Dateq BCS50 User manual


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U

SER MANUAL

2 Safety instructions DATEQ BCS50 user manual EN

2

3

4

Safety instructions

1 All safety instructions, warnings and operating instructions must be read first.

All warnings on the equipment must be heeded.

The operating instructions must be followed.

Keep the operating instructions for future reference.

5

6

7

8

The equipment may never be used in the immediate vicinity of water; make sure that water and damp cannot get into the equipment.

The equipment may only be installed or fitted in accordance with the manufacturers recommendations.

The equipment must be installed or fitted such that good ventilation is not obstructed in any way.

The equipment may never be installed in the immediate vicinity of sources of heat, such as parts of heating units, boilers, and other equipment which generates heat

(including amplifiers).

9 Connect the equipment to a power supply of the correct voltage, using only the cables recommended by the manufacturer, as specified in the operating instructions and/or shown on the connection side of the equipment.

10 The equipment may only be connected to a legally approved earthened mains power supply.

11 The power cable or power cord must be positioned such that it cannot be walked on in normal use, and objects which might damage the cable or cord cannot be placed on it or against it. Special attention must be paid to the point at which the cable is attached to the equipment and where the cable is connected to the power supply.

12 Ensure that foreign objects and liquids cannot get into the equipment.

13 The equipment must be cleaned using the method recommended by the manufacturer.

14 If the equipment is not being used for a prolonged period, the power cable or power cord should be disconnected from the power supply.

15 In all cases where there is a risk, following an incident, that the equipment could be unsafe, such as:

• if the power cable or power cord has been damaged

• if foreign objects or liquids (including water) have entered the equipment

• if the equipment has suffered a fall or the casing has been damaged

• if a change in the performance of the equipment is noticed it must be checked by appropriately qualified technical staff.

16 The user may not carry out any work on the equipment other than that specified in the operating instructions.

EN DATEQ BCS50 user manual Introduction 3

Introduction

The DATEQ BCS50 mixer-series is especially developed to be used in a broadcastenvironment. The large number of built-in automations makes this mixer ideally suited in any self-supporting studio.

Frame

The BCS50 mixer is a modular system existing of a frame, a master module and free to choose input-modules. The frame can contain up to 16 input modules and a master module.

The power-supply is built into the frame.

Input modules

A large number of input modules is available:

Possible connections Type number

BCS51

BCS51E

BCS52

BCS52E

BCS52S

BCS52SE

BCS52N

BCS52NE

MIC

LINE

Microphone

Balanced mono line

As BCS51, but with three-way tone control

LINE 1 Unbalanced stereo line (RIAA optional)

LINE 2 Unbalanced stereo line

As BCS52, but with three-way tone control

LINE 1 Balanced stereo line

LINE 2 Balanced stereo line (RIAA optional)

As BCS52S, but with three-way tone control

LINE 1 Balanced stereo line

LINE 2 Balanced stereo line

As BCS52S, but with three-way tone control

BCS53

BCS53T

Telephone module with built-in analogue telephone hybrid

Telephone module to connect an external (digital) telephone hybrid

Connector type

XLR-F

XLR-F

XLR-F

XLR-F

2x 6.3mm jack

2x 6.3mm jack

2x XLR-F

2x 6.3mm jack

1x XLR

1x XLR-M

SUB-D-15

The position and the number of modules is variable. The only limitation is the number of analogue telephone hybrids that can be used simultaneously (maximum 2 or 3, depending on the quality of the subscriber line).

When digital telephone hybrids are used more than 2 lines can be on the air simultaneously.

This is because digital hybrids have a better trans-hybrid attenuation.

Mastermodule

The BCS50 mastermodule has all the mix,- and output amplifiers and various volumecontrols. This module is placed at the most right position in the frame.

Meterbridges

The BCS50 meterbridge can house the following readouts:

BCS121: DCF77 atomic-clock/ timer/ stopwatch

Analogue moving-coil meter, or 2x 50 segment digital horizontal LED VU meter with peak indicator

BCS68: dual 2x 30 segment digital vertical LED VU meter with peak indicator

4 Introduction DATEQ BCS50 user manual EN

Outputs

PGM (program) output

The PGM-output is the main-output of the mixer. All channels with the PGM-switch pushed feed their signal to the PGM-buss. The PGM-signal is available on three XLRconnectors: mono, left and right. All these outputs are electronically balanced. Besides these outputs the BCS50 has three unbalanced PGM-outputs on 6.3mm stereo jacks

(PGM1/PGM2/PGM3). These connectors can be used link to other equipment located inside the studio, like amplifiers etc.

AUD (audition) output

All modules with the AUD-switch pressed will be audible on the AUD-output. The AUDoutput can for example be used to connect to various recorders. The AUD-volume control on the master will adjust the overall audition-volume. The unbalanced AUD-output is available on a 6.3mm stereo jack.

AUX (auxiliary) output

The auxiliary output can be used for a director-link. All channels can feed their signal to the AUX-buss. With an internal PRE/POST-jumper the signals source can be switched to pre-fader (independent of the fader) or post-fader (signals volume is dependent of the fader). The master-modules AUX-volume controls the overall AUX-level. The unbalanced

AUX-output is available on a 6.3mm stereo jack.

The AUX-buss may also be used to connect effect-equipment. The effect-return signal can be inserted at any normal input-module. You will have to turn off the AUX-switch at this channel to prevent a feed-back!

CR (control room) output

At this output the amplifier for the technical-room can be connected. The selection switches on the master determine the signal-source that will be heard on this output. All sources can be monitored.

This output can be muted automatically when a microphone in the technical-room is active to prevent an acoustical feedback.

STUDIO output

Connect the amplifier for the presentation-room here. This output can have the same signal as the CR output. It is also possible to switch to the AIR or the PGM signal.

ON-AIR 1 and 2 outputs

External ON-AIR indicators (like the DATEQ OA-1) can be connected to the ON-AIRoutputs. These two outputs are freely programmable with jumpers on the input modules.

When ON-AIR1 is activated the studio output is muted. When all the microphones in the studio are switched to ON-AIR1 an acoustical feedback will be prevented!

ANNOUNCER

The announcers headphones can be connected here. When the technician pushes the

TALK-button he will be audible on this output, otherwise the program signal or the CR signal (depending on the CR-switch on the master) can be heard.

EN DATEQ BCS50 user manual Introduction 5

GUEST

The guests headphones can be connected here. This output contains the PGM-signal, except when the PGM/TALKBACK switch on the master is pressed; then the output has the same signal as the ANNOUNCER-output. The guests will also hear the technician when he presses the TALK-button.

By switching the PGM/TALKBACK to PGM the guests will not become confused when the technician uses the TALK button.

Inputs

AIR/ SPARE1/ SPARE2 inputs

The AIR signal is to be used to connect the program-signal after it has gone all the way from the studio to the listener, for example with a tuner. At the SPARE inputs the processed studio signal can be returned, or the signal of a secondary studio can be connected. Keep in mind that these inputs are not electronically isolated.

When using a tuner connected to a cable-network earth-loops are created. To prevent earth-loops an isolation-transformer can be used in the audio-wires, or at the RFconnector.

TALKBACK IN

The external talkback-input can be used to connect a (to line-level amplified) directormicrophone. When the contact is made this microphone is routed to the PFL-buss, and the CR signal will automatically switch to PFL, so that everyone listening to the CR will hear the director. When the announcer must hear the director, the CR-switch on the master has to be pressed.

POWER

Mains input (115 or 230 VAC; internally selectable, 100 Watts).

DCF-ANT

Input for the active aerial supplied with the BCS121 clock-timer.

Product support

When you have any questions about the BCS50, or other DATEQ products please contact:

Dateq Audio Technologies B.V.

De Paal 37

1351 JG Almere

The Netherlands

Telephone: +31 36 54 72 222

Fax: +31 36 53 17 776

E-mail: [email protected]

Internet: www.dateq.nl

6 Mounting DATEQ BCS50 user manual EN

Mounting

The BCS50 frame will fit into an opening of 965 x 500 x 75mm (W x L x D). See the drawings below.

75

500

BCS50 Frame

145

145

500

965

EN DATEQ BCS50 user manual BCS51 MIC/ LINE module 7

BCS51 Microphone/ mono line module

To a BCS51 module a microphone and a balanced mono line-source can be connected. The module has the possibility to supply the microphone with a phantompower (48V), this makes it possible to use condenser microphones. There are BCS51 modules with (BCS51E) and without three-way tone control (BCS51).

BCS51

20

15

MIC

LINE

1 2 9

INPUT

6

GAIN

0

3

30

-40 oo +6

3

4

5

-1

2

3

4

5

-1

3

2

4

5

2

20 Hz

80 Hz

-1

0 lowcut

+1

HIGH

2

0

4

3

+1

5

MID

2

0

3

4

5

+1

LOW

2

5

4

3

MIC/

LINE

GAIN

Input selector. When the switch is pressed the line-input is activated and the LED illuminates.

LOWCUT Switches the crossover frequency of the high-pass filter between

20 and 80Hz.

HIGH High tone control. (BCS51E)

MID

LOW

Combined input-sensitivity control.

Middle tone control. (BCS51E)

Low tone control. (BCS51E)

AUX

AUD

PGM

2

L1

0

1R

PAN

2

3

4

5 5

4

3

PFL overload

AUX

AUD

PGM

PAN

Routes the signal to the AUX-buss.

Routes the signal to the AUD-buss.

Routes the signal to the PGM-buss.

Panorama control. Places the mono-sound in the stereo image.

OVERL.

This LED illuminates when the signal in the module is too high, and in danger of becoming distorted.

PFL Pre-Fader Listening. By pressing this switch the signal will be audible on the head-phones.

ON Switch to activate the module. When the ON-lamp lights up the signal can be heard on the selected busses (AUX, AUD, PGM).

When faderstart is configured the lamp will automatically light up when the fader is opened.

When the module is activated the PFL function will reset.

-6

-9

-12

+6

+3

0

-3

-15

-20

FADER With the fader the signal-level can be controlled. The nominal level is 0dB.

-30

-40

-50

-60

8 connecting the BCS51(E) module

Connecting the BCS51(E)

DATEQ BCS50 user manual EN

At the BCS51(E) connectorboard four connectors can be found:

Name Type In/ Out Description

In & Out ‘Microphone on’ indicator and cough-talkback button CTRL 6.3mm stereo jack

MIC

LINE

XLR-F

XLR-F

INSERT 6.3mm stereo jack

In

In

In & Out

Microphone input

Line input

Insert: possibility to connect effect-equipment (delays, echo etc.) ring tip

CTRL lamp Mute

MIC

MIC

1= GND

2= R/+

3= L/-

Line ring tip

Insert return

Insert send

LINE

INSERT

S= GND

R= RET.

T= SEND gnd

B C S 5 0

Technical description

CTRL

Talkback logical input: 15V, 100kOhm; pulldown. Lamp power: 12Vdc, 1W max

This connector has two functions: connection a module-on indicator (for example a little lamp near to the active microphone) and a logical input for a cough-button. When the microphone is active and the button is pressed the microphone will be muted immediately. At the same time the module will switch to PFL, so that the microphone can be heard by the technician. These functions are only available when the microphone-input is active.

MIC

Input level: -60 ... -14 dBm, Impedance: 300 Ohm

Microphone input. With an internal jumper the phantompower can de enabled or disabled. When the phantompower is switched on condenser microphones can be used. By default the phantompower is switched on. When no condenser microphone is used it is better to disable the phantompower.

LINE

Input level: -14 ... +26 dBm, Impedance: 10 kOhm

Balanced mono line-input. This can be used for a (mono) location-receiver. When equipment with unbalanced outputs are being used the signal must be applied to pin

2(+). Pin 1(gnd) and pin 3(-) must be connected to ground.

INSERT

Level: 0dBm, Impedance 10 kOhm

Effect equipment, like compressors or delays, can be connected to the insert in,- and output. The effect equipment is active on the microphone and on the line-input.

EN DATEQ BCS50 user manual BCS51(E) general

LowCut

The built-in LowCut crossover frequency is switchable between 20Hz and 80Hz. The filters slope is 12dB/octave. This filter is to prevent annoying blobs from a microphone.

Tone control

Tone control is only available on a BCS51E module. The crossover frequencies are:

HIGH: +/-12dB shelving @ 12 kHz

MID: +/- 12dB bell @ 1.5 kHz

LOW: +/- 16dB shelving @ 60 Hz

Jumper settings

With the internal jumpers various settings/ automations can be enabled or disabled. The drawing below shows a PCB with the jumpers marked grey. In the table the functions are described.

2

9

1

3

6

4

5

Jumper name

CUE (1)

Possibilities

FADER (D)

SWITCH

AUX (2)

ON-AIR (3)

MSTR (4)

DJ (5)

POST (D)

PRE

OFF

ON-AIR1 (D)

ON-AIR2

ON (D)

OFF

ON

PHANTOM (6)

OFF (D)

ON (D)

OFF

Description

The channel is activated when the fader is opened.

The channel is activated when the ON-key is pressed. When the fader is opened and the ON-lamp does not light up no audio will be fed through.

The after-fader signal is routed to the AUX-buss. Both jumpers (P6 and P7) have to be in the same position!

The pre-fader signal is routed to the AUX-buss. Both jumpers (P6 and

P7) have to be in the same position!

No ON-AIR outputs will be activated when the channel is switched on.

When the channel is switched on ON-AIR1 will be activated. The studio output will be muted to prevent an acoustical feedback.

When the channel is switched on ON-AIR2 will be activated.

When the PFL-switch is pressed the CR will switch automatically to

PFL. This makes the signal directly audible for the technician.

The signal is mixed to the PFL-buss, but the CR-selector will not automatically switch to PFL.

When the module is activated all PFL-buttons will reset and the CR output will be muted to prevent an acoustical feedback with the DJmicrophone. It is also possible to let the CR-selector switch to AIR or

PGM. This will be explained on page 29.

This function is disabled.

The phantompower (48V) is applied to the microphone-input. This is necessary when using condenser microphones. Check your microphones manual for more details.

The phantompower is disabled.

(D) indicates the default setting

10 BCS51(E) blockdiagram

Blockdiagram BCS51(E)

DJ-PFL

ONAIR2

MR-PFL

ONAIR1

PFLRESET

PFL-RTN

PGM-RTN

PFL-R

PFL-L

AUX-R

AUX-L

AUD-L

AUD-R

PGM-L

PGM-R

DATEQ BCS50 user manual EN

M I C L I NE

EN DATEQ BCS50 user manual BCS52 dual stereo line module 11

BCS52 dual stereo line module

To a BCS52 module two stereo line-sources can be connected. BCS modules are available with (BCS52E) and without three way tone control (BCS52). A normal BCS52(E) module has two unbalanced stereo line inputs. BCS52S(E) and BCS52N(E) modules have two balanced stereo line inputs.

BCS52

LINE 1

LINE 2

1 2 9

20

15

INPUT

6

GAIN

0

3

30

-40 oo +6

MONO

2

3

4

-1

2

3

4

5

-1

2

3

4

5

-1

5

0

+1

HIGH

2

0

4

3

+1

5

MID

2

0

3

4

5

+1

LOW

2

4

3

5

LINE 1/ Input source selector. When the switch is pressed line2 will

LINE 2 be activated and the LED will be illuminated.

GAIN

MONO

HIGH

MID

LOW

Combined input-sensitivity control.

When the switch is pressed the left and the right signal will be combined to a mono format.

High tone control. (BCS52E, BCS52SE, BCS52NE)

Mid tone control. (BCS52E, BCS52SE, BCS52NE)

Low tone control. (BCS52E, BCS52SE, BCS52NE)

AUX

AUD

PGM

2

3

4

5

L1

0

1R

BAL

2

5

4

3

PFL overload

AUX

AUD

PGM

BAL

Routes the signal to the AUX-buss.

Routes the signal to the AUD-buss.

Routes the signal to the PGM-buss.

Balance control. Determines the left/ right ratio of the signal.

OVERL.

This LED illuminates when the signal in the module is too high, and in danger of becoming distorted.

PFL Pre-Fader Listening. By pressing this switch the signal will be audible on the head-phones.

ON Switch to activate the module. When the ON-lamp lights up the signal can be heard on the selected busses (AUX, AUD, PGM).

When faderstart is configured the lamp will automatically light up when the fader is opened.

When the module is activated the PFL function will reset.

+6

+3

0

-3

-6

-9

-12

-15

-20

FADER With the fader the signal-level can be controlled. The nominal level is 0dB.

-30

-40

-50

-60

12 Connecting the BCS52(E) module

Connecting the BCS52(E)

DATEQ BCS50 user manual EN

At the BCS52(E) connectorboard four connectors can be found:

Name Type In/ Out Description

CTRL In & Out Channel on indicator and PFL input

LINE 1

LINE 2

CUE

6.3mm stereo jack

XLR-F

XLR-F

6.3mm stereo jack

In

In

Out

Stereo line 1 input

Stereo line 2 input

Start/ stop output ring tip

CTRL

Channel on lamp

External PFL

LINE 1

LINE 2

CUE

S= com

R= stop

T= start

1= GND

2= R

3= L

Line 1:

Pen 1: GND

Pen 2: Right

Pen 3: Left

Line 2

Pen 1: GND

Pen 2: Right

Pen 3: Left ring tip

Stop

Start

Common

BCS50

Technical description

CTRL

Ext. PFL logical input: 15V, 100kOhm; pulldown. Lamp power: 12Vdc, 1W max

This connector has two functions: connecting an external module-on indicator and a logical input for an external PFL switch. When this input is pulled low (with an optocoupler for example) the channel will switch the PFL on. These functions are only available when line 1 is active.

With the external PFL it is possible to switch the channel to PFL automatically when the

PLAY-button of the connected device is pressed. The device can be started with the start-output when the module is activated.

LINE 1/ LINE2

Input level: -14 ... +20 dBm, Impedance: 10 kOhm

Connection for unbalanced stereo line inputs. With an optional RIAA add-on PCB it is possible to connect a record player.

CUE

Maximum ratings: 24Vdc, 10mA

Opto-coupler outputs to start and stop the connected equipment. As a maximum

24Vdc, or 10mA current may be switched. The outputs are active continuously (not pulsed). This function is only available when line 1 is selected.

EN DATEQ BCS50 user manual

Connecting the BCS52S(E)

Connecting the BCS52S(E) 13

At the BCS52S(E) connectorboard eight connectors can be found. Each input has four jack connectors:

Name Type In/ Out Description

CTRL In & Out Channel on indicator and PFL input

RIGHT

LEFT

CUE

6.3mm stereo jack

6.3mm stereo jack

6.3mm stereo jack

6.3mm stereo jack

In

In

Out

Balanced right line input

Balanced left line input

Start/ stop output ring tip

Channel on lamp

External PFL

LINE 1 LINE 2

CTRL CTRL ring tip

- input

+ input

RIGHT RIGHT ring tip

GND

Stop

Start

LEFT LEFT

Common

CUE CUE

Technical description

CTRL

Ext. PFL logical input: 15V, 100kOhm; pulldown. Lamp power: 12Vdc, 1W max

This connector has two functions: connecting an external module-on indicator and a logical input for an external PFL switch. When this input is pulled low (with an optocoupler for example) the channel will switch the PFL on. This function is available for line 1 and line 2.

LEFT/ RIGHT

Input level: -14 ... +20 dBm, Impedance: 10 kOhm

Connection for balanced stereo line inputs. With an optional RIAA add-on PCB it is possible to connect a record player.

CUE

Maximum ratings: 24Vdc, 10mA

Opto-coupler outputs to start and stop the connected equipment. As a maximum

24Vdc, or 10mA current may be switched. The outputs are switchable between continue and pulse. This function is available for line 1 and line 2.

14 Connecting the BCS52N(E)

Connecting the BCS52N(E)

DATEQ BCS50 user manual EN

At the BCS52N(E) connectorboard six connectors can be found:

Name Type In/ Out Description

CTRL In & Out Channel on indicator and PFL input

LINE 1

LINE 2

CUE

6.3mm stereo jack

XLR-F

6.3mm stereo jack

6.3mm stereo jack

In

In

Out

Balanced line 1 inputs

Balanced line 2 inputs

Start/ stop output ring tip

Channel on lamp

External PFL

CTRL CUE ring tip

Stop

Start

Common

LINE 1

Line 1:

Pen 1: GND

Pen 2: + input

Pen 3: - input ring tip

- input

+ input

L

BCS50

LINE 2 R

Common

Technical description

CTRL

Ext. PFL logical input: 15V, 100kOhm; pulldown. Lamp power: 12Vdc, 1W max

This connector has two functions: connecting an external module-on indicator and a logical input for an external PFL switch. When this input is pulled low (with an optocoupler for example) the channel will switch the PFL on. This connector is only active when line 1 is selected.

LINE 1

Input level: -14 ... +20 dBm, Impedance: 10 kOhm

Connections for a balanced stereo line input on XLR connectors.

LINE 2

Input level: -14 ... +20 dBm, Impedance: 10 kOhm

Connections for a balanced stereo line inputs on 6.3mm stereo jack connectors.

CUE

Maximum ratings: 24Vdc, 10mA

Opto-coupler outputs to start and stop the connected equipment. As a maximum

24Vdc, or 10mA current may be switched. The outputs are switchable between continue and pulse. This function is only available when line 1 is selected.

EN DATEQ BCS50 user manual BCS52 general 15

Tone control

Tone control is only available on BCS52(S)(N)E modules. The crossover frequencies are:

HIGH: +/-12dB shelving @ 12 kHz

MID: +/- 12dB bell @ 1.3 kHz

LOW: +/- 16dB shelving @ 30 Hz

Jumper settings

With the internal jumpers various settings/ automations can be enabled or disabled. The drawing below shows a BCS52 PCB with the jumpers marked grey that appear in all

BCS52(S)(N) modules. The module-type specific jumpers are showed on the next pages.

1

Jumper name

AUX (1)

ON-AIR (2)

MSTR (3)

Possibilities

POST (D)

PRE

OFF (D)

ON-AIR1

ON-AIR2

ON (D)

OFF

3

2

Description

The after-fader signal is routed to the AUX-buss. All three jumpers

(P8, P9 and P14) have to be in the same position!

The pre-fader signal is routed to the AUX-buss. All three jumpers (P8,

P9 and P14) have to be in the same position!

No ON-AIR outputs will be activated when the channel is switched on.

When the channel is switched on ON-AIR1 will be activated. The studio output will be muted to prevent an acoustical feedback.

When the channel is switched on ON-AIR2 will be activated.

When the PFL-switch is pressed the CR will switch automatically to

PFL. This makes the signal directly audible for the technician.

The signal is mixed to the PFL-buss, but the CR-selector will not automatically switch to PFL.

(D) indicates the default setting

16 BCS52 settings

BCS52 settings

DATEQ BCS50 user manual EN

1

2

Jumper name

LINE/

RIAA (1)

START (2)

Possibilities

LINE

RIAA

FADER (D)

SWITCH

Description

Both jumpers must be in this position when the RIAA option is not installed.

Both jumpers must be in this position when the RIAA option is installed.

The channel is activated when the fader is opened.

The channel is activated when the ON-key is pressed. When the fader is opened and the ON-lamp does not light up no audio will be fed through.

(D) indicates the default setting

BCS52S settings

2

1

1

Jumper name

CUE (1)

START (2)

Possibilities

CONTINU (D)

PULSE

FADER (D)

SWITCH

Description

After the module has started or stopped the start or stop outputs remains active. (P21 controls line 1 and P22 controls line 2)

The start and stop output generate a pulse (500mSec) when the module is started or stopped. (P21 controls line 1 and P22 controls line 2)

The channel is activated when the fader is opened.

The channel is activated when the ON-key is pressed. When the fader is opened and the ON-lamp does not light up no audio will be fed through.

(D) indicates the default setting

EN DATEQ BCS50 user manual

BCS52N settings

BCS52 settings 17

1

1

2

Jumper name

CUE (1)

Possibilities

CONT. (D)

PULS

START (2) FADER (D)

SWITCH

Description

After the module has started or stopped the start or stop outputs remains active. (J1 controls line 1 and J2 controls line 2)

The start and stop output generate a pulse (500mSec) when the module is started or stopped. (J1 controls line 1 and J2 controls line

2)

The channel is activated when the fader is opened.

The channel is activated when the ON-key is pressed. When the fader is opened and the ON-lamp does not light up no audio will be fed through.

(D) indicates the default setting

18 BCS52 blockdiagrams

Blockdiagram BCS52(E)

ONAIR1

ONAIR2

MR-PFL

DJ-PFL

PFLRESET

AUX-R

AUX-L

PFL-R

PFL-L

AUD-L

AUD-R

PGM-L

PGM-R

PFL-RTN

PGM-RTN

DATEQ BCS50 user manual EN

LINE1 LINE2

EN DATEQ BCS50 user manual

Blockdiagram BCS52S(E)

ONAIR1

ONAIR2

MR-PFL

DJ-PFL

PFLRESET

PFL-RTN

PGM-RTN

AUX-R

AUX-L

AUD-L

AUD-R

PFL-R

PFL-L

PGM-L

PGM-R

BCS52 blockdiagrams 19

E >2 1 <LIN

20 BCS52 blockdiagrams

Blockdiagram BCS52N(E)

ONAIR1

ONAIR2

MR-PFL

DJ-PFL

PFLRESET

PFL-RTN

PGM-RTN

AUX-R

AUX-L

PFL-R

PFL-L

AUD-L

AUD-R

PGM-L

PGM-R

AUD-RTN

DATEQ BCS50 user manual EN

EN DATEQ BCS50 user manual BCS53 telephone modules 21

BCS53 Telephone modules

An analogue subscriber line can be directly connected to a BCS53 module. This module has a built-in analogue hybrid. When more than two BCS53 modules are on air simultaneously the program-signal will get coloured. It is possible to have more than two lines off-hook when they are not on-air. When more than two phone-lines must be on-air simultaneously the

BCS53T modules in combination with a digital hybrid should be used.

BCS53

9

6

-15 ringer

+6

3

GAIN

0

GAIN Input-sensitivity control. When the gain is turned CW the incoming signal will be amplified and the return signal will be attenuated.

RINGER The LED flashes on an incoming call.

3

2

4

5

-1

0

ADJUST

1+

2

3

4

5

TELEPHONE ON

ADJUST R-balance adjust for tuning the internal hybrid for minimal return signal. This control has to be adjusted so that a minimum of sound coloration will occur during the telephone conversation.

TEL. ON By pressing the button the phone-line will go on,- or off-hook.

AUX

AUD

PGM

L1

3

2

4

5

0

1R

PAN

2

3

4

5

PFL overload

+6

+3

0

-3

-6

-9

-12

-15

-20

AUX

AUD

PGM

PAN Panorama control. Places the mono-sound in the stereo image.

OVERL.

This LED illuminates when the signal in the module is too high, and in danger of becoming distorted.

PFL Pre-Fader Listening. By pressing this switch the signal will be audible on the head-phones. The hybrid will automatically go offhook.

ON Switch to activate the module. When the ON-lamp lights up the signal can be heard on the selected busses (AUX, AUD, PGM).

When faderstart is configured the lamp will automatically light up when the fader is opened.

When the module is activated the PFL function will reset.

FADER

Routes the signal to the AUX-buss.

Routes the signal to the AUD-buss.

Routes the signal to the PGM-buss.

With the fader the signal-level can be controlled. The nominal level is 0dB.

-30

-40

-50

-60

22 BCS53 telephone modules DATEQ BCS50 user manual EN

To a BCS53T module an external digital (Telos) hybrid can be connected. A digital hybrid has a superior trans-hybrid loss than an analogue hybrid. The advantages are a better soundquality and the fact that more than two lines can be active at the same time. The exact amount of possible active lines depend on the quality of the subscriber lines and the transhybrid loss per module.

BCS53T

9

6

3

GAIN

0

GAIN

-15 +6

TELEPHONE

ON

Input sensitivity control. When the gain is turned clockwise the incoming signal will be amplified and the return signal will be attenuated.

TEL.

On and off switches to remote control the Telos hybrid.

ON/ OFF The lamps alternately blink on an incoming call.

OFF

AUX

AUD

PGM

L1

2

3

4

5

0

1R

PAN

2

4

3

5

PFL overload

+6

+3

0

-3

-6

-9

-12

-15

-20

AUX

AUD

PGM

PAN Panorama control. Places the mono-sound in the stereo image.

OVERL.

This LED illuminates when the signal in the module is too high, and in danger of becoming distorted.

PFL Pre-Fader Listening. By pressing this switch the signal will be audible on the head-phones. The hybrid will automatically go offhook.

ON Switch to activate the module. When the ON-lamp lights up the signal can be heard on the selected busses (AUX, AUD, PGM).

When faderstart is configured the lamp will automatically light up when the fader is opened.

When the module is activated the PFL function will reset.

FADER

Routes the signal to the AUX-buss.

Routes the signal to the AUD-buss.

Routes the signal to the PGM-buss.

With the fader the signal-level can be controlled. The nominal level is 0dB.

-30

-40

-50

-60

EN DATEQ BCS50 user manual

Connecting the BCS53

Connecting the BCS53 23

At the BCS53 connectorboard four connectors can be found:

Name Type In/ Out Description

Out Connector for a telephone active and a ringer indicator CTRL

TEL. LINE XLR-M

PHONE XLR-F

INSERT

6.3mm stereo jack

6.3mm stereo jack

In & out Subscriber line

In & out Connection for an additional phone

In & out Insert: possibility for effect equipment ring tip

Off-hook Ringer

S= gnd

R= lamp 2

T= lamp 1

CTRL

TEL. LINE

1= n.c.

2= a

3= b

TEL. Line:

Pen 1: -

Pen 2: Telephone A

Pen 3: Telephone B

PHONE

Pen 1: -

Pen 2: Telephone A

Pen 3: Telephone B ring tip

Insert return

Insert send

PHONE

INSERT

S= com

R= stop

T= start gnd

B C S 5 0

Technical description

CTRL

Ext. Off-hook and ringer active outputs. 12Vdc, 1W max

To connect a ringer and a telephone-line active indicator.

Multiple BCS53(T) ringer outputs can be linked together to combine the ringer active signal.

TEL. LINE

Default subscriber line: input level: -21 ... 0 dBm, Impedance: 600 Ohm

To connect the analogue subscriber line.

PHONE

Default subscriber line: input level: -21 ... 0 dBm, Impedance: 600 Ohm

To connect an additional phone. This can be used to dial a telephone number.

INSERT

Effect equipment can be connected to the insert connector.

Level: 0dBm, Impedance 10 kOhm

Filters:

Input filter: 300 Hz ... 3 kHz, 18dB/octave

Output filter: 300 Hz ... 3 kHz, 18dB/octave

24 Connecting the BCS53T

Connecting the BCS53T

DATEQ BCS50 user manual EN

At the BCS53T connectorboard three connectors can be found;

Name Type In/ Out Description

CTRL Out Connector for a telephone active and a ringer indicator

TELOS

INSERT

6.3mm stereo jack

SUB-D-15-M

6.3mm stereo jack

In & out

In & out

Connector for a Telos hybrid

Insert: possibility for effect equipment ring tip

Off-hook Ringer

S= gnd

R= ring

T= on

CTRL

TELOS

Connector for a (Telos) hybrid ring tip

Insert return

Insert send

INSERT

S= com

R= stop

T= start gnd

B C S 5 0

Technical description

CTRL

Ext. Off-hook and ringer active connector. 12Vdc, 1W max

To connect a ringer and a telephone-line active indicator. Multiple BCS53(T) ringer outputs can be linked together to combine the ringer active signal.

TELOS

A Telos hybrid should be connected here.

INSERT

Effect equipment can be connected to the insert connector.

Special Telos interface

Level: 0dBm, Impedance 10 kOhm

SUB-D-15 specifications

1 - output (return)

6

7

8

4

5

2

3

GND

- input (send) n.c.

Logical GND

9 + output (return)

10 GND

11 + input (send)

12 n.c.

OFF (on-hook) remote (opto-coupler) 13 ON (off-hook) remote (opto-coupler) n.c.

14 n.c.

Subscriber line 15 Subscriber line

EN DATEQ BCS50 user manual BCS53 settings 25

Jumper settings

The jumpers in a BCS53 and BCS53T module have the same functionality and the same position. That is why only the BCS53 PCB is shown below.

R302

U16

R89

U15

R68

C41

U3

1

C54

C33

C32

C12

C10

C43

C27

C28

C26

Q11

C24

R54

C25

Q10

U8

Q25

Q26

U7

R5

C46

C42

C47

R86

R84

R98

U6

R75

R76

R77

R51

R52

D23

C48

U9

R29

R33

C36

C20

R28

R25

C21

R30

C22

R31

R53

C17

R101

R38

P7

R32

3

R37

2

R34

R301

C301

P6

R35

P13

D27

4

Q13

R39

D3

D2

D1

R16

C15

C14

Z3

D20

R48

C1

5

C4

R20

R19

C2

Jumper name

CUE (1)

Possibilities

FADER (D)

SWITCH

AUX (2)

ON-AIR (3)

MSTR (4)

DJ (5)

POST (D)

PRE

OFF (D)

ON-AIR1

ON-AIR2

ON (D)

OFF

ON

OFF (D)

Description

The channel is activated when the fader is opened.

The channel is activated when the ON-key is pressed. When the fader is opened and the ON-lamp does not light up no audio will be fed through.

The after-fader signal is routed to the AUX-buss. Both jumpers (P6 and P7) have to be in the same position!

The pre-fader signal is routed to the AUX-buss. Both jumpers (P6 and

P7) have to be in the same position!

No ON-AIR outputs will be activated when the channel is switched on.

When the channel is switched on ON-AIR1 will be activated. The studio output will be muted to prevent an acoustical feedback.

When the channel is switched on ON-AIR2 will be activated.

When the PFL-switch is pressed the CR will switch automatically to

PFL. This makes the signal directly audible for the technician.

The signal is mixed to the PFL-buss, but the CR-selector will not automatically switch to PFL.

When the module is activated all PFL-buttons will reset and the CR output will be muted to prevent from an acoustical feedback with the

DJ-microphone. It is also possible to let the CR-selector switch to AIR or PGM. This will be explained later.

This function is disabled.

(D) indicates the default setting

26 BCS53 blockdiagram

Blockdiagram BCS53

PFL-RTN

PGM-RTN

AUD-L

AUD-R

AUX-R

AUX-L

PFL-R

PFL-L

PGM-L

PGM-R

ONAIR1

ONAIR2

MR-PFL

DJ-PFL

PFLRESET

DATEQ BCS50 user manual EN

2

3

1

EN DATEQ BCS50 user manual

Blockdiagram BCS53T

MR-PFL

DJ-PFL

ONAIR2

ONAIR1

PFLRESET

PFL-RTN

PGM-RTN

PGM-L

PGM-R

AUD-L

AUD-R

AUX-R

AUX-L

PFL-R

PFL-L

BCS53T blockdiagrams 27

28 BCS58 Master DATEQ BCS50 user manual EN

BCS50

AUX

METER

Outputlevel control for the AUX-signal

Sends the PGM or the

C.R. Signal to the VU-meter

AUD

AIR

...

PGM

C.R.

MUTE LED illuminates when the C.R. output is muted

(DJ mic. active)

T.B. MIC

Outputlevel control for the AUD-signal

CR-selector. Select the source to be monitored in the C.R.

Outputlevel control for the C.R.

Talkback microphone for the technician

20

15

1 2 9

30

-40 oo +6

6

AUX

0

3

4

2

3

1

0

5

6

GUEST

7

10

9

8

PGM

C.R.

20

15

1 2

9

30

-40 oo

AIR

6

+6

METER

AUD

0

3

3

2

1

0

4

3

2

1

0

PGM

T.B.

5

4

5

SPARE1

SPARE2

PGM

AIR

PFL

C.R.

6

ANN.

7

8

10

9

6

STUDIO

7

10

9

8

AUX

AUD

PGM

AUTOPFL

AIR

PGM

5

4

2

3

1

0

6

C.R.

7

10

9

8

+

2

3

1

0

4

PFL

5

6

PFL

7

10

9

8

MUTE overload

T.B. MIC TALK

GUEST Volumecontrol for the

GUEST headphones

PGM/TB Source selector for the

GUEST headphones

ANN.

Volumecontrol for the

ANNOUNCER headphones

STUDIO Volumecontrol for the

STUDIO output

PGM/AIR Source selector for the

STUDIO and the ANNOUNCER outputs

C.R.

When the switch is pressed the

STUDIO and the ANNOUNCER output follow the C.R. signal

PGM/AIR The C.R. automatically listens to

PGM or AIR when the DJ-microphone is active

+PFL When PFL is activated the PGM or

AIR signal can be monitored in the background (-20dB)

PFL Volumecontrol for the headphones overload LED illuminates when the PGM signal in the master is overloaded

TALK Talkback button

PHONES PHONES Headphones connector

EN DATEQ BCS50 user manual BCS58 master 29

Operation of the BCS50 master

AUX This control adjusts the volume of the signal on the AUX-output.

METER The VU-meter has the possibility to monitor the PGM signal, but it is also possible to monitor the C.R. signal. All available signals in the BCS50 can be monitored. This makes it possible to monitor the PFL signal of a channel so that the gain-setting can be tuned (0dB is the nominal level).

AUD This control adjusts the volume of the signal on the AUD-output.

C.R.

SEL.

The C.R. selector selects the source that can be heard on the C.R. speakers and the technicians headphones. Due to the built-in automations another LED than the

LED underneath the selected key can illuminate. The monitored source is the source indicated by the LED.

C.R.

Volumecontrol for the C.R. speakers. When the DJ-microphone is active

MUTE the C.R. will be muted. The mute LED illuminates.

T.B. MIC With the built-in microphone the technician can talk to the announcer and the

TALK studio output. The microphone is activated by pressing the talk-button. It is also possible to talk to the guest. To do so the PGM/TB switch has to be pressed.

GUEST Volumecontrol for the guest headphones.

PGM/TB When this switch is pressed the guest headphones will be linked to the same source as the announcer headphones. When the switch is not pressed the program signal will be heard.

ANN.

Volumecontrol for the announcer headphones.

STUDIO Volumecontrol for the studio speakers.

PGM/AIR These two keys determine the source for the studio and the announcer outputs.

C.R.

When the C.R. key is pressed these two outputs will be linked to the C.R. source.

When the key is not pressed the outputs will be linked to PGM or to AIR.

By activating this function the announcer can talk to a guest on the telephone while he is off-air. To do this the announcers microphone and the telephone module must be switched to PFL. The technician can also talk to the guest by switching his own microphone to PFL.

PGM/AIR When the DJ-microphone is active the BCS50 master can automatically switch to the

+PFL AIR or PGM signal. With the PGM/AIR switch you can select between these two sources. When the mixer is used as a recording unit over the AUD-buss while the normal radio-signal is fed through the PGM-buss this function is unpractical. That is why this function can be disabled. The +PFL key makes it possible to monitor the program or the air signal (depending on the PGM/AIR switch) when listening to PFL, so that the technician can monitor the current program. The signal is added at a

-20dB level.

PFL Volumecontrol for the technicians headphones.

overload The LED illuminates when the program signal in the master can become distorted.

30 BCS58 Master

AIR input level

S= gnd

R= R

T= L

E X T .

METER

AIR

R

TRIM

L

ANN.

STUDIO GUEST

DATEQ BCS50 user manual EN ring tip

Air in R

Air in L gnd ring tip

Spare in R

Spare in L

SPARE1

SPARE2 tip gnd ring

R

INSERT

S= gnd

R= return

T= send

L

Insert return

Insert send left right left right left ring tip right gnd

Headphone connector for the guests

L

R

LEFT

Studio speakers

RIGHT

Headphone connector for the announcer

Talkback in gnd

TalkBack

Connections

External meter connections

1

6

7

8

4

5

2

3

GND

PGM-L

AIR-L

SPARE 1-L

SPARE 2-L

AUD-L

AUX-L

PFL-L

9 PGM-R

10 AIR-R

11 SPARE 1-R

12 SPARE 2-R

13 AUD-R

14 AUX-R

15 PFL-R

INSERT-L and INSERT-R

Additional compression equipment can be connected to the mixer with these inserts.

EN DATEQ BCS50 user manual ring tip gnd

BCS58 master 31

Signal right

Signal left

TOP

CONSOLE

C . R .

S= GND

R= R

T= L

DCF-ANT

S= GND

R= n.c.

T= +

AUX

S= gnd

R= R

T= L

AUD

S= gnd

R= R

T= L

ON AIR 1

S = -

R= N.C.

T= +

MONO

1= gnd

2= +

3= -

ON AIR 2

S = -

R= N.C.

T= +

PGM-R

1= gnd

2= +

3= -

PGM-L

1= gnd

2= +

3= -

PGM-1

S= gnd

R= R

T= L

PGM-2

S= gnd

R= R

T= L

PGM-3

S= gnd

R= R

T= L

MCA-100

OFF ON

Power

230VAC

50/ 60Hz

FUSE

Fuse 2 Amp. (T)

WARNING:

Dangerous voltages inside.

tip

ON-AIR lamp

With a solid-state relay tip gnd

To DCF aerial gnd

TOP CONSOLE

Connector for the meterbridge

C.R.

Connector for the control room amplifier.

Output level: 0dBm adjustable, Impedance: 600 Ohm, XLR-M

DCF-ANT

When a BCS121 DCF-clock is installed the DCF-aerial must be connected here.

AUX

Auxiliary output.

Output level: 0dBm adjustable, Impedance: 600 Ohm, 6.3mm stereo jack

AUD

Audition output.

Output level: 0dBm adjustable, Impedance: 600 Ohm, 6.3mm stereo jack

ON AIR 1 + ON AIR 2

12Vdc, 1kOhm logical input, 6.3mm stereo jack

With a solid-state relay an external ON-AIR indicator can be connected here (for example the DATEQ OA-1). A 12Vdc control voltage is applied between the tip and the shield when the ON-AIR output is active. The maximum current is 12mA.

PGM-L, PGM-R and MONO

Output level: +6dBm, Impedance: 600 Ohm, XLR-M

Balanced program outputs. They can be used to connect a cable-modulator or the main transmitter. The mono output is the left and the right signal combined.

PGM-1, PGM-2 and PGM-3

Output level: 0dBm, Impedance: 600 Ohm, 6.3mm stereo jack

Additional unbalanced program outputs. These can be used to connect amplifiers, recorders etc. inside the studio.

32 BCS58 Master

Technical information

Input

AIR

SPARE 1

SPARE 2

TalkBack

Type Level

Unbalanced stereo -15 ... +6dBm

Unbalanced stereo 0dBm

Unbalanced stereo 0dBm

Impedance

10 kOhm

10 kOhm

10 kOhm

Unbalanced mono 0dBm

TB control

10 kOhm

12V, 100kOhm; switch to gnd

PGM insert L Unbalanced mono 0dBm

PGM insert R Unbalanced mono 0dBm

10 kOhm

10 kOhm

DATEQ BCS50 user manual EN

Connector

6.3mm stereo jack

6.3mm stereo jack

6.3mm stereo jack

6.3mm stereo jack

6.3mm stereo jack

6.3mm stereo jack

Output

PGM-L

PGM-R

MONO

Type

Balanced left

Level

+6 dBm

Balanced right

Balanced mono

(L+R)

+6 dBm

+6 dBm

Unbalanced stereo 0 dBm

Impedance

600 ohm

600 ohm

600 ohm

Connector

XLR-M

XLR-M

XLR-M

PGM-1

PGM-2

PGM-3

AUX

AUD

STUDIO

Unbalanced stereo

Unbalanced stereo

Unbalanced stereo

Unbalanced stereo

Unbalanced stereo

0 dBm

0 dBm

0 dBm

0 dBm

0 dBm

600 ohm

600 ohm

600 ohm

600 ohm

600 ohm

600 ohm

6.3mm stereo jack

6.3mm stereo jack

6.3mm stereo jack

6.3mm stereo jack

6.3mm stereo jack

6.3mm stereo jack

ANNOUNCER

GUEST

C.R.

ON AIR 1

ON AIR 2

Ext. Meter

INSERT-L

INSERT-R

MCA-100

Headphones

Headphones

6.3mm stereo jack

6.3mm stereo jack

XLR-M Unbalanced stereo 0 dBm

Control voltage

Control voltage

Unbalanced stereo

Unbalanced stereo

Unbalanced stereo

12Vdc, 1 kOhm

12Vdc, 1 kOhm

0 dBm

0 dBm

0 dBm

600 ohm

1 kOhm

600 ohm

600 ohm

6.3mm stereo jack

6.3mm stereo jack

SUB-D-15-F

6.3mm stereo jack

6.3mm stereo jack

Connector for the MCA-100 headphones amplifier. With this amplifier each announcer and guest can have their own headphones with volume control and a cough-button.

EN DATEQ BCS50 user manual BCS58 master 33

Jumper settings

With two jumpers the AutoPFL function can be configured. The jumpers are situated on a small add-on PCB at the left PCB of the BCS50 master unit.

By default the mixer is configured to disable the AutoPFL function when the C.R. selector is switched to audition. In all the other cases the C.R. selector will automatically switch to PGM or

AIR when the DJ-microphone is activated. It is also possible to disable this function when AUX is selected or to disable all AutoPFL functionality. See the table below:

Jumper settings Description

Default

J1J5

J2DIS

J3AUD

J4AUX

Default setting. No AUTO-PFL when AUD is selected on the C.R. selector.

Always active AUTO-PFL always active.

J1J5

J2DIS

J3AUD

J4AUX

No AUTO-PFL AUTO-PFL disabled.

J1J5

J2DIS

J3AUD

J4AUX

AUX

J1J5

J2DIS

J3AUD

J4AUX

No AUTO-PFL when AUX is selected on the C.R.

selector.

J1J5

J2DIS

J3AUD

J4AUX

AUD+AUX No AUTO-PFL when AUD or AUX is selected on the C.R. selector.

PFL-RTN

PGM-RTN

AUX-L

AUX-R

PFL-R

PFL-L

AUD-L

AUD-R

PGM-R

PGM-L

MR-PFL

DJ-PFL

ONAIR1

ONAIR2

PFLRESET

34 BCS58 Master blockdiagram

Blockdiagram BCS58 master

1

3

2 1

3

2 1

3

2 1

3

2

DATEQ BCS50 user manual EN

SP1

AIR

SP2

AUD

AUX

PFL

PGM

CR

AIR

PGM

AUD

PGM

AIR

SP1

TB

EN DATEQ BCS50 user manual BCS50 Technical specifications 35

BCS121 clock/timer module

The BCS121 clock/timer-module receives its time-of-dayinformation from the German DCF77-transmitter at

Mainflingen (near Frankfurt). The range of this transmitter is approximately 1000 miles. Besides extreme accuracy, the

BCS121 keeps track of daylight-saving-time etc. Unique is the infra-red remote control for selecting operation mode and entering time.

Timer

The timer can be used counting up or down. The [MODE]-key selects the desired mode:

TIMER COUNTING UP

In the initial mode the BCS121 counts upwards from 0:00.0. This mode can be useful for keeping track of the elapsed time since the last record, jingle or other item was started.

Triggering the timer with a microphone-channel can be useful to monitor the length of the

‘spoken’ parts of a radio-program.

TIMER COUTING DOWN

To indicate the (approaching) end of a pre-recorded item, for example, the BCS121 can be set in the countdown-mode. The timer will count down from a set point to 0:00.0. This time can be entered with the remote control, for example:

[1] [2] [ENTER]

The timer will start counting down from 0:12.0.

TIMER COUNTING UP/DOWN

During an intro of a (music-) item the timer will count down to indicate the (approaching) end of the intro. When 0:00:0 is reached, the timer switches to indicating the elapsed time from the point where the timer was triggered. The intro-time can be set from the remote control the same way, for example:

[1] [2] [ENTER]

The timer will start counting down from 0:12:0 to 0:00:0, then counting up from 0:12:0.

36 BCS50 Technical specifications DATEQ BCS50 user manual EN

TIMER COUNTING DOWN TO A SET TIME

In this mode the timer indicates the remaining time until a set time is reached, for example the starting-time of commercials and/or news. Enter this time from the remote control unit, for example:

[1] [7] [5] [7] [3] [4] [ENTER]

...to count down to 17:57:34. There is an important distinction between this mode and the other modes. This mode can be run in ‘background’, independent from the other timermodes. Once the set-time is programmed, the timer can be started, stopped and reset in all other modes, while the countdown timer keeps running. If you switch back to this mode, the remaining time will be displayed again.

In case the set time is approaching with the timer in a different mode, a small blinking dot is displayed on the left of the timer-display for the last 30 seconds, to draw the users attention.

INPUT-MASK-MODE

For external triggering of the timer 8 switch-signals can be connected to the BCS121. Since it is not always desired to trigger the timer with all connected signals, each signal can be individually blocked out with the mask-option. In the initial situation all inputs are enabled, so the display will show ‘1234/ 5678’. With the [1] .. [8] - keys of the remote control unit each channel can be disabled or enabled. For example by pressing

[3] [5] [6] the display will show ‘12-4 / --78‘. This means channels 3, 5 and 6 are disabled. Inputs 1, 2, 4,

7 and 8 are enabled.

Please note that the BCS70 uses input 1 and 2 to control the timer, so only inputs 3 through 8 are available for user-specific signals. You should always have input 1 enabled. Input 2 can be enabled or disabled to use the timer in two different operating modes. If you enable input 2, each channel on the BCS70 which is configured to control the timer (by means of the RES setup-option) will restart the timer as soon as the channel is opened. If you disable input 2, the timer will run as long as there is at least one open channel on the BCS70 with the timer control setup-option selected.

Setting the time

During normal reception-conditions the clock will be synchronised within 2 minutes, and the right time will appear on the display. It is also possible to use the clock with the antenna not connected (‘free running’). In this case setting the clock to the right time can be done by entering the time from the remote control unit, by pressing [0] [0] [0] when in input mask mode. When this is done, ‘ / SEt ‘ will appear. For example:

[1] [7] [2] [8] [0] [0] [ENTER]

The clock starts running from 17:28:00.

When the clock is a little slow or fast it can be synchronised by pressing the [C] key at the whole hour when the timer is in counting-up-mode. This function is only available when no valid DCF-signal is received and the time-deviation is less than 3 minutes.

This function is available when your clock has firmware version 1.5 or higher. To check your firmware version go to the input-mask-mode and press the [C] key!

EN DATEQ BCS50 user manual

BCS121 jumpers

RC5-ADRES

1

P8

8

1

P7

REM7

1

P6

REM6

1

P5

REM5

1

P4

REM4

1

P3

REM3

1

P2

REM2

+

1

P1

REM1

-

J1/J2/J3

BCS50 Technical specifications 37

1

P11

2

P10

R19

R36

R37

4

U8

3

P9

1

R39

C18

L2

Q1

C22

C21

C20

C16

1

C17

R38

D1

C23 +

U14

R40

C19

R41

R42 C10

+

R44

L1

Q3

Q2

U18

U13

R43

+

C9

U12

J1

D3

C11

J2

J3

ON OF

R21 R22

R26

R25

C5

+

C4

Q4

P12.

1

U11

P13.

U10

RC5-

ADRESS

A1

A0

1 0

R35

U15 U16

C6 C7

1

C8

U9

R24

U17

XT1

R20

Jumper

J1

J2

J3

On/Off

ON

OFF

ON

OFF

A0 = 0

A1 = 1

A0 = 1

A1 = 0

A0 = 0

A1 = 1

A0 = 1

A1 = 1

Function

BCS121 configured as slave (using another Dateq clock/timer-unit as master)

BCS121 configured as master (default)

12-hour time format with AM/PM (default in the USA)

24-hour time format (default in Europe)

(not used)

Address 0 remote control (default)

Address 1 remote control (when using multiple Dateq clock/timer-units in one room, it is recommended to use different remote control addresses)

Address 2 remote control

Address 3 remote control

BCS121 antenna

The cable of the supplied DCF77-antenna can be extended without any problem (up to a maximum of 100 meters, 300 feet). Mount the aerial in a position where reception quality of the DCF77-transmitter is good. Be aware of the fact that the direction of the antenna is important. If the reception of the transmitter is good, the LED on the aerial will blink every second on a regular basis. If the LED doesn't blink, or blinks irregularly, reception is bad. The cause for a bad reception can often be found in computer-equipment nearby, or steel constructions in the building, blocking the long-wave signal of the transmitter.

CAUTION: The supplied antenna is not suitable for outside-mounting. The antenna is not waterproof, and the built-in electronic circuit will not operate properly below the freezing point and above 50 degrees Celsius.

38 BCS50 Technical specifications DATEQ BCS50 user manual EN

Technical specifications

BCS51(E)

MIC .................................................................................... electronically balanced, XLR-F

Signal level ............................................................... -60 .. -14 dBm

Input impedance...................................................... 300 ohm

Input noise ................................................................ < 115dB (IHF-A)

THD+N (input to PGM)............................................ 0.09 % (CCIR-RMS)

LINE .................................................................................... electronically balanced, XLR-F

Signal level ............................................................... -14 .. +26 dBm

Input impedance...................................................... 10 kohm

Input noise ................................................................ < 80dB (IHF-A)

THD+N (input to PGM)............................................ 0.04 % (CCIR-RMS)

EQUALISER

LOW ........................................................................... +/-16dB @ 60 Hz shelving

MID ............................................................................. +/-12dB @ 1.5kHz bell-curve

HIGH .......................................................................... +/-12dB @ 12kHz shelving

LOWCUT................................................................... 12dB/octave @ 20Hz or 80Hz

COMMON

Frequency range...................................................... 20... 30kHz @ -3dB (lowcut @20Hz)

80... 30kHz @ -3dB (lowcut @80Hz)

Panorama range ..................................................... -56dB

Overload indication ................................................. +18dBm

BCS52

BCS52(E)

LINE 1 and LINE 2 ............................................................. unbalanced, XLR-F

Signal level ............................................................... -14 .. +20 dBm

Input impedance...................................................... 10 kohm

Input noise ................................................................ < 80dB (IHF-A)

THD+N (input to PGM)............................................ 0.03 % (CCIR-RMS)

Crosstalk L - R ......................................................... >78dB

Crosstalk Line1 - Line 2......................................... >75dB

BCS52S(E)

LINE 1 and LINE 2 ............................................................. electronically balanced, 6.3mm stereo jack

Signal level ............................................................... -14 .. +20 dBm

Input impedance...................................................... 10 kohm

Input noise ................................................................ < 80dB (IHF-A)

THD+N (input to PGM)............................................ 0.02 % (CCIR-RMS)

Crosstalk L - R ......................................................... >78dB

Crosstalk Line1 - Line 2......................................... >80dB

BCS52N(E)

LINE 1 and LINE 2 ............................................................. electronically balanced, XLR-F (L1) and 6.3mm st. jack

(L2)

Signal level ............................................................... -14 .. +20 dBm

Input impedance...................................................... 10 kohm

Input noise ................................................................ < 80dB (IHF-A)

THD+N (input to PGM)............................................ 0.02 % (CCIR-RMS)

Crosstalk L - R ......................................................... >78dB

Crosstalk Line1 - Line 2......................................... >80dB

BCS52(S)(N)(E)

EQUALISER

LOW ........................................................................... +/-16dB @ 30 Hz shelving

MID ............................................................................. +/-12dB @ 1.3kHz bell-curve

HIGH .......................................................................... +/-12dB @ 12kHz shelving

BCS52(N)(S)(E)

COMMON

Frequency range...................................................... 20... 30kHz @ -3dB

Balance range.......................................................... -50dB

Overload indication ................................................. +18dBm

EN DATEQ BCS50 user manual BCS50 Technical specifications 39

BCS53

PHONE LINE....................................................................... standard subscriber line, XLR-F (in) and XLR-M (out)

Signal level ............................................................... -21 .. -0 dBm

Input impedance...................................................... 600 ohm

BCS53T

TELOS

Signal level ............................................................... -15 .. +6 dBm

Input impedance...................................................... 10 kohm

Output impedance................................................... 10 kohm

BCS58

INPUTS

AIR .................................................................................... unbalanced, 6.3mm stereo jack

Signal level ............................................................... -15 ... +6 dBm

Input impedance...................................................... 10 kohm

SPARE1 and SPARE2...................................................... unbalanced, 6.3mm stereo jack

Signal level ............................................................... 0 dBm

Input impedance...................................................... 10 kohm

TALKBACK......................................................................... unbalanced, 6.3mm stereo jack

Signal level ............................................................... 0 dBm

Input impedance...................................................... 10 kohm

PGM INSERT ...................................................................... unbalanced, 6.3mm stereo jack

Signal level ............................................................... 0 dBm

Input impedance...................................................... 10 kohm

OUTPUTS

PGM-L, PGM-R and MONO.............................................. electronically balanced, XLR-M

Signal level ............................................................... +6dBm @ 600 ohm

Output impedance................................................... 600 ohm

AUD, AUX, PGM1-3, CR, STUDIO ................................... unbalanced stereo, 6.3mm stereo jack

Signal level ............................................................... 0dBm

Output impedance................................................... 600 ohm

ANN. and GUEST............................................................... headphones, 6.3mm stereo jack

Power......................................................................... 0.3W @ 4 ohm

Impedance................................................................ 3 ... 32 ohm

EXT. METER ....................................................................... SUB-D-15-F

Signal level ............................................................... 0dBm

Output impedance................................................... 1 kohm

PGM INSERT ...................................................................... 6.3mm stereo jack

Signal level ............................................................... 0dBm

Output impedance................................................... 600 ohm

ON-AIR1 and ON-AIR2 ..................................................... 6.3mm stereo jack

Control voltage ......................................................... 12V

Impedance................................................................ 1 kohm

COMMON

Overload indication ................................................. +18dBm

Output noise ............................................................. <-100dBm (all inputs off)

<-80dBm (all inputs on)

SUPPLY

Mains input ............................................................... 115Vac or 230Vac; internally switchable

Power......................................................................... 100VA

Fuse ........................................................................... 2 A slow 5x20mm

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Key Features

  • Modular design with interchangeable input modules
  • Built-in telephone hybrid for connecting to phone lines
  • Multiple output options for connecting to various destinations
  • Three-way tone control on selected input modules
  • Audition output for monitoring selected channels
  • Aux output for connecting to external effects or director's link
  • Control room output for connecting to studio monitors

Related manuals

Frequently Answers and Questions

What types of input modules are available for the BCS50?
The BCS50 supports a range of input modules, including microphone, line-level, telephone, and stereo line modules.
Can I connect an external telephone hybrid to the BCS50?
Yes, you can connect an external telephone hybrid to the BCS50 using the BCS53T telephone module.
What is the purpose of the AUD output?
The AUD output allows you to monitor selected channels for recording or other purposes.
Can I use the AUX output to connect to an effects processor?
Yes, you can use the AUX output to connect to an effects processor. However, you will need to turn off the AUX switch on the channel you are using to prevent feedback.

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