmmode detection (video only) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55
6.4.7 White peaking . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57
6.4.8 Dynacolor™ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58
6.4.9 Blanking . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67
6.4.10 Input balance. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67
6.4.11 AGC on Video . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71
6.4.12 Manual Gain Control . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 72
6.5 Tools . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. . . . . . . . . . 73
6.5.1 Introduction to PiP . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73
6.5.2 PiP select. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75
6.5.3 PiP add window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75
6.5.4 PiP remove window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76
6.5.5 PiP layout . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76
6.5.5.1
PiP Save . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76
6.5.5.2
PiP rename layout. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77
6.5.5.3
PiP delete layout . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 78
6.5.6 PiP Adjust . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79
6.5.7 Color keying . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79
6.5.8 Diagnostics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80
6.6 Signal Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80
6.6.1 Switching mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80
6.6.2 Background . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 81
6.7 Lamp management . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82
6.7.1 Runtimes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82
6.7.2 Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82
6.7.3 History . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 84
6.7.4 Reset runtime . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 85
6.7.5 Runtime warning . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86
6.8 Image files menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87
6.8.1 Load file . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87
6.8.2 Auto Image . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88
6.8.3 Edit file . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90
6.8.4 Rename file . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 93
6.8.5 Copy . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94
6.8.6 Delete . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94
6.8.7 Forced file load. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95
6.9 Display Setup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96
6.9.1 Full screen representation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96
6.9.2 Startup screen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97
6.9.3 Textbox . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97
6.9.4 Take screenshot. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97
6.9.5 Menu bar position . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 98
6.9.6 Status bar position . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 98
6.9.7 Sliderbox position . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 99
6.9.8 AutoImage Setup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 99
6.9.9 Blanking . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .100
6.9.10 Soft Edge. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .101
6.9.10.1 Introduction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .101
6.9.10.2 Soft Edge overlap zone (horizontal Soft Edge). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .103
6.9.10.3 Soft Edge border adjustment . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .103
6.9.10.4 Black level of the images. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .106
6.10 Installation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .107
6.10.1 Lens adjustments . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .107
6.10.2 Security. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .108
6.10.3 Change password. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 110
A. Standard Image Files. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 113
A.1
Table overview . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 113
B. Troubleshoot . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 119
B.1
Using the OSD. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 119
C. Maintenance . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 121
C.1
C.2
2
Cleaning the lens . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .121
Cleaning the dustfilters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .121
C.2.1 Dustfilters. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .121
C.2.2 Cleaning . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .122
R5976837 BARCO ID R600/R600+ 21/09/2006
1. Packaging
1. PACKAGING
1.1
Unpacking
CEE7
European power plug to connect the power cord to the wall outlet.
ANSI 73.11
American power plug to connect the power cord to the wall outlet.
Content
•
1 projector (weight ± 14 kg or 31 lbs)
•
1 remote control unit RCU + 2 batteries.
•
2 power cables with outlet plug type CEE7 and ANSI 73.11.
•
1 owners manual
•
1 safety manual
Form
The projector is packed in a carton box. To provide protection during transportation, the projector is surrounded with foam. The
package is secured with banding and fastening clips.
R824561
R824562
Projector
R824518
(+ cable basket R724408
R825784
Image 1-1
Lens packaging
The Lens is supplied as an individual item.
The lens is packed in a carton box.
Save the original shipping carton and packing material, they will be necessary if you ever have to transport
the lens.
CAUTION:
Never transport the projector with the lens mounted on it !
Always remove the lens before transporting the projector.
R5976837 BARCO ID R600/R600+ 21/09/2006
3
1. Packaging
How to unpack the projector
1. Release the cord straps. (image 1-2)
2. Remove the assembly from the pallet
3. Remove the cardboard cover
4. Remove the large cardboard
5. Remove the 8 foam parts
6. Loosen and remove the 3 screws spacers fixing the projector to the wooden board
7. Remove the projector from the board
PULL
TO OPE
Image 1-2
Save the original shipping carton and packing material, they will be necessary if you ever have to ship your
projector. For maximum protection, repack your projector as it was originally packed at the factory.
4
R5976837 BARCO ID R600/R600+ 21/09/2006
2. Installation guidelines
2. INSTALLATION GUIDELINES
2.1
Safety warnings
WARNING: Before installing the projector, read first the safety instructions in the safety manual (R5975258)
delivered with the projector.
Insure that the projector is installed in an easy to evacuate room in case of a lamp explosion.
Mercury Vapor Warnings
Keep the following warnings in mind when using the projector. The lamp used in the projector contains mercury. In case of a lamp
rupture, explosion there will be a mercury vapor emission. In order to minimize the potential risk of inhaling mercury vapors:
2.2
•
Ensure the projector is installed only in ventilated rooms.
•
Replace the lamp module before the end of its operational life.
•
Promptly ventilate the room after a lamp rupture, explosion has occurred, evacuate the room (particularly in case of a pregnant
woman).
•
Seek medical attention if unusual health conditions occur after a lamp rupture, explosion, such as headache, fatigue, shortness
of breath, chest-tightening coughing or nausea.
Installation guidelines
Ambient temperature check
Careful consideration of things such as image size, ambient light level, projector placement and type of screen to use are critical to
the optimum use of the projection system.
Max. ambient temperature : 40 °C or 104 °F
Min. ambient temperature : 0 °C or 32 °F
The projector will not operate if ambient air temperature falls outside this range (0°C- 40°C or 32°F-104°F).
Environment
Do not install the projection system in a site near heat sources such as radiators or air ducts, or in a place subject to direct sunlight,
excessive dust or humidity. Be aware that room heat rises to the ceiling; check that temperature near the installation site is not
excessive
CAUTION:
Harmful Environmental Contamination Precaution
Environment condition check
A projector must always be mounted in a manner which ensures the free flow of clean air into the projectors ventilation inlets as well
as free flow at the ventilation outlets. The installation must also allow easy access to the consumable parts ( dustfilters, lamps, ...)
For installations in environments where the projector is subject to airborne contaminants such as that produced by smoke machines
or similar (these deposit a thin layer of greasy residue upon the projectors internal optics and imaging electronic surfaces, degrading
performance), then it is highly advisable and desirable to have this contamination removed prior to it reaching the projectors clean
air supply. Devices or structures to extract or shield contaminated air well away from the projector are a prerequisite, if this is not
a feasible solution then measures to relocate the projector to a clean air environment should be considered. Make sure that the
projector never runs with dirty dustfilters as this will dramatically reduce the lifetime of the consumables. It is advised to clean the
dustfilters on a regular basis and to replace them at any lamp change. Barco reserves itself the right to refuse warranty replacement
of consumables if they have been used in a projector with dirty airfilters. Only use the manufactures recommended cleaning kit which
has been specifically designed for cleaning optical parts, never use industrial strength cleaners on a projectors optics as these will
degrade optical coatings and damage sensitive optoelectronics .
Failure to take suitable precautions to protect the projector from the effects of persistent and prolonged air contaminants will culminate in extensive and irreversible ingrained optical damage. At this stage cleaning of the internal optical units will be non-effective
and impracticable. Damage of this nature is under no circumstances covered under the manufactures warranty and may deem the
warranty null and void. In such a case the client shall be held solely responsible for all costs incurred during any repair. It is the
clients responsibility to ensure at all times that the projector is protected from the harmful effects of hostile airborne particles in the
environment of the projector. The manufacture reserves the right to refuse warranty repair if a projector has been subject to wantful
neglect, abandon or improper use.
R5976837 BARCO ID R600/R600+ 21/09/2006
5
2. Installation guidelines
What about ambient light ?
The ambient light level of any room is made up of direct or indirect sunlight and the light fixtures in the room. The amount of ambient
light will determine how bright the image will appear. So, avoid direct light on the screen. Windows that face the screen should be
covered by opaque drapery while the set is being viewed. It is desirable to install the projection system in a room whose walls and
floor are of non-reflecting material. The use of recessed ceiling lights and a method of dimming those lights to an acceptable level
is also important. Too much ambient light will ‘wash out’ of the projected image. This appears as less contrast between the darkest
and lightest parts of the image. With bigger screens, the ‘wash out’ becomes more important. As a general rule, darken the room to
the point where there is just sufficient light to read or write comfortably. Spot lighting is desirable for illuminating small areas so that
interference with the screen is minimal.
Which screen type ?
There are two major categories of screens used for projection equipment. Those used for front projected images and those for rear
projection applications. Screens are rated by how much light they reflect (or transmit in the case of rear projection systems) given a
determined amount of light projected toward them. The ‘GAIN’ of a screen is the term used. Front and rear screens are both rated
in terms of gain. The gain of screens range from a white matte screen with a gain of 1 (x1) to a brushed aluminized screen with a
gain of 10 (x10) or more. The choice between higher and lower gain screens is largely a matter of personal preference and another
consideration called the Viewing angle. In considering the type of screen to choose, determine where the viewers will be located
and go for the highest gain screen possible. A high gain screen will provide a brighter picture but reduce the viewing angle. For
more information about screens, contact your local screen supplier.
Image size
The projector is designed for projecting an image size with a screenwidth from 1.00m (3.3ft) to 6.00m (19.7ft) with an aspect ratio of
4 to 3.
6
R5976837 BARCO ID R600/R600+ 21/09/2006
3. Installation
3. INSTALLATION
Overview
•
Battery installation in the RCU
•
Lens installation
•
Projector configuration
•
Positioning the projector
•
Connections
Dimensions overview
Dimensions are given in mm (1 inch = 25.4 mm)
20 69
195
Length with different lenses : see table
Cold air IN
Cold air OUT
415
Cold air IN
487 (length without Cable Basket)
152
281
305
78
45
380
Image 3-1
R5976837 BARCO ID R600/R600+ 21/09/2006
7
3. Installation
3.1
Lens
Length of projector
CLD (1.2-1.6:1)
530 mm
CLD (1.6-2.4:1)
525 mm
CLD (2.4-4.3:1)
550 mm
QCLD (1.1-1.3:1)
580 mm
QCLD (0.85:1)
610 mm
Battery installation in the RCU
How to install the battery
Two batteries are packed together with the RCU. Before using your RCU, install first these batteries.
1. Remove the battery cover on the backside by pushing the handle a little towards the bottom of the RCU.
2. Lift up the top side of the cover at the same time.
3. Insert the batteries as indicated in the RCU.
4. Put the battery cover on its place.
How to replace the batteries in the RCU
To replace the batteries :
1. Remove the battery cover on the backside by pushing the handle a little towards the bottom of the RCU.
2. Lift up the top side of the cover at the same time.
3. Push on the + side of the battery towards the - side
4. Lift up the battery at the same time.
5. Repeat for the second battery.
6. Insert the batteries as indicated in the RCU (battery type AA or LR6 or equivalent).
7. Put the battery cover on its place. (image 3-2)
Image 3-2
8
R5976837 BARCO ID R600/R600+ 21/09/2006
3. Installation
3.2
Lens installation
3.2.1
Lens installation
How to install ?
1. Take the lens out of its packing material
2. Fix the lens by placing it in the housing (image 3-3)
Note: In case of a motorized lens the female jack must be in front of the male jack located in the upper-left part of the housing
in the projector
3. Push carefully to lock the lens in the housing
Image 3-3
3.2.2
Removing the lens
How to remove the lens ?
1. Unlock the lens by pulling the handle located on the right side of the projector (image 3-4, image 3-5)
2. Remove the lens out of its housing
Image 3-5
location of the lens handle
Image 3-4
CAUTION:
Never transport the projector with the lens mounted on it !
Always remove the lens before transporting the projector.
R5976837 BARCO ID R600/R600+ 21/09/2006
9
3. Installation
3.2.3
Lens range
Overview table
Lens
Partnumber
CLD (1.2-1.6:1)
R9849870
CLD (1.6-2.4:1)
R9849880
CLD (2.4-4.3:1)
R9849890
QCLD (1.1-1.3:1)
R9849850
QCLD (0.85:1)
R9849860
See the Maintenance appendix for more information about lens cleaning.
3.2.4
Lens Formulas
Formulas
Lenses
QCLD (0.85:1)
QCLD (1.1-1.3:1)
CLD (1.2-1.6:1)
CLD (1.6-2.4:1)
CLD (2.4-4.3:1)
3.3
Metric Formulas (meter)
PD = 0.86 X SW + 0.06
Inch formulas (inch)
PD = 0.86 X SW + 2.36
PD min = 1.1 X SW + 0.05
PD min = 1.1 X SW + 1.97
PD max = 1.3 X SW + 0.06
PD max = 1.3 X SW + 2.36
PD min = 1.19 X SW + 0.02
PD min = 1.19 X SW + 0.79
PD max = 1.63 X SW + 0.02
PD max = 1.63 X SW + 0.79
PD min = 1.58 X SW + 0.00
PD min = 1.58 X SW + 0.00
PD max = 2.39 X SW - 0.02
PD max = 2.39 X SW - 0.79
PD min = 2.38 X SW - 0.03
PD min = 2.38 X SW - 1.18
PD max = 4.32 X SW - 0.01
PD max = 4.32 X SW - 0.39
Projector configuration
The different configurations
Depending on the installation the projector can be mounted in different ways, the 4 different configurations are:
10
1.
Rear/Ceiling
2.
Rear/Table
3.
Front/Ceiling
4.
Front/Table
R5976837 BARCO ID R600/R600+ 21/09/2006
3. Installation
1
2
3
4
Image 3-6
The configuration should also be communicated to the projector. This is done in the Installation menu through
the Projector Configuration parameter. (See Setup section)
3.4
Positioning the projector
On-Axis projection
Projection where the projector is positioned so as to have the centre of the lens coinciding with the centre of the screen.
Positioning the projector
The position of the projector with reference to the screen may also be different depending on the installation. Basically the projector
can be positioned in an On-Axis or Off-Axis configuration. Several parameters can be calculated determining the position in any
installation.
R5976837 BARCO ID R600/R600+ 21/09/2006
11
3. Installation
PD
P
front plate
a
x
SH
A
S
CD=SH/2+B-A
B
F
b
SW
S
SW
c
SH
F
Image 3-7
12
R5976837 BARCO ID R600/R600+ 21/09/2006
3. Installation
PD
a
SH
front plate
P
S
A
B
CD=B-A
F
b
SW
S
SW
c
SH
F
Image 3-8
A 100% Off-Axis position means that the position of the centre of the lens is shifted by half the screen height.
Never use a short throw lens in an Off-Axis installation. Shifting the lens will not guarantee optimal image
quality.
R5976837 BARCO ID R600/R600+ 21/09/2006
13
3. Installation
3.5
Connections
3.5.1
Power connection
AC power (mains) cord connection
Use the supplied power cord to connect your projector to the wall outlet.
Plug the female power connector into the male connector at the front of the projector.
The power input is auto-ranging from 90 to 240 VAC.
Fuses
For continued protection against fire hazard :
•
refer replacement to qualified service personnel
•
ask to replace with the same type of fuse.
3.5.2
Input Source connections
Overview
•
Input section
•
Input facilities
•
5-Cable input
•
Composite Video Input
•
S-Video input
•
Digital Visual Interface (DVI) input
•
Computer input
•
Serial Digital Interface (Optional)
•
Audio input/Output (Optional)
•
Communications Connections
3.5.2.1
Input section
Input Layers
The input section is divided in layers, each of them regrouping several inputs, this architecture allows the input section to be upgraded
at any time with an optional analog or digital layer.
1.
Layer 1: analog layer containing analog data and video inputs
2.
Layer 2: a hybrid layer containing 2 digital and 1 analog input
3.
Layer 3 : is an optional layer, it may be an Audio & Video analog layer or a SDI digital layer
3.5.2.2
Input facilities
The optional features are also explained in this manual, they are always mentioned with “(optional)”
overview
14
•
5–cable input
•
composite video
•
component video (PR/Y/PB)
•
S-Video
•
Digital Visual Input (DVI)
•
Computer
•
Serial Digital Input (Optional)
•
Audio input/output (Optional)
R5976837 BARCO ID R600/R600+ 21/09/2006
3. Installation
Layer 3 can be an optional audio&video layer or an optional SDI (SDI Input/Output)
Image 3-9
source input section with optional SDI layer
A cable cover is supplied with the projector and can be fitted on the front of the projector
Image 3-10
Cable basket : the white arrow shows the cables leaving the projector
A
B
3.5.2.3
Front view
Back view
5-Cable input
Input specifications
The 5-cable input section is made of 5 BNC input terminals.
0.7 Vpp ± 3dB
75 Ω terminated
R5976837 BARCO ID R600/R600+ 21/09/2006
15
3. Installation
Image 3-11
Component Video
In Component Video the term component describes a number of elements that are needed to make up the video picture, these components are PR/Y/PB. A composite video signal on the other hand contains all the information needed
for the color picture in a single channel of information
Which signals can be connected ?
Signals/Input BNC
R
G
B
H
V
RGBHV
R
G
B
H
V
RG sB1
R
Gs
B
-
-
RGBS1
R
G
B
S
-
Component
PR
Y
PB
-
-
How to select a source on the 5 cable input ?
1. Press 1 on the RCU
Note: Another way for selecting this input is via Source on the local keypad or via the Menu
3.5.2.4
Composite Video Input
Input specifications
The Composite video input section is made of 1BNC input terminal.
1.0 Vpp ± 3dB
75 Ω terminated
No loop through
1. data or video
16
R5976837 BARCO ID R600/R600+ 21/09/2006
3. Installation
Image 3-12
How to select a Composite Video Input ?
1. Press 3 on the RCU
Note: Another way for selecting this input is via Source on the local keypad or via the Menu.
3.5.2.5
S-Video input
Input specification
Image 3-13
Which signal can be connected ?
Standard S-Video (S-VHS) with separate Y(luma) and C (chroma) signals.
How to select the S-Video input ?
1. Press 4 on the RCU
Note: Another way for selecting this input is via Source on the local keypad or via the Menu.
R5976837 BARCO ID R600/R600+ 21/09/2006
17
3. Installation
3.5.2.6
Digital Visual Interface (DVI) input
DVI
Digital Visual Interface is a display interface developed in response to the proliferation of digital flat panel displays.
The digital video connectivity standard that was developed by DDWG (Digital Display Work Group). This connection
standard offers two different connectors: one with 24 pins that handles digital video signals only, and one with 29 pins
that handles both digital and analog video. This standard uses TMDS (Transition Minimized Differential Signal) from
Silicon Image and DDC (Display Data Channel) from VESA (Video Electronics Standards Association).
DVI can be single or dual link.
Input specifications
Single link DVI
Differential input voltage: 200 mV - 800mV
Image 3-14
a
DVI-I type connector, analog link (4 pins at the right side of the connector) not supported
How to select the DVI Input ?
1. Press 5 on the RCU
Note: Another way for selecting this input is via the Menu.
3.5.2.7
Computer input
Input specification
TTL sync input : U
min
= 2.0 V
RGB input = 0.7 V pp ± 3dB
Image 3-15
What can be connected ?
18
•
RGBHV
•
RG SB
R5976837 BARCO ID R600/R600+ 21/09/2006
3. Installation
Composite sync only possible on Green
How to select a computer input ?
1. Press 2 on the RCU
Note: Another way for selecting this input is via the Menu.
3.5.2.8
Serial Digital Interface (Optional)
SDI
Serial Digital Interface
Input specifications
SDI input : BNC
SDI output : BNC (=loop through)
typical : 0.8 Vpp
75Ω terminated
output impedance: 75Ω
Image 3-16
How to select the SDI input
1. Press 7 on the RCU
Note: Another way for selecting this input is via Source on the local keypad or via the Menu.
The SDI is located on Layer3 which is an optional Layer.
3.5.2.9
Audio input/Output (Optional)
Input specification
Typical = 200 mV
Max = 4V pp
Mono/Stereo
Output specification
V in +20dB / -∞ dB
Max = 4 V pp
R5976837 BARCO ID R600/R600+ 21/09/2006
19
3. Installation
Mono/Stereo (selectable in menu)
How to select the audio input ?
1. Use the Audio menu (General menu) to link the desired audio input to the desired signal. (image 3-17)
Image 3-17
3.5.2.10 Communications Connections
Overview
•
RS232 IN connection
3.5.2.10.1 RS232 IN connection
What can be connected to the RS232 IN connection ?
The RS 232 IN connections allows the projector to communicate with a Computer e.g. IBM PC or Apple Macintosh.
Image 3-18
Applications of the RS232 connection
Remote control:
•
easy adjustment of projector via IBM PC (or compatible) or MAC connection.
•
address range from 1 to 255
•
allow storage of multiple projector configurations and set ups.
•
wide range of control possibilities
Data communication: sending data to the projector or copying the data from the projector to the computer
To set up the baudrate of the projector, see the Installation menu
20
R5976837 BARCO ID R600/R600+ 21/09/2006
4. Setup
4. SETUP
Overview
4.1
•
RCU & Local keypad
•
Terminology overview
•
Switching on
•
Setting up the RCU address
•
Projector address
•
Orientation
•
Adjusting the lens
•
Preferences
RCU & Local keypad
How controlling the projector ?
The projector can be controlled by the local keypad or by the remote control unit.
Location of the local keypad ?
The local keypad is located on the topside of the projector.
For key overview: "Terminology overview", page 22
Image 4-1
Local keypad layout
R5976837 BARCO ID R600/R600+ 21/09/2006
21
4. Setup
Remote control functions.
This remote control includes a battery powered infrared (IR) transmitter that allows the user to control the projector remotely. This
remote control is used for source selection, control, adaptation and set up. It includes automatic storing of picture controls (Brightness, Sharpness...) and settings.
Other functions of the remote control are :
•
switching between stand by and operational mode.
•
switching to "pause" (blanked picture, full power for immediate restarting)
•
direct access to all connected sources.
Diagnose LED’s
Green
Red
LED1
cool down sequence: flickers 60 seconds (120
seconds in case of iQ 400 series) after switching
to standby
rescue program (software error)
LED2
only for the Pro version : shows when projector is in
hardware error
standby and server is active.
LED3
IR acknowledgement
continue : standby
flickers : Security = ON
4.2
Terminology overview
Overview
The following table gives an overview of the keys.
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4. Setup
Image 4-2
1
Function keys
user programmable keys with functions for direct access.
2
MENU
Menu key, to enter or exit the Toolbar menu.
3
Address key
(recessed key), to enter the address of the projector (between 0 and 9). Press the recessed
address key with a pencil, followed by pressing one digit button between 0 and 9.
4
LOGO key
allows to recall the stored Logo (not in PiP mode)
5
PAUSE
to stop projection for a short time, press ’PAUSE’. The image disappears but full power is
retained for immediate restarting.
6
STBY
standby button, to start projector when the power switch is switched on and to switch off the
projector without switching off the power switch.
Attention : Switching to Standby. When the projector is running and you want to
go to standby, press the standby key for 2 seconds.
7
MUTE
to interrupt the sound reproduction (audio = optional.
8
AUTOIMAGE
Auto image, to center the image on the active LCD surface.
9
Digit buttons
direct input selection.
9b
SOURCE button
this button allows to switch through the active (scanned) inputs
10
Lens control
use these buttons to obtain the desired ZOOM, SHIFT, FOCUS.
11
VOL
use this button to obtain the desired sound level (audio = optional)
12
Picture controls
use these buttons to obtain the desired picture analog level.
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4. Setup
13
DIGI ZOOM
allows a digital Zoom of a part of the image
14
FREEZ
press to freeze the projected image.
15
PIP
allows to activate the PICTURE IN PICTURE mode
16
ENTER
to confirm an adjustment or selection in the MENU.
On the local keypad the ENTER button additionally accesses the PIP window resize function
17
Cursor keys
Cursor Keys on RCU or on the local keypad : to make menu selections or to access the
toolbar.
18
BACK
to leave the selected menu or item (go upwards to previous menu).
19
EFFECTS
not yet implemented
20
PIP ADJUST
allows to select a PiP window and change its configuration on screen
21
RC operating indication
lights up when a button on the remote control is pressed. (This is a visual indicator to
check the operation of the remote control)
22
IR receiver
IR receiver
Table 4-2
ordernumber RCU: R763794K
4.3
Switching on
How to switch on.
1. Press the power switch to switch on the projector.
-
When ’0’ is pushed in, the projector is switched off.
-
When ’1’ is pushed in, the projector is switched on
The projector starts in standby mode, LED3 is red.
Starting image projection.
1. Press Standby key once on the local keypad or on the remote control. (image 4-3)
M EN
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EN
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Image 4-3
It may take about 60 seconds before image projection, i.e. no projection until the completion of several operations (software initialization,...).
If the Security mode is enabled, a textbox will be displayed for PIN code entry, see Security setting in the
Installation menu
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4. Setup
4.4
Setting up the RCU address
What has to be done ?
To allow the communication between the RCU and the projector the RCU has to be programmed with the same address as the
projector.
This address must be in the range 0–9.
To know the address of the projector, one can visualize it in projection mode (on screen) as well as in standby mode (shown with
the LED’s on top cover of the projector).
For more info on addresses see the appendix
At this stage the image projected may happen to be upside down or mirrored, this can be set in the Installation
menu under Projector orientation (see further setting up the projector’s orientation).
Displaying the Projector Address in Standby mode
1. Press the Address key (recessed key on the RCU) with a pencil. (image 4-4)
All the LED’s (3) on the top cover of the projector go out.
Then LED1 starts blinking green the number of hundreds. After that LED2 starts blinking the number of tens. Finally LED3 starts
blinking green the number of units. If this is done, the original status of the LED’s is restored.
M EN
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Image 4-4
Displaying the Projector Address in projection mode)
1. Press the Address key (recessed key on the RCU) with a pencil.
The projector’s address will be displayed on the screen in a Textbox
Programming the RCU
1. Push the address key If the address is not entered within 5 seconds, the RCU returns to its default address (zero address) and
controls then all projectors in the room.
2. Enter the same address with the digit buttons within 5 seconds after pushing the address key.
The projector can now be controlled with the RCU.
For example : if the projector address is 3, then press "3" on the RCU to set the RCU’s address to match the
projector’s address.
Common address/Projector address : Beside the projector address, the projector disposes also of a Common
address which can be set to “0” or “1” (by default “0”).
In other words, an RCU set to address “0” will always control a projector regardless of its projector address
(since it uses the common address).
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4. Setup
4.5
Projector address
What can be done ?
The projector is shipped with projector address set to ”0”
In some cases the projector address must be changed, for example if an unique RCU is used to control 2 or more projectors (independently).
In the OSD menu Projector Address, the following addresses can be programmed :
•
Projector address: address defined by the user, may be from 0 to 255
0-9 is used for RCU communication, 0–255 being used for RS232 serial communication.
•
Common address : address may be 0 or 1
How to change the projector’s RC5 address ?
1. Press MENU to activate the Tool bar
2. Press → to select the Installation
3. Press ↓ to Pull down the Installation menu
4. Use ↑ or ↓ to select Projector address (image 4-5)
5. Press ENTER
A dialog box appears on the screen. (image 4-6, image 4-7)
Image 4-5
Image 4-6
Image 4-7
Entering the new projector address ?
1. Enter the new projector address with the digit keys on the RCU, the local keypad or the cursor keys.
This address must be between 0 and 255.
How to change the common RC5 address ?
1. Press MENU to activate the Tool bar
2. Press → to select the Installation
3. Press ↓ to Pull down the Installation menu
4. Use ↑ or ↓ to select Projector address
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4. Setup
5. Press ENTER
A dialog box appears on the screen.
Entering the new common address ?
1. Enter the new projector address with the digit keys on the RCU, the local keypad or the cursor keys.
This address must be between 0 or 1.
4.6
Orientation
Projector orientations
Depending on how the projector is oriented, the projector’s internal settings have to be adapted.
How to change the orientation ?
1. Press MENU to activate the Toolbar
2. Press → to select the Installation item
3. Press ↓ to Pull down the Installation menu
4. Use ↑ or ↓ to select Orientation
5. Press → to pull down the menu
6. Use ↓ or ↑ to select the desired orientation (image 4-8)
7. Press ENTER
The projection is adapted and a black bullet shows the active configuration.
Image 4-8
4.7
Adjusting the lens
What must be done ?
Depending on the projection distance and the lens used, the image may not be at the desired size, position and/or may be out of
focus.
The projector will always allow you to shift your image vertically as well as horizontally (when available) to position it on the screen.
In addition, motorized lenses will also allow you to Zoom and focus the image.
All these lens parameters can be adjusted using the RCU, the local keypad or in the Installation menu of the projector’s OSD.
•
Zoom (only for motorized lenses)
•
Focus (only for motorized lenses)
•
Vertical Shift
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4. Setup
The lens can also be adjusted via the dedicated keys on the remote.
How to Zoom/focus or shift via the RCU (or keypad)
1. Press LENS ZOOM or
LENS FOCUS or LENS SHIFT on the RCU (image 4-9)
2. Use the arrow keys to adjust (image 4-10)
4
3
2
1
B RIGH TN
C O N TR
M EN
L EN S
L EN S
ZO OM
SH I F T
U
B A C K
L EN S
FO CU S
VO L
EN
PA
Image 4-9
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L O G O
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PI P
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9
0
PH
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Image 4-10
How to Zoom/focus or shift in the OSD ?
1. Press MENU to activate the Tool bar
2. Press → to select the Installation
3. Press ↓ to Pull down the Installation menu
4. Use ↑ or ↓ to select Lens adjustments... (image 4-11)
5. Press ENTER
A textbox appears on the screen, follow the instructions. (image 4-12, image 4-13)
Image 4-11
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4. Setup
Image 4-12
Image 4-13
The use of a sheet of paper held in front of the screen can be useful to determine the focus plane (position
for best focus)
Vertical shift range : -120% to 120%
4.8
4.8.1
Preferences
Language
List of languages
The list of selectable languages is depending on the software of the projector.
How to change the Language ?
1. Press MENU to activate the Tool bar
2. Press → to select the Installation item
3. Press ↓ to Pull down the Installation menu
4. Use ↑ or ↓ to select Language
5. Press → to pull down the menu
6. Use ↓ or ↑ to select the desired language (image 4-14)
7. Press ENTER
The language is adapted and a black bullet shows the active configuration.
Image 4-14
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4. Setup
4.8.2
Quick access keys
What can be done ?
The 3 function keys on top of the RCU can be associated with a particular item in one of the menus.
Each function which is not password protected or does not have a key on the RCU can be associated to a function key.
How to get an overview of the quick access keys ?
1. Press MENU to activate the Tool bar
2. Press → to select the Installation
3. Press ↓ to Pull down the Installation menu
4. Use ↑ or ↓ to select Quick access keys (image 4-15)
5. Press ENTER
A text box appears on the screen.
Image 4-15
How to program the quick access keys ?
1. Scroll through the menus to the desired menu item
2. Push the desired function key for 3 seconds (image 4-16)
The menu item is stored in the quick access key
F1
M EN U
F2
F3
B AC K
Image 4-16
Factory pre-programmed functions
-F1 : color depth
-F2 : noise reduction
-F3 : orientation
4.8.3
Automatic startup
What can be done ?
The automatic startup allows to bypass the standby state i.e. start up without going in standby state after switching on the projector.
This means that the automatic startup allows immediate restart of the projector after a power failure (breakdown), i.e. without passing
through the standby state, by recovering the previous settings (previous source,...).
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4. Setup
This function can be disabled if undesired or inadequate for safety reasons, etc.
CAUTION: If the Automatic startup function is enabled one must be aware of the fact that it involves safety
precautions
Make sure that the projector (or the operators!) will not be affected by altered environmental conditions when
restarting at power resume.
How to enable/disable the Automatic startup?
1. Press MENU to activate the Tool bar
2. Press → to select the Installation item
3. Press ↓ to Pull down the Installation menu
4. Use ↑ or ↓ to select Automatic startup
5. Press → to pull down the menu
6. Use ↓ or ↑ to enable/disable the automatic startup (image 4-17)
7. Press ENTER
Image 4-17
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4. Setup
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5. Getting started
5. GETTING STARTED
5.1
Start up
How to start up the projector ?
1. Press the Standby button on the RCU or the local keypad (image 5-1)
The last selected source is displayed
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Image 5-1
5.2
Creating your personal PiP Layout
As an example: the layout to be created must contain :
- one video source : composite video
- one data source : RGBHV
How to create a new layout based on an existing layout ?
1. Select an existing custom layout (non factory) from the PiP select menu (image 5-2)
2. Add the video window from the PiP add window menu by selecting the desired composite video source (image 5-3, image 5-4)
Note: You can only use one (2 in case of an optional video input) video source i.e. if the layout already contains a video source,
it will be impossible to add another (different) video input .
3. Follow the instruction wizard (size, position, order)
4. Repeat the previous steps to add the RGB source
5. Save the PiP layout in the PiP layout/Save as menu by typing a new name
See image 5-5.
Image 5-2
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5. Getting started
Image 5-3
Image 5-4
Image 5-5
Video/Data PiP layout
The added source(s) should be displayed with the right settings thanks to AutoImage. If it’s not the case (in
case of some non standard source specifications) see Image files in the Advanced chapter.
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5. Getting started
5.3
Adjusting the image
How to adjust the image
1. Use the PiP adjust button on the RCU to select the desired window (image 5-6)
2. Use the Image setting buttons on the RCU (image 5-7)
PH A SE
F1
F2
T IN T
F3
C OLO R
M EN U
B AC K
B R IG H T N
C ON TR
Image 5-6
Image 5-7
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5. Getting started
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6. Advanced
6. ADVANCED
6.1
Using the Dialog boxes
How to use the dialog boxes ?
Some parameters are modified by means of a dialog box, where selections can be made and/or values can be entered.
The values can be entered in several ways:
Entering numeric values using the numeric keys on the remote control
1. Press ENTER to activate the input field. (image 6-1)
2. Key in the desired value.
Image 6-1
Entering numeric values using the arrow keys on the remote control
1. Press ENTER to activate the input field.
2. Press ← or → to select the digit to be changed. (image 6-2)
3. Press ↓ or ↑ to increase or decrease the value.
Image 6-2
Entering numeric values using the arrow keys on the local keypad
1. Press ENTER to activate the input field.
2. Press ← or → to select the digit to be changed.
3. Press ↓ or ↑ to increase or decrease the value.
To confirm the changes always press ENTER.
Use ↓ or ↑ to browse between the different fields.
In some cases an alphanumeric value (file name, ...) has to be entered. Use ↑ or ↓ to scroll through the character values once the input field is activated.
Following characters can be browsed in this particular order:
Decimal scroll list: 0123456789
Signed decimal scroll list: 0123456789ASCII scrolllist:ABCDEFGHIJKLMNOPQRSTUVWXYZ0123456789+-*/&@#.;.abcdefghijklmnopqrstuvwxyz
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6. Advanced
6.2
Source Selection
Overview
•
6.2.1
Source selection
•
Composite Video
•
S-Video
Source selection
Selecting a source
The Source selection menu allows to select one of the different sources. Another method to select an input source is via the remote
control using the numeric keys or by using the local keypad.
When selecting a source with a different resolution (and/or aspect ratio) than the projector’s resolution (and/or
aspect ratio ), the source can be shown in its native resolution or can be re-scaled to the projector’s resolution,
the latter case brings of course some loss of quality.
For more info on resolution match see the Show native resolution function in the Image menu.
How to select a source ?
1. Press MENU to activate the Tool bar
2. Press ↓ to Pull down the Source Selection menu (image 6-3, image 6-4)
3. Use ↑ or ↓ to select one of the different sources ( Press → to Pull down if the item has a submenu)
4. Press ENTER to confirm your choice
On the screen appears now the selected source.
Image 6-3
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6. Advanced
Image 6-4
The Barco logo on the menu indicates the presence of a signal, the digit indicates the shortcut key on the
RCU.
The 3 first sources (Data on BNC’s, Component Video & RG(s)B) refer to the 5-cable input, the position of the
indication “1” will always show which BNC configuration is selected.
When to select “Data on BNC’s”
Select Data on BNC’s when a data signal is connected to the BNC’s
When to select “Component video” ?
Select Component video when a video signal of the type (R-Y/Y/B-Y) is connected on the BNC’s.
When to select RG sB Video ?
Select RG sB Video when an RGB video signal (15 KhZ) with Sync on green or sync on H is presented on the BNC’s.
This signal is routed to the video circuit and is projected in a Video Window.
6.2.2
Composite Video
How to select one of the 7 composite video inputs ?
1. Press MENU to activate the Tool bar
2. Press ↓ to Pull down the Source Selection menu
3. Use ↑ or ↓ to select Composite video
4. Press → to Pull down the submenu
5. Use ↑ or ↓ to select one of the different video inputs (image 6-5)
Note: Video2 is an optional Video input and is only displayed in case the optional Video/Audio layer is installed.
If the extended mode is disabled, the submenu contains only 1 selection (2 selections if the Audio & Video option is
installed).
6. Press ENTER to confirm your choice
A white bullet indicates the selected composite video source which now appears on the screen.
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6. Advanced
Image 6-5
Adjustments on a Composite video signal
The projectors allows different adjustments on a composite video signal. Depending on the type of signal (NTSC /PAL) the terminology may differ :
•
Contrast
•
Brightness
•
Color : adjusts the level of color saturation in a PAL signal
•
Tint : adjusts the level of color saturation in an NTSC signal
•
AGC: Automatic Gain Control
The composite video sources can also be selected using the video selector or via the dedicated key 3 on the
RCU. Key 3 allows to browse through the active video inputs when the extended mode is checked in Video
Selector..
6.2.3
S-Video
When
Select the S-Video input when in presence of a video signal also called S-VHS signal.
An S-Video signal is available on the Mini-Din connector of a camera, VCR or DVD player.
How to select one of the 3 S-Video inputs ?
1. Press MENU to activate the Toolbar
2. Press ↓ to Pull down the Source Selection menu
3. Use ↑ or ↓ to select S-Video
4. Press → to Pull down the submenu
5. Use ↑ or ↓ to select one of the different video inputs (image 6-6)
Note: S-Video4 is an optional Video input and is only displayed in case the optional Video/Audio layer is installed
If the extended mode is disabled, the submenu contains only 1 selection (2 selections if the Audio & Video option is
installed).
6. Press ENTER to confirm your choice
A white bullet indicates the selected video source which now appears on the screen.
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6. Advanced
Image 6-6
The S-Video sources can also be selected using the video selector or via the dedicated key 4 on the RCU. Key
4 allows to browse through the active S-Video inputs when the extended mode is checked in Video Selector.
6.3
General menu
Overview
•
6.3.1
Pause
•
Freeze
•
Standby Timer
•
Audio (Optional)
•
Identification
Pause
Interrupting the image projection
With the Pause function, the image projection can be stopped, the projector remains with full power for immediate restart.
How to interrupt the image projection ?
1. Press MENU to activate the Tool bar
2. Press → to select General
3. Press ↓ to Pull down the General menu
4. Use ↑ or ↓ to select Pause (image 6-7)
5. Press ENTER to activate the Pause function
A brief sound indicates that the shutter has been activated.
Image 6-7
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6. Advanced
The image projection can also be interrupted using the PAUSE key on the RCU.
To restart the image : press PAUSE
6.3.2
Freeze
Freezing the image
With the Freeze function, the image can be frozen.
To restart the image, reuse the Freeze function or press the FREEZE button on the remote.
How to freeze the image ?
1. Press MENU to activate the Tool bar
2. Press → to select General
3. Press ↓ to Pull down the General menu
4. Use ↑ or ↓ to select Freeze (image 6-8)
5. Press ENTER to activate the Freeze function
Image 6-8
The image can also be frozen using the FREEZE key on the RCU
6.3.3
Standby Timer
Purpose of the Standby Timer
If there is no signal, and the standby timer is enabled, a dialogbox is displayed and the projector will shut down after a determined
time.
The countdown time can be set in a dialog box in a range from 180 to 3600 seconds (default value = 300). The Timer can also be
disabled.
How to enable the timer ?
1. Press MENU to activate the Tool bar
2. Press → to select General
3. Press ↓ to Pull down the General menu
4. Use ↑ or ↓ to select Standby Timer (image 6-9)
5. Press ENTER to activate the function
On the screen appears a dialogbox (image 6-10)
6. Use ↑ or ↓ to select Enabled, a box surrounds the selected item, press ENTER to activate
7. Use ↑ or ↓ to browse to the input field
8. Use ←or→ , the numeric keys on the remote or the keypad to change the countdown setting
9. Press MENU or BACK to exit or to go back to the previous menu
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6. Advanced
Image 6-9
Image 6-10
6.3.4
Audio (Optional)
Overview
•
Audio Setup
•
Audio Settings
6.3.4.1
Audio Setup
What can be done ?
Layer 3 allows the input of 4 audio signals, each of them can be linked to the corresponding (video or data) source signal. it is also
possible to link multiple audio signals to one video (or data) source signal, this can be useful in case of teleconferencing.
The configuration has to be done in the Audio Setup menu
Starting the Audio Setup menu
1. Press MENU to activate the Tool bar
2. Press → to select General
3. Press ↓ to Pull down the General menu
4. Use ↑ or ↓ to select Audio setup (image 6-11)
5. Press ENTER
A dialog box is displayed (image 6-12)
-
LED is red : audio input is mute
-
LED is green : input is active (linked image source is selected)
-
LED is orange : image source is not selected
Image 6-11
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6. Advanced
Image 6-12
How to mute an Audio channel ?
1. use the arrow keys to select the desired mute box
2. Press ENTER
How to link an audio input to a source ?
1. use the arrows to select the desired scroll box
2. Press ENTER to open the scroll box
3. use ↑ or ↓ to select the source
4. Press ENTER
When the source switching mode is the fade in/out mode, the audio switching will also be done using a fade
in/out effect.
6.3.4.2
Audio Settings
Audio Settings
1. Press MENU to activate the Tool bar
2. Press → to select General
3. Press ↓ to Pull down the General menu
4. Use ↑ or ↓ to select Audio setup (image 6-13)
5. Press ENTER
A dialog box is displayed (image 6-14)
6. Use the arrow keys to select and change the settings
Note: The default value for the volume is 43, this corresponds to a gain factor of 1 (volume in = volume out).
Image 6-13
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6. Advanced
Image 6-14
6.3.5
Identification
The projector’s identification screen
The identification screen displays the projector’s main characteristics
How to display the identification screen ?
1. Press MENU to activate the Tool bar
2. Press → to select General
3. Press ↓ to Pull down the General menu
4. Use ↑ or ↓ to select Identification (image 6-15)
5. Press ENTER to activate the function
On the screen appears a text box.
In this case the projector is an iDR500 (image 6-16)
6. Press MENU or BACK to exit or to go back to the previous menu
Image 6-15
Image 6-16
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6. Advanced
6.4
Image menu
Overview
•
Settings
•
Aspect ratio
•
Show native resolution
•
Keystone
•
Color temperature
•
Filmmode detection (video only)
•
White peaking
•
Dynacolor™
•
Blanking
•
Input balance
•
AGC on Video
•
Manual Gain Control
6.4.1
Settings
Overview
•
Contrast
•
Brightness
•
Color
•
Tint (hue)
•
Sharpness
•
Gamma
•
Phase
•
Noise reduction
What can be done ?
Correct image settings are important for a good image reproduction. The image settings are made through a dialog box with a scroll
bar. Minimal, maximal and actual values are indicated. These settings can also be done directly via the RCU’s dedicated buttons,
except for the sharpness.
Image 6-17
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6. Advanced
Image 6-18
6.4.1.1
Contrast
Contrast adjustment
Adjust the contrast to “brighten” the white parts of the image.
It is recommended to adjust the brightness before adjusting the contrast.
How to change the contrast
1. Press MENU to activate the Toolbar
2. Press → to select the Image item
3. Press ↓ to Pull down the Image menu
4. Use ↑ or ↓ to select settings
5. Press → to pull down the menu
6. Use ↑ or ↓ to select Contrast
7. Press ENTER
On the screen appears now a sliderbox (image 6-19)
8. Use ←or → , the numeric keys on the remote, or the keypad to change the contrast
Image 6-19
6.4.1.2
Brightness
Brightness adjustment
Adjusting the brightness will affect the dark areas of the image. Increase the brightness to “lighten” up the parts that are too dark.
How to change the Brightness ?
1. Press MENU to activate the Toolbar
2. Press → to select the Image item
3. Press ↓ to Pull down the Image menu
4. Use ↑ or ↓ to select settings
5. Press → to pull down the menu
6. Use ↓ or ↑ to select Brightness
7. Press ENTER
On the screen appears now a sliderbox (image 6-20)
8. Use ←or → , the numeric keys on the remote, or the keypad to change the Brightness
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Image 6-20
6.4.1.3
Color
Color adjustment
Adjust the color to obtain more or less saturated colors.
How to change the Color ?
1. Press MENU to activate the Toolbar
2. Press → to select the Image item
3. Press ↓ to Pull down the Image menu
4. Use ↑ or ↓ to select settings
5. Press → to pull down the menu
6. Use ↓ or ↑ to select Color
7. Press ENTER
On the screen appears now a sliderbox (image 6-21)
8. Use ←or → , the numeric keys on the remote, or the keypad to change the Color
Image 6-21
6.4.1.4
Tint (hue)
How to change the Tint ?
1. Press MENU to activate the Toolbar
2. Press → to select the Image item
3. Press ↓ to Pull down the Image menu
4. Use ↑ or ↓ to select settings
5. Press → to pull down the menu
6. Use ↓ or ↑ to select Tint
7. Press ENTER
On the screen appears now a sliderbox
8. Use ←or → , the numeric keys on the remote, or the keypad to change the Tint
6.4.1.5
Sharpness
How to change the sharpness ?
1. Press MENU to activate the Toolbar
2. Press → to select the Image item
3. Press ↓ to Pull down the Image menu
4. Use ↑ or ↓ to select settings
5. Press → to pull down the menu
6. Use ↓ or ↑ to select sharpness
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7. Press ENTER
On the screen appears now a sliderbox
8. Use ←or → , the numeric keys on the remote, or the keypad to change the sharpness
6.4.1.6
Gamma
How to change the Gamma
1. Press MENU to activate the Toolbar
2. Press → to select the Image item
3. Press ↓ to Pull down the Image menu
4. Use ↑ or ↓ to select settings
5. Press → to pull down the menu
6. Use ↓ or ↑ to select Gamma
7. Press ENTER
On the screen appears now a sliderbox
8. Use ←or → , the numeric keys on the remote, or the keypad to change the Gamma
6.4.1.7
Phase
Phase adjustment
A bad phase adjustment will result in bad transitions and sometimes noise (text can end to be unclear).
How to change the Phase ?
1. Press MENU to activate the Toolbar
2. Press → to select the Image item
3. Press ↓ to Pull down the Image menu
4. Use ↑ or ↓ to select settings
5. Press → to pull down the menu
6. Use ↓ or ↑ to select Phase
7. Press ENTER
On the screen appears now a sliderbox (image 6-22)
8. Use ←or → , the numeric keys on the remote, or the keypad to change the Phase
Image 6-22
6.4.1.8
Noise reduction
How to change the Noise reduction ?
1. Press MENU to activate the Toolbar
2. Press → to select the Image item
3. Press ↓ to Pull down the Image menu
4. Use ↑ or ↓ to select settings
5. Press → to pull down the menu
6. Use ↓ or ↑ to select Noise reduction
7. Press ENTER
On the screen appears now a sliderbox
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8. Use ←or → , the numeric keys on the remote, or the keypad to change the Noise reduction setting.
6.4.2
Aspect ratio
Aspect ratios
The standard aspect ratio used in broadcast television is the 4:3 ratio. However, most of the DVD sources use nowadays the
widescreen 16:9 or even the cinemascope 2.35:1 aspect ratio.
Some DVD sources may even use the anamorphic 16:9 or anamorphic 2.35:1 to take advantage of the higher vertical resolution
offered by the 4:3 ratio. The “anamorphic” term means that the original widescreen image is squeezed in order to fit the 4:3 aspect
ratio.
4:3
16:9
2.35:1
Image 6-23
Common non- anamorphic aspect ratios in DVD sources
16:9
2.35:1
Image 6-24
Anamorphic aspect ratios in DVD sources
What can be done ?
The aspect ratio setting forces the projector to project an image using a defined aspect ratio :
•
4:3
•
16:9
•
5:4
•
Auto
The settings do not refer to the aspect ratio of the source !
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Projector setting
Source
4:3
4:3
16:9
5:4
16:9
2.35:1
16:9 anamorphic
2.35:1 anamorphic
Image 6-25
Possible aspect ratio settings and their effect on different sources in the iQ.
We can conclude that the thumb rule for DVD projection is to always leave the projector in 4:3 format except when dealing with
anamorphic sources where the 16:9 setting allows the best reproduction.
The Auto function calculates an aspect ratio based on the information stored in the image files.
Selecting Auto in case of a Video source may shrink the image horizontally
How to change the Aspect ratio ?
1. Press MENU to activate the Tool bar
2. Press → to select Image
3. Press ↓ to Pull down the Image menu (image 6-26)
4. Use ↑ or ↓ to select Aspect ratio
5. Use → open the Aspect ratio menu
6. Use ↑ or ↓ to select the desired ratio
7. Press ENTER to confirm
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Image 6-26
The aspect ratio settings are greyed out in case the Show native resolution or the Full screen representation
setting is enabled.
How to set a custom Aspect ratio ?
1. Press MENU to activate the Tool bar
2. Press → to select Image
3. Press ↓ to Pull down the Image menu
4. Use ↑ or ↓ to select Aspect ratio
5. Use → open the Aspect ratio menu
6. Use ↑ or ↓ to select Custom
7. Press ENTER to confirm
A dialog box is displayed (image 6-27)
8. Enter the values for width and height of the image
The image aspect ratio is updated.
Image 6-27
6.4.3
Show native resolution
Reality(SXGA+)
Native resolution of the LCD panels = 1400 x 1050 pixels (4:3)
What can be done ?
The aim here is to always show the resolution of the source independently of the resolution of the LCD panels. This way better
image reproduction is obtained since no up or down scaling is done on the source.
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Note that native resolution refers here to the source and does thus only have sense when handling data sources (greyed out for
video sources).
Depending on the type of projector the “show native resolution” function will handle the sources as follows:
Projected image
Source
Name
Ratio
Resolution
Ratio
Resolution
Display
xga
4:3
1024x768
4:3
1024x768
image centered +side blanked
sxga
5:4
1280x1024
5:4
1280x1024
image centered +side blanked
sxga+
4:3
1400x1050
4:3
1400x1050
image centered
uxga
4:3
1600x1200
4:3
1600x1200
scroll image
Table 6-1
Show native resolution = ON
The Full screen representation function on the other hand forces to use the complete native resolution of the
LCD panels.
How to enable the “Show native resolution” function?
1. Press MENU to activate the Tool bar
2. Press → to select the Image item
3. Press ↓ to Pull down the Image menu
4. Use ↑ or ↓ to select Show native resolution (image 6-28)
5. Press → to pull down the menu
6. Use ↓ or ↑ to select On
7. Press ENTER
A white bullet shows the selection
Image 6-28
The default mode is used if the Show native resolution and the Full screen representation are off.
The default mode shows always the native ratio and forces the native resolution of the panels (part of the
image blanked where needed)
When show native resolution is ON and the resolution of the source is higher than the panel resolution , use
the arrow keys to scroll through the image (pan).
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6.4.4
Keystone
What can be done ?
The Keystone adjustment is used to align the image, this can be necessary when projecting under a non standard angle
How to perform a Keystone correction ?
1. Press MENU to activate the Tool bar
2. Press → to select Image
3. Press ↓ to Pull down the Image menu
4. Use ↑ or ↓ to select Keystone (image 6-29)
5. Press ENTER to confirm
A sliderbox is displayed . (image 6-30)
Use ← or →, the numeric keys on the remote, or the keypad to adjust the keystone.
The Top and bottom adjustments affect the image differently. (image 6-31, image 6-32)
Image 6-29
Image 6-30
Image 6-31
Top adjustment of the keystone
Image 6-32
Bottom adjustment of the keystone
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6.4.5
Color temperature
What can be done ?
The color temperature can be selected according to the type of source:
There are 4 different preset color temperatures:
•
Projector white
•
computer : 9300 K
•
Video : 6500 K
•
Film : 5400 K
•
Broadcast : 3200 K
These calibrated presets can be selected and will provide optimum color tracking, the projector allows however the setting of a
personal color temperature, this is done in custom
How to select a preset color temperature ?
1. Press MENU to activate the Tool bar
2. Press → to select the Image item
3. Press ↓ to Pull down the Image menu
4. Use ↑ or ↓ to select Color temperature
5. Press → to pull down the menu
6. Use ↓ or ↑ to select the desired preset color temperature
7. Press ENTER
The color temperature of the image is adapted and a white bullet shows the active setting.
How to start up the custom color temperature ?
1. Press MENU to activate the Tool bar
2. Press → to select the Image item
3. Press ↓ to Pull down the Image menu
4. Use ↑ or ↓ to select Color temperature
5. Press → to pull down the menu
6. Use ↓ or ↑ to select custom
7. Press ENTER
A slider box for the red custom setting is displayed as well as a wizard text box in the lower part of the screen. (image 6-33)
Follow the instructions on the wizard textbox. (image 6-34)
Image 6-33
Image 6-34
6.4.6
Filmmode detection (video only)
What can be done ?
Some sources like common DVD material are derived from cinema 24 Hz sources (2/2 or 3/2 pull down method).
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NTSC VIDEO
VIDEO PAL
50f/s
167
FILM
24 f/s
60 f/s
167
160
133
125
120
80
83
83
1/30s
50
40
42
1/20s
0
0
2/2
3/2
Image 6-35
film to video conversion: 2/2 and 2/3 pull down method
Image 6-36
The filmmode detection insures that these converted signals are shown without artefacts, especially motion artefacts due to bad
de-interlacing.
This function may cause undesired effects on standard sources, therefore it can be disabled (OFF) at any time
Enabling/disabling the filmmode detection
1. Press MENU to activate the Tool bar
2. Press → to select the Image item
3. Press ↓ to Pull down the Image menu
4. Use ↑ or ↓ to select Filmmode detection
5. Press → to pull down the menu
6. Use ↓ or ↑ to enable or disable the Filmmode detection (image 6-37)
7. Press ENTER
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A white bullet shows the active setting
Image 6-37
6.4.7
White peaking
White peaking
White peaking function will allow you to adjust the “white level” of the colors i.e. increasing the white peaking will increase the overall
brightness of the image. Note that increasing the white peaking will decrease the color saturation.
How to adjust the White peaking level ?
1. Press MENU to activate the Tool bar
2. Press → to select the Image item
3. Press ↓ to Pull down the Image menu
4. Use ↑ or ↓ to select White peaking (image 6-38)
5. Press ENTER
A slider box is displayed (image 6-39)
6. Adjust the white peaking to the desired value
Image 6-38
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Image 6-39
6.4.8
Dynacolor™
What can be done?
DynaColor™ will eliminate channel-to-channel color variations.
How to define color?
The CIE chromaticity diagram is one way to plot the colors the human eye can see.
Image 6-40
The CIE chromaticity diagram
A projector can only reproduce a certain color gamut within this diagram. This color gamut is defined by the triangle formed by the
x, y coordinates of Red Green and Blue. These parameters are used by the DynaColor™ adjustment.
Image 6-41
The projector color gamut is defined by the triangle formed by the x, y coordinates of Red Green and Blue
Due to the tolerance on optical components the x, y values of this color gamut of each projector will differ.
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Image 6-42
The color gamut of each projector will differ
When working with a multichannel setup, these color differences between different projectors can be smoothed out by matching the
color gamuts of the different projectors to a Common Color Gamut.
Image 6-43
Common Color Gamut
The Common Color Gamut
In a basic setup with 2 projectors, the perimeter of the Common Color Gamut is described by the 6 points of intersection of the 2
separate color gamuts.
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.8
.7
.6
G2
.5
G1
Gc
y
.4
Yc
.3
Rc
W1
W2
R2
R1
Wc
Cc
Mc
.2
Bc
.1
B1
B2
0
.1
.2
.3
Image 6-44
The Common Color Gamut
.4
x
.5
.6
.7
R1 Red projector 1
R2 Red projector 2
G1 Green Projector 1
G2 Green Projector 2
B1 Blue Projector 1
B2 Blue Projector 2
W1 White Projector 1
W2 White Projector 2
Rc Red Common Color Gamut
Gc Green Common Color Gamut
Bc Blue Common Color Gamut
Cc Cyan Common Color Gamut
Mc Magenta Common Color Gamut
Yc Yellow Common Color Gamut
Wc White Common Color Gamut
The following parameters can be adjusted within DynaColor™:
•
the x, y coordinates and g(Light Output) of the 6 Common Color Gamut perimeter points.
•
the x, y coordinates and g(Light Output) of the White point of the Common Color Gamut.
How to Start up Dynacolor™?
1. Press the MENU key to activate the Menu bar.
2. Push the cursor key ← or → to highlight Image in the menubar.
3. Push the ↓ key to pull down the Image menu.
4. Push the cursor key ↑ or ↓ to highlight Dynacolor and press ENTER to select. (image 6-45)
The Dynacolor dialog box will be displayed. (image 6-46)
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5. Push the cursor key ← or → select enable/diasable and then ENTER.
Image 6-45
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Image 6-46
Dynacolor™ g (Light Output) Value
The value g in the Dyancolor™ interface represents a relative light output.
g=1 is the maximum available light output.
Assume we have a projector. L=1 in the Dyancolor™ interface will correspond with a ’maximum full white
light’ output of x Lumens.
Important ! In the projectors iD R600 and iD Pro R600 (R9010340 and R9010350) the measuring is done with
white peaking = 0.
In the projectors iD R600+ and iD Pro R600+(R9010341 and R9010351) however, the white peaking must be 10
during the measurement.
The dialogbox shown here are as displayed in the iD R600 and iD Pro R600 (with the field White ).The dialogbox
displayed in the iD R600+ and iD Pro R600+ contain the field White+ instead of White.
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The Dynacolor™ Interface
Following parameters are available in the Dyancolor™ Interface:
Measured Values
These are the colors the projector displays when no color changes are made
Red x, y
Coördinates for the Red point
Green x, y
Coördinates for the Green point
Blue x, y
Coördinates for the Blue point
White x, y
Coördinates for the White point
Red L
Red Light output
Green L
Green Light output
Blue L
Blue Light output
White L
White Light Output
Desired Values
These are the colors you want the projector to display when the status is enabled
Red x, y
Coördinates for the Red point
Green x, y
Coördinates for the Green point
Blue x, y
Coördinates for the Blue point
Cyan x, y
Coördinates for the Cyan point
Yellow x, y
Coördinates for the Yellow point
Magenta x, y
Coördinates for the Magenta point
White x, y
Coördinates for the White point
Red g
Red Light Gain
Green g
Green Light Gain
Blue g
Blue Light Gain
Cyan g
Cyan Light Gain
Yellow g
Yellow Light Gain
Magenta g
Magenta Light Gain
White g
White Light Gain
Status
Enables or disables Dynacolor™
Factory Preset
Sets the measured parameters back to the factory preset for the current set
Basic Dynacolor™ Adjustment
We assume we have a basic setup with 2 projectors, the Dynacolor™ adjustment is done by using only the Dynacolor™ menu:
1. Enable Dynacolor™ on both projectors.
2. Assume the first projector has the following measured values. (image 6-47)
3. Assume the second projector has the following measured values. (image 6-48)
4. We start by setting both projectors to the common red coordinate.
Tip:
Draw a quick sketch of both gamuts as a graphical help. (image 6-49)
5. Display the internal color bar pattern on both projectors.
6. In the desired values, adjust the red coordinate to a common value for both projectors.
Tip:
The color bar of the adjusted coordinate will no longer be displayed in case the coordinate is not present within the gamut
of the adjusted projector e.g. with the desired values for red set to x=660 and y= 318. (image 6-50)
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Select a coordinate that is present in the common gamut e.g. with the desired values for red set to x=633 and y= 328. (image 6-51)
7. Repeat step 5 to 6 for all coordinates on both projectors.
Both projectors will now operate within the same color gamut.
Image 6-47
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Image 6-48
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R2
330
320
310
R1
640
650
660
Image 6-49
Red coordinates for both projectors
R2
330
320
Rc
310
R1
640
650
660
Image 6-50
Coordinate is not present within the gamut of the adjusted projector
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R2
330
Rc
320
310
R1
640
650
660
Image 6-51
Select a coordinate that is present in the common gamut
Another way to determine the new coordinates is to use the DynacolorTool (software tool running on a laptop
or PC), contact Barco for more information.
6.4.9
Blanking
Blanking in the Image menu
The blanking in general allows to blank unwanted video information (noise in the top or bottom of the image).
The blanking in the image menu is the same as in the Display settings menu except for the fact that here the blanking settings are
stored in the image files. In other words each custom file or source has its own blanking values.
See the blanking procedure in the Display settings menu.
If the selected source is not entirely displayed always check first the blanking settings in the image menu
since the active custom file may contains blanking.
6.4.10 Input balance
Introduction: Unbalanced color signals
When transporting signals, there is always a risk of deterioration of the information contained in the signals.
The alterations of the three color signals will happen independently i.e. the colors will end to be unbalanced,
B
0.7V
Black level
Image 6-52
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G
B
R
∆G
∆R
∆Β
Black level
Image 6-53
The objective of input balancing
The objective in input balancing is to “set” the same black level and the same white level for the three colors of a particular input
source.
Black level setting : brightness
White level setting : contrast
The same absolute black and white level for the three colors allows the same reference for Brightness and contrast control of the
picture !
These two references also set the range in which the ADC will work for that particular source ( this explains also why each input
balance setting is linked to a particular source and thus saved in the image file).
How can it be done ?
To balance the three color signals of a particular source there are conditions; in fact we must know the black and the white level of
the source i.e. :
1.
the source in question must be able to generate a white signal, ideally a 100% white (background) full screen pattern
2.
the source in question must be able to generate a black signal, ideally a 100 % black (background) full screen pattern
A
B
Image 6-54
White balance : In the projector, we will set the contrast for each color until we get a 100% light output picture when projecting a
100% white image (image A)
Black balance : In the projector, we will set the brightness for each color until we get a 0% light output picture when projecting a
100% black image (image B).
The changeover from min to max is indicated by the apparition of bright spots also called “digital noise”
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An alternative to a full screen White/black pattern is the standard gray scale pattern, the white bar will be used
for white balance and the black bar for black balance.
Image 6-55
Black balance
1. Connect the source you want to project
2. Press MENU to activate the Tool bar
3. Press → to select the Image item
4. Press ↓ to Pull down the Image menu
5. Use ↑ or ↓ to select Input balance
6. Press → to pull down the menu
7. Use ↓ or ↑ to select Black balance (image 6-56)
8. Adjust the red black level on a minimal value (image 6-57)
9. Adjust the blue black level on a minimal value
Note: this minimal value is not necessary , provided that the 2 other colors are not influencing too much the color to be adjusted,
in fact the aim is to minimize the effect of the two other colors since there is a risk of reaching too soon the 50% transition
due to the contribution of these two other colors signals.
10.Adjust the green black level until bright spots appear on the black part of the image
11. Adjust the Blue black level until bright spots appear on the black part of the image
12.Adjust the Red black level until bright spots appear on the black part of the image
The projected image should know be noisy full black
Image 6-56
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Image 6-57
if one uses a gray scale pattern, the bright spots should appear in the black bar.
Performing White input balance
1. Select a black pattern (or gray scale as alternative)
2. Press MENU to activate the Toolbar
3. Press → to select the Image item
4. Press ↓ to Pull down the Image menu
5. Use ↑ or ↓ to select Input balance
6. Press → to pull down the menu
7. Use ↓ or ↑ to select White balance (image 6-58)
8. Adjust the red white level (gain) on a minimal value (image 6-59)
9. Adjust the blue white level (gain) on a minimal value
Note: this minimal value is not necessary , provided that the 2 other colors are not influencing too much the color to be adjusted,
in fact the aim is to minimize the effect of the two other colors since there is a risk of reaching too soon the transition
(bright spots) due to the contribution of these two other colors signals.
10.Adjust the Green white level (gain) until bright spots appear on the white part of the image
11. Adjust the Blue white level (gain) until bright spots appear on the white part of the image
12.Adjust the Red white level (gain) until bright spots appear on the white part of the image
The projected image should now be noisy neutral grey.
Image 6-58
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Image 6-59
if one uses a gray scale pattern, the bright spots should appear in the white bar.
Selecting Preset restores the factory input balance setting
The input balance settings are stored in the image file, each source has its own input balance.
6.4.11
AGC on Video
AGC
Automatic Gain Control: allows an automatic amplitude (gain) control of the incoming video signal
AGC is only for Video signals
Enabling/disabling the AGC
1. Press MENU to activate the Tool bar
2. Press → to select the Image item
3. Press ↓ to Pull down the Image menu
4. Use ↑ or ↓ to select AGC on Video
5. Press → to pull down the menu
6. Use ↓ or ↑ to enable or disable the AGC
7. Press ENTER
A white bullet shows the active setting (image 6-60)
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Image 6-60
The AGC can be disturbing in case of Macrovision encoded signals, therefore the AGC can be disabled (OFF)
at any time
6.4.12 Manual Gain Control
What can be done ?
Beside the AGC there is the possibility to manually set the gain of the incoming video signal. When the AGC is enabled (ON), the
manual setting does not affect the gain, AGC must therefore be disabled. The manual gain control must be done on an external
pattern with white areas (grey scale bar pattern)
How to set the Manual Gain Control ?
1. Press MENU to activate the Tool bar
2. Press → to select the Image item
3. Press ↓ to Pull down the Image menu
4. Use ↑ or ↓ to select Manual Gain Control (image 6-61)
5. Press ENTER
A scroll bar is displayed (image 6-62)
6. Use ← or →, the numeric keys on the remote, or the keypad to change the gain so as to obtain homogene white parts in the
image.
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Image 6-61
Image 6-62
6.5
Tools
Introduction to PiP
6.5.1
PiP
PiP stands for "Picture in Picture" and allows to display multiple windows containing each of them an image. The
windows may be of the video or data type.
What are the different possibilities within the PiP mode ?
The input section of the IQ projector allows a multitude of combinations of different input signals which may be projected in the 4
windows of the PiP screen.
The PiP mode allows independent settings for each window:
•
Image settings : contrast, brightness, tint, color,...
•
Vertical and horizontal shift of each window all over the screen
•
Resizing of the window
•
Digital Zoom
•
Linking of (an) audio input(s) to a single or multiple windows
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What are the different PiP layouts ?
•
Full screen2
The full screen is used to display one of the selected sources.
Browsing through the sources is possible with the PiP Adjust button on the remote.
•
2–by-2 raster2
The screen is divided into 4 subscreens containing 2 Video and 2 Data sources.
Image 6-63
PiP: 2by2 layout
•
PiP layout 1–3
3
These are factory layouts, they can be edited and saved.
•
Personal layouts
Beside the 2 fixed layouts and the 3 factory layouts, one can set 5 additional (personal) layouts.
PiP dedicated buttons
•
PiP Adjust : this button allows to focus on one particular window, this is shown with a white frame surrounding the selected
window.
A source identification box is displayed in the right lower corner.
Image 6-64
Pressing the button removes the frame to the next window. This can also be done via PiP Adjust in the Tools menu
•
PiP: this button allows to browse through the different configurations, it has the same function as PiP select in the Tools menu.
Since there is only one decoder (second decoder is optional), when in 2by2 configuration, Video1 and Video2
are derived from the same video source.
2. fixed layout
3. factory layouts
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6.5.2
PiP select
PiP layouts
The different PiP layouts (configurations) can be selected in the PiP select menu.
How to change the PiP configuration ?
1. Press MENU to activate the Tool bar
2. Press → to select the Tools item
3. Press ↓ to Pull down the Tools menu
4. Use ↑ or ↓ to select PiP select
5. Press → to pull down the menu
6. Use ↑ or ↓ to select the desired configuration
7. Press ENTER
A white bullet shows the active layout (image 6-65)
Image 6-65
The PiP configuration can also be selected via the dedicated PiP key on the RCU.
6.5.3
PiP add window
What can be done ?
It is possible to add a window to the existing windows (maximum 4), therefore a source must be selected.
Sources which are already used are non selectable. If, for instance, the PiP layout contains a component video then component
video will be non selectable.
Once added, the window may be altered in several ways to meet particular needs:
•
repositioning
•
re-sizing
•
changing the order
How to add a window ?
1. Press MENU to activate the Tool bar
2. Press → to select the Tools item
3. Press ↓ to Pull down the Tools menu
4. Use ↑ or ↓ to select PiP add window
5. Press ENTER
The source selection menu is displayed (image 6-66)
In the lower part of the screen appears a wizard in 4 steps (image 6-67)
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Image 6-66
Image 6-67
6.5.4
PiP remove window
How to remove a window ?
1. Press MENU to activate the Tool bar
2. Press → to select the Tools item
3. Press ↓ to Pull down the Tools menu
4. Use ↑ or ↓ to select PiP remove window
5. Press ENTER
In the lower part of the screen appears a wizard. (image 6-68)
The selected window appears surrounded with a white frame, each hit on PiP ADJUST will move the frame along the different
windows.
Image 6-68
6.5.5
PiP layout
Overview
•
PiP Save
•
PiP rename layout
•
PiP delete layout
6.5.5.1
PiP Save
What can be done ?
The active layout can be saved or "saved as".
When a new layout is saved it is added to the PiP select menu.
A fixed layout can be edited (re-sizing, re-positioning,...) but it can not be saved under its original name.
How to save a layout ?
1. Press MENU to activate the Tool bar
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2. Press → to select the Tools item
3. Press ↓ to Pull down the Tools menu
4. Use ↑ or ↓ to select PiP layout
5. Press → to pull down the menu
6. Use ↑ or ↓ to select PiP save or save as
7. Press ENTER
If save as has been selected, a dialog box is displayed (image 6-69)
Use ← or →, the numeric keys on the remote, or the keypad to enter the name and exit with BACK or MENU.
If save as has been selected, a message box is displayed (image 6-70)
Image 6-70
Image 6-69
6.5.5.2
PiP rename layout
What can be done ?
The non fixed layouts (factory and personal layouts) can be renamed .
The maximal length of the name is 12 characters.
A fixed layout can not be renamed
How to rename a layout ?
1. Press MENU to activate the Tool bar
2. Press → to select the Tools item
3. Press ↓ to Pull down the Tools menu
4. Use ↑ or ↓ to select PiP layout
5. Press → to pull down the menu
6. Use ↑ or ↓ to select Rename
7. Press ENTER
A dialog box is displayed (image 6-71)
8. Use ↑ or ↓ to select the layout to be renamed
9. Press ENTER
A dialog box is displayed (image 6-72)
Use ← or →, the numeric keys on the remote, or the keypad to enter the name and exit with BACK or MENU.
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Image 6-72
Image 6-71
6.5.5.3
PiP delete layout
What can be done ?
The non fixed layouts (factory and personal layouts) can be deleted.
The fixed layouts and the active layout can not be deleted
How to delete a layout ?
1. Press MENU to activate the Tool bar
2. Press → to select the Tools item
3. Press ↓ to Pull down the Tools menu
4. Use ↑ or ↓ to select PiP layout
5. Press → to pull down the menu
6. Use ↑ or ↓ to select Delete
7. Press ENTER
A dialog box is displayed (image 6-73)
8. Use ↑ or ↓ to select the layout to be renamed
9. Press ENTER
The layout is deleted and disappears from the dialog box
Image 6-73
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6.5.6
PiP Adjust
What can be done ?
PiP adjust allows to browse through the windows in the active layout, a white frame indicates the window which has the focus.
This way, independent settings (picture settings, ...) are possible for each window.
This can also be done by using the dedicated PiP Adjust key on the RCU
Image 6-74
PiP adjust in case of 2by2 layout
A
B
Data1 window has the focus, new settings will only affect Data1 window
Video1 window has the focus, new settings will only affect Video1 window
PiP adjust
1. Press MENU to activate the Toolbar
2. Press → to select the Tools item
3. Press ↓ to Pull down the Tools menu
4. Use ↑ or ↓ to select PiP Adjust
5. Press ENTER
The menu dissapears.
The focus moves to the next window when pressing ENTER (clockwise rotation)
If you press BACK or if you wait 5 seconds the menu is displayed.
When using the PiP adjust key on the RCU the corresponding source box is displayed in the bottom right
corner.
How to adjust a window in the layout ?
1. Use the PiP Adjust key or function in the menu to choose the window to be adjusted
2. Press ENTER
A wizard bar is displayed in the bottom of the screen
Follow the procedure.
6.5.7
Color keying
Principle of color keying
Take e.g. two image. One taken on a full color background and the other a normal image. The full color background will be replaced
by the second image via the principle of color keying.
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Image 6-75
Zebra on a single color
Image 6-76
Full color image
Image 6-77
Result image after color keying
The color keying function is only relevant when in presence of the Pro version, although present in the standard version.
6.5.8
Diagnostics
Diagnostics
1. See the Troubleshoot section in the appendix
6.6
Signal Menu
Overview
6.6.1
•
Switching mode
•
Background
Switching mode
Switching from one source to another
To minimize undesired effects when switching from one source to another, one can use the Seamless switching mode, beside Seamless switching there is a wide choice of several effects which render the source switching transitions more enjoyable.
How to select a switching mode ?
1. Press MENU to activate the Tool bar
2. Press → to select the Signal item
3. Press ↓ to Pull down the Signal menu
4. Use ↑ or ↓ to select Switching mode
5. Press → to pull down the menu
6. Use ↑ or ↓ to select the desired switching mode (image 6-78)
7. Press ENTER
A white bullet shows the active effect.
The next source switching will be done using the selected effect
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Image 6-78
The Random mode will select a new switching mode at each source switching i.e. there will never be 2 successive source switchings with the same effect.
The Seamless switching mode is not used in the Random mode.
The switching effects are only possible in the full screen mode
When the source switching mode is the fade in/out mode, the audio (when available) switching will also be
done using a fade in/out effect.
6.6.2
Background
Purpose
If there is no signal connected to the projector, the background will be a logo, a black or a blue screen depending on the background
settings.
How to change the background ?
1. Press MENU to activate the Toolbar
2. Press → to select the Signal item
3. Press ↓ to Pull down the Signal menu
4. Use ↑ or ↓ to select Background
5. Press → to pull down the menu
6. Use ↑ or ↓ to select the desired background (image 6-79)
7. Press ENTER
Image 6-79
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The logo display is only possible in the full screen mode, a logo can thus not be displayed (rescaled) in a
window in the PiP mode.
When there is no signal connected, the projector will also start its standby timer countdown (if enabled) and
shuts down after the predetermined time.
6.7
6.7.1
Lamp management
Runtimes
How to display the lamp runtimes ?
1. Press MENU to activate the Toolbar
2. Press → to select the Lamp item
3. Press ↓ to Pull down the Lamp menu
4. Use ↑ or ↓ to select Runtimes (image 6-80)
5. Press ENTER
A textbox is displayed (image 6-81)
Image 6-80
Image 6-81
6.7.2
Mode
What are the different lamp modes ?
Single mode
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The projector will always switch to the lamp with the shortest runtime when the difference between the runtimes of lamp1 and lamp
2 reaches 100 hours, switching from one lamp to another happens only at switching on of the projector and not during operation.
When the lamp fails or reaches its maximum runtime the projector switches automatically to the other lamp without interrupting the
projection.The failure is logged and the lamp will never be initialized in the future.
Image 6-82
Single mode operation: switching principle
Dual mode
Both lamps are working.
When one lamp fails, the projector continues the projection using the remaining lamp.
How to select the lamp mode ?
1. Press MENU to activate the Toolbar
2. Press → to select the Lamp item
3. Press ↓ to Pull down the Lamp menu
4. Use ↑ or ↓ to select Mode
5. Press → to pull down the menu
6. Use ↑ or ↓ to select the desired background (image 6-83)
7. Press ENTER
A bullet shows the active mode.
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Image 6-83
When switching from the dual mode to the single mode the lamp with the longest runtime is switched off.
If the runtimes are equal (if the projector has always been operated in dual mode) then lamp1 is switched out.
When switching to single mode, returning to the dual mode will not be possible in the first 60 seconds, Dual
in the menu is greyed out and LED1 is flickering, thereby preventing hot restrike which may damage the lamp.
6.7.3
History
How to view the history ?
1. Press MENU to activate the Tool bar
2. Press → to select the Lamp item
3. Press ↓ to Pull down the Lamp menu
4. Use ↑ or ↓ to select History (image 6-84)
5. Press ENTER
A textbox is displayed (image 6-85)
Image 6-84
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Image 6-85
6.7.4
Reset runtime
When to reset the lamp runtime ?
The lamp runtime should only be reset when placing a new lamp.
WARNING: Lamp runtime reset as well as the lamp replacement can only be done by a Barco authorized
technician.
How to reset the lamp runtime in the iQ/iD ?
1. Press MENU to activate the Tool bar
2. Press → to select the Lamp item
3. Press ↓ to Pull down the Lamp menu
4. Use ↑ or ↓ to select Reset runtime
5. Press → to pull down the menu
6. Use ↑ or ↓ to select the lamp to be reset (image 6-86)
7. Press ENTER
A dialog box is displayed (image 6-87)
8. Use ←or →, the numeric keys on the remote, or the keypad to change the serial number of the lamp (serial number 0000000 will
not be accepted).
Image 6-86
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Image 6-87
WARNING: Lamp runtime reset as well as the lamp replacement can only be done by a Barco authorized
technician.
How to reset the lamp runtime in the SIM5Plus?
1. Press MENU to activate the Tool bar
2. Press → to select the Lamp item
3. Press ↓ to Pull down the Lamp menu
4. Use ↑ or ↓ to select Reset runtime
5. Press → to pull down the menu
6. Use ↑ or ↓ to select the lamp to be reset
7. Press ENTER
A dialog box is displayed (image 6-88)
8. Use ←or →, the numeric keys on the remote, or the keypad to change the serial number of the lamp (serial number 0000000 will
not be accepted).
Image 6-88
WARNING: Lamp runtime reset as well as the lamp replacement can only be done by a Barco authorized
technician.
6.7.5
Runtime warning
What can be done ?
When the lamp has reached a certain predetermined runtime , a warning message will be displayed on the screen. The lamp runtime
warning can be set in a range from 30 to 200 hours. The runtime warning is displayed by default at 30 hours before end of lamp
lifetime.
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How to set the lamp runtime warning?
1. Press MENU to activate the Toolbar
2. Press → to select the Lamp item
3. Press ↓ to Pull down the Lamp menu
4. Use ↑ or ↓ to select Runtime warning (image 6-89)
5. Press ENTER
A dialogbox is displayed (image 6-90)
6. Use ←or →, the numeric keys on the remote, or the keypad to change the runtime warning setting.
Image 6-89
Image 6-90
WARNING: Lamp runtime reset as well as the lamp replacement can only be done by a Barco authorized
technician.
6.8
Image files menu
Overview
6.8.1
•
Load file
•
Auto Image
•
Edit file
•
Rename file
•
Copy
•
Delete
•
Forced file load
Load file
How to load a file ?
1. Press MENU to activate the Tool bar
2. Press → to select the Image files item
3. Press ↓ to Pull down the Image files menu
4. Use ↑ or ↓ to select Load (image 6-91)
5. Press ENTER
A dialog box is displayed (image 6-92)
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6. Use ↑ or ↓ to select the desired file
Tip:
For more info about the available image files and the specifications, see "Standard Image Files", page 113
7. Press ENTER
The file is loaded and the image is adapted.
Image 6-91
Image 6-92
In PiP mode, the files which may be loaded will be of the data type if the active window is a data window, or
they will be of the video type if the active window is a video window.
What to do if the image is not perfect ?
If the displayed image is not correct after AutoImage or after selecting the best fitting file, go to the Edit menu, select the active file
and change the settings.
6.8.2
Auto Image
What can be done ?
Auto Image creates the best suited image file for the connected source.
It calculates/measures several source parameters :
88
•
Total pixels per line
•
Start pixel
•
Phase
•
Contrast/Brightness levels
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Auto Image works only for data images.
The measure of the total number of pixels per line can be done through 2 methods
•
Limited scan: a windowing is used to allow fast tracking.
The operation takes about 20 seconds (depending on file)
•
Full scan: tracking is done over the full range.
The operation takes about 1.5 minutes (depending on file)
How to launch Auto Image?
1. Press MENU to activate the Tool bar
2. Press → to select the Image files item
3. Press ↓ to Pull down the Image files menu
4. Use ↑ or ↓ to select Auto Image
5. Press → to open the menu
6. Use ↑ or ↓ to select the desired file scan method (image 6-93)
7. Press ENTER
A text box showing a progress bar is displayed. (image 6-94)
Tip:
Press the Cancel button to cancel the operation.
Image 6-93
Image 6-94
The Auto Image setup in the Display setup menu affect only Auto Image if it is launched via the RCU key or at
automatic file creation.
Launching AutoImage via the menu involves complete checking of all parameters.
Auto Image can also be launched via the RCU with the dedicated AutoImage key.
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6.8.3
Edit file
What can be done with the Edit file menu ?
The Edit file menu makes it possible to change the settings of the file according to the real settings of the connected source. Consult
the source specifications before entering the data.
How to edit a file ?
1. Press MENU to activate the Tool bar
2. Press → to select the Image files item
3. Press ↓ to Pull down the Image files menu
4. Use ↑ or ↓ to select Edit (image 6-95)
5. Press ENTER
A dialog box is displayed
6. Use ↑ or ↓ to select the desired file
Note: If in PiP mode the cursor is placed by default on the active file which has the focus.
7. Press ENTER
A dialog box is displayed (image 6-96)
8. Press ENTER
A dialog box is displayed (image 6-97)
9. Use ←or →, the numeric keys on the remote, or the keypad to edit and change the values, confirm with ENTER
Note: greyed out fields can not be updated (total pixels)
Image 6-95
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Image 6-96
Image 6-97
Which items can be adjusted ?
The following items can be adjusted :
•
Active horizontal pixels
•
Horizontal start in pixels
•
Horizontal period in ns
•
Active vertical lines
•
Vertical start in lines
Advanced video settings
Image 6-98
The advanced button enables the advanced settings for a video source.
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video signal
frame blanking
video signal
egalisation
HI
Image 6-99
HI AGC Hold interval
The Comb filter is by default enabled.
The AGC hold interval is the time interval in which the AGC is inhibited (AGC hold = no update in video amplitude measurement),
the advanced parameter allows to choose a short or long hold interval.
A long AGC hold interval eliminates Macrovision ® disturbances since the AGC is hold during a long interval, thus reducing the
probability to encounter a Macrovision ® pulse.
The sync locking setting is recommended for poor video signals (ex: poor TV signals).
Sharpness adjustment can be chosen to be coarse or fine.
It is recommended to use the default values.
Advanced Data settings
The advanced button enables the advanced settings for a data source.
video info
a
b
Hs
Hs
Image 6-101
Hs horizontal sync pulse
a active low
b active high
Image 6-100
The VCO range setting determines the frequency range of the VCO (Voltage Controlled Oscillator).
The Cpmp (Charge pump current) sets the low pass filter current.
Both VCO range & Cpmp are set by the image file, changing these settings is only indicated in for special purposes.
The horizontal sync polarity setting can be useful in case of a bad shaped edge, one can choose between the leading (active low)
or trailing (active high) edge.
The input format settings are used to "tell more" about the signals connected on the BNC’s, it completes the information in the source
selection menu.
- RGB is selected by default and means that an RGB signal is connected to the BNC’s
- PR/Y/PB must be selected whenever:
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•
a progressive signal (32 kHz frequency video signal ) is connected to the BNC’s (select the source with Data on BNC’s in the
Source selection menu).
•
one wants (in PiP mode) to visualize the component video signal in a Data window hereby adding a video image in the PiP
layout.
-HDTV-PR/Y/PB for high definition component video signals.
It is recommended to use the default values.
6.8.4
Rename file
How to rename a file ?
1. Press MENU to activate the Tool bar
2. Press → to select the Image files item
3. Press ↓ to Pull down the Image files menu
4. Use ↑ or ↓ to select Rename (image 6-102)
5. Press ENTER
A dialog box is displayed (image 6-103)
6. Use ↑ or ↓ to select the desired file
7. Press ENTER
A text box is displayed (image 6-104)
Use ←or →, ↓ or ↑ the numeric keys on the remote, or the keypad to edit and change the values, confirm with ENTER.
Image 6-102
Image 6-104
Image 6-103
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6.8.5
Copy
How to copy a file ?
1. Press MENU to activate the Tool bar
2. Press → to select the Image files item
3. Press ↓ to Pull down the Image files menu
4. Use ↑ or ↓ to select copy (image 6-105)
5. Press ENTER
A dialogbox is displayed (image 6-106)
6. Use ↑ or ↓ to select the desired file
7. Press ENTER
A text box is displayed (image 6-107)
Use ←or →, ↓ or ↑ on the remote, or the keypad to enter the new name, confirm with ENTER.
Image 6-105
Image 6-107
Image 6-106
If the AutoImage function does not succeed in finding a file and no file is loaded (load list is empty), which
means that the source is not displayed, then use the copy function: Copy a standard file (.std) which is not
too different of the source to display, then edit this file to get the best image.
6.8.6
Delete
How to delete a file ?
1. Press MENU to activate the Tool bar
2. Press → to select the Image files item
3. Press ↓ to Pull down the Image files menu
4. Use ↑ or ↓ to select delete (image 6-108)
5. Press ENTER
A dialog box is displayed (image 6-109)
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6. Use ↑ or ↓ to select the desired file
7. Press ENTER
The selected file is deleted and is removed from the list
Image 6-108
Image 6-109
6.8.7
Forced file load
What can be done ?
Forced file load allows to force or lock one particular custom file to be loaded for one particular input. This way one can guarantee
that the same desired file is always used for a particular source.
For each layer (layer 1, layer 2, layer 3) we can enable or disable the forced file load. The specification for the file to be selected for
each input on that layer is done via RS232.
see the RS232 User Guide for more information on the Forced file load command to be sent.
How to set a file to be loaded ?
1. Press MENU to activate the Tool bar
2. Press → to select the Image files item
3. Press ↓ to Pull down the Image files menu
4. Use ↑ or ↓ to select Forced file load
5. Press → to open the menu (image 6-110)
6. Use ↑ or ↓ to select the desired layer
7. Press ENTER
Forced file load is activated for this layer (this is shown with a bullet)
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Image 6-110
6.9
Display Setup
Overview
6.9.1
•
Full screen representation
•
Startup screen
•
Textbox
•
Take screenshot
•
Menu bar position
•
Status bar position
•
Sliderbox position
•
AutoImage Setup
•
Blanking
•
Soft Edge
Full screen representation
Purpose of the Full screen representation
The Full screen representation function forces to use the complete native resolution of the LCD panels independently of the native
resolution of the source.
Note that the full screen representation does not preserve the aspect ratio of the source, i.e. when the aspect ratio of the active
image is not the same as the projector (in this case 1920/1080 or 1.77:1), the image will end to be distorted (stretched or shrinked).
How to enable/disable the full screen representation ?
1. Press MENU to activate the Tool bar
2. Press → to select the Display setup item
3. Press ↓ to Pull down the Display setup menu
4. Use ↑ or ↓ to select Full screen representation
5. Press → to pull down the menu
6. Use ↓ or ↑ to select ON or OFF
7. Press ENTER
The full screen representation will not guarantee the best image quality, therefore the Show native resolution
has to be selected.
The show native resolution function on the other hand forces to use the native resolution of the source.
The Full screen representation function overrules the show native resolution function.
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The aspect ratio setting is greyed out when enabling the full screen representation.
6.9.2
Startup screen
What can be done ?
When the startup screen is enabled, the identification screen is displayed for a few seconds at startup. This startup screen can also
be disabled.
Image 6-111
How to enable/disable the Startup screen?
1. Press MENU to activate the Tool bar
2. Press → to select the Display setup item
3. Press ↓ to Pull down the Display setup menu
4. Use ↑ or ↓ to select Startup screen
5. Press → to pull down the menu
6. Use ↓ or ↑ to select the ON or OFF
7. Press ENTER
6.9.3
Textbox
What can be done ?
The textbox function allows to display or not the different sliderboxes used for instance for picture settings (contrast,...), it also affects
the source information windows (displayed in the right lower corner of the screen).
How to enable/disable the Textbox ?
1. Press MENU to activate the Toolbar
2. Press → to select the Display setup item
3. Press ↓ to Pull down the Display setup menu
4. Use ↑ or ↓ to select Textbox
5. Press → to pull down the menu
6. Use ↓ or ↑ to enable/disable the textbox
7. Press ENTER
6.9.4
Take screenshot
What can be done ?
A screenshot can be taken from an active projected image. This screenshot is then saved in a 4 MB RAM and can be used as
background.
Each new screenshot erases the previous logo therefore a warning message is displayed asking the user to confirm.
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How to take a screenshot ?
1. Press MENU to activate the Tool bar
2. Press → to select the Display setup item
3. Press ↓ to Pull down the Display setup menu
4. Use ↑ or ↓ to select Take screenshot
5. Press ENTER
A dialog box is displayed. Press yes to confirm. (image 6-112)
A text box shows the evolution of the operation. (image 6-113, image 6-114)
Image 6-112
Image 6-113
Image 6-114
6.9.5
Menu bar position
What can be done ?
The menu toolbar can be centered vertically , the range being from top of the screen to the middle of the screen. This can be useful
in applications where the top image content is not displayed.
How to center the menu ?
1. Press MENU to activate the Toolbar
2. Press → to select the Display setup item
3. Press ↓ to Pull down the Display setup menu
4. Use ↑ or ↓ to select Menu bar position menu
5. Press ENTER
6. Use ↑ or ↓ to position the menu toolbar
6.9.6
Status bar position
What can be done ?
The status bar (wizard menu) can be centered vertically , the range being from bottom of the screen to the middle of the screen.
This can be useful in applications where the bottom image content is not displayed.
How to center the menu ?
1. Press MENU to activate the Toolbar
2. Press → to select the Display setup item
3. Press ↓ to Pull down the Display setup menu
4. Use ↑ or ↓ to select Status bar position
5. Press ENTER
6. Use ↑ or ↓ to position the status bar
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6.9.7
Sliderbox position
What can be done ?
The sliderbox can be displayed anywhere on the screen, the position can be set in this menu.
How to reposition the sliderbox?
1. Press MENU to activate the Tool bar
2. Press → to select the Display setup item
3. Press ↓ to Pull down the Display setup menu
4. Use ↑ or ↓ to select Sliderbox position
5. Press ENTER
A sliderbox is displayed. Use the 4 arrow keys to drag the box to the desired position. (image 6-115)
Image 6-115
There is a coarse and a fine adjustment of the position, use ENTER (when sliderbox is displayed) to switch
between the two.
6.9.8
AutoImage Setup
What can be done ?
Autoimage allows to detect automatically the characteristics of the source (total pixels per line,...) and uses this information to adapt
the image to the LCD panels.
Autoimage can adapt the image based on following data :
•
Total pixels per line
•
Start pixel
•
Phase
•
Contrast/brightness levels
Autoimage works only for data signals.
How to set up AutoImage?
1. Press MENU to activate the Tool bar
2. Press → to select the Display setup item
3. Press ↓ to Pull down the Display setup menu
4. Use ↑ or ↓ to select AutoImage setup
5. Press ENTER
A dialog box is displayed.
(image 6-116)
6. Use the arrow keys to select the desired item and press ENTER to activate or disactivate the item.
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Image 6-116
How to perform AutoImage ?
1. Press AutoImage on the RCU
A textbox showing a progress bar is displayed.
During the AUTOIMAGE measuring process the data source disappears temporarily (logo is displayed if background is set to logo )
6.9.9
Blanking
What can be done ?
The image can be blanked in several ways :
•
Top blanking
•
Bottom blanking
•
Left blanking
•
Right blanking
Image 6-117
Note that here the blanking is only done on the display i.e. the setting is not saved in the image file. in other
words only one type of blanking (setting) can be done independently of the source.
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6. Advanced
How to blank the image ?
1. Press MENU to activate the Toolbar
2. Press → to select the Display setup item
3. Press ↓ to Pull down the menu
4. Use ↑ or ↓ to select Blanking
5. Press ENTER
A slider box is displayed (image 6-118)
6. Use ←or →, the numeric keys on the remote, or the keypad to change the blanking.
Image 6-118
Use the checkboxes to enable/disable the blanking
Use the Reset key to reset the blanking values.
The logo is also affected by the blanking
6.9.10 Soft Edge
Overview
•
Introduction
•
Soft Edge overlap zone (horizontal Soft Edge)
•
Soft Edge border adjustment
•
Black level of the images
6.9.10.1 Introduction
Why Soft Edge?
When working in a multichannel setup the projector and its Soft Edge possibilities allow an image blending that gives the appearance
of a single view.
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6. Advanced
Image 6-119
Why Soft Edge?
What is the Basic Principal of Soft Edge?
The principle of edge blending is achieved by linear modulation of the light output in the overlap zone so that the light output in that
zone equals the light output of the rest of the image.
Adjustable overlapping area
Light output per image
100%
50%
image 1
image 2
Total composite light output
100%
50%
image 1
image 2
Image 6-120
Light modulation in Soft Edge
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6.9.10.2 Soft Edge overlap zone (horizontal Soft Edge)
Definitions
Image 6-121
Scenergix set up
Overlap : number of pixels that overlap
Horizontal resolution of 1 projector : 1400 for SXGA+ projectors.
Total horizontal screen resolution : [(horizontal resolution of 1 projector) x 2] minus overlap.
Horizontal Resolution source : number of active pixels of the source.
Adjustment of Active pixels (Pact) of the first projector
1. Go to File –> Edit menu of first projector.
2. Enter value for horizontal active (= Pact) as follows :
Pact = [(Horz. resolution of 1 projector)/(Total horz. screen resolution)] x (horz. resolution source)
3. Horizontal start (= Pstart) remains the same.
Adjustment of Active pixels (Pact) of second projector
1. Go to File –> Edit menu of second projector.
2. Enter value for horizontal active (= Pact) as follows :
Pact = [(Horz. resolution of 1 projector)/(Total horz. screen resolution)] x (horz. resolution source)
3. Horizontal start (= Pstart) = original start + [(Horz. resolution source) minus (newly calculated Pact)]
Example
Horizontal resolution source : 1600 pixels
horizontal resolution projector 1 & 2 : 1024 pixels
Overlap : 100 pixels
Total horizontal screen size in pixels : 1948 pixels
Pact projector 1 = [(1024 / 1948)] x 1600 = 841 pixels
Pact projector 2 = [(1024 / 1948)] x 1600 = 841 pixels
Pstart projector 2 = Pstart projector 1 + (1600 – 841)
6.9.10.3 Soft Edge border adjustment
What can be done with the Soft Edge border menu?
Within this menu the width of the blending zone is set up.
How to select a border?
1. Press MENU to activate the menu bar.
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2. Press → to select the Display setup item. (image 6-122)
3. Press ↓ to pull down the Display setup menu.
4. Use ↑ or ↓ to select Soft Edge.
5. Press → to select the Soft Edge item.
6. Use ↑ or ↓ to select Border.
7. Press ENTER to select.
A dialog box will be displayed. The actual Soft Edge border will be displayed.
8. Use ↑ or ↓ to select the desired adjustment.
Image 6-122
Adjusting with the arrow keys.
1. When on an adjustment, use the → or ← key to move the border line to the desired position.
The border line will move in the desired direction and the light output in the overlap area will be adapted to. (image 6-123)
Set first the width of the first projector and repeat for the second one. (image 6-124, image 6-125)
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Image 6-123
Width selections
Image 6-124
Width set up for projector 1
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Image 6-125
Width set up for projector 2
Adjusting by entering the exact values.
1. When on an adjustable item, the input box background will be colored. Press ENTER.
The value will change to a 3 digit value and the first digit is selected.
2. Enter a value with the digit keys on the remote control.
The cursor jumps automatically to the next digit.
3. Press ENTER to activate the new value.
Use reset to return to the default settings.
6.9.10.4 Black level of the images
Why
For dark images, the overlap zone will be brighter than the rest of the images. Therefore we can rise the black level of the remaining
image (excluding the overlap zone)
How to adjust
1. Press MENU to activate the menu bar.
2. Press → to select the Display setup item. (image 6-126)
3. Press ↓ to pull down the Display setup menu.
4. Use ↑ or ↓ to select Soft Edge.
5. Press → to select the Soft Edge item.
6. Use ↑ or ↓ to select Black level.
7. Press ENTER to select.
A dialog box will be displayed on a black level background.
Adjust the black level of area A until the black level of area A, B and C or equal (area C should be adjusted on the second
projector). (image 6-127)
Use the up or down arrow key to select the adjustment (All, Red, Green or Blue)
Use the left or right arrow key to select the adjustment direction and speed.
Press ENTER to increment or decrement the value.
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6. Advanced
Image 6-126
A
R
G
B
B
C
RGB
12
13
11
Image 1
Image 2
Image 6-127
Black level adjustment
6.10 Installation
Overview
•
Lens adjustments
•
Security
•
Change password
6.10.1 Lens adjustments
What can be done ?
Motorized lenses can be adjusted in the installation menu or via the dedicated keys on the remote.
The following parameters can be adjusted:
•
Zoom
•
Focus
•
Shift (also for non motorized lenses)
How to Zoom/focus or shift ?
1. Press MENU to activate the Toolbar
2. Press → to select the Installation
3. Press ↓ to Pull down the Installation menu
4. Use ↑ or ↓ to select Lens adjustment (image 6-128)
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5. Press ENTER
A textbox appears on the screen, follow the instructions. (image 6-129, image 6-130)
Image 6-128
Image 6-129
Image 6-130
6.10.2 Security
What can be done ?
A security function is implemented in the projector and allows a protection against theft.
A PIN code allows the user to lock the projector in case of wrong code entry.
The PIN code must be entered at each start up (Power ON), entering three times a wrong number triggers a wait cycle of 15 minutes,
the second 3 wrong codes a wait cycle of 30 minutes, 1 hour, ...
The security mode can be enabled or disabled.
How to activate the security mode ?
1. Press MENU to activate the Tool bar
2. Press → to select the installation item
3. Press ↓ to Pull down the menu
4. Use ↑ or ↓ to select Security (image 6-131)
5. Press → to open the menu
6. Use ↑ or ↓ to select ON
7. Press ENTER
A dialog box is displayed (image 6-132)
8. Use the arrow keys to select YES and press ENTER to confirm
A dialog box is displayed
Enter your name, company name,... (this information is displayed in the identification menu) (image 6-133)
9. Press ACCEPT
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A dialog box is displayed.
Enter the PIN code, and confirm it. (image 6-134)
An informative text box is then displayed. Press ENTER or BACK to escape. (image 6-135)
Image 6-131
Image 6-132
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6. Advanced
Image 6-134
Image 6-133
Image 6-135
How to disable the security mode ?
1. Press MENU to activate the Tool bar
2. Press → to select the installation item
3. Press ↓ to Pull down the menu
4. Use ↑ or ↓ to select Security
5. Press → to open the menu
6. Use ↑ or ↓ to select OFF
7. Press ENTER
A dialog box is displayed
8. Enter your PIN code
The security mode is now disabled
6.10.3 Change password
How to change the password ?
1. Press MENU to activate the Tool bar
2. Press → to select the Installation item
3. Press ↓ to Pull down the Installation menu
4. Use ↑ or ↓ to select Change password (image 6-136)
5. Press ENTER
A dialog box is displayed.
(image 6-137)
6. Use ← or → , the numeric keys on the remote , or the keypad to enter and confirm the new password.
Each character is displayed as an asterisk.
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Image 6-136
Image 6-137
The new password is accepted if the new password and the confirmed password coincide.
If the password is forgotten contact a Barco authorized technician.
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A. Standard Image Files
A. STANDARD IMAGE FILES
A.1
Table overview
Table overview
The following standard image files are pre-programmed in the projector.
Name4
Resolution5
Fvert
FHor
Fpix
Hz6
kHz7
MHz8
Ptot9
Pact10
Ltot11
Lact12
1600_48V
1600x600i
48,040
62,500
135,000
2160
1600
651
600
CGA
640x200i
59,924
15.700
14.318
912
640
262
200
COMPUSC4
1024x480i
29,945
30,694
39,779
1296
1024
512
480
DOS1_70
720x400
70
31,500
28,350
900
720
449
400
DOS3_56
640x400
56
24,800
21,030
848
640
440
400
DOS4_85
640x400
85
37,860
31,500
832
640
445
400
ED
735x480
59,943
31,470
28,638
910
735
525
480
EGA
640x350
59,702
21,851
16,257
744
640
366
350
ESVGA_75
832x624
73
47,900
53,648
1120
832
660
624
EXGA_60
1152x864
60
54,900
79,934
1456
1152
916
864
EXGA_80
1152x864
80,000
76,499
110,159
1140
1152
958
864
EXGA_85
1152x864
85
77,202
121,671
1576
1152
907
864
,000
EXGA1_70
1152x864
70
63,800
94,424
1480
1152
912
864
EXGA1_75
1152x864
75
67,499
107,999
1600
1152
900
864
EXGA2_70
1152x864
70
66,098
99,941
1512
1152
945
864
EXGA2_75
1152x864
75
75,199
110,092
1464
1152
1002
864
FMR
640x400i
42,323
36,440
28,570
784
640
431
400
GE_50
640x400
50
31,200
44,928
1440
1163
625
522
GE_60
1085x480
60
30,700
41,261
1344
1085
512
480
hd_1080i
1920x540
60
33,750
74,249
2200
1920
563
540
hd_24p
1920x1080
24,000
27,000
74,000
2750
1920
1125
1080
hd_24sf
1950x540
48,000
27,000
74,000
2750
1950
562
540
hd_25i
1920x540
50,000
28,125
74,000
2640
1920
562
540
hd_25p
1920x1080
25,000
28,125
74,000
2640
1920
1125
1080
4. Name: name of file, contains the settings.
5. Resolution: image resolution, when followed by ..i means interlaced.
6. Fvert Hz: vertical frame frequency of the source
7. FHor kHz: horizontal frequency of the source
8. Fpix MHz: pixel frequency
9. Ptot : total pixels on one horizontal line.
10. Pact: active pixels on one horizontal line.
11. Ltot: total lines in one field
12. Lact: active lines in one field.
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A. Standard Image Files
Name4
114
Resolution5
Fvert
FHor
Fpix
Hz6
kHz7
MHz8
Ptot9
Pact10
Ltot11
Lact12
hd_30p
1920x1080
30,000
33,750
74,000
2200
1920
1125
1080
hd_60p
1280x720
60,000
45,000
74,000
1650
1280
750
720
INTER_GR
1184x886
67,170
61,796
92,941
1504
1184
920
886
IQPC_SXGA_2
1366x1024
59
62,933
106,230
1688
1366
1067
1024
IQPC_SXGA_D
1280x1024
60
63,857
107,791
1688
1280
1063
1024
IQPC_XGA_1
1024x768
61
49,005
65,863
1344
1024
807
768
IQPC_XGA_2
1024x768
60
48,485
65,164
1344
1024
807
768
IQPC_XGA_D
1024x768
61
49,005
65,863
1344
1024
806
768
MAC_3
512x384
60,147
24,480
15,667
640
512
407
384
MAC_4
560_384
60,147
24,480
17,234
704
560
407
384
MAC_5
512x342
60,158
22,259
16,670
704
512
370
342
MAC_6
832x624
74,546
49,722
57,280
1152
832
667
624
MAC_7
1024x768
74,907
60,150
80,000
1330
1024
803
768
MAC_LC
640x480
66,619
34,975
31,338
896
640
525
480
MAC_POR
640x870
74,996
68,846
57,280
932
640
918
870
METH_BOOT1
720x400
70
31,500
28,350
900
720
448
400
METH_BOOT2
640x480
59
31,000
24,800
800
640
524
480
MXGA_100
1152x864
100
92,997
145,820
1568
1152
930
864
NTSC
675x240
60
15,748
13,512
858
675
263
240
NTSC_LIMO_x2
834x482
60
31,496
32,252
1024
834
525
482
NTSC_LIMO_x3
834x715
60
46,646
47,766
1024
834
778
715
NTSC_LIMO_x4
834x961
60
62,992
64,504
1024
834
1050
961
PAL
675x286
50
15,625
13,500
864
675
313
286
PAL_LIMO_x2
834x574
50
31,250
32,000
1024
834
626
574
PAL_LIMO_x3
834x850
50
46,296
47,407
1024
834
926
850
PAL_LIMO_x4
834x1146
50
62,500
64,000
1024
834
1250
1146
PAM500
640x400
60,000
26,400
22,810
864
640
440
400
PAM800
1120x375i
44,936
36,443
50,000
1372
1120
406
375
PC98_2
1120x375i
39,994
32,835
47,840
1457
1120
411
375
PC98_3
1120x750
60,000
50,000
78,569
1571
1120
833
750
S1152_66
1152x900
66,004
61,846
94,500
1528
1152
937
900
S1152_76
1152x900
76,637
71,809
108,000
1504
1152
937
900
R5976837 BARCO ID R600/R600+ 21/09/2006
A. Standard Image Files
Name4
Resolution5
Fvert
FHor
Fpix
Hz6
kHz7
MHz8
Ptot9
Pact10
Ltot11
Lact12
S1600_67
1600x1280
67
89,286
200,000
2240
1600
1334
1280
SDI_625
675x278i
25,000
15,625
13,500
864
720
313
278
SDI_525
675x240i
29,970
15,734
13,500
858
720
263
240
SG_50
1600x1200
50,000
62,500
130,313
2085
1600
1250
1200
SG_60_1
1280x1024
60,000
63,900
107,352
1680
1280
1065
1024
SG_60_2
1024x768
60,000
48,780
64,390
1320
1024
813
768
SG_60_3
960x680
60,000
43,200
54,432
1260
960
720
680
SG_60_4
1600x1200
60,000
75,000
156,375
2085
1600
1250
1200
STOR_100
764x287
100
31,300
30,361
970
764
313
287
STOR_120
810x247
119
31,300
30,361
970
810
263
247
STOR_50
1024x512
50
31,300
40,064
1280
1024
625
512
STOR_60
1024x512
60
31,300
40,064
1280
1024
525
512
SUNEWS67
1280x1024
67,189
71,691
117,000
1632
1280
1067
1024
SUNEWS76
1280x1024
76,107
81,130
135,000
1664
1280
1066
1024
SUNXGA60
1024x768
59,984
48,287
64,125
1328
1024
805
768
SUNXGA70
1024x768
70,041
56,596
74,250
1312
1024
808
768
SUNXGA77
1024x768
77,069
62,040
84,375
1360
1024
805
768
SUP_MAC
1024x768
60,000
48,780
63,999
1312
1024
813
768
SVGA_56V
800x600
56,250
35,156
36,000
1024
800
625
600
SVGA_60V
800x600
60,317
37,879
40,000
1056
800
628
600
SVGA_72_1
800x600
72,084
48,080
50,003
1040
800
666
600
SVGA_72_2
800x600
72,084
48,080
50,003
1040
800
667
600
SVGA_75
800x600
75,000
46,875
75,000
1056
800
625
600
SVGA_85
800x600
85,000
53,635
56,250
1048
800
631
600
SXGA_72_1
1280x1024
72
76,699
128,854
1680
1280
1061
1024
SXGA_72_2
1280x1024
72
76,970
130,080
1690
1280
1069
1024
SXGA_75
1280x1024
75
79,974
134,997
1688
1280
1066
1024
SXGA_76
1280x1024
76
81,103
134,955
1664
1280
1066
1024
SXGA_85
1280x1024
85
91,149
157,506
1728
1280
1072
1024
SXGA_L
1280x1024
60
62,500
84,000
1344
1280
1041
1024
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A. Standard Image Files
Name4
116
Resolution5
Fvert
FHor
Fpix
Hz6
kHz7
MHz8
Ptot9
Pact10
Ltot11
Lact12
SXGA+_60
1280x1024
60
63,980
107,997
1688
1280
1066
1024
SXGA2_60
1280x960
60
59,999
107,998
1800
1280
1000
960
SXGA2_85
1280x960
85
85,940
148,505
1728
1280
1011
960
SXGA50
1280x1024
50
52,351
88,368
1688
1280
1047
1024
SXGA60v
1280x1024
60
63,658
110,001
1728
1280
1056
1024
SXGAP_70
1024x1280
70
92,902
133,779
1440
1024
1326
1280
SXGAP1_60
1024x1280
60
77,700
83,916
1080
1024
1297
1280
SXGAP2_60
1024x1280
60
79,498
110,661
1392
1024
1325
1280
UXGA_60
1600x1200
60
75,002
162,004
2160
1600
1250
1200
UXGA_65
1600x1200
65
81,248
175,496
2160
1600
1250
1200
UXGA_70
1600x1200
70
87,497
188,993
2160
1600
1250
1200
UXGA_75
1600x1200
75
93,747
202,494
2160
1600
1250
1200
UXGA_85
1600x1200
85
106,247
229,494
2160
1600
1250
1200
UXGA_L
1600x1200
60
72,801
119,977
1648
1600
1216
1200
UXGAP1_60
1200x1600
59
95,804
119,946
1252
1200
1620
1600
UXGAP2_60
1200x1600
60
99,404
163,817
1648
1200
1656
1600
VGA_60
640x480
60
31,326
25,061
800
640
525
480
VGA_66
640x480
67
35,100
30,326
864
640
525
480
VGA_72
640x480
73
37,860
31,500
832
640
520
480
VGA_75
640x480
75,000
37,500
31, 500
840
640
500
480
VGA1_85
640x480
85,000
43,369
36,000
832
640
509
480
VGA2_85
720x400
85,000
37,900
35,475
936
720
446
400
VGA75ISO
640x480
75,000
39,375
31,500
800
640
525
480
VIDEO525
1302x239i
29,970
15,734
32,207
1302
1024
263
239
VIDEO625
1024x278i
25,000
15,625
31,984
1310
1024
313
278
XGA_43
1024x384
87
35,500
44,872
1264
1024
409
384
XGA_60
1024x768
60,000
48,360
64,996
1344
1024
806
768
XGA_70_1
1024x768
70,000
56,475
74,999
1328
1024
806
768
XGA_70_2
1024x768
70,000
57,052
78,047
1368
1024
815
768
XGA_72
1024x768
71,955
58,140
80,000
1376
1024
808
768
R5976837 BARCO ID R600/R600+ 21/09/2006
A. Standard Image Files
Name4
Resolution5
Fvert
FHor
Fpix
Hz6
kHz7
MHz8
Ptot9
Pact10
Ltot11
Lact12
XGA_75_1
1024x768
75
60,024
78,752
1312
1024
800
768
XGA_75_2
1024x768
76
61,080
86,000
1408
1024
806
768
XGA_85
1024x768
85,000
68,680
94,500
1376
1024
808
768
XGA_EOS
1024x768
63,000
50,000
67,200
1344
1024
796
768
XGA75_GS
1024x768
74,534
59,701
79,284
1328
1024
801
768
SXGA_60
1280x1024
60
63,980
107.997
1688
1280
1066
1024
SXGA+_60_2
1400x1050
60
65,574
122,230
1864
1400
1089
1050
SXGA+_60_3
1400x1050
60
65,104
122,396
1880
1400
1085
1050
Table A-1
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A. Standard Image Files
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B. Troubleshoot
B. TROUBLESHOOT
B.1
Using the OSD
What can be done ?
The projector bus allows the diagnostic of different hardware components divided in two main groups.
•
I 2C diagnostics : a number of internal electronic boards can be diagnosed and a graphical interface shows whether an error is
•
Lamps and power supply : lamp temperature and power related failures are logged and can be checked at any time.
How to display the I 2C diagnostics menu ?
1. Press MENU to activate the Tool bar
2. Press → to select the Tools item
3. Press ↓ to Pull down the Tools menu
4. Use ↑ or ↓ to select Diagnostics
5. Press → to pull down the menu
6. Press ENTER to select I 2C (image B-1)
A text box is displayed
Image B-1
How to display the Lamps and power supply diagnostic menu ?
1. Press MENU to activate the Tool bar
2. Press → to select the Tools item
3. Press ↓ to Pull down the Tools menu
4. Use ↑ or ↓ to select Diagnostics
5. Press → to pull down the menu
6. Press ENTER to select Lamps and power supply (image B-2)
A text box is displayed (image B-3)
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B. Troubleshoot
Image B-2
Image B-3
For Barco certified service technicians only: For more information on possible hardware failures refer to the
Service Manual.
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C. Maintenance
C. MAINTENANCE
Overview
•
Cleaning the lens
•
Cleaning the dustfilters
C.1
Cleaning the lens
To minimize the possibility of damage to optical coatings, or scratches to lens surfaces, we have developed
recommendations for clean. FIRST, we recommend you try to remove any material from the lens by blowing
it off with clean, dry deionized air. DO NOT use any liquid to clean the lenses.
Necessary tools
Toraysee TM cloth (delivered together with the lens kit). Order number : R379058.
How to clean the lens ?
Proceed as follow :
1. Always wipe lenses with a CLEAN Toraysee TM cloth.
2. Always wipe lenses in a single direction.
Warning: Do not wipe back and forwards across the lens surface as this tends to grind dirt into the coating.
3. Do not leave cleaning cloth in either an open room or lab coat pocket, as doing so can contaminate the cloth.
4. If smears occur when cleaning lenses, replace the cloth. Smears are the first indication of a dirty cloth.
CAUTION: Do not use fabric softener when washing the cleaning cloth or softener sheets when drying the
cloth.
Do not use liquid cleaners on the cloth as doing so will contaminate the cloth.
Other lenses can also be cleaned safely with this Toraysee TM cloth.
C.2
Cleaning the dustfilters
Overview
•
Dustfilters
•
Cleaning
C.2.1
Dustfilters
Location of the filters
There are 4 filters located at different positions
1.
Filter1: Lamp 1
2.
Filter2 : Lamp 2
3.
Filter 3 : X-Cube filter
4.
Filter 4 : Input filter
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C. Maintenance
Image C-1
location of the filters
1
2
3
4
C.2.2
lamp filter 1
lamp filter 2
x-cube filter
input filter
Cleaning
How to clean the dustfilters ?
1. Place the projector so as to access easily the filter to be cleaned
2. Push the handle downwards to unlock the filter. (image C-2)
3. Slide out the filter (image C-3, image C-4, image C-5)
See image C-6.
4. Clean the dust filter with a dry cloth.
5. Re-insert the dust filter by sliding it back in the filter housing.
Image C-2
Location of the x-cube filter and its handle
Image C-4
lamp & X-Cube filters removed
Image C-3
Lamp filter removal
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C. Maintenance
Image C-6
Input filter removed
Image C-5
Input filter removal
If the airflow is falling under a predetermined treshold value a warning will be displayed on the screen.
Image C-7
At that time it is strongly recommended to replace or clean the dustfilter under the X-cube. Failing to do so,
will strongly reduce the lifetime of the LCD’s and the analyzers.
The manufacturer reserves itself the right to refuse warranty repair if the projector was working with dirty
dustfilters.
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