Yamaha CLP-240 Specifications

CLP240E.book Page 1 Wednesday, April 6, 2005 4:02 PM
CLP-240/230
êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
C1
CLP240E.book Page 2 Wednesday, April 6, 2005 4:02 PM
ǂ‰ÂÌËÂ
SPECIAL MESSAGE SECTION
PRODUCT SAFETY MARKINGS: Yamaha electronic
products may have either labels similar to the graphics
shown below or molded/stamped facsimiles of these
graphics on the enclosure. The explanation of these
graphics appears on this page. Please observe all cautions
indicated on this page and those indicated in the safety
instruction section.
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK.
DO NOT REMOVE COVER (OR BACK).
NO USER-SERVICEABLE PARTS INSIDE.
REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
See bottom of Keyboard enclosure for graphic symbol markings
The exclamation point within the
equilateral triangle is intended to alert
the user to the presence of important
operating and maintenance (servicing) instructions in the literature
accompanying the product.
The lightning flash with arrowhead
symbol, within the equilateral triangle, is intended to alert the user to the
presence of uninsulated “dangerous
voltage” within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electrical
shock.
Battery Notice: This product MAY contain a small non-
rechargable battery which (if applicable) is soldered in
place. The average life span of this type of battery is
approximately five years. When replacement becomes
necessary, contact a qualified service representative to
perform the replacement.
Warning: Do not attempt to recharge, disassemble, or
incinerate this type of battery. Keep all batteries away
from children. Dispose of used batteries promptly and as
regulated by applicable laws. Note: In some areas, the
servicer is required by law to return the defective parts.
However, you do have the option of having the servicer
dispose of these parts for you.
Disposal Notice: Should this product become damaged
beyond repair, or for some reason its useful life is considered to be at an end, please observe all local, state, and
federal regulations that relate to the disposal of products
that contain lead, batteries, plastics, etc.
NOTICE: Service charges incurred due to lack of knowledge relating to how a function or effect works (when the
unit is operating as designed) are not covered by the manufacturer’s warranty, and are therefore the owners responsibility. Please study this manual carefully and consult
your dealer before requesting service.
NAME PLATE LOCATION: The graphic below indi-
cates the location of the name plate. The model number,
serial number, power requirements, etc., are located on
this plate. You should record the model number, serial
number, and the date of purchase in the spaces provided
below and retain this manual as a permanent record of
your purchase.
IMPORTANT NOTICE: All Yamaha electronic products
are tested and approved by an independent safety testing
laboratory in order that you may be sure that when it is
properly installed and used in its normal and customary
manner, all foreseeable risks have been eliminated. DO
NOT modify this unit or commission others to do so
unless specifically authorized by Yamaha. Product performance and/or safety standards may be diminished.
Claims filed under the expressed warranty may be denied
if the unit is/has been modified. Implied warranties may
also be affected.
SPECIFICATIONS SUBJECT TO CHANGE: The
information contained in this manual is believed to be
correct at the time of printing. However, Yamaha reserves
the right to change or modify any of the specifications
without notice or obligation to update existing units.
ENVIRONMENTAL ISSUES: Yamaha strives to produce products that are both user safe and environmentally
friendly. We sincerely believe that our products and the
production methods used to produce them, meet these
goals. In keeping with both the letter and the spirit of the
law, we want you to be aware of the following:
92-469 1
CLP-240/230
Model
Serial No.
Purchase Date
CLP240E.book Page 3 Wednesday, April 6, 2005 4:02 PM
Å·„Ó‰‡ËÏ Á‡ ÔÓÍÛÔÍÛ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova ÍÓÔÓ‡ˆËË Yamaha! ÇÌËχÚÂθÌÓ
ÔÓ˜ËÚ‡ÈÚ ˝ÚÓ ÛÍÓ‚Ó‰ÒÚ‚Ó, ˜ÚÓ·˚ ÔÓÎÌÓÒÚ¸˛ ËÒÔÓθÁÓ‚‡Ú¸ ·Ó„‡Ú˚È Ì‡·Ó Û‰Ó·Ì˚ı ÙÛÌ͈ËÈ
ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova.
å˚ Ú‡ÍÊ ÂÍÓÏẨÛÂÏ Ì ÚÂflÚ¸ ˝ÚÓ ÛÍÓ‚Ó‰ÒÚ‚Ó Ë ‰Âʇڸ Â„Ó ÔÓ‰ ÛÍÓÈ ‰Îfl ‰‡Î¸ÌÂȯ„Ó
ËÒÔÓθÁÓ‚‡ÌËfl.
é· ˝ÚÓÏ ÛÍÓ‚Ó‰ÒÚ‚Â ÔÓθÁÓ‚‡ÚÂÎfl
êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl ÒÓÒÚÓËÚ ËÁ ÚÂı ÓÒÌÓ‚Ì˚ı ‡Á‰ÂÎÓ‚: «Ç‚‰ÂÌË», «ëÔ‡‚Ó˜Ì˚Â
χÚÂˇÎ˚» Ë «èËÎÓÊÂÌË».
ǂ‰ÂÌË (ÒÚ. 2):
ë ˝ÚËÏ ‡Á‰ÂÎÓÏ ÒΉÛÂÚ ÓÁ̇ÍÓÏËÚ¸Òfl ‚ ÔÂ‚Û˛ Ó˜Â‰¸.
ëÔ‡‚Ó˜Ì˚ χÚ¡Î˚ (ÒÚ. 13):
ùÚÓÚ ‡Á‰ÂÎ ÒÓ‰ÂÊËÚ ÔÓ‰Ó·Ì˚ ҂‰ÂÌËfl Ó ÚÓÌÍÓÈ Ì‡ÒÚÓÈÍ ‡Á΢Ì˚ı ÙÛÌ͈ËÈ ËÌÒÚÛÏÂÌÚ‡.
èËÎÓÊÂÌË (ÒÚ. 77):
Ç ˝ÚÓÏ ‡Á‰ÂΠÒÓ‰ÂʇÚÒfl ÒÔ‡‚Ó˜Ì˚ χÚÂˇÎ˚.
* åÓ‰Âθ CLP-240/230 ‚ ˝ÚÓÏ ÛÍÓ‚Ó‰ÒÚ‚Â ÔÓθÁÓ‚‡ÚÂÎfl Ó·ÓÁ̇˜‡ÂÚÒfl Í‡Í «CLP/Clavinova».
* àÎβÒÚ‡ˆËË Ë ÒÌËÏÍË Üä-˝Í‡ÌÓ‚ Ô˂‰ÂÌ˚ ‚ ÛÍÓ‚Ó‰ÒÚ‚Â ÔÓθÁÓ‚‡ÚÂÎfl ÚÓθÍÓ ‚ ͇˜ÂÒÚ‚Â ÔËÏÂÓ‚,
‚ ‰ÂÈÒÚ‚ËÚÂθÌÓÒÚË ‚Ò ÏÓÊÂÚ ‚˚„Îfl‰ÂÚ¸ ÌÂÒÍÓθÍÓ Ë̇˜Â.
* êËÒÛÌÍË Ô‡ÌÂÎÂÈ ‚ ‰‡ÌÌÓÏ ÛÍÓ‚Ó‰ÒÚ‚Â ÔÓθÁÓ‚‡ÚÂÎfl ÒÓÓÚ‚ÂÚÒÚ‚Û˛Ú ÏÓ‰ÂÎË CLP-240.
* äÓÔËÓ‚‡ÌË ÒÂËÈÌÓ„Ó ÔÓ„‡ÏÏÌÓ„Ó Ó·ÂÒÔ˜ÂÌËfl Ë ÏÛÁ˚͇θÌ˚ı ‰‡ÌÌ˚ı ‡Á¯ÂÌÓ ËÒÍβ˜ËÚÂθÌÓ ‰Îfl
΢ÌÓ„Ó ÔÓθÁÓ‚‡ÌËfl.
ìÇÖÑéåãÖçàÖ éÅ ÄÇíéêëäàï èêÄÇÄï
Ç ˝ÚÓÏ ÔÓ‰ÛÍÚ ӷ˙‰ËÌÂÌ˚ ÍÓÏÔ¸˛ÚÂÌ˚ ÔÓ„‡ÏÏ˚ Ë ÒÓ‰ÂÊËÏÓÂ, ‡‚ÚÓÒÍË Ô‡‚‡ ̇ ÍÓÚÓ˚Â
ÔË̇‰ÎÂÊ‡Ú ÍÓÔÓ‡ˆËË Yamaha ËÎË Ô‡‚Ó ËÒÔÓθÁÓ‚‡ÌËfl ÍÓÚÓ˚ı ÔÓÎÛ˜ÂÌÓ ÔÓ ÎˈÂÌÁËË ÓÚ ‰Û„Ëı ÙËÏ.
ä Ú‡ÍËÏ Ï‡ÚÂˇ·Ï, Á‡˘Ë˘ÂÌÌ˚Ï ‡‚ÚÓÒÍËÏË Ô‡‚‡ÏË, ÓÚÌÓÒflÚÒfl ‚Ò ·ÂÁ ËÒÍβ˜ÂÌËfl ÍÓÏÔ¸˛ÚÂÌ˚Â
ÔÓ„‡ÏÏ˚, Ù‡ÈÎ˚ MIDI Ë Ú.‰. ã˛·Ó ÌÂÒ‡Ì͈ËÓÌËÓ‚‡ÌÌÓ ËÒÔÓθÁÓ‚‡ÌË ڇÍËı ÔÓ„‡ÏÏ Ë ÒÓ‰ÂÊËÏÓ„Ó,
‚˚ıÓ‰fl˘Â Á‡ ‡ÏÍË Î˘ÌÓ„Ó ÔÓθÁÓ‚‡ÌËfl, Á‡Ô¢ÂÌÓ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÏË Á‡ÍÓ̇ÏË. ã˛·Ó ̇Û¯ÂÌËÂ
‡‚ÚÓÒÍËı Ô‡‚ ÔÂÒΉÛÂÚÒfl ÔÓ Á‡ÍÓÌÛ. çÖ ëéáÑÄÇÄâíÖ, çÖ êÄëèêéëíêÄçüâíÖ à çÖ
àëèéãúáìâíÖ çÖáÄäéççõÖ äéèàà.
íÓ‚‡Ì˚ Á̇ÍË:
•Apple Ë Macintosh fl‚Îfl˛ÚÒfl ÚÓ‚‡Ì˚ÏË Á͇̇ÏË ÍÓÔÓ‡ˆËË Apple Computer, Inc.
•Windows fl‚ÎflÂÚÒfl Á‡„ËÒÚËÓ‚‡ÌÌ˚Ï ÚÓ‚‡Ì˚Ï Á̇ÍÓÏ ÍÓÔÓ‡ˆËË Microsoft®.
•SmartMedia fl‚ÎflÂÚÒfl Á‡„ËÒÚËÓ‚‡ÌÌ˚Ï ÚÓ‚‡Ì˚Ï Á̇ÍÓÏ ÍÓÔÓ‡ˆËË Toshiba.
•ÇÒ ÓÒڇθÌ˚ ÚÓ‚‡Ì˚ Á̇ÍË fl‚Îfl˛ÚÒfl ÒÓ·ÒÚ‚ÂÌÌÓÒÚ¸˛ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ëı ‚·‰ÂθˆÂ‚.
ÑÓÔÓÎÌËÚÂθÌ˚ ÔË̇‰ÎÂÊÌÓÒÚË
• äÓÎÎÂ͈Ëfl Ô‡ÚËÚÛ «50 greats for the Piano»
• êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
Ç ˝ÚÓÏ ÛÍÓ‚Ó‰ÒÚ‚Â ÒÓ‰ÂʇÚÒfl ÔÓÎÌ˚ ËÌÒÚÛ͈ËË ÔÓ ‡·ÓÚÂ Ò ˆËÙÓ‚˚Ï ÔˇÌËÌÓ Clavinova.
• ÑÓÔÓÎÌËÚÂθÌ˚È ÍÓÏÔ‡ÍÚ-‰ËÒÍ ‰Îfl Windows
• ÑÓÔÓÎÌËÚÂθÌ˚È ÍÓÏÔ‡ÍÚ-‰ËÒÍ Ò ÛÍÓ‚Ó‰ÒÚ‚ÓÏ ÔÓ ÛÒÚ‡ÌÓ‚Í Windows
• ë͇ÏÂÈ͇
Ç Á‡‚ËÒËÏÓÒÚË ÓÚ ÏÂÒÚ‡ ÔÓÍÛÔÍË Ò͇ÏÂÈ͇ ÏÓÊÂÚ ‚ıÓ‰ËÚ¸ ËÎË Ì ‚ıÓ‰ËÚ¸ ‚ ÍÓÏÔÎÂÍÚ.
ç‡ÒÚÓÈ͇
Ç ÓÚ΢ˠÓÚ ‡ÍÛÒÚ˘ÂÒÍÓ„Ó ÔˇÌËÌÓ ˆËÙÓ‚Ó ÔˇÌËÌÓ Clavinova ̇ÒÚ‡Ë‚‡Ú¸ Ì ̇‰Ó.
éÌÓ ‚Ò„‰‡ ̇ÒÚÓÂÌÓ.
í‡ÌÒÔÓÚËӂ͇
èË ÔÂÂÂÁ‰Â ÔˇÌËÌÓ Clavinova ÏÓÊÌÓ ÔÂ‚ÓÁËÚ¸ ‚ÏÂÒÚÂ Ò ‰Û„ËÏË ‚¢‡ÏË.
èÂÂÏ¢‡Ú¸ ËÌÒÚÛÏÂÌÚ ÏÓÊÌÓ Í‡Í ‚ ÒÓ·‡ÌÌÓÏ, Ú‡Í Ë ‚ ‡ÁÓ·‡ÌÌÓÏ ‚ˉÂ.
ä·‚ˇÚÛÛ ÒΉÛÂÚ Ú‡ÌÒÔÓÚËÓ‚‡Ú¸ ‚ „ÓËÁÓÌڇθÌÓÏ ÔÓÎÓÊÂÌËË. ç ÔËÒÎÓÌflÈÚ ÂÂ Í ÒÚÂÌÂ
Ë Ì ÒÚ‡‚¸Ú ̇ ·ÓÍ. ç ÔÓ‰‚Â„‡ÈÚ ËÌÒÚÛÏÂÌÚ ˜ÂÁÏÂÌÓÈ ‚Ë·‡ˆËË ËÎË ÒËθÌ˚Ï Û‰‡‡Ï.
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
3
CLP240E.book Page 4 Wednesday, April 6, 2005 4:02 PM
ëÓ‰ÂʇÌËÂ
ǂ‰ÂÌËÂ
é· ˝ÚÓÏ ÛÍÓ‚Ó‰ÒÚ‚Â ÔÓθÁÓ‚‡ÚÂÎfl ............................... 3
ÑÓÔÓÎÌËÚÂθÌ˚ ÔË̇‰ÎÂÊÌÓÒÚË ................................. 3
ëÔËÒÓÍ Á‡‰‡˜ ........................................................................ 5
è‡ÌÂθ ÛÔ‡‚ÎÂÌËfl Ë ‡Á˙ÂÏ˚......................................... 8
èÓ‰„ÓÚӂ͇ Í ‡·ÓÚ ........................................................ 10
ä˚¯Í‡ Í·‚ˇÚÛ˚ ............................................ 10
è˛ÔËÚ ................................................................ 10
ëÍÓ·ÍË-Ó„‡Ì˘ËÚÂÎË ‰Îfl ÌÓÚ (CLP-240).......... 10
ÇÍβ˜ÂÌË ÔËÚ‡ÌËfl............................................. 11
ê„ÛÎËӂ͇ „ÓÏÍÓÒÚË ....................................... 12
ç‡Û¯ÌËÍË ............................................................ 12
Ç˚Íβ˜‡ÚÂθ ‰Ë̇ÏË͇....................................... 12
ÇÓÒÔÓËÁ‚‰ÂÌË ÔÓθÁÓ‚‡ÚÂθÒÍËı
Ë ‚̯ÌËı ÏÂÎÓ‰ËÈ..............................................41
ÇÓÒÔÓËÁ‚‰ÂÌË ÔÓθÁÓ‚‡ÚÂθÒÍËı Ù‡ÈÎÓ‚ Ò
USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËfl ‰‡ÌÌ˚ı (CLP-240)....42
ÇÓÒÔÓËÁ‚‰ÂÌË ÏÂÎÓ‰ËÈ SMF Ë ‚̯ÌËı
ÏÂÎÓ‰ËÈ Ò USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËfl ‰‡ÌÌ˚ı
(CLP-240)..............................................................43
èÓÎÂÁÌ˚ ÙÛÌ͈ËË ‚ÓÒÔÓËÁ‚‰ÂÌËfl.................43
ç‡ÒÚÓÈÍË – ÍÌÓÔ͇ [FUNCTION]..................................... 44
à„‡ Ó‰ÌÓÈ ÛÍÓÈ Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ
50 ‚ÒÚÓÂÌÌ˚ı ÏÂÎÓ‰ËÈ (ÙÛÌ͈Ëfl
ÓÚÍβ˜ÂÌËfl Ô‡ÚËË Ó‰ÌÓÈ ÛÍË) ........................ 17
îÛÌ͈Ëfl ÔÓ‚ÚÓ‡ A-B ‰Îfl 50 ‚ÒÚÓÂÌÌ˚ı
ÏÂÎÓ‰ËÈ ................................................................ 18
éÒÌÓ‚Ì˚ ‰ÂÈÒÚ‚Ëfl ‚ ÂÊËÏ Function ..............45
éÔËÒ‡ÌË ÙÛÌ͈ËÈ ..............................................47
F1. íÓÌ͇fl ̇ÒÚÓÈ͇ ‚˚ÒÓÚ˚ Á‚Û͇ .............47
F2. Ç˚·Ó ÒÚÓfl .............................................48
F3. îÛÌ͈ËË ‚ ÂÊËÏ ̇ÎÓÊÂÌËfl ÚÂÏ·Ó‚.49
F4. (CLP-240) îÛÌ͈ËË ÂÊËχ
‡Á‰ÂÎÂÌËfl ÚÂÏ·Ó‚.................................50
F5. (CLP-240) / F4. (CLP-230)
ÑÛ„Ë ÙÛÌ͈ËË ......................................51
F6. (CLP-240) / F5. (CLP-230)
ÉÓÏÍÓÒÚ¸ ÏÂÚÓÌÓχ .............................52
F7. (CLP-240) / F6. (CLP-230)
ÉÓÏÍÓÒÚ¸ ÓÚÍβ˜ÂÌÌÓÈ
Ô‡ÚËË ÏÂÎÓ‰ËË.......................................52
F8. (CLP-240) / F7. (CLP-230)
îÛÌ͈ËË MIDI........................................52
F9. (CLP-240) / F8. (CLP-230)
îÛÌ͈ËË ÒÓı‡ÌÂÌËfl..............................55
F9.5 (CLP-240)/ F8.5 (CLP-230)
燷Ó ÒËÏ‚ÓÎÓ‚ ......................................55
Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÚÂÏ·Ó‚.............................. 19
èÓ‰Íβ˜ÂÌËÂ...................................................................... 56
Ç˚·Ó ÚÂÏ·Ó‚ ..................................................... 19
àÒÔÓθÁÓ‚‡ÌË Ô‰‡ÎÂÈ ...................................... 20
ÑÓ·‡‚ÎÂÌËÂ Í Á‚ÛÍÛ ‚‡ˇˆËÈ – [VARIATION]
(CLP-240)/[BRILLIANCE]/[REVERB]/
[EFFECT]/[DDE] (CLP-240) .............................. 21
óÛ‚ÒÚ‚ËÚÂθÌÓÒÚ¸ Í ÒËΠ̇ʇÚËfl – ÍÌÓÔ͇
[TOUCH].............................................................. 23
í‡ÌÒÔÓÌËÓ‚‡ÌË – ÍÌÓÔ͇ [TRANSPOSE] .... 24
ç‡ÎÓÊÂÌË ÚÂÏ·Ó‚ (ÂÊËÏ Dual)...................... 25
ê‡Á‰ÂÎÂÌË Í·‚ˇÚÛ˚ Ë ÚÂÏ·Ó‚ (ÂÊËÏ Split)
(CLP-240) ............................................................. 26
àÒÔÓθÁÓ‚‡ÌË ÏÂÚÓÌÓχ.................................. 28
ê‡Á˙ÂÏ˚ ................................................................56
èÓ‰Íβ˜ÂÌËÂ Í USB-ÛÒÚÓÈÒÚ‚Û ı‡ÌÂÌËfl
‰‡ÌÌ˚ı (CLP-240) ................................................58
èÓ‰Íβ˜ÂÌË ÔÂÒÓ̇θÌÓ„Ó ÍÓÏÔ¸˛ÚÂ‡.........60
ëÔ‡‚Ó˜ÌËÍ
èÓÒÎۯ˂‡ÌË ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÏÂÎÓ‰ËÈ ............ 14
èÓÒÎۯ˂‡ÌË 50 ‚ÒÚÓÂÌÌ˚ı ÏÂÎÓ‰ËÈ ‰Îfl
ÙÓÚÂÔ¸flÌÓ ........................................................................ 15
á‡ÔËÒ¸ ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ËÒÔÓÎÌÂÌËfl................................. 29
Å˚ÒÚ‡fl Á‡ÔËÒ¸ ËÒÔÓÎÌÂÌËfl ............................... 29
èÂÂÁ‡ÔËÒ¸ ‡Ì Á‡ÔËÒ‡ÌÌÓÈ ÏÂÎÓ‰ËË ............. 31
á‡ÔËÒ¸ Ô‡‚ÓÈ Ë Î‚ÓÈ Ô‡ÚËË ............................ 32
àÁÏÂÌÂÌË ̇˜‡Î¸Ì˚ı ̇ÒÚÓÂÍ
(‰‡ÌÌ˚ı, Á‡ÔËÒ˚‚‡ÂÏ˚ı ‚ ̇˜‡Î ÏÂÎÓ‰ËË) ....... 34
ꇷÓÚ‡ Ò ÏÂÎÓ‰ËflÏË Ò ÔÓÏÓ˘¸˛ USB-ÛÒÚÓÈÒÚ‚‡
ı‡ÌÂÌËfl ‰‡ÌÌ˚ı (CLP-240) ............................................. 35
ëÓı‡ÌÂÌËÂ Ë ˝ÍÒÔÓÚ ......................................... 35
ëÓı‡ÌÂÌË ÏÂÎÓ‰ËÈ ........................................... 36
ùÍÒÔÓÚ ÏÂÎÓ‰ËË ‚ ÙÓχÚ SMF ...................... 37
쉇ÎÂÌË هÈÎÓ‚ ÏÂÎÓ‰ËÈ .................................. 38
îÓχÚËÓ‚‡ÌË USB-ÛÒÚÓÈÒÚ‚‡
ı‡ÌÂÌËfl ‰‡ÌÌ˚ı ................................................. 39
4
ÇÓÒÔÓËÁ‚‰ÂÌË ÏÂÎÓ‰ËÈ ............................................. 40
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
êÂÁ‚ÌÓ ÍÓÔËÓ‚‡ÌË ‰‡ÌÌ˚ı .................................... 62
ëÔËÒÓÍ ÒÓÓ·˘ÂÌËÈ ............................................................ 63
ìÒÚ‡ÌÂÌË ÌÂÔÓ·‰ÓÍ..................................................... 64
çÂÓ·flÁ‡ÚÂθÌ˚ ˝ÎÂÏÂÌÚ˚............................................. 64
CLP-240/230: ë·Ó͇ ÔÓ‰ÒÚ‡‚ÍË ‰Îfl Í·‚ˇÚÛ˚ ....... 65
àÒÔÓθÁÓ‚‡ÌË ‰ËÒÍÓ‚Ó‰‡ „Ë·ÍËı ‰ËÒÍÓ‚ (FDD)
Ë ‰ËÒÍÂÚ (CLP-240) ............................................................. 69
ìÒÚ‡Ìӂ͇ ‰ËÒÍÓ‚Ó‰‡ „Ë·ÍËı ‰ËÒÍÓ‚
(ÔÓÒÚ‡‚ÎflÂÚÒfl ÔÓ Á‡Í‡ÁÛ)................................................. 70
ëÔËÒÓÍ ‚ÒÚÓÂÌÌ˚ı ÚÂÏ·Ó‚ .......................................... 71
ëÔËÒÓÍ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÏÂÎÓ‰ËÈ ............................ 74
è‰ÏÂÚÌ˚È Û͇Á‡ÚÂθ .................................................... 75
èËÎÓÊÂÌËÂ
ëÔËÒÓÍ Ì‡ÒÚÓÂÍ ËÁ„ÓÚÓ‚ËÚÂÎfl ..................................... 78
îÓÏ‡Ú MIDI-‰‡ÌÌ˚ı......................................................... 80
퇷Îˈ‡ ı‡‡ÍÚÂËÒÚËÍ MIDI-ËÌÚÂÙÂÈÒ‡.................... 84
íÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË ......................................... 85
CLP240E.book Page 5 Wednesday, April 6, 2005 4:02 PM
ëÔËÒÓÍ Á‡‰‡˜
ùÚÓÚ Û͇Á‡ÚÂθ ÔÓÏÓÊÂÚ ·˚ÒÚÓ Ì‡ÈÚË ÒÚ‡ÌËˆÛ Ò ËÌÙÓχˆËÂÈ Ì‡ ÌÛÊÌÛ˛ ÚÂÏÛ.
èÓÒÎۯ˂‡ÌËÂ
èÓÒÎۯ˂‡ÌË ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÏÂÎÓ‰ËÈ c ‡ÁÌ˚ÏË ÚÂÏ·‡ÏË
.................................................................................«èÓÒÎۯ˂‡ÌË ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÏÂÎÓ‰ËÈ» ̇ ÒÚ. 14
èÓÒÎۯ˂‡ÌË ÏÂÎÓ‰ËÈ ËÁ ÒÔËÒ͇ «50 ıËÚÓ‚ ‰Îfl ÙÓÚÂÔ¸flÌÓ»
..............................................................«èÓÒÎۯ˂‡ÌË 50 ‚ÒÚÓÂÌÌ˚ı ÏÂÎÓ‰ËÈ ‰Îfl ÙÓÚÂÔ¸flÌÓ» ̇ ÒÚ. 15
èÓÒÎۯ˂‡ÌË Á‡ÔËÒË ÒÓ·ÒÚ‚ÂÌÌÓÈ Ë„˚.........................................«ÇÓÒÔÓËÁ‚‰ÂÌË ÏÂÎÓ‰ËÈ» ̇ ÒÚ. 40
èÓÒÎۯ˂‡ÌË ÏÂÎÓ‰ËÈ Ò USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËfl ‰‡ÌÌ˚ı......... «ÇÓÒÔÓËÁ‚‰ÂÌË ÏÂÎÓ‰ËÈ» ̇ ÒÚ. 40
à„‡ ̇ Í·‚ˇÚÛÂ
àÒÔÓθÁÓ‚‡ÌË ÚÂı Ô‰‡ÎÂÈ ................................................................... «àÒÔÓθÁÓ‚‡ÌË Ô‰‡ÎÂÈ» ̇ ÒÚ. 20
àÏËÚ‡ˆËfl ÂÒÚÂÒÚ‚ÂÌÌÓ„Ó ˝ÙÙÂÍÚ‡ Û‰ÂÊË‚‡ÌËfl Á‚Û͇, ÒÓÁ‰‡‚‡Âχfl
̇ʇÚËÂÏ Ô‡‚ÓÈ Ô‰‡ÎË Ì‡ ̇ÒÚÓfl˘ÂÏ ÓflÎÂ................................................... «[DDE]» (CLP-240) ̇ ÒÚ. 22
èÓ‰·Ó ‚˚ÒÓÚ˚ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ........................... «í‡ÌÒÔÓÌËÓ‚‡ÌË – ÍÌÓÔ͇ [TRANSPOSE]» ̇ ÒÚ. 24
Ç˚·Ó ÚËÔ‡ ˜Û‚ÒÚ‚ËÚÂθÌÓÒÚË Í·‚ˇÚÛ˚
...................................................................«óÛ‚ÒÚ‚ËÚÂθÌÓÒÚ¸ Í ÒËΠ̇ʇÚËfl – ÍÌÓÔ͇ [TOUCH]» ̇ ÒÚ. 23
íÓÌ͇fl ̇ÒÚÓÈ͇ ‚˚ÒÓÚ˚ Á‚Û͇ ‚ÒÂ„Ó ËÌÒÚÛÏÂÌÚ‡ ÔË Ë„ ̇ ˆËÙÓ‚ÓÏ ÔˇÌËÌÓ Clavinova ‚ ‡Ì҇ϷΠÒ
‰Û„ËÏË ËÌÒÚÛÏÂÌÚ‡ÏË ËÎË Ò ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÓÏ Ì‡ ÍÓÏÔ‡ÍÚ-‰ËÒÍÂ.
.......................................................................................................«íÓÌ͇fl ̇ÒÚÓÈ͇ ‚˚ÒÓÚ˚ Á‚Û͇» ̇ ÒÚ. 47
àÁÏÂÌÂÌË ÚÂÏ·Ó‚
èÓÒÏÓÚ ÒÔËÒ͇ ÚÂÏ·Ó‚ .................................................................«ëÔËÒÓÍ ‚ÒÚÓÂÌÌ˚ı ÚÂÏ·Ó‚» ̇ ÒÚ. 71
ëÓ˜ÂÚ‡ÌË ‰‚Ûı ÚÂÏ·Ó‚............................................................«ç‡ÎÓÊÂÌË ÚÂÏ·Ó‚ (ÂÊËÏ Dual)» ̇ ÒÚ. 25
ê‡ÁÌ˚ ÚÂÏ·˚ ‰Îfl ΂ÓÈ Ë Ô‡‚ÓÈ ÛÍ
........................................................... «ê‡Á‰ÂÎÂÌË Í·‚ˇÚÛ˚ Ë ÚÂÏ·Ó‚ (ÂÊËÏ Split) (CLP-240)» ̇ ÒÚ. 26
ì‚Â΢ÂÌË flÍÓÒÚË ËÎË Ïfl„ÍÓÒÚË Á‚Û͇......................ùÙÙÂÍÚ «BRILLIANCE» ([BRILLIANCE]) ̇ ÒÚ. 21
àÏËÚ‡ˆËfl ÍÓ̈ÂÚÌÓ„Ó Á‡Î‡.................................................................«ê‚Â·Â‡ˆËfl ([REVERB])» ̇ ÒÚ. 21
ÑÓ·‡‚ÎÂÌË ˝ÙÙÂÍÚ‡ ‡Ò¯ËÂÌËfl ËÎË Ì‡‡ÒÚ‡ÌËfl Ë Û·˚‚‡ÌËfl................ «ùÙÙÂÍÚ˚ ([EFFECT])» ̇ ÒÚ. 22
ìÎÛ˜¯ÂÌË Á‚Û͇ ÔË ÔÓÏÓ˘Ë ˝ÙÙÂÍÚÓ‚ .......................... «Ç‡ˇˆËË ([VARIATION]) (CLP-240)» ̇ ÒÚ. 21
ìÔ‡ÊÌÂÌËfl
éÚÍβ˜ÂÌË Á‚Û͇ ‰Îfl Ô‡ÚËË Î‚ÓÈ ËÎË Ô‡‚ÓÈ ÛÍË
..........................................................................«à„‡ Ó‰ÌÓÈ ÛÍÓÈ Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ 50 ‚ÒÚÓÂÌÌ˚ı ÏÂÎÓ‰ËÈ
(ÙÛÌ͈Ëfl ÓÚÍβ˜ÂÌËfl Ô‡ÚËË Ó‰ÌÓÈ ÛÍË)» ̇ ÒÚ. 17
ê‡Áۘ˂‡ÌË ‚ ÙÓÏ ÔÓ‚ÚÓ‡ Û͇Á‡ÌÌÓÈ Ù‡Á˚
.........................................................................«îÛÌ͈Ëfl ÔÓ‚ÚÓ‡ A-B ‰Îfl 50 ‚ÒÚÓÂÌÌ˚ı ÏÂÎÓ‰ËÈ» ̇ ÒÚ. 18
ìÔ‡ÊÌÂÌËfl ‚ ˜ÂÚÍÓÏ ËÚÏ ................................................................«àÒÔÓθÁÓ‚‡ÌË ÏÂÚÓÌÓχ» ̇ ÒÚ. 28
ìÔ‡ÊÌÂÌËfl ÔË ÔÓÏÓ˘Ë Á‡ÔËÒ‡ÌÌÓÈ ÏÂÎÓ‰ËË ..................... «á‡ÔËÒ¸ ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ËÒÔÓÎÌÂÌËfl» ̇ ÒÚ. 29
á‡ÔËÒ¸
á‡ÔËÒ¸ ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ËÒÔÓÎÌÂÌËfl............................................ «á‡ÔËÒ¸ ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ËÒÔÓÎÌÂÌËfl» ̇ ÒÚ. 29
ç‡ÒÚÓÈÍË
ê„ÛÎËӂ͇ ̇ÒÚÓÂÍ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova ......... «ç‡ÒÚÓÈÍË – ÍÌÓÔ͇ [FUNCTION]» ̇ ÒÚ. 44
èÓ‰Íβ˜ÂÌË ÔˇÌËÌÓ Clavinova Í ‰Û„ËÏ ÛÒÚÓÈÒÚ‚‡Ï
óÚÓ Ú‡ÍÓ MIDI ...............................................................................................«é MIDI-ËÌÚÂÙÂÈÒ» ̇ ÒÚ. 57
íÓÌ͇fl ̇ÒÚÓÈ͇ MIDI ........................................................................................«MIDI-ÙÛÌ͈ËË» ̇ ÒÚ. 52
á‡ÔËÒ¸ ÒÓ·ÒÚ‚ÂÌÌÓÈ Ë„˚ ....................................... «ê‡Á˙ÂÏ˚ AUX OUT [L] [R] (LEVEL FIXED)» ̇ ÒÚ. 56
ì‚Â΢ÂÌË „ÓÏÍÓÒÚË............................................. «ê‡Á˙ÂÏ˚ AUX OUT [L] [R] (LEVEL FIXED)» ̇ ÒÚ. 56
ÇÓÒÔÓËÁ‚‰ÂÌË Á‚ÛÍÓ‚ ‰Û„Ëı ËÌÒÚÛÏÂÌÚÓ‚ ̇ ˆËÙÓ‚ÓÏ ÔˇÌËÌÓ Clavinova
.......................................................................................................... «ê‡Á˙ÂÏ˚ AUX IN [L/L+R] [R]» ̇ ÒÚ. 57
èÓ‰Íβ˜ÂÌË USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËfl ‰‡ÌÌ˚ı
...................................................... «èÓ‰Íβ˜ÂÌËÂ Í USB-ÛÒÚÓÈÒÚ‚Û ı‡ÌÂÌËfl ‰‡ÌÌ˚ı (CLP-240)» ̇ ÒÚ. 58
èÓ‰Íβ˜ÂÌËÂ Í ÍÓÏÔ¸˛ÚÂÛ ...................................... «èÓ‰Íβ˜ÂÌË ÔÂÒÓ̇θÌÓ„Ó ÍÓÏÔ¸˛ÚÂ‡» ̇ ÒÚ. 60
ë·Ó͇
ë·Ó͇ Ë ‡Á·Ó͇ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova
............................................................................«CLP-240/230: ë·Ó͇ ÔÓ‰ÒÚ‡‚ÍË ‰Îfl Í·‚ˇÚÛ˚» ̇ ÒÚ. 65
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
5
CLP240E.book Page 6 Wednesday, April 6, 2005 4:02 PM
èêÄÇàãÄ íÖïçàäà ÅÖáéèÄëçéëíà
ÇçàåÄíÖãúçé èêéóàíÄâíÖ, èêÖÜÑÖ óÖå èêàëíìèÄíú ä ùäëèãìÄíÄñàà
* ï‡ÌËÚ ˝ÚÓ ÛÍÓ‚Ó‰ÒÚ‚Ó ‚ ·ÂÁÓÔ‡ÒÌÓÏ ÏÂÒÚÂ. éÌÓ ‚‡Ï ¢ ÔÓ̇‰Ó·ËÚÒfl.
èêÖÑìèêÖÜÑÖçàÖ
ÇÓ ËÁ·ÂʇÌË Ò¸ÂÁÌ˚ı Ú‡‚Ï Ë ‰‡Ê ÒÏÂÚË ÓÚ Û‰‡‡ ˝ÎÂÍÚ˘ÂÒÍËÏ ÚÓÍÓÏ, ‡ Ú‡ÍÊ ÍÓÓÚÍÓ„Ó Á‡Ï˚͇ÌËfl,
ÔÓ‚ÂʉÂÌËfl Ó·ÓÛ‰Ó‚‡ÌËfl, ÔÓʇ‡ Ë ‰Û„Ëı Ë̈ˉÂÌÚÓ‚ ‚Ò„‰‡ Òӷ≇ÈÚ ÒÎÂ‰Û˛˘Ë ÏÂ˚ ·ÂÁÓÔ‡ÒÌÓÒÚË:
ùÎÂÍÚÓÔËÚ‡ÌËÂ/͇·Âθ ÔËÚ‡ÌËfl
ظ ÓÚ ‚Ó‰˚
• àÒÔÓθÁÛÈÚ ÚÓθÍÓ Ì‡ÔflÊÂÌËÂ, Á‡‰‡ÌÌÓ ‰Îfl ËÌÒÚÛÏÂÌÚ‡.
ùÚÓ Ì‡ÔflÊÂÌË Û͇Á‡ÌÓ Ì‡ ËÌÒÚÛÏÂÌÚÂ.
• Å„ËÚ ËÌÒÚÛÏÂÌÚ ÓÚ ‰Óʉfl, Ì ËÒÔÓθÁÛÈÚÂ Â„Ó fl‰ÓÏ Ò ‚Ó‰ÓÈ,
‚ ÛÒÎÓ‚Ëflı Ò˚ÓÒÚË Ë ÔÓ‚˚¯ÂÌÌÓÈ ‚·ÊÌÓÒÚË; Ì ÒÚ‡‚¸Ú ̇ Ì„Ó
ÂÏÍÓÒÚË Ò ÊˉÍÓÒÚ¸˛, ÍÓÚÓ‡fl ÏÓÊÂÚ ‡ÁÎËÚ¸Òfl Ë ÔÓÔ‡ÒÚ¸ ‚ÌÛÚ¸.
• èÂËӉ˘ÂÒÍË ÔÓ‚ÂflÈÚ ‚ËÎÍÛ ˝ÎÂÍÚÓËÌÒÚÛÏÂÌÚ‡ Ë Û‰‡ÎflÈÚÂ
Ò Ì „flÁ¸ Ë Ô˚θ.
• çËÍÓ„‰‡ Ì ‚ÒÚ‡‚ÎflÈÚÂ Ë Ì ‚˚ÌËχÈÚ ‚ËÎÍÛ ˝ÎÂÍÚÓËÌÒÚÛÏÂÌÚ‡
ÏÓÍ˚ÏË Û͇ÏË.
• àÒÔÓθÁÛÈÚ ÚÓθÍÓ Í‡·Âθ ÔËÚ‡ÌËfl Ë ‡Á˙ÂÏ, ‚ıÓ‰fl˘Ë ‚ ÍÓÏÔÎÂÍÚ
ÔÓÒÚ‡‚ÍË.
ظ ÓÚ Ó„Ìfl
• 䇷Âθ ÔËÚ‡ÌËfl Ì ‰ÓÎÊÂÌ Ì‡ıÓ‰ËÚ¸Òfl fl‰ÓÏ Ò ËÒÚÓ˜ÌË͇ÏË ÚÂÔ·
(̇„‚‡ÚÂÎflÏË, ‡‰Ë‡ÚÓ‡ÏË Ë ‰.). ç ‰ÓÔÛÒ͇ÈÚ ڇÍÊ ˜ÂÁÏÂÌÓ„Ó Ò„Ë·‡ÌËfl Ë ÔÓ‚ÂʉÂÌËfl ͇·ÂÎfl, Ì ÒÚ‡‚¸Ú ̇ ÌÂ„Ó ÚflÊÂÎ˚Â
Ô‰ÏÂÚ˚ Ë ‰ÂÊËÚÂ Â„Ó ‚ Ú‡ÍÓÏ ÏÂÒÚÂ, „‰Â ̇ ÌÂ„Ó ÌÂθÁfl ̇ÒÚÛÔËÚ¸, Á‡‰ÂÚ¸ ÌÓ„ÓÈ ËÎË ˜ÚÓ-ÌË·Û‰¸ ÔÓ ÌÂÏÛ ÔÂÂ͇ÚËÚ¸.
• ç ÒÚ‡‚¸Ú ̇ ËÌÒÚÛÏÂÌÚ „Ófl˘Ë Ô‰ÏÂÚ˚, ̇ÔËÏ ҂˜Ë.
ÉÓfl˘ËÈ Ô‰ÏÂÚ ÏÓÊÂÚ ÛÔ‡ÒÚ¸ Ë ‚˚Á‚‡Ú¸ ÔÓʇ.
Ç̯ڇÚÌ˚ ÒËÚÛ‡ˆËË
ç ÓÚÍ˚‚‡Ú¸
• ç ÓÚÍ˚‚‡ÈÚ ËÌÒÚÛÏÂÌÚ Ë Ì Ô˚Ú‡ÈÚÂÒ¸ ‡ÁÓ·‡Ú¸ ËÎË ÏÓ‰ËÙˈËÓ‚‡Ú¸ Â„Ó ‚ÌÛÚÂÌÌË ÍÓÏÔÓÌÂÌÚ˚. Ç ËÌÒÚÛÏÂÌÚ ÌÂÚ ÍÓÏÔÓÌÂÌÚÓ‚,
ÍÓÚÓ˚ ‰ÓÎÊÂÌ Ó·ÒÎÛÊË‚‡Ú¸ ÔÓθÁÓ‚‡ÚÂθ. èË ÔÓfl‚ÎÂÌËË ÌÂËÒÔ‡‚ÌÓÒÚË ÌÂωÎÂÌÌÓ ÔÂ͇ÚËÚ ˝ÍÒÔÎÛ‡Ú‡ˆË˛ Ë Ó·‡ÚËÚÂÒ¸ Á‡ ÔÓÏÓ˘¸˛
Í Í‚‡ÎËÙˈËÓ‚‡ÌÌ˚Ï ÒÔˆˇÎËÒÚ‡Ï ˆÂÌÚ‡ ÚÂıÌ˘ÂÒÍÓ„Ó Ó·ÒÎÛÊË‚‡ÌËfl ÍÓÔÓ‡ˆËË Yamaha.
• Ç ÒÎÛ˜‡Â ËÁÌÓÒ‡ Ë ÔÓ‚ÂʉÂÌËfl ͇·ÂÎfl ÔËÚ‡ÌËfl ËÎË ‡Á˙Âχ, ‡ Ú‡ÍÊÂ
ÔË ‚ÌÂÁ‡ÔÌÓÏ ËÒ˜ÂÁÌÓ‚ÂÌËË Á‚Û͇ ‚Ó ‚ÂÏfl ˝ÍÒÔÎÛ‡Ú‡ˆËË, ÔË ÔÓfl‚ÎÂÌËË ÌÂÓ·˚˜ÌÓ„Ó Á‡Ô‡ı‡ Ë ‰˚χ ÌÂωÎÂÌÌÓ ÓÚÍβ˜ËÚ ˝ÎÂÍÚÓÔËÚ‡ÌËÂ, ‚˚̸Ú ‚ËÎÍÛ ËÁ ÓÁÂÚÍË Ë Ó·‡ÚËÚÂÒ¸ Á‡ ÔÓÏÓ˘¸˛ Í ÒÔˆˇÎËÒÚ‡Ï ˆÂÌÚ‡ ÚÂıÌ˘ÂÒÍÓ„Ó Ó·ÒÎÛÊË‚‡ÌËfl ÍÓÔÓ‡ˆËË Yamaha.
ÇçàåÄçàÖ!
ÇÓ ËÁ·ÂʇÌË ̇ÌÂÒÂÌËfl Ò¸ÂÁÌ˚ı Ú‡‚Ï ÒÂ·Â Ë ÓÍÛʇ˛˘ËÏ, ‡ Ú‡ÍÊ ÔÓ‚ÂʉÂÌËfl ËÌÒÚÛÏÂÌÚ‡ Ë ‰Û„Ó„Ó
ËÏÛ˘ÂÒÚ‚‡, ÔÓÏËÏÓ ÔÓ˜Ëı ‚Ò„‰‡ Òӷ≇ÈÚ ÒÎÂ‰Û˛˘Ë ÏÂ˚ ·ÂÁÓÔ‡ÒÌÓÒÚË:
ùÎÂÍÚÓÔËÚ‡ÌËÂ/͇·Âθ ÔËÚ‡ÌËfl
åÂÒÚÓ ÛÒÚ‡ÌÓ‚ÍË
• èË ÓÚÍβ˜ÂÌËË Í‡·ÂÎfl ÓÚ ËÌÒÚÛÏÂÌÚ‡ ËÎË ÓÚ ˝ÎÂÍÚÓÒÂÚË ·ÂËÚÂÒ¸
Á‡ ‚ËÎÍÛ, ‡ Ì Á‡ ͇·Âθ. à̇˜Â ÏÓÊÌÓ Ôӂ‰ËÚ¸ ͇·Âθ.
• éÚÍβ˜‡ÈÚ ËÌÒÚÛÏÂÌÚ ÓÚ ˝ÎÂÍÚÓÒÂÚË, ÂÒÎË Ô·ÌËÛÂÚ Ì ËÒÔÓθÁÓ‚‡Ú¸ Â„Ó ‚ Ú˜ÂÌË ‰ÎËÚÂθÌÓ„Ó ‚ÂÏÂÌË, ‡ Ú‡ÍÊ ‚Ó ‚ÂÏfl „ÓÁ˚.
• ç ÔÓ‰Íβ˜‡ÈÚ ËÌÒÚÛÏÂÌÚ Í Ó‰ÌÓÈ ˝ÎÂÍÚ˘ÂÒÍÓÈ ÓÁÂÚÍÂ Ò ‰Û„ËÏË
ÛÒÚÓÈÒÚ‚‡ÏË (̇ÔËÏÂ, ˜ÂÂÁ ÚÓÈÌËÍ). ùÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÒÌËÊÂÌ˲ ͇˜ÂÒÚ‚‡ Á‚Û͇ ËÎË ÔÂÂ„Â‚Û ÓÁÂÚÍË.
ë·Ó͇
• è‰ ÔÂÂÏ¢ÂÌËÂÏ ËÌÒÚÛÏÂÌÚ‡ ÓÚÒÓ‰ËÌËÚ ‚Ò ͇·ÂÎË.
(1)B-9
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
• ç ËÒÔÓθÁÛÈÚ ËÌÒÚÛÏÂÌÚ ‚ ÌÂÔÓÒ‰ÒÚ‚ÂÌÌÓÈ ·ÎËÁÓÒÚË ÓÚ ÚÂ΂ËÁÓ‡, ‡‰ËÓÔËÂÏÌË͇, ÒÚÂÂÓÓ·ÓÛ‰Ó‚‡ÌËfl, ÏÓ·ËθÌÓ„Ó ÚÂÎÂÙÓ̇
Ë ‰Û„Ëı ˝ÎÂÍÚÓÔË·ÓÓ‚. Ç ÔÓÚË‚ÌÓÏ ÒÎÛ˜‡Â ‚ ËÌÒÚÛÏÂÌÚÂ, ÚÂ΂ËÁÓ ËÎË ‡‰ËÓÔËÂÏÌËÍ ÏÓ„ÛÚ ‚ÓÁÌËÍÌÛÚ¸ ÔÓÏÂıË.
• ÇÓ ËÁ·ÂʇÌË ÒÎÛ˜‡ÈÌÓ„Ó Ô‡‰ÂÌËfl ËÌÒÚÛÏÂÌÚ‡ Ì ÓÒÚ‡‚ÎflÈÚ „Ó
‚ ÌÂÛÒÚÓȘ˂ÓÏ ÔÓÎÓÊÂÌËË.
• ÇÌËχÚÂθÌÓ ÔÓ˜ËÚ‡ÈÚ ‰ÓÍÛÏÂÌÚ‡ˆË˛, ÓÔËÒ˚‚‡˛˘Û˛ ÔÓˆÂÒÒ
Ò·ÓÍË. çÂÔ‡‚Ëθ̇fl ÔÓÒΉӂ‡ÚÂθÌÓÒÚ¸ Ò·ÓÍË ÏÓÊÂÚ ÔË‚ÂÒÚË
Í ÔÓ‚ÂʉÂÌ˲ ËÌÒÚÛÏÂÌÚ‡ ËÎË Ú‡‚χÏ.
6
• ÇÓ ËÁ·ÂʇÌË ‰ÂÙÓχˆËË Ô‡ÌÂÎË Ë ÔÓ‚ÂʉÂÌËfl ‚ÌÛÚÂÌÌËı ÍÓÏÔÓÌÂÌÚÓ‚ ·Â„ËÚ ËÌÒÚÛÏÂÌÚ ÓÚ ˜ÂÁÏÂÌÓÈ Ô˚ÎË Ë ÒËθÌÓÈ ‚Ë·‡ˆËË
Ë Ì ËÒÔÓθÁÛÈÚÂ Â„Ó ÔË Ó˜Â̸ ‚˚ÒÓÍÓÈ ËÎË ÌËÁÍÓÈ ÚÂÏÔ‡ÚÛ (̇ÔËÏÂ, ̇ ÒÓÎ̈Â, fl‰ÓÏ Ò Ì‡„‚‡ÚÂÎÂÏ ËÎË ‚ χ¯ËÌ ‚ ‰Ì‚ÌÓ ‚ÂÏfl).
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CLP240E.book Page 7 Wednesday, April 6, 2005 4:02 PM
èÓ‰Íβ˜ÂÌËÂ
àÒÔÓθÁÓ‚‡ÌË Ò͇ÏÂÈÍË (ÂÒÎË Ó̇ ÂÒÚ¸)
• è‰ ÔÓ‰Íβ˜ÂÌËÂÏ ËÌÒÚÛÏÂÌÚ‡ Í ‰Û„ËÏ ˝ÎÂÍÚÓÌÌ˚Ï ÍÓÏÔÓÌÂÌÚ‡Ï ÓÚÍβ˜ËÚ Ëı ÔËÚ‡ÌËÂ. è‰ ‚Íβ˜ÂÌËÂÏ ËÎË ÓÚÍβ˜ÂÌËÂÏ
˝ÎÂÍÚÓÌÌ˚ı ÍÓÏÔÓÌÂÌÚÓ‚ ÛÒÚ‡ÌÓ‚ËÚ ÏËÌËχθÌ˚È ÛÓ‚Â̸ „ÓÏÍÓÒÚË. ì·Â‰ËÚÂÒ¸ Ú‡ÍÊ ‚ ÚÓÏ, ˜ÚÓ Ì‡ ‚ÒÂı ÍÓÏÔÓÌÂÌÚ‡ı ÛÒÚ‡ÌÓ‚ÎÂÌ
ÏËÌËχθÌ˚È ÛÓ‚Â̸ „ÓÏÍÓÒÚË, ‡ ‚Ó ‚ÂÏfl Ë„˚ ̇ ËÌÒÚÛÏÂÌÚÂ
ÔÓÒÚÂÔÂÌÌÓ Û‚Â΢¸Ú „ÓÏÍÓÒÚ¸ ‰Ó ÌÛÊÌÓÈ.
• ÇÓ ËÁ·ÂʇÌË ÒÎÛ˜‡ÈÌÓ„Ó Ô‡‰ÂÌËfl Ò͇ÏÂÈÍË Ì ÓÒÚ‡‚ÎflÈڠ ‚ ÌÂÛÒÚÓȘ˂ÓÏ ÔÓÎÓÊÂÌËË.
• ç ͇˜‡ÈÚÂÒ¸ ̇ Ò͇ÏÂÈÍÂ Ë Ì ˄‡ÈÚÂ, ÒÚÓfl ̇ ÌÂÈ. àÒÔÓθÁÓ‚‡ÌËÂ
Ò͇ÏÂÈÍË ‚ ͇˜ÂÒÚ‚Â ÒÚÂÏflÌÍË ËÎË ‚ ËÌ˚ı ˆÂÎflı ÏÓÊÂÚ ÔË‚ÂÒÚË Í
ÌÂÒ˜‡ÒÚÌÓÏÛ ÒÎÛ˜‡˛ ËÎË Ú‡‚ÏÂ.
• ë͇ÏÂÈ͇ Ô‰̇Á̇˜Â̇ ÚÓθÍÓ ‰Îfl Ó‰ÌÓ„Ó ˜ÂÎÓ‚Â͇.
é·ÒÎÛÊË‚‡ÌËÂ
• ÑÎfl ˜ËÒÚÍË ËÌÒÚÛÏÂÌÚ‡ ÔÓθÁÛÈÚÂÒ¸ Ïfl„ÍÓÈ ÒÛıÓÈ ËÎË Ò΄͇ ‚·ÊÌÓÈ
Ú̸͇˛. çËÍÓ„‰‡ Ì ËÒÔÓθÁÛÈÚ ÔflÚÌÓ‚˚‚Ó‰ËÚÂÎË, ‡ÒÚ‚ÓËÚÂÎË, ÊˉÍË ӘËÒÚËÚÂÎË ËÎË ˜ËÒÚfl˘Ë ҇ÎÙÂÚÍË Ò ÔÓÔËÚÍÓÈ.
åÂ˚ ·ÂÁÓÔ‡ÒÌÓÒÚË ÔË ˝ÍÒÔÎÛ‡Ú‡ˆËË
• ëΉËÚÂ, ˜ÚÓ·˚ Í˚¯Í‡ Í·‚ˇÚÛ˚ Ì Á‡˘ÂÏË· ‚‡Ï ԇθˆ˚,
Ì ‚ÒÚ‡‚ÎflÈÚ ԇθˆ˚ ËÎË ÛÍÛ ‚ ÓÚ‚ÂÒÚËfl ËÌÒÚÛÏÂÌÚ‡.
• çËÍÓ„‰‡ Ì Á‡ÒÓ‚˚‚‡ÈÚÂ Ë Ì ÓÌflÈÚ ·Ûχ„Û, ÏÂÚ‡Î΢ÂÒÍËÂ Ë ÔÓ˜ËÂ
Ô‰ÏÂÚ˚ ‚ ÓÚ‚ÂÒÚËfl ̇ Í˚¯ÍÂ, Ô‡ÌÂÎË Ë Í·‚ˇÚÛÂ. ÖÒÎË ˝ÚÓ ÒÎÛ˜ËÎÓÒ¸, ÌÂωÎÂÌÌÓ ‚˚Íβ˜ËÚ ËÌÒÚÛÏÂÌÚ Ë ‚˚̸Ú ͇·Âθ ÔËÚ‡ÌËfl
ËÁ ÓÁÂÚÍË. á‡ÚÂÏ Ó·‡ÚËÚÂÒ¸ Á‡ ÔÓÏÓ˘¸˛ Í ÒÔˆˇÎËÒÚ‡Ï ˆÂÌÚ‡ ÚÂıÌ˘ÂÒÍÓ„Ó Ó·ÒÎÛÊË‚‡ÌËfl ÍÓÔÓ‡ˆËË Yamaha.
• ÖÒÎË ‚ËÌÚ˚ Ò͇ÏÂÈÍË ÒÚ‡ÎË Ò‚Ó·Ó‰Ì˚ÏË ‚ ÂÁÛθڇÚ ‰ÎËÚÂθÌÓ„Ó
ËÒÔÓθÁÓ‚‡ÌËfl, ÔÂËӉ˘ÂÒÍË Á‡‚Ë̘˂‡ÈÚ Ëı Ò ÔÓÏÓ˘¸˛ ÓÚ‚ÂÚÍË.
ëÓı‡ÌÂÌË ‰‡ÌÌ˚ı
ëÓı‡ÌÂÌËÂ Ë ÂÁ‚ÌÓ ÍÓÔËÓ‚‡ÌË ‰‡ÌÌ˚ı
• ç‡ÒÚÓÈÍË Ô‡ÌÂÎË Ë ‰‡ÌÌ˚ ÌÂÍÓÚÓ˚ı ‰Û„Ëı ÚËÔÓ‚ ·Û‰ÛÚ ÛÚÂflÌ˚,
ÂÒÎË ÔËÚ‡ÌË ÓÚÍβ˜ËÚÒfl ‰Ó Ëı ÒÓı‡ÌÂÌËfl. é·flÁ‡ÚÂθÌÓ ÒÓı‡ÌËÚÂ
(ÂÁ‚ÌÓ ÍÓÔËÓ‚‡ÌËÂ) ÌÛÊÌ˚ ‰‡ÌÌ˚ ‚Ó ‚ÌÛÚÂÌÌ˛˛ Ùν¯Ô‡ÏflÚ¸ Ô‰ ‚˚Íβ˜ÂÌËÂÏ ÔËÚ‡ÌËfl ÍÓÏÔ¸˛Ú‡ (ÒÚ. 55). àÏÂÈÚ ‚
‚ˉÛ, ˜ÚÓ ˝ÚË ‰‡ÌÌ˚ ÂÁ‚ËÛ˛ÚÒfl ‚ÂÏÂÌÌÓ Ë ÏÓ„ÛÚ ·˚Ú¸ ̘‡flÌÌÓ
ÛÚÂflÌ˚ ËÁ-Á‡ ÌÂËÒÔ‡‚ÌÓÒÚÂÈ ËÎË Ò·Ó‚ ‚ ‡·ÓÚ ӷÓÛ‰Ó‚‡ÌËfl.
é·flÁ‡ÚÂθÌÓ ÒÓı‡ÌËÚ ‚Ò ‚‡ÊÌ˚ ‰‡ÌÌ˚ ̇ ÍÓÏÔ¸˛Ú ‰Îfl
ÔÓÒÚÓflÌÌÓ„Ó ı‡ÌÂÌËfl ‚ ·ÂÁÓÔ‡ÒÌÓÏ ÏÂÒÚ (ÒÚ. 62).
• ç Í·‰ËÚ ̇ ËÌÒÚÛÏÂÌÚ Ô‰ÏÂÚ˚ ËÁ ‚ËÌË·, Ô·ÒÚχÒÒ˚ ËÎË ÂÁËÌ˚: ˝ÚÓ ÏÓÊÂÚ ‚˚Á‚‡Ú¸ ‚˚ˆ‚ÂÚ‡ÌË ԇÌÂÎË ËÎË Í·‚ˇÚÛ˚.
• ç ӷÎÓ͇˜Ë‚‡ÈÚÂÒ¸ ̇ ËÌÒÚÛÏÂÌÚ, Ì ÒÚ‡‚¸Ú ̇ ÌÂ„Ó ÚflÊÂÎ˚ Ô‰ÏÂÚ˚ Ë Ì ÔËÍ·‰˚‚‡ÈÚ ÒÎ˯ÍÓÏ ·Óθ¯ÓÈ ÒËÎ˚ ÔË ÔÓθÁÓ‚‡ÌËË
ÍÌÓÔ͇ÏË, ‚˚Íβ˜‡ÚÂÎflÏË Ë ‡Á˙ÂχÏË.
• ç ÒΉÛÂÚ ‰ÓÎ„Ó ‡·ÓÚ‡Ú¸ Ò ‚˚ÒÓÍËÏ ËÎË ÌÂÍÓÏÙÓÚÌ˚Ï ÛÓ‚ÌÂÏ
„ÓÏÍÓÒÚË, Ú‡Í Í‡Í ˝ÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓÚ ÒÎÛı‡. èË ÛıÛ‰¯ÂÌËË ÒÎÛı‡ ËÎË Á‚ÓÌ ‚ Û¯‡ı Ó·‡ÚËÚÂÒ¸ Í ‚‡˜Û.
äÓÔÓ‡ˆËfl Yamaha Ì ÌÂÒÂÚ ÓÚ‚ÂÚÒÚ‚ÂÌÌÓÒÚË Á‡ ÔÓ‚ÂʉÂÌËfl, ‚˚Á‚‡ÌÌ˚ ÌÂÔ‡‚ËθÌÓÈ ˝ÍÒÔÎÛ‡Ú‡ˆËÂÈ ËÎË ÏÓ‰ËÙË͇ˆËÂÈ ËÌÒÚÛÏÂÌÚ‡,
‡ Ú‡ÍÊ Á‡ ÔÓÚÂflÌÌ˚ ËÎË ËÒÔÓ˜ÂÌÌ˚ ‰‡ÌÌ˚Â.
ÇÒ„‰‡ ‚˚Íβ˜‡ÈÚ ËÌÒÚÛÏÂÌÚ, ÂÒÎË Ì ËÒÔÓθÁÛÂÚ „Ó.
(1)B-9
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CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
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CLP240E.book Page 8 Wednesday, April 6, 2005 4:02 PM
è‡ÌÂθ ÛÔ‡‚ÎÂÌËfl Ë ‡Á˙ÂÏ˚
è‡ÌÂθ ÛÔ‡‚ÎÂÌËfl Ë ‡Á˙ÂÏ˚
èˇÌËÌÓ Yamaha CLP-240/230 Clavinova Ô‰ÒÚ‡‚ÎflÂÚ ‡ÎËÒÚ˘ÌÓÂ Ë ‚˚‡ÁËÚÂθÌÓ Á‚Û˜‡ÌËÂ
Ë Ó˘Û˘ÂÌËfl Í‡Í ÓÚ Ë„˚ ̇ ̇ÒÚÓfl˘ÂÏ ÓflÎÂ. Ç ÌÂÏ Ú‡ÍÊ ‡ÎËÁÓ‚‡Ì‡ ÓË„Ë̇θ̇fl ÚÂıÌÓÎÓ„Ëfl
„ÂÌÂ‡ˆËË Á‚Û͇ ÍÓÔÓ‡ˆËË Yamaha – «AWM Dynamic Stereo Sampling (CLP-240)/AWM Stereo
Sampling (CLP-230)», ÔÓÁ‚ÓÎfl˛˘‡fl ÒÓÁ‰‡‚‡Ú¸ ̇Ò˚˘ÂÌÌ˚Â, ‡ÎËÒÚ˘Ì˚ ÏÛÁ˚͇θÌ˚ ÚÂÏ·˚.
Ç ÚÂÏ·‡ı Grand Piano 1 Ë 2 ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ CLP-240/230 ËÒÔÓθÁÛ˛ÚÒfl Ú˘‡ÚÂθÌÓ Á‡ÔËÒ‡ÌÌ˚Â
Ò˝ÏÔÎ˚ ̇ÒÚÓfl˘Â„Ó ÍÓ̈ÂÚÌÓ„Ó ÓflÎfl. ÇÓ ‚ÂÏfl ËÒÔÓÎÌÂÌËfl Ò ÚÂÏ·ÓÏ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ
CLP-240 GrandPiano1 ËÒÔÓθÁÛ˛ÚÒfl ÚË Ò˝ÏÔ·, Á‡‚ËÒfl˘Ë ÓÚ ÒÍÓÓÒÚË Ì‡Ê‡ÚËfl Í·‚˯
(‰Ë̇Ï˘ÂÒÍÓÂ Ò˝ÏÔÎËÓ‚‡ÌËÂ), ÓÒÓ·Ó «ÒÛÒÚÂÈÌ-Ò˝ÏÔÎËÓ‚‡ÌË» (ÒÚ. 51), ‚ÓÒÔÓËÁ‚Ó‰fl˘ÂÂ
ÔË Ì‡Ê‡ÚËË Ì‡ Ô‡‚Û˛ Ô‰‡Î¸ ÛÌË͇θÌ˚È ÂÁÓ̇ÌÒ ‰ÂÍË Ë ÒÚÛÌ ‡ÍÛÒÚ˘ÂÒÍÓ„Ó ÙÓÚÂÔˇÌÓ,
Ë «Ò˝ÏÔÎ˚ ÓÚÔÛ˘ÂÌÌÓÈ Í·‚˯˻, ÍÓÚÓ˚ ‰Ó·‡‚Îfl˛Ú ÚËıËÈ ÔËÁ‚ÛÍ ÔË ÓÚÔÛÒ͇ÌËË Í·‚˯.
Ç ÔˇÌËÌÓ CLP-240/230 Ú‡ÍÊ ËÒÔÓθÁÛÂÚÒfl ÒÔˆˇθ̇fl Í·‚ˇÚÛ‡ «GH3 (Graded Hammer 3)»,
̇ ÍÓÚÓÓÈ ‚ÂÒ Í·‚Ë¯Ë Á‡‚ËÒËÚ ÓÚ Â ‡ÒÔÓÎÓÊÂÌËfl. äÓÏ ÚÓ„Ó, ˝Ú‡ Í·‚ˇÚÛ‡ ÒÔˆˇθÌÓÈ
ÍÓÌÒÚÛ͈ËË ÔÓÁ‚ÓÎflÂÚ ÔËÏÂÌflÚ¸ ÔËÂÏ˚ Ë„˚, ‰ÓÒÚÛÔÌ˚ ÚÓθÍÓ Ì‡ ÓflÎÂ. ç‡ÔËÏÂ, ÏÓÊÌÓ
ÔÓ‚ÚÓflÚ¸ Ó‰ÌÛ Ë ÚÛ Ê ÌÓÚÛ, Ë Á‚ÛÍ ·Û‰ÂÚ Ô·‚ÌÓ ÒÎË‚‡Ú¸Òfl ‰‡Ê ·ÂÁ ËÒÔÓθÁÓ‚‡ÌËfl Ô‡‚ÓÈ Ô‰‡ÎË.
åÓÊÌÓ Ú‡ÍÊ ·˚ÒÚÓ Ì‡ÊËχڸ ̇ Ó‰ÌÛ Ë ÚÛ Ê Í·‚˯Û, ÔÓÎÛ˜‡fl ÓÚ˜ÂÚÎË‚˚È Á‚ÛÍ ·ÂÁ
ÌÂÂÒÚÂÒÚ‚ÂÌÌÓ„Ó Ó·˚‚‡ ÔË Í‡Ê‰ÓÏ Ì‡Ê‡ÚËË. ùÚË ÓÒÓ·ÂÌÌÓÒÚË ËÌÒÚÛÏÂÌÚ‡ CLP-240/230
ÔÓÁ‚ÓÎfl˛Ú χÍÒËχθÌÓ ÔË·ÎËÁËÚ¸Òfl Í Á‚Û˜‡Ì˲ ̇ÒÚÓfl˘Â„Ó ‡ÍÛÒÚ˘ÂÒÍÓ„Ó ÙÓÚÂÔ¸flÌÓ.
(êËÒÛÌÍË Ô‡ÌÂÎÂÈ ÒÓÓÚ‚ÂÚÒÚ‚Û˛Ú ÏÓ‰ÂÎË CLP-240)
2
3
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LEFT
REC
STOP
TEMPO/OTHER VALUE
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RIGHT
USB
USER
PRESET
PLAY/PAUSE
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MAX
MIN
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SAVE/EXP.
LOAD
FORMAT/DEL.
TEMPO
FUNCTION #
METRONOME
SYNC START
MASTER VOLUME
DEMO
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8
7
+ / YES
– / NO
TEMPO / FUNCTION #
SONG SELECT FILE
SONG
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GRAND
PIANO 1
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E.CLAVICHORD
VIBRAPHONE
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WOOD
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NORMAL
MELLOW
*
ROOM
HALL 1
HALL 2
STAGE
BRILLIANCE REVERB
$
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PHASER
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ROTARY SP
EFFECT
^
(
1
SELECT
USB TO DEVICE
OFF
ON
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HP. SW
SPEAKER
¢
∞
PHONES
º
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CLP-240
(LEVEL FIXED)
R
L/L+R
R
L
AUX IN
AUX OUT
USB
TO DEVICE
(
OUT
IN
TO HOST
THRU
MIDI
£
™
CLP-230
MIDI
(LEVEL FIXED)
L
R
8
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
THRU
OUT
USB
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AUX OUT
AUX IN
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CLP-240
CLP240E.book Page 9 Wednesday, April 6, 2005 4:02 PM
è‡ÌÂθ ÛÔ‡‚ÎÂÌËfl Ë ‡Á˙ÂÏ˚
1 Ç˚Íβ˜‡ÚÂθ [POWER] ............................. ÒÚ. 11
2 èÓÎÁÛÌÍÓ‚˚È Â„ÛÎflÚÓ [MASTER VOLUME]
....................................................................... ÒÚ. 12
% äÌÓÔ͇ [SPLIT](CLP-240) ............................ÒÚ. 26
èÓË„˚‚‡ÌË ԇÚËÈ Ô‡‚ÓÈ Ë Î‚ÓÈ ÛÍË
‚ ‡ÁÌ˚ı ÚÂÏ·‡ı.
ê„ÛÎËӂ͇ „ÓÏÍÓÒÚË Á‚Û͇ Ò ÔÓÏÓ˘¸˛
˝ÚÓ„Ó ÔÓÎÁÛÌÍÓ‚Ó„Ó „ÛÎflÚÓ‡.
^ äÌÓÔÍË [BRILLIANCE],
[REVERB], [EFFECT]....................................ÒÚ. 21
3 äÌÓÔ͇ [DEMO]............................................ ÒÚ. 14
ìÒÚ‡Ìӂ͇ flÍÓÒÚË Á‚Û͇ Ë ‰Ó·‡‚ÎÂÌËÂ
˝ÙÙÂÍÚÓ‚ ‚Â·Â‡ˆËË Ë ıÓÛÒ‡ Í Á‚ÛÍÛ.
ÑÂÏÓÌÒÚ‡ˆËÓÌÌÛ˛ ÏÂÎӉ˲ ÏÓÊÌÓ
‚ÓÒÔÓËÁ‚ÂÒÚË ‚ β·ÓÏ ÚÂÏ·Â.
4 äÌÓÔ͇ [TRANSPOSE] ................................ ÒÚ. 24
à„‡fl ̇ ÚÂı Ê ҇Ï˚ı Í·‚˯‡ı, ÏÓÊÌÓ
ÔÓ‚˚¯‡Ú¸ ËÎË ÔÓÌËʇڸ ‚˚ÒÓÚÛ Á‚Û͇ ‚ÒÂÈ
Í·‚ˇÚÛ˚ Ú‡Í, ˜ÚÓ·˚ Ó̇ ÒÓÓÚ‚ÂÚÒÚ‚Ó‚‡Î‡
‚˚ÒÓÚ Á‚Û͇ ‰Û„Ó„Ó ËÌÒÚÛÏÂÌÚ‡ ËÎË
Ô‚ˆ‡.
5 äÌÓÔ͇ [REC] ............................................... ÒÚ. 29
á‡ÔËÒ¸ ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ËÒÔÓÎÌÂÌËfl.
6 äÌÓÔÍË [RIGHT], [LEFT]..............ÒÚ‡Ìˈ˚ 17, 32
éÚÍβ˜ÂÌË ԇÚËË Î‚ÓÈ, Ô‡‚ÓÈ ËÎË
Ó·ÂËı ÛÍ, ˜ÚÓ ‰‡ÂÚ ‚ÓÁÏÓÊÌÓÒÚ¸ ‡Áۘ˂‡Ú¸
ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ (‚˚Íβ˜ÂÌÌÛ˛) Ô‡Ú˲
ÓÚ‰ÂθÌÓ.
7 [PLAY/PAUSE], [STOP]................ÒÚ‡Ìˈ˚ 15, 41
ÇÓÒÔÓËÁ‚‰ÂÌË ‚ÒÚÓÂÌÌ˚ı ÏÂÎÓ‰ËÈ,
Á‡ÔËÒ‡ÌÌÓ„Ó Ï‡ÚÂˇ·, ÍÓÏÏÂ˜ÂÒÍËı
ÏÛÁ˚͇θÌ˚ı Á‡ÔËÒÂÈ Ë Ú. ‰.
8 äÌÓÔ͇ [SONG SELECT].............ÒÚ‡Ìˈ˚ 15, 41
Ç˚·Ó ÏÂÎÓ‰ËË ‰Îfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ËÎË
‰‡ÍÚËÓ‚‡ÌËfl.
9 äÌÓÔ͇ [FILE] (CLP-240) .............ÒÚ‡Ìˈ˚ 35, 42
ëÓı‡ÌÂÌË Á‡ÔËÒ‡ÌÌ˚ı ÏÂÎÓ‰ËÈ Ë
ÛÔ‡‚ÎÂÌË هÈ·ÏË ÏÂÎÓ‰ËÈ. í‡ÍÊÂ
ÔÓÁ‚ÓÎflÂÚ ÔÓ‚Ó‰ËÚ¸ ÙÓχÚËÓ‚‡ÌËÂ
USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËfl ‰‡ÌÌ˚ı.
) äÌÓÔ͇ [TEMPO/FUNCTION#] ....ÒÚ‡Ìˈ˚ 28, 45
àÁÏÂÌÂÌË ÚÂÏÔ‡ (ÒÍÓÓÒÚË) ÏÂÎÓ‰ËË
Ë ‚˚·Ó ‰Û„Ëı ÔÓÎÂÁÌ˚ı ÙÛÌ͈ËÈ
(ÒÚ‡Ìˈ˚ 44-55).
! äÌÓÔ͇ [METRONOME]...............ÒÚ‡Ìˈ˚ 28, 52
àÒÔÓθÁÓ‚‡ÌË ÏÂÚÓÌÓχ.
@ ùÍ‡Ì ............................................................ ÒÚ. 11
ÇçàåÄçàÖ!
ç ‚˚Íβ˜‡ÈÚ ÔËÚ‡ÌË ËÌÒÚÛÏÂÌÚ‡, ÍÓ„‰‡ ̇ ˝Í‡Ì ÏË„‡˛Ú
ÔÓ˜ÂÍË – ÓÌË Û͇Á˚‚‡˛Ú, ˜ÚÓ ‚ ‰‡ÌÌ˚È ÏÓÏÂÌÚ ‚˚ÔÓÎÌflÂÚÒfl
ÓÔ‡ˆËfl. ùÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓ‚ÂʉÂÌ˲ ‰‡ÌÌ˚ı.
# äÌÓÔ͇ [–/NO], [+/YES]
ìÒÚ‡Ìӂ͇ Á̇˜ÂÌËÈ Ë ‚˚ÔÓÎÌÂÌËÂ
ÓÔÂ‡ˆËÈ Ò Ù‡È·ÏË. é‰ÌÓ‚ÂÏÂÌÌÓÂ
̇ʇÚË ӷÂËı ÍÌÓÔÓÍ ‰Îfl ͇ÍËı-ÎË·Ó
̇ÒÚÓÂÍ («í‡ÌÒÔÓÌËÓ‚‡ÌË», «íÂÏÔ»
Ë Ú. ‰.) ‚ÓÒÒڇ̇‚ÎË‚‡ÂÚ Á̇˜ÂÌËfl ÔÓ
ÛÏÓΘ‡Ì˲.
$ äÌÓÔÍË „ÛÔÔ ÚÂÏ·Ó‚ .............................. ÒÚ. 19
Ç˚·Ó ËÁ 14 ‚ÒÚÓÂÌÌ˚ı ÚÂÏ·Ó‚, ‚Íβ˜‡fl
ÚÂÏ·˚ Grand Piano 1 Ë 2. åÓÊÌÓ Ú‡ÍÊÂ
ËÒÔÓθÁÓ‚‡Ú¸ ‰‚‡ ÚÂÏ·‡ Ó‰ÌÓ‚ÂÏÂÌÌÓ.
(äÌÓÔ͇ [VARIATION] ÂÒÚ¸ ÚÓθÍÓ Û
ÔˇÌËÌÓ CLP-240.)
& äÌÓÔ͇ [TOUCH] ..........................................ÒÚ. 23
ÑÎfl ÚÓÌÍÓÈ Ì‡ÒÚÓÈÍË ˜Û‚ÒÚ‚ËÚÂθÌÓÒÚË Í
ÒËΠ̇ʇÚËfl.
* äÌÓÔ͇ [DDE] (CLP-240)..............................ÒÚ. 22
ÑÎfl ‚Íβ˜ÂÌËfl Ë ‚˚Íβ˜ÂÌËfl ÙÛÌ͈ËË
DDE (˝ÙÙÂÍÚ Dynamic Damper). èË
‚Íβ˜ÂÌÌÓÏ ÂÊËÏ DDE, ÍÓ„‰‡ Ò Ì‡Ê‡ÚÓÈ
Ô‡‚ÓÈ Ô‰‡Î¸˛ ̇ÊËχÂÚÒfl Í·‚˯‡,
ÔˇÌËÌÓ Clavinova ËÏËÚËÛÂÚ ˝ÙÙÂÍÚ
Û‰ÂʇÌÌÓ„Ó Á‚Û͇, ÍÓÚÓ˚È ÔÓÎÛ˜‡ÂÚÒfl,
ÂÒÎË Ì‡ ÓflΠ̇ÊËχ˛Ú Ô‡‚Û˛ Ô‰‡Î¸.
( èÓÚ˚ USB [TO DEVICE] (CLP-240)) .........ÒÚ. 57
èÓÁ‚ÓÎfl˛Ú ÔÓ‰Íβ˜‡Ú¸ ËÌÒÚÛÏÂÌÚ
Í USB-ÛÒÚÓÈÒÚ‚Û ı‡ÌÂÌËfl ‰‡ÌÌ˚ı ‰Îfl
ÒÓı‡ÌÂÌËfl ËÎË Á‡„ÛÁÍË ‰‡ÌÌ˚ı.
àÌÒÚÛÏÂÌÚ Ò̇·ÊÂÌ ‰‚ÛÏfl ÔÓÚ‡ÏË
[TO DEVICE], A Ë B, ÍÓÚÓ˚ ‚˚·Ë‡˛ÚÒfl Ò
ÔÓÏÓ˘¸˛ ÔÂÂÍβ˜‡ÚÂÎfl [SELECT] (‚˚·Ó).
º ê‡Á˙ÂÏ˚ AUX OUT [L] [R]
(LEVEL FIXED) ..............................................ÒÚ. 56
èÓÁ‚ÓÎfl˛Ú ‚˚‚Ó‰ËÚ¸ Á‚ÛÍ ÔˇÌËÌÓ Ì‡
‚ÌÂ¯Ì˛˛ ‡Û‰ËÓÒËÒÚÂÏÛ ËÎË ÔÓ‰Íβ˜‡Ú¸ „Ó
Í ‰Û„ÓÏÛ ÛÒÚÓÈÒÚ‚Û (͇ÒÒÂÚÌÓÏÛ
χ„ÌËÚÓÙÓÌÛ Ë Ú.‰.) ‰Îfl Á‡ÔËÒË
ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ËÒÔÓÎÌÂÌËfl.
¡ ê‡Á˙ÂÏ˚ AUX IN [L/L+R] [R].......................ÒÚ. 57
èÓÁ‚ÓÎfl˛Ú ÔÓ‰Íβ˜‡Ú¸ ‚̯ÌËÈ „ÂÌÂ‡ÚÓ
Á‚Û͇ ‰Îfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ˝ÚÓ„Ó Á‚Û͇
˜ÂÂÁ ‚ÒÚÓÂÌÌÛ˛ ‡ÍÛÒÚ˘ÂÒÍÛ˛ ÒËÒÚÂÏÛ
Ë ‰Ë̇ÏËÍË ÔˇÌËÌÓ.
™ ê‡Á˙ÂÏ USB [TO HOST]
(ÛÒÚÓÈÒÚ‚Ó Ó·‡·ÓÚÍË) ............................ÒÚ. 57
èÓÁ‚ÓÎflÂÚ ÔÓ‰Íβ˜‡Ú¸ ËÌÒÚÛÏÂÌÚ Í
ÍÓÏÔ¸˛ÚÂÛ ‰Îfl Ó·ÏÂ̇ MIDI-‰‡ÌÌ˚ÏË
ÏÂÊ‰Û ÔˇÌËÌÓ Ë ÍÓÏÔ¸˛ÚÂÓÏ.
£ èÓÚ˚ MIDI [IN][OUT][THRU]......................ÒÚ. 57
èÓÁ‚ÓÎfl˛Ú ÔÓ‰Íβ˜‡Ú¸ ‚̯ÌËÂ
MIDI-ÛÒÚÓÈÒÚ‚‡ ‰Îfl ËÒÔÓθÁÓ‚‡ÌËfl
‡Á΢Ì˚ı MIDI-ÙÛÌ͈ËÈ.
¢ ê‡Á˙ÂÏ˚ [PHONES], ÔÂÂÍβ˜‡ÚÂθ
[SPEAKER]....................................................ÒÚ. 12
èÓÁ‚ÓÎfl˛Ú ÔÓ‰Íβ˜‡Ú¸ Òڇ̉‡ÚÌ˚Â
ÒÚÂÂÓ̇ۯÌËÍË, ˜ÚÓ·˚ Ë„‡Ú¸, ̠ϯ‡fl
ÓÍÛʇ˛˘ËÏ. Ç˚Íβ˜‡ÚÂθ [SPEAKER]
‚Íβ˜‡ÂÚ Ë ‚˚Íβ˜‡ÂÚ ‚ÒÚÓÂÌÌ˚Â
‰Ë̇ÏËÍË.
∞ èÖÑÄãà ........................................................ÒÚ. 20
èÓÁ‚ÓÎfl˛Ú ÒÓÁ‰‡‚‡Ú¸ ÏÌÓÊÂÒÚ‚Ó
‚˚‡ÁËÚÂθÌ˚ı ˝ÙÙÂÍÚÓ‚, ÔÓ‰Ó·ÌÓ Ô‰‡ÎflÏ
‡ÍÛÒÚ˘ÂÒÍÓ„Ó ÔˇÌËÌÓ. ë ΂ÓÈ Ô‰‡Î¸˛
Ú‡ÍÊ ÏÓÊÌÓ Ò‚flÁ‡Ú¸ ‚˚ÔÓÎÌÂÌËÂ
‡Á΢Ì˚ı ÙÛÌ͈ËÈ.
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
9
CLP240E.book Page 10 Wednesday, April 6, 2005 4:02 PM
èÓ‰„ÓÚӂ͇ Í ‡·ÓÚÂ
èÓ‰„ÓÚӂ͇ Í ‡·ÓÚÂ
ä˚¯Í‡ Í·‚ˇÚÛ˚
óÚÓ·˚ ÓÚÍ˚Ú¸ Í˚¯ÍÛ Í·‚ˇÚÛ˚:
çÂÏÌÓ„Ó ÔËÔÓ‰ÌËÏËÚ Í˚¯ÍÛ Ë Ô·‚ÌÓ
Ò‰‚Ë̸Ú ‚ÔÂ‰.
óÚÓ·˚ Á‡Í˚Ú¸ Í˚¯ÍÛ Í·‚ˇÚÛ˚:
èÓÚflÌËÚ Í˚¯ÍÛ Ì‡ Ò·fl Ë ÓÒÚÓÓÊÌÓ
ÓÔÛÒÚËÚ ̇ Í·‚ˇÚÛÛ.
ÇçàåÄçàÖ!
éÚÍ˚‚‡fl Ë Á‡Í˚‚‡fl Í˚¯ÍÛ, ·ÂËÚÂÒ¸ Á‡ Ì ӷÂËÏË Û͇ÏË. ç ÓÚÔÛÒ͇ÈÚ Í˚¯ÍÛ, ÔÓ͇ Ó̇ Ì ÓÚÍÓÂÚÒfl ËÎË Ì Á‡ÍÓÂÚÒfl
ÔÓÎÌÓÒÚ¸˛. ëÚ‡‡ÈÚÂÒ¸ Ì Á‡˘ÂÏËÚ¸ Ò‚ÓË ËÎË ˜ÛÊË ԇθˆ˚ (ÓÒÓ·ÂÌÌÓ Ô‡Î¸ˆ˚ ‰ÂÚÂÈ) ÏÂÊ‰Û Í˚¯ÍÓÈ Ë ÍÓÔÛÒÓÏ.
ÇçàåÄçàÖ!
ç Í·‰ËÚ ̇ Í˚¯ÍÛ Í·‚ˇÚÛ˚ ÏÂÚ‡Î΢ÂÒÍË Ô‰ÏÂÚ˚ ËÎË ·Ûχ„Û. èË ÓÚÍ˚ÚËË Í˚¯ÍË ÏÂÎÍË Ô‰ÏÂÚ˚ ÏÓ„ÛÚ ÔÓÔ‡ÒÚ¸
‚ÌÛÚ¸ ÍÓÔÛÒ‡ ÔˇÌËÌÓ, Ë ËÁ‚Θ¸ Ëı ÓÚÚÛ‰‡ ·Û‰ÂÚ Ô‡ÍÚ˘ÂÒÍË Ì‚ÓÁÏÓÊÌÓ. ùÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓ‡ÊÂÌ˲ ÚÓÍÓÏ, ‡ Ú‡ÍÊ Í
ÍÓÓÚÍÓÏÛ Á‡Ï˚͇Ì˲, ÔÓÊ‡Û Ë ‰Û„ËÏ Ò¸ÂÁÌ˚Ï ÔÓ‚ÂʉÂÌËflÏ ËÌÒÚÛÏÂÌÚ‡.
è˛ÔËÚ
óÚÓ·˚ ÔÓ‰ÌflÚ¸ Ô˛ÔËÚ:
1. ç‡ÍÎÓÌËÚ ԲÔËÚ ̇ Ò·fl, ̇ÒÍÓθÍÓ ˝ÚÓ
‚ÓÁÏÓÊÌÓ.
2. éÔÛÒÚËÚ ÏÂÚ‡Î΢ÂÒÍË ÙËÍÒ‡ÚÓ˚ ÒÔ‡‚‡ Ë
Ò΂‡ ̇ Ó·‡ÚÌÓÈ ÒÚÓÓÌ ԲÔËÚ‡.
3. éÔÛÒÚËÚ ԲÔËÚ Ú‡Í, ˜ÚÓ·˚ ÓÌ ÓÔË‡ÎÒfl ̇
ÙËÍÒ‡ÚÓ˚.
óÚÓ·˚ ÓÔÛÒÚËÚ¸ Ô˛ÔËÚ:
1. ç‡ÍÎÓÌËÚ ԲÔËÚ ̇ Ò·fl, ̇ÒÍÓθÍÓ ˝ÚÓ
‚ÓÁÏÓÊÌÓ.
2. èÓ‰ÌËÏËÚ ÏÂÚ‡Î΢ÂÒÍË ÙËÍÒ‡ÚÓ˚
(̇ Ó·‡ÚÌÓÈ ÒÚÓÓÌ ԲÔËÚ‡).
3. éÒÚÓÓÊÌÓ Ì‡ÍÎÓÌflÈÚ ԲÔËÚ ̇Á‡‰, ÔÓ͇ ÓÌ
ÔÓÎÌÓÒÚ¸˛ Ì ÎflÊÂÚ Ì‡ ÏÂÒÚÓ.
ÇçàåÄçàÖ!
ç ËÒÔÓθÁÛÈÚ ԲÔËÚ, ÍÓ„‰‡ ÓÌ ÔÓ‰ÌflÚ Ì‡ÔÓÎÓ‚ËÌÛ. éÔÛÒ͇fl Ô˛ÔËÚ, ÔˉÂÊË‚‡ÈÚ „Ó, ÔÓ͇ ÓÌ ÔÓÎÌÓÒÚ¸˛ Ì ÓÔÛÒÚËÚÒfl ̇ ÏÂÒÚÓ.
ëÍÓ·ÍË-Ó„‡Ì˘ËÚÂÎË ‰Îfl ÌÓÚ (CLP-240)
ùÚË ÒÍÓ·ÍË ÒÎÛÊ‡Ú ‰Îfl ÙËÍÒ‡ˆËË ÒÚ‡Ìˈ ÌÓÚÌÓÈ ÚÂÚ‡‰Ë.
èÓ‰ÌflÚË ÒÍÓ·ÓÍ
10
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
éÔÛÒ͇ÌË ÒÍÓ·ÓÍ
CLP240E.book Page 11 Wednesday, April 6, 2005 4:02 PM
èÓ‰„ÓÚӂ͇ Í ‡·ÓÚÂ
ÇÍβ˜ÂÌË ÔËÚ‡ÌËfl
1. èÓ‰ÒÓ‰ËÌËÚ ͇·Âθ ÔËÚ‡ÌËfl
ÇÒÚ‡‚¸Ú ӉËÌ ÍÓ̈ ͇·ÂÎfl ‚ ‡Á˙ÂÏ AC INLET ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova Ë ‚Íβ˜ËÚ ‰Û„ÓÈ
ÍÓ̈ ͇·ÂÎfl ‚ ÓÁÂÚÍÛ.
Ç ÌÂÍÓÚÓ˚ı ÒÚ‡Ì‡ı ‚ ÍÓÏÔÎÂÍÚ ÔÓÒÚ‡‚ÍË ÏÓÊÂÚ ‚ıÓ‰ËÚ¸ ÔÂÂıÓ‰ÌËÍ ‰Îfl ÔÓ‰Íβ˜ÂÌËfl Í
ÓÁÂÚÍ‡Ï Ò ‰Û„ËÏ ‡ÒÔÓÎÓÊÂÌËÂÏ ÍÓÌÚ‡ÍÚÓ‚.
1-1
1-2
(îÓχ ‚ËÎÍË
Á‡‚ËÒËÚ ÓÚ
ÒÚ‡Ì˚.)
ÇçàåÄçàÖ!
ì·Â‰ËÚÂÒ¸, ˜ÚÓ Ì‡ÔflÊÂÌËÂ, ËÒÔÓθÁÛÂÏÓ ‚ ‰‡ÌÌÓÏ Â„ËÓÌÂ, ÔÓ‰ıÓ‰ËÚ ‰Îfl ÔËÚ‡ÌËfl ÔˇÌËÌÓ CLP-240/230 (‰ÓÔÛÒÚËÏÓ ̇ÔflÊÂÌË Û͇Á‡ÌÓ
̇ ÌËÊÌÂÈ Ô‡ÌÂÎË ËÌÒÚÛÏÂÌÚ‡). Ç ÌÂÍÓÚÓ˚ı Òڇ̇ı ̇ ÌËÊÌ˛˛ Ô‡ÌÂθ Í·‚ˇÚÛ˚ fl‰ÓÏ Ò Í‡·ÂÎÂÏ ÔËÚ‡ÌËfl ÔÓÏ¢‡ÂÚÒfl
ÔÂÂÍβ˜‡ÚÂθ ̇ÔflÊÂÌËfl. ì·Â‰ËÚÂÒ¸, ˜ÚÓ ÔÓÎÓÊÂÌË ÔÂÂÍβ˜‡ÚÂÎfl ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ Ì‡ÔflÊÂÌ˲, ËÒÔÓθÁÛÂÏÓÏÛ ‚ ‚‡¯ÂÏ Â„ËÓÌÂ.
èÓ‰Íβ˜ÂÌË ËÌÒÚÛÏÂÌÚ‡ Í ÌÂÔÓ‰ıÓ‰fl˘ÂÏÛ ËÒÚÓ˜ÌËÍÛ ÔËÚ‡ÌËfl ÏÓÊÂÚ Ò¸ÂÁÌÓ Ôӂ‰ËÚ¸ Â„Ó ˝ÎÂÍÚÓÒıÂÏ˚ Ë ‰‡Ê ÔË‚ÂÒÚË Í
ÔÓ‡ÊÂÌ˲ ÚÓÍÓÏ!
àÒÔÓθÁÛÈÚ ÚÓθÍÓ Í‡·Âθ ÔËÚ‡ÌËfl, ‚ıÓ‰fl˘ËÈ ‚ ÍÓÏÔÎÂÍÚ ÔÓÒÚ‡‚ÍË ÔˇÌËÌÓ CLP-240/230. èË ÔÓÚ ËÎË ÔÓ‚ÂʉÂÌËË Í‡·ÂÎfl ‰Îfl „Ó
Á‡ÏÂÌ˚ Ò‚flÊËÚÂÒ¸ Ò ÏÂÒÚÌ˚Ï ‰ËÎÂÓÏ ÍÓÔÓ‡ˆËË Yamaha. àÒÔÓθÁÓ‚‡ÌË ÌÂÔÓ‰ıÓ‰fl˘Â„Ó Í‡·ÂÎfl ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓÊ‡Û Ë ÔÓ‡ÊÂÌ˲
ÚÓÍÓÏ!
íËÔ Í‡·ÂÎfl ÔËÚ‡ÌËfl, ÔÓÒÚ‡‚ÎflÂÏÓ„Ó Ò ËÌÒÚÛÏÂÌÚÓÏ CLP-240/230, ÏÓÊÂÚ ·˚Ú¸ ‡Á΢Ì˚Ï, ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ ÒÚ‡Ì˚, „‰Â Òӂ¯Â̇
ÔÓÍÛÔ͇. (Ç ÌÂÍÓÚÓ˚ı Òڇ̇ı ‚ ÍÓÏÔÎÂÍÚ ÔÓÒÚ‡‚ÍË ÏÓÊÂÚ ‚ıÓ‰ËÚ¸ ÔÂÂıÓ‰ÌËÍ ‰Îfl ÔÓ‰Íβ˜ÂÌËfl Í ÓÁÂÚÍ‡Ï Ò ‰Û„ËÏ ‡ÒÔÓÎÓÊÂÌËÂÏ
ÍÓÌÚ‡ÍÚÓ‚.) çÖ ÏÓ‰ËÙˈËÛÈÚ ‚ËÎÍÛ Í‡·ÂÎfl, ÔÓÒÚ‡‚ÎflÂÏÓ„Ó Ò ÔˇÌËÌÓ CLP-240/230. ÖÒÎË ‚ËÎ͇ Ì ‚ıÓ‰ËÚ ‚ ÓÁÂÚÍÛ, ‚˚ÁÓ‚ËÚÂ
ÒÔˆˇÎËÒÚ‡-˝ÎÂÍÚË͇ ‰Îfl ÛÒÚ‡ÌÓ‚ÍË ÓÁÂÚÍË ÌÛÊÌÓ„Ó ÚËÔ‡.
2. ÇÍβ˜ÂÌË ÔËÚ‡ÌËfl
ç‡ÊÏËÚ ÍÌÓÔÍÛ [POWER].
• ÇÍβ˜ËÚÒfl ÔÓ‰Ò‚ÂÚ͇ ˝Í‡Ì‡ ‚ ˆÂÌÚ ÔÂ‰ÌÂÈ Ô‡ÌÂÎË Ë Ë̉Ë͇ÚÓ ÔËÚ‡ÌËfl, ̇ıÓ‰fl˘ËÈÒfl ̇ ÍÓÔÛÒÂ
ÌËÊ ÎÂ‚Ó„Ó Í‡fl Í·‚ˇÚÛ˚.
ÖÒÎË ‚˚ „ÓÚÓ‚˚ ‚˚Íβ˜ËÚ¸ ÔËÚ‡ÌËÂ, ÒÌÓ‚‡ ̇ÊÏËÚ ÍÌÓÔÍÛ [POWER].
• ÑËÒÔÎÂÈ Ë Ë̉Ë͇ÚÓ ÔËÚ‡ÌËfl ÔÓ„‡ÒÌÛÚ.
èêàåÖóÄçàÖ
à̉Ë͇ÚÓ ÔËÚ‡ÌËfl
ÖÒÎË Á‡Í˚Ú¸ Í˚¯ÍÛ Í·‚ˇÚÛ˚, Ì ‚˚Íβ˜‡fl ËÌÒÚÛÏÂÌÚ, Ë̉Ë͇ÚÓ ÔÓ‰ÓÎʇÂÚ „ÓÂÚ¸, ÔÓ͇Á˚‚‡fl, ˜ÚÓ ËÌÒÚÛÏÂÌÚ ‚ÒÂ
¢ ‚Íβ˜ÂÌ.
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
11
CLP240E.book Page 12 Wednesday, April 6, 2005 4:02 PM
èÓ‰„ÓÚӂ͇ Í ‡·ÓÚÂ
ê„ÛÎËӂ͇ „ÓÏÍÓÒÚË
ìÒÚ‡ÌÓ‚ËÚ „ÛÎflÚÓ [MASTER VOLUME] ÔËÏÂÌÓ ÔÓÒÂ‰ËÌÂ, ÏÂÊ‰Û Á̇˜ÂÌËflÏË «MIN» Ë «MAX».
燘‡‚ Ë„Û, ÛÒÚ‡ÌÓ‚ËÚ ÔÓÎÁÛÌÍÓ‚˚Ï „ÛÎflÚÓÓÏ [MASTER VOLUME] ÓÔÚËχθÌÛ˛ „ÓÏÍÓÒÚ¸.
MIN
MAX
MASTER VOLUME
ìÏÂ̸¯ÂÌË „ÓÏÍÓÒÚË
ì‚Â΢ÂÌË „ÓÏÍÓÒÚË
ÇçàåÄçàÖ!
ç ËÒÔÓθÁÛÈÚ ÔˇÌËÌÓ Clavinova ÔË ‚˚ÒÓÍÓÏ ÛÓ‚Ì „ÓÏÍÓÒÚË ‰ÎËÚÂθÌÓ ‚ÂÏfl. ùÚÓ ÏÓÊÂÚ Ôӂ‰ËÚ¸ ‚‡¯ ÒÎÛı.
íÖêåàçéãéÉàü
MASTER VOLUME:
ìÓ‚Â̸ „ÓÏÍÓÒÚË ‚ÒÂÈ Í·‚ˇÚÛ˚
èêàåÖóÄçàÖ
èË ÔÓÏÓ˘Ë ÔÓÎÁÛÌÍÓ‚Ó„Ó Â„ÛÎflÚÓ‡ [MASTER VOLUME] ÏÓÊÌÓ Ú‡ÍÊ ̇Òڇ˂‡Ú¸ „ÓÏÍÓÒÚ¸ Á‚Û͇, ‚˚ıÓ‰fl˘Â„Ó ˜ÂÂÁ ‡Á˙ÂÏ˚
[PHONES] Ë ÔÓÒÚÛÔ‡˛˘Â„Ó ˜ÂÂÁ ‡Á˙ÂÏ AUX IN.
ç‡Û¯ÌËÍË
èÓ‰ÒÓ‰ËÌËÚ ̇ۯÌËÍË Í Ó‰ÌÓÏÛ ËÁ
‡Á˙ÂÏÓ‚ [PHONES].
ç‡ ËÌÒÚÛÏÂÌÚ ÂÒÚ¸ ‰‚‡ ‡Á˙Âχ [PHONES].
åÓÊÌÓ ÔÓ‰ÒÓ‰ËÌËÚ¸ ‰‚‡ ÍÓÏÔÎÂÍÚ‡
Òڇ̉‡ÚÌ˚ı ÒÚÂÂÓ̇ۯÌËÍÓ‚. (ÖÒÎË
ËÒÔÓθÁÛÂÚÒfl Ó‰ËÌ ÍÓÏÔÎÂÍÚ Ì‡Û¯ÌËÍÓ‚,
Â„Ó ÏÓÊÌÓ ÔÓ‰ÒÓ‰ËÌËÚ¸ Í Î˛·ÓÏÛ ‡Á˙ÂÏÛ.)
àÒÔÓθÁÓ‚‡ÌË Ͳ˜Í‡ ‰Îfl ̇ۯÌËÍÓ‚
ä˛˜ÓÍ ‰Îfl ̇ۯÌËÍÓ‚ ‚ıÓ‰ËÚ ‚ ÍÓÏÔÎÂÍÚ
ÔˇÌËÌÓ CLP-240/230 Ë ÔÓÁ‚ÓÎflÂÚ ‚¯‡Ú¸
̇ۯÌËÍË Ì‡ ÍÓÔÛÒ. á‡ÍÂÔËÚ Í˛˜ÓÍ ‰Îfl
̇ۯÌËÍÓ‚ ̇ ÍÓÔÛÒÂ Ò ÔÓÏÓ˘¸˛ ‰‚Ûı
‚ËÌÚÓ‚ (4 × 10 ÏÏ), Í‡Í ÔÓ͇Á‡ÌÓ Ì‡ ËÒÛÌÍÂ.
ÇçàåÄçàÖ!
ç ‚¯‡ÈÚ ̇ ˝ÚÓÚ Í˛˜ÓÍ Ì˘„Ó, ÍÓÏ ̇ۯÌËÍÓ‚.
à̇˜Â ÏÓÊÌÓ Ôӂ‰ËÚ¸ ÔˇÌËÌÓ ËÎË Í˛˜ÓÍ.
Ç˚Íβ˜‡ÚÂθ ‰Ë̇ÏË͇
ùÚÓÚ ‚˚Íβ˜‡ÚÂθ ‚Íβ˜‡ÂÚ Ë ‚˚Íβ˜‡ÂÚ ‚ÒÚÓÂÌÌ˚Â
‰Ë̇ÏËÍË.
NORMAL (HP. SW)............. ÑË̇ÏËÍË ‚ÓÒÔÓËÁ‚Ó‰flÚ Á‚ÛÍ, ÂÒÎË ÌÂ
ÔÓ‰Íβ˜ÂÌ˚ ̇ۯÌËÍË.
ON.................................. ÑË̇ÏËÍË ‚Ò„‰‡ ‚ÓÒÔÓËÁ‚Ó‰flÚ Á‚ÛÍ.
OFF ................................ ÑË̇ÏËÍË Ì ‚ÓÒÔÓËÁ‚Ó‰flÚ Á‚ÛÍ.
12
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
OFF
ON
NORMAL
HP. SW
SPEAKER
PHONES
CLP240E.book Page 13 Wednesday, April 6, 2005 4:02 PM
ëÔ‡‚Ó˜ÌËÍ
ùÚÓÚ ‡Á‰ÂÎ ÒÓ‰ÂÊËÚ ÔÓ‰Ó·Ì˚ ҂‰ÂÌËfl
Ó ÚÓÌÍÓÈ Ì‡ÒÚÓÈÍ ‡Á΢Ì˚ı ÙÛÌ͈ËÈ
ËÌÒÚÛÏÂÌÚ‡.
èÓÒÎۯ˂‡ÌË ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÏÂÎÓ‰ËÈ.14
èÓÒÎۯ˂‡ÌË 50 ‚ÒÚÓÂÌÌ˚ı ÏÂÎÓ‰ËÈ ‰Îfl
ÙÓÚÂÔ¸flÌÓ ........................................................15
ÇÓÒÔÓËÁ‚‰ÂÌË ÏÂÎÓ‰ËÈ SMF Ë ‚̯ÌËı
ÏÂÎÓ‰ËÈ Ò USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËfl ‰‡ÌÌ˚ı
(CLP-240)...............................................................43
èÓÎÂÁÌ˚ ÙÛÌ͈ËË ‚ÓÒÔÓËÁ‚‰ÂÌËfl..................43
à„‡ Ó‰ÌÓÈ ÛÍÓÈ Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ 50
‚ÒÚÓÂÌÌ˚ı ÏÂÎÓ‰ËÈ (ÙÛÌ͈Ëfl ÓÚÍβ˜ÂÌËfl
Ô‡ÚËË Ó‰ÌÓÈ ÛÍË) .............................................. 17
îÛÌ͈Ëfl ÔÓ‚ÚÓ‡ A-B ‰Îfl 50 ‚ÒÚÓÂÌÌ˚ı
ÏÂÎÓ‰ËÈ ................................................................. 18
ç‡ÒÚÓÈÍË – ÍÌÓÔ͇ [FUNCTION]................. 44
Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÚÂÏ·Ó‚ ..................19
Ç˚·Ó ÚÂÏ·Ó‚ ...................................................... 19
àÒÔÓθÁÓ‚‡ÌË Ô‰‡ÎÂÈ ....................................... 20
ÑÓ·‡‚ÎÂÌËÂ Í Á‚ÛÍÛ ‚‡ˇˆËÈ – [VARIATION]
(CLP-240)/[BRILLIANCE]/[REVERB]/
[EFFECT]/[DDE] (CLP-240) ............................... 21
óÛ‚ÒÚ‚ËÚÂθÌÓÒÚ¸ Í ÒËΠ̇ʇÚËfl – ÍÌÓÔ͇
[TOUCH]............................................................... 23
í‡ÌÒÔÓÌËÓ‚‡ÌË – ÍÌÓÔ͇ [TRANSPOSE] ..... 24
ç‡ÎÓÊÂÌË ÚÂÏ·Ó‚ (ÂÊËÏ Dual)....................... 25
ê‡Á‰ÂÎÂÌË Í·‚ˇÚÛ˚ Ë ÚÂÏ·Ó‚ (ÂÊËÏ Split)
(CLP-240) .............................................................. 26
àÒÔÓθÁÓ‚‡ÌË ÏÂÚÓÌÓχ................................... 28
á‡ÔËÒ¸ ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ËÒÔÓÎÌÂÌËfl ....................29
Å˚ÒÚ‡fl Á‡ÔËÒ¸ ËÒÔÓÎÌÂÌËfl ................................ 29
èÂÂÁ‡ÔËÒ¸ ‡Ì Á‡ÔËÒ‡ÌÌÓÈ ÏÂÎÓ‰ËË .............. 31
á‡ÔËÒ¸ Ô‡‚ÓÈ Ë Î‚ÓÈ Ô‡ÚËË ............................. 32
àÁÏÂÌÂÌË ̇˜‡Î¸Ì˚ı ̇ÒÚÓÂÍ (‰‡ÌÌ˚ı,
Á‡ÔËÒ˚‚‡ÂÏ˚ı ‚ ̇˜‡Î ÏÂÎÓ‰ËË) ........................ 34
ꇷÓÚ‡ Ò ÏÂÎÓ‰ËflÏË Ò ÔÓÏÓ˘¸˛ USBÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËfl ‰‡ÌÌ˚ı (CLP-240) ..........35
ëÓı‡ÌÂÌËÂ Ë ˝ÍÒÔÓÚ .......................................... 35
ëÓı‡ÌÂÌË ÏÂÎÓ‰ËÈ ............................................ 36
ùÍÒÔÓÚ ÏÂÎÓ‰ËË ‚ ÙÓχÚ SMF........................ 37
쉇ÎÂÌË هÈÎÓ‚ ÏÂÎÓ‰ËÈ ................................... 38
îÓχÚËÓ‚‡ÌË USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËfl
‰‡ÌÌ˚ı ................................................................... 39
ÇÓÒÔÓËÁ‚‰ÂÌË ÏÂÎÓ‰ËÈ................................40
ÇÓÒÔÓËÁ‚‰ÂÌË ÔÓθÁÓ‚‡ÚÂθÒÍËı Ë ‚̯ÌËı
ÏÂÎÓ‰ËÈ ................................................................. 41
ÇÓÒÔÓËÁ‚‰ÂÌË ÔÓθÁÓ‚‡ÚÂθÒÍËı Ù‡ÈÎÓ‚ Ò
USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËfl ‰‡ÌÌ˚ı (CLP-240) .... 42
éÒÌÓ‚Ì˚ ‰ÂÈÒÚ‚Ëfl ‚ ÂÊËÏ Function................45
éÔËÒ‡ÌË ÙÛÌ͈ËÈ ...............................................47
F1. íÓÌ͇fl ̇ÒÚÓÈ͇ ‚˚ÒÓÚ˚ Á‚Û͇.....................47
F2. Ç˚·Ó ÒÚÓfl .....................................................48
F3. îÛÌ͈ËË ‚ ÂÊËÏ ̇ÎÓÊÂÌËfl ÚÂÏ·Ó‚ ........49
F4. (CLP-240) îÛÌ͈ËË ‚ ÂÊËÏÂ
‡Á‰ÂÎÂÌËfl ÚÂÏ·Ó‚ ...............................................50
F5. (CLP-240)/F4. (CLP-230) ÑÛ„Ë ÙÛÌ͈ËË ...51
F6. (CLP-240)/F5. (CLP-230)
ÉÓÏÍÓÒÚ¸ ÏÂÚÓÌÓχ ...........................................52
F7. (CLP-240)/F6. (CLP-230)
ÉÓÏÍÓÒÚ¸ ÓÚÍβ˜ÂÌÌÓÈ Ô‡ÚËË ÏÂÎÓ‰ËË ...........52
F8. (CLP-240)/F7. (CLP-230) îÛÌ͈ËË MIDI .....52
F9. (CLP-240)/F8. (CLP-230)
îÛÌ͈ËË ÒÓı‡ÌÂÌËfl ............................................55
F9.5 (CLP-240)/F8.5 (CLP-230)
燷Ó ÒËÏ‚ÓÎÓ‚.....................................................55
èÓ‰Íβ˜ÂÌË .................................................... 56
ê‡Á˙ÂÏ˚..................................................................56
èÓ‰Íβ˜ÂÌË ÔÂÒÓ̇θÌÓ„Ó ÍÓÏÔ¸˛ÚÂ‡ ..........60
êÂÁÂ‚ÌÓ ÍÓÔËÓ‚‡ÌË ‰‡ÌÌ˚ı....................... 62
ëÔËÒÓÍ ÒÓÓ·˘ÂÌËÈ ........................................... 63
ìÒÚ‡ÌÂÌË ÌÂÔÓ·‰ÓÍ...................................... 64
çÂÓ·flÁ‡ÚÂθÌ˚ ˝ÎÂÏÂÌÚ˚ ............................... 64
CLP-240/230: ë·Ó͇ ÔÓ‰ÒÚ‡‚ÍË ‰Îfl
Í·‚ˇÚÛ˚ ........................................................ 65
àÒÔÓθÁÓ‚‡ÌË ‰ËÒÍÓ‚Ó‰‡ „Ë·ÍËı ‰ËÒÍÓ‚ (FDD)
Ë ‰ËÒÍÂÚ (CLP-240) ........................................... 69
ìÒÚ‡Ìӂ͇ ‰ËÒÍÓ‚Ó‰‡ „Ë·ÍËı ‰ËÒÍÓ‚
(ÔÓÒÚ‡‚ÎflÂÚÒfl ÔÓ Á‡Í‡ÁÛ) ................................... 70
ëÔËÒÓÍ ‚ÒÚÓÂÌÌ˚ı ÚÂÏ·Ó‚ ............................ 71
ëÔËÒÓÍ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÏÂÎÓ‰ËÈ............... 74
è‰ÏÂÚÌ˚È Û͇Á‡ÚÂθ...................................... 75
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
13
CLP240E.book Page 14 Wednesday, April 6, 2005 4:02 PM
èÓÒÎۯ˂‡ÌË ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÏÂÎÓ‰ËÈ
èÓÒÎۯ˂‡ÌË ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı
ÏÂÎÓ‰ËÈ
ÑÂÏÓÌÒÚ‡ˆËÓÌÌ˚ ÏÂÎÓ‰ËË Ô‰̇Á̇˜ÂÌ˚ ‰Îfl ˝ÙÙÂÍÚË‚ÌÓÈ ‰ÂÏÓÌÒÚ‡ˆËË ‚ÒÂı ÚÂÏ·Ó‚ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ
CLP-240/230.
1 2 4
4
REC
MIN
3
ON/OFF
LEFT
RIGHT
STOP
PLAY/PAUSE
ON
MAX
USB
USER
PRESET
SAVE/EXP.
LOAD
FORMAT/DEL.
TEMPO
FUNCTION #
TEMPO/OTHER VALUE
METRONOME
– / NO
+ / YES
GRAND
PIANO 1
GRAND
PIANO 2
E.PIANO
1
E.PIANO
2
HARPSICHORD
E.CLAVICHORD
VIBRAPHONE
VARIATION
CHURCH
ORGAN
JAZZ
ORGAN
STRINGS
CHOIR
GUITAR
WOOD
BASS
E.BASS
SPLIT
BRIGHT
NORMAL
MELLOW
ROOM
HALL 1
HALL 2
STAGE
CHORUS
PHASER
TREMOLO
ROTARY SP
HARD
MEDIUM
SOFT
ON
SYNC START
MASTER VOLUME
DEMO
TRANSPOSE
SONG
SONG SELECT FILE
TEMPO / FUNCTION #
VOICE
BRILLIANCE REVERB
EFFECT
TOUCH
DDE
CLP-240
ÑÂÈÒÚ‚Ëfl
1.
ÇÍβ˜ÂÌË ÔËÚ‡ÌËfl
(ÖÒÎË ÔËÚ‡ÌË ‚˚Íβ˜ÂÌÓ). ç‡ÊÏËÚ ‚˚Íβ˜‡ÚÂθ [POWER].
ÖÒÎË ÔËÚ‡ÌË ‚Íβ˜ÂÌÓ, Á‡„ÓËÚÒfl Ó‰ËÌ ËÁ Ò‚ÂÚÓ‰ËÓ‰Ì˚ı
Ë̉Ë͇ÚÓÓ‚ ÍÌÓÔÓÍ ÚÂÏ·‡.
ìÒÚ‡ÌÓ‚ËÚ ÔÓÎÁÛÌÓÍ [MASTER VOLUME] ÔËÏÂÌÓ ÔÓÒÂ‰ËÌÂ, ÏÂʉÛ
Ô‡‡ÏÂÚ‡ÏË «MIN» Ë «MAX». 燘‡‚ Ë„Û, ÛÒÚ‡ÌÓ‚ËÚÂ
ÔÓÎÁÛÌÍÓ‚˚Ï „ÛÎflÚÓÓÏ [MASTER VOLUME] ÓÔÚËχθÌÛ˛
„ÓÏÍÓÒÚ¸.
2.
ÇÍβ˜ÂÌË ÂÊËχ ‰ÂÏÓÌÒÚ‡ˆËË
óÚÓ·˚ ‚Íβ˜ËÚ¸ ÂÊËÏ ‰ÂÏÓÌÒÚ‡ˆËË, ̇ÊÏËÚ ÍÌÓÔÍÛ [DEMO].
à̉Ë͇ÚÓ˚ ÍÌÓÔÓÍ ÚÂÏ·Ó‚ ·Û‰ÛÚ ÔÓÒΉӂ‡ÚÂθÌÓ ÏË„‡Ú¸.
3.
ÇÓÒÔÓËÁ‚‰ÂÌË ‰ÂÏÓÌÒÚ‡ˆËË ÚÂÏ·‡
ÑÎfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ‚ÒÂı ÏÂÎÓ‰ËÈ, ̇˜Ë̇fl Ò ‰ÂÏÓÌÒÚ‡ˆËÓÌÌÓÈ
ÏÂÎÓ‰ËË ‰Îfl ÓÔ‰ÂÎÂÌÌÓ„Ó ÚÂÏ·‡, ̇ÊÏËÚ ÍÌÓÔÍÛ ˝ÚÓ„Ó
ÚÂÏ·‡. (ÖÒÎË Ì‡Ê‡Ú¸ ÍÌÓÔÍÛ SONG [PLAY/PAUSE], ‡ Ì ÍÌÓÔÍÛ ÚÂÏ·‡,
̇˜ÌÂÚÒfl ‚ÓÒÔÓËÁ‚‰ÂÌË ‰ÂÏÓÌÒÚ‡ˆËÓÌÌÓÈ ÏÂÎÓ‰ËË ‰Îfl
ÚÂÏ·‡ GRAND PIANO 1.)
èêàåÖóÄçàÖ
ëÔËÒÓÍ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÏÂÎÓ‰ËÈ
Ô˂‰ÂÌ Ì‡ ÒÚ. 74.
èêàåÖóÄçàÖ
Ç ÂÊËÏ ÔÓÒÎۯ˂‡ÌËfl
‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÏÂÎÓ‰ËÈ ÔËÂÏ
MIDI ‰‡ÌÌ˚ı Ì‚ÓÁÏÓÊÂÌ.
чÌÌ˚ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÏÂÎÓ‰ËÈ
Ì Ô‰‡˛ÚÒfl ˜ÂÂÁ ‚˚ıÓ‰˚ MIDI.
èêàåÖóÄçàÖ
ÑÂÏÓÌÒÚ‡ˆËÓÌÌ˚È ÂÊËÏ ÌÂθÁfl
‚Íβ˜ËÚ¸ ‚Ó ‚ÂÏfl Á‡ÔËÒË
ÔÓθÁÓ‚‡ÚÂθÒÍËı ÏÂÎÓ‰ËÈ (ÒÚ. 29)
ËÎË ÓÔ‡ˆËÈ Ò Ù‡È·ÏË (ÒÚ. 35).
íÖêåàçéãéÉàü
êÂÊËÏ
ëÓÒÚÓflÌË ËÌÒÚÛÏÂÌÚ‡, ‚ ÍÓÚÓÓÏ
ÏÓÊÌÓ ‚˚ÔÓÎÌËÚ¸ ÓÔ‰ÂÎÂÌÌÛ˛
ÙÛÌÍˆË˛. Ç ‰ÂÏÓÌÒÚ‡ˆËÓÌÌÓÏ
ÂÊËÏ ÏÓÊÌÓ ÒÎÛ¯‡Ú¸
‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ ÏÂÎÓ‰ËË.
èêàåÖóÄçàÖ
4.
éÒÚ‡Ìӂ͇ ‰ÂÏÓÌÒÚ‡ˆËË ÚÂÏ·‡ Ë ‚˚ıÓ‰ ËÁ
‰ÂÏÓÌÒÚ‡ˆËÓÌÌÓ„Ó ÂÊËχ
ç‡ÊÏËÚ ÍÌÓÔÍÛ [DEMO] ËÎË SONG [STOP].
íÂÏÔ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÏÂÎÓ‰ËÈ
ËÁÏÂÌflÚ¸ ÌÂθÁfl.
çÂθÁfl ËÒÔÓθÁÓ‚‡Ú¸ ÙÛÌÍˆË˛
ÓÚÍβ˜ÂÌËfl Ô‡ÚËË (ÒÚ. 17) ËÎË
ÏÂÎÓ‰ËË.
îÛÌ͈Ëfl ÔÓ‚ÚÓ‡ A-B (ÒÚ. 18) ‚
ÂÊËÏ ‰ÂÏÓÌÒÚ‡ˆËË.
èêàåÖóÄçàÖ
ç‡ ˆËÙÓ‚ÓÏ ÔˇÌËÌÓ CLP-240 ÏÓÊÌÓ
ÔÓÒÎۯ˂‡Ú¸ ‰ÂÏÓÌÒÚ‡ˆË˛ ÚÂÏ·Ó‚
ÙÓÚÂÔ¸flÌÓ Ò ‡Á΢Ì˚ÏË
˝ÙÙÂÍÚ‡ÏË, ̇ʇ‚ ÍÌÓÔÍÛ
[VARIATION], ‡ Á‡ÚÂÏ ÍÌÓÔÍÛ ÌÛÊÌÓ„Ó
ÚÂÏ·‡. èÓÎÌ˚È ÒÔËÒÓÍ
‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı Á‚ÛÍÓ‚ Ò
‡Á΢Ì˚ÏË ˝ÙÙÂÍÚ‡ÏË ‰Îfl
ÙÓÚÂÔ¸flÌÓ Ì‡ıÓ‰ËÚÒfl ‚ ‡Á‰ÂÎÂ
«éÔËÒ‡ÌË ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı Á‚ÛÍÓ‚
‰Îfl ÚÂÏ·‡ ÙÓÚÂÔ¸flÌÓ» ̇ ÒÚ. 74.
14
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
CLP240E.book Page 15 Wednesday, April 6, 2005 4:02 PM
èÓÒÎۯ˂‡ÌË 50 ‚ÒÚÓÂÌÌ˚ı ÏÂÎÓ‰ËÈ ‰Îfl ÙÓÚÂÔ¸flÌÓ
èÓÒÎۯ˂‡ÌË 50 ‚ÒÚÓÂÌÌ˚ı
ÏÂÎÓ‰ËÈ ‰Îfl ÙÓÚÂÔ¸flÌÓ
Ç ˆËÙÓ‚ÓÏ ÔˇÌËÌÓ Clavinova ÒÓ‰ÂÊËÚÒfl 50 ÏÂÎÓ‰ËÈ ‰Îfl ÙÓÚÂÔ¸flÌÓ. ùÚË ÏÂÎÓ‰ËË ÏÓÊÌÓ ÔÓÒÚÓ ÒÎÛ¯‡Ú¸
(ÒÚ. 15) ËÎË ËÒÔÓθÁÓ‚‡Ú¸ ‰Îfl ÛÔ‡ÊÌÂÌËÈ (ÒÚ. 17). åÓÊÌÓ Ú‡ÍÊ ӷ‡ÚËÚ¸Òfl Í ÔË·„‡ÂÏÓÏÛ Ò·ÓÌËÍÛ
«50 greats for the Piano» Ò Ô‡ÚËÚÛ‡ÏË 50 ‚ÒÚÓÂÌÌ˚ı ÏÂÎÓ‰ËÈ.
3 2 -2 1
REC
MIN
MAX
ON/OFF
LEFT
RIGHT
STOP
PLAY/PAUSE
ON
2 -1
4
USB
USER
PRESET
SAVE/EXP.
LOAD
FORMAT/DEL.
TEMPO
FUNCTION #
TEMPO/OTHER VALUE
METRONOME
– / NO
+ / YES
GRAND
PIANO 1
GRAND
PIANO 2
E.PIANO
1
E.PIANO
2
HARPSICHORD
E.CLAVICHORD
VIBRAPHONE
VARIATION
CHURCH
ORGAN
JAZZ
ORGAN
STRINGS
CHOIR
GUITAR
WOOD
BASS
E.BASS
SPLIT
BRIGHT
NORMAL
MELLOW
ROOM
HALL 1
HALL 2
STAGE
CHORUS
PHASER
TREMOLO
ROTARY SP
HARD
MEDIUM
SOFT
ON
SYNC START
MASTER VOLUME
DEMO
TRANSPOSE
SONG
SONG SELECT FILE
TEMPO / FUNCTION #
VOICE
BRILLIANCE REVERB
EFFECT
TOUCH
DDE
CLP-240
ÑÂÈÒÚ‚Ëfl
1.
2.
2-1
2-2
ÇÍβ˜ÂÌË ÂÊËχ ‚ÒÚÓÂÌÌ˚ı ÏÂÎÓ‰ËÈ
çÂÒÍÓθÍÓ ‡Á ̇ÊÏËÚ ÍÌÓÔÍÛ [SONG SELECT], ÔÓ͇ Ì Á‡„ÓËÚÒfl
Ë̉Ë͇ÚÓ «PRESET».
ÇÓÒÔÓËÁ‚‰ÂÌË β·ÓÈ ËÁ 50 ‚ÒÚÓÂÌÌ˚ı ÏÂÎÓ‰ËÈ
ç‡ÊËχÈÚ ÍÌÓÔÍË [–/NO], [+/YES], ˜ÚÓ·˚
‚˚·‡Ú¸ ÌÓÏÂ ÏÂÎÓ‰ËË, ÍÓÚÓÛ˛ ıÓÚËÚÂ
‚ÓÒÔÓËÁ‚ÂÒÚË (ÌÓÏÂ ÔÓfl‚ËÚÒfl ̇
Ò‚ÂÚÓ‰ËÓ‰ÌÓÏ Ë̉Ë͇ÚÓÂ).
1 – 50:
ÇÓÒÔÓËÁ‚‰ÂÌË ÚÓθÍÓ ÏÂÎÓ‰ËË Ò
‚˚·‡ÌÌ˚Ï ÌÓÏÂÓÏ.
ALL:
èÓÒΉӂ‡ÚÂθÌÓ ‚ÓÒÔÓËÁ‚‰ÂÌË ‚ÒÂı ‚ÒÚÓÂÌÌ˚ı
ÏÂÎÓ‰ËÈ.
rnd:
çÂÔÂ˚‚ÌÓ ‚ÓÒÔÓËÁ‚‰ÂÌË ‚ÒÂı ‚ÒÚÓÂÌÌ˚ı
ÏÂÎÓ‰ËÈ ‚ ÒÎÛ˜‡ÈÌÓÏ ÔÓfl‰ÍÂ.
ÑÎfl ̇˜‡Î‡ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ̇ÊÏËÚ ÍÌÓÔÍÛ [PLAY/PAUSE] ̇
Ô‡ÌÂÎË SONG.
ç‡ÒÚÓÈ͇ „ÓÏÍÓÒÚË
ÑÎfl ̇ÒÚÓÈÍË „ÓÏÍÓÒÚË ËÒÔÓθÁÛÈÚ „ÛÎflÚÓ [MASTER VOLUME].
ç‡ÒÚÓÈ͇ ÚÂÏÔ‡
ÑÎfl ̇ÒÚÓÈÍË ÚÂÏÔ‡
‚ÓÒÔÓËÁ‚‰ÂÌËfl ÏÓÊÌÓ
ËÒÔÓθÁÓ‚‡Ú¸ ÍÌÓÔÍË [TEMPO/
FUNCTION# ▼ ▲]. íÂÏÔ ÔÓ ÛÏÓΘ‡Ì˲
ÏÓÊÌÓ ‚ÓÒÒÚ‡ÌÓ‚ËÚ¸, Ó‰ÌÓ‚ÂÏÂÌÌÓ
̇ʇ‚ ÍÌÓÔÍË [▼] Ë [▲].
3.
éÒÚ‡Ìӂ͇ ‚ÓÒÔÓËÁ‚‰ÂÌËfl
ÇÓÒÔÓËÁ‚‰ÂÌË ‡‚ÚÓχÚ˘ÂÒÍË Á‡Í‡Ì˜Ë‚‡ÂÚÒfl ÔÓÒΠÁ‡‚Â¯ÂÌËfl
‚˚·‡ÌÌÓÈ ‚ÒÚÓÂÌÌÓÈ ÏÂÎÓ‰ËË. óÚÓ·˚ ÓÒÚ‡ÌÓ‚ËÚ¸ ÏÂÎӉ˲ ‚Ó
‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl (ËÎË ÌÂÔÂ˚‚ÌÓ„Ó ‚ÓÒÔÓËÁ‚‰ÂÌËfl),
̇ÊÏËÚ ÍÌÓÔÍÛ [STOP] ̇ Ô‡ÌÂÎË SONG. åÓÊÌÓ Ú‡ÍÊÂ
ÓÒÚ‡ÌÓ‚ËÚ¸ ‚ÓÒÔÓËÁ‚‰ÂÌËÂ, ̇ʇ‚ ÍÌÓÔÍÛ [PLAY/PAUSE] ̇ Ô‡ÌÂÎË
SONG.
• ä‡Í Á‡ÔÛÒÚËÚ¸ ÌÂÔÂ˚‚ÌÓ ‚ÓÒÔÓËÁ‚‰ÂÌË ‰Û„ÓÈ ÏÂÎÓ‰ËË,
ÓÔËÒ‡ÌÓ ‚˚¯Â ‚ ÔÛÌÍÚ 2.
èêàåÖóÄçàÖ
êÂÊËÏ ‚ÒÚÓÂÌÌ˚ı ÏÂÎÓ‰ËÈ ÌÂθÁfl
‚Íβ˜ËÚ¸, ÂÒÎË ËÌÒÚÛÏÂÌÚ ‡·ÓÚ‡ÂÚ ‚
ÂÊËÏ ‰ÂÏÓÌÒÚ‡ˆËË ÏÂÎÓ‰ËÈ
(ÒÚ. 14), ‚Ó ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl
ÏÂÎÓ‰ËË (ÒÚ. 41), Á‡ÔËÒË ÏÂÎÓ‰ËË
ÔÓθÁÓ‚‡ÚÂÎfl (ÒÚ. 29) ËÎË ÓÔ‡ˆËÈ Ò
هȷÏË (ÒÚ. 35).
íÖêåàçéãéÉàü
åÂÎÓ‰Ëfl
Ç ˆËÙÓ‚ÓÏ ÔˇÌËÌÓ CLP-240/230
«ÏÂÎÓ‰ËÂÈ» ̇Á˚‚‡˛ÚÒfl ‰‡ÌÌ˚Â
ËÒÔÓÎÌflÂÏÓ„Ó ÔÓËÁ‚‰ÂÌËfl. ùÚÓ
‚Íβ˜‡ÂÚ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ ÏÂÎÓ‰ËË
Ë ‚ÒÚÓÂÌÌÛ˛ ÏÛÁ˚ÍÛ.
èêàåÖóÄçàÖ
é‰ÌÓ‚ÂÏÂÌÌÓ Ò ‚ÓÒÔÓËÁ‚‰ÂÌËÂÏ
‚ÒÚÓÂÌÌÓÈ ÏÂÎÓ‰ËË ÏÓÊÌÓ Ë„‡Ú¸ ̇
Í·‚˯‡ı. åÓÊÌÓ ËÁÏÂÌËÚ¸ ÚÂÏ· ‰Îfl
Í·‚ˇÚÛ˚.
èêàåÖóÄçàÖ
åÓÊÌÓ Ì‡ÒÚÓËÚ¸ flÍÓÒÚ¸ (ÒÚ. 21) Ë
ÚËÔ Â‚Â·Â‡ˆËË (ÒÚ. 21), ÍÓÚÓ˚Â
·Û‰ÛÚ ËÒÔÓθÁÓ‚‡Ú¸Òfl ‰Îfl ÚÂÏ·‡
Í·‚ˇÚÛ˚ Ë ‚ÓÒÔÓËÁ‚‰ÂÌËfl
‚ÒÚÓÂÌÌÓÈ ÏÂÎÓ‰ËË. ÑÎfl ÚÂÏ·‡
Í·‚ˇÚÛ˚ ÏÓÊÌÓ ËÁÏÂÌflÚ¸ ÚËÔ
˝ÙÙÂÍÚ‡ (ÒÚ. 22) Ë ˜Û‚ÒÚ‚ËÚÂθÌÓÒÚ¸
Í ÒËΠ̇ʇÚËfl (ÒÚ. 23).
èêàåÖóÄçàÖ
èË ‚˚·Ó ÌÓ‚ÓÈ ‚ÒÚÓÂÌÌÓÈ
ÏÂÎÓ‰ËË ËÎË ÔË Ì‡˜‡ÎÂ
‚ÓÒÔÓËÁ‚‰ÂÌËfl ÌÓ‚ÓÈ ‚ÒÚÓÂÌÌÓÈ
ÏÂÎÓ‰ËË ‚Ó ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ‚
ÂÊËÏÂ «ALL» ËÎË «rnd»
‡‚ÚÓχÚ˘ÂÒÍË ÛÒڇ̇‚ÎË‚‡ÂÚÒfl ÚÂÏÔ
ÔÓ ÛÏÓΘ‡Ì˲ «0».
èêàåÖóÄçàÖ
ÖÒÎË ‚˚·‡Ì‡ ‰Û„‡fl ÏÂÎÓ‰Ëfl (ËÎË
‰Û„‡fl ÏÂÎÓ‰Ëfl ‚˚·‡Ì‡ ‚Ó ‚ÂÏfl
‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÓÒΉӂ‡ÚÂθÌÓÒÚË
ÏÂÎÓ‰ËÈ), ÒÓÓÚ‚ÂÚÒÚ‚ÂÌÌÓ ·Û‰ÛÚ
‚˚·‡Ì˚ ÔÓ‰ıÓ‰fl˘Ë ÚËÔ˚
‚·‡ˆËË Ë ˝ÙÙÂÍÚ‡.
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
15
CLP240E.book Page 16 Wednesday, April 6, 2005 4:02 PM
èÓÒÎۯ˂‡ÌË 50 ‚ÒÚÓÂÌÌ˚ı ÏÂÎÓ‰ËÈ ‰Îfl ÙÓÚÂÔ¸flÌÓ
4.
Ç˚ıÓ‰ ËÁ ÂÊËχ ‚ÒÚÓÂÌÌ˚ı ÏÂÎÓ‰ËÈ
óÚÓ·˚ ‚˚ÈÚË ËÁ ÂÊËχ ‚ÒÚÓÂÌÌ˚ı ÏÂÎÓ‰ËÈ, ̇ÊÏËÚ ÍÌÓÔÍÛ
[SONG SELECT]. à̉Ë͇ÚÓ ÓÚÍβ˜‡ÂÚÒfl, Ë ËÌÒÚÛÏÂÌÚ ‚ÓÁ‚‡˘‡ÂÚÒfl
‚ Ó·˚˜Ì˚È ÂÊËÏ.
àÒÔÓθÁÓ‚‡ÌË ÙÛÌ͈ËÈ Ó·Û˜ÂÌËfl
èË Ê·ÌËË ÏÓÊÌÓ ÓÚÍβ˜ËÚ¸ Ô‡Ú˲ ΂ÓÈ ËÎË Ô‡‚ÓÈ ÛÍË Ë
Ò‡ÏÓÒÚÓflÚÂθÌÓ ÔÓÔÓ·Ó‚‡Ú¸ ‚ÓÒÔÓËÁ‚ÂÒÚË ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ Ô‡Ú˲
(ÙÛÌ͈Ëfl ÓÚÍβ˜ÂÌËfl Ô‡ÚËË), ÌÂÔÂ˚‚ÌÓ ÔÓ‚ÚÓflfl Û͇Á‡ÌÌÛ˛ Ù‡ÁÛ
ÏÂÎÓ‰ËË (ÙÛÌ͈Ëfl ÔÓ‚ÚÓ‡ ÏÂÎÓ‰ËË A-B). ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl
ÒÏ. ̇ ÒÚ. 17–18.
16
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
CLP240E.book Page 17 Wednesday, April 6, 2005 4:02 PM
èÓÒÎۯ˂‡ÌË 50 ‚ÒÚÓÂÌÌ˚ı ÏÂÎÓ‰ËÈ ‰Îfl ÙÓÚÂÔ¸flÌÓ
à„‡ Ó‰ÌÓÈ ÛÍÓÈ Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ
50 ‚ÒÚÓÂÌÌ˚ı ÏÂÎÓ‰ËÈ (ÙÛÌ͈Ëfl ÓÚÍβ˜ÂÌËfl
Ô‡ÚËË Ó‰ÌÓÈ ÛÍË)
50 ‚ÒÚÓÂÌÌ˚ı ÏÂÎÓ‰ËÈ Á‡ÔËÒ‡Ì˚ Ú‡Í, ˜ÚÓ Ô‡ÚËË Î‚ÓÈ Ë Ô‡‚ÓÈ ÛÍË Ì‡ıÓ‰flÚÒfl ‚ ‡ÁÌ˚ı Ô‡ÚËflı.
èÓ Ê·Ì˲ ÏÓÊÌÓ ÓÚÍβ˜ËÚ¸ Ô‡ÚËË Î‚ÓÈ, Ô‡‚ÓÈ ËÎË Ó·ÂËı ÛÍ, ˜ÚÓ ‰‡ÂÚ ‚ÓÁÏÓÊÌÓÒÚ¸ ‡Áۘ˂‡Ú¸ Í‡Ê‰Û˛
ËÁ ÌËı ÓÚ‰ÂθÌÓ. ÑÎfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl Ô‡ÚËË Ô‡‚ÓÈ ÛÍË Ì‡‰Ó ̇ʇڸ ÍÌÓÔÍÛ [RIGHT], ‡ ‰Îfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl
Ô‡ÚËË Î‚ÓÈ ÛÍË – ÍÌÓÔÍÛ [LEFT].
3 1 2
REC
MIN
RIGHT
PLAY/PAUSE
ON
MAX
ON/OFF
LEFT
STOP
USB
USER
PRESET
SAVE/EXP.
LOAD
FORMAT/DEL.
TEMPO
FUNCTION #
TEMPO/OTHER VALUE
METRONOME
– / NO
+ / YES
GRAND
PIANO 1
GRAND
PIANO 2
CHURCH
ORGAN
JAZZ
ORGAN
E.PIANO
1
STRINGS
E.PIANO
2
CHOIR
HARPSICHORD
E.CLAVICHORD
VIBRAPHONE
VARIATION
GUITAR
WOOD
BASS
E.BASS
SPLIT
BRIGHT
NORMAL
MELLOW
ROOM
HALL 1
HALL 2
STAGE
CHORUS
PHASER
TREMOLO
ROTARY SP
HARD
MEDIUM
SOFT
ON
SYNC START
MASTER VOLUME
DEMO
TRANSPOSE
SONG
SONG SELECT FILE
TEMPO / FUNCTION #
VOICE
ÑÂÈÒÚ‚Ëfl
1.
éÚÍβ˜ÂÌË ԇÚËË, ÍÓÚÓÛ˛ ‚˚ ıÓÚËÚ ‡ÁÛ˜ËÚ¸
Ç˚·‡‚ ÏÂÎӉ˲ ‰Îfl ÛÔ‡ÊÌÂÌËÈ, ÓÚÍβ˜ËÚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ Ô‡Ú˲
ÍÌÓÔÍÓÈ [RIGHT] ËÎË [LEFT].
èÓÒΠ‚˚·Ó‡ ÏÂÎÓ‰ËË Á‡„Ó‡˛ÚÒfl Ó·‡ Ë̉Ë͇ÚÓ‡ – [RIGHT] Ë [LEFT]. ùÚÓ
ÓÁ̇˜‡ÂÚ, ˜ÚÓ ·Û‰ÛÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òfl Ó·Â Ô‡ÚËË. ÖÒÎË Ì‡Ê‡Ú¸ Ó‰ÌÛ ËÁ
ÍÌÓÔÓÍ, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÈ Ë̉Ë͇ÚÓ ÔÓ„‡ÒÌÂÚ Ë Ô‡ÚËfl Á‚Û˜‡Ú¸ Ì ·Û‰ÂÚ.
• ç‡Ê‡ÚË ÍÌÓÔÍË ÔÓÔÂÂÏÂÌÌÓ ‚Íβ˜‡ÂÚ Ë ‚˚Íβ˜‡ÂÚ ‚ÓÒÔÓËÁ‚‰ÂÌËÂ.
2.
ÇÓÒÔÓËÁ‚‰ÂÌËÂ Ë Ë„‡ ̇ Í·‚˯‡ı
ÑÎfl ̇˜‡Î‡ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ̇ÊÏËÚ ÍÌÓÔÍÛ [PLAY/PAUSE] ̇
Ô‡ÌÂÎË SONG. éÚÍβ˜ÂÌÌÛ˛ Ô‡Ú˲ Ë„‡ÈÚ ̇ Í·‚˯‡ı.
BRILLIANCE REVERB
EFFECT
TOUCH
DDE
CLP-240
èêàåÖóÄçàÖ
ëÓÓÚ‚ÂÚÒÚ‚Û˛˘Ë ͇̇Î˚ ‚ ÏÂÎÓ‰ËË
·Û‰ÛÚ ‡‚ÚÓχÚ˘ÂÒÍË Á‡ÍÂÔÎÂÌ˚ Á‡
ÍÌÓÔ͇ÏË [RIGHT] Ë [LEFT]. í‡Í,
ÍÌÓÔÍÛ [RIGHT] ÏÓÊÌÓ Á‡ÍÂÔËÚ¸ Á‡
Ô‡ÚËÂÈ, ÓÚ΢ÌÓÈ ÓÚ Í‡Ì‡Î‡ 1, ‡
ÍÌÓÔÍÛ [LEFT] – Á‡ Ô‡ÚËÂÈ, ÓÚ΢ÌÓÈ
ÓÚ Í‡Ì‡Î‡ 2.
èêàåÖóÄçàÖ
îÛÌ͈Ëfl ÓÚÍβ˜ÂÌËfl Ô‡ÚËË
‚ÒÚÓÂÌÌÓÈ ÏÂÎÓ‰ËË Ì ÏÓÊÂÚ
ËÒÔÓθÁÓ‚‡Ú¸Òfl ÔË ‚ÓÒÔÓËÁ‚‰ÂÌËË
Ò Ô‡‡ÏÂÚ‡ÏË «ALL» ËÎË «rnd»
(ÒÚ. 15).
èêàåÖóÄçàÖ
è‡ÚËË ÏÓÊÌÓ ÓÚÍβ˜‡Ú¸ Ë ‚Íβ˜‡Ú¸
‰‡Ê ‚Ó ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl.
èêàåÖóÄçàÖ
Ä‚ÚÓχÚ˘ÂÒÍËÈ Á‡ÔÛÒÍ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔË Ë„Â Ì‡ Í·‚˯‡ı (Sync Start)
ÖÒÎË ÙÛÌ͈Ëfl ÒËÌıÓÌÌÓ„Ó Á‡ÔÛÒ͇ ‚Íβ˜Â̇, ‚ÓÒÔÓËÁ‚‰ÂÌËÂ
‚˚·‡ÌÌÓÈ ‚ÒÚÓÂÌÌÓÈ ÏÂÎÓ‰ËË Ì‡˜Ë̇ÂÚÒfl ‡‚ÚÓχÚ˘ÂÒÍË,
Ó‰ÌÓ‚ÂÏÂÌÌÓ Ò Ì‡˜‡ÎÓÏ Ë„˚ ̇ Í·‚˯‡ı.
óÚÓ·˚ ‚Íβ˜ËÚ¸ ÙÛÌÍˆË˛ ÒËÌıÓÌÌÓ„Ó Á‡ÔÛÒ͇, ̇ÊÏËÚ ÍÌÓÔÍÛ
[PLAY/PAUSE], Û‰ÂÊË‚‡fl ̇ʇÚÓÈ ÍÌÓÔÍÛ [STOP] ̇ Ô‡ÌÂÎË SONG.
(óÚÓ·˚ ÓÚÍβ˜ËÚ¸ ÙÛÌÍˆË˛ ÒËÌıÓÌÌÓ„Ó Á‡ÔÛÒ͇, ÔÓ‚ÚÓËÚÂ
Ô‰˚‰Û˘Ë ‰ÂÈÒÚ‚Ëfl.)
ÇÓÒÔÓËÁ‚‰ÂÌË ̇˜ÌÂÚÒfl Ó‰ÌÓ‚ÂÏÂÌÌÓ Ò Ì‡˜‡ÎÓÏ Ë„˚ ̇ Í·‚˯‡ı.
ÇÓÒÔÓËÁ‚‰ÂÌËÂ/è‡ÛÁ‡ Ò ÔÓÏÓ˘¸˛ ΂ÓÈ Ô‰‡ÎË
îÛÌ͈Ëfl „ÓÏÍÓÒÚË ÓÚÍβ˜ÂÌÌÓÈ
Ô‡ÚËË ÏÂÎÓ‰ËË, ÓÔËÒ‡Ì̇fl ̇ ÒÚ. 52,
ÔÓÁ‚ÓÎflÂÚ ‚˚·‡Ú¸ „ÓÏÍÓÒÚ¸
ÓÚÍβ˜ÂÌÌÓÈ Ô‡ÚËË ‚ ‰Ë‡Ô‡ÁÓÌ ÓÚ
«0» (·ÂÁ Á‚Û͇) ‰Ó «20». é·˚˜ÌÓ
ËÒÔÓθÁÛÂÚÒfl Á̇˜ÂÌË «5».
èË ÔÓÏÓ˘Ë ÙÛÌ͈ËË Left Pedal Mode (ÂÊËÏ Î‚ÓÈ Ô‰‡ÎË),
ÓÔËÒ‡ÌÌÓÈ Ì‡ ÒÚ. 51, Á‡ ΂ÓÈ Ô‰‡Î¸˛ ÏÓÊÌÓ Á‡ÍÂÔËÚ¸ ÙÛÌÍˆË˛
‚Íβ˜ÂÌËfl Ë ÓÚÍβ˜ÂÌËfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ‚ÒÚÓÂÌÌÓÈ ÏÂÎÓ‰ËË.
3.
éÒÚ‡Ìӂ͇ ‚ÓÒÔÓËÁ‚‰ÂÌËfl
äÓ„‰‡ ÏÂÎÓ‰Ëfl Á‡Í‡Ì˜Ë‚‡ÂÚÒfl, ‚ÓÒÔÓËÁ‚‰ÂÌË ‡‚ÚÓχÚ˘ÂÒÍË
ÔÂÍ‡˘‡ÂÚÒfl, Ë ÔˇÌËÌÓ Clavinova ̇ıÓ‰ËÚ Ì‡˜‡ÎÓ ÏÂÎÓ‰ËË. óÚÓ·˚
ÓÒÚ‡ÌÓ‚ËÚ¸ ÏÂÎӉ˲ ̇ ÒÂ‰ËÌÂ, ̇ÊÏËÚ ÍÌÓÔÍÛ SONG [STOP]. åÓÊÌÓ
Ú‡ÍÊ ÓÒÚ‡ÌÓ‚ËÚ¸ ‚ÓÒÔÓËÁ‚‰ÂÌËÂ, ̇ʇ‚ ÍÌÓÔÍÛ SONG [PLAY/PAUSE].
èêàåÖóÄçàÖ
èË ‚˚·Ó ÌÓ‚ÓÈ ÏÂÎÓ‰ËË
‡‚ÚÓχÚ˘ÂÒÍË ‚Íβ˜‡˛ÚÒfl Ó·Â
Ô‡ÚËË.
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
17
CLP240E.book Page 18 Wednesday, April 6, 2005 4:02 PM
èÓÒÎۯ˂‡ÌË 50 ‚ÒÚÓÂÌÌ˚ı ÏÂÎÓ‰ËÈ ‰Îfl ÙÓÚÂÔ¸flÌÓ
îÛÌ͈Ëfl ÔÓ‚ÚÓ‡ A-B ‰Îfl 50 ‚ÒÚÓÂÌÌ˚ı
ÏÂÎÓ‰ËÈ
îÛÌÍˆË˛ ÔÓ‚ÚÓ‡ Ä-Ç ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ‰Îfl ÌÂÔÂ˚‚ÌÓ„Ó ÔÓ‚ÚÓÂÌËfl Û͇Á‡ÌÌÓÈ Ù‡Á˚ ‚ÒÚÓÂÌÌÓÈ
ÏÂÎÓ‰ËË. Ç ÒÓ˜ÂÚ‡ÌËË Ò ÓÔËÒ‡ÌÌÓÈ ÌËÊ ÙÛÌ͈ËÂÈ ÓÚÍβ˜ÂÌËfl Ô‡ÚËË Ó‰ÌÓÈ ÛÍË ˝Ú‡ ÙÛÌ͈Ëfl ‰‡ÂÚ ÔÂ͇ÒÌÛ˛
‚ÓÁÏÓÊÌÓÒÚ¸ ÔÓ‡·‡Ú˚‚‡Ú¸ ÒÎÓÊÌ˚ ÓÚ˚‚ÍË.
1
2
REC
MIN
RIGHT
PLAY/PAUSE
ON
MAX
ON/OFF
LEFT
STOP
USB
USER
PRESET
SAVE/EXP.
LOAD
FORMAT/DEL.
TEMPO
FUNCTION #
TEMPO/OTHER VALUE
METRONOME
– / NO
+ / YES
GRAND
PIANO 1
GRAND
PIANO 2
CHURCH
ORGAN
JAZZ
ORGAN
E.PIANO
1
E.PIANO
2
STRINGS
CHOIR
HARPSICHORD
E.CLAVICHORD
VIBRAPHONE
VARIATION
GUITAR
WOOD
BASS
E.BASS
SPLIT
BRIGHT
NORMAL
MELLOW
ROOM
HALL 1
HALL 2
STAGE
CHORUS
PHASER
TREMOLO
ROTARY SP
HARD
MEDIUM
SOFT
ON
SYNC START
MASTER VOLUME
DEMO
SONG
TRANSPOSE
SONG SELECT FILE
TEMPO / FUNCTION #
VOICE
BRILLIANCE REVERB
EFFECT
TOUCH
DDE
CLP-240
ÑÂÈÒÚ‚Ëfl
1.
ì͇ÊËÚ ̇˜‡ÎÓ (A) Ë ÍÓ̈ (B) Ù‡Á˚ Ë Ì‡˜Ë̇ÈÚÂ
ÛÔ‡ÊÌÂÌËfl
Ç˚·ÂËÚ ‚ÒÚÓÂÌÌÛ˛ ÏÂÎӉ˲ Ë Ì‡˜ÌËÚ ÂÂ
‚ÓÒÔÓËÁ‚‰ÂÌËÂ, Á‡ÚÂÏ ‚ ̇˜‡Î Ù‡Á˚,
ÍÓÚÓÛ˛ ıÓÚËÚ ÔÓ‚ÚÓËÚ¸, ̇ÊÏËÚ ÍÌÓÔÍÛ
[TEMPO/FUNCTION#].
ùÚÓ ÓÔ‰ÂÎflÂÚ ÚÓ˜ÍÛ «A» (̇ ‰ËÒÔÎÂÂ
ÔÓfl‚ËÚÒfl
èêàåÖóÄçàÖ
îÛÌ͈Ëfl ÔÓ‚ÚÓ‡ Ä-Ç Ì ÏÓÊÂÚ
ËÒÔÓθÁÓ‚‡Ú¸Òfl ÔË ‚ÓÒÔÓËÁ‚‰ÂÌËË
Ò Ô‡‡ÏÂÚ‡ÏË «ALL» ËÎË «rnd»
(ÒÚ. 15).
).
óÚÓ·˚ Á‡‰‡Ú¸ ÍÓ̈ Ù‡Á˚ (ÚÓ˜ÍÛ «B»),
‚ ÍÓ̈ Ù‡Á˚ ÒÌÓ‚‡ ̇ÊÏËÚ ÍÌÓÔÍÛ
[TEMPO/FUNCTION#].
ùÚÓ ÓÔ‰ÂÎflÂÚ ÚÓ˜ÍÛ «Ç» (̇ ‰ËÒÔÎÂÂ
ÔÓfl‚ËÚÒfl
).
ÅÛ‰ÂÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òfl Ù‡Á‡ ÏÂʉÛ
ÚӘ͇ÏË «Ä» Ë «Ç».
èêàåÖóÄçàÖ
• óÚÓ·˚ ÛÒÚ‡ÌÓ‚ËÚ¸ ÚÓ˜ÍÛ «A» ‚
Ò‡ÏÓÏ Ì‡˜‡Î ÏÂÎÓ‰ËË, ̇ÊÏËÚÂ
ÍÌÓÔÍÛ [TEMPO/FUNCTION#] ‰Ó
̇˜‡Î‡ ‚ÓÒÔÓËÁ‚‰ÂÌËfl.
• íӘ͇ B ÏÓÊÂÚ ÛÒڇ̇‚ÎË‚‡Ú¸Òfl
‡‚ÚÓχÚ˘ÂÒÍË Ì‡ ÍÓ̈ ÏÂÎÓ‰ËË,
ÂÒÎË ÛÒÚ‡ÌÓ‚ËÚ¸ ÚÓ˜ÍÛ A Ë ‰‡Ú¸
ÏÂÎÓ‰ËË ‰ÓË„‡Ú¸ ‰Ó ÍÓ̈‡.
èêàåÖóÄçàÖ
Ç ÚӘ͠«Ä» ‡‚ÚÓχÚ˘ÂÒÍË
̇˜Ë̇ÂÚÒfl Á‡Ú‡ÍÚ (˝ÚÓ ÔÓÏÓ„‡ÂÚ
ÔÓ‰„ÓÚÓ‚ËÚ¸Òfl Í Ì‡˜‡ÎÛ Ù‡Á˚).
2.
éÒÚ‡Ìӂ͇ ‚ÓÒÔÓËÁ‚‰ÂÌËfl
óÚÓ·˚ ÓÒÚ‡ÌÓ‚ËÚ¸ ‚ÓÒÔÓËÁ‚‰ÂÌËÂ, ÒÓı‡Ìflfl Á‡‰‡ÌÌ˚ ÚÓ˜ÍË «Ä»
Ë «Ç», ̇ÊÏËÚ ÍÌÓÔÍÛ SONG [STOP]. èÓ‚ÚÓÌÓ ‚ÓÒÔÓËÁ‚‰ÂÌËÂ
A-B ‚ÓÁÓ·ÌÓ‚ËÚÒfl, ÂÒÎË Â˘Â ‡Á ̇ʇڸ ÍÌÓÔÍÛ SONG [PLAY/PAUSE].
óÚÓ·˚ Û‰‡ÎËÚ¸ ÚÓ˜ÍË «A» Ë «B», Ó‰ËÌ ‡Á ̇ÊÏËÚ ÍÌÓÔÍÛ [TEMPO/
FUNCTION#].
èêàåÖóÄçàÖ
á̇˜ÂÌËfl ÚÓ˜ÂÍ «Ä» Ë «Ç»
‡‚ÚÓχÚ˘ÂÒÍË Û‰‡Îfl˛ÚÒfl ÔË ‚˚·ÓÂ
ÌÓ‚ÓÈ ÏÂÎÓ‰ËË.
18
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
CLP240E.book Page 19 Wednesday, April 6, 2005 4:02 PM
Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÚÂÏ·Ó‚
Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÚÂÏ·Ó‚
Ç˚·Ó ÚÂÏ·Ó‚
äÌÓÔÍË ÚÂÏ·‡
REC
MIN
ON/OFF
LEFT
RIGHT
STOP
PLAY/PAUSE
ON
MAX
USB
USER
PRESET
SAVE/EXP.
LOAD
FORMAT/DEL.
TEMPO
FUNCTION #
TEMPO/OTHER VALUE
METRONOME
– / NO
+ / YES
GRAND
PIANO 1
GRAND
PIANO 2
E.PIANO
1
E.PIANO
2
HARPSICHORD
E.CLAVICHORD
VIBRAPHONE
VARIATION
CHURCH
ORGAN
JAZZ
ORGAN
STRINGS
CHOIR
GUITAR
WOOD
BASS
E.BASS
SPLIT
BRIGHT
NORMAL
MELLOW
ROOM
HALL 1
HALL 2
STAGE
CHORUS
PHASER
TREMOLO
ROTARY SP
HARD
MEDIUM
SOFT
ON
SYNC START
MASTER VOLUME
DEMO
TRANSPOSE
SONG
SONG SELECT FILE
TEMPO / FUNCTION #
VOICE
BRILLIANCE REVERB
EFFECT
TOUCH
DDE
CLP-240
ÑÂÈÒÚ‚Ëfl
Ç˚·ÂËÚ ÌÛÊÌ˚È ÚÂÏ· Ò ÔÓÏÓ˘¸˛ Ó‰ÌÓÈ ËÁ ÍÌÓÔÓÍ VOICE.
燘‡‚ Ë„Û, ÛÒÚ‡ÌÓ‚ËÚ ÔÓÎÁÛÌÍÓÏ [MASTER VOLUME] ÓÔÚËχθÌÛ˛
„ÓÏÍÓÒÚ¸.
èêàåÖóÄçàÖ
óÚÓ·˚ ÔÓÁ̇ÍÓÏËÚ¸Òfl Ò ÚÂÏ·‡ÏË,
ÏÓÊÌÓ ÔÓÒÎÛ¯‡Ú¸ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚Â
ÏÂÎÓ‰ËË ‰Îfl ͇ʉÓÈ „ÛÔÔ˚ ÚÂÏ·Ó‚
(ÒÚ. 14). ᇠ·ÓΠÔÓ‰Ó·ÌÓÈ
ËÌÙÓχˆËÂÈ Ó ‚ÒÚÓÂÌÌ˚ı ÚÂÏ·‡ı
Ó·‡ÚËÚÂÒ¸ Í ÒÔËÒÍÛ ‚ÒÚÓÂÌÌ˚ı
ÚÂÏ·Ó‚ ̇ ÒÚ. 71.
íÖêåàçéãéÉàü
íÂÏ·
ÑÎfl ÔˇÌËÌÓ Clavinova «ÚÂÏ·»
ÓÁ̇˜‡ÂÚ «ÚÓÌ» ËÎË «Á‚ÛÍÓ‚ÓÈ
ÓÚÚÂÌÓÍ».
èêàåÖóÄçàÖ
ÉÓÏÍÓÒÚ¸ ÚÂÏ·‡ ÏÓÊÌÓ Â„ÛÎËÓ‚‡Ú¸
ÒËÎÓÈ Ì‡Ê‡ÚËfl Í·‚˯, ıÓÚfl ÔË
ÌÂÍÓÚÓ˚ı ̇ÒÚÓÈ͇ı
˜Û‚ÒÚ‚ËÚÂθÌÓÒÚË Í ÒËΠ̇ʇÚËfl,
ÒË· ̇ʇÚËfl Ô‡ÍÚ˘ÂÒÍË Ì ‚ÎËflÂÚ
̇ Á‚Û˜‡ÌË ÌÂÍÓÚÓ˚ı ÏÛÁ˚͇θÌ˚ı
ËÌÒÚÛÏÂÌÚÓ‚.
ëÏ. «ëÔËÒÓÍ ‚ÒÚÓÂÌÌ˚ı ÚÂÏ·Ó‚» ̇
ÒÚ. 71.
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
19
CLP240E.book Page 20 Wednesday, April 6, 2005 4:02 PM
Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÚÂÏ·Ó‚
àÒÔÓθÁÓ‚‡ÌË Ô‰‡ÎÂÈ
ì ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova ÂÒÚ¸ ÚË
Ô‰‡ÎË, ÍÓÚÓ˚ ‚˚ÔÓÎÌfl˛Ú Ú Ê ÙÛÌ͈ËË,
˜ÚÓ Ë Ô‰‡ÎË ‡ÍÛÒÚ˘ÂÒÍÓ„Ó ÔˇÌËÌÓ.
èêàåÖóÄçàÖ
ÖÒÎË Ô‡‚‡fl Ô‰‡Î¸ Ì ‡·ÓÚ‡ÂÚ,
۷‰ËÚÂÒ¸, ˜ÚÓ ¯ÌÛ Ô‰‡ÎË
Ô‡‚ËθÌÓ ÔÓ‰Íβ˜ÂÌ Í „·‚ÌÓÈ ˜‡ÒÚË
(ÒÚ. 67).
ÑÂÏÔÙÂ̇fl (Ô‡‚‡fl) Ô‰‡Î¸
è‡‚‡fl Ô‰‡Î¸ ‡·ÓÚ‡ÂÚ Ú‡Í ÊÂ, Í‡Í Ô‡‚‡fl
Ô‰‡Î¸ ‡ÍÛÒÚ˘ÂÒÍÓ„Ó ÙÓÚÂÔ¸flÌÓ. ÖÒÎË Ô‡‚‡fl
Ô‰‡Î¸ ̇ʇڇ, ÌÓÚ‡ Á‚Û˜ËÚ ‰Óθ¯Â. ÖÒÎË
ÓÚÔÛÒÚËÚ¸ Ô‰‡Î¸, Á‚Û˜‡ÌË ÔÓ‰ÎÂÌÌ˚ı ÌÓÚ
Ï„ÌÓ‚ÂÌÌÓ ÔÂÍ‡˘‡ÂÚÒfl.
ÖÒÎË Ì‡ CLP-240 ‚˚·‡Ì ÚÂÏ· GRAND PIANO 1,
̇ʇÚË Ô‡‚ÓÈ Ô‰‡ÎË ÔË‚Ó‰ËÚ ‚ ‰ÂÈÒÚ‚ËÂ
«ÒÛÒÚÂÈÌ»-Ò˝ÏÔÎ˚ ‰Îfl ÚÓ˜ÌÓ„Ó
‚ÓÒÔÓËÁ‚‰ÂÌËfl ÛÌË͇θÌÓ„Ó ÂÁÓ̇ÌÒ‡ ‰ÂÍË
Ë ÒÚÛÌ ‡ÍÛÒÚ˘ÂÒÍÓ„Ó ÓflÎfl. ùÙÙÂÍÚ
«ÔÓÎÓ‚ËÌ˚ Ô‰‡ÎË» ÔÓÁ‚ÓÎflÂÚ ËÒÔÓθÁÓ‚‡Ú¸
Ô‡‚Û˛ Ô‰‡Î¸ ‰Îfl ÒÓÁ‰‡ÌËfl ˜‡ÒÚ˘Ì˚ı
˝ÙÙÂÍÚÓ‚ ÒÛÒÚÂÈ̇, Á‡‚ËÒfl˘Ëı ÓÚ „ÎÛ·ËÌ˚ ̇ʇÚËfl Ô‰‡ÎË.
ëÓÒÚÂÌÛÚÓ (Ò‰Ìflfl Ô‰‡Î¸)
ÖÒÎË, ‚ ÚÓ ‚ÂÏfl Í‡Í Ì‡Ê‡Ú‡ Í·‚˯‡ ËÎË
‡ÍÍÓ‰, ̇ʇڸ ÒÂ‰Ì˛˛ Ô‰‡Î¸, ÌÓÚ˚ ·Û‰ÛÚ
Á‚Û˜‡Ú¸, ÔÓ͇ Ô‰‡Î¸ Ì ·Û‰ÂÚ ÓÚÔÛ˘Â̇ (͇Í
ÔË Ì‡Ê‡ÚËË Ô‡‚ÓÈ Ô‰‡ÎË), ÌÓ ‚Ò ÌÓÚ˚,
ÔÓË„˚‚‡ÂÏ˚ ÔÓÒΠ˝ÚÓ„Ó, ÔӉ΂‡Ú¸Òfl ÌÂ
·Û‰ÛÚ. ùÚÓ ‰‡ÂÚ ‚ÓÁÏÓÊÌÓÒÚ¸ ÔÓ‰ÎËÚ¸
Á‚Û˜‡ÌË ‡ÍÍÓ‰‡, ÂÒÎË, ̇ÔËÏÂ, ÌÓÚ˚,
Ë‰Û˘Ë Á‡ ÌËÏ, Ë„‡˛ÚÒfl ÒÚ‡Í͇ÚÓ.
èË„ÎÛ¯ÂÌË Á‚Û͇ (΂‡fl Ô‰‡Î¸)
èÓ͇ ̇ʇڇ ΂‡fl Ô‰‡Î¸, „ÓÏÍÓÒÚ¸ ÔÓË„˚‚‡ÂÏ˚ı ÌÓÚ ·Û‰ÂÚ
ÔË„ÎÛ¯Â̇, ‡ ÚÂÏ· Ò΄͇ ËÁÏÂÌÂÌ. ç‡ ÌÓÚ˚, ÍÓÚÓ˚ ‚ ÏÓÏÂÌÚ
̇ʇÚËfl ΂ÓÈ Ô‰‡ÎË ÛÊ Á‚Û˜‡ÎË, ˝Ú‡ Ô‰‡Î¸ Ì ‚ÎËflÂÚ.
20
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
èêàåÖóÄçàÖ
ÉÎÛ·ËÌÛ ˝ÙÙÂÍÚ‡ «ÒÛÒÚÂÈÌ»-Ò˝ÏÔÎÓ‚
ÏÓÊÌÓ Ì‡ÒÚÓËÚ¸ ‚ ÙÛÌ͈Ëflı Ô‰‡ÎÂÈ
(Pedal Functions) ‚ ÂÊËÏÂ Function
(ÒÚ. 51).
èêàåÖóÄçàÖ
ÖÒÎË ‚Íβ˜ÂÌ ˝ÙÙÂÍÚ DDE, ÏÓÊÌÓ
ÒÎ˚¯‡Ú¸ ËÏËÚ‡ˆË˛ Á‚Û͇ «ÒÛÒÚÂÈÌ»
Ô‡‚ÓÈ Ô‰‡ÎË ÓflÎfl, ÍÓ„‰‡ ‚˚
̇ÊËχÂÚ ԇ‚Û˛ Ô‰‡Î¸ Ë Ë„‡ÂÚÂ
̇ Í·‚ˇÚÛ (ÒÚ. 22).
èêàåÖóÄçàÖ
íÂÏ·˚ Ó„‡Ì‡, ÒÚÛÌÌ˚ı Ë ıÓ‡
ÔÓ‰ÓÎʇ˛Ú Á‚Û˜‡Ú¸, ÔÓ͇ ̇ʇڇ
Ò‰Ìflfl Ô‰‡Î¸.
èêàåÖóÄçàÖ
èË ÔÓÏÓ˘Ë ÙÛÌ͈ËË ÂÊËχ ΂ÓÈ
Ô‰‡ÎË (CLP-240) Á‡ ΂ÓÈ Ô‰‡Î¸˛
ÏÓÊÌÓ Á‡ÍÂÔËÚ¸ ÙÛÌÍˆË˛
‚ÓÒÔÓËÁ‚‰ÂÌËfl ËÎË ÔËÓÒÚ‡ÌÓ‚ÍË
ÏÂÎÓ‰ËË ËÎË ÙÛÌÍˆË˛ ‚‡Ë‡ˆËË,
Ô˂‰ÂÌÌÛ˛ ̇ ÒÚ. 51.
CLP240E.book Page 21 Wednesday, April 6, 2005 4:02 PM
Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÚÂÏ·Ó‚
ÑÓ·‡‚ÎÂÌËÂ Í Á‚ÛÍÛ ‚‡ˇˆËÈ – [VARIATION]
(CLP-240)/[BRILLIANCE]/[REVERB]/
[EFFECT]/[DDE] (CLP-240)
ÍÌÓÔÍË [–/NO]
[+/YES]
REC
RIGHT
PLAY/PAUSE
ON
MAX
MIN
ON/OFF
LEFT
STOP
USB
USER
PRESET
SAVE/EXP.
LOAD
FORMAT/DEL.
TEMPO
FUNCTION #
TEMPO/OTHER VALUE
METRONOME
– / NO
+ / YES
ÍÌÓÔ͇
[VARIATION]
GRAND
PIANO 1
GRAND
PIANO 2
CHURCH
ORGAN
JAZZ
ORGAN
E.PIANO
1
E.PIANO
2
STRINGS
CHOIR
HARPSICHORD
E.CLAVICHORD
VIBRAPHONE
VARIATION
GUITAR
WOOD
BASS
E.BASS
SPLIT
[REVERB],
ÍÌÓÔ͇
BRIGHT
NORMAL
MELLOW
ROOM
HALL 1
HALL 2
STAGE
CHORUS
PHASER
TREMOLO
ROTARY SP
HARD
MEDIUM
SOFT
ON
SYNC START
MASTER VOLUME
DEMO
TRANSPOSE
SONG
SONG SELECT FILE
TEMPO / FUNCTION #
VOICE
BRILLIANCE REVERB
EFFECT
TOUCH
DDE
CLP-240
[BRILLIANCE], äÌÓÔ͇ [EFFECT]
(ùÙÙÂÍÚ)
ÍÌÓÔ͇
[VARIATION] (CLP-240)
èÓÁ‚ÓÎflÂÚ ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ ‚˚·‡ÌÌÓ„Ó ÚËÔ‡ ËÁÏÂÌflÚ¸ ‰Û„ÓÈ ‡ÒÔÂÍÚ ˝ÙÙÂÍÚ‡.
ᇠ·ÓΠÔÓ‰Ó·ÌÓÈ ËÌÙÓχˆËÂÈ Ó ‚‡ˇˆËflı Ó·‡ÚËÚÂÒ¸ Í ÒÔËÒÍÛ ‚ÒÚÓÂÌÌ˚ı
ÚÂÏ·Ó‚ ̇ ÒÚ. 71.
íÖêåàçéãéÉàü
ÑÂÈÒÚ‚Ëfl
LJˇˆËfl ‚Íβ˜‡ÂÚÒfl Ë ‚˚Íβ˜‡ÂÚÒfl ̇ʇÚËÂÏ ÍÌÓÔÍË [VARIATION] ËÎË
ÍÌÓÔÍË ‚˚·‡ÌÌÓ„Ó ÚÂÏ·‡.
èË Í‡Ê‰ÓÏ Ì‡Ê‡ÚËË ÍÌÓÔÍË [VARIATION] Á‡„Ó‡ÂÚÒfl Ë̉Ë͇ÚÓ (ON).
[BRILLIANCE]
ùÚÓÚ „ÛÎflÚÓ ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ‰Îfl ̇ÒÚÓÈÍË ÚÓ̇θÌÓÒÚË ËÎË
«ÚÂÏ·‡» ‚˚‚Ó‰ËÏÓ„Ó Á‚Û͇.
flÍËÈ ÚÓÌ
Òڇ̉‡ÚÌ˚È ÚÓÌ
Ïfl„ÍËÈ Ë ÒÔÓÍÓÈÌ˚È Á‚ÛÍ
BRIGHT:
NORMAL:
Mellow:
èêàåÖóÄçàÖ
ëڇ̉‡Ú̇fl ÛÒÚ‡Ìӂ͇ – OFF
ÑÂÈÒÚ‚Ëfl
ÑÎfl ‚˚·Ó‡ ÚËÔ‡ flÍÓÒÚË ÌÂÒÍÓθÍÓ ‡Á ̇ÊÏËÚ ÍÌÓÔÍÛ [BRILLIANCE], ÔÓ͇ ÌÂ
Á‡„ÓËÚÒfl ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÈ Ë̉Ë͇ÚÓ (Ë̉Ë͇ÚÓ˚ Á‡„Ó‡˛ÚÒfl
ÔÓÒΉӂ‡ÚÂθÌÓ ÔË Í‡Ê‰ÓÏ Ì‡Ê‡ÚËË ÍÌÓÔÍË [BRILLIANCE]). åÓÊÌÓ ‚˚·‡Ú¸
flÍÓÒÚ¸ ÔflÚË ÚËÔÓ‚. äÓ„‰‡ Á‡„Ó‡˛ÚÒfl ‰‚‡ ÒÓÒ‰ÌËı Ë̉Ë͇ÚÓ‡, ‚˚·Ë‡ÂÚÒfl
ÚÓÚ ÚËÔ, ÍÓÚÓ˚È ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ Ò‰ÌÂÏÛ Á̇˜ÂÌ˲ ‰‚Ûı Û͇Á‡ÌÌ˚ı ÚËÔÓ‚.
ç‡ÔËÏÂ, ÂÒÎË „ÓflÚ Ë̉Ë͇ÚÓ˚ NORMAL Ë MELLOW, ‚˚·‡Ì‡
̇ÒÚÓÈ͇ flÍÓÒÚË, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘‡fl Ò‰ÌÂÏÛ Á̇˜ÂÌ˲ NORMAL Ë
MELLOW. ùÚÓÚ Ô‡‡ÏÂÚ ‚ÎËflÂÚ Ì‡ Á‚ÛÍ ËÌÒÚÛÏÂÌÚ‡ ‚ ˆÂÎÓÏ.
ëڇ̉‡Ú̇fl ÛÒÚ‡Ìӂ͇
ëڇ̉‡Ú̇fl ÛÒÚ‡Ìӂ͇ – ˝ÚÓ
Á‡‚Ó‰Ò͇fl ÛÒÚ‡Ìӂ͇ ̇ ÏÓÏÂÌÚ
ÔÂ‚Ó„Ó ‚Íβ˜ÂÌËfl ËÌÒÚÛÏÂÌÚ‡
Clavinova.
èêàåÖóÄçàÖ
èË ÔÓÏÓ˘Ë ÙÛÌ͈ËË ÂÊËχ ΂ÓÈ
Ô‰‡ÎË, ÓÔËÒ‡ÌÌÓÈ Ì‡ ÒÚ. 51, Á‡ ΂ÓÈ
Ô‰‡Î¸˛ ÏÓÊÌÓ Á‡ÍÂÔËÚ¸ ÙÛÌÍˆË˛
‚Íβ˜ÂÌËfl ËÎË ÓÚÍβ˜ÂÌËfl ‚‡Ë‡ˆËË
(CLP-240).
èêàåÖóÄçàÖ
ëڇ̉‡Ú̇fl ÛÒÚ‡Ìӂ͇ = Normal
èêàåÖóÄçàÖ
ÖÒÎË ‰Îfl Ô‡‡ÏÂÚ‡ BRILLIANCE
‚˚·‡ÌÓ Á̇˜ÂÌË BRIGHT, Á‚ÛÍ ·Û‰ÂÚ
ÌÂÏÌÓ„Ó „ÓϘÂ. ÖÒÎË ‰Îfl Ô‡‡ÏÂÚ‡
MASTER VOLUME Á‡‰‡Ì ‚˚ÒÓÍËÈ
ÛÓ‚Â̸, Á‚ÛÍ ÏÓÊÂÚ ËÒ͇ʇڸÒfl.
Ç ˝ÚÓÏ ÒÎÛ˜‡Â ÒÌËÁ¸Ú ÛÓ‚Â̸
Ô‡‡ÏÂÚ‡ MASTER VOLUME.
[REVERB]
ùÚ‡ ̇ÒÚÓÈ͇ ÔÓÁ‚ÓÎflÂÚ ‚˚·Ë‡Ú¸ ‡Á΢Ì˚ ˝ÙÙÂÍÚ˚ ˆËÙÓ‚ÓÈ
‚Â·Â‡ˆËË, ÍÓÚÓ˚ ‰Ó·‡‚Îfl˛Ú Á‚ÛÍÛ „ÎÛ·ËÌÛ Ë ‚˚‡ÁËÚÂθÌÓÒÚ¸,
ÒÓÁ‰‡‚‡fl ‡ÎËÒÚ˘ÌÛ˛ ‡ÍÛÒÚ˘ÂÒÍÛ˛ ‡ÚÏÓÒÙÂÛ.
OFF:
ROOM:
HALL 1:
HALL 2:
STAGE:
ÖÒÎË ˝ÙÙÂÍÚ ‚Â·Â‡ˆËË Ì ‚˚·‡Ì, Ë̉Ë͇ÚÓ˚ REVERB Ì „ÓflÚ.
ùÚÓÚ Ô‡‡ÏÂÚ ‰Ó·‡‚ÎflÂÚ Á‚ÛÍÛ ÌÂÔÂ˚‚Ì˚È ˝ÙÙÂÍÚ ‚Â·Â‡ˆËË,
ÒıÓ‰Ì˚È Ò ‡ÍÛÒÚ˘ÂÒÍÓÈ ‚Â·Â‡ˆËÂÈ, ÍÓÚÓÛ˛ ÒÎ˚¯ÌÓ ‚ ÍÓÏ̇ÚÂ.
óÚÓ·˚ Á‚ÛÍ ‚Â·Â‡ˆËË ·˚Î «¯Ë», ËÒÔÓθÁÛÈÚ ԇ‡ÏÂÚ HALL 1.
ùÚÓÚ ˝ÙÙÂÍÚ ËÏËÚËÛÂÚ ÂÒÚÂÒÚ‚ÂÌÌÛ˛ ‚Â·Â‡ˆË˛ Ì·Óθ¯Ó„Ó
ÍÓ̈ÂÚÌÓ„Ó Á‡Î‡.
óÚÓ·˚ Á‚ÛÍ ‚Â·Â‡ˆËË ·˚Î ‰ÂÈÒÚ‚ËÚÂθÌÓ ¯ËÓÍËÏ, ËÒÔÓθÁÛÈÚÂ
Ô‡‡ÏÂÚ HALL 2. ùÚÓÚ ˝ÙÙÂÍÚ ËÏËÚËÛÂÚ ÂÒÚÂÒÚ‚ÂÌÌÛ˛
‚Â·Â‡ˆË˛ ·Óθ¯Ó„Ó ÍÓ̈ÂÚÌÓ„Ó Á‡Î‡.
àÏËÚËÛÂÚ ‚Â·Â‡ˆË˛ ÒˆÂÌ˚.
èêàåÖóÄçàÖ
íËÔ Â‚Â·Â‡ˆËË ÔÓ ÛÏÓΘ‡Ì˲
(‚ ÚÓÏ ˜ËÒΠԇ‡ÏÂÚ OFF)
Ë Ô‡‡ÏÂÚ˚ „ÎÛ·ËÌ˚ ‡Á΢Ì˚ ‰Îfl
Í‡Ê‰Ó„Ó ÚÂÏ·‡.
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
21
CLP240E.book Page 22 Wednesday, April 6, 2005 4:02 PM
Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÚÂÏ·Ó‚
ÑÂÈÒÚ‚Ëfl
ç‡Ê‡ÚË ÍÌÓÔÍË [REVERB] ÔÓÔÂÂÏÂÌÌÓ ‚Íβ˜‡ÂÚ Ë ‚˚Íβ˜‡ÂÚ
‚Â·Â‡ˆË˛.
èË Í‡Ê‰ÓÏ Ì‡Ê‡ÚËË ÍÌÓÔÍË [VARIATION] ÔÓÒΉӂ‡ÚÂθÌÓ Á‡„Ó‡˛ÚÒfl
Ë̉Ë͇ÚÓ˚. ÖÒÎË Ë̉Ë͇ÚÓ˚ Ì „ÓflÚ, ˝ÙÙÂÍÚ Ì ÒÓÁ‰‡ÂÚÒfl.
ç‡ÒÚÓÈ͇ „ÎÛ·ËÌ˚ ‚·‡ˆËË
ç‡ÒÚÓÈÚ „ÎÛ·ËÌÛ ‚Â·Â‡ˆËË ‰Îfl ‚˚·‡ÌÌÓ„Ó ÚÂÏ·‡ ÔË ÔÓÏÓ˘Ë
ÍÌÓÔÓÍ [–/NO] [+/YES], Û‰ÂÊË‚‡fl ̇ʇÚÓÈ ÍÌÓÔÍÛ [REVERB]. ÉÎÛ·ËÌÛ
‚Â·Â‡ˆËË ÏÓÊÌÓ Á‡‰‡‚‡Ú¸ ‚ Ô‰Â·ı ÓÚ 0 ‰Ó 20. ÖÒÎË Ì‡Ê‡Ú‡ ÍÌÓÔ͇
[REVERB], ÚÂÍÛ˘Â Á̇˜ÂÌË „ÎÛ·ËÌ˚ ÔÓfl‚ÎflÂÚÒfl ̇ Ò‚ÂÚÓ‰ËÓ‰ÌÓÏ
Ë̉Ë͇ÚÓÂ.
èêàåÖóÄçàÖ
éÚÔÛÒÚË‚ ÍÌÓÔÍÛ [REVERB], ‚˚
ËÁÏÂÌËÚ ÚËÔ Â‚Â·Â‡ˆËË.
ÖÒÎË ‚˚ ËÁÏÂÌflÂÚ „ÎÛ·ËÌÛ
‚·‡ˆËË, Û‰ÂÊË‚‡fl ÍÌÓÔÍÛ
[REVERB], ̇ʇÚË ÍÌÓÔÍË [REVERB]
Ì ËÁÏÂÌËÚ ÚËÔ Â‚Â·Â‡ˆËË.
èêàåÖóÄçàÖ
„ÎÛ·Ë̇ 0: ·ÂÁ ˝ÙÙÂÍÚ‡
„ÎÛ·Ë̇ 20: χÍÒËχθ̇fl „ÎÛ·Ë̇
‚·‡ˆËË
èêàåÖóÄçàÖ
臇ÏÂÚ˚ „ÎÛ·ËÌ˚ ÔÓ ÛÏÓΘ‡Ì˲
Ò‚ÓË ‰Îfl Í‡Ê‰Ó„Ó ÚÂÏ·‡.
[EFFECT]
äÌÓÔ͇ [EFFECT] ÔÓÁ‚ÓÎflÂÚ ‚˚·‡Ú¸ ˝ÙÙÂÍÚ ‰Îfl Ôˉ‡ÌËfl Á‚ÛÍÛ ·Óθ¯ÂÈ
„ÎÛ·ËÌ˚ Ë ÊË‚ÓÒÚË.
OFF:
CHORUS:
PHASER:
TREMOLO:
ROTARY SP:
ÖÒÎË ˝ÙÙÂÍÚ Ì ‚˚·‡Ì, Ë̉Ë͇ÚÓ EFFECT Ì „ÓËÚ.
àÒÍfl˘ËÈÒfl, ‡Ò¯Ëfl˛˘ËÈ ˝ÙÙÂÍÚ
ÑÓ·‡‚ÎflÂÚ Á‚ÛÍÛ ˝ÙÙÂÍÚ ‡ÒÔÓÒÚ‡ÌÂÌËfl.
ùÙÙÂÍÚ ÚÂÏÓÎÓ
ÑÓ·‡‚ÎflÂÚ ˝ÙÙÂÍÚ ‚Ë·‡ÚÓ ‚‡˘‡˛˘Â„ÓÒfl ‰Ë̇ÏË͇.
èêàåÖóÄçàÖ
íËÔ ˝ÙÙÂÍÚ‡ (‚ ÚÓÏ ˜ËÒΠԇ‡ÏÂÚ
OFF) Ë Â„Ó „ÎÛ·Ë̇ ÔÓ ÛÏÓΘ‡Ì˲ Ò‚ÓË
‰Îfl Í‡Ê‰Ó„Ó ÚÂÏ·‡.
ÑÂÈÒÚ‚Ëfl
ÑÎfl ‚˚·Ó‡ ÚËÔ‡ ˝ÙÙÂÍÚ‡ ÌÂÒÍÓθÍÓ ‡Á ̇ÊÏËÚ ÍÌÓÔÍÛ [EFFECT], ÔÓ͇
Ì Á‡„ÓËÚÒfl Ë̉Ë͇ÚÓ ÌÛÊÌÓ„Ó ˝ÙÙÂÍÚ‡ (Ë̉Ë͇ÚÓ˚ Á‡„Ó‡˛ÚÒfl
ÔÓÒΉӂ‡ÚÂθÌÓ ÔË Í‡Ê‰ÓÏ Ì‡Ê‡ÚËË ÍÌÓÔÍË [EFFECT]). ÖÒÎË
Ë̉Ë͇ÚÓ˚ Ì „ÓflÚ, ˝ÙÙÂÍÚ Ì ÒÓÁ‰‡ÂÚÒfl.
ç‡ÒÚÓÈ͇ „ÎÛ·ËÌ˚ ˝ÙÙÂÍÚ‡
ç‡ÒÚÓÈÚ „ÎÛ·ËÌÛ ˝ÙÙÂÍÚ‡ ‰Îfl ‚˚·‡ÌÌÓ„Ó ÚÂÏ·‡ ÔË ÔÓÏÓ˘Ë
ÍÌÓÔÓÍ [–/NO] Ë [+/YES], Û‰ÂÊË‚‡fl ̇ʇÚÓÈ ÍÌÓÔÍÛ [EFFECT].
ÉÎÛ·ËÌÛ ˝ÙÙÂÍÚ‡ ÏÓÊÌÓ Á‡‰‡‚‡Ú¸ ‚ Ô‰Â·ı ÓÚ 0 ‰Ó 20. ÖÒÎË Ì‡Ê‡Ú‡
ÍÌÓÔ͇ [EFFECT], ÚÂÍÛ˘Â Á̇˜ÂÌË „ÎÛ·ËÌ˚ ÔÓfl‚ÎflÂÚÒfl ̇ Ò‚ÂÚÓ‰ËÓ‰ÌÓÏ
Ë̉Ë͇ÚÓÂ.
èêàåÖóÄçàÖ
éÚÔÛÒÚË‚ ÍÌÓÔÍÛ [EFFECT], ‚˚
ËÁÏÂÌËÚÂ ÚËÔ ˝ÙÙÂÍÚ‡.
ÖÒÎË ‚˚ ËÁÏÂÌflÂÚ ԇ‡ÏÂÚ „ÎÛ·ËÌ˚,
Û‰ÂÊË‚‡fl ÍÌÓÔÍÛ [EFFECT], ̇ʇÚËÂ
ÍÌÓÔÍË [EFFECT] ÌÂ ËÁÏÂÌËÚ ÚËÔ
˝ÙÙÂÍÚ‡.
èêàåÖóÄçàÖ
„ÎÛ·Ë̇ 0: ·ÂÁ ˝ÙÙÂÍÚ‡
„ÎÛ·Ë̇ 20: χÍÒËχθ̇fl „ÎÛ·Ë̇
˝ÙÙÂÍÚ‡
èêàåÖóÄçàÖ
[DDE] (CLP-240)
臇ÏÂÚ˚ „ÎÛ·ËÌ˚ ÔÓ ÛÏÓΘ‡Ì˲
Ò‚ÓË ‰Îfl Í‡Ê‰Ó„Ó ÚÂÏ·‡.
ùÙÙÂÍÚ DDE (˝ÙÙÂÍÚ Ô‡‚ÓÈ Ô‰‡ÎË) ÔÓÁ‚ÓÎflÂÚ ÒÎ˚¯‡Ú¸ ËÏËÚ‡ˆË˛
Á‚Û͇ «ÒÛÒÚÂÈÌ» Ô‡‚ÓÈ Ô‰‡ÎË ÓflÎfl, ÍÓ„‰‡ ‚˚ ̇ÊËχÂÚ Ô‡‚Û˛
Ô‰‡Î¸ Ë Ë„‡ÂÚ ̇ Í·‚ˇÚÛÂ. ùÚÓÚ ˝ÙÙÂÍÚ ‡ÒÔÓÒÚ‡ÌflÂÚÒfl ̇ Á‚ÛÍ
‚ÒÂ„Ó ËÌÒÚÛÏÂÌÚ‡.
ÑÂÈÒÚ‚Ëfl
ç‡Ê‡ÚË ÍÌÓÔÍË [DDE] ÔÓÔÂÂÏÂÌÌÓ ‚Íβ˜‡ÂÚ Ë ‚˚Íβ˜‡ÂÚ ˝ÙÙÂÍÚ
DDE.
ç‡ÒÚÓÈ͇ „ÎÛ·ËÌ˚ ˝ÙÙÂÍÚ‡ DDE
ç‡ÒÚÓÈÚ „ÎÛ·ËÌÛ ˝ÙÙÂÍÚ‡ DDE ÔË ÔÓÏÓ˘Ë ÍÌÓÔÓÍ [–/NO] Ë [+/YES],
Û‰ÂÊË‚‡fl ̇ʇÚÓÈ ÍÌÓÔÍÛ [DDE] .
ÉÎÛ·ËÌÛ ˝ÙÙÂÍÚ‡ ÏÓÊÌÓ Á‡‰‡‚‡Ú¸ ‚ Ô‰Â·ı ÓÚ 0 ‰Ó 20. ÖÒÎË Ì‡Ê‡Ú‡
ÍÌÓÔ͇ [DDE], ̇ Ò‚ÂÚÓ‰ËÓ‰ÌÓÏ Ë̉Ë͇ÚÓ ÔÓfl‚ÎflÂÚÒfl ÚÂÍÛ˘Â Á̇˜ÂÌËÂ
„ÎÛ·ËÌ˚.
22
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
èêàåÖóÄçàÖ
ëڇ̉‡Ú̇fl ÛÒÚ‡Ìӂ͇ = ON
èêàåÖóÄçàÖ
„ÎÛ·Ë̇ 0: ·ÂÁ ˝ÙÙÂÍÚ‡
„ÎÛ·Ë̇ 20: χÍÒËχθ̇fl „ÎÛ·Ë̇
˝ÙÙÂÍÚ‡ DDE
CLP240E.book Page 23 Wednesday, April 6, 2005 4:02 PM
Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÚÂÏ·Ó‚
óÛ‚ÒÚ‚ËÚÂθÌÓÒÚ¸ Í ÒËΠ̇ʇÚËfl – ÍÌÓÔ͇
[TOUCH]
åÓÊÌÓ ‚˚·‡Ú¸ ˜ÂÚ˚ ‡Á΢Ì˚ı ÚËÔ‡ ˜Û‚ÒÚ‚ËÚÂθÌÓÒÚË Í·‚ˇÚÛ˚ Í ÒËΠ̇ʇÚËfl — HARD, MEDIUM, SOFT
ËÎË FIXED, ÔÓ‰ıÓ‰fl˘Ëı ‰Îfl Ë„˚ ‚ ‡Á΢Ì˚ı ÒÚËÎflı Ë Ò ‡Á΢Ì˚ÏË Ì‡ÒÚÓÈ͇ÏË.
èêàåÖóÄçàÖ
óÚÓ·˚ ‰ÓÒÚ˘¸ χÍÒËχθÌÓÈ „ÓÏÍÓÒÚË, ÒË· ̇ʇÚËfl ̇
Í·‚Ë¯Ë ‰ÓÎÊ̇ ·˚Ú¸ Ó˜Â̸ ·Óθ¯ÓÈ.
ä·‚Ë¯Ë ‡„ËÛ˛Ú Ì‡ ÒËÎÛ Ì‡Ê‡ÚËfl Ó·˚˜Ì˚Ï Ó·‡ÁÓÏ.
å‡ÍÒËχθ̇fl „ÓÏÍÓÒÚ¸ ‰ÓÒÚË„‡ÂÚÒfl ÔË ÓÚÌÓÒËÚÂθÌÓ
Ì·Óθ¯ÓÈ ÒËΠ̇ʇÚËfl.
ÉÓÏÍÓÒÚ¸ ÌÓÚ Ì Á‡‚ËÒËÚ ÓÚ ÒËÎ˚ ̇ʇÚËfl. (à̉Ë͇ÚÓ˚ ÌÂ
„ÓflÚ.) îËÍÒËÓ‚‡ÌÌ˚È ÛÓ‚Â̸ „ÓÏÍÓÒÚË ÏÓÊÌÓ ËÁÏÂÌËÚ¸.
HARD:
MEDIUM:
SOFT:
FIXED:
ùÚ‡ ̇ÒÚÓÈ͇ Ì ËÁÏÂÌflÂÚ ‚ÂÒ
Í·‚ˇÚÛ˚.
èêàåÖóÄçàÖ
ëڇ̉‡Ú̇fl ̇ÒÚÓÈ͇ = MEDIUM
èêàåÖóÄçàÖ
íËÔ ˜Û‚ÒÚ‚ËÚÂθÌÓÒÚË Í ÒËΠ̇ʇÚËfl
·Û‰ÂÚ Ó·˘ËÏ ‰Îfl ‚ÒÂı ÚÂÏ·Ó‚.
é‰Ì‡ÍÓ Ì‡ÒÚÓÈÍË ˜Û‚ÒÚ‚ËÚÂθÌÓÒÚË Í
ÒËΠ̇ʇÚËfl ÏÓ„ÛÚ Ò··Ó ‚ÎËflÚ¸ ËÎË
‚ÓÓ·˘Â Ì ‚ÎËflÚ¸ ̇ ÌÂÍÓÚÓ˚Â
ÚÂÏ·˚, ÍÓÚÓ˚ ӷ˚˜ÌÓ Ì ‡„ËÛ˛Ú
̇ ‰Ë̇ÏËÍÛ Í·‚ˇÚÛ˚. (ëÏ. «ëÔËÒÓÍ
‚ÒÚÓÂÌÌ˚ı ÚÂÏ·Ó‚» ̇ ÒÚ. 71.)
äÌÓÔ͇ [TOUCH]
äÌÓÔÍË [–/NO] [+/YES]
REC
MIN
MAX
ON/OFF
LEFT
RIGHT
STOP
PLAY/PAUSE
ON
USB
USER
PRESET
SAVE/EXP.
LOAD
FORMAT/DEL.
TEMPO
FUNCTION #
TEMPO/OTHER VALUE
METRONOME
– / NO
+ / YES
GRAND
PIANO 1
GRAND
PIANO 2
E.PIANO
1
E.PIANO
2
HARPSICHORD
E.CLAVICHORD
VIBRAPHONE
VARIATION
CHURCH
ORGAN
JAZZ
ORGAN
STRINGS
CHOIR
GUITAR
WOOD
BASS
E.BASS
SPLIT
BRIGHT
NORMAL
MELLOW
ROOM
HALL 1
HALL 2
STAGE
CHORUS
PHASER
TREMOLO
ROTARY SP
HARD
MEDIUM
SOFT
ON
SYNC START
MASTER VOLUME
DEMO
TRANSPOSE
SONG
SONG SELECT FILE
TEMPO / FUNCTION #
VOICE
BRILLIANCE REVERB
EFFECT
TOUCH
DDE
CLP-240
ÑÂÈÒÚ‚Ëfl
ÑÎfl ‚˚·Ó‡ ÚËÔ‡ ˜Û‚ÒÚ‚ËÚÂθÌÓÒÚË Í ÒËΠ̇ʇÚËfl ÌÂÒÍÓθÍÓ ‡Á
̇ÊÏËÚ ÍÌÓÔÍÛ [TOUCH], ÔÓ͇ Ì Á‡„ÓËÚÒfl Ë̉Ë͇ÚÓ ÌÛÊÌÓ„Ó ˝ÙÙÂÍÚ‡
(Ë̉Ë͇ÚÓ˚ Á‡„Ó‡˛ÚÒfl ÔÓÒΉӂ‡ÚÂθÌÓ ÔË Í‡Ê‰ÓÏ Ì‡Ê‡ÚËË ÍÌÓÔÍË
[TOUCH] ). ÖÒÎË ‚˚·‡Ì Ô‡‡ÏÂÚ FIXED, Ë̉Ë͇ÚÓ˚ Ì „ÓflÚ.
àÁÏÂÌÂÌË „ÓÏÍÓÒÚË, ÂÒÎË ‚˚·‡Ì Ô‡‡ÏÂÚ FIXED
ÖÒÎË ‚˚·‡Ì Ô‡‡ÏÂÚ FIXED, „ÓÏÍÓÒÚ¸ ÌÓÚ,
ËÒÔÓÎÌflÂÏ˚ı ‚ ÂÊËÏ FIXED, ÏÓÊÌÓ ÛÒÚ‡ÌÓ‚ËÚ¸
ÔË ÔÓÏÓ˘Ë ÍÌÓÔÓÍ [–/NO] Ë [+/YES], Û‰ÂÊË‚‡fl
̇ʇÚÓÈ ÍÌÓÔÍÛ [TOUCH]. ç‡ ‰ËÒÔΠÔÓfl‚ÎflÂÚÒfl
ÚÂÍÛ˘ËÈ ÛÓ‚Â̸ „ÓÏÍÓÒÚË. ÉÓÏÍÓÒÚ¸ ÏÓÊÌÓ
ËÁÏÂÌflÚ¸ ‚ ‰Ë‡Ô‡ÁÓÌ ÓÚ 1 ‰Ó 127. èÓ ÛÏÓΘ‡Ì˲
ËÒÔÓθÁÛÂÚÒfl ÛÓ‚Â̸ 64.
èêàåÖóÄçàÖ
1: ÏËÌËχθ̇fl „ÓÏÍÓÒÚ¸
127: χÍÒËχθ̇fl „ÓÏÍÓÒÚ¸
èêàåÖóÄçàÖ
ÉÓÏÍÓÒÚ¸, Á‡‰‡Ì̇fl ‚ ÂÊËÏ FIXED,
·Û‰ÂÚ Ó·˘ÂÈ ‰Îfl ‚ÒÂı ÚÂÏ·Ó‚.
èêàåÖóÄçàÖ
éÚÔÛÒÚË‚ ÍÌÓÔÍÛ [TOUCH], ‚˚
ËÁÏÂÌËÚ ÚËÔ ˜Û‚ÒÚ‚ËÚÂθÌÓÒÚË.
ÖÒÎË ‚˚ ËÁÏÂÌflÂÚ „ÓÏÍÓÒÚ¸,
Û‰ÂÊË‚‡fl ÍÌÓÔÍÛ [TOUCH], ̇ʇÚËÂ
ÍÌÓÔÍË [TOUCH] ÌÂ ËÁÏÂÌËÚ ÚËÔ
˜Û‚ÒÚ‚ËÚÂθÌÓÒÚË Í ÒËΠ̇ʇÚËfl.
(éÒÚ‡ÌÂÚÒfl ‚˚·‡Ì Ô‡‡ÏÂÚ FIXED.)
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
23
CLP240E.book Page 24 Wednesday, April 6, 2005 4:02 PM
Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÚÂÏ·Ó‚
í‡ÌÒÔÓÌËÓ‚‡ÌË – ÍÌÓÔ͇ [TRANSPOSE]
îÛÌ͈Ëfl Ú‡ÌÒÔÓÌËÓ‚‡ÌËfl ‚ ˆËÙÓ‚ÓÏ ÔˇÌËÌÓ Clavinova ÔÓÁ‚ÓÎflÂÚ ÔÓ‚˚¯‡Ú¸ ËÎË ÔÓÌËʇڸ ‚˚ÒÓÚÛ Á‚Û͇
‚ÒÂÈ Í·‚ˇÚÛ˚ Ò ËÌÚ‚‡ÎÓÏ, ‡‚Ì˚Ï ÔÓÎÛÚÓÌÛ, ˜ÚÓ·˚ ӷ΄˜ËÚ¸ Ë„Û ‚ ÒÎÓÊÌ˚ı ÚÓ̇θÌÓÒÚflı, Ë ‰‡ÂÚ
‚ÓÁÏÓÊÌÓÒÚ¸ ΄ÍÓ ÔÓ‰Ó·‡Ú¸ ‚˚ÒÓÚÛ Á‚Û͇ Í·‚ˇÚÛ˚, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ‰Ë‡Ô‡ÁÓÌÛ „ÓÎÓÒ‡ Ô‚ˆ‡ ËÎË ‰Û„Ëı
ËÌÒÚÛÏÂÌÚÓ‚. ç‡ÔËÏÂ, ÂÒÎË ÛÒÚ‡ÌÓ‚ËÚ¸ ‚Â΢ËÌÛ Ú‡ÌÒÔÓÌËÓ‚‡ÌËfl ̇ «5», ÚÓ ÔË Ì‡Ê‡ÚËË Ì‡ Í·‚ˇÚÛÂ
Í·‚Ë¯Ë C («‰Ó») ·Û‰ÂÚ Á‚Û˜‡Ú¸ ÌÓÚ‡ F («Ù‡»). í‡ÍËÏ Ó·‡ÁÓÏ ÏÓÊÌÓ Ë„‡Ú¸ ÏÂÎӉ˲ Ú‡Í ÊÂ, Í‡Í ‚ ÚÓ̇θÌÓÒÚË
ÒË-χÊÓ, ‡ ˆËÙÓ‚Ó ÔˇÌËÌÓ Clavinova Ú‡ÌÒÔÓÌËÛÂÚ Á‚ÛÍ ‚ ÚÓ̇θÌÓÒÚ¸ Ù‡-χÊÓ.
äÌÓÔ͇ [TRANSPOSE]
REC
MIN
äÌÓÔÍË [–/NO] [+/YES]
ON/OFF
LEFT
RIGHT
STOP
PLAY/PAUSE
ON
MAX
USB
USER
PRESET
SAVE/EXP.
LOAD
FORMAT/DEL.
TEMPO
FUNCTION #
TEMPO/OTHER VALUE
METRONOME
– / NO
+ / YES
GRAND
PIANO 1
GRAND
PIANO 2
E.PIANO
1
E.PIANO
2
HARPSICHORD
E.CLAVICHORD
VIBRAPHONE
VARIATION
CHURCH
ORGAN
JAZZ
ORGAN
STRINGS
CHOIR
GUITAR
WOOD
BASS
E.BASS
SPLIT
BRIGHT
NORMAL
MELLOW
ROOM
HALL 1
HALL 2
STAGE
CHORUS
PHASER
TREMOLO
ROTARY SP
HARD
MEDIUM
SOFT
ON
SYNC START
MASTER VOLUME
DEMO
TRANSPOSE
SONG
SONG SELECT FILE
TEMPO / FUNCTION #
VOICE
BRILLIANCE REVERB
EFFECT
TOUCH
DDE
CLP-240
ÑÂÈÒÚ‚Ëfl
óÚÓ·˚ ÔÓ‚˚ÒËÚ¸ ËÎË ÔÓÌËÁËÚ¸ ‚˚ÒÓÚÛ Á‚Û͇,
ËÒÔÓθÁÛÈÚ ÍÌÓÔÍË [–/NO] Ë [+/YES], Û‰ÂÊË‚‡fl
ÍÌÓÔÍÛ [TRANSPOSE]. á̇˜ÂÌË Ú‡ÌÒÔÓÌËÓ‚‡ÌËfl
ÔÓfl‚ÎflÂÚÒfl ̇ Ò‚ÂÚÓ‰ËÓ‰ÌÓÏ Ë̉Ë͇ÚÓÂ, ÂÒÎË
Û‰ÂÊË‚‡ÂÚÒfl ÍÌÓÔ͇ [TRANSPOSE]. èÓ ÛÏÓΘ‡Ì˲
Á̇˜ÂÌË Ú‡ÌÒÔÓÌËÓ‚‡ÌËfl ‡‚ÌÓ «0».
à̉Ë͇ÚÓ ÍÌÓÔÍË [TRANSPOSE] „ÓËÚ, ÂÒÎË ‚˚·‡ÌÌÓ Á̇˜ÂÌËÂ
Ú‡ÌÒÔÓÌËÓ‚‡ÌËfl Ì ‡‚ÌÓ «0». ç‡Ê‡ÚË ÍÌÓÔÍË [TRANSPOSE] ÔÓÒÎÂ
˝ÚÓ„Ó ‚Íβ˜‡ÂÚ ËÎË ‚˚Íβ˜‡ÂÚ ÙÛÌÍˆË˛ Ú‡ÌÒÔÓÌËÓ‚‡ÌËfl.
24
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
íÖêåàçéãéÉàü
í‡ÌÒÔÓÌËÓ‚‡ÌËÂ
àÁÏÂÌÂÌË ÚÓ̇θÌÓÒÚË ÏÂÎÓ‰ËË.
ç‡ ˆËÙÓ‚ÓÏ ÔˇÌËÌÓ Clavinova
Ú‡ÌÒÔÓÌËÓ‚‡ÌË ËÁÏÂÌflÂÚ ‚˚ÒÓÚÛ
Á‚Û͇ ‚ÒÂÈ Í·‚ˇÚÛ˚.
èêàåÖóÄçàÖ
ÑˇԇÁÓÌ Ú‡ÌÒÔÓÌËÓ‚‡ÌËfl:
–12: –12 ÔÓÎÛÚÓÌÓ‚ (̇ Ó‰ÌÛ ÓÍÚ‡‚Û
ÌËÊÂ)
0: Òڇ̉‡Ú̇fl ‚˚ÒÓÚ‡ Á‚Û͇
12: 12 ÔÓÎÛÚÓÌÓ‚ (̇ Ó‰ÌÛ ÓÍÚ‡‚Û ‚˚¯Â)
CLP240E.book Page 25 Wednesday, April 6, 2005 4:02 PM
Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÚÂÏ·Ó‚
ç‡ÎÓÊÂÌË ÚÂÏ·Ó‚ (ÂÊËÏ Dual)
ç‡ ‚ÒÂÈ Í·‚ˇÚÛ ÏÓÊÌÓ Ó‰ÌÓ‚ÂÏÂÌÌÓ Ë„‡Ú¸ ‰‚ÛÏfl ÚÂÏ·‡ÏË. ùÚÓ ÔÓÁ‚ÓÎflÂÚ ËÏËÚËÓ‚‡Ú¸ ÏÂÎӉ˘ÂÒÍËÈ
‰Û˝Ú ËÎË ÒÓ˜ÂÚ‡Ú¸ ‰‚‡ ÔÓıÓÊËı ÚÂÏ·‡ ‰Îfl ÔÓÎÛ˜ÂÌËfl ·ÓΠ̇Ò˚˘ÂÌÌÓ„Ó Á‚Û͇.
1
REC
MIN
TEMPO/OTHER VALUE
ON/OFF
LEFT
RIGHT
STOP
PLAY/PAUSE
ON
MAX
USB
USER
PRESET
SAVE/EXP.
LOAD
FORMAT/DEL.
TEMPO
FUNCTION #
METRONOME
– / NO
+ / YES
2
GRAND
PIANO 1
GRAND
PIANO 2
E.PIANO
1
E.PIANO
2
HARPSICHORD
E.CLAVICHORD
VIBRAPHONE
VARIATION
CHURCH
ORGAN
JAZZ
ORGAN
STRINGS
CHOIR
GUITAR
WOOD
BASS
E.BASS
SPLIT
BRIGHT
NORMAL
MELLOW
ROOM
HALL 1
HALL 2
STAGE
CHORUS
PHASER
TREMOLO
ROTARY SP
HARD
MEDIUM
SOFT
ON
SYNC START
MASTER VOLUME
DEMO
TRANSPOSE
SONG
SONG SELECT FILE
TEMPO / FUNCTION #
VOICE
BRILLIANCE REVERB
EFFECT
TOUCH
DDE
CLP-240
ÑÂÈÒÚ‚Ëfl
1.
èêàåÖóÄçàÖ (CLP-240)
ÇÍβ˜ÂÌË ÂÊËχ Dual
é‰ÌÓ‚ÂÏÂÌÌÓ Ì‡ÊÏËÚ ÍÌÓÔÍË ‰‚Ûı ÚÂÏ·Ó‚ (ËÎË Ì‡ÊÏËÚÂ
ÍÌÓÔÍÛ Ó‰ÌÓ„Ó ÚÂÏ·‡, Û‰ÂÊË‚‡fl ÍÌÓÔÍÛ ‰Û„Ó„Ó). ÖÒÎË
‚Íβ˜ËÚÒfl ÂÊËÏ Dual, Á‡„ÓflÚÒfl Ë̉Ë͇ÚÓ˚ Ó·ÓËı ‚˚·‡ÌÌ˚ı
ÚÂÏ·Ó‚.
• Ç ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò ÌÛÏÂ‡ˆËÂÈ
ÚÂÏ·Ó‚, Û͇Á‡ÌÌÓÈ ‚ Ú‡·ÎˈÂ
ÒÔ‡‚‡, ÚÂÏ· Ò ÏÂ̸¯ËÏ
ÌÓÏÂÓÏ ÒÚ‡ÌÓ‚ËÚÒfl ÔÂ‚˚Ï
ÚÂÏ·ÓÏ (Voice 1) (‰Û„ÓÈ
ÚÂÏ· ÒÚ‡ÌÓ‚ËÚÒfl ‚ÚÓ˚Ï
(Voice 2)).
1
2
3
4
5
6
7
GRAND
PIANO 1
GRAND
PIANO 2
E.PIANO
1
E.PIANO
2
HARPSICHORD
E.CLAVICHORD
VIBRAPHONE
CHURCH
ORGAN
JAZZ
ORGAN
STRINGS
CHOIR
GUITAR
WOOD
BASS
E.BASS
13
14
VOICE
8
9
10
11
12
êÂÊËÏ˚ Dual Ë Split (ÒÚ. 26) ÌÂθÁfl
ËÒÔÓθÁÓ‚‡Ú¸ Ó‰ÌÓ‚ÂÏÂÌÌÓ.
èêàåÖóÄçàÖ
äÌÓÔ͇ [VARIATION] ‚ ÂÊËÏ Dual
(CLP-240)
à̉Ë͇ÚÓ ÍÌÓÔÍË [VARIATION] ·Û‰ÂÚ
„ÓÂÚ¸, ÂÒÎË ‰Îfl Ó‰ÌÓ„Ó ËÎË Ó·ÓËı ÚÂÏ·Ó‚
‚ ÂÊËÏ Dual ËÒÔÓθÁÛÂÚÒfl ‚‡Ë‡ˆËfl.
ÖÒÎË ËÒÔÓθÁÛÂÚÒfl ÂÊËÏ Dual, ÏÓÊÌÓ
ËÒÔÓθÁÓ‚‡Ú¸ ÍÌÓÔÍÛ [VARIATION] ‰Îfl
‚Íβ˜ÂÌËfl Ë ÓÚÍβ˜ÂÌËfl ‚‡Ë‡ˆËË Ó·ÓËı
ÚÂÏ·Ó‚. óÚÓ·˚ ‚Íβ˜ËÚ¸ ËÎË ÓÚÍβ˜ËÚ¸
‚‡Ë‡ˆË˛ ÚÓθÍÓ ‰Îfl Ó‰ÌÓ„Ó ËÁ ÚÂÏ·Ó‚,
̇ÊÏËÚ ÍÌÓÔÍÛ ÚÂÏ·‡, ‰Îfl ÍÓÚÓÓ„Ó
ıÓÚËÚ ˝ÚÓ Ò‰Â·ڸ, Û‰ÂÊË‚‡fl ̇ʇÚÓÈ
ÍÌÓÔÍÛ ‰Û„Ó„Ó ÚÂÏ·‡.
èêàåÖóÄçàÖ
êÂÊËÏ Function ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ CLP-240/230 Ó·ÂÒÔ˜˂‡ÂÚ
‰ÓÒÚÛÔ Í ÌÂÍÓÚÓ˚Ï ‰Û„ËÏ ÙÛÌ͈ËflÏ ÂÊËχ Dual, ̇ÔËÏÂ,
Í Ì‡ÒÚÓÈÍ ·‡Î‡ÌÒ‡ „ÓÏÍÓÒÚË ËÎË Ì‡ÒÚÓÈÍ ÓÍÚ‡‚˚ (ÒÚ. 49).
(ÖÒÎË ÙÛÌ͈ËË ÂÊËχ Dual Ì ̇ÒÚÓÂÌ˚, ‰Îfl Í‡Ê‰Ó„Ó ÚÂÏ·‡
·Û‰ÛÚ ËÒÔÓθÁÓ‚‡Ì˚ ̇ÒÚÓÈÍË ÔÓ ÛÏÓΘ‡Ì˲.)
2.
Ç˚ıÓ‰ ËÁ ÂÊËχ Dual Ë ‚ÓÁ‚‡Ú ‚ Ó·˚˜Ì˚È ÂÊËÏ Ë„˚
óÚÓ·˚ ‚ÂÌÛÚ¸Òfl ‚ Ó·˚˜Ì˚È ÂÊËÏ Ë„˚ Ò Ó‰ÌËÏ ÚÂÏ·ÓÏ,
̇ÊÏËÚ ÍÌÓÔÍÛ Î˛·Ó„Ó ÚÂÏ·‡.
äÌÓÔ͇ [REVERB] ‚ ÂÊËÏ Dual
èËÓËÚÂÚÌ˚Ï fl‚ÎflÂÚÒfl ÚËÔ
‚·‡ˆËË, ‚˚·‡ÌÌ˚È ‰Îfl
ÚÂÏ·‡ 1 (Voice 1). ÖÒÎË Â‚Â·Â‡ˆËfl
ÓÚÍβ˜Â̇, ·Û‰ÂÚ ËÒÔÓθÁÓ‚‡Ú¸Òfl ÚËÔ
‚·‡ˆËË ‚ÚÓÓ„Ó ÚÂÏ·‡
(Voice 2). ç‡ÒÚÓÈÍË „ÎÛ·ËÌ˚
‚·‡ˆËË, ҉·ÌÌ˚ ̇ Ô‡ÌÂÎË
ÛÔ‡‚ÎÂÌËfl (̇ÔËÏÂ, ̇ʇÚËÂÏ
ÍÌÓÔÓÍ [–/NO] ËÎË [+/YES], ÍÓ„‰‡
Û‰ÂÊË‚‡ÂÚÒfl ÍÌÓÔ͇ [REVERB] —
ÒÏ. ÒÚ. 21), ÔËÏÂÌfl˛ÚÒfl ÚÓθÍÓ Í
Ô‚ÓÏÛ ÚÂÏ·Û (Voice 1).
èêàåÖóÄçàÖ
äÌÓÔ͇ [EFFECT] ‚ ÂÊËÏ Dual
Ç Á‡‚ËÒËÏÓÒÚË ÓÚ ÒËÚÛ‡ˆËË Ó‰ËÌ ÚËÔ
˝ÙÙÂÍÚ‡ ÏÓÊÂÚ ·˚Ú¸ ÔËÓËÚÂÚÌ˚Ï
ÔÓ ÓÚÌÓ¯ÂÌ˲ Í ‰Û„ÓÏÛ. ÉÎÛ·Ë̇
ÓÔ‰ÂÎflÂÚÒfl ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò
„ÎÛ·ËÌÓÈ ÍÓÏ·Ë̇ˆËË ÚÂÏ·Ó‚,
ËÒÔÓθÁÛ˛˘ÂÈÒfl ÔÓ ÛÏÓΘ‡Ì˲.
é‰Ì‡ÍÓ Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË F3
(ÒÚ. 49) ÏÓÊÌÓ Ì‡ÒÚÓËÚ¸ „ÎÛ·ËÌÛ ‰Îfl
Í‡Ê‰Ó„Ó ÚÂÏ·‡ ÔÓ Ò‚ÓÂÏÛ
ÛÒÏÓÚÂÌ˲.
ç‡ÒÚÓÈÍË „ÎÛ·ËÌ˚ ˝ÙÙÂÍÚ‡,
҉·ÌÌ˚ ̇ Ô‡ÌÂÎË ÛÔ‡‚ÎÂÌËfl
(̇ÔËÏÂ, ̇ʇÚËÂÏ ÍÌÓÔÓÍ [–/NO]
ËÎË [+/YES], ÍÓ„‰‡ Û‰ÂÊË‚‡ÂÚÒfl
ÍÌÓÔ͇ [EFFECT] — ÒÏ. ÒÚ. 22),
ÔËÏÂÌfl˛ÚÒfl ÚÓθÍÓ Í Ô‚ÓÏÛ ÚÂÏ·Û
(Voice 1).
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
25
CLP240E.book Page 26 Wednesday, April 6, 2005 4:02 PM
Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÚÂÏ·Ó‚
ê‡Á‰ÂÎÂÌË Í·‚ˇÚÛ˚ Ë ÚÂÏ·Ó‚ (ÂÊËÏ Split)
(CLP-240)
êÂÊËÏ ‡Á‰ÂÎÂÌËfl ÚÂÏ·Ó‚ ÔÓÁ‚ÓÎflÂÚ ËÒÔÓθÁÓ‚‡Ú¸ Ó‰ËÌ ÚÂÏ· ‰Îfl ΂ÓÈ ÛÍË Ë ‰Û„ÓÈ ‰Îfl Ô‡‚ÓÈ. ç‡ÔËÏÂ,
΂ÓÈ ÛÍÓÈ ÏÓÊÌÓ Ë„‡Ú¸ ·‡ÒÓ‚Û˛ Ô‡Ú˲ Ò ÚÂÏ·ÓÏ Wood Bass ËÎË Electric Bass, ‡ Ô‡‚ÓÈ – ÏÂÎӉ˲.
äÌÓÔÍË ÚÂÏ·‡
REC
MIN
RIGHT
PLAY/PAUSE
ON
MAX
ON/OFF
LEFT
STOP
USB
USER
PRESET
SAVE/EXP.
LOAD
FORMAT/DEL.
TEMPO
FUNCTION #
TEMPO/OTHER VALUE
METRONOME
– / NO
+ / YES
äÌÓÔ͇ [SPLIT]
GRAND
PIANO 1
GRAND
PIANO 2
E.PIANO
1
E.PIANO
2
HARPSICHORD
E.CLAVICHORD
VIBRAPHONE
VARIATION
CHURCH
ORGAN
JAZZ
ORGAN
STRINGS
CHOIR
GUITAR
WOOD
BASS
E.BASS
SPLIT
BRIGHT
NORMAL
MELLOW
ROOM
HALL 1
HALL 2
STAGE
CHORUS
PHASER
TREMOLO
ROTARY SP
HARD
MEDIUM
SOFT
ON
SYNC START
MASTER VOLUME
DEMO
TRANSPOSE
SONG
TEMPO / FUNCTION #
SONG SELECT FILE
VOICE
BRILLIANCE REVERB
EFFECT
TOUCH
DDE
CLP-240
ÑÂÈÒÚ‚Ëfl
1.
ÇÍβ˜ÂÌË ÂÊËχ Split
ç‡ÊÏËÚ ÍÌÓÔÍÛ [SPLIT], ˜ÚÓ·˚ Á‡„ÓÂÎÒfl  Ë̉Ë͇ÚÓ. ë̇˜‡Î‡
‰Îfl ΂ÓÈ ÛÍË ÔÓ ÛÏÓΘ‡Ì˲ ‚˚·Ë‡ÂÚÒfl ÚÂÏ· (WOOD BASS).
êÂÊËÏ Function ‰‡ÂÚ ‰ÓÒÚÛÔ Í ÌÂÍÓÚÓ˚Ï ‰Û„ËÏ ÙÛÌ͈ËflÏ
ÂÊËχ Split (ÒÚ. 50). (ÖÒÎË ÙÛÌ͈ËË ÂÊËχ Split Ì ̇ÒÚÓÂÌ˚,
‰Îfl Í‡Ê‰Ó„Ó ÚÂÏ·‡ ·Û‰ÛÚ ËÒÔÓθÁÓ‚‡Ì˚ ̇ÒÚÓÈÍË ÔÓ
ÛÏÓΘ‡Ì˲.)
2.
ì͇Á‡ÌË ÚÓ˜ÍË ‡Á‰ÂÎÂÌËfl (Ô‡‚ÓÈ Ë Î‚ÓÈ ˜‡ÒÚË
Í·‚ˇÚÛ˚)
(èÓ ÛÏÓΘ‡Ì˲ ÚӘ͇ ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚ ÛÒÚ‡ÌÓ‚ÎÂ̇ ̇
Í·‚˯ F 2.
ÖÒÎË ÚÓ˜ÍÛ ‡Á‰ÂÎÂÌËfl ËÁÏÂÌflÚ¸ Ì ÌÛÊÌÓ, ÔÓÔÛÒÚËÚ ˝ÚË
‰ÂÈÒÚ‚Ëfl.)
åÓÊÌÓ ÔÂÂÌÂÒÚË ÚÓ˜ÍÛ ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚ ̇ β·Û˛ ‰Û„Û˛
Í·‚˯Û, ̇ʇ‚ ÂÂ, Û‰ÂÊË‚‡fl ÍÌÓÔÍÛ [SPLIT] (̇Á‚‡ÌË ÚÂÍÛ˘ÂÈ
Í·‚Ë¯Ë ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚ ÓÚÓ·‡Ê‡ÂÚÒfl ̇
Ò‚ÂÚÓ‰ËÓ‰ÌÓÏ Ë̉Ë͇ÚÓÂ, ÔÓ͇ Û‰ÂÊË‚‡ÂÚÒfl ÍÌÓÔ͇ [SPLIT]).
(F 2)
26
èêàåÖóÄçàÖ
êÂÊËÏ˚ Dual (ÒÚ. 25) Ë Split ÌÂθÁfl
ËÒÔÓθÁÓ‚‡Ú¸ Ó‰ÌÓ‚ÂÏÂÌÌÓ.
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
(G2)
(A 2)
èêàåÖóÄçàÖ
ᇉ‡Ì̇fl ÚӘ͇ ‡Á‰ÂÎÂÌËfl
Í·‚ˇÚÛ˚ (split point) ‚ıÓ‰ËÚ ‚ ÎÂ‚Û˛
˜‡ÒÚ¸.
èêàåÖóÄçàÖ
íÓ˜ÍÛ ‡Á‰ÂÎÂÌËfl ÏÓÊÌÓ Á‡‰‡Ú¸ Ë ÔË
ÔÓÏÓ˘Ë ÙÛÌ͈ËË Function 4 (ÒÚ. 50).
CLP240E.book Page 27 Wednesday, April 6, 2005 4:02 PM
Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÚÂÏ·Ó‚
3.
Ç˚·Ó ÚÂÏ·‡ ‰Îfl Ô‡‚ÓÈ ÛÍË
ç‡ÊÏËÚ ÍÌÓÔÍÛ ÚÂÏ·‡.
4.
Ç˚·Ó ÚÂÏ·‡ ‰Îfl ΂ÓÈ ÛÍË
ç‡ÊÏËÚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÍÌÓÔÍÛ ÚÂÏ·‡, Û‰ÂÊË‚‡fl ÍÌÓÔÍÛ
[SPLIT]. (à̉Ë͇ÚÓ ÍÌÓÔÍË ÚÂÏ·‡ ΂ÓÈ ÛÍË ·Û‰ÂÚ „ÓÂÚ¸, ÔÓ͇
̇ʇڇ ÍÌÓÔ͇ [SPLIT].)
ÑÎfl ‚Íβ˜ÂÌËfl Ë ÓÚÍβ˜ÂÌËfl ‚‡ˇˆËË ‰Îfl ÌËÊÌÂ„Ó ÚÂÏ·‡
Û‰ÂÊË‚‡ÈÚ ÍÌÓÔÍÛ [SPLIT] Ë Ì‡ÊÏËÚ ÍÌÓÔÍÛ [VARIATION] ËÎË
ÍÌÓÔÍÛ ‚˚·‡ÌÌÓ„Ó Ì‡ ˝ÚÓÚ ÏÓÏÂÌÚ ÚÂÏ·‡.
5.
Ç˚ıÓ‰ ËÁ ÂÊËχ Split Ë ‚ÓÁ‚‡Ú ‚ Ó·˚˜Ì˚È ÂÊËÏ
ç‡ÊÏËÚ ÍÌÓÔÍÛ [SPLIT] ¢ ‡Á, ˜ÚÓ·˚  Ë̉Ë͇ÚÓ ÔÓ„‡Ò.
èêàåÖóÄçàÖ
äÌÓÔ͇ [VARIATION] ‚ ÂÊËÏ Split)
ÑÎfl ÚÂÏ·Ó‚ ‚ ÂÊËÏÂ Split ÏÓÊÌÓ
‚Íβ˜‡Ú¸ Ë ‚˚Íβ˜‡Ú¸ ‚‡Ë‡ˆË˛.
é·˚˜ÌÓ ‚ ÂÊËÏ Split „ÓËÚ
Ë̉Ë͇ÚÓ ÚÂÏ·‡ Ô‡‚ÓÈ ÛÍË. äÌÓÔÍÛ
[VARIATION] ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ‰Îfl
‚Íβ˜ÂÌËfl Ë ÓÚÍβ˜ÂÌËfl ‚‡Ë‡ˆËË
ÚÂÏ·‡ Ô‡‚ÓÈ ÛÍË. é‰Ì‡ÍÓ, ÂÒÎË
Û‰ÂÊË‚‡ÂÚÒfl ÍÌÓÔ͇ [SPLIT], „ÓËÚ
Ë̉Ë͇ÚÓ ÚÂÏ·‡ ΂ÓÈ ÛÍË. Ç ˝ÚÓÏ
ÒÎÛ˜‡Â ÍÌÓÔ͇ [VARIATION] ‚Íβ˜‡ÂÚ
Ë ‚˚Íβ˜‡ÂÚ ‚‡Ë‡ˆË˛ ‰Îfl ÚÂÏ·‡
΂ÓÈ ÛÍË.
èêàåÖóÄçàÖ
äÌÓÔ͇ [REVERB] ‚ ÂÊËÏ Split
èËÓËÚÂÚÌ˚Ï fl‚ÎflÂÚÒfl ÚËÔ
‚·‡ˆËË, ‚˚·‡ÌÌ˚È ‰Îfl ÚÂÏ·‡
Ô‡‚ÓÈ ÛÍË. (ÖÒÎË Â‚Â·Â‡ˆËfl
ÓÚÍβ˜Â̇, ÚËÔ Â‚Â·Â‡ˆËË ÚÂÏ·‡
΂ÓÈ ÛÍË Ì ·Û‰ÂÚ ËÒÔÓθÁÓ‚‡Ú¸Òfl.)
ç‡ÒÚÓÈÍË „ÎÛ·ËÌ˚ ‚·‡ˆËË,
҉·ÌÌ˚ ̇ Ô‡ÌÂÎË ÛÔ‡‚ÎÂÌËfl
(̇ÔËÏÂ, ̇ʇÚËÂÏ ÍÌÓÔÓÍ [–/NO]
ËÎË [+/YES], ÍÓ„‰‡ Û‰ÂÊË‚‡ÂÚÒfl
ÍÌÓÔ͇ [REVERB] — ÒÏ. ÒÚ. 21),
ÔËÏÂÌfl˛ÚÒfl ÚÓθÍÓ Í ÚÂÏ·Û Ô‡‚ÓÈ
ÛÍË.
èêàåÖóÄçàÖ
äÌÓÔ͇ [EFFECT] ‚ ÂÊËÏ Split
Ç Á‡‚ËÒËÏÓÒÚË ÓÚ ÒËÚÛ‡ˆËË Ó‰ËÌ ÚËÔ
˝ÙÙÂÍÚ‡ ·Û‰ÂÚ ÔËÓËÚÂÚÌ˚Ï ÔÓ
ÓÚÌÓ¯ÂÌ˲ Í ‰Û„ÓÏÛ. ÉÎÛ·Ë̇
ÓÔ‰ÂÎflÂÚÒfl ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò
„ÎÛ·ËÌÓÈ ÍÓÏ·Ë̇ˆËË ÚÂÏ·Ó‚,
ËÒÔÓθÁÛ˛˘ÂÈÒfl ÔÓ ÛÏÓΘ‡Ì˲.
é‰Ì‡ÍÓ Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË F4
(ÒÚ. 50) ÏÓÊÌÓ ËÁÏÂÌËÚ¸ „ÎÛ·ËÌÛ ‰Îfl
Í‡Ê‰Ó„Ó ÚÂÏ·‡ ÔÓ Ò‚ÓÂÏÛ
ÛÒÏÓÚÂÌ˲. ç‡ÒÚÓÈÍË „ÎÛ·ËÌ˚
˝ÙÙÂÍÚ‡, ҉·ÌÌ˚ ̇ Ô‡ÌÂÎË
ÛÔ‡‚ÎÂÌËfl (̇ÔËÏ ̇ʇÚËÂÏ
ÍÌÓÔÓÍ [–/NO] ËÎË [+/YES], ÍÓ„‰‡
Û‰ÂÊË‚‡ÂÚÒfl ÍÌÓÔ͇ [EFFECT] —
ÒÏ. ÒÚ. 22), ÔËÏÂÌfl˛ÚÒfl ÚÓθÍÓ Í
ÚÂÏ·Û Ô‡‚ÓÈ ÛÍË.
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
27
CLP240E.book Page 28 Wednesday, April 6, 2005 4:02 PM
Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÚÂÏ·Ó‚
àÒÔÓθÁÓ‚‡ÌË ÏÂÚÓÌÓχ
Ç ˆËÙÓ‚Ó ÔˇÌËÌÓ Clavinova ‚ÒÚÓÂÌ ÏÂÚÓÌÓÏ (ÛÒÚÓÈÒÚ‚Ó, Á‡‰‡˛˘Â ÚÂÏÔ), ÍÓÚÓ˚È Û‰Ó·ÌÓ ËÒÔÓθÁÓ‚‡Ú¸
‰Îfl ÛÔ‡ÊÌÂÌËÈ.
1
REC
MIN
ON/OFF
LEFT
RIGHT
STOP
PLAY/PAUSE
ON
MAX
2
USB
USER
PRESET
SAVE/EXP.
LOAD
FORMAT/DEL.
TEMPO
FUNCTION #
ÍÌÓÔÍË [–/NO] [+/YES]
TEMPO/OTHER VALUE
METRONOME
– / NO
+ / YES
GRAND
PIANO 1
GRAND
PIANO 2
CHURCH
ORGAN
JAZZ
ORGAN
E.PIANO
1
STRINGS
E.PIANO
2
CHOIR
HARPSICHORD
E.CLAVICHORD
VIBRAPHONE
VARIATION
GUITAR
WOOD
BASS
E.BASS
SPLIT
BRIGHT
NORMAL
MELLOW
ROOM
HALL 1
HALL 2
STAGE
CHORUS
PHASER
TREMOLO
ROTARY SP
HARD
MEDIUM
SOFT
ON
SYNC START
MASTER VOLUME
DEMO
TRANSPOSE
SONG
SONG SELECT FILE
TEMPO / FUNCTION #
VOICE
BRILLIANCE REVERB
EFFECT
TOUCH
DDE
CLP-240
ÍÌÓÔÍË [TEMPO/FUNCTION# ▲▼]
ÑÂÈÒÚ‚Ëfl
1.
á‡ÔÛÒÍ ÏÂÚÓÌÓχ
á‚ÛÍ ÏÂÚÓÌÓχ ‚Íβ˜‡ÂÚÒfl ̇ʇÚËÂÏ
ÍÌÓÔÍË METRONOME [ON/OFF] .
ç‡ÒÚÓÈ͇ ÚÂÏÔ‡
èË ÔÓÏÓ˘Ë ÍÌÓÔÓÍ [TEMPO/FUNCTION# ▼, ▲] ÚÂÏÔ ÏÂÚÓÌÓχ Ë
‚ÓÒÔÓËÁ‚‰ÂÌËfl ÏÂÎÓ‰ËË, Á‡ÔËÒ‡ÌÌÓÈ ÔÓθÁÓ‚‡ÚÂÎÂÏ (Á‡ÔËÒ¸
ÏÂÎÓ‰ËÈ ÓÔË҇̇ ‚ ÒÎÂ‰Û˛˘ÂÏ ‡Á‰ÂÎÂ) ÏÓÊÌÓ ËÁÏÂÌflÚ¸ ‚
‰Ë‡Ô‡ÁÓÌ ÓÚ 32 ‰Ó 280 Û‰‡Ó‚ ‚ ÏËÌÛÚÛ (ÂÒÎË „ÓËÚ Ë̉Ë͇ÚÓ
ÍÌÓÔÍË [TEMPO/FUNCTION# ▼, ▲] [TEMPO]).
ç‡ÒÚÓÈ͇ ˜‡ÒÚÓÚ˚ Ò˄̇· ÏÂÚÓÌÓχ
ó‡ÒÚÓÚÛ Ò˄̇ÎÓ‚ (Û‰‡Ó‚) ÏÂÚÓÌÓχ
ÏÓÊÌÓ Á‡‰‡Ú¸ ÔË ÔÓÏÓ˘Ë ÍÌÓÔÓÍ [–/NO] Ë
[+/YES], Û‰ÂÊË‚‡fl ÍÌÓÔÍÛ METRONOME [ON/OFF].
ÑÓΠÏÓÊÌÓ ÔËÒ‚ÓËÚ¸ Á̇˜ÂÌËfl ÓÚ 0 ‰Ó 15.
íÂÍÛ˘Â Á̇˜ÂÌË ÔÓfl‚ÎflÂÚÒfl ̇
Ò‚ÂÚÓ‰ËÓ‰ÌÓÏ Ë̉Ë͇ÚÓÂ, ÂÒÎË Ì‡Ê‡Ú‡
ÍÌÓÔ͇ METRONOME [ON/OFF].
2.
éÒÚ‡Ìӂ͇ ÏÂÚÓÌÓχ
éÚÍβ˜ËÚ¸ ÏÂÚÓÌÓÏ ÏÓÊÌÓ, ̇ʇ‚ ÍÌÓÔÍÛ METRONOME [ON/OFF].
28
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
èêàåÖóÄçàÖ
ÖÒÎË „ÓËÚ Ë̉Ë͇ÚÓ [FUNCTION#]
ÍÌÓÔÍË [TEMPO/FUNCTION#],
̇ÊÏËÚ ÍÌÓÔÍÛ [TEMPO/FUNCTION#],
˜ÚÓ·˚ Á‡„ÓÂÎÒfl Ë̉Ë͇ÚÓ [TEMPO].
èêàåÖóÄçàÖ
ÉÓÏÍÓÒÚ¸ ÏÂÚÓÌÓχ ÏÓÊÌÓ
̇ÒÚÓËÚ¸ ÔË ÔÓÏÓ˘Ë ÙÛÌ͈ËË
Metronome Volume ‚ ÂÊËÏÂ Function
(ÒÚ. 52).
CLP240E.book Page 29 Wednesday, April 6, 2005 4:02 PM
á‡ÔËÒ¸ ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ËÒÔÓÎÌÂÌËfl
á‡ÔËÒ¸ ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ËÒÔÓÎÌÂÌËfl
èêàåÖóÄçàÖ
ÇÓ ‚ÂÏfl ÛÔ‡ÊÌÂÌËÈ ËÌÓ„‰‡ ÔÓÎÂÁÌÓ ÔÓÒÎÛ¯‡Ú¸ ÒÓ·ÒÚ‚ÂÌÌÛ˛ Ë„Û Ì‡ CLP240/230. åÓÊÌÓ, ̇ÔËÏÂ, Á‡ÔËÒ‡Ú¸ ÚÓθÍÓ Ô‡Ú˲ ΂ÓÈ ÛÍË ‡ Á‡ÚÂÏ
‚ÓÒÔÓËÁ‚Ó‰ËÚ¸  ‚Ó ‚ÂÏfl ÛÔ‡ÊÌÂÌËÈ ‰Îfl Ô‡‚ÓÈ ÛÍË. àÎË, ÔÓÒÍÓθÍÛ
ËÏÂÂÚÒfl ‚ÓÁÏÓÊÌÓÒÚ¸ Á‡ÔËÒ˚‚‡Ú¸ ‰‚ ‰ÓÓÊÍË ÔÓ ÓÚ‰ÂθÌÓÒÚË, ÏÓÊÌÓ Á‡ÔËÒ‡Ú¸
ÓÚ‰ÂθÌÓ Ô‡ÚËË Î‚ÓÈ ËÎË Ô‡‚ÓÈ ÛÍË ÎË·Ó Ó·Â Ô‡ÚËË Ò‡ÁÛ Ë ÔÓÒÎÛ¯‡Ú¸,
Í‡Í ÓÌË Á‚Û˜‡Ú ÔË ‚ÓÒÔÓËÁ‚‰ÂÌËË. ç‡ ‰‚ ‰ÓÓÊÍË CLP-240/230 ÏÓÊÌÓ
Á‡ÔËÒ‡Ú¸ ‰Ó ÚÂı ÏÂÎÓ‰ËÈ ÔÓθÁÓ‚‡ÚÂÎfl (U01-U03). ç‡ CLP-240 ÏÂÎÓ‰ËË
ÔÓθÁÓ‚‡ÚÂÎfl ÏÓÊÌÓ ÒÓı‡ÌËÚ¸ ̇ ÔÓÒÚ‡‚ÎflÂÏÓ ÓÚ‰ÂθÌÓ USB-ÛÒÚÓÈÒÚ‚Ó
ı‡ÌÂÌËfl ‰‡ÌÌ˚ı.
á‡ÔËÒ‡Ú¸ Ò‚Ó ËÒÔÓÎÌÂÌË (Á‚ÛÍÓ‚˚Â
‰‡ÌÌ˚Â) ÏÓÊÌÓ Ì‡ ͇ÒÒÂÚÌ˚È
χ„ÌËÚÓÙÓÌ ËÎË ‰Û„ÓÂ
Á‡ÔËÒ˚‚‡˛˘Â ÛÒÚÓÈÒÚ‚Ó ˜ÂÂÁ
‡Á˙ÂÏ AUX OUT (ÒÚ. 56).
íÖêåàçéãéÉàü
éÚ΢ˠÁ‡ÔËÒË ‰‡ÌÌ˚ı ÓÚ ÒÓı‡ÌÂÌËfl ‰‡ÌÌ˚ı
îÓÏ‡Ú ‰‡ÌÌ˚ı, ÍÓÚÓ˚ Á‡ÔËÒ˚‚‡˛ÚÒfl ̇ ͇ÒÒÂÚÛ, ÓÚ΢‡ÂÚÒfl ÓÚ ÙÓχڇ ‰‡ÌÌ˚ı, Á‡ÔËÒ˚‚‡ÂÏ˚ı ‚ Ô‡ÏflÚ¸ Ò‡ÏÓ„Ó
ËÌÒÚÛÏÂÌÚ‡ Clavinova. ç‡ Í‡ÒÒÂÚÛ Á‡ÔËÒ˚‚‡˛ÚÒfl ‡Û‰ËÓÒ˄̇Î˚. Ä ÔˇÌËÌÓ Clavinova «ÒÓı‡ÌflÂÚ» ËÌÙÓχˆË˛ Ó
ÒËÌıÓÌËÁ‡ˆËË, ÚÂÏ·‡ı Ë ÚÂÏÔÂ, ÌÓ Ì ‡Û‰ËÓÒ˄̇Î˚. äÓ„‰‡ ‚˚ ÔÓË„˚‚‡ÂÚ Á‡ÔËÒ‡ÌÌ˚ ÏÂÎÓ‰ËË, Clavinova
„ÂÌÂËÛÂÚ Á‚ÛÍ ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò ËÌÙÓχˆËÂÈ, ÍÓÚÓ‡fl ı‡ÌËÚÒfl ‚ Ô‡ÏflÚË. èÓ˝ÚÓÏÛ ÓÔ‡ˆË˛ Á‡ÔËÒË ‚ Ô‡ÏflÚ¸
ÔˇÌËÌÓ Clavinova ÚӘ̠·˚ÎÓ ·˚ ̇Á‚‡Ú¸ «ÒÓı‡ÌÂÌËÂÏ ËÌÙÓχˆËË». çÓ ‚ ˝ÚÓÈ ÍÌË„Â ˜‡ÒÚÓ ËÒÔÓθÁÛÂÚÒfl ÒÎÓ‚Ó
«Á‡ÔËÒ¸», Ú‡Í Í‡Í ˝ÚÓ Í‡ÊÂÚÒfl ·ÓΠÔÓÌflÚÌ˚Ï.
Å˚ÒÚ‡fl Á‡ÔËÒ¸ ËÒÔÓÎÌÂÌËfl
ùÚÓÚ ÔÓÒÚÓÈ Ë Û‰Ó·Ì˚È ÒÔÓÒÓ· Á‡ÔËÒË ÔÓÁ‚ÓÎflÂÚ ·˚ÒÚÓ Á‡ÔËÒ‡Ú¸
ÒÓ·ÒÚ‚ÂÌÌÓ ËÒÔÓÎÌÂÌË ·ÂÁ Û͇Á‡ÌËfl Á‡ÔËÒ˚‚‡ÂÏÓÈ Ô‡ÚËË – ÓÌ ÔÓÎÂÁÂÌ,
̇ÔËÏÂ, ‰Îfl Á‡ÔËÒË ÒÓθÌ˚ı ÙÓÚÂÔˇÌÌ˚ı ÔÓËÁ‚‰ÂÌËÈ.
í‡ÍËÏ Ó·‡ÁÓÏ ËÒÔÓÎÌÂÌË ‡‚ÚÓχÚ˘ÂÒÍË Á‡ÔËÒ˚‚‡ÂÚÒfl ‚ Ô‡Ú˲ Ô‡‚ÓÈ
ÛÍË.
èêàåÖóÄçàÖ
êÂÊËÏ Á‡ÔËÒË Ì ÏÓÊÂÚ
ËÒÔÓθÁÓ‚‡Ú¸Òfl ‚ ÂÊËÏÂ
‰ÂÏÓÌÒÚ‡ˆËË ÏÂÎÓ‰ËË Ë ‚Ó ‚ÂÏfl
ÓÔ‡ˆËÈ Ò Ù‡È·ÏË (CLP-240).
24 4 35
REC
MIN
ON/OFF
LEFT
RIGHT
STOP
PLAY/PAUSE
ON
MAX
USB
USER
PRESET
SAVE/EXP.
LOAD
FORMAT/DEL.
TEMPO
FUNCTION #
TEMPO/OTHER VALUE
METRONOME
– / NO
+ / YES
GRAND
PIANO 1
GRAND
PIANO 2
E.PIANO
1
E.PIANO
2
HARPSICHORD
E.CLAVICHORD
VIBRAPHONE
VARIATION
CHURCH
ORGAN
JAZZ
ORGAN
STRINGS
CHOIR
GUITAR
WOOD
BASS
E.BASS
SPLIT
BRIGHT
NORMAL
MELLOW
ROOM
HALL 1
HALL 2
STAGE
CHORUS
PHASER
TREMOLO
ROTARY SP
HARD
MEDIUM
SOFT
ON
SYNC START
MASTER VOLUME
DEMO
TRANSPOSE
SONG
SONG SELECT FILE
TEMPO / FUNCTION #
VOICE
BRILLIANCE REVERB
EFFECT
TOUCH
DDE
CLP-240
ÑÂÈÒÚ‚Ëfl
ÇçàåÄçàÖ!
óÚÓ·˚ ËÁ·Âʇڸ Û‰‡ÎÂÌËfl ‡Ì Á‡ÔËÒ‡ÌÌ˚ı ÏÂÎÓ‰ËÈ:
ÖÒÎË ÏÂÎÓ‰Ëfl ÒÓ‰ÂÊËÚ ‰‡ÌÌ˚Â, ÔË Â ‚˚·Ó Ë̉Ë͇ÚÓ Ô‡ÚËË Á‡„Ó‡ÂÚÒfl ÁÂÎÂÌ˚Ï ˆ‚ÂÚÓÏ.
èÓÏÌËÚÂ, ˜ÚÓ, Á‡ÔËÒ˚‚‡fl ÌÓ‚˚ ‰‡ÌÌ˚ ̇ ˝ÚÛ Ô‡Ú˲, ‚˚ ÒÚˇÂÚ Ëϲ˘ËÂÒfl ‰‡ÌÌ˚Â.
(CLP-240) çÂθÁfl Á‡ÔËÒ˚‚‡Ú¸ ËÒÔÓÎÌÂÌË ÌÂÔÓÒ‰ÒÚ‚ÂÌÌÓ Ì‡
ÔÓ‰Íβ˜ÂÌÌÓ USB-ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl. á‡ÔËÒ˚‚‡ÂÏ˚ ÏÂÎÓ‰ËË
‡‚ÚÓχÚ˘ÂÒÍË ÒÓı‡Ìfl˛ÚÒfl ̇ ËÌÒÚÛÏÂÌÚÂ. ÖÒÎË ÌÛÊÌÓ ÒÓı‡ÌËÚ¸
‰‡ÌÌ˚ ̇ ÛÒÚÓÈÒÚ‚Ó, ÔÓÒΠÁ‡‚Â¯ÂÌËfl Á‡ÔËÒË ‚˚ÔÓÎÌËÚ ÓÔÂ‡ˆË˛
ÒÓı‡ÌÂÌËfl (ÒÚ. 36).
1.
ᇉ‡ÈÚ ‚Ò Ô‚Ó̇˜‡Î¸Ì˚ ̇ÒÚÓÈÍË
èÂ‰ ̇˜‡ÎÓÏ Á‡ÔËÒË ‚˚·ÂËÚ ÚÂÏ·, ÍÓÚÓ˚È ıÓÚËÚ Á‡ÔËÒ‡Ú¸
(ËÎË ÚÂÏ·˚, ÂÒÎË ·Û‰ÂÚ ËÒÔÓθÁÓ‚‡Ì ÂÊËÏ Dual ËÎË Split).
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
29
CLP240E.book Page 30 Wednesday, April 6, 2005 4:02 PM
á‡ÔËÒ¸ ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ËÒÔÓÎÌÂÌËfl
ç‡ÒÚÓÈÚ ÔӘˠԇ‡ÏÂÚ˚ (‚Â·Â‡ˆËfl, ˝ÙÙÂÍÚ Ë Ú.‰.).
åÓÊÌÓ Ú‡ÍÊ ̇ÒÚÓËÚ¸ „ÓÏÍÓÒÚ¸.
ÉÓÏÍÓÒÚ¸ ÏÓÊÌÓ Ì‡ÒÚ‡Ë‚‡Ú¸ ÔË ÔÓÏÓ˘Ë ÔÓÎÁÛÌ͇ [MASTER
VOLUME].
2.
ÇÍβ˜ÂÌË ÂÊËχ „ÓÚÓ‚ÌÓÒÚË Í Á‡ÔËÒË
óÚÓ·˚ ‚Íβ˜ËÚ¸ ÂÊËÏ „ÓÚÓ‚ÌÓÒÚË Í Á‡ÔËÒË, ̇ÊÏËÚ ÍÌÓÔÍÛ
[REC]. ùÚËÏ ‡‚ÚÓχÚ˘ÂÒÍË ‚˚·Ë‡ÂÚÒfl ‰Îfl Á‡ÔËÒË ÔÛÒÚ‡fl ÏÂÎÓ‰Ëfl
Ë ‡ÍÚË‚ËÛÂÚÒfl Ô‡ÚËfl Ô‡‚ÓÈ ÛÍË. ÖÒÎË ‚Ò ÏÂÎÓ‰ËË ÔÓÎÌ˚Â,
·Û‰ÂÚ ‚˚·‡Ì‡ ÏÂÎÓ‰Ëfl U01. á‡ÔËÒ¸ ¢ Ì ̇˜Ë̇ÂÚÒfl.
èË·ÎËÁËÚÂθÌ˚È Ó·˙ÂÏ ‰ÓÒÚÛÔÌÓÈ Ô‡ÏflÚË Û͇Á˚‚‡ÂÚÒfl ̇
Ò‚ÂÚÓ‰ËÓ‰ÌÓÏ ‰ËÒÔΠ‚ ÍËÎÓ·‡ÈÚ‡ı. à̉Ë͇ÚÓ SONG [PLAY/PAUSE]
ÏË„‡ÂÚ ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò ÚÂÍÛ˘ËÏË Ì‡ÒÚÓÈ͇ÏË ÚÂÏÔ‡ ÏÂÚÓÌÓχ.
ç‡ ˝ÚÓÏ ¯‡„ ÏÓÊÌÓ ‚Íβ˜ËÚ¸ ÏÂÚÓÌÓÏ Ë Ì‡ÒÚÓËÚ¸ ÚÂÏÔ Ò
ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [TEMPO/FUNCTION# ▼, ▲] . (ÑˇԇÁÓÌ: 32-280)
åÓÊÌÓ ÓÚÍβ˜ËÚ¸ ÂÊËÏ „ÓÚÓ‚ÌÓÒÚË Í Á‡ÔËÒË ‰Ó ̇˜‡Î‡ Á‡ÔËÒË,
‚ÚÓÓÈ ‡Á ̇ʇ‚ ÍÌÓÔÍÛ [REC].
èêàåÖóÄçàÖ
é·˙ÂÏ Ô‡ÏflÚË, ‰ÓÒÚÛÔÌ˚È ‰Îfl
Á‡ÔËÒË:
é·˙ÂÏ ‚ ÍËÎÓ·‡ÈÚ‡ı (‰ËÌˈ‡
ËÁÏÂÂÌËfl ‰‡ÌÌ˚ı) Û͇Á˚‚‡ÂÚ, ͇ÍÓÈ
Ó·˙ÂÏ ‰ÓÒÚÛÔÂÌ ‰Îfl Á‡ÔËÒË Ì‡
ˆËÙÓ‚ÓÏ ÔˇÌËÌÓ Clavinova.
Ç Á‡‚ËÒËÏÓÒÚË ÓÚ ËÒÔÓθÁÓ‚‡ÌËfl
Ô‰‡ÎÂÈ Ë ‰Û„Ëı Ù‡ÍÚÓÓ‚ ̇
ˆËÙÓ‚Ó ÔˇÌËÌÓ CLP-240/230 ÏÓÊÌÓ
Á‡ÔËÒ‡Ú¸ ‰Ó 11000 ÌÓÚ.
èêàåÖóÄçàÖ
ÖÒÎË ‡Ì ‚ ÚÓÈ Ê ÏÂÎÓ‰ËË ·˚·
‚˚·‡Ì‡ Ô‡ÚËfl ΂ÓÈ ÛÍË, ˝Ú‡
Ô‡ÚËfl ‡‚ÚÓχÚ˘ÂÒÍË ‡ÍÚË‚ËÛÂÚÒfl
ÔË Ì‡Ê‡ÚËË ÍÌÓÔÍË [REC] ̇ ¯‡„ 2.
èêàåÖóÄçàÖ
3.
燘‡ÎÓ Á‡ÔËÒË
á‡ÔËÒ¸ ̇˜Ë̇ÂÚÒfl ‡‚ÚÓχÚ˘ÂÒÍË, ÍÓ„‰‡ ‚˚ ̇ÊËχÂÚ Í·‚˯Û
̇ Í·‚ˇÚÛ ËÎË ÍÌÓÔÍÛ SONG [PLAY/PAUSE]. ÇÓ ‚ÂÏfl Á‡ÔËÒË Ì‡
‰ËÒÔΠÔÓfl‚ÎflÂÚÒfl ÌÓÏÂ ÚÂÍÛ˘Â„Ó Ú‡ÍÚ‡.
ÖÒÎË ‚ ̇˜‡Î Á‡ÔËÒË ‚Íβ˜ÂÌ
ÏÂÚÓÌÓÏ, ‚˚ ÒÏÓÊÂÚ ÒÎ˚¯‡Ú¸ „Ó
Ò˄̇Î˚, ÌÓ Á‡ÔËÒ˚‚‡Ú¸Òfl ÓÌË ÌÂ
·Û‰ÛÚ.
èêàåÖóÄçàÖ
ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó Á‡ÔËÒË
Ô˂‰ÂÌ˚ ̇ ÒÚ. 33.
èêàåÖóÄçàÖ
4.
éÒÚ‡Ìӂ͇ Á‡ÔËÒË
óÚÓ·˚ ÓÒÚ‡ÌÓ‚ËÚ¸ Á‡ÔËÒ¸, ̇ÊÏËÚ ÍÌÓÔÍÛ [REC] ËÎË SONG [STOP].
äÓ„‰‡ Á‡ÔËÒ¸ ÓÒÚ‡ÌÓ‚ÎÂ̇, ̇ ‰ËÒÔΠÔÓÒΉӂ‡ÚÂθÌÓ
ÔÓfl‚Îfl˛ÚÒfl ÚËÂ, Û͇Á˚‚‡˛˘ËÂ, ˜ÚÓ Á‡ÔËÒ˚‚‡ÂÏ˚ ‰‡ÌÌ˚Â
‡‚ÚÓχÚ˘ÂÒÍË ÒÓı‡Ìfl˛ÚÒfl ̇ ËÌÒÚÛÏÂÌÚÂ. èÓÒΠÒÓı‡ÌÂÌËfl
‰‡ÌÌ˚ı ̇ ‰ËÒÔΠÔÓfl‚ÎflÂÚÒfl ÌÓÏÂ ÏÂÎÓ‰ËË (U01-U03).
à̉Ë͇ÚÓ Á‡ÔËÒ‡ÌÌÓÈ Ô‡ÚËË ·Û‰ÂÚ „ÓÂÚ¸ ÁÂÎÂÌ˚Ï Ò‚ÂÚÓÏ,
ÔÓ͇Á˚‚‡fl, ˜ÚÓ ‚ Ô‡ÚËË ÚÂÔÂ¸ ÂÒÚ¸ ‰‡ÌÌ˚Â. (êÂÊËÏ Á‡ÔËÒË
ÓÚÍβ˜‡ÂÚÒfl ‡‚ÚÓχÚ˘ÂÒÍË.)
5.
èêàåÖóÄçàÖ
ÖÒÎË ‚ ÛÒÚÓÈÒÚ‚Â Á‡ÔËÒË ÔÓ˜ÚË ÌÂ
ÓÒÚ‡ÎÓÒ¸ ÏÂÒÚ‡, Ë̉Ë͇ÚÓ Á‡ÔËÒË
‰ÓÓÊÍË Ì‡˜Ë̇ÂÚ ÏË„‡Ú¸. ÖÒÎË ‚Ó
‚ÂÏfl Á‡ÔËÒË Ó·˙ÂÏ Ô‡ÏflÚË
ÔÓÎÌÓÒÚ¸˛ ËÒ˜ÂÔ˚‚‡ÂÚÒfl, ̇ ‰ËÒÔÎÂÂ
ÔÓfl‚ËÚÒfl ̇‰ÔËÒ¸ «Full» Ë Á‡ÔËÒ¸
‡‚ÚÓχÚ˘ÂÒÍË ÓÒÚ‡ÌÓ‚ËÚÒfl. (ÇÒÂ
Á‡ÔËÒ‡ÌÌ˚ ‰Ó ˝ÚÓ„Ó ‰‡ÌÌ˚ ·Û‰ÛÚ
ÒÓı‡ÌÂÌ˚.)
ÇÓÒÔÓËÁ‚‰ÂÌË Á‡ÔËÒ‡ÌÌÓ„Ó
ÑÎfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl Á‡ÔËÒ‡ÌÌÓ„Ó Ì‡ÊÏËÚ ÍÌÓÔÍÛ SONG [PLAY/
PAUSE]. óÚÓ·˚ ÓÒÚ‡ÌÓ‚ËÚ¸ ÏÂÎӉ˲ ̇ ÒÂ‰ËÌÂ, ̇ÊÏËÚ ÍÌÓÔÍÛ
SONG [STOP].
30
èË ÔÓÏÓ˘Ë ÙÛÌ͈ËË Left Pedal Mode
(ÂÊËÏ Î‚ÓÈ Ô‰‡ÎË), ÓÔËÒ‡ÌÌÓÈ Ì‡
ÒÚ. 51, Á‡ ΂ÓÈ Ô‰‡Î¸˛ ÏÓÊÌÓ
Á‡ÍÂÔËÚ¸ ÙÛÌÍˆË˛ ‚Íβ˜ÂÌËfl
Á‡ÔËÒË.
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
èêàåÖóÄçàÖ
ÖÒÎË ‰Îfl ̇˜‡Î‡ Á‡ÔËÒË Ì‡Ê‡Ú¸
ÍÌÓÔÍÛ SONG [PLAY/PAUSE], ‡ Á‡ÚÂÏ
̇ʇڸ ÍÌÓÔÍÛ SONG [STOP] ‰Îfl
Á‡‚¯ÂÌËfl Á‡ÔËÒË, ‚Ò ‰‡ÌÌ˚Â,
Ô‰‚‡ËÚÂθÌÓ Á‡ÔËÒ‡ÌÌ˚ ‚
‚˚·‡ÌÌÛ˛ Ô‡Ú˲, ·Û‰ÛÚ Û‰‡ÎÂÌ˚.
CLP240E.book Page 31 Wednesday, April 6, 2005 4:02 PM
á‡ÔËÒ¸ ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ËÒÔÓÎÌÂÌËfl
èÂÂÁ‡ÔËÒ¸ ‡Ì Á‡ÔËÒ‡ÌÌÓÈ ÏÂÎÓ‰ËË
Ç ˝ÚÓÏ ‡Á‰ÂΠÔÓ͇Á‡ÌÓ, Í‡Í ÔÂÂÁ‡ÔËÒ‡Ú¸ ‰ÓÓÊÍÛ, ÂÒÎË ‚‡Ï Ì ̇‚ËÚÒfl ËÒÔÓÎÌÂÌËÂ.
ÑÂÈÒÚ‚Ëfl
1.
ÖÒÎË ˝ÚÓ ÌÂÓ·ıÓ‰ËÏÓ, ‚˚·ÂËÚ ÚÂÏ· ËÎË ÚÂÏ·˚
(‡ Ú‡ÍÊ ‰Û„Ë ̇ÒÚÓÈÍË) ‰Îfl ÔÂÂÁ‡ÔËÒË
ÖÒÎË ‚˚ ıÓÚËÚ ËÁÏÂÌËÚ¸ Ô‡‡ÏÂÚ˚, ÔÓ‚ÚÓËÚ ¯‡„ 1 ̇ ÒÚ. 29.
2.
èÓ‚ÚÓÌÓ ‚Íβ˜ÂÌË ÂÊËχ „ÓÚÓ‚ÌÓÒÚË Í Á‡ÔËÒË
֢ ‡Á ̇ÊÏËÚ ÍÌÓÔÍÛ [REC].
à̉Ë͇ÚÓ ‚˚·‡ÌÌÓÈ Ô‡ÚËË ÏË„‡ÂÚ Í‡ÒÌ˚Ï ˆ‚ÂÚÓÏ.
ÑÎfl ÔÂÂÁ‡ÔËÒË ÒΉÛÈÚ ËÌÒÚÛ͈ËflÏ ‚ ‡Á‰ÂΠ«Å˚ÒÚ‡fl Á‡ÔËÒ¸
ËÒÔÓÎÌÂÌËfl» ̇ ÒÚ. 30, ̇˜Ë̇fl Ò ¯‡„‡ 3.
èêàåÖóÄçàÖ
ÖÒÎË ÔË ÔÂÂÁ‡ÔËÒË Ô‡ÚËË ËÎË
Á‡ÔËÒË ‰Û„ÓÈ Ô‡ÚËË ‚˚ ıÓÚËÚÂ
ËÁÏÂÌËÚ¸ ÚÂÏÔ, ˜‡ÒÚÓÚÛ Ò˄̇ÎÓ‚
ÏÂÚÓÌÓχ, ÚËÔ Â‚Â·Â‡ˆËË ËÎË
˝ÙÙÂÍÚ‡, ҉·ÈÚ ˝ÚÓ ÔÓÒÎÂ
‚Íβ˜ÂÌËfl ÂÊËχ „ÓÚÓ‚ÌÓÒÚË
Í Á‡ÔËÒË.
èêàåÖóÄçàÖ
çÂθÁfl ̇˜‡Ú¸ ÔÂÂÁ‡ÔËÒ¸ Ò Ò‰ËÌ˚
ÏÂÎÓ‰ËË.
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
31
CLP240E.book Page 32 Wednesday, April 6, 2005 4:02 PM
á‡ÔËÒ¸ ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ËÒÔÓÎÌÂÌËfl
á‡ÔËÒ¸ Ô‡‚ÓÈ Ë Î‚ÓÈ Ô‡ÚËË
ùÚÓÚ ÒÔÓÒÓ· ÔÓÁ‚ÓÎflÂÚ ÓÚ‰ÂθÌÓ Á‡ÔËÒ‡Ú¸ ÎÂ‚Û˛ Ë Ô‡‚Û˛ Ô‡ÚËË. í‡Í Í‡Í ÏÓÊÌÓ Á‡ÔËÒ‡Ú¸ ÎÂ‚Û˛ Ô‡Ú˲ ‚Ó
‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl Ô‡‚ÓÈ, ˝ÚÓÚ ÒÔÓÒÓ· ÔÓÎÂÁÂÌ ‰Îfl Á‡ÔËÒË ‰‚Ûı Ô‡ÚËÈ ‰Û˝Ú‡.
ÑÂÈÒÚ‚Ëfl
1.
ᇉ‡ÈÚ ‚Ò Ô‚Ó̇˜‡Î¸Ì˚ ̇ÒÚÓÈÍË
í‡Í ÊÂ, Í‡Í ¯‡„ 1 ‚ ‡Á‰ÂΠ«Å˚ÒÚ‡fl Á‡ÔËÒ¸ ËÒÔÓÎÌÂÌËfl» ̇
ÒÚ. 29.
2.
Ç˚·ÂËÚ ÏÂÎӉ˲ ‰Îfl Á‡ÔËÒË
ç‡ÊÏËÚ ÍÌÓÔÍÛ [SONG SELECT], ˜ÚÓ·˚ Á‡Ê„Òfl Ë̉Ë͇ÚÓ «USER»,
Á‡ÚÂÏ Ì‡ÊÏËÚ ÍÌÓÔÍÛ [–/NO] ËÎË [+/YES], ˜ÚÓ·˚ ‚˚·‡Ú¸
Á‡ÔËÒ˚‚‡ÂÏÛ˛ ÏÂÎӉ˲.
ÇçàåÄçàÖ!
óÚÓ·˚ ËÁ·Âʇڸ Û‰‡ÎÂÌËfl ‡Ì Á‡ÔËÒ‡ÌÌ˚ı ÏÂÎÓ‰ËÈ:
ÖÒÎË ÏÂÎÓ‰Ëfl ÒÓ‰ÂÊËÚ ‰‡ÌÌ˚Â, ÔË Â ‚˚·Ó Ë̉Ë͇ÚÓ Ô‡ÚËË Á‡„Ó‡ÂÚÒfl ÁÂÎÂÌ˚Ï ˆ‚ÂÚÓÏ.
èÓÏÌËÚÂ, ˜ÚÓ, Á‡ÔËÒ˚‚‡fl ÌÓ‚˚ ‰‡ÌÌ˚ ̇ ˝ÚÛ Ô‡Ú˲, ‚˚ ÒÚˇÂÚ Ëϲ˘ËÂÒfl ‰‡ÌÌ˚Â.
3.
ÇÍβ˜ÂÌË ÂÊËχ „ÓÚÓ‚ÌÓÒÚË Í Á‡ÔËÒË
ç‡ÊÏËÚ ÍÌÓÔÍÛ [REC], ‡ Á‡ÚÂÏ ÍÌÓÔÍÛ [RIGHT]/[LEFT], ˜ÚÓ·˚
‚Íβ˜ËÚ¸ ÂÊËÏ „ÓÚÓ‚ÌÓÒÚË Í Á‡ÔËÒË. á‡ÔËÒ¸ ¢ Ì ̇˜Ë̇ÂÚÒfl.
èË·ÎËÁËÚÂθÌ˚È Ó·˙ÂÏ ‰ÓÒÚÛÔÌÓÈ Ô‡ÏflÚË Û͇Á˚‚‡ÂÚÒfl ̇
Ò‚ÂÚÓ‰ËÓ‰ÌÓÏ ‰ËÒÔΠ‚ ÍËÎÓ·‡ÈÚ‡ı. The à̉Ë͇ÚÓ SONG [PLAY/
PAUSE] ÏË„‡ÂÚ ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò ÚÂÍÛ˘ËÏË Ì‡ÒÚÓÈ͇ÏË ÚÂÏÔ‡
ÏÂÚÓÌÓχ.
èêàåÖóÄçàÖ
èÓ͇Á‡ÌËfl ÍÌÓÔÓÍ Ô‡ÚËË
Off (Ç˚ÍÎ.): Ì ÒÓ‰ÂÊËÚ ‰‡ÌÌ˚ı
On (ÇÍÎ., ÁÂÎÂÌ˚È): ÒÓ‰ÂÊËÚ ‰‡ÌÌ˚Â
On (ÇÍÎ., ͇ÒÌ˚È): Ô‡ÚËfl „ÓÚÓ‚‡
Í Á‡ÔËÒË
èêàåÖóÄçàÖ
é·˙ÂÏ Ô‡ÏflÚË, ‰ÓÒÚÛÔÌ˚È ‰Îfl
Á‡ÔËÒË:
é·˙ÂÏ ‚ ÍËÎÓ·‡ÈÚ‡ı (‰ËÌˈ‡
ËÁÏÂÂÌËfl ‰‡ÌÌ˚ı) Û͇Á˚‚‡ÂÚ, ͇ÍÓÈ
Ó·˙ÂÏ ‰ÓÒÚÛÔÂÌ ‰Îfl Á‡ÔËÒË Ì‡
ˆËÙÓ‚ÓÏ ÔˇÌËÌÓ Clavinova.
Ç Á‡‚ËÒËÏÓÒÚË ÓÚ ËÒÔÓθÁÓ‚‡ÌËfl
Ô‰‡ÎÂÈ Ë ‰Û„Ëı Ù‡ÍÚÓÓ‚ ̇
ˆËÙÓ‚Ó ÔˇÌËÌÓ CLP-240/230 ÏÓÊÌÓ
Á‡ÔËÒ‡Ú¸ ‰Ó 11000 ÌÓÚ.
èêàåÖóÄçàÖ
ÖÒÎË ‚ ̇˜‡Î Á‡ÔËÒË ‚Íβ˜ÂÌ
ÏÂÚÓÌÓÏ, ‚˚ ÒÏÓÊÂÚ ÒÎ˚¯‡Ú¸ „Ó
Ò˄̇Î˚, ÌÓ Á‡ÔËÒ˚‚‡Ú¸Òfl ÓÌË Ì ·Û‰ÛÚ.
èêàåÖóÄçàÖ
ÖÒÎË ÔË ÔÂÂÁ‡ÔËÒË Ô‡ÚËË ËÎË
Á‡ÔËÒË ‰Û„ÓÈ Ô‡ÚËË ‚˚ ıÓÚËÚÂ
ËÁÏÂÌËÚ¸ ÚÂÏÔ, ˜‡ÒÚÓÚÛ Ò˄̇ÎÓ‚
ÏÂÚÓÌÓχ, ÚËÔ Â‚Â·Â‡ˆËË ËÎË
˝ÙÙÂÍÚ‡, ҉·ÈÚ ˝ÚÓ ÔÓÒΠ‚ıÓ‰‡
‚ ÂÊËÏ „ÓÚÓ‚ÌÓÒÚË Í Á‡ÔËÒË.
èêàåÖóÄçàÖ
åÓÊÌÓ ÓÚÍβ˜ËÚ¸ ÂÊËÏ „ÓÚÓ‚ÌÓÒÚË Í Á‡ÔËÒË ‰Ó ̇˜‡Î‡ Á‡ÔËÒË,
‚ÚÓÓÈ ‡Á ̇ʇ‚ ÍÌÓÔÍÛ [REC].
ÖÒÎË ‚Ó ‚ÂÏfl Á‡ÔËÒË ‚˚ Ì ıÓÚËÚÂ
ÒÎ˚¯‡Ú¸ ‡Ì Á‡ÔËÒ‡ÌÌÛ˛ ‰ÓÓÊÍÛ
(̇ÔËÏÂ, ÂÒÎË ıÓÚËÚ Á‡ÔËÒ‡Ú¸
Òӂ¯ÂÌÌÓ ‰Û„Û˛ ÏÂÎӉ˲),
̇ÊÏËÚ ÍÌÓÔÍÛ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ˝ÚÓÈ
‰ÓÓÊÍË ‰Ó ÚÓ„Ó, Í‡Í Ì‡Ê‡Ú¸ ÍÌÓÔÍÛ
[REC], ˜ÚÓ·˚  Ë̉Ë͇ÚÓ ÔÓ„‡Ò.
á‡ÔÛÒÍ Ë ÓÒÚ‡Ìӂ͇ Á‡ÔËÒË
ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó Á‡ÔËÒË
Ô˂‰ÂÌ˚ ̇ ÒÚ. 33.
èêàåÖóÄçàÖ
4.
íÓ Ê ҇ÏÓÂ, ˜ÚÓ ¯‡„Ë 3 – 5 ‚ ‡Á‰ÂΠ«Å˚ÒÚ‡fl Á‡ÔËÒ¸
ËÒÔÓÎÌÂÌËfl» ̇ ÒÚ. 30.
32
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
CLP240E.book Page 33 Wednesday, April 6, 2005 4:02 PM
á‡ÔËÒ¸ ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ËÒÔÓÎÌÂÌËfl
ìÒÚÓÈÒÚ‚Ó Á‡ÔËÒË ÏÂÎÓ‰ËÈ ÔÓθÁÓ‚‡ÚÂÎfl Á‡ÔËÒ˚‚‡ÂÚ ÒÎÂ‰Û˛˘Ë ‰‡ÌÌ˚Â:
èÓÏËÏÓ ÌÓÚ Ë ÚÂÏ·‡, ‚ ÍÓÚÓÓÏ ËÒÔÓÎÌflÂÚÒfl ÏÂÎÓ‰Ëfl, Á‡ÔËÒ˚‚‡˛ÚÒfl
‰ÓÔÓÎÌËÚÂθÌ˚ ‰‡ÌÌ˚Â.
ä ˝ÚËÏ ‰‡ÌÌ˚Ï ÓÚÌÓÒflÚÒfl ‰‡ÌÌ˚ ӷ ÓÚ‰ÂθÌ˚ı Ô‡ÚËflı Ë ‚ÒÂÈ
ÏÂÎÓ‰ËË. «ëÏ. ‰‡Î».
éÚ‰ÂθÌ˚ ԇÚËË
• àÒÔÓÎÌflÂÏ˚ ÌÓÚ˚
• Ç˚·Ó ÚÂÏ·‡
• àÒÔÓθÁÓ‚‡ÌË ‚‡ˇˆËË (ÍÌÓÔ͇ [VARIATION]) (CLP-240)
• 艇θ (Ô‡‚‡fl/΂‡fl/Ò‰Ìflfl)
• ÉÎÛ·Ë̇ ‚Â·Â‡ˆËË (ÍÌÓÔ͇ [REVERB])
• ÉÎÛ·Ë̇ ˝ÙÙÂÍÚ‡ (ÍÌÓÔ͇ [EFFECT])
• íÂÏ·˚ ‚ ÂÊËÏ ̇ÎÓÊÂÌËfl ÚÂÏ·Ó‚ (Dual)
• Ň·ÌÒ ‚ ÂÊËÏ ̇ÎÓÊÂÌËfl ÚÂÏ·Ó‚ (F3)
• ëÏ¢ÂÌË ‚˚ÒÓÚ˚ Á‚Û͇ ‚ ÂÊËÏ ̇ÎÓÊÂÌËfl ÚÂÏ·Ó‚ (F3)
• ëÏ¢ÂÌË ÓÍÚ‡‚˚ ‚ ÂÊËÏ ̇ÎÓÊÂÌËfl ÚÂÏ·Ó‚ (F3)
• íÂÏ·˚ ‚ ÂÊËÏ ‡Á‰ÂÎÂÌËfl ÚÂÏ·Ó‚ (Split ) (CLP-240)
• Ň·ÌÒ ‚ ÂÊËÏ ‡Á‰ÂÎÂÌËfl ÚÂÏ·Ó‚ (F4 CLP-240)
• ëÏ¢ÂÌË ÓÍÚ‡‚˚ ‚ ÂÊËÏ ‡Á‰ÂÎÂÌËfl ÚÂÏ·Ó‚ (F4:CLP-240)
ÇÒfl ÏÂÎÓ‰Ëfl
• íÂÏÔ
• ó‡ÒÚÓÚ‡ Ò˄̇· (‰ÓÎfl)
• íËÔ ‚Â·Â‡ˆËË (ÍÌÓÔ͇ [REVERB]), ‚ ÚÓÏ ˜ËÒΠÁ̇˜ÂÌË OFF
• íËÔ ˝ÙÙÂÍÚ‡ (ÍÌÓÔ͇ [EFFECT]), ‚ ÚÓÏ ˜ËÒΠÁ̇˜ÂÌË OFF
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
33
CLP240E.book Page 34 Wednesday, April 6, 2005 4:02 PM
á‡ÔËÒ¸ ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ËÒÔÓÎÌÂÌËfl
àÁÏÂÌÂÌË ̇˜‡Î¸Ì˚ı ̇ÒÚÓÂÍ (‰‡ÌÌ˚ı,
Á‡ÔËÒ˚‚‡ÂÏ˚ı ‚ ̇˜‡Î ÏÂÎÓ‰ËË)
燘‡Î¸Ì˚ ̇ÒÚÓÈÍË (‰‡ÌÌ˚Â, Á‡ÔËÒ˚‚‡ÂÏ˚ ‚ ̇˜‡Î ÏÂÎÓ‰ËË) ÏÓÊÌÓ ËÁÏÂÌËÚ¸ ÔÓÒΠÁ‡ÔËÒË. ç‡ÔËÏÂ,
ÔÓÒΠÁ‡ÔËÒË ÏÓÊÌÓ ËÁÏÂÌËÚ¸ ÚÂÏ· ‰Îfl ÒÓÁ‰‡ÌËfl ÌÓ‚ÓÈ Ó·ÒÚ‡ÌÓ‚ÍË ËÎË Ì‡ÒÚÓËÚ¸ ÚÂÏÔ ÔÓ Ò‚ÓÂÏÛ ‚ÍÛÒÛ.
åÓÊÌÓ ËÁÏÂÌflÚ¸ ÒÎÂ‰Û˛˘Ë ̇˜‡Î¸Ì˚ ̇ÒÚÓÈÍË.
éÚ‰ÂθÌ˚ ԇÚËË
• Ç˚·Ó ÚÂÏ·‡
• àÒÔÓθÁÓ‚‡ÌË ‚‡ˇˆËË (ÍÌÓÔ͇ [VARIATION]) (CLP-240)
• ÉÎÛ·Ë̇ ‚Â·Â‡ˆËË (ÍÌÓÔ͇ [REVERB])
• ÉÎÛ·Ë̇ ˝ÙÙÂÍÚ‡ (ÍÌÓÔ͇ [EFFECT])
• íÂÏ·˚ ‚ ÂÊËÏ ̇ÎÓÊÂÌËfl ÚÂÏ·Ó‚ (Dual)
• íÂÏ·˚ ‚ ÂÊËÏ ‡Á‰ÂÎÂÌËfl ÚÂÏ·Ó‚ (Split ) (CLP-240)
• ÉÎÛ·Ë̇ ˝ÙÙÂÍÚ‡ Ô‡‚ÓÈ/΂ÓÈ Ô‰‡ÎË
ÇÒfl ÏÂÎÓ‰Ëfl
• íÂÏÔ
• íËÔ ‚Â·Â‡ˆËË (ÍÌÓÔ͇ [REVERB]), ‚ ÚÓÏ ˜ËÒΠÁ̇˜ÂÌË OFF
• íËÔ ˝ÙÙÂÍÚ‡ (ÍÌÓÔ͇ [EFFECT]), ‚ ÚÓÏ ˜ËÒΠÁ̇˜ÂÌË OFF
1. ÑÎfl ËÁÏÂÌÂÌËfl ̇˜‡Î¸Ì˚ı ̇ÒÚÓÂÍ ‚Íβ˜ËÚ ÂÊËÏ Á‡ÔËÒË Ë ‚˚·ÂËÚÂ
Ô‡Ú˲.
ᇄÓËÚÒfl Í‡ÒÌ˚È Ë̉Ë͇ÚÓ. (чÌÌ˚Â, Ó·˘Ë ‰Îfl ‰‚Ûı Ô‡ÚËÈ,
ÏÓÊÌÓ ËÁÏÂÌËÚ¸ ‚ ͇ʉÓÈ Ô‡ÚËË.)
2. àÁÏÂÌËÚ ̇ÒÚÓÈÍË ÔË ÔÓÏÓ˘Ë Ô‡ÌÂÎË ÛÔ‡‚ÎÂÌËfl.
ç‡ÔËÏÂ, ÂÒÎË ‚˚ ıÓÚËÚ ËÁÏÂÌËÚ¸ Á‡ÔËÒ‡ÌÌ˚È ÚÂÏ· Ò [E. PIANO 1] ̇
[E. PIANO 2], ̇ÊÏËÚ ÍÌÓÔÍÛ [E. PIANO 2]. ÖÒÎË ıÓÚËÚ ËÁÏÂÌËÚ¸ „ÎÛ·ËÌÛ
˝ÙÙÂÍÚ‡ ‰Îfl Ô‡‚ÓÈ/΂ÓÈ Ô‰‡ÎË, ̇ÊÏËÚÂ Ë Û‰ÂÊË‚‡ÈÚ ˝ÚÛ
Ô‰‡Î¸.
ÅÛ‰¸Ú ÓÒÚÓÓÊÌ˚ Ë Ì ̇ÊÏËÚ ÒÎÛ˜‡ÈÌÓ ÍÌÓÔÍÛ SONG [PLAY/PAUSE]
ËÎË Í·‚Ë¯Û Ì‡ Í·‚ˇÚÛÂ: ˝ÚÓ Ô˂‰ÂÚ Í Ì‡˜‡ÎÛ Á‡ÔËÒË Ë Û‰‡ÎÂÌ˲
‚ÒÂı ‰‡ÌÌ˚ı, ‡Ì Á‡ÔËÒ‡ÌÌ˚ı ‚ ‚˚·‡ÌÌÛ˛ Ô‡Ú˲.
3. ÑÎfl ‚˚ıÓ‰‡ ËÁ ÂÊËχ Á‡ÔËÒË Ì‡ÊÏËÚ ÍÌÓÔÍÛ [REC].
ÅÛ‰¸Ú ÓÒÚÓÓÊÌ˚ Ë Ì ̇ÊÏËÚ ÒÎÛ˜‡ÈÌÓ ÍÌÓÔÍÛ SONG [PLAY/PAUSE]
ËÎË Í·‚Ë¯Û Ì‡ Í·‚ˇÚÛÂ: ˝ÚÓ Ô˂‰ÂÚ Í Ì‡˜‡ÎÛ Á‡ÔËÒË Ë Û‰‡ÎÂÌ˲
‚ÒÂı ‰‡ÌÌ˚ı, ‡Ì Á‡ÔËÒ‡ÌÌ˚ı ‚ ‚˚·‡ÌÌÛ˛ Ô‡Ú˲.
34
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
èêàåÖóÄçàÖ
åÓÊÌÓ ÓÚÏÂÌËÚ¸ ËÁÏÂÌÂÌËfl,
‚ÌÂÒÂÌÌ˚ ‚ ̇˜‡Î¸Ì˚ ̇ÒÚÓÈÍË,
‚˚·‡‚ ÔÓÒΠ¯‡„‡ 2 ‰Û„Û˛ Ô‡Ú˲ Ë
‚˚ȉfl ËÁ ÂÊËχ Á‡ÔËÒË, ̇ʇ‚
ÍÌÓÔÍÛ [REC]. (àÁÏÂÌÂÌËfl, ‚ÌÂÒÂÌÌ˚Â
‚ ̇˜‡Î¸Ì˚ ‰‡ÌÌ˚Â, Ó·˘Ë ‰Îfl ‰‚Ûı
Ô‡ÚËÈ, Ú‡ÍÊ ·Û‰ÛÚ ÓÚÏÂÌÂÌ˚.)
CLP240E.book Page 35 Wednesday, April 6, 2005 4:02 PM
ꇷÓÚ‡ Ò ÏÂÎÓ‰ËflÏË Ò ÔÓÏÓ˘¸˛ USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËfl ‰‡ÌÌ˚ı (CLP-240)
ꇷÓÚ‡ Ò ÏÂÎÓ‰ËflÏË Ò ÔÓÏÓ˘¸˛ USBÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËfl ‰‡ÌÌ˚ı (CLP-240)
åÂÎÓ‰ËË ÔÓθÁÓ‚‡ÚÂÎfl ÏÓÊÌÓ ÒÓı‡ÌflÚ¸, ˝ÍÒÔÓÚËÓ‚‡Ú¸ Ë Û‰‡ÎflÚ¸ ̇ USB-ÛÒÚÓÈÒÚ‚Â
ı‡ÌÂÌËfl ‰‡ÌÌ˚ı. ùÚÓ ÛÒÚÓÈÒÚ‚Ó ËÎË ÌÓÒËÚÂθ ÏÓÊÌÓ Ú‡ÍÊ ÙÓχÚËÓ‚‡Ú¸.
ëÓı‡ÌÂÌËÂ Ë ˝ÍÒÔÓÚ
èêàåÖóÄçàÖ
èÓ‰Ó·Ì˚ ҂‰ÂÌËfl Ó ÔÓ‰Íβ˜ÂÌËË
USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËfl ‰‡ÌÌ˚ı ÒÏ.
ÒÚ. 58.
ëÓı‡ÌÂÌË (Save)
åÓÊÌÓ ÒÓı‡ÌËÚ¸ ÚË ÏÂÎÓ‰ËË ÔÓθÁÓ‚‡ÚÂÎfl Ò ËÌÒÚÛÏÂÌÚ‡ ̇ USB-ÛÒÚÓÈÒÚ‚Ó
ı‡ÌÂÌËfl ‰‡ÌÌ˚ı ‚ ‚ˉ ӉÌÓ„Ó Ù‡È· (ÔÓθÁÓ‚‡ÚÂθÒÍÓ„Ó). ùÚË ÏÂÎÓ‰ËË ÏÓÊÌÓ
ÒÓı‡ÌËÚ¸ ‚ «ÍÓÌÚÂÈÌÂ» (ӷ·ÒÚ¸ Ô‡ÏflÚË) ̇ USB-ÛÒÚÓÈÒÚ‚Â ı‡ÌÂÌËfl ‰‡ÌÌ˚ı.
ÑÓÒÚÛÔÌ˚ 100 ÍÓÌÚÂÈÌÂÓ‚ – Ò A00 ‰Ó A99.
èÓÒÍÓθÍÛ ÏÂÎÓ‰ËË ÔÓθÁÓ‚‡ÚÂÎfl ÒÓı‡Ìfl˛ÚÒfl ‚ ÒÔˆˇθÌÓÏ ÙÓχÚ Clavinova, Ëı
ÌÂθÁfl ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ̇ ‰Û„Ëı ËÌÒÚÛÏÂÌÚ‡ı, ‚Íβ˜‡fl ‰Û„Ë ÔˇÌËÌÓ Clavinova.
Ç Ú‡ÍÓÏ ÙÓχÚ ÏÓÊÌÓ ÔÂÂÁ‡ÔËÒ‡Ú¸ Í‡Ê‰Û˛ ˜‡ÒÚ¸ ̇ CLP-240. åÂÎÓ‰ËË ÌÂθÁfl
ÔÓË„˚‚‡Ú¸ ÌÂÔÓÒ‰ÒÚ‚ÂÌÌÓ Ò USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËfl ‰‡ÌÌ˚ı, Ò̇˜‡Î‡ Ëı
ÌÛÊÌÓ Á‡„ÛÁËÚ¸ ‚ ËÌÒÚÛÏÂÌÚ.
ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó· ÓÔÂ‡ˆËË ÒÓı‡ÌÂÌËfl Ô˂‰ÂÌ˚ ̇«ëÓı‡ÌÂÌËÂ
ÏÂÎÓ‰ËÈ» ̇ ÒÚ. 36.
èêàåÖóÄçàÖ
è‰ ÚÂÏ Í‡Í Ì‡˜‡Ú¸ ‡·ÓÚÛ Ò
ÏÂÎÓ‰ËflÏË Ò ÔÓÏÓ˘¸˛ USB-ÛÒÚÓÈÒÚ‚‡
ı‡ÌÂÌËfl ‰‡ÌÌ˚ı, ۷‰ËÚÂÒ¸, ˜ÚÓ ÓÌÓ
Ì Á‡˘Ë˘ÂÌÓ ÓÚ Á‡ÔËÒË.
ÖÒÎË ÛÒÚÓÈÒÚ‚Ó Á‡˘Ë˘ÂÌÓ ÓÚ Á‡ÔËÒË,
‚˚ Ì ÒÏÓÊÂÚ ÔÓÎÛ˜ËÚ¸ Í ÌÂÏÛ ‰ÓÒÚÛÔ.
èêàåÖóÄçàÖ
ÖÒÎË Ì‡ USB-ÛÒÚÓÈÒÚ‚Â ı‡ÌÂÌËfl
‰‡ÌÌ˚ı ̉ÓÒÚ‡ÚÓ˜ÌÓ Ô‡ÏflÚË ‰Îfl
ÒÓı‡ÌÂÌËfl ËÎË ˝ÍÒÔÓÚ‡ ‰‡ÌÌ˚ı, ̇
‰ËÒÔΠÓÚÓ·‡Ê‡ÂÚÒfl
ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Â ÒÓÓ·˘ÂÌËÂ, Ë ‚˚ ÌÂ
ÒÏÓÊÂÚ ÌË ÒÓı‡ÌËÚ¸, ÌË
˝ÍÒÔÓÚËÓ‚‡Ú¸ ‰‡ÌÌ˚Â. 쉇ÎËÚ Ò
ÛÒÚÓÈÒÚ‚‡ ÌÂÌÛÊÌ˚ هÈÎ˚, ˜ÚÓ·˚
ÓÒ‚Ó·Ó‰ËÚ¸ Ô‡ÏflÚ¸, (ÒÚ. 38) ËÎË
ËÒÔÓθÁÛÈÚ ‰Û„Ó ÛÒÚÓÈÒÚ‚Ó.
èêàåÖóÄçàÖ
ëËÏ‚ÓÎ «A» ̇‰ ËÏÂÌÂÏ ÔÓθÁÓ‚‡ÚÂÎfl
ÓÁ̇˜‡ÂÚ «All» (ÇÒÂ), ÚÓ ÂÒÚ¸ ‚Ò ÚË
ÏÂÎÓ‰ËË ËÌÒÚÛÏÂÌÚ‡ ÒÓı‡ÌÂÌ˚ ‚
Ó‰ËÌ ÍÓÌÚÂÈÌÂ.
ùÍÒÔÓÚ
åÓÊÌÓ ˝ÍÒÔÓÚËÓ‚‡Ú¸ ÏÂÎÓ‰ËË ÔÓθÁÓ‚‡ÚÂÎfl Ò ËÌÒÚÛÏÂÌÚ‡ ̇ USB-ÛÒÚÓÈÒÚ‚Ó
ı‡ÌÂÌËfl ‰‡ÌÌ˚ı ‚ ‚ˉ ӉÌÓ„Ó Ù‡È· (ÏÂÎÓ‰ËË SMF). åÂÎÓ‰ËË ÏÓÊÌÓ
˝ÍÒÔÓÚËÓ‚‡Ú¸ ‚ «ÍÓÌÚÂÈÌÂ» (ӷ·ÒÚ¸ Ô‡ÏflÚË) ̇ USB-ÛÒÚÓÈÒÚ‚Â ı‡ÌÂÌËfl
‰‡ÌÌ˚ı. ÑÓÒÚÛÔÌ˚ 100 ÍÓÌÚÂÈÌÂÓ‚ – Ò S00 ‰Ó S99.
èÓÒÍÓθÍÛ ÏÂÎÓ‰ËË ÔÓθÁÓ‚‡ÚÂÎfl ÒÓı‡Ìfl˛ÚÒfl ‚ ÙÓχÚ SMF, Ëı ÏÓÊÌÓ
‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ̇ ‰Û„Ëı ËÌÒÚÛÏÂÌÚ‡ı, ‚Íβ˜‡fl ‰Û„Ë ÔˇÌËÌÓ Clavinova.
Ç Ú‡ÍÓÏ ÙÓχÚ ÌÂθÁfl ÔÂÂÁ‡ÔËÒ˚‚‡Ú¸ ̇ CLP-240. åÂÎÓ‰ËË ‚ ˝ÚÓÏ ÙÓχÚÂ
ÏÓÊÌÓ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ÌÂÔÓÒ‰ÒÚ‚ÂÌÌÓ Ò USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËfl ‰‡ÌÌ˚ı ·ÂÁ
Ô‰‚‡ËÚÂθÌÓÈ Á‡„ÛÁÍË ‚ ËÌÒÚÛÏÂÌÚ.
ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó· ÓÔÂ‡ˆËË ˝ÍÒÔÓÚ‡ Ô˂‰ÂÌ˚ ̇
«ùÍÒÔÓÚ ÏÂÎÓ‰ËË ‚ ÙÓχÚ SMF» ̇ ÒÚ. 37.
èêàåÖóÄçàÖ
ç‡ ˝ÚÓÏ ËÌÒÚÛÏÂÌÚ ÏÓÊÌÓ ‡·ÓÚ‡Ú¸
ÒÓ 100 ÌÓχÏË Ù‡ÈÎÓ‚.
• çÓχ Ù‡ÈÎÓ‚ ÔÓθÁÓ‚‡ÚÂÎfl:
A00-A99
• çÓÏ ÏÂÎÓ‰ËÈ SMF: S00-S99
èêàåÖóÄçàÖ
ëËÏ‚ÓÎ «S» ̇‰ ËÏÂÌÂÏ ÏÂÎÓ‰ËË SMF
ÓÁ̇˜‡ÂÚ ÙÓÏ‡Ú SMF.
íÖêåàçéãéÉàü
SMF (Òڇ̉‡ÚÌ˚È Ù‡ÈÎ MIDI)
îÓÏ‡Ú SMF (Standard MIDI File,
Òڇ̉‡ÚÌ˚È Ù‡ÈÎ MIDI) – Ó‰ËÌ ËÁ
̇˷ÓΠ‡ÒÔÓÒÚ‡ÌÂÌÌ˚ı Ë ¯ËÓÍÓ
ÒÓ‚ÏÂÒÚËÏ˚ı ÙÓχÚÓ‚ ‰Îfl ı‡ÌÂÌËfl
‰‡ÌÌ˚ı ÒÂÍ‚Â̈ËË. ëÛ˘ÂÒÚ‚ÛÂÚ ‰‚‡ ‚ˉ‡
˝ÚÓ„Ó ÙÓχڇ: Format 0 Ë Format 1.
ÅÓθ¯Ó ÍÓ΢ÂÒÚ‚Ó MIDI-ÛÒÚÓÈÒÚ‚
ÒÓ‚ÏÂÒÚËÏ˚ Ò ÙÓχÚÓÏ SMF Format 0,
‡ ·Óθ¯ËÌÒÚ‚Ó ÍÓÏϘÂÒÍË
‡ÒÔÓÒÚ‡ÌflÂÏ˚ı MIDI-Ù‡ÈÎÓ‚
ÔÓÒÚ‡‚ÎflÂÚÒfl ‚ ÚÓÏ Ê ÙÓχÚÂ.
îÓÏ‡Ú SMF ‰Îfl Ù‡ÈÎÓ‚ ÒÂÍ‚Â̈ËÈ
ÔÓÁ‚ÓÎflÂÚ Ó·ÏÂÌË‚‡Ú¸Òfl ‰‡ÌÌ˚ÏË
ÏÂÎÓ‰ËÈ ÏÂÊ‰Û ‡Á΢Ì˚ÏË
ÒÂÍ‚ÂÌÒÓ‡ÏË. åÂÎÓ‰ËË ÔÓθÁÓ‚‡ÚÂÎfl,
Á‡ÔËÒ‡ÌÌ˚ ̇ CLP-240, ˝ÍÒÔÓÚËÛ˛ÚÒfl
‚ ÙÓχÚ SMF Format 0.
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
35
CLP240E.book Page 36 Wednesday, April 6, 2005 4:02 PM
ꇷÓÚ‡ Ò ÏÂÎÓ‰ËflÏË Ò ÔÓÏÓ˘¸˛ USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËfl ‰‡ÌÌ˚ı (CLP-240)
ëÓı‡ÌÂÌË ÏÂÎÓ‰ËÈ
1
1 2
REC
MIN
ON/OFF
LEFT
RIGHT
STOP
PLAY/PAUSE
ON
MAX
USB
USER
PRESET
SAVE/EXP.
LOAD
FORMAT/DEL.
TEMPO
FUNCTION #
TEMPO/OTHER VALUE
METRONOME
– / NO
+ / YES
GRAND
PIANO 1
GRAND
PIANO 2
E.PIANO
1
E.PIANO
2
HARPSICHORD
E.CLAVICHORD
VIBRAPHONE
VARIATION
CHURCH
ORGAN
JAZZ
ORGAN
STRINGS
CHOIR
GUITAR
WOOD
BASS
E.BASS
SPLIT
BRIGHT
NORMAL
MELLOW
ROOM
HALL 1
HALL 2
STAGE
CHORUS
PHASER
TREMOLO
ROTARY SP
HARD
MEDIUM
SOFT
ON
SYNC START
MASTER VOLUME
DEMO
TRANSPOSE
SONG
SONG SELECT FILE
TEMPO / FUNCTION #
VOICE
BRILLIANCE REVERB
EFFECT
TOUCH
DDE
CLP-240
ÑÂÈÒÚ‚Ëfl
1.
èêàåÖóÄçàÖ
Ç˚·ÂËÚ ÍÓÌÚÂÈÌ هÈ· ‚ ÛÒÚÓÈÒÚ‚Â Ë ÒÓı‡ÌËÚÂ
ÏÂÎӉ˲ ÔÓθÁÓ‚‡ÚÂÎfl
낉ÂÌËfl Ó ÒÓı‡ÌÂÌËË ÒÏ. ÒÚ. 35.
ì·Â‰Ë‚¯ËÒ¸, ˜ÚÓ USB-ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl ‰‡ÌÌ˚ı ÔÓ‰Íβ˜ÂÌÓ
Í ËÌÒÚÛÏÂÌÚÛ, ̇ÊÏËÚ ÍÌÓÔÍÛ [FILE] (Á‡„Ó‡ÂÚÒfl Ë̉Ë͇ÚÓ
«SAVE/EXP.»). ì‰ÂÊË‚‡fl ̇ʇÚÓÈ ÍÌÓÔÍÛ [FILE], ̇ÊËχÈÚÂ
ÍÌÓÔÍË [–/NO][+/YES], ˜ÚÓ·˚ ‚˚·‡Ú¸ ÍÓÌÚÂÈÌÂ (A00-A99). èÓÒÎÂ
ÓÒ‚Ó·ÓʉÂÌËfl ÍÌÓÔÍË [FILE] ̇ ‰ËÒÔΠÔÓfl‚Îfl˛ÚÒfl ÒËÏ‚ÓÎ˚ «n y»
(no/yes). ÑÎfl ÒÓı‡ÌÂÌËfl ÏÂÎÓ‰ËÈ Ì‡ÊÏËÚ ÍÌÓÔÍÛ [+/YES]. î‡ÈÎ
‡‚ÚÓχÚ˘ÂÒÍË ÒÓı‡ÌËÚÒfl ‚ Ô‡ÔÍ «USERFILES» Ò ËÏÂÌÂÏ
«USERFILExx.usr».
èÂÂÁ‡ÔËÒ¸ هȷ
ÖÒÎË ‚˚ ‚˚·Ë‡ÂÚ ÍÓÌÚÂÈÌÂ, ÍÓÚÓ˚È ÛÊ ÒÓ‰ÂÊËÚ Ù‡ÈÎ
ÔÓθÁÓ‚‡ÚÂÎfl, ̇ ‰ËÒÔΠÔÓfl‚Îfl˛ÚÒfl ÚË ÚÓ˜ÍË (̇ÔËÏÂ,
«A.0.0»). ÖÒÎË Ì ıÓÚËÚ ÔÂÂÁ‡ÔËÒ˚‚‡Ú¸ Ù‡ÈÎ, ̇ÊÏËÚ ÍÌÓÔÍÛ
[–/NO], ÍÓ„‰‡ ̇ ‰ËÒÔΠÔÓfl‚ËÚÒfl «n y» (ÌÂÚ ËÎË ‰‡) Ë ‚˚·ÂËÚÂ
‰Û„ÓÈ ÍÓÌÚÂÈÌÂ. ÖÒÎË ıÓÚËÚ ÔÂÂÁ‡ÔËÒ‡Ú¸ Ù‡ÈÎ, ̇ÊÏËÚÂ
ÍÌÓÔÍÛ [+/YES], ÍÓ„‰‡ ̇ ‰ËÒÔΠÔÓfl‚ËÚÒfl «n y» (ÌÂÚ ËÎË ‰‡). èÓÒÎÂ
ÚÓ„Ó Í‡Í ÒËÏ‚ÓÎ˚ «n-y» ‚ÌÓ‚¸ ÔÓfl‚flÚÒfl ̇ ‰ËÒÔÎÂÂ, ˜ÚÓ·˚ ‚˚
ÒÏÓ„ÎË ÔÓ‰Ú‚Â‰ËÚ¸ Ò‚ÓÈ ‚˚·Ó, ¢ ‡Á ̇ÊÏËÚ ÍÌÓÔÍÛ [+/YES].
ÇçàåÄçàÖ!
ÇÓ ‚ÂÏfl ‚˚ÔÓÎÌÂÌËfl ÓÔ‡ˆËÈ Ò ‰‡ÌÌ˚ÏË (ÒÓı‡ÌÂÌËÂ, ˝ÍÒÔÓÚ, Û‰‡ÎÂÌËÂ Ë ÙÓχÚËÓ‚‡ÌËÂ) çÖ
ÓÚÒÓ‰ËÌflÈÚ ͇·Âθ USB, çÖ ËÁ‚ÎÂ͇ÈÚ ÌÓÒËÚÂθ ËÁ ÛÒÚÓÈÒÚ‚‡ Ë çÖ ‚˚Íβ˜‡ÈÚ ÔËÚ‡ÌË ÌË
Ó‰ÌÓ„Ó ËÁ ÛÒÚÓÈÒÚ‚. ùÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓ‚ÂʉÂÌ˲ ‰‡ÌÌ˚ı ̇ Ó‰ÌÓÏ ËÎË Ó·ÓËı ÛÒÚÓÈÒÚ‚‡ı.
2.
Ç˚ȉËÚ ËÁ ÂÊËχ ÓÔ‡ˆËÈ Ò Ù‡È·ÏË
óÚÓ·˚ ‚˚ÈÚË ËÁ ÂÊËχ ÓÔÂ‡ˆËÈ Ò Ù‡È·ÏË, ÌÂÒÍÓθÍÓ ‡Á
̇ÊÏËÚ ÍÌÓÔÍÛ [FILE]. (à̉Ë͇ÚÓ FILE ÔÓ„‡ÒÌÂÚ.)
ÇçàåÄçàÖ!
ç ÔÂÂËÏÂÌÓ‚˚‚‡ÈÚ هÈÎ˚ ÔÓθÁÓ‚‡ÚÂÎfl ̇ ÍÓÏÔ¸˛ÚÂÂ. ÖÒÎË ËÏfl هȷ ËÁÏÂÌflÂÚÒfl Ú‡ÍËÏ
Ó·‡ÁÓÏ, Â„Ó Ì‚ÓÁÏÓÊÌÓ ·Û‰ÂÚ Á‡„ÛÁËÚ¸ ‚ ËÌÒÚÛÏÂÌÚ.
36
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
èêàåÖóÄçàÖ
ÖÒÎË ‚˚ ÔÂÂÏ¢‡ÂÚ هÈÎ
ÔÓθÁÓ‚‡ÚÂÎfl ËÁ Ô‡ÔÍË «USER FILES»
Ò ÔÓÏÓ˘¸˛ ÍÓÏÔ¸˛Ú‡, ˝ÚÓÚ Ù‡ÈÎ ÌÂ
·Û‰ÂÚ ‡ÒÔÓÁÌ‡Ì ËÌÒÚÛÏÂÌÚÓÏ.
CLP240E.book Page 37 Wednesday, April 6, 2005 4:02 PM
ꇷÓÚ‡ Ò ÏÂÎÓ‰ËflÏË Ò ÔÓÏÓ˘¸˛ USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËfl ‰‡ÌÌ˚ı (CLP-240)
ùÍÒÔÓÚ ÏÂÎÓ‰ËË ‚ ÙÓχÚ SMF
íÖêåàçéãéÉàü
SMF (Òڇ̉‡ÚÌ˚È Ù‡ÈÎ MIDI)
îÓÏ‡Ú SMF (Standard MIDI File, Òڇ̉‡ÚÌ˚È Ù‡ÈÎ MIDI) – Ó‰ËÌ ËÁ ̇˷ÓΠ‡ÒÔÓÒÚ‡ÌÂÌÌ˚ı Ë ¯ËÓÍÓ
ÒÓ‚ÏÂÒÚËÏ˚ı ÙÓχÚÓ‚ ‰Îfl ı‡ÌÂÌËfl ‰‡ÌÌ˚ı ÒÂÍ‚Â̈ËË. ëÛ˘ÂÒÚ‚ÛÂÚ ‰‚‡ ‚ˉ‡ ˝ÚÓ„Ó ÙÓχڇ: Format 0 Ë Format 1.
ÅÓθ¯Ó ÍÓ΢ÂÒÚ‚Ó MIDI-ÛÒÚÓÈÒÚ‚ ÒÓ‚ÏÂÒÚËÏ˚ Ò ÙÓχÚÓÏ SMF Format 0, ‡ ·Óθ¯ËÌÒÚ‚Ó ÍÓÏϘÂÒÍË
‡ÒÔÓÒÚ‡ÌflÂÏ˚ı MIDI-Ù‡ÈÎÓ‚ ÔÓÒÚ‡‚ÎflÂÚÒfl ‚ ÚÓÏ Ê ÙÓχÚÂ. îÓÏ‡Ú SMF ‰Îfl Ù‡ÈÎÓ‚ ÒÂÍ‚Â̈ËÈ ÔÓÁ‚ÓÎflÂÚ
Ó·ÏÂÌË‚‡Ú¸Òfl ‰‡ÌÌ˚ÏË ÏÂÎÓ‰ËÈ ÏÂÊ‰Û ‡Á΢Ì˚ÏË ÒÂÍ‚ÂÌÒÓ‡ÏË. åÂÎÓ‰ËË ÔÓθÁÓ‚‡ÚÂÎfl, Á‡ÔËÒ‡ÌÌ˚ ̇ CLP-240,
˝ÍÒÔÓÚËÛ˛ÚÒfl ‚ ÙÓχÚ SMF Format 0.
2 3
1
REC
MIN
ON/OFF
LEFT
RIGHT
STOP
PLAY/PAUSE
ON
MAX
1 2
USB
USER
PRESET
SAVE/EXP.
LOAD
FORMAT/DEL.
TEMPO
FUNCTION #
TEMPO/OTHER VALUE
METRONOME
– / NO
+ / YES
GRAND
PIANO 1
GRAND
PIANO 2
CHURCH
ORGAN
JAZZ
ORGAN
E.PIANO
1
STRINGS
E.PIANO
2
CHOIR
HARPSICHORD
E.CLAVICHORD
VIBRAPHONE
VARIATION
GUITAR
WOOD
BASS
E.BASS
SPLIT
BRIGHT
NORMAL
MELLOW
ROOM
HALL 1
HALL 2
STAGE
CHORUS
PHASER
TREMOLO
ROTARY SP
HARD
MEDIUM
SOFT
ON
SYNC START
MASTER VOLUME
DEMO
TRANSPOSE
SONG
SONG SELECT FILE
TEMPO / FUNCTION #
VOICE
BRILLIANCE REVERB
EFFECT
TOUCH
DDE
CLP-240
ÑÂÈÒÚ‚Ëfl
èêàåÖóÄçàÖ
1.
Ç˚·ÂËÚ ÏÂÎӉ˲ ‰Îfl ˝ÍÒÔÓÚ‡
Ç˚·ÂËÚ ÏÂÎӉ˲ ‰Îfl ˝ÍÒÔÓÚ‡ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [SONG SELECT]
Ë [–/NO][+/YES].
2.
Ç˚·ÂËÚ ÍÓÌÚÂÈÌ ÏÂÎÓ‰ËË ‚ ÛÒÚÓÈÒÚ‚Â
Ë ˝ÍÒÔÓÚËÛÈÚ ÏÂÎӉ˲ ÔÓθÁÓ‚‡ÚÂÎfl
ì·Â‰Ë‚¯ËÒ¸, ˜ÚÓ USB-ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl ‰‡ÌÌ˚ı ÔÓ‰Íβ˜ÂÌÓ
Í ËÌÒÚÛÏÂÌÚÛ, ̇ÊÏËÚ ÍÌÓÔÍÛ [FILE] (Á‡„Ó‡ÂÚÒfl Ë̉Ë͇ÚÓ
«SAVE/EXP.»). ì‰ÂÊË‚‡fl ̇ʇÚÓÈ ÍÌÓÔÍÛ [FILE], ̇ÊËχÈÚÂ
ÍÌÓÔÍË [–/NO][+/YES], ˜ÚÓ·˚ ‚˚·‡Ú¸ ÍÓÌÚÂÈÌÂ (S00-S99). èÓÒÎÂ
ÓÒ‚Ó·ÓʉÂÌËfl ÍÌÓÔÍË [FILE] ̇ ‰ËÒÔΠÔÓfl‚Îfl˛ÚÒfl ÒËÏ‚ÓÎ˚ «n y»
(no/yes). ÑÎfl ˝ÍÒÔÓÚ‡ ÏÂÎÓ‰ËÈ Ì‡ÊÏËÚ ÍÌÓÔÍÛ [+/YES].
ùÍÒÔÓÚËÓ‚‡Ì̇fl ÏÂÎÓ‰Ëfl ÍÓÌ‚ÂÚËÛÂÚÒfl ‚ ÙÓÏ‡Ú SMF
Ë ‡‚ÚÓχÚ˘ÂÒÍË ÔÓÏ¢‡ÂÚÒfl ‚ Ô‡ÔÍÛ «USER FILES» Ò ËÏÂÌÂÏ
«USERSONGxx.mid».
낉ÂÌËfl Ó· ˝ÍÒÔÓÚ ÒÏ. ÒÚ. 35.
èêàåÖóÄçàÖ
ÖÒÎË ‚ ‚˚·‡ÌÌÓÈ ÏÂÎÓ‰ËË
ÓÚÒÛÚÒÚ‚Û˛Ú ‰‡ÌÌ˚Â, Ó̇ Ì ·Û‰ÂÚ
˝ÍÒÔÓÚËÓ‚‡Ú¸Òfl (‚˚ Ì ÒÏÓÊÂÚÂ
‚˚·‡Ú¸ ÍÓÌÚÂÈÌ ‰Îfl ÏÂÎÓ‰ËÈ SMF:
S00-S99). ì·Â‰ËÚÂÒ¸, ˜ÚÓ ‚ ‚˚·‡ÌÌÓÈ
ÏÂÎÓ‰ËË ËϲÚÒfl ‰‡ÌÌ˚ (‰ÓÎÊÂÌ
„ÓÂÚ¸ Ë̉Ë͇ÚÓ [RIGHT] ËÎË [LEFT]).
èêàåÖóÄçàÖ
ÖÒÎË ‚˚ ÔÂÂÏ¢‡ÂÚ ÏÂÎӉ˲ ‚
ÙÓχÚ SMF ËÁ Ô‡ÔÍË «USER FILES»
Ò ÔÓÏÓ˘¸˛ ÍÓÏÔ¸˛Ú‡, ÚËÔ Ù‡È·
ËÁÏÂÌËÚÒfl – Ò ÏÂÎÓ‰ËË SMF (S00-S99)
̇ ‚ÌÂ¯Ì˛˛ ÏÂÎӉ˲.
èÂÂÁ‡ÔËÒ¸ ÏÂÎÓ‰ËË
ÖÒÎË ‚˚ ‚˚·Ë‡ÂÚ ÍÓÌÚÂÈÌÂ, ÍÓÚÓ˚È ÛÊ ÒÓ‰ÂÊËÚ ÏÂÎӉ˲
SMF, ̇ ‰ËÒÔΠÔÓfl‚Îfl˛ÚÒfl ÚË ÚÓ˜ÍË (̇ÔËÏÂ, «S.0.0.»). ÖÒÎË ÌÂ
ıÓÚËÚ ÔÂÂÁ‡ÔËÒ˚‚‡Ú¸ Ù‡ÈÎ, ̇ÊÏËÚ ÍÌÓÔÍÛ [–/NO], ÍÓ„‰‡ ̇
‰ËÒÔΠÔÓfl‚ËÚÒfl «n y» (no ËÎË yes) Ë ‚˚·ÂËÚ ‰Û„ÓÈ ÍÓÌÚÂÈÌÂ.
ÖÒÎË ıÓÚËÚ ÔÂÂÁ‡ÔËÒ‡Ú¸ ÏÂÎӉ˲, ̇ÊÏËÚ ÍÌÓÔÍÛ [+/YES]. èÓÒÎÂ
ÚÓ„Ó Í‡Í ÒËÏ‚ÓÎ˚ «n-y» ‚ÌÓ‚¸ ÔÓfl‚flÚÒfl ̇ ‰ËÒÔÎÂÂ, ˜ÚÓ·˚ ‚˚ ÒÏÓ„ÎË
ÔÓ‰Ú‚Â‰ËÚ¸ Ò‚ÓÈ ‚˚·Ó, ¢ ‡Á ̇ÊÏËÚ ÍÌÓÔÍÛ [+/YES].
ÇçàåÄçàÖ!
ÇÓ ‚ÂÏfl ‚˚ÔÓÎÌÂÌËfl ÓÔ‡ˆËÈ Ò ‰‡ÌÌ˚ÏË (ÒÓı‡ÌÂÌËÂ, ˝ÍÒÔÓÚ, Û‰‡ÎÂÌËÂ Ë ÙÓχÚËÓ‚‡ÌËÂ) çÖ
ÓÚÒÓ‰ËÌflÈÚ ͇·Âθ USB, çÖ ËÁ‚ÎÂ͇ÈÚ ÌÓÒËÚÂθ ËÁ ÛÒÚÓÈÒÚ‚‡ Ë çÖ ‚˚Íβ˜‡ÈÚ ÔËÚ‡ÌË ÌË
Ó‰ÌÓ„Ó ËÁ ÛÒÚÓÈÒÚ‚. ùÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓ‚ÂʉÂÌ˲ ‰‡ÌÌ˚ı ̇ Ó‰ÌÓÏ ËÎË Ó·ÓËı ÛÒÚÓÈÒÚ‚‡ı.
3.
Ç˚ȉËÚ ËÁ ÂÊËχ ÓÔ‡ˆËÈ Ò Ù‡È·ÏË
óÚÓ·˚ ‚˚ÈÚË ËÁ ÂÊËχ ÓÔÂ‡ˆËÈ Ò Ù‡È·ÏË, ÌÂÒÍÓθÍÓ ‡Á
̇ÊÏËÚ ÍÌÓÔÍÛ [FILE]. (à̉Ë͇ÚÓ FILE ÔÓ„‡ÒÌÂÚ.)
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
37
CLP240E.book Page 38 Wednesday, April 6, 2005 4:02 PM
ꇷÓÚ‡ Ò ÏÂÎÓ‰ËflÏË Ò ÔÓÏÓ˘¸˛ USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËfl ‰‡ÌÌ˚ı (CLP-240)
쉇ÎÂÌË هÈÎÓ‚ ÏÂÎÓ‰ËÈ
1 3
REC
MIN
MAX
ON/OFF
LEFT
RIGHT
STOP
PLAY/PAUSE
ON
1 2
USB
USER
PRESET
SAVE/EXP.
LOAD
FORMAT/DEL.
TEMPO
FUNCTION #
TEMPO/OTHER VALUE
METRONOME
– / NO
+ / YES
GRAND
PIANO 1
GRAND
PIANO 2
E.PIANO
1
E.PIANO
2
HARPSICHORD
E.CLAVICHORD
VIBRAPHONE
VARIATION
CHURCH
ORGAN
JAZZ
ORGAN
STRINGS
CHOIR
GUITAR
WOOD
BASS
E.BASS
SPLIT
BRIGHT
NORMAL
MELLOW
ROOM
HALL 1
HALL 2
STAGE
CHORUS
PHASER
TREMOLO
ROTARY SP
HARD
MEDIUM
SOFT
ON
SYNC START
MASTER VOLUME
DEMO
TRANSPOSE
SONG
SONG SELECT FILE
TEMPO / FUNCTION #
ÑÂÈÒÚ‚Ëfl
1.
쉇ÎËÚ هÈÎ
èÓÒΠÓÒ‚Ó·ÓʉÂÌËfl ÍÌÓÔÍË [FILE] ̇ ‰ËÒÔΠÔÓfl‚Îfl˛ÚÒfl
ÒËÏ‚ÓÎ˚ «n y» (ÌÂÚ ËÎË ‰‡). ÖÒÎË ıÓÚËÚ ۉ‡ÎËÚ¸ Ù‡ÈÎ, ̇ÊÏËÚÂ
ÍÌÓÔÍÛ [+/YES]. èÓÒΠÚÓ„Ó Í‡Í ÒËÏ‚ÓÎ˚ «n -y» ‚ÌÓ‚¸ ÔÓfl‚flÚÒfl ̇
‰ËÒÔÎÂÂ, ˜ÚÓ·˚ ‚˚ ÒÏÓ„ÎË ÔÓ‰Ú‚Â‰ËÚ¸ Ò‚ÓÈ ‚˚·Ó, ¢ ‡Á
̇ÊÏËÚ ÍÌÓÔÍÛ [+/YES].
ÖÒÎË Ì ıÓÚËÚ ۉ‡ÎflÚ¸ Ù‡ÈÎ, ̇ÊÏËÚ ÍÌÓÔÍÛ [–/NO].
ÇçàåÄçàÖ!
ÇÓ ‚ÂÏfl ‚˚ÔÓÎÌÂÌËfl ÓÔ‡ˆËÈ Ò ‰‡ÌÌ˚ÏË (ÒÓı‡ÌÂÌËÂ, ˝ÍÒÔÓÚ, Û‰‡ÎÂÌËÂ Ë ÙÓχÚËÓ‚‡ÌËÂ) çÖ
ÓÚÒÓ‰ËÌflÈÚ ͇·Âθ USB, çÖ ËÁ‚ÎÂ͇ÈÚ ÌÓÒËÚÂθ ËÁ ÛÒÚÓÈÒÚ‚‡ Ë çÖ ‚˚Íβ˜‡ÈÚ ÔËÚ‡ÌË ÌË
Ó‰ÌÓ„Ó ËÁ ÛÒÚÓÈÒÚ‚. ùÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓ‚ÂʉÂÌ˲ ‰‡ÌÌ˚ı ̇ Ó‰ÌÓÏ ËÎË Ó·ÓËı ÛÒÚÓÈÒÚ‚‡ı.
3.
Ç˚ȉËÚ ËÁ ÂÊËχ ÓÔ‡ˆËÈ Ò Ù‡È·ÏË
óÚÓ·˚ ‚˚ÈÚË ËÁ ÂÊËχ ÓÔÂ‡ˆËÈ Ò Ù‡È·ÏË, ÌÂÒÍÓθÍÓ ‡Á
̇ÊÏËÚ ÍÌÓÔÍÛ [FILE]. (à̉Ë͇ÚÓ FILE ÔÓ„‡ÒÌÂÚ.)
38
BRILLIANCE REVERB
EFFECT
TOUCH
DDE
CLP-240
èêàåÖóÄçàÖ
è‰ ÚÂÏ Í‡Í Û‰‡ÎËÚ¸ ÏÂÎӉ˲,
ÔÓÒÎÛ¯‡ÈÚ ÂÂ. åÂÎÓ‰ËË ÌÂθÁfl
ÔÓÒÎۯ˂‡Ú¸ ÔÓÒΠ‚Íβ˜ÂÌËfl
ÂÊËχ Û‰‡ÎÂÌËfl.
Ç˚·ÂËÚ ÏÂÎӉ˲ ‰Îfl Û‰‡ÎÂÌËfl
ç‡ÊÏËÚ ÍÌÓÔÍÛ [FILE]. (ᇄÓËÚÒfl Ë̉Ë͇ÚÓ «FORMAT/DEL».)
ì‰ÂÊË‚‡fl ̇ʇÚÓÈ ÍÌÓÔÍÛ [FILE], ̇ÊËχÈÚ ÍÌÓÔÍË
[–/NO][+/YES], ˜ÚÓ·˚ ‚˚·‡Ú¸ Ù‡ÈÎ ‰Îfl Û‰‡ÎÂÌËfl. ç‡ ‰ËÒÔÎÂÈ
‚˚‚Ó‰flÚÒfl ÚË ÚËÔ‡ Ù‡ÈÎÓ‚ ‚ ÒÎÂ‰Û˛˘ÂÏ ÔÓfl‰ÍÂ:
•Axx ......Ù‡ÈÎ˚ ÔÓθÁÓ‚‡ÚÂÎfl;
•Sxx ......ÏÂÎÓ‰ËË SMF;
•xxx ......‚̯ÌË ÏÂÎÓ‰ËË (ÍÓÏÏÂ˜ÂÒÍË ‡ÒÔÓÒÚ‡ÌflÂÏ˚Â
ÏÂÎÓ‰ËË ËÎË ÏÂÎÓ‰ËË, ÓÚ‰‡ÍÚËÓ‚‡ÌÌ˚ ̇
ÍÓÏÔ¸˛ÚÂÂ).
2.
VOICE
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
èêàåÖóÄçàÖ
Ç˚‚Ó‰flÚÒfl ÚÓθÍÓ Ú هÈÎ˚, ÍÓÚÓ˚Â
ÒÓ‰ÂÊ‡Ú ‰‡ÌÌ˚Â.
èêàåÖóÄçàÖ
çÂθÁfl Û‰‡ÎËÚ¸ ÒÎÂ‰Û˛˘Ë ÚËÔ˚
ÏÂÎÓ‰ËÈ. ÖÒÎË ‚˚ ÔÓÔ˚Ú‡ÂÚÂÒ¸
Û‰‡ÎËÚ¸ Ú‡ÍÛ˛ ÏÂÎӉ˲, ̇ ‰ËÒÔÎÂÂ
ÔÓfl‚ËÚÒfl «Pro» (ᇢˢÂÌÓ).
• ᇢˢÂÌÌ˚ ÏÂÎÓ‰ËË
(‡Ò¯ËÂÌËÂ: Cxx, Exx ËÎË SME)
• åÂÎÓ‰ËË DOC (Disk Orchestra
Collection)
• åÂÎÓ‰ËË Disklavier Piano Soft
èêàåÖóÄçàÖ
çÓχ ÏÂÎÓ‰ËÈ ÔÓθÁÓ‚‡ÚÂθÒÍËı
Ù‡ÈÎÓ‚ (Axx) Ë ÏÂÎÓ‰ËÈ SMF (Sxx)
fl‚Îfl˛ÚÒfl ÙËÍÒËÓ‚‡ÌÌ˚ÏË, Ëı ÌÂθÁfl
ËÁÏÂÌËÚ¸ ÔÛÚÂÏ Û‰‡ÎÂÌËfl Ù‡ÈÎÓ‚.
é‰Ì‡ÍÓ ÌÓχ ÏÂÎÓ‰ËÈ ‚̯ÌËı
Ù‡ÈÎÓ‚ Ì ÙËÍÒËÛ˛ÚÒfl Ë ÏÓ„ÛÚ
ÏÂÌflÚ¸Òfl ÔÛÚÂÏ Û‰‡ÎÂÌËfl Ù‡ÈÎÓ‚.
CLP240E.book Page 39 Wednesday, April 6, 2005 4:02 PM
ꇷÓÚ‡ Ò ÏÂÎÓ‰ËflÏË Ò ÔÓÏÓ˘¸˛ USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËfl ‰‡ÌÌ˚ı (CLP-240)
îÓχÚËÓ‚‡ÌË USB-ÛÒÚÓÈÒÚ‚‡
ı‡ÌÂÌËfl ‰‡ÌÌ˚ı
1 3
REC
MIN
ON/OFF
LEFT
RIGHT
STOP
PLAY/PAUSE
ON
MAX
1 2
USB
USER
PRESET
SAVE/EXP.
LOAD
FORMAT/DEL.
TEMPO
FUNCTION #
TEMPO/OTHER VALUE
METRONOME
– / NO
+ / YES
GRAND
PIANO 1
GRAND
PIANO 2
E.PIANO
1
E.PIANO
2
HARPSICHORD
E.CLAVICHORD
VIBRAPHONE
VARIATION
CHURCH
ORGAN
JAZZ
ORGAN
STRINGS
CHOIR
GUITAR
WOOD
BASS
E.BASS
SPLIT
BRIGHT
NORMAL
MELLOW
ROOM
HALL 1
HALL 2
STAGE
CHORUS
PHASER
TREMOLO
ROTARY SP
HARD
MEDIUM
SOFT
ON
SYNC START
MASTER VOLUME
DEMO
TRANSPOSE
SONG
SONG SELECT FILE
TEMPO / FUNCTION #
VOICE
BRILLIANCE REVERB
EFFECT
TOUCH
DDE
CLP-240
ÑÂÈÒÚ‚Ëfl
1.
ÇÍβ˜ËÚ ÂÊËÏ ÙÓχÚËÓ‚‡ÌËfl
ç‡ÊÏËÚ ÍÌÓÔÍÛ [FILE]. (ᇄÓËÚÒfl Ë̉Ë͇ÚÓ «FORMAT/DEL».)
ì‰ÂÊË‚‡fl ̇ʇÚÓÈ ÍÌÓÔÍÛ [FILE], Ó‰ÌÓ‚ÂÏÂÌÌÓ Ì‡ÊÏËÚ ÍÌÓÔÍË
[–/NO] Ë [+/YES]. äÓ„‰‡ ̇ ‰ËÒÔΠÔÓfl‚ËÚÒfl «For» (îÓχÚËÓ‚‡ÌËÂ),
ÓÚÔÛÒÚËÚ ÍÌÓÔÍÛ [FILE], ˜ÚÓ·˚ ̇ ‰ËÒÔΠÔÓfl‚ËÎËÒ¸ ÒËÏ‚ÓÎ˚
«n y» (ÌÂÚ/‰‡).
2.
Ç˚ÔÓÎÌËÚ ÓÔ‡ˆË˛ ÙÓχÚËÓ‚‡ÌËfl
èÓÒΠÔÓfl‚ÎÂÌËfl ̇ ‰ËÒÔΠ«n y» (ÌÂÚ/‰‡) ̇ÊÏËÚ ÍÌÓÔÍÛ [FILE].
èÓÒΠÚÓ„Ó Í‡Í ÒËÏ‚ÓÎ˚ «n -y» ‚ÌÓ‚¸ ÔÓfl‚flÚÒfl ̇ ‰ËÒÔÎÂÂ, ˜ÚÓ·˚
‚˚ ÒÏÓ„ÎË ÔÓ‰Ú‚Â‰ËÚ¸ Ò‚ÓÈ ‚˚·Ó, ¢ ‡Á ̇ÊÏËÚ ÍÌÓÔÍÛ
[+/YES].
ÖÒÎË Ì ıÓÚËÚ ÙÓχÚËÓ‚‡Ú¸ ÛÒÚÓÈÒÚ‚Ó, ̇ÊÏËÚ ÍÌÓÔÍÛ [–/NO].
ÇçàåÄçàÖ!
ÇÓ ‚ÂÏfl ‚˚ÔÓÎÌÂÌËfl ÓÔ‡ˆËÈ Ò ‰‡ÌÌ˚ÏË (ÒÓı‡ÌÂÌËÂ, ˝ÍÒÔÓÚ, Û‰‡ÎÂÌËÂ Ë ÙÓχÚËÓ‚‡ÌËÂ) çÖ
ÓÚÒÓ‰ËÌflÈÚ ͇·Âθ USB, çÖ ËÁ‚ÎÂ͇ÈÚ ÌÓÒËÚÂθ ËÁ ÛÒÚÓÈÒÚ‚‡ Ë çÖ ‚˚Íβ˜‡ÈÚ ÔËÚ‡ÌË ÌË
Ó‰ÌÓ„Ó ËÁ ÛÒÚÓÈÒÚ‚. ùÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓ‚ÂʉÂÌ˲ ‰‡ÌÌ˚ı ̇ Ó‰ÌÓÏ ËÎË Ó·ÓËı ÛÒÚÓÈÒÚ‚‡ı.
3.
Ç˚ȉËÚ ËÁ ÂÊËχ ÙÓχÚËÓ‚‡ÌËfl
óÚÓ·˚ ‚˚ÈÚË ËÁ ÂÊËχ ÓÔÂ‡ˆËÈ Ò Ù‡È·ÏË, ÌÂÒÍÓθÍÓ ‡Á
̇ÊÏËÚ ÍÌÓÔÍÛ [FILE]. (à̉Ë͇ÚÓ FILE ÔÓ„‡ÒÌÂÚ.)
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
39
CLP240E.book Page 40 Wednesday, April 6, 2005 4:02 PM
ÇÓÒÔÓËÁ‚‰ÂÌË ÏÂÎÓ‰ËÈ
ÇÓÒÔÓËÁ‚‰ÂÌË ÏÂÎÓ‰ËÈ
á‡ÔËÒ‡ÌÌ˚ ËÎË ÍÓÏϘÂÒÍË ‡ÒÔÓÒÚ‡ÌflÂÏ˚ ÏÂÎÓ‰ËË ÏÓÊÌÓ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË Á‡ÔËÒË
(ÒÚ. 29 – 34). é‰ÌÓ‚ÂÏÂÌÌÓ Ò ÔÓË„˚‚‡ÌËÂÏ ‚ÒÚÓÂÌÌÓÈ ÏÂÎÓ‰ËË ÏÓÊÌÓ Ë„‡Ú¸ ̇ Í·‚˯‡ı.
•50 ‚ÒÚÓÂÌÌ˚ı ÏÂÎÓ‰ËÈ ‰Îfl ÙÓÚÂÔ¸flÌÓ (CLP-240/230)....ÒÚ. 15
50 ‚ÒÚÓÂÌÌ˚ı ÏÂÎÓ‰ËÈ ‰Îfl ÙÓÚÂÔ¸flÌÓ Ì‡ ËÌÒÚÛÏÂÌÚÂ.
•èÓθÁÓ‚‡ÚÂθÒÍË ÏÂÎÓ‰ËË Ì‡ ËÌÒÚÛÏÂÌÚÂ
(CLP-240/230) ...............................................................ÒÚ. 41
èÓθÁÓ‚‡ÚÂθÒÍË ÏÂÎÓ‰ËË, Á‡ÔËÒ‡ÌÌ˚ ̇ ËÌÒÚÛÏÂÌÚ Ò ÔÓÏÓ˘¸˛
ÙÛÌ͈ËË Á‡ÔËÒË (ÒÚ. 29).
•èÓθÁÓ‚‡ÚÂθÒÍË هÈÎ˚ ̇ USB-ÛÒÚÓÈÒÚ‚Â ı‡ÌÂÌËfl
‰‡ÌÌ˚ı (CLP-240) .........................................................ÒÚ. 42
èÓθÁÓ‚‡ÚÂθÒÍË هÈÎ˚ Ò ‰‡ÌÌ˚ÏË Á‡ÔËÒ‡ÌÌ˚ı ÏÂÎÓ‰ËÈ,
ÒÓı‡ÌÂÌÌ˚ ̇ USB-ÛÒÚÓÈÒÚ‚Â ı‡ÌÂÌËfl ‰‡ÌÌ˚ı (ÒÚ. 35).
èêàåÖóÄçàÖ
çÂθÁfl ‚˚·Ë‡Ú¸ ÏÂÎÓ‰ËË ‚
‰ÂÏÓÌÒÚ‡ˆËÓÌÌÓÏ ÂÊËÏ (ÒÚ. 14) ËÎË
‚Ó ‚ÂÏfl ÓÔ‡ˆËÈ Ò Ù‡È·ÏË (ÒÚ. 35).
èêàåÖóÄçàÖ
èË ‚ÓÒÔÓËÁ‚‰ÂÌËË ÏÂÎÓ‰ËÈ,
ÒÓ‰Âʇ˘Ëı ‡Á΢Ì˚ ÚÂÏ·˚ ËÎË
Ô‡ÚËË (̇ÔËÏÂ, ÏÂÎÓ‰ËË XG ËÎË GM),
˝ÚË ÚÂÏ·˚ ÏÓ„ÛÚ Á‚Û˜‡Ú¸ ÌÂÔ‡‚ËθÌÓ
ËÎË Ì ڇÍ, Í‡Í Á‡‰ÛÏ˚‚‡ÎÓÒ¸
Ô‚Ó̇˜‡Î¸ÌÓ. ùÚÓ ÏÓÊÌÓ ËÒÔ‡‚ËÚ¸
ËÎË Ò‰Â·ڸ Á‚ÛÍ ·ÓΠÂÒÚÂÒÚ‚ÂÌÌ˚Ï,
ËÁÏÂÌË‚ ̇ÒÚÓÈÍÛ Song Channel
Selection (Ç˚·Ó ͇̇· ÏÂÎÓ‰ËË)
(ÒÚ. 51) ̇ «1&2», ˜ÚÓ·˚
‚ÓÒÔÓËÁ‚Ó‰ËÎËÒ¸ ÚÓθÍÓ Í‡Ì‡Î˚ 1 Ë 2.
èêàåÖóÄçàÖ
•åÂÎÓ‰ËË SMF ̇ USB-ÛÒÚÓÈÒÚ‚Â ı‡ÌÂÌËfl
‰‡ÌÌ˚ı (CLP-240) .........................................................ÒÚ. 43
åÂÎÓ‰ËË SMF Ò ‰‡ÌÌ˚ÏË Á‡ÔËÒ‡ÌÌ˚ı ÏÂÎÓ‰ËÈ, ˝ÍÒÔÓÚËÓ‚‡ÌÌ˚ ̇
USB-ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl ‰‡ÌÌ˚ı (ÒÚ. 35).
•Ç̯ÌË ÏÂÎÓ‰ËË Ì‡ USB-ÛÒÚÓÈÒÚ‚Â ı‡ÌÂÌËfl
‰‡ÌÌ˚ı (CLP-240) .........................................................ÒÚ. 43
äÓÏÏÂ˜ÂÒÍË ‡ÒÔÓÒÚ‡ÌflÂÏ˚ ÏÂÎÓ‰ËË ËÎË ÏÂÎÓ‰ËË,
ÓÚ‰‡ÍÚËÓ‚‡ÌÌ˚ ̇ ÍÓÏÔ¸˛ÚÂÂ Ë Ú.‰., ı‡Ìfl˘ËÂÒfl ̇
USB-ÛÒÚÓÈÒÚ‚Â ı‡ÌÂÌËfl ‰‡ÌÌ˚ı. ç‡ ˝ÚÓÏ ËÌÒÚÛÏÂÌÚ ÏÓÊÌÓ
‚ÓÒÔÓËÁ‚ÂÒÚË ‰Ó 999 ÏÂÎÓ‰ËÈ (ÌÓÏÂ‡ 001-999).
•Ç̯ÌË ÏÂÎÓ‰ËË Ì‡ ËÌÒÚÛÏÂÌÚ (CLP-240/230).............ÒÚ. 41
åÂÎÓ‰ËË, ÔÂÂÌÂÒÂÌÌ˚Â Ò ÍÓÏÔ¸˛ÚÂ‡ (‚Íβ˜‡fl ÍÓÏÏÂ˜ÂÒÍË
‡ÒÔÓÒÚ‡ÌflÂÏ˚ ÏÂÎÓ‰ËË ËÎË ÏÂÎÓ‰ËË, ÓÚ‰‡ÍÚËÓ‚‡ÌÌ˚ ̇
ÍÓÏÔ¸˛ÚÂÂ). ë ÔÓÏÓ˘¸˛ ÔÓ„‡ÏÏÌÓ„Ó Ó·ÂÒÔ˜ÂÌËfl Musicsoft
Downloader ÏÂÎÓ‰ËË ÏÓÊÌÓ ÔÂÂÌÂÒÚË (ÒÓı‡ÌËÚ¸) ̇ ËÌÒÚÛÏÂÌÚÂ.
ùÚË ÏÂÎÓ‰ËË ÒÓı‡Ìfl˛ÚÒfl ‚ ӷ·ÒÚË ‚ÒÚÓÂÌÌÓÈ Ô‡ÏflÚË ÓÚ‰ÂθÌÓ ÓÚ
Á‡ÔËÒ‡ÌÌ˚ı ÏÂÎÓ‰ËÈ ÔÓθÁÓ‚‡ÚÂÎfl. ç‡ ˝ÚÓÏ ËÌÒÚÛÏÂÌÚ ÏÓÊÌÓ
‚ÓÒÔÓËÁ‚ÂÒÚË ‰Ó 255 ÏÂÎÓ‰ËÈ (ÌÓÏÂ‡ 001-255).
ÖÒÎË ÏÂÎӉ˲ ÌÂθÁfl ‚˚·‡Ú¸ ËÎË
Á‡„ÛÁËÚ¸, ‚‡Ï, ‚ÓÁÏÓÊÌÓ, ÔˉÂÚÒfl
ËÁÏÂÌËÚ¸ ̇ÒÚÓÈÍÛ Character Code
(ç‡·Ó ÒËÏ‚ÓÎÓ‚) (ÒÚ. 55).
èêàåÖóÄçàÖ
чÌÌ˚ ÏÂÎÓ‰ËÈ Ì Ô‰‡˛ÚÒfl ˜ÂÂÁ
‡Á˙ÂÏ˚ MIDI. é‰Ì‡ÍÓ Í‡Ì‡Î˚ 3 – 16
ÏÂÎÓ‰ËÈ DOC, Disklavier Piano Soft Ë
ÌÂÁ‡˘Ë˘ÂÌÌ˚ı ‚̯ÌËı ÏÂÎÓ‰ËÈ
·Û‰ÛÚ Ô‰‡‚‡Ú¸Òfl ˜ÂÂÁ ‡Á˙ÂÏ˚
MIDI ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ Ì‡ÒÚÓÈÍË Song
Channel Selection (ÒÚ. 51).
èêàåÖóÄçàÖ
ëÓÓÚ‚ÂÚÒÚ‚Û˛˘Ë ͇̇Î˚ ‚ ÏÂÎÓ‰ËË
·Û‰ÛÚ ‡‚ÚÓχÚ˘ÂÒÍË Á‡ÍÂÔÎÂÌ˚ Á‡
ÍÌÓÔ͇ÏË [RIGHT] Ë [LEFT]. í‡Í, ÍÌÓÔÍÛ
[RIGHT] ÏÓÊÌÓ Á‡ÍÂÔËÚ¸ Á‡ Ô‡ÚËÂÈ,
ÓÚ΢ÌÓÈ ÓÚ Í‡Ì‡Î‡ 1, ‡ ÍÌÓÔÍÛ [LEFT] –
Á‡ Ô‡ÚËÂÈ, ÓÚ΢ÌÓÈ ÓÚ Í‡Ì‡Î‡ 2.
èêàåÖóÄçàÖ
ÑÎfl USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËfl ‰‡ÌÌ˚ı
͇ڇÎÓ„Ë Ô‡ÔÓÍ Ì‡ ˝ÚÓÏ ËÌÒÚÛÏÂÌÚÂ
·Û‰ÛÚ ‡ÒÔÓÁ̇‚‡Ú¸Òfl ̇ ‰‚Ûı ÛÓ‚Ìflı.
é‰Ì‡ÍÓ ˝ÚË ÛÓ‚ÌË Ì ‚˚‚Ó‰flÚÒfl ̇
‰ËÒÔÎÂÈ, ̇ ÌÂÏ ·Û‰ÛÚ ÓÚÓ·‡Ê‡Ú¸Òfl
ÌÓχ 001-999, ÌÂÁ‡‚ËÒËÏÓ ÓÚ ÛÓ‚Ìfl,
̇ ÍÓÚÓÓÏ ÒÓ‰ÂÊËÚÒfl ÏÂÎÓ‰Ëfl.
îÓχÚ˚ ÒÂÍ‚Â̈ËË, ‚ÓÒÔÓËÁ‚Ó‰ËÏ˚ ̇ CLP-240/230
• SMF (Òڇ̉‡ÚÌ˚È MIDI-Ù‡ÈÎ), Formats 0 Ë 1
îÓÏ‡Ú SMF – Ó‰ËÌ ËÁ ̇˷ÓΠ‡ÒÔÓÒÚ‡ÌÂÌÌ˚ı Ë ¯ËÓÍÓ ÒÓ‚ÏÂÒÚËÏ˚ı
ÙÓχÚÓ‚ ‰Îfl ı‡ÌÂÌËfl ‰‡ÌÌ˚ı ÒÂÍ‚Â̈ËË. ëÛ˘ÂÒÚ‚ÛÂÚ ‰‚‡ ‚ˉ‡ ˝ÚÓ„Ó
ÙÓχڇ: Format 0 Ë Format 1. ÅÓθ¯Ó ÍÓ΢ÂÒÚ‚Ó MIDI-ÛÒÚÓÈÒÚ‚
ÒÓ‚ÏÂÒÚËÏ˚ Ò ÙÓχÚÓÏ SMF Format 0, ‡ ·Óθ¯ËÌÒÚ‚Ó ÍÓÏÏÂ˜ÂÒÍË
‡ÒÔÓÒÚ‡ÌflÂÏ˚ı MIDI-Ù‡ÈÎÓ‚ ÔÓÒÚ‡‚ÎflÂÚÒfl ‚ ÚÓÏ Ê ÙÓχÚÂ. îÓχÚ
SMF ‰Îfl Ù‡ÈÎÓ‚ ÒÂÍ‚Â̈ËÈ ÔÓÁ‚ÓÎflÂÚ Ó·ÏÂÌË‚‡Ú¸Òfl ‰‡ÌÌ˚ÏË ÏÂÎÓ‰ËÈ
ÏÂÊ‰Û ‡Á΢Ì˚ÏË ÒÂÍ‚ÂÌÒÓ‡ÏË. åÂÎÓ‰ËË ÔÓθÁÓ‚‡ÚÂÎfl, Á‡ÔËÒ‡ÌÌ˚ ̇
CLP-240, ˝ÍÒÔÓÚËÛ˛ÚÒfl ‚ ÙÓχÚ SMF Format 0.
• ESEQ
ùÚÓÚ ÙÓÏ‡Ú ÒÂÍ‚Â̈ËË ÔÓ‰‰ÂÊË‚‡˛Ú ÏÌÓ„Ë MIDI-ÛÒÚÓÈÒÚ‚‡ ÍÓÔÓ‡ˆËË
Yamaha, ‚Íβ˜‡fl ÒÂ˲ ËÌÒÚÛÏÂÌÚÓ‚ Clavinova. ùÚÓ Ó·˚˜Ì˚È ÙÓχÚ,
ÍÓÚÓ˚È ËÒÔÓθÁÛÂÚÒfl ‡ÁÌ˚Ï ÔÓ„‡ÏÏÌ˚Ï Ó·ÂÒÔ˜ÂÌËÂÏ Yamaha.
Ç ÙÓχÚ ESEQ ̇ ˝ÚÓÏ ËÌÒÚÛÏÂÌÚ ÏÓ„ÛÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òfl ÚÓθÍÓ Ù‡ÈÎ˚
DOC (Disk Orchestra Collection) Ë ÏÂÎÓ‰ËË Disklavier Piano Soft.
40
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
èêàåÖóÄçàÖ
ÖÒÎË ‚Ó ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl
ËÒÔÓθÁÓ‚‡ÎÒfl ÏÂÚÓÌÓÏ, ÔÓ
ÓÍÓ̘‡ÌËË ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÓÌ
ÓÚÍβ˜ËÚÒfl ‡‚ÚÓχÚ˘ÂÒÍË.
èêàåÖóÄçàÖ
ÖÒÎË ‚Ó ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔË
ÔÓÏÓ˘Ë Ô‡ÌÂÎË ÛÔ‡‚ÎÂÌËfl ·˚Î
ËÁÏÂÌÂÌ ÚËÔ Â‚Â·Â‡ˆËË, ˝ÙÙÂÍÚ
‚·‡ˆËË ËÁÏÂÌËÚÒfl Í‡Í ‰Îfl
‚ÓÒÔÓËÁ‚‰ÂÌËfl, Ú‡Í Ë ‰Îfl Í·‚ˇÚÛ˚.
èêàåÖóÄçàÖ
ÖÒÎË ‚Ó ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔË
ÔÓÏÓ˘Ë Ô‡ÌÂÎË ÛÔ‡‚ÎÂÌËfl ·˚Î
ËÁÏÂÌÂÌ ÚËÔ Â‚Â·Â‡ˆËË, ˝ÙÙÂÍÚ
‚·‡ˆËË ËÁÏÂÌËÚÒfl Í‡Í ‰Îfl
‚ÓÒÔÓËÁ‚‰ÂÌËfl, Ú‡Í Ë ‰Îfl Í·‚ˇÚÛ˚.
CLP240E.book Page 41 Wednesday, April 6, 2005 4:02 PM
ÇÓÒÔÓËÁ‚‰ÂÌË ÏÂÎÓ‰ËÈ
ÇÓÒÔÓËÁ‚‰ÂÌË ÔÓθÁÓ‚‡ÚÂθÒÍËı
Ë ‚̯ÌËı ÏÂÎÓ‰ËÈ
32 1
REC
MIN
ON/OFF
LEFT
RIGHT
STOP
PLAY/PAUSE
ON
MAX
1
USB
USER
PRESET
SAVE/EXP.
LOAD
FORMAT/DEL.
TEMPO
FUNCTION #
TEMPO/OTHER VALUE
METRONOME
– / NO
+ / YES
GRAND
PIANO 1
GRAND
PIANO 2
CHURCH
ORGAN
JAZZ
ORGAN
E.PIANO
1
STRINGS
E.PIANO
2
CHOIR
HARPSICHORD
E.CLAVICHORD
VIBRAPHONE
VARIATION
GUITAR
WOOD
BASS
E.BASS
SPLIT
BRIGHT
NORMAL
MELLOW
ROOM
HALL 1
HALL 2
STAGE
CHORUS
PHASER
TREMOLO
ROTARY SP
HARD
MEDIUM
SOFT
ON
SYNC START
MASTER VOLUME
DEMO
TRANSPOSE
SONG
SONG SELECT FILE
TEMPO / FUNCTION #
VOICE
BRILLIANCE REVERB
EFFECT
TOUCH
DDE
CLP-240
ÑÂÈÒÚ‚Ëfl
1.
Ç˚·Ó ÌÛÊÌÓÈ ÏÂÎÓ‰ËË
ç‡ÊÏËÚ ÍÌÓÔÍÛ [SONG SELECT] (Á‡„ÓËÚÒfl Ë̉Ë͇ÚÓ USER). á‡ÚÂÏ
̇ÊÏËÚ ÍÌÓÔÍË [–/NO] ËÎË [+/YES], ˜ÚÓ·˚ ‚˚·‡Ú¸ ÏÂÎӉ˲.
åÂÎÓ‰ËË ÔÓθÁÓ‚‡ÚÂÎfl ‚˚‚Ó‰flÚÒfl ‚ ‚ˉ «Uxx*», ‡ ‚̯ÌËÂ
ÏÂÎÓ‰ËË Ì‡ ËÌÒÚÛÏÂÌÚ – ‚ ‚ˉ «xxx*».
*ëËÏ‚ÓÎ «U» ‚ ËÏÂÌË ÔÓθÁÓ‚‡ÚÂθÒÍÓÈ ÏÂÎÓ‰ËË ÓÁ̇˜‡ÂÚ, ˜ÚÓ ˝ÚÓ ÏÂÎÓ‰Ëfl
ÔÓθÁÓ‚‡ÚÂÎfl. ëËÏ‚ÓÎ˚ «xx» Ô‰ÒÚ‡‚Îfl˛Ú ÌÓÏÂ ÏÂÎÓ‰ËË.
2.
á‡ÔÛÒÍ ‚ÓÒÔÓËÁ‚‰ÂÌËfl
ç‡ÊÏËÚ ÍÌÓÔÍÛ SONG [PLAY/PAUSE].
ÇÓ ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ̇ ‰ËÒÔΠÔÓfl‚ÎflÂÚÒfl ÌÓÏÂ ÚÂÍÛ˘Â„Ó
Ú‡ÍÚ‡.
èêàåÖóÄçàÖ
ÖÒÎË ‚ ÛÒÚÓÈÒÚ‚Â ‰Îfl Á‡ÔËÒË ÏÂÎÓ‰ËÈ
ÌÂÚ ‰‡ÌÌ˚ı, ‚ÓÒÔÓËÁ‚‰ÂÌË ÏÂÎÓ‰ËË
ÔÓθÁÓ‚‡ÚÂÎfl Ì‚ÓÁÏÓÊÌÓ.
èêàåÖóÄçàÖ
• ÇÓ ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÏÂÎÓ‰ËË ÏÓÊÌÓ Ë„‡Ú¸ ̇ Í·‚˯‡ı.
à„‡Ú¸ ÏÓÊÌÓ ‚ ÚÂÏ·Â, ÓÚ΢ÌÓÏ ÓÚ ÚÂÏ·‡ ‚ÓÒÔÓËÁ‚‰ÂÌËfl,
‚˚·‡‚ ÚÂÏ· ̇ Ô‡ÌÂÎË.
ç‡ÒÚÓÈ͇ „ÓÏÍÓÒÚË
ÑÎfl ̇ÒÚÓÈÍË „ÓÏÍÓÒÚË ËÒÔÓθÁÛÈÚ ÔÓÎÁÛÌÓÍ [MASTER VOLUME].
ç‡ÒÚÓÈ͇ ÚÂÏÔ‡
ÑÎfl ̇ÒÚÓÈÍË ÚÂÏÔ‡ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸
ÍÌÓÔÍË [TEMPO/FUNCTION# ▼, ▲] . ÇÓÁ‚‡Ú Í ÚÂÏÔÛ ÏÂÎÓ‰ËË ÔÓ
ÛÏÓΘ‡Ì˲ ÔÓËÒıÓ‰ËÚ ÔË Ó‰ÌÓ‚ÂÏÂÌÌÓÏ Ì‡Ê‡ÚËË ÍÌÓÔÓÍ [▼]
Ë [▲] .
3.
åÓÊÌÓ Ú‡ÍÊ ˄‡Ú¸ ‰Û˝ÚÓÏ Ò Ò‡ÏËÏ
ÒÓ·ÓÈ, Á‡ÔËÒ‡‚ Ó‰ÌÛ Ô‡Ú˲ ‰Û˝Ú‡ ËÎË
ÏÂÎӉ˲ ‰Îfl ‰‚Ûı ÙÓÚÂÔ¸flÌÓ, ‡
Á‡ÚÂÏ Ë„‡Ú¸ Ó‰ÌÛ ˜‡ÒÚ¸
Ò‡ÏÓÒÚÓflÚÂθÌÓ, ÔÓ͇ ˉÂÚ
‚ÓÒÔÓËÁ‚‰ÂÌË Á‡ÔËÒ‡ÌÌÓ„Ó.
èêàåÖóÄçàÖ
ÖÒÎË ‚ ËÌÒÚÛÏÂÌÚ ËϲÚÒfl ‚̯ÌËÂ
ÏÂÎÓ‰ËË, ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸
ÙÛÌÍˆË˛ ÔÓ‚ÚÓ‡.
ALL: èÓÒΉӂ‡ÚÂθÌÓÂ
‚ÓÒÔÓËÁ‚‰ÂÌË ‚ÒÂı ‚̯ÌËı
ÏÂÎÓ‰ËÈ.
rnd: çÂÔÂ˚‚ÌÓ ‚ÓÒÔÓËÁ‚‰ÂÌËÂ
‚ÒÂı ‚̯ÌËı ÏÂÎÓ‰ËÈ ‚ ÒÎÛ˜‡ÈÌÓÏ
ÔÓfl‰ÍÂ.
éÒÚ‡Ìӂ͇ ‚ÓÒÔÓËÁ‚‰ÂÌËfl
äÓ„‰‡ ÏÂÎÓ‰Ëfl Á‡Í‡Ì˜Ë‚‡ÂÚÒfl, Clavinova ‡‚ÚÓχÚ˘ÂÒÍË
ÓÒڇ̇‚ÎË‚‡ÂÚÒfl Ë Ì‡ıÓ‰ËÚ Ì‡˜‡ÎÓ ÏÂÎÓ‰ËË. óÚÓ·˚ ÓÒÚ‡ÌÓ‚ËÚ¸
ÏÂÎӉ˲ ̇ ÒÂ‰ËÌÂ, ̇ÊÏËÚ ÍÌÓÔÍÛ SONG [STOP]. åÓÊÌÓ Ú‡ÍÊÂ
ÓÒÚ‡ÌÓ‚ËÚ¸ ‚ÓÒÔÓËÁ‚‰ÂÌËÂ, ̇ʇ‚ ÍÌÓÔÍÛ [PLAY/PAUSE] ̇ Ô‡ÌÂÎË
SONG.
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
41
CLP240E.book Page 42 Wednesday, April 6, 2005 4:02 PM
ÇÓÒÔÓËÁ‚‰ÂÌË ÏÂÎÓ‰ËÈ
ÇÓÒÔÓËÁ‚‰ÂÌË ÔÓθÁÓ‚‡ÚÂθÒÍËı Ù‡ÈÎÓ‚ Ò
USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËfl ‰‡ÌÌ˚ı (CLP-240)
321
REC
MIN
ON/OFF
LEFT
RIGHT
STOP
PLAY/PAUSE
ON
MAX
12
USB
USER
PRESET
SAVE/EXP.
LOAD
FORMAT/DEL.
TEMPO
FUNCTION #
TEMPO/OTHER VALUE
METRONOME
– / NO
+ / YES
GRAND
PIANO 1
GRAND
PIANO 2
E.PIANO
1
E.PIANO
2
HARPSICHORD
E.CLAVICHORD
VIBRAPHONE
VARIATION
CHURCH
ORGAN
JAZZ
ORGAN
STRINGS
CHOIR
GUITAR
WOOD
BASS
E.BASS
SPLIT
BRIGHT
NORMAL
MELLOW
ROOM
HALL 1
HALL 2
STAGE
CHORUS
PHASER
TREMOLO
ROTARY SP
HARD
MEDIUM
SOFT
ON
SYNC START
MASTER VOLUME
DEMO
TRANSPOSE
SONG
SONG SELECT FILE
TEMPO / FUNCTION #
VOICE
BRILLIANCE REVERB
EFFECT
TOUCH
DDE
CLP-240
ÑÂÈÒÚ‚Ëfl
1.
èêàåÖóÄçàÖ
ᇄÛÁËÚ هÈÎ ÔÓθÁÓ‚‡ÚÂθÒÍÓÈ ÏÂÎÓ‰ËË Ò USBÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËfl ‰‡ÌÌ˚ı
ì·Â‰Ë‚¯ËÒ¸, ˜ÚÓ USB-ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl ‰‡ÌÌ˚ı ÔÓ‰Íβ˜ÂÌÓ
Í ËÌÒÚÛÏÂÌÚÛ, ̇ÊÏËÚ ÍÌÓÔÍÛ [FILE] (Á‡„Ó‡ÂÚÒfl Ë̉Ë͇ÚÓ
«LOAD»). ì‰ÂÊË‚‡fl ̇ʇÚÓÈ ÍÌÓÔÍÛ [FILE], ̇ÊËχÈÚ ÍÌÓÔÍË
[–/NO][+/YES], ˜ÚÓ·˚ ‚˚·‡Ú¸ Ù‡ÈÎ ÔÓθÁÓ‚‡ÚÂθÒÍÓÈ ÏÂÎÓ‰ËË (Axx*).
èÓÒΠÓÒ‚Ó·ÓʉÂÌËfl ÍÌÓÔÍË [FILE] , ÍÓ„‰‡ ̇ ‰ËÒÔΠÔÓfl‚flÚÒfl
ÒËÏ‚ÓÎ˚ «n y» (ÌÂÚ ËÎË ‰‡), ̇ÊÏËÚ ÍÌÓÔÍÛ [+/YES], ˜ÚÓ·˚ ̇˜‡Ú¸
Á‡„ÛÁÍÛ. äÓ„‰‡ ̇˜ÌÂÚÒfl Á‡„ÛÁ͇, ̇ ‰ËÒÔΠÔÓÒΉӂ‡ÚÂθÌÓ
ÔÓfl‚Îfl˛ÚÒfl ÚËÂ, Û͇Á˚‚‡˛˘ËÂ, ˜ÚÓ ‰‡ÌÌ˚ Á‡„Ûʇ˛ÚÒfl ‚
ËÌÒÚÛÏÂÌÚ. óÚÓ·˚ ÓÚÏÂÌËÚ¸ ÓÔÂ‡ˆË˛, ̇ÊÏËÚ ÍÌÓÔÍÛ [–/NO].
* ëËÏ‚ÓÎ «A» ÓÁ̇˜‡ÂÚ «All» (ÇÒÂ) – ‚Ò ÚË ÏÂÎÓ‰ËË ÒÓı‡ÌÂÌ˚ ‚ ËÌÒÚÛÏÂÌÚ ͇Í
ÏÂÎÓ‰ËË ÔÓθÁÓ‚‡ÚÂÎfl. ëËÏ‚ÓÎ˚ «xx» Ô‰ÒÚ‡‚Îfl˛Ú ÌÓÏÂ هȷ.
ÇçàåÄçàÖ!
èË Á‡„ÛÁÍ هÈÎÓ‚ ÔÓθÁÓ‚‡ÚÂθÒÍËı ÏÂÎÓ‰ËÈ ÚË ÏÂÎÓ‰ËË ÔÓθÁÓ‚‡ÚÂÎfl ‚ ËÌÒÚÛÏÂÌÚ ·Û‰ÛÚ
ÔÂÂÁ‡ÔËÒ‡Ì˚. ÖÒÎË ‚˚ Ì ıÓÚËÚ Ëı ÔÂÂÁ‡ÔËÒ˚‚‡Ú¸, Ô‰ Á‡„ÛÁÍÓÈ ÒÓı‡ÌËÚ Ëı ̇ USBÛÒÚÓÈÒÚ‚Â ı‡ÌÂÌËfl ‰‡ÌÌ˚ı.
ÇçàåÄçàÖ!
ÇÓ ‚ÂÏfl ‚˚ÔÓÎÌÂÌËfl ÓÔ‡ˆËÈ Ò ‰‡ÌÌ˚ÏË (ÒÓı‡ÌÂÌËÂ, ˝ÍÒÔÓÚ, Û‰‡ÎÂÌËÂ Ë ÙÓχÚËÓ‚‡ÌËÂ) çÖ
ÓÚÒÓ‰ËÌflÈÚ ͇·Âθ USB, çÖ ËÁ‚ÎÂ͇ÈÚ ÌÓÒËÚÂθ ËÁ ÛÒÚÓÈÒÚ‚‡ Ë çÖ ‚˚Íβ˜‡ÈÚ ÔËÚ‡ÌË ÌË
Ó‰ÌÓ„Ó ËÁ ÛÒÚÓÈÒÚ‚. ùÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓ‚ÂʉÂÌ˲ ‰‡ÌÌ˚ı ̇ Ó‰ÌÓÏ ËÎË Ó·ÓËı ÛÒÚÓÈÒÚ‚‡ı.
2.
Ç˚·Ó ÌÛÊÌÓÈ ÏÂÎÓ‰ËË
óÚÓ·˚ ‚˚ÈÚË ËÁ ÂÊËχ ‡·ÓÚ˚ Ò Ù‡È·ÏË, ‰‚‡Ê‰˚ ̇ÊÏËÚÂ
ÍÌÓÔÍÛ [FILE]. á‡ÚÂÏ Ì‡ÊÏËÚ ÍÌÓÔÍÛ [SONG SELECT] (Á‡„ÓËÚÒfl
Ë̉Ë͇ÚÓ USER) Ë ÍÌÓÔÍË [–/NO] [+/YES], ˜ÚÓ·˚ ‚˚·‡Ú¸ ÏÂÎӉ˲
ÔÓθÁÓ‚‡ÚÂÎfl.
3.
á‡ÔÛÒÍ Ë ÓÒÚ‡Ìӂ͇ ‚ÓÒÔÓËÁ‚‰ÂÌËfl
íÓ Ê ҇ÏÓÂ, ˜ÚÓ ¯‡„Ë 2 Ë 3, Ô‰ÒÚ‡‚ÎÂÌÌ˚ ̇ «ÇÓÒÔÓËÁ‚‰ÂÌËÂ
ÔÓθÁÓ‚‡ÚÂθÒÍËı Ë ‚̯ÌËı ÏÂÎÓ‰ËÈ» ̇ ÒÚ. 41.
42
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
î‡ÈÎ˚, Ì ÒÓ‰Âʇ˘Ë ‰‡ÌÌ˚ı, ÌÂ
ÓÚÓ·‡Ê‡˛ÚÒfl.
èêàåÖóÄçàÖ
ÖÒÎË ÔÂÂËÏÂÌÓ‚‡Ú¸ ÏÂÎӉ˲
ÔÓθÁÓ‚‡ÚÂÎfl Ò ÍÓÏÔ¸˛Ú‡,  ÌÂθÁfl
·Û‰ÂÚ Á‡„ÛÁËÚ¸.
CLP240E.book Page 43 Wednesday, April 6, 2005 4:02 PM
ÇÓÒÔÓËÁ‚‰ÂÌË ÏÂÎÓ‰ËÈ
ÇÓÒÔÓËÁ‚‰ÂÌË ÏÂÎÓ‰ËÈ SMF Ë ‚̯ÌËı ÏÂÎÓ‰ËÈ Ò
USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËfl ‰‡ÌÌ˚ı (CLP-240)
2
REC
MIN
1
ON/OFF
LEFT
RIGHT
STOP
PLAY/PAUSE
ON
MAX
1
USB
USER
PRESET
SAVE/EXP.
LOAD
FORMAT/DEL.
TEMPO
FUNCTION #
TEMPO/OTHER VALUE
METRONOME
– / NO
+ / YES
GRAND
PIANO 1
GRAND
PIANO 2
E.PIANO
1
E.PIANO
2
HARPSICHORD
E.CLAVICHORD
VIBRAPHONE
VARIATION
CHURCH
ORGAN
JAZZ
ORGAN
STRINGS
CHOIR
GUITAR
WOOD
BASS
E.BASS
SPLIT
BRIGHT
NORMAL
MELLOW
ROOM
HALL 1
HALL 2
STAGE
CHORUS
PHASER
TREMOLO
ROTARY SP
HARD
MEDIUM
SOFT
ON
SYNC START
MASTER VOLUME
DEMO
TRANSPOSE
SONG
SONG SELECT FILE
TEMPO / FUNCTION #
VOICE
BRILLIANCE REVERB
EFFECT
TOUCH
DDE
CLP-240
ÑÂÈÒÚ‚Ëfl
1.
Ç˚·Ó ÌÛÊÌÓÈ ÏÂÎÓ‰ËË
ì·Â‰Ë‚¯ËÒ¸, ˜ÚÓ USB-ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl ‰‡ÌÌ˚ı ÔÓ‰Íβ˜ÂÌÓ
Í ËÌÒÚÛÏÂÌÚÛ, ̇ÊÏËÚ ÍÌÓÔÍÛ [SONG SELECT] (Á‡„Ó‡ÂÚÒfl
Ë̉Ë͇ÚÓ «USB»). á‡ÚÂÏ Ì‡ÊÏËÚ ÍÌÓÔÍË [–/NO] ËÎË [+/YES],
˜ÚÓ·˚ ‚˚·‡Ú¸ ÏÂÎӉ˲. åÂÎÓ‰ËË SMF ‚˚‚Ó‰flÚÒfl ‚ ‚ˉ «Sxx*»,
‡ ‚̯ÌË ÏÂÎÓ‰ËË Ì‡ ËÌÒÚÛÏÂÌÚ – ‚ ‚ˉ «xxx*».
*ëËÏ‚ÓÎ «S» ‚ ËÏÂÌË ÏÂÎÓ‰ËË SMF ÓÁ̇˜‡ÂÚ, ˜ÚÓ ˝ÚÓ ÏÂÎÓ‰Ëfl SMF. ëËÏ‚ÓÎ˚ «xx»
Ô‰ÒÚ‡‚Îfl˛Ú ÌÓÏÂ ÏÂÎÓ‰ËË.
èÓ‚ÚÓ ÏÂÎÓ‰ËÈ Ì‡ USB-ÛÒÚÓÈÒÚ‚Â ı‡ÌÂÌËfl ‰‡ÌÌ˚ı
Select «ALL»: ÔÓÒΉӂ‡ÚÂθÌÓ ‚ÓÒÔÓËÁ‚‰ÂÌË ‚ÒÂı ÏÂÎÓ‰ËÈ SMF/
ÔÓθÁÓ‚‡ÚÂθÒÍËı ÏÂÎÓ‰ËÈ Ì‡ USB-ÛÒÚÓÈÒÚ‚Â ı‡ÌÂÌËfl ‰‡ÌÌ˚ı.
Select «rnd»: ‚ÓÒÔÓËÁ‚‰ÂÌË ‚ÒÂı ÏÂÎÓ‰ËÈ SMF/ÔÓθÁÓ‚‡ÚÂθÒÍËı
ÏÂÎÓ‰ËÈ Ì‡ USB-ÛÒÚÓÈÒÚ‚Â ı‡ÌÂÌËfl ‰‡ÌÌ˚ı ‚ ÒÎÛ˜‡ÈÌÓÏ ÔÓfl‰ÍÂ.
2.
á‡ÔÛÒÍ Ë ÓÒÚ‡Ìӂ͇ ‚ÓÒÔÓËÁ‚‰ÂÌËfl
íÓ Ê ҇ÏÓÂ, ˜ÚÓ ¯‡„Ë 2 Ë 3, Ô‰ÒÚ‡‚ÎÂÌÌ˚ ̇ «ÇÓÒÔÓËÁ‚‰ÂÌËÂ
ÔÓθÁÓ‚‡ÚÂθÒÍËı Ë ‚̯ÌËı ÏÂÎÓ‰ËÈ» ̇ ÒÚ. 41.
èÓÎÂÁÌ˚ ÙÛÌ͈ËË ‚ÓÒÔÓËÁ‚‰ÂÌËfl
ÇÍβ˜ÂÌËÂ Ë ‚˚Íβ˜ÂÌË ‚ÓÒÔÓËÁ‚‰ÂÌËfl Ô‡ÚËË
ÖÒÎË ‚˚ ‚˚·Ë‡ÂÚ ÏÂÎӉ˲ ̇ ˆËÙÓ‚ÓÏ ÔˇÌËÌÓ Clavinova,
Ë̉Ë͇ÚÓ˚ Ô‡ÚËÈ, ̇ ÍÓÚÓ˚ı ÂÒÚ¸ ‰‡ÌÌ˚Â
( [RIGHT] [LEFT] ËÎË Ó·‡), „ÓflÚ ÁÂÎÂÌ˚Ï Ò‚ÂÚÓÏ. çÂÁ‡‚ËÒËÏÓ ÓÚ ÚÓ„Ó,
Ë„‡˛Ú ̇ Clavinova ËÎË ÌÂÚ, ̇ʇÚË ˝ÚËı ÍÌÓÔÓÍ Ô‡ÚËÈ ‚˚Íβ˜‡ÂÚ
Ë̉Ë͇ÚÓ˚, Ë ‰‡ÌÌ˚ ˝ÚËı Ô‡ÚËÈ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òfl Ì ·Û‰ÛÚ.
ç‡Ê‡ÚË ÍÌÓÔÓÍ ÔÓÔÂÂÏÂÌÌÓ ‚Íβ˜‡ÂÚ Ë ÓÚÍβ˜‡ÂÚ Ô‡ÚËË.
Ä‚ÚÓχÚ˘ÂÒÍËÈ Á‡ÔÛÒÍ ‚ÓÒÔÓËÁ‚‰ÂÌËfl Ó‰ÌÓ‚ÂÏÂÌÌÓ Ò Ì‡˜‡ÎÓÏ Ë„˚ ̇
Í·‚˯‡ı (Sync Start)
Ç˚ ÏÓÊÂÚ Á‡ÔÛÒÚËÚ¸ ‚ÓÒÔÓËÁ‚‰ÂÌËÂ, Í‡Í ÚÓθÍÓ Ì‡˜ÌÂÚ ˄‡Ú¸ ̇
Í·‚˯‡ı. ùÚÓ Ì‡Á˚‚‡ÂÚÒfl ÙÛÌ͈ËÂÈ ÒËÌıÓÌÌÓ„Ó Á‡ÔÛÒ͇ «Sync Start».
óÚÓ·˚ ‚Íβ˜ËÚ¸ ÙÛÌÍˆË˛ ÒËÌıÓÌÌÓ„Ó Á‡ÔÛÒ͇, ̇ÊÏËÚ ÍÌÓÔÍÛ SONG
[PLAY/PAUSE], Û‰ÂÊË‚‡fl ̇ʇÚÓÈ ÍÌÓÔÍÛ SONG [STOP]. à̉Ë͇ÚÓ SONG
[PLAY/PAUSE] ÏË„‡ÂÚ ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò ÚÂÍÛ˘ËÏ Á̇˜ÂÌËÂÏ ÚÂÏÔ‡.
(óÚÓ·˚ ÓÚÍβ˜ËÚ¸ ÙÛÌÍˆË˛ ÒËÌıÓÌÌÓ„Ó Á‡ÔÛÒ͇, ÔÓ‚ÚÓËÚ Ô‰˚‰Û˘Ë ‰ÂÈÒÚ‚Ëfl.)
ÇÓÒÔÓËÁ‚‰ÂÌË ̇˜ÌÂÚÒfl Ó‰ÌÓ‚ÂÏÂÌÌÓ Ò Ì‡˜‡ÎÓÏ Ë„˚ ̇ Í·‚˯‡ı.
ùÚ‡ ÙÛÌ͈Ëfl ÔÓÎÂÁ̇, ÂÒÎË ‚˚ ıÓÚËÚ ÒËÌıÓÌËÁËÓ‚‡Ú¸ ̇˜‡ÎÓ
‚ÓÒÔÓËÁ‚‰ÂÌËfl Ò Ì‡˜‡ÎÓÏ Ò‚ÓÂÈ Ë„˚.
èêàåÖóÄçàÖ
è‡ÚËË ÏÓÊÌÓ ÓÚÍβ˜‡Ú¸ Ë ‚Íβ˜‡Ú¸
‰Ó ‚ÓÒÔÓËÁ‚‰ÂÌËfl ËÎË ‚Ó ‚ÂÏfl Ì„Ó.
èêàåÖóÄçàÖ
åÓÊÌÓ Ì‡ÒÚÓËÚ¸ „ÓÏÍÓÒÚ¸ ˜‡ÒÚË
ÏÂÎÓ‰ËË, ‰Îfl ÍÓÚÓÓÈ ‚ÓÒÔÓËÁ‚‰ÂÌËÂ
ÓÚÍβ˜ÂÌÓ (ÒÚ. 17, 52).
íÖêåàçéãéÉàü
Sync:
é‰ÌÓ‚ÂÏÂÌÌ˚È, ̇˜Ë̇˛˘ËÈÒfl
Ó‰ÌÓ‚ÂÏÂÌÌÓ
á‡ÍÂÔÎÂÌË Á‡ ΂ÓÈ Ô‰‡Î¸˛ ÙÛÌ͈ËË ÍÌÓÔÍË ‚ÓÒÔÓËÁ‚‰ÂÌËfl/Ô‡ÛÁ˚
èË ÔÓÏÓ˘Ë ÙÛÌ͈ËË «ÇÓÒÔÓËÁ‚‰ÂÌËÂ Ë Ô‡ÛÁ‡ Ò ÔÓÏÓ˘¸˛ Ô‰‡ÎË» (ÒÚ. 51) Á‡
΂ÓÈ Ô‰‡Î¸˛ ÏÓÊÌÓ Á‡ÍÂÔËÚ¸ ÙÛÌÍˆË˛ ‚ÓÒÔÓËÁ‚‰ÂÌËfl Ë Ô‡ÛÁ˚. ùÚÓ Û‰Ó·ÌÓ
‰Îfl ̇˜‡Î‡ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÏÂÎÓ‰ËË ‚ β·ÓÈ ÏÓÏÂÌÚ ÔÓÒΠ̇˜‡Î‡ Ë„˚.
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
43
CLP240E.book Page 44 Wednesday, April 6, 2005 4:02 PM
ç‡ÒÚÓÈÍË – ÍÌÓÔ͇ [FUNCTION]
ç‡ÒÚÓÈÍË – ÍÌÓÔ͇ [FUNCTION]
óÚÓ·˚ ̇ËÎÛ˜¯ËÏ Ó·‡ÁÓÏ ËÒÔÓθÁÓ‚‡Ú¸ ÙÛÌ͈ËË ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova, ÏÓÊÌÓ Á‡‰‡‚‡Ú¸
‡Á΢Ì˚ ԇ‡ÏÂÚ˚, ̇ÔËÏÂ: ÚÓ˜ÌÛ˛ ̇ÒÚÓÈÍÛ ‚˚ÒÓÚ˚ Á‚Û͇, ‚˚·Ó ÒÚÓfl Ë Ú.‰.
ÑÓÒÚÛÔÌ˚ ÒÎÂ‰Û˛˘Ë ԇ‡ÏÂÚ˚:
Ç CLP-240 ÂÒÚ¸ ‰Â‚flÚ¸ ÓÒÌÓ‚Ì˚ı ÙÛÌ͈ËÈ, ‡ ‚ CLP-230 – ‚ÓÒÂϸ.
ì ÌÂÍÓÚÓ˚ı ËÁ ˝ÚËı ÙÛÌ͈ËÈ ÂÒÚ¸ ‡Á΢Ì˚ ÔÓ‰ÂÊËÏ˚.
ÒÔËÒÓÍ Ô‡‡ÏÂÚÓ‚
îÛÌ͈Ëfl
íÓÌ͇fl ̇ÒÚÓÈ͇ ‚˚ÒÓÚ˚ Á‚Û͇
—
Ç˚·Ó ÒÚÓfl
ëÚÓÈ
îÛÌ͈ËË ‚ ÂÊËÏ ̇ÎÓÊÂÌËfl ÚÂÏ·Ó‚
îÛÌ͈ËË ‚ ÂÊËÏ ‡Á‰ÂÎÂÌËfl ÚÂÏ·Ó‚
ÑÛ„Ë ÙÛÌ͈ËË
CLP-240
CLP-230
ëÚ‡Ìˈ‡
F1
F1
47
F2.1
F2.1
48
éÒÌӂ̇fl ÌÓÚ‡
F2.2
F2.2
48
Ň·ÌÒ ‚ ÂÊËÏ ̇ÎÓÊÂÌËfl ÚÂÏ·Ó‚
F3.1
F3.1
49
àÁÏÂÌÂÌË ˜‡ÒÚÓÚ ÚÂÏ·Ó‚ ‚ ÂÊËÏ ̇ÎÓÊÂÌËfl
F3.2
F3.2
49
í‡ÌÒÔÓÌËÓ‚‡ÌË ÚÂÏ·‡ 1 ̇ ÓÍÚ‡‚Û
F3.3
F3.3
49
í‡ÌÒÔÓÌËÓ‚‡ÌË ÚÂÏ·‡ 2 ̇ ÓÍÚ‡‚Û
F3.4
F3.4
49
ÉÎÛ·Ë̇ ˝ÙÙÂÍÚ‡ ‰Îfl ÚÂÏ·‡ 1
F3.5
F3.5
49
ÉÎÛ·Ë̇ ˝ÙÙÂÍÚ‡ ‰Îfl ÚÂÏ·‡ 2
F3.6
F3.6
49
ÇÓÒÒÚ‡ÌÓ‚ÎÂÌË ËÒıÓ‰Ì˚ı Á̇˜ÂÌËÈ
F3.7
F3.7
49
íӘ͇ ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚
F4.1
—
50
ìÒÚ‡ÌÓ‚ÎÂÌË ·‡Î‡ÌÒ‡ ‚ ÂÊËÏ ‡Á‰ÂÎÂÌËfl ÚÂÏ·Ó‚
F4.2
—
50
í‡ÌÒÔÓÌËÓ‚‡ÌË ԇ‚Ó„Ó ÚÂÏ·‡ ̇ ÓÍÚ‡‚Û
F4.3
—
50
í‡ÌÒÔÓÌËÓ‚‡ÌË ÎÂ‚Ó„Ó ÚÂÏ·‡ ̇ ÓÍÚ‡‚Û
F4.4
—
50
ÉÎÛ·Ë̇ ˝ÙÙÂÍÚ‡ ‰Îfl Ô‡‚Ó„Ó ÚÂÏ·‡
F4.5
—
50
ÉÎÛ·Ë̇ ˝ÙÙÂÍÚ‡ ‰Îfl ÎÂ‚Ó„Ó ÚÂÏ·‡
F4.6
—
50
ÑˇԇÁÓÌ Ô‡‚ÓÈ Ô‰‡ÎË
F4.7
—
50
ÇÓÒÒÚ‡ÌÓ‚ÎÂÌË ËÒıÓ‰Ì˚ı Á̇˜ÂÌËÈ
F4.8
—
50
êÂÊËÏ Î‚ÓÈ Ô‰‡ÎË
F5.1
F4.1
51
ÉÎÛ·Ë̇ ˝ÙÙÂÍÚ‡ ΂ÓÈ Ô‰‡ÎË
F5.2
F4.2
51
ÉÎÛ·Ë̇ «ÒÛÒÚÂÈÌ»-Ò˝ÏÔ·
F5.3
—
51
ÉÓÏÍÓÒÚ¸ Ò˝ÏÔ· ÓÚÔÛ˘ÂÌÌÓÈ Í·‚˯Ë
F5.4
—
51
Ç˚·Ó ͇̇· ÏÂÎÓ‰ËË
F5.5
F4.3
51
ÉÓÏÍÓÒÚ¸ ÏÂÚÓÌÓχ
—
F6
F5
52
ÉÓÏÍÓÒÚ¸ ÓÚÍβ˜ÂÌÌÓÈ Ô‡ÚËË ÏÂÎÓ‰ËË
—
F7
F6
52
îÛÌ͈ËË MIDI
Ç˚·Ó ͇̇· Ô‰‡˜Ë ‰‡ÌÌ˚ı MIDI
F8.1
F7.1
52
Ç˚·Ó ͇̇· ÔËÂχ ‰‡ÌÌ˚ı MIDI
F8.2
F7.2
53
îÛÌ͈Ëfl Local ON/OFF
F8.3
F7.3
53
àÁÏÂÌÂÌË ÔÓ„‡ÏÏ˚ (Program Change) ON/OFF
F8.4
F7.4
53
îÛÌ͈Ëfl Control Change ON/OFF
F8.5
F7.5
53
艇˜‡ ÒÓÒÚÓflÌËfl Ô‡ÌÂÎË (Panel/Status Transmit)
F8.6
F7.6
54
îÛÌ͈ËË ÒÓı‡ÌÂÌËfl
ç‡·Ó ÒËÏ‚ÓÎÓ‚
44
èÓ‰ÂÊËÏ
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
Initial Setup Send
F8.7
F7.7
54
íÂÏ·
F9.1
F8.1
55
MIDI
F9.2
F8.2
55
ç‡ÒÚÓÈ͇
F9.3
F8.3
55
ÑÛ„ËÂ
F9.4
F8.4
55
—
F9.5
F8.5
55
CLP240E.book Page 45 Wednesday, April 6, 2005 4:02 PM
ç‡ÒÚÓÈÍË – ÍÌÓÔ͇ [FUNCTION]
éÒÌÓ‚Ì˚ ‰ÂÈÒÚ‚Ëfl ‚ ÂÊËÏ Function
ÑÎfl ËÒÔÓθÁÓ‚‡ÌËfl ÙÛÌ͈ËÈ ‚˚ÔÓÎÌËÚ ÒÎÂ‰Û˛˘Ë ‰ÂÈÒÚ‚Ëfl.
(ÖÒÎË, ËÒÔÓθÁÛfl ÙÛÌÍˆË˛, ‚˚ Ì Á̇ÂÚÂ, ˜ÚÓ Ì‡‰Ó ҉·ڸ, ‚ÂÌËÚÂÒ¸ Í ˝ÚÓÈ ÒÚ‡ÌËˆÂ Ë ÓÁ̇ÍÓϸÚÂÒ¸ Ò
ÓÒÌÓ‚Ì˚ÏË ‰ÂÈÒÚ‚ËflÏË.)
1 5
REC
MIN
MAX
ON/OFF
LEFT
RIGHT
STOP
PLAY/PAUSE
ON
USB
USER
PRESET
SAVE/EXP.
LOAD
FORMAT/DEL.
TEMPO
FUNCTION #
34
24
TEMPO/OTHER VALUE
METRONOME
– / NO
+ / YES
GRAND
PIANO 1
GRAND
PIANO 2
E.PIANO
1
E.PIANO
2
HARPSICHORD
E.CLAVICHORD
VIBRAPHONE
VARIATION
CHURCH
ORGAN
JAZZ
ORGAN
STRINGS
CHOIR
GUITAR
WOOD
BASS
E.BASS
SPLIT
BRIGHT
NORMAL
MELLOW
ROOM
HALL 1
HALL 2
STAGE
CHORUS
PHASER
TREMOLO
ROTARY SP
HARD
MEDIUM
SOFT
ON
SYNC START
MASTER VOLUME
DEMO
TRANSPOSE
SONG
SONG SELECT FILE
TEMPO / FUNCTION #
VOICE
BRILLIANCE REVERB
EFFECT
TOUCH
DDE
CLP-240
ÑÂÈÒÚ‚Ëfl
1.
ÇÍβ˜ÂÌË ÂÊËχ Function
ç‡ÊÏËÚ ÍÌÓÔÍÛ [TEMPO/FUNCTION#] , ˜ÚÓ·˚ Á‡„ÓÂÎÒfl  Ë̉Ë͇ÚÓ
[FUNCTION#].
ç‡ ‰ËÒÔΠÔÓfl‚ËÚÒfl
. (à̉Ë͇ÚÓ « » ËÁÏÂÌflÂÚÒfl ‚
Á‡‚ËÒËÏÓÒÚË ÓÚ ÒÓÒÚÓflÌËfl ËÌÒÚÛÏÂÌÚ‡ Ë ÓÚ ÒÔÓÒÓ·‡ „Ó
ËÒÔÓθÁÓ‚‡ÌËfl.)
2.
Ç˚·ÂËÚ ÙÛÌÍˆË˛
àÒÔÓθÁÛÈÚ ÍÌÓÔÍË [TEMPO/FUNCTION# ▼, ▲] ‰Îfl ‚˚·Ó‡ ËÁ ÙÛÌ͈ËÈ
F1–F9 (CLP-240) / F1–F8 (CLP-230)..
èêàåÖóÄçàÖ
îÛÌ͈ËË ÌÂθÁfl ‚˚·‡Ú¸ ‚ ÂÊËÏÂ
‰ÂÏÓÌÒÚ‡ˆËË, ‚˚·Ó‡ ÏÂÎÓ‰ËË Ë
‡·ÓÚ˚ Ò Ù‡È·ÏË (CLP-240) ËÎË ÂÒÎË
‡·ÓÚ‡ÂÚ ÛÒÚÓÈÒÚ‚Ó Á‡ÔËÒË ÏÂÎÓ‰ËÈ
ÔÓθÁÓ‚‡ÚÂÎfl.
èêàåÖóÄçàÖ
óÚÓ·˚ ÓÚÏÂÌËÚ¸ ÙÛÌÍˆË˛ ̇ ¯‡„ 2, 3,
ËÎË 4, ̇ÊÏËÚ ÍÌÓÔÍÛ [TEMPO/
FUNCTION# ▼, ▲] ‰Îfl ‚˚ıÓ‰‡ ËÁ
ÂÊËχ Function.
TEMPO
FUNCTION #
TEMPO / FUNCTION #
3.
àÒÔÓθÁÛÈÚ ÍÌÓÔÍË [–/NO] [+/YES]
ÖÒÎË Û ÙÛÌ͈ËÈ ÌÂÚ ÔÓ‰ÂÊËÏÓ‚, ̇˜ÌËÚ ÛÒÚ‡ÌÓ‚ÍÛ Ô‡‡ÏÂÚÓ‚.
ÖÒÎË Û ÙÛÌ͈ËË ÂÒÚ¸ ÔÓ‰ÂÊËÏ˚, ‰Îfl ‚˚ıÓ‰‡ ‚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÈ
ÔÓ‰ÂÊËÏ Ì‡ÊÏËÚ ÍÌÓÔÍÛ [+/YES].
4.
èêàåÖóÄçàÖ
èÓÒΠ‚˚·Ó‡ ÙÛÌ͈ËË Ô‚˚È ‡Á
̇ʇڸ ÍÌÓÔÍÛ [–/NO] ËÎË [+/YES] – ̇
‰ËÒÔΠÔÓfl‚ËÚÒfl ÚÂÍÛ˘‡fl ̇ÒÚÓÈ͇.
Ç˚ÔÓÎÌËÚ ÓÔ‡ˆËË Ò ÌÛÊÌÓÈ ÙÛÌ͈ËÂÈ ÔË ÔÓÏÓ˘Ë
‰‚Ûı ÒÎÂ‰Û˛˘Ëı ÍÌÓÔÓÍ
1 [TEMPO/FUNCTION# ▼, ▲]
Ç˚·Ó ÌÛÊÌÓÈ ÙÛÌ͈ËË ËÎË ÔÓ‰ÂÊËχ.
2 [–/NO] ËÎË [+/YES]
Ç˚·‡‚ ÌÛÊÌÛ˛ ÙÛÌÍˆË˛ ËÎË ÔÓ‰ÂÊËÏ, ÛÒÚ‡ÌÓ‚ËÚÂ
Ô‡‡ÏÂÚ˚ ON/OFF, ‚˚·ÂËÚ ÚËÔ ËÎË ÒÓÓÚ‚ÂÚÒÚ‚ÂÌÌÓ
ËÁÏÂÌËÚ Á̇˜ÂÌËÂ.
Ç Á‡‚ËÒËÏÓÒÚË ÓÚ Ì‡ÒÚÓÈÍË Ì‡ÒÚÓÈÍÛ ÔÓ ÛÏÓΘ‡Ì˲
(ËÒÔÓθÁÛÂÚÒfl ÔË ÔÂ‚ÓÏ ‚Íβ˜ÂÌËË ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ
Clavinova) ÏÓÊÌÓ ‚ÓÒÒÚ‡ÌÓ‚ËÚ¸, Ó‰ÌÓ‚ÂÏÂÌÌÓ Ì‡Ê‡‚ ÍÌÓÔÍË
[–/NO] Ë [+/YES].
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
45
CLP240E.book Page 46 Wednesday, April 6, 2005 4:02 PM
ç‡ÒÚÓÈÍË – ÍÌÓÔ͇ [FUNCTION]
èËÏ 2. Ç˚ÔÓÎÌÂÌË ‰ÂÈÒÚ‚ËÈ Ò ÙÛÌ͈ËÂÈ F1. «íÓÌ͇fl ̇ÒÚÓÈ͇ ‚˚ÒÓÚ˚ Á‚Û͇»
TEMPO
FUNCTION #
TEMPO / FUNCTION #
TEMPO
FUNCTION #
– / NO
+ / YES
TEMPO / FUNCTION #
èËÏ 2. Ç˚ÔÓÎÌÂÌË ‰ÂÈÒÚ‚ËÈ Ò ÙÛÌ͈ËÂÈ F3.1 «Å‡Î‡ÌÒ ‚ ÂÊËÏ Dual»
5.
èÓÒΠÁ‡‚¯ÂÌËfl ‡·ÓÚ˚ Ò ÙÛÌ͈ËÂÈ, ‚˚ȉËÚ ËÁ ÂÊËχ
ÙÛÌ͈ËË
óÚÓ·˚ ‚˚ÈÚË ËÁ ÂÊËχ Function, ̇ÊÏËÚ ÍÌÓÔÍÛ [TEMPO/
FUNCTION#]. ᇄÓËÚÒfl Ë̉Ë͇ÚÓ [TEMPO].
46
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
CLP240E.book Page 47 Wednesday, April 6, 2005 4:02 PM
ç‡ÒÚÓÈÍË – ÍÌÓÔ͇ [FUNCTION]
éÔËÒ‡ÌË ÙÛÌ͈ËÈ
èêàåÖóÄçàÖ
F1. íÓÌ͇fl ̇ÒÚÓÈ͇ ‚˚ÒÓÚ˚ Á‚Û͇
åÓÊÌÓ Ì‡ÒÚÓËÚ¸ ‚˚ÒÓÚÛ Á‚Û͇ ‚ÒÂ„Ó ËÌÒÚÛÏÂÌÚ‡.
ùÚ‡ ÙÛÌ͈Ëfl ÔÓÎÂÁ̇, ÂÒÎË Ì‡ ˆËÙÓ‚ÓÏ ÔˇÌËÌÓ
Clavinova Ë„‡˛Ú ‚ ÒÓÔÓ‚ÓʉÂÌËË ‰Û„Ëı
ËÌÒÚÛÏÂÌÚÓ‚ ËÎË ÏÛÁ˚ÍË Ò ÍÓÏÔ‡ÍÚ-‰ËÒ͇.
1. èÂÂȉËÚ ‚ ÂÊËÏ Function Ë ‚˚·ÂËÚÂ
.
2. äÌÓÔÍË [–/NO] Ë [+/YES] ÔË Í‡Ê‰ÓÏ Ì‡Ê‡ÚËË
ÔÓÌËʇ˛Ú Ë ÔÓ‚˚¯‡˛Ú ‚˚ÒÓÚÛ Á‚Û˜‡ÌËfl Í·‚˯Ë
ãfl Ô‚ÓÈ ÓÍÚ‡‚˚ ÔË·ÎËÁËÚÂθÌÓ Ì‡ 0,2 Ɉ.
.....
.....
ÑÂÒflÚ˚ ‰ÓÎË „Âˆ‡ ÓÚϘ‡˛ÚÒfl ̇
Ò‚ÂÚÓ‰ËÓ‰ÌÓÏ Ë̉Ë͇ÚÓÂ Ò ÔÓÏÓ˘¸˛ Ó‰ÌÓÈ
ËÎË ‰‚Ûı ÚÓ˜ÂÍ (ÒÏ. ÒÎÂ‰Û˛˘ËÈ ÔËÏÂ).
ù͇Ì
ç‡ÒÚÓÈÍÛ ÏÓÊÌÓ Ú‡ÍÊ ÔÓËÁ‚Ó‰ËÚ¸ Ò ËÌÚ‚‡ÎÓÏ ÔËÏÂÌÓ 1 Ɉ
(ÌÂ ‚ ÂÊËÏÂ Function).
ì‚Â΢ÂÌË ËÎË ÛÏÂ̸¯ÂÌË ‚˚ÒÓÚ˚ ÒÓÓÚ‚ÂÚÒÚ‚ÂÌÌÓ Ò ËÌÚ‚‡ÎÓÏ
1 Ɉ ç‡ÊÏËÚ ӉÌÓ‚ÂÏÂÌÌÓ Í·‚Ë¯Ë ãfl Ë ãfl ÒÛ·ÍÓÌÚÓÍÚ‡‚˚ (͇ÈÌËÂ
Ò΂‡ ·ÂÎÛ˛ Ë ˜ÂÌÛ˛ Í·‚˯Ë) ËÎË Í·‚Ë¯Ë ãfl Ë ëË ÒÛ·ÍÓÌÚÓÍÚ‡‚˚
(‰‚ ͇ÈÌˠ΂˚ ·ÂÎ˚ Í·‚˯Ë) Ë ÍÌÓÔÍÛ [–/NO] ËÎË [+/YES].
ÇÓÒÒÚ‡ÌÓ‚ÎÂÌË Òڇ̉‡ÚÌÓÈ ‚˚ÒÓÚ˚ ç‡ÊÏËÚ ӉÌÓ‚ÂÏÂÌÌÓ Í·‚˯Ë
ãfl Ë ãfl ÒÛ·ÍÓÌÚÓÍÚ‡‚˚ (͇ÈÌË Ò΂‡ ·ÂÎÛ˛ Ë ˜ÂÌÛ˛ Í·‚˯Ë) ËÎË
Í·‚Ë¯Ë ãfl Ë ëË ÒÛ·ÍÓÌÚÓÍÚ‡‚˚ (‰‚ ͇ÈÌˠ΂˚ ·ÂÎ˚ Í·‚˯Ë)
Ë ÍÌÓÔÍË [–/NO] [+/YES].
ÇÓ ‚ÂÏfl ÓÔËÒ‡ÌÌÓÈ ‚˚¯Â Ôӈ‰Û˚ ‰ËÒÔÎÂÈ
ÔÓ͇Á˚‚‡ÂÚ ˜‡ÒÚÓÚÛ ‚ Ɉ <
…
>. èÓÒÎÂ
Á‡‚Â¯ÂÌËfl Ôӈ‰Û˚ ‰ËÒÔÎÂÈ ‚ÓÁ‚‡˘‡ÂÚÒfl
Í ËÒıÓ‰ÌÓÏÛ Á̇˜ÂÌ˲.
á̇˜ÂÌËÂ
440.0
ÑˇԇÁÓÌ Á̇˜ÂÌËÈ:
440.2
427,0–453,0 (Ɉ)
440.4
ëڇ̉‡Ú̇fl
ÛÒÚ‡Ìӂ͇:
440.6
440,0 (Ɉ)
440.8
íÖêåàçéãéÉàü
Ɉ („ˆ)
Ɉ — ˝ÚÓ Â‰ËÌˈ‡ ËÁÏÂÂÌËfl ˜‡ÒÚÓÚ˚ Á‚Û͇, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘‡fl ˜ËÒÎÛ
ÍÓη‡ÌËÈ Á‚ÛÍÓ‚ÓÈ ‚ÓÎÌ˚ ‚ ÒÂÍÛ̉Û.
èêàåÖóÄçàÖ
åÓÊÌÓ Ú‡ÍÊ ÏÂÌflÚ¸ ‚˚ÒÓÚÛ Á‚Û͇ ̇ Í·‚ˇÚÛ (Ì ‚ ÂÊËÏÂ
Function).
ì‚Â΢ÂÌË ‚˚ÒÓÚ˚ (Ò ËÌÚ‚‡ÎÓÏ ÔËÏÂÌÓ 0,2 Ɉ). ç‡ÊÏËÚÂ
Ó‰ÌÓ‚ÂÏÂÌÌÓ Í·‚Ë¯Ë ãfl Ë ëË ÒÛ·ÍÓÌÚÓÍÚ‡‚˚ (‰‚ ͇ÈÌË Ò΂‡
·ÂÎ˚ Í·‚Ë¯Ë Ì‡ Í·‚ˇÚÛÂ) Ë Î˛·Û˛ Í·‚Ë¯Û ÏÂÊ‰Û ÑÓ Ë ëË Ô‚ÓÈ
ÓÍÚ‡‚˚.
ìÏÂ̸¯ÂÌË ‚˚ÒÓÚ˚ (Ò ËÌÚ‚‡ÎÓÏ ÔËÏÂÌÓ 0,2 Ɉ). ç‡ÊÏËÚÂ
Ó‰ÌÓ‚ÂÏÂÌÌÓ Í·‚Ë¯Ë ãfl Ë ãfl ÒÛ·ÍÓÌÚÓÍÚ‡‚˚ (͇ÈÌË Ò΂‡ ·ÂÎÛ˛ Ë
˜ÂÌÛ˛ Í·‚˯Ë) Ë Î˛·Û˛ Í·‚Ë¯Û ÏÂÊ‰Û ÑÓ Ë ëË Ô‚ÓÈ ÓÍÚ‡‚˚.
ÇÓÒÒÚ‡ÌÓ‚ÎÂÌË Òڇ̉‡ÚÌÓÈ ‚˚ÒÓÚ˚. ç‡ÊÏËÚ ӉÌÓ‚ÂÏÂÌÌÓ
Í·‚Ë¯Ë ãfl Ë ãfl ÒÛ·ÍÓÌÚÓÍÚ‡‚˚ (͇ÈÌË Ò΂‡ ·ÂÎÛ˛ Ë ˜ÂÌÛ˛
Í·‚˯Ë) Ë Î˛·Û˛ Í·‚Ë¯Û ÏÂÊ‰Û ÑÓ Ë ëË Ô‚ÓÈ ÓÍÚ‡‚˚.
• ì ͇ʉÓÈ Í·‚Ë¯Ë ÂÒÚ¸ ̇Á‚‡ÌË ÌÓÚ˚,
̇ÔËÏÂ: ҇χfl ÌËÁ͇fl Í·‚˯‡
Í·‚ˇÚÛ˚ (Í‡ÈÌflfl Ò΂‡) ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ
ÌÓÚ A-1, ‡ ҇χfl ‚˚ÒÓ͇fl (Í‡ÈÌflfl ÒÔ‡‚‡)
– ÌÓÚÂ C7.
ÇÓ ‚ÂÏfl ÓÔËÒ‡ÌÌÓÈ ‚˚¯Â Ôӈ‰Û˚ ‰ËÒÔÎÂÈ
ÔÓ͇Á˚‚‡ÂÚ ˜‡ÒÚÓÚÛ ‚ Ɉ <
…
>. èÓÒÎÂ
Á‡‚Â¯ÂÌËfl Ôӈ‰Û˚ ‰ËÒÔÎÂÈ ‚ÓÁ‚‡˘‡ÂÚÒfl
Í ËÒıÓ‰ÌÓÏÛ Á̇˜ÂÌ˲.
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
47
CLP240E.book Page 48 Wednesday, April 6, 2005 4:02 PM
ç‡ÒÚÓÈÍË – ÍÌÓÔ͇ [FUNCTION]
F2. Ç˚·Ó ÒÚÓfl
åÓÊÌÓ ‚˚·‡Ú¸ ‡Á΢Ì˚ ÒÚÓË.
Equal Temperament (‡‚ÌÓÏÂÌÓ ÚÂÏÔÂËÓ‚‡ÌÌ˚È
ÒÚÓÈ) – ˝ÚÓ Ì‡Ë·ÓΠ˜‡ÒÚÓ ËÒÔÓθÁÛÂÏ˚È
ÒÓ‚ÂÏÂÌÌ˚È ÏÂÎӉ˘ÂÒÍËÈ ÒÚÓÈ ÙÓÚÂÔ¸flÌÓ.
é‰Ì‡ÍÓ ‚ ËÒÚÓËË ÒÛ˘ÂÒÚ‚Ó‚‡ÎÓ ·Óθ¯ÓÂ
ÍÓ΢ÂÒÚ‚Ó ‰Û„Ëı ÒÚÓ‚, ÏÌÓ„Ë ËÁ ÍÓÚÓ˚ı
fl‚Îfl˛ÚÒfl ÓÒÌÓ‚ÓÈ ÓÔ‰ÂÎÂÌÌ˚ı ÏÛÁ˚͇θÌ˚ı
ʇÌÓ‚. ùÚË Ì‡ÒÚÓÈÍË ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ̇
ËÌÒÚÛÏÂÌÚÂ Clavinova.
ꇂÌÓÏÂÌÓ ÚÂÏÔÂËÓ‚‡ÌÌ˚È ÒÚÓÈ
éÍÚ‡‚‡ ‰ÂÎËÚÒfl ̇ ‰‚Â̇‰ˆ‡Ú¸ ‡‚Ì˚ı
ËÌÚÂ‚‡ÎÓ‚. ç‡Ë·ÓΠÔÓÔÛÎflÌ˚È
ÒÓ‚ÂÏÂÌÌ˚È ÏÂÎӉ˘ÂÒÍËÈ ÒÚÓÈ ‰Îfl
ÙÓÚÂÔ¸flÌÓ.
óËÒÚ˚È Ï‡ÊÓ\óËÒÚ˚È ÏËÌÓ
éÒÌÓ‚‡Ì ̇ ÂÒÚÂÒÚ‚ÂÌÌ˚ı Ó·ÂÚÓ̇ı, ÚË
χÊÓÌ˚ı ‡ÍÍÓ‰‡ ˝ÚÓ„Ó ÒÚÓfl ÒÓÁ‰‡˛Ú
ÔÂÍ‡ÒÌ˚È, ˜ËÒÚ˚È Á‚ÛÍ.
èËÙ‡„ÓÂÈÒÍËÈ ÒÚÓÈ (Pythagorean)
ùÚÓÚ ÒÚÓÈ, ‡Á‡·ÓÚ‡ÌÌ˚È ‰‚Ì„˜ÂÒÍËÏ
ÙËÎÓÒÓÙÓÏ èËÙ‡„ÓÓÏ, ÓÒÌÓ‚‡Ì ̇ ˜ËÒÚÓÈ
Í‚ËÌÚÂ.
Ç ˝ÚÓÏ ÒÎÛ˜‡Â ÚÂˆËfl ÌÂÒÚ‡·Ëθ̇, ıÓÚfl Í‚‡Ú‡
Ë Í‚ËÌÚ‡ Á‚Û˜‡Ú ÔÂÍ‡ÒÌÓ Ë ÔÓ‰ıÓ‰flÚ ‰Îfl
ÌÂÍÓÚÓ˚ı ÏÂÎÓ‰ËÈ.
å‰ˇθÌ˚È ÒÚÓÈ (MeanTone)
ùÚÓÚ ÒÚÓÈ fl‚ÎflÂÚÒfl ÛÎÛ˜¯ÂÌÌ˚Ï ‚‡ˇÌÚÓÏ
ÔËÙ‡„ÓÂÈÒÍÓ„Ó ÒÚÓfl, Ú‡Í Í‡Í ‚ ÌÂÏ ÛÒÚ‡ÌÂ̇
ÌÂÒÚ‡·ËθÌÓÒÚ¸ ÚÂˆËË. ùÚÓÚ ÒÚÓÈ ·˚Î
ÔÓÔÛÎflÂÌ Ò ÍÓ̈‡ 16-„Ó ‰Ó ÍÓ̈‡ 18-„Ó ‚Â͇,
ËÏ ÔÓθÁÓ‚‡ÎÒfl ÉẨÂθ.
ëÚÓÈ ÇÂÍÏÂÈÒÚ‡/äË̷„‡
ùÚË ÒÚÓË fl‚Îfl˛ÚÒfl ÂÁÛθڇڇÏË ‡Á΢Ì˚ı
ÒÓ˜ÂÚ‡ÌËÈ ÒÚÓfl MeanTone Ë ÔËÙ‡„ÓÂÈÒÍÓ„Ó
ÒÚÓfl. Ç ˝ÚËı ÒÚÓflı Ô‰ÒÚ‡‚ÎÂÌË Ë
Ó˘Û˘ÂÌË ÓÚ ÏÂÎÓ‰ËÈ ÏÂÌflÂÚÒfl Ò ÔÓÏÓ˘¸˛
ÏÓ‰ÛÎflˆËË. éÌË ˜‡ÒÚÓ ËÒÔÓθÁÓ‚‡ÎËÒ¸ ‚ ˝ÔÓıÛ
Ňı‡ Ë ÅÂÚıÓ‚Â̇. Ç Ì‡ÒÚÓfl˘Â ‚ÂÏfl Ëı ˜‡ÒÚÓ
ËÒÔÓθÁÛ˛Ú Ì‡ Í·‚ÂÒËÌ ‰Îfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl
ÏÛÁ˚ÍË ÚÓÈ ˝ÔÓıË.
48
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
1. èÂÂȉËÚ ‚ ÂÊËÏ Function Ë ‚˚·ÂËÚÂ
.
2. ç‡ÊÏËÚ ÍÌÓÔÍÛ [+/YES], ˜ÚÓ·˚ ÔÂÂÈÚË ‚ ÔÓ‰ÂÊËÏ
ÛÒÚ‡ÌÓ‚ÍË ÒÚÓfl, Á‡ÚÂÏ ËÒÔÓθÁÛÈÚ ÍÌÓÔÍË [TEMPO/
FUNCTION# ▼, ▲] ‰Îfl ‚˚·Ó‡ ÒÚÓfl.
ç‡ÊËχÈÚ ÍÌÓÔÍË [–/NO] Ë [+/YES] ‰Îfl ‚˚·Ó‡
ÌÓχ ÒÚÓfl.
èÓ‰ÂÊËÏ˚
F2,1: ëÚÓÈ
ÑˇԇÁÓÌ Á̇˜ÂÌËÈ: 1: ꇂÌÓÏÂÌÓ
ÚÂÏÔÂËÓ‚‡ÌÌ˚È ÒÚÓÈ
2: óËÒÚ˚È Ï‡ÊÓ
3: óËÒÚ˚È ÏËÌÓ
4: èËÙ‡„ÓÂÈÒÍËÈ ÒÚÓÈ
(Pythagorean)
5: å‰ˇθÌ˚È ÒÚÓÈ
(mean-tone)
6: ëÚÓÈ ÇÂÍÏÂÈÒÚÂ‡
7: ëÚÓÈ äËÌ·Â„Â‡
é·˚˜Ì‡fl ̇ÒÚÓÈ͇: 1: ꇂÌÓÏÂÌÓ
ÚÂÏÔÂËÓ‚‡ÌÌ˚È ÒÚÓÈ
F2.2: éÒÌӂ̇fl ÌÓÚ‡
ÖÒÎË ‚˚ ‚˚·Ë‡ÂÚ Ì ‡‚ÌÓÏÂÌÓ
ÚÂÏÔÂËÓ‚‡ÌÌ˚È ÒÚÓÈ, ÌÂÓ·ıÓ‰ËÏÓ
ÓÔ‰ÂÎËÚ¸ ÚÓÌËÍÛ. (ᇉ‡ÌË ÚÓÌËÍË ‚ ÂÊËÏÂ
‡‚ÌÓÏÂÌÓ ÚÂÏÔÂËÓ‚‡ÌÌÓ„Ó ÒÚÓfl ÌÂ
‡·ÓÚ‡ÂÚ. éÒÌÓ‚ÌÛ˛ ÌÓÚÛ ÏÓÊÌÓ Á‡‰‡Ú¸ ÔË
ËÒÔÓθÁÓ‚‡ÌËË ‰Û„Ëı ÒÚÓ‚.)
ÑˇԇÁÓÌ Á̇˜ÂÌËÈ:
ëڇ̉‡Ú̇fl ÛÒÚ‡Ìӂ͇:
• èËÏÂ Á‡‰‡ÌËfl ÚÓÌËÍË
(G)
CLP240E.book Page 49 Wednesday, April 6, 2005 4:02 PM
ç‡ÒÚÓÈÍË – ÍÌÓÔ͇ [FUNCTION]
F3. îÛÌ͈ËË ‚ ÂÊËÏ ̇ÎÓÊÂÌËfl ÚÂÏ·Ó‚
Ç ÂÊËÏ ̇ÎÓÊÂÌËfl ÚÂÏ·Ó‚ ÏÓÊÌÓ Á‡‰‡‚‡Ú¸
‡Á΢Ì˚ ԇ‡ÏÂÚ˚ ‰Îfl ÛÎÛ˜¯ÂÌËfl ̇ÒÚÓÂÍ
ÔÓË„˚‚‡ÂÏ˚ı ÏÂÎÓ‰ËÈ, ̇ÔËÏÂ, ÛÒÚ‡ÌÓ‚ËÚ¸
·‡Î‡ÌÒ „ÓÏÍÓÒÚË ÏÂÊ‰Û ‰‚ÛÏfl ÚÂÏ·‡ÏË.
ç‡ÒÚÓÈÍË ‚ ÂÊËÏ ̇ÎÓÊÂÌËfl ÚÂÏ·Ó‚ ‚˚ÔÓÎÌfl˛ÚÒfl
ÓÚ‰ÂθÌÓ ‰Îfl ͇ʉÓÈ ÍÓÏ·Ë̇ˆËË ÚÂÏ·Ó‚.
1. Ç˚·ÂËÚ ÚÂÏ·˚ ‚ ÂÊËÏ ̇ÎÓÊÂÌËfl, ÔÂÂȉËÚ ‚
ÂÊËÏ Function Ë ‚˚·ÂËÚÂ
.
2. ç‡ÊÏËÚ ÍÌÓÔÍÛ [+/YES], ˜ÚÓ·˚ ÔÂÂÈÚË ‚ ÔÓ‰ÂÊËÏ
̇ÒÚÓÈÍË Ì‡ÎÓÊÂÌËfl ÚÂÏ·Ó‚, Á‡ÚÂÏ ËÒÔÓθÁÛÈÚÂ
ÍÌÓÔÍË [TEMPO/FUNCTION# ▼, ▲] ‰Îfl ‚˚·Ó‡
ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÈ Ì‡ÒÚÓÈÍË. ÑÎfl ‚˚·Ó‡ Á̇˜ÂÌËÈ
ËÒÔÓθÁÛÈÚ ÍÌÓÔÍË [–/NO] [+/YES].
ëڇ̉‡Ú̇fl ÛÒÚ‡Ìӂ͇: ê‡Á΢̇ ‰Îfl ͇ʉÓÈ
ÍÓÏ·Ë̇ˆËË ÚÂÏ·Ó‚.
ëÏ¢ÂÌË ‚˚ÒÓÚ˚ Á‚Û͇ ÚÂÏ·Ó‚ 1 Ë 2 ÒÓÁ‰‡ÂÚ
·ÓΠ̇Ò˚˘ÂÌÌ˚È Á‚ÛÍ.
F3.3: í‡ÌÒÔÓÌËÓ‚‡ÌË ÚÂÏ·‡ 1 ̇ ÓÍÚ‡‚Û
F3.4: í‡ÌÒÔÓÌËÓ‚‡ÌË ÚÂÏ·‡ 2 ̇ ÓÍÚ‡‚Û
ÑˇԇÁÓÌ Á̇˜ÂÌËÈ:
–1, 0, 1
ëڇ̉‡Ú̇fl ÛÒÚ‡Ìӂ͇: ê‡Á΢̇ ‰Îfl ͇ʉÓÈ
ÍÓÏ·Ë̇ˆËË ÚÂÏ·Ó‚.
Ç˚ÒÓÚÛ ÚÓ̇ ÏÓÊÌÓ ÒÏ¢‡Ú¸ ‚‚Âı Ë ‚ÌËÁ Ò
ËÌÚÂ‚‡ÎÓÏ ‚ ÓÍÚ‡‚Û ÓÚ‰ÂθÌÓ ‰Îfl ÚÂÏ·Ó‚
1 Ë 2. Ç Á‡‚ËÒËÏÓÒÚË ÓÚ ÍÓÏ·Ë̇ˆËË ÚÂÏ·Ó‚
‚ ÂÊËÏ ̇ÎÓÊÂÌËfl Á‚Û˜‡ÌË ÍÓÏ·Ë̇ˆËË
ÏÓÊÂÚ ÛÎÛ˜¯ËÚ¸Òfl, ÂÒÎË Ó‰ËÌ ËÁ ÚÂÏ·Ó‚
Ú‡ÌÒÔÓÌËÓ‚‡Ú¸ ̇ ÓÍÚ‡‚Û ‚‚Âı ËÎË ‚ÌËÁ.
èêàåÖóÄçàÖ
ÖÒÎË ‚˚ ̇ıÓ‰ËÚÂÒ¸ Ì ‚ ÂÊËÏ ̇ÎÓÊÂÌËfl ÚÂÏ·Ó‚, ‚ÏÂÒÚÓ
ÔÓfl‚ËÚÒfl
, Ë ‚˚ Ì ÒÏÓÊÂÚ ÓÒÛ˘ÂÒÚ‚ÎflÚ¸ ̇ÒÚÓÈÍË ‚ ÂÊËÏÂ
̇ÎÓÊÂÌËfl. åÓÊÌÓ ÔÂÂÍβ˜‡Ú¸Òfl ÏÂÊ‰Û ÂÊËÏÓÏ Function Ë ÂÊËÏÓÏ
̇ÎÓÊÂÌËfl ÚÂÏ·Ó‚ (Dual mode).
èÓ‰ÂÊËÏ˚
F3.1: Ň·ÌÒ ‚ ÂÊËÏ ̇ÎÓÊÂÌËfl ÚÂÏ·Ó‚
ÑˇԇÁÓÌ Á̇˜ÂÌËÈ: 0 – 20 (èË ÛÒÚ‡ÌÓ‚ÍÂ
Á̇˜ÂÌËfl «10» Ó·‡ ÚÂÏ·‡ ‚
ÂÊËÏ ̇ÎÓÊÂÌËfl ·Û‰ÛÚ
Á‚Û˜‡Ú¸ Ò Ó‰Ë̇ÍÓ‚ÓÈ
„ÓÏÍÓÒÚ¸˛. á̇˜ÂÌËfl
ÏÂ̸¯Â «10» ·Û‰ÛÚ
Û‚Â΢˂‡Ú¸ „ÓÏÍÓÒÚ¸
ÚÂÏ·‡ 2 ÔÓ Ò‡‚ÌÂÌ˲
Ò ÚÂÏ·ÓÏ 1, ‡ Á̇˜ÂÌËfl
·Óθ¯Â «10» Û‚Â΢˂‡˛Ú
„ÓÏÍÓÒÚ¸ ÚÂÏ·‡ 1 ÔÓ
Ò‡‚ÌÂÌ˲ Ò ÚÂÏ·ÓÏ 2.)
ëڇ̉‡Ú̇fl ÛÒÚ‡Ìӂ͇: ê‡Á΢̇ ‰Îfl ͇ʉÓÈ
ÍÓÏ·Ë̇ˆËË ÚÂÏ·Ó‚.
é‰ËÌ ËÁ ÚÂÏ·Ó‚ ÏÓÊÌÓ ‚˚·‡Ú¸ ‚ ͇˜ÂÒÚ‚Â
„·‚ÌÓ„Ó, ‡ ‰Û„ÓÈ ·Û‰ÂÚ Á‚Û˜‡Ú¸ ‚ Ïfl„ÍÓÈ
ÔË„ÎÛ¯ÂÌÌÓÈ Ï‡ÌÂÂ.
F3.2: ëÏ¢ÂÌË ‚˚ÒÓÚ˚ Á‚Û͇ ‚ ÂÊËÏÂ
̇ÎÓÊÂÌËfl ÚÂÏ·Ó‚
ÑˇԇÁÓÌ Á̇˜ÂÌËÈ: -10 – 0 – 10 (èË
ÔÓÎÓÊËÚÂθÌ˚ı Á̇˜ÂÌËflı
‚˚ÒÓÚ‡ ÚÂÏ·‡ 1 ‚ÓÁ‡ÒÚ‡ÂÚ,
‡ ‚˚ÒÓÚ‡ ÚÂÏ·‡ 2 ÔÓÌËʇÂÚÒfl.
èË ÓÚˈ‡ÚÂθÌ˚ı Á̇˜ÂÌËflı
‚˚ÒÓÚ‡ ÚÂÏ·‡ 1 ÔÓÌËʇÂÚÒfl,
‡ ‚˚ÒÓÚ‡ ÚÂÏ·‡ 2 ‚ÓÁ‡ÒÚ‡ÂÚ.)
F3.5: ÉÎÛ·Ë̇ ˝ÙÙÂÍÚ‡ ‰Îfl ÚÂÏ·‡ 1
F3.6: ÉÎÛ·Ë̇ ˝ÙÙÂÍÚ‡ ‰Îfl ÚÂÏ·‡ 2
ÑˇԇÁÓÌ Á̇˜ÂÌËÈ:
0 – 20
ëڇ̉‡Ú̇fl ÛÒÚ‡Ìӂ͇: ê‡Á΢̇ ‰Îfl ͇ʉÓÈ
ÍÓÏ·Ë̇ˆËË ÚÂÏ·Ó‚.
Ç ÂÊËÏ ̇ÎÓÊÂÌËfl ÚÂÏ·Ó‚ ˝ÚË ÙÛÌ͈ËË
ÔÓÁ‚ÓÎfl˛Ú ÓÚ‰ÂθÌÓ ÛÒڇ̇‚ÎË‚‡Ú¸ „ÎÛ·ËÌÛ
˝ÙÙÂÍÚ‡ ‰Îfl ÚÂÏ·Ó‚ 1 Ë 2. è‡‡ÏÂÚ˚
„ÎÛ·ËÌ˚ ˝ÙÙÂÍÚ‡ ÏÓÊÌÓ ËÁÏÂÌflÚ¸ ÚÓθÍÓ
‚ ÂÊËÏ [EFFECT]. óÚÓ·˚ ‚Íβ˜ËÚ¸ ÂÊËÏ
[EFFECT], ÌÂÓ·ıÓ‰ËÏÓ Ò̇˜‡Î‡ ‚˚ÈÚË ËÁ ÂÊËχ
Function.
• è‡‡ÏÂÚ˚ Voice 1 (ÚÂÏ· 1) Ë Voice 2
(ÚÂÏ· 2) ÓÔËÒ‡Ì˚ ̇ ÒÚ. 25.
F3.7: ÇÓÒÒÚ‡ÌÓ‚ÎÂÌË ËÒıÓ‰Ì˚ı Á̇˜ÂÌËÈ
ùÚ‡ ÙÛÌ͈Ëfl ‚ÓÒÒڇ̇‚ÎË‚‡ÂÚ Á̇˜ÂÌËfl ÔÓ
ÛÏÓΘ‡Ì˲ ‰Îfl ‚ÒÂı ÙÛÌ͈ËÈ ‚ ÂÊËÏÂ
̇ÎÓÊÂÌËfl ÚÂÏ·Ó‚. ÑÎfl ‚ÓÒÒÚ‡ÌÓ‚ÎÂÌËfl
Á̇˜ÂÌËÈ ÔÓ ÛÏÓΘ‡Ì˲ ̇ÊÏËÚ ÍÌÓÔÍÛ [+/YES].
èêàåÖóÄçàÖ
äéåÅàçÄñàü äãÄÇàò:
åÓÊÌÓ ÔÂÂÈÚË ÔflÏÓ Í ÙÛÌ͈ËflÏ ‚ ÂÊËÏ ̇ÎÓÊÂÌËfl ÚÂÏ·Ó‚
,
̇ʇ‚ ÍÌÓÔÍÛ [TEMPO/FUNCTION#] Ë Ó‰ÌÓ‚ÂÏÂÌÌÓ Û‰ÂÊË‚‡fl ÍÌÓÔÍË
ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ëı ‰‚Ûı ÚÂÏ·Ó‚.
óÚÓ·˚ ‚˚ÈÚË ËÁ ÂÊËχ Function, ̇‰Ó Ú‡ÍÊ ̇ʇڸ ÍÌÓÔÍÛ [TEMPO/
FUNCTION#], ˜ÚÓ·˚ Á‡„ÓÂÎÒfl Ë̉Ë͇ÚÓ TEMPO.
èêàåÖóÄçàÖ
óÂÏ ÌËÊ ÚÂÏ·, ÚÂÏ ¯Ë ‰Ë‡Ô‡ÁÓÌ ‰ÓÔÛÒÚËÏ˚ı Á̇˜ÂÌËÈ ËÁÏÂÌÂÌËfl
‚˚ÒÓÚ˚ (± 60 % ‰Îfl ÌÓÚ˚ ãfl ÒÛ·ÍÓÌÚÓÍÚ‡‚˚, ± 5 % ‰Îfl ÌÓÚ˚ ÑÓ ÔflÚÓÈ
ÓÍÚ‡‚˚). (100 ˆÂÌÚÓ‚ ‡‚Ì˚ Ó‰ÌÓÏÛ ÔÓÎÛÚÓÌÛ.)
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
49
CLP240E.book Page 50 Wednesday, April 6, 2005 4:02 PM
ç‡ÒÚÓÈÍË – ÍÌÓÔ͇ [FUNCTION]
F4. (CLP-240) îÛÌ͈ËË ÂÊËχ ‡Á‰ÂÎÂÌËfl
ÚÂÏ·Ó‚
Ç ˝ÚÓÏ ÏÂÌ˛ ÏÓÊÌÓ Á‡‰‡‚‡Ú¸ ‡Á΢Ì˚ ԇ‡ÏÂÚ˚
‰Îfl ÂÊËχ ‡Á‰ÂÎÂÌËfl ÚÂÏ·Ó‚.
åÂÌflfl ÚÓ˜ÍÛ ‡Á‰ÂÎÂÌËfl ÚÂÏ·Ó‚ ËÎË ‰Û„ËÂ
Ô‡‡ÏÂÚ˚, ÏÓÊÌÓ ‰Ó·ËÚ¸Òfl ÓÔÚËχθÌÓ„Ó Á‚Û˜‡ÌËfl
ËÒÔÓÎÌflÂÏÓÈ ÏÂÎÓ‰ËË.
1. Ç˚·ÂËÚ ÚÂÏ·˚ ‚ ÂÊËÏ ‡Á‰ÂÎÂÌËfl, ÔÂÂȉËÚ ‚
ÂÊËÏ Function Ë ‚˚·ÂËÚÂ
.
2. ç‡ÊÏËÚ ÍÌÓÔÍÛ [+/YES], ˜ÚÓ·˚ ÔÂÂÈÚË ‚ ÔÓ‰ÂÊËÏ
̇ÒÚÓÈÍË ‡Á‰ÂÎÂÌËfl ÚÂÏ·Ó‚, Á‡ÚÂÏ ËÒÔÓθÁÛÈÚÂ
ÍÌÓÔÍË [TEMPO/FUNCTION# ▼, ▲] ‰Îfl ‚˚·Ó‡
ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ëı Ô‡‡ÏÂÚÓ‚. ÑÎfl ‚˚·Ó‡ Á̇˜ÂÌËÈ
ËÒÔÓθÁÛÈÚ ÍÌÓÔÍË [–/NO] [+/YES].
èêàåÖóÄçàÖ
ÖÒÎË ÂÊËÏ ‡Á‰ÂÎÂÌËfl ÚÂÏ·Ó‚ Ì ‚Íβ˜ÂÌ, ‚ÏÂÒÚÓ
ÔÓfl‚ËÚÒfl
, Ë ‚˚ Ì ÒÏÓÊÂÚ ‚˚·‡Ú¸ ÙÛÌ͈ËË ‚ ÂÊËÏ ‡Á‰ÂÎÂÌËfl
ÚÂÏ·Ó‚. èÂʉ ˜ÂÏ ÔÂÂıÓ‰ËÚ¸ ‚ ÂÊËÏ ‡Á‰ÂÎÂÌËfl ÚÂÏ·Ó‚,
ÌÂÓ·ıÓ‰ËÏÓ ‚˚ÈÚË ËÁ ÂÊËχ Function.
èÓ‰ÂÊËÏ˚
F4.1: íӘ͇ ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚
ÑˇԇÁÓÌ Á̇˜ÂÌËÈ:
ÇÒfl Í·‚ˇÚÛ‡
ëڇ̉‡Ú̇fl ÛÒÚ‡Ìӂ͇: F 2
ìÒÚ‡ÌÓ‚ËÚ ̇ Í·‚ˇÚÛ ÚÓ˜ÍÛ, ‡Á‰ÂÎfl˛˘Û˛ Ô‡ÚËË
Ô‡‚ÓÈ Ë Î‚ÓÈ ÛÍË (ÚÓ˜ÍÛ ‡Á‰ÂÎÂÌËfl). ç‡Ê‡Ú‡fl
Í·‚˯‡ ÓÚÌÓÒËÚÒfl Í ‰Ë‡Ô‡ÁÓÌÛ ‰Îfl Ô‡ÚËË Î‚ÓÈ ÛÍË.
• ÇÏÂÒÚÓ ÚÓ„Ó ˜ÚÓ·˚ ̇ÊËχڸ ÍÌÓÔÍË [–/NO] [+/YES] ,
ÏÓÊÌÓ ‚‚ÂÒÚË ÚÓ˜ÍÛ ‡Á‰ÂÎÂÌËfl, ̇ÊËχfl
ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ Í·‚Ë¯Û Ì‡ Í·‚ˇÚÛÂ.
• ÖÒÎË ÂÊËÏ Function Ì Á‡‰ÂÈÒÚ‚Ó‚‡Ì, ÏÓÊÌÓ
ËÁÏÂÌËÚ¸ ÚÓ˜ÍÛ ‡Á‰ÂÎÂÌËfl, ̇ʇ‚
ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ Í·‚Ë¯Û ÔË Ì‡Ê‡ÚÓÈ ÍÌÓÔÍÂ
[SPLIT] (ÒÚ. 26).
• èËÏÂ Á̇˜ÂÌËfl ‰Îfl ÚÓ˜ÍË ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚
(G2)
ìÓ‚Â̸ „ÓÏÍÓÒÚË Ó·ÓËı ÚÂÏ·Ó‚ ‚ ÂÊËÏÂ
‡Á‰ÂÎÂÌËfl ÏÓÊÌÓ Ì‡ÒÚÓËÚ¸. ùÚÛ Ì‡ÒÚÓÈÍÛ ÏÓÊÌÓ
ÛÒÚ‡ÌÓ‚ËÚ¸ ÓÚ‰ÂθÌÓ ‰Îfl ͇ʉÓÈ ÍÓÏ·Ë̇ˆËË ÚÂÏ·Ó‚.
F4.3: í‡ÌÒÔÓÌËÓ‚‡ÌË ԇ‚Ó„Ó ÚÂÏ·‡ ̇ ÓÍÚ‡‚Û
F4.4: í‡ÌÒÔÓÌËÓ‚‡ÌË ÎÂ‚Ó„Ó ÚÂÏ·‡ ̇ ÓÍÚ‡‚Û
ÑˇԇÁÓÌ Á̇˜ÂÌËÈ:
–1, 0, 1
ëڇ̉‡Ú̇fl ÛÒÚ‡Ìӂ͇: ë‚Ófl ‰Îfl ͇ʉÓÈ
ÍÓÏ·Ë̇ˆËË ÚÂÏ·Ó‚
Ç˚ÒÓÚÛ Á‚Û͇ ÏÓÊÌÓ ÒÏ¢‡Ú¸ ‚‚Âı Ë ‚ÌËÁ Ò
ËÌÚÂ‚‡ÎÓÏ ‚ ÓÍÚ‡‚Û ÓÚ‰ÂθÌÓ ‰Îfl Ô‡‚Ó„Ó Ë Î‚ӄÓ
ÚÂÏ·Ó‚. Ç˚·ÂËÚ ̇ÒÚÓÈÍÛ ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò
ÌÓÚÌ˚Ï ‰Ë‡Ô‡ÁÓÌÓÏ ÔÓË„˚‚‡ÂÏ˚ı ÏÂÎÓ‰ËÈ. ùÚÛ
̇ÒÚÓÈÍÛ ÏÓÊÌÓ ÛÒÚ‡ÌÓ‚ËÚ¸ ÓÚ‰ÂθÌÓ ‰Îfl ͇ʉÓÈ
ÍÓÏ·Ë̇ˆËË ÚÂÏ·Ó‚.
F4.5: ÉÎÛ·Ë̇ ˝ÙÙÂÍÚ‡ ‰Îfl Ô‡‚Ó„Ó ÚÂÏ·‡
F4.6: ÉÎÛ·Ë̇ ˝ÙÙÂÍÚ‡ ‰Îfl ÎÂ‚Ó„Ó ÚÂÏ·‡
ÑˇԇÁÓÌ Á̇˜ÂÌËÈ:
0 – 20
ëڇ̉‡Ú̇fl ÛÒÚ‡Ìӂ͇: ë‚Ófl ‰Îfl ͇ʉÓÈ
ÍÓÏ·Ë̇ˆËË ÚÂÏ·Ó‚
ùÚË ÙÛÌ͈ËË ÔÓÁ‚ÓÎfl˛Ú ÓÚ‰ÂθÌÓ ÛÒڇ̇‚ÎË‚‡Ú¸
„ÎÛ·ËÌÛ ˝ÙÙÂÍÚ‡ ‰Îfl ÎÂ‚Ó„Ó Ë Ô‡‚Ó„Ó ÚÂÏ·Ó‚ ‚
ÂÊËÏ ‡Á‰ÂÎÂÌËfl ÚÂÏ·Ó‚.
è‡‡ÏÂÚ˚ „ÎÛ·ËÌ˚ ˝ÙÙÂÍÚ‡ ÏÓÊÌÓ ÏÂÌflÚ¸ ÚÓθÍÓ
‚ ÂÊËÏ [EFFECT]. èÂ‰ ‚Íβ˜ÂÌËÂÏ ÂÊËχ
[EFFECT]ÌÂÓ·ıÓ‰ËÏÓ ‚˚ÈÚË ËÁ ÂÊËχ Function.
ùÚÛ Ì‡ÒÚÓÈÍÛ ÏÓÊÌÓ ÛÒÚ‡ÌÓ‚ËÚ¸ ÓÚ‰ÂθÌÓ ‰Îfl
͇ʉÓÈ ÍÓÏ·Ë̇ˆËË ÚÂÏ·Ó‚.
F4.7: ÑˇԇÁÓÌ Ô‡‚ÓÈ Ô‰‡ÎË
ÑˇԇÁÓÌ Á̇˜ÂÌËÈ: ALL (‰Îfl Ó·ÓËı ÚÂÏ·Ó‚)
1 (‰Îfl Ô‡‚Ó„Ó ÚÂÏ·‡)
2 (‰Îfl ÎÂ‚Ó„Ó ÚÂÏ·‡)
ëڇ̉‡Ú̇fl ÛÒÚ‡Ìӂ͇: ALL
îÛÌ͈Ëfl ‰Ë‡Ô‡ÁÓ̇ Ô‡‚ÓÈ Ô‰‡ÎË
ÓÔ‰ÂÎflÂÚ, ̇ ͇ÍË ÚÂÏ·˚ ‚ÎËflÂÚ Ô‰‡Î¸ ‚
ÂÊËÏ ‡Á‰ÂÎÂÌËfl ÚÂÏ·Ó‚: ̇ Ô‡‚˚È, ΂˚È
ËÎË Ó·‡ ÚÂÏ·‡.
F4.8: ÇÓÒÒÚ‡ÌÓ‚ÎÂÌË ËÒıÓ‰Ì˚ı Á̇˜ÂÌËÈ
F4.2: ìÒÚ‡Ìӂ͇ ·‡Î‡ÌÒ‡ ‚ ÂÊËÏ ‡Á‰ÂÎÂÌËfl (Split)
ÑˇԇÁÓÌ Á̇˜ÂÌËÈ: 0 – 20 (èË Á̇˜ÂÌËË «10»
ÚÂÏ·˚ ‚ ÂÊËÏ ‡Á‰ÂÎÂÌËfl
Á‚Û˜‡Ú Ò Ó‰Ë̇ÍÓ‚ÓÈ
„ÓÏÍÓÒÚ¸˛). á̇˜ÂÌËfl ÏÂ̸¯Â
«10» Û‚Â΢˂‡˛Ú „ÓÏÍÓÒÚ¸
ÎÂ‚Ó„Ó ÚÂÏ·‡ ÔÓ Ò‡‚ÌÂÌ˲ Ò
Ô‡‚˚Ï, ‡ Á̇˜ÂÌËfl ‚˚¯Â «10»
Û‚Â΢˂‡˛Ú „ÓÏÍÓÒÚ¸ Ô‡‚Ó„Ó
ÚÂÏ·‡ ÔÓ Ò‡‚ÌÂÌ˲ Ò Î‚˚Ï.)
ëڇ̉‡Ú̇fl ÛÒÚ‡Ìӂ͇: ê‡Á΢̇ ‰Îfl ͇ʉÓÈ
ÍÓÏ·Ë̇ˆËË ÚÂÏ·Ó‚.
50
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
ùÚ‡ ÙÛÌ͈Ëfl ‚ÓÒÒڇ̇‚ÎË‚‡ÂÚ Á̇˜ÂÌËfl ÔÓ
ÛÏÓΘ‡Ì˲ ‰Îfl ‚ÒÂı ÙÛÌ͈ËÈ ÂÊËχ
‡Á‰ÂÎÂÌËfl. ÑÎfl ‚ÓÒÒÚ‡ÌÓ‚ÎÂÌËfl Á̇˜ÂÌËÈ ÔÓ
ÛÏÓΘ‡Ì˲ ̇ÊÏËÚ ÍÌÓÔÍÛ [+/YES].
èêàåÖóÄçàÖ
äéåÅàçÄñàü äãÄÇàò:
åÓÊÌÓ ÔÂÂÈÚË ÔflÏÓ Í ÙÛÌ͈ËflÏ ÂÊËχ ‡Á‰ÂÎÂÌËfl ÚÂÏ·Ó‚
,
̇ʇ‚ ÍÌÓÔÍÛ [TEMPO/FUNCTION#] ÔË Ì‡Ê‡ÚÓÈ ÍÌÓÔÍ [SPLIT].
óÚÓ·˚ ‚˚ÈÚË ËÁ ÂÊËχ Function, ̇‰Ó Ú‡ÍÊ ̇ʇڸ ÍÌÓÔÍÛ [TEMPO/
FUNCTION#], ˜ÚÓ·˚ Á‡„ÓÂÎÒfl Ë̉Ë͇ÚÓ TEMPO.
CLP240E.book Page 51 Wednesday, April 6, 2005 4:02 PM
ç‡ÒÚÓÈÍË – ÍÌÓÔ͇ [FUNCTION]
F5. (CLP-240) / F4. (CLP-230)
ÑÛ„Ë ÙÛÌ͈ËË
Ç ˝ÚÓÏ ‡Á‰ÂΠԉÒÚ‡‚ÎÂÌ˚ ‰Û„Ë ÙÛÌ͈ËË,
‚Íβ˜‡fl ÚÂ, ÍÓÚÓ˚ ÔÓÁ‚ÓÎfl˛Ú ̇Á̇˜ËÚ¸ Ó‰ËÌ ËÁ
ÂÊËÏÓ‚ ‰Îfl ΂ÓÈ Ô‰‡ÎË ËÎË ‚˚·‡Ú¸ ÍÓÌÍÂÚÌ˚Â
͇̇Î˚ ‰Îfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÏÂÎÓ‰ËÈ.
1. èÂÂȉËÚ ‚ ÂÊËÏ Function Ë ‚˚·ÂËÚÂ
(CLP-240)/
(CLP-230).
2. ç‡ÊÏËÚ ÍÌÓÔÍÛ [+/YES], ˜ÚÓ·˚ ÔÂÂÈÚË ‚
ÔÓ‰ÂÊËÏ ‰Û„Ëı ÙÛÌ͈ËÈ, Á‡ÚÂÏ ËÒÔÓθÁÛÈÚÂ
ÍÌÓÔÍË [TEMPO/FUNCTION# ▼, ▲] ‰Îfl ‚˚·Ó‡
ÌÛÊÌÓ„Ó ÔÓ‰ÂÊËχ.
ç‡ÊËχÈÚ ÍÌÓÔÍÛ [–/NO] ËÎË [+/YES] ‰Îfl ‚˚·Ó‡
ÌÛÊÌÓÈ ÙÛÌ͈ËË Ô‰‡ÎË ËÎË ÛÒÚ‡ÌÓ‚ÍË Á̇˜ÂÌËÈ.
èÓ‰ÂÊËÏ˚
F5.1 (CLP-240)/F4.1 (CLP-230)
êÂÊËÏ Î‚ÓÈ Ô‰‡ÎË
ÑˇԇÁÓÌ Á̇˜ÂÌËÈ:
1. ょfl Ô‰‡Î¸
èÓ͇ ̇ʇڇ ΂‡fl Ô‰‡Î¸, „ÓÏÍÓÒÚ¸
ÔÓË„˚‚‡ÂÏ˚ı ÌÓÚ ·Û‰ÂÚ ÔË„ÎÛ¯Â̇, ‡
ÚÂÏ· Ò΄͇ ËÁÏÂÌÂÌ. ç‡ ÛÊ Á‚Û˜‡˘ËÂ
ÌÓÚ˚ ΂‡fl Ô‰‡Î¸ Ì ‚ÎËflÂÚ.
2. SONG PLAY/PAUSE (ÇÓÒÔÓËÁ‚‰ÂÌËÂ/
è‡ÛÁ‡ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÏÂÎÓ‰ËË)
Ç ˝ÚÓÏ ÂÊËÏ ÏÓÊÌÓ Á‡ÔÛÒ͇ڸ ËÎË
ÔËÓÒڇ̇‚ÎË‚‡Ú¸ ‚ÓÒÔÓËÁ‚‰ÂÌËÂ
ÏÂÎÓ‰ËË. Ç ˝ÚÓÏ ÂÊËϠ΂‡fl Ô‰‡Î¸
‡·ÓÚ‡ÂÚ, Í‡Í ÍÌÓÔ͇ SONG [PLAY/PAUSE]̇
Ô‡ÌÂÎË.
3. LJˇˆËfl (CLP-240)
Ç ˝ÚÓÏ ÂÊËÏ ÏÓÊÌÓ ‚Íβ˜‡Ú¸ Ë
‚˚Íβ˜‡Ú¸ ‚‡ˇˆË˛ ÚÂÏ·Ó‚. Ç ˝ÚÓÏ
ÂÊËϠ΂‡fl Ô‰‡Î¸ ‡·ÓÚ‡ÂÚ, Í‡Í ÍÌÓÔ͇
[VARIATION] ̇ Ô‡ÌÂÎË.
ëڇ̉‡Ú̇fl ÛÒÚ‡Ìӂ͇: 1(΂‡fl Ô‰‡Î¸)
F5.3 (CLP-240)
ÉÎÛ·Ë̇ «ÒÛÒÚÂÈÌ»-Ò˝ÏÔ·
ÑˇԇÁÓÌ Á̇˜ÂÌËÈ:
0 – 20
ëڇ̉‡Ú̇fl ÛÒÚ‡Ìӂ͇: 12
ÑÎfl ÚÂÏ·‡ GRAND PIANO 1 ËÒÔÓθÁÛ˛ÚÒfl
ÒÔˆˇθÌ˚ «ÒÛÒÚÂÈÌ»-Ò˝ÏÔÎ˚, ÍÓÚÓ˚ ÔË
̇ʇÚËË Ô‡‚ÓÈ Ô‰‡ÎË ‚ÓÒÒÓÁ‰‡˛Ú
ÛÌË͇θÌ˚È ÂÁÓ̇ÌÒ ‰ÂÍË Ë ÒÚÛÌ
‡ÍÛÒÚ˘ÂÒÍÓ„Ó ÓflÎfl. ùÚ‡ ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ
̇ÒÚÓËÚ¸ „ÎÛ·ËÌÛ ˝ÚÓ„Ó ˝ÙÙÂÍÚ‡.
F5.4 (CLP-240)
ÉÓÏÍÓÒÚ¸ Ò˝ÏÔ· ÓÚÔÛ˘ÂÌÌÓÈ Í·‚˯Ë
ÑˇԇÁÓÌ Á̇˜ÂÌËÈ:
0 – 20
ëڇ̉‡Ú̇fl ÛÒÚ‡Ìӂ͇: 10
åÓÊÌÓ Ì‡ÒÚÓËÚ¸ „ÓÏÍÓÒÚ¸ Á‚Û͇
ÓÚÔÛ˘ÂÌÌÓÈ Í·‚Ë¯Ë (ÚËıËÈ Á‚ÛÍ,
‚ÓÁÌË͇˛˘ËÈ, ÍÓ„‰‡ ÓÚÔÛÒ͇˛Ú Í·‚˯Û) ‰Îfl
ÚÂÏ·Ó‚ [GRAND PIANO1], [HARPSICHORD],
[E.CLAVICHORD] (‡ Ú‡ÍÊ ‰Îfl Ëı ‚‡ˇˆËÈ).
F5.5 (CLP-240)/F4.3 (CLP-230)
Ç˚·Ó ͇̇· ÏÂÎÓ‰ËË
ÑˇԇÁÓÌ Á̇˜ÂÌËÈ:
ALL, 1&2
ëڇ̉‡Ú̇fl ÛÒÚ‡Ìӂ͇: ALL
ùÚ‡ ÛÒÚ‡Ìӂ͇ ‚ÎËflÂÚ ÚÓθÍÓ Ì‡ ÏÂÎÓ‰ËË DOC
(Disk Orchestra Collection), ÏÂÎÓ‰ËË Disklavier
Piano Soft Ë ÌÂÁ‡˘Ë˘ÂÌÌ˚ ‚̯ÌË ÏÂÎÓ‰ËË.
åÓÊÌÓ Á‡‰‡Ú¸, ͇ÍË ͇̇Î˚ ÏÂÎÓ‰ËË ·Û‰ÛÚ
‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òfl ̇ ˝ÚÓÏ ËÌÒÚÛÏÂÌÚÂ. èË
‚˚·Ó «ALL» ‚ÓÒÔÓËÁ‚Ó‰flÚÒfl ͇̇Î˚ 1 – 16.
èË ‚˚·Ó «1&2» ‚ÓÒÔÓËÁ‚Ó‰flÚÒfl ÚÓθÍÓ
͇̇Î˚ 1 Ë 2, ‡ ͇̇Î˚ 3 – 16 ·Û‰ÛÚ
ÔÂ‰‡‚‡Ú¸Òfl ˜ÂÂÁ MIDI-ËÌÚÂÙÂÈÒ.
F5.2 (CLP-240)/F4.2 (CLP-230)
ÉÎÛ·Ë̇ ˝ÙÙÂÍÚ‡ ΂ÓÈ Ô‰‡ÎË
ÑˇԇÁÓÌ Á̇˜ÂÌËÈ: 1 – 5
ëڇ̉‡Ú̇fl ÛÒÚ‡Ìӂ͇: 3
ùÚ‡ ÙÛÌ͈Ëfl Á‡‰‡ÂÚ „ÎÛ·ËÌÛ ˝ÙÙÂÍÚ‡ ΂ÓÈ
Ô‰‡ÎË.
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
51
CLP240E.book Page 52 Wednesday, April 6, 2005 4:02 PM
ç‡ÒÚÓÈÍË – ÍÌÓÔ͇ [FUNCTION]
F6. (CLP-240) / F5. (CLP-230)
ÉÓÏÍÓÒÚ¸ ÏÂÚÓÌÓχ
ÉÓÏÍÓÒÚ¸ ÏÂÚÓÌÓχ ÏÓÊÌÓ ÏÂÌflÚ¸.
àÒÔÓθÁÛÈÚ ˝ÚÛ ÙÛÌÍˆË˛ ‰Îfl ̇ÒÚÓÈÍË „ÓÏÍÓÒÚË
ÏÂÚÓÌÓχ.
1. èÂÂȉËÚ ‚ ÂÊËÏ Function Ë ‚˚·ÂËÚÂ
(CLP-240)/
(CLP-230).
2. ᇉ‡ÈÚ ÌÛÊÌÛ˛ „ÓÏÍÓÒÚ¸ ÏÂÚÓÌÓχ Ò ÔÓÏÓ˘¸˛
ÍÌÓÔÓÍ [–/NO] Ë [+/YES].
ÑˇԇÁÓÌ Á̇˜ÂÌËÈ:
1 – 20
ëڇ̉‡Ú̇fl ÛÒÚ‡Ìӂ͇: 10
èêàåÖóÄçàÖ
äéåÅàçÄñàü äãÄÇàò:
åÓÊÌÓ ÔÂÂÈÚË ÔflÏÓ Í ÙÛÌ͈ËflÏ ÏÂÚÓÌÓχ
(CLP-240)/
(CLP-230), ̇ʇ‚ ÍÌÓÔÍÛ [TEMPO/FUNCTION#] Ë Ó‰ÌÓ‚ÂÏÂÌÌÓ
Û‰ÂÊË‚‡fl ÍÌÓÔÍÛ METRONOME [ON/OFF].
óÚÓ·˚ ‚˚ÈÚË ËÁ ÂÊËχ Function, ̇‰Ó Ú‡ÍÊ ̇ʇڸ ÍÌÓÔÍÛ [TEMPO/
FUNCTION#], ˜ÚÓ·˚ Á‡„ÓÂÎÒfl Ë̉Ë͇ÚÓ TEMPO.
F8. (CLP-240) / F7. (CLP-230)
îÛÌ͈ËË MIDI
åÓÊÌÓ Á‡‰‡Ú¸ ̇ÒÚÓÈÍË MIDI-ËÌÚÂÙÂÈÒ‡.
ÑÓÔÓÎÌËÚÂθÌÛ˛ ËÌÙÓχˆË˛ Ó MIDI ÏÓÊÌÓ
ÔÓÎÛ˜ËÚ¸ ‚ ‡Á‰ÂΠ«é MIDI-ËÌÚÂÙÂÈÒ» (ÒÚ. 57).
ÇÒ ̇ÒÚÓÈÍË MIDI, ÓÔËÒ‡ÌÌ˚ ÌËÊÂ, ·Û‰ÛÚ
‚ÎËflÚ¸ ̇ MIDI-Ò˄̇Î, ‚ıÓ‰fl˘ËÈ Ë ‚˚ıÓ‰fl˘ËÈ
˜ÂÂÁ ‡Á˙ÂÏ USB [TO HOST].
1. èÂÂȉËÚ ‚ ÂÊËÏ Function Ë ‚˚·ÂËÚÂ
(CLP-240)/
(CLP-230)..
2. ç‡ÊÏËÚ ÍÌÓÔÍÛ [+/YES], ˜ÚÓ·˚ ÔÂÂÈÚË ‚ ÂÊËÏ
ÛÒÚ‡ÌÓ‚ÍË MIDI, Á‡ÚÂÏ ËÒÔÓθÁÛÈÚ ÍÌÓÔÍË [TEMPO/
FUNCTION# ▼, ▲] ‰Îfl ‚˚·Ó‡ ÌÛÊÌÓ„Ó ÔÓ‰ÂÊËχ.
àÒÔÓθÁÛÈÚ ÍÌÓÔÍÛ [–/NO] ËÎË [+/YES] ‰Îfl
ÛÒÚ‡ÌÓ‚ÍË ‚˚·‡ÌÌÓ„Ó Ô‡‡ÏÂÚ‡.
èÓ‰ÂÊËÏ˚
F7. (CLP-240) / F6. (CLP-230)
ÉÓÏÍÓÒÚ¸ ÓÚÍβ˜ÂÌÌÓÈ Ô‡ÚËË
ÏÂÎÓ‰ËË
ùÚ‡ ÙÛÌ͈Ëfl Á‡‰‡ÂÚ „ÓÏÍÓÒÚ¸, Ò ÍÓÚÓÓÈ Á‚Û˜ËÚ
«ÓÚÍβ˜ÂÌ̇fl» Ô‡ÚËfl ÏÂÎÓ‰ËË. ç‡ÒÚÓÈÚ ۉӷÌÛ˛
‰Îfl ‚‡Ò „ÓÏÍÓÒÚ¸ Ë ËÒÔÓθÁÛÈÚ «ÓÚÍβ˜ÂÌÌÛ˛»
Ô‡Ú˲ ‚ ͇˜ÂÒÚ‚Â ÛÍÓ‚Ó‰ÒÚ‚‡ ‰Îfl Ò‚ÓÂÈ Ë„˚.
1. èÂÂȉËÚ ‚ ÂÊËÏ Function Ë ‚˚·ÂËÚÂ
(CLP-240)/
(CLP-230)..
2. ìÒÚ‡ÌÓ‚ËÚ ÌÛÊÌÛ˛ „ÓÏÍÓÒÚ¸ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ
[–/NO] Ë [+/YES].
ÑˇԇÁÓÌ Á̇˜ÂÌËÈ:
0 – 20
ëڇ̉‡Ú̇fl ÛÒÚ‡Ìӂ͇: 5
èêàåÖóÄçàÖ
ùÚÛ ÙÛÌÍˆË˛ ÌÂθÁfl ËÒÔÓθÁÓ‚‡Ú¸ ‰Îfl ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÏÂÎÓ‰ËÈ.
F8.1: (CLP-240)/F7.1: (CLP-230)
Ç˚·Ó ͇̇· Ô‰‡˜Ë ‰‡ÌÌ˚ı MIDI
èË Ì‡ÒÚÓÈÍ ÛÔ‡‚ÎÂÌËfl MIDIËÌÚÂÙÂÈÒÓÏ ‰Îfl ÛÒÔ¯ÌÓÈ ÔÂ‰‡˜Ë ‰‡ÌÌ˚ı
ÌÂÓ·ıÓ‰ËÏÓ ÔË‚ÂÒÚË ‚ ÒÓÓÚ‚ÂÚÒÚ‚Ë MIDİ͇Î˚ ÔÂ‰‡˛˘Â„Ó Ë ÔËÌËχ˛˘Â„Ó
Ó·ÓÛ‰Ó‚‡ÌËfl.
ë ÔÓÏÓ˘¸˛ ˝ÚÓ„Ó Ô‡‡ÏÂÚ‡ ÏÓÊÌÓ Û͇Á‡Ú¸
͇̇Î, ÔÓ ÍÓÚÓÓÏÛ ˆËÙÓ‚Ó ÔˇÌËÌÓ
Clavinova ·Û‰ÂÚ ÔÂ‰‡‚‡Ú¸ MIDI-‰‡ÌÌ˚Â.
ÑˇԇÁÓÌ Á̇˜ÂÌËÈ: 1 – 16, OFF (ÔÂ‰‡˜Ë ÌÂÚ)
ëڇ̉‡Ú̇fl ÛÒÚ‡Ìӂ͇: 1
èêàåÖóÄçàÖ
Ç ÂÊËÏ ̇ÎÓÊÂÌËfl ÚÂÏ·Ó‚ ‰‡ÌÌ˚ ‰Îfl ÚÂÏ·‡ 1 Ô‰‡˛ÚÒfl ÔÓ
Û͇Á‡ÌÌÓÏÛ ‰Îfl ÌÂ„Ó Í‡Ì‡ÎÛ. Ç ÂÊËÏ ‡Á‰ÂÎÂÌËfl ÚÂÏ·Ó‚ (CLP-240)
‰‡ÌÌ˚ ԇ‚Ó„Ó ÚÂÏ·‡ Ô‰‡˛ÚÒfl ÔÓ Û͇Á‡ÌÌÓÏÛ ‰Îfl ÌÂ„Ó Í‡Ì‡ÎÛ.
Ç ÂÊËÏ ̇ÎÓÊÂÌËfl ÚÂÏ·Ó‚ ‰‡ÌÌ˚ ÚÂÏ·‡ 2 Ô‰‡˛ÚÒfl ÔÓ Í‡Ì‡ÎÛ,
ÌÓÏ ÍÓÚÓÓ„Ó ·Óθ¯Â ÌÓχ Û͇Á‡ÌÌÓ„Ó Í‡Ì‡Î‡. Ç ÂÊËÏ ‡Á‰ÂÎÂÌËfl
ÚÂÏ·Ó‚ (CLP-240) ‰‡ÌÌ˚ ÎÂ‚Ó„Ó ÚÂÏ·‡ Ô‰‡˛ÚÒfl ÔÓ Í‡Ì‡ÎÛ, ÌÓÏÂ
ÍÓÚÓÓ„Ó ·Óθ¯Â ÌÓχ Û͇Á‡ÌÌÓ„Ó Í‡Ì‡Î‡. ÖÒÎË ‚ β·ÓÏ ÂÊËÏÂ
Ô‰‡˛˘ËÈ Í‡Ì‡Î ÛÒÚ‡ÌÓ‚ÎÂÌ ‚ ÔÓÎÓÊÂÌË OFF, ‰‡ÌÌ˚ Ì Ô‰‡˛ÚÒfl.
èêàåÖóÄçàÖ
чÌÌ˚ ÏÂÎÓ‰ËÈ Ì Ô‰‡˛ÚÒfl ˜ÂÂÁ ‡Á˙ÂÏ˚ MIDI. é‰Ì‡ÍÓ Í‡Ì‡Î˚
3 – 16 ÏÂÎÓ‰ËÈ DOC, Disklavier Piano Soft Ë ÌÂÁ‡˘Ë˘ÂÌÌ˚ı ‚̯ÌËı
ÏÂÎÓ‰ËÈ ·Û‰ÛÚ Ô‰‡‚‡Ú¸Òfl ˜ÂÂÁ MIDI-ËÌÚÂÙÂÈÒ ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ
̇ÒÚÓÈÍË ‚˚·Ó‡ ͇̇· ÏÂÎÓ‰ËË (ÒÚ. 51).
52
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CLP240E.book Page 53 Wednesday, April 6, 2005 4:02 PM
ç‡ÒÚÓÈÍË – ÍÌÓÔ͇ [FUNCTION]
F8.2: (CLP-240)/F7.2: (CLP-230)
Ç˚·Ó ͇̇· ÔËÂχ ‰‡ÌÌ˚ı MIDI
F8.4: (CLP-240)/F7.4: (CLP-230)
àÁÏÂÌÂÌË ÔÓ„‡ÏÏ˚ (Program Change) ON/OFF
èË Ì‡ÒÚÓÈÍ ÛÔ‡‚ÎÂÌËfl MIDIËÌÚÂÙÂÈÒÓÏ ‰Îfl ÛÒÔ¯ÌÓÈ ÔÂ‰‡˜Ë ‰‡ÌÌ˚ı
ÌÂÓ·ıÓ‰ËÏÓ ÔË‚ÂÒÚË ‚ ÒÓÓÚ‚ÂÚÒÚ‚Ë MIDİ͇Î˚ ÔÂ‰‡˛˘Â„Ó Ë ÔËÌËχ˛˘Â„Ó
Ó·ÓÛ‰Ó‚‡ÌËfl. ë ÔÓÏÓ˘¸˛ ˝ÚÓ„Ó Ô‡‡ÏÂÚ‡
ÏÓÊÌÓ Û͇Á‡Ú¸ ͇̇Î, ÔÓ ÍÓÚÓÓÏÛ ˆËÙÓ‚ÓÂ
ÔˇÌËÌÓ Clavinova ·Û‰ÂÚ ÔÓÎÛ˜‡Ú¸ MIDI‰‡ÌÌ˚Â.
ÑˇԇÁÓÌ Á̇˜ÂÌËÈ:
ALL, 1&2, 1 – 16
ëڇ̉‡Ú̇fl ÛÒÚ‡Ìӂ͇: ALL
é·˚˜ÌÓ CLP-240/230 ‡„ËÛÂÚ Ì‡ ÌÓÏÂ‡
ËÁÏÂÌÂÌËfl MIDI-ÔÓ„‡ÏÏ˚, ÔÓÎÛ˜ÂÌÌ˚ Ò
‚̯ÌÂÈ Í·‚ˇÚÛ˚ ËÎË ÓÚ ‰Û„Ó„Ó MIDIÛÒÚÓÈÒÚ‚‡, ‚˚·Ë‡fl ‰Îfl ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Â„Ó
͇̇· ÚÂÏ· Ò ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÏ ÌÓÏÂÓÏ
(ÚÂÏ· ̇ Í·‚ˇÚÛ Ì ËÁÏÂÌflÂÚÒfl). èË
‚˚·Ó ӉÌÓ„Ó ËÁ Ò‚ÓËı ÚÂÏ·Ó‚ ˆËÙÓ‚ÓÂ
ÔˇÌËÌÓ CLP-240/230 Ó·˚˜ÌÓ ÔÂ‰‡ÂÚ ÌÓÏÂ
ËÁÏÂÌÂÌËfl MIDI-ÔÓ„‡ÏÏ˚, ÂÒÎË ‚̯ÌÂÂ
MIDI-ÛÒÚÓÈÒÚ‚Ó Ì‡ÒÚÓÂÌÓ Ì‡ ÔËÂÏ ‰‡ÌÌ˚ı,
Ë Ì‡ ˝ÚÓÏ ÛÒÚÓÈÒÚ‚Â ·Û‰ÂÚ ‚˚·‡Ì ÚÂÏ· ËÎË
ÔÓ„‡Ïχ Ò ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÏ ÌÓÏÂÓÏ.
èË ÔÓÏÓ˘Ë ˝ÚÓÈ ÙÛÌ͈ËË ÏÓÊÌÓ Á‡ÔÂÚËÚ¸
ÔËÂÏ Ë ÔÂ‰‡˜Û ÌÓÏÂÓ‚ ËÁÏÂÌÂÌËfl
ÔÓ„‡ÏÏ˚, Ú.Â. ‚˚·‡ÌÌ˚ ̇ ÔˇÌËÌÓ CLP240/230 ÚÂÏ·˚ Ì ·Û‰ÛÚ ‚ÎËflÚ¸ ̇ ‚̯ÌÂÂ
MIDI-ÛÒÚÓÈÒÚ‚Ó.
èêàåÖóÄçàÖ
ALL:
êÂÊËÏ ÔËÂχ ÌÂÒÍÓθÍËı ÚÂÏ·Ó‚ («Multi-timbre»). ë Â„Ó ÔÓÏÓ˘¸˛
ÏÓÊÌÓ Ó‰ÌÓ‚ÂÏÂÌÌÓ ÔËÌËχڸ ‡Á΢Ì˚ ԇÚËË ÔÓ ‚ÒÂÏ 16 ͇̇·Ï
MIDI, ˜ÚÓ ‰‡ÂÚ ˆËÙÓ‚ÓÏÛ ÔˇÌËÌÓ Clavinova ‚ÓÁÏÓÊÌÓÒÚ¸
‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ‰‡ÌÌ˚ ÏÂÎÓ‰ËË, ÔÓÎÛ˜ÂÌÌ˚Â Ò ÍÓÏÔ¸˛Ú‡ ËÎË
ÒÂÍ‚ÂÌÒÓ‡ ÔÓ ÌÂÒÍÓθÍËÏ Í‡Ì‡Î‡Ï.
1&2:
êÂÊËÏ ÔËÂχ ÔÓ ‰‚ÛÏ Í‡Ì‡Î‡Ï («1&2»). Ç ˝ÚÓÏ ÂÊËÏ ÏÓÊÌÓ
Ó‰ÌÓ‚ÂÏÂÌÌÓ ÔËÌËχڸ ‰‡ÌÌ˚ ÚÓθÍÓ ÔÓ Í‡Ì‡Î‡Ï 1 Ë 2, ˜ÚÓ ‰‡ÂÚ
ˆËÙÓ‚ÓÏÛ ÔˇÌËÌÓ Clavinova ‚ÓÁÏÓÊÌÓÒÚ¸ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ‰‡ÌÌ˚Â
ÏÂÎÓ‰ËË, ÔÓÎÛ˜ÂÌÌ˚Â Ò ÍÓÏÔ¸˛Ú‡ ËÎË ÒÂÍ‚ÂÌÒÓ‡ ÔÓ Í‡Ì‡Î‡Ï 1 Ë 2.
èêàåÖóÄçàÖ
àÁÏÂÌÂÌË ÔÓ„‡ÏÏ˚ Ë ‰Û„Ë ÔÓ‰Ó·Ì˚ ÒÓÓ·˘ÂÌËfl Ì ‚ÎËfl˛Ú ̇
̇ÒÚÓÈÍË Ô‡ÌÂÎË CLP-240/230 ËÎË Á‚Û˜‡ÌË ÌÓÚ, ÔÓË„˚‚‡ÂÏ˚ı ̇
Í·‚ˇÚÛÂ.
èêàåÖóÄçàÖ
ÖÒÎË ‚Íβ˜ÂÌ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚È ÂÊËÏ ËÎË ‚˚ÔÓÎÌfl˛ÚÒfl ÓÔ‡ˆËË Ò
هȷÏË, ‰‡ÌÌ˚ ÔÓ MIDI-Í‡Ì‡Î‡Ï Ì ÔËÌËχ˛ÚÒfl (CLP-240).
F8.3: (CLP-240)/F7.3: (CLP-230)
îÛÌ͈Ëfl Local ON/OFF
îÛÌ͈Ëfl Local ‰‡ÂÚ ‚ÓÁÏÓÊÌÓÒÚ¸ ÛÔ‡‚ÎflÚ¸
‡·ÓÚÓÈ ‚ÒÚÓÂÌÌÓ„Ó ÚÓÌ-„ÂÌÂ‡ÚÓ‡ Ò
Í·‚ˇÚÛ˚ CLP-240/230, Ú.Â. ‚ÒÚÓÂÌÌ˚Â
ÚÂÏ·˚ ÏÓ„ÛÚ ÔÓË„˚‚‡Ú¸Òfl ÔflÏÓ Ì‡
Í·‚ˇÚÛÂ. ùÚÓ ‚ÓÁÏÓÊÌÓ, ÂÒÎË ÙÛÌ͈Ëfl Local
‚Íβ˜Â̇ (‚˚·‡Ì Ô‡‡ÏÂÚ Local Control On),
Ú.Â. ‚ÌÛÚÂÌÌËÈ ÚÓÌ-„ÂÌÂ‡ÚÓ ÍÓÌÚÓÎËÛÂÚÒfl
ÎÓ͇θÌÓ, Ò Í·‚ˇÚÛ˚ ËÌÒÚÛÏÂÌÚ‡.
ÖÒÎË ˝Ú‡ ÙÛÌ͈Ëfl ÓÚÍβ˜Â̇ (‚˚·‡Ì
Ô‡‡ÏÂÚ Local control OFF), ‚ÒÚÓÂÌÌ˚Â
ÚÂÏ·˚ Ì ·Û‰ÛÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚÒfl Ò Í·‚ˇÚÛ˚
CLP-240/230, ÌÓ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘‡fl MIDIËÌÙÓχˆËfl ‚Ò ‡‚ÌÓ ÔÂ‰‡ÂÚÒfl ˜ÂÂÁ ‡Á˙ÂÏ
MIDI OUT ÔË Ì‡Ê‡ÚËË Í·‚˯.
é‰ÌÓ‚ÂÏÂÌÌÓ Ò ˝ÚËÏ ‚ÒÚÓÂÌÌ˚È ÚÓÌ„ÂÌÂ‡ÚÓ ‡„ËÛÂÚ Ì‡ MIDI-ËÌÙÓχˆË˛,
ÔÓÎÛ˜ÂÌÌÛ˛ ˜ÂÂÁ ‡Á˙ÂÏ MIDI IN.
ÑˇԇÁÓÌ Á̇˜ÂÌËÈ:
ON/OFF
ëڇ̉‡Ú̇fl ÛÒÚ‡Ìӂ͇: ON
èêàåÖóÄçàÖ
àÌÙÓχˆË˛ Ó ÌÓχı ËÁÏÂÌÂÌËfl ÔÓ„‡ÏÏ˚ ‰Îfl ‚ÒÂı ÚÂÏ·Ó‚
CLP-240/230 ÒÏ. ̇ ÒÚ. 81 ‚ ‡Á‰ÂΠ«îÓÏ‡Ú MIDI-‰‡ÌÌ˚ı».
ÑˇԇÁÓÌ Á̇˜ÂÌËÈ:
ON/OFF
ëڇ̉‡Ú̇fl ÛÒÚ‡Ìӂ͇: ON
F8.5: (CLP-240)/F7.5: (CLP-230)
îÛÌ͈Ëfl Control Change ON/OFF
é·˚˜ÌÓ CLP-240/230 ‡„ËÛÂÚ Ì‡ ‰‡ÌÌ˚ ӷ
ËÁÏÂÌÂÌËË ˝ÎÂÏÂÌÚÓ‚ ÛÔ‡‚ÎÂÌËfl MIDI,
ÔÓÎÛ˜ÂÌÌ˚Â Ò ‚̯ÌÂ„Ó MIDI-ÛÒÚÓÈÒÚ‚‡ ËÎË
Í·‚ˇÚÛ˚, ‚ ÂÁÛθڇÚ ˜Â„Ó Ì‡ ÚÂÏ· ‚
ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÏ Í‡Ì‡Î ‚ÎËfl˛Ú Ô‰‡Î¸ Ë
‰Û„Ë ̇ÒÚÓÈÍË «ÛÔ‡‚ÎÂÌËfl», ÔÓÎÛ˜ÂÌÌ˚ Ò
˝ÚÓ„Ó ÛÒÚÓÈÒÚ‚‡ (̇ ÚÂÏ· Í·‚ˇÚÛ˚ ˝ÚÓ ÌÂ
‰ÂÈÒÚ‚ÛÂÚ).
èˇÌËÌÓ CLP-240/230 Ú‡ÍÊ ÔÂ‰‡ÂÚ
ËÌÙÓχˆË˛ Ó· ËÁÏÂÌÂÌËË ˝ÎÂÏÂÌÚÓ‚
ÛÔ‡‚ÎÂÌËfl MIDI-ËÌÚÂÙÂÈÒÓÏ ÔË
ËÒÔÓθÁÓ‚‡ÌËË Ô‰‡ÎË ËÎË ‰Û„Ëı ˝ÎÂÏÂÌÚÓ‚
ÛÔ‡‚ÎÂÌËfl.
ë ÔÓÏÓ˘¸˛ ˝ÚÓÈ ÙÛÌ͈ËË ÏÓÊÌÓ Á‡ÔÂÚËÚ¸
ÔËÂÏ Ë ÔÂ‰‡˜Û ‰‡ÌÌ˚ı Ó· ËÁÏÂÌÂÌËË
˝ÎÂÏÂÌÚÓ‚ ÛÔ‡‚ÎÂÌËfl, Ú‡Í ˜ÚÓ, ̇ÔËÏÂ,
Ô‰‡Î¸ Ë ‰Û„Ë ˝ÎÂÏÂÌÚ˚ ÛÔ‡‚ÎÂÌËfl
CLP-240/230 Ì ·Û‰ÛÚ ‚ÎËflÚ¸ ̇ ‚̯ÌÂÂ
MIDI-ÛÒÚÓÈÒÚ‚Ó.
èêàåÖóÄçàÖ
ÅÓΠÔÓ‰Ó·ÌÛ˛ ËÌÙÓχˆË˛ Ó· ËÁÏÂÌÂÌËË ˝ÎÂÏÂÌÚÓ‚ ÛÔ‡‚ÎÂÌËfl,
ÍÓÚÓ˚ ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ‚ CLP-240/230, ÒÏ. ‚ ‡Á‰ÂΠ«îÓχÚ
MIDI-‰‡ÌÌ˚ı» ̇ ÒÚ. 80.
ÑˇԇÁÓÌ Á̇˜ÂÌËÈ:
ON/OFF
ëڇ̉‡Ú̇fl ÛÒÚ‡Ìӂ͇: ON
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
53
CLP240E.book Page 54 Wednesday, April 6, 2005 4:02 PM
ç‡ÒÚÓÈÍË – ÍÌÓÔ͇ [FUNCTION]
F8.6: (CLP-240)/ F7.6: (CLP-230)
艇˜‡ ÒÓÒÚÓflÌËfl Ô‡ÌÂÎË (Panel/
Status Transmit)
F8.7: (CLP-240)/F7.7:
Initial Setup Send
ùÚ‡ ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ ÔÂ‰‡Ú¸ ‚Ò ÚÂÍÛ˘ËÂ
̇ÒÚÓÈÍË Ô‡ÌÂÎË CLP-240/230 (‚˚·‡ÌÌ˚È
ÚÂÏ· Ë Ú.‰.) ˜ÂÂÁ ‡Á˙ÂÏ MIDI OUT.
íÖêåàçéãéÉàü
чÌÌ˚Â Ó Ì‡ÒÚÓÈ͇ı Ô‡ÌÂÎË:
чÌÌ˚Â, ÍÓÚÓ˚ ÒÓ‰ÂÊ‡Ú Ì‡·Ó ̇ÒÚÓÂÍ Ô‡ÌÂÎË ‰Îfl ˆËÙÓ‚Ó„Ó
ÔˇÌËÌÓ Clavinova.
ÑÂÈÒÚ‚Ëfl
1. ç‡ÒÚÓÈÚ ԇÌÂθ ÛÔ‡‚ÎÂÌËfl ÔÓ Ò‚ÓÂÏÛ
Ê·Ì˲.
2. ëÓ‰ËÌËÚ ÔˇÌËÌÓ Clavinova Ò ÒÂÍ‚ÂÌÒÓÓÏ
˜ÂÂÁ ‡Á˙ÂÏ MIDI Ë Ì‡ÒÚÓÈÚ ÒÂÍ‚ÂÌÒÓ ̇
ÔËÂÏ Ì‡ÒÚÓÂÍ Ô‡ÌÂÎË.
3. èÂÂȉËÚ ‚ ÂÊËÏ Function Ë ‚˚·ÂËÚÂ
select
(CLP-240)/
(CLP-230).
4. ç‡ÊÏËÚ ÍÌÓÔÍÛ [+/YES] ‰Îfl ÔÂ‰‡˜Ë ‰‡ÌÌ˚ı
Ó Ì‡ÒÚÓÈ͇ı Ô‡ÌÂÎË.
èË ÛÒÔ¯ÌÓÈ ÔÂ‰‡˜Â ‰‡ÌÌ˚ı ̇
Ò‚ÂÚÓ‰ËÓ‰ÌÓÏ Ë̉Ë͇ÚÓ ÔÓfl‚ËÚÒfl
.
èêàåÖóÄçàÖ
ëÔËÒÓÍ ‰‡ÌÌ˚ı Ó Ì‡ÒÚÓÈ͇ı, Ô‰‡‚‡ÂÏ˚ı Ò ÔÓÏÓ˘¸˛ ˝ÚÓÈ ÙÛÌ͈ËË,
ÒÏ. ̇ ÒÚ. 81.
èêàåÖóÄçàÖ
èËÂÏ Ô‰‡ÌÌ˚ı ‰‡ÌÌ˚ı:
1. óÂÂÁ ‡Á˙ÂÏ MIDI ÒÓ‰ËÌËÚ ÔˇÌËÌÓ Clavinova Ò ÛÒÚÓÈÒÚ‚ÓÏ, ̇
ÍÓÚÓÓ ‡Ì ·˚ÎË Ô‰‡Ì˚ ‰‡ÌÌ˚Â Ó Ì‡ÒÚÓÈ͇ı.
2. 燘ÌËÚ Ô‰‡˜Û ‰‡ÌÌ˚ı Ó Ì‡ÒÚÓÈ͇ı Ò ÛÒÚÓÈÒÚ‚‡.
Clavinova ‡‚ÚÓχÚ˘ÂÒÍË ÔÓÎÛ˜ËÚ ‰‡ÌÌ˚Â, ÍÓÚÓ˚ ·Û‰ÛÚ ËÒÔÓθÁÓ‚‡Ì˚
‰Îfl ̇ÒÚÓÂÍ Ô‡ÌÂÎË.
(ÑÎfl ÛÒÔ¯ÌÓ„Ó ÔËÂχ ‰‡ÌÌ˚ı ÔËÌËχ˛˘Â ˆËÙÓ‚Ó ÔˇÌËÌÓ
Clavinova ‰ÓÎÊÌÓ ·˚Ú¸ ÚÓÈ Ê ÏÓ‰ÂÎË, ˜ÚÓ Ë ÔˇÌËÌÓ, Ò ÍÓÚÓÓ„Ó ‰‡ÌÌ˚Â
·˚ÎË Ô‰‡Ì˚ ̇ ÒÂÍ‚ÂÌÒÓ.)
èêàåÖóÄçàÖ
ÅÓΠ‰ÂڇθÌÛ˛ ËÌÙÓχˆË˛ Ó Ô‰‡˜Â Ë ÔËÂÏ ‰‡ÌÌ˚ı Ó Ì‡ÒÚÓÈ͇ı
˜ÂÂÁ ‡Á˙ÂÏ MIDI ÒÏ. ‚ ÛÍÓ‚Ó‰ÒÚ‚Â ÔÓθÁÓ‚‡ÚÂÎfl ÔÓ‰Íβ˜ÂÌÌÓ„Ó
ÛÒÚÓÈÒÚ‚‡ MIDI.
54
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
(CLP-230)
ùÚ‡ ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ ÓÚÔ‡‚ÎflÚ¸ ‰‡ÌÌ˚ Ó
̇ÒÚÓÈ͇ı Ô‡ÌÂÎË Ì‡ ÍÓÏÔ¸˛ÚÂ. ÖÒÎË ‰Ó
̇˜‡Î‡ Ë„˚ ‰‡ÌÌ˚Â Ó Ì‡ÒÚÓÈ͇ı Ô‡ÌÂÎË
ÔÂ‰‡˛ÚÒfl Ë Á‡ÔËÒ˚‚‡˛ÚÒfl ̇ ÛÒÚÓÈÒÚ‚Ó ‰Îfl
Á‡ÔËÒË Ë Ó·‡·ÓÚÍË MIDI-‰‡ÌÌ˚ı, ÔË
‚ÓÒÔÓËÁ‚‰ÂÌËË Á‡ÔËÒ‡ÌÌÓÈ ÏÂÎÓ‰ËË Ì‡
ËÌÒÚÛÏÂÌÚ ˝ÚË Ì‡ÒÚÓÈÍË ·Û‰ÛÚ
‚ÓÒÒÚ‡ÌÓ‚ÎÂÌ˚ ‡‚ÚÓχÚ˘ÂÒÍË. ùÚÛ ÙÛÌÍˆË˛
ÏÓÊÌÓ Ú‡ÍÊ ËÒÔÓθÁÓ‚‡Ú¸ ‰Îfl ËÁÏÂÌÂÌËfl
̇ÒÚÓÂÍ ÔÓ‰Íβ˜ÂÌÌÓ„Ó ÚÓÌ-„ÂÌÂ‡ÚÓ‡,
˜ÚÓ·˚ ÓÌË ÒÓÓÚ‚ÂÚÒÚ‚Ó‚‡ÎË Ì‡ÒÚÓÈ͇ÏË
ËÌÒÚÛÏÂÌÚ‡.
ÑÂÈÒÚ‚Ëfl
1. ç‡ÒÚÓÈÚ ԇÌÂθ ÛÔ‡‚ÎÂÌËfl ÔÓ Ò‚ÓÂÏÛ
Ê·Ì˲.
2. ëÓ‰ËÌËÚ ÔˇÌËÌÓ Clavinova Ò ÒÂÍ‚ÂÌÒÓÓÏ
˜ÂÂÁ ‡Á˙ÂÏ MIDI Ë Ì‡ÒÚÓÈÚ ÒÂÍ‚ÂÌÒÓ ̇
ÔËÂÏ Ì‡ÒÚÓÂÍ Ô‡ÌÂÎË.
3. èÂÂȉËÚ ‚ ÂÊËÏ Function Ë ‚˚·ÂËÚÂ
select
(CLP-240)/
(CLP-230).
4. ç‡ÊÏËÚ ÍÌÓÔÍÛ [+/YES] ‰Îfl ÔÂ‰‡˜Ë ‰‡ÌÌ˚ı
Ó Ì‡ÒÚÓÈ͇ı Ô‡ÌÂÎË.
èË ÛÒÔ¯ÌÓÈ ÔÂ‰‡˜Â ‰‡ÌÌ˚ı ̇
Ò‚ÂÚÓ‰ËÓ‰ÌÓÏ Ë̉Ë͇ÚÓ ÔÓfl‚ËÚÒfl
.
åÓÊÌÓ ÔÂ‰‡‚‡Ú¸ ÒÎÂ‰Û˛˘Ë ‰‡ÌÌ˚Â:
• Ç˚·Ó ÚÂÏ·‡
• íËÔ ‚Â·Â‡ˆËË
• ÉÎÛ·ËÌÛ ‚Â·Â‡ˆËË (ÍÌÓÔ͇ [REVERB])
• íËÔ ˝ÙÙÂÍÚ‡ (ÍÌÓÔ͇ [EFFECT])
• ÉÎÛ·ËÌÛ ˝ÙÙÂÍÚ‡ (ÍÌÓÔ͇ [EFFECT])
• íÓ˜ÍÛ ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚
• ç‡ÒÚÓÈÍË (F1)
• ëÏ¢ÂÌË ‚˚ÒÓÚ˚ Á‚Û͇ ‚ ÂÊËÏÂ
̇ÎÓÊÂÌËfl ÚÂÏ·Ó‚ (F3.2)
CLP240E.book Page 55 Wednesday, April 6, 2005 4:02 PM
ç‡ÒÚÓÈÍË – ÍÌÓÔ͇ [FUNCTION]
F9. (CLP-240) / F8. (CLP-230)
îÛÌ͈ËË ÒÓı‡ÌÂÌËfl
íÖêåàçéãéÉàü
ëÓı‡ÌÂÌËÂ:
çÂÍÓÚÓ˚ ̇ÒÚÓÈÍË, ̇ÔËÏÂ, ‚˚·‡ÌÌ˚È ÚÂÏ· Ë ÚËÔ Â‚Â·Â‡ˆËË,
ÏÓÊÌÓ ÒÓı‡ÌËÚ¸, ˜ÚÓ·˚ Ì ÔÓÚÂflÚ¸ Ëı ÔË ÓÚÍβ˜ÂÌËË ÔËÚ‡ÌËfl
ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova.
ÖÒÎË ÙÛÌ͈Ëfl ÒÓı‡ÌÂÌËfl ‚Íβ˜Â̇, ÔË ÓÚÍβ˜ÂÌËË ÔËÚ‡ÌËfl ̇ÒÚÓÈÍË
ÒÓı‡ÌflÚÒfl. ÖÒÎË ÙÛÌ͈Ëfl ÒÓı‡ÌÂÌËfl ÓÚÍβ˜Â̇, ÔË ‚˚Íβ˜ÂÌËË
ÔËÚ‡ÌËfl ̇ÒÚÓÈÍË ·Û‰ÛÚ ÔÓÚÂflÌ˚. Ç ˝ÚÓÏ ÒÎÛ˜‡Â ÔÓÒΠ‚Íβ˜ÂÌËfl
ÔËÚ‡ÌËfl ·Û‰ÛÚ ËÒÔÓθÁÓ‚‡Ú¸Òfl ̇ÒÚÓÈÍË ÔÓ ÛÏÓΘ‡Ì˲ (Ô‚Ó̇˜‡Î¸Ì˚Â
̇ÒÚÓÈÍË). (ëÔËÒÓÍ Ù‡·Ë˜Ì˚ı ̇ÒÚÓÂÍ ÔÓ ÛÏÓΘ‡Ì˲ ̇ıÓ‰ËÚÒfl ̇
ÒÚ. 78.)
• ê‚Â·Â‡ˆËfl (ON/OFF, ÚËÔ Ë „ÎÛ·Ë̇ ‰Îfl
Í‡Ê‰Ó„Ó ÚÂÏ·‡)
• ùÙÙÂÍÚ (ON/OFF, ÚËÔ Ë „ÎÛ·Ë̇ ‰Îfl ͇ʉӄÓ
ÚÂÏ·‡)
• LJˇˆËfl (CLP-240) (‰Îfl Í‡Ê‰Ó„Ó ÚÂÏ·‡)
• óÛ‚ÒÚ‚ËÚÂθÌÓÒÚ¸ Í ÒËΠ̇ʇÚËfl (‚Íβ˜‡fl
„ÓÏÍÓÒÚ¸ Ò Ô‡‡ÏÂÚÓÏ FIXED)
• åÂÚÓÌÓÏ (‰ÓÎfl, „ÓÏÍÓÒÚ¸ <
(̇ÒÚÓÈÍË
CLP-240)/
(CLP-230)>)
• ÉÓÏÍÓÒÚ¸ ÓÚÍβ˜ÂÌÌÓÈ Ô‡ÚËË ‚ÒÚÓÂÌÌÓÈ
ÏÂÎÓ‰ËË (̇ÒÚÓÈÍË (
<CLP-240>/
<CLP-230>)
F9.2:
(CLP-240)/F8.2: (CLP-230)
MIDI
é‰Ì‡ÍÓ Ò‡ÏË Ì‡ÒÚÓÈÍË ÒÓı‡ÌÂÌËfl,
ÒÓ‰ÂÊËÏÓ ÛÒÚÓÈÒÚ‚‡ ‰Îfl Á‡ÔËÒË ÏÂÎÓ‰ËÈ
ÔÓθÁÓ‚‡ÚÂÎfl Ë Ì‡·Ó ÒËÏ‚ÓÎÓ‚ ÒÓı‡Ìfl˛ÚÒfl
‚Ò„‰‡.
îÛÌ͈ËË MIDI (̇ÒÚÓÈÍË
îÛÌÍˆË˛ ÒÓı‡ÌÂÌËfl ÏÓÊÌÓ ‚Íβ˜‡Ú¸ Ë ‚˚Íβ˜‡Ú¸
‰Îfl ͇ʉÓÈ ËÁ ÒÎÂ‰Û˛˘Ëı „ÛÔÔ ÙÛÌ͈ËÈ
(ÔÓ‰ÂÊËÏÓ‚).
F9.3: (CLP-240)/F8.3:
‚˚ÒÓÚ˚ Á‚Û͇
1. èÂÂȉËÚ ‚ ÂÊËÏ Function Ë ‚˚·ÂËÚÂ
(CLP-240)/
(CLP-230).
2. ç‡ÊÏËÚ ÍÌÓÔÍÛ [+/YES], ˜ÚÓ·˚ ÔÂÂÈÚË ‚
ÔÓ‰ÂÊËÏ ÙÛÌ͈ËË ÒÓı‡ÌÂÌËfl, Á‡ÚÂÏ ËÒÔÓθÁÛÈÚÂ
ÍÌÓÔÍË [TEMPO/FUNCTION# ▼, ▲] ‰Îfl ‚˚·Ó‡
ÙÛÌ͈ËË.
ç‡ÊÏËÚ ÍÌÓÔÍÛ [–/NO] ËÎË [+/YES] ‰Îfl ‚Íβ˜ÂÌËfl
ËÎË ‚˚Íβ˜ÂÌËfl ÙÛÌ͈ËË ÒÓı‡ÌÂÌËfl.
<CLP-240>/
<CLP-230>)
(ÓÊˉ‡ÂÚÒfl ‰Îfl
<CLP-240>/
<CLP-230>)
(CLP-230)
ç‡ÒÚÓÈ͇
• í‡ÌÒÔÓÌËÓ‚‡ÌËÂ
• ç‡ÒÚÓÈ͇ ‚˚ÒÓÚ˚ Á‚Û͇ (̇ÒÚÓÈÍË
)
• Ç˚·Ó ÒÚÓfl (‚Íβ˜‡fl ÚÓÌËÍÛ) (
ÛÒÚ‡ÌÓ‚ÍË)
F9.4:
(CLP-240)/F8.4: (CLP-230)
ÑÛ„ËÂ
• ÑÛ„Ë ÙÛÌ͈ËË (̇ÒÚÓÈÍË
<CLP-240>/
<CLP-230>)
• ç‡ÒÚÓÈ͇ flÍÓÒÚË (BRILLIANCE)
• ç‡ÒÚÓÈ͇ DDE (CLP-240) (ON/OFF, „ÎÛ·Ë̇)
ÇÓÒÒÚ‡ÌÓ‚ÎÂÌË ̇ÒÚÓÂÍ ÔÓËÁ‚Ó‰ËÚÂÎfl
èÓ‰ÂÊËÏ˚
F9.1:
(CLP-240)/F8.1: (CLP-230)
íÂÏ·
F9.2:
(CLP-240)/F8.2: (CLP-230)
MIDI
F9.3: (CLP-240)/F8.3: (CLP-230) ç‡ÒÚÓÈ͇ ‚˚ÒÓÚ˚ Á‚Û͇
F9.4:
(CLP-240)/F8.4: (CLP-230)
ÑÛ„ËÂ
ÑˇԇÁÓÌ Á̇˜ÂÌËÈ:
ON/OFF
ëڇ̉‡Ú̇fl ÛÒÚ‡Ìӂ͇: íÂÏ·: OFF
MIDI – ÑÛ„ËÂ: ON
éÔËÒ‡ÌË ÔÓ‰ÂÊËÏÓ‚
F9.1:
(CLP-240)/F8.1: (CLP-230)
íÂÏ·
• íÂÏ· (Í·‚ˇÚÛ‡, ÂÊËÏ Ì‡ÎÓÊÂÌËfl, ÂÊËÏ
‡Á‰ÂÎÂÌËfl<CLP-240>)
• êÂÊËÏ Ì‡ÎÓÊÂÌËfl (ON/OFF, ÚÂÏ· Ë ÙÛÌ͈ËË
̇ÎÓÊÂÌËfl ‰Îfl ͇ʉÓÈ ÍÓÏ·Ë̇ˆËË ÚÂÏ·Ó‚)
• êÂÊËÏ ‡Á‰ÂÎÂÌËfl (CLP-240) (ON/OFF, ÚÂÏ·
Ë ÙÛÌ͈ËË ‡Á‰ÂÎÂÌËfl ‰Îfl ͇ʉÓÈ ÍÓÏ·Ë̇ˆËË
ÚÂÏ·Ó‚)
ÇÒ ̇ÒÚÓÈÍË ÂÊËχ ̇ÎÓÊÂÌËfl ÚÂÏ·Ó‚,
ÂÊËχ ‡Á‰ÂÎÂÌËfl, ‚Â·Â‡ˆËË, ˝ÙÙÂÍÚÓ‚,
˜Û‚ÒÚ‚ËÚÂθÌÓÒÚË Í ÒËΠ̇ʇÚËfl, ̇ÒÚÓÈÍË
‚˚ÒÓÚ˚ Á‚Û͇ Ë Ì‡ÒÚÓÈÍË, ËÁÏÂÌÂÌÌ˚Â
ÙÛÌ͈ËflÏË ÒÓı‡ÌÂÌËfl, ÏÓÊÌÓ ‚ÓÒÒÚ‡ÌÓ‚ËÚ¸ ‚
Á̇˜ÂÌËË ÔÓ ÛÏÓΘ‡Ì˲ (Á̇˜ÂÌËË, Á‡‰‡ÌÌÓÏ
ÔÓËÁ‚Ó‰ËÚÂÎÂÏ), Û‰ÂÊË‚‡fl Í·‚Ë¯Û ÑÓ ÔflÚÓÈ
ÓÍÚ‡‚˚ (҇χfl Ô‡‚‡fl Í·‚˯‡ ̇ Í·‚ˇÚÛÂ) Ë
ÔÓ‚ÂÌÛ‚ ÔÂÂÍβ˜‡ÚÂθ [POWER] ‚ ÔÓÎÓÊÂÌË ON.
ùÚ‡ ÓÔÂ‡ˆËfl Ú‡ÍÊ ÒÚË‡ÂÚ ‚Ò Á‡ÔËÒ‡ÌÌ˚Â
ÏÂÎÓ‰ËË ÔÓθÁÓ‚‡ÚÂÎfl Ë ÛÒڇ̇‚ÎË‚‡ÂÚ ‚ÒÂ
̇ÒÚÓÈÍË ÒÓı‡ÌÂÌËfl (F9 <CLP-240>/F8 <CLP230>) ‚ Òڇ̉‡ÚÌ˚Â. (ëÔËÒÓÍ Ì‡ÒÚÓÂÍ
ÔÓËÁ‚Ó‰ËÚÂÎfl ÒÏ. ̇ ÒÚ. 78.)
F9.5 (CLP-240)/ F8.5 (CLP-230)
ç‡·Ó ÒËÏ‚ÓÎÓ‚
ÖÒÎË ÏÂÎӉ˲ ÌÂθÁfl Ë Á‡„ÛÁËÚ¸, ‚‡Ï, ‚ÓÁÏÓÊÌÓ,
ÔˉÂÚÒfl ËÁÏÂÌËÚ¸ ̇ÒÚÓÈÍÛ Ì‡·Ó‡ ÒËÏ‚ÓÎÓ‚.
ÑˇԇÁÓÌ Á̇˜ÂÌËÈ:
En (ÄÌ„ÎËÈÒÍËÈ)/JA
(üÔÓÌÒÍËÈ)
ëڇ̉‡Ú̇fl ÛÒÚ‡Ìӂ͇: En
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
55
CLP240E.book Page 56 Wednesday, April 6, 2005 4:02 PM
èÓ‰Íβ˜ÂÌËÂ
èÓ‰Íβ˜ÂÌËÂ
ê‡Á˙ÂÏ˚
ÇçàåÄçàÖ!
è‰ ÔÓ‰Íβ˜ÂÌËÂÏ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova Í ‰Û„ËÏ ÛÒÚÓÈÒÚ‚‡Ï ‚˚Íβ˜ËÚ ÔËÚ‡ÌË ‚ÒÂı ÒÓ‰ËÌflÂÏ˚ı ÍÓÏÔÓÌÂÌÚÓ‚. èÂʉÂ
˜ÂÏ ‚Íβ˜‡Ú¸ ËÎË ‚˚Íβ˜‡Ú¸ Ó·ÓÛ‰Ó‚‡ÌËÂ, ÒΉÛÂÚ ÛÒÚ‡ÌÓ‚ËÚ¸ ÏËÌËχθÌÛ˛ „ÓÏÍÓÒÚ¸ (0). Ç ÔÓÚË‚ÌÓÏ ÒÎÛ˜‡Â Ó·ÓÛ‰Ó‚‡ÌË ÏÓÊÂÚ
·˚Ú¸ ÔÓ‚ÂʉÂÌÓ, ‡ ‚˚ ÏÓÊÂÚ ÔÓÎÛ˜ËÚ¸ Û‰‡ ˝ÎÂÍÚ˘ÂÒÍËÏ ÚÓÍÓÏ.
1
2
CLP-240
(LEVEL FIXED)
R
L/L+R
R
L
AUX IN
AUX OUT
SELECT
USB TO DEVICE
USB
3
(Ò΂‡ ̇ Ô‡ÌÂÎË)
TO DEVICE
3
L
5
4
THRU
OUT
AUX IN
1
2
CLP-230
TO HOST
IN
USB
L/L+R
R
AUX OUT
THRU
MIDI
MIDI
(LEVEL FIXED)
R
OUT
IN
TO HOST
5
4
1 ê‡Á˙ÂÏ˚ AUX OUT [L] [R] (LEVEL FIXED)
ùÚË ‡Á˙ÂÏ˚ ÏÓÊÌÓ ÔÓ‰Íβ˜‡Ú¸ Í ÒÚÂÂÓÒËÒÚÂÏ ‰Îfl ÛÒËÎÂÌËfl Á‚Û͇
Clavinova ËÎË Í Í‡ÒÒÂÚÌÓÏÛ Ï‡„ÌËÚÓÙÓÌÛ ‰Îfl Á‡ÔËÒË ‚‡¯Â„Ó
ËÒÔÓÎÌÂÌËfl. é·‡ÚËÚÂÒ¸ Í ÒıÂÏÂ Ë ËÒÔÓθÁÛÈÚ ‰Îfl ÔÓ‰Íβ˜ÂÌËfl
‡Û‰ËÓ͇·ÂÎË.
èêàåÖóÄçàÖ
êÂÍÓÏẨÛÂÚÒfl ËÒÔÓθÁÓ‚‡Ú¸
‡Û‰ËÓ͇·ÂÎË Ë ¯ÚÂÍÂ˚ Ò
ÒÓÔÓÚË‚ÎÂÌËÂÏ, ·ÎËÁÍËÏ Í ÌÛβ.
ÇçàåÄçàÖ!
ÖÒÎË ÔˇÌËÌÓ Clavinova ÔÓ‰Íβ˜ÂÌÓ Í ‚̯ÌÂÈ ‡Û‰ËÓÒËÒÚÂÏ ˜ÂÂÁ ‚˚ıÓ‰˚ AUX OUT, ÒΉÛÂÚ Ò̇˜‡Î‡
‚Íβ˜‡Ú¸ ÔËÚ‡ÌË Clavinova Ë ÚÓθÍÓ ÔÓÒΠ˝ÚÓ„Ó – ÔËÚ‡ÌË ‚̯ÌÂÈ ‡Û‰ËÓÒËÒÚÂÏ˚. Ç˚Íβ˜‡Ú¸ ÔËÚ‡ÌËÂ
ÒΉÛÂÚ ‚ Ó·‡ÚÌÓÏ ÔÓfl‰ÍÂ.
èêàåÖóÄçàÖ
èÓÎÓÊÂÌË ÔÓÎÁÛÌ͇ [MASTER
VOLUME] ÔˇÌËÌÓ Clavinova Ì ‚ÎËflÂÚ
̇ ‚˚ıÓ‰ÌÓÈ ÒË„Ì‡Î Ò ‡Á˙ÂÏÓ‚ AUX
OUT (LEVEL FIXED).
èêàåÖóÄçàÖ
ÖÒÎË Á‚ÛÍ ËÁ ‡Á˙ÂÏÓ‚ AUX OUT
̇ԇ‚ÎflÂÚÒfl ‚ ‡Á˙ÂÏ˚ AUX IN,
‚ıÓ‰fl˘ËÈ Ò˄̇Π·Û‰ÂÚ
‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òfl ‰Ë̇ÏËÍÓÏ CLP.
ÉÓÏÍÓÒÚ¸ ‚˚ıÓ‰ÌÓ„Ó Ò˄̇· ÏÓÊÂÚ
·˚Ú¸ ˜ÂÁÏÂÌÓ ‚˚ÒÓÍÓÈ.
ÖÒÎË ÒÓ‰ËÌËÚ¸
ËÌÒÚÛÏÂÌÚ Ë ‡Û‰ËÓÒËÒÚÂÏÛ Ò ÔÓÏÓ˘¸˛ ¯ÚÂÍÂÓ‚ RCA («Ú˛Î¸Ô‡Ì˚»), ̇ ‚̯ÌÂÂ
ÛÒÚÓÈÒÚ‚Ó ÔÓ‰‡ÂÚÒfl Ò˄̇ΠÙËÍÒËÓ‚‡ÌÌÓ„Ó ÛÓ‚Ìfl ÌÂÁ‡‚ËÒËÏÓ ÓÚ ÔÓÎÓÊÂÌËfl
ÔÓÎÁÛÌ͇ [MASTER VOLUME].
56
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
CLP240E.book Page 57 Wednesday, April 6, 2005 4:02 PM
èÓ‰Íβ˜ÂÌËÂ
2 ê‡Á˙ÂÏ˚ AUX IN [R], [L/L+R]
ä ˝ÚËÏ ‡Á˙ÂÏ‡Ï ÏÓÊÌÓ ÔÓ‰ÒÓ‰ËÌflÚ¸ ÒÚÂÂÓ‚˚‚Ó‰˚ ‰Û„Ó„Ó
ËÌÒÚÛÏÂÌÚ‡, ˜ÚÓ ÔÓÁ‚ÓÎflÂÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ Á‚ÛÍ ‰Û„Ó„Ó
ËÌÒÚÛÏÂÌÚ‡ ˜ÂÂÁ ‰Ë̇ÏËÍË Clavinova. é·‡ÚËÚÂÒ¸ Í ÒıÂÏ Ë
ËÒÔÓθÁÛÈÚ ‰Îfl ÔÓ‰Íβ˜ÂÌËfl ‡Û‰ËÓ͇·ÂÎË.
ÇçàåÄçàÖ!
èêàåÖóÄçàÖ
èÓÎÓÊÂÌË ÔÓÎÁÛÌ͇ [MASTER
VOLUME] ÔˇÌËÌÓ Clavinova ‚ÎËflÂÚ
̇ ‚ıÓ‰ÌÓÈ Ò˄̇Π‡Á˙ÂÏÓ‚ AUX IN, ‚
ÚÓ ‚ÂÏfl Í‡Í Ì‡ÒÚÓÈÍË [BRILLIANCE],
[REVERB] Ë [EFFECT] Ì ‚ÎËfl˛Ú.
ÖÒÎË Í ‚ıÓ‰‡Ï AUX IN ÔˇÌËÌÓ Clavinova ÔÓ‰Íβ˜ÂÌÓ ‚̯Ì ÛÒÚÓÈÒÚ‚Ó, Ò̇˜‡Î‡ ‚Íβ˜‡ÈÚ ÔËÚ‡ÌË ˝ÚÓ„Ó
‚̯ÌÂ„Ó ÛÒÚÓÈÒÚ‚‡, ‡ Á‡ÚÂÏ ÔËÚ‡ÌË Clavinova. Ç˚Íβ˜‡Ú¸ ÔËÚ‡ÌË ÒΉÛÂÚ ‚ Ó·‡ÚÌÓÏ ÔÓfl‰ÍÂ.
èêàåÖóÄçàÖ
Clavinova
R
L/L+R
AUX IN
AUX IN
ÖÒÎË ˆËÙÓ‚Ó ÔˇÌËÌÓ Clavinova
ÌÂÓ·ıÓ‰ËÏÓ ÒÓ‰ËÌËÚ¸ Ò
ÏÓÌÓÙÓÌ˘ÂÒÍËÏ ÛÒÚÓÈÒÚ‚ÓÏ,
ËÒÔÓθÁÛÈÚ ‰Îfl ÔÓ‰Íβ˜ÂÌËfl ÚÓθÍÓ
‡Á˙ÂÏ AUX IN [L/L+R].
AUX OUT
3 ê‡Á˙ÂÏ USB [TO DEVICE] (CLP-240)
ùÚÓÚ ‡Á˙ÂÏ Ô‰̇Á̇˜ÂÌ ‰Îfl ÔÓ‰Íβ˜ÂÌËfl USB-ÛÒÚÓÈÒÚ‚
ı‡ÌÂÌËfl ‰‡ÌÌ˚ı.
ëÏ. «èÓ‰Íβ˜ÂÌË USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËfl ‰‡ÌÌ˚ı» ̇ ÒÚ. 58.
4 ê‡Á˙ÂÏ USB [TO HOST]
ùÚÓÚ ‡Á˙ÂÏ ÔÓÁ‚ÓÎflÂÚ ÔÓ‰Íβ˜ËÚ¸Òfl Í èä ̇ÔflÏÛ˛.
ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl ÒÏ. ‚ ‡Á‰ÂΠ«èÓ‰Íβ˜ÂÌËÂ
ÔÂÒÓ̇θÌÓ„Ó ÍÓÏÔ¸˛ÚÂ‡» ̇ ÒÚ. 60.
5 ê‡Á˙ÂÏ˚ MIDI [IN] [OUT] [THRU]
ÑÎfl ÔÓ‰Íβ˜ÂÌËfl ‚̯ÌËı MIDI-ÛÒÚÓÈÒÚ‚ ˜ÂÂÁ ˝ÚË ‡Á˙ÂÏ˚
ËÒÔÓθÁÛÈÚ MIDI-͇·ÂÎË.
MIDI [IN]: ÑÎfl ÔËÂχ MIDI-‰‡ÌÌ˚ı.
MIDI [OUT]: ÑÎfl ÔÂ‰‡˜Ë MIDI-‰‡ÌÌ˚ı.
MIDI [THRU]: ÑÎfl ÔÂ‰‡˜Ë ‰‡ÌÌ˚ı, ÔÓÎÛ˜ÂÌÌ˚ı ˜ÂÂÁ ‡Á˙ÂÏ MIDI
[IN], ·ÂÁ ËÁÏÂÌÂÌËfl.
é MIDI-ËÌÚÂÙÂÈÒÂ
MIDI (ˆËÙÓ‚ÓÈ ËÌÚÂÙÂÈÒ ‰Îfl ÏÛÁ˚͇θÌ˚ı ËÌÒÚÛÏÂÌÚÓ‚) – ˝ÚÓ
Òڇ̉‡ÚÌ˚È ÙÓÏ‡Ú ÔÂ‰‡˜Ë Ë ÔËÂχ ‰‡ÌÌ˚ı. éÌ ÔÓÁ‚ÓÎflÂÚ ÔÂÂÏ¢‡Ú¸
‡·Ó˜Ë ‰‡ÌÌ˚Â Ë ÍÓχ̉˚ ÏÂÊ‰Û MIDI-ÛÒÚÓÈÒÚ‚‡ÏË Ë ÔÂÒÓ̇θÌ˚ÏË
ÍÓÏÔ¸˛ÚÂ‡ÏË. èË ÔÓÏÓ˘Ë MIDI-ËÌÚÂÙÂÈÒ‡ ÏÓÊÌÓ ÛÔ‡‚ÎflÚ¸ MIDIÛÒÚÓÈÒÚ‚ÓÏ, ÔÓ‰Íβ˜ÂÌÌ˚Ï Í ÔˇÌËÌÓ Clavinova, ËÎË ÛÔ‡‚ÎflÚ¸ ÔˇÌËÌÓ
Clavinova Ò ÔÓ‰Íβ˜ÂÌÌÓ„Ó MIDI-ÛÒÚÓÈÒÚ‚‡ ËÎË ÍÓÏÔ¸˛ÚÂ‡.
èêàåÖóÄçàÖ
àÌÒÚÛÏÂÌÚ Ó·ÓÛ‰Ó‚‡Ì ‡Á˙ÂχÏË
USB ‰‚Ûı ÚËÔÓ‚: USB [TO DEVICE] Ë
USB [TO HOST]. ÅÛ‰¸Ú ‚ÌËχÚÂθÌ˚,
Ì ÔÂÂÔÛÚ‡ÈÚ ˝ÚË ÔÓÚ˚ Ë
ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ë ‡Á˙ÂÏ˚ ͇·ÂÎfl.
èÓ‰Íβ˜‡ÈÚÂ Í ‡Á˙ÂÏ‡Ï ÚÓθÍÓ
ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ë ¯ÚÂÍÂ˚.
èêàåÖóÄçàÖ
ꇷӘË MIDI-‰‡ÌÌ˚Â Ë ÍÓχ̉˚
Ô‰‡˛ÚÒfl ‚ ‚ˉ ˆËÙÓ‚˚ı
Á̇˜ÂÌËÈ.
èêàåÖóÄçàÖ
í‡Í Í‡Í MIDI-‰‡ÌÌ˚Â, ÍÓÚÓ˚ ÏÓÊÌÓ
Ô‰‡‚‡Ú¸ Ë ÔÓÎÛ˜‡Ú¸, Á‡‚ËÒflÚ ÓÚ
ÚËÔ‡ MIDI-ÛÒÚÓÈÒÚ‚‡, Ôӂ¸Ú ÔÓ
Ú‡·Îˈ ı‡‡ÍÚÂËÒÚËÍ MIDIËÌÚÂÙÂÈÒ‡, ͇ÍË ‰‡ÌÌ˚Â Ë ÍÓχ̉˚
ÏÓÊÂÚ Ô‰‡‚‡Ú¸ Ë ÔËÌËχڸ ‚‡¯Â
ÛÒÚÓÈÒÚ‚Ó. 퇷ÎËˆÛ ı‡‡ÍÚÂËÒÚËÍ
MIDI-ËÌÚÂÙÂÈÒ‡ ‰Îfl Clavinova ÒÏ. ̇
ÒÚ. 84.
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
57
CLP240E.book Page 58 Wednesday, April 6, 2005 4:02 PM
èÓ‰Íβ˜ÂÌËÂ
èÓ‰Íβ˜ÂÌËÂ Í USB-ÛÒÚÓÈÒÚ‚Û ı‡ÌÂÌËfl
‰‡ÌÌ˚ı (CLP-240)
èÓ‰Íβ˜Ë‚ Í ËÌÒÚÛÏÂÌÚÛ ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl ‰‡ÌÌ˚ı Ò USB-ËÌÚÂÙÂÈÒÓÏ Ò ÔÓÏÓ˘¸˛ Òڇ̉‡ÚÌÓ„Ó Í‡·ÂÎfl USB, ‚˚
ÏÓÊÂÚ ÒÓı‡ÌflÚ¸ ̇ ˝ÚÓ ÛÒÚÓÈÒÚ‚Ó ÒÓÁ‰‡ÌÌ˚ ‚‡ÏË ‰‡ÌÌ˚Â, ‡ Ú‡ÍÊ ҘËÚ˚‚‡Ú¸ ‰‡ÌÌ˚Â Ò ÔÓ‰Íβ˜ÂÌÌÓ„Ó ÛÒÚÓÈÒÚ‚‡.
ëÓ‚ÏÂÒÚËÏ˚ USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËfl ‰‡ÌÌ˚ı
USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËfl ‰‡ÌÌ˚ı, Ú‡ÍËÂ, Í‡Í ‰ËÒÍÓ‚Ó‰ „Ë·ÍËı ‰ËÒÍÓ‚, ÊÂÒÚÍËÈ ‰ËÒÍ,
‰ËÒÍÓ‚Ó‰ ÍÓÏÔ‡ÍÚ-‰ËÒÍÓ‚, ÛÒÚÓÈÒÚ‚Ó ˜ÚÂÌËfl/Á‡ÔËÒË Ùν¯-͇Ú Ë ‰. ‰ÓÎÊÌ˚
ÔÓ‰Íβ˜‡Ú¸Òfl Í ‚˚ıÓ‰ÌÓÏÛ ‡Á˙ÂÏÛ USB [TO DEVICE]. ÑÛ„Ë ÛÒÚÓÈÒÚ‚‡ Ò ËÌÚÂÙÂÈÒÓÏ
USB (Ú‡ÍËÂ, Í‡Í ÍÓÏÔ¸˛ÚÂÌ˚ Í·‚ˇÚÛ˚ ËÎË Ï˚¯Ë) ËÒÔÓθÁÓ‚‡Ú¸ ÌÂθÁfl.
àÌÒÚÛÏÂÌÚ Ì ӷflÁ‡ÚÂθÌÓ ÔÓ‰‰ÂÊË‚‡ÂÚ ‚Ò ÒÛ˘ÂÒÚ‚Û˛˘Ë ̇ ˚ÌÍ USBÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËfl ‰‡ÌÌ˚ı. äÓÔÓ‡ˆËfl Yamaha Ì „‡‡ÌÚËÛÂÚ ‡·ÓÚÛ
ÔËÓ·ÂÚÂÌÌÓ„Ó ‚‡ÏË USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËfl ‰‡ÌÌ˚ı. èÂʉ ˜ÂÏ ÔËÓ·ÂÒÚË
USB-ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl ‰‡ÌÌ˚ı, ÔÓÍÓÌÒÛθÚËÛÈÚÂÒ¸ Ò „ËÓ̇θÌ˚Ï
Ô‰ÒÚ‡‚ËÚÂÎÂÏ Yamaha ËÎË ‡‚ÚÓËÁÓ‚‡ÌÌ˚Ï ‡ÒÔÓÒÚ‡ÌËÚÂÎÂÏ (ÒÔËÒÓÍ ÒÏ. ‚
ÍÓ̈ ÛÍÓ‚Ó‰ÒÚ‚‡ ÔÓθÁÓ‚‡ÚÂÎfl) ËÎË ÔÓÒÂÚËÚ ÒÎÂ‰Û˛˘Û˛ ‚·-ÒÚ‡ÌˈÛ
http://music.yamaha.com/CLP-240/
http://music.yamaha.com/CLP-230/
ÇçàåÄçàÖ!
ç ÒΉÛÂÚ ÒÎ˯ÍÓÏ ˜‡ÒÚÓ ‚Íβ˜‡Ú¸ Ë ‚˚Íβ˜‡Ú¸ ÔËÚ‡ÌË USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËfl ‰‡ÌÌ˚ı ËÎË ÔÓ‰Íβ˜‡Ú¸ Ë ÓÚÍβ˜‡Ú¸
͇·Âθ. ùÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í Á‡‚ËÒ‡Ì˲ ËÌÒÚÛÏÂÌÚ‡. ÇÓ ‚ÂÏfl ‚˚ÔÓÎÌÂÌËfl ÓÔ‡ˆËÈ Ò ‰‡ÌÌ˚ÏË (ÒÓı‡ÌÂÌËÂ, ÍÓÔËÓ‚‡ÌËÂ
ËÎË Û‰‡ÎÂÌËÂ) çÖ ÓÚÒÓ‰ËÌflÈÚ ͇·Âθ USB, çÖ ËÁ‚ÎÂ͇ÈÚ ÌÓÒËÚÂθ ËÁ ÛÒÚÓÈÒÚ‚‡ Ë çÖ ‚˚Íβ˜‡ÈÚ ÔËÚ‡ÌË ÌË Ó‰ÌÓ„Ó ËÁ
ÛÒÚÓÈÒÚ‚. ùÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓ‚ÂʉÂÌ˲ ‰‡ÌÌ˚ı ̇ Ó‰ÌÓÏ ËÎË Ó·ÓËı ÛÒÚÓÈÒÚ‚‡ı.
èÓ‰Íβ˜ÂÌË USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËfl ‰‡ÌÌ˚ı
Ç ËÌÒÚÛÏÂÌÚ ËÏÂÂÚÒfl ‰‚‡ ‚˚ıÓ‰Ì˚ı ‡Á˙Âχ USB [TO DEVICE]: Ó‰ËÌ
‡ÒÔÓÎÓÊÂÌ ‚ ΂ÓÈ ˜‡ÒÚË Ô‡ÌÂÎË, ‚ÚÓÓÈ – ‚ÌËÁÛ.
ê‡Á˙ÂÏ USB [TO DEVICE] A
Ç˚·ÂËÚ ÌÛÊÌ˚È ‡Á˙ÂÏ
ê‡Á˙ÂÏ USB [TO DEVICE] Ç
íÂÏ Ì ÏÂÌÂÂ, Ó·‡ ‡Á˙Âχ ÓÚÌÓÒflÚÒfl Í Ó‰ÌÓÏÛ ÔÓÚÛ, Ëı ÌÂθÁfl
ËÒÔÓθÁÓ‚‡Ú¸ Ó‰ÌÓ‚ÂÏÂÌÌÓ. Ç˚·ÂËÚ ÌÛÊÌ˚È ‡Á˙ÂÏ Ò ÔÓÏÓ˘¸˛
ÔÂÂÍβ˜‡ÚÂÎfl [SELECT]. ÖÒÎË ‚˚·‡ÌÓ ÔÓÎÓÊÂÌË «A», ‡·ÓÚ‡ÂÚ ‡Á˙ÂÏ ‚
΂ÓÈ ˜‡ÒÚË Ô‡ÌÂÎË, ÂÒÎË «B» – ÌËÊÌËÈ ‡Á˙ÂÏ.
ÇÓ ‚ÂÏfl ÛÒÚ‡ÌÓ‚ÍË ÛÒÚÓÈÒÚ‚‡ ÏË„‡ÂÚ Ë̉Ë͇ÚÓ FILE «LOAD». èÓ
Á‡‚Â¯ÂÌËË ÛÒÚ‡ÌÓ‚ÍË Ë̉Ë͇ÚÓ „‡ÒÌÂÚ.
ÇçàåÄçàÖ!
äÓ„‰‡ ËÌÒÚÛÏÂÌÚ ‚˚ÔÓÎÌflÂÚ ÓÔ‡ˆËË Ò ‰‡ÌÌ˚ÏË (̇ÔËÏÂ, ÒÓı‡ÌÂÌËÂ, ˝ÍÒÔÓÚ, Á‡„ÛÁÍÛ Ë
ÙÓχÚËÓ‚‡ÌËÂ), çÖ ËÒÔÓθÁÛÈÚ ÔÂÂÍβ˜‡ÚÂθ [SELECT]. ùÚÓ ÏÓÊÂÚ Ôӂ‰ËÚ¸ ÌÓÒËÚÂθ ËÎË ‰‡ÌÌ˚Â.
îÓχÚËÓ‚‡ÌË USB-ÌÓÒËÚÂÎfl
èË ‡·ÓÚÂ Ò Ù‡È·ÏË Ò ÔÓ‰Íβ˜ÂÌÌ˚Ï USB-ÛÒÚÓÈÒÚ‚ÓÏ ı‡ÌÂÌËfl
‰‡ÌÌ˚ı ÏÓÊÂÚ ÔÓfl‚ËÚ¸Òfl ÒÓÓ·˘ÂÌË «For», Û͇Á˚‚‡˛˘ÂÂ, ˜ÚÓ
ÛÒÚÓÈÒÚ‚Ó ËÎË ÌÓÒËÚÂθ Ì ÓÚÙÓχÚËÓ‚‡Ì˚. Ç ˝ÚÓÏ ÒÎÛ˜‡Â
ÓÚÙÓχÚËÛÈÚ ÌÓÒËÚÂθ (ÒÚ. 39).
ÇçàåÄçàÖ!
èË ÙÓχÚËÓ‚‡ÌËË ‚Ò ‡Ì Á‡ÔËÒ‡ÌÌ˚ ‰‡ÌÌ˚ ۉ‡Îfl˛ÚÒfl. ÑÂÈÒÚ‚ÛÈÚ ÓÒÚÓÓÊÌÓ.
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
èêàåÖóÄçàÖ
àÒÔÓθÁÛÈÚ ÚÓθÍÓ Ô·Ú˚ ID
SmartMedia.
èêàåÖóÄçàÖ
äÓ΢ÂÒÚ‚Ó USB-ÛÒÚÓÈÒÚ‚
ı‡ÌÂÌËfl ‰‡ÌÌ˚ı
ä ‡Á˙ÂÏÛ USB [TO DEVICE] ÏÓÊÌÓ
ÔÓ‰Íβ˜ËÚ¸ ÚÓθÍÓ Ó‰ÌÓ USBÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl ‰‡ÌÌ˚ı.
àÌÒÚÛÏÂÌÚ ÏÓÊÂÚ ‡ÒÔÓÁ̇ڸ ÚÓθÍÓ
Ó‰ËÌ Îӄ˘ÂÒÍËÈ ‰ËÒÍ Ì‡ USBÛÒÚÓÈÒÚ‚Â ı‡ÌÂÌËfl ‰‡ÌÌ˚ı. ÖÒÎË Ì‡
USB-ÛÒÚÓÈÒÚ‚Â ı‡ÌÂÌËfl ‰‡ÌÌ˚ı
ËÏÂÂÚÒfl ·ÓΠӉÌÓ„Ó ‡Á‰Â·, ÚÓθÍÓ
Ó‰ËÌ ·Û‰ÂÚ ‡‚ÚÓχÚ˘ÂÒÍË ‚˚·‡Ì Ë
‡ÒÔÓÁ̇Ì.
èêàåÖóÄçàÖ
ÖÒÎË USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËfl
‰‡ÌÌ˚ı ÔÓ‰Íβ˜ÂÌ˚ Í ‰‚ÛÏ ÔÓÚ‡Ï
USB [TO DEVICE], ÛÒÚÓÈÒÚ‚‡ ÏÓ„ÛÚ
‡·ÓÚ‡Ú¸ Ì‚ÂÌÓ.
èêàåÖóÄçàÖ
SELECT
USB TO DEVICE
58
èêàåÖóÄçàÖ
ÑËÒÍÓ‚Ó‰ ÍÓÏÔ‡ÍÚ-‰ËÒÍÓ‚
ïÓÚfl Ò ÔÓÏÓ˘¸˛ ÔË¯Û˘Ëı ‰ËÒÍÓ‚Ó‰Ó‚
ÍÓÏÔ‡ÍÚ-‰ËÒÍÓ‚ ÏÓÊÌÓ Ò˜ËÚ˚‚‡Ú¸
‰‡ÌÌ˚ ‚ ËÌÒÚÛÏÂÌÚ, Ëı ÌÂθÁfl
ËÒÔÓθÁÓ‚‡Ú¸ ‰Îfl ÒÓı‡ÌÂÌËfl.
çÂÒÏÓÚfl ̇ ÚÓ, ˜ÚÓ ËÌÒÚÛÏÂÌÚ
ÔÓ‰‰ÂÊË‚‡ÂÚ Òڇ̉‡Ú USB 1.1,
ÏÓÊÌÓ ÔÓ‰Íβ˜ËÚ¸ Í ÌÂÏÛ USBÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl ‰‡ÌÌ˚ı 2.0.
é‰Ì‡ÍÓ ÒÍÓÓÒÚ¸ Ô‰‡˜Ë ‰‡ÌÌ˚ı
·Û‰ÂÚ ÒÓÓÚ‚ÂÚÒÚ‚Ó‚‡Ú¸ Òڇ̉‡ÚÛ
USB 1.1.
CLP240E.book Page 59 Wednesday, April 6, 2005 4:02 PM
èÓ‰Íβ˜ÂÌËÂ
ᇢËÚ‡ ‰‡ÌÌ˚ı (Á‡˘ËÚ‡ ÓÚ Á‡ÔËÒË):
óÚÓ·˚ Ô‰ÓÚ‚‡ÚËÚ¸ ÒÎÛ˜‡ÈÌÓ ÒÚË‡ÌË ‰‡ÌÌ˚ı, ÔËÏÂÌflÈÚ Á‡˘ËÚÛ ÓÚ Á‡ÔËÒË,
ÍÓÚÓÓÈ ÓÒ̇˘ÂÌÓ Í‡Ê‰Ó ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl ËÎË ÌÓÒËÚÂθ. ÖÒÎË ‚˚ ÒÓı‡ÌflÂÚÂ
‰‡ÌÌ˚ ̇ USB-ÛÒÚÓÈÒÚ‚Ó, ۷‰ËÚÂÒ¸, ˜ÚÓ Á‡˘ËÚ‡ ÓÚ Á‡ÔËÒË ÓÚÍβ˜Â̇.
èÓÒÏÓÚ ‰‡ÌÌ˚ı Ò USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËfl ‰‡ÌÌ˚ı
óÚÓ·˚ ÔÓÒÏÓÚÂÚ¸ ‰‡ÌÌ˚Â Ò USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËfl ‰‡ÌÌ˚ı ̇
‰ËÒÔΠCLP, ̇ÊÏËÚ ÌÂÒÍÓθÍÓ ‡Á ÍÌÓÔÍÛ [SONG SELECT], ÔÓ͇ ÌÂ
Á‡„ÓËÚÒfl Ë̉Ë͇ÚÓ «USER» (ÒÚ. 42-43).
êÂÁ‚ÌÓ ÍÓÔËÓ‚‡ÌË ‰‡ÌÌ˚ı ̇ ÍÓÏÔ¸˛ÚÂ
■ êÂÁ‚ÌÓ ÍÓÔËÓ‚‡ÌË ‰‡ÌÌ˚ı Ò ËÌÒÚÛÏÂÌÚ‡ ̇ ÍÓÏÔ¸˛ÚÂ
èÓÒΠÚÓ„Ó Í‡Í ‚˚ ÒÓı‡ÌËÎË ‰‡ÌÌ˚ ̇ USB-ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl ‰‡ÌÌ˚ı,
ÏÓÊÌÓ ÒÍÓÔËÓ‚‡Ú¸ ˝ÚË ‰‡ÌÌ˚ ̇ ÊÂÒÚÍËÈ ‰ËÒÍ ÍÓÏÔ¸˛ÚÂ‡, ‡ Á‡ÚÂÏ
‡ıË‚ËÓ‚‡Ú¸ Ë ÛÔÓfl‰Ó˜Ë‚‡Ú¸ ‰‡ÌÌ˚ ÔÓ Ê·Ì˲. èÓÒÚÓ ÔÓ‰Íβ˜ËÚÂ
ÛÒÚÓÈÒÚ‚Ó Í ÍÓÏÔ¸˛ÚÂÛ, Í‡Í ÔÓ͇Á‡ÌÓ ÌËÊÂ.
ëÓı‡ÌÂÌË ‚̯ÌËı ‰‡ÌÌ˚ı ̇ USB-ÛÒÚÓÈÒÚ‚Â
àÌÒÚÛÏÂÌÚ
ê‡Á˙ÂÏ USB [TO DEVICE]
USB-ÛÒÚÓÈÒÚ‚Ó
ı‡ÌÂÌËfl ‰‡ÌÌ˚ı
éÚÍβ˜ËÚ USB-ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl ÓÚ ËÌÒÚÛÏÂÌÚ‡ Ë ÔÓ‰Íβ˜ËÚÂ Â„Ó Í
ÍÓÏÔ¸˛ÚÂÛ.
ëÓı‡ÌÂÌË ÂÁ‚ÌÓÈ ÍÓÔËË ‰‡ÌÌ˚ı ̇ ÍÓÏÔ¸˛ÚÂ Ë ÛÔÓfl‰Ó˜ÂÌË هÈÎÓ‚
Ë Ô‡ÔÓÍ
äÓÏÔ¸˛ÚÂ
USB-ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl ‰‡ÌÌ˚ı
■ äÓÔËÓ‚‡ÌË هÈÎÓ‚ Ò ÊÂÒÚÍÓ„Ó ‰ËÒ͇ ÍÓÏÔ¸˛Ú‡ ̇ USB-ÛÒÚÓÈÒÚ‚Ó
ı‡ÌÂÌËfl ‰‡ÌÌ˚ı
î‡ÈÎ˚ Ò ÊÂÒÚÍÓ„Ó ‰ËÒ͇ ÍÓÏÔ¸˛ÚÂ‡ ÏÓÊÌÓ ÔÂÂÌÂÒÚË Ì‡ ËÌÒÚÛÏÂÌÚ, Ò̇˜‡Î‡
ÒÍÓÔËÓ‚‡‚ Ëı ̇ Ò˙ÂÏÌ˚È ÌÓÒËÚÂθ, ‡ Á‡ÚÂÏ ÔÓ‰Íβ˜Ë‚ ˝ÚÓÚ ÌÓÒËÚÂθ Í ËÌÒÚÛÏÂÌÚÛ.
ë ÊÂÒÚÍÓ„Ó ‰ËÒ͇ ÍÓÏÔ¸˛ÚÂ‡ ̇ USB-ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl ‰‡ÌÌ˚ı ÏÓÊÌÓ
ÒÍÓÔËÓ‚‡Ú¸ Ì ÚÓθÍÓ Ù‡ÈÎ˚, ÒÓÁ‰‡ÌÌ˚ ÌÂÔÓÒ‰ÒÚ‚ÂÌÌÓ Ì‡ ËÌÒÚÛÏÂÌÚÂ, ÌÓ Ë
Òڇ̉‡ÚÌ˚ MIDI-Ù‡ÈÎ˚, ÒÓÁ‰‡ÌÌ˚ ̇ ‰Û„Ëı ÛÒÚÓÈÒÚ‚‡ı. ëÍÓÔËÓ‚‡‚ ‰‡ÌÌ˚Â,
ÔÓ‰Íβ˜ËÚ ÛÒÚÓÈÒÚ‚Ó Í ÔÓÚÛ [USB TO DEVICE] ËÌÒÚÛÏÂÌÚ‡ Ë ‚ÓÒÔÓËÁ‚‰ËÚÂ
‰‡ÌÌ˚ ̇ ËÌÒÚÛÏÂÌÚÂ.
äÓÔËÓ‚‡ÌË هÈÎÓ‚ Ò ÊÂÒÚÍÓ„Ó ‰ËÒ͇ ÍÓÏÔ¸˛Ú‡ ̇ USBÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl ‰‡ÌÌ˚ı
äÓÏÔ¸˛ÚÂ
USB-ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl ‰‡ÌÌ˚ı
éÚÍβ˜ËÚ USB-ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl ‰‡ÌÌ˚ı ÓÚ ÍÓÏÔ¸˛Ú‡ Ë ÔÓ‰Íβ˜ËÚ „Ó
Í ËÌÒÚÛÏÂÌÚÛ.
ë˜ËÚ˚‚‡ÌË ËÌÒÚÛÏÂÌÚÓÏ Ù‡ÈÎÓ‚, ı‡Ìfl˘ËıÒfl ̇ USB-ÛÒÚÓÈÒÚ‚Â ı‡ÌÂÌËfl ‰‡ÌÌ˚ı
ê‡Á˙ÂÏ USB [TO DEVICE]
àÌÒÚÛÏÂÌÚ
USB-ÛÒÚÓÈÒÚ‚Ó
ı‡ÌÂÌËfl ‰‡ÌÌ˚ı
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
59
CLP240E.book Page 60 Wednesday, April 6, 2005 4:02 PM
èÓ‰Íβ˜ÂÌËÂ
èÓ‰Íβ˜ÂÌË ÔÂÒÓ̇θÌÓ„Ó ÍÓÏÔ¸˛ÚÂ‡
èÓ‰Íβ˜Ë‚ ÍÓÏÔ¸˛ÚÂ Í ËÌÒÚÛÏÂÌÚÛ ˜ÂÂÁ ÔÓÚ˚ USB [TO HOST] ËÎË MIDI, ‚˚ ÏÓÊÂÚ Ô‰‡‚‡Ú¸ ‰‡ÌÌ˚ ÏÂʉÛ
ÍÓÏÔ¸˛ÚÂÓÏ Ë ËÌÒÚÛÏÂÌÚÓÏ ˜ÂÂÁ ËÌÚÂÙÂÈÒ MIDI. ÑÎfl ˝ÚÓ„Ó ÛÒÚ‡ÌÓ‚ËÚ ‰‡È‚ USB MIDI Ë ÔÓ„‡ÏÏÌÓÂ
Ó·ÂÒÔ˜ÂÌË Musicsoft Downloader Ò ÔË·„‡ÂÏÓ„Ó ÍÓÏÔ‡ÍÚ-‰ËÒ͇.
èÓ‰Íβ˜ËÚ¸ ÔˇÌËÌÓ Clavinova Í èä ÏÓÊÌÓ ‰‚ÛÏfl ÒÔÓÒÓ·‡ÏË:
1. èÓ‰Íβ˜ËÚ¸ ÔÓÚ USB ̇ èä Í ‡Á˙ÂÏÛ USB [TO HOST]
ËÌÒÚÛÏÂÌÚ‡ Clavinova (ÒÏ. ÌËÊÂ).
2. àÒÔÓθÁÓ‚‡Ú¸ MIDI-ËÌÚÂÙÂÈÒ Ë MIDI-‡Á˙ÂÏ˚ Clavinova
(ÒÚ. 61).
ÖÒÎË ‚‡¯ ÍÓÏÔ¸˛ÚÂ Ó·ÓÛ‰Ó‚‡Ì USB-ËÌÚÂÙÂÈÒÓÏ, Ï˚ ÂÍÓÏẨÛÂÏ
ÔÓ‰Íβ˜‡Ú¸ ËÌÒÚÛÏÂÌÚ Í ÍÓÏÔ¸˛ÚÂÛ Ò ÔÓÏÓ˘¸˛ USB, ‡ Ì MIDI.
ÖÒÎË ÍÓÏÔ¸˛ÚÂ ÔÓ‰Íβ˜ÂÌ ˜ÂÂÁ ËÌÚÂÙÂÈÒ USB, Ò˄̇Î˚ MIDI
Ë„ÌÓËÛ˛ÚÒfl.
íÖêåàçéãéÉàü
чȂÂ
чȂ – ˝ÚÓ ÔÓ„‡Ïχ, ÍÓÚÓ‡fl
Ó·ÂÒÔ˜˂‡ÂÚ ËÌÚÂÙÂÈÒ Ô‰‡˜Ë
‰‡ÌÌ˚ı ÏÂÊ‰Û ÓÔ‡ˆËÓÌÌÓÈ
ÒËÒÚÂÏÓÈ ÍÓÏÔ¸˛Ú‡ Ë
ÔÓ‰ÒÓ‰ËÌÂÌÌ˚Ï Ó·ÓÛ‰Ó‚‡ÌËÂÏ.
óÚÓ·˚ ÒÓ‰ËÌËÚ¸ ÍÓÏÔ¸˛Ú Ë
ËÌÒÚÛÏÂÌÚ, ÌÂÓ·ıÓ‰ËÏÓ ÛÒÚ‡ÌÓ‚ËÚ¸
‰‡È‚ USB MIDI.
ᇠ·ÓΠÔÓ‰Ó·Ì˚Ï ÓÔËÒ‡ÌËÂÏ Ó·‡ÚËÚÂÒ¸ Í ÒÎÂ‰Û˛˘ËÏ ÒÚ‡Ìˈ‡Ï.
ÇçàåÄçàÖ!
èË ÔÓ‰Íβ˜ÂÌËË ÔˇÌËÌÓ Clavinova Í ÍÓÏÔ¸˛ÚÂÛ ‚̇˜‡Î ‚˚Íβ˜ËÚ ÔËÚ‡ÌËÂ Í‡Í ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ, Ú‡Í Ë
ÍÓÏÔ¸˛Ú‡. Ç˚ÔÓÎÌË‚ ÔÓ‰Íβ˜ÂÌËÂ, ‚Íβ˜ËÚ Ò̇˜‡Î‡ ÍÓÏÔ¸˛ÚÂ, ‡ Á‡ÚÂÏ ÔˇÌËÌÓ Clavinova.
ÇçàåÄçàÖ!
ÖÒÎË ÔÓ‰Íβ˜ÂÌË ÔˇÌËÌÓ Clavinova Í ÍÓÏÔ¸˛ÚÂÛ Ì ËÒÔÓθÁÛÂÚÒfl, ÌÂÓ·ıÓ‰ËÏÓ ËÁ‚Θ¸ ͇·Âθ ËÁ ‡Á˙Âχ
USB [TO HOST]. ÖÒÎË Ì ÓÚÒÓ‰ËÌËÚ¸ ͇·Âθ, Clavinova ÏÓÊÂÚ ‡·ÓÚ‡Ú¸ ÌÂÔ‡‚ËθÌÓ.
èÓ‰Íβ˜ÂÌË ÔÓÚ‡ USB ̇ èä Í ‡Á˙ÂÏÛ USB ËÌÒÚÛÏÂÌÚ‡
Clavinova
ÑÎfl ÒÓ‰ËÌÂÌËfl ÔÓÚ‡ USB ̇ èä Ò ‡Á˙ÂÏÓÏ USB [TO HOST] ̇
ËÌÒÚÛÏÂÌÚ Clavinova ËÒÔÓθÁÛÈÚ ͇·Âθ USB.
èêàåÖóÄçàÖ
• àÌÒÚÛÏÂÌÚ Ì‡˜ÌÂÚ Ô‰‡˜Û ˜ÂÂÁ
ÌÂÍÓÚÓÓ ‚ÂÏfl ÔÓÒΠÛÒÚ‡ÌÓ‚ÍË
USB-ÒÓ‰ËÌÂÌËfl.
• ÖÒÎË ‰Îfl ÔÓ‰Íβ˜ÂÌËfl ËÌÒÚÛÏÂÌÚ‡
Í ÍÓÏÔ¸˛ÚÂÛ ËÒÔÓθÁÛÂÚÒfl ͇·Âθ
USB, ÔÓ‰Íβ˜ÂÌË ‰ÓÎÊÌÓ ·˚Ú¸
ÔflÏ˚Ï (·ÂÁ ÔÓÏÂÊÛÚÓ˜ÌÓ„Ó
ÍÓ̈ÂÌÚ‡ÚÓ‡ USB).
• ÑÎfl ÔÓÎÛ˜ÂÌËfl ҂‰ÂÌËÈ Ó
̇ÒÚÓÈÍ ÔÓ„‡ÏÏÌÓ„Ó
Ó·ÂÒÔ˜ÂÌËfl Ó·‡˘‡ÈÚÂÒ¸ Í
ÛÍÓ‚Ó‰ÒÚ‚Û ÔÓθÁÓ‚‡ÚÂÎfl ˝ÚÓ„Ó
ÔÓ„‡ÏÏÌÓ„Ó Ó·ÂÒÔ˜ÂÌËfl.
ÇçàåÄçàÖ!
åÂ˚ ·ÂÁÓÔ‡ÒÌÓÒÚË ÔË ËÒÔÓθÁÓ‚‡ÌËË ÔÓÚ‡ USB [TO HOST]
èÓ‰Íβ˜‡fl ÍÓÏÔ¸˛ÚÂ Í ÔÓÚÛ [USB TO HOST], ÒΉÛÈÚ Ô˜ËÒÎÂÌÌ˚Ï ÌËÊ ԇ‚Ë·Ï. àı
ÌÂÒӷβ‰ÂÌË ÏÓÊÂÚ ÔË‚ÂÒÚË Í Á‡‚ËÒ‡Ì˲ ÍÓÏÔ¸˛Ú‡ Ë ÔÓ‚ÂʉÂÌ˲ ËÎË ÔÓÚ ‰‡ÌÌ˚ı. ÖÒÎË
ÍÓÏÔ¸˛Ú ËÎË ËÌÒÚÛÏÂÌÚ Á‡‚ËÒ, ‚˚Íβ˜ËÚ ÔËÚ‡ÌË ËÌÒÚÛÏÂÌÚ‡ Ë ÔÂÂÁ‡„ÛÁËÚ ÍÓÏÔ¸˛ÚÂ.
• èÂʉ ˜ÂÏ ÔÓ‰Íβ˜‡Ú¸ ÍÓÏÔ¸˛ÚÂ Í ÔÓÚÛ USB [TO HOST], ‚˚ȉËÚ ËÁ ˝Ì„Óҷ„‡˛˘Ëı ÂÊËÏÓ‚
ÍÓÏÔ¸˛Ú‡ (ÂÊËχ ÓÊˉ‡ÌËfl, Ò̇, „ÓÚÓ‚ÌÓÒÚË), Á‡ÍÓÈÚ ‚Ò ÓÚÍ˚Ú˚ ÔËÎÓÊÂÌËfl, ‡ Ú‡ÍÊÂ
‚˚Íβ˜ËÚ ÔËÚ‡ÌË ËÌÒÚÛÏÂÌÚ‡.
• Ç˚ÔÓÎÌËÚ ÒÎÂ‰Û˛˘Ë ‰ÂÈÒÚ‚Ëfl, ÔÂʉ ˜ÂÏ ÓÚÍβ˜ËÚ¸ ÔËÚ‡ÌË ËÌÒÚÛÏÂÌÚ‡, ÔÓ‰ÒÓ‰ËÌËÚ¸ USB͇·Âθ Í ÍÓÏÔ¸˛ÚÂÛ ËÎË ËÌÒÚÛÏÂÌÚÛ ËÎË ÓÚÒÓ‰ËÌËÚ¸ ÓÚ Ì„Ó.
- á‡ÍÓÈÚ ‚Ò ÓÚÍ˚Ú˚ ÔËÎÓÊÂÌËfl ̇ ÍÓÏÔ¸˛ÚÂÂ.
- ì·Â‰ËÚÂÒ¸, ˜ÚÓ Ì ˉÂÚ Ô‰‡˜‡ ‰‡ÌÌ˚ı Ò ËÌÒÚÛÏÂÌÚ‡. (чÌÌ˚ Ô‰‡˛ÚÒfl ÚÓθÍÓ ÔË Ì‡Ê‡ÚËË
Í·‚˯ ̇ Í·‚ˇÚÛ ËÎË ÔË ‚ÓÒÔÓËÁ‚‰ÂÌËË ÏÂÎÓ‰ËË.)
• ÇÓ ‚ÂÏfl ÔÓ‰Íβ˜ÂÌËfl USB-ÛÒÚÓÈÒÚ‚‡ Í ËÌÒÚÛÏÂÌÚÛ ‰Â·ÈÚ ԇÛÁ˚ Ì ÏÂÌ 6 ÒÂÍÛ̉ ÏÂʉÛ
ÒÎÂ‰Û˛˘ËÏË ÓÔ‡ˆËflÏË: ÏÂÊ‰Û ‚˚Íβ˜ÂÌËÂÏ Ë ‚Íβ˜ÂÌËÂÏ ÔËÚ‡ÌËfl ËÌÒÚÛÏÂÌÚ‡, ‡ Ú‡ÍÊ ÏÂʉÛ
ÔÓ‰ÒÓ‰ËÌÂÌËÂÏ Ë ÓÚÒÓ‰ËÌÂÌËÂÏ USB-͇·ÂÎfl.
60
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CLP240E.book Page 61 Wednesday, April 6, 2005 4:02 PM
èÓ‰Íβ˜ÂÌËÂ
àÒÔÓθÁÓ‚‡ÌË MIDI-ËÌÚÂÙÂÈÒ‡ Ë MIDI-‡Á˙ÂÏÓ‚ Clavinova
ÑÎfl ÔÓ‰Íβ˜ÂÌËfl èä Í ËÌÒÚÛÏÂÌÚÛ Clavinova Ò ÔÓÏÓ˘¸˛ ÒÔˆˇθÌ˚ı
MIDI-͇·ÂÎÂÈ ËÒÔÓθÁÛÈÚ MIDI-ËÌÚÂÙÂÈÒÌÓ ÛÒÚÓÈÒÚ‚Ó.
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
61
CLP240E.book Page 62 Wednesday, April 6, 2005 4:02 PM
êÂÁÂ‚ÌÓ ÍÓÔËÓ‚‡ÌË ‰‡ÌÌ˚ı
êÂÁÂ‚ÌÓ ÍÓÔËÓ‚‡ÌË ‰‡ÌÌ˚ı
Ç ˆÂÎflı Ó·ÂÒÔ˜ÂÌËfl χÍÒËχθÌÓÈ ·ÂÁÓÔ‡ÒÌÓÒÚË ‰‡ÌÌ˚ı Yamaha ÂÍÓÏẨÛÂÚ ÒÓı‡ÌflÚ¸ ‚‡ÊÌ˚ ‰‡ÌÌ˚ ̇
ÍÓÏÔ¸˛ÚÂÂ Ò ÔÓÏÓ˘¸˛ ÔË·„‡ÂÏÓ„Ó ÔËÎÓÊÂÌËfl Musicsoft Downloader (MSD). ùÚÓ Ó·ÂÒÔ˜ËÚ ÒÓı‡ÌÌÓÒÚ¸ ‰‡ÌÌ˚ı ‚
ÒÎÛ˜‡Â ÔÓ‚ÂʉÂÌËfl ‚ÌÛÚÂÌÌÂÈ Ô‡ÏflÚË.
чÌÌ˚Â, ÍÓÚÓ˚ ÏÓÊÌÓ ÒÓı‡ÌËÚ¸
1. ç‡ÒÚÓÈÍË Ô‡ÌÂÎË Ë Á‡ÔËÒ‡ÌÌ˚ ÏÂÎÓ‰ËË ÔÓθÁÓ‚‡ÚÂÎfl
ç‡ÒÚÓÈÍË Ô‡ÌÂÎË – ˝ÚÓ Ú Ê ‰‡ÌÌ˚Â, ÍÓÚÓ˚ ‰ÓÒÚÛÔÌ˚ ‰Îfl
ÂÁÂ‚ÌÓ„Ó ÍÓÔËÓ‚‡ÌËfl Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË ÂÁÂ‚ÌÓ„Ó ÍÓÔËÓ‚‡ÌËfl
(ÒÚ. 55). ç‡ÒÚÓÈÍË Ô‡ÌÂÎË Ë Á‡ÔËÒ‡ÌÌ˚ ÏÂÎÓ‰ËË ÔÓθÁÓ‚‡ÚÂÎfl ÏÓÊÌÓ
ÒÓı‡ÌËÚ¸ ‚ Ó‰ÌÓÏ Ù‡ÈÎÂ.
èêàåÖóÄçàÖ
î‡ÈÎ, Ô˂‰ÂÌÌ˚È ‚ #1 Ò΂‡, ÌÂθÁfl
ÒÓı‡ÌËÚ¸ ̇ USB-ÛÒÚÓÈÒÚ‚Ó
ı‡ÌÂÌËfl ‰‡ÌÌ˚ı (CLP-240).
2. Ç̯ÌË ÏÂÎÓ‰ËË, ÔÓÎÛ˜ÂÌÌ˚Â Ò ÍÓÏÔ¸˛Ú‡.
ÑÂÈÒÚ‚Ëfl
1.
ìÒÚ‡ÌÓ‚ËÚ ‰‡È‚ USB MIDI Ë ÔËÎÓÊÂÌË MSD Ò
ÔË·„‡ÂÏÓ„Ó ÍÓÏÔ‡ÍÚ-‰ËÒ͇ Accessory CD-ROM ̇
ÍÓÏÔ¸˛Ú (ÔÓ‰ ÛÔ‡‚ÎÂÌËÂÏ Windows) Ë ÔÓ‰Íβ˜ËÚ „Ó
Í ËÌÒÚÛÏÂÌÚÛ.
àÌÒÚÛ͈ËË ÔÓ ÛÒÚ‡ÌÓ‚Í ÒÏ. ‚ êÛÍÓ‚Ó‰ÒÚ‚Â ÔÓ ÛÒÚ‡ÌÓ‚ÍÂ.
àÌÒÚÛ͈ËË ÔÓ ÔÓ‰Íβ˜ÂÌ˲ ÒÏ. ÒÚ. 56.
2.
èÂÂÏÂÒÚËÚ ‰‡ÌÌ˚ ̇ ÍÓÏÔ¸˛ÚÂ.
ë ÔÓÏÓ˘¸˛ ÔËÎÓÊÂÌËfl MSD ÒÓı‡ÌËÚ هÈÎ «CLP-xxx.BUP» ËÁ
͇ڇÎÓ„‡ «System Drive» ‚ Ô‡ÔÍ «Electronic Musical Instruments» ̇
ÍÓÏÔ¸˛ÚÂ.
î‡ÈÎ «CLP-xxx.BUP» ÒÓ‰ÂÊËÚ Ì‡ÒÚÓÈÍË Ô‡ÌÂÎË Ë ÏÂÎÓ‰ËË
ÔÓθÁÓ‚‡ÚÂÎfl. äÓÏ ÚÓ„Ó, ÂÒÎË ‚˚ ı‡ÌËÚ ̇ ËÌÒÚÛÏÂÌÚÂ
‚̯ÌË ÏÂÎÓ‰ËË Ò ÍÓÏÔ¸˛ÚÂ‡, ÔÂÂÏÂÒÚËÚÂ Ò ÔÓÏÓ˘¸˛
ÔËÎÓÊÂÌËfl MSD ÏÂÎÓ‰ËË ËÁ ͇ڇÎÓ„‡ «Flash Memory» ‚ Ô‡ÔÍÂ
«Electronic Musical Instruments» ̇ ÍÓÏÔ¸˛ÚÂ.
àÌÒÚÛ͈ËË ÔÓ ËÒÔÓθÁÓ‚‡Ì˲ ÔËÎÓÊÂÌËfl MSD ÒÏ. ‚ ÏÂÌ˛
ëÔ‡‚͇ MSD.
óÚÓ·˚ ‚ÓÒÒÚ‡ÌÓ‚ËÚ¸ ̇ÒÚÓÈÍË Ë Á‡„ÛÁËÚ¸ ÏÂÎÓ‰ËË ‚
ËÌÒÚÛÏÂÌÚ, ÔÂÂÏÂÒÚËÚ هÈÎ «CLP-xxx.BUP» Ë ‚̯ÌËÂ
ÏÂÎÓ‰ËË ‚ Ô‡ÔÍË, ‚ ÍÓÚÓ˚ı ‚˚ ı‡ÌËÚ هÈÎ˚.
èêàåÖóÄçàÖ
äÓ„‰‡ ̇ ÍÓÏÔ¸˛ÚÂÂ, ÔÓ‰Íβ˜ÂÌÌÓÏ Í
ËÌÒÚÛÏÂÌÚÛ, Á‡ÔÛÒ͇ÂÚÒfl ÔËÎÓÊÂÌËÂ
MSD, ̇ ‰ËÒÔΠÔÓfl‚ÎflÂÚÒfl «con»
(ÔÓ‰Íβ˜ÂÌËÂ Í ÍÓÏÔ¸˛ÚÂÛ). äÓ„‰‡
ÔÓfl‚ÎflÂÚÒfl ˝ÚÓ ÒÓÓ·˘ÂÌËÂ, Ò
ËÌÒÚÛÏÂÌÚÓÏ ‡·ÓÚ‡Ú¸ ÌÂθÁfl.
èêàåÖóÄçàÖ
èËÎÓÊÂÌË Musicsoft Downloader
ÌÂθÁfl ËÒÔÓθÁÓ‚‡Ú¸, ÂÒÎË ËÌÒÚÛÏÂÌÚ
‡·ÓÚ‡ÂÚ ‚ ÒÎÂ‰Û˛˘Ëı ÂÊËχı:
• ‚ ÂÊËÏ ‰ÂÏÓÌÒÚ‡ˆËË;
• ‚ ÂÊËÏ ‚ÓÒÔÓËÁ‚‰ÂÌËfl
ÏÂÎÓ‰ËË;
• ‚ ÂÊËÏ Á‡ÔËÒË;
• ‚ ÂÊËÏ ÓÔ‡ˆËË Ò Ù‡È·ÏË
(„ÓËÚ Ó‰ËÌ ËÁ Ë̉Ë͇ÚÓÓ‚ ÍÌÓÔÍË
[FILE]).
èêàåÖóÄçàÖ
ç‡ÒÚÓÈÍË Ô‡ÌÂÎË Ë ÏÂÎÓ‰ËË
ÔÓθÁÓ‚‡ÚÂÎfl (Ù‡ÈÎ CLP-xxx.BUP)
ÔÓÒΠÒÓı‡ÌÂÌËfl ̇ ÍÓÏÔ¸˛ÚÂÂ
ÓÒÚ‡˛ÚÒfl ‚ ËÌÒÚÛÏÂÌÚÂ.
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ëÔËÒÓÍ ÒÓÓ·˘ÂÌËÈ
ëÔËÒÓÍ ÒÓÓ·˘ÂÌËÈ
ëÓÓ·˘ÂÌËÂ
äÓÏÏÂÌÚ‡ËÈ
CLr
Ç˚‚Ó‰ËÚÒfl ÔÓÒΠ‚ÓÒÒÚ‡ÌÓ‚ÎÂÌËfl Á‡‚Ó‰ÒÍËı ̇ÒÚÓÂÍ.
con
Ç˚‚Ó‰ËÚÒfl, ÍÓ„‰‡ ̇ ÍÓÏÔ¸˛ÚÂÂ, ÔÓ‰Íβ˜ÂÌÌÓÏ Í ËÌÒÚÛÏÂÌÚÛ, Á‡ÔÛÒ͇ÂÚÒfl ÔËÎÓÊÂÌË Musicsoft Downloader.
äÓ„‰‡ ÔÓfl‚ÎflÂÚÒfl ˝ÚÓ ÒÓÓ·˘ÂÌËÂ, Ò ËÌÒÚÛÏÂÌÚÓÏ ‡·ÓÚ‡Ú¸ ÌÂθÁfl.
E01
ì͇Á˚‚‡ÂÚ Ì‡ ӯ˷ÍÛ ‰ÓÒÚÛÔ‡ Í USB-ÛÒÚÓÈÒÚ‚Û ı‡ÌÂÌËfl ‰‡ÌÌ˚ı ËÁ-Á‡ ÔÓ‚ÂʉÂÌËfl ÛÒÚÓÈÒÚ‚‡ ËÎË ÌÓÒËÚÂÎfl.
E02
Ç˚‚Ó‰ËÚÒfl ÔË ÔÓ‚ÂʉÂÌËË ‰‡ÌÌ˚ı ÏÂÎÓ‰ËË.
E04
ì͇Á˚‚‡ÂÚ, ˜ÚÓ Ó·˙ÂÏ ‰‡ÌÌ˚ı ÏÂÎÓ‰ËË ÒÎ˯ÍÓÏ ·Óθ¯ÓÈ, ˜ÚÓ·˚ Ëı ÏÓÊÌÓ ·˚ÎÓ Á‡„ÛÁËÚ¸.
End
Ç˚‚Ó‰ËÚÒfl ÔÓ Á‡‚¯ÂÌËË ÚÂÍÛ˘ÂÈ ÓÔ‡ˆËË.
Err
Ç˚‚Ó‰ËÚÒfl, ÂÒÎË Í‡·Âθ MIDI/USB ÓÚÒÓ‰ËÌÂÌ ÔË Á‡ÔÛÒÍ ÔËÎÓÊÂÌËfl Musicsoft Downloader ̇ ÍÓÏÔ¸˛ÚÂÂ, ÔÓ‰Íβ˜ÂÌÌÓÏ
Í ËÌÒÚÛÏÂÌÚÛ.
FCL
ì͇Á˚‚‡ÂÚ, ˜ÚÓ ‚ÒÚÓÂÌ̇fl Ô‡ÏflÚ¸ Ó˜Ë˘Â̇. á‡ÔËÒ‡ÌÌ˚Â Ë ‚̯ÌË ÏÂÎÓ‰ËË, Á‡„ÛÊÂÌÌ˚Â Ò ÍÓÏÔ¸˛Ú‡, ÒÚÂÚ˚,
ÔÓÒÍÓθÍÛ ÔËÚ‡ÌË ·˚ÎÓ ÓÚÍβ˜ÂÌÓ ‰Ó Á‡‚¯ÂÌËfl ÒÓı‡ÌÂÌËfl ËÎË Á‡„ÛÁÍË ÏÂÎÓ‰ËË.
For
ì͇Á˚‚‡ÂÚ, ˜ÚÓ ËÌÒÚÛÏÂÌÚ Ì‡ıÓ‰ËÚÒfl ‚ ÂÊËÏ ÙÓχÚËÓ‚‡ÌËfl USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËfl ‰‡ÌÌ˚ı.
Full
Ç˚‚Ó‰ËÚÒfl, ÂÒÎË ‚Ó ‚ÂÏfl Á‡ÔËÒË ÏÂÎÓ‰ËÈ ‚ÒÚÓÂÌ̇fl Ô‡ÏflÚ¸ ÔÂÂÔÓÎÌflÂÚÒfl.
Ç˚‚Ó‰ËÚÒfl, ÂÒÎË USB-ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl ‰‡ÌÌ˚ı ÔÂÂÔÓÎÌÂÌÓ Ë ÏÂÎӉ˲ Ì‚ÓÁÏÓÊÌÓ ÒÓı‡ÌËÚ¸.
Ç˚‚Ó‰ËÚÒfl, ÂÒÎË Ó·˘ËÈ Ó·˙ÂÏ Ù‡ÈÎÓ‚ ÒÚ‡ÌÓ‚ËÚÒfl ÒÎ˯ÍÓÏ ·Óθ¯ËÏ.
Lod
Ç˚‚Ó‰ËÚÒfl ‚Ó ‚ÂÏfl Á‡„ÛÁÍË Á‡˘Ë˘ÂÌÌÓÈ ÏÂÎÓ‰ËË.
ny
èÓ‰Ú‚Âʉ‡ÂÚ ËÎË Ì ÔÓ‰Ú‚Âʉ‡ÂÚ ‚˚ÔÓÎÌÂÌË ͇ʉÓÈ ÓÔ‡ˆËË.
n– y
èÓ‚ÚÓÌÓ ÔÓ‰Ú‚Âʉ‡ÂÚ ‚˚ÔÓÎÌÂÌË ÓÔ‡ˆËË ÔÂÂÁ‡ÔËÒË, Û‰‡ÎÂÌËfl ËÎË ÙÓχÚËÓ‚‡ÌËfl.
Pro
ì͇Á˚‚‡ÂÚ, ˜ÚÓ USB-ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl ‰‡ÌÌ˚ı ËÎË ÌÓÒËÚÂθ Á‡˘Ë˘ÂÌ ÓÚ Á‡ÔËÒË.
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
63
CLP240E.book Page 64 Wednesday, April 6, 2005 4:02 PM
ìÒÚ‡ÌÂÌË ÌÂÔÓ·‰ÓÍ
ìÒÚ‡ÌÂÌË ÌÂÔÓ·‰ÓÍ
èÓ·ÎÂχ
ÇÓÁÏÓÊÌ˚ Ô˘ËÌ˚ Ë ÒÔÓÒÓ·˚ ÛÒÚ‡ÌÂÌËfl
èˇÌËÌÓ Clavinova Ì ‚Íβ˜‡ÂÚÒfl.
èˇÌËÌÓ Clavinova ÌÂÔ‡‚ËθÌÓ ÔÓ‰Íβ˜ÂÌÓ Í ÓÁÂÚÍÂ. èӂ¸Ú ÔÓ‰Íβ˜ÂÌË ͇·ÂÎfl Í
‡Á˙ÂÏÛ Ì‡ Clavinova Ë Í ÓÁÂÚÍ (ÒÚ. 11).
èË ‚Íβ˜ÂÌËË Ë ÓÚÍβ˜ÂÌËË ÔËÚ‡ÌËfl ÒÎ˚¯Ì˚
˘ÂΘÍË ËÎË ÚÂÒÍ.
í‡Í ‚Ò„‰‡ ÔÓËÒıÓ‰ËÚ ÔË ÔÓ‰‡˜Â Ë ÓÚÍβ˜ÂÌËË ˝ÎÂÍÚÓÔËÚ‡ÌËfl.
ëÎ˚¯ÂÌ ¯ÛÏ ËÁ ‰Ë̇ÏËÍÓ‚ Ë Ì‡Û¯ÌËÍÓ‚.
òÛÏ ÏÓÊÂÚ ·˚Ú¸ ÒΉÒÚ‚ËÂÏ ÔÓÏÂı, ‚˚Á‚‡ÌÌ˚ı ËÒÔÓθÁÓ‚‡ÌËÂÏ ÏÓ·ËθÌÓ„Ó ÚÂÎÂÙÓ̇ ‚
ÌÂÔÓÒ‰ÒÚ‚ÂÌÌÓÈ ·ÎËÁÓÒÚË ÓÚ Clavinova. éÚÍβ˜ËÚ ÏÓ·ËθÌ˚È ÚÂÎÂÙÓÌ ËÎË ËÒÔÓθÁÛÈÚÂ Â„Ó Ì‡
·Óθ¯ÂÏ ‡ÒÒÚÓflÌËË ÓÚ Clavinova.
é·˘ËÈ ÛÓ‚Â̸ „ÓÏÍÓÒÚË ÒÎ˯ÍÓÏ ÌËÁÓÍ, ËÎË Á‚ÛÍ
ÓÚÒÛÚÒÚ‚ÛÂÚ ‚ÓÓ·˘Â.
• Ç˚·‡Ì ÒÎ˯ÍÓÏ ÌËÁÍËÈ ÛÓ‚Â̸ „ÓÏÍÓÒÚË, ÛÒÚ‡ÌÓ‚ËÚ ÌÛÊÌ˚È ÛÓ‚Â̸ „ÓÏÍÓÒÚË Ò
ÔÓÏÓ˘¸˛ „ÛÎflÚÓ‡ [MASTER VOLUME].
• ì·Â‰ËÚÂÒ¸ ‚ ÚÓÏ, ˜ÚÓ Ì‡Û¯ÌËÍË Ì ÔÓ‰Íβ˜ÂÌ˚ Í ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÏÛ ‡Á˙ÂÏÛ (ÂÒÎË
ÔÂÂÍβ˜‡ÚÂθ SPEAKER ÛÒÚ‡ÌÓ‚ÎÂÌ ‚ ÔÓÎÓÊÂÌË «NORMAL»). ÖÒÎË ÔÂÂÍβ˜‡ÚÂθ
SPEAKER ÛÒÚ‡ÌÓ‚ÎÂÌ ‚ ÔÓÎÓÊÂÌË «OFF», ÔÓÒÚ‡‚¸ÚÂ Â„Ó ‚ ÔÓÎÓÊÂÌË «NORMAL» ËÎË «ON»
(ÒÚ. 12).
• ì·Â‰ËÚÂÒ¸, ˜ÚÓ ‰Îfl ÙÛÌ͈ËË Local Control (ÒÚ. 53) ‚˚·‡Ì Ô‡‡ÏÂÚ ON.
ÑË̇ÏËÍË Ì ÓÚÍβ˜‡˛ÚÒfl ÔË ÔÓ‰ÒÓ‰ËÌÂÌËË
̇ۯÌËÍÓ‚.
ÇÓÁÏÓÊÌÓ, ÔÂÂÍβ˜‡ÚÂθ SPEAKER ̇ıÓ‰ËÚÒfl ‚ ÔÓÎÓÊÂÌËË «ON». ìÒÚ‡ÌÓ‚ËÚ ÔÂÂÍβ˜‡ÚÂθ
SPEAKER ‚ ÔÓÎÓÊÂÌËÂ «NORMAL» (ÒÚ. 12).
臂‡fl Ô‰‡Î¸ Ì ‡·ÓÚ‡ÂÚ, ËÎË Á‚ÛÍ ÔӉ΂‡ÂÚÒfl,
‰‡Ê ÂÒÎË Ó̇ Ì ̇ʇڇ.
ÇÓÁÏÓÊÌÓ, ͇·Âθ Ô‰‡ÎÂÈ ÌÂÔ‡‚ËθÌÓ ÔÓ‰Íβ˜ÂÌ. ì·Â‰ËÚÂÒ¸, ˜ÚÓ Í‡·Âθ Ô‰‡ÎÂÈ ÔÎÓÚÌÓ
‚ÒÚ‡‚ÎÂÌ ‚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÈ ‡Á˙ÂÏ (ÒÚ. 67).
(CLP-240)
ïÓÚfl USB-ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl ‰‡ÌÌ˚ı
ÔÓ‰Íβ˜ÂÌÓ, Ë̉Ë͇ÚÓ SONG SELECT «USB» ÌÂ
Á‡„Ó‡ÂÚÒfl ÔË Ì‡Ê‡ÚËË ÍÌÓÔÍË [SONG SELECT].
USB-ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl ‰‡ÌÌ˚ı ÏÓÊÂÚ Ì ‡ÒÔÓÁ̇‚‡Ú¸Òfl ËÌÒÚÛÏÂÌÚÓÏ. ùÚÓ Á‡‚ËÒËÚ ÓÚ
Ò‡ÏÓ„Ó ÛÒÚÓÈÒÚ‚‡ Ë ‚˚·Ó‡ ÏÓÏÂÌÚ‡ ‚ÂÏÂÌË ‰Îfl ‡ÒÔÓÁ̇‚‡ÌËfl.
1. èӂ¸Ú ÔÂÂÍβ˜‡ÚÂθ [SELECT].
ÖÒÎË ‚˚·‡ÌÓ ÔÓÎÓÊÂÌË «A», ‡·ÓÚ‡ÂÚ ‡Á˙ÂÏ ‚ ΂ÓÈ ˜‡ÒÚË Ô‡ÌÂÎË, ÂÒÎË «B» – ÌËÊÌËÈ
‡Á˙ÂÏ.
2. èӂ¸Ú ËÒÔ‡‚ÌÓÒÚ¸ ÛÒÚÓÈÒÚ‚‡.
èӂ¸ÚÂ, ÏË„‡ÂÚ ÎË Ë̉Ë͇ÚÓ FILE «LOAD» ÔÓÒΠÔÓ‰Íβ˜ÂÌËfl USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËfl
‰‡ÌÌ˚ı. ÖÒÎË Ë̉Ë͇ÚÓ Ì ÏË„‡ÂÚ, ÛÒÚÓÈÒÚ‚Ó ÏÓÊÂÚ ·˚Ú¸ ÔÓ‚ÂʉÂÌÓ.
3. èӂ¸ÚÂ, ÔÓ‰Ú‚ÂʉÂ̇ ÎË ÒÓ‚ÏÂÒÚËÏÓÒÚ¸ ˝ÚÓ„Ó ÛÒÚÓÈÒÚ‚‡ ÍÓÔÓ‡ˆËÂÈ Yamaha (ÒÚ. 58).
4. ֢ ‡Á ‚˚·ÂËÚ SONG SELECT «USB».
àÌÒÚÛÏÂÌÚÛ ÔÓ̇‰Ó·ËÚÒfl ÌÂÍÓÚÓÓ ‚ÂÏfl, ˜ÚÓ·˚ ‡ÒÔÓÁ̇ڸ USB-ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl
‰‡ÌÌ˚ı. ëÌÓ‚‡ ̇ÊÏËÚ ÍÌÓÔÍÛ [SONG SELECT], ˜ÚÓ·˚ ‚Íβ˜ËÚ¸ Ë̉Ë͇ÚÓ «USB».
(CLP-240)
USB-ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl ‰‡ÌÌ˚ı Á‡‚ËÒÎÓ (ÌÂ
Óڂ˜‡ÂÚ).
• USB-ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl ‰‡ÌÌ˚ı ÌÂÒÓ‚ÏÂÒÚËÏÓ Ò ËÌÒÚÛÏÂÌÚÓÏ. àÒÔÓθÁÛÈÚ ÚÓθÍÓ ÚÂ
ÛÒÚÓÈÒÚ‚‡, ˜¸fl ÒÓ‚ÏÂÒÚËÏÓÒÚ¸ Ò ÔˇÌËÌÓ ÔÓ‰Ú‚ÂʉÂ̇ ÍÓÔÓ‡ˆËÂÈ Yamaha (ÒÚ. 58).
• éÚÒÓ‰ËÌËÚ USB-ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl ‰‡ÌÌ˚ı, ÒÌÓ‚‡ ÔÓ‰Íβ˜ËÚ „Ó.
çÂÓ·flÁ‡ÚÂθÌ˚ ˝ÎÂÏÂÌÚ˚
ë͇ÏÂÈ͇ BC-100
ì‰Ó·Ì‡fl Ò͇ÏÂÈ͇, ҉·Ì̇fl ÒÔˆˇθÌÓ ‰Îfl Ë„˚ ̇ ˆËÙÓ‚ÓÏ ÔˇÌËÌÓ Clavinova ÍÓÔÓ‡ˆËË
Yamaha.
ëÚÂÂÓ̇ۯÌËÍË HPE-160
ã„ÍËÂ Ë ‚˚ÒÓÍÓ͇˜ÂÒÚ‚ÂÌÌ˚ ̇ۯÌËÍË Ò Ïfl„ÍËÏË ÔÓÍ·‰Í‡ÏË ‰Îfl Û¯ÂÈ.
àÌÚÂÙÂÈÒ UX16 USB-MIDI
àÌÚÂÙÂÈÒ USB-to-MIDI ‰Îfl ÔÓ‰Íβ˜ÂÌËfl ÍÓÏÔ¸˛ÚÂ‡, Ó·ÓÛ‰Ó‚‡ÌÌÓ„Ó ÔÓÚ‡ÏË USB,
Í MIDI-ÛÒÚÓÈÒÚ‚Û (̇ÔËÏÂ, Í ˝ÚÓÏÛ ËÌÒÚÛÏÂÌÚÛ).
ìÒÚÓÈÒÚ‚Ó UD-FD01 USB-FDD (CLP-240)
ÑËÒÍÓ‚Ó‰ „Ë·ÍËı ‰ËÒÍÓ‚, ÍÓÚÓ˚È ÔÓ‰Íβ˜‡ÂÚÒfl Í ËÌÒÚÛÏÂÌÚÛ ‰Îfl ÒÓı‡ÌÂÌËfl Ë Á‡„ÛÁÍË
‰‡ÌÌ˚ı.
64
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
CLP240E.book Page 65 Wednesday, April 6, 2005 4:02 PM
CLP-240/230: ë·Ó͇ ÔÓ‰ÒÚ‡‚ÍË ‰Îfl Í·‚ˇÚÛ˚
CLP-240/230: ë·Ó͇ ÔÓ‰ÒÚ‡‚ÍË ‰Îfl
Í·‚ˇÚÛ˚
ÇçàåÄçàÖ!
• ç ÔÂÂÔÛÚ‡ÈÚ ÍÓÏÔÓÌÂÌÚ˚ Ë ÛÒڇ̇‚ÎË‚‡ÈÚ Ëı ‚ Ô‡‚ËθÌÓÏ Ì‡Ô‡‚ÎÂÌËË. ëӷˇÈÚ ÛÒÚÓÈÒÚ‚Ó ‚ Ô‡‚ËθÌÓÏ ÔÓfl‰ÍÂ.
• ÑÎfl Ò·ÓÍË Ú·ÛÂÚÒfl Ì ÏÂÌ ‰‚Ûı ˜ÂÎÓ‚ÂÍ.
• ì·Â‰ËÚÂÒ¸, ˜ÚÓ ËÒÔÓθÁÛÂÚ ‚ËÌÚ˚ Û͇Á‡ÌÌÓ„Ó ‡Áχ. èËÏÂÌÂÌË ‚ËÌÚÓ‚ ÌÂÔ‡‚ËθÌÓ„Ó ‡Áχ ÏÓÊÂÚ Ôӂ‰ËÚ¸
ËÌÒÚÛÏÂÌÚ.
• èÓÒΠÁ‡‚¯ÂÌËfl Ò·ÓÍË Í‡Ê‰ÓÈ ˜‡ÒÚË Ó·flÁ‡ÚÂθÌÓ Á‡ÚflÌËÚ ‚ËÌÚ˚.
• ÑÎfl ‡Á·ÓÍË ËÌÒÚÛÏÂÌÚ‡ ‚˚ÔÓÎÌËÚ Û͇Á‡ÌÌ˚ ‰ÂÈÒÚ‚Ëfl ‚ Ó·‡ÚÌÓÏ ÔÓfl‰ÍÂ.
èË„ÓÚÓ‚¸Ú ÍÂÒÚÓ‚Û˛ ÓÚ‚ÂÚÍÛ Ò
̇ÍÓ̘ÌËÍÓÏ Phillips (+).
Ç˚̸Ú ‚Ò ÍÓÏÔÎÂÍÚÛ˛˘Ë ËÁ ÍÓÓ·ÍË. ì·Â‰ËÚÂÒ¸, ˜ÚÓ ‚Ò Û͇Á‡ÌÌ˚ ̇ ËÒÛÌÍ ÍÓÏÔÎÂÍÚÛ˛˘ËÂ
ÂÒÚ¸ ‚ ̇΢ËË.
ÑÎËÌÌ˚Â ¯ÛÛÔ˚ 6 x 25 ÏÏ, 4 ¯Ú.
䇷Âθ ÔËÚ‡ÌËfl
A
äÓÓÚÍËÂ ¯ÛÛÔ˚ 6 x 16 ÏÏ, 4 ¯Ú.
(îÓχ ‚ËÎÍË Á‡‚ËÒËÚ ÓÚ
ÒÚ‡Ì˚.)
èÂÌÓÔ·ÒÚÓ‚˚ ÔÓÍ·‰ÍË
Ç˚̸Ú ÔÂÌÓÔ·ÒÚÓ‚˚ ÔÓÍ·‰ÍË Ë ÔÓÎÓÊËÚ ̇ ÌËı Ä.
ê‡ÒÔÓÎÓÊËÚ ÔÂÌÓÔ·ÒÚÓ‚˚ ÔÓÍ·‰ÍË Ú‡Í, ˜ÚÓ·˚ Ì Ôӂ‰ËÚ¸
Ô‡ÌÂθ ÔÓ‰Íβ˜ÂÌËfl ‚ÌËÁÛ Ä.
íÓÌÍËÂ ¯ÛÛÔ˚ 4 x 12 ÏÏ, 2 ¯Ú.
ä˛˜ÓÍ ‰Îfl ̇ۯÌËÍÓ‚
íÓÌÍË ҇ÏÓÂÁ˚ 4 x 20 ÏÏ, 5 ¯Ú.
B
íÓÌÍËÂ ¯ÛÛÔ˚ 4 x 10 ÏÏ, 2 ¯Ú.
ᇢËÚÌ˚ ÔÓÍ·‰ÍË ·ÓÍÓ‚ÓÈ
Ô‡ÌÂÎË (͇ÚÓÌÌ˚Â), 2 ¯Ú.
䇷Âθ Ô‰‡ÎÂÈ, ÔËÍÂÔÎÂÌÌ˚È ‚ÌÛÚË
C
D
1.
èÓ‰ÒÓ‰ËÌËÚ D Ë E Í C.
ÑÂʇÚÂÎË ‰Îfl ͇·ÂÎÂÈ, 2 ¯Ú.
E
1-1
1-2
éÚ‚flÊËÚÂ Ë ‡ÒÔflÏËÚ ÛÔ‡ÍÓ‚‡ÌÌ˚È
͇·Âθ. ç ‚˚·‡Ò˚‚‡ÈÚ ÍÂÔÎÂÌËÂ, ÓÌÓ
ÔÓ̇‰Ó·ËÚÒfl ‚‡Ï ̇ ¯‡„ 5.
á‡ÍÂÔËÚ C Ò ÔÓÏÓ˘¸˛ ˜ÂÚ˚Âı
‰ÎËÌÌ˚ı ¯ÛÛÔÓ‚ 6 x 25 ÏÏ.
1-1
1-2
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
65
CLP240E.book Page 66 Wednesday, April 6, 2005 4:02 PM
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2.
2-1
2-2
èËÒÓ‰ËÌËÚ Ç.
èÓÏÂÒÚËÚ ÌËÊÌË Í‡fl B ̇
‚˚ÒÚÛÔ‡˛˘Ë Í‡fl D Ë E Ë ‚˚Ó‚ÌflÈÚÂ
ÔÓ ÌËÏ ‚ÂıÌ˛˛ ˜‡ÒÚ¸.
ÇÂÏÂÌÌÓ Á‡ÍÂÔËÚ ‚ÂıÌ˛˛ ˜‡ÒÚ¸ Ò
ÔÓÏÓ˘¸˛ ÚÓÌÍËı ¯ÛÛÔÓ‚ 4 ı 12.
2-2
3-3
ëÓ‚ÏÂÒÚËÚ ·ÓÍÓ‚Ó ۄÎÛ·ÎÂÌË ̇ A Ò
‚ÌÛÚÂÌÌÂÈ ÒÚÓÓÌÓÈ D Ë E. éÔÛÒÚËÚÂ
Ó‰ÌÓ‚ÂÏÂÌÌÓ ÎÂ‚Û˛ Ë Ô‡‚Û˛ ÒÚÓÓÌÛ A
Ë Á‡ÍÂÔËÚÂ Ò ÔÓÏÓ˘¸˛ D Ë E.
ÇçàåÄçàÖ!
• ëΉËÚ Á‡ ÚÂÏ, ˜ÚÓ·˚ Ì Á‡˘ÂÏËÚ¸ ԇθˆ˚ ÏÂʉÛ
ÓÒÌÓ‚Ì˚Ï ÛÒÚÓÈÒÚ‚ÓÏ Ë Á‡‰ÌÂÈ ËÎË ·ÓÍÓ‚˚ÏË
Ô‡ÌÂÎflÏË. ÅÛ‰¸Ú ˜ÂÁ‚˚˜‡ÈÌÓ ÓÒÚÓÓÊÌ˚ Ë Ì ÛÓÌËÚÂ
ÓÒÌÓ‚ÌÛ˛ ˜‡ÒÚ¸.
• ÑÂÊËÚ Í·‚ˇÚÛÛ ÚÓθÍÓ Ú‡Í, Í‡Í ÔÓ͇Á‡ÌÓ Ì‡ ËÒÛÌÍÂ.
2-3
2-3
3.
3-1
á‡ÍÂÔËÚ ÌËÊÌ˛˛ ˜‡ÒÚ¸ Ò‡ÏÓÂÁ‡ÏË
4 ı 20.
ìÒÚ‡ÌÓ‚ËÚ Ä.
ëÓ·ÂËÚ Á‡˘ËÚÌ˚ ÔÓÍ·‰ÍË ·ÓÍÓ‚ÓÈ
Ô‡ÌÂÎË (͇ÚÓÌÌ˚Â), Í‡Í ÔÓ͇Á‡ÌÓ Ì‡
ËÒÛÌÍÂ. á‡ÚÂÏ Û‰‡ÎËÚ ‰‚ ·ÛχÊÌ˚Â
ÔÓ‰ÎÓÊÍË Ò ÍÎÂÈÍÓÈ ÎÂÌÚ˚ ̇ Á‡˘ËÚÌÓÈ
ÔÓÍ·‰ÍÂ.
ÑÂÊËÚ ÛÍË Ì‡ ‡ÒÒÚÓflÌËË
ÌÂ ÏÂÌÂÂ 10 ÒÏ ÓÚ Ó·ÂËı
ÒÚÓÓÌ Ä ÔË Â ÛÒÚ‡ÌÓ‚ÍÂ.
3-4
3-2
66
ç‡ÍÓÈÚ ‚ÂıÌ˛˛ ÒÚÓÓÌÛ D Ë E
Á‡˘ËÚÌÓÈ ÔÓÍ·‰ÍÓÈ ·ÓÍÓ‚ÓÈ Ô‡ÌÂÎË.
á‡ÚÂÏ Á‡ÍÂÔËÚ Á‡˘ËÚÌÛ˛ ÔÓÍ·‰ÍÛ
ÍÎÂÈÍÓÈ ÎÂÌÚÓÈ.
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
3-5
èÓ‰‰ÂÊË‚‡fl ÌËÊÌ˛˛ ÒÚÓÓÌÛ D Ë E
Ó‰ÌÓÈ ÛÍÓÈ, Ò΄͇ ̇‰‡‚ËÚ ̇ A ÒÓ
ÒÚÓÓÌ˚ Í·‚ˇÚÛ˚.
쉇ÎËÚ Á‡˘ËÚÌÛ˛ ÔÓÍ·‰ÍÛ ·ÓÍÓ‚ÓÈ
Ô‡ÌÂÎË.
CLP240E.book Page 67 Wednesday, April 6, 2005 4:02 PM
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á‡ÍÂÔËÚ A Ò ÔÂ‰ÌÂÈ ÒÚÓÓÌ˚
ÍÓÓÚÍËÏË ¯ÛÛÔ‡ÏË 6 x 16 ÏÏ.
á‡ÚflÌËÚ ¯ÛÛÔ˚ (¯‡„Ë 2-2), Á‡ÍÂÔË‚
‚ÂıÌ˛˛ ÒÚÓÓÌÛ B.
PC-2
Mac
4-2
5-1
MIDIPC-1
4-1
CLP-230
èËÍÂÔËÚ Ä.
PEDA
L
4.
5-3
5-2
4-2
6.
èÓ‰ÒÓ‰ËÌËÚ ͇·Âθ ÔËÚ‡ÌËfl.
4 -1
PC-2
Mac
5-3
110
127
5-2
ÇÒÚ‡‚¸Ú ‚ËÎÍÛ Í‡·ÂÎfl Ô‰‡ÎÂÈ ÒÔÂÂ‰Ë ‚
‡Á˙ÂÏ ‰Îfl Ô‰‡ÎÂÈ.
220
5-1
èÓ‰ÒÓ‰ËÌËÚ ͇·Âθ Ô‰‡ÎË.
MIDIPC-1
5.
240
èËÒÓ‰ËÌËÚÂ Í B ‰ÂʇÚÂÎË Í‡·ÂÎÂÈ,
Á‡ÚÂÏ ‚ÒÚ‡‚¸Ú ͇·Âθ ‚ ‰ÂʇÚÂÎË.
ë‚flÊËÚ ͇·Âθ Ô‰‡ÎÂÈ Ò ÔÓÏÓ˘¸˛
ÍÂÔÎÂÌËfl ‰Îfl ͇·ÂÎÂÈ.
CLP-240
5-1
ÇÒÚ‡‚¸Ú ‚ËÎÍÛ Í‡·ÂÎfl ÔËÚ‡ÌËfl ‚ AC INLET.
Ç ÏÓ‰ÂÎflı Ò ÔÂÂÍβ˜‡ÚÂÎflÏË Ì‡ÔflÊÂÌËfl
ÛÒÚ‡ÌÓ‚ËÚ ÔÂÂÍβ˜‡ÚÂθ ̇ÔflÊÂÌËfl ‚
ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Â Á̇˜ÂÌËÂ.
èÂÂÍβ˜‡ÚÂθ ̇ÔflÊÂÌËfl
PC-2
Mac
5-2
MIDIPC-1
5-3
Ç ÌÂÍÓÚÓ˚ı „ËÓ̇ı ËÒÔÓθÁÛÂÚÒfl ÔÂÂÍβ˜‡ÚÂθ
̇ÔflÊÂÌËfl. èÂʉ ˜ÂÏ ÔÓ‰Íβ˜‡Ú¸ ͇·Âθ
ÔËÚ‡ÌËfl, ÔÓ‚Â¸ÚÂ, Ô‡‚ËθÌÓ ÎË ÓÌ ÛÒÚ‡ÌÓ‚ÎÂÌ.
ÑÎfl ÛÒÚ‡ÌÓ‚ÍË ÔÂÂÍβ˜‡ÚÂÎfl ̇ 110, 127, 220 ËÎË
240 ‚ÓÎ¸Ú Ò ÔÓÏÓ˘¸˛ ÓÚ‚ÂÚÍË ÔÓ‚ÂÌËÚ ‰ËÒÍ Ú‡Í,
˜ÚÓ·˚ Ô‡‚ËθÌÓ ̇ÔflÊÂÌË ‰Îfl ‚‡¯Â„Ó „ËÓ̇
̇ıÓ‰ËÎÓÒ¸ ̇ÔÓÚË‚ Û͇Á‡ÚÂÎfl ̇ Ô‡ÌÂÎË. èË
ÔÓÒÚ‡‚Í ÔÂÂÍβ˜‡ÚÂθ ̇ÔflÊÂÌËfl ÛÒÚ‡ÌÓ‚ÎÂÌ Ì‡
̇ÔflÊÂÌË ‚ 240 Ç. Ç˚·‡‚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÂ
̇ÔflÊÂÌËÂ, ÔÓ‰Íβ˜ËÚ ͇·Âθ ÔËÚ‡ÌËfl Í ‡Á˙ÂÏÛ
AC INLET Ë Í ˝ÎÂÍÚÓÒÂÚË. Ç ÌÂÍÓÚÓ˚ı „ËÓ̇ı
‰Îfl ÔÓ‰Íβ˜ÂÌËfl Í ˝ÎÂÍÚÓÒÂÚË ÚÂ·Û˛ÚÒfl
ÔÂÂıÓ‰ÌËÍË Ò ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÏ ‡ÒÔÓÎÓÊÂÌËÂÏ
ÍÓÌÚ‡ÍÚÓ‚.
èêÖÑìèêÖÜÑÖçàÖ
çÂÔ‡‚Ëθ̇fl ÛÒÚ‡Ìӂ͇ ̇ÔflÊÂÌËfl ÏÓÊÂÚ Ò¸ÂÁÌÓ
Ôӂ‰ËÚ¸ ˆËÙÓ‚Ó ÔˇÌËÌÓ Clavinova ËÎË ‚˚Á‚‡Ú¸
ÌÂÔ‡‚ËθÌÛ˛ ‡·ÓÚÛ.
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
67
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7.
èÓÒΠҷÓÍË Ôӂ¸Ú ÒÎÂ‰Û˛˘ÂÂ.
ìÒÚ‡ÌÓ‚ËÚ „ÛÎflÚÓ ‚˚ÒÓÚ˚.
èÓ‚Ó‡˜Ë‚‡ÈÚ ÙËÍÒËÛ˛˘ËÈ ‚ËÌÚ ‰Ó
ÚÂı ÔÓ, ÔÓ͇ ÓÌ Ì ÔˉÂÚ ‚ ÚÂÒÌ˚È
ÍÓÌÚ‡ÍÚ Ò ÔÓ‚ÂıÌÓÒÚ¸˛ ÔÓ·.
• ç ÓÒÚ‡ÎÓÒ¸ ÎË «Î˯ÌËı» ‰ÂÚ‡ÎÂÈ?
èӂ¸Ú ҷÓÍÛ Ë ËÒÔ‡‚¸Ú ӯ˷ÍË.
• ç Ï¯‡ÂÚ ÎË ÔˇÌËÌÓ Clavinova ÓÚÍ˚‚‡Ú¸ ‰‚ÂË Ë
ÔÂÂÏ¢‡Ú¸ Ô‰ÏÂÚ˚?
èÓÒÚ‡‚¸Ú ˆËÙÓ‚Ó ÔˇÌËÌÓ Clavinova ‚ Û‰Ó·ÌÓ ÏÂÒÚÓ.
• ç «·ÓÎÚ‡ÂÚÒfl» ÎË ËÌÒÚÛÏÂÌÚ Clavinova, ÍÓ„‰‡ ‚˚ „Ó
ÚflÒÂÚÂ?
á‡ÚflÌËÚ ‚Ò ‚ËÌÚ˚.
8.
• ç ÒÏ¢‡ÂÚÒfl ÎË Ô‰‡Î¸Ì˚È ·ÎÓÍ Ë Ì ÒÎ˚¯ÌÓ ÎË
‰Â·ÂÁʇÌËfl ÔË Ì‡Ê‡ÚËË Ì‡ Ô‰‡ÎË?
èÓ‚ÂÌËÚ ÙËÍÒËÛ˛˘ËÈ ‚ËÌÚ Ú‡Í, ˜ÚÓ·˚ ÓÌ Ú‚Â‰Ó ÒÚÓflÎ
̇ ÔÓÎÛ.
èËÍÂÔËÚ Ͳ˜ÓÍ ‰Îfl ̇ۯÌËÍÓ‚.
åÓÊÌÓ ÔËÍÂÔËÚ¸ Í˛˜ÓÍ Í ÔˇÌËÌÓ
Clavinova, ˜ÚÓ·˚ ‚¯‡Ú¸ ̇ Ì„Ó
̇ۯÌËÍË.
á‡ÍÂÔËÚ Í˛˜ÓÍ ‰Îfl ̇ۯÌËÍÓ‚ ̇
ÍÓÔÛÒÂ Ò ÔÓÏÓ˘¸˛ ‰‚Ûı ‚ËÌÚÓ‚
(4 ı 10 ÏÏ), Í‡Í ÔÓ͇Á‡ÌÓ Ì‡ ËÒÛÌÍÂ.
• èÎÓÚÌÓ ÎË ‚ÒÚ‡‚ÎÂÌ˚ ‚ ‡Á˙ÂÏ˚ ͇·ÂÎË Ô‰‡ÎË Ë
ÔËÚ‡ÌËfl?
èӂ¸Ú ÒÓ‰ËÌÂÌËfl.
• ÖÒÎË ÔË Ë„Â Ì‡ Í·‚˯‡ı ÓÒÌӂ̇fl ˜‡ÒÚ¸
ËÌÒÚÛÏÂÌÚ‡ ÒÍËÔËÚ ËÎË ÌÂÛÒÚÓȘ˂‡, ÔÓÒÏÓÚËÚÂ
ÒıÂÏÛ Ò·ÓÍË Ë Á‡ÚflÌËÚ ‚Ò ‚ËÌÚ˚.
èË ÔÂÂÏ¢ÂÌËË ÒÓ·‡ÌÌÓ„Ó ËÌÒÚÛÏÂÌÚ‡
‚Ò„‰‡ ·ÂËÚÂÒ¸ Á‡ ÌËÊÌ˛˛ ˜‡ÒÚ¸ ÓÒÌÓ‚ÌÓ„Ó
·ÎÓ͇.
ÇçàåÄçàÖ!
ç ·ÂËÚÂÒ¸ Á‡ Í˚¯ÍÛ Í·‚ˇÚÛ˚ ËÎË Â ‚ÂıÌ˛˛
˜‡ÒÚ¸. çÂÔ‡‚Ëθ̇fl ˝ÍÒÔÎÛ‡Ú‡ˆËfl ÏÓÊÂÚ ÔË‚ÂÒÚË Í
‚˚ıÓ‰Û ËÌÒÚÛÏÂÌÚ‡ ËÁ ÒÚÓfl ËÎË Í Ú‡‚ÏÂ.
ÅÂËÚÂÒ¸ Á‰ÂÒ¸.
ç ·ÂËÚÂÒ¸ Á‰ÂÒ¸.
68
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
CLP240E.book Page 69 Wednesday, April 6, 2005 4:02 PM
àÒÔÓθÁÓ‚‡ÌË ‰ËÒÍÓ‚Ó‰‡ „Ë·ÍËı ‰ËÒÍÓ‚ (FDD) Ë ‰ËÒÍÂÚ (CLP-240)
àÒÔÓθÁÓ‚‡ÌË ‰ËÒÍÓ‚Ó‰‡ „Ë·ÍËı
‰ËÒÍÓ‚ (FDD) Ë ‰ËÒÍÂÚ (CLP-240)
Ç ÔˇÌËÌÓ CLP-240 ÏÓÊÌÓ ÛÒÚ‡ÌÓ‚ËÚ¸ ‰ËÒÍÓ‚Ó‰ „Ë·ÍËı
‰ËÒÍÓ‚. àÌÒÚÛ͈ËË ÔÓ ÛÒÚ‡ÌÓ‚Í ‰ËÒÍÓ‚Ó‰‡ „Ë·ÍËı ‰ËÒÍÓ‚
ÒÏ. ̇ ÒÚ. 70.
ÑËÒÍÓ‚Ó‰ ÔÓÁ‚ÓÎflÂÚ ÒÓı‡ÌflÚ¸ ̇ ‰ËÒÍÂÚÛ ‰‡ÌÌ˚Â, ÒÓÁ‰‡ÌÌ˚Â
‚‡ÏË Ì‡ ËÌÒÚÛÏÂÌÚÂ, ‡ Ú‡ÍÊ Á‡„Ûʇڸ ‰‡ÌÌ˚Â Ò ‰ËÒÍÂÚ˚.
ÅÂÂÊÌÓ Ó·‡˘‡ÈÚÂÒ¸ Ò ‰ËÒÍÂÚ‡ÏË Ë ‰ËÒÍÓ‚Ó‰ÓÏ. èËÌËχÈÚÂ
‚Ò Û͇Á‡ÌÌ˚ ÏÂ˚ Ô‰ÓÒÚÓÓÊÌÓÒÚË.
ëÓ‚ÏÂÒÚËÏ˚ ‰ËÒÍÂÚ˚
• åÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ‰ËÒÍÂÚ˚ 3,5" 2DD Ë 2HD.
îÓχÚËÓ‚‡ÌË ‰ËÒÍÂÚ˚
• ÖÒÎË Ì ۉ‡ÂÚÒfl ËÒÔÓθÁÓ‚‡Ú¸ ÌÓ‚˚ ˜ËÒÚ˚ ‰ËÒÍÂÚ˚ ËÎË
‰ËÒÍÂÚ˚, ÍÓÚÓ˚ ËÒÔÓθÁÓ‚‡ÎËÒ¸ ̇ ‰Û„Ëı ÛÒÚÓÈÒÚ‚‡ı, Ëı
ÌÛÊÌÓ ÓÚÙÓχÚËÓ‚‡Ú¸. àÌÒÚÛ͈ËË ÔÓ ÙÓχÚËÓ‚‡Ì˲
‰ËÒÍÂÚ˚ ÒÏ. ̇ ÒÚ. 39. èÓÏÌËÚÂ, ˜ÚÓ ÔÓÒΠÙÓχÚËÓ‚‡ÌËfl
‚Ò ‰‡ÌÌ˚ ̇ ‰ËÒÍÂÚ ·Û‰ÛÚ ÛÌ˘ÚÓÊÂÌ˚. ᇇÌÂÂ
Ôӂ¸ÚÂ, ÂÒÚ¸ ÎË Ì‡ ‰ËÒÍÂÚ ‚‡ÊÌ˚ ‰‡ÌÌ˚Â.
ÑËÒÍÂÚ˚, ÓÚÙÓχÚËÓ‚‡ÌÌ˚ ̇ ˝ÚÓÏ ÛÒÚÓÈÒÚ‚Â, ÏÓ„ÛÚ ·˚Ú¸
ÌÂÔË„Ó‰Ì˚ ‰Îfl ËÒÔÓθÁÓ‚‡ÌËfl ̇ ‰Û„ÓÏ ÛÒÚÓÈÒÚ‚Â.
ìÒÚ‡Ìӂ͇ Ë Û‰‡ÎÂÌË ‰ËÒÍÂÚ
ìÒÚ‡Ìӂ͇ ‰ËÒÍÂÚ˚ ‚ ‰ËÒÍÓ‚Ó‰
ÑÂÊËÚ ‰ËÒÍÂÚÛ Ì‡ÍÎÂÈÍÓÈ ‚‚Âı, ÒÍÓθÁfl˘ÂÈ ¯ÚÓÍÓÈ ‚Ô‰
ÔÓ Ì‡Ô‡‚ÎÂÌ˲ Í ÔÓÂÁË ‰ËÒÍÓ‚Ó‰‡. éÒÚÓÓÊÌÓ ‚ÒÚ‡‚¸ÚÂ
‰ËÒÍÂÚÛ ‚ „ÌÂÁ‰Ó Ë Ïfl„ÍÓ ÚÓÎÍÌËÚ ‚Ô‰, ÔÓ͇ Ì ÛÒÎ˚¯ËÚÂ
˘ÂΘÓÍ Ë Ì ‚˚ÒÍÓ˜ËÚ ÍÌÓÔ͇ ‰ËÒÍÓ‚Ó‰‡.
ç ‚ÒÚ‡‚ÎflÈÚ ‚ ‰ËÒÍÓ‚Ó‰ Ì˘„Ó, ÍÓÏ ‰ËÒÍÂÚ.
ÑÛ„Ë Ô‰ÏÂÚ˚ ÏÓ„ÛÚ ÔÓ‚‰ËÚ¸ ‰ËÒÍÓ‚Ó‰
ËÎË ‰ËÒÍÂÚÛ.
쉇ÎÂÌË ‰ËÒÍÂÚ˚
• èÓÒΠÚÓ„Ó Í‡Í Û·Â‰ËÚÂÒ¸, ˜ÚÓ ËÌÒÚÛÏÂÌÚ Ì ӷ‡˘‡ÂÚÒfl Í
‰ËÒÍÂÚ (Ì „ÓËÚ Ë̉Ë͇ÚÓ Ì‡ ‰ËÒÍÓ‚Ó‰Â), ̇ÊÏËÚ ‰Ó
ÛÔÓ‡ ÍÌÓÔÍÛ, ÍÓÚÓ‡fl ̇ıÓ‰ËÚÒfl ‚ Ô‡‚ÓÏ ‚ÂıÌÂÏ Û„ÎÛ
‰ËÒÍÓ‚Ó‰‡, ˜ÚÓ·˚ ËÁ‚Θ¸ ‰ËÒÍÂÚÛ. äÓ„‰‡ ‰ËÒÍÂÚ‡
‚˚‰‚ËÌÂÚÒfl, ‚˚Ú‡˘Ëڠ ËÁ ‰ËÒÍÓ‚Ó‰‡. ÖÒÎË ‰ËÒÍÂÚÛ ÌÂ
Û‰‡ÂÚÒfl ‚˚Ú‡˘ËÚ¸, Ì ÔËÏÂÌflÈÚ ÒËÎÛ. ֢ ‡Á ÔÓÔÓ·ÛÈÚÂ
̇ʇڸ ̇ ÍÌÓÔÍÛ ‚˚‰‚ËÊÂÌËfl ËÎË ÔÓ‚ÚÓÌÓ ‚ÒÚ‡‚ËÚ¸
‰ËÒÍÂÚÛ Ë ÔÓÔ˚Ú‡Ú¸Òfl ‚˚‰‚ËÌÛÚ¸ ÂÂ.
* ç ‚˚ÔÓÎÌfl˛ÚÒfl ÓÔ‡ˆËË, Ú‡ÍËÂ Í‡Í Á‡ÔËÒ¸,
‚ÓÒÔÓËÁ‚‰ÂÌË ËÎË Û‰‡ÎÂÌË ‰‡ÌÌ˚ı. ÖÒÎË ÔËÚ‡ÌËÂ
‚Íβ˜ÂÌÓ Ë ‚˚ ‚ÒÚ‡‚ÎflÂÚ ‰ËÒÍÂÚÛ, ËÌÒÚÛÏÂÌÚ
‡‚ÚÓχÚ˘ÂÒÍË Ó·‡˘‡ÂÚÒfl Í ÌÂÈ, ˜ÚÓ·˚ ÔÓ‚ÂËÚ¸
̇΢ˠ‰‡ÌÌ˚ı.
ÇçàåÄçàÖ!
é˜ËÒÚ͇ „ÓÎÓ‚ÍË ‰ËÒÍÓ‚Ó‰‡ ‰Îfl ˜ÚÂÌËfl/
Á‡ÔËÒË ‰‡ÌÌ˚ı
• çÂÓ·ıÓ‰ËÏÓ Â„ÛÎflÌÓ ˜ËÒÚËÚ¸ „ÓÎÓ‚ÍÛ ˜ÚÂÌËfl/Á‡ÔËÒË
‰‡ÌÌ˚ı. àÌÒÚÛÏÂÌÚ ÓÒ̇˘ÂÌ Ï‡„ÌËÚÌÓÈ „ÓÎÓ‚ÍÓÈ ‚˚ÒÓÍÓÈ
ÚÓ˜ÌÓÒÚË, ̇ ÍÓÚÓÓÈ ÔÓÒΠ‰ÎËÚÂθÌÓ„Ó ËÒÔÓθÁÓ‚‡ÌËfl
Ó·‡ÁÛÂÚÒfl ÒÎÓÈ Ï‡„ÌËÚÌ˚ı ˜‡ÒÚˈ Ò ‰ËÒÍÂÚ, ˜ÚÓ ÒÓ ‚ÂÏÂÌÂÏ
ÏÓÊÂÚ ÔË‚ÂÒÚË Í Ó¯Ë·Í‡Ï ‚Ó ‚ÂÏfl ˜ÚÂÌËfl Ë Á‡ÔËÒË ‰‡ÌÌ˚ı.
• óÚÓ·˚ ÔÓ‰‰ÂÊË‚‡Ú¸ ‰ËÒÍÓ‚Ó‰ ‚ ‡·Ó˜ÂÏ ÒÓÒÚÓflÌËË,
ÍÓÔÓ‡ˆËfl Yamaha ÂÍÓÏẨÛÂÚ ‡Á ‚ ÏÂÒflˆ ËÒÔÓθÁÓ‚‡Ú¸
ÒÔˆˇθÌÛ˛ ‰ËÒÍÂÚÛ ÒÛıÓ„Ó ÚËÔ‡ (Ëϲ˘Û˛Òfl ‚ ÔÓ‰‡ÊÂ)
‰Îfl Ó˜ËÒÚÍË „ÓÎÓ‚ÍË. Ç˚flÒÌËÚ¸, ÂÒÚ¸ ÎË ‚ ÔÓ‰‡Ê ˜ËÒÚfl˘ËÂ
‰ËÒÍÂÚ˚, ÏÓÊÌÓ Û ÏÂÒÚÌÓ„Ó Ô‰ÒÚ‡‚ËÚÂÎfl ÍÓÔÓ‡ˆËË
Yamaha.
ÑËÒÍÂÚ˚
é·‡˘‡ÈÚÂÒ¸ Ò ‰ËÒÍÂÚ‡ÏË ‡ÍÍÛ‡ÚÌÓ
Ë Òӷ≇ÈÚ ÒÎÂ‰Û˛˘Ë ÏÂ˚
Ô‰ÓÒÚÓÓÊÌÓÒÚË.
• ç ÒÚ‡‚¸Ú ̇ ‰ËÒÍÂÚ˚ ÚflÊÂÎ˚ Ô‰ÏÂÚ˚, Ì ҄˷‡ÈÚÂ Ë ÌÂ
ÔËÏÂÌflÈÚ ÒËÎÛ ÔË Ó·‡˘ÂÌËË Ò ÌËÏË. äÓ„‰‡ ‰ËÒÍÂÚ˚ ÌÂ
ËÒÔÓθÁÛ˛ÚÒfl, ı‡ÌËÚ Ëı ‚ ÍÓӷ͇ı.
• ç ÔÓ‰‚„‡ÈÚ ‰ËÒÍÂÚ˚ ‚ÓÁ‰ÂÈÒڂ˲ ÔflÏÓ„Ó ÒÓÎ̘ÌÓ„Ó
Ò‚ÂÚ‡, ÒÎ˯ÍÓÏ ÌËÁÍËı Ë ‚˚ÒÓÍËı ÚÂÏÔ‡ÚÛ, ËÁ·˚ÚÓ˜ÌÓÈ
‚·ÊÌÓÒÚË, ËÁ·Â„‡ÈÚ Ò͇ÔÎË‚‡ÌËfl ̇ ÌËı Ô˚ÎË Ë ÔÓÔ‡‰‡ÌËfl
ÊˉÍÓÒÚË.
• ç ÒΉÛÂÚ ÓÚÍ˚‚‡Ú¸ ¯ÚÓÍÛ Ë ÔË͇҇ڸÒfl Í Ï‡„ÌËÚÌÓÈ
ÔÓ‚ÂıÌÓÒÚË ‰ËÒÍÂÚ˚.
• ç ÔÓ‰‚„‡ÈÚ ‰ËÒÍÂÚ˚ ‚ÓÁ‰ÂÈÒڂ˲ χ„ÌËÚÌ˚ı ÔÓÎÂÈ
ÚÂ΂ËÁÓÓ‚, ‰Ë̇ÏËÍÓ‚, ˝ÎÂÍÚÓÏÓÚÓÓ‚ Ë Ú. ‰., Ú‡Í Í‡Í
χ„ÌËÚÌ˚ ÔÓÎfl ÏÓ„ÛÚ ÔÓÎÌÓÒÚ¸˛ ËÎË ˜‡ÒÚ˘ÌÓ ÒÚÂÂÚ¸
‰‡ÌÌ˚ ̇ ‰ËÒÍÂÚÂ, ҉·‚  ÌÂÔË„Ó‰ÌÓÈ ‰Îfl
ËÒÔÓθÁÓ‚‡ÌËfl.
• çËÍÓ„‰‡ Ì ËÒÔÓθÁÛÈÚ ‰ËÒÍÂÚ˚ Ò ‰ÂÙÓÏËÓ‚‡ÌÌÓÈ
¯ÚÓÍÓÈ ËÎË ÍÓÔÛÒÓÏ.
• ç ̇ÍÎÂË‚‡ÈÚ ̇ ‰ËÒÍÂÚÛ Ì˘„Ó, ÍÓÏ ÔÓÒÚ‡‚ÎflÂÏ˚ı Ò ÌÂÈ
̇ÍÎÂÂÍ. èËÍÂÔÎflÈÚ ̇ÍÎÂÈÍË ‚ Ô‰̇Á̇˜ÂÌÌÓÏ ‰Îfl
˝ÚÓ„Ó ÏÂÒÚÂ.
ᇢËÚ‡ ‰‡ÌÌ˚ı (Á‡˘ËÚ‡ ÓÚ Á‡ÔËÒË)
• óÚÓ·˚ ÒÎÛ˜‡ÈÌÓ Ì ۉ‡ÎËÚ¸ ‚‡ÊÌ˚ ‰‡ÌÌ˚Â, ÔÂÂÏÂÒÚËÚÂ
Á‡˘ÂÎÍÛ ‚ ÔÓÎÓÊÂÌË «Á‡˘ËÚ˚» (ÓÚ‚ÂÒÚË ÓÚÍ˚ÚÓ). äÓ„‰‡
ÌÛÊÌÓ Á‡ÔËÒ‡Ú¸ ‰‡ÌÌ˚Â, Á‡˘ÂÎ͇ ‰ÓÎÊ̇ ·˚Ú¸ ‚ ÔÓÎÓÊÂÌËË
«Á‡ÔËÒ¸» (ÓÚ‚ÂÒÚË Á‡Í˚ÚÓ).
ᇢËÚ‡ ÓÚ Á‡ÔËÒË
ÛÒÚ‡ÌÓ‚ÎÂ̇
(ÔÓÎÓÊÂÌËÂ
Á‡˘ËÚ˚).
ç ‚˚ÌËχÈÚ ‰ËÒÍÂÚÛ Ë Ì ‚˚Íβ˜‡ÈÚ ËÌÒÚÛÏÂÌÚ, ÂÒÎË ÂÒÚ¸
Ó·‡˘ÂÌËÂ Í ‰ËÒÍÂÚÂ.
ùÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓÚ ‰‡ÌÌ˚ı Ë Í ÔÓ‚ÂʉÂÌ˲
‰ËÒÍÓ‚Ó‰‡.
• èÂʉ ˜ÂÏ ÓÚÍβ˜‡Ú¸ ÔËÚ‡ÌËÂ, ۷‰ËÚÂÒ¸, ˜ÚÓ ‚ ‰ËÒÍÓ‚Ó‰Â
ÌÂÚ ‰ËÒÍÂÚ˚. ÖÒÎË ‰ËÒÍÂÚ‡ ̇ıÓ‰ËÚÒfl ‚ ‰ËÒÍÓ‚Ó‰Â
‰ÎËÚÂθÌÓ ‚ÂÏfl, Ó̇ ÏÓÊÂÚ ÔÓÍ˚Ú¸Òfl Ô˚θ˛ Ë „flÁ¸˛, ‡
˝ÚÓ ‚˚Á˚‚‡ÂÚ Ó¯Ë·ÍË ÔË ˜ÚÂÌËË ËÎË Á‡ÔËÒË.
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
69
CLP240E.book Page 70 Wednesday, April 6, 2005 4:02 PM
ìÒÚ‡Ìӂ͇ ‰ËÒÍÓ‚Ó‰‡ „Ë·ÍËı ‰ËÒÍÓ‚ (ÔÓÒÚ‡‚ÎflÂÚÒfl ÔÓ Á‡Í‡ÁÛ)
ìÒÚ‡Ìӂ͇ ‰ËÒÍÓ‚Ó‰‡ „Ë·ÍËı ‰ËÒÍÓ‚
(ÔÓÒÚ‡‚ÎflÂÚÒfl ÔÓ Á‡Í‡ÁÛ)
çÂÓ·flÁ‡ÚÂθÌ˚È ‰ËÒÍÓ‚Ó‰ UD-FD01 ÏÓÊÌÓ ÛÒÚ‡ÌÓ‚ËÚ¸ ‚ ÌËÊÌÂÈ ˜‡ÒÚË CLP-240 Ò ÔÓÏÓ˘¸˛ ÍÓÊÛı‡ Ë
‚ËÌÚÓ‚, ‚ıÓ‰fl˘Ëı ‚ ÔÓÒÚ‡‚ÍÛ.
èË„ÓÚÓ‚¸Ú ÍÂÒÚÓ‚Û˛ ÓÚ‚ÂÚÍÛ Ò
̇ÍÓ̘ÌËÍÓÏ Phillips (+).
1.
쉇ÎËÚ ÚË ·ÛχÊÌ˚ ÔÓ‰ÎÓÊÍË Ò ÍÎÂÈÍÓÈ
ÎÂÌÚ˚ ‚ ÍÓÊÛıÂ Ë ÔÓÏÂÒÚËÚ ‰ËÒÍÓ‚Ó‰ ‚ ÍÓÊÛı.
3.
ëÚÓÓ̇ Ò ÂÁËÌÓ‚˚ÏË Ó„‡Ì˘ËÚÂÎflÏË ‰ÓÎÊ̇ ·˚Ú¸
Ó·‡˘Â̇ Í ÍÓÊÛıÛ.
Ñ‚ÛÒÚÓÓÌÌflfl ÍÎÂÈ͇fl ÎÂÌÚ‡
2.
70
ë‚ÂÌËÚ ͇·Âθ USB ‚ÌÛÚË ÍÓÊÛı‡, ͇Í
ÔÓ͇Á‡ÌÓ.
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
4.
èËÍÂÔËÚ ‰ËÒÍÓ‚Ó‰ ‚ ÍÓÊÛı Ò΂‡ Í ÌËÊÌÂÈ
ÒÚÓÓÌ ËÌÒÚÛÏÂÌÚ‡ Ò ÔÓÏÓ˘¸˛ ˜ÂÚ˚Âı
ÔË·„‡ÂÏ˚ı ‚ËÌÚÓ‚ (4 ÏÏ x 10 ÏÏ).
èÓ‰Íβ˜ËÚ ͇·Âθ USB Í ‡Á˙ÂÏÛ
[TO DEVICE].
CLP240E.book Page 71 Wednesday, April 6, 2005 4:02 PM
ëÔËÒÓÍ ‚ÒÚÓÂÌÌ˚ı ÚÂÏ·Ó‚
ëÔËÒÓÍ ‚ÒÚÓÂÌÌ˚ı ÚÂÏ·Ó‚
: ч
: çÂÚ
CLP-240
ç‡Á‚‡ÌË ÚÂÏ·‡
GRANDPIANO 1
VARIATION
GRANDPIANO 2
VARIATION
E.PIANO 1
VARIATION
E.PIANO 2
VARIATION
HARPSICHORD
VARIATION
E. CLAVICHORD
VARIATION
VIBRAPHONE
VARIATION
CHURCH ORGAN
ëÚÂÂÓÒ˝ÏÔÎËÓ‚‡ÌËÂ
óÛ‚ÒÚ‚ËÚÂθÌÓÒÚ¸
Í ÒËÎÂ
̇ʇÚËfl
ÑË̇Ï˘ÂÒÍÓÂ
Ò˝ÏÔÎËÓ‚‡ÌËÂ*1
ë˝ÏÔÎËÓ‚‡ÌË Á‚Û͇
ÓÚÔÛ˘ÂÌÌ˚ı
Í·‚˯*2
éÔËÒ‡ÌË ÚÂÏ·Ó‚
á‡ÔËÒË Ò˝ÏÔÎÓ‚ ÔÓÎÌÓ„Ó ÍÓ̈ÂÚÌÓ„Ó ÓflÎfl. ÇÍβ˜ÂÌ˚ ÚË ÛÓ‚Ìfl
‰Ë̇Ï˘ÂÒÍÓ„Ó Ò˝ÏÔÎËÓ‚‡ÌËfl, Ò˝ÏÔÎ˚ Ô‡‚ÓÈ Ô‰‡ÎË Ë Ò˝ÏÎ˚
ÓÚÔÛ˘ÂÌÌ˚ı Í·‚˯, ˜ÚÓ ÔÓÁ‚ÓÎflÂÚ ‰Ó·ËÚ¸Òfl ‡ÎËÒÚ˘ÌÓ„Ó
Á‚Û˜‡ÌËfl ‡ÍÛÒÚ˘ÂÒÍÓ„Ó ÓflÎfl. ùÚÓÚ ÚÂÏ· Ô‚ÓÒıÓ‰ÌÓ ÔÓ‰ıÓ‰ËÚ
‰Îfl ËÒÔÓÎÌÂÌËfl Í·ÒÒ˘ÂÒÍËı ÏÛÁ˚͇θÌ˚ı ÔÓËÁ‚‰ÂÌËÈ, ‡ Ú‡ÍÊÂ
‰Û„Ëı ÔÓËÁ‚‰ÂÌËÈ, ËÒÔÓÎÌflÂÏ˚ı ̇ ‡ÍÛÒÚ˘ÂÒÍÓÏ ÙÓÚÂÔ¸flÌÓ.
íÂÔÎ˚È Ë Ïfl„ÍËÈ Á‚ÛÍ ÙÓÚÂÔ¸flÌÓ. ïÓÓ¯Ó ÔÓ‰ıÓ‰ËÚ ‰Îfl
Í·ÒÒ˘ÂÒÍËı ÔÓËÁ‚‰ÂÌËÈ.
é·˙ÂÏÌ˚È Ë ˜ËÒÚ˚È Á‚ÛÍ ÙÓÚÂÔ¸flÌÓ Ò flÍÓÈ Â‚Â·Â‡ˆËÂÈ.
èÓ‰ıÓ‰ËÚ ‰Îfl ÔÓÔÛÎflÌÓÈ ÏÛÁ˚ÍË.
ÜË‚ÓÈ Ó·˙ÂÏÌ˚È Á‚ÛÍ ÙÓÚÂÔ¸flÌÓ. èÓ‰ıÓ‰ËÚ ‰Îfl ÔÓÔÛÎflÌÓÈ ËÎË
ÓÍ-ÏÛÁ˚ÍË.
á‚ÛÍ ˝ÎÂÍÚ˘ÂÒÍÓ„Ó ÔˇÌËÌÓ, ÒÓÁ‰‡‚‡ÂÏ˚È Ò ÔÓÏÓ˘¸˛ ˜‡ÒÚÓÚÌÓÈ
ÏÓ‰ÛÎflˆËË. óÂÁ‚˚˜‡ÈÌÓ «ÏÛÁ˚͇θÌ˚È» ÒÚËθ, ‚ ÍÓÚÓÓÏ
ÒÓ˜ÂÚ‡˛ÚÒfl ‡Á΢Ì˚ ÚÂÏ·˚ ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ ‰Ë̇Ï˘ÂÒÍËı
Ò‚ÓÈÒÚ‚ Í·‚ˇÚÛ˚. èÓ‰ıÓ‰ËÚ ‰Îfl Ó·˚˜ÌÓÈ ÔÓÔÛÎflÌÓÈ ÏÛÁ˚ÍË.
ëËÌÚÂÁËÓ‚‡ÌÌ˚È Á‚ÛÍ ˝ÎÂÍÚÓÌÌÓ„Ó ÔˇÌËÌÓ, ˜‡ÒÚÓ ËÒÔÓθÁÛÂÏ˚È
‚ ÔÓÔÛÎflÌÓÈ ÏÛÁ˚ÍÂ. Ç ÂÊËÏ ̇ÎÓÊÂÌËfl ÚÂÏ·Ó‚ (DUAL) ÓÌ
ıÓÓ¯Ó ÒÓ˜ÂÚ‡ÂÚÒfl ÒÓ Á‚Û˜‡ÌËÂÏ ‡ÍÛÒÚ˘ÂÒÍÓ„Ó ÙÓÚÂÔ¸flÌÓ.
á‚ÛÍ ˝ÎÂÍÚ˘ÂÒÍÓ„Ó ÙÓÚÂÔ¸flÌÓ, ÒÓÁ‰‡‚‡ÂÏ˚È ÔË Û‰‡Â
ÏÓÎÓÚÓ˜ÍÓ‚ Ó ÏÂÚ‡Î΢ÂÒÍË Ô·ÒÚËÌÍË. åfl„ÍËÈ ÚÓÌ ÔË Î„ÍÓÏ
̇ʇÚËË Ì‡ Í·‚Ë¯Ë Ë ‡„ÂÒÒË‚Ì˚È ÔË ·ÓΠÒËθÌÓÏ.
ë΄͇ ËÁÏÂÌÂÌÌ˚È Á‚ÛÍ ˝ÎÂÍÚ˘ÂÒÍÓ„Ó ÔˇÌËÌÓ, ˜‡ÒÚÓ
ËÒÔÓθÁÛÂÏ˚È ‚ ÔÓÔÛÎflÌÓÈ Ë ÓÍ-ÏÛÁ˚ÍÂ.
á‚Û˜‡ÌË ˝ÚÓ„Ó ËÌÒÚÛÏÂÌÚ‡ ı‡‡ÍÚÂÌÓ ‰Îfl ÏÛÁ˚ÍË ·‡ÓÍÍÓ.
ä·‚ÂÒËÌ – ˝ÚÓ ÒÚÛÌÌ˚È ËÌÒÚÛÏÂÌÚ, ÍÓÚÓ˚È Ì ‡„ËÛÂÚ Ì‡ ÒËÎÛ
̇ʇÚËfl ̇ Í·‚˯Ë. é‰Ì‡ÍÓ ‰Îfl ˝ÚÓ„Ó ÒÚËÎfl ı‡‡ÍÚÂÂÌ
ÓÒÓ·ÂÌÌ˚È Á‚ÛÍ, ÒÓÁ‰‡‚‡ÂÏ˚È ÓÚÔÛ˘ÂÌÌ˚ÏË Í·‚˯‡ÏË.
íÓÚ Ê ҇Ï˚È ÚÂÏ·, Á‚Û˜‡˘ËÈ Ì‡ ÓÍÚ‡‚Û ‚˚¯Â ‰Îfl ÔÓÎÛ˜ÂÌËfl
·ÓΠflÍÓ„Ó Á‚Û͇.
åÓÎÓÚÓ˜ÍÓ‚˚È Í·‚˯Ì˚È ËÌÒÚÛÏÂÌÚ, ‚ ÍÓÚÓÓÏ Á‚ÛÍ Ó·‡ÁÛÂÚÒfl Ò
ÔÓÏÓ˘¸˛ ˝ÎÂÍÚ˘ÂÒÍËı Á‚ÛÍÓÒÌËχÚÂÎÂÈ. ó‡ÒÚÓ ËÒÔÓθÁÛÂÚÒfl ‚
ÒÚËÎflı «Ù‡ÌÍ» Ë «ÒÓÛλ. Ö„Ó ÚÓÌ ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ ı‡‡ÍÚÂÌÓÏÛ Á‚ÛÍÛ
ÓÚÔÛ˘ÂÌÌ˚ı Í·‚˯.
ÇÍβ˜‡ÂÚ ÒÔˆËÙ˘ÂÒÍËÈ ‚ÒÚÓÂÌÌ˚È ˝ÙÙÂÍÚ.
ÇË·ÓÙÓÌ ÒÓ Ò‡‚ÌËÚÂθÌÓ Ïfl„ÍËÏË ÍÓÎÓÚۯ͇ÏË. óÂÏ ÒËθÌÂÂ
Û‰‡˚ ÔÓ Í·‚˯‡Ï, ÚÂÏ ·ÓΠÏÂÚ‡Î΢ÂÒÍËÏ ÒÚ‡ÌÓ‚ËÚÒfl ÚÓÌ.
ëÚÂÂÓÒ˝ÏÔÎËÓ‚‡ÌÌ˚È, Ó·˙ÂÏÌ˚È Ë Â‡ÎËÒÚ˘Ì˚È Á‚ÛÍ Ï‡ËÏ·˚.
íËÔ˘Ì˚È Á‚ÛÍ Ó„‡Ì‡ Ò Â„ËÒÚ‡ÏË 8 ÙÛÚÓ‚, 4 ÙÛÚ‡ Ë 2 ÙÛÚ‡.
ïÓÓ¯ ‰Îfl ËÒÔÓÎÌÂÌËfl ‰ÛıÓ‚ÌÓÈ ÏÛÁ˚ÍË ÔÂËÓ‰‡ ·‡ÓÍÍÓ.
VARIATION
á‚ÛÍ ÔÓÎÌÓÈ ÍÓÔÛÎ˚ Ó„‡Ì‡, ˜‡ÒÚÓ ‡ÒÒÓˆËËÛÂÏ˚È Ò «íÓÍ͇ÚÓÈ Ë
ÙÛ„ÓÈ» à.ë.Ňı‡.
JAZZ ORGAN
á‚ÛÍ ˝ÎÂÍÚÓÓ„‡Ì‡ ÚËÔ‡ «tonewheel» (ÚÂıÌÓÎÓ„Ëfl «ÙÓÌ˘ÂÒÍÓ„Ó
ÍÓÎÂÒ‡»). òËÓÍÓ ËÒÔÓθÁÛÂÚÒfl ‚ ‰Ê‡ÁÓ‚˚ı Ë ÓÍ-ÒÚËÎflı.
VARIATION
ùÙÙÂÍÚ ‚‡˘‡˛˘Â„ÓÒfl ‰Ë̇ÏË͇ Ò ‡Á΢ÌÓÈ ÒÍÓÓÒÚ¸˛.
ëÍÓÓÒÚ¸ ‚‡Ë‡ˆËÈ ÔË ˝ÚÓÏ ·Óθ¯Â. ÖÒÎË ˝ÙÙÂÍÚ «variation»
ÔËÏÂÌflÂÚÒfl ÔË ‡ÍÍÓ‰Ó‚ÓÈ Ë„Â, Â„Ó ÒÍÓÓÒÚ¸ ·Û‰ÂÚ ÔÓÒÚÓflÌÌÓ
ÏÂÌflÚ¸Òfl.
STRINGS
ëÚÂÂÓÒ˝ÏÔÎËÓ‚‡ÌÌ˚È ·Óθ¯ÓÈ ÒÚÛÌÌ˚È ‡Ì҇Ϸθ Ò
‡ÎËÒÚ˘ÌÓÈ Â‚Â·Â‡ˆËÂÈ. èÓÔÓ·ÛÈÚ ÒÓ‰ËÌËÚ¸ ˝ÚÓÚ ÚÂÏ· Ò
ÙÓÚÂÔ¸flÌÓ ‚ ÂÊËÏ DUAL.
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
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ëÔËÒÓÍ ‚ÒÚÓÂÌÌ˚ı ÚÂÏ·Ó‚
ç‡Á‚‡ÌË ÚÂÏ·‡
ëÚÂÂÓÒ˝ÏÔÎËÓ‚‡ÌËÂ
VARIATION
CHOIR
VARIATION
GUITAR
VARIATION
WOOD BASS
VARIATION
E.BASS
VARIATION
óÛ‚ÒÚ‚ËÚÂθÌÓÒÚ¸
Í ÒËÎÂ
̇ʇÚËfl
ÑË̇Ï˘ÂÒÍÓÂ
Ò˝ÏÔÎËÓ‚‡ÌËÂ*1
ë˝ÏÔÎËÓ‚‡ÌË Á‚Û͇
ÓÚÔÛ˘ÂÌÌ˚ı
Í·‚˯*2
éÔËÒ‡ÌË ÚÂÏ·Ó‚
ë‚Ó·Ó‰Ì˚È Á‚ÛÍ ÒÚÛÌÌÓ„Ó ‡Ì҇ϷÎfl Ò Ï‰ÎÂÌÌÓÈ ‡Ú‡ÍÓÈ.
èÓÔÓ·ÛÈÚ ÒÓ‰ËÌËÚ¸ ˝ÚÓÚ ÚÂÏ· Ò ÙÓÚÂÔ¸flÌÓ ËÎË ˝ÎÂÍÚ˘ÂÒÍËÏ
ÔˇÌËÌÓ ‚ ÂÊËÏ DUAL.
ÅÓθ¯ÓÈ Ò‚Ó·Ó‰Ì˚È Á‚ÛÍ ıÓ‡. à‰Â‡ÎÂÌ ‰Îfl ÒÓÁ‰‡ÌËfl ·Ó„‡Ú˚ı
„‡ÏÓÌËÈ ‚ ωÎÂÌÌÓÈ ÏÛÁ˚ÍÂ.
ïÓÓ‚ÓÈ ÚÂÏ· Ò Ï‰ÎÂÌÌÓÈ ‡Ú‡ÍÓÈ. èÓÔÓ·ÛÈÚ ÒÓ‰ËÌËÚ¸ ˝ÚÓÚ
ÚÂÏ· Ò ÙÓÚÂÔ¸flÌÓ ËÎË ˝ÎÂÍÚ˘ÂÒÍËÏ ÔˇÌËÌÓ ‚ ÂÊËÏ DUAL.
íÂÔÎ˚È Ë ÂÒÚÂÒÚ‚ÂÌÌ˚È Á‚ÛÍ „ËÚ‡˚ Ò ÌÂÈÎÓÌÓ‚˚ÏË ÒÚÛ̇ÏË. èË
Ë„Â ÒÓÁ‰‡ÂÚÒfl ÔËflÚ̇fl, ÒÔÓÍÓÈ̇fl ‡ÚÏÓÒÙ‡.
üÍËÈ Á‚ÛÍ ˝ÎÂÍÚÓ„ËÚ‡˚. èÓ‰ıÓ‰ËÚ ‰Îfl ËÒÔÓÎÌÂÌËfl ÔÓÔÛÎflÌÓÈ
ÏÛÁ˚ÍË.
äÓÌÚ‡·‡Ò Ò ı‡‡ÍÚÂÌ˚Ï Á‚ÛÍÓÏ, Í‡Í ÔË Ô‡Î¸ˆÂ‚ÓÈ Ë„Â.
à‰Â‡Î¸Ì˚È ÒÚËθ ‰Îfl ËÒÔÓÎÌÂÌËfl ‰Ê‡ÁÓ‚ÓÈ Ë Î‡ÚËÌÓ‡ÏÂË͇ÌÒÍÓÈ
ÏÛÁ˚ÍË.
Å‡Ò ÒÓ˜ÂÚ‡ÂÚÒfl ÒÓ Á‚ÛÍÓÏ Ú‡ÂÎÓÍ. à‰Â‡Î¸Ì˚È ÒÚËθ ‰Îfl
«·ÎÛʉ‡˛˘Ëı» ·‡ÒÓ‚˚ı ÎËÌËÈ ‚ ‰Ê‡ÁÓ‚˚ı ÏÂÎÓ‰Ëflı.
á‚ÛÍ ˝ÎÂÍÚ˘ÂÒÍÓÈ ·‡Ò-„ËÚ‡˚. èËÏÂÌflÂÚÒfl ‚ fl‰Â ÏÛÁ˚͇θÌ˚ı
ÒÚËÎÂÈ: ‰Ê‡ÁÂ, ÓÍÂ, ÔÓÔ-ÏÛÁ˚ÍÂ Ë Ú. ‰.
ÅÂÁ·‰Ó‚˚È ·‡Ò, ÔÓ‰ıÓ‰fl˘ËÈ ‰Îfl Ú‡ÍËı ÒÚËÎÂÈ, Í‡Í ‰Ê‡Á, Ù¸˛ÊÌ
Ë Ú. ‰.
*1. ÑË̇Ï˘ÂÒÍÓÂ Ò˝ÏÔÎËÓ‚‡ÌË ÔÓÁ‚ÓÎflÂÚ ‰Ó·ËÚ¸Òfl ÚÓ˜ÌÓ„Ó ÒÓÓÚ‚ÂÚÒÚ‚Ëfl ÚÂÏ·‡Ï ̇
‡ÍÛÒÚ˘ÂÒÍÓÏ ËÌÒÚÛÏÂÌÚÂ Ò ÔÓÏÓ˘¸˛ ·˚ÒÚÓ„Ó ÔÂÂÍβ˜ÂÌËfl Ò˝ÏÔÎÓ‚.
*2. ë˝ÏÔÎ ÏÓ‰ÂÎËÛÂÚ Ò··Ó Á‚Û˜‡ÌË ÓÚÔÛ˘ÂÌÌ˚ı Í·‚˯.
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ëÔËÒÓÍ ‚ÒÚÓÂÌÌ˚ı ÚÂÏ·Ó‚
: ч
: çÂÚ
CLP-230
ç‡Á‚‡ÌË ÚÂÏ·‡
ëÚÂÂÓÒ˝ÏÔÎËÓ‚‡ÌËÂ
óÛ‚ÒÚ‚ËÚÂθÌÓÒÚ¸
Í ÒËÎÂ
̇ʇÚËfl
ÑË̇Ï˘ÂÒÍÓÂ
Ò˝ÏÔÎËÓ‚‡ÌËÂ*1
ë˝ÏÔÎËÓ‚‡ÌË Á‚Û͇
ÓÚÔÛ˘ÂÌÌ˚ı
Í·‚˯*2
éÔËÒ‡ÌË ÚÂÏ·Ó‚
GRANDPIANO 1
á‡ÔËÒË Ò˝ÏÔÎÓ‚ ÔÓÎÌÓ„Ó ÍÓ̈ÂÚÌÓ„Ó ÓflÎfl. ùÚÓÚ ÚÂÏ·
Ô‚ÓÒıÓ‰ÌÓ ÔÓ‰ıÓ‰ËÚ ‰Îfl ËÒÔÓÎÌÂÌËfl Í·ÒÒ˘ÂÒÍËı ÏÛÁ˚͇θÌ˚ı
ÔÓËÁ‚‰ÂÌËÈ, ‡ Ú‡ÍÊ ‰Û„Ëı ÔÓËÁ‚‰ÂÌËÈ, ËÒÔÓÎÌflÂÏ˚ı ̇
‡ÍÛÒÚ˘ÂÒÍÓÏ ÙÓÚÂÔ¸flÌÓ.
GRANDPIANO 2
é·˙ÂÏÌ˚È Ë ˜ËÒÚ˚È Á‚ÛÍ ÙÓÚÂÔ¸flÌÓ Ò flÍÓÈ Â‚Â·Â‡ˆËÂÈ.
èÓ‰ıÓ‰ËÚ ‰Îfl ÔÓÔÛÎflÌÓÈ ÏÛÁ˚ÍË.
E.PIANO 1
á‚ÛÍ ˝ÎÂÍÚ˘ÂÒÍÓ„Ó ÔˇÌËÌÓ, ÒÓÁ‰‡‚‡ÂÏ˚È Ò ÔÓÏÓ˘¸˛ ˜‡ÒÚÓÚÌÓÈ
ÏÓ‰ÛÎflˆËË. èÓ‰ıÓ‰ËÚ ‰Îfl Ó·˚˜ÌÓÈ ÔÓÔÛÎflÌÓÈ ÏÛÁ˚ÍË.
E.PIANO 2
á‚ÛÍ ˝ÎÂÍÚ˘ÂÒÍÓ„Ó ÙÓÚÂÔ¸flÌÓ, ÒÓÁ‰‡‚‡ÂÏ˚È ÔË Û‰‡Â
ÏÓÎÓÚÓ˜ÍÓ‚ Ó ÏÂÚ‡Î΢ÂÒÍË Ô·ÒÚËÌÍË. åfl„ÍËÈ ÚÓÌ ÔË Î„ÍÓÏ
̇ʇÚËË Ì‡ Í·‚Ë¯Ë Ë ‡„ÂÒÒË‚Ì˚È ÔË ·ÓΠÒËθÌÓÏ.
HARPSICHORD 1
á‚Û˜‡ÌË ˝ÚÓ„Ó ËÌÒÚÛÏÂÌÚ‡ ı‡‡ÍÚÂÌÓ ‰Îfl ÏÛÁ˚ÍË ·‡ÓÍÍÓ.
ä·‚ÂÒËÌ – ˝ÚÓ ÒÚÛÌÌ˚È ËÌÒÚÛÏÂÌÚ, ÍÓÚÓ˚È Ì ‡„ËÛÂÚ Ì‡ ÒËÎÛ
̇ʇÚËfl ̇ Í·‚˯Ë. é‰Ì‡ÍÓ ‰Îfl ˝ÚÓ„Ó ÒÚËÎfl ı‡‡ÍÚÂÂÌ
ÓÒÓ·ÂÌÌ˚È Á‚ÛÍ, ÒÓÁ‰‡‚‡ÂÏ˚È ÓÚÔÛ˘ÂÌÌ˚ÏË Í·‚˯‡ÏË.
HARPSICHORD 2
íÓÚ Ê ҇Ï˚È ÚÂÏ·, Á‚Û˜‡˘ËÈ Ì‡ ÓÍÚ‡‚Û ‚˚¯Â ‰Îfl ÔÓÎÛ˜ÂÌËfl
·ÓΠflÍÓ„Ó Á‚Û͇.
VIBRAPHONE
ÇË·ÓÙÓÌ ÒÓ Ò‡‚ÌËÚÂθÌÓ Ïfl„ÍËÏË ÍÓÎÓÚۯ͇ÏË. óÂÏ ÒËθÌÂÂ
Û‰‡˚ ÔÓ Í·‚˯‡Ï, ÚÂÏ ·ÓΠÏÂÚ‡Î΢ÂÒÍËÏ ÒÚ‡ÌÓ‚ËÚÒfl ÚÓÌ.
CHURCH ORGAN 1
íËÔ˘Ì˚È Á‚ÛÍ Ó„‡Ì‡ Ò Â„ËÒÚ‡ÏË 8 ÙÛÚÓ‚, 4 ÙÛÚ‡ Ë 2 ÙÛÚ‡.
ïÓÓ¯ ‰Îfl ËÒÔÓÎÌÂÌËfl ‰ÛıÓ‚ÌÓÈ ÏÛÁ˚ÍË ÔÂËÓ‰‡ ·‡ÓÍÍÓ.
CHURCH ORGAN 2
á‚ÛÍ ÔÓÎÌÓÈ ÍÓÔÛÎ˚ Ó„‡Ì‡, ˜‡ÒÚÓ ‡ÒÒÓˆËËÛÂÏ˚È Ò «íÓÍ͇ÚÓÈ Ë
ÙÛ„ÓÈ» à.ë.Ňı‡.
JAZZ ORGAN
á‚ÛÍ ˝ÎÂÍÚÓÓ„‡Ì‡ ÚËÔ‡ «tonewheel» (ÚÂıÌÓÎÓ„Ëfl «ÙÓÌ˘ÂÒÍÓ„Ó
ÍÓÎÂÒ‡»). òËÓÍÓ ËÒÔÓθÁÛÂÚÒfl ‚ ‰Ê‡ÁÓ‚˚ı Ë ÓÍ-ÒÚËÎflı.
STRINGS 1
ëÚÂÂÓÒ˝ÏÔÎËÓ‚‡ÌÌ˚È ·Óθ¯ÓÈ ÒÚÛÌÌ˚È ‡Ì҇Ϸθ Ò
‡ÎËÒÚ˘ÌÓÈ Â‚Â·Â‡ˆËÂÈ. èÓÔÓ·ÛÈÚ ÒÓ‰ËÌËÚ¸ ˝ÚÓÚ ÚÂÏ· Ò
ÙÓÚÂÔ¸flÌÓ ‚ ÂÊËÏ DUAL.
STRINGS 2
ë‚Ó·Ó‰Ì˚È Á‚ÛÍ ÒÚÛÌÌÓ„Ó ‡Ì҇ϷÎfl Ò Ï‰ÎÂÌÌÓÈ ‡Ú‡ÍÓÈ.
èÓÔÓ·ÛÈÚ ÒÓ‰ËÌËÚ¸ ˝ÚÓÚ ÚÂÏ· Ò ÙÓÚÂÔ¸flÌÓ ËÎË ˝ÎÂÍÚ˘ÂÒÍËÏ
ÔˇÌËÌÓ ‚ ÂÊËÏ DUAL.
CHOIR
ÅÓθ¯ÓÈ Ò‚Ó·Ó‰Ì˚È Á‚ÛÍ ıÓ‡. à‰Â‡ÎÂÌ ‰Îfl ÒÓÁ‰‡ÌËfl ·Ó„‡Ú˚ı
„‡ÏÓÌËÈ ‚ ωÎÂÌÌÓÈ ÏÛÁ˚ÍÂ.
GUITAR
íÂÔÎ˚È Ë ÂÒÚÂÒÚ‚ÂÌÌ˚È Á‚ÛÍ „ËÚ‡˚ Ò ÌÂÈÎÓÌÓ‚˚ÏË ÒÚÛ̇ÏË. èË
Ë„Â ÒÓÁ‰‡ÂÚÒfl ÔËflÚ̇fl, ÒÔÓÍÓÈ̇fl ‡ÚÏÓÒÙ‡.
*1. ÑË̇Ï˘ÂÒÍÓÂ Ò˝ÏÔÎËÓ‚‡ÌË ÔÓÁ‚ÓÎflÂÚ ‰Ó·ËÚ¸Òfl ÚÓ˜ÌÓ„Ó ÒÓÓÚ‚ÂÚÒÚ‚Ëfl ÚÂÏ·‡Ï ̇
‡ÍÛÒÚ˘ÂÒÍÓÏ ËÌÒÚÛÏÂÌÚÂ Ò ÔÓÏÓ˘¸˛ ·˚ÒÚÓ„Ó ÔÂÂÍβ˜ÂÌËfl Ò˝ÏÔÎÓ‚.
*2. ë˝ÏÔÎ ÏÓ‰ÂÎËÛÂÚ Ò··Ó Á‚Û˜‡ÌË ÓÚÔÛ˘ÂÌÌ˚ı Í·‚˯.
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
73
CLP240E.book Page 74 Wednesday, April 6, 2005 4:02 PM
ëÔËÒÓÍ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÏÂÎÓ‰ËÈ
ëÔËÒÓÍ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÏÂÎÓ‰ËÈ
: ÇÍβ˜ÂÌÓ
: ç ‚Íβ˜ÂÌÓ
ç‡Á‚‡ÌË ÚÂÏ·‡
CLP-240
GRAND PIANO1
CLP-230
ç‡Á‚‡ÌËÂ
“Eintritt” Waldszenen Op.82
äÓÏÔÓÁËÚÓ
R. Schumann
HARPSICHORD
Gavotte
HARPSICHORD1
HARPSICHORD2
J.S. Bach
Invention No.1
ì͇Á‡ÌÌ˚ ԸÂÒ˚ – ˝ÚÓ ÍÓÓÚÍË ÔÂÂ‡·ÓÚ‡ÌÌ˚ ÓÚ˚‚ÍË ËÁ ÓË„Ë̇θÌ˚ı ÔÓËÁ‚‰ÂÌËÈ.
ÇÒ ÓÒڇθÌ˚ ÏÂÎÓ‰ËË fl‚Îfl˛ÚÒfl ÒÓ·ÒÚ‚ÂÌÌÓÒÚ¸˛ ÍÓÏÔ‡ÌËË (© Yamaha Corporation, 2005).
éÔËÒ‡ÌË ‰ÂÏÓÌÒÚ‡ˆËÓÌÌÓ„Ó ÚÂÏ·‡ ÔˇÌËÌÓ (CLP-240)
ç‡Á‚‡ÌË ÚÂÏ·‡
74
ÑÂÏÓÌÒÚ‡ˆËfl ÚÂÏ·‡ ÙÓÚÂÔ¸flÌÓ
GRAND PIANO1
ëÚÂÂÓÒ˝ÏÔÎËÓ‚‡ÌËÂ
GRAND PIANO2
åÓÌÓÙÓÌ˘ÂÒÍÓÂ Ò˝ÏÔÎËÓ‚‡ÌËÂ
E.PIANO1
ÑË̇Ï˘ÂÒÍÓÂ Ò˝ÏÔÎËÓ‚‡ÌËÂ, ψˆÓ-Ô¸flÌÓ
E.PIANO2
ÑË̇Ï˘ÂÒÍÓÂ Ò˝ÏÔÎËÓ‚‡ÌËÂ, ψˆÓ-ÙÓÚÂ
HARPSICHORD
ÑË̇Ï˘ÂÒÍÓÂ Ò˝ÏÔÎËÓ‚‡ÌËÂ, ÙÓÚÂ
E.CLAVICHORD
ë˝ÏÔÎËÓ‚‡ÌËÂ Ò Ô‡‚ÓÈ Ô‰‡Î¸˛
VIBRAPHONE
ë˝ÏÔÎËÓ‚‡ÌË ·ÂÁ Ô‡‚ÓÈ Ô‰‡ÎË
CHURCH ORGAN
ë˝ÏÔÎËÓ‚‡ÌËÂ Ò Û˜ÂÚÓÏ Á‚Û͇ ÓÚÔÛ˘ÂÌÌ˚ı Í·‚˯
JAZZ ORGAN
ë˝ÏÔÎËÓ‚‡ÌË ·ÂÁ Û˜ÂÚ‡ Á‚Û͇ ÓÚÔÛ˘ÂÌÌ˚ı Í·‚˯
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
CLP240E.book Page 75 Wednesday, April 6, 2005 4:02 PM
è‰ÏÂÚÌ˚È Û͇Á‡ÚÂθ
è‰ÏÂÚÌ˚È Û͇Á‡ÚÂθ
ñËÙ˚
S
50 ‚ÒÚÓÂÌÌ˚ı ÏÂÎÓ‰ËÈ ‰Îfl ÙÓÚÂÔ¸flÌÓ ................ 15
Scale ...........................................................................48
50 ıËÚÓ‚ ‰Îfl ÙÓÚÂÔ¸flÌÓ ......................................... 15
[SELECT] (CLP-240), ÔÂÂÍβ˜‡ÚÂθ .....................58
SMF ...........................................................................35
A
[SONG SELECT], ÍÌÓÔ͇ ........................................15
A-B Repeat, ÙÛÌ͈Ëfl ............................................... 18
[SPEAKER], ‚˚Íβ˜‡ÚÂθ .......................................12
ALL (Ò‚ÂÚÓ‰ËÓ‰Ì˚È Ë̉Ë͇ÚÓ).........................15, 43
SPLIT (CLP-240) (îÛÌ͈Ëfl)....................................50
AUX IN ..................................................................... 57
[SPLIT] (CLP-240), ÍÌÓÔ͇ ......................................26
AUX OUT ................................................................. 56
[STOP], ÍÌÓÔ͇ ................................................... 15, 41
Sync Start ............................................................. 17, 43
B
[BRILLIANCE], ÍÌÓÔ͇ .......................................... 21
T
TEMPO................................................................ 15, 41
D
[DDE], ÍÌÓÔ͇ (CLP-240) ....................................... 22
[DEMO], ÍÌÓÔ͇ (‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚È ÂÊËÏ) ...... 14
E
[EFFECT], ÍÌÓÔ͇ ................................................... 21
F
TEMPO (METRONOME) ........................................28
[TEMPO/FUNCTION#], ÍÌÓÔ͇ ...................... 28, 45
[TOUCH], ÍÌÓÔ͇.....................................................23
U
USB [TO DEVICE] (CLP-240), ‡Á˙ÂÏ ....................57
USB [TO HOST] (ÛÒÚÓÈÒÚ‚Ó Ó·‡·ÓÚÍË), ‡Á˙ÂÏ ..57
USB-ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl ‰‡ÌÌ˚ı (CLP-240) ........58
FUNCTION........................................................ 47–55
ÓÒÌÓ‚Ì˚ ‰ÂÈÒÚ‚Ëfl ............................................. 45
V
L
VOICE .......................................................................19
[LEFT], ÍÌÓÔ͇ ...................................................17, 32
Ç
M
‚Íβ˜ÂÌËÂ Ë ‚˚Íβ˜ÂÌË ‚ÓÒÔÓËÁ‚‰ÂÌËfl
Ô‡ÚËË .....................................................................43
[MASTER VOLUME], ÔÓÎÁÛÌÍÓ‚˚È „ÛÎflÚÓ ..... 12
‚ÓÒÔÓËÁ‚‰ÂÌË ÏÂÎÓ‰ËË........................................40
METRONOME [ON/OFF], ÍÌÓÔ͇ ...................28, 52
‚ÓÒÔÓËÁ‚‰ÂÌË ÏÂÎÓ‰ËÈ........................................40
MIDI [IN] [OUT] [THRU] ....................................... 57
‚ÓÒÔÓËÁ‚‰ÂÌËÂ/Ô‡ÛÁ‡
‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ ÏÂÎÓ‰ËË ..............................14
Á‡ÔËÒ‡ÌÌ˚ ÏÂÎÓ‰ËË...........................................41
P
[VARIATION], ÍÌÓÔ͇ (CLP-240) ...........................21
[PEDAL], ‡Á˙ÂÏ ...................................................... 67
ÇÓÒÔÓËÁ‚‰ÂÌËÂ/è‡ÛÁ‡
ÔÓÎÂÁÌ˚ ÙÛÌ͈ËË ‚ÓÒÔÓËÁ‚‰ÂÌËfl ................43
PLAY/PAUSE (‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚È ÂÊËÏ)........... 14
‚ÓÒÔÓËÁ‚‰ÂÌËÂ/Ô‡ÛÁ‡ (Ô‰‡Î¸) .............................43
[PLAY/PAUSE], ÍÌÓÔ͇ .....................................15, 41
‚ÒÚÓÂÌÌ˚ ÏÂÎÓ‰ËË ➝ 50 ‚ÒÚÓÂÌÌ˚ı
ÏÂÎÓ‰ËÈ ‰Îfl ÙÓÚÂÔ¸flÌÓ .......................................15
[POWER], ‚˚Íβ˜‡ÚÂθ........................................... 11
‚˚ÒÓÚ‡ Á‚Û͇ ➝ ÚÓÌ͇fl ̇ÒÚÓÈ͇ ‚˚ÒÓÚ˚ Á‚Û͇.....47
R
[REC], ÍÌÓÔ͇ (Á‡ÔËÒ¸) ........................................... 29
É
[REVERB], ÍÌÓÔ͇................................................... 21
„ÓÏÍÓÒÚ¸ ÏÂÚÓÌÓχ ...............................................52
[RIGHT], ÍÌÓÔ͇ ................................................17, 32
„ÓÏÍÓÒÚ¸ ÓÚÍβ˜ÂÌÌÓÈ Ô‡ÚËË ÏÂÎÓ‰ËË ...............52
RIGHT/LEFT (50 ‚ÒÚÓÂÌÌ˚ı ÏÂÎÓ‰ËÈ
‰Îfl ÙÓÚÂÔ¸flÌÓ)..................................................... 17
Ñ
rnd (Ò‚ÂÚÓ‰ËÓ‰Ì˚È Ë̉Ë͇ÚÓ) ..........................15, 43
‰ËÒÍÂÚ‡ (CLP-240) ....................................................69
‰ËÒÍÓ‚Ó‰ „Ë·ÍËı ‰ËÒÍÓ‚
ÛÒÚ‡Ìӂ͇ (CLP-240) ...........................................70
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
75
CLP240E.book Page 76 Wednesday, April 6, 2005 4:02 PM
è‰ÏÂÚÌ˚È Û͇Á‡ÚÂθ
á
ê
Á‡„ÛÁ͇..................................................................... 42
‡Á˙ÂÏ˚ .....................................................................56
Á‡ÔËÒ¸........................................................................ 29
̇˜‡Î¸Ì˚ ̇ÒÚÓÈÍË ......................................... 34
ÂÊËÏ Dual.......................................................... 25, 49
à
ë
Ë„‡ Ó‰ÌÓÈ ÛÍÓÈ (50 ‚ÒÚÓÂÌÌ˚ı ÏÂÎÓ‰ËÈ)........... 17
Ò·Ó͇................................................................. 65–68
ä
[FILE], ÍÌÓÔ͇ ......................................................... 42
[SONG SELECT], ÍÌÓÔ͇...................................41, 42
[TRANSPOSE], ÍÌÓÔ͇............................................ 24
ÍÌÓÔÍË „ÛÔÔ ÚÂÏ·Ó‚ ............................................. 19
Í˚¯Í‡ Í·‚ˇÚÛ˚ ................................................. 10
ÂÁÂ‚ÌÓ ÍÓÔËÓ‚‡ÌË (‰‡ÌÌ˚ı) ............................62
ÒÍÓ·ÍË-Ó„‡Ì˘ËÚÂÎË ‰Îfl ÌÓÚ (CLP-240)................10
ÒÓı‡ÌËÚ¸ ..................................................................35
ÒÔËÒÓÍ
‚ÒÚÓÂÌÌ˚È ÚÂÏ· ........................................ 71–73
‰ÂÏÓÌÒÚ‡ˆËÓÌ̇fl ÏÂÎÓ‰Ëfl ...............................74
Ô‰‡ÎË ..................................................................44
ëÔËÒÓÍ
̇ÒÚÓÈÍË ËÁ„ÓÚÓ‚ËÚÂÎfl .....................................78
ÒÔËÒÓÍ ‚ÒÚÓÂÌÌ˚ı ÚÂÏ·Ó‚.............................. 71–73
ã
ÒÔËÒÓÍ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÏÂÎÓ‰ËÈ .......................74
΂‡fl Ô‰‡Î¸.........................................................20, 51
ëÔËÒÓÍ Ì‡ÒÚÓÂÍ ËÁ„ÓÚÓ‚ËÚÂÎfl ................................78
΂‡fl Ô‰‡Î¸ (‰Îfl ÔË„ÎÛ¯ÂÌÌÓ„Ó Á‚Û͇)...........20, 51
ÒÔËÒÓÍ ÒÓÓ·˘ÂÌËÈ....................................................63
Ò‰Ìflfl Ô‰‡Î¸ ..........................................................20
ç
̇·Ó ÒËÏ‚ÓÎÓ‚ ........................................................ 55
̇ÎÓÊÂÌË ÚÂÏ·Ó‚ (ÂÊËÏ Dual) ........................... 25
̇ÒÚÓÈ͇
„ÓÏÍÓÒÚ¸ (50 ‚ÒÚÓÂÌÌ˚ı ÏÂÎÓ‰ËÈ ‰Îfl
ÙÓÚÂÔ¸flÌÓ) ........................................................ 15
„ÓÏÍÓÒÚ¸ ÏÂÚÓÌÓχ ......................................... 52
ÚÂÏÔ‡ (50 ‚ÒÚÓÂÌÌ˚ı ÏÂÎÓ‰ËÈ
‰Îfl ÙÓÚÂÔ¸flÌÓ) ................................................. 15
ÚÂÏÔ‡ (Á‡ÔËÒ‡ÌÌ˚ ÏÂÎÓ‰ËË) ............................. 41
Ò‰Ìflfl Ô‰‡Î¸ («ÒÓÒÚÂÌÛÚÓ»)...................................20
Òڇ̉‡Ú̇fl ÛÒÚ‡Ìӂ͇ .............................................21
ëڇ̉‡Ú̇fl ÛÒÚ‡Ìӂ͇ ............................................21
í
퇷Îˈ‡ ı‡‡ÍÚÂËÒÚËÍ MIDI-ËÌÚÂÙÂÈÒ‡.............84
íÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË...................................85
ÚÓÌ͇fl ̇ÒÚÓÈ͇ ‚˚ÒÓÚ˚ Á‚Û͇...............................47
Ú‡ÌÒÔÓÚËӂ͇.........................................................3
̇ÒÚÓÈ͇ ➝ ÚÓÌ͇fl ̇ÒÚÓÈ͇ ‚˚ÒÓÚ˚ Á‚Û͇ ........ 47
̇ÒÚÓÈÍË – ÍÌÓÔ͇ (FUNCTION) ........................ 44
çÄìòçàäà .......................................................... 12
é
ÓÔËÒ‡ÌË ‰ÂÏÓÌÒÚ‡ˆËÓÌÌÓ„Ó ÚÂÏ·‡ ÔˇÌËÌÓ..... 74
ÓÚÍβ˜ÂÌË ԇÚËË .................................................. 17
è
Ô‰‡ÎË ....................................................................... 20
ì
Û‰‡ÎÂÌË ....................................................................38
ÛÒÚ‡ÌÂÌË ÌÂÔÓ·‰ÓÍ ..............................................64
î
îÓÏ‡Ú MIDI-‰‡ÌÌ˚ı..............................................80
ÙÓχÚËÓ‚‡ÌË .......................................................39
ÙÛÌ͈ËË MIDI..........................................................52
ÙÛÌ͈ËË ÒÓı‡ÌÂÌËfl ................................................55
ÔÂÂÁ‡ÔËÒ¸ ................................................................ 33
ÔÓ‚ÚÓ ..................................................................15, 18
ó
ÔÓ‰Íβ˜ÂÌË ............................................................ 56
MIDI-ËÌÚÂÙÂÈÒ ................................................ 61
˜Û‚ÒÚ‚ËÚÂθÌÓÒÚ¸ Í·‚˯ Í ÒËΠ̇ʇÚËfl ..............23
èÓ‰Íβ˜ÂÌËÂ Í USB-ÛÒÚÓÈÒÚ‚Û
ı‡ÌÂÌËfl ‰‡ÌÌ˚ı (CLP-240).................................. 58
ù
èÓ‰Íβ˜ÂÌË ÔÂÒÓ̇θÌÓ„Ó ÍÓÏÔ¸˛ÚÂ‡............. 60
˝Í‡Ì .........................................................................11
èÓ‰Íβ˜ÂÌËfl
USB-ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl ‰‡ÌÌ˚ı .................... 58
äÓÏÔ¸˛ÚÂ.......................................................... 60
˝ÍÒÔÓÚ ......................................................................35
Ô‡‚‡fl Ô‰‡Î¸ ................................................20, 50, 51
Ô˛ÔËÚ...................................................................... 10
76
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
˝ÙÙÂÍÚ˚ ....................................................................22
CLP240E.book Page 77 Wednesday, April 6, 2005 4:02 PM
èËÎÓÊÂÌËÂ
Ç ˝ÚÓÏ ‡Á‰ÂΠÒÓ‰ÂʇÚÒfl ÒÔ‡‚Ó˜Ì˚ χÚÂˇÎ˚.
ëÔËÒÓÍ Ì‡ÒÚÓÂÍ ËÁ„ÓÚÓ‚ËÚÂÎfl ..................78
îÓÏ‡Ú MIDI-‰‡ÌÌ˚ı ................................80
퇷Îˈ‡ ı‡‡ÍÚÂËÒÚËÍ
MIDI-ËÌÚÂÙÂÈÒ‡.......................................84
íÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË.....................85
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
77
CLP240E.book Page 78 Wednesday, April 6, 2005 4:02 PM
ëÔËÒÓÍ Ì‡ÒÚÓÂÍ ËÁ„ÓÚÓ‚ËÚÂÎfl
Backup Group
Default
Voice
Variation (CLP-240)
CLP-230
GRAND PIANO 1
F8.1
OFF
—
Dual Mode
OFF
Split Mode (CLP-240)
OFF
Split Mode Left Voice (CLP-240)
CLP-240
F9.1
F8.1
—
WOOD BASS
Brilliance
NORMAL
Reverb Type
Preset for each voice
Reverb Depth
Preset for each voice
Effect Type
Preset for each voice
Effect Depth
Preset for each voice
Touch Sensitivity
F9.4
F8.4
F9.1
F8.1
F9.4
—
MEDIUM
Volume in the FIXED Mode
64
DDE (CLP-240)
ON
DDE Depth (CLP-240)
6
Metronome
Metronome Time Signature
Tempo
Transpose
OFF
—
—
0 (no accent)
F9.1
F8.1
120
—
—
0
F9.3
F8.3
Function
CLP-240
78
CLP-230
Function
Default
F1
F1
Tuning
A3=440Hz
F2.1
F2.1
Scale
1 (Equal Temperament)
F2.2
F2.2
Base Note
C
F3.1
F3.1
Dual Balance
Preset for each voice combination
F3.2
F3.2
Dual Detune
Preset for each voice combination
F3.3, F3.4
F3.3, F3.4
Dual Octave Shift
Preset for each voice combination
F3.5, F.3.6
F3.5, F.3.6
Dual Effect Depth
Preset for each voice combination
F4.1
—
Split Point
F2
F4.2
—
Split Balance
Preset for each voice combination
F4.3, F4.4
—
Split Octave Shift
Preset for each voice combination
F4.5, F4.6
—
Split Effect Depth
Preset for each voice combination
F4.7
—
Damper Pedal Range
ALL
F5.1
F4.1
Left Pedal Mode
1 (Soft Pedal)
F5.2
F4.2
Soft Pedal Effect Depth
3
F5.3
—
Sustain Sample Depth
12
F5.4
—
Keyoff Sample Volume
10
F5.5
F4.3
Song Channel Selection
ALL
F6
F5
Metronome Volume
10
F7
F6
Song Part Cancel Volume
5
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
Backup Group
CLP-240
CLP-230
F9.3
F8.3
F9.1
F8.1
F9.4
F8.4
F9.1
F8.1
CLP240E.book Page 79 Wednesday, April 6, 2005 4:02 PM
CLP-240
CLP-230
Function
Default
F8.1
F7.1
MIDI Transmit Channel
1
F8.2
F7.2
MIDI Receive Channel
ALL
F8.3
F7.3
Local Control
ON
F8.4
F7.4
Program Change Send & Receive
ON
F8.5
F7.5
Control Change Send & Receive
ON
F9
F8
Backup
Voice: OFF
MIDI – Others: ON
F9.5
F8.5
Character Code
En
Backup Group
CLP-240
CLP-230
F9.2
F8.2
Always backed up
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
79
CLP240E.book Page 80 Wednesday, April 6, 2005 4:02 PM
îÓÏ‡Ú MIDI-‰‡ÌÌ˚ı
ÖÒÎË ‚˚ Á̇ÍÓÏ˚ Ò MIDI-ËÌÚÂÙÂÈÒÓÏ ËÎË ËÒÔÓθÁÛÂÚ ÍÓÏÔ¸˛Ú ‰Îfl ÛÔ‡‚ÎÂÌËfl ÏÛÁ˚͇θÌ˚ÏË ÛÒÚÓÈÒÚ‚‡ÏË ÔË ÔÓÏÓ˘Ë ÒÓÁ‰‡‚‡ÂÏ˚ı ÍÓÏÔ¸˛ÚÂÓÏ
MIDI-ÒÓÓ·˘ÂÌËÈ, ‰‡ÌÌ˚ ËÁ ˝ÚÓ„Ó ‡Á‰Â· ÔÓÏÓ„ÛÚ ‚‡Ï ÛÔ‡‚ÎflÚ¸ ÔˇÌËÌÓ CLP-240/230.
1. NOTE ON/OFF
3. MODE MESSAGES
Data format: [9nH] -> [kk] -> [vv]
Data format: [BnH] -> [cc] -> [vv]
9nH = Note ON/OFF event (n = channel number)
kk =
Note number (Transmit: 09H ~ 78H = A-2 ~ C8 /
Receive: 00H ~ 7FH = C-2 ~ G8)*
vv =
Velocity (Key ON = 01H ~ 7FH, Key OFF = 00H)
Data format: [8nH] -> [kk] -> [vv] (reception only)
8nH = Note OFF event (n = channel number)
kk =
Note number: 00H ~ 7FH = C-2 ~ G8
vv =
Velocity
* If received value exceeds the supported range for the
selected voice, the note is adjusted by the necessary number of octaves.
2. CONTROL CHANGE
Data format: [BnH] -> [cc] -> [vv]
BnH = Control change (n = channel number)
cc =
Control number
vv =
Data Range
(1) Bank Select
ccH
Parameter
Data Range (vvH)
00H
Bank Select MSB
00H: Normal
20H
Bank Select LSB
00H...7FH
Bank selection processing does not occur until receipt of
next Program Change message.
(2) Modulation (reception only)
ccH
Parameter
Data Range (vvH)
01H
Modulation
00H-7FH
(3) Main Volume (reception only)
ccH
Parameter
Data Range (vvH)
07H
Volume MSB
00H...7FH
(4) Panpot (reception only)
ccH
Parameter
0AH Panpot
Data Range (vvH)
00H-7FH
(5) Expression
ccH
Parameter
0BH Expression MSB
Data Range (vvH)
00H...7FH
(6) Damper
ccH
Parameter
40H
Damper MSB
Data Range (vvH)
00H...7FH
(7) Sostenuto
ccH
Parameter
42H
Sostenuto
Data Range (vvH)
00H-3FH:off, 40H-7FH:on
(8) Soft Pedal
ccH
Parameter
43H
Soft Pedal
Data Range (vvH)
00H-3FH:off, 40H-7FH:on
(9) Effect1 Depth (Reverb Send Level)
ccH
Parameter
Data Range (vvH)
5BH Effect1 Depth
00H...7FH
Adjusts the reverb send level.
(10) Effect4 Depth (Variation Effect Send Level)
ccH
Parameter
Data Range (vvH)
5EH Effect4 Depth
00H...7FH
(11) RPN
ccH
Parameter
65H
RPN MSB
64H
06H
38H
80
RPN LSB
Data Entry MSB
Data Entry LSB
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
Data Range (vvH)
Coarse Tune 02H,
Fine Tune 01H,
Pitch Bend Range 00H
BnH = Control event (n = channel number)
cc =
Control number
vv =
Data Range
(1) All Sound Off
ccH
Parameter
Data Range (vvH)
78H
All Sound Off
00H
Switches off all sound from the channel. Does not reset Note
On and Hold On conditions established by Channel Messages.
(2) Reset All Controllers
ccH
Parameter
79H
Reset All Controllers
Resets controllers as follows.
Controller
Expression
Damper Pedal
Sostenuto
Soft Pedal
Data Range (vvH)
00H
Value
127 (max)
0 (off)
0 (off)
0 (off)
(3) Local Control (reception only)
ccH
Parameter
Data Range (vvH)
7AH Local Control
00H (off), 7FH (on)
(4) All Notes Off
ccH
Parameter
Data Range (vvH)
7BH All Notes Off
00H
Switches OFF all the notes that are currently ON on the specified channel. Any notes being held by the damper or sostenuto pedal will continue to sound until the pedal is released.
(5) Omni Off (reception only)
ccH
Parameter
Data Range (vvH)
7CH Omni Off
00H
Same processing as for All Notes Off.
(6) Omni On (reception only)
ccH
Parameter
Data Range (vvH)
7DH Omni On
00H
Same processing as for All Notes Off.
(7) Mono (reception only)
ccH
Parameter
Data Range (vvH)
7EH Mono
00H
Same processing as for All Sound Off.
(8) Poly (reception only)
ccH
Parameter
Data Range (vvH)
7FH
Poly
00H
Same processing as for All Sound Off.
• When control change reception is turned OFF in the Function
mode, control change data will not be transmitted or received.
• Local on/off, OMNI on/off are not transmitted. (The appropriate
note off number is supplied with “All Note Off” transmission).
• When a voice bank MSB/LSB is received, the number is
stored in the internal buffer regardless of the received order,
then the stored value is used to select the appropriate voice
when a program change message is received.
• The Multi-timbre and Poly modes are always active. No
change occurs when OMNI ON, OMNI OFF, MONO, or POLY
mode messages are received.
CLP240E.book Page 81 Wednesday, April 6, 2005 4:02 PM
4. PROGRAM CHANGE
6. SYSTEM EXCLUSIVE MESSAGES
(Yamaha MIDI Format)
Data format: [CnH] -> [ppH]
CnH = Program event (n = channel number)
ppH = Program change number
P.C.#=Program Change number
CLP-240
GRANDPIANO 1
VARIATION
GRANDPIANO 2
VARIATION
E.PIANO 1
VARIATION
E.PIANO 2
VARIATION
HARPSICHORD
VARIATION
E. CLAVICHORD
VARIATION
VIBRAPHONE
VARIATION
CHURCH ORGAN
VARIATION
JAZZ ORGAN
VARIATION
STRINGS
VARIATION
CHOIR
VARIATION
GUITAR
VARIATION
WOOD BASS
VARIATION
E.BASS
VARIATION
CLP-230
GRANDPIANO 1
—
GRANDPIANO 2
—
E.PIANO 1
—
E.PIANO 2
—
HARPSICHORD 1
HARPSICHORD 2
—
—
VIBRAPHONE
—
CHURCH ORGAN 1
CHURCH ORGAN 2
JAZZ ORGAN
—
STRINGS 1
STRINGS 2
CHOIR
—
GUITAR
—
—
—
—
—
MSB
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
LSB
122
123
112
112
122
122
122
123
122
123
122
123
122
122
123
122
122
123
122
122
122
123
122
122
122
124
122
122
P.C.#
0
0
0
1
5
88
4
4
6
6
7
7
11
12
19
19
16
16
48
49
52
52
24
25
32
32
33
35
• When program change reception is turned OFF in the Function mode, no program change data is transmitted or
received. Also, Bank MSB/LSB is not transmitted or received.
5. SYSTEM REALTIME MESSAGES
[rrH]
F8H: Timing clock
FAH: Start
FCH: Stop
FEH: Active sensing
Data
F8H
Transmission
Transmitted every
96 clocks
FAH
Recorder start
FCH
Recorder stop
FEH
Transmitted every
200 milliseconds
Reception
Received as 96-clock tempo timing
when MIDI clock is set to External
Recorder start
Not received when the MIDI clock is
set to Internal.
Recorder stop
Not received when the MIDI clock is
set to Internal.
If a signal is not received via MIDI for
more than 400 milliseconds, the
same processing will take place for All
Sound Off, All Notes Off and Reset All
Controllers as when those signals are
received.
• Caution: If an error occurs during MIDI reception, the Damper,
Sostenuto, and Soft effects for all channels are turned off and
an All Note Off occurs.
Panel Data Transmit
Data format: [F0H] -> [43H] -> [0nH] -> [7CH] -> ... -> [F7H]
F0H, 43H, 0nH, 7CH (n: channel number)
00H, LLH (data length)
43H, 4CH, 20H, 20H (CL)
43H, 4CH, 50H, 27H, 30H, 35H (CLP05)
3xH, 3yH
aaH, bbH: Device No. aa=LSB, bb=MSB
aa=5EH, bb=16H (CLP-240)
aa=5BH, bb=16H (CLP-230)
[PANEL DATA]
[CHECK SUM (1byte)] = 0-(43H+4CH+20H+......+Data end)
F7H
• Panel Data Contents
(1) 1'st Voice
(2) Dual On/Off
(3) Dual Voice
(4) Dual Balance
(5) Dual Detune
(6) Dual Voice1 Octave
(7) Dual Voice2 Octave
(8) Dual Voice1 Effect Depth
(9) Dual Voice2 Effect Depth
(10) Split On/Off
(11) Split Voice
(12) Split Point
(13) Split Balance
(14) Split Voice1 Octave
(15) Split Voice2 Octave
(16) Split Voice1 Effect Depth
(17) Split Voice2 Effect Depth
(18) Split Dumper Mode
(19) Reverb Type 1
(20) Reverb Type 2
(21) Reverb Depth 1
(22) Reverb Depth 2
(23) Effect Type 1
(24) Effect Type 2
(25) Effect Depth
(26) Variation On/Off
(27) Touch Sensitivity
(28) Fixed Data
(29) Left Pedal
(30) Soft Pedal Depth
(31) Absolute tempo low byte
(32) Absolute tempo high byte
(33) Key-Off Sampling Depth
(34) DDE On/Off
(35) DDE Depth
(36) Brilliance
• Panel data send requests cannot be received.
7. SYSTEM EXCLUSIVE MESSAGES
(Universal System Exclusive)
(1) Universal Realtime Message
Data format: [F0H] -> [7FH] -> [XnH] -> [04H] -> [01H] ->
[llH] -> [mmH] -> [F7H]
MIDI Master Volume
• Simultaneously changes the volume of all channels.
• When a MIDI master volume message is received, the volume
only has affect on the MIDI receive channel, not the panel
master volume.
F0H = Exclusive status
7FH = Universal Realtime
7FH = ID of target device
04H = Sub-ID #1=Device Control Message
01H = Sub-ID #2=Master Volume
llH = Volume LSB
mmH = Volume MSB
F7H = End of Exclusive
or
F0H = Exclusive status
7FH = Universal Realtime
XnH = When n is received n=0~F, whichever is received.
X = don’t care
04H = Sub-ID #1=Device Control Message
01H = Sub-ID #2=Master Volume
llH = Volume LSB
mmH = Volume MSB
F7H = End of Exclusive
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
81
CLP240E.book Page 82 Wednesday, April 6, 2005 4:02 PM
(2) Universal Non-Realtime Message (GM On)
General MIDI Mode On
Data format: [F0H] -> [7EH] -> [XnH] -> [09H] -> [01H] ->
[F7H]
F0H = Exclusive status
7EH = Universal Non-Realtime
7FH = ID of target device
09H = Sub-ID #1=General MIDI Message
01H = Sub-ID #2=General MIDI On
F7H = End of Exclusive
or
F0H = Exclusive status
7EH = Universal Non-Realtime
XnH = When received, n=0~F.
X = don’t care
09H = Sub-ID #1=General MIDI Message
01H = Sub-ID #2=General MIDI On
F7H = End of Exclusive
When the General MIDI mode ON message is received, the
MIDI system will be reset to its default settings.
This message requires approximately 50ms to execute, so
sufficient time should be allowed before the next message is
sent.
8. SYSTEM EXCLUSIVE MESSAGES (XG Standard)
(1) XG Native Parameter Change
Data format: [F0H] -> [43H] -> [1nH] -> [4CH] -> [hhH] ->
[mmH] -> [llH] -> [ddH] -> [F7H]
F0H = Exclusive status
43H = YAMAHA ID
1nH = When received, n=0~F.
When transmitted, n=0.
4CH = Model ID of XG
hhH = Address High
mmH = Address Mid
llH = Address Low
ddH = Data
|
F7H = End of Exclusive
Data size must match parameter size (2 or 4 bytes).
When the XG System On message is received, the MIDI system will be reset to its default settings.
The message requires approximately 50ms to execute, so
sufficient time should be allowed before the next message is
sent.
(2) XG Native Bulk Data (reception only)
Data format: [F0H] -> [43H] -> [0nH] -> [4CH] -> [aaH] ->
[bbH] -> [hhH] -> [mmH] -> [llH] ->[ddH] ->...->
[ccH] -> [F7H]
F0H = Exclusive status
43H = YAMAHA ID
0nH = When received, n=0~F.
When transmitted, n=0.
4CH = Model ID of XG
aaH = ByteCount
bbH = ByteCount
hhH = Address High
mmH = Address Mid
llH = Address Low
ddH = Data
|
|
|
|
ccH = Check sum
F7H = End of Exclusive
• Receipt of the XG SYSTEM ON message causes reinitialization of relevant parameters and Control Change values. Allow
sufficient time for processing to execute (about 50 msec)
before sending the CLP-240/230 another message.
• XG Native Parameter Change message may contain two or
four bytes of parameter data (depending on the parameter
size).
• For information about the Address and Byte Count values,
refer to Table 1 below. Note that the table’s Total Size value
gives the size of a bulk block. Only the top address of the
block (00H, 00H, 00H) is valid as a bulk data address.
82
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
9. SYSTEM EXCLUSIVE MESSAGES
(Clavinova MIDI Format)
Data format: [F0H] -> [43H] -> [73H] -> [01H] -> [nnH] -> [F7H]
F0H =
43H =
73H =
01H =
nnH =
nn
02H
03H
F7H =
Exclusive status
Yamaha ID
Clavinova ID
Product ID (CLP common)
Substatus
Control
Internal MIDI clock
External MIDI clock
End of Exclusive
10. SYSTEM EXCLUSIVE MESSAGES (Special Control)
Data format: [F0H] -> [43H] -> [73H] -> [66H] -> [11H] ->
[0nH] -> [ccH] -> [vvH] -> [F7H]
F0H = Exclusive status
43H = Yamaha ID
73H = Clavinova ID
7FH = Extended Product ID
xxH = Product ID 49H
11H = Special control
0nH = Control MIDI change (n=channel number)
cc =
Control number
vv =
Value
F7H = End of Exclusive
Control
0n
ccH
vvH
14H: Split Key Number
Split Point
Always 00H
14H
Metronome
Always 00H
1BH 00H: No accent
01H-0FH: 1/4-15/4
7FH: off
Damper Level ch: 00H-0FH 3DH (Sets the Damper Level
for each channel)
00H-7FH
Channel Detune ch: 00H-0FH 43H (Sets the Detune value
for each channel)
00H-7FH
Voice Reserve ch: 00H-0FH 45H
00H : Reserve off 7FH
: on*
* When Volume, Expression is received for Reserve On, they
will be effective from the next Key On. Reserve Off is normal.
11. SYSTEM EXCLUSIVE MESSAGES (Others)
Data format: [F0H] -> [43H] -> [1nH] -> [27H] -> [30H] -> [00H]
-> [00H] -> [mmH] -> [llH] -> [ccH] -> [F7H]
Master Tuning (XG and last message priority) simultaneously
changes the pitch of all channels.
F0H = Exclusive Status
43H = Yamaha ID
1nH = When received, n=0~F.
When transmitted, n=0.
27H = Model ID of TG100
30H = Sub ID
00H =
00H =
mmH = Master Tune MSB
llH = Master Tune LSB
ccH = don’t care (under 7FH)
F7H = End of Exclusive
CLP240E.book Page 83 Wednesday, April 6, 2005 4:02 PM
<Table 1>
MIDI Parameter Change table (SYSTEM)
Address (H) Size (H)
Data (H)
00 00 00
4
020C - 05F4*
01
02
03
04
1
05
1
7E
7F
TOTAL SIZE 07
00 - 7F
—
00
00
Parameter
MASTER TUNE
MASTER VOLUME
—
XG SYSTEM ON
RESET ALL PARAMETERS
Description
-50 - +50[cent]
1st bit 3 - 0 ➝ bit 15 - 12
2nd bit 3 - 0 ➝ bit 11 - 8
3rd bit 3 - 0 ➝ bit 7 - 4
4th bit 3 - 0 ➝ bit 3 - 0
0 - 127
Default value (H)
00 04 00 00
400
7F
00=XG system ON
00=ON (receive only)
*Values lower than 020CH select -50 cents. Values higher than 05F4H select +50 cents.
<Table 2>
MIDI Parameter Change table (EFFECT 1)
Refer to the “Effect MIDI Map” for a complete list of Reverb, Chorus and Variation type numbers.
Address (H)
02 01 00
Size (H)
2
02 01 40
2
Data (H)
00-7F
00-7F
Parameter
REVERB TYPE MSB
REVERB TYPE LSB
00-7F
VARIATION TYPE MSB
00-7F
VARIATION TYPE LSB
• “VARIATION” refers to the EFFECT on the panel.
Description
Refer to Effect MIDI Map
00 : basic type
Default value (H)
01 (=HALL1)
00
Refer to Effect MIDI Map
00 : basic type
00(=Effect off)
00
Description
0 - 127
Default value (H)
7F
<Table 3>
MIDI Parameter Change table (MULTI PART)
Address (H) Size (H)
08 nn 11
1
nn = Part Number
Data (H)
00 - 7F
Parameter
DRY LEVEL
• Effect MIDI Map
REVERB
ROOM
HALL 1
HALL 2
STAGE
OFF
MSB
02H
01H
01H
03H
00H
LSB
10H
10H
11H
10H
00H
MSB
42H
48H
46H
47H
00H
LSB
10H
10H
10H
10H
00H
EFFECT
CHORUS
PHASER
TREMOLO
ROTARY SP
OFF
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
83
CLP240E.book Page 84 Wednesday, April 6, 2005 4:02 PM
퇷Îˈ‡ ı‡‡ÍÚÂËÒÚËÍ MIDI-ËÌÚÂÙÂÈÒ‡
84
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
CLP240E.book Page 85 Wednesday, April 6, 2005 4:02 PM
íÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË
CLP-240
Keyboard
Sound Source
CLP-230
GH3 keyboard 88 keys (A-1 – C7)
AWM Dynamic Stereo Sampling
AWM Stereo Sampling
Polyphony (Max.)
64
Voice Selection
14 × 2 variations for each voice
14
Effect
Reverb, Effect, Brilliance,
DDE (Dynamic Damper Effect)
Reverb, Effect, Brilliance
Volume
Controls
Recording/Playback
Pedal
Demo Songs
Jacks/Connectors
Memory Device
Main Amplifiers
Speakers
Dimensions (W × D × H)
(with music rest)
Weight
Accessories
Master Volume
Dual, Split, Metronome, Transpose,
Touch (Hard/Medium/Soft/Fixed),
Functions, Speaker ON/OFF
Dual, Metronome, Transpose,
Touch (Hard/Medium/Soft/Fixed),
Functions, Speaker ON/OFF
2-part recording/playback (three user songs), Tempo Adjustment, Sync Start
Damper (with half-pedal effect), Sostenuto, Soft
14 voice Demo Songs, 50 preset Songs
MIDI (IN/OUT/THRU), PHONES × 2, AUX IN
(L/L+R, R), AUX OUT (LEVEL FIXED) (L, R),
USB TO HOST, USB TO DEVICE
MIDI (IN/OUT/THRU), PHONES × 2, AUX IN
(L/L+R, R), AUX OUT (LEVEL FIXED) (L, R),
USB TO HOST
Optional USB storage device
(via USB TO DEVICE teriminal)
Internal Flash Memory
(for saving User songs): 65 KB
(for saving External songs): 307 KB
40W × 2
20W × 2
16cm × 2, 5cm × 2
16cm × 2
1,411mm × 506mm × 892mm
[55 9/16" × 19 15/16" × 35 1/8"]
(1,411mm × 506mm × 1,005mm)
[55 9/16" × 19 15/16" × 39 9/16"]
68kg (149lbs., 15oz)
65kg (143lbs., 5oz)
Owner’s Manual, “50 greats for the Piano” (Music Book), Accessory CD-ROM for Windows,
Accessory CD-ROM for Windows Installation Guide,
Bench (included or optional depending on locale)
* íÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË Ë ÓÔËÒ‡ÌËfl ‚ ˝ÚÓÏ ÛÍÓ‚Ó‰ÒÚ‚Â ÔÓθÁÓ‚‡ÚÂÎfl ‰‡Ì˚ ÚÓθÍÓ ‰Îfl ËÌÙÓχˆËË. äÓÔÓ‡ˆËfl
Yamaha ÒÓı‡ÌflÂÚ Á‡ ÒÓ·ÓÈ Ô‡‚Ó ÏÓ‰ËÙˈËÓ‚‡Ú¸ Ò‚ÓË ËÁ‰ÂÎËfl Ë ÏÂÌflÚ¸ Ëı ÚÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË ·ÂÁ
Ô‰‚‡ËÚÂθÌÓ„Ó Û‚Â‰ÓÏÎÂÌËfl. èÓÒÍÓθÍÛ ÚÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË, Ó·ÓÛ‰Ó‚‡ÌËÂ Ë Ì‡·Ó ‚ÓÁÏÓÊÌÓÒÚÂÈ ÏÓ„ÛÚ
‡Á΢‡Ú¸Òfl ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ „ËÓ̇, Ó·‡˘‡ÈÚÂÒ¸ Á‡ ËÌÙÓχˆËÂÈ Í ÏÂÒÚÌÓÏÛ Ô‰ÒÚ‡‚ËÚÂβ ÍÓÔÓ‡ˆËË Yamaha.
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
85
CLP240E.book Page 86 Wednesday, April 6, 2005 4:02 PM
IMPORTANT SAFETY INSTRUCTIONS
INFORMATION RELATING TO PERSONAL INJURY, ELECTRICAL SHOCK,
AND FIRE HAZARD POSSIBILITIES HAS BEEN INCLUDED IN THIS LIST.
WARNING- When using any electrical or electronic product,
basic precautions should always be followed. These precautions
include, but are not limited to, the following:
1.
Read all Safety Instructions, Installation Instructions, Special Message Section items, and any Assembly Instructions
found in this manual BEFORE making any connections, including connection to the main supply.
2.
Main Power Supply Verification: Yamaha products are
manufactured specifically for the supply voltage in the area
where they are to be sold. If you should move, or if any doubt
exists about the supply voltage in your area, please contact your
dealer for supply voltage verification and (if applicable) instructions. The required supply voltage is printed on the name plate.
For name plate location, please refer to the graphic found in the
Special Message Section of this manual.
3.
This product may be equipped with a polarized plug (one
blade wider than the other). If you are unable to insert the plug
into the outlet, turn the plug over and try again. If the problem
persists, contact an electrician to have the obsolete outlet
replaced. Do NOT defeat the safety purpose of the plug.
4.
Some electronic products utilize external power supplies
or adapters. Do NOT connect this type of product to any power
supply or adapter other than one described in the owners manual,
on the name plate, or specifically recommended by Yamaha.
5.
WARNING: Do not place this product or any other
objects on the power cord or place it in a position where anyone
could walk on, trip over, or roll anything over power or connecting cords of any kind. The use of an extension cord is not recommended! If you must use an extension cord, the minimum wire
size for a 25’ cord (or less) is 18 AWG. NOTE: The smaller the
AWG number, the larger the current handling capacity. For
longer extension cords, consult a local electrician.
6.
Ventilation: Electronic products, unless specifically
designed for enclosed installations, should be placed in locations
that do not interfere with proper ventilation. If instructions for
enclosed installations are not provided, it must be assumed that
unobstructed ventilation is required.
7.
Temperature considerations: Electronic products should
be installed in locations that do not significantly contribute to
their operating temperature. Placement of this product close to
heat sources such as; radiators, heat registers and other devices
that produce heat should be avoided.
8.
This product was NOT designed for use in wet/damp locations and should not be used near water or exposed to rain.
Examples of wet/damp locations are; near a swimming pool,
spa, tub, sink, or wet basement.
9.
This product should be used only with the components
supplied or; a cart, rack, or stand that is recommended by the
manufacturer. If a cart, rack, or stand is used, please observe all
safety markings and instructions that accompany the accessory
product.
10.
The power supply cord (plug) should be disconnected
from the outlet when electronic products are to be left unused for
extended periods of time. Cords should also be disconnected
when there is a high probability of lightning and/or electrical
storm activity.
11.
Care should be taken that objects do not fall and liquids are
not spilled into the enclosure through any openings that may exist.
12.
Electrical/electronic products should be serviced by a
qualified service person when:
a. The power supply cord has been damaged; or
b. Objects have fallen, been inserted, or liquids have been
spilled into the enclosure through openings; or
c. The product has been exposed to rain: or
d. The product dose not operate, exhibits a marked change
in performance; or
e. The product has been dropped, or the enclosure of the
product has been damaged.
13.
Do not attempt to service this product beyond that
described in the user-maintenance instructions. All other servicing should be referred to qualified service personnel.
14.
This product, either alone or in combination with an
amplifier and headphones or speaker/s, may be capable of producing sound levels that could cause permanent hearing loss.
DO NOT operate for a long period of time at a high volume level
or at a level that is uncomfortable. If you experience any hearing
loss or ringing in the ears, you should consult an audiologist.
IMPORTANT: The louder the sound, the shorter the time period
before damage occurs.
15.
Some Yamaha products may have benches and/or accessory
mounting fixtures that are either supplied as a part of the product
or as optional accessories. Some of these items are designed to be
dealer assembled or installed. Please make sure that benches are
stable and any optional fixtures (where applicable) are well
secured BEFORE using. Benches supplied by Yamaha are
designed for seating only. No other uses are recommended.
PLEASE KEEP THIS MANUAL
92-469-2
CLP240E.book Page 87 Wednesday, April 6, 2005 4:02 PM
FCC INFORMATION (U.S.A.)
1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!
This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by
Yamaha may void your authority, granted by the FCC, to
use the product.
2. IMPORTANT: When connecting this product to accessories and/or another product use only high quality
shielded cables. Cable/s supplied with this product
MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA.
3. NOTE: This product has been tested and found to comply with the requirements listed in FCC Regulations,
Part 15 for Class “B” digital devices. Compliance with
these requirements provides a reasonable level of
assurance that your use of this product in a residential
environment will not result in harmful interference with
other electronic devices. This equipment generates/
uses radio frequencies and, if not installed and used
according to the instructions found in the users manual,
may cause interference harmful to the operation of
other electronic devices. Compliance with FCC regulations does not guarantee that interference will not occur
in all installations. If this product is found to be the
source of interference, which can be determined by
turning the unit “OFF” and “ON”, please try to eliminate
the problem by using one of the following measures:
Relocate either this product or the device that is being
affected by the interference.
Utilize power outlets that are on different branch (circuit
breaker or fuse) circuits or install AC line filter/s.
In the case of radio or TV interference, relocate/reorient
the antenna. If the antenna lead-in is 300 ohm ribbon
lead, change the lead-in to co-axial type cable.
If these corrective measures do not produce satisfactory results, please contact the local retailer authorized
to distribute this type of product. If you can not locate
the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service Division, 6600
Orangethorpe Ave, Buena Park, CA90620
The above statements apply ONLY to those products
distributed by Yamaha Corporation of America or its
subsidiaries.
* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA.
IMPORTANT NOTICE FOR THE UNITED KINGDOM
Connecting the Plug and Cord
IMPORTANT. The wires in this mains lead are coloured in
accordance with the following code:
BLUE
: NEUTRAL
BROWN : LIVE
As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured makings identifying the terminals in your plug proceed as follows:
The wire which is coloured BLUE must be connected to
the terminal which is marked with the letter N or coloured
BLACK.
The wire which is coloured BROWN must be connected to
the terminal which is marked with the letter L or coloured
RED.
Making sure that neither core is connected to the earth terminal of the three pin plug.
(2 wires)
• This applies only to products distributed by Yamaha-Kemble Music
(U.K.) Ltd.
CAUTION: TO PREVENT ELECTRIC SHOCK, MATCH
WIDE BLADE OF PLUG TO WIDE SLOT, FULLY INSERT.
ATTENTION: POUR ÉVITER LES CHOCS ÉLECTRIQUES, INTRODUIRE LA LAME LA PLUS LARGE DE
LA FICHE DANS LA BORNE CORRESPONDANTE DE LA
PRISE ET POUSSER JUSQU’AU FOND.
(polarity)
• This applies only to products distributed by Yamaha Canada Music
Ltd.
• Ceci ne s’applique qu’aux produits distribués par Yamaha Canada
Musique Ltée.
(class B)
COMPLIANCE INFORMATION STATEMENT
(DECLARATION OF CONFORMITY PROCEDURE)
Responsible Party : Yamaha Corporation of America
Address : 6600 Orangethorpe Ave., Buena Park,
Calif. 90620
Telephone : 714-522-9011
Type of Equipment : Electronic Piano
Model Name : CLP-240/230
This device complies with Part 15 of the FCC Rules.
Operation is subject to the following conditions:
1) this device may not cause harmful interference, and
2) this device must accept any interference received including
interference that may cause undesired operation.
See user manual instructions if interference to radio reception
is suspected.
* This applies only to products distributed by
YAMAHA CORPORATION OF AMERICA.
(FCC DoC)
CLP240E.book Page 88 Wednesday, April 6, 2005 4:02 PM
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CLP240E.book Page 88 Wednesday, April 6, 2005 4:02 PM
For details of products, please contact your nearest Yamaha
representative or the authorized distributor listed below.
ᇠ·ÓΠÔÓ‰Ó·Ì˚ÏË Ò‚Â‰ÂÌËflÏË Ó·‡˘‡ÈÚÂÒ¸ ‚ ÏÂÒÚÌÓÂ
Ô‰ÒÚ‡‚ËÚÂθÒÚ‚Ó ÍÓÔÓ‡ˆËË Yamaha.
NORTH AMERICA
CANADA
Yamaha Canada Music Ltd.
135 Milner Avenue, Scarborough, Ontario,
M1S 3R1, Canada
Tel: 416-298-1311
Yamaha Music Central Europe GmbH,
Branch Belgium
Rue de Geneve (Genevastraat) 10, 1140 - Brussels,
Belgium
Tel: 02-726 6032
FRANCE
U.S.A.
Yamaha Corporation of America
6600 Orangethorpe Ave., Buena Park, Calif. 90620,
U.S.A.
Tel: 714-522-9011
CENTRAL & SOUTH AMERICA
MEXICO
Yamaha de México S.A. de C.V.
Calz. Javier Rojo Gómez #1149,
Col. Guadalupe del Moral
C.P. 09300, México, D.F., México
Tel: 55-5804-0600
BRAZIL
Yamaha Musical do Brasil Ltda.
Av. Reboucas 2636-Pinheiros CEP: 05402-400
Sao Paulo-SP. Brasil
Tel: 011-3085-1377
ARGENTINA
Yamaha Music Latin America, S.A.
Sucursal de Argentina
Viamonte 1145 Piso2-B 1053,
Buenos Aires, Argentina
Tel: 1-4371-7021
PANAMA AND OTHER LATIN
AMERICAN COUNTRIES/
CARIBBEAN COUNTRIES
Yamaha Music Latin America, S.A.
Torre Banco General, Piso 7, Urbanización Marbella,
Calle 47 y Aquilino de la Guardia,
Ciudad de Panamá, Panamá
Tel: +507-269-5311
EUROPE
THE UNITED KINGDOM
Yamaha-Kemble Music (U.K.) Ltd.
Sherbourne Drive, Tilbrook, Milton Keynes,
MK7 8BL, England
Tel: 01908-366700
IRELAND
Danfay Ltd.
61D, Sallynoggin Road, Dun Laoghaire, Co. Dublin
Tel: 01-2859177
GERMANY
Yamaha Music Central Europe GmbH
Siemensstraße 22-34, 25462 Rellingen, Germany
Tel: 04101-3030
SWITZERLAND/LIECHTENSTEIN
Yamaha Music Central Europe GmbH,
Branch Switzerland
Seefeldstrasse 94, 8008 Zürich, Switzerland
Tel: 01-383 3990
AUSTRIA
Yamaha Music Central Europe GmbH,
Branch Austria
Schleiergasse 20, A-1100 Wien, Austria
Tel: 01-60203900
POLAND
Yamaha Music Central Europe GmbH
Sp.z. o.o. Oddzial w Polsce
ul. 17 Stycznia 56, PL-02-146 Warszawa, Poland
Tel: 022-868-07-57
THE NETHERLANDS
Yamaha Music Central Europe,
Branch Nederland
Clarissenhof 5-b, 4133 AB Vianen, The Netherlands
Tel: 0347-358 040
ASIA
BELGIUM/LUXEMBOURG
Yamaha Musique France
BP 70-77312 Marne-la-Vallée Cedex 2, France
Tel: 01-64-61-4000
ITALY
Yamaha Musica Italia S.P.A.
Viale Italia 88, 20020 Lainate (Milano), Italy
Tel: 02-935-771
SPAIN/PORTUGAL
Yamaha-Hazen Música, S.A.
Ctra. de la Coruna km. 17, 200, 28230
Las Rozas (Madrid), Spain
Tel: 91-639-8888
GREECE
Philippos Nakas S.A. The Music House
147 Skiathou Street, 112-55 Athens, Greece
Tel: 01-228 2160
SWEDEN
THE PEOPLE’S REPUBLIC OF CHINA
Yamaha Music & Electronics (China) Co.,Ltd.
25/F., United Plaza, 1468 Nanjing Road (West),
Jingan, Shanghai, China
Tel: 021-6247-2211
HONG KONG
Tom Lee Music Co., Ltd.
11/F., Silvercord Tower 1, 30 Canton Road,
Tsimshatsui, Kowloon, Hong Kong
Tel: 2737-7688
INDONESIA
PT. Yamaha Music Indonesia (Distributor)
PT. Nusantik
Gedung Yamaha Music Center, Jalan Jend. Gatot
Subroto Kav. 4, Jakarta 12930, Indonesia
Tel: 21-520-2577
KOREA
Yamaha Music Korea Ltd.
Tong-Yang Securities Bldg. 16F 23-8 Yoido-dong,
Youngdungpo-ku, Seoul, Korea
Tel: 02-3770-0660
MALAYSIA
Yamaha Music Malaysia, Sdn., Bhd.
Lot 8, Jalan Perbandaran, 47301 Kelana Jaya,
Petaling Jaya, Selangor, Malaysia
Tel: 3-78030900
Yamaha Scandinavia AB
J. A. Wettergrens Gata 1
Box 30053
S-400 43 Göteborg, Sweden
Tel: 031 89 34 00
PHILIPPINES
DENMARK
YS Copenhagen Liaison Office
Generatorvej 6A
DK-2730 Herlev, Denmark
Tel: 44 92 49 00
FINLAND
F-Musiikki Oy
Kluuvikatu 6, P.O. Box 260,
SF-00101 Helsinki, Finland
Tel: 09 618511
Yupangco Music Corporation
339 Gil J. Puyat Avenue, P.O. Box 885 MCPO,
Makati, Metro Manila, Philippines
Tel: 819-7551
SINGAPORE
Yamaha Music Asia Pte., Ltd.
#03-11 A-Z Building
140 Paya Lebor Road, Singapore 409015
Tel: 747-4374
TAIWAN
NORWAY
Norsk filial av Yamaha Scandinavia AB
Grini Næringspark 1
N-1345 Østerås, Norway
Tel: 67 16 77 70
ICELAND
Skifan HF
Skeifan 17 P.O. Box 8120
IS-128 Reykjavik, Iceland
Tel: 525 5000
Yamaha KHS Music Co., Ltd.
3F, #6, Sec.2, Nan Jing E. Rd. Taipei.
Taiwan 104, R.O.C.
Tel: 02-2511-8688
THAILAND
Siam Music Yamaha Co., Ltd.
891/1 Siam Motors Building, 15-16 floor
Rama 1 road, Wangmai, Pathumwan
Bangkok 10330, Thailand
Tel: 02-215-2626
OTHER ASIAN COUNTRIES
OTHER EUROPEAN COUNTRIES
Yamaha Music Central Europe GmbH
Siemensstraße 22-34, 25462 Rellingen, Germany
Tel: +49-4101-3030
Yamaha Corporation,
Asia-Pacific Music Marketing Group
Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650
Tel: +81-53-460-2317
OCEANIA
AFRICA
Yamaha Corporation,
Asia-Pacific Music Marketing Group
Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650
Tel: +81-53-460-2312
MIDDLE EAST
TURKEY/CYPRUS
Yamaha Music Central Europe GmbH
Siemensstraße 22-34, 25462 Rellingen, Germany
Tel: 04101-3030
OTHER COUNTRIES
Yamaha Music Gulf FZE
LB21-128 Jebel Ali Freezone
P.O.Box 17328, Dubai, U.A.E.
Tel: +971-4-881-5868
AUSTRALIA
Yamaha Music Australia Pty. Ltd.
Level 1, 99 Queensbridge Street, Southbank,
Victoria 3006, Australia
Tel: 3-9693-5111
NEW ZEALAND
Music Houses of N.Z. Ltd.
146/148 Captain Springs Road, Te Papapa,
Auckland, New Zealand
Tel: 9-634-0099
COUNTRIES AND TRUST
TERRITORIES IN PACIFIC OCEAN
Yamaha Corporation,
Asia-Pacific Music Marketing Group
Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650
Tel: +81-53-460-2312
HEAD OFFICE Yamaha Corporation, Pro Audio & Digital Musical Instrument Division
Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650
Tel: +81-53-460-3273
[CL] 36
CLP240E.book Page 90 Wednesday, April 6, 2005 4:02 PM
CLP-240/230
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