Zoom 9002 ADVANCED GUITAR EFFECTS PROCESSOR Operation Manual

O P E R A T I O N
M A N T J A L
Advanced Guitar EffectsProcessor
ZE E
=EE=
z
tz
Congratulationsand thank you for choosing
the Zoom 9002. For long-termreliability and
optimum performance,pleaseread this
manual carefully beforeuse.
.tJ
.101
U B E B l d g . 4 F , 3 - 3 - 1 , 2K a n d a K a l i - c h o . C h i l ' o d a - k u , ' l ' o k v o
Japan.
T e l : ( 0 3 ) 5 2 5 6 - 1 7 4 1 .F a x : ( 0 3 ) 5 2 5 6 - 1 7 4 3 .
3 8 5 C j y s t c rP o i n t B o u l e v a r d . # 7 , S o u t h S a n F r a n c i s c o ,C a l i f o r n i a 9 4 0 8 0 . L i S A
T e l : ( 4 1 5 ) 8 7 3 - 5 8 8 5 .F a x : ( 4 1 5 ) 8 7 3 - 5 8 8 7 .
Printed in fapan
9002-5000
Contents
Major Features
Maior features
Hardware
Hardware
Analog
Software
Precautions
Controls and Display
Controis
LCD window
Connection Examples
Effectsand Parameters
Guitar amp effects
Modulation effects
Delay effects
Special effects
PresetPrograms and User Programs
Presetbanks
User banks
About the banks
Operation
Basic operation
Editing
Other Functions
circuitry
B e s i d e s a d , . , a n c e dd i g i t a l s i g n a l p r o c e s s i n g , s p e c i a l a n a l o g c i r c u i t r y i s
u s e d f o r d i s t o r t i o n a n d c o m p r e s s i o n e f f e c t sw h i c h a r e s o i m p o r t a n t t o
electric guitar sound.
4
16-bit digital conversion
T r u e 1 6 - b i t q u a n t i z a t i o n a s s u r e sp r o f e s s i o n a l r e s u l t s i n t h e d i g i t a l - t o analog and analog-to-digital converter circuits.
10
't 1.
Zoom's
'1.1
13
14
The9002accepts
normalmonauralinputfromvourguitar.Chorus,
delay,
15
and reverbeffectsare output in stereo.
15
Large, easy viewing LCD display window
15
T h i s c u s t o m i z e dL C D s h o w ss e l e c t e de f f e c t s p
, a r a m e t e r sa, n d o t h e ri n f o r m a t i o n i n a l a r g e( 6 0 x e O m m )w i n d o w d e s i g n e df o r h i g h r e a d a b i l i t v .
16
1.7
.
21,
21.
Remote control
21,
22
Headphone
iacks and mix
input
T o m o n i t o r v o u r p l a v i n g i n p r i r , a t e ,p l u g i n s t e r e oh e a d p h o n e s . Y o u c a n
also play along with a tape or other source connected to the MIX IN iack.
2't
Metronome mode
ZFx-1. DSP LSI
Mono input, stereooutput
15
16
own custom
Zoom developed this original DSP LSI to deiiver more digital signal proce s s i n g p o \ \ ' e r i n l e s s s p a c e .T h e Z F x - 1 c h i p d r a m a t i c a l l y e x p a n d s y o u r c a p a b i l i t i e sf o r m u s i c a l e x p r e s s i o n .
1.2
Tuning mode
Specifications
and digital
.
User patch protection
[ J s e rp a t c h p r o t e r ; t i o n d o e s n o t d e p e n d o n a s p e c i a l b a t t e r y , s o e x t r a m a i n t e n a n c ei s a v o i d e d .
Precautions
Software
Effects
, oduT h e e f f e c t c h a i n h a s s i x s t a g e s :C o m p r e s s o r , D i s t o r t i o n , E q r , r a l i z e rM
lation group, Delav, ReverbBroup. Special effects(SFX) can also be
selected.
Easy operation
S l i d i n g f a d e r s m a k e a d j u s t i n g p a r a m e t e r v a l u e s q u i c k a n d e a s \ r ,w i t h a
"analog"
feel that is rare in digitai equipment.
famiiiar
Preset banks and user banks
"preset"
There are five pre-programmed factorv
memorv banks and five
"user"
m e m o r v b a n k s . E a c h b a n k h o l d s f o u r p a t c h e s .T h e 2 0 p r e s e t
p a t c h e s c o v e r e f f e c t st h a t a r e u s e f u l f o r a g r e a t r r a r i e t vo f m u s i c s t v l e s .
Your original patches and edited preset patches can be stored in the 20
user patch memory locations.
Tuning
and metronome
functions
Power supply
T o a v o i d t h e p o s s i b i l i t - vo f d a m a g e , d o n o t u s e a n Y A C a d a p t o r o t h e r t h a n
the supplied AC adaptor.
B e s u r e t o u s e o n l v t h e s u p p l i e d r e c h a r g e a b l eb a t t e r y o r s p e c i f i e d e q u i v a l e n t . T o r e c h a r g e ,p i u g t h e s u p p l i e d A C a d a p t o r i n t o t h e A C a d a p t o r j a c k .
O r u s e t h e s p e c i f i e d o p t i o n a l r e c h a r g e r . T h e u s e o f o t h e r r e c h a r g e r si s d a n g e r o u s b e c a u s et h e y m a v c a r - r s b
e a t t e r y l e a k a g e o r o t h e r d a m a g e .T h e
s r " r p p l i e db a t t e r y i s r a t e d a t 4 0 0 c h a r g e c v c l e s b e f o r e n e e d i n g r e p l a c e m e n t .
Three hours is the standard rechargingtime, giving about three hours of
r . r s eI.t i s d a n g e r o u s t o r e c h a r g e c o n t i n u o u s l y f o r 2 4 o r m o t e h o u r s .
T h e L C D d i s p l a y r , r , ' i lbl l i n k t o i n d i c a t e t h a t v o u s h o u l d r e c h a r g e o r r e p i a c e
the batterv right arvav or use the AC adaptor to avoid the unit shutting off
while plaving.
Place ofuse
. r 442H2 to
T h e 9 0 0 2 w i l l g e n e r a t ea r e f e r e n c e p i t c h o f 4 4 0 H 2 , 4 4 1 . H 2 o
"A"
which vou can tune vour
s t r i n g .F o r r h v t h m t r a i n i n g o r t e m p o r e f e r ence, you can turn on the metronome function.
Like other digital devices, the 9002 mav causeinterference if used too
close to radios, TVs, or some other electrical appliances. Avoid use in verv
h o t , c o l d , h u m i d , o r d u s t v e n v l r o n m e n t s l d a m a g em a t ' r e s u l t .
For live performance
Cleaning
and home recording
The compact 9002 is ideal for live performance. A remote control unit is
supplied to let you selectpatches with extra convenience. The 9002 rvill
also function as a guitar amp simulator, so that you can inpr.rt a rich guitar
sound directly to your recording equipment without needing an amp and
microohone.
U s e a s o f t , d r v c l o t h t o r , r ' i p eo f f t h e 9 0 0 2 r , r , h e nn e c e s s a r v .N e v e r u s e p a i n t
thinner, alcohol, or other solvents r,vhich may damage the surface or \\rarp
the case.
Handling
H a n d l e n i t h c a r e . D o n o t a p p l v e x c e s s i v ef o r c e t o t h e c o n t r o l s . D o n o t
o p e n t h e c a s eo r a t t e m p t r e p a i r s o r m o d i f i c a t i o n s v o u r s e l f ; t o d o s o w i l l
void the warrantv.
Connection/disconnection
procedure
Porvershould be turned off or volume turned dort'n before making connections to amps or other equipment. Sudden large signals mav causespeaker
damage.
Service
C o n s u l tw i t h v o u r l o c a l Z o o m c l e a l eirf t h e 9 0 0 2 d o e sn o t o p e r a t ep r o p e r l v .
Controls and Display
DC 75V OFF ON
REMoTE OG@ PoWEF
,^
lN
ff/-_\\\
OUT
rN I
GA1N r\,4rx
l \ \ \ i l l -l A \ \
V(E,
(4)
Controls
( 1 ) POWERswitch
{ 2 ) A C a d a p t o rj a c k
( 3 ) REMOTE iack
F o r c o n n e c t i o no f s u p p l i e dr e m o t ec o n t r o l l e r ,
(4) INPUT jack (mono)
F o r g u i t a rc o r d .
(5) GAIN switch
S e t t o H f o r s i n g l ec o i l p i c k u p g u i t a r s .
S e tt o L f o r g u i t a r st h a t h a v eh u m b u c k i n go r a c t i v ep i c k u p s .
(6) MIX IN iack (stereo)
C o n n e c tt a p ep l a v e ro r o t h e r m u s i c s o t t r c et o t h i s j a t ; k Y o u c a n t h e n p l a y
a l o n go n g u i t a r .( E f f e c t sd o n o t a f f e c tt h i s s i g n a l . )
(5)
(o) \
-
PHONE -
^ , , 26V
VI
(6)
( 7 ) OUTPUT jack (mono/stereo)
F o r c o n n e c t i o nt o g u i t a r a m p , e t c .C a n a l s ob e c o n n e c t e dd i r e c t 1 1t o, a
. uilt-in
, r r a d i o / c a s s e t tree c o r d e r B
. u l t i - t r a c kr e c o r d e r o
n r i x i n gr ; o n s o l em
a m p s i m u l a t o rp r e v e n t s" t h i n " n o - a m ps o u n c . .
( B ) P H O N E Sj a c k s
T n ' o s e t so f s t e r e oh e a d p h o n e sc a n b e c o n n e c t e df o r p r i v a t el i s t e n i n go r
j a m m i n gw i t h a f r i e n d .
( s) VOLUME control
A d j u s t st o t a l o u t p u t s i g n a lv o l r . r m e .
(10)LCDdisplay
L i q r - r i dr ; r t ' s t adl i s p l a v s h o r ' r 'bsa n k ,p e t r a m e t e ar ,n d o t h e r d a t a .
( 1 1 )B A N K k e y s
F o r s e l e c t i o no f p r e s c 'at n d u s e t b a n k s .
(18)
(1s)
(211
STORE
<VALUE>
r4)
( 1 2 )P A T C Hk e y s
F o r s e l e c t i o no f p a t r ; h e s .
( 1 3 )P A T C HL E D s
L i t L E D i n c l i c a t c s e l e r ; t e rpl a t r ; h .F l a s h i n gL E I ) i n d i c a t e sp a t c h s e l e c t c d
f o r u s e rb a n k s t u r a g e .
( 1 4 ) C U R S O Rk e y s
F o r s e l e r ; t i n gi n c i i v i d t r a l e f f e t ; t s .n r e t r o n o n r e t e m p o , a n d t u n i n g r t . . f e r e n c e
t l e c l ue n c r , .
(10)
(11)
(15) EFFECT ON/OFF key
S r v i t c h e si n c l i v i d u a l e f f e c t s t a t u so n a n c lo f f . S t a t u si s c r n f i r m c i l b v d o t s
on LCD disPlav
(16) PARAMETER controls
F o r a d j u s t m e n t o f p a r a m e t e rv a l u e s a n d e f f e c t o u t p u t l e v e l . V a l u e i s c o n f i l r r e d b l ' L C D b a r s u n d e r s l i c l e r sa n d b v n u m e r i c l c a d o u t .
tt-:-:f\t:
( 1 7 )S T O R Ek e y
A l l o r , r ,vso u t o s t o r co r i p l i n a ol r e c l i t e dp a t c ; h c isn t h c u s c r b a n k a r e a .
( 1 8 ) C A N C E Lk e y
C a n c e l sS T O R Ek c v o p c r a t i o nW
. h e nc d i t i n g ,t h i s s h i f t sv o u t o t h e n e x t
parameten
r arlte.
(12)
[ 1 e ) M E T R Ok e y
T u r n so n n e t r o n o m ef u n c t i o n .U s eC U R S O Rk e v st o a d j r - r st ct m p o
b r . . t nr . ' r . ' r r ta0r . r c2l5 { ) b p m( b c a t sp c l m i n u t e ) .V o l u m e i s n o t a d j u s t a b l e .
(22)
i
(20) METRO LED
'l'he
L E D f l a s h e s i ' r , i t ht h e t e m p o .
,'(
/
[]' n' a' l'\^
L
I
|
t
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t
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f12l
( 2 1 ) T T J N Ek e y
"A".
t l t l R S O R k e v s s c t f r e q u e n r ; r ' a t4 4 0 H 2 ,
G e n e r a t c s l t . ' f c r c n r ; cp i t r ; t r f o r
4 4 7 H 2 .o r 4 4 2 l I z . A l l e f l e r ; t st u r n o f f a n d o n l r , t h e d i r e r ; ts o u n d t ; o r r r c s
t h r or r g h .
(22) REMOTE CONTROLLER
i r o r p a t r : hs n ' i t t : h i n gn ' i t h i n r ; r r r l c n t l vs c l o r : t c db a n k .
Connection Examples
LCD Window
(1) Bank number
S l r o w s s e i e c t e db a n k : I I S E R 0 , 1, 2 , 3 , 4a n c lP R E S E TO , 1, 2 , 3 , 4 .
(2'l Effect names
T h e s e a r e t h e a v a i l a b i e i n d i v i r l u a l e f f e c t s . O n l r . 'o n e o f t h e n r o c l u l a t i o n
g r o u p a n d o n e o f t h u r e v e r b g r o u p e f f e r ; t sc a n b e l r s e d a t a t i n t c .
. COMP -
DIST -
EQ -
PITC- DELI - DEL2
PHA
REVl
Modulation Group
Re,ertt Grott o
FLA
REV2
CHO
. S F X - S p e c i a l e f f e r ; t sc a n b e c o m b i n e r l u ' i t h a n l o t h e r r : f f e c t se x r ; c p t f o r
modulation group effects.
l ' h e 9 0 0 2 h a s s t e r e o o r . r t p u ts o v o L rc a n c o n n e c t t h e l e f t a n d r i g h t c h a n n e l s
s e p a r a t c l v t o t w o a r n p l i f i e r s . T h i s i n c r e a s e st h e s p a c i o u s n e s so f t h e s t e r e o
e f f e r ; t s :C h o r u s ( p a t t e r n - 2 ) , D e l a l ' 2 , a n d R e v e r b 1 & 2 .
E
@ E
Right channel
Guitar amp
IN
---------)
Left channel
( 3 ) Effect marks
D o t s i n d l c a t e i n d i v i d u a l e f f e c t s i r . rr - r s cA. f l a s l . r i n gr l o t i n c l i c a t e st h e e l f e c l
bcingedited
(5)
(6)
I
( 4 ) Effect on/off
mark
D E C A YI l l M F I P E A K
Shor,vseffect
DEDfH FREO
I
lBalax65
on/off status.
( 5 ) Parameter
names
T-l:-^+^^,-^-^
rrlull,d(vJ
Pdr d-
-,,:+^- ^-uLrrLor orrrP
9 0 02
r-t---_l
t n n
,
U u
I. 5i5tI::'TI
r7,- .?I"'ilt
r',
y
L!-ot
oN otrF
I
(s)
( ^ ) -
EEEE-T
///t r\\r
\ \ \ l j l / /
IVEIRO
BANK
USER
PRESET
(3)-a,o,a,o o o o
meters that mav
(2)
b e a d j u s t e di n
selectedeffect.
FLA
C ui t a r
* W h i t c e n d o f s u p p l i e c l c ; a b l eg o e s t o l e f t c h a n n e l , r e d t o r i g h t
Y o u c a n c o n n e c ta C D p l a v e r o r t a p e p l a v e r t o t h e M I X i n p u t j a c k a n d p l a v
along r,r'hi1elistenir.rg on headphor.res.
Tape
p 1at'er
OR
r^l
CD plaverl( cj
o o o
DELl
\"l "r 'Y I N
t\u
IN
SFX
(B)
( 6 ) Parameter value
R e a d o u t s h o r v s p r e c i s e p a r a m e t e r v a l u e . C h a n g e sa s l o u a d j u s t
PARAMETER control.
t
ffi;rh.".*O
Headphones
\t-/
9 0 02
Cuitar
The 9002 has a built-in amp simulator so you can connect directlv to vour
r r , ro r r li n g e q r r i p m e n o
l r n r i x i n gr : o n s o l e .
( 7 1 Parameter bars
B a r s g i v e g e n e r a li n d i c a t i o n o f p a r a m e t e rv a l u e . C h a n g e sa s v o u a c l j u s t
PARAMETER control.
Multi-track recorder
OR
( B ) Metronome mark
A p p e a r sw h e n m e l r r r n o m ei s o n .
( e ) Tuning
mark
A p p e a r s w h e n t u n i n g r t : f c - r e n cpei t r : h i s u n .
C a s s e t t er e c o r d e r
Guitar
10
Effects and Parameters
Modulation effects
MODULATION GROUP
(PITC,PHA,FLA, CHO)
O n e J ' r o n rt h i s g r o L t p r : o n b e u s e d a t o t i n t e ( b u t n o t n ' i t h S F X ) .
Guitar lmp effects
COMP Compressor
U s eD E P T H( r a n g eo f o - 1 . 2 )p a r a m e t c rt o a dj r - r sst u s t a i nl e r . e l .
S u s t a i n sn o t e sr v i t h o u ta d d i n g d i s t o r t i o n .A r ; l e a ns o u n dt h a t k e e p st h t :
s i g n a li e v e l c o n s i s t e n t .
T h i s p r o v i d e ss t r - r d i q
o u a l i t v a n a l o gc r o m p r e s s i oenf f e c t s .
DIST Distortion
L l s eD E P T H( 0 - 1 2 )p a r a m e t etro a d j u s tt h e a m o u n to l d i s t o r t i o n .
T h i s p r o v i d e sa n a l o gd i s t o r t i o nt h a t i s r i c h i n h a r n o n i t ; sf o r a r ; r : u r a t c
s i m u l a t i o no f t u b e - a m ps o u n d .A t D E P T H0 . t h i s u , o r k sa s a t o n eb o o s t e r .
EQ Equalizer
p a t t c r n s ,t h e n u s et h e D E I ' T Ha n d I i I N E p a r a F i r s t ,s e l e c to n e o f t h e t r , r , o
m e t e r st o a d j u s tt h e e f f e c t .
L l s et h e P A T T E R N( f o r 2 ) p a r a m e t e tr o s c l e c tr v h i c hp a t t c r nl ' o L r v a n t .
, o n ' C u tE Q
P A T T E R N1 : H i g h B o o s t L
D E P T H( 0 - 1 0 ) c o n t r o l sl o r , r ' r a n gbeo o s to r a t t e n r , r a t i oann d F I N E ( 0 - 1 0 )
c o n t r o l sh i g h r a n g cb o o s to r a t t e n u a t i o n . L l srev i t h p l e r . r t vo f d i s t o r t i o nt o
f o r a l e s t r a i n e ds o u n d .T f r i s
p r o d n r ; ea h e a r - ,m
f e t a l s o u n d .A l s o a d j u s t a t r l e
i s a h i g h - l o r ' rs,h e l v i n ge f f c c t .
PI\TTERN2: Exciter
D E P T H( 0 - 1 0 )a n d F I N E( 0 - 10 ) . A b r i g h tt u b ea m p t o n eu s i n ga n e x c i t e r
e f f e c tw h e r e D E P T Hr ; o n t r o l se n h a n c el e v e l a n d F I N E c o n t r o l sf r c q u c n c t r ' .
PITC Pitch shift
[ J s cP I T C H ( - 1 2 - O - + 1 2 r a n g e ) t o s h i f t p i t c h i n s e m i t o n e s t e p s u p t o o n e
octave hight:r or lolver.
l l s c F I N I I ( - 1 0 - 0 - + 1 0 ) f o r f i n e a dj u s t m e n t a b o v e o r b e l o w P I T C H s e t t i n g .
t J s e B A L A N C E ( 0 - 1 0 ) t o a d j r - r sbt e t n ' e e n s h i f t e d a n d d i r e c t s o u n d .
T h i s i s u s e c lf o r h a r m o n i e s , d o u b l i n g , a n d t h l c k e n i n g e f f e c t s . F i r s t a d j r , r s t
PITCH, then FINE. Trv crcating rinison, fifths. and non-cvclic chorus-like
e ffer;ts.
PHA Phaser and Midrange
Boost
L I s eP A T T E R N ( 1 o r 2 ) t o s e l e c tP h a s e ro r M i d r a n g e B o o s t .
PATTERN 1: Phoser
L l s eD E P T H ( 0 - 1 0 ) t o a d j u s t t h e a m o u n t o f m o d u l a t i o n a n d r r : s o n a n r ; e .
L I s eF R E Q ( 0 - 5 0 ) t o a d j u s t m o d u l a t i o n s p e e d .
T h i s c r e a t e sr o t a t i n g s p e a k e r s o u n d s a n d o t h e r p h a s c s h i f t r : d e f f t - ' r ; t s .
PATTERN 2: Xlidrange Boost
L l s eD E P T H ( 0 ^ - 10 ) t o a d j u s t l e v e l o f p e a k b o o s t .
L l s eF R E Q [ 0 - 5 0 ) t o a d j u s t m i d r a n g e f r e q u t - . n c v .
M i d r a n g e b o o s t g i v e s c l i f f e r e n t a m p l i f i e r c h a r a c t e r i s t i c s .I t a l l o r , v st h e
g n i t a r l s t t o c r c a t e a ' r t i d e r a n g e o f p e r s o n a lt o n a l s t v l c s .
FLA Flanger
L . l s eD E P T H [ 0 - 1 0 ) t o a d j u s t a m o u n t o f m o d r - r l a t i o n .
L J s eF R E Q ( 0 - 5 0 ) t o a d j u s t m o d u l a t i o n s p e e d .
L l s e P E A K ( 0 - 1 0 ) t o a c l j u s ts t r e n g t h o f t h c r e s o n a n r ; ep e a k .
F l a n g i n g p r o d r i c e sp e a k s t h a t a r e h a r m o n i c a l l v r e l a t e d ,u n l i k e s i m p l e
p h a s i n g . A t h i g h p c a k l e v e l s i t p r o d u c e s a l m o s t n - r e t a l l i rr;i n g i n g s o u n d s .
CHO Chorus
L I s eD E P T H ( 0 - 1 0 ) t o a d j u s t t h e a r n o u n t o f m o d u l a t i o n .
L I s eFr R E Q ( 0 " 1 0 ) t o a d j u s t m o d u l a t i o n s p e c r l .
L l s cP A T T E R N [ 1 o r 2 ) t o s e l e c tm o n o o r s t e r e o .
L i k e f l a n g i n g , c h o r u s r i c p c n c l so n t h r : i n t e r a r ; t i o n b e t n ' e e n d e l a v c . da n d
n o n - r l e l a r , e csl i g n a l r ; o m p o n e n t s . L i k e p t r a s i n g . i t r ; a n I - r e l pc r e a t e a f u l l bodicd sourtcl.
1 1
't2
Delay effects
Special effects
DEL1 Delay 1
SFX
t J s eD E C A Y ( 0 - 1 0 ) t o a r l j u s tt i r e u u m b e r o f e c h o e s( 0 i s s i n g l e ) .
t l s e T I M E ( 1 - 1 0 0 ) t o a d j r - r st th e d e l a v t i m c f r o m l / 1 0 0 o f a s e r r ; o n trol 1
second in ten milliset;ond increments.
L I s eB A L A N C E ( 0 * 1 0 ) t o a d j u s t b a l a n c eb e t ' " r ' e ecnl i r e r ; (t 0 ) a n c ld c l a v ( 1 0 ) .
T h i s i s r - r s c df o r e c h o e f f e r ; t s .
REVERB GROUP
(DEL2.REV1,REV2)
Onc from tltis ororro t ttn lte ttsedttl tt litne
DEL2Delay
2
U s eD E C A Y( 0 - 1 0 )t o a d j u s t h e n u m b e ro f r e p e a t s(.F o rm o n o o r - r t p utth. e
r e p e a t sr , r ' i l bl e h a l f t h e t e r n p oo f t h e s t e r e or e p e a t s . )
L I s eT I M E ( 1 - s 0 ) t o a d j r . r sdte l a v t i m e f r o m 1 / 1 0 0o f a s e c o n ctlo 9 / - l0 o f a
s e c o n di n t e n m i l l i s e c o n di n c r e m e n t s .
U s e B A L A N C E( 0 - 1 0 ) t o a d j u s tt h e l e v e l o f t h e c l e l a r , esdo l r n c l .
D e l a v 2 i s a s t e r e op i n g - p o n gd e l a v r v h e r et h e s o u n de c ; h o r -f .r so m t h o l e f t t o
i h e r i g h t c h a n n e l( i f r e p r o d u c e di n s t e r c o ) .
U s r :Pl A T T E R N ( 1 , 2 , 3 )t o s e l e r ; tS T E I ) ,( l R Y . o r M E T A l , l . l C e f f c c t s .
PATTENN 1:STEP
L I s eD E P T H ( 0 - 1 0 ) t o a c l j u s ta m o u n t o f r n o c l u l a t i o n .
t l s e F R E Q ( 0 - 5 0 ) t o a d j u s t m o r l r r l a t i o ns p c c d .
T h i s g i v t : sr a n d o r n ,s t e p p c d s a n r p l c & h o l df o r s c q u e n c e ra n c la r p e g g i ot v p e
efler;ts.
PATTERN 2: CRY
L l s eD E P T H ( 0 - 1 0 ) t o a d j u s t a m o u n t o f r l o d u l a t i o n .
L I s eF R E Q ( 1 o r 2 ) t o s e l e c t 1 : V o i c e 1 1 , p ce f f e c t :o r 2 : F a s t a t t a r ; ka n d s \ \ r r ) o p
rlotvn.
T h i s g i v c s d v n a m i c p i c k n , a h a n c lt a l k i n g b o x t v p c c f f e c t s .
PdT?ERN :]: METALLIC
L i s eD E I T T F(I 0 - 1 0 ) t o a c l j u s ta n t o u n t o f m o d u l a t i o n .
L l s cF R E Q [ 0 - 5 0 ) t o a d i u s t n o r l u l a t i o n s p e e c l .
T h i s g i v c s r i n g m o d L r l a t o rt v p e e f f c r ; l s .
REV1 Reverb 1 (Large Hall)
U s eT I M E ( 0 - 1 0 )t o a d j u s t h e r e r , e r bt i m e .
t J s eB A L A N C E( 0 - 1 0 ) t o a d j r . r st th e l e v e l o f t h e r e v e r bs o u n c l .
R e v e r b e r a t i oe
n f f e c t sa r ee s s e n t i afl o r r e c o r d i n ga n d f o r s i m u l a t i n gl a r g e r
p e r f o r m a n c ee n v i r o n m e n t sT. h e l o n g e s tr e v e r t rt i m e i s 4 0 0 O m s .
REV2 Reverb 2 (Small Room)
L I s eT I M E ( 0 - 5 0 ) t o a d j u s tt h e r e v e r bt i m e
L I s eB A L A N C E( 0 - 1 0 ) t o a dj u s t t h e l e r , e lo f t h e r e v e r bs o u n d ,
T h i s s e c o n dr e ' r ' e r b
e f f e c ti s d e s i g n e dt o s i m u l a t et h e s o u n do f a s m a l l
r o o m .T h e l o n g e s rt e v e r bt i m e i s 1 6 O m s .
13
't4
PresetProgramsand User Programs
"patr;hes".
Of
T h e 9 0 0 2 h a s m e m o r v l o c ; a t i r i n sf o r 4 0 e f f e c t s p r o g r a m s o r
t h e s e , 2 0 a r e p e r m a n e n t p r e - p r o g r a m m e d f a c ; t o r vp r e s e t e f f e c t s ( i n R O M ) .
T h e r e m a i n i n s 2 0 n t e m o r Y l o c t a t i o n sa r e a v a i l a b l e f o r V o t t t o s t o r c V O t r ro \ \ ' n
p a t c h e s ( i n R A M ) . E a c h p r o g r a m o r p a t r ; h r r s u a l l v r ; o m b i n e ss e v e r a l i n d i vidual effects.
Operation
Basic operltion
.
The BANK part of the displav will shon' USER 0, and the PATCH LED 1
r , r , i l l i g h t . T h e P a r a m e t e r V a l u e d i s p l a y a r e a w i l l s h o n , t h e o u t p r - r t1 e v e l
This means that the r;urrentlv selectedpatch is the first (of four) patches in
user bank 0.
Presetbanks
T h e f i v e ( 0 t h r o u g h 4 ) p r e s e t b a n k s c o n t a i n p r e - p r o g r a r n n e r l p a t r ; h c st h a t
a r e r e a d r - t o u s e f o r a u ' i d e v a r i e t J ' o f m u s i c ; a la p p l i c a t i o n s . Y o u c a n a d j u s t
t h e p a r a m e t e r r . a l u e so f i n d i v i d u a l e f f e c t s r ' v i t h i n e a c h p a t c h a s v o r - rl i k c .
T h e n v o u r ; a ns t o r e t h e r e s u l t s i n p a t c h e s i n t h e u s e r b a n k s .
Turn on POWER switch.
.
Call your desired bank and patch.
L I s et h e B A N K k e v s ( t l P a n d D O W N ) t o s e l e c ; tl , o u r d e s i r e d b a n k . U s e t h e
P A T C H k e v s ( 1 t h r o u g h 4 ) t o r ; h o o s ea p a t c h w i t h i n t h e b a n k . A s a n
e r a n r p l e .l e t ' s s e l e c t p r e s e t 1 . p a t c h 2 .
(Jser banks
T h e c o n t e n t so f t h e p a t c h e si n t h e l i v e ( 0 t h r o u g h 4 ) u s e r b a n k s r ; a nb e
c h a n g e d . Y o u c a n u s e t h e m t o s t o r c \ ' o L l ro \ v n o r i g i n a l p a t r ; h c so r \ r o l l c a n
c o p l p a t r ; h e sf r o m t h e p r e s e t b a r - r k sT. o s t a r t n , i t h , t h e u s e r l l a n k s r ; o r t t a i n
c o p i e s o f 2 0 s e l e c t e dp r e s e tp a t c h e s .
I
About the banks
" p a t c h e s . "I i a c h
E a c h f a c t o r v p r e s e tb a r r ko f f e r s a c h o i c e o l f o u r
P a t i ; hi s a
c h a i n o I c f f c c t ss p t c i a l l v p r c p u r c t l o r : r e d l ea s P c c i f i cs o t l t t , ol t r [ [ r ' tI J o t
live performance or recording.
DSP
Aduancggjle!91!119!!91:9!9!!g'
:
,=t t-
i.,.,,u - t
PRESET
o o o
ffi
a o
n
I
l
o
F o r e x a m p l e , o n c o f t h e p r e s e t b a n k p a t c h e s c r c - a t t . -asn i n s t a n t l r , r t ' r ; o g t t i z '50s
ror;k
a b l e h e a v v m e t a l s o u n d . A n o t h e r s o u n r l sj u s t l i g h t f o r g o o c lo l d
and roll.
" c ; h a i n "l i k o
A p a t c h m a v c o n t a i n u p t o s i x c l f c c r t si,n a
this:
COMP -
DIST -
EQ -
P I T ( I ( c t r ; . )-
DELI-
R F I V1 ( t - . t c . )
, u r ; a na t ; t t r a l l l
T h e u s e r b a n k s a r e s e t l r p i n t h c s a m e 1 g s 1 ,f.1 6 1 1 ' s 1 ' e\ri o
r : h a n g cr v h a t i s s t u r e d i n t h e u s e r b a n k p a t r ; h c s .( T h e f a t ; t o r v p r c s t : t b a t t k
p a t c i r c sa l n a v s c o f n c u p s o u n r l i n gt h e s a m t . 'c, a r : ht i m t : r ' o r rs c l c t : tt h e r n . )
Selecting patch z in preset bank 1
* D i s p l a v i l l u s t r a t i o n s s h o n ' n h e r e d o n o t n e r ; e s s a r i l vr n a t c h t h o s e d u r i n g a c t u a l u s e .
'l'hev
a r e p r o v i d e d f o r g e n e r a l r e f e r e n c ; eo n l r , .
l )
16
(t ) Prt-.se
s i t h e r o f t h e B A N K k e v s s e v c r a l t i m e s a u d n o t i c e h o r , vt h e B A N K
p a r t o f t h e d i s p l a v i n d i c a t e se a c h o f t h e I I S E R ( 0 - 4 ) a n d P R E S E T( 0 - 4 )
banks. Trv settlng it to PRESET1. The bank nurnber rvill flash.
( 2 ) N e x t , s e l e c t v c i u r d e s i r e d p a t c h n u m l l t : r t r r rp r e s s i n g o n e o f t h e f o u r
P A T C H k e v s ( l o c a t e c lb e l o r v t h e B A N K k e v s ) . P r e s st h e P A T C H 2 k e v s o
that its LED lights.Thc bank number rvill stop flashing.
Y o u h a v e n o r v s e l e c t e dp r c s e t b a n k 1 , p a t c h 2 .
Editing
E a c h p a t c h i s a c h a i n o f i n d i v i d u a l e f f e c t s . Y o u c a n s e l e t ; tw h i t ; h i n d i r , i d u a l e f f e c t s t o u s e i n a p a t c h . A n d v o r , rc a n a d j u s t t h e p a r a m e t e r s o f e a c h
e f f e c t . Y o r . rc a n a l s o a d j u s t t h e s i g n a l o u t p u t l e v e l o f t h e t o t a l p a t c h .
A p a r a m e t e r i s s i m p l v o n e o f t h e a d j u s t a b l e c h a r a c t e r i s t i c so f t h e e f f e r : t
( s u c h a s " t i m e " i n a d e l a v e f f e c t ) .E a c h e f f e c t h a s d i f f e r e n t a d j u s t a b l e
"Effects
p a r a m e t e r s .R e f e r t o t h e
a n d P a r a m e t e r s "s e c t i o n o f t h i s n a n u a l .
Edited patches can be stored in user banks for later use.
T o e d i t a n d s t o r ea p a t c h , v o u f o l l o r v t h e s es t e p s :
( 1 ) S e l e c t b a n k a n d p a t c h t o s t a r t f r o m ( P r e s e t2 , p a t r ; h 3 . f o r e x a m p l e )
(2) Select individual effect (FLA, for example)
(3lAdiust effect parameters(DEPTH and PEAK, for example)
( a ) A d j u s t o u t p u t l e v e l ( T o c o m p e n s a t e f o r i n c r e a s e d o r d e c r e a s e dt o t a l
volume resulting from change in effectsused and/or their readiusted parameter values)
(s)Store (Store in user bank 4, patch 1, for exan.rple)
L e t ' s t r y e d i t i n g t h e D E L r e f f e c t i n o u r p r e v i o u s l v s e l r : r ; t e dp a t r ; h ( p r e s e t 1 ,
patch 1).
(1) lJsethe CURSOR kevs to move the flashing effect mark to DEL1.
P a r a m e t e r n a m e s D E C A Y , T I M E , a n d B A L A N C E r , r ' i l 1a p p e a r o n t h e
displav.
(2) Of the thrce names, DECAY is flashing. However, iet's adjust the TIME
parameterfirst. Graduailv raise or lon er the position of the control or,er
the TIME indication until TIME startsflashing. (Or prcss the CANCEL kev
t o m o v € rt o t h e n e x t a d j u s t a b l e p a r a m e t e r . )
I l ] ) A f t e r ' I I M E s t a r t s f l a s h i n g , m o r r e m e n to f t h e c o n t r o l w i l l a f f e c t t h e
v a l u e o f t h e T I M E p a r a m e t e r , a s s h o r , v nb 1 ,t h e p a r a m e t e r b a r s a n d t h e
p a r a m e t e r v a l u e r e a d o u t . S l i d e i t a l l t h e r v a 1 ,d o r v n t o m i n i m i z e t h e d e l a ' n '
t i m e . S l i d e i t a l l t h e w a y u p t o s e t d e l a v t i n . r et o t h e m a x i m u l n l e n g t h o f o n e
second.
n,
R-|ml
o
tnl
v
lnil1|i\l
Uu-un
CANCEL
TUNE
STORE
_VALUE
\
>
i
i
I
EFFECT
Effect editing procedure
First. press the ieft or right CURSOR kev to move the flashing effect mark
until it is above the individual effect that vou want to edit (in the llst of
effectsat the bottom of the display).
The adjustable parameter names for that effeci will appear belor'r'the thret-'
s l i d i n g P A R A M E T E R c o n t r o l s . ( T h e n u m b e r o f a dj u s t a b l e p a r a m e t e r s i s
usuallv two or three, depending on the effect.)
(If parameter names do not appear, press the EFFECT ON/OFF kev so that
the effect on/off mark turns on.l
One of the parameter names wiil be flashing. Ad just the PARAMETER
c o n t r o l a b o v e t h e f l a s h i n g n a m e . A s v o u s l i d e t h e r ; o n t r o l u p o r d o r , v n .t h e
p a r a m e t e r b a r s ( b e l o r . tt'h e p a r a m e t e r n a m e ) a n d t h e p a r a m e t e r v a l u e
readout in the display will change to indicate the current r,alue (lt'ithin the
p o s s i b l er a n g e ) .
^17
DSP
Advanceqf gtgj-q199!9I9999991
D E C A YI ]IY F I B O L A N C E
I N
rrrl
ir-.tiT
| - --l
l ----rrrll
oN
lrr
N
tBANK
uu
eRESET
I
I
TC
A c i j u s t i n tgh e T I M E p a r a m e t e r
18
(4) Next, move the control above the BALANIIE paraneter name. Slide it
all the way down to get the direct sound onlv. At the top position you get
just the delay sound.
(5) Finaliy, adjust the control above the DECAY parametername. This sets
t h e a m o u n t o f f e e d b a c k ( n u m b e r o f r e p e a t s o r e c h o e s ) .A t t h e b o t t o m
position you hear a single repeat. At the top position you get the maxrmttnt
number of repeats.
( 6 ) N o w , u s e t h e C U R S O R k e v s t o s e l e c t o t h e r e f f e c t s ,a n d a d l u s t t h e m i n
the same way.
Undo
To return a patch to its original value, simplv selecta different patch ancl
t h e n r e t u r n t o t h e o n e t h a t v o u w a n t e d t o r e s e t t o i t s o r i g i n a l v a l r , r e I. n o t h c r
words, if vou switch to another patch without storing the previous one,
a n l ' a d j u s t r n e n t s t h a t v o u m a d e o n t h e p r e v i o r - r so n e u ' i l l b e c a n c e l l e d .
o u t p u t l e v e l o f t h e s e l e c t e d p a t c h . T h i s m a v b e n e c e s s a r yt o c o m p e n s a t e
f o r c h a n g e si n t o t a l o u t p u t l e v e l r e s u l t i n g f r o m v o u r p a r a m e t e r s e t t i n g s .
T h i s g i v e s y o u c o n t r o l o v e r c h a n g e si n o u t p u t l e v e l t h a t m a y o c c u r r t ' h e n
vou sr,r'itch
p a t c h e sw h i l e p c r f o r m i n g .
(1)Use the CURSOR kevs to move the effect mark all the wav to the right of
SFX or to the left of COMP. The bars under the PEAK/BALANCE/PATT E R N d i s p l a v s e c t i o n w i l l s h o r ' vo u t p u t 1 e v e l ,a s r , r , i l lt h e r e a d o u t . O r y o u
can go directlv to the output level adiustment mode by pressingthe
c u r r e n t l y s e l e c t e d P A T C H k e 1 ,6 t u i t .
(2)Adtust the control above the PEAK/BALANCE/PATTERN display
section. Output level is adjustableover a range of 10 to gg, as shorvn in the
parameter value reador,rt.
Palch storage
'Io
savevour edited effect patch, follorv these steps.
Output level adjustment
A f t e r a d j r - r s t i n gt h e p a r a m e t e r s o f i n d i v i d u a l e f f e c t s ,v o u c a n a d i u s t t h e
[ 1 ) P r e s st h e S T O R E k e v o n c e . T h e s e l e c t e dB A N K n u m b e r a n d p a t c h L E D
r , r . i l lf l a s h t o i n d i c a t e t h a t v o u a r e i n t h e s t o r a g e m o d e .
(2) tlse the BANK and PATCH kevs to selectthe user bank number and
p a t c h i n t o n h i c h v o u r ' r , ' i s tho s a r , et h e s o u n d . ( Y o r . rc a n n o t u s e a f a c t o r v
preset bank to store edited sor.rnds.)
mt-n
o
@
CANCEL
oMErRo I
rQ
TUNE
]
_VALUF
I
ffi,U
I
tt \-#
-
( 3 J A t t h i s p o i n t r , ' o uc a n s t i l l p r e s s t h e C A N C E L k e l t o c a n c e l t h e s t o r a g e
mode and return to the statethat existed before vou pressedthe STORE
k e v . I f v o r , rd o n o t r , ' , ' i s h
to cancel, go on to step 4, belorv.
( 4 ) P r e s st h e S T O R E k e v a g a i n a n d t h e B A N K n u m b e r a n d p a t c h L E D r ' r ' i l l
stop flashlng and remain lit. This confirms storage.
[ i l
EFFECT
cunGG
osP
advanced GuitaT Efrects Processor
'="^5
E
1....,
I
I
o,o,o,
ffi
a,o,
o
,
Adjusting the output level.
! q
20
Other Functions
Specifications
l Unlng mooe
Effect Programs:
C o m p r e s s o r ,D i s t o r t i o n , E Q , P i t c h
Shifter, Phaser, Fianger, Chorus,
Delayl, Delay2, Reverbl, Reverb2,SFX
(6 effects can be used at once)
Memory:
20 PresetPatches/20User's Patches
A/D D/A Converter:
16-bit linear
Inputs:
G u i t a r x 1 ( 1l o ", - 1 0 l - 2 O d B m , 4 7 0 k O )
Mixxl(Mini,Stereo)
Outputs:
Line x 1 (t/r" Stereo/Mono, -1OdBm,
P r e s st h e T U N E k e v o n c e a n d t h e t u n i n g f o r k m a r k w i l l a p p e a r o n t h e
d i s p i a i r . T h e 9 0 0 2 w i l l e m i t a p i t c h o f 4 + O H z .T u n e v o u r A s t r i n g t o t h i s
pitch. If vou want a slightlv higher referencepitch, use the CURSOR kevs
t o c h a n g e I o 4 4 1 , H 2o r 4 4 2 H 2 . I n t h e t u n i n g m o d e a l l e f f e c t s t u r n o f f a n d
parameter names and indications are not displaved. To return to normal
use, press the TUNE kev again.
Metronome mode
loko)
H e a d p h o n e sx 2 ( M i n i , S t e r e o )
"METRO"
P r e s st h e M E T R O k e v o n c e a n d t h e
mark n'ill appear on the disp 1 a v .T h e m e t r o n o m e L E D w i l l f l a s h i n t i m e t v i t h t h e b e a t r v h i c h i s a d j u s t able over a range of 40 to 250 beats per minute, using the CURSOR kevs. In
t h e m e t r o n o m e m o d e , e f f e c t sr e m a i n o n a n d v o u c a n c h a n g e p a t c h e s ,b u t
parameter names and indications turn off. To turn off the metronome,
p r e s s t h e M E T R O k e 1 ,a g a i n . F o r l i v e p e r f o r m a n c e , v o u m a v r v a n t j u s t t h e
metronome LED indication and not the audible beat: from the oor,r,er-off
condition, while holding down the METRO ker',turn on the PO\VER
sr,r'itch.
Remote control
The supplied remote controller plugs into the 9002 and allows vou to
selectpatches rvithin the current bank. It does not control bank changing.
Therefore, when editing, you may wish to use each bank to store up to four
patchesthat will be used togetherwithln the same song. Storing the
p a t c h e s i n t h e s e q u e n c et h a t t h e v w i l i b e s e l e c t e d n ' i l l a d d f u r t h e r c o n v e n ience.
T o a t t a c h , u s e t h e t r , v oV e l c r o p a d s . P u t t h e s o f t p a d o n t h e g u i t a r a n d p u t
the one with the rough surfaceon the back of the remote controlier. When
the remote controller is not attached to the guitar, the rough Velr;ro pad
s u r f a c e m a y d a m a g r -c. l o t h i n g - p u t i t i n v o u r g u i t a r c a s e .n o t i n v o u r
pocket.
21
Display:
6 0 x 3 0 m m C u s t o mL C D
Control:
Remote
Power:
RechargeableBattery/AC Adapter
5 hours initial chargingtime. 3 hours
use at full charge.
Dimensions:
1 0 2 ( W )x 1 1 e . 5 ( Dx) 3 9 ( H )m m
Weight:
2 B 0 g( 0 . 6 2 I b s . )
Accessories:
R e m o t ec o n t r o l l e r ,A C a d a p t o r ,
Rechargeablebattery x 1,
Stereophone plug to stereoRCA phono
plug cable x 1
A l l s p e c i f i c a t i o n s a n d a p p e a r a n c e ss u b j e c t t o c h a n g e w i t h o u t n o t i c e .