Yamaha YST-SW305 Specifications

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Section7
Studio Monitors
Alesis ..................................578-579
Edirol ........................................580
Event Electronics ..............581-583
Fostex.................................584-585
Genelec ..............................586-589
Hafler .................................590-591
HHB ...................................592-593
JBL......................................594-597
KRK ....................................598-601
Mackie ...............................602-603
M-Audio.............................604-605
NHT Pro .............................606-608
Samson......................................609
Tannoy...............................610-614
Yamaha ..............................615-619
ALESIS
STUDIO MONITORS
M1 ACTIVE
MK2
The M1 Active MK2 combines Alesis’ expertise in reference monitor design and
studio amplification to provide professional accuracy, clarity and performance in
an affordable powered monitor. A bi-amplified reference monitor, the M1 Active
MK2 is incredibly accurate with a wide sweet spot, high power handling and
detailed high- and mid-frequency response that translates perfectly to any playback system. Ideal for desktop video and post production facilities as well as home
and project recording studios.
◆
Attractive mirror-imaged, charcoal- toned
cabinet and shielded drivers allow placement next to computer or video monitors,
while blending beautifully into your
studio’s decor without being obtrusive.
◆
Can be mounted either horizontally or
vertically to fit your studio’s requirements.
578
◆
The woofer and tweeter were designed for the
most linear, low distortion response. The
6.5˝ woofer cone is formulated from
non-woven carbon fiber. Used in the skins
of combat aircraft wings, carbon fiber has
more tensile strength and is 25% lighter
than polypropylene (the most common
driver material). The result is quicker
transient response in the low frequency
range for superb bass response as well as a
vast improvement in the detail of critical
upper-mid frequencies.
◆
Internal active crossover and custom dual
amps ensure consistent performance under
different studio conditions and program
material. The result is a broad, extremely flat
frequency response, clear imaging with a
wide sweet spot, high power handling and
detailed high- and mid-frequency response.
◆
Pure silk 1˝ tweeter dome’s natural response
prevents ear fatigue during long mix sessions.
It also features an internal pole piece
mounted phasing plug and is ferrofluid
cooled to maintain the best balance of
transient response to power handling.
◆
Offers a audiophile-quality 75w woofer and
25w tweeter amp along with 8th order
high- and low-pass electronic crossover
filters. The crossover point is a low 1500Hz,
and produces an extremely wide dispersion
zone as well as low midrange coloration.
◆
Time alignment circuitry in the tweeter
section of the crossover synchronizes
frequency output from the high and low
drivers avoiding the time smear that’s
typical in less advanced powered
speakers.
◆
Dual front-mounted ports provide fast,
coherent and extended low frequency
augmentation. Also, the unique offset
design of the high frequency driver
allows for the flattest frequency and
power response in a speaker that offers
such wide dispersion.
Monitor One
MK2
An award winning studio monitor, the Monitor One
has an extended dynamic range, excellent imaging
and transient reproduction, powerful bass and
smooth, extended high frequency detail. Ideal for
high-quality monitoring in project studios and
commercial recording facilities. Exclusive SuperPort
speaker venting technology extends low frequency response while eliminating the “choking” effect of port turbulence.
6.5˝ polypropylene low-frequency driver with tight, accurate bass
response is matched with a 1˝ pure silk-dome, high-frequency transducer
for smooth, accurate detail and response, and a broad sound stage
◆ Ferrofluid-cooled, high-frequency driver prevents ear fatigue during long
mixing sessions
◆ 45 Hz – 20 kHz +/- 3 dB frequency
◆ 2kHz crossover point provides a true, flat frequency response for
accurate mixes that translate to other playback systems
◆
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For Any Inquiries Regarding Your Order, Call Our Customer Service:
(800) 221-5743 • (212) 239-7765 • FAX: (800) 947-2215 • (212) 239-7549
◆
The cabinet has an attractive professional finish, and is a mirror
image; left/right pair for symmetrical speaker placement
◆
Magnetic shielding allows use next to video and computer monitors
◆
Radiused edges for reduced edge diffraction, along with
improved porting. Thanks to exclusive SuperPort venting
technology, the monitor eliminates the “choking” effect of
smaller, shorter ports. The result is a low-frequency response
which extends well below comparable near field monitors.
ALESIS
PROLINEAR 720DSP
◆
Built-in digital crossover and 4-band
parametric EQ with 8 pre-sets and 8 user
defined settings
◆
24-bit/48kHz processing
◆
80 watts (LF) / 40 watts (HF)
◆
Serial interface allows PC control of up to 16
speakers
PROACTIVE 5.1
THX-Certified Surround Sound
Speaker System
The ProActive 5.1 is equipped with Dolby Digital and DTS
hardware decoding for true 5.1 digital sound. The first system to
deliver THX-certified surround sound to the professional
audio and music industry, the ProActive 5.1 is the ideal
solution for the home recording studio, with simultaneous
connection to up to four audio sources including PCs, home
audio and recording equipment, and other sources such as
DVD players and portable audio players.
THX certification involves rigorous testing
of sound performance, user interface and
construction. All speakers that receive THX
certification must meet stringent
performance parameters, including:
bandwidth, frequency balance, peak sound
pressure levels and the ability to play up to
their rated output level.
◆
THX-certified, 5.1-surround sound system
with 450 watts of RMS power.
◆
8˝ long throw subwoofer driver with a flared
bass port for powerful, distortion-free bass.
◆
Dolby Pro Logic II for creating realistic 5.1
surround sound from stereo music, movies
and games.
◆
Digital optical and coaxial inputs, as well as
six channel analog inputs, for simple
connection to nearly any audio device.
◆
System is controlled by a digital console
with a wireless remote, for easy adjustment
of the speaker controls from anywhere in
the room.
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579
Building on Alesis’ award winning speaker designs, the ProLinear
720DSP delivers unprecedented accuracy, control, and flexibility
for any studio monitor application. The ProLinear 720DSP is a
bi-amplified two-way reference monitor with a 7˝ kevlar woofer
and a 1˝ silk-dome tweeter, with several distinct advantages over
traditional studio monitors:
By integrating proprietary 28-bit DSP, the ProLinear 720DSP
implements the crossover entirely in the digital domain to provide a
precisely controlled response. The ProLinear 720DP further leverages
its digital control to enable users to set and store multiple EQ curves
for individual speakers, or for every speaker in the studio. Settings
can also be adjusted via the built-in 4-band fully parametric EQ. Additionally, by using the PC interface, users can adjust
and set EQ settings remotely from a “sweet spot” listening position. No other monitor offers this degree of control, flexibility,
or total performance.
STUDIO MONITORS
Powered Studio Reference
Monitor with DSP Control
EDIROL
580
STUDIO MONITORS
DESKTOP SPEAKERS
MA-5A/MA-5D
Analog & Digital Stereo Micro Monitors
DM-5
Bi-amp Monitors
Durable, dependable and affordable, expect superior performance from this near-field monitor. 120mm woofer is powered
by a 30W amplifier, the 19mm
tweeter by its own 20W amp and
both have their own level control. In addition to analog input
(Speakon, XLR and 1/4˝ in a single connection), accepts S/PDIF,
coaxial and optical digital input
and supports 24bit/96kHz data.
Bass-reflex system
powered speakers in
a compact and
stylish design, the
MA-5A provides a
wide range of
dynamic sound. The
MA-5D is identical
but adds a digital
input on the front.
◆
5w x 5w, 70 mm full
range speakers
◆
Equipped with 2 inputs (RCA/stereo mini); you can also mix 2
analog input sources
◆
120mm LF driver with 30w amp, 19mm HF driver with 20w amp
◆
Bass-reflex ducts for rich, bass-range reproduction
◆
Digital in and power indicators on the front panel
◆
◆
S/PDIF digital inputs (coaxial and optical) support 96 kHz sampling rate and 24-bit D/A conversion
Plug-in a variety of audio devices, such as CD/MD/DVD player
and electronic musical instruments
◆
Bass, Treble control knobs on front panel
MA-10A/MA-10D
Active Analog & Digital Desktop Monitors
MA-20D
Digital Stereo Near Field Monitors
The MA-10A is a
compact active
monitor featuring
some remarkable
specifications as well
as a striking contemporary blue or black
natural wood finish.
Fine wooden cabinets
ensure a more defined
sound quality. They
are magnetically
Available in Blue or Black
shielded and provide
20 watts of genuine
power (RMS) with bass-reflex enclosure system. It is so important to
monitor your audio with a good pair of speakers that can guarantee
good dynamic range and frequency response.
The MA-10D offers the same great sound as the MA-10A—plus adds
digital input capacity. Listen to any source—analog or digital.
Connect digital sources such as computers, MP3 players, MiniDiscs,
DAT machines, CD players and cassette decks. High resolution
24-bit/96 kHz D/A converters provide great detail and impressive
dynamics. Impressive performance from a very small package.
Designed for the
higher-end
consumer and
hobbyist, the
MA-20D speakers
are attractive
Near-field
Monitors with
impressive sound
capabilities - two
20-Watt amplifiers
and a stylish black
& silver design.
Building on the
widely popular, MA-10 series, the MA-20D’s have twice the power
and all the style of the MA-10’s. They include the same functionality
of the MA-10D and MA-10DBK speakers; including Treble & Bass
controls, two independent Volume controls, S/PDIF digital input, and
a headphone out. Each speaker in a MA-20D pair is individually
powered with its own amplifier and have a bigger woofer for a better
low-end response.
◆
10w + 10w stereo amplifier powers both monitors
◆
Mini-stereo Line 1, RCA L/R Line 2
◆
2-way bass-reflex enclosure, wood grain cabinet for better sound
response (frequency response is 45Hz to 35kHz
◆
Bass, Treble controls and 2 independent line volume
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EQUIPMENT LEASING AVAILABLE
◆
Superb Response for unparalleled sound quality in its price range
◆
20W x 20W power in a 2-way bass-reflex design
◆
Power amp in each speaker for uniform stereo sound
◆
43⁄4˝ woofer for good punch and excellent Bass Response
◆
24-bit/96 kHz capable S/PDIF connections
EVENT ELECTRONICS
20/20
Precision Direct Field Monitors
Tweeter
Woofer
Magnetically shielded, 25mm natural silk
dome provides accurate, detailed high
frequency reproduction.
◆
The woofer provides smooth, consistent
extended-range frequency response without
the need of added EQ
◆
Internal high frequency pole piece damping
element aids in smoothing out the signal,
allowing for extended listening periods.
◆
The driver itself is a magnetically shielded
8˝ mineral-impregnated polypropylene
cone with a highly-damped linear rubber
surround
◆
For improved reliability, there is a ferrofluidcooled aluminum voice coil support that
reduces heat; a special flexible lead wire
minimizes wire fatigue as well as insures
consistent performance.
◆
It also boasts a 11⁄2˝ high-temperature voice
coil for reliable operation at high power
levels
◆
5/8˝ laminated MDF cabinet filled with
acoustical damping material reduces internal
standing waves—a perfect acoustic
complement to the transducer components.
◆
Front-mounted large diameter low air
restriction bass port delivers direct,
uncolored low frequency reproduction, even
at very high volumes.
◆
The port is front-mounted, allowing the
speakers to be placed close to walls without
compromising the low end response.
20/20BAS
Biamplified Precision Direct Field Monitors
The 20/20BAS puts world-class reference monitoring into the
hands of musicians previously shut out by the high cost of those
systems. Based on the 20/20 design, which in itself offers
exceptional sound, the 20/20BAS takes it to the next level with an
active asymmetrical fourth-order crossover—with phase response
so accurate that the resulting stereo imaging simply must be
heard (make that seen) to be believed. Add the custom 130w
amplifier designed specifically for the woofer, followed by the 70w
tweeter amp—that’s 200 watts of ultra clean power per side, and
then independent trim controls for each amplifier, making it easy
to adjust the speakers’ response to your particular monitoring
environment. Simply put, the 20/20 delivers exactly what you want in a reference monitor system: superbly clear, detailed,
sound. Flat, uncolored, accurate frequency response. Precise imaging. Non-fatiguing to the ears.
ORDER & INFO. (212) 444-5088 • FAX: (212) 239-7770 (800) 947-7008
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581
◆
Cabinet
STUDIO MONITORS
The 20/20 Direct Field Monitor delivers wonderfully clean,
accurate, pleasing sound at a price most musicians would
consider eminently affordable. Exceptionally reliable, attention
to detail permeates every aspect of the design. Custom
asymmetrical second-order passive crossover ensures smooth
sonic transition from the woofer to the tweeter at the crossover
point. The tweeter is recessed to provide flatter frequency
response. The diecast aluminum trim ring which minimize
acoustic discontinuity between the driver and the cabinet, is also
a unique, self-aligning four-point mounting system for the woofer.
EVENT ELECTRONICS
PROJECT STUDIO PS5/PS6/PS8
582
STUDIO MONITORS
Bi-Amplified Direct Field Monitors
It’s about confidence. Confidence that your monitoring system
is accurate. Confidence that what you’re hearing from your
speakers isn’t being colored. Confidence that your mixes will
sound the way you meant them to sound when they get
played in the car, or in your living room – or in the
office of a record company executive. The Project
Studio monitors inspire that confidence, giving you the
same precise, accurate sound as the award-winning
20/20 series. Not everyone has the space for full-size
direct field monitors. But everyone does have the need
for speakers that provide pure, accurate, detailed
sound. And that’s exactly what you get with the
Project Studio series:
Full-range, non-fatiguing monitoring in a small
profile format. More importantly, PS speakers provide
you with monitoring you can trust, so you know that
your mixes will sound the same in the outside world as they do in your studio. This is accomplished through the use of custom
driver components, as well as amplifiers and electronic crossovers designed specially for those components. The result:
Increased dynamic range. Higher SPL. Greater transient response. Improved damping. Smoother phase response. Lower
intermodulation distortion. Oh, yes, and great sound.
TR5/TR8
Tuned Reference Bi-amplified Direct Field Monitor Systems
Like their names intimate, the TR (Tuned Reference) 5 and 8
monitors are precision tuned to provide flat frequency response
and uncolored sound, giving you a true sonic reference for mixing.
So when you mix on a Tuned Reference monitor, you know
your mixes will translate accurately to other playback systems.
However, you might think that this level of mix precision comes
at a high price. But thanks to a powerful new ultra-efficient
amplifier (actually two of them, since these are biamplified
systems), they are able to bring you high definition,
non-fatiguing monitoring at prices so low they’re downright
silly. But don’t let the cost fool you: The TR series monitors are
filled with time-tested Event technology, and designed by the
same engineering team behind their full line of criticallyacclaimed monitors. So pick up a pair of TR monitors today.
Your mixes will thank you.
ONE HOUR FREE PARKING
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AT 349 W. 34th STREET (with purchase of $100 or more)
EVENT ELECTRONICS
PS5
HF Driver
PS6
PS8
TR5
TR8
51⁄4˝ magnetically
61⁄2˝ magnetically
8˝ magnetically
51⁄4˝ magnetically
8˝ magnetically
shielded mineral-filled polypropylene cone with high-temperature voice coil and damped rubber surround
1˝ magnetically shielded 1˝ magnetically shielded
natural silk dome
natural silk dome
with ferrofluid
with ferrofluid
voice coil coolant
voice coil coolant
Frequency Response
45-39k Hz, 53-19k Hz,
±3dB, Ref 500Hz
45 – 20k Hz,
±3dB, Ref 500Hz
Crossover
2.6kHz active
2.6kHz active
2nd order asymmetrical 4nd order asymmetrical
1˝ magnetically shielded
25mm magnetically
1˝ magnetically shielded
natural silk dome
shielded natural soft
natural silk dome
with ferrofluid
dome neodymium with with ferrofluid-cooled
voice coil.
ferrofluid-cooled voice coil
voice coil coolant
35 – 20k Hz,
±3dB, Ref 500Hz
45-39k Hz; 53-19k Hz,
±3dB, Ref 500Hz
35Hz – 20kHz,
±3dB, Ref 500Hz
2.2kHz active
4nd order asymmetrical
2.6kHz active
2nd order asymmetrical
2.6kHz active
4nd order asymmetrical
LF Amplifier Power
70W
70W
70W
HF Amplifier Power
30W
30W
30W
Noise
>100dB below full output, 20kHz bandwidth, unweighted
Input Connectors
XLR and 1/4˝ connector accepts balanced or unbalanced sources
RCA connector; accepts unbalanced sources
Polarity
Positive signal at + input produces outward LF cone displacement
Input Impedance
40kΩ balanced, 20kΩ unbalanced
Input Sensitivity
0.9V input produces full output with
Input Sensitivity control at maximum
0.5V RMS input at the balanced ins or
0.25V RMS input at the unbalanced in produces
output with Input Sensitivity control at maximum
20dB
20dB
20dB
20dB
20dB
Dimensions (WHD)
71⁄2 x 101⁄2 x 9˝
81⁄4 x 121⁄2 x 10˝
101⁄4 x 143⁄4 x 113⁄4˝
7.5 x 10.5 x 9˝
101⁄4 x 143⁄4 x 113⁄4˝
Weight
161⁄2 lbs. each
23 lbs. each
261⁄2 lbs. each
12.6 lbs. each
24.7 lbs. each
S250 System Subwoofer
The S250 Subwoofer is the core foundation of a professional full bandwidth surround sound monitoring system. With a massive 15˝ driver
and 250W of clean, linear power, the S250 effortlessly provides the high
SPL low frequency output necessary for multi-channel production work.
Why a subwoofer with six inputs (discrete, active, balanced inputs, at
that)? The first input is used for monitoring the Dolby Surround LFE
(Low Frequency Effects) channel; signals appearing at the LFE input
are fed directly to the subwoofer amplifier through a dedicated 120Hz
crossover. The other five inputs are for the five mains channels. These
signals are summed into an additional bass channel, used to extend the
main monitors’ frequency response well below their natural roll-off.
◆ The dual input, dual crossover design features three operational
modes, allowing you to monitor the Dolby LFE channel, extend the
low frequency performance of the mains monitor channels, or do
both functions simultaneously.
◆ The Variable Phase Control, also fed by the summed signal, allows
you to compensate for phase differences that arise from sub /mainsto-listener placement. The result is system-wide low frequency
response that is accurate, defined, and completely in your control.
◆ Includes a variable Monitor Blend crossover control, fed by the
summed mains signal; use the control to precisely and seamlessly
match the subwoofer's high end with the natural low frequency rolloff of the mains monitors.
◆ This flexibility, along with low frequency reproduction that is simply
unrivaled for clarity, definition, and pure, thundering power, makes
the S250 the perfect complement to today's direct field monitoring
systems--including the 20/20bas, 20/20, and Project Studio models.
ORDER & INFO. (212) 444-5088 • FAX: (212) 239-7770 (800) 947-7008
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583
Input Level Control Range
STUDIO MONITORS
LF Driver
FOSTEX
584
STUDIO MONITORS
PM-1
Powered Studio Monitors
Listening correctly doesn’t have to be expensive. With 120
watts of biamped power, a bass response that’s full and
dynamic, and a high end that sizzles, the PM-1 not only
delivers astonishing sound—it does so at an even more
astonishing price. Consisting of a 6.5˝ LF driver and a 1˝
soft dome tweeter, the PM-1 offers an impressive 50Hz to
20kHz frequency response and a biamped output power of
75w+45w @ 8 ohms. The amplifiers are precisely calibrated
to match the performance of the drivers
High Frequency Driver
Low Frequency Driver
The voice coil is made of super high purity
copper wire to achieve very low distortion.
The 1-inch soft dome tweeter employs
Fostex’s UFLC technology (poly urethane
film laminated cloth) to achieve lightweight
and high stability performance.
The 6.5˝ LF driver has been developed to output extremely pure music reproduction by employing the latest technology in cone material. The LF cone uses a mixture of cut and milled fibers
that are made from aromatic polyamide. It is then impregnated with resins to simultaneously
achieve high rigidity and optimum damping. The cone has an olefin film thermally adhered to
its surface to control frequency response and to establish long term reliability. The center cap is
made of non-wood cellulose material and is also impregnated with resin.
PM-1 SPEAKER
SPECIFICATIONS
PS-3.1 Powered Monitor System
CABINET DIMENSIONS
8.5 x 15 x 11.25˝ (WxHxD) - includes heat sink
WEIGHT 22.9 lbs.
FREQUENCY RESPONSE
Free-Field Frequency Response:
50Hz ~ 20KHz ± 2dB
Low Frequency Cutoff: 38Hz (-10dB)
High Frequency Cutoff: 23.5Hz (-10dB)
ACOUSTIC OUTPUT
Maximum Short Term SPL:
80Hz ~ 3kHz > 105dB SPL @1m
AMPLIFIER POWER
High Frequency 45w, Low Frequency 75w
AMPLIFIER DISTORTION
<0.016% THD @ 30 watts/8Ω 20Hz-20kHz
AMPLIFIER S/N RATIO
>86dB; 20Hz-30kHz not weighted
POWER REQUIREMENTS
120v AC , 60Hz
POWER CONSUMPTION
100 watts
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The PS-3.1 offers a complete 2-way monitoring solution, combining one
51⁄4˝ bass reflex subwoofer and a pair of matching shielded satellite speakers
with 3˝ full-range drivers in a compact, affordable package. The subwoofer
contains its own 15-watt power amplifier, a crossover network, and two
5-watt power amplifiers for powering the satellite speakers—making the
PS-3.1 a self-contained
system that fits nearly
any studio
application
without the
need for external
amplification.
System response
is 80Hz-20kHz.
◆
Satellite dimensions are 71⁄4 x 69⁄16 x 411⁄16˝
(HDW) and weigh 3.7 lbs each.
P95 Right Angle
Mic Stand Adapter.........14.95
EQUIPMENT LEASING AVAILABLE
◆
Subwoofer is 10 x 111⁄4 x 81⁄4˝ (HDW) and
weighs 14 lbs.
P96 Right Angle
Mic Stand/Swivel ...........28.95
P97
Wall Mount Bracket ......29.95
FOSTEX
RM-1
1 RU Stereo Monitor
◆ A/B
input select switch selects the
A or B stereo group to output to
the drivers or headphone jack.
Rear panel, stereo left and right
inputs let you monitor two different stereo sources from one unit.
◆
Dual Concentric Volume control
can be used to adjust the left or
right inputs independently. Front
portion of the control adjusts the
left channel; the rear portion of
the control adjusts the right channel input volume.
Two stereo balanced +4 dB inputs
with four XLR and 1/4˝ Neutrik
combo connectors
◆
Front panel stereo Gain control
◆
On-board electronic matrix
switching for:
L Channel only, R Channel only,
Mono, Stereo and Mute
◆
High intensity multi-colored
LEDs for mode tallies
◆
Front panel headphone jack with
gain control; mutes speakers
when used with phones
◆
Signal presence indicators change
with intensity of audio input
◆
Multi-line power conversion with
on-board input transformer
◆
Two 15-watt in 8 ohms amplifiers
◆
Fully shielded to prevent interference from video monitors
A small, portable, versatile monitor that delivers impressive sound, the 6301 BEAV can be used
in pairs or alone. Ideal for use with instruments
in project studios, on stage, in remote recording
vehicles, video productions and multimedia
presentations. The 6301 BEAV accepts any line
level input and has a built-in 10-watt amplifier (8 ohm load) that is perfectly matched to a
magnetically-shielded 10cm full range driver to deliver big sound, full of clarity from such
a small monitor. Manufactured from cast aluminum, these little monitors have earned a
reputation for being rugged and road worthy.
◆
◆
XLR and 1/4˝ inputs
Rotary level control
◆
EXT SP terminal
protection circuit
◆ Automated
◆
Optional 9610 Bracket
(vertical/horizontal)
SPA-11
The powered SPA-11s offer superb sound in
compact, portable cabinets. Each incorporates
a 100-watt internal amplifier with two 10cm
full-range speakers, mic and line inputs as
well as a level control, and they can be daisychained and stacked for multiple speaker coverage.
A number of mounting and stacking accessories are available to facilitate installation both temporary and permanent. Constructed of resin-impregnated plastic for durability
and superior acoustics.
OPTIONAL MOUNTING ACCESSORIES FOR SPA-11
P60 Vertical U-bracket ..............................59.95
P61 Horizontal U-bracket.........................59.95
P63 Vertical Stacking Kit...........................29.95
P64 Horizontal Stacking Kit .....................19.95
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585
◆
6301 BEAV
STUDIO MONITORS
The ideal solution for monitoring in
tight industrial environments,
the RM-1 is the perfect speaker
for machine rooms, VCR monitoring, surveillance, mobile
and stationary control rooms,
theme park applications or any other situation where monitoring is required and space is tight. The unit is a 1 rack space
high industrial design, utilizing robust construction for around the clock operation. The aluminum front panel has a multitude of user options so that the audio output may be configured for the application at hand.
GENELEC
1029APM
586
STUDIO MONITORS
Compact 2-Way Active Nearfield Monitor
With performance comparable to much larger systems, the 1029A’s excellent dispersion
and precise imaging, together with its compact size, make it ideal for near field
monitoring, mobile vans, home studios, multimedia and home theaters.
The amp unit includes an active electronic crossover, over-load protection
circuitry and two power amplifiers, one for each driver. The 1029A has a LF
extension (-3dB at 68Hz) sufficient for most monitoring applications. (If a
lower cutoff frequency is required, it can be complemented with the 7050A
subwoofer). Genelec’s unique Directivity Control Waveguide (DCW) technology
provides excellent stereo imaging and frequency balance, even in difficult
acoustic environments. Versatile tone controls allow further matching of the
system to its surroundings. A pair of 1029A’s can produce peak acoustic levels of
over 110 dB SPL at 1m. The speakers can be used vertically or horizontally, and
are easy to set up and use. The 1029A’s integrated design allows the amplifiers
and the drivers to be calibrated as a single unit ensuring consistent quality. The
rugged cast aluminum cabinet has rounded corners and a hard painted outer surface. Available in black, gray, or white
cabinets. (The protective grilles and volume and power knobs are black regardless of cabinet color).
FEATURES
Crossover Filters
Amplifiers
Although more commonly used in large and
expensive control room monitors, an active
crossover is the ideal method for dividing the
input signal between the driver units. To
maintain uniform frequency balance in differing acoustic environments, special calibrated
controls are included in the active crossover
network. These controls include treble ‘tilt’,
bass ‘tilt’ and bass ‘roll-off ’ switches.
The bass and treble amplifiers produce 40
watts of output power each, with very low
THD and IM distortion values. The amps are
designed to ensure the highest subjective
sound quality possible. The amplifier unit also
contains a protection circuit that monitors the
output levels and prevents any damage to the
drivers. This makes the system immune to
overloads and spurious signals.
Two input connectors
(balanced XLR and 1/4˝
TRS) offer great flexibility
as they can be used in
parallel with two sources
connected to the monitor
at the same time. An
additional configuration is
using a single 1029A to
monitor a stereo output.
The volume control is
located on the front panel.
This allows easy level
matching with other
audio equipment.
PHOTO - VIDEO - PRO AUDIO
Drivers
◆ A 3/4˝ metal dome tweeter is loaded by a
DCW, and is used to reproduce the high
frequencies. The DCW is integrated into
the one piece cabinet front baffle.
◆ The 5˝ woofer is a bass cone driver
mounted in a 4.5 litre vented cabinet. The
-3 dB frequency is 68 Hz and the LF
response extends down to 65 Hz (-6dB).
◆ Protective grills are placed in front of both
drivers, and both are magnetically shielded,
allowing use near video monitors.
Mounting Options
◆ On the base of the monitor is a 3/8˝ UNC
threaded hole which can accommodate a
standard microphone stand.
◆ There is a provision for an Omni-mount
size 50 bracket, for which two M6x10mm
screws are required.
◆ Alternatively the speaker can be hung on
M4 screws with suitable heads by one of
the three keyhole slots on the backpanel.
◆ The speaker can be hung in a horizontal
or vertical position. Friction pads are provided for placement on a shelf or a stand.
GENELEC
1030A
612⁄ ˝ Bi-amplified Active Monitor
STUDIO MONITORS
The Genelec 1030A is a very compact bi-amplified active monitor system, which has performance
comparable to much larger systems. The vented speaker enclosure has an amplifier
unit set into the back. This unit contains an active electronic crossover, over-load
protection circuitry and two power amplifiers: one for each driver. The system’s
excellent dispersion and precise imaging together with its compact size make it
ideal for near field monitoring, broadcast and TV control rooms, mobile vans,
home studios and travelling engineers. Genelec’s unique Directivity Control
Waveguide (DCW) technology is used to provide excellent stereo imaging and
frequency balance, even in difficult acoustic environ-ments and the versatile
crossover controls allow further matching of the system to its surroundings. A
pair of 1030As can produce peak acoustic levels of over 115 dB SPL at 1m. The
speakers may be used in vertical or horizontal orientation.
Same features as the 1029APM EXCEPT—
Bass and treble amps produce 80 and 50
watts of power each, with low THD and IM
distortion values
◆
3 /4˝ metal dome driver, loaded by DCW, is
used to reproduce the high frequencies
◆
The bass driver is a high efficiency
6-1/2˝ polymer composite cone driver in a
6.5 liter vented cabinet. The -3 dB frequency
is 52Hz and the low frequency response
extends down to 47 Hz. (-6dB)
◆
Like the 1029AMP there are three special calibrated controls in the active crossover network.
However, in the 1030A the treble and bass ‘roll-off ’ switches are adjustable in 2dB steps:
1029AMP
1030A
–Treble tilt control operating range from 0 to 2dB @15 kHz
–Treble tilt control operating range in 2dB
steps: from +2 to -4dB and MUTE
–Bass roll-off control operating in a -6dB step
@85 kHz
–Bass roll-off control operating range in 2dB
steps: from 0 to -8dB @50 Hz
–Bass tilt control operating range in 2dB steps:
from 0 to -6dB @150Hz
–Bass tilt control operating range in 2dB steps:
from 0 to -6dB @100Hz and MUTE
Accessories:
Vertical Wall Mount Kit......259.95
Vertical Floor Stand Kit .....364.95
Green Carry Bag for 1030 pair ...............169.95
Green Carry Bag for 1029 or 2029 pair....84.95
DCW (Directivity Control Waveguide) Technology
Incorporated in the 1029A and 1030 monitors, Directivity Control
Waveguide (DCW) technology is a means of improving the performance
of a direct radiating multi-way loudspeaker under normal listening
conditions. One of the basic aims is to match the performance of the
drivers in terms of both frequency response and directivity. This results
in a smoother overall frequency response on and off axis. In addition, the
improved directivity control causes more direct sound and less reflected
sound to be received at the listening position. This provides improved
stereo imaging and ensures that the system is less sensitive to differing
control room acoustics than conventional direct radiator design.
DCW Technology improves the drive unit sensitivity by +2 to +6 dB
(depending on the particular application), thus also increasing the
available system maximum sound pressure level.
1029AMP
1030A
Short term RMS at 1m
100dB SPL
105 dB SPL
Peak with music @1m
110 dB SPL
110 dB SPL
5˝
61⁄2˝
SPL
Drivers
Bass
Treble
3/4˝ metal dome + DCW
Crossover Frequencies
3.3 kHz
3.5 kHz
70-18k Hz
55-18k Hz
Bass
40 W
80 W
Treble
40 W
Frequency Response
Amplifier Power (1-ch)
Dimensions (HWD)
Weight
50 W
9 ⁄4 x 5 ⁄16 x 7 ⁄2˝
12 ⁄4 x 77⁄8 x 91⁄2˝
13.2 lb.
17 lb.
3
15
1
1
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587
◆
GENELEC
2029A/2029B
STUDIO MONITORS
Digital Monitoring Speakers
The 2029A and 2029B are near field monitors that combine digital audio
and analog audio inputs in a single speaker system. They are ideal for
working with a digital audio workstation or if you are processing audio
in a modern studio where your signal is digital. The 2029A/B support all
the same modes of operation as the analog 1029A. You can use them with
a subwoofer. You can use them in surround audio systems. Due to their
compact size, integrated construction, excellent dispersion and precise
stereo imaging, they are ideal for near field monitoring, mobile vans,
digital audio workstations, broadcast and TV control rooms, surround
sound systems, home studios, multimedia applications and also for use
with computer sound-cards. They also incorporate Genelec’s Directivity Control Waveguide
(DCW) technology for excellent frequency balance even in difficult acoustic environments.
588
FEATURES
Drivers
Digital Interface
◆
The 2029A is precision-aligned and balanced—from the single stereo 24-bit
S/PDIF digital input—to the highly efficient 110dB/SPL matched drivers. The
2029A is 48kHz compatible. The 2029B
offers the same precision alignment with
an AES/EBU digital interface on a digital
XLR-type input. The 2029B is 9kHz compatible. Both monitors incorporate
extremely linear, integrated D-to-A converter circuitry to offers a precisionmatched electrical interface to the active
electronics and amplifiers.
The bass frequencies are reproduced by a
130 mm (5˝) bass driver mounted in a 4.5
litre vented cabinet. The -3 dB point lies at
68 Hz and the frequency response extends
down to 65 Hz (-6 dB).
◆ The high frequency driver is a 3/4˝ metal
dome. Uniform dispersion control is
achieved with the revolutionary DCW
Technology pioneered by Genelec.
◆ Magnetic shielding is standard on the
2029A/2029B. Shielding is vital for applications such as video post production, where
stray magnetic fields must be minimized.
◆
Integrated Construction
◆ As
the digital interface and amplifiers are
built into the speaker enclosure, the only
connections required are the mains supply
and the digital input signal, making them
very easy to set up and use.
Crossover
◆
Their active crossover network is acoustically complementary and the slopes are
24 - 32 dB/octave. The crossover frequency
is 3.3 kHz. The room response controls
(‘treble tilt’, ‘bass tilt’ and ‘bass roll-off ’)
allow exact match to any installation.
◆
The amplifier unit is built inside the speaker enclosure. The bass and treble amplifiers
both produce 40 W of output power. The
fast, low distortion amplifiers are capable
of driving a stereo pair to peak output
sound pressure levels in excess of 110 dB at
1 m. The unit incorporates special circuitry
for driver overload protection.
◆
The response of the system usually has to
be adjusted to match the acoustic environment. The adjustment is done by setting
the tone control switches on the rear panel.
The tone control has four switches and can
adjust ‘treble tilt’, ‘bass tilt’ and ‘bass rolloff.’ The factory settings for these are ‘ALL
OFF’ to give a flat anechoic response.
Amplifiers
Digital Audio
The quality of a digital audio signal is defined by two parameters: word length and
sampling rate. The word length defines how precisely the audio signal is represented.
Longer word length leads to smaller noise and distortion level. The typical word length in
CD records is 16-bits. Studio recording systems use word lengths of 20-bits and above. The
sampling rate determines what frequencies can be represented in the digital audio signal. A
higher sampling rate allows higher frequencies to be recorded.
◆ Turning the digital presentation to an analog signal using a DA converter involves
significant sources of error. Your digital-to-analog converter may have inferior
performance. It may be misaligned with your amplifiers. The interface between the
converter and the amplifier may distort the signal or it may change the frequency balance.
Your monitoring volume level may need to be adjusted in the digital domain instead of
analog. Genelec 2029A Digital allows you to solve all of these problems. The alignment of
the whole system from the digital input connector is carefully balanced, to make sure that
you hear the whole digital truth, and nothing but the truth. All you have to do is to supply
the digital signal, and adjust for the volume you desire.
◆
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Tone Controls
GENELEC
SUBWOOFERS
Input Format
Digital Input
2029A
2029B
16 - 24 bits
16 - 24 bits
IEC958,
S/P-DIF,
EIJAC CP-340
AES/EBU
RCA 75Ω
XLR 110Ω
Input Sampling Rate
No De-emphasis
25 - 55 kHz
Using de-emphasis 44.1 and 48 kHz
29 - 100 kHz
44.1 kHz
SPL
Short term RMS
@1m
100 dB SPL
100 dB SPL
Peak per pair with
music material
110 dB SPL
@ 1m
110 dB SPL
@ 1m
7050A 8˝ Active Dual-Input Subwoofer
The 7050A is a very compact subwoofer incorporating
all the amplifier and crossover electronics needed to
combine it with a Genelec 1029 or 2029 series speaker.
Adding the 7050A to a 1029/2929 system creates a
compact nearfield monitoring system capable of a flat
frequency response from 38 Hz to 20 kHz (± 2.5 dB).
◆
Summed, balanced inputs on two XLR
connectors
◆
Sensitivity can be attenuated by from 0dB
to -18 dB for easy level matching with
the main speakers for varying positions.
◆
Produces 70 W of output power, with
very low THD and IM distortion.
◆
8˝ magnetically shielded long throw cone
driver is capable of producing SPLs up to
105 dB in half space.
Drivers
Bass
5˝
Treble
5˝
3/4˝ metal dome + DCW
Crossover Freq.
Free Field Freq.
Response ± 2.5 dB
3.3 kHz
3.3 kHz
70 - 18k Hz
70 - 18k Hz
◆
To make the system immune to overloads
and spurious signals, the circuitry includes
driver overload protection and power-on
signal muting. Also incorporates thermal
overload and short circuit protection.
◆
Like the larger 7000 series subwoofers, the
7050A features Genelec’s Laminar Spiral
Enclosure (LSE ) cabinet construction
resulting in a robust and reliable system.
The handsome cast-aluminum grille protects the magnetically shielded 8˝ driver.
Bass
40 W
40 W
Treble
40 W
40 W
Dimensions
(H x W x D)
Weight
93⁄4 x 515⁄16 x 71⁄2˝ 93⁄4 x 515⁄16 x 71⁄2˝
13.2 lb.
13.2 lb.
Analog and Digital Cabling
Special interconnect cable connects between
the XLR connectors of the two 2029A Digital
monitors. The IEC958 interface cable from
your digital audio source connects to one of
the 2029A Digital units. In the digital audio
reproduction mode the output level for both
speakers pair is controlled with the right
unit. The balance is automatically calibrated
correctly with the proposed output level setting on the left unit.
Mounting Options
There are several possibilities for mounting
the 2029A/2029B. On the base of the monitor is a 3/8˝ UNC threaded hole which can
accommodate a standard microphone stand.
There is a provision for an Omnimount size
50 bracket, for which two M6x10mm screws
are required. Alternatively the speakers can
be hung on M4 screws with suitable heads by
one of the three keyhole slots on the backpanel. They can be hung in a horizontal or
vertical position. Friction pads are provided
for placement on a shelf or a stand.
7060A/7070A 10˝ and 12˝ Active Multi-Channel Subwoofers
The 7060A and 7070A are powerful and precise bass monitoring tools for today’s
5.1 or 6.1-channel surround sound or traditional stereo systems. With their 19Hz
(7070A) or 29Hz (7060A) lower cutoff frequency, high sound pressure output
capability and versatile bass management systems, they can be adapted to all low
frequency monitoring situations.
◆ The built-in bass management unit has six
signal input and output channels (L/C/R
Front and L/C/R Rear), LFE input and
summed signal output connectors, providing great flexibility and easy connection.
◆ The discrete LFE signal input is equipped
with a selectable 85/120 Hz low-pass filter
and a 0/+10 dB LFE sensitivity switch.
SPL (Short Term RMS @1m)
Input Channels
◆ Adjustable sensitivity, bass roll-off and
phase matching controls let you tailor the
response of the subs to the environment.
◆ Laminar Spiral Enclosure (LSE ) cabinet
construction ensures reliability
◆ Integrated 85 Hz test tone generator for
accurate crossover phase alignment.
7050A
7060A
7070A
100dB SPL
108dB SPL
112dB SPL
6
2 (for stereo only)
6
Sum Out Outputs
0
1
1
Driver
8˝
10˝
12˝
0...-18 dB (variable)
+12 to -6 dB (variable)
+12 to -6 dB (variable)
Bass Roll-Off
n/a
0 to -6 dB (2 dB/step)
0 to -6 dB (2 dB/step)
Phase Adjustment
n/a
Bass Level
Frequency Response
Amplifier Power (1-ch.)
Dimensions (HWD)
Weight
0 to 270° (90 °/step) @85 Hz
38 Hz - 85 Hz ±3 dB
29 Hz - 85 Hz
70 W
120 W
19 - 85 (120) Hz ±3 dB
250 W
410 x 350 x 314 mm
527 x 462 x 360 mm
625 x 555 x 490 mm
33 lb.
57 lb.
110 lb.
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589
Amplifier power /ch
STUDIO MONITORS
Input Word
Length
HAFLER
STUDIO MONITORS
TRM6.1/TRM8.1
6- and 8-inch 2-way
Professional Active Monitors
You have one goal when choosing a reference monitor. Music. Accurate music.
Nothing else matters. Hafler has the same goal. They don't design for price
points. They design for application and performance. However, Hafler did
challenge their best engineers to design the finest sounding active near-field
monitor available at an affordable price. The result was the TRM6.1
Trans•ana and TRM8.1 Trans•nova Reference Monitors – heralded by some
as the finest powered monitors available.
Every component is designed and matched to deliver the most accurate music
possible. They provide honest, consistent sound from top to bottom with sonic
clarity usually found in much more expensive speakers. They feature built-in
amplification, active crossovers, and Hafler’s patented power amp circuitry
– known for its accurate soundfield, in width, height and depth.
590
TRM6
Following in the footsteps of the TRM8, the TRM6
incorporates Trans•ana amplifier technology at an even
more affordable price. Whether tracking, mixing, or
mastering, the TRM6 delivers the consistency and accuracy that are a must in today’s competitive environment.
◆
Discrete Hafler Class G Trans•ana mosfet amplifiers
(55 watt for the woofer, 33 watt for the tweeter
◆
Balanced XLR, unbalanced RCA inputs
THE REFERENCE
Hafler designs monitors for application and performance.
Every component of their TRM Series monitors is designed and
matched to deliver the most accurate music possible.
To Hafler’s engineers, nothing else matters.
25mm softdome ferro-fluid
controlled tweeter
They Both Feature
Patented Trans•ana (TRM-6) or Trans•nova (TRM-8)
output stage configured for “power gain” allows simpler front end circuitry, dramatically lower cross talk
and noise
◆
◆
◆
1˝ softdome ferro-fluid controlled tweeter for more
open, natural sounding high frequencies.
MOSFET outputs deliver higher output current,
rugged reliability, superb sound quality
Symmetrical 4th order Linkwitz/Riley crossover
◆ +/-4dB Bass and Treble shelving adjustment to match
the environment
◆
◆
Shielded woofer allows use near computer monitors
◆ Wide
◆
Rear firing exoport
tuned to 50Hz
Proprietary
exponential
waveguide
Balanced XLR and
RCA inputs
Offset baffle for
phase and time
correction
60 Hz selectable
high pass crossover
Accurate DIP
switch level and
shelving control
RAD custom
designed 61⁄2˝
mica filled
polypropylene
cone with
inverted
rolled nitrile
surround for
flat response
Symmetrical
4th order
Linkwitz/Riley
crossover
@ 3.2kHz
Large power supply
for wide dynamic
range
dynamic range at all levels (no compression)
3-Year Warranty
Magnetically
shielded motor
assembly
TRM8
◆
DIAMOND driver stage provides up to 14dB additional dynamic range in amplifier front end.
◆
Balanced XLR or 1/4˝, unbalanced RCA inputs
◆
Pre-drilled for Omni Mount
Double thickness MDF2 front baffle for
minimal coloration
ONE HOUR FREE PARKING
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Discrete Hafler
Class G Trans•ana
mosfet amplifier
5mm x-max
voice coil for
low distortion
AT 349 W. 34th STREET (with purchase of $100 or more)
Polyester wool damping
HAFLER
TRM10.1/TRM12.1
The M5 monitor is yet another example
of Hafler’s brilliant loudspeaker design
and manufacturing capabilities. The M-5
is an unparalleled solution for broadcast
and project studio environments. Portable
and lightweight, it offers all the qualities
of the TRM6 in a more compact,
non-amplified package.
A perfect match for the TRM6.1, the
TRM10.1 Subwoofer delivers a lot of
punch from a small package, and offers
unusual flexibility and adjustability
at a great value. Extends your
system’s frequency range to well
below 30Hz. However, when
your program material
demands ultra-low distortion
energy at rock bottom low
frequencies the TRM12.1 is
a powerhouse, delivering
true full range monitoring.
• 70Hz- 21kHz frequency response ±3dB
• TRM6 tweeter/waveguide for smooth
response on and off axis
• Control of woofer at high output levels
• Shielded woofer magnet allows use
near computer monitors
• Tweeter level control is user selectable
from the front panel (3dB L-Pad)
◆ Patented
Trans•ana output stage configured for
“power gain”. Allows simple front end circuitry,
dramatically lower cross talk and noise.
• Zobels, tweeter overload protection
• 5-way binding posts
• 1 Year Warranty
Frequency Response
Peak Acoustic Output (per pair @ 1m)
High Frequency Driver
◆
Adjustable symmetrical 4th order LinkwitzRiley crossover from 40 to 110Hz
CLASS G: Provides higher efficiency
amplification at all listening levels
◆ Balanced XLR, unbalanced RCA inputs
◆ Adjustable input level sensitivity
◆ 3-year warranty
◆
TRM6.1
TRM8.1
TRM10.1
TRM12.1
55Hz-21kHz ±2dB
45Hz-21kHz ± 2dB
30Hz-110z ±2dB
25Hz-110z ±2dB
>118dB w/music
>123dB w/music
>118dB w/music
>121dB w/music
1˝ (25mm) soft dome
1˝ (25mm) soft dome
Low Frequency Driver
6˝ polypropylene cone
8˝ polypropylene cone
10˝ Cellulose Fibre cone
12˝ Cellulose Fibre cone
Amp Power Rating FTC
33 watts @ 6Ω (high frequency)
50 watts @ 4Ω (low frequency)
75 watts @ 6Ω (high frequency)
150 watts @ 4Ω (low frequency)
200 watts @ 4 Ohms;
Trans•ana Class-G
200 watts @ 4 Ohms;
Trans•ana Class-G
Signal-to-Noise
>100dB
>100dB
>100dB
>100dB
Slew Rate
100V/µs
100V/µs
100V/µs
100V/µs
70dB typical @ 1kHz
70dB typical @ 1kHz
70dB typical @ 1kHz
CMRR
70dB typical @ 1kHz
Input Impedance
47kOhms per phase balanced
Input Sensitivity Range
Unbalanced:
Per Phase Balanced:
Filter Type
Power Consumption (Full Power)
500mV to 3V
500mV to 3V
500mV to 3V
500mV to 3V
275mV to 1.5V
275mV to 1.5V
275mV to 1.5V
275mV to 1.5V
24dB/octave Linkwitz-Riley @ 3.2kHz
24dB/octave Linkwitz-Riley @ 2.5kHz
405W /4.75A @ 120 VAC
405W /4.75A @ 120 VAC
405W /4.75A @ 120 VAC
405W /4.75A @ 120 VAC
Subsonic Filter
30Hz @ 12dB/octave
30Hz @ 12dB/octave
Bass Shelving
48Hz to 200Hz, ± 4dB
(-4, -2, 0, +2, +4dB)
40Hz to 200Hz, ± 4dB
(-4, -2, 0, +2, +4dB)
3.5kHz to 20kHz, ± 4dB
(-4, -2, 0, +2, +4dB)
3kHz to 20kHz, ± 4dB
(-4, -2, 0, +2, +4dB)
8.875 x 13.25 x 11.5˝
10.25 x 15.875 x 13˝
16 x 14.75 x 16˝
19.5 x 18 19.25˝
25 lbs.
35 lbs.
60 lbs.
96 lbs.
Treble Shelving
Dimensions (WHD)
Net Weight
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591
• 4th order Linkwitz-Riley crossover at
3.2kHz
STUDIO MONITORS
Downfiring Trans•ana Class-G Active
10- and 12˝ Subwoofers
M5 MONITOR
HHB
CIRCLE 3/CIRCLE 3 ACTIVE
592
STUDIO MONITORS
Passive and Active 412⁄ ˝ Nearfield Monitors
The Circle 3 (passive version) and Circle 3 Active (powered version) are compact
monitor speakers designed for nearfield use, or in critical monitoring applications
where space is limited. The Circle 3 uses a highly linear, custom-designed 4.5˝ bass
driver, built on an acoustically dead chassis to eliminate undesirable resonant
effects. High frequencies are reproduced by a ferro-fluid cooled soft dome tweeter.
And despite standing just over 10˝ high, the Circle 3 delivers a robust, full range
sound with a surprisingly extended low end response.
The Circle 3 Active adds a bi-amp module delivering 60w of power to the bass
driver and 30w to the tweeter. And unlike most compact active monitor designs,
the Circle 3 Active’s LF amplifier is not limited, as this unbalances the sound at
high listening levels. Rather, the bass drivers are engineered to handle the full amp
output. And controlled order crossover management makes the Circle 3’s particularly
easy to listen to, even on long sessions. Magnetic shielding on both versions, makes them ideal for use in any application where
close proximity to a CRT monitor is required.
CIRCLE 1
12˝ Subwoofer
Much more than just a
subwoofer, the Circle 1 is
a complete speaker
management system,
forming the heart of a high
performance, professional
surround sound monitoring
system. In addition to a 12˝ low moving mass bass driver
and 160-watt amp module, the Circle 1 also features 5
channel active filtering with a mode switch making it easy to
configure the system for a variety of stereo and surround
monitoring applications.
◆
Low frequency boost control is provided to increase the level of the
bass component in low level monitoring applications
◆
Phase control can be used to achieve optimum sub bass performance in differing room acoustics.
◆
XLR connectors on all inputs and outputs
◆
Design of the cabinet porting assists in producing a frequency
response that extends down to 33Hz.
◆
Mode switch for different surround decoders and stereo setups
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For Any Inquiries Regarding Your Order, Call Our Customer Service:
(800) 221-5743 • (212) 239-7765 • FAX: (800) 947-2215 • (212) 239-7549
Connection to the Circle 1 is via six balanced XLR inputs
and five XLR outputs. Although the Circle 1 is designed
primarily for use in a surround sound system, there are
many people who would like to increase the bass frequencies or overall level available from their speakers. So when
two or more speakers are connected to the input channels,
the Circle 1 sums the signals from the front left and right
speakers and filters out their bass frequencies for
reproduction from the sub-woofer, leaving the satellite
channels to reproduce the mid and high-frequencies.
A switch on the back of the Circle 1 sets it for 5.1 surround
sound operation where, instead of reproducing the filtered
frequencies from the satellite speakers it is driven from a
dedicated sub input. Additional rotary controls are provided
for input sensitivity, LF Boost and Phase. With its outputs
connected to five active Circle 5’s, the result is a powerful,
detailed and truly universal 5.1 monitoring system.
HHB
CIRCLE 5/CIRCLE 5 ACTIVE
Passive and Active 8˝ Midfield Monitors
STUDIO MONITORS
Accurate and revealing monitors ideal for use in midfield stereo or surround sound
monitoring applications, both the passive (Circle 5) and powered (Circle 5 Active)
share a custom-designed 8˝ bass driver that is injection-molded from a specially
formulated plastic compound. The rolled sheets used by other manufacturers retain a
grain pattern in the molded cone, introducing unwanted compressions both with and
across the grain and ultimately degrading performance. The random grain pattern in
the HHB cone suffers none of these problems and resonances are minimized yet
further by varying the thickness of the cone across its surface.
Like the Circle 3, the Circle 5 uses controlled order crossover management to achieve
an accurate sound that never tires the listener. And like the Circle 3 Active, there is no
amp limiting so the full bass component of sound is present at all volume levels.
Circle 3
Circle 5
Custom 8˝ (200mm) bass driver with injection molded cone
◆ Ferro-fluid cooled soft dome tweeter with Polyswitch protection.
Rather than attenuating HF power and unbalancing the sound in
the event of overload, Polyswitch cuts the power completely until
the tweeter has cooled, illuminating a warning LED in the process.
◆
◆
Active biamp module: Bass (60 watts), Tweeter (30 watts)
◆
Active biamp module: Bass (140 watts), Tweeter (70 watts)
◆
Circle 3 uses binding posts for connections, the Circle 3 Active uses
XLR and RCA connectors
◆
Circle 5 uses binding posts for connections, the Circle 5 Active uses
XLR and RCA connectors
◆
No limiting on LF amplifier so the full bass component of sound is
present at all volume levels—sound is always balanced
◆
No limiting on LF amplifier so the full bass component of sound is
present at all volume levels—sound is always balanced
◆
Controlled order crossover management controls the rate at which
the LF ramps down and the HF ramps up at the crossover point,
resulting in an accurate, untiring sound —even on long sessions.
◆
Controlled order crossover management controls the rate at which
the LF ramps down and the HF ramps up at the crossover point,
resulting in an accurate, untiring sound —even on long sessions.
◆
Magnetically screened for use near video and computer monitors
◆
Anti-magnet cancels magnetic fields that can distort video monitors
Transducer System
Circle 3 Passive
Circle 3 Active
Circle 5 Passive
Circle 3 Active
2 way monitor loudspeaker
2 way monitor loudspeaker
Ported 2 way monitor loudspeaker
Ported 2 way monitor loudspeaker
Drive Units LF:
Custom 4.5˝ NRSC cone, 1˝ voice coil,
high linearity low-loss suspension
polymer chassis and shielding antimagnet
Custom 8˝ polymer cone, high compliance
rigid self-sealing long throw rubber surround.
1˝ high temperature aluminum voice coil and antimagnet.
Drive Units HF:
1˝ ferro-fluid cooled soft dome,
high efficiency Neodymium magnet, highly focused
magnetic field 1˝ aluminum voice coil
Custom 1.1˝ ferro-fluid cooled soft dome with rear
damping chamber. 1.1˝ high temperature
aluminum voice coil and antimagnet.
Frequency Response
70Hz - 20kHz ±3dB
70Hz - 20kHz ±3dB
48Hz - 20kHz, +/- 3dB
83dB 1w/1m.
1V RMS
87dB 1W/1m
1V RMS
30 - 100w
30 - 100w
50 - 200w
50 - 200w
8Ω nominal
8Ω nominal
8Ω nominal
8Ω nominal
60w
60w bass, 30w tweeter
120w
140w bass, 70w tweeter
Sensitivity
Suggested Amplifier Power
Impedance
Power Handling (Program)
Crossover
Dimensions (HWD)
Weight (each)
Finish
48Hz - 20kHz, +/- 3dB
3.5kHz
3.5kHz
2.6kHz
2.6kHz
10.6 x 6.9 x 7.8˝
10.6 x 6.9 x 8.7˝
16.5 x 10 x 11.8˝
16.5 x 10 x 11.8˝
8.1 lbs.
11 lbs.
22 lbs.
27.7 lbs.
Durable black paint
Durable black paint
Durable black paint
Durable black paint
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Custom 4.5˝ (110mm) bass driver with acoustically dead chassis
reduces any unwanted resonant effects, producing a perfectly damped
impulse response. This results in both the active and passive speakers
being incredibly easy to listen to, even over long periods of time.
◆ Ferro-fluid cooled soft dome tweeter
◆
JBL
594
STUDIO MONITORS
CONTROL SERIES
The Control Series combine high
performance and smooth,
powerful, wide range response
with a compact design and rugged
construction for unprecedented
versatility. Also one of the easiest
systems to install, the Control
Series are perfect for applications
where tight corners and tough
angles are all too common. A wide
variety of available mounting
systems allows positioning for
optimum performance.
Control 1 (black finish)
Control 1
(white finish)
Control 5
Control 1
Control 5
The Control 1 is a 150-watt, two-way miniature
monitor with well balanced sound and exceptional
power handling. Ideal for any installation requiring
professional control monitor performance from a
compact source including recording studios,
mobile audio video control rooms and broadcast
studios. It is also highly suitable for foreground
and background music use in restaurants, discos,
and A/V applications.
The Control 5 is a high-performance 175 watt, two-way wide range control monitor
suitable for use as the primary sound source in a variety of applications. Smooth,
extended frequency response combines with wide dynamic capabilities to provide
acoustic performance that makes the Control 5 ideal for recording studios, audio-video
control rooms, remote trucks and broadcast studios. Clean, functional visual design also
makes ideal for foreground music systems, moderate level sound reinforcement, discos
and music playback systems.
◆
◆
◆
Incorporating a 51⁄4˝ low frequency loudspeaker,
3/4˝ high frequency radiator and high
performance dividing network, the Control 1
provides full-range, low distortion reproduction
in a variety of applications
High and low-frequency transducers are
magnetically shielded, allowing use near video
monitors
Mounting versatility is enhanced by a complete
line of installation accessories
Frequency Response
Power Capacity
Sensitivity: 1 W, 1 m
Directivity Factor (Q)
Directivity Index (DI)
Nominal Impedance
LF Components
HF Components
Finish
Dimensions
Net Weight (each)
1
1
◆
61⁄2˝ low frequency driver provides solid,
powerful bass response to 50 Hz
◆
High frequency response to 20 kHz is
handled by a pure titanium 1˝ dome
◆
HF (high frequency) and LF
(low-frequency transducers are
magnetically shielded, permitting use in
close proximity to video monitors
◆
Molded of dense polypropylene
foam, the Control 5 enclosure offers a
pleasing shape that fits easily into any
environment
◆
Wall, ceiling, rack and tripod mounting
systems allow positioning in exactly the
right spot for optimum performance
◆
Available in black, gray or white finish
The dividing network incorporates protection circuitry to prevent system damage
and utilizes high quality components including bypass capacitors for outstanding
transient accuracy
CONTROL 1
CONTROL 5
120Hz - 20 kHz (±3db)
75Hz - 20 kHz (±3db)
150w
87dB SPL
2.8
4.5
4Ω
51⁄4˝
3/4˝
Black or white
9.25 x 6.25 x 5.6˝
4 lbs.
175w
89dB SPL
2.8
4.5
4Ω
61⁄2˝
1˝
Black or white
15.25 x 9.8 x 9˝
10 lbs.
IEC filtered random noise (50Hz-5kHz) with a crest factor (peak to average ratio) of 6dB
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◆
EQUIPMENT LEASING AVAILABLE
M O U N T I N G AC C E S S O R I E S
CONTROL 5
MTC-52
MTC-51
$59.95
$69.95
CONTROL 1
MTC-8
MTC-1A
$10.95
$29.95
JBL
STUDIO MONITORS
The standard for over a decade, the 4206 (6.5˝)
and 4208 (8˝) are console-top monitors designed
specifically for near field use in multi-purpose studio
environments. Starting with the unique Multi-Radial
sculptured baffle, the monitors direct the axial output
of the individual components for optimum summing
at the most common listening distance (approx. 3 to
5´). To deliver maximum stereo imaging while reducing
the potential for listener fatigue, the pure titanium dome tweeter and cone transducer are aligned to deliver both high and
low-frequency information to the listening position at precisely the same instant. They monitors also deliver smooth, extended
bass output with little distortion and power compression. The 4206 and 4208 are rated at 8 Ω and are magnetically shielded.
◆ 1˝ titanium HF transducers deliver smooth, extended response. The
tweeter features a uniquely shaped “lens” which acts as a mechanical
filter to balance energy output to within ±2 dB to 20 kHz.
◆ The long linear excursion design of the low frequency transducers
results in smooth extended bass output with less distortion and
power compression.
◆ Smooth transition from low to high frequency components is
achieved through carefully engineered high complexity crossover networks. Tight tolerances are maintained to achieve seamless summing
and minimal distortion.
4400 SERIES
For years recording, broadcast, movie and TV studios worldwide
have depended on the 4400 Series as their critical listening source.
Countless music recordings and movie soundtracks were created
with 4400 Series monitors, while broadcast studios rely on them
to deliver faithful sound reproduction, typically 24 hours a day,
seven days a week. Available in two-way and three-way systems,
they all utilize JBL transducer technology with SFG magnet
structures, large diameter voice coils and titanium dome tweeter.
Low frequency drivers employ Symmetrical Field Geometry
(SFG) magnet structures to minimize harmonic distortion,
resulting in maximum definition of bass and low midrange
information. Large voice coils provide excellent transient
response characteristics and outstanding power handling.
4408A 2-way 8˝ Studio Monitor
Two-way compact monitor system ideal for smaller recording studios or for
broadcast studio monitor control rooms.
4410A 3-way 10˝ Studio Monitor
Titanium dome tweeter further minimizes distortion levels,
delivering even smoother, clearer high frequency information.
And the tweeters are oriented to the create “Left” and “Right”
models, achieving mirror-imaged pairs for excellent imaging.
A three-way monitor loudspeaker system designed as a vertical line array. This
system delivers incredibly fine transient response characteristics and spatial detail.
With a tight crossover network design, the 4400 Series provides absolutely smooth transitions between transducers for
perfect imaging and unparalleled power response.
For applications requiring maximum low frequency output from a bookshelfsized monitor, this 3-way system tightly clusters its transducer complement for
accurate close proximity listening.
4412A 3-way 12˝ Studio Monitor
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◆ Multi-Radial baffle positions the drivers to achieve alignment of their
acoustic centers so that low, mid and high frequency information
reach the ears at the same point in time—resulting in superb imaging
and greatly reduced phase distortion.
STUDIO MONITORS
4200 SERIES
JBL
LSR SERIES
596
STUDIO MONITORS
THX-Approved Studio Monitors
The Linear Spatial Reference (LSR) philosophy is based on a set of design goals that carefully control the overall performance
of the system ina variety of acoustic spaces. Instead of focusing on a simple measure such as on axis frequency response, LSR
designs require much better control over dispersion via transducer design and crossover frequency selection. Critical decisions of
image placement, EQ, balance and timbre are typically made within ±15° vertically and ±30° horizontally. This workspace is
where the engineer, producer and artist make critical mixing decisions. By incorporating LSR into the system design requirements, placement rules are relaxed, a more stable stereo image is maintained and off axis coloration is minimized.
LSR28P Bi-Amplified Monitor
LSR25P Compact Bi-Amplified Monitor
The LSR25P is sized to provide
an extremely accurate reference
for workstations, edit suites and
small control rooms.
◆ Combines 100 watts of low
frequency power and 50 watts
for the high frequency with an
active crossover system
◆ 5.25˝ woofer incorporates
Symmetrical Field Geometry
(SFG) with integral shorting
ring for maximum linearity.
◆ Unique Workstation Boundary Compensation control
adjusts the bass and mid-bass output for optimum
performance. Precisely maintains correct spatial response
when used next to video monitors in typical workstation
environments.
◆ User adjustments include level calibration and fine tuning
of levels with a variable level control. XLR and RCA inputs
accommodate balanced and unbalanced signals.
◆ Frequency response can be tailored to compensate for
placement and room absorption characteristics. Select
between two high frequency response contours. An 80Hz
low frequency filter can be added for use with subwoofers
that have their own low pass filtering.
◆ Integrated mounting points for horizontal or vertical suspension. Shielded for use near video monitors.
◆
◆
Combines 250 watts of low frequency power
and 120 watts for the high frequency. with
an active crossover system
◆
8˝ woofer is based on JBL’s patented
Differential Drive technology. With dual
drive coils, power compression is kept to a
minimum to reduce the fatigue of spectral
shift as power levels increase. An added third
coil between the drive coils acts as a dynamic
brake to limit excess excursion and reduce
audible distortion at the highest levels.
◆
Adjustments include level calibration and
fine tuning of levels with a variable level
control. XLR and RCA inputs accommodate balanced and unbalanced signals. The frequency response of bass and treble amplitudes can also be
adjusted to compensate for placement and room absorption characteristics.
LSR32 3-Way Studio Monitor
◆ 12˝
woofer based on JBL’s patented
Differential Drive technology
◆ The
midrange is a 2˝ neodymium
magnet structure with a woven 5˝
Kevlar cone. The crossover points are
located at 250 Hz and 2.2 kHz. to
match the directivity characteristics of
the three transducers.
The high frequency transducer of all three monitors is 1˝ composite diaphragm integrated with an Elliptical Oblate Spheroidal (EOS) Waveguide
with 60 x 100° dispersion which is critical to the smooth spatial response required in today’s working environments.
LSR Measurement Techniques
LSR is the underlying design philosophy that explains why speakers that measure the same, sound different. By going beyond simple on-axis
frequency measurement, LSR techniques define the ultimate performance specifications of JBL’s monitoring technology—what it will sound
like in your room. They go beyond the performance of an on-axis frequency response at one point in space, which other manufacturers use.
LSR uses a technique of measuring a monitor over a sphere that encompasses all energy radiated into the listening room in every direction.
This data reflects 1296 times the information of a single on-axis frequency response curve. Using psychoacoustic principles allows the
calculation and optimization of the entire sound field heard by the listener - this includes the direct sound field, the reflected sound field
and the reverberant sound field. In place of spectral smoothing, which actually conceals data, LSR techniques expose flaws in systems such as
resonances, poor dispersion and other off-axis colorations.
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JBL
LSR SERIES
LSR12P Powered Subwoofer
Subwoofer signals are fed by the Left, Center, Right and Discrete inputs.
This unique arrangement provides excellent bass management for a wide
variety of formats. The subwoofer signals can be derived from the front
channels or from the discrete input with a simple remote switch contact.
Alternatively, the subwoofer can be muted with full range signals routed
to the front channels for comparison with or without subwoofer support.
Calibrated input levels for -10 dBV and +4 dBu inputs are included.
◆
In addition, an input attenuator can be inserted into the circuit for
continuously variable level control to fine tune subwoofer level
matching. Subwoofer low pass filtering uses steep 5th order low pass
filtering to minimize the possibility of localization of the subwoofer
acoustic output. High pass filtering for the Left, Center and Right
outputs are at 12 dB/Octave.
◆
There are six dip switches that allow you to optimize the
LSR12P’s performance. The first three switch settings adjust the
calibration level of the Left, Center and Right inputs. Switch
four inverts the signal polarity of the subwoofer feed. This is
used to correct for placement mismatch between the subwoofer
and satellite spacing. Switches five and six adjust the low frequency spectrum to compensate for boundary effects when a
subwoofer is placed against walls or corners.
◆
A 1/4˝ jack is included on the back panel which allows remote
control bypass of the subwoofer and selection of the discrete
input. Shorting the Tip and Sleeve of the jack will remove the
high pass filtering from the Left, Center and Right outputs and
sources the subwoofer feed from the discrete input.
4200 and 4400 SERIES SPECIFICATIONS
Frequency Response:
Frequency Range:
4206
4208
4408A
4410A
4412A
65Hz-20kHz (±2dB)
65Hz-20kHz (±2dB)
50 Hz-20 kHz (±2dB)
45Hz-20kHz (±2dB)
45Hz-20kHz (±2dB)
42 Hz - 21kHz (-10dB)
38 Hz - 21kHz (-10dB)
35 Hz - 30 kHz (-10dB)
33 Hz - 30kHz (-10dB)
30 Hz - 30kHz (-10dB)
Sensitivity (1w, 1m):
87 dB SPL
89 dB SPL
89 dB SPL
90 dB SPL
89 dB SPL
Nominal Impedance:
8Ω
8Ω
8Ω
8Ω
8Ω
Crossover Frequency:
2.8 kHz
2.6 kHz
2.5 kHz
900Hz, 4.0 kHz
850 Hz, 4.0 kHz
6.5˝
8˝
8˝
10˝
12˝
MF:
—
—
—
5˝ cone
5˝ cone
HF:
1˝
1˝
1˝
1˝
1˝
15 lb.
9.3 lb.
26 lb.
43 lbs.
47 lbs.
153⁄4 x 9 x 91⁄2˝
153⁄4 x 9 x 11˝
171⁄4 x 12 x 115⁄8˝
231⁄2 x 141⁄4 x 111⁄4˝
141⁄4 x 231⁄2 x 11.76˝
Transducer: LF:
Net Weight:
Dimensions (HxWxD):
LSR SERIES SPECIFICATIONS
LSR25P
Frequency Response (-6dB):
Power:
Sensitivity:
Distortion (96dB):
Crossover Frequency:
Net Weight:
Dimensions (HxWxD):
LSR28P
LSR32
LSR12P
25Hz-110kHz
56Hz-22kHz
37Hz-22kHz
40Hz-22kHz
LF: 100w HF: 50w
LF: 200w HF: 70w
200w IEC
250w
+4 dBu /-10dBV
+4 dBu /-10dBV
90 dBu (1 W / 1m)
+4 dBu /-10dBV
<0.5% (150Hz-20kHz)
<0.5% (120Hz-22kHz)
<0.5% (120Hz-22kHz)
<1.0%
2.8 kHz
2.6 kHz
2.5 kHz
900Hz, 4.0 kHz
17 lb.
45 lb.
47 lb.
50 lbs.
6.8 x 10.6 x 9.5˝
16 x 13 x 12.75˝
25 x 15.5 x 11.5˝
25 x 15.5 x 12˝
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◆
STUDIO MONITORS
The LSR12P is the ideal companion to the LSR25P, LSR28P and LSR32. It
is multi-channel compatible for AC-3, DTS and other surround sound
formats. It features a 12˝ Neodymium woofer based on JBL’s patented
Differential Drive technology. The cone is made of carbon fiber composite
for low cabinet resonance and stable inertial ground. The integrated
250-watt power amp provides correct drive levels for optimized frequency
response. Bass management for multiple formats is provided with separate
left, center and right crossover functions as well as a discrete input.
KRK
V-SERIES STUDIO MONITORS
The V-Series are bi-amplified near-field reference monitors capable of satisfying the
most critical listening requirements. Separate built-in power amplifiers for the woofer
and tweeter and a true electronic crossover that tailors the power
and frequency response specifically for each transducer, combine
to deliver the dynamic range and performance required for
everything from digital production to 5.1 surround sound.
KRK’s goal for the V-Series was to create monitors capable of
accurately reproducing sound with unsurpassed clarity and
accuracy. Other monitors tend to modify, extend, or “tilt” their
response above 1 kHz to sound more “spatial, exciting and
impressive”. What is often overlooked is this practice tends to
make you incorrectly balance your mixes to compensate for this
effect, leading to poor “translation”. The V-Series was designed to
reproduce the signal with a minimal of frequency enhancement.
Rather than attempting to defy physics, they deliver unaltered high frequencies and respectable low frequency response with
exceptional accuracy from their woofer in a reasonably small cabinet.
Ability to Translate -
Flexibility -
No Compression -
A mix made on a V-Series monitor will
translate to other environments and other
monitors with no surprises—saving you time
and eliminating extra work. They monitors
will perform flawlessly for years in professional
and non-professional environments alike.
They contain an active input circuit specifically
designed for balanced or unbalanced input
signals. They accept XLR and 1/4˝ phone or
TRS connectors.
Balanced Power –
Each monitor cabinet contains three active
filters (subsonic, low-pass and high-pass filter).
These three filters work together to deliver
superior linear frequency response. Active
filter crossovers generate less heat resulting in
no signal drift or component variations to
provide a more stable image.
V-Series monitors contain no signal
compression which artificially limits the
dynamic range of the program source.
Although some monitors use signal
compression to make them sound louder,
fuller, and to control unwanted characteristics
of the raw drivers, the result is a compromised
mix. V-Series design is uncomplicated without
extras between you and your mix.
KRK’s amplifier construction is proven,
durable and straightforward. Output wattage
is balanced to optimize LF and HF driver
performance. V-Series monitors use a toroidal
power transformer for the lowest possible
hum and minimum noise artifacts
V4 ORBITAL PACK
598
STUDIO MONITORS
Bi-Amplified Reference Monitors
Active Filter Crossovers -
Surround yourself in quality Hi-Fi sound at an easily
affordable price. Get a 5.1 linear system, which includes
five V4 monitors and one S8 subwoofer, in one complete
package. The V4 has separate amplifiers for both the
tweeter (15w) and the woofer (30w), which makes the
sound extremely clean and virtually eliminates any
distortion. The S8 subwoofer is powered with 100 watts,
and includes an 8˝ Kevlar woofer, variable low-pass filter,
phase correction switch and variable input sensitivity.
The V4 Orbital Pack is living proof that good things
come in small packages!
ONE HOUR FREE PARKING
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AT 349 W. 34th STREET (with purchase of $100 or more)
Furniture-Grade Construction The cabinetry of a V-Series monitor is
constructed from 3/4 to 1˝ medium density
fiberboard (MDF). They are specifically
designed to minimize unwanted cabinet
resonance. All edges and port openings are
heavily radiused to reduce edge diffractions
and port flutter. Finish is a neutral fingerprint
proof gray Zolatone
Custom Made Drivers All except the V6 (uses a specially designed
polyvinyl LF driver) use a woven Kevlar LF
driver custom-designed for their individual
cabinet volume with one goal in mind—
minimal compromises, no surprises. Kevlar is
one of the strongest, lightest, most rigid
materials that can be used in modern speaker
cone construction.
KRK
V-SERIES STUDIO MONITORS
V8
There’s big sound coming out of the V4
mini monitor. In KRK fashion, the V4
has separate amplifiers for both woofer
and tweeter, which make it extremely
clean and virtually eliminating any
distortion. Video shielding is standard,
making it an optimum choice for small
audio workstations. A Neutrik Combo
connector gives it ultimate flexibility for
both balanced and unbalanced signals, it
also gives you the option of using 3
different connectors (XLR, 1⁄4˝ TRS, or 1⁄4˝ Instrument). Paired with
the S8 subwoofer, it just goes to show that good things do come in
small packages!
For the professional who needs
an active near field monitor able
to satisfy the most critical listening requirements, yet be
portable enough to take on
location, the new V8 studio reference monitor is the answer.
The V8 uses a separate power
amplifier for the woofer and
tweeter with an electronic
crossover so that the power and
frequency response is tailored to
each transducer. The V8’s
Kevlar woofer is extremely fast
and does not have audio band
resonances that color the sound. Using the Neutrik Combo connector,
the V8 can handle both XLR and .25˝ phone plug inputs, and video
shielding is standard.
V6
V4
Video Shielding
V88
Want more bass? More SPL?
The V88 has two 8˝ woofers
that will definitely shake up
your studio. The V88 is
actually bi-amped, with a
160 watt amplifier for the
low frequencies and an additional 60 watt amplifier for
the tweeter.There is no other
monitor with this much output in this form factor. And of course it is magnetically shielded.
V6
V8
V88
Standard
Standard
Standard
Standard
HF 1˝ Fabric Dome
LF 4˝ Woven Kevlar
HF 1˝ Silk Dome
LF 6˝ Polyvinyl
HF 1˝ Silk Dome
LF 8˝ Woven Kevlar
HF 11⁄4˝ Polymer Dome
LF2 x 8˝ Woven Kevlar
XLR / 1/4˝ TRS Combo,
10k ohm Balanced;
Pin 1+Sleeve=Ground,
Pin 2 + Tip = High,
Pin 3 + Ring = Low
XLR / 1/4˝ TRS Combo,
10k ohm Balanced;
Pin 1+Sleeve=Ground,
Pin 2 + Tip = High,
Pin 3 + Ring = Low
XLR / 1/4˝ TRS Combo,
10k ohm Balanced;
Pin 1+Sleeve=Ground,
Pin 2 + Tip = High,
Pin 3 + Ring = Low
XLR / 1/4˝ TRS Combo,
10k ohm Balanced;
Pin 1+Sleeve=Ground,
Pin 2 + Tip = High,
Pin 3 + Ring = Low
+6dB to -30dB
+6dB to -30dB
+6dB to -30dB
+6dB to -30dB
3 Position HF Adjust
—
—
+1dB, Flat, -1dB
+1dB, Flat, -1dB
3 Position LF Adjust
—
—
-3dB @45Hz, @50Hz, @65Hz
-3dB @39Hz, @47Hz, @55Hz
HF 60 Watts, LF 160 Watts
Drivers
Input
Controls
Variable Input Sensitivity
Amplification
HF 15 Watts, LF 30 Watts
HF 30 Watts, LF 60 Watts
HF 60 Watts, LF 120 Watts
Frequency Response
65Hz - 20kHz ±2dB
58Hz - 20kHz ±2dB
47Hz -20kHz ±2dB
39Hz - 23kHz ±2dB
Maximum SPL @ 1m
101dB Music 104dB Peak
102 dB Music, 105 dB Peak
108dB Music, 111 dB Peak
112 dB Music, 115 dB Peak
Dimensions (HWD)
91⁄4 x 6 x 73⁄4˝
135⁄8 x 97⁄16 x 10˝
157⁄8 x 11 x 12˝
135⁄8 x 20 x 163⁄4˝
11 lbs.
59 lbs. per pair
38 lbs. each
52 lbs. each
Shipping Weight
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599
The exciting V6 offers the best
sound per dollar in a small, active
near field monitor. Featuring
separate amplifiers for the woofer
and tweeter, an active crossover,
and video shielding as standard,
the V6 is the perfect cost-effective
active monitor solution for digital
audio workstations. Using the
Neutrik Combo connector, the V6
can handle both XLR and .25˝
phone plug inputs. Teamed up
with the new S10 powered
subwoofer, five V6’s make a great
5.1 surround sound mixdown system.
STUDIO MONITORS
V4
KRK
CLOSE-FIELD PASSIVE MONITORS
600
STUDIO MONITORS
RoKit II
K•RoKII
The same cutting-edge technology
and smooth, musical sound as the
K•RoK II in a compact package.
KRK’s most affordable monitor,
the RoKit II brings KRK sound
quality to desktop workstations,
offline editing suites, or any environment and budget where great
audio isn’t just a luxury, but an
absolute necessity. The RoKit II
monitor features 7/8” MDF
(medium-density fiberboard) construction to control sound
reflection and standing waves within the monitor. Double-layer
anodized aluminum cone offer extremely low distortion.
Carefully molded woofer beauty rings improve midrange frequencies, while advanced dual-port tube designs create improved
air flow for rich, solid bass response. Standard magnetic shielding
makes placement easy in any studio environment.
The next generation of K•RoK
monitors take passive near-field to a
higher level. The attractive new-look
cabinet offers an 8˝ aluminum
tweeter and 1˝ silk dome tweeter
that offers exceptional, accurate,
smooth response and higher power
handling without ear fatigue.
The K•RoK II monitor features 7/8˝
medium-density fiberboard construction to control sound reflection and standing waves within the monitor. Double-layer
anodized aluminum cone offer extremely low distortion.
Carefully molded woofer beauty rings improve midrange
frequencies, while advanced dual-port tube designs create
improved air flow for rich, solid bass response. Standard magnetic
shielding makes placement easy in any studio environment.
7000B
The 7000B close-field monitor is the
industry standard for top-of-console
placement. It offers improved frequency response and lower distortion, a Kevlar woofer and tweeter,
and features KRK’s phase alignment
design. Also very portable at 25 lbs.
(each), and compact enough (14.25
x 11 x 11˝) to fit neatly into facilities with limited space. With a larger 7˝ woofer and larger cabinet, the bass response of the 7000B
extends lower than the 6000. Available fully shielded for video
applications (7000B/S).
6000
The 6000 is a high quality compact
monitor prescribed for all close-field
applications. Weighing only 18 lbs.
each (shielded versions are 4 lbs.
more), the portable 6000 combines
extremely smooth frequency response
with very low distortion. Modestly
priced, it derives its sonic attributes from
the 7000B and shares the same special
design inverted dome 1˝ Kevlar tweeter. The 6000 is also available fully shielded for video applications (6000/S.)
KRK PASSIVE MONITOR SPECIFICATIONS
RoKit II
K•RoK II
6000
7000B
Standard
Standard
Optional
Optional
1˝ Silk Dome Tweeter
1˝ Silk Dome Tweeter
1˝ Inverted Dome Kevlar
1˝ Inverted Dome Kevlar
LF:
6.5˝ DLDA aluminum woofer
8˝ DLDA aluminum woofer
6˝ Polyglass
7˝ Polyglass
Frequency Response:
62Hz-20kHz ±2dB
52Hz-20kHz ±2dB
62Hz-20kHz ±3dB
50Hz-20kHz ±3dB
Video Shielding:
Drivers:HF:
Sensitivity 1W @ 1m:
89dB
90dB
89dB
91dB
Maximum SPL @ 1m:
104dB
106dB
106dB
110dB
8Ω
8Ω
8Ω
8Ω
Maximum Power Handling:
120 Watts
120 Watts
75 Watts
150 Watts
Dimensions (WHD):
13 x 8 x 9˝
15 x 9 x 10˝
13 x 9 x 10˝
143⁄4 x 11 x 11˝
Shipping Weight:
21 lbs. each
26 lbs. each
36 lbs. per pair
50 lbs. per pair
Nominal Impedance:
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KRK
EXPOSÉ E8T
STUDIO MONITORS
For those seeking perfection, the Exposé E8T is by far the most advanced
studio reference monitor available. From the unusual shape to its cuttingedge components, the E8T was designed as the ultimate near-field monitor.
Extremely linear frequency response and beautiful stereo imaging starts
with two symmetric discrete power amplifiers and newly designed crossover
circuitry. A double-woven Kevlar woofer provides commanding bass. The
1˝ Tioxid 5 tweeter matches titanium for mass and stiffness, but offers
superior damping qualities for highs you can reach out and touch.
Available in custom colors and finishes. Video shielding is standard.
S SERIES SUBWOOFERS
S8
S12
S10
The S10 features a cast frame 10˝ woofer with a special
Kevlar cone. Created wide instead of tall, it fits easily under
your mixing console. The built-in active crossover is
designed for both LCR and 5.1 systems. Look inside and
you’ll see incredible attention to detail; the S10 has both
vertical and horizontal internal braces, and even the ports
are covered with sound deadening material. These are the kind of details that add up to make
the S10 the best sounding active subwoofer in its price range.
Drivers
Input Connections
Output Connections
Controls
Line Out HP Filter
Amplification
Frequency Response
Dimensions (HWD)
Shipping Weight
601
The S8 is ideal for small areas. Construction consists of 3⁄4˝
MDF, which reduces resonance diminishing coloration to
provide a more even sound. Like it’s big brothers, the S12 and
S10, the S8 has radiused corners and edges, and a slotted port
to give you tighter bass. One of the features of the S8 is a low
pass variable that enables you to tailor the crossover point to
match satellite monitors. The phase switch also gives you flexibility in room placement.
Matched with five V4 powered speakers, it’s the perfect surround solution for limited space.
Virtually the same as the S10, the
S12 features a cast frame 12˝
woofer with a special Kevlar cone.
It has both vertical and horizontal
internal braces, and the ports are
covered with sound deadening
material. Compared to the S10,
the S12 has a better low frequency
limit (31 Hz) and is 3 dB louder.
S8
S10
S10
LF 8˝ Woven Kevlar
LF 10˝ Woven Kevlar
LF 12˝ Woven Kevlar
2 channel XLR 10K Ω Balanced
2 channel XLR 10K Ω Balanced
2 channel XLR 10K Ω Balanced
2 channel XLR
2 channel XLR
2 channel XLR
System Gain +6dB to -30dB Variable; Low Pass 50Hz-130Hz Variable; Phase Adjust Switch 0° or 180°
80Hz fixed
80Hz fixed
80Hz fixed
100 Watts
125 Watts
160 Watts
43Hz to 50Hz-130Hz Variable
38Hz to 50Hz-130Hz Variable ± 2dB
31Hz to 50Hz-130Hz Variable ± 2dB
101⁄2 x 143⁄4 x 125⁄8˝
13 x 183⁄4 x 17˝
15 x 22 x 20˝
34 lbs. each
53 lbs. each
72 lbs. each
ORDER & INFO. (212) 444-5088 • FAX: (212) 239-7770 (800) 947-7008
1-800-875-6951 • www.bhphotovideo.com
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MACKIE
HR624/HR824
602
STUDIO MONITORS
6.7˝ and 8.75˝ 2-Way Active Near-Field Monitors
One of the most accurate near-field monitors ever built, thousands of recording studios and
post-production facilities rely on the HR824 to reveal details that comparable monitors simply cannot resolve. Frequency response is an astonishing 38Hz to
20kHz ±1.5dB. To achieve such a sweet spot and smooth response,
the HR824 uses technology not found in typical vented-box near
field monitors. A cast zinc exponential waveguide disperses
sound evenly and integrates the output of the HF and LF
drivers. Its servo-coupled LF transducer works in conjunction
with a rear-firing passive transducer to extend low octaves and
eliminate vent noise. The HR824 uses two separate high-current
amplifiers with discrete circuitry. And it is fully stuffed with dense
foam to fully damp internal vibrations before they can escape
through the LF transducer.
Employing the same acoustic technology as the HR824, but in a
compact version, the HR624 is deal for rear surround sound channels in existing HR824 front left/right systems or as a main monitor system in control rooms and editing suites where space
is at a premium. When using the HR624 as the primary monitor in project rooms or off-line editing suites, mixes will flawlessly transfer to an “A” room that employs HR824’s. The HR624 is flat ±1dB from 55Hz to 20kHz.
HR626
HR624/HR824 Features
◆ Wave
guide technology matches the high
frequency dispersion pattern to the bass
transducer for a seamless midrange
transition. Furthermore, the high
frequency transducer is recessed, providing
acoustic alignment of high and low
frequencies.
Dual 6.7˝ Active Studio Monitor
The latest addition to the HR series, the 140-watt HR626 employs
a D’Appolito woofer-tweeter-woofer design (one 6.7˝ woofer on
each end of the cabinet with the dome tweeter
in the center) to provide a bottom end
coupled with low-level accuracy of the
mid range—the essential component
for establishing vocal placement
within a mix. Placing the HR626 in a
vertical position provides extremely
accurate reference monitoring for
mid-to large-sized studios.
Additionally, with its symmetrical
left-right sound field, the HR626 can be placed horizontally making it a perfect center
channel for 5.1 and 7.1 surround sound studio or home theater systems.
◆
1˝ high-frequency aluminum dome driver
with ferrofluid-cooled voice coil.
◆
High frequency shelving control adds or
attenuates frequencies above 10kHz by 2dB
◆
THX PM3 certified, the HR626 uses a high-frequency Waveguide-loaded 1˝ dome tweeter
for crisp, evenly dispersed highs along with dual 6.7˝ low frequency drivers that are able to
provide extended low-frequency response while preserving the speed and accuracy of a single 6˝ design.
6.7˝ (HR624) or 8.75˝ (HR824) RCF
Precision low frequency transducer with
mineral-filled polypropylene cone, die-cast
magnesium frame and extra-long-throw
voice coil are servo-coupled with a
dedicated 100-watt or 150-watt amplifier
◆
Like the HR624, the HR626 incorporates dual FR Series amps (100w to the woofer, 40w to
the tweeter), 1/4˝ XLR balanced and RCA unbalanced inputs, sensitivity control, 80Hz
high-pass filter, ±2dB high frequency shelving filter, Acoustic Space control and Auto On
switch. Front panel provides a Standby/Mute switch along with power and overload LEDs.
5/8˝ internally braced MDF cabinet is extremely rigid and non-resonant.
40-watt (HR624), 100-watt (HR875) high
frequency amplifier. Proprietary Fast
Recovery circuitry prevents latching when
the amps are driven at their maximum.
◆
Low frequency switch with 49Hz (full
range) and 80Hz roll-off settings (HR624);
37Hz (full range) 47Hz and 80Hz roll-off
settings (HR824)
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For Any Inquiries Regarding Your Order, Call Our Customer Service:
(800) 221-5743 • (212) 239-7765 • FAX: (800) 947-2215 • (212) 239-7549
MACKIE
HR624/HR824
Magnetic shielding
◆
Input sensitivity control, ideal for
dealing with sensitive artists or
insensitive clients
◆
Overload LED indicates when
protection circuitry kicks in
HRS120/HRS150
12˝ 500-watt and 15˝ 950-watt Active Subwoofers
The HRS120 is not only designed to work perfectly with
the HR624/824 monitors, but with
any active system where fast, precise
low-frequency reproduction and
flexible monitoring and control
options are required. Rather than
creating boomy “home theater”-style
bass, the HRS120 delivers extremely
accurate low end (flat to 21 Hz and
just 3dB down at 19Hz). If your mixes
are heavy in bass and beats, such as rap,
hip hop and techno, the HRS150 with 950 watts of power driving the 15˝ downward firing
woofer and dual 12˝ passive radiators is the perfect choice.
◆ Acoustic
space switch allows bass
optimization when placed
freestanding (full space), against
back walls (half space), and corner
placement (quarter space)
1˝ MDF (Medium Density
Fiberboard) front board. Internal
cavity is filled with high-density foam
to absorb the internally-projected
midrange before it can exit through
the low frequency transducer cone
◆
Three mode power switch: On,
Auto On (with front panel clipping
LED and a signal present/power indicator), and standby
◆
XLR and TRS jacks accept virtually
any line-level input from a mixing
console
◆
Power cord and all inputs (balanced
XLR and 1/4˝ TRS, unbalanced RCA)
are mounted on a downward-facing,
vertical panel. This allows speaker
placement close to walls and eliminates strain on the connectors.
Frequency Response
Maximum SPL @ 1m
◆
The subs can be defeated while keeping the
satellite speakers in high-pass-only mode, or
switch out the subwoofer and open up the
satellite speakers to their full frequency range
◆
A 110/Hz elliptical filter for Dolby AC-3,
THX Crossover Defeat switch, and
0dB/+10dB Output Level switch for AC3/THX Dot1 operation make the HRS120 a
serious tool for sound production
◆
The HRS150 provides simple switches for
THX low cut filter and LFE gain allowing
accurate THX mixing and monitoring.
Additional filter options allow for AC-3 and
DTS applications.
◆
Left and right inputs are provided for a 24dB
per octave variable crossover ranging from
55-110 Hz allowing the subs to match
crossover points with any monitors.
HR824
HR624
HR626
39Hz - 20kHz ±1.5dB
52Hz - 20kHz ±1.5dB
42Hz - 20kHz ±1.5dB
120dB
115dB
118dB
LF Transducers
(Low Frequency)
8.75˝ with die-cast
magnesium frame polypropylene cone
6.7˝ with die-cast
magnesium frame polypropylene cone
6.7˝ with die-cast
magnesium frame polypropylene cone
HF Transducers
(High Frequency)
1˝ viscous edge-damped aluminum
dome with ferrofluid-cooled voice coil
1˝ viscous edge-damped aluminum
dome with ferrofluid-cooled voice coil
1˝ viscous edge-damped aluminum
dome with ferrofluid-cooled voice coil
Transducers
(Passive)
6x12˝ elliptical flat piston with variable
thickness filleted rubber surround
6x9˝ elliptical flat piston with variable
thickness filleted rubber surround
6x9˝ elliptical flat piston with variable
thickness filleted rubber surround
Amplifier (LF Power)
150 watts, 4Ω load, 350w peak
100 watts, 4Ω load
100 watts, 4Ω load
Amplifier (HF Power)
100 watts, 6Ω load, 210w peak
40 watts, 8Ω load
40 watt, 8Ω load
> 102 dB, referenced to 150 watts into 4 Ω
>101dB, referenced to 100w into 4Ω
>101dB, referenced to 100w into 4Ω
S/N Ratio (LF)
S/N Ratio (HF)
> 102 dB, referenced to 100 watts into 6 Ω
>93dB, referenced to 40w into 8Ω
>93dB, referenced to 40w into 8Ω
Crossover Type
Modified Linkwitz-Riley 24dB/oct @ 2kHz
Modified Linkwitz-Riley 24dB/oct @ 3kHz
Modified Butterworth 18dB/oct @ 1.8kHz
3/4˝ MDF with 1˝ MDF front panel
5/8˝ MDF with 1˝ MDF front panel
Enclosure
Controls
Dimensions (HxWxD)
Weight
Acoustic Space EQ: flat/-2dB/-4dB @40Hz
High Frequency EQ: flat/±2dB@10kHz
LF Roll-off EQ: flat/47Hz (4th-order Chebyshev filter)/
80 Hz (4th-order Butterworth filter)
5/8˝ MDF with 1˝ MDF front panel
Acoustic Space EQ: flat/–2 dB/–4 dB @ 40 Hz
High-Frequency EQ: flat/±2 dB @ 10 kHz;
LF Roll-off EQ: flat/80 Hz
(2nd-order Butterworth filter)
15.75 x 10 x 12.2˝
13 x 8.25 x 12.5˝
8.8 x 19.6 x 12.4˝
33 lbs.
25 lbs.
31 lbs.
ORDER & INFO. (212) 444-5088 • FAX: (212) 239-7770 (800) 947-7008
1-800-875-6951 • www.bhphotovideo.com
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603
◆
STUDIO MONITORS
◆
M-AUDIO
Active Near-Field
and Reference Studio Monitors
If you have limited space or budget, the sound of the SP-5B near-field monitors will
amaze you. You get the same engineering criteria and component quality that goes into
the SP-8B reference monitors: two-way bi-amped power, magnetic shielding, swivelmounted tweeter, high-quality crossover network electronics and Sub-Frequency Port.
The 5˝ mineral-filled polypropylene woofer and 3/4˝ silk tweeter accommodate a smaller
cabinet design that allows placement just about anywhere—all with a frequency response
of 48Hz to 22kHz. Backed by 75 watts of power, these babies scream.
The SP-8B offers two-way bi-amped near-field technology
delivering 100 watts of professional sound at a fraction of
the cost of similar-sized monitors. The 8˝ mineral-filled
polypropylene woofers and 1˝ silk tweeters work in
conjunction with 4th-order Linkwitz Riley crossover networks
and custom cabinet designs to yield smooth frequency
response across the audio spectrum. The Sub-Frequency
Port even pumps out frequencies down to 33Hz. Magnetic
shielding minimizes interference with computer monitors
and the unique swivel-mounted tweeter design even allows
you to fine-tune your sweet spot.
604
STUDIO MONITORS
SP-5B/SP-8B
Studiophile Standard Features
Why Studiophile Monitors?
You can have all the best gear in the world and still turn out inferior mixes
unless you have monitors that tell your ears what's really happening. With
that in mind, M-Audio designed the Studiophile line—world-class reference
monitors that deliver exceptional quality at amazingly affordable prices.
Choose from the SP-8B with 8˝ woofer or the bookshelf-sized SP-5B with 5˝
woofer. Add the optional SP-8S subwoofer to either and you've got all the
bass you need to rattle the rafters.
The key to the Studiophile line's accurate sound is the synergistic design and
integration of all elements, thus providing superior performance and fidelity
over component systems. Specially designed network and power amplifiers
properly distribute low, mid, and high frequencies to reduce distortion and
power loss. M-Audio further optimized the active circuitry to deliver flat
frequency response, smooth transition in the crossover region, and
maximized power handling.
The silk tweeters are swivel-mounted, allowing you to adjust their position for
ultimate control over imaging and sweet spots. The tweeters also incorporate
magnetic shielding to minimize reaction time, as well as ferro-fluid and
internal damping technologies to minimize resonance. The woofers feature a
magnetically shielded mineral-filled polypropylene cone with a hightemperature tolerant voice coil and damped rubber surround. And the
cabinet designs produce amazing bass for these sized enclosures thanks to a
Sub-Frequency Port designed to discharge extreme low frequencies.
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EQUIPMENT LEASING AVAILABLE
◆
Active design with integral crossover and
amplification
◆
Silk high-frequency drivers incorporate ferrofluid
cooling and internal damping technologies to
minimize resonance
◆
Low-frequency drivers feature mineral-filled
polypropylene cones with high-temperature
tolerant voice coils and damped rubber surrounds
◆
Electronic time alignment of drivers delivers
controlled dispersion for superior threedimensional imaging
◆
All drivers are magnetically shielded for desktop
music production
◆
Protected from RF interference, over temperature,
turn on/off transients
◆
The tweeter is swivel mounted so that you can
adjust the position and direction. This unique feature accommodates various loudspeaker-mounting
positions, allowing great control over imaging.
◆
The Sub-Frequency Port discharges extreme low
frequencies under 30Hz. The monitors take advantage of this port to generate extreme low frequencies despite the small footprint of the enclosures.
M-AUDIO
BX5/BX8
Reference Monitors
Monitors that adapt to your needs
Your monitors should be able to adapt to any changes in placement or work environment. That’s just what the BX5 and BX8 do. Since a
monitor’s bass response can change depending upon proximity to walls, their Acoustic Space control
section allows you to optimize their performance—no matter whether you need to put them on stands, on
a bookshelf or in the corners. You can also adjust the high-frequency response to compensate for reflective
Acoustic Space Control Section
surfaces like glass. The presence control gives you an automatic mid-range boost for added flexibility.
There’s even a variable low-frequency roll-off to optimize response at crossover points when adding a subwoofer like the SP-8S.
Frequency Response
Crossover Frequency
Power
S/N Ratio
Input Impedance
Dimensions (HWD)
Weight (per unit):
SP8S
SP5B
SP8B
BX8
2-way near field
Two-way near-field
Two-way studio reference
33Hz - 22kHz
33Hz - 22kHz
37Hz - 20kHz
2.7kHz
1.8kHz
1.8kHz
LF: 42w; HF: 33w
LF: 55w; HF: 45w
LF: 65w; HF: 65w
>100dB below full output, 20kHz bandwidth
>100dB below full output, 20kHz bandwidth
>100dB below full output, 20kHz bandwidth
30k Ω balanced, 15k Ω unbalanced
20k Ω balanced, 10k Ω unbalanced
20k Ω balanced, 10k Ω unbalanced
9.8 x 6.2 x 7.9˝
15 x 9.8 x 11.8˝
15 x 9.8 x 11.8˝
11 lbs.
20.3 lb.
20.3 lb.
Subwoofer
While the SP-8B and SP-5B offer as much or more bass response as you’ll find in any monitors of
similar size, the addition of an SP-8S subwoofer puts 120 watts of truly bone-shaking bass in your
face. In fact, so many consumers have subwoofers that you’re not really mixing accurately without
having a sub yourself. M-Audio’s unique Stereo Bass Management System splits the signal at the
variable crossover frequency, routing everything below to the sub and everything above to the
mains. The SP-8S is so affordable, it makes an excellent companion to other monitors as well.
What’s Stereo Bass Management?
When subwoofers are added to many systems, all frequencies are routed to both the main monitors and the sub. The sub typically has a low-pass
filter to roll off the highs-as does the SP-8S. The problem is that both the main monitors and the sub are still trying to put out the same low
frequencies, thereby compromising fidelity. Our Stereo Bass Management System solves that and delivers optimal quality. The SP-8S accommodates
the stereo outputs from your mixer, and your main monitors then connect to outputs on the sub. The SP-8S’s internal crossover network splits the
signal at a user-defined crossover frequency (50-180Hz), routing everything below it to the internal sub and everything above it the main outputs.
This significantly improves fidelity because the sub and mains aren’t tripping over each other to reproduce the same frequency-and each component
only has to reproduce frequencies to which it is ideally suited.
ORDER & INFO. (212) 444-5088 • FAX: (212) 239-7770 (800) 947-7008
1-800-875-6951 • www.bhphotovideo.com
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605
Type
STUDIO MONITORS
The latest in the popular Studiophile series , the BX5 and BX8 deliver exceptional quality and professional sound. They offer 5.25˝ (BX5) and 8˝ low-frequency drivers (BX8),
1˝ high-frequency drivers, and 75 or 130 watts of bi-amped near-field technology at a
fraction of the cost of other monitors of this quality. The 1˝ natural silk high-frequency drivers employ a flush design and electronic time alignment with the low-frequency driver, resulting in controlled dispersion for superior three-dimensional imaging.
The tooled rear Sub-Frequency Ports reduce low-frequency turbulence and optimize
driver excursion for amazing bass in a small footprint.
NHT PRO
A-20/C-20
606
STUDIO MONITORS
Powered Studio Monitors
NHTPro believes a studio monitor shouldn’t deliver
“good” sound, but complete sound. Like a fine sports car,
the goal isn’t comfort, but total feedback about road and
driving conditions. When all is said and done, your
studio monitor is what links flesh and blood into the
recording console, enabling you to make the expert
decisions that mean exceptional product.
Through it all - miking decisions, mixing decisions,
processing decisions - your monitors must remain
unflinchingly accurate and unerringly consistent. There
is little point in developing new monitors and then
adhering to traditional design decisions. This is why
you’ll find that many important aspects of NHTPro’s
modular monitoring systems, while sharing basic functional elements with other speakers, are unconventional.
Modular Amplification
The first element that distinguishes NHT
monitors from other powered monitors is
their use of “external” amplifier/crossover
modules. The benefits of powered systems
are widely recognized, buy it often goes
unnoticed that integrating the crossover and
amplifier into the speaker enclosure can
produce performance and convenience
penalties. NHT’s external approach
maintains the advantages of a unified system,
while overcoming the limitations of single
box designs. Dynamic headroom and
sustained power output capabilities are on
par with the finest rack-mounted amplifiers,
with response tailored exactly to the monitors. Controls are easy to reach, logical to use,
and designed for positive, repeatable setting.
A-20 System
When your work demands the absolute in resolution, the A-20 is your ally in excellence. By
providing both frequency and time domain performance that sets new standards of accuracy, the
A-20 reveals the minute differences in sound character that distinguish the very finest recordings.
Details of microphone selection and placement, processing and equalization, reverberation and
acoustic signature,s signal purity and integrity, are revealed without emphasis or disguise.
C-20 amplifier
C-20 System
The C-20 is a powered center channel monitor designed for surround recording. Combined with
the A-20 system and B-20 powered subwoofer, the C-20 forms the basis of a matched, balanced
reference-quality 5.1 monitoring solution. The C-20 is an exact duplicate of A-20 stereo monitoring
system in a monaural configuration. The 250-watt amplifier is housed in a space saving 1RU chassis
with the same input and control set. It employs the same A-20 driver configuration in an acoustic
suspension design. However, the enclosure is rectangular for proper center channel dispersion.
Features
Crossovers
They use passive components that are small,
electrically well-behaved and can be made to
naturally “track” changes in the driver frequency for consistent response at high listening levels. Furthermore, single amp systems
can be designed with a lower residual noise
floor than bi-amped ones, due to a much
simpler signal path, and to the introduction
of bandwidth filtering just prior to the driver
terminals. Each modular systems comes
with matched, controlled-parameter, low
impedance XLR speaker cables.
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Dedicated 250-watt/channel, fully discrete
mono (C-20), stereo (A-20) amplifier
◆ 6.5˝ high excursion, treated paper cone
woofer
◆ 1˝ metal-dome, fluid-cooled tweeter
◆ Magnetic shielding (partial on the A-20)
◆ Power, clipping indicator
◆ Matched impedance cable(s) included
◆ Angled speaker cabinets improve detail
imaging (A-20 only)
◆ Headphone output (A-20 only)
◆
www.bhphotovideo.com
Controls
◆
Inputs: XLR and 1/4˝ TRS (parallel)
◆
Outputs: XLR
◆
5-position input sensitivity: (+11, +4, -3,
-10dB, mute)
◆
5-position LF compensation for boundaries
◆
5-position HF compensation for near, mid,
and far field
◆
Power: On/Off
◆
Diagnostic display: SPL, line VAV, heat sink
temperature
NHT PRO
B-20
Powered Subwoofer System
STUDIO MONITORS
Designed to integrate seamlessly with NHTPro’s flagship A-20 monitors or
any larger powered monitoring system, the B-20 produces remarkable,
musical bass from a compact and flexible design. With output
>100dB at 30Hz, the B-20 adds full frequency response and dynamics to near, mid and far-field monitoring environments. Offering a
fully featured set of controls, the system can be seamlessly integrated
with most monitors and most rooms. And the remote control included in the B-20 system integrates it into any sort of mix or production,
offering on the fly stereo/mono switching and system in/system
bypass, which also engages or defeats the high pass filter.
FEATURES
◆
Employs two custom designed, extremely long throw paper cone
woofers with massive surrounds. Excursion for the woofer is 2˝ peak
to peak and 1.6˝ linear allowing high output with low distortion.
◆
Each 14˝ square B-20 cabinet is constructed of 1˝ MDF bonded to
high-pressure laminate both internally and externally creating a rigid,
sonically-neutral environment for each driver. Cones are provided to
decouple the woofer from the floor if required.
◆
The system's control amplifier is similar to other NHT Pro modular
designs. This approach offers superior heat dissipation and eliminates
potential vibration induced problems allowing higher power levels
and improved headroom. As a result, the B-20 Control Amplifier, featuring dual-mono construction with discrete output devices, delivers
250W RMS/CH (400W peak), while taking up only two rack spaces.
◆
Ergonomically, this modular design puts the B-20’s user controls, all
of which are located on the front of the amplifier, within reach of the
listening position providing ease of setup and fine adjustments.
Type
Configuration
Woofer
Amplifier Power
Response
-6dB LF Cutoff
Peak Acoustic Output
Control Amp Dimensions / Weight
Subwoofer Dimensions / Weight:
Monitor Enclosure Materials
Controls
◆A
five-position low frequency compensation circuit is provided
for adjusting the system's bass response for corner placement
(three boundaries), mid-room room placement (zero boundaries), or anywhere in between. Lets you maintain a consistent, flat
power response in a variety of positions or differing locations.
◆
High and Low Pass filters provide the ability to seamlessly match
the subwoofers to the monitors and add improved system
dynamics. High pass settings are 35Hz, 60Hz, 85Hz and 100Hz.
The low pass settings are 70Hz, 85Hz, 95Hz and 105Hz. In
addition each filter circuit includes a Bypass setting.
◆
Five-position input sensitivity control (+11dB, +4dB, -3dB, -10dB,
and Mute) provides for noise free gain matching with virtually
any output device, but also allows the listener to easily turn off the
monitors when other playback systems are desired.
◆
Five position (-180, -90, 0, 90, 180°) phase compensation control
for such variables as room placement, listening position and the
types of monitors being used. Phase positions are
◆
Subwoofer gain control matches the B-20 output level to that
of the monitors. The B-20 gain circuit offers a 20dB range of
adjustment.
B-20
S-00
Modular, active stereo subwoofer system
Integrated, Self-powered Subwoofer
Acoustic suspension
Acoustic suspension
Two, 10˝ ultra-long excursion (1˝ linear, peak-to-peak), treated paper
8˝ treated paper cone
250w RMS/channel), 400w peak
125W (continuous rms/ch), 250W (500ms peak)
29Hz - 100Hz @1M
39Hz - 110Hz @ 1M ± 3dB
25Hz (in-room response)
110dB SPL @ 40Hz
108dB SPL @ 60 Hz
3.5 x 19 x 13.375˝ (HWD) / 37lbs.
14 x 14 x 16˝ (HWD, including grill) / 38lbs (each)
13.25 x 10.25 x 13˝ (HWD) / 30 lbs.
1˝ mdf w/ HP laminate (internal + external)
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◆
The B-20 is a 3-piece system consisting of two acoustic suspension
subwoofers mated to a dedicated external stereo amplifier. The system
maintains nearly perfect transient response, and whether in stereo or
mono mode delivers flat bass response with minimal room interaction and remarkable system coherence.
NHT PRO
M-00
STUDIO MONITORS
Powered Mini-Monitor
Versatile, powerful, compact and portable, the M-00 combines the refined
sonics of a high-end mini-monitor with rugged construction, high output,
logical controls and a wide range of input options, making it ideal for
location work, multimedia, the control room, editing suite, surround
monitoring and desktop audio production. The M-00 packs substantial
output, surprising bass response and startling accuracy in a remarkably
small monitor. The fully magnetically shielded M-00’s are sold individually,
providing application flexibility in mono monitoring, two-channel, 5.1 or
daisy-chained configurations for use in “light” commercial installations.
◆
608
◆
Paper cone 4.5˝ woofer with a two-layer
voice coil allows sustained high temperature
operation, while the 1˝ ferro-fluid cooled,
fabric dome tweeter employs a sophisticated
"under-hung" motor design for improved
transients and lower distortion.
Cast aluminum-zinc alloy enclosure is structurally rigid, minimizing audible resonance
and sonic coloration. The enclosure also acts
as a massive heatsink, allowing the use of a
high voltage, discrete power amplifer.
Type
◆
Fully discrete power amp provides 75W
RMS continuous (150W peak) output.
Magnetically shielded as well to allow use in
direct proximity to computer monitors.
◆
XLR, TRS and phono input jacks, allow easy
direct connection to a variety of devices
while minimizing the need for adapters.
◆
Also provides noise free connection to a
wide variety of devices, via its +4dB/-10dB
input sensitivity switch.
◆
XLR and TRS inputs are paralleled so that
multiple M-00’s can be daisy chained on a
single channel
◆
Capable of near-field and mid-field listening
positions depending on your listening proximity, with a simple flip of the switch.
◆
The M-00 has mounting bosses and threaded holes for use with the popular
OmniMount 50/53 Series bracket systems.
May also be wall or ceiling mounted .
A-20
M-00
Modular, self-powered near/mid/far-field monitor
Integrated, self-powered near/mid-field monitor
Woofer / Tweeter
6.5˝ treated paper / 1˝ aluminum dome
4.5˝ treated paper / 1˝ soft fabric dome
Amplifier Power
250w (continuous rms/ch), 400w (100ms peak)
75w (continuous rms/ch), 150w (100ms peak)
117dB SPL (100ms pink noise @ 1M)
111dB SPL (100ms pink noise @ 1M)
< 0.4% (100Hz - 10KHz @ 1M)
< 1.0% (100Hz - 10KHz @ 1M)
14 x 7.5 x 11.9˝
9 x 5.7 x 7.3˝
17 lbs.
14 lbs.
Peak Acoustic Output
THD @ 90dB SPL
Dimensions (HWD)
Weight
S-00 Powered Subwoofer
For those wanting a full-range compact surround monitoring system, the S-00 is a compact,
subwoofer designed for use with the M-00 or other small powered monitors. The S-00
features a 125-watt high voltage built-in amplifier incorporating low and high pass filters
and a footswitch for bypass. Its driver is a long-throw treated paper 8˝ woofer providing
output down to 39Hz. Less than one cubic foot in volume, the S-00’s cabinet is constructed
from 3/4˝ MDF, providing a structurally sound and fully acoustically neutral cabinet. A
durable powdercoat finish protects it in portable uses.
PHOTO - VIDEO - PRO AUDIO
◆
Switchable high pass filter, variable low pass filter
◆
Two-position input sensitivity (+4, -10dB) control
◆
Detented variable subwoofer output control
◆
Subwoofer + highpass filter defeat via footswitch
◆
Defeatable Auto Power-On sensing circuit with
front LED indicator
◆
Balanced TRS outputs; parallel balanced TRS, XLR,
and unbalanced phono inputs
EQUIPMENT LEASING AVAILABLE
SAMSON
RESOLV 50A
Active Reference Monitors
RESOLV 65/RESOLV 65a
Passive/Active Reference Monitors
Ideal for professional, project and personal recording, as well as multimedia setups,
the Resolv 65 (passive) and 65A (powered) sound full and balanced with an
uncompromised transparent midrange, leaving room to accurately mix vocals,
snare hits and reverb trails.
◆ The Resolv 65 and 65a utilize a midrange
contour control. In the nominal position, the
monitors are clinically accurate, but by dialing
in the control, you can tailor the frequency
response from Hi-Fi to an aggressive midrange,
emulating classic near field monitors.
◆ Otherwise identical, the Resolv 65a is
powered by a dual power amp, (75
watts low and 25 watts high) perfectly
matched to the drivers. The active
crossover allows precise control of the
crossover frequency.
RESOLV 80a
Ideal for mid- to large-sized control rooms where high volume and serious bass
response is required. Bi-amped, with 75 watts driving an 8˝ woofer and 25 watts
driving a 1˝ ferro-fluid filled titanium tweeter. The Resolv 80a has 1/4˝, RCA
and XLR inputs. The 80a features a four-position adjustable midrange control.
RESOLV 120a
Active Subwoofer
Taking care of the low end is the Resolv120a powered subwoofer. A powerful 120 watt low
frequency amplifier drives a heavy-duty 10˝ transducer, reproducing tones between 40–180 Hz.
The unit has a built-in active crossover, a phase switch, an auto sleep mode and a convenient
mute switch jack allowing the user to easily switch on and off the subwoofer on the fly.
Resolv 50a
Resolv 65a
Resolv 80a
Resolv 120a
LF Amp
50 watts @1k into 4Ω
75 watts @1k into 4Ω
75 watts @1k into 4Ω
120 watts into 4Ω
HF Amp
20 watts @10k into 4Ω
30 watts @10k into 4Ω
25 watts @10k into 4Ω
—
60 Hz to 30 kHz
40 Hz to 20 kHz
40 Hz to 20 kHz
30 Hz to 150 Hz
12 x 8 x 9.5˝ / 14 lbs.
135⁄8 x 8.5 x 97⁄8˝ / 18 lbs.
16 x 111⁄4 x 13˝ / 21 lbs.
14.5 x 14.5 x 17.5˝ / 39 lbs.
Frequency Response
Dimensions (HWD) / Weight
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◆ They feature 6.5˝ copolymer butyl
surround Woofer, a 1˝ titanium
diaphragm, high-frequency driver
and gold plated binding posts all
mounted in a ported tuned cabinet.
STUDIO MONITORS
The Resolv 50a has a compact cabinet that will fit anywhere. It features 70 watts
of bi-amped power; with 50 watts driving a 5.25˝ midrange driver, and 20 watts
driving the 1˝ ferro-fluid titanium high frequency driver. It has an active
crossover, 1/4˝ and RCA inputs and the compact cabinet is ported, carefully
tuned and wall mountable (with optional bracket).
TA N N O Y
SYSTEM 600/800
STUDIO MONITORS
Compact, professional near-field reference monitors, the System 600 and
System 800 offer the advantages of point source operation in a very
cost-effective design. Their advanced 6.5- and 8˝ Dual Concentric drivers
incorporate a high performance tweeter positioned immediately behind
the center of the bass cone. This design produces all frequencies from a
single point, mirroring the way sound is produced in real life. The
accurate phase response achieved delivers a realistic soundstage along
with a smooth and natural sound which is unfatiguing over long
listening periods. The speakers are also capable of high volume levels
without compression and deliver an excellent transient response. In
addition, the attractive octagonal shape of their cabinet with their
original rounded edge corners front panel contributes to the excellent
acoustic performance of the cabinet. And though they are designed to be
located on top of the mixing console, in a landscape format, they can be
used in portrait mode without any drawback, if the situation calls for it.
610
6.5˝ and 8˝ Dual Cocentric Near-Field Monitors
Capable of producing accurate, high quality sound for a wide range of
applications, the System 600 is the ideal choice for those who want
consistent performance in a compact enclosure at a very sensible price. A
slightly larger version, the System 800 uses an 8˝ Dual Concentric driver
for extended bass and higher monitoring levels. Finally, for those who need to use the near-fields near video monitors, shielded
versions of the System 600 and System 800 are available.
Proto-J
The Proto-J is the latest playback
monitor from Tannoy. It has an
extremely detailed, dynamic sound
with a wide, flat frequency response
- all of which are essential for
monitoring with reliable accuracy.
The 3/4˝ soft dome HF unit is
seamlessly matched to a 6.5˝ long
throw bass unit by the precision
low-loss crossover network. The
drive units are discretely mounted
on a 3/4˝ MDF baffle. The front
edges of the vented enclosure are
chamfered to reduce high frequency diffraction. The back panel
features two 5 way binding post inputs and integral inserts to
accommodate OmniMount 50 Series wall brackets that allows
wall mounting for easy and flexible 5.1 surround sound installs.
Proto-J is designed to compliment the Tannoy PS 110B 5.1
Subwoofer as a complete package.
PHOTO - VIDEO - PRO AUDIO
EQUIPMENT LEASING AVAILABLE
Dual Concentric Design
Conventional monitor designs lock you into a tiny ‘sweet spot’
monitoring position. Move to adjust a fader and the sound
changes. Not with Tannoy’s Dual Concentric monitors. The
patented Point Source design creates a coherent wavefront
that is consistent both on and off axis. The result is a high
performance reference monitor which you can trust, providing
consistent accurate sound over a wide mix position.
The System 600 and 800 monitors use the Dual Concentric
design, in which the woofer and tweeter are mounted on the
same axis. Their 6.5- or 8˝ polypropylene woofer crosses over
at 1.6 kHz to the tweeter centered in the woofer cone. This
design forms a point source, which results in sharp stereo
imaging. It also prevents the lobing often seen with staggered
drivers. If you sit anywhere off-axis — up, down, left or right
— the response is consistent. The speakers can be placed
horizontally or vertically with the same response. The shape of
the woofer cone acts as a hyperbolic waveguide for the tweeter
sound waves, producing a spherical wavefront. And since the
low-and high-frequency signals are aligned in time, the phase
response is uniform and the transient response is tight.
TA N N O Y
SYSTEM 600A/800A
◆
Signal input is via a Neutrik combi connector, which combines a three-pin XLRtype with a TRS locking 1/4” phone jack.
◆
Made of 36mm thick rigid MDF, damped
to prevent breakup. The cabinet is covered
in black vinyl wrap, while the front baffle is
painted midnight blue.
◆
Cabinet is shaped like an elongated octagon, with beveled edges that reduce diffraction.
◆
Two panels in the cabinet are fitted with
magnetic shielding plates
◆
Each speaker weighs 23.1 lb. and measures
a compact 9 x 14 x 11˝ (HxWxD)
System 600A/800A
Step-up Features
◆
Two EQ switches on the back control the
bass and treble response (LF /HF contour)
◆
The LF settings are free-field and halfspace. If your speakers are placed relatively
far from nearby surfaces, use the free-field
setting. If the speakers are near a wall or
console, use the half-space setting
◆
HF adjustments are +2/0/-2 dB shelving
◆ Selectable
◆
input level (-10 dBV and +4 dBu)
On the front of the cabinet are two bassreflex ports and a power-on LED
Description
Frequency Response
Power Handling RMS/Program
Built-in Amp power RMS
Input Sensitivity
Sensitivity anechoic/half space
Impedance
Combining the proven quality of the System 600 and 800 with two amplifiers
and fully optimized electronic crossover in a single compact package, the
System 600A and System 800A provide the complete solution to active
monitoring, yet are in the same price range as some passive speakers.
The System 600A and System 800A offer all the advantages of point source
operation in a cost-effective design, combined with the benefits of active
speaker technology: a highly optimized active crossover section; ideal matching
between amplifiers and transducers; higher output for lower distortion. Active
user controls are also provided to allow further bass extension (LF contour)
and greater flexibility.
System 800A
System 600A
Active reference monitor, with two 70W
amplifiers and electronic crossover. Unique
cabinet shaped for optimum acoustic performance. Ideal for left-center-right in a
project studio surround system.
8˝ Dual Cocentric drive unit, with two 90W
amplifiers and electronic crossover. A complete monitoring package with the ability to
exploit the full performance of today’s digital recording equipment.
System 600
System 800
System 600A
System 800A
Nearfield reference monitor
6.5˝ Dual Concentric unit
Nearfield reference monitor
8˝ Dual Concentric unit
Active nearfield reference monitor
6.5˝ DC unit. 70w + 70w
Active crossover. Shielding option
Nearfield reference monitor
8˝ DC unit. 90w + 90w
Active crossover. Shielding option
52Hz - 20kHz
47Hz - 20kHz
44Hz - 20kHz
44Hz - 20kHz
80w/160w
90w/180w
—
—
—
—
HF 70w + 70w
HF 90w + 90w
-10dBu or + 4dBU
—
—
-10dBu or + 4dBU
90dB/93dB
92dB/95dB
—
—
8Ω
8Ω
10kΩ balanced
10kΩ balanced
Dispersion
90° conical
90° conical
90° conical
90° conical
Dimensions
8.7 x 14.2 x 10.5˝
10.8 x 17.7 x 10.5˝
8.7 x 14.2 x 11.4˝
10.8 x 17.7 x 11.4˝
16.5 lbs.
23 lbs.
20.9 lbs.
28.6 lbs.
Weight
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611
Ferrofluid cooling in the tweeter lets it
handle high power. Diaphragm is made of
aluminum/magnesium for stiffness and
low mass. Around the diaphragm is a
nitrile rubber surround with a narrow roll
that eliminates resonances below 25 kHz,
and cannot be destroyed by fatigue.
STUDIO MONITORS
Active 6.5˝ and 8˝
Dual Cocentric Near-Field Monitors
System 600/800 Features
◆
TA N N O Y
REVEAL/REVEAL ACTIVE
STUDIO MONITORS
6.5˝ Two-Way Nearfield Studio Monitors
The Reveal combines a number of speaker cabinet innovations with a distinctive speaker enclosure. Ideal for multimedia, project studios, an editing
desk, or a broadcast production room, the Reveal has an extremely detailed, dynamic sound with a wide, flat frequency response – all essential for
monitoring with reliable accuracy. The 1˝ soft dome HF unit is seamlessly matched to a 6.5˝ long throw bass unit by the precision low-loss crossover
network. The drive units are mounted on a massive 1.5˝ thick baffle, curved to minimize diffraction and creating the loudspeakers distinctive styling.
Both drive units are magnetically shielded to allow the system to be used close to video monitors. Housed in an attractive red/gray finish, the Reveal’s
compact dimensions (13.75 x 8.75 x 10.75˝ HWD) and shielding make them ideal for studios where space is at a premium.
The same monitor as the plain Reveal, the Reveal Active adds two 50-watt amplifiers and fully optimized electronic crossover in exactly the same
sized cabinet. By integrating power in the cabinet, the amps are ideally matched to the drivers and distortion is lower at the same volume level compared to passive speakers. Like the Reveal, the Reveal Active is compact (same dimensions) and shielded. However they are a different color (gray
with an azure blue front) and slightly heavier (each speaker is 18.7 lbs. vs. each 15.4 lb. plain Reveal speaker).
Description
Frequency Response
Power Handling RMS/Program
Built-in Amp power RMS
612
Input Sensitivity
Sensitivity anechoic/half space
Impedance
Reveal
Reveal Active
Playback monitor; 6.5˝ LF;
1˝ softdome tweeter
Active nearfield monitor; 6.5˝ LF
shielded; 1˝ softdome tweeter;
50w + 50w Active Crossover
65Hz - 20kHz
62Hz - 20kHz
50w/100w
—
—
HF 50w + LF 50w
—
0.775Vrms (0dBU)
87dB/90dB
—
32kΩ balanced
6Ω
Dispersion
90°
90°
Dimensions
13.4 x 8.3 x 10.2˝
13.4 x 8.3 x 10.2˝
15.4 lbs.
18.7 lbs.
Weight
PS110B
PS350B
10˝ Active Subwoofer
10˝ Active Subwoofer
The PS110B delivers extended bass to small nearfield monitors and provides
LF (low frequency) impact to create either subtle or exciting effects. Use with
passive and active nearfield monitors such as the Reveal or System 600,
where the high pass outputs from the sub allow greater performance from
the monitors—great for studios where space is at a premium. In multi-channel environments, the PS110B is ideal for the LFE (low frequency effects)
channel in surround sound environment. A single PS110B can be used in
small to medium-sized rooms, while multiples can be used in larger environments.
Featuring Tannoy’s unique “True Bass Management” the PS350B
allows referencing of mixes in full-range stereo or 5.1 surround at
the the top of a foot switch. The unit offers balanced Left, Center,
Right, and LFE (sub in) XLR inputs, with Left, Center and Right
balanced XLR outputs. Controls include phase switching, master
gain, bass boost, LFE all pass/LFE X-over low-pass, and variable
crossover adjustment. With powerful and articulate low frequency
performance, the PS350B is the perfect tool for today’s modern
format studio.
PS110B
Description
Frequency Response
31Hz - 150Hz
Built-in Amp power RMS
Input Sensitivity
29Hz - 300Hz +/-3dB
110w
350w instantaneous
Continuously variable
Continuously variable
Input Impedance
10Ω, 2 channel
10Ω, 2 channel
Dispersion
omni-directional
omni-directional
Dimensions
17.5 x 11.2 x 15.9˝
20 x 18.06 x 20˝
33 lbs.
51 lbs.
Weight
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PS350B
Active sub-bass system. 10˝ long excursion driver
www.bhphotovideo.com
TA N N O Y
SYSTEM 1000/1200
STUDIO MONITORS
10˝ and 12˝ Dual Concentric
Mid-Field Monitors
Incorporating 10˝ and 12˝ Dual Concentric drivers in the same unique
cabinet design as the System 600/800, the System 1000 and System 1200
are professional systems designed for a wide range of midfield monitoring
applications from music/project studios to broadcast and multimedia.
They are capable of high volume levels without compression and deliver
excellent transient response. Their unique Dual Concentric design
produces all the frequencies from a single point, mirroring the way sound
is produced in real life. The accurate phase response achieved delivers
realistic soundstage, along with a smooth and natural sound which is
unfatiguing over long listening periods. The System 1000 can be used as a
near or mid-field reference monitor, the System 2000 as a midfield or for
main monitoring in smaller studios. Both are also available with shielding
option.
613
SYSTEM 15 DMT II/
215 DMT II
15˝ Dual Concentric
Main Monitors
The System 15 DMT II is a main monitor system for recording and
post-production studios where the requirement is for high
performance, natural sound reproduction. With a single coherent
wavefront thanks to the 15˝ Dual Concentric point source driver,
sound presented to the engineers is remarkably distortion free. And
with the enlarged monitoring position provided by this remarkable
drivers wide dispersion, monitoring with the System 15 DMT II is
particularly fatigue free.
The System 215 DMT is the ultimate realization of the Tannoy Dual
Concentric principles in a studio monitor. The 15˝ Dual Concentric
driver, with its wide dispersion characteristics, provides an enlarged
‘sweet spot’ monitoring position, while the complementary 15˝ bass
driver reproduces the true impact of low frequencies. A superb,
natural sounding monitoring system for those studios where only
the best is good enough.
Description
Frequency Response
System 1000
System 1200
System 15 DMT II
System 215 DMT II
Midfield reference monitor.
10˝ Dual Concentric unit
Main reference monitor.
12˝ Dual Concentric unit
Midfield reference monitor.
15˝ Dual Concentric unit
Midfield reference monitor.
12˝ Dual Concentric unit, 380mm, 15˝ LF
35Hz - 25kHz
45Hz - 20kHz
40Hz - 20kHz
38Hz - 25kHz
Power Handling RMS/Program
100w/200w
180w/350w
200w/400w
250w/500w
Sensitivity anechoic/half space
94dB/97dB
95dB/98dB
98dB/101dB
101dB/104dB
Nominal Impedance
8Ω
8Ω
8Ω
4/8Ω
Dispersion
90° conical
90° conical
90° conical
90° conical
Dimensions
13 x 21.3 x 11.7˝
15.6 x 25.6x 16.1˝
33.1 x 21.7 x 17.3˝
30.9 x 35.7 x 22.8˝
36.4 lbs.
59.5 lbs.
99.2 lbs.
187 lbs.
Weight
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TA N N O Y
ST50/ST100
614
STUDIO MONITORS
SuperTweeters
Tannoy’s SuperTweeters were designed to provide the extended high
frequency response demanded by modern program material and sources
such as SACD (Super Audio CD), DVD-Audio and DTS which have driven
the requirement for loudspeakers with extended frequency bandwidth performance. By allowing the listener to experience a far wider range of bandwidth information of instruments than is currently possible with conventional loudspeakers, the ST50 and ST100 complete the musical picture.
They not only have the ability to resolve fine detail of high frequency notes
but also effectively enhance the listening experience even at lower frequencies.
FEATURES
Music contains transient information and
rich harmonics beyond the range of human
hearing for pure tones. Even bass notes have
leading edge transients reaching 30kHz with
other instrumentation extending yet further.
Operating between the roll-off point of the
high frequency unit of your existing loudspeakers and 54 kHz, the SuperTweeter will
accurately reproduce the leading edge of
individual notes allowing the listener to experience the entire bandwidth information of
instruments.
Extending the frequency response by two
octaves, corrects time and phase response
within the bandwidth of normal human
hearing. Taking these acoustical phase anomalies beyond the range of human hearing
adds realism to the soundstage by improving
imaging and placement of instruments. The
SuperTweeter provides an increased immediacy, airiness and impact - making music
sound more natural and true to life.
With the universal nature of the crossover
design the SuperTweeter concept has been
extended to match the majority of quality
loudspeakers, whether they are from Tannoy
or from other manufacturers. Adjustments
are provided for crossover frequency and sensitivity level to allow system matching.
Discrete drivers, widely used in loudspeaker
design will benefit greatly from the addition
of a SuperTweeter. The spatial imaging and
detail accuracy will be enhanced without the
impression that another information source
has been added—such is the integration of
the SuperTweeter into the system.
PHOTO - VIDEO - PRO AUDIO
The ST50 is constructed from solid aluminum die-castings coated with a soft feel, nonreflecting finish. Not only are they designed to visually blend in with all types of speakers,
but they also provide an instant acoustic upgrade that is unavailable in any other way.
The ST100 comes in solid black ash and with a Performance Platform. Includes specific
crossover and frequency control settings suited to all types of speakers, regardless of manufacturer. In addition the ST100 is optimized for use with older Tannoy Dual Concentric
models, many going back over 40 years to the original 15˝ Monitor Red derivatives.
◆
High stiffness titanium dome minimizes
effects of dome break-up and extends
frequency response.
◆
Neodymium magnet system also extends
frequency response by minimizing eddy
current losses in voice coil.
◆
Non-inductive resistors to avoid losses associated with normal wire wound types.
◆
Copper clad aluminum voice coil on aluminum former for high power handling.
◆
High quality polypropylene film capacitors,
selected for high frequency use.
◆
Provision for driver magnet system earthing, to avoid interference and information
masking caused by radio interference.
◆
Unique Tannoy Performance Platform gives
stable support and variable adjustment for
the ideal listening position.
◆
◆ Radio
frequency quality inductors in crossover
for good high frequency characteristics.
ST-50
Recommended Amplifier Power
Power Rating to DIN IEC 268
Max. Sensitivity (2.83V @ 1m)
Nominal Impedance
Frequency Response (-6 dB)
Driver Type
Crossover Frequency
Level Adjustment
Finish
Gold plated terminals for optimum signal
transparency.
ST-100
Up to 200 Watts
Up to 250 Watts
110 Watts RMS
135 Watts RMS
450 Watts Peak
550 Watts Peak
93 dB
95 dB
8 Ohms
8 Ohms
To 54 kHz, usable output (-18 dB) to 100 kHz
25mm 25 micron titanium dome, 24-carat vapor
deposited gold finish with neodymium magnet
14, 16 or 18 kHz adjustable
85dB, 89dB, 93dB
87dB, 89dB, 91dB, 93dB, 95dB
Black with gold anodized
Black Ash
Performance Platform
YA M A H A
MSP10 STUDIO
Powered 8˝ Studio Monitors
STUDIO MONITORS
◆
◆
Custom-designed 8-inch woofer and 1-inch
titanium-dome tweeter feature advanced
magnetic structures that achieve exceptionally low distortion.
Tweeter operates in conjunction with a
waveguide horn that achieves broad, uniform high-frequency dispersion for optimum balance regardless of listening position. Advanced driver and enclosure design
also ensures smooth, uniform dispersion
across the system's full reproduction range.
◆
120-watt power amplifier for the low/mid
driver and a 60-watt power amplifier for the
tweeter (total power of 180 watts).
◆
Building the amplifiers into the speaker cabinet allows for the best possible damping, for
tight, controlled bass and fast transient
response for accurate high frequency reproduction. The overall result is exceptionally
smooth, natural response over the crossover
range with an absolute minimum of distortion at all frequencies.
◆
3-position LOW (0, -1.5, -3 dB at 50 Hz)
and 3-position HIGH (+1.5, 0, -1.5dB at 10
kHz) frequency TRIM switches enable
adjustment of the bass and treble, letting
you optimize system response in a wide
range of acoustic environments.
◆
◆
Balanced XLR input for compatibility with
professional equipment. Also allows the
speakers to be placed at the end of long
cable runs without being susceptible to hum
and induced noise.
Sensitivity control dial lets you adjust the
volume according to the output sensitivity
of the connected device.
◆
Magnetic shielding allows placement near all
types of video and computer equipment
◆
High-pass filter cuts frequency ranges below
80 Hz for optimum matching with a highperformance subwoofer system.
◆
Clip indicator if the output level is too high
◆
Wall-mounted with optional wall brackets
SW10 Powered Subwoofer
If you need the kind of bass response normally associated
with a large speaker system, without giving up the
compact convenience and positioning ease of the
MSP10 Studio, simply add an SW10 Subwoofer for
solid, accurate bass response down to well below the
audible limit. The SW10 features a long-stroke 10˝
woofer which achieves exceptionally smooth,
low-frequency reproduction, while a built-in amplifier
delivers 180-watts of power. A variable low pass filter
(40 to 120 Hz) makes it easy to achieve optimum
crossover with just about any main speaker system, and
a built-in phase switch allows instantaneous phase
reversal without having to modify cables or connections.
The SW10 features three balanced XLR-type inputs and
outputs (the outputs feed the audio signal through to
the main speakers) for direct connection to professional equipment. Finally, heavy wood
construction ensures that the engineer hears the audio signal, not the cabinet.
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615
From the classic NS1000 through the ever-popular NS10M series, thousands
of pros worldwide have chosen Yamaha speaker systems for critical
monitoring applications because of their exceptionally accurate,
natural reproduction and reliability. With the MSP10 Studio, Yamaha
takes monitor performance to new levels.
The monitor features an 8˝ long-throw woofer housed in a compact
bass reflex design cabinet to provide deep and tight low end reproduction. The 1˝ pure titanium dome tweeter with wide dispersion waveguide horn provides a smooth, high frequency response well past
40kHz— perfect for 24-bit/96kHz masters and a well-articulated
stereo image. Other features include trim switches for easy room
matching, XLR inputs and magnetic shielding.
Designed for post-production, broadcast, professional recording and
project studios, the MSP10 Studio has a 120-watt power amp for the
low/mid driver and a 60-watt amp for the tweeter. It also adds a lowcut filter for optimum matching with high-performance subwoofers
like the SW10.
YA M A H A
MSP3
616
STUDIO MONITORS
Powered Monitor Speakers
Engineered for today’s multimedia environments, the compact, two-way powered
MSP3 provides high quality, cost-effective monitoring for home studio, computerbased recording and educational applications as well as personal computers, gaming
systems and music keyboards without integrated speakers.
Utilizing many of the same technologies found in the MSP5 and MSP10 Studio professional level monitors, the internally powered MSP3 provides 20W of output power
to a 4˝ woofer that reproduces a surprisingly tight low end, and a 3/4˝ dome tweeter
with a smooth, high frequency response to 22 kHz. For added flexibility, there are balanced XLR and 1/4˝ phone jacks and unbalanced RCA connectors on each speaker. In
addition, each MSP3 has trim switches that allow both the low and high frequency
response to be custom-tailored, allowing installation in a wide range of environments. Full
magnetic shielding allows positioning near sensitive recording equipment and media.
◆
Designed for use in personal music production systems, a built-in 20-watt amplifier
drives both the 4˝ cone and 3/4˝ tweeter
◆
Magnetic shielding and compact size allow
placement near video monitors
◆
Balanced XLR, 1/4˝ and unbalanced RCA
inputs for versatile connectivity
◆
Separate volume controls for Line 1 (RCA)
and Line 2 (XLR/phone) inputs plus High
and Low tone controls for sound tailoring
◆
Incorporates Yamaha’s Waveguide
Technology for uniform dispersion of the
tweeter’s high frequencies
◆
Mic stand mountable with optional
BMS10A Microphone Stand Adapter
MSP5
Powered Monitor Speakers
High quality, powered monitors have traditionally demanded premium prices.
The bi-amplified MSP5 monitor speakers deliver extraordinary sound quality,
at an equally attractive price! The ideal choice for a wide range of professional
recording and post production applications including 5.1 surround mixing.
Ultra-compact enclosures allow easy placement. Small face print makes them
very accurate for "point source" listening. Hookup is quick and easy with both
XLR and 1/4" inputs. 67 combined watts of audio power in a monitor this size,
let alone near this price, was previously unheard of -- until now. Titanium
offers excellent response, separation and durability. The MSP5's dome tweeter,
surrounded by a wave guide horn offers a broad coverage area of 120°.
Upgrading to studio level monitoring has never been easier.
MSP5 Speakers shown with YST-SW305 Subwoofer
◆
◆
With two separate amplifiers, incredibly
lower distortion is realized. 67 watts (40 to
the woofer and 27 to the tweeter) generates
a much larger sound field than would normally be expected from a system of this size.
Flat frequency response out to 40kHz makes
the MSP5 great for mastering, where high
sample and bit rates are the norm.
PHOTO - VIDEO - PRO AUDIO
◆
XLR-balanced and 1/4˝ unbalanced inputs
◆
The smooth circular horn surrounding the
tweeter delivers uniform dispersion without
distortion or coloration.
◆
Complete magnetic shielding and compact
size permits easy placement near all types of
audio, video and computer equipment.
EQUIPMENT LEASING AVAILABLE
◆
4-position low frequency (+1.5, 0, -1.5, -3
dB at 60 Hz) and 3-position high frequency
(+1.5, 0, -1.5dB at 15 kHz) frequency TRIM
switches enable adjustment of the bass and
treble, letting you optimize system response
in a wide range of acoustic environments.
YA M A H A
YST-SW005
STUDIO MONITORS
Advanced Active Servo
Processing Subwoofer
A compact, high performer, this affordable subwoofer can be purchased separately or as part of a
monitor system. The YST-SW005 features Advanced
YST for dynamic bass response, 55W high power
output, switchable high cut filter, auto standby with
sensitivity selector and two input connections to
deliver powerful, high quality bass with superb
efficiency and convenient operation.
Available in a complete system, the MSP3 Speaker
Bundle includes two MSP3 powered monitors and
one YST-SW005 complete with cabling and
instructions to make hook up fast and easy.
Advanced Yamaha Active Servo Technology
(Advanced YST) for powerful bass response
◆
55W high output power
◆
6-1/2˝ multi-range driver
GENERAL
Type
Crossover Frequency
Overall Frequency Response
Dimensions (W x H x D)
Weight
SPEAKER SECTION
Components
Enclosure
AMPLIFIER SECTION
Output Power
Input Sensitivity
Input Impedance
Controls
Power Indicator
Power Requirement
Power Consumption
◆
Magnetic shielding
◆
Switchable high-cut filter (high or low)
◆
Auto standby with sensitivity selector (high,
low or off) and LED indicator
◆
Two input connections: Speaker Level or
Line Level (pin jack)
◆
Low 0.8W standby power consumption for
exclusive power transformer .
MSP3
YST-SW005
MSP5
YST-SW305
Amplified, 2-way,
bass-reflex powered speaker
4kHz
Amplified, bass-reflex
subwoofer system
100Hz or 200Hz
switchable LPF
30Hz-200Hz (-10dB)
77⁄8 x 143⁄8 x 143⁄4˝
18 lbs.
Biamplified, 2-way,
bass-reflex powered speaker
2.5kHz
50Hz~40kHz (-10dB)
65⁄8 x 11 x 83⁄4˝
16.5 lbs.
Amplified, bass-reflex
subwoofer system
40Hz to 140Hz continuously
variable LPF
20Hz-160Hz (-10dB)
95⁄16 x 143⁄8 x 125⁄16˝
44 lbs.
6.5˝ long throw woofer
LF: 42⁄7˝ cone;
HF: 1˝ titanium dome
Bass reflex design;
Magnetic shielding construction
2x 8˝ long throw,
high compliance
Bass reflex design;
Magnetic shielding construction
Biamplified system
LF: 40W at 400Hz. RL=4Ω
HF: 27W at 10kHz. RL=6Ω
Line 1: -10dB
Line 2: +4dBdB
Line 1 and Line 2: 10kΩ
Level: Line 1 & Line 2
Tone Control: Low & High
200W at 100Hz, RL+5Ω
65Hz-22kHz (-10dB)
511⁄16 x 95⁄16 x 69⁄16˝
9.70 lbs.
LF: 4˝ cone;
HF: 7/8˝ Dome
Bass reflex design;
Magnetic shielding construction
Bass reflex design
Magnetic shielding construction
20W at 1kHz, RL=4Ω
55W at 100Hz, RL+5Ω
Line 1: -10dB
Line 2: +4dBdB
Line 1 and Line 2: 10kΩ
Level: Line 1 & Line 2
Tone Control: Low & High
30 mV
Green LED: Power ON
AC120V 60Hz
30W
12kΩ
Level control, high cut filter
(low or hi), Auto standby switch,
Power ON/OFF
Green LED: Power ON;
Red LED: Power OFF
AC120V 60Hz
60W
Green LED: Power ON
AC120V 60Hz
60W
30 mV
12kΩ
Level control, high cut filter
(continuously variable), Auto
standby switch, Power ON/OFF
Green LED: Power ON;
Red LED: Power OFF
AC120V 60Hz
80W
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◆
YST-SW005 Subwoofer shown with MSP3 Speakers—MSP3 Speaker Bundle
YA M A H A
MS101II/MS202II
618
STUDIO MONITORS
10- and 20-Watt Powered Speaker Systems
Designed for home and portable recording, multimedia, MIDI studios and PA applications, the
MS101II and MS202II pack lots of power and outstanding
response in small packages. They feature 10 watts of power with
a single 4˝ full-range driver (MS101II) or 20 watts of power with
two 4˝ full-range drivers (MS202II) in a bass-reflex enclosure.
Frequency response is 70Hz to 18 kHz. Each has multiple inputs,
and offers comprehensive Low, High EQ and volume controls.
Fully shielded, they can be used in close proximity to computer or
video monitors without affecting the picture.
◆
Independent Low and High EQ controls
allows sound to be tailored to the listener’s
requirements and the acoustic environment.
The low end is enhanced by an internal EQ
circuit that boosts the bass without muddying the sound.
◆
Full magnetic shielding allows use in close
proximity to video or computer monitors
◆
The MS101II has two line inputs (RCA in
the rear, 1/4˝ mono phone jack in the front)
as well as a 1/4˝ mono output in the rear
◆
The MS202II has a 1/4˝ mic input plus three
line inputs (RCA in the rear, two 1/4˝ mono
phone jacks in the front) as well as a 1/4˝
mono output in the front
MS60S
MSR100
60w Powered Speaker System
8˝ 100-watt
Powered Speaker
Designed for a wide range
of applications, including
small sound reinforcement,
and on-stage or studio monitoring, the 60-watt MS60S
is the ideal “small-venue”
portable amplification system. Multiple input configuration and controls permit
direct and trouble-free connection with any setup.
◆
Completely portable, the MS60S has a built-in carrying handle and
weighs only 22 lbs. It can also be placed horizontally or vertically.
◆
60 watts of power with an 8˝ low-frequency driver and horn-type
high frequency driver. A sturdy metal grille protects the drivers.
◆
A mixer, power amplifier, and speaker
system combined in a single, compact
unit, the MSR100 is perfect for small
events and club gigs. Compact in size
but big in sound and versatile features,
the MSR100 packs a powerful sonic
punch — making it ideal as a personal stage monitor;
a utility speaker for electronic drums, keyboards, guitars, and
vocals; or a small-scale FOH PA system.
◆
An 8˝ custom woofer handles the low end, while a 1” pure titanium
diaphragm compression driver delivers the high frequencies. Horn
provides a wide 90° x 40° sound dispersion for optimum coverage.
The amplifier comes with Active Servo Technology for a truly BIG
sound from a small box
◆
Built-in mixer provides 3 inputs (balanced XLR mic/line level with
a -50dB/+4dB pad switch, and two unbalanced 1/4˝ phone inputs)
◆
Three inputs (balanced XLR mic/line level, and two unbalanced
1/4˝ phone inputs) allow use with a mixer/line level source,
guitar/bass/keyboard source, and Mic source... all at the same time
◆
Each input has its own level control, with a Master Level control for
overall output. Two-band EQ gives further control over the final
sound. A CLIP indicator alerts you when the input signal is too high.
◆
Sound can be tailored using the two-band EQ circuit, giving you 5dB
of cut /boost at the low end, and 8dB of cut/boost in the treble
◆
◆
Volume levels can be adjusted for proper balance between all three
sources using the Input 1, Input 2, and Master Volume Level controls
Stand upright for conventional sound reinforcement, or lay it on its
angled side for use as a floor monitor. A variety of mounting
options let you place it on a pole, suspend it from the ceiling, attach
it to a wall, or even safely stack multiple units on the floor.
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YA M A H A
SPEAKER ACCESSORIES
BAS10 Free Angle Clamp
BAS10
BMS10A Mic Stand Adaptor
The BMS10A adapter mounts speakers of up to 11
lbs to a microphone stand. It fits the 5/8˝-27 thread
standard and comes with a 3/8˝-16 European
thread adapter. The BMS10A comes with two 5mm
screws to attach Yamaha speakers equipped for
mounting and is sold as a single unit................26.95
BFS60
BWS20 Series
Wall/Ceiling Mounting Brackets
Varistand
Height Adjustable Speaker Stands
BMS10A
The base of the stand is hollow, allowing the
addition of sand or lead ballast to increase
stability. The ingenious T-shaped base has a very
small footprint,allowing the user to place them
into tight spots behind desk and consoles.
BWS20-190
BWS50-260
BWS20-190: 77⁄16˝ ................................................72.95
The BWS50 Series allow mounting of speakers up
to 44 lbs. Designed for the Yamaha MS60 and
NS10MC speakers, these mounting brackets can
easily adapt to other speaker systems as well.
Collars on both ends of the bracket allow 360°
rotation. Additionally, the joint in the shaft of the
bracket swivels over 200° (in 6-degree increments).
Flexibility like this allows an endless possibility of
mounting positions, in order to attain the desired
coverage.
BWS50-190:
Wall Mount Bracket for MS60S (pair) ............124.95
BWS50-260:
Wall Mount Bracket for MS60S (pair) ............139.95
Stands are height adjustable with one knob, and
extend from 27˝ to 42˝. Maximum recommended
weight is 20 lbs. per stand .............................139.95
STS-10
Speaker Stand
Supports loudspeakers on any flat surface. Unique
ball and socket design allows the speaker to be
secured at any angle. Two 5mm screws are
provided for attachment of the MS101II,
MS202II, MS20S and MSP3 ..............................Call
BWS20-120: 45⁄8˝ .................................................69.95
BWS50 Series
Wall Mount Brackets
The Varistand all steel design gives solid support
for small monitor speaker systems. While
designed to support the MSP5 monitors (with the
AP5 adapter plate); the mounting platform of the
Varistand accepts many different bolt patterns.
AP5 Steel Adapter Plate: All-steel plate
permanently mounts the MSP5s (pair) to SM
SPKR BRKT or the VARISTAND....................24.95
BWS50-190
BFS60: MS60S Foldback Adapter ...................35.95
BWS251-300:
Wall Mount Bracket for MSP10 (pair) .........129.95
STS-10
STS2:
Tilt Back Stand for MS101II and MS202II.....24.95
RK60: Rack Mounting Kit for MS60S.
Permanently mount your MS60S in a standard
10˝ equipment rack. Constructed completely of
heavy gauge steel, it is designed to attach easily to
the MS60S with screws that are supplied with the
speaker ..............................................................49.95
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619
The BWS20 Series allow mounting of speakers
weighing up to 15.4 lbs. Designed for use with the
Yamaha MS10II, MS202II, MS20S, and MSP3, these
brackets will also work with other speaker systems.
Hardware is included.
Designed for maximum safety, all adjustment
points are connected in a way that keeps them from
coming apart, even if all the adjustment screws are
missing! Screws to attach these brackets to the
speaker are included. Additional hardware to attach
these brackets to the wall or ceiling is required.
Thick steel flanges on these brackets are both welded AND riveted to assure their strength.
This bracket provides a low cost solution for
mounting smaller (up to 15 lbs.) speaker systems.
An ingenious radiused mounting plate allows up
to a 140-degree range of rotation. The wall and
speaker components separate for ease in mounting to their respective surfaces before being
joined. Two 5mm screws attach to Yamaha speakers equipped for mounting are included. Other
speakers can also be accommodated. Includes steel
cables for extra safety.......................................49.95
STUDIO MONITORS
SM SPKR BRKT
Multi-Angle Mount
The BAS10 frees up desk or counter space by elevating the speakers up to 14˝ above the work surface. Its clamp allows horizontal mounting or it can
be rotated 90° clamping to an upright on the desk
or table. The ball and socket then positions the
speaker at most any angle. The BAS10 Free angle
clamps are sold as pairs, and include screws to
attach them to Yamaha speaker systems............64.95