Century Series LMX Technical Data Sheet

LMx
CENTURY SERIES
Technical Data
Sheet
T E C H N I C A L S P E C I F I C AT I O N S
C O N F I G U R AT I O N S
Century LMx Consoles feature 10 dual group modules,
1 left/right module, 1 master module,
available in the following input configurations:
FREQUENCY RESPONSE
+0.0, -0.5dB, 20Hz to 20 kHz (referenced to 1kHz)
TOTAL HARMONIC DISTORTION
(Mic input to Group output)
20Hz to 20 kHz at +15dBu
40 MONO INPUTS (52 FRAME)
52 MONO INPUTS (64 FRAME)
<0.01%
PHASE RESPONSE
20Hz to 20 kHz
DIMENSIONS
+20°, -20°
NOISE (22Hz to 22kHz)
Mic EIN (150W, 60dB gain)
Group Output Noise (40 inputs)
The following table contains net dimensions
for all Century LMx consoles. (L x W x H)
Frame Size
Imperial
Metric
52
67" x 30.21" x12.75"
1700 x 767 x 324mm
64
82" x 30.21" x12.75"
2070 x 767 x 324mm
-129 dBu
- 80 dBu
CROSSTALK (Measured at 1kHz)
Channel Mute
Channel Fader Attenuation
>100 dB
> 85 dB
INPUT/OUTPUT IMPEDANCES
Mic Input
Line Input
Outputs
30.21"/767mm
4kΩ balanced
>10kΩ balanced
120Ω balanced
All information per
Crest Consoles Engineering,
May 5, 1997
31.14"
INPUT/OUTPUT LEVELS (0VU = +4 dBu, 1.23V RMS)
Mic Input Sensitivity
Line Input Sensitivity
Input Insertion Point Level
Output Insertion Point Level
Nominal Output Level
Maximum Balanced Output Level
+ 4 to -62
+ 12 to -38
+4
+4
+4
+28
dBu
dBu
dBu
dBu
dBu
dBu
KNOB
12.6875"
322mm
25"/3
m & 1.
/19m
T, .75"
HEIGH
DO NOT APPLY ANY
LOADS TO METER
BRIDGE ASSEMBLY
2mm
m
3m
19" / 48
m
/ 791m
12.5625"
319mm
mm
375"/ 60
2.
1.30"/ 33mm
4.8125"
122mm
ROSS
ORT AC
SUPP EA IS
THIS AR MENDED
M
O
REC
5.125"
130mm
.65"/17mm
4.5625"
116mm
2.25"/57mm
35°
SUPPORT ACROSS THIS DIMENSION IS RECOMMENDED
24.75" / 629mm
Load support recommendations have been supplied
to assist in road case construction.
All specifications subject to change without notice. © 1997 Crest Audio Inc.
28.0" / 711mm
29.5625" / 751mm
10°
Architect’s & Engineer’s Specifications - Centur y LMx
The sound mixing console shall be constructed in two sizes and be suitable for both fixed installation and touring operations. Audio modules shall be individual for service and addition purposes. Audio
connections shall be accessible from the rear of the console. Mic In and Group Out connections shall be XLR 3-pin balanced types. Insertion points shall be accessible via separate Send and Return 1/4
inch TRS connectors. Primary Inputs and Outputs may be transformer isolated as a chargeable option. The nominal audio level shall be +4dBu, and the maximum output level +28dBu. The console shall
operate from AC mains via the external rack mount power unit included. Optional connection of a second power supply for automatic back-up shall require only a link cable. The 40 channel console
shall measure 67x30.2x12.7 inches (1700x767x322mm). The 52 channel console shall measure 82x30.2x12.7inches (2070x750x322mm). Input Channels shall accept Mic (XLR) or Line (1/4inch) input
by selector switch. The Mic Input shall be passively split and an output XLR connector provided. There shall be a ground lift switch and +48v phantom power control for each channel. Input Gain shall
be continuously adjustable between 20dB and 70dB by gain pot and -15dB by Pad switch. There shall be a phase invert switch active on Mic or Line Input. Each channel shall include switches with indicators for: 100Hz high pass filter; EQ On ; Mute (solid-state soft turn-on); Solo; Mute Scene select 1-8; Mute Scene Safe. There shall be 4-band EQ, each band having +/- 15dB variable gain and adjustable
filter center-frequency. The ranges shall be: LF 40-800Hz; LM 100Hz-2kHz; HM 400Hz-8kHz; HF 1.5k-20kHz. Five segment channel signal level LED indicators and overload indicator shall be provided.
Each channel shall have a total of 22 independent sends to the Group Outputs; eight being dual concentric rotary controls (sends1-2,3-4,....15-16) and six single rotary controls (sends 17-22). Seven Pre
switches with indicators shall control the choice of Pre or Post fader audio source. These switches shall be grouped as follows: sends 1-4, 5-8, 9-12, 13-16, 17-18, 19-20, and 21L-22L. Each send level
pair may be configured dual mono or stereo operation by a single global Level/Pan switch associated with each output pair. Channel output level shall be controlled by a 100mm travel slide fader. The
output section shall contain ten Group Modules, each providing two Group Outputs, each output including: mix Insertion send and Return connections; 100mm fader; balanced output with XLR connector; bi-color signal indicator and electro-mechanical VU meter. Each Group shall have switches with indicators for Solo; Mute; Dim; Phase Reverse; Talkback Enable; Insert Solo; Insert On-Off. Each
pair of Group Outputs (an individual Group module) shall include: the Global Level-Pan master selector, with indicator; three bands of stereo output EQ with variable frequency and gain; independent
EQ In-Out selectors with indicators; high pass filter with variable frequency from 20Hz to 400Hz and independent In-Out selectors for each output. For each Group there shall be independent Level controls and On-Off switches from L and R to each Group. Any or all signals on the 20 Group buses shall be assignable to the L-R Stereo mix. These two subgroup modes shall be interlocked to prevent
inadvertent feedback loops. In addition each Group module shall include Level, Pan and On-Off controls from the Master Stereo Input. Each Group shall include Level, Solo and On-Off switches with
indicators from the corresponding Channel Line Input. One Stereo Output module shall provide Group Outputs 21L and 22R, each with Insertion Send and Return connections; 100mm fader; balanced
output with XLR connector; bi-color signal indicator and electro-mechanical VU meter. Each Group shall have switches with indicators for Solo; Mute; Dim; Phase Reverse; Talkback Enable; Insert Solo;
Insert On-Off; and there shall be one Global Level-Pan master selector for sends 21L & 22R. A Master On-Off switch shall be included for the sum of the Group signals assigned to L-R, which shall not
affect the channel send L-R mix. The L-R output to the Group sections shall have an On-Off switch, and normally be pre L-R fader. There shall be a switch with indicator to connect this output Post fader.
Within the Stereo Output module a dedicated Stereo Input channel shall be provided for stereo mic or line sources with stereo two-band sweep EQ. Switches with indicators shall be provided for EQ InOut, High pass filter In-Out, Mute and Solo. The channel output shall be available to all Groups via the Stereo sections. Dynamics processing shall be available for in-ear monitor mixing. Above the userset threshold, audio shall be compressed. When compression exceeds 12dB the audio output level automatically drops, such that the manual function of riding a room-ambience mic between numbers
is achieved hands-free. One Master module shall provide Main, Alternate and Headphone monitor outputs. All outputs shall be stereo. The audio source for all outputs shall be the Solo bus, defaulting
to the operator's choice of silence or an External stereo input or a mono straight-line Input Fader mix. A Mono switch shall convert stereo sources to dual channel mono. The Solo system shall normally
sum multiple Solos, with the option to hear only the last selected Solo. It shall be possible to engage the Solo Priority system so that Input Solo overrides Output Solo. The Solo bus audio shall be either
PFL or AFL of any Input or Output, as selected by the Solo Mode switch. Groups in 'Stereo Level-Pan' mode, and the dedicated Stereo Input, shall be monitored in stereo. Each output shall have an independent level control and On-Off switch with indicator. The Main level control shall be a 100mm slide fader with optional parallel footpedal operation. The Main fader may be switched to affect the
Alternate output also. The Main and Alternate outputs shall have the option to be switched exclusively. The Headphone output shall include two sockets and be unaffected by the Main and Alternate
channels. There shall be eight illuminated Mute Group master switches, one for each Scene Mute bus. There shall be facilities to generate sine wave and pink noise test signals, and a dedicated input
and preamp for Talkback mic operation. The sum of speech and test-tone shall pass to the Groups (postfader) via the Main Talkback On-Off switch and Group Talkback Enable switches. The Main TB
switch shall be touch sensitive and either latch-on for test-tone or press-hold-release for speech. A dedicated switch shall control the connection of an External Talkback source to the Groups, which shall
not be affected by the Main TB On-Off switch. Indicators shall be provided for the system DC power supply status. There shall be a dimming control for the optional rear mounted lamps. A Master 48V
phantom power switch shall be provided. The console shall have a full-size meter bridge with sunlight-visible mechanical VU meters provided for all 22 output buses and the stereo Solo bus. Meter illumination shall be LED. The live monitor console shall be the Crest Audio Century LMx40 (LMx52).
Crest Audio specifications are available in electronic form on our website: http://www.crestaudio.com
PIN 1
LIFT
BAL MIC IN
BAL MIC OUT
BAL LINE IN
INSERT SEND
INSERT RETURN
+48V
P
PAD
P
XFORMER
OPTION
DUAL-CON
POT
DIRECT OUT
ROTARY
POT
15dB
PAD
P
LINE
S
SELECT
1 OF 20
INPUTS 1 THRU 20
AMP
SELECT
1 OF 2
INPUTS 21 AND 22
(40 CHAN LMx)
OR
INPUTS 27 AND 28
(52 CHAN LMx)
LED
TB MIC
GAIN
5
TB
LEVEL
20 30 40DB
MIC PRE
4
M
M
M
GAIN
7
GROUPS
100
HPF
EXT TB
OUT
M
LATCH
LOGIC
M
PHONES
ON
R
PHONES
LEVEL
L
R
L
8
TO PEAK
PANEL
SWITCH
PHONES
SOURCE
SELECT
FOLLOW
FADER
9
Ø
OSC
ON
PRE
AMP
PRE
FADER
POST
FADER
L MID
LEVEL
FREQ
H MID
HF
SHELF
D
Q
FOUR BAND EQ
Q
0
+8
PEAK
M
FET DIM
100
RANGE
1K
10K
NOISE
GEN
SOLO
M
M
13
MUTE
GROUP
MASTERS
RIGHT
METERBRIDGE
LEFT
M
M
16
AFL
+10
POST
FADER
FADER AMP
PRE
MUTE ?
SOLO AUDIO
SAFE
SOLO CONTROL
MUTE
PRE
1-4
REPEATED FOR
SENDS 5/6 - 7/8
SENDS 9/10 - 11/12
SENDS 13/14 - 15/16
PRE
17-18
REPEATED FOR
SENDS 19/20 &
SENDS 21/22
SOLO L / R
TO METER MUX
∑
19
1
SUPPLY
FILTERING
20
18
2
3
MUTE SCENES
5
6
4
PAN
LEVEL
7
EVEN
ODD
SENDS
1/2
MUTE CONTROL
LEV
ODD
OR
LEV
EVEN
EVEN
ODD
SENDS
3/4
GLOBAL CONTROL
LEVEL
OR
LEV/PAN
SWITCHING
LEV
ODD
PAN
SENDS
17/18
GLOBAL CONTROL
LEV
EVEN
OR
LEVEL
ODD
EVEN
8
∑
∑
INPUT
FADER
MIX
EXT INPUT
L&R
SOLO
MODE
PFL MODE
SOLO
MODE
LOGIC
MUTE GROUP CONTROL
POWER
DISTIBUTION TO
RIBBON
POWER FEED TO
RIBBON ENDS
MAIN DC POWER
CONNECTION
POWER FILTERING
AND
MASTER PHANTOM
SWITCHING
20
METER
DEMUX
CIRCUITRY
METER
METER MULTIPLEXING
ILLUM
CIRCUITRY
DIMMER / MUX
BOARD
22
LAMP DIMMER
CIRCUITRY
21
19
∑
INPUT FADER MIX
AFL
FROM INPUT
MODULES
21-22 (40 CHAN LMx)
OR
27-28 (52 CHAN LMx)
FADER
MIX
SOLO MIX R
SOLO DC
SOLO MIX L
GLOBAL CONTROL
LEV/PAN
SWITCHING
PAN
LEV
ODD
LEV/PAN
SWITCHING
LEV
EVEN
SOLO
SW
SOLO
ACTIVE
INPUT OUTPUT
EXT
IN
SOLO CONTROL
LAST
INPUT
PRESSED PRIORITY CLEAR
SOLO
SENSE
LOGIC
CONSOLE
POWER
CONNECTOR
REAR OF
METERBRIDGE
17
18
GROUPS
17
POWER DIST
SOLO CONTROL AND SENSE LINES
MASTER
SOLO
LOGIC
SUM
MONO
MONITOR
LEVEL
FADER
PRE SOURCE AMP
NO
YES
PRE
FADER
SOLO
AUDIO
&
CONTROL
PFL
15
FDR
SOLO
EQ IN
EQ
8
7
6
5
4
3
2
1
PRE
SOURCE
SELECT
14
VCA
VCA
ELVIS
MALE
XLR
PIN 2 HOT ON ALL XLRS
FEMALE
XLR
FET MUTE
-6
SIGNAL
PRESENT
LMx INPUT MODULE
LF
SHELF
12
TB FEED TO GROUPS
PINK
FILTER
20-20K
OSCILLATOR
X2
FREQ
EXCLUSIVE
MONITOR
LMx MASTER MODULE
TRS
JACK
FADER
METER
SOURCE
DIP SW
11
PINK ÷5
NOISE
ALT
MAIN
MONITOR ON
MONITOR ON/OFF
CONTROL LOGIC
METER
RECTIFIER
USER OPTIONS
SHUNT
10
M
LEVEL
ALT SLAVED
ON/OFF
∑
INDEPENDENT
SLAVE
MODE
LEGENDS
BALANCED
DRIVER
TO MON EXT INPUT
INPUTS 21-22
(40 CHAN LMx)
OR
INPUTS 27-28
(52 CHAN LMx)
TO GROUP
LINE-INS
INPUTS 1-20
INPUT
PREAMP
∑
SUM
AMP
6
EXT TB
IN
TALK
BALK
M
ALT
MON
LEVEL
CREST AUDIO
+48V
ON
CENTURY LMx BLOCK DIAGRAM
C
FOOT-PEDAL
INPUT
MAIN
MON LEFT
MAIN
MON RIGHT
ALT
MON LEFT
ALT
MON RIGHT
PHONES
(TOP PANEL)
PHONES
(FRONT)
TB MIC
(TOP PANEL)
TB MIC
(FRONT)
EXT TB IN
3-PIN XLR
LAMP SOCKETS
2
3
OPTIONAL
LITTLE-LITES
(4)
EXT TB OUT
1
Century LMx Console Block Diagram
RIBBON CABLES
SOLO AUDIO
SOLO CONTROL
SOLO
CONTROL
AFL
AFL
SOLO
CONTROL
SOLO
GROUP SELECT
ODD
PFL
STEREO IN
(FROM L / R)
LINE
INPUT
FROM
INPUT
MODULES
PFL
1-20
ODD
GROUP
MIX AMP
∑
ODD
EVEN
ODD
EVEN
ODD
R
L
R
PEAK
TB
TB
GLOBAL
LEV/PAN
GROUP
SOLO
EVEN
EQ IN
DIM
EQ IN
LEFT PRE
LEFT POST
DIM
DIM
+48
+24
20 - 400HZ
+10
SOLO AUDIO
EVEN
ODD
SOLO AUDIO
GAIN
SOLO CONTROL
HPF
LAMP
DIMMER
XFORMER
OPTION
INSERT
SOLO
INSERT
SOLO
INSERT
SOLO
INSERT
SOLO
INSERT
SEND
ODD
INSERT
RETURN
ODD
GROUP
OUT
ODD
GROUP
OUT
EVEN
INSERT
RETURN
EVEN
INSERT
SEND
EVEN
INSERT
SEND
LEFT
INSERT
RETURN
LEFT
LEFT
OUT
RIGHT
OUT
INSERT
RETURN
RIGHT
INSERT
SEND
RIGHT
Printed in USA
Crest Audio Inc.
100 Eisenhower Dr., Paramus NJ 07652 USA
TEL: 201.909.8700 FAX: 201.909.8744
http://www.crestaudio.com
ISSUE 1.0
5 JUN 96
STEREO IN
RIGHT
STEREO IN
LEFT
GROUP OUT
TO METER MUX
XFORMER
OPTION
PFL
SOLO
AUDIO
&
CONTROL
AFL
INSERT
ON
PFL
SOLO
AUDIO
&
CONTROL
L
LINE
L
XFORMER
OPTION
GROUP OUT
TO METER MUX
XFORMER
OPTION
PFL
SOLO
AUDIO
&
CONTROL
AFL
INSERT
ON
INSERT
ON
AFL
+48
SOLO
AUDIO
&
CONTROL
PFL
P
MASTER
+48V ON
P
PAD
AFL
GROUP TO
L / R ASSIGN
INSERT
ON
SOLO CONTROL
HF
ODD
FADER AMP
+10
EVEN
FADER AMP
THREE BAND EQ
(SHOWN ABOVE)
HPF
(SHOWN ABOVE)
SOLO AUDIO
SOLO CONTROL
SOLO AUDIO
SOLO CONTROL
+10
LEFT
FADER AMP
M
+10
-20
+20
Ø
Ø
Ø
RIGHT
FADER AMP
M
RIGHT
MUTE
DC
POWER
STATUS
LEDS
2-BAND EQ
2-BAND EQ
RIGHT POST
RIGHT PRE
MF
THREE BAND EQ - ODD
HPF
GROUP
MUTE
M
TO GROUP
L / R MIX
M
GROUP
MUTE
THREE BAND EQ - EVEN
LF
HPF
DIM
HPF
LMx GROUP MODULE
1 / 2 TO 19 / 20
Ø
Ø
Ø
Ø
EQ
LEFT
MUTE
LMx L / R MODULE
( GROUPS 21 / 22 )
EVEN
FADER
ODD
FADER
GROUP
SOLO
ODD
PEAK
R
SIGNAL
PRESENT
AFL
SOLO
AUDIO
&
CONTROL
PFL
G
G
SIGNAL
PRESENT
AFL
SOLO
AUDIO
&
CONTROL
PFL
R
RIGHT
FADER
LEFT
FADER
LEFT
SOLO
SIGNAL
PRESENT
R
PEAK
GLOBAL
LEV/PAN
TB
TB
PEAK
R
RIGHT
SOLO
PEAK
G
SIGNAL
PRESENT
SIGNAL
PRESENT
AFL
G
AFL
G
SOLO
AUDIO
&
CONTROL
PFL
EVEN
GROUP
MIX AMP
∑
L / R TO
GROUP
EVEN
SOLO
TB FROM MASTER
LEFT
RIGHT
SOLO CONTROL
SOLO AUDIO
GROUP SELECT
EVEN
SOLO AUDIO
G
SIGNAL
PRESENT
∑
L (ODD)
GROUP
MIX AMP
SOLO CONTROL
R
PEAK
G
PFL
SOLO
AUDIO
&
CONTROL
DYNAMICS LEFT
THRESH
RIGHT PRE
RIGHT POST
LEFT PRE
LEFT POST
STEREO
SOLO
DYNAMICS RIGHT
ON
PFL
R (EVEN)
GROUP
MIX AMP
∑
PEAK
SIGNAL
PRESENT
L / R ASSIGN
FROM GROUP
STEREO IN
(FROM L / R)
∑
∑
R
TB FROM MASTER
SOLO AUDIO
SOLO
AUDIO
&
CONTROL
MASTER
SEND
SOLO CONTROL
MUTE
AFL
STEREO IN
TO GROUPS
AUDIO
CONTROL
POST
L / R TO GROUPS
ON
*D1100002*
For use on an 11 inch x 17 inch sheet, print this page out at 130%
Crest Audio reserves the right to make changes or improvements
in manufacturing or design which may affect specifications.
v. 2.1 11/19/97
LMx
DIR
OUT
SND
INSERT
BAL
RTN
LINE IN
BAL
PIN 1
LIFT
IN
BAL
MIC
OUT
-20
1
-5 -3
-10 -7
DIR
OUT
SND
INSERT
BAL
RTN
LINE IN
BAL
PIN 1
LIFT
-1 0
+1
+2
+3
DIR
OUT
SND
INSERT
BAL
RTN
LINE IN
BAL
PIN 1
LIFT
-5 -3
-10 -7
2
-1 0
+1
DIR
OUT
SND
INSERT
BAL
RTN
LINE IN
BAL
PIN 1
LIFT
+2
+3
Level
IN
BAL
MIC
OUT
DIR
OUT
SND
-20
INSERT
BAL
RTN
LINE IN
BAL
PIN 1
LIFT
-5 -3
-10 -7
3
+2
+3
Level
DIR
OUT
SND
INSERT
BAL
RTN
PIN 1
LIFT
IN
BAL
MIC
OUT
-20
LM
-5 -3
-10 -7
4
-1 0
+1
+2
+3
Level
DIR
OUT
SND
INSERT
BAL
RTN
LINE IN
BAL
PIN 1
LIFT
-5 -3
-10 -7
5
-1 0
+1
DIR
OUT
SND
Level
+2
+3
INSERT
BAL
RTN
LINE IN
BAL
PIN 1
LIFT
IN
BAL
MIC
OUT
DIR
OUT
SND
-20
INSERT
BAL
RTN
LINE IN
BAL
PIN 1
LIFT
-5 -3
-10 -7
6
-1 0
+1
IN
BAL
MIC
OUT
+2
+3
Level
DIR
OUT
SND
GROUPS
INSERT
BAL
RTN
LINE IN
BAL
PIN 1
LIFT
IN
BAL
MIC
OUT
-20
-5 -3
-10 -7
7
+2
+3
Level
LEFT
RT
MONITOR
-1 0
+1
ALT MON
LEFT
RT
SND
INSERT
BAL
RTN
BAL
RTN
SND
IN
EXT TB INSERT
OUT
STR
MIC
IN
L
-20
8
-5 -3
-10 -7
ODD
OUT
-1 0
+1
SND
Level
ODD
OUT
EVEN
OUT
SND
-20
-1 0
+1
ODD
OUT
EVEN
OUT
9
-5 -3
-10 -7
INSERT
BAL
TRN
INSERT
SND
BAL
RTN
+2
+3
Level
SND
INSERT
BAL
TRN
INSERT
SND
BAL
RTN
ODD
OUT
-20
-1 0
+1
+2
+3
Level
-20
-5 -3
-10 -7
-1 0
+1
11
+2
+3
Level
-20
-5 -3
-10 -7
-1 0
+1
12
+2
+3
Level
10
-20
-5 -3
-10 -7
-1 0
+1
SOLO L
+2
+3
Level
ON
ODD
OUT
EVEN
OUT
SND
INSERT
BAL
TRN
INSERT
SND
BAL
RTN
ODD
OUT
EVEN
OUT
SND
INSERT
BAL
TRN
INSERT
SND
BAL
RTN
ODD
OUT
EVEN
OUT
SND
INSERT
BAL
TRN
INSERT
SND
BAL
RTN
ODD
OUT
EVEN
OUT
SND
INSERT
BAL
TRN
INSERT
SND
BAL
RTN
ODD
OUT
EVEN
OUT
SND
INSERT
BAL
TRN
INSERT
SND
BAL
RTN
ODD
OUT
EVEN
OUT
SND
INSERT
BAL
TRN
INSERT
SND
BAL
RTN
ODD
OUT
DIR
OUT
SND
INSERT
BAL
RTN
PIN 1
LIFT
EVEN LINE IN
OUT BAL
-20
-5 -3
-10 -7
-1 0
+1
SOLO R
IN
BAL
MIC
OUT
DIR
OUT
SND
INSERT
BAL
RTN
LINE IN
BAL
PIN 1
LIFT
+2
+3
Level
IN
BAL
MIC
OUT
ON
PIN 1
LIFT
LINE IN
BAL
BAL
RTN
INSERT
SND
DIR
OUT
52 POSITION CONSOLE METER BRIDGE SHOWN
INSERT
SND
BAL
TRN
INSERT
SND
10
-5 -3
-10 -7
ON
EVEN
OUT
1
BAL
RTN
PHONES
IN
BAL
MIC
OUT
-20
-1 0
+1
13
-5 -3
-10 -7
DIR
OUT
SND
INSERT
BAL
RTN
LINE IN
BAL
PIN 1
LIFT
+2
+3
Level
IN
BAL
MIC
OUT
DIR
OUT
SND
INSERT
BAL
RTN
LINE IN
BAL
PIN 1
LIFT
-20
-5 -3
-10 -7
-1 0
+1
BAL
RTN
Level
+2
+3
LINE IN
BAL
PIN 1
LIFT
-20
-5 -3
-10 -7
-1 0
+1
15
+2
+3
Level
DIR
OUT
BAL
RTN
DIR
OUT
LINE IN
BAL
SND
BAL
RTN
SND
LINE IN
BAL
PIN 1
LIFT
INSERT
PIN 1
LIFT
INSERT
IN
BAL
MIC
OUT
IN
BAL
MIC
OUT
-20
-1 0
+1
16
-5 -3
-10 -7
DIR
OUT
SND
INSERT
BAL
RTN
LINE IN
BAL
PIN 1
LIFT
+2
+3
Level
IN
BAL
MIC
OUT
DIR
OUT
SND
INSERT
BAL
RTN
LINE IN
BAL
PIN 1
LIFT
-20
-5 -3
-10 -7
-1 0
+1
PIN 1
LIFT
Level
+2
+3
LINE IN
BAL
BAL
RTN
INSERT
SND
DIR
OUT
17
IN
BAL
MIC
OUT
-20
PIN 1
LIFT
LINE IN
BAL
BAL
RTN
INSERT
SND
DIR
OUT
GROUPS
IN
BAL
MIC
OUT
-5 -3
-10 -7
-1 0
+1
18
IN
BAL
MIC
OUT
+2
+3
Level
-6
MODE
ALT
1
-20
-1 0
+1
19
-5 -3
-10 -7
DIR
OUT
SND
BAL
RTN
SND
LINE IN
BAL
PIN 1
LIFT
BAL
RTN
INSERT
IN
BAL
MIC
OUT
+2
+3
Level
IN
BAL
MIC
OUT
PIN 1
LIFT
LINE IN
BAL
BAL
RTN
INSERT
SND
DIR
OUT
0
-20
-1 0
+1
+2
+3
-5 -3
-10 -7
-1 0
+1
+2
+3
SND
DIR
OUT
LINE IN
BAL
BAL
RTN
INSERT
SND
DIR
OUT
LINE IN
BAL
BAL
RTN
INSERT
SND
DIR
OUT
-20
INSERT
Level
BAL
RTN
21
LINE IN
BAL
PIN 1
LIFT
IN
BAL
MIC
OUT
EXT INP
PIN 1
LIFT
Level
10
IN
BAL
MIC
OUT
10
10
10
15
IN
BAL
MIC
OUT
-20
30
LMx L/R MODULE
LMx GROUP MODULE
+2
+3
Level
IN
BAL
MIC
OUT
LMx
DIR
OUT
SND
INSERT
BAL
RTN
LINE IN
BAL
PIN 1
LIFT
IN
BAL
MIC
OUT
LMx INPUT MODULE
-1 0
+1
22
-5 -3
-10 -7
DIR
OUT
SND
INSERT
BAL
RTN
LINE IN
BAL
PIN 1
LIFT
PHONES
LMx MASTER MODULE
20
20
5
SUM
MONO
5
PIN 1
LIFT
20
-5 -3
-10 -7
SLAVE
MODE
IN
BAL
MIC
OUT
M
U
T
E
5
0
5
0
5
5
0
10
5
LINE IN
BAL
PIN 1
LIFT
SIG
10
INSERT
DIR
OUT
PFL
+8
9
1
IN
BAL
MIC
OUT
SOLO
8
2
INSERT
SND
DIR
OUT
14
IN
BAL
MIC
OUT
SOLO
9
1
+2
+3
INSERT
BAL
TRN
SND
INSERT
AFL
PK
8
BAL
RTN
-30
6
EVEN
OUT
R
STR
MIC
IN
SAFE
SIG
MONTR
SOURCE
30
30
30
8
LAST
PRESSED
MUTE
Inputs
FDR MIX
15
20
15
15
20
CLEAR
SOLO
SIG
INPUT
PRIORITY
MUTE
SOLO CONTROL
MUTE
8
-20
IN
BAL
MIC
OUT
5 6
FREQ
LINE IN
BAL
-1 0
+1
IN
BAL
MIC
OUT
4
Ø
-20
IN
BAL
MIC
OUT
7
3
5
G
R
O
U
P
S
INPUT
10
10
10
0
10
0
OUTPUT
DIM
0
22
(R)
DIM
1
ON
For use on an 11 inch x 17 inch sheet, print this page out at 140%
Groups
9
1
MAIN
7
3
SOLO ACTIVE
8
2
MONITOR
Ø
9
TB ENB
Ø
4
5 6
21
(L)
TB ENB
8
2
ALT
PAN
LEV
PAN
LEV
2
9
10
0
PRE
7
3
8
STEREO
L/R
4
10
0
5 6
3
INSERT ON
5 6
X2
÷5
LEV
20
4
7
10
INSERT ON
9
1
8
0
INSERT SOLO
0
10
INSERT SOLO
2
7
5 6
PAN
6
PRE
9
1
9
1
19
5 6
4
10
0
3
7
3
18
5 6
4
2
8
2
8
EVEN
ODD
7
3
EXT TB
OUT
Master
9
1
R
8
2
SIG
7
L-R ASSIGN
FROM GROUP
10
0
6
4
L
7
3
5
SOLO
4
MUTE
4
LEV
9
1
GROUP TO
L-R ASSIGN
8
2
L-R TO GROUP
EVEN
ODD
17
5
10
0
10
0
POST
9
1
9
1
100Hz
HM
Inputs
8
ODD
5
4
R
SIG
9
3
8
2
8
M
A
S
T
E
R
S
8
2
2
6 EVEN
7
3
TO
6
5
4
0
10
0
15
16
7
3
L
5
4
8
7
1
9
3
1
5
4
TO
6
13
14
7
3
2
8
2
ODD
6 EVEN
R
10
G
R
O
U
P
1
9
10
0
MASTER SEND
10
0
M
U
T
E
2
L - R TO GROUP
9
1
L
+10
8
7
3
FROM INPUT MODULE
7
3
-10
6
5
-20
7
3
-40
+20
THRESH
4 5 6
LINE INPUT
11
12
6
5
4
0
10
0
1
9
1
EVEN
10
0
2
8
2
SOLO
COMP GATE
ODD
9
4
6
5
4
STEREO INPUT
R
PRE
ON
L
L
7
9
10
7
3
R
ON
6
4
TB ON
8
3
1
2
TB LEV
7
8
5
7
3
7
10
0
10
0
10
0
10
0
2
8
2
4
R
9
1
9
9
1
3
7
3
7
2
R
8
2
8
3
1
R
1KHz
70
6
4
5
6
5
4
6
5
4
L
STEREO
10
0
5
6
6
5
4
L
9
1
L
STEREO EQ
STEREO GRP EQ
8
2
8
200
16
16
400
20
8
40
10
0
VIA TB
9
EXT TB
IN
6
5
4
LF
7
3
4
7
3
OSCILLATOR
– O +
100
80
8
3
250
125
EQ ON
PINK
NOISE
500
80
PRE
1K
40
6
1
2
1
2
HPF ON
5
4
LEV
800
9
1
LF
10
0
16
40
2
600
7
8
8
8
8
16
16
16
3
100
+48
Level
IN
BAL
MIC
OUT
5
5
HF
– O +
LF
– O +
300
150
8K
6
HEADPHONES
GAIN
40
HF
4K
300
2K
150
16K
800
1K
40
2K
100
100
EQ ON
16
400
1.6K
100
1K
250
16
8K
400
– O +
3K
+24
10KHz
50
MID
2
20
8
8
6K
1K
16
16
30
8K
300
20K
1K5
3
1K
4
LINE
600
10
3
–20
+48
8
8
70
LAMP DIM
50
DC
OK
20
PAD
100
EQ ON
ADDITIONAL JACKS
LOCATED BELOW
ARMREST
+20
HF
– O +
TB
MIC
GAIN
15
40
MASTER
+48V ON
+48
20K
1K
30
10
5
LINE
Ø
3
PAD
MASTER
—
STEREO
—
GROUP
—