Yamaha CLP-115 Specifications

CLP 115(E).book Page 2 Tuesday, May 13, 2003 6:55 PM
Introduction
SPECIAL MESSAGE SECTION
PRODUCT SAFETY MARKINGS: Yamaha electronic
products may have either labels similar to the graphics
shown below or molded/stamped facsimiles of these
graphics on the enclosure. The explanation of these
graphics appears on this page. Please observe all cautions
indicated on this page and those indicated in the safety
instruction section.
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK.
DO NOT REMOVE COVER (OR BACK).
NO USER-SERVICEABLE PARTS INSIDE.
REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
See bottom of Keyboard enclosure for graphic symbol markings.
The exclamation point within the
equilateral triangle is intended to alert
the user to the presence of important
operating and maintenance (servicing) instructions in the literature
accompanying the product.
The lightning flash with arrowhead
symbol, within the equilateral triangle, is intended to alert the user to the
presence of uninsulated “dangerous
voltage” within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electrical
shock.
Battery Notice: This product MAY contain a small non-
rechargable battery which (if applicable) is soldered in
place. The average life span of this type of battery is
approximately five years. When replacement becomes
necessary, contact a qualified service representative to
perform the replacement.
Warning: Do not attempt to recharge, disassemble, or
incinerate this type of battery. Keep all batteries away
from children. Dispose of used batteries promptly and as
regulated by applicable laws. Note: In some areas, the
servicer is required by law to return the defective parts.
However, you do have the option of having the servicer
dispose of these parts for you.
Disposal Notice: Should this product become damaged
beyond repair, or for some reason its useful life is considered to be at an end, please observe all local, state, and
federal regulations that relate to the disposal of products
that contain lead, batteries, plastics, etc.
NOTICE: Service charges incurred due to lack of knowl-
edge relating to how a function or effect works (when the
unit is operating as designed) are not covered by the manufacturer’s warranty, and are therefore the owners responsibility. Please study this manual carefully and consult
your dealer before requesting service.
NAME PLATE LOCATION: The graphic below indi-
cates the location of the name plate. The model number,
serial number, power requirements, etc., are located on
this plate. You should record the model number, serial
number, and the date of purchase in the spaces provided
below and retain this manual as a permanent record of
your purchase.
IMPORTANT NOTICE: All Yamaha electronic products
are tested and approved by an independent safety testing
laboratory in order that you may be sure that when it is
properly installed and used in its normal and customary
manner, all foreseeable risks have been eliminated. DO
NOT modify this unit or commission others to do so
unless specifically authorized by Yamaha. Product performance and/or safety standards may be diminished.
Claims filed under the expressed warranty may be denied
if the unit is/has been modified. Implied warranties may
also be affected.
SPECIFICATIONS SUBJECT TO CHANGE: The
information contained in this manual is believed to be
correct at the time of printing. However, Yamaha reserves
the right to change or modify any of the specifications
without notice or obligation to update existing units.
ENVIRONMENTAL ISSUES: Yamaha strives to produce products that are both user safe and environmentally
friendly. We sincerely believe that our products and the
production methods used to produce them, meet these
goals. In keeping with both the letter and the spirit of the
law, we want you to be aware of the following:
92-469 1 (bottom)
Model
Serial No.
Purchase Date
CLP 115(E).book Page 3 Tuesday, May 13, 2003 6:55 PM
Å·„Ó‰‡ËÏ Á‡ ÔÓÍÛÔÍÛ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Yamaha Clavinova! å˚ ÂÍÓÏẨÛÂÏ ‚‡Ï ‚ÌËχÚÂθÌÓ ÔÓ˜ËÚ‡Ú¸ ˝ÚÓ
ÛÍÓ‚Ó‰ÒÚ‚Ó, ˜ÚÓ·˚ ‚ ÔÓÎÌÓÈ Ï ‚ÓÒÔÓθÁÓ‚‡Ú¸Òfl ‚ÒÂÏË Ô‰ӂ˚ÏË Ë Û‰Ó·Ì˚ÏË ÙÛÌ͈ËflÏË ˆËÙÓ‚Ó„Ó
ÔˇÌËÌÓ CLP-115.
å˚ Ú‡ÍÊ ÒÓ‚ÂÚÛÂÏ ‚‡Ï ı‡ÌËÚ¸ ˝ÚÓ ÛÍÓ‚Ó‰ÒÚ‚Ó ‚ ̇‰ÂÊÌÓÏ Ë ‰ÓÒÚÛÔÌÓÏ ÏÂÒÚ ‰Îfl ‰‡Î¸ÌÂÈ¯Â„Ó ËÒÔÓθÁÓ‚‡ÌËfl.
é ÛÍÓ‚Ó‰ÒÚ‚Â ÔÓθÁÓ‚‡ÚÂÎfl
êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl ÒÓÒÚÓËÚ ËÁ ÚÂı ÓÒÌÓ‚Ì˚ı ‡Á‰ÂÎÓ‚: «Ç‚‰ÂÌË», «ëÔ‡‚Ó˜Ì˚ χÚ¡Î˚» Ë «èËÎÓÊÂÌË».
ǂ‰ÂÌË (ÒÚ. 2):
ë ˝ÚËÏ ‡Á‰ÂÎÓÏ ÒΉÛÂÚ ÓÁ̇ÍÓÏËÚ¸Òfl ‚ ÔÂ‚Û˛ Ә‰¸.
ëÔ‡‚Ó˜Ì˚ χÚ¡Î˚ (ÒÚ. 13):
ê‡Á‰ÂÎ ÒÓ‰ÂÊËÚ ÔÓ‰Ó·Ì˚ ҂‰ÂÌËfl Ó Ì‡ÒÚÓÈ͇ı ËÌÒÚÛÏÂÌÚ‡ ‰Îfl Ò‡Ï˚ı ‡Á΢Ì˚ı ÒÔÓÒÓ·Ó‚ ÔËÏÂÌÂÌËfl CLP-115.
èËÎÓÊÂÌË (ÒÚ. 33):
Ç ˝ÚÓÏ ‡Á‰ÂΠÒÓ‰ÂʇÚÒfl ÒÔ‡‚Ó˜Ì˚ χÚ¡Î˚.
* åÓ‰Âθ CLP-115 ‚ ˝ÚÓÏ ÛÍÓ‚Ó‰ÒÚ‚Â ÔÓθÁÓ‚‡ÚÂÎfl Ó·ÓÁ̇˜‡ÂÚÒfl Í‡Í «CLP/Clavinova».
* êËÒÛÌÍË ˝ÎÂÏÂÌÚÓ‚ ÛÔ‡‚ÎÂÌËfl Ô˂‰ÂÌ˚ ÚÓθÍÓ ‚ ͇˜ÂÒÚ‚Â ÔËÏÂÓ‚, ̇ ‚‡¯ÂÏ ËÌÒÚÛÏÂÌÚ ‚Ò ÏÓÊÂÚ ‚˚„Îfl‰ÂÚ¸
Ë̇˜Â.
ìÇÖÑéåãÖçàÖ éÅ ÄÇíéêëäàï èêÄÇÄï
Ç ˝ÚÓÏ ÔÓ‰ÛÍÚ ӷ˙‰ËÌÂÌ˚ Ë ËÒÔÓθÁÓ‚‡Ì˚ ÍÓÏÔ¸˛ÚÂÌ˚ ÔÓ„‡ÏÏ˚ Ë ÒÓ‰ÂÊËÏÓÂ, ‡‚ÚÓÒÍË ԇ‚‡ ̇ ÍÓÚÓ˚Â
ÔË̇‰ÎÂÊ‡Ú ÍÓÔÓ‡ˆËË Yamaha ËÎË ÔÓÎÛ˜ÂÌ˚ ² ÔÓ ÎˈÂÌÁËË ÓÚ ‰Û„Ëı ÙËÏ. ä Ú‡ÍËÏ Ï‡Ú¡·Ï, Á‡˘Ë˘ÂÌÌ˚Ï
‡‚ÚÓÒÍËÏË Ô‡‚‡ÏË, ÓÚÌÓÒflÚÒfl ·ÂÁ Ó„‡Ì˘ÂÌËfl ‚Ò ÍÓÏÔ¸˛ÚÂÌÓ ÔÓ„‡ÏÏÌÓ ӷÂÒÔ˜ÂÌËÂ, Ù‡ÈÎ˚ MIDI, ‰‡ÌÌ˚Â
WAVE Ë Á‚ÛÍÓÁ‡ÔËÒË. ã˛·Ó ÌÂÒ‡Ì͈ËÓÌËÓ‚‡ÌÌÓ ËÒÔÓθÁÓ‚‡ÌË ڇÍËı ÔÓ„‡ÏÏ Ë ÒÓ‰ÂÊËÏÓ„Ó, ‚˚ıÓ‰fl˘Â Á‡ ‡ÏÍË
΢ÌÓ„Ó ËÒÔÓθÁÓ‚‡ÌËfl, Á‡Ô¢ÂÌÓ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÏË Á‡ÍÓ̇ÏË. ã˛·Ó ̇ۯÂÌË ‡‚ÚÓÒÍËı Ô‡‚ ÔÂÒΉÛÂÚÒfl ÔÓ
Á‡ÍÓÌÛ. çÖ ëéáÑÄÇÄâíÖ, çÖ êÄëèêéëíêÄçüâíÖ à çÖ àëèéãúáìâíÖ çÖáÄäéççõÖ äéèàà.
íÓ‚‡Ì˚ Á̇ÍË:
Apple Ë Macintosh fl‚Îfl˛ÚÒfl ÚÓ‚‡Ì˚ÏË Á͇̇ÏË ÍÓÔÓ‡ˆËË Apple Computer.
Windows fl‚ÎflÂÚÒfl Á‡Â„ËÒÚËÓ‚‡ÌÌ˚Ï ÚÓ‚‡Ì˚Ï Á̇ÍÓÏ ÍÓÔÓ‡ˆËË Microsoft®.
ÇÒ ÓÒڇθÌ˚ ÚÓ‚‡Ì˚ Á̇ÍË fl‚Îfl˛ÚÒfl ÒÓ·ÒÚ‚ÂÌÌÓÒÚ¸˛ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ëı ‚·‰ÂθˆÂ‚.
«Clavinova-Computer Connection» – ˝ÚÓ ‰ÓÔÓÎÌËÚÂθÌÓ ÛÍÓ‚Ó‰ÒÚ‚Ó ‰Îfl ̇˜Ë̇˛˘Ëı, ‚ ÍÓÚÓÓÏ
‡ÒÒ͇Á˚‚‡ÂÚÒfl Ó ÚÓÏ, Í‡Í ËÒÔÓθÁÓ‚‡Ú¸ ˆËÙÓ‚Ó ÔˇÌËÌÓ Clavinova Ò ÔÂÒÓ̇θÌ˚Ï ÍÓÏÔ¸˛ÚÂÓÏ Ë Ì‡ÒÚÓËÚ¸
ÒËÒÚÂÏÛ Clavinova-ÍÓÏÔ¸˛Ú (ÛÍÓ‚Ó‰ÒÚ‚Ó Ì ‡ÒÒ˜ËÚ‡ÌÓ Ì‡ ͇ÍÛ˛-ÎË·Ó ÍÓÌÍÂÚÌÛ˛ ÏÓ‰Âθ). èÓÎÛ˜ËÚ¸ ˝ÚÓÚ ‰ÓÍÛÏÂÌÚ ‚
‚ˉ هÈ· PDF ̇ ‡Ì„ÎËÈÒÍÓÏ flÁ˚Í ÏÓÊÌÓ ÔÓ ÒÎÂ‰Û˛˘ÂÏÛ ‡‰ÂÒÛ ‚ àÌÚÂÌÂÚÂ:
ë‡ÈÚ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova (ÚÓθÍÓ Ì‡ ‡Ì„ÎËÈÒÍÓÏ):
êìëëäàâ
•
•
•
http://www.yamahaclavinova.com/
ÅË·ÎËÓÚÂ͇ ÛÍÓ‚Ó‰ÒÚ‚ ÔÓ ÔÓ‰ÛÍÚ‡Ï Yamaha:
http://www2.yamaha.co.jp/manual/english/
CLP-115 é ÛÍÓ‚Ó‰ÒÚ‚Â ÔÓθÁÓ‚‡ÚÂÎfl
3
CLP 115(E).book Page 4 Tuesday, May 13, 2003 6:55 PM
é„·‚ÎÂÌËÂ
ǂ‰ÂÌËÂ
è‰ÏÂÚÌ˚È Û͇Á‡ÚÂθ ............................................ 5
èêÄÇàãÄ íÖïçàäà ÅÖáéèÄëçéëíà .................. 6
ÑÓÔÓÎÌËÚÂθÌ˚ ÔË̇‰ÎÂÊÌÓÒÚË ....................... 8
ìıÓ‰ Á‡ ËÌÒÚÛÏÂÌÚÓÏ.............................................. 8
ÇÓÁÏÓÊÌÓÒÚË.............................................................. 9
èÓ‰„ÓÚӂ͇ Í ‡·ÓÚÂ Ò ˆËÙÓ‚˚Ï ÔˇÌËÌÓ
CLP-115 ................................................................... 10
ä˚¯Í‡ Í·‚ˇÚÛ˚ ............................................. 10
è˛ÔËÚ ................................................................... 10
ÇÍβ˜ÂÌË ÔËÚ‡ÌËfl............................................... 11
ê„ÛÎËӂ͇ „ÓÏÍÓÒÚË ........................................ 11
àÒÔÓθÁÓ‚‡ÌË ̇ۯÌËÍÓ‚................................... 12
ëÔ‡‚Ó˜ÌËÍ
è‡ÌÂθ ÛÔ‡‚ÎÂÌËfl Ë ‡Á˙ÂÏ˚ ............................. 14
èÓÒÎۯ˂‡ÌË ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÔÂÒÂÌ........ 15
èÓÒÎۯ˂‡ÌË 50 ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ ‰Îfl
ÙÓÚÂÔ¸flÌÓ ........................................................... 16
Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÚÂÏ·Ó‚.................... 17
Ç˚·Ó ÚÂÏ·Ó‚ ...................................................... 17
àÒÔÓθÁÓ‚‡ÌË Ô‰‡ÎÂÈ ....................................... 17
ÑÓ·‡‚ÎÂÌËÂ Í Á‚ÛÍÛ ‚‡Ë‡ˆËÈ –
˝ÙÙÂÍÚ Â‚Â·Â‡ˆËË ..................................... 18
ç‡ÎÓÊÂÌË ÚÂÏ·Ó‚ (ÂÊËÏ Dual) ...................... 19
í‡ÌÒÔÓÌËÓ‚‡ÌË ................................................ 20
íÓÌ͇fl ̇ÒÚÓÈ͇ ‚˚ÒÓÚ˚ Á‚Û͇.......................... 20
àÒÔÓθÁÓ‚‡ÌË ÏÂÚÓÌÓχ................................... 21
êìëëäàâ
é MIDI-ËÌÚÂÙÂÈÒÂ .................................................. 23
èÓ‰Íβ˜ÂÌË ÔÂÒÓ̇θÌÓ„Ó ÍÓÏÔ¸˛Ú‡........ 24
îÛÌ͈ËË MIDI ............................................................ 26
Ç˚·Ó ͇̇· Ô‰‡˜Ë Ë ÔËÂχ MIDI-‰‡ÌÌ˚ı. 26
îÛÌ͈Ëfl Local ........................................................ 26
îÛÌ͈Ëfl ËÁÏÂÌÂÌËfl ÔÓ„‡ÏÏ˚ .......................... 27
îÛÌ͈Ëfl ËÁÏÂÌÂÌËfl ÛÔ‡‚ÎÂÌËfl.......................... 27
ìÒÚ‡ÌÂÌË ÌÂÔÓ·‰ÓÍ ........................................... 28
ÑÓÔÓÎÌËÚÂθÌ˚ ÔËÒÔÓÒÓ·ÎÂÌËfl ...................... 28
ë·Ó͇ ÔÓ‰ÒÚ‡‚ÍË ‰Îfl Í·‚ˇÚÛ˚ ..................... 29
è‰ÏÂÚÌ˚È Û͇Á‡ÚÂθ .......................................... 32
4
CLP-115 é„·‚ÎÂÌËÂ
èËÎÓÊÂÌËÂ
MIDI Data Format / MIDI-Datenformat /
Format des données MIDI /
îÓÏ‡Ú MIDI-‰‡ÌÌ˚ı ............................................ 34
퇷Îˈ‡ ı‡‡ÍÚÂËÒÚËÍ MIDI-ËÌÚÂÙÂÈÒ‡ .......... 38
Specifications / Technische Daten /
Caractéristiques techniques /
íÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË ............................ 39
CLP 115(E).book Page 5 Tuesday, May 13, 2003 6:55 PM
è‰ÏÂÚÌ˚È Û͇Á‡ÚÂθ
àÒÔÓθÁÛÈÚ ˝ÚÓÚ Û͇Á‡ÚÂθ, ˜ÚÓ·˚ ·˚ÒÚÓ Ì‡ÈÚË ÒÚ‡Ìˈ˚ Ò ÓÔËÒ‡ÌËÂÏ ÓÔ‰ÂÎÂÌÌÓ„Ó ÔËÎÓÊÂÌËfl ËÎË ÒËÚÛ‡ˆËË.
èÓÒÎۯ˂‡ÌËÂ
èÓÒÎۯ˂‡ÌË ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÔÂÒÂÌ c ‡ÁÌ˚ÏË ÚÂÏ·‡ÏË..........«èÓÒÎۯ˂‡ÌË ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÔÂÒÂÌ» ̇ ÒÚ. 15
èÓÒÎۯ˂‡ÌË ÔÂÒÂÌ ËÁ ÒÔËÒ͇ «50 ıËÚÓ‚ ‰Îfl ÙÓÚÂÔ¸flÌÓ»
.................................................................................................«èÓÒÎۯ˂‡ÌË 50 ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ ‰Îfl ÙÓÚÂÔ¸flÌÓ» ̇ ÒÚ. 16
à„‡ ̇ Í·‚ˇÚÛÂ
àÒÔÓθÁÓ‚‡ÌË ÚÂı Ô‰‡ÎÂÈ.................................................................................................. «àÒÔÓθÁÓ‚‡ÌË Ô‰‡ÎÂÈ» ̇ ÒÚ. 17
Ç˚·Ó ÌÛÊÌÓÈ ‚˚ÒÓÚ˚ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡..........................................................................................«í‡ÌÒÔÓÌËÓ‚‡ÌË» ̇ ÒÚ. 20
íÓÌ͇fl ̇ÒÚÓÈ͇ ‚˚ÒÓÚ˚ Á‚Û͇ ‚ÒÂ„Ó ËÌÒÚÛÏÂÌÚ‡ ÔË Ë„Â Ì‡ ˆËÙÓ‚ÓÏ ÔˇÌËÌÓ CLP-115
‚ ÒÓÔÓ‚ÓʉÂÌËË ‰Û„Ëı ËÌÒÚÛÏÂÌÚÓ‚ ËÎË ÏÛÁ˚ÍË Ò ÍÓÏÔ‡ÍÚ-‰ËÒ͇.................... «íÓÌ͇fl ̇ÒÚÓÈ͇ ‚˚ÒÓÚ˚ Á‚Û͇» ̇ ÒÚ. 20
àÁÏÂÌÂÌË ÚÂÏ·Ó‚
èÓÒÏÓÚ ÒÔËÒ͇ ÚÂÏ·Ó‚ ..................................................................................................................... «Ç˚·Ó ÚÂÏ·Ó‚» ̇ ÒÚ. 17
àÏËÚ‡ˆËfl ÍÓ̈ÂÚÌÓ„Ó Á‡Î‡................................................ «ÑÓ·‡‚ÎÂÌËÂ Í Á‚ÛÍÛ ‚‡Ë‡ˆËÈ – ˝ÙÙÂÍÚ Â‚Â·Â‡ˆËË» ̇ ÒÚ. 18
ëÓ˜ÂÚ‡ÌË ‰‚Ûı ÚÂÏ·Ó‚ ........................................................................................ «ç‡ÎÓÊÂÌË ÚÂÏ·Ó‚ (ÂÊËÏ Dual)» ̇ ÒÚ. 19
à„‡ ̇ Í·‚ˇÚÛÂ
à„‡ ‚ ˜ÂÚÍÓÏ ÛÒÚÓȘ˂ÓÏ ËÚÏ .......................................................................................«àÒÔÓθÁÓ‚‡ÌË ÏÂÚÓÌÓχ» ̇ ÒÚ. 21
èÓ‰Íβ˜ÂÌË CLP-115 Í ‚̯ÌËÏ ÛÒÚÓÈÒÚ‚‡Ï
óÚÓ Ú‡ÍÓ MIDI .................................................................................................................................. «é MIDI-ËÌÚÂÙÂÈÒ» ̇ ÒÚ. 23
èÓ‰Íβ˜ÂÌËÂ Í ÍÓÏÔ¸˛ÚÂÛ...................................................................... «èÓ‰Íβ˜ÂÌË ÔÂÒÓ̇θÌÓ„Ó ÍÓÏÔ¸˛Ú‡» ̇ ÒÚ. 24
ë·Ó͇
êìëëäàâ
ë·Ó͇ Ë ‡Á·Ó͇ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova CLP-115
.....................................................................................................‡Á‰ÂÎ «ë·Ó͇ ÔÓ‰ÒÚ‡‚ÍË ‰Îfl Í·‚ˇÚÛ˚» ̇ ÒÚ‡Ìˈ‡ı 29–31
CLP-115 è‰ÏÂÚÌ˚È Û͇Á‡ÚÂθ
5
1-3.fm Page 6 Wednesday, May 14, 2003 6:32 PM
èêÄÇàãÄ íÖïçàäà ÅÖáéèÄëçéëíà
ÇçàåÄíÖãúçé èêéóàíÄâíÖ, èêÖÜÑÖ óÖå èêàëíìèÄíú ä ùäëèãìÄíÄñàà
* ëÓı‡ÌËÚ ˝ÚÓ ÛÍÓ‚Ó‰ÒÚ‚Ó, ˜ÚÓ·˚ ÏÓÊÌÓ ·˚ÎÓ Ó·‡ÚËÚ¸Òfl Í ÌÂÏÛ ‚ ‰‡Î¸ÌÂȯÂÏ.
èêÖÑìèêÖÜÑÖçàÖ
ÇÓ ËÁ·ÂʇÌË Ò¸ÂÁÌ˚ı Ú‡‚Ï Ë ‰‡Ê ÒÏÂÚË ÓÚ Û‰‡‡ ˝ÎÂÍÚ˘ÂÒÍËÏ ÚÓÍÓÏ, ‡ Ú‡ÍÊ ‚Ó ËÁ·ÂʇÌË ÍÓÓÚÍÓ„Ó
Á‡Ï˚͇ÌËfl, ÔÓ‚ÂʉÂÌËfl Ó·ÓÛ‰Ó‚‡ÌËfl, ÔÓʇ‡ Ë ‰Û„Ëı Ë̈ˉÂÌÚÓ‚, ‚Ò„‰‡ Òӷ≇ÈÚ ÓÒÌÓ‚Ì˚ ԇ‚Ë·
ÚÂıÌËÍË ·ÂÁÓÔ‡ÒÌÓÒÚË, Ô˜ËÒÎÂÌÌ˚ ‰‡ÎÂÂ. ä ÌËÏ Ô‡‚Ë·Ï, ‚ ˜‡ÒÚÌÓÒÚË, ÓÚÌÓÒËÚÒfl ÒÎÂ‰Û˛˘ÂÂ:
ùÎÂÍÚÓÔËÚ‡ÌËÂ/͇·Âθ ÔËÚ‡ÌËfl
●
●
●
●
ظ ÓÚ ‚Ó‰˚
àÒÔÓθÁÛÈÚ ÚÓθÍÓ Ô"‡‚ËθÌÓ ̇Ô"flÊÂÌË ‰Îfl ËÌÒÚ"ÛÏÂÌÚ‡. çÛÊÌÓÂ
̇Ô"flÊÂÌË Û͇Á‡ÌÓ Ì‡ ËÌÒÚ"ÛÏÂÌÚÂ.
èÂ"ËӉ˘ÂÒÍË Ô"Ó‚Â"flÈÚ ¯ÚÂÔÒÂθÌÛ˛ ‚ËÎÍÛ Ë Û‰‡ÎflÈÚÂ Ò Ì „"flÁ¸ Ë
Ô˚θ.
àÒÔÓθÁÛÈÚ ÚÓθÍÓ Í‡·Âθ ÔËÚ‡ÌËfl Ë "‡Á˙ÂÏ, ‚ıÓ‰fl˘Ë ‚ ÍÓÏÔÎÂÍÚ
ÔÓÒÚ‡‚ÍË.
䇷Âθ ÔËÚ‡ÌËfl Ì ‰ÓÎÊÂÌ Ì‡ıÓ‰ËÚ¸Òfl "fl‰ÓÏ Ò ËÒÚÓ˜ÌË͇ÏË ÚÂÔ·
(̇„"‚‡ÚÂÎflÏË, "‡‰Ë‡ÚÓ"‡ÏË Ë ‰".). ç ‰ÓÔÛÒ͇ÈÚ ڇÍÊ ˜"ÂÁÏÂ"ÌÓ„Ó
Ò„Ë·‡ÌËfl Ë ÔÓ‚"ÂʉÂÌËfl ͇·ÂÎfl, Ì ÒÚ‡‚¸Ú ̇ ÌÂ„Ó ÚflÊÂÎ˚ Ô"‰ÏÂÚ˚
Ë ‰Â"ÊËÚÂ Â„Ó ‚ Ú‡ÍÓÏ ÏÂÒÚÂ, „‰Â ̇ ÌÂ„Ó ÌÂθÁfl ̇ÒÚÛÔËÚ¸, Á‡‰ÂÚ¸
ÌÓ„ÓÈ ËÎË ˜ÚÓ-ÌË·Û‰¸ ÔÓ ÌÂÏÛ ÔÂ"Â͇ÚËÚ¸.
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ظ ÓÚ Ó„Ìfl
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ç ÒÚ‡‚¸Ú ̇ ËÌÒÚ"ÛÏÂÌÚ Á‡ÊÊÂÌÌ˚Â Ò‚Â˜Ë Ë ‰"Û„Ë ÔÓ‰Ó·Ì˚Â
Ô"‰ÏÂÚ˚.
ÉÓ"fl˘ËÈ Ô"‰ÏÂÚ ÏÓÊÂÚ ÛÔ‡ÒÚ¸ Ë ‚˚Á‚‡Ú¸ ÔÓʇ".
èË ‚̯ڇÚÌ˚ı ÒËÚÛ‡ˆËflı
ç ÓÚÍ˚‚‡Ú¸
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ç ‰Â"ÊËÚ ËÌÒÚ"ÛÏÂÌÚ Ú‡Ï, „‰Â ÓÌ ÏÓÊÂÚ ÔÓÔ‡ÒÚ¸ ÔÓ‰ ‰Óʉ¸, ‡ Ú‡ÍÊÂ
"fl‰ÓÏ Ò ‚Ó‰ÓÈ, ‚ Ò˚"˚ı Ë ‚·ÊÌ˚ı ÔÓÏ¢ÂÌËflı; Ì ÒÚ‡‚¸Ú ̇ Ì„Ó
ÂÏÍÓÒÚË Ò ÊˉÍÓÒÚ¸˛, ÍÓÚÓ"‡fl ÏÓÊÂÚ "‡ÁÎËÚ¸Òfl Ë ÔÓÔ‡ÒÚ¸ ‚ ÓÚ‚Â"ÒÚËfl.
çËÍÓ„‰‡ Ì ‚ÒÚ‡‚ÎflÈÚ ‚ "ÓÁÂÚÍÛ Ë Ì ‚˚ÌËχÈÚ ¯ÚÂÔÒÂθÌÛ˛ ‚ËÎÍÛ
‚·ÊÌ˚ÏË "Û͇ÏË.
ç ÒΉÛÂÚ ÓÚÍ"˚‚‡Ú¸ ËÌÒÚ"ÛÏÂÌÚ Ë Ô˚Ú‡Ú¸Òfl "‡Á·Ë"‡Ú¸ „Ó, ‡ Ú‡ÍÊÂ
͇ÍËÏ-ÎË·Ó Ó·"‡ÁÓÏ ÏÓ‰ËÙˈË"Ó‚‡Ú¸ Â„Ó ‚ÌÛÚ"ÂÌÌË ÍÓÏÔÓÌÂÌÚ˚. Ç
ËÌÒÚ"ÛÏÂÌÚ ÌÂÚ ÍÓÏÔÓÌÂÌÚÓ‚, ÍÓÚÓ"˚ ‰ÓÎÊÂÌ Ó·ÒÎÛÊË‚‡Ú¸
ÔÓθÁÓ‚‡ÚÂθ. è"Ë ÔÓfl‚ÎÂÌËË ÌÂËÒÔ"‡‚ÌÓÒÚË ÌÂωÎÂÌÌÓ Ô"ÂÍ"‡ÚËÚÂ
˝ÍÒÔÎÛ‡Ú‡ˆË˛ Ë Ó·"‡ÚËÚÂÒ¸ Á‡ ÔÓÏÓ˘¸˛ Í Í‚‡ÎËÙˈË"Ó‚‡ÌÌ˚Ï
ÒÔˆˇÎËÒÚ‡Ï ˆÂÌÚ"‡ ÚÂıÌ˘ÂÒÍÓ„Ó Ó·ÒÎÛÊË‚‡ÌËfl ÍÓ"ÔÓ"‡ˆËË Yamaha.
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Ç ÒÎÛ˜‡Â ËÁÌÓÒ‡ Ë ÔÓ‚"ÂʉÂÌËfl ͇·ÂÎfl ÔËÚ‡ÌËfl ËÎË "‡Á˙Âχ, ‡ Ú‡ÍÊÂ
Ô"Ë ‚ÌÂÁ‡ÔÌÓÏ ËÒ˜ÂÁÌÓ‚ÂÌËË Á‚Û͇ ‚Ó ‚"ÂÏfl ˝ÍÒÔÎÛ‡Ú‡ˆËË, Ô"Ë
ÔÓfl‚ÎÂÌËË ÌÂÓ·˚˜ÌÓ„Ó Á‡Ô‡ı‡ Ë ‰˚χ ÌÂωÎÂÌÌÓ ÓÚÍβ˜ËÚÂ
˝ÎÂÍÚ"ÓÔËÚ‡ÌËÂ, ‚˚̸Ú ‚ËÎÍÛ ËÁ "ÓÁÂÚÍË Ë Ó·"‡ÚËÚÂÒ¸ Á‡ ÔÓÏÓ˘¸˛ Í
ÒÔˆˇÎËÒÚ‡Ï ˆÂÌÚ"‡ ÚÂıÌ˘ÂÒÍÓ„Ó Ó·ÒÎÛÊË‚‡ÌËfl ÍÓ"ÔÓ"‡ˆËË Yamaha.
ÇçàåÄçàÖ!
êìëëäàâ
ÇÓ ËÁ·ÂʇÌË ̇ÌÂÒÂÌËfl Ò¸ÂÁÌ˚ı Ú‡‚Ï ÒÂ·Â Ë ÓÍÛʇ˛˘ËÏ, ‡ Ú‡ÍÊ ÔÓ‚ÂʉÂÌËfl ËÌÒÚÛÏÂÌÚ‡ Ë ‰Û„Ó„Ó
ËÏÛ˘ÂÒÚ‚‡ ‚Ò„‰‡ Òӷ≇ÈÚ ÒÎÂ‰Û˛˘Ë ÓÒÌÓ‚Ì˚ ԇ‚Ë· ÚÂıÌËÍË ·ÂÁÓÔ‡ÒÌÓÒÚË. ä ÌËÏ Ô‡‚Ë·Ï, ‚
˜‡ÒÚÌÓÒÚË, ÓÚÌÓÒËÚÒfl ÒÎÂ‰Û˛˘ÂÂ:
ùÎÂÍÚÓÔËÚ‡ÌËÂ/͇·Âθ ÔËÚ‡ÌËfl
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åÂÒÚÓ ÛÒÚ‡ÌÓ‚ÍË
àÁ‚ÎÂ͇fl ¯ÚÂÔÒÂθÌÛ˛ ‚ËÎÍÛ ËÁ ËÌÒÚ"ÛÏÂÌÚ‡ ËÎË ËÁ "ÓÁÂÚÍË, ÌËÍÓ„‰‡
Ì ÚflÌËÚ Á‡ ¯ÌÛ", ‰Â"ÊËÚÂÒ¸ Á‡ Ò‡ÏÛ ‚ËÎÍÛ. Ç Ô"ÓÚË‚ÌÓÏ ÒÎÛ˜‡Â
ÏÓÊÌÓ ÔÓ‚"‰ËÚ¸ ͇·Âθ.
éÚÍβ˜‡ÈÚ ËÌÒÚ"ÛÏÂÌÚ ÓÚ ˝ÎÂÍÚ"ÓÒÂÚË, ÂÒÎË Ô·ÌË"ÛÂÚ ÌÂ
ËÒÔÓθÁÓ‚‡Ú¸ Â„Ó ‚ Ú˜ÂÌË ‰ÎËÚÂθÌÓ„Ó ‚"ÂÏÂÌË, ‡ Ú‡ÍÊ ‚Ó ‚"ÂÏfl
„"ÓÁ˚.
ç ÔÓ‰Íβ˜‡ÈÚ ËÌÒÚ"ÛÏÂÌÚ Í ˝ÎÂÍÚ"˘ÂÒÍÓÈ "ÓÁÂÚÍÂ Ò ÔÓÏÓ˘¸˛
ÔÂ"ÂıÓ‰ÌË͇. ùÚÓ ÏÓÊÂÚ Ô"Ë‚ÂÒÚË Í ÒÌËÊÂÌ˲ ͇˜ÂÒÚ‚‡ Á‚Û͇ ËÎË
ÔÂ"„"Â‚Û "ÓÁÂÚÍË.
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ë·Ó͇
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ÇÌËχÚÂθÌÓ Ô"Ó˜ËÚ‡ÈÚ ‰ÓÍÛÏÂÌÚ‡ˆË˛, ÓÔËÒ˚‚‡˛˘Û˛ Ô"ÓˆÂÒÒ
Ò·Ó"ÍË. çÂÔ"‡‚Ëθ̇fl ÔÓÒΉӂ‡ÚÂθÌÓÒÚ¸ Ò·Ó"ÍË ÏÓÊÂÚ Ô"Ë‚ÂÒÚË Í
ÔÓ‚"ÂʉÂÌ˲ ËÌÒÚ"ÛÏÂÌÚ‡ ËÎË Ú"‡‚χÏ.
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CLP-115 èêÄÇàãÄ íÖïçàäà ÅÖáéèÄëçéëíà
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ÇÓ ËÁ·ÂʇÌË ‰ÂÙÓ"χˆËË Ô‡ÌÂÎË Ë ÔÓ‚"ÂʉÂÌËfl ‚ÌÛÚ"ÂÌÌËı
ÍÓÏÔÓÌÂÌÚÓ‚ Ì ‰Â"ÊËÚ ËÌÒÚ"ÛÏÂÌÚ ‚ ÔÓÏ¢ÂÌËflı Ò ËÁ·˚ÚÓ˜ÌÓÈ
‚Ë·"‡ˆËÂÈ, ‡ Ú‡ÍÊ ‚ ÏÂÒÚ‡ı, „‰Â ÒÎ˯ÍÓÏ Ô˚θÌÓ, ıÓÎÓ‰ÌÓ ËÎË Ê‡"ÍÓ
(̇Ô"ËÏÂ" ̇ ÒÓÎ̈Â, "fl‰ÓÏ Ò Ì‡„"‚‡ÚÂÎÂÏ ËÎË ‚ χ¯ËÌ ‚ ‰Ì‚ÌÓÂ
‚"ÂÏfl).
ç ÔÓθÁÛÈÚÂÒ¸ ËÌÒÚ"ÛÏÂÌÚÓÏ ‚ ÌÂÔÓÒ"‰ÒÚ‚ÂÌÌÓÈ ·ÎËÁÓÒÚË ÓÚ
ÚÂ΂ËÁÓ"‡, "‡‰ËÓÔ"ËÂÏÌË͇, ÒÚÂ"ÂÓÓ·Ó"Û‰Ó‚‡ÌËfl, ÏÓ·ËθÌÓ„Ó
ÚÂÎÂÙÓ̇ Ë ‰"Û„Ëı ˝ÎÂÍÚ"ÓÔ"Ë·Ó"Ó‚. Ç Ô"ÓÚË‚ÌÓÏ ÒÎÛ˜‡Â ‚
ËÌÒÚ"ÛÏÂÌÚÂ, ÚÂ΂ËÁÓ" ËÎË "‡‰ËÓÔ"ËÂÏÌËÍ ÏÓÊÂÚ ‚ÓÁÌË͇ڸ ¯ÛÏ.
ÇÓ ËÁ·ÂʇÌË ÒÎÛ˜‡ÈÌÓ„Ó Ô‡‰ÂÌËfl ËÌÒÚ"ÛÏÂÌÚ‡ Ì ÓÒÚ‡‚ÎflÈÚÂ Â„Ó Ì‡
ÌÂÛÒÚÓȘ˂ÓÈ ÔÓ‚Â"ıÌÓÒÚË.
èÂ"‰ ÔÂ"ÂÏ¢ÂÌËÂÏ ËÌÒÚ"ÛÏÂÌÚ‡ ÓÚÒÓ‰ËÌËÚ ‚Ò ͇·ÂÎË.
ç ÛÒڇ̇‚ÎË‚‡ÈÚ ËÌÒÚ"ÛÏÂÌÚ ‚ÔÎÓÚÌÛ˛ Í ÒÚÂÌ (ÌÂÓ·ıÓ‰ËÏ ıÓÚfl ·˚ 3Ò‡ÌÚËÏÂÚ"Ó‚˚È Á‡ÁÓ"), ÔÓÒÍÓθÍÛ ˝ÚÓ ÏÓÊÂÚ ‚˚Á‚‡Ú¸ ÔÎÓıÛ˛
ˆË"ÍÛÎflˆË˛ ‚ÓÁ‰Ûı‡ Ë, Í‡Í ÒΉÒÚ‚ËÂ, ÔÂ"„"‚ ËÌÒÚ"ÛÏÂÌÚ‡.
1-3.fm Page 7 Wednesday, May 14, 2003 6:35 PM
èÓ‰Íβ˜ÂÌËÂ
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臂Ë· ÚÂıÌËÍË ·ÂÁÓÔ‡ÒÌÓÒÚË ÔË ˝ÍÒÔÎÛ‡Ú‡ˆËË
èÂʉ ˜ÂÏ ÔÓ‰Íβ˜‡Ú¸ ËÌÒÚÛÏÂÌÚ Í ‰Û„ËÏ ˝ÎÂÍÚÓÌÌ˚Ï
ÍÓÏÔÓÌÂÌÚ‡Ï, ÒΉÛÂÚ ÓÚÍβ˜ËÚ¸ Ëı ÓÚ ÒÂÚË. è‰ ‚Íβ˜ÂÌËÂÏ ËÎË
ÓÚÍβ˜ÂÌËÂÏ ˝ÎÂÍÚÓÌÌ˚ı ÍÓÏÔÓÌÂÌÚÓ‚ ÛÒÚ‡ÌÓ‚ËÚ ÏËÌËχθÌ˚È
ÛÓ‚Â̸ „ÓÏÍÓÒÚË. ì·Â‰ËÚÂÒ¸ Ú‡ÍÊ ‚ ÚÓÏ, ˜ÚÓ Ì‡ ‚ÒÂı ÍÓÏÔÓÌÂÌÚ‡ı
ÛÒÚ‡ÌÓ‚ÎÂÌ ÏËÌËχθÌ˚È ÛÓ‚Â̸ „ÓÏÍÓÒÚË, Ë ‚Ó ‚ÂÏfl Ë„˚ ̇
ËÌÒÚÛÏÂÌÚ ÔÓÒÚÂÔÂÌÌÓ Û‚Â΢¸Ú „ÓÏÍÓÒÚ¸ ‰Ó ÌÛÊÌÓÈ.
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ìıÓ‰ Á‡ ËÌÒÚÛÏÂÌÚÓÏ
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ÑÎfl ˜ËÒÚÍË ËÌÒÚÛÏÂÌÚ‡ ÔÓθÁÛÈÚÂÒ¸ Ïfl„ÍÓÈ ÒÛıÓÈ ËÎË Ò΄͇ ‚·ÊÌÓÈ
Ú̸͇˛. çËÍÓ„‰‡ Ì ËÒÔÓθÁÛÈÚ ÔflÚÌÓ‚˚‚Ó‰ËÚÂÎË, ‡ÒÚ‚ÓËÚÂÎË,
ÊˉÍË ӘËÒÚËÚÂÎË ËÎË ˜ËÒÚfl˘Ë ҇ÎÙÂÚÍË Ò ÔÓÔËÚÍÓÈ.
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ÅÛ‰¸Ú ÓÒÚÓÓÊÌ˚, ˜ÚÓ·˚ Í˚¯Í‡ Í·‚ˇÚÛ˚ Ì Á‡˘ÂÏË· ‚‡Ï
ԇθˆ˚, Ë Ì ‚ÒÚ‡‚ÎflÈÚ ԇθˆ˚ ËÎË ÛÍÛ ‚ ÓÚ‚ÂÒÚËfl ̇ ËÌÒÚÛÏÂÌÚÂ.
ç ‚ÒÚ‡‚ÎflÈÚÂ Ë Ì ÓÌflÈÚ ·Ûχ„Û, ÏÂÚ‡Î΢ÂÒÍËÂ Ë ÔӘˠԉÏÂÚ˚
‚ ÓÚ‚ÂÒÚËfl ̇ Í˚¯ÍÂ, Ô‡ÌÂÎË Ë Í·‚ˇÚÛÂ. ÖÒÎË ˝ÚÓ ÔÓËÁÓ¯ÎÓ,
ÌÂωÎÂÌÌÓ ‚˚Íβ˜ËÚ ÔËÚ‡ÌËÂ Ë ÓÚÒÓ‰ËÌËÚ ËÌÒÚÛÏÂÌÚ ÓÚ
˝ÎÂÍÚÓÒÂÚË. á‡ÚÂÏ Ó·‡ÚËÚÂÒ¸ Á‡ ÔÓÏÓ˘¸˛ Í ÒÔˆˇÎËÒÚ‡Ï ˆÂÌÚ‡
ÚÂıÌ˘ÂÒÍÓ„Ó Ó·ÒÎÛÊË‚‡ÌËfl ÍÓÔÓ‡ˆËË Yamaha.
ç Í·‰ËÚ ̇ ËÌÒÚÛÏÂÌÚ Ô‰ÏÂÚ˚ ËÁ ‚ËÌË·, Ô·ÒÚχÒÒ˚ ËÎË
ÂÁËÌ˚: ˝ÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í Ó·ÂÒˆ‚˜˂‡Ì˲ Ô‡ÌÂÎË Ë Í·‚ˇÚÛ˚.
ç ӷÎÓ͇˜Ë‚‡ÈÚÂÒ¸ ̇ ËÌÒÚÛÏÂÌÚ Ë Ì ÒÚ‡‚¸Ú ̇ ÌÂ„Ó ÚflÊÂÎ˚Â
Ô‰ÏÂÚ˚, ‡ Ú‡ÍÊ ËÁ·Â„‡ÈÚ ˜ÂÁÏÂÌ˚ı ÛÒËÎËÈ ÔË ÔÓθÁÓ‚‡ÌËË
ÍÌÓÔ͇ÏË, ‚˚Íβ˜‡ÚÂÎflÏË Ë ‡Á˙ÂχÏË.
ç ÓÒÚ‡‚ÎflÈÚ ̇‰ÓÎ„Ó ‚˚ÒÓÍËÈ ËÎË ‡Á‰‡Ê‡˛˘ËÈ ÛÓ‚Â̸ „ÓÏÍÓÒÚË:
˝ÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓÚ ÒÎÛı‡. èË ÛıÛ‰¯ÂÌËË ÒÎÛı‡ ËÎË Á‚ÓÌ ‚
Û¯‡ı Ó·‡ÚËÚÂÒ¸ Í ‚‡˜Û.
àÒÔÓθÁÓ‚‡ÌË Ò͇ÏÂÈÍË (ÂÒÎË ÂÒÚ¸)
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ÇÓ ËÁ·ÂʇÌË ÒÎÛ˜‡ÈÌÓ„Ó Ô‡‰ÂÌËfl Ò͇ÏÂÈÍË Ì ÓÒÚ‡‚ÎflÈڠ ‚
ÌÂÛÒÚÓȘ˂ÓÏ ÔÓÎÓÊÂÌËË.
ç ͇˜‡ÈÚÂÒ¸ ̇ Ò͇ÏÂÈÍÂ Ë Ì ˄‡ÈÚÂ, ÒÚÓfl ̇ ÌÂÈ. àÒÔÓθÁÓ‚‡ÌËÂ
Ò͇ÏÂÈÍË ‚ ͇˜ÂÒÚ‚Â ÒÚÂÏflÌÍË ËÎË ‰Îfl ËÌ˚ı ˆÂÎÂÈ ÏÓÊÂÚ ÔË‚ÂÒÚË Í
ÌÂÒ˜‡ÒÚÌÓÏÛ ÒÎÛ˜‡˛ ËÎË Ú‡‚ÏÂ.
ë͇ÏÂÈ͇ Ô‰̇Á̇˜Â̇ ÚÓθÍÓ ‰Îfl Ó‰ÌÓ„Ó ˜ÂÎÓ‚Â͇.
ÖÒÎË ‚ËÌÚ˚ Ò͇ÏÂÈÍË ‡Á·ÓÎÚ‡ÎËÒ¸ ËÁ-Á‡ ‰ÎËÚÂθÌÓ„Ó ËÒÔÓθÁÓ‚‡ÌËfl,
Á‡ÚflÌËÚ Ëı ÓÚ‚ÂÚÍÓÈ.
äÓÔÓ‡ˆËfl Yamaha Ì ÌÂÒÂÚ ÓÚ‚ÂÚÒÚ‚ÂÌÌÓÒÚË Á‡ ÔÓ‚ÂʉÂÌËfl, ‚˚Á‚‡ÌÌ˚ ÌÂÔ‡‚ËθÌÓÈ ˝ÍÒÔÎÛ‡Ú‡ˆËÂÈ ËÎË ÏÓ‰ËÙË͇ˆËÂÈ ËÌÒÚÛÏÂÌÚ‡, ‡ Ú‡ÍÊ Á‡
ÔÓÚÂflÌÌ˚ ËÎË ËÒÔÓ˜ÂÌÌ˚ ‰‡ÌÌ˚Â.
êìëëäàâ
ÇÒ„‰‡ ‚˚Íβ˜‡ÈÚ ËÌÒÚÛÏÂÌÚ, ÂÒÎË ÓÌ Ì ËÒÔÓθÁÛÂÚÒfl.
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CLP 115(E).book Page 8 Tuesday, May 13, 2003 6:55 PM
ÑÓÔÓÎÌËÚÂθÌ˚ ÔË̇‰ÎÂÊÌÓÒÚË
• äÓÎÎÂ͈Ëfl Ô‡ÚËÚÛ˚ «50 greats for the Piano»
• êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
Ç ˝ÚÓÏ ÛÍÓ‚Ó‰ÒÚ‚Â ÒÓ‰ÂʇÚÒfl ÔÓ‰Ó·Ì˚ ËÌÒÚÛ͈ËË ÔÓ ‡·ÓÚÂ Ò ˆËÙÓ‚˚Ï ÔˇÌËÌÓ CLP-115.
• ä‡ÚÍÓ ÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓ ˝ÍÒÔÎÛ‡Ú‡ˆËË
• ë͇ÏÂÈ͇
Ç Á‡‚ËÒËÏÓÒÚË ÓÚ ÏÂÒÚ‡ ÔÓÍÛÔÍË Ò͇ÏÂÈ͇ ÏÓÊÂÚ ‚ıÓ‰ËÚ¸ ËÎË Ì ‚ıÓ‰ËÚ¸ ‚ ÍÓÏÔÎÂÍÚ.
ìıÓ‰ Á‡ ËÌÒÚÛÏÂÌÚÓÏ
ÑÎfl ˜ËÒÚÍË ËÌÒÚÛÏÂÌÚ‡ ÔÓθÁÛÈÚÂÒ¸ Ïfl„ÍÓÈ ÒÛıÓÈ ËÎË Ò΄͇ ‚·ÊÌÓÈ Ú̸͇˛.
ÇçàåÄçàÖ!
ç ËÒÔÓθÁÛÈÚ ‰Îfl Ó˜ËÒÚÍË ·ÂÌÁÓÎ, ‡ÒÚ‚ÓËÚÂθ, ÒÚˇθÌ˚È ÔÓÓ¯ÓÍ ËÎË ıËÏ˘ÂÒÍË Ó·‡·ÓÚ‡ÌÌÛ˛ Ú̸͇. ç ÒÚ‡‚¸Ú ̇ ËÌÒÚÛÏÂÌÚ
‚ËÌËÎÓ‚˚Â, Ô·ÒÚχÒÒÓ‚˚Â Ë ÂÁËÌÓ‚˚ Ô‰ÏÂÚ˚.
Ç ÔÓÚË‚ÌÓÏ ÒÎÛ˜‡Â Ô‡ÌÂθ Ë Í·‚ˇÚÛ‡ ÏÓ„ÛÚ Ó·ÂÒˆ‚ÂÚËÚ¸Òfl ËÎË ËÒÔÓÚËÚ¸Òfl.
ÇçàåÄçàÖ!
è‰ ̇˜‡ÎÓÏ ‡·ÓÚ˚ Ò ˆËÙÓ‚˚Ï ÔˇÌËÌÓ CLP-115 ÔÓ˜ËÚ‡ÈÚ ‡Á‰ÂÎ «èêAÇàãA íÖïçàäà ÅÖáéèAëçéëí໠̇ ÒÚ. 6 – 7.
ç‡ÒÚÓÈ͇
Ç ÓÚ΢ˠÓÚ ‡ÍÛÒÚ˘ÂÒÍÓ„Ó ÙÓÚÂÔˇÌÓ, ˆËÙÓ‚Ó ÔˇÌËÌÓ CLP-115 Ì ÌÛʉ‡ÂÚÒfl ‚ ̇ÒÚÓÈÍÂ. éÌÓ ‚Ò„‰‡ ÓÒÚ‡ÂÚÒfl
ÔÓÎÌÓÒÚ¸˛ ̇ÒÚÓÂÌÌ˚Ï.
êìëëäàâ
í‡ÌÒÔÓÚËӂ͇
ñËÙÓ‚Ó ÔˇÌËÌÓ CLP-115 ÏÓÊÌÓ Ô‚ÓÁËÚ¸ ‚ÏÂÒÚÂ Ò ‰Û„ËÏË ‚¢‡ÏË. èÂÂÏ¢‡Ú¸ ËÌÒÚÛÏÂÌÚ ÏÓÊÌÓ Í‡Í ‚
ÒÓ·‡ÌÌÓÏ, Ú‡Í Ë ‚ ‡ÁÓ·‡ÌÌÓÏ ‚ˉÂ.
ä·‚ˇÚÛ‡ ‰ÓÎÊ̇ Ô‚ÓÁËÚ¸Òfl ‚ „ÓËÁÓÌڇθÌÓÏ ÔÓÎÓÊÂÌËË. ç ̇ÍÎÓÌflÈÚ ÂÂ Ë Ì ÒÚ‡‚¸Ú ̇·ÓÍ. ç ÔÓ‰‚„‡ÈÚÂ
ËÌÒÚÛÏÂÌÚ ˜ÂÁÏÂÌÓÈ ‚Ë·‡ˆËË ËÎË ÚflÒÍÂ.
8
CLP-115 ÑÓÔÓÎÌËÚÂθÌ˚ ÔË̇‰ÎÂÊÌÓÒÚË / ìıÓ‰ Á‡ ËÌÒÚÛÏÂÌÚÓÏ
CLP 115(E).book Page 9 Tuesday, May 13, 2003 6:55 PM
ÇÓÁÏÓÊÌÓÒÚË
ñËÙÓ‚Ó ÔˇÌËÌÓ Yamaha Clavinova CLP-115 Ô‰ÓÒÚ‡‚ÎflÂÚ ÌË Ò ˜ÂÏ Ì ҇‚ÌËÏÛ˛ ‡ÎËÒÚ˘ÌÓÒÚ¸ Á‚Û͇ Ë ‚ÓÁÏÓÊÌÓÒÚ¸
Ë„˚ ‚ ÚÂÏ·Â ÓflÎfl, ÓË„Ë̇θÌÛ˛ ÚÂıÌÓÎӄ˲ „Â̇ˆËË ÚÓ̇ ÍÓÔÓ‡ˆËË Yamaha – «AWM Stereo Sampling» – ‰Îfl
ÒÓÁ‰‡ÌËfl ̇Ò˚˘ÂÌÌ˚ı ÏÛÁ˚͇θÌ˚ı ÚÂÏ·Ó‚ Ë ÒÔˆˇθÌÛ˛ Í·‚ˇÚÛÛ «Graded Hammer», ̇ ÍÓÚÓÓÈ ‚ÂÒ Ë
˜Û‚ÒÚ‚ËÚÂθÌÓÒÚ¸ Í·‚Ë¯Ë Á‡‚ËÒflÚ ÓÚ Â ‡ÒÔÓÎÓÊÂÌËfl.
íÂÏ·˚ Grand Piano 1 Ë 2 ËÒÔÓθÁÛ˛Ú Ú˘‡ÚÂθÌÓ Á‡ÔËÒ‡ÌÌ˚Â Ò˝ÏÔÎ˚ ÔÓÎÌÓ„Ó ÍÓ̈ÂÚÌÓ„Ó ÓflÎfl. ÑÎfl ÚÂÏ·‡ E. Piano 1
ËÒÔÓθÁÛÂÚÒfl Ó‰ËÌ Ò˝ÏÔÎ, Á‡‚ËÒfl˘ËÈ ÓÚ ÒÍÓÓÒÚË Ì‡Ê‡ÚËfl Í·‚˯ (‰Ë̇Ï˘ÂÒÍÓÂ Ò˝ÏÔÎËÓ‚‡ÌËÂ), ‡ ‰Îfl ÚÂÏ·‡
E. Piano 2 – ‰‚‡.
á‚ÛÍ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ CLP-115 „Ó‡Á‰Ó ·Óθ¯Â ÔÓıÓÊ Ì‡ Á‚ÛÍ Ì‡ÒÚÓfl˘Â„Ó ‡ÍÛÒÚ˘ÂÒÍÓ„Ó ÙÓÚÂÔ¸flÌÓ.
MIDI [IN/OUT/THRU] (‡Á˙eÏ˚)
[PHONES] (ÍÌÓÔ͇)
ê‡Á˙eÏ ‰Îfl Òڇ̉‡ÚÌ˚ı
̇ۯÌËÍÓ‚ Ò ÏËÍÓÙÓÌÓÏ,
ÍÓÚÓ˚e Ìe ÔÓÁ‚ÓÎfl˛Ú ‰Û„ËÏ
ÒÎ˚¯‡Ú¸ ‚‡¯Û Ë„Û (ÒÚ. 12).
èÓ‰Íβ˜Ë‚ Í ˝ÚËÏ ‡Á˙ÂÏ‡Ï MIDI-ÛÒÚÓÈÒÚ‚Ó,
ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ‡Á΢Ì˚e MIDI-ÙÛÌ͈ËË
(ÒÚ. 24–25). (é MIDI-ÙÛÌ͈Ëflı ÒÏ. ÒÚ. 23)
MIDI
THRU
OUT
IN
PHONES
MASTER
VOLUME
MIN
MAX
POWER
DEMO
METRONOME
VOICE
PEDAL
MASTER
VOLUME
óÚÓ·˚ ËÒÔÓθÁÓ‚‡Ú¸ ˆËÙÓ‚Óe ÔˇÌËÌÓ
CLP-115 Ò Ô‰‡ÎflÏË, ÔÓ‰ÒÓe‰ËÌËÚe
͇·eθ Ôe‰‡ÎeÈ (ÒÚ. 30).
êìëëäàâ
[PEDAL] (ÍÌÓÔ͇)
[MASTER VOLUME]
ç‡ÒÚÓÈÚ „ÓÏÍÓÒÚ¸ Ò ÔÓÏÓ˘¸˛ „ÛÎflÚÓ‡ (ÒÚ. 11).
MIN
MAX
[DEMO] (ÍÌÓÔ͇)
DEMO
METRONOME
ÇÓÒÔÓËÁ‚‰ÂÌË ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı Ë 50 ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ (ÒÚ. 15).
[METRONOME] (ÍÌÓÔ͇)
ìÔ‡‚ÎÂÌË ÙÛÌ͈ËflÏË ÏÂÚÓÌÓχ (ÒÚ. 21).
VOICE
[VOICE] (ÍÌÓÔ͇)
Ç˚·Ë‡ÈÚ ËÁ 10 ‚ÒÚÓÂÌÌ˚ı ÚÂÏ·Ó‚, ‚Íβ˜‡fl ÚÂÏ·˚ Grand Piano 1 Ë 2 (ÒÚ. 17).
åÓÊÌÓ Ó·˙‰ËÌflÚ¸ ‰‚‡ ÚÂÏ·‡ (ÒÚ. 19), ‚˚·Ë‡Ú¸ ‡Á΢Ì˚ ˝ÙÙÂÍÚ˚ ‚·‡ˆËË (ÒÚ. 18)
Ë Ú. ‰.
CLP-115 ÇÓÁÏÓÊÌÓÒÚË
9
CLP 115(E).book Page 10 Tuesday, May 13, 2003 6:55 PM
èÓ‰„ÓÚӂ͇ Í ‡·ÓÚÂ Ò ˆËÙÓ‚˚Ï
ÔˇÌËÌÓ CLP-115
ä˚¯Í‡ Í·‚ˇÚÛ˚
óÚÓ·˚ ÓÚÍ˚Ú¸ Í˚¯ÍÛ Í·‚ˇÚÛ˚:
çÂÏÌÓ„Ó ÔËÔÓ‰ÌËÏËÚ Í˚¯ÍÛ Ë ÔÓ‰‚Ë̸ڠ ‚Ô‰.
óÚÓ·˚ Á‡Í˚Ú¸ Í˚¯ÍÛ Í·‚ˇÚÛ˚:
èÓÚflÌËÚ Í˚¯ÍÛ Ì‡ Ò·fl Ë ÓÒÚÓÓÊÌÓ ÓÔÛÒÚËڠ ̇
Í·‚ˇÚÛÛ.
ÇçàåÄçàÖ!
ç ÔˢÂÏËÚ ԇθˆ˚,
ÓÚÍ˚‚‡fl ËÎË Á‡Í˚‚‡fl Í˚¯ÍÛ.
ÇçàåÄçàÖ!
éÚÍ˚‚‡fl Ë Á‡Í˚‚‡fl Í˚¯ÍÛ, ‰ÂÊËڠ ‰‚ÛÏfl Û͇ÏË. ç ÓÚÔÛÒ͇ÈÚ Í˚¯ÍÛ, ÔÓ͇ Ó̇ Ì ·Û‰ÂÚ ÔÓÎÌÓÒÚ¸˛ ÓÚÍ˚Ú‡ ËÎË Á‡Í˚Ú‡.
ç Á‡˘ÂÏËÚ ҂ÓË ËÎË ˜ÛÊË ԇθˆ˚ (ÓÒÓ·ÂÌÌÓ Ô‡Î¸ˆ˚ ‰ÂÚÂÈ) ÏÂÊ‰Û Í˚¯ÍÓÈ Ë ÍÓÔÛÒÓÏ.
ÇçàåÄçàÖ!
ç Í·‰ËÚ ̇ Í˚¯ÍÛ Í·‚ˇÚÛ˚ ÏÂÚ‡Î΢ÂÒÍË Ô‰ÏÂÚ˚ ËÎË ·Ûχ„Û. èË ÓÚÍ˚ÚËË Í˚¯ÍË ÏÂÎÍË Ô‰ÏÂÚ˚ ÏÓ„ÛÚ ÔÓÔ‡ÒÚ¸
‚ÌÛÚ¸ ÍÓÔÛÒ‡ ÔˇÌËÌÓ, Ë ËÁ‚Θ¸ Ëı ÓÚÚÛ‰‡ ·Û‰ÂÚ Ô‡ÍÚ˘ÂÒÍË Ì‚ÓÁÏÓÊÌÓ. ùÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓ‡ÊÂÌ˲ ÚÓÍÓÏ, ÍÓÓÚÍÓÏÛ
Á‡Ï˚͇Ì˲, ÔÓÊ‡Û Ë ËÌ˚Ï Ò¸ÂÁÌ˚Ï ÔÓ‚ÂʉÂÌËflÏ ËÌÒÚÛÏÂÌÚ‡.
è˛ÔËÚ
óÚÓ·˚ ÔÓ‰ÌflÚ¸ Ô˛ÔËÚ:
êìëëäàâ
1. ç‡ÍÎÓÌËÚ ԲÔËÚ Ì‡ Ò·fl, ̇ÒÍÓθÍÓ ‚ÓÁÏÓÊÌÓ.
2. éÔÛÒÚËÚ ÏÂÚ‡Î΢ÂÒÍË ÙËÍÒ‡ÚÓ˚ ÒÔ‡‚‡ Ë Ò΂‡ ̇
Ó·ÓÓÚÌÓÈ ÒÚÓÓÌÂ Ô˛ÔËÚ‡.
3. ç‡ÍÎÓÌËÚ ԲÔËÚ Ì‡Á‡‰ Ú‡Í, ˜ÚÓ·˚ ÓÌ ÓÔˇÎÒfl ̇
ÙËÍÒ‡ÚÓ˚.
óÚÓ·˚ ÓÔÛÒÚËÚ¸ Ô˛ÔËÚ:
1. ç‡ÍÎÓÌËÚ ԲÔËÚ Ì‡ Ò·fl, ̇ÒÍÓθÍÓ ‚ÓÁÏÓÊÌÓ.
2. èÓ‰ÌËÏËÚ ÏÂÚ‡Î΢ÂÒÍË ÙËÍÒ‡ÚÓ˚ (ÓÌË Ì‡ıÓ‰flÚÒfl ̇ Ó·ÓÓÚÌÓÈ ÒÚÓÓÌ ԲÔËÚ‡).
3. éÒÚÓÓÊÌÓ Ì‡ÍÎÓÌflÈÚ ԲÔËÚ Ì‡Á‡‰, ÔÓ͇ ÓÌ ÔÓÎÌÓÒÚ¸˛
Ì ‚ÒÚ‡ÌÂÚ Ì‡ ÏÂÒÚÓ.
ÇçàåÄçàÖ!
ç ËÒÔÓθÁÛÈÚ ԲÔËÚ, ÂÒÎË ÓÌ ÔÓ‰ÌflÚ Ì‡ÔÓÎÓ‚ËÌÛ.
éÔÛÒ͇fl Ô˛ÔËÚ, ÔˉÂÊË‚‡ÈÚ „Ó, ÔÓ͇ ÓÌ ÔÓÎÌÓÒÚ¸˛ ÌÂ
ÓÔÛÒÚËÚÒfl ̇ ÏÂÒÚÓ.
10
CLP-115 èÓ‰„ÓÚӂ͇ Í ‡·ÓÚÂ Ò ˆËÙÓ‚˚Ï ÔˇÌËÌÓ CLP-115
CLP 115(E).book Page 11 Tuesday, May 13, 2003 6:55 PM
ÇÍβ˜ÂÌË ÔËÚ‡ÌËfl
1. èÓ‰ÒÓ‰ËÌËÚ ͇·Âθ ÔËÚ‡ÌËfl.
ÇÒÚ‡‚¸Ú ͇·Âθ: Ó‰ËÌ ÍÓ̈ ‚ ‡Á˙ÂÏ AC INLET ̇ ˆËÙÓ‚ÓÏ ÔˇÌËÌÓ CLP-115, ‡ ‚ÚÓÓÈ ÍÓ̈ ‚ Òڇ̉‡ÚÌÛ˛ ÓÁÂÚÍÛ.
Ç ÌÂÍÓÚÓ˚ı Òڇ̇ı ‚ ÍÓÏÔÎÂÍÚ ÔÓÒÚ‡‚ÍË ÏÓÊÂÚ ‚ıÓ‰ËÚ¸ ÔÂÂıÓ‰ÌËÍ ‰Îfl ÔÓ‰Íβ˜ÂÌËfl Í ÓÁÂÚÍ‡Ï Ò ‰Û„ËÏ
‡ÒÔÓÎÓÊÂÌËÂÏ ÍÓÌÚ‡ÍÚÓ‚.
1
2
(‚ˉ ÒÌËÁÛ)
(Ç ‡ÁÌ˚ı Òڇ̇ı ¯ÚÂÔÒÂθÌ˚ ‚ËÎÍË ÓÚ΢‡˛ÚÒfl ÔÓ ÙÓÏÂ.)
2. ÇÍβ˜ÂÌË ÔËÚ‡ÌËfl
ç‡ÊÏËÚ ÍÌÓÔÍÛ [POWER].
• ᇄÓËÚÒfl Ë̉Ë͇ÚÓ ÔËÚ‡ÌËfl, ‡ÒÔÓÎÓÊÂÌÌ˚È Ò Î‚ÓÈ ÒÚÓÓÌ˚ Í·‚ˇÚÛ˚.
[POWER] (ÍÌÓÔ͇)
à̉Ë͇ÚÓ ÔËÚ‡ÌËfl
MASTRE
VOLUME
MIN
MAX
DEMO
METRONOME
VOICE
ÖÒÎË ‚˚ ÔÓ‰„ÓÚÓ‚ËÎËÒ¸ Í ‚˚Íβ˜ÂÌ˲ ÔËÚ‡ÌËfl, ÒÌÓ‚‡ ̇ÊÏËÚ ÍÌÓÔÍÛ [POWER].
• à̉Ë͇ÚÓ ÔËÚ‡ÌËfl ÔÓ„‡ÒÌÂÚ.
à̉Ë͇ÚÓ ÔËÚ‡ÌËfl
ÖÒÎË Á‡Í˚Ú¸ Í˚¯ÍÛ Í·‚ˇÚÛ˚, Ì ‚˚Íβ˜‡fl ËÌÒÚÛÏÂÌÚ, Ë̉Ë͇ÚÓ ÔÓ‰ÓÎʇÂÚ „ÓÂÚ¸, ÔÓ͇Á˚‚‡fl, ˜ÚÓ ‚ ËÌÒÚÛÏÂÌÚ
ÔÓÒÚÛÔ‡ÂÚ ÔËÚ‡ÌËÂ.
ê„ÛÎËӂ͇ „ÓÏÍÓÒÚË
燘‡‚ Ë„Û, ÛÒÚ‡ÌÓ‚ËÚ ÓÔÚËχθÌÛ˛ „ÓÏÍÓÒÚ¸ „ÛÎflÚÓÓÏ [MASTER VOLUME].
MASTER
VOLUME
ìÏÂ̸¯ÂÌË „ÓÏÍÓÒÚË.
êìëëäàâ
ä ëÇÖÑÖçàû
ì‚Â΢ÂÌË „ÓÏÍÓÒÚË.
MIN
MAX
ÇçàåÄçàÖ!
ç ËÒÔÓθÁÛÈÚ ˆËÙÓ‚Ó ÔˇÌËÌÓ CLP-115 ̇ ‚˚ÒÓÍÓÏ ÛÓ‚Ì „ÓÏÍÓÒÚË ‰ÎËÚÂθÌÓ ‚ÂÏfl, ˝ÚÓ ÏÓÊÂÚ Ôӂ‰ËÚ¸ ÒÎÛı.
íÖêåàçéãéÉàü
ä ëÇÖÑÖçàû
MASTER VOLUME:
ìÓ‚Â̸ „ÓÏÍÓÒÚË ‚ÒÂÈ Í·‚ˇÚÛ˚
èË ÔÓÏÓ˘Ë Â„ÛÎflÚÓ‡ [MASTER VOLUME] ÏÓÊÌÓ Ú‡ÍÊ ̇ÒÚÓËÚ¸ „ÓÏÍÓÒÚ¸ ‚˚ıÓ‰ÌÓ„Ó Í‡Ì‡Î‡ ̇ۯÌËÍÓ‚ (‡Á˙ÂÏ [PHONES]).
CLP-115 èÓ‰„ÓÚӂ͇ Í ‡·ÓÚÂ Ò ˆËÙÓ‚˚Ï ÔˇÌËÌÓ CLP-115
11
CLP 115(E).book Page 12 Tuesday, May 13, 2003 6:55 PM
àÒÔÓθÁÓ‚‡ÌË ̇ۯÌËÍÓ‚
èÓ‰ÒÓ‰ËÌËÚ ̇ۯÌËÍË Í Ó‰ÌÓÏÛ ËÁ ‡Á˙ÂÏÓ‚ [PHONES] (ç‡Û¯ÌËÍË).
ç‡ ËÌÒÚÛÏÂÌÚ ÂÒÚ¸ ‰‚‡ ‡Á˙Âχ [PHONES].
åÓÊÌÓ ÔÓ‰ÒÓ‰ËÌËÚ¸ ‰‚‡ ÍÓÏÔÎÂÍÚ‡ Òڇ̉‡ÚÌ˚ı ÒÚÂÂÓ̇ۯÌËÍÓ‚.
(ÖÒÎË ËÒÔÓθÁÛÂÚÒfl Ó‰ËÌ ÍÓÏÔÎÂÍÚ Ì‡Û¯ÌËÍÓ‚, Â„Ó ÏÓÊÌÓ
ÔÓ‰ÒÓ‰ËÌËÚ¸ Í Î˛·ÓÏÛ ‡Á˙ÂÏÛ.)
MASTRE
VOLUME
MIN
MAX
DEMO
METRONOME
VOICE
‚ˉ ÒÌËÁÛ
PHONES
ÔÓ‰Íβ˜ÂÌËÂ
Òڇ̉‡ÚÌ˚ı
ÒÚÂÂÓ̇ۯÌËÍÓ‚
àÒÔÓθÁÓ‚‡ÌË Ͳ˜Í‡ ‰Îfl ̇ۯÌËÍÓ‚
ä˛˜ÓÍ ‰Îfl ̇ۯÌËÍÓ‚ ‚ıÓ‰ËÚ ‚ ÍÓÏÔÎÂÍÚ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ CLP-115, ˜ÚÓ·˚
ÏÓÊÌÓ ·˚ÎÓ ‚¯‡Ú¸ ̇ۯÌËÍË Ì‡ ÍÓÔÛÒ CLP-115. á‡ÍÂÔËÚ Ͳ˜ÓÍ ‰Îfl
̇ۯÌËÍÓ‚ ̇ ÍÓÔÛÒÂ Ò ÔÓÏÓ˘¸˛ ‰‚Ûı ‚ËÌÚÓ‚ (4 × 10 ÏÏ), Í‡Í ÔÓ͇Á‡ÌÓ Ì‡
ËÒÛÌÍÂ.
êìëëäàâ
12
CLP-115 èÓ‰„ÓÚӂ͇ Í ‡·ÓÚÂ Ò ˆËÙÓ‚˚Ï ÔˇÌËÌÓ CLP-115
PH
O
S
NE
ÇçàåÄçàÖ!
ç ‚¯‡ÈÚ ̇ ˝ÚÓÚ Í˛˜ÓÍ Ì˘„Ó, ÍÓÏ ̇ۯÌËÍÓ‚. Ç ÔÓÚË‚ÌÓÏ ÒÎÛ˜‡Â ÏÓÊÌÓ
Ôӂ‰ËÚ¸ ˆËÙÓ‚Ó ÔˇÌËÌÓ CLP-115 ËÎË Í˛˜ÓÍ.
CLP 115(E).book Page 13 Tuesday, May 13, 2003 6:55 PM
ëÔ‡‚Ó˜ÌËÍ
ê‡Á‰ÂÎ ÒÓ‰ÂÊËÚ ÔÓ‰Ó·Ì˚ ҂‰ÂÌËfl Ó Ì‡ÒÚÓÈ͇ı
ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ CLP-115 ‰Îfl Ò‡Ï˚ı ‡Á΢Ì˚ı ÙÛÌ͈ËÈ.
è‡ÌÂθ ÛÔ‡‚ÎÂÌËfl Ë ‡Á˙ÂÏ˚ ................................... 14
èÓÒÎۯ˂‡ÌË ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÔÂÒÂÌ ................ 15
èÓÒÎۯ˂‡ÌË 50 ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ ‰Îfl ÙÓÚÂÔ¸flÌÓ... 16
Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÚÂÏ·Ó‚............................ 17
Ç˚·Ó ÚÂÏ·Ó‚.................................................................17
àÒÔÓθÁÓ‚‡ÌË Ô‰‡ÎÂÈ ..................................................17
ÑÓ·‡‚ÎÂÌËÂ Í Á‚ÛÍÛ ‚‡Ë‡ˆËÈ – ˝ÙÙÂÍÚ Â‚Â·Â‡ˆËË .. 18
ç‡ÎÓÊÂÌË ÚÂÏ·Ó‚ (ÂÊËÏ Dual) .................................19
í‡ÌÒÔÓÌËÓ‚‡ÌË ...........................................................20
íÓÌ͇fl ̇ÒÚÓÈ͇ ‚˚ÒÓÚ˚ Á‚Û͇.....................................20
àÒÔÓθÁÓ‚‡ÌË ÏÂÚÓÌÓχ .............................................21
é MIDI-ËÌÚÂÙÂÈÒÂ ...................................................... 23
èÓ‰Íβ˜ÂÌË ÔÂÒÓ̇θÌÓ„Ó ÍÓÏÔ¸˛Ú‡ ................ 24
îÛÌ͈ËË MIDI ................................................................ 26
êìëëäàâ
Ç˚·Ó ͇̇· Ô‰‡˜Ë Ë ÔËÂχ MIDI-‰‡ÌÌ˚ı............26
îÛÌ͈Ëfl Local...................................................................26
îÛÌ͈Ëfl ËÁÏÂÌÂÌËfl ÔÓ„‡ÏÏ˚ .....................................27
îÛÌ͈Ëfl ËÁÏÂÌÂÌËfl ÛÔ‡‚ÎÂÌËfl.....................................27
ìÒÚ‡ÌÂÌË ÌÂÔÓ·‰ÓÍ ................................................. 28
ÑÓÔÓÎÌËÚÂθÌ˚ ÔËÒÔÓÒÓ·ÎÂÌËfl .............................. 28
ë·Ó͇ ÔÓ‰ÒÚ‡‚ÍË ‰Îfl Í·‚ˇÚÛ˚............................. 29
è‰ÏÂÚÌ˚È Û͇Á‡ÚÂθ ................................................ 32
CLP-115
13
CLP 115(E).book Page 14 Tuesday, May 13, 2003 6:55 PM
è‡ÌÂθ ÛÔ‡‚ÎÂÌËfl Ë ‡Á˙ÂÏ˚
ÇÂıÌflfl Ô‡ÌÂθ
7
MIDI
THRU
OUT
IN
6
8
PHONES
PEDAL
MASTER
VOLUME
MIN
MAX
POWER
DEMO
METRONOME
1
VOICE
A-1 B-1 C0 D0 E0 F0 G0 A0 B0 C1 D1 E1 F1 G1 A1 B1 C2 D2 E2 F2 G2 A2 B2 C3 D3 E3 F3 G3 A3 B3 C4 D4 E4 F4 G4 A4 B4 C5 D5 E5 F5 G5 A5 B5 C6 D6 E6 F6 G6 A6 B6 C7
MASTER
VOLUME
2
MIN
MAX
DEMO
METRONOME
9
3
0
A
4
VOICE
êìëëäàâ
5
1
2
3
4
5
6
7
14
[POWER] (ÍÌÓÔ͇)................................. ëÚ.11
[MASTER VOLUME] („ÛÎflÚÓ).......... ëÚ.11
[DEMO] (ÍÌÓÔ͇) ............................. ëÚ.15–16
[METRONOME] (ÍÌÓÔ͇) ................ ëÚ.21–22
[VOICE] (ÍÌÓÔ͇) ............................. ëÚ.17–19
[PHONES] (ÍÌÓÔ͇) ............................... ëÚ.12
MIDI [IN] [OUT] [THRU] (‡Á˙ÂÏ˚)....... ëÚ.23
8
9
0
A
[PEDAL] (Ô‰‡Î¸).................................. ëÚ.30
èË„ÎÛ¯ÂÌË Á‚Û͇ (΂‡fl Ô‰‡Î¸) ... ëÚ.18
ëÓÒÚÂÌÛÚÓ (Ò‰Ìflfl Ô‰‡Î¸)............... ëÚ.18
ÑÂÏÔÙÂ̇fl (Ô‡‚‡fl) Ô‰‡Î¸ ............ ëÚ.17
CLP-115 è‡ÌÂθ ÛÔ‡‚ÎÂÌËfl Ë ‡Á˙ÂÏ˚
CLP 115(E).book Page 15 Tuesday, May 13, 2003 6:55 PM
èÓÒÎۯ˂‡ÌË ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı
ÔÂÒÂÌ
Ç ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÔÂÒÌflı Ô‰ÒÚ‡‚ÎÂÌ˚ ‚Ò ÚÂÏ·˚ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ CLP-115.
ÑÂÈÒÚ‚Ëfl
1. ÇÍβ˜ÂÌË ÔËÚ‡ÌËfl.
ÖÒÎË ÔËÚ‡ÌË ‚˚Íβ˜ÂÌÓ, ̇ÊÏËÚ ÍÌÓÔÍÛ [POWER].
燘‡‚ Ë„Û, ÛÒÚ‡ÌÓ‚ËÚ ÓÔÚËχθÌÛ˛ „ÓÏÍÓÒÚ¸ „ÛÎflÚÓÓÏ [MASTER VOLUME].
2. ÇÍβ˜ÂÌË ÂÊËχ ‰ÂÏÓÌÒÚ‡ˆËË.
óÚÓ·˚ ‚Íβ˜ËÚ¸ ÂÊËÏ ‰ÂÏÓÌÒÚ‡ˆËË, ̇ÊÏËÚ ÍÌÓÔÍÛ [DEMO]. ᇄÓËÚÒfl
Ë̉Ë͇ÚÓ ÍÌÓÔÍË [DEMO].
3. ÇÓÒÔÓËÁ‚‰ÂÌË ‰ÂÏÓÌÒÚ‡ˆËË ÚÂÏ·‡.
óÚÓ·˚ ‚˚·‡Ú¸ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌÛ˛ ÔÂÒÌ˛ Ë Ì‡˜‡Ú¸  ‚ÓÒÔÓËÁ‚‰ÂÌËÂ,
Û‰ÂÊË‚‡ÈÚ ÍÌÓÔÍÛ [DEMO] Ë Ì‡ÊÏËÚ ӉÌÛ ËÁ Í·‚˯ C1–A1. ÇÓÒÔÓËÁ‚‰ÂÌËÂ
‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÔÂÒÂÌ Ì‡˜ÌÂÚÒfl Ò ‚˚·‡ÌÌÓÈ ÏÂÎÓ‰ËË Ë ·Û‰ÂÚ ÔÓ‰ÓÎʇڸÒfl,
ÔÓ͇ Â„Ó Ì ÓÒÚ‡ÌÓ‚flÚ.
èêàåÖóÄçàÖ
ÅÓΠÔӉӷ̇fl ËÌÙÓχˆËfl Ó
ı‡‡ÍÚÂËÒÚË͇ı Í‡Ê‰Ó„Ó ÚÂÏ·‡
ÒÓ‰ÂÊËÚÒfl ‚ ÒÔËÒÍ ÚÂÏ·Ó‚ ̇
ÒÚ. 17.
íÖêåàçéãéÉàü
êÂÊËÏ:
ëÓÒÚÓflÌË ËÌÒÚÛÏÂÌÚ‡, ‚ ÍÓÚÓÓÏ
ÏÓÊÌÓ ‚˚ÔÓÎÌËÚ¸ ÓÔ‰ÂÎÂÌÌÛ˛
ÙÛÌÍˆË˛. Ç ‰ÂÏÓÌÒÚ‡ˆËÓÌÌÓÏ
ÂÊËÏ ÏÓÊÌÓ ÒÎÛ¯‡Ú¸
‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ ÔÂÒÌË.
èêàåÖóÄçàÖ
íÂÏÔ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÔÂÒÂÌ
ËÁÏÂÌflÚ¸ ÌÂθÁfl.
DEMO
ä‡ÈÌflfl ΂‡fl Í·‚˯‡ C1
A1
ëÔËÒÓÍ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÔÂÒÂÌ
ÇÒ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ ÔÂÒÌË, ÍÓÏ ÚÂı ÔÂÒÂÌ, Ô˜ËÒÎÂÌÌ˚ı ÌËÊÂ, ÒÓÁ‰‡Ì˚
ÍÓÔÓ‡ˆËÂÈ Yamaha (©2002 Yamaha Corporation).
é ÚÓÏ, ͇ÍÓÈ ÚÂÏ· ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ ÚÓÈ ËÎË ËÌÓÈ Í·‚˯Â, ÏÓÊÌÓ ÛÁ̇ڸ ËÁ ÒÔËÒ͇
ÚÂÏ·Ó‚ ̇ ÒÚ. 17.
è˜ËÒÎÂÌÌ˚ ÌËÊ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ ÔÂÒÌË fl‚Îfl˛ÚÒfl ÌÂÏÌÓ„Ó
Ô‡‡ÌÊËÓ‚‡ÌÌ˚ÏË ÓÚ˚‚͇ÏË ËÁ ÓË„Ë̇θÌ˚ı ÍÓÏÔÓÁˈËÈ.
ç‡Á‚‡ÌË ÚÂÏ·‡
ç‡Á‚‡ÌË ÍÓÏÔÓÁˈËË
äÓÏÔÓÁËÚÓ
C1
GrandPiano1
Consolation No.3
F. Liszt
E1
Harpsichord1
Gavotte
J.S. Bach
F1
Harpsichord2
Invention No.1
J.S. Bach
êìëëäàâ
ä·‚˯‡
ç‡ÒÚÓÈ͇ „ÓÏÍÓÒÚË
ÑÎfl ̇ÒÚÓÈÍË „ÓÏÍÓÒÚË ËÒÔÓθÁÛÈÚ „ÛÎflÚÓ [MASTER VOLUME].
4. éÒÚ‡Ìӂ͇ ‰ÂÏÓÌÒÚ‡ˆËË ÚÂÏ·‡.
óÚÓ·˚ Ô‚‡Ú¸ ‚ÓÒÔÓËÁ‚‰ÂÌËÂ, ̇ÊÏËÚ ÍÌÓÔÍÛ [DEMO].
CLP-115 èÓÒÎۯ˂‡ÌË ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÔÂÒÂÌ
15
CLP 115(E).book Page 16 Tuesday, May 13, 2003 6:55 PM
èÓÒÎۯ˂‡ÌË 50 ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ
‰Îfl ÙÓÚÂÔ¸flÌÓ
Ç ˆËÙÓ‚Ó ÔˇÌËÌÓ CLP-115 ‚ÒÚÓÂÌÓ 50 ÔÂÒÂÌ ‰Îfl ÙÓÚÂÔ¸flÌÓ. åÓÊÌÓ ÔÓÒÚÓ ÔÓÒÎÛ¯‡Ú¸ ˝ÚË ÔÂÒÌË. åÓÊÌÓ
Ú‡ÍÊ ӷ‡ÚËÚ¸Òfl Í ÔË·„‡ÂÏÓÏÛ Ò·ÓÌËÍÛ «50 Greats for the Piano» Ò ÌÓÚ‡ÏË 50 ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ.
ÑÂÈÒÚ‚Ëfl
1. ÇÍβ˜ÂÌË ÂÊËχ ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ.
óÚÓ·˚ ‚Íβ˜ËÚ¸ ÂÊËÏ ÔÂÒÂÌ ‰Îfl ÙÓÚÂÔ¸flÌÓ, ̇ÊÏËÚ ÍÌÓÔÍÛ [DEMO].
ᇄÓËÚÒfl Ë̉Ë͇ÚÓ ÍÌÓÔÍË [DEMO].
2. èÓÒÎۯ˂‡ÌË ‚ÒÚÓÂÌÌÓÈ ÔÂÒÌË.
óÚÓ·˚ ‚˚·‡Ú¸ ÏÂÎӉ˲ Ë Ì‡˜‡Ú¸  ‚ÓÒÔÓËÁ‚‰ÂÌËÂ, Û‰ÂÊË‚‡fl ÍÌÓÔÍÛ
[DEMO], ̇ÊÏËÚ ӉÌÛ ËÁ Í·‚˯ C2–C 6. óÚÓ·˚ ÔÓÒΉӂ‡ÚÂθÌÓ ‚ÓÒÔÓËÁ‚ÂÒÚË
‚Ò ‚ÒÚÓÂÌÌ˚ ÔÂÒÌË, Û‰ÂÊË‚‡fl ÍÌÓÔÍÛ [DEMO], ̇ÊÏËÚ Í·‚Ë¯Û D6.
íÖêåàçéãéÉàü
èÂÒÌfl:
Ç ˆËÙÓ‚ÓÏ ÔˇÌËÌÓ CLP-115
«ÔÂÒÌÂÈ» ̇Á˚‚‡˛ÚÒfl ‰‡ÌÌ˚Â
ËÒÔÓÎÌflÂÏÓ„Ó ÔÓËÁ‚‰ÂÌËfl. ùÚÓ
Ú‡ÍÊ ÓÚÌÓÒËÚÒfl Í
‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚Ï ÔÂÒÌflÏ Ë
‚ÒÚÓÂÌÌ˚Ï ÏÂÎÓ‰ËflÏ ‰Îfl
ÙÓÚÂÔ¸flÌÓ.
C6
ä ëÇÖÑÖçàû
DEMO
C2
D6
ä‡ÈÌflfl Ô‡‚‡fl Í·‚˯‡
ç‡ÒÚÓÈ͇ „ÓÏÍÓÒÚË
ÑÎfl ̇ÒÚÓÈÍË „ÓÏÍÓÒÚË ËÒÔÓθÁÛÈÚ „ÛÎflÚÓ [MASTER VOLUME].
3. éÒÚ‡Ìӂ͇ ‚ÓÒÔÓËÁ‚‰ÂÌËfl
é‰ÌÓ‚ÂÏÂÌÌÓ Ò ‚ÓÒÔÓËÁ‚‰ÂÌËÂÏ
‚ÒÚÓÂÌÌÓÈ ÔÂÒÌË ÏÓÊÌÓ Ë„‡Ú¸ ̇
Í·‚˯‡ı. åÓÊÌÓ ËÁÏÂÌËÚ¸ ÚÂÏ·
‰Îfl Í·‚ˇÚÛ˚.
ä ëÇÖÑÖçàû
åÓÊÌÓ Ì‡ÒÚÓËÚ¸ ÚËÔ Â‚Â·Â‡ˆËË
(ÒÚ. 18), ÍÓÚÓ˚È ·Û‰ÂÚ
ËÒÔÓθÁÓ‚‡Ú¸Òfl ‰Îfl ÚÂÏ·‡
Í·‚ˇÚÛ˚ Ë ‚ÓÒÔÓËÁ‚‰ÂÌËfl
‚ÒÚÓÂÌÌÓÈ ÔÂÒÌË.
èêàåÖóÄçàÖ
ÇÓÒÔÓËÁ‚‰ÂÌË ‡‚ÚÓχÚ˘ÂÒÍË Á‡Í‡Ì˜Ë‚‡ÂÚÒfl ÔÓÒΠÁ‡‚¯ÂÌËfl ‚˚·‡ÌÌÓÈ
‚ÒÚÓÂÌÌÓÈ ÔÂÒÌË. óÚÓ·˚ ÓÒÚ‡ÌÓ‚ËÚ¸ ÔÂÒÌ˛ ‚Ó ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl (ËÎË
ÌÂÔÂ˚‚ÌÓ„Ó ‚ÓÒÔÓËÁ‚‰ÂÌËfl), ̇ÊÏËÚ ÍÌÓÔÍÛ [DEMO].
• ä‡Í ÔÓ‰ÓÎÊËÚ¸ ‚ÓÒÔÓËÁ‚‰ÂÌË ‰Û„ÓÈ ÔÂÒÌË ÓÔËÒ‡ÌÓ ‚˚¯Â ‚ ÔÛÌÍÚ 2.
èË ‚˚·ÓÂ Ë Ì‡˜‡ÎÂ
‚ÓÒÔÓËÁ‚‰ÂÌËfl ÌÓ‚ÓÈ ‚ÒÚÓÂÌÌÓÈ
ÔÂÒÌË ‡‚ÚÓχÚ˘ÂÒÍË ‚˚·Ë‡ÂÚÒfl
ÚÂÏÔ ÔÓ ÛÏÓΘ‡Ì˲.
èêàåÖóÄçàÖ
êìëëäàâ
é ̇ÒÚÓÈÍ ÚÂÏÔ‡ ‚ÓÒÔÓËÁ‚‰ÂÌËfl
‚ÒÚÓÂÌÌÓÈ ÔÂÒÌË ÏÓÊÌÓ ÛÁ̇ڸ ̇
ÒÚ. 21.
èêàåÖóÄçàÖ
ÖÒÎË ‚˚ ‚˚·Ë‡ÂÚ ‰Û„Û˛ ÔÂÒÌ˛
(ËÎË ‰Û„‡fl ÔÂÒÌfl ‚˚·‡Ì‡ ‚Ó ‚ÂÏfl
‚ÓÒÔÓËÁ‚‰ÂÌËfl
ÔÓÒΉӂ‡ÚÂθÌÓÒÚË ÔÂÒÂÌ),
ÒÓÓÚ‚ÂÚÒÚ‚ÂÌÌÓ ·Û‰ÂÚ ‚˚·‡Ì
ÔÓ‰ıÓ‰fl˘ËÈ ÚËÔ Â‚Â·Â‡ˆËË.
èêàåÖóÄçàÖ
Ç ÂÊËÏ ÔÂÒÂÌ ‰Îfl ÙÓÚÂÔ¸flÌÓ
ÔËÂÏ MIDI-‰‡ÌÌ˚ı Ì‚ÓÁÏÓÊÂÌ.
чÌÌ˚ ÔÂÒÂÌ ‰Îfl ÙÓÚÂÔ¸flÌÓ ÌÂ
Ô‰‡˛ÚÒfl ˜ÂÂÁ ‡Á˙ÂÏ˚ MIDI.
16
CLP-115 èÓÒÎۯ˂‡ÌË 50 ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ ‰Îfl ÙÓÚÂÔ¸flÌÓ
CLP 115(E).book Page 17 Tuesday, May 13, 2003 6:55 PM
Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÚÂÏ·Ó‚
Ç˚·Ó ÚÂÏ·Ó‚
ÑÂÈÒÚ‚Ëfl
óÚÓ·˚ ‚˚·‡Ú¸ Ë Á‡ÔÛÒÚËÚ¸ ÚÂÏ·, Û‰ÂÊË‚‡fl ÍÌÓÔÍÛ [VOICE], ̇ÊÏËÚ ӉÌÛ ËÁ Í·‚˯
C1–A1.
燘‡‚ Ë„Û, ÛÒÚ‡ÌÓ‚ËÚ ÓÔÚËχθÌÛ˛ „ÓÏÍÓÒÚ¸ „ÛÎflÚÓÓÏ [MASTER VOLUME].
ä ëÇÖÑÖçàû
óÚÓ·˚ ÔÓÌflÚ¸ ÓÒÓ·ÂÌÌÓÒÚË
‡Á΢Ì˚ı ÚÂÏ·Ó‚, ÏÓÊÌÓ
ÔÓÒÎÛ¯‡Ú¸ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚Â
ÔÂÒÌË ‰Îfl Í‡Ê‰Ó„Ó ËÁ ÌËı (ÒÚ. 15).
VOICE
ä‡ÈÌflfl ΂‡fl Í·‚˯‡
ä·‚˯‡
íÖêåàçéãéÉàü
C1 D1 E1 F1 G1 A1
ç‡Á‚‡ÌËÂ
ÚÂÏ·‡
íÂÏ·:
Ç ˆËÙÓ‚ÓÏ ÔˇÌËÌÓ CLP-115 ÔÓ‰
ÚÂÏ·ÓÏ ÔÓÌËχ˛Ú «ÚÓÌ» ËÎË
«ÓÚÚÂÌÓÍ ÚÓ̇».
éÔËÒ‡ÌËÂ
C1
Grand Piano 1
á‡ÔËÒË Ò˝ÏÔÎÓ‚ ÔÓÎÌÓ„Ó ÍÓ̈ÂÚÌÓ„Ó ÓflÎfl. ùÚÓÚ ÚÂÏ· Ô‚ÓÒıÓ‰ÌÓ
ÔÓ‰ıÓ‰ËÚ ‰Îfl ËÒÔÓÎÌÂÌËfl Í·ÒÒ˘ÂÒÍËı ÏÛÁ˚͇θÌ˚ı ÔÓËÁ‚‰ÂÌËÈ, ‡
Ú‡ÍÊ ‰Û„Ëı ÔÓËÁ‚‰ÂÌËÈ, ËÒÔÓÎÌflÂÏ˚ı ̇ ‡ÍÛÒÚ˘ÂÒÍÓÏ ÙÓÚÂÔ¸flÌÓ.
C1
Grand Piano 2
é·˙ÂÏÌ˚È Ë ˜ËÒÚ˚È Á‚ÛÍ ÙÓÚÂÔ¸flÌÓ Ò flÍÓÈ Â‚Â·Â‡ˆËÂÈ. èÓ‰ıÓ‰ËÚ
‰Îfl ÔÓÔÛÎflÌÓÈ ÏÛÁ˚ÍË.
D1
E.Piano 1
á‚ÛÍ ˝ÎÂÍÚÓÌÌÓ„Ó ÔˇÌËÌÓ, ÒÓÁ‰‡‚‡ÂÏ˚È Ò ÔÓÏÓ˘¸˛ ˜‡ÒÚÓÚÌÓÈ
ÏÓ‰ÛÎflˆËË. èÓ‰ıÓ‰ËÚ ‰Îfl ÔÓÔÛÎflÌÓÈ ÏÛÁ˚ÍË.
D1
E.Piano 2
á‚ÛÍ ˝ÎÂÍÚ˘ÂÒÍÓ„Ó ÔˇÌËÌÓ, „‰Â ÏÓÎÓÚÓ˜ÍË Û‰‡fl˛Ú ÔÓ ÏÂÚ‡Î΢ÂÒÍËÏ
Ô·ÒÚËÌ͇Ï. åfl„ÍËÈ ÚÓÌ ÔË Î„ÍÓÏ Ì‡Ê‡ÚËË Ì‡ Í·‚Ë¯Ë Ë ‡„ÂÒÒË‚Ì˚È ÔË
·ÓΠÒËθÌÓÏ.
E1
Harpsichord 1
á‚Û˜‡ÌË ˝ÚÓ„Ó ËÌÒÚÛÏÂÌÚ‡ ı‡‡ÍÚÂÌÓ ‰Îfl ÏÛÁ˚ÍË ·‡ÓÍÍÓ. ä·‚ÂÒËÌ –
˝ÚÓ ÒÚÛÌÌ˚È ËÌÒÚÛÏÂÌÚ, ÍÓÚÓ˚È Ì ‡„ËÛÂÚ Ì‡ ÒËÎÛ Ì‡Ê‡ÚËfl ̇
Í·‚˯Ë.
F1
Harpsichord 2
íÓÚ Ê ҇Ï˚È ÚÂÏ·, Á‚Û˜‡˘ËÈ Ì‡ ÓÍÚ‡‚Û ‚˚¯Â ‰Îfl ÔÓÎÛ˜ÂÌËfl ·ÓÎÂÂ
flÍÓ„Ó Á‚Û͇.
F1
Vibraphone
ÇË·ÓÙÓÌ ÒÓ Ò‡‚ÌËÚÂθÌÓ Ïfl„ÍËÏË ÍÓÎÓÚۯ͇ÏË. àÒÔÓθÁÛÂÚÒfl ÚËÔ˘Ì˚È
‰Îfl ‚Ë·ÓÙÓ̇ ˝ÙÙÂÍÚ ÚÂÏÓÎÓ.
G1
Church Organ 1
íËÔ˘Ì˚È Á‚ÛÍ Ó„‡Ì‡ Ò Â„ËÒÚ‡ÏË 8 ÙÛÚÓ‚, 4 ÙÛÚ‡ Ë 2 ÙÛÚ‡. ïÓÓ¯ ‰Îfl
ËÒÔÓÎÌÂÌËfl ‰ÛıÓ‚ÌÓÈ ÏÛÁ˚ÍË ÔÂËÓ‰‡ ·‡ÓÍÍÓ.
G1
Church Organ 2
á‚ÛÍ ÔÓÎÌÓÈ ÍÓÔÛÎ˚ Ó„‡Ì‡, ˜‡ÒÚÓ ‡ÒÒÓˆËËÛÂÏ˚È Ò «íÓÍ͇ÚÓÈ Ë ÙÛ„ÓÈ»
à.ë.Ňı‡.
A1
Strings
é·˙ÂÏÌ˚È Á‚ÛÍ ·Óθ¯Ó„Ó ÒÚÛÌÌÓ„Ó ‡Ì҇ϷÎfl. èÓÔÓ·ÛÈÚ ÒÓ‰ËÌËÚ¸ ˝ÚÓÚ
ÚÂÏ· Ò ÙÓÚÂÔˇÌÓ ‚ ÂÊËÏ DUAL.
àÒÔÓθÁÓ‚‡ÌË Ô‰‡ÎÂÈ
ÑÂÏÔÙÂ̇fl (Ô‡‚‡fl) Ô‰‡Î¸
臂‡fl Ô‰‡Î¸ ‡·ÓÚ‡ÂÚ Ú‡Í ÊÂ, Í‡Í Ô‡‚‡fl Ô‰‡Î¸
‡ÍÛÒÚ˘ÂÒÍÓ„Ó ÙÓÚÂÔ¸flÌÓ. ÖÒÎË Ô‡‚‡fl Ô‰‡Î¸
̇ʇڇ, ÌÓÚ‡ Á‚Û˜ËÚ ‰Óθ¯Â. ÖÒÎË Ô‰‡Î¸
ÓÚÔÛÒÚËÚ¸, Á‚Û˜‡ÌË ÔӉ΂‡‚¯ËıÒfl ÌÓÚ Ï„ÌÓ‚ÂÌÌÓ
ÔÂ͇˘‡ÂÚÒfl (Á‡„ÎÛ¯‡ÂÚÒfl).
èêàåÖóÄçàÖ
èË ‚˚·Ó ÚÂÏ·‡ ‡‚ÚÓχÚ˘ÂÒÍË
‚Íβ˜‡˛ÚÒfl ̇˷ÓΠÔÓ‰ıÓ‰fl˘ËÂ
‰Îfl ÌÂ„Ó ÚËÔ Ë „ÎÛ·Ë̇ (ÒÚ. 18)
‚·‡ˆËË.
êìëëäàâ
C1 D1 F1 G1
èêàåÖóÄçàÖ
ÖÒÎË Ô‡‚‡fl Ô‰‡Î¸ Ì ‡·ÓÚ‡ÂÚ,
۷‰ËÚÂÒ¸, ˜ÚÓ ¯ÌÛ Ô‰‡ÎË
Ô‡‚ËθÌÓ ÔÓ‰Íβ˜ÂÌ Í
ËÌÒÚÛÏÂÌÚÛ (ÒÚ. 30).
èÓ͇ ̇ʇڇ Ô‡‚‡fl Ô‰‡Î¸, ‚ÒÂ
ÔÓË„˚‚‡ÂÏ˚ ÌÓÚ˚ ·Û‰ÛÚ Á‚Û˜‡Ú¸
‰Óθ¯Â.
CLP-115 Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÚÂÏ·Ó‚
17
CLP 115(E).book Page 18 Tuesday, May 13, 2003 6:55 PM
ëÓÒÚÂÌÛÚÓ (Ò‰Ìflfl Ô‰‡Î¸)
ÖÒÎË ‚ÁflÚ¸ ÌÓÚÛ ËÎË ‡ÍÍÓ‰ Ë Ì‡Ê‡Ú¸ ̇ ÒÂ‰Ì˛˛
Ô‰‡Î¸, ÔÓ͇ ˝ÚË Í·‚Ë¯Ë Ì‡Ê‡Ú˚, ˝ÚË ÌÓÚ˚ ·Û‰ÛÚ
‰ÎËÚ¸Òfl, ÔÓ͇ ‚˚ Ì ÓÚÔÛÒÚËÚ Ô‰‡Î¸. ÇÒ ‰Û„ËÂ
ÌÓÚ˚ ÔӉ΂‡Ú¸Òfl Ì ·Û‰ÛÚ. ùÚÓ ‰‡ÂÚ ‚ÓÁÏÓÊÌÓÒÚ¸
ÔÓ‰ÎËÚ¸ Á‚Û˜‡ÌË ‡ÍÍÓ‰‡, ̇ÔËÏÂ, ÂÒÎË ÌÓÚ˚,
Ë‰Û˘Ë Á‡ ÌËÏ, Ë„‡˛ÚÒfl ÒÚ‡Í͇ÚÓ.
èêàåÖóÄçàÖ
íÂÏ·˚ Ó„‡Ì‡ Ë ÒÚÛÌÌ˚ı
ÔÓ‰ÓÎʇ˛Ú Á‚Û˜‡Ú¸, ÔÓ͇ ̇ʇڇ
Ò‰Ìflfl Ô‰‡Î¸.
ÖÒÎË Ì‡Ê‡Ú¸ ÒÂ‰Ì˛˛ Ô‰‡Î¸, ÍÓ„‰‡
̇ʇڇ Í·‚˯‡, ÌÓÚ‡ ·Û‰ÂÚ Á‚Û˜‡Ú¸,
ÔÓ͇ ‚˚ Ì ÓÚÔÛÒÚËÚ Ô‰‡Î¸.
èË„ÎÛ¯ÂÌË Á‚Û͇ (΂‡fl Ô‰‡Î¸)
ç‡Ê‡ÚË ̇ Ô‰‡Î¸ ÔË‚Ó‰ËÚ Í Ì·Óθ¯ÓÏÛ ÒÌËÊÂÌ˲ „ÓÏÍÓÒÚË Ë Î„ÍÓÏÛ ËÁÏÂÌÂÌ˲
ÚÂÏ·‡ ÌÓÚ. ç‡ ÌÓÚ˚, ÍÓÚÓ˚ ‚ ÏÓÏÂÌÚ Ì‡Ê‡ÚËfl ΂ÓÈ Ô‰‡ÎË ÛÊ Á‚Û˜‡ÎË, ˝Ú‡ Ô‰‡Î¸
Ì ‚ÎËflÂÚ.
ÑÓ·‡‚ÎÂÌËÂ Í Á‚ÛÍÛ ‚‡Ë‡ˆËÈ – ˝ÙÙÂÍÚ Â‚Â·Â‡ˆËË
ùÚ‡ ̇ÒÚÓÈ͇ ÔÓÁ‚ÓÎflÂÚ ‚˚·Ë‡Ú¸ ‡Á΢Ì˚ ˝ÙÙÂÍÚ˚ ˆËÙÓ‚ÓÈ Â‚Â·Â‡ˆËË, ÍÓÚÓ˚ ‰Ó·‡‚Îfl˛Ú Á‚ÛÍÛ
„ÎÛ·ËÌÛ Ë ‚˚‡ÁËÚÂθÌÓÒÚ¸, ÒÓÁ‰‡‚‡fl ‡ÎËÒÚ˘ÌÛ˛ ‡ÍÛÒÚ˘ÂÒÍÛ˛ Ò‰Û.
ÑÂÈÒÚ‚Ëfl
ÖÒÎË Â‚Â·Â‡ˆËfl ‚˚·‡Ì‡, Ó̇ ‚Íβ˜‡ÂÚÒfl ‡‚ÚÓχÚ˘ÂÒÍË.
óÚÓ·˚ ‚˚·‡Ú¸ ÚËÔ Â‚Â·Â‡ˆËË, Û‰ÂÊË‚‡fl ÍÌÓÔÍÛ [VOICE], ̇ÊÏËÚ ӉÌÛ ËÁ Í·‚˯
C2–E2.
C2 D2
VOICE
ä‡ÈÌflfl ΂‡fl Í·‚˯‡
êìëëäàâ
ä·‚˯‡
íËÔ Â‚Â·Â‡ˆËË
C2 D2 E2
éÔËÒ‡ÌËÂ
C2
Room
ùÚÓÚ Ô‡‡ÏÂÚ ‰Ó·‡‚ÎflÂÚ Á‚ÛÍÛ ÌÂÔÂ˚‚Ì˚È ˝ÙÙÂÍÚ Â‚Â·Â‡ˆËË,
ÒıÓ‰Ì˚È Ò ‡ÍÛÒÚ˘ÂÒÍÓÈ Â‚Â·Â‡ˆËÂÈ, ÍÓÚÓÛ˛ ÒÎ˚¯ÌÓ ‚ ÍÓÏ̇ÚÂ.
C2
Hall1
óÚÓ·˚ Á‚ÛÍ Â‚Â·Â‡ˆËË ·˚Î «¯Ë», ËÒÔÓθÁÛÈÚ ԇ‡ÏÂÚ HALL 1.
ùÚÓÚ ˝ÙÙÂÍÚ ËÏËÚËÛÂÚ ÂÒÚÂÒÚ‚ÂÌÌÛ˛ ‚·‡ˆË˛ Ì·Óθ¯Ó„Ó
ÍÓ̈ÂÚÌÓ„Ó Á‡Î‡.
D2
Hall2
óÚÓ·˚ Á‚ÛÍ Â‚Â·Â‡ˆËË ·˚Î ‰ÂÈÒÚ‚ËÚÂθÌÓ ¯ËÓÍËÏ, ËÒÔÓθÁÛÈÚÂ
Ô‡‡ÏÂÚ HALL 2. ùÚÓÚ ˝ÙÙÂÍÚ ËÏËÚËÛÂÚ ÂÒÚÂÒÚ‚ÂÌÌÛ˛ ‚·‡ˆË˛
·Óθ¯Ó„Ó ÍÓ̈ÂÚÌÓ„Ó Á‡Î‡.
D2
Stage
àÏËÚËÛÂÚ Â‚Â·Â‡ˆË˛ ÒˆÂÌ˚.
E2
Off
ÅÂÁ ˝ÙÙÂÍÚ‡.
ç‡ÒÚÓÈ͇ „ÎÛ·ËÌ˚ ‚·‡ˆËË
óÚÓ·˚ ̇ÒÚÓËÚ¸ „ÎÛ·ËÌÛ Â‚Â·Â‡ˆËË ‰Îfl ‚˚·‡ÌÌÓ„Ó ÚÂÏ·‡, Û‰ÂÊË‚‡fl ÍÌÓÔÍÛ
[VOICE], ̇ÊÏËÚ ӉÌÛ ËÁ Í·‚˯ C3–G 4. ÑˇԇÁÓÌ „ÎÛ·ËÌ˚ – ÓÚ 0 ‰Ó 20.
G 4: „ÎÛ·Ë̇ 20
VOICE
ä ëÇÖÑÖçàû
ç‡ÒÚÓÈÍË „ÎÛ·ËÌ˚ Ë ÚËÔ‡ (‚ ÚÓÏ
˜ËÒΠOFF) ‚·‡ˆËË ÔÓ
ÛÏÓΘ‡Ì˲ ÓÚ΢‡˛ÚÒfl ‰Îfl
Í‡Ê‰Ó„Ó ÚÂÏ·‡.
ä ëÇÖÑÖçàû
ä‡ÈÌflfl Îe‚‡fl Í·‚˯‡
C3: „ÎÛ·Ë̇ 0
óÂÏ Ô‡‚ ‡ÒÔÓÎÓÊÂ̇ Í·‚˯‡, ÚÂÏ ‚˚¯Â ·Û‰ÂÚ Á̇˜ÂÌË „ÎÛ·ËÌ˚ ‚·‡ˆËË.
18
„ÎÛ·Ë̇ 0: ·ÂÁ ˝ÙÙÂÍÚ‡
„ÎÛ·Ë̇ 20: χÍÒËχθ̇fl „ÎÛ·Ë̇
‚·‡ˆËË
CLP-115 Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÚÂÏ·Ó‚
CLP 115(E).book Page 19 Tuesday, May 13, 2003 6:55 PM
ç‡ÎÓÊÂÌË ÚÂÏ·Ó‚ (ÂÊËÏ Dual)
ç‡ ‚ÒÂÈ Í·‚ˇÚÛ ÏÓÊÌÓ Ó‰ÌÓ‚ÂÏÂÌÌÓ Ë„‡Ú¸ ‰‚ÛÏfl ÚÂÏ·‡ÏË. ùÚÓ ÔÓÁ‚ÓÎflÂÚ ËÏËÚËÓ‚‡Ú¸ ÏÂÎӉ˘ÂÒÍËÈ
‰Û˝Ú ËÎË ÒÓ˜ÂÚ‡Ú¸ ‰‚‡ ÔÓıÓÊËı ÚÂÏ·‡ ‰Îfl ÔÓÎÛ˜ÂÌËfl ·ÓΠ̇Ò˚˘ÂÌÌÓ„Ó Á‚Û͇.
ÑÂÈÒÚ‚Ëfl
1. ÇÍβ˜ÂÌË ÂÊËχ Dual.
èêàåÖóÄçàÖ
Ç ÂÊËÏ Dual ÌÂθÁfl ‚˚·‡Ú¸ Ó‰ËÌ
Ë ÚÓÚ Ê ÚÂÏ· ‰Îfl ÚÂÏ·Ó‚ Voice 1
Ë Voice 2.
ì‰ÂÊË‚‡fl ÍÌÓÔÍÛ [VOICE], ̇ÊÏËÚ ‰‚ Í·‚Ë¯Ë ËÁ Í·‚˯ C1–A1
Ó‰ÌÓ‚ÂÏÂÌÌÓ (ËÎË Ì‡ÊÏËÚ ӉÌÛ Í·‚˯Û, Û‰ÂÊË‚‡fl ‰Û„Û˛).
ÑÓÒÚÛÔÌ˚ ÚÂÏ·˚ Û͇Á‡Ì˚ ‚ ÒÔËÒÍ ÚÂÏ·Ó‚ ̇ ÒÚ. 17.
ä ëÇÖÑÖçàû
VOICE
ä‡ÈÌflfl Îe‚‡fl Í·‚˯‡ C1
A1
Ç ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò Ó˜Â‰ÌÓÒÚ¸˛ ÚÂÏ·Ó‚, ÔÓ͇Á‡ÌÌÓÈ ‚ ÒÔËÒÍ ÚÂÏ·Ó‚ (ÒÚ. 17),
ÚÂÏ·, ‚˚·‡ÌÌ˚È ‰Îfl Í·‚˯Ë, ‡ÒÔÓÎÓÊÂÌÌÓÈ Î‚ÂÂ, ÒÚ‡ÌÓ‚ËÚÒfl ÚÂÏ·ÓÏ
Voice 1 (‰Û„ÓÈ ÚÂÏ· ÒÚ‡ÌÓ‚ËÚÒfl ÚÂÏ·ÓÏ Voice 2).
ê‚·‡ˆËfl ‚ ÂÊËÏ Dual
èËÓËÚÂÚÌ˚Ï fl‚ÎflÂÚÒfl ÚËÔ
‚·‡ˆËË, ‚˚·‡ÌÌ˚È ‰Îfl
ÚÂÏ·‡ 1 (Voice 1). ÖÒÎË
‚·‡ˆËfl ÓÚÍβ˜Â̇, ·Û‰ÂÚ
ËÒÔÓθÁÓ‚‡Ú¸Òfl ÚËÔ Â‚Â·Â‡ˆËË
‚ÚÓÓ„Ó ÚÂÏ·‡ (Voice 2). 臇ÏÂÚ
„ÎÛ·ËÌ˚ ‚·‡ˆËË (ÒÚ. 18)
·Û‰ÂÚ ÔËÏÂÌflÚ¸Òfl ÚÓθÍÓ Í ÚÂÏ·Û
Voice 1.
ëÎÂ‰Û˛˘Ë ԇ‡ÏÂÚ˚ ÏÓÊÌÓ Á‡‰‡Ú¸ ÚÓθÍÓ ‚ ÂÊËÏ Dual:
ìÒÚ‡Ìӂ͇ ÓÍÚ‡‚˚
Ç˚ÒÓÚÛ ÚÓ̇ ÏÓÊÌÓ ÒÏ¢‡Ú¸ ̇ ˆÂÎÛ˛ ÓÍÚ‡‚Û ‚‚Âı Ë ‚ÌËÁ ÓÚ‰ÂθÌÓ ‰Îfl ÚÂÏ·Ó‚
1 Ë 2. Ç Á‡‚ËÒËÏÓÒÚË ÓÚ ÍÓÏ·Ë̇ˆËË ÚÂÏ·Ó‚ ‚ ÂÊËÏ ̇ÎÓÊÂÌËfl Á‚Û˜‡ÌËÂ
ÍÓÏ·Ë̇ˆËË ÏÓÊÂÚ ÛÎÛ˜¯ËÚ¸Òfl, ÂÒÎË Ó‰ËÌ ËÁ ÚÂÏ·Ó‚ Ú‡ÌÒÔÓÌËÓ‚‡Ú¸ ̇ ÓÍÚ‡‚Û
‚‚Âı ËÎË ‚ÌËÁ.
ì‰ÂÊË‚‡fl ÍÌÓÔÍÛ [VOICE], ̇ÊÏËÚ ӉÌÛ ËÁ Í·‚˯ C5–F5.
C5
F5
VOICE
ÑÎfl ÛÒÚ‡ÌÓ‚ÍË ä‡ÈÌflfl Ô‡‚‡fl Í·‚˯‡
ÓÍÚ‡‚˚. (C5–F5)
ä·‚˯‡ C5: –1 (Voice 1), Í·‚˯‡ C 5: 0 (Voice 1), Í·‚˯‡ D5: +1(Voice 1),
Í·‚˯‡ D 5: –1 (Voice 2), Í·‚˯‡ E5: 0 (Voice 2), Í·‚˯‡ F5: +1(Voice 2)
é‰ËÌ ËÁ ÚÂÏ·Ó‚ ÏÓÊÌÓ ‚˚·‡Ú¸ ‚ ͇˜ÂÒÚ‚Â „·‚ÌÓ„Ó, ‡ ‰Û„ÓÈ ÏÓÊÂÚ Á‚Û˜‡Ú¸ ‚
Ïfl„ÍÓÈ ÔË„ÎÛ¯ÂÌÌÓÈ Ï‡ÌÂÂ.
ì‰ÂÊË‚‡fl ÍÌÓÔÍÛ [VOICE], ̇ÊÏËÚ ӉÌÛ ËÁ Í·‚˯ F 5–F 6.
èË ÛÒÚ‡ÌÓ‚Í Á̇˜ÂÌËfl «0» Ó·‡ ÚÂÏ·‡ ‚ ÂÊËÏ Dual ·Û‰ÛÚ Á‚Û˜‡Ú¸ Ó‰Ë̇ÍÓ‚Ó.
á̇˜ÂÌËfl ÏÂ̸¯Â «0» Û‚Â΢˂‡˛Ú „ÓÏÍÓÒÚ¸ ÚÂÏ·‡ Voice 2 ÔÓ Ò‡‚ÌÂÌ˲ Ò
ÚÂÏ·ÓÏ Voice 1, ‡ Á̇˜ÂÌËfl ·Óθ¯Â «0» Û‚Â΢˂‡˛Ú „ÓÏÍÓÒÚ¸ ÚÂÏ·‡ Voice 1
ÔÓ Ò‡‚ÌÂÌ˲ Ò ÚÂÏ·ÓÏ Voice 2.
êìëëäàâ
ìÒÚ‡Ìӂ͇ ·‡Î‡ÌÒ‡
F6
F5
VOICE
-6 -4 -2
+1 +3
+6
-5 -3 -1 0 +2 +4 +5
ÑÎfl ÛÒÚ‡ÌÓ‚ÍË ·‡Î‡ÌÒ‡. (F5–F6)
ä‡ÈÌflfl Ô‡‚‡fl Í·‚˯‡
2. Ç˚ıÓ‰ ËÁ ÂÊËχ Dual Ë ‚ÓÁ‚‡Ú ‚ Ó·˚˜Ì˚È ÂÊËÏ Ë„˚.
ì‰ÂÊË‚‡fl ÍÌÓÔÍÛ [VOICE], ̇ÊÏËÚ ӉÌÛ ËÁ Í·‚˯ C1–A1.
CLP-115 Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÚÂÏ·Ó‚
19
CLP 115(E).book Page 20 Tuesday, May 13, 2003 6:55 PM
í‡ÌÒÔÓÌËÓ‚‡ÌËÂ
îÛÌ͈Ëfl Ú‡ÌÒÔÓÌËÓ‚‡ÌËfl ‚ ˆËÙÓ‚ÓÏ ÔˇÌËÌÓ CLP-115 ÔÓÁ‚ÓÎflÂÚ ÔÓ‚˚¯‡Ú¸ ËÎË ÔÓÌËʇڸ ‚˚ÒÓÚÛ Á‚Û͇ ‚ÒÂÈ
Í·‚ˇÚÛ˚ Ò ËÌÚ‚‡ÎÓÏ ‡‚Ì˚Ï ÔÓÎÛÚÓÌÛ, ˜ÚÓ ‰‡ÂÚ ‚ÓÁÏÓÊÌÓÒÚ¸ ΄ÍÓ ÔÓ‰Ó·‡Ú¸ ‚˚ÒÓÚÛ Á‚Û͇ Í·‚ˇÚÛ˚,
ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ‰Ë‡Ô‡ÁÓÌÛ „ÓÎÓÒ‡ Ô‚ˆ‡ ËÎË ‰Û„Ëı ËÌÒÚÛÏÂÌÚÓ‚.
ç‡ÔËÏÂ, ÂÒÎË ÛÒÚ‡ÌÓ‚ËÚ¸ ‚Â΢ËÌÛ Ú‡ÌÒÔÓÌËÓ‚‡ÌËfl ̇ «5», ÚÓ ÔË Ì‡Ê‡ÚËË Ì‡ Í·‚ˇÚÛ Í·‚Ë¯Ë C («‰Ó»)
·Û‰ÂÚ Á‚Û˜‡Ú¸ ÌÓÚ‡ F («Ù‡»). í‡ÍËÏ Ó·‡ÁÓÏ, ÏÓÊÌÓ Ë„‡Ú¸ ÔÂÒÌ˛ Ú‡Í ÊÂ, Í‡Í ‚ ÚÓ̇θÌÓÒÚË ‰Ó-χÊÓ, ‡
ˆËÙÓ‚Ó ÔˇÌËÌÓ CLP-115 Ú‡ÌÒÔÓÌËÛÂÚ Á‚ÛÍ ‚ ÚÓ̇θÌÓÒÚ¸ Ù‡-χÊÓ.
ÑÂÈÒÚ‚Ëfl
óÚÓ·˚ ÛÒÚ‡ÌÓ‚ËÚ¸ ‚Â΢ËÌÛ Ú‡ÌÒÔÓÌËÓ‚‡ÌËfl, Û‰ÂÊË‚‡fl Í·‚Ë¯Ë A-1 Ë C 0, ̇ÊÏËÚÂ
Ó‰ÌÛ ËÁ Í·‚˯ F 2–F 3.
A-1 C 0
F 2
C3
-6 -4 -2
+1 +3
íÖêåàçéãéÉàü
í‡ÌÒÔÓÌËÓ‚‡ÌËÂ:
àÁÏÂÌÂÌË ÚÓ̇θÌÓÒÚË ÔÂÒÌË. ç‡
ˆËÙÓ‚ÓÏ ÔˇÌËÌÓ CLP-115
Ú‡ÌÒÔÓÌËÓ‚‡ÌË ËÁÏÂÌflÂÚ ‚˚ÒÓÚÛ
Á‚Û͇ ‚ÒÂÈ Í·‚ˇÚÛ˚.
F 3
+6
-5 -3 -1 0 +2 +4 +5
í‡ÌÒÔÓÌËÓ‚‡ÌËÂ
í‡ÌÒÔÓÌËÓ‚‡ÌËÂ
‚ÌËÁ.
‚‚Âı.
é·˚˜Ì‡fl ‚˚ÒÓÚ‡
Á‚Û͇.
ä ëÇÖÑÖçàû
ç‡Ê‡ÚË ̇ Í·‚Ë¯Û C3 Á‡‰‡ÂÚ Ó·˚˜ÌÛ˛ ‚˚ÒÓÚÛ Á‚Û͇ Í·‚ˇÚÛ˚. ç‡Ê‡ÚË ̇ Í·‚˯Ë
Ò΂‡ ÓÚ Í·‚Ë¯Ë C3 (=B2) Ú‡ÌÒÔÓÌËÛÂÚ ‚˚ÒÓÚÛ Á‚Û͇ Í·‚ˇÚÛ˚ ̇ ÔÓÎÚÓ̇ ‚ÌËÁ,
̇ʇÚË ÒÎÂ‰Û˛˘ÂÈ, ‡ÒÔÓÎÓÊÂÌÌÓÈ Î‚ÂÂ, Í·‚Ë¯Ë (=B 2) Ú‡ÌÒÔÓÌËÛÂÚ Á‚ÛÍ Ì‡
ˆÂÎ˚È ÚÓÌ (‰‚‡ ÔÓÎÛÚÓ̇) ‚ÌËÁ Ë Ú.‰. ‰Ó Í·‚Ë¯Ë F 2, ̇ʇÚË ̇ ÍÓÚÓÛ˛ Ú‡ÌÒÔÓÌËÛÂÚ
Á‚ÛÍ Ì‡ ¯ÂÒÚ¸ ÔÓÎÛÚÓÌÓ‚ ‚ÌËÁ. í‡ÍËÏ Ê ӷ‡ÁÓÏ ÔÓËÒıÓ‰ËÚ Ú‡ÌÒÔÓÌËÓ‚‡ÌË Á‚Û͇
‚‚Âı, ÚÓθÍÓ ËÒÔÓθÁÛ˛ÚÒfl Í·‚˯Ë, ‡ÒÔÓÎÓÊÂÌÌ˚ ÒÔ‡‚‡ ÓÚ Í·‚Ë¯Ë C3, ‰Ó
Í·‚Ë¯Ë F 3, ÍÓÚÓ‡fl Ú‡ÌÒÔÓÌËÛÂÚ Á‚ÛÍ Ì‡ ¯ÂÒÚ¸ ÔÓÎÛÚÓÌÓ‚ ‚‚Âı.
çÓÚ˚ ÌËÊÂ Ë ‚˚¯Â ‰Ë‡Ô‡ÁÓ̇ «ãfl
ÒÛ·ÍÓÌÚÓÍÚ‡‚˚ …. ‰Îfl ÔflÚÓÈ
ÓÍÚ‡‚˚» ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ
CLP-115 Á‚Û˜‡Ú ÒÓÓÚ‚ÂÚÒÚ‚ÂÌÌÓ Ì‡
Ó‰ÌÛ ÓÍÚ‡‚Û ‚˚¯Â ËÎË ÌËÊÂ.
íÓÌ͇fl ̇ÒÚÓÈ͇ ‚˚ÒÓÚ˚ Á‚Û͇
åÓÊÌÓ Ì‡ÒÚÓËÚ¸ ‚˚ÒÓÚÛ Á‚Û͇ ‚ÒÂ„Ó ËÌÒÚÛÏÂÌÚ‡. ùÚ‡ ÙÛÌ͈Ëfl ÔÓÎÂÁ̇, ÂÒÎË Ì‡ ˆËÙÓ‚ÓÏ ÔˇÌËÌÓ CLP-115
Ë„‡˛Ú ‚ ÒÓÔÓ‚ÓʉÂÌËË ‰Û„Ëı ËÌÒÚÛÏÂÌÚÓ‚ ËÎË ÏÛÁ˚ÍË Ò ÍÓÏÔ‡ÍÚ-‰ËÒ͇.
íÖêåàçéãéÉàü
ÑÂÈÒÚ‚Ëfl
êìëëäàâ
ì‚Â΢ÂÌË ‚˚ÒÓÚ˚ (Ò ËÌÚ‚‡ÎÓÏ ÔËÏÂÌÓ 0,2 Ɉ):
é‰ÌÓ‚ÂÏÂÌÌÓ Û‰ÂÊË‚‡ÈÚ Í·‚Ë¯Ë A-1 Ë B-1 Ë Ì‡ÊÏËÚ β·Û˛ Í·‚Ë¯Û ÏÂʉÛ
Í·‚˯‡ÏË C3 Ë B3.
Ɉ („ˆ):
Ɉ — ˝ÚÓ Â‰ËÌˈ‡ ËÁÏÂÂÌËfl
˜‡ÒÚÓÚ˚ Á‚Û͇, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘‡fl
˜ËÒÎÛ ÍÓη‡ÌËÈ Á‚ÛÍÓ‚ÓÈ ‚ÓÎÌ˚ ‚
ÒÂÍÛ̉Û.
ìÏÂ̸¯ÂÌË ‚˚ÒÓÚ˚ (Ò ËÌÚ‚‡ÎÓÏ ÔËÏÂÌÓ 0,2 Ɉ):
é‰ÌÓ‚ÂÏÂÌÌÓ Û‰ÂÊË‚‡ÈÚ Í·‚Ë¯Ë A-1 Ë A -1 Ë Ì‡ÊÏËÚ β·Û˛ Í·‚Ë¯Û ÏÂʉÛ
Í·‚˯‡ÏË C3 Ë B3.
ÇÓÒÒÚ‡ÌÓ‚ÎÂÌË Òڇ̉‡ÚÌÓÈ ‚˚ÒÓÚ˚:
é‰ÌÓ‚ÂÏÂÌÌÓ Û‰ÂÊË‚‡ÈÚ Í·‚Ë¯Ë A-1, A -1 Ë B-1 Ë Ì‡ÊÏËÚ β·Û˛ Í·‚Ë¯Û ÏÂʉÛ
Í·‚˯‡ÏË C3 Ë B3.
èÓ‚˚¯ÂÌËÂ
‚˚ÒÓÚ˚ Á‚Û͇
A-1 B-1
èÓÌËÊÂÌËÂ
‚˚ÒÓÚ˚ Á‚Û͇
A -1
A-1
ÇÓÒÒÚ‡ÌÓ‚ÎÂÌË Òڇ̉‡ÚÌÓÈ ‚˚ÒÓÚ˚
A -1
A-1 B-1
C3
B3
ÑˇԇÁÓÌ Á̇˜ÂÌËÈ: 427,0-453,0 Ɉ
ëڇ̉‡Ú̇fl ‚˚ÒÓÚ‡: 440,0 Ɉ
20
CLP-115 Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÚÂÏ·Ó‚
CLP 115(E).book Page 21 Tuesday, May 13, 2003 6:55 PM
àÒÔÓθÁÓ‚‡ÌË ÏÂÚÓÌÓχ
Ç ˆËÙÓ‚Ó ÔˇÌËÌÓ CLP-115 ‚ÒÚÓÂÌ ÏÂÚÓÌÓÏ (ÛÒÚÓÈÒÚ‚Ó, Á‡‰‡˛˘Â ÚÂÏÔ), ˜ÚÓ Û‰Ó·ÌÓ ‰Îfl ÛÔ‡ÊÌÂÌËÈ.
ÑÂÈÒÚ‚Ëfl
1. á‡ÔÛÒÍ ÏÂÚÓÌÓχ.
óÚÓ·˚ ‚Íβ˜ËÚ¸ ÏÂÚÓÌÓÏ, ̇ÊÏËÚ ÍÌÓÔÍÛ [METRONOME].
ᇉ‡ÂÚ ˜‡ÒÚÓÚÛ Ò˄̇· ÏÂÚÓÌÓχ
èêàåÖóÄçàÖ
ì‰ÂÊË‚‡fl ÍÌÓÔÍÛ [METRONOME], ̇ÊÏËÚ ӉÌÛ ËÁ Í·‚˯ C3–F3.
ÇÓ ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl
‚ÒÚÓÂÌÌÓÈ ÔÂÒÌË ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ
‰‡ÌÌ˚ı ÔÂÒÌË ÏÓÊÌÓ ÛÒÚ‡ÌÓ‚ËÚ¸
ÚÂÏÔ ÏÂÚÓÌÓχ ‚ ‰Ë‡Ô‡ÁÓÌ ÓÚ 20
‰Ó 400 Û‰‡Ó‚ ‚ ÏËÌÛÚÛ.
C3 D3
METRONOME
ä‡ÈÌflfl Ô‡‚‡fl Í·‚˯‡
C3 D3 E3 F3
ä·‚˯‡ C3: ·ÂÁ ÒËθÌ˚ı ‰ÓÎÂÈ Ú‡ÍÚ‡, Í·‚˯‡ C 3: 2/4, Í·‚˯‡ D3: 3/4,
Í·‚˯‡ D 3: 4/4, Í·‚˯‡ E3: 5/4, Í·‚˯‡ F3: 6/4
ê„ÛÎËӂ͇ ÚÂÏÔ‡
íÂÏÔ ÏÂÚÓÌÓχ Ë ‚ÓÒÔÓËÁ‚‰ÂÌËfl ‚ÒÚÓÂÌÌÓÈ ÔÂÒÌË ÏÓÊÌÓ Â„ÛÎËÓ‚‡Ú¸ ‚
‰Ë‡Ô‡ÁÓÌ ÓÚ 32 ‰Ó 280 Û‰‡Ó‚ ‚ ÏËÌÛÚÛ.
ì‰ÂÊË‚‡fl ÍÌÓÔÍÛ [METRONOME], ÔÓÒΉӂ‡ÚÂθÌÓ Ì‡ÊÏËÚ Í·‚Ë¯Ë C4–A4,
˜ÚÓ·˚ Á‡‰‡Ú¸ ÚÂıÁ̇˜ÌÓ ˜ËÒÎÓ.
Ç‚Ó‰ËÚ ˜ËÒÎÓ, ̇˜Ë̇fl Ò Ò‡ÏÓÈ Î‚ÓÈ ˆËÙ˚. ç‡ÔËÏÂ, ˜ÚÓ·˚ ÛÒÚ‡ÌÓ‚ËÚ¸ ÚÂÏÔ
«95», ÔÓÒΉӂ‡ÚÂθÌÓ Ì‡ÊÏËÚ Í·‚Ë¯Ë C4 (0), A4 (9) Ë F4 (5).
METRONOME
1 3
6 8
0 2 4 5 7 9
ä‡ÈÌflfl Ô‡‚‡fl Í·‚˯‡
A4
ÑÎfl Û‚Â΢ÂÌËfl ÚÂÏÔ‡ ÏÂÚÓÌÓχ ̇ ‰ËÌˈÛ, Û‰ÂÊË‚‡fl ÍÌÓÔÍÛ [METRONOME],
̇ÊÏËÚ Í·‚Ë¯Û C 5. ÑÎfl ÛÏÂ̸¯ÂÌËfl ÚÂÏÔ‡ ÏÂÚÓÌÓχ ̇ ‰ËÌˈÛ, Û‰ÂÊË‚‡fl
ÍÌÓÔÍÛ [METRONOME], ̇ÊÏËÚ Í·‚Ë¯Û B4.
ÑÎfl Û‚Â΢ÂÌËfl ÚÂÏÔ‡ ÏÂÚÓÌÓχ ̇ ‰ÂÒflÚ¸, Û‰ÂÊË‚‡fl ÍÌÓÔÍÛ [METRONOME],
̇ÊÏËÚ Í·‚Ë¯Û D5. ÑÎfl ÛÏÂ̸¯ÂÌËfl ÚÂÏÔ‡ ÏÂÚÓÌÓχ ̇ ‰ÂÒflÚ¸, Û‰ÂÊË‚‡fl
ÍÌÓÔÍÛ [METRONOME], ̇ÊÏËÚ Í·‚Ë¯Û A 4.
ÑÎfl ÛÒÚ‡ÌÓ‚ÍË ÚÂÏÔ‡ ÔÓ ÛÏÓΘ‡Ì˲ (ËÒıÓ‰Ì˚È ÚÂÏÔ ÏÂÚÓÌÓχ ËÎË ËÒıÓ‰Ì˚È ÚÂÏÔ
ÔÂÒÌË), Û‰ÂÊË‚‡fl ÍÌÓÔÍÛ [METRONOME], ̇ÊÏËÚ Í·‚Ë¯Û C5.
A4
C5
METRONOME
B4
C5 D5
êìëëäàâ
C4
ä‡ÈÌflfl Ô‡‚‡fl Í·‚˯‡
CLP-115 Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÚÂÏ·Ó‚
21
CLP 115(E).book Page 22 Tuesday, May 13, 2003 6:55 PM
ç‡ÒÚÓÈ͇ „ÓÏÍÓÒÚË
ÉÓÏÍÓÒÚ¸ ÏÂÚÓÌÓχ ÏÓÊÌÓ ÏÂÌflÚ¸.
óÚÓ·˚ Á‡‰‡Ú¸ „ÓÏÍÓÒÚ¸, Û‰ÂÊË‚‡fl ÍÌÓÔÍÛ [METRONOME], ̇ÊÏËÚ ӉÌÛ ËÁ
Í·‚˯ C1–G2.
METRONOME
ä‡ÈÌflfl Îe‚‡fl Í·‚˯‡
C1
G2
óÂÏ Ô‡‚ ‡ÒÔÓÎÓÊÂ̇ Í·‚˯‡, ÚÂÏ ‚˚¯Â „ÓÏÍÓÒÚ¸.
2. éÒÚ‡Ìӂ͇ ÏÂÚÓÌÓχ.
êìëëäàâ
åÂÚÓÌÓÏ ÓÚÍβ˜‡ÂÚÒfl ̇ʇÚËÂÏ ÍÌÓÔÍË [METRONOME].
22
CLP-115 Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÚÂÏ·Ó‚
CLP 115(E).book Page 23 Tuesday, May 13, 2003 6:55 PM
é MIDI-ËÌÚÂÙÂÈÒÂ
MIDI (ˆËÙÓ‚ÓÈ ËÌÚÂÙÂÈÒ ‰Îfl ÏÛÁ˚͇θÌ˚ı ËÌÒÚÛÏÂÌÚÓ‚) – ˝ÚÓ Òڇ̉‡ÚÌ˚È
ÙÓÏ‡Ú Ô‰‡˜Ë Ë ÔËÂχ ‰‡ÌÌ˚ı. éÌ ÔÓÁ‚ÓÎflÂÚ ÔÂÂÏ¢‡Ú¸ ‡·Ó˜Ë ‰‡ÌÌ˚Â
Ë ÍÓχ̉˚ ÏÂÊ‰Û ÛÒÚÓÈÒÚ‚‡ÏË MIDI Ë ÔÂÒÓ̇θÌ˚ÏË ÍÓÏÔ¸˛Ú‡ÏË.
èË ÔÓÏÓ˘Ë MIDI-ËÌÚÂÙÂÈÒ‡ ÏÓÊÌÓ ÛÔ‡‚ÎflÚ¸ MIDI-ÛÒÚÓÈÒÚ‚ÓÏ,
ÔÓ‰Íβ˜ÂÌÌ˚Ï Í ˆËÙÓ‚ÓÏÛ ÔˇÌËÌÓ CLP-115, ËÎË ÛÔ‡‚ÎflÚ¸ ˆËÙÓ‚˚Ï
ÔˇÌËÌÓ CLP-115 Ò ÔÓ‰Íβ˜ÂÌÌÓ„Ó MIDI-ÛÒÚÓÈÒÚ‚‡ ËÎË ÍÓÏÔ¸˛Ú‡.
MIDI-‡Á˙ÂÏ˚
MIDI
THRU
MIDI [IN]:
MIDI [OUT]:
MIDI [THRU]:
OUT
ä ëÇÖÑÖçàû
ꇷӘË MIDI-‰‡ÌÌ˚Â Ë ÍÓχ̉˚
Ô‰‡˛ÚÒfl ‚ ‚ˉ ˆËÙÓ‚˚ı
Á̇˜ÂÌËÈ.
ä ëÇÖÑÖçàû
í‡Í Í‡Í MIDI-‰‡ÌÌ˚Â, ÍÓÚÓ˚Â
ÏÓÊÌÓ Ô‰‡‚‡Ú¸ Ë ÔÓÎÛ˜‡Ú¸,
Á‡‚ËÒflÚ ÓÚ ÚËÔ‡ MIDI-ÛÒÚÓÈÒÚ‚‡,
Ôӂ¸Ú ÔÓ Ú‡·ÎˈÂ
ı‡‡ÍÚÂËÒÚËÍ MIDI-ËÌÚÂÙÂÈÒ‡,
͇ÍË ‰‡ÌÌ˚Â Ë ÍÓχ̉˚ ÏÓÊÂÚ
Ô‰‡‚‡Ú¸ Ë ÔËÌËχڸ ‚‡¯Â
ÛÒÚÓÈÒÚ‚Ó. 퇷ÎËˆÛ ı‡‡ÍÚÂËÒÚËÍ
MIDI-ËÌÚÂÙÂÈÒ‡ ‰Îfl ˆËÙÓ‚Ó„Ó
ÔˇÌËÌÓ CLP-115 ÒÏ. ̇ ÒÚ. 38.
IN
ÑÎfl ÔËÂχ MIDI-‰‡ÌÌ˚ı.
ÑÎfl Ô‰‡˜Ë MIDI-‰‡ÌÌ˚ı.
ÑÎfl Ô‰‡˜Ë ‰‡ÌÌ˚ı, ÔÓÎÛ˜ÂÌÌ˚ı ˜ÂÂÁ ‡Á˙ÂÏ MIDI [IN], ·ÂÁ
ËÁÏÂÌÂÌËfl.
MIDI-͇·ÂÎË
ä ëÇÖÑÖçàû
èÓ‰Ó·ÌÛ˛ ËÌÙÓχˆË˛ Ó MIDIËÌÚÂÙÂÈÒ ÏÓÊÌÓ ÔÓÎÛ˜ËÚ¸ ËÁ
‡Á΢Ì˚ı ÊÛ̇ÎÓ‚ Ë ‰Û„Ëı
ËÁ‰‡ÌËÈ.
êìëëäàâ
èÓ‰„ÓÚÓ‚¸Ú ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ë MIDI-͇·ÂÎË.
CLP-115 é MIDI-ËÌÚÂÙÂÈÒÂ
23
2-2.fm Page 24 Wednesday, May 14, 2003 6:44 PM
èÓ‰Íβ˜ÂÌË ÔÂÒÓ̇θÌÓ„Ó
ÍÓÏÔ¸˛Ú‡
èÓ‰Íβ˜Ë‚ ÍÓÏÔ¸˛ÚÂ Í ‡Á˙ÂÏÛ MIDI, ÏÓÊÌÓ ÔÓÒÎۯ˂‡Ú¸ ÏÛÁ˚͇θÌ˚ ‰‡ÌÌ˚Â Ò èä ̇ ˆËÙÓ‚ÓÏ ÔˇÌËÌÓ
CLP-115.
èêàåÖóÄçàÖ
ÖÒÎË ˆËÙÓ‚Ó ÔˇÌËÌÓ CLP-115 ËÒÔÓθÁÛÂÚÒfl ‰Îfl ÔÓÒÎۯ˂‡ÌËfl, ÚÂÏ·˚, ÍÓÚÓ˚ı ÌÂÚ Ì‡ ˆËÙÓ‚ÓÏ ÔˇÌËÌÓ CLP-115, ·Û‰ÛÚ
ËÒ͇ʇڸÒfl.
ÑÎfl ̇˜Ë̇˛˘Ëı ÒÛ˘ÂÒÚ‚ÛÂÚ ‰ÓÔÓÎÌËÚÂθÌÓ ÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓ ÔÓ‰Íβ˜ÂÌ˲ ÔÂÒÓ̇θÌÓ„Ó ÍÓÏÔ¸˛Ú‡ Í ˆËÙÓ‚ÓÏÛ
ÔˇÌËÌÓ Clavinova («The Clavinova-Computer Connection»). Ç ÌÂÏ ÓÔËÒ‡Ì˚ ‚ÓÁÏÓÊÌÓÒÚË, ÍÓÚÓ˚ ‰‡ÂÚ Ú‡ÍÓÂ
ÔÓ‰Íβ˜ÂÌË (ÛÍÓ‚Ó‰ÒÚ‚Ó Ì ÓËÂÌÚËÓ‚‡ÌÓ Ì‡ ÍÓÌÍÂÚÌ˚ ÏÓ‰ÂÎË). èÓÎÛ˜ËÚ¸ ˝ÚÓÚ ‰ÓÍÛÏÂÌÚ ‚ ‚ˉ هÈ· PDF ̇
‡Ì„ÎËÈÒÍÓÏ flÁ˚Í ÏÓÊÌÓ ÔÓ ÒÎÂ‰Û˛˘ÂÏÛ ‡‰ÂÒÛ ‚ àÌÚÂÌÂÚÂ:
ë‡ÈÚ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova (ÚÓθÍÓ Ì‡ ‡Ì„ÎËÈÒÍÓÏ):
http://www.yamahaclavinova.com/
ÅË·ÎËÓÚÂ͇ ÛÍÓ‚Ó‰ÒÚ‚ ÔÓ ÔÓ‰ÛÍÚ‡Ï Yamaha:
http://www2.yamaha.co.jp/manual/english/
èÓ‰Íβ˜ËÚ¸ ÔˇÌËÌÓ Clavinova Í èä ÏÓÊÌÓ ‰‚ÛÏfl ÒÔÓÒÓ·‡ÏË:
1. èË ÔÓÏÓ˘Ë MIDI-ËÌÚÂÙÂÈÒ‡ Ë MIDI-‡Á˙ÂÏÓ‚ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ CLP-115 (ÒÚ. 25).
2. èË ÔÓÏÓ˘Ë USB-ÔÓÚ‡ ÍÓÏÔ¸˛Ú‡ Ë USB-ËÌÚÂÙÂÈÒ‡ (ÏÓ‰Âθ UX16, UX96 ËÎË UX256) (ÒÚ. 25).
è‰ ÔÓ‰Íβ˜ÂÌËÂÏ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ CLP-115 Í ÔÂÒÓ̇θÌÓÏÛ ÍÓÏÔ¸˛ÚÂÛ, ÓÚÍβ˜ËÚ ÔËÚ‡ÌË ÍÓÏÔ¸˛Ú‡ Ë ˆËÙÓ‚Ó„Ó
ÔˇÌËÌÓ CLP-115. ëÓ‰ËÌË‚ ÛÒÚÓÈÒÚ‚‡, ‚Íβ˜ËÚ Ò̇˜‡Î‡ ÍÓÏÔ¸˛ÚÂ, ‡ Á‡ÚÂÏ ˆËÙÓ‚Ó ÔˇÌËÌÓ CLP-115.
êìëëäàâ
èêàåÖóÄçàÖ
24
CLP-115 èÓ‰Íβ˜ÂÌË ÔÂÒÓ̇θÌÓ„Ó ÍÓÏÔ¸˛Ú‡
CLP 115(E).book Page 25 Tuesday, May 13, 2003 6:55 PM
1.
àÒÔÓθÁÓ‚‡ÌË MIDI-ËÌÚÂÙÂÈÒ‡ Ë MIDI-‡Á˙ÂÏÓ‚ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ CLP-115
èÓ‰Íβ˜ÂÌËÂ
àÒÔÓθÁÛÈÚ MIDI-ËÌÚÂÙÂÈÒ ‰Îfl ÔÓ‰Íβ˜ÂÌËfl èä Í ˆËÙÓ‚ÓÏÛ ÔˇÌËÌÓ CLP-115 Ò ÔÓÏÓ˘¸˛ ÒÔˆˇθÌ˚ı MIDI-͇·ÂÎÂÈ.
CLP-115
MIDI
THRU
OUT
IN
MIDI
IN
MIDI OUT
MIDI
OUT
MIDI
OUT
MIDI
IN
MIDI
IN
MIDI-ËÌÚÂÙÂÈÒ
MIDI-ËÌÚÂÙÂÈÒ
Windows
2.
Macintosh
èÓ‰Íβ˜ÂÌË ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ CLP-115 ˜ÂÂÁ USB-ÔÓÚ ÍÓÏÔ¸˛Ú‡ Ë USB-ËÌÚÂÙÂÈÒ,
̇ÔËÏ UX16, UX96 ËÎË UX256
èË ÔÓÏÓ˘Ë USB-͇·ÂÎfl ÔÓ‰Íβ˜ËÚ USB-ÔÓÚ ÍÓÏÔ¸˛Ú‡ Í USB-ËÌÚÂÙÂÈÒÛ (̇ÔËÏ UX16, UX96 ËÎË UX256).
ìÒÚ‡ÌÓ‚ËÚ ‰‡È‚ (ÍÓÚÓ˚È ·˚Î ÔÓÎÛ˜ÂÌ ‚ÏÂÒÚÂ Ò USB-ËÌÚÂÙÂÈÒÓÏ) ̇ ÍÓÏÔ¸˛ÚÂ Ë ÔÓ‰Íβ˜ËÚ USB-ËÌÚÂÙÂÈÒ Í
ˆËÙÓ‚ÓÏÛ ÔˇÌËÌÓ CLP-115, ËÒÔÓθÁÛfl ÔÓÒΉӂ‡ÚÂθÌ˚È Í‡·Âθ ËÎË MIDI-͇·ÂÎË.
ᇠ·ÓΠÔÓ‰Ó·ÌÓÈ ËÌÙÓχˆËÂÈ Ó·‡˘‡ÈÚÂÒ¸ Í ÛÍÓ‚Ó‰ÒÚ‚Û ÔÓ USB-ËÌÚÂÙÂÈÒÛ.
êìëëäàâ
èËÏ ÔÓ‰ÒÓ‰ËÌÂÌËfl USB-ËÌÚÂÙÂÈÒ‡ Í ˆËÙÓ‚ÓÏÛ ÔˇÌËÌÓ CLP-115 Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ MIDI ͇·ÂÎÂÈ
MIDI
䇷eθ USB
THRU
OUT
IN
MIDI-͇·eÎË
ÍÓÏÔ¸˛Úe
CLP-115
USB-ËÌÚeÙeÈÒ
MASTER
VOLUME
MIN
MAX
POWER
DEMO
METRONOME
VOICE
CLP-115 èÓ‰Íβ˜ÂÌË ÔÂÒÓ̇θÌÓ„Ó ÍÓÏÔ¸˛Ú‡
25
CLP 115(E).book Page 26 Tuesday, May 13, 2003 6:55 PM
îÛÌ͈ËË MIDI
åÓÊÌÓ Á‡‰‡Ú¸ ̇ÒÚÓÈÍË MIDI-ËÌÚÂÙÂÈÒ‡.
ÑÓÔÓÎÌËÚÂθÌÛ˛ ËÌÙÓχˆË˛ Ó MIDI ‚˚ ÏÓÊÂÚ ÔÓÎÛ˜ËÚ¸ ‚ ‡Á‰ÂΠ«é MIDI-ËÌÚÂÙÂÈÒ» (ÒÚ. 23).
Ç˚·Ó ͇̇· Ô‰‡˜Ë Ë ÔËÂχ MIDI-‰‡ÌÌ˚ı
èË Ì‡ÒÚÓÈÍ ÛÔ‡‚ÎÂÌËfl MIDI-ËÌÚÂÙÂÈÒÓÏ ‰Îfl ÛÒÔ¯ÌÓÈ Ô‰‡˜Ë ‰‡ÌÌ˚ı MIDİ͇Î˚ Ô‰‡˛˘Â„Ó Ë ÔËÌËχ˛˘Â„Ó Ó·ÓÛ‰Ó‚‡ÌËfl ‰ÓÎÊÌ˚ ·˚Ú¸ Ô˂‰ÂÌ˚ ‚
ÒÓÓÚ‚ÂÚÒÚ‚ËÂ.
ë ÔÓÏÓ˘¸˛ ˝ÚÓ„Ó Ô‡‡ÏÂÚ‡ ÏÓÊÌÓ Û͇Á‡Ú¸ ͇̇Î, ÔÓ ÍÓÚÓÓÏÛ ˆËÙÓ‚Ó ÔˇÌËÌÓ
CLP-115 ·Û‰ÂÚ Ô‰‡‚‡Ú¸ ËÎË ÔËÌËχڸ MIDI-‰‡ÌÌ˚Â.
èêàåÖóÄçàÖ
чÌÌ˚ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı Ë
‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ Ì Ô‰‡˛ÚÒfl
˜ÂÂÁ MIDI.
èêàåÖóÄçàÖ
ÑÂÈÒÚ‚Ëfl
ç‡ÒÚÓÈ͇ Ô‰‡˛˘Â„Ó Í‡Ì‡Î‡
ì‰ÂÊË‚‡fl Í·‚Ë¯Ë A-1 Ë C 0, ̇ÊÏËÚ ӉÌÛ ËÁ Í·‚˯ C1–E2.
ç‡ÒÚÓÈ͇ ÔËÌËχ˛˘Â„Ó Í‡Ì‡Î‡
ì‰ÂÊË‚‡fl Í·‚Ë¯Ë A-1 Ë C 0, ̇ÊÏËÚ ӉÌÛ ËÁ Í·‚˯ C4–F5.
A-1 C 0
E2
D2
C1
2 4
7 9 11
14 16
E5
F5
C4
2 4
7 9 11
14 16
1 3 5 6 8 10 12 13 15
1 3 5 6 8 10 12 13 15 1+2
ÑÎfl ̇ÒÚÓÈÍË
Ô‰‡˛˘Ëı ͇̇ÎÓ‚.
(C1–D 2)
ÑÎfl ̇ÒÚÓÈÍË
ÔËÌËχ˛˘Ëı ͇̇ÎÓ‚.
(C4–F5)
OFF
ÑÎfl ÂÊËχ ALL
êìëëäàâ
îÛÌ͈Ëfl Local
îÛÌ͈Ëfl Local ‰‡ÂÚ ‚ÓÁÏÓÊÌÓÒÚ¸ ÛÔ‡‚ÎflÚ¸ ‡·ÓÚÓÈ ‚ÒÚÓÂÌÌÓ„Ó ÚÓÌ-„Â̇ÚÓ‡ Ò
Í·‚ˇÚÛ˚ CLP-115, Ú.Â. ‚ÒÚÓÂÌÌ˚ ÚÂÏ·˚ ÏÓ„ÛÚ ÔÓË„˚‚‡Ú¸Òfl ÔflÏÓ Ì‡
Í·‚ˇÚÛÂ. ùÚÓ ‚ÓÁÏÓÊÌÓ, ÂÒÎË ÙÛÌ͈Ëfl Local ‚Íβ˜Â̇ (‚˚·‡Ì Ô‡‡ÏÂÚ Local
Control On), Ú.Â. ‚ÌÛÚÂÌÌËÈ ÚÓÌ-„Â̇ÚÓ ÍÓÌÚÓÎËÛÂÚÒfl ÎÓ͇θÌÓ, Ò Í·‚ˇÚÛ˚
ËÌÒÚÛÏÂÌÚ‡.
ÖÒÎË ˝Ú‡ ÙÛÌ͈Ëfl ÓÚÍβ˜Â̇ (‚˚·‡Ì Ô‡‡ÏÂÚ Local control OFF), ‚ÒÚÓÂÌÌ˚ ÚÂÏ·˚
Ì ·Û‰ÛÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚÒfl Ò Í·‚ˇÚÛ˚ CLP-115, ÌÓ ÔË Ì‡Ê‡ÚËË Í·‚˯
ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘‡fl MIDI-ËÌÙÓχˆËfl ‚Ò ‡‚ÌÓ Ô‰‡ÂÚÒfl ˜ÂÂÁ ‡Á˙ÂÏ MIDI OUT.
é‰ÌÓ‚ÂÏÂÌÌÓ Ò ˝ÚËÏ ‚ÒÚÓÂÌÌ˚È ÚÓÌ-„Â̇ÚÓ Â‡„ËÛÂÚ Ì‡ MIDI-ËÌÙÓχˆË˛,
ÔÓÎÛ˜ÂÌÌÛ˛ ˜ÂÂÁ ‡Á˙ÂÏ MIDI IN.
ÑÂÈÒÚ‚Ëfl
ì‰ÂÊË‚‡fl Í·‚Ë¯Ë A-1 Ë C 0, ̇ÊÏËÚ Í·‚Ë¯Û C6.
A-1 C 0
CLP-115 îÛÌ͈ËË MIDI
ä ëÇÖÑÖçàû
ALL:
ÑÓÒÚÛÔÂÌ ÂÊËÏ ÔËÂχ ÌÂÒÍÓθÍËı
ÚÂÏ·Ó‚ (Multi-timbre). ë „Ó
ÔÓÏÓ˘¸˛ ÏÓÊÌÓ Ó‰ÌÓ‚ÂÏÂÌÌÓ
ÔËÌËχڸ ‡Á΢Ì˚ ԇÚËË ÔÓ
‚ÒÂÏ 16 Í‡Ì‡Î‡Ï MIDI, ˜ÚÓ ‰‡ÂÚ
ˆËÙÓ‚ÓÏÛ ÔˇÌËÌÓ CLP-115
‚ÓÁÏÓÊÌÓÒÚ¸ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸
‰‡ÌÌ˚ ÔÂÒÌË, ÔÓÎÛ˜ÂÌÌ˚ Ò
ÍÓÏÔ¸˛Ú‡ ËÎË ÒÂÍ‚ÂÌÒÓ‡ ÔÓ
ÌÂÒÍÓθÍËÏ Í‡Ì‡Î‡Ï.
1+2:
ÑÓÒÚÛÔÂÌ ÂÊËÏ ÔËÂχ «1+2». ë
Â„Ó ÔÓÏÓ˘¸˛ ÏÓÊÌÓ Ó‰ÌÓ‚ÂÏÂÌÌÓ
ÔËÌËχڸ ‰‡ÌÌ˚ ÚÓθÍÓ ÔÓ
Í‡Ì‡Î‡Ï 1 Ë 2, ˜ÚÓ ‰‡ÂÚ ˆËÙÓ‚ÓÏÛ
ÔˇÌËÌÓ CLP-115 ‚ÓÁÏÓÊÌÓÒÚ¸
‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ‰‡ÌÌ˚ ÔÂÒÌË,
ÔÓÎÛ˜ÂÌÌ˚Â Ò ÍÓÏÔ¸˛Ú‡ ËÎË
ÒÂÍ‚ÂÌÒÓ‡ ÔÓ Í‡Ì‡Î‡Ï 1 Ë 2.
ä ëÇÖÑÖçàû
àÁÏÂÌÂÌË ÔÓ„‡ÏÏ˚ Ë ‰Û„ËÂ
ÔÓ‰Ó·Ì˚ ÒÓÓ·˘ÂÌËfl Ì ‚ÎËfl˛Ú ̇
̇ÒÚÓÈÍË Ô‡ÌÂÎË CLP-115 ËÎË
Á‚Û˜‡ÌË ÌÓÚ, ÔÓË„˚‚‡ÂÏ˚ı ̇
Í·‚ˇÚÛÂ.
èêàåÖóÄçàÖ
Ç ÂÊËÏ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı Ë
‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ ˆËÙÓ‚ÓÂ
ÔˇÌËÌÓ CLP-115 Ì ÔËÌËχÂÚ
MIDI-‰‡ÌÌ˚Â.
C6
ä‡ÈÌflfl Ô‡‚‡fl
Í·‚˯‡
26
Ç ÂÊËÏ Dual ‰‡ÌÌ˚ ÚÂÏ·‡ Voice
1 Ô‰‡˛ÚÒfl ÔÓ ÒÔˆˇθÌÓ
Û͇Á‡ÌÌÓÏÛ Í‡Ì‡ÎÛ, ‡ ‰‡ÌÌ˚Â
ÚÂÏ·‡ Voice 2 Ô‰‡˛ÚÒfl ÔÓ
͇̇ÎÛ, ÌÓÏ ÍÓÚÓÓ„Ó ·Óθ¯Â
ÌÓχ Û͇Á‡ÌÌÓ„Ó Í‡Ì‡Î‡. ÖÒÎË ‚
˝ÚÓÏ ÂÊËÏ Ô‰‡˛˘ËÈ Í‡Ì‡Î
ÛÒÚ‡ÌÓ‚ÎÂÌ ‚ ÔÓÎÓÊÂÌË «OFF»,
‰‡ÌÌ˚ Ì Ô‰‡˛ÚÒfl.
CLP 115(E).book Page 27 Tuesday, May 13, 2003 6:55 PM
îÛÌ͈Ëfl ËÁÏÂÌÂÌËfl ÔÓ„‡ÏÏ˚
é·˚˜ÌÓ ˆËÙÓ‚Ó ÔˇÌËÌÓ CLP-115 ‡„ËÛÂÚ Ì‡ ÌÓχ ËÁÏÂÌÂÌËfl MIDI-ÔÓ„‡ÏÏ˚,
ÔÓÎÛ˜ÂÌÌ˚Â Ò ‚̯ÌÂÈ Í·‚ˇÚÛ˚ ËÎË ÓÚ ‰Û„Ó„Ó MIDI-ÛÒÚÓÈÒÚ‚‡, ‚˚·Ë‡fl ‰Îfl
ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Â„Ó Í‡Ì‡Î‡ ÚÂÏ· Ò ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÏ ÌÓÏÂÓÏ (ÚÂÏ· ̇ Í·‚ˇÚÛ ÌÂ
ËÁÏÂÌflÂÚÒfl). èË ‚˚·Ó ӉÌÓ„Ó ËÁ ÚÂÏ·Ó‚ ˆËÙÓ‚Ó ÔˇÌËÌÓ CLP-115 Ó·˚˜ÌÓ
Ô‰‡ÂÚ ÌÓÏ ËÁÏÂÌÂÌËfl MIDI-ÔÓ„‡ÏÏ˚. ÖÒÎË ‚̯Ì MIDI-ÛÒÚÓÈÒÚ‚Ó Ì‡ÒÚÓÂÌÓ
̇ ÔËÂÏ ‰‡ÌÌ˚ı, ̇ ÌÂÏ ·Û‰ÂÚ ‚˚·‡Ì ÚÂÏ· ËÎË ÔÓ„‡Ïχ Ò ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÏ
ÌÓÏÂÓÏ.
èË ÔÓÏÓ˘Ë ˝ÚÓÈ ÙÛÌ͈ËË ÏÓÊÌÓ Á‡ÔÂÚËÚ¸ ÔËÂÏ Ë Ô‰‡˜Û ÌÓÏÂÓ‚ ËÁÏÂÌÂÌËfl
ÔÓ„‡ÏÏ˚, Ú.Â. ‚˚·‡ÌÌ˚ ̇ ˆËÙÓ‚ÓÏ ÔˇÌËÌÓ CLP-115 ÚÂÏ·˚ Ì ·Û‰ÛÚ ‚ÎËflÚ¸ ̇
‚̯Ì MIDI-ÛÒÚÓÈÒÚ‚Ó.
ä ëÇÖÑÖçàû
àÌÙÓχˆË˛ Ó ÌÓχı ËÁÏÂÌÂÌËfl
ÔÓ„‡ÏÏ˚ ‰Îfl ‚ÒÂı ÚÂÏ·Ó‚
CLP-115 ÒÏ. ̇ ÒÚ. 35 ‚ ‡Á‰ÂÎÂ
«îÓÏ‡Ú MIDI-‰‡ÌÌ˚ı».
ÑÂÈÒÚ‚Ëfl
ì‰ÂÊË‚‡fl Í·‚Ë¯Ë A-1 Ë C 0, ̇ÊÏËÚ Í·‚Ë¯Û C 6.
A-1 C 0
C6
ä‡ÈÌflfl Ô‡‚‡fl
Í·‚˯‡
îÛÌ͈Ëfl ËÁÏÂÌÂÌËfl ÛÔ‡‚ÎÂÌËfl
é·˚˜ÌÓ ˆËÙÓ‚Ó ÔˇÌËÌÓ CLP-115 ‡„ËÛÂÚ Ì‡ ‰‡ÌÌ˚ ӷ ËÁÏÂÌÂÌËË ˝ÎÂÏÂÌÚÓ‚
ÛÔ‡‚ÎÂÌËfl MIDI, ÔÓÎÛ˜ÂÌÌ˚Â Ò ‚̯ÌÂ„Ó MIDI-ÛÒÚÓÈÒÚ‚‡ ËÎË Í·‚ˇÚÛ˚, ˜ÚÓ ÔË‚Ó‰ËÚ
Í ÚÓÏÛ, ˜ÚÓ Ì‡ ÚÂÏ· ‚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÏ Í‡Ì‡Î ̇˜Ë̇ÂÚ ‚ÎËflÚ¸ Ô‰‡Î¸, ‡ Ú‡ÍÊÂ
‰Û„Ë ̇ÒÚÓÈÍË «ÛÔ‡‚ÎÂÌËfl», ÔÓÎÛ˜ÂÌÌ˚Â Ò ˝ÚÓ„Ó ÛÒÚÓÈÒÚ‚‡ (˝ÚÓ Ì ‚ÓÁ‰ÂÈÒÚ‚ÛÂÚ Ì‡
ÚÂÏ· Í·‚ˇÚÛ˚). ñËÙÓ‚Ó ÔˇÌËÌÓ CLP-115 Ú‡ÍÊ Ô‰‡ÂÚ ËÌÙÓχˆË˛ Ó·
ËÁÏÂÌÂÌËË ˝ÎÂÏÂÌÚÓ‚ ÛÔ‡‚ÎÂÌËfl MIDI-ËÌÚÂÙÂÈÒÓÏ ÔË ‡·ÓÚ Ô‰‡ÎË ËÎË ‰Û„Ëı
˝ÎÂÏÂÌÚÓ‚ ÛÔ‡‚ÎÂÌËfl.
èË ÔÓÏÓ˘Ë ˝ÚÓÈ ÙÛÌ͈ËË ÏÓÊÌÓ Á‡ÔÂÚËÚ¸ ÔËÂÏ Ë Ô‰‡˜Û ‰‡ÌÌ˚ı Ó· ËÁÏÂÌÂÌËË
˝ÎÂÏÂÌÚÓ‚ ÛÔ‡‚ÎÂÌËfl, Ú‡Í ˜ÚÓ Ô‰‡Î¸ Ë ‰Û„Ë ˝ÎÂÏÂÌÚ˚ ÛÔ‡‚ÎÂÌËfl CLP-115 Ì ·Û‰ÛÚ
‚ÎËflÚ¸ ̇ ‚̯Ì MIDI-ÛÒÚÓÈÒÚ‚Ó.
ä ëÇÖÑÖçàû
ÅÓΠ‰ÂڇθÌÛ˛ ËÌÙÓχˆË˛ Ó·
ËÁÏÂÌÂÌËË ˝ÎÂÏÂÌÚÓ‚ ÛÔ‡‚ÎÂÌËfl,
ÍÓÚÓ˚ ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ‚
ˆËÙÓ‚ÓÏ ÔˇÌËÌÓ CLP-115, ÒÏ. ‚
‡Á‰ÂΠ«îÓÏ‡Ú MIDI-‰‡ÌÌ˚ı» ̇
ÒÚ. 34.
ÑÂÈÒÚ‚Ëfl
A-1 C 0
êìëëäàâ
ì‰ÂÊË‚‡fl Í·‚Ë¯Ë A-1 Ë C 0, ̇ÊÏËÚ Í·‚Ë¯Û D6.
D6
ä‡ÈÌflfl Ô‡‚‡fl
Í·‚˯‡
CLP-115 îÛÌ͈ËË MIDI
27
CLP 115(E).book Page 28 Tuesday, May 13, 2003 6:55 PM
ìÒÚ‡ÌÂÌË ÌÂÔÓ·‰ÓÍ
èÓ·ÎÂχ
ÇÓÁÏÓÊÌ˚ Ô˘ËÌ˚ Ë ÒÔÓÒÓ·˚ ÛÒÚ‡ÌÂÌËfl
ñËÙÓ‚Ó ÔˇÌËÌÓ CLP-115 Ì ‚Íβ˜‡ÂÚÒfl.
ñËÙÓ‚Ó ÔˇÌËÌÓ CLP-115 ÌÂÔ‡‚ËθÌÓ ÔÓ‰Íβ˜ÂÌÓ Í ÓÁÂÚÍÂ. èӂ¸Ú ÔÓ‰Íβ˜ÂÌË ͇·ÂÎfl
Í ‡Á˙ÂÏÛ Ì‡ ˆËÙÓ‚ÓÏ ÔˇÌËÌÓ CLP-115 Ë Í ÓÁÂÚÍ (ÒÚ. 11).
èË ‚Íβ˜ÂÌËË Ë ÓÚÍβ˜ÂÌËË ÔËÚ‡ÌËfl ÒÎ˚¯Ì˚
˘ÂΘÍË Ë ıÎÓÔÍË.
í‡Í ‚Ò„‰‡ ÔÓËÒıÓ‰ËÚ ÔË ÔÓ‰‡˜Â Ë ÓÚÍβ˜ÂÌËË ˝ÎÂÍÚÓÔËÚ‡ÌËfl.
ëÎ˚¯ÂÌ ¯ÛÏ ËÁ ‰Ë̇ÏËÍÓ‚ ËÎË Ì‡Û¯ÌËÍÓ‚.
òÛÏ ÏÓÊÂÚ ‚ÓÁÌËÍÌÛÚ¸ ËÁ-Á‡ ÔÓÏÂı, ‚˚Á‚‡ÌÌ˚ı ËÒÔÓθÁÓ‚‡ÌËÂÏ ÏÓ·ËθÌÓ„Ó ÚÂÎÂÙÓ̇ ‚
ÌÂÔÓÒ‰ÒÚ‚ÂÌÌÓÈ ·ÎËÁÓÒÚË ÓÚ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ CLP-115. éÚÍβ˜ËÚ ÏÓ·ËθÌ˚È ÚÂÎÂÙÓÌ ËÎË
ÔÂÂÌÂÒËÚÂ Â„Ó ÔÓ‰‡Î¸¯Â ÓÚ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ CLP-115.
é·˘ËÈ ÛÓ‚Â̸ „ÓÏÍÓÒÚË ÒÎ˯ÍÓÏ ÌËÁÍËÈ, ËÎË
Á‚ÛÍ ÓÚÒÛÚÒÚ‚ÛÂÚ ‚ÓÓ·˘Â.
• Ç˚·‡Ì‡ ÒÎ˯ÍÓÏ ÌËÁ͇fl „ÓÏÍÓÒÚ¸. ìÒÚ‡ÌÓ‚ËÚ ÌÛÊÌÛ˛ „ÓÏÍÓÒÚ¸ ÔË ÔÓÏÓ˘Ë Â„ÛÎflÚÓ‡
[MASTER VOLUME].
• ì·Â‰ËÚÂÒ¸, ˜ÚÓ Í ‡Á˙ÂÏÛ ‰Îfl ̇ۯÌËÍÓ‚ Ì ÔÓ‰Íβ˜ÂÌ˚ ̇ۯÌËÍË.
• ì·Â‰ËÚÂÒ¸, ˜ÚÓ ‰Îfl ÙÛÌ͈ËË Local (ÒÚ. 26) ‚˚·‡Ì Ô‡‡ÏÂÚ ON.
臂‡fl Ô‰‡Î¸ Ì ‡·ÓÚ‡ÂÚ, ËÎË Á‚ÛÍ ÔӉ΂‡ÂÚÒfl,
‰‡Ê ÂÒÎË Ó̇ Ì ̇ʇڇ.
ÇÓÁÏÓÊÌÓ, ͇·Âθ Ô‰‡ÎË ÔÓ‰Íβ˜ÂÌ ÌÂÔ‡‚ËθÌÓ. ì·Â‰ËÚÂÒ¸, ˜ÚÓ Í‡·Âθ Ô‰‡ÎË Ì‡‰ÂÊÌÓ
‚ÒÚ‡‚ÎÂÌ ‚ ‡Á˙ÂÏ [PEDAL] (ÒÚ. 30).
ÑÓÔÓÎÌËÚÂθÌ˚ ÔËÒÔÓÒÓ·ÎÂÌËfl
ë͇ÏÂÈ͇ BC-100
ì‰Ó·Ì‡fl Ò͇ÏÂÈ͇, ҉·Ì̇fl ÒÔˆˇθÌÓ ‰Îfl Ë„˚ ̇ ˆËÙÓ‚ÓÏ ÔˇÌËÌÓ Clavinova ÍÓÔÓ‡ˆËË Yamaha.
ëÚÂÂÓ̇ۯÌËÍË HPE-160
êìëëäàâ
ã„ÍËÂ Ë ˝ÙÙÂÍÚË‚Ì˚ ̇ۯÌËÍË Ò Ïfl„ÍËÏË ÔÓÍ·‰Í‡ÏË ‰Îfl Û¯ÂÈ.
28
CLP-115
CLP-115
ìÒÚ‡ÌÂÌËÂ
ìÒÚ‡ÌÂÌËÂ
ÌÂÔÓ·‰ÓÍ
ÌÂÔÓ·‰ÓÍ/‰ÓÔÓÎÌËÚÂθÌ˚ ÔËÒÔÓÒÓ·ÎÂÌËfl
CLP 115(E).book Page 29 Tuesday, May 13, 2003 6:55 PM
ë·Ó͇ ÔÓ‰ÒÚ‡‚ÍË ‰Îfl Í·‚ˇÚÛ˚
ÇçàåÄçàÖ!
• ÅÛ‰¸Ú ‚ÌËχÚÂθÌ˚: Ì ÔÂÂÔÛÚ‡ÈÚ ÍÓÏÔÓÌÂÌÚ˚. ìÒڇ̇‚ÎË‚‡ÈÚ Ëı ‚ Ô‡‚ËθÌÓÏ Ì‡Ô‡‚ÎÂÌËË. Ç˚ÔÓÎÌflÈÚ ҷÓÍÛ
Òӄ·ÒÌÓ ÒÎÂ‰Û˛˘ÂÈ ËÌÒÚÛ͈ËË.
• ÑÎfl Ò·ÓÍË Ú·ÛÂÚÒfl Ì ÏÂÌ ‰‚Ûı ˜ÂÎÓ‚ÂÍ.
• çÂÓ·ıÓ‰ËÏÓ ËÒÔÓθÁÓ‚‡Ú¸ ‚ËÌÚ˚ Û͇Á‡ÌÌÓ„Ó ‡Áχ. àÒÔÓθÁÓ‚‡ÌË ÌÂÔ‡‚ËθÌ˚ı ‚ËÌÚÓ‚ ÏÓÊÂÚ Ôӂ‰ËÚ¸ ËÌÒÚÛÏÂÌÚ.
• èÓÒΠÁ‡‚¯ÂÌËfl Ò·ÓÍË Í‡Ê‰ÓÈ ˜‡ÒÚË Á‡ÚflÌËÚ ‚ËÌÚ˚.
• ÑÎfl ‡Á·ÓÍË ËÌÒÚÛÏÂÌÚ‡ ‚˚ÔÓÎÌËÚ ËÌÒÚÛÍˆË˛ ‚ Ó·‡ÚÌÓÏ ÔÓfl‰ÍÂ.
1.
èËÍÂÔËÚ ·ÓÍÓ‚˚ ԇÌÂÎË Í ·ÎÓÍÛ Ô‰‡ÎÂÈ.
èË„ÓÚÓ‚¸Ú ÍÂÒÚÓ‚Û˛ (+) ÓÚ‚ÂÚÍÛ.
ÅÓÍÓ‚‡fl Ô‡ÌÂθ
(Ô‡‚‡fl)
(2) ëÓ‚ÏÂÒÚËÚ ·ÓÍÓ‚˚ ԇÌÂÎË
Ô‰‡Î¸ÌÓ„Ó ·ÎÓ͇ Ò Î‚ÓÈ Ë
Ô‡‚ÓÈ ·ÓÍÓ‚˚ÏË Ô‡ÌÂÎflÏË.
Ç˚̸Ú ËÁ Ô‡ÍÂÚ‡ ÒÎÂ‰Û˛˘Ë ÍÓÏÔÎÂÍÚÛ˛˘ËÂ.
ÅÓÍÓ‚‡fl Ô‡ÌÂθ
(΂‡fl)
ÑÚ‡ÎË Ò·ÓÍË
ÑÂʇÚÂÎË ‰Îfl ͇·ÂÎÂÈ, 2 ¯Ú.
(1) éÚ‚flÊËÚÂ Ë ‡ÒÔflÏËÚ ÛÔ‡ÍÓ‚‡ÌÌ˚È
͇·Âθ, ÔËÍÂÔÎÂÌÌ˚È Í ÌËÊÌÂÈ
˜‡ÒÚË ·ÎÓ͇ Ô‰‡ÎÂÈ.
ëÓı‡ÌËÚ Á‡ÏÓÍ ‰Îfl ÔÓ‚ÓÎÓÍË, ÓÌ
ÔÓ̇‰Ó·ËÚÒfl ‚‡Ï ̇ ˝Ú‡Ô 5.
íÓÌÍËÂ ‚ËÌÚ˚ 4 × 12 ÏÏ, 2 ¯Ú. 3
2.
èËÍÂÔËÚ Á‡‰Ì˛˛ Ô‡ÌÂθ.
(1) èËÍÂÔËÚ ‚ÂıÌ˛˛ ˜‡ÒÚ¸ Á‡‰ÌÂÈ
Ô‡ÌÂÎË Í ÍÓ̯ÚÂÈÌ‡Ï ·ÓÍÓ‚ÓÈ
Ô‡ÌÂÎË Ò ÔÓÏÓ˘¸˛ ‰‚Ûı ÚÓÌÍËı ‚ËÌÚÓ‚
4×12 ÏÏ 3.
ÅÓÍÓ‚‡fl
Ô‡Ìeθ
(Îe‚‡fl)
ᇉÌflfl Ô‡Ìeθ
ÅÓÍÓ‚‡fl
Ô‡Ìeθ
(Ô‡‚‡fl)
R
É·‚̇fl ˜‡ÒÚ¸
ÅÎÓÍ Ôe‰‡ÎeÈ
䇷eθ ÔËÚ‡ÌËfl
ä ëÇÖÑÖçàû
L
䇷eθ Ôe‰‡ÎeÈ,
ÔËÍeÔÎeÌÌ˚È ‚ÌÛÚË
êìëëäàâ
äÓÓÚÍËÂ ‚ËÌÚ˚ 6 × 16 ÏÏ, 4 ¯Ú. 2
(3) èËÒÓ‰ËÌËÚÂ
·ÎÓÍ Ô‰‡ÎÂÈ Ò
ÔÓÏÓ˘¸˛ ˜ÂÚ˚Âı
‰ÎËÌÌ˚ı ‚ËÌÚÓ‚
6×20 ÏÏ 1.
L
ÑÎËÌÌ˚ ‚ËÌÚ˚ 6 × 20 ÏÏ, 4 ¯Ú. 1 ë‡ÏÓ̇ÂÁ‡˛˘Ë ‚ËÌÚ˚
4 × 20 ÏÏ, 4 ¯Ú. 4
(2) èËÍÂÔËÚ ÌËÊÌ˛˛ ˜‡ÒÚ¸ Á‡‰ÌÂÈ
Ô‡ÌÂÎË Í ·ÎÓÍÛ Ô‰‡ÎÂÈ Ò ÔÓÏÓ˘¸˛
˜ÂÚ˚Âı Ò‡ÏÓ̇ÂÁ‡˛˘Ëı ‚ËÌÚÓ‚
4×20 ÏÏ 4.
ä˛˜ÓÍ ‰Îfl ̇ۯÌËÍÓ‚ ‚ıÓ‰ËÚ ‚ ÍÓÏÔÎÂÍÚ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ
CLP-115. åÓÊÌÓ ÔËÍÂÔËÚ¸ Â„Ó Í ˆËÙÓ‚ÓÏÛ ÔˇÌËÌÓ CLP-115 Ë
‚¯‡Ú¸ ̇ ÌÂ„Ó Ì‡Û¯ÌËÍË (ÒÚ. 12).
CLP-115 ë·Ó͇ ÔÓ‰ÒÚ‡‚ÍË ‰Îfl Í·‚ˇÚÛ˚
29
CLP 115(E).book Page 30 Tuesday, May 13, 2003 6:55 PM
3.
ìÒÚ‡ÌÓ‚ËÚ „·‚ÌÛ˛ ˜‡ÒÚ¸.
5.
èÓ‰ÒÓ‰ËÌËÚ ͇·Âθ Ô‰‡ÎË.
PEDA
L
ÇçàåÄçàÖ!
• ëΉËÚ Á‡ ÚÂÏ, ˜ÚÓ·˚ Ì Á‡˘ÂÏËÚ¸ ԇθˆ˚ ÏÂʉÛ
ÓÒÌÓ‚Ì˚Ï ÛÒÚÓÈÒÚ‚ÓÏ Ë Á‡‰ÌÂÈ ËÎË ·ÓÍÓ‚˚ÏË
Ô‡ÌÂÎflÏË. ÅÛ‰¸Ú ˜ÂÁ‚˚˜‡ÈÌÓ ÓÒÚÓÓÊÌ˚ Ë ÌÂ
ÛÓÌËÚ „·‚ÌÛ˛ ˜‡ÒÚ¸.
• ÑÂÊËÚ Í·‚ˇÚÛÛ ÚÓθÍÓ Ú‡Í, Í‡Í ÔÓ͇Á‡ÌÓ Ì‡
ËÒÛÌÍÂ.
(3) ÖÒÎË Í‡·Âθ Ô‰‡ÎË
Ó͇Á‡ÎÒfl ‰ÎËÌÌÂÂ, ˜ÂÏ
ÌÛÊÌÓ, Á‡ÍÂÔËÚÂ
ÎË¯Ì˛˛ ˜‡ÒÚ¸ Ò
ÔÓÏÓ˘¸˛ Á‡Ï͇ ‰Îfl
ÔÓ‚ÓÎÓÍË.
èË ÛÒÚ‡ÌÓ‚Í ‰ÂÊËÚ ÛÍË Ì‡ ‡ÒÒÚÓflÌËË
Ì ÏÂÌ 10 ÒÏ ÓÚ Í‡Â‚.
åËÌËÏÛÏ
10 ÒÏ
R
(2) èËÒÓ‰ËÌËÚ ‰ÂʇÚÂÎË ‰Îfl
͇·ÂÎfl Í Á‡‰ÌÂÈ Ô‡ÌÂÎË, ͇Í
ÔÓ͇Á‡ÌÓ Ì‡ ËÒÛÌÍÂ, Á‡ÚÂÏ
Á‡˘ÂÎÍÌËÚ ‰ÂʇÚÂÎË.
(1) ê‡ÒÔÓÎÓÊËÚ ËÌÒÚÛÏÂÌÚ ÔÓ
ˆÂÌÚÛ Ú‡Í, ˜ÚÓ·˚ Á‡ÁÓ˚ ÒÔ‡‚‡
Ë Ò΂‡ ·˚ÎË Ó‰Ë̇ÍÓ‚˚ÏË.
êìëëäàâ
ìÒÚ‡ÌÓ‚ËÚ ÒÂÎÂÍÚÓ Ì‡ÔflÊÂÌËfl Ë
ÔÓ‰ÒÓ‰ËÌËÚ ͇·Âθ ÔËÚ‡ÌËfl.
220
(2) á‡ÍÂÔËÚ „·‚ÌÛ˛ ˜‡ÒÚ¸
ÒÔÂÂ‰Ë Ò ÔÓÏÓ˘¸˛ ÍÓÓÚÍËı
‚ËÌÚÓ‚ 6x16 ÏÏ 2.
6.
110
á‡ÍÂÔËÚ „·‚ÌÛ˛ ˜‡ÒÚ¸.
127
4.
(1) ÇÒÚ‡‚¸Ú ‚ËÎÍÛ Í‡·ÂÎfl
Ô‰‡ÎÂÈ ÒÁ‡‰Ë ‚ ‡Á˙ÂÏ
‰Îfl Ô‰‡ÎÂÈ.
240
èÂÂÍβ˜‡ÚÂθ ̇ÔflÊÂÌËfl
Ç ÌÂÍÓÚÓ˚ı „ËÓ̇ı ËÒÔÓθÁÛÂÚÒfl ÔÂÂÍβ˜‡ÚÂθ
̇ÔflÊÂÌËfl. èÂʉ ˜ÂÏ ÔÓ‰Íβ˜‡Ú¸ ͇·Âθ ÔËÚ‡ÌËfl,
Ôӂ¸ÚÂ, Ô‡‚ËθÌÓ ÎË ÓÌ ÛÒÚ‡ÌÓ‚ÎÂÌ. ÑÎfl ÛÒÚ‡ÌÓ‚ÍË
ÔÂÂÍβ˜‡ÚÂÎfl ̇ 110, 127, 220 ËÎË 240 ‚ÓθÚ, Ò ÔÓÏÓ˘¸˛
ÓÚ‚ÂÚÍË ÔÓ‚ÂÌËÚ ‰ËÒÍ Ú‡Í, ˜ÚÓ·˚ Ô‡‚ËθÌÓÂ
̇ÔflÊÂÌË ‰Îfl ‚‡¯Â„Ó Â„ËÓ̇ ̇ıÓ‰ËÎÓÒ¸ ̇ÔÓÚË‚
Û͇Á‡ÚÂÎfl ̇ Ô‡ÌÂÎË. èË ÔÓÒÚ‡‚Í ÔÂÂÍβ˜‡ÚÂθ
̇ÔflÊÂÌËfl ÛÒÚ‡ÌÓ‚ÎÂÌ Ì‡ ̇ÔflÊÂÌË ‚ 240 Ç. Ç˚·‡‚
ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Â ̇ÔflÊÂÌËÂ, ÔÓ‰Íβ˜ËÚ ͇·Âθ
ÔËÚ‡ÌËfl Í ‡Á˙ÂÏÛ AC INLET Ë Í ˝ÎÂÍÚÓÒÂÚË. Ç ÌÂÍÓÚÓ˚ı
„ËÓ̇ı ‰Îfl ÔÓ‰Íβ˜ÂÌËfl Í ˝ÎÂÍÚÓÒÂÚË ÚÂ·Û˛ÚÒfl
ÔÂÂıÓ‰ÌËÍË Ò ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÏ ‡ÒÔÓÎÓÊÂÌËÂÏ
ÍÓÌÚ‡ÍÚÓ‚.
30
CLP-115 ë·Ó͇ ÔÓ‰ÒÚ‡‚ÍË ‰Îfl Í·‚ˇÚÛ˚
CLP 115(E).book Page 31 Tuesday, May 13, 2003 6:55 PM
èêÖÑìèêÖÜÑÖçàÖ
çÂÔ‡‚Ëθ̇fl ÛÒÚ‡Ìӂ͇ ̇ÔflÊÂÌËfl ÏÓÊÂÚ Ò¸ÂÁÌÓ
Ôӂ‰ËÚ¸ ˆËÙÓ‚Ó ÔˇÌËÌÓ CLP-115 ËÎË ‚˚Á‚‡Ú¸
Ò·ÓÈ ‚ ‡·ÓÚÂ.
7.
ìÒÚ‡ÌÓ‚ËÚ ÙËÍÒËÛ˛˘ËÈ ‚ËÌÚ.
èÓ‚Ó‡˜Ë‚‡ÈÚ ÙËÍÒËÛ˛˘ËÈ ‚ËÌÚ ‰Ó ÚÂı ÔÓ, ÔÓ͇ ÓÌ Ì ÔˉÂÚ ‚
ÚÂÒÌ˚È ÍÓÌÚ‡ÍÚ Ò ÔÓ‚ÂıÌÓÒÚ¸˛ ÔÓ·.
èÓÒΠҷÓÍË Ôӂ¸ÚÂ:
• ç ÓÒÚ‡ÎÓÒ¸ ÎË «Î˯ÌËı» ‰ÂÚ‡ÎÂÈ?
➝ èӂ¸Ú ҷÓÍÛ Ë ËÒÔ‡‚¸Ú ӯ˷ÍË.
• ç Ï¯‡ÂÚ ÎË ˆËÙÓ‚Ó ÔˇÌËÌÓ CLP-115 ÓÚÍ˚‚‡Ú¸
‰‚ÂË Ë ÔÂÂÏ¢‡Ú¸ Ô‰ÏÂÚ˚?
➝ èÓÒÚ‡‚¸Ú ˆËÙÓ‚Ó ÔˇÌËÌÓ CLP-115 ‚ Û‰Ó·ÌÓÂ
ÏÂÒÚÓ.
• ç «·ÓÎÚ‡ÂÚÒfl» ÎË ˆËÙÓ‚Ó ÔˇÌËÌÓ CLP-115, ÍÓ„‰‡
‚˚ Â„Ó ÚflÒÂÚ (Ó· ˝ÚÓÏ ÏÓÊÌÓ ÒÛ‰ËÚ¸ ÔÓ „ÓıÓÚÛ)?
➝ á‡ÚflÌËÚ ‚Ò ‚ËÌÚ˚.
• ç ÒÏ¢‡ÂÚÒfl ÎË Ô‰‡Î¸Ì˚È ·ÎÓÍ Ë Ì ÒÎ˚¯ÌÓ ÎË
„ÓıÓÚ‡ ÔË Ì‡Ê‡ÚËË Ì‡ Ô‰‡ÎË?
➝ èÓ‚ÂÌËÚ ÙËÍÒËÛ˛˘ËÈ ‚ËÌÚ Ú‡Í, ˜ÚÓ·˚ ÓÌ
Ú‚Â‰Ó ÒÚÓflΠ̇ ÔÓÎÛ.
• 䇷ÂÎË Ô‰‡ÎË Ë ÔËÚ‡ÌËfl ÔÎÓÚÌÓ ‚ÒÚ‡‚ÎÂÌ˚ ‚
‡Á˙ÂÏ˚?
➝ èӂ¸Ú ÒÓ‰ËÌÂÌËfl.
• ÖÒÎË ÓÒÌӂ̇fl ˜‡ÒÚ¸ ËÌÒÚÛÏÂÌÚ‡ ÒÍËÔËÚ ËÎË
ÌÂÛÒÚÓȘ˂‡, ÍÓ„‰‡ ‚˚ Ë„‡ÂÚ ̇ Í·‚˯‡ı,
ÔÓÒÏÓÚËÚ ÒıÂÏÛ Ò·ÓÍË Ë Á‡ÚflÌËÚ ‚Ò ‚ËÌÚ˚.
èË ÔÂÂÏ¢ÂÌËË ÒÓ·‡ÌÌÓ„Ó ËÌÒÚÛÏÂÌÚ‡ ‚Ò„‰‡
·ÂËÚÂÒ¸ Á‡ ÌËÊÌ˛˛ ˜‡ÒÚ¸ ÓÒÌÓ‚ÌÓ„Ó ·ÎÓ͇.
ÇçàåÄçàÖ!
êìëëäàâ
ç ·ÂËÚÂÒ¸ Á‡ Í˚¯ÍÛ Í·‚ˇÚÛ˚ ËÎË Â ‚ÂıÌ˛˛
˜‡ÒÚ¸. çÂÔ‡‚Ëθ̇fl ˝ÍÒÔÎÛ‡Ú‡ˆËfl ÏÓÊÂÚ ÔË‚ÂÒÚË Í
‚˚ıÓ‰Û ËÌÒÚÛÏÂÌÚ‡ ËÁ ÒÚÓfl ËÎË Í Ú‡‚ÏÂ.
ä˚¯Í‡ Í·‚ˇÚÛ˚
ä˚¯Í‡
CLP-115 ë·Ó͇ ÔÓ‰ÒÚ‡‚ÍË ‰Îfl Í·‚ˇÚÛ˚
31
CLP 115(E).book Page 32 Tuesday, May 13, 2003 6:55 PM
è‰ÏÂÚÌ˚È Û͇Á‡ÚÂθ
óËÒ·
H
50 ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ ‰Îfl ÙÓÚÂÔ¸flÌÓ.............................16
H‡ÎÓÊÂÌË ÚÂÏ·Ó‚ (ÂÊËÏ Dual) .................................. 19
50 Greats for the Piano.......................................................16
H‡ÒÚÓÈ͇
ÉÎÛ·Ë̇ ‚·‡ˆËË............................................... 18
ÉÓÏÍÓÒÚË (50 ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ ‰Îfl ÙÓÚÂÔ¸flÌÓ) .. 16
ÉÓÏÍÓÒÚ¸ (ÏÂÚÓÌÓÏ)................................................ 22
ÉÓÏÍÓÒÚ¸ ‰ÂÏÓÌÒÚ‡ˆËË........................................... 15
TÂÏÔ (ÏÂÚÓÌÓÏ) ........................................................ 21
D
DEMO..........................................................................14–16
M
MASTER VOLUME ......................................................11, 14
METRONOME .......................................................14, 21–22
H‡Û¯ÌËÍË ......................................................................... 12
è
MIDI...................................................................................23
艇θ ÒÓÒÚÂÌÛÚÓ....................................................... 14, 18
MIDI [IN] [OUT] [THRU] ................................................14, 23
èÂÒÌfl................................................................................ 16
MIDI-͇·ÂÎË ................................................................23, 25
èÓ‰Íβ˜ÂÌË ÔÂÒÓ̇θÌÓ„Ó ÍÓÏÔ¸˛Ú‡...................... 24
MIDI-‡Á˙ÂÏ˚ .............................................................23, 25
臂‡fl Ô‰‡Î¸ ........................................................... 14, 17
èêÄÇàãÄ íÖïçàäà ÅÖáéèÄëçéëíà ........................6–7
P
èË„ÎÛ¯ÂÌË Á‚Û͇ (΂‡fl Ô‰‡Î¸)........................... 14, 18
PEDAL.........................................................................14, 30
è˛ÔËÚ ............................................................................. 10
PHONES .....................................................................12, 14
POWER .......................................................................11, 14
P
P‚·‡ˆËfl .................................................................. 18
V
VOICE ...................................................................14, 17–19
PÂÊËÏ Dual ...................................................................... 19
ë
B
C·Ó͇........................................................................29–31
BÒÚÓÂÌÌ˚ ÔÂÒÌË ➝ 50 ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ ‰Îfl
ÙÓÚÂÔ¸flÌÓ....................................................................16
C‰Ìflfl Ô‰‡Î¸ ......................................................... 14, 18
T
êìëëäàâ
Ñ
íÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË........................................... 39
ÑÓÔÓÎÌËÚÂθÌ˚ ÔË̇‰ÎÂÊÌÓÒÚË ....................................8
í‡ÌÒÔÓÌËÓ‚‡ÌË ........................................................... 20
á
á‡ÔÛÒÍ Ë ÓÒÚ‡Ìӂ͇ ‚ÓÒÔÓËÁ‚‰ÂÌËfl
50 ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ ‰Îfl ÙÓÚÂÔ¸flÌÓ.......................16
‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ ÔÂÒÌË...........................................15
K
K˚¯Í‡ Í·‚ˇÚÛ˚.........................................................10
K˛˜ÓÍ ‰Îfl ̇ۯÌËÍÓ‚ ....................................................12
ã
ょfl Ô‰‡Î¸ .............................................................14, 18
32
퇷Îˈ‡ ı‡‡ÍÚÂËÒÚËÍ MIDI-ËÌÚÂÙÂÈÒ‡....................... 38
ÑÂÏÔÙÂ̇fl Ô‰‡Î¸ ........................................................17
CLP-115 è‰ÏÂÚÌ˚È Û͇Á‡ÚÂθ
T‡ÌÒÔÓÚËӂ͇ ............................................................... 8
ì
ìÒÚ‡ÌÂÌË ÌÂÔÓ·‰ÓÍ..................................................... 28
î
îÓÏ‡Ú MIDI-‰‡ÌÌ˚ı........................................................ 34
CLP 115(E).book Page 33 Tuesday, May 13, 2003 6:55 PM
Appendix/Anhang/
Annexe/èËÎÓÊÂÌËÂ
This section introduces reference material.
In diesem Abschnitt finden Sie Referenzmaterial.
Cette section présente le matériel de référence.
Ç ˝ÚÓÏ ‡Á‰ÂΠÒÓ‰ÂʇÚÒfl ÒÔ‡‚Ó˜Ì˚ χÚÂˇÎ˚.
MIDI Data Format / MIDI-Datenformat / Format des données MIDI / îÓÏ‡Ú MIDI-‰‡ÌÌ˚ı .............. 34
MIDI Implementation Chart / MIDI Implementierung stabelle /
Feuille d’implantation MIDI / 퇷Îˈ‡ ı‡‡ÍÚÂËÒÚËÍ MIDI-ËÌÚÂÙÂÈÒ‡....................................... 38
Specifications / Technische Daten / Caractéristiques techniques / íÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË ........... 39
CLP-115
33
CLP 115(E).book Page 34 Tuesday, May 13, 2003 6:55 PM
MIDI Data Format / MIDI-Datenformat /
Format des données MIDI / îÓÏ‡Ú MIDI-‰‡ÌÌ˚ı
If you’re already very familiar with MIDI, or are using a
computer to control your music hardware with computergenerated MIDI messages, the data provided in this section
can help you to control the CLP-115.
Falls Sie bereits mit MIDI vertraut sind oder einen
Computer zur Erzeugung von MIDI-Steuermeldungen für die
Instrumente verwenden, können Sie sich zur Steuerung des
CLP-115 nach den im folgenden Abschnitt aufgeführten
Spezifikationen richten.
Si vous êtes très familier avec l’interface MIDI ou si vous
utilisez un ordinateur pour commander votre matériel de
musique au moyen de messages MIDI générés par
ordinateur, les données suivantes vous seront utiles et vous
aideront à commander le CLP-115.
ÖÒÎË ‚˚ Á̇ÍÓÏ˚ Ò MIDI-ËÌÚÂÙÂÈÒÓÏ ËÎË ËÒÔÓθÁÛÂÚÂ
ÍÓÏÔ¸˛Ú ‰Îfl ÛÔ‡‚ÎÂÌËfl ÏÛÁ˚͇θÌ˚ÏË ÛÒÚÓÈÒÚ‚‡ÏË ÔË
ÔÓÏÓ˘Ë ÒÓÁ‰‡‚‡ÂÏ˚ı ÍÓÏÔ¸˛ÚÂÓÏ MIDI-ÒÓÓ·˘ÂÌËÈ, ‰‡ÌÌ˚ ËÁ
˝ÚÓ„Ó ‡Á‰Â· ÔÓÏÓ„ÛÚ ‚‡Ï ÛÔ‡‚ÎflÚ¸ ˆËÙÓ‚˚Ï ÔˇÌËÌÓ
CLP-115.
1. NOTE ON/OFF
3. MODE MESSAGES
Data format: [9nH] -> [kk] -> [vv]
Data format: [BnH] -> [cc] -> [vv]
9nH = Note ON/OFF event (n = channel number)
kk =
Note number (Transmit: 09H ~ 78H = A-2 ~ C8 /
Receive: 00H ~ 7FH = C-2 ~ G8)*
vv =
Velocity (Key ON = 01H ~ 7FH, Key OFF = 00H)
Data format: [8nH] -> [kk] -> [vv] (reception only)
8nH = Note OFF event (n = channel number)
kk =
Note number: 00H ~ 7FH = C-2 ~ G8
vv =
Velocity
* If received value exceeds the supported range for the
selected voice, the note is adjusted by the necessary number of octaves.
2. CONTROL CHANGE
Data format: [BnH] -> [cc] -> [vv]
BnH = Control change (n = channel number)
cc =
Control number
vv =
Data Range
(1) Bank Select
ccH
Parameter
Data Range (vvH)
00H
Bank Select MSB
00H:Normal
20H
Bank Select LSB
00H...7FH
Bank selection processing does not occur until receipt of
next Program Change message.
(2) Main Volume (reception only)
ccH
Parameter
Data Range (vvH)
07H
Volume MSB
00H...7FH
(3) Expression (reception only)
ccH
Parameter
Data Range (vvH)
0BH Expression MSB
00H...7FH
(4) Damper
ccH
Parameter
40H
Damper MSB
Data Range (vvH)
00H...7FH
(5) Sostenuto
ccH
Parameter
42H
Sostenuto
Data Range (vvH)
00H-3FH:off, 40H-7FH:on
(6) Soft Pedal
ccH
Parameter
43H
Soft Pedal
Data Range (vvH)
00H-3FH:off, 40H-7FH:on
(7) Effect1 Depth (Reverb Send Level)
ccH
Parameter
Data Range (vvH)
5BH Effect1 Depth
00H...7FH
Adjusts the reverb send level.
(8) Effect4 Depth (Variation Effect Send Level)
(reception only)
ccH
Parameter
Data Range (vvH)
5EH Effect4 Depth
00H...7FH
34
CLP-115 Appendix/Anhang/Annexe/èËÎÓÊÂÌËÂ
BnH = Control event (n = channel number)
cc =
Control number
vv =
Data Range
(1) All Sound Off
ccH
Parameter
78H
All Sound Off
(2) Reset All Controllers
ccH
Parameter
79H
Reset All Controllers
Resets controllers as follows.
Controller
Expression
Damper Pedal
Sostenuto
Soft Pedal
Data Range (vvH)
00H
Data Range (vvH)
00H
Value
127 (max)
0 (off)
0 (off)
0 (off)
(3) Local Control (reception only)
ccH
Parameter
Data Range (vvH)
7AH Local Control
00H (off), 7FH (on)
(4) All Notes Off
ccH
Parameter
Data Range (vvH)
7BH All Notes Off
00H
Switches OFF all the notes that are currently ON on the specified channel. Any notes being held by the damper or sostenuto pedal will continue to sound until the pedal is released.
(5) Omni Off (reception only)
ccH
Parameter
Data Range (vvH)
7CH Omni Off
00H
Same processing as for All Notes Off.
(6) Omni On (reception only)
ccH
Parameter
Data Range (vvH)
7DH Omni On
00H
Same processing as for All Notes Off.
(7) Mono (reception only)
ccH
Parameter
Data Range (vvH)
7EH Mono
00H
Same processing as for All Sound Off.
(8) Poly (reception only)
ccH
Parameter
Data Range (vvH)
7FH
Poly
00H
Same processing as for All Sound Off.
• When control change reception is turned OFF, control change
data will not be transmitted or received except for Bank Select
and Mode messages.
• Local on/off, OMNI on/off are not transmitted. (The appropriate
note off number is supplied with “All Note Off” transmission).
• When a voice bank MSB/LSB is received, the number is
stored in the internal buffer regardless of the received order,
then the stored value is used to select the appropriate voice
when a program change message is received.
• The Multi-timbre and Poly modes are always active. No
change occurs when OMNI ON, OMNI OFF, MONO, or POLY
mode messages are received.
CLP 115(E).book Page 35 Tuesday, May 13, 2003 6:55 PM
4. PROGRAM CHANGE
6. SYSTEM EXCLUSIVE MESSAGES
(Universal System Exclusive)
Data format: [CnH] -> [ppH]
CnH = Program event (n = channel number)
ppH = Program change number
P.C.#=Program Change number
Voice Name
Grand Piano 1
Grand Piano 2
E.Piano 1
E.Piano 2
Harpsichord 1
Harpsichord 2
Vibraphone
Church Organ 1
Church Organ 2
Strings
MSB
0
0
0
0
0
0
0
0
0
0
LSB
122
112
122
122
122
123
122
123
122
122
P.C.#
1
1
6
5
7
7
12
20
20
49
• When you specify a program change as a number in the
range of 0-127, specify a number that is one less than the program number listed above. For example, to specify program
number 1, you would specify program change 0.
• When program change reception is turned OFF, no program
change data is transmitted or received. Also, Bank MSB/LSB
is not transmitted or received.
5. SYSTEM REALTIME MESSAGES
[rrH]
F8H: Timing clock
FAH: Start
FCH: Stop
FEH: Active sensing
Data
F8H
Transmission
Transmitted every
96 clocks
FAH
Song start
FCH
Song stop
FEH
Transmitted every
200 milliseconds
(1) Universal Realtime Message
Data format: [F0H] -> [7FH] -> [XnH] -> [04H] -> [01H] ->
[llH] -> [mmH] -> [F7H]
MIDI Master Volume
• Simultaneously changes the volume of all channels.
• When a MIDI master volume message is received, the volume
only has affect on the MIDI receive channel, not the panel
master volume.
F0H = Exclusive status
7FH = Universal Realtime
7FH = ID of target device
04H = Sub-ID #1=Device Control Message
01H = Sub-ID #2=Master Volume
llH = Volume LSB
mmH = Volume MSB
F7H = End of Exclusive
or
F0H = Exclusive status
7FH = Universal Realtime
XnH = When n is received n=0~F, whichever is received.
X = don’t care
04H = Sub-ID #1=Device Control Message
01H = Sub-ID #2=Master Volume
llH = Volume LSB
mmH = Volume MSB
F7H = End of Exclusive
(2) Universal Non-Realtime Message (GM On)
General MIDI Mode On
Data format: [F0H] -> [7EH] -> [XnH] -> [09H] -> [01H] ->
[F7H]
Reception
Received as 96-clock tempo timing
when MIDI clock is set to External.
Song start
Not received when the MIDI clock is
set to Internal.
Song stop
Not received when the MIDI clock is
set to Internal.
If a signal is not received via MIDI for
more than 400 milliseconds, the same
processing will take place for All
Sound Off, All Notes Off and Reset All
Controllers as when those signals are
received.
• Caution: If an error occurs during MIDI reception, the Damper,
Sostenuto, and Soft effects for all channels are turned off and
an All Note Off occurs.
F0H = Exclusive status
7EH = Universal Non-Realtime
7FH = ID of target device
09H = Sub-ID #1=General MIDI Message
01H = Sub-ID #2=General MIDI On
F7H = End of Exclusive
or
F0H = Exclusive status
7EH = Universal Non-Realtime
XnH = When received, n=0~F.
X = don’t care
09H = Sub-ID #1=General MIDI Message
01H = Sub-ID #2=General MIDI On
F7H = End of Exclusive
When the General MIDI mode ON message is received, the
MIDI system will be reset to its default settings.
This message requires approximately 50ms to execute, so
sufficient time should be allowed before the next message is
sent.
CLP-115 Appendix/Anhang/Annexe/èËÎÓÊÂÌËÂ
35
CLP 115(E).book Page 36 Tuesday, May 13, 2003 6:55 PM
7. SYSTEM EXCLUSIVE MESSAGES (XG Standard)
(1) XG Native Parameter Change
Data format: [F0H] -> [43H] -> [1nH] -> [4CH] -> [hhH] ->
[mmH] -> [llH] -> [ddH] -> [F7H]
F0H = Exclusive status
43H = YAMAHA ID
1nH = When received, n=0~F.
When transmitted, n=0.
4CH = Model ID of XG
hhH = Address High
mmH = Address Mid
llH = Address Low
ddH = Data
|
F7H = End of Exclusive
Data size must match parameter size (2 or 4 bytes).
When the XG System On message is received, the MIDI system will be reset to its default settings.
The message requires approximately 50ms to execute, so
sufficient time should be allowed before the next message is
sent.
(2) XG Native Bulk Data (reception only)
Data format: [F0H] -> [43H] -> [0nH] -> [4CH] -> [aaH] ->
[bbH] -> [hhH] -> [mmH] -> [llH] ->[ddH] ->...->
[ccH] -> [F7H]
F0H = Exclusive status
43H = YAMAHA ID
0nH = When received, n=0~F.
When transmitted, n=0.
4CH = Model ID of XG
aaH = ByteCount
bbH = ByteCount
hhH = Address High
mmH = Address Mid
llH = Address Low
ddH = Data
|
|
|
|
ccH = Check sum
F7H = End of Exclusive
• Receipt of the XG SYSTEM ON message causes reinitialization of relevant parameters and Control Change values. Allow
sufficient time for processing to execute (about 50 msec)
before sending the CLP-115 another message.
• XG Native Parameter Change message may contain two or
four bytes of parameter data (depending on the parameter
size).
• For information about the Address and Byte Count values,
refer to Table 1 below. Note that the table’s Total Size value
gives the size of a bulk block. Only the top address of the
block (00H, 00H, 00H) is valid as a bulk data address.
8. SYSTEM EXCLUSIVE MESSAGES
(Clavinova MIDI Format)
Data format: [F0H] -> [43H] -> [73H] -> [xxH] -> [nnH] -> [F7H]
F0H = Exclusive status
43H = Yamaha ID
73H = Clavinova ID
01H = Product ID (C❑❖ common)
or
7F=
Extended Product ID
24H = Product ID
nnH = Substatus
nn
Control
02H
Internal MIDI clock
03H
External MIDI clock
06H
Bulk Data (the bulk data follows 06H)
F7H = End of Exclusive
* When nn=02H or 03H, Clavinova common ID (01H) is
rec-ognized as well as 75H.
36
CLP-115 Appendix/Anhang/Annexe/èËÎÓÊÂÌËÂ
9. SYSTEM EXCLUSIVE MESSAGES (Special Control)
Data format: [F0H] -> [43H] -> [73H] -> [66H] -> [11H] ->
[0nH] -> [ccH] -> [vvH] -> [F7H]
F0H =
43H =
73H =
7FH =
24H =
11H =
0nH =
cc =
vv =
F7H =
Exclusive status
Yamaha ID
Clavinova ID
Extended Product ID
Product ID
Special control
Control MIDI change (n=channel number)
Control number
Value
End of Exclusive
Control
Metronome
Channel
Always 00H
ccH
1BH
vvH
00H : off
01H : –
02H : 2/4
03H : 3/4
04H : 4/4
05H : 5/4
06H : 6/4
7FH : No accent
Channel Detune ch: 00H-0FH 43H (Sets the Detune value
for each channel)
00H-7FH
Voice Reserve ch: 00H-0FH 45H
00H : Reserve off
7FH : on*
* When Volume, Expression is received for Reserve On, they
will be effective from the next Key On. Reserve Off is normal.
10. SYSTEM EXCLUSIVE MESSAGES (Others)
Data format: [F0H] -> [43H] -> [1nH] -> [27H] -> [30H] -> [00H]
-> [00H] -> [mmH] -> [llH] -> [ccH] -> [F7H]
Master Tuning (XG and last message priority) simultaneously
changes the pitch of all channels.
F0H = Exclusive Status
43H = Yamaha ID
1nH = When received, n=0~F.
When transmitted, n=0.
27H = Model ID of TG100
30H = Sub ID
00H
=
00H
=
mmH = Master Tune MSB
llH = Master Tune LSB
ccH = don’t care (under 7FH)
F7H = End of Exclusive
CLP 115(E).book Page 37 Tuesday, May 13, 2003 6:55 PM
<Table 1>
MIDI Parameter Change table (SYSTEM)
Address (H) Size (H)
Data (H)
00 00 00
4
020C - 05F4(*1)
01
02
03
04
1
05
1
06
1
7E
7F
TOTAL SIZE 07
00 - 7F
—
34 - 4C(*2)
00
00
Parameter
MASTER TUNE
MASTER VOLUME
—
TRANSPOSE
XG SYSTEM ON
RESET ALL PARAMETERS
Description
-50 - +50[cent]
1st bit 3 - 0 ➝ bit 15 - 12
2nd bit 3 - 0 ➝ bit 11 - 8
3rd bit 3 - 0 ➝ bit 7 - 4
4th bit 3 - 0 ➝ bit 3 - 0
0 - 127
Default value (H)
00 04 00 00
400
-12 - +12[semitones]
00=XG system ON
00=ON (receive only)
40
7F
*1: Values lower than 020CH select -50 cents. Values higher than 05F4H select +50 cents.
*2: Values from 28H through 33H are interpreted as -12 through -1. Values from 4DH through 58H are interpreted as +1 through +12.
<Table 2>
MIDI Parameter Change table (EFFECT 1)
Refer to the “Effect MIDI Map” for a complete list of Reverb, Chorus and Variation type numbers.
Address (H)
02 01 00
Size (H)
2
02 01 40
2
Data (H)
00-7F
00-7F
Parameter
REVERB TYPE MSB
REVERB TYPE LSB
00-7F
VARIATION TYPE MSB
00-7F
VARIATION TYPE LSB
• “VARIATION” refers to the EFFECT on the panel.
Description
Refer to Effect MIDI Map
00 : basic type
Default value (H)
01(=HALL1)
00
Refer to Effect MIDI Map
00 : basic type
00(=Effect off)
00
Description
0 - 127
Default value (H)
7F
<Table 3>
MIDI Parameter Change table (MULTI PART)
Address (H) Size (H)
08 nn 11
1
nn = Part Number
Data (H)
00 - 7F
Parameter
DRY LEVEL
• ä‡ÚÓ„‡Ïχ MIDI-˝ÙÙÂÍÚÓ‚
REVERB
ROOM
HALL 1
HALL 2
STAGE
MSB
02H
01H
01H
03H
LSB
10H
10H
11H
10H
MSB
42H
48H
46H
05H
LSB
10H
10H
10H
10H
EFFECT
CHORUS
PHASER
TREMOLO
DELAY
CLP-115 Appendix/Anhang/Annexe/èËÎÓÊÂÌËÂ
37
CLP 115(E).book Page 38 Tuesday, May 13, 2003 6:55 PM
퇷Îˈ‡ ı‡‡ÍÚÂËÒÚËÍ
MIDI-ËÌÚÂÙÂÈÒ‡
퇷Îˈ‡ ı‡‡ÍÚÂËÒÚËÍ MIDI-ËÌÚÂÙÂÈÒ‡
YAMAHA [Clavinova]
Model: CLP-115
Function
Transmitted
Date: 7 Mar, 2003
Version: 1.0
Recognized
Remarks
Basic
Channel
Default
Changed
1
1 - 16
1
1 - 16
Mode
Default
Messages
Altered
3
X
*****************
1
X
X
: True voice
9 - 120
*****************
0 - 127
0 - 127
Velocity
Note ON
Note OFF
O 9nH, v=1 - 127
O 9nH, v=0
O 9nH, v=1 - 127
O 9nH, v=0 or 8nH
After
Touch
Key’s
Ch’s
X
X
X
X
X
X
0, 32
O
O
Bank Select
7
O
O
Volume
11
X
O
Expression
64
O
O
Damper
66
O
O
Sostenuto
67
O
O
Soft pedal
91
O
O
Reverb Depth
94
X
O
Effect Depth
O
*****************
O
O
O
Note
Number
Pitch Bend
Control Change
Program
Change
: True #
System Exclusive
Common
: Song Pos.
: Song Sel.
: Tune
X
X
X
X
X
X
System
Real Time
: Clock
: Commands
O
O
O
O
: All Sound Off
: Reset All Cntrls
: Local ON/OFF
: All Notes OFF
: Active Sense
: Reset
O
O
X
O
O
X
O (120, 126, 127)
O (121)
O (122)
O (123 - 125)
O
X
Aux
Messages
*1
Poly Mode only
Notes : *1 = Recieve Mode is always multi timbre and Poly mode.
Mode 1: OMNI ON, POLY
Mode 3: OMNI OFF, POLY
38
Mode 2: OMNI ON, MONO
Mode 4: OMNI OFF, MONO
CLP-115 Appendix/Anhang/Annexe/èËÎÓÊÂÌËÂ
O : Yes
X : No
CLP 115(E).book Page 39 Tuesday, May 13, 2003 6:55 PM
Specifications / Technische Daten / Caractéristiques
techniques / íÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË
Item
CLP-115
Keyboard
88 keys (A-1 - C7)
Sound Source
AWM Stereo Sampling
Polyphony
32 Notes Max.
Voice Selection
10
Effect
Reverb
Volume
Master Volume
Controls
Dual, Metoronome, Transpose
Pedal
Damper, Sostenuto, Soft
Demo Songs
10 voice Demo Songs, 50 preset Songs
Jacks/Connectors
MIDI (IN/OUT/THRU), PHONES × 2
Main Amplifiers
20W × 2
Speakers
Oval (12cm × 6cm) × 2
Dimensions (W × D × H)
(with music rest)
1345mm × 426mm × 815mm [52-15/16" × 16-3/4" × 32-1/16"]
(1345mm × 426mm × 968mm) [53-15/16" × 16-3/4" × 38-1/8"]
Weight
41kg (90lbs., 6oz)
Accessories
Owner’s Manual, “50 greats for the Piano” (Music Book), Bench (included or optional depending on locale), Quick Operation Guide
* Specifications and descriptions in this owner’s manual are for information purposes only. Yamaha Corp. reserves the right to change
or modify products or specifications at any time without prior notice. Since specifications, equipment or options may not be the
same in every locale, please check with your Yamaha dealer.
* Die technischen Daten und Beschreibungen in dieser Bedienungsanleitung dienen nur der Information. Yamaha Corp. behält sich
das Recht vor, Produkte oder deren technische Daten jederzeit ohne vorherige Ankündigung zu verändern oder zu modifizieren. Da
die technischen Daten, das Gerät selbst oder Sonderzubehör nicht in jedem Land gleich sind, setzen Sie sich im Zweifel bitte mit
Ihrem Yamaha-Händler in Verbindung.
* Les caractéristiques techniques et les descriptions du mode d’emploi ne sont données que pour information. Yamaha Corp. se
réserve le droit de changer ou modifier les produits et leurs caractéristiques techniques à tout moment sans aucun avis. Du fait que
les caractéristiques techniques, les équipements et les options peuvent différer d’un pays à l’autre, adressez-vous au distributeur
Yamaha le plus proche.
* íÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË Ë Ëı ÓÔËÒ‡ÌË ‚ ‰‡ÌÌÓÏ ÛÍÓ‚Ó‰ÒÚ‚Â ÔÓθÁÓ‚‡ÚÂÎfl Ô‰̇Á̇˜ÂÌ˚ ÚÓθÍÓ ‰Îfl
Ó·˘Â„Ó Ò‚Â‰ÂÌËfl. äÓÔÓ‡ˆËfl Yamaha ÒÓı‡ÌflÂÚ Á‡ ÒÓ·ÓÈ Ô‡‚Ó ÏÓ‰ËÙˈËÓ‚‡Ú¸ Ò‚ÓË ËÁ‰ÂÎËfl Ë ÏÂÌflÚ¸ Ëı
ÚÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË ·ÂÁ Ô‰‚‡ËÚÂθÌÓ„Ó Û‚Â‰ÓÏÎÂÌËfl. èÓÒÍÓθÍÛ ÚÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË,
Ó·ÓÛ‰Ó‚‡ÌËÂ Ë Ì‡·Ó ‚ÓÁÏÓÊÌÓÒÚÂÈ ÏÓ„ÛÚ Á‡‚ËÒÂÚ¸ ÓÚ „ËÓ̇, Ó·‡˘‡ÈÚÂÒ¸ Á‡ ËÌÙÓχˆËÂÈ ‚ ÏÂÒÚÌÓÂ
Ô‰ÒÚ‡‚ËÚÂθÒÚ‚Ó ÍÓÔÓ‡ˆËË Yamaha.
CLP-115 Appendix/Anhang/Annexe/èËÎÓÊÂÌËÂ
39
CLP 115(E).book Page 40 Tuesday, May 13, 2003 6:55 PM
MEMO
40
CLP-115 Appendix/Anhang/Annexe/èËÎÓÊÂÌËÂ
CLP 115(E).book Page 41 Tuesday, May 13, 2003 6:55 PM
MEMO
CLP-115 Appendix/Anhang/Annexe/èËÎÓÊÂÌËÂ
41
CLP 115(E).book Page 42 Tuesday, May 13, 2003 6:55 PM
MEMO
42
CLP-115 Appendix/Anhang/Annexe/èËÎÓÊÂÌËÂ
CLP 115(E).book Page 43 Tuesday, May 13, 2003 6:55 PM
IMPORTANT SAFETY INSTRUCTIONS
INFORMATION RELATING TO PERSONAL INJURY, ELECTRICAL SHOCK,
AND FIRE HAZARD POSSIBILITIES HAS BEEN INCLUDED IN THIS LIST.
WARNING- When using any electrical or electronic product,
basic precautions should always be followed. These precautions
include, but are not limited to, the following:
1.
Read all Safety Instructions, Installation Instructions, Special Message Section items, and any Assembly Instructions
found in this manual BEFORE making any connections, including connection to the main supply.
2.
Main Power Supply Verification: Yamaha products are
manufactured specifically for the supply voltage in the area
where they are to be sold. If you should move, or if any doubt
exists about the supply voltage in your area, please contact your
dealer for supply voltage verification and (if applicable) instructions. The required supply voltage is printed on the name plate.
For name plate location, please refer to the graphic found in the
Special Message Section of this manual.
3.
This product may be equipped with a polarized plug (one
blade wider than the other). If you are unable to insert the plug
into the outlet, turn the plug over and try again. If the problem
persists, contact an electrician to have the obsolete outlet
replaced. Do NOT defeat the safety purpose of the plug.
4.
Some electronic products utilize external power supplies
or adapters. Do NOT connect this type of product to any power
supply or adapter other than one described in the owners manual,
on the name plate, or specifically recommended by Yamaha.
5.
WARNING: Do not place this product or any other
objects on the power cord or place it in a position where anyone
could walk on, trip over, or roll anything over power or connecting cords of any kind. The use of an extension cord is not recommended! If you must use an extension cord, the minimum wire
size for a 25’ cord (or less) is 18 AWG. NOTE: The smaller the
AWG number, the larger the current handling capacity. For
longer extension cords, consult a local electrician.
6.
Ventilation: Electronic products, unless specifically
designed for enclosed installations, should be placed in locations
that do not interfere with proper ventilation. If instructions for
enclosed installations are not provided, it must be assumed that
unobstructed ventilation is required.
7.
Temperature considerations: Electronic products should
be installed in locations that do not significantly contribute to
their operating temperature. Placement of this product close to
heat sources such as; radiators, heat registers and other devices
that produce heat should be avoided.
8.
This product was NOT designed for use in wet/damp locations and should not be used near water or exposed to rain.
Examples of wet/damp locations are; near a swimming pool,
spa, tub, sink, or wet basement.
9.
This product should be used only with the components
supplied or; a cart, rack, or stand that is recommended by the
manufacturer. If a cart, rack, or stand is used, please observe all
safety markings and instructions that accompany the accessory
product.
10.
The power supply cord (plug) should be disconnected
from the outlet when electronic products are to be left unused for
extended periods of time. Cords should also be disconnected
when there is a high probability of lightning and/or electrical
storm activity.
11. Care should be taken that objects do not fall and liquids are
not spilled into the enclosure through any openings that may exist.
12.
Electrical/electronic products should be serviced by a
qualified service person when:
a. The power supply cord has been damaged; or
b. Objects have fallen, been inserted, or liquids have been
spilled into the enclosure through openings; or
c. The product has been exposed to rain: or
d. The product dose not operate, exhibits a marked change
in performance; or
e. The product has been dropped, or the enclosure of the
product has been damaged.
13. Do not attempt to service this product beyond that
described in the user-maintenance instructions. All other servicing should be referred to qualified service personnel.
14.
This product, either alone or in combination with an
amplifier and headphones or speaker/s, may be capable of producing sound levels that could cause permanent hearing loss.
DO NOT operate for a long period of time at a high volume level
or at a level that is uncomfortable. If you experience any hearing
loss or ringing in the ears, you should consult an audiologist.
IMPORTANT: The louder the sound, the shorter the time period
before damage occurs.
15.
Some Yamaha products may have benches and/or accessory
mounting fixtures that are either supplied as a part of the product
or as optional accessories. Some of these items are designed to be
dealer assembled or installed. Please make sure that benches are
stable and any optional fixtures (where applicable) are well
secured BEFORE using. Benches supplied by Yamaha are
designed for seating only. No other uses are recommended.
PLEASE KEEP THIS MANUAL
92-469-2
CLP 115(E).book Page 44 Tuesday, May 13, 2003 6:55 PM
FCC INFORMATION (U.S.A.)
1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!
This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by
Yamaha may void your authority, granted by the FCC, to
use the product.
2. IMPORTANT: When connecting this product to accessories and/or another product use only high quality
shielded cables. Cable/s supplied with this product
MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA.
3. NOTE: This product has been tested and found to comply with the requirements listed in FCC Regulations,
Part 15 for Class “B” digital devices. Compliance with
these requirements provides a reasonable level of
assurance that your use of this product in a residential
environment will not result in harmful interference with
other electronic devices. This equipment generates/
uses radio frequencies and, if not installed and used
according to the instructions found in the users manual,
may cause interference harmful to the operation of
other electronic devices. Compliance with FCC regulations does not guarantee that interference will not occur
in all installations. If this product is found to be the
source of interference, which can be determined by
turning the unit “OFF” and “ON”, please try to eliminate
the problem by using one of the following measures:
Relocate either this product or the device that is being
affected by the interference.
Utilize power outlets that are on different branch (circuit
breaker or fuse) circuits or install AC line filter/s.
In the case of radio or TV interference, relocate/reorient
the antenna. If the antenna lead-in is 300 ohm ribbon
lead, change the lead-in to co-axial type cable.
If these corrective measures do not produce satisfactory results, please contact the local retailer authorized
to distribute this type of product. If you can not locate
the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service Division, 6600
Orangethorpe Ave, Buena Park, CA90620
The above statements apply ONLY to those products
distributed by Yamaha Corporation of America or its
subsidiaries.
* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA.
IMPORTANT NOTICE FOR THE UNITED KINGDOM
Connecting the Plug and Cord
IMPORTANT. The wires in this mains lead are coloured in
accordance with the following code:
BLUE
: NEUTRAL
BROWN : LIVE
As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured makings identifying the terminals in your plug proceed as follows:
The wire which is coloured BLUE must be connected to
the terminal which is marked with the letter N or coloured
BLACK.
The wire which is coloured BROWN must be connected to
the terminal which is marked with the letter L or coloured
RED.
Making sure that neither core is connected to the earth terminal of the three pin plug.
(2 wires)
• This applies only to products distributed by Yamaha-Kemble Music
(U.K.) Ltd.
CAUTION: TO PREVENT ELECTRIC SHOCK, MATCH
WIDE BLADE OF PLUG TO WIDE SLOT, FULLY INSERT.
ATTENTION: POUR ÉVITER LES CHOCS ÉLECTRIQUES, INTRODUIRE LA LAME LA PLUS LARGE DE
LA FICHE DANS LA BORNE CORRESPONDANTE DE LA
PRISE ET POUSSER JUSQU’AU FOND.
(polarity)
• This applies only to products distributed by Yamaha Canada Music
Ltd.
• Ceci ne s’applique qu’aux produits distribués par Yamaha Canada
Musique Ltée.
(class B)
CLP 115(E).book Page 45 Tuesday, May 13, 2003 6:55 PM
For details of products, please contact your nearest Yamaha
representative or the authorized distributor listed below.
Pour plus de détails sur les produits, veuillez-vous adresser à Yamaha ou
au distributeur le plus proche de vous figurant dans la liste suivante.
NORTH AMERICA
CANADA
Yamaha Canada Music Ltd.
135 Milner Avenue, Scarborough, Ontario,
M1S 3R1, Canada
Tel: 416-298-1311
U.S.A.
Yamaha Corporation of America
6600 Orangethorpe Ave., Buena Park, Calif. 90620,
U.S.A.
Tel: 714-522-9011
CENTRAL & SOUTH AMERICA
MEXICO
Yamaha de Mexico S.A. De C.V.,
Departamento de ventas
Javier Rojo Gomez No.1149, Col. Gpe Del
Moral, Deleg. Iztapalapa, 09300 Mexico, D.F.
Tel: 686-00-33
BRAZIL
Yamaha Musical do Brasil LTDA.
Av. Rebouças 2636, São Paulo, Brasil
Tel: 011-853-1377
ARGENTINA
Yamaha Music Latin America, S.A.
Sucursal de Argentina
Viamonte 1145 Piso2-B 1053,
Buenos Aires, Argentina
Tel: 1-4371-7021
PANAMA AND OTHER LATIN
AMERICAN COUNTRIES/
CARIBBEAN COUNTRIES
Yamaha Music Latin America, S.A.
Torre Banco General, Piso 7, Urbanización Marbella,
Calle 47 y Aquilino de la Guardia,
Ciudad de Panamá, Panamá
Tel: +507-269-5311
EUROPE
THE UNITED KINGDOM
Yamaha-Kemble Music (U.K.) Ltd.
Sherbourne Drive, Tilbrook, Milton Keynes,
MK7 8BL, England
Tel: 01908-366700
IRELAND
Danfay Ltd.
61D, Sallynoggin Road, Dun Laoghaire, Co. Dublin
Tel: 01-2859177
GERMANY
Yamaha Music Central Europe GmbH
Siemensstraße 22-34, 25462 Rellingen, Germany
Tel: 04101-3030
SWITZERLAND/LIECHTENSTEIN
Yamaha Music Central Europe GmbH,
Branch Switzerland
Seefeldstrasse 94, 8008 Zürich, Switzerland
Tel: 01-383 3990
AUSTRIA
Yamaha Music Central Europe GmbH,
Branch Austria
Schleiergasse 20, A-1100 Wien, Austria
Tel: 01-60203900
THE NETHERLANDS
Yamaha Music Central Europe,
Branch Nederland
Clarissenhof 5-b, 4133 AB Vianen, The Netherlands
Tel: 0347-358 040
Die Einzelheiten zu Produkten sind bei Ihrer unten aufgeführten
Niederlassung und bei Yamaha Vertragshändlern in den jeweiligen
Bestimmungsländern erhältlich.
ᇠÔÓ‰Ó·Ì˚ÏË Ò‚Â‰ÂÌËflÏË Ó· ËÌÒÚÛÏÂÌÚ ӷ‡˘‡ÈÚÂÒ¸
‚ ·ÎËʇȯ Ô‰ÒÚ‡‚ËÚÂθÒÚ‚Ó ÍÓÔÓ‡ˆËË Yamaha ËÎË
Í ‡‚ÚÓËÁÓ‚‡ÌÌÓÏÛ ‰ËÒÚË·¸˛ÚÓÛ, Û͇Á‡ÌÌÓÏÛ ÌËÊÂ.
ASIA
BELGIUM/LUXEMBOURG
Yamaha Music Central Europe GmbH,
Branch Belgium
Rue de Geneve (Genevastraat) 10, 1140 - Brussels,
Belgium
Tel: 02-726 6032
FRANCE
Yamaha Musique France, S.A.
Division Professionnelle
BP 70-77312 Marne-la-Vallée Cedex 2, France
Tel: 01-64-61-4000
ITALY
Yamaha Musica Italia S.P.A.
Combo Division
Viale Italia 88, 20020 Lainate (Milano), Italy
Tel: 02-935-771
SPAIN/PORTUGAL
Yamaha-Hazen Música, S.A.
Ctra. de la Coruna km. 17, 200, 28230
Las Rozas (Madrid), Spain
Tel: 91-639-8888
GREECE
Philippos Nakas S.A. The Music House
147 Skiathou Street, 112-55 Athens, Greece
Tel: 01-228 2160
SWEDEN
Yamaha Scandinavia AB
J. A. Wettergrens Gata 1
Box 30053
S-400 43 Göteborg, Sweden
Tel: 031 89 34 00
HONG KONG
Tom Lee Music Co., Ltd.
11/F., Silvercord Tower 1, 30 Canton Road,
Tsimshatsui, Kowloon, Hong Kong
Tel: 2737-7688
INDONESIA
PT. Yamaha Music Indonesia (Distributor)
PT. Nusantik
Gedung Yamaha Music Center, Jalan Jend. Gatot
Subroto Kav. 4, Jakarta 12930, Indonesia
Tel: 21-520-2577
KOREA
Yamaha Music Korea Ltd.
Tong-Yang Securities Bldg. 16F 23-8 Yoido-dong,
Youngdungpo-ku, Seoul, Korea
Tel: 02-3770-0661
MALAYSIA
Yamaha Music Malaysia, Sdn., Bhd.
Lot 8, Jalan Perbandaran, 47301 Kelana Jaya,
Petaling Jaya, Selangor, Malaysia
Tel: 3-703-0900
PHILIPPINES
Yupangco Music Corporation
339 Gil J. Puyat Avenue, P.O. Box 885 MCPO,
Makati, Metro Manila, Philippines
Tel: 819-7551
SINGAPORE
Yamaha Music Asia Pte., Ltd.
11 Ubi Road #06-00, Meiban Industrial Building,
Singapore
Tel: 65-747-4374
DENMARK
YS Copenhagen Liaison Office
Generatorvej 8B
DK-2730 Herlev, Denmark
Tel: 44 92 49 00
FINLAND
F-Musiikki Oy
Kluuvikatu 6, P.O. Box 260,
SF-00101 Helsinki, Finland
Tel: 09 618511
TAIWAN
Yamaha KHS Music Co., Ltd.
3F, #6, Sec.2, Nan Jing E. Rd. Taipei.
Taiwan 104, R.O.C.
Tel: 02-2511-8688
THAILAND
NORWAY
Norsk filial av Yamaha Scandinavia AB
Grini Næringspark 1
N-1345 Østerås, Norway
Tel: 67 16 77 70
ICELAND
Skifan HF
Skeifan 17 P.O. Box 8120
IS-128 Reykjavik, Iceland
Tel: 525 5000
Siam Music Yamaha Co., Ltd.
121/60-61 RS Tower 17th Floor,
Ratchadaphisek RD., Dindaeng,
Bangkok 10320, Thailand
Tel: 02-641-2951
THE PEOPLE’S REPUBLIC OF CHINA
AND OTHER ASIAN COUNTRIES
Yamaha Corporation,
Asia-Pacific Music Marketing Group
Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650
Tel: +81-53-460-2317
OCEANIA
OTHER EUROPEAN COUNTRIES
Yamaha Music Central Europe GmbH
Siemensstraße 22-34, 25462 Rellingen, Germany
Tel: +49-4101-3030
AFRICA
Yamaha Corporation,
Asia-Pacific Music Marketing Group
Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650
Tel: +81-53-460-2312
MIDDLE EAST
TURKEY/CYPRUS
Yamaha Music Central Europe GmbH
Siemensstraße 22-34, 25462 Rellingen, Germany
Tel: 04101-3030
AUSTRALIA
Yamaha Music Australia Pty. Ltd.
Level 1, 99 Queensbridge Street, Southbank,
Victoria 3006, Australia
Tel: 3-9693-5111
NEW ZEALAND
Music Houses of N.Z. Ltd.
146/148 Captain Springs Road, Te Papapa,
Auckland, New Zealand
Tel: 9-634-0099
COUNTRIES AND TRUST
TERRITORIES IN PACIFIC OCEAN
Yamaha Corporation,
Asia-Pacific Music Marketing Group
Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650
Tel: +81-53-460-2312
OTHER COUNTRIES
Yamaha Music Gulf FZE
LB21-128 Jebel Ali Freezone
P.O.Box 17328, Dubai, U.A.E.
Tel: +971-4-881-5868
HEAD OFFICE Yamaha Corporation, Pro Audio & Digital Musical Instrument Division
Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650
Tel: +81-53-460-3273
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