Owner’s Manual
Mode d’emploi
Manual de instrucciones
ENGLISH
FRANÇAIS
P-65
ESPAÑOL
Electronic Piano
EN
FR
ES
SPECIAL MESSAGE SECTION
This product utilizes batteries or an external power supply (adapter). DO
NOT connect this product to any power supply or adapter other than one
described in the manual, on the name plate, or specifically recommended by Yamaha.
WARNING: Do not place this product in a position where anyone could
walk on, trip over, or roll anything over power or connecting cords of any
kind. The use of an extension cord is not recommended! If you must use
an extension cord, the minimum wire size for a 25’ cord (or less) is 18
AWG. NOTE: The smaller the AWG number, the larger the current handling capacity. For longer extension cords, consult a local electrician.
This product should be used only with the components supplied or; a
cart, rack, or stand that is recommended by Yamaha. If a cart, etc., is
used, please observe all safety markings and instructions that accompany the accessory product.
SPECIFICATIONS SUBJECT TO CHANGE:
The information contained in this manual is believed to be correct at the
time of printing. However, Yamaha reserves the right to change or modify
any of the specifications without notice or obligation to update existing
units.
This product, either alone or in combination with an amplifier and headphones or speaker/s, may be capable of producing sound levels that
could cause permanent hearing loss. DO NOT operate for long periods
of time at a high volume level or at a level that is uncomfortable. If you
experience any hearing loss or ringing in the ears, you should consult an
audiologist.
IMPORTANT: The louder the sound, the shorter the time period before
damage occurs.
Some Yamaha products may have benches and / or accessory mounting
fixtures that are either supplied with the product or as optional accessories. Some of these items are designed to be dealer assembled or
installed. Please make sure that benches are stable and any optional fixtures (where applicable) are well secured BEFORE using.
Benches supplied by Yamaha are designed for seating only. No other
uses are recommended.
NOTICE:
Battery Notice:
This product MAY contain a small non-rechargeable battery which (if
applicable) is soldered in place. The average life span of this type of battery is approximately five years. When replacement becomes necessary,
contact a qualified service representative to perform the replacement.
This product may also use “household” type batteries. Some of these
may be rechargeable. Make sure that the battery being charged is a
rechargeable type and that the charger is intended for the battery being
charged.
When installing batteries, do not mix batteries with new, or with batteries
of a different type. Batteries MUST be installed correctly. Mismatches or
incorrect installation may result in overheating and battery case rupture.
Warning:
Do not attempt to disassemble, or incinerate any battery. Keep all batteries away from children. Dispose of used batteries promptly and as regulated by the laws in your area. Note: Check with any retailer of
household type batteries in your area for battery disposal information.
Disposal Notice:
Should this product become damaged beyond repair, or for some reason
its useful life is considered to be at an end, please observe all local,
state, and federal regulations that relate to the disposal of products that
contain lead, batteries, plastics, etc. If your dealer is unable to assist
you, please contact Yamaha directly.
NAME PLATE LOCATION:
The name plate is located on the bottom of the product. The model number, serial number, power requirements, etc., are located on this plate.
You should record the model number, serial number, and the date of purchase in the spaces provided below and retain this manual as a permanent record of your purchase.
Service charges incurred due to a lack of knowledge relating to how a
function or effect works (when the unit is operating as designed) are not
covered by the manufacturer’s warranty, and are therefore the owners
responsibility. Please study this manual carefully and consult your dealer
before requesting service.
Model
ENVIRONMENTAL ISSUES:
Purchase Date
Serial No.
Yamaha strives to produce products that are both user safe and environmentally friendly. We sincerely believe that our products and the production methods used to produce them, meet these goals. In keeping with
both the letter and the spirit of the law, we want you to be aware of the
following:
92-BP (bottom)
2
P-65 Owner’s Manual
PLEASE KEEP THIS MANUAL
IMPORTANT SAFETY INSTRUCTIONS
INFORMATION RELATING TO PERSONAL INJURY, ELECTRICAL SHOCK,
AND FIRE HAZARD POSSIBILITIES HAS BEEN INCLUDED IN THIS LIST.
WARNING- When using any electrical or electronic product,
basic precautions should always be followed. These precautions
include, but are not limited to, the following:
1.
Read all Safety Instructions, Installation Instructions, Special Message Section items, and any Assembly Instructions
found in this manual BEFORE making any connections, including connection to the main supply.
2.
Main Power Supply Verification: Yamaha products are
manufactured specifically for the supply voltage in the area
where they are to be sold. If you should move, or if any doubt
exists about the supply voltage in your area, please contact your
dealer for supply voltage verification and (if applicable) instructions. The required supply voltage is printed on the name plate.
For name plate location, please refer to the graphic found in the
Special Message Section of this manual.
3.
This product may be equipped with a polarized plug (one
blade wider than the other). If you are unable to insert the plug
into the outlet, turn the plug over and try again. If the problem
persists, contact an electrician to have the obsolete outlet
replaced. Do NOT defeat the safety purpose of the plug.
4.
Some electronic products utilize external power supplies
or adapters. Do NOT connect this type of product to any power
supply or adapter other than one described in the owners manual,
on the name plate, or specifically recommended by Yamaha.
5.
WARNING: Do not place this product or any other
objects on the power cord or place it in a position where anyone
could walk on, trip over, or roll anything over power or connecting cords of any kind. The use of an extension cord is not recommended! If you must use an extension cord, the minimum wire
size for a 25’ cord (or less) is 18 AWG. NOTE: The smaller the
AWG number, the larger the current handling capacity. For
longer extension cords, consult a local electrician.
6.
Ventilation: Electronic products, unless specifically
designed for enclosed installations, should be placed in locations
that do not interfere with proper ventilation. If instructions for
enclosed installations are not provided, it must be assumed that
unobstructed ventilation is required.
7.
Temperature considerations: Electronic products should
be installed in locations that do not significantly contribute to
their operating temperature. Placement of this product close to
heat sources such as; radiators, heat registers and other devices
that produce heat should be avoided.
8.
This product was NOT designed for use in wet/damp locations and should not be used near water or exposed to rain.
Examples of wet/damp locations are; near a swimming pool,
spa, tub, sink, or wet basement.
9.
This product should be used only with the components
supplied or; a cart, rack, or stand that is recommended by the
manufacturer. If a cart, rack, or stand is used, please observe all
safety markings and instructions that accompany the accessory
product.
10. The power supply cord (plug) should be disconnected
from the outlet when electronic products are to be left unused for
extended periods of time. Cords should also be disconnected
when there is a high probability of lightning and/or electrical
storm activity.
11. Care should be taken that objects do not fall and liquids are
not spilled into the enclosure through any openings that may exist.
12. Electrical/electronic products should be serviced by a
qualified service person when:
a. The power supply cord has been damaged; or
b. Objects have fallen, been inserted, or liquids have been
spilled into the enclosure through openings; or
c. The product has been exposed to rain: or
d. The product dose not operate, exhibits a marked change
in performance; or
e. The product has been dropped, or the enclosure of the
product has been damaged.
13. Do not attempt to service this product beyond that
described in the user-maintenance instructions. All other servicing should be referred to qualified service personnel.
14. This product, either alone or in combination with an
amplifier and headphones or speaker/s, may be capable of producing sound levels that could cause permanent hearing loss.
DO NOT operate for a long period of time at a high volume level
or at a level that is uncomfortable. If you experience any hearing
loss or ringing in the ears, you should consult an audiologist.
IMPORTANT: The louder the sound, the shorter the time period
before damage occurs.
15. Some Yamaha products may have benches and/or accessory
mounting fixtures that are either supplied as a part of the product
or as optional accessories. Some of these items are designed to be
dealer assembled or installed. Please make sure that benches are
stable and any optional fixtures (where applicable) are well
secured BEFORE using. Benches supplied by Yamaha are
designed for seating only. No other uses are recommended.
PLEASE KEEP THIS MANUAL
92-469-2
P-65 Owner’s Manual
3
PRECAUTIONS
PLEASE READ CAREFULLY BEFORE PROCEEDING
* Please keep this manual in a safe place for future reference.
WARNING
Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical
shock, short-circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following:
ENGLISH
Power supply/AC power adaptor
Water warning
• Only use the voltage specified as correct for the instrument. The required
voltage is printed on the name plate of the instrument.
• Do not expose the instrument to rain, use it near water or in damp or wet
conditions, or place containers on it containing liquids which might spill into
any openings.
• Use the specified adaptor (PA-5D or an equivalent recommended by Yamaha)
only. Using the wrong adaptor can result in damage to the instrument or
overheating.
• Never insert or remove an electric plug with wet hands.
• Check the electric plug periodically and remove any dirt or dust which may have
accumulated on it.
• Do not place the AC adaptor cord near heat sources such as heaters or radiators,
and do not excessively bend or otherwise damage the cord, place heavy objects
on it, or place it in a position where anyone could walk on, trip over, or roll
anything over it.
Do not open
• Do not open the instrument or attempt to disassemble the internal parts or
modify them in any way. The instrument contains no user-serviceable parts. If it
should appear to be malfunctioning, discontinue use immediately and have it
inspected by qualified Yamaha service personnel.
Fire warning
• Do not put burning items, such as candles, on the unit.
A burning item may fall over and cause a fire.
If you notice any abnormality
• If the AC adaptor cord or plug becomes frayed or damaged, or if there is a
sudden loss of sound during use of the instrument, or if any unusual smells or
smoke should appear to be caused by it, immediately turn off the power switch,
disconnect the adaptor plug from the outlet, and have the instrument inspected
by qualified Yamaha service personnel.
CAUTION
Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage
to the instrument or other property. These precautions include, but are not limited to, the following:
Power supply/AC power adaptor
• When removing the electric plug from the instrument or an outlet, always hold
the plug itself and not the cord.
• Unplug the AC power adaptor when not using the instrument, or during
electrical storms.
• Do not connect the instrument to an electrical outlet using a multiple-connector.
Doing so can result in lower sound quality, or possibly cause overheating in the
outlet.
• Do not place the instrument in an unstable position where it might accidentally
fall over.
• Before moving the instrument, remove all connected adaptor and other cables.
• When setting up the instrument, make sure that the AC outlet you are using is
easily accessible. If some trouble or malfunction occurs, immediately turn off
the power switch and disconnect the plug from the outlet.
• Use only the stand specified for the instrument. When attaching the stand or
rack, use the provided screws only. Failure to do so could cause damage to the
internal components or result in the instrument falling over.
Location
• Do not expose the instrument to excessive dust or vibrations, or extreme cold or
heat (such as in direct sunlight, near a heater, or in a car during the day) to
prevent the possibility of panel disfiguration or damage to the internal
components.
• Do not use the instrument in the vicinity of a TV, radio, stereo equipment,
mobile phone, or other electric devices. Otherwise, the instrument, TV, or radio
may generate noise.
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P-65 Owner’s Manual
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PRECAUTIONS
Connections
Handling caution
• Before connecting the instrument to other electronic components, turn off the
power for all components. Before turning the power on or off for all
components, set all volume levels to minimum. Also, be sure to set the volumes
of all components at their minimum levels and gradually raise the volume
controls while playing the instrument to set the desired listening level.
• Do not insert a finger or hand in any gaps on the instrument.
• Never insert or drop paper, metallic, or other objects into the gaps on the panel
or keyboard. If this happens, turn off the power immediately and unplug the
power cord from the AC outlet. Then have the instrument inspected by qualified
Yamaha service personnel.
• Do not place vinyl, plastic or rubber objects on the instrument, since this might
discolor the panel or keyboard.
Maintenance
• When cleaning the instrument, use a soft, dry cloth. Do not use paint thinners,
solvents, cleaning fluids, or chemical-impregnated wiping cloths.
• Do not rest your weight on, or place heavy objects on the instrument, and do not
use excessive force on the buttons, switches or connectors.
ENGLISH
• Do not operate the instrument for a long period of time at a high or
uncomfortable volume level, since this can cause permanent hearing loss. If you
experience any hearing loss or ringing in the ears, consult a physician.
Yamaha cannot be held responsible for damage caused by improper use or modifications to the instrument, or data that is lost or destroyed.
Always turn the power off when the instrument is not in use.
Even when the instrument turns the power off, electricity is still flowing to the instrument at the minimum level. When you are not using the instrument for a long time, make
sure you unplug the AC power adaptor from the wall AC outlet.
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P-65 Owner’s Manual
5
Introduction
ENGLISH
Thank you for purchasing the Yamaha Electronic Piano P-65!
We recommend that you read this manual carefully
so that you can fully take advantage of the advanced and
convenient functions of the P-65.
We also recommend that you keep this manual in a safe and
handy place for future reference.
Main Features
Graded Hammer Standard Keyboard
Thanks to our experience as the world’s leading manufacturer of acoustic pianos, we’ve developed a keyboard with
action that’s virtually indistinguishable from the real thing. Just as on a traditional acoustic piano, the keys of the lower
notes have a heavier touch, while the higher ones are more responsive to lighter playing. The keyboard’s sensitivity can
even be adjusted to match your playing style. This Graded Hammer technology also enables the P-65 to provide
authentic touch in a lightweight instrument.
AWM Stereo Sampling
The Yamaha P-65 electronic piano offers unmatched sonic realism and natural grand-piano type playability as well as
Yamaha’s original “AWM Stereo Sampling” tone-generation technology for rich, musical voices.
In particular, the Grand Piano 1 and 2 voices feature samples painstakingly recorded from a full concert grand piano,
while the Electric Piano 1 and 2 voice features multiple samples for different velocities (Dynamic Sampling); in other
words, it uses different samples depending on the strength of your playing.
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P-65 Owner’s Manual
About this Owner’s Manual
This manual consists of three main sections: Introduction, Reference and Appendix.
Introduction (page 6):
Please read this section first.
Reference (page 13):
This section explains how to make detailed settings for the P-65’s various functions.
* The illustrations as shown in this owner’s manual are for instructional purposes only, and may appear somewhat different from
those on your instrument.
* Copying of the commercially available musical data including but not limited to MIDI data and/or audio data is strictly prohibited
except for your personal use.
This product incorporates and bundles computer programs and contents in which Yamaha owns copyrights or with respect to
which it has license to use others’ copyrights. Such copyrighted materials include, without limitation, all computer software, style
files, MIDI files, WAVE data, musical scores and sound recordings. Any unauthorized use of such programs and contents outside of
personal use is not permitted under relevant laws. Any violation of copyright has legal consequences. DON’T MAKE, DISTRIBUTE
OR USE ILLEGAL COPIES.
ENGLISH
Appendix (page 26):
This section features a variety of essential, detailed information on the instrument.
• The company names and product names in this Owner’s Manual are the trademarks or registered trademarks of their respective
companies.
Accessories
• Owner’s Manual
This manual contains complete instructions for operating your P-65.
• Quick Operation Guide
• Yamaha PA-5D Power Adaptor
• Pedal (FC5)
• Music Rest
P-65 Owner’s Manual
7
Table of Contents
ENGLISH
Introduction
Main Features...............................................................................................6
About this Owner’s Manual .........................................................................7
Accessories ...................................................................................................7
Application Index .........................................................................................9
Panel Controls and Terminals....................................................................10
Before Using the P-65 ................................................................................11
Turning the Power On ................................................................................................ 11
Setting the Volume ...................................................................................................... 11
Using the Pedal ............................................................................................................ 12
Using Headphones ...................................................................................................... 12
Music Rest.................................................................................................................... 12
Reference
Listening to the Demo Songs ....................................................................13
Selecting & Playing Voices.........................................................................14
Selecting Voices ........................................................................................................... 14
Combining Voices (Dual)........................................................................................... 15
Adding Variations to the Sound – Reverb ................................................................. 16
Transposition.............................................................................................................. 17
Fine tuning of the Pitch............................................................................................... 17
Touch Sensitivity ......................................................................................................... 18
Connecting MIDI Instruments ...................................................................19
Connecting MIDI [IN][OUT] terminals ................................................................... 19
MIDI’s Capability ........................................................................................................ 19
Connecting a Personal Computer .............................................................................. 20
MIDI Functions ...........................................................................................21
MIDI Transmit/Receive Channel Selection ............................................................... 21
Local Control ON/OFF ............................................................................................... 21
Program Change ON/OFF .......................................................................................... 22
Control Change ON/OFF ........................................................................................... 22
Troubleshooting.........................................................................................23
Optional Equipment...................................................................................23
Index...........................................................................................................24
Appendix
MIDI Data Format ......................................................................................26
MIDI Implementation Chart ......................................................................30
Specifications .............................................................................................31
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P-65 Owner’s Manual
Application Index
Use this index to find reference pages that may be helpful for your particular application and situation.
Listening
Listening to demo songs with different voices.....................................................................Listening to the Demo Songs on page 13
Using the sustain pedal ............................................................................................................................... Using the Pedal on page 12
Changing the key of the P-65 to facilitate playing in difficult/unfamiliar key signatures.......................... Transposition on page 17
Fine tuning the pitch of the entire instrument when you play the P-65 along with other instruments or CD music
.........................................................................................................................................................Fine tuning of the Pitch on page 17
Selecting a touch sensitivity type............................................................................................................. Touch Sensitivity on page 18
Changing voices
Viewing the list of voices ............................................................................................................................Selecting Voices on page 14
Simulating a concert hall ..................................................................................Adding Variations to the Sound – Reverb on page 16
Combining two voices ............................................................................................................... Combining Voices (Dual) on page 15
ENGLISH
Playing
Connecting the P-65 to other devices
What is MIDI? ..................................................................................................................................................About MIDI on page 19
Connecting a computer ................................................................................................ Connecting a Personal Computer on page 20
P-65 Owner’s Manual
9
Panel Controls and Terminals
Panel Controls and Terminals
2
3
4
5
6
7
8
ENGLISH
1
9
1 [STANDBY/ON] switch ................ page 11
For turning the power on or off.
2 [MASTER VOLUME] slider ........... page 11
For adjusting the volume level of the entire sound.
3 [DEMO] button............................ page 13
For playing the demo songs.
4 [GRAND PIANO/VOICE] button
.......................................... page 14-16, 18
For selecting voices from 8 internal sounds including
Grand Piano 1 and 2 (page 14). You can also combine
two voices (page 15) or add reverb effects to the
selected voice for your keyboard performance
(page 16).
5 [SELECT] button .................... page 13, 14
For selecting a demo song for each voice.
10
P-65 Owner’s Manual
6 [DC IN 12V] jack...........................page 11
For connecting the included power adaptor (PA-5D).
7 MIDI [IN] [OUT] terminals ...........page 19
For connecting external MIDI devices, allowing the
use of various MIDI functions.
8 [PEDAL] jack .................................page 12
For connecting an included pedal (FC5) or an
optional FC4 foot switch.
9 [PHONES] jack..............................page 12
For connecting a set of standard stereo headphones,
allowing private practice.
Before Using the P-65
Before Using the P-65
Turning the Power On
1. Connect the PA-5D power adaptor’s DC
cable to the [DC IN 12V] jack.
WARNING
Use ONLY a Yamaha PA-5D AC Power Adaptor (or other adaptor specifically recommended by Yamaha) to power your instrument from
the AC mains. The use of other adaptors may result in irreparable
damage to both the adaptor and the P-65.
(The shape of plug
differs depending on
locale.)
ENGLISH
2. Plug the AC adaptor into an AC outlet.
CAUTION
Unplug the AC Power Adaptor when not using the P-65, or during
electrical storms.
3. Press the [STANDBY/ON] switch to turn
the power on.
The power indicator located to the left of the [STANDBY/ON]
switch lights up.
NOTE
When turning off the power, press and hold down the [STANDBY/ON] switch for a short time until the
power turns off. The P-65 uses this power-off procedure as a “safety” device to prevent the power from
being inadvertently turned off during performance.
CAUTION
Even when the instrument is turned off, electricity is still flowing to the instrument at the minimum level.
When you are not using the P-65 for a long time, make sure you unplug the AC power adaptor from the
wall AC outlet.
Setting the Volume
Initially set the [MASTER VOLUME] slider about halfway between the “MIN” and “MAX” settings. Then, when you start
playing, re-adjust the [MASTER VOLUME] slider to the most comfortable listening level.
The level decreases.
TERMINOLOGY
The level increases.
MASTER VOLUME:
The volume level of the entire keyboard sound
P-65 Owner’s Manual
11
Before Using the P-65
Using the Pedal
ENGLISH
FC5
[PEDAL] jack (Sustain Pedal)
This jack is for connecting the included pedal (FC5).
The pedal functions in the same way as a damper pedal on an acoustic piano. Connect the included pedal (FC5) to this
jack and press the pedal to sustain the sound.
An optional FC4 foot switch can also be connected to this jack.
NOTE
Make sure that power is OFF when connecting or disconnecting the pedal.
Using Headphones
Connect a set of headphones to one of the [PHONES] jacks.
Two [PHONES] jacks are provided.
You can connect two sets of standard stereo headphones. (If you are
using only one set of headphones, you can plug them into either
jack.)
It can also connect to an amplifier/speaker system.
On front panel
Standard
stereo mini
plug
CAUTION
To protect your hearing, avoid listening to the P-65 at a high volume level for long periods of time.
Music Rest
The P-65 includes a music rest that can be attached to the instrument by inserting it into the slot at the top of the control
panel.
12
P-65 Owner’s Manual
Reference
Listening to the Demo Songs
Listening to the Demo Songs
Demo songs are provided that effectively demonstrate each of the P-65’s voices.
1. Press the [STANDBY/ON] switch to turn the power
on.
NOTE
Refer to the voice list on page 14
for more information on the characteristics of each preset voice.
When the power is turned ON, the power indicator
located to the left of the [STANDBY/ON] switch lights
up.
NOTE
The demo songs will not be transmitted via MIDI.
ENGLISH
2. Adjust the volume.
Initially set the [MASTER VOLUME] slider about half
way between the “MIN” and “MAX” settings. Then,
when you start playing, re-adjust the [MASTER VOLUME] slider to the most comfortable listening level.
3. Press the [DEMO] button to listen
to the demo songs.
The GRAND PIANO 1 demo song will start. Demo
songs provided for each voice will play back in
sequence until you press the [DEMO] button.
Changing a Demo Song
You can change to another demo song during playback by pressing the [SELECT]
button. For selecting a demo song using the keyboard, press one of the C1–G1
keys while holding down the [DEMO] button.
C0
C1
G1
Demo Song List
Key
F#1
Voice Name
HARPSICHORD
Title
Gavotte
Composer
J.S. Bach
• The demonstration pieces listed above are short rearranged excerpts of the original
compositions.
• All other songs are original (© 2005 Yamaha Corporation).
4. Press the [DEMO] button to stop the
voice demo.
P-65 Owner’s Manual
13
Selecting & Playing Voices
Selecting & Playing Voices
Selecting Voices
1. While holding down the [GRAND PIANO/VOICE]
button, press one of the C1–G1 keys to select a
voice.
ENGLISH
Pressing the [SELECT] button switches among the following eight voices.
C0
Key
Voice Name
C1
G1
Description
C1
Grand Piano 1
Recorded samples from a full concert grand piano. Perfect for classical compositions as well as any other style that requires acoustic
piano.
C#1
Grand Piano 2
Clear piano with bright reverb. Good for popular music.
D1
E.Piano 1
An electronic piano sound created by FM synthesis. Good for
popular music.
D#1
E.Piano 2
The sound of an electric piano using hammer-struck metallic “tines.”
Soft tone when played lightly, and an aggressive tone when played
hard.
E1
Church Organ
This is a typical pipe organ sound (8' + 4' + 2'). Good for sacred
music from the Baroque period.
F1
Strings
Spacious and large-scale string ensemble. Try combining this voice
with piano in DUAL.
F#1
Harpsichord
The definitive instrument for baroque music. Since the strings of a
harpsichord are plucked, there is no touch response.
G1
Vibraphone
The sound of a vibraphone played with relatively soft mallets.
2. Adjust the volume.
Re-adjust the [MASTER VOLUME] slider for the most comfortable listening
level during your performance.
14
P-65 Owner’s Manual
NOTE
To familiarize yourself with the
characteristics of the voices, listen to the demo songs for each
voice (page 13).
TERMINOLOGY
Voice:
On the P-65, the term “voice”
means “instrument sound.”
NOTE
When you select a voice, an
appropriate reverb type will be
selected automatically (page 16).
Selecting & Playing Voices
Combining Voices (Dual)
You can play voices simultaneously across the entire range of the keyboard. In this way, you can
combine similar voices to create a thicker sound.
1. While holding down the [GRAND PIANO/VOICE]
button, press two keys in the range of C1 through
G1 simultaneously (or press one key while holding
another) to engage Dual.
ENGLISH
Refer to “Selecting Voices” on page 14 for more information on the voices that
are assigned to the keys.
C0
C1
G1
The voice assigned to the lower key will be designated as Voice 1, and the voice
assigned to the higher key will be designated as Voice 2.
You can make the following settings for Voices 1 and 2 in Dual:
Setting the Octave
You can shift the pitch up and down in octave steps for Voice 1 and Voice 2 independently. Depending on which voices you combine in Dual, the combination
may sound better if one of the voices is shifted up or down an octave.
NOTE
Reverb in Dual
The reverb type assigned to
Voice 1 will take priority. If the
reverb assigned to Voice 1 is set
to OFF, the reverb assigned to
Voice 2 will be in effect.
While holding down the [GRAND PIANO/VOICE] button, press one of the C5–F5 keys.
Voice1 Voice2
C5
Voice 1
C5
C#5
D5
-1
0
+1
F5
C6
D#5
E5
F5
Voice 2
C7
-1
0
+1
Setting the Balance
You can adjust the volume balance between two voices. For example, you can set
one voice as the main voice with a louder setting, and make the other voice softer.
While holding down the [GRAND PIANO/VOICE] button, press one of the F#5–
F#6 keys.
A setting of “0” produces an equal balance between the two Dual voices. Settings
below “0” increase the volume of Voice 2 in relation to Voice 1, and settings above
“0” increase the volume of Voice 1 in relation to Voice 2.
F#5 (-6)
C5
C6 (0)
F#6 (+6)
C7
2. While holding down the [GRAND PIANO/VOICE]
button, press one of the C1–G1 keys (or press the
[GRAND PIANO] button) to exit Dual and return to
the normal single-voice play.
P-65 Owner’s Manual
15
Selecting & Playing Voices
Adding Variations to the Sound – Reverb
This control enables you to select four different types of reverb effect that add extra depth and
expression to the sound to create a realistic acoustic ambience.
ENGLISH
Key
Reverb Type
Description
C2
Room
This setting adds a continuous reverb effect to the sound, similar to the
acoustic reverberation you would hear in a room.
C#2
Hall1
For a “bigger” reverb sound, use the HALL 1 setting. This effect simulates
the natural reverberation of a small-size concert hall.
D2
Hall2
For a truly spacious reverb sound, use the HALL 2 setting. This effect simulates the natural reverberation of a large concert hall.
D#2
Stage
Simulates the reverb of a stage environment.
E2
Off
No effect is applied.
Selecting a Reverb Type
While holding down the [GRAND PIANO/VOICE] button, press one of the C2–
E2 keys to select a reverb type.
C0
C1
C2 E2
Adjusting Reverb Depth
While holding down the [GRAND PIANO/VOICE] button, press one of the C3–
G#4 keys to adjust the reverb depth for the selected voice.
G#4: Depth 20
C0
C1
C2
C3: Depth 0
C4
NOTE
Reverb depth range:
0 (no effect)–
20 (maximum depth)
A4
The depth value increases as you press higher keys.
While holding down the [GRAND PIANO/VOICE] button, press the A4 key to
set the reverb to the depth most suitable for the selected voice.
NOTE
The default reverb type (including
OFF) and depth settings are different for each voice.
16
P-65 Owner’s Manual
Selecting & Playing Voices
Transposition
The P-65’s Transpose function makes it possible to shift the pitch of the entire keyboard up or down
in semitone intervals to facilitate playing in difficult key signatures, and to let you easily match the
pitch of the keyboard to the range of a singer or other instruments. For example, if you set the
transposition amount to “+5,” playing key C produces pitch F. In this way, you can play a song as
though it were in C major, and the P-65 will transpose it to the key of F.
Setting the amount of transposition
While holding down the [DEMO] and [GRAND PIANO/VOICE] buttons, press
one of the F#2–F#3 keys to set the desired amount of transposition.
C0
C1
F#3
ENGLISH
F#2
TERMINOLOGY
Transpose:
Changing the key signature. On
the P-65, transposing shifts the
pitch of the entire keyboard.
C2
-6 -4 -2
+1 +3
+6
-5 -3 -1 0 +2 +4 +5
To transpose the pitch down (in semitone steps)
While holding down the [DEMO] and [GRAND PIANO/VOICE] buttons, press
any key between F#2 and B2.
To transpose the pitch up (in semitone steps)
While holding down the [DEMO] and [GRAND PIANO/VOICE] buttons, press
any key between C#3 and F#3.
NOTE
Transposition range:
F#2 (-6 semitones)–
C3 (normal pitch)–
F#3 (+6 semitones)
To restore the normal pitch
While holding down the [DEMO] and [GRAND PIANO/VOICE] buttons, press
the C3 key.
Fine tuning of the Pitch
You can fine tune the pitch of the entire instrument. This function is useful when you play the P-65
along with other instruments or CD music.
Setting the Pitch
To raise the pitch
(in steps of roughly 0.2 Hz):
Hold down the A-1 and B-1 keys
simultaneously and press any key
between C3 and B3.
To lower the pitch
(in steps of roughly 0.2 Hz):
Hold down the A-1 and A#-1 keys
simultaneously and press any key
between C3 and B3.
To restore standard pitch:
Hold down the A-1, A#-1 and B-1
simultaneously and press any key
between C3 and B3.
A-1 B-1
C3
B3
TERMINOLOGY
Hz (Hertz):
C0
C1
This unit of measurement refers to
the frequency of a sound and represents the number of times a
sound wave vibrates in a second.
C2
Default setting:
A#-1
A-1
C3
C0
C1
B3
The “Default setting” refers to the
factory setting obtained when you
first turn on the power to the P-65.
C2
NOTE
A#-1
A-1 B-1
C3
C0
C1
B3
Setting range: 427.0–453.0 Hz
Standard pitch: 440.0 Hz
C2
P-65 Owner’s Manual
17
Selecting & Playing Voices
Touch Sensitivity
You can adjust the volume level that changes depending on how fast or strong you hit the keys.
The following four settings are available.
ENGLISH
Key
Touch Sensitivity
Description
A6
FIXED
The volume level does not change at all regardless of whether you play
the keyboard soft or hard.
A#6
SOFT
The volume level does not change much when you play the keyboard soft
or hard.
B6
MEDIUM
This is the standard piano touch response (default setting).
C7
HARD
The volume level changes very widely from pianissimo to fortissimo to
facilitate dynamic and dramatic expression. You have to hit the keys hard
to produce a loud sound.
Setting the Touch Sensitivity Type
While holding down the [GRAND PIANO/VOICE] button, press one of the A6–
C7 keys to select the desired touch sensitivity.
NOTE
The touch sensitivity settings may
have little or no effect with Church
Organ 1, 2 and Harpsichord 1, 2
voices that are not normally
responsive to keyboard dynamics.
Default setting: MEDIUM (B6)
A6 C7
18
P-65 Owner’s Manual
Connecting MIDI Instruments
Connecting MIDI Instruments
The P-65 features MIDI IN/OUT terminals, allowing you to connect the
P-65 to other instruments and devices—including computers—and
take advantage of the various performance and recording capabilities
in MIDI applications.
Since MIDI data that can be
transmitted or received varies
depending on the type of MIDI
device, check the “MIDI Implementation Chart” to find out what
MIDI data and commands your
devices can transmit or receive.
The P-65’s MIDI Implementation
Chart appears on page 26.
ENGLISH
Connecting MIDI [IN][OUT]
terminals
NOTE
MIDI [IN] [OUT] terminals
Use MIDI cables to connect external MIDI devices to these
connectors.
About MIDI
MIDI (Musical Instrument Digital Interface) is a standard format for data transmission/reception. It enables the transfer of performance data and commands between
MIDI devices and personal computers. Using MIDI, you can control a connected MIDI
device from the P-65, or control the P-65 from a connected MIDI device or computer.
MIDI’s Capability
MIDI functions enable you to transfer performance data between MIDI
devices.
NOTE
You cannot transmit the voice
demo songs from the P-65 to
another MIDI device.
CAUTION
Before connecting the instrument to other electronic components, turn off the power of all the
components.
● Transferring performance data to and from another
MIDI device
MIDI [OUT] terminal
MIDI [IN] terminal
MIDI cables
(optional)
MIDI [OUT] terminal
For MIDI connections, use a standard (optional) MIDI cable, available at most musical instrument
stores.
MIDI [IN] terminal
Instrument
● Transferring MIDI data to and from a computer
MIDI [IN]
terminal
MIDI [OUT]
terminal
USB terminal
Instrument
Computer
USB
interface
P-65 Owner’s Manual
19
Connecting MIDI Instruments
Connecting a Personal Computer
By connecting a computer to the MIDI terminals, you can transfer data between the P-65 and the
computer via MIDI.
CAUTION
NOTE
ENGLISH
When connecting the P-65 to a computer, first turn off the power to both the P-65 and the computer before connecting any cables. After making connections, turn on the power to the computer first, then to the P-65.
Connecting the USB port on the computer to the
P-65 via a USB interface (such as the UX16, UX96, or
UX256)
Use a USB interface device to connect the USB port on your computer to the P-65’s
MIDI terminals. You must install the USB interface (such as the UX16, UX96, or
UX256) driver. For more information, refer to the user’s manual that came with the
USB interface device.
MIDI [IN]
terminal
MIDI [OUT]
terminal
USB terminal
Instrument
Computer
USB
interface
20
When the P-65 is used as a tone
module, performance data with
voices that are not found on the
P-65 will not be played correctly.
P-65 Owner’s Manual
NOTE
You must install a software application on the computer to be able
to transfer MIDI data between the
P-65 and a computer.
MIDI Functions
MIDI Functions
You can make detailed adjustments to MIDI settings.
In any MIDI control setup, the MIDI channels of the transmitting and
receiving devices must be matched for proper data transfer.
This parameter enables you to specify the channel on which the P-65
transmits or receives MIDI data.
NOTE
In Dual, Voice 1 data is transmitted on its specified channel and
Voice 2 data is transmitted on the
next greater channel number relative to the specified channel. In
this case, no data is transmitted if
the transmit channel is set to
“OFF.”
ALL:
Setting the Transmit Channel
While holding down the [DEMO] and [GRAND PIANO/VOICE] buttons, press
one of the C1–E2 keys.
Setting the Receive Channel
While holding down the [DEMO] and [GRAND PIANO/VOICE] buttons, press
one of the C4–F5 keys.
E2
C0
C1
2 4
7 9 11
F5
C4
14 16
2 4
7 9 11
“Multi-timbre” Receive. This
allows simultaneous reception of
different parts on all 16 MIDI
channels, enabling the P-65 to
play multi-channel song data
received from a music computer
or sequencer.
ENGLISH
MIDI Transmit/Receive Channel
Selection
1+2:
“1+2” Receive. This allows simultaneous reception on channels 1
and 2 only, enabling the P-65 to
play 1 and 2 channel song data
received from a music computer
or sequencer.
14 16
1 3 5 6 8 10 12 13 15 OFF
1 3 5 6 8 10 12 13 15 1+2 ALL
Transmit Channel
(C1–E2)
Receive Channel
(C4–F5)
Program change and other like
channel messages received will
not affect the P-65’s panel settings or the notes you play on the
keyboard.
Data for the demo song cannot
be transmitted via MIDI.
Local Control ON/OFF
“Local Control” refers to the fact that, normally, the P-65 keyboard controls its internal tone generator, allowing the internal voices to be played directly from the keyboard. This situation is “Local
Control On,” since the internal tone generator is controlled locally by its own keyboard.
Local control can be turned OFF, however, so that the P-65 keyboard does not play the internal
voices, but the appropriate MIDI information is still transmitted via the MIDI OUT terminal when
notes are played on the keyboard. At the same time, the internal tone generator responds to MIDI
information received via the MIDI IN terminal.
While holding down the [DEMO] and [GRAND PIANO/VOICE] buttons, press
the C6 key. Pressing the C6 key repeatedly toggles between Local Control On
and Off.
C6
Default setting: ON
C7
P-65 Owner’s Manual
21
MIDI Functions
Program Change ON/OFF
ENGLISH
Normally the P-65 will respond to MIDI program change numbers received from an external keyboard or other MIDI device, causing the same numbered voice to be selected on the corresponding
channel (the keyboard voice does not change). The P-65 will normally also send a MIDI program
change number whenever one of its voices is selected, causing the same numbered voice or program to be selected on the external MIDI device if the device is set up to receive and respond to
MIDI program change numbers. This function makes it possible to cancel program change number
reception and transmission so that voices can be selected on the P-65 without affecting the external
MIDI device.
While holding down the [DEMO] and [GRAND PIANO/VOICE] buttons, press
the C#6 key. Pressing the C#6 key repeatedly toggles between Program Change
On and Off.
C#6
C7
NOTE
For information on program
change numbers for each of the
P-65’s voices, refer to MIDI Data
Format on page 26.
Default setting: ON
Control Change ON/OFF
Normally the P-65 will respond to MIDI control change data received from an external MIDI device
or keyboard, causing the voice on the corresponding channel to be affected by pedal and other
“control” settings received from the controlling device (the keyboard voice is not affected). The P65 also transmits MIDI control change information when the pedal or other appropriate controls
are operated.
This function makes it possible to cancel control change data reception and transmission so that,
for example, the P-65’s pedal and other controls can be operated without affecting an external
MIDI device.
While holding down the [DEMO] and [GRAND PIANO/VOICE] buttons,
press the D6 key. Pressing the D6 key repeatedly toggles between Control
Change On and Off.
D6
C7
NOTE
For information on control
changes that can be used with
the P-65, refer to MIDI Data Format on page 26.
Default setting: ON
22
P-65 Owner’s Manual
Troubleshooting
Troubleshooting
Possible Cause and Solution
The P-65 does not turn on.
The P-65 has not been plugged in properly. Securely insert the female plug into the
socket on the P-65, and the male plug into a proper AC outlet (page 11).
Noise is heard from the speakers or headphones.
The noise may be due to interference caused by the use of a mobile phone in close
proximity to the P-65. Turn off the mobile phone, or use it further away from the P-65.
The overall volume is low, or no sound is
heard.
• The Master Volume is set too low; set it to an appropriate level using the [MASTER
VOLUME] control.
• Make sure a pair of headphones is not connected to the headphones jack
(page 12).
• Make sure that Local Control (page 21) is ON.
The sustain pedal has no effect.
The pedal cable/plug may not be properly connected. Make sure to securely insert
the pedal plug into the proper jack (page 12).
ENGLISH
Problem
Optional Equipment
Foot Pedal (FC4/FC5)
Keyboard Stand (L-65)
P-65 Owner’s Manual
23
Index
Index
C
R
Combining Voices (Dual)...............................................15
Reverb.............................................................................. 16
Connecting a Personal Computer ..................................20
ENGLISH
S
D
[SELECT] button ...................................................... 13, 14
DC IN 12V.......................................................................11
Specifications................................................................... 31
Default setting .................................................................17
[STANDBY/ON] switch ................................................. 11
[DEMO] button ..............................................................13
Demo Songs.....................................................................13
Start/stop playback
Demo songs ............................................................... 13
Dual..................................................................................15
Sustain pedal ................................................................... 12
G
T
[GRAND PIANO/VOICE] button...............14, 15, 16, 18
Touch Sensitivity............................................................. 18
Transposition .................................................................. 17
H
Hz (Hertz) .......................................................................17
M
[MASTER VOLUME] slider...........................................11
MIDI [IN] [OUT] ...........................................................19
MIDI Data Format ..........................................................26
MIDI Implementation Chart..........................................30
MIDI terminals................................................................19
Music Rest........................................................................12
O
Optional Equipment .......................................................23
P
Panel Controls and Terminals........................................10
[PEDAL] jack...................................................................12
[PHONES] jack ...............................................................12
PRECAUTIONS ............................................................4, 5
24
P-65 Owner’s Manual
Troubleshooting.............................................................. 23
Tuning ➝Fine tuning of the Pitch................................. 17
V
Voice ................................................................................ 14
ENGLISH
P-65 Owner’s Manual
25
Appendix
MIDI Data Format / Format des données MIDI /
Formato de datos MIDI
If you’re already very familiar with MIDI, or are using a computer to control your music hardware with computer-generated MIDI
messages, the data provided in this section can help you to control the P-65.
Si vous êtes très familier avec l’interface MIDI ou si vous utilisez un ordinateur pour commander votre matériel de musique au moyen de
messages MIDI générés par ordinateur, les données suivantes vous seront utiles et vous aideront à commander le P-65.
SI usted está ya familiarizado con MIDI, o si emplea una computadora para controlar sus aparatos musicales con mensajes MIDI
generados por computadora, los datos proporcionados en esta sección le ayudarán a controlar la P-65.
1. NOTE ON/OFF
3. MODE MESSAGES
Data format: [9nH] -> [kk] -> [vv]
Data format: [BnH] -> [cc] -> [vv]
9nH = Note ON/OFF event (n = channel number)
kk =
Note number (Transmit: 09H–78H = A-2–C8 /
Receive: 00H–7FH = C-2–G8)
vv =
Velocity (Key ON = 01H–7FH, Key OFF = 00H)
Data format: [8nH] -> [kk] -> [vv] (reception only)
8nH = Note OFF event (n = channel number)
kk =
Note number: 00H–7FH = C-2–G8)
vv =
Velocity
2. CONTROL CHANGE
Data format: [BnH] -> [cc] -> [vv]
BnH = Control change (n = channel number)
cc =
Control number
vv =
Data Range
(1) Bank Select
ccH
Parameter
Data Range (vvH)
00H
Bank Select MSB
00H:Normal
20H
Bank Select LSB
00H...7FH
Bank selection processing does not occur until receipt of next
Program Change message.
(2) Main Volume
ccH
Parameter
07H
Volume MSB
Data Range (vvH)
00H...7FH
(3) Expression (reception only)
ccH
Parameter
Data Range (vvH)
0BH Expression MSB
00H...7FH
(4) Sustain
ccH
Parameter
40H
Sustain MSB
Data Range (vvH)
00H...7FH
(5) Sostenuto (reception only)
ccH
Parameter
Data Range (vvH)
42H
Sostenuto
00H...3FH:off, 40H...7FH:on
(6) Soft Pedal (reception only)
ccH
Parameter
Data Range (vvH)
43H
Soft Pedal
00H...3FH:off, 40H...7FH:on
(7) Effect1 Depth (Reverb Send Level)
ccH
Parameter
Data Range (vvH)
5BH Effect1 Depth
00H...7FH
Adjusts the reverb send level.
(8) Effect4 Depth (Variation Effect Send Level)
ccH
Parameter
Data Range (vvH)
5EH Effect4 Depth
00H...7FH
(9) RPN
65H
RPN
MSB
64H
RPN
LSB
06H
Data Entry
MSB
26H
Data Entry
LSB
60H
Data
Increment
61H
Data
Decrement
* Parameters that are controllable with RPN:
• Coarse Tune
• Fine Tune
• Pitch Bend Range
26
P-65 Owner’s Manual / Mode d’emploi / Manual de instrucciones
BnH = Control event (n = channel number)
cc =
Control number
vv =
Data Range
(1) All Sound Off
ccH
Parameter
78H
All Sound Off
(2) Reset All Controllers
ccH
Parameter
79H
Reset All Controllers
Resets controllers as follows.
Controller
Expression
Sustain Pedal
Sostenuto
Soft Pedal
Data Range (vvH)
00H
Data Range (vvH)
00H
Value
127 (max)
0 (off)
0 (off)
0 (off)
(3) Local Control (reception only)
ccH
Parameter
Data Range (vvH)
7AH Local Control
00H (off), 7FH (on)
(4) All Notes Off
ccH
Parameter
Data Range (vvH)
7BH All Notes Off
00H
Switches OFF all the notes that are currently ON on the specified channel. Any notes being held by the sustain or sostenuto pedal will continue to sound until the pedal is released.
(5) Omni Off (reception only)
ccH
Parameter
Data Range (vvH)
7CH Omni Off
00H
Same processing as for All Notes Off.
(6) Omni On (reception only)
ccH
Parameter
Data Range (vvH)
7DH Omni On
00H
Same processing as for All Notes Off.
(7) Mono (reception only)
ccH
Parameter
Data Range (vvH)
7EH Mono
00H
Same processing as for All Sound Off.
(8) Poly (reception only)
ccH
Parameter
Data Range (vvH)
7FH
Poly
00H
Same processing as for All Sound Off.
• When Control Change is turned OFF, Control Change messages will not be transmitted or received.
• Local on/off, OMNI on/off are not transmitted. (The appropriate note off number is supplied with “All Note Off” transmission).
• When a voice bank MSB/LSB is received, the number is
stored in the internal buffer regardless of the received order,
then the stored value is used to select the appropriate voice
when a program change message is received.
• Poly mode is always active. This mode will not change when
the instrument receives a MONO/POLY mode message.
4. PROGRAM CHANGE
7. SYSTEM EXCLUSIVE MESSAGES
(Universal System Exclusive)
Data format: [CnH] -> [ppH]
CnH = Program event (n = channel number)
ppH = Program change number
P.C.#=Program Change number
P-65
Grand Piano 1
Grand Piano 2
E.Piano 1
E.Piano 2
Church Organ
Strings
Harpsichord
Vibraphone
MSB
0
0
0
0
0
0
0
0
LSB
122
112
122
122
123
122
122
122
P.C.##
1
1
6
5
20
49
7
12
• When program change reception is turned OFF, no program
change data is transmitted or received.
• When you specify a program change as a number in the
range of 0–127, specify a number that is one less than the
program change number listed above. For example, to specify
program change number 1, you would specify a value of 0.
5. Pitch Bend Change (reception only)
[EnH] -> [ccH] -> [ddH]
ccH = LSB
ddH = MSB
6. SYSTEM REALTIME MESSAGES
[rrH]
F8H: Timing clock
FAH: Start
FCH: Stop
FEH: Active sensing
Data
F8H
Transmission
Transmitted every
96 clocks
FAH
Song start
FCH
Song stop
FEH
Transmitted every
200 milliseconds
(1) Universal Realtime Message
Data format: [F0H] -> [7FH] -> [XnH] -> [04H] -> [01H] ->
[llH] -> [mmH] -> [F7H]
MIDI Master Volume
• Simultaneously changes the volume of all channels.
• When a MIDI master volume message is received, the volume
only has affect on the MIDI receive channel, not the panel
master volume.
F0H = Exclusive status
7FH = Universal Realtime
7FH = ID of target device
04H = Sub-ID #1=Device Control Message
01H = Sub-ID #2=Master Volume
llH = Volume LSB
mmH = Volume MSB
F7H = End of Exclusive
or
F0H = Exclusive status
7FH = Universal Realtime
XnH = When received, n=0–F.
X = irrelevant
04H = Sub-ID #1=Device Control Message
01H = Sub-ID #2=Master Volume
llH = Volume LSB
mmH = Volume MSB
F7H = End of Exclusive
(2) Universal Non-Realtime Message (GM On)
General MIDI Mode On
Data format: [F0H] -> [7EH] -> [XnH] -> [09H] -> [01H] ->
[F7H]
Reception
Received as 96-clock tempo timing
when MIDI clock is set to External.
Song start
Not received when the MIDI clock is
set to Internal.
Song stop
Not received when the MIDI clock is
set to Internal.
If a signal is not received via MIDI for
more than 400 milliseconds, the
same processing will take place for All
Sound Off, All Notes Off and Reset All
Controllers as when those signals are
received.
• If an error occurs during MIDI reception, the Sustain, Sostenuto, and Soft effects for all channels are turned off and an All
Note Off occurs.
F0H = Exclusive status
7EH = Universal Non-Realtime
7FH = ID of target device
09H = Sub-ID #1=General MIDI Message
01H = Sub-ID #2=General MIDI On
F7H = End of Exclusive
or
F0H = Exclusive status
7EH = Universal Non-Realtime
XnH = When received, n=0–F.
X = irrelevant
09H = Sub-ID #1=General MIDI Message
01H = Sub-ID #2=General MIDI On
F7H = End of Exclusive
When the General MIDI mode ON message is received, the
MIDI system will be reset to its default settings.
This message requires approximately 50ms to execute, so
sufficient time should be allowed before the next message is
sent.
P-65 Owner’s Manual / Mode d’emploi / Manual de instrucciones
27
8. SYSTEM EXCLUSIVE MESSAGES (XG Standard)
(1) XG Native Parameter Change
Data format: [F0H] -> [43H] -> [1nH] -> [4CH] -> [hhH] ->
[mmH] -> [llH] -> [ddH] -> [F7H]
F0H = Exclusive status
43H = YAMAHA ID
1nH = When received, n=0–F.
When transmitted, n=0.
4CH = Model ID of XG
hhH = Address High
mmH = Address Mid
llH = Address Low
ddH = Data
|
F7H = End of Exclusive
Data size must match parameter size (2 or 4 bytes).
When the XG System On message is received, the MIDI system will be reset to its default settings.
The message requires approximately 50ms to execute, so
sufficient time should be allowed before the next message is
sent.
(2) XG Native Bulk Data (reception only)
Data format: [F0H] -> [43H] -> [0nH] -> [4CH] -> [aaH] ->
[bbH] -> [hhH] -> [mmH] -> [llH] ->[ddH] ->...->
[ccH] -> [F7H]
F0H = Exclusive status
43H = YAMAHA ID
0nH = When received, n=0–F.
When transmitted, n=0.
4CH = Model ID of XG
aaH = ByteCount
bbH = ByteCount
hhH = Address High
mmH = Address Mid
llH = Address Low
ddH = Data
|
|
|
|
ccH = Check sum
F7H = End of Exclusive
• Receipt of the XG SYSTEM ON message causes reinitialization of relevant parameters and Control Change values. Allow
sufficient time for processing to execute (about 50 msec)
before sending the P-65 another message.
• XG Native Parameter Change message may contain two or
four bytes of parameter data (depending on the parameter
size).
• For information about the Address and Byte Count values,
refer to Table 1 below. Note that the table’s Total Size value
gives the size of a bulk block. Only the top address of the
block (00H, 00H, 00H) is valid as a bulk data address.
9. SYSTEM EXCLUSIVE MESSAGES
(Digital Piano MIDI Format)
Data format: [F0H] -> [43H] -> [73H] -> [xxH] -> [nnH] -> [F7H]
F0H =
43H =
73H =
01H =
xxH =
nn
02H
03H
06H
F7H =
28
Exclusive status
Yamaha ID
Digital Piano ID
Product ID (digital piano common)
Substatus
Control
Internal MIDI clock
External MIDI clock
Bulk Data (the bulk data follows 06H)
End of Exclusive
P-65 Owner’s Manual / Mode d’emploi / Manual de instrucciones
10. SYSTEM EXCLUSIVE MESSAGES (Special Control)
Data format: [F0H] -> [43H] -> [73H] -> [66H] -> [11H] ->
[0nH] -> [ccH] -> [vvH] -> [F7H]
F0H =
43H =
73H =
7FH =
4BH =
11H =
0nH =
cc =
vv =
F7H =
Exclusive status
Yamaha ID
Digital Piano ID
Extended Product ID
Product ID
Special control
Control MIDI change (n=channel number)
Control number
Value
End of Exclusive
Control
Channel
ccH
vvH
Channel Detune ch: 00H–0FH 43H (Sets the Detune value
for each channel)
00H–7FH
Voice Reserve ch: 00H–0FH 45H
00H : Reserve off 7FH
: on*
* When Volume, Expression is received for Reserve On, they
will be effective from the next Key On. Reserve Off is normal.
11. SYSTEM EXCLUSIVE MESSAGES (Others)
Data format: [F0H] -> [43H] -> [1nH] -> [27H] -> [30H] -> [00H]
-> [00H] -> [mmH] -> [llH] -> [ccH] -> [F7H]
Master Tuning (XG and last message priority) simultaneously
changes the pitch of all channels.
F0H = Exclusive Status
43H = Yamaha ID
1nH = When received, n=0–F.
When transmitted, n=0.
27H = Model ID of TG100
30H = Sub ID
00H
=
00H
=
mmH = Master Tune MSB
llH = Master Tune LSB
ccH = irrelevant (under 7FH)
F7H = End of Exclusive
<Table 1>
MIDI Parameter Change table (SYSTEM)
Address (H) Size (H)
Data (H)
00 00 00
4
020C–05F4(*1)
01
02
03
04
1
7E
7F
TOTAL SIZE 07
00–7F
00
00
Parameter
MASTER TUNE
MASTER VOLUME
XG SYSTEM ON
RESET ALL PARAMETERS
Description
-50–+50[cent]
1st bit 3–0 ➝ bit 15–12
2nd bit 3–0 ➝ bit 11–8
3rd bit 3–0 ➝ bit 7–4
4th bit 3–0 ➝ bit 3–0
0–127
00=XG sytem ON
00=ON (receive only)
Default value (H)
00 04 00 00
400
7F
*1: Values lower than 020CH select -50 cents. Values higher than 05F4H select +50 cents.
<Table 2>
MIDI Parameter Change table (EFFECT 1)
Refer to the “Effect MIDI Map” for a complete list of Reverb, Chorus and Variation type numbers.
Address (H)
02 01 00
Size (H)
2
02 01 40
2
Data (H)
00–7F
00–7F
Parameter
REVERB TYPE MSB
REVERB TYPE LSB
00–7F
VARIATION TYPE MSB
00–7F
VARIATION TYPE LSB
• “VARIATION” refers to the EFFECT on the panel.
Description
Refer to Effect MIDI Map
00 : basic type
Default value (H)
01 (=HALL1)
00
Refer to Effect MIDI Map
00 : basic type
00 (=Effect off)
00
Description
0–127
Default value (H)
7F
<Table 3>
MIDI Parameter Change table (MULTI PART)
Address (H) Size (H)
08 nn 11
1
nn = Part Number
Data (H)
00–7F
Parameter
DRY LEVEL
• Effect MIDI Map
REVERB
ROOM
HALL 1
HALL 2
STAGE
OFF
MSB
02H
01H
01H
03H
00H
LSB
10H
10H
11H
10H
00H
MSB
42H
48H
46H
47H
00H
LSB
10H
10H
10H
10H
00H
EFFECT
CHORUS
PHASER
TREMOLO
ROTARY SP
OFF
P-65 Owner’s Manual / Mode d’emploi / Manual de instrucciones
29
MIDI
YAMAHA Implementation
[ Electronic Piano ]Chart
Date : 18-DEC-2005
Version : 1.0
Model P-65 MIDI Implementation Chart
Function
Transmitted
Recognized
Basic
Channel
Default
Changed
1
1 - 16
1 - 16
1 - 16
Mode
Default
Messages
Altered
3
3
˛
**************
˛
˛
0 - 127
**************
0 - 127
0 - 127
Note
Number : True voice
Velocity
Note ON Ø 9nH,v=1-127
Note OFF ˛
Ø
˛
After
Touch
Key's
Ch's
˛
˛
˛
˛
˛
Ø
Ø
˛
Ø
˛
˛
˛
Ø
˛
˛
Ø
˛
˛
Ø
Ø
Ø
Ø
Ø
Ø
Ø
Ø
Ø
Ø
Ø
Ø
Ø
0 - 127
**************
Ø
Ø
Ø
: Song Pos. ˛
: Song Sel. ˛
: Tune
˛
˛
˛
˛
Pitch Bend
Control
Change
Prog
Change
0,32
1
7
10
11
6,38
64
66,67
84
91,94
96-97
100-101
:
True #
System Exclusive
Common
System
: Clock
Real Time : Commands
Ø
Ø
Ø
Ø
:
:
:
Mes- :
sages:
:
Ø
Ø
˛
Ø
Ø
˛
Ø
Ø
Ø
Ø
Ø
˛
Aux
All Sound Off
Reset All Cntrls
Local ON/OFF
All Notes OFF
Active Sense
Reset
Remarks
9nH,v=1-127
0 - 24 semi
Bank Select
Modulation
Main Volume
Panpot
Expression
Data Entry
Sustain
Portamento Control
Effect Depth
RPN Inc,Dec
RPN LSB,MSB
0 - 127
(120,126,127)
(121)
(122)
(123-125)
Notes:
Mode 1 : OMNI ON , POLY
Mode 3 : OMNI OFF, POLY
30
Mode 2 : OMNI ON ,MONO
Mode 4 : OMNI OFF,MONO
P-65 Owner’s Manual / Mode d’emploi / Manual de instrucciones
Ø
˛
: Yes
: No
Specifications / Caractéristiques techniques /
Especificaciones
Keyboard
Sound Source
88 keys (A-1–C7)
AWM Stereo Sampling
Polyphony (Max.)
32
Voice Selection
8
Effect
Reverb
Volume
Master Volume
Controls
Dual, Transpose, Touch (Hard/Medium/Soft/Fixed)
Pedal
Demo Songs
Jacks/Connectors
Main Amplifiers
Speakers
Dimensions (W × D × H)
Weight
Accessories
SUSTAIN PEDAL
8 voice Demo Songs
MIDI (IN/OUT), PHONES × 2, DC IN 12V, PEDAL
6W×2
(12 cm × 6 cm) × 2
1,330 mm × 355 mm × 133 mm [52-3/8" × 14" × 5-1/4"]
(1,330 mm × 402 mm × 319 mm) [52-3/8" × 15-13/16" × 12-9/16"]
13 kg (28 lbs. 11 oz.)
Owner’s Manual, Yamaha PA-5D power adaptor, Pedal (FC5), Music Rest
* Specifications and descriptions in this owner’s manual are for information purposes only. Yamaha Corp. reserves the right to change or modify
products or specifications at any time without prior notice. Since specifications, equipment or options may not be the same in every locale, please
check with your Yamaha dealer.
* Les caractéristiques techniques et les descriptions du mode d’emploi ne sont données que pour information. Yamaha Corp. se réserve le droit de
changer ou modifier les produits et leurs caractéristiques techniques à tout moment sans aucun avis. Du fait que les caractéristiques techniques, les
équipements et les options peuvent différer d’un pays à l’autre, adressez-vous au distributeur Yamaha le plus proche.
* Las especificaciones y descripciones de este manual del propietario tienen sólo el propósito de servir como información. Yamaha Corp. se reserva el
derecho a efectuar cambios o modificaciones en los productos o especificaciones en cualquier momento sin previo aviso. Puesto que las especificaciones, equipos u opciones pueden no ser las mismas en todos los mercados, solicite información a su distribuidor Yamaha.
P-65 Owner’s Manual / Mode d’emploi / Manual de instrucciones
31
FCC INFORMATION (U.S.A.)
1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!
This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by
Yamaha may void your authority, granted by the FCC, to
use the product.
2. IMPORTANT: When connecting this product to accessories and/or another product use only high quality
shielded cables. Cable/s supplied with this product
MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA.
3. NOTE: This product has been tested and found to comply with the requirements listed in FCC Regulations,
Part 15 for Class “B” digital devices. Compliance with
these requirements provides a reasonable level of
assurance that your use of this product in a residential
environment will not result in harmful interference with
other electronic devices. This equipment generates/
uses radio frequencies and, if not installed and used
according to the instructions found in the users manual,
may cause interference harmful to the operation of
other electronic devices. Compliance with FCC regulations does not guarantee that interference will not occur
in all installations. If this product is found to be the
source of interference, which can be determined by
turning the unit “OFF” and “ON”, please try to eliminate
the problem by using one of the following measures:
Relocate either this product or the device that is being
affected by the interference.
Utilize power outlets that are on different branch (circuit
breaker or fuse) circuits or install AC line filter/s.
In the case of radio or TV interference, relocate/reorient
the antenna. If the antenna lead-in is 300 ohm ribbon
lead, change the lead-in to co-axial type cable.
If these corrective measures do not produce satisfactory results, please contact the local retailer authorized
to distribute this type of product. If you can not locate
the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service Division, 6600
Orangethorpe Ave, Buena Park, CA90620
The above statements apply ONLY to those products
distributed by Yamaha Corporation of America or its
subsidiaries.
* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA.
OBSERVERA!
Apparaten kopplas inte ur växelströmskällan (nätet) så länge som den
ar ansluten till vägguttaget, även om själva apparaten har stängts av.
ADVARSEL:Netspæendingen til dette apparat er IKKE afbrudt,
sålæenge netledningen siddr i en stikkontakt, som er t endt — også
selvom der or slukket på apparatets afbryder.
VAROITUS:Laitteen toisiopiiriin kytketty käyttökytkin ei irroita koko
laitetta verkosta.
(standby)
(class B)
For details of products, please contact your nearest Yamaha
representative or the authorized distributor listed below.
Pour plus de détails sur les produits, veuillez-vous adresser à Yamaha ou
au distributeur le plus proche de vous figurant dans la liste suivante.
NORTH AMERICA
CANADA
Yamaha Canada Music Ltd.
135 Milner Avenue, Scarborough, Ontario,
M1S 3R1, Canada
Tel: 416-298-1311
Die Einzelheiten zu Produkten sind bei Ihrer unten aufgeführten
Niederlassung und bei Yamaha Vertragshändlern in den jeweiligen
Bestimmungsländern erhältlich.
Para detalles sobre productos, contacte su tienda Yamaha más cercana
o el distribuidor autorizado que se lista debajo.
THE NETHERLANDS/
BELGIUM/LUXEMBOURG
Yamaha Music Central Europe GmbH,
Branch Benelux
Clarissenhof 5-b, 4133 AB Vianen, The Netherlands
Tel: 0347-358 040
FRANCE
U.S.A.
Yamaha Corporation of America
6600 Orangethorpe Ave., Buena Park, Calif. 90620,
U.S.A.
Tel: 714-522-9011
CENTRAL & SOUTH AMERICA
MEXICO
Yamaha de México S.A. de C.V.
Calz. Javier Rojo Gómez #1149,
Col. Guadalupe del Moral
C.P. 09300, México, D.F., México
Tel: 55-5804-0600
Yamaha Musique France
BP 70-77312 Marne-la-Vallée Cedex 2, France
Tel: 01-64-61-4000
ITALY
Yamaha Musica Italia S.P.A.
Viale Italia 88, 20020 Lainate (Milano), Italy
Tel: 02-935-771
SPAIN/PORTUGAL
Yamaha-Hazen Música, S.A.
Ctra. de la Coruna km. 17, 200, 28230
Las Rozas (Madrid), Spain
Tel: 91-639-8888
GREECE
BRAZIL
Yamaha Musical do Brasil Ltda.
Av. Reboucas 2636-Pinheiros CEP: 05402-400
Sao Paulo-SP. Brasil
Tel: 011-3085-1377
ARGENTINA
Yamaha Music Latin America, S.A.
Sucursal de Argentina
Viamonte 1145 Piso2-B 1053,
Buenos Aires, Argentina
Tel: 1-4371-7021
PANAMA AND OTHER LATIN
AMERICAN COUNTRIES/
CARIBBEAN COUNTRIES
Yamaha Music Latin America, S.A.
Torre Banco General, Piso 7, Urbanización Marbella,
Calle 47 y Aquilino de la Guardia,
Ciudad de Panamá, Panamá
Tel: +507-269-5311
EUROPE
THE UNITED KINGDOM
Yamaha-Kemble Music (U.K.) Ltd.
Sherbourne Drive, Tilbrook, Milton Keynes,
MK7 8BL, England
Tel: 01908-366700
IRELAND
Danfay Ltd.
61D, Sallynoggin Road, Dun Laoghaire, Co. Dublin
Tel: 01-2859177
GERMANY
Yamaha Music Central Europe GmbH
Siemensstraße 22-34, 25462 Rellingen, Germany
Tel: 04101-3030
SWITZERLAND/LIECHTENSTEIN
Yamaha Music Central Europe GmbH,
Branch Switzerland
Seefeldstrasse 94, 8008 Zürich, Switzerland
Tel: 01-383 3990
AUSTRIA
Yamaha Music Central Europe GmbH,
Branch Austria
Schleiergasse 20, A-1100 Wien, Austria
Tel: 01-60203900
CZECH REPUBLIC/SLOVAKIA/
HUNGARY/SLOVENIA
Yamaha Music Central Europe GmbH,
Branch Austria, CEE Department
Schleiergasse 20, A-1100 Wien, Austria
Tel: 01-602039025
POLAND
Philippos Nakas S.A. The Music House
147 Skiathou Street, 112-55 Athens, Greece
Tel: 01-228 2160
ASIA
THE PEOPLE’S REPUBLIC OF CHINA
Yamaha Music & Electronics (China) Co.,Ltd.
25/F., United Plaza, 1468 Nanjing Road (West),
Jingan, Shanghai, China
Tel: 021-6247-2211
HONG KONG
Tom Lee Music Co., Ltd.
11/F., Silvercord Tower 1, 30 Canton Road,
Tsimshatsui, Kowloon, Hong Kong
Tel: 2737-7688
INDONESIA
PT. Yamaha Music Indonesia (Distributor)
PT. Nusantik
Gedung Yamaha Music Center, Jalan Jend. Gatot
Subroto Kav. 4, Jakarta 12930, Indonesia
Tel: 21-520-2577
KOREA
Yamaha Music Korea Ltd.
Tong-Yang Securities Bldg. 16F 23-8 Yoido-dong,
Youngdungpo-ku, Seoul, Korea
Tel: 02-3770-0660
MALAYSIA
Yamaha Music Malaysia, Sdn., Bhd.
Lot 8, Jalan Perbandaran, 47301 Kelana Jaya,
Petaling Jaya, Selangor, Malaysia
Tel: 3-78030900
SWEDEN
Yamaha Scandinavia AB
J. A. Wettergrens Gata 1
Box 30053
S-400 43 Göteborg, Sweden
Tel: 031 89 34 00
PHILIPPINES
DENMARK
YS Copenhagen Liaison Office
Generatorvej 6A
DK-2730 Herlev, Denmark
Tel: 44 92 49 00
FINLAND
F-Musiikki Oy
Kluuvikatu 6, P.O. Box 260,
SF-00101 Helsinki, Finland
Tel: 09 618511
Yupangco Music Corporation
339 Gil J. Puyat Avenue, P.O. Box 885 MCPO,
Makati, Metro Manila, Philippines
Tel: 819-7551
SINGAPORE
Yamaha Music Asia Pte., Ltd.
#03-11 A-Z Building
140 Paya Lebor Road, Singapore 409015
Tel: 747-4374
TAIWAN
NORWAY
Norsk filial av Yamaha Scandinavia AB
Grini Næringspark 1
N-1345 Østerås, Norway
Tel: 67 16 77 70
ICELAND
Skifan HF
Skeifan 17 P.O. Box 8120
IS-128 Reykjavik, Iceland
Tel: 525 5000
Yamaha KHS Music Co., Ltd.
3F, #6, Sec.2, Nan Jing E. Rd. Taipei.
Taiwan 104, R.O.C.
Tel: 02-2511-8688
THAILAND
Siam Music Yamaha Co., Ltd.
891/1 Siam Motors Building, 15-16 floor
Rama 1 road, Wangmai, Pathumwan
Bangkok 10330, Thailand
Tel: 02-215-2626
OTHER ASIAN COUNTRIES
OTHER EUROPEAN COUNTRIES
Yamaha Music Central Europe GmbH
Siemensstraße 22-34, 25462 Rellingen, Germany
Tel: +49-4101-3030
Yamaha Corporation,
Asia-Pacific Music Marketing Group
Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650
Tel: +81-53-460-2317
OCEANIA
AFRICA
Yamaha Corporation,
Asia-Pacific Music Marketing Group
Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650
Tel: +81-53-460-2312
MIDDLE EAST
TURKEY/CYPRUS
Yamaha Music Central Europe GmbH
Siemensstraße 22-34, 25462 Rellingen, Germany
Tel: 04101-3030
OTHER COUNTRIES
Yamaha Music Gulf FZE
LB21-128 Jebel Ali Freezone
P.O.Box 17328, Dubai, U.A.E.
Tel: +971-4-881-5868
AUSTRALIA
Yamaha Music Australia Pty. Ltd.
Level 1, 99 Queensbridge Street, Southbank,
Victoria 3006, Australia
Tel: 3-9693-5111
NEW ZEALAND
Music Houses of N.Z. Ltd.
146/148 Captain Springs Road, Te Papapa,
Auckland, New Zealand
Tel: 9-634-0099
COUNTRIES AND TRUST
TERRITORIES IN PACIFIC OCEAN
Yamaha Corporation,
Asia-Pacific Music Marketing Group
Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650
Tel: +81-53-460-2312
Yamaha Music Central Europe GmbH
Sp.z. o.o. Oddzial w Polsce
ul. 17 Stycznia 56, PL-02-146 Warszawa, Poland
Tel: 022-868-07-57
HEAD OFFICE Yamaha Corporation, Pro Audio & Digital Musical Instrument Division
Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650
Tel: +81-53-460-3273
[PK] 36
Yamaha Home Keyboards Home Page (English Only)
http://music.yamaha.com/homekeyboard
Yamaha Manual Library
http://www.yamaha.co.jp/manual/
U.R.G., Pro Audio & Digital Musical Instrument Division, Yamaha Corporation
© 2006 Yamaha Corporation
WG67720 XXXPOXXX.X-01A0
Printed in China