Yamaha RX-V595aRDS Owner`s manual

BG
RX-V595aRDS
YAMAHA
YAMAHA
YAMAHA
YAMAHA
YAMAHA
YAMAHA
YAMAHA
RX-V595aRDS
Natural Sound AV Receiver
Ampli-Tuner audio-vidéo
OWNER’S MANUAL
MODE D’EMPLOI
BEDIENUNGSANLEITUNG
BRUKSANVISNING
MANUALE DI ISTRUZIONI
MANUAL DE INSTRUCCIONES
GEBRUIKSAANWIJZING
ELECTRONICS CORPORATION, USA 6660 ORANGETHORPE AVE., BUENA PARK, CALIF. 90620, U.S.A.
CANADA MUSIC LTD. 135 MILNER AVE., SCARBOROUGH, ONTARIO M1S 3R1, CANADA
ELECTRONIK EUROPA G.m.b.H. SIEMENSSTR. 22-34, 25462 RELLINGEN BEI HAMBURG, F.R. OF GERMANY
ELECTRONIQUE FRANCE S.A. RUE AMBROISE CROIZAT BP70 CROISSY-BEAUBOURG 77312 MARNE-LA-VALLEE CEDEX02, FRANCE
ELECTRONICS (UK) LTD. YAMAHA HOUSE, 200 RICKMANSWORTH ROAD WATFORD, HERTS WD1 7JS, ENGLAND
SCANDINAVIA A.B. J A WETTERGRENS GATA 1, BOX 30053, 400 43 VÄSTRA FRÖLUNDA, SWEDEN
MUSIC AUSTRALIA PTY, LTD. 17-33 MARKET ST., SOUTH MELBOURNE, 3205 VIC., AUSTRALIA
Printed in Malaysia ID
00RX-V595aRDS-cv1/4 (ML)
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SUPPLIED ACCESSORIES
ACCESSOIRES FOURNIS
MITGELIEFERTE ZUBEHÖRTEILE
MEDFÖLJANDE TILLBEHÖR
ACCESSORI IN DOTAZIONE
ACCESORIOS INCLUIDOS
BIJGELEVERDE ACCESSOIRES
•
•
•
•
•
•
•
Indoor FM Antenna
Antenne FM intérieure
UKW-Innenantenne
Inomhus-FM-antenn
Antenna FM interna
Antena FM interior
FM-binnenantenne
•
•
•
•
•
•
•
AM Loop Antenna
Cadre-antenne AM
MW-Rahmenantenne
AM-ramantenn
Antenna AM ad anello
Antena de cuadro de AM
AM-raamantenne
• After unpacking, check that the following parts are included.
• Après le déballage, vérifier que les pièces suivantes sont incluses.
• Nach dem Auspacken überprüfen, ob die folgenden Teile vorhanden sind.
• Kontrollera efter uppackningen att följande delar finns med.
• Verificare che tutte le parti seguenti siano contenute nell’imballaggio dell’apparecchio.
• Desembalar el aparato y verificar que los siguientes accesorios están en la caja.
• Controleer na het uitpakken of de volgende onderdelen voorhanden zijn.
• 75-ohm/300-ohm antenna adapter (U.K. model only)
• Adaptateur d’antenne 75 ohms/300 ohms
(Modèle Royaume-Uni seulement)
• 75-Ohm/300-Ohm Antennenstecker
(nur Großbritannien-Modell)
• 75 ohm/300 ohm antennadapter
(gäller endast modellen för Storbritannien)
• Adattatore per antenna da 75/300 ohm
(Soltanto il modello per la Gran Bretagna)
• Adaptador de antena de 75-ohmios/300-ohmios
(Sólo el modelo para el Reino Unido)
• 75 ohm/300 ohm antenneadapter
(Alleen modellen voor Verenigd Koninkrijk)
•
•
•
•
•
•
•
• Remote control
Before using the remote control, install the supplied
batteries. See page 49 for battery installation.
• Télécommande
Avant d’utiliser la télécommande, mettre les piles fournies en
place. Pour la mise en place des piles, voir page 101.
• Fernbedienung
Legen Sie vor Gebrauch der Fernbedienung die
mitgelieferten Batterien ein. Angaben zum Einlegen der
Batterien finden Sie auf Seite 155.
• Fjärrkontroll
Sätt i de medföljande batterierna innan du använder
fjärrkontrollen. Se sidan 207 om hur man sätter i dem.
• Telecomando
Prima di usare il telecomando, installare le batterie in
dotazione. Per l’installazione delle batterie vedere a
pagina 259.
• Control remoto
Antes de utilizar el transmisor de control remoto, instálele
las pilas suministradas. Para instalar las pilas, consulte la
página 311.
• Afstandsbediening
Alvorens u de afstandsbediening gaat gebruiken, moet u de
bijgeleverde batterijen plaatsen. Zie blz. 363 voor het
plaatsen van de batterijen.
Batteries (size AA, R6, UM-3)
Piles (taille AA, R6, UM-3)
Batterien (Größe AA, R6, UM-3)
Batterier (storlek AA, R6, UM-3)
Batterie (formato AA, R6, UM-3)
Pilas (tamaño AA, R6, UM-3)
Batterijen (maat AA, R6, UM-3)
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FEATURES
● Test Tone Generator for Easier Speaker
Balance Adjustment
5-Channel Power Amplification
Mininum RMS Output
(0.04% THD, 20 Hz – 20 kHz)
Main: 65 W + 65 W (8 Ω)
Center: 65 W (8 Ω)
Rear: 65 W + 65 W (8 Ω)
● Speaker Output Mode Selection
Sophisticated FM/AM Tuner
Multi-mode Digital Sound Field Processing
●
●
●
●
Digital Sound Field Processor (DSP)
Dolby Digital Decoder
Dolby Pro Logic Decoder
DTS Decoder
● CINEMA DSP: Theater-like Sound
Experience by the Combination of
YAMAHA DSP Technology and Dolby
Digital, Dolby Pro Logic or DTS
● Automatic Input Balance Control for
Dolby Pro Logic decoding
● 40-Station Random Access Preset Tuning
● Automatic Preset Tuning
● Preset Station Shifting Capability
(Preset Editing)
● 6-Channel External Decoder Input for
Other Future Formats
● Video Signal Input/Output Capability
(Including S Video Connections)
● SLEEP Timer
● Universal Remote Control with Preset
Manufacturer Codes
CONTENTS
SUPPLIED ACCESSORIES ........................................... 2
FEATURES .................................................................... 3
CAUTION ....................................................................... 4
● Information about DSP
SOUND FIELD PROGRAM ......................................... 37
● Advanced Information
● Introduction
ADJUSTMENTS IN THE “SET MENU” MODE ............ 42
FEATURES OF THE SOUND EFFECTS ....................... 5
CONTROLS AND THEIR FUNCTIONS ......................... 8
● Remote control
● Preparation
REMOTE CONTROL ................................................... 44
SETUP CODES ........................................................... 50
SPEAKER SETUP ....................................................... 11
CONNECTIONS ........................................................... 12
ADJUSTMENTS BEFORE USING THIS UNIT ............ 19
TROUBLESHOOTING ................................................. 51
SPECIFICATIONS ....................................................... 54
● Basic Operation
BASIC OPERATION .................................................... 24
TUNING ....................................................................... 28
RECEIVING RDS STATIONS ...................................... 33
SETTING THE SLEEP TIMER ..................................... 36
LIST OF MANUFACTURERS’ CODES ...................... 369
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CAUTION: READ THIS BEFORE OPERATING YOUR UNIT.
1.
To assure the finest performance, please read this manual
carefully. Keep it in a safe place for future reference.
2.
Install this unit in a cool, dry, clean place – away from
windows, heat sources, sources of excessive vibration,
dust, moisture and cold. Avoid sources of humming
(transformers, motors). To prevent fire or electrical shock,
do not expose the unit to rain or water.
3.
Never open the cabinet. If something drops into the set,
contact your dealer.
4.
Do not use force on switches, controls or connection wires.
When moving the unit, first disconnect the power plug and
the wires connected to other equipment. Never pull the
wires themselves.
5.
The openings on the cover assure proper ventilation of the
unit. If these openings are obstructed, the temperature
inside the unit will rise rapidly. Therefore, avoid placing
objects against these openings, and install the unit in a
well-ventilated area to prevent fire and damage.
Be sure to allow a space of at least 20 cm behind, 20 cm
on both sides and 30 cm above the top panel of the unit to
prevent fire and damage.
6.
The voltage used must be the same as that specified on
this unit. Using this unit with a higher voltage than
specified is dangerous and may result in fire or other
accidents. YAMAHA will not be held responsible for any
damage resulting from the use of this unit with a voltage
other than that specified.
7.
Digital signals generated by this unit may interfere with
other equipment such as tuners, receivers and TVs. Move
this unit farther away from such equipment if interference is
observed.
8.
Always set the VOLUME control to “ ” before starting the
audio source play. Increase the volume gradually to an
appropriate level after playback has been started.
9.
Do not attempt to clean the unit with chemical solvents; this
might damage the finish. Use a clean, dry cloth.
This unit is not disconnected from the AC power source as
long as it is connected to the wall outlet, even if this unit
itself is turned off. This state is called the standby mode. In
this state, this unit is designed to consume a very small
quantity of power.
For U.K. customers
If the socket outlets in the home are not suitable for the plug
supplied with this appliance, it should be cut off and an
appropriate 3 pin plug fitted. For details, refer to the instructions
described below.
Note: The plug severed from the mains lead must be
destroyed, as a plug with bared flexible cord is hazardous if
engaged in a live socket outlet.
Special Instructions for U.K. Model
IMPORTANT
THE WIRES IN MAINS LEAD ARE COLOURED IN
ACCORDANCE WITH THE FOLLOWING CODE:
Blue: NEUTRAL
Brown: LIVE
As the colours of the wires in the mains lead of this
apparatus may not correspond with the coloured markings
identifying the terminals in your plug, proceed as follows:
The wire which is coloured BLUE must be connected to the
terminal which is marked with the letter N or coloured
BLACK. The wire which is coloured BROWN must be
connected to the terminal which is marked with the letter L or
coloured RED.
Making sure that neither core is connected to the earth
terminal of the three pin plug.
10. Be sure to read the “TROUBLESHOOTING” section
regarding common operating errors before concluding that
the unit is faulty.
11. When not planning to use this unit for a long period of time
(e.g., a vacation), disconnect the AC power plug from the
wall outlet.
12. To prevent lightning damage, disconnect the AC power
plug and disconnect the antenna cable when there is an
electrical storm.
13. Grounding or polarization – Precautions should be taken so
that the grounding or polarization of the unit is not
defeated.
14. AC outlet
Do not connect audio equipment to the AC outlet on the
rear panel if that equipment requires more power than the
outlet is rated to provide.
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FEATURES OF THE SOUND EFFECTS
Introduction
Welcome to the exciting world of digital home entertainment.
This unit is one of the most complete and advanced AV
receivers available. Some of the more advanced features may
not be familiar to you, but they are easy to use. State-of-the-art
technologies such as Dolby Digital and Digital Theater Systems
(DTS) may be new to your home, but you have probably
experienced the amazing realism they bring to feature films in
theaters around the world.
To make the listening experience even more enjoyable, this unit
includes a number of exclusive, digitally created listening
environments known as digital sound fields. Choosing a sound
field program is like transporting yourself to such venues as an
outdoor arena, a European church, or a cozy jazz club. Take
some time now to read more about these features and enjoy
the new experiences this unit brings to your home theater.
Digital Sound Field Processing
What is it that makes live music so good? Today’s advanced
sound reproduction technology lets you get extremely close to
the sound of a live performance, but the chances are that you’ll
still notice something missing — the acoustic environment of
the live concert hall. Extensive research into the exact nature
of the sonic reflections that create the ambience of a large hall
has made it possible for YAMAHA engineers to bring you this
same sound to your listening room, so you’ll feel all the sound
of a live concert.
Furthermore, our technicians, armed with sophisticated
measuring equipment, have even made it possible to capture
the acoustics of a variety of actual concert halls, theaters, etc.
from around the world, to allow you to accurately re-create any
one of these live performance environments, all in your own
home.
Dolby Pro Logic
Dolby Surround has been used in movie theaters since the midseventies. It has also been available in home entertainment
systems since the late eighties and continues to be a popular
format for home theater systems. It uses four discrete channels
and five speakers to reproduce realistic and dynamic sound
effects: two main channels (left and right), a center channel for
dialog, and a rear channel for special sound effects. The rear
channel reproduces sound within a narrow frequency range.
Most video tapes and laser discs include Dolby Surround
encoding, as do many TV and cable broadcasts. The Dolby Pro
Logic decoder built into this unit employs a digital signal
processing system that stabilizes each channel for even more
accurate sound positioning than is available with standard
analog processors.
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Dolby Digital
Dolby Digital is the next level of the Dolby Surround sound
system that was developed for 35 mm-film movies by
employing low bit-rate audio coding.
Dolby Digital is a digital surround sound system that provides
completely independent multi-channel audio to you. Dolby
Digital provides five full-range channels in what is sometimes
referred to as a “3/2” configuration: three front channels (left,
center and right), and two surround channels. A sixth bass-only
effect channel is also provided for output of LFE (low frequency
effect), or low bass effects that are independent of other
channels. (This is called the “LFE channel”.) This channel is
counted as 0.1, thus giving rise to the term 5.1 channels in
total.
Compared to Dolby Surround, which is referred to a “3/1”
system (left front, center, right front and just one surround
channel), Dolby Digital features two surround channels, called
stereo or split surrounds, each offering the same full-range
fidelity as the three front channels.
By using the built-in Dolby Digital decoder, you can experience
the dramatic realism and impact of Dolby Digital theater sound
in your home.
The wide dynamic range of sound reproduced by the five fullrange channels and precise sound orientation by digital sound
processing provides listeners with excitement and realism that
have never been experienced before.
Dolby Digital forms 5.1 channels as already mentioned, but it
can also form fewer channels, for example 2-channel stereo
and monaural. You may be able to find some 2-channel stereo
and/or monaural sources encoded with Dolby Digital in the
market.
Laser disc and DVD are home audio/video program sources
that could benefit from Dolby Digital. In the near future, Dolby
Digital will also be applied to DBS, CATV and HDTV. The
ongoing release of Dolby Digital theatrical films now underway
will provide an immediate source of Dolby Digital encoded
video software.
Manufactured under license from Dolby Laboratories. “Dolby”,
“Pro Logic” and the double-D symbol are trademarks of Dolby
Laboratories.
DTS Digital Surround
DTS (Digital Theater Systems) was developed to replace
analog soundtracks of movies with six discrete channels of
digital soundtracks, and it is now installed in many theaters
around the world. The DTS digital playback system changed
the way we experienced movies in theaters with six discrete
channels of superb digital audio.
DTS technology, through intense research and development
has made it possible to deliver similar encode/decode discrete
technology to home audio surround-sound entertainment.
DTS Digital Surround is an encode/decode system which
delivers six channels of master-quality, 20-bit audio; technically,
it is 5.1 channels, which means 5 full-range (left, center, right
and two surround) channels, plus a subwoofer (LFE) channel
(as “0.1”). It is compatible with the 5.1 speaker configurations
that are currently available for home theater systems.
Laser disc, compact disc and DVD are home audio formats by
which DTS can present its high-quality multi-channel audio. (In
addition to movies on laser discs, many exciting new multichannel music recordings will also become available in the
form of DTS-encoded compact discs.)
Manufactured under license from Digital Theater Systems, Inc.
US Pat. No. 5,451,942 and other world-wide patents issued
and pending. “DTS”, “DTS Digital Surround”, are trademarks of
Digital Theater Systems, Inc. Copyright 1996 Digital Theater
Systems, Inc. All Rights Reserved.
The DTS Digital Surround algorithm is designed to encode the
six channels of 20-bit audio on to some laser discs, compact
discs and DVDs with considerably less data compression.
By using the DTS decoder built into this unit, you can
experience the dramatic realism and impact of the DTSinstalled theater’s high quality sound in your home.
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CINEMA DSP: Dolby Surround + DSP / DTS + DSP
The Dolby Surround sound and DTS systems show their full
ability in a large movie theater, because movie sounds are
originally designed to be reproduced in a large movie theater
that uses a multitude of speakers. Trying to create a sound
environment similar to that of a movie theater in your home is
difficult because of the room size, material inside the walls, the
number of speakers, and so on. In other words, your listening
room is very different from a movie theater.
However, YAMAHA DSP technology allows you to create nearly
the same sound experience as that of a large movie theater in
your home by compensating for the lack of presence and
dynamics in the listening room with original digital sound fields
combined with Dolby Surround or DTS Digital Surround
sounds.
CINEMA DSP
The YAMAHA “CINEMA DSP” logo indicates those programs
that are created by the combination of YAMAHA DSP
technology and Dolby Surround or DTS.
Dolby Pro Logic + 2 Digital Sound Fields
Dolby Digital or DTS + 3 Digital Sound Fields
Digital sound fields are created on the presence side and the
rear surround side of the Dolby Pro Logic-decoded sound
field, respectively. They create a wide acoustic environment
and emphasize the surround effect in the room, letting you
feel as much presence as if you were watching a movie in a
popular Dolby Stereo theater.
Digital sound fields are created on the presence side and the
independent left and right surround sides of the Dolby Digitaldecoded or DTS-decoded sound field, respectively. They
create a wide acoustic environment and strong surround
effect in the room without losing high-channel separation. With
the wide dynamic range of Dolby Digital or DTS sound, this
sound field combination lets you feel as if you were watching
a movie in the newest Dolby Digital theater or DTS-installed
theater. This is the most ideal home theater sound at the
present time.
Refer to pages 37 to 38 for the DSP program.
Refer to pages 37 to 38 for the DSP program.
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CONTROLS AND THEIR FUNCTIONS
FRONT PANEL
NATURAL SOUND
CINEMA DSP
AV RECEIVER
INPUT
VCR • V–AUX • TV/DBS • DVD/LD • CD • TUNER • PHONO
VOLUME
18
12
20
STANDBY/ON
22
8
80
2
40
TAPE/MD MON
/EXT. DECODER
4
0
–dB
A/ B/ C/ D/ E
1
2
3
5
4
6
7
8
MEMORY
MAN’L/AUTO FM
BASS
PHONES
TREBLE
1
1
1
2
2
OFF
4
4
5
5
2
2
3
3
4
4
5
5
TUNING
MODE
1
FM/AM
DOWN
TUNING
UP
INPUT MODE
AUTO/MAN’L MONO
RDS
MODE
0
1
1
2
3
3
ON
BALANCE
0
0
SPEAKERS
A
B
EDIT
EON
TIME/
LEVEL
SET
MENU
VIDEO AUX
EFFECT
2
3
3
PROGRAM
PTY SEEK
4
4
L 5
5 R
MODE
START
8 VIDEO
VIDEO
L
AUDIO
R
Refer to pages 44 to 49 for the remote control.
1 STANDBY/ON
6 TUNING MODE (AUTO/MAN’L MONO)
Press this switch to turn on the power of this unit. Press it
again to set this unit in the standby mode.
Press this button to switch the tuning mode to automatic or
manual. To select the automatic tuning mode, press this button
so that the “AUTO TUNING” indicator lights up on the display.
To select the manual tuning mode, press this button so that the
“AUTO TUNING” indicator goes off.
Standby mode
In this state, this unit consumes a very small quantity of
power to receive infrared-signals from the remote control.
2 Remote control sensor
7 FM/AM
Press this button to switch the reception band between FM and
AM.
This receives signals from the remote control.
8 TUNING UP/DOWN
3 Display
This button is used for tuning. Press the UP side to tune in to
higher frequencies, and press the DOWN side to tune in to
lower frequencies.
When this unit is in the PTY SEEK mode, press this button to
change the currently selected program type.
This shows various information. (Refer to page 10 for details.)
4 MEMORY (MAN’L/AUTO FM)
Press this button to store the broadcasting stations.
When this button is pressed and held for more than three
seconds, automatic preset tuning begins.
5 EDIT
This button is used to exchange the assigment of two preset
stations with each other.
9 TAPE/MD MON / EXT. DECODER
Press this button to play a tape or an MD. The “TAPE/MD
MON” indicator lights up on the display.
When you press the button next, the “TAPE/MD MON” indicator
goes off, “EXT. DECDR” appears on the display and you can
play the signal connected to the EXTERNAL DECODER
INPUT terminals.
0 INPUT
Turn this selector to select the input source (VCR, VIDEO AUX,
TV/DBS, DVD/LD, CD, TUNER, PHONO) that you want to
listen to or watch.
The name of the selected input source appears on the display.
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o RDS MODE
This button switches between the DVD/LD and TV/DBS input
signal modes.
When an RDS station is received, pressing this button changes
the display mode into the PS mode, PTY mode, RT mode and/
or CT mode (if the station employs those RDS data services) in
turn.
w VOLUME
This control is used to raise or lower the volume level.
e PHONES jack
When you use headphones, connect the headphones to the
PHONES jack. You can listen to the sound to be output from
the main speakers through the headphones.
When using headphones only, set both SPEAKERS A and B to
the OFF position and switch off the digital sound field processor
(so that no DSP program name appears on the display) by
pressing EFFECT.
r SPEAKERS
Set A or B (or both A and B) to the ON position for the main
speaker system (connected to this unit) that you want to use.
Set the button(s) for the main speaker system you don’t want to
use to the OFF position.
p PTY SEEK MODE
When this button is pressed, the unit is set in the PTY SEEK
mode.
a PTY SEEK START
Press this button to begin searching for a station after the
desired program type has been selected in the PTY SEEK
mode.
s EON
Press this button to select the desired program type (NEWS,
INFO, AFFAIRS, SPORT) when you want to call a radio
program of that type automatically.
d TIME/LEVEL
Press this button to select the item in the TIME/LEVEL mode.
t A/B/C/D/E
Press this button to select one of a group (A to E) of preset
stations.
f +/–
Each of these buttons selects a preset station number (1 to 8).
These buttons are used to adjust the settings of the SET MENU
mode and the TIME/LEVEL mode. In the TIME/LEVEL mode,
press + to increase the delay time or speaker output level.
Press – to decrease the delay time or speaker output level.
u Tone controls
g SET MENU
These controls are only effective for the sound from the main
speakers.
BASS
Use this control to increase or decrease the low-frequency
response. The “0” position produces a flat response.
TREBLE
Use this control to increase or decrease the high-frequency
response. The “0” position produces a flat response.
Press this button to select functions in the SET MENU mode.
y Preset station number selector
i BALANCE
This control is only effective for the sound from the main
speakers.
Turn the control to adjust the balance of the output volume to
the left and right speakers to compensate for sound imbalance
caused by the speaker location or listening room conditions.
h PROGRAM selector
Press or to select a DSP program.
The name of the selected program appears on the display.
j EFFECT
Press this button once to switch the effect speakers (center and
rear) on or off. If you turn off the effect by using EFFECT, all
Dolby Digital and DTS audio signals are directed to the main
left and right channels. In that case, the left and right channel
signal levels may not match.
k VIDEO AUX terminals
Connect an auxiliary video or audio input source such as a
camcorder to these terminals. If the connected video unit has
an S video output terminal, connect it to the S VIDEO terminal
to obtain a high-resolution picture. The source connected to
these terminals can be selected by INPUT.
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q INPUT MODE
DISPLAY PANEL
1 Multi-information display
8 RDS mode indicators
This displays various information, for example the station
frequency, preset station number and name of the selected
input source.
The name(s) of the RDS mode(s) employed by the currently
received RDS station light(s) up. Illumination of one of the
named indicators shows that the corresponding RDS mode is
now selected.
2 MEMORY indicator
When MEMORY is pressed, this indicator flashes for about five
seconds. During this period, the displayed station can be
stored in the memory.
3 AUTO TUNING indicator
This lights up when the unit is in the automatic tuning mode.
4 TAPE/MD MON indicator
This lights up when the tape deck (or MD recorder, etc.) is
selected as the input source by pressing TAPE/MD MON / EXT.
DECODER on the front panel or TAPE/MD on the remote control.
5 STEREO indicator
This lights up when an FM stereo broadcast with sufficient
signal strength is being received.
6 Signal-level indicator
9
,
and
indicators
“
” lights up when the built-in Dolby Digital decoder is
on and the signals of the selected source encoded with Dolby
” lights up when the built-in
Digital are not in 2-channel. “
digital sound field processor is on, and “
” lights up
when the built-in Dolby Pro Logic decoder is on. Depending on
the selected DSP program, both “
” and “
”, or
” and “
” will light up.
both “
0 PTY HOLD indicator
This lights up while a search is being performed in the PTY
SEEK mode.
q EON indicator
This lights up when an RDS station that employs the EON data
service is being received.
This indicates the signal level of the station being received.
If multipath interference is detected, the indication decreases.
w Program type name indicators
7
e SLEEP indicator
indicators
Either “dts” indicator lights up when the built-in DTS decoder is
turned on.
The red “dts” indicator lights up when playing a CD or LD
encoded with DTS.
The orange “dts” indicator lights up when playing a DVD
encoded with DTS.
* An orange “dts” indicator may light up when playing a CD or
LD encoded with DTS after playing a video-CD or DVD on a
DVD/LD combi-player.
The name selected in the EON mode lights up.
This lights up while the built-in SLEEP timer is functioning.
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English
SPEAKER SETUP
SPEAKERS TO BE USED
This unit is designed to provide the best sound-field quality with
a 5-speaker configuration, using main speakers, rear speakers
and a center speaker.
The main speakers are used for the main source sound plus
the effect sounds. They will probably be the speakers from
your present stereo system. The rear speakers are used for
the effect and surround sounds, and the center speaker is for
the center sounds (dialog, vocals, etc.). If for some reason it is
not practical to use a center speaker, you can do without it.
Best results, however, are obtained with the full system.
Use of a subwoofer expands your sound field
It is also possible to further expand your system with the
addition of a subwoofer. The use of a subwoofer is effective
not only for reinforcing bass frequencies from any or all
channels, but also for reproducing the LFE (low frequency
effect) sound with high fidelity when playing back a source that
is Dolby Digital or DTS-decoded. The YAMAHA Active Servo
Processing Subwoofer System is ideal for natural and lively
bass reproduction.
The main speakers should be high-performance models and
have enough power-handling capacity to accept the maximum
output of your audio system.
The other speakers do not have to be equal to the main
speakers. For precise sound localization, however, it is ideal to
use high-performance models that can reproduce sounds over
the full range for the center speaker and the rear speakers.
SPEAKER PLACEMENT
Refer to the following diagram when you place the speakers.
Main:
The position of your present stereo speaker
system.
Rear:
Behind your listening position, facing slightly
inward. Nearly 1.8 m (approx. 6 feet) up from the
floor.
Center:
Precisely between the main speakers. (To avoid
interference with TV sets, use a magnetically
shielded speaker.)
Main
speaker (R)
Subwoofer
Center speaker
Main
speaker (L)
Rear
speaker (R)
Subwoofer: The position of the subwoofer is not as critical,
because low bass tones are not highly directional.
Rear
speaker
(L)
Note: If the center speaker (principally, it reproduces dialog, vocals, etc.) is not used, the sound will be output from the left and
right main speakers. In that case, be sure to select the NONE position for “CNTR” in the SET MENU mode. (See page 19
for details.)
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CONNECTIONS
Never plug in this unit and other components until all connections have been completed.
CONNECTIONS WITH OTHER COMPONENTS
Use RCA-type pin plug cables for connecting audio/video components with the exception described later.
When making connections between this unit and other components, be sure all connections are made correctly, that is to say L
(left) to L, R (right) to R, “+” to “+” and “–” to “–”. Also, refer to the owner’s manual for each component to be connected to this unit.
* If you have YAMAHA components numbered as !, #, $, etc. on the rear panel, connections can be made easily by making sure
to connect the output (or input) terminals of each component to the same-numbered terminals of this unit.
AC OUTLET(S) (SWITCHED)
Europe model ......................................................... 2 OUTLETS
U.K. model ................................................................ 1 OUTLET
Turntable
DVD player,
LD player, etc.
Monitor TV
Use these to connect the power cords from your components to
this unit.
The power to the AC OUTLET(S) is controlled by this unit’s
STANDBY/ON or the provided remote control’s POWER and
STANDBY. These outlets will supply power to any connected
component whenever this unit is turned on.
The maximum power (total power consumption of components)
that can be connected to the AC OUTLET(S) is 100 watts.
(Europe model)
To AC outlet
CD player
Tape deck,
MD recorder, etc.
TV/DBS tuner
VCR
(Video cassette recorder)
GND terminal (for turntable use)
Connecting the ground (earth) wire of the turntable to the GND terminal will normally minimize hum, but in some cases, better
.
results may be obtained with the ground wire disconnected.
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CONNECTING TO DIGITAL (COAXIAL AND/OR OPTICAL) TERMINALS
If your DVD (LD) player, TV/DBS tuner, etc. are equipped with
coaxial or optical digital audio signal output terminals, they can
be connected to this unit’s COAXIAL and/or OPTICAL digital
signal input terminals.
Digital audio signals are transmitted with less loss than analog
audio signals. In addition, digital audio signal connections are
necessary, especially for an LD player or a DVD player, to send
signals encoded with Dolby Digital or DTS to this unit.
To make a connection between optical digital audio signal
terminals, remove the cover from each terminal, and then
connect them by using a commercially available optical fiber
cable that conforms to EIAJ standards. Other cables might not
function correctly.
Even if you connect an audio/video unit to the COAXIAL (or
OPTICAL) terminal of this unit, you must keep the unit
connected with the same-named analog audio signal terminals
of this unit, because a digital signal cannot be recorded by a
tape deck, MD recorder or VCR connected to this unit. You can
easily switch the selection of input signals between “digital” and
“analog.” (See page 26 for details.)
Notes
• When connecting an audio/video unit to both the digital and
analog terminals of this unit, make sure to connect between
both terminals of the same name.
• Be sure to attach the covers when the OPTICAL terminals
are not being used in order to protect them from dust.
• The input signal from the DVD/LD input terminals is selected
in the following order of priority with the input mode set to the
AUTO position:
1 COAXIAL terminal
2 OPTICAL terminal
3 Analog terminal
• If the DIGITAL OUT data of the player has been processed in
any way, you may not be able to perform DTS playback even
if you make a digital connection between this unit and the
player.
• All digital audio signal input terminals are applicable to
sampling frequencies of 32 kHz, 44.1 kHz and 48 kHz.
No sound will be generated when connecting your LD
player’s Dolby Digital RF signal output terminal directly to
this unit’s COAXIAL DVD/LD digital signal input terminal.
DVD or LD player*
* If your LD player has a Dolby Digital RF signal
output terminal, be sure to use the RF
demodulator (separately purchased).
TV/DBS tuner
(Europe model)
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CONNECTING TO S VIDEO TERMINALS
If you have a VCR and a monitor equipped with “S” (highresolution) video terminals, those terminals can be connected
to this unit’s S VIDEO terminals. Connect the VCR’s “S” video
input and output terminals to this unit’s S VIDEO VCR OUT and
IN terminals, respectively, and connect the monitor’s “S” video
input terminal to this unit’s S VIDEO MONITOR OUT terminal.
Otherwise, connect the VCR’s composite video terminals to this
unit’s composite video terminals, and connect the monitor’s
composite video input terminal to this unit’s composite
MONITOR OUT terminal.
In addition, if you have a DVD or LD player equipped with an
“S” video terminal, connect the DVD/LD player’s “S” video
output terminal to this unit’s S VIDEO DVD/LD terminal.
VCR
S
Note
If video signals are sent to both S VIDEO input and composite input terminals, the signals will be sent to their
respective output terminals.
DVD/LD player
S
S VIDEO terminals
This unit provides you with S VIDEO terminals in addition
to standard VIDEO terminals.
S VIDEO terminals transmit video signals separated into
luminance (Y) signals and color (C) signals. In comparison
with S VIDEO terminals, standard VIDEO terminals transmit
“composite” video signals.
S
S
S
Monitor TV
S VIDEO cable
CONNECTING TO VIDEO AUX TERMINALS
(ON THE FRONT PANEL)
CONNECTING WITH A MONITOR TV THAT
USES A 21-PIN CONNECTOR FOR INPUT
These terminals are used to connect any video input source
such as a camcorder to this unit.
Make a connection as shown below with a commercially
available SCART-plug connector cable.
S
No connection
S
Monitor TV
SCART-plug connector cable
Camcorder
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CONNECTING TO AN EXTERNAL DECODER
This unit is equipped with additional 6-channel audio signal
input terminals for inputting signals from an external decoder to
this unit.
Connect the 6-channel audio signal output terminals of the
decoder to the EXTERNAL DECODER INPUT terminals of this
unit.
Notes
• When signals input to these terminals are selected, the digital
sound field processor cannot be used.
• The settings of “CNTR”, “REAR”, “MAIN” and “BASS” in the
SET MENU mode have no effect on the signals input to these
terminals. The setting of “M.LVL” is effective. (Refer to
page 19 for details.)
• Adjustment of the output level of the center speakers, rear
speakers and subwoofer is effective when the signals input to
these terminals are selected as the input source. (Refer to
page 40 for details.)
(Europe model)
External decoder with
6-channel discrete
outputs
IMPEDANCE SELECTOR SWITCH
WARNING
Do not change the IMPEDANCE SELECTOR switch setting
while the power to this unit is on, otherwise this unit may be
damaged.
If this unit fails to turn on when the STANDBY/ON switch is
pressed, the IMPEDANCE SELECTOR switch may not be
fully set to either end. If so, set the switch to either end fully
when this unit is in the standby mode.
IMPEDANCE SELECTOR
Select the position whose requirements your speaker system
meets.
(Upper position)
Main: If you use one pair of main speakers, the impedance of
each speaker must be 4 Ω or higher.
If you use two pairs of main speakers, the impedance
of each speaker must be 8 Ω or higher.
Center: The impedance of the speaker must be 6 Ω or higher.
Rear: The impedance of each speaker must be 6 Ω or
higher.
(Europe model)
(Lower position)
Main: If you use one pair of main speakers, the impedance of
each speaker must be 8 Ω or higher.
If you use two pairs of main speakers, the impedance
of each speaker must be 16 Ω or higher.
Center: The impedance of the speaker must be 8 Ω or higher.
Rear: The impedance of each speaker must be 8 Ω or
higher.
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CONNECTING SPEAKERS
Main speakers A
Right
Main speakers B
Left
Right
Left
Rear speakers
Left
Center speaker
Subwoofer system
Note
Use speakers with the specified impedance shown on the
rear panel of this unit.
Main speaker connections
One or two speaker systems can be connected to this unit. If
you use only one speaker system, connect it to either of the
SPEAKERS A or B terminals.
Subwoofer connection
You may wish to add a subwoofer to reinforce low frequencies
or to output low bass sound from the subwoofer channel.
If you have a subwoofer with built-in amplifier, including the
YAMAHA Active Servo Processing Subwoofer System, connect
the SUBWOOFER OUTPUT terminal of this unit to the input
terminal of the subwoofer system.
Rear speaker connections
A rear speaker system can be connected to this unit. Place
them to the rear of your listening position.
Center speaker connection
A center speaker can be connected to this unit. Place it on or
under the TV.
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How to connect
Connect the SPEAKERS terminals to your speakers with wire of the proper gauge, cut as short as possible. If the connections are
faulty, no sound will be heard from the speakers. Make sure that the polarity of the speaker wires is correct, that is the + and –
markings are observed. If these wires are reversed, the sound will be unnatural and lack bass.
Caution
Do not let the bare speaker wires touch each other and do not let them touch any metal part of this unit. This could
damage the unit and/or speakers.
Connecting to the MAIN SPEAKERS terminals
Connecting to the REAR and CENTER
SPEAKERS terminals
Red: positive (+)
Black: negative (–)
Red: positive (+)
Black: negative (–)
1 Unscrew the knob.
2 Remove approx. 5 mm
(1/4”) of insulation from
each of the speaker
wires and insert one
bare wire into each
terminal.
3 Tighten the knob to
secure the wire.
2
1
3
1
3
2
1 Press the tab.
2 Remove approx. 5 mm
(1/4”) of insulation from
each of the speaker
wires and insert one
bare wire into each
terminal.
3 Release the tab to
secure the wire.
OUTPUT TERMINALS (FOR DRIVING A SPEAKER WITH AN EXTERNAL AMPLIFIER)
The speaker connections described on page 16 are fine for
most applications. If for some reason, however, you wish to
drive main, center and/or rear speakers with your existing
amplifier, etc., the following terminals are available for
connecting an external amplifier(s) to this unit.
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ANTENNA CONNECTIONS
Each antenna should be correctly connected to the designated terminals, referring to the following diagram.
Both AM and FM indoor antennas are included with this unit. In general, these antennas will probably provide sufficient signal
strength. Nevertheless, a properly installed outdoor antenna will give clearer reception than an indoor one. If you experience poor
reception quality, an outdoor antenna may result in improvement.
Outdoor
FM antenna
* You may be unable to obtain good FM radio
reception depending on your local
conditions (distance from the broadcast
station, interposing buildings and
mountains, etc.). Consult your dealer or
authorized service center and be sure to
install an antenna that suits your local
conditions.
Install the special FM outdoor antenna in a
high place as far away from any roads as
possible to avoid being affected by
automobile ignition noise.
Indoor FM antenna
(included)
Outdoor AM antenna
* Firmly insert the
connector into the FM
ANT terminal.
* If you cannot obtain good
reception with the AM loop
antenna, connect 5 m to
10 m of vinyl covered wire
to the AM ANT terminal
and extend it outdoors
from a window. (Be sure
to also connect the AM
loop antenna at this time.)
AM loop
antenna
(included)
75-ohm/300-ohm
antenna adapter
75-ohm coaxial cable
75-ohm/300-ohm
antenna adapter
Ground
300-ohm feeder
GND terminal
For maximum safety and minimum interference, connect the
GND terminal to a good earth ground. A good earth ground
is a metal stake driven into moist earth.
Connecting the AM loop antenna
1
1 Press the tab and unlock the terminal hole.
2 Connect the AM loop antenna lead wires to the
AM ANT and GND terminals.
3 Return the tab to its original position to lock the
lead wires. Lightly pull the lead wires to confirm
a good connection.
2
Attach the loop antenna to the
antenna stand.
3
Orient the AM loop
antenna so that the best
reception is obtained.
Loop antenna
1
3
2
Antenna stand
• The AM loop antenna should be placed away from this unit. The antenna may be hung on a wall.
• The AM loop antenna should always be connected, even if an outdoor AM antenna is connected to this unit.
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ADJUSTMENTS BEFORE USING THIS UNIT
SELECTING THE OUTPUT MODES
This unit provides you with the following five functions to determine the method of distributing output signals to speakers suitable for
your audio system. When speaker connections have all been completed, select the proper setting for each function to make the
best use of your speaker system. (See “ADJUSTMENTS IN THE ‘SET MENU’ MODE” on page 42.)
1. CNTR (CENTER SPEAKER) 2. REAR (REAR SPEAKERS)
4. BASS (LFE/BASS OUT)
5. M.LVL (MAIN LEVEL)
DESCRIPTION OF EACH FUNCTION
CNTR (CENTER SPEAKER)
Choices: LARGE/SMALL/NONE
Preset position: LARGE
LARGE: Select this position when your center speaker is
approximately the same size as the main speakers.
SMALL: Select this position when you use a center speaker
that is smaller than the main speakers.
In this position, low bass signals (below 90 Hz) on the
center channel are output from the main speakers (or
the SUBWOOFER OUTPUT terminal if the SMALL
position is selected for “MAIN” and the SW position is
selected for “BASS”).
NONE: Select this position when you do not have a center
speaker (four speaker system). The center channel
sound will be output from the left and right main
speakers.
REAR (REAR SPEAKERS)
Choices: LARGE/SMALL
Preset position: LARGE
LARGE: Select this position if your rear speakers have high
ability for bass reproduction, or if a subwoofer is
connected in parallel to the rear speaker.
In this position, full-range signals are output from the
rear speakers.
SMALL: Select this position if your rear speakers do not have
high ability for bass reproduction.
In this position, low bass signals (below 90 Hz) on
the rear channels are output from the SUBWOOFER
OUTPUT terminal (or the main speakers if the MAIN
position is selected for “BASS”).
MAIN (MAIN SPEAKERS)
Choices: LARGE/SMALL
Preset position: LARGE
LARGE: Select this position if your main speakers have high
ability for bass reproduction.
In this position, full-range signals present on the
main channels are output from the main speakers.
SMALL: Select this position if your main speakers do not
have high ability for bass reproduction. However, if
your system does not include a subwoofer, do not
select this position.
In this position, low bass signals (below 90 Hz) on
the main channels are output from the
SUBWOOFER OUTPUT terminal if the SW or BOTH
position is selected for “BASS”.
3. MAIN (MAIN SPEAKERS)
BASS (LFE/BASS OUT)
Choices: SW/MAIN/BOTH
Preset position: SW
MAIN:
Select this position if your system does not include a
subwoofer.
In this position, full-range signals present on the
main channels, signals from the LFE channel and
other low bass signals that are distributed from other
channels are output from the main speakers.
SW/BOTH:
Select either the SW or BOTH position if your
system includes a subwoofer.
In either position, signals on the LFE channel and
other low bass signals that are distributed from other
channels are output from the SUBWOOFER
OUTPUT terminal.
When the LARGE position is selected for “MAIN”, in
the SW position, no signal is distributed from the
main channels to the SUBWOOFER OUTPUT
terminal; however, in the BOTH position, low bass
signals from the main channels are output to both
the main speakers and the SUBWOOFER OUTPUT
terminal.
M.LVL (MAIN LEVEL)
Choices: NRML (NORMAL)/–10 dB
Preset position: NRML (NORMAL)
NRML (NORMAL):
Normally select this position.
–10 dB: Select this position if the sound output from the main
speakers is too loud and cannot be balanced with
the sound output from the center and rear speakers.
In this position, the sound output from the main
speakers is attenuated.
Note
The settings of “CNTR”, “REAR”, “MAIN” and “BASS” have no
effect on the signals input to the EXTERNAL DECODER
INPUT terminals on the rear of this unit.
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ADJUSTMENT METHOD
Adjustments should be made while watching the information on this unit’s display.
1
2
1
3
2
3
When adjusting with the remote control, set the
SELECTOR DIAL to the AMP/TUN or DSP position on the
remote control.
3
Front panel
or
1
Press + or – once or more to select the setting you
want.
Remote control
Turn the power on.
Front panel
or
Remote control
or
2
Press SET MENU once or more to select the function
“CNTR” on the display.
Front panel
Remote control
4
Repeat steps 2 and 3 to change the settings for
“REAR”, “MAIN”, “BASS” and/or “M.LVL” in the same
way.
or
* After pressing SET MENU once on the remote control, you
can also select the function by pressing . (Pressing
goes back one selection.)
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SPEAKER BALANCE ADJUSTMENT
This procedure lets you adjust the sound output level balance between the main, center and rear speakers by using the built-in test
tone generator. When this adjustment is performed, the sound output level heard at the listening position will be the same from
each speaker. This is important for the best performance of the digital sound field processor, the Dolby Digital decoder, the Dolby
Pro Logic decoder and the DTS decoder.
The adjustment of each speaker output level should be done at your listening position with the remote control.
After completing the adjustment of the output level for each speaker, use VOLUME (
) on the remote control at your
listening position to check if the adjustments are satisfactory.
2
1
5,9
2
6
3
8
4 4,7
Set the SELECTOR DIAL to the AMP/TUN or DSP position
on the remote control.
2
Turn the power on.
Front panel
Remote control
or
or
1
Set VOLUME to the “ ” position.
Front panel
3
Select the main speakers to be used.
Front panel
* If you use two main speaker systems, press both A and B.
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4
Set BASS, TREBLE and BALANCE to the “0” position.
6
Front panel
5
Press TEST so that “TEST LEFT” appears on the
display.
Remote control
Turn up the volume.
Remote control
You will hear a test tone (like pink noise) from each
speaker for about two seconds in following order: left main
speaker, center speaker, right main speaker, right rear
speaker and left rear speaker. The display changes as
shown below.
Main (L)
Center
Main (R)
Rear (R)
Rear (L)
* If the function “CNTR” in the SET MENU mode is set to
the NONE position, you will hear the center channel test
tone from the left and right main speakers.
7
Adjust BALANCE so that the sound output level of the
left main speaker and the right main speaker is the
same.
Front panel
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Adjust the sound output levels of the center speaker
and the rear speakers so that they become almost the
same as that of the main speakers.
Press TIME/LEVEL once or more to select the speaker
to be adjusted so that “CENTER”, “R SUR.” or “L SUR.”
appears on the display.
Remote control
* You cannot adjust the delay time while the test tone is
sounding even if “DELAY” appears on the display
after pressing TIME/LEVEL once or more.
Adjust the level.
* Pressing raises and lowers the level.
* While adjusting, the test tone is heard from the
selected speaker.
Remote control
9
When the adjustment is finished, press TEST again to
stop the test tone.
Remote control
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8
Notes
• Once you have completed these adjustments, you can only
adjust the overall sound level of your audio system by using
VOLUME (or VOLUME (
) on the remote control).
• If you use external power amplifiers, you may also use their
volume controls to achieve the proper balance.
• If the function “CNTR” in the SET MENU mode is set to the
NONE position, the sound output level of the center speaker
cannot be adjusted in step 8. The center sound is automatically output from the left and right main speakers.
• If there is insufficient sound output from the center and rear
speakers, you may decrease the main speaker output level
by setting “M.LVL” to “–10 dB”.
BASIC OPERATION
TO PLAY A SOURCE
2
3 1,7
2
3,4
5
8
8
48
7
When using the remote control
• Set the SELECTOR DIAL to the AMP/TUN position on the
remote control.
• To operate the CD player, DVD/LD player, tape deck, MD
recorder, or other components with this remote control, set
the SELECTOR DIAL to the component to be used. (See
“SETUP CODES” on page 50.)
1
3
Select the desired input source by using INPUT.
(Turn on the monitor TV for video sources.)
Front panel
Remote control
or
Set VOLUME to the “ ” position.
Front panel
The name of the selected input source will appear on the
display.
2
Turn the power on.
Front panel
Remote control
or
To play a tape or an MD
Press TAPE/MD MON / EXT. DECODER
on the front panel or TAPE/MD on the
remote control so that the “TAPE/MD
MON” indicator lights up on the display.
To use a decoder connected to the EXTERNAL
DECODER INPUT terminals
Press TAPE/MD MON / EXT. DECODER once or more on
the front panel or EXT. DEC. on the remote control so that
“EXT. DECDR” appears on the display.
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For a DVD/LD or TV/DBS source, the current input
mode is also shown.
* To change the input mode for the DVD/LD or TV/DBS
source, press INPUT MODE (or the button that you
have pressed to select the input source in step 3 on
the remote control) once or more until the desired
input mode is shown on the display. (See page 26 for
details on switching the input mode.)
Front panel
7
Adjust the volume to the desired output level.
Front panel
Remote control
or
Remote control
8
or
If desired, adjust BASS, TREBLE, BALANCE, etc.
and use the digital sound field processor (see pages 37
to 38).
BASS:
Turn this control clockwise to increase (or
counterclockwise to decrease) the lowfrequency response.
TREBLE:
Turn this control clockwise to increase (or
counterclockwise to decrease) the highfrequency response.
Input mode
5
English
4
Select the main speakers to be used.
Front panel
BALANCE: Adjust the balance of the output volume
from the left and right speakers to
compensate for any sound imbalance
caused by the speaker location or
listening room conditions.
Front panel
* If you use two main speaker systems, press both A and B.
6
Play the source. (See page 28 for detailed information
on tuning.)
* These controls are only effective for the sound from the
main speakers.
Front panel
Remote control
or
When you have finished using this unit
Press STANDBY/ON on the front panel again or STANDBY on
the remote control to set this unit in the standby mode.
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Notes on using INPUT
• The audio source selected by INPUT will not be played if the
“TAPE/MD MON” indicator lights up or if “EXT. DECDR” is
displayed.
• If you select a video source by INPUT without canceling the
selection of TAPE/MD MON / EXT. DECODER on the front
panel (or TAPE/MD or EXT. DEC. on the remote control), the
play back result will be a video image from the video source
and the sound from the audio source selected by TAPE/MD
MON / EXT. DECODER on the front panel (or TAPE/MD or
EXT. DEC. on the remote control).
• If an audio source is selected by INPUT while watching a
video source, the selected audio source will be played, but
the video image will not be interrupted.
• When you select an input source by INPUT, the DSP
program (or no DSP program) that was being used when the
same input source was selected the last time will be automatically recalled.
• If “DATA ERR” appears on the display while playing a CD or
LD encoded with DTS, stop playback and turn the player off
and then on again.
Switching the input mode
(for DVD/LD and TV/DBS)
This unit allows you to switch the input mode for sources that
send two or more types of signal to this unit.
The following three input modes are provided.
AUTO
This mode is automatically selected when you turn on the
power of this unit.
In this mode, the input signal is automatically selected in the
following order of priority:
1.
2.
Notes on input mode selection
• The input mode for a TV/DBS source is selected with the
function “INPUT” in the SET MENU mode. (See page 43 for
details.)
• Set the input mode to AUTO to play a DVD/LD source
encoded with Dolby Digital.
• Set the input mode to ANALOG to play a normal 2-channel
source with a Dolby Surround program.
• The sound output may be interrupted in some LD and DVD
players in the following situation:
The input mode is set to AUTO. A search is made while
playing the disc encoded with Dolby Digital or DTS, and then
disc playing is restored. The sound output is interrupted for a
moment because the digital input signal was selected again.
• The input mode cannot be changed for the PHONO, TUNER,
TAPE/MD, CD, VCR and VIDEO AUX sources because only
analog signals are used.
• The present input mode appears on the display when the
input source is changed to DVD/LD or TV/DBS, or the input
mode is changed.
Notes on playing a source encoded with DTS
If you play a CD or LD encoded with DTS while the AUTO
mode is selected, there will be a short noise at first while the
unit identifies the DTS signal and activates the DTS decoder.
This is not a malfunction, and can be avoided by setting the
input mode to DTS beforehand. In addition, If you continue
to play a CD or LD encoded with DTS with the input mode
setting left at AUTO, this unit automatically switches to the
“DTS-decoding” mode to prevent noise from being generated during future operation. (The red “dts” indicator lights
up on the display.)
No sound will be heard if a normal PCM CD or LD is played
in this mode. (The red “dts” indicator will flash.) To play a
normal disk, return the input mode from DTS to AUTO.
Digital signal encoded with Dolby Digital or DTS, or normal
digital input signal (PCM)
Analog input signal (ANALOG)
* For a DVD/LD source, if digital signals are input from both the
OPTICAL and COAXIAL terminals, the digital signal from the
COAXIAL terminal is selected.
DTS
In this mode, only a digital input signal encoded with DTS is
selected, even though other signals are input at the same time.
ANALOG
In this mode, only an analog input signal is selected, even
though digital signals are input at the same time.
Select this mode when you want to use an analog input signal
instead of digital input signals.
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English
TO RECORD A SOURCE ON TAPE, MD OR VIDEO CASSETTE
4 1
2
4
1
2
1
4
Select the source to be recorded.
Front panel
Remote control
When a tape deck or MD recorder is being used for
recording, you can monitor the sounds being recorded
by pressing TAPE/MD MON / EXT. DECODER on the
front panel or TAPE/MD on the remote control so that
the “TAPE/MD MON” indicator lights up on the display.
Front panel
Remote control
or
or
2
Play the source and then turn up the volume to confirm
the input source. (See page 28 for detailed information
on tuning.)
Front panel
Remote control
or
3
Begin recording on the tape deck, MD recorder or VCR
connected to this unit.
Notes
• The settings of DSP and VOLUME, BASS, TREBLE and
BALANCE have no effect on the material being recorded.
• Composite video and S video signals pass independently
through this unit’s video circuits. Therefore, when recording
or dubbing video signals, if your video source unit is connected to provide only an S video (or only a composite video)
signal, you can record only an S video (or only a composite
video) signal on your VCR.
• A source that is connected to this unit only through the digital
terminals cannot be recorded on a tape deck, MD recorder or
VCR connected to this unit.
• A source of signals input to the EXTERNAL DECODER
INPUT terminals of this unit cannot be recorded.
• Please check the copyright laws in your country to record
from records, compact discs, radio, etc. Recording of
copyright material may infringe copyright laws.
If you watch video software that uses scrambled or encoded
signals to prevent it from being dubbed, there may be a case
that the picture itself will be affected by those signals.
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TUNING
Quick automatic-search tuning (AUTOMATIC TUNING) is effective when station signals are strong and there is no interference.
However, if the signal from the station you want to select is weak, you must tune in to it manually (MANUAL TUNING).
2 3
1
AUTOMATIC TUNING
MANUAL TUNING
Set the SELECTOR DIAL to the AMP/TUN position on the remote control and select TUNER as the input source.
1
Select the reception band (FM or AM) and confirm it on
the display.
1
Front panel
Select the reception band (FM or AM) and confirm it on
the display.
Front panel
or
2
Press TUNING MODE so that the “AUTO TUNING”
indicator lights up on the display.
or
2
Press TUNING MODE.
Front panel
Front panel
Check that the “AUTO
TUNING” indicator goes off.
Lights up
3
To tune in to a higher frequency, press the UP side of
TUNING once.
To tune in to a lower frequency, press the DOWN side
of TUNING once.
3
Tune in manually to the desired station.
Front panel
Front panel
* To continue the tuning search, press and hold the button.
* If the station where the tuning search stops is not the
desired one, press once more.
* If the tuning search does not stop at the desired station
(because the signal from the station is weak), take the
manual tuning procedure.
Notes
• If you tune in manually to an FM station, it will be automatically received in monaural mode to increase the signal
quality.
• When tuned in to a station, the frequency of the received
station is shown on the display. If an RDS station that
employs the PS data service is being received, the station
name is also shown on the display.
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English
MANUAL PRESET TUNING
This unit can store station frequencies to be selected by tuning. With this function, you can recall any desired station simply by
selecting the preset station number with which it was stored. Up to 40 stations (8 stations x 5 groups) can be stored.
2
4
3
To store stations
1
2
Tune in to the desired station.
(See page 28 for the tuning procedure.)
4
Select the preset station number with which you want to
store the station before the “MEMORY” indicator goes
off from the display.
Front panel
Press A/B/C/D/E once or more to select the desired
group (A to E) of preset stations and confirm it on the
display.
Front panel
3
The displayed station has been stored as A1.
Press MEMORY so that the “MEMORY” indicator
flashes for about five seconds.
Front panel
* In the same way, store other stations as A2, A3 ... A8.
* You can store more stations as preset station numbers in
other groups in the same way by selecting another group
in step 2.
Flashes
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1
2
1
2
To recall a preset station
1
Select the group of preset stations.
Front panel
Remote control
or
2
Select the preset station number.
Front panel
Remote control
Notes
• A new setting can be stored in place of the former one.
• For presets, the setting of the reception mode (stereo or
monaural) is stored along with the station frequency.
Memory back-up
The memory back-up circuit prevents the stored data from
being lost when this unit is set in the standby mode. If,
however, the power plug is disconnected from the AC outlet or
the power is cut due to temporary power failure for more than
one week, the memory will be erased. If so, it can be re-stored
by simply following the preset tuning procedure.
or
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English
AUTOMATIC PRESET TUNING (for RDS stations only)
You can also make use of the automatic preset tuning function for RDS stations only. This function enables the unit to perform
automatic tuning and to sequentially store RDS stations with strong signals. Up to 40 stations can be stored automatically in the
same way as that for manual preset tuning on page 29. Note that a new setting can be stored in place of the former one.
* See pages 33 to 35 for details on RDS stations.
3 1
2 4
To store stations
1
4
Select the FM band.
Front panel
To tune in to higher frequencies, press the UP side of
TUNING once.
To tune in to lower frequencies, press the DOWN side
of TUNING once.
Front panel
2
Press TUNING MODE so that the “AUTO TUNING”
indicator lights up on the display.
* If TUNING is not pressed, automatic preset tuning soon
begins automatically toward the higher frequencies.
Front panel
Lights up
3
Automatic preset tuning begins from the frequency currently
displayed. Received stations are sequentially stored as A1,
A2 ... A8.
* If more than 8 stations are received, they are stored as
preset station numbers in other groups (B, C, D and E) in
that order.
Press MEMORY and hold for about three seconds.
Front panel
Flashes
If you want to store the first station received by automatic
preset tuning as a desired preset station number
For example, if you want to store the first received station as C5,
select “C5” while “A1”, the “MEMORY” indicator and the “AUTO
TUNING” indicator flash after pressing MEMORY in step 3. Then
press TUNING. The first received station is stored as C5, and
the next stations as sequentially C6, C7 ... .
If stations have all been stored up to E8, automatic preset tuning
stops automatically.
When automatic preset tuning is completed
The display shows the frequency of the last preset station.
Check the contents and the number of preset stations by
following the procedure in the section “To recall a preset
station” on page 30.
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Notes
• You can manually replace a preset station with another FM or AM station by simply following the procedure in the section “To
store stations” on page 29.
• An automatic preset tuning search will be performed through all RDS network frequencies until stations have been stored up to
E8. Even if the number of received stations is not enough to be stored up to E8, the search is automatically ended after searching all frequencies.
• With this function, only RDS stations with sufficient signal strength are automatically stored. If the station you want to store is
weak in signal strength, tune in to it manually in monaural sound and store it by following the procedure in the section “To store
stations” on page 29.
* There may be a case that this function cannot receive a station which could be received by the automatic tuning method. This
is because this function receives a large volume of PI (Program Identification) data along with the station.
EXCHANGING PRESET STATIONS
You can exchange the assignment of two preset stations with each other as shown below.
2,4
Example
If you want to change the preset station from “E1” to “A5”, or vice versa.
1
2
Recall preset station “E1” by following the procedure in
the section “To recall a preset station” on page 30.
3
Next, recall preset station “A5” by following the same
procedure as that in step 1.
Press EDIT.
Front Panel
Flashes
Flashes
4
Press EDIT once more.
Front Panel
Shows the exchange of
stations has been completed.
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Radio Data System (RDS) is a data transmission system gradually being introduced by FM stations in many countries. Stations
using this system transmit an inaudible stream of data in addition to the normal radio signal.
RDS data contains various information such as PI (Program Identification), PS (Program Service name), PTY (Program Type), RT
(Radio Text), CT (Clock Time), EON (Enhanced Other Networks), etc.
The RDS function is used by network stations.
DESCRIPTION OF RDS DATA
This unit can receive PI, PS, PTY, RT, CT, and EON data when receiving RDS broadcast stations.
PS (Program Service name) mode:
RT (Radio Text) mode:
The name of the RDS station being received is displayed.
Information about the program (such as the title of a song,
name of the singer, etc.) on the RDS station being received is
displayed by a maximum of 64 alphanumeric characters,
including the umlaut sign. If other characters are used for RT
data, they are displayed with under-bars.
PTY (Program Type) mode:
The type of program on the RDS station being received is
displayed. There are 15 program types to classify RDS
stations. You can make this unit search for a station which is
broadcasting a program of the desired type. See page 34 for
details.
CT (Clock Time) mode:
The current time is displayed and updated every minute.
If the data is accidentally cut off, “CT WAIT” may appear.
EON (Enhanced Other Networks):
See page 35.
CHANGING THE RDS MODE
When an RDS station is being received, PS, PTY, RT and/or CT that correspond to the RDS data services employed by the station
light up on the display. By pressing RDS MODE, you can change the display mode among the RDS modes employed by the
received station in the order shown below. Illumination of the RDS modes indicator shows that the corresponding RDS mode has
been selected.
* When an RDS station is being received, do not press RDS MODE until one or more names of RDS modes light up on the display.
If the button is pressed before one or more names light up on the display, the mode cannot be changed. This is because the unit
has not yet received all of the RDS data on the station.
* If no RDS mode lights up on the display, the mode cannot be changed.
* An RDS mode not employed by the station cannot be selected.
Front panel
PS
mode
PTY
mode
RT
mode
CT
mode
Notes
• The RDS data service cannot be utilized by this unit if the received signal is not strong enough. In particular, the RT mode
requires a large amount of data to be received, so it is possible that the RT mode cannot be displayed even if other RDS modes
(PS, PTY, etc.) are displayed.
• There may be a case that RDS data reception is not possible due to poor reception conditions. If so, press TUNING MODE so
that the “AUTO TUNING” indicator goes off from the display. Although the reception mode is changed to monaural by this
operation, when you change the display to RDS mode, RDS data may be displayed.
• If the signal strength is weakened by external interference during the reception of an RDS station, the RDS data service may be
cut off suddenly and “...WAIT” will appear on the display.
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English
RECEIVING RDS STATIONS
PTY SEEK
By designating a program type, the unit automatically searches all preset RDS stations that are broadcasting a program of that type.
* There are 15 program types to classify RDS stations.
1 2
3
1
Press PTY SEEK MODE to set the unit in the PTY
SEEK mode.
3
Press PTY SEEK START to begin searching all preset
RDS stations.
Front panel
Front panel
The program type of the station
being received or “NEWS”
flashes on the display.
2
Press TUNING (UP side or DOWN side) to select the
desired program type.
Front panel
Flashes
* The “PTY HOLD” indicator lights up on the display.
* If the station that is broadcasting a program of the required
type is found, the unit stops at the station and displays the
frequency of the station.
* If the called station is not the desired one, press PTY
SEEK START once more.
The unit begins searching for another station that is
broadcasting a program of the same type.
To cancel this function
Press PTY SEEK MODE twice.
PROGRAM TYPES IN THE PTY MODE
NEWS
News
VARIED
Light entertainment
AFFAIRS
Current affairs
POP M
Pops
INFO
General information
ROCK M
Rock
SPORT
Sports
M.O.R. M
Middle-of-the-road music (easy-listening)
EDUCATE
Education
LIGHT M
Light classics
DRAMA
Drama
CLASSICS
Serious classics
CULTURE
Culture
OTHER M
Other music
SCIENCE
Science
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English
EON FUNCTION
This function uses the EON data service on the RDS station network.
By simply selecting the desired program type (NEWS, INFO, AFFAIRS or SPORT), the unit will automatically monitor all preset
RDS stations that broadcast a program of that type and switch from the program being currently received to that program when the
broadcast starts.
* This function can only be used when an RDS station that employs the EON data service is being received. (When such a station
is being received, the “EON” indicator lights up on the display.)
2
1
Make sure that the “EON” indicator lights up on the
display.
3
When broadcasting of the called program ends, the
previously received program (or another program on
the same station) is recalled.
Lights up
* If the “EON” indicator does not light up on the display, tune
in to another RDS station so that the “EON” indicator lights
up.
2
To cancel this function
Press EON once or more so that no program type name lights
up on the display.
Press EON once or more to select the desired program
type (NEWS, INFO, AFFAIRS or SPORT).
Front panel
Lights up
If a preset RDS program of the designated type starts
broadcasting, the unit will automatically switch from the
program being currently received to that program.
Flashes
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SETTING THE SLEEP TIMER
The SLEEP timer can be used to make this unit automatically switch to the standby mode. When you are going to sleep while
enjoying a broadcast or other desired input source, this timer function is useful. The SLEEP timer can only be controlled with the
remote control.
Notes
• To set the SLEEP timer for this unit, set the SELECTOR DIAL to a position other than the TV position. To set the SLEEP timer for
your TV, set the SELECTOR DIAL to the TV position.
• The components for which the SLEEP timer is effective are the sources connected to the AC OUTLET(S) on the rear panel of
this unit.
1
To set the SLEEP time
1
To cancel the selected SLEEP time
Play the source which you want to enjoy when you are
going to sleep and press SLEEP once or more to select
the desired SLEEP time.
Remote control
Remote control
Press SLEEP once or more so that “SLEEP OFF” appears on
the display. (It will soon disappear and the “SLEEP” indicator
will go off from the display.)
The SLEEP time is displayed.
Note
The SLEEP timer setting can also be canceled by setting the
unit in the standby mode with STANDBY/ON on the front panel
(or STANDBY on the remote control) or by disconnecting the
power plug of the unit from the AC outlet.
Flashes
Each time you press SLEEP, the SLEEP time will change as
follows:
(Minutes)
120
90
60
30
The SLEEP timer is off (SLEEP OFF).
(This is the state before SLEEP is
pressed.)
The “SLEEP” indicator soon lights up and the display returns
to the indication before the SLEEP timer was set.
2
The unit will be switched to the standby mode automatically at the selected SLEEP time.
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English
SOUND FIELD PROGRAM
This unit incorporates a sophisticated, multi-program digital sound field processor. This processor allows you to electronically
expand and change the shape of the audio sound field from both audio and video sources, creating a theater-like experience in
your listening room. You can create outstanding audio sound by selecting a suitable sound field program (this will, of course,
depend on what you are listening to) and adding any desired adjustments.
The operation of built-in decoders (Dolby Pro Logic, Dolby Digital and DTS) can be controlled by selecting a corresponding DSP
program incorporating the combined operation of YAMAHA DSP and Dolby Surround, Dolby Digital or DTS.
The following list gives you a brief description of the sound fields produced by each of the DSP programs. Keep in mind that most
of these are precise digital re-creations of actual acoustic environments.
For movie or audio/video sources
No.
FEATURES
PROGRAM
1
Normal Program
[1] DOLBY PRO LOGIC (
)
• Input source
: Dolby Surround
2-ch Dolby Digital
• Output channel : 4 channels
• DSP
:—
[2] DOLBY DIGITAL (
)
• Input source
: Dolby Digital
• Output channel : 5.1 channels
• DSP
:—
[3] DTS (
)
• Input source
: DTS
• Output channel : 5.1 channels
• DSP
:—
2
Enhanced Program
[1] DOLBY PRO LOGIC/Enhanced (
• Input source
: Dolby Surround
2-ch Dolby Digital
• Output channel : 4 channels
• DSP
: 1 (surround)
[2] DOLBY DIGITAL/Enhanced (
• Input source
: Dolby Digital
• Output channel : 5.1 channels
• DSP
: 2 (surround L, R)
[3] DTS/Enhanced (
)
• Input source
: DTS
• Output channel : 5.1 channels
• DSP
: 2 (surround L, R)
The built-in Dolby Pro Logic, Dolby Digital or DTS
decoder precisely reproduces the sound and effect of
the encoded source.
The realization of a highly efficient decoding process
improves cross talk and channel separation and makes
sound positioning smoother and more precise.
)
)
This program ideally simulates the multi-surround
speaker systems of the 35 mm-film movie theater. Each
decoding and digital sound field processing operation is
precisely performed without altering the original sound
orientation.
The surround effect produced by the sound field folds
around the viewer naturally from the rear to the left and
right and toward the screen.
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No.
3
FEATURES
PROGRAM
CINEMA DSP Program
[1] 70 mm MOVIE THEATER (
)
• Input source
: Dolby Surround
2-ch Dolby Digital
• Output channel : 3 channels
• DSP
: 2 (presence & surround)
[2] 70 mm MOVIE THEATER – DOLBY D. (
• Input source
: Dolby Digital
• Output channel : 5.1 channels
• DSP
: 3 (presence & surround L, R)
[3] 70 mm MOVIE THEATER – DTS (
)
• Input source
: DTS
• Output channel : 5.1 channels
• DSP
: 3 (presence & surround L, R)
Creates the extremely wide sound field of a movie
theater. It precisely reproduces the source sound in
detail, giving both the video and the sound field
incredible reality. Any kind of video source encoded
with Dolby Digital or DTS (especially large-scale movie
productions) is ideal for use with this program.
)
4
MONO MOVIE
• Input source
: Monaural
• Output channel : 1
• DSP
:1
This program is designed specifically to enhance
monaural sources. Compared to a strictly mono setting,
the sound image is wider and slightly forward of the
speaker pair, lending an immediacy to the overall
sound.
5
TV SPORTS
• Input source
: Audio/Video
• Output channel : 2 to 5.1 channels
• DSP
: 2 to 3 (presence & surround)
This program is furnished with a tight sound field in
which the sound will not spread excessively at the front,
but the rear surround produces dynamic sound
expansion.
For Hi-Fi Audio sources
No.
6
PROGRAM
Hi-Fi DSP Program
• Input source
: 2-ch PCM/Analog audio
• Output channel : 2 channels
• DSP
:1
[1] DISCO
FEATURES
Simulates the acoustics of disco in the heart of a lively
city. The sound is dense and highly concentrated.
[2] ROCK CONCERT
Ideally suited for rock music. You will experience a
dynamic and lively sound field.
[3] CONCERT HALL
Creates the expansive ambience of a large concert hall.
Orchestra and opera music are suited to this program.
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English
PLAYING A SOURCE WITH THE DIGITAL SOUND FIELD PROCESSOR (DSP)
EFFECT
Follow steps 1 to 7 shown in “TO PLAY A SOURCE” on
pages 24 to 25.
Select the desired DSP program that is suitable for the source.
Front panel
Remote control
TO CANCEL THE SOUND EFFECT
To cancel the sound effect and monitor only the main sound,
press EFFECT or EFCT ON/OFF. Press EFFECT or EFCT
ON/OFF once more to turn sound effect back on.
Front panel
Remote control
or
or
Press DSP. While the indicator is lit up for about
three seconds, select a DSP program with the
numeric buttons (1 to 8).
* If the SELECTOR DIAL is set to the DSP position, you can
also select a DSP program directly with the numeric buttons
(1 to 8).
The name of the selected program appears
on the display.
If desired, adjust the delay time and the output level of each
speaker. (See pages 40 and 41 for details.)
The following indicators on the display show you what sound
processing is being undertaken.
1
2
3
4
5
1 This lights up in orange when a DVD source encoded with
DTS is played back and DTS is decoded.
2 This lights up in red when an LD source or a CD source
encoded with DTS is played back and DTS is decoded.
3 This lights up when Dolby Digital is being decoded and the
signals of the selected source encoded with Dolby Digital is
not in 2-channel.
4 This lights up when the digital sound field processor is
turned on.
5 This lights up when Dolby Surround is being decoded by
Dolby Pro Logic.
Notes
• You can select a program for each of the input sources.
Once you select a program, it is linked with the input source
selected at that time. So, when you select the input source
next time, the same program is automatically called up.
• When a monaural sound source is being played with DOLBY
PRO LOGIC or DOLBY PRO LOGIC ENHANCED, no sound
will be heard from the main speakers and the rear speakers.
Sound can only be heard from the center speaker. However,
if the NONE position is selected for “CNTR” in the SET
MENU mode, the main speakers will output the sound of the
center channel.
• When the source of signals input to the EXTERNAL
DECODER INPUT terminals of this unit is selected, DSP
cannot be used.
• If the sound effect is canceled when signals encoded with
Dolby Digital or DTS are input to this unit, the signals of all
channels are mixed and are output from the main speakers.
• If EFFECT or EFCT ON/OFF is pressed to turn the sound
effects off when Dolby Digital or DTS is decoded, it may
happen that the sound is output faintly or not output normally,
depending on the source. In that case, press EFFECT or
EFCT ON/OFF to turn on the sound effects.
If you change the LD (or CD) being played back with DTS
being decoded to another disc that is not encoded with DTS
when the red “dts” indicator lights up, playing back the newly
selected disc will result in no sound output. In this state, the
red “dts” indicator flashes to show that this unit is locked in
the DTS-decoding mode.
To play back the disc normally, change the current DTSdecoding mode to another mode by INPUT MODE on the
front panel or by INPUT on the remote control so that the red
“dts” indicator goes off.
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ADJUSTING THE DELAY TIME AND SPEAKER OUTPUT LEVELS
When using the digital sound field processor with the Dolby Pro Logic decoder, the Dolby Digital decoder or the DTS decoder, you
can adjust the delay time between the main sound and sound effect, and each speaker’s output level as you prefer.
1
2
1
2
Adjustment method
When adjusting with the remote control, set the
SELECTOR DIAL to the AMP/TUN or DSP position on the
remote control.
2
Press + or – to adjust the settings for the delay time or
speaker output levels.
Front panel
Remote control
or
1
or
Press TIME/LEVEL once or more until the name of the
item which you want to adjust appears on the display.
Front panel
Remote control
3
or
Repeat steps 1 and 2 to adjust the settings of any other
item.
* After pressing TIME/LEVEL once on the remote control,
you can also select the name of item by pressing .
When pressed, the selection changes as follows:
DELAY
CENTER
Delay time
Center speaker output level
R SUR.
Right rear speaker output level
L SUR.
Left rear speaker output level
SWFR
Subwoofer output level
* Pressing on the remote control changes the selection in
the reverse order.
* Depending on the setting in the SET MENU mode, you
may not be able to select all these items.
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You can adjust the time difference between the beginning of the
sound from the main speakers and the beginning of the sound
effect from the rear speakers.
The larger the value, the later the sound effect is generated.
This adjustment can be individually made to all programs.
Notes
• Adding too much delay will cause an unnatural effect with
some sources.
• When + or – is pressed, the sound is momentarily interrupted.
Program
Control range (ms)
Preset value
1.
15 to 30
0 to 15
0 to 15
15 to 30
0 to 15
0 to 15
15 to 30
1 to 99
1 to 99
1 to 99
1 to 99
1 to 99
1 to 99
1 to 99
20
5
5
20
5
5
20
16
16
49
9
40
16
44
2.
3.
4.
5.
6.
7.
8.
DOLBY PRO LOGIC
DOLBY DIGITAL
DTS
DOLBY PRO LOGIC/Enhanced
DOLBY DIGITAL/Enhanced
DTS/Enhanced
70 mm MOVIE THEATER
70 mm MOVIE THEATER – DOLBY D.
70 mm MOVIE THEATER – DTS
MONO MOVIE
TV SPORTS
DISCO
ROCK CONCERT
CONCERT HALL
English
Adjusting the delay time
Adjusting the output level of the center, right rear and left rear speakers, and subwoofer
If desired, you can adjust the sound output level of each
speaker even if the output level has already been set in
“SPEAKER BALANCE ADJUSTMENT” on pages 21 to 23.
Notes
• The output level of the center speaker cannot be adjusted
when the DISCO, ROCK CONCERT or CONCERT HALL
program is selected, and the input signal is analog, PCM
audio, or encoded with Dolby Digital in 2-channel.
• If the function “CNTR” in the SET MENU mode is set to the
NONE position, the sound output level of the center speaker
cannot be adjusted. This is because, in this mode, the center
speaker sound is automatically output from the left and right
main speakers.
• Once the output level has been adjusted, the level will be the
same for all digital sound field programs.
Speaker
Control range (dB)
Preset value
CENTER
RIGHT REAR
LEFT REAR
SUBWOOFER
MIN, –20 to +10
MIN, –20 to +10
MIN, –20 to +10
MIN, –20 to 0
0
0
0
0
Memory back-up
The memory back-up circuit prevents the stored data from being lost when this unit is set in the standby mode. If, however, the
power plug is disconnected from the AC outlet or the power is cut due to temporary power failure for more than one week, the latest
values for the delay time and the center/rear/subwoofer output levels that were set will automatically return to the preset values. If
so, they can be re-set by simply following the adjustment method on page 40.
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ADJUSTMENTS IN THE “SET MENU” MODE
The following ten types of functions will maximize the performance of your system and expand your enjoyment for audio listening
and video watching.
1.
2.
3.
4.
5.
6.
CNTR (CENTER SPEAKER)
REAR (REAR SPEAKERS)
MAIN (MAIN SPEAKERS)
BASS (LFE/BASS OUT)
M.LVL (MAIN LEVEL)
D.D.LFE
(DOLBY DIGITAL LFE LEVEL)
For details on “CNTR”, “REAR”, “MAIN”, “BASS” and “M.LVL”,
see page 19. (Once you have selected the appropriate
settings, you do not have to change any settings unless an
alteration is made in your speaker system.)
D.D.LFE (Adjusting the level of the LFE
channel for Dolby Digital)
Control range: –20 dB to 0 dB (in 1 dB steps)
Preset value: 0 dB
* This adjustment is effective only when Dolby Digital is being
decoded and the signals of the selected source encoded with
Dolby Digital contain LFE signals.
This adjusts the output level of the LFE channel. If the LFE
signals are mixed with signals of other channels and they are
output from the same speakers, the ratio of the LFE signal level
to the level of the other signals can be adjusted.
(See page 6 for details about the LFE channel.)
D.RNG (Adjusting the dynamic range)
Choices: MAX/STD/MIN
Preset position: MAX
* This adjustment is effective only when Dolby Digital is being
decoded.
“Dynamic range” is the difference between the maximum level
and the minimum level of sounds.
Sounds on a movie originally designed for movie theaters
feature a very wide dynamic range.
Dolby Digital technology can modify the original sound track
into a home audio format with this wide dynamic range unchanged.
Powerful sounds of extremely wide dynamic range are not
always suitable for home use. Depending upon the condition of
your listening environment, it may not be possible to increase
the sound output to a level as high as that in a movie theater.
7.
8.
9.
10.
11.
D.RNG (DYNAMIC RANGE)
DTS LFE (DTS LFE LEVEL)
C.DELAY (CENTER DELAY)
GUARD (MEMORY GUARD)
INPUT (INPUT MODE)
However, at the normal level suitable for listening in your room,
the low-level parts of source sound often cannot be heard well
because they will be lost among noise in your environment.
Dolby Digital technology has also made it possible to reduce an
original sound track’s dynamic range for a home audio format
by “compressing” the sound data.
MAX:
In this position, a source encoded with Dolby Digital
is reproduced in the original sound track’s wide
dynamic range to provide you with powerful sounds
just like those in a movie theater.
Selecting this position will be even better if you can
listen to a source at a high output level in a room
specially soundproofed for audio/video enjoyment.
STD (Standard):
In this position, a source encoded with Dolby Digital
is reproduced in the “compressed” dynamic range of
the source that is suitable for low-level listening.
MIN:
In this position, the dynamic range is more reduced
than in the STD position.
Selecting this position will be effective when you
must listen to a sound source at a low level.
* In this position, it may happen that sound is output
faintly or not output normally depending on the
source. In that case, select the MAX or STD
position.
DTS LFE (Adjusting the level of the LFE
channel for DTS)
Control range: –10 dB to +10 dB (in 1 dB steps)
Preset value: 0 dB
* This adjustment is effective only when DTS is being decoded
and the signals of the selected source encoded with DTS
contain LFE signals.
This adjusts the output level of the LFE channel. If the LFE
signals are mixed with signals of other channels and they are
output from the same speakers, the ratio of the LFE signal level
to the level of the other signals can be adjusted.
(See page 6 for details about the LFE channel.)
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Control range: 0 ms to 5 ms (in 1 ms steps)
Preset value: 0 ms
* This adjustment is effective only when Dolby Digital or DTS is
being decoded and the signals of the selected source
encoded with Dolby Digital or DTS contain center-channel
signals.
This adjusts the delay between the main sound (on the main
channels) and dialog, etc. (on the center channel).
The larger the value, the later the dialog, etc. is generated.
English
C.DELAY [Adjusting the delay of
center sounds (dialog, etc.)]
Adjustment method
Adjustments should be made while watching the information on
this unit’s display.
When adjusting with the remote control, set the SELECTOR
DIAL to the AMP/TUN or DSP position on the remote control.
or
Press SET MENU once or more so that the function which you
want to change appears on the display.
Front panel
This is for making sounds from the left main, center and right
main speakers reach your listening position at the same time.
This is achieved by delaying the sound from the center speaker
if the distance from the center speaker to your listening position
is shorter than the distance from the left or right main speaker
to your listening position.
GUARD (Memory guard)
Choices: ON/OFF
Preset position: OFF
Remote control
or
* After pressing SET MENU once on the remote control, you
can also select the title by pressing . (Pressing goes back
one selection.)
Press + or – to select any desired position or to edit parameters
of the chosen function.
If you wish to prevent accidental alterations to SET MENU and
other adjustments on this unit, select ON. The following
functions on this unit can be locked by this operation:
• Other functions in the SET MENU mode
• Functions in the TIME/LEVEL mode
• Functions when using TEST
Front panel
Remote control
or
INPUT
(Selecting the mode of the TV/DBS input)
Repeat these steps to change or adjust the settings of any
other function.
Choices: AUTO/LAST
Preset position: AUTO
You can designate the input mode that is automatically selected
when the power of this unit is switched on for only the sources
connected to the TV/DBS input terminals of this unit.
AUTO:
LAST:
In this position, the AUTO input mode is always
selected when the power for this unit is switched on.
In this position, the input mode you selected last time
is memorized and will not be changed when the
power is switched on again.
Memory back-up
The memory back-up circuit prevents the stored data from
being lost when this unit is set in the standby mode. If,
however, the power plug is disconnected from the AC outlet or
the power is cut due to temporary power failure for more than
one week, the settings of the SET MENU mode will automatically return to the factory settings. If so, they can be re-set by
simply following the procedure above.
* See page 26 for details on switching the input mode.
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REMOTE CONTROL
You can use the remote control to control not only this unit but also other components connected to it. The remote control is factory
set to control this unit and most YAMAHA audio components.
To control other brands of components, you must preset the remote control with the manufacturers’ codes listed from
page 369.
Components which can be controlled
There are nine positions that you can select to control connected components with this remote control. When turning the
SELECTOR DIAL, the position changes as follows:
AMP/TUN:
You can perform the basic
operations of this unit with the
SELECTOR DIAL set to this
position.
TV:
A television can be
controlled.
CBL/DBS:
A cable television or
DBS tuner can be
controlled.
VCR:
A VCR can be controlled.
TAPE/MD:
The code for a YAMAHA tape deck is preset.
(Be sure to preset the proper code when operating a YAMAHA
MD recorder.)
CD:
The code for a YAMAHA CD player is preset.
SELECTOR
DIAL
DSP:
This unit can be controlled and DSP programs can be selected
directly.
DVD/LD & DVD MENU:
An LD player can be controlled by using the DVD/LD position.
A DVD player can be controlled by using the DVD/LD and
DVD MENU positions. The code for a YAMAHA DVD player is
preset. If the remote control will not operate your YAMAHA
DVD player, you need to preset code number “4490.”
Notes
1. The shaded positions in the diagram above indicate that you can preset the code for the manufacturer of your component.
Note that you can preset only one code for one position. (See “SETUP CODES” on page 50 for details).
2. DVD/LD and DVD MENU positions:
• Be sure that the SELECTOR DIAL is set to the DVD/LD position before presetting the code for a DVD or an LD player. The
code that you preset to the DVD/LD position is also simultaneously preset to the DVD MENU position. You cannot preset the
code for a DVD player when the SELECTOR DIAL is set to the DVD MENU position.
• DVD MENU operations cannot be performed for some DVD players.
3. When using a second (and third) VCR (See “To use a second (and third) VCR” on page 50 for details.):
• If you are not using a CBL/DBS (cable TV or DBS tuner), the second (or third) VCR can be preset by using the CBL/DBS
position.
• If you are not using a DVD player, the second (or third) VCR can be preset by using the DVD MENU position. Note that in
this case you must preset the code for an LD player to the DVD/LD position even if an LD player is not being used.
4. The button functions on the remote control differ depending on the position selected by the SELECTOR DIAL. Refer to the
following pages for details.
Basic operation
1
Select the position for the component that you want to
control by turning the SELECTOR DIAL.
Note: Turn the SELECTOR DIAL until it stops with a click.
2
Press the desired operation button.
Note: Press the button with the remote control aimed at
the front panel.
The position name is displayed
in this window.
Indicator
The indicator will flash when the button
is pressed.
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■ AMP/TUN
Note: TV POWER and TV VOLUME function if you have preset the code for your TV.
1 POWER
w
1
Indicator window:
Displays the names of
components which
can be controlled.
Indicator:
Flashes in red
when the button
is pressed.
SELECTOR DIAL:
Selects the
position for the
component to be
controlled.
2
3
4
5
6
e
r
This button turns the unit on.
2 INPUT
Press one of these buttons to select the required input source.
3 EXT. DEC.
Press this button when using an external decoder.
4 A/B/C/D/E
Press this button to select a group of preset stations.
5 DSP
Press this button. While the indicator is lit up for about three
seconds, select a DSP program by using the number buttons (1
to 8). No DSP program can be selected after the indicator goes
off.
6 PRESET (+/–)
Press these buttons to select the preset station number.
7 VOLUME (
)
Press these buttons to adjust the volume level.
7
8
TV VOLUME
8 MUTE
Press this button to mute the sound. To cancel mute, press this
button once more, or press the operation buttons of this unit.
9
9 SLEEP
TV POWER
Press this button to set the SLEEP timer.
0
t
0 (LEFT), (RIGHT)
These buttons are used to adjust the settings of the SET MENU
mode and the TIME/LEVEL mode.
q TIME/LEVEL
y
q
Press this button to set the unit in the TIME/LEVEL mode and to
select the item.
w STANDBY
Press this button to set this unit in the standby mode.
e TEST
Press this button to output a test tone for adjusting the output
level of the speakers.
r EFCT (EFFECT) ON/OFF
Press this button to turn on or off the DSP program which
includes the Dolby Pro Logic decoder, the Dolby Digital
decoder and the DTS decoder.
■ DSP
t
(NEXT), (BACK)
These buttons are used to advance or go back one selection in
the SET MENU mode and TIME/LEVEL mode.
y SET MENU
Press this button to set the unit in the SET MENU mode and to
select functions.
2 DSP program
Press one of these buttons to select the required DSP program
(1 to 8). When you select the input source, set the SELECTOR
DIAL to the AMP/TUN position.
2
Note: The function of all buttons other than DSP program is
the same as that with the AMP/TUN position.
45
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English
The lightly marked buttons do not function.
The lightly marked buttons do not function. See “AMP/TUN” on page 45 for those buttons which are not described
here. Please refer to the owner’s manual for details of each component.
■ TAPE/MD
1
Notes: • TV POWER and TV VOLUME function if you have preset the code for your TV.
• Be sure to preset the proper code for your MD recorder.
TAPE
MD
1 POWER
1 POWER
This button turns the unit on under factory settings. If another
code for your tape deck whose remote control has a power
button is preset, the button will turn on the tape deck.
This button turns the unit on if
you have preset the code for
the YAMAHA MD recorder. If
another code for your MD
recorder whose remote control
has a power button is preset,
the button will turn on the MD
recorder.
2
(REC/PAUSE)
Press this button to give a pause in recording on the
tape deck.
3
DIR A
Press this button to select the playing direction of deck A.
4
(PLAY)
TV VOLUME Press this button to play a tape.
5 (REWIND)
Press this button to rewind a tape.
6
TV
POWER
7
8
9
0
q
2
3
4
5
7 DECK A/B
Press this button to select deck A or B on the double
cassette tape deck.
9
DIR B
Press this button to select the playing direction of deck B.
0 (STOP)
Press this button to stop the operation of a tape.
q
(FAST FORWARD)
Press this button to fast forward a tape.
■ CD
2
(REC/PAUSE)
3 (SKIP)
4 (PLAY)
5 (SEARCH)
6 DISP (DISPLAY)
8 (PAUSE)
9 (SKIP)
0 (STOP)
q (SEARCH)
Note: TV POWER, TV VOLUME and TV INPUT function if you have preset the code
for your TV.
1
1 POWER
This button turns the unit on under factory settings. If another code for your CD player
whose remote control has a power button is preset, the button will turn on the CD
player.
2 DISC SKIP (+/–) (for a CD player with a CD changer)
Press these buttons to skip the next or previous CD.
3
,
(SKIP)
to skip to the beginning of the next track. Press
Press
of the previous track.
to skip to the beginning
4 (PLAY)
Press this button to play a CD.
2
TV VOLUME
TV
POWER
DISPLAY
TV INPUT
6
3
4
5
7
8
5
(SEARCH)
This button initiates a backward search on the track that is playing to find the point
from which you want to listen.
6
(PAUSE)
Press this button to give a pause in operation. This button functions as PAUSE/
STOP* for operating YAMAHA CD players under factory settings.
7 (STOP)
Press this button to stop operation. This button functions as PAUSE/STOP* for
operating YAMAHA CD players under factory settings.
8
(SEARCH)
This button initiates a fast-forward search on the track that is playing to find the point
from which you want to listen.
* PAUSE/STOP function ... Press the button once to give a pause in operation and once more to stop operation.
46
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English
The lightly marked buttons do not function. See “AMP/TUN” on page 45 for those buttons which are not described
here. Please refer to the owner’s manual for details of each component.
■ DVD/LD
POWER
(DVD) This button turns the unit on under factory
settings. If another code for your DVD player
whose remote control has a power button is
preset, the button will turn on the DVD player.
(LD) This button turns the unit on if you have
preset the code for the YAMAHA LD player. If
another code for your LD player whose remote
control has a power button is preset, the button
will turn on the LD player.
Note: TV POWER, TV VOLUME and TV INPUT
function if you have preset the code for your TV.
DISC SKIP
TV VOLUME
TV POWER
SKIP/SEARCH
PLAY
SUBTITLE (DVD)/SEARCH (LD)
SUBTITLE ON/OFF (DVD)
DISPLAY
TV INPUT
PAUSE
STOP
ANGLE (DVD)/SEARCH (LD)
AUDIO (DVD)
■ DVD MENU
Note: TV POWER, TV VOLUME and TV INPUT
function if you have preset the code for your TV.
POWER
This button turns the unit on under factory
settings. If another code for your DVD player
whose remote control has a power button is
preset, the button will turn on the DVD player.
Numeric buttons
CLEAR
+10
DISC SKIP
TV VOLUME
TV POWER
MENU LEFT
MENU SELECT
SET UP
TITLE
TITLE/INDEX
TV INPUT
MENU UP
MENU RIGHT
MENU DOWN
RETURN
MENU
47
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6/24/99, 11:02 AM
The lightly marked buttons do not function. See “AMP/TUN” on page 45 for those buttons which are not described
here. Please refer to the owner’s manual for details of each component.
■ VCR
■ TV
Note: TV POWER, TV VOLUME and TV INPUT function if you
have preset the code for your TV.
Note: You can only control your VCR if you have preset the
code for it.
POWER
POWER
CHANNEL
CHANNEL
CHANNEL ENTER
CHANNEL ENTER
CHANNEL UP DOWN
CHANNEL UP DOWN
TV EFFECT ON/OFF
TV VOLUME
TV POWER
DISPLAY
VCR REC
Press this button twice
to start recording.
TV INPUT
PAUSE
PLAY
STOP
REWIND
FAST FORWARD
TV MUTE
TV SLEEP
TV POWER
VCR REC
Press this button twice.
VCR REWIND
POWER
CHANNEL
CHANNEL ENTER
+100
CHANNEL UP DOWN
TV VOLUME
TV POWER
MENU LEFT
MENU SELECT
DISPLAY
TV INPUT
MENU UP
MENU RIGHT
MENU DOWN
RECALL
MENU
48
01RX-V595aRDS-6
48
DISPLAY
TV INPUT
VCR PAUSE
VCR PLAY
■ CBL/DBS
Note: TV POWER, TV VOLUME and TV
INPUT function if you have preset
the code for your TV.
TV VOLUME
6/24/99, 11:02 AM
VCR STOP
VCR FAST
FORWARD
English
NOTES ABOUT THE REMOTE CONTROL
Battery installation
1.
2.
3.
Remote control operation range
Turn the remote control over and slide the battery compartment cover in the direction of the arrow.
Insert the batteries (AA, R6 or UM-3 type) according the
polarity markings on the inside of the battery compartment.
Close the battery compartment cover.
Remote control
sensor
Within approximately
6 m (20 feet)
2
1
3
Battery replacement
If the remote control operates only when it is close to the unit,
the batteries are weak. Replace all the batteries with new
ones.
Notes
• There should be no large obstacles between the remote
control and the unit.
• If the remote control sensor is directly illuminated by strong
lighting (especially from an inverter type of fluorescent lamp),
it might cause the remote control not to work correctly. In this
case, reposition the unit to avoid direct lighting.
Be sure to replace the batteries within about two minutes. If
it takes longer than two minutes, the codes preset for the
remote control will return to the factory settings.
Notes
• Use only AA, R6 or UM-3 batteries for replacement.
• Be sure the battery polarity is correct. (See the illustration
inside the battery compartment.)
• Remove the batteries if the remote control will not be used for
an extended period of time.
• If the batteries have leaked, dispose of them immediately.
Avoid touching the leaked material or letting it come into
contact with clothing, etc. Clean the battery compartment
thoroughly before installing new batteries.
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SETUP CODES
Presetting the remote control
Perform the presetting procedure for each component you want to control with the remote control.
Note: If your component does not respond to any of the codes listed for the manufacturer, use the original remote control that was
supplied with the component.
To control your components
(MD recorder, DVD player,
TV, etc.)
1.
2.
Turn on the component to be used.
Set the SELECTOR DIAL to the
desired position for the component
(TAPE/MD, DVD/LD, TV, etc.).
3.
Press both VOLUME buttons (
) for about four seconds at the
same time so that the indicator
flashes twice.
4.
5.
Use the numeric buttons to enter the
four-digit manufacturer’s code for
the component to be used. Make
sure that the indicator flashes twice.
If the indicator does not flash, repeat
step 3 and re-enter the code.
Press POWER (or any other button)
on the remote control to check if you
have preset the code correctly. If
the component cannot be controlled
with the remote control, try entering
another code for the same manufacturer.
To use a second (and third) VCR
You can use the CBL/DBS and/or DVD
MENU positions to control a second
(and/or third) VCR if a CBL (or DBS) or
DVD player is not being used.
If you are using the DVD MENU position
for a second (or third) VCR, you must
preset the code for an LD player to the
DVD/LD position.
1.
2.
Turn on the VCR to be used.
Set the SELECTOR DIAL to the
CBL/DBS or DVD MENU position.
3.
Press both VOLUME buttons (
) for about four seconds at the
same time so that the indicator
flashes twice.
To return all components to the factoryset codes, follow these steps.
1. Set the SELECTOR DIAL to a
position other than the AMP/TUN or
DSP position.
2. Press both VOLUME buttons (
) for about four seconds at the
same time so that the indicator
flashes twice.
3. Enter code number “9987”.
4. Make sure that the indicator flashes
twice.
To return each component to the factoryset code, follow these steps.
1. Set the SELECTOR DIAL to the
position for the component to be
returned to the factory-set code.
2. Press both VOLUME buttons (
) for about four seconds at the
same time so that the indicator
flashes twice.
3. Enter code number “9999”.
4. Make sure that the indicator flashes
twice.
4.
Press MUTE.
5.
Use the numeric buttons to enter the
four-digit code for the second (or
third) VCR. Make sure that the
indicator flashes twice. If the
indicator does not flash, repeat
steps 3 and 4, and re-enter the
code.
6.
Returning to the factory-set
codes
Press POWER (or any other button)
on the remote control to check if you
have preset the code correctly. If
the VCR cannot be controlled with
the remote control, try entering
another code for the same manufacturer.
The following codes are preset as the
factory settings.
Factory-set codes
POSITION Component Code
TV
50
0037
2455
VCR
VCR
3072
DVD/LD
DVD player 4545 YAMAHA
CD
CD player
6187 YAMAHA
TAPE/MD Tape deck
8524 YAMAHA
We recommend that you write all the
code numbers you have preset on the
“Quick Reference Card.”
50
01RX-V595aRDS-6
TV
CBL/DBS DBS tuner
6/24/99, 11:02 AM
If the unit fails to operate normally, check the following points to determine whether the fault can be corrected by the simple
measures suggested. If it cannot be corrected, or if the fault is not listed in the SYMPTOM column, disconnect the power cord and
contact your authorized YAMAHA dealer or service center for help.
Amplifier
SYMPTOM
REMEDY
CAUSE
The unit fails to turn on when
STANDBY/ON is pressed, or set in
the standby mode suddenly soon
after the power has been turned on.
The power cord is not plugged in or the
plug is not completely inserted.
Firmly plug in the power cord.
The IMPEDANCE SELECTOR switch
on the rear panel is not fully set to the
upper or lower end.
Set the switch fully to the upper or
lower end when the unit is in the
standby mode.
The unit does not work normally.
The internal microcomputer has been
frozen by an external electric shock
(lightning, excessive static electricity,
etc.) or by a power supply with low
voltage.
Set the unit in the standby mode and
disconnect the AC power cord from the
AC outlet. After about 30 seconds have
passed, connect the power and operate
the unit again.
No sound or no picture.
Incorrect output cord connections.
Connect the cords properly. If the
problem persists, the cords may be
defective.
An appropriate input source has not
been selected.
Select an appropriate input source with
INPUT or TAPE/MD MON / EXT.
DECODER.
SPEAKERS have not been set
properly.
Set SPEAKERS corresponding to the
speakers in use to the ON position.
The speaker connections are not
secure.
Secure the connections.
Digital signals other than PCM audio
and Dolby Digital or DTS encoded
signals which this unit cannot
reproduce are input to this unit by
playing a CD-ROM etc.
Play a source whose signals this unit
can reproduce.
No picture.
There is no S video terminal connection
between this unit and the TV, although
S video signals are input to this unit.
Connect this unit’s S VIDEO MONITOR
OUT terminal to the TV’s S video input
terminal.
The sound suddenly goes off.
The protection circuit has been
activated because of a short circuit, etc.
Set the unit in the standby mode and
then switch on again to reset the
protection circuit.
The SLEEP timer has functioned.
Turn on the power, and play the source
again.
Only the speakers on one side can
be heard.
Incorrect setting of BALANCE.
Adjust it to the appropriate position.
Incorrect cord connections.
Connect the cords properly. If the
problem persists, the cords may be
defective.
A “humming” sound can be heard.
Incorrect cord connections.
Firmly connect the audio plugs. If the
problem persists, the cords may be
defective.
No connection from the turntable to the
GND terminal.
Make the GND connection between the
turntable and this unit.
The volume level is low while
playing a record.
The record is being played on a
turntable with an MC cartridge.
The turntable should be connected to
the unit through the MC head amplifier.
The volume level cannot be
increased, or the sound is distorted.
The component connected to the REC
OUT terminals of this unit is in the
standby mode.
Turn on the power to the component.
51
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51
6/24/99, 11:02 AM
English
TROUBLESHOOTING
SYMPTOM
No sound from the effect speakers.
FM
Amplifier
No sound from the rear speakers.
No sound from the center speaker.
CAUSE
REMEDY
The sound effect setting is off.
Press EFFECT on the front panel or
EFCT ON/OFF on the remote control to
turn it on.
A Dolby Surround or DTS decoding
program is being used with material not
encoded with Dolby Surround or DTS.
Use a different sound field program.
The sound output level of the rear
speakers is set to minimum.
Raise the sound output level of the rear
speakers.
A monaural sound source is being
played in the DOLBY PRO LOGIC or
DOLBY PRO LOGIC ENHANCED
program.
Select another sound field program
suitable for the monaural sound source.
The sound output level of the center
speaker is set to minimum.
Raise the sound output level of the
center speaker.
The function “CNTR” in the SET MENU
is set to the NONE position.
Select the LARGE or SMALL position.
Incorrect sound field program selection.
Select the appropriate program.
The input signals of the source encoded
with Dolby Digital or DTS do not have
center channel signals.
Refer to the instructions for the source
being currently played.
The sound field cannot be recorded.
It is not possible to record the sound
field on a tape deck or MD recorder
connected to the unit’s REC OUT
terminals.
The DVD/LD, TV or DBS source
cannot be recorded on a tape deck,
MD recorder or VCR connected to
this unit.
The DVD/LD player, TV or DBS tuner is
connected to the unit by only the digital
terminals.
Make additional connections between
the analog terminals.
FM stereo reception is noisy.
The characteristics of FM stereo
broadcasts may cause this problem
when the transmitter is too far away or
the antenna input is poor.
Check the antenna connections.
Try using a high-quality directional FM
antenna.
Set TUNING MODE to the manual
tuning mode.
There is distortion and clear
reception cannot be obtained even
with a good FM antenna.
There is multipath interference.
Adjust the antenna position to eliminate
multipath interference.
The desired station cannot be tuned
in with the automatic tuning method.
The station is too weak.
Use the manual tuning method.
Use a high-quality directional FM
antenna.
Previously preset stations can no
longer be tuned in.
The unit has been unplugged for a long
period.
Repeat the presetting procedure.
The desired station cannot be tuned
in with the automatic tuning method.
The signal is weak or the antenna
connections are loose.
Tighten the AM loop antenna
connections and rotate it for best
reception.
AM
Use the manual tuning method.
There are continuous crackling and
hissing noises.
Noise will result from lightning,
fluorescent lamps, motors, thermostats
and other electrical equipment.
Use an outdoor antenna and a ground
wire. This will help somewhat, but it is
difficult to eliminate all noise.
There are buzzing and whining
noises (especially in the evening).
A television set is being used nearby.
Relocate this unit away from the TV.
52
01RX-V595aRDS-7
52
6/24/99, 11:02 AM
The remote control does not work.
REMEDY
CAUSE
Direct sunlight or lighting (from an
inverter type of fluorescent lamp, etc.) is
striking the remote control sensor of this
unit.
Change the position of this unit.
The manufacturer’s code has not been
set properly.
Set the code again.
The proper manufacturer’s code for the
component to be controlled has not
been set.
Try entering another code for the same
manufacturer.
The component to be controlled has not
been selected.
Set the SELECTOR DIAL to the proper
position.
The sound is degraded when
listening with the headphones to a
CD player or tape deck that is
connected to this unit.
This unit is in the standby mode.
Turn on the power of the unit.
There is noise interference from
digital or high-frequency equipment
or the unit.
The unit is too close to the digital or
high-frequency equipment.
Move the unit further away from such
equipment.
Remote control
Others
English
SYMPTOM
When playing back a source encoded with DTS
SYMPTOM
CAUSE
REMEDY
The player which plays back the source
is not connected to a digital audio signal
input terminal of this unit.
The player must be connected to a
digital audio signal input terminal of this
unit besides the analog audio signal
terminal connections.
The ANALOG input mode is selected on
this unit.
Select a proper input mode on this unit
to turn on the DTS decoder built into
the unit.
A percussive noise is heard when you
begin playing back a source encoded
with DTS.
If the AUTO input mode is selected,
depending on some sources, there may
be a case that a noise is heard while
this unit is identifying the format of the
input signal.
Set the input mode of the currently
selected input source to DTS.
No sound is heard when you play back
a source encoded with DTS, even
though the AUTO input mode is
selected on this unit.
The DTS decoder built into this unit
does not function because the player
has a digital volume control and it is set
at a position other than “maximum,”
“neutral” or “ineffective.”
Set the player’s digital volume control
at the maximum, neutral or ineffective
position.
No sound is heard when you play back
an MD or DAT on to which you have
recorded a source encoded with DTS.
A source encoded with DTS cannot be
recorded on to an MD or DAT.
No sound is heard when you play back
a source (CD, etc.) even though the
currently selected input mode is AUTO.
In the AUTO mode, the DTS-decoding
mode cannot be automatically changed
to the normal (PCM) digital signal input
mode.
A loud hissing noise is heard when you
play back a source encoded with DTS.
Press INPUT MODE on the front panel
or INPUT (for the currently selected
source) on the remote control so that
AUTO appears on the display.
Notes
• It is necessary to use a DTS decoder to play back a source encoded with DTS, so the player which plays back the source must
be connected to a digital audio input terminal of this unit in the way described in this manual. If this connection is not made or
only a D-to-A converter is being used without using a DTS decoder, when you play back the source, only a loud hissing noise will
be heard.
• If you make a search (or skip, etc.) operation while playing back a source encoded with DTS, the “dts” indicator goes out from the
display. This is because this unit automatically changes the DTS-decoding mode to the standard (PCM) digital signal input mode
to prevent a noise from being output.
53
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53
6/24/99, 11:02 AM
SPECIFICATIONS
AUDIO SECTION
Minimum RMS Output Power
8 ohms, 20 Hz to 20 kHz, 0.04% THD
MAIN L/R ............................. 65 W + 65 W
CENTER ........................................... 65 W
REAR L/R ............................ 65 W + 65 W
8 ohms, 1 kHz, 0.07% THD
MAIN L/R ............................. 80 W + 80 W
CENTER ........................................... 80 W
REAR L/R ............................ 80 W + 80 W
Dynamic Power per Channel
(by IHF Dynamic Headroom measuring method)
MAIN L/R
8/6/4/2 ohms ................ 90/110/135/160 W
DIN Standard Output Power per Channel
[Europe model only]
4 ohms, 1 kHz, 0.7% THD ................. 110 W
IEC Power
[Europe model only]
8 ohms, 1 kHz, 0.04% THD .... 75 W + 75 W
Power Band Width
MAIN L/R
8 ohms, 35 W, 0.1% THD 10 Hz to 50 kHz
Damping Factor (SPEAKER A)
8 ohms, 20 Hz to 20 kHz ............ 60 or more
Input Sensitivity/Impedance
PHONO MM ................... 2.5 mV/47 k-ohms
CD/TAPE·MD/DVD·LD/TV·DBS/VCR/
VIDEO AUX ................... 150 mV/47 k-ohms
EXT. DECODER
MAIN L/R .................... 150 mV/47 k-ohms
CENTER/SURROUND L/R/SUBWOOFER
.................................... 150 mV/40 k-ohms
Maximum Input Signal
PHONO MM
1 kHz, 0.1% THD ............. 100 mV or more
CD/TAPE·MD/DVD·LD/TV·DBS/VCR/
VIDEO AUX (EFFECT ON)
1 kHz, 0.5% THD ................. 2.2 V or more
Output Level/Impedance
REC OUT ..................... 150 mV/1.2 k-ohms
PRE OUT .......................... 2.1 V/1.2 k-ohms
SUBWOOFER
(MAIN SP: SMALL) ........ 4.0 V/1.2 k-ohms
Headphones Jack Rated Output/Impedance
CD/TAPE·MD/DVD·LD/TV·DBS/VCR/
VIDEO AUX input,
1 kHz, 150 mV, 8 ohms ...... 0.5 V/390 ohms
Total Harmonic Distortion (20 Hz to 20 kHz)
PHONO MM to REC OUT
1 V ........................................ 0.02% or less
CD/TAPE·MD/DVD·LD/TV·DBS/VCR/
VIDEO AUX (EFFECT OFF) to MAIN SP OUT
35 W/8 ohms ...................... 0.025% or less
Signal-to-Noise Ratio (IHF-A Network)
PHONO MM to REC OUT
(5 mV, Input Shorted) .......... 81 dB or more
CD/TAPE·MD/DVD·LD/TV·DBS/VCR/
VIDEO AUX (EFFECT OFF) to MAIN SP OUT
(150 mV, Input Shorted) ...... 96 dB or more
Residual Noise (IHF-A Network)
MAIN L/R SP OUT ................ 150 µV or less
Signal-to-Noise Ratio
(DIN-Weighted, 40 kHz Dev.)
Mono/Stereo ............................. 75 dB/69 dB
Harmonic Distortion (1 kHz)
Mono/Stereo .................................. 0.1/0.2%
Stereo Separation (1 kHz) .................... 48 dB
Frequency Response
20 Hz to 15 kHz ................................ 0±1 dB
Antenna Input .............. 75 ohms, Unbalanced
Channel Separation
(Vol. –30 dB, EFFECT OFF)
PHONO MM
(Input Shorted, 1 kHz/10 kHz)
.................... 60 dB or more/55 dB or more
CD/TAPE·MD/DVD·LD/TV·DBS/VCR/
VIDEO AUX
(Input 5.1 k-ohms Terminated, 1 kHz/10 kHz)
.................... 60 dB or more/45 dB or more
Output Level
(40 kHz Dev., 1 kHz) ........................ 550 mV
Tone Control Characteristics
BASS:
Boost/cut ............. ±10 dB (50 Hz)
Turnover Frequency ......... 350 Hz
TREBLE: Boost/cut ........... ±10 dB (20 kHz)
Turnover Frequency ........ 3.5 kHz
Antenna .................................... Loop antenna
Filter Characteristics
MAIN L/R, REAR L/R (SPEAKER: SMALL)
(H.P.F) ..................... fc = 90 Hz, 12 dB/oct.
SUBWOOFER
(L.P.F) ..................... fc = 90 Hz, 18 dB/oct.
VIDEO SECTION
Video Signal Type .................................... PAL
Video Signal Level ................ 1 Vp-p/75 ohms
S-Video Signal Level
Y ......................................... 1 Vp-p/75 ohms
C .................................. 0.286 Vp-p/75 ohms
Maximum Input Level .......... 1.5 Vp-p or more
Signal-to-Noise Ratio ............... 50 dB or more
Monitor Out Frequency Response
.............................. 5 Hz to 10 MHz, –3 dB
FM SECTION
Tuning Range ................ 87.50 to 108.00 MHz
Frequency Response (20 Hz to 20 kHz)
CD/TAPE·MD/DVD·LD/TV·DBS/VCR/
VIDEO AUX to MAIN L/R SP OUT
.................................................... 0±0.5 dB
Selectivity
(two signals, 40 kHz Dev. ±300 kHz)
......................................................... 55 dB
AM SECTION
Tuning Range ...................... 531 to 1,611 kHz
Usable Sensitivity ............................ 300 µV/m
Signal-to-Noise Ratio ............................ 52 dB
Output Level
(30% mod., 1 kHz) ........................... 150 mV
GENERAL
Power Supply ....................... AC 230 V, 50 Hz
Power Consumption ............................. 300 W
AC Outlets
2 SWITCHED OUTLETS
[Europe model] ............... 100 W max. total
1 SWITCHED OUTLET
[U.K. model] ........................... 100 W max.
Dimensions (W x H x D)
.................................. 435 x 151 x 391 mm
(17-1/8” x 5-15/16” x 15-3/8”)
Weight .......................... 12.5 kg (27 lbs. 8 oz.)
Accessories ......................... AM loop antenna
Indoor FM antenna
75-ohm/300-ohm antenna adapter
(U.K. model only)
Remote control
Batteries
Specifications are subject to change without
notice.
Usable Sensitivity (DIN)
Mono (S/N 26 dB) .............................. 0.9 µV
Stereo (S/N 46 dB) ............................. 28 µV
RIAA Equalization Deviation
PHONO MM .................................. 0±0.5 dB
54
01RX-V595aRDS-7
54
6/24/99, 11:02 AM
LIST OF MANUFACTURERS’ CODES
LISTES DES CODES FABRICANT
VERZEICHNIS DER HERSTELLER CODES
LISTA ÖVER TILLVERKARKODER
TV
Abex
Acura
Admiral
Adyson
Akai
Akura
Alaron
Alba
0032
0009
0093, 0163, 0213
0217, 0032
0208, 0361
0218, 0264, 0369
0216
0037, 0218, 0371,
0009, 0036, 0235
Allorgan
0294
Amplivision
0217
Amstrad
0371, 0009,
0362, 0369
Anam
0009, 0068
Anitech
0009, 0068, 0076
Arcam
0216, 0217
Asberg
0076
Asuka
0218
Atlantic
0206
Audiosonic
0037, 0109
Autovox
0206, 0076, 0336
BPL
0282
BSR
0294
BTC
0218
Baird
0343
Basic Line
0218, 0009
Baur
0037, 0010, 0554,
0349, 0361
Beko
0370
Beon
0037
Binatone
0217
Blaupunkt
0554, 0191, 0195,
0200, 0213,
0327, 0328
Blue Sky
0218
Blue Star
0282
Bondstec
0247
Boots
0217
Brandt
0109, 0196, 0198,
0205, 0333, 0335
Brionvega
0362
Britannia
0216
Bush
0037, 0218, 0374,
0371, 0294,0009,
0282, 0036, 0349
CCE
0037, 0217
CGE
0074, 0076, 0084,
0247, 0306
CS Electronics
0216
CTC
0247
Carrefour
0036
Cascade
0009
Cathay
0037
Centurion
0037
Century
0213
Cimline
0009
Clarivox
0037
Clatronic
0370, 0076, 0247
Condor
0370, 0320
Contec
0216, 0009, 0036, 0157
Continental Edison
0196, 0198,
0205, 0333
Crosley
0074, 0076, 0084, 0213
Crown
0037, 0370, 0418,
0009, 0076
Crystal
0431
Curtis Mathes
0093
Cybertron
0218
Daewoo
0037, 0374, 0009
Dainichi
0218, 0215
Dansai
0037
Dayton
0009
De Graaf
0208
Decca
0037, 0072
Dixi
0037, 0009
Dual
0336, 0352
Dual Tec
0217
Dumont
0070
Elbe
0259
Elin
0037
Elite
0218, 0320
Elta
Emerson
Erres
Expert
Ferguson
0009
0282, 0213, 0361
0037, 0012
0206
0037, 0109, 0005,
0073, 0190, 0238,
0287, 0335, 0343
Fidelity
0216, 0361
Finlandia
0208, 0346, 0359
Finlux
0037, 0072, 0070,
0105, 0346
Firstline
0216, 0217, 0294,
0009, 0321, 0247
Fisher
0370, 0217, 0208, 0303
Flint
0455
Formenti
0037, 0320, 0213
Frontech
0264, 0431, 0163, 0247
Fujitsu
0072, 0206
Funai
0294, 0264, 0303
GE
0282, 0093
GEC
0037, 0217, 0072,
0043, 0205
GPM
0218
Geloso
0009, 0213
Genexxa
0218, 0163
GoldStar
0037, 0217, 0109,
0032, 0290
Goodmans
0037, 0217, 0374,
0371, 0072, 0036,
0235, 0317, 0343
Gorenje
0370
Gradiente
0053
Graetz
0163, 0361
Granada
0037, 0217, 0072,
0146, 0208,
0339, 0359
Grandin
0282
Grundig
0037, 0554, 0070,
0191, 0195, 0205
HCM
0009, 0282
Hanseatic
0037, 0320, 0361
Harley Davidson
0043
Harvard
0068
Hinari
0037, 0218, 0009, 0036
Hisawa
0282, 0455
Hitachi
0217, 0036, 0109, 0032,
0043, 0044, 0105, 0163,
0196, 0198, 0225,
0306, 0349
Huanyu
0216, 0374
Hypson
0037, 0282, 0264
ICE
0217, 0371, 0264
ICeS
0218
ITS
0371
ITT
0163, 0361
Imperial
0370, 0418, 0074,
0076, 0084, 0247
Indiana
0037
Ingelen
0163
Inno Hit
0072
Interbuy
0068
Interfunk
0037, 0163, 0247, 0361
Intervision
0037, 0217, 0264,
0102, 0068
Isukai
0218
JVC
0371, 0036, 0053,
0190, 0192
KTV
0217
Kaisui
0216, 0217, 0218,
0009, 0282
Kamp
0216
Kapsch
0206, 0163
Kawasho
0216
Kendo
0037, 0235, 0362
Kingsley
0216
Kneissel
0259
Korpel
0037
Koyoda
0009
Leyco
0037, 0294, 0072, 0264
Liesenk & Tter
0037
Lloytron
0032
Loewe
0075
Luma
0206
Luxor
0349, 0361
ELENCO DEI CODICI DEL FABBRICANTE
LISTA DE CÓDIGOS DE FABRICANTES
LIJST VAN CODES VAN FABRIKANT
M Electronic
0037, 0217, 0374,
0009, 0109, 0068,
0105, 0163,
0287, 0346
MGA
0150
MTC
0216, 0349
Magnadyne
0102, 0247
Magnafon
0102, 0076, 0213
Magnavox
0036
Manesth
0217, 0320, 0264, 0235
Marantz
0037
Mark
0037
Matsui
0037, 0217, 0371, 0294,
0009, 0072, 0036, 0035,
0011, 0208, 0235
Matsushita
0250
McMichael
0043
Mediator
0037, 0012
Memorex
0009, 0250, 0150
Memphis
0337
Metz
0213, 0367
Midland
0032
Minerva
0554, 0070
Minoka
0369
Mitsubishi
0036, 0093,
0108, 0150
Mivar
0216, 0290, 0291, 0292
Motion
0076
Motorola
0093
Multitech
0216, 0217, 0009,
0102, 0076
NEC
0455, 0036
NEI
0037, 0431, 0337
Neckermann
0037, 0554, 0191,
0213, 0349
Nikkai
0037, 0216, 0218, 0072,
0264, 0035, 0032, 0337
Nikko
0317
Nobliko
0102, 0076
Nokia
0361
Nordmende
0109, 0196, 0198,
0213, 0287, 0343
Oceanic
0163, 0215, 0361
Optimus
0250
Optonica
0093
Orion
0037, 0294, 0320,
0321, 0235
Osaki
0217, 0218, 0072,
0264, 0032
Oso
0218
Osume
0072, 0032, 0157
Otake
0317
Otto Versand
0037, 0217, 0320,
0036, 0010, 0554,
0191, 0213,
0343, 0349
Palladium
0370, 0418
Panama
0217, 0264
Panasonic
0250, 0163, 0213,
0214, 0226, 0367
Pathe Cinema
0216, 0320,
0213, 0238
Pathe Marconi
0196, 0198,
0205, 0333
Pausa
0009
Penney
0032
Perdio
0320
Phase
0032
Philco
0074, 0076, 0084,
0213, 0247
Philips
0037, 0374, 0554,
0012, 0043, 0323
Phonola
0037, 0012
Pioneer
0109, 0163, 0287
Profex
0009, 0076, 0361
Proline
0321
Protech
0037, 0217, 0418,
0009, 0264, 0102,
0431, 0247, 0337
Pye
0012
Quasar
0250
Quelle
0037, 0010, 0554,
0011, 0070, 0074,
0084, 0200, 0213,
0306, 0327,
0328, 0361
Questa
0036
R-Line
0037
RBM
0070
RCA
0090, 0093
Radio Shack
0032
Radiola
0037, 0012, 0323
Rank Arena
0036
Realistic
0032
Rediffusion
0361
Revox
0037
Rex
0206, 0264, 0163, 0259
Rhapsody
0216
Roadstar
0218, 0418,
0009, 0264
SBR
0037, 0012, 0043
SEG
0217, 0264, 0036, 0076
SEI
0294, 0102, 0213
Saba
0109, 0075, 0163, 0196,
0198, 0205, 0213, 0287,
0335, 0343
Saccs
0238
Saisho
0009, 0264, 0431,
0011, 0235
Salora
0163, 0349, 0359, 0361
Sambers
0102, 0076, 0213
Sampo
0032
Samsung
0037, 0370, 0217,
0009, 0264, 0032,
0090, 0290
Sandra
0216
Sanyo
0072, 0036, 0011, 0146,
0157, 0208, 0213, 0339
Schaub Lorenz
0361
Schneider
0037, 0218, 0371,
0247, 0303, 0323,
0336, 0352
Sears
0146
Sei-Sinudyne
0010
Seleco
0206, 0163, 0259, 0362
Sentra
0035
Sharp
0036, 0093, 0157
Shorai
0294
Siarem
0102, 0213
Siemens
0037, 0554, 0157,
0191, 0195, 0200,
0213, 0327, 0328
Silver
0036
Sinudyne
0294, 0102,
0213, 0235
Solavox
0032, 0163
Sonitron
0208
Sonoko
0037, 0009
Sonolor
0163, 0208, 0215
Sontec
0037
Sony
0036, 0010, 0011
Soundwave
0037, 0418
Standard
0217, 0218, 0009
Stern
0206, 0163, 0259
Sunkai
0294, 0321
Susumu
0218
Sysline
0037
Tandy
0217, 0218, 0072,
0093, 0163
Tashiko
0217, 0036, 0043, 0359
Tatung
0037, 0217, 0072
Tec
0217, 0247
Technema
0320
Technics
0250
Teknika
0150
Teleavia
0205, 0333, 0343
Telefunken
0109, 0005, 0074,
0084, 0101, 0213,
0262, 0306,
0335, 0343
Telemeister
0320
Teletech
0009
Teleton
0217, 0206, 0349
Tensai
0218, 0294, 0320, 0317
Texet
0216, 0218
369
08RX-V595aRDS-CODE
369
6/24/99, 11:19 AM
Thomson
0109, 0196, 0198,
0205, 0287, 0333,
0343, 0349
Thorn
0037, 0072, 0035, 0074,
0084, 0190, 0192, 0361
Thorn-Ferguson
0343
Tomashi
0282
Toshiba
0036, 0035, 0070, 0243
Trical
0157
Triumph
0243
Uher
0206, 0320, 0303
Ultra
0192
Ultravox
0102
Universum
0037, 0370, 0264,
0105, 0346
Vestel
0037
Victor
0053
Videosat
0247
Videotechnic
0217
Vidtech
0036
Vision
0320
Voxson
0163
Waltham
0217
Watson
0037, 0320
Watt Radio
0102
Wega
0036
White Westinghouse
0037, 0216,
0320
Yoko
0037, 0217, 0264, 0431
Zanussi
0206
CABLE
ABC
1003, 1008, 1014, 1017
Birgmingham Cable
Communications
1276
British Telecom
1003, 1105
Cabletime
1161, 1271, 1377
Clyde
1086
Contec
1019
Decsat
1423
Filmnet
1443
France Telecom
1451
GEC
1086
General Instrument
1276
GoldStar
1144
Jerrold
1003, 1276, 1014
MNet
1443, 1019
Magnavox
1032
Memorex
1000
Movie Time
1156
NSC
1156
Oak
1019
PVP Stereo Visual Matrix
1003
Panasonic
1000
Paragon
1000
Pioneer
1144, 1260
Pulsar
1000
Runco
1000
STS
1156
Salora
1382
Samsung
1144
Satbox
1375
Scientific Atlanta
1008, 1277,
1017
Starcom
1003
Tele+1
1443
Teleservice
1281
Toshiba
1000
Tudi
1286
United Cable
1003
Videoway
1250
Westminster
1105
Zenith
1000
DBS TUNER
AST
Alba
Aldes
Allantide
Amstrad
Ankaro
Anttron
Arcon
Armstrong
Astra
Astro
Avalon
2321, 2351
2455, 2421, 2362, 2613
2288
2333
2080, 2252, 2345,
2461, 2501
2369, 2288, 2220,
2519, 2217
2421, 2183
2368
2243
2108, 2539
2520, 2173, 2358, 2501
2396
Axis
BT
Barcom
Beko
Best
Blaupunkt
Boca
Brain Wave
Bush
CNT
Cambridge
Channel Master
Chaparral
CityCom
Commlink
Connexions
Crown
Cyrus
D-box
DDC
DNT
Diskxpress
Drake
EIF
Echostar
Emanon
FTE
Ferguson
2369, 2530
2668
2217
2189
2369, 2217
2173
2243, 2513
2332
2067
2520
2344
2362
2053, 2209
2394
2288
2396
2243
2200
2723
2362
2396, 2200
2217
2268
2417
2396, 2871
2421
2331
2183, 2067,
2189, 2336
Fidelity
2252
Finlux
2455, 2108, 2344, 2397
Fracarro
2871
Freecom
2421, 2335
Fuba
2421, 2369, 2396,
2217, 2297, 2417
G-Sat
2183
Galaxis
2288, 2834, 2863
Galaxisat
2321
GoldStar
2335
Gooding
2571
Goodmans
2189
Grothusen
2335
Grundig
2571, 2173,
2189, 2328
Harting und Helling
2333
Hinari
2183
Hirschmann
2502, 2173, 2573,
2287, 2333,
2397, 2398
Hitachi
2455
Houston
2668
Huth
2243, 2288, 2220, 2346
ITT
2108
InVideo
2871
Intervision
2592
JVC
2571
Johansson
2332
Kathrein
2173, 2200, 2092,
2331, 2358, 2394,
2442, 2480, 2504
Kosmos
2331, 2335
Kreiselmeyer
2173
Kyostar
2421
La Sat
2520, 2513, 2464
Lemon
2692
Lenco
2421, 2335
Lennox
2592
Lupus
2369
Luxor
2573, 2108
Manhattan
2455, 2592, 2520
Marantz
2200
Maspro
2092, 2328, 2336
Matsui
2571, 2344
Mediamarkt
2243
Micro Technology
2333, 2539
Minerva
2571
Morgan’s
2243, 2513
Multistar
2331, 2464
Muratto
2335
Navex
2332
Neuhaus
2501
Neusat
2692, 2834
Newhaus
2220
Nikko
2360
Nokia
2455, 2573, 2108,
2328, 2397, 2873
Nordmende
2362
Orbitech
2501
Oxford
2344
Pace
2455, 2183, 2067,
2328, 2336, 2791
Palcom
Palladium
Palsat
Panda
Philips
2297
2571
2501
2455
2455, 2571, 2200,
2292, 2328
Phonotrend
2288, 2592
Planet
2871
Plasmatic
2442
Polytron
2394
Promax
2455
Prosat
2288
Quadral
2362, 2519
RFT
2288, 2220, 2200
Radiola
2200
Radix
2396, 2882
SAT
2321, 2351, 2461
SEG
2421, 2369, 2539
STVI
2417
Saba
2520, 2336
Sabre
2455
Sagem
2820
Salora
2108
Samsung
2287
SatPartner
2421, 2332, 2520,
2502, 2335, 2692
Satcom
2605, 2346
Satec
2183, 2328
Satmaster
2346
Schwaiger
2183, 2394, 2504
Seemann
2396, 2530
Siemens
2173
Skymaster
2288, 2605, 2519
Star Trak
2421
Strong
2421
Sunstar
2513
TPS
2820
Tantec
2455, 2297, 2336
TechniSat
2262, 2501
Techniland
2346
Telefunken
2421
Teleka
2243, 2613
Telesat
2605
Thomson
2455
Tonna
2668, 2346
Triad
2321, 2333, 2335, 2351
Triasat
2501
Unitor
2332, 2217
Universum
2571, 2173
Vector
2333
Ventana
2200
Vortec
2421
Vtech
2351
Wevasat
2333
Winersat
2332
Wisi
2455, 2396, 2173, 2321,
2351, 2372, 2406, 2407
XSat
2889
Xcom Multimedia
2889
Zehnder
2520, 2321, 2331
VCR
ASA
Admiral
Adventura
Aiko
Aiwa
3037, 3081
3048
3000
3278
3000, 3037, 3307,
3348, 3352
Akai
3315, 3106, 3041, 3053
Akiba
3072
Alba
3072, 3020, 3278,
3209, 3315, 3352
Ambassador
3020
Amstrad
3000, 3278, 3325, 3332
Anitech
3072
Asha
3240
Asuka
3037
Audiovox
3037
Baird
3000, 3041, 3104, 3107
Basic Line
3072, 3020, 3278
Beaumark
3240
Bell & Howell
3104
Blaupunkt
3034, 3226, 3195,
3003, 3006, 3154,
3162, 3227, 3403
Brandt
3320, 3187, 3321
Brandt Electronic
3041
Broksonic
3209
Bush
3072, 3278, 3209, 3352
CCE
3072, 3278
370
08RX-V595aRDS-CODE
370
6/24/99, 11:19 AM
CGE
3000
Calix
3037
Capehart
3020
Carver
3081
Catron
3020
Cimline
3072
Cineral
3278
Citizen
3037, 3278
Clatronic
3020
Colt
3072
Combitech
3352
Condor
3020
Craig
3072, 3037, 3047, 3240
Crown
3072, 3020, 3278
Curtis Mathes
3041, 3162
Cybernex
3240
Cyrus
3081
Daewoo
3020, 3278, 3045
Dansai
3072
Daytron
3020
De Graaf
3042, 3166
Decca
3000, 3081
Denon
3042
Dual
3041
Dumont
3000, 3081, 3104
Dynatech
3000
ESC
3278, 3240
Elbe
3038
Elcatech
3072
Electrohome
3037
Electrophonic
3037
Emerex
3032
Emerson
3000, 3037, 3278,
3209, 3036,
3043, 3088
Ferguson
3320, 3041,
3107, 3321
Fidelity
3000
Finlandia
3081, 3104
Finlux
3000, 3081, 3042, 3104
Firstline
3072, 3037, 3209,
3045, 3043
Fisher
3046, 3047, 3054, 3104
Frontech
3020
Fuji
3033
Funai
3000
GE
3048, 3240
GEC
3081
Garrard
3000
General
3020
Go Video
3432
GoldHand
3072
GoldStar
3037, 3038, 3225
Goodmans
3072, 3000, 3020,
3037, 3278, 3403
Gradiente
3000, 3008
Graetz
3005, 3041, 3104, 3240
Granada
3081, 3046, 3104
Grandin
3072, 3000, 3037
Grundig
3072, 3081, 3347, 3226,
3195, 3003, 3006, 3007,
3207, 3349, 3403
HCM
3072
HI-Q
3047
Hanseatic
3037
Harley Davidson
3000
Harman/Kardon
3038
Harwood
3072
Headquarter
3046
Hinari
3072, 3004, 3240, 3352
Hitachi
3000, 3004, 3042, 3041,
3166, 3235, 3240
Hypson
3072
ITT
3106, 3046, 3384, 3005,
3041, 3104, 3240
ITV
3037, 3278
Imperial
3000
Ingersol
3004
Interfunk
3081
JVC
3067, 3384, 3008, 3041,
3206, 3207, 3486
Jensen
3041
KEC
3037, 3278
KLH
3072
Kaisui
3072
Kendo
3209, 3106
Kenwood
3067, 3384,
3038, 3041
Kodak
3037
Korpel
3072
LXI
3037
Lenco
Leyco
LIoyd’s
Loewe
Logik
Luxor
3278
3072
3000
3037, 3004, 3081, 3006
3072, 3004, 3240
3106, 3048, 3046,
3043, 3104
M Electronic
3000
MGA
3043, 3240
MGN Technology
3240
MTC
3000, 3240
Magnasonic
3278
Magnavox
3000, 3081
Magnin
3240
Manesth
3072, 3045
Marantz
3081, 3003, 3006
Marta
3037
Matsui
3209, 3004, 3036,
3088, 3348, 3352
Matsushita
3162
Memorex
3000, 3037, 3048,
3046, 3047, 3104,
3162, 3240, 3307
Memphis
3072
Metz
3347, 3195, 3003,
3006, 3162, 3227
Minerva
3195, 3006
Minolta
3042
Mitsubishi
3081, 3067,
3048, 3043
Motorola
3048
Multitech
3072, 3000
Murphy
3000
NEC
3067, 3038, 3041, 3104
Neckermann
3081
Nesco
3072
Nikko
3037
Nikon
3034
Noblex
3240
Nokia
3106, 3046, 3041,
3104, 3240
Nordmende
3320, 3384, 3041,
3297, 3321
Oceanic
3000, 3041
Okano
3315, 3348
Olympus
3226
Optimus
3037, 3432, 3048,
3104, 3162
Orion
3209, 3004, 3036,
3088, 3348, 3352
Osaki
3072, 3000, 3037
Otto Versand
3081
Palladium
3072, 3037,
3006, 3041
Panasonic
3226, 3162,
3225, 3227
Pathe Cinema
3036
Pathe Marconi
3041
Penney
3037, 3042, 3038,
3054, 3240
Pentax
3042
Perdio
3000
Philco
3209, 3038
Philips
3081, 3384, 3403
Phonola
3081
Pilot
3037
Pioneer
3081, 3067, 3162, 3235
Portland
3020
Profex
3322
Profitronic
3240
Proline
3000
Protec
3072
Pye
3081
Quarter
3046
Quartz
3046
Quasar
3162
Quelle
3081
RCA
3106, 3042, 3048, 3240
RFT
3403
Radio Shack
3000, 3037
Radiola
3081
Radix
3037
Randex
3037
Realistic
3000, 3037, 3048,
3046, 3047, 3104
Rex
3384, 3041
Ricoh
Roadstar
3034
3072, 3037,
3278, 3240
SBR
3081
SEG
3322, 3240
SEI
3004, 3081
STS
3042
Saba
3320, 3384, 3041, 3206,
3207, 3297, 3321
Saisho
3209, 3004, 3036, 3088
Salora
3106, 3046, 3043
Samsung
3432, 3045,
3053, 3240
Sanky
3048
Sansui
3000, 3067, 3041
Sanyo
3046, 3047, 3104, 3240
Saville
3352
Schaub Lorenz
3000, 3005,
3041, 3104
Schneider
3072, 3000, 3081
Scott
3045, 3043
Sears
3000, 3037, 3042, 3046,
3047, 3054, 3104
Seleco
3041
Semp
3045
Sentra
3020
Sharp
3048
Shintom
3072, 3104
Shogun
3240
Shorai
3004
Siemens
3037, 3081, 3195,
3003, 3006,
3054, 3104
Silva
3037
Singer
3072, 3045
Sinudyne
3004, 3081
Solavox
3020
Sonolor
3046
Sontec
3037
Sony
3000, 3032, 3033,
3034, 3011
Sunkai
3348
Sunstar
3000
Suntronic
3000
Sylvania
3000, 3081, 3043
Symphonic
3000
TMK
3036, 3240
Tashiko
3000
Tatung
3000, 3081, 3041
Teac
3000, 3041
Tec
3020
Technics
3226, 3162
Teknika
3000, 3037
Teleavia
3041
Telefunken
3320, 3384, 3041,
3187, 3321
Tenosal
3072
Tensai
3322, 3000
Thomas
3000
Thomson
3320, 3384, 3041
Thorn
3036, 3041, 3104
Toshiba
3081, 3045, 3384,
3041, 3043
Totevision
3037, 3240
Towada
3322
Uher
3240
Unitech
3240
Universum
3000, 3037, 3081,
3106, 3195, 3006,
3240, 3325
Vector
3045
Vector Research
3038
Video Concepts
3045
Videosonic
3240
Wards
3072, 3000, 3081, 3042,
3048, 3047, 3240
White Westinghouse
3278
XR-1000
3072, 3000
Yamaha
3038
Yamishi
3072
Yokan
3072
Yoko
3020, 3240
Zenith
3000, 3033, 3034
DVD PLAYER
Kenwood
Magnavox
Onkyo
Panasonic
Philips
Pioneer
Sony
Technics
Thomson
Toshiba
Yamaha
Zenith
4534
4503
4503
4490
4539, 4503
4525
4533
4490
4551
4503
4490, 4545
4503
LD PLAYER
Aiwa
Carver
Cyrus
Denon
Disco Vision
Funai
Hitachi
Magnavox
Marantz
Mitsubishi
NAD
Panasonic
Philips
Pioneer
Quasar
Radiola
Realistic
Salora
Sega
Sharp
Sony
Technics
Telefunken
Theta Digital
Thorn
Yamaha
5203
5064, 5194
5388
5059, 5172
5023
5203
5023
5194, 5217
5064, 5194
5059
5059
5204, 5496
5064, 5388, 5194
5023, 5059
5204
5388
5203
5064
5023
5001
5193, 5201
5204, 5496
5059
5194
5014
5217
CD PLAYER
Aiwa
6124, 6157, 6419
Akai
6108, 6156, 6199
Alba
6536, 6288, 6334
Arcam
6157
Audio Research
6157
Audio Ton
6157
Audiolab
6157
Audiomeca
6157
BSR
6134
Bestar
6164
Binatone
6452
California Audio Lab
6029
Carver
6157, 6179
Condor
6134, 6164
Cyrus
6157
DKK
6000
Denon
6003, 6034
Dual
6196
Emerson
6164
Fisher
6048, 6179, 6342
GE
6334
Genexxa
6032, 6164
GoldStar
6525, 6383
Goodmans
6536
Grundig
6157
Harman/Kardon
6108, 6173
Hitachi
6032, 6291
JVC
6072
Kenwood
6037, 6523, 6028,
6048, 6190
Kodak
6287
Krell
6157
Linn
6157
Luxman
6328
M Electronic
6525
MCS
6029
Magnavox
6157, 6038, 6129
Marantz
6157, 6029, 6038, 6129
Matsui
6157, 6288, 6307
Mclntosh
6287
Memorex
6032, 6164
Meridian
6157
Micromega
Mission
Mitsubishi
NAD
NSM
Naim
Nikko
Onkyo
Optimus
Panasonic
Philips
Pioneer
Poppy
Proton
QED
Quad
Quasar
RCA
Realistic
Revox
Roadstar
Rotel
SAE
Sansui
Sanyo
Schneider
Scott
Sharp
Sherwood
Siemens
Signature
Sony
Teac
Technics
Toshiba
Universum
Victor
Wards
Yamaha
Yorx
6157
6157
6108, 6156
6000
6157
6157
6525, 6164
6101, 6102
6000, 6032, 6037, 6536,
6048, 6179, 6196, 6342
6303, 6029, 6367
6157, 6274, 6287
6032
6164
6157
6157
6157
6029
6179
6164, 6179
6157, 6113
6461, 6525, 6527
6157
6157
6157, 6202, 6513
6048, 6179, 6342
6134
6164
6037, 6262, 6265
6114, 6196
6516
6108
6000, 6490
6378
6207, 6303, 6029
6481
6157
6072
6157, 6108
6036, 6082, 6187, 6712
6461
MD RECORDER
Kenwood
Sony
Yamaha
7826
7490
7888, 7490
TAPE DECK
Aiwa
Akai
Arcam
Carver
Denon
Fisher
Grundig
Harman/Kardon
JVC
Kenwood
Magnavox
Marantz
Memorex
Mitsubishi
Onkyo
Optimus
Panasonic
Philips
Pioneer
Revox
Sansui
Sanyo
Sharp
Sony
Technics
Victor
Wards
Yamaha
8029, 8197, 8200
8188, 8189
8076
8029
8076, 8412
8074
8029
8182
8244, 8273, 8274
8070, 8071, 8092,
8205, 8233, 8234
8029
8029, 8009
8099, 8101
8189
8136, 8135
8027, 8220
8229
8029
8027, 8099, 8101, 8220
8029
8029, 8009
8074
8205
8170, 8243
8229
8273, 8274
8027
8094, 8097, 8205,
8478, 8524
371
08RX-V595aRDS-CODE
371
6/24/99, 11:19 AM
BG
RX-V595aRDS
YAMAHA
YAMAHA
YAMAHA
YAMAHA
YAMAHA
YAMAHA
YAMAHA
RX-V595aRDS
Natural Sound AV Receiver
Ampli-Tuner audio-vidéo
OWNER’S MANUAL
MODE D’EMPLOI
BEDIENUNGSANLEITUNG
BRUKSANVISNING
MANUALE DI ISTRUZIONI
MANUAL DE INSTRUCCIONES
GEBRUIKSAANWIJZING
ELECTRONICS CORPORATION, USA 6660 ORANGETHORPE AVE., BUENA PARK, CALIF. 90620, U.S.A.
CANADA MUSIC LTD. 135 MILNER AVE., SCARBOROUGH, ONTARIO M1S 3R1, CANADA
ELECTRONIK EUROPA G.m.b.H. SIEMENSSTR. 22-34, 25462 RELLINGEN BEI HAMBURG, F.R. OF GERMANY
ELECTRONIQUE FRANCE S.A. RUE AMBROISE CROIZAT BP70 CROISSY-BEAUBOURG 77312 MARNE-LA-VALLEE CEDEX02, FRANCE
ELECTRONICS (UK) LTD. YAMAHA HOUSE, 200 RICKMANSWORTH ROAD WATFORD, HERTS WD1 7JS, ENGLAND
SCANDINAVIA A.B. J A WETTERGRENS GATA 1, BOX 30053, 400 43 VÄSTRA FRÖLUNDA, SWEDEN
MUSIC AUSTRALIA PTY, LTD. 17-33 MARKET ST., SOUTH MELBOURNE, 3205 VIC., AUSTRALIA
Printed in Malaysia ID
00RX-V595aRDS-cv1/4 (ML)
1
V403300
6/28/99, 2:34 PM
Quick Reference Card
TAPE/MD
AMP/TUN
POWER
STANDBY
CD
DVD/LD
POWER
POWER
POWER
INPUT
INPUT
INPUT
DISC SKIP
DISC SKIP
SELECTOR
DIAL
INPUT
EXT. DEC.
TEST
A/B/C/D/E
DSP
PRESET
UP DOWN
VOLUME
MUTE
EFFECT
ON/OFF
TV VOLUME
TV VOLUME
TV VOLUME
TV VOLUME
TV POWER
DISPLAY (MD)
SLEEP
TV POWER
REC/PAUSE
DIR A (TAPE)
SKIP (MD)
PLAY
SET MENU
TIME/LEVEL
REWIND (TAPE)
SEARCH (MD)
DISPLAY
DISPLAY
TV POWER
DECK A/B (TAPE)
PAUSE (MD)
DIR B (TAPE)
SKIP (MD)
STOP
FAST
FORWARD (TAPE)
SEARCH (MD)
SKIP
PLAY
SEARCH
TV POWER
TV INPUT
PAUSE
STOP
SEARCH
SKIP/SEARCH
PLAY
TV INPUT
PAUSE
STOP
SUBTITLE (DVD)
SEARCH (LD)
ANGLE (DVD)
SEARCH (LD)
SUBTITLE
ON/OFF (DVD)
AUDIO (DVD)
DSP
DSP program
V404530
Quick Reference Card
DVD MENU
VCR
CBL/DBS
TV
POWER
POWER
POWER
POWER
Numeric
buttons
CHANNEL
CHANNEL
CHANNEL
CHANNEL
ENTER
CHANNEL
UP DOWN
CHANNEL
ENTER
CHANNEL
UP DOWN
+10
CLEAR
DISC SKIP
TV VOLUME
TITLE/INDEX
TV VOLUME
TV POWER
MENU LEFT
TITLE
DISPLAY
TV POWER
TV INPUT
MENU UP
MENU RIGHT
MENU SELECT
SET UP
TV VOLUME
DISPLAY
TV POWER
VCR REC (*1)
PLAY
MENU DOWN
RETURN
REWIND
TV INPUT
PAUSE
STOP
FAST FORWARD
MENU
*1: Press this button twice to start recording.
*1: Appuyer deux fois sur cette touche pour démarrer l’enregistrement.
*1: Diese Taste zweimal drücken, um die Aufnahme zu starten.
*1: Tryck två gånger på denna knapp för att starta inspelningen.
+100
MENU LEFT
MENU SELECT
TV INPUT
MENU UP
MENU RIGHT
MENU DOWN
RECALL
CHANNEL
ENTER
CHANNEL
UP DOWN
TV MUTE
TV SLEEP
TV POWER
VCR REC (*1)
TV EFFECT
ON/OFF
TV VOLUME
DISPLAY
TV INPUT
VCR PAUSE
VCR PLAY
VCR REWIND
MENU
VCR STOP
VCR FAST
FORWARD
*1: Premere due volte questo tasto per iniziare la registrazione.
*1: Presione dos veces este botón para empezar a grabar.
*1: Druk tweemaal op deze toets om met opnemen te beginnen.
V404530