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RX-V590
Natural Sound Stereo Receiver
Récepteur stéréo “Son Naturel”
Receptor estéreo de Sonido Natural
OWNER’S MANUAL
MODE D’EMPLOI
MANUAL DE INSTRUCCIONES
2
SUPPLIED ACCESSORIES
ACCESSOIRES FOURNIS
ACCESORIOS INCLUIDOS
●
●
●
Remote Control Transmitter
Emetteur de télécommande
Transmisor del control remoto
(U.S.A., Canada and Australia models)
(Modèles pour les Etats-Unis, le Canada et l’Australie)
(Modelos para EE.UU., Canadá y
Australia)
●
●
●
After unpacking, check that the following parts are included.
Après le déballage, vérifier que les pièces suivantes sont incluses.
Desembale el aparato y verificar que los siguientes accesorios están en la caja.
●
●
●
Batteries (size AA, R6, UM-3)
Piles (taille AA, R6, UM-3)
Pilas (tamaño AA, R6, UM-3)
(General model)
(Modèle général)
(Modelo general)
●
●
●
User Program Sheets
(U.S.A., Canada and Australia models only)
Feuilles de programmation
(Modèles pour les Etats-Unis, le Canada et l’Australie seulement)
Cubiertas di programa
(Sólo modelos para EE.UU.,
Canadá y Austalia)
●
●
●
Indoor FM Antenna
Antenne FM intérieure
Antena FM interior
●
●
●
AM Loop Antenna
Cadre-antenna AM
Antena de cuadro de AM
Thank you for selecting this YAMAHA stereo receiver.
FEATURES
●
5 Speaker Configuration
Front: (U.S.A. and Canada models)
75W + 75W (8
Ω
) RMS Output
Power, 0.04% THD, 20-20,000 Hz
(Australia and General models)
70W + 70W (8
Ω
) RMS Output
Power, 0.04% THD, 20–20,000 Hz
Center: (U.S.A. and Canada models)
75W (8
Ω
) RMS Output
Power, 0.07% THD, 1 kHz
(Australia and General models)
70W (8
Ω
) RMS Output
Power, 0.07% THD, 1 kHz
Rear: 20W + 20W (8
Ω
) RMS Output
Power, 0.3% THD, 1 kHz
●
Digital Sound Field Processor
6 Programs for Digital Sound Field
Processing
2 Programs for Dolby Surround Decoding
(DOLBY PRO LOGIC and DOLBY PRO
LOGIC ENHANCED)
●
Automatic Input Balance Control for
Dolby Surround
●
Test Tone Generator for Easier Speaker
Output Balance Adjustment
●
3 Center Channel Modes
(NORMAL/WIDE/PHANTOM)
●
40-Station Random Access Preset Tuning
●
Automatic Preset Tuning
●
Preset Station Shifting Capability
(Preset Editing)
●
IF Count Direct PLL Synthesizer Tuning
System
●
Video Signal Input/Output Capability
●
SLEEP Timer
●
Remote Control Capability
CONTENTS
Supplied Accessories ......................................2
Caution ............................................................4
Profile of This Unit ...........................................5
Speaker Setup for This Unit ............................6
Connections ....................................................7
Speaker Balance Adjustment ........................12
Basic Operations ...........................................15
Tuning Operations .........................................18
Preset Tuning ................................................19
Using Digital Sound Field Processor (DSP)
......................................................................22
Setting the SLEEP Timer ..............................26
Remote Control Transmitter ..........................27
Troubleshooting .............................................33
Specifications ................................................34
3
4
CAUTION : READ THIS BEFORE OPERATING YOUR UNIT.
1.
To assure the finest performance, please read this manual carefully. Keep it in a safe place for future reference.
2.
Install this unit in a cool, dry, clean place – away from windows, heat sources, sources of excessive vibration, dust, moisture and cold. Avoid sources of humming
(transformers, motors). To prevent fire or electrical shock, do not expose the unit to rain or water.
3.
Never open the cabinet. If something drops into the set, contact your dealer.
4.
Do not use force on switches, controls or connection wires.
When moving the unit, first disconnect the power plug and the wires connected to other equipment. Never pull the wires themselves.
5.
The openings on the cabinet assure proper ventilation of the unit. If these openings are obstructed, the temperature inside the cabinet will rise rapidly and eventually damage the circuits. Therefore, avoid placing objects against these openings and do not install the unit where the flow of air through the ventilation openings could be impeded.
6.
Always set the VOLUME control to “–
∞
” before starting the audio source play. Increase the volume gradually to an appropriate level after playback has been started.
7.
Do not attempt to clean the unit with chemical solvents; this might damage the finish. Use a clean, dry cloth.
8.
Be sure to read the “TROUBLESHOOTING” section regarding common operating errors before concluding that the unit is faulty.
9.
When not planning to use this unit for long periods of time
(ie., vacation, etc.), disconnect the AC power plug from the wall outlet.
10.
To prevent lightning damage, disconnect the AC power plug and disconnect the antenna cable when there is an electrical storm.
11.
Grounding or polarization – Precautions should be taken so that the grounding or polarization of an appliance is not defeated.
12.
AC outlet
Do not connect audio equipment to the AC outlet on the rear panel if that equipment requires more power than the outlet is rated to provide.
13.
Voltage Selector (General Model only)
The voltage selector on the rear panel of this unit must be set for your local main voltage BEFORE plugging into the AC main supply.
Voltages are 110/120/220/240V AC, 50/60 Hz.
IMPORTANT
Please record the serial number of this unit in the space below.
Serial No.:
The serial number is located on the rear of the unit.
Retain this Owner’s Manual in a safe place for future reference.
WARNING
TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK,
DO NOT EXPOSE THIS UNIT TO RAIN OR MOISTURE.
CAUTION (FOR CANADA MODEL)
TO PREVENT ELECTRIC SHOCK, MATCH WIDE BLADE
OF PLUG TO WIDE SLOT AND FULLY INSERT.
FOR CANADIAN CUSTOMERS
THIS DIGITAL APPARATUS DOES NOT EXCEED THE
“CLASS B” LIMITS FOR RADIO NOISE EMISSIONS FROM
DIGITAL APPARATUS SET OUT IN THE RADIO
INTERFERENCE REGULATIONS OF THE CANADIAN
DEPARTMENT OF COMMUNICATIONS.
The apparatus is not disconnected from the AC power source as long as it is connected to the wall outlet, even if the apparatus itself is turned off.
FREQUENCY STEP switch (General Model only)
Because the interstation frequency spacing differs in different areas, set the FREQUENCY STEP switch (located at the rear) according to the frequency spacing in your area.
Before setting this switch, disconnect the AC power plug of this unit from the AC outlet.
PROFILE OF THIS UNIT
You are the proud owner of a Yamaha stereo receiver –an extremely sophisticated audio component. The Digital Sound Field
Processor (DSP) built into this unit takes full advantage of Yamaha’s undisputed leadership in the field of digital audio processing to bring you a whole new world of listening experiences. Follow the instructions in this manual carefully when setting up your system, and this unit will sonically transform your room into a wide range of listening environments –movie theater, concert hall, and so on.
In addition, you get incredible realism from Dolby-encoded video sources using the built-in Dolby Pro Logic Surround Decoder.
Please read this operation manual carefully and store it in a safe place for later reference.
Digital Sound Field Processing
What is it that makes live music so good? Today’s advanced sound reproduction technology lets you get extremely close to the sound of a live performance, but chances are you’ll still notice something missing: the acoustic environment of the live concert hall. Extensive research into the exact nature of the sonic reflections that create the ambience of a large hall has made it possible for Yamaha engineers to bring you this same sound in your own listening room, so you’ll feel all the sound of a live concert.
What’s more, our technicians, armed with sophisticated measuring equipment, have even made it possible to capture the acoustics of a variety of venues such as an actual concert hall, theater, etc. to allow you to accurately recreate one of several actual live performance environments, all in your own home.
Dolby Pro Logic Surround
The Dolby Pro Logic Surround Decoder program lets you experience the dramatic realism and impact of Dolby Surround movie theater sound in your own home. Dolby Pro Logic gets its name from its professional-grade steering logic circuitry, which provides greater effective front and rear channel separation for a much higher degree of realism than the
“passive” Dolby Surround circuits found in less sophisticated home audio/video equipment. Dolby Pro Logic Surround provides a true center channel, so that there are four independent channels, unlike passive Dolby Surround which has in effect only three channels: left, right, and rear. This center channel allows listeners seated in even less-than-ideal positions to hear the dialog originating from action on the screen while getting a stereo effect as well.
This Dolby Pro Logic Surround Decoder employs a digital signal processing system. This system increases sound stability at each channel and minimizes crosstalk between channels compared to conventional analog Dolby signal processing.
In addition, this unit features a built-in automatic input balance control. This circuit always presents you the best surround conditions without performing manual adjustments.
Dolby Pro Logic Surround + DSP
You can also enjoy a combination of Dolby Pro Logic Surround and DSP in the sound field program “ PRO LOGIC
ENHANCED”.
It recreates the surround effect of a movie theater, effectively duplicating its multiple surround loudspeaker system, completely surrounding the listener with the sounds of the action taking place on the screen.
5
SPEAKER SETUP FOR THIS UNIT
SPEAKERS TO BE USED
This unit is designed to provide the best sound-field quality with a 5 speaker configuration. The speakers to be used with this unit will be mainly front speakers, rear speakers, and a center speaker. (You can omit the center speaker. Refer to the “4-Speaker
Configuration” shown below.)
The front speakers are used for the main source sound and the effect sound. They will probably be the speakers of your present stereo speaker system. The rear speakers are used for the effect sound. And the center speaker is used for the center sound
(dialog etc.) encoded with the Dolby Surround. The rear and center speakers do not need to be equal in power to the front speakers. However, all the speakers should have high enough power handling to accept the maximum output of this unit.
SPEAKER CONFIGURATION
5-Speaker Configuration
This configuration is the most effective and recommended one.
In this configuration, the center speaker is necessary as well as the rear speakers. If the digital sound field program DOLBY
PRO LOGIC or DOLBY PRO LOGIC ENHANCED is selected, conversations will be output from the center speaker and the ambience will be excellent.
●
Set the center channel mode to the “NORMAL” or “WIDE” position. (For details, refer to page 13.)
Front L Center Front R
4-Speaker Configuration
The center speaker is not used in this configuration. If the digital sound field program DOLBY PRO LOGIC or DOLBY
PRO LOGIC ENHANCED is selected, the center sound is output from the left and the right front speakers. However, the sound effect of other programs can be the same as that of the
5-speaker configuration.
●
Be sure to set the center channel mode to the “PHANTOM” position. (For details, refer to page 13.)
Front L Front R
6
Rear L Rear R Rear L Rear R
SPEAKER PLACEMENT
The recommended speaker configuration, the 5-speaker configuration, will require two speaker pairs: front speakers (your normal stereo speakers), and rear speakers, plus a center speaker. When you place these speakers, refer to the following.
Front R
Center
Front L
TV set
Front: In normal position. (The position of your present stereo speaker system.)
Rear: Behind your listening position, facing slightly inward.
Nearly six feet (approx. 1.8 m) up from the floor.
Center: Precisely between the front speakers. (To avoid interference with TV sets, use a magnetically shielded speaker.)
Rear R
Rear L
CONNECTIONS
Before attempting to make any connections to or from this unit, be sure to first switch OFF the power to this unit and to any other components to which connections are being made.
CONNECTIONS WITH OTHER COMPONENTS
When making connections between this unit and other components, be sure all connections are made correctly, that is to say L (left) to L, R (right) to R, “+” to “+” and “–” to “–”. Also, refer to the owner’s manual for each component to be connected to this unit.
Turntable Monitor TV
LD player,
TV tuner, etc.
Video cassette recorder 2
75
Ω
UNBAL.
FM
ANT
GND
AM
ANT
GND
VIDEO SIGNAL
MONITOR
OUT
LD/TV
IN
VCR 1
OUT IN
VCR 2
OUT
8
Ω
MIN.
/SPEAKER
REAR
CENTER
C D
DUAL
C D:4
Ω
MIN./SPEAKER
SINGLE:8
Ω
MIN./SPEAKER
SINGLE
SPEAKERS
SPEAKERS
A
B
PHONO CD
TAPE
PB
TAPE
REC
OUT
LD/TV
AUDIO SIGNAL
IN OUT
VCR 1
IN OUT
VCR 2
FRONT
FRONT
OUTPUT
CENTER REAR
LOW
PASS fc:200Hz
A
B
A OR B:8
Ω
MIN.
/SPEAKER
A B:l6
Ω
MIN.
/SPEAKER
AC OUTLETS
SWITCHED
I20W MAX. TOTAL l20W MAX. TOTAL
I.0A MAX. TOTAL
(U.S.A. model)
MAINS
To AC outlet
CD player Tape deck Video cassette recorder 1
CONNECTING TO VIDEO AUX TERMINALS (ON THE FRONT PANEL)
These terminals are used to connect any video input source such as a camcorder to this unit.
VIDEO AUX
VIDEO L AUDIO R
: Refer to “ABOUT THE
ACCESSORY TERMINALS” on page 10.
AUDIO OUT R
AUDIO OUT L
VIDEO OUT
R
L
VIDEO
Camcorder
7
CONNECTING SPEAKERS
Connect the respective speakers to this unit as figured below.
Rear speakers
Right Left
Center speaker
8 Ω MIN.
/SPEAKER
REAR
CENTER
C D
DUAL
C D:4 Ω MIN./SPEAKER
SINGLE:8 Ω MIN./SPEAKER
SINGLE
SPEAKERS
SPEAKERS
A
B
FRONT
OUTPUT
FRONT CENTER REAR
A
B
LOW
PASS fc:200Hz
Right Left
8
Right Left
Front speakers A
Front speakers B
Note on front speaker connection:
One or two speaker systems can be connected to this unit. If you connect only one speaker system, connect it to either the
SPEAKERS A or B terminals.
Note on center speaker connection:
One or two center speakers can be connected to this unit. If you cannot place the center speaker on or under the TV, it is recommended to use two center speakers and place them on both sides of the TV to orient the center sound at the center position.
For connecting two center speakers, follow the method shown below.
REAR
IMPEDANCE SELECTOR switch
(Canada model only)
Be sure to switch this only when the power of this unit is turned off. Select the position proper for the use of your front speakers.
A OR B:USE 4
Ω
MIN.
/SPEAKER
A B:USE 8
Ω
MIN.
/SPEAKER
A OR B:USE 8
Ω
MIN.
/SPEAKER
IMPEDANCE
SELECTOR
SELECTEUR
D’IMPEDANCE
When using one pair of front speakers;
• If the impedance of each speaker is
8
Ω or higher, set to right ( ).
• If the impedance of each speaker is 4
Ω or higher, but lower than 8
Ω
, set to left ( ).
When using two pairs of front speakers;
The impedance of each speaker must be 8
Ω or higher.
Set this switch to left ( ).
CENTER
C
DUAL
SINGLE
D
FRONT LEVEL switch
(Australia model only)
Normally set to “0 dB”. If desired, you can decrease the output level at the FRONT SPEAKERS terminals by 10 dB by setting this switch to “–10 dB”.
Center speaker Center speaker
l0 dB 0 dB
FRONT
LEVEL
How to Connect:
Connect the SPEAKERS terminals to your speakers with wire of the proper gauge, cut as short as possible. If the connections are faulty, no sound will be heard from the speakers. Make sure that the polarity of the speaker wires is correct, that is, + and – markings are observed. If these wires are reversed, the sound will be unnatural and will lack bass.
Do not let the bare speaker wires touch each other and do not let them touch the metal parts of this unit as this could damage this unit and/or speakers.
Note
Use speakers with the specified impedance shown on the rear of this unit.
For connecting to the FRONT SPEAKERS terminals
Red: positive (+)
Black: negative (–)
1
2
➀
Unscrew the knob.
➁
Insert the bare wire.
[Remove approx. 5mm
(1/4”) insulation from the speaker wires.]
➂
Tighten the knob and secure the wire.
3
For connecting to the REAR and CENTER SPEAKERS terminals
Red: positive (+)
Black: negative (–)
➀
➂
➀
Press up the tab.
➁
Insert the bare wire.
[Remove approx. 5mm
(1/4”) insulation from the speaker wires.]
➂
Release the tab and secure the wire.
➁
<
U.S.A., Canada and General models only
>
Banana Plug connections are also possible. Simply insert the
Banana Plug connector into the corresponding terminal.
9
10
ABOUT THE ACCESSORY TERMINALS
AC OUTLET(S) (SWITCHED)
(U.S.A., Canada and General models)
...........................................................2 SWITCHED OUTLETS
(Australia model) ................................. 1 SWITCHED OUTLET
Use these to connect the power cords from your components to this unit.
The power to the SWITCHED outlets is controlled by this unit’s
POWER switch or the provided remote control transmitter’s
POWER key. These outlets will supply power to any component whenever this unit is turned on.
The maximum power (total power consumption of components) that can be connected to the SWITCHED AC
OUTLET(S) is 120 watts.
GND terminal (For turntable use)
Connecting the ground wire of the turntable to this terminal will normally minimize hum, but in some cases better results may be obtained with the ground wire disconnected.
FRONT OUTPUT terminals
These terminals are for front channel line output. There is no connection to these terminals when you use the built-in amplifier.
However, if you drive front speakers with an external stereo power amplifier, connect the input terminals of the external amplifier (MAIN IN or AUX terminals of a power amplifier or an integrated amplifier) to these terminals.
REAR OUTPUT terminals
These terminals are for rear channel line output. There is no connection to these terminals when you use the built-in amplifier.
However, if you drive rear speakers with an external stereo power amplifier, connect the input terminals of the external amplifier (MAIN IN or AUX terminals of a power amplifier or an integrated amplifier) to these terminals.
LOW PASS terminal
This terminal is for output to a monaural amplifier driving a subwoofer. Only frequencies below 200 Hz from the front and center channels are output.
CENTER OUTPUT terminal
This terminal is for center channel line output. There is no connection to this terminal when you use the built-in amplifier.
However, if you drive a center speaker with an external power amplifier, connect the input terminal of the external amplifier to this terminal.
ADDING A SUBWOOFER
You may wish to add a subwoofer to reinforce the bass frequencies.
Connect the LOW PASS terminal to the INPUT terminal of the subwoofer amplifier, and connect the speaker terminals of the subwoofer amplifier to the subwoofer.
With some subwoofers, including the Yamaha Active Servo
Processing Subwoofer System, the amplifier and subwoofer are in the same unit.
OUTPUT
FRONT CENTER REAR
LOW
PASS fc:200Hz
Subwoofer system
ANTENNA CONNECTIONS
●
●
Each antenna should be connected to the designated terminals correctly, referring to the following diagram.
Both AM and FM indoor antennas are included with this unit. In general, these antennas will probably provide sufficient signal strength. Nevertheless, a properly installed outdoor antenna will give clearer reception than an indoor one. If you experience poor reception quality, an outdoor antenna may result in improvement.
Outdoor FM antenna Outdoor AM antenna Indoor FM antenna
(included)
AM loop antenna
(included)
300-ohm feeder
75
Ω
UNBAL.
FM
ANT
GND
AM
ANT
GND
PHONO CD
TAPE
PB
75-ohm coaxial cable
75-ohm/300-ohm antenna adapter
Ground
Connecting the AM loop antenna
1
➀
2 3
➂
➁
* The AM loop antenna should be placed apart from the main unit. The antenna may be hung on a wall.
* The AM loop antenna should be kept connected, even if an outdoor AM antenna is connected to this unit.
Orient so that the best reception is obtained.
GND terminal
For maximum safety and minimum interference, connect the
GND terminal to a good earth ground. A good earth ground is a metal stake driven into moist earth.
Notes
●
When connecting the indoor
FM antenna, insert its
● connector into the FM ANT terminal firmly.
If you need an outdoor
FM antenna to improve
FM reception quality, either
300-ohm feeder or coaxial cable may be used. In locations troubled by electrical interference, coaxial cable is preferable.
11
12
SPEAKER BALANCE ADJUSTMENT
This procedure lets you adjust the sound output level balance between the front, center, and rear speakers using the built-in test tone generator. With this adjustment, the sound output level heard at the listening position will be the same from each speaker.
This is important for the best performance of the digital sound field processor.
The adjustment of each speaker output level should be done at your listening position with the remote control transmitter.
Otherwise, the result may not be satisfactory.
<
For U.S.A., Canada and Australia models only
>
Use the remote control transmitter with the YPC-USER-LEARN switch on it set to the YPC position.
4 5 1
5
<
U.S.A., Canada and
Australia models
>
SEARCH STOP PLAY TAPE MON
REC MUTE REC/PAUSE DIR A DIR B
SEARCH PAUSE/STOP PLAY LD/TV
CHAPTER/CH DISPLAY STOP VCR 1
PRO LOGIC
1
ENHANCED
2
SURROUND
STADIUM DISCO
5 6
CONCERT
VIDEO
3
ROCK
7
DSP
MONO
MOVIE
4
HALL
8
VCR 2
V–AUX
EFFECT
ON/OFF
MASTER
VOLUME
<
General model
REC PAUSE DIR A PLAY DIR B TAPE MON
TEST STOP LD/TV
PRO LOGIC
ENHANCED CNCT VIDEO VCR 1
CENTER
LEVEL MONO MOVIE
SUR.
STADIUM DISCO VCR 2
ROCK HALL
EFFECT
ON/OFF V AUX
REAR
LEVEL DELAY TIME VOLUME
>
5
2 3
1 4
POWER
Set to the “
∞
” position.
2
Select the front speakers to be used.
SPEAKERS
A B
ON ON
OFF OFF
3
* If you use two front speaker systems, press both the A and B switches.
3
2
4 l
BASS
0 l
5 5
2
3
4
3
2
4
TREBLE
0 l l
2
3
4
5 5
3
2
BALANCE
0 l l
2
3
4
L 5 5 R
4
Set to the “0” position.
5
Select the PRO LOGIC or PRO LOGIC
ENHANCED mode, so that the corresponding name is illuminated on the display.
DIGITAL SOUND FIELD PROCESSOR
PRO LOGIC ENHANCED
CONCERT
VIDEO
MONO
MOVIE STADIUM
DISCO
ROCK
CONCERT
CONCERT
HALL EFFECT
6 8
6
Select the center channel output mode according to your speaker configuration.
(Refer to “SPEAKER CONFIGURATION” on page 6.)
<
U.S.A., Canada and
Australia models
>
SURROUND
STADIUM DISCO
5 6
DSP
ROCK
7
HALL
8
V–AUX
EFFECT
ON/OFF
MASTER
VOLUME
CENTER LEVEL
REAR LEVEL
DELAY
TIME
TEST
RESET CLEAR
8
7
7
8
<
General model
>
REC PAUSE DIR A PLAY DIR B TAPE MON
TEST STOP LD/TV
PRO LOGIC ENHANCED CNCT VIDEO VCR 1
CENTER
LEVEL
SUR.
MONO MOVIE STADIUM DISCO VCR 2
ROCK HALL
EFFECT
ON/OFF V AUX
REAR
LEVEL
DELAY TIME VOLUME
7
TEST
TEST
ER
CENTER
MODE
NORMAL
WIDE
PHANTOM
On the feature of each mode, refer to the “Note” shown below.
Note
In step 6, when you select the center channel output mode, note the following.
For 5 speaker configuration)
NORMAL: Select this mode when you use a center speaker that is smaller than the front speakers. In this
WIDE: mode, the bass tone will be output from the front speakers.
Select this mode when you use the center speaker approximately same sized as the front speakers.
For 4 speaker configuration)
PHANTOM: Select this mode when you do not use the center speaker. The center sound will be output from the left and right front speakers.
Flashes continuously.
8
Turn up the volume.
MASTER
VOLUME
<
U.S.A., Canada and Australia models
>
<
General model
>
VOLUME
You will hear a test tone (like pink noise) from the left front speaker, then the center speaker, then the right front speaker, and then the rear speakers, for about two seconds each. The display changes as shown below.
Front (L) Center
TEST
Rear
(L and R)
Front (R)
* The test tone from the left rear speaker and the right rear speaker will be heard at the same time.
CONTINUED
13
14
<
U.S.A.,Canada and
Australia models
PRO LOGIC ENHANCED VIDEO
MONO
MOVIE
VCR 2
1 2 3 4
>
SURROUND
STADIUM DISCO
5 6
ROCK
7
HALL
8
V–AUX
DSP
EFFECT
ON/OFF
MASTER
VOLUME
CENTER LEVEL
REAR LEVEL
DELAY
TIME
TEST
12
10
11
RESET CLEAR
<
General model
>
REC PAUSE DIR A PLAY DIR B TAPE MON
TEST STOP LD/TV
PRO LOGIC
ENHANCED CNCT VIDEO VCR 1
CENTER
LEVEL
SUR.
MONO MOVIE STADIUM DISCO VCR 2
ROCK HALL
EFFECT
ON/OFF V AUX
REAR
LEVEL DELAY TIME VOLUME
9
9
Adjust the BALANCE control so that the effect sound output level of the left front speaker and the right front speaker are the same.
10
1
12
11
Adjust the sound output level of the rear speakers to be at the same level as that of the front speakers with the REAR LEVEL keys.
3
2
BALANCE
0 l l
2
4
L 5 5 R
4
3
<
U.S.A., Canada and Australia models
>
REAR LEVEL
<
General model
>
REAR
LEVEL
10
Adjust the sound output level of the center speaker to be at the same level as that of the front speakers with the CENTER LEVEL keys.
TEST
<
U.S.A., Canada and Australia models
>
CENTER LEVEL
<
General model
>
Lights up.
Adjustable
CENTER
LEVEL
0
REAR
12
Cancel the test tone.
TEST
TEST
R
TEST
Lights up.
00
CENTER
Adjustable
Stops flashing and disappears
●
Notes
●
Once you have completed these adjustments, you can adjust whole sound level on your audio system by using
● the VOLUME control (or the VOLUME keys on the remote control transmitter).
If you use external power amplifiers, their volume controls may also be adjusted to achieve proper balance.
●
In step 10, if the center channel mode is in the
“PHANTOM” position, the sound output level of the center speaker cannot be adjusted. This is because in this mode, the center sound is automatically output from the left and right front speakers.
<
Australia model only
>
If there is insufficient sound output from the center and rear speakers, you may decrease the front speaker output level by setting the FRONT LEVEL switch on the rear panel to “–10 dB”.
BASIC OPERATIONS
2 3 1, 6
TO PLAY A SOURCE
1
4 7 7
5
Play the source. (For detailed information on the tuning operation, refer to page 18.)
6
2
Set to the “
∞
” position.
POWER
3
Select the desired input source by using the input selector buttons.
(For video sources, turn the TV/monitor ON.)
TAPE
MONITOR TUNER CD PHONO
VIDEO AUX VCR 2 VCR 1 LD/TV
* The name of the selected input source will appear in the display.
4
Select the front speakers to be used.
SPEAKERS
A B
ON ON
OFF OFF
* If you use two front speaker systems, press both the A and
B switches.
Adjust to the desired output level.
7
If desired, adjust the BASS, TREBLE, BALANCE controls, etc. (refer to page 17) and use the digital sound field processor. (Refer to page 24.)
Notes on using the input selector buttons
●
Note that pressing on each input selector button selects the source which is connected to the corresponding input terminals on the rear panel.
●
* To select the source connected to the VIDEO AUX terminals on the front panel, press VIDEO AUX.
The selection of TAPE MONITOR cannot be canceled by pressing another input selector button. To cancel it, press
●
●
TAPE MONITOR again.
When you select a button other than TAPE MONITOR, make sure that TAPE MONITOR is not also selected.
If you select the input selector button for a video source without canceling the selection of TAPE MONITOR, the playback result will be the video image from the video source and the sound from the audio tape.
Once you play a video source, its video image will not be interrupted even if the input selector button for an audio source is selected.
To turn off the power
Press the POWER switch again.
15
16
1, 4 2
TO RECORD A SOURCE TO TAPE
(OR DUB FROM TAPE TO TAPE)
1
Select the source to be recorded.
TAPE
MONITOR TUNER CD PHONO
VIDEO AUX VCR 2 VCR 1 LD/TV
2
Play the source and then turn the VOLUME control up to confirm the input source. (For detailed information on the tuning operations, refer to page 18.)
Note
DSP, VOLUME, BASS, TREBLE and BALANCE control settings have no effect on the material being recorded.
3
Set the tape deck or VCR to the recording mode.
4
If the tape deck is used for recording, you can monitor the sounds being recorded by pressing TAPE
MONITOR.
TAPE
MONITOR TUNER CD PHONO
VIDEO AUX VCR 2 VCR 1 LD/TV
Selecting the SPEAKER system
Because one or two speaker systems (as front speakers) can be connected to this unit, the SPEAKERS switches allow you to select speaker system A or B, or both at once.
SPEAKERS
A B
ON ON
OFF OFF
Adjusting the BALANCE control
Adjust the balance of the output volume to the left and right speakers to compensate for sound imbalance caused by speaker location or listening room conditions.
Adjusting the BASS and TREBLE controls
3
2
4 l
BASS
0 l
5 5
2
3
4
2
3
4
TREBLE
0 l l
2
4
3
5 5
BASS : Turn this clockwise to increase (or counterclockwise to decrease) the low frequency response.
TREBLE : Turn this clockwise to increase (or counterclockwise to decrease) the high frequency response.
Note
These controls are effective only for the sound from the front speakers.
2
BALANCE
0 l l
2
3 3
4
L 5 5 R
4
Note
This control is effective only for the sound from the front speakers.
When you listen with headphones
Connect the headphones to the PHONES jack. You can listen to the sound to be output from the front speakers through headphones.
When listening with headphones privately, set both the
SPEAKERS A and B switches to the OFF position and switch off the digital sound field processor (so that no DSP program name is illuminated on the display) by pressing the EFFECT switch.
PHONES
17
TUNING OPERATIONS
Normally, if station signals are strong and there is no interference, quick automatic-search tuning (AUTOMATIC TUNING) is possible. However, if signals of the station you want to select are weak, you must tune to it manually (MANUAL TUNING).
18
AUTOMATIC TUNING
2
FM or
1 3
1
Select the reception band (FM or AM) while watching the display.
FM/AM
AM
MANUAL TUNING
1
Select the reception band (FM or AM) while watching the display.
FM/AM
FM or AM
2
TUNING
MODE
AUTO/MAN’L MONO
3
AUTO TUNING
DOWN TUNING UP
2
TUNING
MODE
AUTO/MAN’L MONO
“AUTO TUNING” goes off.
3
Tune to a desired station manually.
DOWN TUNING UP
To tune to a higher frequency, press the right side once.
To tune to a lower frequency, press the left side once.
* If the station where tuning search stops is not the desired one, press again.
* If the tuning search does not stop at the desired station
(because the signals of the station are weak), change to the MANUAL TUNING method.
Display information
PRESET
FM
➀ ➁
STEREO
MHz
0 20 l00
RE
* To continue tuning search, press and hold the button.
Note
If you tune to an FM station manually, it is received in monaural mode automatically to increase the signal quality.
➀
Displays the band and frequency of the received station.
➁
Lights up when an FM stereo broadcast is received in stereo.
➂
Indicates the signal level of the received station.
➂
PRESET TUNING
MANUAL PRESET TUNING
This unit can store station frequencies (selected by tuning operation) by using the preset station buttons. With this function, you can select any desired station by only pressing the corresponding preset station button. Up to 40 stations (8 stations x 5 pages) can be stored.
2,
1
4,
2
(Preset station buttons)
3
To store stations
1
Tune to a desired station.
(Refer to the previous page for tuning procedure.)
2
Select a desired page (A – E) of preset station buttons while watching the display.
A/B/C/D/E
PRESET
To recall a preset station
1
Select the page of preset station buttons.
A/B/C/D/E
PRESET
2
Select the desired preset station button.
PRESET STATIONS
4 5 l 2 3 6 7 8
3
MEMORY
MEMORY
MAN’L/AUTO FM
Flashes on and off for about 5 seconds.
4
Press a preset station button before “MEMORY” goes off from the display.
PRESET STATIONS
4 5 l 2 3 6 7 8
PRESET
PRESET
FM
AUTO TUNING
STEREO
MHz
0 20 l00
RE
Shows the displayed station has been programmed to A1.
* In the same way, program other stations to A2, A3 ... A8.
* You can program more stations to the preset station buttons on other pages in the same way by selecting other pages in step 2.
Notes
●
A new setting can be programmed in place of the former
● one.
For presets, the setting of the reception mode (stereo or monaural) is stored along with the station frequency.
Memory back-up
The memory back-up circuit prevents the programmed data from being lost even if the POWER switch is set off or the power plug is disconnected from the AC outlet or the power is cut due to temporary power failure. If, however, the power is cut for more than one week, the memory may be erased. If so, it can be re-programmed by simply following the PRESET
TUNING steps.
19
AUTOMATIC PRESET TUNING
You can also make use of an automatic preset tuning function for FM stations only. By this function, this unit performs automatic tuning and stores FM stations with strong signals sequentially. Up to 40 stations are stored automatically in the same way as in the manual preset tuning method on page 19.
2
1 3
To store stations
1
FM/AM
2
MEMORY
MAN’L/AUTO FM
Press and hold for about 3 seconds.
3
DOWN TUNING UP
FM
PRESET
MEMORY
AUTO TUNING
Flashes.
20
To tune to higher frequencies, press right side once.
To tune to lower frequencies, press left side once.
* If the TUNING button is not pressed, in a while, the automatic preset tuning begins automatically toward higher frequencies.
The automatic preset tuning begins from the frequency currently displayed. Received stations are programmed to
A1, A2 ... A8 sequentially.
* If more than 8 stations are received, they are also programmed to the preset station numbers on other pages
(B, C, D and E) in that order.
If you want to store the first station received by the automatic preset tuning to a desired preset station number.
If, for example, you want to store the first received station to
C5, select “C5” by using the A/B/C/D/E button and the preset station buttons after pressing the MEMORY button in step 2.
Then press the TUNING button. The first received station is stored to C5, and next stations to C6, C7 ... sequentially.
If stations are stored up to E8, the automatic preset tuning is finished automatically.
When the automatic preset tuning is finished
The display shows the frequency of the last preset station.
Check the contents and the number of preset stations by following the procedure of the section “To recall a preset station” on page 19.
To recall a preset station
Simply follow the procedure of the section “To recall a preset station” on page 19.
Notes
●
You can replace a preset station by another FM or AM station manually by simply following the procedure of the section “To store stations” on page 19.
●
If the number of received stations is not enough to be stored up to E8, the search is finished automatically when it reaches the highest frequency after searching through all frequencies.
●
With this function, only FM stations with sufficient signal strength are stored automatically. If the station you want to program is weak in signal strength, tune to it in monaural manually and program it by following the procedure of the section “To store stations” on page 19.
EXCHANGING PRESET STATIONS
You can exchange the places of two preset stations with each other as shown below.
2, 4
Example)
If you want to shift the preset station on E1 to A5, and vice versa.
1
Recall the preset station on E1 (by following the method of “To recall a preset station” on page 19).
2
EDIT
MEMORY
Flashes
3
Next, recall the preset station on A5 by following the same method with step 1.
4
EDIT
Shows the exchange of stations is completed.
MEMORY
Flashes
21
USING DIGITAL SOUND FIELD PROCESSOR (DSP)
This unit incorporates a sophisticated, multi-program digital sound field processor, which allows you to expand and shape the audio sound field from both the audio and video sources, for a theater-like experience in the listening/viewing room.
This digital sound field processor has 8 programs; 6 programs for digital sound field processing and 2 programs for the Dolby Pro
Logic Surround sound system (DOLBY PRO LOGIC and DOLBY PRO LOGIC ENHANCED). You can create an excellent audio sound field by selecting the suitable program and adding desired adjustments. In addition, when the DOLBY PRO LOGIC or
DOLBY PRO LOGIC ENHANCED program is selected, the built-in automatic input balance control functions. This presents you the best surround condition without manual adjustment.
Front Panel
1
CINEMA DSP
PRESET
AM
FM
MEMORY
AUTO TUNING
ENTER kHz
MHz
STEREO
0 20 l00
SLEEP
DELAY
CENTER
REAR
TEST ms
TAPE MONITOR
NORMAL WIDEPHANTOM
PRO LOGIC
ENHANCED
CONCERT
VIDEO
MONO
MOVIE
STADIUM
DISCO
ROCK CONCERT
CONCERT HALL
2 3
PRESET STATIONS
4 5 6 7 8
DOWN TUNING UP
CENTER
MODE DELAY TIME CENTER LEVEL REAR LEVEL
TAPE
MONITOR TUNER CD PHONO
VIDEO AUX VCR 2 VCR 1 LD/TV
DIGITAL SOUND FIELD PROCESSOR
PRO LOGIC ENHANCED
CONCERT
VIDEO
MONO
MOVIE STADIUM
DISCO
ROCK
CONCERT
CONCERT
HALL EFFECT
2 3 4 5 6
22
Remote Control Transmitter
<
U.S.A., Canada and
Australia models
>
<
General model
>
5
3
4
TRANSMIT
/LEARN YPC
USER
LEARN
POWER SLEEP
SKIP
SEARCH
TV VCR AUX
PAUSE/STOP
DISC
SKIP
PLAY
PHONO
CD
DECK A/B
SEARCH
PRESET
STOP
A/B/C/D/E TUNER
PLAY TAPE MON
REC MUTE REC/PAUSE DIR A DIR B
SEARCH PAUSE/STOP PLAY LD/TV
CHAPTER/CH DISPLAY STOP VCR 1
PRO LOGIC
1
ENHANCED
2
SURROUND
STADIUM DISCO
5 6
3
ROCK
7
DSP
VCR 2
4
HALL
8
V–AUX
EFFECT
ON/OFF
MASTER
VOLUME
CENTER LEVEL
REAR LEVEL
DELAY
TIME
TEST
RESET CLEAR
7
6
4
7
POWER
SKIP
SLEEP
PAUSE/STOP
DISC
SKIP
PLAY
PHONO
CD
DECK A/B PRESET A/B/C/D/E TUNER
REC PAUSE DIR A PLAY DIR B TAPE MON
TEST STOP LD/TV
PRO LOGIC
ENHANCED CNCT VIDEO VCR 1
CENTER
LEVEL MONO MOVIE
SUR.
STADIUM DISCO VCR 2
ROCK HALL
EFFECT
ON/OFF V AUX
REAR
LEVEL DELAY TIME VOLUME
5
6
3
1
Displays your selection on the DSP or other informations.
2
CENTER MODE
Selects the center channel output mode.
(For details, refer to page 13.)
3
DELAY TIME –/+
Adjusts the delay time. (For details, refer to page 25.)
4
CENTER LEVEL –/+
REAR LEVEL –/+
Adjusts sound output level at each speaker.
(For details, refer to page 24 and 25.)
5
Selects a digital sound field program.
6
EFFECT
Switches on/off the digital sound field processor (DSP).
7
TEST
Used for speaker balance adjustment.
(For details, refer to page 12, 13 and 14.)
Description of Each Sound Field Program
The following list gives brief descriptions of the sound fields produced by each of the DSP programs. Keep in mind that most of these are precise digital recreations of actual acoustic environments. The data for them was recorded at the locations described using sophisticated sound field measurement equipment.
Note
The channel level balance between the left rear effect speaker and the right rear effect speaker may vary depending on the sound field you are listening to. This is due to the fact that most of these sound field recreations are actual acoustic environments.
PROGRAM
PRO LOGIC
PRO LOGIC
ENHANCED
CONCERT VIDEO
FEATURE
This program is effective for playback of sources encoded with Dolby Surround.
The employment of the digital signal processing system improves crosstalk and transfers the sound source more smoothly and precisely, compared to the conventional type. A stable movie sound field is recreated.
This program is effective for playback of sources encoded with Dolby Surround.
Enhancing the “Normal” Dolby Pro Logic, the DSP technology simulates the multi-surround speaker systems of a 35 mm film theater, thus widening the surrounded-sound field with greater presence.
This program is effective for music videos and gives excellent depth and clarity for vocals. For opera, the orchestra and stage are ideally recreated, letting you feel as if you were in an actual concert hall.
MONO MOVIE
STADIUM
DISCO
This program is designed specifically to enhance mono source programs. Compared to a strictly mono setting, the sound image created in this mode is wider and slightly forward of the speaker pair, lending an immediacy to the overall sound. It is particularly effective when used with old mono movies, news broadcasts and dialog.
This program gives you long delays between direct sounds and effect sounds, and extraordinarily spacious feel of a large stadium.
This program recreates the acoustic environment of a lively disco in the heart of a very lively city. The sound is dense and highly concentrated. It is also characterized by a high-energy, “immediate” sound.
ROCK CONCERT This program is suitable for rock music. A big, powerful sound is reproduced lively and dynamically.
CONCERT HALL
In this program, the center seems deep behind the front speaker pair, creating an expansive, large hall ambience.
Description of Dolby Pro Logic Surround
DOLBY PRO LOGIC SURROUND: This unit employs the Dolby Pro Logic Surround system. This system is similar to professional Dolby Stereo decoders used in movie theaters.
By employing a four-channel system, the Dolby Pro Logic
Surround system divides the input signals into four levels: the left and right main channels, the center channel (to characterize dialog), and the rear surround-sound channels (to characterize sound effects, background noise and other ambient noise).
Dolby Surround is encoded on the sound track of commercially available video cassettes and video discs as well. When you play a source encoded with Dolby Surround on your home video system, the Dolby Pro Logic Surround system in this unit decodes the signal and feeds the surround-sound effects.
The Dolby Pro Logic Surround mode may not be always effective on video sources not encoded with Dolby Surround.
Manufactured under license from Dolby Laboratories Licensing
Corporation. Additionally licensed under Canadian patent number 1,037,877. “Dolby”, “Pro Logic”, and the double-D symbol are trademarks of Dolby Laboratories Licensing
Corporation.
23
To play a source with the digital sound field processor
2
3
<
U.S.A., Canada and
Australia models
>
CHAPTER/CH VCR 1 DISPLAY STOP
PRO LOGIC
1
ENHANCED
2
SURROUND
STADIUM DISCO
5 6
3
ROCK
7
DSP
VCR 2
4
HALL
8
V–AUX
EFFECT
ON/OFF
MASTER
VOLUME
CENTER LEVEL
REAR LEVEL
DELAY
TIME
TEST
RESET CLEAR
<
General model
>
REC PAUSE DIR A PLAY DIR B TAPE MON
TEST STOP LD/TV
PRO LOGIC
ENHANCED CNCT VIDEO VCR 1
CENTER
LEVEL
MONO MOVIE
SUR.
STADIUM DISCO VCR 2
ROCK HALL
EFFECT
ON/OFF V AUX
DELAY TIME VOLUME
3 2
1
Follow steps 1 – 6 shown in “BASIC OPERATIONS” on page 15.
3
If desired, adjust the delay time and the output level of each speaker. (For details, refer to the corresponding descriptions on this page and the next page.)
2
3
2
Select the desired program that is suitable for the source.
DIGITAL SOUND FIELD PROCESSOR
PRO LOGIC ENHANCED
CONCERT
VIDEO
MONO
MOVIE STADIUM
DISCO
ROCK
CONCERT
CONCERT
HALL
PRO LOGIC
EFFECT
The selected program name is shown on the display.
Notes
●
If you prefer to cancel the DSP, press the EFFECT switch.
The sound will be the normal 2-channel stereo without surround sound effect.
●
When CONCERT VIDEO, MONO MOVIE, STADIUM,
DISCO, ROCK CONCERT or CONCERT HALL is selected, no sound is heard from the center speaker.
●
When a monaural sound source is played with DOLBY
PRO LOGIC or DOLBY PRO LOGIC ENHANCED, no sound is heard from the front speakers and the rear speakers. Sound is heard only from the center speaker.
However, if the center channel mode is in PHANTOM, the front speakers output the sound of the center channel.
●
When this unit’s Dolby Pro Logic Surround system is used, if the main-source sound is considerably altered by overadjustment of the BASS or TREBLE controls, the relationship between the center and rear channels may produce an unnatural effect.
24
* The following adjustments can be done on the remote control transmitter as well as on the front panel.
Adjustment of the CENTER LEVEL
If desired, you can adjust the sound output level of the center speaker even if the output level is already set in “SPEAKER
BALANCE ADJUSTMENT” on page 14.
Lights up.
CENTER LEVEL
CENTER
Adjustable
By continuously pressing “+” or “–” on the CENTER LEVEL control, the level value changes continuously. However, the value stops changing momentarily at the preset point (80).
●
If the digital sound field program CONCERT VIDEO, MONO
MOVIE, STADIUM, DISCO, ROCK CONCERT or
CONCERT HALL is selected, the CENTER LEVEL control cannot function.
●
Once the output level is adjusted, the level value will be the same in the DOLBY PRO LOGIC and DOLBY PRO LOGIC
ENHANCED programs.
●
If a digital sound field program is not used, the CENTER
LEVEL control will not function.
Adjustment of the REAR LEVEL
If desired, you can adjust the sound output level of the rear speakers even if the output level is already set in “SPEAKER
BALANCE ADJUSTMENT” on page 14.
Lights up.
REAR LEVEL
REAR
By continuously pressing “+” or “–” on the REAR LEVEL control, the level value changes continuously. However, the value stops changing momentarily at the preset point (80).
●
Once the output level is adjusted, the level value will be the same in all the digital sound field programs.
●
If DOLBY PRO LOGIC or a digital sound field program is not used, the REAR LEVEL control will not function.
Adjustable
Adjustment of DELAY TIME
You can adjust the time difference between the beginning of the source sound and the beginning of the effect sound with the DELAY TIME control.
The DELAY TIME control is effective with all programs.
By applying more or less delay, sound effects, background noise, and ambient noise coming at you from the rear speakers can be enhanced or subdued for extra effect.
1.
PRO LOGIC : from 15 to 30 milliseconds
(Preset value: 20 milliseconds)
PRO LOGIC : from 15 to 30 milliseconds 2.
ENHANCED (Preset value: 20 milliseconds)
3. CONCERT VIDEO : from 1 to 100 milliseconds
4. MONO MOVIE
5. STADIUM
(Preset value: 28 milliseconds)
: from 1 to 100 milliseconds
(Preset value: 20 milliseconds)
: from 1 to 50 milliseconds
6. DISCO
(Preset value: 45 milliseconds)
: from 1 to 100 milliseconds
(Preset value: 14 milliseconds)
7. ROCK CONCERT : from 1 to 100 milliseconds
(Preset value: 17 milliseconds)
8. CONCERT HALL : from 1 to 100 milliseconds
(Preset value: 30 milliseconds)
By continuously pressing “+” or “–” on the DELAY TIME control, the value changes continuously.
However, the value stops changing momentarily at the preset point.
Adjustable
DELAY TIME
STEREO
0 20 l00
ONCERT
VIDEO
DELAY ms
Note
Adding too much delay will cause an unnatural effect with some sources. Experiment with the DELAY TIME control to create the effect that you find most suitable.
Note
The values of the DELAY TIME, CENTER LEVEL and REAR
LEVEL you set the last time will remain memorized even when the power of this unit is off.
However, if the power cord is kept disconnected for more than one week, these values will be automatically changed back to the original factory settings.
25
26
SETTING THE SLEEP TIMER
If you use the SLEEP timer of this unit, you can make this unit turn off automatically. When you are going to sleep while enjoying a broadcast or other desired input source, this timer function is helpful.
Notes
●
●
The SLEEP timer can be controlled only with the remote control transmitter.
The components on which the SLEEP timer is effective are the sources connected to the SWITCHED AC OUTLET(S) on the rear panel of this unit.
To set the SLEEP time
1
SLEEP
Press once or more to select the desired
SLEEP time.
To cancel the selected SLEEP time
SLEEP
Indicates the SLEEP time.
T l00
SLEEP ms
Flashes on and off continuously.
Whenever the SLEEP key is pressed, the SLEEP time will change as follows.
120
(Minutes)
90 60 30
The SLEEP timer is OFF.
(The indication before the SLEEP key is pressed.)
After a while, the display returns to the indication before the SLEEP timer is set, and the “SLEEP” indicator stops flashing and lights up.
2
The unit will be turned off automatically at the selected
SLEEP time.
Press once or more so that the display returns to the indication before the SLEEP timer is set. (“SLEEP” will go off from the display.)
Note
The SLEEP timer setting can also be canceled by turning off the power with the POWER switch or disconnecting the power plug of this unit from the AC outlet.
REMOTE CONTROL TRANSMITTER
NOTES ABOUT THE REMOTE CONTROL TRANSMITTER
Remote control transmitter operation range Battery installation
<
U.S.A., Canada and Australia models
>
1 3
2 Remote control sensor
30°
30°
Within approximately
6m (19.7 feet)
<
General model
>
1
3
2
Battery replacement
If you find that the remote control transmitter must be used closer to the main unit, the batteries are weak. Replace both batteries with new ones.
Notes
●
Use only AA, R6, UM-3 batteries for replacement.
●
Be sure the polarities are correct. (See the illustration inside the battery compartment.)
●
●
Remove the batteries if the remote control transmitter will not be used for an extended period of time.
If batteries leak, dispose of them immediately. Avoid touching the leaked material or letting it come in contact with clothing, etc. Clean the battery compartment thoroughly before installing new batteries.
Notes
●
There should be no large obstacles between the remote
● control transmitter and the main unit.
If the remote control sensor is directly illuminated by strong lighting (especially an inverter type of fluorescent lamp etc.), it might cause the remote control transmitter not to work correctly. In this case, reposition the main unit to avoid direct lighting.
27
28
KEY FUNCTIONS
The remote control transmitter provided with this unit is designed to control all the most commonly used functions of the unit. If the
CD player, tape deck, etc. connected to this unit are YAMAHA components, then this remote control transmitter will also control various functions of each component.
<
U.S.A., Canada and Australia models
4 5 6
> <
General model
>
4 5 6
1
2
3
TRANSMIT
/LEARN YPC
USER
LEARN
POWER SLEEP TV VCR AUX
SKIP
PAUSE/STOP
DISC
SKIP
PLAY
PHONO
CD SEARCH
DECK A/B PRESET A/B/C/D/E TUNER
SEARCH STOP PLAY
REC MUTE REC/PAUSE DIR A DIR B
TAPE MON
SEARCH PAUSE/STOP PLAY LD/TV
CHAPTER/CH DISPLAY STOP VCR 1
PRO LOGIC ENHANCED
1 2
SURROUND
STADIUM DISCO
5 6
CONCERT
VIDEO
3
ROCK
7
DSP
MONO
MOVIE
4
HALL
8
VCR 2
V–AUX
EFFECT
ON/OFF
MASTER
VOLUME
CENTER LEVEL
REAR LEVEL
DELAY
TIME
TEST
RESET CLEAR
7
8
1
2
POWER SLEEP
SKIP
DISC
SKIP
PAUSE/STOP PLAY
PHONO
CD
DECK A/B PRESET A/B/C/D/E TUNER
REC PAUSE DIR A PLAY DIR B TAPE MON
TEST STOP LD/TV
PRO LOGIC
ENHANCED CNCT VIDEO VCR 1
CENTER
LEVEL MONO MOVIE
SUR.
STADIUM DISCO VCR 2
ROCK HALL
EFFECT
ON/OFF V AUX
REAR
LEVEL DELAY TIME VOLUME
7
8
* When you operate this unit and/or other YAMAHA components with this remote control transmitter, set the
YPC-USER-LEARN switch to the YPC (Yamaha Preset
Code) position.
For Other Component Control
Identify the remote control transmitter keys with your component’s keys. If these keys are identical, their functions will be the same. On each key function, refer to the corresponding instruction on your component’s manual.
1
CD player keys
Controls compact disc player.
*
DISC SKIP is applicable only to compact disc changer.
2
Tape deck keys
Controls tape deck.
*
DIR A, B and DECK A/B are applicable only to double cassette tape deck.
*
For a single cassette deck with automatic reverse function, pressing DIR A will reverse the direction of tape running.
3
LD player keys (U.S.A., Canada and Australia models only)
Controls LD player.
*
Some models have a key which possesses both the functions of PLAY and PAUSE.
For Control of This Unit
4
POWER
Turns the power on/off.
5
SLEEP
Refer to “SETTING THE SLEEP TIMER” on page 26.
6
Tuner keys
Controls tuner.
+: Selects higher preset station number.
–: Selects lower preset station number.
A/B/C/D/E Selects the page (A – E) of preset station buttons.
7
Input selector keys
Selects input source.
8
(MASTER) VOLUME +/–
Turns the volume level up/down.
* For the DSP control keys, refer to the page 22.
29
30
REMOTE CONTROL “LEARNING” FUNCTION
(U.S.A., Canada and Australia models only)
All of the keys on this remote control transmitter can be programmed to “learn” key-functions from other remote control transmitters without losing the preset key functions. By using this feature, this unit can then be used in place of one or more other remote control transmitters, thus making operation of your various audio and video components more convenient. Use the included user program sheets to indicate a new function learned for each key.
Note
There may occasionally be instances in which, due to the signal-coding and modulation employed by the other remote control transmitter, this unit will not be able to “learn” its signals.
➊ ➋
TRANSMIT
/LEARN
YPC
USER
LEARN
POWER SLEEP TV VCR AUX
SKIP
PAUSE/STOP
DISC
SKIP
PLAY
PHONO
CD SEARCH
DECK A/B PRESET A/B/C/D/E TUNER
SEARCH STOP PLAY
REC MUTE REC/PAUSE DIR A DIR B
TAPE MON
SEARCH PAUSE/STOP PLAY LD/TV
CHAPTER/CH DISPLAY STOP VCR 1
PRO LOGIC
1
ENHANCED
2
SURROUND
STADIUM DISCO
5 6
CONCERT
VIDEO
3
ROCK
7
DSP
MONO
MOVIE
4
VCR 2
HALL
8
V–AUX
EFFECT
ON/OFF
MASTER
VOLUME
CENTER LEVEL
REAR LEVEL
DELAY
TIME
TEST
RESET CLEAR
➌
➊
TRANSMIT/LEARN indicator
➋
YPC-USER-LEARN switch
YPC: Set to this position when using preset key functions (for controlling this unit and/or
YAMAHA components).
* “YPC” is the abbreviation of YAMAHA Preset
Code.
USER: Set to this position when using “learned” key functions.
LEARN: Set to this position when learning new key functions from other remote control transmitters.
➌
Blank keys
These keys have no preset functions and are used only for learning other remote control transmitter’s functions.
➍
RESET button
Press this button to “reset” the internal microcomputer which controls remote control operations. Microcomputer
“reset” is necessary when the remote control freezes.
* Pressing the RESET button will not erase learned functions.
➎
CLEAR button
This button is used to clear one or all learned key functions.
(Refer to page 32.)
➍ ➎
To Learn a New Function
1
This unit
YPC
USER
LEARN
Set to the “LEARN” position.
2
Press a key on this unit where a new function will be learned.
Other remote control transmitter
Notes
●
When you operate the desired component with this remote control transmitter, TRANSMIT/LEARN indicator will flash
● steadily.
The originally preset function of a key is still available in the
USER position if a new function has not been learned to the key.
●
●
Successful learning to a key results in the erasure of previously learned functions and their replacement by the newly learned ones.
If there is no more room in the memory area for a function to be learned, the TRANSMIT/LEARN indicator will flash on and off. In this case, even if some keys are not occupied with functions from other remote control transmitters, no further learning is possible.
Memory back-up
All of the learned functions will be retained while you replace the batteries. However, if no batteries are installed for a few hours, the learned functions will be erased and will have to be learned again.
About 5–10 cm (2–4 in.)
3
Press and hold the key (on the other remote control transmitter) where the desired new function is.
Lights up.
* When the TRANSMIT/LEARN indicator stops lighting, the learning is finished.
4
Repeat step 2 and 3 until all desired functions are successfully learned.
5
Set to the “USER” position.
YPC
USER
LEARN
Try operating your components.
31
32
To Clear a Learned Function
1
YPC
USER
LEARN
Set to the “USER” position.
2
Press and hold the CLEAR button using the point of a mechanical pencil, etc.
To Clear All Learned Functions
1
YPC
USER
LEARN
Set to the “LEARN” position.
2
Press and hold the CLEAR button using the point of a mechanical pencil, etc.
CLEAR
3
Press and hold the key where the learned function to be deleted is until the indicator flashes 3 times.
TRANSMIT
/LEARN
CLEAR
3
Press and hold any key until the indicator flashes 7 times.
TRANSMIT
/LEARN
To clear two or more functions, repeat step 2 and 3.
Note
If a key is not pressed soon after the CLEAR button is pressed, this unit will automatically return to the status that was in effect before the CLEAR button was pressed.
Trouble shooting guide
SYMPTOM
The remote control transmitter does not work.
Learning cannot be made successfully.
(The TRANSMIT/LEARN indicator does not light up or flash.)
CAUSE
The batteries of this remote control transmitter are weak.
The internal microcomputer “freezes”.
The batteries of this remote control transmitter and/or the other remote control transmitter are weak.
The distance between the two remote control transmitters is too long or too short.
The signal coding or modulation of the other remote control transmitter is not compatible with this remote control transmitter.
Memory capacity is full.
The internal microcomputer “freezes”.
REMEDY
Replace the batteries with new ones and press the RESET button on the remote control transmitter.
Replacce the batteries (and press the RESET button for this remote control transmitter).
Place the remote control transmitters with the proper distance.
Learning is not possible.
Further learning is not possible without deleting unnecessary commands.
Press the RESET button on the remote control transmitter.
TROUBLESHOOTING
If the unit fails to operate normally, check the following points to determine whether the fault can be corrected by the simple measures suggested. If it cannot be corrected, or if the fault is not listed in the SYMPTOM column, disconnect the power cord and contact your authorized YAMAHA dealer or service center for help.
SYMPTOM
The unit fails to turn on when the POWER switch is pressed.
No sound or no picture.
The sound suddenly goes off.
Only one side speaker outputs the sound.
Sound “hums”.
The volume level is low while playing a record.
The volume level cannot be increased, or sound is distorted.
No sound from the rear speakers.
No sound from the center speaker.
FM stereo reception is noisy.
There is distortion and clear reception cannot be obtained even with a good FM antenna.
A desired station cannot be tuned in with Auto tuning.
A desired station cannot be tuned in with Auto tuning.
There are continuous crackling and hissing noises.
There are buzzing and whining noises
(especially in the evening).
The remote control transmitter does not work.
The sound is degraded when monitoring is performed by using the headphones connected to the compact disc player or cassette deck which are connected with this unit.
CAUSE
Power cord is not plugged in or is not completely inserted.
Incorrect output cord connections.
Appropriate input selector is not pressed.
The protection circuit has been activated because of short circuit etc.
The SLEEP timer functioned.
Incorrect setting of the BALANCE control.
Incorrect cord connections.
Incorrect cord connections.
No connection from the turntable to the GND terminal.
The record is being played on a turntable with an
MC cartridge.
The power to the component connected to the REC
OUT terminals of this unit is off.
The sound output level to the rear speakers is set to 0.
The monaural sound source is played in DOLBY
PRO LOGIC or DOLBY PRO LOGIC ENHANCED mode.
The sound output level to the center speaker is set to 0.
The center channel mode is in PHANTOM mode.
Incorrect sound field program selection.
No sound field program is selected.
Because of the characteristics of FM stereo broadcasts, this is limited to cases where the transmitter is too far away or the antenna input is poor.
There is multipath interference.
REMEDY
Firmly plug in the power cord.
Connect the cords properly. If the problem persists, the cords may be defective.
Press the appropriate input selector corresponding to the input source.
Turning the unit off and then on will reset the protection circuit.
Do not make the SLEEP timer function.
Adjust it to the appropriate position.
Connect the cords properly. If the problem persists, the cords may be defective.
Firmly connect the audio plugs. If the problem persists, the cords may be defective.
Make the GND connection between the turntable and this unit.
The player should be connected to the unit through the MC head amplifier.
Turn the power to the component on.
Turn up the sound output level with the REAR
LEVEL control.
Select another program suitable for the monaural sound source.
Turn up the sound output level with the CENTER
LEVEL control.
Select NORMAL or WIDE.
Select the appropriate program.
Check the antenna connections.
Try using a multiple element FM antenna.
The station is too weak.
Weak signal or loose antenna connections.
Noises will result from ligtning, fluorescent lamps, motors, thermostats and other electrical equipment.
A television set is being used nearby.
Adjust antenna placement to eliminate multipath interference.
Use Manual tuning mode.
Use a high quality directional FM antenna.
Tighten the AM loop antenna connections and rotate it for best reception.
Use Manual tuning mode.
Use an outdoor antenna and a ground wire. This will help somewhat but it is difficult to eliminate all noise.
Relocate this unit away from the TV.
Direct sunlight or lighting (of an inverter type of flourescent lamp etc.) is striking the remote control sensor of the main unit.
The batteries of this remote control transmitter are too weak.
The power to this unit is off.
Change the position of the main unit.
Replace the batteries with new ones.
Turn the power to this unit on.
33
34
SPECIFICATIONS
AUDIO SECTION
Minimum RMS Output Power per Channel
Front L, R
8 ohms, 20 Hz to 20 kHz, 0.04% THD
[U.S.A. and Canada models]
...................................................75W+75W
[Australia and General models]
...................................................70W+70W
6 ohms, 20 Hz to 20 kHz, 0.04% THD
[U.S.A. model only] ....................80W+80W
Center
8 ohms, 1 kHz, 0.07% THD
[U.S.A. and Canada models]
............................................................75W
[Australia and General models]
............................................................70W
Rear L, R
8 ohms, 1 kHz, 0.3% THD............20W+20W
Maximum Output Power [General model only]
8 ohms, 1 kHz, 10% THD (FRONT L/R)
.................................................105W+105W
Dynamic Power per Channel
(by IHF Dynamic Headroom measuring method)
[U.S.A. and Canada models]
8/6/4/2 ohms.................110/140/170/190W
[Australia and General models]
8/6/4/2 ohms...................95/120/150/170W
Dynamic Headroom
[U.S.A. and Canada models only]
8 ohms............................................1.66 dB
Power Band Width
8 ohms, 30W, 0.08% THD
..........................................10 Hz to 50 kHz
Damping Factor (SPEAKERS A)
8 ohms, 20 Hz to 20 kHz .............80 or more
Input Sensitivity/Impedance
PHONO MM .....................2.5 mV/47 k-ohms
CD/TAPE/LD·TV/VCR......150 mV/47 k-ohms
Maximum Input Signal (1 kHz, 0.5% THD)
PHONO MM......................................115 mV
CD/TAPE/LD·TV/VCR (EFFECT ON) .....2.2V
Output Level/Impedance
REC OUT .......................150 mV/1.0 k-ohms
PRE OUT ............................2.2V/1.2 k-ohms
LPF (EFFECT OFF).............3.5V/1.5 k-ohms
Headphone Jack Rated Output/Impedance
Output Level (8 ohms, 1 kHz, 150 mV)
............................................................0.5V
Impedance.....................................390 ohms
Frequency Response (20 Hz to 20 kHz)
CD/TAPE/LD·TV/VCR (FRONT L/R)
........................................................0±0.5 dB
RIAA Equalization Deviation
PHONO MM....................................0±0.5 dB
Total Harmonic Distortion
PHONO MM to REC OUT
20 Hz to 20 kHz, 1V ..............0.02% or less
CD/TAPE/LD·TV/VCR to SP OUT
FRONT L/R (EFFECT OFF)
20 Hz to 20 kHz, 30W/8 ohms
...........................................0.02% or less
REAR L/R
1 kHz, 10W/8 ohms ..............0.3% or less
Signal-to-Noise Ratio (IHF-A Network)
PHONO MM to REC OUT (5 mV Input
Shorted)
...............................................85 dB or more
CD/TAPE/LD·TV/VCR to SP OUT (Input
Shorted, EFFECT OFF) .........99 dB or more
Residual Noise (IHF-A Network)
FRONT L/R ............................140
µ
V or less
Channel Separation
(Vol. –30 dB, EFFECT OFF)
PHONO MM
(Input Shorted 1 kHz/10 kHz)
.....................60 dB or more/50 dB or more
CD/TAPE/LD·TV/VCR
(Input 5.1 k-ohms Shorted 1 kHz/10 kHz)
.....................60 dB or more/44 dB or more
Tone Control Characteristics
BASS: Boost/cut ................±10 dB (50 Hz)
Turnover Frequency .........(350 Hz)
TREBLE: Boost/cut...........±10 dB (20 kHz)
Turnover Frequency.....(3.5 kHz)
Filter Characteristics
LPF (fc=200 Hz)...............................6 dB/oct
Gain Tracking Error (0 to –60 dB)
...................................................3 dB or less
VIDEO SECTION
Video Signal Level..................1 Vp-p/75 ohms
Maximum Input Level............1.5 Vp-p or more
Signal-to-Noise Ratio ................50 dB or more
Monitor Out Frequency Response
..................................5 Hz to 10 MHz, –3 dB
FM SECTION
Tuning Range
[U.S.A. and Canada models]
.........................................87.5 to 107.9 MHz
[Australia and General models]
.........................................87.5 to 108.0 MHz
50 dB Quieting Sensitivity (IHF, 75 ohms)
Mono ................................1.55
µ
V (15.1 dBf)
Stereo .................................21
µ
V (37.7 dBf)
Usable Sensitivity (75 ohms)
(30 dB S/N Quieting, 1 kHz, 100% mod.)
..........................................0.8
µ
V (9.3 dBf)
Image Response Ratio...........................45 dB
IF Response Ratio..................................80 dB
Spurious Response Ratio.......................70 dB
AM Suppression Ratio............................55 dB
Capture Ratio ........................................1.5 dB
Alternate Channel Selectivity ................85 dB
Signal-to-Noise Ratio (IHF)
Mono/Stereo .............................80 dB/75 dB
Harmonic Distortion (1 kHz)
Mono/Stereo ...................................0.1/0.2%
Stereo Separation (1 kHz)......................50 dB
Frequency Response
20 Hz to 15 kHz .............................0 ±1.5 dB
AM SECTION
Tuning Range
[U.S.A., Canada and General models]
.........................................530 to 1,710 kHz
[Australia model]..............531 to 1,611 kHz
Usable Sensitivity .............................100
µ
V/m
Selectivity ...............................................32 dB
Signal-to-Noise Ratio .............................50 dB
Image Response Ratio...........................40 dB
Spurious Response Ratio.......................50 dB
Harmonic Distortion (1 kHz) ....................0.3%
AUDIO SECTION
Output Level/Impedance
FM (100% mod., 1 kHz)
.....................................500 mV/2.2 k-ohms
AM (30% mod., 1 kHz)
.....................................150 mV/2.2 k-ohms
GENERAL
Power Supply
[U.S.A. and Canada models]
............................................AC 120V, 60 Hz
[Australia model]..................AC 240V, 50 Hz
[General model]
..................AC 110/120/220/240V, 50/60 Hz
Power Consumption
[U.S.A. and Canada models]
................................................290W/350 VA
[Australia and General models] ...........300W
AC Outlets
2 SWITCHED OUTLETS
[U.S.A., Canada and General models]
..........................................120W max. total
1 SWITCHED OUTLET
[Australia model] ...............120W max. total
Dimensions (W x H x D)
........................................435 x 146 x 386 mm
(17-1/8” x 5-3/4” x 15-3/16”)
Weight ..............................10 kg (22 lbs. 0 oz.)
Accessories ..........................AM loop antenna
Indoor FM antenna
Remote control transmitter
Batteries
User Program Sheets (U.S.A.,Canada and Australia models only)
Specifications are subject to change without notice.
YAMAHA ELECTRONICS CORPORATION, USA 6660 ORANGETHORPE AVE., BUENA PARK, CALIF. 90620, U.S.A.
YAMAHA CANADA MUSIC LTD. 135 MILNER AVE., SCARBOROUGH, ONTARIO M1S 3R1, CANADA
YAMAHA ELECTRONIK EUROPA G.m.b.H. SIEMENSSTR. 22-34, D-25462 RELLINGEN BEI HAMBURG, F.R. OF GERMANY
YAMAHA ELECTRONIQUE FRANCE S.A. RUE AMBROISE CROIZAT BP70 CROISSY-BEAUBOURG 77312 MARNE-LA-VALLEE CEDEX02, FRANCE
YAMAHA ELECTRONICS (UK) LTD. YAMAHA HOUSE, 200 RICKMANSWORTH ROAD WATFORD, HERTS WD1 7JS, ENGLAND
YAMAHA SCANDINAVIA A.B. J A WETTERGRENS GATA 1, BOX 30053, 400 43 VÄSTRA FRÖLUNDA, SWEDEN
YAMAHA MUSIC AUSTRALIA PTY, LTD. 17-33 MARKET ST., SOUTH MELBOURNE, 3205 VIC., AUSTRALIA
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Key Features
- 5-speaker configuration for immersive surround sound
- Digital Sound Field Processor with six programs for sound customization
- Dolby Surround Decoding for cinematic audio experience
- 40-station random access preset tuning for easy station selection
- Automatic preset tuning and preset shifting for personalized listening
- IF Count Direct PLL Synthesizer Tuning System for precise station reception