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- pro audio with a smile
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Meet the New Standard:
The Yamaha 02R96
Digital Mixing Console
A lot has changed in the world of digital audio production since the Yamaha 02R sparked
the revolution back in 1995. But through it all the 02R became and remained the professional standard.
Now, as the industry settles on the 24-bit 96-kHz format for the foreseeable future of professional
digital audio, and surround sound proves that it is here to stay, it’s time for a change.
Meet the new standard: the 02R96. With more than five times the processing power
of the original 02R, the 02R96 represents a thorough revision that brings every aspect of the console
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Unprecedented 24-bit,
96-kHz Performance Throughout
Unlike conventional equipment that achieves operation
in 96-kHz mode with reduced number of channels, the 02R96 imposes
no such limitations — at 44.1 kHz, 48 kHz, 88.2 kHz or 96 kHz. Full 96kHz resolution with 32-bit internal processing and 58-bit accumulators
is the standard. You get 56
channels of transparent, superdynamic 24-bit/96-kHz audio, plus
all the additional effects and
processing you’ll ever need for
most applications. Yamaha has
included a comprehensive range of
FX Edit Reverb 5.1
96-kHz compatible stereo effects
with 32-bit internal processing in the 02R96 — plus several designed
specifically for surround. And you can use as many as four individual
effect processors simultaneously.
up to date with today’s most advanced production needs. And since the 02R96 inherits key features
from Yamaha’s flagship DM2000 Digital Production Console — 96-kHz audio, surround monitoring,
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instantaneously layer-switched to control any of 56 channels. Having all
controls right in front of you at all times not only saves space, but it also
means that all operations can be carried out without having to move
away from the monitoring “sweet
spot”. What’s more, all available
inputs, outputs, effects, and channel
inserts can be assigned to any of the
console’s channels or outputs via
the 02R96’s remarkably versatile,
easy-to-use digital patching system.
In Patch
For example, any of the four effect
processors can be assigned to an auxiliary buss for send-type operation,
or inserted directly into any input channel as required.
A direct out function also allows the signal from any of the 56 input
channels to be routed directly to any digital or analog output. The eight
auxiliary busses can also be patched to anywhere in the system.
Centralized control means you’ll never have to run around to physically
re-patch cables whenever you need to reconfigure the system, and patch
setups you might want to use again can be stored in the patch library for
instant recall at any time.
studio manger software, and DAW control — it makes the most advanced technology for commercial
Top-quality Channel Compression,
Gating, EQ and Delay
sound and music production available to a broad range of engineers and facilities.
Superlative Analog Head
Amplifiers & Converters
And what about critical A/D conversion?
All onboard A/D and D/A conversion makes
use of the finest 24-bit/96-kHz converters.
This is particularly important in the 02R96
because it features head amplifiers derived
from the acclaimed DM2000 — some of the finest analog mic preamps
available in any console, anywhere. The on-board converters ensure that
you get an excellent digital representation of the warm, transparent
output from these remarkable mic preamps. I/O capability is also in line
with the rest of the console’s performance: four I/O slots accept a new
range of 24-bit/96-kHz-capable Mini-YGDAI digital and analog I/O
cards as well as existing types.
56 Channels in 3 Layers, Plus Extraordinary
Patching Flexibility
All 56 input channels on the 02R96 feature flexible, independent
compression and gating/ducking processors for dynamics control.
The 4-band parameter channel
equalizers also offer extra versatility
with switchable “type I” or “type II”
EQ algorithms to deliver the type of
EQ response you prefer. Even the
channel delay goes beyond the norm,
with a maximum delay of 453
Channel View
milliseconds.
Expandable Data Libraries
Setting up EQ, compression, and other parameters for a mix from
scratch can be a daunting task, so Yamaha has provided an extensive
selection of presets in a range of “libraries” that can simply be selected
and used unmodified, or edited to suit specific requirements. Libraries
are provided for effects, compression, gating, EQ, I/O patching, and
more. Of course, your own setups can be added to the libraries for
instant recall whenever they are needed.
One of the advantages of working with digital is that it allows maximum
power and flexibility to be packed into minimum space. On the 02R96
24 precision 100-millimeter motorized channel faders can be
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02R96
02R96
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I/O Expandability and Plug-in Capability
The 02R96 provides everything you need
for 5.1 surround processing,
panning and monitoring.
The 02R96’s real I/O versatility comes in the form of four Mini-YGDAI
expansion slots. The expansion slots are 24-bit/96-kHz compatible, so
you can select I/O and processing cards to provide the input/output
configuration and processing capabilities that are perfect for your needs.
Whether you need digital I/O in ADAT, TASCAM, or AES/EBU format,
or extra analog I/O capability, the appropriate Mini-YGDAI cards are
available. Apogee’s high-performance A/D and D/A cards are supported,
as is the very powerful Waves Y56K effects plug-in card.
A Complete Surround Solution
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Intuitive Interface Designed for Maximum
Productivity
If you’ve used an 02R before, you’ll feel right at home with the 02R96.
It even has the same footprint size as the 02R, so replacing existing
equipment is a snap. You will notice, however, that the control surface
and user interface have been
expanded and enhanced to allow
analog-style hands-on operation with
minimum need to refer to the LCD.
16 user-defined keys which can be
assigned the functions of your choice
are also provided.
User Defined
The 02R96 provides everything you need for 5.1
surround processing, panning and monitoring — including joystick —
without any external equipment or the need to reassign channels for
surround use. In addition to graphic monitor configuration displays, the
02R96 also provides multi-channel surround pan/position displays so
you can see where multiple channels sit in the surround mix at a glance.
The joystick provided for surround panning in the console’s
SELECTED CHANNEL control section has high 128 x 128 step
resolution for exceptionally smooth control, and a divergence parameter
can be used to adjust the hard/phantom center ratio for each channel.
Additional facilities provided by the monitor processing section include
individual bus (speaker) muting and attenuation, overall level control for
all monitor outputs, stem mix monitoring via independent source
selection capability for each expansion slot, bass management for
subwoofer delivery, and independent delays for precision speaker tuning.
Studio Manager Software Supplied
The 02R96 comes with Yamaha’s Studio
Manager application for both Macintosh®
and Windows® platforms, allowing total control and management of all
console parameters via a comprehensive graphic interface.
Comprehensive Automation and Scene Control
The 02R96 takes automation and scene memory recall to new levels of
precision and ease-of-use. While providing full automation of virtually
all console parameters, the 02R96 features smooth and quiet touchsensitive, 100mm motorized faders that make writing and updating
automated mixes faster and more intuitive than ever. And all automation
data is recorded at 1/4-frame accuracy to ensure excellent precision.
Integrated DAW Control
Surround Monitor
Monitor Alignment
Surround Edit
Bass Management
The 02R96 has been designed to integrate tightly with leading digital
audio workstations such as Digidesign’s Pro Tools® system and
Steinberg’s Nuendo® to create a complete production and mixing
environment. Mixing and processing parameters, as well as transport
control and editing functions can be controlled directly from the 02R96
surface. Integration with Emagic’s Logic Audio® is also planned.
Since the 02R96 employs the same control protocol as Yamaha’s
flagship DM2000 Digital Production Console, collaboration with
software/hardware developers brings the same benefits to both consoles.
Remote (Insert)
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02R96
Remote (Channel)
02R96
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Refined Interface
The Yamaha 02R96 has been designed on the strength of past successes plus invaluable feedback from
leading engineers and artists worldwide. It is the latest step in an ongoing evolution that makes more
production power, creative potential, and operational efficiency available than ever before.
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7
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* Rear panel shown with optional I/O cards installed.
Selected Channel Section
The SELECTED CHANNEL controls are the handson channel controls for the currently selected input
and output channel, with analog-style buttons and
knobs for direct, easy access to every single parameter.
Need to adjust the high-mid frequency a little? Just
grab the HIGH-MID encoder and turn. And while
we’re on the subject of EQ, note that individual
numeric displays are provided for each of the four EQ
bands, displaying precise frequency and dB values
immediately below the encoders so you don’t have to
refer to the LCD display. All of the sub-sections within
the SELECTED CHANNEL section also feature
DISPLAY keys that instantly bring the corresponding
parameters up on the LCD display.
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Monitor Section
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User Defined Keys
These 16 keys can be assigned to control any
functions you choose. You could, for example,
individually mute surround monitor speakers, arm
tracks on an MTR, etc. When the Pro Tools® or
Nuendo® Remote Layer mode is selected, the USED
DEFINED KEYS are automatically assigned to
dedicated control functions by default.
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Machine Control
The 02R96 has been provided with a comprehensive
range of facilities for external machine control.
MMC protocol is supported, and control can be
switched between MTR and master target machines.
The MACHINE CONTROL section features basic
transport control in the familiar layout – REW, FF,
STOP, PLAY, and REC – for fast, efficient transport
operation, plus locator keys for easy cue access.
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Channel Strips
The 24 channel strips on the 02R96 panel provide
access to the most essential operations for the
corresponding channels. Depending on the currently
selected layer, the channel strips will control
channels 1 through 24, channels 25 through 48, or
channels 49 through 56 as well as the eight AUX
sends and eight busses (the “Master Layer”). Also
the channel faders and encoders will function
according to the settings in the FADER MODE and
ENCODER MODE sections. In addition to a fader
and rotary encoder, each channel strip includes a
channel ON/OFF key, a SOLO key, and AUTO key
to turn mix automation on or off for that channel,
and a SEL key which assigns the channel as the
console’s “Selected Channel”. Detailed control for
the currently selected channel – dynamics, EQ, buss
assignment, panning and surround positioning, – is
available via the SELECTED CHANNEL controls.
The 02R96 MONITOR section features separate,
multiple source selectors for the studio and control
room sends, solo capability, separate source selectors
In addition to the master stereo fader with its own
and level control for surround monitoring, a DIMMER
switch, and a TALKBACK section complete with slate
capability. The 02R96 also offers advanced surround
monitoring capability.
ON, SEL and AUTO keys, the master section
includes keys for input channel layer selection (1-24,
25-48, or MASTER) as well as a selector for remote
control.
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Display Control
The DISPLAY ACCESS keys determine which type of
data will be shown on the LCD panel — a total of 12
selectable categories — in addition to the DISPLAY
keys provided for each of the 02R96 control sections.
This approach minimizes the need to scroll through onscreen lists when you need access to a particular type of
data. Below the display access keys are a group of
EFFECTS/PLUG-IN keys that can be used to instantly
bring the parameters for any of the four simultaneouslyassignable effects to the display. Editing and selection
of on-screen parameters is easy, too, via encoders
located immediately below the display.
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Fader & Encoder Mode
The FADER MODE keys allow the 02R96 faders to be
instantaneously switched between fader and auxiliary
level control, while the ENCODER MODE keys
assign the console’s rotary encoders for pan, send
level, and other assignable control functions.
Scene Memory
Here’s where you can store all console parameters as a
new scene, or instantly recall previously-stored scenes.
A numeric display right next to the STORE,
RECALL, and UP/DOWN keys shows the current
scene number – 01 through 99. Additional scene
memories can be managed via a computer running the
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Master & Layer Section
Data Entry
Large cursor, INC/DEC, and enter keys are
complemented by a data entry dial that lets you spin
in values quickly and easily. The data entry dial also
doubles as a shuttle/scrub dial for recorder or DAW
control.
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Analog Input Section
Inputs 1 through 16 feature high-performance head
amplifiers for microphone or line input that deliver a
pristine signal to the console’s precision 24-bit/96-kHz
A/D converters. 48-volt phantom power for condenser
microphones is individually switchable for each input,
trim controls and pad switches facilitate optimum level
matching with the source, and switchable inserts make
it easy switch external analog processing gear into or
out of the pre-A/D signal path while maintaining
optimum signal quality in wired installations. Inputs
17 through 24 accept line-level signals singly (each
input has an independent trim control) or in pairs for
stereo input.
12 Meter Bridge
The MB02R96 Peak Meter Bridge is a complete levelmonitoring station with 12 12-segment level meters
that can be used to display pre-EQ, pre-fader, or postfader input channel signal levels. An additional eight
meters display levels on the console’s eight busses. A
separate 32-segment stereo meter is provided for the
main stereo program.
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Rear Panel
A quick look at the rear panel should tell you that the
02R96 is designed for serious production. Balanced
XLR and TRS connectors are provided for inputs 1
through 16, in addition to insert jacks (insert switches
are provided on the console). Line-input channels 17
through 24 feature balanced TRS inputs. Then there
are balanced analog studio, stereo, control room, and
monitor outputs as well as eight balanced “omni”
outputs. Analog 2-track inputs are provided in addition
to digital 2-track inputs and outputs featuring both
AES/EBU and coaxial connectors. On-board sample
rate conversion allows CD players and other digital
sources connected to the digital input to be monitored
or routed to an input channel without having to be
synchronized to the system clock. A wide range of
synchronization and control options are available via
word clock inputs and outputs, SMPTE and MTC time
code inputs, MIDI connectors, and both serial and
USB “TO HOST” connectors. Cascade in and output
connectors allow two 02R96 consoles to be cascaded
to provide up to 112 channels. Even the cooling fan is
specially designed for ultra-quiet operation so that
machine noise doesn’t interfere with critical
monitoring or recording operations.
supplied Studio Manager software.
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A P P L I C A T I O N S
A P P L I C A T I O N S
An Awesome Performer
In Any Application
The 02R96 with Nuendo®
In this system the Yamaha 02R96 is combined with Steinberg’s Nuendo® computer-based audio workstation for double-channel
mode 32 track 96-kHz recording. While the 02R96 functions as an advanced control surface for the software, it can also handle
critical audio processing tasks as well as monitoring.
Example 3
Direct 96-kHz Integration with Pro Tools® HD
PAN
REVERB
CUTOFF
KNOB
CONTROL
FUNCTION
RESONANCE
CHORUS
TEMPO
ATTACK
RELEASE
ASSIGN A
ASSIGN B
ASSIGN 1
KN 1
KN 2
KN 3
KN 4
MEQ LOW MEQLOWMID MEQ HI M ID
MEQ HIGH
ASSIGN 2
REMOTE
CONTROL
ON/OFF
MASTER
VOLUME
VOLUME 1
VOLUME 2
VOLUME 3
VOICE
PERFORM
SLOT 1
MASTER
DRUM KITS
FAVORITES
PRE 2
A. PIANO
KEYBOARD
PRE 3
ORGAN
COMMON
SEQUENCER
SONG
PATTERN
FILE
INTEGRATED
SAMPLING
MIXING
UTILITY
DEC/NO
SONG SCENE
SF1
1
PRE 1
GM
USER
PLG 1
GUITAR /
PLUCKED
BASS
STRINGS
D
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SLOT 2
MY16-AT (ADAT Signals) x 4
SLOT 3
PLG 2
PLG 3
BRASS
REED/PIPE
CATEGORY
SEARCH
BANK
SECTION
GROUP
ON/OFF
VOLUME 4
LOCATE
mini YGDAI Cards
ADAT Signals
Integrated Sampling Sequencer
Real-time External Control Sur face
Modular Synthesis Plug-in System
ARPEGGIO
SYSTEM
SEQ TRANSPORT
With the new Pro Tools® HD system the 02R96 can directly
Nuendo®
PCI Card
MUSIC PRODUCTION SYNTHESIZER
MODE
EFFECT BYPASS
INSERTION
SF2
SF3
SF4
INC/YES
A
B
C
SYN LEAD
SYN PAD/
CHOIR
SYN COMP
1
2
3
F
G
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MUSICAL FX
COMBI
4
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7
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TRACK
SELECT
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15
16
MUTE
DRUM /
CHROMATIC
PERCUSSION PERCUSSION
Guitar etc.
INFORMATION
SF5
2
ELEMENT/ PERF.PART / ZONE
NUMBER
REC
EDIT
COMPARE
OCTAVE
DOWN
CS 1
CS 2
CS 3
CS 4
ZONE 1
ZONE 2
ZONE 3
ZONE 4
JOB
STORE
F1
F2
F3
F4
F5
F6
EXIT
ENTER
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EXECUTE
SCENE STORE
SET LOCATE
SOLO
UP
transfer 32 tracks of 96-kHz audio in double speed mode.
Add to this the 02R96’s advanced control surface features, and you
MOTIF
have an extraordinarily powerful, efficient computer-based hard-
USB
disk recording system.
A5000
02R96
Macintosh or PC
MIC
Example 1
HDR 48tr Recording (44.1/48-kHz), 24tr Recording (96-kHz)
Pro Tools® HD 1 System (HD Core™ card)
* With the Pro Tools® HD 192 I/O interface, operation is only possible up to 96-kHz.
AES/EBU
Stand-alone hard disk recorders such as the Tascam MX-2424 or Alesis HD24 are rapidly gaining popularity. Here’s a system in
mini YGDAI Cards
which either recorder is paired with the 02R96 for an all-digital signal path and awesome mixing and processing power for
MY8-AE96 x 4
(AES/EBU)
48 track 44.1/48-kHz recording or for double-channel mode 24 track 96-kHz recording.
Example 4
02R96
mini YGDAI Cards
MY16-AT (ADAT Signals) x 3
USB
or
192 I/O *
MX-2424 x 2
Macintosh or PC
HD24 x 2
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7
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02R96
5.1 Surround Monitoring
Example 2
No matter what field of audio you work in,
MSP10
SW10
(Powered Sub Woofer)
(Powerd SP)
sooner or later you’ll probably need to work
MSP10
MSP10
(Powerd SP)
LFE
(Powerd SP)
C
L
Word Clock
or
R
with surround mixes. The 02R96 has been
specifically designed to provide a complete
surround solution. In the system shown here
OMNI Out
Connection with 96-kHz recorders
the 5.1 program is monitored via powered
mini YGDAI Cards
monitors and a subwoofer (the 02R96 also
MY8-TD
(TASCAM Signals)
includes bass management facilities for
subwoofer sound) connected to the console’s
02R96
the number of I/O connections must be used. MY8-AT/TD/AE cards work in double channel mode to handle 96-kHz audio. The newly
introduced MY16-AT card can handle 16 channels of 44.1 / 48-kHz audio or up to 8 channels of 96-kHz audio in double channel mode.
With the latest equipment that handles 96-kHz audio as standard (in double speed mode like the 02R96) you can make standard
LS
02R96
Although the 02R96 handles 96-kHz audio as standard, most of the currently available digital recorders can handle 96-kHz audio only in
double channel mode (using 2 tracks to make one). In this configuration, the 02R96 uses one channel for one (96-kHz) track, but twice
Discrete Master Recording
OMNI outputs.
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TASCAM DA Series etc...
MSP10
MSP10
(Powerd SP)
(Powerd SP)
RS
connections using the MY8-AE96 card. MY8-AE96 card can work either in double speed or double channel mode.
02R96
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Studio Manager Software
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Options
The 02R96 comes supplied with Yamaha’s Studio Manager software application for both Macintosh and
The 02R96’s real I/O versatility comes in the form of four mini-YGDAI expansion slots. The expansion
Windows platforms. Studio Manager gives you complete access to all parameters for either on-line or
slots are 24 bit/96-kHz compatible, so you can select mini YGDAI plug-in cards to create the input/output
off-line control, and the program’s visual interface makes it easy to relate on-screen controls to
configuration that’s perfect for your needs. Whether you need digital I/O in ADAT, TASCAM, or AES/EBU
the corresponding console functions. The Studio Manager can also be used to manage an extensive
format, or extra analog I/O capability, the appropriate cards are available. Top-quality I/O and processing
archive of mix data. The Studio Manager includes the following main display pages:
cards are also available from other industry-leading manufacturers such as Apogee ® and Waves ®.
* Guidence on the use of Mini-YGDAI cards http://www2.yamaha.co.jp/div/webmg/pa_card/e/check.php3
Console Window
Effect Editor Window
mini YGDAI Cards
Almost a complete virtual mixer, this
In addition to offering superb quality, the
16 I/O Series
display shows the primary 02R96
02R96 internal effects include an
channel parameters “in-line”, as they
extensive range of editable parameters so
would appear on an analog console.
the effects can be precisely customized
This is a comprehensive overview
for your requirements. The Effect Editor
designed for fast, efficient editing of
brings all related parameters for the selected effect together in a
the most essential mix elements.
comprehensive display to make detailed editing easier than ever.
System Setup Dialog
Surround Editor Window
This display includes all the basic setup parameters for the 02R96. Here’s
When the console is being used in surround mode the
where you’ll define your production “environment”.
Surround Editor display can facilitate surround positioning
96-kHz Series
MY16-AT
MY8-AD96
MY8-DA96
16 channel ADAT format I/O
8 channel Analog Input Card
8 channel Analog Output Card
MY8-AE96
MY8-AE96S
8 channel AES/EBU format I/O
8 channel AES/EBU format I/O
(w/Sample rate converter)
of individual tracks.
Selected Channel Window
Similar to the SELECTED
Standard Series
Library Window
CHANNEL section on the 02R96
The 02R96’s dynamics, EQ, and effect libraries are an extraordinarily
console, this display includes all
convenient tool for managing frequently-used setups. The Studio Manager
MY8-AE
MY8-AT
MY8-TD
MY8-AD24
parameters for the currently selected
Memory Management display makes operation easier than ever.
8 channel AES/EBU format I/O
8 channel ADAT format I/O
8 channel Tdif format I/O
8 channel Analog Input Card(24 bit)
channel: level, buss assignments,
sends, gate, compressor, equalization,
delay, and more.
Third Party Models
Timecode Counter Window
Displays current SMPTE time code in hours, minutes, seconds, and frames.
MY4-AD
MY4-DA
MY8-mLAN
4 channel Analog Input Card(24 bit)
4 channel Analog Output Card(20 bit)
mLAN interface card
Y56K : Waves effect and ADAT I/O
AP8AD : Apogee AD converter
AP8DA: Apogee DA converter
Patch Editor Window
When you add several Mini-YGDAI expansion cards to the 02R96 to
MB02R96
SP02R96
create the input/output configuration you need, input and output
Peak Meter Bridge
Side Pad
patching can become an issue. The Patch Editor display makes patch
assignments easy with an easy-to-use matrix type visual interface.
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02R96
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S P E C I F I C A T I O N S
S P E C I F I C A T I O N S
ANALOG OUTPUT SPEC
Specifications
99
Sampling Frequency
Internal
External
Signal Delay
Power Requirements
44.1kHz, 48kHz, 88.2kHz, 96kHz
Normal rate 44.1kHz-10% - 48kHz+6%
Double rate 88.2kHz-10% - 96kHz+6%
(CH INPUT to STEREO OUT)
Fs=48kHz
Fs=96kHz
Fader
100mm motorized with touch sense x 25
Fader Resolution
Master faders, Stereo fader
Dimensions
1.9 ms
0.7 ms
Weight
+10--96,-∞dB (256 steps/100mm )
0--130,-∞dB (256 steps/100mm)
1
Total Harmonic Distortion * Input Gain = Min.
Fs=48(96)kHz
0.05% 20Hz to 20(40)kHz @+14dB into 600Ω
0.01% 1kHz @+18dB into 600Ω
(CH INPUT to STEREO OUT)
Frequency Response
(CH INPUT to STEREO OUT)
Fs=48kHz
Fs=96kHz
Dynamic Range
(maximum level to noise level)
DA Converter (STEREO OUT)
AD+DA (to STEREO OUT)
Hum & Noise *2
(20Hz-20kHz)
Rs=150Ω
Input Gain=max.
Input Pad=0dB
-128dB (EIN : Equivalent Input Noise)
-92dB (Residual Output Noise) @STEREO OUT
STEREO OUT off
-92dB (96dB S/N) @STEREO OUT
STEREO fader at nominal level and all CH INPUT faders at minimum level.
-64dB (68dB S/N) @STEREO OUT
STEREO fader at nominal level and one CH INPUT fader at nominal level
Input Sensitivity=-60dB
0.5,-1.5dB 20Hz - 20kHz @+4dB into 600Ω
0.5,-1.5dB 20Hz - 40kHz @+4dB into 600Ω
74 [48]dB from CH INPUT1-16 [17-24] to STEREO OUT/OMNI (BUS) OUT
74 [48]dB from CH INPUT1-16 [17-24] to OMNI (AUX) OUT (via pre input fader)
74 [48]dB from CH INPUT1-16 [17-24] to CONTROL ROOM MONITOR OUT
(via STEREO bus)
Crosstalk (@ 1kHz)
Input Gain=Min.
-80 dB adjacent input channels (CH1-24)
-80 dB input to output
*1 Total Harmonic Distortion is measured with a 6dB/octave filter @80kHz.
*2 Hum & Noise are measured with a 6dB/ octave filter @12.7kHz
equivalent to a 20kHz filter with infinite dB/octave attenuation.
120 V
230 V
230 V
200W
200W
200W
60Hz
50Hz
50Hz
Height
Depth
Width
239(352) mm (including the MB02R96)
685(697) mm (including the MB02R96)
667(700) mm (including the SP02R96)
Operating free-air
temperature range
10-35°C
Storage temperature range
-20-60°C
Accessories
AC Cable
CD-ROM (Studio manager)
Options
Digital audio interface card (MY16, MY8, MY4 series)
PEAK METER BRIDGE: MB02R96
SIDE PANEL: SP02R96
Output Level
GAIN SW *1
Nominal
Max. before clip
Connector
10k Ω Lines
-
-10dBV (0.316V)
+4dBV (1.58V)
150 Ω
600 Ω Lines
-
+4dB (1.23 V)
+18dB (6.16 V)
XLR-3-32 type (Balanced) *2
STUDIO MONITOR OUT [L, R]
150 Ω
10k Ω Lines
-
+4dB (1.23 V)
+18dB (6.16 V)
Phone Jack (TRS) (Balanced) *3
C-R MONITOR OUT [L, R]
150 Ω
10k Ω Lines
Phone Jack (TRS) (Balanced) *3
OMNI OUT 1-8
150 Ω
10k Ω Lines
INSERT OUT 1-16
600 Ω
PHONES
100 Ω
34 kg
110dB typ., Fs=48 or 96kHz
105dB typ., Fs=48 or 96kHz
Maximum Voltage Gain
U.S./Canada
H
B
For Use With
Nominal
600 Ω
STEREO OUT [L,R]
GENERAL SPECIFICATIONS
Number of scene memories
Actual Source
Impedance
Output
-
+4dB (1.23 V)
+18dB (6.16 V)
+18dB (defalt)
+4dB (1.23 V)
+18dB (6.16 V)
+4dB
-10dB (0.245V)
+4dB (1.23V)
+4dB (1.23 V)
+18dB (6.16 V)
Phono (Unbalanced)
Phone Jack (TRS) (Balanced) *3
10k Ω Lines
-
8 Ω Phones
-
4mW
25mW
40 Ω Phones
-
12mW
75mW
Phone Jack (TRS) *4
Stereo Phone Jack (TRS)
(Unbalanced) *5
*1. The maximum output level of each OMNI OUT can be set internally.
*2. XLR-3-32 type connectors are balanced (1=GND, 2=HOT, 3=COLD).
*3. Phone jacks are balanced (Tip=HOT, Ring=COLD, Sleeve=GND).
*4. Phone jacks are wired: Tip=OUT, Ring=IN, Sleeve=GND
*5. PHONES stereo phone jack is unbalanced (Tip=LEFT, Ring=RIGHT, Sleeve=GND).
• STEREO OUT [L, R], 0 dBV is referenced to 1.00 Vrms.
• In these specifications, when dB represents a specific voltage, 0 dB is referenced to 0.775 Vrms.
• All output DA converters (except INSERT OUT 1-16) are 24-bit, 128-times oversampling.
DIGITAL INPUT CHARACTERISTICS
Terminal
LIBRARIES
1
2
3
Effect libraries (EFFECT 1-4) Number of factory presets
Number of user libraries
52 (EFFECT 3-8: 44)
76
2TR IN
DIGITAL
Compressor libraries
Number of factory presets
Number of user libraries
36
92
CASCADE IN
Gate libraries
Number of factory presets
Number of user libraries
4
124
EQ libraries
Number of factory presets
Number of user libraries
40
160
Channel libraries
Number of factory presets
Number of user libraries
2
127
Surround Monitor libraries
Number of factory presets
Number of user libraries
1
32
Input patch libraries
Number of factory presets
Number of user libraries
1
32
Output patch libraries
Number of factory presets
Number of user libraries
1
32
Bus to stereo libraries
Number of factory presets
Number of user libraries
1
32
Format
AES/EBU
IEC-60958
IEC-60958
-
Data Length
24 bit
24 bit
24 bit
-
Level
RS422
0.5Vpp/75Ω
0.5Vpp/75Ω
RS422
Connector in Console
XLR-3-31 type (Balanced) *1
RCA Pin Jack
RCA Pin Jack
D-SUB Half Pitch Connector 68P (Female)
*1. XLR-3-31 type connectors are balanced. (1=GND, 2=HOT, 3=COLD)
DIGITAL OUTPUT CHARACTERISTICS
Terminal
1
2TR OUT
DIGITAL
Format
AES/EBU *1
Professional
use
Data Length Level
RS422
XLR-3-32 type (Balanced) *4
0.5Vpp/75 Ω
RCA Pin Jack
0.5Vpp/75 Ω
RCA Pin Jack
RS422
D-SUB Half Pitch Connector 68P (Female)
2
IEC-60958 *2
Consumer
use
24 bit *3
3
IEC-60958 *2
Consumer
use
24 bit *3
-
-
CASCADE OUT
*1. channel status of 2TR OUT DIGITAL 1
type
: 2 audio channels
emphasis
: NO
sampling rate
: depends on the internal configuration
Connector in Console
24 bit *3
*2. channel status of DIGITAL OUT 2,3
type
: 2 audio channels
category code
: 2 channel PCM encoder/decoder
copy prohibit
: NO
emphasis
: NO
clock accuracy
: Level II (1000 ppm)
sampling rate
: depends on the internal configuration
*3. dither
: word length 16 - 24 bit
*4. XLR-3-32 type connectors are balanced. (1=GND, 2=HOT, 3=COLD)
Available Mini-YGDAI card specifications
ANALOG INPUT SPEC
Input
INPUT A/B 1-16
* Guidence on the use of Mini-YGDAI cards http://www2.yamaha.co.jp/div/webmg/pa_card/e/check.php3
PAD
GAIN
Actual Load
Impedance
-60 dB
0
3k Ω
-16 dB
26
INPUT 17-24
-34 dB
-
4k Ω
For Use With
Nominal
50-600 Ω
Mics &
600 Ω Lines
600 Ω Lines
+10 dB
INSERT IN 1-16
2TR IN ANALOG 1 [L, R]
2TR IN ANALOG 2 [L, R]
-
Input level
Sensitivity *1
Nominal
Max. before clip
-70 dB (0.245 mV)
-60dB (0.775mV)
-46dB (3.88mV)
-26dB (38.8mV)
-16dB (0.123V)
-2dB (616mV)
0dB (775mV)
+10dB (2.45V)
+24dB (12.28V)
-44dB (4.89mV)
-34dB (15.5mV)
-20dB (77.5mV)
0dB (775mV)
+10dB (2.45V)
+24dB (12.28V)
Connector
A: XLR-3-31 type (Balanced) *2
B: Phone Jack (TRS) (Balanced) *3
Phone Jack (TRS) (Balanced) *3
10k Ω
600 Ω Lines
-6dB (388mV)
+4dB (1.23 V)
+18dB (6.16V)
Phone Jack (TRS) *4
10k Ω
600 Ω Lines
+4dB (1.23V)
+4dB (1.23 V)
+18dB (6.16V)
Phone Jack (TRS) (Balanced) *3
10k Ω
600 Ω Lines
-10dBV (0.316 V)
-10dBV (0.316 V)
+4dBV (1.58V)
Phono (Unbalanced)
*1. Sensitivity is the lowest level that will produce an output of +4 dB (1.23 V) or the nominal output level when the unit is set to maximum gain. (All faders and level controls are maximum position.)
*2. XLR-3-31 type connectors are balanced (1=GND, 2=HOT, 3=COLD).
*3. Phone jacks are balanced (Tip=HOT, Ring=COLD, Sleeve=GND).
*4. Phone jacks are wired: Tip=OUT, Ring=IN, Sleeve=GND
• In these specifications, when dB represents a specific voltage, 0 dB is referenced to 0.775 Vrms.
• For 2TR IN ANALOG 2 levels, 0 dBV is referenced to 1.00 Vrms.
• All input AD converters (except INSERT I/O 1-16) are 24-bit linear, 128-times oversampling.
• +48 V DC (phantom power) is supplied to CH INPUT (1-16) XLR type connectors via individual switches.
12
02R96
Maker
Yamaha
Model
MY8-AT
MY8-AE
MY8-TD
MY8-AD24
MY4-AD
MY4-DA
MY8-mLAN
MY16-AT
MY8-AD96
MY8-DA96
MY8-AE96S
MY8-AE96
Function
Digital I /O
Digital I /O
Digital I /O
A to D In
A to D In
D to A Out
mLAN Interface
Digital I /O
A to D In
D to A Out
Digital I /O
Digital I /O
IN
8
8
8
8
4
8
16
8
8
8
OUT
8
8
8
4
8
16
8
8
8
Format
ADAT
AES/EBU
TDIF
IEEE 1394
ADAT
AES/EBU
AES/EBU
Res / Freq
24 bit 44.1/48 kHz
24 bit 44.1/48 kHz
24 bit 44.1/48 kHz
24 bit 44.1/48 kHz
24 bit 44.1/48 kHz
20 bit 44.1/48 kHz
24 bit 44.1/48 kHz
24 bit 44.1/48 kHz
24 bit 44.1/48/88.2/96 kHz
24 bit 44.1/48/88.2/96 kHz
24 bit 44.1/48/88.2/96 kHz
24 bit 44.1/48/88.2/96 kHz
Connector
Toslink x 2
D-sub 25pin
D-sub 25pin
TRS x 8
XLR x 4
XLR x 4
1394 6pin
Toslink x 4
D-sub 25pin
D-sub 25pin
D-sub 25pin
D-sub 25pin
Note
Can handle 96 kHz by double channel mode
Can handle 96 kHz by double channel mode
Can handle 96 kHz by double channel mode
Replacing MY8-AD (20 bit 44.1/48 kHz)
Function
Effect & I/O
A to D In
D to A Out
IN
8
8
-
OUT
8
8
Format
ADAT
-
Res / Freq
24 bit 44.1/48 kHz
24 bit 44.1/48/88.2/96 kHz
24 bit 44.1/48/88.2/96 kHz
Connector
Toslink x 2
D-sub 25pin
D-sub 25pin
Note
Check instructions for multiple use
Check instructions for multiple use
Check instructions for multiple use
Maximum 5 Nodes
Can handle 96 kHz by double channel mode
Sampling Rate Converter for Input, 2 cards max. with 02R96
Third Party
Maker
Waves
Apogee
Model
Y56K
AP8AD
AP8DA
• Specifications and appearance subject to change without notice.
• All trademarks and registered trademarks are property of their respective owners.
Pro Tools® and Digidesign® are trademarks of Avid Technology Inc.
HDR24/96 and MDR24/96 are trademarks of Mackie Designs Inc.
Nuendo® is a trademark of Steinberg Media Technologies AG.
Macintosh® is a trademark of Apple Computer, Inc.
Adat and HD24 are trademarks of Alesis Corporation.
Windows® is a trademark of Microsoft Coporation.
Tascam, TDIF, MX2424 are trademarks of Teac Corporation.
Logic Audio® is a trademark of Emagic Soft-und Hardware GmbH.
02R96
13
14
Speaker Control
8
64
AD
AD
SRC
SRC
SRC
10
8
TO MONITOR SELECT
8
R
L
BUS 1-8
R
2
2
2
FX4 SEND 1-2
FX3 SEND 1-2
FX2 SEND 1-2
FX1-4
Sur1
EFFECT
TO SURROUND
MONITOR
16
16
16
16
AD
SIGNAL PEAK
AD IN 17(...24)
GAIN
FX1 SEND 1-8
L
1(...16)
TO TALKBACK SELECT
INSERT
AD IN
OFF
ON
AD
PAD
AUX 1-8
RCA
[2TR IN ANALOG 2]
TRS
[2TR IN ANALOG 1]
COAXIAL
[2TR IN DIGITAL 3]
COAXIAL
[2TR IN DIGITAL 2]
AES/EBU
[2TR IN DIGITAL 1]
16
METER
SW
74
RS2
SLOT 4
LS2
GAIN
R
SLOT 2
RS
SIGNAL PEAK
L
0
26
C
ON
LS
48V
PHANTOM
SLOT1
Input 1-16
SLOT2
Input 1-16
SLOT3
Input 1-16
SLOT4
Input 1-16
AD Input
17-24
AD Input
1-16
INPUT
PATCH
BUS 1-8
AUX 1-8
2TR A2
L/R
2TR A1
L/R
2TR D3
L/R
2TR D2
L/R
2TR D1
L/R
Sur1
Return 1-8
FX1
Return 1-2
FX2
Return 1-2
FX3
Return 1-2
FX4
Return 1-2
Monitor Speakers
AUX1-8
INSERT
OUT
Monitor Alignment
OMNI OUT
or
SLOT 1- 4
OFF
Delay
SLOT 3
Stereo
Stereo
Att..
L
R
LS
RS
C
SW
LS2
RS2
[SLOT IN]
(1-4)
Down Mix
ATT
74
56
8
8
2
8
SLOT 1
SLOT 2
SLOT 3
SLOT 4
OMNI 1
OMNI 2
OMNI 3
OMNI 4
OMNI 5
OMNI 6
OMNI 7
OMNI 8
16
16
16
16
ON
off
3
4
5
DA
DA
DA
DA
DA
DITHER
DITHER
DITHER
DITHER
DA
DA
8
8
8
8
8
8
8
8
8
BUS
SOLO R
PINK
NOISE
ASSIGN2
ASSIGN1
8
1kHz
50Hz
500-2kHz
BPF
8
8
8
8
2
2
2
2
2
2
LFE
C
Rs
Ls/S
R
L
R
L
PAN
ON
AUX8
SOLO LOGIC
STEREO
AUX8
AUX7
STEREO L
STEREO R
AUX7
AUX 1-8 8
BUS 1-8 8
C-R
LEVEL
ATT
DELAY
DELAY
DELAY
DELAY
DELAY
DELAY
DELAY
DELAY
SURROUND MONITOR to C-R
DA
DA
SURROUND
MONITOR
LEVEL
TO OUTPUT PATCH
LPF1
LPF2
HPF
HPF
HPF
HPF
HPF
DITHER
AUX 1(...8)
TO INPUT PATCH
[CONTROL ROOM
MONITOR OUT]
[PHONES]
[STUDIO
MONITOR OUT]
SURROUND
MONITOR
R
L
R
L
COAXIAL
[2TR OUT DIGITAL3]
COAXIAL
[2TR OUT DIGITAL2]
AES/EBU
[2TR OUT DIGITAL1]
AUX 1(...8)
DITHER
BUS 1(...8)
STEREO R
STEREO L
TO INPUT PATCH
BUS 1(...8)
DITHER
DA STUDIO
DA LEVEL
PHONES
DA LEVEL
DA
INSERT OUT 74
CONTROL ROOM 2
CONTROL
ROOM
METER
METER
BUS to STEREO
STEREO 2
LEVEL
DIRECTOUT 1-56 56
The same the above
4BAND
EQ
OUTPUT
DELAY
INSERT
INSERT
ON LEVEL
OUTPUT
DELAY
COMP
METER METER
(Gain Reduction) (Out Meter)
Same as stereo master L
INSERT
INSERT
ON LEVEL
BAL
COMP
METER METER
(Gain Reduction) (Out Meter)
METER
STEREO
SOLO L
ATT
INSERT
MONITOR SELECT
8x8
Patch SLOT
L
(-10dBV)
R
[STEREO OUT]
L
(+4dBu)
R
[SLOT OUT](1-4)
BUS 1-8
SLOT1 Input 1-8
SLOT2 Input 1-8
SLOT3 Input 1-8
SLOT4 Input 1-8
[OMNI OUT]
STEREO
2TR D1
2TR D2
2TR D3
2TR A1
2TR A2
BUS1-8
AUX1-8
METER
4BAND
ATT
EQ
INSERT
762
02R96 Block Diagram
8
7
6
2
DA
DA
1
SLOT 1
SLOT 2
SLOT 3
SLOT 4
Isolate
DA
[CASCADE OUT]
[CASCADE IN]
To CASCADE OUTPUT
LEVEL
AUX
DIRECT OUT
1(...56)
PRE/POST ON
LFE
PAN
PAN
TALK BACK
USE AD IN (1-16)
AS TALKBACK
AD
SINE100Hz
SINE1kHz
SINE10kHz
PINK NOISE
BURST NOISE
OSCILLATOR
Keyin
Self or Stereo Link
COMP
METER METER
INSERT
LEVEL
METER SOLO
420
697 (685 excluding connecters)
50
B L O C K
STEREO R
STEREO L
INSERT OUT
DIRECT OUT 1-56
AUX1-8
BUS 1-8
STEREO
SURROUND
MONITOR
AD IN 1-16
ON
(Gain Reduction) (Out Meter)
INPUT
DELAY
METER
INSERT
4BAND
EQ
[TALK BACK]
Mono in x 56
Keyin
12ch Group(1-12,13-24....)
AUX 1-8
GATE
METER (Out Meter)
METER
(Gain Reduction)
INPUT 1(...56)
5.1 ST Down Mix
SLOT 1
Processor
Bass
Management
Processor
x8
MONITOR
MATRIX
2TR Master
Recorder
B
• 3.1
L
R
[INPUT]
(17-24)
From
SLOT
• 5.1
5.1 Master MTR
[INSERT I/O]
(1-16)
02R96
L R LS RS C LFE
1 2 3 4 5 6
S
T
A
• Individual Bus Mute
• Global Level Control
• External Source Monitor
O
U
T
[INPUT]
(1-16)
Monitor
Processor
L
R
BUS1 (L)
BUS2(R)
BUS3(Ls/C)
BUS4(Rs/S)
BUS5(C)
BUS6(LFE)
BUS7
BUS8
STEREO L
STEREO R
SOLO L
SOLO R
AUX 1
AUX 8
Bus
to
Stereo
x 16
S
L
O
T
SELECT
Bus 1 2 3 4 5 6
L R LS RS C LFE
OUTPUT PATCH
Surround Monitoring Diagram
TALKBACK DIMM
22
MONO
Bus
700
667 (663 excluding screw heads)
TB
DIMM
239
DIMM
352
2TR OUT
DIGITAL PATCH
Dimensions
DIMM
175
D I M E N S I O N S / D I A G R A M
D I A G R A M
02R96
15