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LIVE STUDIO BROADCAST SOLUTIONS
LIVE STUDIO BROADCAST SOLUTIONS
Content
Content
2
ADI-648
13
MADI Router
3
ADI-6432(R)
14
MADIface XT
4
ADI-6432R BNC
15
MADIface USB
5
MADI Converter
16
Micstasy
6
Remote Controls
17
DMC-842 (M)
7
HDSPe MADI FX / OPTO-X
18
M-32 AD / M-16 AD
8
HDSPe MADI
19
M-32 DA / M-16 DA
9
HDSPe AES
20
ADI-8 QS
10
Expansion Boards
21
ADI-192 DD
11
Breakout Boxes
22
ADI-642
12
Rack Mounts
23
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MADI Router
MADI Router
12-Port MADI Patch Bay &
Matrix Interface
The MADI Router has four groups of three different
MADI I/Os each and may be used as a patch bay and
format converter between those. Apart from the fully
transparent, full-stream operation between its ports, it
surpasses the well-known RME MADI Bridge by letting
users create output signals that combine audio channels from different MADI inputs (“Any-to-Any”).
The device is controlled directly at the unit, where a
full-color TFT display informs the user about the current
input status and routing situation. Channels from any
input group can be copied to different output groups in
blocks, which ensures flexibility while maintaining clarity
and easy access.
Presets can be stored both on the device itself and on an
attached USB memory stick. The use of a USB stick also
allows preparation of routing tables offline.
Connectivity / Features
• 12 bridged MADI streams, including
• 4 composed MADI streams
• On-screen routing in 1, 2, 4
and 8-channel groups
• 4 x MADI I/O coaxial
• 4 x MADI I/O optical
• 4 x MADI I/O twisted-pair (TP)
• 1 x Word Clock I/O
• RME Redundancy Mode
• Redundant power supplies
• USB connectors for firmware updates
and preset storage
Eurovision Song Contest
Distribute and route MADI streams between
different locations of the production
Case Study: rme.to/esc2014
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USB 3.0 Audio Interface
MADIface XT
394-Channel Triple MADI
USB 3.0 Audio Interface
Connectivity / Features
• 196 Input / 198 Output channels
The RME MADIface XT is the world’s first USB 3.0 audio
interface - and the world’s smallest portable interface that
provides access to hundreds of audio channels in such a
small package. For highest usability and connectivity the
XT can also be used with USB 2.0 (computer I/O limited
to 70 channels). Its unique PCI Express port connects to
external PCIe cards as well as adapters to Thunderbolt,
providing all the fastest interfacing technologies available
for maximum channel count and lowest latency in one unit.
• 2 x MADI I/O optical
• 1 x MADI I/O coaxial
• 2 x Mic/Line Preamp (XLR/TRS Combo)
• 2 x Analog Output (XLR)
• 1 x Phones Output
• 1 x Word Clock I/O
To bring together the most complete I/O set for live or
studio usage, two digitally controlled high end mic/line
preamps, two balanced line outputs and one stereo
phones output are included. Full stand-alone operation
with remote control over MADI plus TotalMix FX for
unlimited mixing, routing and processing open an
endless world of possible applications.
• 1 x AES/EBU I/O
For most convenient desktop operation RME’s Advanced
Remote Control can be connected (option).
• Optional: Advanced Remote Control (ARC)
• 1 x MIDI I/O via breakout cable
• 3 x MIDI I/O over MADI
• RME Redundancy Mode
• USB 3.0 or external PCIe operation
• Optional: 19” Rackmount Kit (RM19-X)
Haldern Pop Festival
Live recording of the concerts with
additional ambience microphones
Case Study: rme.to/haldern
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MADI USB Interface
MADIface USB
128-Channel mobile MADI
USB 2.0 Audio Interface
Connectivity / Features
• 64 Input / 64 Output channels
This small, bus-powered device provides one MADI I/O
via USB 2.0 with the format’s full 64 channels, in and
out. Its overall design makes it easy to use and reliable
in operation.
Advanced features include full dual port operation with
128 channels in and out, mixed and controlled by TotalMix,
single port operation with RME’s Seamless Redundancy
input switching, and stand-alone operation with another
two modes: either single port to two port distribution or
bidirectional format conversion optical/coaxial.
RME‘s MIDI over MADI technology may be used to
remote-control other attached MADI devices.
• 128-Channel Mix Mode
• 1 x MADI I/O (optical and coaxial)
• 1 x MIDI I/O over MADI
• Word Clock or AES Sync
(instead MADI coaxial Input)
• Stand-alone MADI Format Converter
• Stand-alone MADI Signal Repeater
• RME Redundancy Mode
• USB bus-powered
Also included is DIGICheck, a complete audio analyzing
suite for Mac OS X and Windows.
Nick Howard Tour 2014
(Winner of ‘Voice of Germany‘ 2012)
Recording and soundchecking on Tour
with a pocket-size solution
Case Study: rme.to/howard
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Microphone Preamps
Micstasy
8-Channel Full Range Preamp &
AD Converter
Connectivity / Features
• 8 x Full Range Preamp (85 dB gain range)
Micstasy is an 8-channel high end Mic/Line preamp and
AD-converter combining typical RME features with a
number of previously unseen features.
• 8 x Analog Output (XLR)
• 4 x AES/EBU Output (8 channels @ 192 kHz)
The device can be used analog (Mic/Line In to Line Out)
and digital (Mic/Line In to Digital Out), with both signal
paths operating simultaneously, making an expensive
splitter box on stage obsolete.
• 2 x ADAT Output (SMUX and SMUX4)
The Micstasy‘s innovative concept allows for amplification
and digitization of ALL analog signal sources. Be it highlevel stage signals, typical studio signals, lower level and
high-impedance instruments, or dynamic, condenser
or ribbon microphones: Micstasy understands them all.
The unit also uses the fastest available A/D-converters
for low latencies never achieved before.
• MIDI Remote Software (free download)
All functions can be remote controlled via MIDI and
MIDI over MADI, allowing the device to be placed near
the microphones, ensuring highest sound quality.
RME‘s free remote software for Windows and Mac gives
full control and status display over all Mictasys found in
a MADI chain.
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• 1 x Word Clock I/O
• 1 x MIDI I/O
• Optional: MADI I/O (i64 MADI Card)
Also available as DMC-842M
with integrated MADI I/O card
DMC-842 (M)
8-Channel AES42 Interface
for Digital Microphones
Connectivity / Features
• 8 x AES42 Input (AES/EBU compatible)
The DMC-842 is both an 8-channel AES42 interface as
well as a controller for digital microphones. The unique
device allows for connection and control of up to 8
digital microphones, and converting their signals to
ADAT, AES/EBU, analog and (optional) MADI. Eight individually switchable high end sample rate converters offer
a flexible clocking and further usage options, especially as
the inputs are also compatible to AES/EBU signals.
When developing the DMC-842, RME worked closely
with the microphone manufacturers to ensure maximum
compatibility and best functionality.
As a result the DMC-842 is the most flexible and most
compatible AES42 interface available - a true milestone
for the broad acceptance of the new digital microphone
technology.
• 8 x Sample Rate Converter (up to 192 kHz)
• 8 x Analog Output (XLR)
• 4 x AES/EBU Output (8 channels @ 192 kHz)
• 2 x ADAT Output (SMUX and SMUX4)
• 1 x Word Clock I/O
• 1 x Com-Port I/O (RS232)
• 1 x MIDI I/O
• DMC Control Software for Windows
(free download)
DMC-842 M:
• Integrated MADI I/O (i64 MADI Card)
Galaxy Studios
Recording 64 digital microphones
simultaneously over MADI
Case Study: rme.to/galaxy
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Format Converters
M-32 AD M-16 AD
32/16-Channel Analog
to MADI/ADAT Converter
RME‘s M-32 AD is a 32-channel high-end AD converter,
easy to operate yet having a comprehensive feature set.
The unit combines excellent analog circuit design with
the latest converter chips and RME‘s superior SteadyClock,
resulting in a state-of-the-art AD conversion - 32 times!
The unit‘s unique set of features includes analog limiters,
three hardware reference levels up to +24 dBu, MADI and
ADAT I/O up to 192 kHz, 6.3 mm (1/4’’) TRS and D-sub
inputs, remote control via MIDI, and operation across a wide
range of mains voltages, all packed into a 2U enclosure.
An extraordinary limiter, conceived and optimized for
professional studio, stage, and broadcast applications,
offers essential operational safety with its capability to
limit an input‘s overload of up to 17 dB without audible
distortion (max. input level + 30 dBu).
-8-
Connectivity / Features
• M-32 AD: 32 x Analog Input
(TRS and D-Sub)
• M-16 AD: 16 x Analog Input
(TRS and D-Sub)
• 1 x MADI I/O (optical and coaxial)
• 4 x ADAT Output (SMUX and SMUX4)
• 1 x ADAT Input (Sync only)
• 1 x Word Clock I/O
• 1 x MIDI I/O
• Reference Levels up to +24 dBu
• MIDI Remote Software (free download)
M-32 DA M-16 DA
32/16-Channel MADI/ADAT
to Analog Converter
RME‘s M-32 DA is a 32-channel high end DA converter,
easy to operate yet having a comprehensive feature set.
The unit combines excellent analog circuit design with
the latest converter chips and RME‘s superior SteadyClock, resulting in a state-of-the-art DA conversion - not
less than 32 times!
The M-series converters have been conceived and
optimized for professional studio, stage, and broadcast
applications. Combinations of the M-16 DA and M-32 DA
converters allow for setups with 16, 32, 48, or 64 channels,
according to your individual application or budget.
Connectivity / Features
• M-32 DA: 32 x Analog Output
(TRS and D-Sub)
• M-16 DA: 16 x Analog Output
(TRS and D-Sub)
• 1 x MADI I/O (optical and coaxial)
• 4 x ADAT Input (SMUX and SMUX4)
• 1 x Word Clock I/O
• 1 x MIDI I/O
• Reference Levels up to +24 dBu
• MIDI Remote Software (free download)
The unit‘s unique set of features includes three hardware
reference levels up to +24 dBu, MADI I/O and ADAT input
up to 192 kHz, 6.3mm (1/4’’) TRS and D-sub outputs, remote control via MIDI, and operation across a wide range
of mains voltages, all packed into a 2U enclosure.
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Format Converters
RME external
Basic Remote Control
included
Optional
RME i64 MADI card
available
ADI-8 QS
8-Channel AD/DA Converter
with MADI Option
Connectivity / Features
• 8 x Analog Input (TRS and D-Sub)
RME‘s ADI-8 QS is an 8-channel high-end AD/DA converter
with an unrivalled bunch of features.
The device combines excellent analog circuit design with
outstanding low latency AD/DA converter chips of the
latest generation. Along with the integrated SteadyClock,
the QS offers an AD- and DA- conversion of highest quality.
Analog and digital limiters, 4 hardware reference levels
up to +24 dBu, AES/EBU and ADAT I/O (optional MADI I/O)
at up to 192 kHz, remote control via MIDI, digital input and
output trimming for full level calibration, volume control
for all 8 analog outputs, either separately or globally, digital
thru-mode, operation over a wide voltage range and
many more features make the QS truly unique.
The optional i64 module not only adds optical and
coaxial MADI I/O, but also enables a digital patch mode
between all I/Os, based on blocks of 8 channels.
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• 8 x Analog Output (TRS and D-Sub)
• 4 x AES/EBU I/O (8 channels @ 192 kHz)
• 2 x ADAT I/O (SMUX and SMUX4)
• 1 x Word Clock I/O
• 1 x MIDI I/O
• Reference Levels up to +24 dBu
• Basic Remote Control
(Volume, DIM, Preset)
• MIDI Remote Software (free download)
• Optional: MADI I/O (i64 MADI Card)
ADI-192 DD
8-Channel Digital Format &
Sample Rate Converter
The ADI-192 DD has three 8-channel format converters
which convert ADAT, TDIF or AES to ADAT, TDIF and
AES. Each of the converters has independent access to
all input formats, and operates at up to 192 kHz. A high
quality 8-channel 192 kHz Sample Rate Converter can be
selected as input source for the AES, TDIF or ADAT output,
i.e. for use as quad AES/EBU sample rate converter.
The unit supports Double Wire, Quad Wire, S/MUX and
S/MUX4, and can convert between these formats, even
along with SRC.
Connectivity / Features
• 8 x Sample Rate Converter
(up to 192 kHz)
• 4 x AES/EBU I/O (XLR)
• 2 x ADAT I/O (SMUX and SMUX4)
• 1 x SPDIF I/O (optical)
• 2 x TDIF I/O
• 1 x Word Clock I/O
Automatic distribution mode, SteadyClock, additional
optical TOSLINK output, second TDIF word clock output,
sub-sample synchronous conversion and much more
turn the ADI-192 DD into the final all-in-one solution for
every application of format and sample rate conversion,
from 2 to 8 channels.
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Format Converters
ADI-642
8-Channel MADI/AES Format
Converter & Matrix Interface
The ADI-642 perfectly integrates AES/EBU in any MADI
system. This high end format converter from MADI to
AES/EBU and vice versa features flexible routing options
via an easy-to-use 72x74 routing matrix, allowing free
configuration of all MADI and AES/EBU channels.
The ADI-642 not only offers superior I/O flexibility but
also seamless integration of high-class digital effects units
in any MADI system.
The ADI-642’s MADI interface handles 64 channels of 24 bit
audio at sampling frequencies of up to 48 kHz, 32 channels
up to 96 kHz, and 16 channels up to 192 kHz. The AES/EBU
channels use 4 XLR inputs and outputs respectively.
The MADI input is compatible to 56- and 64-channel
formats as well as 48k and 96k frame formats. Status
displays provide information about synchronization,
audio activity and physical quality of the input signal.
- 12 -
Connectivity / Features
• 1 x MADI I/O
(optical and coaxial)
• 4 x AES/EBU I/O (XLR)
• 1 x Phones Output
• 1 x Word Clock I/O
• 1 x Com-Port I/O (RS232)
• 1 x MIDI I/O
• MIDI Remote Software
(free download)
ADI-648
Bidirectional 64-Channel
MADI/ADAT Format Converter
This multi-channel audio digital interface offers format
conversion from MADI to ADAT and vice-versa.
The ADI-648 thus combines the world‘s most successful
multi-channel interface with the professionals‘ exclusive
high-end interface.
The MADI channels can be sent to and from 8 ADAT
optical inputs and 8 outputs via TOSLINK.
Connectivity / Features
• 1 x MADI I/O
(optical and coaxial)
• 8 x ADAT I/O
(SMUX and SMUX4)
• 1 x Word Clock I/O
• 1 x MIDI I/O
• MIDI Remote Software
(free download)
Furthermore, the ADI-648 contains an easy-configurable
8-channel 16x16 Matrix Router. Any of the outputs,
which are divided into 8-Channel blocks, can be fed from
any 8-Channel input block, both on the ADAT and the
MADI side. With this, there is not only free routing within
the M-A and the A-M conversion, but also splitting and
routing within the same format. An 8-channel input block
can be routed to any number of output blocks in parallel.
- 13 -
Format Converters
ADI-6432 ADI-6432R
Bidirectional 64-Channel
MADI/AES Format Converter
Connectivity / Features
• 32 x AES/EBU I/O (D-Sub)
The ADI-6432 converts all 64 channels of a single MADI
stream to 32 AES/EBU ports and vice versa.
Thus it supports all 64 channels of the MADI format at up
to 48 kHz, 32 channels at up to 96 kHz, and 16 channels
at up to 192 kHz. Connected to the HDSP(e) MADI card,
the ADI-6432 turns into a powerful external 32-port
AES/EBU interface. Two units will build a perfect digital
multicore solution without any computer needed.
The 32 AES I/Os are available via standard D-sub connectors.
56- and 64-channel MADI formats, both 48k and 96k
frame, will be accepted at the input, and can also be sent
to the 6432’s outputs. All channels are transferred across
a single cable, either coaxial (BNC) or optical network
cable. The ADI-6432 is fully compatible to third-party
MADI devices.
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• 1 x MADI I/O (optical and coaxial)
• 1 x Word Clock I/O
• 1 x Com-Port I/O (RS232)
• 1 x MIDI I/O
• MIDI Remote Software
(free download)
ADI-6432R:
• Redundant power supply
ADI-6432R BNC
Bidirectional 64-Channel
MADI/AES-3id Format Converter
Connectivity / Features
• 32 x AES-3id I/O (BNC)
The ADI-6432R BNC provides 64 channels of format
conversion from MADI to AES-3id and vice versa. Based
on RME’s highly successful bidirectional MADI-AES/
AES-MADI converter ADI-6432, the newly developed
ADI-6432R BNC offers broadcasters ease of integration
and fail-safe operation through the utilization of industry
standard BNC connectors and dual redundant power
supplies, while offering 64 channels of I/O capability.
The BNC version targets broadcast and professional users
who require AES-3id connections - coaxial 75 Ohm cables
with up to 300m length.
• 1 x MADI I/O (optical and coaxial)
• 1 x Word Clock I/O
• 1 x Com-Port I/O (RS232)
• 1 x MIDI I/O
• MIDI Remote Software
(free download)
• Redundant power supply
AES-3id, an extension to the AES-3 standard also known
as AES/EBU, carries the exact same data as the latter, but
uses a different cable (75 Ohm unbalanced instead of 110
Ohm balanced) with different connectors (BNC instead of
XLR) and lower voltage (1 Vpp instead of 4 Vpp).
- 15 -
Format Converters
MADI Converter
Bidirectional 6-Port MADI
Format Converter
Connectivity / Features
• 6 x MADI I/O optical
The MADI Converter converts MADI digital audio streams
from optical format to coaxial and from coaxial to optical.
The compact 19“ housing with 1 unit height contains six
fully independent bi-directional converters.
The MADI converter operates with any MADI format, be it
56-channel, 64-channel, and with any sample rate, even
out-of-spec rates, and transfers embedded control data
unchanged. Special equalization and highly sensitive
input stages allow distances of up to 100 m with coaxial
cables. Up to 2.000 m can be covered with optical cables.
The MADI Converter uses adapted termination and a
special equalizing, to reach higher cable lengths despite
its simpler design.
- 16 -
• 6 x MADI I/O coaxial
• 1 x MIDI Input
• 3 x MIDI THRU
Remote Controls
ARC
Advanced Remote Control
The ARC is a tremendous enhancement for interfaces
with a dedicated ARC connection port. It updates and
increases the flexibility and usability of TotalMix FX for
studio and live use. The ARC unleashes the powerful
and flexible monitoring controller functionality already
built into the audio interface.
Programmable TotalMix FX functions (examples)
Talkback, Mono, Mute (Main Out, Global), Phones 1/2 ...,
Dim, Recall, Speaker B, External Input, Mic Gain 1/2/3/4 or
1+2 / 3+4 Recall Snapshots, Cue Phones 1/2/3/4, Fader
groups, Solo groups, Mute groups
The ARC can be used with all Fireface UCX. UFX can be used from serial number
23241707 on. Older units (typically built before June 2010) require a new digital
expansion board.
Please contact your local distributor for details.
Feature Set
BRC
Basic Remote Control
The BRC provides a solid metal case with a main encoder
dial, two push buttons and a 5 m (16 ft.) cable. The BRC
connects to a special port on the back of the main unit.
Supported features with RME interfaces
• Volume control of the main output and both
headphone outputs (switchable)
• DIM (user adjustable value)
• Recall and store of a reference level for the main
outputs (user adjustable value)
• The left “Prog” button is programmable. It can control all important functions of the internal hardware mixer TotalMix FX. Among them are Talkback, Speaker B, Mono, Mute, Cue, recall of a mixer snapshot, access
to Mute/Solo/Fader groups and much more.
Feature Set
• Recall button
• Recall button
• 1 x Push button on the front
• 1 x Push button on the front
(freely programmable)
(freely programmable)
• 6 x button LED-equipped
(freely programmable)
Works with
Fireface UFX/UCX/802
Works with
MADIface XT
Fireface UFX/UCX/802
ADI-8 QS
MADIface XT
- 17 -
PCI Express Cards
HDPe MADI FX with optional
OPTO-X expansion board
HDSPe MADI FX
HDSPe OPTO-X
390-Channel Triple MADI
PCI Express Card
MADI Optical Expansion Board
for HDSPe MADI FX
The HDSPe MADI FX marks a new milestone both in the
history of audio interface cards in the past two decades
and within the long series of outstanding RME devices.
Never before has such a high-performance multi-channel
audio system existed.
The OPTO-X is an alternative extension board for the
HDSPe MADI FX triple MADI card with full functionality.
The HDSPe MADI FX features 390 audio channels!
Three MADI I/Os - two optical and one coaxial - are
accompanied by one AES/EBU I/O and one analog
monitoring output. To complete the feature set, a Word
Clock connection and four MIDI I/Os were added.
Like the standard extension board the OPTO-X comes
with Word Clock I/O and a D-sub connector for MIDI
and AES I/O. The standard coaxial MADI I/O is replaced by
an optical MADI I/O. Using the OPTO-X the HDSPe MADI
FX then has three optical MADI I/Os.
The card includes TotalMix FX, for unlimited routing
and mixing of all input and playback channels to any
hardware outputs, and also offers sophisticated Equalizer,
Compressor/Limiter and Reverb/Echo FX.
Connectivity / Features
Connectivity / Features
• 194 Input / 196 Output channels
• 1 x MADI I/O optical
• 2 x MADI I/O optical
• 1 x AES/EBU I/O
• 1 x MADI I/O coaxial
• 1 x Word Clock I/O
• 1 x AES/EBU I/O
• 1 x MIDI I/O via breakout cable
• 1 x Phones Output
• 1 x MIDI I/O over MADI
• 1 x Word Clock I/O
• 1 x MIDI I/O via breakout cable
• 3 x MIDI I/O over MADI
• RME Redundancy Mode
- 18 -
• Optional: HDSPe OPTO-X
HDSPe MADI FX main board not included
HDSPe MADI
128-Channel MADI PCI Express Card
The HDSPe MADI is RME‘s both inexpensive and
out-standing PCI Express card with MADI interface.
HDSPe MADI is based on the award-winning HDSP MADI
card, offering full MADI compatibility and lowest latency
with even more exciting features, like support for 192 kHz.
The included TotalMix offers unlimited routing and mixing
of all input and playback channels to any hardware
outputs, represented either as mixer view or matrix view.
Quick and easy monitoring is accomplished by a high-end
analog stereo output directly on the card.
Connectivity / Features
• 64 Input / 64 Output channels
• 1 x MADI I/O (optical and coaxial)
• 1 x Phones Output
• 1 x Word Clock I/O
• 2 x MIDI I/O via breakout cable
• 1 x MIDI I/O over MADI
• Optional: Time Code Option (HDSP-TCO)
- 19 -
PCI Express Cards
HDSPe AES
32-Channel AES/EBU PCI Express Card
The HDSPe AES is a short-length PCI Express card with
AES/EBU interfaces. It provides 8 AES inputs (16 channels)
and eight AES outputs (16 channels) at 192 kHz sample
rate. The card is also equipped with two MIDI I/O ports,
word clock I/O, and can be used with the optional TCO
module for synchronization to LTC and video.
The HDSPe AES is RME’s reaction to requests from audio
professionals for an AES-based solution with the typical
RME features and quality.
This audio card is a perfect all-in-one solution for professional users in the fields of broadcast, TV, theater, stage/
PA - and in any professional studio.
- 20 -
Connectivity / Features
• 16 Input / 16 Output channels
• 8 x AES/EBU I/O (D-Sub)
• 1 x Word Clock I/O
• 2 x MIDI I/O
• Optional: Time Code Option (HDSP-TCO)
• Optional: 19” XLR Breakout Box (BOB-32)
Expansion Boards
i64 MADI Card
HDSP Time Code Option
MADI I/O Expansion Board
HDSP Synchronization Module
The i64 MADI card provides e.g. the Micstasy with a
64-channel MADI input and output. Coaxial and optical
output operate in parallel to the AES/EBU and ADAT
output, therefore deliver the same data.
The TCO module is an optional extension for selected
RME cards. Placed in a free slot of the computer chassis
the TCO will be connected with the main card via a flat
ribbon cable.
The i64 features an optical as well as a coaxial MADI input.
The input is switched automatically, according to where a
valid input signal is detected. Full redundancy is ensured
by the automatic input switching, immediately changing
to the other input in case of loss of the input signal.
The small module provides the HDSPe cards with a Word
Clock input and offers a synchronization to LTC and video.
Thanks to SteadyClockTM the TCO not only extracts absolute positions from LTC, but also a very clean low-jitter word
clock from LTC and video. Thus a sample accurate timecode
synchronization to audio or video sources is assured.
Connectivity / Features
Connectivity / Features
• 1 x MADI I/O optical
• 1 x Word Clock I/O
• 1 x MADI I/O coaxial
• 1 x Video Sync Input (instead Word Clock Input)
• 1 x MIDI I/O over MADI
• 1 x LTC I/O
Supported Devices:
Supported Cards:
ADI-8 QS
HDSP AES-32
Micstasy
HDSPe AES
DMC-842
HDSPe AIO
HDSPe RayDAT
HDSPe MADI
- 21 -
Breakout Boxes
BOB-32
Universal AES/EBU Breakout Box
The BOB-32 breakout box is an advanced solution for interconnecting digital multichannel XLRs and D-Subs.
The box connects 2 x 8 XLR connectors with two 25-pin D-Sub connectors, working basically like two breakout cables.
All 16 XLR connectors can be connected to the 19” rack mount unit instead of a typical multicore breakout cable,
preventing cable chaos, errors and connection problems.
BOB-32 is pin compatible to the digital TASCAM (=RME) and Yamaha formats. Therefore it is a perfect partner for the
HDSPe AES PCI Express Card and all AES/EBU units with D-Sub 25 connectors.
BOB-16
Universal Analog Breakout Box
The RME BOB-16 breakout boxes are the perfect rack
solutions for interconnecting analog multichannel XLRs
with the common D-Sub 25 connector format.
Three different versions are available:
BOB-16 I
16 x XLR Input to 2 x D-Sub
BOB-16 O
16 x XLR Output to 2 x D-Sub
BOB-16 IO
8 x XLR Input and 8 x XLR Output to 2 x D-Sub
- 22 -
Rack Mounts
Unirack
RM19-X
19“ / 1 RU Universal Rack Mount
for all RME 9.5“ devices
Rackmount Kit for 9.5“ devices
Compatible to the following 9.5“ devices
• MADIface XT
• QuadMic II
Features of the new
and improved Unirack
• Custom holes for mounting RME 9.5“ devices
• More stability due to new, stronger material
• Cable management slots at the back - designed to fit
the unit‘s external power suplies by using cable straps
RM19
Rackmount Kit for 9.5“ devices
• Rear slots to use as cable strain reliefs
• Same grey/silver look & feel as the popular RM19-X
rackmount adapters
Compatible to the following 9.5“ devices
• Fireface 400 / UC / UCX
• Multiface II
•ADI-2
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Premium Line
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Worldwide Distribution
Distribution in the Americas
Distribution in the UK
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E-Mail: info@audioag.com
Internet: www.audioag. com
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Phone: +1 754-206-4220
Fax: +1 954-306-6349
E-Mail: info@synthax.com
Internet: www.synthax.com
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Tel: +44 (0) 1727 821 870
Fax: +44 (0) 1727 823 554
E-Mail: info@synthax.co.uk
Internet: www.synthax.co.uk
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