Yamaha DSP-100 Owner`s manual

GB
DSP-A5
YAMAHA
YAMAHA
YAMAHA
YAMAHA
YAMAHA
YAMAHA
YAMAHA
ELECTRONICS CORPORATION, USA 6660 ORANGETHORPE AVE., BUENA PARK, CALIF. 90620, U.S.A.
CANADA MUSIC LTD. 135 MILNER AVE., SCARBOROUGH, ONTARIO M1S 3R1, CANADA
ELECTRONIK EUROPA G.m.b.H. SIEMENSSTR. 22-34, 25462 RELLINGEN BEI HAMBURG, F.R. OF GERMANY
ELECTRONIQUE FRANCE S.A. RUE AMBROISE CROIZAT BP70 CROISSY-BEAUBOURG 77312 MARNE-LA-VALLEE CEDEX02, FRANCE
ELECTRONICS (UK) LTD. YAMAHA HOUSE, 200 RICKMANSWORTH ROAD WATFORD, HERTS WD1 7JS, ENGLAND
SCANDINAVIA A.B. J A WETTERGRENS GATA 1, BOX 30053, 400 43 VÄSTRA FRÖLUNDA, SWEDEN
MUSIC AUSTRALIA PTY, LTD. 17-33 MARKET ST., SOUTH MELBOURNE, 3205 VIC., AUSTRALIA
00DSP-A5-cv(ML)
1
DSP-A5
Natural Sound AV Amplifier
Amplificateur audio-vidéo
OWNER’S MANUAL
MODE D’EMPLOI
BEDIENUNGSANLEITUNG
BRUKSANVISNING
MANUALE DI ISTRUZIONI
MANUAL DE INSTRUCCIONES
GEBRUIKSAANWIJZING
Printed in Malaysia ID
V472000
3/1/0, 10:50 AM
CAUTION: READ THIS BEFORE OPERATING YOUR UNIT.
1. To assure the finest performance, please read this
manual carefully. Keep it in a safe place for future
reference.
12. To prevent lightning damage, disconnect the AC
power cord and disconnect the antenna cable when
there is an electrical storm.
2. Install this unit in a cool, dry, clean place — away
from windows, heat sources, sources of excessive
vibration, dust, moisture and cold. Avoid sources of
humming (transformers, motors). To prevent fire or
electrical shock, do not expose the unit to rain or
water.
13. Grounding or polarization — Precautions should be
taken so that the grounding or polarization of the unit
is not defeated.
3. Never open the cabinet. If something drops into the
unit, contact your dealer.
4. Do not use force on switches, controls or connection
cables. When moving the unit, first disconnect the
power cord and then the cables connected to other
component. Never pull the cables themselves.
5. The openings on the cover assure proper ventilation
of the unit. If these openings are obstructed, the
temperature inside the unit will rise rapidly.
Therefore, avoid placing objects against these
openings, and install the unit in a well-ventilated area
to prevent fire and damage.
Be sure to allow a space of at least 20 cm behind,
20 cm on both sides and 30 cm above the top panel
of the unit to prevent fire and damage.
6. The voltage used must be the same as that specified
on this unit. Using this unit with a higher voltage than
specified is dangerous and may result in fire or other
accidents. YAMAHA will not be held responsible for
any damage resulting from the use of this unit with a
voltage other than that specified.
7. Digital signals generated by this unit may interfere
with other component such as tuners, receivers and
TVs. Move this unit farther away from such
component if interference is observed.
8. Always set VOLUME to the “m” position before
starting the audio source play. Increase the volume
gradually to an appropriate level after playback has
been started.
9. Do not attempt to clean the unit with chemical
solvents; this might damage the finish. Use a clean,
dry cloth.
10. Be sure to read the “TROUBLESHOOTING” section
regarding common operating errors before
concluding that the unit is faulty.
11. When not planning to use this unit for a long period
of time (e.g., a vacation), disconnect the AC power
cord from the wall outlet.
14. AC outlet — Do not connect audio component to the
AC outlet on the rear panel if that component
requires more power than the outlet is rated to
provide.
This unit is not disconnected from the AC power source
as long as it is connected to the wall outlet, even if this
unit itself is turned off. This state is called the standby
mode. In this state, this unit is designed to consume a
very small quantity of power.
■ For U.K. customers
If the socket outlets in the home are not suitable for the plug
supplied with this appliance, it should be cut off and an
appropriate 3 pin plug fitted. For details, refer to the
instructions described below.
Note
• The plug severed from the mains lead must be destroyed, as a
plug with bared flexible cord is hazardous if engaged in a live
socket outlet.
■ Special Instructions for U.K. Model
IMPORTANT
THE WIRES IN MAINS LEAD ARE COLOURED IN
ACCORDANCE WITH THE FOLLOWING CODE:
Blue: NEUTRAL
Brown: LIVE
As the colours of the wires in the mains lead of this
apparatus may not correspond with the coloured
markings identifying the terminals in your plug, proceed
as follows:
The wire which is coloured BLUE must be connected to
the terminal which is marked with the letter N or
coloured BLACK. The wire which is coloured BROWN
must be connected to the terminal which is marked with
the letter L or coloured RED.
Making sure that neither core is connected to the earth
terminal of the three pin plug.
CAUTION
0101DSP-A5_caution_EN
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INTRODUCTION
FEATURES
CONTENTS
5-Channel Power Amplification
INTRODUCTION
FEATURES .................................................................. 1
CONTENTS ................................................................. 1
GETTING STARTED ................................................. 2
CONTROLS AND FUNCTIONS ............................... 4
Multi-Mode Digital Sound Field
Processing
Digital Sound Field Processor (DSP)
Dolby Pro Logic Decoder
Dolby Digital Decoder
DTS Decoder
CINEMA DSP: Combination of YAMAHA DSP
Technology and Dolby Pro Logic, Dolby Digital or
DTS
PREPARATION
SPEAKER SETUP ....................................................... 9
CONNECTIONS ........................................................ 10
ADJUSTING THE SPEAKER BALANCE ............ 17
PREPARATION
◆
◆
◆
◆
◆
INTRODUCTION
◆ Minimum RMS Output
(0.06% THD, 20 Hz – 20 kHz)
Main:
70 W +70 W (8 Ω)
Center:
70 W (8 Ω)
Rear:
70 W + 70 W (8 Ω)
Other Features
BASIC OPERATION
PLAYING A SOURCE .............................................. 19
DIGITAL SOUND FIELD PROCESSOR (DSP)
EFFECT .................................................................. 23
RECORDING A SOURCE ON TAPE, MD OR
VIDEO CASSETTE ............................................... 25
SOUND FIELD PROGRAM .................................... 26
SET MENU ................................................................. 29
DELAY TIME AND SPEAKER
OUTPUT LEVELS ................................................. 33
SLEEP TIMER .......................................................... 35
PRESET REMOTE CONTROL .............................. 36
Manufactured under license from Digital Theater Systems, Inc.
US Pat. No. 5,451,942 and other world-wide patents issued and
pending. “DTS”, “DTS Digital Surround”, are trademarks of
Digital Theater Systems, Inc. Copyright 1996 Digital Theater
Systems, Inc. All Rights Reserved.
y indicates a tip for your operation.
• When buttons on this unit and the remote control are
noted together in this Owner’s Manual, these button
names are in principle noted in the order of “button name
(remote control button name)”.
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English
Manufactured under license from Dolby
Laboratories. “Dolby”, “Pro Logic” and the
double-D symbol are trademarks of Dolby
Laboratories. Confidential Unpublished Works.
©1992 – 1997 Dolby Laboratories, Inc. All
rights reserved.
TROUBLESHOOTING ............................................ 44
SPECIFICATIONS .................................................... 48
GLOSSARY ................................................................ 49
INDEX ........................................................................ 50
APPENDIX
APPENDIX
ADVANCED OPERATION
ADVANCED OPERATION
BASIC OPERATION
◆ 96-kHz/24-bit D/A Converter
◆ “SET MENU” which Provides You with 12 Items
for Optimizing This Unit for Your Audio/Video
System
◆ Test Tone Generator for Easier Speaker Balance
Adjustment
◆ 6-Channel External Decoder Input for Other Future
Formats
◆ S Video Signal Input/Output Capability
◆ 3 Optical/2 Coaxial Digital Signal Input Terminals
◆ SLEEP Timer
◆ Remote Control with Preset Manufacturer Codes
GETTING STARTED
Checking the Package Contents
Check that the following items are included in your package.
Batteries (AAA, R03, UM-4 type)
Remote control
Quick reference card
Quick Reference Card
Connection guide
Battery Installation in the Remote
Control
2
1
3
Battery Replacement
If the remote control operates only when it is close to the
unit, the batteries are weak. Replace all the batteries with
new ones.
Be sure to replace the batteries within about two minutes.
If it takes longer than two minutes, the codes set for the
remote control will return to the factory settings. (Refer
to pages 36 to 43 about the remote control.)
Notes
1
Turn the remote control over and slide the
battery compartment cover in the direction of
the arrow.
2
Insert the batteries (AAA, R03 or UM-4 type)
according the polarity markings on the inside
of the battery compartment.
3
Close the battery compartment cover.
• Use only AAA, R03 or UM-4 batteries for replacement.
• Be sure the battery polarity is correct. (See the illustration inside
the battery compartment.)
• Remove the batteries if the remote control will not be used for an
extended period of time.
• If the batteries have leaked, dispose of them immediately. Avoid
touching the leaked material or letting it come into contact with
clothing, etc. Clean the battery compartment thoroughly before
installing new batteries.
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GETTING STARTED
Using the Remote Control
Within approximately 6 m
(20 feet)
INTRODUCTION
Remote control
sensor
The remote control transmits a directional infrared beam. Be
sure to aim the remote control directly at the infrared sensor
during operation. When the sensor is covered or there is a
large object between the remote control and the sensor, the
sensor cannot receive signals. The sensor may not be able to
receive signals properly when it is exposed to direct sunlight
or a strong artificial light (such as a fluorescent or strobe
light). In this case, change the direction of the light or
reposition the unit to avoid direct lighting.
Notes
Handle the remote control with care.
Do not spill water, tea or other liquids on the remote control.
Do not drop the remote control.
Do not leave or store the remote control in the following
conditions:
– high humidity or temperature such as near a heater, stove or
bath;
– dusty places; or
– extremely low temperature.
PREPARATION
•
•
•
•
BASIC OPERATION
ADVANCED OPERATION
APPENDIX
English
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CONTROLS AND FUNCTIONS
Front Panel
1
2
3
4
5
6
–
7
8
90
+
–
q
+
L
R
w e r
t
y
1 STANDBY/ON
5 INPUT SELECTOR
Press this switch to turn on the power of this unit or to set
this unit in the standby mode. Before turning the power on,
set VOLUME to the “m” position.
Turn this selector to select the input source (TUNER, CD,
PHONO, CBL/SAT, V-AUX, VCR, D-TV, DVD/LD) that
you want to listen to or watch. The arrow for the selected
input source indicator lights up on the display.
Standby mode
In this mode, this unit consumes a very small quantity of
power to receive infrared-signals from the remote
control.
2 Remote control sensor
This receives signals from the remote control.
3 Display
This shows various information. (Refer to page 6 for
details.)
4 INPUT MODE
Press this button to select the input mode among AUTO,
DTS and ANALOG for the DVD/LD, TV/digital TV and
cable TV/satellite tuner sources.
6 VOLUME
Turn this control to turn up or down the volume.
7 PHONES jack
Connect the headphones to the PHONES jack. You can
listen to the sound to be output from the main speakers
through the headphones.
When listening with headphones privately, set both
SPEAKERS A and B to the OFF position, press EFFECT to
turn off the effect speakers (center and rear) and set “BASS
OUT” on the SET MENU to the MAIN position (so that no
DSP program name appears on the display).
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CONTROLS AND FUNCTIONS
e BALANCE
Set A or B (or both A and B) to the ON position for the main
speaker system (connected to this unit) that you want to use.
Set the button(s) to the OFF position for the main speaker
system that you don’t want to use.
This control is only effective for the sound from the main
speakers.
Turn the control to adjust the balance of the output volume
from the right and left main speakers to compensate for
sound imbalance caused by the speaker location or listening
room conditions.
9 SET MENU +/–
Press these buttons to adjust the setting on the SET MENU.
r EFFECT
0 NEXT
This button is used to shift the selection to the next item on
the SET MENU.
q Tone controls
Press this button to select a tape or an MD source. The
“TAPE/MD MONITOR” indicator lights up on the display.
When you press the button again, the “TAPE/MD
MONITOR” indicator goes off, “EXT. DECODER” appears
on the display and you can listen to a source connected to
the EXTERNAL DECODER INPUT terminals.
Press l or h to select a DSP program when the effect
speakers (center and rear) are turned on. The name of the
selected program appears on the display.
y VIDEO AUX terminals
Connect an auxiliary audio or video input source such as a
camcorder to these terminals. If the connected video unit
has an S video output terminal, connect it to the S VIDEO
terminal to obtain a high-resolution picture. Use INPUT
SELECTOR to select the source connected to these
terminals.
BASIC OPERATION
w TAPE/MD MON / EXT. DECODER
t PROGRAM selector
PREPARATION
These controls are only effective for the sound from the
main speakers.
a) BASS
Turn this control clockwise to increase or counterclockwise
to decrease the low-frequency response. The “0” position
produces a flat response.
b) TREBLE
Turn this control clockwise to increase or counterclockwise
to decrease the high-frequency response. The “0” position
produces a flat response.
Press this button to turn on or off the effect speakers (center
and rear). If you turn them off, the signals of the center and
rear channels are directed to the right and left main speakers
when playing a source encoded with Dolby Digital and
DTS. In this case, the output levels of the right and left
speakers may not match.
INTRODUCTION
8 SPEAKERS
ADVANCED OPERATION
APPENDIX
English
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CONTROLS AND FUNCTIONS
Display
1 t indicator
4 Input source indicators
The “t” indicator lights up when the built-in DTS
decoder is on.
One of the arrows for these indicators lights up depending
on which source is selected.
2 DSP program indicators
5 TAPE/MD MONITOR indicator
These indicators light up when DSP program No. 2, 3 or the
subprogram “ENHANCED” of No. 1 is selected.
This lights up when the tape deck or MD recorder, etc. is
selected as the input source by pressing TAPE/MD MON /
EXT. DECODER (or TAPE/MD).
3 Multi-information display
This display shows various information: for example the
name of the selected DSP program and the various settings
during adjustment with the SET MENU.
6 g and o indicators
“ g ” lights up when the built-in Dolby Digital
decoder is on. “ o ” lights up when the built-in
Dolby Pro Logic decoder is on.
7 x indicator
“ x ” lights up when the built-in digital sound
field processor is on.
8 SLEEP indicator
This lights up while the built-in SLEEP timer is on.
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CONTROLS AND FUNCTIONS
Remote Control
1 DSP
Press this button to switch the function of the numeric
buttons to the DSP program selector. (Refer to page 8.)
INTRODUCTION
This section describes the basic operation of this unit with
the remote control. First, set the selector dial to the AMP/
TUN position. Refer to “PRESET REMOTE CONTROL”
on page 36 for full details.
2 Indicator window
This displays the name of components which can be
controlled.
8
9
1
2
3 Numeric buttons (Input selector buttons)
0
3
EFFECT
Refer to page 8 for details.
BASIC OPERATION
q
Refer to
page 8.
PREPARATION
Select the
AMP/TUN
position.
These buttons select the input source.
CD:
To play a CD
TUNER:
To listen to an FM (RDS) or AM broadcast
TAPE/MD:
To play a tape or MD
DVD/LD:
To play a DVD or LD
D-TV:
To watch a TV
VCR:
To play a video cassette
PHONO:
To play an analog record
CBL/SAT:
To watch cable TV or satellite broadcast
V-AUX:
To use a camcorder
EXT. DEC.: To play another multi-channel source
4 TEST
Press this button to output the test tone for each speaker.
4
5 j (left), i (right)
w
5
These buttons adjust the settings of the SET MENU and
TIME/LEVEL mode.
6 TIME/LEVEL
e
TV POWER
r
TV VOLUME
7
Press this button to select the items in the TIME/LEVEL
mode.
ADVANCED OPERATION
6
7 SLEEP
Press this button to set the SLEEP timer.
t
8 INPUT
y
Press this button to switch the function of the numeric
buttons to the input selector. (Refer to page 8.)
TV INPUT
u
9 Indicator
This flashes in red when pressing a button on the remote
control.
Turn this dial to select the position for the component to be
controlled. (The proper code must be set for your
component. Refer to “Setup codes” on page 42.) When the
position is selected, the remote control is set to that
component operation mode.
APPENDIX
0 Selector dial
English
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CONTROLS AND FUNCTIONS
q A/B/C/D/E, PRESET +/–
These buttons are used to select a preset station when using
the YAMAHA tuner.
A/B/C/D/E:
To select one of a group (A to E) of preset
stations
PRESET +/–: To select a preset station number (1 to 8)
■ When selecting a DSP program
and turning on or off the effect
speakers (center and rear)
B
A
w d (next), u (back)
These buttons are used to advance or go back one selection
on the SET MENU and TIME/LEVEL mode.
e SET MENU
Press this button to select the items on the SET MENU.
r POWER
Press this button to turn this unit on.
t STANDBY
A
1
Press DSP regardless of the position of the
selector dial.
The indicator lights up for about three seconds.
2
You can select a DSP program with the
numeric buttons (1 to 8) and turn on or off the
effect speakers (center and rear) by pressing
EFFECT while the indicator is lit.
Press this button to set this unit in the standby mode.
y VOLUME (+/–)
These buttons are used to adjust the volume level.
u MUTE
Press this button to mute the sound. To cancel mute, press
this button again.
EFFECT
Press this button to turn on or off the effect speakers (center
and rear) in the following cases:
• When the selector dial is set to the DSP/TUN position.
• While the indicator is lit for about three seconds after
pressing DSP.
B
1
2
Set the selector dial to the DSP/TUN position.
You can select a DSP program directly with the
numeric buttons (1 to 8) and turn on or off the
effect speakers (center and rear) by pressing
EFFECT.
Description of the Numeric Buttons
The Numeric buttons function in various ways depending
on the position of the selector dial or the combination of
other instructions.
■ When selecting an input source
1
Press INPUT regardless of the position of the
selector dial.
The indicator lights up for about three seconds.
2
You can select an input source with the
numeric buttons while the indicator is lit.
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PREPARATION
SPEAKER SETUP
This unit is designed to provide the best sound-field quality
with a 5-speaker system, using main speakers, rear speakers
and a center speaker. If you use different brands of speakers
(with different tonal qualities) in your system, the tone of a
moving human voice and other types of sound may not shift
smoothly. We recommend that you use speakers from the
same manufacture or speakers with the same tonal quality.
■ Use of a subwoofer expands your
sound field
Subwoofer
Main
speaker (L)
1.8 m
Center speaker
Rear speaker (L)
■ Main speakers
Place the right and left main speakers an equal distance
from the ideal listening position. The distance of each
speaker from each side of the TV monitor should be the
same.
■ Rear speakers
Place these speakers behind your listening position, facing
slightly inwards, nearly 1.8 m (approx. 6 feet) above the
floor.
■ Center speaker
Align the front face of the center speaker with the front face
of your TV monitor. Place the speaker as close to the
monitor as possible, such as directly over or under the
monitor and centrally between the main speakers.
Note
• If the center speaker is not used, the center channel sound will be
heard from the right and left main speakers. In that case,
“CENTER SP” on the SET MENU is set to the NONE position.
(Refer to page 30 for details.)
ADVANCED OPERATION
It is also possible to further expand your system with the
addition of a subwoofer. The use of a subwoofer is effective
not only for reinforcing bass frequencies from any or all
channels, but also for reproducing the LFE (low frequency
effect) channel with high fidelity when playing back a
source encoded with Dolby Digital or DTS. The YAMAHA
Active Servo Processing Subwoofer System is ideal for
natural and lively bass reproduction.
Rear speaker (R)
BASIC OPERATION
The main speakers should be high-performance models and
have enough power-handling capacity to accept the
maximum output of your audio system. The other speakers
do not have to be equal to the main speakers. For precise
sound localization, however, it is ideal to use highperformance models that can reproduce sounds over the full
range for the center speaker and the rear speakers.
Refer to the following diagram when you place the
speakers.
Main speaker (R)
PREPARATION
The main speakers are used for the main source sound plus
the effect sounds. They will probably be the speakers from
your present stereo system. The rear speakers are used for
the effect and surround sounds, and the center speaker is for
the center sounds (dialog, vocals, etc.). If for some reason it
is not practical to use a center speaker, you can do without
it. Best results, however, are obtained with the full system.
Speaker Placement
INTRODUCTION
Speakers to Be Used
■ Subwoofer
APPENDIX
The position of the subwoofer is not so critical, because low
bass sounds are not highly directional. But it is better to
place the subwoofer near the main speakers. Turn it slightly
toward the center of the room to reduce the wall reflections.
CAUTION
English
Some types of speakers interfere with a TV monitor. If
this problem occurs, move the speakers away from the
monitor. If you cannot avoid installing the center speaker
or subwoofer near the TV monitor, use magnetically
shielded speakers.
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CONNECTIONS
Before Connecting Components
CAUTION
Never connect this unit and other components to mains power until all connections between components have been
completed.
Be sure all connections are made correctly, that is to say L (left) to L, R (right) to R, “+” to “+” and “–” to “–”. Some
components require different connection methods and have different terminal names. Refer to the instructions for each
component to be connected to this unit.
When you connect other YAMAHA audio components (such as a tape deck, MD recorder and CD player or changer), connect
it to the terminals with the same number labels as !, #, $ etc. YAMAHA applies this labeling system to all its products.
Use RCA-type pin plug cables for connecting audio/video components with the exception described later.
The input and output terminals for pin plugs can be distinguished as follows:
Yellow
video signals (composite)
V
V
White
analog audio signals for the left channel
L
L
Red
analog audio signals for the right channel
R
R
coaxial digital signals
C
C
After completing all connections, check them again to make sure they are correct.
Connecting to an External
Decoder (page 13)
Connecting the Speakers
(pages 14 and 15)
Connecting the Power
Supply Cords (page 16)
(Europe model)
A
B
Connecting an Audio
Component (page 11)
Connecting a Video
Component (pages 12 and 13)
IMPEDANCE SELECTOR
switch (page 16)
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CONNECTIONS
Connecting an Audio Component
Tape deck or
MD recorder
Turntable
L
GND
LINE OUT
R
INTRODUCTION
OUTPUT
LINE IN
L
R
L
R
(Europe model)
PREPARATION
L
Analog signal
R
L
R
CD player
R
Signal flow
OUTPUT
Tuner
Be sure to connect the right channel (R), left channel (L),
input (IN) and output (OUT) properly.
■ PHONO terminals
y
Connecting the ground (earth) wire of the turntable to the GND
terminal will normally minimize hum, but in some cases, better
results may be obtained with the ground wire disconnected.
ADVANCED OPERATION
These terminals are used to connect a turntable with an MM
or high-output MC cartridge. If you have a turntable with a
low-output MC cartridge, use an inline boosting transformer
or MC head amplifier when connecting to these terminals.
BASIC OPERATION
OUTPUT
L
APPENDIX
English
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CONNECTIONS
Connecting a Video Component
TV monitor
DVD/LD player
S VIDEO
OUT
S VIDEO ANALOG
IN
AUDIO OUT
L
R
COAXIAL
DIGITAL OUT
C
S
Cable TV/satellite tuner
OPTICAL
DIGITAL OUT
COAXIAL
DIGITAL OUT
OPTICAL
DIGITAL OUT
C
O
S VIDEO
OUT
L
O
S
L
S
R
L
AUDIO
OUT
R
S VIDEO
OUT
S Video signal
S VIDEO
IN
O
S
ANALOG
AUDIO OUT
S VIDEO
OUT
VCR
O
R
Analog signal
S
R
S
AUDIO
IN
L
R
S
L
(Europe model)
ANALOG
AUDIO OUT
C
Digital signal
(optical)
Digital signal
(coaxial)
Signal flow
OPTICAL
DIGITAL OUT
TV/digital TV
■ Audio signal terminals
Be sure to connect the right channel (R), left channel (L),
input (IN) and output (OUT) properly.
■ S Video signal terminals
Use a special S VIDEO cable (commercially available) for
the S VIDEO connection.
■ Digital audio signal terminals
If your DVD/LD player, TV/digital TV or cable TV/satellite
tuner, etc. has coaxial or optical digital signal output
terminals, they can be connected to this unit’s COAXIAL
and/or OPTICAL digital signal input terminals. To make a
connection between the optical digital signal terminals,
remove the cover from each terminal, and then connect
them by using a commercially available optical fiber cable
that conforms to EIA standards. Other cables might not
function correctly.
Notes
• Be sure to attach the covers when the OPTICAL terminals are not
being used in order to protect them from dust.
• If your LD player has a Dolby Digital RF signal output terminal,
be sure to use the RF demodulator (separately purchased).
• No sound will be heard when connecting your LD player’s Dolby
Digital RF signal output terminal directly to this unit’s COAXIAL
DVD/LD digital signal input terminal.
y
• The input signal from the DVD/LD or CBL/SAT input terminals
is selected in the following order of priority with the input mode
set to AUTO: COAXIAL terminal → OPTICAL terminal →
Analog terminal. Refer to page 21 for details.
• All digital signal input terminals are applicable to sampling
frequencies of 32 kHz, 44.1 kHz, 48 kHz and 96 kHz. (Refer to
page 22 about 96-kHz sampling 24-bit digital signals.)
When making connections between the digital signal
terminals, you should connect the components to the samenamed analog audio signal terminals of this unit, because a
digital signal cannot be recorded by a tape deck, MD
recorder or VCR connected to this unit.
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CONNECTIONS
■ VIDEO terminals (composite)
DVD/LD player
Cable TV/satellite tuner
VIDEO OUT
VIDEO OUT
Note
V
• If video signals are input from both the S VIDEO input and
composite input terminals, the signals will be directed to their
respective output terminals.
No
connection
L
INTRODUCTION
V
If your video components do not have “S” video terminals,
they can be connected to this unit’s VIDEO terminals. Be
sure to connect the input (IN) and output (OUT) properly.
V
R
V
V
VIDEO
IN
SCART-plug
V
VIDEO
OUT
VIDEO
OUT
TV/digital TV
VCR
V
VIDEO
IN
PREPARATION
TV monitor
V
Video signal
Signal flow
Make a connection as shown above with a commercially available SCART-plug connector cable.
■ VIDEO AUX terminals (on the front panel)
These terminals are used to connect any video input source
such as a camcorder to this unit.
S
V
L
R
BASIC OPERATION
■ TV monitor with a 21-pin connector
AUDIO OUT R
AUDIO OUT L
S VIDEO OUT
Connecting to an External Decoder
External decoder
SURROUND MAIN
OUT
OUT
L
R
L
CENTER
OUT
SUBWOOFER
OUT
R
(Europe model)
This unit has additional 6-channel audio signal input
terminals for connecting an external decoder to this unit.
Connect the 6-channel audio signal output terminals of the
decoder to the EXTERNAL DECODER INPUT terminals
of this unit.
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English
13
APPENDIX
Notes
• When a source connected to these terminals is selected, the digital
sound field processor cannot be used.
• The settings of “CENTER SP”, “REAR SP”, “MAIN SP” and
“BASS OUT” on the SET MENU have no effect on a source
connected to these terminals. The setting of “MAIN LVL” is
effective. (Refer to pages 30 and 31 for details.)
• Adjustment of the output level of the center speaker, rear speakers
and subwoofer is effective when a source connected to these
terminals is selected as the input source. (Refer to page 33 for
details.)
ADVANCED OPERATION
Camcorder
VIDEO OUT
CONNECTIONS
Connecting the Speakers
Main speakers A
Main speakers B
Right
Left
Right
Left
(Europe model)
Subwoofer connection
When using a subwoofer with builtin amplifier, including the
YAMAHA Active Servo Processing
Subwoofer System, connect the
input terminal of the subwoofer
system to the SUBWOOFER
OUTPUT terminal of this unit.
Low bass signals distributed from
the main, center and/or rear
channels are directed to this
terminal. (The cut-off frequency of
this terminals is 90 Hz.) The LFE
(low frequency effect) signals
generated when Dolby Digital or
DTS is decoded are also directed if
they are assigned to this terminal.
L
R
Right
Subwoofer
system
Center speaker
Be sure to connect the right channel (R), left channel (L),
“+” (red) and “–” (black) properly. If the connections are
faulty, no sound will be heard from the speakers, and if the
polarity of the speaker connections is incorrect, the sound
will be unnatural and lack bass.
CAUTIONS
Left
Rear speakers
■ MAIN SPEAKERS terminals
One or two speaker systems can be connected to these
terminals. If you use only one speaker system, connect it to
either of the SPEAKERS A or B terminals.
■ REAR SPEAKERS terminals
A rear speaker system can be connected to these terminals.
• Use speakers with the specified impedance shown on
the rear panel of this unit.
• Do not let the bare speaker wires touch each other and
do not let them touch any metal part of this unit. This
could damage the unit and/or speakers.
■ CENTER SPEAKER terminals
A center speaker can be connected to these terminals.
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CONNECTIONS
■ Speaker cables
Remove approx. 10 mm (3/8”) of insulation
from each of the speaker cables.
1
2
Twist the exposed wires of the cable together
to prevent short circuits.
2
■ Connecting to the MAIN SPEAKERS terminals
Red: positive (+)
Black: negative (–)
1
2
Unscrew the knob.
3
Tighten the knob to secure the wire.
Insert one bare wire into the hole in the side of
each terminal.
PREPARATION
3
1
2
■ Connecting to the REAR and CENTER SPEAKERS terminals
Red: positive (+)
Black: negative (–)
1
3
1
2
Open the tab.
3
Return the tab to secure the wire.
Insert one bare wire into the hole of each
terminal.
BASIC OPERATION
2
■ Connecting to an external amplifier
Note
• Output signals from these terminals are affected by the use of VOLUME, BASS, TREBLE and BALANCE.
1 MAIN OUTPUT terminals
(Europe model)
These terminals are for the main channel line output.
Connect the input terminals of the external amplifier to
these terminals.
ADVANCED OPERATION
The speaker connections described on page 14 are fine for most applications. If you wish to drive your existing amplifier, the
following terminals are available for connecting an external amplifier(s) to this unit.
1
INTRODUCTION
1
10 mm (3/8”)
2 CENTER OUTPUT terminals
APPENDIX
These terminals are for the center channel line output.
Connect the input terminals of the external amplifier to
these terminals.
3 REAR (SURROUND) OUTPUT terminals
These terminals are for the rear channel line output.
Connect the input terminals of the external amplifier to
these terminals.
Note
3
• If an external amplifier is connected to the MAIN, CENTER or
REAR OUTPUT terminals, disconnect the corresponding
speakers (main, center or rear) from the SPEAKERS terminals.
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English
2
CONNECTIONS
IMPEDANCE SELECTOR Switch
WARNING
Do not change the IMPEDANCE SELECTOR switch setting while the power of this unit is on, otherwise the unit may be
damaged.
If this unit fails to turn on when STANDBY/ON (or POWER) is pressed, the IMPEDANCE SELECTOR switch may not
be fully slide to either position. If so, slide the switch to either position fully when this unit is in the standby mode.
Select the right or left position according to the impedance of speakers in your system. Be sure to move this switch only
when this unit is in the standby mode.
(Europe model)
If you use
IMPEDANCE
SELECTOR
Main
speakers
left position
right position
If you use one pair of main
speakers, the impedance of
each speaker must be 4 Ω or
higher.
If you use one pair of main
speakers, the impedance of
each speaker must be 8 Ω or
higher.
If you use two pairs of main
speakers, the impedance of
each speaker must be 8 Ω or
higher.
If you use two pairs of main
speakers, the impedance of
each speaker must be 16 Ω or
higher.
Rear speakers The impedance of each
speaker must be 6 Ω or
higher.
Center
speaker
The impedance must be 6 Ω
or higher.
The impedance of each
speaker must be 8 Ω or
higher.
The impedance must be 8 Ω
or higher.
Connecting the Power Supply Cords
After completing all connections, connect the AC power
cord to an AC power outlet. Disconnect the AC power cord
if you will not use this unit for a long period of time.
■ AC OUTLETS (SWITCHED)
Europe model .................................................... 2 OUTLETS
U.K. model .......................................................... 1 OUTLET
Use these outlets to connect the power cords from your
components to this unit. The power to the AC OUTLET(S)
is controlled by this unit’s STANDBY/ON (or POWER and
STANDBY). These outlets will supply power to any
connected component whenever this unit is turned on. The
maximum power (total power consumption of components)
that can be connected to the AC OUTLET(S) is 100 W.
(Europe model)
To AC outlet
SWITCHED
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ADJUSTING THE SPEAKER BALANCE
Using the Test Tone
The adjustment of each speaker sound output level should
be performed at your listening position with the remote
control. After completing the adjustments, use VOLUME
(+/–) at your listening position to check if the adjustments
are satisfactory.
2,7
1
Before You Start Adjusting
6
5
1
PREPARATION
2
3
–
–
+
L
R
1
Set the selector dial to the
AMP/TUN (or DSP/TUN)
position.
2
Press TEST.
“TEST LEFT” appears on the display.
3
Turn up the volume.
You will hear a test tone (like pink noise) from each
speaker for about two seconds in the following order:
left main speaker, center speaker, right main speaker,
right rear speaker and left rear speaker. The display
changes as shown below.
4
1
Set VOLUME to the “m”
position.
2
Turn the power on.
Press SPEAKERS A or B
to select the main
speakers to be used.
If you use two main speaker
systems, press both A and B.
4
Set BASS, TREBLE and BALANCE to the “0”
position.
TEST
LEFT
TEST
RIGHT
ADVANCED OPERATION
3
BASIC OPERATION
3
+
INTRODUCTION
This procedure lets you adjust the sound output level
balance between the main, center and rear speakers by using
the built-in test tone generator. When this adjustment is
performed, the sound output level heard at the listening
position will be the same from each speaker. This is
important for the best performance of the digital sound field
processor, the Dolby Pro Logic decoder, Dolby Digital
decoder and DTS decoder.
TEST CENTER
–
+
–
+
L
R
APPENDIX
TEST L SUR.
TEST R SUR.
Notes
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English
• If the test tone cannot be heard, turn down the volume, set the unit
in the standby mode and check the speaker connections.
• If the test tone cannot be heard from the center speaker, check the
setting of “CENTER SP” on the SET MENU.
ADJUSTING THE SPEAKER BALANCE
4
5
Adjust BALANCE on the
front panel so that the
sound output level of the
right main speaker and the
left main speaker is the
same.
7
L
R
Front panel
Press TIME/LEVEL
repeatedly to select the
speaker to be adjusted.
“CENTER”, “R SUR.” or
“L SUR.” appears on the
display.
y
After pressing TIME/LEVEL once, you can also select the item by
pressing d. (Pressing u changes the selection in the reverse order.)
6
When the adjustment is complete, press TEST.
“TEST OFF” appears on the display and the test tone
stops.
Note
• If “CENTER SP” on the SET MENU is set to the NONE position,
the sound output level of the center speaker cannot be adjusted in
step 6. The center channel sound is automatically output from the
right and left main speakers.
y
• Once you have completed the adjustments, you can only adjust
the overall volume level of your audio system by using VOLUME
(or VOLUME (+/–)).
• If you use external amplifiers, you may also use their volume
controls to achieve the proper balance.
• If there is insufficient sound output from the center and rear
speakers, you may decrease the main speaker output level by
setting “MAIN LVL” on the SET MENU to “–10 dB”. (Refer to
page 31 for details.)
Press i to raise and j to
lower the level. Adjust the
sound output levels of the
center speaker and the
rear speakers so that they
become almost the same
as that of the main
speakers.
While adjusting, the test tone is
heard from the selected speaker.
Note
• You cannot adjust the delay time while the test tone is being heard
even if “DELAY” appears on the display.
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BASIC OPERATION
PLAYING A SOURCE
4
4
2
–
+
–
+
L
1,6
R
Front panel
or
PREPARATION
Select the desired input
source with INPUT
SELECTOR (or the input
selector buttons). (Turn on
the TV monitor for video
sources.)
The name of the selected input
source appears for a moment
and the arrow for the selected
input source indicator lights up
on the display.
INTRODUCTION
When using the remote control, set the selector dial to
the AMP/TUN position.
Remote control
6
3
7
7
Input source
a.
4
b.
1
Notes
Front panel
2
Turn the power on.
or
Front panel
3
Remote control
Front panel
For the DVD/LD, TV/digital TV and cable TV/satellite tuner
sources, the current input mode is also shown. Refer to page 21 for
details about the input mode.
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English
y
APPENDIX
Press SPEAKERS A or B
to select the main
speakers to be used.
If you use two main speaker
systems, press both A and B.
• If the “TAPE/MD MONITOR” indicator lights up or “EXT.
DECODER” is shown on the display, no other audio source
except a tape/MD source and a source connected to the
EXTERNAL DECODER INPUT terminals can be played. To
select another input source with INPUT SELECTOR (or the input
selector buttons):
– Press TAPE/MD MON / EXT. DECODER twice (or TAPE/MD
once) to turn off the “TAPE/MD MONITOR” indicator.
– Press TAPE/MD MON / EXT. DECODER once (or EXT.
DEC.) to turn off “EXT. DECODER”.
• If you select and play a video source when the “TAPE/MD
MONITOR” indicator lights up, the play back result will be a
video image from the video source and the sound from the audio
source connected to the TAPE/MD IN (PLAY) terminals.
• A video source cannot be selected when “EXT. DECODER” is
shown on the display. If you want to enjoy an audio source
connected to the EXTERNAL DECODER INPUT terminals
together with a video source, first select a video source and then
select the source connected to the EXTERNAL DECODER
INPUT terminals.
ADVANCED OPERATION
Set VOLUME to the “m”
position.
BASIC OPERATION
2
6
To select a tape or an MD source
Press TAPE/MD MON / EXT.
DECODER (or TAPE/MD) so
Front panel
that the “TAPE/MD
MONITOR” indicator lights up
on the display.
To select a source connected to the
EXTERNAL DECODER INPUT terminals
Press TAPE/MD MON / EXT. DECODER repeatedly
(or EXT. DEC.) until “EXT. DECODER” appears on
the display.
PLAYING A SOURCE
5
Play the source.
Refer to the instructions for the source component.
Note
• When controlling an audio/video component (tape deck, MD
recorder, CD player, DVD/LD player, etc.) with the remote
control, set the selector dial to the appropriate position (TAPE/
MD, CD, DVD/LD, etc.), corresponding to the component you
want to control. Refer to “PRESET REMOTE CONTROL” on
page 36.
6
Adjust the volume to the desired output level.
If desired, adjust BASS, TREBLE, BALANCE, etc.
These controls are only effective for sound from the
main speakers.
• BASS controls the low-frequency response.
• TREBLE controls the high-frequency response.
• BALANCE adjusts the balance of the output volume
from the right and left main speakers.
■ To mute the sound
Press MUTE on the remote
control.
To cancel mute, press MUTE.
Note
• During muting, “MUTE ON” appears on the display.
■ When you have finished using this
unit
Press STANDBY/ON (or STANDBY) to set this unit in the
standby mode.
■ BGV (background video) function
The BGV function allows you to combine a video image
from a video source with a sound from an audio source.
(For example, you can listen to classical music while you
are watching a video.) This function can only be controlled
with the remote control.
or
Front panel
–
Remote control
+
–
+
L
Play a video source, and then select an audio source with
the input selector buttons on the remote control. The BGV
function does not work if you select the audio source with
INPUT SELECTOR on the front panel.
R
Front panel
7
Use the digital sound field processor.
Refer to page 23.
or
Front panel
Remote control
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PLAYING A SOURCE
Input Mode (for the DVD/LD, TV/
digital TV and cable TV/satellite
tuner sources)
Press INPUT MODE (or the input selector
button that you have pressed to select the
input source on the remote control) repeatedly
until the desired input mode is shown on the
display.
or
When you turn on the power of this unit, the input mode for
the DVD/LD source is always set to AUTO and for TV/
digital TV or cable TV/satellite tuner source is set according
to “TV INPUT” and “CBL INPUT” on the SET MENU.
(Refer to page 32 for details.)
Front panel
Remote control
PREPARATION
■ AUTO
In this mode, the input signal is selected in the following
order of priority:
1. Digital signal encoded with Dolby Digital or DTS
2. Normal digital signal (PCM)
3. Analog signal (ANALOG)
Note
■ DTS
In this mode, only a digital signal encoded with DTS is
selected, even if other signals are being input at the same
time.
In this mode, only an analog signal is selected, even if a
digital signal is being input at the same time. Select this
mode when you want to use an analog signal instead of a
digital signal.
ADVANCED OPERATION
■ ANALOG
Notes
• Set the input mode to AUTO to play a DVD/LD source encoded
with Dolby Digital.
• The sound output may be interrupted for some LD and DVD
players in the following situation: The input mode is set to
AUTO. A search is performed while playing the disc encoded
with Dolby Digital or DTS, and then disc playing is restored. The
sound output is interrupted for a moment because the digital
signal was selected again.
• The input mode cannot be changed for the CD, TUNER, TAPE/
MD, VCR, PHONO and VIDEO AUX sources because only
analog signals are used for these.
• The current input mode appears on the display when the DVD/
LD, TV/digital TV or cable TV/satellite tuner source is selected,
or the input mode is changed.
BASIC OPERATION
• If digital signals are input from both the OPTICAL and
COAXIAL terminals, the digital signal from the COAXIAL
terminal is selected.
INTRODUCTION
This unit allows you to switch the input mode for sources
that send both digital and analog signals to this unit. The
AUTO, DTS and ANALOG input modes are provided.
■ Switching the input mode
APPENDIX
English
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PLAYING A SOURCE
■ Notes on playing a source
encoded with DTS
• If “DATA ERROR” appears on the display while playing an LD
source encoded with DTS, stop playback and turn the player off
and then on again.
• If the digital output data of the player has been processed in any
way, you may not be able to perform DTS decoding even if you
make a digital connection between this unit and the player.
• If you play an LD source encoded with DTS and set the input
mode to ANALOG, there will be the noise of an unprocessed
DTS signal. When you want to play a DTS source, be sure to
connect the source to the digital input terminal and set the input
mode to AUTO or DTS.
• If you switch the input mode to ANALOG while playing a source
encoded with a DTS signal, this unit reproduces no sound.
• If you play a source encoded with DTS and set the input mode to
AUTO, there will be a short noise at first while the unit
recognizes the DTS signal and turns on the DTS decoder. This is
not a malfunction, and can be avoided by setting the input mode
to DTS beforehand. In addition, if you continue to play a source
encoded with DTS with the input mode setting left to AUTO, this
unit automatically switches to the “DTS-decoding” mode to
prevent noise from being generated during subsequent operation.
(The “t” indicator lights up on the display.) The “t”
indicator will flash immediately after playback of a source
encoded with DTS has finished. Only a source encoded with DTS
can be played back while this indicator is flashing. If you want to
play a normal PCM source soon, set the input mode back to
AUTO.
■ Notes on playing an LD source
• Some audio/video components, such as an LD player, output
different audio signals through their analog and digital terminals.
Change the input mode as necessary.
• If the input mode is set to AUTO for the LD source, this unit
automatically determines which type of signal the LD source
contains. If this unit detects a Dolby Digital or DTS signal, the
decoder automatically switches to the appropriate setting and
reproduces 5.1 channel sound.
• If the LD player is transmitting signals by a non-normal method,
this unit cannot detect the Dolby Digital or DTS signal. In this
case, the decoder automatically switches to PCM or analog.
• If the LD source does not contain a digital soundtrack, connect
the LD player to the analog terminals and set the input mode to
AUTO or ANALOG.
• While you are operating the LD player and playing a disc encoded
with Dolby Digital, if you switch from the pause or chapter
forwarding function to normal playback, you may hear the PCM
or analog sound an instant before the Dolby Digital sound is
played.
■ Notes on the digital signal
The digital input terminal of this unit can also handle
96-kHz sampling 24-bit digital signals. (To utilize this, use a
source that supports 96-kHz sampling 24-bit digital signals
and set the player for digital output. Refer to the instructions
for the player.) Note the following when a 96-kHz sampling
24-bit digital signal is input to this unit.
1. The following indicator will appear on the display.
2. DSP programs cannot be selected. Sound will be output
as normal 2-channel stereo sound using only the right
and left main speakers.
3. Delay time and speaker output level cannot be adjusted.
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DIGITAL SOUND FIELD PROCESSOR (DSP) EFFECT
You can enhance your listening experience by selecting a
DSP program. Refer to pages 26 to 28 for details about each
program.
+
–
+
L
1
Make sure that the effect speakers (center and
rear) and subwoofer are turned on.
2
Press DSP.
The indicator lights up for about
three seconds.
3
Use the numeric buttons
(1 to 8) to select the
desired program before the
indicator goes off.
The name of the selected
program appears on the display.
R
2
PREPARATION
–
■ On the remote control
INTRODUCTION
Selecting a DSP Program
2
DSP program name
If the selector dial is set to the DSP/TUN position, you
can select a DSP program directly with the numeric
buttons.
y
If desired, adjust the delay time and the sound output level of each
speaker. (Refer to pages 33 and 34 for details.)
■ On the front panel
Make sure that the effect speakers (center and
rear) and subwoofer are turned on.
2
Press PROGRAM h or l
repeatedly to select the
desired program.
The name of the selected
program appears on the display.
DSP program name
APPENDIX
• You can select a DSP program for each of the input sources. Once
you select a program, it is linked with the input source selected at
that time. So, when you select the input source next time, the
same program is automatically selected.
• When a monaural source is being played with PRO LOGIC/
Normal or PRO LOGIC/ENHANCED, no sound will be heard
from the main speakers and the rear speakers. Sound can only be
heard from the center speaker. However, if “CENTER SP” on the
SET MENU is set to the NONE position, the center channel
sound is output from the main speakers.
• When a source connected to the EXTERNAL DECODER INPUT
terminals of this unit is selected, the digital sound field processor
cannot be used.
• When high-rate 96-kHz sampling 24-bit digital signals are input
to this unit, no DSP program can be selected and the sound is only
output from right and left main speakers as a normal 2-channel
stereo sound.
ADVANCED OPERATION
1
Notes
BASIC OPERATION
3
English
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DIGITAL SOUND FIELD PROCESSOR (DSP) EFFECT
Canceling the Sound Effect (turning
off the effect speakers)
Press EFFECT to cancel
the sound effect and
monitor only the main
sound.
Press EFFECT again to turn the
sound effect back on.
Front panel
or
Remote control
y
If the selector dial is set to a position other than the DSP/TUN
position, first press DSP and then EFFECT on the remote control.
Notes
• If you turn off the sound effect when Dolby Digital or DTS is
decoding, the sounds of the center and rear channels are mixed
and output from the main speakers.
• If you turn off the sound effect when Dolby Digital or DTS is
decoding, it may happen that the sound is output faintly or not
output normally, depending on the source. In this case, turn sound
effect back on.
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RECORDING A SOURCE ON TAPE, MD OR VIDEO CASSETTE
2
1,4
y
If a tape deck or MD recorder is being used for recording, you can
monitor the sounds being recorded by pressing TAPE/MD MON /
EXT. DECODER (or TAPE/MD).
Notes
–
+
–
+
L
R
4
1
BASIC OPERATION
If you play back a video source that uses scrambled or
encoded signals to prevent it from being dubbed, the
picture itself may be disturbed due to those signals.
PREPARATION
2
• The DSP program and the setting of VOLUME, BASS, TREBLE
and BALANCE have no effect on the material being recorded.
• Composite video and S video signals pass independently through
this unit’s video circuits. Therefore, when recording or dubbing
video signals, if your video source component is connected to
provide only an S video (or only a composite video) signal, you
can record only an S video (or only a composite video) signal by
your VCR.
• A source connected to this unit only through the digital terminals
cannot be recorded by the tape deck, MD recorder or VCR
connected to this unit.
• A source connected to the EXTERNAL DECODER INPUT
terminals of this unit cannot be recorded.
• Check the copyright laws in your country to record from records,
CDs, radio, etc. Recording of copyrighted material may infringe
copyright laws.
INTRODUCTION
Recording adjustments and other operations are performed
from the tape deck, MD recorder or VCR. Refer to the
instructions for these components.
Set VOLUME to the “m”
position.
Front panel
ADVANCED OPERATION
2
Select the source you want to record.
or
Front panel
Remote control
Begin recording by the tape deck, MD recorder
or VCR connected to this unit.
4
Play the source and then turn up the volume to
confirm the input source.
APPENDIX
3
or
Front panel
Remote control
English
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ADVANCED OPERATION
SOUND FIELD PROGRAM
This unit incorporates a sophisticated, multi-program digital sound field processor (DSP). This processor allows you to
electronically expand and change the shape of the audio sound field from both audio and video sources, creating a theaterlike experience in your listening room. You can create outstanding audio sound by selecting a suitable DSP program (this
will, of course, depend on what you are listening to).
When you select a CINEMA DSP program, one of the built-in decoders (Dolby Pro Logic, Dolby Digital and DTS) is turned
on according to which type of signals the source being played contains.
The following list gives you a brief description of the sound fields produced by each of the DSP programs. Keep in mind that
most of these are precise digital re-creations of actual acoustic environments.
• The input source given in the following table for programs 4 through 8 indicates that input source which each program
is best suited for.
• Select the DSP program that you feel sounds best regardless of the name and description given for it below.
■ For movie or audio/video sources (Program No. 1 to No. 5: CINEMA DSP
programs)
No.
1
PROGRAM
q/DTS
SURROUND
SUBPROGRAM
[1] PRO LOGIC/Normal ( o )
• Input source:
Dolby Surround
2-ch Dolby Digital
• Output channel:
4 channels
• DSP:
—
[2] DOLBY DIGITAL/Normal ( g )
• Input source:
Dolby Digital
• Output channel:
5.1 channels
• DSP:
—
[3] DTS DGTL SUR/Normal ( t )
• Input source:
DTS
• Output channel:
5.1 channels
• DSP:
—
[4] PRO LOGIC/ENHANCED
(ox)
• Input source:
Dolby Surround
2-ch Dolby Digital
• Output channel:
4 channels
• DSP:
1 (surround)
[5] DOLBY DIGITAL/ENHANCED
(gx)
• Input source:
Dolby Digital
• Output channel:
5.1 channels
• DSP:
2 (surround L, R)
[6] DTS DGTL SUR/ENHANCED
(tx)
• Input source:
DTS
• Output channel:
5.1 channels
• DSP:
2 (surround L, R)
FEATURES
The built-in Dolby Pro Logic decoder, Dolby
Digital decoder or DTS decoder precisely
reproduces the sound and effect of a source
encoded with Dolby Surround, Dolby Digital
or DTS.
The realization of a highly efficient decoding
process improves cross talk and channel
separation, and makes sound positioning
smoother and more precise.
In this program, the digital sound field
processor is not turned on.
This program ideally simulates the multisurround speaker systems of the 35 mm-film
movie theater. Dolby Pro Logic decoding,
Dolby Digital decoding or DTS decoding and
digital sound field processing are precisely
performed without altering the original sound
orientation.
The surround effect produced by the sound
field folds around the viewer naturally from
the rear to the right and left, and toward the
screen.
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SOUND FIELD PROGRAM
No.
2
PROGRAM
MOVIE
THEATER 1
SUBPROGRAM
[1] 70 mm SPECTACLE
(ox)
• Input source:
• Input source:
3
MOVIE
THEATER 2
[1] 70 mm ADVENTURE
(ox)
• Input source:
[4] 70 mm GENERAL ( o x )
• Input source:
This program is for reproducing sounds on a
multi-track film, and is characterized by a soft
and extensive sound field. The front presence of
the sound field is relatively narrow. It spatially
spreads all around and toward the screen,
restraining echo effect of conversations without
losing clarity. For the surround sound field, the
harmony of music or chorus sounds beautifully
in a wide space at the rear of the sound field.
English
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27
APPENDIX
Dolby Surround
2-ch Dolby Digital
• Output channel:
3 channels
• DSP:
2 (presence & surround)
[5] DGTL GENERAL ( g x )
• Input source:
Dolby Digital
• Output channel:
5.1 channels
• DSP:
3 (presence & surround L, R)
[6] DTS GENERAL ( t x )
• Input source:
DTS
• Output channel:
5.1 channels
• DSP:
3 (presence & surround L, R)
Ideal for precisely reproducing the sound of the
newest multi-track films. The sound field is
made to be similar to that of the newest movie
theaters, so the reverberations of the sound field
itself are restrained as much as possible. The
data for the sound field of an opera house are
used for the front presence, so the threedimensional feeling of the sound field is
emphasized, and dialog is precisely oriented on
the screen. By using the data for the sound field
of a concert hall on the surround sound field,
powerful reverberations are generated. You can
enjoy watching action, adventure movies, etc.
with strong presence.
ADVANCED OPERATION
Dolby Surround
2-ch Dolby Digital
• Output channel:
3 channels
• DSP:
2 (presence & surround)
[2] DGTL ADVENTURE
(gx)
• Input source:
Dolby Digital
• Output channel:
5.1 channels
• DSP:
3 (presence & surround L, R)
[3] DTS ADVENTURE ( t x )
• Input source:
DTS
• Output channel:
5.1 channels
• DSP:
3 (presence & surround L, R)
Clearly reproduces dialog and sound effects in
the latest sound form of science fiction films,
thus creating a broad and expansive cinematic
space amid the silence. You can enjoy science
fiction films in a virtual-space sound field that
includes Dolby Surround, Dolby Digital and
DTS-encoded software employing the most
advanced techniques.
BASIC OPERATION
Dolby Surround
2-ch Dolby Digital
• Output channel:
3 channels
• DSP:
2 (presence & surround)
[5] DGTL SCI-FI ( g x )
• Input source:
Dolby Digital
• Output channel:
5.1 channels
• DSP:
3 (presence & surround L, R)
[6] DTS SCI-FI ( t x )
• Input source:
DTS
• Output channel:
5.1 channels
• DSP:
3 (presence & surround L, R)
PREPARATION
[4] 70 mm SCI-FI ( o x )
This program creates the extremely wide sound
field of a movie theater. It precisely reproduces
the source sound in detail, giving both the video
and the sound field incredible reality. It is ideal
for any kind of video source encoded with
Dolby Surround, Dolby Digital or DTS
(especially large-scale movie productions).
INTRODUCTION
Dolby Surround
2-ch Dolby Digital
• Output channel:
3 channels
• DSP:
2 (presence & surround)
[2] DGTL SPECTACLE
(gx)
• Input source:
Dolby Digital
• Output channel:
5.1 channels
• DSP:
3 (presence & surround L, R)
[3] DTS SPECTACLE ( t x )
• Input source:
DTS
• Output channel:
5.1 channels
• DSP:
3 (presence & surround L, R)
FEATURES
2/29/0, 4:54 PM
SOUND FIELD PROGRAM
No.
4
PROGRAM
MONO MOVIE ( x )
• Input source:
• Output channel:
• DSP:
5
FEATURES
This program is designed specifically to enhance monaural
sources. Compared to a strictly mono setting, the sound image
is wider and slightly forward of the speaker pair, lending an
immediacy to the overall sound. It is particularly effective for
old mono movie, news broadcasts and dialog.
Monaural
1 channel
1
TV SPORTS ( x )
• Input source:
• Output channel:
• DSP:
This program is furnished with a tight sound field in which the
sound will not spread excessively at the front, but the rear
surround produces dynamic sound expansion. It is the most
suitable for sports programs.
Audio/Video
2 to 5.1 channels
2 to 3 (presence & surround)
■ For Hi-Fi audio sources
No.
6
PROGRAM
DISCO ( x )
• Input source:
• Output channel:
• DSP:
7
This program simulates the acoustic environment of a disco in
the heart of a lively city. The sound is dense and highly
concentrated.
2-ch PCM/Analog audio
2 channels
1
ROCK CONCERT ( x )
• Input source:
• Output channel:
• DSP:
8
FEATURES
This program is ideally suited for rock music. You will
experience a dynamic and lively sound field.
2-ch PCM/Analog audio
2 channels
1
CONCERT HALL ( x )
• Input source:
• Output channel:
• DSP:
This program creates the expansive ambience of a large concert
hall. It is suited for orchestra and opera music.
2-ch PCM/Analog audio
2 channels
1
CINEMA DSP: Dolby Surround + DSP/Dolby Digital + DSP/DTS + DSP
■ Dolby Pro Logic + 2 digital sound fields
Digital sound fields are created in both the presence and
rear surround zones of the Dolby Pro Logic-decoded sound
field. They create a wide acoustic environment and
emphasize the surround effect in the room, letting you feel
as much presence as if you were watching a movie in a
popular Dolby Stereo theater.
■ Dolby Digital or DTS + 3 digital sound fields
Digital sound fields are created in the presence zone and
independently on the left and right surround zones of the
Dolby Digital-decoded or DTS-decoded sound field. They
create a wide acoustic environment and strong surround
effect in the room without losing high channel separation.
With the wide dynamic range of Dolby Digital or DTS
sound, this sound field combination lets you feel as if you
were watching a movie in the newest Dolby Digital theater
or DTS-installed theater. This is the most ideal home theater
sound at the present time.
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SET MENU
1. CENTER SP
2. REAR SP
3. MAIN SP
4. BASS OUT
5. MAIN LVL
6. D.D. LFE
7. D-RANGE
8. DTS LFE
9. CNTR DELAY
10.MEM. GUARD
11.TV INPUT
12.CBL INPUT
2
Press SET MENU
repeatedly to select the
item you want to adjust.
The selected item appears on
the display.
INTRODUCTION
This unit provides you with the following items on the SET
MENU to maximize the performance of your system and
expand your enjoyment for audio listening and video
watching.
y
• You can also select the item by using NEXT on the front panel.
BASIC OPERATION
Front panel
Adjusting Items on the SET MENU
3
Press i or j repeatedly to
adjust the setting.
Adjustments should be performed with the remote control
while watching the information on the display.
3
1
ADVANCED OPERATION
2
y
You can also adjust the setting by using SET MENU +/– on the
front panel.
Front panel
4
1
Repeat steps 2 and 3 to adjust the setting of
any other item in the same way.
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English
Memory back-up
The memory back-up circuit prevents the stored data
from being lost when this unit is set in the standby mode.
If, however, the power cord is disconnected from the AC
power outlet or the power is cut for more than one week,
the settings of the SET MENU will automatically return
to the preset positions and values. If so, adjust the
settings of the SET MENU again.
APPENDIX
Set the selector dial to the
AMP/TUN (or DSP/TUN)
position.
0107DSP-A529-35_EN
PREPARATION
• After pressing SET MENU once, you can also select the item by
pressing d. (Pressing u goes back one selection.)
SET MENU
Description of Each Item
1. CENTER SP
3. MAIN SP
Choices: LARGE/SMALL
Preset position: LARGE
Choices: LRG (Large)/SML (Small)/NONE
Preset position: LRG (Large)
LRG (Large)
Select this position if your center speaker is approximately
the same size as the main speakers. In this position, fullrange signals on the center channel are directed to the center
speaker.
SML (Small)
Select this position if you use a center speaker that is
smaller than the main speakers. In this position, low bass
signals (below 90 Hz) on the center channel are distributed
to the SUBWOOFER OUTPUT terminal (or to the right and
left main speakers if “BASS OUT” is set to the MAIN
position).
NONE
Select this position if you do not have a center speaker
(4-speaker system). In this position, full-range signals on
the center channel are directed to the right and left main
speakers.
2. REAR SP
Choices: LARGE/SMALL
Preset position: LARGE
LARGE
Select this position if your rear speakers have high ability
for bass reproduction, or if a subwoofer is connected in
parallel to the rear speaker. In this position, full-range
signals on the rear channels are directed to the rear speakers.
SMALL
Select this position if your rear speakers do not have high
ability for bass reproduction. In this position, low bass
signals (below 90 Hz) on the rear channels are distributed to
the SUBWOOFER OUTPUT terminal (or to the right and
left main speakers if “BASS OUT” is set to the MAIN
position).
LARGE
Select this position if your main speakers have high ability
for bass reproduction. In this position, full-range signals on
the main channels are directed to the right and left main
speakers.
SMALL
Select this position if your main speakers do not have high
ability for bass reproduction. However, if your system does
not include a subwoofer, do not select this position. In this
position, low bass signals (below 90 Hz) on the main
channels are distributed to the SUBWOOFER OUTPUT
terminal if “BASS OUT” is set to the SW position.
4. BASS OUT
Choices: SW/MAIN/BOTH
Preset position: BOTH
SW/BOTH
Select either the SW or BOTH position if your system
includes a subwoofer. In either position, signals on the LFE
channel and low bass signals (below 90 Hz) on the center
and rear channels are directed to the SUBWOOFER
OUTPUT terminal if “CENTER SP” is set to the SML or
NONE position and “REAR SP” is set to the SMALL
position. In the SW position, low bass signals on the main
channels are directed to the SUBWOOFER OUTPUT
terminal if “MAIN SP” is set to the SMALL position. In the
BOTH position, low bass signals on the main channels are
directed to both the main speakers and the SUBWOOFER
OUTPUT terminal.
Note
• When playing a 2-channel source (tape, MD, CD, video
cassette etc.), select the BOTH position to direct low bass signals
(below 90 Hz) to the SUBWOOFER OUTPUT terminal.
MAIN
Select this position if your system does not include a
subwoofer. In this position, besides full-range signals on the
main channels, signals on the LFE channel and other low
bass signals (below 90 Hz) that are distributed from other
channels are directed to the right and left main speakers.
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SET MENU
5. MAIN LVL
Choices: NORM (Normal)/–10 dB
Preset position: NORM (Normal)
Choices: MAX/STD (Standard)/MIN
Preset position: MAX
INTRODUCTION
NORM (Normal)
Normally select this position.
7. D-RANGE (Adjusting the dynamic
range)
Note
–10 dB
Select this position if the sound output from the main
speakers is too loud and cannot be balanced with the sound
output from the center and rear speakers. In this position,
the sound output from the main speakers is attenuated.
Control range: –20 dB to 0 dB (in 1 dB steps)
Preset value: 0 dB
This adjusts the output level of the LFE channel. If the LFE
signals are mixed with signals of other channels and they
are directed to the same speakers, the ratio of the LFE signal
level to the level of the other signals can be adjusted.
STD (Standard)
In this position, a source encoded with Dolby Digital is
reproduced in the “compressed” dynamic range of the
source that is suitable for low-level listening.
Note
• It may happen that sound is output faintly or not output normally
depending on the source. In that case, select the MAX or STD
position.
APPENDIX
MIN
In this position, the dynamic range is more reduced than in
the STD position. Selecting this position will be effective
when you must listen to a source at a low level.
ADVANCED OPERATION
Note
• This adjustment is only effective when Dolby Digital is being
decoded and the selected source encoded with Dolby Digital
contains LFE signals.
MAX
In this position, a source encoded with Dolby Digital is
reproduced in the original sound track’s wide dynamic
range to provide you with powerful sounds just like those in
a movie theater. Selecting this position will be even better if
you can listen to a source at a high output level in a room
specially soundproofed for audio/video enjoyment.
BASIC OPERATION
6. D.D. LFE (Adjusting the output
level of the LFE channel for Dolby
Digital)
“Dynamic range” is the difference between the maximum
level and the minimum level of sounds. Sounds on a movie
originally designed for movie theaters feature a very wide
dynamic range. Dolby Digital technology can modify the
original sound track into a home audio format with this
wide dynamic range unchanged. Powerful sounds of
extremely wide dynamic range are not always suitable for
home use. Depending on the condition of your listening
environment, it may not be possible to increase the sound
output to a level as high as that in a movie theater. However,
at the normal level suitable for listening in your room, the
low-level parts of source sound often cannot be heard well
because they will be lost among noise in your environment.
Dolby Digital technology has also made it possible to
reduce an original sound track’s dynamic range for a home
audio format by “compressing” the sound data.
PREPARATION
Notes
• The setting of “CENTER SP”, “REAR SP”, “MAIN SP” and
“BASS OUT” have no effect on a source connected to the
EXTERNAL DECODER INPUT terminals on the rear of this
unit.
• Once you have adjusted appropriately for “CENTER SP”, “REAR
SP”, “MAIN SP”, “BASS OUT” and “MAIN LVL”, you do not
have to change any settings unless your speaker system is
modified.
• This adjustment is only effective when Dolby Digital is being
decoded.
English
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SET MENU
8. DTS LFE (Adjusting the output
level of the LFE channel for DTS)
10.MEM. GUARD (Locking the
settings)
Control range: –10 dB to +10 dB (in 1 dB steps)
Preset value: 0 dB
Choices: ON/OFF
Preset position: OFF
Note
• This adjustment is effective only when DTS is being decoded and
the selected source encoded with DTS contains LFE signals.
This adjusts the output level of the LFE channel. If the LFE
signals are mixed with signals of other channels and they
are directed to the same speakers, the ratio of the LFE signal
level to the level of the other signals can be adjusted.
9. CNTR DELAY (Adjusting the delay
of the sound from the center
speaker)
Control range: 0 ms to 5 ms (in 1 ms steps)
Preset value: 0 ms
This adjusts the delay between the main sound (on the main
channels) and dialog, etc. (on the center channel). The larger
the value, the later the dialog, etc. is generated.
This makes sounds from the left main, center and right main
speakers reach your listening position at the same time. This
is achieved by delaying the sound from the center speaker if
the distance from the center speaker to your listening
position is shorter than the distance from the right and left
main speaker to your listening position.
If you wish to prevent accidental alterations to the settings
of the SET MENU and other adjustments on this unit, select
the ON position. The following settings on this unit can be
locked:
• Settings of other items on the SET MENU
• Settings in the TIME/LEVEL mode
• Settings when using TEST
11.TV INPUT (Selecting the initial
input mode for a source connected
to the D-TV input terminals)
Choices: AUTO/LAST
Preset position: AUTO
The input mode for a source connected to the D-TV input
terminals of this unit can be automatically set when the
power of this unit is turned on. Refer to page 21 for details
about the input mode.
AUTO
In this position, the input mode is always set to AUTO.
LAST
In this position, the input mode is automatically set to that
selected the last time when the power of this unit was turned
on.
12.CBL INPUT (Selecting the initial
input mode for a source connected
to the CBL/SAT input terminals)
Choices: AUTO/LAST
Preset position: AUTO
The input mode for a source connected to the CBL/SAT
input terminals of this unit can be automatically set when
the power of this unit is turned on. Refer to page 21 for
details about the input mode.
AUTO
In this position, the input mode is always set to AUTO.
LAST
In this position, the input mode is automatically set to that
selected the last time when the power of this unit was turned
on.
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DELAY TIME AND SPEAKER OUTPUT LEVELS
Note
• When high-rate 96-kHz sampling 24-bit digital signals are input
to this unit, the delay time and speaker output levels cannot be
adjusted.
Notes
Program
Preset value
0
0
0
0
APPENDIX
4.
5.
6.
7.
8.
Preset
value
20
5
5
20
5
5
23
15
15
20
16
16
20
15
15
20
15
15
49
9
40
16
44
Control range (dB)
MIN, –20 to +10
MIN, –20 to +10
MIN, –20 to +10
MIN, –20 to 0
ADVANCED OPERATION
3.
PRO LOGIC/Normal
DOLBY DIGITAL/Normal
DTS DGTL SUR/Normal
PRO LOGIC/ENHANCED
DOLBY DIGITAL/ENHANCED
DTS DGTL SUR/ENHANCED
70 mm SPECTACLE
DGTL SPECTACLE
DTS SPECTACLE
70 mm SCI-FI
DGTL SCI-FI
DTS SCI-FI
70 mm ADVENTURE
DGTL ADVENTURE
DTS ADVENTURE
70 mm GENERAL
DGTL GENERAL
DTS GENERAL
MONO MOVIE
TV SPORTS
DISCO
ROCK CONCERT
CONCERT HALL
Control
range (ms)
15 to 30
0 to 15
0 to 15
15 to 30
0 to 15
0 to 15
15 to 30
1 to 99
1 to 99
15 to 30
1 to 99
1 to 99
15 to 30
1 to 99
1 to 99
15 to 30
1 to 99
1 to 99
1 to 99
1 to 99
1 to 99
1 to 99
1 to 99
Speaker
Center
Right rear
Left rear
Subwoofer
BASIC OPERATION
• Adding too much delay will cause an unnatural effect with some
sources.
• The sound is momentarily interrupted while adjusting the delay
time.
• The sound output level of the center speaker cannot be adjusted
when the input signal is analog, PCM audio, or encoded with
Dolby Digital in 2-channel.
• If “CENTER SP” on the SET MENU is set to the NONE position,
the sound output level of the center speaker cannot be adjusted.
This is because the center channel sound is automatically output
from the right and left main speakers.
• Once the sound output level has been adjusted, the level will be
the same for all DSP programs.
PREPARATION
You can adjust the time difference between the beginning of
the sound from the main speakers and the beginning of the
sound effect from the rear speakers. The larger the value,
the later the sound effect is generated. The delay time can be
individually adjusted to all DSP programs.
2.
If desired, you can adjust the sound output level of each
speaker even if it has already been adjusted in
“ADJUSTING THE SPEAKER BALANCE” on pages 17
and 18.
Notes
Delay Time
1.
Sound Output Level of the Center,
Right Rear and Left Rear Speakers,
and Subwoofer
INTRODUCTION
When using the digital sound field processor with the Dolby
Pro Logic decoder, Dolby Digital decoder or DTS decoder,
you can adjust the delay time between the main sound and
sound effect, and each speaker’s output level as you wish.
English
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DELAY TIME AND SPEAKER OUTPUT LEVELS
Adjusting Method
3
Press i or j to adjust the
delay time or speaker
output levels.
4
Repeat steps 2 and 3 to adjust the settings of
any other item.
Adjustments should be performed with the remote control
while watching the information on the display.
3
1
2
1
Set the selector dial to the
AMP/TUN (or DSP/TUN)
position.
2
Press TIME/LEVEL repeatedly to select the
item you want to adjust.
Each time you press TIME/LEVEL, the selected item
changes and appears on the display as shown below.
DELAY
CENTER
Delay time
Center speaker output level
R SUR.
Right rear speaker output level
L SUR.
Left rear speaker output level
SWFR
Memory back-up
The memory back-up circuit prevents the stored data
from being lost when this unit is set in the standby mode.
If, however, the power cord is disconnected from the AC
power outlet or the power is cut for more than one week,
the latest values for the delay time and the center/rear/
subwoofer output levels that were set will automatically
return to the preset values. If so, adjust the delay time
and output levels again.
Subwoofer output level
y
You can also select the item by pressing d. (Pressing u changes
the selection in the reverse order.)
Note
• Depending on the setting of the SET MENU, you may not be able
to select all these items.
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SLEEP TIMER
Note
• The SLEEP timer is effective for the components connected to the
AC OUTLET(S) on the rear panel of this unit.
Canceling the Selected SLEEP
Timer
Press SLEEP repeatedly until “SLEEP OFF”
appears on the display.
It will soon disappear and the “SLEEP” indicator will
go off.
INTRODUCTION
The SLEEP timer can be used to automatically set this unit
in the standby mode. This timer is useful when you are
going to sleep while enjoying the desired input source. The
SLEEP timer can only be set with the remote control.
Setting the SLEEP Timer
Note
• The SLEEP timer can also be canceled by setting the unit in the
standby mode by using STANDBY on the remote control (or
STANDBY/ON on the front panel), or by disconnecting the AC
power cord from the AC power outlet.
PREPARATION
2
3
2
Set the selector dial to a
position other than the TV
position.
3
Press SLEEP repeatedly to
select the desired SLEEP
time.
Each time you press SLEEP, the SLEEP time will
change as below:
120
90
60
ADVANCED OPERATION
Play a source you want to enjoy when you are
going to sleep.
BASIC OPERATION
1
30
The SLEEP timer is off
(SLEEP OFF).
(This is the state before
SLEEP is pressed.)
APPENDIX
Flashes
4
The “SLEEP” indicator soon lights up on the
display after the SLEEP timer has been set.
The display returns to the previous indication.
English
Lights up
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PRESET REMOTE CONTROL
The provided remote control is factory set to control not only this unit but also most YAMAHA audio components connected
to it.
Selector Dial
There are nine positions that you can select to control connected components with this remote control. For example, if the CD
position is selected, the remote control is set in the CD operation mode, allowing the CD player to be operated by the buttons
on the remote control. When turning the selector dial, the position changes as follows:
AMP/TUN
You can perform the basic operations of
this unit. Refer to pages 7 and 8.
TAPE/MD
The code for a YAMAHA tape deck is factory set.
(Be sure to set the proper code when operating an
MD recorder.)
CD
The code for a YAMAHA CD
player is factory set.
CBL/SAT
A cable TV or satellite tuner can be
controlled.
DVD/LD & DVD MENU
An LD player can be controlled in the DVD/
LD position. A DVD player can be controlled
in the DVD/LD and DVD MENU positions.
The code for a YAMAHA DVD player is
factory set. If the remote control does not
operate your YAMAHA DVD player, you need
to set the code number “0048”.
Selector
dial
VCR
A VCR can be controlled.
TV
A TV can be controlled.
DSP/TUN
This unit can be controlled and DSP programs can be
selected directly.
Note
• The button functions on the remote control differ depending on the position of the selector dial. Refer to the following pages for details.
Commonly used buttons in any position of the selector dial
Regardless of the position of the selector dial, you can control this unit and your TV with the following buttons.
Note
• You have to set the code for your TV before you can control the TV.
■ Controlling this unit
Refer to pages 7 and 8.
1
!
@
2
#
3
4
5
1
2
3
4
STANDBY
POWER
VOLUME (+/–)
SLEEP
Note
• If you have set the code for your TV and set the selector dial to
the TV position, this button is used to set the SLEEP timer for the
TV.
5 MUTE
Note
• If you have set the code for your TV and set the selector dial to
the TV position, this button is used to mute the TV sound.
■ Controlling your TV
! TV POWER
@ TV INPUT
# TV VOLUME
36
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PRESET REMOTE CONTROL
Controlling the Components
Connected to This Unit
INTRODUCTION
■ Example: To control a YAMAHA CD
player
2
6
4
5
3
7
Set the selector dial to the
CD position.
3
Turn on the power.
4
Press INPUT.
The indicator lights up for
about three second.
5
Press CD (number 1) while
the indicator is lit.
6
Press p.
Refer to page 39 for the CD
player operation buttons.
7
Adjust the volume.
ADVANCED OPERATION
2
BASIC OPERATION
Make sure that VOLUME is set to the “m”
position.
PREPARATION
1
APPENDIX
If you set the remote control with the manufacturers’
codes listed from page i at the end of this
manual, you can control other brands of components.
Refer to “Setup codes” on page 42 for details.
English
37
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PRESET REMOTE CONTROL
Description of Each Position
■ TAPE/MD position
Select the TAPE/MD position.
Numeric buttons (MD)
+10 (MD)
While the indicator lights up for about three
seconds after pressing DSP, this button turns
on or off the effect speakers (center and rear).
r REC/PAUSE
This button gives a pause in recording on a
tape deck or MD recorder.
DECK A/B (TAPE)
This button selects deck A or B on a doublecassette tape deck.
DISPLAY (MD)
p PLAY
This button plays a tape or an MD.
e PAUSE (MD)
This button gives a pause in operation.
b DIR A (TAPE)
This button selects the playing direction of deck A.
SKIP– (MD)
This button skips to the beginning of the previous
track.
a DIR B (TAPE)
This button selects the playing direction of
deck B.
SKIP+ (MD)
This button skips to the beginning of the next
track.
s STOP
This button stops operation on a tape deck or
MD recorder.
w REWIND (TAPE)
This button rewinds a tape.
SEARCH (MD)
This button initiates a backward search on the
track that is playing to find the point from which
you want to listen.
f FAST FORWARD (TAPE)
This button winds a tape fast forward.
SEARCH (MD)
This button initiates a fast-forward search on
the track that is playing to find the point from
which you want to listen.
AV POWER
(TAPE) This button turns on the tape deck
that has a remote control with a power button
if you have set the code for another
manufacturer.
(MD) This button turns on the MD recorder
that has a remote control with a power button
if you have set the code for another
manufacturer.
• The dark-shaded buttons do not function.
• If your component does not respond to any of the codes listed for the manufacturer, use the original remote control
supplied with your component.
38
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PRESET REMOTE CONTROL
■ CD position
INTRODUCTION
Select the CD position.
INDEX
DISC SKIP+/–
(for a CD player with CD changer)
These buttons skip to the next or previous CD.
+10
While the indicator lights up for about three
seconds after pressing DSP, this button turns
on or off the effect speakers (center and rear).
e PAUSE
This button gives a pause in operation. The
button functions as PAUSE/STOP* for
operating a YAMAHA CD player under
factory setting.
p PLAY
This button plays a CD.
b SKIP–
This button skips to the beginning of the
previous track.
a SKIP+
This button skips to the beginning of the next
track.
w SEARCH
This button initiates a backward search on the
track that is playing to find the point from
which you want to listen.
f SEARCH
This button initiates a fast-forward search on
the track that is playing to find the point from
which you want to listen.
APPENDIX
AV POWER
This button turns on the CD player that has a
remote control with a power button if you
have set the code for another manufacturer.
ADVANCED OPERATION
s STOP
This button stops operation. The button
functions as PAUSE/STOP* for operating
YAMAHA CD player under factory setting.
BASIC OPERATION
DISPLAY
PREPARATION
Numeric buttons
y
PAUSE/STOP function
English
Press the button once to give a pause in operation and press once more to stop operation.
• The dark-shaded buttons do not function.
• If your component does not respond to any of the codes listed for the manufacturer, use the original remote control
supplied with your component.
39
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PRESET REMOTE CONTROL
■ DVD/LD position
Select the DVD/LD position.
Numeric buttons
TITLE/INDEX
+10
DISC SKIP+/–
PLAY
SKIP–
SEARCH
DISPLAY
PAUSE
SKIP+
STOP
SEARCH
AV POWER
(DVD) This button turns on the YAMAHA DVD player if
you have set the code number “0048”. Also this button turns
on the DVD player that has a remote control with a power
button if you have set the code for another manufacturer.
(LD) This button turns on the LD player that has a remote
control with a power button if you have set the
code for another manufacturer.
■ DVD MENU position
Note
• DVD MENU operations cannot be performed for some DVD players.
Select the DVD MENU position.
Numeric buttons
TITLE/INDEX
+10
DISC SKIP+/–
RETURN
MENU SELECT
MENU LEFT
TITLE
DISPLAY
MENU UP
MENU RIGHT
MENU DOWN
MENU
AV POWER
This button turns on the YAMAHA DVD player if you have
set the code number “0048”. Also this button turns on the
DVD player that has a remote control with a power button if
you have set the code for another manufacturer.
• The dark-shaded buttons do not function.
• If your component does not respond to any of the codes listed for the manufacturer, use the original remote control
supplied with your component.
40
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PRESET REMOTE CONTROL
■ VCR position
■ CBL/SAT position
INTRODUCTION
Select the
VCR position.
Select the CBL/SAT
position.
VCR REC
Press this button
twice to start
recording.
Numeric buttons
Numeric buttons
ENTER/RECALL
ENTER
+10
+10
PLAY
CHANNEL +/–
MENU SELECT
MENU LEFT
STOP
FAST
FORWARD
REWIND
RECALL
AV POWER
This button turns on a VCR
that has a remote control
with a power button if you
have set the code for your
VCR.
DISPLAY/
GUIDE (SAT)
MENU UP
■ TV position
Note
BASIC OPERATION
MENU RIGHT
MENU DOWN
MENU
AV POWER
This button turns on a
cable TV/satellite tuner
that has a remote
control with a power
button if you have set
the code for your cable
TV/satellite tuner.
PREPARATION
CHANNEL +/–
DISPLAY
PAUSE
• You can control your VCR if you have set the code for it.
ADVANCED OPERATION
Select the TV position.
Numeric buttons
ENTER/RECALL
+10
VCR REC
Press this button twice.
VCR PLAY
CHANNEL +/–
DISPLAY
VCR PAUSE
TV POWER
This button turns on a TV that
has a remote control with a
power button if you have set
the code for your TV.
APPENDIX
VCR REWIND
VCR STOP
VCR FAST
FORWARD
VCR POWER
TV VOL
TV INPUT
TV SLEEP
TV MUTE
English
• The dark-shaded buttons do not function.
• If your component does not respond to any of the codes listed for the manufacturer, use the original remote control
supplied with your component.
41
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PRESET REMOTE CONTROL
Advanced Information
■ Setup codes
You can set the code for the manufacturer of your
component in each position of the selector dial.
1
2
3
4
5
Turn on your component to be used.
Set the selector dial to the
desired position for the
component (TAPE/MD, CD,
DVD/LD, etc.).
Press i (right) and j (left)
at the same time for about
four seconds.
The indicator flashes twice.
Use the numeric buttons to
enter the four-digit
manufacturer’s code for
the component to be used.
Make sure that the
indicator flashes twice.
If the indicator does not flash or
flashes rapidly several times,
repeat step 3 and re-enter the
code.
Press AV POWER (or any other button) on the
remote control to check if you have set the
code correctly.
If your component cannot be
controlled with the remote
control, try setting another code
for the same manufacturer.
Notes
• You can set only one code for one position.
• In the DVD/LD and DVD MENU positions:
Be sure to set the selector dial to the DVD/LD position before
entering the code for the DVD/LD player. The code set in the
DVD/LD position is also simultaneously set in the DVD MENU
position. You cannot set the code for a DVD player when the
selector dial is set to the DVD MENU position.
• If your component does not respond to any of the codes listed for
the manufacturer, use the original remote control supplied with
your component.
■ To use a second (and third) VCR
You can control a second (and third) VCR in the CBL/SAT
and DVD MENU positions if a cable TV or satellite tuner,
or DVD player is not being used.
Note
• If you want to control a second (and third) VCR in the DVD
MENU position, you must set the code for an LD player in the
DVD/LD position.
1
2
Turn on the VCR to be used.
3
Press i (right) and j (left)
at the same time for about
four seconds.
The indicator flashes twice.
4
Use the numeric buttons to
enter the four-digit code
for the second (and third)
VCR. Make sure that the
indicator flashes twice.
If the indicator does not flash or
flashes rapidly several times,
repeat step 3 and re-enter the
code.
5
Press AV POWER (or any other button) on the
remote control to check if you have set the
code correctly.
If the VCR cannot be controlled
with the remote control, try
setting another code for the
same manufacturer.
Set the selector dial to the
CBL/SAT or DVD MENU
position.
42
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PRESET REMOTE CONTROL
■ Returning to the factory-set codes
To return to the factory-set codes in all positions, follow
these steps.
1
Set the selector dial to the
position for the
component to be returned
to the factory-set code.
2
Press i (right) and j (left)
at the same time for about
four seconds.
The indicator flashes twice.
3
Enter the code number
“0000”.
Make sure that the indicator
flashes twice.
PREPARATION
Enter the code number
“9990”.
Make sure that the indicator
flashes twice.
1
INTRODUCTION
2
Press i (right) and j (left)
at the same time for about
four seconds.
The indicator flashes twice.
To return to the factory-set codes in each position, follow
these steps.
Component
Code
TV
Satellite tuner
VCR
DVD player
CD player
Tape deck
this unit
this unit
0101
0006
0002
0008 (YAMAHA DVD player)
0005 (YAMAHA CD player)
0004 (YAMAHA Tape deck)
0003
0013
We recommend that you write all the code numbers you
have set on the “Quick Reference Card”.
ADVANCED OPERATION
Selector dial
position
TV
CBL/SAT
VCR
DVD/LD
CD
TAPE/MD
AMP/TUN
DSP/TUN
BASIC OPERATION
The following codes are factory set.
APPENDIX
English
43
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APPENDIX
TROUBLESHOOTING
If the unit fails to operate normally, check the following points to determine whether the fault can be corrected by the simple
measures suggested. If it cannot be corrected, or if the fault is not listed in the SYMPTOM column, disconnect the power
cord and contact your authorized YAMAHA dealer or service center.
■ General
SYMPTOM
CAUSE
REMEDY
Refer to
page
The unit fails to turn on
when STANDBY/ON (or
POWER) is pressed, or
enters in the standby
mode soon after the
power has been turned
on.
The power cord is not connected or the plug is
not completely inserted.
Firmly connect the power cord.
16
The IMPEDANCE SELECTOR switch on the
rear panel is not fully set to the right or left
position.
Set the switch fully to the right or left position
when the unit is in the standby mode.
16
The unit does not work
normally.
The internal microcomputer has been frozen by
an external electric shock (lightning, excessive
static electricity, etc.) or by a power supply with
low voltage.
Set the unit in the standby mode and disconnect
the AC power cord from the AC power outlet.
After about 30 seconds have passed, connect
the power and operate the unit again.
—
No sound and/or no
picture.
Incorrect input or output cable connections.
Connect the cables properly. If the problem
persists, the cables may be defective.
An appropriate input source has not been
selected.
Select an appropriate input source with INPUT
SELECTOR or TAPE/MD MON / EXT.
DECODER (or the input selector buttons).
19
The speaker connections are not secure.
Secure the connections.
14
SPEAKERS have not been set properly.
Set SPEAKERS corresponding to the speakers
in use to the ON position.
19
The sound is muted.
Set VOLUME to the “m” position, press
MUTE to cancel a mute and adjust the volume.
20
Digital signals other than PCM audio and the
signals encoded with Dolby Digital or DTS
which this unit cannot reproduce are being input
to this unit by a CD-ROM, etc.
Play a source whose signals this unit can
reproduce.
—
No picture.
There is no S VIDEO connection between this
unit and the TV monitor, although S video
signals are being input to this unit.
Connect the monitor’s “S” video input terminal
to this unit’s S VIDEO MONITOR OUT
terminal.
12
The sound suddenly
goes off.
The protection circuit has been activated
because of a short circuit, etc.
Set the unit in the standby mode and then turn
on to reset the protection circuit.
—
The SLEEP timer has functioned.
Turn on the power, and play the source again.
35
Incorrect cable connections.
Connect the cables properly. If the problem
persists, the cables may be defective.
14
Incorrect setting of BALANCE.
Adjust it to the appropriate position.
20
The sound effect is off.
Press EFFECT to turn it on.
24
A Dolby Surround, Dolby Digital or DTS
decoding DSP program is being used with
material not encoded with Dolby Surround,
Dolby Digital or DTS.
Select another DSP program.
28
Only the speaker on one
side can be heard.
No sound from the effect
speakers.
The 96-kHz sampling 24-bit digital signals are
input to this unit.
22
44
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TROUBLESHOOTING
SYMPTOM
No sound from the
center speaker.
CAUSE
REMEDY
Raise the level of the center speaker.
33
“CENTER SP” on the SET MENU is set to the
NONE position.
Select the LRG or SML position.
30
Incorrect DSP program is selected.
Select the appropriate program.
—
The output level of the rear speakers is set to
minimum.
Raise the output level of the rear speakers.
33
A monaural source is being played with the PRO
LOGIC/Normal or PRO LOGIC/ENHANCED
program.
Select another DSP program suitable for the
monaural source.
28
“BASS OUT” on the SET MENU is set to the
SW or MAIN position when playing a 2-channel
source.
Select the BOTH position.
30
The source does not contain low bass signals
(below 90 Hz).
A “humming” sound can
be heard.
—
11, 12
Firmly connect the audio plugs. If the problem
persists, the cables may be defective.
No connection from the turntable to the GND
terminal.
Make the GND connection between the
turntable and this unit.
11
The volume level is low
while playing a record.
The record is being played on a turntable with an
MC cartridge.
The turntable should be connected to the unit
through the MC head amplifier.
11
The volume level cannot
be increased, or the
sound is distorted.
The component connected to the TAPE/MD
OUT (REC) terminals of this unit is in the
standby mode.
Turn on the power to the component.
—
The sound effect cannot
be recorded.
It is not possible to record the sound effect by a
tape deck or MD recorder connected to the
TAPE/MD OUT (REC) terminals of this unit.
The DVD/LD, TV/digital TV
or cable TV/satellite tuner
source cannot be
recorded by a tape deck,
MD recorder or VCR
connected to this unit.
The DVD/LD player, TV/digital TV or cable
TV/satellite tuner is connected to the unit only
through the digital terminals.
Make additional connections between the
analog terminals.
12
Adjusting this unit by
using SET MENU, TIME/
LEVEL or TEST cannot
be performed.
“MEM. GUARD” on the SET MENU is set to
the ON position.
Set “MEM. GUARD” to the OFF position.
32
BASIC OPERATION
Incorrect cable connections.
PREPARATION
No sound from the
subwoofer.
26, 27, 28
INTRODUCTION
The sound output level of the center speaker is
set to minimum.
The source encoded with Dolby Digital or DTS
does not have a center channel signal.
No sound from the rear
speakers.
Refer to
page
25
ADVANCED OPERATION
APPENDIX
English
45
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TROUBLESHOOTING
■ Remote control
SYMPTOM
CAUSE
REMEDY
Refer to
page
The remote control does
not work.
Direct sunlight or lighting (from an inverter
type of fluorescent lamp, etc.) is striking the
remote control sensor of this unit.
Reposition the unit.
The batteries are weak.
Replace all batteries with new ones.
2
The unit or other
component cannot be
controlled.
The component to be controlled has not been
selected.
Set the selector dial to the appropriate position,
corresponding to the component to be
controlled.
36
The remote control cannot control system
components.
3
—
The manufacturer’s code has not been set
properly.
Enter the code again.
Depending on the manufacturer or the model,
some components cannot be controlled with this
unit’s remote control even though the code has
been set properly.
Use the original remote control supplied with
your component.
CAUSE
REMEDY
42
Try setting another code for the same
manufacturer.
—
■ Others
SYMPTOM
Refer to
page
The sound is degraded
when listening with
headphones to a tape
deck or CD player
connected to this unit.
This unit is in the standby mode.
Turn on the power of the unit.
—
There is noise
interference from digital
or high-frequency
equipment, or the unit.
The unit is too close to the digital or highfrequency equipment.
Move the unit further away from such
equipment.
—
46
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TROUBLESHOOTING
■ When playing back a source encoded with DTS
SYMPTOM
CAUSE
REMEDY
Refer to
page
12
The input mode is set to ANALOG on this unit.
Set a proper input mode to turn on the built-in
DTS decoder.
21
A percussive noise is
heard when playing back
a source encoded with
DTS.
If the input mode is set to AUTO, depending on
some sources, there may be a noise heard while
this unit is identifying the format of the input
signal.
Set the input mode of the currently selected
input source to DTS.
21
No sound is heard when
playing back a source
encoded with DTS, even
if the input mode is set
to AUTO on this unit.
The built-in DTS decoder does not function
because the player has a digital volume control
and it is set at a position other than
“maximum,” “neutral” or “ineffective.”
Set the player’s digital volume control at the
maximum, neutral or ineffective position.
—
No sound is heard when
playing back an MD or
DAT on which has been
recorded a source
encoded with DTS.
A source encoded with DTS cannot be recorded
on an MD or DAT.
No sound is heard when
playing back a source
(CD, etc.) even if the
currently selected input
mode is AUTO.
In the AUTO mode, the DTS-decoding mode
cannot be automatically changed to the normal
(PCM) digital signal input mode.
—
Set the input mode to AUTO again.
22
Notes
• It is necessary to use a DTS decoder to play back a source encoded with DTS, so the player which plays back the source must be connected
to a digital audio input terminal of this unit in the way described in this manual. If this connection is not made or only a D-to-A converter is
being used without using a DTS decoder, only a loud hissing noise will be heard when you play back the source.
• The “t” indicator will flash when the input mode is set to AUTO and a search or skip operation is performed while playing back a
source encoded with DTS. If this status continues for 30 or more seconds, the unit will automatically switch from DTS-decoding mode to
PCM digital signal input mode and the “t” indicator will go out.
BASIC OPERATION
The player must be connected to a digital audio
signal input terminal of this unit besides the
analog audio signal terminal connections.
PREPARATION
The player which plays back the source is not
connected to a digital audio signal input
terminal of this unit.
INTRODUCTION
A loud hissing noise is
heard when playing back
a source encoded with
DTS.
ADVANCED OPERATION
APPENDIX
English
47
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SPECIFICATIONS
AUDIO SECTION
VIDEO SECTION
• Minimum RMS Output Power
20 Hz to 20 kHz, 0.06% THD, 8 ohms
Main L/R, Center, Rear L/R ..................................................... 70 W
1 kHz, 0.09% THD, 8 ohms
Main L/R, Center, Rear L/R ..................................................... 80 W
• Video Signal Type ........................................................... NTSC or PAL
• Maximum Output Power (EIAJ)
1 kHz, 10% THD, 8 ohms ........................................................ 105 W
• DIN Standard Output Power
1 kHz, 0.7% THD, 4 ohms ....................................................... 110 W
• IEC Output Power
1 kHz, 0.06% THD, 8 ohms ....................................................... 75 W
• Dynamic Power (IHF)
8/6/4/2 ohms ......................................................... 90/110/135/160 W
• Damping Factor
20 Hz to 20 kHz, 8 ohms ................................................................ 80
• Frequency Response
CD etc. to MAIN L/R ................................. 10 Hz to 100 kHz, –3 dB
• Total Harmonic Distortion (20 Hz to 20 kHz)
CD etc. to MAIN L/R, 1/2 power, 8 ohms .............................. 0.06%
• Signal-to-Noise Ratio (IHF-A Network)
CD etc. to MAIN L/R
(150 mV, Input Shorted) ......................................................... 99 dB
(250 mV, Input Shorted) ....................................................... 103 dB
• Video Signal Level ...................................................... 1 Vp-p/75 ohms
• Signal-to-Noise Ratio .................................................................. 50 dB
• Monitor Out Frequency Response .................... 5 Hz to 10 MHz, –3 dB
GENERAL
• Power Supply
[Europe and U.K. models] ....................................... AC 230 V, 50 Hz
[China model] ......................................................... AC 220 V, 50 Hz
[General model] ............................. AC 110/120/220/240 V, 50/60 Hz
• Power Consumption ...................................................... approx. 310 W
• Power Consumption (standby mode) ................................. approx. 1 W
• AC Outlets (100 W max. total)
[U.K. model] ............................................................ 1 (SWITCHED)
[Europe model] ......................................................... 2 (SWITCHED)
[China and general models] ...................................... 3 (SWITCHED)
• Dimensions (W x H x D)
..................... 435 x 151 x 391 mm (17-1/8’’ x 5-15/16’’ x 15-3/8’’)
• Weight ......................................................................... 11.2 kg (25 lbs.)
• Accessories .................................................................... Remote control
........................................................................................... Batteries
Specifications are subject to change without notice.
• Residual Noise (IHF-A Network)
MAIN L/R .............................................................................. 150 µV
• Input Sensitivity/Impedance
CD etc. ................................................................. 150 mV/47 k-ohms
EXT. DECODER ......................................... 150 mV/40 – 47 k-ohms
• Output Level/Impedance
REC OUT ........................................................... 150 mV/1.2 k-ohms
PRE OUT ............................................................... 2.1 V/1.2 k-ohms
SUBWOOFER ....................................................... 4.0 V/1.2 k-ohms
PHONES ................................................................. 0.34 V/560 ohms
• Channel Separation (Vol. –30 dB)
CD etc. (Input 5.1 k-ohms Terminated, 1 kHz/10 kHz)
..................................................................................... 60 dB/45 dB
• Tone Control Characteristics
BASS: Boost/cut .......................................................... ±10 dB/50 Hz
TREBLE: Boost/cut ................................................... ±10 dB/20 kHz
48
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GLOSSARY
■ Dolby Digital
Dolby Digital is a digital surround sound system that
provides completely independent multi-channel audio to
you. Dolby Digital provides five full-range channels in what
is sometimes referred to as a “3/2” configuration: three front
channels (left, center and right), and two surround channels.
A sixth bass-only effect channel is also provided for output
of LFE (low frequency effect), or low bass effects that are
independent of other channels. (This is called the “LFE
channel”.) This channel is counted as 0.1, thus giving rise to
the term 5.1 channels in total.
The wide dynamic range of sound reproduced by the five
full-range channels and precise sound orientation by digital
sound processing provides listeners with excitement and
realism that have never been experienced before.
■ S VIDEO Signal
The S VIDEO signal is separated and transmitted as the Y
signal which indicates the luminance and the C signal which
indicates the chroma of the video signal (composite signal).
Using the S VIDEO terminal eliminates video signal
transmission loss and allows recording and playback of
even more beautiful images.
APPENDIX
English
DTS was developed to replace the analog soundtracks of
movies with six discrete channels of digital soundtracks,
and it is now installed in many theaters around the world.
The DTS digital playback system changed the way we
experienced movies in theaters with six discrete channels of
superb digital audio.
DTS technology, through intense research and development
has made it possible to deliver similar encode/decode
discrete technology to home audio surround-sound
entertainment.
DTS Digital Surround is an encode/decode system which
delivers six channels of master-quality, 20-bit audio;
technically, it is 5.1 channels, which means 5 full-range
(left, center, right and two surround) channels, plus a
subwoofer (LFE) channel (as “0.1”). It is compatible with
the 5.1 speaker configurations that are currently available
for home theater systems.
This channel is for reproduction of low bass signals. The
frequency range for this channel is 20 Hz to 120 Hz. This
channel is called the channel 0.1 because it only reproduces
a low frequency range compared to the full-range from
20 Hz to 20 kHz that is reproduced by the 5 channels in a
Dolby Digital or DTS 5.1 channel system.
49
0109DSP-A544-48_EN
49
ADVANCED OPERATION
■ DTS (Digital Theater System)
Digital Surround
■ LFE 0.1 Channel
BASIC OPERATION
The Dolby Surround and Dolby Digital sound and DTS
systems show their full ability in a large movie theater,
because movie sounds are originally designed to be
reproduced in a large movie theater that uses a multitude of
speakers. Trying to create a sound environment similar to
that of a movie theater in your home is difficult because of
the room size, material inside the walls, the number of
speakers, and so on. In other words, your listening room is
very different from a movie theater.
However, YAMAHA DSP technology allows you to create
nearly the same sound experience as that of a large movie
theater in your home by compensating for the lack of
presence and dynamics in the listening room with original
digital sound fields combined with Dolby Surround, Dolby
Digital or DTS Digital Surround sounds.
The YAMAHA “CINEMA DSP” logo indicates those
programs that are created by the combination of YAMAHA
DSP technology and Dolby Surround, Dolby Digital or
DTS.
PREPARATION
■ CINEMA DSP CINEMA DSP
Dolby Surround uses four discrete channels and five
speakers to reproduce realistic and dynamic sound effects:
two main channels (left and right), a center channel for
dialog, and a rear channel for special sound effects. The rear
channel reproduces sound within a narrow frequency range.
Most video tapes and laser discs include Dolby Surround
encoding, as do many TV and cable broadcasts. The Dolby
Pro Logic decoder built into this unit employs a digital
signal processing system that stabilizes each channel for
even more accurate sound positioning than is available with
standard analog processors.
INTRODUCTION
■ Dolby Surround
2/29/0, 4:55 PM
INDEX
A
I
Accessories .......................................................................... 2
AC outlet ........................................................................... 16
IMPEDANCE SELECTOR switch ................................... 16
Input mode ......................................................................... 21
B
L
BALANCE ........................................................................ 20
BGV (background video) function .................................... 20
LFE ........................................................................ 31, 32, 49
C
Muting ............................................................................... 20
Canceling sound effect ...................................................... 24
CINEMA DSP ............................................................. 28, 49
Connections
Audio components (tape deck/MD recorder, CD player,
turntable and tuner) ..................................................... 11
Digital connections ...................................................... 12
Speakers ...................................................................... 14
TV monitor .................................................................. 12
Video components (DVD/LD player, VCR, TV/digital
TV and cable TV/satellite tuner) ................................. 12
P
D
Delay time (TIME/LEVEL mode) .................................... 33
Display ................................................................................. 6
Dolby Digital ..................................................................... 49
Dolby Surround ................................................................. 49
DSP program ...................................................... 23, 26 to 28
DTS Digital Surround ....................................................... 49
E
External decoder ................................................................ 13
F
Front panel ........................................................................... 4
M
Playing ............................................................................... 19
R
Recording .......................................................................... 25
Remote control
Basic operations ........................................................ 7, 8
Batteries ......................................................................... 2
Factory-set code .......................................................... 43
Manufacturer’s codes .......... i (at the end of this manual)
Selector dial ............................................................. 7, 36
Setup codes .................................................................. 42
S
SET MENU ....................................................................... 29
Sleep timer ......................................................................... 35
Speaker
Output levels (TIME/LEVEL mode) .......................... 33
Output mode (SET MENU) .................................. 30, 31
Speaker balance (test tone) .......................................... 17
Placement ...................................................................... 9
STANDBY/ON .................................................................... 4
T
Test tone ....................................................................... 17, 18
Tone controls ..................................................................... 20
50
0109DSP-A544-48_EN
50
2/29/0, 4:55 PM
LIST OF MANUFACTURER’S CODES
LISTES DES CODES FABRICANT
VERZEICHNIS DER HERSTELLERCODES
LISTA ÖVER TILLVERKARKODER
ELENCO DEI CODICI DEL FABBRICANTE
LISTA DE CÓDIGOS DE FABRICANTES
LIJST VAN CODES VAN FABRIKANT
CLARIVOX
0821, 0961, 1971
CLATRONIC 1181, 1331
CONCERTO
0791
CONDOR
0761
CONTEC
0151, 1171
CONTINENTAL EDISON
0571, 0651, 0901
CRAIG
1171
CROSLEY
0021, 0491, 1021,
1081, 1401, 1981,
2201, 2251, 2271
CROWN
2541
CTC CLATRONIC
0261
CXC
1171
DAEWOO
0101, 1501, 1511,
2611
DANSAI
0101
DECCA
0271, 0581, 0601,
0971, 1101, 1691
DECCA (UK) 0271, 0581, 0601,
1101, 1681
DEGRAAF
0451, 1351
DIXI
0991, 1511
DOMEOS
0101
DORIC
1031
DUAL
0091, 0601, 1611,
1641, 2101
DUAL-TEC
0601, 1511, 1621,
2111
DUMONT
0261, 0521, 0781,
1021, 1081, 1981,
2121, 2151
DYNATRON 0101
ELBE
1551, 1971, 2031
ELECTRO TECH
1511
ELEKTRONSKA
0771
ELMAN
0261, 1621
ELTA
1511
EMERSON
0921, 1021, 1081,
1121, 1171, 1261,
1301
ERRES
0101
ETRON
1981
EUROPHON 0261, 0581, 0601,
0771, 1091, 1621,
2001
FENNER
0101, 1511
FERGUSON
0281, 0371, 0551,
0651, 0781, 0861,
0881, 1131, 1181,
1361, 1461, 1971,
1991, 2281, 2311,
2341
FIDELITY
0451, 0761, 2281
FIDELITY (UK)
0561, 0591,
1931, 2281
FILMNET
1141
FINLANDIA 0451, 2321
FINLUX
0021, 0261, 0491,
0521, 0781, 0811,
0871, 1081, 1411,
1421, 1981, 2051,
2091, 2121, 2151,
2551
TV
ADMIRAL
0411, 0451, 0911,
1021, 1081
AIKO
0891
AKAI
0061, 0101, 0231,
1191, 1351, 1591,
1641, 1791, 1891,
1981
AKURA
1331
ALBA
1241, 1331, 2361
ALBIRAL
1971
AMSTRAD
1301, 1511
ANAM
1171
ARC EN CIEL 0571
ARCAM
0571, 0761
ARISTONA
0751
ARTHUR MARTIN 0451, 1641
ASA
0411, 0451, 0521,
0781, 0871, 1021,
1081, 1421, 2051,
2091, 2151, 2551
ASTRA
1511
ATANTIC
0761
ATLANTIC
0761
ATORI
1511
AUDIOSONIC 1181, 1321, 1511
AUSIND
0491, 1411
AUTOVOX
0091, 0351, 0481,
0491, 0601, 0781,
0951, 1051, 1081,
1391, 1421
BAIRD
1101, 1351
BANG & OLUFSEN 1081
BASIC LINE 1321, 1331
BAUER
1451
BAUR
0041, 0061, 0121,
0131, 0221, 1561
BEKO
2491, 2501
BLAUPUNKT 0221, 0231, 0241,
0251, 0471, 0741,
2201, 2211, 2221,
2231, 2241, 2261,
2571, 2581
BRANDT
0571, 0651, 0731,
0901, 1821
BRIONVEGA 1021, 1051, 1081
BRITANNIA 0761
BRUNS
0821, 0991, 1021,
1081
BSR
0391, 0691, 1621,
1901, 1981
BUSH
0451, 1241, 1331,
1641, 1741, 2131,
2151
BUSH (UK)
0481, 1561, 1611
CANDLE
0791
CENTURY
1021, 1081
CGE
0491, 0811, 0981,
1401, 1531, 1611,
1621, 1981, 2201,
2251, 2271
CITIZEN
0791
FIRST LINE
FISHER
1981
0021, 0091, 0141,
0511, 0601, 0801,
0821, 0981, 1021,
1081, 1981, 2091
FORGESTONE 2281
FORMENTI
0451, 0491, 0761,
1081, 1451, 1541,
1981
FORMENTI-PHOENIX
0021, 0431, 0451,
0591, 1411
FORTRESS
1081
FRONTECH
0451, 1181, 1981
FUJITSU
1261
FUNAI
0391, 0691, 1171,
1181, 1261
FUTURETECH 1171
GBC
0021, 0141, 1321,
1511, 1621, 1981
GEC
0451, 1101, 1281,
2321
GEC (UK)
0031, 0081, 0581,
0601, 1101, 1281,
1561
GELOSO
0021, 0411, 0451,
1321, 1511, 1621,
1981
GENERAL TECHNIC 2681
GENEXXA
0451, 1331
GOLDSTAR
0591, 0601, 0761,
0791, 1371, 1491,
1511, 1561, 1621,
1641
GOODMANS 0141, 1101, 1371,
1641, 2301
GORENJE
0981, 1061
GRAETZ
0451
GRANADA
0141, 0451, 0491,
0581, 0601, 1101,
1111, 1351, 1981,
2321
GRANADA (UK)
0081, 0141,
0451, 0491,
0581, 0601,
1031, 1311,
1521, 1561,
1641
GRUNDIG
0221, 0231, 0471,
0491, 0711, 0741,
1381, 2021, 2041,
2141, 2151
HANSEATIC 0021, 0121, 0141,
0431, 0591, 1561
HANTAREX 0581
HEMMERMANN
0061
HIFIVOX
0331, 0571
HINARI
0071, 0141, 0451,
1261, 1351, 1511,
1641, 1981, 2011
HITACHI
0001, 0011, 0031,
0081, 0141, 0291,
0331, 0341, 0451,
0601, 0631, 0701,
1281, 1561, 1601,
1821, 1831, 1841,
1861, 1871, 1881,
1891, 1941, 1981,
2051, 2321, 2341
HYPER
0591, 0601, 1511,
1621
IMPERIAL
0451, 0491, 0811,
0981, 1401, 1611,
1621, 2201, 2251,
2271
INGERSOL
1511
INNO HIT
0581, 0601, 0841,
1101, 1331, 1371,
1511, 2011
INNOVATION 2591, 2601, 2611,
2621, 2641, 2651,
2661, 2711, 2721,
2761, 2771, 2781
INTERFUNK 0031, 0041, 0061,
0121, 0181, 0451,
0491, 1081, 1641,
1791, 1821, 1981,
2231
IRRADIO
0491, 1321, 1331,
1371, 1411, 1511,
2011
ISUKAI
1331
ITT
0031, 0041, 0051,
0061, 0071, 0081,
0181, 0411, 0451,
0491, 1241, 1291,
1351, 1501, 1601,
1641, 1741, 1921,
1981, 2091, 2331,
2431
ITT-NOKIA
0031, 0041, 0051,
0061, 0071, 0081,
0181, 0411, 0451,
0491, 1241, 1291,
1351, 1501, 1601,
1641, 1741, 1921,
1981, 2091, 2331,
2431
JVC
0071, 0721, 1441,
1581, 1591, 1741,
1791
KAISUI
0591, 1321, 1331
KAMOSONIC 0601
KARCHER
0591, 0601, 0841,
1091, 1321, 1511,
1561, 2051
KAWASHO
0761
KENDO
0261
KENNEDY
0021, 0351, 0951,
1981
KONKA
2701
KORTING
0431, 1011, 1021,
1081, 1541
i
08DSP-A5code(EU)
1
3/2/0, 10:59 AM
NECKERMANN
KTV
LENOIR
LEYEO
LIFETEC
0601, 1171
0601, 1511
1181
2591, 2601, 2611,
2621, 2641, 2651,
2661, 2671, 2681,
2691, 2711, 2761,
2771, 2781
LOEWE OPTA 0121, 0131, 0581,
0611, 1081
LOGIC
1691, 2281
LOGIK
0551, 1681, 2281
LOWEWE
0831
LUMA
0351, 0451, 1901
LUXMAN
0791
LUXMAN STEREO TUNER
0791
LUXOR
0001, 0061, 0181,
0341, 0421, 0451,
0461, 0491, 0601,
0671, 1351, 1371,
1561, 1601, 1911,
1921, 1981
LYCO
1181
MAGNADYNE 0021, 0061, 0261,
0581, 0641, 0771,
1021, 1081, 1621,
1981
MAGNAFON 0261, 0491, 0581,
0591, 0641, 0761,
1091, 2001
MANESTH
0101
MARANTZ
0101
MARELLI
1081
MARK
0101
MATSUI
0061, 0451, 0601,
0691, 1101, 1151,
1241, 1271, 1301,
1511, 1561, 1681,
1691
MAXIMAL
0071, 1981
MCMICHAEL 1281
MEDION
2591, 2601, 2611,
2621, 2641, 2651,
2661, 2671, 2681,
2691, 2711, 2721,
2761, 2771, 2781
MEMOREX
1511
METZ
0231, 0741, 1001,
1041, 1081, 1481,
2071, 2081
MGA
1231
MICROMAXX 2591, 2621, 2641,
2651, 2711, 2761,
2771, 2781
MINERVA
0221, 0231, 0491,
1381, 2141, 2151
MISTRAL
2281
MITSUBISHI 0141, 0201, 0231,
0661, 1191, 1201,
1231, 1671, 1691,
1741
MIVAR
0491, 0501, 0581,
0591, 0761, 0771,
1371, 1431, 2031
MTC
0791
MULTITECH 0261, 0581, 0601,
0641, 0981, 1321,
1511
MURPHY
0451, 2091
MURPHY (UK) 0081, 1031
N.E.I.
0101, 0961
NAD
1341
NEC
0141, 1711, 1721,
1731
NEDIATOR
NICAMAGIC
NIKKAI
0451, 0601,
0981, 1081,
1561, 1931,
1981, 2211,
2231, 2241
0101
0761
1101, 1331, 1641,
1701, 2011
NOBLIKO
0261, 0491, 0591,
0641, 1381, 1411
NOGAMATIC 0571
NOKIA
0031, 0041, 0051,
0061, 0071, 0081,
0181, 0411, 0451,
0491, 1241, 1291,
1351, 1501, 1601,
1641, 1741, 1921,
1981, 2091, 2331,
2431, 2461, 2791
NORDMENDE 0031, 0291, 0331,
0451, 0531, 0541,
0571, 1051, 1131,
1591, 1791, 1811,
1821, 1891, 1941,
2631
OCEANIC
0321, 1651, 1981
OCEANIC (F) 0031, 0061, 0321,
0441, 1661
ONCEAS
0601
ONWA
1171
ORION
0061, 0391, 0691,
0851, 1211, 1241,
1251, 1301, 1481,
1511, 1681, 1691,
1981, 2371, 2421
OSAKA
2011
OSAKI
1101, 1331, 2011
OSUME
0151
OTTO VERSAND
0021, 0121,
0141, 0221,
0601, 1561,
1741, 1981
PAEL
0591, 1411
PANASONIC 0031, 0201, 0211,
0451, 0701, 1311,
1751, 1961, 2561,
2741
PANORAMIC 2351
PATHE MARCONI 0571
PATHE’ CINEMA (F) 0431, 0591,
1621, 1661,
1971
PAUSA
1511
PAUZA
1511
PERDIO
0891, 1101
PHILCO
0021, 0491, 0811,
0981, 1021, 1081,
1401, 1611, 1621,
1751, 2201, 2251,
2271, 2451, 2471
PHILIPS
0101, 0361, 0591,
0621, 0681, 0751,
0761, 1021, 1081,
1281, 2031, 2281,
2291, 2431, 2441,
2511, 2731
PHOENIX
1081
PHONOLA
0751, 1081
PIONEER
0291, 0451, 1341,
1821
PRANDONI-PRINCE 0411, 0451,
0491, 0581,
1411
PRANDONI-PROMCE
0451, 0491, 0581
PRIMA
PROFEX
PROTECH
QUELLE
0451
1981
0641, 1181, 1981
0041, 0061, 0121,
0221, 0231, 0391,
0491, 0521, 0601,
0781, 1371, 1381,
1411, 1421, 1641,
1681, 2051, 2091,
2141, 2151, 2201,
2211, 2231, 2241,
2251, 2271, 2551,
2571, 2581
REDIOMARELLI
0101, 0451,
0661, 0771,
1081
RADIONETTE 0031, 2051, 2091
RADIOLA
2291
RANK
0481, 2151
RBM
2131, 2151
RBM (UK)
0481
REDIFFUSION 0451, 0661, 1641,
1981, 2331
REDIFFUSION (UK) 0061, 0081,
1031
REX
0071, 0101, 0351,
0411, 0451, 0951,
1901, 2061, 2101,
2111
RFT
0991, 2511
ROADSTAR
1321, 1511
ROTEL
0151
SABA
0291, 0331, 0421,
0451, 0531, 0541,
0571, 0581, 0651,
0731, 0931, 1021,
1071, 1081, 1131,
1791, 1811, 1821,
1891, 1941, 2631
SACCS
1971
SAISHO
0451, 0601, 1161,
1241, 1301, 1511,
1671, 1681, 1691
SALORA
0011, 0041, 0061,
0071, 0341, 0451,
0671, 1291, 1351,
1521, 1561, 1601,
1641, 1911, 1921,
1931, 1981, 2321
SAMBERS
0261, 0491, 0581,
0641, 1091, 1371,
1411, 2001
SAMSUNG
0101, 0601, 0841,
0981, 1101, 1181,
1371, 1511, 2011
SANYO
0141, 0151, 0401,
0601, 0801, 0821,
0981, 1021, 1101,
1111, 1291, 1351,
1691, 1741, 2051,
2091, 2551
SBR
0681, 0751, 1281,
2281
SCHAUB LORENZ 0451
SCHNEIDER 0021, 0071, 0091,
0451, 0511, 0591,
0601, 0751, 1321,
1361, 1621, 1641,
2101, 2111, 2291
SCOTT
1171, 1261
SEG
0261, 0601, 0821,
0991
SEI
0641, 0691, 1081,
1301, 1481, 1981
ii
08DSP-A5code(EU)
2
3/2/0, 10:59 AM
SELECO
0071, 0101, 0351,
0411, 0451, 0951,
1901, 2061, 2101,
2111
SENTRA
1601
SHARP
0141, 0151, 0191,
1761, 1781
SIAREM
0021, 0261, 0581,
0641, 1021, 1081,
1981
SICATEL
1971
SIEMENS
0151, 0221, 0231,
0451, 0741, 2011,
2201, 2211, 2221,
2231, 2241, 2261,
2571, 2581
SILVER
1181
SINGER
0021, 0261, 1021,
1081
SINUDYNE
0021, 0061, 0101,
0261, 0391, 0641,
0691, 0851, 0941,
1021, 1081, 1241,
1301, 1321, 1481,
1631, 1981
SKANTIC
0451
SOLAVOX
0451, 1641, 2011
SONOKO
0101, 1181, 1511
SONY
0141, 0171, 1121,
1681, 1691, 2751
SOUNDESIGN 1171
SSS
1171
STERN
0071, 0101, 0351,
0411, 0451, 0951,
1901, 2061, 2101,
2111
SUNKAI
0691
SUPRA
0791
TANDBERG
0161, 0331, 0611,
1021, 1421, 1771,
1791, 2081
TANDY
0191, 0451, 1331,
1531
TASHIKO
0141
TATUNG
0271, 0581, 0601,
0971, 1101, 1681,
1691
TCM
2621, 2641, 2711,
2761, 2771, 2781
TECHNICS
1311
TECHWOOD 0791
TEKNIKA
1171, 1231, 1261
TELE
1141
TELEAVIA
0571, 0651, 0731,
1821
TELEFUNKEN 0291, 0301, 0311,
0551, 0731, 1131,
1471, 1591, 1791,
1801, 1811, 1821,
1991, 2161, 2171,
2181, 2191, 2201,
2251, 2271, 2521,
2631
TELETECH
1511
TEMPEST
2381, 2391, 2401,
2411
TENSAI
1331, 2091
TEXET
0601
THOMSON
0331, 0481, 0531,
0571, 0631, 0651,
0731, 0901, 1241,
1571, 1591, 1791,
1811, 1821, 1891,
1941, 2531
THORN
0741, 0861, 2091,
2251, 2271, 2281
THORN-FERGUSON 0281, 0371,
0551, 0651,
0781, 0861,
0881, 1131,
1181, 1361,
1461, 1971,
1991, 2281
TMK
0141, 0791, 1471
TOSHIBA
0141, 0381, 0481,
1221, 1271, 1701,
1741, 1851, 2151,
2801, 2811
TRANS CONTINENS
0451
TRISTAR
2281
TRIUMPH
0481, 0581, 2121
UHER
0431, 0451, 0481,
0491, 0511, 1311,
1541
ULTRAVOX
0021, 0261, 0591,
1021, 1081, 1981
UNIVERSUM 1181, 2051
UNIVOX
1971
VEGAVOX
0811
VEXA
0101, 1511
VICTOR
1441, 1591
VIDEOTON
2481
VORTEC
0101, 0651
VOXSON
0411, 0451, 0491,
1021, 1081
WALTHAM
0451
WATSON
0431, 2201, 2241
WATT RADIO 0021, 0061, 0261,
0591, 0641, 0761,
1091, 1971, 1981,
2001
WEGA
0141, 1081, 1981
WEGA COLOR 1021
WELTBLICK 0101
WESTON
1621
WHITE WESTINGHOUSE
0101, 0261, 0431,
0591, 0761, 1401,
1541
YOKO
0601, 1511
ZANUSSI
0071, 0101, 0351,
0411, 0451, 0951,
1901, 2061, 2101,
2111
ZOPPAS
0451
SATELLITE TUNER
AKAI
ALBA
AMSTRAD
1276
0826, 1276
0166, 0796, 1016,
1026, 1296
ANKARO
0476
AST
0406
ASTRA
0126
BARCOM
0476
BLAUPUNKT 0966
BMC SATELLITE
0106
BRITISH TELECOM 1276
BUSH
0826
BUSH (UK)
0956
CAMBRIDGE 0196, 1276
CANAL PLUS (FRANCE)
1536
CHAPARRAL 0016, 0696, 1006
COLUMBUS 0616
CONNEXIONS 0306, 0426
DISCUS ELIPSE
0856, 0866
DISKXPRESS 0426, 0476
DRAKE
1516
ECHOSTAR
0226, 0236, 0606,
0626, 0666, 0926,
0996, 1046, 1056,
1066, 1106
ELTA
1286
ELTA SAT
0146
EURODEC
1226, 1236, 1246
FERGUSON
0046, 0176, 0186,
0296, 0846, 0956,
1306
FINLUX
0976
FRACARRO 0026, 0536, 0776
FUBA
0476, 0616, 0636,
1056
GIUCAR RECORD 0206, 0336
GRUNDIG
0176, 0946, 0956,
0966
HIGH PERFORMANCE
0916
HIRSCHMANN
0756, 0966
HITACHI
0446, 0516, 0706,
0946
ICX INTERNATIONAL 0886
ITT
0066, 0126, 0176,
0446, 1156
ITT/NOKIA
0066, 0126, 0176,
0446, 1156
JEEMON
0146
JERROLD
0846, 0986
JOHANSSON 0246
JVC
1276
KATHREIN
0116, 0266, 0276,
0366
KOSMOS
0266
KYOSTAR
1036, 1086
LENG
0246
LIFESAT
1326, 1346, 1356
LUXOR
0126, 0136, 0446,
0466, 0506, 1156
MACAB
0356
MASPRO
0016, 0116, 0256,
0956
MEDION
1326, 1346
METZ
0966
MICROMAXX 1326, 1346
MITSUBISHI 0966
MORGANS
0596
MURATTO
0406
NEC
0286, 0316, 0766,
0786, 0836
NETWORK
0046
NIKKO
1136, 1146
CABLE TV
CABLETIME 1446, 1456, 1476
CLYDE CABLEVISION
1426
FILMNET
1396, 1436
FRANCE TELECOM 1386
GEC
1426
JERROLD
1416
MOVIE TIME 1466
NSC
1466
PHILIPS
1386
PIONEER
0006
SAMSUNG
1496
SCIENTIFIC ATLANTA
1486, 1506
STARCOM
1416
STS
1466
TANDBERG
1366
TELE
1436
TELE +1
1436
TELESERVICE 1406, 1476
TUDI
1376
UNITED CABLE
1416
ZENITH
1406
NOKIA
0066, 0126, 0176,
0446, 1156, 1166,
1336
NORSAT
0786
OTTO VERSAND
0966
PACE
0046, 0176, 0296,
0936, 0956, 1306,
1566, 1576
PACE MSS
0946
PALCOM
0616, 0686, 0706
PALSAT
0396
PALTEC
0706
PANASONIC 0806, 1306
PANSAT
1076
PHILIPS
0326, 0346, 0476,
0956, 1126, 1186,
1196, 1206, 1216,
1306, 1316
PROSAT
1176
PTT TELECOM
0306, 0896
QUELLE
0966
RADIX
1056
REDIFFUSION 0316, 0786
RFT
1186, 1196, 1206,
1216
SAGEM
1256, 1546
SAKURA
0566, 0816
SALORA
0066, 0126, 0136,
0446, 0456, 0486,
0496, 0576
SAMSUNG
0746, 0756
SAT
0406
SATCOM
0896
SATECO
0646
SECTOR
1266
SEDEA
1096
SENTRA
0416
SIEMENS
0896, 0966
SINTRACK
0906
SKY DIGITAL BOX 1526
SKYLAB
0476
SKYSCAN
0876
SONY
0736, 0946
STELLA
0306
STRONG
0156, 0396, 1036,
1086
STV
0636
TANDBERG
1116
TANDY
0916
TANTEC
0616
TATUNG
0516, 0546
TECHNISAT 0086, 0096, 0526,
0556, 1056
TELECOM
0306
TELEMAX
0586
THORN-FERGUSON 0046, 0076,
0176, 0186,
0956
TOSHIBA
0946
TPS (FRANCE) 1546
TRIAD
0406
UNIDEN
0036, 0216, 0676,
0716, 0726
US ELECTRONICS 0886
VORTEC
0756, 1036, 1076
VTECH
0436
WINERSAT
0246
WISI
0056, 0356, 0376,
0386, 0406, 0656,
1056, 1156
WOLSEY
0916
XCOM MULTIMEDIA 1556
XSAT (FRANCE)
1556
ZEHNDER
0266, 0406
ZENDER
0406
VCR
AIWA
AKAI
0042, 0352, 0432
0042, 0422, 0492,
0582, 0612, 0642,
0652, 0762, 0912
ALBA
0002, 0112, 0282,
0332, 0342, 0972
AMSTRAD
0322, 0432, 0452
ANITECH
0002
ANITSCH
1002
ASA
0012, 0052
AUDIOSONIC 0002
BAIRD
0042, 0282, 0492
BANG & OLUFSEN 0042
BAUR
0052, 0062, 0812
BLAUPUNKT 0062, 0092, 0252,
0462, 0672, 0992
BRIONVEGA 0032
BUSH
0002, 0282, 0332,
0342, 0512, 0972
BUSH (UK)
0812
CAPEHART
0112
CGE
0042, 0432, 0762
CRAIG
0072, 0482
CROWN
0112, 0282, 0622
DAEWOO
0112, 0282, 0622
DANSAI
0012
DAYTRON
0112
DECCA
0042, 0052, 0432,
0942
DECCA (UK) 0052
DEGRAAF
0052, 0132, 0432,
0532, 0602
DIXI
0442
DUAL
0042, 0632
DUMONT
0052, 0432, 0532
DYNATECH 0432
DYNATRON 0012
ELBE
0122
ELIN
0072
EMERSON
0012, 0162, 0202,
0432, 0512, 0522
ERRES
0012
FERGUSON
0042, 0712, 0722,
0852, 0902, 1012,
1022, 1082
FIDELITY
0432
FINLANDIA 0052, 0532
FINLUX
0012, 0042, 0052,
0082, 0262, 0382,
0432, 0462, 0492,
0532, 0572, 0602,
0912
FIRST LINE
0002, 0912
FISHER
0162, 0482, 0532,
0542, 0572, 0592
FORMENTI-PHOENIX
0012, 0052
FRONTECH
0112
FUNAI
0432
GBC
0002
GEC (UK)
0022, 0052
GELOSO
0002
GENERAL TECHNIC 1172
GOLDSTAR
0012, 0122, 0812,
0952
GOODMANS 0002, 0072, 0282,
0432, 0502
GOODMANS (UK) 0002
GRAETZ
0022, 0042
GRANADA
0052, 0132, 0532,
0572
GRANADA (UK)
0052, 0092,
0462, 0602,
0812, 0822
iii
08DSP-A5code(EU)
3
3/2/0, 10:59 AM
NORDMENDE 0042, 0102, 0142,
0192, 0222, 0242,
0392, 0402, 0632,
0732, 0742, 0762,
0782, 0792, 0832,
0842, 0872
OLYMPUS
0462
OPTONICA
0132, 0502
ORION
0162, 0202, 0312,
0442, 0512, 0522,
0982
OSAKA
0432
OSAKI
0002, 0012, 0432
OTTO VERSAND
0052, 0062,
0812
PANASONIC 0022, 0212, 0462,
0672, 0992, 1092,
1102, 1182
PENTAX
0172, 0602
PERDIO
0432
PHILCO
1062
PHILIPS
0052, 0082, 0092,
0152, 0182, 0362,
0372, 0382, 0472,
0502, 1072
PHONOLA
0052, 0152
PILOT
0012
PIONEER
0052, 0142, 0372,
0472
PORTLAND
0112
PROLINE
0432
PYE
0052, 0152
QUARTZ
0572
QUELLE
0012, 0032, 0042,
0052, 0062, 0072,
0092, 0202, 0462,
0522, 0942
RADIONETTE 0022
REALISTIC
0012, 0072, 0132,
0432, 0482, 0502,
0532, 0572
RET
1072
REX
0042, 0742, 0782
RICOH
0952
SABA
0042, 0142, 0192,
0222, 0242, 0392,
0632, 0732, 0742,
0762, 0772, 0782,
0792, 0872
SAISHO
0162, 0202, 0292,
0442, 0512, 0522,
0972
SALORA
0192, 0572, 0812,
0822, 0912
SAMSUNG
0052, 0072, 0622,
0652, 1192
SANSUI
0042, 0142
SANYO
0482, 0532, 0562,
0572
SBR
0052, 0152, 0182
SCHAUB LORENZ 0022, 0042
SCHNEIDER 0002, 0012, 0052,
0072, 0432
SEG
0002, 0072
SEI-SINUDYNE
0442
SELECO
0042
SENTRA
0112
SHARP
0132, 0502, 0702
SHINTOM
0002
SIEMENS
0062, 0092, 0252,
0572
SINUDYNE
0052, 0382, 0442,
0932
SONOKO
0282
GRUNDIG
0052, 0062, 0092,
0232, 0252, 0262,
0752, 0802
HANSEATIC 0052, 0812
HARMAN/KARDON 0122, 0922
HCM
0002
HINARI
0002, 0202, 0412,
0442, 0522
HITACHI
0042, 0172, 0292,
0432, 0602, 0662,
0812, 1022
IMPERIAL
0072, 0432
INGERSOL
0442
INNO HIT
0002, 0052, 0072
INNOVATION 1142, 1162, 1172
INTERFUNK 0022, 0052
IRRADIO
0002, 0012
ITT
0022, 0032, 0042,
0072, 0292, 0492,
0532, 0572, 0762
ITT-NOKIA
0022, 0032, 0042,
0072, 0292, 0492,
0532, 0572, 0762
JENSEN
0042
JVC
0042, 0102, 0142,
0272, 0742, 0762,
0782, 0902
KARCHER
0052, 0072, 0812
KENDO
0492
KENWOOD
0042, 0142, 0572
LIFETEC
1142, 1162, 1172
LLOYD
0432
LOEWE OPTA 0052, 0092, 0152
LOGIK
0002, 0072, 0442
LUMA
0162
LUXOR
0492, 0572, 0812
M ELECTRONIC
0432
MAGNADYNE 0052
MAGNASONIC
0572
MANESTH
0012
MARANTZ
0012, 0052, 0092,
0122, 0502
MARK
0012
MARTA
0012
MATSUI
0012, 0442, 0512,
0522, 0812, 0972
MEDION
1142, 1162, 1172
MEMOREX
0012, 0132, 0432,
0482, 0532, 0572
METZ
0062, 0092, 0932
MGA
0912
MICROMAXX 1142, 1162, 1172
MINERVA
0062, 0092, 0252
MINOLTA
0172, 0602
MITSUBISHI 0052, 0062, 0142,
0912, 0922
MTC
0072, 0432
MULTITECH 0002, 0052, 0062,
0282, 0432
MURPHY
0432
N.E.I.
0012, 0052
NATIONAL
0462
NEC
0042, 0122, 0142,
1202
NECKERMANN
0032, 0042,
0052, 0072,
0092, 0202,
0522, 0572,
0762, 0812
NIKKAI
0112
NOBLIKO
0092
NOKIA
0022, 0032, 0042,
0072, 0292, 0492,
0532, 0572, 0762,
1152
SONY
0432, 0552, 0682,
0692, 0942, 0952,
0962, 1122, 1132
STS
0602
SUNKAI
0512
SUNSTAR
0432
SYLVANIA
0432, 0912
SYMPHONIC 0432, 0912
TANDBERG
0062, 0162, 0522,
0932
TASHIKO
0132, 0432
TATUNG
0042, 0052, 0432,
0922
TCM
1142, 1162, 1172
TEAC
0042, 0432
TECHNICS
0462
TEKNIKA
0012, 0432
TELEFUNKEN 0042, 0192, 0632,
0732, 0742, 0762,
0782, 0882, 0892
TEMPEST
1032, 1042, 1052
TENOSAL
0002
THOMSON
0042, 0102, 0142,
0192, 0402, 0632,
0762
THORN
0042, 0902
THORN-FERGUSON 0042, 0222,
0302, 0712,
0722, 0742,
0762, 0852,
0862, 0872,
0902
TMK
0522
TONSAI
0002
TOSHIBA
0042, 0622, 0912,
1212
TOTEVISION 0012, 0072
TRIUMPH
0922
UHER
0042, 0072
ULTRAVOX
0032
UNITECH
0072
VECTOR RESEARCH
0122
VICTOR
0042, 0102, 0142
VIDEON
1162, 1172
WELTBLICK 0012
WHITE WESTINGHOUSE
0032
XENON
0162
YOKO
0012, 0062, 0072
DVD PLAYER
AKAI
JVC
KENWOOD
MAGNAVOX
MITSUBISHI
ONKYO
PANASONIC
PHILIPS
PIONEER
PROSCAN
RCA
SAMSUNG
SHARP
SONY
TECHNICS
THOMSON
TOSHIBA
YAMAHA
ZENITH
0108
0168, 0348
0288
0248
0268
0128, 0248
0048
0188, 0248
0208, 0228
0308
0308
0148
0068
0028
0048
0328
0088, 0248
0008, 0048
0248
iv
08DSP-A5code(EU)
4
3/2/0, 10:59 AM
LD PLAYER
AIWA
FUNAI
HITACHI
MAGNAVOX
PANASONIC
PIONEER
RCA
REALISTIC
SAMSUNG
SONY
VICTOR
YAMAHA
0137
0137
0047
0077
0027
0037
0067
0137
0017, 0087
0057, 0097, 0107,
0117
0127
0007
CD PLAYER
ACCUPHASE
ADC
ADCOM
AKAI
0315
0865
0785, 1015
0115, 0125, 0725,
0735, 0745, 0935,
1155
ARCAM
1875
ARCAM-ROTEL
0165
AUDIO-TECHNICA 0835
AUDIOSONIC 0155
AIWA
1105, 1235, 1245,
1765, 1915, 1935
BSR
0875
CALIFORNIA AUDIO LAB
1075
CARRERA
0555, 0875
CARVER
0825, 1415
CYRUS-ROTEL
0205
DENON
0045, 0955, 1045,
1595, 1795, 1805
DUAL
1005
ELIN
0185
EMERSON
1015, 1285, 1675
FISHER
0105, 0595, 0605,
0825, 1165, 1175
GENEXXA
0525, 0825, 0855,
0875, 0995, 1265,
1285, 1345, 1355,
1485, 1575, 1675,
1715, 1825
GOLDSTAR
0555, 1185, 1195,
1585
GRUNDIG
0175
HARMAN KARDON 0325, 0495,
0565, 1135,
1145, 1155
HITACHI
0065, 0585, 0685,
0945, 1005, 1015,
1225, 1545
INNOVATION 1995, 2005, 2015
ITT-NOKIA
0185
JVC
0385, 0395, 0455,
0575, 0585
KARCHER
0485
KENWOOD
0025, 0055, 0145,
0215, 0595, 0675,
0695, 0705, 0715,
0925, 1355, 1485,
1575, 1675, 1715,
1825
KORTING
0175
LIFETEC
2015
LIGHT CONTROL 1155, 1645,
1655, 1665
LINN
0165, 1875
LUXMAN
0265, 0275, 0795,
0805, 1295, 1305,
1555, 1925
THOMSON
1005
TOSHIBA
0755, 0765
VECTOR RESEARCH
0555, 0865
VICTOR
0575
YAMAHA
0005, 0015, 1815
LUXOR
MAGNAVOX
MARANTZ
0185, 1895, 1905
1865, 1875
0165, 0175, 0545,
0665, 1275, 1335,
1405, 1505, 1875,
1955
MATSUSHITA 1095, 1605
MCS
0535
MEDION
0075, 1995, 2005,
2015
MEMOREX
0525, 1015, 1265,
1275, 1285, 1675
MGA
1125
MICROMAXX 2015
MISSION
0165, 1875
MITSUBISHI 1125, 1205
NAD
0135, 0255, 0285,
0295, 0305, 0345,
0755, 0765, 1315,
1325
NAKAMICHI 0635, 0645, 1565
NEC
0405, 0535, 0775,
0785
NECKERMAN 0155, 0225
NIKKO
0835, 1165
OCEANIC
0185
OKANO
0155, 0225
ONKYO
0885, 1385, 1425,
1455, 1515
PANASONIC 1055, 1075, 1615,
1625
PHILIPS
0165, 0175, 0195,
1865, 1875
PIONEER
0095, 0335, 0425,
0435, 0445, 0525,
0855, 1035, 1945
PROTON
0905, 1875
QUASAR
1075
RADIOLA
1845, 1855
RADIOTONE 0485
REALISTIC
0825, 1015, 1265,
1275, 1285, 1575
ROTEL
1875
SABA
1005
SAE
1875
SALORA
0185
SANSUI
0415, 0965, 0975,
0985, 1255, 1675,
1875
SANYO
0625, 0825, 0845,
0915
SCHNEIDER 1845, 1855
SCOTT
1285, 1675
SHARP
0025, 0035, 1025,
1115, 1275, 1635,
1785, 1815, 1825,
1835
SHERWOOD 1275, 1445
SIEMENS
1085
SIGNATURE 1155
SONY
0345, 0355, 0365,
0375, 0865, 1685,
1695, 1705, 1715,
1725, 1735, 1745
SYLVANIA
1875
TANDBERG
1885
TASHIKO
1525
TCM
1985, 2015
TEAC
0235, 0245, 1275,
1365, 1375, 1395,
1435, 1465, 1475
TECHNICS
0465, 0475, 1065,
1075, 1625
TELEFUNKEN 1005
THETA DIGITAL
1865
MD RECORDER
YAMAHA
KENWOOD
SONY
0024, 0224
0214
0224
TAPE DECK
AKAI
DENON
GRUNDIG
HARMAN
JVC
KENWOOD
KORTING
LUXMAN
MARANTZ
NAD
ONKYO
PHILIPS
PIONEER
SONY
YAMAHA
0124
0204
0134
0044
0194
0164
0134
0054, 0064, 0074,
0084
0134, 0144
0174
0184
0134, 0144, 0154
0034, 0114
0094, 0104
0004, 0014
v
08DSP-A5code(EU)
5
3/2/0, 10:59 AM
08DSP-A5code(EU)
6
3/2/0, 10:59 AM
08DSP-A5code(EU)
7
3/2/0, 10:59 AM
GB
DSP-A5
YAMAHA
YAMAHA
YAMAHA
YAMAHA
YAMAHA
YAMAHA
YAMAHA
ELECTRONICS CORPORATION, USA 6660 ORANGETHORPE AVE., BUENA PARK, CALIF. 90620, U.S.A.
CANADA MUSIC LTD. 135 MILNER AVE., SCARBOROUGH, ONTARIO M1S 3R1, CANADA
ELECTRONIK EUROPA G.m.b.H. SIEMENSSTR. 22-34, 25462 RELLINGEN BEI HAMBURG, F.R. OF GERMANY
ELECTRONIQUE FRANCE S.A. RUE AMBROISE CROIZAT BP70 CROISSY-BEAUBOURG 77312 MARNE-LA-VALLEE CEDEX02, FRANCE
ELECTRONICS (UK) LTD. YAMAHA HOUSE, 200 RICKMANSWORTH ROAD WATFORD, HERTS WD1 7JS, ENGLAND
SCANDINAVIA A.B. J A WETTERGRENS GATA 1, BOX 30053, 400 43 VÄSTRA FRÖLUNDA, SWEDEN
MUSIC AUSTRALIA PTY, LTD. 17-33 MARKET ST., SOUTH MELBOURNE, 3205 VIC., AUSTRALIA
00DSP-A5-cv(ML)
1
DSP-A5
Natural Sound AV Amplifier
Amplificateur audio-vidéo
OWNER’S MANUAL
MODE D’EMPLOI
BEDIENUNGSANLEITUNG
BRUKSANVISNING
MANUALE DI ISTRUZIONI
MANUAL DE INSTRUCCIONES
GEBRUIKSAANWIJZING
Printed in Malaysia ID
V472000-1
9/29/0, 12:41 PM
Quick Reference Card
AMP/TUN
DSP
DSP/TUN
DSP
INPUT
INPUT
Input
selector
buttons
DSP
program
selector
A/B/C/D/E
EFFECT
PRESET +/–
TEST
j (left), i (right)
d (next), u (back)
SET MENU
TIME/LEVEL
STANDBY
TV POWER
POWER
VOLUME +/–
TV VOLUME
DSP
program
selector TV INPUT
SLEEP
MUTE
Input
selector
buttons
EFFECT
TAPE/MD
DSP
CD
INPUT
DSP
INPUT
Numeric buttons
Numeric buttons (MD)
+10 (MD)
DECK A/B (TAPE)
DISPLAY (MD)
PAUSE (MD)
REC/PAUSE
PLAY
DIR A (TAPE)
SKIP– (MD)
REWIND (TAPE)
SEARCH (MD)
DIR B (TAPE)
SKIP+ (MD)
STOP
FAST
FORWARD (TAPE)
SEARCH (MD)
AV POWER
INDEX
+10
DISC SKIP+/–
PLAY
SKIP–
SEARCH
DISPLAY
PAUSE
SKIP+
STOP
SEARCH
AV POWER
V479260
Quick Reference Card
DVD/LD
DVD MENU
INPUT
DSP
INPUT
DSP
Numeric buttons
Numeric buttons
TITLE/INDEX
+10
TITLE/INDEX
+10
DISC SKIP+/–
DISC SKIP+/–
DISPLAY
PAUSE
PLAY
SKIP–
RETURN
MENU SELECT
SKIP+
STOP
SEARCH
DISPLAY
MENU UP
MENU LEFT
MENU RIGHT
TITLE
MENU DOWN
MENU
SEARCH
AV POWER
TV
VCR
DSP
AV POWER
INPUT
INPUT
DSP
Numeric
buttons
CHANNEL
+/–
ENTER/
RECALL
VCR REC
PLAY
DISPLAY
PAUSE
DSP
Numeric
buttons
ENTER/
RECALL
CHANNEL
+/–
*1
VCR REC
VCR PLAY
DISPLAY
VCR PAUSE
CHANNEL
+/–
MENU
SELECT
MENU LEFT
VCR
REWIND
VCR STOP
VCR FAST
FORWARD
TV
POWER
TV INPUT
TV VOL
TV SLEEP
STOP
REWIND
FAST
FORWARD
AV POWER
INPUT
Numeric
buttons
+10
+10
*1
CBL/SAT
RECALL
VCR POWER
ENTER
+10
DISPLAY/
GUIDE
(SAT)
MENU UP
MENU
RIGHT
MENU
DOWN
MENU
AV POWER
TV MUTE
*1 Press this button twice to start recording.
Appuyer deux fois sur cette touche pour commencer l’enregistrement.
Drücken Sie diese Taste zweimal, um die Aufnahme zu starten.
Tryck två gånger på den här knappen för att börja spela in.
Premere due volte questo tasto per iniziare la registrazione.
Presione dos veces este botón para empezar a grabar.
Druk tweemaal op deze toets om met opnemen te beginnen.
V479260
DVD player
L
R
COAXIAL
VIDEO
OUT
ANALOG
AUDIO OUT
L
R
DIGITAL OUT
S VIDEO
OUT
VIDEO
OUT
S VIDEO
OUT
OPTICAL
COAXIAL
DIGITAL OUT
DOLBY
DIGITAL
RF OUT
OPTICAL
DIGITAL OUT
Main speakers B
DOLBY DIGITAL
RF OUT
R
DOLBY DIGITAL
RF IN
L R
L
RF demodulator
C
V
O
COAXIAL
DIGITAL OUT
S
C
A
B
S
(Europe model)
V
*
* DSP-A5 only
VIDEO IN
L
S VIDEO IN
Analog signal
S Video signal
S
AUDIO OUT
Main speakers A
LD player
R
V
O
TV Monitor
Subwoofer
system
R
Center speaker
L
Rear speakers
C
Digital signal
(optical)
Digital signal
(coaxial)
Video signal
Signal flow
V573050 RX-V596/DSP-A5