Dateq BCS50 User manual
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Dateq BCS50 is a modular mixer system designed for broadcast environments. It offers a range of input modules for connecting various audio sources, including microphones, line-level devices, and telephones. The master module provides mixing and output controls, including PGM, AUD, AUX, and CR outputs. The BCS50 is known for its reliability, flexibility, and ease of use, making it a popular choice for studios and self-supporting broadcast operations.
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U
SER MANUAL
2 Safety instructions DATEQ BCS50 user manual EN
2
3
4
Safety instructions
1 All safety instructions, warnings and operating instructions must be read first.
All warnings on the equipment must be heeded.
The operating instructions must be followed.
Keep the operating instructions for future reference.
5
6
7
8
The equipment may never be used in the immediate vicinity of water; make sure that water and damp cannot get into the equipment.
The equipment may only be installed or fitted in accordance with the manufacturers recommendations.
The equipment must be installed or fitted such that good ventilation is not obstructed in any way.
The equipment may never be installed in the immediate vicinity of sources of heat, such as parts of heating units, boilers, and other equipment which generates heat
(including amplifiers).
9 Connect the equipment to a power supply of the correct voltage, using only the cables recommended by the manufacturer, as specified in the operating instructions and/or shown on the connection side of the equipment.
10 The equipment may only be connected to a legally approved earthened mains power supply.
11 The power cable or power cord must be positioned such that it cannot be walked on in normal use, and objects which might damage the cable or cord cannot be placed on it or against it. Special attention must be paid to the point at which the cable is attached to the equipment and where the cable is connected to the power supply.
12 Ensure that foreign objects and liquids cannot get into the equipment.
13 The equipment must be cleaned using the method recommended by the manufacturer.
14 If the equipment is not being used for a prolonged period, the power cable or power cord should be disconnected from the power supply.
15 In all cases where there is a risk, following an incident, that the equipment could be unsafe, such as:
• if the power cable or power cord has been damaged
• if foreign objects or liquids (including water) have entered the equipment
• if the equipment has suffered a fall or the casing has been damaged
• if a change in the performance of the equipment is noticed it must be checked by appropriately qualified technical staff.
16 The user may not carry out any work on the equipment other than that specified in the operating instructions.
EN DATEQ BCS50 user manual Introduction 3
Introduction
The DATEQ BCS50 mixer-series is especially developed to be used in a broadcastenvironment. The large number of built-in automations makes this mixer ideally suited in any self-supporting studio.
Frame
The BCS50 mixer is a modular system existing of a frame, a master module and free to choose input-modules. The frame can contain up to 16 input modules and a master module.
The power-supply is built into the frame.
Input modules
A large number of input modules is available:
Possible connections Type number
BCS51
BCS51E
BCS52
BCS52E
BCS52S
BCS52SE
BCS52N
BCS52NE
MIC
LINE
Microphone
Balanced mono line
As BCS51, but with three-way tone control
LINE 1 Unbalanced stereo line (RIAA optional)
LINE 2 Unbalanced stereo line
As BCS52, but with three-way tone control
LINE 1 Balanced stereo line
LINE 2 Balanced stereo line (RIAA optional)
As BCS52S, but with three-way tone control
LINE 1 Balanced stereo line
LINE 2 Balanced stereo line
As BCS52S, but with three-way tone control
BCS53
BCS53T
Telephone module with built-in analogue telephone hybrid
Telephone module to connect an external (digital) telephone hybrid
Connector type
XLR-F
XLR-F
XLR-F
XLR-F
2x 6.3mm jack
2x 6.3mm jack
2x XLR-F
2x 6.3mm jack
1x XLR
1x XLR-M
SUB-D-15
The position and the number of modules is variable. The only limitation is the number of analogue telephone hybrids that can be used simultaneously (maximum 2 or 3, depending on the quality of the subscriber line).
When digital telephone hybrids are used more than 2 lines can be on the air simultaneously.
This is because digital hybrids have a better trans-hybrid attenuation.
Mastermodule
The BCS50 mastermodule has all the mix,- and output amplifiers and various volumecontrols. This module is placed at the most right position in the frame.
Meterbridges
The BCS50 meterbridge can house the following readouts:
•
BCS121: DCF77 atomic-clock/ timer/ stopwatch
•
Analogue moving-coil meter, or 2x 50 segment digital horizontal LED VU meter with peak indicator
•
BCS68: dual 2x 30 segment digital vertical LED VU meter with peak indicator
4 Introduction DATEQ BCS50 user manual EN
Outputs
PGM (program) output
The PGM-output is the main-output of the mixer. All channels with the PGM-switch pushed feed their signal to the PGM-buss. The PGM-signal is available on three XLRconnectors: mono, left and right. All these outputs are electronically balanced. Besides these outputs the BCS50 has three unbalanced PGM-outputs on 6.3mm stereo jacks
(PGM1/PGM2/PGM3). These connectors can be used link to other equipment located inside the studio, like amplifiers etc.
AUD (audition) output
All modules with the AUD-switch pressed will be audible on the AUD-output. The AUDoutput can for example be used to connect to various recorders. The AUD-volume control on the master will adjust the overall audition-volume. The unbalanced AUD-output is available on a 6.3mm stereo jack.
AUX (auxiliary) output
The auxiliary output can be used for a director-link. All channels can feed their signal to the AUX-buss. With an internal PRE/POST-jumper the signals source can be switched to pre-fader (independent of the fader) or post-fader (signals volume is dependent of the fader). The master-modules AUX-volume controls the overall AUX-level. The unbalanced
AUX-output is available on a 6.3mm stereo jack.
The AUX-buss may also be used to connect effect-equipment. The effect-return signal can be inserted at any normal input-module. You will have to turn off the AUX-switch at this channel to prevent a feed-back!
CR (control room) output
At this output the amplifier for the technical-room can be connected. The selection switches on the master determine the signal-source that will be heard on this output. All sources can be monitored.
This output can be muted automatically when a microphone in the technical-room is active to prevent an acoustical feedback.
STUDIO output
Connect the amplifier for the presentation-room here. This output can have the same signal as the CR output. It is also possible to switch to the AIR or the PGM signal.
ON-AIR 1 and 2 outputs
External ON-AIR indicators (like the DATEQ OA-1) can be connected to the ON-AIRoutputs. These two outputs are freely programmable with jumpers on the input modules.
When ON-AIR1 is activated the studio output is muted. When all the microphones in the studio are switched to ON-AIR1 an acoustical feedback will be prevented!
ANNOUNCER
The announcers headphones can be connected here. When the technician pushes the
TALK-button he will be audible on this output, otherwise the program signal or the CR signal (depending on the CR-switch on the master) can be heard.
EN DATEQ BCS50 user manual Introduction 5
GUEST
The guests headphones can be connected here. This output contains the PGM-signal, except when the PGM/TALKBACK switch on the master is pressed; then the output has the same signal as the ANNOUNCER-output. The guests will also hear the technician when he presses the TALK-button.
By switching the PGM/TALKBACK to PGM the guests will not become confused when the technician uses the TALK button.
Inputs
AIR/ SPARE1/ SPARE2 inputs
The AIR signal is to be used to connect the program-signal after it has gone all the way from the studio to the listener, for example with a tuner. At the SPARE inputs the processed studio signal can be returned, or the signal of a secondary studio can be connected. Keep in mind that these inputs are not electronically isolated.
When using a tuner connected to a cable-network earth-loops are created. To prevent earth-loops an isolation-transformer can be used in the audio-wires, or at the RFconnector.
TALKBACK IN
The external talkback-input can be used to connect a (to line-level amplified) directormicrophone. When the contact is made this microphone is routed to the PFL-buss, and the CR signal will automatically switch to PFL, so that everyone listening to the CR will hear the director. When the announcer must hear the director, the CR-switch on the master has to be pressed.
POWER
Mains input (115 or 230 VAC; internally selectable, 100 Watts).
DCF-ANT
Input for the active aerial supplied with the BCS121 clock-timer.
Product support
When you have any questions about the BCS50, or other DATEQ products please contact:
Dateq Audio Technologies B.V.
De Paal 37
1351 JG Almere
The Netherlands
Telephone: +31 36 54 72 222
Fax: +31 36 53 17 776
E-mail: [email protected]
Internet: www.dateq.nl
6 Mounting DATEQ BCS50 user manual EN
Mounting
The BCS50 frame will fit into an opening of 965 x 500 x 75mm (W x L x D). See the drawings below.
75
500
BCS50 Frame
145
145
500
965
EN DATEQ BCS50 user manual BCS51 MIC/ LINE module 7
BCS51 Microphone/ mono line module
To a BCS51 module a microphone and a balanced mono line-source can be connected. The module has the possibility to supply the microphone with a phantompower (48V), this makes it possible to use condenser microphones. There are BCS51 modules with (BCS51E) and without three-way tone control (BCS51).
BCS51
20
15
MIC
LINE
1 2 9
INPUT
6
GAIN
0
3
30
-40 oo +6
3
4
5
-1
2
3
4
5
-1
3
2
4
5
2
20 Hz
80 Hz
-1
0 lowcut
+1
HIGH
2
0
4
3
+1
5
MID
2
0
3
4
5
+1
LOW
2
5
4
3
MIC/
LINE
GAIN
Input selector. When the switch is pressed the line-input is activated and the LED illuminates.
LOWCUT Switches the crossover frequency of the high-pass filter between
20 and 80Hz.
HIGH High tone control. (BCS51E)
MID
LOW
Combined input-sensitivity control.
Middle tone control. (BCS51E)
Low tone control. (BCS51E)
AUX
AUD
PGM
2
L1
0
1R
PAN
2
3
4
5 5
4
3
PFL overload
AUX
AUD
PGM
PAN
Routes the signal to the AUX-buss.
Routes the signal to the AUD-buss.
Routes the signal to the PGM-buss.
Panorama control. Places the mono-sound in the stereo image.
OVERL.
This LED illuminates when the signal in the module is too high, and in danger of becoming distorted.
PFL Pre-Fader Listening. By pressing this switch the signal will be audible on the head-phones.
ON Switch to activate the module. When the ON-lamp lights up the signal can be heard on the selected busses (AUX, AUD, PGM).
When faderstart is configured the lamp will automatically light up when the fader is opened.
When the module is activated the PFL function will reset.
-6
-9
-12
+6
+3
0
-3
-15
-20
FADER With the fader the signal-level can be controlled. The nominal level is 0dB.
-30
-40
-50
-60
8 connecting the BCS51(E) module
Connecting the BCS51(E)
DATEQ BCS50 user manual EN
At the BCS51(E) connectorboard four connectors can be found:
Name Type In/ Out Description
In & Out ‘Microphone on’ indicator and cough-talkback button CTRL 6.3mm stereo jack
MIC
LINE
XLR-F
XLR-F
INSERT 6.3mm stereo jack
In
In
In & Out
Microphone input
Line input
Insert: possibility to connect effect-equipment (delays, echo etc.) ring tip
CTRL lamp Mute
MIC
MIC
1= GND
2= R/+
3= L/-
Line ring tip
Insert return
Insert send
LINE
INSERT
S= GND
R= RET.
T= SEND gnd
B C S 5 0
Technical description
CTRL
Talkback logical input: 15V, 100kOhm; pulldown. Lamp power: 12Vdc, 1W max
This connector has two functions: connection a module-on indicator (for example a little lamp near to the active microphone) and a logical input for a cough-button. When the microphone is active and the button is pressed the microphone will be muted immediately. At the same time the module will switch to PFL, so that the microphone can be heard by the technician. These functions are only available when the microphone-input is active.
MIC
Input level: -60 ... -14 dBm, Impedance: 300 Ohm
Microphone input. With an internal jumper the phantompower can de enabled or disabled. When the phantompower is switched on condenser microphones can be used. By default the phantompower is switched on. When no condenser microphone is used it is better to disable the phantompower.
LINE
Input level: -14 ... +26 dBm, Impedance: 10 kOhm
Balanced mono line-input. This can be used for a (mono) location-receiver. When equipment with unbalanced outputs are being used the signal must be applied to pin
2(+). Pin 1(gnd) and pin 3(-) must be connected to ground.
INSERT
Level: 0dBm, Impedance 10 kOhm
Effect equipment, like compressors or delays, can be connected to the insert in,- and output. The effect equipment is active on the microphone and on the line-input.
EN DATEQ BCS50 user manual BCS51(E) general
LowCut
The built-in LowCut crossover frequency is switchable between 20Hz and 80Hz. The filters slope is 12dB/octave. This filter is to prevent annoying blobs from a microphone.
Tone control
Tone control is only available on a BCS51E module. The crossover frequencies are:
HIGH: +/-12dB shelving @ 12 kHz
MID: +/- 12dB bell @ 1.5 kHz
LOW: +/- 16dB shelving @ 60 Hz
Jumper settings
With the internal jumpers various settings/ automations can be enabled or disabled. The drawing below shows a PCB with the jumpers marked grey. In the table the functions are described.
2
9
1
3
6
4
5
Jumper name
CUE (1)
Possibilities
FADER (D)
SWITCH
AUX (2)
ON-AIR (3)
MSTR (4)
DJ (5)
POST (D)
PRE
OFF
ON-AIR1 (D)
ON-AIR2
ON (D)
OFF
ON
PHANTOM (6)
OFF (D)
ON (D)
OFF
Description
The channel is activated when the fader is opened.
The channel is activated when the ON-key is pressed. When the fader is opened and the ON-lamp does not light up no audio will be fed through.
The after-fader signal is routed to the AUX-buss. Both jumpers (P6 and P7) have to be in the same position!
The pre-fader signal is routed to the AUX-buss. Both jumpers (P6 and
P7) have to be in the same position!
No ON-AIR outputs will be activated when the channel is switched on.
When the channel is switched on ON-AIR1 will be activated. The studio output will be muted to prevent an acoustical feedback.
When the channel is switched on ON-AIR2 will be activated.
When the PFL-switch is pressed the CR will switch automatically to
PFL. This makes the signal directly audible for the technician.
The signal is mixed to the PFL-buss, but the CR-selector will not automatically switch to PFL.
When the module is activated all PFL-buttons will reset and the CR output will be muted to prevent an acoustical feedback with the DJmicrophone. It is also possible to let the CR-selector switch to AIR or
PGM. This will be explained on page 29.
This function is disabled.
The phantompower (48V) is applied to the microphone-input. This is necessary when using condenser microphones. Check your microphones manual for more details.
The phantompower is disabled.
(D) indicates the default setting
10 BCS51(E) blockdiagram
Blockdiagram BCS51(E)
DJ-PFL
ONAIR2
MR-PFL
ONAIR1
PFLRESET
PFL-RTN
PGM-RTN
PFL-R
PFL-L
AUX-R
AUX-L
AUD-L
AUD-R
PGM-L
PGM-R
DATEQ BCS50 user manual EN
M I C L I NE
EN DATEQ BCS50 user manual BCS52 dual stereo line module 11
BCS52 dual stereo line module
To a BCS52 module two stereo line-sources can be connected. BCS modules are available with (BCS52E) and without three way tone control (BCS52). A normal BCS52(E) module has two unbalanced stereo line inputs. BCS52S(E) and BCS52N(E) modules have two balanced stereo line inputs.
BCS52
LINE 1
LINE 2
1 2 9
20
15
INPUT
6
GAIN
0
3
30
-40 oo +6
MONO
2
3
4
-1
2
3
4
5
-1
2
3
4
5
-1
5
0
+1
HIGH
2
0
4
3
+1
5
MID
2
0
3
4
5
+1
LOW
2
4
3
5
LINE 1/ Input source selector. When the switch is pressed line2 will
LINE 2 be activated and the LED will be illuminated.
GAIN
MONO
HIGH
MID
LOW
Combined input-sensitivity control.
When the switch is pressed the left and the right signal will be combined to a mono format.
High tone control. (BCS52E, BCS52SE, BCS52NE)
Mid tone control. (BCS52E, BCS52SE, BCS52NE)
Low tone control. (BCS52E, BCS52SE, BCS52NE)
AUX
AUD
PGM
2
3
4
5
L1
0
1R
BAL
2
5
4
3
PFL overload
AUX
AUD
PGM
BAL
Routes the signal to the AUX-buss.
Routes the signal to the AUD-buss.
Routes the signal to the PGM-buss.
Balance control. Determines the left/ right ratio of the signal.
OVERL.
This LED illuminates when the signal in the module is too high, and in danger of becoming distorted.
PFL Pre-Fader Listening. By pressing this switch the signal will be audible on the head-phones.
ON Switch to activate the module. When the ON-lamp lights up the signal can be heard on the selected busses (AUX, AUD, PGM).
When faderstart is configured the lamp will automatically light up when the fader is opened.
When the module is activated the PFL function will reset.
+6
+3
0
-3
-6
-9
-12
-15
-20
FADER With the fader the signal-level can be controlled. The nominal level is 0dB.
-30
-40
-50
-60
12 Connecting the BCS52(E) module
Connecting the BCS52(E)
DATEQ BCS50 user manual EN
At the BCS52(E) connectorboard four connectors can be found:
Name Type In/ Out Description
CTRL In & Out Channel on indicator and PFL input
LINE 1
LINE 2
CUE
6.3mm stereo jack
XLR-F
XLR-F
6.3mm stereo jack
In
In
Out
Stereo line 1 input
Stereo line 2 input
Start/ stop output ring tip
CTRL
Channel on lamp
External PFL
LINE 1
LINE 2
CUE
S= com
R= stop
T= start
1= GND
2= R
3= L
Line 1:
Pen 1: GND
Pen 2: Right
Pen 3: Left
Line 2
Pen 1: GND
Pen 2: Right
Pen 3: Left ring tip
Stop
Start
Common
BCS50
Technical description
CTRL
Ext. PFL logical input: 15V, 100kOhm; pulldown. Lamp power: 12Vdc, 1W max
This connector has two functions: connecting an external module-on indicator and a logical input for an external PFL switch. When this input is pulled low (with an optocoupler for example) the channel will switch the PFL on. These functions are only available when line 1 is active.
With the external PFL it is possible to switch the channel to PFL automatically when the
PLAY-button of the connected device is pressed. The device can be started with the start-output when the module is activated.
LINE 1/ LINE2
Input level: -14 ... +20 dBm, Impedance: 10 kOhm
Connection for unbalanced stereo line inputs. With an optional RIAA add-on PCB it is possible to connect a record player.
CUE
Maximum ratings: 24Vdc, 10mA
Opto-coupler outputs to start and stop the connected equipment. As a maximum
24Vdc, or 10mA current may be switched. The outputs are active continuously (not pulsed). This function is only available when line 1 is selected.
EN DATEQ BCS50 user manual
Connecting the BCS52S(E)
Connecting the BCS52S(E) 13
At the BCS52S(E) connectorboard eight connectors can be found. Each input has four jack connectors:
Name Type In/ Out Description
CTRL In & Out Channel on indicator and PFL input
RIGHT
LEFT
CUE
6.3mm stereo jack
6.3mm stereo jack
6.3mm stereo jack
6.3mm stereo jack
In
In
Out
Balanced right line input
Balanced left line input
Start/ stop output ring tip
Channel on lamp
External PFL
LINE 1 LINE 2
CTRL CTRL ring tip
- input
+ input
RIGHT RIGHT ring tip
GND
Stop
Start
LEFT LEFT
Common
CUE CUE
Technical description
CTRL
Ext. PFL logical input: 15V, 100kOhm; pulldown. Lamp power: 12Vdc, 1W max
This connector has two functions: connecting an external module-on indicator and a logical input for an external PFL switch. When this input is pulled low (with an optocoupler for example) the channel will switch the PFL on. This function is available for line 1 and line 2.
LEFT/ RIGHT
Input level: -14 ... +20 dBm, Impedance: 10 kOhm
Connection for balanced stereo line inputs. With an optional RIAA add-on PCB it is possible to connect a record player.
CUE
Maximum ratings: 24Vdc, 10mA
Opto-coupler outputs to start and stop the connected equipment. As a maximum
24Vdc, or 10mA current may be switched. The outputs are switchable between continue and pulse. This function is available for line 1 and line 2.
14 Connecting the BCS52N(E)
Connecting the BCS52N(E)
DATEQ BCS50 user manual EN
At the BCS52N(E) connectorboard six connectors can be found:
Name Type In/ Out Description
CTRL In & Out Channel on indicator and PFL input
LINE 1
LINE 2
CUE
6.3mm stereo jack
XLR-F
6.3mm stereo jack
6.3mm stereo jack
In
In
Out
Balanced line 1 inputs
Balanced line 2 inputs
Start/ stop output ring tip
Channel on lamp
External PFL
CTRL CUE ring tip
Stop
Start
Common
LINE 1
Line 1:
Pen 1: GND
Pen 2: + input
Pen 3: - input ring tip
- input
+ input
L
BCS50
LINE 2 R
Common
Technical description
CTRL
Ext. PFL logical input: 15V, 100kOhm; pulldown. Lamp power: 12Vdc, 1W max
This connector has two functions: connecting an external module-on indicator and a logical input for an external PFL switch. When this input is pulled low (with an optocoupler for example) the channel will switch the PFL on. This connector is only active when line 1 is selected.
LINE 1
Input level: -14 ... +20 dBm, Impedance: 10 kOhm
Connections for a balanced stereo line input on XLR connectors.
LINE 2
Input level: -14 ... +20 dBm, Impedance: 10 kOhm
Connections for a balanced stereo line inputs on 6.3mm stereo jack connectors.
CUE
Maximum ratings: 24Vdc, 10mA
Opto-coupler outputs to start and stop the connected equipment. As a maximum
24Vdc, or 10mA current may be switched. The outputs are switchable between continue and pulse. This function is only available when line 1 is selected.
EN DATEQ BCS50 user manual BCS52 general 15
Tone control
Tone control is only available on BCS52(S)(N)E modules. The crossover frequencies are:
HIGH: +/-12dB shelving @ 12 kHz
MID: +/- 12dB bell @ 1.3 kHz
LOW: +/- 16dB shelving @ 30 Hz
Jumper settings
With the internal jumpers various settings/ automations can be enabled or disabled. The drawing below shows a BCS52 PCB with the jumpers marked grey that appear in all
BCS52(S)(N) modules. The module-type specific jumpers are showed on the next pages.
1
Jumper name
AUX (1)
ON-AIR (2)
MSTR (3)
Possibilities
POST (D)
PRE
OFF (D)
ON-AIR1
ON-AIR2
ON (D)
OFF
3
2
Description
The after-fader signal is routed to the AUX-buss. All three jumpers
(P8, P9 and P14) have to be in the same position!
The pre-fader signal is routed to the AUX-buss. All three jumpers (P8,
P9 and P14) have to be in the same position!
No ON-AIR outputs will be activated when the channel is switched on.
When the channel is switched on ON-AIR1 will be activated. The studio output will be muted to prevent an acoustical feedback.
When the channel is switched on ON-AIR2 will be activated.
When the PFL-switch is pressed the CR will switch automatically to
PFL. This makes the signal directly audible for the technician.
The signal is mixed to the PFL-buss, but the CR-selector will not automatically switch to PFL.
(D) indicates the default setting
16 BCS52 settings
BCS52 settings
DATEQ BCS50 user manual EN
1
2
Jumper name
LINE/
RIAA (1)
START (2)
Possibilities
LINE
RIAA
FADER (D)
SWITCH
Description
Both jumpers must be in this position when the RIAA option is not installed.
Both jumpers must be in this position when the RIAA option is installed.
The channel is activated when the fader is opened.
The channel is activated when the ON-key is pressed. When the fader is opened and the ON-lamp does not light up no audio will be fed through.
(D) indicates the default setting
BCS52S settings
2
1
1
Jumper name
CUE (1)
START (2)
Possibilities
CONTINU (D)
PULSE
FADER (D)
SWITCH
Description
After the module has started or stopped the start or stop outputs remains active. (P21 controls line 1 and P22 controls line 2)
The start and stop output generate a pulse (500mSec) when the module is started or stopped. (P21 controls line 1 and P22 controls line 2)
The channel is activated when the fader is opened.
The channel is activated when the ON-key is pressed. When the fader is opened and the ON-lamp does not light up no audio will be fed through.
(D) indicates the default setting
EN DATEQ BCS50 user manual
BCS52N settings
BCS52 settings 17
1
1
2
Jumper name
CUE (1)
Possibilities
CONT. (D)
PULS
START (2) FADER (D)
SWITCH
Description
After the module has started or stopped the start or stop outputs remains active. (J1 controls line 1 and J2 controls line 2)
The start and stop output generate a pulse (500mSec) when the module is started or stopped. (J1 controls line 1 and J2 controls line
2)
The channel is activated when the fader is opened.
The channel is activated when the ON-key is pressed. When the fader is opened and the ON-lamp does not light up no audio will be fed through.
(D) indicates the default setting
18 BCS52 blockdiagrams
Blockdiagram BCS52(E)
ONAIR1
ONAIR2
MR-PFL
DJ-PFL
PFLRESET
AUX-R
AUX-L
PFL-R
PFL-L
AUD-L
AUD-R
PGM-L
PGM-R
PFL-RTN
PGM-RTN
DATEQ BCS50 user manual EN
LINE1 LINE2
EN DATEQ BCS50 user manual
Blockdiagram BCS52S(E)
ONAIR1
ONAIR2
MR-PFL
DJ-PFL
PFLRESET
PFL-RTN
PGM-RTN
AUX-R
AUX-L
AUD-L
AUD-R
PFL-R
PFL-L
PGM-L
PGM-R
BCS52 blockdiagrams 19
E >2 1 <LIN
20 BCS52 blockdiagrams
Blockdiagram BCS52N(E)
ONAIR1
ONAIR2
MR-PFL
DJ-PFL
PFLRESET
PFL-RTN
PGM-RTN
AUX-R
AUX-L
PFL-R
PFL-L
AUD-L
AUD-R
PGM-L
PGM-R
AUD-RTN
DATEQ BCS50 user manual EN
EN DATEQ BCS50 user manual BCS53 telephone modules 21
BCS53 Telephone modules
An analogue subscriber line can be directly connected to a BCS53 module. This module has a built-in analogue hybrid. When more than two BCS53 modules are on air simultaneously the program-signal will get coloured. It is possible to have more than two lines off-hook when they are not on-air. When more than two phone-lines must be on-air simultaneously the
BCS53T modules in combination with a digital hybrid should be used.
BCS53
9
6
-15 ringer
+6
3
GAIN
0
GAIN Input-sensitivity control. When the gain is turned CW the incoming signal will be amplified and the return signal will be attenuated.
RINGER The LED flashes on an incoming call.
3
2
4
5
-1
0
ADJUST
1+
2
3
4
5
TELEPHONE ON
ADJUST R-balance adjust for tuning the internal hybrid for minimal return signal. This control has to be adjusted so that a minimum of sound coloration will occur during the telephone conversation.
TEL. ON By pressing the button the phone-line will go on,- or off-hook.
AUX
AUD
PGM
L1
3
2
4
5
0
1R
PAN
2
3
4
5
PFL overload
+6
+3
0
-3
-6
-9
-12
-15
-20
AUX
AUD
PGM
PAN Panorama control. Places the mono-sound in the stereo image.
OVERL.
This LED illuminates when the signal in the module is too high, and in danger of becoming distorted.
PFL Pre-Fader Listening. By pressing this switch the signal will be audible on the head-phones. The hybrid will automatically go offhook.
ON Switch to activate the module. When the ON-lamp lights up the signal can be heard on the selected busses (AUX, AUD, PGM).
When faderstart is configured the lamp will automatically light up when the fader is opened.
When the module is activated the PFL function will reset.
FADER
Routes the signal to the AUX-buss.
Routes the signal to the AUD-buss.
Routes the signal to the PGM-buss.
With the fader the signal-level can be controlled. The nominal level is 0dB.
-30
-40
-50
-60
22 BCS53 telephone modules DATEQ BCS50 user manual EN
To a BCS53T module an external digital (Telos) hybrid can be connected. A digital hybrid has a superior trans-hybrid loss than an analogue hybrid. The advantages are a better soundquality and the fact that more than two lines can be active at the same time. The exact amount of possible active lines depend on the quality of the subscriber lines and the transhybrid loss per module.
BCS53T
9
6
3
GAIN
0
GAIN
-15 +6
TELEPHONE
ON
Input sensitivity control. When the gain is turned clockwise the incoming signal will be amplified and the return signal will be attenuated.
TEL.
On and off switches to remote control the Telos hybrid.
ON/ OFF The lamps alternately blink on an incoming call.
OFF
AUX
AUD
PGM
L1
2
3
4
5
0
1R
PAN
2
4
3
5
PFL overload
+6
+3
0
-3
-6
-9
-12
-15
-20
AUX
AUD
PGM
PAN Panorama control. Places the mono-sound in the stereo image.
OVERL.
This LED illuminates when the signal in the module is too high, and in danger of becoming distorted.
PFL Pre-Fader Listening. By pressing this switch the signal will be audible on the head-phones. The hybrid will automatically go offhook.
ON Switch to activate the module. When the ON-lamp lights up the signal can be heard on the selected busses (AUX, AUD, PGM).
When faderstart is configured the lamp will automatically light up when the fader is opened.
When the module is activated the PFL function will reset.
FADER
Routes the signal to the AUX-buss.
Routes the signal to the AUD-buss.
Routes the signal to the PGM-buss.
With the fader the signal-level can be controlled. The nominal level is 0dB.
-30
-40
-50
-60
EN DATEQ BCS50 user manual
Connecting the BCS53
Connecting the BCS53 23
At the BCS53 connectorboard four connectors can be found:
Name Type In/ Out Description
Out Connector for a telephone active and a ringer indicator CTRL
TEL. LINE XLR-M
PHONE XLR-F
INSERT
6.3mm stereo jack
6.3mm stereo jack
In & out Subscriber line
In & out Connection for an additional phone
In & out Insert: possibility for effect equipment ring tip
Off-hook Ringer
S= gnd
R= lamp 2
T= lamp 1
CTRL
TEL. LINE
1= n.c.
2= a
3= b
TEL. Line:
Pen 1: -
Pen 2: Telephone A
Pen 3: Telephone B
PHONE
Pen 1: -
Pen 2: Telephone A
Pen 3: Telephone B ring tip
Insert return
Insert send
PHONE
INSERT
S= com
R= stop
T= start gnd
B C S 5 0
Technical description
CTRL
Ext. Off-hook and ringer active outputs. 12Vdc, 1W max
To connect a ringer and a telephone-line active indicator.
Multiple BCS53(T) ringer outputs can be linked together to combine the ringer active signal.
TEL. LINE
Default subscriber line: input level: -21 ... 0 dBm, Impedance: 600 Ohm
To connect the analogue subscriber line.
PHONE
Default subscriber line: input level: -21 ... 0 dBm, Impedance: 600 Ohm
To connect an additional phone. This can be used to dial a telephone number.
INSERT
Effect equipment can be connected to the insert connector.
Level: 0dBm, Impedance 10 kOhm
Filters:
Input filter: 300 Hz ... 3 kHz, 18dB/octave
Output filter: 300 Hz ... 3 kHz, 18dB/octave
24 Connecting the BCS53T
Connecting the BCS53T
DATEQ BCS50 user manual EN
At the BCS53T connectorboard three connectors can be found;
Name Type In/ Out Description
CTRL Out Connector for a telephone active and a ringer indicator
TELOS
INSERT
6.3mm stereo jack
SUB-D-15-M
6.3mm stereo jack
In & out
In & out
Connector for a Telos hybrid
Insert: possibility for effect equipment ring tip
Off-hook Ringer
S= gnd
R= ring
T= on
CTRL
TELOS
Connector for a (Telos) hybrid ring tip
Insert return
Insert send
INSERT
S= com
R= stop
T= start gnd
B C S 5 0
Technical description
CTRL
Ext. Off-hook and ringer active connector. 12Vdc, 1W max
To connect a ringer and a telephone-line active indicator. Multiple BCS53(T) ringer outputs can be linked together to combine the ringer active signal.
TELOS
A Telos hybrid should be connected here.
INSERT
Effect equipment can be connected to the insert connector.
Special Telos interface
Level: 0dBm, Impedance 10 kOhm
SUB-D-15 specifications
1 - output (return)
6
7
8
4
5
2
3
GND
- input (send) n.c.
Logical GND
9 + output (return)
10 GND
11 + input (send)
12 n.c.
OFF (on-hook) remote (opto-coupler) 13 ON (off-hook) remote (opto-coupler) n.c.
14 n.c.
Subscriber line 15 Subscriber line
EN DATEQ BCS50 user manual BCS53 settings 25
Jumper settings
The jumpers in a BCS53 and BCS53T module have the same functionality and the same position. That is why only the BCS53 PCB is shown below.
R302
U16
R89
U15
R68
C41
U3
1
C54
C33
C32
C12
C10
C43
C27
C28
C26
Q11
C24
R54
C25
Q10
U8
Q25
Q26
U7
R5
C46
C42
C47
R86
R84
R98
U6
R75
R76
R77
R51
R52
D23
C48
U9
R29
R33
C36
C20
R28
R25
C21
R30
C22
R31
R53
C17
R101
R38
P7
R32
3
R37
2
R34
R301
C301
P6
R35
P13
D27
4
Q13
R39
D3
D2
D1
R16
C15
C14
Z3
D20
R48
C1
5
C4
R20
R19
C2
Jumper name
CUE (1)
Possibilities
FADER (D)
SWITCH
AUX (2)
ON-AIR (3)
MSTR (4)
DJ (5)
POST (D)
PRE
OFF (D)
ON-AIR1
ON-AIR2
ON (D)
OFF
ON
OFF (D)
Description
The channel is activated when the fader is opened.
The channel is activated when the ON-key is pressed. When the fader is opened and the ON-lamp does not light up no audio will be fed through.
The after-fader signal is routed to the AUX-buss. Both jumpers (P6 and P7) have to be in the same position!
The pre-fader signal is routed to the AUX-buss. Both jumpers (P6 and
P7) have to be in the same position!
No ON-AIR outputs will be activated when the channel is switched on.
When the channel is switched on ON-AIR1 will be activated. The studio output will be muted to prevent an acoustical feedback.
When the channel is switched on ON-AIR2 will be activated.
When the PFL-switch is pressed the CR will switch automatically to
PFL. This makes the signal directly audible for the technician.
The signal is mixed to the PFL-buss, but the CR-selector will not automatically switch to PFL.
When the module is activated all PFL-buttons will reset and the CR output will be muted to prevent from an acoustical feedback with the
DJ-microphone. It is also possible to let the CR-selector switch to AIR or PGM. This will be explained later.
This function is disabled.
(D) indicates the default setting
26 BCS53 blockdiagram
Blockdiagram BCS53
PFL-RTN
PGM-RTN
AUD-L
AUD-R
AUX-R
AUX-L
PFL-R
PFL-L
PGM-L
PGM-R
ONAIR1
ONAIR2
MR-PFL
DJ-PFL
PFLRESET
DATEQ BCS50 user manual EN
2
3
1
EN DATEQ BCS50 user manual
Blockdiagram BCS53T
MR-PFL
DJ-PFL
ONAIR2
ONAIR1
PFLRESET
PFL-RTN
PGM-RTN
PGM-L
PGM-R
AUD-L
AUD-R
AUX-R
AUX-L
PFL-R
PFL-L
BCS53T blockdiagrams 27
28 BCS58 Master DATEQ BCS50 user manual EN
BCS50
AUX
METER
Outputlevel control for the AUX-signal
Sends the PGM or the
C.R. Signal to the VU-meter
AUD
AIR
...
PGM
C.R.
MUTE LED illuminates when the C.R. output is muted
(DJ mic. active)
T.B. MIC
Outputlevel control for the AUD-signal
CR-selector. Select the source to be monitored in the C.R.
Outputlevel control for the C.R.
Talkback microphone for the technician
20
15
1 2 9
30
-40 oo +6
6
AUX
0
3
4
2
3
1
0
5
6
GUEST
7
10
9
8
PGM
C.R.
20
15
1 2
9
30
-40 oo
AIR
6
+6
METER
AUD
0
3
3
2
1
0
4
3
2
1
0
PGM
T.B.
5
4
5
SPARE1
SPARE2
PGM
AIR
PFL
C.R.
6
ANN.
7
8
10
9
6
STUDIO
7
10
9
8
AUX
AUD
PGM
AUTOPFL
AIR
PGM
5
4
2
3
1
0
6
C.R.
7
10
9
8
+
2
3
1
0
4
PFL
5
6
PFL
7
10
9
8
MUTE overload
T.B. MIC TALK
GUEST Volumecontrol for the
GUEST headphones
PGM/TB Source selector for the
GUEST headphones
ANN.
Volumecontrol for the
ANNOUNCER headphones
STUDIO Volumecontrol for the
STUDIO output
PGM/AIR Source selector for the
STUDIO and the ANNOUNCER outputs
C.R.
When the switch is pressed the
STUDIO and the ANNOUNCER output follow the C.R. signal
PGM/AIR The C.R. automatically listens to
PGM or AIR when the DJ-microphone is active
+PFL When PFL is activated the PGM or
AIR signal can be monitored in the background (-20dB)
PFL Volumecontrol for the headphones overload LED illuminates when the PGM signal in the master is overloaded
TALK Talkback button
PHONES PHONES Headphones connector
EN DATEQ BCS50 user manual BCS58 master 29
Operation of the BCS50 master
AUX This control adjusts the volume of the signal on the AUX-output.
METER The VU-meter has the possibility to monitor the PGM signal, but it is also possible to monitor the C.R. signal. All available signals in the BCS50 can be monitored. This makes it possible to monitor the PFL signal of a channel so that the gain-setting can be tuned (0dB is the nominal level).
AUD This control adjusts the volume of the signal on the AUD-output.
C.R.
SEL.
The C.R. selector selects the source that can be heard on the C.R. speakers and the technicians headphones. Due to the built-in automations another LED than the
LED underneath the selected key can illuminate. The monitored source is the source indicated by the LED.
C.R.
Volumecontrol for the C.R. speakers. When the DJ-microphone is active
MUTE the C.R. will be muted. The mute LED illuminates.
T.B. MIC With the built-in microphone the technician can talk to the announcer and the
TALK studio output. The microphone is activated by pressing the talk-button. It is also possible to talk to the guest. To do so the PGM/TB switch has to be pressed.
GUEST Volumecontrol for the guest headphones.
PGM/TB When this switch is pressed the guest headphones will be linked to the same source as the announcer headphones. When the switch is not pressed the program signal will be heard.
ANN.
Volumecontrol for the announcer headphones.
STUDIO Volumecontrol for the studio speakers.
PGM/AIR These two keys determine the source for the studio and the announcer outputs.
C.R.
When the C.R. key is pressed these two outputs will be linked to the C.R. source.
When the key is not pressed the outputs will be linked to PGM or to AIR.
By activating this function the announcer can talk to a guest on the telephone while he is off-air. To do this the announcers microphone and the telephone module must be switched to PFL. The technician can also talk to the guest by switching his own microphone to PFL.
PGM/AIR When the DJ-microphone is active the BCS50 master can automatically switch to the
+PFL AIR or PGM signal. With the PGM/AIR switch you can select between these two sources. When the mixer is used as a recording unit over the AUD-buss while the normal radio-signal is fed through the PGM-buss this function is unpractical. That is why this function can be disabled. The +PFL key makes it possible to monitor the program or the air signal (depending on the PGM/AIR switch) when listening to PFL, so that the technician can monitor the current program. The signal is added at a
-20dB level.
PFL Volumecontrol for the technicians headphones.
overload The LED illuminates when the program signal in the master can become distorted.
30 BCS58 Master
AIR input level
S= gnd
R= R
T= L
E X T .
METER
AIR
R
TRIM
L
ANN.
STUDIO GUEST
DATEQ BCS50 user manual EN ring tip
Air in R
Air in L gnd ring tip
Spare in R
Spare in L
SPARE1
SPARE2 tip gnd ring
R
INSERT
S= gnd
R= return
T= send
L
Insert return
Insert send left right left right left ring tip right gnd
Headphone connector for the guests
L
R
LEFT
Studio speakers
RIGHT
Headphone connector for the announcer
Talkback in gnd
TalkBack
Connections
External meter connections
1
6
7
8
4
5
2
3
GND
PGM-L
AIR-L
SPARE 1-L
SPARE 2-L
AUD-L
AUX-L
PFL-L
9 PGM-R
10 AIR-R
11 SPARE 1-R
12 SPARE 2-R
13 AUD-R
14 AUX-R
15 PFL-R
INSERT-L and INSERT-R
Additional compression equipment can be connected to the mixer with these inserts.
EN DATEQ BCS50 user manual ring tip gnd
BCS58 master 31
Signal right
Signal left
TOP
CONSOLE
C . R .
S= GND
R= R
T= L
DCF-ANT
S= GND
R= n.c.
T= +
AUX
S= gnd
R= R
T= L
AUD
S= gnd
R= R
T= L
ON AIR 1
S = -
R= N.C.
T= +
MONO
1= gnd
2= +
3= -
ON AIR 2
S = -
R= N.C.
T= +
PGM-R
1= gnd
2= +
3= -
PGM-L
1= gnd
2= +
3= -
PGM-1
S= gnd
R= R
T= L
PGM-2
S= gnd
R= R
T= L
PGM-3
S= gnd
R= R
T= L
MCA-100
OFF ON
Power
230VAC
50/ 60Hz
FUSE
Fuse 2 Amp. (T)
WARNING:
Dangerous voltages inside.
tip
ON-AIR lamp
With a solid-state relay tip gnd
To DCF aerial gnd
TOP CONSOLE
Connector for the meterbridge
C.R.
Connector for the control room amplifier.
Output level: 0dBm adjustable, Impedance: 600 Ohm, XLR-M
DCF-ANT
When a BCS121 DCF-clock is installed the DCF-aerial must be connected here.
AUX
Auxiliary output.
Output level: 0dBm adjustable, Impedance: 600 Ohm, 6.3mm stereo jack
AUD
Audition output.
Output level: 0dBm adjustable, Impedance: 600 Ohm, 6.3mm stereo jack
ON AIR 1 + ON AIR 2
12Vdc, 1kOhm logical input, 6.3mm stereo jack
With a solid-state relay an external ON-AIR indicator can be connected here (for example the DATEQ OA-1). A 12Vdc control voltage is applied between the tip and the shield when the ON-AIR output is active. The maximum current is 12mA.
PGM-L, PGM-R and MONO
Output level: +6dBm, Impedance: 600 Ohm, XLR-M
Balanced program outputs. They can be used to connect a cable-modulator or the main transmitter. The mono output is the left and the right signal combined.
PGM-1, PGM-2 and PGM-3
Output level: 0dBm, Impedance: 600 Ohm, 6.3mm stereo jack
Additional unbalanced program outputs. These can be used to connect amplifiers, recorders etc. inside the studio.
32 BCS58 Master
Technical information
Input
AIR
SPARE 1
SPARE 2
TalkBack
Type Level
Unbalanced stereo -15 ... +6dBm
Unbalanced stereo 0dBm
Unbalanced stereo 0dBm
Impedance
10 kOhm
10 kOhm
10 kOhm
Unbalanced mono 0dBm
TB control
10 kOhm
12V, 100kOhm; switch to gnd
PGM insert L Unbalanced mono 0dBm
PGM insert R Unbalanced mono 0dBm
10 kOhm
10 kOhm
DATEQ BCS50 user manual EN
Connector
6.3mm stereo jack
6.3mm stereo jack
6.3mm stereo jack
6.3mm stereo jack
6.3mm stereo jack
6.3mm stereo jack
Output
PGM-L
PGM-R
MONO
Type
Balanced left
Level
+6 dBm
Balanced right
Balanced mono
(L+R)
+6 dBm
+6 dBm
Unbalanced stereo 0 dBm
Impedance
600 ohm
600 ohm
600 ohm
Connector
XLR-M
XLR-M
XLR-M
PGM-1
PGM-2
PGM-3
AUX
AUD
STUDIO
Unbalanced stereo
Unbalanced stereo
Unbalanced stereo
Unbalanced stereo
Unbalanced stereo
0 dBm
0 dBm
0 dBm
0 dBm
0 dBm
600 ohm
600 ohm
600 ohm
600 ohm
600 ohm
600 ohm
6.3mm stereo jack
6.3mm stereo jack
6.3mm stereo jack
6.3mm stereo jack
6.3mm stereo jack
6.3mm stereo jack
ANNOUNCER
GUEST
C.R.
ON AIR 1
ON AIR 2
Ext. Meter
INSERT-L
INSERT-R
MCA-100
Headphones
Headphones
6.3mm stereo jack
6.3mm stereo jack
XLR-M Unbalanced stereo 0 dBm
Control voltage
Control voltage
Unbalanced stereo
Unbalanced stereo
Unbalanced stereo
12Vdc, 1 kOhm
12Vdc, 1 kOhm
0 dBm
0 dBm
0 dBm
600 ohm
1 kOhm
600 ohm
600 ohm
6.3mm stereo jack
6.3mm stereo jack
SUB-D-15-F
6.3mm stereo jack
6.3mm stereo jack
Connector for the MCA-100 headphones amplifier. With this amplifier each announcer and guest can have their own headphones with volume control and a cough-button.
EN DATEQ BCS50 user manual BCS58 master 33
Jumper settings
With two jumpers the AutoPFL function can be configured. The jumpers are situated on a small add-on PCB at the left PCB of the BCS50 master unit.
By default the mixer is configured to disable the AutoPFL function when the C.R. selector is switched to audition. In all the other cases the C.R. selector will automatically switch to PGM or
AIR when the DJ-microphone is activated. It is also possible to disable this function when AUX is selected or to disable all AutoPFL functionality. See the table below:
Jumper settings Description
Default
J1J5
J2DIS
J3AUD
J4AUX
Default setting. No AUTO-PFL when AUD is selected on the C.R. selector.
Always active AUTO-PFL always active.
J1J5
J2DIS
J3AUD
J4AUX
No AUTO-PFL AUTO-PFL disabled.
J1J5
J2DIS
J3AUD
J4AUX
AUX
J1J5
J2DIS
J3AUD
J4AUX
No AUTO-PFL when AUX is selected on the C.R.
selector.
J1J5
J2DIS
J3AUD
J4AUX
AUD+AUX No AUTO-PFL when AUD or AUX is selected on the C.R. selector.
PFL-RTN
PGM-RTN
AUX-L
AUX-R
PFL-R
PFL-L
AUD-L
AUD-R
PGM-R
PGM-L
MR-PFL
DJ-PFL
ONAIR1
ONAIR2
PFLRESET
34 BCS58 Master blockdiagram
Blockdiagram BCS58 master
1
3
2 1
3
2 1
3
2 1
3
2
DATEQ BCS50 user manual EN
SP1
AIR
SP2
AUD
AUX
PFL
PGM
CR
AIR
PGM
AUD
PGM
AIR
SP1
TB
EN DATEQ BCS50 user manual BCS50 Technical specifications 35
BCS121 clock/timer module
The BCS121 clock/timer-module receives its time-of-dayinformation from the German DCF77-transmitter at
Mainflingen (near Frankfurt). The range of this transmitter is approximately 1000 miles. Besides extreme accuracy, the
BCS121 keeps track of daylight-saving-time etc. Unique is the infra-red remote control for selecting operation mode and entering time.
Timer
The timer can be used counting up or down. The [MODE]-key selects the desired mode:
TIMER COUNTING UP
In the initial mode the BCS121 counts upwards from 0:00.0. This mode can be useful for keeping track of the elapsed time since the last record, jingle or other item was started.
Triggering the timer with a microphone-channel can be useful to monitor the length of the
‘spoken’ parts of a radio-program.
TIMER COUTING DOWN
To indicate the (approaching) end of a pre-recorded item, for example, the BCS121 can be set in the countdown-mode. The timer will count down from a set point to 0:00.0. This time can be entered with the remote control, for example:
[1] [2] [ENTER]
The timer will start counting down from 0:12.0.
TIMER COUNTING UP/DOWN
During an intro of a (music-) item the timer will count down to indicate the (approaching) end of the intro. When 0:00:0 is reached, the timer switches to indicating the elapsed time from the point where the timer was triggered. The intro-time can be set from the remote control the same way, for example:
[1] [2] [ENTER]
The timer will start counting down from 0:12:0 to 0:00:0, then counting up from 0:12:0.
36 BCS50 Technical specifications DATEQ BCS50 user manual EN
TIMER COUNTING DOWN TO A SET TIME
In this mode the timer indicates the remaining time until a set time is reached, for example the starting-time of commercials and/or news. Enter this time from the remote control unit, for example:
[1] [7] [5] [7] [3] [4] [ENTER]
...to count down to 17:57:34. There is an important distinction between this mode and the other modes. This mode can be run in ‘background’, independent from the other timermodes. Once the set-time is programmed, the timer can be started, stopped and reset in all other modes, while the countdown timer keeps running. If you switch back to this mode, the remaining time will be displayed again.
In case the set time is approaching with the timer in a different mode, a small blinking dot is displayed on the left of the timer-display for the last 30 seconds, to draw the users attention.
INPUT-MASK-MODE
For external triggering of the timer 8 switch-signals can be connected to the BCS121. Since it is not always desired to trigger the timer with all connected signals, each signal can be individually blocked out with the mask-option. In the initial situation all inputs are enabled, so the display will show ‘1234/ 5678’. With the [1] .. [8] - keys of the remote control unit each channel can be disabled or enabled. For example by pressing
[3] [5] [6] the display will show ‘12-4 / --78‘. This means channels 3, 5 and 6 are disabled. Inputs 1, 2, 4,
7 and 8 are enabled.
Please note that the BCS70 uses input 1 and 2 to control the timer, so only inputs 3 through 8 are available for user-specific signals. You should always have input 1 enabled. Input 2 can be enabled or disabled to use the timer in two different operating modes. If you enable input 2, each channel on the BCS70 which is configured to control the timer (by means of the RES setup-option) will restart the timer as soon as the channel is opened. If you disable input 2, the timer will run as long as there is at least one open channel on the BCS70 with the timer control setup-option selected.
Setting the time
During normal reception-conditions the clock will be synchronised within 2 minutes, and the right time will appear on the display. It is also possible to use the clock with the antenna not connected (‘free running’). In this case setting the clock to the right time can be done by entering the time from the remote control unit, by pressing [0] [0] [0] when in input mask mode. When this is done, ‘ / SEt ‘ will appear. For example:
[1] [7] [2] [8] [0] [0] [ENTER]
The clock starts running from 17:28:00.
When the clock is a little slow or fast it can be synchronised by pressing the [C] key at the whole hour when the timer is in counting-up-mode. This function is only available when no valid DCF-signal is received and the time-deviation is less than 3 minutes.
This function is available when your clock has firmware version 1.5 or higher. To check your firmware version go to the input-mask-mode and press the [C] key!
EN DATEQ BCS50 user manual
BCS121 jumpers
RC5-ADRES
1
P8
8
1
P7
REM7
1
P6
REM6
1
P5
REM5
1
P4
REM4
1
P3
REM3
1
P2
REM2
+
1
P1
REM1
-
J1/J2/J3
BCS50 Technical specifications 37
1
P11
2
P10
R19
R36
R37
4
U8
3
P9
1
R39
C18
L2
Q1
C22
C21
C20
C16
1
C17
R38
D1
C23 +
U14
R40
C19
R41
R42 C10
+
R44
L1
Q3
Q2
U18
U13
R43
+
C9
U12
J1
D3
C11
J2
J3
ON OF
R21 R22
R26
R25
C5
+
C4
Q4
P12.
1
U11
P13.
U10
RC5-
ADRESS
A1
A0
1 0
R35
U15 U16
C6 C7
1
C8
U9
R24
U17
XT1
R20
Jumper
J1
J2
J3
On/Off
ON
OFF
ON
OFF
A0 = 0
A1 = 1
A0 = 1
A1 = 0
A0 = 0
A1 = 1
A0 = 1
A1 = 1
Function
BCS121 configured as slave (using another Dateq clock/timer-unit as master)
BCS121 configured as master (default)
12-hour time format with AM/PM (default in the USA)
24-hour time format (default in Europe)
(not used)
Address 0 remote control (default)
Address 1 remote control (when using multiple Dateq clock/timer-units in one room, it is recommended to use different remote control addresses)
Address 2 remote control
Address 3 remote control
BCS121 antenna
The cable of the supplied DCF77-antenna can be extended without any problem (up to a maximum of 100 meters, 300 feet). Mount the aerial in a position where reception quality of the DCF77-transmitter is good. Be aware of the fact that the direction of the antenna is important. If the reception of the transmitter is good, the LED on the aerial will blink every second on a regular basis. If the LED doesn't blink, or blinks irregularly, reception is bad. The cause for a bad reception can often be found in computer-equipment nearby, or steel constructions in the building, blocking the long-wave signal of the transmitter.
CAUTION: The supplied antenna is not suitable for outside-mounting. The antenna is not waterproof, and the built-in electronic circuit will not operate properly below the freezing point and above 50 degrees Celsius.
38 BCS50 Technical specifications DATEQ BCS50 user manual EN
Technical specifications
BCS51(E)
MIC .................................................................................... electronically balanced, XLR-F
Signal level ............................................................... -60 .. -14 dBm
Input impedance...................................................... 300 ohm
Input noise ................................................................ < 115dB (IHF-A)
THD+N (input to PGM)............................................ 0.09 % (CCIR-RMS)
LINE .................................................................................... electronically balanced, XLR-F
Signal level ............................................................... -14 .. +26 dBm
Input impedance...................................................... 10 kohm
Input noise ................................................................ < 80dB (IHF-A)
THD+N (input to PGM)............................................ 0.04 % (CCIR-RMS)
EQUALISER
LOW ........................................................................... +/-16dB @ 60 Hz shelving
MID ............................................................................. +/-12dB @ 1.5kHz bell-curve
HIGH .......................................................................... +/-12dB @ 12kHz shelving
LOWCUT................................................................... 12dB/octave @ 20Hz or 80Hz
COMMON
Frequency range...................................................... 20... 30kHz @ -3dB (lowcut @20Hz)
80... 30kHz @ -3dB (lowcut @80Hz)
Panorama range ..................................................... -56dB
Overload indication ................................................. +18dBm
BCS52
BCS52(E)
LINE 1 and LINE 2 ............................................................. unbalanced, XLR-F
Signal level ............................................................... -14 .. +20 dBm
Input impedance...................................................... 10 kohm
Input noise ................................................................ < 80dB (IHF-A)
THD+N (input to PGM)............................................ 0.03 % (CCIR-RMS)
Crosstalk L - R ......................................................... >78dB
Crosstalk Line1 - Line 2......................................... >75dB
BCS52S(E)
LINE 1 and LINE 2 ............................................................. electronically balanced, 6.3mm stereo jack
Signal level ............................................................... -14 .. +20 dBm
Input impedance...................................................... 10 kohm
Input noise ................................................................ < 80dB (IHF-A)
THD+N (input to PGM)............................................ 0.02 % (CCIR-RMS)
Crosstalk L - R ......................................................... >78dB
Crosstalk Line1 - Line 2......................................... >80dB
BCS52N(E)
LINE 1 and LINE 2 ............................................................. electronically balanced, XLR-F (L1) and 6.3mm st. jack
(L2)
Signal level ............................................................... -14 .. +20 dBm
Input impedance...................................................... 10 kohm
Input noise ................................................................ < 80dB (IHF-A)
THD+N (input to PGM)............................................ 0.02 % (CCIR-RMS)
Crosstalk L - R ......................................................... >78dB
Crosstalk Line1 - Line 2......................................... >80dB
BCS52(S)(N)(E)
EQUALISER
LOW ........................................................................... +/-16dB @ 30 Hz shelving
MID ............................................................................. +/-12dB @ 1.3kHz bell-curve
HIGH .......................................................................... +/-12dB @ 12kHz shelving
BCS52(N)(S)(E)
COMMON
Frequency range...................................................... 20... 30kHz @ -3dB
Balance range.......................................................... -50dB
Overload indication ................................................. +18dBm
EN DATEQ BCS50 user manual BCS50 Technical specifications 39
BCS53
PHONE LINE....................................................................... standard subscriber line, XLR-F (in) and XLR-M (out)
Signal level ............................................................... -21 .. -0 dBm
Input impedance...................................................... 600 ohm
BCS53T
TELOS
Signal level ............................................................... -15 .. +6 dBm
Input impedance...................................................... 10 kohm
Output impedance................................................... 10 kohm
BCS58
INPUTS
AIR .................................................................................... unbalanced, 6.3mm stereo jack
Signal level ............................................................... -15 ... +6 dBm
Input impedance...................................................... 10 kohm
SPARE1 and SPARE2...................................................... unbalanced, 6.3mm stereo jack
Signal level ............................................................... 0 dBm
Input impedance...................................................... 10 kohm
TALKBACK......................................................................... unbalanced, 6.3mm stereo jack
Signal level ............................................................... 0 dBm
Input impedance...................................................... 10 kohm
PGM INSERT ...................................................................... unbalanced, 6.3mm stereo jack
Signal level ............................................................... 0 dBm
Input impedance...................................................... 10 kohm
OUTPUTS
PGM-L, PGM-R and MONO.............................................. electronically balanced, XLR-M
Signal level ............................................................... +6dBm @ 600 ohm
Output impedance................................................... 600 ohm
AUD, AUX, PGM1-3, CR, STUDIO ................................... unbalanced stereo, 6.3mm stereo jack
Signal level ............................................................... 0dBm
Output impedance................................................... 600 ohm
ANN. and GUEST............................................................... headphones, 6.3mm stereo jack
Power......................................................................... 0.3W @ 4 ohm
Impedance................................................................ 3 ... 32 ohm
EXT. METER ....................................................................... SUB-D-15-F
Signal level ............................................................... 0dBm
Output impedance................................................... 1 kohm
PGM INSERT ...................................................................... 6.3mm stereo jack
Signal level ............................................................... 0dBm
Output impedance................................................... 600 ohm
ON-AIR1 and ON-AIR2 ..................................................... 6.3mm stereo jack
Control voltage ......................................................... 12V
Impedance................................................................ 1 kohm
COMMON
Overload indication ................................................. +18dBm
Output noise ............................................................. <-100dBm (all inputs off)
<-80dBm (all inputs on)
SUPPLY
Mains input ............................................................... 115Vac or 230Vac; internally switchable
Power......................................................................... 100VA
Fuse ........................................................................... 2 A slow 5x20mm
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Key Features
- Modular design with interchangeable input modules
- Built-in telephone hybrid for connecting to phone lines
- Multiple output options for connecting to various destinations
- Three-way tone control on selected input modules
- Audition output for monitoring selected channels
- Aux output for connecting to external effects or director's link
- Control room output for connecting to studio monitors
Related manuals
Frequently Answers and Questions
What types of input modules are available for the BCS50?
Can I connect an external telephone hybrid to the BCS50?
What is the purpose of the AUD output?
Can I use the AUX output to connect to an effects processor?
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