Canon Elura Elura Instruction manual

DIGITAL VIDEO CAMCORDER
ENGLISH
Instruction Manual
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CAMESCOPE ET LECTEUR VIDEO NUMERIQUES
FRANÇAIS
Mode d’emploi
F
VIDEOCAMARA Y GRABADORA DIGITAL
ESPAÑOL
Manual de Instrucciones
Es
Mini
NTSC
Digital
Video
Cassette
Important Usage Instructions
WARNING:
TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE
THIS PRODUCT TO RAIN OR MOISTURE.
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WARNING:
TO REDUCE THE RISK OF ELECTRIC SHOCK AND TO REDUCE
ANNOYING INTERFERENCE, USE THE RECOMMENDED ACCESSORIES
ONLY.
COPYRIGHT WARNING:
Unauthorized recording of copyrighted materials may infringe on the
rights of copyright owners and be contrary to copyright laws.
Digital Video Camcorder, ELURA and Compact Power Adapter, CA-600
Introduction
This device complies with Part 15 of the FCC Rules. Operation is subject to the following two
conditions: (1) This device may not cause harmful interference, and (2) this device must accept any
interference received, including interference that may cause undesired operation.
Note: This equipment has been tested and found to comply with the limits for class B digital device,
pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection
against harmful interference in a residential installation. This equipment generates, uses and can
radiate radio frequency energy and, if not installed and use in accordance with the instructions, may
cause harmful interference to radio communications. However, there is no guarantee that interference
will not occur in a particular installation. If this equipment does cause harmful interference to radio or
television reception, which can be determined by turning the equipment off and on, the user is
encouraged to try to correct the interference by one or more of the following measures:
• Reorient or relocate the receiving antenna.
• Increase the separation between the equipment and receiver.
• Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.
• Consult the dealer or an experienced radio/TV technician for help.
Use of shielded cable is required to comply with class B limits in Subpart B of Part 15 of FCC Rules.
Do not make any changes or modifications to the equipment unless otherwise specified in the manual.
If such changes or modifications should be made, you could be required to stop operation of the
equipment.
Canon U.S.A. Inc.
One Canon Plaza, Lake Success, NY 11042, U.S.A.
Tel No. (516)328-5600
CAUTION:
TO PREVENT ELECTRIC SHOCK, MATCH WIDE BLADE OF PLUG TO WIDE SLOT,
FULLY INSERT.
Important Warning
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
CAUTION:
TO REDUCE THE RISK OF ELECTRIC
SHOCK, DO NOT REMOVE COVER (OR
BACK). NO USER-SERVICEABLE PARTS
INSIDE. REFER SERVICING TO
QUALIFIED SERVICE PERSONNEL.
2
The lightning flash with arrowhead
symbol, within an equilateral triangle, is
intended to alert the user to the presence
of uninsulated “dangerous voltage” within
the product’s enclosure, that may be of
sufficient magnitude to constitute a risk of
electric shock to persons.
The exclamation point, within an
equilateral triangle, is intended to alert
the user to the presence of important
operating and maintenance (servicing)
instructions in the literature
accompanying the product.
IMPORTANT SAFETY INSTRUCTIONS
In these safety instructions the word
“product” refers to the Canon Digital Video
Camcorder ELURA and all its accessories.
1. Read Instructions — All the safety and
operating instructions should be read
before the product is operated.
2. Retain Instructions — The safety and
operating instructions should be retained
for future reference.
3. Heed Warnings — All warnings on the
product and in the operating instructions
should be adhered to.
4. Follow Instructions — All operating and
maintenance instructions should be
followed.
6. Accessories — Do not use accessories
not recommended in this manual as
they may be hazardous.
7. Avoid magnetic or electric fields — Do
not use the camera close to TV
transmitters, portable communication
devices or other sources of electric or
magnetic radiation. They may cause
picture interference, or permanently
damage the camera.
8. Water and Moisture — Hazard of electric
shock — Do not use this product near
water or in rainy/moist situations.
9. Placing or Moving — Do not place on an
unstable cart, stand, tripod, bracket or
table. The product may fall, causing
serious injury to a child or adult, and
serious damage to the product.
A product and cart
combination should be
moved with care. Quick
stops, excessive force,
and uneven surfaces may
cause the product and
cart combination to
overturn.
11. Polarization — The CA-600A Compact
Power Adapter is equipped with a
polarized 2-prong plug (a plug having
one blade wider than the other).
The 2-prong polarized plug will fit into
the power outlet only one way. This is a
safety feature. If you are unable to insert
the plug fully into the outlet, try reversing
the plug. If the plug still fails to fit,
contact your electrician to replace your
obsolete outlet. Do not defeat the safety
purpose of the polarized plug.
12. Power Cord Protection — Power cords
should be routed so that they are not
likely to be walked on or pinched by
items placed upon or against them. Pay
particular attention to plugs and the point
from which the cords exit the product.
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Introduction
5. Cleaning — Unplug this product from the
wall outlet before cleaning. Do not use
liquid or aerosol cleaners. The product
should be cleaned only as
recommended in this manual.
10. Power Sources — The CA-600A
Compact Power Adapter should be
operated only from the type of power
source indicated on the marking label. If
you are not sure of the type of power
supply to your home, consult your
product dealer or local power company.
Regarding other power sources such as
battery power, refer to instructions in this
manual.
13. Outdoor Antenna Grounding — If an
outside antenna is connected to the
product, be sure the antenna is
grounded so as to provide some
protection against voltage surges and
built-up static charges. Section 810 of
the National Electrical Code, ANSI /
NFPA No. 70—1984, provides
information with respect to proper
grounding of the mast and supporting
structure, grounding of the lead-in wire
to an antenna discharge unit, size of
grounding conductors, location of
antenna discharge unit, connection to
grounding electrodes, and requirements
for the grounding electrode. See figure
1.
3
EXAMPLE OF ANTENNA GROUNDING AS
PER NATIONAL ELECTRICAL CODE
Fig. 1
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ANTENNA
LEAD IN
WIRE
GROUND
CLAMP
ANTENNA
DISCHARGE
UNIT
(NEC SECTION
810-20)
ELECTRIC
SERVICE
EQUIPMENT
GROUNDING CONDUCTORS
(NEC SECTION 810-21)
GROUND CLAMPS
Introduction
NEC - NATIONAL ELECTRICAL CODE
POWER SERVICE
GROUNDING ELECTRODE
SYSTEM
(NEC ART 250. PART H)
14. Lightning — For added protection of this
product during a lightning storm, or when
it is left unattended and unused for long
periods of time, disconnect it from the
wall outlet and disconnect the antenna.
This will prevent damage to the product
due to lightning and power-line surges.
15. Power Lines — An outside antenna
system should not be located in the
vicinity of overhead power lines or other
electric light or power circuits, or where it
can fall into such power lines or circuits.
When installing an outside antenna
system, extreme care should be taken to
keep from touching such power lines or
circuits as contact with them might be
fatal.
16. Overloading — Do not overload wall
outlets and extension cords as this can
result in a risk of fire or electric shock.
17. Objects and Liquid Entry — Never push
objects of any kind into this product
through openings as they may touch
dangerous voltage points or short out
parts that could result in a fire or electric
shock. Be careful not to spill liquid of any
kind onto the product.
19. Damage Requiring Service —
Disconnect this product from the wall
outlet and all power sources including
battery, and refer servicing to qualified
service personnel under the following
conditions:
a. When the power-supply cord or plug is
damaged.
b. If any liquid has been spilled onto, or
objects have fallen into, the product.
c. If the product has been exposed to
rain or water.
d. If the product does not operate
normally even if you follow the
operating instructions. Adjust only
those controls that are covered by the
operation instructions. Improper
adjustment of other controls may
result in damage and will often require
extensive work by a qualified
technician to restore the product to its
normal operation.
e. If the product has been dropped or the
cabinet has been damaged.
f. When the product exhibits a distinct
change in performance. This indicates
a need for service.
20. Replacement Parts — When
replacement parts are required, be sure
the service technician has used
replacement parts that are specified by
Canon or that have the same
characteristics as the original part.
Unauthorized substitutions may result in
fire, electric shock or other hazards.
21. Safety Check — Upon completion of any
service or repairs to this product, ask the
service technician to perform safety
checks to determine that the product is
in safe operating order.
18. Servicing — Do not attempt to service
this product yourself as opening or
removing covers may expose you to
dangerous voltage or other hazards.
Refer all servicing to qualified service
personnel.
“Note to CATV system installer: This reminder is provided to call the CATV system installer’s attention to
Article 820-40 of the NEC that provides guidelines for proper grounding and, in particular, specifies that
the cable ground shall be connected to the grounding system of the building, as close to the point of
cable entry as practical”.
4
Contents
Introduction
Important Usage Instructions ................2
IMPORTANT SAFETY
INSTRUCTIONS ..................................3
Thank you for Choosing a Canon ..........6
Introducing the ELURA ........................7
Mastering the Basics
Using the Full Range of
Features
~ General ... ~
Turning the Optical Image Stabilizer
Off ........................................................29
Selecting from the Menus ....................30
Using the Wireless Controller/Tally
Lamp ....................................................33
~ For Recording ...~
Setting the Date and Time ....................36
Taking Still Pictures (Photo Mode) ......40
Recording in Progressive Scan Mode ..42
Searching and Reviewing While
Recording..............................................43
Using the Various Recording
Programs ..............................................44
Using Digital Effects ............................47
Audio Recording ..................................54
Setting the Self-Timer ..........................56
The serial number of this product may be found on
the bottom of the camera. No others have the
same serial number as yours. You should record
the number and other vital information here and
retain this book as a permanent record of your
purchase to aid identification in case of theft.
Adjusting Exposure Manually ..............57
Adjusting Focus Manually ..................60
Setting the White Balance ....................61
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~ For Playback ...~
Displaying Data Code ..........................63
Searching the Tape (Photo Search/
Date Search) ........................................65
Returning to a Pre-Marked Position ....66
Editing
The Dubbing Function..........................67
Using the Dubbing Function for the
First Time..............................................69
Cut-In and Cut-Out Adjustments..........73
Simple Editing to a VCR......................75
Dubbing with Digital Video
Equipment ............................................76
Recording from a VCR, TV or Other
Camcorder (Analog Line-in) ................78
Recording Over Existing Scenes
(A/V Insert Editing)..............................80
Audio Dubbing ....................................82
Introduction
Powering Your Camcorder ....................8
Loading a Cassette................................11
Basic Recording ..................................13
Zooming ..............................................17
Using the LCD Screen..........................18
Playing Back a Cassette ......................22
Connections for Playback on a TV
Screen ..................................................25
Tips for Making Better Videos ............27
~ When Making Manual Adjustments ...~
Additional Information
Preparing the Camera ..........................85
Notes on Using the Batteries ................86
Setting the Audio Mix ..........................89
Maintenance..........................................91
Troubleshooting ....................................95
The ELURA System Diagram ..............98
Optional Accessories ............................99
Finding Your Way Around ELURA ..104
Screen Displays ..................................107
Specifications......................................112
Index ..................................................113
Date of Purchase
Dealer Purchased From
Dealer Address
Dealer Phone No.
Model Name ELURA
Serial No.
5
Thank you for Choosing a Canon
First, we’d like to thank you for
purchasing this Canon camcorder. Its
advanced technology makes it very
easy to use — you will soon be making
high-quality videos which will give you
pleasure for years to come.
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To get the most out of your new
camcorder, we recommend that you
read this manual thoroughly — there
are many sophisticated features which
will add to your recording enjoyment.
Your camcorder is supplied with the
following accessories:
WL-D71 Wireless
Controller
Two AA batteries
SS-200 Shoulder Strap
Lens cap and lens cap
cord
Terminal Cover
(Attached to camera.
Cut off before using the
camera.)
BP-608 Battery Pack
CA-600 Compact
Power Adapter
DC-600 DC Coupler
S-150 S-video Cable
STV-250 Stereo Video
Cable
Introduction
Getting started
To get started we suggest that you
master the basic operations of the
camcorder first, before moving on to
use its full range of features.
For quick reference (in addition to the
contents and index) please refer to:
• Finding your way around the
camcorder (p. 104)
• Screen displays (p. 107)
• Troubleshooting — in case you run
into any problems (p. 95)
Note that capital letters are used to
refer to settings displayed in the menus
and buttons labeled on the camcorder
itself e.g. Press the MENU button.
The camera’s short operation
confirmation beeps are indicated by `
in the illustrations. Beeps sound to
confirm your operations, e.g. Turn the
POWER switch to MOVIE (p. 13).
6
DVM-E30
Digital Video Cassette
Introducing the ELURA
Digital Video
ELURA is a next
generation digital video
camcorder that conforms
to the digital video D
standard to give you
outstanding picture
quality.
Progressive Scan CCD
2.5” LCD Screen
An LCD screen makes it
easy for you to shoot
colorful, well composed
video. It is also great for
playback.
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ELURA’s dubbing
function is easy to use.
You can add digital
effects during dubbing.
Digital Effects
Advanced digital
technology allows you to
add special effects during
recording or playback.
Audio Dubbing/A/V Insert
Editing
Add new sound to
original sound, or
replace original sound
and images on a
prerecorded tape.
Introduction
Shoot both superb quality
video and beautifully
clear still pictures.
Choose your favorite
scenes from videos (taken
using progressive scan)
and display them as blurfree still pictures too!
Dubbing Function
* The optional DU-200 Docking Unit is
necessary for use of an external
microphone or headphones.
Analog Line-in Recording
Optical Image Stabilizer
Optical technology
stabilizes your
recordings even at the
farthest reaches of the
zoom range.
Connect to a VCR or
analog camcorder and
record onto a DV tape in
the ELURA.
PCM Digital Sound
12× Lens and 48× Digital
Zoom
Photo Mode
The ELURA has the
technology to capture
crisp, clear, digital still
pictures.
DV terminal (IEEE1394)
ELURA is equipped with a DV
terminal that conforms to IEEE1394.
By connecting the ELURA to your
computer, you can capture still or
motion images on your computer
(optional IEEE1394 computer
interface board required).
7
Powering Your Camcorder
Before operating your camera, you will need to use the power adapter to:
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provide power from an AC outlet or charge battery packs
Notes:
• The power adapter converts current from a household power socket (100–240 V
AC, 50/60 Hz) to the DC current used by your camera.
• If the adapter is used next to a TV, it may cause the TV to emit noise — move
the adapter away from the TV or the antenna cable.
Connecting the camera to an AC outlet
1
Mastering
the Basics
6
2
5
4
3
Use the power adapter and the DC coupler to provide your camera with instant
power from an AC outlet.
1. Press the BATT RELEASE button and remove the terminal cover.
2. Align the end of the DC coupler with the BATTERY line on the
camera. Attach the DC coupler so that it clicks into place.
3. Connect the DC coupler to the adapter.
4. Connect the power cable to the adapter.
5. Plug the power cable into an AC outlet.
6. Remove the DC coupler after use.
• Press the BATT RELEASE button and remove the coupler.
• Always turn the camera off before removing the power source.
8
Charging and attaching the battery packs
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1
B
A
B
2
A
3
4
1. Attach one or two battery packs to the power adapter.
• Make sure the DC coupler is not connected.
• Align the triangle on the battery pack with the guide line on the power
adapter.
• Press the battery pack down, and slide it in the direction of the arrow until it
clicks into place.
Mastering
the Basics
Your battery pack was partially charged before it left the factory. It should have
enough power for you to check that your camera is working properly. However,
you must charge the battery pack fully if you want it to power the camera for
more than a few minutes.
The power adapter supplied with your camcorder can hold two battery packs and
is capable of charging them one after another. Additional battery packs are
available as an optional accessory (p. 99).
2. Connect the power cable to the adapter and plug the power cable
into an AC outlet.
• One of the two charge indicators flashes red to show that charging is in
progress. Single flashes mean that the battery pack is less than 50% charged.
Double flashes mean that it is between 50% and 75% charged. Triple flashes
mean that it is more than 75% charged.
• The indicator glows steadily when the battery pack is fully charged.
• If you attached two battery packs, the second battery pack now begins to
charge: its indicator flashes red to show that charging is in progress.
3. Take the battery pack off the adapter and attach it to the camera.
4. Remove the battery pack after use.
• Press the BATT RELEASE button and remove the battery.
• Always turn the camera off before removing the power source.
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Notes:
• The adapter can charge a single battery pack from either side, A or B. If you
attach two battery packs, charging begins from the battery you first attach to the
adapter, or, if the batteries are already attached to the adapter when you plug it
into an AC outlet, from the side labeled “A”.
• When powering your camcorder from an AC outlet, you do not need to remove
attached battery packs, but charging will not take place until you remove the
DC coupler from the adapter.
• You can find detailed notes for using the batteries in the “Notes on Using the
Batteries” on p. 86. These notes include charging and recording times and how
to charge the backup battery.
CA-600 Compact Power Adapter
Mastering
the Basics
Specifications
Power supply
Power consumption
Rated output
Operating temperature range
Dimensions
Weight
100–240 V AC, 50/60 Hz
19 W
Adapter mode: 7.2 V, 1.5 A DC
Charger mode: 8.2 V, 1.2 A DC
32°F–104°F (0°C–40°C)
3 1/8 × 3 13/16 × 1 11/16 in (80 × 97 × 43 mm)
6 1/2 oz (185 g)
Weight and dimensions are approximate.
Errors and omissions excepted.
Subject to change without notice.
When replacement or repair of any product including power supply is required,
please return it to the nearest authorized Canon Service Center and have it
repaired or replaced with the same number product or equivalent.
10
Loading a Cassette
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PUSH
OPEN/
EJECT
PUSH
Only use videocassettes marked with the D logo.*
Loading and unloading
1. Make sure that you have attached a power source.
2. Slide the OPEN / EJECT 5 switch upwards to release the cassette
compartment cover.
3. Load or unload the cassette.
• Insert the cassette gently with the window facing out, and the REC/SAVE
tab on the outer lower corner.
• Remove the cassette by pulling it straight out.
Mastering
the Basics
• Pull the cover fully open (while holding the button upwards) and wait a
couple of seconds for the cassette compartment to open automatically.
• The confirmation beep sounds twice when the cassette cover fully opens.
4. Press the P mark on the compartment until it clicks, and wait
for it to close.
5. Click the cover back into place.
* D is a trade mark.
Notes:
• After loading a cassette, use record search (p. 43) to find the point where you
want to start recording.
• Do not interfere with the cassette compartment while it is opening or closing
automatically, or attempt to close the cover.
• Be careful not to get your fingers caught in the cassette compartment cover.
• Do not leave the cassette in the camera after use — return it to its case and store
it in a cool, clean, dry place.
• The holes in the back of the cassette are used for transferring information — do
not cover them.
• When a cassette is not loaded, v flashes in the display.
• With some types of tapes, the remaining tape display may not give an accurate
reading (p. 107).
11
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Protecting tapes from accidental erasure
REC
SAVE
Mastering
the Basics
REC
SAVE
To protect your recording from accidental erasure, slide the tab on the cassette so
that it exposes the hole. (This switch position is usually labeled SAVE or ERASE
OFF.)
If you load this cassette and put the camera in record pause mode (p. 13), “THE
TAPE IS SET FOR ERASURE PREVENTION” is displayed for approx. four
seconds and then the v mark flashes in the display. The camera also shows the
above phrase if you accidentally press the start/stop button on the camera or the
REC PAUSE button on the wireless controller with the camera switched to VCR
mode.
If you want to record on the cassette again, slide the tab back so the hole is closed.
Handling cassettes
• To protect the tape heads, transfer cassettes directly from the tape case to the
camcorder — do not open the tape protect cover or touch the tape itself.
• Do not use cassettes where the tape has been damaged or spliced — they may
damage the camcorder.
• Do not insert anything into the small holes on the cassette or cover them with
cellophane tape.
• Handle cassettes with care — dropping them or exposing them to external
shocks may cause internal damage.
• Store cassettes in the provided case, first rewinding them to the start of the tape
and then storing them upright.
• A cassette with metal plated terminals may become dirty with use, affecting
information transfer. Therefore, after using a tape about ten times, be sure to
clean the terminals with a cotton swab.
Cassette Memory
You are unable to use the cassette memory function with this camcorder.
12
Basic Recording
2
1
P
POWETR
VCR
OFF
MOVIE
VC R •
OFF•
MOVIE •
P.SCAN •
PHOTO •
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P.SCAN
PHOTO
3
POWETR
VCR
OFF
MOVIE
P.SCAN
PHOTO
Before you start recording
You may also want to charge the backup battery (p. 87) in order to set the date and
time display (p. 36).
Mastering
the Basics
Have you completed the following steps?
• Attached a power source (p. 8).
• Loaded a cassette (p. 11).
• Removed the lens cap and fastened the shoulder strap (p. 85).
• Chosen the display: viewfinder or LCD screen (p. 18)
• Extended the viewfinder (p. 85)/adjusted the LCD screen (p. 18).
To record
1. Push the small black button on the POWER switch in to the left
and hold, turn the POWER switch to MOVIE.
• The camera automatically sets to record pause mode. PAUSE appears in the
display.
• The camera power indicator lights up red.
• The confirmation beep sounds.
• The camera will turn itself off if you leave it in record pause mode for more
than about five minutes. To return to record pause mode, set the POWER
switch to OFF and then back to MOVIE.
2. Slide the program selector to [.
• This selects the camera’s Easy Recording program. It allows you to simply
point and shoot without making any manual adjustments (see p. 45).
3. Press and release the red start/stop button once to begin recording.
• The tally lamp flashes and REC appears in the display.
13
4. Press and release the start/stop button again to pause recording.
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• The camera returns to record pause mode and PAUSE reappears in the
display.
• You can stop and restart recording as often as you like by pressing the
start/stop button.
When you have finished recording
Mastering
the Basics
•
•
•
•
•
•
14
Replace the lens cap.
Return the viewfinder to its retracted position.
Return the LCD screen flush to the camera body.
Unload the cassette.
Set the POWER switch to OFF.
Disconnect the power source.
Notes:
• To check that the camera is recording correctly, make a test recording first.
• Before making important recordings, clean the video heads using a Canon
DVM-CL Digital Video Head Cleaning Cassette or a commercially available
digital video head cleaning cassette.
• When you disconnect the power source from the camera, we recommend that
you replace the terminal cover to prevent the terminals from getting dirty.
• To close the LCD panel, rotate it vertically until the screen faces you, then push
it in flat against the side of the camera until it clicks securely.
• You cannot monitor the sound from the speaker when recording.
• For tips on how to make better videos, see page 27.
• For extra recording time, set REC MODE in the camera menu to LP.
• The flashing of the tally lamp may be reflected into the lens during close-up
recording, or when recording through glass. You may therefore decide to turn it
off (p. 35).
Changing the recording mode (SP/LP)
You can record and play back a tape in SP (standard play) and LP (long play)
modes. LP extends tape usage by 1.5 times.
To switch to LP mode, select REC MODE from the camera or VCR menu, select
LP and then close the menu (for instructions on how to use the menus, refer to
page 30). You can’t add sound (audio dubbing) or images (A/V insert) to a tape
that has been recorded in LP mode.
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REC MODE••••SP
(see p. 30, 31)
Mastering
the Basics
Notes:
• When recording and playing back tapes in LP mode, the nature of the tape and
usage conditions may affect recording, mosaic-like noise may appear in the
image and the sound may be distorted during playback of tapes recorded in LP
mode. For important recordings, therefore, set the camera to SP mode.
• If you record in both modes on the same tape, the picture may become distorted
during playback and the time code may not be written correctly.
• A tape recorded in LP mode on other digital equipment may produce mosaiclike noise and the sound may become distorted when played back on this
camcorder, and vice versa.
About the power switch lock lever
The power switch lock lever has been preset to lock. Switch it to the right, the
unlocked position, when you want to use the P. SCAN (p. 42) and PHOTO (p. 40)
modes. It is recommended that you return the lock lever to the locked position
when you finish recording.
15
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Confirmation/Warning beeps
The camera’s short operation confirmation beeps are indicated by ` in the
illustrations. One beep sounds when you turn the power on or when you begin
recording. Two beeps sound when you pause recording or when you fully open
the cassette compartment cover. A series of beeps also sound during the self-timer
countdown, right before the camera’s automatic shut-off and upon any unusual
condition of the camera. Beeps are not recorded on the tape. You can turn them
OFF through the menu.
BEEP••••••••ON
(see p. 30, 31)
Mastering
the Basics
Demonstration mode
To see a demonstration of the camera’s main features, before loading the cassette,
go to the DEMO MODE option in the camera menu. Select the ON setting and
close the menu. The demo also starts automatically if the power has been on for
ten minutes without a cassette loaded into the cassette compartment. (You can
avoid this by turning the DEMO MODE to OFF through the camera menu.) To
cancel the demo mode once it has begun: push the menu button, turn off the
power, or load a cassette.
DEMO MODE•••OFF
(see p. 30)
16
Zooming
Zoom in
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W
T
Zoom out
T
W
12× optical zoom
The camera’s 12× zoom lens allows you to choose the best picture angle for each
scene:
• Turn the zoom control down towards W to zoom out to wide-angle.
• Turn it up towards T to zoom in to telephoto.
The T and W buttons on the wireless controller adjust the picture angle, but not
the zoom speed.
Mastering
the Basics
You can also control the speed of zooming:
• Move the control slightly to zoom slowly.
• Turn it farther to zoom more quickly. (The farther you turn the zoom control,
the faster the zoom speed.)
48× digital zoom
Turn the digital zoom on by choosing D.ZOOM from the camera menu, to
magnify the camera’s zoom range by 4×.
D.ZOOM••••••ON
(see p. 30)
The zoom control continues to work as usual. You can freely zoom in and out
between 1× and 48× magnification — the camera automatically switches between
optical zooming (up to 12×) and digital zooming (12× to 48×). A zoom bar shows
up in the display. The digital zoom area is in blue.
Notes:
• When you want to get as close as possible to your subject, keep the zoom at the
wide-angle position. You can focus on a subject as close as 3/8 in (1 cm).
• Image resolution is slightly lower when the magnification is greater than 12×.
• You cannot use the digital zoom with the multi-image screen.
• When digital zoom is turned off, the zoom bar shortens to optical zoom length.
17
Using the LCD Screen
E
Open the LCD screen
Push the LCD panel open button and
open the panel by pulling it away from
the camera. This automatically
switches the LCD screen on and the
viewfinder off. When you close the
LCD panel, the LCD screen
automatically switches off and the
viewfinder switches back on.
Changing the angle of the LCD screen
Mastering
the Basics
First open out the LCD panel at a right
angle (90°) to the camera.
90 K
You can now choose the angle of the
panel that suits you best by rotating it
backwards (up to 180°) and forwards
(up to 90°) about this axis.
If you rotate the panel backwards
around to 180° you can include
yourself in the picture, while
monitoring the shot on the LCD screen
(p. 20). The viewfinder is also
activated when the panel is in this
position.
From this position you may also push
the panel flat against the camera until
it is flush with the side, with the screen
facing outwards.
18
Notes:
• Avoid touching the LCD screen when moving the LCD panel.
• Do not hold the camera by the LCD panel or the viewfinder.
• Make sure you open the LCD panel at 90°, before attempting to rotate it
backwards or forwards.
• Always rotate the LCD panel vertically into place, before closing it or pushing
it flat against the side of the camera.
• Always fully close the LCD panel until it clicks securely.
• Be careful not to leave the LCD, viewfinder or lens exposed to direct sunlight
outdoors or in a window. Doing so could cause damage.
• Bright light falling on the LCD screen may cause glare that makes it difficult
for you to view the image. In this case, switch to using the viewfinder. You are
also able to adjust the brightness of the screen (see “Adjusting the LCD screen”
below).
E
Adjusting the LCD screen
You can adjust the brightness of the LCD screen. Adjust the level by choosing
BRIGHTNESS from the menu.
BRIGHTNESS••–
Mastering
the Basics
A bar showing the level appears in the display.
• Turn the selector dial up to make the display brighter.
• Turn the selector dial down to make the display darker.
+
(see p. 30, 31)
Notes:
• The camera will remember your brightness setting even after you turn it off.
• The brightness of the LCD does not effect that of the recorded images or the
viewfinder.
About the LCD Screen
The LCD screen built into this camcorder is a high precision product.
However, small black dots or bright points of light (red, blue or green) may
appear constantly on the LCD screen. This is not a malfunction of the LCD screen
and they are not recorded on the tape. (Effective dots: more than 99.99%)
19
E
Allowing the subject to monitor recording
When you turn the LCD panel so that it
faces the opposite direction (see
diagram opposite), you can watch
yourself during recording or let your
subject monitor recording.
• You can choose the display style,
reversed (mirror on) or not (mirror
off) from the camera menu.
MIRROR••••••ON
(see p. 30)
Mastering
the Basics
If you choose the mirror-on, the recording itself is unaffected.
• During “monitor recording”, the time code and remaining tape indicators
disappear.
20
Notes:
• During “mirror mode recording”, you cannot operate the volume control of
built-in speaker and headphones.
• You can use the menus during mirror mode. The menus appear normally while
you’re making your selection, then the display returns to “mirror” again when
you close the menus.
Indicators that appear when “mirror” is selected:
E
REC
REC PAUSE
EJECT
STOP
Image stabilizer
Zoom
Exposure Adjustment
The tape has reached the end
Battery power remaining
. F .M
Condensation warning
The battery pack is exhausted
Self-timer
Manual focus
White balance
No Cassette is loaded
Photo mode AF/AE mark
• These indicators appear normally in the viewfinder.
Built-in speaker
Adjust the speaker volume by turning the selector dial.
• Turn the selector dial up to increase the volume, and down to lower the volume.
• A VOLUME bar appears in the display to indicate the current volume. It
disappears in four seconds.
• You can turn off the built-in speaker completely by turning the selector dial
down until OFF appears.
• You can also adjust the headphones volume separately from the built-in speaker.
(Use the optional DU-200 Docking Unit to connect the headphones, p. 54)
• The levels you adjust for the built-in speaker and headphones are memorized
separately. The camera remembers your levels even if you turn the camera off
and back on again.
Mastering
the Basics
The camcorder has a built-in speaker so you can review the sound track alongside
the picture during playback.
Notes:
• The speaker turns off when the camera is set to camera mode or when you use
headphones.
• Sometimes the playback picture becomes rough with “noise”, when the volume
is turned up high. If this happens, turn down the volume.
21
Playing Back a Cassette
E
VCR •
OFF•
MOVIE •
P.SCAN •
PHOTO •
POWETR
VCR
OFF
REC SEARCH D.EFFECTS
ON/OFF
MOVIE
P.SCAN
PHOTO
Mastering
the Basics
You can use the LCD screen for instant, on-the-spot playback. The camera also
plays back the sound track via the built-in speaker (p. 21).
• When you play back a tape, you can also close the LCD panel with its screen
side facing up.
• When the LCD panel is closed, you can monitor the playback using the
viewfinder.
To play back your recordings on a TV, see p. 25.
To use the wireless controller, see p. 33.
Notes:
• To avoid accidental recording, make sure that you slide the tab on the cassette
so that it exposes the hole (the switch position is usually labeled SAVE or
ERASE OFF).
• When you’re using the viewfinder to view playback, close the LCD panel.
1. Attach a power source and turn the POWER switch to VCR.
• The power indicator lights up green.
2. Load the cassette.
3. Press the e (play) button to start playback.
• To end playback, press the 3 (stop) button.
• To wind the tape forwards, stop playback and press the 1 (fast forward)
button.
• To wind the tape backwards, stop playback and press the ` (rewind)
button.
• If the playback picture is rough (mosaic-like noise), clean the video heads
using a Canon DVM-CL Digital Video Head Cleaning Cassette or a
commercially available digital video head cleaning cassette.
22
Other playback modes
Playback pause
Press the a (pause) button. To resume normal playback, press it again, or press
the e (play) button. The camera automatically goes into stop mode after about
five minutes’ playback pause.
E
Fast forward playback
To play back the recording at about 9.5 times normal speed, press and hold the
1 (fast forward) button during normal playback or press and hold the 1 (fast
forward) button during normal fast forward.
Rewind playback
For reverse playback at about 9.5 times normal speed, press and hold the
` (rewind) button during normal playback or press and hold the ` (rewind)
button during normal rewind.
Mastering
the Basics
23
E
Special playback
These can only be operated from the wireless controller (p. 33).
Frame Advance
To play back frame by frame, press the +/ ae button repeatedly during playback
pause.
Press and hold to play back continuous frame advance.
Mastering
the Basics
Frame Reverse
To play back in reverse frame by frame, press the –/4a button repeatedly during
playback pause.
Press and hold to play back continuous frame reverse.
Slow Forward Playback
To play back at about 1/5 normal speed, press the SLOW M button during normal
playback.
Press the PLAY e button to return to normal playback.
• The camera automatically returns to playback after about 30 seconds of slow
playback.
Slow Reverse Playback
To play back in reverse at about 1/5 normal speed, press the –/4a button and
then the SLOW M button during normal playback.
Press PLAY e to return to normal playback.
• The camera automatically returns to ×1 reverse playback after about 30 seconds
of slow playback.
Reverse Playback
To play back in reverse at normal speed, press the –/4a button during normal
forward playback.
Press the PLAY e button to return to normal forward playback.
Forward ×2 Playback
Press the ×2 button during normal playback.
Press the PLAY e button to return to normal playback.
Reverse ×2 Playback
Press the –/4a button and then the ×2 button during normal playback.
Press the PLAY e button to return to normal playback.
Notes:
• Mosaic-like noise appears on the screen during some of the VCR modes.
• There’s no audio during special playback.
24
Connections for Playback on a TV Screen
You can connect the camera to a TV or VCR in order to play back your
recordings. You will need to attach a power source to the camera (see p. 8).
E
See your TV or VCR instruction manual for further details.
If your TV (or VCR) has an S-video input terminal
INPUT
DV
S-150 S-video Cable
S-VIDEO
IN/OUT
A/V IN/OUT
S IN/OUT
VIDEO
STV-250 Stereo Video Cable
AUDIO
L
R
Mastering
the Basics
• Use the S-150 S-video Cable to connect the S-video terminals. Use the STV-250
Stereo Video Cable, to connect the AUDIO terminals. Connect the white plug to
the white AUDIO terminal L (left). Connect the red plug to the red AUDIO
terminal R (right). Do not connect the yellow plug.
• Set the TV/VIDEO selector on the television to VIDEO.
• If you are connecting the camera to a VCR, set the input selector on the VCR to
LINE.
If your TV (or VCR) has audio/video input terminals
DV
IN/OUT
INPUT
A/V IN/OUT
VIDEO
S IN/OUT
AUDIO
L
R
STV-250 Stereo Video Cable
• Connect the camera using the STV-250 Stereo Video Cable. Connect the white
plug to the white audio terminal L (left). Connect the red plug to the red audio
terminal R (right). Connect the yellow plug to the yellow video terminal
VIDEO.
• Set the TV/VIDEO selector on the television to VIDEO.
• If you are connecting the camera to a VCR, set the input selector on the VCR to
LINE.
25
E
Note:
• If you are going to use the TV as a monitor while you are shooting, remember
to keep the TV volume turned down as long as the camera’s audio terminals are
connected. If the sound from the TV speakers is picked up by the microphone,
an unpleasant high-pitched squeal, called feedback, may be produced.
Mastering
the Basics
If your TV is already hooked up to a VCR, you can connect the camera to the
VCR instead of the TV. Follow the instructions on the previous page.
26
Tips for Making Better Videos
Holding the camera
For maximum stability, grip the camera in your right hand
and keep your right elbow pressed against your body.
If necessary support the camera with your left hand. With
practice, you will be able to operate the controls by touch,
without taking your eye off the action.
E
Using a tripod
Mastering
the Basics
To prevent any unwanted movement, you can mount the
camera on a tripod, (or any flat surface at a suitable
height) and operate it with the wireless controller.
• When you are using a tripod, be careful not to leave the
viewfinder exposed to bright sunlight or it may melt.
(The light is concentrated by the viewfinder lens.)
• When not using the camera, return the viewfinder to its
retracted position.
• Make sure that the fastening screw of the tripod is no
longer than 3/16 inch (5.5 mm), or it will damage the
camera.
Composition
The most important element in the scene does not have to
be in the center. For a more interesting picture, try to
position your subject so it is slightly to one side. Leave
some space on the side of the frame that the subject is
facing or moving towards.
Don’t cut off the top of the subject’s head, and don’t cut
people off at the neck, hips or knees (move a little bit
above or below).
Watch out for distracting objects in the background.
27
E
Picture angle
Instead of zooming while recording, try
to choose your picture angle before you
begin. A good way to tell a story with
video is to begin with a long shot that
establishes the situation, and then move
in with medium shots and close-ups to
show the details. Remember to change
your viewpoint for each shot.
Long shot
Medium shot
Close-up
Remember that any camera movement
or change in picture angle should have
a definite purpose. Avoid unnecessary
or half-hearted movements.
Mastering
the Basics
Camera moves
Use pans to record a landscape or
follow a moving subject. Decide the
area you want to cover and stand facing
the end of your panning angle. Without
moving your feet, turn your waist to the
starting position. Start recording, and
after a few seconds begin to turn slowly
from the waist. Hold the final image for
a few seconds before you stop
recording.
Tilt the camera up to exaggerate the
height of the subject. Tilt down from
the top of a building, for example, as an
introduction to subjects at the bottom.
28
Pan
Tilt
Turning the Optical Image Stabilizer Off
E
MENU
With most camcorders, even the slightest hand movements will be noticeable
during telephoto recording. However, the ELURA’s Optical Image Stabilizer
allows you to obtain steady recordings even at 12× or 48× magnification. Unlike
electronic image stabilizers, it causes no loss of picture quality. The Optical Image
Stabilizer can compensate for a wide range of camera movement — you can
record stable images even if you are shooting from a moving car.
IMAGE S.
•ON
(see p. 30)
1. To turn the Optical Image Stabilizer off, open the camera menu
and point the arrow at IMAGE S. i.
2. Select the OFF setting and close the menu.
Notes:
• The image stabilizer is designed to deal with a normal degree of camera shake.
• Keep the image stabilizer turned off when the camera is mounted on a tripod.
• The image stabilizer is not as effective as usual when the tele-converter
(optional) is attached.
Using the Full
Range of Features
• The i mark disappears from the display when the stabilizer is off.
• The image stabilizer cannot be turned off when the program selector is set
to the [ (Easy Recording) position.
29
Selecting from the Menus
E
Many of the camera’s advanced functions are selected from menus which appear
in the display.
There are four main menus:
1. Camera menu (when the camera is in record pause mode: the
POWER switch set to MOVIE, P. SCAN or PHOTO)
2. VCR menu (when the camera is in VCR mode : the POWER
switch is set to VCR)
3. Dubbing menu (when the POWER switch is set to VCR and you
select \DUB MODE from the VCR menu)
4. Set up menu (when you select \REC.SET UP from the VCR
menu)
Using the Full
Range of Features
Camera menu (CAM. MENU)
30
q
w
e
r
t
y
u
i
o
!0
!1
!2
!3
!4
!5
!6
!7
Shutter speed ..........................p. 58
Digital zoom ...........................p. 17
Image stabilizer ......................p. 29
16:9 effect...............................p. 53
White balance .........................p. 61
Self-timer................................p. 56
Wireless controller..................p. 33
Tally lamp...............................p. 35
Record mode...........................p. 15
Beep........................................p. 16
Wind screen ............................p. 55
Audio mode ............................p. 54
Brightness ...............................p. 19
Mirror mode ...........................p. 20
Demo mode ............................p. 16
Date/time display....................p. 39
Time zone/
Daylight saving time ..............p. 36
!8 Date/time set...........................p. 38
CAM .M ENU
q
e
t
u
SE L.SETSET
M EN UC LO SE
SH U TTER .....AU TO
D. ZOOM . .....ON
.ON
IM AG E S .
16 :9 . .. .... .O FF
..
W H ITE B A L . AU TO
SE LF–T IM ER . .O FF
W L .REMO TE . . .
1
TA LLY LAM P ..ON
r
y
i
CAM .M ENU
o
!1
!3
SE L.SETSET
M EN UC LO SE
SE LF–T IM ER . .O FF
.
.
.
W L .REMO TE
1
TA LLY LAM P ..ON
R E C M O D E .. ..SP
BEEP . .. ... . .ON
W IN D SC REE N .O FF
A U D IO M ODE ..12bit
+
BR IGH TN ESS . .–
w
!2
CAM .M ENU
!4
!6
!8
SE L.SETSET
M EN UC LO SE
W IN D SC REE N .O FF
A U D IO M ODE ..12bit
.
.
+
BR IG H TN ESS –
M IRROR ..... .ON
D EM O M O D E . . .O FF
D /T D ISP LAY .O FF
T. ZON E /D ST . .N . Y .
D /T IM E S ET . .JAN . 1 , 1 9 9 9
12 :00 AM
!0
!5
!7
VCR menu
q
w
e
r
t
y
u
i
o
!0
!1
!2
!3
!4
E
To dub mode...........................p. 67
To recorder set up...................p. 69
Wireless controller..................p. 34
Record mode...........................p. 15
Data code................................p. 63
Date/time select ......................p. 38
Brightness ...............................p. 19
Displays ................................p. 107
6-second auto date ..................p. 39
Output channel .......................p. 90
Audio dubbing........................p. 83
Wind screen ............................p. 55
Audio mode ............................p. 54
Beep........................................p. 16
VCR M ENU
q
e
t
u
SE L.SETSET
M EN UC LO SE
D UB MODE
R E C. S ET UP
W L .REMO TE . . .
1
R E C M O D E .. ..SP
D A TA C O D E . . .DA TE /T IM E
D /T IM E S EL . .DA TE & T IM E
+
BR IGH TN ESS . .–
D ISPL A Y S .. ..ON
r
y
i
VCR M ENU
o
!1
!3
SE L.SETSET
M EN UC LO SE
+
BR IGH TN ESS . .–
D ISPLAYS . . . .ON
6S EC .DA TE . . .O F F
O U T PU T CH . ..L /R
AUD IO DUB . . .AUD IO IN
W IN D SC REE N .O FF
A U D IO M ODE ..12bit
B EEP . . . . . . . .ON
w
!0
!2
!4
Dubbing (DUB MODE) menu
q Fade in ....................................p. 72
w Effect ......................................p. 72
e Fade out ..................................p. 72
DUB MO D E
q
FADE IN
E FFEC T
FADE O UT
w
Using the Full
Range of Features
e
SP S TO P
0 :5 6 :34 :12
DUB STANDB Y
SEL . SETSET
M ENU C LO SE
Set up (REC.SET UP) menu
q
w
e
r
To dub mode...........................p. 67
Recorder .................................p. 69
Cut-in adjustments..................p. 73
Cut-out adjustments................p. 73
R E C. S ET UP
q
e
SE L.SETSET
M EN UC LO SE
D UB MODE
R E C O R D E R .. .. [ 1] – [A ]
CUT-IN A D J . .. 0 :00
CUT-OU T A D J . . 0 :00
w
r
Turn to the appropriate page for a detailed explanation of each function.
31
E
MENU
1,6
MENU
2,4
TV
SCREEN
SET
3,5
You can also close the LCD panel with its screen facing up when you select items
from the menus.
1. Press the MENU button to open the menu.
2. Turn the selector dial up or down to move the arrow up or down
the display.
3. Press the selector dial in to select your chosen option from the
menu.
• Your selected option remains on the screen and all other options are
removed.
Using the Full
Range of Features
4. Turn the selector dial up or down to choose its setting.
5. Press the selector dial in.
32
• However, if you are setting anything other than the white balance or the
shutter speed, you don’t have to press the selector dial in.
6. Press the MENU button to close the menu.
Notes:
• You can only see eight options on the screen at one time. Pointers at the
top/bottom of the screen indicate that there are more options that you can scroll
through.
• You may often find it convenient to use the wireless controller to move around
the menus. Press its MENU button to enter/leave the menu and use the arrow
keys in place of turning the selector dial. Push the SET button to select.
• You can display the menus on a connected TV screen using the wireless
controller’s TV SCREEN button. See p. 25 for TV hookup instructions.
Using the Wireless Controller/Tally Lamp
The supplied wireless controller can
operate the camera from a distance of
up to 16 feet (5 m). Point it at the
camera’s remote sensor while you press
the buttons.
The tally lamp lights up to let you
know that the camera is in range and
responding to your commands.
E
t
16f
There are seven functions which can
only be operated using the wireless
controller:
• Special playback (p. 24)
• TV-screen displays (p. 107)
• Photo/date search (p. 65)
• Zero set memory (p. 66)
• Audio mix (p. 89)
• A/V insert (p. 80)
• Audio dubbing (p. 82)
Inserting batteries
Notes:
• When using the wireless controller in brightly lit places or outdoors, the
effective range will be less.
• The camera may have difficulty picking up the remote control signals at
extremely close range.
• Do not leave the controller exposed to direct sunlight, or in hot or humid places.
• When the batteries run out, replace them both together.
• If the wireless controller doesn’t work, see p. 35 Notes.
Using the Full
Range of Features
Insert two AA batteries, following the
= and - markings. Be careful not to
reverse the polarity of the batteries.
33
E
Setting the remote sensor mode
To prevent interference from other
Canon wireless controllers being used
nearby, there are two remote sensor
modes and an off setting. The wireless
controller and the camera have to be set
to the same mode in order to be
compatible.
ZOOM
W
T
REMOTE SET
The wireless controller and the camera have been preset to mode 1. If you change
the mode on the camera, be sure to change the mode on the wireless controller to
the same mode.
WL.REMOTE•••
(see p. 30, 31)
1
A 1 : Mode 1
A 2 : Mode 2
OFFB : Sensor off
To turn the remote sensor off:
1. Open either the camera or the VCR menu and select WL. REMOTE.
2. Choose OFFB and close the menu.
Using the Full
Range of Features
• B appears in the display.
To change the mode...
...on the camera:
1. Open either the camera or the VCR menu and select WL. REMOTE.
2. Choose A 1 (mode 1) or A 2 (mode 2) and close the menu.
• The selected mode will appear on the display for four seconds.
...on the wireless controller:
Press and hold the REMOTE SET button on the wireless controller.
Simultaneously press the ZOOM W button for mode 1 or the
ZOOM T button for mode 2. Continue to press simultaneously for
over two seconds.
• Be sure to set the wireless controller to the same mode as the camera.
To confirm the mode settings for the camera and the wireless controller, follow the
following steps.
34
Notes:
• If your wireless controller isn’t working, make sure the camera and the wireless
controller are both set to the same mode. Check the mode the camera is set to
by pushing any button other than the REMOTE SET button on the wireless
controller. The camera’s mode appears in purple for about four seconds. Set the
wireless controller’s mode accordingly by pressing the aforementioned button
combinations. If the wireless controller still doesn’t work, change the batteries.
• The mode the camera is set to also appears for four seconds when you turn the
power on.
E
Turning off the tally lamp
The tally lamp lets you know that the
camera is recording. However, its
flashing may be reflected into the lens
during close-up recording, or when
recording through glass.
You may therefore decide to turn it off.
TALLY LAMP••ON
(see p. 30)
• The tally lamp no longer flashes during recording, but it will still light up
when the camera receives a signal from the wireless controller.
Using the Full
Range of Features
1. Open the camera menu, and point the arrow at TALLY LAMP.
2. Select the OFF setting and close the menu.
35
Setting the Date and Time
E
MENU
The date and/or time display forms part of the data code. You can choose to
display or hide it during playback (see p. 63).
Set the date and time display when you first start using your camera. Charge the
backup battery before you begin (see p. 87).
• Before you start setting the date and time, select your home time zone from the
menu.
• If you are on daylight saving time now, you should set the camera to daylight
saving time. You can do this at the same time you select your home time zone.
• After you set the date and time, the date/time and home time zone will be
displayed for about four seconds each time you turn the power on.
• The camera automatically accounts for the number of days in a month and leap
year.
Using the Full
Range of Features
Setting the time zone/daylight saving time
T.ZONE/DST••N.Y.
(see p. 30)
1. Set the camera to record pause mode.
• PAUSE appears in the display.
2. Open the menu and select T. ZONE/DST.
3. Press the selector dial in.
• The time zone display appears on the screen.
• Your camcorder’s time zone is factory-preset to New York. If you are at
another time zone, select your time zone first and daylight saving time
(DST) setting if necessary.
4. Move up or down the list of time zones by turning the selector dial.
Press the selector dial in to select the option that represents your
time zone.
• If you are now in daylight saving time, select the time zone with the
daylight saving time mark C next to the area.
5. Press the MENU button.
36
E
16
1
19
18
24
20
4
2
3
17
6
7
10
9
15
8
5
21
23
14
12
22
11
13
14 15 16 17 18 19 20 21 22 23 24
No. Time zone
2
3
4
5
6
7
8
9
10 11 12 13
No. Time zone
WELLGTN (Wellington)
SAMOA
HONOLU (Honolulu)
ANCHOR (Anchorage)
L.A. (Los Angeles)
DENVER
CHICAGO
N.Y. (New York)
CARACAS
RIO (Rio de Janeiro)
FERNAN. (Fernando de Noronha)
AZORES
Note:
• After you have selected your time zone and set the date and time, when you
travel to another time zone, there is no need to reset the date and time. The
camera’s clock will automatically change to display the correct time for your
destination.
Using the Full
Range of Features
LONDON
PARIS
CAIRO
MOSCOW
DUBAI
KARACHI
DACCA
BANGKOK
H. KONG (Hong Kong)
TOKYO
SYDNEY
SOLOMON
1
37
E
Setting the clock
(see p. 30)
D/TIME SET••JAN. 1,1999
12:00 AM
1. Put the camera in record pause mode.
2. Open the menu and select D/TIME SET.
• The year display starts to flash.
3. Turn the selector dial up and down to change the year. Press the
dial in to move to another part of the display.
• Once you move from the year, the next part of the display starts flashing.
4. Set the month, day, hours, and minutes in the same way.
5. Press the MENU button when finished, and to start the clock.
• The date can be set to any year between 1999 and 2020.
• If you press the MENU button in the middle of setting the date and time the
seconds are set to zero, you leave the menu, and the clock starts.
• If you press the selector dial in after setting the minutes you can set the date
and time again from the start.
Using the Full
Range of Features
Setting the display style
38
Select whether you want the date, the time, or both to show up on your data code
display (p. 64).
D/TIME SEL.•DATE & TIME
(see p. 31)
1.
2.
3.
4.
Turn the POWER switch to VCR.
Open the menu and select D/TIME SEL.
Choose between DATE, TIME and DATE & TIME.
Press the MENU button to close the menu.
Date and time display
E
You can choose to display or hide the date and time display during recording.
When the date and time display is set to ON, the date and time show in the
display but the time zone disappears in about four seconds. It is not recorded onto
your tape.
D/T DISPLAY•OFF
(see p. 30)
1. Turn the POWER switch to record pause mode.
2. Open the menu and select D/T DISPLAY.
3. Select ON and close the menu.
Six-second auto date
The six-second auto date appears for six seconds to mark the changeover of a day
if the tape was being recorded at 12:00 midnight. It also appears for six seconds
when you start playback and have the data code turned off. The six-second auto
date will adjust for any time zone changes you have indicated.
6SEC. DATE•••OFF
You can turn the six-second auto date on:
1. Turn the POWER switch to VCR.
2. Open the menu and select 6SEC.DATE.
3. Select ON and close the menu.
Using the Full
Range of Features
(see p. 31)
Note:
• When 6SEC.DATE is turned on and DISPLAYS (p. 107) is turned off, the sixsecond auto date appears for six seconds.
39
Taking Still Pictures (Photo Mode)
E
2
POWETR
VCR
OFF
MOVIE
1
P.SCAN
PHOTO
POWETR
VCR
OFF
MOVIE
P.SCAN
PHOTO
POWETR
VCR
3
VCR•
OFF•
MOVIE •
P.SCAN •
PHOTO •
OFF
MOVIE
P.SCAN
PHOTO
4
You can record still pictures like a photograph. The camera records the picture to
tape for approximately six seconds. The exposure is automatically adjusted.
1. Switch the power switch lock lever to the right to unlock it.
2. Turn the POWER switch to PHOTO.
• “PHOTO” is shown at the bottom right of the display.
Using the Full
Range of Features
3. Compose your picture and press the start/stop button on the
camera lightly.
40
• F flashes white in the display as the camcorder adjusts the focus and
exposure and it is displayed continuously as a green mark when the camera
is ready to take the still picture. (While it is displayed you cannot adjust the
focus, exposure, zoom or turn the image stabilizer on/off.)
• If you want to change the still picture before recording: release the button,
select a new picture and then press down the start/stop button lightly once
more.
• If the subject is unsuitable for autofocus (p. 96), the camera may not be in
focus, despite displaying the green mark. In this case: release the start/stop
button, adjust the focus manually (p. 60) and retry.
4. Press the start/stop button fully down to take the still picture.
• The camera takes the image immediately, and then records the “photo” to the
tape for approximately six seconds. During this time the camera also records
the sound, and the display also shows the still picture.
• A counter display appears, and counts up to six secs as the camcorder
records the picture. F disappears from the display.
• When finished, return the lock lever to the left.
Notes:
• The camcorder will not let you use any of the camera functions while it is
recording the still picture. If you turn off the power the camera will only
respond once recording is completed. This applies even when you haven’t
loaded a cassette.
• You can also use the wireless controller to take pictures. Use the PHOTO
button on the wireless controller. Take the picture with one full push.
• If you want to use an effect, make sure you set it before you take your picture.
• You cannot use faders or multi-image screen while the camera is set to photo
mode.
• Only take “photos” where it is bright enough to see the image in the display.
• Depending on the subject (fast moving subject, for example), the picture may
be blurred.
E
Using the Full
Range of Features
41
Recording in Progressive Scan Mode
E
The progressive scan mode can be used when you want to look at a video, scene
by scene, free from field slippage (the “blurring” that normally occurs when you
pause a video). During playback, pause the video any time you like to view a
crystal clear still image in the display or on a connected TV screen. It is also
possible to transfer your favorite still pictures to a PC for image enhancement and
print out.
POWETR
VCR
OFF
MOVIE
P.SCAN
PHOTO
VCR•
OFF•
MOVIE •
P.SCAN •
PHOTO •
POWETR
VCR
OFF
MOVIE
P.SCAN
PHOTO
POWETR
VCR
OFF
MOVIE
P.SCAN
PHOTO
1. Switch the power switch lock lever to the right to unlock it.
2. Turn the POWER switch, set to P. SCAN (progressive scan).
• The power indicator lights up red.
• PRO.SCAN appears in the display.
Using the Full
Range of Features
3. Press the start/stop button to begin recording.
42
• When you finish recording, return the lock lever to the left.
Notes:
• Progressive scan video may appear slightly jerky during normal playback.
• Some recording conditions may be more suitable for MOVIE than P. SCAN.
• The camera will turn itself off if you leave it in record pause mode for more
than about five minutes. To return to record pause mode, set the POWER
switch to OFF and then back to P. SCAN.
Searching and Reviewing While Recording
Record search
When the camera is in record pause
mode, you can use record search to
play the tape forwards or backwards to
find the point where you want to start
or resume recording. This is useful
when you want to add a new scene to a
previously used cassette. By using
record search, you can ensure a smooth,
noise-free join between the new scene
and the old one.
E
REC SEARCH
1. Make sure the camera is in record pause mode.
2. Press and hold the REC SEARCH + or – button on the camera
while you check the picture in the display.
• The + button plays the recording forwards and the – button plays it
backwards.
3. Release the button when you find the point where you want to start
recording.
• The camera returns to record pause mode.
When the camera is in record pause mode, you can use record review to play back
the last few seconds of your recording and then return automatically to record
pause mode. You can quickly make sure that a scene has recorded properly and
then go on to shoot the next scene, without producing any noise in the picture.
1. Make sure the camera is in record pause mode.
2. Press and release the c (record review) button while you check the
picture in the display.
Using the Full
Range of Features
Record review
• The camera rewinds the tape, plays back the last few seconds, and returns to
record pause mode.
Note:
• Noise may appear on the screen when you play the tape backwards.
43
Using the Various Recording Programs
E
P
The camera provides you with a choice of seven recording programs. They use
different combinations of camera settings in order to adjust the exposure and other
functions to match the recording situation.
• For simple point-and-shoot operation, select the Easy Recording program. Slide
the program selector to the [ position.
• For normal shooting conditions, slide the program selector down to Q (program
AE) mode. Open the program menu and select AUTO (see below).
• For various other recording conditions, the camera has five more specialized AE
(auto exposure) programs.
Using the Full
Range of Features
Setting the program AE mode
1.
2.
3.
4.
Set the camera to record pause mode.
Slide the program selector down to Q (program AE) mode.
Push the selector dial in to display the program menu.
Turn the selector dial up or down to move the arrow up or down
the display.
5. Push the selector dial in to select the desired program.
• The program will appear in the display.
6. Press the start/stop button to begin recording.
Notes:
• The name of your selected recording program appears constantly on the left of
the display, with the exception of the Easy Recording program whose [ mark
is displayed and then disappears after 4 seconds.
• Avoid changing programs during recording as the brightness of the image may
change suddenly.
• The specialized AE programs are not suitable for all kinds of lighting. The
image may flicker, or a bright line may appear on the screen if you use them in
the wrong lighting conditions.
• If you switch the camera from [ mode to Q mode, the camera returns to auto
mode.
44
Easy Recording
The simplest way to use the camera is with the
program selector set to the [ position. The
camera will take care of focus, exposure and
other adjustments, leaving you free to point and
shoot.
E
[
If you select this Easy Recording program, you cannot use:
• Different shutter speeds
• White balance set/indoor/outdoor modes
• Exposure lock or compensation
• 16:9 effect
• Digital effects
Also, autofocus and image stabilization cannot be turned off.
Auto
This is the same as the Easy Recording program,
except that you now have the option of using
any of the camera’s manual functions — you can
adjust focus and exposure, set the shutter speed,
white balance, and so on.
AUTO
This program is useful for recording high-speed
sports scenes in brightly lit conditions. Normal
playback will be slightly jerky, but you will get
clear images which can be analyzed frame by
frame during slow or paused playback.
SPORTS
Using the Full
Range of Features
Sports
45
E
Portrait
Use this program outdoors to make subjects
stand out from a softened foreground and
background. It works well for still-lifes and
close-ups. The effect is most noticeable when
the zoom position is between the middle range
and the telephoto end. Focus manually for
maximum accuracy, and be careful when
recording action scenes, as this program may
cause fast moving objects to shudder.
PORTRAIT
Spotlight
This program is designed for recording spotlit
scenes, such as on a stage. The exposure is
automatically adjusted for glare-free recordings
of subjects lit by a concentrated light source.
SPOTLIGHT
Using the Full
Range of Features
Sand & Snow
Use this program in places where the
background is so bright that the subject appears
underexposed in the display — a sunny beach or
ski resort, for example. You may notice some
shudder when recording moving subjects.
Low Light
This program allows you to record in dimly lit
places. It is generally best used for close-ups of
slow or stationary subjects, as moving subjects
may leave a trailing after-image. However, you
can take advantage of this to create special
effects, by rapid zooming or by panning along
with a moving subject. Picture quality will not
be as good as in normal lighting conditions, and
autofocus may not work as well as usual.
46
SAND&SNOW
Using Digital Effects
Use the camera’s digital effects for more interesting productions: faders, effects
and the multi-image screen. You can add digital effects during recording or
playback.
E
● Faders
Use the various faders to start or end scenes with a fade to or from black.
Fade Trigger
When you start recording, the scene
gradually fades in from a black screen.
When you stop recording, it gradually
fades out.
Wipe
Scroll
When you start recording the picture
appears from the right hand side of the
screen and expands sideways until it
fills the whole screen. When you end a
scene, the image is wiped back off.
Using the Full
Range of Features
When you start recording, the picture
begins as a thin vertical line in the
center of the screen which gradually
expands sideways until it fills the
whole of the screen. When you end a
scene, the image is wiped from both
sides of the screen.
Mosaic Fade
Blurs the image by enlarging the size of
some pixels. The image appears as
increasingly large squares of color as it
fades out, and smaller squares when it
fades in.
47
● Effects
E
Use these to add special effects to your recordings. Sound is recorded normally.
Art
Adds a paint-like effect, called
solarization, to the image.
Black and White
Records the image in black and white.
Using the Full
Range of Features
Sepia
48
Records a monochrome image with a
sepia tint.
Mosaic
Blurs the image by enlarging the size of
some pixels.
● Multi-image screen
Divides your display image into four, nine or sixteen smaller images with the
Image Capture feature. With this feature, the current scene being shot or replayed
by the camera is captured by the camcorder. Choose the transition speed —
manual, fast (every 4 frames), moderate (every 6 frames) or slow (every 8 frames)
— at which to capture the steps in a progression. Sound is recorded normally.
4 images
9 images
E
16 images
Operating faders and effects
D.EFFECTS
ON/OFF
P
• You cannot use digital effects with the [ (Easy Recording) program.
3. Press the D.EFFECTS button to open the digital effects menu.
4. Move the arrow up and down with the selector dial.
Using the Full
Range of Features
1. Set the camera to record pause mode.
2. Set the program selector to Q.
• Point the arrow at FADER or EFFECT.
• The camera remembers the most recent setting selected under each option.
• The arrow highlights the selections in blue.
5. Make your selection by pushing the selector dial in. The following
settings will appear under each respective selection:
Faders: FADE-T, WIPE, SCROLL, M. FADE
Effects: ART, BLK&WHT (black and white), SEPIA, MOSAIC
6. Scan and select the desired setting with the selector dial.
7. Push the D.EFFECTS button.
• The digital effects menu disappears.
• Your selection flashes in the display.
49
8. Push the ON/OFF button.
E
• Your selection stops flashing.
• If you have chosen an effect, it takes effect on the display.
• Each time you press the ON/OFF button, the chosen fader or effect is
activated (display lights up) or deactivated (display flashes).
9. Push the start/stop button to begin recording.
• If you have chosen a fader, recording fades in with that fader.
Notes:
• While in photo mode, you can use effects but not faders.
• Select D.EFFECT | to turn a previously selected digital effect off completely.
• If you slide the program selector to [ (Easy Recording) while a digital effect
is in the deactivated mode (flashing), the effect will disappear from the display.
Effects will reappear in deactivated mode when you return to Q (program AE)
mode.
Using the Full
Range of Features
Reactivating faders
50
You need to activate faders each time you use them.
• When you start or stop recording or playing back, the scene will begin or end
with the fader. Sound and image fade together.
• The display will start to flash again. If you wish to activate it again, press the
ON/OFF button.
Operating the multi-image screen
1. Select MULTI-S from the digital effects menu with the selector dial.
2. Select TR. SPEED (transition speed) or SPLIT TO from the digital
effects menu.
•
•
•
•
•
•
E
Point the arrow at TR. SPEED and press the selector dial in.
TR. SPEED settings appear: MANUAL, FAST, MOD (moderate), or SLOW.
Point the arrow at your desired setting and press the selector dial in again.
The display returns to the digital effects menu.
Set SPLIT TO in the same way.
SPLIT TO settings are: 4, 9 and 16.
3. Push the D.EFFECTS button.
• The digital effects menu disappears.
• MULTI-S flashes in the display.
4. Push the ON/OFF button.
• Manual: As you press the ON/OFF button, scenes will be captured one after
another the indicated number of times. If you push and hold the ON/OFF
button for more than a second, the last image captured will be erased.
• Automatic: The camera will capture the indicated number of images.
• Each time an image is captured, the number to the left of MULTI-S
increases.
• After all the images have been captured, push the ON/OFF button to cancel
the multi-image screen.
• The multi-image screen is recorded to the tape.
Notes:
• You cannot use the multi-image screen with digital zoom or the 16:9 effect.
• Select D.EFFECT | to turn a previously selected digital effect off completely.
• You can operate the multi-image screen even after you have begun recording.
• While in photo mode, you cannot use the multi-image screen.
Using the Full
Range of Features
5. Push the start/stop button to begin recording.
51
E
Adding digital effects during playback
You can add digital effects during
playback by using the wireless
controller only. Digital effects added
during playback aren’t recorded onto
the original tape.
Set the manual capture multi-image
screen only while in normal/reverse
playback pause mode or slow
forward/reverse playback mode. Set
the automatic capture multi-image
screen while in normal/reverse
playback pause mode. (See p. 23, 24
for information on the various
playback modes.)
MENU
SET
ON/OFF
D.EFFECTS
MIX
AUDIO
BALANCE
ST-2
MONITOR ST-1
1. Turn the POWER switch to VCR.
2. Set your tape to the point where you want to start the digital effect.
3. Press the D.EFFECTS button.
• The digital effects menu appears.
4. Select with the r/t buttons and the SET button.
Using the Full
Range of Features
• Fader, effect and multi-image screen settings appear.
52
5. Select a setting with the r/t buttons.
6. Push the D.EFFECTS button.
• Your selection flashes in the display.
7. Push the ON/OFF button.
• If you have selected an effect, it takes effect on the display.
• If you have selected a fader, the display stops flashing.
• If you have selected the multi-image screen, the display stops flashing.
– Manual multi-image screen: As you press the ON/OFF button, scenes will
be captured one after another the indicated number of times.
– Automatic multi-image screen: The camera will capture the indicated
number of images.
– After all the images are captured, the camera returns to playback pause
mode.
– Press ON/OFF or stop to cancel the multi-image screen.
Notes:
• The camera remembers your chosen digital effect until you change it.
• Select D.EFFECT | to turn a previously selected digital effect off completely.
• You can not use effects during playback if the DV cable is connected to the DV
terminal.
• You can not add effects while photo/date searching.
• Digital effects cannot be activated on a blank blue screen. The display continues
to flash.
• The digital effect display will flash for two seconds after setting, even if
DISPLAYS is set to OFF in the VCR menu.
E
16:9 (Widescreen TV recording)
Produces images in the 16:9 format for
playback on widescreen TVs.
16:9••••••••OFF
(see p. 30)
1. Select 16:9 from the camera menu and turn it ON/OFF.
2. Press the MENU button once more to close the menu.
Using the Full
Range of Features
Notes:
• “16:9” is shown in the display when you switch the 16:9 effect on.
• You cannot use the 16:9 digital effect with the Easy Recording program.
• If you play back a recording made for 16:9 on a normal TV screen, the image
will appear to be vertically “squashed” (compressed).
53
Audio Recording
E
Selecting the audio mode
ELURA can record sound in two audio modes — 16-bit and 12-bit. The 16-bit
mode produces the higher sound quality (slightly superior to CD) while the 12-bit
mode records on two channels (stereo 1), leaving two channels free (stereo 2) for
you to add new sound at a later date.
AUDIO MODE••12bit
(see p. 30, 31)
1. To switch to the 16-bit mode, open the menu and select AUDIO
MODE.
2. Select “16 bit” and close the menu.
• “16 bit” is shown in the display for approximately four seconds.
Notes:
• For details on adding new sound, see p. 82.
• For details of playing back a tape that has new sound on stereo 2, see page 89.
• If you add sound to a tape through audio dubbing then turn the POWER switch
to VCR, the audio mode becomes automatically set to 12-bit.
• When you record to the ELURA from a camcorder with DV terminal outputs,
the audio mode display becomes set to “– – –.”
Using the Full
Range of Features
External microphone and headphones
To use an external microphone or headphones, you will need to attach the
optional DU-200 Docking Unit.
Attaching the Optional DU-200 Docking Unit
The optional DU-200 Docking Unit is fitted with microphone, headphone and
editing terminals. Connect it to the base of the ELURA via the MULTICONNECTOR.
LOCKING SCREW
LOOSEN
54
TIGHTEN
1. Make sure that the ELURA is switched off.
2. Lift the MULTI-CONNECTOR cover and align the multiconnectors of the docking unit and the camera.
3. Push the docking unit onto the camera and turn the locking screw
clockwise to fix it securely onto the base.
E
• To remove, turn the locking screw counter-clockwise and pull the docking
unit from the base of the camera. Make sure to close the cover.
REMOTE
DC
MIC
Wind screen
The camera has an automatic wind screen to prevent wind noise from interfering
with the sound track. (It does not operate with an external microphone). Make
sure it’s off when you want the microphone to be as sensitive as possible. Use the
wind screen when recording in windy places such as the beach or near buildings.
Using the Full
Range of Features
For greater creative control over audio
recording, you can connect an external
microphone to the camera via the
DU-200 Docking Unit’s MIC terminal.
You can monitor the sound while
recording by attaching stereo
headphones to the H terminal on the
docking unit.
You can adjust the volume of attached
headphones by turning the selector dial.
• A VOLUME bar appears in the
display to indicate the current
volume.
• The selector dial also controls the
speaker volume once you remove the
headphones from the headphone
socket (p. 21).
WIND SCREEN•OFF
(see p. 30, 31)
1. Open the camera menu and point the arrow at WIND SCREEN.
2. Select the ON setting and close the menu.
• WS O is shown in the display.
55
Setting the Self-Timer
E
POWETR
VCR
OFF
MOVIE
SELF
TIMER
P.SCAN
PHOTO
POWETR
VCR
OFF
MENU
MOVIE
P.SCAN
PHOTO
This is useful when you want to include yourself in the picture when recording.
SELF-TIMER••OFF
(see p. 30)
1. Set the camera to record pause mode.
2. Select SELF-TIMER from the menu and set it to ON
or
Push the SELF-TIMER button on the wireless controller.
• SELF-TIMER appears in the display.
• To have the subject monitor recording, rotate the LCD panel 180° (p. 20).
Using the Full
Range of Features
3. Press the start/stop button.
56
• The camera starts to record after a 10-second countdown period (or after
two seconds when you use the wireless controller). The time remaining
counts down in the display (e.g. “5 SEC”).
• SELF-TIMER disappears from the display when recording begins.
• The tally lamp starts flashing.
4. Press the start/stop button to end recording.
• After recording a still picture for about six seconds, the camera
automatically goes into record pause mode.
Notes:
• Initially the tally lamp flashes once a second, then just before recording it starts
flashing more quickly for a few seconds before the camera starts to record.
• If you have the beep turned on, it sounds each time the tally lamp flashes before
recording.
• To cancel the self-timer before the countdown has begun, select OFF in the
camera menu or SELF-TIMER on the wireless controller.
• To cancel the self-timer once the countdown has begun, press start/stop on the
camera or SELF-TIMER on the wireless controller.
• In photo mode, set the self-timer in exactly the same way. The camera
automatically adjusts the focus and exposure two seconds before the countdown
is complete. The green F mark is also displayed at this time. If you are using
the wireless controller, the green F mark is displayed immediately after you
press the start/stop button.
Adjusting Exposure Manually
Exposure lock
E
When you are recording in situations
where the lighting may change
suddenly, you can lock the exposure at
the current level in order to control the
brightness of the image.
EXP
US/
FOTACCODE
DA
To lock the exposure, press the EXP button. Press it again to return to the
automatically set exposure level.
Exposure adjustment
When the exposure is locked, you can
adjust it manually, making the picture
brighter or darker in order to deal with
difficult lighting conditions, or to
manipulate the mood of the scene. The
camera’s iris can be manually set to any
position from fully closed to fully open.
To make the recorded image darker,
turn the selector dial downwards (to a
minimum of –11). This may be
necessary if the background is very
dark, or if the subject is spotlit.
US/
FOTACCODE
DA
E .LO C K ± 0
E .LO C K + 11
E .LO C K ± 0
E .LO C K – 11
Using the Full
Range of Features
To make the recorded image brighter,
turn the selector dial upwards (to a
maximum of +11). This may be
necessary if the background is very
bright, or if the subject is lit from
behind.
EXP
57
E
Notes:
• You cannot adjust the exposure without the e mark before E.LOCK in the
display. Push the EXP button so that e appears before E.LOCK. Then you can
adjust the exposure manually.
• The standard exposure level depends on which recording program you have
selected.
• Exposure lock is canceled if you change recording programs.
• You cannot use exposure lock or adjustment when the program selector is set to
the [ (Easy Recording) position.
• If you zoom while the exposure is locked, the brightness of the scene may
change.
Shutter speed
Set the shutter speed manually to take stable shots of quickly moving subjects.
SHUTTER•••••AUTO
Using the Full
Range of Features
(see p. 30)
1. Make sure the camera is set to record pause mode in the Q
(program AE) mode.
2. Press the selector dial in and choose AUTO from the program
menu.
3. Open the camera menu and point the arrow at SHUTTER.
4. Select the desired shutter speed and press the selector dial in.
AUTO
1/60
1/100
1/250
1/500
1/1000
1/2000
1/4000
slower
faster
5. Close the menu.
• The camera returns to the auto shutter setting when you slide the program
selector away from the Q setting, or change the recording program.
58
Concerning shooting in fluorescent lighting
When the camera is set to [ (Easy Recording) mode or auto mode, it
automatically detects the flicker of fluorescent lighting and adjusts the shutter
speed to compensate. However, if the brightness of the LCD or viewfinder display
starts to flicker, make sure the camera is set to auto mode and select the 1/100
shutter speed.
E
Guidelines for shooting using high shutter speeds
• When shooting with a shutter speed of 1/1000 or higher, do not shoot the sun
directly.
Recommended shutter speeds when shooting:
• People doing outdoor sports such as
golf or tennis
1/2000 or 1/4000
• Moving cars or trains or other
rapidly moving vehicles such as
roller coasters
1/1000, 1/500 or
1/250
• People doing indoor sports such as
basketball
1/100
Using the Full
Range of Features
59
Adjusting Focus Manually
E
The camera can focus automatically. All you have to do is point it, and whatever is
in the center of the display will usually be in sharp focus. If it does not seem to be
focusing well, it may be because the subject is not suitable for autofocus.
You can use the manual focusing function for more control over focusing.
Focus lock
Press the FOCUS button to turn off
autofocus. The focus remains locked at
the point set by autofocus.
(eM.FOCUS appears in the display.)
You can now adjust the focus manually
with the selector dial. Press the FOCUS
button again when you want to return
to autofocus.
• If you zoom in on your subject after
turning off autofocus, it may not stay
in focus. It is generally best to adjust
the zoom first, and then the focus.
EXP
US/
FOTACCODE
DA
Using the Full
Range of Features
Manual focus
Use the selector dial to set the focus.
• Turn the selector dial downward to
move the focus farther away.
• Turn the selector dial upwards to
bring the focus nearer.
EXP
US/
FOTACCODE
DA
Notes:
• You cannot adjust the focus without the e mark before M.FOCUS in the
display. Push the FOCUS button so that e appears before M.FOCUS. Then you
can adjust the focus manually.
• The manual focus setting is canceled if you:
– Turn the POWER switch to VCR or OFF.
– Select the [ (Easy Recording) program.
• When you are using the Easy Recording program, autofocus cannot be turned
off.
• See “Troubleshooting” on p. 95 for a list of subjects which may not be suitable
for autofocus.
60
Setting the White Balance
The camera’s auto white balance
system compensates for a wide range of
lighting conditions. Although slight
variations are unavoidable, colors will
appear natural in virtually every
situation.
E
In some cases, you will get better
results by setting the white balance
yourself, or using one of the two preset
modes:
T Indoor Mode
• Under halogen or studio/video
lighting
• Subject is of one dominant color
• Close ups
U Outdoor mode
• In daylight, especially for closeups and where the subject is of
one dominant color
WHITE BAL.••AUTO
(see p. 30)
• T/U appears in the display when you set the white balance to
indoor/outdoor mode.
b) To set the white balance yourself, point the camera at a white
object (such as a sheet of paper) and zoom in until it fills the
display, then select SET.
Using the Full
Range of Features
1. Open the camera menu and point the arrow at WHITE BAL.
2. a) For the indoor, outdoor or auto settings simply choose the
setting.
• The W display flashes then remains lit.
• Depending on the light source, the flashing may at times continue. The
result will remain better than with the auto setting and you can continue
recording.
3. Press the selector dial in.
4. Close the menu.
61
E
Setting the white balance manually will probably work better
than auto white balance when shooting:
Subjects with one dominant color, such as sky, sea or forest
Close-ups
In rapidly changing lighting conditions
Using the Full
Range of Features
In places lit by certain types of fluorescent or mercury vapor
lights
62
Notes:
• Turn the digital zoom off (if neccessary) to set a more accurate white balance.
• If lighting conditions change, reset the white balance by first returning to the
AUTO setting, and then reselecting SET.
• Try to record with light from a single source. Correct white balance cannot be
obtained for two types of lighting at once.
• You cannot set the white balance or choose the indoor/outdoor mode when the
program selector is set to the [ (Easy Recording) program.
• The camera returns to the AUTO setting when you slide the program selector to
[ (Easy Recording).
• When you turn the camera on, the white balance returns to AUTO. If you then
switch the white balance to SET, the camera will remember your last setting.
• If you shoot with studio/video lighting, use the T (indoor) mode.
• During normal outdoor shooting, setting to AUTO may provide better results.
Displaying Data Code
A data code, containing the date and time the recording was made and other
camera data (shutter speed and exposure settings) is automatically recorded on a
special data section of the tape.
E
DATA
CODE
FOCUS/
DATA CODE
During VCR mode, the data code can be displayed or hidden while the camera is
in play, slow or still mode.
Camera data may be displayed as “— — —” during fast forward, rewind, reverse
playback, forward and reverse ×2 playback.
Press the DATA CODE button on the wireless controller or the
camera.
• Press it once to display, once more to hide it.
DATA CODE•••DATE/TIME
(see p. 31)
1. Select DATA CODE from the VCR menu.
2. Choose between DATE/TIME, CAMERA DATA and CAM. & D/T.
3. Press the MENU button once more to close the menu.
Using the Full
Range of Features
You can also choose which type of data code to display — either the date/time,
camera data or both.
63
E
Notes:
• To avoid accidental recording, make sure that you slide the tab on the cassette
so that it exposes the hole (the switch position is usually labeled SAVE or
ERASE OFF).
• The data code will read “— — —” in the following situations:
– During playback of a blank section of tape.
– If the tape was recorded before entering the date and time in the camera’s
memory.
– If the tape was recorded on a camera without a data code function.
– If noise or tape damage prevents the data code from being read.
• Data code is not displayed during high speed playback modes.
• If a recording made on ELURA is played back on a different DV camcorder, the
data code may not be displayed correctly.
• Contents of data code display may change according to D/TIME SEL. (p. 38) or
DATA CODE settings made on the menu.
Using the Full
Range of Features
Setting the
“Data Code”
Setting
“Select Date/Time”
64
Date/Time
Camera data
Date/Time &
Camera data
Date
J AN .
1, 1999
F32
1 / 2000
F32
1 / 2000
J AN . 1 , 1 9 9 9
Time
1 2 : 0 0 : 0 0 AM
F32
1 / 2000
F32
1 / 2000
1 2 : 0 0 : 0 0 AM
Date & Time
1 2 : 0 0 AM
J AN . 1 , 1 9 9 9
F32
1 / 2000
F32
1 / 2000
1 2 : 0 0 AM
J AN . 1 , 1 9 9 9
• The data code will appear in the display even if DISPLAYS (p. 107) has been
set to OFF through the VCR menu.
Searching the Tape (Photo Search/Date Search)
POWETR
VCR
OFF
MOVIE
P.SCAN
PHOTO
VCR •
OFF•
MOVIE •
P.SCAN •
PHOTO •
E
REC
PAUSE
SEARCH
SELECT
ZERO SET
MEMORY REW
PLAY
FF
AUDIO
DUB.
STOP
+/
–/
A/V
INSERT PAUSE
SLOW
×2
This allows you to move quickly through still pictures recorded anywhere on a
tape (photo search) or between different days or areas of recording (date search).
• You can only use this function from the wireless controller.
1. Turn the POWER switch to VCR.
2. Press the SEARCH SELECT button to choose between photo/date
search.
• PHOTO SEARCH or DATE SEARCH is shown in the display for four
seconds.
3. Press the - and + buttons to move backwards or forwards
through the still pictures or between different days of recording.
Using the Full
Range of Features
• Press once to move to the start of the previous/next still picture or day on
the tape.
• You can press more than once to move to the corresponding still picture or
day (up to a maximum of ten times), e.g. press the + button five times to
move forward five still pictures or days.
• PHOTO SEARCH/DATE SEARCH appears in the middle of the display
alongside the - or + mark and number to search through. The recording
mode is also shown (SP/LP).
Notes:
• Press 3 (stop) to stop mid-search.
• If you begin a search very close to the start of a recorded still picture during
photo search, the camera may skip straight past it.
• When you have set the area for the World Clock, date search also looks for the
change in date based on the adjusted time.
• A date/area cannot be identified if the total recording time on that day/area was
less than one minute.
• Date search playback may start just before or after the beginning of the located
section.
• If the data code is not displayed correctly you will not be able to operate the
date search correctly.
65
Returning to a Pre-Marked Position
E
POWETR
VCR
OFF
MOVIE
P.SCAN
PHOTO
VCR •
OFF•
MOVIE •
P.SCAN •
PHOTO •
REC
PAUSE
SEARCH
SELECT
ZERO SET
MEMORY REW
PLAY
FF
AUDIO
DUB.
STOP
+/
–/
A/V
INSERT PAUSE
SLOW
×2
Use the wireless controller to go back to a pre-determined point on a tape
following playback.
1. Press the ZERO SET MEMORY button during playback at a point
you want to return to later.
• The time code is replaced by a tape counter that is set to zero with the Â
indication.
• Press the ZERO SET MEMORY button once more to cancel the zero set
memory.
Using the Full
Range of Features
2. When you have finished playback, fast forward or rewind the tape.
The tape stops automatically when it reaches the zero set position.
66
• RTN1 or `RTN appears in the display.
• The tape counter with  indication disappears from the display and the time
code reappears.
Notes:
• The zero set memory may not function correctly where there is a break between
recordings on the tape.
• You can also use zero set memory to mark a position on a tape in record pause
mode. When you then play back the tape, pressing rewind will take you back to
the pre-marked position.
• If you remove the tape while the zero set memory is set, the memory is
canceled and the tape counter reverts to timecode.
• The camera remembers your setting even if you turn it off and back on again or
move the program selector.
The Dubbing Function
You can add special effects to prerecorded scenes as well as add varied
scene transitions to the beginning and
end of scenes while recording onto
another tape. The ELURA dubs the
scenes onto a tape in your VCR or
another camcorder, adding your
selected effect. Also, you can add audio
to a tape (audio dubbing, p. 82) or both
audio and visual (A/V insert, p. 80).
You can adjust the starting and ending
points of the scene (the “cut-in” and
“cut-out” points, p. 73). In addition, the
ELURA can record from a VCR, TV or
analog camcorder (analog line-in,
p. 78).
E
If you connect another Canon digital video camcorder to the camera instead of a
VCR, you can use the Dubbing Function for digital-to-digital dubbing, with
virtually no generation loss in image and sound quality. However, you cannot add
digital effects or set the cut-in and cut-out adjustments using the built-in digital
timer (p. 74).
Preparing for Dubbing
1. Connect the camera to the VCR.
• See the “Connections for Playback on a TV Screen” instructions on page 25.
2. Turn the TV on.
3. Turn on the VCR and load a blank cassette.
• See your VCR instruction manual.
Editing
• Be sure to set it to the video channel, or set the TV/Video selector to Video.
4. Open the VCR menu and select \DUB MODE.
• When you select the DUB MODE menu all the displayed information is
also displayed on the screen of the TV connected your VCR. However, this
information will not be recorded onto the tape in the VCR.
67
Setting the camera to control your VCR
E
The camcorder’s Dubbing Function
controls your VCR by using the same
infra-red signals as the VCR’s remote
control.
Make sure the camera is in a spot
where it can remotely control your
VCR.
Infra-red signals
transmitter
1. Check where the remote control sensor is on your VCR using its
normal remote control.
2. Place the camera pointing directly at the sensor, not more than 20
inches (50 cm) away.
• Check that the sensor will pick up signals easily from this spot using the
VCR’s normal remote control.
• Make sure that the cables and the camera’s shoulder strap do not obstruct
the signals.
Editing
3. Make sure that the VCR is in record pause mode.
4. Make sure that all other video equipment is turned off to avoid
accidental recording.
68
Using the Dubbing Function for the First Time
When you use the dubbing function for
the first time, or with a different VCR,
you should set your camcorder to send
the correct remote control signals to
your VCR.
The camera will not forget this setting
unless you change it. Do not alter it
again unless you change VCR.
R E C . S E T UP
SE L . SE T SE T
ME N UC L OS E
D UB MODE
R E COR D E R . . . . [ ] – [ ]
CUT- I N A D J . . . 0 : 0 0
CUT-OU T A D J . . 0 : 0 0
E
Preparations & setting up
1. Make sure that the camera and VCR are set up as in “Preparing
for Dubbing,” p. 67 and “Setting the camera to control your VCR,”
p. 68.
2. Open the VCR menu and select \REC.SET UP.
• This takes you to the REC.SET UP menu.
• It is easiest to view the menu on the TV screen.
3. Point the arrow to RECORDER and push the selector dial.
• You are now unable to use the wireless controller (B appears in the
display).
Editing
69
Setting RECORDER
E
Use the chart on the next page to find the RECORDER settings for your brand of
VCR. Make sure the camcorder’s infra-red control signals can reach the VCR,
and the VCR is in record pause mode. (Ready to record and on pause.)
1. Set RECORDER to the first setting for your brand of VCR.
• For example, 7-A if you have a JVC VCR.
• Turn the selector dial to scan the numbers.
[ 7] — [A]
• Press the selector dial in to select the number corresponding your brand of
VCR.
[ 7] — [A]
• Turn the selector dial to scan the letters. TRANSMITTING DATA appears
in the display each time you turn the selector dial.
2. If the setting is correct, the VCR will start recording automatically.
• This will occur as long as the camera is pointing at the VCR’s remote sensor
while you change the setting.
3. If the VCR does not start recording, try the next setting.
• Turn the selector dial (to 7-B in the above example).
• Try each setting in turn until the VCR starts to record.
Editing
4. Depending on the brand of VCR, the signals to start and pause
recording may differ. Once the VCR starts to record, check that
the setting is right.
Set the VCR to record pause again, then press the camera’s
start/stop button.
70
• The VCR should start to record for a few seconds, and REC appears in the
display and on the TV screen. Then it will automatically pause and PAUSE
appears in the display and on screen.
• During these REC, PAUSE operations, the VCR records a digital timer,
which you will use later for Cut-In and Cut-Out Adjustments. For more
accurate adjustments, we recommend that you repeat pressing the start/stop
button to record a couple of times.
• If not, then the setting is still not right. Try the next setting.
RECORDER
The camera’s Dubbing Function can remotely control almost all brands and
models of VCR. VCR remote control signals vary depending on model and
brand. First, choose the right RECORDER setting for your VCR. The number
indicates the VCR brand. The letter indicates the set of signals.
Brand
Canon
Aiwa
Akai
Fujitsu
Funai
Hitachi
JVC
Mitsubishi
NEC
Panasonic
Blaupunkt
Quasar
Settings
1-A to 1-C
2-A to 2-C
3-A to 3-C
4-A
5-A
6-A to 6-B
7-A to 7-C
8-A to 8-D
9-A to 9-D
10-A to10-G
Brand
Pioneer
Sanyo
Fisher
Sharp
Sony
Toshiba
GE
RCA
Magnavox
Philips
Seleco
Rex
Settings
11-A
12-A to12-C
13-A to 13-C
14-A to 14-F
15-A to 15-B
16-A to 16-B
17-A to 17-B
18-A to 18-C
Brand
Thomson
Saba
Nordmende
Ferguson
Grundig
Nokia
Telefunken
Zenith
Samsung
GoldStar
E
Settings
18-A to 18-C
19-A to 19-C
20-A to 20-C
21-A to 21-C
22-A to 22-B
23-A
24-A to 24-B
25-A
as of March 1999
Notes:
• Once you find the correct setting, remember this and do not change it unless you
change VCRs.
• See p. 73 for details of the “cut-in” and “cut-out” adjustments.
• If you try all the numbers and letters, but the VCR has still not started to record:
– Check the VCR is ready to record, and on pause.
– Check the VCR can receive signals from where the camera is, and that
nothing is blocking the signals.
– Go back and try to set it again.
Editing
• If your brand of VCR is not on the chart, or you cannot find the correct setting,
try all the numbers with the selector dial until the VCR starts to record.
• It is unlikely, but you may have a VCR the Dubbing Function cannot control.
If so use the Simple Editing method on p. 75.
71
Dubbing to a VCR
E
1. Make sure you are in the DUB MODE menu.
2. Select FADE IN, EFFECT or FADE OUT from the DUB MODE
menu.
•
•
•
•
•
•
Point the arrow at “FADE IN” and press the selector dial in.
Fade in settings appear.
Point the arrow at your desired setting and press the selector dial in again.
The display returns to DUB MODE menu.
Set “EFFECT” or “FADE OUT” in the same way.
If you choose not to set a fader or effect, move the arrow to DUB
STANDBY, and each of the options will be automatically set to OFF.
• See also “Using Digital Effects” starting on p. 47 for more information on
digital effects.
3. Move the arrow to DUB STANDBY.
• WIND THE TAPES AND PAUSE \ SET appears in the display.
4. Set the tape in the VCR to the point where you want to start
recording, set it to record pause mode.
Set the tape in the camera to the point where you want to start
dubbing, set the camera to playback pause mode.
• You can use the `, 1, e/a and 3 buttons or special playback
functions in the same way as in playback mode.
5. Press the selector dial in.
• START ....... PRESS e/a TO START DUB appears in the display.
• Now you are unable to use the wireless controller.
6. Press e/a on the body of the camera.
Editing
• Recording starts.
• NOW DUBBING appears in the display.
7. When you reach the end of the scene you want to record, press
e/a on the body of the camera.
• The camera returns to playback pause mode and the VCR automatically
switches to record pause mode.
• The camera returns to the DUB MODE menu.
• When you finish dubbing, press the MENU button. The camera returns to
VCR mode.
• If you set the zero set memory at the position on the tape where you want to
stop dubbing, every time you return to that point, the camera will cancel its
dubbing and enter playback pause mode, and the VCR, record pause mode.
Note:
• To cancel during dubbing, push 3 on the body of the camera.
72
Cut-In and Cut-Out Adjustments
Setting the Cut-In and Cut-Out Adjustments
E
The point where a scene starts is called the “cut-in” point, and the point where it
ends is called the “cut-out” point.
Some VCR models take a second or more to actually start recording after they
receive the command signal. If this happens you could lose the beginning of the
scene. CUT-IN ADJ. prevents this by sending the command a little early.
Similarly, some models take some time to react to the command to stop recording.
Some models also rewind slightly after they stop. You could therefore record more
than you wanted, or lose the end of the scene. CUT-OUT ADJ. prevents this, by
sending the command a little early or late.
If you have these problems with your VCR, reset these adjustments.
Use the REC.SET UP menu to set the “cut-in” and “cut-out” adjustments.
(see p. 31)
CUT–IN ADJ.•• 0:00
CUT–OUT ADJ.• –1:00
1. Open the REC.SET UP menu and point the arrow at CUT-IN ADJ.
• Point it at “CUT-OUT ADJ.” to set the cut out adjustment.
2. Adjust the setting.
• CUT-IN ADJ. can be set up to five seconds early. (–5:00)
• CUT-OUT ADJ. can be set from one second early to five seconds late.
(–1:00 to +5:00)
• This can be set to an accuracy of one frame.
Editing
73
How to calculate the best adjustment for the “cut-in” and
“cut-out” points
E
Use the tape on which you recorded the digital timer in “Setting RECORDER” to
calculate the cut-in and cut-out adjustment values.
1. Rewind the tape in the VCR and play back the recorded digital
timer.
• Look at the time the CUT-OUT timer stops and CUT-IN timer starts. These
times are what the CUT-OUT ADJ. and CUT-IN ADJ. settings should be.
• For maximum accuracy, take an average of at least three readings.
• If your VCR has a frame advance function or a jog dial, you can use it to
find the precise starting times more conveniently.
2. Set the CUT-OUT ADJ. and CUT-IN ADJ. settings to the center of
the three readings.
Editing
Note:
• The camcorder will remember the cut-in and cut-out adjustment settings until
you change them.
74
Simple Editing to a VCR
If you cannot find the appropriate remote control setting for the camcorder to
control your VCR, you still can edit a tape to the VCR as follows.
E
Preparations
1. Connect the camera to the VCR.
• See “Connections for Playback on a TV Screen” on p. 25.
2. Prepare the TV and VCR.
• Turn on the TV and set it to the video channel, or set the TV/VIDEO
selector to VIDEO.
• Turn on the VCR, and set its input selector to LINE. Load a blank cassette,
and put the VCR in record pause mode.
• See your TV and VCR instruction manuals for details.
3. Turn the camera’s POWER switch to VCR, and load your recorded
cassette.
Basic editing
1. Find a point on your recorded cassette slightly before the section
you want to copy.
2. Start to play it back while you monitor the picture on the TV.
3. Start recording on the VCR as soon as the section you want to copy
appears on the screen.
4. Pause the VCR at the end of the section you want to copy, then stop
playback on the camera.
5. Repeat steps 1 to 4 until your edited recording is complete.
Note:
• The quality of the edited tape will be slightly lower than that of the original.
Editing
m REMOTE terminal
The m REMOTE terminal allows you
to connect the camera to equipment.
Some buttons on editing equipment
may operate differently from those on
the camera.
To use the m REMOTE terminal,
attach the optional Docking Unit
DU-200 to the camera (p. 54).
Notes:
• m (LANC) is a trademark. It stands for Local Application Control Bus System.
• We cannot guarantee the results when connecting to equipment not bearing the
LANC m symbol.
REMOTE
DC
MIC
75
Dubbing with Digital Video Equipment
DV terminal/connections
E
REC
PAUSE
SEARCH
SELECT
ZERO SET
MEMORY REW
PLAY
FF
AUDIO
DUB.
STOP
+/
–/
A/V
INSERT PAUSE
SLOW
×2
Editing
Digital video equipment fitted with this terminal lets you edit, copy and transfer
data digitally, with virtually no generation loss in image and sound quality. The
DV terminal is for both line-in and line-out, since a single DV cable can handle
data in both directions.
• If another Canon digital video camcorder is connected, the Dubbing Function
can be used for digital-to-digital dubbing (i.e. with virtually no generation loss
in image quality).
• If a VCR is connected and an anomalous signal is sent from the VCR, the
images recorded on the tape may also be anomalous (although it may not appear
so on the TV image), or not recorded at all.
• You may not be able to dub tapes recorded with the copyright protective signal.
76
Use a Canon CV-150F DV cable to connect two digital devices together. When
you are recording from the ELURA, make sure you connect the cable to the
ELURA before connecting the other end of the cable to the recording device.
When you are recording to the ELURA, turn the POWER switch to VCR and
press the start/stop button on the body of the ELURA or the wireless controller’s
REC PAUSE button (“DV IN” appears in the display when you press “play” on
the playback device). Then press its pause button to start/pause recording.
If the cables are not connected properly, the camera displays the caution “CHECK
THE DV INPUT.”
• The image displayed by the camcorder that is being recorded to (for example on
its LCD screen, an attached TV, or in its viewfinder) may become distorted
during digital dubbing. The actual recording on the tape, however, is not
affected.
• If you press the start/stop button on the body of the ELURA or the wireless
controller’s REC PAUSE button with the DV cable unconnected, the camera
displays the caution “CHECK THE DV INPUT.” An anomalous image may also
flash onto the screen.
• Blanks between recordings on the playback tape are recorded as anomalous
images on the tape that is being recorded to.
• Do not turn the power off when operating either camcorder with the DV cable
connected.
DK-1 kit
With the optional DK-1 kit, you can download high quality beautiful still
pictures for making cards, calendars, a digital photo album, use on internet
home pages, and so on. For full details of how to use the DK-1 DV Capture
Kit, refer the DK-1’s and computer’s instruction manual.
E
Copyright signal
Certain pre-recorded software tapes are copyright protected. If you try to play
back such a cassette, “COPYRIGHT PROTECTED PLAYBACK IS
RESTRICTED” appears in the display for a few seconds and then the camera
displays a blank blue screen; you cannot view the contents of the cassette.
If you try to record from such a tape via the digital cable “COPYRIGHT
PROTECTED DUBBING RESTRICTED” appears in the display; you cannot
record the contents of the tape.
Editing
77
Recording from a VCR,TV or Other Camcorder (Analog Line-in)
You can record a TV program or a video played on your VCR or analog
camcorder (digital camcorders, see p. 76) onto a tape in the ELURA, if the TV or
other device has audio/video outputs.
• If an anomalous signal is sent from the TV or VCR, the images recorded on the
tape may also be anomalous (although it may not appear so on the TV image),
or not recorded at all.
• You may not be able to dub tapes recorded with the copyright protective signal.
• The ELURA cannot record or play back tapes with closed captioning.
E
OUTPUT
S-150 S-video Cable
DV
S-VIDEO
IN/OUT
A/V IN/OUT
S IN/OUT
VIDEO
STV-250 Stereo Video Cable
AUDIO
L
R
DV
IN/OUT
A/V IN/OUT
STV-250 Stereo Video Cable
S IN/OUT
OUTPUT
VIDEO
AUDIO
L
Editing
R
Preparations
1. Connect the camera to the VCR, TV or other camcorder.
• See “Connections for Playback on a TV Screen” on p. 25.
2. Prepare the TV and VCR.
• Turn on the TV and set it to the video channel, or set the TV/VIDEO
selector to VIDEO.
• Turn on the VCR. Load your recorded cassette, and put the VCR in playback
pause mode.
• See your TV and VCR instruction manuals for details.
3. Turn the camera’s POWER switch to VCR, and load a blank
cassette.
78
Basic editing
E
1. Find a point on your recorded cassette slightly before the section
you want to copy.
2. Start to play it back while you monitor the picture on the TV.
3. Press the start/stop button on the body of the ELURA or REC
PAUSE on the wireless controller.
• S-video and A/V IN/OUT terminals automatically work as input terminals.
4. Press the pause button.
• Recording starts.
5. When you get to the point where you want to stop recording, press
the stop button or the pause button.
• Recording stops.
6. Repeat steps 1 to 5 until your edited recording is complete.
Notes:
• You can monitor the picture in the viewfinder or LCD.
• If your VCR or TV is a monaural type, connect only the white plug for audio on
both the camcorder and the VCR or TV.
Editing
79
Recording Over Existing Scenes (A/V Insert Editing)
You can insert new scenes from your VCR or other camcorder onto your prerecorded tape using the ELURA’s analog line-in or DV in terminals. Original
video and audio will be replaced with the new video and audio.
E
OUTPUT
DV
S-150 S-video Cable
S-VIDEO
IN/OUT
A/V IN/OUT
S IN/OUT
VIDEO
STV-250 Stereo Video Cable
AUDIO
L
R
The tape in the camera:
When using the ELURA’s A/V insert function, only record to tapes recorded in SP
mode with continuously recorded time codes.
If there are non-recorded portions or portions recorded in LP mode on the tape,
recording may be interrupted or you may not be able to insert A/V correctly.
The playback tape:
Editing
Use only tapes without non-recorded portions.
If there are non-recorded portions or changes in the recording mode, you may not
be able to insert A/V correctly.
You cannot insert A/V in the following cases:
• The playback tape has been poorly recorded.
• During special playback: fast forward playback, rewind playback or slow
playback etc.
TV:
You cannot insert A/V from a TV program with anomalous synchronized signals,
such as when the program itself received poor signals.
80
1. Connect the camera to the VCR, load recorded tapes into both the
camcorder and VCR.
E
• Make sure the REC/SAVE tab on the tape has been slid to REC (closed
position).
2. Turn the POWER switch to VCR.
3. On the VCR, locate a point three seconds before the scene to be
inserted. Set the VCR in playback pause mode.
4. On the camera, locate the recording start point. Set the camera in
playback pause mode.
• You can use the camera’s `, 1, e/a and 3 buttons or special playback
functions just as when in playback mode.
5. Press the A/V INSERT button on the wireless controller.
• A/V INSERT and 2a appear in the display.
6. On the VCR, play back the tape.
7. When you get to the starting point of the scene to be inserted on
the tape, push the pause button on the camera.
• A/V insert starts.
• 2a changes to 2.
8. When you get to the point where you want to stop inserting, press
the stop button of the camera.
• Inserting stops and A/V INSERT disappears from the display. The camera
returns to stop mode.
• If instead of pressing stop you press pause, the camera returns to the A/V
insert pause mode.
• If you set the zero set memory at the position on the tape where you want to
stop inserting, every time you return to that point, the camera will cancel its
A/V inserting and enter stop mode.
Editing
9. Press the stop button of the VCR.
81
Audio Dubbing
You can add sound to the original sound on a prerecorded tape from audio
products (AUDIO IN) or with the internal or external microphone (MIC. IN). The
original sound will not be erased. For best results, add sound to tapes that have
been recorded with this camera in SP mode with 12-bit sound. If there are nonrecorded portions on the tape, or portions recorded in LP mode, or with 16-bit or
12-bit, 4-channel sound, dubbing may be interrupted or you may not be able to
dub audio correctly. If your tape hasn’t been recorded with 12-bit sound, we
recommend dubbing your original tape onto a blank tape using the ELURA’s
analog line-in function, then dubbing audio onto the new tape. Make absolutely
sure to set the audio mode of the new tape to 12 bit and the recording mode to SP.
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To connect other audio equipment:
DV
IN/OUT
A/V IN/OUT
STV-250 Stereo Video Cable
OUTPUT
AUDIO
L
S IN/OUT
An audio device
(i.e. CD player)
R
Notes:
• Do not use the yellow video terminal.
• The A/V terminal doesn’t put out any video, so connect the S-video terminals
and check your TV, or check the LCD or the viewfinder as you add new sound.
Always check the new sound with the speaker, or the headphones if you have
the docking unit attached.
Editing
To connect the external microphone:
You will need to attach the DU-200 Docking Unit (optional).
DC
82
MIC
Notes:
• When you add sound using the built-in microphone, make sure not to connect
any audio input cables to the MIC terminal on the docking unit.
• To use your TV to monitor video, connect the S-video terminal or the A/V
terminal (use only the video plug) to your TV. You can monitor the sound with
headphones.
V CR •
OFF•
MOVIE •
P.SCAN •
PHOTO •
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POWETR
VCR
OFF
MOVIE
P.SCAN
PHOTO
AUDIO
DUB.
AUDIO DUB.••AUDIO IN
(see p. 31)
1.
2.
3.
4.
Load your recorded tape into the camcorder.
Turn the POWER switch to VCR.
Open the VCR menu, select AUDIO DUB.
Select AUDIO IN or MIC. IN with the selector dial and close the
menu.
5. Set the tape to the point where you want to start audio dubbing.
• You can use the `, 1, e/a and 3 buttons or special playback functions
just as when in playback mode.
6. Press the pause button.
• The camera becomes set to playback pause mode.
7. Press AUDIO DUB. on the wireless controller.
• AUDIO DUB. and
appear on the display.
• Audio dubbing starts.
• If MIC. IN, direct your voice into the microphone.
•
changes to .
Editing
8. Press the pause button (and start play on the other audio device if
AUDIO IN).
9. When you get to the point where you want to stop dubbing, press
the stop button (and then stop play on the other audio device if
AUDIO IN).
• Audio dubbing stops and AUDIO DUB. disappears from the display.
• The camera returns to stop mode.
• You can also set zero set memory (p. 66) at the place you want to stop audio
dubbing, then every time you return to that position, audio dubbing will
cancel.
• If instead of pressing STOP you press PAUSE, the camera will return to the
playback pause mode.
83
Notes:
• You can not use the DV terminal while adding sound.
• You might want to adjust the audio mix (p. 89) when playing back a tape with
added sound.
• There may be a loss of sound quality if you add sound to a tape recorded on a
camcorder other than the ELURA.
• After adding sound three or more times to the same place on a tape, there may
be some loss in sound quality.
Editing
E
84
Preparing the Camera
Adjust the viewfinder
• In record pause mode, adjust the
viewfinder focusing lever to suit your
eyesight.
• The viewfinder extends straight out for
comfortable viewing. Store the camera
with the viewfinder flush with the body
of the camera.
• To view with the viewfinder, make sure
the LCD panel is either turned so that the
subject can monitor viewing, or totally
closed with the screen facing inwards.
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Prepare the lens cap
• Attach the cord to the lens cap, and
pass the grip belt through the loop on
the cord.
• Hook the lens cap on to the grip belt
while you are recording, and place it
over the lens when you have finished.
Fasten the grip belt
• Release the Velcro fastening and hold
the camera with your right hand while
you adjust the belt with your left.
• The Variable Angle Belt’s lower portion
moves, allowing for easier shooting at
varied angles.
Attach the shoulder strap
Note:
• Be careful not to leave the viewfinder exposed to bright sunlight, or it will melt.
(The light is concentrated by the viewfinder lens.) When not using the
viewfinder, return it to its retracted position.
Additional
Information
• For extra security and portability, attach
the shoulder strap before using the
camera.
• Pass the ends through the attachment
bars and adjust the length as shown.
85
Notes on Using the Batteries
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Charging and recording times
• These times vary — the safest policy is always to have two or three times as
many battery packs as you think you will need.
• You will get more recording time if you turn the camera off between shots,
instead of leaving it in record pause mode.
Battery pack
Time needed for
full recharge
Maximum
recording time
Using the viewfinder:
Using the LCD screen:
BP-608
1 hr. 30 min.
BP-617 (option)
2 hr. 30 min.
50 min.
45 min.
1 hr. 50 min.
1 hr. 35 min.
• Recording time will be shorter than usual at low temperatures. You can use the
battery pack between 32° and 104°F (0° to 40°C), but it works best between
50° and 86°F (10° to 30°C).
• If the battery pack starts to give you much less recording time than usual, it has
reached the end of its life and must be replaced.
How much power is left?
Additional
Information
The indicator in the display shows you
approximately how much charge the
battery pack has left:
86
Notes:
• “CHANGE THE BATTERY PACK”
appears in the display for four
seconds when the power is
completely exhausted. The empty
battery mark then appears and starts
to flash. The power indicator light
also flashes.
• The indicator is not constant —
different levels will be shown when
you subject the battery pack and
camcorder to different conditions.
↓
↓
↓
↓
100%
75%
50%
25%
CHANGE THE BATTERY PACK
↓
0%
When to recharge
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You can recharge a lithium ion battery pack whenever it is convenient. Unlike a
conventional battery pack, it does not have to be fully discharged first. However,
as the battery pack will naturally discharge itself over time, it is best to charge it
the same day you plan to use it, or the day before.
Taking care of the battery pack
Always attach the terminal cover.
• Do not allow any metal objects to
touch the terminals, as this can cause
a short circuit and damage the battery
pack. Attach the terminal cover
whenever the battery pack is not
being used.
Keep the terminals clean.
• The camera, adapter or battery pack will not work properly if the terminals are
dirty. Check them before use, and wipe them with a dry cloth or tissue if
necessary.
Storing the battery pack
• If you do not use a battery pack for a period of more than a few months any
remaining charge may cause damage to the battery pack, and reduce usage time.
To prevent damage therefore, aim to use a battery pack’s complete charge
before storage.
Additional
Information
87
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Charging the backup battery
A rechargeable lithium battery installed into the camera unit allows the camera to
remember settings such as the date and time, even when the battery pack is
disconnected. It is automatically recharged when you attach a power source to the
camcorder.
When you first use the camera, bring the backup battery to full charge by
connecting a power source to the camera overnight. You do not need to turn the
camera on for charging to take place.
• If you use the camcorder regularly, the backup battery will remain charged. If it
is stored, however, it slowly discharges and eventually (in excess of 6 months
from being fully charged) there will be insufficient power to maintain the date
and time. In this case, connect a power source to the camcorder, reset the date
and time (p. 36) and recharge the backup battery.
• If you discard this product, dispose of the lithium backup battery separately to
prevent pollution. For further information, contact your local Canon service
center or dealer.
DANGER!
Additional
Information
Treat the battery pack with care.
• Keep it away from fire (or it might explode).
• Do not expose the battery pack to temperatures greater than 140°F (60°C).
Do not leave it near a heater, or inside a car in hot weather, for example.
• Do not try to disassemble or modify it.
• Do not drop or knock it.
• Do not get it wet.
88
Setting the Audio Mix
V CR •
OFF•
MOVIE •
P.SCAN •
PHOTO •
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POWETR
VCR
OFF
MOVIE
P.SCAN
PHOTO
MIX
AUDIO BALANCE
MONITOR ST-1
ST-2
When you play back a tape that was recorded in 12-bit mode, you can set the
audio output to play: stereo 1 (the original sound), stereo 2 (any new sound,
dubbed to the tape after recording), or mix the balance between the two.
• Audio from the 16-bit mode only contains stereo 1 sound and so you cannot/do
not need to select the audio mix. The same is true for the 12-bit stereo 1 mode,
unless new sound has been added post-recording.
• You can choose the output using the wireless controller only.
1. Set the camera to VCR mode.
2. Choose the output.
• Press AUDIO MONITOR on the wireless controller.
• Four settings appear as you push the button:
– STEREO1 for just stereo 1.
– STEREO2 for just stereo 2.
– MIX/FIXED for an equal mix of stereo 1 and 2.
– MIX/VARI. (mix variable) for when you want to mix the balance between
stereo 1 and 2.
• To simply choose STEREO1, STEREO2 or MIX/FIXED, make sure your
choice appears on the display.
• If you choose MIX/VARI., you can go on to mix the balance.
• Use the ST-1/ST-2 keys to mix the balance. A bar showing the mix appears
on the screen for four seconds.
Additional
Information
Note:
• When you have chosen the output, STEREO1, STEREO2 MIX/FIXED or
MIX/VARI. is shown in the top left of the display for a few seconds. If you turn
the power off the output is set to STEREO1.
89
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Selecting audio output channels
When you play back a tape whose audio has been recorded on multiple channels,
you can change the output channels of that sound.
OUTPUT CH•••L/R
(see p. 31)
1. Set the camera to VCR, load a tape recorded with multiple-channel
audio.
2. Open the VCR menu and select OUTPUT CH.
3. Select the output channel.
• Refer to the following list.
Additional
Information
OUTPUT CH setting
90
Played back sound
Tape recorded with
stereo sound
Tape recorded on
multiple channels
L/R
L+R channels
main + sub
L/L
L channel only
main only
R/R
R channel only
sub only
Maintenance
Cautions
Avoid high temperatures and high humidity.
• Do not leave the camera inside a car in hot weather, for example.
• Be careful of heat radiating from video lighting equipment.
• Do not take the camera into a humid room.
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Avoid sudden changes in temperature.
• If you take the camera from a cold place to a warm place, condensation may
form on the lens and internal parts (see p. 94).
Do not point the lens or viewfinder at strong light sources.
• Never point it at the sun, and do not leave it aimed at a bright subject.
• Be especially careful when leaving the camera on a tripod.
Avoid magnetic or electric fields.
• Do not use the camera close to TV transmitters, portable communication devices
or other sources of electric or magnetic radiation. They may cause picture
interference, or permanently damage the camera.
Do not expose the camera to water.
• Cover the camera when you are recording in rain or mist.
• There is a risk of electric shock if water gets inside the camera — contact
qualified service personnel as soon as possible.
Protect the lens.
• Sand and dust can damage the lens — be especially careful on windy days.
Handle the camera gently.
• Vibration or shock can cause damage.
• Do not use the viewfinder or LCD panel as a carrying handle.
Do not disassemble the camera.
• This is very dangerous as there is a risk of electric shock — if the camera does
not function properly, take it to qualified service personnel.
Additional
Information
91
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Storage
If you do not intend to use the camera for some time, store it in an area which is
free of dust and moisture, and where the temperature is no higher than 86°F
(30°C). After storage, check each part and function of your camera to make sure
everything is still working properly.
Note:
• These cautions also apply to accessories such as battery packs and cassettes.
Maintenance
Viewfinder
• Clean the viewfinder screen using a
blower brush. First, pull the viewfinder
out until it stops. Then, press and hold
the finder release button with a sharp
object and pull the viewfinder all the
way out. To reattach the viewfinder, first
position the base horizontally and align it
with the viewfinder’s base. Then press it
until it clicks back into place. Don’t
touch anyplace other than the glass
screen.
LCD
• Clean the LCD screen using a commercially available glass cleaner.
• Where there is a big change in temperature, moisture may form on the surface
of the screen. Wipe clean with a soft, dry cloth.
• At low temperatures the display may appear to be much darker than usual. This
is not a fault, and as the screen warms up the display will return to normal.
Additional
Information
Camera body and lens
• Use a soft, dry cloth to clean the camera body or lens. Never use chemically
treated cloth or volatile solvents such as paint thinner.
92
Video heads
• When mosaic-like noise appears on the playback picture,
the video heads may be dirty. When the video heads are
badly contaminated, the camera may show a blank blue
screen.
• Clean the video heads using Canon’s DVM-CL Digital
Video Head Cleaning Cassette. If the “noise” remains, repeat the cleaning (up to
maximum of five times).
• Do not use a wet-type cleaning cassette, as this can cause damage.
Using the camera abroad
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Power sources
• You can use the compact power adapter to operate your camera and charge
battery packs in any country where the electricity supply is between 100 and
240 V AC, 50/60 Hz. Contact your Canon dealer for information about plug
adapters for overseas use.
TV playback
• Although you can always play back your recordings on the LCD screen, your
camera can only be connected to TVs which use its NTSC system. This TV
system is used in the following countries:
American Samoa, Bahama, Barbados, Bermuda, Bolivia, Canada, Chile,
Columbia, Costa Rica, Cuba, Ecuador, El Salvador, Guam, Guatemala,
Greenland, Haiti, Honduras, Jamaica, Japan, Korea, Mexico, Micronesia,
Myanmar, Nicaragua, Panama, Peru, Philippines, Puerto Rico, Saint Lucia,
Surinam, Taiwan, Trinidad and Tobago, USA, Venezuela.
Additional
Information
93
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Condensation
Condensation may form on the camera when it is moved from a cold place to a
warm place. Using the camera while condensation is present can damage both the
tape and the camera.
Condensation may become a problem:
When you take the camera from a cold
place to a warm room
When a cold room is heated rapidly
When the camera is left in a humid room
When the camera is taken from an airconditioned room to a warm, humid place
Additional
Information
Protecting the camera from condensation
• Before you bring the camera to a warm or humid place where condensation is
likely to be a problem, unload the cassette and put the camera in a plastic bag.
Wait until the camera reaches room temperature before you take it out of the
bag.
94
What happens when condensation is detected
• “CONDENSATION HAS BEEN DETECTED” is displayed for approximately
four seconds. Then, the power indicator flashes and the h mark flashes in the
display. If there is a cassette in the camera, it stops automatically and
“REMOVE THE CASSETTE” is displayed for approximately four seconds and
then v flashes in the display. If you have the beep turned on, it will sound five
times.
• The camera may not detect the condensation immediately — the condensation
warning may not start flashing for 10 to 15 minutes.
• You cannot load a cassette when condensation is detected.
What you should do
• Remove the cassette, leave the cassette compartment open, and turn the camera
off.
• Leave it in a dry place until the condensation evaporates. After the condensation
warning stops flashing, wait at least another hour before trying to use the
camera.
Troubleshooting
Refer to this checklist first if you have any problems with your camcorder.
Possible explanations are given for each problem on the list — turn to the page
numbers in parentheses for more information.
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Make sure that the camera is properly connected if you are using it with a TV or
VCR. Consult your dealer or service outlet if problems persist.
Recording/Playback
Cause and/or what to do about it
? Nothing happens when I press the
buttons.
• The camera is not switched on
(p. 13, 22).
• The cassette is not loaded or is set for
erasure prevention (p. 11-12).
• The tape has reached the end.
• The battery pack is exhausted or not
properly attached (p. 8-10, 86).
• The function cannot be used in that
recording program (p. 44).
? The camera turned itself off.
• The camera was in record pause
mode for more than about five
minutes (p. 13).
• The battery pack is exhausted
(p. 9-10, 86).
? The start/stop button doesn’t
work.
• The cassette is not loaded or is set for
erasure prevention (p. 11-12).
• The tape has reached the end.
? There’s no picture in the display.
• The POWER switch is not set to
camera mode (p. 13).
? There’s a blank blue screen in the
display.
• You are attempting to play back or
record from a copyright protected
cassette (p. 77).
• The video heads are badly
contaminated (p. 92).
? The camera won’t focus.
• The camera is on manual focus
(p. 60).
• The viewfinder lens needs adjusting
(p. 85).
• The lens is dirty (p. 92).
Additional
Information
Problem
95
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Note:
• Some subjects are not suitable for autofocus. In these situations, you will often
get better results using manual focus (see p. 60). Focus on something which is
about the same distance away, lock the focus, and then point the camera at your
original, hard-to-focus subject.
Horizontal stripes
Many subjects at
different distances
Behind glass
Without much
contrast (e.g. a
white wall)
Reflective surfaces
(e.g. shiny car
surfaces)
Fast moving
objects
Slanted subjects
Dark subjects
Night scenes
Additional
Information
Recording/Playback (Contd.)
96
Problem
Cause and/or what to do about it
? Some/all of the digital effects
don’t work.
• There are a number of restrictions on
using the digital effects.
Refer to p. 49-53.
? The e (play) button doesn’t
work.
• The POWER switch is not set to
VCR (p. 22).
• The cassette is not loaded (p. 11).
• The tape has reached the end.
? There’s a bright stripe on the
screen.
• When recording in dark places a
bright light in the scene may cause a
vertical light bar (“smear”) to appear.
This is a normal feature of
camcorders.
? The playback picture is rough
(with mosaic-like noise).
• The video heads need cleaning
(p. 92).
? There’s no picture on the TV
screen, even though the tape is
moving.
• The video heads need cleaning
(p. 92).
• The TV/VIDEO selector on the TV
isn’t set to VIDEO (p. 25).
? There’s no sound coming from the
speaker during playback.
• The speaker has been turned off with
the selector dial (p. 21).
• Headphones are being used.
E
Miscellaneous
Cause and/or what to do about it
? The wireless controller doesn’t
work.
• The remote sensor mode is set to
OFFB in the menu (p. 34).
• The remote sensor modes of the
wireless controller and the camera
itself are different (p. 34).
• The batteries are dead or not inserted.
? The tally lamp doesn’t flash.
• It is turned off (p. 35).
? The power indicator is flashing.
• Check the screen displays (p. 107).
? The camera malfunctions.
• External interference may cause the
camera’s microprocessor to
malfunction temporarily. If random
letters appear in the display or if
normal operation is interrupted,
remove and then replace the power
source.
• If the camera still does not operate
properly, press the RESET button (on
the camera body behind the LCD
panel, p. 104) using the tip of a ball
point pen (or similar). Camera
functions return to their default
setting.
? The DV cable is connected
correctly, but there’s nothing in
the display.
• Remove the cable and then reconnect
it or turn the power off and back on
again.
? The camera becomes warm
during use.
• This is not a malfunction.
Additional
Information
Problem
97
The ELURA System Diagram (Availability differs from area to area)
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WS-20 Wrist Strap
WD-46 Wideconverter
SS-200 Shoulder Strap
WL-D71
Wireless
Controller
MiniDV
Video
Cassette
CB-600 Car Battery
Adapter
DC-600
DC Coupler
TL-46 Teleconverter
BP-608 and BP-617
Battery Pack
FS-46U
Filter Set
SR-30.5/46
Step-up Ring
CA-600 Compact
Power Adapter
FS-46
Filter Set
BP-900 Series
Lithium ion
Battery Pack
VL-10Li
Battery Video Light
SA-1
Adapter Bracket
BP-900 Series
Lithium ion
Battery Pack
DU-200
Docking Unit
CH-900 Dual Battery
Charger/Holder
TV
S-150 S-video Cable
STV-250 Stereo Video Cable
VCR
Additional
Information
Stereo Microphone
(commercially available)
CV-150F DV Cable
DK-1 DV Capture Kit
SC-1000 Soft
Carrying Case
98
SC-A50 Soft
Carrying Case
Digital Device
Personal Computer
Optional Accessories
Call or visit your local retailer/dealer for genuine Canon video accessories.
You can also obtain genuine accessories for your Canon camcorder by calling:
1-800-828-4040, Canon U.S.A. Information Center.
E
Battery packs
Extra batteries for use with the ELURA.
Battery pack
BP-608 (supplied)
BP-617 (optional)
BP-914 (optional)
BP-915 (optional)
BP-927 (optional)
BP-930 (optional)
BP-941 (optional)
Maximum recording
using viewfinder
using LCD screen
50 min.
45 min.
1 hr. 50 min.
1 hr. 35 min.
1 hr. 15 min.
1 hr. 5 min.
1 hr. 25 min.
1 hr. 15 min.
2 hr. 35 min.
2 hr. 15 min.
2 hr. 55 min.
2 hr. 35 min.
3 hr. 45 min.
3 hr. 15 min.
Time required for
full charge
1 hr. 30 min.
2 hr. 30 min.
2 hr. 30 min.
3 hr. 30 min.
3 hr. 50 min.
4 hr.
6 hr. 30 min.
The optional CH-900 Dual Battery Charger/Holder is required to charge/use the battery
packs in the shaded area. When you attach the two battery packs to the CH-900, the
maximum recording time will be almost doubled.
Battery pack
BP-608
BP-617
Playback time (using the LCD screen)
45 min.
1 hr. 35 min.
These figures show how long you can view playback with the LCD, after attaching a fullycharged battery pack. Playback time will be shortened at low temperatures.
Additional
Information
CB-600 Car Battery Adapter
Power your camera, or recharge battery
packs on the move. The car battery adapter
plugs into your car’s cigarette lighter
socket and runs off a 12-24 V DC negative
ground battery.
99
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DU-200 Docking Unit
The docking unit allows you to use LANC
m REMOTE controller, headphones and
external microphone.
Specifications
Microphone input terminal
Headphones terminal
DC output terminal
m REMOTE terminal
Dimensions
Weight
3.5 mm stereo minijack (red)
3.5 mm stereo minijack (green)
2.5 mm mini minijack DC5V
2.5 mm mini minijack
3 5/8 × 1 × 2 1/2 in (91 × 24 × 64 mm)
2 1/8 oz (61 g)
SR-30.5/46 Step-up Ring
This makes it possible to use the
46 mm filters and converters (shown
below) with ELURA. When you attach the
filter or conversion lens, you cannot use
the supplied lens cap.
Additional
Information
TL-46 Tele-converter
This tele-converter lens increases the focal
length of the camera lens by a factor of 1.4.
The zoom and autofocus operate as usual,
so you can take full advantage of the extra
range.
• The image stabilizer is not as effective as
usual when the tele-converter is attached.
100
WD-46 Wide-converter
This lens decreases focal length by a factor
of 0.7, giving you a wide perspective for
indoor shots or panoramic views.
• There may be some vignetting at the
extreme wide angle position.
FS-46 Filter Set
Three special effects filters to add a creative
touch to your recordings: multiple-image,
R-cross and zoom-spot.
• Focus manually when using special
effects filters.
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FS-46U Filter Set
Ultraviolet, neutral density and circular
polarizing filters to help you take control of
difficult lighting conditions.
VL-10Li Battery Video Light
This compact yet powerful video light can
be used for both indoor and outdoor
shooting.
• Lithium ion battery packs are used to
power the light. These differ from the
battery packs used to power the ELURA,
and can be purchased as optional
accessories. To charge them the optional
accessory CH-900 Dual Battery
Charger/Holder, or CA-900 Compact
Power Adapter is required. Approximate
usage times are as follows:
BP-914: 50 min
BP-915: 60 min
BP-927: 100 min
BP-930: 120 min
BP-941: 160 min
Additional
Information
WS-20 Wrist Strap
Provides an extra measure of protection for
active shooting.
101
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SA-1 Adapter Bracket
Attaches a video light or microphone
securely to the camera.
Note:
• If you attach the SA-1 Adapter Bracket
directly to the ELURA (without using the
DU-200 Docking Unit), you cannot open
or close the LCD panel.
CH-900 Dual Battery Charger/ Holder
This holds two battery packs and can
charge them both consectively.
It can then be connected directly to the
ELURA to give twice the playback time. It
can also make use of the higher
performance battery pack BP-941, to give
up to seven hours 40 min. recording time.
The lithium ion battery packs used with the
CH-900 (BP-900 series Battery Pack) differ
from the battery pack used with the
ELURA, and can be purchased as optional
accessories.
Additional
Information
Note:
• The DC-600 DC Coupler (supplied with
the ELURA) connects directly to the
CH-900. Use it in place of the DC
Coupler that is supplied with the CH-900.
102
SC-1000 Soft Carrying Case
A handy camera bag with padded
compartments and plenty of space for
accessories.
SC-A50 Soft Carrying Case
This lightweight bag keeps the camera
within easy reach without weighing you
down or getting in the way. Genuine
leather.
DK-1 DV Capture Kit
It contains Adaptec IEEE1394
interface board AHA8940, Adaptec
IEEE1394 Software, Canon
DVCommander, Canon DV TWAIN
Driver and MGI PhotoSuite. You can
capture the still pictures from the
ELURA on your computer. For use
with Windows 95/98.
• Adaptec, AHA are trademark of
Adaptec, Inc./MGI PhotoSuite is a
trademark of MGI Software
Corp./Windows is a registered
trademark of Microsoft Corporation.
O
RY CA
SO
VI
INE DE
N GENU
NO
E
This mark identifies genuine Canon video accessories. When you
use Canon video equipment, we recommend Canon-brand
accessories or products bearing the same mark.
ACCES
Provided accessories:
WL-D71 Wireless Controller
CA-600 Compact Power
Adapter
DC-600 DC Coupler
BP-608 Battery Pack
SS-200 Shoulder Strap
S-150 S-video Cable
STV-250 Stereo Video Cable
Lens cap
DVM-E30 Digital Video
Cassette
D83-0502-000
D85-0812-201
D85-0800-000
D85-0822-000
D81-0850-201
D82-0330-000
D82-0516-000
D52-0100-000
D36-0012-000
Optional accessories:
D85-0502-201
D85-0772-201
D85-0942-201
D85-0842-201
D85-0952-201
D85-0852-201
D85-0962-201
D85-0862-201
D82-0612-201
D81-1200-001
D81-1302-201
D78-0013-201
D78-0014-201
D78-0008-201
D78-0006-201
D86-0081-201
DY4-4530-000
D56-0060-201
D89-0500-202
D81-0190-202
D36-0032-201
D80-5032-201
Additional
Information
CB-600 Car Battery Adapter
CH-900 Dual Battery
Charger/Holder
BP-617 Battery Pack
BP-914 Battery Pack
BP-915 Battery Pack
BP-927 Battery Pack
BP-930 Battery Pack
BP-941 Battery Pack
DU-200 Docking Unit
SC-1000 Soft Carrying Case
SC-A50 Soft Carrying Case
WD-46 Wide-converter
TL-46 Tele-converter
FS-46U Filter Set
FS-46 Filter Set
VL-10Li Battery Video Light
JR7.2V 10WF Halogen Bulb
SR-30.5/46 Step-up Ring
SA-1 Adapter Bracket
WS-20 Wrist Strap
DVM-CL Digital Video
Head Cleaning Cassette
DK-1 DV Capture Kit
103
Finding Your Way Around ELURA
E
FINDER RELEASE button (P. 92)
Digital effects ON/OFF button (P. 50)/
(stop) button (P. 22)
D. EFFECTS (Digital effects)
button (P. 49)/
(play/pause) button (P. 22)
+ REC SEARCH button (P. 43)/
(fast foward) button (P. 22)
Record review button (P. 43)/
– REC SEARCH button (P. 43)/
POWER switch lock lever
(P. 15)
(rewind) button (P. 22)
Start/stop button
(P. 13)
LCD panel
open button (P. 18)
POWER switch (P. 13)
LCD screen (P. 18)
Selector dial (P. 32)
MENU button (P. 32)
RESET button (P. 97)
Strap attachment bar
(P. 85)
RES
ET
BATT (battery)
RELEASE button (P. 8)
Power source
attachment unit (P. 8)
POWER switch
POWETR
VCR
OFF
Additional
Information
MOVIE
104
P.SCAN
PHOTO
VCR
OFF
MOVIE
P.SCAN
PHOTO
VCR mode
Camera mode
E
Viewfinder focusing lever (P. 85)
Viewfinder (P. 85, 92)
Stereo microphone (P. 82)
Strap attachment bar
(P. 85)
Infra-red signal transmitter
(for dubbing)
(P. 68)
Zoom control lever (P. 17)
Program selector (P. 13)
Speaker (P. 21)
EXP (Exposure) button
(P. 57)
FOCUS/DATA CODE button
(P. 60)/(P. 63)
OPEN/EJECT switch
(P. 11)
Grip belt (P. 85)
Power indicator (P. 22)
Cassette compartment (P. 11)
Program selector
Cassette compartment cover (P. 11)
Easy Recording (P. 45)
Program AE (P. 44)
Additional
Information
P
105
E
Tally lamp (P. 35)
Remote sensor (P. 34)
MULTI-CONNECTOR
cover (P. 54)
MULTI-CONNECTOR
terminal (P. 54)
DV (in/out) terminal
(P. 76)
DV
IN/OUT
A/V IN/OUT
Docking unit/Tripod socket (P. 54)
Audio/video (in/out)
terminal (P. 25)
S IN/OUT
S-video (in/out)
terminal (P. 25)
MENU button (P. 32)
Transmitter
START/STOP/
PHOTO button (P. 13, 40)
Zoom buttons (P. 17)
SELF TIMER button (P. 56)
Controller buttons (P. 52)
START
/STOP
TV SCREEN button (P. 107)
DATA CODE button (P. 63)
ZOOM
W
T
PHOTO
SELF
TIMER
SET button (P. 52)
MENU
TV
SCREEN
SET
DATA
CODE D.EFFECTS
ON/OFF
MIX
D. EFFECTS (Digital effects)
button (P. 49)
AUDIO MONITOR button
(P. 89)
Additional
Information
REC PAUSE button (P. 76)
106
ZERO SET MEMORY button
(P. 66)
AUDIO
BALANCE
ST-2
MONITOR ST-1
REC
PAUSE
SEARCH
SELECT
ZERO SET
MEMORY REW
PLAY
FF
AUDIO
DUB.
STOP
+/
–/
A/V
INSERT PAUSE
Digital effects ON/OFF button (P. 50)
SLOW
×2
REMOTE SET
WIRELESS CONTROLLER -D71
WL
MIX BALANCE buttons (P. 89)
Search buttons (P. 65)
SEARCH SELECT button (P. 65)
FF
button (P. 22)
PLAY
button (P. 22)
button (P. 24)
× 2 button (P. 24)
STOP
button (P. 22)
AUDIO DUB. button (P. 83)
SLOW
A/V INSERT button (P. 80)
REW
REMOTE SET button (P. 34)
button (P. 24)
PAUSE
button (P. 23)
button (P. 24)
button (P. 22)
Screen Displays
To display the date and time on a
connected TV, press the wireless
controller’s DATA CODE button.
E
TV
SCREEN
Press the wireless controller’s TV
SCREEN button to see the other
displays on the TV screen. (The
displays appear white on-screen.) They
will not be added to any recordings you
make with the camera. For instructions
on how to hook the camera up to your
TV, see p. 25.
DATA
CODE
indicates a flashing display.
Turning off the LCD screen displays
You can turn off the displays to give you a clear screen for playback.
Set the camera to VCR mode, open the VCR menu (p. 31) and choose the
DISPLAYS option. Set the displays to OFF and then close the menu.
• The LCD screen will now be completely blank, but the camera will continue to
show warning/caution displays when necessary.
Record pause mode
(p. 13)
Recording (p. 13)
PA US E
RE C
...finally, it tells you
when you have
completely run out of
tape.
The camera is ejecting
the tape (p. 11).
Shows how much
battery power remains
(p. 86).
No cassette is loaded,
or it is set for erasure
prevention (p. 11, 12).
Recording mode
(p. 15)
Playback is stopped
(p. 22).
E J EC T
E J EC T
SP
S TO P
Additional
Information
The battery pack is
exhausted (p. 86).
The safety mechanism
is activated. Unload
the cassette and turn
the camera off. Turn it
on again and reload
the cassette.
Remaining tape
(Green: more than five
minutes.
Yellow: less than five
minutes.
Red: final few
seconds.)
END
5min
107
E
Normal playback
(p. 22)
Photo/Date search is
complete
Fast forward (p. 22)
0
0
FF
A/V Insert Editing
(p. 81)
Rewind (p. 22)
REW
Audio Dubbing
(p. 83)
Fast forward playback
(p. 23)
Zoom display (p. 17):
Optical zoom
Rewind playback
(p. 23)
Frame advance
playback (p. 24)
Optical plus digital
zoom
Frame reverse
playback (p. 24)
Playback pause
(forward and reverse)
(p. 23)
W
T
W
T
Zoom in
W
T
Zoom out
W
T
The image stabilizer
is turned on (p. 29).
Slow playback
(forward and reverse)
(p. 24)
/5
Camera menu (p. 30)
/5
×2 playback (forward
and reverse) (p. 24)
S H U T T ER . . . .
D. Z OOM . . . . .
I MAG E S .
16: 9. . . . . . .
WH I T E B A L . .
S E L F – T I ME R .
WL . REMO T E . .
T A L L Y L AMP .
×2
×2
×1 playback (forward
and reverse) (p. 24)
VCR menu (p. 31)
×1
×1
Photo Search (p. 65)
CAM. MENU
5
SE L . SE T S
ME N UC L O
. AU TO
. ON
. ON
. OF F
. AU TO
. OF F
.
1
. ON
SE L . SE T S
ME N UC L O
D UB MODE
R E C . S E T UP
.
.
.
WL . REMO T E
1
R E C MO D E . . . . S P
D A T A C O D E . . . DA T E / T I ME
D / T I ME S E L . . DA T E & T I
+
BR I GH T N E S S . . –
D I S P L A Y S . . . . ON
VCR MENU
P H O T O S E ARCH
Date Search (p. 65)
5
Additional
Information
DA T E S E ARCH
108
Zero set memory
(forward and reverse)
(p. 66)
Dubbing mode menu
(p. 31)
R TN
DUB MO D E
SP S T
0: 56: 34:
F AD E I N
E F F EC T
F AD E OU T
DUB S T ANDB Y
R TN
SEL . SET SET
Record set up menu
(p. 31)
R E C . S E T UP
M E NU C L O
SE L . SE T S
ME N UC L O
D UB MODE
R E C O R D E R . . . . [ 1 ] – [A ]
CUT- I N A D J . . . 0 : 0 0
CUT-OU T A D J . . 0 : 0 0
Manual exposure
display (p. 57):
Exposure locked
The remote sensor is
turned off (p. 34).
E
E .LOCK ± 0
Self-timer countdown
(p. 56)
1 0sec
SEL F T .
Zero set memory
(p. 66)
Brighter than standard
exposure level
E . L OCK + 5
Darker than standard
exposure level
E . L OCK – 5
0 : 0 0 : 0 0M
Audio mode (p. 54)
1 6 bit
Manual focus is
selected (p. 60).
Data code (p. 63)
F1. 0
1 / 500
1 2 : 0 0 AM
J AN . 1 , 1 9 9 9
M. F OCU S
Shutter speed (p. 58)
1 / 250
Progressive scan
mode (p. 42)
P RO . S CAN
Photo mode (p. 40)
P HOT O
• Setting the AF/AE. F
mark flashes white
• AF/AE locked. F
mark lights up green
• Timer
1 0sec
Recording programs
(p. 44).
AU TO
S POR T S
POR T RA I T
S POT L I GH T
SAND&SNOW
LOW L I GHT
White balance is
(p. 61)
W
Set
Indoor
T
Outdoor U
The 16:9 effect: the
display flashes when
the effect is being
selected, and appears
steadily when it is
activated (p. 53).
Digital effects. The
display flashes when
the function is being
selected and appears
steadily when it is
activated (p. 47).
16: 9
F ADE – T
W I PE
SCRO L L
M . F ADE
AR T
B L K&WHT
SEP I A
MU L T I – S
Additional
Information
MOSA I C
109
E
Multi-image screen
(p. 49).
Time Code
1 6 MU L T I – S
0 : 12 : 34 : 56
The wind screen is
turned on (p. 55).
WS ON
Volume level (p. 21)
–
V O L UM E
+
V O L UM E
OFF
Audio output (p. 89)
S T ER EO 1
S T ER EO 2
This records counter information,
including hour, minute, second, and
frame number on a special data code
area on the tape itself. It is reset
automatically when a new tape is
loaded. In camera mode, the frame
number doesn’t appear in the display.
Recording reminder
M I X / F I X ED
M I X / VAR I .
0sec
Mix balance (p. 89)
ST– 1
ST–2
1 0sec
Mix select has not
been released at the
menu (p. 89)
Audio/visual insert
(p. 81)
F I X ED
A / V I N S ER T
Audio dubbing (p. 83)
AUD I O DUB.
Additional
Information
Audio input (p. 83)
110
Microphone input
(p. 83)
DV input (p. 76)
Condensation warning
(p. 94)
AUD I O I N
MIC.
IN
DV I N
When you start recording, the camera
counts from 0SEC to 10SEC. Shots
which are shorter than ten seconds may
be difficult to edit later. On the other
hand, if you are not planning to edit the
recording, remember that a shot which
does not contain action should
generally last no longer than ten
seconds.
Caution phrases
The camera displays various caution
phrases — they appear for four
seconds before disappearing.
Refer to page 77.
Appears each time
you turn the power
on, until you set the
time zone, date and
time (p. 36).
Appears when you try
to do audio dubbing
or A/V insert on a
tape recorded in LP
mode. Refer to page
80-84.
CHECK THE CASSETTE
[ LP MODE ]
Appears when you try
to do audio dubbing
on a tape recorded in
16-bit audio or 12-bit,
4-channel mode.
Refer to page 82-84.
CHECK THE CASSETTE
[ AUD IO MODE ]
Appears when the
camera detects a
blank section of a tape
during audio dubbing
or A/V insert. Refer to
page 80-84.
CHECK THE CASSETTE
[ BLANK ]
SET THE T IME ZONE,
DATE AND T IME
Appears when the
battery pack is
exhausted (p. 9, 86).
CHANGE THE BATTERY PACK
Appears when the
tape has reached the
end.
TAPE END
Refer to page 12.
THE TAPE I S SET FOR
ERASURE PREVENT ION
Appears when you
press the start/stop
button if the DV cable
is not connected
properly (p. 76).
COPYR IGHT PROTECTED
DUBB ING RESTRI CTED
E
CHECK THE DV I NPUT
Refer to page 94.
CONDENSAT ION
HAS BEEN DETECTED
REMOVE THE CASSETTE
Additional
Information
Appears as a warning
to protect the tape and
also when
condensation is
detected. Remove the
tape as soon as
possible after the
camera has displayed
the caution.
Refer to page 77.
COPYR IGHT PROTECTED
PLAYBACK I S RESTRI CTED
111
Specifications
Additional
Information
E
112
ELURA
Power Supply (rated): 7.2 V DC
Power Consumption (while
recording with the AF turned on):
5.9 W (Using viewfinder),
6.8 W (Using LCD screen)
Television system:
EIS standard (525 lines, 60 fields)
NTSC color signal
Video recording system:
2 rotary heads, helical scanning
DV system (Consumer digital VCR
SD system)
Digital component recording
Audio recording system: PCM digital
sound: 16 bit (48kHz/2ch),
12 bit (32kHz/4ch)
Image sensor: 1/4” Progressive Scan
CCD (charge coupled device)
380,000 pixels (360,000 effective
pixels)
Tape format: Videocassettes bearing
the D mark.
Tape speed:
SP: 3/4 ips (18.81 mm/s);
LP: 1/2 ips (12.56 mm/s)
Maximum recording time:
SP: 80 minutes (with a 80 min.
cassette);
LP: 120 minutes (with a 80 min.
cassette)
Fast forward/rewind time:
Approx. 2 min. 50 sec. (with a
60 min. cassette)
Lens: F/1.6–2.5, 12× power zoom,
4.1–49.2 mm
Focusing system: TTL autofocus,
manual focusing possible
Minimum focusing distance: 3/8 inch
(1 cm) on maximum wide angle
Telephoto end: 2 ft 8 in (80 cm);
intermediate zoom position: 3 ft 4 in
(1 m)
Maximum shutter speed:
1/4,000 sec
Minimum illumination: 3 lx (using
the low light program)
Recommended illumination:
More than 100 lx
Filter diameter: 30.5 mm
Viewfinder: 0.55-inch, color LCD
(approx. 113,000 pixels)
LCD screen: 2.5 in measured
diagonally (6.4 cm), 180,000 pixels
(approx.)
Microphone: Stereo electret condenser
microphone
DV Terminal: Special 4-pin connector
(conforms to IEEE1394)
Output level:
Video terminal: 1 Vp-p/75 ohms
unbalanced
S-video terminal: 1 Vp-p (Y signal),
0.286 Vp-p (C signal)
Audio terminal: –10dBV, less than 3
kohms, unbalanced
Operating temperature range:
32–104 °F (0–40 °C)
Dimensions: 2 3/8 × 5 × 4 1/4 in
(61 × 128 × 108 mm)
Weight: 1lb 4 3/4 oz approx. (590 g)
BP-608 Battery Pack
Battery type: Rechargeable lithium
ion battery
Rated voltage: 7.2 V DC
Operating temperature: 32°–104°F
(0°–40°C)
Battery capacity: 750 mAh
Dimensions: 1 3/16 × 5/8 × 2 13/16 in
(30 × 16 × 71 mm)
Weight: 2 1/8 oz (60 g)
Weight and dimensions are approximate
Errors and omissions excepted.
Subject to change without notice.
Canon is a trademark of Canon Inc.
Index
16:9, 53
Docking Unit, 54
Dubbing Function, 67
DV Terminal, 76
Å
Abroad, Using the Camera, 93
Accessories, 6, 99
Adapter, AC, 8
AE Programs, 44
Analog line-in, 78
Art, 48
Audio Dubbing, 82
Audio Mix, 89
Audio Mode, 54
Audio Output, 90
Audio Recording and Playback, 54
Audio/Video Terminals, 25
Auto, 45
Autofocus, 60
A/V Insert, 80
E
‰
Easy Recording, 45
Effects, 48
Exposure, 57
External Microphone, 54
Ï
Fade Trigger, 47
Faders, 47
Fast Forward, 22
Feedback, 26
Finding Your Way Around
the ELURA, 104
Focusing, 60
Ó
ı
Backup Battery, 88
Basic Recording, 13
Battery Pack, 9, 86, 87
Beep, 16
Black and White, 48
Ç
Cables, 6, 25
Cassettes, 11
Charging the Battery Pack, 9, 87
Choosing a Recording Program, 44
Cleaning the Camera, 92
Clock, 38
Condensation, 94
Connection to TV or VCR, 25
Cut-in and Cut-out, 73
Data Code, 63
Date and Time, 36
Date Search, 65
DC Coupler, 8
Demo mode, 16
Digital Effects, 47
Digital Video, 7
Digital Zoom, 17
È
Image Stabilizer, 29
Introducing the ELURA, 7
Ò
LANC, 75
LCD Screen, 18
Lens Cap, 85
Loading Cassettes, 11
Low Light, 46
LP Mode, 15
˜
Maintenance, 91
Making Better Videos, 27
Manual Exposure Control, 57
Manual Focus, 60
Menus, 30
Monitor Recording, 20
Mosaic, 48
Mosaic Fade, 47
Multi-image Screen, 49
Additional
Information
Î
Head Cleaning, 92
Headphones, 54
113
Ø
E
Storage, 92
S-video, 25
System Diagram, 98
Optical Image Stabilizer, 29
Optional Accessories, 99
Ê
∏
Pause, Record, 13
Photo Mode, 40
Photo Search, 65
Playback, 22
Playback Connection, 25
Playback Pause, 23
Portrait, 46
Power Adapter, 8
Powering Your Camcorder, 8
Pre-Marked Position, 66
Preparing the Camera, 85
Problems, 95
Progressive Scan Mode, 42
Â
Recharging the Battery Pack, 87
Recorder, 70
Recording, 13
Recording Programs, 44
Record Pause Mode, 13
Record Review, 43
Record Search, 43
Remote Control, 33
Remote Sensor, 34
Rewind, 22
Tally Lamp, 35
Tape Protection, 12
Telephoto, 17
Temperature, 88, 92
Time Code, 110
Time Zone, 36
Tips for Making Better Videos, 27
Tripod, 27
Troubleshooting, 95
TV, 25, 107
Ë
Using the Camera Abroad, 93
Using the Menus, 30
◊
VCR, 25
Videocassettes, 11
Video Heads, 92
Viewfinder, 85, 92
„
White Balance, 61
Wide-angle, 17
Widescreen TV, 53
Wind Screen, 55
Wipe, 47
Wireless Controller, 33
Additional
Information
Í
114
Sand & Snow, 46
Screen Displays, 107
Scroll, 47
Self-Timer, 56
Sepia, 48
Shoulder Strap, 85
Shutter Speed, 58
Speaker, 21
Specifications, 112
SP Mode, 15
Sports, 45
Spotlight, 46
Û
Zero Set Memory, 66
Zooming, 17
U.S.A.
CANON® ELURA DIGITAL VIDEO CAMCORDER LIMITED
WARRANTY
E
The limited warranty set forth below is given by Canon U.S.A., Inc. (“CUSA”) with respect to each Canon ELURA Digital
Video Camcorder (“DV Camcorder”) purchased and used in the United States.
Each Canon DV Camcorder, when delivered to you in new condition in its original container, is warranted against defective
material or workmanship as follows: for a period of one (1) year from the date of original purchase (three (3) months in the
case of the video head part), defective parts or DV Camcorders returned to a CUSA factory service center (“CUSA Center”) or
an authorized DV Camcorder service facility (“Service Facility”), and proven to be defective upon inspection, will be repaired
or exchanged for new or comparable rebuilt parts or DV Camcorders. The warranty period for repaired or replacement parts
or DV Camcorders shall begin upon shipment of the same, but shall in no event exceed the original warranty period of the
defective part or DV Camcorder.
Non-Canon brand peripheral equipment and software which may be distributed with Canon DV Camcorders are sold
“AS IS”, without warranty of any kind by CUSA, including any implied warranty regarding merchantability or fitness
for a particular purpose. The sole warranty with respect to such non-Canon brand items is given by the manufacturer
or producer thereof.
CUSA shall have no responsibility under this limited warranty for use of Canon DV Camcorders in conjunction with
incompatible peripheral equipment and incompatible software.
In order to obtain warranty service, contact the authorized Canon retail dealer from whom you purchased the DV Camcorder
or call the CANON INFORMATION CENTER AT 1-800-828-4040 (which is open from 9:00 a.m. to 5:00 p.m. (E.S.T.),
Monday through Friday, excluding holidays). Have your unit serial number and your date of purchase available when you
make the call to expedite service. In either case you will be directerd to ship the DV Camcorder, postage prepaid, to the
CUSA Center or Service Facility nearest to you. You must include a copy of the proof of purchase (bill of sale) and a
complete explanation of the problem. DV Camcorders covered by this limited warranty will be repaired and returned to you
without charge by the CUSA Center or the Service Facility. Repairs not under warranty will be at such cost as the CUSA
Center or Service Facility may from time to time generally establish.
This limited warranty covers all defects encountered in normal use of the DV Camcorder, and does not apply in the following
cases:
(a) Loss of or damage to the DV Camcorder due to abuse, mishandling, improper packaging by you, alteration, accident,
leaking batteries, exterior nicks, scratches or dents, electrical current fluctuations, failure to follow operating instructions,
maintenance and environmental instructions prescribed in CUSA’s instruction manual, or service performed by other than
a CUSA Center or Service Facility.
(b) Use of parts or supplies (other than those sold by CUSA) which cause damage to the DV Camcorder or cause abnormally
frequent service calls or service problems.
(c) If any DV Camcorder has had its serial number or dating altered or removed.
This limited warranty does not apply to accessories or consumables for the DV Camcorder, which are sold “AS IS”, without
warranty of any kind by CUSA.
Additional
Information
NO IMPLIED WARRANTY, INCLUDING ANY IMPLIED WARRANTY OF MERCHANTABILITY OR FITNESS
FOR A PARTICULAR PURPOSE, APPLIES TO THE DV CAMCORDER AFTER THE APPLICABLE PERIOD OF
EXPRESS WARRANTY STATED ABOVE, AND NO OTHER EXPRESS WARRANTY OR GUARANTY, EXCEPT
AS MENTIONED ABOVE, GIVEN BY ANY PERSON, FIRM OR CORPORATION WITH RESPECT TO THE DV
CAMCORDER SHALL BIND CUSA. (SOME STATES DO NOT ALLOW LIMITATIONS ON HOW LONG AN
IMPLIED WARRANTY LASTS, SO THE ABOVE LIMITATION MAY NOT APPLY TO YOU) CUSA SHALL NOT
BE LIABLE FOR LOSS OF REVENUES OR PROFITS, EXPENSE FOR SUBSTITUTE EQUIPMENT OR
SERVICE, STORAGE CHARGES, LOSS OF DATA, OR ANY OTHER SPECIAL, INCIDENTAL OR
CONSEQUENTIAL DAMAGES CAUSED BY THE USE, MISUSE OR INABILITY TO USE THE DV
CAMCORDER, REGARDLESS OF THE LEGAL THEORY ON WHICH THE CLAIM IS BASED, AND EVEN IF
CUSA HAS BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES. NOR SHALL RECOVERY OF ANY
KIND AGAINST CUSA BE GREATER IN AMOUNT THAN THE PURCHASE PRICE OF THE DV CAMCORDER
SOLD BY CUSA AND CAUSING THE ALLEGED DAMAGE. WITHOUT LIMITING THE FOREGOING, YOU
ASSUME ALL RISK AND LIABILITY FOR LOSS, DAMAGE OR INJURY TO YOU AND YOUR PROPERTY AND
TO OTHERS AND THEIR PROPERTY ARISING OUT OF USE, MISUSE OR INABILITY TO USE THE DV
CAMCORDER NOT CAUSED DIRECTLY BY THE NEGLIGENCE OF CUSA. (SOME STATES DO NOT ALLOW
THE EXCLUSION OR LIMITATION OF INCIDENTAL OR CONSEQUENTIAL DAMAGES, SO THE ABOVE
LIMITATION MAY NOT APPLY TO YOU.) THIS LIMITED WARRANTY SHALL NOT EXTEND TO ANYONE
OTHER THAN THE ORIGINAL PURCHASER OF ANY DV CAMCORDER, OR THE PERSON FOR WHOM IT
WAS PURCHASED AS A GIFT, AND STATES YOUR EXCLUSIVE REMEDY.
This limited warranty gives you specific legal rights, and you may also have other rights which vary from state to state.
Canon U.S.A., Inc.
One Canon Plaza
Lake Success, New York 11042
115
CANADA
E
CANON CONSUMER DIGITAL VIDEO EQUIPMENT LIMITED
WARRANTY
The limited warranty set forth below is given by Canon Canada Inc. (“Canon Canada”) with respect to Canon digital video equipment
purchased in Canada. This limited warranty is only effective upon presentation of a bill of sale or other proof of purchase for this Canon
digital video equipment to a Canon Service Facility when repairs are required.
Canon consumer video digital equipment is warranted under normal, non-commercial, personal use, against defective materials or
workmanship as follows:
Parts: Defective parts will be exchanged for new parts or, at Canon Canada’s option, comparable rebuilt parts for a period of one year
from the date of original purchase, except Video Heads which will be exchanged for a period of 3 months from the date of purchase.
Labour: For a period of one year from the date of original purchase, labour will be provided free of charge by our Canon Service
Facilities in Canada.
This limited warranty covers all defects except where:
(a) The loss or damage to the product results from:
i) accident, natural disaster, mishandling, abuse, neglect, unauthorized product modification or failure to follow instructions
contained in the instruction manual;
ii) the use of accessories, attachments, products, supplies, parts or devices with this Canon product that do not conform to
Canon specifications or that cause abnormally frequent service problems;
iii) repairs or services performed by any party other than a Canon Service Facility;
iv) defective batteries or any exposure to water, sand or dirt;
v) shipping (claim must be presented to the shipper);
(b) Any serial number on the video equipment is altered or removed.
(c) The digital video equipment is used for commercial, professional or industrial purposes.
This limited warranty does not cover the cabinet (exterior finish) of the digital video equipment, video cassette tapes, head cleanings,
nor does it apply to digital video equipment purchased outside Canada.
TO OBTAIN WARRANTY SERVICE
Ship your Canon digital video equipment in its original carton, box or equivalent, properly packed, fully insured with shipping charges
prepaid, together with a copy of your bill of sale or other proof of purchase and a description of the problem to any of the Canon
Service Facilities in Canada.
LIMITATIONS
Except as otherwise required by applicable legislation, this warranty is in lieu of all other warranties, conditions, guarantees or
representations, express or implied, statutory or otherwise, relative to this Canon product, including implied warranties or conditions of
merchantability or fitness for a particular purpose.
Canon Canada assumes no liability for special, consequential or incidental damages or loss that may arise, whether on account of
negligence or otherwise, from the use, misuse or inability to use this Canon product (including loss of profit, revenue, video tapes or
enjoyment) or from failure to conform to any express or implied warranties, conditions, guarantees or representations. Any recovery
under this limited warranty shall not exceed the purchase price of the product. Canon Canada does not assume or authorize any other
person to assume for Canon Canada any other liability with respect to this Canon product.
This warranty does not extend to any person other than the original purchaser of this Canon product or the person for whom it was
purchased as a gift and states your exclusive remedy.
Additional
Information
NOTICE TO CONSUMER
If you plan to take important videos or if the product has not been used for some time, please check all functions with the instruction
book before using it.
116
CANON INC.
U.S.A.
CANON U.S.A., INC. NEW JERSEY OFFICE
100 Jamesburg Road, Jamesburg, NJ 08831 USA
CANON U.S.A., INC. CHICAGO OFFICE
100 Park Blvd., Itasca, IL 60143 USA
CANON U.S.A., INC. LOS ANGELES OFFICE
15955 Alton Parkway, Irvine, CA 92718 USA
CANON U.S.A., INC. HONOLULU OFFICE
1020 Auahi Street, Bldg. #8, Honolulu, HI 96814 USA
● If you have any questions, call the Canon U.S.A. Information
Center toll-free at 1-800-828-4040 (U.S.A. only).
CANADA
CANON CANADA INC. NATIONAL HEADQUARTERS
6390 Dixie Road, Mississauga, Ontario L5T 1P7
CANON CANADA INC. CALGARY
2828, 16th Street, N.E. Calgary, Alberta T2E 7K7
CANON CANADA INC. MONTREAL
5990 Côte de Liesse, Quebec H4T 1V7
● If you have any questions, call the Canon Canada Information
Center toll-free at 1-800-828-4040. (Canada only)
● Si vous avez des questions, veuillez téléphoner sans frais au
Canada 1-800-828-4040. (Canada seulement)
MEXICO
CENTRO Y
SURAMÉRICA
ASIA
CANON MEXICANA, S. DE R.L. DE C.V.
Periferico Sur No. 4124 Col. Ex-Rancho de Anzaldo C.P. 01900
México, D.F., México
CANON LATIN AMERICA, INC.
6505 Blue Lagoon Drive Suite 325 Miami FL 33126 USA
CANON HONGKONG COMPANY LTD.
9/F, The Hong Kong Club Building, 3A Chater Road, Central, Hong Kong
Printed on 70% reused paper.
Document réalisé avec du papier recyclé à 70%.
El papel aqui utilizado es 70% reciclado.
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© CANON INC. 1999
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