Yamaha MU10 Specifications

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SPECIAL MESSAGE SECTION
This product utilizes batteries or an external
power supply (adapter). DO NOT connect this
product to any power supply or adapter other
than one described in the manual, on the name
plate, or specifically recommended by Yamaha.
place. The average life span of this type of
battery is approximately five years. When
replacement becomes necessary, contact a
qualified service representative to perform the
replacement.
This product should be used only with the
components supplied or; a cart, rack, or stand
that is recommended by Yamaha. If a cart, etc.,
is used, please observe all safety markings and
instructions that accompany the accessory
product.
This product may also use “household” type
batteries. Some of these may be rechargeable.
Make sure that the battery being charged is a
rechargeable type and that the charger is intended for the battery being charged.
SPECIFICATIONS SUBJECT TO
CHANGE:
The information contained in this manual is
believed to be correct at the time of printing.
However, Yamaha reserves the right to change
or modify any of the specifications without notice
or obligation to update existing units.
This product, either alone or in combination with
an amplifier and headphones or speaker/s, may
be capable of producing sound levels that could
cause permanent hearing loss. DO NOT operate
for long periods of time at a high volume level or
at a level that is uncomfortable. If you
experience any hearing loss or ringing in the
ears, you should consult an audiologist.
IMPORTANT: The louder the sound, the shorter
the time period before damage occurs.
NOTICE:
Service charges incurred due to a lack of
knowledge relating to how a function or effect
works (when the unit is operating as designed)
are not covered by the manufacturer’s warranty,
and are therefore the owners responsibility.
Please study this manual carefully and consult
your dealer before requesting service.
ENVIRONMENTAL ISSUES:
Yamaha strives to produce products that are
both user safe and environmentally friendly. We
sincerely believe that our products and the
production methods used to produce them, meet
these goals. In keeping with both the letter and
the spirit of the law, we want you to be aware of
the following:
When installing batteries, do not mix batteries
with new, or with batteries of a different type.
Batteries MUST be installed correctly. Mismatches or incorrect installation may result in
overheating and battery case rupture.
Warning:
Do not attempt to disassemble, or incinerate any
battery. Keep all batteries away from children.
Dispose of used batteries promptly and as
regulated by the laws in your area. Note: Check
with any retailer of household type batteries in
your area for battery disposal information.
Disposal Notice:
Should this product become damaged beyond
repair, or for some reason its useful life is
considered to be at an end, please observe all
local, state, and federal regulations that relate to
the disposal of products that contain lead,
batteries, plastics, etc. If your dealer is unable to
assist you, please contact Yamaha directly.
NAME PLATE LOCATION:
The name plate is located on the bottom of the
product. The model number, serial number,
power requirements, etc., are located on this
plate. You should record the model number,
serial number, and the date of purchase in the
spaces provided below and retain this manual as
a permanent record of your purchase.
Model
Serial No.
Battery Notice:
This product MAY contain a small non-rechargeable battery which (if applicable) is soldered in
92-BP
Purchase Date
PLEASE KEEP THIS MANUAL
Welcome to the MU10
Congratulations and thank you for purchasing the Yamaha MU10
Tone Generator!
The MU10 is a sophisticated, yet highly compact MIDI tone
generator, specially designed for use with computers and MIDI music
systems.
With the built-in host computer interface and MIDI terminals,
the MU10 is ideal for any computer music system — from connection
to a simple laptop to integration in a complete MIDI studio. The host
computer interface is especially convenient, allowing you to directly
connect it to your computer without the need for a special MIDI
interface.
Featuring Yamaha’s high quality AWM2 tone generation technology, the MU10 has 676 Normal Voices and 21 Drum Voices (percussion sets), with full General MIDI compatibility — including
Yamaha’s new XG-MIDI. It provides 16-Part multi-timbral capacity and full 32-note polyphony for playback of even the most sophisticated song data. Three independent digital effect sections — with
11 types of Reverb, 11 types of Chorus, and 43 different Variation
effects — can be used simultaneously and give you enormous versatility in “sweetening” the sound. Plus, the MU10 has two convenient A/
D INPUT jacks, allowing you to connect external audio sources
(such as a microphone, guitar, or CD player), and mix those sources
with the AWM2 Voices of the MU10.
Because of all the above, as well as its exceptionally portable size
and convenient battery/AC adaptor power supply, the MU10 is an
invaluable tool for all MIDI musicians and performers.
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Unpacking
Your MU10 package should include the items listed below. Make sure that
you have them all. Also, write down the serial number of your MU10 in the
box below, for future reference.
MU10
Serial No.:
Owner’s Manual
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Table of Contents
Welcome to the MU10 .............................................................. 2
Unpacking .................................................................................... 3
How to Use This Manual ......................................................... 5
Precautions ................................................................................. 6
Panel Controls and Terminals ................................................ 8
The MU10 — What It Is and What It Can Do ............................. 10
Setting Up Your MU10 ........................................................... 12
Power Supply .......................................................................... 12
Connections ............................................................................. 14
● Connecting With a Computer ......................................... 14
Direct Connection .......................................................... 14
Connecting to a Computer With a MIDI Interface ........ 16
● Connecting With a MIDI Device ..................................... 16
● Connecting to Audio Equipment ..................................... 17
Using the A/D INPUT Function ............................................ 18
MU10 Overview and Features .............................................. 21
About MIDI ................................................................................ 24
Appendix
MIDI Data Format .................................................................... 25
XG Normal Voice List .............................................................. 42
TG300B Normal Voice List ...................................................... 44
XG Drum Voice List ................................................................. 46
TG300B Drum Voice List ........................................................ 48
Effect Type List ........................................................................ 50
Effect Parameter List ............................................................... 51
Effect Data Assign Table ......................................................... 54
Specifications ........................................................................... 55
Troubleshooting ....................................................................... 56
MIDI Implementation Chart ..................................................... 58
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How to Use This Manual
You are probably eager to try out your new MU10 Tone Generator right away, rather
than have to read through a lot of instructions before you can even get a sound out of
it.
However, to get the most out of your MU10, we strongly suggest that you read the
following sections in the order given:
1) Precautions
This gives you important information on how to care for your new MU10,
how to avoid damaging it, and how to ensure long-term, reliable operation.
2) Panel Controls and Terminals
This section introduces you to the panel controls, jacks and terminals.
3) The MU10 — What It Is and What It Can Do
Read through this section to get an idea of how you can best use your MU10.
4) Setting Up Your MU10
This very important section gets you started using your MU10. It guides you
in connecting and setting up the instrument for different example systems,
and shows you how to get started using your MU10.
5) MU10 Overview and Features
Once you’re familiar with everything above, go over this comprehensive
guide to all MU10 functions. You won’t need (or want) to read everything at
once, but it is there for you to refer to when you need information about a
certain feature or function.
6) Appendix
Finally, use the sections in the Appendix as necessary. The various MIDI
sections provide details on how to control the Voice and Effect parameters,
while the Voice Lists show all available Voices of the MU10. And, if you
run into some problem or difficulty, refer to the Troubleshooting section for
help.
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Precautions
Your MU10 will give you years of reliable service if you follow the simple rules given
below:
■ LOCATION
Do not expose the instrument to the following conditions to avoid deformation, discoloration, or more serious damage.
• Direct sunlight (e.g. near a window).
• High temperatures (e.g. near a heat source, outside, or in a car during
the daytime).
• Excessive humidity.
• Excessive dust.
• Strong vibration.
■ POWER SUPPLY
Turn the power switch OFF when the instrument is not in use.
This instrument runs from either an optional AC adaptor or batteries:
(When using AC adaptor) Use ONLY a Yamaha PA-3B, PA-1207 or equivalent AC Power Adaptor to power your instrument from the AC mains. The
use of other adaptors may result in irreparable damage to both the adaptor
and the instrument.
An AC adaptor should be unplugged from the AC outlet if the instrument is
not to be used for an extended period of time.
Unplug the AC adaptor during electric storms.
Avoid plugging the AC adaptor into the same AC outlet as appliances with
high power consumption, such as electric heaters or ovens. Also avoid using
multi-plug adaptors since these can result in reduced sound quality, operation
errors, and possibly damage.
Always unplug cables by gripping the plug firmly, not by pulling on the AC
adaptor cable.
(When using batteries) When the batteries run down, replace them with a
complete set of new batteries. NEVER mix old and new batteries, and
different kind (e.g. alkaline and manganese) at the same time.
To prevent possible damage due to battery leakage, remove the batteries from
the instrument if it is not to be used for an extended period of time.
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Precautions
■ TURN POWER OFF WHEN MAKING CONNECTIONS
To avoid damage to the instrument and other devices to which it is connected, turn the power switches of all related devices OFF prior to connecting or disconnecting.
■ HANDLING AND TRANSPORT
Never apply excessive force to the controls, connectors or other parts of the
instrument.
Disconnect all cables before moving the instrument.
Physical shocks caused by dropping, bumping, or placing heavy objects on
the instrument can result in scratches and more serious damage.
■ CLEANING
Clean the cabinet and panel with a dry soft cloth.
A slightly damp cloth may be used to remove stubborn grime and dirt.
Never use solvents such as alcohol or thinner.
Avoid placing vinyl objects on top of the instrument (vinyl can stick to and
discolor the surface).
■ ELECTRICAL INTERFERENCE
This instrument contains digital circuitry and may cause interference if
placed too close to radio or television receivers. If this occurs, move the
instrument further away from the affected equipment.
■ SERVICE AND MODIFICATION
The instrument contains no user serviceable parts. Opening it or tampering
with it in anyway can lead to irreparable damage and possibly electric shock.
Refer all servicing to qualified YAMAHA service personnel.
Yamaha is not responsible for damage caused by improper handling or operation.
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Panel Controls and Terminals
Side Panel
MIN
VOLUME
TONE GENERATOR
MAX LINE OUT/
PHONES
Top Panel
e
r
A/D INPUT
VOLUME
POWER
q
GENERAL
w
q POWER lamp
Lights when power is turned on. Also, flashes to indicate reception of MIDI Note On
messages and System Exclusive data. Also, flashes slowly when battery power becomes too low for proper operation.
w A/D INPUT VOLUME controls (1, 2)
For control of the A/D INPUT audio level.
e LINE OUT/PHONES jack
For connection to a set of stereo headphones, or an external amplifier/speaker system
(stereo mini plug). (See page 17.)
r VOLUME control
Adjusts the overall volume of the MU10.
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Panel Controls and Terminals
Rear Panel
A/D INPUT
MIDI
OUT
IN
HOST SELECT
MIDI PC-2 PC-1 Mac
t
y
u
TO HOST
DC IN
POWER
ON
OFF
i o !0 !1
t A/D INPUT jacks (1, 2)
For connection of external audio sources, such as microphone, guitar, or CD player
(mono 1/4” plug). When using only one input source, be sure to connect it to the A/D
INPUT 1 jack. (See page 18.)
y MIDI OUT terminal
For connection to other MIDI devices, such as a MIDI keyboard or tone generator.
Used to relay data received via the TO HOST terminal.
u MIDI IN terminal
For connection to other MIDI devices, such as a MIDI keyboard, sequencer, or to a
computer via MIDI interface. When the HOST SELECT switch is set to MIDI, the
received data is sent to the internal tone generator. When the HOST SELECT switch is
set to PC-1, PC-2, or Mac, the received data is directly sent to the TO HOST terminal,
bypassing the internal tone generator. (See page 14 – 16.)
i HOST SELECT switch
For selecting the type of host computer, or (when set to MIDI) normal MIDI operation.
Available settings are: MIDI, PC-2 (IBM PC/AT and compatible computers), PC-1
(NEC PC 98 computers; for use in Japan), and Mac (Macintosh). (See page 15 – 16.)
o TO HOST terminal
For connection to a host compter. Use an appropriate serial interface cable according
to the type of host computer. (See page 15.)
!0 DC IN jack
For connection to a PA-3B, PA-1207 or equivalent AC power adaptor.
!1 POWER switch
For turning the power on and off. Turning the power on automatically sets the MU10
to the XG mode and initializes all settings and parameter values.
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The MU10 — What It Is and What It Can Do
What It Is
The MU10 is a compact, highly portable MIDI tone generator, designed
especially for use with computers and MIDI music systems. Specifically, it
is a high-quality XG- and GM-compatible tone generator, with 676 Voices
and 21 drum Voices (percussion sets). The tone generator can be played
either from an external MIDI device (such as a keyboard or a sequencer) or a
computer. The MU10 also includes three independent digital effect sections
— with 11 types of Reverb, 11 types of Chorus, and 43 different Variation
effects — for enhancing the sound of the Voices.
The MU10 features a built-in host computer interface, allowing you to
directly connect it to your Macintosh or IBM PC/AT (and compatible)
computer—eliminating the need of installing a special MIDI interface to your
computer. With the proper sequencing software on the computer, the MU10
can be used for both recording and playing back of sequencer data. The
internal tone generator also allows for comprehensive control over all Voice
and effect parameters — via incoming system exclusive messages, transmitted from a sequencer or other MIDI device. (Refer to the MIDI Data Format
section on page 25 for details on controlling various MU10 parameters.)
The MU10 also features two convenient A/D INPUT jacks, allowing you to
connect external audio sources and mix those sources with the Voices.
Moreover, the built-in effects can be applied to the external sources as well
as the internal AWM2 Voices.
The MU10 is also the latest instrument in the Yamaha line to support the XG
format, a new addition to the General MIDI standard. In short, XG provides
for more instrument sounds and variations, and greater expressive control
over voices and effects.
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The MU10 — What It Is and What It Can Do
What It Can Do
Here are a few application ideas on how you can use the MU10. The list
below is not comprehensive, but is meant to be a general guide to the
possibilities and provide a starting point or springboard for your own creative
ideas and explorations.
■ Using in a MIDI Music System
Connect the MU10 to a computer with MIDI sequencing software, and
you’ve got comprehensive music making power—for recording, composing,
arranging, practicing, and editing. Combine it with a laptop computer, and
you’ve got a complete and portable music production system that’s ready to
go wherever you go. The built-in A/D Inputs let you connect an external
audio source (such as a microphone or guitar), allowing you to play along
with the MIDI tracks.
The MU10 is an ideal addition to larger MIDI studios as well, since it gives
you a high-quality 16-Part multi-timbral tone generator.
■ Multimedia
Since it’s portable and compatible with the XG and General MIDI formats,
the MU10 is a natural for multimedia applications. Because of its portability
and great sound, it’s the only tone generator you’ll need for recording,
editing and playing back MIDI data on your multimedia creations.
■ Using With a MIDI Keyboard in Live Performance
Simply connect the MU10 to a MIDI keyboard and play the dynamic Voices
in live performance situations. With the built-in A/D Inputs, you can even
use the MU10 as a simple 2-channel mixer. Bring a computer or MIDI data
player to your gig, and you can even mix another instrument (such as guitar
or bass) with the MIDI-driven Voices of the MU10.
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Setting Up Your MU10
Setting Up the MU10 in Your Music System
Whatever your system, you should follow the basic instructions in this section when
setting up your MU10. Use the example illustrations as a general guide when making
the connections with your own system.
Power Supply
Your MU10 will run either from an optional AC adaptor or batteries. Whenever possible, you should use the AC adaptor, since the MU10 runs only for
a short time on battery power (approximately two hours and twenty minutes
on alkaline batteries).
■ NOTE
● Before making any connections, make
sure that all equipment to be connected is turned off.
■ Using a Power Adaptor
Connect one end of the power adaptor
(optional Yamaha PA-3B, PA-1207, or
equivalent) to the DC IN jack on the
rear panel, and the other end to a
suitable electrical outlet.
■ CAUTION
● Do not attempt to use an AC adaptor
other than the PA-3B, PA-1207, or
equivalent. The use of an incompatible
adaptor may result in irreparable
damage to the MU10, and even pose a
serious shock hazard. (The recommended power adaptor may vary,
depending on your location. Please
consult your nearest Yamaha dealer for
details.)
● Be sure to disconnect the power adaptor
from the outlet when the MU10 is not in
use for an extended period of time or
during electrical storms.
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DC IN
MIDI
OUT
IN
HOST SELECT
MIDI PC-2 PC-1 Mac
TO HOST
DC IN
POWER
ON
OFF
Power
Adaptor
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Setting Up Your MU10
■ Using Batteries
To use the MU10 on battery power,
remove the battery compartment cover
(as shown at the right) and insert six
1.5V AA size (SUM-3, R-6 or equivalent) manganese or alkaline batteries
in the battery compartment. Make
sure to follow the polarity indications
on the bottom case.
Securely replace the battery compartment cover when finished installing
the batteries.
■ When to Replace the Batteries
When the battery power runs too low to properly operate the MU10, the
POWER lamp will flash slowly. When this happens, replace all batteries
with a complete set of six new batteries of the same type.
■ CAUTION
● NEVER mix old and new batteries or different types of batteries! Also, to
prevent possible damage due to battery leakage, remove the batteries from the
instrument if it is not to be used for an extended period of time.
●
The MU10 has no memory backup function. Turning the power off will automatically initialize all settings and parameter values.
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Setting Up Your MU10
Connections
In this section you’ll learn how to set up your MU10 with a computer or with
another MIDI device. You’ll also learn how to connect the MU10 with audio
equipment.
■ CAUTION
● Turn off all devices before making connections.
Connecting With a Computer
You can connect the MU10 with your computer in one of two ways: 1) direct
(computer port — TO HOST terminal), or 2) via MIDI interface.
■ Direct Connection
Whatever computer you use, the connections are basically the same. However, the cable you use and the HOST SELECT switch setting differ according to the computer type. Other settings on the connected computer may be
required as well. (Refer to the owner’s manuals of your particular computer
and music software for more information.)
MIDI Thru
(Echo back)
ON
Computer
(Sequencer software)
MU10
Tone generator
Serial port
TO HOST
MIDI IN
MIDI OUT
MIDI Keyboard
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Since data received
via the TO HOST
terminal is relayed
MIDI OUT to the MIDI OUT
terminal, you can
connect an external
tone generator to
the MIDI OUT
terminal like this.
MIDI IN
External tone
generator
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Setting Up Your MU10
● Macintosh
Connect the TO HOST terminal
of the MU10 to the Modem (or
Printer) port of the computer
with an optional Apple Macintosh peripheral cable (M0197),
then set the HOST SELECT
switch to Mac. Also, set the
MIDI interface clock to 1 MHz.
● PC98
Connect the TO HOST terminal
of the MU10 to the serial port of
the PC98 computer with an
optional 8-pin MINI DIN to 25pin D-SUB cable, then set the
HOST SELECT switch to PC-1.
● IBM PC/AT and Compatibles
Connect the TO HOST terminal
of the MU10 to the serial port of
the IBM PC/AT (or compatible)
computer with an optional 8-pin
MINI DIN to 9-pin D-SUB
cable, then set the HOST
SELECT switch to PC-2.
If you use an 8-pin MINI DIN
to 25-pin D-SUB cable, connect
a 25-pin to 9-pin plug adaptor to
the D-SUB end of the cable.
Mac
mini DIN 8-pin
mini DIN 8-pin
PC-1
mini DIN 8-pin
D-SUB 25-pin
PC-2
mini DIN 8-pin
D-SUB 9-pin
mini DIN 8-pin
D-SUB 25-pin
D-SUB 9-pin
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Setting Up Your MU10
■ Connecting to a Computer With a MIDI Interface
Connect the MIDI IN terminal of the
MU10 with the MIDI OUT terminal
on the MIDI interface as shown at the
right, then set the HOST SELECT
switch to MIDI.
Serial
port
■ NOTE
● If you are using a Macintosh computer,
you may need to set the MIDI interface
clock to an appropriate value. (Refer to
the owner’s manual of your particular
music software.)
●
Computer
(Sequencer
software)
MIDI Thru
(Echo back)
ON
HOST SELECT
MIDI
Interface
MIDI
OUT
MIDI
MIDI
IN
MIDI
IN
When the HOST SELECT switch is set to
MIDI, data received via the TO HOST
terminal is ignored.
Tone generator
MU10
MIDI
OUT
MIDI Keyboard
Connecting With a MIDI Device
The MU10 can be integrated into any
MIDI system in a variety of ways. In
the example connection shown at the
right, the MU10 is being played from a
MIDI keyboard. Connect the MIDI IN
terminal of the MU10 with the MIDI
OUT terminal on the MIDI keyboard,
set the HOST SELECT switch to
MIDI, and set the MIDI transmit
channel on the keyboard to the desired
value. (Refer to the owner’s manual of
that device for details.)
■ NOTE
● MIDI channel 10 on the MU10 is
automatically set to play the drum
Voices.
16
MIDI Keyboard
IN
MIDI
OUT
DC IN
POWER ON
OFF
CONTROLLER NUMBER LIST
PITCH
CONTROL CHANGE
1 MODULATION DEPTH
5 PORTAMENTO TIME
6 DATA ENTRY
7 MAIN VOLUME
8 BALANCE CONTROL
10 PANPOT
11 EXPRESSION
ASSIGNABLE
SEQUENCER
SHIFT
STOP
CONTINUE
START
PROGRAM
TEMPO
BANK PROGRAM
SELECT CHANGE
64 HOLD1(DAMPER)
65 PORTAMENTO
66 SOSTENUTO(CHORD HOLD)
67 SOFT PEDAL
69 HOLD2
71 HARMONIC CONTENT
72 RELEASE TIME
73 ATTACK TIME
RESET
GM
ON
SOUND
OFF
SYSTEM
XG
ON
MERGE
ON/OFF
MIDI
CH
74 BRIGHTNESS
84 PORTAMENTO CONTROL
91 REVERB DEPTH
92 TREMOLO DEPTH
93 CHORUS DEPTH
94 VARIATION DEPTH
95 PHASER DEPTH
WHEEL ASSIGN
FIXED
VELOCITY
RPN CONTROLLER NRPN
(RPN)
120 PITCH BEND SENSITIVITY
121 FINE TUNING
122 COARSE TUNING
(NRPN)
123 VIBRATO RATE
124 VIBRATO DEPTH
125 VIBRATO DELAY
126 FILTER CUTOFF FREQUENCY
127 FILTER RESONANCE
128 EG ATTACK TIME
129 EG DECAY TIME
130 EG RELEASE TIME
131 DRUM FILTER CUTOFF FREQUENCY
132 DRUM FILTER RESONANCE
133 DRUM EG ATTACK TIME
OTHERS
142 CHANNEL PRESSURE
143 KEY PRESSURE
144 MASTER VOLUME
145 MASTER BALANCE
146 MASTER TUNING
147 VELOCITY
148 TEMPO
134 DRUM EG DECAY TIME
135 DRUM PITCH COARSE
136 DRUM PITCH FINE
137 DRUM LEVEL
138 DRUM PAN
139 DRUM REVERB DEPTH
140 DRUM CHORUS DEPTH
141 DRUM VARIATION DEPTH
MIDI KEYBOARD CBX-K1
TRANSPOSE
DRUM
NUMBER
ENTER
1
2
3
4
5
6
7
8
9
A
B
C
D
E
F
0
HEXA
DECIMAL
DECIMAL
OCTAVE
OCTAVE SHIFT
OCTAVE
RESET
MIDI OUT
HOST SELECT
MIDI
MIDI IN
Tone generator
MU10
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Setting Up Your MU10
Connecting to Audio Equipment
In order to hear the sounds of the MU10, you must connect it to a set of
stereo headphones or an amplifier/speaker system. Connect the headphones
or audio cable to the stereo mini jack on the side panel. The particular cable
that you use depends on your audio equipment. (In most cases this would be
a stereo mini/dual RCA-pin cable or a stereo mini/stereo mini cable.)
MIN
VOLUME
MAX LINE OUT/
PHONES
MIN
VOLUME
MAX LINE OUT/
PHONES
Stereo
mini
Stereo mini
INPUT
POWER
ON/
OFF
TONE
LOW
INPUT
VOLUME
POWER
ON/
HIGH
OFF
TONE
LOW
VOLUME
HIGH
Audio equipment
■ CAUTION
● After making connections, turn down the volume controls on all devices,
then turn on the power of each device in the following order:
1) External MIDI device or computer
2) MU10
3) Audio equipment
When turning off the power, simply reverse the order. This is done to
avoid damaging any of the equipment and connected speakers (as well as
your ears!).
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17
Using the A/D INPUT Function
The MU10 also features an A/D INPUT function that allows you to connect two
external audio sources — such as a microphone, guitar, or CD player — and mix those
sources with the Voices of the MU10. For example, you could use this to sing or play
a guitar or keyboard over backing tracks played with the MU10 Voices from a MIDI
sequencer. With a MIDI keyboard connected to the MU10, you could plug in a CD
player and play keyboard parts along with your favorite CDs.
The built-in effects of the MU10 are also applied to the INPUT sources.
■ NOTE
● When the A/D INPUT 1 jack (or both 1 and 2) is connected, the A/D INPUT
function is turned on and the maximum polyphony (simultaneous notes) of the
MU10 is reduced from 32 to 30.
18
●
Audio signals received via the A/D INPUT 1 and 2 jacks are mixed to one part,
then processed through the effect sections and mixed with the internal Voices of
the MU10.
●
When the power is turned on, the A/D Input parameters are reset to the following values:
Input Gain — Mic
Bank Select — 0
Receive Channel — OFF
Volume — 100
Chorus Send — 0
Reverb Send — 40
Receive Program Change — OFF
Receive Bank Select — OFF
●
When the A/D Input is active (i.e., when the A/D INPUT 1 jack is connected),
Variation Send is set to 0. All other parameter settings are maintained.
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Using the A/D INPUT Function
● Operation
1 Turn down all volume controls.
Front Panel
This includes the A/D INPUT
VOLUME sliders on the top panel,
and the VOLUME slider on the
side panel, as well as volume
controls on any connected equipment.
A/D INPUT
VOLUME
Side Panel
MIN
VOLUME
MAX
2 Connect the cable(s) from the external source(s) to the A/D INPUT
jack(s).
When using a single mono source, connect it to the A/D INPUT 1 jack, so
that the A/D INPUT function is on. (Connecting the source to only the A/
D INPUT 2 jack does not turn on the A/D INPUT function.)
3 Turn up the various volume controls until the level is appropriate.
Start with the controls on any connected equipment, then the VOLUME
slider on the side panel, and finally slowly turn up the A/D INPUT
VOLUME slider while playing the external instrument or sound source.
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19
Using the A/D INPUT Function
■ Changing the Input Gain Setting
When the power is turned on, the A/D INPUTs are automatically set to
receive mic level signals, such as a microphone or electric guitar. To use a
keyboard or a CD player, you will need to change the setting from “mic” to
“line.” This is done by sending the MU10 a specific MIDI System Exclusive
message (usually from a sequencer).
● Operation
1 Connect a MIDI sequencer (or other MIDI device) to the TO HOST
terminal or MIDI IN terminal. (See page 14 – 16.)
The device must be able to transmit System Exclusive messages. (Refer
to the owner’s manual of the particular device or software for detailed
instructions.)
2 Send the appropriate message from the sequencer.
To set the A/D INPUTs to “line,” send this message : F0 43 1n 4c 10 00 00 01 F7
To set the A/D INPUTs to “mic,” send this message : F0 43 1n 4c 10 00 00 00 F7
(n = device number)
For more details, refer to the MIDI Data Format section on page 25.
Continue with steps 1 - 3 in the previous instructions to use the A/D
INPUTs with the new setting.
20
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MU10 Overview and Features
This section covers the performance modes of the
MU10 and describes in detail Voice- and Effectrelated controls and features.
The MU10 has 32-note polyphony and is 16-Part
multitimbral, which means it can play up to 16
different instrument Parts (one Part per each of the
16 MIDI channels), each Part having its own
Voice. Up to 16 different Voices can be sounded
simultaneously.
The MU10 features both XG and TG300B
performance modes. Normally the MU10 plays in
XG mode. However, since it automatically
recognizes which mode to select based on
incoming MIDI data, you can easily change the
mode by MIDI System Exclusive messages that
you program in sequencer data, at the head of your
composition.
Please note the following:
• Turning on the power of the MU10 will
automatically initialize all MU10 settings,
or parameter values.
• Since the MU10 requires about half a
second to change modes when it receives a
mode change message, be sure to insert at
least one blank measure at the top in order
to allow enough time for the mode to
change before your actual music data
begins.
● XG Mode
In XG mode the MU10 will play XG-compatible
multitimbral data, as well as multitimbral data
created for the GM System Level 1 format.
In XG mode the MU10 can:
• Play up to 16 Parts.
• Choose from 480 Normal Voices and 11
Drum Voices.
● TG300B Mode
In TG300B mode the MU10 will play multitimbral
music data created for TG300B-compatible tone
generators. TG300B mode also provides compatibility with the GM System Level 1 format.
In TG300B mode the MU10 can:
• Play up to 16 Parts.
• Choose from 579 Normal Voices and 10
Drum Voices.
■ Voices and Elements
An MU10 Voice can be made up of one or two
elements (i.e., sounds), depending on the complexity of the Voice. Many Voices are made up of only
one element. Two-element Voices are made up of
two one-element Voices, and may be configured in
a variety of ways.
The number of elements in use determines the
maximum number of simultaneous notes (polyphony) which the MU10 can play at any given
time, depending on the amount of incoming MIDI
Note data. For details about the number of
elements used in each Voice, see the XG/TG300B
Normal Voice List on page 42.
■ Normal Voices and Drum Voices
The MU10 has two types of Voices—Normal
Voices and Drum Voices. (In this Owner’s Manual,
in general the word Voice refers to a Normal
Voice.)
The distinction between a Normal Voice and a
Drum Voice is as follows:
• A Normal Voice is simply a pitched Voice
which can be played on a musical scale from
low to high, such as a piano or trumpet. The
MU10 has 676 Normal Voices.
• A Drum Voice is a complete set of drum and
other percussion sounds, each sound having a
fixed pitch. Each sound is assigned to a specific
MIDI Note number (which also corresponds to
a key on a MIDI keyboard). The MU10 has 21
Drum Voices.
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21
MU10 Overview and Features
■ Maximum Polyphony
■ Element Reserve
The MU10 can play a maximum of 32 notes
polyphony at once. (When the A/D INPUT 1 jack
or both the 1 and 2 jacks are connected, the A/D
INPUT function is turned on and the maximum
polyphony is reduced to 30.) However, the actual
number of notes that will play at any given time is
determined by the number of elements in use
across the 16 Parts.
For example, if you use only one-element Voices,
you can achieve the full 32 notes maximum
polyphony. If you use one or more two-element
Voices, however, maximum polyphony will be
reduced accordingly.
The MU10 is a last-note-priority tone generator,
which means that if it receives more than 32 notes
of MIDI Note data at any time, earlier (first) notes
will automatically cut off to accommodate the
most recent (last) incoming notes.
The MU10 has an Element Reserve feature that
lets you reserve a specified number of notes for
certain Parts, in order to keep notes from being
“stolen” from those Parts by other Parts if
incoming MIDI Note data exceeds maximum
available polyphony.
For example, if you specify an Element Reserve
value of “10” for Part 1, then Part 1 will always
keep 10 elements for itself. You can set Element
Reserve values with MIDI System Exclusive
messages (see XG Native Parameter Change on
page 30, and <Table 1 - 4> on page 35).
■ Part Priority
Each of the MU10’s 16 Parts corresponds to each
of the 16 MIDI channels (1 – 16). If incoming
Note data exceeds the maximum polyphony, the
MU10 will prioritize which Parts are played first,
in the following order, from higher priority to
lower:
• Channel 10 (Drum Part), 1, 2, 3, 4, 5, 6, 7, 8, 9, 11,
12, 13, 14,15, 16.
Therefore, if you are creating your own music data
using sequencer software, you should assign your
most important Parts (such as melody and bass) to
higher priority MIDI channels (i.e., lower MIDI
channel numbers) in order to preserve the integrity
of your composition. Note that with the GM
System Level 1, the Drum Part is always assigned
to MIDI channel 10.
■ Selecting Voices
The MU10 not only contains the 128 basic GM
Voices and GM drum set, but many variation
Voices as well—to give you access to a total of
676 Normal Voices and 21 Drum Voices.
In XG mode, the basic 128 GM Voices can be
accessed by selecting Program numbers 1 – 128.
Other Voices can be accessed by selecting both
bank numbers and Program Change numbers. The
Voice bank can be selected via MIDI Control
Change Bank Select (MSB and LSB) messages. In
XG mode, the MSB value determines the Voice
type (Normal, Drum), while the LSB value actually
selects the bank (excluding the SFX bank).
When the MU10 is in TG300B mode, the Voice
banks can be selected with appropriate MSB
numbers, as LSB is fixed.
Lists of all available Voices along with bank and
program numbers are provided on pages 42 – 49.
Note that the 128 MIDI Program Change numbers
consist of 0 through 127, whereas the 128 MU10
program numbers consist of 1 through 128.
Depending on the sequencing hardware and
software you use, you may have to convert the
MU10 program numbers to the appropriate
Program Change numbers.
* For more information about Bank Select and
Program Change messages, see About MIDI,
page 24.
22
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MU10 Overview and Features
■ Effect Types
The MU10 features dozens of extremely versatile
digital effects generated by Yamaha’s advanced
Digital Signal Processing (DSP) technology—
which add a completely new dimension to your
MU10’s sound.
There are three distinct effect types, or effect
sections, each of which include a variety of
individual effects. There are 11 Reverb type
effects, 11 Chorus type effects, and 43 Variation
type effects. For a complete list of effects, see the
Effect Type List on page 50.
These effects are configured, or routed, in one of
two ways—to be either a System Effect or an
Insertion Effect. The difference is as follows:
• SYSTEM EFFECT
- Applies the designated effect to all 16 Parts.
• INSERTION EFFECT
- Applies the designated effect to only one specific
Part.
Reverb and Chorus effect types are dedicated
System Effects, and therefore are applied to the
overall “mix”. The Variation effect type, however,
can be configured as either a System Effect or an
Insertion Effect. To designate effect types and
parameter values via MIDI messages, see XG
Native Parameter Change, page 30.
* Effects can be applied to A/D Input Sources as
well as the internal voices of the MU10.
■ 16 bit A/D Input x 2
The MU10 features A/D INPUT 1, 2 jacks for
connection of external audio sources such as a
microphone, guitar, bass, or CD player.
Audio signals received via A/D INPUT 1 and 2
jacks are mixed to one part, then processed
through the effect sections and mixed with the
internal voices of the MU10. (See “Using the A/D
INPUT Function” on page 18)
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23
About MIDI
■ What is MIDI?
MIDI is an acronym that stands for Musical
Instrument Digital Interface, which allows
electronic musical instruments to “communicate”
with each other, by sending and receiving
compatible Note, Control Change, Program
Change and various other types of MIDI data, or
messages.
■ MIDI Messages Received by the
MU10
The MU10 is controlled by various types of
incoming MIDI messages which automatically
determine play mode, select MIDI channels,
Voices and effects, change parameter values, and
of course play the Voices specified for the various
Parts—complete with all the subtle nuances and
powerful dynamics of expression that the
composer originally intended. Below is an
explanation of the various types of MIDI messages
which the MU10 can receive.
● Key On/Key Off
Key On/Key Off messages, also called Note
messages, tell the MU10 which notes to play, the
Velocity value (depending on how hard the keys
are struck) at which to play them, and how long to
play them—i.e., when to start (On) and stop (Off)
playing each note.
● Program Change
Program Change messages tell the MU10 which
Voice to select for each Part. You can insert
Program Change messages at any desired location
in a song. Combining Bank Select numbers let you
select various Voices from the hundreds of Voices
available in the MU10.
● Pitch Bend
Pitch Bend messages are continuous controller
messages that allow the pitch of designated notes
to be raised or lowered by a specified amount over
a specified duration.
● Channel Aftertouch
Channel Aftertouch is a pressure sensing function
which lets you control various functions by how
hard you press the keys, over the entire channel.
● Polyphonic Aftertouch
Polyphonic Aftertouch is a pressure sensing
function which lets you control various functions
by how hard you press the keys, for each
individual key.
● System Exclusive
System Exclusive messages control various
functions of the MU10, including master volume
and master tuning, play mode (XG or TG300B),
effect type and various other parameters specifically related to the MU10.
● Control Change
Control Change messages let you select a Voice
bank, control volume, panning, modulation,
portamento time, brightness and various other
controller parameters, through specific Control
Change numbers which correspond to each of the
various parameters.
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MIDI Data Format
By sending various types of MIDI messages you can
directly control and change the settings on the MU10.
Please refer to the owner’s manual of your software
and hardware for information about how to transmit
MIDI messages to the MU10.
If the Drum Setup parameter Rcv NOTE OFF (Table
1-6) = OFF, the Drum Part will ignore Key Off
messages.
If the Drum Setup parameter Rcv NOTE ON = OFF
(Table 1-6), the Drum Part will ignore Key On
messages.
1.2 Control Change
■ RECEPTION
Messages which control volume, panning, and other
controller parameters.
Each type of Control Change message is assigned to a
specific control number.
If the Multi Part parameter for each Control Change
Receive (Table 1-4, nn30-nn40) = OFF, that Part will
ignore the specific Control Change message.
1. CHANNEL MESSAGES
1.1 Key On / Key Off
Messages which are generated when the keyboard is
played.
Reception note range = C-2 (0)-G8 (127), C3 = 60
Velocity range = 1-127 (Only the Key On velocity is
received)
Key On: Generated when a key is pressed.
Key Off: Generated when a key is released.
Each message includes a specific note number which
corresponds to the key which is pressed, plus a
velocity value based on how hard the key is struck.
If the Multi Part parameter Rcv NOTE MESSAGE
(Table 1-4) = OFF for a specific Part, that Part will
ignore Key On and Key Off messages.
1.2.1 Bank Select
Messages which select variation Voice bank numbers.
CNTRL#
0
PARAMETER
Bank Select MSB
32
Bank Select LSB
DATA RANGE
0:Normal, 63:User Voices,
64:SFX, 126:SFX Kit,
127:Drum
0...127
Decimal - Hexadecimal Conversion Chart
Many MIDI messages listed in the MIDI Data Format section, are expressed in hexadecimal numbers. The
chart below lists the corresponding decimal number for each hexadecimal number. (Hexadecimal numbers
may include the letter “H” as a suffix.)
Dec
Hex
Dec
Hex
Dec
Hex
Dec
Hex
Dec
Hex
Dec
Hex
Dec
Hex
Dec
Hex
0
1
2
3
4
00
01
02
03
16
17
18
10
11
12
32
20
21
40
41
42
80
81
82
83
84
85
86
87
50
51
52
53
54
55
56
57
58
96
97
98
60
61
62
63
112
113
13
14
15
16
17
18
30
31
32
33
34
35
36
64
65
19
20
21
22
23
24
70
71
72
73
74
75
76
25
26
27
19
1A
1B
1C
1D
1E
1F
48
49
50
51
52
53
54
55
56
57
58
5
6
7
8
9
10
11
12
13
14
15
04
05
06
07
08
09
0A
0B
0C
0D
0E
0F
28
29
30
31
33
34
35
36
37
38
39
40
41
42
43
44
45
22
23
24
25
26
27
28
29
2A
2B
2C
2D
46
47
2E
2F
59
60
61
62
63
37
38
39
3A
3B
3C
3D
3E
3F
66
67
68
69
70
71
72
73
74
75
76
77
78
79
43
44
45
46
47
48
49
4A
4B
4C
4D
4E
4F
88
89
90
91
92
93
94
95
59
5A
5B
5C
5D
5E
5F
99
100
101
102
103
104
105
106
107
108
109
110
111
64
65
66
67
68
69
6A
6B
6C
6D
6E
6F
114
115
116
117
118
119
120
121
122
123
124
125
126
127
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77
78
79
7A
7B
7C
7D
7E
7F
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MIDI Data Format
You can select the Voice banks with MSB and LSB
numbers. MSB and LSB functions differently
depending on the play mode.
In XG mode, MSB numbers select Voice type
(Normal Voice or Drum Voice), and LSB numbers
select Voice banks. In TG300B mode, LSB is fixed,
and MSB numbers select Voice banks.(See Voice Lists
on page 42 – 49)
A new bank selection will not become effective until
the next Program Change message is received.
Messages which control vibrato depth.
PARAMETER
Modulation
DATA RANGE
0...127
A setting of 0 = vibrato off, and a setting of 127 =
maximum vibrato.
Messages which control the duration of portamento,
or a continuous pitch glide between successively
played notes.
PARAMETER
Portamento Time
DATA RANGE
0...127
When the parameter 1.2.9 Portamento = ON, values
will adjust the speed of pitch change.
A setting of 0 = minimum portamento time, and 127
= maximum portamento time.
1.2.4 Data Entry
Messages which set the value for the parameter
specified by RPN/NRPN.
CNTRL#
6
38
PARAMETER
Data Entry MSB
Data Entry LSB
CNTRL#
11
DATA RANGE
0...127
0...127
PARAMETER
Expression
DATA RANGE
0...127
A setting of 0 = minimum expression volume, and
127 = maximum expression volume.
1.2.8 Hold1
Messages which control sustain on/off.
PARAMETER
Hold1
DATA RANGE
0...127
Settings between 0-63 = sustain off, and settings
between 64-127 = sustain on.
1.2.9 Portamento
Messages which control portamento on/off.
CNTRL#
65
1.2.3 Portamento Time
CNTRL#
5
Messages which control intonation expression of each Part.
CNTRL#
64
1.2.2 Modulation
CNTRL#
1
1.2.7 Expression
PARAMETER
Portamento
DATA RANGE
0...127
Settings between 0-63 = portamento off, and settings
between 64-127 = portamento on.
The parameter 1.2.3 Portamento Time controls the
portamento speed.
1.2.10 Sostenuto
Messages which control sostenuto on/off.
CNTRL#
66
PARAMETER
Sostenuto
DATA RANGE
0...127
Holding specific notes and then pressing and holding
the sostenuto pedal will sustain those notes as you
play subsequent notes, until the pedal is released.
Settings between 0-63 = sostenuto off, and settings
between 64-127 = sostenuto on.
1.2.11 Soft Pedal
Parameter value is determined by combining MSB
and LSB.
Messages which control soft pedal on/off.
1.2.5 Main Volume
Notes played while holding the soft pedal will be
dampened. Settings between 0-63 = soft pedal off, and
settings between 64-127 = soft pedal on.
Messages which control the volume of each Part.
CNTRL#
7
PARAMETER
Main Volume
DATA RANGE
0...127
A setting of 0 = minimum volume, and 127 =
maximum volume.
1.2.6 Pan
Messages which control the stereo panning position of
each Part.
CNTRL#
10
PARAMETER
Pan
DATA RANGE
0...127
A setting of 0 = extreme left position, and 127 =
extreme right position.
26
CNTRL#
67
PARAMETER
Soft Pedal
DATA RANGE
0...127
1.2.12 Harmonic Content
Messages which adjust the resonance set for each
Voice.
CNTRL#
71
PARAMETER
Harmonic Content
DATA RANGE
0...127 (0 : -64, 64 : +0,
127 : +63)
The value set here is an offset value which will be
added to or subtracted from the Voice data.
Higher values will result in a more resonant sound.
Depending on the Voice, the effective range may be
narrower than the range available for adjustment.
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○
MIDI Data Format
1.2.13 Release Time
1.2.17 Effect1 Depth (Reverb Send Level)
Messages which adjust the envelope release time set
for each Voice.
Messages which adjust the send level for the Reverb
effect.
CNTRL#
72
PARAMETER
Release Time
DATA RANGE
0...127 (0 : -64, 64 : +0,
127 : +63)
The value set here is an offset value which will be
added to or subtracted from the Voice data.
1.2.14 Attack Time
Messages which adjust the envelope attack time set
for each Voice.
CNTRL#
73
PARAMETER
Attack Time
DATA RANGE
0...127 (0 : -64, 64 : +0,
127 : +63)
The value set here is an offset value which will be
added to or subtracted from the Voice data.
1.2.15 Brightness
Messages which adjust the filter cutoff frequency set
for each Voice.
CNTRL#
74
PARAMETER
Brightness
DATA RANGE
0...127 (0 : -64, 64 : +0,
127 : +63)
The value set here is an offset value which will be
added to or subtracted from the Voice data.
Lower values will result in a softer sound.
Depending on the Voice, the effective range may be
narrower than the range available for adjustment.
1.2.16 Portamento Control
Messages which apply a portamento between the
currently sounding note and the subsequent note.
CNTRL#
84
PARAMETER
DATA RANGE
Portamento Control 0...127
Portamento Control is transmitted specifying the Note
On Key of the currently-sounding note.
Specify a Portamento Source Key number between 0127.
When a Portamento Control message is received, the
currently sounding pitch will change with a
Portamento Time of 0 to the next Key On key on the
same channel.
For example, the following settings would apply a
portamento from note C3 to C4.
90
B0
90
3C
54
48
7F ........... C3 = Key On
3C ........... Source Key number set to C3
7F ........... C4 = Key On (When C4 = on, C3
is raised by a portamento to C4.)
Even if the Multi Part parameter Rcv PORTAMENTO
(Table 1-4) = OFF, the Portamento Control message
will be received.
CNTRL#
91
PARAMETER
Effect1 Depth
DATA RANGE
0...127
1.2.18 Effect3 Depth (Chorus Send Level)
Messages which adjust the send level for the Chorus
effect.
CNTRL#
93
PARAMETER
Effect3 Depth
DATA RANGE
0...127
1.2.19 Effect4 Depth (Variation Effect Send Level)
Messages which adjust the send level for the Variation
effect.
CNTRL#
94
PARAMETER
Effect4 Depth
DATA RANGE
0...127
If Variation Connection (Table 1-3) = 1 (System), this
message sets the send level for the Variation effect.
If Variation Connection = 0 (Insertion), this has no
effect.
1.2.20 Data Increment / Decrement (for RPN)
Messages which increase or decrease the MSB value
of Pitch Bend Sensitivity, Fine Tune, or Coarse Tune
in steps of 1.
CNTRL#
96
97
PARAMETER
RPN Increment
RPN Decrement
DATA RANGE
0...127
0...127
The data byte is ignored.
When the maximum value or minimum value is
reached, the value will not be incremented or
decremented further.
(Incrementing the Fine Tune will not cause the Coarse
Tune to be incremented.)
1.2.21 NRPN (Non-Registered Parameter Number)
Messages which adjust a Voice’s vibrato, filter, EG,
drum setup or other parameter settings.
CNTRL#
98
99
PARAMETER
NRPN LSB
NRPN MSB
DATA RANGE
0...127
0...127
First send the NRPN MSB and NRPN LSB to specify
the parameter which is to be controlled. Then use
Data Entry to set the value of the specified parameter.
* Note that once the NRPN has been set for a channel,
subsequent data entry will be recognized as the same
NRPN’s value change. Therefore, after you use the
NRPN, you should set a Null (7FH, 7FH) value to
avoid an unexpected result.
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○
27
MIDI Data Format
The following NRPN numbers can be received.
NRPN
MSB LSB
01H 08H
01H
09H
01H
0AH
01H
20H
01H
21H
01H
63H
01H
64H
01H
66H
14H
rrH
15H
rrH
16H
rrH
17H
rrH
18H
rrH
19H
rrH
1AH
rrH
1CH
rrH
1DH
rrH
1EH
rrH
1FH
rrH
DATA ENTRY
MSB
PARAMETER NAME and VALUE RANGE
mmH
Vibrato Rate
mm : 00H-40H-7FH (-64 - 0 - +63)
mmH
Vibrato Depth
mm : 00H-40H-7FH (-64 - 0 - +63)
mmH
Vibrato Delay
mm : 00H-40H-7FH (-64 - 0 - +63)
mmH
Filter Cutoff Frequency
mm : 00H-40H-7FH (-64 - 0 - +63)
mmH
Filter Resonance
mm : 00H-40H-7FH (-64 - 0 - +63)
mmH
EG Attack Time
mm : 00H-40H-7FH (-64 - 0 - +63)
mmH
EG Decay Time
mm : 00H-40H-7FH (-64 - 0 - +63)
mmH
EG Release Time
mm : 00H-40H-7FH (-64 - 0 - +63)
mmH
Drum Filter Cutoff Frequency
mm : 00H-40H-7FH (-64 - 0 - +63)
rr : drum instrument note number
mmH
Drum Filter Resonance
mm : 00H-40H-7FH (-64 - 0 - +63)
rr : drum instrument note number
mmH
Drum EG Attack Rate
mm : 00H-40H-7FH (-64 - 0 - +63)
rr : drum instrument note number
mmH
Drum EG Decay Rate
mm : 00H-40H-7FH (-64 - 0 - +63)
rr : drum instrument note number
Applies to both Decay1 and 2.
mmH
Drum Instrument Pitch Coarse
mm : 00H-40H-7FH (-64 - 0 - +63)
rr : drum instrument note number
mmH
Drum Instrument Pitch Fine
mm : 00H-40H-7FH (-64 - 0 - +63)
rr : drum instrument note number
mmH
Drum Instrument Level
mm : 00-7F (0-max)
rr : drum instrument note number
mmH
Drum Instrument Pan
mm : 00H-40H-7FH
(random, left-center-right)
rr : drum instrument note number
Drum Instrument Reverb Send Level
mmH
mm : 00H-7FH (0-max)
rr : drum instrument note number
mmH
Drum Instrument Chorus Send Level
mm : 00H-7FH (0-max)
rr : drum instrument note number
mmH
Drum Instrument Variation Send Level
mm : 00H-7FH (0-max)
rr : drum instrument note number
MSB 14H-1FH (for Drum) is valid only if the Multi
Part parameter (Table 1-4) PART MODE = DRUMS 1
or DRUMS2 for that channel. (If PART MODE =
DRUM, no values will be changed.)
28
1.2.22 RPN (Registered Parameter Number)
Messages which offset, or add or subtract values from
a Part’s pitch bend sensitivity, tuning, or other
parameter settings.
CNTRL#
100
101
PARAMETER
RPN LSB
RPN MSB
DATA RANGE
0...127 (Default:7FH)
0...127 (Default:7FH)
* Note that once the RPN has been set for a channel,
subsequent data entry will be recognized as the same
RPN’s value change. Therefore after you use the
RPN, you should set a Null (7FH, 7FH) value to
avoid an unexpected result.
The following RPN numbers can be received.
RPN
DATA ENTRY
MSB LSB MSB LSB PARAMETER NAME and VALUE RANGE
00H 00H mmH -Pitch Bend Sensitivity
mm : 00-18H (0-24 chromatic steps)
Assignable in chromatic steps up to
2 octaves
Default : 02H
LSB value is ignored.
00H 01H mmH 11H
Fine Tuning
mm : 00H-40H-7FH (-64 - 0 - +63)
00H 02H mmH -Coarse Tuning
mm : 28H-40H-58H (-24 - +24 chromatic steps)
LSB value is ignored.
7FH 7FH --RPN null
Cancels RPN and NRPN numbers.
1.2.23 Channel Mode Messages
The following Channel Mode Messages can be received.
2nd BYTE
120
121
123
124
125
126
127
3rd BYTE
0
0
0
0
0
0 - 16
0
MESSAGE
All Sounds Off
Reset All Controllers
All Notes Off
Omni Off
Omni On
Mono
Poly
1.2.23.1 All Sounds Off
Terminates all sounds currently sounding on the
specified channel. However, the status of channel
messages such as Note On and Hold On is
maintained.
1.2.23.2 Reset All Controllers
The values of the following controllers will be
reset to the defaults.
CONTROLLER
Pitch Bend Change
Channel Aftertouch
Polyphonic Aftertouch
Modulation
Expression
VALUE
±0 (center)
0 (off)
0 (off)
0 (off)
127 (max)
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○
MIDI Data Format
Hold1
Portamento
Sostenuto
Soft Pedal
Portamento Control
RPN
NRPN
0 (off)
0 (off)
0 (off)
0 (off)
cancels the Portamento Source
Key Number that was received.
number not specified; internal
data will not change.
number not specified; internal
data will not change.
1.2.23.3 All Notes Off
Terminates all notes currently on for the specified
channel. However, if Hold1 or Sostenuto is on,
notes will continue sounding until these are turned
off.
1.2.23.4 Omni Off
Performs the same function as when an All Notes
Off message is received.
If the Multi Part parameter Rcv CHANNEL AFTER
TOUCH (Table 1-4) = OFF, that Part will not receive
Channel Aftertouch.
1.6 Polyphonic Aftertouch
Messages which let you control various functions by
the pressure you apply to the keys after the initial
striking of the keys, for each individual key.
If the Multi Part parameter Rcv POLYPHONIC
AFTER TOUCH (Table 1-4) = OFF, that Part will not
receive Polyphonic Aftertouch. Effective range is
between note numbers 36-97.
2. SYSTEM EXCLUSIVE MESSAGES
System Exclusive messages control various functions
of the MU10, including master volume and master
tuning, play mode, effect type and various other
parameters.
1.2.23.5 Omni On
* The device number of the MU10 is fixed to “All”.
Performs the same function as when an All Notes
Off message is received.
2.1 Parameter Change
1.2.23.6 Mono
Performs the same function as when an All Sounds
Off message is received, and if the 3rd byte (mono
number) is in the range of 0-16, sets the corresponding channel to Mono Mode (Mode 4 : m =
1).
1.2.23.7 Poly
Performs the same function as when an All Sounds
Off message is received, and sets the corresponding
channel to Poly Mode (Mode 3).
1.3 Program Change
Messages for Voice selection.
With a combination of Bank Select, you can select not
only basic Voice numbers, but also variation Voice
bank numbers.
If the Multi Part parameter Rcv PROGRAM
CHANGE (Table 1-4) = OFF, that Part will not
receive Program Change messages.
1.4 Pitch Bend
Messages for pitch bend wheel values.
If the Multi Part parameter Rcv PITCH BEND
CHANGE (Table 1-4) = OFF, that Part will not
receive Pitch Bend messages.
1.5 Channel Aftertouch
Messages which let you control various functions by
the pressure you apply to the keys after the initial
striking of the keys, over the entire channel.
The MU10 receives the following parameter change
messages.
[ UNIVERSAL REALTIME MESSAGE ]
1) Master Volume
[ UNIVERSAL NON REALTIME MESSAGE ]
1) General MIDI Mode On
[ XG NATIVE PARAMETER CHANGE ]
1) XG System on
2) XG System Data parameter change
3) Multi Effect1 Data parameter change
4) Multi Part Data parameter change
5) A/D Part Data parameter change
6) A/D System Data parameter change
7) Drums Setup Data parameter change
[ MU10 NATIVE PARAMETER CHANGE ]
1) MU10 System Data parameter change
[ OTHER ]
1) Master
2) TG300
3) TG300
4) TG300
tuning
System Data parameter change
Multi Effect Data parameter change
Multi Part Data parameter change
2.1.2 Universal Realtime Messages
2.1.2.1 Master Volume
11110000
01111111
01111111
00000100
00000001
0sssssss
F0
7F
7F
04
Exclusive status
Universal Real Time
ID of target device
Sub-ID #1=Device Control
Message
01
Sub-ID #2=Master Volume
ss* Volume LSB
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○
29
MIDI Data Format
0ttttttt
11110111
or,
11110000
01111111
0xxxnnnn
tt
F7
Volume MSB
End of Exclusive
F0
7F
xn
00000100
04
00000001
0sssssss
0ttttttt
11110111
01
ss
tt
F7
Exclusive status
Universal Real Time
Device Number,
xxx=irrelevant
Sub-ID #1=Device Control
Message
Sub-ID #2=Master Volume
Volume LSB
Volume MSB
End of Exclusive
When received, the Volume MSB will be effective
for the System Parameter MASTER VOLUME
(Table 1-2).
* “ss” is the hexadecimal expression of 0sssssss;
same as for “tt”, “aa”, etc.
2.1.3 Universal Non-Realtime Messages
2.1.3.1 General MIDI Mode On
11110000
01111110
01111111
00001001
F0
7E
7F
09
00000001
11110111
or,
11110000
01111110
0xxxnnnn
01
F7
F0
7E
xn
00001001
09
00000001
11110111
01
F7
Exclusive status
Universal Non-Real Time
ID of target device
Sub-ID #1=General MIDI
Message
Sub-ID #2=General MIDI On
End of Exclusive
Exclusive status
Universal Non-Real Time
Device Number, xxx =
irrelevant
Sub-ID #1=General MIDI
Message
Sub-ID #2=General MIDI On
End of Exclusive
When General MIDI Mode On is received, the play
mode will be changed to XG mode.
When this happens, the MU10 will receive the MIDI
messages which compatible with GM System Level 1,
and consequently will not receive NRPN and Bank
Select messages.
Since approximately 50ms is required to execute this
message, be sure to leave an appropriate interval
before the subsequent message.
2.1.4 XG Native Parameter Change
With the Parameter Change messages as listed below,
you can change the basic character or sound of a
Voice, such as by Effect Type or effect parameter,
transpose, tuning, and others.
11110000
01000011
0001nnnn
01001100
0aaaaaaa
30
F0
43
1n*
4C
aa
Exclusive status
YAMAHA ID
Device Number
XG Model ID
Address High
0aaaaaaa
0aaaaaaa
0ddddddd
|
11110111
aa
aa
dd
|
F7
Address Mid
Address Low
Data
End of Exclusive
* Any number is OK since the device number for the
MU10 is fixed to “All”.
For parameters with data size of 2 or 4, transmit
the appropriate number of data bytes.
When sending the parameter change messages
consecutively, be sure to leave an appropriate
interval (if the time base is 480, ca 5 unit) between
the messages.
EXAMPLE OF PARAMETER CHANGE
1. To change reverb effect type to Stage 1,
first check the Effect Type List (page 50) to
identify the MSB and LSB numbers; for Stage
1 Reverb effect type numbers are MSB = 03,
LSB = 00.
Next, check the Address in Table 1-3 for the
REVERB TYPE parameter; in this case the
address is High, Mid, Low = 02, 01, 00,
respectively.
Apply these to the 2.1.4 XG Native Parameter
Change list as follows:
11110000
01000011
0001nnnn
01001100
00000010
00000001
00000000
00000011
00000000
11110111
F0
43
1n*
4C
02
01
00
03
00
F7
Exclusive status
YAMAHA ID
Device Number
XG Model ID
Address High
Address Mid
Address Low
Data (REVERB TYPE MSB)
Data (REVERB TYPE LSB)
End of Exclusive
When this data is received, the MU10 will
change the effect type to Stage 1 Reverb.
* Any number is OK since the device number for
the MU10 is fixed to “All”.
2. To change the effect Dry/Wet balance of Stage
1 to 50% each,
first check the Effect Parameter List (page 51),
parameter number 10, to identify the Dry
(50%)/Wet (50%); in this case the Dry=Wet
value is 64 (hexadecimal 40).
Next, check the Address in Table 1-3 for the
REVERB PARAMETER 10; in this case the
address is High, Mid, Low = 02, 01, 0B,
respectively.
Apply these to the 2.1.4 XG Native Parameter
Change list as follows:
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○
MIDI Data Format
11110000
01000011
0001nnnn
01001100
00000010
00000001
00001011
01000000
00000000
F0
43
1n
4C
02
01
0B
40
00
11110111
F7
Exclusive status
YAMAHA ID
Device Number
XG Model ID
Address High
Address Mid
Address Low
Data (MSB)
Data (LSB) Æ fixed at
00.
End of Exclusive
When this data is received, the MU10 will change
the effect Dry/Wet balance of Stage 1 to 50%
each.
Be sure to allow enough time for the procedure to
take place by inserting an empty measure at the
top of the song for every channel.
2.1.4.1 XG System On
11110000
01000011
0001nnnn
01001100
00000000
00000000
01111110
00000000
11110111
F0
43
1n
4C
00
00
7E
00
F7
Exclusive status
YAMAHA ID
Device Number
XG Model ID
Address High
Address Mid
Address Low
Data
End of Exclusive
When this data is received, the MU10 will switch
to XG mode and all the parameters will be
initialized accordingly, and XG-compatible
messages such as NRPN and Bank Select messages
can be received. However, A/D part parameter
settings except Variation Send value will be
preserved (Variation Send will be initialized to the
value of 0).
Since approximately 50ms is required to execute
this message, be sure to leave an appropriate
interval before the subsequent message.
PERFORMANCE MODE CHANGE
(XG mode / TG300B mode)
XG System On = F0 43 1n 4c 00 00 7E 00 F7
TG300B Reset = F0 41 1n 42 12 40 00 7F 00
41 F7
n = device number
2.1.4.2 XG System Data parameter change
See Tables 1-1 and 1-2.
2.1.4.3 Multi Effect1 Data parameter change
See Tables 1-1 and 1-3.
2.1.4.4 Multi Part Data parameter change
See Tables 1-1 and 1-4.
2.1.4.5 A/D Part Data parameter change
See Tables 1-1 and 1-5.
2.1.4.6 Drums Setup Data parameter change
See Tables 1-1 and 1-6.
If a Drum Setup Reset parameter change message
(Table 1-2) is received, the Drum Setup parameter
values will be initialized. Selecting a Drum Set will
cause the Drum Setup parameter values to be
initialized.
2.1.5 MU10 Native Parameter Change
11110000
01000011
0001nnnn
01001001
0aaaaaaa
0aaaaaaa
0aaaaaaa
0ddddddd
|
11110111
F0
43
1n
49
aa
aa
aa
dd
|
F7
Exclusive status
YAMAHA ID
Device Number
Model ID
Address High
Address Mid
Address Low
Data
End of Exclusive
2.1.5.1 MU10 System Data parameter change
See Tables 2-1 and 2-2.
2.1.6 Other parameter changes
2.1.6.1 Master Tuning
11110000
01000011
0001nnnn
00100111
00110000
00000000
00000000
0mmmmmmm
01111111
Occccccc
11110111
F0
43
1n
27
30
00
00
mm
11
cc
F7
Exclusive status
YAMAHA ID
Device Number
Model ID
Sub ID2
Master Tune MSB
Master Tune LSB
irrelevant
End of Exclusive
This message simultaneously changes the pitch of
all channels.
2.2 Bulk Dump
The MU10 receives the following bulk dump data.
[ XG NATIVE ]
1) XG System Data
2) Multi Effect1 Data
3) Multi Part Data
4) A/D Part Data
5) Drums Setup Data
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○
31
MIDI Data Format
[ QS300 NATIVE ]
1) QS300 User Normal Voice Data
2.2.1 XG Native Bulk Dump
11110000
01000011
0000nnnn
01001100
0bbbbbbb
0bbbbbbb
0aaaaaaa
0aaaaaaa
0aaaaaaa
0ddddddd
|
|
0ccccccc
11110111
F0
43
0n
4C
bb
bb
aa
aa
aa
dd
|
|
cc
F7
Exclusive status
YAMAHA ID
Device Number
XG Model ID
Byte Count
Byte Count
Address High
Address Mid
Address Low
Data
0ddddddd
|
|
0ccccccc
11110111
dd
|
|
cc
F7
Data
checksum
End of Exclusive
* Because of possible differences in number of
elements, some QS300 Voices may sound slightly
different.
2.2.2.1 QS300 User Normal Voice Data bulk
dump
See Tables 3-1 and 3-2.
3. REALTIME MESSAGES
checksum
End of Exclusive
For the Address and Byte Count, refer to the
supplementary tables.
The checksum is the value that results in a value of
0 for the lower 7 bits when the Start Address, Byte
Count, plus the checksum itself are added.
3.1 Active Sensing
Once FE has been received, if no MIDI data is
subsequently received for longer than an interval of
approximately 300msec, the MU10 will perform the
same function as when ALL SOUNDS OFF, ALL
NOTES OFF, and RESET ALL CONTROLLERS
messages are received, and will then return to a status
in which FE is not monitored.
2.2.1.1 XG System Data bulk dump
See Tables 1-1 and 1-2.
2.2.1.2 Multi Effect1 Data bulk dump
See Tables 1-1 and 1-3.
2.2.1.3 Multi Part Data bulk dump
See Tables 1-1 and 1-4.
2.2.1.4 A/D Part Data bulk dump
See Tables 1-1 and 1- 5
■ TRANSMISSION
When the HOST SELECT switch is set to other than
“MIDI”, data received via TO HOST terminal is
relayed to MIDI OUT terminal.
If the data received via TO HOST terminal includes
port message, the only data with the port message
specified in MULTI PORT NUMBER for MIDI OUT
( Table 2-2 ) is relayed to MIDI OUT terminal.
2.2.1.5 Drums Setup Data bulk dump
See Tables 1-1 and 1-6.
2.2.2 QS300 Native Bulk Dump
Up to 32 Voices created by the QS300 can be saved in
the MU10’s User Memory by bulk dump messages.
(Effective only when the XG mode is active.)
QS300 User Voices are stored in Bank MSB = 63,
LSB = 00. Program Change numbers for User Voices
are 1-32.
11110000
01000011
0000nnnn
01001011
0bbbbbbb
0bbbbbbb
0aaaaaaa
0aaaaaaa
0aaaaaaa
32
F0
43
0n
4B
bb
bb
aa
aa
aa
Exclusive status
YAMAHA ID
Device Number
QS300 Model ID
Byte Count
Byte Count
Address High
Address Mid
Address Low
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○
MIDI Data Format
■ MIDI Data Tables
● Table 1-1
Parameter Base Address
Model ID = 4C [XG]
XG SYSTEM
EFFECT 1
MULTI PART
A/D PART
A/D SYSTEM
DRUM
High
00
00
00
00
02
08
08
10
11
30
31
Parameter Change
Address
Description
Mid Low
00
00
System
00
7D Drum setup Reset
00
7E
XG System On
00
7F
All Parameter Reset
01
00
Effect1(Reverb,Chorus,Variation )
00
00
Multi Part 1
:
:
0F
00
Multi Part 16
00
00
A/D Part
00
00
0D
00 Drum Setup 1
0D
00 Drum Setup 2
Address
3n 0D 00
3n 0E 00
:
3n 5B 00
Parameter
note number 13
note number 14
:
note number 91
n : Drum Setup number (0, 1)
● Table 1-2
MIDI Parameter Change Table ( SYSTEM ) [XG]
Address
(H)
00 00 00
Size
(H)
4
Data
(H)
0000-07FF
Parameter
Description
MASTER TUNE
04
05
06
7D
7E
7F
TOTAL SIZE
1
1
1
00-7F
MASTER VOLUME
NOT USED
TRANSPOSE
DRUM SETUP RESET
XG SYSTEM ON
ALL PARAMETER RESET
-102.4 - +102.3[cent]
1st bit 3-0 Æ bit 15-12
2nd bit 3-0 Æ bit 11-8
3rd bit 3-0 Æ bit 7-4
4th bit 3-0 Æ bit 3-0
0-127
28-58
n
00
00
Default
value(H)
00 04 00 00
7F
-24 - +24 [semitones]
n=Drum Setup number (0, 1)
00=XG System ON (receive only)
00=ON (receive only)
40
Description
Default
value(H)
01 (=HALL1)
00
depends on reverb
depends on reverb
depends on reverb
depends on reverb
depends on reverb
depends on reverb
depends on reverb
depends on reverb
depends on reverb
depends on reverb
40
40
07
● Table 1-3
MIDI Parameter Change Table ( EFFECT 1 ) [XG]
Address
(H)
02 01 00
Size
(H)
2
02
03
04
05
06
07
08
09
0A
0B
0C
0D
TOTAL SIZE
1
1
1
1
1
1
1
1
1
1
1
1
0E
02
1
1
1
1
1
1
6
01
10
11
12
13
14
15
TOTAL SIZE
Data
(H)
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
01-7F
Parameter
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
REVERB
REVERB
REVERB
REVERB
REVERB
REVERB
REVERB TYPE MSB
REVERB TYPE LSB
REVERB PARAMETER
REVERB PARAMETER
REVERB PARAMETER
REVERB PARAMETER
REVERB PARAMETER
REVERB PARAMETER
REVERB PARAMETER
REVERB PARAMETER
REVERB PARAMETER
REVERB PARAMETER
REVERB RETURN
REVERB PAN
1
2
3
4
5
6
7
8
9
10
PARAMETER 11
PARAMETER 12
PARAMETER 13
PARAMETER 14
PARAMETER 15
PARAMETER 16
Æ *1
00 : basic type
Æ *2
Æ *2
Æ *2
Æ *2
Æ *2
Æ *2
Æ *2
Æ *2
Æ *2
Æ *2
-Infinity...0dB...+6dB (0...64...127)
L63...C...R63 (1...64...127)
Æ
Æ
Æ
Æ
Æ
Æ
*2
*2
*2
*2
*2
*2
depends
depends
depends
depends
depends
depends
on
on
on
on
on
on
reverb
reverb
reverb
reverb
reverb
reverb
type
type
type
type
type
type
type
type
type
type
type
type
type
type
type
type
Æ *1 : See Effect Type List (on page 50)
Æ *2 : See Effect Parameter List (on page 51)
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○
33
MIDI Data Format
02
Address
(H)
01 20
Size
(H)
2
Data
(H)
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
01-7F
00-7F
Parameter
Description
CHORUS TYPE MSB
CHORUS TYPE LSB
CHORUS PARAMETER 1
CHORUS PARAMETER 2
CHORUS PARAMETER 3
CHORUS PARAMETER 4
CHORUS PARAMETER 5
CHORUS PARAMETER 6
CHORUS PARAMETER 7
CHORUS PARAMETER 8
CHORUS PARAMETER 9
CHORUS PARAMETER 10
CHORUS RETURN
CHORUS PAN
SEND CHORUS TO REVERB
Æ *1
00 : basic type
Æ *2
Æ *2
Æ *2
Æ *2
Æ *2
Æ *2
Æ *2
Æ *2
Æ *2
Æ *2
-Infinity...0dB...+6dB (0...64...127)
L63...C...R63 (1...64...127)
-Infinity...0dB...+6dB (0...64...127)
Æ
Æ
Æ
Æ
Æ
Æ
22
23
24
25
26
27
28
29
2A
2B
2C
2D
2E
TOTAL SIZE
1
1
1
1
1
1
1
1
1
1
1
1
1
0F
02
01
30
31
32
33
34
35
TOTAL SIZE
1
1
1
1
1
1
6
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
CHORUS
CHORUS
CHORUS
CHORUS
CHORUS
CHORUS
02
01
2
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
01-7F
00-7F
00-7F
00-01
00-0F,
40,7F
00-7F
00-7F
00-7F
00-7F
00-7F
VARIATION TYPE MSB
VARIATION TYPE LSB
VARIATION PARAMETER 1 MSB
VARIATION PARAMETER 1 LSB
VARIATION PARAMETER 2 MSB
VARIATION PARAMETER 2 LSB
VARIATION PARAMETER 3 MSB
VARIATION PARAMETER 3 LSB
VARIATION PARAMETER 4 MSB
VARIATION PARAMETER 4 LSB
VARIATION PARAMETER 5 MSB
VARIATION PARAMETER 5 LSB
VARIATION PARAMETER 6 MSB
VARIATION PARAMETER 6 LSB
VARIATION PARAMETER 7 MSB
VARIATION PARAMETER 7 LSB
VARIATION PARAMETER 8 MSB
VARIATION PARAMETER 8 LSB
VARIATION PARAMETER 9 MSB
VARIATION PARAMETER 9 LSB
VARIATION PARAMETER 10 MSB
VARIATION PARAMETER 10 LSB
VARIATION RETURN
VARIATION PAN
SEND VARIATION TO REVERB
SEND VARIATION TO CHORUS
VARIATION CONNECTION
VARIATION PART
40
42
2
44
2
46
2
48
2
4A
2
4C
2
4E
2
50
2
52
2
54
2
56
57
58
59
5A
5B
1
1
1
1
1
1
5C
5D
5E
5F
60
TOTAL SIZE
1
1
1
1
1
21
PARAMETER
PARAMETER
PARAMETER
PARAMETER
PARAMETER
PARAMETER
11
12
13
14
15
16
MW VARIATION CONTROL DEPTH
BEND VARIATION CONTROL DEPTH
CAT VARIATION CONTROL DEPTH
AC1 VARIATION CONTROL DEPTH
AC2 VARIATION CONTROL DEPTH
*2
*2
*2
*2
*2
*2
Æ *1
00 : basic type
Æ *2
Æ *2
Æ *2
Æ *2
Æ *2
Æ *2
Æ *2
Æ *2
Æ *2
Æ *2
Æ *2
Æ *2
Æ *2
Æ *2
Æ *2
Æ *2
Æ *2
Æ *2
Æ *2
Æ *2
-Infinity...0dB...+6dB (0...64...127)
L63...C...R63 (1...64...127)
-Infinity...0dB...+6dB (0...64...127)
-Infinity...0dB...+6dB (0...64...127)
0:INSERTION, 1:SYSTEM
part 1...16=0...15
A/D part =64, OFF=127
-64 - +63
-64 - +63
-64 - +63
-64 - +63
-64 - +63
Default
value(H)
41 (=CHORUS1)
00
depends on chorus
depends on chorus
depends on chorus
depends on chorus
depends on chorus
depends on chorus
depends on chorus
depends on chorus
depends on chorus
depends on chorus
40
40
00
depends
depends
depends
depends
depends
depends
on
on
on
on
on
on
chorus
chorus
chorus
chorus
chorus
chorus
type
type
type
type
type
type
type
type
type
type
type
type
type
type
type
type
05 (=DELAY L,C,R)
00
depends on variation
depends on variation
depends on variation
depends on variation
depends on variation
depends on variation
depends on variation
depends on variation
depends on variation
depends on variation
depends on variation
depends on variation
depends on variation
depends on variation
depends on variation
depends on variation
depends on variation
depends on variation
depends on variation
depends on variation
40
40
00
00
00
7F
type
type
type
type
type
type
type
type
type
type
type
type
type
type
type
type
type
type
type
type
40
40
40
40
40
Æ *1 : See Effect Type List (on page 50)
Æ *2 : See Effect Parameter List (on page 51)
34
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○
MIDI Data Format
Address
(H)
01 70
71
72
73
74
75
TOTAL SIZE
02
Size
(H)
1
1
1
1
1
1
6
Data
(H)
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
Parameter
Description
VARIATIONPARAMETER 11
VARIATION PARAMETER 12
VARIATION PARAMETER 13
VARIATION PARAMETER 14
VARIATION PARAMETER 15
VARIATION PARAMETER 16
Æ
Æ
Æ
Æ
Æ
Æ
*2
*2
*2
*2
*2
*2
Default
value(H)
depends on
depends on
depends on
depends on
depends on
depends on
variation
variation
variation
variation
variation
variation
type
type
type
type
type
type
Æ *1 : See Effect Type List (on page 50)
Æ *2 : See Effect Parameter List (on page 51)
● Table 1-4
MIDI Parameter Change Table ( MULTI PART ) [XG]
08
Address
(H)
nn 00
nn 01
nn 02
nn 03
nn 04
Size
(H)
1
1
1
1
1
Data
(H)
00-20
00-7F
00-7F
00-7F
00-0F,7F
Parameter
Description
ELEMENT RESERVE
BANK SELECT MSB
BANK SELECT LSB
PROGRAM NUMBER
Rcv CHANNEL
0-32
0-127
0-127
1-128
1-16,OFF
Default
value(H)
part10=00, other=02
part10=7F, other=00
00
00
part no.
nn
nn
05
06
1
1
00-01
00-02
MONO/POLY MODE
SAME NOTE NUMBER
KEY ON ASSIGN
nn
07
1
00-03
PART MODE
nn
nn
nn
08
09
0A
1
2
28-58
00-FF
NOTE SHIFT
DETUNE
nn
nn
nn
nn
nn
nn
nn
nn
nn
nn
0B
0C
0D
0E
0F
10
11
12
13
14
1
1
1
1
1
1
1
1
1
1
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
VOLUME
VELOCITY SENSE DEPTH
VELOCITY SENSE OFFSET
PAN
NOTE LIMIT LOW
NOTE LIMIT HIGH
DRY LEVEL
CHORUS SEND
REVERB SEND
VARIATION SEND
0:MONO, 1:POLY
0:SINGLE
1:MULTI
2:INST (for DRUM)
0:NORMAL
1:DRUM
2-3:DRUMS1-2
-24 - +24 [semitones]
-12.8 - +12.7 [Hz]
1st bit 3-0 Æ bit 7-4
2nd bit 3-0 Æ bit 3-0
0-127
0-127
0-127
0:random, L63...C...R63 (1...64...127)
C-2-G8
C-2-G8
0-127
0-127
0-127
0-127
nn
nn
nn
nn
nn
nn
nn
nn
15
16
17
18
19
1A
1B
1C
1
1
1
1
1
1
1
1
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
VIBRATO RATE
VIBRATO DEPTH
VIBRATO DELAY
FILTER CUTOFF FREQUENCY
FILTER RESONANCE
EG ATTACK TIME
EG DECAY TIME
EG RELEASE TIME
-64
-64
-64
-64
-64
-64
-64
-64
nn
nn
nn
nn
nn
nn
1D
1E
1F
20
21
22
1
1
1
1
1
1
28-58
00-7F
00-7F
00-7F
00-7F
00-7F
MW
MW
MW
MW
MW
MW
-24 - +24 [semitones]
-9600 - +9450 [cent]
-64 - +63
0-127
0-127
0-127
40
40
40
0A
00
00
1
1
1
1
1
1
29
28-58
00-7F
00-7F
00-7F
00-7F
00-7F
BEND
BEND
BEND
BEND
BEND
BEND
-24 - +24 [semitones]
-9600 - +9450 [cent]
-64 - +63
+100 - +100 [%]
+100 - +100 [%]
+100 - +100 [%]
42
40
40
40
40
40
nn 23
nn 24
nn 25
nn 26
nn 27
nn 28
TOTAL SIZE
PITCH CONTROL
FILTER CONTROL
AMPLITUDE CONTROL
LFO PMOD DEPTH
LFO FMOD DEPTH
LFO AMOD DEPTH
PITCH CONTROL
FILTER CONTROL
AMPLITUDE CONTROL
LFO PMOD DEPTH
LFO FMOD DEPTH
LFO AMOD DEPTH
-
+63
+63
+63
+63
+63
+63
+63
+63
01
01
00(Other than Part10)
02(Part10)
40
08 00
(80)
64
40
40
40
00
7F
7F
00
28
00
40
40 (drum part ignores)
40 (drum part ignores)
40
40
40
40
40
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○
35
MIDI Data Format
Address
(H)
nn 30
nn 31
nn 32
nn 33
nn 34
nn 35
nn 36
nn 37
nn 38
nn 39
nn 3A
nn 3B
nn 3C
nn 3D
nn 3E
nn 3F
nn 40
36
Size
(H)
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
Data
(H)
00-01
00-01
00-01
00-01
00-01
00-01
00-01
00-01
00-01
00-01
00-01
00-01
00-01
00-01
00-01
00-01
00-01
Parameter
Description
Rcv
Rcv
Rcv
Rcv
Rcv
Rcv
Rcv
Rcv
Rcv
Rcv
Rcv
Rcv
Rcv
Rcv
Rcv
Rcv
Rcv
0:OFF,
0:OFF,
0:OFF,
0:OFF,
0:OFF,
0:OFF,
0:OFF,
0:OFF,
0:OFF,
0:OFF,
0:OFF,
0:OFF,
0:OFF,
0:OFF,
0:OFF,
0:OFF,
0:OFF,
PITCH BEND
CH AFTER TOUCH (CAT)
PROGRAM CHANGE
CONTROL CHANGE
POLY AFTER TOUCH (PAT)
NOTE MESSAGE
RPN
NRPN
MODULATION
VOLUME
PAN
EXPRESSION
HOLD1
PORTAMENTO
SOSTENUTO
SOFT PEDAL
BANK SELECT
C
C#
D
D#
E
F
F#
G
G#
A
A#
B
-64
-64
-64
-64
-64
-64
-64
-64
-64
-64
-64
-64
-
1:ON
1:ON
1:ON
1:ON
1:ON
1:ON
1:ON
1:ON
1:ON
1:ON
1:ON
1:ON
1:ON
1:ON
1:ON
1:ON
1:ON
+63
+63
+63
+63
+63
+63
+63
+63
+63
+63
+63
+63
[cent]
[cent]
[cent]
[cent]
[cent]
[cent]
[cent]
[cent]
[cent]
[cent]
[cent]
[cent]
Default
value(H)
01
01
01
01
01
01
01
XG=01, GM=00
01
01
01
01
01
01
01
01
XG=01, GM=00
nn
nn
nn
nn
nn
nn
nn
nn
nn
nn
nn
nn
41
42
43
44
45
46
47
48
49
4A
4B
4C
1
1
1
1
1
1
1
1
1
1
1
1
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
SCALE TUNING
SCALE TUNING
SCALE TUNING
SCALE TUNING
SCALE TUNING
SCALE TUNING
SCALE TUNING
SCALE TUNING
SCALE TUNING
SCALE TUNING
SCALE TUNING
SCALE TUNING
40
40
40
40
40
40
40
40
40
40
40
40
nn
nn
nn
nn
nn
nn
4D
4E
4F
50
51
52
1
1
1
1
1
1
28-58
00-7F
00-7F
00-7F
00-7F
00-7F
CAT
CAT
CAT
CAT
CAT
CAT
PITCH CONTROL
FILTER CONTROL
AMPLITUDE CONTROL
LFO PMOD DEPTH
LFO FMOD DEPTH
LFO AMOD DEPTH
-24 - +24 [semitones]
-9600 - +9450 [cent]
-64 - +63
0-127
0-127
0-127
40
40
40
00
00
00
nn
nn
nn
nn
nn
nn
53
54
55
56
57
58
1
1
1
1
1
1
28-58
00-7F
00-7F
00-7F
00-7F
00-7F
PAT
PAT
PAT
PAT
PAT
PAT
PITCH CONTROL
FILTER CONTROL
AMPLITUDE CONTROL
LFO PMOD DEPTH
LFO FMOD DEPTH
LFO AMOD DEPTH
-24 - +24 [semitones]
-9600 - +9450 [cent]
-64 - +63
0-127
0-127
0-127
40
40
40
00
00
00
nn
nn
nn
nn
nn
nn
nn
59
5A
5B
5C
5D
5E
5F
1
1
1
1
1
1
1
00-5F
28-58
00-7F
00-7F
00-7F
00-7F
00-7F
AC1
AC1
AC1
AC1
AC1
AC1
AC1
CONTROLLER NUMBER
PITCH CONTROL
FILTER CONTROL
AMPLITUDE CONTROL
LFO PMOD DEPTH
LFO FMOD DEPTH
LFO AMOD DEPTH
0-95
-24 - +24 [semitones]
-9600 - +9450 [cent]
-64 - +63
0-127
0-127
0-127
10
40
40
40
00
00
00
nn
nn
nn
nn
nn
nn
nn
60
61
62
63
64
65
66
1
1
1
1
1
1
1
00-5F
28-58
00-7F
00-7F
00-7F
00-7F
00-7F
AC2
AC2
AC2
AC2
AC2
AC2
AC2
CONTROLLER NUMBER
PITCH CONTROL
FILTER CONTROL
AMPLITUDE CONTROL
LFO PMOD DEPTH
LFO FMOD DEPTH
LFO AMOD DEPTH
0-95
-24 - +24 [semitones]
-9600 - +9450 [cent]
-64 - +63
0-127
0-127
0-127
11
40
40
40
00
00
00
nn
nn
67
68
1
1
00-01
00-7F
PORTAMENTO SWITCH
PORTAMENTO TIME
0:OFF, 1:ON
0-127
00
00
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○
MIDI Data Format
Address
(H)
nn 69
nn 6A
nn 6B
nn 6C
nn 6D
nn 6E
TOTAL SIZE
Size
(H)
1
1
1
1
1
1
3F
Data
(H)
00-7F
00-7F
00-7F
00-7F
01-7F
01-7F
Parameter
Description
PITCH EG INITIAL LEVEL
PITCH EG ATTACK TIME
PITCH EG RELEASE LEVEL
PITCH EG RELEASE TIME
VELOCITY LIMIT LOW
VELOCITY LIMIT HIGH
-64 - +63
-64 - +63
-64 - +63
-64 - +63
1-127
1-127
nn = Part Number (0 : Part 1, 1 : Part 2, 2 : Part 3, ... , 15 : Part 16)
For the DRUM PART, the following parameters have no effect.
* SOFT PEDAL
* BANK SELECT LSB
* MONO/POLY
* POLY AFTER TOUCH
* PITCH EG INITIAL LEVEL * PITCH EG ATTACK TIME
Default
value(H)
40
40
40
40
01
7F
* SCALE TUNING
* PITCH EG RELEASE LEVEL
* PORTAMENTO
* PITCH EG RELEASE TIME
● Table 1-5
MIDI Parameter Change Table ( A/D PART ) [XG]
Address
(H)
10 00 00
00 01
00 02
00 03
00 04
Size
(H)
1
1
1
1
1
00 05
00 06
00 07
00 08
00 09
00 0A
00 0B
00 0C
00 0D
00 0E
00 0F
00 10
00 11
00 12
00 13
00 14
TOTAL SIZE
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
15
10
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
00
00
00
00
00
00
00
00
00
00
00
00
00
00
00
00
00
00
00
00
00
00
00
00
30
31
32
33
34
35
36
37
38
39
3A
3B
3C
3D
3E
3F
40
41
42
43
44
45
46
47
Data
(H)
00-7F
00-7F
00-7F
00-0F,7F
00-7F
01-7F
00-7F
00-7F
00-7F
00-7F
00-01
00-01
00-01
00-01
00-01
00-01
Parameter
Description
INPUT GAIN
BANK SELECT MSB
BANK SELECT LSB
PROGRAM NUMBER
Rcv CHANNEL
0:MIC, 1:LINE
0-127
0-127
1-128
1-16,OFF
Default
value(H)
00
00
00
02
7F
0-127
64
L63...C...R63 (1...64...127)
40
0-127
0-127
0-127
0-127
7F
00
28
00
0:OFF, 1:ON
0:OFF, 1:ON
00
01
0:OFF, 1:ON
0:OFF, 1:ON
0:OFF, 1:ON
01
01
01
0:OFF, 1:ON
00
NOT USED
NOT USED
NOT USED
NOT USED
NOT USED
NOT USED
VOLUME
NOT USED
NOT USED
PAN
NOT USED
NOT USED
DRY LEVEL
CHORUS SEND
REVERB SEND
VARIATION SEND
NOT USED
NOT USED
Rcv PROGRAM CHANGE
Rcv CONTROL CHANGE
NOT USED
NOT USED
NOT USED
NOT USED
NOT USED
Rcv VOLUME
Rcv PAN
Rcv EXPRESSION
NOT USED
NOT USED
NOT USED
NOT USED
Rcv BANK SELECT
NOT USED
NOT USED
NOT USED
NOT USED
NOT USED
NOT USED
NOT USED
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○
37
MIDI Data Format
Address
(H)
00 48
00 49
00 4A
00 4B
00 4C
00 4D
00 4E
00 4F
00 50
00 51
00 52
00 53
00 54
00 55
00 56
00 57
00 58
00 59
00 5A
00 5B
00 5C
00 5D
00 5E
00 5F
00 60
TOTAL SIZE
Size
(H)
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
31
Data
(H)
00-5F
00-5F
Parameter
NOT USED
NOT USED
NOT USED
NOT USED
NOT USED
NOT USED
NOT USED
NOT USED
NOT USED
NOT USED
NOT USED
NOT USED
NOT USED
NOT USED
NOT USED
NOT USED
NOT USED
AC1 CONTROLLER NUMBER
NOT USED
NOT USED
NOT USED
NOT USED
NOT USED
NOT USED
AC2 CONTROLLER NUMBER
Description
Default
value(H)
0-95
10
0-95
11
● Table 1-6
MIDI Parameter Change Table ( DRUM SETUP ) [XG]
3n
3n
3n
3n
3n
3n
3n
3n
Address
(H)
rr
00
rr
01
rr
02
rr
03
rr
04
rr
05
rr
06
rr
07
3n rr
08
3n rr
09
3n rr
0A
3n rr
0B
3n rr
0C
3n rr
0D
3n rr
0E
3n rr
0F
TOTAL SIZE
Size
(H)
1
1
1
1
1
1
1
1
Data
(H)
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
Parameter
Description
PITCH COARSE
PITCH FINE
LEVEL
ALTERNATE GROUP
PAN
REVERB SEND
CHORUS SEND
VARIATION SEND
-64 - +63
-64 - +63[cent]
0-127
0:OFF, 1-127
0:random, L63...C...R63 (1...64...127)
0-127
0-127
0-127
Default
value(H)
40
40
depend on
depend on
depend on
depend on
depend on
7F
1
1
1
1
1
1
1
1
10
00-01
00-01
00-01
00-7F
00-7F
00-7F
00-7F
00-7F
KEY ASSIGN
Rcv NOTE OFF
Rcv NOTE ON
FILTER CUTOFF FREQUENCY
FILTER RESONANCE
EG ATTACK RATE
EG DECAY1 RATE
EG DECAY2 RATE
0:SINGLE, 1:MULTI
0:OFF, 1:ON
0:OFF, 1:ON
-64 - +63
-64 - +63
-64 - +63
-64 - +63
-64 - +63
00
depend on the note
01
40
40
40
40
40
the
the
the
the
the
note
note
note
note
note
[Note]
n : Drum Setup number (0, 1)
rr : note number (0D-5B)
When XG system on or GM mode on messages are received, all Drum Setup parameters are initialized.
The Drum Setup Reset message can be used to initialize each Drum Setup parameter.
Selecting a Drum Set will cause the Drum Setup parameter values to be initialized.
38
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○
MIDI Data Format
● Table 2-1
Parameter Base Address
Model ID = 49 [MU10 ]
MU80 SYSTEM
DB60XG SYSTEM
Parameter Change
Address
Description
Mid Low
00
00
System
00
00
System
High
00
01
● Table 2-2
MIDI Parameter Change Table ( SYSTEM ) [ MU10 ]
Address
(H)
00 00 00
00 00 01
00 00 02
00 00 03
00 00 04
00 00 05
00 00 06
00 00 07
00 00 08
00 00 09
01 00 00
01
Size
(H)
1
1
1
1
1
1
1
1
1
1
1
1
Data
(H)
00-07
00-01
Parameter
Description
Default
value(H)
NOT USED
NOT USED
NOT USED
NOT USED
NOT USED
NOT USED
NOT USED
NOT USED
NOT USED
MULTI PORT NUMBER for MIDI OUT 1-8
NOT USED
KARAOKE LOCK
OFF/ON
01
00
● Table 3-1
Parameter Base Address
Model ID = 4B [ QS300 ]
User Normal Voice
Bulk Dump
Address
Mid Low
00
00
:
11
1F
00
High
11
Description
User Normal Voice 1
:
User Normal Voice 32
● Table 3-2
MIDI Bulk Dump Table ( USER NORMAL VOICE ) [ QS300 ]
Address
(H)
Size
(H)
Data
(H)
Parameter
Description
Default
value(H)
[Common]
11
nn
00
:
07
08
:
0A
0B
0C
0D
:
3C
17D
20-7E
Voice Name
01-03
00-7F
NOT USED
NOT USED
NOT USED
Element Switch
Voice Level
NOT USED
NOT USED
NOT USED
1:Element 1 on, 2:Element 2 on, 3:Element 1 and 2 on
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○
39
MIDI Data Format
Address
(H)
3D
3E
3F
40
41
42
43
44
45
46
47
48
49
4A
4B
4C
4D
4E
4F
50
51
52
53
54
55
56
57
58
59
5A
5B
5C
5D
5E
5F
60
61
62
63
64
65
66
67
68
69
6A
6B
6C
6D
6E
6F
70
71
72
73
74
75
76
77
78
79
7A
7B
7C
7D
7E
7F
40
Size
(H)
Data
(H)
Parameter
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-01
00-02
00-01
00-3F
00-7F
00-7F
00-3F
00-0F
00-1F
20-60
0E-72
00-05
00-7F
00-03
39-47
39-47
39-47
00-7F
00-3F
00-3F
00-3F
00-3F
00-7F
00-7F
00-7F
00-7F
00-7F
00-3F
00-07
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
39-47
39-47
39-47
00-7F
00-3F
00-3F
00-3F
00-3F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-06
Wave Number High
Wave Number Low
Note Limit Low
Note Limit High
Velocity Limit Low
Velocity Limit High
Filter EG Velocity Curve
LFO Wave Select
LFO Phase Initialize
LFO Speed
LFO Delay
LFO Fade Time
LFO PMD Depth
LFO CMD Depth
LFO AMD Depth
Note Shift
Detune
Pitch Scaling
Pitch Scaling Center Note
Pitch EG Depth
Velocity PEG Level Sensitivity
Velocity PEG Rate Sensitivity
PEG Rate Scaling
PEG Rate Scaling Center Note
PEG Rate 1
PEG Rate 2
PEG Rate 3
PEG Rate 4
PEG Level 0
PEG Level 1
PEG Level 2
PEG Level 3
PEG Level 4
Filter Resonance
Velocity Sensitivity
Cutoff Frequency
Cutoff Scaling Break Point 1
Cutoff Scaling Break Point 2
Cutoff Scaling Break Point 3
Cutoff Scaling Break Point 4
Cutoff Scaling Offset 1
Cutoff Scaling Offset 2
Cutoff Scaling Offset 3
Cutoff Scaling Offset 4
Velocity FEG Level Sensitivity
Velocity FEG Rate Sensitivity
FEG Rate Scaling
FEG Rate Scaling Center Note
FEG Rate 1
FEG Rate 2
FEG Rate 3
FEG Rate 4
FEG Level 0
FEG Level 1
FEG Level 2
FEG Level 3
FEG Level 4
Element Level
Level Scaling Break Point 1
Level Scaling Break Point 2
Level Scaling Break Point 3
Level Scaling Break Point 4
Level Scaling Offset 1
Level Scaling Offset 2
Level Scaling Offset 3
Level Scaling Offset 4
Velocity Curve
Description
Default
value(H)
[Element 1]
bit 13 - bit 7
bit 6 - bit 0
0:saw, 1:tri, 2:S&H
0:OFF, 1:ON
0:100%, 1:50%, 2:20%, 3:10%, 4:5%, 5:0%
0:1/2oct, 1:1oct, 2:2oct, 3:4oct
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○
MIDI Data Format
Address
(H)
80
81
82
83
84
85
86
87
88
89
8A
8B
8C
Size
(H)
Data
(H)
00-0F
39-47
00-7F
00-0F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
39-47
Description
Pan
AEG Rate Scaling
AEG Scaling Center Note
AEG Key on Delay
AEG Attack Rate
AEG Decay 1 Rate
AEG Decay 2 Rate
AEG Release Rate
AEG Decay 1 Level
AEG Decay 2 Level
Address Offset High
Address Offset Low
Resonance Sensitivity
0(Left)-14(Right),15:Scaling
Default
value(H)
bit 13 - bit 7
bit 6 - bit 0
[Element 2]
Same as [Element 1]
Same as [Element 1]
Same as [Element 1]
[Element 3]
NOT USED
NOT USED
NOT USED
[Element 4]
NOT USED
NOT USED
8D
:
DC
DD
:
12C
12D
:
17C
TOTAL SIZE
Parameter
17D
nn=Voice Number (00-1F)
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○
41
XG Normal Voice List
Bank Select MSB=000, LSB=Bank Number
Instrument Program Bank
#
#
Group
Piano
1
0
1
18
40
41
2
0
1
3
0
1
32
40
41
4
0
1
5
0
1
18
32
40
45
64
6
0
1
32
33
34
40
41
42
45
7
0
1
25
35
8
0
1
27
64
65
Chromatic
9
0
Percussion 10
0
11
0
64
12
0
1
45
13
0
1
64
97
98
14
0
15
0
96
97
16
0
35
96
97
Bank
Bank
Bank
Bank
Bank
Bank
Bank
Bank
Bank
42
EleVoice Name ment
GrandPno
1
GrndPnoK 1
MelloGrP
1
PianoStr
2
Dream
2
BritePno
1
BritPnoK
1
E.Grand
2
ElGrPnoK
2
Det.CP80
2
ElGrPno1
2
ElGrPno2
2
HnkyTonk
2
HnkyTnkK 2
E.Piano1
2
El.Pno1K
1
MelloEP1
2
Chor.EP1
2
HardEl.P
2
VX El.P1
2
60sEl.P
1
E.Piano2
2
El.Pno2K
1
Chor.EP2
2
DX Hard
2
DXLegend 2
DX Phase
2
DX+Analg
2
DXKotoEP 2
VX El.P2
2
Harpsi.
1
Harpsi.K
1
Harpsi.2
2
Harpsi.3
2
Clavi.
2
Clavi. K
1
ClaviWah
2
PulseClv
1
PierceCl
2
Celesta
1
Glocken
1
MusicBox
2
Orgel
2
Vibes
1
VibesK
1
HardVibe
2
Marimba
1
MarimbaK
1
SineMrmb
2
Balafon2
2
Log Drum
2
Xylophon
1
TubulBel
1
ChrchBel
2
Carillon
2
Dulcimer
1
Dulcimr2
2
Cimbalom
2
Santur
2
0 : (GM)
1 : Key Scale Panning
3 : Stereo
6 : Single
8 : Slow
12 : Fast Decay
14 : Double Attack
16 : Bright
17 : Bright
Instrument Program Bank
#
#
Group
Organ
17
0
32
33
34
35
36
37
38
40
64
65
66
67
18
0
24
32
33
37
19
0
64
65
66
20
0
32
35
40
64
65
21
0
40
22
0
32
23
0
32
24
0
64
Guitar
25
0
16
25
43
96
26
0
16
35
40
41
96
27
0
18
32
28
0
32
29
0
40
41
43
45
30
0
43
31
0
40
41
32
0
65
66
Bank
Bank
Bank
Bank
Bank
Bank
Bank
Bank
Bank
18
19
20
24
25
27
28
32
33
EleVoice Name ment
DrawOrgn
1
DetDrwOr
2
60sDrOr1
2
60sDrOr2
2
70sDrOr1
2
DrawOrg2
2
60sDrOr3
2
EvenBar
2
16+2"2/3
2
Organ Ba
1
70sDrOr2
2
CheezOrg
2
DrawOrg3
2
PercOrgn
1
70sPcOr1
2
DetPrcOr
2
LiteOrg
2
PercOrg2
2
RockOrgn
2
RotaryOr
2
SloRotar
2
FstRotar
2
ChrchOrg
2
ChurOrg3
2
ChurOrg2
2
NotreDam
2
OrgFlute
2
TrmOrgFl
2
ReedOrgn 1
Puff Org
2
Acordion
2
AccordIt
2
Harmnica
1
Harmo 2
2
TangoAcd
2
TngoAcd2
2
NylonGtr
1
NylonGt2
1
NylonGt3
2
VelGtHrm
2
Ukulele
1
SteelGtr
1
SteelGt2
1
12StrGtr
2
Nyln&Stl
2
Stl&Body
2
Mandolin
2
Jazz Gtr
1
MelloGtr
1
JazzAmp
2
CleanGtr
1
ChorusGt
2
Mute.Gtr
1
FunkGtr1
2
MuteStlG
2
FunkGtr2
2
Jazz Man
1
Ovrdrive
1
Gt.Pinch
2
Dist.Gtr
1
FeedbkGt
2
FeedbGt2
2
GtrHarmo
1
GtFeedbk
1
GtrHrmo2
1
: Dark
: Dark
: Resonant
: Attack
: Release
: Reso Sweep
: Muted
: Detune 1
: Detune 2
Instrument Program Bank
Group
#
#
Bass
33
0
40
45
34
0
18
27
40
43
45
65
35
0
28
36
0
32
33
34
96
97
37
0
27
32
38
0
43
39
0
18
20
24
35
40
64
65
66
96
40
0
6
12
18
19
32
40
41
64
Strings
41
0
8
42
0
43
0
44
0
45
0
8
40
46
0
47
0
40
48
0
Bank
Bank
Bank
Bank
Bank
Bank
Bank
Bank
Bank
34 : Detune 3
35 : Octave 1
36 : Octave 2
37 : 5th 1
38 : 5th 2
39 : Bend
40 : Tutti
41 : Tutti
42 : Tutti
EleVoice Name ment
Aco.Bass
1
JazzRthm
2
VXUprght
2
FngrBass
1
FingrDrk
2
FlangeBa
2
Ba&DstEG 2
FngrSlap
2
FngBass2
2
ModAlem
2
PickBass
1
MutePkBa 1
Fretless
1
Fretles2
2
Fretles3
2
Fretles4
2
SynFretl
2
Smooth
2
SlapBas1
1
ResoSlap
1
PunchThm 2
SlapBas2
1
VeloSlap
2
SynBass1
1
SynBa1Dk 1
FastResB
1
AcidBass
1
Clv Bass
2
TeknoBa
2
Oscar
2
SqrBass
1
RubberBa
2
Hammer
2
SynBass2
2
MelloSB1
1
Seq Bass
2
ClkSynBa
2
SynBa2Dk 1
SmthBa 2
2
ModulrBa
2
DX Bass
2
X WireBa
2
Violin
1
SlowVln
1
Viola
1
Cello
1
Contrabs
1
Trem.Str
1
SlowTrStr
1
Susp Str
2
Pizz.Str
1
Harp
1
YangChin
2
Timpani
1
Bank
Bank
Bank
Bank
Bank
Bank
Bank
Bank
Bank
Instrument Program Bank
Group
#
#
Ensemble
49
0
3
8
24
35
40
41
42
45
50
0
3
8
40
41
64
65
51
0
27
64
65
52
0
53
0
3
16
32
40
54
0
55
0
40
41
64
56
0
35
64
Brass
57
0
16
17
32
58
0
18
59
0
16
60
0
61
0
6
32
37
62
0
35
40
41
42
63
0
12
20
24
27
32
45
64
64
0
18
40
41
45
64
43 : Velo-Switch
45 : Velo-Xfade
64 : Other wave
65 : Other wave
66 : Other wave
67 : Other wave
68 : Other wave
69 : Other wave
70 : Other wave
EleVoice Name ment
Strings1
1
S.Strngs
2
SlowStr
1
ArcoStr
2
60sStrng
2
Orchestr
2
Orchstr2
2
TremOrch
2
VeloStr
2
Strings2
1
S.SlwStr
2
LegatoSt
2
Warm Str
2
Kingdom
2
70s Str
1
Str Ens3
1
Syn.Str1
2
ResoStr
2
Syn Str4
2
SS Str
2
Syn.Str2
2
ChoirAah
1
S.Choir
2
Ch.Aahs2
2
MelChoir
2
ChoirStr
2
VoiceOoh
1
SynVoice
1
SynVox2
2
Choral
2
AnaVoice
1
Orch.Hit
2
OrchHit2
2
Impact
2
Trumpet
1
Trumpet2
1
BriteTrp
2
WarmTrp
2
Trombone
1
Trmbone2
2
Tuba
1
Tuba 2
1
Mute.Trp
1
Fr.Horn
2
FrHrSolo
2
FrHorn2
1
HornOrch
2
BrasSect
1
Tp&TbSec 2
BrssSec2
2
HiBrass
2
MelloBrs
2
SynBras1
2
QuackBr
2
RezSynBr
2
PolyBrss
2
SynBras3
2
JumpBrss
2
AnaVelBr
2
AnaBrss1
2
SynBras2
1
Soft Brs
2
SynBras4
2
ChorBrss
2
VelBras2
2
AnaBras2
2
Bank
Bank
Bank
Bank
Bank
Bank
Bank
Bank
71 : Other wave
72 : Other wave
96 : Other wave
97 : Other wave
98 : Other wave
99 : Other wave
100 : Other wave
101 : Other wave
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○
XG Normal Voice List
Bank Select MSB=064,
LSB=000
SFX voice
Instrument Program Bank
Group
#
#
Reed
65
0
66
0
40
43
67
0
40
41
64
68
0
69
0
70
0
71
0
72
0
Pipe
73
0
74
0
75
0
76
0
77
0
78
0
79
0
80
0
Synth Lead 81
0
6
8
18
19
64
65
66
82
0
6
8
18
19
20
24
25
40
41
45
96
83
0
65
84
0
64
85
0
64
65
86
0
24
64
87
0
35
88
0
16
64
65
Synth Pad 89
0
64
90
0
16
17
18
64
65
91
0
64
65
66
67
EleVoice Name ment
SprnoSax
1
Alto Sax
1
Sax Sect
2
HyprAlto
2
TenorSax
1
BrthTnSx
2
SoftTenr
2
TnrSax 2
1
Bari.Sax
1
Oboe
2
Eng.Horn
1
Bassoon
1
Clarinet
1
Piccolo
1
Flute
1
Recorder
1
PanFlute
1
Bottle
2
Shakhchi
2
Whistle
1
Ocarina
1
SquareLd
2
Square 2
1
LMSquare 2
Hollow
1
Shmoog
2
Mellow
2
SoloSine
2
SineLead
1
Saw.Lead
2
Saw 2
1
ThickSaw
2
DynaSaw
1
DigiSaw
2
Big Lead
2
HeavySyn
2
WaspySyn 2
PulseSaw
2
Dr. Lead
2
VeloLead
2
Seq Ana
2
CaliopLd
2
Pure Pad
2
Chiff Ld
2
Rubby
2
CharanLd
2
DistLead
2
WireLead
2
Voice Ld
2
SynthAah
2
VoxLead
2
Fifth Ld
2
Big Five
2
Bass &Ld
2
Big&Low
2
Fat&Prky
2
SoftWurl
2
NewAgePd 2
Fantasy2
2
Warm Pad 2
ThickPad
2
Soft Pad
2
SinePad
2
Horn Pad
2
RotarStr
2
PolySyPd
2
PolyPd80
2
ClickPad
2
Ana Pad
2
SquarPad
2
Instrument Program Bank
Group
#
#
Synth Pad 92
0
64
66
67
93
0
64
65
94
0
64
65
95
0
96
0
20
27
64
66
Synth
97
0
Effects
45
64
65
66
98
0
27
64
99
0
12
14
18
35
40
41
42
64
65
66
67
68
69
70
71
72
100 0
18
19
40
64
65
66
67
101 0
64
96
102 0
64
65
66
67
68
70
71
96
103 0
8
14
64
65
66
67
68
69
104 0
64
EleVoice Name ment
ChoirPad
2
Heaven2
2
Itopia
2
CC Pad
2
BowedPad 2
Glacier
2
GlassPad
2
MetalPad
2
Tine Pad
2
Pan Pad
2
Halo Pad
2
SweepPad 2
Shwimmer 2
Converge
2
PolarPad
2
Celstial
2
Rain
2
ClaviPad
2
HrmoRain
2
AfrcnWnd
2
Caribean
2
SoundTrk
2
Prologue
2
Ancestrl
2
Crystal
2
SynDrCmp 2
Popcorn
2
TinyBell
2
RndGlock
2
GlockChi
2
ClearBel
2
ChorBell
2
SynMalet
1
SftCryst
2
LoudGlok
2
XmasBell
2
VibeBell
2
DigiBell
2
AirBells
2
BellHarp
2
Gamelmba 2
Atmosphr
2
WarmAtms 2
HollwRls
2
NylonEP
2
NylnHarp
2
Harp Vox
2
AtmosPad 2
Planet
2
Bright
2
FantaBel
2
Smokey
2
Goblins
2
GobSyn
2
50sSciFi
2
Ring Pad
2
Ritual
2
ToHeaven 2
Night
2
Glisten
2
BelChoir
2
Echoes
2
EchoPad2 2
Echo Pan
2
EchoBell
2
Big Pan
2
SynPiano
2
Creation
2
Stardust
2
Reso Pan
2
Sci-Fi
2
Starz
2
Instrument Program Bank
Group
#
#
Ethnic
105 0
32
35
96
97
106 0
28
96
97
98
107 0
108 0
96
97
109 0
110 0
111 0
112 0
64
96
97
Percussive 113 0
96
97
98
99
100
101
114 0
115 0
97
98
116 0
96
117 0
96
118 0
64
65
66
119 0
64
65
120 0
Sound
121 0
Effects
122 0
123 0
124 0
125 0
126 0
127 0
128 0
EleVoice Name ment
Sitar
1
DetSitar
2
Sitar 2
2
Tambra
2
Tamboura
2
Banjo
1
MuteBnjo
1
Rabab
2
Gopichnt
2
Oud
2
Shamisen
1
Koto
1
T. Koto
2
Kanoon
2
Kalimba
1
Bagpipe
2
Fiddle
1
Shanai
1
Shanai2
1
Pungi
1
Hichriki
2
TnklBell
2
Bonang
2
Gender
2
Gamelan
2
S.Gamlan
2
Rama Cym 2
AsianBel
2
Agogo
2
SteelDrm
2
GlasPerc
2
ThaiBell
2
WoodBlok
1
Castanet
1
TaikoDrm
1
Gr.Cassa
1
MelodTom 2
Mel Tom2
1
Real Tom
2
Rock Tom
2
Syn.Drum
1
Ana Tom
1
ElecPerc
2
RevCymbl 1
FretNoiz
2
BrthNoiz
2
Seashore
2
Tweet
2
Telphone
1
Helicptr
1
Applause
1
Gunshot
1
Program
#
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
64
MSB=064
LSB=000
Element
CuttngNz
CttngNz2
1
2
Str Slap
1
Fl.KClik
1
Rain
Thunder
Wind
Stream
Bubble
Feed
1
1
1
2
2
2
Dog
Horse
Bird 2
1
1
1
Ghost
Maou
2
2
Program
#
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
91
92
93
94
95
96
97
98
99
100
101
102
103
104
105
106
107
108
109
110
111
112
113
114
115
116
117
118
119
120
121
122
123
124
125
126
127
128
MSB=064
LSB=000
Element
Tel.Dial
DoorSqek
Door Slam
Scratch
Scratch 2
WindChm
Telphon2
1
1
1
1
2
1
1
CarEngin
Car Stop
Car Pass
CarCrash
Siren
Train
Jetplane
Starship
Burst
Coaster
SbMarine
1
1
1
1
2
1
2
2
2
2
2
Laughing
Scream
Punch
Heart
FootStep
1
1
1
1
1
MchinGun
LaserGun
Xplosion
FireWork
1
2
2
2
: No Sound
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○
43
TG300B Normal Voice List
Bank Select MSB=Bank Number, LSB=000
Instrument Program Bank
Group
#
#
Piano
1
0
8
16
126
127
2
0
8
126
127
3
0
1
2
8
126
127
4
0
8
126
127
5
0
8
16
24
25
26
32
126
127
6
0
8
16
24
32
126
127
7
0
8
16
24
126
127
8
0
8
126
127
Chromatic
9
0
Percussion
126
127
10
0
126
127
11
0
126
127
12
0
1
8
126
127
13
0
8
17
24
126
127
14
0
126
127
15
0
8
9
126
127
16
0
1
8
126
127
44
EleVoice Name ment
GrandPno
1
GrndPnoK 1
MelloGrP
1
A-Piano1
2
a.piano1
1
BritePno
1
BritPnoK
1
A-Piano2
2
a.piano2
1
E.Grand
2
ElGrPno1
2
ElGrPno2
2
ElGrPnoK
2
A-Piano3
2
a.piano3
1
HnkyTonk
2
HnkyTnkK 2
A-Piano4
2
e.piano1
1
E.Piano1
2
Chor.EP1
2
VX El.P1
2
60sEl.P
1
HardEl.P
2
MelloEP1
2
El.Pno1K
1
A-Piano5
1
e.piano2
1
E.Piano2
2
Chor.EP2
2
VX El.P2
2
DX Hard
2
El.Pno2K
1
A-Piano6
1
e.piano3
1
Harpsi.
1
Harpsi.3
2
Harpsi.K
1
Harpsi.2
2
A-Piano7
1
e.piano4
1
Clavi.
2
Clavi. K
1
E-Piano1
2
hnkytnk
2
Celesta
1
E-Piano2
2
e.organ1
2
Glocken
1
E-Piano3
2
e.organ2
2
MusicBox
2
A-Guitr1
1
e.organ3
1
Vibes
1
HardVibe
2
VibesK
1
A-Guitr2
2
e.organ4
1
Marimba
1
MarimbaK
1
Balafon2
2
Log Drum
2
A-Guitr3
2
pipeorg1
2
Xylophon
1
E-Guitr1
2
pipeorg2
2
TubulBel
1
ChrchBel
2
Carillon
2
E-Guitr2
1
pipeorg3
2
Dulcimer
1
Dulcimr2
2
Cimbalom
2
Slap-1
2
acordion
2
Instrument Program Bank
Group
#
#
Organ
17
0
1
8
9
16
17
18
24
32
33
40
126
127
18
0
1
8
32
126
127
19
0
8
16
24
126
127
20
0
8
16
24
32
126
127
21
0
126
127
22
0
8
126
127
23
0
1
126
127
24
0
126
127
Guitar
25
0
8
16
24
32
40
126
127
26
0
8
9
16
32
126
127
27
0
1
8
126
127
28
0
8
126
127
EleVoice Name ment
DrawOrgn
1
70sDrOr1
2
DetDrwOr
2
70sDrOr2
2
60sDrOr1
2
60sDrOr2
2
60sDrOr3
2
CheezOrg
2
DrawOrg2
2
EvenBar
2
Organ Ba
1
Slap-2
2
harpsi1
1
PercOrgn
1
70sPcOr1
2
DetPrcOr
2
PercOrg2
2
Slap-3
2
harpsi2
2
RockOrgn
2
RotaryOr
2
SloRotar
2
FstRotar
2
Slap-4
2
harpsi3
1
ChrchOrg
2
ChurOrg2
2
ChurOrg3
2
OrgFlute
2
TrmOrgFl
2
Slap-5
2
clavi1
1
ReedOrgn 1
Slap-6
2
clavi2
1
Acordion
2
AccordIt
2
Slap-7
2
clavi3
1
Harmnica
1
Harmo 2
2
Slap-8
2
celesta1
1
TangoAcd
2
Finger-1
1
celesta2
1
NylonGtr
1
Ukulele
1
NylonGt3
2
VelGtHrm
2
NylonGt2
1
LequintG
1
Finger-2
2
synbras1
2
SteelGtr
1
12StrGtr
2
Nyln&Stl
2
Mandolin
2
SteelGt2
1
Picked-1
1
synbras2
2
Jazz Gtr
1
MelloGtr
1
PdlSteel
1
Picked-2
2
synbras3
2
CleanGtr
1
ChorusGt
2
FretlsBs
1
synbras4
2
Instrument Program Bank
Group
#
#
Guitar
29
0
8
16
126
127
30
0
126
127
31
0
8
9
126
127
32
0
8
126
127
Bass
33
0
126
127
34
0
1
126
127
35
0
8
126
127
36
0
1
2
3
4
5
126
127
37
0
8
126
127
38
0
126
127
39
0
1
8
9
10
16
126
127
40
0
1
2
3
8
9
16
17
18
19
126
127
EleVoice Name ment
Mute.Gtr
1
FunkGtr1
2
FunkGtr2
2
A-Bass
2
synbass1
1
Ovrdrive
1
Choir-1
1
synbass2
1
Dist.Gtr
1
FeedbkGt
2
FeedbGt2
2
Choir-2
1
synbass3
2
GtrHarmo
1
GtFeedbk
1
Choir-3
2
synbass4
1
Aco.Bass
1
Choir-4
2
newagepd 2
FngrBass
1
FngBass2
2
Strngs-1
2
synharmo
2
PickBass
1
MutePkBa 1
Strngs-2
2
choir pd
2
Fretless
1
Fretles2
2
Fretles3
2
Fretles4
2
SynFretl
2
Smooth
2
Strngs-3
2
bowed pd
2
SlapBas1
1
ResoSlap
1
Strngs-4
2
soundtrk
2
SlapBas2
1
E-Organ1
2
atmosphr
2
SynBass1
1
SynBa1Dk 1
AcidBass
1
FastResB
1
TeknoBa
2
ResoBass
1
E-Organ2
2
syn warm
2
SynBass2
2
ClkSynBa
2
ModulrBa
2
Seq Bass
2
DX Bass
2
X WireBa
2
RubberBa
2
SynBa2Dk 1
MelloSB1
1
SmthBa 2
2
E-Organ3
2
synfunny
1
Instrument Program Bank
Group
#
#
Strings
41
0
8
126
127
42
0
126
127
43
0
126
127
44
0
126
127
45
0
8
9
126
127
46
0
126
127
47
0
126
127
48
0
126
127
Ensemble
49
0
1
8
9
10
11
16
24
126
127
50
0
1
8
9
10
126
127
51
0
1
126
127
52
0
126
127
53
0
8
9
32
126
127
54
0
126
127
55
0
8
126
127
56
0
1
8
16
126
127
EleVoice Name ment
Violin
1
SlowVln
1
E-Organ4
2
synecho1
2
Viola
1
E-Organ5
2
rain
2
Cello
1
E-Organ6
2
synoboe
2
Contrabs
1
E-Organ7
2
synecho2
2
Trem.Str
1
SlowTrStr
1
Susp Str
2
E-Organ8
2
synsolo
2
Pizz.Str
1
E-Organ9
2
synrdorg
2
Harp
1
SoftTP-1
1
synbell
1
Timpani
1
SoftTP-2
1
squareld
2
Strings1
1
Slow Str
1
Orchestr
2
Orchstr2
2
TremOrch
2
ChoirStr
2
S.Strngs
2
VeloStr
2
TP/TRB-1
1
strsect1
2
Strings2
1
70s Str
1
LegatoSt
2
Warm Str
2
S.SlwStr
2
TP/TRB-2
1
strsect2
2
Syn.Str1
2
Syn Str4
2
TP/TRB-3
1
strsect3
2
Syn.Str2
2
TP/TRB-4
1
pizz.str
1
ChoirAah
1
S.Choir
2
MelChoir
2
Ch.Aahs2
2
TP/TRB-5
2
violin 1
2
VoiceOoh
1
TP/TRB-6
2
violin 2
1
SynVoice
1
SynVox2
2
Sax-1
1
cello 1
1
Orch.Hit
2
OrchHit2
2
Impact
2
LoFiRave
2
Sax-2
1
cello 2
1
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○
TG300B Normal Voice List
Instrument Program Bank
Group
#
#
Brass
57
0
1
24
25
126
127
58
0
1
126
127
59
0
1
126
127
60
0
126
127
61
0
1
8
16
126
127
62
0
8
126
127
63
0
1
8
9
16
126
127
64
0
1
8
16
17
126
127
Reed
65
0
127
66
0
8
127
67
0
8
127
68
0
127
69
0
127
70
0
127
71
0
127
72
0
127
Pipe
73
0
127
74
0
127
75
0
127
76
0
127
77
0
127
78
0
127
79
0
127
80
0
127
EleVoice Name ment
Trumpet
1
Trumpet2
1
BriteTrp
2
WarmTrp
2
Sax-3
1
contrabs
1
Trombone
1
Trmbone2
2
Sax-4
2
harp 1
1
Tuba
1
Tuba 2
1
Brass-1
1
harp 2
1
Mute.Trp
1
Brass-2
1
guitar 1
1
Fr.Horn
2
FrHorn2
2
FrHrSolo
1
HornOrch
2
Brass-3
2
guitar 2
1
BrasSect
1
BrssSec2
2
Brass-4
2
elecgtr1
2
SynBras1
2
PolyBrss
2
SynBras3
2
QuackBr
2
AnaBrss1
2
Brass-5
2
elecgtr2
2
SynBras2
1
Soft Brs
2
SynBras4
2
AnaBrss2
2
VelBras2
2
Orch-Hit
1
sitar
1
SprnoSax
1
a.bass 1
1
Alto Sax
1
HyprAlto
2
a.bass 2
1
TnrSax 2
1
BrthTnSx
2
e.bass 1
1
Bari.Sax
1
e.bass 2
1
Oboe
2
slapbas1
1
Eng.Horn
1
slapbas2
1
Bassoon
1
fretles1
1
Clarinet
1
fretles2
1
Piccolo
1
flute1
1
Flute
1
flute2
1
Recorder
1
piccolo1
1
PanFlute
1
piccolo2
2
Bottle
2
recorder
1
Shakhchi
2
panpipes
2
Whistle
1
sax1
2
Ocarina
1
sax2
1
Instrument Program Bank
Group
#
#
Synth Lead 81
0
1
2
3
4
5
6
8
127
82
0
1
2
3
4
5
6
7
8
16
127
83
0
2
127
84
0
127
85
0
8
127
86
0
127
87
0
1
127
88
0
1
2
127
Synth Pad 89
0
1
127
90
0
1
2
3
4
127
91
0
1
127
92
0
1
127
93
0
127
94
0
1
2
127
95
0
127
96
0
1
8
9
10
127
EleVoice Name ment
SquareLd
2
Square 2
1
Hollow
1
Mellow
2
SoloSine
2
Shmoog
2
LMSquare 2
SineLead
1
sax3
1
Saw.Lead
2
Saw 2
1
PulseSaw
2
ThickSaw
2
Big Lead
2
VeloLead
2
HeavySyn
2
DynaSaw
1
Dr. Lead
2
WaspySyn 2
sax4
1
CaliopLd
2
Pure Pad
2
clarint1
1
Chiff Ld
2
clarint2
1
CharanLd
2
DistLead
2
oboe
1
Voice Ld
2
eng.horn
1
Fifth Ld
2
Big Five
2
bassoon
1
Bass &Ld
2
Big&Low
2
Fat&Prky
2
harmnica
1
NewAgePd 2
Fantasy2
2
trumpet1
1
Warm Pad 2
ThickPad
2
Horn Pad
2
RotarStr
2
Soft Pad
2
trumpet2
1
PolySyPd
2
PolyPd80
2
trmbone1
2
ChoirPad
2
Heaven2
2
trmbone2
2
BowedPad 2
fr.horn1
1
MetalPad
2
Tine Pad
2
Pan Pad
2
fr.horn2
2
Halo Pad
2
tuba
2
SweepPad 2
PolarPad
2
Converge
2
Shwimmer 2
Celstial
2
brssect1
1
Instrument Program Bank
Group
#
#
Synth
97
0
Effects
1
2
8
127
98
0
1
2
127
99
0
1
2
3
4
5
6
7
8
9
16
17
18
19
127
100 0
1
2
3
4
5
6
127
101 0
127
102 0
1
2
127
103 0
1
2
3
4
6
127
104 0
1
127
Ethnic
105 0
1
2
8
16
127
106 0
1
8
16
24
127
107 0
127
108 0
8
16
127
109 0
127
110 0
127
111 0
127
112 0
1
8
16
127
EleVoice Name ment
Rain
2
HrmoRain
2
AfrcnWnd
2
ClaviPad
2
brssect2
2
SoundTrk
2
Ancestrl
2
Prologue
2
vibe1
1
Crystal
2
SynMalet
1
SftCryst
2
RndGlock
2
LoudGlok
2
GlockChi
2
ClearBel
2
XmasBell
2
VibeBell
2
DigiBell
2
ChorBell
2
AirBells
2
BellHarp
2
Gamelmba 2
vibe2
1
Atmosphr
2
WarmAtms 2
NylnHarp
2
Harp Vox
2
HollwRls
2
NylonEP
2
AtmosPad 2
symallet
1
Bright
2
maletwin
2
Goblins
2
GobSyn
2
50sSciFi
2
glocken
2
Echoes
2
EchoBell
2
Echo Pan
2
EchoPad2 2
Big Pan
2
SynPiano
2
tubulbel
1
Sci-Fi
2
Starz
2
xylophen
1
Sitar
1
Sitar 2
2
DetSitar
2
Tambra
2
Tamboura
2
marimba
2
Banjo
1
MuteBnjo
1
Rabab
2
Gopichnt
2
Oud
2
koto
1
Shamisen
1
sho
2
Koto
1
T. Koto
2
Kanoon
2
shakhchi
2
Kalimba
1
whistle1
2
Bagpipe
2
whistle2
1
Fiddle
1
bottle
2
Shanai
1
Shanai2
1
Pungi
1
Hichriki
2
breath
2
Instrument Program Bank
Group
#
#
Percussive 113 0
8
9
10
11
16
127
114 0
127
115 0
127
116 0
8
127
117 0
8
127
118 0
1
8
9
127
119 0
8
9
127
120 0
127
Sound
121 0
Effects
1
2
3
127
122 0
1
127
123 0
1
2
3
4
5
127
124 0
1
2
3
127
125 0
1
2
3
4
5
6
127
126 0
1
2
3
4
5
6
7
8
9
16
127
127 0
1
2
3
4
5
127
128 0
1
2
3
127
EleVoice Name ment
TnklBell
2
Bonang
2
Gender
2
Gamelan
2
S.Gamlan
2
Rama Cym 2
timpani
1
Agogo
2
melotom
1
SteelDrm
2
deepsnar
1
WoodBlok
1
Castanet
1
e.perc1
1
TaikoDrm
1
Gr.Cassa
1
e.perc2
1
MelodTom 2
Real Tom
2
Mel Tom2
1
Rock Tom
2
taiko
1
Syn.Drum
1
Ana Tom
1
ElecPerc
2
taikorim
1
RevCymbl 1
cymbal
2
FretNoiz
2
CuttngNz
1
Str Slap
1
CttngNz2
2
castanet
1
BrthNoiz
2
Fl.KClik
1
triangle
1
Seashore
2
Rain
1
Thunder
1
Wind
1
Stream
2
Bubble
2
orchehit
1
Tweet
2
Dog
1
Horse
1
Bird 2
1
telphone
1
Telphone
1
Tel.Dial
1
DoorSqek
1
DoorSlam
1
Scratch
1
WindChm
1
Scratch2
2
bird
1
Helicptr
1
CarEngin
1
Car Stop
1
Car Pass
1
CarCrash
1
Siren
2
Train
1
Jetplane
2
Starship
2
Burst
2
Coaster
2
jam
1
Applause
1
Laughing
1
Scream
1
Punch
1
Heart
1
FootStep
1
efctwatr
2
Gunshot
1
MchinGun
1
LaserGun
2
Xplosion
2
efctjngl
2
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○
45
46
-1
-1
-1
0
0
1
2
2
A# 2
B
58
59
2
2
A
57
2
G
G# 2
55
2
56
E
F
F#
52
53
54
2
C# 2
D
D# 2
49
50
51
2
1
A# 1
B
C
46
47
48
1
G
G# 1
A
43
44
1
1
1
1
1
45
E
F
F#
D# 1
39
40
D
38
41
C# 1
37
42
C
36
0
A# 0
B
34
35
0
A
33
0
G
G# 0
31
0
32
E
F
F#
28
29
30
0
D
D# 0
26
27
0
B
C
C# 0
23
24
25
-1
G# -1
A
A# -1
20
21
-1
22
F
F#
G
17
18
19
-1
-1
D
D# -1
E
14
15
16
C# -1
13
O
O
O
off
1
1
1
4
4
3
3
assign
Ride Cymbal 2
Vibraslap
Crash Cymbal 2
Cowbell
Splash Cymbal
Tambourine
Ride Cymbal Cup
Chinese Cymbal
Ride Cymbal 1
High Tom
Crash Cymbal 1
Mid Tom H
Mid Tom L
Hi-Hat Open
Low Tom
Hi-Hat Pedal
Floor Tom H
Hi-Hat Closed
Floor Tom L
Snare H
Hand Clap
Snare M
Side Stick
Bass Drum H
Bass Drum M
Open Rim Shot
Bass Drum L
Sticks
Snare L
Castanet
Snare Roll
Brush Swirl H
Brush Slap
Brush Swirl L
Brush Tap
Seq Click H
Seq Click L
Metronome Bell
Metronome Click
Click Noise
Finger Snap
Scratch Pull
Scratch Push
Whip Slap
Hi Q
Surdo Open
Surdo Mute
Key Alternate Standard Kit
1
Note# Note
127
Bank
Program #
Snare H 2
Snare M 2
Bass Drum H 2
Bass Drum M 2
Open Rim Shot 2
Snare L 2
Snare Roll 2
Standard2 Kit
2
127
127
127
SD Rock Rim
SD Rock
BD Rock
Room Tom 2 Rock Tom 2
Room Tom 6 Rock Tom 6
Room Tom 5 Rock Tom 5
Room Tom 4 Rock Tom 4
Room Tom 3 Rock Tom 3
127
Analog Kit
26
Bass Drum H 4
Snare M
Hi Q
E Tom 6
E Tom 5
E Tom 4
E Tom 3
E Tom 2
E Tom 1
SD Rock H
SD Rock L
BD Gate
Analog Cowbell
Analog Tom 6
Analog Cymbal
Analog Tom 5
Analog Tom 4
Analog HH Open
Analog Tom 3
Analog HH Closed 2
Analog Tom 2
Analog HH Closed 1
Analog Tom 1
Analog Snare H
Analog Snare L
Analog Side Stick
BD Analog H
BD Analog L
Bass Drum M
SD Rock H
Hi Q
Reverse Cymbal Reverse Cymbal
Electro Kit
25
Bass Drum H 3 BD Rock
Bass Drum M
SD Rock M
Rock Kit
17
Room Tom 1 Rock Tom 1
SD Room H
SD Room L
Room Kit
9
127
127
127
127
Gran Cassa Mute
Gran Cassa
Bass Drum L2
Classic Kit
49
Brush Tap H
Jazz Tom 2 Brush Tom 2
Jazz Tom 6 Brush Tom 6
Jazz Tom 5 Brush Tom 5
Jazz Tom 4 Brush Tom 4
Jazz Tom 3 Brush Tom 3
Hand Cym.Closed H
Hand Cym.Open H
Hand Cym.Closed L
Jazz Tom 6
Hand Cym.Open L
Jazz Tom 5
Jazz Tom 4
Jazz Tom 3
Jazz Tom 2
Jazz Tom 1
Marching Sn H
Brush Slap M Marching Sn M
BD Soft
Brush Slap L
Brush Kit
41
Jazz Tom 1 Brush Tom 1
BD Jazz
Jazz Kit
33
126
FL.Key Click
String Slap
Guitar Cutting Noise 2
Guitar Cutting Noise
SFX 1
1
126
Starship
Jetplane
Train
Siren
Crash
Car Passing
Tire Screech
Engine Start
Telephone Ring2
Windchime
Scratch 2
Scratch
Door Slam
Door Creaking
Dial Tone
SFX 2
2
XG Drum Voice List
Bank Select MSB=Bank Number, LSB=000
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○
3
3
C
72
C# 5
85
G
91
5
5
5
5
O
O
O
2
Conga H Open
Conga L
Bell Tree
Jingle Bell
Shaker
Triangle Open
Triangle Mute
Cuica Open
Cuica Mute
Wood Block L
Wood Block H
Claves
Guiro Long
Guiro Short
Samba Whistle L
Samba Whistle H
Maracas
Cabasa
Agogo L
Agogo H
Timbale L
Timbale H
: No Sound
: Same as Standard Kit
2
Bongo H
Bongo L
Conga H Mute
* Drum and percussion sounds assigned to the same Alternate
Assign numbered group cannot be sounded simultaneously.
For example, the Hi-Hat Open sound (group 1) and Hi-Hat
Closed sound (also group 1) cannot be sounded at the same time.
E
F
F#
88
89
90
5
D
D# 5
86
87
5
4
A# 4
B
C
82
83
84
4
G# 4
A
4
80
G
79
4
4
4
81
E
F
F#
76
77
78
4
C# 4
D
D# 4
73
74
75
4
3
B
71
3
A
A# 3
69
70
3
F#
G
G# 3
66
67
68
3
3
D# 3
E
F
63
64
65
3
C
C# 3
D
60
61
62
Scratch Push
Scratch Pull
Scratch Pull
Scratch Push
Analog Claves
Analog Maracas
Analog Conga L
Analog Conga M
Analog Conga H
Rain
Maou
Ghost
Bird 2
Horse Gallop
Dog
Feed
Bubble
Stream
Wind
Thunder
FireWork
Explosion
Laser Gun
Machine Gun
Footsteps
Heartbeat
Punch
Screaming
Laughing
SbMarine
Coaster
Burst Noise
XG Drum Voice List
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○
47
48
0
A#
B
C
70
71
72
4
3
3
3
G# 3
A
3
68
G
67
3
3
3
3
3
3
3
2
2
2
69
F
F#
65
E
64
66
D
D#
62
C#
61
63
B
C
A#
58
59
A
57
60
G# 2
56
2
2
F#
G
2
2
2
2
2
2
1
54
F
53
1
1
55
D#
E
51
52
C
C#
D
48
49
B
47
50
A
A#
45
46
1
1
F#
G
G# 1
42
1
43
F
41
1
1
1
1
1
0
0
0
0
0
0
44
D#
E
39
D
38
40
C
C#
36
37
A
A#
B
G# 0
32
33
G
34
F#
30
31
35
F
29
0
0
0
D
D#
E
26
27
28
C#
2
2
1
1
1
7
7
assign
Samba Whistle L
Samba Whistle H
Maracas
Cabasa
Agogo L
Agogo H
Timbale L
Timbale H
Conga L
Conga H Open
Conga H Mute
Bongo L
Bongo H
Ride Cymbal 2
Vibraslap
Crash Cymbal 2
Cowbell
Splash Cymbal
Tambourine
Ride Cymbal Cup
Chinese Cymbal
Ride Cymbal 1
High Tom
Crash Cymbal 1
Mid Tom H
Mid Tom L
Hi-Hat Open
Low Tom
Hi-Hat Pedal
Floor Tom H
Hi-Hat Closed
Floor Tom L
Snare H
Hand Clap
Snare M
Side Stick
Bass Drum H
Bass Drum M
Metronome Bell
Metronome Click
Click Noise
Sticks
Scratch Pull
Scratch Push
Whip Slap
Hi Q
Finger Snap
Snare Roll
Standard Kit
25
1
Alternate
Program #
Note# Note
Room Tom 6
Room Tom 5
Room Tom 4
Room Tom 3
Room Tom 2
Room Tom 1
Room Kit
9
Room Tom 6
Room Tom 5
Room Tom 4
Room Tom 3
Room Tom 2
Room Tom 1
SD Power
BD Power
Power Kit
17
Reverse Cymbal
E Tom 6
E Tom 5
E Tom 4
E Tom 3
E Tom 2
E Tom 1
SD Power
SD Electronic
BD Electronic
Electro Kit
25
Analog Maracas
Analog Conga L
Analog Conga M
Analog Conga H
Analog Cowbell
Analog Tom 6
Analog Cymbal
Analog Tom 5
Analog Tom 4
Analog HH Open
Analog Tom 3
Analog HH Closed 2
Analog Tom 2
Analog HH Closed 1
Analog Tom 1
Analog Snare L
Analog Side Stick
BD Analog H
Analog Kit
26
Brush Swirl
Brush Slap
Brush Tap
BD Soft
Brush Kit
41
Concert SD
Castanet
Concert SD
Gran Cassa
BD Jazz
Ride Cymbal 1
Hi-Hat Open
Hi-Hat Pedal
Hi-Hat Closed
Orchestra Kit
49
Hand Cym.2
Hand Cym.1
Timpani F
Timpani E
Timpani D#
Jazz Tom 6 Jazz Tom 6 Timpani D
Timpani C#
Jazz Tom 5 Jazz Tom 5 Timpani C
Jazz Tom 4 Jazz Tom 4 Timpani B
Timpani A#
Jazz Tom 3 Jazz Tom 3 Timpani A
Timpani G#
Jazz Tom 2 Jazz Tom 2 Timpani G
Timpani F#
Jazz Tom 1 Jazz Tom 1 Timpani F
BD Jazz
Jazz Kit
33
Gunshot
Starship
Helicopter
Jetplane
Train
Siren
Crash
Car Passing
Tire Screech
Engine Start
Windchime
Scratch
Door Slam
Door Creaking
Applause
Footsteps 2
Footsteps 1
Heartbeat
Punch
Screaming
Laughing
FL.Key Click
Ac Bass Slap
Guitar Cutting Up
Guitar Cutting Down
Guitar Fret Noise
Metronome Bell
Metronome Click
Square Click
Sticks
Scratch Pull
Scratch Push
Slap
High-Q
SFX Set
57
Hi-Hat Open 2
Hi-Hat Open 1
SD Electro
C/M Kit
128
TG300B Drum Voice List
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○
4
G# 6
A
A#
B
C
104
105
106
107
108
7
6
6
6
6
6
6
F#
F
101
6
G
E
100
6
6
6
6
102
D#
99
5
5
103
C#
D
97
C
96
98
A#
B
94
95
5
A
93
5
G
G# 5
91
5
5
5
5
5
5
5
4
92
F#
90
D#
87
E
D
F
C#
85
86
88
C
84
89
A#
B
82
83
4
A
81
4
G
G# 4
79
4
4
4
4
4
4
80
E
F
F#
76
77
78
D
D#
C#
73
74
75
6
6
5
5
4
4
3
3
: Same as Standard Kit
: No Sound
Analog Claves
* Some of the C/M Kit instruments in common with the Standard
Kit differ from those of the Standard Kit in effect send level or
pan settings etc., even though the instrument itself is the same.
Surdo Open
Surdo Mute
Castanet
Bell Tree
Jingle Bell
Shaker
Triangle Open
Triangle Mute
Cuica Open
Cuica Mute
Wood Block L
Wood Block H
Claves
Guiro Long
Guiro Short
Applause
Bubble
Stream
Seashore
Wind
Thunder
Rain
Bird Tweet
Horse Gallop
Dog
Explosion
Laser Gun
Machine Gun
Bubble
Stream
Seashore
Wind
Thunder
Rain
Bird Tweet
Horse Gallop
Dog
Explosion
Laser Gun
Machine Gun
Gunshot
Starship
Helicopter
Jetplain
Train
Siren
Crash
Car Passing
Tire Screech
Engine Start
Windchime
Scratch
Door Slam
Door Creaking
Applause
Footsteps 2
Footsteps 1
Heartbeat
Punch
Screaming
Laughing
Vibraslap
TG300B Drum Voice List
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○
49
Effect Type List
REVERB
Exclusive
MSB
LSB
00
00
01
00
01
01
02
00
02
01
02
02
03
00
03
01
04
00
10
00
11
00
13
00
Effect Type
NO EFFECT
HALL1
HALL2
ROOM1
ROOM2
ROOM3
STAGE1
STAGE2
PLATE
WHITE ROOM
TUNNEL
BASEMENT
Description
Effect turned off.
Reverb simulating the resonance of a hall.
Reverb simulating the resonance of a hall.
Reverb simulating the resonance of a room.
Reverb simulating the resonance of a room.
Reverb simulating the resonance of a room.
Reverb appropriate for a solo instrument.
Reverb appropriate for a solo instrument.
Reverb simulating a metal plate reverb unit.
A unique short reverb with a bit of initial delay.
Simulation of a tunnel space expanding to left and right.
A bit of initial delay followed by reverb with a unique resonance.
CHORUS
Exclusive
MSB
LSB
00
00
41
00
41
01
41
02
41
08
42
00
42
01
42
02
42
08
43
00
43
01
43
08
Effect Type
NO EFFECT
CHORUS1
CHORUS2
CHORUS3
CHORUS4
CELESTE1
CELESTE2
CELESTE3
CELESTE4
FLANGER1
FLANGER2
FLANGER3
Description
NO EFFECT Effect turned off.
CHORUS1 Conventional chorus program that adds natural spaciousness.
CHORUS2 Conventional chorus program that adds natural spaciousness.
CHORUS3 Conventional chorus program that adds natural spaciousness.
CHORUS4 Chorus with stereo input. The pan setting specified for the Part will also apply to the effect sound.
CELESTE1 A 3-phase LFO adds modulation and spaciousness to the sound.
CELESTE2 A 3-phase LFO adds modulation and spaciousness to the sound.
CELESTE3 A 3-phase LFO adds modulation and spaciousness to the sound.
CELESTE4 Celeste with stereo input. The pan setting specified for the Part will also apply to the effect sound.
FLANGER1 Adds a jet-airplane effect to the sound.
FLANGER2 Adds a jet-airplane effect to the sound.
FLANGER3 Adds a jet-airplane effect to the sound.
VARIATION
Exclusive
MSB
LSB
00
00
01
00
01
01
02
00
02
01
02
02
03
00
03
01
04
00
05
00
06
00
07
00
08
00
09
00
09
01
0A
00
0B
00
14
00
14
01
14
02
41
00
41
01
41
02
41
08
42
00
42
01
42
02
42
08
43
00
43
01
43
08
44
00
45
00
46
00
47
00
48
00
48
08
49
00
4A
00
4B
00
4C
00
4D
00
4E
00
50
00
40
00
Effect Type
NO EFFECT
HALL1
HALL2
ROOM1
ROOM2
ROOM3
STAGE1
STAGE2
PLATE
DELAY L, C, R
DELAY L, R
ECHO
CROSS DELAY
EARLY REF1
EARLY REF2
GATE REVERB
REVERSE GATE
KARAOKE 1
KARAOKE 2
KARAOKE 3
CHORUS1
CHORUS2
CHORUS3
CHORUS4
CELESTE1
CELESTE2
CELESTE3
CELESTE4
FLANGER1
FLANGER2
FLANGER3
SYMPHONIC
ROTARY SPEAKER
TREMOLO
AUTO PAN
PHASER1
PHASER2
DISTORTION
OVER DRIVE
AMP SIMULATOR
3BAND EQ(MONO)
2BAND EQ(STEREO)
AUTO WAH(LFO)
PITCH CHANGE
THRU
Description
Effect turned off.
Reverb simulating the resonance of a hall.
Reverb simulating the resonance of a hall.
Reverb simulating the resonance of a room.
Reverb simulating the resonance of a room.
Reverb simulating the resonance of a room.
Reverb appropriate for a solo instrument.
Reverb appropriate for a solo instrument.
Reverb simulating a metal plate reverb unit.
A program that creates three delay sounds; L, R, and C (center).
A program that creates two delay sounds; L and R. Two feedback delays are provided.
Two delays (L and R) and independent feedback delays for L and R.
A program that crosses the feedback of two delays.
An effect that produces only the early reflection component of reverb.
An effect that produces only the early reflection component of reverb.
A simulation of gated reverb.
A program that simulates gated reverb played backwards.
A delay with feedback of the same types as used for karaoke reverb.
A delay with feedback of the same types as used for karaoke reverb.
A delay with feedback of the same types as used for karaoke reverb.
Conventional chorus program that adds natural spaciousness.
Conventional chorus program that adds natural spaciousness.
Conventional chorus program that adds natural spaciousness.
Chorus with stereo input.
A 3-phase LFO adds modulation and spaciousness to the sound.
A 3-phase LFO adds modulation and spaciousness to the sound.
A 3-phase LFO adds modulation and spaciousness to the sound.
Celeste with stereo input.
Adds a jet-airplane effect to the sound.
Adds a jet-airplane effect to the sound.
Adds a jet-airplane effect to the sound.
A multi-phase version of CELESTE.
A simulation of a rotary speaker. You can use AC1 (assignable controller) etc. to control the speed of rotation.
An effect that cyclically modulates the volume.
A program that cyclically moves that sound image to left and right, front and back.
Cyclically changes the phase to add modulation to the sound.
Phaser with stereo input.
Adds a sharp-edged distortion to the sound.
Adds mild distortion to the sound.
A simulation of a guitar amp.
A mono EQ with adjustable LOW, MID, and HIGH equalizing.
A stereo EQ with adjustable LOW and HIGH. Ideal for drum Parts.
Cyclically modulates the center frequency of a wah filter. With an AC1 etc. this can function as a pedal wah.
This program changes the pitch of the input signal.
Bypass without applying an effect.
* MSB, LSB is represented in hexadecimal. * LSB = 0 is the basic effect type.
50
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○
Effect Parameter List
HALL1,2, ROOM1,2,3 ,STAGE1,2, PLATE
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
ECHO
Range
Value
→ P54**
Reverb Time
Diffusion
Initial Delay
HPF Cutoff
LPF Cutoff
0.3 ~ 30.0s
0 ~ 10
0 ~ 63
Thru ~ 8.0kHz
1.0k ~ Thru
0-69
0-10
0-63
0-52
34-60
table#4
Dry/Wet
Rev Delay
Density
Er/ Rev Balance
D63>W ~ D=W ~ D<W63
0 ~ 63
0~3
E63> R ~ E=R ~ E<R63
1-127
0-63
0-3
1-127
Feedback Level
-63 ~ +63
1-127
No. * Parameter
Control
table#5
table#3
table#3
●
table#5
WHITE ROOM ,TUNNEL, BASEMENT
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
Value
→ P54**
0.3 ~ 30.0s
0 ~ 10
0 ~ 63
Thru ~ 8.0kHz
1.0k ~ Thru
0.5 ~ 10.2m
0.5 ~ 20.2m
0.5 ~ 30.2m
0 ~ 30
D63>W ~ D=W ~ D<W63
0 ~ 63
0~3
E63> R ~ E=R ~ E<R63
0-69
0-10
0-63
0-52
34-60
0-37
0-73
0-104
0-30
1-127
0-63
0-3
1-127
table#4
Feedback Level
-63 ~ +63
1-127
Range
Value
Lch Delay
Rch Delay
Cch Delay
Feedback Delay
Feedback Level
Cch Level
High Damp
0.1 ~ 715.0ms
0.1 ~ 715.0ms
0.1 ~ 715.0ms
0.1 ~ 715.0ms
-63 ~ +63
0 ~ 127
0.1 ~ 1.0
1-7150
1-7150
1-7150
1-7150
1-127
0-127
1-10
Dry/Wet
D63>W ~ D=W ~ D<W63
1-127
EQ Low Frequency
EQ Low Gain
EQ High Frequency
EQ High Gain
50Hz ~ 2.0kHz
-12 ~ +12dB
500Hz ~ 16.0kHz
-12 ~ +12dB
8-40
52-76
28-58
52-76
table#3
Range
Value
→ P54**
Lch Delay
Rch Delay
Feedback Delay 1
Feedback Delay 2
Feedback Level
High Damp
0.1 ~ 715.0ms
0.1 ~ 715.0ms
0.1 ~ 715.0ms
0.1 ~ 715.0ms
-63 ~ +63
0.1 ~ 1.0
1-7150
1-7150
1-7150
1-7150
1-127
1-10
Dry/Wet
D63>W ~ D=W ~ D<W63
1-127
EQ Low Frequency
EQ Low Gain
EQ High Frequency
EQ High Gain
50Hz ~ 2.0kHz
-12 ~ +12dB
500Hz ~ 16.0kHz
-12 ~ +12dB
8-40
52-76
28-58
52-76
Control
table#5
table#3
table#3
table#8
table#8
table#8
●
table#5
DELAY L,C,R
No. * Parameter
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
→ P54**
Range
Value
Lch Delay1
Lch Feedback Level
Rch Delay1
Rch Feedback Level
High Damp
Lch Delay2
Rch Delay2
Delay2 Level
0.1 ~ 355.0ms
-63 ~ +63
0.1 ~ 355.0ms
-63 ~ +63
0.1 ~ 1.0
0.1 ~ 355.0ms
0.1 ~ 355.0ms
0 ~ 127
1-3550
1-127
1-3550
1-127
1-10
1-3550
1-3550
0-127
Dry/Wet
D63>W ~ D=W ~ D<W63
1-127
EQ Low Frequency
EQ Low Gain
EQ High Frequency
EQ High Gain
50Hz ~ 2.0kHz
-12 ~ +12dB
500Hz ~ 16.0kHz
-12 ~ +12dB
8-40
52-76
28-58
52-76
table#3
→ P54**
Control
●
table#3
No. * Parameter
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
Range
Value
L->R Delay
R->L Delay
Feedback Level
Input Select
High Damp
0.1 ~ 355.0ms
0.1 ~ 355.0ms
-63 ~ +63
L,R,L&R
0.1 ~ 1.0
1-3550
1-3550
1-127
0-2
1-10
Dry/Wet
D63>W ~ D=W ~ D<W63
1-127
EQ Low Frequency
EQ Low Gain
EQ High Frequency
EQ High Gain
50Hz ~ 2.0kHz
-12 ~ +12dB
500Hz ~ 16.0kHz
-12 ~ +12dB
8-40
52-76
28-58
52-76
Control
●
table#3
table#3
EARLY REF1,2
→ P54**
Control
●
table#3
No. * Parameter
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
Range
Value
Type
Room Size
Diffusion
Initial Delay
Feedback Level
HPF Cutoff
LPF Cutoff
S-H, L-H, Rdm, Rvs, Plt, Spr
0.1 ~ 7.0
0 ~ 10
0 ~ 63
-63 ~ +63
Thru ~ 8.0kHz
1.0k ~ Thru
0-5
0-44
0-10
0-63
1-127
0-52
34-60
Dry/Wet
Liveness
Density
High Damp
D63>W ~ D=W ~ D<W63
0 ~ 10
0~3
0.1 ~ 1.0
1-127
0-10
0-3
1-10
→ P54**
Control
table#6
table#5
●
GATE REVERB,REVERSE GATE
DELAY L,R
No. * Parameter
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
CROSS DELAY
Range
Reverb Time
Diffusion
Initial Delay
HPF Cutoff
LPF Cutoff
Width
Height
Depth
Wall Vary
Dry/Wet
Rev Delay
Density
Er/ Rev Balance
No. * Parameter
No. * Parameter
Control
●
table#3
table#3
No. * Parameter
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
Range
Value
Type
Room Size
Diffusion
Initial Delay
Feedback Level
HPF Cutoff
LPF Cutoff
TypeA,TypeB
0.1 ~ 7.0
0 ~ 10
0 ~ 63
-63 ~ +63
Thru ~ 8.0kHz
1.0k ~ Thru
0-1
0-44
0-10
0-63
1-127
0-52
34-60
Dry/Wet
Liveness
Density
High Damp
D63>W ~ D=W ~ D<W63
0 ~ 10
0~3
0.1 ~ 1.0
1-127
0-10
0-3
1-10
→ P54**
Control
table#6
table#5
●
•●
• No. *
: Can be controlled by AC1 (Assignable Controller 1)
: These numbers correspond to the Parameter Suffix numbers in
<Table 1 - 3> (page 33)
• ÆP54** : Refer to “Effect Data Assign Table”
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○
51
Effect Parameter List
ROTARY SPEAKER
KARAOKE1,2,3
No. * Parameter
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
Delay Time
Feedback Level
HPF Cutoff
LPF Cutoff
Dry/Wet
Range
Value
→ P54**
0 ~ 127
-63 ~ +63
Thru ~ 8.0kHz
1.0k ~ Thru
0-127
1-127
0-52
34-60
table#7
D63>W ~ D=W ~ D<W63
Control
●
1-127
CHORUS1,2,3,4, CELESTE1,2,3,4
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
Value
→ P54**
LFO Frequency
LFO PM Depth
Feedback Level
Delay Offset
0.00 ~ 39.7Hz
0 ~ 127
-63 ~ +63
0 ~ 127
0-127
0-127
1-127
0-127
table#1
EQ Low Frequency
EQ Low Gain
EQ High Frequency
EQ High Gain
Dry/Wet
50Hz ~ 2.0kHz
-12 ~ +12dB
500Hz ~ 16.0kHz
-12 ~ +12dB
D63>W ~ D=W ~ D<W63
8-40
52-76
28-58
52-76
1-127
Input Mode
mono/stereo
0-1
Range
Value
→ P54**
LFO Frequency
LFO Depth
Feedback Level
Delay Offset
0.00 ~ 39.7Hz
0 ~ 127
-63 ~ +63
0 ~ 63
0-127
0-127
1-127
0-63
table#1
EQ Low Frequency
EQ Low Gain
EQ High Frequency
EQ High Gain
Dry/Wet
50Hz ~ 2.0kHz
-12 ~ +12dB
500Hz ~ 16.0kHz
-12 ~ +12dB
D63>W ~ D=W ~ D<W63
8-40
52-76
28-58
52-76
1-127
table#3
4-124
resolution=3deg.
Range
Value
→ P54**
LFO Frequency
LFO Depth
Delay Offset
0.00 ~ 39.7Hz
0 ~ 127
0 ~ 127
0-127
0-127
0-127
table#1
EQ Low Frequency
EQ Low Gain
EQ High Frequency
EQ High Gain
Dry/Wet
50Hz ~ 2.0kHz
-12 ~ +12dB
500Hz ~ 16.0kHz
-12 ~ +12dB
D63>W ~ D=W ~ D<W63
8-40
52-76
28-58
52-76
1-127
Control
table#2
table#3
table#3
●
FLANGER1,2,3
No. * Parameter
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
Control
table#2
table#3
●
SYMPHONIC
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
Value
→ P54**
Control
0.00 ~ 39.7Hz
0 ~ 127
0-127
0-127
table#1
●
EQ Low Frequency
EQ Low Gain
EQ High Frequency
EQ High Gain
Dry/Wet
50Hz ~ 2.0kHz
-12 ~ +12dB
500Hz ~ 16.0kHz
-12 ~ +12dB
D63>W ~ D=W ~ D<W63
8-40
52-76
28-58
52-76
1-127
table#3
table#3
Range
Value
→ P54**
Control
LFO Frequency
AM Depth
PM Depth
0.00 ~ 39.7Hz
0 ~ 127
0 ~ 127
0-127
0-127
0-127
table#1
●
EQ Low Frequency
EQ Low Gain
EQ High Frequency
EQ High Gain
50Hz ~ 2.0kHz
-12 ~ +12dB
500Hz ~ 16.0kHz
-12 ~ +12dB
8-40
52-76
28-58
52-76
No. * Parameter
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
LFO Phase Difference -180 ~ +180deg
Input Mode
mono/stereo
4-124
0-1
table#3
table#3
resolution=3deg.
AUTO PAN
LFO Phase Difference -180 ~ +180deg
No. * Parameter
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
TREMOLO
Range
No. * Parameter
Range
LFO Frequency
LFO Depth
No. * Parameter
Range
Value
→ P54**
Control
LFO Frequency
L/R Depth
F/R Depth
PAN Direction
0.00 ~ 39.7Hz
0 ~ 127
0 ~ 127
L<->R,L->R,L<-R,Lturn,Rturn,L/R
0-127
0-127
0-127
0-5
table#1
●
EQ Low Frequency
EQ Low Gain
EQ High Frequency
EQ High Gain
50Hz ~ 2.0kHz
-12 ~ +12dB
500Hz ~ 16.0kHz
-12 ~ +12dB
8-40
52-76
28-58
52-76
No. * Parameter
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
table#3
table#3
PHASER1,2
Control
table#2
table#3
table#3
●
Range
Value
→ P54**
LFO Frequency
LFO Depth
Phase Shift Offset
Feedback Level
0.00 ~ 39.7Hz
0 ~ 127
0 ~ 127
-63 ~ +63
0-127
0-127
0-127
1-127
table#1
EQ Low Frequency
EQ Low Gain
EQ High Frequency
EQ High Gain
Dry/Wet
Stage
Diffusion
LFO Phase Difference
50Hz ~ 2.0kHz
-12 ~ +12dB
500Hz ~ 16.0kHz
-12 ~ +12dB
D63>W ~ D=W ~ D<W63
6 ~ 10(phaser1) / 3 ~ 5(phaser2)
Mono/Stereo
-180 ~ +180deg.
8-40
52-76
28-58
52-76
1-127
3-10
0-1
4-124
No. * Parameter
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
Control
table#3
table#3
●
Phaser2 only
•●
• No. *
: Can be controlled by AC1 (Assignable Controller 1)
: These numbers correspond to the Parameter Suffix numbers in
<Table 1 - 3> (page 33)
• ÆP54** : Refer to “Effect Data Assign Table”
52
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○
Effect Parameter List
DISTORTION,OVERDRIVE
No. * Parameter
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
AUTO WAH
→ P54**
Range
Value
Drive
EQ Low Frequency
EQ Low Gain
LPF Cutoff
Output Level
0 ~ 127
50Hz ~ 2.0kHz
-12 ~ +12dB
1.0k ~ Thru
0 ~ 127
0-127
8-40
52-76
34-60
0-127
EQ Mid Frequency
EQ Mid Gain
EQ Mid Width
Dry/Wet
Edge(Clip Curve)
500Hz ~ 10.0kHz
-12 ~ +12dB
1.0 ~ 12.0
D63>W ~ D=W ~ D<W63
0 ~ 127
28-54
52-76
10-120
1-127
0-127
table#3
Range
Value
→ P54**
0 ~ 127
Off,Stack,Combo,Tube
1.0k ~ Thru
0 ~ 127
0-127
0-3
34-60
0-127
Control
●
table#3
table#3
mild ~ sharp
GUITAR AMP SIMULATOR
No. * Parameter
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
Drive
AMP Type
LPF Cutoff
Output Level
Dry/Wet
Edge(Clip Curve)
Range
Value
→ P54**
LFO Frequency
LFO Depth
Cutoff Frequency Offset
Resonance
0.00 ~ 39.7Hz
0 ~ 127
0 ~ 127
1.0 ~ 12.0
0-127
0-127
0-127
10-120
table#1
EQ Low Frequency
EQ Low Gain
EQ High Frequency
EQ High Gain
Dry/Wet
50Hz ~ 2.0kHz
-12 ~ +12dB
500Hz ~ 16.0kHz
-12 ~ +12dB
D63>W ~ D=W ~ D<W63
8-40
52-76
28-58
52-76
1-127
table#3
→ P54**
No. * Parameter
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
Control
●
table#3
PITCH CHANGE
Control
●
table#3
D63>W ~ D=W ~ D<W63
0 ~ 127
1-127
0-127
Range
Value
-12 ~ +12dB
500Hz ~ 10.0kHz
-12 ~ +12dB
1.0 ~ 12.0
-12 ~ +12dB
50Hz ~ 2.0kHz
500Hz ~ 16.0kHz
52-76
28-54
52-76
10-120
52-76
8-40
28-58
Range
Value
→ P54**
50Hz ~ 2.0kHz
-12 ~ +12dB
500Hz ~ 16.0kHz
-12 ~ +12dB
8-40
52-76
28-58
52-76
table#3
mild ~ sharp
No. * Parameter
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
Range
Value
Pitch
Initial Delay
Fine
-24 ~ +24
0 ~ 127
-50 ~ +50
40-88
0-127
14-114
EQ Low Frequency
EQ Low Gain
EQ High Frequency
EQ High Gain
Dry/Wet
50Hz ~ 2.0kHz
-12 ~ +12dB
500Hz ~ 16.0kHz
-12 ~ +12dB
D63>W ~ D=W ~ D<W63
8-40
52-76
28-58
52-76
1-127
Control
table#3
table#3
●
3-BAND EQ
No. * Parameter
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
EQ Low Gain
EQ Mid Frequency
EQ Mid Gain
EQ Mid Width
EQ High Gain
EQ Low Frequency
EQ High Frequency
→ P54**
Control
table#3
table#3
table#3
2-BAND EQ
No. * Parameter
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
EQ Low Frequency
EQ Low Gain
EQ High Frequency
EQ High Gain
Control
table#3
•●
• No. *
: Can be controlled by AC1 (Assignable Controller 1)
: These numbers correspond to the Parameter Suffix numbers in
<Table 1 - 3> (page 33)
• ÆP54** : Refer to “Effect Data Assign Table”
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○
53
Effect Data Assign Table
Table#1
Data
0
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
Value Data
0.00
43
0.04
44
0.08
45
0.13
46
0.17
47
0.21
48
0.25
49
0.29
50
0.34
51
0.38
52
0.42
53
0.46
54
0.51
55
0.55
56
0.59
57
0.63
58
0.67
59
0.72
60
0.76
61
0.80
62
0.84
63
0.88
64
0.93
65
0.97
66
1.01
67
1.05
68
1.09
69
1.14
70
1.18
71
1.22
72
1.26
73
1.30
74
1.35
75
1.39
76
1.43
77
1.47
78
1.51
79
1.56
80
1.60
81
1.64
82
1.68
83
1.72
84
1.77
85
Modulation Delay Offset (ms)
Value Data
1.81
86
1.85
87
1.89
88
1.94
89
1.98
90
2.02
91
2.06
92
2.10
93
2.15
94
2.19
95
2.23
96
2.27
97
2.31
98
2.36
99
2.40
100
2.44
101
2.48
102
2.52
103
2.57
104
2.61
105
2.65
106
2.69
107
2.78
108
2.86
109
2.94
110
3.03
111
3.11
112
3.20
113
3.28
114
3.37
115
3.45
116
3.53
117
3.62
118
3.70
119
3.87
120
4.04
121
4.21
122
4.37
123
4.54
124
4.71
125
4.88
126
5.05
127
5.22
Value
5.38
5.55
5.72
6.06
6.39
6.73
7.07
7.40
7.74
8.08
8.41
8.75
9.08
9.42
9.76
10.10
10.80
11.40
12.10
12.80
13.50
14.10
14.80
15.50
16.20
16.80
17.50
18.20
19.50
20.90
22.20
23.60
24.90
26.20
27.60
28.90
30.30
31.60
33.00
34.30
37.00
39.70
Value Data
67.8
86
69.4
87
70.9
88
72.5
89
74.1
90
75.7
91
77.2
92
78.8
93
80.4
94
81.9
95
83.5
96
85.1
97
86.7
98
88.2
99
89.8
100
91.4
101
93.0
102
94.5
103
96.1
104
97.7
105
99.3
106
100.8
107
102.4
108
104.0
109
105.6
110
107.1
111
108.7
112
110.3
113
111.9
114
113.4
115
115.0
116
116.6
117
118.2
118
119.7
119
121.3
120
122.9
121
124.4
122
126.0
123
127.6
124
129.2
125
130.7
126
132.3
127
133.9
Value
135.5
137.0
138.6
140.2
141.8
143.3
144.9
146.5
148.1
149.6
151.2
152.8
154.4
155.9
157.5
159.1
160.6
162.2
163.8
165.4
166.9
168.5
170.1
171.7
173.2
174.8
176.4
178.0
179.5
181.1
182.7
184.3
185.8
187.4
189.0
190.6
192.1
193.7
195.3
196.9
198.4
200.0
Table#5
Value Data
0.0
43
0.1
44
0.2
45
0.3
46
0.4
47
0.5
48
0.6
49
0.7
50
0.8
51
0.9
52
1.0
53
1.1
54
1.2
55
1.3
56
1.4
57
1.5
58
1.6
59
1.7
60
1.8
61
1.9
62
2.0
63
2.1
64
2.2
65
2.3
66
2.4
67
2.5
68
2.6
69
2.7
70
2.8
71
2.9
72
3.0
73
3.1
74
3.2
75
3.3
76
3.4
77
3.5
78
3.6
79
3.7
80
3.8
81
3.9
82
4.0
83
4.1
84
4.2
85
Value Data
4.3
86
4.4
87
4.5
88
4.6
89
4.7
90
4.8
91
4.9
92
5.0
93
5.1
94
5.2
95
5.3
96
5.4
97
5.5
98
5.6
99
5.7
100
5.8
101
5.9
102
6.0
103
6.1
104
6.2
105
6.3
106
6.4
107
6.5
108
6.6
109
6.7
110
6.8
111
6.9
112
7.0
113
7.1
114
7.2
115
7.3
116
7.4
117
7.5
118
7.6
119
7.7
120
7.8
121
7.9
122
8.0
123
8.1
124
8.2
125
8.3
126
8.4
127
8.5
Table#6
Delay Time (ms)
Data Value Data
0
0.1
43
1
1.7
44
2
3.2
45
3
4.8
46
4
6.4
47
5
8.0
48
6
9.5
49
7 11.1
50
8 12.7
51
9 14.3
52
10 15.8
53
11 17.4
54
12 19.0
55
13 20.6
56
14 22.1
57
15 23.7
58
16 25.3
59
17 26.9
60
18 28.4
61
19 30.0
62
20 31.6
63
21 33.2
64
22 34.7
65
23 36.3
66
24 37.9
67
25 39.5
68
26 41.0
69
27 42.6
70
28 44.2
71
29 45.7
72
30 47.3
73
31 48.9
74
32 50.5
75
33 52.0
76
34 53.6
77
35 55.2
78
36 56.8
79
37 58.3
80
38 59.9
81
39 61.5
82
40 63.1
83
41 64.6
84
42 66.2
85
54
Data
0
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
Table#4
Table#3
Table#2
LFO Frequency (Hz)
Room Size (m)
Data Value Data Value
0
0.1
43
6.8
1
0.3
44
7.0
2
0.4
3
0.6
4
0.7
5
0.9
6
1.0
7
1.2
8
1.4
9
1.5
10
1.7
11
1.8
12
2.0
13
2.1
14
2.3
15
2.5
16
2.6
17
2.8
18
2.9
19
3.1
20
3.2
21
3.4
22
3.5
23
3.7
24
3.9
25
4.0
26
4.2
27
4.3
28
4.5
29
4.6
30
4.8
31
5.0
32
5.1
33
5.3
34
5.4
35
5.6
36
5.7
37
5.9
38
6.1
39
6.2
40
6.4
41
6.5
42
6.7
Reverb Time (s)
EQ Frequency (Hz)
Value
8.6
8.7
8.8
8.9
9.0
9.1
9.2
9.3
9.4
9.5
9.6
9.7
9.8
9.9
10.0
11.1
12.2
13.3
14.4
15.5
17.1
18.6
20.2
21.8
23.3
24.9
26.5
28.0
29.6
31.2
32.8
34.3
35.9
37.5
39.0
40.6
42.2
43.7
45.3
46.9
48.4
50.0
Data
0
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
Value
THRU(20)
22
25
28
32
36
40
45
50
56
63
70
80
90
100
110
125
140
160
180
200
225
250
280
315
355
400
450
500
560
630
700
800
900
1.0k
1.1k
1.2k
1.4k
1.6k
1.8k
2.0k
2.2k
2.5k
Table#8
Table#7
Reverb Width; Depth; Height (m)
Delay Time (ms)
Data
0
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
Value Data
0.1
43
3.2
44
6.4
45
9.5
46
12.7
47
15.8
48
19.0
49
22.1
50
25.3
51
28.4
52
31.6
53
34.7
54
37.9
55
41.0
56
44.2
57
47.3
58
50.5
59
53.6
60
56.8
61
59.9
62
63.1
63
66.2
64
69.4
65
72.5
66
75.7
67
78.8
68
82.0
69
85.1
70
88.3
71
91.4
72
94.6
73
97.7
74
100.9
75
104.0
76
107.2
77
110.3
78
113.5
79
116.6
80
119.8
81
122.9
82
126.1
83
129.2
84
132.4
85
Data Value Data Value
0
0.3
43
4.6
1
0.4
44
4.7
2
0.5
45
4.8
3
0.6
46
4.9
4
0.7
47
5.0
5
0.8
48
5.5
6
0.9
49
6.0
7
1.0
50
6.5
8
1.1
51
7.0
9
1.2
52
7.5
10
1.3
53
8.0
11
1.4
54
8.5
12
1.5
55
9.0
13
1.6
56
9.5
14
1.7
57 10.0
15
1.8
58 11.0
16
1.9
59 12.0
17
2.0
60 13.0
18
2.1
61 14.0
19
2.2
62 15.0
20
2.3
63 16.0
21
2.4
64 17.0
22
2.5
65 18.0
23
2.6
66 19.0
24
2.7
67 20.0
25
2.8
68 25.0
26
2.9
69 30.0
27
3.0
28
3.1
29
3.2
30
3.3
31
3.4
32
3.5
33
3.6
34
3.7
35
3.8
36
3.9
37
4.0
38
4.1
39
4.2
40
4.3
41
4.4
42
4.5
Data
Value
43
2.8k
44
3.2k
45
3.6k
46
4.0k
47
4.5k
48
5.0k
49
5.6k
50
6.3k
51
7.0k
52
8.0k
53
9.0k
54
10.0k
55
11.0k
56
12.0k
57
14.0k
58
16.0k
59
18.0k
60 THRU(20.0k)
Value Data
135.5
86
138.6
87
141.8
88
144.9
89
148.1
90
151.2
91
154.4
92
157.5
93
160.7
94
163.8
95
167.0
96
170.1
97
173.3
98
176.4
99
179.6
100
182.7
101
185.9
102
189.0
103
192.2
104
195.3
105
198.5
106
201.6
107
204.8
108
207.9
109
211.1
110
214.2
111
217.4
112
220.5
113
223.7
114
226.8
115
230.0
116
233.1
117
236.3
118
239.4
119
242.6
120
245.7
121
248.9
122
252.0
123
255.2
124
258.3
125
261.5
126
264.6
127
267.7
Value
270.9
274.0
277.2
280.3
283.5
286.6
289.8
292.9
296.1
299.2
302.4
305.5
308.7
311.8
315.0
318.1
321.3
324.4
327.6
330.7
333.9
337.0
340.2
343.3
346.5
349.6
352.8
355.9
359.1
362.2
365.4
368.5
371.7
374.8
378.0
381.1
384.3
387.4
390.6
393.7
396.9
400.0
Data Value Data Value Data Value
0
0.5
43 11.8
86 24.2
1
0.8
44 12.1
87 24.5
2
1.0
45 12.3
88 24.9
3
1.3
46 12.6
89 25.2
4
1.5
47 12.9
90 25.5
5
1.8
48 13.1
91 25.8
6
2.0
49 13.4
92 26.1
7
2.3
50 13.7
93 26.5
8
2.6
51 14.0
94 26.8
9
2.8
52 14.2
95 27.1
10
3.1
53 14.5
96 27.5
11
3.3
54 14.8
97 27.8
12
3.6
55 15.1
98 28.1
13
3.9
56 15.4
99 28.5
14
4.1
57 15.6
100 28.8
15
4.4
58 15.9
101 29.2
16
4.6
59 16.2
102 29.5
17
4.9
60 16.5
103 29.9
18
5.2
61 16.8
104 30.2
19
5.4
62 17.1
20
5.7
63 17.3
21
5.9
64 17.6
22
6.2
65 17.9
23
6.5
66 18.2
24
6.7
67 18.5
25
7.0
68 18.8
26
7.2
69 19.1
27
7.5
70 19.4
28
7.8
71 19.7
29
8.0
72 20.0
30
8.3
73 20.2
31
8.6
74 20.5
32
8.8
75 20.8
33
9.1
76 21.1
34
9.4
77 21.4
35
9.6
78 21.7
36
9.9
79 22.0
37 10.2
80 22.4
38 10.4
81 22.7
39 10.7
82 23.0
40 11.0
83 23.3
41 11.2
84 23.6
42 11.5
85 23.9
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Specifications
Tone Generation Method
AWM2 (Advanced Wave Memory 2)
Performance Modes
XG mode, TG300B mode
Maximum Simultaneous
Polyphony
32-note (last note priority; 30-note polyphony when A/D
INPUT is used)
Multi-timbral Capacity
16-Part (on 16 MIDI channels; with Element Reserve
priority for later notes and Dynamic Voice Allocation)
Voices
Total : 676
XG mode : 480
TG300B mode : 579
Total : 21
XG mode : 11
TG300B mode : 10
Normal Voices
Drum Voices
(percussion sets)
A/D Input
Input jacks : 2
A/D resolution : 16 bit
Channel : 1
Input gain : Mic/Line (changed upon reception of appropriate MIDI System Exclusive messages)
Input volume controls : 2 independent A/D INPUT
VOLUME sliders
Effects
Reverb (11 types), Chorus (11 types), Variation (43
types); can be applied to A/D Input sources
Controls and Indicators
POWER LED; A/D INPUT VOLUME sliders; VOLUME
slider; HOST SELECT switch; POWER ON/OFF switch
Jacks and Terminals
LINE OUT/PHONES jack; DC IN jack; TO HOST
terminal; MIDI OUT/IN terminals; A/D INPUT 1, 2 jacks
Power Supply
Yamaha PA-3B, PA-1207, or equivalent AC Adaptor
(The recommended power adaptor may vary, depending
on your location. Please consult your nearest Yamaha
dealer for details.)
Six 1.5 V AA size (SUM-3, R-6, or equivalent) batteries
Dimensions
188 x 104 x 35 mm (7-3/8” x 4-1/8” x 1-3/8”)
Weight
300 g (11 oz.; without batteries)
Included Accessories
Owner’s Manual
* Specifications subject to change without notice.
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55
Troubleshooting
Even though the MU10 is exceptionally easy to use, it may occasionally not function as
you expect it to. If that happens, check the possible problems and solutions below
before assuming that the instrument is faulty.
Problem
Possible Cause and Solution
No power.
If you are using an AC adaptor, check that the
adaptor is properly plugged into both the AC outlet
and the MU10. (See page 12.)
If you are using batteries, check that a fresh set of
batteries is properly installed in the battery compartment. (See page 13.)
No sound from the A/D
INPUTs.
Check that:
• The input sources are properly connected to the A/
D INPUT jacks.
• The A/D INPUT VOLUME sliders and the side
panel VOLUME slider are set to appropriate levels.
• The LINE OUT/PHONES jack is properly connected to your audio equipment or headphones.
No sound when playing
the MU10 from a computer, sequencer or
external keyboard.
Check that:
• The LINE OUT/PHONES jack is properly connected to your audio equipment or headphones.
• The side panel VOLUME slider is set to an appropriate level.
• All MIDI connections have been properly made,
making sure that the MIDI OUT of the external
device is connected to the MIDI IN of the MU10.
(See page 16.) Or, if you are using the TO HOST
terminal with a computer, make sure that the
computer is properly connected to the terminal and
that the HOST SELECT switch is properly set for
your particular computer. (See page 14.)
• The incoming MIDI data is appropriate. For
example, MIDI Volume or Expression messages
with a value of 0 will result in no sound for the
correwsponding Part.
• You have turned on the connected MIDI instrument
or computer before turning on the MU10. If you
haven’t, simply turning the MU10 off and back on
again may solve the problem.
56
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Troubleshooting
Problem
Possible Cause and Solution
Notes are cut off or
omitted.
The maximum polyphony of the MU10 may be
exceeded. The MU10 can play no more than 32
notes at once; when the A/D INPUTs are used, this
is reduced to 30 (see page 18).
The POWER lamp
flashes, even though
MIDI messages are not
being received.
When the battery power runs too low to properly
operate the MU10, the POWER lamp will flash
slowly. Replace all batteries with a complete set of
six new batteries of the same type. (See page 13.)
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57
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○
58
YAMAHA
[ Tone Generator ]
Date:05-APR-1996
Model MU10 MIDI Implementation Chart
Version : 1.0
+----------------------------------------------------------------------+
:
: Transmitted
:
Recognized
:
Remarks
:
:
Function ... :
:
:
:
:-------------------+----------------+----------------+----------------:
:Basic
Default
: x
: 1 - 16
:
:
:Channel Changed
: x
: 1 - 16
:
:
:-------------------+----------------+----------------+----------------:
:
Default
: x
: 3
:
:
:Mode
Messages : x
: 3,4(m = 1) *2 :
:
:
altered
: ************** : x
:
:
:-------------------+----------------+----------------+----------------:
:Note
: x
: 0 - 127
:
:
:Number : True voice: ************** : 0 - 127
:
:
:-------------------+----------------+----------------+----------------:
:Velocity Note ON
: x
: o 9nH,v=1-127 :
:
:
Note OFF : x
: x
:
:
:-------------------+----------------+----------------+----------------:
:After
Key's
: x
: o
*1 :
:
:Touch
Ch's
: x
: o
*1 :
:
:-------------------+----------------+----------------+----------------:
:Pitch Bender
: x
: o 0-24 semi *1 :
:
:-------------------+----------------+----------------+----------------:
:
0,32 : x
: o
*1 :Bank Select
:
:
1,5,7,10,11 : x
: o
*1 :
:
:
6,38 : x
: o
*1 :Data Entry
:
:
64-67 : x
: o
*1 :
:
: Control
71-74 : x
: o
*1 :Sound Controller:
:
84 : x
: o
*1 :Portamento Cntrl:
: Change
91,93,94 : x
: o
*1 :Effect Depth
:
:
96-97 : x
: o
*1 :RPN Inc,Dec
:
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○
:
98-99 : x
: o
*1 :NRPN LSB,MSB
:
:
100-101 : x
: o
*1 :RPN LSB,MSB
:
:
120 : x
: o
:All Sound Off
:
:
121 : x
: o
:Reset All Cntrls:
:
:
:
:
:
:-------------------+----------------+----------------+----------------:
:Prog
: x
: o 0 - 127
:
:
:Change : True #
: ***********
:
:
:
:-------------------+----------------+----------------+----------------:
:System Exclusive
: x
: o
:
:
:-------------------+----------------+----------------+----------------:
:
: Song Pos. : x
: x
:
:
:common : Song Sel. : x
: x
:
:
:
: Tune
: x
: x
:
:
:-------------------+----------------+----------------+----------------:
:System
:Clock
: x
: x
:
:
:Real Time :Commands: x
: x
:
:
:-------------------+----------------+----------------+----------------:
:Aux :Local ON/OFF : x
: x
:
:
:
:All Notes OFF: x
: o(123-127)
:
:
:Mes- :Active Sense : x
: o
:
:
:sages:Reset
: x
: x
:
:
:-------------------+----------------+----------------+----------------:
:Notes: *1 ; receive if switch is on.
:
:
*2 ; m is always treated as "1" regardless of its value.
:
:
:
:
:
+-------------------+----------------+----------------+----------------+
Mode 1 : OMNI ON, POLY
Mode 2 : OMNI ON, MONO
o : Yes
Mode 3 : OMNI OFF, POLY
Mode 4 : OMNI OFF, MONO
x : No
59
For details of products, please contact your nearest Yamaha or the authorized distributor listed
below.
Pour plus de détails sur les produits, veuillezvous adresser à Yamaha ou au distributeur le
plus proche de vous figurant dans la liste suivante.
Die Einzelheiten zu Produkten sind bei Ihrer unten
aufgeführten Niederlassung und bei Yamaha
Vertragshändlern
in
den
jeweiligen
Bestimmungsländern erhältlich.
Para detalles sobre productos, contacte su tienda
Yamaha más cercana o el distribuidor autorizado
que se lista debajo.
NORTH AMERICA
CANADA
Yamaha Canada Music Ltd.
135 Milner Avenue, Scarborough, Ontario,
M1S 3R1, Canada
Tel: 416-298-1311
U.S.A.
Yamaha Corporation of America
6600 Orangethorpe Ave., Buena Park, Calif. 90620,
U.S.A.
Tel: 714-522-9011
MIDDLE & SOUTH AMERICA
MEXICO
Yamaha De Mexico S.A. De C.V.,
Departamento de ventas
Javier Rojo Gomez No.1149, Col. Gpe Del
Moral, Deleg. Iztapalapa, 09300 Mexico, D.F.
Tel: 686-00-33
BRASIL
Yamaha Musical Do Brasil LTDA.
Ave. Reboucas 2636, São Paulo, Brasil
Tel: 011-853-1377
PANAMA
Yamaha De Panama S.A.
Edificio Interseco, Calle Elvira Mendez no.10,
Piso 3, Oficina #105, Ciudad de Panama, Panama
Tel: 507-69-5311
OTHER LATIN AMERICAN COUNTRIES
AND CARIBBEAN COUNTRIES
Yamaha Music Latin America Corp.
6101 Blue Lagoon Drive, Miami, Florida 33126,
U.S.A.
Tel: 305-261-4111
EUROPE
THE UNITED KINGDOM/IRELAND/
THE NETHERLANDS/
BELGIUM/LUXEMBOURG/
SPAIN/PORTUGAL/GREECE
Yamaha-Kemble Music (U.K.) Ltd.
Sherbourne Drive, Tilbrook, Milton Keynes,
MK7 8BL, England
Tel: 01908-366700
GERMANY/SWITZERLAND/
AUSTRIA/HUNGARY/SLOVENIA/
ROMANIA/BULGARIA/
Yamaha Europa GmbH.
Siemensstraße 22-34, 25462 Rellingen,
F.R. of Germany
Tel: 04101-3030
FRANCE
Yamaha Musique France
BP 70-77312 Marne-la-Valée Cedex 2, France
Tel: 01-64-61-4000
ITALY
Yamaha Musica Italia S.P.A.,
Keyboard & Multimedia Division
Viale Italia 88, 20020 Lainate (Milano), Italy
Tel: 02-935-771
SWEDEN/FINLAND/NORWAY/
ICELAND
Yamaha Scandinavia AB
J. A. Wettergrens Gata 1
Box 30053
S-400 43 Göteborg, Sweden
Tel: 031 89 34 00
DENMARK
YS Copenhagen Liaison Office
Generatorvej 8B
DK-2730 Herlev, Denmark
Tel: 44 92 49 00
OTHER EUROPEAN COUNTRIES
Yamaha Europa GmbH.
Siemensstraße 22-34, 25462 Rellingen, F.R. of
Germany
Tel: 04101-3030
SINGAPORE
AFRICA
Yamaha Corporation,
International Marketing Division
Nakazawa-cho 10-1, Hamamatsu, Japan 430
Tel: 053-460-2312
Yamaha Music Asia Pte., Ltd.
Blk 17A Toa Payoh #01-190 Lorong 7
Singapore 1231
Tel: 354-0133
THAILAND
Siam Music Yamaha Co., Ltd.
865 Phornprapha Building, Rama I Road,
Patumwan, Bangkok 10330, Thailand
Tel: 2-215-3443
MIDDLE EAST
THE PEOPLE’S REPUBLIC OF CHINA
AND OTHER ASIAN COUNTRIES
TURKEY/CYPRUS
Yamaha-Kemble Music (U.K.) Ltd.
Sherbourne Drive, Tilbrook, Milton Keynes,
MK7 8BL, England
Tel: 01908-366700
Yamaha Corporation,
International Marketing Division
Nakazawa-cho 10-1, Hamamatsu, Japan 430
Tel: 053-460-2312
OTHER COUNTRIES
Yamaha Corporation,
International Marketing Division
Nakazawa-cho 10-1, Hamamatsu, Japan 430
Tel: 053-460-2312
OCEANIA
AUSTRALIA
Yamaha Music Australia Pty. Ltd.
17-33 Market Street, South Melbourne, Vic. 3205,
Australia
Tel: 3-699-2388
ASIA
HONG KONG
Tom Lee Music Co., Ltd.
11/F., Silvercord Tower 1, 30 Canton Road,
Tsimshatsui, Kowloon, Hong Kong
Tel: 730-1098
INDONESIA
PT. Yamaha Music Indonesia (Distributor)
PT. Nusantik
Gedung Yamaha Music Center, Jalan Jend. Gatot
Subroto Kav. 4, Jakarta 12930, Indonesia
Tel: 21-520-2577
PHILIPPINES
NEW ZEALAND
Music Houses of N.Z. Ltd.
146/148 Captain Springs Road, Te Papapa, Auckland,
New Zealand
Tel: 9-634-0099
COUNTRIES AND TRUST
TERRITORIES IN PACIFIC OCEAN
Yamaha Corporation,
International Marketing Division
Nakazawa-cho 10-1, Hamamatsu, Japan 430
Tel: 053-460-2312
Yupangco Music Corporation
339 Gil J. Puyat Avenue, P.O. Box 885 MCPO,
Makati, Metro Manila, Philippines
Tel: 819-7551
HEAD OFFICE
SC01
Yamaha Corporation, XG Engineering & Marketing Department
Nakazawa-cho 10-1, Hamamatsu, Japan 430
Tel: 053-460-2936
FCC INFORMATION (U.S.A.)
1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!
This product, when installed as indicated in the instructions contained in this manual,
meets FCC requirements. Modifications not expressly approved by Yamaha may void your
authority, granted by the FCC, to use the product.
2. IMPORTANT: When connecting this product to accessories and/or another product use
only high quality shielded cables. Cable/s supplied with this product MUST be used.
Follow all installation instructions. Failure to follow instructions could void your FCC
authorization to use this product in the USA.
3. NOTE: This product has been tested and found to comply with the requirements listed in
FCC Regulations, Part 15 for Class “B” digital devices. Compliance with these
requirements provides a reasonable level of assurance that your use of this product in a
residential environment will not result in harmful interference with other electronic devices.
This equipment generates/uses radio frequencies and, if not installed and used according
to the instructions found in the users manual, may cause interference harmful to the
operation of other electronic devices. Compliance with FCC regulations does not
guarantee that interference will not occur in all installations. If this product is found to be
the source of interference, which can be determined by turning the unit “OFF” and “ON”,
please try to eliminate the problem by using one of the following measures:
Relocate either this product or the device that is being affected by the interference.
Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install
AC line filter/s.
In the case of radio or TV interference, relocate/reorient the antenna. If the antenna leadin is 300 ohm ribbon lead, change the lead-in to co-axial type cable.
If these corrective measures do not produce satisfactory results, please contact the local
retailer authorized to distribute this type of product. If you can not locate the appropriate
retailer, please contact Yamaha Corporation of America, Electronic Service Division, 6600
Orangethorpe Ave, Buena Park, CA90620
The above statements apply ONLY to those products distributed by Yamaha Corporation
of America or its subsidiaries.
* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA.
M.D.G., EMI Division © Yamaha Corporation 1996
2
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