Yamaha Sound Editor ver. 2.10 Specifications

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SAFETY
Unless otherwise stated TSL equipment may be installed at any angle or position within an
operating temperature range of 5 - 30C.
All TSL equipment conforms to the EC Low Voltage Directive:
EC Low Voltage Directive (73/23/EEC)(OJ L76 26.3.73)(LVD).
Amendment: (93/68/EEC) (OJ L220 30.8.93).
In all cases the frame of the equipment must be earthed on installation.
Where appropriate, the earth pin on the IEC mains inlet connector is connected to the
metal frame of the equipment, to 0 volts on the internal DC PSU and to signal ground unless
otherwise stated. All metal panels are bonded together.
Check that the voltage selector setting (if fitted) and the fuse rating is correct for the local
mains supply.
Due consideration for cooling requirements must be given when mounting the equipment.
It is recommended that a 1RU of rack space, or a vent panel, should be left above and below the
unit.
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Combined User Handbook Version One Issue 1
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WARRANTY, MAINTENANCE AND REPAIR

All TSL products have a one year warranty period starting from the date it
leaves the factory.

A repair warranty is to apply. That is, the product is to be returned for
repair with no replacement and an exchange shipping policy is also to apply.

TSL offers a seven day DOA policy together with an exchange shipping
policy. That is, if a product has been declared ‘dead on arrival’ within a seven day period a
warranty replacement will be shipped.

A temporary replacement may be available where, for operational
reasons, it is imperative that service is continued. The customer will be asked to enter into
a ‘loan agreement’ for the duration of repair.

All faulty equipment returned to TSL for repair will, where possible, be
returned to the customer within seven working days.
TSL Returns Procedure
Please telephone +44 (0)1628 676221 (Fax: +44 (0)1682 676299) and ask for Customer
Support, detailing the model and serial number of the equipment, who will provide a Returns
Number. This will enable us to track the unit effectively and will provide some information prior to
the unit arriving.
For each item, this unique Returns Number must be included with the Fault Report sent
with the unit.
A contact name and telephone number are also required with the Fault Report sent with
the unit.
Fault report details required.









Company:
Name:
Address:
Contact Name:
Telephone number:
Fax number:
Email address:
Returns Number:
Symptoms of the fault (to include switch setting positions, input signals etc):
Packing
Please ensure that the unit is well packed as all mechanical damage is chargeable. TSL
recommends that you insure your equipment for transit damage.
The original packaging, when available, should always be used when returning equipment.
If returned equipment is received in a damaged condition, the damage should be
reported both to TSL and the carrier immediately.
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Combined User Handbook Version One Issue 1
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1.0
Introduction
2.0
Control and Operation
2.1
Front and Rear Overview – SAM1 3GM
2.2
Front and Rear Overview – SAM1 MADI
2.3
Block Diagram – Signal and Control, SAM1 3GM
2.4
Block Diagram – Signal and Control, SAM1 MADI
2.5
Quick Start – Front Panel Controls
2.6
Source Selection
2.7
2.6.1
Input selection using the Hot Source List
2.6.2
Configuring the Hot Source List
2.6.3
Deleting from the Hot Source List
2.6.4
Configuring the Hot Source List using Mixer Pair Select
2.6.5
Input selection using the Mixer Pair Select Menu
Configuring and Naming Input Channels
2.7.1
2.8
Menu / Setup/ Source Label Editor
User Presets and Snapshot Management
2.8.1
Saving and naming User Presets
2.8.2
Loading User Presets
2.9 Setup Menu 1 - SAM1 3GM and SAM1 MADI
2.9.1
Meter Menu – Selecting Scale Type
2.9.2
dBFs Menu
2.9.3
Meter Peak Menu
2.9.4
Meter Zero and Block Menu
2.9.5
Meter Hold Menu
2.10 Setup Menu 1 - SAM1 MADI only
2.10.1
SAM1 MADI Unique Setup Menu
2.10.2
MADI Source Select
2.10.3
MADI Reference Select
2.10.4
MADI Wordclock Termination
2.10.5
MADI Bypass
2.11 MADI Status Menu - SAM1 MADI only
2.12 MADI Test Signal Generator - SAM1 MADI only
2.13 Source Menu
2.13.1
Label Rotate Timer
2.13.2
Main Sources Enable
2.14 Setup Menu 2
2.14.1
User Save Menu
2.14.2
GPI Menu
2.14.3
Internal / External Loudspeaker Mute
2.15 Software Menu
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Combined User Handbook Version One Issue 1
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3.0
Pin-out Details
3.1
Analogue XLR Connectors
3.2
Analogue Output connector – D25 Socket Pinout
3.3
AES Input/Output connector – D25 Socket Pinout
3.4
GPI connector
3.5
Remote Control connector
3.6
DIP switch configuration functions
4.0
Notes
5.0
General Notes
6.0
Specifications
7.0
HDC-2T Audio Monitor Module Specification
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Combined User Handbook Version One Issue 1
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1.0
Introduction
SAM1 3GM and SAM1 MADI are deceptively simple yet highly sophisticated compact multichannel
audio monitor units designed for use anywhere within a Broadcast environment that employs SDI,
MADI, AES or analogue audio infrastructure. The flexible monitoring configuration system delivers
a unique combination of bespoke audio monitoring and mix capabilities designed to simplify
operations and workflow.
The SAM1 is a 1RU x 250mm Audio Monitoring Unit controlled via a simple hard/software user
interface with dual fully assignable high resolution, LCD bargraph displays.
As with any new product which relies on software, it is possible that you may find minor bugs or
perhaps think of enhancements which would improve the operation of SAM1. In the event of either
scenario, please feel free to contact TSL Products via your local reseller or directly on +44 1628676221, asking for the SAM series Product Manager.
TSL will be releasing upgrades and feature enhancements from time to time – as a purchaser of
SAM1 3GM and/or SAM1 MADI you can receive these directly, free of charge, through your
reseller or as a download from TSL Products. Please refer to www.tslproducts.com for
announcements.
The following features are standard:
 Single or Dual (SD Only) Auto-sensing, 1080p (60, 59, 94 and 50Hz), HD/SDI video input
 De-embedded audio monitoring from video (HD/SDI) with intuitive selection from up to sixteen
channels (SDI 1 only)
 Coaxial and Optical MADI monitoring of up to 64 channels at a sample rates of 48kHz (SAM1
MADI only)
 Coaxial and Optical MADI clocked outputs as well as passive Coaxial relay bypass (SAM1 MADI
only)
 Single Mode Fibre MADI connection as standard, Multi Mode available on request (SAM1 MADI
only)
 64 Channel MADI Test Signal Generator (SAM1 MADI only)
 Wordclock reference (SAM1 MADI only)
 4 AES (4 Pairs/8 Channel) Inputs – 110Ohm Balanced or 75 Ohm unbalanced via optional CABD25-BNC cable
 2 Analogue Stereo Inputs
 10 stereo/ 20 dual mono assignable input channel monitor/mixer
 One-touch downmix of discrete multichannel audio to stereo for compatibility monitoring
 Re-clocked HD/SDI video output.
 Choice of user selectable bargraph scales (BBC PPM, EBU PPM, EBU Digital, Nordic, VU and
DIN)
 18 User programmable presets.
 Manage, recall and save favourite configurations via USB stick or SD card
 User configurable ‘Hot Source List’ input select
 Virtual ‘Scribble Strip’ channel alias naming
 Unique input audio ‘Preview’ function
 Fixed and variable analogue stereo outputs
 Fixed and variable AES stereo outputs
 Variable stereo analogue outputs (Monitor Buss)
 High quality internal full range loudspeaker system
 GPI control of cut/dim and preset recall
 Dual 12V DC inputs
 Serial remote control
 Network ready
 Headphone output with LS muting
 Compact, lightweight (3.1Kg) 1RU case, 250mm deep
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2.0
Control and Operation
2.1
Front and Rear Overview – SAM1 3GM
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2.2
Front and Rear Overview – SAM1 MADI
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2.3
Block Diagram – Signal and Control – SAM1 3GM
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2.4 Block Diagram – Signal and Control – SAM1 MADI
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2.5 Quick Start – Front Panel
Controls
The following three diagrams describe
the basic functionality of the SAM1
3GM and SAM1 MADI hardware and
screen controls, they also describe
the onscreen icons and ‘at a glance’
features which make both SAM1
models
amongst
the
simplest
compact multichannel audio monitor
to use on the market
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2.6
Source Selection
Key to the ease of operation of SAM1 is the simplicity by which audio may be monitored and/or
mixed. SAM1 is equipped with a 10 pair / 20 channel mixer/monitor system that can be configured
with an entirely bespoke user setup and can be used in many diverse applications.
Setting up the monitor for use is simple and intuitive yet incredibly powerful. The SAM1 boasts
several means to route audio to the bargraph pairs with a quick and simple configuration tool called
Hot Source List designed for hands-on fast track use and Main Sources Menu intended for more
complex setup processes.
2.6.1
Input selection using the Hot Source List
The Hot Source selector menu is a user configurable list of the most commonly used inputs
associated with a specific application – perhaps a TV Show or Production. The entire total of 54
SDI, MADI, AES or analogue signal pairs may be contained within the Hot Source List however it
is the ability to restrict the list to just those relevant to the operator that makes this function unique.
Use the Scroll / Select encoder to choose the bargraph pair you wish to configure; Access to the
Hot Source List is made by a single short press of the ‘Source’ button to the left of the left hand
display.
The default Hot Source List displayed on the right hand screen is configured as shown with a
subtle variation between SAM1 3GM and SAM1 MADI. Now use the encoder to highlight the
required source and it will be routed automatically to the chosen bargraph channel pair.
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2.6.2
Configuring the Hot Source List
The Hot Source List can be configured from the Hot Source List itself or from the Main Sources
Menu (described later). If the user wishes to change or add an input to a Hot Source button this
can be done by simply highlighting the button using the Scroll / Select encoder and then pushing
and holding the encoder until the following menu Select New Hot Source appears as can be seen
below.
Select the desired source type and pair and then select the Send to Hot List button to add the
choice to the Hot Source List
2.6.3
Deleting from the Hot Source List
Sources can easily be deleted from the Hot Source List if they are no longer required for a
particular configuration. If the ‘Del Src from List’ button is highlighted within the Hot Source List
menu then any inputs selected via the encoder will be deleted from the list.
The Del Source button has two operational states. When highlighted as shown below the selection
of a single unwanted input will delete it from the Hot Source List and the Del Source button will
then become inactive
By pushing and holding the encoder selection on the Del Source button the mode changes to
allow multiple deletions of inputs from the Hot Source List. The example below shows that all of
the default input buttons for SDI2 have been deleted from the Hot Source List using and the list
has automatically concatenated by moving the active sources to the left of the deleted buttons.
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2.6.4
Configuring the Hot Source List Using Mixer Pair Select
The Hot Source List can also be configured using the Mixer Pair Select menu. Press and hold
the Source button to the left of the left hand display and the Mixer Pair Select menu appears as
shown below.
Individual or multiple sources can be selected by highlighting any or all of the input types the user
wishes to add to the Hot Source List as shown in the example below where SDI1 pairs 5 to 8 have
been added.
The selection will automatically appear on the Hot Source List
2.6.5
Input selection using the Mixer Pair Select Menu
The Mixer Pair Select menu can be used to route single or multiple selections to the bargraph
pairs as an alternative to using the Hot Source Menu. It can also be used to audibly preview any
available source without adding it to the input bargraph screen and to add selections to the Hot
Source List as described elsewhere.
Press and hold the Source button to the left of the left hand display and the Mixer Pair Select
menu appears as shown below.
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In the example below, a group of 8 MADI input pairs has been selected using the Mixer Pair
Select menu and the Take All button pressed to route them to eight adjacent bargraphs as
depicted on the left hand screen. The TAKE button auto configures to ‘Take All’ whenever more
than one source is selected.
When the Preview button is switched to Preview On any channel selected will automatically be
routed to the SAM1 loudspeakers system and so that it can be heard before being routed to the
Input Bargraph Display or Hot Source List. This unique feature enables operators to double
check they are choosing the correct audio signal before selecting it.
In the example below, the operator is previewing the audio embedded on SDI1 Pair1 and the left
hand display depicts the incoming audio level against the bargraph scale.
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2.7
Configuring and Naming Input Channels – User Alias Labels
Any audio input channel can be given a user alias label which will be shown in the ‘virtual scribble
strip’ area above the input bargraph pair. A 10 character label is permitted enabling the user to
create a label which provides clear and easy recognition of any or all bargraph pairs however the
system will automatically truncate any entries that include multiple block capitals that will not fit
within the text field provided.
The Source Label Editor can be accessed by pushing and holding the encoder over any of the
input channel selectors represented within the Hot Source List or Mixer Pair Select menu. It can
also be accessed via the setup menu using hard and soft button selection as follows;
2.7.1
Menu/Setup/Source Label Editor
The Source Label Editor is shown below
To assign a Source Label simply use ‘Clear’ to wipe the text boxes of the default label, select the
box you wish to label and rotate the encoder to scroll through the available alphabet, numbers and
punctuation marks – remember to press ‘Save’ to assign the new label or use ‘Default’ to retrieve
the system label
The example below shows a configured label and a bargraph display that has been programmed to
show a typical SAM1 3GM setup
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2.8
User Presets and Snapshot Management
SAM1 3GM and SAM1 MADI both use internal and external User Preset memories to enhance usability;
there are a total of 18 User Presets stored in local memory which can then be backed up to an external
device via the USB slot.
A User Preset is defined as a Snapshot of a state of operation and includes the following parameters;
Channel Source Selection
Channel Output ‘Send’ Levels
Channel Pan/Balance
Channel Format Selection
Input User Names
Bargraph Configuration (including Scale, Ref, Zero etc.)
GPI Mode
Internal LS Mute Status
External LS Mute Status
User Preset Name
SAM1 holds a total of 18 Internal Memories that can be backed up to a USB memory stick (front
panel port) or SD Card (rear panel slot). Access to the USER PRESET menus is via the front
panel Menu button followed by the Save / Load functions
The Setup menu is shown below with the Save button highlighted
2.8.1
Saving and Naming User Presets
Pressing Save enters the User Save Management screen which enables the user to back up the
current system snapshot to any of 18 preset locations, chosen by clicking and turning the encoder
to select the appropriate number preset and then entering a name of their choice.
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2.8.2
Loading User Presets
Pressing Load enters the User Presets directory where the user can select to recall any other 18
user presets to be the active snapshot. In the example below the User Preset ‘Soccer Saturday’ is
recalled from location ‘01’.
The entire collection of 18 user preset can be backed up to or recalled from an external storage
device such as a USB stick (thumb drive) or SD card providing that card has been prepared with a
top level folder named ‘SAM1-3GM’ or ‘SAM1-MDI’.
When a storage device is inserted into the SAM1, it will be recognised and the USB Load and
USB Save buttons will appear on Setup menu as shown previously. Select either button to store or
recall the system snapshot cache. SAM1 asks the operator to confirm if a USB Save command is
required to overwrite an existing stored memory cache.
2.9
Setup Menu 1 – SAM1 3GM and SAM1 MADI
Setup Menu includes options for different Scales, Reference Levels, Peak Hold, Input Naming
and access to the Setup 2 Menu. By clicking to select the appropriate button, individual sub
menus are selected and options chosen via rotation of the encoder.
2.9.1
Meter Menu – Selecting Scale Type
Pressing the Meter button and turning the encoder accesses the bargraph scale options. SAM1 is
able to accurately replicate EBU Digital, EBU PPM, BBC PPM, DIN PPM, Nordic PPM and VU
scales and ballistics. Please note that the selection of a scale type within the Meter screen will only
be remembered by SAM1 as a preset once the selection has been saved to internal memory using
the User Preset commands described previously. This restriction enables the user to save preset
conditions which work using different bargraph scales.
2.9.2
dBFs Menu
The dBFs parameter selection can be used to alter the 0dBu reference level from between -12 and
-24 dBFs.
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2.9.3
Meter Peak Menu
The Peak parameter selects the offset level between the Reference dBFS setting and the onset of
Peak indication (the point where the bargraph changes colour to red) from between +1dB and
+18dB.
2.9.4
Meter Zero and Block Menu
The Meter Peak selects between two modes of peak indication displayed on the channel
bargraphs. The Bar Mode illuminates the bargraph as red once the audio level exceeds the peak
value. In Block Mode the bargraph illuminates in yellow when the audio level exceeds the
reference value and then red when it exceeds peak
2.9.5
Meter Hold Menu
SAM1 features a simple Peak Hold indicator which may be turned on and off using the Meter
Hold Menu.
2.10 Setup Menu 1 – SAM1 MADI Only
2.10.1
SAM1 MADI unique setup menu
SAM1 MADI features a number of unique menus relating specifically to MADI operation that are do
not appear within the setup menus of the SAM1 3GM. When the Menu button on SAM1 MADI is
pressed the following screen appears on the right hand LCD display.
2.10.2
MADI Source Select
The MADI Src button is used to select which MADI source is active and effectively toggles
between the Coaxial (BNC) or Optical input port. The active input signal will be ‘reclocked’ out of
both Coaxial and Optical output connections regardless of the chosen input format.
2.10.3
MADI Reference Select
The MADI Ref button is used to select whether the MADI input is referenced to the internal clock or
‘Coax Reference’ provided by the Wordclock connection. SAM1 MADI is resilient to clocking issues
however it is strongly advised that all digital input connections to SAM1 3GM and SAM1 MADI are
referenced to the same timing system.
2.10.4
MADI Wordclock Termination
The MADI WC button is used to turn the 75 ohm termination of the Wordclock reference connector
on and off
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2.10.5
MADI Bypass
SAM1 MADI features a relay which is wired across the Coax Input and the Coax Loop output
connectors. In default, this relay is switched out of circuit and the Coax Input fed to the MADI
receiver circuitry whist the reclocked output is fed to both Coax outputs simultaneously. If SAM1
MADI is wired in series with other devices using the loop connection then the MADI Bypass relay
can be activated via the setup menu to divert MADI away from the SAM1. The relay will also switch
to bypass mode in the event that SAM1 power should fail thus maintaining MADI connectivity to
any serially connected downstream MADI devices.
2.11 MADI Status – SAM1 MADI Only
The MADI Status button is used to access a secondary menu that provides visual feedback of
connected MADI and reference signals.

Coax Present – Shows presence and channel counts of a connected coax source

Optical Present – Shows presence and channel counts of a connected optical source

Ext Word Clock Ref – Displays the presence of a connected Wordclock reference source

Coax Madi Bypass – Highlights if the coax bypass relay is active

Selected WC Locked – Describes whether the selected reference is locked or not
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2.12 MADI Test Signal Generator – SAM1 MADI Only
The SAM1 MADI features a 64 channel test signal generator that outputs test tones onto the coax
and optical MADI output connections when activated. This useful feature can be used to help setup
MADI systems or to check downstream MADI equipment.
As described on the Test Signal Generator page, the test tones increment in 100Hz intervals from
800Hz at channel 1 up to 7.1kHz at channel 64.
MADI
Ch.
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
Freq.
(Hz)
800
900
1000
1100
1200
1300
1400
1500
1600
1700
1800
1900
2000
2100
2200
2300
MADI
Ch.
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
SAM1-3GM and SAM1 MADI
Freq.
(Hz)
2400
2500
2600
2700
2800
2900
3000
3100
3200
3300
3400
3500
3600
3700
3800
3900
MADI
Ch.
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
Freq.
(Hz)
4000
4100
4200
4300
4400
4500
4600
4700
4800
4900
5000
5100
5200
5300
5400
5500
MADI
Ch.
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
64
Freq.
(Hz)
5600
5700
5800
5900
6000
6100
6200
6300
6400
6500
6600
6700
6800
6900
7000
7100
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2.13 Source Menu
The Source button is a shortcut means for operators to access the collected SAM1 3GM and
SAM1 MADI input routing and associated function menus. Selecting Source opens the Sources
Sub Menu
The Main Sources, Hot Source and Source Label Editor menus are described elsewhere in this
document, the remaining two are unique to the Sources Sub Menu
2.13.1
Label Rotate Timer
The Label Rotate Timer button sets the time coefficient at which rate the source names shown
within the Hot Source and Main Source menus toggle between their default and aliases. The
range can be set between 0.25 secs and 5 secs in quarter second steps
2.13.2
Main Sources Enable
The Main Sources Enable button is a selection which can be made to restrict access to the Main
Source Menu from the front panel Source button so that operators can only change the input
selection via the Hot Source option set up by a Tech Supervisor or Manager.
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2.14
Setup Menu 2
Accessed via Setup, Setup Menu 2 includes additional functions used to tailor SAM1 3GM to meet
customer’s specific operational needs.
Setup 2 Menu includes options to protect User Presets, GPI Action, External and Internal
Loudspeaker Mute, and to access the Software Management Menu.
Setup Menu 2 looks like this
2.14.1
User Save Menu
The User Save Menu enables an Engineer or Technician to Lock or Unlock the User Preset
management system onboard SAM1. In Locked mode a user is able to recall the Home Preset
but unable to save or recall memories from internal or external (USB or SD Card) locations.
2.14.2
GPI Menu
The GPI Menu enables an Engineer or Technician to select whether GPI inputs respond to
Latching or Momentary closures from external devices. The GPI connector can be used to Cut/Dim
the internal and external Loudspeakers, and to recall User presets 1 to 5. The pin-out is described
in Section 3.
In Momentary Mode, Dim and Cut GPI's latch in a toggle manner, i.e. one closure to ground
toggles the function ON; the next ground toggles it OFF. In an ON state; the GPI pin is driven low
to allow an LED to be fed from the port. This LED drive is briefly pulsed high at about 100Hz to
allow the port to be read whilst it is driving.
The preset recall GPI’s in ‘Latching’ mode are mutually exclusive.
2.14.3
Internal / External Loudspeaker Mute
The SAM1 is designed to be used with either Internal or External Loudspeaker Systems. Users
may wish to define User Preset conditions which associate the operation of the unit with internal
speakers for in one state and external speakers in another. To facilitate this kind of hybrid
operation the SAM1 is equipped with individual Loudspeaker Mute buttons which can be
configured with different functionality dependant upon their desired use and then saved to
individual presets.
In the event that SAM1 is installed for use with external speakers only with the intention to mute the
internal speakers, a DIP switch on the rear panel can be used to override the Internal LS Mute
button in Setup 2 Menu.
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2.15 Software Menu
TSL is committed to providing customers with free life of product software updates as the features
of SAM1 evolve and any bugs are addressed. New code is made available via our reseller
distribution channels and as a download from the TSL website.
www.tslproducts.com
System Software may be updated by the owner via either the front panel USB Port (using a USB
memory stick) or the rear panel SD Slot. Accessing the path Setup/ Setup2/ SWare the SAM1
3GM/MADI will enter a menu page which reports the current software versions of the onboard
Front Panel driver board (FP6), FPGA and PIC devices on the upper three information fields. If a
memory device is inserted containing a software revision the three update fields will be displayed
as illustrated below;
In order to commence the upload sequence, simply press the UPDATE button and the FP6, FPGA,
MADI card and PIC code will be loaded in order. Progress in indicated via the 0-100% scale.
Once complete, SAM1 will display a message confirming that the process has been successfully
concluded.
Although an updated SAM1 will function without performing a factory reset the user may wish to do
so in order to remove any residual data such as stored memories or settings. To perform a factory
reset it is necessary to remove power from the unit and then re-apply power whilst pressing the
Menu button until a message appears to confirm that Factory Default has been reloaded. Press
Menu once more and you will be able to operate SAM1 with the new firmware active.
The action of restoring Factory Default status will remove any stored memories from the
SAM1. Please backup and restore memories from an external device if required.
Please note that the UPGRADE sequence may take several minutes and may appear to
‘stall’ – it is important not to interrupt the process or to remove power from the device
during a software upload as this may render the AMU unusable.
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3.0
Connectivity and pin-out details
SAM1-3GM/MADI uses industry standard connectivity wherever possible. The D25 connectivity
used for analogue and AES I/O adopts a pinning convention commonly used for Yamaha
Commercial Audio equipment and breakout cables are readily available at low cost from
companies such as www.cpc.farnell.com www.hosatech.com and many others.
For unbalanced AES I/O connectivity an optional BNC breakout cable, CAB-D25-BNC, is available
from TSL or your local reseller. When used in conjunction with SAM1, DIP switch 2 (AES
Impedance) must be switched to the 75 ohm position.
3.1
Analogue XLR Connectors – Stereo Variable Output (Monitor Buss)
PIN
1
2
3
1
2
3
CONN
ANALOG 1
ANALOG 1
ANALOG 1
ANALOG 2
ANALOG 2
ANALOG 2
FUNCTION
GND
1 IN+
1 INGND
2 IN+
2 IN-
3.2
Analogue Output Connector – D25 Socket Pinout on unit, Plug (shown) on mating
cable.
D 25 SOCKET
ON AMU
AUDIO OUT
PIN NO
1
14
2
15
3
16
4
17
5
18
6
19
7
20
8
21
9
22
10
23
11
24
12
25
13
FUNCTION
A8+ (Var. Mon R)
A8- (Var. Mon R)
Ground
A7+ (Var. Mon L)
A7- (Var. Mon L)
Ground
A6+ (Fixed Mon R)
A6- (Fixed Mon R)
Ground
A5+ (Fixed Mon L)
A5- (Fixed Mon L)
Ground
A4+ Unused
A4- Unused
Ground
A3+ Unused
A3- Unused
Ground
A2+ (Fixed Mix 1R)
A2- (Fixed Mix 1R)
Ground
A1+ (Fixed Mix 1L)
A1- (Fixed Mix 1L)
Ground
N/C
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3.3
AES Input/Output Connectors 1-4– D25 Socket Pinout, Plug (shown) on mating
cable.
D 25 SOCKET
ON AMU
AES INPUTS/OUTPUTS
PIN NO
1
14
2
15
3
16
4
17
5
FUNCTION
Ch1&2 In 1+
Ch1&2 In 1Ch3&4 In 2+
Ch3&4 In 2Ch5&6 In 3+
Ch5&6 In 3Ch7&8 In 4+
Ch7&8 In 4Ch1&2 Fixed Mix 1 Out
1+
Ch1&2 Fixed Mix 1 Out
1Ch3&4 Unused 2+
Ch3&4 Unused 2Ch5&6 Fixed Mon Out 3+
Ch5&6 Fixed Mon Out 3Ch7&8 Var. Mon.
Out 4+
Ch7&8 Var. Mon.
Out 4N/C
Ground
Ground
Ground
N/C
Ground
Ground
Ground
Ground
18
6
19
7
20
8
21
9
22
10
23
11
24
12
25
13
AES connectors may be wired using unbalanced terminations for SPDIF and 75R coaxial
systems.
Optional AES breakout cable CAB-D25-BNC-2 is available from TSL Sales (+44 1628 676200)
and provides BNC Socket to D25 connectivity.
Please note that when using SAM1 with unbalanced AES audio connections that the 75/110
ohm DIP Switch must be selected prior to use.
When using the D25 for unbalanced AES, AES XLR connectors 1 and 2 may not be used for
balanced AES connectivity.
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3.4
GPI Connector – D9 Socket.
Not defined: Contact TSL Products Support for details
3.5
Remote Control Connector/ RS 422 - D9 Socket
This is wired for RS422 slave operation.
D9
1
6
2
7
3
8
4
9
5
3.6
CONTROL
0V
0V
TXTX+
RX+
RX0V
0V
N/C
DIP switch configuration functions – To be confirmed
SWITCH
1
2
3
4
5
6
7
8
FUNCTION
tbc
AES Impedance (75R Up/110R Dn)
Internal LS Mute (Mute Up/On Dn)
tbc
tbc
Analogue (XLR) Output (Fixed/Variable)
tbc
tbc
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4.0
Notes
There are no user adjustable assemblies/components within this unit.
This unit requires rear support when rack mounted.
In order to affect status changes of the unit using the rear DIP switch, the unit will require re
powering before the changes take effect.
Output analogue levels are adjustable over the following range:
0dBm = 0.775V into 600
i.e. 1mW power dissipation.
0dBu = 0.775V RMS = PPM 4.
Shipping condition, -18 dB ref 0FS =
0dBu output.
Typical European line up:
-18 dBu
Typical American line:
-20 dBu
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5.0
General Notes
Please note that some American equipment has the function of the XLR pins 2 & 3 reversed.
TSL product is wired to the European standard
The screw locks on the D25 connectors use UNC 4-40 standard threads.
6.0
SAM1 - Technical Specifications
Power Supply
Supply Voltage
Power Consumption
12V DC
tbc.
Physical Dimensions
Height
Width
Depth
Weight
Inputs AES 1 to 4
44mm (1RU)
483mm (19”)
2500mm
>3100g (to be confirmed)
AES I/O, 25 way D type (See elsewhere for details)
Input, HD/SDV 1 &2 (where fitted)
Connector Type
Standard
Impedance
BNC.
4:2:2 component with embedded 48Khz audio.
(SMPTE 259M, 292M and 424M)
75ohm
Line Output.
Connector
Impedance
Output Levels
Fixed Line O/P
XLR 3 pin Male
50
Through level control with 0dB gain.
Available on D25 (If selected on front panel)
Headphone Output.
Connector
Impedance
Output Levels
Stereo Jack socket type A
50
Through level control with 0dB gain.
Video Output
Connector
Impedance
Output
BNC
75 Ohm
Composite video or SDI (selectable)
Re-clocked Output
Connector
Impedance
Output
BNC
75 Ohm
Re-clocked serial output of the SELECTED input HD/SDV
AES Output
Connector
Impedance
AES I/O, 25 way D type (See elsewhere for details)
110/75 Ohm
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HD Standards Supported
1080i/50
1080i/59.94
1080i/60
1080P/50
1080P/59.94
1080P/60
720p/50
720p/59.94
720p/60
1080p/23.98
1080p/24
1080p/25
1080p/29.97
1080p/30
1080i/25
1080i/24.94
1080i/30
1035i/30
1035i/29.94
1080sf/30
1080sf/29.97
1080sf/25
1080sf/24
1080sf/23.98
480i/30.00 (SD - NTSC)
576i/25.00 (SD - PAL)
Performance
Loudspeaker Response
60Hz to 18 kHz +/- 5dB
Electrical Distortion
Better than 0.1%
Hum and noise
Better than -80dB
SPL
>98dB at 0.6 m
Amplifier Output
25 watts total power output
Digital Sample Rate
32 to 48 kHz auto select
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7.0
Installed HDC-2T Audio Monitor Module Specification (including ‘add on’ expansion
board).
Overview
This specification describes the HDC-2T Audio Monitor Module.
This module has been designed to monitor a combination of analogue audio, AES3 digital audio
and AES or Dolby E digital audio embedded in SMPTE 259M or SMPTE 292M video data streams,
together with the video content which is output as composite and/or SDI. HD formats are passed
through a simple down-conversion process to the monitoring output.
Mechanical
PCB:
Component Height:
4 layer, 120mm x 376mm with integral BNC and XLR connectors
<30mm above pcb surface, <2mm below
<65mm above pcb surface with Dolby E fitted
Power
The module assumes the supply of regulated power will be made available via the power input
connector. Poorly regulated or noisy supply rails may affect the quality of the analogue outputs.
The HDC-2T will accept two feeds of +12V to +24V DC power, approximately 60W typical when
using loudspeaker outputs. This allows dual redundant or external battery operation.
Inputs
HD/SDI
Connector Type:
Receiver type:
Impedance:
Standards:
Performance:
BNC
AC coupled, auto equalising with clock regeneration
75, return loss ≥15dB to 1.5GHz
SMPTE 259M-C with embedded 48kHz audio per SMPTE 272M-A
SMPTE 292M with embedded 48kHz audio per SMPTE 299M
≥300m of high quality cable at 270Mbit (eg Belden 1694)
≥100m of high quality cable at 1.5Gbit
AES 3 or AES 3id
Connector type:
Inputs 1 & 2, XLR 3 pin. (can be wired for unbalanced BNC input)
Inputs 1, 2, 3 & 4.
25way D-type 4 stereo pairs, pin-out as per Yamaha
Impedance:
75 unbalanced or 110 balanced. Impedance is switch selected via DIP
Switch 2. To obtain an unbalanced connection one line of the input needs to be grounded at an
electrically convenient point.
Input Sensitivity:
< 200mV p-p per AES3.
Standards:
AES3-1992 at 96 kHz, 48kHz, 44.1kHz or 32kHz
Analogue Inputs
Connector type:
Board header
4 x XLR 3 pin, (Two stereo pairs)
Further 4 stereo pairs (8 channels)
Remote control
Connector type:
Header, 10way to connect to 9pin D-type (RS422)
Outputs
Video
Connector Type:
Output 1
Impedance:
Amplitude:
BNC
Equalised active loop-through
75
800mV p-p ±10%
Output 2
3GM)
Format:
Impedance:
Amplitude:
Composite SD (Downconverted when input is HD not available on SAM1
Output 3 - Optional
Impedance:
SDI version of image on composite output
75
PAL or NTSC according to standard on SDI input
75
1V p-p ±5%
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Amplitude:
800mV p-p ±10%
AES
Four AES (8 channels) may be output from analogue audio, embedded audio.
Connector type:
25way D-type 4 AES pairs (In and Out), pin-out as per Yamaha Standard
Impedance:
75 unbalanced or 110 balanced. Impedance is switch selected with
on-board transformer balancing. To obtain an unbalanced connection one line of the output needs
to be grounded at an electrically convenient point.
Amplitude:
1V into 75 or >2V into 110
Analogue Audio
Eight analogue channels (4 stereo pairs) that may be output from AES, embedded audio or from
decoded Dolby E/D when the option is fitted
Connector Type:
XLR one pair fixed or variable
25 way D type 4 stereo pairs, pin-out as per Yamaha/Tascam
Format: Electronically balanced, centre ground.
D/A Conversion:
24 bit resolution.
THD+N:
>80dB referred to 0dBFS
Loudspeakers
Connector Type:
0.156” board header
Format:
Two active cross-over or 4 broad-band loudspeaker outputs
10 to 40W (4) per channel into depending on input power supply
GPI inputs
Connector type:
Header to 9-way D-type plug
Control
Connector type:
Connector type:
8.0
Header for current AMU-1 operator control board
Header, serial bus for future operator control/display panels
Installed HDI-4 MADI card
Overview
The HDI-4 MADI module has been especially designed for use with the HDC-2 audio monitor
module and provides bi-directional interconnectivity between the two devices.
HDI-4 supports the AES10 Multichannel Audio Digital Interface format defined in 1991 by the Audio
Engineering Society and updated to AES10-2003 twelve years later .
Coaxial Input
75R BNC supporting 56 / 64 channel MADI at 48kHz
Fibre Input
Single Mode SC format connection supporting 56 / 64 channel MADI at 48kHz
Coaxial Output Loop and ‘Reclocked’
75R BNC supporting 56 / 64 channel MADI at 48kHz up to 200 metres (factory tested using cable
clone) depending on cable and connector quality
Fibre Output
Single Mode SC format connection supporting 56 / 64 channel MADI at 48kHz.
Wavelength defined as 1300nm, maximum transmission length guaranteed to 2km.
SAM1-3GM and SAM1 MADI
Combined User Handbook Version One Issue 1