Roland MVS-12 Specifications

AUDIO

DIGITAL CONSOLES

DIGITAL SNAKES

PERSONAL MIXERS

MULTI-CHANNEL RECORDERS

AUDIO RECORDERS

VIDEO

VIDEO MIXERS/SWITCHERS

VIDEO PL AYERS

FIELD RECORDERS

VIDEO CONVERTERS

VIDEO EDITORS

PR O FES S I O N A L

AU D I O A N D V I D EO EQ U I PM EN T

S PR I N G 2011

1

Bringing Professional

Audio and Video

Together

Welcome to the Roland Professional Audio and Video Equipment Spring

2011 catalog.

Roland has introduced many innovative products to the professional market over the past few years and has built a strong trust across many users and installations around the world. Through continuous development and a clear focus on professional audio/video products,

Roland Systems Group is committed to providing unique solutions to improve workflow and maximize creative possibilities.

We offer solutions to many markets including: Broadcast • Education •

Legal • Live Production • Sports • Theater • Theme Park • Videography •

Visual Performance • Worship.

DIGITAL CONSOLES

DIGITAL SNAKES

PERSONAL MIXERS

MULTI-CHANNEL

RECORDERS

AUDIO RECORDERS

CONTENTS

Applications

Audio 1

Audio Production 2

Recording/Broadcasting

VIDEO MIXERS/

SWITCHERS

VIDEO PLAYERS

Audio Equipment

Video Equipment 32

33

43

47

50

53

54

26

29

31

11

12

13

19

9

10

7

8

5

6

3

4

FIELD RECORDERS

VIDEO CONVERTERS

VIDEO EDITORS

Index

S-4000 series

V-1600HD

M-48

V-440HD

M-480

S-1608/S-0816

S-MADI

S-0808

M-400

S-4000M

S-4000D

13

M-380 M-300

19

S-4000-SP S-OPT

RH-PM5 W100S-R/SC-W100S/SC-W20F

26

R-1000 V-STUDIO 700

AR-3000R

SONAR REAC Recording System

29

31

AR-200R

33

V-44SW LVS-800/LVS-400 V-8/V-4 MVS-12 VR-5

43

PR-1000HD PR-80 PR-50 P-10 CG-8

47

F-1 R-4Pro R-44

50

VC-50HD VC-300HD VC-200HD VC-30HD

53

DV-7DL G

2

3

APPLICATIONS

Audio Production

The V-Mixing System/Digital Snake Systems improves sound quality, reduces configuration complexity, and adds breakthrough capabilities.

Location Sound - Digital Snake System 8 x 8 Ch with battery operation

An 8 x 8 Ch Digital Snake system enables high quality audio transmission with an easy setup. This system is ideal when AC power is not convenient or available.

Remote Controller

S-4000R

RS-232C

Microphone etc.

8 ch

Battery

DC

Battery

DC

8 ch

Cat5e

100 m

8 ch

8 ch

Speaker

8 x 8 I/O Unit

S-0808

8 x 8 I/O Unit

S-0808

Mixer

Live Event - Digital Snake System 16 x 8 Ch

Connecting the S-1608 and the S-0816 with a simple REAC (Cat5e) cable enables 16 x 8 Ch bi-directional digital audio transmission.

RS-232C

Remote Controller

S-4000R

Microphone etc.

16 ch

8 ch

Cat5e

100 m

16 ch

8 ch

Speaker

Digital Snake

S-1608

Digital Snake

S-0816

Mixer

Broadcast - Long Distance Digital Audio Transmission - 32 x 8 Ch with Redundancy

By using the S-OPT REAC optical converter and optical cables (sold separately), the REAC transmission distance can be extended to a maximum of 2 kilometers. If the main cable is compromised, the system will automatically and seamlessly switch to the backup cable.

RS-232C

Remote Controller

S-4000R

Microphone etc.

32 ch

8 ch

Speaker

40 Channel

I/O Modular Rack

S-4000S-3208

REAC

Optical Converter

S-OPT

Cat5e

Optical

Fiber Cable

2 km

REAC

Optical Converter

S-OPT

Cat5e

Cat5e

Optical Fiber Cable

2 km Cat5e

REAC Optical Converter

S-OPT


S-OPT

Redundant Connection

40 Channel

I/O Modular Rack

S-4000S-0832

32 ch

8 ch

Mixer

Installed Sound - Standard V-Mixing System – 42 Inputs/26 Outputs

Standard System consists of two S-1608 Digital Snakes on stage.

32 ch XLR

16 ch XLR

Digital Snake S-1608 x 2

REAC A

REAC B

M-480 , M-400 , M-380 or M-300

8 ch XLR

2 ch RCA

8 ch XLR

2 ch Digital

Phones

40 ch

APPLICATIONS

Audio Production

The V-Mixing System/Digital Snake System is configurable for any sound system along with convenient Split, Merge, and Embedded Power technology. It is not an "all or nothing" system so even your current mixing environment can be combined with the V-Mixing System.

Front of House and Monitor V-Mixer Split Setup

The V-Mixing system's REAC protocol makes it easy to split the source audio signals. These splits can be used to connect to another

V-Mixer as a monitor console, M-48 Personal Mixing System, or output for analog monitoring or recording requirements.

Monitoring

M-480 , M-400 ,

M-380 or M-300

Stage

40 ch

Splitter and Power Distributor S-4000D Front of House

8 ch

XLR

8 ch

* Using REAC Port on Monitor

V-Mixer, up to 48 channel outputs can be expanded.

16 ch XLR

16 ch XLR

8 ch

XLR

S-1608

S-1608

M-480 , M-400 ,

M-380 or M-300

Monitoring Split Setup using Other Mixers

Any analog or digital console can be used as a monitor console with the V-Mixing System.

Stage Monitoring

Digital Snake series

Splitter and Power Distributor S-4000D

8 ch

XLR

. . . . . .

Other Mixer

16 ch XLR

16 ch XLR

8 ch

XLR

S-1608

S-1608

Front of House

M-480 , M-400 ,

M-380 or M-300

Merge Setup for Distributed Inputs and Outputs

Using the S-4000M, up to 4 REAC signals (up to 160 inputs) from Digital Snakes can be merged to one single REAC signal (40ch).

The S-0808 can be used in a place where AC power is not available using REAC Embedded Power technology.

40 Channel

I/O Modular Rack

S-4000S-0832

POWER

1 to 8 ch

1 to 8 ch

8 x 8 I/O Unit S-0808

9 to 16 ch

1 to 8 ch

8 x 8 I/O Unit S-0808

POWER

REAC

Merge Unit

S-4000M or

1 to 32 ch

1 to 8 ch

17 to 24 ch

1 to 8 ch

Digital Snake S-1608

25 to 32 ch

1 to 8 ch

40 Channel I/O Modular Rack

S-4000S-3208

M-480 , M-400 ,

M-380 or M-300

4

5

APPLICATIONS

Personal Mixing

M-48 Live Personal Mixing System offers each musician the flexibility to control exactly what they want to listen to during their performance.

Personal Mixing Setup with V-Mixer

The M-48 enables control of up to 40 audio sources that can be managed via 16 stereo groups - assignable and unique per musician. Any V-Mixer can setup and control multiple M-48s via the S-4000D.

Stage Front of House


POWER

M-48 M-48 M-48 M-48

Keyboard Drums

In-Ear Monitors/

Headphones

In-Ear Monitors/

Headphones

Vocal

In-Ear Monitors/

Headphones

In-Ear Monitors/

Headphones

Guitar/Vo.

8 ch

XLR

16 ch XLR

16 ch XLR

8 ch

XLR

S-1608

S-1608

M-480 , M-400 ,

M-380 or M-300

Personal Mixing Setup with Other Digital Consoles

Connect several M-48 Live Personal Mixers to a MADI equipped digital console. An additional M-48 can be connected to the SPLIT

OUT port on the S-MADI that also supplies power - all over one Cat5e cable.

Stage

M-48

POWER

M-48

POWER

M-48

POWER

M-48


POWER

40 ch

100 m

Front of House

M-48

Control

Software

S-4000RCS

POWER

RS-232C

MAIN

SPLIT

OUT

REAC MADI Bridge

S-MADI

WORD CLOCK

（optional）

MADI

40 ch

Digital Console

(MADI)

Personal Mixing Setup with Other Mixers

With your existing console, connect the M-48 along with the S-1608 (16 channel) or the S-4000S (40 channel) Digital Snake to utilize the complete system. The M-48 Live Digital Mixing System can be incorporated into your existing audio setup.

Stage


Front of House

S-4000S series or

S-1608

M-48 M-48 M-48 M-48

POWER

Keyboard

In-Ear Monitors/

Headphones

Drums

In-Ear Monitors/

Headphones

Vocal

In-Ear Monitors/

Headphones

Guitar/Vo.

In-Ear Monitors/

Headphones

. . . . . .

Control

Software

S-4000RCS

Other Mixer

APPLICATIONS

Recording/Broadcasting

A REAC-based system enables a powerful and flexible mixing/recording environment with high sound quality, intuitive operation and easy set-up.

Full Digital Mixing, Monitoring and Recording Setup

This configuration enables full digital mixing, monitoring and recording. Combining the S-0808 and S-4000M offers an unparalleled setup flexibility.

Front of House Stage 8 x 8 I/O Unit S-0808 x 4 REAC

Merge Unit

S-4000M Personal Monitoring System

In-Ear

Monitors

Live Personal

Mixer

M-48 x 5

8 ch 8 ch

Microphone etc.

8 ch 8 ch

16 ch

8 ch 8 ch

2 ch

6 ch

Stage Unit S-1608

8 ch 8 ch

Main Speaker

Power Amplifier

Monitor Speaker


CAT5e

M-480 , M-400 ,

M-380 or M-300

PC with Cakewalk

SONAR Producer and REAC Driver Kit

Live Recording/Playback System

Ideal concert/event configuration enabling great live sound with two S-1608 snakes and personal mixing for each musician. In addition, the R-1000 makes multi-channel live recording and virtual soundcheck possible.

48-Track Recorder/Player

R-1000


Stage Unit S-1608 M-480

Broadcasting System with Multiple Locations

This system allows I/O to be place in 4 separate locations using S-0808s. The signals from the 4 units are merged by the S-4000M as it travels to the S-4000H breakout location. Power to each of the S-0808s is supplied by the embedded power over REAC from the S-4000M.

1 to 8 ch

1 to 8 ch

Shooting

Area A

8 x 8 I/O Unit S-0808

9 to 16 ch

1 to 8 ch

Shooting

Area B

8 x 8 I/O Unit S-0808

17 to 24 ch

1 to 8 ch

Shooting

Area C

8 x 8 I/O Unit S-0808

25 to 32 ch

1 to 8 ch

Shooting

Area D

8 x 8 I/O Unit S-0808

100 m

100 m

100 m

100 m

POWER

POWER

POWER

POWER

Control Room

REAC Merge Unit

S-4000M

8 x 32 FOH Unit

S-4000H

Remote Controller

S-4000R

6

7

APPLICATIONS

Audio Playback

The AR series offers stable and reliable audio playback for the most demanding applications.

Compact announcement system

The AR-200R is compact and durable audio player for any environment. Its small footprint enables installation in tight spaces.

Switch

Motion Sensor

Timer

Etc.

Audio Recorder/Player AR-200R

* Up to 9 phrases can be played using control terminal

Theme parks, all themed environments

Reliable, no moving par t playback makes for secure, problem-free installations.

Restaurants and retail establishments for messages and special announcements

AR series ducks background music when message is played.

Speakers/Audio System

Public transportation

DC power operation and no moving parts are perfect for installations requiring rugged, reliable audio playback.

Museums

F l ex i b l e c o n t r o l o p t i o n s p r ov i d e e a s y way s to t r i g g e r s o u n d s o r announcement.

Network announcement system

With the AR-NT1R upgrade, an AR-3000R can be put on a standard Ethernet IP network. Files can then be transferred and all functions controlled over the network.

For recording For announcement

LAN

Audio Output

LAN

Audio Recorder AR-3000R

+

Network Option for AR-3000R

AR-NT1R

Audio Recorder

+

AR-3000R

Network Option for AR-3000R AR-NT1R

NETWORK

LAN

Audio Output

Audio Recorder

+

AR-3000R


LAN

LAN

Audio Output

Mic PC for controlling

Audio Recorder

+

AR-3000R


Multi-Channel Audio Playback

Using the AR-LINK function, up to 64-tracks of simultaneous playback is possible. One AR-3000R master device can lock up to 31 units of AR-3000R or AR-200R together for sample accurate playback.

Master Controller

Many Control Signal Options

RS-232C

GPI

MIDI

* LAN

* AR-NT1R is required

Audio Recorder AR-3000R

Audio Output

AR-LINK

Audio Recorder

AR-200R Audio Output

AR-LINK

Audio Recorder


AR-LINK

Audio Recorder


AR-LINK

Audio Recorder


AR-LINK

Up to 32 units can be played simultaneously.

APPLICATIONS

Visual Production

Roland professional video products enable powerful, high quality live video production with intuitive operation. Clear user interfaces provide reliability and easy to use mixers and playback devices.

Concert/Live Stage Production

The V-1600HD enables high quality multi-format video mixing for concert/live stage productions. Many types of video formats can be input and mixed thanks to built-in scalers.

PC

(For Text)

Main Monitor

Blu-ray Player

Multi-Format

Video Presenter

PR-1000HD

RGB

HD COMPONENT

DVI-D

HD-SDI

HD-SDI

HD

Remote

Camera

HD

Remote

Camera

Control Signal

DVI-D, SDI, Component or RGB

DVI-D, SDI, Component or RGB

Multi-Format Video Switcher

V-1600HD

Control Signal

Tally Signal

Remote Camera Control Unit

Sub-Monitor

Corporate Presentation

This presentation system enables seamless video switching between different video formats - HD/SD video sources and RGB signals from PC. With V-LINK, audio faders on a Roland audio mixer follow the input selections and T-bar position of the video mixer.

Preview Monitors Main Displays/Screens

PC

(For Presentation)

PC

(For Notes)

HDV Camera

HDV Camera

RGB

RGB

HD COMPONENT

HD COMPONENT

SD

SD HD HD

Multi-Format Video Mixer

V-440HD

RGB

RGB

RGB

MIDI

Audio Inputs/Outputs

Digital Snake

S-1608

Audio

DVD Player

M-300

Event Production

Graphics and text from a PC can be composited over video sources. Additionally, independent outputs from the A/B mix and Program out busses can be sent to different screens creating exciting multi-screen environments.

Video Camera x 4

PC

(For Presentation)

PC

(For Presentation)

Multi-Viewer/Switcher

MVS-12 MULTI-OUT

RGB/HDMI

Preview Monitor

(Multi-View)

VIDEO

IN 1

IN 2

IN 3

IN 4

IN 5

IN 6

RGB

PC 1

RGB

PC 2

MIDI IN

MIDI OUT

MONITOR 1 to 8/PGM/PVW

A/B MIX OUT

A/B MIX OUT

PGM OUT

Main Displays/Screens

Visual

Sampler

P-10

DVD Player

Video Mix/Live Switcher

LVS-800

8

9

APPLICATIONS

Video Recording

Roland Field Recorders are ideal for portable, high quality and extended video recording applications. A variety of power supply options such as AA battery, external buttery and

AC adaptor enables recording at any location at anytime.

Live Event Recording

This example illustrates affordable and reliable HD video recording of live events. The VC-300HD combines video and audio, and converts to a variety of recording video formats. The F-1 stores the recorded audio and video data via IEEE 1394 in HDV, DV or a variety of MPEG-2TS formats.


PC

(For Presentation)

PC

(For Notes)

SD HD HD HD

Video Field Recorder

F-1

HDV Camera

HDV Camera

RGB

RGB

HD COMPONENT

HD COMPONENT

SD

DVD Player


V-1600HD

HD COMPONENT

HD COMPONENT

HD-SDI

Multi-format

Video Converter

VC-300HD

HDV

HD-SDI

Audio Input

Audio delay function in the VC-300HD enables ability to adjust the amount of delay between the video and the audio signals.

HDV/DV

Blu-ray/DVD Recorder HD Recorder

Observation/Medical Research

This example configuration enables high quality and continuous audio and video recording. The VC-50HD converts HD-SDI to HDV and sends it to the F-1 - which can record up to 9 hours in HDV format. Additionally, when a lower MPEG 2 TS bit rate is selected for recording, up to 27-hours in HD and four days in SD is possible.

Monitor

HDMI

HD-SDI HDV

HD Camera

Video Field Converter

VC-50HD


F-1

Video/DSLR Shooting

The R-4 Pro is the flagship four channel audio field recorder ideal for professional videographers who need synchronized audio and video recording using SMTPE timecode. Also works well when shooting with DSLR camera which has limited audio capabilities.

Shotgun Microphone AUDIO Headphones Video Camera

Lavalier

Microphone x 2

Dynamic

Microphone

AUDIO

AUDIO

AUDIO

AUDIO

4 Channel Portable Recorder and Wave Editor

R-4Pro

SMPTE TC

USB

PC/MAC

(For backup storage/Editing)

Conference Recording

This example is a typical setup for recording conferences. The R-44 captures four channels of uncompressed audio from table microphones. The recorded audio can then be transferred via USB to a PC/Mac to burn CD's or transfer to flash drives for attendees.

Microphone x 4

AUDIO

AUDIO

AUDIO

AUDIO

AUDIO

4 Channel Portable Recorder

R-44

Headphones

USB Data Transfer

PC/Mac

CD Burning

APPLICATIONS

AV Installation

Integrating Roland Professional Audio and Video products together enables efficient and flexible system suitable for many applications.

Theater/Church/Conference room with HD streaming

This presentation system enables seamless video switching between a variety of video formats - HD/SD video sources and RGB signals from PC. With V-LINK, audio faders on the audio mixer follow the input selections and T-bar position of the video mixer.

Both the video and audio signal are then routed into the VC-300HD which embeds them together as a firewire signal ready to send to a live streaming service running on a PC/Mac.


PC

(For Presentation)

PC

(For Notes)

PC/MAC

NETWORK

(live streaming)

DV Camera

RGB

DVI-D

HD-SDI

HD-SDI

SD

SD HD HD RGB

RGB

RGB

HD-SDI

IEEE1394

DV Camera

Audio

Inputs/Outputs

Multi-format

Video Converter

VC-300HD


V-1600HD

MIDI

Audio

Audio

DVD Player

M-380

Digital Snake

S-1608

Live Video Production and Web Streaming

The VR-5 has all the necessary functions for live production including an audio mixer, video switcher, scan converter, video recorder, media player and video output via USB. With VR-5, a live web broadcasting environment becomes simple and easy to operate.

PC

DVD

Camera

NETWORK

(live streaming)

Camera

PC

Audio

Audio

AV Mixer & Recorder

VR-5

SD

Live Stage/Church production with live broadcasting

Use the VR-5 in any existing production environment to create a unique broadcast feed to the web.

PC

Cameras for Video Production

Visual

Sampler

P-10

COMPOSITE RGB

Display/Screen

Cameras for Web Streaming

COMPOSITE COMPOSITE

COMPOSITE

COMPOSITE

COMPOSITE

COMPOSITE

Video Mix/

Live Switcher

LVS-800

PC

USB

Digital Snake S-1608

AV Mixer & Recorder

VR-5

SD

Digital Snake S-1608 M-400

NETWORK

(live streaming)

10

11

Model

M-480

M-400

M-380

M-300

Digital Consoles

Mixing Channel

48

48

48

32

Bus

19

18

18

11

Matrix

8

8

8

4

FX Return CH

6 stereo

Fader

25

25

13

17

REAC port

3

3

3

2

Console

Analog I/O

10 in/8 out

10 in/8 out

10 in/8 out

12 in/8 out

Cascade

●

USB Memory

Playback/Rec.

●

Model

S-4000S-3208

S-4000S-0832

S-4000H

S-1608

S-0816

S-0808

Digital Snakes

XLR Input

32

8

8 (Line level)

16

8

8

XLR Output

8

32

32

8

16

8

TRS Input

(Hi-Z Input)

REAC/Power

Redundant

4 (2)

MIDI

Connection with V-Mixer

Embedded Power

Operation

●

Model

M-48

Personal Mixers

Input Source

40

Monitoring Channels

16 Stereo Groups

3-band EQ

●

Reverb

●

Limiter

●

Ambient Mic

●

Embedded Power

Operation

●

Model

R-1000

SONAR

Multi-Channel Recorders

Recording

Channel

48

40 (via REAC)

Playback Channel

48

Input

REAC

REAC

Model

AR-3000R

AR-200R

Audio Recorders

Maximum number of Phrases

2000

1000

Control Terminal

16

9

RS-232C

●

Output

REAC, 2 XLR

MIDI

Editing

●

WordClock

●

VideoSync

Black Burst

External Control

MIDI, RS-232C, GPI

DC Power

Operation

9-24V

AR-LINK

Master/Slave

Slave

Network Control

Option

●

Phrase Editing

●

How to Configure a V-Mixing System

Step 1

Decide on inputs/outputs

Step 2

Choose a Console

There are a number of I/O configuration choices.

Select based on size, i/o count, and modularity.

There are four choices of consoles to choose from.

Differences center around:

- Mixing Channels

- Processing Power

- Number of Faders

- Size and rackmount ability

S-0808 S-1608 S-4000S

Determine if you need additional splits for monitoring, recording or distribution to multiple places. You can also distribute your main i/o units together into a merged REAC signal.

M-480 M-400

S-4000D S-4000M M-380 M-300

Step 3

Choose Monitoring

Solution

Monitoring needs can be addressed by adding the M-48 Personal Mixing option, another V-Mixer as a monitor console, or the combination of both.

T he M - 48 of fe r s mu s i cia n s the flexibility to control exactly what they want to listen to during their performance.

M-48

Add an additional V-Mixer to create a monitor position that can control wedges and/or any

M-48 personal mixers connected taking the burden off of the FOH position.

M-300

Step 4

Choose Recording/

Playback Solution

M u l t i - c h a n n e l r e c o r d i n g a n d playback can be added by using a simple Cat5/6 cable from a split point.

Record/play back up to 48-channels of audio using the Roland R-1000

Multi-Channel Recorder/Player.

R-1000

Capture up to 40-channels of audio to a computer using the SONAR

REAC Recording solution.

SONAR

ABOUT REAC

REAC

Roland Ethernet Audio Communication

REAC (Roland Ethernet Audio Communication) is Roland’s original technology for low latency, high quality digital audio transfer. Products using REAC technology are installed today in many venues and have been used for high profile events worldwide.

REAC technology provides many system advantages and powerful digital benefits

Reliability and Superb Quality

Full

Digital

Up to 24-bit/96kHz Sound

REAC transfers 40 Channels of Audio in each direction at 24-bit and up to 96 kHz including control messages all over a single Cat5e/6

Ethernet Cable or Optical link.

Digital Audio Signal Transfer

The digital audio signal sent by REAC over

Cat5e/6 Ethernet cables avoids signal quality losses, ground hums, or other interference typically found with analog snakes.

Superb Quality AD/DA Circuit

The corner stone of digit al sound is the

AD/DA circuit. REAC products have been specially designed for live audio applications and are made of high quality components carefully selected by Roland engineers.

Redundancy

Cabling and Power Supply Redundancy for

S-4000S series provides a secure audio transmission system, and the automatic continuation of audio transfer even in cases where one of the cables is accidentally damaged.

Easy and Intuitive

No IP Address Setup

Devices are automatically recognized by the system and the appropriate menus present themselves.

Cat5e/6

Light Weight/Small Footprint

REAC provides pristine digital audio in a very light weight, inexpensive and easy to install cable format.

Simple User Interface

Dedicated knobs/buttons and simple user inter face eliminate any confusion when having to make quick adjustments.

REAC Embedded Power

“REAC Embedded Power” is a unique Roland technology that enables the transfer of not only the digital audio signal but also the power required by the connected device - all via one Cat5e/6 cable.

System Expandability and Flexibility

Personal Mixing

The next generation live personal mixer offers musicians the unprecedented flexibly to control exactly what they want to listen to during their performances.

Analog Solution

With your existing console, connect the

Digital Snake to take advantage of the sound qualit y benefits. The next generation of digital audio system can be incorporated into your existing system.

Live Multi-Channel Recording/Playback

Simply plug a Cat5e/6 cable into a computer installed with Cakewalk SONAR PRODUCER and capture up to

40 channels of live audio. Alternately connect to an

R-1000 48-Track Recorder/Player for dedicated recording of up to 48 channels along with Virtual Soundcheck and selective multi-channel playback capabilities.

V-LINK

Audio Faders on the V-Mixer follow the input selections and T-bar position of Roland

Video Mixers.

12

DIGITAL CONSOLES

M-480

Live Mixing Console

Flagship console with new world-class powerful mixing engine

NEW

USB Memory

Stereo

Line Input

Digital Output

(Coaxial, Optical)

Lamp

REAC Console Inputs

Talkback

Microphone

Input

RS-232C

MIDI

USB

Console Outputs

Headphone Jack

48 Channels/19 Buses/8 Matrices/6 stereo FX return channels with 6 dual/mono effects processors, twelve 31-band GEQs/8band PEQs

Connect to any Roland Digital Snake for a total capacity of 90 inputs by 90 outputs

Three built-in REAC ports allows flexible system expansion

4-band PEQ, channel dynamics and delay on all mixing channels

4-band PEQ, Limiter and Delay on all output buses

Channel direct outputs

Cascade function for up to 96ch mixing with two M-480

The large, bright 800 x 480 color LCD gives a very clear view of all the V-Mixer’s parameters

Channel Display Channel EQ

56-bit internal processing

Large, bright 800 x 480 LCD color screen

100 mm touch sensitive motorized faders

USB memory player/recorder

Scene recall with preamp gain

Remote control and offline setup using a PC

Support for M-48 Personal Mixing System

Direct connection with PC or R-1000 for multi-channel recording

V-LINK provides an automatic audio follows video mix

Meter

Channe l Editing Display is a familiar and easy-to-use analog-style layout of channel parameters.

EFFECTS

Dedicated screen for editing channel EQ.

Change values quickly using the dedicated knobs.

GEQ/PEQ

Large overview screen provides quick view of all channels meters and faders position.

Patchbay

13

View and edit the 6 stereo, high-quality FX for channel/bus inserts such as reverb, delay, channel strip.

Setup screen for twelve 31-band Graphic EQs or 8-band Parametric EQs.

Large, intuitive screen for routing any stage or console input to mixer channels and assigning buses to outputs.

M-480

Cascade

Cascade connection enables up to 96 mixing channels by connecting two M-480s via a single Cat5e/6 cable. A Master console can share AUX/Matrix/Main/Solo buses of a Slave console. A large format mixing system can be configured with minimum footprint.

32 x 8 Modular Stage Unit

S-4000S-3208

32 x 8 Modular Stage Unit

S-4000S-3208

REAC A REAC B REAC A REAC B

M-480

Cascade Slave Console

M-480

Cascade Master Console

636.1

680

749

35°

228.5

7.6

322.2

5°

563.4

614

95.8 64

87.2

Unit: mm

V-LINK enables synchronization with video equipments

M-480 suppor ts V-LINK for s y n c h r o n i z i n g w i t h v i d e o equipment. Combine with the

V-1600HD Multi-Format Video

Switcher allows “audio follows video”.

SPECIFICATIONS M-480

Mixing Channels

INPUT: 48 channels, 6 stereo returns

BUS: MAIN L/C/R, 16 AUX buses, 8 MATRIX buses

OUTPUT: 10 ports (Max 90 ports When using REAC devices)

Internal processing 56 bits

AD/DA Conversion 24-bit/48.0 kHz or 44.1 kHz

Network Latency

2.8 mS (typ.)

* Total System Latency of audio signal from S-1608 inputs to outputs via M-480's REAC ports (A or B).

* Sample Rate: 48.0 kHz

* Effects : No insert effects

CONSOLE INPUT jacks (1 to 8)

XLR-3-31 type (balanced, phantom power)

TALKBACK MIC IN jack XLR-3-31 type (balanced, phantom power)

STEREO IN jacks (L/R) RCA phono type

CONSOLE OUTPUT jacks (1 to 8)

XLR-3-32 type (balanced)

PHONES jack

DIGITAL OUT jacks Stereo

REAC Ports

USB connectors

Stereo 1/4 inch phone type

Optical type, Coaxial type

RJ-45 EtherCon type

USB Type A and Type B

Remote Controls

Other Connectors

RS-232C connector: 9-pin D-sub type

MIDI connectors (OUT/THRU, IN): 5-pin DIN type

GND Terminal, LAMP connector XLR-4-31 type

Frequency Response

CONSOLE OUTPUT jacks (1 to 8): -2 dB / +0 dB (20 k ohms load, +4 dBu, typ.)

PHONES jack: -3 dB / +0 dB (40 ohms load, 150 mW, typ.)

Total Harmonic

Distortion + Noise

Dynamic Range

Crosstalk@ 1 kHz

Nominal Input

Level (Variable)

CONSOLE OUTPUT jacks (1 to 8): 0.05 % (+4 dBu, typ.)

PHONES jack: 0.05 % (typ., 40 ohms load, 150 mW, typ.)

CONSOLE OUTPUT jacks (1 to 8): 110 dB (typ.)

CONSOLE INPUT jacks (1 to 8): -80 dB (Pad: ON, Input gain:

+10 dBu, typ.), CONSOLE OUTPUT jacks (1 to 8): -100 dB (typ.)

CONSOLE INPUT jacks (1 to 8): -65 to -10 dBu (Pad: OFF) or -45 to +10 dBu (Pad: ON), (typ.), STEREO IN jacks (L / R):

-18 to 0 dBu, TALKBACK MIC IN jack: -50 to -10 dBu

Input Impedance

CONSOLE INPUT jacks (1 to 8): 14 k ohms, STEREO IN jacks (L / R): 10 k ohms, TALKBACK MIC IN jack: 41 K ohms

Non Clip Maximum

Input level

Nominal Output

Level

Output Impedance

CONSOLE INPUT jacks (1 to 8): +8 dBu (Pad: OFF) or +28 dBu (Pad: ON), (typ.), STEREO IN jacks (L / R): +18 dBu

(typ.), TALKBACK MIC IN jack: +8 dBu (typ.)

CONSOLE OUTPUT jacks (1 to 8): +4 dBu (Load impedance:

10 k ohms, typ.)

CONSOLE OUTPUT jacks (1 to 8): 600 ohms

PHONES jack: 100 ohms

CONSOLE OUTPUT jacks (1 to 8): 10 k ohms or greater

PHONES jack: 8 ohms or greater

Recommended

Load Impedance

Non Clip Maximum

Output level

CONSOLE OUTPUT jacks (1 to 8): +22 dBu (1 kHz, 10 k ohms load, typ.)

PHONES jack: 150 mW + 150 mW (1 kHz, 40 ohms load, typ.)

Residual Noise

Level (IHF-A, typ.)

-88 dBu (All faders: Min)

Equivalent Input

Noise Level (E.I.N.)

-126 dBu

Display 800 x 480 dots Wide VGA backlit TFT color screen

Power Supply AC 115 V, AC 117 V, AC 220 V, AC 230 V, AC 240 V (50/60 Hz)

Power Consumption 95 W

Dimensions

Weight

749.0 (W) x 614.0 (D) x 228.5 (H) mm

29-1/2(W) x 24-11/16(D) x 9-1/16(H) inches

20 kg, 44 lbs 1 oz

* XLR type: 1 GND, 2 HOT, 3: COLD

* phantom power: DC +48 V(unloaded maximum), 14 mA(maximum load) (All XLR type inputs)

* LAMP power: DC +12 V/500 mA

* When a REAC Splitter&Distributor S-4000D or a switching hub is used in-line with REAC cables, the network latency will increase by the amount of processing delay introduced by the splitting device itself. The actual delay is dependant upon the specifications of the splitting device, though the maximum delay amount for a single splitting device should be about 200 microseconds.

* EtherCon is the registered trade mark of Neutric ®

14

DIGITAL CONSOLES

M-400

Live Mixing

Console

M-380

Breakthrough 48-channel full digital mixing consoles

Mixing

Console

M-400

USB Memory

Stereo

Line Input

Digital Output

(Coaxial, Optical)

Lamp

REAC Console Inputs

15

Talkback

Microphone

Input

RS-232C

MIDI

USB

Console Outputs

M-380

Headphone Jack

USB Memory

Digital Output (Coaxial, Optical)

Talkback Microphone Input

Stereo Line Input

RS-232C

MIDI

USB

REAC

12U

Headphone Jack

48 Channels/18 Buses/8 Matrices with 4 dual/mono effects processors, 31-band GEQs/8-bands PEQs

Built-in REAC ports allows flexible system expansion

56-bit internal processing

Large, bright 800 x 480 LCD color screen

100 mm touch sensitive motorized faders

PAR

Excellence

Award 2007

RENTAL & STAGING

SYSTEMS Award

InfoComm 2008

Console Outputs

Direct connection with PC for multi-channel recording

USB memory player/recorder

Scene recall with preamp gain

Remote control and offline setup using a PC

Support for M-48 Personal Mixing System

V-LINK provides an automatic audio follows video mix

WFX

New Product

Award 2008

Console

Inputs

M-400 Dimension

636

680

749 229

M-400

M-380 Dimension

430

482

465

(231.3)

220.6

15°

M-380

563.8

581.3

78.3

Unit: mm Unit: mm

M-400 RCS/M-380 RCS - Remote control software

Free download from www.rolandsystemsgroup.net

SPECIFICATIONS M-400/M-380

Number of Channels 48 inputs, 18 buses, 8 MATRIX

Internal processing 56 bits

AD/DA Conversion 24-bit/48.0 kHz, 44.1 kHz

Network Latency

2.8 mS (typ.)



* Effects: No insert effects



TALKBACK MIC IN jack XLR-3-31 type (balanced, phantom power)

STEREO IN jacks (L/R) RCA Pin type



PHONES jack Stereo 1/4 inch phone type

DIGITAL OUT jacks Optical type, Coaxial type

REAC Ports

USB connectors

RJ-45 EtherCon type

Type A, Type B

Remote Control connectors

Other connectors

RS-232C connector 9-pin D-sub type

MIDI connectors (OUT/THRU, IN) 5-pin DIN type

GND terminal, LAMP connector XLR-4-31 type (M-400 only)

Frequency Response

CONSOLE OUTPUT jacks (1 to 8): -2 dB / +0 dB (20k-ohms load, +4 dBu),

PHONES jack: -3 dB/+0 dB (40-ohms load, 130 mW)

Total Harmonic

Distortion + Noise

Dynamic Range

Cross Talk @ 1 kHz

Nominal Input

Level (Variable)

Input Impedance

CONSOLE OUTPUT jacks: (1 to 8) 0.05 % (typ., +4 dBu)

PHONES jack: 0.05 % (typ., 40-ohms load, 130 mW)


CONSOLE INPUT jacks (1 to 8): -80dB (Pad: ON, Input gain:

+10 dBu, typ.), CONSOLE OUTPUT jacks (1 to 8): -100 dB (typ.)

CONSOLE INPUT jacks (1 to 8): -65 to -10 dBu (Pad: OFF) or -45 to +10 dBu (Pad: ON), STEREO IN jacks (L/R): -18 to 0 dBu, TALKBACK MIC IN jack: -50 to -10 dBu

CONSOLE INPUT jacks (1 to 8): 14 k-ohms, STEREO IN jacks (L/R): 10 k-ohms, TALKBACK MIC IN jack: 41 k-ohms

Non Clip Maximum

Input level

CONSOLE INPUT jacks (1 to 8): +8 dBu (Pad: OFF) or +28 dBu (Pad: ON), STEREO IN jacks (L/R): +18 dBu,

TALKBACK MIC IN jack: +8 dBu

Nominal Output

Level

Output Impedance

Recommended

Load Impedance

Non Clip Maximum

Output level

CONSOLE OUTPUT jacks (1 to 8): +4 dBu (Load impedance: 10k-ohms)

CONSOLE OUTPUT jacks (1 to 8): 600-ohms,

PHONES jack: 100-ohms

CONSOLE OUTPUT jacks (1 to 8): 10 k-ohms or greater,

PHONES jack: 8-ohms or greater

CONSOLE OUTPUT jacks (1 to 8): +22 dBu (1 kHz,

10k-ohms load),

PHONES jack: 150 mW + 150 mW (1 kHz, 40-ohms load)

Residual Noise

Level (IHF-A, typ.)


Equivalent Input


-126 dBu

Display

Power Supply

800 x 480 dots Wide VGA backlit TFT color

AC 115 V, AC 117 V, AC 220 V, AC 230 V, AC 240 V (50/60 Hz)

Power Consumption M-400: 95 W, M-380: 75 W

Dimensions

M-400: 749.0 (W) x 626.0 (D) x 229.0 (H) mm

29-1/2 (W) x 24-11/16 (D) x 9-1/16 (H) inches

M-380: [Desktop] 482.0 (W) x 581.3 (D) x 220.6 (H) mm

19 (W) x 22-15/16 (D) x 8-11/16 inches

[Rack mount] 482.0 (W) x 231.3 (D) x 550.9 (H) mm

19 (W) x 9-1/8 (D) x 21-11/16 (H) inches * EIA-12U

Weight

M-400: 19.8 kg, 43 lbs. 11 oz.

M-380: 14.0 kg, 30 lbs. 14 oz.

* XLR connector (1: GND, 2: Hot, 3: Cold)

* Phantom Power: DC +48V (Unloaded maximum), 14mA (Maximum load) (All XLR type inputs)

* LAMP: DC +12 V/500 mA

* When a REAC Splitter S-4000-SP or a switching hub is used in-line with REAC cables, the network latency will increase by the amount of processing delay introduced by the splitting device itself. The actual delay is dependent upon the specifications of the splitting device, though the maximum delay amount for a single splitting device should be about 200 microseconds.

* EtherCon is the registered trade mark of Neutric ®

Fugue ©1999-2010 Kyoto Software Research, Inc All right reserved

16

DIGITAL CONSOLES

M-300

Live Mixing Console

A powerful and compact digital mixing console

17

Console Outputs

USB Memory

Console Inputs

Digital Output

(Optical) RS-232C

MIDI

USB

REAC

Headphone Jack

32 mixing channels, L/C/R outputs, 8 AUX buses, 4 Matrices

Built-in REAC ports allows flexible system expansion

4-band PEQ and dynamics on all channels

11 different built-in multi-effects/ PEQ and delay on all outputs

100 mm motorized faders

24bit AD/DA for high-quality sound remotely controllable from a PC

Record to /playback from USB flash memory

Perfectly integrates with the Digital Snake for simple and highquality audio transmission, distribution, splits and merging

Construct a flexible and powerful system by adding the Personal Mixing System, multi-channel recording and other REAC components

V-Mixer series - Control Features and Options

Control remotely from a PC

V-Mixers can be controlled remotely in real-time from a PC (Windows) connected via the USB port. Mixing functions on the V-Mixer can be operated directly from a

PC by using the RCS dedicated control software which has the same GUI as the

V-Mixer color display. (The RCS for the specific V-Mixer can be downloaded from the Roland Systems Group website.) The RCS can also be operated in offline mode, allowing data for various s e t t i n g s t o b e c r e a t e d i n advance and saved to a USB memory drive. When you get to the venue, load the settings a n d j u m p r i g h t i n to s o u n d check and rehearsal.

Two built-in REAC ports allows flexible system configuration

A

B

40ch

40ch

40ch

40ch

32 Mixing Ch

L/C/R Outputs

Control remotely using a wireless LAN

By enabling VNC or Remote Desk top

C o n n e c t i o n o n a l o c a l P C d i r e c t l y connected to the V-Mixer via USB, the console can be controlled remotely from another PC or tablet using a wireless LAN.

A tablet PC can be used to control the

V- M i xe r f ro m a re m ote l o c ati o n. Fo r e x a m p l e , y o u c a n b e s e a t e d i n t h e audience adjusting the house mix during the event, or stand onstage to adjust the monitor mix while consulting the stage performer.

8 AUX

4 Matrix

4xXLR

4xTRS

4xRCA

4xXLR

4xTRS

2xDigital

Phones

V-LINK - Audio and Visual Solution

By connecting the MIDI input/output to the video switcher such as the V-1600HD,

V-LINK automatically synchronizes the audio of the V-Mixer with the visual images allowing “audio follows video”.

Multi-channel recording

Forty channels of 24-bit audio can be recorded directly to a PC (Windows) by connecting a REAC port to the gigabit Ethernet port on the PC via a single Cat5e cable. Audio is recorded as individual WAV files using Cakewalk SONAR* and can be mixed after recording using the powerful digital audio tools and effects in

SONAR. Alternatively you can use the new R-1000 48-Track Recorder/Player to record or playback multi-channel audio.

* To use this feature, the REAC driver is required in addition to SONAR.

M-300

USB memory recorder/player

Record the output of the V-Mixer

Main, assigned AUX bus or MATRIX bus directly to a USB memory drive connected to the built-in USB port. A mix produced with the V-Mixer can be saved as an uncompressed WAV file, w i th o u t th e n e e d fo r a n ex te r n a l r e c o r d e r. WAV f i l e s o n t h e U S B memory drive can also be played back on the V-Mixer and used for background music/tracks. User settings and mixer data can also be saved to a

USB memory drive. The USB recording function is available on all V-Mixer

Consoles.

470

194.9

482.7

Option

20 430 20

Unit: mm

RA-10U

Rackmount Angle

Rackmountable to 19-inch rack (EIA)


PROCESSING

Number of Channels

32 mixing channels/11 buses/4 MATRIX buses/Up to 92 inputs and 90 outputs when using REAC Devices

AD/DA Conversion 24-bit/48.0 kHz or 44.1 kHz

Network Latency

2.8 mS (typ.)



* Effects: No insert effects

CONNECTORS






PHONES jack

DIGITAL OUT jack

REAC port

USB port

Remote Connectors


1/4 inch Phone type (balanced)

RCA Pin type


1/4 inch Phone type (balanced)

Stereo 1/4 inch phone type

Optical type

RJ-45 EtherCon type x 2

Type A x 1, Type B x 1

RS-232C connector: 9-pin D-sub type

MIDI connectors (OUT/THRU, IN): 5-pin DIN type

Other Connectors

Grounding terminal

AC INPUT connector

INPUT/OUTPUT CHARACTERUSTUCS

Frequency Response

CONSOLE OUTPUT jacks (1 to 8): -2 dB / +0 dB (20k ohms load, +4 dBu)

PHONES jack: -3 dB / +0 dB (40 ohms load, 150 mW)

Total Harmonic

Distortion + Noise

Dynamic Range

CONSOLE OUTPUT jacks (1 to 8): 0.05 % (typ., +4 dBu)

PHONES jack: 0.05 % (typ., 40 ohms load, 130 mW)


Cross Talk@ 1 kHz

CONSOLE INPUT jacks (1 to 4): -80dB (Pad: ON, Input sens:

+4 dBu, typ.)

CONSOLE INPUT jacks (5 to 12): -80dB (Input sens: +4 dBu, typ.)

CONSOLE OUTPUT jacks (1 to 8): -100 dB (typ.)

* Sampling frequency is 48 kHz or 44.1 kHz.

Nominal Input

Level (Variable)

Input Impedance

CONSOLE INPUT jacks (1 to 4): -65 to -10 dBu (Pad: OFF) or

-45 to +10 dBu(Pad: ON)

CONSOLE INPUT jacks (5 to 12): -28 to +4 dBu

CONSOLE INPUT jacks (1 to 4): 14 k ohms

CONSOLE INPUT jacks (5 to 12): 10 k ohms

Non Clip Maximum

Input level

CONSOLE INPUT jacks (1 to 4): +8 dBu (Pad: OFF) or +28 dBu

(Pad: ON)

CONSOLE INPUT jacks (5 to 12): +22 dBu

Nominal Output

Level

Output Impedance

CONSOLE OUTPUT jacks (1 to 8):

+4 dBu (Load impedance: 10 k ohms)

CONSOLE OUTPUT jacks (1 to 8): 600 ohms

PHONES jack: 100 ohms

CONSOLE OUTPUT jacks (1 to 8): 10 k ohms or greater

PHONES jack: 8 ohms or greater

Recommended

Load Impedance

Non Clip Maximum

Output level

CONSOLE OUTPUT jacks (1 to 8): +22 dBu (1 kHz, 10 k ohms load)

PHONES jack: 150 mW + 150 mW (Typ., 1 kHz, 40 ohms load)

Residual Noise

Level (IHF-A, typ.)


Equivalent Input


Dimensions

-126 dBu (Main Fader: Unity, Channel faders: Unity only one channel, Preamp gain: Max)

OTHERS

Display

Power Supply

800 x 480 dots Wide VGA TFT color screen with backlight

AC 115 V, 117 V, 220 V, 230 V, 240 V (50/60 Hz)


470.0 (W) x 482.7 (D) x 194.9 (H) mm

18-1/2(W) x 19(D) x 7-1/4(H) inches

Weight

9.8 kg

21 lbs 10 oz

(0dBu=0.775Vrms)

* XLR type: 1 GND, 2 HOT, 3: COLD

* phantom power: DC+48V(unloaded maximum), 14mA(maximum load) (All XLR type inputs)

* When a REAC Splitter S-4000D or a switching hub is used in-line with REAC cables, the network latency will increase by the amount of processing delay introduced by the splitting device itself. The actual delay is dependant upon the specifications of the splitting device, though the maximum delay amount for a single splitting device should be about 200microseconds.


18

DIGITAL SNAKES

Digital Snake S-4000 series

S-4000S-3208 32 x 8 Modular Stage Unit S-4000S-0832 8 x 32 Modular Stage Unit

S-4000H 8 x 32 FOH Unit S-4000R Remote Controller

Simple and flexible digital snake units provide superb sound quality

S-4000S-3208 Front Panel

Inputs (1 to 32) Outputs (1 to 8)

S-4000S-0832 Front Panel

Outputs (1 to 32) Inputs (1 to 8)

MIDI (In, Out) Remote

S-4000S-3208/0832 Rear Panel

REAC

6U


S-4000H Front Panel

REAC

MIDI

(In, Out) Remote

REAC

6U

3U

Inputs

S-4000H Rear Panel

Outputs

S-4000R Top Panel S-4000R Rear Panel

19

Superb quality pre-amps on each input channel

S-4000S-3208/S-4000S-0832 can be used as I/O units of a

V-Mixer for full digital mixing system

S-4000S-3208 with S-4000H or S-4000S-0832 enables configuration of an individual digital transfer system

Two REAC ports (one primary, one redundant) provide system reliability

RS-232C interface for S-4000R Remote Controller or computer control

MUTE ALL OUTPUTS button for noise-free connection of audio sources

Connection port for optional redundant power supply (S-240P)

S-4000R provides easy remote control of all input gain adjustments, phantom power and PAD settings

NSCA 2006

Mix Magazine

Certified Hit Award

S-4000S-3208/0832 Dimensions

440

434.6

S-4000H Dimensions

440

434.6

Unit: mm

482

465

482

465

S-4000R Dimensions

215

60.9

54.3

54.6

89.2


S-4000S-MR

SI-AES4

Digital Snake

Modular Rack Chassis

4-channel Digital

Input Module

SI-AD4

SO-AES4

4-channel Analog

Input Module

4-channel Digital

Output Module

SO-DA4

S-240P

4-channel Analog

Output Module

External

Power Supply Unit

High quality options provide system flexibility

S-4000S-MR Front Panel SI-AD4 SO-DA4 SI-AES4 SO-AES4


S-4000S-MR Rear Panel

REAC

6U

S-240P Front Panel

2U

Inputs

(XLR, Balanced)

Outputs

(XLR, Balanced)

Inputs

(XLR3-31)

Word Clock

(In, Out)

Outputs

(XLR3-32)

S-4000S-MR is modular rack chassis with no pre-installed

In/Out modules; Designed for custom configurations such as

24x16 and 40x0

SI-AD4 - 4-Channel Analog Input Module provides high quality pre-amps on each input channel with phantom power

SO-DA4 - 4-Channel Analog Output Module provides high quality D/A converter

SI-AES4 - 4-Channel Digital Input Module allows input of up to

96 kHz AES/EBU signal using the built-in sampling rate converter

* No support for double wire

SO-AES4 - 4-Channel Digital Output Module allows output of up to 96 kHz AES/EBU signal using the built-in sampling rate converter, and also supports synchronization with an external word clock

* No support for double wire

S -2 4 0 P su p p li es r e d u n d a nt DC powe r to a n S - 4 0 0 0 S or

S-4000H; Outputs DC 24 V 6 A power

* S-4000S-MR can be customized in blocks of 8 channels when combined with the modules from the SI/SO series, which have both analog and digital I/O. Audio transmission and power supply redundancy is possible.

S-240P Rear Panel

S-4000S-MR Dimension

440

434.6

S-240P Dimension

440

434.6

482

465

465

482

89.1

Unit: mm Unit: mm

20

21

DIGITAL SNAKES


SPECIFICATIONS S-4000S-3208

Number of Channels 32 inputs/8 outputs

AD/DA Conversion 24-bit/44.1 kHz, 48 kHz, 96 kHz

Frequency Response -2 dB/+0 dB (@ +4 dBu, 20 Hz to 20 kHz)

Total Harmonic

Distortion + Noise

0.05 % or less (Pad: On, Input Gain: +4 dBu, 22 to 20 kHz)

Dynamic Range

Cross Talk

Nominal Input

Level

110 dB

-80 dB

-65 to -10 dBu (PAD: Off), -45 to +10 dBu (PAD: On)

(1 dB step, Max. +28 dBu)

PAD

Input Impedance

20 dB On/Off

20 k-ohms

Nominal Output Level +4 dBu (Max. +22 dBu)

Output Impedance 150-ohms

Recommended

Load Impedance

10 k-ohms or greater

Residual Noise

Level (IHF-A, typ.)

-90 dBu

SPECIFICATIONS S-4000S-0832




Total Harmonic

Distortion + Noise

Dynamic Range

Cross Talk

0.05 % or less (Pad: On, Input Gain: +4 dBu, 22 to 20 kHz)

110 dB

-80 dB

Nominal Input

Level



PAD

Input Impedance

20 dB On/Off

20 k-ohms



Recommended

Load Impedance


Residual Noise

Level (IHF-A, typ.)

-90 dBu

SPECIFICATIONS S-4000H


AD/DA Conversion 24-bit/96.0 kHz


Total Harmonic

Distortion + Noise

0.05 % or less (Input Gain: +4 dBu, 22 to 20 kHz)

Dynamic Range

Cross Talk

110 dB

-80 dB

Nominal Input Level +4 dBu (Max. +22 dBu)

Input Impedance 30 k-ohms



Recommended

Load Impedance


Residual Noise

Level (IHF-A, typ.)

-90 dBu

SPECIFICATIONS S-4000R

Connector

Power Supply

Remote Connector: 1 (RS-232C, DB-9 type)

Supplied from connected device.

(S-4000S, S-4000H; through the remote cable)

SPECIFICATIONS S-4000S-MR

Connectors

Network Latency

REAC: MAIN, BACKUP (RJ-45 EtherCon type),

Remote Connector: 1 (RS-232C, DB-9 type),

MIDI Connectors: IN, OUT (5-pin DIN type)

375 microseconds when using REAC cable only

(AD - REAC - DA Latency: about 1.2 ms)

Equivalent Input


-128 dB

Network Latency

Memory

Connectors



10

Input: 32 (XLR type, balanced, phantom power, 4 ch input module x 8), Output: 8 (XLR type, balanced, 4 ch output module x 2), REAC: MAIN, BACKUP (RJ-45 EtherCon type),

Remote Connector: 1 (RS-232C, DB-9 type), MIDI

Connectors: IN, OUT (5-pin DIN type)

AC Power Supply

Phantom Power

AC 115 V, 117 V, 220 V, 230 V, 240 V (50/60 Hz)


+48 V/14 mA (each input on SI-AD4, remote controlled)

Dimensions

Weight

482 (W) x 336 (D) x 266 (H) mm

19 (W) x 13-1/4 (D) x 10-1/2 (H) inches

17.0 kg, 37 lbs. 8 oz.

Equivalent Input


-128 dB

Network Latency

Memory

Connectors



10

Input: 8 (XLR type, balanced, phantom power, 4 ch input module x 2), Output: 32 (XLR type, balanced, 4 ch output module x 8), REAC: MAIN, BACKUP (RJ-45 EtherCon type),

Remote Connector: 1 (RS-232C, DB-9 type), MIDI

Connectors: IN, OUT (5-pin DIN type)

AC Power Supply AC 115 V, 117 V, 220 V, 230 V, 240 V (50/60 Hz)


Phantom Power +48 V/14 mA (each input on SI-AD4, remote controlled)

Dimensions

482 (W) x 336 (D) x 266 (H) mm

19 (W) x 13-1/4 (D) x 10-1/2 (H) inches

Weight 17.0 kg, 37 lbs. 8 oz.

Equivalent Input


-128 dB

Network Latency

Memory

Connectors



10

Input: 1 (DB-25 type, balanced, 8-channels),

Output: 4 (DB-25 type, balanced, 32-channels each),

REAC: MAIN, BACKUP (RJ-45 EtherCon type),

Remote Connector: 1 (RS-232C, DB-9 type),

MIDI Connectors: IN, OUT (5-pin DIN type)

Power Supply AC 115 V, 117 V, 220 V, 230 V, 240 V (50/60 Hz)


Dimensions

Weight

482 (W) x 387 (D) x 133 (H) mm

19 (W) x 15-1/4 (D) x 5-1/4 (H) inches

9.4 kg, 20 lbs. 12 oz.

Dimensions

Weight

215 (W) x 87 (D) x 55 (H) mm

8-1/2 (W) x 3-7/16 (D) x 2-3/16 (H) inches

0.8 kg, 1 lbs. 13 oz.

Memory

Power Supply

10

AC 115 V, 117 V, 220 V, 230 V, 240 V (50/60 Hz)


Dimensions

482 (W) x 336 (D) x 266 (H) mm

19 (W) x 13-1/4 (D) x 10-1/2 (H) inches


SPECIFICATIONS SI-AD4

Number of Channels 4 inputs

AD Conversion 24-bit/44.1 kHz, 48 kHz, 96 kHz

Nominal Input Level

PAD



20 dB On/Off

SPECIFICATIONS SO-DA4

Number of Channels 4 outputs

DA Conversion 24-bit/44.1 kHz, 48 kHz, 96 kHz

Nominal Output

Level

+4 dBu (Max. +22 dBu)

SPECIFICATIONS SI-AES4

Number of Channels 4 inputs (All with sampling rate conversion)

Format

AES/EBU (Professional Use), IEC60958-4 (Professional Use)

* Not support for double wire

Bit Rate 24-bit

SPECIFICATIONS SO-AES4

Number of Channels 4 inputs (All with sampling rate conversion)

Format

AES/EBU (Professional Use), IEC60958-4 (Professional Use)

* Not support for double wire

Bit Rate 24-bit

SPECIFICATIONS S-240P

Power Output +24V/6A DC



S-4000RCS Remote Control Software

Input Impedance

Phantom Power

Connectors

Indicator

Connector

Indicator

Connector

Indicator

Dimensions

Weight

20 k-ohms

+48 V/14 mA

XLR type x 4, balanced

Phantom, Clip, Signal


Recommended

Load Impedance

Connectors


XLR type x 4, balanced

XLR3-31 type x 2

LOCK, Sampling Rate (96 kHz, 48 kHz, 44.1 kHz, OTHER)

* When 88.2 kHz is inputted, OTHER and 44.1 kHz will indicate

XLR3-32 type x 2

WORD CLOCK IN/OUT (BNC)

Clock Source (IN, EXT, SRC), LOCK (Word clock),

Sampling Rate (96 kHz, 48 kHz, 44.1 kHz)

482 (W) x 340 (D) x 89 (H) mm

19 (W) x 13-7/16 (D) x 3-9/16 (H) inches

5.4 kg, 11 lbs 15 oz.

Remote control software for the S-4000S/S-1608/S-0816/S-0808 providing the same functionality as the S-4000R. It also enables control of the M-48

Personal Mixer and the S-4000M REAC Merge Unit. Free download available from the Roland Systems Group website. www.rolandsystemsgroup.net

Preamp Control Personal Mixing Management & Control S-4000M Merge Unit Control

Preamp Gain, Phantom Power, PAD are controllable from the S-4000RCS software.

Also preamp gain setups can be saved and recalled.

Enable setup and manage the M-48 parameters on

PC.

Configures routing, input preamp gain,

PAD and phantom power.

Option

SC-A41S D-SUB/XLR Cable Set

SC-A41S multi-cables are convenient for connection to the S-4000H, analog consoles, and other equipment. The SC-A0805DF has eight female

XLR connectors and a 25-pin D-Sub connector. The SC-A0805DM has eight male XLR connectors and a 25-pin D-Sub connector. Each cable is 4.5 meters long.

22

DIGITAL SNAKES

S-1608

Stage Unit

S-0816

FOH Unit

Compact and portable, 16x8 Digital Snake offers many flexible configurations for any installation

S-1608 Front Panel S-0816 Front Panel

Inputs (1 to 16) Outputs (1 to 16)

23

Remote Digital Output

(Optical)

Outputs (1 to 8)

4U

16 x 8 Ch high quality 24-bit/96 kHz digital audio transmission via Cat5e cable

Compact, floor-based or rack-mountable design

REAC low latency digital audio transmission system

4U

Remote Digital Output

(Optical)

Inputs (1 to 8)

Connect as I/O unit of V-Mixer for full digital mixing system

Remote controllable preamps using an S-4000R or free downloadable RCS software for PC

Easy and affordable splits and recording options

S-1608/S-0816 dimension S-1608/S-0816 with rack mount bracket dimension

401 482

465

Unit: mm Unit: mm

NAB2007

Radio World -

"Cool Stuff" Award

SPECIFICATIONS S-1608/S-0816

Number of Channels

S-1608: 16 inputs/8 Outputs

S-0816: 8 Inputs/16 Outputs



Total Harmonic

Distortion + Noise

Dynamic Range

Cross Talk

0.05 % or less (PAD: On, Input Gain: +4 dBu, 22 Hz to 20 kHz)

110 dB

-80 dB or less (Input Gain: +4 dBu, typ.)

Nominal Input

Level



PAD

Input Impedance

20 dB On/Off

14 k-ohms



Recommended

Load Impedance


Residual Noise

Level (IHF-A, typ.)

Equivalent Input

Noise Level

-80 dBu or less

-128 dB

Network Latency


(AD - REAC - DA Latency: approx 1.2 ms)

S-1608 Connectors

Input: 16 (XLR type, balanced, phantom power),

Output: 8 (XLR type, balanced),

Digital Output connector: 1 (Optical type),

REAC Connector: 1 (RJ-45 EtherCon type),


S-0816 Connectors

Inputs: 8 (XLR type, balanced, phantom power),

Outputs: 16(XLR type, balanced),

Digital Output connector: 1 (Optical type),

REAC Connector: 1 (RJ-45 EtherCon type),




Phantom Power +48 V (each input, remote controlled)

Dimensions

Weight

401.0 (W) x 135.0 (D) x 177.0 (H) mm

15-13/16 (W) x 5-3/8 (D) x 7 (H) inches

5.5 kg, 12 lbs. 3 oz. (Including rack mount bracket)

* When a REAC Splitter S-4000-SP or a switching hub is used in-line with REAC cables, the network latency will increase by the amount of processing delay introduced by the splitting device itself. The actual delay is dependant upon the specifications of the splitting device, though the maximum delay amount for a single splitting device should be about 200 microseconds.

DIGITAL SNAKES

S-0808

8 x 8 I/O Unit

Enjoy flexibility in setup using external battery operation or power supplied over REAC

Inputs (1 to 8) Remote

REAC

DC Input

Outputs (1 to 8)

Compact and light weight 8 input/8 output Digital Snake

High quality, fully discreet preamp

Eliminate the need for direct boxes by using the TRS or Hi-Z inputs

Power options – REAC Embedded Power and External Battery enabling a variety of setups

Preamp gain, PAD and Phantom Power can be controlled by

S-4000R, S-4000RCS software and V-Mixer M-400/M-380

Battery-Powered 8 x 8 Snake

S-4000R

S-0808

8 in

8 out

BATTERY

DC

8 ch

8 ch 100m

BATTERY

S-0808

8 out

8 in

DC

An 8 input, 8 output simple digital snake system – ideal when AC power is not convenient or available.

204

220

Unit: mm

SPECIFICATIONS S-0808




Total Harmonic

Distortion + Noise

0.04 % or less (PAD: On, Input Gain: +4 dBu, 22 Hz to 20 kHz)

Dynamic Range

Cross Talk

Nominal Input

Level

110 dB

-80 dB or less (Input Gain: +4dBu, typ.)


(1 dB step, Max.+28 dBu)

PAD

Input Impedance

20 dB On/Off

7 k-ohms

Nominal Output Level +4 dBu (Max.+22 dBu)


Recommended

Load Impedance

10k-ohms or greater

Residual Noise

Level (IHF-A, typ.)

Equivalent Input

Noise Level

-80 dBu or less

-128 dB

Network Latency


(AD - REAC - DA Latency: approx 1.2 ms)

Connectors

Input 1 to 8 (XLR type, balanced, phantom power),

Input 5 to 8 (TRS Phone type, balanced)

Output 1 to 8 (XLR type, balanced),

REAC Embedded Power x 1 (RJ-45 EtherCon type),

Remote Connector x 1 (RS-232C, DB-9 type)

DC Input x 1 (XLR 4-pin type, Supports DC 12 to 18 V)

Power Supply External Battery (DC 12 to 18 V) or REAC Embedded Power

Power Consumption 26 W (DC 12 V)

Phantom Power +48 V/Max. 14mA (each input, remote controlled)

Dimensions

Weight

220 (W) x 176 (D) x 156.6 (H) mm

8-11/16 (W) x 6-15/16 (D) x 6-3/16 (H) inches

2.9 kg, 6 lbs. 7 oz.

* TRS takes priority if XLR and TRS are simultaneously input to INPUT 5 to 8.

* TRS of INPUT 7/8 turns to unbalanced when Hi-Z is turn on.

* When a REAC Splitter S-4000-SP or a switching hub is used in-line with REAC cables, the network latency will increase by the amount of processing delay introduced by the splitting device itself. The actual delay is dependant upon the specifications of the splitting device, though the maximum delay amount for a single splitting device should be about 200 microseconds

24

25

DIGITAL SNAKES

S-4000M

REAC Merge Unit

Enables new distributed input/output possibilities by merging up to four REAC devices

DIGITAL SNAKES

S-4000-SP

REAC Splitter

Enables splitting and extension of REAC signals

1U

Remote Auto Map Button

REAC for Master REAC for

Slave/Split (1 to 4)

Main REAC Backup REAC

Dual 5-port dedicated splitter

Provides highest possible reliability using Neutrik ® EtherCon connectors and a dual independent power supply

SPECIFICATIONS S-4000-SP

Connectors

Main REAC: 5 (RJ-45, EtherCon type)

Backup REAC: 5 (RJ-45, EtherCon type)



Dimensions

Weight

EMI

482 (W) x 225 (D) x 44 (H) mm

19 (W) x 8-7/8 (D) x 1-3/4 (H) inches

2.8 kg, 6 lbs. 3 oz.

FCC Part 15 Class A, EN55022 Class A

Merge up to 4 REAC devices into a single REAC stream

Power REAC devices supporting embedded power

Automatically assign input channels using the Auto Map function

Patch input and output assignments using S-4000RCS software or the V-Mixer

DIGITAL SNAKES

S-OPT


Enjoy long distance

REAC audio transfer

356.3

340.8

86.5

Converts multi-channel REAC signal to a digital optical signal

Up to 2 km distance transfer

Rugged, Neutrik ® OpticalCon connectors provide highest possible system reliability

* Use Neutrik's Mobile Fiber Cable for optical single transfer.

41.8

Unit: mm

SPECIFICATIONS S-4000M

Connectors

Indicators

Switches

Power Supply

Current Drew

Dimensions

Weight

REAC: 1 (RJ-45 EtherCon type)

REAC Embedded Power: 4 (RJ-45 EtherCon type)

Remote: 1 (RS-232C, 9-pin D-Sub type)

REAC Embedded Power: Red x 4,

REAC LINK: Green x 5, POWER: Blue x 1,

AUTO MAP SLAVE UNITS: Red x 1

POWER x 1, MODE x 1, AUTO MAP SLAVE UNITS x 1

AC 115 V, 117 V, 220 V, 230 V, 240 V (50/60 Hz)

1.6 A/AC 115 V, 117V

0.9A/AC 220 V, 230V, 240V

(At max output of REAC Embedded Power)

218.0 (W) x 356.3 (D) x 86.5 (H) mm

8-5/8 (W) x 14-1/16 (D) x 3-7/16 (H) inches

3.0 kg, 6 lbs. 10 oz.

218

45

Unit: mm

SPECIFICATIONS S-OPT

Connectors

Optical: 1 (Dual LC, OpticalCon type)

REAC: 1 (RJ-45, EtherCon type)

Power Link: 1 (Mini-DIN 8-pin type)



Dimensions

Weight

EMI

218 (W) x 240 (D) x 46 (H) mm

8-5/8 (W) x 9-1/2 (D) x 1-7/8 (H) inches

1.3 kg, 2 lbs. 14 oz.

FCC Part 15 Class A, EN55022 Class A

PERSONAL MIXERS

M-48

Live Personal Mixer

The “next generation” live personal mixer offers musicians the flexibly to control exactly what they want to listen to during their performances

Ambient Microphone REAC

Enables control of up to 40 audio channels via 16 stereo groups

Provides the highest level of sound monitoring quality for both headphones and IEMs (In-ear Monitors) as well as for wedge and powered monitors

Built-in ambient mic aids in communicating with other musicians as well as enabling a stage/room feel if desired

Headphones

(1, 2)

Audio

Outputs

AUX Input

REAC Embedded Power transfers both power and 40 channels of audio to the M-48 via a single Cat5/6 cable

Volume, Pan, 3-band EQ and built-in Reverb per group – all instantly adjustable by convenient encoder knobs

297

M-48 Setup

A Complete Digital Mixing System with the V-Mixer

The V-Mixer is equipped with all the remote management software, memory recall, providing a simple and flexible setup.

Setup Display Source Assignment

Unit: mm

Block Diagram

MUTE EQ

3Band

LEVEL PAN

REVERB SEND

1 - 40 ch

CONTROL

16 Stereo Group

AMBIENT MIC

AUX IN

OUTPUT

MODULE

LIMITER

EQ

Phones 1

Phones 2

LINE OUT L/R

REC OUT L/R


Number of Input

Channels

43 (40 in, STEREO AUX in, 1 AMBIENT MIC in)

Number of Output

Channels

4 (STEREO LINE out, STEREO PHONES out)

AD/DA Conversion 24-bit/96.0 kHz, 48.0 kHz, 44.1 kHz

Nominal Input Level AUX IN L/R: -16 dBu (at max volume)

Input Impedance AUX IN L/R: 10 k-ohms

Non Clip Maximum

Input level

AUX IN L/R: +2 dBu

Nominal Output

Level

LINE OUT L/R: -6 dBu (LINE OUT Vol: Unity, Load impedance: 10 k-ohms), LINE OUT REC L/R: -12 dBu (LINE

OUT Vol: Unity, Load impedance: 10 k-ohms)

Output Impedance

PHONES jacks (1, 2): 10 ohms

LINE OUT L/R jacks: 600 ohms

LINE OUT REC L/R jack: 1 k ohms

Recommended

Load Impedance

PHONES jacks (1, 2): 16-ohms or greater (Composition impedance of 1 and 2), LINE OUT L/R jacks: 10 k-ohms or greater, LINE OUT REC L/R jack: 10 k-ohms or greater

Connect to an existing Analog/Digital Console

Connect M-48 to your existing console using a Digital Snake front-end or the S-MADI for MADI capable digital consoles.

Setup and manage the M-48 on PC u s i n g t h e S - 4 0 0 0 R C S R e m o t e

Control Software when using with an existing console.

Non Clip Maximum

Output level

PHONES jacks (1, 2): 250 mW + 250 mW (1 or 2, 1 kHz,

40-ohms load), LINE OUT L/R jacks: +12 dBu (1 kHz, 10 k-ohms load), LINE OUT REC L/R jack: +6 dBu (1 kHz, 10 k-ohms load)

Connectors

REAC port: RJ-45 EtherCon type

AUX IN L/R jack: Stereo miniature phone type

LINE OUT L/R jacks: 1/4-inch TRS phone type

LINE OUT REC L/R jack: Stereo miniature phone type

PHONES jacks: Stereo miniature phone type and Stereo

1/4-inch phone type

Power Supply

REAC Embedded Power (S-4000D or S-4000M is needed for supplying power)


Dimensions

297 (W) x 171 (D) x 67 (H) mm

11-3/4 (W) x 6-3/4 (D) x 2-11/16 (H) inches

Weight 1.5 kg, 3 lbs. 5

26

PERSONAL MIXERS

S-MADI

REAC MADI Bridge

Expand audio system possibilities with REAC and MADI

NEW

1U

27

Stage

M-480 , M-400 ,

M-380 or M-300

REAC MADI

Bridge

S-MADI

1 to 32 ch

MADI 1 to 32 ch

RS-232

Remote Controller

S-4000R

MADI 1 to 8 ch

Front of HOUSE

Digital Console (MADI)

Digital Snake (Merge) and Recording

8 x 8 I/O Unit

S-0808

8 x 8 I/O Unit

S-0808

Stage Unit

S-1608

40 ch I/O Modular Rack

S-4000S-3208

430.1

Bi-directional format conversion between REAC and MADI

BNC and Optical MADI ports

Supports REAC Embedded Power and Split out for connecting and power additional devices (e.g., M-48 Personal Mixer, S-0808)

Support for 44.1/48kHz

Preamp and personal mixing control with S-4000RCS (Remote

Control Software)

Clock source can be selected from REAC, MADI or Word Clock

Digital Snake with Monitor Position

32 x 8 Digital Snake

S-4000S-3208

1 to 8 ch

482

465

44 32 Unit: mm

Personal Mixing

Live Personal Mixer M-48 x 8

Splitter and Power

Distributor

S-4000D

POWER POWER POWER POWER

POWER POWER POWER POWER

Stage

REAC MADI Bridge S-MADI

MADI 1 to 40 ch

RS-232

Front of HOUSE

Live Personal

Mixer

M-48

Remote

Control

Software Digital Console (MADI)

Digital Snake - 64 x 16


S-4000S-2416


S-4000S-4000

Stage

POWER POWER

REAC Merge Unit

S-4000M

REAC MADI Bridge

S-MADI

MADI 1 to 40 ch

RS-232

1 to 40 ch

Remote

Control

Software

Front of HOUSE

MADI 1 to 40 ch



R-1000

Stage

1 to 16 ch 41 to 64 ch

1 to 40 ch

MADI

MADI 1 to 64 ch

REAC MADI Bridge

S-MADI

REAC MADI Bridge

S-MADI

MADI 1 to 16 ch

Front of HOUSE


SPECIFICATIONS S-MADI

Sampling Frequency 48 kHz/44.1 kHz

MADI Channel Mode 64 Ch/56 Ch

Connectors

Front Panel: REMOTE (D-sub 9-pin type, RS-232C)

Rear Panel: REAC MAIN (RJ-45 EtherCon type),

REAC SPLIT OUT (REAC EMBEDDED POWER,

RJ-45 EtherCon type), WORD CLOCK IN (BNC type),

WORD CLOCK OUT (BNC type),

Coaxial MADI IN (BNC type), Coaxial MADI OUT (BNC type),

Optical MADI IN/OUT (SC duplex type)

Power Supply

Current Drew

Dimensions

Weight

AC 115 V, AC 117 V, AC 220 V, AC 230 V, AC 240 V (50/60 Hz)

0.7 A (REAC Embedded Power: Maximum)

482.0 (W) x 302.7 (D) x 44.0 (H) mm

19 (W) x 11-15/16 (D) x 1-3/4 (H) inches

3.5 kg/7 lbs 12 oz

PERSONAL MIXERS

S-4000D

REAC Splitter and

Power Distributor

A REAC Splitter that supplies audio and embedded power to

M-48 Live Personal Mixer or

S-0808 Digital Snake

PERSONAL MIXERS

SC-W20F

REAC Cable

20 meter Premium Cat5e Cable for REAC signal transmission

REAC

(1, 2)

REAC Embedded Power

(3 to 10)

2U

Equipped with 10 REAC por ts including 8 por ts of REAC

Embedded Power

Automatic detection of a REAC products. Power is not supplied if the device is not compatible with REAC Embedded

Power

430

Crossover Ethernet cable with Neutrik ® Ethercon connectors on both ends

PERSONAL MIXERS

SC-W100S

REAC Cable

100 meter Cat5e Cable for REAC signal transmission

482

465

Unit: mm

SPECIFICATIONS S-4000D

Connectors

Power Supply

Dimensions

Weight

REAC port: 2 (RJ-45 EtherCon type)

REAC Embedded Power port: 8 (RJ-45 EtherCon type)

AC 115 V, 117 V, 220 V, 230 V, 240 V (50/60 Hz)

482 (W) x 285 (D) x 88 (H) mm

19 (W) x 11-1/4 (D) x 3-1/2 (H) inches

4.2 kg, 9 lbs. 5 oz.

PERSONAL MIXERS

RH-PM5

In-ear Monitors

Tuned and designed for stage and studio performance

Crossover Ethernet cable with Neutrik ® Ethercon connectors on both ends

PERSONAL MIXERS

W100S-R

REAC Cable

100 meter Cat5e Cable for

High quality and detailed sound articulation for the best possible on-stage and studio monitoring

Heavy duty aluminum construction to handle the rigors of stage usage

4 different types of ear adapters (S/M/L/XL) along with carrying case on both ends

Compact and lightweight cable reel with SC-W100S cable pre-rolled

28


R-1000


Efficient solution for live recording/playback and sound check

Preliminary

Available in Summer 2011

29

Recording/playback of up to 48 Channels

HDD and SSD media supported

Records with Broadcast Wave Format (BWF)

Color LCD with touch control

Dedicated recorder and player with easy and intuitive operation

Integrate with a V-Mixing System for virtual sound checks

System Example

The R-1000 not only records multi-channel audio but can also play back 48 channels in combination with a V-Mixing System. This enables playing backing track and rehearsing/training without the band present. This efficient recording solution expands the REAC world and can also be used with other live digital mixing systems when used in combination with the S-MADI REAC to MADI Bridge.

Live Recording/Sound Check

Stage


16 ch

8 ch

16 ch

8 ch


* Recording and Playback can not be done simultaneously.

Live Recording

Stage


16 ch

8 ch

16 ch

8 ch


Front of House

RECORDING

PLAYBACK


Front of House

R-1000

M-480

M-380

, M-400

or

,

M-300

M-480

M-380

RECORDING

, M-400

or

,

M-300


R-1000

Backing Track Playback

Stage

16 ch

Front of House

8 ch


PLAYBACK


R-1000

Speaker

M-480 , M-400 ,

M-380 or M-300

Live Recording with MADI Capable Console

Front of House

MADI

MADI Mixer/System

REAC MADI Bridge

S-MADI

RECORDING


R-1000


V-STUDIO 700

Ultimate recording and editing solution for use with REAC systems

VS-700C VS-700R

The VS-700C V-STUDIO Console offers broader ranging control and deeper editing and mixing functionality for SONAR than any control surface on the market today

VS-700R V-STUDIO I/O High-speed USB 2.0 audio interface that provides all the recording and routing capabilities needed to handle any music production task

VS-700C Dimension VS-700R Dimension

730

482

433.9

Unit: mm

Unit: mm

SONAR REAC Recording System

One REAC cable enables 24-bit full digital multi-channel recording of up to 40 channels

Simply plug a CAT5e cable into a computer installed with

Cakewalk SONAR PRODUCER and capture live audio

FA-66 FireWire audio interface is provided as a confidence monitoring device for use during the audio recording process

The SONAR REAC Recording System includes:

SONAR Producer

REAC Technology Driver

Hardware Monitoring Device (e.g., FA-66)

SONAR Templates

Users Guides

30

31

AUDIO RECORDERS

AR-3000R

Audio Recorder

The highest sound quality and most flexible control options on the market today

Option board slot

1U

AUDIO RECORDERS

AR-200R

Audio Recorder

Industry standard sound quality in a compact size

AR-LINK Digital Input

Control I/O terminals

Audio Inputs (RCA)

MIDI RS-232C Audio Outputs

(TRS Phone)

Industry standard for reliable audio playback with no moving parts

High quality/long time audio playback and recording using

RDAC technology

Supports WAV file playback/recording

Flexible system integration by using the various built-in external controls

Link multiple units (up to 32 units) with sample accuracy

Recording and Playback of MIDI data

Compact flash card is used as storage media

430.1

44.5

41

Audio Inputs (RCA)

Control I/O Terminal

DC Power Input

MIDI

Control I/O Terminal

Audio Outputs (TRS Phone) AR-LINK

Industry standard for reliable audio playback with no moving parts

High quality/long time audio playback and recording using

RDAC technology

Supports WAV file playback

DC 9 to 24V is also available as power

Complete compatibility for playback with AR-3000R card setup

Link multiple units (up to 32 units) using the AR-3000R

Compact flash card is used as storage media

217.6

42 3.3

Unit: mm

Option

ARC-15 AR-LINK Cable (1.5m)

AR-NT1R Network Option for AR-3000R

ARE-3000 AR Card Editor *

* Free download available from www.rolandsystemsgroup.net

SPECIFICATIONS AR-3000R

Recording Format

Recording Media

RDAC (Roland Digital Audio Coding) , WAV

Compact Flash Memory Card up to 2GB x 2

RDAC Mode

Phrase Type

WAV, H-LINEAR, LINEAR, MODE3, MODE2, MODE1

Stereo, Mono (Audio) or SMF (MIDI)

Number of Phrases Up to 2,000 phrases

Audio Input

Mic Input : -40dBu/2k ohms/balanced

Line Input : 0dBu/20k (stereo) or 10k (mono) ohms/ unbalanced

Audio Output

Line output : +4dBu/500 ohms/balanced

Mono output : +4dBu/500 ohms/unbalanced

Phone : 90+90mW Max (30 ohms or more)

S/N Ratio

Interfaces

Power Supply

90dB

RS-232C, MIDI, AR-LINK

AC 117V, 230V, 240V (50/60Hz)

Power Consumption 11W (117V), 12W (230/240V)

Dimensions

Weight

482.0 (W) x 231.4 (D) x 44.0 (H) mm

19 (W) x 9-1/8 (D) x 1-3/4 (H) inches

2.7 kg 6 lbs

Unit: mm

218

SPECIFICATIONS AR-200R

Recording Format

Recording Media

RDAC Mode

Phrase Type

Number of Phrases

Audio Input

Audio Output

S/N Ratio

Power Supply

Current Draw

Options

Dimensions

Weight

RDAC (Roland Digital Audio Coding)

Compact Flash Memory Card up to 2GB

WAV *, H-LINEAR *, LINEAR, MODE3, MODE2, MODE1

*Playback only

Stereo, Mono (Audio) or SMF (MIDI)

Up to 1,000 phrases *

*When saved on AR-3000R

0dBu/10k ohms/unbalanced

Line output : +4dBu/-10dBV/600 ohms/balanced

Phone : 1+1 mW Max (30 ohms or more)

84 dB

AC Adaptor or DC9 -24V

1000mA (AC Adaptor) or 1200mA (External DC Power)

Rack Mount bracket (RAD-50)

AC Adaptor (ACI/PSB series)

218.0 (W) x 234.7 (D) x 44.0 (H) mm

8-5/8 (W) x 9-1/4(D) x 1-3/4 (H) inches

1.4 kg 3 lbs. 2 oz

Model

V-1600HD

V-440HD

V-44SW

LVS-800

V-8

LVS-400

V-4

Video Mixers/Switchers

HD/SD-SDI

8 in/2 out

RGB/Component

4 in/2 out

4 in/2 out + 1 PVW

4 in/2 out + 1 PVW

2 in/0 out

2 in (Switchable)

Model

MVS-12

Multi-Viewer

Composite

12 in/4 out + 1 PVW

RGB

0 in/1 out

DVI-D/HDMI

2 in /2 out

HDMI

0 in/1 out

S-Video

1 in/1 out

4 in/1 out

4 in/0 out

4 in/2 out

4 in/1 out

4 in/1 out

2 in/1 out

Composite

1 in/ 1out

4 in/1 out + 1 PVW

4 in/0 out + 1Menu

6 in/4 out + 2 PVW

7 in/2 out + 2 PVW

4 in/2 out + 1 PVW

4 in/2 out + 1 PVW

External Control

RS-422, MIDI, Tally, Reference

RS-232C, MIDI, Tally

RS-232C, MIDI

RS-232C, MIDI, Tally

MIDI

MIDI

MIDI

Screen Layouts

12, 10, 9, 4

Matrix Switcher

4 buses

External Control

RS-232C, MIDI, LAN, PS/2 Mouse

Model

VR-5

AV Mixer

Composite/S-Video

3 in/2 out + 1 PVW

RGB

1 in/0 out

HDMI

0 in/1 out (SD)

Audio

12 in/4 out

USB Video Streaming

●

External Control

MIDI

Model

PR-1000HD

PR-80

PR-50

P-10

CG-8

Video Players

HD

●

SD

●

Video Editor

●

Scheduler

●

Visual Synthesizer

●

Input Channel

2 HDD (Removable)

2 HDD (Internal/Removable)

2 HDD (Internal/Removable)

SD card

HDD (Internal)

Model

F-1

R-4Pro

R-44

Field Recorders

HDV/DV

●

MPEG-2 TS

●

WAV

●

BWF

●

Audio

2 in/1 headphones out

4 in/4 out

4 in/4 out

Time Code iLink

SMPTE

Media

HDD/SSD

HDD

SD Card

Model

VC-50HD

VC-300HD

VC-200HD

VC-30HD

Video Converters

HD/SD Component HD/SD SDI

In/Out

In/Out In/Out

In/Out

Input

DVI

HDMI Output

DVI-I

DVI-I

HDMI Input

Composite/S-Video

Input

IEEE1394

HDV/DV/MPEG-2 TS

HDV/DV

HDV/DV

HDV/DV/MPEG-2 TS

USB Video Streaming Up/Down Convert

●

Video Editors

DV-7DL G

32


V-1600HD


An all-in-one multi-format live video switcher

Monitor Select

High resolution

8.5 inches LCD Monitor

V-LINK Indicator

DSK Control

(Downstream Keyer)

PinP Control

(Picture in Picture)

Setup Menu KEY Control 7U

RGB/COMPONENT

[2 Outputs] MIDI

REMOTE

(RS-422) TALLY

SD

[2 Outputs]

SD

[2 Inputs]

33

Input Status Indicator

64 (8 x 8) Memory Presets

14 channels of PGM/PST Video Fader

Transition Effects

REFERENCE

[In, Thru]

HD/SD-SDI

[2 Outputs]

DVI-D/HDMI

[2 Outputs]

DVI-D/HDMI

[2 Inputs]

HD/SD-SDI

[8 Inputs]

RGB/COMPONENT

[4 Inputs]

All-in-one 14 channel (16 input) seamless switcher/mixer

Ready to connect anything: SDI, DVI/HDMI, RGB, Component,

S-Video, Composite

Built-in high-res preview monitor, frame synchronizer and scalers

Independent multi-format outputs including edge-blending

DSK Mode

Text/Graphics from a PC/Mac can be composited on background video content.

PC

DVD

S-VIDEO

Video Camera

HD-SDI

HD-SDI

HD

V-1600HD

RGB

* In DSK mode, outputs are same format.

DSK MODE

HD

HD Monitor/Screen

Recorder

SPAN Mode

Displays a single image across two screens. Built-in Edge Blending enables seamless image across a wide screen.

HD Video

Camera

HD-SDI screen

Video Camera

HDMI with

DVI Adaptor

Video Player

HDMI

V-1600HD

SPAN MODE

Projector L Projector R

* At SPAN Mode, PinP, Key, DSK, External Control are not available. Video transitions are CUT and Mix (Fade In/Out).

Downstream Keyer, Composite Keyer and Picture-in-Picture

SPAN, DUAL and SPLIT modes offer a variety of output configurations

Use one camera to create multiple perspectives for virtual multi-camera production

AUX Mode

Two different video formats can be output simultaneously.

Video Camera

HD-SDI

HD-SDI

PC for Presentation

RGB

DVI-D

Main Screen

Projector

Recorder

PR-1000HD

DVI-D

V-1600HD

AUX MODE

SD

DUAL Mode

Using the DUAL Mode, two video inputs can be switched individually. Switching both inputs at same time is also possible. Preview monitoring of each output enables confident operation.

P-10

Visual Sampler

Video

Camera

HD-SDI

HD-SDI

S-VIDEO

PC for

Presentation

RGB

Component

Component

HD Monitor/Large Screen

V-1600HD

DUAL MODE

HD-SDI

* In DUAL Mode, PinP, Key, DSK, External Control are not available. Video transitions available are CUT and Mix (Fade In/Out).

V-1600HD

SPLIT Mode

Using SPLIT Mode, two video inputs can be displayed on one display. This is useful for comparing two videos on a single screen.

Video 1

Video 1 Video 2

Video 2

Multi-Zoom

Using the thru out connectors, one video input can be daisy-chained to multiple inputs. The scaler for each input can zoom into any position in the video image enabling a virtual multi-camera environment. This gives the appearance that you have additional cameras.

Video Camera V-1600HD

CH1

CH1

Thru Output

CH2

CH2

Thru Output

CH3

CH3

* In SPLIT Mode, PinP, Key, DSK, External Control are not available. Video transitions available are CUT and Mix (Fade In/Out).

Expansion of SD Inputs

The Matrix Switcher function enables the V-1600HD mixer to access additional SD inputs. By connecting a MIDI cable and using the V-LINK function, the V-1600HD can directly select any video source from the MVS-12.

Multi-Viewer Display

432

482

465

206.2

6.5

SD

SD IN 1

12

MIDI OUT

SD IN

MULTI-OUT

RGB/HDMI

MIDI IN

MATRIX

OUT1 select push

V-1600HD

MVS-12


PGM

OUT

0.6

Unit: mm

SPECIFICATIONS V-1600HD

Video Processing

Processing

Supported Formats

4:2:2 (Y:Pb:Pr), 10 bit

SD : 480/59.94i, 576/50i, 480/59.94p, 576/50p

HD : 1080/59.94p, 1080/50p, 1080/59.94i, 1080/50i,

720/59.94p, 720/50p

RGB : 640 x 480/60Hz, 800 x 600/60Hz, 1024 x 768/60Hz,

1280 x 768/60Hz, 1280 x 1024/60Hz, 1600 x 1200/60Hz,

1920 x 1200/60Hz

* Confirms to VESA DMT Ver. 1.0 Revision 10

* When PAL is selected, RGB refresh rate from 640 x 480 to

1280 x 1024 is 75Hz

* Reduced blanking to be applied to 1920 x 1200

STILL : BMP

Input/Output Level and Impedance

Composite 1.0 Vp-p, 75 ohms

S-Video

Analog SD

Luminance Signal : 1.0 Vp-p, 75 ohms

Chrominance Signal : 0.286 Vp-p, 75 ohms (NTSC) ,

0.3 Vp-p, 75 ohms (PAL)

Analog HD/RGB 0.7 Vp-p, 75 ohms (H, V : 5VTTL)

Input Connectors * Loop thru connectors are equipped for all inputs

S-Video (4 pin mini DIN type) x 1, Composite (BNC type) x 1

* Select one from menu

Analog HD

(Component)

Analog RGB

DVI-D

HD/SD-SDI

Y/Pb/Pr (BNC type) x 2, D-Sub 15 pin type x 2

* Combined use with analog RGB

R/G/B/H/V (BNC type) x 2, D-Sub 15 pin type x 2

* Combined use with analog HD (Component)

Single Link Type x 2

BNC type x 8

* Conforms to SMPTE 259M-C, SMPTE 292M

Output Connectors

Analog SD

Analog HD

(Component)

S-Video (4 pin mini DIN type) x 1, Composite (BNC type) x 1

Y/Pb/Pr (BNC type) x 1, D-Sub 15 pin type x 1

* D-Sub 15 pin type : combined use with analog RGB

Analog RGB

D-Sub 15 pin type x 1

* Combined use with analog HD (Component)

DVI-D

HD/SD-SDI

Single Link Type x 2

BNC type x 2

Conforms to SMPTE 259M-C, SMPTE 292M

Other Connectors

TALLY

Remote

D-Sub 15 pin type x 3 (200 mA, Open Collector type)

MIDI (IN, OUT/THRU), RS-422 (D-Sub 9 pin type) x 1

REFERENCE

BNC type (IN, THRU)

* Black Burst (Sync to frames), Bi-Level, Tri-Level Sync

USB port (host)

Effects

Transition

A type x 1 for USB memory

Composition

Others

Mix, FAM, NAM, Wipe (9 patterns)

PinP, Chroma Key, Luminance Key, Split, DSK

Output Fade, Edge Blending, Multi Screen (Video Wall)

Others

Power Supply AC117 V, 220 V, 230 V, 240 V (50/60Hz)


Dimensions

Weight

482 (W) x 319 (D) x 206 (H) mm

19 (W) x 12-5/8 (D) x 8-1/8 (H) inches

8.1 kg 17 lbs. 14 oz

* This equipment has been tested and found to comply with the limits for a Class A digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference when the equipment is operated in a commercial environment. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instruction manual, may cause harmful interference to radio communications. Operation of this equipment in a residential area is likely to cause harmful interference in which case the user will be required to correct the interference at his own expense.

* This product is intended for use in the following Electromagnetic environments:

E1:residential, E2:commercial and light industrial, E3:urban outdoors, E4:controlled EMC environment, ex. recording studio (broadcasting studio) which are specified in

EN55103-1 and EN55103-2.

34


V-440HD

Multi-format

Video Mixer

V-44SW

Seamless mixing and scaling of multi-format SD/HD/RGB video signals

Multi-format

Video Switcher

V-440HD

SD PinP

Control

Input Signal Indication

SD Keyer Control

Output Fader

Panel Preset

Output Format

Selection 7U

HD Outputs

HD/RGB Input

(thru Outputs) SD Inputs

SD Outputs

35

SD Input Select

SD Video Fader

HD/RGB Input Select

HD PinP and

Pan/Zoom Control

HD/RGB Video Fader

HD Keyer Control

V-44SW

2U

Tally Outputs

RGB Outputs

MIDI

HD/RGB Inputs

(thru Outputs)

SD Preview

Output

RS-232C

Monitor Output

HD/RGB Inputs (Loop thru)

HD/RGB Program Output

(Menu)

SD Inputs

MIDI In/Out

Mix SD video, HD video and RGB signals from computers

Selectable output formats; 1080i or 720p for HDTV or RGB for computer display with built-in scaling

Simple and intuitive operation

Dissolve/Wipe transitions, PinP, SD/HD Key compositions

With thru outputs and MIDI sync, multiple units can be connected for output to multiple screens (video walls)

Output to multiple screens

HD/RGB Preview Output

HD/RGB Outputs

Menu Output

Monitor Outputs

Remote

Remote control using RS-232C, V-LINK/MIDI

Panel Preset function up to 15 memory settings

Control the audio input level of the V-Mixer live mixing consoles using V-LINK

Tally Output Terminal (V-440HD Only)

Connecting multiple V-440HD's via MIDI allows easy setup of multi-screen configurations. The multiple screens are treated as one unified surface with PinP and wipes moving across the screens.

Source Image (HD)

Crop and Stretch to project on 2 screens

Master

MIDI

Remote

Through

Output

Slave

2 x 1

1 2

2 x 2

1 2

3 4

3 x 1

1 2 3

3 x 2

1 2 3

4 5 6

V-440HD V-44SW

V-440HD Dimension

6.5

130.3

84.9

149.4

V-44SW Dimension

441

430

482

465

434

482

Unit: mm

1.3

89.1

Unit: mm

V-440HD Block Diagram

SD Input

SD IN 1 (S-Video)

SD IN 1 (Composite)

SD IN 2 (S-Video)

SD IN 2 (Composite)

SD IN 3 (S-Video)

SD IN 3 (Composite)

SD IN 4 (S-Video)

SD IN 4 (Composite)

Video Input

Auto Detection

SENS

SENS

SENS

SENS

HD/RGB Input

HD/RGB IN 1

(Component)

HD/RGB IN 2

(Component)

HD/RGB IN 3

(Component)

HD/RGB IN 4

(Component)

HD/RGB IN 1 (D-Sub)

HD/RGB IN 2 (D-Sub)

HD/RGB IN 3 (D-Sub)

HD/RGB IN 4 (D-Sub)

Video Input

Auto Detection

MIDI IN

CONTROL

(RS-232C)

V-44SW Block Diagram

SD IN 1 (S-Video)

SD IN 1 (Composite)

SD IN 2 (S-Video)

SD IN 2 (Composite)

SD IN 3 (S-Video)

SD IN 3 (Composite)

SD IN 4 (S-Video)

SD IN 4 (Composite)

Video Input

Auto Detection

SENS

SENS

SENS

SENS

A/D

A/D

A-BUS

Frame

Synchronizer

SD MIXER

PREVIEW

OUT

(OSD)

Effect

B-BUS

Frame

Synchronizer

PGM

OUT

SENS

SENS

SENS

SENS

SD A/B IN

HD/RGB MIXER

A/D

C-BUS

Frame

Synchronizer Scaler

PGM

OUT

Effect

A/D

D-BUS

Frame

Synchronizer

Scaler

PREVIEW

OUT

D/A

SD MONITOR OUT 1 (Composite)




SD Output

SD PREVIEW OUT

D/A

SD OUT (Composite)

SD OUT (S-Video)

D/A

D/A

D/A

D/A

HD/RGB Output

HD OUT 1

(Component)

HD OUT 2

(Component)

RGB OUT 1

(D-Sub)

RGB OUT 2

(D-Sub)

HD PREVIEW OUT

(Component)

RGB PREVIEW OUT

(D-Sub)

MIDI/SERIAL

MIDI IN

CONTROL

MIDI OUT

TALLY OUT

(SD)

TALLY OUT

(HD/RGB)

MIDI OUT/THRU

TALLY SD

TALLY HD

HD/RGB IN 1 (D-Sub)

HD/RGB IN 2 (D-Sub)

HD/RGB IN 3 (D-Sub)

HD/RGB IN 4 (D-Sub)

HD/RGB IN 1 (D-Sub)

HD/RGB IN 2 (D-Sub)

HD/RGB IN 3 (D-Sub)

HD/RGB IN 4 (D-Sub)

MIDI IN

CONTROL

(RS-232C)

Video Input

Auto Detection

SENS

SENS

SENS

SENS





OSD D/A MENU A/D

Frame

Synchronizer

A/D

Frame

Synchronizer

HD/RGB MIXER

A/D

Frame

Synchronizer

Scaler

PGM

OUT

D/A

HD/RGB OUT 1

(D-Sub)

Effect

HD/RGB OUT 2

(D-Sub)

A/D

Frame

Synchronizer

Scaler

PREVIEW

OUT

D/A

MIDI/SERIAL

MIDI IN

CONTROL

MIDI OUT

HD/RGB PREVIEW OUT

(D-Sub)

MIDI OUT/THRU

SPECIFICATIONS V-440HD/V-44SW

Video Processing

V-440HD

Connectors

<Video Format> Standard Definition: NTSC or PAL [CVBS,

S (Y/C)], High Definition: 1080/59.94i/50i SMPTE274M

(Y/Pb/Pr TriLevelSync), 720/59.94p/50p SMPTE296M

(Y/Pb/Pr TriLevelSync), RGB: 640 × 480/60/75, 800 × 600/

60/75, 1024 × 768/60/75, 1280 × 768/60/75, 1280 × 1024/

60, 1366 x 768/75/60 (Output only) (RGB VH: positive/ negative logic)

* VESA DMT Version 1.0 Revision 10 confirm

<Video Sampling> Standard Definition: 4:2:2 (Y:B-Y:R-Y),

8-bit sampling, 13.5 MHz (BT.601), High Definition: 4:4:4

(Y:Cb:Cr), 8-bit sampling 74.1758 MHz/74.25 MHz, RGB:

4:4:4 (G:B:R), 8-bit sampling, 25 MHz to 110 MHz

<SD Input> Composite: BNC Connector x 4, Y/C (S-video)*:

4-pin MiniDIN Type x 4 (Y: 1 Vp-p, 75-ohms, C: 0.286 Vp-p,

75-ohms (NTSC), 0.3 Vp-p, 75-ohms (PAL)

* S-video input has priority

<HD/RGB Input> BNC Type x 4: HD=Y/Pb/Pr (1 Vp-p,

75-ohms, TriLevelSync) or RGB=R/G/B (0.7 Vp-p, 75-ohms),

H (5 V TTL), V (5 V TTL), D-SUB 15-pin Shrink Type x 4: HD=

Y/Pb/Pr (1 Vp-p, 75-ohms, TriLevelSync) or RGB=R/G/B (0.7

Vp-p, 75-ohms), H (5 V TTL), V (5 V TTL)

<SD Output> PGM S-Video (Y/C): 4-pin mini DIN type x 1

(Y: 1.0 Vp-p, C: 0.286 Vp-p, 75-ohms), PGM Video

(composite): BNC type x 1 (1.0 Vp-p, 75-ohms), Monitor

(composite): BNC type x 4 (1.0 Vp-p, 75-ohms), Preview/

OSD Menu (composite): BNC type x 1 (1.0 Vp-p, 75-ohms)

<HD Output> PGM Component HD: V-440HD: BNC Type x

2 (1.0 Vp-p, 75-ohms, TriLevel Sync), Preview Component

HD: BNC type x 1 (1.0 Vp-p, 75-ohms, TriLevel Sync), OSD

Menu Output (display On/Off is selectable)

<RGB Output> PGM RGB: D-sub 15-pin Shrink Type x 2

(0.7 Vp-p, 75-ohms, 5 V TTL Sync), Preview RGB: D-sub

15-pin Shrink type x 1 (0.7 Vp-p, 75-ohms, 5 V TTL Sync),

OSD Menu Output (display On/Off is selectable)

<Tally Output>

D-SUB 15-pin Shrink type x 2 (1 for SD/1 for

HD), Max input: 12 V, 200 mA Open Collector Type

V-44SW

Connectors

Video Transition

Video Composition

<SD Input> S-Video (Y/C): 4-pin mini DIN type x 4 (Y: 1.0

Vp-p, C: 0.286 Vp-p, 75-ohms), Video (composite): BNC type x 4 (1.0 Vp-p, 75-ohms)

<HD/RGB Input> D-SUB 15-pin Shrink Type x 4, HD:

Y/Pb/Pr (1.0 Vp-p, 75-ohms, TriLevel Sync), RGB: R/G/B

(0.7 Vp-p, 75-ohms), H (5 V TTL), V (5 V TTL)

<SD Output> Preview (composite): BNC type x 4 (1.0 Vp-p,

75-ohms), Menu Output (composite): BNC type x 1 (1.0

Vp-p, 75-ohms)

<HD/RGB Output> HD/RGB PGM: D-sub 15-pin Shrink

Type x 2 (HD: 1.0 Vp-p, 75-ohms, TriLevel Sync, RGB: 0.7

Vp-p, 75-ohms, 5 V TTL Sync), HD/RGB Preview: D-sub

15-pin Shrink Type x 1 (HD: 1.0 Vp-p, 75-ohms, TriLevel

Sync, RGB: 0.7 Vp-p, 75-ohms, 5 V TTL Sync)

Cut, Dissolve, Wipe: 6 Patterns, Reverse, Soft Edge

Picture in Picture, Chroma Key (Blue/Green),

Luminance Key (White/Black)

Multi-screen

Presentation

Screen Setup (width by height ): 2 x 1, 3 x 1, 2 x 2, 3 x 2

Remote Control

Interfaces

MIDI 5-pin DIN type (in/out), RS-232C D-SUB 9-pin

Power Supply AC 117 V, 220 V, 230 V, 240 V (50/60 Hz)


Dimensions

Weight

V-440HD: 482 (W) x 308 (D) x 130 (H) mm

17-7/8 (W) x 12-3/4 (D) x 4-1/4 (H) inches

V-44SW: 482 (W) x 308 (D) x 88 (H) mm

19 (W) x 12-1/8 (D) x 3-1/2 (H) inches

V-440HD: 6.8 kg, 15 lbs, V-44SW: 6.0 kg, 13 lbs. 4 oz.

36


LVS-800


Innovative 8-channel video mixer with DSK (Downstream Keyer) and Two separate PC/RGB inputs

A/B Mix Outputs

PGM Outputs

Video Inputs (Ch1 to 6)

PC/RGB Inputs

37

PGM Preview

A/B Mix Preview

MIDI Connector

(Out/Thru, IN)

RS-232C

Connector

S-Video

Inputs

(Ch5 to 8)

Monitor

Outputs

(Ch1 to 8)

Tally Output

Connector

A/B Mix DSK

(Downstream Keyer: Composition Function)

8 video inputs and 2 independent outputs for multi-screen applications

Downstream keyer for seamless mixing under title/graphics

Two PC/RGB inputs for mixing between computer sources

Panel Presets for instant recall of mixer configurations

Remote control using RS-232C, V-LINK/MIDI

Equipped with Tally Outputs

104

5

Block Diagram

INPUT 6

PC1

INPUT 7

PC2

INPUT 8

INPUT 1

INPUT 2

INPUT 3

INPUT 4

INPUT 5

VIDEO INPUT

AUTO DETECTION

SCAN

CONVERTER

SCAN

CONVERTER

TALLY

RS-232C

MIDI IN

A-BUS

B-BUS

TBC

TBC

VIDEO

MIX

EFFECTS

(CUT, MIX,

WIPE1, WIPE2)

BACKGROUND

TBC

FOREGROUND

TBC

VIDEO

MIX

EFFECTS

(CUT, MIX)

PGM

OUTPUT

FADE

A/B MIX

OUTPUT

PGM

OUTPUT

ON SCREEN

DISPLAY

ON SCREEN

DISPLAY

MIDI IN

TALLY

RS-232C

MIDI MIDI OUT

/THRU

A/B MIX

PVW

PGM

PVW

MONITOR

OUT 1

MONITOR

OUT 2

MONITOR

OUT 3

MONITOR

OUT 4

MONITOR

OUT 5

MONITOR

OUT 6

MONITOR

OUT 7 /PC1

MONITOR

OUT 8 /PC2

MIDI OUT

/THRU

136 376

Unit: mm

SPECIFICATIONS LVS-800

Video Format

Video: NTSC or PAL (ITU601)

PC-RGB: 640 x 480/120 Hz, 800 x 600/120 Hz,

832 x 624/80 Hz, 1024 x 768/80 Hz, 1152 x 864/80 Hz,

1152 x 870/75 Hz, 1280 x 1024/75 Hz, 1600 x 1200/60 Hz

(RGB VH: positive/negative logic)

* VESA DMT Version 1.0 Revision 10 conform.

* The refresh rate is the maximum value of each resolution.

Sampling Rate Video 4:2:2 (Y:B-Y:R-Y), 8-bit, 13.5 MHz

Frame Synchronizer 4 Systems

Video Transition

A/B MIX: Cut, Mix (Dissolve, FAM, NAM), Wipe (Hard edge wipe, Soft edge wipe), DSK: Cut, Mix (Dissolve)

Video Composition

A/B MIX: Picture in Picture

DSK: Luminance Key, Chroma Key, Picture in Picture

Input Level/

Impedance

Video (Composite): 1.0 Vp-p, 75-ohms

S-Video: Luminance Signal 1.0 Vp-p, 75-ohms,

Chroma Signal 0.286 Vp-p, 75 (NTSC)/0.3 Vp-p, 75 (PAL)

PC-RGB: 0.7 Vp-p, 75 (H, V: 5 V TTL)

Output Level/

Impedance

Video (Composite): 1.0 Vp-p, 75-ohms

S-Video: Luminance Signal 1.0 Vp-p, 75-ohms,

Chroma Signal 0.286 Vp-p, 75 (NTSC)/0.3 Vp-p, 75 (PAL)

Connectors

<Input> Video (Composite): BNC type x 6 (Ch1 to 6)

S-Video: 4-pin mini DIN type x 4 (Ch5 to 8)

PC-RGB: D-SUB 15-pin shrink type x 2 (Ch7 to 8)

* S-Video input takes priority for channels 5 to 8.

<Output> A/B MIX: 4-pin mini DIN type x 1, BNC type x 2 +

Preview x 1 (*1), PGM-OUT: 4-pin mini DIN type x 1, BNC type x 2 + Preview x 1 (*2)

*1: Preview displays one of input channel 1 to 8 video and on-screen menu.

*2: Preview displays one of input channel 6 to 8 video and

A/B MIX OUT video.

<Monitor Output> Video (Composite): BNC type x 8 (Ch1 to 8)

Remote Control Interfaces MIDI (IN, OUT/THRU), RS-232C (D-SUB 9-pin type)

Tally Output

D-sub 15-pin shrink type, maximum Input = 12 V, 200 mA open collector type

Power

Current Draw

Dimensions

AC Adaptor (Accessory)

2,200 mA

376 (W) x 315 (D) x 136 (H) mm,

14-13/16 (W) x 12-7/16 (D) x 5-3/8 (H) inches

Weight

Accessories

4.3 kg, 9 lbs 8 oz

AC Adaptor, BNC to RCA video adapter x 4


V-8

8-Channel Video Mixer

Powerful Eight Input Video Mixer with Two PC/RGB Inputs

Video Outputs

Monitor Output (Ch8)

PC-RGB Inputs (switchable)

Video Inputs (Ch1 to 7)

S-Video Output

Preview Output

MIDI (OUT/THRU, IN)

S-Video Inputs (Ch5 to 8)

Monitor Outputs

(Ch1 to 7)

8 video inputs including built-in scan converter for RGB input

High image quality 4:2:2 full-frame digital processing

Support for RGB input (VGA to UXGA)

Luminance key, chroma key enables logos or text from computer to be overlayed over background video

Over 260 patterns of various transitions including Mix, Wipe,

Key, Slide, Stretch etc.

Equipped with 25 categories/150 patterns of video effects such as colorize, negative, feedback, after image etc.

Picture in Picture, Luminance Key and Chroma key are available for compositing videos

Independent monitor outs for each video input

V-LINK control enabling audio-follows video with V-Mixers

Over 260 Transitions

Example video transitions

104

5°

Video Effects Examples

AFTER IMAGE SILHOUETTE KEY COMPOSITE

31

EMBOSS FEEDBACK PICTURE IN PICTURE

FLIP FIND EDGE

134 238

Unit: mm

SPECIFICATIONS V-8

Video Format


PC-RGB: 640 x 480/120 Hz, 800 x 600/120 Hz,

832 x 624/75 Hz, 1024 x 768/80 Hz, 1152 x 864/80 Hz,

1152 x 870/75 Hz, 1280 x 1024/75 Hz, 1600 x 1200/60 Hz

(RGB VH: positive/negative logic)



Video Sampling Rate 4:2:2 (Y:B-Y:R-Y), 8-bit, 13.5 MHz

Frame Synchronizer 2 systems

Connectors

<Input> Video (composite): BNC type x 7 (Ch1 to 7)

S-video: 4-pin mini DIN type x 4 (Ch5 to 8)

PC-RGB: D-SUB 15pin Shrink Type x 2 (Ch8: PC1/PC2)

* Inputs 5 to 8; however if S-video is simultaneously input to 5 to 8, S-video takes priority.

<Output> Video (composite): BNC type x 2

S-video: 4-pin mini DIN type x 1

<Preview Output> Video (composite): BNC type x 1 (OSD Menu)

<Monitor Output> Video (composite): BNC type x 8 (Ch1 to 8)

Remote Control

Interfaces

Transition Effects

(more than 260 types)

Video Effects

Power Supply

Current Draw

Dimensions

Weight

Accessories

MIDI IN: 5-pin DIN type x 1,

MIDI OUT/THRU: 5-pin DIN type x 1

Mix (Dissolve, Non-Additive Mix: NAM, Full-Additive Mix:

FAM), Wipe (Hard edge wipe, Soft edge wipe), Key, Slide,

Stretch, User Transition

Still, Strobe, Afterimage, Feedback, Shake, Negative,

Colorize, Find Edge, Silhouette, Mono Color, Emboss,

Posterize, Color Pass, Luminance key, Chroma key, Flip,

Multi, Mirror, Picture-in-picture

DC 9 V (AC Adaptor: Roland PSB-1U)

2 A (Preliminary, AC Adaptor PSB-1U 0.4 A)

238 (W) x 315 (D) x 134 (H) mm,

9-3/8 (W) x 12-7/16 (D) x 5-5/16 (H) inches

3.2 kg, 7 lbs. 1 oz.

AC Adaptor, Power Cord, BNC to RCA video adapter x 4,

Mount screw for Video fader x 4, Owner's Manual

38


LVS-400

Video Mix/

Live Switcher

Intuitive and stable mixing/ switching of four video sources


V-4


Four input video mixer with many high quality video effects

Video Output

Preview Output

39

Outputs Video Inputs

MIDI (Out, In)

Designed as presentation mixer

4 inputs and 3 outputs with an easy to use interface and simple operation

PinP, composition and transition effects in real time

DV image quality maintained by built-in frame synchronizers

V-LINK/MIDI provides integration options with other devices

365

82.4 5

252

53

117.8

Unit: mm

SPECIFICATIONS LVS-400

Video Format

Video Input

NTSC or PAL (ITU601), Video Sampling Rate: 13.5 MHz,

4:2:2 (Y:B-Y:R-Y), 8-bit, Frame Synchronizer x 2

S-Video: 4-pin mini DIN type x 4

Video (composite): BNC type x 4

(If S-Video is simultaneously, S-Video takes priority)

Video Output



Video (composite): BNC type x 1 Monitor Output

Input/Output Level and Impedance

Composite: 1 Vp-p, 75-ohm, S-Video: Luminance signal=1 Vp-p, 75-ohm, Chroma signal=0.286 Vp-p,

75-ohms (NTSC)/0.3 Vp-p, 75-ohms (PAL)

Remote Control Interface MIDI (In/Out): 5-pin DIN type

Transition Effects Mix (Dissolve), Wipe 1, Wipe 2

Composite Effects

Picture-in-Picture (4 types), Luminance Key (2 types),

Chroma Key

Power Supply

Current Draw

Dimensions

Weight

Accessories

DC 9 V (AC Adaptor)

1500 mA

365 (W) x 259 (D) x 87 (H) mm

14-3/8 (W) x 10-1/4 (D) x 3-7/16 (H) inches

3.0 kg, 6 lbs. 9 oz.

AC Adaptor, BNC-RCA Adapter x 4

MIDI (Out/Thru, In) Video Inputs

Designed as performance mixer

4 inputs and 3 outputs enabling switching, mixing and compositing of any two inputs

DV quality images with clean digital processing

Independent 2 channel TBC enables smooth mixing/switching

More than 90 types of effects and more than 240 types of wipe patterns

BPM Sync to match visuals to the beat of the music

V-LINK/MIDI provides synchronization with sound

90.5

86.5

92.6

8.5

29

225

97.7

102.3

Unit: mm

SPECIFICATIONS V-4

Video Format

NTSC or PAL (ITU601), Video Sampling Rate: 13.5 MHz,

4:2:2 (Y:B-Y:R-Y), 8-bit, Frame Synchronizer x 2

Hard Edge Wipe, Soft Edge Wipe, Multi-Border Wipe, Slide Transition Effects

Video Effects

Still, Strobe, Shake, Negative, Colorize, Mono Color,

Posterize, Color Pass, Multi, Mirror

Compositing Effects Picture-in-Picture, Chroma Key, Luminance Key

Video Input


Video (composite): RCA pin type x 4

(If S-Video is simultaneously, S-Video takes priority)

Video Output



Preview Output

Current Draw

Video (composite): RCA pin type x 1

Remote Control Interface MIDI (In/Out): 5-pin DIN type

Power Supply AC Adaptor

1500 mA

Dimensions

Weight

Accessories

225 (W) x 295 (D) x 105 (H) mm

8-7/8 (W) x 11-5/8 (D) x 4-3/16 inches

2.3 kg, 5 lbs. 2 oz.

AC Adaptor, T-Bar attachment screws x 4 (spares)


MVS-12


Multi-viewer with simple matrix switcher for convenient video monitoring

1U

430

Groups and displays up to 12 SD video signals to a single HD or

RGB monitor

Matrix switcher function enables ability to assign 12 inputs to 4 different outputs

Four setups can be stored and recalled

Controllable via Ethernet, RS-232C and MIDI

Displays channel selection on monitor using V-LINK

4 Multi-Viewer Layouts

12 Screen Layout 10 Screen Layout 9 Screen Layout

481

Unit: mm

4 Screen Layout

NEW

Multi-viewer and Matrix switcher function enables system expansion

Monitoring for Switcher


Camera 1

Camera 2

Camera 3

Camera 4

Camera 5

Camera 6

PC 1

PC 2

IN 1

IN 2

IN 3

IN 4

IN 5

IN 6

PC 1

PC 2

LVS-800

Video Mix/

Live Switcher

Monitor 1 to 8

PGM, PVW

MIDI

OUT

MIDI

IN

MULTI-OUT

RGB/HDMI

MVS-12

PGM OUT

Monitoring for Video Installation


Matrix Output

Display

Confidence Monitor

Back Stage

Projector

Video

Recording

MULTI-OUT

RGB/HDMI

PREVIEW

Camera (Stage) IN 1

Camera (Stage) IN 2

Camera (Stage) IN 3

MVS-12

Camera IN 7

DVD Player IN 8

Video Player IN 9

MATRIX OUT1 2 3 4

Inputs

The MVS-12 is a perfect companion for the LVS-800 allowing you to preview all monitor outputs. Using a MIDI connection the PGM/PVM video source is displayed and indicated by a red frame and green frame (tally).

Video sources can be distributed to up to four different locations.

SPECIFICATIONS MVS-12

Video Format

Sampling Rate

Input / Output Level and Impedance

Connectors

Composite: NTSC or PAL

HDMI, PC-RGB: 1920 x 1080 (60 / 50 Hz), 1680 x 1050 (60 /

75 Hz),1600 x 900 (60 / 75 Hz), 1440 x 900 (60 / 75 Hz),

1280 x 1024 (60 / 75 Hz), 1280 x 720 (60 / 50 Hz),

1024 x 768 (60 / 75 Hz) (Progressive Scan)

4:2:2 (Y:B-Y:R-Y), 8-bit, 13.5 MHz (ITU-R BT.601)

Composite: 1.0 Vp-p, 75 ohms

PC-RGB: 0.7 Vp-p, 75 ohms (H, V : 5V TTL)

Video Input Composite: BNC type x 12 jacks

Output Connectors Composite (for MATRIX OUT): BNC type x 4 jacks

Composite (for MATRIX OUT Preview): BNC type x 1 jack

HDMI (for MULTI-OUT, MENU) x 1 jack

PC-RGB (for MULTI-OUT, MENU): D-Sub 15pin type x 1 jack

Other Connectors

Ethernet 10 / 100Base-Tx RJ45 type x 1 jack

RS-232C DB-9 type x 1 jack

MIDI IN 5-pin DIN type x 1 jack

MIDI OUT / THRU 5-pin DIN type x 1 jack

Mouse PS/2 type *Not bundled.

Power Supply

Current Draw

Dimensions

Weight

AC Adaptor (Accessory)

2 A

481 (430 without rack mount bracket)(W) x 320 (D) x 44 (H) mm

18-15/16 (16-15/16 without rack mount bracket) x 12-5/8 (D) x

1-3/4 (H) inches

3.0 kg 6 lbs. 10 oz. (without AC Adaptor)

* MONITOR: XGA (1024x768 pixels) or greater, HDMI or Analog RGB input is required.

HDMI OUTPUT Connection: Audio is not supported. HDMI version is 1.2. Supports EDID when the setup is AUTO.

RGB OUTPUT Connection: Manual pixel rate setup is needed.

Aspect Ratio: In MULTI-OUT, display aspect and each input aspects can be adjusted individually. MATRIX OUTPUT has no aspect adjustment function.

Switching: An mixed image before and after switching may appear on MATRIX Output at switching.

40

41


VR-5

AV Mixer & Recorder

All-in-one AV Mixer for stand-alone recording and live streaming

NEW

MONITOR

Intuitive operation with

Dual Touch Monitors

Select the input source by touching the quad-view layout display.

Menu parameters are easily accessed and set.

PC INPUT

Audio and video from a PC

RGB input and stereo-mini Audio input

AUDIO MIXER

Full digital audio mixing

Audio Follow function

Switch video

Video

Transition effect

Audio

Audio transitions as video is switched.

VIDEO/PC SELECT

Video switching with a single touch of a button

Mix

USB Port for Live Streaming

* The world's first USB Video/Audio Class supported AV

Connect to a PC via USB mixer. Simply connect like a Web camera to enable easy live streaming.

*Our research at time of printing

VIDEO/AUDIO OUTPUT

RECORDER

Record to SD memory card

Supports SD and SDHC memory cards.

Note: Video can not be played back when recording.

VR-5 Image Converter

(Win/Mac)

Software for preparing data to be played back from the VR-5 is available from the Roland

Systems Group website.

Supported Formats:

AVI, MPG, MOV, WMV, MP4, DV

VIDEO EFFECTS

Simple video compositing

Transition between sources with various switching effects

SPLIT displays two video sources simultaneously

PinP inlays a small window in the main source

KEYER

Control transparency with a single knob

Chroma Key Composite a person over a background

Luminance Key Composite text over a background

Wipe

5-Channel Video Switcher (3 video sources, PC input, video playback)

2 Mono and 5 Stereo Mixable Audio Channels

Built-in scan converter for PC input

Built-in dual LCD monitors with touch control for easy video source selection

Three video layers for 2 video sources plus DSK (downstream keyer)

Video player/recorder

USB video/audio class device for web streaming

133

104

5°

31

376 Unit: mm

Let’s start live streaming with easy 4 steps!

1

Connect cameras

Composite or S-Video sources including DVD players.

2

Connect microphones

Any type of mic including condensers.

3

Connect PC via USB

Via USB, the VR-5 appears like a web cam

4

Stream online + Capture live

Live broadcasting using various web streaming services

VR-5

Everything you need in a single device

Microphones Cameras / Video

Document

Camera DVD Player

Camera

Analog Audio and Video



Mic 2

Mic 2

Analog Audio and RGB

Audio Mixing

MIC×2 LINE×3 PC×1 RECORDER×1

Two mono and five stereo audio inputs

(total of 12Ch) are mixed with full digital audio processing.

HDMI or

Analog SD

SD CARD

Video

Still Image

Audio

V i d e o, S t i l l I m a g e a n d

Audio data can be loaded from SD memory card or

USB memory key.

PC / Mac

Video Switching

VIDEO×3 PC×1 RECORDER×1

Switch or composite five video sources.

Camera/Player

USB

PinP

Small Video Window

Caption from PC

Live Production

Live stage production using a venue projector or display.

Live Recording

Record the visual and audio data from the VR-5 to an SD memory card.

Live Streaming

Stream the event or program

(visuals and audio) from the

VR-5 to the Internet by connecting a PC via USB and linking to a live streaming service.

SPECIFICATIONS VR-5

VIDEO

Video Format


PC-RGB: 640 x 480/120 Hz, 800 x 600/120 Hz,

1024 x 768/80 Hz, 1152 x 864/75 Hz, 1280 x 1024/75 Hz,

1600 x 1200/60 Hz (RGB VH: positive/negative logic)



Video Sampling Rate Video: 4:2:2 (Y:B-Y:R-Y), 8 bits, 13.5 MHz

Input Level and

Impedance

<Video (composite)> 1.0 Vp-p, 75 ohms

<S-video> Luminance signal: 1.0 Vp-p, 75 ohms

Chrominance signal: 0.286 Vp-p, 75 ohms (NTSC) /


<PC-RGB> 0.7 Vp-p, 75 ohms (H, V: 5 V TTL)

Output Level and

Impedance

<Video (composite)> 1.0 Vp-p, 75 ohms

<S-video> Luminance signal: 1.0 Vp-p, 75 ohms

Chrominance signal: 0.286 Vp-p, 75 ohms (NTSC) /


Connectors

Input Level

<Input> Video (composite): BNC type x 3,

S-video: 4-pin mini DIN type x 3,

PC-RGB: D-Sub 15-pin Shrink type x 1

* Inputs 1 to 3; When S-video is simultaneously input to 1 to 3,

S-video takes priority

<Output> Video (composite): BNC type x 2,

S-video: 4-pin mini DIN type x 2

<Preview Output> Video (composite): BNC type x 1

AUDIO

Internal Processing Sample Rate: 24-bit/48.0 kHz

<AUX AUDIO INPUT> +4 dBu to -68 dBu (variable)

Max: +22 dBu

<Channel 1/2/3> –10 dBu Max: +8 dBu

<PC AUDIO> –15 dBu Max: +3 dBu

Input Impedance

<AUX AUDIO INPUT> XLR type: 4 k ohms,

TRS phone type: 6 k ohms

<Channel 1/2/3 and PC AUDIO> 15 k ohms

Input Level

Output Level

Output Impedance

AUX AUDIO INPUT: XLR-3-31 type (balanced, phantom power),

1/4 inch TRS phone type (balanced/unbalanced)

* TRS type takes priority

Channel 1/2/3: RCA phono type

PC AUDIO: Stereo miniature type

<AUDIO OUTPUT> –10 dBu Max: +8 dBu

<PHONES> 50 mW + 50 mW

<AUDIO OUTPUT> XLR type: 600 ohms,

TRS phone type: 1 k ohms

<PHONES> 10 ohms

Output

Connectors

RECORDER

AUDIO OUTPUT: XLR-3-32 type (balanced), RCA phono type

PHONES: Stereo 1/4 inch phone type

Recording Format

Bit Rate

Media

File System

Movie Size

File System

<Format> MP4 (.mp4)

Video Codec: MPEG-4 Visual

Audio Codec: MP3 (MPEG-1 Audio Layer-3)

2 Mbps, 4 Mbps, 6 Mbps

SD Memory Card (1 to 2 GByte),

SDHC Memory Card (Max 32 GByte), Class 4 or greater

FAT32 (Max file size of 4 GByte)

TV Size: NTSC (720 x 480), PAL (720 x 576)

Recorded file is up to 4 GByte.

Bit Rate at 2 Mbps: approximately 4 hours/4 GByte

Bit Rate at 4 Mbps: approximately 2 hours/4 GByte

Bit Rate at 6 Mbps: approximately 80 minutes/4 GByte

Supported

Playback Format

<Video File Format> .MP4, .AVI

Video Codec: MPEG-4 Visual

Audio Codec: MP3 (MPEG-1 Audio Layer-3)

<Audio File Format> .WAV, .MP3

<Picture File Format> .BMP, .JPG

OTHER CONNECTORS

HDMI Connector

<Resolution> Setup to NTSC: 480p, Setup to PAL: 576p

OUTPUT or PREVIEW OUTPUT

USB A Type

Connector

Remote Control

Interfaces

OTHERS

For USB Storage device, For USB Video Stream output

(Support UVC/UAC) USB 2.0 High-Speed

MIDI IN: 5-pin DIN type x 1 jack

MIDI OUT/THRU: 5-pin DIN type x 1 jack

Transition Effects

Video Effects

Power Supply

Current Draw

Dimensions

Weight

Switcher: Cut, Mix, Hard edge wipe, Soft edge wipe

DSK: Cut, Mix

Luminance key, Chroma key, Picture-in-picture, Split

DC 12 V (AC Adaptor)

3 A (AC Adaptor)

376 (W) x 315 (D) x 133 (H) mm

14-13/16 (W) x 12-3/8 (D) x 5-1/4 (H) inches

4.3 kg, 9 lbs 8 oz (without AC Adaptor)

(0dBu=0.775Vrms)

42

VIDEO PLAYERS

PR-1000HD

Multi-Format Video Presenter

Multi-Format video player with up to 1080p output quality

4U

Audio Output (RCA)

Audio Output (XLR)

RS-232C

LAN

USB

HDV/DV

( IEEE 1394 6-Pin)

DVI-I Output

USB

Phone Output

HDV/DV ( IEEE 1394 6-Pin)

USB

Instant Playback of Multiple Formats - HD, SD and/or Stills

Intuitive Graphic User Interface with Touch Screen Option

Stable Platform for Reliable Worry-free Performance

DVI-I Output with Selectable Output Resolutions

A maximum of 20 hours of video material can be captured to one HDD

Smooth and high quality playback for any applications where visuals are used

430

MIDI In/Out * A display for PC (XGA 1024 x 768 pixels) is required.

PLAY MODE Screen

Palette Selection

Playback speed

Transport control and

Progress bar Transition Color/Audio control

43

Palette

EDIT MODE Screen

EDIT MODE enables organization and content management of clips.

Unit: mm

482

Option

HDD-250

250 GB Hard Disk Drive

SPECIFICATIONS PR-1000HD

Video Format

Video Input

Video Output

Video: HDV, MPEG (HDV, DV, AVI), STILL: (JPEG, BMP)

<IEEE1394> HDV: 1080i, 720p, DV: NTSC or PAL

*Supported frame rates differ according to regional specification.

<DVI-I>

[NTSC]-Digital: 1920 x 1080/59.94p, 1920 x 1080/59.94i,

1280 x 720/59.94p, 1920 x 1080/29.97p, 1920 x 1200/60 Hz,

1280 x 1024/60 Hz, 1280 x 960/60 Hz, 1024 x 768/60 Hz,

640 x 480/60 Hz, [NTSC]-Analog: 1920 x 1080/59.94i,

1280 x 720/59.94p, 1920 x 1200/60 Hz, 1280 x 1024/60 Hz,

1280 x 960/60 Hz, 1024 x 768/60 Hz, 640 x 480/60 Hz

[PAL]-Digital: 1920 x 1080/50p, 1920 x 1080/50i, 1280 x

720/25p, 1920 x 1080/25p, 1920 x 1200/50 Hz, 1280 x

1024/75 Hz, 1280 x 960/75 Hz, 1024 x 768/75 Hz, 640 x

480/75 Hz, [PAL]-Analog: 1920 x 1080/50i, 1280 x 720/50p,

1920 x 1200/50 Hz, 1280 x 1024/75 Hz, 1280 x 960/75 Hz,

1024 x 768/75 Hz, 640 x 480/75 Hz

* Supported frame rates differ according to regional specification.

Audio Input

Audio Output

Display Output

HDV: MPEG-1 Layer2 16-bit 48 kHz 384 kbps (stereo)

DV: Liner PCM 16-bit 48 kHz (stereo)

XLR (stereo) Balanced, RCA Pin (Stereo) Unbalanced

<DVI-I> Digital (RGB): 1024 x 768 (fixed)

Analog (RGB): 1024 x 768 (fixed)

Video Output Connecter DVI-I (Analog/Digital RGB)

Storage

Slot x 2 for Removable HDD (HDD-250), DVD Multi-Drive

Optional Item: HDD-250

Control Interfaces

LAN: 10/100/1000 Base-T x 1, RS-232C x 1, MIDI In/Out,

USB x 4 (for Card Reader, Mouse, Keyboard, Storage,

Optional Touch Panel Display)



Dimensions

Weight

482 (W) x 500 (D) x 177 (H) mm

19 (W) x 19-11/16 (D) x 7 (H) inches

15.2 kg, 33 lbs. 9 oz.

VIDEO PLAYERS

PR-80

Realtime Video Presenter

PR-50


Instantaneous playback of hundreds of high quality DV video clips

Play Mode Screen (PR-80)

Palette Selection

Video output monitor

Dual Stream button

Thumbnails of selectable clips Realtime video effects

Playback and switch high quality DV-format video image in real time

Store up to 5 hours of high quality DV video on the internal hard drive

Dual Stream video playback allows cross dissolves, mixing or composition effects (PR-80 Only)

23 types of video effects such as mirroring, colorize, posterize etc.

(PR-80 Only)

PR-80 Video Editor Screen

Video editing software included.

* A display for PC (XGA 1024 x 768 pixels) is required.

Automatic operation with the built-in scheduler

Support for MIDI and RS-232C remote control

Equipped with a powerful non-linear video editor (PR-80 Only)

Capture images from a DV or analog video deck or computer via a DV connection

360

Unit: mm

SPECIFICATIONS PR-80/PR-50

Supported Video

Systems

Video Format

Audio Format

Connectors

Display Output

NTSC or PAL (Differing according to regional specifications)

DV format

PCM (16-bit, 48 kHz)

<Front Panel> Video input & output: DV Jack (i.LINK), 4-pin type (IEEE1394), Headphones jack: stereo 1/4 inch phone type, Audio input: 1/4 inch phone type (Mono, PR-80 only), USB: connectors x 2 for USB-MIDI interface and dedicated controller.

<Rear Panel> Video input & output: DV Jack (i.LINK), 4-pin type (IEEE1394), Video input: S-Video 4-pin mini DIN type x 1

(Y: 1.0 Vp-p, C: 0.286 Vp-p, 75-ohm), Composite RCA pin type x 1, BNC type x 2 (1.0 Vp-p, 75-ohm), Audio input: RCA pin type (L, R), Video output: S-Video output 4-pin mini DIN type (Y: 1.0 Vp-p, C: 0.286 Vp-p, 75-ohm), Composite RCA pin type (1.0 Vp-p, 75-ohm), BNC type x 2 (1.0 Vp-p, 75-ohm,

PR-80 only), Audio output: RCA pin type (L, R)

HD DB-15 type (Analog RGB, resolution 1024 x 768 fixed),

D-sub 15-pin

Storage Devices

Internal Hard Disk Drive: 80 GB (for system program and data storage), Expansion Slot: Removable Hard Disk 1 slot

(for optional DV-HD series), CD-ROM Drive

Interfaces

Serial Port: PS/2 6-pin mini DIN type x 2 (for mouse and keyboard), LAN Port: 10/100 Base-T x 1 (to import DV clips and bitmap masks), RS-232C x 1, USB: A type x 4 (for optional controller, card reader, and MIDI interfaces)



Dimensions

360 (W) x 420 (D) x 130 (H) mm

14-3/16 (W) x 16-9/16 (D) x 5-1/8 (H) inches

Weight

Accessories

8.5 kg, 18 lbs. 12 oz.

Mouse (PS/2), Mouse Pad, DV Cable, DV-7DLC Template Sheet

* PR-80/PR-50 are installed with software licensed by the following companies: Be Incorporated/Agfa Monotype Corporation.

44

VIDEO PLAYERS

P-10

Visual Sampler

Enjoy easy-to-use, reliable playback of video and still images with dedicated video presenter

MIDI Connector

(Out/Thru, In) USB

Audio

Inputs

Video Input

S-Video Input for Windows Vista

Windows

®

XP

® / for Mac OS X

USB 2.0

SD Card Slot Audio

Outputs

S-Video Output

Video Output

45

Record to, and Playback from, standard SD or SDHC Memory

Cards

Capturing media from various sources (video decks, DVD players, digital cameras, etc) is extremely easy, and video is stored as Motion JPEG and still images as JPEGs

Playback modes like Reverse, Strobe or Motion Control provide impressive effects for your audience, Slide Show enables animation from multiple still images

299.46

90.51

76.03

5°

215

Unit: mm

Store and recall up to 864 clips using 12 pads and 72 banks

Built-in 3.5 inch color LCD display eliminates the need for an external monitor

Hi-Speed USB port for rapid data transfer of media to and from a computer

Sync your Audio & Video with V-LINK

Includes P-10 Image Converter Software

Movie Play Modes

Forward Loop

Alternate Loop

Loops playback

Repeats forward and reverse playback

Gate 1

Plays while a pad is pressed.

Pauses the frame when the pad is released. Press again to start from the paused frame.

One Shot 1 Stops at final frame and pauses

One Shot 2 Stops at final frame without pausing

Gate 2

Plays while a pad is pressed.

Output is stopped when the pad is released.

Easily Capture Movies and Assign Clips to Pads

1

Play back an image on the external device and press the [EXT SOURCE] button.

2

3

Press the CAPTURE [MOVIE] button at the point that you want to start capturing the movie.

Press the CAPTURE [MOVIE] button again at the point that you want to stop capturing the movie. (Empty pads flash red.)

4

Press a pad that is flashing.

The captured movie is assigned to the selected pad.

SPECIFICATIONS P-10

Maximum track

Video Format

Data Format

Video: 1, Audio: 1 (Stereo)

NTSC or PAL (selectable)

Movies: Motion JPEG (640 x 480 pixels), 29.97 fps (NTSC),

25 fps (PAL), Still image: JPEG (640 x 480 pixels),

Audio: WAV (16-bit/44.1 kHz)

Storage Media SD or SDHC memory card

Number of Clips

Movies only: up to 864 clips (12 pads x 72 banks), Stills only: up to 86,400 clips (100 images x 12 pads x 72 banks)

Video Playback Mode Forward Loop, Alternate Loop, One Shot (2 types), Gate (2 types)

Visual Effects

Controller

Repeat, Reverse, Strobe, Speed, Color, Output Fade, Slide Show

Speed, Color, Output Fade

Display

Connectors

Power Supply

Current Draw

Dimensions

Weight

320 x 240 dots QVGA Color Display

Composite Video Input: RCA pin type, S-Video Input: 4-pin mini DIN type, Audio Input: RCA pin type (L/R), Composite

Video Output: RCA pin type, S-Video Output: 4-pin mini DIN type, Audio Output: RCA pin type (L/R), Headphones:

Stereo 1/4 inch Phone type, MIDI (In, Out/Thru), USB

DV 9 V (AC Adaptor)

900 mA

215 (W) x 300 (D) x 91 (H) mm

8-1/2 (W) x 11-13/16 (D) x 3-5/8 (H) inches

1.9 kg, 33 lbs. 9 oz.

VIDEO PLAYERS

CG-8

Visual Synthesizer

Produce moving 3D effects from still images - all controllable in real-time

MIDI (Out/Thru, In) RGB Output

Foot Switch

Line Inputs Video Outputs

Option Connector

3D motion graphics from still images - all controllable in realtime

2 separate layers of images enables overlay of a 3D moving title, logo or icon on a background moving image

More than 200 Photo effects and more than 60 Overlay effects

16 trigger pads, a twin D-Beam controller, an assignable X-Y pad, control knobs or an optional foot switch

Image flow within the CG-8

V I S UA L PA D

PH OTO

STA M P

S O U N D

SY N C

T R I G G ER

M O D U L ATO R

SY N T H E S I Z E

SY N T H E S I Z E

D B E A M X Y PA D 6 K N O B S

O U T PU T

Adjustable frequency and peak detection provides graphic modulation based on the incoming audio

VGA, S-video or composite video (NTSC or PAL) output

MIDI compatibility with support for V-LINK enabled instruments

Visual Examples

EXAMPLE 1 ( Image of Photo Layer)

Picture Effect Picture Effect Picture Effect

Picture Effect 1 Effect 2 Picture

EXAMPLE 2 ( Image of Stamp Layer)

Effect 1 Effect 2

453

446.6

108

96.4

4

Picture Effect Picture Effect Picture Effect

Picture Effect Picture Effect

EXAMPLE 3 ( Image of Combination)

Picture Effect

Enable to composite

2 separate layers of 3D images.

Unit: mm

SPECIFICATIONS CG-8

Video Format

VGA (640 x 480) 16.7 million colors (24-bit full color)

(value is approximate), NTSC or PAL

Number of Photos

Photos: up to 48 JPEG files (512 x 384),

Stamp: up to 16 PNG files (512 x 256)

Number of Patches up to 128 patches per project

Connectors

RGB output: HD DB-15 type, Video output: S-Video output

4-pin mini DIN type (Y: 1.0 Vp-p, C: 0.286 Vp-p, 75-ohm),

Composite RCA pin type (1.0 Vp-p, 75-ohm), Audio Input

L/R: RCA pin type, MIDI: In, Out/Thru, Foot Switch, Option

(for included Memory Card Adaptor)

Storage Device

Internal: Hard Disk Drive (for system program and data storage), External: Card Adaptor



Dimensions

Weight

453 (W) x 323 (D) x 108 (H) mm

17-7/8 (W) x 12-3/4 (D) x 4-1/4 (H) inches

5.8 kg, 12 lbs. 13 oz.

46

FIELD RECORDERS

F-1


Seamless 9 hours of HDV/DV/MPEG-2 TS recording to removable HDD or SSD including an additional 2 channels of PCM audio

Front Panel Left Side Panel

Network (RJ45 type)

for Windows 7/Vista

Windows

®


USB 2.0

47

Compact hard disk drive HDV/DV/MPEG-2 TS recorder

NTFS file format allows recording to the maximum disk capacity without a file limitation of 2GB or 4GB

Up to 9 straight hours of recording with the 120GB HDD

Removable HDD provides unlimited hours of recording in the field

Shock-resistant floating HDD for secure & stable recording despite shocks and vibrations

Additional 2 Channels of Audio - recording in high quality linear

PCM WAV

Audio gain controls and built-in phantom power for sensitive condenser mics

Begin editing immediately directly off the HDD or enjoy smooth and speedy transfer of recorded data to your NLE system

Three types of power – AC Adaptor, AA Battery, External Battery

Right Side Panel

USB

(Host, Computer)

Headphone

Jack

HDV/DV (IEEE1394 6-pin)

VGA Display

Output

External

Audio Inputs

(Ch3, 4) DC Input

Thumbnail Display on External Monitor using the 15-pin D-Sub output jack

Free downloadable software with 2 modes for quick clip preview and editing * Free download from www.rolandsystemsgroup.net

Options

F1-VMK1 V-Mount Kit CB-F1

Carrying Bag

111 4.5

61

F1-HD120

Removable 120GB

Hard Disk Drive

F1-SSD64

Removable 64GB

Solid State Drive

Worry-Free Recording with Shock-Resistant Floating HDD

To protect the disk from the inevitable rigors of field use, the F-1’s removable hard drive employs full floating HDD mount architecture with shock absorbent rubber that effectively dampens vibrations and shocks. Enjoy worry-free recording in locations where loud

& heavy PA sounds or shocks from rough road sur faces might other wise present capture problems.

Full Floating Architecture

Sixteen shock absorbent rubber points around the disk component dampens shocks and vibrations.

Shock Absorbent

Rubber

Unit: mm

SPECIFICATIONS F-1

Video Recording

Audio Recording

Format: HDV (.m2t), DV (.dv), MPEG-2 TS (.m2t)

Format: WAV (Supports BWF), Sampling Rate: 16-bit/48 kHz

Audio Control

Switch: Gain (MIC/-20 dB/LINE), Phantom Power +48 V

(ON/OFF), Volume: Ch3 Input, Ch4 Input, Headphones

Audio Input Impedance 4 k-ohms

Headphones

Output Impedance

16-ohms

Headphones Output Level 45 mW

Connectors

<Front Panel> i.LINK: 6-pin type conforms to IEEE1394

USB: A Type (For USB Storage device, USB Mouse)

* Supports 2.0 Hi-Speed

USB: mini B Type (For Computer)

* Supports 2.0 Hi-Speed

<Right Side Panel> Display Output: 15-pin mini D-sub Type

(Analog RGB, 800 x 600 fixed resolution), Audio Input

(Ch3/4): 3-pin XLR Type x 2, DC Input: 4-pin XLR Type

<Left Side Panel> LAN: RJ45 Type (Ethernet 10/100Base-Tx)

Display

Recording Media

Power Supply

Operating Time

Current Draw

Dimensions

Weight

128 x 64 dots (Organic LED)

Hard Disk Drive (120 GB), Max Recording time Approx

9 hours (F1-HD120 as recording media, without audio)

Option: Solid State Drive (64 GB)

* removable unit

DC 9 V (AC Adaptor)

* 9-16 V 2.0 A or HR15/51 x 8 or LR6 (AA) x 8

Nickel Metal Hydride Battery x 8: Approx 2 hours, External

Battery (IDX Endura10 Li-Ion Battery): Approx 10 hours

* These operation times are approximate. Actual time may vary somewhat.

1500 mA

111 (W) x 179 (D) x 61 (H) mm,

4-3/8 (W) x 7-1/6 (D) x 2-3/8 (H) inches

870 g/1 lb 15 oz

(including HDD, excluding AC Adaptor and batteries)

FIELD RECORDERS

R-4Pro

4-Channel Portable Recorder and Wave Editor

Portable 4-Channel Recorder with Superior Sound Quality and

SMPTE Time Code sync function


Input (XLR, Phantom power) Output for Windows

®

7/

Windows Vista

Windows

®


USB 2.0

Instant backup via USB2.0

Left Side Panel

USB Storage USB

Up to 24-bit 192 kHz uncompressed linear PCM recording

Simultaneous 4-Channel Recording/Individual monitoring of 4 channels

AES/EBU Input/Output

SMPTE Time Code In/Out for Video Sync

80 GB Hard Disk Drive

Pre-recoding function

Waveform editing using only the R-4Pro

Built-in high-quality effects

Digital In/Out (XLR) Time Code Head Phones

Built-in stereo microphones and monitor speakers

Three types of power – AC Adaptor, AA Battery, External Battery

Block Diagram

GAIN

INPUT1/L

LIMITER LEVEL

A/D

INPUT2/R

GAIN

LIMITER LEVEL

A/D

Built-in MIC

L

R

GAIN

INPUT3/L

A/D

A/D

LIMITER LEVEL

A/D

INPUT4/R

GAIN

LIMITER LEVEL

A/D

DIGITAL AUDIO IN

TIMECODE IN

L

R

Storing TC at REC start/Sync PLAY to TC

DSP

EFFECTS

EDIT

HDD

D/A

D/A

D/A

D/A

LINE OUT

1/L

2/R

3/L

4/R

PHONES

Built-in

SPEAKER

L

L

R

DIGITAL AUDIO OUT

R

Data Transfer to PC

USB 2.0/1.1

To PC

Data Back Up

To USB

Storage

Device USB 2.0/1.1

Sending TC at PLAYBACK

TIMECODE OUT

77.1

Recording Time (Stereo) Unit: hour

Sample Size

16-bit

24-bit

44.1 kHz

116

77

Sampling Frequency

48 kHz 88.2 kHz 96 kHz

106

70

58

38

53

35

192 kHz

26

17

* These recording times are approximate. Your actual results may vary somewhat.

* If more than one recorded file exists, the total recordable time will be less than these.

240

Unit: mm

SPECIFICATIONS R-4Pro

Channels

Signal Processing

4

AD/DA Conversion: 24-bits

Sampling Frequency: 44.1/48/88.2/96/192 kHz

* Limited to Stereo x 1 when 192 kHz

Data Type

Recording Media

Analog Inputs

Format: BWF, WAV, Bit Depth: 16/24-bits,

Sampling Frequency: 44.1/48/88.2/96/192 kHz

Internal Hard Disk Drive (80 GB)

Channel 1 to 4: XLR type (Phantom powered)

Internal Microphones (Stereo)

Analog Outputs

LINE Out: RCA Pin type (Channel 1 to 4)

Headphones: Stereo 1/4 inch phone type

Digital Input/Output XLR type (AES/EBU, conforms to IEC 60958-4)

Input Impedance Analog Input: 4 k-ohms

Nominal Input Level

(Input Level Knob: Center)

(Variable) -56, -50, -44, -38, -32, -26, -20, -14, -8, -2, +4 dBu

(Input Level Knob: -∞ to +8 dB)

Output Impedance LINE Out: 950-ohms, Headphones: 10-ohms

Output Level LINE Out: -10 dBu, Headphones: 40 mW + 40 mW

Residual Noise Level LINE Out: -90 dBu, (SENS Knob: +4 dBu, Input Level Knob: Min)

Total Harmonic

Distortion (THD + N)

0.01 % (SENS Knob: +4 dBu, Input Level Knob: Center)

Recommended Load

Impedance for Headphones

32-ohms

Frequency Response 20 Hz to 40 kHz (0 to -3 dB)

Phantom Power

USB Interface

SMPTE Timecode connectors

Effect Unit Part

Power Supply

Current Draw

Dimensions

Weight

48+/-4 V/8 mA (Available 4 Channels simultaneously)

* Should be less than 25 mA in total

A Type Connector (For USB Storage device)

Supports USB 1.1 and 2.0 Mass Storage Device Class.

B Type Connector (For Computer)

Supports USB 1.1 and 2.0 Mass Storage Device Class.

BNC Connectors (Conforms SMPTE 12M-1999)

Effect Type: 3-BAND SHELVING EQ, 6-BAND GRAPHIC EQ,

NOISE GATE, ENHANCER, COMPRESSOR AND DE-ESSER,

MS MIC MIXING, NO EFFECT

* Available to either recording or playing

* Not available to recording in 192 kHz sampling frequency.

AC Adaptor (PSB-1U), Alkaline dry battery LR6 (AA) type x 8, or Nickel Metal Hydride battery (HR15/51) x 8

External Power Supply: 4-pin XLR type (9 to 16 V)

2.0 A

240 (W) x 217 (D) x 77 (H) mm

9-1/2 (W) x 8-9/16 (D) x 3-1/16 (H) inches

1.7 kg, 3 lbs. 12 oz.


48

FIELD RECORDERS

R-44

4-Channel Portable Recorder

A compact, solid-state, four channel portable audio recorder

for Windows

®

7/

Windows Vista

Windows

®

® /

Front Panel for Mac OS X

USB 2.0


Headphone Jack

Left Side Panel

Control Sync

Connector

SDHC

Card Slot

USB

Connectors

49

Up to 24-bit 192 kHz uncompressed linear PCM recording (2 channels)

SD or SDHC card as the recording media for quiet and reliable field recording

Built-in limiter, low-cut filter, and studio class effects

Pre-recording function

Synchronized operation of 2 units enables up to 8 channels of recording

Recording Time using 8 GB SDHC card (Unit: minute)

Stereo Recording

Sampling Rate

16-bit

24-bit

4 channel Recording

44.1 kHz

755

503

Sampling Frequency

48 kHz 96 kHz

694

462

347

231

Sampling Rate

16-bit

24-bit

44.1 kHz

377

251

Sampling Frequency

48 kHz 96 kHz

347

231

173

115

192 kHz

173

115

192 kHz

* Recording times are approximate. Actual results may vary.

* If more than one recorded file exists, the total recordable time will be less than listed.

SPECIFICATIONS R-44

Channels

Signal Processing

Data Type

Recording Media

Analog Input

Analog Output

Digital In/Out

Input Impedance

Nominal Input Level

(Input Level Knob: Center)

Maximum Input

Recommended

Load Impedance

Output Level

Total Harmonic

Distortion + Noise

Line (THD+N)

4

Sampling Bit Rate: 16/24-bit

Sampling Frequency: 44.1 kHz/48 kHz/88.2 kHz/96 kHz/

192 kHz (Limited to Stereo x 1 at 192 kHz)

* 16 or 24-bit sampling rate can be selected with any frequency

WAV/BWF

SDHC memory card (compatible with 64 MB to 32 GB)

Ch1 to 4: XLR/TRS Combo type, XLR type (phantom powered),

TRS type (balanced/unbalanced), Stereo Built-in Microphones

Ch1 to 4: RCA Pin type (line output)

Headphone: Stereo Phone type (1/4 inch)

RCA Pin type (IEC 60958-3)

XLR: 4 k-ohms or greater (balanced)

TRS: 6 k-ohms or greater (balanced)

11 steps: -56, -50, -44, -38, -32, -26, -20, -14, -8, -2, +4 dBu

(Input sense knob: -Inf. to +8 dB)

+24 dBu (Input Sens Knob: +4 dBu)

Line: 4 k-ohms or greater, Headphone: 16-ohms or greater

Line Output: -20 dBu (fixed), Headphone: 40 mW + 40 mW

Output: 0.02 % (Input Sens: +4 dBu)

Input connectors (1 to 4) Digital In/Out

Connector (Coaxial)

Line Output

Connectors

Built-in stereo microphones and monitor speakers

High-contrast Organic LED display

Three types of power options: AC adaptor, external battery, or standard AA batteries

* Four hours of operation is possible with NiMH.

* 44.1 kHz/16-bit/Stereo Recording, alkaline batteries, Phantom power: OFF.

157.0

Unit: mm

Option

CB-R44

Carrying Bag

Easy cable connection and media exchange.

Noise Level Line Output: -100 dBu (Input Sens: +4 dBu, Input Level: Center)

Residual Noise Level Line Output: -103 dBu (Input Sens: +4 dBu, Input Level: Minimum)

Frequency Response 20 Hz to 40 kHz (0/-3 dB) Dynamic Range AD: 100 dB, DA: 104 dB

Phantom Power 48 V + or -4 V, 8 mA per 1 channel (20 mA or less in all channels)

USB Port

Mini-B Type Connecter

* USB 1.1 or 2.0 High Speed (Mass Storage Class)

Control Sync

Jack Stereo Mini Type Jack, Word clock sync and start/stop remote control of 2 units

* Remote control function does not guarantee the exact same

REC start time

Display

Power Supply

Current Draw

Dimensions

128 x 64 dot organic LED

AC adaptor (PSB-1U), AA type battery x 4 (Alkaline or NiMH)

1.2 A

157 (W) x 183 (D) x 61 (H) mm,

6-3/16 (W) x 7-1/4 (D) x 2-7/16 (H) inches

Weight 1.3 kg, 2 lbs 14 oz (including batteries)

System Requirements Microsoft ® Windows ® Vista ® /XP/2000, Mac OS X 10.2 or later


VIDEO CONVERTERS

VC-50HD


Bi-directional, portable video conversion between HD/SD-SDI and MPEG-2 TS/HDV/DV

HD-SDI/

SD-SDI Input

HD-SDI/SD-SDI

Output or Thru

IEEE1394 I/O

HDMI Output

Side Panel

USB DIP Switch (Parameter Setup) DC IN

for Windows 7/Vista

Windows

®


USB

IEEE1394

Bi-directional conversion between HD-SDI and HDV (19/25

Mbps) and 8/35/50 Mbps MPEG-2 TS

Supports conversion between SD-SDI and DV format (25 Mbps) and 2/9/12 Mbps MPEG-2 TS

Direct recording to the F-1 Video Field Recorder

Directly capture and edit using your non-linear editing system

Easy capture or archiving to Blu-ray/DVD via IEEE1394 (iLINK)

HDMI Output allows flexible and convenient monitoring

Setup and Control via PC and/or dip switches

Three different types of power - AA battery x 8, AC Adaptor,

External battery (4-pin XLR 9 to 20 V)

* Up/Down conversion, I/P conversion, NTSC/PAL conversion, Frame conversion are not supported.

2

28

40

13

15 170 9

Video Camera

Video Switcher

Bi-directional Conversion

HD-SDI

SD-SDI

HDV Recorder and Player

HDV

DV

MPEG-2 TS

(2~50 Mbps)

Blu-ray and DVD

Recorder

Non-Linear

Editing System

SDI HDMI IEEE1394

F-1 Video Field

Recorder

HD Video Recorder and Player

Monitor

Display

Win/Mac

Block Diagram

HD/SD-SDI

IN

*1

HD/SD-SDI

OUT/THRU

VIDEO,

TIMECODE,

CONTROL,

AUDIO (16CH)

VIDEO,

TIMECODE,

CONTROL,

AUDIO *2 THRU

OUT

HDMI

OUT

VIDEO,

AUDIO (2CH)

VIDEO, TIMECODE, CONTROL

AUDIO (8CH)

AUDIO (2CH)

CH 1/2

CH 3/4

CH 5/6

CH 7/8

CH 1/2

CH 3/4

CH 5/6

CH 7/8

VIDEO, TIMECODE, CONTROL

IEEE1394

ENCODE/

DECODE

VIDEO,

TIMECODE,

CONTROL,

AUDIO (2CH)

*1 Auto Switch: THRU: HD/SD-SDI is inputted, OUT: IEEE1394 is inputted.

*2 OUT: 2 CH, THRU: 16.

The VC-50HD can pass the original time code and audio stream signals between HD/SD-SDI and IEEE1394.

Unit: mm

SPECIFICATIONS VC-50HD

Video Input Format

Video Output Format

Audio Input

Audio Output

<IEEE1394 (i-LINK)> HDV: 1080/59.94i, 1080/50i,

720/59.94p, 720/50p, DV: 480/59.94i, 576/50i,

MPEG-2 TS: 1080/59.94i, 1080/50i, 720/59.94p, 720/50p,

480/59.94i, 576/50i

<HD/SD-SDI (SMPTE 259M-C, SMPTE 292M)> HD-SDI:

1080/59.94i, 1080/50i (SMPTE 274M), 720/59.94p, 720/50p

(SMPTE 296M), SD-SDI: 487/59.94i, 576/50i (ITU-R BT.656-3, 4)

<IEEE1394 (i-LINK)> HDV: 1080/59.94i, 1080/50i,

720/59.94p, 720/50p, DV: 480/59.94i, 576/50i,

MPEG-2 TS 50/35/8*1 Mbps (HD): 1080/59.94i, 1080/50i,

720/59.94p, 720/50p, MPEG-2 TS 12/9/2*1 Mbps (SD):

480/59.94i, 576/50i

<HD/SD-SDI (SMPTE 259M-C, SMPTE 292M)> HD-SDI:

1080/59.94i, 1080/50i (SMPTE 274M), 720/59.94p, 720/50p

(SMPTE 296M), SD-SDI: 487/59.94i, 576/50i (ITU-R BT.656-4)

<HDMI> 1080/59.94i, 1080/50i, 720/59.94p, 720/50p,

480/59.94i, 576/50i

<IEEE1394> HDV: MPEG-1 Audio Layer2 16-bit 48 kHz 2ch

384 kbps, DV: Linear PCM 16-bit 48 kHz 2ch, MPEG-2 TS:

MPEG-1 Audio Layer2 16-bit 48 kHz 2ch 384 kbps

<HD/SD-SDI Embedded Audio> HD-SDI: Linear PCM 24-bit

48 kHz 2ch (SMPTE 299M), SD-SDI: Linear PCM 24-bit 48 kHz 2ch (SMPTE 272M-AC)

<IEEE1394> HDV: MPEG-1 Audio Layer2 16-bit 48 kHz 2ch

384 kbps, DV: Linear PCM 16-bit 48 kHz 2ch, MPEG-2 TS:

MPEG-1 Audio Layer2 16-bit 48 kHz 2ch 384 kbps

<HD/SD-SDI Embedded Audio> HD-SDI: Linear PCM 24-bit

48 kHz 2ch (SMPTE 299M), SD-SDI: Linear PCM 24-bit 48 kHz 2ch (SMPTE 272M-C)

<HDMI> Linear PCM 24-bit 48 kHz 2ch

Timecode In/Out

<IEEE1394> HDV: Conforms to HDV Standard, DV: Conforms to IEC 61834-2, MPEG-2 TS: Conforms to IEC 13818-2

<HD/SD-SDI> HD-SDI: Conforms to SMPTE RP188 (VITC,

LTC), SD-SDI: Conforms to SMPTE 266M, SMPTE RP188

(VITC, LTC)

Connectors

Power Supply

Max Operation time

Current Draw

Dimensions

Weight

Accessories

<IEEE1394 Connector (i.LINK)> 6-pin Type x 1 Conforms to

IEEE1394-1995

<HD/SD-SDI Input Connector> BNC Type x 1 Conforms to

SMPTE 259M-C, SMPTE 292M

<HD/SD-SDI Output/Thru Output Connector> BNC Type x

1 Conforms to SMPTE 259M-C, SMPTE 292M

<HDMI Output Connector> Type A (19-pin) x 1

<USB Connector> B Type x 1 Conforms to USB1.1 Full Speed

<DC IN Connector> XLR 4-pin Type x 1 DC 9-20 V

AC Adaptor (PSB-1U) or External Battery (DC 9 to 20 V) or

HR15/51 x 8 or LR6 (AA) x 8 about 2 hour (Nickel Metal Hydride Battery), about 30 min

(Alkaline Dry Battery), about 10 hour (External, IDX Endura10

Li-Ion Battery)

* battery life will be changed according to the system situation.

2000 mA

114 (W) x 194 (D) x 42 (H) mm

1-1/2 (W) x 7-11/16 (D) x 1-11/16 (H) inches

620 g, 1 lb 6 oz (excluding batteries)

Owner's Manual, AC Adaptor (PSB-1U), Conversion cable

(AC Adaptor to XLR 4-pin type connector), AC Power Cord,

Battery Case (for AA type battery x 8), Battery Plate Holder, mount screw for Battery Plate Holder x 8, Ferrate Core x 8

* Up/Down conversion, I/P conversion, NTSC/PAL conversion, Frame conversion are not supported.

* Parameter setup can be controlled by dip switch, dedicated utility software, or via the

F-1 Video Recorder directly (Version 2.0).

50

VIDEO CONVERTERS

VC-300HD

Multi-format

Video Converter

VC-200HD

Multi-format

Video Converter

Bi-directional Multi-format Video Converter with embedded Audio support

Supports progressive conversion formats including 24p Frame Rates

VC-300HD

1U


Audio Input (XLR, RCA)

HD/SD-SDI (In/Out)

DVI-I Input Component Input

VC-200HD

RS-422

Audio Output

(XLR, RCA)


DVI-I Output

REF

(In/Out)

Component Output

HDV/DV

(IEEE1394 6-pin)

Audio Input (XLR, RCA) DVI-I Input Component Input

51

RS-422

Audio Output

(XLR, RCA)

Bi-directional video conversion between Digital and Analog, HD and SD, Compressed and Uncompressed

High quality A/D and D/A with internal 4:4:4 10-bit signal processing

Enables frame size scaling, change in frame rate and I<->P

Gen Lock with external devices

VC-300HD/VC-200HD Dimensions

430

481

Unit: mm

DVI-I Output

REF

(In/Out)

Component Output

HDV/DV

(IEEE1394 6-pin)

Time code and Embedded audio are available between HD/SD-

SDI and HDV/DV conversion (VC-300HD only)

Built-in high quality audio delay to achieve perfect lip sync

Compatible with HDV/DV Cameras and VTR from SONY, Canon and JVC

Support for 24p, 23.976p, 25p, 30p, 60p frame rates

Format Conversion Table ( : available)

HDV

(1080i/720p)

DV

OUTPUT FORMAT

COMPONENT/

DVI-A**

DVI-D/

HDMI*

HD-SDI SD-SDI

HDV (1080i/720p)

DV

COMPONENT

DVI-A/RGB*

DVI-D/HDMI*

HD-SDI

SD-SDI

For VC-300HD/VC-200HD For VC-300HD only

* RGB and HDMI connection is needed to use conversion cable. HDMI audio and HDCP protection of HDMI are not supported.

** DVI-A output is Y/Pb/Pr signal.

VC-300HD VC-200HD

Multiple Video and Audio Processing Functions

Video Input Select

HD-SDI/SDI

HDV/DV

Analog Component

DVI-I

Audio Input Select

Balanced XLR pair

Unbalanced RCA pair

Video adjust

H and V positioning

Phase/Frequency

SDI setup

Audio adjust

Gain Adjust

Sync setup

Source select, offset

Frame sync

Up/Down convert

Audio Delay

(time/frame)

Video Process Video Output setup

Output Select

Color Adjust (RGB)

Noise Reduction

Enhance

3 band EQ

Aspect Ratio

H/V position

Test pattern

SDI setup

Audio Output setup

Output Level

Test Tone

HD-SDI/SDI

D/A

HDV/DV

Analog

Component

DVI-D

DVI-I

Balanced XLR

Unbalanced RCA

* HDV/DV output is not available when input is HDV/DV.

Supports 24p Frame Rates

Supports 24p, 23.976p, 25p, 30p, 60p etc.

Enables conversion of footage shot with a variety of cameras.

Enables use of affordable production system and media.

VC-300HD Block Diagram

VC-300HD

HD Recorder (HDV etc.)

HD Player

HD-SDI

1080/24p

24p Source

Computer (NLE)

720/24p

1080/24p

HDV

Use HDV shooting devices with current production systems.

VC-300HD

HDV Camera

720/24p

1080/24p

HDV

HD Recorder

HD-SDI

1080/24p

24p Recorder

Additional Features

4 Point Gamma Correction

The newly added 4 points

Gamma Correct function e n a b l e s a d j u s t m e n t o f bright/dark part independently. Enhances images to have a more film-like color.

Output

Image of 4 Point

Gamma Correction on VC

User Presets

Input

Parameters like input signal, conversion or processing can be saved to an internal memory. Up to 3 presets can be saved and enables convenient recall.

Remote Control

Remotely control parameter setup of the VC from external devices, like a PC, via RS-422A Remote Terminal. This can be also used for parameter data backup.

SPECIFICATIONS VC-300HD/VC-200HD

Video Input Format

Video Output Format

<IEEE1394 (i-LINK)> HDV: 1080/60i, 1080/50i, 1080/30P,

1080/25P, 1080/24P, 720/60P, 720/50P, 720/30P,

720/25P, 720/24P, 576/50P, 480/60P, DV: 576/50i, 480/60i,

480/24p

<Analog Component> Y/Pb/Pr: 1080/60i, 1080/59.94i,

1080/50i, 1080/24PsF, 1080/23.98PsF, 720/60p, 720/59.94p,

720/50p, 576/50p, 576/50i, 480/59.94p, 480/59.94i

<DVI-I> Digital (RGB): 1600 x 1200/60 Hz, 1400 x 1050/60/75

Hz, 1360 x 768/60 Hz, 1280 x 1024/60/75 Hz, 1280 x 768/60

Hz, 1280 x 960/60 Hz, 1152 x 864/75 Hz, 1024 x 768/60/75

Hz, 800 x 600/60/75 Hz, 640 x 480/60/75 Hz, Analog (RGB):

1024 x 768/60 Hz, 800 x 600/60/75 Hz, 640 x 480/60/75 Hz

<HD-SDI/SD-SDI> * 1080/60i, 1080/59.94i, 1080/50i,

1080/30PsF, 1080/30p, 1080/29.97PsF, 1080/29.97p,

1080/25PsF, 1080/25p, 1080/24PsF, 1080/24p,

1080/23.98PsF, 1080/23.98p, 720/60p, 720/59.94p,

720/50p, 720/30p, 720/29.97p, 720/25p, 720/24p,

720/23.98p, 576/50i, 480/59.94i, 1080/24p (Over 60i),

1080/23.98p (Over 59.94i), 720/30p (Over 60p), 720/29.97p

(Over 59.94p), 720/25p (Over 50p), 720/24p (Over 60p),

720/23.98p (Over 59.94p), 480/23p (Over 59.94i)

<Video Sampling Rate> SD: 4:4:4 (Y/Cb/Cr), 10-bits, 13.5

MHz, HD: 4:4:4 (Y/Pb/Pr), 10-bits, 74.1758 MHz/74.25 MHz,

RGB: 4:4:4 (R/G/B), 10-bits, 25 MHz to 90 MHz

<IEEE1394 (i-LINK)> HDV: 1080/60i, 1080/50i, 1080/30,

1080/25, 1080/24P, 1080/24F, 1080/24A, 720/60P, 720/50P,

720/30P, 720/25P, 720/24P, 576/50P, 480/60P, DV: 480/60i

(NTSC), 576/50i (PAL)

<Analog Component> Y/Pb/Pr

<DVI-I> Digital RGB/Analog RGB: 1080/60p, 1080/60i,

1080/59.94p, 1080/59.94i, 1080/50p, 1080/50i, 1080/30PsF,

1080/29.97PsF, 1080/25PsF, 1080/24PsF, 1080/23.98PsF,

720/60p, 720/59.94p, 720/50p, 576/50p, 576/50i,

480/59.94p, 480/59.94i, 1080/24p (Over 60i), 1080/23.98p

(Over 59.94i), 720/30p (Over 60p), 720/29.97p (Over 59.94p),

720/25p (Over 50p), 720/24p (Over 60p), 720/23.98p (Over

59.94p)

<HD-SDI/SD-SDI> * 1080/60i, 1080/59.94i, 1080/50i,

1080/30PsF, 1080/29.97PsF, 1080/25PsF, 1080/24PsF,

1080/23.98PsF, 720/60p, 720/59.94p, 720/50p, 480/59.94i,

576/50i, 1080/24p (Over 60i), 1080/23.98p (Over 59.94i),

720/30p (Over 60p), 720/29.97p (Over 59.94p), 720/25p

(Over 50p), 720/24p (Over 60p), 720/23.98p (Over 59.94p)

Audio Input

Audio Output

<IEEE1394> HDV: MPEG1 Layer II 16-bit 48 kHz 384 kbps, DV:

Linear PCM 16-bit 48 kHz, Nonlinear PCM 12-bit 32 kHz (2ch)

<Analog> Balanced XLR Type (ch1, ch2): +4 dBu, -2 dBu,

-4 dBu, -10 dBu Selectable, Unbalanced RCA pin type (ch3, ch4): +0 dBu, -6 dBu, -8 dBu, -14 dBu Selectable, Audio

Sampling Rate: 24-bit, 48 kHz/32 kHz

<HD-SDI/SDI Embedded Audio (Only VC-300HD)> Linear

PCM 24-bit 48 kHz

<IEEE1394> HDV: MPEG1 Layer II 16-bit, 48 kHz, 384 kbps,

DV: Linear PCM 16-bit, 48 kHz, Nonlinear PCM 12-bit, 32 kHz (2ch)

<Analog> Balanced XLR Type (ch1, ch2): +4 dBu, -2 dBu,

-4 dBu, -10 dBu Selectable, Unbalanced RCA pin type (ch3, ch4): +0 dBu, -6 dBu, -8 dBu, -14 dBu Selectable, Audio

Sampling Rate: 24-bit, 48 kHz/32 kHz

<HD-SDI/SDI Embedded Audio> Linear PCM 24-bit, 48 kHz

Video Processing

Scaling: Scaling between the specified input and output,

Frame Sync: Built in frame synchronizer and genlock to external device, Frame Rate Conversion: from 59.94 to 50

Hz etc., I/P Conversion: De-interlace function built-in

Audio Processing

Delay: Adjustment with Millisecond or Frame

Sample Rate Conversion: from 32 to 48 kHz etc.

Display

Power Supply

Character Type LCD: 20 characters, 2 lines (backlit LCD)

AC 117 V, AC 230 V, AC 220 V, AC 240 V (50/60 Hz)


Dimensions

Weight

482 (430 without rack mount bracket) (W) x 309 (D) x 44 (H) mm

19 (16-15/16 without rack mount bracket) (W) x 12-3/16 (D) x

1-3/4 (H) inches

4.5 kg, 9 lbs 15 oz

52

VIDEO CONVERTERS

VC-30HD

Video Converter

Convert both analog/digital video format to IEEE1394 and

USB audio/video streaming

Preliminary

Available in Summer 2011

VIDEO EDITORS

DV-7DL G

Digital Video

Workstation

An intuitive editing process is at the heart of the Direct Linear concept

Editor Screen

53

Multi-format video format converter

Supports USB Video/Audio for live streaming

IEEE1394 Video I/O for capturing video and copying video

Component, Composite, S-Video, HDMI for video input

Analog audio and AES/EBU input for Audio input

Supports SMPTE Time Code

Audio delay function

Easy and intuitive operation

Block Diagram

Accessories

ASCII keyboard,

Optical mouse (PS/2),

Mouse pad, AC cord,

DV cable (1.5 m)

* Monitor display required. Use a monitor with support for XGA

(1024 x 768 pixel) display and

D-sub 15-pin connector.

Dedicated hardware secures the most stable processing

With constant backup of your project, your work is safe even in case of accidental power failure

Most operations can be made from a single user-friendly edit menu screen

Real-time process of dissolves, wipes, titling, keyers and audio effects like EQ/reverb without stopping the timeline playback

Support for the import or export of video, still pictures, audio, or graphics data from the PC

SPECIFICATIONS DV-7DL G

Supported TV

System

Video Processing

Video Input/Output

NTSC or PAL

DV/DVCAM Video: ITU601 (Y/Cr/Cb 4:2:2, 8-bit)

Audio: PCM 48 kHz, 16-bit

DV Jack (i.LINK), 4-pin type (IEEE1394), S-Video Input 4-pin mini DIN type (Y: 1.0 Vp-p, C: 0.286 Vp-p, 75-ohm),

Composite Input RCA pin type (1.0 Vp-p, 75-ohm), S-Video

Output 4-pin mini DIN type (Y: 1.0 Vp-p, C: 0.286 Vp-p,

75-ohm), Composite Output RCA pin type (1.0 Vp-p, 75-ohm)

Audio Input/Output

Display Output

Storage Devices

Interfaces

Power Supply

Power Consumption

Dimensions

Weight

Input: RCA pin type (L, R) x 1, Audio input 1/4 inch phone type (Mono), Output: RCA pin type (L, R) x 1, Headphones jack stereo 1/4 inch phone type

HD DB-15 type (Analog RGB, resolution 1024 x 768 fixed),

D-sub 15-pin

Internal Hard Disk Drive: 80 GB (for system program and data storage), Expansion Slot: Removable Hard Disk 1 slot

(for optional DV-HD series), CD-ROM Drive (Read Only)

Serial Port: PS/2 6-pin mini DIN type x 2 (for mouse and keyboard), Remote terminal (USB1.1) x 4

AC 117 V, 220 V, 230 V, 240 V (50/60 Hz)

90 W

360 (W) x 420 (D) x 130 (H) mm

14-3/16 (W) x 16-9/16 (D) x 5-1/8 (H) inches

8.5 kg, 18 lbs. 12 oz.

* DV-7DLG is installed with software licensed by the following companies: Be Incorporated/Agfa Monotype Corporation.

INDEX

A

AR-200R

AR-3000R

ARC-15

ARE-3000

AR-NT1R

C

CG-8

D

DV-7DLG

F

F-1

L

LVS-400

LVS-800

M

M-300

M-380

M-400

M-480

M-48

MVS-12

P

P-10

Audio Recorder

Audio Recorder

AR-LINK Cable

AR Card Editor

31

31

Network Option for AR-3000R 31

Page

Visual Synthesizer

Page

31

31

Digital Video Workstation

46

Page

53

Page




47

Page

39

37

Page

17

15

Live Mixing Console

Mixing Console

Live Mixing Console

Live Mixing Console

Live Personal Mixer


Visual Sampler

15

13

26

40

Page

45

PR-1000HD

PR-50

PR-80

R

R-1000

R-44

R-4Pro

RH-PM5

S

S-0808

S-0816

S-1608

S-240P

S-4000D

S-4000H

Multi-Format Video Presenter




4-Channel Portable Recorder

4-Channel Portable Recorder and

Wave Editor

In-ear Monitors

8 x 8 I/O Unit

FOH Unit

Stage Unit

External Power Supply Unit

REAC Splitter and Power Distributor 28

8 x 32 FOH Unit

43

44

44

Page

29

49

48

28

Page

24

23

23

20

19

S-4000M

S-4000R

REAC Merge Unit

Remote Controller

S-4000S-0832 8 x 32 Modular Stage Unit

25

19

19

S-4000S-3208 32 x 8 Modular Stage Unit 19

S-4000S-MR Digital Snake Modular Rack Chassis 20

S-4000-SP

SC-A41S

REAC Splitter

D-SUB/XLR Cable Set

25

22

SC-W100S

SC-W20F

REAC Cable

REAC Cable

28

28

SI-AD4

SI-AES4

S-MADI

SO-AES4

SO-DA4

SONAR

S-OPT

V

V-1600HD

V-4

V-8

V-440HD

V-44SW

VC-200HD

VC-300HD

VC-30HD

VC-50HD

VR-5

VS-700C

VS-700R

W

W100S-R

4-channel Analog Input Module

4-channel Digital Input Module

REAC MADI Bridge

4-channel Digital Output Module 20

4-channel Analog Output Module 20

REAC Recording System


30

25

20

20

27




Multi-format Video Mixer

Multi-format Video Switcher

Multi-format Video Converter

Multi-format Video Converter

Video Converter


AV Mixer & Recorder

V-STUDIO CONSOLE

V-STUDIO I/O

REAC Cable

35

35

51

51

Page

33

39

38

53

50

41

30

30

Page

28

www.rolandsystemsgroup.net

Product Information

Software/Firmware

Updates

Owner and Reference

Manuals

Installation Cases

Promotional Videos

Link to your regional RSG location for local contact information and upcoming events.

54

Roland Systems Group, a member of the worldwide group of Roland companies, is dedicated to the support of audio and video professionals demanding excellence in both performance and system design. Through the development and support of video and audio products, we endeavor to improve workflow and maximize creative possibilities.

V-LINK is a technology designed for realtime audio and video integration. Using V-LINK, musicians can “play” video from their electronic instrument. Roland provides an integrated Audio and Visual solution.

Ensuring high quality while protecting the environment: Roland is ISO9001 and ISO14001 certified

At Roland, several group companies have obtained ISO9001 certification. In addition, in January 1999, Roland also received ISO14001 international environmental management system certification. We’re actively seeking ways to maintain harmony with the environment. (ISO=International Standardization Organization: an organization for the promotion of standardization of international units and terms. They provide different categories of certification: ISO9001 Series certification is a product quality certification for products that undergo a certain level of quality control from the design stage to the after service stage; ISO14001 Series certification is for environment-related standards. Each member of the Roland Group is striving to obtain certification.)

www.rolandsystemsgroup.com

Copyright 2011 Roland Corporation. All right reserved.

All specification and appearances are subject to change without notice.

All trade marks and logos are the property of their respective owners.

Printed in Japan Apr. 2011 RAM-20016 M-PD

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