Yamaha RX-V390RDS Owner's manual

RX-V390RDS

Natural Sound Stereo Receiver

Récepteur stéréo “Son Naturel”

Natural Sound Stereoreceiver

Natural Sound Stereoreceiver

Sintonizzatore stereo a suono naturale

Receptor estéreo de Sonido Natural

Natural Sound Stereo Ontvanger

OWNER’S MANUAL

MODE D’EMPLOI

BEDIENUNGSANLEITUNG

BRUKSANVISNING

MANUALE DI ISTRUZIONI

MANUAL DE INSTRUCCIONES

GEBRUIKSAANWIJZING

SUPPLIED ACCESSORIES

●

After unpacking, check that the following parts are included.

ACCESSOIRES FOURNIS

●

Après le déballage, vérifier que les pièces suivantes sont incluses.

MITGELIEFERTE ZUBEHÖRTEILE

●

Nach dem Auspacken überprüfen, ob die folgenden Teile vorhanden sind.

MEDFÖLJANDE TILLBEHÖR

ACCESSORI IN DOTAZIONE

●

●

Kontrollera efter det apparaten packats upp att följande delar finns med.

Verificare che tutte le parti seguenti siano contenute nell’imballaggio dell’apparecchio.

ACCESORIOS INCLUIDOS

●

Desembale el aparato y verificar que los siguientes accesorios están en la caja.

BIJGELEVERDE ACCESSOIRES

●

Controleer na het uitpakken of de volgende onderdelen voorhanden zijn.

●

●

●

●

●

●

●

Indoor FM Antenna

Antenne FM intérieure

UKW-Innenantenne

FM inomhusantenn

Antenna FM per interni

Antena FM interior

FM Binnenantenne

●

●

●

●

●

●

●

Remote Control Transmitter

Emetteur de télécommande

Fernbedienungsgeber

Fjärrkontrollsändare

Telecomando

Transmisor del control remoto

Afstandbediening

●

●

●

●

●

●

●

AM Loop Antenna

Cadre-antenna AM

MW-Rahmenantenne

AM ramantenn

Antenna AM ad anello

Antena de cuadro de AM

AM Lusantenne

●

●

●

●

●

●

●

Batteries (size AA, R6, UM-3)

Piles (taille AA, R6, UM-3)

Batterien (Größe AA, R6, UM-3)

Batterier (storlek AA, R6, UM-3)

Batterie (dimensioni AA, R6, UM-3)

Pilas (tamaño AA, R6, UM-3)

Batterijen (maat AA, R6, UM-3)

2

This product complies with the radio frequency interference requirements of the Council Directive 82/499/EEC and/or

87/308/EEC.

Cet appareil est conforme aux prescriptions de la directive communautaire 87/308/CEE.

Diese Geräte entsprechen der EG-Richtlinie 82/499/EWG und/oder 87/308/EWG.

Dette apparat overholder det gaeldende EF-direktiv vedrørende radiostøj.

Questo apparecchio è conforme al D.M.13 aprile 1989 (Direttiva CEE/87/308) sulla soppressione dei radiodisturbi.

Este producto está de acuerdo con los requisitos sobre interferencias de radio frecuencia fijados por el Consejo Directivo

87/308 CEE.

Dit product voldoet aan de EEG normen betreffende radio-frekwentie storingen 82/499/EEG en/of 87/308/EEG.

Thank you for selecting this YAMAHA stereo receiver.

FEATURES

●

5 Speaker Configuration

Front: 60W + 60W (8

Ω

) RMS Output

Power, 0.04% THD, 20–20,000 Hz

Center: 60W (8

Ω

) RMS Output Power,

0.2% THD, 1 kHz

Rear: 15W (8

Ω

) RMS Output Power,

0.7% THD, 1 kHz

●

Digital Sound Field Processor

2 Programs for Digital Sound Field

Processing

2 Programs for Dolby Surround Decoding

(DOLBY PRO LOGIC and DOLBY 3

STEREO)

●

Automatic Input Balance Control for

Dolby Surround

●

Test Tone Generator for Easier Speaker

Balance Adjustment

●

3 Center Channel Modes

(NORMAL/WIDE/PHANTOM)

●

Multi-Functions for RDS Broadcast

Reception

●

40-Station Random Access Preset Tuning

●

Automatic Preset Tuning

●

Preset Station Shifting Capability (Preset

Editing)

●

IF Count Direct PLL Synthesizer Tuning

System

●

Video Signal Input/Output Capability

●

SLEEP Timer

●

Remote Control Capability

CONTENTS

Supplied Accessories ......................................2

Caution ............................................................4

Profile of This Unit ...........................................5

Speaker Setup ................................................6

Connections ....................................................7

Speaker Balance Adjustment ........................11

Basic Operations ...........................................14

Tuning Operations .........................................17

Preset Tuning ................................................18

Receiving RDS Stations ................................21

Using Digital Sound Field Processor (DSP)

......................................................................25

Setting the SLEEP Timer ..............................29

Remote Control Transmitter ..........................30

Notes about the Remote Control Transmitter

.......................................................................31

Troubleshooting .............................................32

Specifications ................................................33

3

4

CAUTION : READ THIS BEFORE OPERATING YOUR UNIT.

1.

To assure the finest performance, please read this manual carefully. Keep it in a safe place for future reference.

2.

Install this unit in a cool, dry, clean place – away from windows, heat sources, sources of excessive vibration, dust, moisture and cold. Avoid sources of humming

(transformers, motors). To prevent fire or electrical shock, do not expose the unit to rain or water.

3.

Never open the cabinet. If something drops into the set, contact your dealer.

4.

Do not use force on switches, controls or connection wires.

When moving the unit, first disconnect the power plug and the wires connected to other equipment. Never pull the wires themselves.

5.

The openings on the cabinet assure proper ventilation of the unit. If these openings are obstructed, the temperature inside the cabinet will rise rapidly and eventually damage the circuits. Therefore, avoid placing objects against these openings and do not install the unit where the flow of air through the ventilation openings could be impeded.

6.

Always set the VOLUME control to “–

∞

” before starting the audio source play. Increase the volume gradually to an appropriate level after playback has been started.

7.

Do not attempt to clean the unit with chemical solvents; this might damage the finish. Use a clean, dry cloth.

8.

Be sure to read the “TROUBLESHOOTING” section regarding common operating errors before concluding that the unit is faulty.

9.

When not planning to use this unit for long periods of time

(ie., vacation, etc.), disconnect the AC power plug from the wall outlet.

10.

To prevent lightning damage, disconnect the AC power plug and disconnect the antenna cable when there is an electrical storm.

11.

Grounding or polarization – Precautions should be taken so that the grounding or polarization of an appliance is not defeated.

12.

AC outlet

Do not connect audio equipment to the AC outlet on the rear panel if that equipment requires more power than the outlet is rated to provide.

For U.K. customers

If the socket outlets in the home are not suitable for the plug supplied with this appliance, it should be cut off and an appropriate 3 pin plug fitted. For details, refer to the instructions described below.

Note: The plug severed from the mains lead must be destroyed, as a plug with bared flexible cord is hazardous if engaged in a live socket outlet.

Special Instructions for U.K. Model

IMPORTANT

THE WIRES IN THE MAINS LEAD ARE COLOURED IN

ACCORDANCE WITH THE FOLLOWING CODE:

Blue: NEUTRAL

Brown: LIVE

As the colours of the wires in the main lead of this apparatus may not correspond with the coloured markings identifying the terminals in your plug, proceed as follows:

The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured

BLACK. The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED. Make sure that neither core is connected to the earth terminal of the three pin plug.

The apparatus is not disconnected from the AC power source as long as it is connected to the wall outlet, even if the apparatus itself is turned off.

IMPORTANT

Please record the serial number of this unit in the space below.

Serial No.:

The serial number is located on the rear of the unit.

Retain this Owner’s Manual in a safe place for future reference.

WARNING

TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK,

DO NOT EXPOSE THIS UNIT TO RAIN OR MOISTURE.

PROFILE OF THIS UNIT

You are the proud owner of a Yamaha stereo receiver – an extremely sophisticated audio component. The Digital Sound Field

Processor (DSP) built into this unit takes advantage of Yamaha’s undisputed leadership in the field of digital audio processing to bring you a whole new world of listening experiences. Follow the instructions in this manual carefully when setting up your system, and this unit will sonically transform your room into a totally new listening environment. In addition, you get incredible realism from

Dolby surround-encoded video sources using the built-in Dolby Pro Logic Surround Decoder.

Please read this operation manual carefully and store it in a safe place for later reference.

Digital Sound Field Processing

What is it that makes live music so good? Today’s advanced sound reproduction technology lets you get extremely close to the sound of a live performance, but chances are you’ll still notice something missing: the acoustic environment of the live concert hall. Extensive research into the exact nature of the sonic reflections that create the ambience of a large hall has made it possible for Yamaha engineers to bring you this same sound in your own listening room, so you’ll feel all the sound of a live concert.

Furthermore, our technicians, armed with sophisticated measuring equipment, have even made it possible to capture the acoustics of actual music venues to allow you to accurately recreate live performance environments in your own home.

Dolby Pro Logic Surround

The Dolby Pro Logic Surround Decoder program lets you experience the dramatic realism and impact of a Dolby

Surround movie theater sound in your own home. Dolby Pro

Logic gets its name from its professional-grade steering logic circuitry, which provides greater effective front and rear channel separation for a much higher degree of realism than the “passive” Dolby Surround circuits found in less sophisticated home audio/video equipment. Dolby Pro Logic

Surround provides a true center channel, so there are four independent channels, unlike passive Dolby Surround which has in effect only three channels: left, right, and rear. This center channel allows listeners seated in even less-than-ideal positions to hear the dialog originating from action on the screen while getting a stereo effect as well.

This Dolby Pro Logic Surround Decoder employs a digital signal processing system. This system increases sound stability at each channel and minimizes crosstalk between channels compared to conventional analog Dolby signal processing.

In addition, this unit features a built-in automatic input balance control. This circuit always presents you the best surround conditions without performing manual adjustments.

5

SPEAKER SETUP

SPEAKERS TO BE USED

This unit is designed to provide the best sound-field quality with a 5 speaker configuration. The most effective speakers to use with this unit are front speakers, rear speakers and a center speaker. You may omit the center speaker. (Refer to the “4-Speaker

Configuration” shown below.)

The front speakers are used for the main source sound plus the effect sounds. They will probably be the speakers from your present stereo system. The rear speakers are used for the effect and surround sounds, and the center speaker is for the center sounds (dialog etc.) within the Dolby Surround encoded programs. The center speaker needs to be equal in power to the front speakers, although the rear speakers should not be equal. However, all the speakers should have high enough power handling to accept the maximum output of this unit.

SPEAKER CONFIGURATION

5-Speaker Configuration

This configuration is the most effective and recommended one.

In this configuration, the center speaker is necessary as well as the rear speakers. If the program DOLBY PRO LOGIC or

DOLBY 3 STEREO is selected, conversations will be output from the center speaker and the ambience will be excellent.

●

Set the center channel mode to the “NORMAL” or “WIDE” position. (For details, refer to page 12.)

Front L Center Front R

4-Speaker Configuration

The center speaker is not used in this configuration. If the program DOLBY PRO LOGIC is selected, the center sound is output from the left and the right front speakers, although the program DOLBY 3 STEREO is useless in this configuration.

However, the sound effect of other programs can be the same as that of the 5-speaker configuration.

●

Be sure to set the center channel mode to the “PHANTOM” position. (For details, refer to page 12.)

Front L Front R

6

Rear L Rear R Rear L Rear R

Note

As this unit is equipped with a monaural amplifier for the rear channel, you may use one rear speaker only instead of using two rear speakers.

However, the use of two rear speakers is recommended when there are more than one listener in the listening room.

When using one rear speaker, place it right behind your listening position.

SPEAKER PLACEMENT

The recommended speaker configuration, the 5-speaker configuration, will require two speaker pairs: front speakers (your normal stereo speakers), and rear speakers, plus a center speaker. When you place these speakers, refer to the following.

Front R

Center

Front L

TV set

Front: In normal position. (The position of your present stereo speaker system.)

Rear: Behind your listening position, facing slightly inward.

Nearly six feet (approx. 1.8 m) up from the floor.

Center: Precisely between the front speakers. (To avoid interference with TV sets, use a magnetically shielded speaker.)

Rear R

Rear L

CONNECTIONS

Before attempting to make any connections to or from this unit, be sure to first switch OFF the power to this unit and to any other components to which connections are being made.

CONNECTIONS WITH OTHER COMPONENTS

When making connections between this unit and other components, be sure all connections are made correctly, that is to say L (left) to L, R (right) to R, “+” to “+” and “–” to “–”. Also, refer to the owner’s manual for each component to be connected to this unit.

Turntable Monitor TV

LD player,

TV tuner, etc.

FM

ANT

UNBAL.

GND

AM

ANT

GND

VIDEO

SIGNAL

LD/TV

IN

VCR

OUT

MONITOR

OUT

l0 dB 0 dB

FRONT

LEVEL PHONO CD LD /TV

AUDIO SIGNAL

TAPE

TAPE

PB

REC

OUT

IN

VCR

OUT

REAR

CENTER

8

Ω

MIN.

/SPEAKER

A

SPEAKERS

REAR

REAR SINGLE

SPEAKERS

FRONT

CENTER

OUTPUT

B

A OR B:8

Ω

A B:l6

Ω

MIN.

/SPEAKER

MIN.

/SPEAKER

AC OUTLETS l00W MAX. TOTAL

SWITCHED

(Europe model)

To AC outlet

CD player Tape deck Video cassette recorder

:

Refer to “ABOUT THE ACCESSORY TERMINALS” on page 9.

7

CONNECTING SPEAKERS

Connect the respective speakers to this unit as figured below.

Rear speakers

Left Right

Center speaker

REAR

8

Ω

MIN.

/SPEAKER

CENTER

A

SPEAKERS

REAR

REAR SINGLE

SPEAKERS

FRONT

CENTER

OUTPUT

B

A OR B:8

A B:l6

Ω

MIN.

MIN.

/SPEAKER

/SPEAKER

Right Left

Right Left

Front speakers A

Front speakers B

8

Note on front speaker connection:

One or two speaker systems can be connected to this unit. If you connect only one speaker system, connect it to either the

SPEAKERS A or B terminals.

Note on rear speaker connection:

Only one rear speaker can also be used in place of two rear speakers. For connecting one rear speaker, follow the method shown below.

Rear speaker

FRONT LEVEL switch

Normally set to “0 dB”. If desired, you can decrease the output level at the FRONT SPEAKERS terminals by 10 dB by setting this switch to “–10 dB”. (Refer to “Notes” on page

13)

– l0 dB 0 dB

FRONT


AUDIO SIGNAL

FRONT LEVEL switch

REAR

CENTER

REAR

REAR SINGLE

How to Connect:

Connect the SPEAKERS terminals to your speakers with wire of the proper gauge, cut as short as possible. If the connections are faulty, no sound will be heard from the speakers. Make sure that the polarity of the speaker wires is correct, that is, + and – markings are observed. If these wires are reversed, the sound will be unnatural and will lack bass.

Do not let the bare speaker wires touch each other and do not let them touch the metal parts of this unit as this could damage this unit and/or speakers.

Note

●

Use speakers with the specified impedance shown on the rear of this unit.

For connecting to the FRONT SPEAKERS terminals

Red: positive (+)

Black: negative (–)

1

2

3

➀

Unscrew the knob.

➁

Insert the bare wire.

[Remove approx. 5mm

(1/4”) insulation from the speaker wires.]

➂

Tighten the knob and secure the wire.

For connecting to the REAR and CENTER SPEAKERS terminals

Red: positive (+)

Black: negative (–)

➁

➂

➀

➀

Press the tab.

➁

Insert the bare wire.

[Remove approx. 5mm

(1/4”) insulation from the speaker wires.]

➂

Release the tab and secure the wire.

ABOUT THE ACCESSORY TERMINALS

AC OUTLET(S) (SWITCHED)

(Europe model) ................................. 2 SWITCHED OUTLETS

(U.K. model) ........................................ 1 SWITCHED OUTLET

Use these to connect the power cords from your components to this unit.

The power to the SWITCHED outlets is controlled by this unit’s

POWER switch or the provided remote control transmitter’s

POWER key. These outlets will supply power to any component whenever this unit is turned on.

The maximum power (total power consumption of components) that can be connected to the SWITCHED AC

OUTLET(S) is 100 watts.

GND terminal (For turntable use)

Connecting the ground wire of the turntable to the GND terminal will normally minimize hum, but in some cases better results may be obtained with the ground wire disconnected.

Use one of the two GND terminals on the rear of this unit for the connection.

Turntable

CENTER OUTPUT terminal

This terminal is for center channel line output. There is no connection to this terminal when you use the built-in amplifier.

However, if you drive a center speaker with an external power amplifier, connect the input terminal of the external amplifier to this terminal.

FM

ANT

75 Ω

UNBAL

GND or

GND

AM

ANT

Loosen Tighten

9

ANTENNA CONNECTIONS

●

●

Each antenna should be connected to the designated terminals correctly, referring to the following diagram.

Both AM and FM indoor antennas are included with this unit. In general, these antennas will probably provide sufficient signal strength. Nevertheless, a properly installed outdoor antenna will give clearer reception than an indoor one. If you experience poor reception quality, an outdoor antenna may result in improvement.

Outdoor FM antenna Outdoor AM antenna Indoor FM antenna

(included)

300-ohm feeder

AM loop antenna

(included)

FM

ANT

75 Ω

UNBAL.

GND

AM

ANT

VIDEO

SIGNAL

GND

LD/TV

IN

VCR

OUT

MONITOR

OUT

l0 dB 0 dB

FRONT


TAPE

TAPE

PB

REC

OUT

AUDIO SIGNAL

75-ohm coaxial cable

75-ohm/300-ohm antenna adapter

Ground

Connecting the AM loop antenna

1

➀

2 3

➂

➁

* The AM loop antenna should be placed apart from the main unit. The antenna may be hung on a wall.

* The AM loop antenna should be kept connected, even if an outdoor AM antenna is connected to this unit.

Orient so that the best reception is obtained.

10

GND terminal

For maximum safety and minimum interference, connect the

GND terminal to a good earth ground. A good earth ground is a metal stake driven into moist earth.

Notes

●

When connecting the indoor

FM antenna, insert its

● connector into the FM ANT terminal firmly.

If you need an outdoor

FM antenna to improve

FM reception quality, either

300-ohm feeder or coaxial cable may be used. In locations troubled by electrical interference, coaxial cable is preferable.

SPEAKER BALANCE ADJUSTMENT

This procedure lets you adjust the sound output level balance between the front, center, and rear speakers using the built-in test tone generator. When this adjustment is performed, the sound output level heard at the listening position will be the same from each speaker. This is important for the best performance of the digital sound field processor.

4 6 5 1

REC/PAUSE STOP DECK A/B VCR MON

CENTER

MODE

+

DELAY

TIME

—

PRO LOGIC 3 STEREO

HALL

SUR.

ROCK

EFFECT

ON/OFF

—

VOLUME

+

6

2 3

1 4

Turn the power on.

POWER

Set to the “

∞

” position.

2

Select the front speakers to be used.

SPEAKERS

A B

ON ON

OFF OFF

3

* If you use two front speaker systems, press both the A and B switches.

3

2

4

5 l

BASS

0 l

5

2

3

4

3

2

4

TREBLE

0 l l

2

3

4

5 5

3

2

BALANCE

0 l l

2

3

4

L 5 5 R

4

Set to the “0” position.

5

Turn the DSP on, so that a program name appears on the display.

EFFECT

6

Select PRO LOGIC, so that the corresponding name is illuminated on the display.

PROGRAM

T

PRO LOGIC

CONTINUED

11

8 9

7


CENTER

MODE

+

DELAY

TIME

—


HALL

SUR.

ROCK

EFFECT

ON/OFF

—

VOLUME + 9

12

7

Select the center channel output mode according to your speaker configuration.

(Refer to “SPEAKER CONFIGURATION” on page 6.)

8

TEST

CENTER

MODE

NORMAL

WIDE

PHANTOM

9

Turn up the volume.

PHANTOM TEST

Flashes continuously.

On the feature of each mode, refer to the “Note” shown below.

Note

In step 7, when you select the center channel output mode, note the following.

For 5 speaker configuration)

NORMAL: Select this mode when you use a center speaker that is smaller than the front speakers. In this mode, the bass tone will be output from the front

WIDE: speakers.

Select this mode when you use the center speaker approximately same sized as the front speakers.

For 4 speaker configuration)

PHANTOM: Select this mode when you do not use the center speaker. The center sound will be output from the left and right front speakers.

* When the DOLBY 3 STEREO program is used, the

PHANTOM mode cannot be selected.

You will hear a test tone (like pink noise) from the left front speaker, then the center speaker, then the right front speaker, and then the rear speakers, for about two seconds each. The display changes as shown below.

(L and R)

* The test tone from the left rear speaker and the right rear speaker will be heard at the same time.

11

13

10

Adjust the BALANCE control so that the effect sound output level of the left front speaker and the right front speaker are the same.

3

2

BALANCE

0 l l

2

4

L 5 5 R

4

3

10 12

13

Cancel the test tone.

TEST

DEPHANTOM TEST

Stops flashing and disappears

11

Adjust the sound output level of the center speaker to be at the same level as that of the front speakers with the CENTER LEVEL control.

CENTER

LEVEL

0 l0

12

Adjust the sound output level of the rear speakers to be at the same level as that of the front speakers with the REAR LEVEL control.

Notes

●

Once you have completed these adjustments, you can adjust whole sound level on your audio system by using

● the VOLUME control (or the VOLUME keys on the remote control transmitter).

If you use external power amplifiers, their volume controls may also be adjusted to achieve proper balance.

●

●

In step 11, if the center channel mode is in the

“PHANTOM” position, the sound output level of the center speaker cannot be adjusted. This is because in this mode, the center sound is automatically output from the left and right front speakers.

If there is insufficient sound output from the center and rear speakers, you may decrease the front speaker output level by setting the FRONT LEVEL switch on the rear panel to “–10 dB”.

REAR

LEVEL

0 l0

13

BASIC OPERATIONS

2 3 1, 6

TO PLAY A SOURCE

1

4 7 7

5

Play the source. (For detailed information on the tuning operation, refer to page 17.)

6

14

Set to the “

∞

” position.

2

Turn the power on.

POWER

3

Select the desired input source by using the input selector buttons.

(For video sources, turn the TV/monitor ON.)

TAPE

MONITOR TUNER CD PHONO

COPY

VCR

MONITOR

LD/TV

* The name of the selected input source will appear in the display.

4

Select the front speakers to be used.

SPEAKERS

A B

ON ON

OFF OFF

* If you use two front speaker systems, press both the A and

B switches.

Adjust to the desired output level.

7

If desired, adjust the BASS, TREBLE, BALANCE controls, etc. (refer to page 16) and use the digital sound field processor. (Refer to page 27.)

Notes on using the input selector buttons

●

Note that pressing on each input selector button selects the source which is connected to the corresponding input terminals on the rear panel.

●

●

The selection of TAPE MONITOR or VCR MONITOR cannot be canceled by pressing another input selector button. To cancel it, press it again.

In step 3, if two or more program sources are selected at the same time, be sure to remember the priority order of the input sources.

Priority order of sources: 1) TAPE MONITOR, 2) VCR

MONITOR, 3) LD/TV, TUNER, CD or PHONO.

* If you select LD/TV, TUNER, CD or PHONO, be sure that neither TAPE MONITOR nor VCR MONITOR have been selected.

* If you select TAPE MONITOR and VCR MONITOR and another input selector button at the same time, the playback result will be the video image from the VCR and the sound from the audio tape.

* If you select both LD/TV and TAPE MONITOR at the same time, the playback result will be the video image from the LD player and the sound from the audio tape.

* Once you play the LD player, its video image will not be interrupted even if other input selector buttons except

VCR MONITOR are selected.

To turn off the power

Press the POWER switch again.

1, 4

2

TO RECORD A SOURCE TO TAPE (OR DUB FROM TAPE TO TAPE)

1

Select the source to be recorded.

Notes

●

To dub from tape to tape, only the following method of dubbing can be performed.

TAPE


RECORDER

COPY

VCR

MONITOR

LD/TV

SOURCE

VCR (or tape deck) connected to the VCR terminals.

→ Tape deck connected to the TAPE terminals.

* To dub from tape to tape, refer to the “Notes” shown at right.

* When you select LD/TV, TUNER, CD or PHONO, make sure that neither TAPE MONITOR nor VCR MONITOR is also selected.

●

The DSP, VOLUME, BASS, TREBLE and BALANCE control settings have no effect on the material being recorded.

2

Play the source and then turn the VOLUME control up to confirm the input source. (For detailed information on the tuning operations, refer to the page 17.)

3

Set the tape deck or VCR to the recording mode.

4

To monitor the audio and/or video signals being recorded, press the input selector button for the tape deck or VCR used to make the recording.

TAPE


COPY

VCR

MONITOR

LD/TV

15

Selecting the SPEAKER system

Because one or two speaker systems (as front speakers) can be connected to this unit, the SPEAKERS switches allow you to select speaker system A or B, or both at once.

SPEAKERS

A B

ON ON

OFF OFF

Adjusting the BALANCE control

Adjust the balance of the output volume to the left and right speakers to compensate for sound imbalance caused by speaker location or listening room conditions.

3

2

BALANCE

0 l l

2

4

L 5 5 R

4

3

Note

This control is effective only for the sound from the front speakers.

Adjusting the BASS and TREBLE controls

3

2

4

5 l

BASS

0 l

5

2

3

4

2

TREBLE

0 l l

2

3

4 4

3

5 5

BASS : Turn this clockwise to increase (or counterclockwise to decrease) the low frequency response.

TREBLE : Turn this clockwise to increase (or counterclockwise to decrease) the high frequency response.

Note

These controls are effective only for the sound from the front speakers.

16

When you listen with headphones

Connect the headphones to the PHONES jack. You can listen to the sound to be output from the front speakers through headphones.

When listening with headphones privately, set both the

SPEAKERS A and B switches to the OFF position and switch off the digital sound field processor (so that no DSP program name is illuminated on the display) by pressing the EFFECT switch.

PHONES

TUNING OPERATIONS

Normally, if station signals are strong and there is no interference, quick automatic-search tuning (AUTOMATIC TUNING) is possible. However, if signals of the station you want to select are weak, you must tune to it manually (MANUAL TUNING).

AUTOMATIC TUNING

2

FM or

1 3

1

Select the reception band (FM or AM) while watching the display.

FM/AM

AM

MANUAL TUNING

1

Select the reception band (FM or AM) while watching the display.

FM/AM

FM or AM

2

TUNING

MODE

AUTO/MAN’L MONO

3

AUTO TUNING

DOWN TUNING UP

2

TUNING

MODE

AUTO/MAN’L MONO

“AUTO TUNING” goes off.

3

Tune to a desired station manually.

DOWN TUNING UP

To tune to a higher frequency, press the right side once.

To tune to a lower frequency, press the left side once.

* If the station where tuning search stops is not the desired one, press again.

* If the tuning search does not stop at the desired station

(because the signals of the station are weak), change to the MANUAL TUNING method.

Display information

PRESET

FM

➀

* To continue tuning search, press and hold the button.

Note

If you tune to an FM station manually, it is received in monaural mode automatically to increase the signal quality.

➁

STEREO

MHz

0 20 l00

REAR

➀

Displays the band and frequency of the received station.

* If an RDS station is received, the frequency is then replaced by the station name. (However, if the PS data cannot be received within 5 seconds, “NO PS” flashes, and then it returns to the frequency display.)

Refer to page 22 for details.

➁

Lights up when an FM stereo broadcast is received in stereo.

➂

Indicates the signal level of the received station.

➂

17

PRESET TUNING

MANUAL PRESET TUNING

This unit can store station frequencies (selected by tuning operation) by using the preset station buttons. With this function, you can select any desired station by only pressing the corresponding preset station button. Up to 40 stations (8 stations x 5 pages) can be stored.

2,

1

4,

2

(Preset station buttons)

18

3

To store stations

1

Tune to a desired station.

(Refer to the previous page for tuning procedure.)

2

Select a desired page (A – E) of preset station buttons while watching the display.

A/B/C/D/E

PRESET

To recall a preset station

1

Select the page of preset station buttons.

A/B/C/D/E

PRESET

2

Select the desired preset station button.

PRESET STATIONS

4 5 l 2 3 6 7 8

3

MEMORY

MEMORY

MAN’L/AUTO FM

Flashes on and off for about 5 seconds.

4

Press a preset station button before “MEMORY” goes off from the display.

PRESET STATIONS

4 5 l 2 3 6 7 8

PRESET

PRESET

FM

AUTO TUNING

STEREO

MHz

0 20 l00

PRO LOGIC

3 STEREO

HALL ROCK

Shows the displayed station has been programmed to A1.

* In the same way, program other stations to A2, A3 ... A8.

* You can program more stations to the preset station buttons on other pages in the same way by selecting other pages in step 2.

Notes

●

A new setting can be programmed in place of the former

● one.

For presets, the setting of the reception mode (stereo or monaural) is stored along with the station frequency.

Memory back-up

The memory back-up circuit prevents the programmed data from being lost even if the POWER switch is set off or the power plug is disconnected from the AC outlet or the power is cut due to temporary power failure. If, however, the power is cut for more than one week, the memory may be erased. If so, it can be re-programmed by simply following the PRESET

TUNING steps.

AUTOMATIC PRESET TUNING

You can also make use of an automatic preset tuning function for RDS stations only. By this function, this unit performs automatic tuning and stores RDS stations with strong signals sequentially. Up to 40 stations are stored automatically in the same way as in the manual preset tuning method on page 18.

* Refer to page 21–24 for details on RDS stations.

2

1 3

To store stations

1

FM/AM

2

MEMORY

MAN’L/AUTO FM

Press and hold for about 3 seconds.

3

DOWN TUNING UP

FM

PRESET

MEMORY AUTO TUNING

Flashes.

To tune to higher frequencies, press right side once.

To tune to lower frequencies, press left side once.

* If the TUNING button is not pressed, in a while, the automatic preset tuning begins automatically toward higher frequencies.

The automatic preset tuning begins from the frequency currently displayed. Received stations are programmed to

A1, A2 ... A8 sequentially.

* If more than 8 stations are received, they are also programmed to the preset station numbers on other pages

(B, C, D and E) in that order.

If you want to store the first station received by the automatic preset tuning to a desired preset station number.

If, for example, you want to store the first received station to

C5, select “C5” by using the A/B/C/D/E button and the preset station buttons after pressing the MEMORY button in step 2.

Then press the TUNING button. The first received station is stored to C5, and next stations to C6, C7 ... sequentially.

If stations are stored up to E8, the automatic preset tuning is finished automatically.

When the automatic preset tuning is finished

The display shows the frequency of the last preset station.

Check the contents and the number of preset stations by following the procedure of the section “To recall a preset station” on page 18.

To recall a preset station

Simply follow the procedure of the section “To recall a preset station” on page 18.

* A recalled station is shown by the frequency or station name on the display.

Notes

●

You can replace a preset station by another FM or AM station manually by simply following the procedure of the section “To store stations” on page 18.

●

The automatic preset tuning search will be performed through all RDS network frequencies until stations are stored up to E8. If the number of received stations is not enough to be stored up to E8, the search is finished

● automatically after searching through all frequencies.

With this function, only RDS stations with sufficient signal strength are stored automatically. If the station you want to program is weak in signal strength, tune to it in monaural manually and program it by following the procedure of the section “To store stations” on page 18.

* There may be a case that this function cannot receive a station which could be received by the automatic tuning method. This is because this function receives a large volume of PI (Program Identification) data along with the station.

19

20

EXCHANGING PRESET STATIONS

You can exchange the places of two preset stations with each other as shown below.

2, 4

Example)

If you want to shift the preset station on E1 to A5, and vice versa.

1

Recall the preset station on E1 (by following the method of “To recall a preset station” on page 18).

2

EDIT

MEMORY

Flashes

3

Next, recall the preset station on A5 by following the same method with step 1.

4

EDIT

Shows the exchange of stations is completed.

MEMORY

Flashes

In areas where RDS broadcasts cannot be received, the RDS broadcast functions do not operate. (The procedures from page 21 to page 24 are not necesssary.)

RECEIVING RDS STATIONS

RDS (Radio Data System) is a data transmission system gradually being introduced by FM stations in many countries. Stations using this system transmit an inaudible stream of data in addition to the normal radio signal.

RDS data contains various information, such as AF (Alternative Frequencies for the same program station), PI (Program

Identification), PS (Program Service station name), PTY (Program Type name), etc.

RDS function is carried out among the network stations.

* This unit utilizes PI, PS and PTY to receive RDS broadcast stations.

Displaying RDS data

This unit can be turned into the following two modes to display RDS data.

PS (Program Service station name) mode:

Displays the name of the RDS station now being received instead of the frequency.

BBC R3

PTY (Program Type name) mode:

Displays the program type of the RDS station now being received. There are 15 program types to classify RDS stations as follows.

NEWS

News:

Short accounts of facts, events and publicly expressed views, reportage and actuality.

AFFAIRS

INFO

SPORT

Current affairs:

Topical program expanding or enlarging upon the news, generally in different presentation style or concept, including documentary debate, or analysis

Information:

Program whose purpose is to impart advice in the widest sense, including meteorological reports and forecasts, consumer affairs, medical help, etc.

Sport:

Program concerned with any aspect of sport.

VARIED

POP M

ROCK M

Varied:

Used for mainly speech-based programs usually of light-entertainment nature, not covered by above categories. Examples are: quizzes, panel games, personality interviews, comedy and satire.

Pop:

Commercial music, which would generally be considered to be of current popular appeal, often featuring in current or recent record sales charts.

Rock:

Contemporary modern music, usually written and performed by young musicians.

EDUCATE

DRAMA

CULTURE

Education:

Program intended primarily to educate, of which the formal element is fundamental.

Drama:

All radio plays and serials.

Culture:

Programs concerned with any aspect of national or regional culture, including religious affairs, philosophy, social science, language, theatre, etc.

SCIENCE

Science:

Programs about the natural sciences and technology.

MOR M

LIGHT M

M.O.R.:

(Middle of the Road Music). Common term to describe music considered to be “easylistening”, as opposed to Pop, Rock or

Classical. Music in this category is often but not always, vocal, and usually of short duration (<5 min.)

Light classics:

Classical Musical for general, rather than specialist appreciation. Examples of music in this category are instrumental music, and vocal or choral works.

CLASSICS

Serious classics:

Performances of major orchestral works, symphonies, chamber music etc., and including Grand Opera.

OTHER M

Other music:

Musical styles not fitting into any of the above categories. Particularly used for specialist music, of which Jazz, Rhythm &

Blues, Folk, Country, and Reggae are examples.

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22

To turn the unit into the PS mode or PTY mode

Press the FREQ/PS/PTY button. Whenever pressed, the mode changes into the PS mode, PTY mode and returns to usual mode in turn.

* When an RDS station is received, the display is automatically turned into the PS mode. Do not press the FREQ/PS/PTY button until the display is turned into the PS mode. If the button is pressed before the display mode is changed, it may occur that “NO

PS” flashes on the display. This is because the unit has not received all of the RDS data on the station yet.

PS mode The name of the station being received is displayed.

If the station is not an RDS station, “NO PS” flashes on the display and then returns to usual mode.

PS/PTY SEEK

FREQ/PS/PTY

PTY mode A program type for the station being received is displayed.

If the RDS station does not employ the PTY data service,

“NO PTY” flashes on the display and then returns to the usual mode.

If the station is not an RDS station, “NO PTY” flashes on the display and then returns to usual mode.

Usual mode The frequency of the station being received is displayed.

Note

When PS or PTY data reception is not possible due to poor reception conditions, “NO PS” or “NO PTY” flashes on the display in each mode. In such a case, press the TUNING MODE button so that “AUTO TUNING” goes off from the display. Though the reception mode is changed to monaural by this operation, when you changes to the PS or PTY mode, PS or PTY data may be displayed.

Calling a preset RDS station by the station name (PS SEEK)

You can call a desired RDS station stored in this unit by only inputting the name of the station in the PS mode. By this operation, this unit searches all preset stations for the station. You do not have to input a full name, even only the first letter can be used for calling. As many as 8 letters and/or numerals can be selected for inputting a name.

2

3, 5

7 1 4, 8

FM/AM 1

FM

2

Turn the unit into the PS mode.

PS/PTY SEEK

FREQ/PS/PTY

A station name is displayed or

“NO PS” flashes.

* If “NO PS” flashes, proceed to the next step while flashing.

If “NO PS” disappears before you proceed to the next step, press the FREQ/PS/PTY button again.

3

SHIFT

6

8

Repeat steps 4 and 5 for other letters and/or numerals, if necessary.

7

When inputting the name is finished, press the ENTER button.

ENTER

DOWN TUNING UP

ENTER

Flashes.

Press once.

Flashes.

4

Select the first letter or numeral of the station name.

DOWN TUNING UP

* By pressing the TUNING button repeatedly or by pressing and holding it, the display will change letters and numerals in sequence.

* If you will not input the second letter, skip to step 7.

5

When the first letter or numeral of the station name appears, press the SHIFT button to proceed to the selection of the next letter or numeral.

SHIFT

M

“A” will flash on the second letter or numeral position.

The unit begins searching for the station, and it is continued until the station is found.

You do not have to input a full name for searching for the station

You may input only the first letter of the station name. If doing so, you can skip steps 5 and 6. In step 8, the unit searches for and calls a nearest station which has the letter you input. If the station is not the desired one, press the TUNING button again. The unit will begin searching for another station which has the same letter.

To cancel this function

Press the FREQ/PS/PTY, SHIFT, ENTER, FM/AM or

MEMORY button.

Note

This function is useful especially for calling a station with weak signals which cannot be received by the automatic tuning method. By only storing such a station, you can call it any time easily.

23

24

Calling a preset RDS station by the program type (PTY SEEK)

By designating a program type, the unit automatically searches all preset stations for RDS stations of that program type.

* There are 15 program types to classify RDS stations. For details, refer to page 21.

1

2

4 3, 5

1

Turn the unit into the PTY mode.

PS/PTY SEEK

FREQ/PS/PTY Press once or twice until a program type is displayed or “NO PTY” flashes.

4

When the desired program type appears, press the

ENTER button.

ENTER

ENTER

Flashes.

* If “NO PTY” flashes, proceed to the next step while flashing. If “NO PTY” disappears before you proceed to the next step, press the FREQ/PS/PTY button once or twice.

2

SHIFT

5

DOWN TUNING UP

Press once.

The program type of the station now being received or “NEWS” flashes on the display.

3

Select the desired program type.

DOWN TUNING UP

* By pressing the TUNING button repeatedly or by pressing and holding it, the display will change program types in sequence.

The unit begins searching all preset stations, and calls a station of the program type if such a station is found.

* When the right side of the TUNING button is pressed, the search is performed from “A1” toward higher numbers of the preset stations (A1, A2 ... A8, B1, B2, ...). If, however,

“A3” is currently being called for example, the search begins from the next station “A4”.

When the left side of the TUNING button is pressed, the search is performed in reverse order.

If the called station is not the desired one, press the

TUNING button again to search for another station of the same program type.

To cancel this function

Press the FREQ/PS/PTY, SHIFT, ENTER, FM/AM or

MEMORY button.

USING DIGITAL SOUND FIELD PROCESSOR (DSP)

This unit incorporates a sophisticated, multi-program digital sound field processor, which allows you to expand and shape the audio sound field from both the audio and video sources, for a theater-like experience in the listening/viewing room.

This digital sound field processor has 4 programs; 2 programs for digital sound field processing and 2 programs for the Dolby Pro

Logic Surround sound system (DOLBY PRO LOGIC and DOLBY 3 STEREO). You can create an excellent audio sound field by selecting the suitable program and adding desired adjustments. In addition, when the DOLBY PRO LOGIC or DOLBY 3 STEREO program is selected, the built-in automatic input balance control functions. This presents you the best surround condition without manual adjustment.

Display your selection on the

DSP or other information.

Used for speaker balance adjustment

(For details, refer to page 11, 12 and 13.)

Front Panel

PRESET ENTER

AM

FM

MEMORY AUTO TUNING TAPE VCR MONITOR ms kHz

MHz

STEREO

0 20 l00

PRO LOGIC

3 STEREO

HALL ROCK

SLEEP NORMWIDEPHANTOM TEST

2 3

PRESET STATIONS

4 5 6 7 8

TAPE


COPY

VCR

MONITOR

LD/TV

PROGRAM PROCESSOR

PROGRAM

TEST EFFECT

DOWN TUNING UP

2

3

4 l

BASS

0 l

5 5

2

3

4

3

4

2

TREBLE BALANCE

0 l l l

0 l

2 2 2

5 5

4

3 3

4

L 5 5 R

4

3

CENTER

LEVEL

REAR

LEVEL

0 l0 0 l0

Select a digital sound field program.

Switches on/off the digital sound field processor (DSP)

Adjust sound output level at each speaker.

(For details, refer to page 28.)

Remote Control Transmitter

Selects the center channel output mode. (For details, refer to page 14.)

Adjust the delay time. (For details, refer to page 28.)

POWER SLEEP PLAY PHONO

SKIP PAUSE/STOP CD

DISC SKIP — PRESET + TUNER

DIR A DIR B A/B/C/D/E LD/TV

PLAY TAPE MON


CENTER

MODE

+

DELAY

TIME

—


HALL

SUR.

ROCK

EFFECT

ON/OFF — VOLUME

+

Select a digital sound field program.

Switches on/off the digital sound field processor (DSP).

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26

Description of Each Sound Field Program

The following list gives brief descriptions of the sound fields produced by each of the DSP programs. Keep in mind that some of these are precise digital recreations of actual acoustic environments. The data for them was recorded at actual places using sophisticated sound field measurement equipment.

Note

The channel level balance between the left rear effect speaker and the right rear effect speaker may vary depending on the sound field you are listening to. This is due to the fact that some of these sound field recreations are actual acoustic environments.

PROGRAM

PRO LOGIC

3 STEREO

ROCK

HALL

FEATURE

This program is effective for playback of sources encoded with Dolby Surround.

The employment of the digital signal processing system improves crosstalk and transfers the sound source more smoothly and precisely, compared to the conventional type. A stable movie sound field is recreated.

This program is effective not only for playback of sources encoded with Dolby Surround, but also for sources not encoded with Dolby Surround or TV programs with encode 2-channel stereo sound. With this program, 2-channel stereo sound is converted into 3-channels (left front, center and right front), so the dialogs are emphasized on the center position by the use of the center speaker. As no sound is output from the rear speakers, this program is also effective in a simple Audio/Video system without rear speakers.

This program is suitable for rock music. A big, powerful sound is reproduced lively and dynamically.

In this program, the center seems deep behind the front speaker pair, creating an expansive, large hall ambience.

Description of Dolby Pro Logic Surround

DOLBY PRO LOGIC SURROUND: This unit employs the Dolby Pro Logic Surround system. This system is similar to professional Dolby Stereo decoders used in movie theaters.

By employing a four-channel system, the Dolby Pro Logic

Surround system divides the input signals into four levels: the left and right main channels, the center channel (to characterize dialog), and the rear surround-sound channels (to characterize sound effects, background noise and other ambient noise).

Dolby Surround is encoded on the sound track of commercially available video cassettes and video discs as well. When you play a source encoded with Dolby Surround on your home video system, the Dolby Pro Logic Surround system in this unit decodes the signal and feeds the surround-sound effects.

The Dolby Pro Logic Surround mode may not be always effective on video sources not encoded with Dolby Surround.

Manufactured under license from Dolby Laboratories Licensing

Corporation. Additionally licensed under Canadian patent number 1,037,877. “Dolby”, “Pro Logic”, and the double-D symbol are trademarks of Dolby Laboratories Licensing

Corporation.

To play a source with the digital sound field processor


CENTER

MODE

+


HALL

SUR.

ROCK

DELAY

TIME

—

EFFECT

ON/OFF

—

VOLUME

+

2

3

3 2

1

Follow steps 1 – 6 shown in “BASIC OPERATIONS” on page 14.

2

Turn the DSP on, so that a program name appears on the display.

EFFECT

HALL

3

Select the desired program that is suitable for the source.

PROGRAM

TEST

Notes

●

If you prefer to cancel the DSP, press the EFFECT switch.

The sound will be the normal 2-channel stereo without surround sound effect.

●

When ROCK or HALL is selected, no sound is heard from the center speaker.

●

When a monaural sound source is played with DOLBY PRO

LOGIC or DOLBY 3 STEREO, no sound is heard from the front speakers and the rear speakers. Sound is heard only from the center speaker. For DOLBY PRO LOGIC only, however, if the center channel mode is in PHANTOM, the front speakers output the sound of the center channel.

●

When this unit’s Dolby Pro Logic Surround system is used, if the main-source sound is considerably altered by overadjustment of the BASS or TREBLE controls, the relationship between the center and rear channels may produce an unnatural effect.

PRO LOGIC

The selected program name is shown on the display.

4

If desired, adjust the delay time and the output level of each speaker. (For details, refer to the corresponding descriptions on the next page.)

27

Adjustment of the CENTER LEVEL

If desired, you can adjust the sound output level of the center speaker even if the output level is already set in “SPEAKER

BALANCE ADJUSTMENT” on page 13.

●

If the digital sound field program ROCK or HALL is selected, this adjustment is useless.

●

Once the output level is adjusted, the level value will be the same in the DOLBY PRO LOGIC and DOLBY 3 STEREO programs.

●

If no program is used, this adjustment is useless.

CENTER

LEVEL

0 l0

Adjustment of the REAR LEVEL

If desired, you can adjust the sound output level of the rear speakers even if the output level is already set in “SPEAKER

BALANCE ADJUSTMENT” on page 13.

REAR

LEVEL

●

If the program DOLBY 3 STEREO is selected, this adjustment is useless.

●

Once the output level is adjusted, the level value will be the same in the DOLBY PRO LOGIC, ROCK and HALL programs.

●

If no program is used, this adjustment is useless.

0 l0

28

Adjustment of DELAY TIME

You can adjust the time difference between the beginning of the source sound and the beginning of the effect sound with the DELAY TIME keys.

By applying more or less delay, sound effects, background noise, and ambient noise coming at you from the rear speakers can be enhanced or subdued for extra effect.

PRO LOGIC

ROCK

HALL

: from 15 to 30 milliseconds

(Preset value: 20 milliseconds)





●

By continuously pressing “+” or “–” key, the value changes continuously.

+

DELAY

TIME

—

FM

Adjustable ms

20 l

NORM WIDEP

Notes

●

When DOLBY 3 STEREO is selected, this adjustment cannot be made.

●

●

Adding too much delay will cause an unnatural effect with some sources. Experiment with the DELAY TIME keys to create the effect that you find most suitable.

The values of the DELAY TIME you set the last time will

● remain memorized even when the power of this unit is off.

However, if the power cord is kept disconnected for more than one week, these values will be automatically changed back to the original factory settings.

When the DELAY TIME key is pressed, the sound is momentarily interrupted.

SETTING THE SLEEP TIMER

If you use the SLEEP timer of this unit, you can make this unit turn off automatically. When you are going to sleep while enjoying a broadcast or other desired input source, this timer function is helpful.

Notes

●

●

The SLEEP timer can be controlled only with the remote control transmitter.

The components on which the SLEEP timer is effective are the sources connected to the SWITCHED AC OUTLET(S) on the rear panel of this unit.

To set the SLEEP time

1

SLEEP

Press once or more to select the desired

SLEEP time.

To cancel the selected SLEEP time

SLEEP

Indicates the SLEEP time.

TER

M

M ms kHz

STE

0 2

SLEEP NORMW

Lights up.

Whenever the SLEEP key is pressed, the SLEEP time will change as follows.

120

(Minutes)

90 60 30

The SLEEP timer is off (OF).

(The state before the SLEEP key is pressed.)

After a while, the display returns to the indication before the SLEEP timer is set, and the “SLEEP” indicator is illuminated.

2

The unit will be turned off automatically at the selected

SLEEP time.

Press once or more so that “SLEEP OF” appears on the display. (It will soon disappear and the “SLEEP” indicator will go off from the display.)

Note

The SLEEP timer setting can also be canceled by turning off the power with the POWER switch or disconnecting the power plug of this unit from the AC outlet.

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30

REMOTE CONTROL TRANSMITTER

The remote control transmitter provided with this unit is designed to control all the most commonly used functions of the unit. If the

CD player and tape deck connected to this unit are YAMAHA components, then this remote control transmitter will also control various functions of each component.

KEY FUNCTIONS

For Control of This Unit

Refer to “SETTING THE SLEEP

TIMER” on the previous page.

Turns the power on/off.

Selects preset station number.

* +: Selects higher preset station number.

–: Selects lower preset station number.

A/B/C/D/E: Selects the page

(A – E) of preset stations.




DIR A DIR B A /B/C/D/E LD/TV

PLAY TAPE MON


CENTER

MODE

+

DELAY

TIME

—


HALL

SUR.

ROCK

EFFECT


+

Selects input source.

Turns the master volume level up/down.

* For the DSP control keys, refer to page 25.

For Other Component Control

Identify the remote control transmitter keys with your component’s keys. If these keys are identical, their function will be the same. On each key function, refer to the corresponding instruction on your component’s manual.

Controls the compact disc player.

* DISC SKIP is applicable only to a compact disc changer.

Controls the tape deck.

* DIR A, B and DECK A/B are applicable only to a double cassette tape deck.

* For a single cassette deck with automatic reverse function, pressing DIR A will reverse the direction of tape running.




DIR A DIR B A /B/C/D/E LD/TV

PLAY TAPE MON


CENTER

MODE

+

DELAY

TIME

—


HALL

SUR.

ROCK

EFFECT


+

STANDBY mode

While the power is on, pressing the POWER key on the remote control transmitter switches the unit to the STANDBY mode. (In this mode, the indicator is half illuminated.)

POWER on mode STANDBY mode

NOTES ABOUT THE REMOTE CONTROL TRANSMITTER

Battery installation Remote control transmitter operation range

2

Remote control sensor

1

3 Within approximately

6 m (19.7 feet)

30°

30°

Battery replacement

If you find that the remote control transmitter must be used closer to the main unit, the batteries are weak. Replace both batteries with new ones.

Notes

●

●

●

Use only AA, R6, UM-3 batteries for replacement.

Be sure the polarities are correct. (See the illustration inside the battery compartment.)

Remove the batteries if the remote control transmitter will

● not be used for an extended period of time.

If batteries leak, dispose of them immediately. Avoid touching the leaked material or letting it come in contact with clothing, etc. Clean the battery compartment thoroughly before installing new batteries.

Notes

●

There should be no large obstacles between the remote control transmitter and the main unit.

●

If the remote control sensor is directly illuminated by strong lighting (especially an inverter type of fluorescent lamp etc.), it might cause the remote control transmitter not to work correctly. In this case, reposition the main unit to avoid direct lighting.

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32

TROUBLESHOOTING

If the unit fails to operate normally, check the following points to determine whether the fault can be corrected by the simple measures suggested. If it cannot be corrected, or if the fault is not listed in the SYMPTOM column, disconnect the power cord and contact your authorized YAMAHA dealer or service center for help.

switch is pressed.

Sound “hums”.

SYMPTOM

The unit fails to turn on when the POWER

No sound or no picture.

The sound suddenly goes off.

Only one side speaker outputs the sound.

The volume level is low while playing a record.

The volume level cannot be increased, or sound is distorted.

No sound from the rear speakers.

No sound from the center speaker.

FM stereo reception is noisy.

There is distortion and clear reception cannot be obtained even with a good FM antenna.

A desired station cannot be tuned in with Auto tuning.

A desired station cannot be tuned in with Auto tuning.

There are continuous crackling and hissing noises.

There are buzzing and whining noises

(especially in the evening).

The remote control transmitter does not work.

The sound is degraded when monitoring is performed by using the headphones connected to the compact disc player or cassette deck which are connected with this unit.

CAUSE

Power cord is not plugged in or is not completely inserted.

Incorrect output cord connections.

Appropriate input selector is not pressed.

The protection circuit has been activated because of short circuit etc.

The SLEEP timer functioned.

Incorrect setting of the BALANCE control.

Incorrect cord connections.

Incorrect cord connections.

No connection from the turntable to the GND terminal.

The record is being played on a turntable with an

MC cartridge.

The power to the component connected to the REC

OUT terminals of this unit is off.

The sound output level to the rear speakers is set to 0.

Incorrect sound field program selection.

No sound field program is selected.

The sound output level to the center speaker is set to 0.

The center channel mode is in PHANTOM mode.

Incorrect sound field program selection.

No sound field program is selected.

Because of the characteristics of FM stereo broadcasts, this is limited to cases where the transmitter is too far away or the antenna input is poor.

There is multipath interference.

REMEDY

Firmly plug in the power cord.

Connect the cords properly. If the problem persists, the cords may be defective.

Press the appropriate input selector corresponding to the input source.

Turning the unit off and then on will reset the protection circuit.

Cancel the SLEEP timer function.

Adjust it to the appropriate position.

Connect the cords properly. If the problem persists, the cords may be defective.

Firmly connect the audio plugs. If the problem persists, the cords may be defective.

Make the GND connection between the turntable and this unit.

The player should be connected to the unit through the MC head amplifier.

Turn the power to the component on.

Turn up the sound output level with the REAR

LEVEL control.

Select the appropriate program.

Turn up the sound output level with the CENTER

LEVEL control.

Select NORMAL or WIDE.

Select the appropriate program.

Check the antenna connections.

Try using a multiple element FM antenna.

The station is too weak.

Weak signal or loose antenna connections.

Noises will result from ligtning, fluorescent lamps, motors, thermostats and other electrical equipment.

A television set is being used nearby.

Adjust antenna placement to eliminate multipath interference.

Use Manual tuning mode.

Use a high quality directional FM antenna.

Tighten the AM loop antenna connections and rotate it for best reception.

Use Manual tuning mode.

Use an outdoor antenna and a ground wire. This will help somewhat but it is difficult to eliminate all noise.

Relocate this unit away from the TV.

Direct sunlight or lighting (of an inverter type of flourescent lamp etc.) is striking the remote control sensor of the main unit.

The batteries of this remote control transmitter are too weak.

The power to this unit is off.

Change the position of the main unit.

Replace the batteries with new ones.

Turn the power to this unit on.

SPECIFICATIONS

AUDIO SECTION

Minimum RMS Output Power per Channel

Front L, R

8 ohms, 20 Hz to 20 kHz, 0.04% THD

...................................................60W+60W

Center

8 ohms, 1 kHz, 0.2% THD ......................60W

Rear

8 ohms, 1 kHz, 0.7% THD .....................15W

Dynamic Power per Channel

(by IHF Dynamic Headroom measuring method)

8/6/4/2 ohms .....................80/100/120/135W

DIN Standard Output Power per Channel

4 ohms, 1 kHz, 0.7% THD

[Europe model only] ............................75W

IEC Power

8 ohms, 1 kHz, 0.1% THD

[Europe model only] ............................67W

Power Band Width

8 ohms, 30W, 0.08% THD

..........................................10 Hz to 50 kHz

Damping Factor

8 ohms, 20 Hz to 20 kHz .............80 or more

Input Sensitivity/Impedance

PHONO MM .....................2.5 mV/47 k-ohms

CD/TAPE/LD·TV/VCR......150 mV/47 k-ohms

Maximum Input Signal (1 kHz, 0.04% THD)

PHONO MM........................................90 mV

Output Level/Impedance

REC OUT .......................150 mV/0.6 k-ohms

Headphone Jack Rated Output/Impedance

Output Level (8 ohms, 0.04% THD).....0.51V

Impedance.....................................330 ohms

Frequency Response (20 Hz to 20 kHz)

CD/TAPE/LD·TV/VCR (FRONT L/R)

........................................................0±0.5 dB

RIAA Equalization Deviation

PHONO MM....................................0±0.5 dB

Total Harmonic Distortion

PHONO MM to REC OUT

20 Hz to 20 kHz, 1V..........................0.02%

CD/TAPE/LD·TV/VCR to SP OUT

20 Hz to 20 kHz, 30W/8 ohms..........0.02%

Signal-to-Noise Ratio (IHF-A Network)

PHONO MM to REC OUT

(5 mV Input Shorted) ...........................82 dB

CD/TAPE/LD·TV/VCR to SP OUT (Input

Shorted) ............................................93 dB

Residual Noise (IHF-A Network)

FRONT L/R........................................140

µ

V

Channel Separation (Vol. –30 dB,

EFFECT OFF)

PHONO MM, MC

(Input Shorted, 1 kHz) .......................60 dB

CD/TAPE/LD·TV/VCR

(Input 5.1 k-ohms Terminated,

1 kHz) ................................................60 dB

Tone Control Characteristics

BASS: Boost/cut ................±10 dB (50 Hz)

Turnover Frequency .........(350 Hz)

TREBLE: Boost/cut...........±10 dB (20 kHz)

Turnover Frequency.....(3.5 kHz)

Gain Tracking Error (0 to –60 dB) ............3 dB

VIDEO SECTION

Input Level/Impedance .............1 Vp-p/75 ohms

Output Level/Impedance ........1 Vp-p/75 ohms

FM SECTION

Tuning Range.....................87.5 to 108.0 MHz

Usable Sensitivity (75 ohms)

DIN, Mono (S/N 26 dB) ......................0.9

µ

V

DIN, Stereo (S/N 46 dB) .....................24

µ

V

Image Response Ratio...........................80 dB

IF Response Ratio..................................80 dB

Spurious Response Ratio.......................70 dB

AM Suppression Ratio............................55 dB

Capture Ratio ........................................1.5 dB

Alternate Channel Selectivity

[U.K. model] .........................................85 dB

Selectivity (two signals , ±300 kHz)

[Europe model] ....................................70 dB

Signal-to-Noise Ratio

(IHF) Mono/Stereo

[U.K. model]..............................80 dB/75 dB

(DIN-Weighted, 40 kHz Dev.) Mono/Stereo

[Europe model] .........................74 dB/69 dB

Specifications are subject to change without notice.

Harmonic Distortion

Mono/Stereo (1kHz, 40 kHz Dev.)

........................................................0.1/0.2%

Stereo Separation

(1 kHz, 40 kHz Dev.)............................50 dB

Frequency Response

30 Hz to 15 kHz .............................0 ±1.5 dB

AM SECTION

Tuning Range .......................531 to 1,611 kHz

Usable Sensitivity .............................100

µ

V/m

Selectivity ...............................................32 dB

Signal-to-Noise Ratio .............................50 dB

Image Response Ratio...........................40 dB

Spurious Response Ratio.......................50 dB

Harmonic Distortion (1 kHz) ....................0.3%

AUDIO SECTION

Output Level/Impedance

FM (1 kHz, 40 kHz Dev.)

.........................................400 mV/2.2 k-ohm

AM (30% mod., 400 Hz)

.......................................150 mV/2.2 k-ohms

GENERAL

Power Supply

[U.K. model].........................AC 240V, 50 Hz

[Europe model] ....................AC 230V, 50 Hz

Power Consumption ...............................190W

AC Outlets

2 SWITCHED OUTLETS

[Europe model] .................100W max. total

1 SWITCHED OUTLET

[U.K. model] ......................100W max. total

Dimensions (W x H x D)

........................................435 x 146 x 299 mm

Weight ....................................................7.4 kg

Accessories ..........................AM loop antenna

Indoor FM antenna

Remote control transmitter

Batteries

33

SPECIFICATIES

AUDIO GEDEELTE

Minimum RMS uitgangsvermogen per Kanaal

Hoofd

8 ohm, 20 Hz tot 20 kHz, 0,04% Totale

Harmonische Vervorming.............60W+60W

Midden

8 ohm, 1 kHz, 0,2% Totale Harmonische

Vervorming ............................................60W

Achterste


Vervorming ............................................15W

Dynamische Vermogen per Kanaal (IHF

Meetmethode voor Vrij Dynamisch Bereik)

8/6/4/2 ohm .......................80/100/120/135W

DIN Standaard Uitgangsvermogen per Kanaal


Vervorming

[Alleen modellen voor Europa].............75W

IEC Vermogen


Vervorming

[Alleen modellen voor Europa].............67W

Vermogensbandbreedte

8 ohm, 30W, 0,08% Totale Harmonische

Vervorming .........................10 Hz tot 50 kHz

Dempingsfactor

8 ohm, 20 Hz tot 20 kHz ..............80 of meer

Ingangsgevoeligheid/Impedantie

PHONO MM.......................2,5 mV/47 k-ohm

CD/TAPE/LD z

TV/VCR.......150 mV/47 k-ohm

Maximum Ingangssignaalniveau (1 kHz,

0,04% Totale Harmonische Vervorming)

PHONO MM........................................90 mV

Uitgangsniveau/Impedantie

REC OUT.........................150 mV/0,6 k-ohm

Nominaal Uitgangsvermogen/Impedantie van

Hoofdtelefoon-ingang

Uitgangsniveau (8 ohm, 0,04% Totale

Harmonische Vervorming) ...................0,51V

Impedantie .....................................330 ohm

Frekwentiebereik (20 Hz tot 20 kHz)

CD/TAPE/LD z

TV/VCR (FRONT L/R)

........................................................0±0,5 dB

RIAA Balans Afwijking

PHONO MM....................................0±0,5 dB

Totale Harmonische Vervorming

PHONO MM naar REC OUT

20 Hz tot 20 kHz, 1V ........................0,02%

CD/TAPE/LD z

TV/VCR naar SP OUT

20 Hz tot 20 kHz, 30W/8 ohm .........0,02%

Signaal/Ruis Verhouding (IHF-A Netwerk)

PHONO MM naar REC OUT (5 mV

Ingangssignaal Kortgesloten) ..............82 dB

CD/TAPE/LD z TV/VCR naar SP OUT

(Kortgesloten, EFFECT OFF) ..............93 dB

Reststoring (IHF-A Netwerk)

FRONT L/R ........................................140 µV

Kanaalscheiding (Vol. –30 dB, EFFECT OFF)

PHONO MM

(Ingangssignaal Kortgesloten, 1 kHz)

..........................................................60 dB

CD/TAPE/LD z

TV/VCR

(Ingangsvermoge 5,1 k-ohm Kortgesloten,

1 kHz) ...............................................60 dB

Karakteristieken van Klankregeling

BASS:Versterking/afsluiting

..................................±10 dB (50 Hz)

Omzetfrekwentie...................(350 Hz)

TREBLE: Versterking/afsluiting

............................±10 dB (20 kHz)

Omzetfrekwentie ............(3,5 kHz)

Spoorafwijking van Versterking (0 tot –60 dB)

...............................................3 dB of minder

VIDEO GEDEELTE

Ingangsniveau/Impedantie .......1 Vp-p/75 ohm

Uitgangsniveau/Impedantie......1 Vp-p/75 ohm

FM GEDEELTE

Afstembereik .....................87,5 tot 108,0 MHz

Effectieve Gevoeligheid (75 ohm)

DIN, Mono (Signaal/Ruis 26 dB) ........0,9 µV

DIN, Stereo (Signaal/Ruis 46 dB) .......24 µV

Spiegelfrekwentie Verhouding ...............80 dB

IF Frekwentiebereik Verhouding ............80 dB

Parasitaire Frekwentieverhouding ..........70 dB

AM Ruisonderdrukkingsverhouding .......55 dB

Opvangfrekwentieverhouding................1,5 dB

Wisselende Kanaalselektiviteit

[Modellen voor Groot-Brittannië] ..........85 dB

Selectiviteit (twee signalen, ±300 kHz)

[Modellen voor Europa]........................70 dB

Signaal/Ruisverhouding

(IHF) Mono/Stereo

[Modellen voor Groot-Brittannië]

..................................................80 dB/75 dB

(DIN-norm, 40 kHz Dev.) Mono/Stereo

........................................................74/69 dB

Harmonische Vervorming

(1 kHz, 40 kHz Afw.) Mono/Stereo

[Modellen voor Europa] ................0,1/0,2%

Stereo Scheiding (1 kHz, 40 kHz Afw.)

.............................................................50 dB

Frekwentiebereik

30 Hz tot 15 kHz ...........................0 ± 1,5 dB

AM GEDEELTE

Afstembereik........................531 tot 1.611 kHz

Effectieve Gevoeligheid....................100 µV/m

Selectivitei ..............................................32 dB

Signaal/Ruisverhouding .........................50 dB

Spiegelfrekwentie Verhouding................40 dB

Parasitaire Frekwentieverhouding ......... 50 dB

Harmonische Vervorming (1 kHz) ...........0,3%

AUDIO GEDEELTE

Uitgangsniveau/Impedantie

FM (1 kHz, 40 kHz Afw.)

.......................................400 mV/2,2 k-ohm

AM (30% mod. 1 kHz)

.........................................150 mV/2,2 k-ohm

ALGEMEEN

Spanningsvereisten


.............................240V, 50 Hz wisselstroom

[Modellen voor Europa]

.............................230V, 50 Hz wisselstroom

Stroomverbruik .......................................190W

Netspanningsuitgangen (AC OUTLETS)

2 GESCHAKELDE

NETSPANNINGSUITGANGEN

[Modellen voor Europa]

........................Max. totaal vermogen: 100W

1 GESCHAKELDE

NETSPANNINGSUITGANG


........................Max. totaal vermogen: 100W

Afmetingen (L x H x B)

......................................435 x 146 x 299 mm

Gewicht ..................................................7,4 kg

Toebehoren ............................AM Lusantenne

FM Binnenantenne

Afstandbediening

Batterijen

Alle specificaties zijn onder voorbehoud en kunnen zondere nadere kennisgeving worden gewijzigd.

YAMAHA ELECTRONICS CORPORATION, USA 6660 ORANGETHORPE AVE., BUENA PARK, CALIF. 90620, U.S.A.

YAMAHA CANADA MUSIC LTD. 135 MILNER AVE., SCARBOROUGH, ONTARIO M1S 3R1, CANADA

YAMAHA ELECTRONIK EUROPA G.m.b.H. SIEMENSSTR. 22-34, D-25462 RELLINGEN BEI HAMBURG, F.R. OF GERMANY

YAMAHA ELECTRONIQUE FRANCE S.A. RUE AMBROISE CROIZAT BP70 CROISSY-BEAUBOURG 77312 MARNE-LA-VALLEE CEDEX02, FRANCE

YAMAHA ELECTRONICS (UK) LTD. YAMAHA HOUSE, 200 RICKMANSWORTH ROAD WATFORD, HERTS WD1 7JS, ENGLAND

YAMAHA SCANDINAVIA A.B. J A WETTERGRENS GATA 1, BOX 30053, 400 43 VÄSTRA FRÖLUNDA, SWEDEN

YAMAHA MUSIC AUSTRALIA PTY, LTD. 17-33 MARKET ST., SOUTH MELBOURNE, 3205 VIC., AUSTRALIA

VS 96820

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