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M.D.G., EMI Division © 1995 Yamaha Corporation
VT49660 509POCP1.3-01A0 Printed in Japan
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Congratulations!
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○
You are the proud owner of a fine electronic keyboard. The Yamaha PSR-A3 PortaTone combines the most advanced AWM tone generation technology with state-of-the-art digital electronics and features to give you stunning sound quality with maximum musical enjoyment.
A new large graphic display and easy-to-use interface also greatly enhance the operability of this advanced instrument.
In order to make the most of your PortaTone’s features and extensive performance potential, we urge you to read the manual thoroughly while trying out the various features described. Keep the manual in a safe place for later reference.
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Important Features
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● 160 outstanding voices with nine percussion kits.
● A Voice Set function automatically selects appropriate voice parameters whenever a voice is selected.
● 140 accompaniment styles, each with independent intro, main A and B, 4 fill-ins, and ending sections.
● Advanced auto-accompaniment technology gives you fully-orchestrated accompaniment to back up what you play on the keyboard.
● Large multi-function LCD display panel makes it easy to select and edit parameters.
● One Touch Setting feature instantly provides you with four types of registration settings, all of which match to the selected accompaniment style.
● Digital Effects — Reverb, Chorus and DSP, let you freely create a variety of different sonic environments.
● Minus One, and Repeat functions are ideal for learning new songs and polishing your keyboard technique.
● Song recording feature lets you record two melody tracks with an accompaniment track.
● With the Multi Pads, you can play and record a number of short rhythmic and melodic sequences, to add a spice to your performance.
● Registration Memory saves 128 your favorite panel settings for instant recall when needed.
● Arabic Scale instantly allows you to play arabic music.
● Optional Yamaha Music Cartridges can be plugged in for enjoyable automated performance, keyboard practice, and extra accompaniment styles.
● MIDI compatibility and a range of MIDI functions make the PSR-A3 useful in a range of advanced MIDI music systems.
● Built-in amplifier and speaker system delivers top-quality sound without the need for external equipment.
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Contents
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○
Taking Care of Your PortaTone ................................................. 3
Panel Controls
4
The Music Stand ......................................................................... 5
Setting Up
6
Power Supply .............................................................................. 6
■ Using An Optional AC Power Adaptor .................................. 6
■ Using Batteries ..................................................................... 6
Connections ................................................................................ 7
■
■
■
■
The PHONES Jack ............................................................... 7
SUSTAIN Jack ...................................................................... 7
AUX OUT R and L+R/L Jack ................................................ 7
MIDI IN and OUT Connectors .............................................. 7
The Demonstration
8
Basic Display Operation
10
Playing the PSR-A3
12
Selecting & Playing Voices ...................................................... 12
■ Keyboard Percussion ......................................................... 14
The Split Mode .......................................................................... 15
Changing the Split Voice & Related Parameters ................... 15
Touch Response ....................................................................... 17
Dual Voice .................................................................................. 17
Changing the Dual Voice & Related Parameters ................... 18
Harmony/Echo ........................................................................... 20
Selecting a Harmony/Echo Type ........................................... 20
Sustain ....................................................................................... 22
Transposition ............................................................................ 23
Pitch Bend ................................................................................. 23
Digital Effects
24
Using the Digital Effects ........................................................... 24
Changing the Reverb Effect ..................................................... 24
Selecting the Reverb Effect Type .......................................... 24
Setting the Reverb Return Level ............................................ 25
Changing the Chorus Effect .................................................... 26
Selecting the Chorus Effect Type .......................................... 26
Setting the Chorus Return Level ............................................ 27
Changing the DSP Effect .......................................................... 28
Selecting the DSP Effect Type .............................................. 28
Setting the DSP Return Level ................................................ 29
Using Auto Accompaniment
30
■ The Stop Accompaniment Function ................................... 37
Accompaniment Track Control ................................................ 38
■
■
Large/Small Accompaniment .............................................. 39
Muting Individual Tracks ..................................................... 39
■
■
Changing Accompaniment Track Voices ............................ 40
Adjusting Accompaniment Track Volume ........................... 40
Changing the Accompaniment Split Point ............................. 41
One Touch Setting .................................................................... 42
Using Arabic Scales
43
Setting an Arabic Scale ............................................................ 43
Adjusting the Scale Tuning .................................................... 43
Registering the Scale Settings ................................................ 45
Recall the Scale Settings ......................................................... 45
Accompaniment Scale Tuning ................................................. 46
Registration Memory
47
Registering the Panel Settings ................................................ 47
Recall the Registered Panel Settings ...................................... 49
The Accomp Freeze Function .................................................. 49
Song Recording
50
Recording a Melody Track ....................................................... 50
Recording Accompaniment With or Without a Melody .............. 53
Accompaniment and Melody Playback ................................... 56
Play from a Specified Measure .............................................. 57
■
■
Voice & Volume Rewrite ..................................................... 58
Clearing the SONG TRACKS ............................................. 58
The Multi Pads
59
Playing the MULTI PADS .......................................................... 59
Recording the MULTI PADS ..................................................... 61
Using Music Cartridges
64
■
■
Inserting a Music Cartridge ................................................. 64
Music Cartridge Handling Precautions ............................... 64
Cartridge Accompaniment Styles ........................................... 65
Selecting Cartridge Styles ..................................................... 65
Cartridge Songs ........................................................................ 66
Cartridge Song Playback ....................................................... 66
Cartridge Registration Presets ................................................ 67
Selecting Cartridge Registration ............................................ 67
Practice Features
68
The Minus One Mode ................................................................ 68
■ Specifying the Parts To Be Turned On or Off ..................... 68
Repeat Play ................................................................................ 69
Overall Functions
70
General Functions .................................................................... 71
■ Keyboard Volume ............................................................... 71
■
■
Octave ................................................................................ 71
Reverb Level ...................................................................... 72
■
■
■
■
Chorus Level ...................................................................... 72
DSP Level ........................................................................... 72
Pan ..................................................................................... 72
Voice Set ............................................................................ 73
■
■
■
■
■
■
MIDI Functions .......................................................................... 75
■ Remote Channel ................................................................. 76
■
Metronome ......................................................................... 74
Tuning ................................................................................. 74
■
Keyboard Out ..................................................................... 77
Song Out ............................................................................ 77
■
Accompaniment Volume ..................................................... 73
Touch Sensitivity ................................................................ 73
Minus-one Right/Left-hand Channel ................................... 74
Pitch Bend Range ............................................................... 74
■
■
■
Accompaniment Out ........................................................... 77
Local Control ...................................................................... 78
External Clock .................................................................... 78
Initial Data Send ................................................................. 78
■
■
Bulk Data Send ................................................................... 79
Receiving Bulk Data ........................................................... 79
Appendix
PSR-A3 Function Tree ........................................................... 80
About Digital Effect ................................................................ 82
Troubleshooting ..................................................................... 84
Data Backup & Initialization ................................................... 85
■ Data Initialization ................................................................ 85
Index ........................................................................................... 86
Specifications ......................................................................... 87
Voice List ............................................................................... 88
Percussion Kit List ................................................................. 92
MIDI Implementation Chart .................................................... 94
MIDI Data Format .................................................................. 97
■ GM System Level 1 .......................................................... 101
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Taking Care of Your PortaTone
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Your PortaTone will give you years of playing pleasure if you follow the simple rules given below:
■
Location
Do not expose the instrument to the following conditions to avoid deformation, discoloration, or more serious damage.
● Direct sunlight (e.g. near a window).
● High temperatures (e.g. near a heat source, outside, or in a car during the daytime).
● Excessive humidity.
● Excessive dust.
● Strong vibration.
■
Power Supply
● Turn the power switch OFF when the instrument is not in use.
● An AC adaptor, if used (the PSR-A3 runs from either batteries or an optional AC adaptor), should be unplugged from the AC outlet if the instrument is not to be used for an extended period of time.
● Unplug the AC adaptor during electric storms.
● Avoid plugging the AC adaptor into the same AC outlet as appliances with high power consumption, such as electric heaters or ovens. Also avoid using multi-plug adaptors since these can result in reduced sound quality, operation errors, and possibly damage.
■
Turn Power OFF When Making
Connections
● To avoid damage to the instrument and other devices to which it is connected, turn the power switches of all related devices OFF prior to connecting or disconnecting MIDI cables.
■
Handling and Transport
● Never apply excessive force to the controls, connectors or other parts of the instrument.
● Always unplug cables by gripping the plug firmly, not by pulling on the cable.
● Disconnect all cables before moving the instrument.
● Physical shocks caused by dropping, bumping, or placing heavy objects on the instrument can result in scratches and more serious damage.
■
Cleaning
● Clean the cabinet and panel with a dry soft cloth.
● A slightly damp cloth may be used to remove stubborn grime and dirt.
● Never use cleaners such as alcohol or thinner.
● Avoid placing vinyl objects on top of the instrument (vinyl can stick to and discolor the surface).
■
Electrical Interference
● This instrument contains digital circuitry and may cause interference if placed too close to radio or television receivers. If this occurs, move the instrument further away from the affected equipment.
■
Data Backup
● Internal data (registration memory, user song, user pad and scale memory data) will be retained in memory even if the power switch is turned
OFF as long as an AC power adaptor is connected or batteries are installed.
■
Service and Modification
● The PSR-A3 contains no user serviceable parts.
Opening it or tampering with it in anyway can lead to irreparable damage and possibly electric shock. Refer all servicing to qualified YAMAHA personnel.
YAMAHA is not responsible for damage caused by improper handling or operation.
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Panel Controls
■
Top Panel Controls
.................................................................
1
POWER Switch ............................................. page 8
2
MASTER VOLUME Control ........................... page 8
3 DEMO Button ................................................ page 9
4
SCALE SETTING Buttons .......................... page 43
5 SCALE MEMORY Section
• MEMORIZE Button .................................. page 45
• 1~6 Buttons .............................................. page 45
6
DIGITAL EFFECT Section
• REVERB Button ....................................... page 24
• CHORUS Button ....................................... page 24
• DSP Button ............................................... page 24
• DSP VARIATION Button ........................... page 24
7
LCD Panel ................................................... page 10
8
Data Dial .................................................. page 9, 14
9
Number [0]~[9] and
[+/YES], [–/NO] Buttons .......................... page 9, 13
0
SONG Section
• REC Button ......................................... page 51, 54
• PLAY/STOP Button ...................... page 52, 55, 56
• REPEAT PLAY Button .............................. page 69
• MINUS ONE Button ................................. page 68
!
AUTO ACCOMPANIMENT Section
• SYNC-START/STOP Button .................... page 35
• START/STOP Button .......................... page 35, 37
• INTRO Button ........................................... page 35
• MAIN A/B Button ................................ page 35, 37
• ENDING Button ........................................ page 37
• ACCOMP LARGE/SMALL Button ............ page 39
• TRACK ON/OFF Button ........................... page 39
@
CURSOR s , t , < , > Buttons ................... page 10
# TEMPO s , t Buttons ................................. page 34
$
FUNCTION s , t Buttons ........................... page 10
%
REGISTRATION MEMORY Section
• MEMORIZE Button .................................. page 48
• 1~4 Buttons ........................................ page 48, 49
• ACCOMP FREEZE Button ....................... page 49
^
MODE ▼ Button .......................................... page 11
& STYLE Button .............................................. page 33
PITCH BEND e r
PHONES
SCALE
SETTING
4
PSR-A3
2 3 4 5 6 MEMORIZE 1
5
POWER
1
ON / OFF 3 6
DEMO
DIGITAL EFFECT
REVERB
MASTER
VOLUME
CHORUS
SCALE
MEMORY
DSP
DSP
VARIATION
STYLE
POP
01 8BEAT
02 8 UPBT
03 LIGHT
04 16BT P
05 FOLKR
06 POP R
07 DETRO
08 UP PO
09 POP S
10 POP R
11 POP R
POP BAL
12 8BT LI
13 SLOW
14 EPIC B
15 16BT B
16 16BT B
17 PNO B
2
REC
0
SONG
PLAY/STOP REPEAT
PLAY
MINUS
ONE
MIN MAX
/
!
AUTO
ACCOMPANIMENT
SYNC-
START/STOP START/STOP
INTRO
A
* VOICE Button .............................................. page 12
(
ONE TOUCH SETTING Button ................... page 42
) Music CARTRIDGE Slot ............................. page 64 q
KEYBOARD Section
• TOUCH RESPONSE Button .................... page 17
• DUAL VOICE Button ................................ page 17
• HARMONY/ECHO Button ........................ page 20
• SUSTAIN Button ....................................... page 22 w
MULTI PADS Section
• MULTI PADS 1~4 ............................... page 60, 62
• REC/END, TERMINATE Button ......... page 60, 62 e
PITCH BEND Wheel ................................... page 23 r
PHONES Jack ............................................... page 7
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A
E
N
T POP
T POP
POP
POP
ROCK
ROCK
OIT POP
OP SHFL
SHUFFLE
RHMBA 1
RHMBA 2
LLAD
GHT
BALLAD
BALLAD
BLD 1
BLD 2
BALLAD
18 6/8 BLD 1
19 6/8 BLD 2
ROCK
20 ROCK POP
21 ROCK BALLAD
22 LITE RK BLD
23 HARD ROCK
24 ROCK SHUFFL
25 6/8HVY ROCK
26 SLOW ROCK
DANCE
27 TECHNO 1
28 TECHNO 2
29 POP RAP
30 EUROBEAT
31 DANCE POP
DISCO
32 DISCO POP
33 70S DISCO
34 DISCO SOUL
35 DISCO PARTY
36 DISCO TROP
CURSOR
37 POLKA POP
RHYTHM & BLUES
38 R&B
39 SOUL
40 FUNK
41 6/8 BLUES
42 6/8 GOSPEL
43 GOSPEL WLTZ
ROCK & ROLL
44 ROCK&ROLL 1
45 ROCK&ROLL 2
46 BOOGIE
47 TWIST
TRAD JAZZ
48 DIXIELAND
49 BIG BAND
50 B B BALLAD
51 SWING
52 CHARLESTON
CONTEMP JAZZ
53 COOL JAZZ
54 JAZZ BALLAD
FUNCTION
@
55 JAZZ WALTZ
56 FUSION
LATIN
57 FAST BOSSA
58 SLOW BOSSA
59 POP BOSSA
60 SALSA
61 SAMBA 1
62 MAMBO
63 SON
64 MERENGUE
65 BOLERO LNTO
CARIBBEAN
66 POP REGGAE
67 REGGAE 16
68 REGGAE 12
C & W
69 BLUEGRASS
70 C ROCK 1
71 C ROCK 2
72 COWBOY BOOG
73 C BALLAD
74 C SHUFFLE
75 TWO STEP
76 C WALTZ 1
77 C WALTZ 2
WORLD MUSIC
78 POLKA1
79 POLKA2
80 ESPAGNOLE
81 TARANTELLA
82 MUSETTE
83 TRD WALTZ 1
84 TRD WALTZ 2
MARCH
85 MARCH 1
86 MARCH 2
87 6/8 MARCH 1
88 6/8 MARCH 2
BALLROOM STD
89 TANGO ARGN
90 FOXTROT
91 JIVE
92 QUICKSTEP
93 SLOWFOX
94 SLOW WALTZ
95 VIEN WALTZ
BALLROOM LATIN
96 CHA CHA
97 RHUMBA
98 SAMBA 2
99 CONGA
100 PASODOBLE
ORIENTAL
101 MAKSOUM
102 MAKSOUM S
103 SAIDI 1
104 SAIDI 2
105 SAIDI 3
106 BALADI
107 MALFOUF
108 OMAR'K
109 IBRAHIMI
110 MASMOUDI
111 WEHDA
112 10/8 SAMAAI
113 3/4 DAREJ
114 SOUDASSI
115 KATAKOUFTI
116 AYOUB
117 ZAFFA
118 A'DANI
119 KHALIGI 1
120 KHALIGI 2
121 BAMBI
122 FALLAHI
123 MAGHRIBI
124 HAJAA
125 VALS
126 FOX
127 ZAKY'N
128 SAMBA MASRI
129 RHUMBA
130 GUARACHA
131 JERK
132 SHABABY 1
133 SHABABY 2
134 TSIFTETELI
135 ZEIMBEKIKOS
136 KALAMATA
137 SIRTOS
138 TSAMIKOS
139 KARSILAMAS
140 5/8
VOICE
STYLE
SONG
REGIST MEMORY
REGIST
8 01 GrandPno
VOICE
PIANO
01 GRAND PIANO
02 BRIGHT PNO
03 HONKY-TONK
04 FUNKY E PNO
05 DX E PIANO
06 MIDI GRAND
07 HYPER E PNO
08 DREAM E PNO
09 BELL E PNO
10 ICE E PIANO
11 TREM E PNO
12 HARPSICHORD
13 HARPSI CPL
14 CLAVI
15 WAH CLAVI
16 CELESTA
MALLETS
17 VIBRAPHONE
18 MARIMBA
19 GLOCKEN
20 XYLOPHONE
21 TUBE BELLS
22 TIMPANI
23 STEEL DRUMS
24 DULCIMER
25 MUSIC BOX
26 KALIMBA
ORGAN
27 JAZZ ORGAN 1
28 JAZZ ORGAN 2
29 DRAWBAR ORG
30 FULL ORGAN
31 CLICK ORGAN
32 ROCK ORGAN 1
33 ROCK ORGAN 2
34 16+2 ORGAN
35 16+4 ORGAN
36 CHURCH ORG
37 REED ORGAN
38 MUSETTE
39 TRAD ACCORD
40 SOFT ACCORD
41 TANGO ACCRD
42 BANDONEON
GUITAR
43 CLASSIC GTR
44 FOLK GUITAR
45 12ST GUITAR
46 JAZZ GUITAR
47 OCTAVE GTR
48 HAWAII GTR
49 CLEAN GTR
50 TREMOLO GTR
NORMAL
SPLIT
51 MUTE GUITAR
52 HARMONICS
53 OVRDRV GTR
54 DIST GUITAR
BASS
55 ACC BASS
56 FINGER BASS
57 PICK BASS
58 FRETLESS
59 SLAP BASS
60 SY BASS 1
61 SY BASS 2
62 TECHNO BASS
STRINGS
63 VIOLIN
64 VIOLA
65 CELLO
66 CONTRABASS
67 BANJO
STYLE
68 SHAMISEN
69 KOTO
70 HARP
71 SITAR
ENSEMBLE
72 STRINGS 1
73 STRINGS 2
74 CHAMBER STR
75 SYNTH STRS
76 SLOW STRS
77 TREMOLO STR
78 VIOLIN+STRS
79 PIZZ STR
80 CHOIR
81 CHOIR AAHS
82 CHOIR OOHS
83 SYNTH CHOIR
84 VOYAGER
85 ORCH HIT
BRASS
86 TRUMPET
87 FLUGEL HORN
88 MUTE TRP
89 TROMBONE
90 TRB SECTION
91 FRENCH HORN
92 TUBA
93 BRASS SECT
94 BRASS+SAX
95 BRASS+TRB
96 BRASS+TRP
97 SY BRASS 1
98 SY BRASS 2
REED
99 SOPRANO SAX
100 ALTO SAX *
VOICE
103 TEN SAX BR
104 BARI SAX
105 SAX+CLARNET
106 SAX+TRB
107 OBOE
108 ENG HORN
109 BASSOON
110 CLARINET
111 HARMONICA
112 SHANAI
113 BAGPIPE
PIPE
114 PICCOLO
115 FLUTE
116 PAN FLUTE
117 RECORDER
118 BOTTLE
119 SHAKUHACHI
120 WHISTLE
121 OCARINA
SYNTH LEAD
122 SQUARE LEAD
123 SAWTOOTH LD
124 VOICE LEAD
125 CRYSTAL
126 BRIGHTNESS
127 SUB AQUA
128 ANALOG LEAD
129 RAIN HOLD
130 70'S LEAD
131 SYNTH CLAVI
SYNTH PAD
132 FANTASIA
133 BELL PAD
134 XENON PAD
135 ANGELS
)
136 TRANSFORM
137 ATMOSPHERE
138 SHINING
139 DARK MOON
140 CYBER PAD
141 SCI-FI
ORIENTAL
142 KANOUN
143 OCTAVE KNUN
144 OUD
153 MIZMAR
154 MIJWEZ
155 NAY
156 KAWALA
157 ARGOUL
158 ARABIC BRAS
159 ARABIC ORG
160 ARABIC ACD
DRUM KITS
161 STANDARD
145 TREMOLO OUD
146 RABABA
147 KAMAN
148 WATARYAT
149 BOUZOUKI
150 BAGLAMAS
151 SANTURI
152 BOUZOUK
162 ROOM
163 ROCK
164 ELECTRONIC
165 ANALOG
166 JAZZ
167 BRUSH
168 CLASSIC
169 ARABIC
OTS
BEAT dim
6
7
(
CHORD
513
) augsus4
SINGLE
FINGERED
MULTI PAD
DUAL VOICE
SPLIT VOICE
ON /
OFF
RHYTHM
1
TEMPO
BASS
118
CHORD
1
TRANSPOSE
PAD
1
1 0
PHRASE ACCOMP
MEASURE a 01
MELODY
1
MELODY
2
REPEAT
MINUS ONE TOUCH
*
1
* KEYBOARD
$
HARM/ECHO
OVERALL
DIGITAL EFFECT
VOICE
VOL
1 1 35 1 02 1 17 1 30
ACCOMP TRACK
REC REC REC
1 01 1 01
REVERB
CHORUS
SONG TRACK
DSP
DUAL
HARMONY
SUSTAIN
^
MODE
8
1
4
7
2
5
8
3
6
9
TOUCH RESPONSE
DUAL VOICE q
HARMONY/ECHO
MAIN
AUTO FILL
B
RESET
ENDING
TEMPO
#
ACCOMP LARGE/SMALL
MEMORIZE 1
REGISTRATION
MEMORY %
TRACK ON/OFF
2 3 4
ACCOMP
FREEZE
(
REC/END
ONE TOUCH
SETTING
MULTI PADS
TERMINATE
1 w
0 –/NO +/YES
*
2
PRESS AND HOLD FOR A WHILE.
9
3
SUSTAIN
4
Panel Controls
OUT
MIDI
IN
SUSTAIN
R
AUX OUT
L+R/L
DC IN 10-12V t y u i
■
Rear Panel Controls
...............................................................
t
MIDI OUT and IN Connectors .................... page 7, 75 y
SUSTAIN Jack ............................................... page 7 u
AUX OUT R, L+R/L Jacks ................................. page 7 i DC IN 10-12V Jack ........................................ page 6
The Music Stand
The PSR-A3 is supplied with a music stand that can be attached to the instrument by inserting it into the slot at the rear of the control panel.
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Setting Up
This section contains information about setting up your PSR-A3 and preparing to play. Be sure to go through this section carefully before using your PSR-A3.
Power Supply
Your PSR-A3 will run either from batteries or an optional power adaptor.
Follow the instructions below according to the power source you intend to use.
■
Using An Optional AC Power Adaptor
.............................................................
Plug the DC output cable from an optional Yamaha PA-5, PA-5B, or PA-
5C AC Power Adaptor into the DC IN jack on the rear panel of the PSR-A3, then plug the Power Adaptor (or the AC cable of the Power Adaptor) into a convenient wall AC power socket. The internal batteries are automatically disconnected when an AC Power Adaptor is used.
DC IN 10-12V
PA-5,
PA-5B, or
PA-5C
AC power socket
• Never interrupt the power supply (e.g. remove the batteries or unplug the AC adaptor) during any PSR-A3 record operation! Doing so can result in a loss of data.
• Use ONLY a Yamaha PA-5, PA-
5B, or PA-5C AC Power Adaptor to power your instrument from the AC mains. The use of other adaptors may result in irreparable damage to both the adaptor and the PSR-A3.
■
Using Batteries
...............................................................................................................................................
For battery operation the PSR-A3 requires six 1.5V SUM-1, “D” size, R-
20 or equivalent batteries.
When the batteries need to be replaced “Btry Low” will appear on the display. Also the volume may be reduced, the sound may be distorted, and other problems may occur. When this happens, turn the power OFF and either replace the batteries or connect an AC adaptor.
Replace the batteries as follows:
Z
Open the battery compartment cover located on the instrument’s bottom panel.
X
Insert the six new batteries, being careful to follow the polarity markings on the inside of the compartment.
C
Replace the compartment cover, making sure that it locks firmly in place.
• When the batteries run down, replace them with a complete set of six new batteries.
NEVER mix old and new batteries.
• Do not use different kinds of batteries (e.g. alkaline and manganese) at the same time.
• To prevent possible damage due to battery leakage, remove the batteries from the instrument if it is not to be used for an extended period of time.
6 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○
Setting Up
Connections
■
The PHONES Jack
...................................................................................................................................
PHONES
A standard pair of stereo headphones can be plugged in here for private practice or late-night playing. The internal stereo speaker system is automatically shut off when a pair of headphones is plugged into the PHONES jack.
■
SUSTAIN Jack
...................................................................................................................................................
SUSTAIN
An optional Yamaha FC4 or FC5 footswitch can be plugged into the rearpanel SUSTAIN jack for sustain control.
The footswitch functions like the damper pedal on a piano — press for sustain, release for normal sound.
• Be sure that you do not press the pedal while turning the power
ON. If you do, the ON/OFF status of the footswitch will be reversed.
■
AUX OUT R and L+R/L Jack
..................................................................................................
R
AUX OUT
L+R/L
Stereo
System
The AUX OUT R and L+R/L jacks deliver the output of the PSR-A3 for connection to an external amplifier, mixing console, PA system, or recording equipment. If you will be connecting the
PSR-A3 to a monophonic sound system, use only the L+R/L jack. When a plug is inserted into the L+R/L jack only, the left- and right-channel signals are combined and delivered via the L+R/L jack so you don’t lose any of the instrument’s sound.
■
MIDI IN and OUT Connectors
.............................................................................................
OUT
MIDI
IN
The MIDI IN connector receives
MIDI data from an external MIDI device
(such as a MIDI sequencer) which can be used to control the PSR-A3. The
MIDI OUT connector transmits MIDI data generated by the PSR-A3 (e.g. note and velocity data produced by playing the keyboard). More details on MIDI are provided on page 75.
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ 7
The Demonstration
Once you’ve set up your PSR-A3, try listening to the pre-programmed demonstration songs — they’ll give you a good idea of what the PSR-A3 can do! A total of 29 demo songs are provided — songs 01 through 04 play arabic demonstration songs, songs 05 through 21 demonstrate several of the instrument’s voices and songs 22 through 29 demonstrate a range of accompaniment styles.
VOICE
STYLE
SONG
REGIST MEMORY
MULTI PAD
DUAL VOICE
SPLIT VOICE
HARM/ECHO
OVERALL
DIGITAL EFFECT
REGIST
8 01
ArabSng1
OTS
TEMPO
118
TRANSPOSE
1 0
MEASURE a 01
REPEAT
BEAT
ON /
OFF
RHYTHM
1
VOICE
BASS CHORD
1
PAD PHRASE ACCOMP
1
MELODY
1
MELODY
2
MINUS ONE
REC REC REC
1 1 35 1 02 1 17 1 30 1 01 1 01
REVERB
CHORUS
VOL
DSP
CHORD
TOUCH
DUAL
HARMONY
SUSTAIN
ACCOMP TRACK SONG TRACK
NORMAL
SPLIT
SINGLE
FINGERED
1
Switch ON
.................................................................................................................................................................
Turn the power ON by pressing the [POWER] switch.
POWER ON / OFF
2
Set an Initial Volume Level
.......................................................................................................
Turn the [MASTER VOLUME] control up (clockwise) about a quarterturn from its minimum position. You can re-adjust the [MASTER VOL-
UME] control for the most comfortable overall volume level after playback begins.
MASTER
VOLUME
MIN MAX
8 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○
The Demonstration
3
Press the [DEMO] Button
...........................................................................................................
Press the [DEMO] button to start demo playback. The PSR-A3 SONG function will automatically be selected and the number and name of the first demo song will appear on the top line of the display and the SONG [PLAY/
STOP] indicator will light. The demo will begin playing automatically. The demo songs will play in sequence, and the sequence will repeat until stopped.
DEMO
8 01
ArabSng1
• You can play along on the PSR-
A3 keyboard while the demonstration is playing.
• The volume bars of the song tracks at the bottom of the display will move in response to the data in each track while the demo plays.
• About the demo songs created by the PSR-A3 internal accompaniment styles:
* Chord names will appear on the display and the volume bars of the accomp tracks will move in response to the data in each track, while the demo plays.
* Harmony effect (see page 20) can be applied when playing along with the chord progression of the song.
4
Skip to the Beginning Of a Different Demo Song
.......................
While the demonstration is playing you can select any of the 29 demo songs by using the [–/NO] and [+/YES] buttons, the number buttons or the data dial. Playback will skip to the beginning of the selected song.
8 01
ArabSng1
FUNCTION
VOICE
STYLE
SONG
REGIST MEMORY
MULTI PAD
DUAL VOICE
SPLIT VOICE
HARM/ECHO
OVERALL
DIGITAL EFFECT
1
4
7
0
*
2
5
3
6
8 9
–/NO +/YES
5
Exit When Done
.............................................................................................................................................
Press the [DEMO] button, the SONG [PLAY/STOP] button, or the
AUTO ACCOMPANIMENT [START/STOP] button to stop demo playback, then press the [VOICE] button to exit from the SONG function and return to the normal play-mode display when you’ve finished playing the demo songs.
DEMO
• When you stop the demo songs played in sequence and start again by pressing the [PLAY/
STOP] button, the selected song will play and stop automatically when the selected song playback has ended.
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Basic Display Operation
The PSR-A3 LCD panel is a large multi-function type that simultaneously displays and provides access to a number of important parameters. Basic operation of the display as well as the CURSOR, FUNCTION, MODE, and
NUMBER buttons, and the meaning of the icons which appear in the display, are summarized briefly below.
The Cursor Buttons
The CURSOR buttons are used to select the various parameters which appear in the display. Depending on the selected parameter, the “cursor” may appear as an underline, or the selected icon or value may simply flash.
Each CURSOR button moves the cursor in the corresponding direction. The [ ▲ ] and [ ▼ ]
CURSOR buttons are also used to select functions within the function groups selected by the
FUNCTION buttons in some cases.
Parameter Icons
BEAT
OTS
CART (Cartridge)
Appears when a Music Cartridge song, style, or registration memory is selected (page 64).
BEAT
Flashes at the current tempo and indicates the current beat during accompaniment and song playback. (page 36)
OTS (One Touch Setting)
Appears when the ONE TOUCH SETTING feature is engaged (page 42).
The Functions
The PSR-A3 has a range of functions selected via the
FUNCTION [ ▲ ] and [ ▼ ] buttons — e.g. voice selection, style selection, song number selection, etc. The currently selected function is indicated by an arrow in the display next to the function list printed immediately to the left of the display. All of the listed functions can be selected by pressing either the
FUNCTION [ ▲ ] or [ ▼ ] button as many times as necessary until the arrow in the display appears next to the name of the desired function.
CURSOR
FUNCTION
VOICE
STYLE
SONG
REGIST MEMORY
MULTI PAD
DUAL VOICE
SPLIT VOICE
HARM/ECHO
OVERALL
DIGITAL EFFECT
8 01
GrandPno
REGIST TEMPO
118
TRANSPOSE
1 0
MEASURE a 01
ON /
OFF
RHYTHM
1
VOICE
BASS CHORD
1
PAD PHRASE ACCOMP
1
MELODY
1
MELODY
2
REC REC REC
1 1 35 1 02 1 17 1 30 1 01 1 01
VOL
ACCOMP TRACK SONG TRACK
Accompaniment Track Parameters & Icons
The PSR-A3 has 8 accompaniment tracks (RHYTHM1/2, BASS,
CHORD1/2, PAD, and PHRASE1/2), each with ON/OFF, voice number, and volume parameters that can be set as required (page 38). The icons, drums for RHYTHM1 and 2, an acoustic applied bass for BASS, an electric guitar for CHORD1 and 2, violins for PAD, a trumpet for
PHRASE 1 and 2, will appear when the respective track is ON.
RHYTHM BASS
1
CHORD
1
PAD PHRASE
1
10 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○
Basic Display Operation
REGIST
TEMPO
TRANSPOSE
MEASURE
REPEAT m
CHORD
REGIST (Registration Memory)
Indicates the currently selected REGIS-
TRATION MEMORY number (page 49).
TEMPO
Shows the current tempo of accompaniment/song playback (page 34).
TRANSPOSE
The current transpose value (page 23).
MEASURE
Indicates the current measure number during song recording and playback
(page 57).
REPEAT
Indicates the “A” and “B” repeat points when programming a repeat section
(page 69).
CHORD
Indicates the current chord name during accompaniment/ song playback
(page36).
The Modes
The MODE button to the right of the display selects one of the PSR-A3’s four operational modes: NORMAL,
SPLIT, SINGLE, and FINGERED. The currently selected mode is indicated by an arrow in the display next to the mode list printed immediately to the right of the display. All of the listed modes can be selected by pressing the MODE button as many times as necessary until the arrow in the display appears next to the name of the desired mode.
NORMAL: The normal play mode (page 12).
SPLIT:
SINGLE:
The split-keyboard mode in which different voices can be played by the left and right hands (page 15).
The single-finger accompaniment mode which allows fully-orchestrated accompaniment to be produced by specifying chords using only one, two or three fingers
(page 31).
FINGERED: The fingered accompaniment mode in which fully-orchestrated accompaniment is produced according to chords you play on the keyboard (page 31).
o
OTS
BEAT m
CHORD REPEAT
MINUS ONE TOUCH
REVERB
CHORUS
DSP
DUAL
HARMONY
SUSTAIN
NORMAL
SPLIT
SINGLE
FINGERED
MODE
Song Track Parameters & Icons
Like the accompaniment tracks, each of the 3 song tracks has ON/OFF, voice number
(MELODY tracks), and volume parameters that can be set as required (page 50). Each track has its own icon which appears when the track is ON.
ACCOMP MELODY
1
MELODY
2
Feature On/Off Icons
MINUS ONE
REVERB
CHORUS
DSP
TOUCH
DUAL
HARMONY
SUSTAIN
MINUS ONE
Appears when the MINUS ONE feature is ON (page 68).
REVERB
Appears when the REVERB EFFECT is ON (page 24).
CHORUS
Appears when the CHORUS EFFECT is ON (page 24).
DSP
Appears when the DSP EFFECT is ON (page 24).
TOUCH (Touch Response)
Appears when the TOUCH RESPONSE is ON (page 17).
DUAL (Dual Voice)
Appears when the DUAL VOICE feature is ON (page 17).
HARMONY
Appears when the HARMONY/ECHO is ON (page 20).
SUSTAIN
Appears when the SUSTAIN is ON (page 22).
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Playing the PSR-A3
VOICE
STYLE
SONG
REGIST MEMORY
MULTI PAD
DUAL VOICE
SPLIT VOICE
HARM/ECHO
OVERALL
DIGITAL EFFECT
REGIST
8 01
GrandPno
OTS
TRANSPOSE
1 0
MEASURE a 01
REPEAT TEMPO
118
BEAT
ON /
OFF
RHYTHM
1
VOICE
BASS CHORD
1
PAD PHRASE ACCOMP
1
MELODY
1
MELODY
2
MINUS ONE
1
REC REC REC
1 35 1 02 1 17 1 30 1 01 1 01
REVERB
CHORUS
VOL
DSP
CHORD
TOUCH
DUAL
HARMONY
SUSTAIN
ACCOMP TRACK SONG TRACK
NORMAL
SPLIT
SINGLE
FINGERED
Selecting & Playing Voices
The PSR-A3 has 160 outstanding “pitched” voices (voice numbers 01 through 160) and 9 percussion kits
(numbers 161 through 169) that you can select and play on the keyboard. It includes 19 oriental voices and 1 arabic percussion kit.
1
Select the NORMAL Mode
........................................................................................................
If you want to play a single voice over the entire range of the PSR-A3 keyboard, you’ll need to select the NORMAL mode. To do this, press the
[MODE] button to the right of the display as many times as necessary until the arrow in the display appears next to “NORMAL” in the mode list to the right of the display. The other modes will be described later in this manual.
NORMAL
SPLIT
SINGLE
FINGERED
MODE
2
Select the VOICE Function
......................................................................................................
Before you select a voice to play, the PSR-A3 voice function must be selected. The simplest way to do this is to press the [VOICE] button. This immediately selects the VOICE function no matter what function was previously selected.
An alternative method is to press the [FUNCTION] button to the left of the display as many times as necessary until the arrowhead in the display appears next to “VOICE” in the function list to the left of the display.
• “Kybd Vol” function (see page
71) in the OVERALL function group can be quickly selected by pressing and holding the [VOICE] button.
FUNCTION
VOICE
STYLE
SONG
REGIST MEMORY
MULTI PAD
DUAL VOICE
SPLIT VOICE
HARM/ECHO
OVERALL
DIGITAL EFFECT
8 01
GrandPno
VOICE
12 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○
Playing the PSR-A3
3
Select a Voice
.....................................................................................................................................................
The PSR-A3 has 169 voices that can be selected by using either the [–/
NO] and [+/YES] buttons, the number buttons or the data dial. The voices are listed in the VOICE list printed at the top of the instrument’s control panel. The number and name of the currently selected voice appears on the top line of the display panel while the VOICE function is selected.
● The [–/NO] and [+/YES] Buttons
When the VOICE function is selected these buttons step up or down through the PSR-A3’s voices. Press either button briefly to step to the next voice in the corresponding direction, or hold the button to scroll rapidly through the voices in the corresponding direction.
• Voice numbers 170~171 exclusively can be used as the dual voice — see page 19.
7
0
8 9
–/NO + / YES
● The Number Buttons
The number buttons can be used to directly enter the number of the desired voice, thereby immediately selecting that voice without having to step through a number of other voices.
Two-digit voice numbers (i.e. “01” through “99”) are selected simply by entering the two digits in sequence — e.g. to select voice number “57”, briefly press the [5] buttons and then the [7] button.
*
1 2 3
4
7
0
5
8
6
9
–/NO +/YES
Three-digit voice numbers (i.e. “100” through “169”) are entered by first pressing and holding the [1] button until “1” appears in the hundreds position on the display, then press the remaining two digits in sequence.
VOICE
STYLE
SONG
1 02
GrandPno
1
4
7
0
*
2
5
3
6
8 9
–/NO + / YES
• Whenever you select a new voice, the appropriate voicerelated parameters for that voice will be set automatically. This is the PSR-A3 Voice Set function.
The Voice Set function can be turned OFF if not required — page 73.
• The stereo pan position of the voice can be set via the “Pan” function in the OVERALL function group — see page 72.
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ 13
Playing the PSR-A3
● The Data Dial
This is undoubtedly the easiest way to select a voice. Simply rotate the dial clockwise to increment or counter-clockwise to decrement.
• The optimum octave settings
(OVERALL function: octave = 0) are set to the keyboard for each voice (except for keyboard percussion).
4
Play & Adjust Volume
.........................................................................................................................
You can now play the selected voice on the PSR-A3 keyboard. Use the
[MASTER VOLUME] control to adjust the overall volume level.
• The keyboard volume can be adjusted independently from the accompaniment volume via the
“Kybd Vol” function in the OVER-
ALL function group — see page
71. “Kybd Vol” function can be quickly selected by pressing and holding the [VOICE] button.
■
Keyboard Percussion
When one of the nine PERCUSSION KIT voices are selected — voice numbers 161 through 169 — you can play drums and percussion instruments on the keyboard.
VOICE
STYLE
SONG
169
Arab.Kit
● The Percussion Kits
161
162
163
164
165
Standard Kit
Room Kit
Rock Kit
Electronic Kit
Analog Kit
166
167
168
169
Jazz Kit
Brush Kit
Classic Kit
Arabic Kit
(Panel Arabic Kit)
169: Arabic Kit (Panel Arabic Kit)
Tak
Tabla Tak1 Tabla Roll of Edge Closed Rim Shot Dark Hi-Hat Closed Crash Cymbal 1 Tambourine
C6
• The drums and percussion instruments played by the various keys for voice number
161: Standard Kit are marked by symbols below the keys.
• The Harmony/Echo and Dual functions (pages 20 and 17) cannot be turned ON while a keyboard percussion voice is selected, and will automatically be turned OFF if a keyboard percussion voice is selected while they are ON.
• The Transpose and Scale
Tuning parameters (page 23 and 43) have no effect on the keyboard percussion voices.
• See page 93 for a complete listing of the keyboard percussion drum instrument assignments.
• The PSR-A3 has two Arabic
Kits (Panel Arabic Kit and GM
Arabic Kit). The illustration shown to the left is Panel
Arabic Kit which you normally play on the keyboard. See page 93 for more information on Panel Arabic Kit and GM
Arabic Kit.
C1
Bongo H
Hager Edge
Conga L
Zagrouda L
Conga H Mute
C2 C3 C4
Low Tom
Mid Tom H
Crash Cymbal 2
Doff Dom
Katem Dom
Doff Tak
Tabla Tik
Tabla Flam
C5
14 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○
Playing the PSR-A3
The Split Mode
The SPLIT mode lets you play different voices with the left and right hands.
You could, for example, play bass with the left hand while playing piano with the right. The right-hand voice is the keyboard voice you select in the normal way (page 12), and the left hand voice is selected via the SPLIT VOICE function, described below. The “split point” is initially set at B2 (note number 59), but it can be set at any key on the keyboard.
The SPLIT mode is engaged by pressing the [MODE] button so that the arrow in the display appears next to “SPLIT” in the mode list to the right of the display.
• The SPLIT mode and DUAL
VOICE feature (page 17) can be used together. In this case the dual voice plays simultaneously with the right-hand voice only.
Split Point
Voice selected via the VOICE function
NORMAL
SPLIT
SINGLE
FINGERED
Split Voice
Changing the Split Voice & Related Parameters
1
Select the SPLIT VOICE Function
..............................................................................
Press the [FUNCTION] button to the left of the display as many times as necessary until the arrowhead in the display appears next to “SPLIT
VOICE” in the function list to the left of the display.
FUNCTION
VOICE
STYLE
SONG
REGIST MEMORY
MULTI PAD
DUAL VOICE
SPLIT VOICE
HARM/ECHO
OVERALL
DIGITAL EFFECT
8 55
Aco.Bass
2
Select the Function and Set As Required
.................................................
Use the cursor [▲] and [▼] buttons to select the desired function, and then the [–/NO] and [+/YES] buttons, the number buttons or the data dial to set as required (the name of the selected function and its current setting appear on the top line of the display).
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ 15
Playing the PSR-A3
CURSOR
1
4
7
0
2
5
*
3
6
8 9
–/NO + / YES
Function
Split Voice
Description
The split voice can be changed as required while the number and name of the current split voice appear on the top line of the display.
S.Volume
Sets the volume of the split voice so you can create the optimum blend with the right-hand voice. The volume range is from “00” (no sound) to “127” (maximum split voice volume).
S.Octave
Shifts the pitch of the split voice up or down one or two octaves. “–1” is down one octave, “–2” is down two octaves; “+1” and “+2” are up one and two octaves, respectively.
S.RevLvl
Sets the reverb send level for the split voice. The reverb send level determines the amount of signals input to the reverb effect. The level range is from “00” (no effect) to “127” (maximum effect).
S.ChoLvl
Sets the chorus send level for the split voice. The chorus send level determines the amount of signals input to the chorus effect. The level range is from “00” (no effect) to “127” (maximum effect).
S.Pan
Positions the split voice in the stereo sound field. The pan range is from “–7” to “+7”. “–7” is full left and “+7” is full right.
S.Split
Sets the keyboard split point — i.e. the key that separates the left- and right-hand voices (the split-point key is included in the left-hand section of the keyboard). Simply press the key you want to assign as the split point. The key number of the key you press will appear to the left of “S.Split” on the top line of the display. You can also use the [–/NO] and [+/YES] buttons, the number buttons or the data dial to enter the split point key number. The lowest key on the keyboard (C1) is key number
“36”, middle C (C3) is “60”, and the highest key (C6) is 96. The split point can be set at any key number from 00 through 127, allowing the split point to be set outside the range of the PSR-
A3 keyboard for MIDI applications. The default split point is 59
(B2).
3
Exit
.........................................................................................................................................................................................
Press the [VOICE] button or select a different function to exit from the
SPLIT VOICE function.
• If the Voice Set function is ON
(page 73), the Split Voice parameters will change automatically whenever a different keyboard voice is selected.
• The selected Split Voice parameter can be reset to its default value by simultaneously pressing the [–/NO] and [+/YES] buttons.
• Negative values with “S.Octave” and “S.Pan” parameters can be entered by pressing the number buttons while holding the [–/NO] button.
• Reverb return level and chorus return level can be changed via the “RevRtnLv” and “ChoRtnLv” function in the DIGITAL EFFECT function — see pages 25 and 27.
16 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○
Playing the PSR-A3
Touch Response
This function turns the touch response of the keyboard ON or OFF. Use the
KEYBOARD [TOUCH RESPONSE] button to turn TOUCH RESPONSE ON or OFF as required. The touch-response icon will appear next to “TOUCH” in the display when TOUCH RESPONSE is turned ON. The actual touch response sensitivity of the keyboard can be adjusted via the “TouchSns” function in the OVERALL function group (page 73). When OFF (i.e. when the touchresponse icon is not showing) the same volume is produced no matter how hard you play on the keyboard. Touch response can be turned OFF to produce a more realistic effect with voices that normally do not have touch response: e.g.
organ and harpsichord.
TOUCH
DUAL
HARMONY
SUSTAIN
KEYBOARD
TOUCH RESPONSE
DUAL VOICE
HARMONY/ECHO
SUSTAIN
• Touch Response is turned ON whenever the power switch is turned ON.
• The “TouchSns” function in the
OVERALL function group can be quickly selected by pressing and holding the [TOUCH RE-
SPONSE] button.
Dual Voice
When the DUAL VOICE feature is engaged you can play two voices simultaneously across the entire keyboard — the keyboard voice you select in the normal way (page 12), and a “dual” voice selected via the DUAL VOICE function.
The DUAL VOICE feature is turned ON and OFF by pressing the [DUAL
VOICE] button. The dual-voice icon (overlapping keyboards) will appear next to “DUAL” in the display when DUAL VOICE is turned ON.
TOUCH
DUAL
HARMONY
SUSTAIN
KEYBOARD
TOUCH RESPONSE
DUAL VOICE
HARMONY/ECHO
SUSTAIN
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ 17
Playing the PSR-A3
Changing the Dual Voice & Related Parameters
1
Select the DUAL VOICE Function
...............................................................................
Press the [FUNCTION] button to the left of the display as many times as necessary until the arrowhead in the display appears next to “DUAL
VOICE” in the function list to the left of the display.
• “DUAL VOICE” function can be quickly selected by pressing and holding the [DUAL VOICE] button.
FUNCTION
VOICE
STYLE
SONG
REGIST MEMORY
MULTI PAD
DUAL VOICE
SPLIT VOICE
HARM/ECHO
OVERALL
DIGITAL EFFECT
8 73
Strings2
2
Select the Function and Set As Required
.................................................
Use the cursor [▲] and [▼] buttons to select the desired function, and then the [–/NO] and [+/YES] buttons, the number buttons or the data dial to set as required (the name of the selected function and its current setting appear on the top line of the display).
CURSOR
FUNCTION
VOICE
STYLE
SONG
REGIST MEMORY
MULTI PAD
DUAL VOICE
SPLIT VOICE
HARM/ECHO
OVERALL
DIGITAL EFFECT
100
D.Volume
18 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○
Playing the PSR-A3
Function
Dual Voice
D.Volume
D.Octave
D.RevLvl
D.ChoLvl
D.Pan
Description
The dual voice can be changed as required while the number and name of the current dual voice appear on the top line of the display.
The PSR-A3 has 162 (voice number 01~160 and
170~171) dual voices. Voice numbers 170~171 exclusively can be used as the dual voice.
Sets the volume of the dual voice so you can create the optimum blend with the main keyboard voice. The volume range is from “00” (no sound) to “127” (maximum dual voice volume).
Shifts the pitch of the dual voice up or down one or two octaves. “–1” is down one octave, “–2” is down two octaves; “+1” and “+2” are up one and two octaves, respectively. The original octave of the dual voice is determined by the “Octave” function in the OVERALL function group
— page 71.
Sets the reverb send level for the dual voice. The reverb send level determines the amount of signals input to the reverb effect. The level range is “00” (no effect) to “127”
(maximum effect).
Sets the chorus send level for the dual voice. The chorus send level determines the amount of signals input to the chorus effect. The level range is “00” (no effect) to “127”
(maximum effect).
Positions the dual voice in the stereo sound field. The pan range is from “–7” to +”7". “–7” is full left and “+7” is full right.
3
Exit
.........................................................................................................................................................................................
Press the [VOICE] button or select a different function to exit from the
DUAL VOICE function.
• If the Voice Set function is ON
(page 73), the Dual Voice parameters will change automatically whenever a different voice is selected via the VOICE function.
• Keyboard percussion voices cannot be used as the dual voice.
• The selected Dual Voice parameter can be reset to its default value by simultaneously pressing the [–/NO] and [+/YES] buttons.
• The octave of the main and dual voices can be changed via the
“Octave” function in the OVER-
ALL function group — page 71.
• Negative values with “D.Octave” and “D.Pan” parameters can be entered by pressing the number buttons while holding the [–/NO] button.
• Reverb return level and chorus return level can be changed via the “RevRtnLv” and “ChoRtnLv” functions, respectively, in the
DIGITAL EFFECT function — see pages 25 and 27.
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ 19
Playing the PSR-A3
Harmony/Echo
The harmony effect (01~10) automatically adds appropriate harmony notes to the melody line you play on the keyboard. The harmony effect is derived from the chords you play on the left hand parts.
The echo effect (11~22) adds delay-based effects to the right hand melody parts.
Press the [HARMONY/ECHO] button to turn the HARMONY/ECHO effect ON or OFF. When HARMONY/ECHO is turned ON, the harmony icon will appear next to “HARMONY” in the display.
TOUCH
DUAL
HARMONY
SUSTAIN
KEYBOARD
TOUCH RESPONSE
DUAL VOICE
HARMONY/ECHO
SUSTAIN
• Harmony/Echo effect can not be turned ON when a keyboard percussion kit is selected for the
Voice.
• Harmony can not be used when the Auto Accompaniment Chord
Cancel function (page 32) is in use.
• Harmony does not apply in the
NORMAL mode.
• Harmony can be used in the
SPLIT mode as well as in the
SINGLE and FINGERED modes.
• The Harmony/Echo effect can not be turned ON when the FIN-
GERED FULL mode (page 33) is in use and will automatically be turned OFF when the FINGERED
FULL mode is selected.
Selecting a Harmony/Echo Type
1
Select the Harmony/Echo Function
.......................................................................
Press the [FUNCTION] button to the left of the display as many times as necessary until the arrowhead in the display appears next to “HARM/
ECHO” in the function list to the left of the display.
FUNCTION
VOICE
STYLE
SONG
REGIST MEMORY
MULTI PAD
DUAL VOICE
SPLIT VOICE
HARM/ECHO
OVERALL
DIGITAL EFFECT
8 05
Block
You can also enter the HARM/ECHO function by pressing and holding the [HARMONY/ECHO] button until the arrow jumps to the “HARM/
ECHO” position and the current harmony/echo name appears in the display.
20 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○
Playing the PSR-A3
2
Select a Harmony/Echo Type
.............................................................................................
Use the [–/NO] and [+/YES] buttons, the number buttons or the data dial to select one of the available harmony/echo types (listed below).
• If the VOICE SET function is ON
(page 73), the harmony/echo type will change automatically whenever a different voice is selected via the VOICE function.
• The harmony/echo type can be reset to its default by simultaneously pressing the [–/NO] and [+/
YES] buttons.
● The Harmony (01~10) / Echo (11~22) Types
Type Description
01: Duet
02: 1+5
03: Country
04: Trio
05: Block
06: 4WayClose1
07: 4WayClose2
08: 4WayOpen
09: Octave
10: Strum
This harmony type produces a duophonic melody with the second voice below the melody line.
A parallel voice is produced a fifth above the melody voice.
Similar to Duet, but the second voice is above the melody line.
This harmony type generates two voices in addition to the melody voice.
Three or four notes are added to the melody to produce four or five-note chords.
Three harmony notes are generated to produce a four-note chord.
Similar to the preceding type, but depending on the chords played this type will sometimes produce a more colorful sound.
Four-note chords with open voice (large intervals between the notes). The result is a very “open” sound. Since the harmony notes can be as much as two octaves below the melody, avoid playing in the lower registers.
One note is added an octave below the melody.
The notes and assignments are the same as in the Block type, but the notes are arpeggiated.
11: Echo1/4 This type creates quarter-note delayed repeats.
12: Echo1/6
13: Echo1/8
14: Echo1/12
This type creates quarter-note triplet delayed repeats.
This type creates 8th-note delayed repeats.
This type creates 8th-note triplet delayed repeats.
3
3
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ 21
Playing the PSR-A3
Type
15: Tremolo1/8
16: Tremolo1/12
17: Tremolo1/16
18: Tremolo1/32
19: Trill1/12
20: Trill1/16
21: Trill1/24
22: Trill1/32
Description
This type creates 8th-note tremolos.
This type creates 8th-note triplet tremolos.
This type creates 16th-note tremolos.
This type creates 32nd-note tremolos.
This type creates 8th-note triplet trilled repeats.
This type creates 16th-note trilled repeats.
This type creates 16th-note triplet trilled repeats.
This type creates 32nd-note trilled repeats.
3
3
3
3
Exit
.........................................................................................................................................................................................
Press the [VOICE] button or select a different function to exit from the
HARM/ECHO function.
Sustain
When the Sustain feature is ON (the sustain icon will appear next to “SUS-
TAIN” in the display), all notes played on the keyboard have a longer sustain.
Press the [SUSTAIN] button to turn the SUSTAIN effect ON or OFF.
• Sustain does not apply to some voices.
TOUCH
DUAL
HARMONY
SUSTAIN
KEYBOARD
TOUCH RESPONSE
DUAL VOICE
HARMONY/ECHO
SUSTAIN
22 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○
Playing the PSR-A3
Transposition
This functions allow the overall pitch of the PSR-A3 to be transposed up or down by a maximum of one octave in semitone increments.
1
Move the Cursor to the Transpose Value
...................................................
Use the CURSOR buttons to select the number to the right of the keyboard icon labelled “TRANSPOSE” on the display (the number will flash when selected).
• Press the [–/NO] and [+/YES] buttons simultaneously to instantly reset the transpose value to “0”.
• The new transpose value will apply from the next note played.
TRANSPOSE
0
2
Set the Transposition As Required
.........................................................................
Use the [–/NO] and [+/YES] buttons, the number buttons or the data dial to set the desired degree of transposition. The transpose range is from –12 to
+12, allowing a maximum upward or downward transposition of 1-octave.
A setting of “0” produces the normal pitch.
7
0
8 9
–/NO + / YES
• Negative values can be entered by pressing the number buttons while holding the [–/NO] button.
Pitch Bend
The PITCH BEND wheel to the left of the keyboard allows the pitch of notes played on the keyboard to be bend up or down - roll the wheel away from you to bend up, and toward you to bend down.
The actual pitch bend range can be adjusted via the “PBRange” function in the OVERALL function group (page 74).
PITCH BEND
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ 23
Digital Effects
The PSR-A3 provides a variety of Digital Effects-12 Reverb Effects, 9
Chorus Effects and 45 DSP Effects- which are specially tailored and make your performance perfect.
VOICE
STYLE
SONG
REGIST MEMORY
MULTI PAD
DUAL VOICE
SPLIT VOICE
HARM/ECHO
OVERALL
DIGITAL EFFECT
REGIST
8 01
≤Hall1
OTS
TRANSPOSE
1 0
MEASURE a 01
REPEAT TEMPO
118
BEAT
ON /
OFF
RHYTHM
1
VOICE
BASS CHORD
1
PAD PHRASE ACCOMP
1
MELODY
1
MELODY
2
MINUS ONE
REC REC REC
1 1 35 1 02 1 17 1 30 1 01 1 01
REVERB
CHORUS
VOL
DSP
CHORD
TOUCH
DUAL
HARMONY
SUSTAIN
ACCOMP TRACK SONG TRACK
NORMAL
SPLIT
SINGLE
FINGERED
Using the Digital Effects
The PSR-A3 has three types of digital effects — Reverb, Chorus and DSP— that can be turned ON or OFF by pressing the [REVERB] button, [CHORUS] button and [DSP] button respectively. DSP effect has a set of variations which can be accessed by using the [DSP VARI-
ATION] button (ON/OFF). Each icon will appear in the display when the effects are turned ON.
• Pressing the [REVERB], [CHORUS] or
[DSP] button turns ON/OFF the respective effect for the VOICE function voice.
• If the Voice Set function (page 73) is
ON, the Reverb/Chorus/DSP VARIA-
TION ON/OFF status will automatically be determined, while DSP will be turned ON whenever a different voice is selected via the VOICE function.
DIGITAL EFFECT
REVERB
CHORUS
DSP
DSP
VARIATION
Changing the Reverb Effect
Selecting the Reverb Effect Type
1
Select the Reverb Type Function
...................................................................
Press the [FUNCTION] button to the left of the display as many times as necessary until the arrowhead in the display appears next to
“DIGITAL EFFECT” in the function list to the left of the display, and use the cursor [▲] and [▼] buttons to select the Reverb Type function,
“Reverb m”.
Reverb ≥
CURSOR
FUNCTION
VOICE
STYLE
SONG
REGIST MEMORY
MULTI PAD
DUAL VOICE
SPLIT VOICE
HARM/ECHO
OVERALL
DIGITAL EFFECT
24 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○
Digital Effects
2
Select the Reverb Type
...................................................................................................................
Use the cursor [>] button to enter the Reverb Type function and then select one of the 13 reverb types using the [–/NO] and [+/YES] buttons, the number buttons or the data dial. The name of the selected reverb type appears on the top line of the display.
CURSOR
FUNCTION
VOICE
STYLE
SONG
REGIST MEMORY
MULTI PAD
DUAL VOICE
SPLIT VOICE
HARM/ECHO
OVERALL
DIGITAL EFFECT
1 01 ≤Hall1
You can also enter the Reverb Type function by pressing and holding the
[REVERB] button until the arrow jumps to the “DIGITAL EFFECT” position and the current reverb type name appears in the display.
3
Exit
.........................................................................................................................................................................................
Press the [VOICE] button or select a different function to exit from the
DIGITAL EFFECT function.
• See page 83 for a complete listing of the reverb types.
• The reverb type can be reset to its default by simultaneously pressing the [–/NO] and [+/YES] buttons.
• You can return to the previous display, “Reverb m ”, by pressing the cursor [ < ] button, and choose the CHORUS or DSP effect.
• The Reverb type will change automatically whenever a different style is selected.
• If you want to disable the reverb effect for all the data excepting
VOICE function voice, select
OFF in the Type selection.
The Reverb Types
01~04 Hall 1~4
05~08 Room 1~4
09, 10 Stage 1, 2
11, 12 Plate 1, 2
13 OFF
Setting the Reverb Return Level
The reverb return level determines the amount of “wet” (affected) signals output to the amplifier.
1
Select the Reverb Return Level Function
..................................................
Press the [FUNCTION] button to the left of the display as many times as necessary until the arrowhead in the display appears next to “DIGITAL
EFFECT” in the function list to the left of the display, and use the cursor
[▲] and [▼] buttons to select the Reverb Return Level function.
• See page 82 for more details on the Digital Effects.
2
1 64
RevRtnLv
Set the Reverb Return Level
................................................................................................
Use the [–/NO] and [+/YES] buttons, the number buttons or the data dial to set the desired reverb return level. The range is from “00” to “127”.
• The reverb return level designated here affects the entire setting, while the reverb send level can be applied to the voice selected via the VOICE function, the split voice and the dual voice separately via the “RevLevel” in the OVERALL function group, the
“S.RevLvl” in the SPLIT VOICE function and the “D.RevLvl” in the
DUAL VOICE function (see pages 72, 16 and 19).
3
Exit
.........................................................................................................................................................................................
Press the [VOICE] button or select a different function to exit from the
DIGITAL EFFECT function.
• The default reverb return level =
64 can be recalled instantly by pressing both the [–/NO] and [+/
YES] buttons simultaneously.
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ 25
Digital Effects
Changing the Chorus Effect
Selecting the Chorus Effect Type
1
Select the Chorus Type Function
...............................................................................
Press the [FUNCTION] button to the left of the display as many times as necessary until the arrowhead in the display appears next to “DIGITAL
EFFECT” in the function list to the left of the display, and use the cursor
[▲] and [▼] buttons to select the Chorus Type function, “Chorus m”.
Chorus ≥
CURSOR
FUNCTION
VOICE
STYLE
SONG
REGIST MEMORY
MULTI PAD
DUAL VOICE
SPLIT VOICE
HARM/ECHO
OVERALL
DIGITAL EFFECT
2
Select the Chorus Type
..................................................................................................................
Use the cursor [>] button to enter the Chorus Type function and then select one of the 10 chorus types using the [–/NO] and [+/YES] buttons, the number buttons or the data dial. The name of the selected chorus type appears on the top line of the display.
CURSOR
FUNCTION
VOICE
STYLE
SONG
REGIST MEMORY
MULTI PAD
DUAL VOICE
SPLIT VOICE
HARM/ECHO
OVERALL
DIGITAL EFFECT
1 01
≤Chorus1
• See page 83 for a complete listing of the chorus types.
• The chorus type will change automatically whenever a different style is selected.
• You can return to the previous display, “Chorus m ”, by pressing the cursor [ < ] button, and choose the REVERB or DSP effect.
• The chorus type can be reset to its default by simultaneously pressing the [–/NO] and [+/YES] buttons.
• If you want to disable the chorus effect for all the data excepting
VOICE function voice, select
OFF in the Type selection.
You can also enter the Chorus Type function by pressing and holding the
[CHORUS] button until the arrow jumps to the “DIGITAL EFFECT” position and the current chorus type name appears in the display.
The Chorus Types
01~05 Chorus 1~5
06~09 Flanger 1~4
10 OFF
26 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○
3
Exit
.........................................................................................................................................................................................
Press the [VOICE] button or select a different function to exit from the
DIGITAL EFFECT function.
Digital Effects
Setting the Chorus Return Level
The chorus return level determines the amount of “wet” (affected) signals output to the amplifier.
1
Select the Chorus Return Level Function
.................................................
Press the [FUNCTION] button to the left of the display as many times as necessary until the arrowhead in the display appears next to “DIGITAL
EFFECT” in the function list to the left of the display, and use the cursor
[▲] and [▼] buttons to select the Chorus Return Level function.
2
1 64
ChoRtnLv
Set the Chorus Return Level
...............................................................................................
Use the [–/NO] and [+/YES] buttons, the number buttons or the data dial to set the desired chorus return level. The range is from “00” to “127”.
• See page 82 for more details on the Digital Effects.
• The chorus return level designated here affects the entire setting, while the chorus send level can be applied to the voice selected via the VOICE function, the split voice and the dual voice separately via the “ChoLevel” in the OVERALL function group, the
“S.ChoLvl” in the SPLIT VOICE function and the “D.ChoLvl” in the DUAL VOICE function (see pages 72, 16 and 19).
• The default chorus return level =
64 can be recalled instantly by pressing both the [–/NO] and [+/
YES] buttons simultaneously.
3
Exit
.........................................................................................................................................................................................
Press the [VOICE] button or select a different function to exit from the
DIGITAL EFFECT function.
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ 27
Digital Effects
Changing the DSP Effect
Selecting the DSP Effect Type
1
Select the DSP Type Function
..........................................................................................
Press the [FUNCTION] button to the left of the display as many times as necessary until the arrowhead in the display appears next to “DIGITAL
EFFECT” in the function list to the left of the display, and use the cursor
[▲] and [▼] buttons to select the DSP Type function, “Dsp m”.
CURSOR
FUNCTION
VOICE
STYLE
SONG
REGIST MEMORY
MULTI PAD
DUAL VOICE
SPLIT VOICE
HARM/ECHO
OVERALL
DIGITAL EFFECT
Dsp ≥
The DSP Types
41
42
43
44
45
46
01~04 Hall 1~4
05~08 Room 1~4
09, 10 Stage 1, 2
11, 12 Plate 1, 2
13, 14 Early Reflection 1, 2
15 Gate Reverb
16 Reverse Gate
17~21 Chorus 1~5
22~25 Flanger 1~4
35
36
37
38
26
27
Symphonic
Phaser
28~32 Rotary Speaker 1~5
33, 34 Tremolo 1, 2
39
40
Guitar Tremolo
Auto Pan
Auto Wah
Delay L, C, R
Delay L, R
Echo
Cross Delay
Distortion Hard
Distortion Soft
EQ Disco
EQ Telephone
OFF
2
Select the DSP Type
..............................................................................................................................
Use the cursor [>] button to enter theDSP Type function and then select one of the 46 DSP types using the [–/NO] and [+/YES] buttons, the number buttons or the data dial. The name of the selected DSP type appears on the top line of the display.
CURSOR
FUNCTION
VOICE
STYLE
SONG
REGIST MEMORY
MULTI PAD
DUAL VOICE
SPLIT VOICE
HARM/ECHO
OVERALL
DIGITAL EFFECT
1 10
≤Stage2
• See page 83 for a complete listing of the DSP types.
• The DSP type can be reset to its default by simultaneously pressing the [–/NO] and [+/YES] buttons.
• If the Voice Set function is ON
(page 73) the DSP type will change automatically whenever a different voice is selected via the
VOICE function.
• When the Rotary Speaker 1~5 is selected, the [DSP VARIATION] button (ON/OFF) will switch the speed of the rotating speaker between fast (ON) and slow
(OFF).
• You can return to the previous display, “Dsp m ”, by pressing the cursor [ < ] button, and choose the REVERB or CHORUS effect.
• If you want to disable the DSP effect for all the data excepting
VOICE function voice, select
OFF in the Type selection.
28 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○
Digital Effects
Each DSP effect has its own variation. Press the [DSP VARIATION] button to ON to activate each variation.
You can also enter the DSP Type function by pressing and holding the
[DSP] button until the arrow jumps to the “DIGITAL EFFECT” position and the current DSP type name appears in the display.
3
Exit
.........................................................................................................................................................................................
Press the [VOICE] button or select a different function to exit from the
DIGITAL EFFECT function.
Setting the DSP Return Level
The DSP return level determines the amount of “wet” (affected) signals output to the amplifier.
1
Select the DSP Return Level Function
............................................................
Press the [FUNCTION] button to the left of the display as many times as necessary until the arrowhead in the display appears next to “DIGITAL
EFFECT” in the function list to the left of the display, and use the cursor
[▲] and [▼] buttons to select the DSP Return Level function.
1 64
DspRtnLv
• See page 82 for more details on the Digital Effects.
• The DSP return level can not be changed for the insertion DSP types (see page 82). In this case,
“- - -” will appear on the display.
• The default DSP return level = 64 can be recalled instantly by pressing both the [–/NO] and [+/
YES] buttons simultaneously.
2
Set the DSP Return Level
..........................................................................................................
Use the [–/NO] and [+/YES] buttons, the number buttons or the data dial to set the desired DSP return level. The range is from “00” to “127”. The
DSP send level can be adjusted via the “DspLevel” function in the OVER-
ALL function group-see page 72.
3
Exit
.........................................................................................................................................................................................
Press the [VOICE] button or select a different function to exit from the
DIGITAL EFFECT function.
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ 29
Using Auto Accompaniment
The PSR-A3 has 140 (including 40 oriental styles) different accompaniment “styles” that can be used to provide fully-orchestrated or rhythmonly accompaniment. The PSR-A3’s sophisticated Auto Accompaniment system can provide automated bass and chord backing that is perfectly matched to the selected accompaniment style.
• The maximum number of notes that can be played simultaneously on the PSR-A3 keyboard is reduced when the Accompaniment is used.
About the PSR-A3 Styles
The styles are created with the “Style File Format”, Yamaha’s original auto-accompaniment format which has evolved through years of development and refinement.
Style File Format allows you to use exceptionally high quality accompaniments with a variety of chord types through its unique conversion system. Style File Format styles, based on GM system level 1, can be played with the GM compatible tone generator. In addition to the internal styles, the optional music cartridges let you use different high quality styles created with the Style File Format.
VOICE
STYLE
SONG
REGIST MEMORY
MULTI PAD
DUAL VOICE
SPLIT VOICE
HARM/ECHO
OVERALL
DIGITAL EFFECT
REGIST
8 01
8BeatPop
OTS
TRANSPOSE
1 0
MEASURE a 01
REPEAT TEMPO
118
BEAT
ON /
OFF
RHYTHM
1
VOICE
BASS CHORD
1
PAD PHRASE ACCOMP
1
MELODY
1
MELODY
2
MINUS ONE
1
REC REC REC
1 34 1 26 1 52 1 05 1 01 1 01
REVERB
CHORUS
VOL
DSP
CHORD
TOUCH
DUAL
HARMONY
SUSTAIN
ACCOMP TRACK SONG TRACK
NORMAL
SPLIT
SINGLE
FINGERED
1
Select the SINGLE or FINGERED
Accompaniment Mode
.....................................................................................................................
Press the [MODE] button to the right of the display as many times as necessary until the arrow in the display appears next to “SINGLE” or “FIN-
GERED” in the mode list to the right of the display. If you select the “SIN-
GLE” mode, accompaniment chords are played as follows:
NORMAL
SPLIT
SINGLE
FINGERED
MODE
30 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○
Using Auto Accompaniment
● SINGLE FINGER ACCOMPANIMENT
Single-finger accompaniment makes it simple to produce beautifully orchestrated accompaniment using major, seventh, minor and minorseventh chords by pressing a minimum number of keys on the left-hand section of the keyboard. The abbreviated chord fingerings described below are used:
C
■ For a major chord, press the root key only.
Cm
C 7
■ For a minor chord, simultaneously press the root key and a black key to its left.
■ For a seventh chord, simultaneously press the root key and a white key to its left.
■ For a minor-seventh chord, simultaneously press the root key and both a white and black key to its left.
Cm
7
2
If the FINGERED Mode is Selected, Select the
Desired Fingering Mode
...............................................................................................................
The PSR-A3 has three fingering modes for fingered accompaniment —
Normal, Bass and Full. The NORMAL mode is automatically selected whenever the power is initially turned ON. To select a different fingering mode first select the OVERALL functions by pressing the [FUNCTION] button to the left of the display as many times as necessary until the arrowhead in the display appears next to “OVERALL” in the function list to the left of the display. “FngrngMd” should appear on the top line of the display
(if a different OVERALL function is selected, press the cursor [▲] or [▼] button as many times as necessary until “FngrngMd” appears). Then use the
[–/NO] and [+/YES] buttons and the data dial to select the desired fingering mode (the mode abbreviation appears to the left of “FngrngMd” on the display).
nor
FngrngMd
CURSOR
FUNCTION
VOICE
STYLE
SONG
REGIST MEMORY
MULTI PAD
DUAL VOICE
SPLIT VOICE
HARM/ECHO
OVERALL
DIGITAL EFFECT
The Normal (“nor”), Bass (“bAS”) and Full (“Full”) fingering modes function as follows:
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ 31
Using Auto Accompaniment
● NORMAL
This is the default FINGERED accompaniment mode. The NORMAL mode lets you finger your own chords on the left-hand section of the keyboard (i.e. all keys to the left of and including the split-point key — normally 59 while the PSR-A3 supplies appropriately orchestrated rhythm, bass, and chord accompaniment in the selected style.
The FINGERED mode will accept the chord types listed below (notes in parentheses may be omitted).
Example for “C” chords
C C
6
CM
7
CM
7
# 11 CMadd
9
CM
9
C
6
9 Caug Cm
CmM
7
CmM
9
Cdim Cdim
7
C
7
Cm
7 b 5 Cm add
9
Cm
9
C
7
9 C
7
# 11 C
7
13
Cm
11
C
7 b 9 C
7 b 13 C
7
# 9
Cm
6
Cm
7
C sus
4
C
7 b 5
Csus
4
C
1+2+5
Chord Name/[Abbreviation]
Major [M]
Major sixth [6]
Major seventh [M7]
Major seventh sharp eleventh [M7 # 11]
Major add ninth [Madd9]
Major ninth [M9]
Major sixth add ninth [6 9]
Augmented [aug]
Minor [m]
Minor sixth [m6]
Minor seventh [m7]
Minor seventh flatted fifth [m7 b 5]
Minor add ninth [madd9]
Minor ninth [m9]
Minor eleventh [m11]
Minor major seventh [mM7]
Minor major ninth [mM9]
Diminished [dim]
Diminished seventh [dim7]
Seventh [7]
Seventh suspended fourth [7sus4]
Seventh flatted fifth [7 b 5]
Seventh ninth [7 9]
Seventh sharp eleventh [7 # 11]
Seventh thirteenth [7 13]
Seventh flatted ninth [7 b 9]
Seventh flatted thirteenth [7 b 13]
Seventh sharp ninth [7 # 9]
Major seventh augmented [M7aug]
Seventh augmented [7aug]
Suspended fourth [sus4]
One plus two plus five [1+2+5]
Normal Voicing
1-3-5
1-(3)-5-6
1-3-(5)-7
1-(2)-3# 4-(5)-7
1-2-3-5
1-2-3-(5)-7
1-2-3-(5)-6
1-3# 5
1b 3-5
1b 3-5-6
1b 3-(5)b 7
1b 3b 5b 7
1-2b 3-5
1-2b 3-(5)b 7
1-(2)b 3-4-5-( b 7)
1b 3-(5)-7
1-2b 3-(5)-7
1b 3b 5
1b 3b 5-6
1-3-(5)b 7
1-4-5b 7
1-3b 5b 7
1-2-3-(5)b 7
1-2-3# 4-(5)b 7 or
1-(2)-3# 4-5b 7
1-3-(5)-6b 7 or
2-3-5-6b 7
1b 2-3-(5)b 7
1-3-5b 6b 7
(1)# 2-3-(5)b 7
1-3# 5-7
(1)-3# 5b 7
1-4-5
1-2-5
Chord (C) Display
C
C6
CM7
CM7 # 11
CMadd9
CM9
C6 9
Caug
Cm
Cm6
Cm7
Cm7 b 5
Cmadd9
Cm9
Cm11
CmM7
CmM9
Cdim
Cdim7
C7
C7sus4
C7 b 5
C7 9
C7 # 11
C
C6
CM7
CM7( # 11)
CM(9)
CM7(9)
C6(9)
Caug
Cm
Cm6
Cm7
Cm7 b 5
Cm(9)
Cm7(9)
Cm7(11)
CmM7
CmM7(9)
Cdim
Cdim7
C7
C7sus4
C7 b 5
C7(9)
C7( # 11)
C7 13
C7 b 9
C7 b 13
C7 # 9
CM7aug
C7aug
Csus4
C1+2+5
C7(13)
C7( b 9)
C7( b 13)
C7( # 9)
CM7aug
C7aug
Csus4
C
• If you play any three adjacent keys (including black keys), the chord sound will be cancelled and only the rhythm instruments will continue playing (CHORD
CANCEL function).
• An octave (1+8) produces accompaniment based only on the root.
• A perfect fifth (1+5) produces accompaniment based only on the root and fifth which can be used with many major and minor chords.
• The chord fingerings listed are all in “root” position, but other inversions can be used — with the following exceptions:
* 6 chords are only recognized in root position. All other inversions are interpreted as m7.
* 6 9 chords are only recognized in root position. All other inversions are interpreted as m11.
* m6 chords are only recognized in root position. All other inversions are interpreted as m7 b 5.
* 1+2+5 chords are only recognized in root position. All other inversions are interpreted as sus4.
* With aug and dim7 chords the lowest note played is assumed to be the root.
* With 7 # 11 and 7 b 5 chords the lowest note played is assumed to be the root or b 7.
32 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○
Using Auto Accompaniment
● BASS
This is essentially the same as the NORMAL mode, above, except that the lowest note played in the auto accompaniment section of the keyboard will be played by the bass part rather than the chord root.
C C on E C on G
● FULL
In this mode the PSR-A3 automatically differentiates between left-hand chords and right-hand melody, no matter where they are played on the keyboard. Right-hand chords with a left-hand bass line — single or octave — are also recognized. In the former case left-hand chords are recognized and accompaniment is produced in the same way as in the NOR-
MAL mode, in the latter case the right-hand chords are recognized in the same way but the accompaniment bass line will be based on the left-hand bass line you play. This means you can play in just about any style anywhere on the keyboard, and the PSR-A3 will automatically produce appropriate accompaniment.
• A single note one octave lower than the lowest note of the chord is recognized as a bass note, and a single note eleven notes higher is recognized as a melody note.
• The Harmony/Echo feature (page
20) has no effect in the FULL mode.
3
Select the Style Function
...........................................................................................................
Press the [STYLE] button to directly select the STYLE function.
Another way to do this is to press the [FUNCTION] button to the left of the display as many times as necessary until the arrowhead in the display appears next to “STYLE” in the function list to the left of the display.
• The “AcompVol” function in the
OVERALL function group can be quickly selected by pressing and holding the [STYLE] button.
FUNCTION
VOICE
STYLE
SONG
REGIST MEMORY
MULTI PAD
DUAL VOICE
SPLIT VOICE
HARM/ECHO
OVERALL
DIGITAL EFFECT
8 01
8BeatPop
STYLE
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ 33
Using Auto Accompaniment
4
Select a Style
.....................................................................................................................................................
The PSR-A3 has 140 styles that can be selected by using either the [–/
NO] and [+/YES] buttons, the number buttons or the data dial (these controls function in the same way as for voice selection — see page 12). The styles are listed in the STYLE list printed at the top of the instrument’s control panel. The number and name of the currently selected style appears on the top line of the display while the STYLE function is selected.
• See page 65 for details on selecting cartridge styles.
5
Set the Tempo
...................................................................................................................................................
When you select a different style while the accompaniment is not playing, the “default” tempo for that style is also selected, and the tempo is displayed to the right of the metronome icon “TEMPO” in quarter-note beats per minute. If the accompaniment is playing and the One Touch Setting function is OFF (page 42), the same tempo is maintained even if you select a different style.
You can change the tempo to any value between 32 and 280 beats per minute, however, by using TEMPO [▲] and [▼] buttons. Press either button briefly to decrement or increment the tempo value by one, or hold the button for continuous decrementing or incrementing. The default tempo for the selected style can be recalled at any time by pressing both the TEMPO [▲] and [▼] buttons simultaneously.
TEMPO
TEMPO
118
RESET
You can also use the CURSOR buttons to select the tempo value in the display, and then use the [–/NO] and [+/YES] buttons, the number buttons or the data dial to set the tempo value as required. In this case the [–/NO] and [+/YES] buttons can be pressed simultaneously to recall the default tempo. This can be done either before the accompaniment is started or while it is playing.
CURSOR
• In this case, three-digit numbers
(i.e. “100” through “280”) are entered by first pressing and holding the [1] or [2] button until
“1” or “2” appears in the hundreds position on the display, then pressing the remaining two digits in sequence.
TEMPO
118
7
0
8 9
–/NO + / YES
34 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○
Using Auto Accompaniment
6
Start the Accompaniment
.........................................................................................................
There are several ways to start the accompaniment:
● Straight start:
Press the [START/STOP] button. The rhythm will begin playing immediately without bass and chord accompaniment. The currently selected
MAIN [A] or [B] section will play.
SYNC-
START/STOP START/STOP
INTRO
A
MAIN
AUTO FILL
B
ENDING
• It is possible to select the MAIN
A or B section prior to a straight start — refer to “8. Select the
MAIN A and B Sections as Required,” below.
● Start with an introduction followed by the MAIN A section:
Press the [INTRO] button so that its indicator lights, press the MAIN
[A] button (not necessary if its indicator is already flashing), then press
[START/STOP] button.
SYNC-
START/STOP START/STOP
INTRO
A
MAIN
AUTO FILL
B
ENDING
• The [INTRO] button can be used to select the INTRO section even while the accompaniment is playing.
● Start with an introduction followed by the MAIN B section:
Press the [INTRO] button so that its indicator lights, press the MAIN
[B] button (not necessary if its indicator is already flashing), then press
[START/STOP] button.
SYNC-
START/STOP START/STOP
INTRO
A
MAIN
AUTO FILL
B
ENDING
● Synchronized start:
Any of the above start types can be synchronized to the first note or chord played on the left-hand section of the keyboard (i.e. keys to the left of and including the split-point key — normally 59) by first pressing the
[SYNC-START/STOP] button.
SYNC-
START/STOP START/STOP
INTRO
A
MAIN
AUTO FILL
B
ENDING
• If you press the [SYNC-START/
STOP] button while the accompaniment is playing, the accompaniment will stop and the synchro start mode will be engaged.
• The accompaniment split point can be changed via the
“AccSpPnt” function in the
OVERALL function group — see page 41.
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ 35
Using Auto Accompaniment
Pressing the [SYNC-START/STOP] button alone causes a straight start to occur when the first note or chord is played. Press the [SYNC-
START/STOP] button and then the appropriate [INTRO] and [MAIN] buttons for a synchronized introduction start. The BEAT display will flash at the current tempo when a synchronized start mode has been selected.
The synchro start mode can be disengaged prior to actually starting the accompaniment by pressing the [SYNC-START/STOP] button a second time.
• If you press and hold the [SYNC-
START/STOP] button the
“InitSnd?” function will be selected — see page 78.
7
Play On the Auto-accompaniment Section
Of the Keyboard
...........................................................................................................................................
As soon as you play any fingering that the PSR-A3 can “recognize” on the left-hand section of the keyboard (or anywhere on the keyboard if the
FULL fingering mode is selected), the PSR-A3 will automatically begin to play the appropriate bass line and chord parts along with the selected style.
The accompaniment will continue playing even if you release the keys.
The chord name recognized will be shown above “CHORD” in the display.
m 7
CHORD
● The Beat Indicator
The four dots of the BEAT display provide a visual indication of the selected tempo and beat as shown below.
3/4 time 4/4 time
1st beat
2nd beat
3rd beat
4th beat
BEAT
BEAT
36 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○
Using Auto Accompaniment
8
Select the MAIN A and B Sections as Required
............................
The MAIN A and MAIN B sections can be selected at any time during playback by pressing the corresponding button. Whenever you press the
MAIN [A] or [B] button during playback, the PSR-A3 will generate an appropriate “fill-in” (one of four types) which will smoothly connect the current section to the selected section — even if it is the same section. For example, if you press the MAIN [A] button while the MAIN A section is playing, a fill-in will be produced, then the MAIN A section will continue playing. When you select a different section, the fill-in will begin immediately and the new section will actually begin playing from the top of the next measure unless the MAIN [A] or [B] button is pressed during the last beat of the measure, in which case the fill-in will begin from the first beat of the next measure.
SYNC-
START/STOP START/STOP
INTRO
A
MAIN
AUTO FILL
B
ENDING
9
Stop the Accompaniment
..........................................................................................................
The accompaniment can be stopped at any time by pressing the [START/
STOP] button. Press the [ENDING] button if you want to go to the ending section and then stop. The ending section will begin from the top of the next measure.
SYNC-
START/STOP START/STOP
INTRO
SYNC-
START/STOP START/STOP
INTRO
A
MAIN
AUTO FILL
B
ENDING
A
MAIN
AUTO FILL
B
ENDING
• Some INTRO and ENDING sections have their own chord progressions which play in the current accompaniment key.
• If the MAIN [A] or [B] button is pressed while the ENDING section is playing, an appropriate fillin will be played, followed by a return to the MAIN A or B section.
• The accompaniment volume can be adjusted independently of the main keyboard volume via the
“AcompVol” function in the
OVERALL function group — see page 73.
■
The Stop Accompaniment Function
While the SINGLE or FINGERED mode is selected chords played in the
Auto Accompaniment section of the keyboard are also detected and played by the PSR-A3 Auto Accompaniment system when the accompaniment is stopped (except when the FULL FINGERED mode is engaged). In this case the bass note and chord voices are selected automatically.
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ 37
Using Auto Accompaniment
Accompaniment Track Control
The PSR-A3 has eight accompaniment tracks — RHYTHM 1/2, BASS,
CHORD 1/2, PAD, and PHRASE 1/2 — that you can control to modify the
“orchestration” and therefore the overall sound of the accompaniment. When the power switch is turned ON or an accompaniment style is selected,
RHYTHM 1, CHORD 1 and PHRASE 1 tracks appear on the display.
RHYTHM 2, CHORD 2 and PHRASE 2 tracks can be selected by moving the of the track icons. If the RHYTHM 1 track is selected and the cursor is moved once to the right, for example, the cursor will not actually move but
“RHYTHM 2” will appear in place of “RHYTHM 1” and the parameters for the RHYTHM 2 track can be changed as required. The same applies to the
CHORD 1 and 2, and PHRASE 1 and 2 tracks.
• The icons for all tracks that contain data in any section will appear whenever an accompaniment style is selected.
● What’s in the Tracks
ON /
OFF
RHYTHM BASS
1
CHORD
1
PAD PHRASE
1
VOICE
1
1
35
1
02
1
17
1
30
VOL
ACCOMP TRACK
RHYTHM 1&2 Both these tracks provide the drum and/or percussion sounds.
BASS The BASS track always plays a bass line, but the voice will change to fit the selected style … acoustic bass, synth bass, tuba, etc.
CHORD 1&2
PAD
Both these tracks provide the rhythmic chordal accompaniment required by each style. You’ll find guitar, piano, and other chordal instruments here.
This track plays long chords where necessary, using sustained instruments such as strings, organ, choir.
PHRASE 1&2 This is where the musical embellishments reside. The
PHRASE tracks are used for punchy brass stabs, arpeggiated chords, and other extras that make the accompaniment more interesting.
38 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○
Using Auto Accompaniment
■
Large/Small Accompaniment
.............................................................................................
The simplest form of accompaniment track control is provided by the
[ACCOMP LARGE/SMALL] button. This button alternately turns the appropriate track (s) ON and OFF, thereby changing the number of parts in the accompaniment. When the LARGE accompaniment is selected and accompaniment tracks are ON, their respective icons will appear in the appropriate positions in the display. When the SMALL accompaniment is selected, some tracks for that style will be turned OFF and their respective icons will disappear.
• The LARGE accompaniment is always selected whenever a new style is selected.
• Please note that the tracks used depend on the selected style and all the tracks are not always active even when the LARGE accompaniment is selected.
ON /
OFF
RHYTHM
1
BASS CHORD
1
PAD PHRASE
1
ACCOMP LARGE/SMALL
■
Muting Individual Tracks
..............................................................................................................
The PSR-A3 Auto Accompaniment system includes five Track buttons which allow you to control the accompaniment arrangement in real time.
The accompaniment tracks can be turned OFF (muted) or ON by pressing the corresponding TRACK buttons. The track icon will disappear when a track is muted.
For example, PHRASE 1 and 2 tracks are turned ON or OFF at the same time by pressing the PHRASE track button. The same applies to the
RHYTHM 1 and 2, and CHORD 1 and 2 tracks.
ON /
OFF
RHYTHM
1
BASS CHORD
1
PAD PHRASE
1
VOICE
1 1 35 1 02 1 17 1 30
VOL
ACCOMP TRACK
TRACK ON/OFF
Individual accompaniment tracks can also be turned OFF (muted) or ON by using the cursor buttons to select the icon of the target track (the icon and track name will flash), and then using the [–/NO] and [+/YES] buttons or the data dial to turn the track OFF or ON, respectively. In this way,
RHYTHM 1 and RHYTHM 2 tracks can be independently turned OFF or
ON. The same applies to the CHORD 1 and 2, and PHRASE 1 and 2 tracks.
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ 39
Using Auto Accompaniment
■
Changing Accompaniment Track Voices
......................................................
You can change the voice used for each track by moving the cursor buttons to select the voice number of the target track (the voice number will flash), and then using the [–/NO] and [+/YES] buttons, the number buttons or the data dial to select the desired voice number. Please note that the GM voices are used for the accompaniment instead of the panel voices. Therefore, voice numbers of the accompaniment tracks are different from the ones for the PSR-A3 panel voices. Refer to the GM Voice List (see page 91) for the GM voice numbers and names. Only the numbers from 1 through 9 can be selected for the RHYTHM tracks. In this case, the numbers from 1 through 9 correspond to the PERCUSSION KIT numbers 129 through 137.
Voice numbers 01 through 137 can be selected for all other tracks.
PAD
ON /
OFF
VOICE
VOL
17
Voice Number
■
Adjusting Accompaniment Track Volume
...................................................
The volume of each accompaniment track can be adjusted to produce the ideal “mix” between tracks. Use the cursor buttons to select the volume bar of the target track (the volume bar will flash), and then use the [–/NO] and
[+/YES] buttons and the data dial to set the maximum volume of the track as required. The shorter the bar, the lower the volume. During playback the top segment of each volume bar will remain at the maximum volume level, while the lower bars will move according to the amount of activity in each track.
PAD
ON /
OFF
VOICE
VOL
17
Volume
• When a different style number is selected, all accompaniment track parameters will be reset to their initial values. Use the REG-
ISTRATION MEMORY — page
47 — if you want to store a particular set of settings for instant recall when needed.
• After changing the voice or volume, the [–/NO] and [+/YES] buttons can be pressed simultaneously to reset the initial values.
• The track data changed applies to all sections.
• Muting individual tracks, changing accompaniment track voices and adjusting accompaniment track volume cannot be executed during song recording.
40 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○
Using Auto Accompaniment
Changing the Accompaniment Split Point
1
Select the Accompaniment Split Point Function
.........................
Press the [FUNCTION] button to the left of the display as many times as necessary until the arrowhead in the display appears next to “OVERALL” in the function list to the left of the display. Then use the cursor [▲] and [▼] buttons to select the “AccSpPnt” function from within the OVERALL function list.
0 59
AccSpPnt
CURSOR
FUNCTION
VOICE
STYLE
SONG
REGIST MEMORY
MULTI PAD
DUAL VOICE
SPLIT VOICE
HARM/ECHO
OVERALL
DIGITAL EFFECT
2
Set As Required
...........................................................................................................................................
Simply press the key you want to assign as the split point. The key number of the key you press will appear to the left of “AccSpPnt” on the top line of the display. You can also use the [–/NO] and [+/YES] buttons, the number buttons or the data dial to enter the split point key number. The lowest key on the keyboard (C1) is key number “36”, middle C (C3) is “60”, and the highest key (C6) is “96”. The split point can be set at any key number from 00 through 127, allowing the split point to be set outside the range of the PSR-A3 keyboard for MIDI applications.
1
4
7
0
*
2
5
8
–/NO + / YES
3
6
9
• The split point key becomes the highest key in the Auto Accompaniment section of the keyboard.
• The default split point (59) can be instantly recalled by pressing the
[–/NO] and [+/YES] buttons at the same time.
3
Exit
.........................................................................................................................................................................................
Press the [VOICE] button or select a different function to exit from the
OVERALL functions.
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ 41
Using Auto Accompaniment
One Touch Setting
One Touch Setting lets you instantly select the appropriate panel settings suitable for the current style. Each style (140 styles) contains four variations.
This means that you can freely use 560 different panel settings. The One Touch
Setting feature automatically sets the following parameters:
One Touch Setting Parameter List
• Voice number
• Octave
• Pan
• Dual Voice (Voice number, volume, octave, reverb level, chorus level, pan)
• Dual ON/OFF
• Split Voice (Voice number, volume, octave, reverb level, chorus level, pan, split point=59)
• Keyboard volume
• Reverb level
• Chorus level
• DSP level
• Harmony/Echo ON/OFF, type
• DSP type
• Sustain (Panel) ON/OFF
• Reverb ON/OFF
• Chorus ON/OFF
• DSP ON/OFF
• DSP variation ON/OFF
• Multi Pad Kit number
• Style parameters=default
• Synchro start=ON
• Accomp volume=100
• Accomp split point=59
• Accomp large/small=large
• Tempo=Default (for the currently selected style)
• Main A/B section
1
Turn On the One Touch Setting
......................................................................................
Press the [ONE TOUCH SETTING] button so that the “OTS” icon appears next to the BEAT display and number “1 “ (type1) appears above “REGIST” on the display. The panel settings, with the type1 selected, suitable for the currently selected style are automatically set up for you to play.
The BEAT indicator dots flash at the tempo and synchro start mode is engaged.
REGIST
OTS
REPEAT
BEAT
CHORD
ONE TOUCH
SETTING
2
Select another Type
...............................................................................................................................
Press one of the REGISTRATION MEMORY buttons [2]~[4] to select another type. The corresponding One Touch Setting number appears above
“REGIST” in the display, and the display changes to the one for the selected type.
ACCOMP
FREEZE MEMORIZE 1 2 3 4
REGIST
• If the One Touch Setting is turned ON when the NORMAL or
SPLIT mode is selected, the
FINGERED mode is automatically selected.
• You can create your original setting by editing the One Touch
Setting data and store it into the
Registration Memory — see page
47.
• “No OTS” will appear on the display if the optional cartridge styles have no one touch setting data.
One Touch Setting can be turned OFF by pressing the [ONE TOUCH SET-
TING] button a second time so that the “OTS” icon disappears from the display.
42 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○
Using Arabic Scales
The PSR-A3’s Arabic Scale feature lets you simply and easily raise or lower the pitch of the specific note(s) and create your own scale (arabic scale). You can change the scale settings at any time- even when you are playing. The PSR-A3 is capable of registering 6 scale settings so that you can memorize your own setting and recall it whenever you want to use.
VOICE
STYLE
SONG
REGIST MEMORY
MULTI PAD
DUAL VOICE
SPLIT VOICE
HARM/ECHO
OVERALL
DIGITAL EFFECT
REGIST
-50
SclTune≥
OTS
BEAT
TEMPO
118
TRANSPOSE
1 0
MEASURE a 01
REPEAT
ON /
OFF
RHYTHM
1
VOICE
BASS CHORD
1
PAD PHRASE ACCOMP
1
MELODY
1
MELODY
2
MINUS ONE
REC REC REC
1 1 34 1 26 1 52 1 05 1 01 1 01
REVERB
CHORUS
VOL
DSP
CHORD
TOUCH
DUAL
HARMONY
SUSTAIN
ACCOMP TRACK SONG TRACK
NORMAL
SPLIT
SINGLE
FINGERED
Setting an Arabic Scale
The [SCALE SETTING] buttons, located at the top left side of the panel, simulate an one-octave keyboard (C through B). Pressing each button turns ON and OFF the “Scale Setting” feature of the specific note. The “Scale
Setting” feature affects all the notes having the same note name in all the register. When set to ON (the indicator above the selected button is lit), you can play on the keyboard in the arabic scale. The default scale setting (tuning) for each note is –50 cents. You can also adjust the scale tuning by 1 cent as follows.
SCALE
SETTING
• The Scale Setting function is always turned OFF, whenever the power switch is turned ON.
• Pressing one of the [SCALE SET-
TING] buttons to ON always sets the tuning to –50 cents (default value).
• The song and multi pad playback are tuned by pressing the [SCALE
SETTING] button to ON.
• The [SCALE SETTING] indicator will light or go out according to the song playback data.
• Any scale setting changes including the ones in the song playback data will take effect at the appropriate times.
• The Scale Setting function has no effect on the keyboard percussion voices (see page 14).
• It may take some time to process the scale setting change when recording/playing a song or playing an accompaniment.
Adjusting the Scale Tuning
1
Select the Scale Tuning Function
.........................................................................
Press the [FUNCTION] button to the left of the display as many times as necessary until the arrowhead in the display appears next to “OVER-
ALL” in the function list to the left of the display and use the cursor [▲] and [▼] buttons to select “SclTunem”, the Scale Tuning function.
800
SclTune≥
FUNCTION
VOICE
STYLE
SONG
REGIST MEMORY
MULTI PAD
DUAL VOICE
SPLIT VOICE
HARM/ECHO
OVERALL
DIGITAL EFFECT
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ 43
Using Arabic Scales
2
Select a Note to Set the Tuning
......................................................................................
Use the cursor [>] button to enter the Scale Tuning function and then select one of the notes using the cursor [▲] and [▼] buttons (the selected note name appears on the top line of the display).
• You can return to the previous display “SclTune m ” by pressing the cursor [ < ] button.
CURSOR
FUNCTION
VOICE
STYLE
SONG
REGIST MEMORY
MULTI PAD
DUAL VOICE
SPLIT VOICE
HARM/ECHO
OVERALL
DIGITAL EFFECT
-50
≤Tune C
You can also enter the Scale Tuning function by pressing and holding one of the [SCALE SETTING] button until the arrowhead jumps to the
OVERALL position and the current scale tuning of the specific note appears on the display.
3
Adjust the Scale Tuning
................................................................................................................
Use the [–/NO] and [+/YES] buttons, the number buttons or the data dial to adjust the desired tuning. The tuning range is from “–64” to “63” cents
(one cent is one hundredth of a semitone).
1
4
7
0
*
2
5
8
3
6
9
–/NO +/ YES
• Press the [–/NO] and [+/YES] buttons simultaneously to instantly reset the scale tuning to
“00”.
• If the scale is tuned to the value other than 00 (not regular scale), the indicator of the [SCALE
SETTING] button corresponding to the note will be lit.
If you want to keep the adjusted scale tunings, be sure to store it into the
Scale Memory (see page 45) before turning the [SCALE SETTING] button to OFF.
4
Exit
.........................................................................................................................................................................................
Press the [VOICE] button or select a different function to exit from the
OVERALL function.
44 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○
Using Arabic Scales
Registering the Scale Settings
1
Set Up the Scale Settings as Required
...........................................................
Make the desired scale settings. The following settings are memorized by the Scale Memory function:
• Scale Tuning
• Scale Setting ON/OFF
2
Register the Settings
..........................................................................................................................
While holding the [MEMORIZE] button, press one of the SCALE
MEMORY buttons. Any data that was previously in the selected location is erased and replaced by the new settings. The indicator of the selected button will light to indicate that the data has been stored.
MEMORIZE 1 2 3 4 5 6
SCALE
MEMORY
• The Scale Memory data is retained in memory even when the power switch is turned OFF, as long as the batteries are installed or the AC adaptor is connected.
• All OFF scale settings (regular scale) can also be memorized.
Recall the Scale Settings
The scale settings stored to a SCALE MEMORY button can be recalled at any time simply by pressing the appropriate button.
The indicator of the selected button will flash as soon as any change is made to the scale settings. A flashing SCALE MEMORY indicator therefore indicates that the current scale settings do not correspond to those stored in the
SCALE MEMORY.
MEMORIZE 1 2 3 4 5 6
SCALE
MEMORY
• The stored scale settings can be recalled again by pressing the
[SCALE MEMORY] button which indicator is flashing.
The scale memory function can be turned OFF by pressing the [SCALE
MEMORY] button which indicator is lit, so that the indicator goes out and
PSR-A3 returns to the regular scale setting.
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ 45
Using Arabic Scales
Accompaniment Scale Tuning
The Scale Setting feature of the specific note for the accompaniment can also be turned ON by pressing the [SCALE SETTING] button. If you want to change the tuning of the accompaniment with playing the tuned melody, turn the Accompaniment Scale Tuning to ON in the OVERALL function group.
1
Select the Accompaniment Scale Tuning Function
................
Press the [FUNCTION] button to the left of the display as many times as necessary until the arrowhead in the display appears next to “OVERALL” in the function list to the left of the display and use the cursor [▲] and [▼] buttons to select “TuneAcc”, the Accompaniment Scale Tuning function.
oFF
TuneAcc
FUNCTION
VOICE
STYLE
SONG
REGIST MEMORY
MULTI PAD
DUAL VOICE
SPLIT VOICE
HARM/ECHO
OVERALL
DIGITAL EFFECT
2
Turn the Accompaniment Scale Tuning ON/OFF
..........................
Use the [–/NO] and [+/YES] buttons or the data dial to turn the Accompaniment Scale Tuning OFF or ON. The tuned accompaniment will be played when turned ON.
*
1 2 3
4
7
0
5
8
6
9
–/NO + / YES
• The Accompaniment Scale Tuning function is always turned
OFF, whenever the power switch is turned ON.
• When the Accompaniment Scale
Tuning is turned ON, the base note and chord voices for the
Stop Accompaniment function
(see page 37) are also tuned.
3
Exit
.........................................................................................................................................................................................
Press the [VOICE] button or select a different function to exit from the
OVERALL function.
46 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○
Registration Memory
The PSR-A3 Registration Memory feature can be used to memorize 128 complete control-panel setups (32 banks, 4 setups each) that you can recall whenever needed.
VOICE
STYLE
SONG
REGIST MEMORY
MULTI PAD
DUAL VOICE
SPLIT VOICE
HARM/ECHO
OVERALL
DIGITAL EFFECT
REGIST
8 01
Bank1
OTS
TRANSPOSE
1 0
MEASURE a 01
REPEAT TEMPO
118
BEAT
ON /
OFF
RHYTHM
1
VOICE
BASS CHORD
1
PAD PHRASE ACCOMP
1
MELODY
1
MELODY
2
MINUS ONE
REC REC REC
1 1 35 1 02 1 17 1 30 1 01 1 01
REVERB
CHORUS
VOL
DSP
CHORD
TOUCH
DUAL
HARMONY
SUSTAIN
ACCOMP TRACK SONG TRACK
NORMAL
SPLIT
SINGLE
FINGERED
Registering the Panel Settings
1
Set Up the Controls as Required
................................................................................
Make the desired control settings. The following settings are memorized by the Registration Memory function:
● Data Stored By the Registration Memory
VOICE PARAMETERS
• Voice number
• Keyboard volume
• Octave
• Pan
• Split voice (Voice number, volume, octave, reverb level, chorus level, pan, split point)
• Dual voice (Voice number, volume, octave, reverb level, chorus level, pan)
• Dual voice ON/OFF
• Touch response ON/OFF, sensitivity
• Harmony/Echo ON/OFF, type
• DSP ON/OFF, DSP (type, return level)
• DSP variation ON/OFF
• Reverb ON/OFF
• Chorus ON/OFF
• Sustain (Panel) ON/OFF
• Reverb Level
• Chorus Level
• DSP Level
• Pitch Bend Range
ACCOMPANIMENT PARAMETERS
• Mode (NORMAL/SPLIT/SINGLE/FINGERED)
• Style number (includes cartridge styles)
• Tempo
• Split point (Accomp)
• Fingering mode
• Accompaniment volume
• Track data (Track ON/OFF, voice, volume)
• Main A/B section
• Transpose
• Multi Pad Kit number
• Reverb (type, return level)
• Chorus (type, return level)
2
Select a Registration Bank (if necessary)
.................................................
Any of the 32 Registration Memory banks can be selected via the
REGIST MEMORY function. Use the [FUNCTION] buttons to move the arrowhead next to “REGIST MEMORY” in the function list to the left of the display, then use the [–/NO] and [+/YES] buttons, the number buttons or the data dial to select the desired Registration Memory bank (01 through
32).
1 01
Bank1
FUNCTION
VOICE
STYLE
SONG
REGIST MEMORY
MULTI PAD
DUAL VOICE
SPLIT VOICE
HARM/ECHO
OVERALL
DIGITAL EFFECT
• The REGIST MEMORY function can be quickly selected by pressing and holding the [MEMORIZE] button.
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ 47
Registration Memory
3
Register the Settings
..........................................................................................................................
While holding the [MEMORIZE] button, press one of the REGISTRA-
TION MEMORY buttons. Any data that was previously in the selected location is erased and replaced by the new settings. The corresponding Registration Memory number will appear above “REGIST” in the display.
ACCOMP
FREEZE
• Please note that anytime you store to a REGISTRATION
MEMORY button, all settings previously stored in that button will be erased and replaced by the new settings.
REGISTRATION
MEMORY
MEMORIZE 1 2 3 4
● Enter a New Name for the Registration Bank
If you want to enter a descriptive name for easier identification, enter your original Registration Bank name, this is recommended.
Use the cursor [>] button to move the cursor to the first (left most) character of the Registration Bank name in the display. A Registration
Bank name can consist of up to 8 characters. The position of the character you want to enter or change can be selected by moving the cursor.
Using the [–/NO] and [+/YES] buttons or the data dial, enter the desired character listed below. The number buttons can also be used to enter the number. If you want to insert an underline character at the cursor position, press the cursor [▲] button. If you want to delete a character at the cursor position, press the cursor [▼] button. When you’ve finished entering the Registration Bank name, move the cursor to the position other than the Registration Bank name so that the newly entered Registration Bank name will be memorized.
• The Registration Memory data including it’s name is retained in memory even when the power switch is turned OFF, as long as the batteries are installed or the
AC adaptor is connected.
Character List
ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz
0123456789–
1 01
Yamaha
48 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○
Registration Memory
Recall the Registered Panel Settings
Simply select the appropriate bank as described above, then press the desired REGISTRATION MEMORY button at any time to recall the memorized settings. The corresponding Registration Memory number will appear above
“REGIST” in the display, and the appropriate setting changes will appear in the display.
The indicator of the selected REGISTRATION MEMORY will flash as soon as any change is made to the panel settings. In other words, if the REGIS-
TRATION MEMORY indicator is flashing, the current panel settings are different from those stored in the memory.
No REGISTRATION MEMORY indicator will be showing when the PSR-
A3 is turned ON or a bank is selected.
• Music Cartridge registration settings can be recalled in the same way — see page 67.
• If the Accomp Freeze function is
ON when a REGISTRATION
MEMORY is recalled, the registration number will flash.
• Registration bank 01 can be instantly recalled by simultaneously pressing the [–/NO] and [+/
YES] buttons.
• When the One Touch Setting is
ON, registration memory data can not be recalled.
1 01
Bank1
FUNCTION
VOICE
STYLE
SONG
REGIST MEMORY
MULTI PAD
DUAL VOICE
SPLIT VOICE
HARM/ECHO
OVERALL
DIGITAL EFFECT
4
ACCOMP
FREEZE MEMORIZE 1 2 3
REGIST
The Accomp Freeze Function
When the ACCOMP FREEZE function is engaged, the accompaniment parameters listed above will not be changed when a REGISTRATION MEMORY is recalled. This allows you to recall different REGISTRATION MEMORY settings while using Auto Accompaniment, without suddenly disturbing the flow of the accompaniment. The ACCOMP FREEZE function is turned ON and OFF by pressing the [ACCOMP FREEZE] button. The “FREEZE” indicator appears in the “REGIST” area in the display when it is turned ON.
• Accomp Freeze remains ON even if a different registration bank is selected.
• When you recall the REGISTRA-
TION MEMORY settings while song recording or playback, only the voice parameter settings can be recalled even if the ACCOMP
FREEZE function is turned OFF.
ACCOMP
FREEZE MEMORIZE 1 2 3 4
REGIST
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ 49
Song Recording
The PSR-A3 SONG TRACKS allows you to record and play back complete songs including chord sequences created using the Auto Accompaniment feature and a melody line you play on the keyboard. The SONG
TRACKS include one ACCOMP track and two MELODY tracks.
The PSR-A3 can retain up to 8 complete songs in internal memory, and these can be selected and played back simply by selecting the appropriate SONG. The song numbers 30 through 37 are the area for your own creation (user songs).
• Material recorded on the SONG TRACKs is retained in memory even when the POWER switch is turned OFF if batteries are present or an AC adaptor is connected.
• The recorded data will be lost if the power is turned OFF, the AC adaptor is unplugged, or the batteries fail during recording.
• For 8 songs, up to approximately 4200 notes in the MELODY tracks, or 2100 chords in the
ACCOMP tracks can be recorded.
VOICE
STYLE
SONG
REGIST MEMORY
MULTI PAD
DUAL VOICE
SPLIT VOICE
HARM/ECHO
OVERALL
DIGITAL EFFECT
REGIST
8 30
UserSng1
OTS
MEASURE a 01
REPEAT TEMPO
118
TRANSPOSE
1 0
BEAT
ON /
OFF
RHYTHM
1
VOICE
BASS CHORD
1
PAD PHRASE ACCOMP
1
MELODY
1
MELODY
2
MINUS ONE
REC REC REC
1 1 35 1 02 1 17 1 30 1 01 1 01
REVERB
CHORUS
VOL
DSP
CHORD
TOUCH
DUAL
HARMONY
SUSTAIN
ACCOMP TRACK SONG TRACK
NORMAL
SPLIT
SINGLE
FINGERED
Recording a Melody Track
The SONG MELODY tracks record the following operations and data:
• Note ON/OFF
• Velocity
• Voice number
• Octave
• Pan
• Dual voice ON/OFF
• Dual Voice (voice number, volume, octave, reverb level, chorus level, pan)
• Keyboard volume*
• Pitch Bend
• Pitch Bend Range*
• Reverb Level
• Chorus Level
• DSP Level (MELODY 1 track only)
• Harmony/Echo ON/OFF, type
• Reverb ON/OFF
• Chorus ON/OFF
• DSP ON/OFF, DSP type (MELODY 1 track only)
• DSP variation ON/OFF (MELODY 1 track only)
• Sustain (Panel) ON/OFF (Sustain pedal ON/OFF)
• Scale Setting ON/OFF
• Scale Tuning
• (Tempo signature common to melody & accomp tracks)*
* Recorded only at the beginning of a song; changes cannot be made during recording.
• The Scale Setting ON/OFF status and Scale Tuning data in the latest recorded melody track will take effect in the song.
50 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○
Song Recording
1
Select a SONG Number
.................................................................................................................
If necessary, use the [FUNCTION] buttons to select the SONG function, and then the [–/NO] and [+/YES] buttons, the number buttons or the data dial to select the SONG number (user song numbers “30”~“37”) to which you want to record.
8 30
UserSng1
FUNCTION
VOICE
STYLE
SONG
REGIST MEMORY
MULTI PAD
DUAL VOICE
SPLIT VOICE
HARM/ECHO
OVERALL
DIGITAL EFFECT
2
Select a Voice and Set the Voice Parameters
......................................
Select the voice you want to record with, and set the digital effects and other parameters as required.
• You cannot record in the SPLIT mode — the NORMAL mode will automatically be selected when the SONG record ready mode is engaged.
3
Engage the MELODY Track Record Ready Mode
........................
Press the SONG [REC] button. The [REC] indicator will flash, and
“REC” will appear in the MELODY 1 track position on the display indicating that the PSR-A3 is ready to record. Flashing square brackets in both the
MELODY 1 and MELODY 2 track positions indicate that either track can be selected for recording at this point — use the [–/NO] and [+/YES] buttons or the data dial to select the MELODY track to be recorded (“REC” appears in the selected track position).
REC
SONG
PLAY/STOP
/
ACCOMP MELODY
1
MELODY
2
REC
7
0
8 9
–/NO + / YES
The BEAT indicator dots flash at the current tempo. If the “Metronom” function in the OVERALL function group is turned ON, the metronome will also begin to sound at the currently selected tempo (page 74).
• If a previously-recorded SONG
ACCOMP. track is ON (the
SONG ACCOMP track icon is showing), it can be monitored while recording a MELODY track.
If you don’t want to hear the
ACCOMP track while recording, move the cursor to the ACCOMP track icon and press the [–/NO] button to turn it OFF.
• If a non-user song number is selected when the record ready mode is engaged, user song number 30 will automatically be selected.
• The melody track volume is the current Keyboard Volume setting
— see page 71.
• Only one melody track can be recorded at a time.
• The record-ready mode of the
MELODY track can be disengaged by pressing the [REC] button.
• When the record-ready mode is engaged, the measure number will compulsorily be reset to “01”.
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ 51
Song Recording
4
Record
.............................................................................................................................................................................
Recording will begin as soon as you play a note on the keyboard or press the SONG [PLAY/STOP] button, and the BEAT indicator dots will begin to indicate the current beat as in the Auto Accompaniment mode. The
MEASURE parameter will also show the current measure number. The
[REC] indicator lights continuously once recording has started.
REC
SONG
PLAY/STOP REPEAT
PLAY
MINUS
ONE
/
5
Stop Recording
..............................................................................................................................................
Stop recording by pressing the SONG [PLAY/STOP] button. The
[REC] indicator will go out and the MEASURE number on the display will return to “01”.
REC
SONG
PLAY/STOP REPEAT
PLAY
MINUS
ONE
/
The melody track voice number and volume settings will appear on the display.
• Whenever you record using the
SONG MEMORY, any previously recorded material in the same track will be erased.
• If you start recording by pressing the [PLAY/STOP] button, nothing will be recorded until you begin playing on the keyboard.
• Melody Track data can be cleared by pressing the [PLAY/
STOP] button to start recording and stop it without playing the keyboard (Melody Track Data
Clear).
• Recording is carried out in 1measure increments. If you stop recording in the middle of a measure, rests will automatically be recorded until the end of that measure.
• If the SONG MEMORY becomes full while recording, “Full” will appear on the display and recording will stop.
• If you want to re-record the
Melody track which “Full” was shown on the display during recording, execute “Melody Track
Data Clear” operation (see above) before recording.
• Only VOICE function voice numbers are shown in the melody track displays (dual voice numbers are not shown).
52 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○
Song Recording
Recording Accompaniment With or Without a Melody
The SONG ACCOMP track records the following operations and data:
• Section changes
• Style number* (includes cartridge styles)
• Accompaniment track changes* (track ON/OFF, voice number, volume)
• Accompaniment volume*
• Chord changes, timing
• Reverb type
• Chorus type
* Recorded only at the beginning of a song; changes cannot be made during recording.
1
Select a SONG Number
.................................................................................................................
If necessary, use the [FUNCTION] buttons to select the SONG function, and then the [–/NO] and [+/YES] buttons, the number buttons or the data dial to select the SONG number (user song numbers “30”~“37”) to which you want to record.
FUNCTION
VOICE
STYLE
SONG
REGIST MEMORY
MULTI PAD
DUAL VOICE
SPLIT VOICE
HARM/ECHO
OVERALL
DIGITAL EFFECT
8 30
UserSng1
2
Select the SINGLE or FINGERED Mode and a Style
.............
Select the SINGLE or FINGERED mode (page 31) and an accompaniment style that is appropriate for the type of music you want to record. Also select the FINGERED fingering mode you want to use, if necessary.
NORMAL
SPLIT
SINGLE
FINGERED
MODE
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ 53
Song Recording
3
Engage the ACCOMP/MELODY Track
Record Ready Mode
.............................................................................................................................
Press the SONG [REC] button. The [REC] indicator will flash, and
“REC” will appear in the ACCOMP and MELODY 1 track positions on the display indicating that the PSR-A3 is ready to record. Flashing square brackets in both the MELODY 1 and MELODY 2 track positions indicate that either track can be selected for recording at this point — use the [–/NO] and [+/YES] buttons or the data dial to select the MELODY track to be recorded, or none if you only want to record the ACCOMP track (“REC” appears in the selected track position).
The BEAT indicator dots flash at the current tempo. If the “Metronom” function in the OVERALL function group is turned ON, the metronome will also begin to sound at the currently selected tempo (page 74).
REC
SONG
PLAY/STOP
/
ACCOMP MELODY
1
MELODY
2
REC REC
7 8 9
0 –/NO + / YES
• If a previously-recorded
MELODY track is turned ON (its icon is showing), it can be monitored while recording. If you don’t want to hear the previous track while recording, move the cursor to the corresponding track icon and press the [–/NO] button to turn it OFF.
• The accompaniment track volume is the current Accompaniment Volume setting — see page
73.
• When the record-ready mode is engaged, the measure number will compulsorily be reset to “01”.
4
Record
.............................................................................................................................................................................
Recording will begin as soon as you play a chord on the Auto Accompaniment section of the keyboard. If you’ve selected the MELODY track to record with the ACCOMP track, a right-hand note will also start the recording process. The [REC] indicator lights continuously once recording has started.
SONG
REC PLAY/STOP REPEAT
PLAY
MINUS
ONE
/
Recording can also be started by pressing the ACCOMPANIMENT
CONTROL [START/STOP] button. In this case only the rhythm will begin without bass and chord accompaniment until you play the first chord on the
Auto Accompaniment section of the keyboard.
• Whenever you record using the
SONG MEMORY, any previously recorded material in the same track will be erased.
• If the SONG MEMORY becomes full while recording, “Full” will appear on the display and recording will stop.
• Recording is carried out in 1measure increments. If you stop recording in the middle of a measure, rests will automatically be recorded until the end of that measure.
• If you start the ACCOMP track recording by pressing the [PLAY/
STOP] button, no chord data will be recorded until you begin playing on the keyboard.
SYNC-
START/STOP START/STOP
INTRO
A
MAIN
AUTO FILL
B
ENDING
54 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○
Song Recording
Play the required chords in the Auto Accompaniment section of the keyboard. If you’ve also selected the MELODY track to be recorded, play the melody on the right-hand section of the keyboard. The MEASURE number on the display will increment as recording progresses.
MEASURE a 02
5
Stop Recording
..............................................................................................................................................
Stop recording by pressing the SONG [PLAY/STOP] button, the AUTO
ACCOMPANIMENT [START/STOP] button, or stop with an ending by pressing the AUTO ACCOMPANIMENT [ENDING] button. The [REC] button indicator will go out and the MEASURE number on the display will return to “01”.
The ACCOMP track volume setting will appear on the display.
● Enter a New Name for the Song
If you want to enter a descriptive name for the user songs numbered 30 through 37, enter your original Song name, this is recommended.
Use the cursor [>] button to move the cursor to the first (left most) character of the Song name in the display. A Song name can consist of up to 8 characters. The position of the character you want to enter or change can be selected by moving the cursor.
Using the [–/NO] and [+/YES] buttons or the data dial, enter the desired character listed below. The number buttons can also be used to enter the number. If you want to insert an underline character at the cursor position, press the cursor [▲] button. If you want to delete a character at the cursor position, press the cursor [▼] button. When you’ve finished entering the
Song name, move the cursor to the position other than the Song name so that the newly entered Song name will be memorized.
Character List
ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz
0123456789–
• The Song data including it’s name is retained in memory even when the power switch is turned
OFF, as long as the batteries are installed or the AC adaptor is connected.
1 30
Yamaha
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ 55
Song Recording
Accompaniment and Melody Playback
1
Select a SONG Number
.................................................................................................................
If necessary, use the [FUNCTION] buttons to select the SONG function, and then the [–/NO] and [+/YES] buttons, the number buttons or the data dial to select the SONG number (user song numbers “30”~“37”) containing the song you want to play.
FUNCTION
VOICE
STYLE
SONG
REGIST MEMORY
MULTI PAD
DUAL VOICE
SPLIT VOICE
HARM/ECHO
OVERALL
DIGITAL EFFECT
8 30
UserSng1
2
Start Playback
..................................................................................................................................................
Playback will begin as soon as the SONG [PLAY/STOP] button is pressed. You can turn the ACCOMP and MELODY tracks ON and OFF during playback as required.
REC
SONG
PLAY/STOP REPEAT
PLAY
MINUS
ONE
/
3
Play Along If You Like
........................................................................................................................
Play along on the keyboard if you like. You can also change the tempo during playback.
4
Stop Playback
...................................................................................................................................................
Accompaniment and melody playback will stop automatically when all recorded data has been played back. You can also stop playback at any time by pressing the SONG [PLAY/STOP] button.
• You can also start playback from any specified measure (see page
57).
• Individual tracks can be turned
OFF (muted) or ON by using the cursor buttons to select the icon of the target track (the icon and track name will flash), and then using the [–/NO] and [+/YES] buttons or the data dial to turn the track OFF or ON, respectively. The track icon will disappear when a track is muted.
• The NORMAL mode is automatically selected when SONG playback is started.
• Voice and volume data can be rewritten during playback — see
“Voice & Volume Rewrite”, below.
• When the song playback is stopped, the DSP type will compulsorily be changed according to the currently selected voice and the reverb and chorus types will be changed according to the currently selected style.
56 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○
Song Recording
Play from a Specified Measure
You can start SONG playback from any specified measure, as long as the specified measure is within the range of measures that has already been recorded:
1
Select the MEASURE Parameter
..................................................................................
While no recording or playback is in progress, use the CURSOR buttons to select the MEASURE parameter in the display.
CURSOR
MEASURE a 01
2
Enter the Desired Measure Number
......................................................................
Use the [–/NO] and [+/YES] buttons, the number buttons or the data dial to enter the desired measure number.
*
1 2 3
4 5 6
7
0
8 9
–/NO + / YES
• Three-digit numbers are entered by first pressing and holding the
[1] or [2] button until “1” or “2” appears in the hundreds position on the display, then pressing the remaining two digits in sequence.
3
Start Playback
..................................................................................................................................................
You can now start playback from the specified measure number.
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ 57
Song Recording
■
Voice & Volume Rewrite
You can rewrite the last recorded voice change in any individual track during playback by using the cursor buttons to select the voice number of the target track (the voice number will flash), and then using the number buttons, the [–/NO] and [+/YES] buttons or the data dial to select the desired voice number. The data will actually be rewritten when the [PLAY/
STOP] button is pressed or the end of the song is reached or the next voice change is encountered in the recorded data. The original voice number can be recalled before it is actually rewritten by simultaneously pressing the
[–/NO] and [+/YES] buttons. Any other voice changes included in the recorded track data will take effect at the appropriate times.
The volume of each track can be rewritten during playback in the same way. Use the cursor buttons to select the volume bar of the target track (the volume bar will flash), and then use the [–/NO] and [+/YES] buttons or the data dial to set the maximum volume of the track as required. The shorter the bar, the lower the volume. The data will actually be rewritten when the
[PLAY/STOP] button is pressed or the end of the song is reached. The original volume can be recalled before it is actually rewritten by simultaneously pressing the [–/NO] and [+/YES] buttons. The new volume data is written only at the beginning of the track and affects the entire track.
CURSOR
ACCOMP MELODY
1
MELODY
2
REC REC REC
1 01 1 03
1
4
7
0
*
2
5
3
6
8 9
–/NO +/YES
• The dual voice will change automatically when a melody track voice is changed.
• Voice and volume data can only be rewritten in songs you have recorded yourself.
■
Clearing the SONG TRACKS
All data in the ACCOMP, MELODY 1 and MELODY 2 tracks of the currently selected song can be completely erased by first pressing the [MI-
NUS ONE] button while holding the [REC] button, and then press the
[+/YES] button in response to the “Clear?” confirmation prompt on the display (press [–/NO] if you decide not to erase the data).
REC
SONG
PLAY/STOP REPEAT
PLAY
MINUS
ONE
/
1 30
Clear ?
• Only songs you have recorded yourself can be cleared.
• If a non-user song number is selected when the song-clear mode is engaged, user song number 30 will automatically be selected.
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The Multi Pads
The PSR-A3 MULTI PADS can be used to play 144 short pre-recorded rhythmic and melodic sequences, that can be used to add impact and variety to your keyboard performances. Some of the pad phrases simply play back as programmed, while others are “chord match” types which are automatically transposed to match chords played using the PSR-A3 Auto
Accompaniment feature.
The PSR-A3 MULTI PADS can also be used to record 16 short rhythmic or melodic sequences, percussion fill-ins, or single percussion sounds that can be played at any time simply by pressing the appropriate pad. The multi pad kit numbers 37 through 40 are the area for your own creation
(user pad kits).
VOICE
STYLE
SONG
REGIST MEMORY
MULTI PAD
DUAL VOICE
SPLIT VOICE
HARM/ECHO
OVERALL
DIGITAL EFFECT
REGIST
8 01
Arpeggio
OTS
MEASURE a 01
REPEAT TEMPO
118
TRANSPOSE
1 0
BEAT
ON /
OFF
RHYTHM
1
VOICE
BASS CHORD
1
PAD PHRASE ACCOMP
1
MELODY
1
MELODY
2
MINUS ONE
REC REC REC
1 1 35 1 02 1 17 1 30 1 01 1 01
REVERB
CHORUS
VOL
DSP
CHORD
TOUCH
DUAL
HARMONY
SUSTAIN
ACCOMP TRACK SONG TRACK
NORMAL
SPLIT
SINGLE
FINGERED
Playing the MULTI PADS
The PSR-A3 has 36 multi pad kits, each containing a complete set of 4 MULTI PAD phrases — 144 phrases in all. Before using the MULTI PADS, select the MULTI PAD kit containing the phrases you want to use as follows:
1
Select the MULTI PAD Function
.....................................................................................
To select a multi pad kit, first select the MULTI PAD function by pressing one of the [FUNCTION] buttons until the arrowhead in the display appears next to “MULTI PAD” in the function list to the left of the display.
• See page 60 for a complete listing of the Multi Pad assingnments.
• The MULTI PAD function can be quickly selected by pressing and holding the [REC/END] button.
FUNCTION
VOICE
STYLE
SONG
REGIST MEMORY
MULTI PAD
DUAL VOICE
SPLIT VOICE
HARM/ECHO
OVERALL
DIGITAL EFFECT
1 01
Arpeggio
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ 59
The Multi Pads
2
Select a Multi Pad Kit Number
.........................................................................................
Use the [–/NO] and [+/YES] buttons, the number buttons or the data dial to select one of the 36 available multi pad kits.
7
0
8 9
–/NO + / YES
3
Play the Multi Pad
.....................................................................................................................................
Simply tap any of the MULTI PADS at any time to play back the corresponding phrase. MULTI PAD playback begins as soon as the button is pressed.
You can even play two, three, or four MULTI PADS at the same time. Also, you can create “retriggered sample” effects by repeatedly pressing a pad before its contents are completely played back.
The MULTI PAD voices are independent from the voices you have currently selected for keyboard performance. You could, for example, play piano on the keyboard while a MULTI PAD plays a brass chord stab.
When a “chord match” type MULTI PAD phrase is played, the phrase will be automatically transposed to match chords played using the PSR-A3 Autoaccompaniment feature.
MULTI PAD playback can be terminated by pressing the MULTI PADS
[TERMINATE] button.
REC/END
1 2 3 4
MULTI PADS
TERMINATE
• MULTI PAD playback speed is determined by the current
TEMPO setting.
● The Multi Pad Kits
Chord Match
Kit
01 Arpeggio
Pad 1 Pad 2 Pad 3 Pad 4
O
02 Brass Hit
03 Synth Arpeggio
O
O
04 Pianist
05 Fanfare
06 Synth SFX
07 Wet Synth
O
–
O
O
08 Synth Sound
09 Human Vox
O
O
10 Twinkle
11 Open Air
12 Guitar Play
13 Drum Flam1
O
–
O
14 Drum Flam2
15 Drum Kit
16 Conga & Vibraslap
17 Timbales –
18 Latin Percussion1 –
–
–
–
–
O
O
O
O
–
O
O
O
O
O
–
O
–
–
–
–
–
–
O
O
O
O
–
O
O
O
O
O
–
O
–
–
–
–
–
–
O
O
O
O
O
O
O
O
O
O
–
O
–
–
–
–
–
–
Chord Match
Kit
19 Rock Drum
Pad 1 Pad 2 Pad 3 Pad 4
– – – –
20 Latin Percussion2 –
21 Drum Fill –
–
–
–
–
–
–
22 Arabic Percussion –
23 Ashgan1 O
24 Ashgan1 O
25 Blow it O
26 Chords O
27 Duhulla
28 Finale
–
O
29 Guitar Chords
30 Mazamir
O
O
–
O
O
O
O
–
O
O
–
O
O
O
O
–
O
O
O
–
O
O
O
O
–
–
O
O
31 Belly Dance
32 Rik
33 Stage & Handclap
34 Rakassni
–
–
–
–
–
–
–
– –
–
–
–
–
–
–
–
35 Tabel
36 Tabla
–
–
–
–
–
–
–
–
–
60 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○
The Multi Pads
Recording the MULTI PADS
The MULTI PADS record the following data:
• Note ON/OFF
• Velocity
• Voice number
• Octave
• Pan
• Dual voice ON/OFF, Dual voice (voice number, volume, octave, reverb level, chorus level, pan)
• Keyboard volume*
• Reverb Level
• Chorus Level
• Harmony/Echo ON/OFF, type
• Reverb ON/OFF
• Chorus ON/OFF
• Pitch Bend
• Pitch Bend Range*
• Sustain (Panel) ON/OFF (Sustain pedal ON/OFF)
* Recorded only at the beginning of a phrase; changes cannot be made during recording.
• Material recorded on the MULTI
PADS (user pad data) is retained in memory even when the
POWER switch is turned OFF if batteries are present or an AC adaptor is connected.
• The recorded data will be lost if the power is turned OFF, the AC adaptor is unplugged, or the batteries fail during recording.
• Up to approximately 800 notes
(for 4 User Pad Kits) can be recorded in the PSR-A3.
1
Select the MULTI PAD Function
.....................................................................................
To select a multi pad kit, first select the MULTI PAD function by pressing one of the FUNCTION buttons until the indicator in the display appears next to “MULTI PAD” in the function list to the left of the display.
• The MULTI PAD function can be quickly selected by pressing and holding the [REC/END] button.
FUNCTION
VOICE
STYLE
SONG
REGIST MEMORY
MULTI PAD
DUAL VOICE
SPLIT VOICE
HARM/ECHO
OVERALL
DIGITAL EFFECT
1 37
UserPad1
2
Select a Multi Pad Kit Number
.........................................................................................
Use the [–/NO] and [+/YES] buttons, the number buttons or the data dial to select one of the 4 available multi pad kits (user pad kit numbers “37”~
“40”).
7 8 9
–/NO + / YES 0
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ 61
The Multi Pads
3
Select a Voice and Other Parameters
.................................................................
Select a voice and related parameters you want to record on the MULTI
PADS. You might also want to set a tempo that will be easy to record at.
If you select a pitched voice to record, the data will automatically be transposed to match the chords played by the Auto Accompaniment feature
(“chord match”).
4
Engage the MULTI PAD Record Ready Mode
......................................
Press one of the MULTI PAD buttons - [1] through [4] - while holding the [REC/END] button. The [REC/END] indicator will flash to indicate that the record ready mode is engaged.
The four dots of the BEAT display flash at the current tempo. If the
“Metronom” function in the OVERALL function group is turned ON, the metronome will begin to sound at the currently selected tempo.
MULTI PADS
TERMINATE
REC/END
1 2 3 4
• You cannot record in the SPLIT/
SINGLE/FINGERED mode - the
NORMAL mode will automatically be selected when the MULTI
PAD record ready mode is engaged.
• If a non-user multi pad kit number is selected when the record ready mode is engaged, user multi pad kit number 37 will automatically be selected.
• The recorded multi pad volume depends on the current Keyboard
Volume setting — see page 71.
• [DSP] button is disabled when the MULTI PAD is in record ready mode and record mode.
Also, DSP will automatically be turned OFF when the MULTI
PAD record ready mode is engaged.
5
Record
.............................................................................................................................................................................
Play a short sequence. The [REC/END] indicator will light during recording, and the BEAT indicator dots will indicate the current beat.
If you want to play back the recorded data as the “chord match” type, record all the phrases on CM7. The sound will be properly transposed when used with the Auto Accompaniment feature.
• Whenever you record to a MULTI
PAD, all previous data in the same pad will be completely erased and replaced by the new material.
• If the MULTI PAD memory becomes full while recording, “Full” will appear on the display and recording will stop.
6
Stop Recording
..............................................................................................................................................
Stop recording by pressing the [REC/END] button. The [REC/END] button indicator will go out.
MULTI PADS
TERMINATE
REC/END
1 2 3 4
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The Multi Pads
7
Play the Multi Pads
.................................................................................................................................
Tap any of the MULTI PADS. Your recorded data will be played in exactly the same way as the preset data.
● Enter a New Name for the Multi Pad Kit
If you want to enter a descriptive name for the user pad kit numbered 37 through 40, enter your original Multi Pad Kit name, this is recommended.
Use the cursor [>] button to move the cursor to the first (left most) character of the Multi Pad Kit name in the display. A Multi Pad Kit name can consist of up to 8 characters. The position of the character you want to enter or change can be selected by moving the cursor.
Using the [–/NO] and [+/YES] buttons or the data dial, enter the desired character listed below. The number buttons can also be used to enter the number. If you want to insert an underline character at the cursor position, press the cursor [▲] button. If you want to delete a character at the cursor position, press the cursor [▼] button. When you’ve finished entering the
Multi Pad Kit name, move the cursor to the position other than the Multi
Pad Kit name so that the newly entered Multi Pad Kit name will be memorized.
Character List
ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz
0123456789–
• The user pad kit data including it’s name is retained in memory even when the power switch is turned OFF, as long as the batteries are installed or the AC adaptor is connected..
1 37
Yamaha
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ 63
Using Music Cartridges
The PSR-A3 features a cartridge slot which accepts pre-programmed
Yamaha Music Cartridges containing style, song and/or registration data. One sample Music Cartridge is supplied with the PSR-A3. Others are available from your Yamaha dealer.
VOICE
STYLE
SONG
REGIST MEMORY
MULTI PAD
DUAL VOICE
SPLIT VOICE
HARM/ECHO
OVERALL
DIGITAL EFFECT
REGIST
8 01
YESTERDY
OTS
TRANSPOSE
1 0
MEASURE a 01
REPEAT TEMPO
118
BEAT
ON /
OFF
RHYTHM
1
VOICE
BASS CHORD
1
PAD PHRASE ACCOMP
1
MELODY
1
MELODY
2
MINUS ONE
REC REC REC
1 1 35 1 02 1 17 1 30 1 01 1 01
REVERB
CHORUS
VOL
DSP
CHORD
TOUCH
DUAL
HARMONY
SUSTAIN
ACCOMP TRACK SONG TRACK
NORMAL
SPLIT
SINGLE
FINGERED
■
Inserting a Music Cartridge
With the power OFF, insert the Music Cartridge into the cartridge slot as shown, and press down firmly until the
Cartridge is seated properly (as shown in the illustration). The Cartridge is shaped so that it will only fit in the slot one way - don’t try to force it in the wrong way. Turn the power back ON again after inserting.
The triangular mark on the front of the Cartridge should be completely below the panel edge when the
Cartridge is properly seated.
For Cartridges without the mark, the bottom of the serrated edges of the Cartridge should be even with the panel edge (not above it).
■
Music Cartridge Handling Precautions
• Do not leave Music Cartridges in locations which are subject to excessive heat or humidity.
• Do not drop Music Cartridges or subject them to strong shock.
• Do not disassemble Music Cartridges.
• Do not directly touch the Music Cartridge’s electrical contacts. Persistently touching it may cause to break electrical contacts or generate static electricity. Static electric charges can cause loss of data and unreliable operation.
• Do not insert objects or cartridges other than Yamaha
Music Cartridges in the PortaTone cartridge slot. Doing so can result in serious damage to the instrument.
• Never attempt to insert or remove a cartridge when the power switch is ON. Doing so can result in loss of the
PSR-A3 memory data (song data/registration memory data/multi pad data) or complete lack of control.
• The Music Cartridge data may not be selected or played back correctly, if the electrical contacts on the
Music Cartridge are affected with dust. If this happens, insert and remove the Music Cartridge several times.
This may solve the problem. If the problem still happens, wipe and clean the electrical contacts on the Music Cartridge with a dry soft cloth.
• Be sure to insert the applicable Music Cartridge when you recall the registration settings based on the cartridge data or playback the song based on the cartridge data. Otherwise, “No Cart (Cartridge)” or
“WrongCrt (Cartridge)” will appear on the display.
64 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○
Using Music Cartridges
Cartridge Accompaniment Styles
The Music Cartridge supplied with the PSR-A3 provides an extra 8 accompaniment styles that can be used in the same way as the internal accompaniment styles.
Selecting Cartridge Styles
1
Select the Style Function
...........................................................................................................
Press the [STYLE] button to directly select the STYLE function, or press the [FUNCTION] button to the left of the display as many times as necessary until the arrowhead in the display appears next to “STYLE” in the function list to the left of the display.
2
Select and Use a Cartridge Style
................................................................................
To select a cartridge style, first press and hold the number [3] button
(below the cartridge icon on the panel) until the cartridge icon appears to the left of the style name in the display, then enter the number of the cartridge style you want to select via the number buttons in the normal way (2 digits).
The cartridge styles can also be selected by using the [–/NO] and [+/YES] buttons or the data dial to go beyond the highest or lowest internal style numbers — e.g. pressing the [+/YES] button while internal style number
140 is selected will select cartridge style number 01 (the cartridge icon will appear).
The cartridge styles are used in exactly the same way as the internal accompaniment styles (page 34).
VOICE
STYLE
SONG
REGIST MEMORY
8 01
ORGRKBLD
1
4
7
0
*
2
5
8
–/NO + / YES
3
6
9
• “No OTS” will appear on the display if the optional cartridge styles have no one touch setting data.
● Different Number of Sections
Some cartridge styles, for example, have A and B intro and ending sections as well as A and B main sections. In such a case, if the [INTRO] and MAIN
[A] buttons are pressed in order to start the accompaniment with an introduction and then go to the main A section, the intro A section will play. If the [INTRO] and MAIN [B] buttons are pressed, the intro B section will play. A similar situation applies to endings: if the main A or B section is playing and the [ENDING] button is pressed, the ending A or B section will play accordingly.
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ 65
Using Music Cartridges
Cartridge Songs
Using Yamaha Music Cartridges (the one supplied with the PSR-A3 includes 8 songs, others are available from your Yamaha dealer), the PSR-A3 will let you enjoy listening to automated performances, or function as your “private music tutor,” allowing you to practice various parts of a piece while the others are played automatically.
Cartridge Song Playback
1
Select the SONG Function
.......................................................................................................
Use the FUNCTION [▲] and [▼] buttons to select the SONG function.
2
Select a Cartridge Song Number
................................................................................
To select a cartridge song, first press and hold the number [3] button (below the cartridge icon on the panel) until the cartridge icon appears to the left of the song name in the display, then enter the number of the cartridge song you want to select via the number buttons in the normal way. The cartridge songs can also be selected by using the [–/NO] and [+/YES] buttons or the data dial to go beyond the highest or lowest internal song numbers — e.g. pressing the [+/YES] button while internal song number 37 is selected will select cartridge song number 01 (the cartridge icon will appear).
VOICE
STYLE
SONG
REGIST MEMORY
8 02
AåTRAIN
1
4
7
0
*
2
5
8
3
6
9
–/NO +/YES
3
Start Playback
..................................................................................................................................................
Playback will begin as soon as the SONG [PLAY/STOP] button is pressed.
Playback can be stopped at any time by pressing the SONG [PLAY/
STOP] button.
• Playback can be started from any measure — page 57.
• The volume bars of the song tracks at the bottom of the display will move in response to the data in each track while the cartridge song plays.
• About the cartridge songs created by the cartridge accompaniment styles:
* Chord names will appear on the display and the volume bars of the accomp tracks will move in response to the data in each track, while the cartridge song plays.
* Harmony effect (see page 20) can be applied when playing along with the chord progression of the song.
• The playback tempo can be changed freely as required.
• Cartridge song track voice and volume data cannot be rewritten.
66 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○
Using Music Cartridges
Cartridge Registration Presets
The Music Cartridge supplied with the PSR-A3 provides 8 banks of preset registration settings (8 banks x
4 registration memories = 32 total) that provide a number of useful registration setups (refer to page 47 for details on the registration memory).
Selecting Cartridge Registration
1
Select the Regist Memory Function
......................................................................
Press either of the [FUNCTION] buttons to the left of the display as many times as necessary until the arrowhead in the display appears next to
“REGIST MEMORY” in the function list to the left of the display.
2
Select and Use a Cartridge Registration
.....................................................
To select a cartridge registration memory, first press and hold the number
[3] button (below the cartridge icon on the panel) until the cartridge icon appears to the left of the registration bank number in the display, then enter the number of the bank you want to select via the number buttons in the normal way (page 47). The cartridge registration memories can also be selected by using the [–/NO] and [+/YES] buttons or the data dial to go beyond the highest or lowest internal bank numbers — e.g. pressing the [+/
YES] button while internal bank number 32 is selected will select cartridge registration bank number 01 (the cartridge icon will appear).
The individual cartridge registration memories are recalled via the REG-
ISTRATION MEMORY buttons and used in exactly the same way as the internal registration memories (page 49).
• Original data cannot be stored in the cartridge registration memory.
• The voices recalled by a cartridge registration are not the
PSR-A3 panel voices but the GM voices. When you select a cartridge registration, GM voices will be used. As a result, the voice number “- - -” and GM voice name will appear on the display.
The GM voices can also be played on the keyboard and can be recorded to the SONG
MEMORY or the MULTI PADS.
VOICE
STYLE
SONG
REGIST MEMORY
8 01
ORGRKBLD
1
4
7
0
*
2
5
8
–/NO + / YES
3
6
9
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Practice Features
The PSR-A3 includes two features that can be a great aid in learning to play and practicing on the keyboard.
VOICE
STYLE
SONG
REGIST MEMORY
MULTI PAD
DUAL VOICE
SPLIT VOICE
HARM/ECHO
OVERALL
DIGITAL EFFECT
REGIST
__r
MinusMod
OTS
TRANSPOSE
1 0
MEASURE a 01
REPEAT TEMPO
118
BEAT
ON /
OFF
RHYTHM
1
VOICE
BASS CHORD
1
PAD PHRASE ACCOMP
1
MELODY
1
MELODY
2
MINUS ONE
REC REC REC
1 1 35 1 02 1 17 1 30 1 01 1 01
REVERB
CHORUS
VOL
DSP
CHORD
TOUCH
DUAL
HARMONY
SUSTAIN
ACCOMP TRACK SONG TRACK
NORMAL
SPLIT
SINGLE
FINGERED
The Minus One Mode
When the Minus One mode is engaged, the left-hand, right-hand, or both keyboard parts of a song — internal demo or Music Cartridge — are turned
OFF so you can practice them on the PSR-A3 keyboard. The “MinusMod” function in the OVERALL function group determines which part or parts are turned OFF when the Minus One mode is engaged.
To turn the Minus One function ON, thus cancelling the specified parts, press the [MINUS ONE] button. The MINUS ONE icon will appear in the display when the Minus One function is engaged.
REC
SONG
PLAY/STOP REPEAT
PLAY
MINUS
ONE
/
MINUS ONE
■
Specifying the Parts To Be Turned On or Off
.......................................
To specify the right-hand, left-hand, or both parts to be turned OFF when the Minus One mode is engaged, first select the OVERALL functions by pressing either of the [FUNCTION] buttons to the left of the display as many times as necessary until the arrowhead in the display appears next to
“OVERALL” in the function list to the left of the display. Then use the cursor [▲] and [▼] buttons to locate the “MinusMod” function. Finally use the
[–/NO] and [+/YES] buttons or the data dial to select the desired Minus One mode.
• See page 74 for information on using the Minus One mode with the specified channel.
• With songs you record yourself, the MELODY 1 track corresponds to the right-hand part and the MELODY 2 track is the lefthand part.
• “MinusMod” function in the
OVERALL function group can be quickly selected by pressing and holding the [MINUS ONE] button.
• “_ _ r” (Right hand) is selected whenever the power switch is turned ON.
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Practice Features
CURSOR
FUNCTION
VOICE
STYLE
SONG
REGIST MEMORY
MULTI PAD
DUAL VOICE
SPLIT VOICE
HARM/ECHO
OVERALL
DIGITAL EFFECT
__r
MinusMod
7
0
8 9
–/NO + / YES
Mode Part Turned Off
__r Right hand.
L__ Left hand.
L_r
Left and right hands.
Repeat Play
This function allows you to specify any section of a song — cartridge or internal — for continuous repeat playback.
While the song is playing, press the [REPEAT PLAY] button once at the beginning of the section to be repeated (the “A” repeat icon will appear on the display) and again at the end of the section to be repeated (the “B” repeat icon will appear). Repeat playback will begin automatically from the A point as soon as the B point has been specified, and will continue until either the
[REPEAT PLAY] button is pressed again to cancel the repeat function, or until song playback is stopped.
• When only the A point is specified, playback will repeat from the
A point to the end of the song.
• If you specify, for example, measure number 8 for A point and measure number 2 for B point, playback will repeat from measure number 2 to 8.
• The end point B tempo or your manually adjusted tempo will be used during repeat playback.
REC
SONG
PLAY/STOP REPEAT
PLAY
MINUS
ONE
/
REPEAT REPEAT
It is also possible to specify the repeat section while playback is stopped.
First use the MEASURE parameter to specify the A point, then press the
[REPEAT PLAY] button. Next specify the B measure number and press
[REPEAT PLAY] again. The specified A-B section will play repeatedly when the [PLAY/STOP] button is pressed.
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Overall Functions
Some of the functions in the OVERALL function group have already been described in appropriate sections of this manual. Others will be introduced for the first time in this section. Refer to the chart below for the page numbers on which each function is described. The chart also lists the full name of each function, the abbreviated name which appears on the display, and the available settings or range of settings. Ranges are indicated by two or more values separated by ellipses (…).
VOICE
STYLE
SONG
REGIST MEMORY
MULTI PAD
DUAL VOICE
SPLIT VOICE
HARM/ECHO
OVERALL
DIGITAL EFFECT
REGIST
100
Kybd Vol
OTS
TRANSPOSE
1 0
MEASURE a 01
REPEAT TEMPO
118
BEAT
ON /
OFF
RHYTHM
1
VOICE
BASS CHORD
1
PAD PHRASE ACCOMP
1
MELODY
1
MELODY
2
MINUS ONE
REC REC REC
1 1 34 1 26 1 52 1 05 1 01 1 01
REVERB
CHORUS
VOL
DSP
CHORD
TOUCH
DUAL
HARMONY
SUSTAIN
ACCOMP TRACK SONG TRACK
NORMAL
SPLIT
SINGLE
FINGERED
Function
Keyboard Volume
Octave
Reverb Level
Chorus Level
DSP Level
Pan
Voice Set
Fingering
Accompaniment Volume
Accompaniment Split Point
Touch Sensitivity
Minus-one Mode
Minus-one Right-hand Channel
Minus-one Left-hand Channel
Pitch Bend Range
Metronome
Tuning
Scale Tuning
Accompaniment Scale Tuning
Remote Channel
Keyboard Out
Song Out
Accompaniment Out
Local Control
External Clock
Initial Data Send
Bulk Data Send
Display
MinusChL
PBRange
Metronom
Tuning
SclTune
TuneAcc
RemoteCh
KybdOut
SongOut
AcompOut
Local
ExtClock
InitSnd?
BulkSnd?
Kybd Vol
Octave
RevLevel
ChoLevel
DspLevel
Pan
VoiceSet
FngrngMd
AcompVol
AccSpPnt
TouchSns
MinusMod
MinusChR
Settings
00 … 127
–2 … 0 … 2
00 … 127
00 … 127
00 … 127
–7 … 0 … 7 oFF, on nor, bAS, Full
00 … 127
00 … 127
00 … 127
_ _ r, L _ _, L _ r
01 … 16
01 … 16
01 … 12 oFF, on
–100 … 100
–64 … 63 oFF, on oFF, 01 … 16 oFF, on oFF, on oFF, on oFF, on oFF, on
None
None
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Page
68
74
74
74
74
74
43
72
72
73
31
73
41
73
71
71
72
72
77
78
78
78
79
46
76
77
77
Overall Functions
To access an OVERALL function press either of the [FUNCTION] buttons to the left of the display as many times as necessary until the arrowhead in the display appears next to “OVERALL” in the function list to the left of the display. Then use the cursor [▲] and [▼] buttons to select the desired function from within the OVERALL function list. Once the function has been selected, use the [–/NO] and [+/YES] buttons or the data dial (or number buttons, where applicable) to set the function as required.
CURSOR
FUNCTION
VOICE
STYLE
SONG
REGIST MEMORY
MULTI PAD
DUAL VOICE
SPLIT VOICE
HARM/ECHO
OVERALL
DIGITAL EFFECT
100
Kybd Vol
1
4
7
0
*
2
5
8
3
6
9
–/NO +/YES
General Functions
■
Keyboard Volume
.......................................................................................................................................
Sets the volume of the keyboard sound (including dual and split voices) in relation to the accompaniment and song playback sound. The range is from “00” to “127”. A setting of “00” produces no sound. “127” produces maximum volume.
100
Kybd
b
Vol
• “Kybd Vol” function can be quickly selected by pressing and holding the [VOICE] button.
• The default setting=100 can be recalled by pressing the [-/NO] and [+/YES] buttons simultaneously.
■
Octave
..............................................................................................................................................................................
Shifts the right-hand keyboard voice (including the dual voice) up or down by one or two octaves. “–1” is down one octave, “–2” is down two octaves; “+1” and “+2” are up one and two octaves, respectively.
• Negative values can be entered by pressing the number buttons while holding the [–/NO] button.
• The default setting=0 can be recalled by pressing the [-/NO] and [+/YES] buttons simultaneously.
10 0
Octave
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Overall Functions
■
Reverb Level
.......................................................................................................................................................
Sets the reverb send level for the voice selected via the VOICE function.
The reverb send level determines the amount of signals input to the reverb effect. The range is from “00” to “127”. The reverb return level can be adjusted via the “RevRtnLv” function in the DIGITAL EFFECT function see page 25.
1 28
RevLevel
• See page 82 for more details on the Digital Effects.
• The default setting can be recalled by pressing the [-/NO] and
[+/YES] buttons simultaneously.
• If the Voice Set function is ON
(page 73), the Reverb Level will change automatically whenever a different voice is selected via the
VOICE function.
■
Chorus Level
......................................................................................................................................................
Sets the chorus send level for the voice selected via the VOICE function.
The chorus send level determines the amount of signals input to the chorus effect. The range is from “00” to “127”. The chorus return level can be adjusted via the “ChoRtnLv” function in the DIGITAL EFFECT function see page 27.
1 70
ChoLevel
• See page 82 for more details on the Digital Effects.
• The default setting can be recalled by pressing the [–/NO] and
[+/YES] buttons simultaneously.
• If the Voice Set function is ON
(page 73), the Chorus Level will change automatically whenever a different voice is selected via the
VOICE function.
■
DSP Level
..................................................................................................................................................................
Sets the DSP send level for the voice selected via the VOICE function.
The DSP send level determines the amount of signals input to the DSP effect. The range is from “00” to “127”. The DSP return level can be adjusted via the “DspRtnLv” function in the DIGITAL EFFECT function see page
29.
1 26
DspLevel
• See page 82 for more details on the Digital Effects.
• The defalut setting can be recalled by pressing the [–/NO] and
[+/YES] buttons simultaneously.
• If the Voice Set function is ON
(page 73), the DSP Level will change automatically whenever a different voice is selected via the
VOICE function.
• The DSP send level cannot be changed for the insertion DSP types (see page 82). In this case,
“- - -” will appear on the display.
■
Pan
..........................................................................................................................................................................................
Sets the stereo pan position of the right-hand keyboard voice (selected in the VOICE function). The pan range is from “–7” (full left) to “+7” (full right).
10 0
Pan
• If the Voice Set function is ON, the pan setting = 0 will be selected automatically whenever a different voice is selected via the
VOICE function.
• The defalut setting can be recalled by pressing the [–/NO] and
[+/YES] buttons simultaneously.
• Negative values can be entered by pressing the number buttons while holding the [–/NO] button.
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Overall Functions
■
Voice Set
.....................................................................................................................................................................
The VOICE SET feature brings out the best in each individual voice by automatically setting a range of important voice-related parameters whenever a voice is selected. The parameters that may be set by the VOICE SET feature are listed below. This function lets you turn VOICE SET ON or OFF, as required. The Voice Set function is turned ON whenever the power switch is turned ON.
• Pan=0
• Reverb Level
• Chorus Level
• DSP Level
• Dual voice (voice number, volume, octave, reverb level, chorus level, pan=0)
• Split voice (voice number, volume, octave, reverb level, chorus level, pan)
• Harmony/Echo type
• DSP type
• Reverb ON/OFF
• Chorus ON/OFF
• DSP=ON
• DSP variation ON/OFF o on
VoiceSet
■
Accompaniment Volume
..............................................................................................................
Sets the volume of the accompaniment sound in relation to the keyboard and song melody track sound. The range is from “00” to “127”. A setting of
“00” produces no sound. “127” produces maximum volume.
• The “AccompVol” function can be quickly selected by pressing and holding the [STYLE] button.
• The default setting=100 can be recalled by pressing the [–/NO] and [+/YES] buttons simultaneously.
100
AcompVol
■
Touch Sensitivity
........................................................................................................................................
This function sets the keyboard touch sensitivity when the TOUCH RE-
SPONSE function (page 17) is ON. The range is from “00” to “127”. The higher the value the higher the sensitivity.
100
TouchSns
• The default setting=100 can be recalled by pressing the [–/NO] and [+/YES] button simultaneously.
• The “TouchSns” function can be quickly selected by pressing and holding the [TOUCH RE-
SPONSE] button.
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Overall Functions
■
Minus-one Right/Left-hand Channel
....................................................................
You can practice the specific part (in the Minus One mode) by selecting the demo/cartridge song you want to practice and by assigning the appropriate channel to the desired part.
Any channel —1 through 16 — can be selected. The default setting “01” for the right-hand channel, “02” for the left-hand channel recalled by pressing the [–/NO] and [+/YES] buttons simultaneously.
8 01
MinusChR
8 02
MinusChL
• The channel for the specific part will automatically be selected if the selected song contains the
Minus-one(Right-/Left-hand) channel settings. In this case,
“- - -” will appear on the display and you can not change it.
• Regardless of the Minus-one channel settings, with songs you record yourself, the MELODY 1 track corresponds to the righthand part and the MELODY 2 track is the left-hand part. While playing songs you record yourself, “- - -” will appear on the display and you cannot change the Minus-One channel settings.
■
Pitch Bend Range
.....................................................................................................................................
Sets the pitch bend range. The pitch bend range value is displayed in semitone ( “01” through “12” i.e. one octave).
• The default pitch bend range=02 can be instantly recalled by pressing the [–/NO] and [+/YES] buttons simultaneously.
1 02
PBRange
■
Metronome
..............................................................................................................................................................
Turns the metronome function ON or OFF. The metronome will sound during accompaniment/song playback and song/multi pad recording when turned ON.
oFF
Metronom
• The metronome function is turned OFF whenever the power switch is turned ON.
• While playing demo songs in sequence, the metronome function cannot be used.
■
Tuning
..............................................................................................................................................................................
Sets the pitch of the PSR-A3 to match other instruments. Tuning can be accomplished over a
±
100 cent range (that’s 200 cents total, or a tone). The tuning range is from “–100” to “+100”. “00” is the “normal” tuning value.
• The normal tuning value=00 can be recalled instantly by pressing both the [–/NO] and [+/YES] buttons simultaneously.
1 00
Tuning
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Overall Functions
MIDI Functions
MIDI, the Musical Instrument Digital Interface, is a world-standard communication interface that allows
MIDI-compatible musical instruments and equipment to share musical information and control one another.
This makes it possible to create “systems” of MIDI instruments and equipment that offer far greater versatility and control than is available with isolated instruments.
● The MIDI Connectors
The MIDI IN connector receives MIDI data from an external MIDI device which can be used to control the PSR-A3. The MIDI OUT connector transmits MIDI data generated by the PSR-A3 (e.g. note and velocity data produced by playing the keyboard).
OUT
MIDI
IN
● Simple MIDI Control
Most MIDI keyboards (including the PSR-A3, of course) transmit note and velocity (touch response) information via the MIDI OUT connector whenever a note is played on the keyboard. If the MIDI OUT connector is connected to the MIDI IN connector of a second keyboard (synthesizer, etc.) or a tone generator (essentially a synthesizer with no keyboard), the second keyboard or tone generator will respond precisely to notes played on the original transmitting keyboard. The result is that you can effectively play two instruments at once, providing thick multi-instrument sounds. The PSR-A3 also transmits “program change” data when one of its voices is selected. Depending on how the receiving device is set up, the corresponding voice will be automatically selected on the receiving keyboard or tone generator whenever a voice is selected on the PSR-A3.
PSR-A3 MIDI OUT MIDI IN
Tone Generator
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Overall Functions
The PSR-A3 is capable of receiving the same MIDI data, so a second
MIDI keyboard connected to the PSR-A3 MIDI IN connector can be used to remotely play the PSR-A3 and select voices as required.
PSR-A3
MIDI IN MIDI OUT MIDI Keyboard
● MIDI Sequence Recording
Although the PSR-A3 features a built-in “sequencer” (the SONG recorder is a type of sequencer), the same type of musical information transfer described above can be used for more sophisticated MIDI sequence recording using an external sequencer or music computer. A
MIDI sequence recorder or music computer can be used to “record”
MIDI data received from a PSR-A3, for example. When the recorded data is played back, the PSR-A3 automatically “plays” the recorded performance in precise detail.
PSR-A3
MIDI OUT
MIDI IN
MIDI IN
Music
Computer
MIDI OUT
• Never use MIDI cables longer than about 15 meters. Cables longer than this can pick up noise which can cause data errors.
■
Remote Channel
..........................................................................................................................................
Sets the MIDI channel on which data from a remote keyboard will be received. Any of the standard MIDI channels — 1 through 16 — can be specified. The remote keyboard must be set up to transmit on the specified remote channel, and the keyboard’s MIDI OUT connector must be connected to the PSR-A3 MIDI IN connector via a standard MIDI cable. Refer to the “MIDI Implementation Chart” section (page 94) for technical details.
When set to OFF data is received on all 16 MIDI channels. The default setting — OFF — can be recalled by pressing the [–/NO] and [+/YES] buttons simultaneously.
• Remote Channel is automatically turned OFF when a MIDI “GM
ON” message is received.
• The Remote channel setting is retained in memory even when the power switch is turned OFF, as long as batteries are installed or an AC adaptor is connected.
oFF
RemoteCh
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Overall Functions
■
Keyboard Out
.....................................................................................................................................................
Determines whether keyboard data will or will not be transmitted via the
MIDI OUT connector. Keyboard data is transmitted when this function is turned ON (default). When set to ON the keyboard data is transmitted on the following MIDI channels:
Voice
Right-hand main voice
Dual voice
Left-hand voice (Split voice)
Channel
1
11
2 o on
KybdOut
• Keyboard Out setting is retained in memory even when the power switch is turned OFF, as long as batteries are installed or an AC adaptor is connected.
■
Song Out
.....................................................................................................................................................................
Determines whether song data (Melody track/s only) will or will not be transmitted via the MIDI OUT connector. Song data is transmitted when this function is turned ON. The default setting is OFF. When set to ON the song data is transmitted on the following MIDI channels:
Track/voice
Melody 1/main voice
Melody 1/dual voice
Melody 2/main voice
Melody 2/dual voice
Channel
13
14
15
16 oFF
SongOut
• Song Out setting is retained in memory even when the power switch is turned OFF, as long as batteries are installed or an AC adaptor is connected.
• Only the user song you recorded can be transmitted.
• If you want to transmit all the song data (including Accomp track), set “Song Out” and “Accompaniment Out” to ON.
■
Accompaniment Out
...........................................................................................................................
Determines whether auto-accompaniment data will or will not be transmitted via the MIDI OUT connector. Accompaniment data is transmitted when this function is turned ON. The default setting is OFF. When set to
ON the accompaniment data is transmitted on the following MIDI channels:
• Accompaniment Out setting is retained in memory even when the power switch is turned OFF, as long as batteries are installed or an AC adaptor is connected.
Track
Rhythm 1
Rhythm 2
Bass
Chord 1
Chord 2
Pad
Phrase 1
Phrase 2
Channel
9
10
3
4
7
8
5
6 oFF
AcompOut
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Overall Functions
■
Local Control
......................................................................................................................................................
“Local Control” refers to the fact that, normally, the PSR-A3 keyboard controls the internal tone generator, allowing the internal voices to be played directly from the keyboard. This situation is “Local Control ON” since the internal tone generator is controlled locally by its own keyboard. Local control can be turned OFF, however, so that the keyboard does not play the internal voices, but the appropriate MIDI information is still transmitted via the MIDI OUT connector when notes are played on the keyboard. At the same time, the internal tone generator can respond to MIDI information received via the MIDI IN connector. This means that while an external
MIDI sequencer, for example, plays the PSR-A3 internal voices, an external tone generator can be played from the PSR-A3 keyboard. The default Local
Control setting is ON.
o on
Local
■
External Clock
..................................................................................................................................................
Reception of an external MIDI clock signal can be enabled or disabled as required. When disabled (OFF), all of the time-based functions (Auto Accompaniment, SONG recording and playback, etc.) are controlled by its own internal clock. When MIDI clock reception is enabled (ON), however, all timing is controlled by an external MIDI clock signal received via the
MIDI IN terminal. The default setting is OFF.
oFF
ExtClock
• If the External Clock function is turned ON but the external clock signal is interrupted for more than
400 milliseconds, the internal clock is re-selected automatically.
• External Clock setting is retained in memory even when the power switch is turned OFF, as long as batteries are installed or an AC adaptor is connected.
• When the External Clock is turned ON, the song recording/ playback will be controlled by the external device.
■
Initial Data Send
...........................................................................................................................................
Transmits all current panel settings to a MIDI data storage device before actually recording your performance. With the “InitSnd?” function selected, press the [+/YES] button to start transmission. When the data has been transmitted, “End” will appear momentarily on the display and return to the
“InitSnd?”.
YES
InitSnd?
• The song data will not be played back correctly, if the panel settings for the song has not been recorded in advance. To record the panel settings to an external device, engage the external device in the record mode and execute the Initial Data Send operation.
• The “InitSnd?” function can be quickly selected by pressing and holding the [SYNC-START/
STOP] button.
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Overall Functions
■
Bulk Data Send
...............................................................................................................................................
This function causes the contents of the registration, song, multi pad and scale data to be transmitted via the MIDI OUT connector. This data can be saved to memory or disk via a MIDI sequence recorder or MIDI data recorder, and then reloaded when required. The bulk data can also be sent directly to a second PSR-A3.
To send the bulk data select the “BulkSnd?” function, then press the [+/
YES] button. “Sure?” will appear on the display. Press the [+/YES] again to begin transmission of the bulk data. “BkSnd:Sg” (song data), “BkSnd:Pd”
(multi pad data), “BkSnd:Rg” (registration data) and then “BkSnd:Sl” (scale data) will appear on the display during transmission. When the data has been transmitted, “End” will appear momentarily on the display and return to the “BulkSnd?”
• A bulk dump transmission can be stopped at any time by pressing the [–/NO] button.
• No other operations can be performed during bulk dump transmission.
YES
BulkSnd?
■
Receiving Bulk Data
The PSR-A3 will automatically receive compatible bulk data from an external MIDI device as long as no style playback or song recording/playback operation is in progress. “BkRcv:Sg” (song data), “BkRcv:Pd” (multi pad data), “BkRcv:Rg” (registration data), and then “BkRcv:Sl” (scale data) will appear on the display during reception. When the data has been received, “End” will appear momentarily on the display and return to the previously selected display.
001
BkRcv:Sg
• No other operations can be performed during bulk dump reception.
• If an error occurs during bulk data reception, “BkRcvErr” and then “MemClrSg”, “MemClrPd”,
“MemClrRg”, or “MemClrSl” will appear on the display indicating that any of the song, multi pad, registration memory, and scale memory data has been cleared.
• When a bulk dump is received, the received data replaces any data that was previously in the
PSR-A3 memory.
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Appendix:
PSR-A3 Function Tree
FUNCTION
VOICE
STYLE
SONG
REGIST MEMORY
MULTI PAD
DUAL VOICE
SPLIT VOICE
Display Description
GrandPno Selecting Voices ....................................................................... page 12
(Voice Name)
8BeatPop Selecting Accompaniment Styles ............................................. page 33
(Style Name)
ArabSng1 Selecting Songs ........................................................................ page 51
(Song Name)
Bank1 Selecting Registration Banks .................................................... page 47
Arpeggio Selecting Multi Pad Kits ............................................................ page 59
(Multi Pad Kit Name)
Strings2 Selecting Dual Voices ............................................................... page 18
(Dual Voice Name)
D.Volume
Changing Dual Voice Volume ................................................... page 18
D.Octave
Changing Dual Voice Octave .................................................... page 18
D.RevLvl
Changing Dual Voice Reverb Send Level ................................ page 18
D.ChoLvl
Changing Dual Voice Chorus Send Level ................................ page 18
D.Pan
Changing Dual Voice Panning .................................................. page 18
Aco.Bass
Selecting Split Voices ............................................................... page 15
(Split Voice Name)
S.Volume
Changing Split Voice Volume ................................................... page 15
S.Octave
Changing Split Voice Octave .................................................... page 15
S.RevLvl
Changing Split Voice Reverb Send Level ................................. page 15
S.ChoLvl
Changing Split Voice Chorus Send Level ................................. page 15
S.Pan
Changing Split Voice Panning .................................................. page 15
S.Split
Changing Split Point (Split mode) ............................................. page 15
Block Selecting Harmony/Echo types ................................................. page 20
(Harmony/Echo Type Name)
HARMONY/ECHO
OVERALL
DIGITAL EFFECT
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Appendix: PSR-A3 Function Tree
Kybd Vol Changing Keyboard volume ................................................................... page 71
Octave Changing Octave (VOICE function voice and dual voice) ...................... page 71
RevLevel Changing Reverb Send Level (VOICE function voice) ........................... page 72
ChoLevel Changing Chorus Send Level (VOICE function voice) ........................... page 72
DspLevel Changing DSP Send Level (VOICE function voice) .............................. page 72
Pan Stereo Panning (VOICE function voice) ................................................. page 72
VoiceSet Turning Voice Set ON/OFF ..................................................................... page 73
FngrngMd Selecting Fingering mode (Fingered mode) ........................................... page 31
AcompVol Setting Accompaniment Volume ............................................................. page 73
AccSpPnt Changing Accompaniment Split Point (Accomp mode) .......................... page 41
TouchSns Setting Touch Sensitivity ........................................................................ page 73
MinusMod Selecting Minus One Mode ..................................................................... page 68
MinusChR Selecting Minus One Right-hand Channel .............................................. page 74
MinusChL Selecting Minus One Left-hand Channel ................................................ page 74
PBRange Setting Pitch Bend Range ....................................................................... page 74
Metronom Metronome ON/OFF ............................................................................... page 74
Tuning Fine Tuning ............................................................................................. page 74
SclTune Changing the Scale Tuning .................................................................... page 43
TuneAcc Accompaniment Scale Tuning ON/OFF ................................................. page 46
RemoteCh Setting Remote Keyboard Channel ........................................................ page 76
KybdOut Transmitting Keyboard Data ................................................................... page 77
SongOut Transmitting Song data (Melody track/s) ................................................ page 77
AcompOut Transmitting Auto-accompaniment data ................................................. page 77
Local Local Control ON/OFF ............................................................................ page 78
ExtClock External Clock ON/OFF .......................................................................... page 78
InitSnd?
Sending Initial Data ................................................................................. page 78
BulkSnd?
Sending Bulk Data .................................................................................. page 79
Reverb Hall1
(Reverb Type Name)
Selecting Reverb Types ............ page 24
RevRtnLv Setting Reverb Return Level ................................................................... page 25
Chorus Chorus1 Selecting Chorus Types ............ page 26
(Chorus Type Name)
ChoRtnLv Setting Chorus Return Level ................................................................... page 27
Dsp Stage2 Selecting DSP Types ................. page 28
(DSP Type Name)
DspRtnLv Setting DSP Return Level ....................................................................... page 29
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Appendix: About Digital Effect
■
Digital Effect Configuration
The PSR-A3 features three types of digital effectors: Reverb, Chorus and DSP. Reverb and Chorus effectors are exclusively used for enhancing and varying their respective effect types. On the contrary the DSP effector can be used to select a variety of effect types such as
Distortion, Equalizer, Reverb and Chorus.
All the digital effects are connected or routed in one of two ways: System or Insertion. All types of Reverb and Chorus effects classified as System effects. DSP, on the other hand, can be configured as either System or Insertion effects. DSP configuration varies depending on the type selected: System or Insertion illustrated below.
Each digital effect can be applied to the performance and incoming performance data through MIDI IN, accompaniment and song playback. Each effect send level can independently be set for each voice (Reverb and Chorus for the VOICE function voice, Dual voice and
Split voice. DSP for the VOICE function voice only), while each effect return level affects entire system.
DSP
(Insertion)
Normal Dry
Sound
Module
Dual
Split
Reverb Send Level
Reverb Send Level
Reverb Send Level REVERB
(System)
Chorus Send Level
Chorus Send Level
Chorus Send Level CHORUS
(System)
DSP Send Level
DSP
(System)
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Appendix: About Digital Effect
The Digital Effect List
16
17~21
22~25
26
27
28~32
33, 34
35
36
37
38
39
40
41
42
43
44
45
No.
REVERB
01~04
05~08
09, 10
11, 12
13
CHORUS
01~05
06~09
10
DSP
01~04
05~08
09, 10
11, 12
13, 14
15
Effect Type
Hall1~4
Room1~4
Stage1, 2
Plate1, 2
OFF
Chorus1~5
Flanger1~4
OFF
46
System
System
System
System
—
System
System
—
Features
Concert hall reverb.
Small room reverb.
Reverb for solo instruments.
Simulated steel plate reverb.
No effect.
Conventional chorus program with rich, warm chorusing.
Pronounced three-phase modulation with a slight metallic sound.
No effect.
Hall1~4
Room1~4
Stage1, 2
Plate1, 2
Early Reflection1, 2
Gate Reverb
System
System
System
System
System
System
Concert hall reverb.
Small room reverb.
Reverb for solo instruments.
Simulated steel plate reverb.
Early reflections only.
Reverse Gate
Chorus1~5
Flanger1~4
System
System
System
Gated reverb effect, in which the reverberation is quickly cut off for special effects.
Similar to Gate Reverb, but with a reverse increase in reverb.
Conventional chorus program with rich, warm chorusing.
Pronounced three-phase modulation with slight metallic sound.
Symphonic
Phaser
System
System
Exceptionally rich & deep chorusing.
Pronounced, metallic modulation with periodic phase change.
Rotary Speaker 1~5 Insertion Rotary speaker simulation.
Tremolo 1, 2 Insertion Rich Tremolo effect with both volume and pitch modulation.
Guitar Tremolo
Auto Pan
Insertion Simulated electric guitar tremolo.
Insertion Several panning effects that automatically shift the sound position (left, right, front, back).
Auto Wah
Delay L, C, R
Delay L, R
Echo
Cross Delay
Distortion Hard
Distortion Soft
EQ Disco
EQ Telephone
OFF
Insertion Repeating filter sweep “wah” effect.
System
System
System
Three independent delays, for the left, right and center stereo positions.
Initial delay for each stereo channel, and two separate feedback delays.
Stereo delay, with independent Feedback Level controls for each channel.
System Complex effect that sends the delayed repeats “bouncing” between the left and right channels.
Insertion Hard-edge distortion.
Insertion This type is not so hard compared with Distortion Hard.
Insertion Discotype equalizer program to boost high and low frequencies.
Insertion Equalizer program which eliminates higher and lower frequencies to simulate the sounds through telephone.
— No effect.
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Appendix: Troubleshooting
Something not working as it should? In many cases what appears to be a malfunction can be traced to a simple error that can be remedied immediately. Before assuming that your PSR-A3 is faulty, please check the following points.
PROBLEM
The speakers produce a “pop” sound whenever the power is turned ON or
OFF.
POSSIBLE CAUSE/SOLUTION
This is normal and is no cause for alarm.
No sound when the keyboard is played.
Not all simultaneously-played notes sound.
Auto accompaniment won’t function properly. No lower keyboard sound.
The selected voice does not sound when the keyboard is played.
Rhythm doesn’t sound when started.
Operation of the sustain pedal is reversed.
The desired parameter cannot be edited.
Accompaniment does not play properly.
The Harmony/Echo and/or Dual Voice function will not turn ON.
Turn the power OFF and turn the power ON again. The default setting “Local ON” is automatically selected.
The Local Control function could be turned OFF. Make sure Local Control is turned ON (page 78).
You are probably exceeding the maximum polyphony of the PSR-A3. The PSR-A3 can play up to 32 notes at the same time — including split, dual, auto-accompaniment, song memory, and multi pad notes. Notes exceeding this limit will not sound.
Auto accompaniment won’t sound right if you’re using SINGLE FINGER type fingering when the SINGLE FINGER mode is not selected (page 31).
Are you sure you’re playing in the Auto-Accompaniment section of the keyboard?
Are you playing chords that the PSR-A3 can recognize (see chord types on page
32)?
Make sure that the Keyboard Volume, Split Voice Volume, and/or Dual Voice Volume parameters are set at an appropriate level (pages 71, 15, and 18).
Turn the power OFF and turn the power ON again. The appropriate default volume setting for the voice is automatically selected.
Some sections of some styles do not use the accompaniment rhythm track.
Sustain pedal operation will be reversed if you turn ON the power or plug in the pedal while pressing the pedal. For normal operation turn OFF the power then turn it back ON while the pedal is not pressed.
The cursor is not located at the parameter to be edited. Make sure that the cursor is located at the parameter to be edited (the parameter should be flashing).
Make sure that the accompaniment tracks you want to hear are not muted (page
39), and that the Accomp Volume parameter is turned up to a reasonable level
(page 73).
Turn the power OFF and turn the power ON again. The appropriate default track setting for the style and the default accompaniment volume is automatically selected.
Neither of these functions can be turned ON if a percussion kit voice is selected.
Make sure a voice between number 01 and 160 is selected.
The Harmony/Echo effect cannot be turned ON when the FINGERED FULL mode is in use.
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Appendix: Troubleshooting / Data Backup & Initialization
PROBLEM
The reverb and chorus types can not be changed by changing the registration memory number.
Individual registration, user song, user pad, scale memory data transmitted via bulk dump from an external sequencer or other device is not received by the
PSR-A3.
POSSIBLE CAUSE/SOLUTION
ACCOMP FREEZE function is turned ON. The reverb and chorus types are memoried as accompaniment parameter. Press the [ACCOMP FREEZE] button to turn OFF it.
Transmit the data with no more than a 2-second break between blocks, or transmit as entirely separate data.
Cartridge data cannot be selected or cannot be played back correctly.
Make sure that an appropriate Yamaha Music Cartridge is properly plugged into the cartridge slot (page 64)
The electrical contacts on the Music Cartridge are affected with dust. Insert and remove the Music Cartridge several times. This may solve the problem. If the problem still happens, wipe and clear the electrical contacts on the Music Cartridge with a dry soft cloth.
Appendix: Data Backup & Initialization
Except for the data listed below, all PSR-A3 panel settings are reset to their initial settings whenever the power is turned ON. The data listed below are backed up — i.e. retained in memory — as long as an AC adaptor is connected or a set of batteries is installed.
• Registration Memory data
• User Song data
• User Pad Kit data
• Scale Memory data
• Remote Channel
• Keyboard Out
• Song Out
• Accomp Out
• External Clock
■
Data Initialization
........................................................................................................................................
All data can be initialized and restored to the factory preset condition by turning ON the power while holding the [–/NO] and [+/YES] buttons. “CLr:
Backup” will appear briefly on the display.
POWER
ON / OFF
7 8 9
CLr
Backup
0 –/NO + / YES
• All registration, user song, user pad kit and scale memory data, plus the other settings listed above, will be erased and/or changed when the data initialization procedure is carried out.
• If the PSR-A3 has been “locked up” due to static electricity or other causes, turn the PSR-A3
OFF and execute the initialize operation.
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Index
A
AC power adaptor ................................... 6
Accomp large/small ............................... 39
Accomp out (MIDI transmission) ........... 77
Accompaniment scale tuning ................ 46
Accompaniment split point .................... 41
Accompaniment track (song) ................ 53
Accompaniment volume ........................ 73
Arabic scale .......................................... 43
Auto accompaniment ............................ 30
Auto fill .................................................. 37
Aux out .................................................... 7
B
Bass (accompaniment track) ................ 38
Bass (fingered) ...................................... 33
Batteries .................................................. 6
Beat indicator ........................................ 36
Bulk data transmission .......................... 79
Bulk data reception ............................... 79
Bulk dump, MIDI ................................... 79
C
Cartridge accompaniment style ............ 65
Cartridge registration ............................ 67
Cartridge song ...................................... 66
Chord Match (multi pad) ................. 60, 62
Chord (accompaniment track) ............... 38
Chorus level .......................................... 72
Chorus return level ................................ 27
Chorus type ..................................... 26, 83
Cleaning .................................................. 3
Clear (melody track) .............................. 52
Clearing (song tracks) ........................... 58
Connectors, MIDI .............................. 7, 75
Cursor ................................................... 10
D
Data backup ...................................... 3, 85
Data dial ............................................ 9, 14
Data initialization ................................... 85
Demo ...................................................... 9
DSP level .............................................. 72
DSP return level .................................... 29
DSP type ............................................... 28
Digital effect .......................................... 82
Digital effect type ............................ 24, 83
Dual voice ............................................. 17
Dual voice chorus level ......................... 19
Dual voice octave .................................. 19
Dual voice pan ...................................... 19
Dual voice reverb level .......................... 19
Dual voice volume ................................. 19
E
Electrical interference ............................. 3
Ending (accompaniment section) .......... 37
External clock control ............................ 78
Echo ...................................................... 20
F
Fill in (accompaniment section) ............ 37
Fingered (mode) ................................... 30
Fingering mode ..................................... 31
Freeze (registration memory) ................ 49
Full (fingered) ........................................ 33
Function ................................................ 10
G
GM system level 1 .............................. 102
H
Harmony ............................................... 20
I
Initial data send ..................................... 78
Insertion (digital effect) .......................... 82
Intro (accompaniment section) .............. 35
K
Keyboard out (MIDI transmission) ........ 77
Keyboard percussion ............................ 14
Keyboard volume .................................. 71
L
Local control .......................................... 78
M
Main A & B
(accompaniment section) .................. 37
Master volume ........................................ 8
Measure ................................................ 57
Melody track (song) .............................. 50
Metronome ............................................ 74
MIDI ...................................................... 75
MIDI data format ................................... 97
MIDI implementation chart .................... 94
Minus one ............................................. 68
Minus one left-hand channel ................. 74
Minus one right-hand channel ............... 74
Mode ..................................................... 11
Multi pad kit ........................................... 59
Multi pad kit list (preset) ........................ 60
Multi pads .............................................. 59
Music cartridge ...................................... 64
Music stand ............................................. 5
N
Naming (multi pad) ................................ 63
Naming (song) ...................................... 55
Naming (registration) ............................ 48
Normal (fingered) .................................. 32
Normal (mode) ...................................... 12
Number buttons ................................ 9, 13
O
Octave ................................................... 71
One touch setting .................................. 42
Overall function ..................................... 70
P
Pad (accompaniment track) .................. 38
Pan ........................................................ 72
Panel controls ......................................... 4
Percussion kit list .................................. 92
Phones .................................................... 7
Phrase (accompaniment track) ............. 38
Pitch bend ............................................. 23
Pitch bend range ................................... 74
Playback (user song) ............................ 56
Playback (cartridge song) ..................... 66
Playback (demo) ..................................... 8
Playback (multi pad) ............................. 59
Power supply ...................................... 3, 6
POWER switch ....................................... 8
R
Recording (multi pad) ............................ 61
Recording (song) .................................. 50
Reverb level .......................................... 72
Reverb return level ................................ 25
Reverb type ..................................... 24, 83
Registration bank .................................. 47
Registration memory ............................. 47
Remote channel .................................... 76
Repeat play ........................................... 69
Rewrite (recording song data) ............... 58
Rhythm (accompaniment track) ............ 38
S
Scale memory ....................................... 45
Scale setting ......................................... 43
Scale tuning .......................................... 43
Service & Modification ............................ 3
Single (mode) ........................................ 30
Song out (MIDI transmission) ............... 77
Specifications ........................................ 87
Split point (Split mode) .......................... 16
Split voice .............................................. 15
Split voice chorus level ......................... 16
Split voice octave .................................. 16
Split voice pan ....................................... 16
Split voice reverb level .......................... 16
Split voice volume ................................. 16
Start/stop ......................................... 35, 37
Stop accompaniment function ............... 37
Straight start .......................................... 35
Style File Format ................................... 30
Style selection ....................................... 33
Sustain (panel) ...................................... 22
Sustain (pedal) ........................................ 7
Synchro start ......................................... 35
System (digital effect) ........................... 82
T
Tempo control ....................................... 34
Touch response .................................... 17
Touch sensitivity ................................... 73
Tracks (auto accompaniment) .............. 38
Transpose ............................................. 23
Troubleshooting .................................... 84
Tuning ................................................... 74
V
Voice list (GM voice) ............................. 91
Voice list (panel voice) .......................... 89
Voice selection ...................................... 12
Voice set ............................................... 73
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Specifications /
Keyboards:
61 standard-size keys (C1~C6) with touch response.
Display:
Large multi-function LCD display
Setup:
Power: ON/OFF
Master Volume: MIN-MAX
Control & Ten Keys:
CURSOR ▲▼< > , FUNCTION ▲▼ , MODE ▼ , [0]~[9], [+/YES],
[–/NO], Data dial
Cartridge Slot
Demo:
Voice Demo:21 songs
Style Demo:8 songs
Mode:
NORMAL, SPLIT,SINGLE,FINGERED
Voice:
AWM 160 voices+9 Keyboard Percussion Kits
Polyphony: 32
Split Voice: Volume, Octave, Reverb Level, Chorus Level, Pan,
Split Point
Dual Voice: Volume, Octave, Reverb Level, Chorus Level, Pan
Touch Response:Touch Sensitivity
Harmony/Echo: 22 types
Sustain
Others: Keyboard Volume, Octave, Reverb Level, Chorus Level,
DSP Level, Pan
Auto Accompaniment:
140 styles
Accomp Track: RHYTHM1/2, BASS, CHORD1/2, PAD,
PHRASE1/2
ACCOMP LARGE/SMALL
Accomp Track Settings: ON/OFF, Voice, Volume
Accompaniment Control: SYNC-START/STOP, START/STOP,
INTRO, MAIN A/B (AUTO FILL), ENDING
Tempo
Fingering (FINGERED Mode): Normal, Bass, Full
Accompaniment Volume
Accompaniment Split Point
One Touch Setting:
560 One Touch Settings
Overall Controls:
Transpose, Metronome, Tuning
Pitch Bend Wheel:
Pitch Bend Range
Digital Effect:
Reverb:12 types, Reverb Return Level
Chorus: 9 types, Chorus Return Level
DSP: 45 types, DSP Return Level
DSP Variation
Scale Setting:
One-octave keyboard buttons, Scale Tuning
Accompaniment Scale Tuning
* Specifications subject to change without notice.
Scale Memory:
1~6
Registration Memory:
32 Registration Bank, 1~4, Accomp Freeze
Multi Pads:
36 Preset Multi Pad Kits+4 User Multi Pad Kits
4 Pads+Terminate
Song:
Song: 8 User Songs
Recording Tracks: ACCOMP, MELODY 1,2
Edit: Volume, Voice (MELODY TRACK), Song Clear
Minus One: 3 Modes
Minus One Right-hand Channel,
Minus One Left-hand Channel
Repeat
MIDI:
Remote Channel, Keyboard Out, Song Out, Accompaniment Out,
External Clock, Local Control, Initial Data Send, Bulk Data Send
Auxiliary Jacks:
DC IN 10-12V, PHONES, SUSTAIN, AUX OUT R and L+R/L,
MIDI IN/OUT
Amplifiers:
6.0 W + 6.0 W (when using PA-5B AC Power adaptor)
4.5 W + 4.5 W (when using batteries)
Phones output: 75
Ω ±
5% Impedance
Speakers:
12cm (4-3/4") x 2
Power Consumption:
22 W (when using PA-5B AC power adaptor)
Batteries:
Six SUM-1, “D” size, R-20 or equivalent batteries
Rated Voltage:
DC 10-12V
Dimensions (WxDxH):
973 x 397 x 146 mm (38-1/4" x 15-5/8" x 5-3/4")
Weight:
7.4 kg (16.2 lbs.) excluding batteries
Supplied Accessories:
• Music Cartridge
• Music Stand
• Owner’s Manual
Optional Accessories:
• Headphones HPE-3, HPE-150
• AC Power Adaptor PA-5, PA-5B, PA-5C
• Footswitch FC4, FC5
• Music Cartridge
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ 87
Voice List /
The PSR-A3 is provided with the Panel Voices (voice numbers
01~171) and GM Voices (voice numbers 01~137). GM Voices are used for the accompaniment. Refer to the GM Voice List on page 91 for the accompaniment track voice editing.
Polyphony
The PSR-A3 can play up to 32 individual notes at the same time (i.e. it has a maximum “polyphony” of 32). This number includes all voices used: dual, split, auto accompaniment, song, and multi pads. If the maximum polyphony of the PSR-A3 is exceeded, the excess notes will be truncated (they will not sound).
Another feature affecting polyphony is the fact that some PSR-A3 voices actually use two voices at once, as shown in the voice list below.
The effective maximum polyphony of the PSR-A3 is correspondingly reduced when these voices are used.
• The voice list includes the MIDI program numbers and MIDI bank select numbers
(Panel Voice List only) that control each voice when the PSR-A3 is played from an external MIDI device.
• Panel voice number 113/GM voice number 110 (Bagpipe) uses only one voice above A # 2.
88 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○
Voice List /
Panel Voice List /
21
22
23
24
17
18
19
20
25
26
13
14
15
16
09
10
11
12
05
06
07
08
01
02
03
04
39
40
41
42
35
36
37
38
31
32
33
34
27
28
29
30
Voice
Number
Bank Select
MIDI
Program
MSB LSB Number
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
38
39
40
41
34
35
36
37
30
31
32
33
26
27
28
29
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
12
13
14
15
10
11
8
9
6
7
4
5
2
3
0
1
20
21
22
23
16
17
18
19
24
25
Voice Name
Piano
Grand Piano
Bright Piano
Honky-tonk Piano
Funky Electric Piano
DX Electric Piano
Midi Grand Piano
Hyper Electric Piano
Dream Electric Piano
Bell Electric Piano
Ice Electric Piano
Tremolo Electric Piano
Harpsichord
Harpsichord Coupled
Clavi
Wah Clavi
Celesta
Mallets
Vibraphone
Marimba
Glockenspiel
Xylophone
Tubular Bells
Timpani
Steel Drums
Dulcimer
Music Box
Kalimba
Organ
Jazz Organ 1
Jazz Organ 2
Drawbar Organ
Full Organ
Click Organ
Rock Organ 1
Rock Organ 2
16'+2' Organ
16'+4' Organ
Church Organ
Reed Organ
Musette Accordion
Traditional Accordion
Soft Accordion
Tango Accordion
Bandoneon
2
2
1
1
2
1
1
1
2
2
2
2
2
2
2
1
2
2
2
2
2
2
2
2
1
1
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
Number of Notes
Used
59
60
61
62
55
56
57
58
67
68
69
70
71
63
64
65
66
47
48
49
50
43
44
45
46
51
52
53
54
80
81
82
83
84
85
76
77
78
79
72
73
74
75
Voice
Number
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
Bank Select
MIDI
Program
MSB LSB Number
Guitar
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
46
47
48
49
42
43
44
45
50
51
52
53
Voice Name
Classical Guitar
Folk Guitar
12Strings Guitar
Jazz Guitar
Octave Guitar
Hawaiian Guitar
Clean Guitar
Tremolo Guitar
Muted Guitar
Guitar Harmonics
Overdriven Guitar
0
0
0
0
0
0
0
0
58
59
60
61
54
55
56
57
Distortion Guitar
Bass
Acoustic Bass
Finger Bass
Pick Bass
Fretless Bass
Slap Bass
Synth Bass 1
Synth Bass 2
Techno Bass
Strings
0
0
0
0
0
0
0
0
0
79
80
81
82
83
84
75
76
77
78
71
72
73
74
66
67
68
69
62
63
64
65
70 Sitar
Ensemble
Violin
Viola
Cello
Contrabass
Banjo
Shamisen
Koto
Harp
Strings 1
Strings 2
Chamber Strings
Synth Strings
Slow Strings
Tremolo Strings
Violin w/Strings
Pizzicato Strings
Choir
Choir Aahs
Choir Oohs
Synth Choir
Voyager
Orchestra Hit
1
2
1
1
2
1
1
1
1
2
2
2
2
1
2
1
1
2
2
2
2
2
1
2
2
2
2
2
2
2
2
Number of Notes
Used
2
2
2
2
2
2
1
2
2
2
2
1
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ 89
Voice List /
114
115
116
117
118
119
120
121
122
123
124
125
126
127
128
129
130
131
90
91
92
93
86
87
88
89
94
95
96
97
98
107
108
109
110
111
112
113
99
100
101
102
103
104
105
106
Voice
Number
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
Bank Select
MIDI
Program
MSB LSB Number
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
1
0
0
1
1
0
0
0
0
0
0
0
0
0
0
0
0
Voice Name
89
90
91
92
85
86
87
88
93
94
95
96
97
106
107
108
109
110
111
112
98
99
100
101
102
103
104
105
121
122
123
124
125
126
127
0
1
2
113
114
115
116
117
118
119
Piccolo
Flute
Pan Flute
Recorder
Blown Bottle
Shakuhachi
Whistle
120 Ocarina
Synth Lead
Square Lead
Sawtooth Lead
Voice Lead
Crystal
Brightness
Sub Aqua
Analog Lead
Rain Hold
70’s Lead
Synth Clavi
Brass
Trumpet
Flugel Horn
Muted Trumpet
Trombone
Trombone Section
French Horn
Tuba
Brass Section
Brass+Sax
Brass+Trombone
Brass+Trumpet
Synth Brass 1
Synth Brass 2
Reed
Soprano Sax
Alto Sax
Breathy Alto Sax
Tenor Sax
Breathy Tenor Sax
Baritone Sax
Sax + Clarinet
Sax+Trombone
Oboe
English Horn
Bassoon
Clarinet
Harmonica
Shanai
Bagpipe
Pipe
1
1
2
1
2
1
2
2
2
2
2
2
2
2
2
2
2
2
1
2
2
1
2
2
2
2
2
2
2
2
2
1
1
2
1
1
1
1
2
2
2
2
2
1
2
1
Number of Notes
Used
132
133
134
135
136
137
138
139
140
141
150
151
152
153
154
155
156
157
142
143
144
145
146
147
148
149
158
159
160
Voice
Number
161 127
162 127
163 127
164 127
165 127
166 127
167 127
168 127
169 127
0 97
0 98
0 98
0 99
0 97
0 96
0 96
0 98
0 97
0 97
0 97
0 97
0 96
0 96
0 96
0 96
0 96
0 96
0 96
Bank Select
MIDI
Program
MSB LSB Number
Synth Pad
Voice Name
1
1
1
1
1
1
1
1
1
1
0
0
0
0
0
0
0
0
0
0
9
10
7
8
11
12
5
6
3
4
Fantasia
Bell Pad
Xenon Pad
Angels
Transform
Atmosphere
Shining
Dark Moon
Cyber Pad
Sci-Fi
Oriental
106
15
25
71
74
73
75
109
61
19
107
107
105
105
110
110
50
25
Kanoun
Kanoun Octave
Oud
Oud with tremolo
Rababa
Kaman
Wataryat
Bouzouki
Baglamas
Santuri
Bouzouk
Mizmar
Mijwez
Nay
Kawala
Argoul
Arabic Brass
Arabic Organ
0
0
0
0
0
0
0
0
0
23 Arabic Accordion
Drum Kits
25
32
40
48
16
24
0
8
Standard Kit
Room Kit
Rock Kit
Electronic Kit
Analog Kit
Jazz Kit
Brush Kit
Classic Kit
170
171
0
0
1
1
64 Arabic Kit
Dual Only
13
14
Organ Harmonics 51/3
Organ Harmonics 51/3+ 22/3
Number of Notes
Used
1
2
2
2
2
2
2
2
2
2
2
2
1
1
1
1
1
1
1
1
1
1
1
1
1
2
1
1
1
1
2
2
2
1
1
1
1
2
1
2
90 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○
Voice List /
GM Voice List /
Voice
Number
09
10
11
12
13
14
15
16
01
02
03
04
05
06
07
08
MIDI
Program
Number
0
1
2
3
4
5
6
8
9
10
11
12
13
14
Voice Name
Piano
Acoustic Grand Piano
Bright Acoustic Piano
Electric Grand Piano
Honky-tonk Piano
Electric Piano 1
Electric Piano 2
Harpsichord
7 Clavi
Chromatic Percussion
Celesta
Glockenspiel
Music Box
Vibraphone
Marimba
Xylophone
Tubular Bells
15 Dulcimer
Organ
17
18
16 Drawbar Organ
17 Percussive Organ
19 18
20 19
Rock Organ
Church Organ
21
22
23
24
20 Reed Organ
21 Accordion
22 Harmonica
23 Bandoneon
Guitar
25 24 Acoustic Guitar (nylon) 1
26 25 Acoustic Guitar (steel) 1
27
28
26
27
Electric Guitar (jazz)
Electric Guitar (clean)
1
2
1
2
1
2
2
2
1
1
1
2
1
1
2
1
1
1
1
1
2
2
Number of Notes
Used
Voice
Number
MIDI
Program
Number
45 44
2
2
1
1
46
47
48
45
46
47
49
50
51
52
48
49
50
51
53 52
54 53
55 54
56 55
57
58
59
60
56
57
58
59
61 60
62 61
63 62
64 63
65
66
67
68
64
65
66
67
69 68
70 69
71 70
72 71
29 28 Electric Guitar (muted) 1
30 29 Overdriven Guitar 1
31
32
30 Distortion Guitar
31 Guitar Harmonics
Bass
33 32 Acoustic Bass
34 33 Electric Bass (finger)
35
36
34
35
Electric Bass (pick)
Fretless Bass
37
38
39
40
41
42
43
44
36 Slap Bass 1
37 Slap Bass 2
38 Synth Bass 1
39 Synth Bass 2
Strings
40 Violin
41 Viola
42 Cello
43 Contrabass
1
1
1
1
1
1
1
1
1
1
1
1
1
1
73 72
74 73
75 74
76 75
77 76
78 77
79 78
80 79
81 80
82 81
83 82
84 83
85 84
86 85
87 86
88 87
89 88
90 89
Voice Name
Tremolo Strings
Pizzicato Strings
Orchestral Harp
Timpani
Ensemble
Strings Ensemble 1
Strings Ensemble 2
Synth Strings 1
Synth Strings 2
Choir Aahs
Voice Oohs
Synth Voice
Orchestra Hit
Brass
Trumpet
Trombone
Tuba
Muted Trumpet
French Horn
Brass Section
Synth Brass 1
Synth Brass 2
Reed
Soprano Sax
Alto Sax
Tenor Sax
Baritone Sax
Oboe
English Horn
Bassoon
Clarinet
Pipe
Piccolo
Flute
Recorder
Pan Flute
Blown Bottle
Shakuhachi
Whistle
Ocarina
Synth Lead
Lead 1 (square)
Lead 2 (sawtooth)
Lead 3 (calliope)
Lead 4 (chiff)
Lead 5 (charang)
Lead 6 (voice)
Lead 7 (fifth)
Lead 8 (bass+Lead )
Synth Pad
Pad 1 (new age)
Pad 2 (warm)
1
1
2
1
2
2
1
1
2
2
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
2
1
1
1
1
1
2
2
2
2
2
2
2
2
Number of Notes
Used
2
2
1
1
2
2
121
122
123
124
125
126
127
128
129
130
131
132
133
134
135
136
137
113
114
115
116
117
118
119
120
105
106
107
108
109
110
111
112
97
98
99
100
101
102
103
104
Voice
Number
91
92
93
94
95
96
MIDI
Program
Number
Voice Name
90 Pad 3 (polysynth)
91 Pad 4 (choir)
92 Pad 5 (bowed)
93 Pad 6 (metallic)
94 Pad 7 (halo)
95 Pad 8 (sweep)
Synth Effects
96 FX 1 (rain)
97 FX 2 (soundtrack)
98 FX 3 (crystal)
99 FX 4 (atmosphere)
100 FX 5 (brightness)
101 FX 6 (goblins)
102 FX 7 (echoes)
103 FX 8 (sci-fi)
Ethnic
104 Sitar
105 Banjo
106 Shamisen
107 Koto
108 Kalimba
109 Bagpipe
110 Fiddle
111 Shanai
Percussive
112 Tinkle Bell
113 Agogo
114 Steel Drums
115 Woodblock
116 Taiko Drum
117 Melodic Tom
118 Synth Drum
119 Reverse Cymbal
Sound Effects
120 Guitar Fret Noise
121 Breath Noise
122 Seashore
123 Bird Tweet
124 Telephone Ring
125 Helicopter
126 Applause
127 Gunshot
Drum Kits
0 Standard Kit
8 Room Kit
16 Rock Kit
24 Electronic Kit
25 Analog Kit
32 Jazz Kit
40 Brush Kit
48 Classic Kit
64 Arabic Kit
1
1
1
1
2
1
2
1
1
1
1
2
1
1
1
1
2
2
2
2
2
2
2
2
Number of Notes
Used
2
2
2
2
2
2
1
1
1
1
1
1
1
1
1
2
1
1
2
2
2
1
1
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ 91
Percussion Kit List /
* “<——” indicates the content is the same as that of Standard Kit.
* The number in parentheses ( ) after the percussion kit name is the
MIDI program number.
* The corresponding MIDI note numbers for the notes listed in the chart below are actually one octave lower. For example, the MIDI note number for note #36 (C1) in the chart is note #24 (C0).
* Each drum/percussion voice uses one note.
* The drum and percussion voices in same alternate group *1–8 can not be played at the same time.
* The PSR-A3 has two Arabic Kits (Panel Arabic Kit: panel voice number 169 and GM Arabic Kit: GM voice number 137). Panel Arabic
Kit will be used when you normally play on the keyboard or the PSR-
A3 receives program change messages on the specified remote channel or receives program change messages after receiving “Panel
Voice” message. GM Arabic Kit will be selected only when you change the accompaniment track voices, or the PSR-A3 receives program change messages through MIDI under the condition excepting the ones mentioned above.
* GM voice numbers 129 through 136 correspond to the panel voice numbers 161 through 168 respectively.
Note# Note 161/129: Standard Kit (0) 162/130: Room Kit (8) 163/131: Rock Kit (16) 164/132: Electronic Kit (24) 165/133: Analog Kit (25)
85
86
87
88
81
82
83
84
77
78
79
80
73
74
75
76
93
94
95
96
89
90
91
92
69
70
71
72
65
66
67
68
61
62
63
64
57
58
59
60
53
54
55
56
49
50
51
52
45
46
47
48
41
42
43
44
37
38
39
40
33
34
35
36
29
30
31
32
25
26
27
28
Low Tom
Hi-Hat Open *1
Mid Tom L
Mid Tom H
Crash Cymbal 1
High Tom
Ride Cymbal 1
Chinese Cymbal
Ride Cymbal Cup
Tambourine
Splash Cymbal
Cowbell
Crash Cymbal 2
Vibraslap
Ride Cymbal 2
Bongo H
Bongo L
Conga H Mute
Conga H Open
Conga L
Timbale H
Timbale L
Agogo H
Agogo L
Cabasa
Maracas
Samba Whistle H
Samba Whistle L
Guiro Short
Guiro Long
Claves
Wood Block H
Wood Block L
Cuica Mute
Cuica Open
Triangle Mute *2
Triangle Open *2
Shaker
Jingle Bell
Bell Tree
Surdo Mute
Surdo Open
Hi Q
Whip Slap
Scratch H
Scratch L
FingerSnap
Click Noise
Metronome Click
Metronome Bell
Click L (Square wave)
Click H (Square wave)
Brush Tap
Brush Swirl
Brush Slap
Brush Swirl W/Attack
Snare Roll
Castanet
Snare H Soft
Sticks
Bass Drum H Soft
Open Rim Shot
Bass Drum L
Bass Drum H Hard
Closed Rim Shot
Snare L
Hand Clap
Snare H Hard
Floor Tom L
Hi-Hat Closed *1
Floor Tom H
Hi-Hat Pedal *1
C3
C # 3
D3
D # 3
E3
F3
F # 3
G3
G # 3
A3
A # 3
B3
C2
C # 2
D2
D # 2
E2
F2
F # 2
G2
G # 2
A2
A # 2
B2
C1
C # 1
D1
D # 1
E1
F1
F # 1
G1
G # 1
A1
A # 1
B1
C # 0
D0
D # 0
E0
F0
F # 0
G0
G # 0
A0
A # 0
B0
C5
C # 5
D5
D # 5
E5
F5
F # 5
G5
C4
C # 4
D4
D # 4
E4
F4
F # 4
G4
G # 4
A4
A # 4
B4
G # 5
A5
A # 5
B5
C6
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
Electronic Tom 3
<——
Electronic Tom 4
Electronic Tom 5
<——
Electronic Tom 6
<——
<——
<——
Scratch H
Scratch L
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
Reverse Cymbal
<——
Hi-Q
Snare Gate L
<——
Bass Drum Gate L
<——
Bass Drum Gate M
Bass Drum Gate H
<——
Snare Gate M
<——
Snare Gate H
Electronic Tom 1
<——
Electronic Tom 2
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
Rock Tom 3
<——
Rock Tom 4
Rock Tom 5
<——
Rock Tom 6
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
Snare Rock L
<——
Bass Drum Rock L
<——
Bass Drum Rock M
Bass Drum Rock H
<——
Snare Rock M
<——
Snare Rock H
Rock Tom 1
<——
Rock Tom 2
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
Room Tom 3
<——
Room Tom 4
Room Tom 5
<——
Room Tom 6
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
Snare Room L
<——
Bass Drum Room L
<——
Bass Drum Room M
Bass Drum Room H
<——
Snare Room M
<——
Snare Room H
Room Tom 1
<——
Room Tom 2
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
Analog Tom 3
Analog Hi-hat Open *3
Analog Tom 4
Analog Tom 5
<——
Analog Tom 6
<——
<——
<——
Scratch H
Scratch L
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
Reverse Cymbal
<——
Hi-Q
Snare Analog L
<——
Bass Drum Analog L
<——
Bass Drum Analog M
Bass Drum Analog H
Closed Rim Shot Analog
Snare Analog M
<——
Snare Analog H
Snare Analog H
Analog Hi-hat Closed 1 *3
Analog Tom 2
Analog Hi-hat Closed 2 *3
92 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○
Percussion Kit List /
Note# Note 166/134: Jazz Kit (32) 167/135: Brush Kit (40) 168/136: Classic Kit (48) 169: Panel Arabic Kit (64) 137: GM Arabic Kit (64)
A4
A # 4
B4
C5
C # 5
D5
D # 5
E5
C # 4
D4
D # 4
E4
F4
F # 4
G4
G # 4
F5
F # 5
G5
G # 5
A5
A # 5
B5
C6
F3
F # 3
G3
G # 3
A3
A # 3
B3
C4
A2
A # 2
B2
C3
C # 3
D3
D # 3
E3
C # 2
D2
D # 2
E2
F2
F # 2
G2
G # 2
F1
F # 1
G1
G # 1
A1
A # 1
B1
C2
A0
A # 0
B0
C1
C # 1
D1
D # 1
E1
C # 0
D0
D # 0
E0
F0
F # 0
G0
G # 0
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
Natural Tom 3
Dark Hit Hat Open *4
Natural Tom 4
Natural Tom 5
<——
Natural Tom 6
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
Natural Tom 1
Dark Hi-Hat Closed *4
Natural Tom 2
Dark Hi-Hat Pedal *4
85
86
87
88
81
82
83
84
77
78
79
80
73
74
75
76
93
94
95
96
89
90
91
92
69
70
71
72
65
66
67
68
61
62
63
64
57
58
59
60
53
54
55
56
49
50
51
52
45
46
47
48
41
42
43
44
37
38
39
40
33
34
35
36
29
30
31
32
25
26
27
28
Low Tom
Dark Hit Hat Open *7
Mid Tom L
Mid Tom H
Crash Cymbal 1
High Tom
Ride Cymbal 1
Crash Cymbal 2
Duhulla Dom
Tambourine
Duhulla Tak
Cowbell
Duhulla Sak
Claves
Doff Dom
Katem Dom
Katem Tak
Katem Sak
Katem Tak
Doff Tak
Tabla Dom
Tabla Tak1
Tabla Tik
Tabla Tak2
Tabla Sak
Tabla Roll of Edge
Tabla Flam
Sagat 1
Tabel Dom
Sagat 3
Tabel Tak
Sagat 2
Rik Dom
Rik Tak 2
Rik Finger 1
Rik Tak 1
Rik Finger 2
Rik Brass Tremolo
Rik Sak
Rik Tik
—
—
—
—
—
—
—
—
—
—
—
Nakarazan Dom
Cabasa
Nakarazan Edge
Hager Dom
Hager Edge
Bongo H
Bongo L
Conga H Mute
Conga H Open
Conga L
Zagrouda H
Zagrouda L
Bass Drum L
Closed Rim Shot
Snare H Soft
Arabic Hand Clap
Snare H Hard
Floor Tom L
Dark Hi-Hat Closed *7
Floor Tom H
Dark Hi-Hat Pedal *7
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
Natural Tom 3
Dark Hit Hat Open *6
Natural Tom 4
Natural Tom 5
Hand Cymbal Long L
Natural Tom 6
Hand Cymbal Short L
<——
<——
<——
<——
<——
Hand Cymbal Long H
<——
Hand Cymbal Short H
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
Snare Classic L
<——
Gran Casa L
<——
Gran Casa M
Gran Casa H
<——
Snare Classic M
<——
Snare Classic H
Natural Tom 1
Dark Hi-Hat Closed *6
Natural Tom 2
Dark Hi-Hat Pedal *6
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
Brush Tom 3
Dark Hit Hat Open *5
Brush Tom 4
Brush Tom 5
<——
Brush Tom 6
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
<——
Brush Slap L
<——
<——
<——
<——
<——
<——
Brush Slap H
<——
Brush Tap
Brush Tom 1
Dark Hi-Hat Closed *5
Brush Tom 2
Dark Hi-Hat Pedal *5
Low Tom
Dark Hit Hat Open *8
Mid Tom L
Mid Tom H
Crash Cymbal 1
High Tom
Ride Cymbal 1
Chinese Cymbal
Ride Cymbal Cup
Tambourine
Splash Cymbal
Cowbell
Crash Cymbal 2
Tabla Flam
Rik Tik
Bongo H
Bongo L
Conga H Mute
Conga H Open
Conga L
Doff Tak
Doff Dom
Agogo H
Agogo L
Cabasa
Tabla Tik
Zagrouda H
Zagrouda L
Guiro Short
Guiro Long
Claves
Tabla Tak2
Tabla Tak1
Hager Edge
Hager Dom
Sagat 2
Sagat 3
Duhulla Tak
Sagat 1
Bell Tree
Tabel Tak
Tabel Dom
Nakarazan Edge
Whip Slap
Scratch H
Scratch L
Nakarazan Dom
Katem Tak
Katem Sak
Katem Dom
Rik Tak 2
Rik Tak 1
Rik Finger 2
Brush Swirl
Rik Finger 1
Rik Brass Tremolo
Tabla Roll of Edge
Rik Dom
Duhulla Sak
Rik Sak
Tabla Dom
Tabla Sak
Duhulla Dom
Bass Drum L
Closed Rim Shot
Snare H Soft
Arabic Hand Clap
Snare H Hard
Floor Tom L
Dark Hi-Hat Closed *8
Floor Tom H
Dark Hi-Hat Pedal *8
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ 93
MIDI Implementation Chart /
[Portable Keyboard]
Model: PSR-A3
Function
MIDI Implementation Chart
Transmitted Recognized
Date: 1995. 5. 18
Version: 1.00
Remarks
Basic Default
Channel Changed
Mode
Default
Messages
Altered
1~16 CH
1~16 CH
Mode 3
X
*****************
Note
Number : True voice
Velocity Note on
Note off
0~127
*****************
O 9nH, v=1~127
X 9nH, v=0
After
Touch key’s
Ch’s
X
X
Pitch Bender
Control Change
Program
Change : True #
O
0, 32 O
1 X (*3)
6, 38 O
7 O
10 O
11 X (*3)
64 O
66 X (*3)
67 X (*3)
71 X (*3)
72 X (*3)
73 X (*3)
74 X (*3)
84 X (*3)
91 O
93 O
94 O
96, 97 X (*3)
98, 99 X (*3)
100, 101 O
120 O (*6)
121 X
O 0~127
*****************
System Exclusive O
System : Song Position X
: Song Select X
Common : Tune X
System : Clock
Real Time : Commands
O
O
Aux : Local ON/OFF X
: All Notes Off X
Messages : Active Sense O
: Reset X
Mode 1: OMNI ON, POLY
Mode 3: OMNI OFF, POLY
Mode 2: OMNI ON, MONO
Mode 4: OMNI OFF, MONO
1~16 CH (*1)
1~16 CH (*1)
(*1)
X
X
X
X
X
O (*9)
O (*9)
X
O
O
X
0~127
0~127
O 9nH, v=1~127
X 9nH, v=0 or 8nH
X
X
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O 0~127
0~127 (*8)
O
Bank select MSB, LSB (*2)
Modulation
Data entry MSB, LSB
Volume
Pan
Expression
Sustain
Sostenuto
Soft pedal
Harmonic content
Release time
Attack time
Brightness
Portamento control
Reverb send level
Chorus send level
DSP send level
Data increment, decrement
NRPN LSB, MSB (*4)
RPN LSB, MSB (*5)
All sound off
Reset all controllers (*7)
(*10)
Start, stop
O : Yes
X : No
94 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○
MIDI Implementation Chart /
*1 PSR-A3 ordinarily functions as 16 MIDI channel multi-timbral tone generator controlled by MIDI reception data. Panel voices and the other panel settings are not affected by the MIDI message, excepting the followings:
MIDI Master Tuning
System Exclusive Message for controlling Reverb, Chorus and
Dsp
The Remote Channel can be designated by the panel settings. The designated channel on the PSR-A3 can be controlled by an external device and receive all the data excepting the following control change data:
Data entry, MSB, LSB
Portamento control
Data increment
Data decrement
NRPN LSB, MSB
RPN LSB, MSB
*2 Bank Select MSB
The bank select MSB is used for melody voice and rhythm voice switching.
MSB 00H: Melody voice.
MSB 7FH: Rhythm voice.
Transmission: Transmitted when changing the voice, style and song.
Reception: All channels except10 channel receive this message.
( 10 channel is fixed at rhythm voice.). But when 10 channel is set for the remote channel or receives XG System On message, 10 channel receives this message and the rhythm voice can change to the melody voice.
Bank Select LSB
This message is used to correspond to the panel voice numbers higher than 128.
Bank Select LSB=00H: program change numbers 0~127 correspond to the panel voice numbers 1~128.
Bank Select LSB=01H: program change numbers 0~12 correspond to the panel voice numbers 129~141.
Bank Select LSB=96H~99H: Oriental voices (refer to the Panel
Voice List on page 90).
Transmission: Transmitted when changing the voice, style and song.
Reception: This message can be received only at the channel designated as the remote channel or the panel voice.
No voice change will occur when only a bank select is received.
When a program change is received the latest bank select value is used.
*3 These Control Change messages are not transmitted by the PSR-
A3 panel operation, but may be transmitted by the accompaniment style playing.
*4 NRPN transmission/reception
The following parameters are supported.
NRPN
MSB LSB
01H
01H
01H
08H
09H
0AH
Data entry
MSB LSB mmH - mmH - mmH - -
01H 20H mmH - -
Parameter Name/Range
Vibrato Rate mm : 00H - 40H - 7FH (-64 - 0 - +63)
Vibrato Depth mm : 00H - 40H - 7FH (-64 - 0 - +63)
Vibrato Delay mm : 00H - 40H - 7FH (-64 - 0 - +63)
Filter Cutoff Freq.
01H 21H mmH - -
01H 63H mmH - mm : 00H - 40H - 7FH (-64 - 0 - +63)
Filter Resonance mm : 00H - 40H - 7FH (-64 - 0 - +63)
EG Attack Time
01H 64H mmH - mm : 00H - 40H - 7FH (-64 - 0 - +63)
EG Decay Time mm : 00H - 40H - 7FH (-64 - 0 - +63)
EG Release TIme 01H 66H mmH - -
14H rrH mmH - mm: 00H - 40H - 7FH (-64 - 0 - +63)
Drum Filter Cutoff Freq.
rr: drum instrument note number mm: 00H - 40H - 7FH (-64 - 0 - +63)
15H rrH mmH - Drum Filter Resonance rr: drum instrument note number mm: 00H - 40H - 7FH (-64 - 0 - +63)
16H rrH mmH - Drum EG Attack Rate rr: drum instrument note number mm: 00H - 40H - 7FH (-64 - 0 - +63)
17H rrH mmH - Drum EG Decay Rate rr: drum instrument note number mm: 00H - 40H - 7FH (-64 - 0 - +63)
18H rrH mmH - Drum Instrument Pitch Course rr: drum instrument note number mm: 00H - 40H - 7FH (-64 - 0 - +63)
19H rrH mmH - Drum Instrument Pitch Fine rr: drum instrument note number mm: 00H - 40H - 7FH (-64 - 0 - +63)
1AH rrH mmH - Drum Instrument Level rr: drum instrument note number mm: 00H - 7FH (0 - 127)
1CH rrH mmH - Drum Instrument Panpot rr: drum instrument note number mm: 00H - 40H - 7FH (L - Center - R)
1DH rrH mmH - Drum Instrument Reverb Send Level rr: drum instrument note number mm: 00H - 7FH (0 - 127)
1EH rrH mmH - Drum Instrument Chorus Send Level rr: drum instrument note number mm: 00H - 7FH (0 - 127)
1FH rrH mmH - Drum Instrument DSP Send Level rr: drum instrument note number mm : 00H - 7FH (0 - 127)
Data entry LSB is ignored.
Default
40H
40H
40H
40H
40H
40H
40H
40H
40H
40H
40H
40H
40H
40H
Depends on note
Depends on note
Depends on note
Depends on note
7FH
*5 RPN transmission/reception
The following parameters are supported.
RPN Data entry
MSB LSB MSB LSB
00H 00H mmH - -
00H 01H mmH - -
00H 02H mmH - -
7FH 7FH - - -
Parameter Name/Range
Pitch bend Sensitivity mm: 00H - 02H - 0CH (0 - 2 - 12)
Fine Tuning mm: 00H - 40H - 7FH (-64 - 0 - +63)
Course Tuning mm: 00H - 40H - 7FH (-64 - 0 - +63)
RPN Null
Clears current RPN and NRPN number settings.
Default
02H
40H
40H
- -
Data entry LSB is ignored.
*6 Not transmitted when Song and Accompaniment is playing.
*7 Pitch Bend, modulation, expression, sustain, sostenuto and softpedal are returned to their defult values.
Clears current RPN and NRPN number settings.
Resets portament source note number.
*8 129~160 voice numbers are selectable through an appropriate
Bank Select setting (Refer to *2).
*9 When the External Clock is turned ON by PSR-A3 panel setting,
Clock, Start/Stop message will be received.
The start/stop of the song recording and playback will be controlled by the external device. The initial set up data is transmitted before the song playback, so that the start may be delayed.
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ 95
MIDI Implementation Chart /
*10 Exclusive
The following system exclusive parameters are supported.
<GM system ON> F0H, 7EH, 7FH, 09H, 01H, F7H
All parameters except MIDI master Tuning and Dsp setting are reset to their default values.
Remote Channel setting is canceled.
This message requires approximately 50ms to execute, so sufficient time should be allowed before the next message is sent.
<DISK ORCHESTRA ON> F0H, 43H, 73H, 01H, 14H, F7H
This message switches PSR-A3 to Disk Orchestra defualt settings.
Remote Channel setting is canceled.
This message requires approximately 50ms to execute, so sufficient time should be allowed before the next message is sent.
<DISK ORCHESTRA OFF> F0H, 43H, 73H, 01H, 13H, F7H
This message switches Disk Orchestra ON to OFF.
All parameters except MIDI master Tuning are reset to their default values.
This message requires approximately 50ms to execute, so sufficient time should be allowed before the next message is sent.
<MIDI Master Volume> F0H, 7FH, 7FH, 04H, 01H, ll, mm, F7H
Allows the volume of all channels to be changed simultaneously.
“mm” is used as the MIDI Master Volume value (“ll” is ignored).
The defalut value for “mm” is 7FH.
<MIDI Master Tuning>
F0H, 43H, 1nH, 27H, 30H, 00H, 00H, mm, ll, cc, F7H
“mmll” is used as the MIDI Master Tuning value.
The tuning value is represented as follows:
T=M-128 (28<=M<=228), T=-100 (M<28), T=100 (M>228)
Where T is the actual tuning value in cents.
M is decimal value represented by 1-byte using bits 0..3 of
“mm” as the MSB and bits 0..3 of “ll” as the LSB.
The default values of “mm” and “ll” are 08H and 00H resprectively.
n and cc are also recognized.
This value is not reset by a GM System ON or Reset All Controllers message.
This value affects not only MIDI reception part but the entire system of the PSR-A3.
<Panel Voice> F0H, 43H, 76H, 1BH, cc, vv, F7H
This message alternately selects Panel voice or GM voice.
cc: MIDI channel vv: 00=GM voice mode/01=Panel voice mode
GM voice mode is defalut.
This message is ignored by the remote channel.
<Bulk Dump>
Song Memory:
F0H, 43H, 76H, 1CH, bl, bh, <DATA>, cs, F7H
Multi Pad:
F0H, 43H, 76H, 1DH, bl, bh, <DATA>, cs, F7H
Registration Memory:
F0H, 43H, 76H, 1EH, bl, bh, <DATA>, cs, F7H
Scale Memory:
F0H, 43H, 76H, 1FH, bl, bh, <DATA>, cs, F7H
“bl” and “bh” represent the total byte count as “bl + bh*128”.
cs=Checksum.
<XG System On> F0H, 43H, 1nH, 4CH, 00H, 00H, 7EH, 00H, F7H n: device number (transmission: n=0, reception: n is ignored.)
All parameters except MIDI master Tuning are reset to their default values.
Remote Channel setting is canceled.
This message requires approximately 50ms to execute, so sufficient time should be allowed before the next message is sent.
<XG Parameter Change>
F0H, 43H, 1nH, 4CH, aaH, bbH, ccH, ddH........F7H
n: device number(transmission: n=0, reception: n is ignored.) aa,bb,cc: address High, Mid, Low (see below) dd: data (succesive transmission and reception are possible within the amount of data shown in the following Table-1)
Note: PSR-A3 corresponds to XG parameters in the Table-1.
But this is a part of XG parameters, PSR-A3 does not perfectly correspond to XG format.
96 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○
MIDI Data Format /
<Table-1> Parameter Change
SYSTEM
Address
(H)
Size
(H)
00 00 00 4
01
02
03
Data
(H)
Parameter
0000 - 07FF MASTER TUNE
04 1
06 1
7D 1
7E 1
7F 1
00 - 7F
28 - 58
00 - 01
00
00
MASTER VOLUME
TRANSPOSE
DRUM SETUP RESET
XG SYSTEM ON
ALL PARAMETER RESET
EFFECT
Address
(H)
Size
(H)
02 01 00 2
22 1
23 1
24 1
25 1
26 1
27 1
28 1
29 1
2A 1
2B 1
2C 1
2D 1
2E 1
02 01 30 1
31 1
32 1
33 1
34 1
35 1
02 01 40 2
02 1
03 1
04 1
05 1
06 1
07 1
08 1
09 1
0A 1
0B 1
0C 1
0D 1
02 01 10 1
11 1
12 1
13 1
14 1
15 1
02 01 20 2
42 2
44 2
46 2
48 2
Parameter
REVERB TYPE MSB
REVERB TYPE LSB
REVERB PARAMETER 1
REVERB PARAMETER 2
REVERB PARAMETER 3
REVERB PARAMETER 4
REVERB PARAMETER 5
REVERB PARAMETER 6
REVERB PARAMETER 7
REVERB PARAMETER 8
REVERB PARAMETER 9
REVERB PARAMETER 10
REVERB RETURN
REVERB PAN
REVERB PARAMETER 11
REVERB PARAMETER 12
REVERB PARAMETER 13
REVERB PARAMETER 14
REVERB PARAMETER 15
REVERB PARAMETER 16
CHORUS TYPE MSB
CHORUS TYPE LSB
CHORUS PARAMETER 1
CHORUS PARAMETER 2
CHORUS PARAMETER 3
CHORUS PARAMETER 4
CHORUS PARAMETER 5
CHORUS PARAMETER 6
CHORUS PARAMETER 7
CHORUS PARAMETER 8
CHORUS PARAMETER 9
CHORUS PARAMETER 10
CHORUS RETURN
CHORUS PAN
SEND CHORUS TO REVERB
CHORUS PARAMETER 11
CHORUS PARAMETER 12
CHORUS PARAMETER 13
CHORUS PARAMETER 14
CHORUS PARAMETER 15
CHORUS PARAMETER 16
VARIATION TYPE MSB
VARIATION TYPE LSB
VARIATION PARAMETER 1 MSB
VARIATION PARAMETER 1 LSB
VARIATION PARAMETER 2 MSB
VARIATION PARAMETER 2 LSB
VARIATION PARAMETER 3 MSB
VARIATION PARAMETER 3 LSB
VARIATION PARAMETER 4 MSB
VARIATION PARAMETER 4 LSB
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
01-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
01-7F
Data
(H)
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
Description
-102.4 - +102.3[cent]
1st bit3-0 m bit15-12
2nd bit3-0 m bit11-8
3rd bit3-0 m bit7-4
4th bit3-0 m bit3-0
0 - 127
-24 - +24[semitone]
00: Drum setup 1
01: Drum setup 2
Default value(H)
00 04 00 00
7F
40
—
—
—
Description
Refer to Table-2
Refer to Table-2
Refer to Table-3
Refer to Table-3
Refer to Table-3
Refer to Table-3
Refer to Table-3
Refer to Table-3
Refer to Table-3
Refer to Table-3
Refer to Table-3
Refer to Table-3
-
∞ dB...0dB...+6dB(0...64...127)
L63...C...R63(1...64...127)
Refer to Table-3
Refer to Table-3
Refer to Table-3
Refer to Table-3
Refer to Table-3
Refer to Table-3
Refer to Table-2
Refer to Table-2
Refer to Table-3
Refer to Table-3
Refer to Table-3
Refer to Table-3
Refer to Table-3
Refer to Table-3
Refer to Table-3
Refer to Table-3
Refer to Table-3
Refer to Table-3
-
∞ dB...0dB...+6dB(0...64...127)
L63...C...R63(1...64...127)
-
∞ dB...0dB...+6dB(0...64...127)
Refer to Table-3
Refer to Table-3
Refer to Table-3
Refer to Table-3
Refer to Table-3
Refer to Table-3
Refer to Table-2
Refer to Table-2
Refer to Table-3
Refer to Table-3
Refer to Table-3
Refer to Table-3
Refer to Table-3
Refer to Table-3
Refer to Table-3
Refer to Table-3
Default value(H)
01(=HALL1)
00
Depends on reverb type
Depends on reverb type
Depends on reverb type
Depends on reverb type
Depends on reverb type
Depends on reverb type
Depends on reverb type
Depends on reverb type
Depends on reverb type
Depends on reverb type
40
40
Depends on reverb type
Depends on reverb type
Depends on reverb type
Depends on reverb type
Depends on reverb type
Depends on reverb type
41(=CHORUS1)
00
Depends on chorus type
Depends on chorus type
Depends on chorus type
Depends on chorus type
Depends on chorus type
Depends on chorus type
Depends on chorus type
Depends on chorus type
Depends on chorus type
Depends on chorus type
40
40
00
Depends on chorus type
Depends on chorus type
Depends on chorus type
Depends on chorus type
Depends on chorus type
Depends on chorus type
05(=DELAY L,C,R)
00
Depends on variation type
Depends on variation type
Depends on variation type
Depends on variation type
Depends on variation type
Depends on variation type
Depends on variation type
Depends on variation type
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ 97
MIDI Data Format /
Address
(H)
4A
4C
4E
50
52
54
Size
(H)
2
2
2
2
2
2
56 1
57 1
58 1
59 1
5A 1
5B 1
02 01 70 1
71 1
72 1
73 1
74 1
75 1
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
01-7F
Data
(H)
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-01
00-01
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
Parameter
VARIATION PARAMETER 5 MSB
VARIATION PARAMETER 5 LSB
VARIATION PARAMETER 5 MSB
VARIATION PARAMETER 6 LSB
VARIATION PARAMETER 7 MSB
VARIATION PARAMETER 7 LSB
VARIATION PARAMETER 8 MSB
VARIATION PARAMETER 8 LSB
VARIATION PARAMETER 9 MSB
VARIATION PARAMETER 9 LSB
VARIATION PARAMETER 10 MSB
VARIATION PARAMETER 10 LSB
VARIATION RETURN
VARIATION PAN
SEND VARIATION TO REVERB
SEND VARIATION TO CHORUS
VARIATION CONNECTION
VARIATION PART
VARIATION PARAMETER 11
VARIATION PARAMETER 12
VARIATION PARAMETER 13
VARIATION PARAMETER 14
VARIATION PARAMETER 15
VARIATION PARAMETER 16
* VARIATION means PSR-A3 Dsp effect.
Description
Refer to Table-3
Refer to Table-3
Refer to Table-3
Refer to Table-3
Refer to Table-3
Refer to Table-3
Refer to Table-3
Refer to Table-3
Refer to Table-3
Refer to Table-3
Refer to Table-3
Refer to Table-3
-
∞ dB...0dB...+6dB(0...64...127)
L63...C...R63(1...64...127)
-
∞ dB...0dB...+6dB(0...64...127)
-
∞ dB...0dB...+6dB(0...64...127)
“0:INSERTION,1:SYSTEM”
00H~0FH: Ch1~16 7F: Off
Refer to Table-3
Refer to Table-3
Refer to Table-3
Refer to Table-3
Refer to Table-3
Refer to Table-3
00
00
00
7F
Default value(H)
Depends on variation type
Depends on variation type
Depends on variation type
Depends on variation type
Depends on variation type
Depends on variation type
Depends on variation type
Depends on variation type
Depends on variation type
Depends on variation type
Depends on variation type
Depends on variation type
40
40
Depends on variation type
Depends on variation type
Depends on variation type
Depends on variation type
Depends on variation type
Depends on variation type
MULTI PART
Address
(H)
Size
(H)
08 nn 07 1
Data
(H)
00 - 05
Parameter
PART MODE nn 11 1 nn 41 1 nn 42 1 nn 43 1 nn 44 1 nn 45 1 nn 46 1 nn 47 1 nn 48 1 nn 49 1 nn 4A 1 nn 4B 1 nn 4C 1
00 - 7F
* nn: MIDI Channel(00-0F)
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
DRY LEVEL
SCALE TUNING C
SCALE TUNING C#
SCALE TUNING D
SCALE TUNING D#
SCALE TUNING E
SCALE TUNING F
SCALE TUNING F#
SCALE TUNING G
SCALE TUNING G#
SCALE TUNING A
SCALE TUNING A#
SCALE TUNING B
DRUM SETUP
Address
(H)
Size
(H)
3n rr 00 1
3n rr 01 1
3n rr 02 1
3n rr 04 1
3n rr 05 1
3n rr 06 1
3n rr 07 1
Data
(H)
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
Parameter
PITCH COARSE
PITCH FINE
LEVEL
PAN
REVERB SEND
CHORUS SEND
VARIATION SEND
3n rr 0B 1
3n rr 0C 1
3n rr 0D 1
3n rr 0E 1
00 - 7F
00 - 7F
00 - 7F
00 - 7F
* n:Drum setup number (0H or 1H) rr:note number(18H to 54H)
FILTER CUTOFF FREQUENCY
FILTER RESONANCE
EG ATTACK
EG DECAY1
Description
00: NORMAL
01: Preset Drum Setup
02: Drum Setup 1
03: Drum Setup 2
0 - 127
-64 - +63[cent]
-64 - +63[cent]
-64 - +63[cent]
-64 - +63[cent]
-64 - +63[cent]
-64 - +63[cent]
-64 - +63[cent]
-64 - +63[cent]
-64 - +63[cent]
-64 - +63[cent]
-64 - +63[cent]
-64 - +63[cent]
Description
-64 - +63[semitone]
-64 - +63[cent]
0 - 127
1(Left)-64(Center)-127(Right)
0 - 127
0 - 127
0 - 127
-64 - 63
-64 - 63
-64 - 63
-64 - 63
Default value(H)
00 (except 10Ch)/02 (10Ch)
7F
40
40
40
40
40
40
40
40
40
40
40
40
40
40
40
40
Default value(H)
40
40
Depends on note
Depends on note
Depends on note
7F
7F
98 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○
MIDI Data Format /
<Table-2> Effect map
The following types in the boxes can be controlled by the PSR-A3 settings. The numbers in the brackets are PSR-A3 panel effect numbers.
The blank indicates the content is the same as that of 00H.
REVERB TYPE
LSB
00H
MSB
00H
01H
02H
03H
04H
05H
:
7FH
NO EFFECT
[1]HALL1
ROOM5
STAGE3
PLATE3
NO EFFECT
:
NO EFFECT
01H
HALL5
ROOM6
STAGE4
02H
ROOM7
08H
[2]HALL2
[5]ROOM1
[9]STAGE1
[11]PLATE1
09H
[3]HALL3
[6]ROOM2
[10]STAGE2
[12]PLATE2
0AH
[4]HALL4
[7]ROOM3
0BH
[8]ROOM4
0CH
CHORUS TYPE
LSB
MSB
00H
01H
:
40H
41H
42H
43H
44H
:
7FH
00H
NO EFFECT
NO EFFECT
:
NO EFFECT
CHORUS6
CELESTE1
FLANGER 5
NO EFFECT
:
NO EFFECT
01H 02H 08H 09H 0AH
CHORUS7
[4]CHORUS4
[9]FLANGER4
[5]CHORUS5
CELESTE2 [2]CHORUS2
[6]FLANGER1
[3]CHORUS3
[7]FLANGER2
[1]CHORUS1
[8]FLANGER3
0BH 0CH
VARIATION TYPE
LSB
00H
4B
4C
4D
4E
47
48
49
4A
43
44
45
46
3FH
40
41
42
4F
:
7F
MSB
00H
01H
02H
03H
04H
05H
06H
07H
08H
09H
0AH
0BH
0CH
:
01H 02H 08H 09H 0AH 0BH
NO EFFECT
[1]HALL1
ROOM5
STAGE3
PLATE3
DELAY L,C,R2
[39]DELAY L,R
[40]ECHO
[41]CROSS DELAY
[13]EARLY REF1
[15]GATE REVERB
[16]REVERSE GATE
NO EFFECT or THRU*
:
NO EFFECT or THRU*
THRU
HALL2
ROOM6
STAGE4
[14]EARLY REF2
ROOM7
[2]HALL2
[5]ROOM1
[9]STAGE1
[11]PLATE1
[38]DELAY LCR
[3]HALL3
[6]ROOM2
[10]STAGE2
[12]PLATE2
[4]HALL4
[7]ROOM3 [8]ROOM4
CHORUS6
CELESTE1
FLANGER 5
SYMPHONIC2
ROTARY SP6
TREMOLO3
AUTO PAN2
[27]PHASER
CHORUS7
[20]CHORUS4
[25]FLANGER4
[21]CHORUS5
CELESTE2 [18]CHORUS2
[22]FLANGER1
[26]SYMPHONIC
[28]ROTARY SP1
[33]TREMOLO1
[36]AUTO PAN
[19]CHORUS3
[23]FLANGER2
[17]CHORUS1
[24]FLANGER3
[31]ROTARY SP4
[32]ROTARY SP5
[29]ROTARY SP2 [30]ROTARY SP3 [34]TREMOLO2
DISTORTION
OVER DRIVE
AMP SIMULATOR
3-BAND EQ
2-BAND EQ
AUTO WAH2
THRU
:
[42]DIST.HARD
[44]EQ DISCO
[37]AUTO WAH
THRU
*No effect or Thru is determined by either Variation connection is system or insertion.
[43]DIST.SOFT
[45]EQ TEL
0CH
[35]GTR TREMOLO
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ 99
MIDI Data Format /
<Table-3> Effect Parameter List
Only the following parameter numbers are effective.
Parameter values consists of 2-bytes. Enter 00H for MSB and appropriate value for LSB.
* Parameter number 10 Dry/Wet is effective only when Variation connection is insertion.
TYPE Type
MSB(H)
01
02
03
04
05
HALL
ROOM
STAGE
PLATE
DELAY L,C,R
Parameter
Number
1
2
3
4
5
10*
11
12
13
15
Parameter
Reverb Time
Diffusion
Initial Delay
HPF Cutoff
LPF Cutoff
Dry/Wet
Rev Delay
Density
Rev/Er Balance
Feedback Level
Value Description
0-69 0.3~30.0s
0-10
0-63 0.0~99.3ms
0-52 Thru~8.0kHz
34-60 1.0k~Thru
1-127 D63>W ~ D=W ~ D<W63
0-63 0.0~100.0ms
0-4
1-127 R<E63 ~ R=E ~ R63>E
1-127 -63~+63
TYPE Type
MSB(H)
09 EARLY REF
Parameter Parameter
Number
1 Type
2 Room Size
3 Diffusion
4 Initial Delay
5 Feedback Level
6 HPF Cutoff
7 LPF Cutoff
10* Dry/Wet
11 Liveness
12 Density
13 High Damp
1 Lch Delay
2 Rch Delay
3 Cch Delay
4 Feedback Delay
5 Feedback Level
6 Cch Level
7 High Damp
10* Dry/Wet
13 EQ Low Frequency
14 EQ Low Gain
15 EQ High Frequency
16 EQ High Gain
1-7200 0.1~720.0ms
1-7200 0.1~720.0ms
1-7200 0.1~720.0ms
1-7200 0.1~720.0ms
1-127 -63~+63
0-127
1-10 0.1~1.0
1-127 D63>W ~ D=W ~ D<W63
8-40 50Hz~2.0kHz
52-76 -12~+12dB
28-58 500Hz~16.0kHz
52-76 -12~+12dB
0A
0B
GATE REVERB
REVERSE GATE
1 Type
2 Room Size
3 Diffusion
4 Initial Delay
5 Feedback Level
6 HPF Cutoff
7 LPF Cutoff
10* Dry/Wet
11
12
13
Liveness
Density
High Damp
06
07
08
DELAY L,R
ECHO
CROSS DELAY
1 Lch Delay
2 Rch Delay
3 Feedback Delay 1
4 Feedback Delay 2
5 Feedback Level
6 High Damp
10* Dry/Wet
13 EQ Low Frequency
14
15
16
EQ Low Gain
EQ High Frequency
EQ High Gain
1 Lch Delay1
2 Lch Feedback Level
1-7200 0.1~720.0ms
1-7200 0.1~720.0ms
1-7200 0.1~720.0ms
1-7200 0.1~720.0ms
1-127 -63~+63
1-10 0.1~1.0
1-127 D63>W ~ D=W ~ D<W63
8-40 50Hz~2.0kHz
52-76 -12~+12dB
28-58 500Hz~16.0kHz
52-76 -12~+12dB
1-3600 0.1~360.0ms
1-127 -63~+63
3 Rch Delay1 1-3600 0.1~360.0ms
4 Rch Feedback Level 1-127 -63~+63
5 High Damp
6 Lch Delay2
7 Rch Delay2
8 Delay2 Level
10* Dry/Wet
13 EQ Low Frequency
14 EQ Low Gain
15 EQ High Frequency
16 EQ High Gain
1-10
1-3600
1-3600
0-127
0.1~1.0
0.1~360.0ms
0.1~360.0ms
1-127 D63>W ~ D=W ~ D<W63
8-40 50Hz~2.0kHz
52-76 -12~+12dB
28-58 500Hz~16.0kHz
52-76 -12~+12dB
1 L->R Delay
2 R->L Delay
3 Feedback Level
4 Input Select
5 High Damp
10* Dry/Wet
13 EQ Low Frequency
14 EQ Low Gain
15 EQ High Frequency
16 EQ High Gain
1-3600 0.1~360.0ms
1-3600 0.1~360.0ms
1-127 -63~+63
0-2 L,R,L&R(L,R is mono mix)
1-10 0.1~1.0
1-127 D63>W ~ D=W ~ D<W63
8-40 50Hz~2.0kHz
52-76 -12~+12dB
28-58 500Hz~16.0kHz
52-76 -12~+12dB
41
42
43
44
45
CHORUS
CELESTE
FLANGER
SYMPHONIC
ROTARY
SPEAKER
Value
1-127
Description
0-5
0-127
S-H, L-H, Rdm, Rvs, Plt, Spr
0-10 0~10
0-127 0.0~200.0ms
1-127 -63~+63
0-52 Thru~8.0kHz
34-60 1.0k~Thru
1-127 D63>W ~ D=W ~ D<W63
0-10
0-3
1-10 0.1~1.0
0-1
0-127
TypeA, TypeB
0-10
0-127 0.0~200.0ms
1-127 -63~+63
0-52 Thru~8.0kHz
34-60 1.0k~Thru
1-127 D63>W ~ D=W ~ D<W63
0-10
0-3
1-10 0.1~1.0
1 LFO Frequency
2 LFO PM Depth
3 Feedback Level
4 Delay Offset
6 EQ Low Frequency
7 EQ Low Gain
8 EQ High Frequency
9 EQ High Gain
10* Dry/Wet
15 Input Mode
0-127 0.00~39.7Hz
0-127
1-127 -63~+63
0-127 0.0~50.0ms
8-40 50Hz~2.0kHz
52-76 -12~+12dB
28-58 500Hz~16.0kHz
52-76 -12~+12dB
1-127 D63>W ~ D=W ~ D<W63
0-1 mono/stereo
1 LFO Frequency
2 LFO Depth
3 Feedback Level
4 Delay Offset
6 EQ Low Frequency
7 EQ Low Gain
8 EQ High Frequency
0-127
0-127
1-127 -63~+63
0-127
8-40
52-76
28-58
0.00~39.7Hz
0.0~50.0ms
50Hz~2.0kHz
-12~+12dB
500Hz~16.0kHz
9 EQ High Gain 52-76 -12~+12dB
10* Dry/Wet 1-127 D63>W ~ D=W ~ D<W63
14 LFO Phase Difference 4-124 -180
°
~+180
°
(resolution 3
°
)
15 Input Mode 0-1 mono/stereo
1
2 LFO Depth
3 Delay Offset
6 EQ Low Frequency
7 EQ Low Gain
8 EQ High Frequency
9 EQ High Gain
10*
1
2
6
7
LFO Frequency
Dry/Wet
LFO Frequency
LFO Depth
EQ Low Frequency
EQ Low Gain
8 EQ High Frequency
9 EQ High Gain
10* Dry/Wet
0-127
0-127
0.00~39.7Hz
0-127 0.0~50.0ms
8-40 50Hz~2.0kHz
52-76 -12~+12dB
28-58 500Hz~16.0kHz
52-76 -12~+12dB
D63>W ~ D=W ~ D<W63
0-127 0.00~39.7Hz
0-127
8-40 50Hz~2.0kHz
52-76 -12~+12dB
28-58 500Hz~16.0kHz
52-76 -12~+12dB
1-127 D63>W ~ D=W ~ D<W63
100 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○
MIDI Data Format /
TYPE
MSB(H)
46
Type
TREMOLO
Parameter Parameter
Number
1
2
LFO Frequency
AM Depth
3 PM Depth
6 EQ Low Frequency
7 EQ Low Gain
8 EQ High Frequency
Value Description
0-127 0.00~39.7Hz
0-127
0-127
8-40
52-76
28-58
50Hz~2.0kHz
-12~+12dB
500Hz~16.0kHz
9 EQ High Gain 52-76 -12~+12dB
14 LFO Phase Difference 4-124 -180 ° ~+180 ° (resolution 3 ° )
15 Input Mode 0-1 mono/stereo
47 AUTO PAN
48
49
4A
PHASER
DISTORTION
OVERDRIVE
1
2
3
4
LFO Frequency
L/R Depth
F/R Depth
PAN Direction
6 EQ Low Frequency
7 EQ Low Gain
8 EQ High Frequency
9 EQ High Gain
0-127 0.00~39.7Hz
0-127
0-127
0-5 L<->R, L->R, L<-R,
Lturn, Rturn, L/R
8-40 50Hz~2.0kHz
52-76 -12~+12dB
28-58 500Hz~16.0kHz
52-76 -12~+12dB
1 LFO Frequency
2 LFO Depth
3 Phase Shift Offset
4 Feedback Level
6 EQ Low Frequency
7 EQ Low Gain
8 EQ High Frequency
9 EQ High Gain
10* Dry/Wet
11 Stage
0-127 0.00~39.7Hz
0-127
0-127
1-127 -63~+63
8-40 50Hz~2.0kHz
52-76 -12~+12dB
28-58 500Hz~16.0kHz
52-76 -12~+12dB
1-127 D63>W ~ D=W ~ D<W63
6-10
1 Drive
2 EQ Low Frequency
3 EQ Low Gain
4 LPF Cutoff
5 Output Level
7 EQ Mid Frequency
8 EQ Mid Gain
9 EQ Mid Width
10* Dry/Wet
11 Edge(Clip Curve)
0-127
8-40 50Hz~2.0kHz
52-76 -12~+12dB
34-60 1.0k~Thru
0-127
28-54 500Hz~10.0kHz
52-76 -12~+12dB
10-120 1.0~12.0
1-127 D63>W ~ D=W ~ D<W63
0-127 0:Mild ~ 127:Sharp
4B AMP
SIMULATOR
4C
4D
4E
3-BAND EQ
2-BAND EQ
AUTO WAH
1 Drive
2 AMP Type
3 LPF Cutoff
4 Output Level
10* Dry/Wet
11 Edge(Clip Curve)
0-127
0-3 Off,Stack,Combo,Tube
34-60 1.0k~Thru
0-127
1-127 D63>W ~ D=W ~ D<W63
0-127 0:Mild ~ 127:Sharp
1 EQ Low Gain
2 EQ Mid Frequency
3 EQ Mid Gain
4 EQ Mid Width
5 EQ High Gain
6 EQ Low Frequency
7 EQ High Frequency
52-76 -12~+12dB
28-54 500Hz~10.0kHz
52-76 -12~+12dB
10-120 1.0~12.0
52-76 -12~+12dB
8-40 50Hz~2.0kHz
28-58 500Hz~16.0kHz
1 EQ Low Frequency
2 EQ Low Gain
3 EQ High Frequency
4 EQ High Gain
8-40 50Hz~2.0kHz
52-76 -12~+12dB
28-58 500Hz~16.0kHz
52-76 -12~+12dB
1 LFO Frequency
2 LFO Depth
3 Cutoff Frequency Offset
4 Resonance
6 EQ Low Frequency
7 EQ Low Gain
8 EQ High Frequency
9 EQ High Gain
10* Dry/Wet
0-127 0.00~39.7Hz
0-127
0-127 50Hz~14.0kHz
10-120 1.0~12.0
8-40 50Hz~2.0kHz
52-76 -12~+12dB
28-58 500Hz~16.0kHz
52-76 -12~+12dB
1-127 D63>W ~ D=W ~ D<W63
■
GM System Level 1
The existing MIDI protocol allows performance and other data to be transferred between different instruments, even if they are from different manufacturers.
This means, for example, that sequence data that was originally created to control a tone generator from manufacturer A can also be used to control a different tone generator from manufacturer B. Since the voice allocation in different devices from different manufacturers is usually different, however, appropriate program change data must be transmitted to select the right voices.
The General MIDI protocol was developed to minimize confusion and the need for re-programming when playing software created by one MIDI device on another. This has been achieved by defining a standard voice allocation in which the same or similar voices are accessed by the same program change numbers or
MIDI channels. The current standard recognized by the
International MIDI Association is known as “GM System
Level 1.” The PSR-A3 voice allocation complies with the GM System Level 1 standard.
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SPECIAL MESSAGE SECTION
This product utilizes batteries or an external power supply (adapter).
DO NOT connect this product to any power supply or adapter other than one described in the manual, on the name plate, or specifically recommended by Yamaha.
This product should be used only with the components supplied or; a cart, rack, or stand that is recommended by Yamaha. If a cart, etc., is used, please observe all safety markings and instructions that accompany the accessory product.
SPECIFICATIONS SUBJECT TO CHANGE:
The information contained in this manual is believed to be correct at the time of printing. However, Yamaha reserves the right to change or modify any of the specifications without notice or obligation to update existing units.
This product, either alone or in combination with an amplifier and headphones or speaker/s, may be capable of producing sound levels that could cause permanent hearing loss. DO NOT operate for long periods of time at a high volume level or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should consult an audiologist.
IMPORTANT: The louder the sound, the shorter the time period before damage occurs.
NOTICE:
Service charges incurred due to a lack of knowledge relating to how a function or effect works (when the unit is operating as designed) are not covered by the manufacturer’s warranty, and are therefore the owners responsibility. Please study this manual carefully and consult your dealer before requesting service.
battery is approximately five years. When replacement becomes necessary, contact a qualified service representative to perform the replacement.
This product may also use “household” type batteries. Some of these may be rechargeable. Make sure that the battery being charged is a rechargeable type and that the charger is intended for the battery being charged.
When installing batteries, do not mix batteries with new, or with batteries of a different type. Batteries MUST be installed correctly. Mismatches or incorrect installation may result in overheating and battery case rupture.
Warning:
Do not attempt to disassemble, or incinerate any battery. Keep all batteries away from children. Dispose of used batteries promptly and as regulated by the laws in your area. Note: Check with any retailer of household type batteries in your area for battery disposal information.
Disposal Notice:
Should this product become damaged beyond repair, or for some reason its useful life is considered to be at an end, please observe all local, state, and federal regulations that relate to the disposal of products that contain lead, batteries, plastics, etc. If your dealer is unable to assist you, please contact Yamaha directly.
NAME PLATE LOCATION:
The name plate is located on the bottom of the product. The model number, serial number, power requirements, etc., are located on this plate. You should record the model number, serial number, and the date of purchase in the spaces provided below and retain this manual as a permanent record of your purchase.
ENVIRONMENTAL ISSUES:
Yamaha strives to produce products that are both user safe and environmentally friendly. We sincerely believe that our products and the production methods used to produce them, meet these goals. In keeping with both the letter and the spirit of the law, we want you to be aware of the following:
Battery Notice:
This product MAY contain a small non-rechargeable battery which (if applicable) is soldered in place. The average life span of this type of
Model
Serial No.
Purchase Date
PLEASE KEEP THIS MANUAL
92-BP
FCC INFORMATION (U.S.A.)
1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!
This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product.
2. IMPORTANT: When connecting this product to accessories and/ or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA.
regulations does not guarantee that interference will not occur in all installations. If this product is found to be the source of interference, which can be determined by turning the unit “OFF” and
“ON”, please try to eliminate the problem by using one of the following measures:
Relocate either this product or the device that is being affected by the interference.
Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line filter/s.
In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to co-axial type cable.
3. NOTE: This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class “B” digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices. This equipment generates/uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may cause interference harmful to the operation of other electronic devices. Compliance with FCC
If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service Division, 6600 Orangethorpe Ave, Buena Park, CA90620
The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries.
* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA.
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