Yamaha UX256 Specifications

êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
è‰ ̇˜‡ÎÓÏ ‡·ÓÚ˚ Ò ËÌÒÚÛÏÂÌÚÓÏ ÔÓ˜ËÚ‡ÈÚ ‡Á‰ÂÎ «åÂ˚ ·ÂÁÓÔ‡ÒÌÓÒÚË» ̇ ÒÚ. 6-7.
ÇÄÜçé!
ì·Â‰ËÚÂÒ¸, ˜ÚÓ Ì‡ÔflÊÂÌË ‚ ÓÁÂÚÍ ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ Ì‡ÔflÊÂÌ˲, Û͇Á‡ÌÌÓÏÛ Ì‡ ËÌÒÚÛÏÂÌÚÂ.
Ç ÌÂÍÓÚÓ˚ı ÒÎÛ˜‡flı ËÌÒÚÛÏÂÌÚ ÏÓÊÂÚ ·˚Ú¸ Ò̇·ÊÂÌ ÔÂÂÍβ˜‡ÚÂÎÂÏ Ì‡ÔflÊÂÌËfl, ÍÓÚÓ˚È
‡ÒÔÓÎÓÊÂÌ fl‰ÓÏ Ò ÒÂÚ‚˚Ï Í‡·ÂÎÂÏ. ì·Â‰ËÚÂÒ¸, ˜ÚÓ ÔÓÎÓÊÂÌË ÔÂÂÍβ˜‡ÚÂÎfl ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ
̇ÔflÊÂÌ˲, ËÒÔÓθÁÛÂÏÓÏÛ ‚ ‚‡¯ÂÏ Â„ËÓÌÂ. èË ÔÓÒÚ‡‚Í ÔÂÂÍβ˜‡ÚÂθ ̇ÔflÊÂÌËfl
ÛÒÚ‡ÌÓ‚ÎÂÌ Ì‡ ̇ÔflÊÂÌË 240 Ç. èÎÓÒÍÓÈ ÓÚ‚ÂÚÍÓÈ ÔÓ‚ÂÌËÚ ÔÂÂÍβ˜‡ÚÂθ Ú‡Í, ˜ÚÓ·˚
Ó·ÓÁ̇˜ÂÌË ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Â„Ó Ì‡ÔflÊÂÌËfl ·˚ÎÓ ‡ÒÔÓÎÓÊÂÌÓ ‚ÓÁΠÛ͇Á‡ÚÂÎfl ̇ Ô‡ÌÂÎË.
Ç·-Ò‡ÈÚ ÔˇÌËÌÓ Clavinova (̇ ‡Ì„ÎËÈÒÍÓÏ flÁ˚ÍÂ)
http://www.yamahaclavinova.com/
ëÓ·‡ÌË ÛÍÓ‚Ó‰ÒÚ‚ ÔÓ ÔÓ‰Û͈ËË ÍÓÏÔ‡ÌËË Yamaha
http://www2.yamaha.co.jp/manual/english/
M.D.G., Pro Audio & Digital Musical Instrument Division, Yamaha Corporation
C 2002 Yamaha Corporation
DIC 338
ǂ‰ÂÌËÂ
SPECIAL MESSAGE SECTION
PRODUCT SAFETY MARKINGS: Yamaha electronic
products may have either labels similar to the graphics
shown below or molded/stamped facsimiles of these
graphics on the enclosure. The explanation of these
graphics appears on this page. Please observe all cautions
indicated on this page and those indicated in the safety
instruction section.
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK.
DO NOT REMOVE COVER (OR BACK).
NO USER-SERVICEABLE PARTS INSIDE.
REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
See bottom of Keyboard enclosure for graphic symbol markings.
The exclamation point within the
equilateral triangle is intended to alert
the user to the presence of important
operating and maintenance (servicing) instructions in the literature
accompanying the product.
The lightning flash with arrowhead
symbol, within the equilateral triangle, is intended to alert the user to the
presence of uninsulated “dangerous
voltage” within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electrical
shock.
Battery Notice: This product MAY contain a small non-
rechargable battery which (if applicable) is soldered in
place. The average life span of this type of battery is
approximately five years. When replacement becomes
necessary, contact a qualified service representative to
perform the replacement.
Warning: Do not attempt to recharge, disassemble, or
incinerate this type of battery. Keep all batteries away
from children. Dispose of used batteries promptly and as
regulated by applicable laws. Note: In some areas, the
servicer is required by law to return the defective parts.
However, you do have the option of having the servicer
dispose of these parts for you.
Disposal Notice: Should this product become damaged
beyond repair, or for some reason its useful life is considered to be at an end, please observe all local, state, and
federal regulations that relate to the disposal of products
that contain lead, batteries, plastics, etc.
NOTICE: Service charges incurred due to lack of knowl-
edge relating to how a function or effect works (when the
unit is operating as designed) are not covered by the manufacturer’s warranty, and are therefore the owners responsibility. Please study this manual carefully and consult
your dealer before requesting service.
NAME PLATE LOCATION: The graphic below indicates the location of the name plate. The model number,
serial number, power requirements, etc., are located on
this plate. You should record the model number, serial
number, and the date of purchase in the spaces provided
below and retain this manual as a permanent record of
your purchase.
IMPORTANT NOTICE: All Yamaha electronic products
are tested and approved by an independent safety testing
laboratory in order that you may be sure that when it is
properly installed and used in its normal and customary
manner, all foreseeable risks have been eliminated. DO
NOT modify this unit or commission others to do so
unless specifically authorized by Yamaha. Product performance and/or safety standards may be diminished.
Claims filed under the expressed warranty may be denied
if the unit is/has been modified. Implied warranties may
also be affected.
SPECIFICATIONS SUBJECT TO CHANGE: The
information contained in this manual is believed to be
correct at the time of printing. However, Yamaha reserves
the right to change or modify any of the specifications
without notice or obligation to update existing units.
ENVIRONMENTAL ISSUES: Yamaha strives to produce products that are both user safe and environmentally
friendly. We sincerely believe that our products and the
production methods used to produce them, meet these
goals. In keeping with both the letter and the spirit of the
law, we want you to be aware of the following:
92-469 1 (bottom)
Model
Serial No.
Purchase Date
Å·„Ó‰‡ËÏ Á‡ ÔÓÍÛÔÍÛ ÔˇÌËÌÓ Yamaha Clavinova! å˚ ÂÍÓÏẨÛÂÏ ‚ÌËχÚÂθÌÓ ÔÓ˜ËÚ‡Ú¸ ˝ÚÓ
ÛÍÓ‚Ó‰ÒÚ‚Ó, ˜ÚÓ·˚ ÔÓÎÌÓÒÚ¸˛ ËÒÔÓθÁÓ‚‡Ú¸ ‚Ò ÔÂ‰ӂ˚Â Ë Û‰Ó·Ì˚ ÙÛÌ͈ËË ÔˇÌËÌÓ Clavinova.
å˚ Ú‡ÍÊ ÒÓ‚ÂÚÛÂÏ ‚‡Ï ı‡ÌËÚ¸ ˝ÚÓ ÛÍÓ‚Ó‰ÒÚ‚Ó ‚ ̇‰ÂÊÌÓÏ Ë ‰ÓÒÚÛÔÌÓÏ ÏÂÒÚ ‰Îfl ‰‡Î¸ÌÂȯ„Ó
ËÒÔÓθÁÓ‚‡ÌËfl.
é· ˝ÚÓÏ ÛÍÓ‚Ó‰ÒÚ‚Â
êÛÍÓ‚Ó‰ÒÚ‚Ó ÒÓÒÚÓËÚ ËÁ ÚÂı ÓÒÌÓ‚Ì˚ı ‡Á‰ÂÎÓ‚: «Ç‚‰ÂÌË», «ëÔ‡‚Ó˜ÌËÍ» Ë «èËÎÓÊÂÌË».
ǂ‰ÂÌË (ÒÚ. 2):
ë ˝ÚËÏ ‡Á‰ÂÎÓÏ ÒΉÛÂÚ ÓÁ̇ÍÓÏËÚ¸Òfl ‚ ÔÂ‚Û˛ Ó˜Â‰¸.
ëÔ‡‚Ó˜ÌËÍ (ÒÚ. 13):
ê‡Á‰ÂÎ ÒÓ‰ÂÊËÚ ÔÓ‰Ó·Ì˚ ҂‰ÂÌËfl Ó Ì‡ÒÚÓÈÍ ÙÛÌ͈ËÈ ËÌÒÚÛÏÂÌÚ‡.
èËÎÓÊÂÌË (ÒÚ. 33):
Ç ˝ÚÓÏ ‡Á‰ÂΠÒÓ‰ÂʇÚÒfl ÒÔ‡‚Ó˜Ì˚ χÚÂˇÎ˚.
* åÓ‰Âθ CLP-110 ‚ ˝ÚÓÏ ÛÍÓ‚Ó‰ÒÚ‚Â ÔÓθÁÓ‚‡ÚÂÎfl Ó·ÓÁ̇˜‡ÂÚÒfl Í‡Í CLP/Clavinova.
* êËÒÛÌÍË fl‚Îfl˛ÚÒfl ÚÓθÍÓ ÔËÏÂ‡ÏË, ̇ ‚‡¯ÂÏ ËÌÒÚÛÏÂÌÚ ‚Ò ÏÓÊÂÚ ‚˚„Îfl‰ÂÚ¸ Ë̇˜Â.
ìÇÖÑéåãÖçàÖ éÅ ÄÇíéêëäàï èêÄÇÄï
Ç ˝ÚÓÏ ÔÓ‰ÛÍÚ ӷ˙‰ËÌÂÌ˚ Ë ËÒÔÓθÁÓ‚‡Ì˚ ÍÓÏÔ¸˛ÚÂÌ˚ ÔÓ„‡ÏÏ˚ Ë ÒÓ‰ÂÊËÏÓÂ,
‡‚ÚÓÒÍË Ô‡‚‡ ̇ ÍÓÚÓ˚ ÔË̇‰ÎÂÊ‡Ú ÍÓÔÓ‡ˆËË Yamaha ËÎË ÔÓÎÛ˜ÂÌ˚ ² ÔÓ ÎˈÂÌÁËË ÓÚ
‰Û„Ëı ÙËÏ. ä ÌËÏ ÓÚÌÓÒflÚÒfl ·ÂÁ Ó„‡Ì˘ÂÌËfl ‚Ò ÍÓÏÔ¸˛ÚÂÌÓ èé, MIDI-Ù‡ÈÎ˚, ‰‡ÌÌ˚Â
WAVE Ë Á‚ÛÍÓÁ‡ÔËÒË. çÂÒ‡Ì͈ËÓÌËÓ‚‡ÌÌÓ ËÒÔÓθÁÓ‚‡ÌË ڇÍËı ÔÓ„‡ÏÏ Ë ‰‡ÌÌ˚ı,
‚˚ıÓ‰fl˘Â Á‡ ‡ÏÍË Î˘ÌÓ„Ó ËÒÔÓθÁÓ‚‡ÌËfl, Á‡Ô¢ÂÌÓ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÏË Á‡ÍÓ̇ÏË.
ç‡Û¯ÂÌË ‡‚ÚÓÒÍËı Ô‡‚ ÔÂÒΉÛÂÚÒfl ÔÓ Á‡ÍÓÌÛ.
çÖ ëéáÑÄÇÄâíÖ, çÖ êÄëèêéëíêÄçüâíÖ à çÖ àëèéãúáìâíÖ çÖáÄäéççõÖ
äéèàà.
íÓ‚‡Ì˚ Á̇ÍË:
• Apple Ë Macintosh fl‚Îfl˛ÚÒfl Á‡„ËÒÚËÓ‚‡ÌÌ˚ÏË ÚÓ‚‡Ì˚ÏË Á͇̇ÏË ÍÓÔÓ‡ˆËË Apple Computer.
• Windows fl‚ÎflÂÚÒfl Á‡„ËÒÚËÓ‚‡ÌÌ˚Ï ÚÓ‚‡Ì˚Ï Á̇ÍÓÏ ÍÓÔÓ‡ˆËË Microsoft.
• ÇÒ ÓÒڇθÌ˚ ÚÓ‚‡Ì˚ Á̇ÍË fl‚Îfl˛ÚÒfl ÒÓ·ÒÚ‚ÂÌÌÓÒÚ¸˛ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ëı ‚·‰ÂθˆÂ‚.
Clavinova-Computer Connection – ˝ÚÓ ‰ÓÔÓÎÌËÚÂθÌÓ ÛÍÓ‚Ó‰ÒÚ‚Ó ‰Îfl ̇˜Ë̇˛˘Ëı, ‚ ÍÓÚÓÓÏ
‡ÒÒ͇Á˚‚‡ÂÚÒfl Ó ÚÓÏ, Í‡Í ËÒÔÓθÁÓ‚‡Ú¸ ˆËÙÓ‚Ó ÔˇÌËÌÓ Clavinova Ò ÔÂÒÓ̇θÌ˚Ï
ÍÓÏÔ¸˛ÚÂÓÏ Ë Ì‡ÒÚÓËÚ¸ ÒËÒÚÂÏÛ Clavinova-ÍÓÏÔ¸˛ÚÂ (Ì ‡ÒÒ˜ËÚ‡ÌÓ Ì‡ ÍÓÌÍÂÚÌÛ˛ ÏÓ‰Âθ).
ÑÓÍÛÏÂÌÚ ‰ÓÒÚÛÔÂÌ ‚ ‚ˉ هÈ· PDF ̇ ‡Ì„ÎËÈÒÍÓÏ flÁ˚Í ÔÓ ‡‰ÂÒÛ ‚ àÌÚÂÌÂÚÂ:
ë‡ÈÚ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova (ÚÓθÍÓ Ì‡ ‡Ì„ÎËÈÒÍÓÏ):
http://www.yamahaclavinova.com/
ÅË·ÎËÓÚÂ͇ ÛÍÓ‚Ó‰ÒÚ‚ ÔÓ ÔÓ‰ÛÍÚ‡Ï Yamaha:
http://www2.yamaha.co.jp/manual/english/
CLP-110
é· ˝ÚÓÏ ÛÍÓ‚Ó‰ÒÚ‚Â
3
é„·‚ÎÂÌËÂ
ǂ‰ÂÌËÂ
SPECIAL MESSAGE SECTION ............................ 2
é· ˝ÚÓÏ ÛÍÓ‚Ó‰ÒÚ‚Â......................................... 3
ëÔËÒÓÍ ÔËÏÂÌÂÌËÈ ........................................... 5
åÖêõ ÅÖáéèÄëçéëíà .................................... 6
ÑÓÔÓÎÌËÚÂθÌ˚ ÔË̇‰ÎÂÊÌÓÒÚË ................ 8
é·ÒÎÛÊË‚‡ÌËÂ..................................................... 8
ÇÓÁÏÓÊÌÓÒÚË....................................................... 9
èÓ‰„ÓÚӂ͇ Í ‡·ÓÚÂ........................................ 10
ä˚¯Í‡ Í·‚ˇÚÛ˚.................................... 10
è˛ÔËÚ ........................................................ 10
ÇÍβ˜ÂÌË ÔËÚ‡ÌËfl .................................... 11
ê„ÛÎËӂ͇ „ÓÏÍÓÒÚË ............................... 11
ç‡Û¯ÌËÍË.................................................... 12
ëÔ‡‚Ó˜ÌËÍ
äÓÏÔÓÌÂÌÚ˚....................................................... 14
èÓÒÎۯ˂‡ÌË ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÔÂÒÂÌ......15
èÓÒÎۯ˂‡ÌË 50 ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ ‰Îfl
ÙÓÚÂÔ¸flÌÓ .................................................... 16
Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÚÂÏ·Ó‚............. 17
Ç˚·Ó ÚÂÏ·Ó‚............................................. 17
àÒÔÓθÁÓ‚‡ÌË Ô‡‚ÓÈ Ô‰‡ÎË ................... 17
ÑÓ·‡‚ÎÂÌËÂ Í Á‚ÛÍÛ ‚‡ˇˆËÈ –
˝ÙÙÂÍÚ ‚Â·Â‡ˆËË.............................. 18
ç‡ÎÓÊÂÌË ÚÂÏ·Ó‚ (ÂÊËÏ Dual) ............. 19
í‡ÌÒÔÓÌËÓ‚‡ÌË ...................................... 20
íÓÌ͇fl ̇ÒÚÓÈ͇ ‚˚ÒÓÚ˚ Á‚Û͇................. 20
àÒÔÓθÁÓ‚‡ÌË ÏÂÚÓÌÓχ ......................... 21
é· ËÌÚÂÙÂÈÒÂ MIDI ......................................... 23
èÓ‰Íβ˜ÂÌË ÍÓÏÔ¸˛Ú‡ ............................. 24
îÛÌ͈ËË MIDI ..................................................... 26
Ç˚·Ó ͇̇· Ó·ÏÂ̇ MIDI-‰‡ÌÌ˚ÏË....... 26
îÛÌ͈Ëfl Local ............................................. 26
îÛÌ͈Ëfl ËÁÏÂÌÂÌËfl ÔÓ„‡ÏÏ˚................ 27
îÛÌ͈Ëfl ËÁÏÂÌÂÌËfl ÛÔ‡‚ÎÂÌËfl ............... 27
ìÒÚ‡ÌÂÌË ÌÂÔÓ·‰ÓÍ .................................... 28
ÑÓÔÓÎÌÂÌËfl Ë ÏÓ‰ÛÎË...................................... 28
ë·Ó͇ ÔÓ‰ÒÚ‡‚ÍË ‰Îfl Í·‚ˇÚÛ˚ .............. 29
è‰ÏÂÚÌ˚È Û͇Á‡ÚÂθ ................................... 31
4
CLP-110
é„·‚ÎÂÌËÂ
èËÎÓÊÂÌËÂ
îÓÏ‡Ú MIDI-‰‡ÌÌ˚ı.........................................34
퇷Îˈ‡ ‡ÎËÁ‡ˆËË MIDI ................................38
íÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË .........................39
ëÔËÒÓÍ ÔËÏÂÌÂÌËÈ
ùÚÓÚ Û͇Á‡ÚÂθ ÏÓÊÂÚ ÔË„Ó‰ËÚ¸Òfl ‰Îfl ÚÓ„Ó, ˜ÚÓ·˚ ·˚ÒÚÓ Ì‡ÈÚË ÒÚ‡Ìˈ˚ Ò ÓÔËÒ‡ÌËÂÏ ÌÂflÒÌÓ„Ó
‚ÓÔÓÒ‡.
èÓÒÎۯ˂‡ÌËÂ
èÓÒÎۯ˂‡ÌË ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı
ÔÂÒÂÌ Ò ‡ÁÌ˚ÏË ÚÂÏ·‡ÏË ...................................... «èÓÒÎۯ˂‡ÌË ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÔÂÒÂÌ» — 15
èÓÒÎۯ˂‡ÌË ÔÂÒÂÌ ËÁ ÒÔËÒ͇
50 ıËÚÓ‚ ‰Îfl ÙÓÚÂÔ¸flÌÓ....................... «èÓÒÎۯ˂‡ÌË 50 ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ ‰Îfl ÙÓÚÂÔ¸flÌÓ» — 16
à„‡ ̇ Í·‚ˇÚÛÂ
àÒÔÓθÁÓ‚‡ÌË Ô‡‚ÓÈ Ô‰‡ÎË .................................................... «àÒÔÓθÁÓ‚‡ÌË Ô‡‚ÓÈ Ô‰‡ÎË» — 17
Ç˚·Ó ÌÛÊÌÓÈ ‚˚ÒÓÚ˚ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ....................................................... «í‡ÌÒÔÓÌËÓ‚‡ÌË» — 20
íÓÌ͇fl ̇ÒÚÓÈ͇ ‚˚ÒÓÚ˚ Á‚Û͇ ÔË Ë„ ‚
ÒÓÔÓ‚ÓʉÂÌËË ‰Û„Ëı ËÌÒÚÛÏÂÌÚÓ‚ ËÎË ÏÛÁ˚ÍË
Ò ÍÓÏÔ‡ÍÚ-‰ËÒ͇ .........................................................................«íÓÌ͇fl ̇ÒÚÓÈ͇ ‚˚ÒÓÚ˚ Á‚Û͇» — 20
àÁÏÂÌÂÌË ÚÂÏ·Ó‚
èÓÒÏÓÚ ÒÔËÒ͇ ÚÂÏ·Ó‚ .....................................................................................«Ç˚·Ó ÚÂÏ·Ó‚» — 17
àÏËÚ‡ˆËfl ÍÓ̈ÂÚÌÓ„Ó Á‡Î‡................. «ÑÓ·‡‚ÎÂÌËÂ Í Á‚ÛÍÛ ‚‡ˇˆËÈ – ˝ÙÙÂÍÚ ‚Â·Â‡ˆËË» — 18
ëÓ˜ÂÚ‡ÌË ‰‚Ûı ÚÂÏ·Ó‚......................................................... «ç‡ÎÓÊÂÌË ÚÂÏ·Ó‚ (ÂÊËÏ Dual)» — 19
à„‡ ̇ Í·‚ˇÚÛÂ
à„‡ ‚ ˜ÂÚÍÓÏ ÛÒÚÓȘ˂ÓÏ ËÚÏ ...................................................... «àÒÔÓθÁÓ‚‡ÌË ÏÂÚÓÌÓχ» — 21
èÓ‰Íβ˜ÂÌË Clavinova Í ‰Û„ËÏ ÛÒÚÓÈÒÚ‚‡Ï
óÚÓ Ú‡ÍÓ MIDI ........................................................................................... «é· ËÌÚÂÙÂÈÒ MIDI» — 23
èÓ‰Íβ˜ÂÌËÂ Í ÍÓÏÔ¸˛ÚÂÛ...............................................................«èÓ‰Íβ˜ÂÌË ÍÓÏÔ¸˛ÚÂ‡» — 24
ë·Ó͇
ë·Ó͇ Ë ‡Á·Ó͇ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova ..........«ë·Ó͇ ÔÓ‰ÒÚ‡‚ÍË ‰Îfl Í·‚ˇÚÛ˚» — 29-30
CLP-110 ëÔËÒÓÍ ÔËÏÂÌÂÌËÈ
5
åÖêõ ÅÖáéèÄëçéëíà
ÇçàåÄíÖãúçé èêéóàíÄâíÖ èÖêÖÑ ùäëèãìÄíÄñàÖâ
* ëÓı‡ÌËÚ ˝ÚÓ ÛÍÓ‚Ó‰ÒÚ‚Ó, ˜ÚÓ·˚ ÏÓÊÌÓ ·˚ÎÓ Ó·‡ÚËÚ¸Òfl Í ÌÂÏÛ ‚ ‰‡Î¸ÌÂȯÂÏ.
èêÖÑìèêÖÜÑÖçàÖ
ÇÓ ËÁ·ÂʇÌË Ò¸ÂÁÌ˚ı Ú‡‚Ï Ë ‰‡Ê ÒÏÂÚË ÓÚ Û‰‡‡ ˝ÎÂÍÚ˘ÂÒÍËÏ ÚÓÍÓÏ, ÍÓÓÚÍÓ„Ó Á‡Ï˚͇ÌËfl,
ÔÓ‚ÂʉÂÌËfl Ó·ÓÛ‰Ó‚‡ÌËfl, ÔÓʇ‡ Ë ‰Û„Ëı ÓÔ‡ÒÌÓÒÚÂÈ, ‚Ò„‰‡ Òӷ≇ÈÚ ÓÒÌÓ‚Ì˚ ÏÂ˚
·ÂÁÓÔ‡ÒÌÓÒÚË, Ô˜ËÒÎÂÌÌ˚ ‰‡ÎÂÂ. ä ˝ÚËÏ Ï‡Ï, ‚ ˜‡ÒÚÌÓÒÚË, ÓÚÌÓÒËÚÒfl ÒÎÂ‰Û˛˘ÂÂ.
ùÎÂÍÚÓÔËÚ‡ÌËÂ/͇·Âθ ÔËÚ‡ÌËfl
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ظ ÓÚ ‚Ó‰˚
àÒÔÓθÁÛÈÚ ÚÓθÍÓ Ì‡ÔflÊÂÌËÂ, ÌÛÊÌÓ ‰Îfl ‚‡¯Â„Ó ËÌÒÚÛÏÂÌÚ‡.
çÛÊÌÓ ̇ÔflÊÂÌË Û͇Á‡ÌÓ Ì‡ ËÌÒÚÛÏÂÌÚÂ.
èÂËӉ˘ÂÒÍË ÔÓ‚ÂflÈÚ ¯ÚÂÔÒÂθÌÛ˛ ‚ËÎÍÛ Ë Û‰‡ÎflÈÚÂ Ò ÌÂÂ
„flÁ¸ Ë Ô˚θ, ÍÓÚÓ˚ ÏÓ„ÛÚ Ì‡ ÌÂÈ Ò͇ÔÎË‚‡Ú¸Òfl.
àÒÔÓθÁÛÈÚ ÚÓθÍÓ Í‡·Âθ ÔËÚ‡ÌËfl Ë ‡Á˙ÂÏ, ‚ıÓ‰fl˘Ë ‚ ÍÓÏÔÎÂÍÚ
ÔÓÒÚ‡‚ÍË.
䇷Âθ ÔËÚ‡ÌËfl Ì ‰ÓÎÊÂÌ Ì‡ıÓ‰ËÚ¸Òfl fl‰ÓÏ Ò ËÒÚÓ˜ÌË͇ÏË ÚÂÔ·
(̇„‚‡ÚÂÎflÏË, ‡‰Ë‡ÚÓ‡ÏË Ë ‰.). ç ‰ÓÔÛÒ͇ÈÚ ڇÍÊÂ
˜ÂÁÏÂÌÓ„Ó Ò„Ë·‡ÌËfl Ë ÔÓ‚ÂʉÂÌËfl ͇·ÂÎfl, Ì ÒÚ‡‚¸Ú ̇ Ì„Ó
ÚflÊÂÎ˚ Ô‰ÏÂÚ˚ Ë ‰ÂÊËÚÂ Â„Ó ‚ Ú‡ÍÓÏ ÏÂÒÚÂ, „‰Â ̇ ÌÂ„Ó ÌÂθÁfl
̇ÒÚÛÔËÚ¸, Á‡‰ÂÚ¸ ÌÓ„ÓÈ ËÎË ˜ÚÓ-ÌË·Û‰¸ ÔÓ ÌÂÏÛ ÔÂÂ͇ÚËÚ¸.
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ظ ÓÚ Ó„Ìfl
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ç ÒÚ‡‚¸Ú ̇ ËÌÒÚÛÏÂÌÚ Á‡ÊÊÂÌÌ˚Â Ò‚Â˜Ë Ë ‰Û„Ë ÔÓ‰Ó·Ì˚Â
Ô‰ÏÂÚ˚. ÉÓfl˘ËÈ Ô‰ÏÂÚ ÏÓÊÂÚ ÛÔ‡ÒÚ¸ Ë ‚˚Á‚‡Ú¸ ÔÓʇ.
èË ‚̯ڇÚÌ˚ı ÒËÚÛ‡ˆËflı
ç ÓÚÍ˚‚‡Ú¸
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ç ‰ÂÊËÚ ËÌÒÚÛÏÂÌÚ Ú‡Ï, „‰Â ÓÌ ÏÓÊÂÚ ÔÓÔ‡ÒÚ¸ ÔÓ‰ ‰Óʉ¸, ‡
Ú‡ÍÊ fl‰ÓÏ Ò ‚Ó‰ÓÈ, ‚ Ò˚˚ı Ë ‚·ÊÌ˚ı ÔÓÏ¢ÂÌËflı; Ì ÒÚ‡‚¸Ú ̇
ÌÂ„Ó ÂÏÍÓÒÚË Ò ÊˉÍÓÒÚ¸˛, ÍÓÚÓ‡fl ÏÓÊÂÚ ‡ÁÎËÚ¸Òfl Ë ÔÓÔ‡ÒÚ¸ ‚
ÓÚ‚ÂÒÚËfl.
çËÍÓ„‰‡ Ì ‚ÒÚ‡‚ÎflÈÚÂ Ë Ì ‚˚ÌËχÈÚ ¯ÚÂÔÒÂθÌÛ˛ ‚ËÎÍÛ
‚·ÊÌ˚ÏË Û͇ÏË.
ç ÒΉÛÂÚ ÓÚÍ˚‚‡Ú¸ ËÌÒÚÛÏÂÌÚ Ë Ô˚Ú‡Ú¸Òfl ‡Á·Ë‡Ú¸ „Ó, ‡
Ú‡ÍÊ ͇ÍËÏ-ÎË·Ó Ó·‡ÁÓÏ ÏÓ‰ËÙˈËÓ‚‡Ú¸ Â„Ó ‚ÌÛÚÂÌÌËÂ
ÍÓÏÔÓÌÂÌÚ˚. Ç ËÌÒÚÛÏÂÌÚÂ ÌÂÚ ÍÓÏÔÓÌÂÌÚÓ‚, ÍÓÚÓ˚Â ‰ÓÎÊÂÌ
Ó·ÒÎÛÊË‚‡Ú¸ ÔÓθÁÓ‚‡ÚÂθ. èË ÔÓfl‚ÎÂÌËË ÌÂËÒÔ‡‚ÌÓÒÚË
ÌÂωÎÂÌÌÓ ÔÂ͇ÚËÚ ˝ÍÒÔÎÛ‡Ú‡ˆË˛ Ë Ó·‡ÚËÚÂÒ¸ Á‡ ÔÓÏÓ˘¸˛ Í
ÒÔˆˇÎËÒÚ‡Ï ˆÂÌÚ‡ ÚÂıÌ˘ÂÒÍÓ„Ó Ó·ÒÎÛÊË‚‡ÌËfl Yamaha.
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Ç ÒÎÛ˜‡Â ËÁÌÓÒ‡ Ë ÔÓ‚ÂʉÂÌËfl ͇·ÂÎfl ÔËÚ‡ÌËfl ËÎË ‡Á˙Âχ, ‡
Ú‡ÍÊ ÔË ‚ÌÂÁ‡ÔÌÓÏ ËÒ˜ÂÁÌÓ‚ÂÌËË Á‚Û͇ ‚Ó ‚ÂÏfl ˝ÍÒÔÎÛ‡Ú‡ˆËË,
ÔË ÔÓfl‚ÎÂÌËË ÌÂÓ·˚˜ÌÓ„Ó Á‡Ô‡ı‡ Ë ‰˚χ ÌÂωÎÂÌÌÓ ÓÚÍβ˜ËÚÂ
˝ÎÂÍÚÓÔËÚ‡ÌËÂ, ‚˚̸Ú ‚ËÎÍÛ ËÁ ÓÁÂÚÍË Ë Ó·‡ÚËÚÂÒ¸ Á‡ ÔÓÏÓ˘¸˛
Í ÒÔˆˇÎËÒÚ‡Ï ˆÂÌÚ‡ ÚÂıÌ˘ÂÒÍÓ„Ó Ó·ÒÎÛÊË‚‡ÌËfl ÍÓÔÓ‡ˆËË
Yamaha.
ÇçàåÄçàÖ!
ÇÓ ËÁ·ÂʇÌË ̇ÌÂÒÂÌËfl Ò¸ÂÁÌ˚ı Ú‡‚Ï ÒÂ·Â Ë ÓÍÛʇ˛˘ËÏ, ‡ Ú‡ÍÊ ÔÓ‚ÂʉÂÌËfl ËÌÒÚÛÏÂÌÚ‡ Ë
‰Û„Ó„Ó ËÏÛ˘ÂÒÚ‚‡ ‚Ò„‰‡ Òӷ≇ÈÚ ÒÎÂ‰Û˛˘Ë ÓÒÌÓ‚Ì˚ ÏÂ˚ ·ÂÁÓÔ‡ÒÌÓÒÚË.
ùÎÂÍÚÓÔËÚ‡ÌËÂ/͇·Âθ ÔËÚ‡ÌËfl
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åÂÒÚÓ ÛÒÚ‡ÌÓ‚ÍË
àÁ‚ÎÂ͇fl ¯ÚÂÔÒÂθÌÛ˛ ‚ËÎÍÛ ËÁ ËÌÒÚÛÏÂÌÚ‡ ËÎË ËÁ ÓÁÂÚÍË,
ÌËÍÓ„‰‡ Ì ÚflÌËÚ Á‡ ¯ÌÛ, ‰ÂÊËÚÂÒ¸ Á‡ Ò‡ÏÛ ‚ËÎÍÛ. Ç ÔÓÚË‚ÌÓÏ
ÒÎÛ˜‡Â ÏÓÊÌÓ Ôӂ‰ËÚ¸ ͇·Âθ.
éÚÍβ˜‡ÈÚ ËÌÒÚÛÏÂÌÚ ÓÚ ˝ÎÂÍÚÓÒÂÚË, ÂÒÎË Ô·ÌËÛÂÚ ÌÂ
ËÒÔÓθÁÓ‚‡Ú¸ Â„Ó ‚ Ú˜ÂÌË ‰ÎËÚÂθÌÓ„Ó ‚ÂÏÂÌË, ‡ Ú‡ÍÊ ‚Ó
‚ÂÏfl „ÓÁ˚.
ç ÔÓ‰Íβ˜‡ÈÚ ËÌÒÚÛÏÂÌÚ Í ˝ÎÂÍÚ˘ÂÒÍÓÈ ÓÁÂÚÍÂ Ò ÔÓÏÓ˘¸˛
ÔÂÂıÓ‰ÌË͇. ùÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÒÌËÊÂÌ˲ ͇˜ÂÒÚ‚‡ Á‚Û͇ ËÎË
ÔÂÂ„Â‚Û ÓÁÂÚÍË.
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ÇÌËχÚÂθÌÓ ÔÓ˜ËÚ‡ÈÚ ‰ÓÍÛÏÂÌÚ‡ˆË˛, ÓÔËÒ˚‚‡˛˘Û˛ ÔÓˆÂÒÒ
Ò·ÓÍË. çÂÔ‡‚Ëθ̇fl ÔÓÒΉӂ‡ÚÂθÌÓÒÚ¸ Ò·ÓÍË ËÌÒÚÛÏÂÌÚ‡
ÏÓÊÂÚ ÔË‚ÂÒÚË Í Â„Ó ÔÓ‚ÂʉÂÌ˲ ËÎË Ì‡ÌÂÒÚË Ú‡‚ÏÛ.
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(1)B-7
6
CLP-110
åÖêõ ÅÖáéèÄëçéëíà
1/2
ÇÓ ËÁ·ÂʇÌË ‰ÂÙÓχˆËË Ô‡ÌÂÎË Ë ÔÓ‚ÂʉÂÌËfl ‚ÌÛÚÂÌÌËı
ÍÓÏÔÓÌÂÌÚÓ‚ Ì ‰ÂÊËÚ ËÌÒÚÛÏÂÌÚ ‚ ÔÓÏ¢ÂÌËflı Ò ËÁ·˚ÚÓ˜ÌÓÈ
‚Ë·‡ˆËÂÈ, ‡ Ú‡ÍÊ ‚ ÏÂÒÚ‡ı, „‰Â ÒÎ˯ÍÓÏ Ô˚θÌÓ, ıÓÎÓ‰ÌÓ ËÎË
ʇÍÓ (̇ÔËÏ ̇ ÒÓÎ̈Â, fl‰ÓÏ Ò Ì‡„‚‡ÚÂÎÂÏ ËÎË ‚ χ¯ËÌÂ
в ‰Ì‚ÌÓ ‚ÂÏfl).
ç ÔÓθÁÛÈÚÂÒ¸ ËÌÒÚÛÏÂÌÚÓÏ ‚ ÌÂÔÓÒ‰ÒÚ‚ÂÌÌÓÈ ·ÎËÁÓÒÚË ÓÚ
ÚÂ΂ËÁÓ‡, ‡‰ËÓÔËÂÏÌË͇, ÒÚÂÂÓÓ·ÓÛ‰Ó‚‡ÌËfl, ÏÓ·ËθÌÓ„Ó
ÚÂÎÂÙÓ̇ Ë ‰Û„Ëı ˝ÎÂÍÚÓÔË·ÓÓ‚. à̇˜Â ‚ ËÌÒÚÛÏÂÌÚÂ,
ÚÂ΂ËÁÓ ËÎË ‡‰ËÓÔËÂÏÌËÍ ÏÓÊÂÚ ‚ÓÁÌË͇ڸ ¯ÛÏ.
ÇÓ ËÁ·ÂʇÌË ÒÎÛ˜‡ÈÌÓ„Ó Ô‡‰ÂÌËfl ËÌÒÚÛÏÂÌÚ‡ Ì ÓÒÚ‡‚ÎflÈÚ „Ó
̇ ÌÂÛÒÚÓȘ˂ÓÈ ÔÓ‚ÂıÌÓÒÚË.
è‰ ÔÂÂÏ¢ÂÌËÂÏ ËÌÒÚÛÏÂÌÚ‡ ÓÚÒÓ‰ËÌËÚ ‚Ò ͇·ÂÎË.
ç ÛÒڇ̇‚ÎË‚‡ÈÚ ËÌÒÚÛÏÂÌÚ ‚ÔÎÓÚÌÛ˛ Í ÒÚÂÌ (ÌÂÓ·ıÓ‰ËÏ ıÓÚfl
·˚ 3-Ò‡ÌÚËÏÂÚÓ‚˚È Á‡ÁÓ), ÔÓÒÍÓθÍÛ ˝ÚÓ ÏÓÊÂÚ ‚˚Á‚‡Ú¸ ÔÎÓıÛ˛
ˆËÍÛÎflˆË˛ ‚ÓÁ‰Ûı‡ Ë, Í‡Í ÒΉÒÚ‚ËÂ, Ô„‚ ËÌÒÚÛÏÂÌÚ‡.
èÓ‰Íβ˜ÂÌËÂ
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åÂ˚ ·ÂÁÓÔ‡ÒÌÓÒÚË ÔË ˝ÍÒÔÎÛ‡Ú‡ˆËË
èÂʉ ˜ÂÏ ÔÓ‰Íβ˜‡Ú¸ ËÌÒÚÛÏÂÌÚ Í ‰Û„ËÏ ˝ÎÂÍÚÓÌÌ˚Ï
ÍÓÏÔÓÌÂÌÚ‡Ï, ÒΉÛÂÚ ÓÚÍβ˜ËÚ¸ Ëı ÓÚ ÒÂÚË. è‰ ‚Íβ˜ÂÌËÂÏ ËÎË
ÓÚÍβ˜ÂÌËÂÏ ˝ÎÂÍÚÓÌÌ˚ı ÍÓÏÔÓÌÂÌÚÓ‚ ÛÒÚ‡ÌÓ‚ËÚ ÏËÌËχθÌ˚È
ÛÓ‚Â̸ „ÓÏÍÓÒÚË. ì·Â‰ËÚÂÒ¸ Ú‡ÍÊ ‚ ÚÓÏ, ˜ÚÓ Ì‡ ‚ÒÂı ÍÓÏÔÓÌÂÌÚ‡ı
ÛÒÚ‡ÌÓ‚ÎÂÌ ÏËÌËχθÌ˚È ÛÓ‚Â̸ „ÓÏÍÓÒÚË, Ë ‚Ó ‚ÂÏfl Ë„˚ ̇
ËÌÒÚÛÏÂÌÚ ÔÓÒÚÂÔÂÌÌÓ Û‚Â΢¸Ú „ÓÏÍÓÒÚ¸ ‰Ó ÌÛÊÌÓÈ.
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é·ÒÎÛÊË‚‡ÌËÂ
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ÑÎfl ˜ËÒÚÍË ËÌÒÚÛÏÂÌÚ‡ ÔÓθÁÛÈÚÂÒ¸ Ïfl„ÍÓÈ ÒÛıÓÈ ËÎË Ò΄͇
‚·ÊÌÓÈ Ú̸͇˛. çËÍÓ„‰‡ Ì ËÒÔÓθÁÛÈÚ ÔflÚÌÓ‚˚‚Ó‰ËÚÂÎË,
‡ÒÚ‚ÓËÚÂÎË, ÊˉÍË ӘËÒÚËÚÂÎË ËÎË ˜ËÒÚfl˘Ë ҇ÎÙÂÚÍË Ò
ÔÓÔËÚÍÓÈ.
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ÅÛ‰¸Ú ÓÒÚÓÓÊÌ˚Ï, ˜ÚÓ·˚ Í˚¯Í‡ Í·‚ˇÚÛ˚ Ì Á‡˘ÂÏË· ‚‡Ï
ԇθˆ˚, Ë Ì ‚ÒÚ‡‚ÎflÈÚ ԇθˆ˚ ËÎË ÛÍÛ ‚ ÓÚ‚ÂÒÚËfl ̇
ËÌÒÚÛÏÂÌÚÂ.
ç Á‡ÒÓ‚˚‚‡ÈÚ ·Ûχ„Û Ë ‰Û„Ë Ô‰ÏÂÚ˚ ‚ ÓÚ‚ÂÒÚËfl ̇ Í˚¯ÍÂ,
Ô‡ÌÂÎË Ë Í·‚ˇÚÛÂ. ÖÒÎË ˝ÚÓ ÔÓËÁÓ¯ÎÓ, ÌÂωÎÂÌÌÓ ‚˚Íβ˜ËÚÂ
ÔËÚ‡ÌËÂ Ë ÓÚÒÓ‰ËÌËÚ ËÌÒÚÛÏÂÌÚ ÓÚ ˝ÎÂÍÚÓÒÂÚË. á‡ÚÂÏ
Ò‚flÊËÚÂÒ¸ ÒÓ ÒÔˆˇÎËÒÚ‡ÏË ˆÂÌÚ‡ ÍÓÔÓ‡ˆËË Yamaha.
ç Í·‰ËÚ ̇ ËÌÒÚÛÏÂÌÚ Ô‰ÏÂÚ˚ ËÁ ‚ËÌË·, Ô·ÒÚχÒÒ˚ ËÎË
ÂÁËÌ˚: ˝ÚÓ ÏÓÊÂÚ Ó·ÂÒˆ‚ÂÚËÚ¸ Ô‡ÌÂθ Ë Í·‚ˇÚÛÛ.
ç ҇‰ËÚÂÒ¸ ̇ ËÌÒÚÛÏÂÌÚ Ë Ì ÒÚ‡‚¸Ú ̇ ÌÂ„Ó ÚflÊÂÎ˚ Ô‰ÏÂÚ˚,
Ì ‰‡‚ËÚ ÒËθÌÓ Ì‡ ÍÌÓÔÍË, ‚˚Íβ˜‡ÚÂÎË Ë ‡Á˙ÂÏ˚.
ç ÔÓθÁÛÈÚÂÒ¸ ‚˚ÒÓÍÓÈ ËÎË ‡Á‰‡Ê‡˛˘ÂÈ „ÓÏÍÓÒÚ¸˛ ‰Ó΄Ó:
˝ÚÓ ÏÓÊÂÚ Ôӂ‰ËÚ¸ ÒÎÛı. Ç ˝ÚÓÏ ÒÎÛ˜‡Â Ó·‡ÚËÚÂÒ¸ Í ‚‡˜Û.
àÒÔÓθÁÓ‚‡ÌË Ò͇ÏÂÈÍË (ÂÒÎË ÂÒÚ¸)
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ÇÓ ËÁ·ÂʇÌË ÒÎÛ˜‡ÈÌÓ„Ó Ô‡‰ÂÌËfl Ò͇ÏÂÈÍË Ì ÓÒÚ‡‚ÎflÈڠ ‚
ÌÂÛÒÚÓȘ˂ÓÏ ÔÓÎÓÊÂÌËË.
ç ͇˜‡ÈÚÂÒ¸ ̇ Ò͇ÏÂÈÍÂ Ë Ì ˄‡ÈÚ ÒÚÓfl ̇ ÌÂÈ. çÂÔ‡‚ËθÌÓÂ
ËÒÔÓθÁÓ‚‡ÌË Ò͇ÏÂÈÍË ÏÓÊÂÚ ÔË‚ÂÒÚË Í Ú‡‚ÏÂ.
ë͇ÏÂÈ͇ Ô‰̇Á̇˜Â̇ ÚÓθÍÓ ‰Îfl Ó‰ÌÓ„Ó ˜ÂÎÓ‚Â͇.
ÖÒÎË ‚ËÌÚ˚ Ò͇ÏÂÈÍË ‡Á·ÓÎÚ‡ÎËÒ¸ ËÁ-Á‡ ‰ÎËÚÂθÌÓ„Ó
ËÒÔÓθÁÓ‚‡ÌËfl, Á‡ÚflÌËÚ Ëı ÓÚ‚ÂÚÍÓÈ.
äÓÔÓ‡ˆËfl Yamaha Ì ÌÂÒÂÚ ÓÚ‚ÂÚÒÚ‚ÂÌÌÓÒÚË Á‡ ÔÓ‚ÂʉÂÌËfl, ‚˚Á‚‡ÌÌ˚ ÌÂÔ‡‚ËθÌÓÈ ˝ÍÒÔÎÛ‡Ú‡ˆËÂÈ ËÎË ÏÓ‰ËÙË͇ˆËÂÈ
ËÌÒÚÛÏÂÌÚ‡, ‡ Ú‡ÍÊ Á‡ ÔÓÚÂflÌÌ˚ ËÎË ËÒÔÓ˜ÂÌÌ˚ ‰‡ÌÌ˚Â.
ÇÒ„‰‡ ‚˚Íβ˜‡ÈÚ ËÌÒÚÛÏÂÌÚ, ÂÒÎË ÓÌ Ì ËÒÔÓθÁÛÂÚÒfl.
(1)B-7
2/2
CLP-110
åÖêõ ÅÖáéèÄëçéëíà
7
ÑÓÔÓÎÌËÚÂθÌ˚ ÔË̇‰ÎÂÊÌÓÒÚË
• ë·ÓÌËÍ Ô‡ÚËÚÛ «50 greats for the Piano»
• êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
Ç ˝ÚÓÏ ÛÍÓ‚Ó‰ÒÚ‚Â ÒÓ‰ÂʇÚÒfl ÔÓÎÌ˚ ËÌÒÚÛ͈ËË ÔÓ ‡·ÓÚÂ Ò ˆËÙÓ‚˚Ï ÔˇÌËÌÓ Clavinova.
• ä‡ÚÍÓ ÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓ ˝ÍÒÔÎÛ‡Ú‡ˆËË
• ë͇ÏÂÈ͇
Ç Á‡‚ËÒËÏÓÒÚË ÓÚ ÏÂÒÚ‡ ÔÓÍÛÔÍË Ò͇ÏÂÈ͇ ÏÓÊÂÚ ‚ıÓ‰ËÚ¸ ËÎË Ì ‚ıÓ‰ËÚ¸ ‚ ÍÓÏÔÎÂÍÚ.
• 臂‡fl Ô‰‡Î¸
é·ÒÎÛÊË‚‡ÌËÂ
ÑÎfl ˜ËÒÚÍË ËÌÒÚÛÏÂÌÚ‡ ÔÓθÁÛÈÚÂÒ¸ Ïfl„ÍÓÈ ÒÛıÓÈ ËÎË Ò΄͇ ‚·ÊÌÓÈ Ú̸͇˛.
ÇçàåÄçàÖ!
ç ËÒÔÓθÁÛÈÚ ‰Îfl Ó˜ËÒÚÍË ·ÂÌÁÓÎ, ‡ÒÚ‚ÓËÚÂθ, ÒÚˇθÌ˚È ÔÓÓ¯ÓÍ ËÎË ıËÏ˘ÂÒÍË Ó·‡·ÓÚ‡ÌÌÛ˛ Ú̸͇. ç ÒÚ‡‚¸ÚÂ
̇ ËÌÒÚÛÏÂÌÚ ‚ËÌËÎÓ‚˚Â, Ô·ÒÚχÒÒÓ‚˚Â Ë ÂÁËÌÓ‚˚ Ô‰ÏÂÚ˚. Ç ÔÓÚË‚ÌÓÏ ÒÎÛ˜‡Â Ô‡ÌÂθ Ë Í·‚ˇÚÛ‡ ÏÓ„ÛÚ
Ó·ÂÒˆ‚ÂÚËÚ¸Òfl ËÎË ËÒÔÓÚËÚ¸Òfl.
ÇçàåÄçàÖ!
è‰ ̇˜‡ÎÓÏ ‡·ÓÚ˚ Ò ËÌÒÚÛÏÂÌÚÓÏ ÔÓ˜ËÚ‡ÈÚ ‡Á‰ÂÎ «åÂ˚ ·ÂÁÓÔ‡ÒÌÓÒÚË» ̇ ÒÚ. 6-7.
ç‡ÒÚÓÈ͇
Ç ÓÚ΢ˠÓÚ ‡ÍÛÒÚ˘ÂÒÍÓ„Ó ÙÓÚÂÔ¸flÌÓ, ˆËÙÓ‚Ó ÔˇÌËÌÓ Clavinova Ì ÌÛʉ‡ÂÚÒfl ‚ ̇ÒÚÓÈÍÂ.
éÌÓ ‚Ò„‰‡ ÓÒÚ‡ÂÚÒfl ÔÓÎÌÓÒÚ¸˛ ̇ÒÚÓÂÌÌ˚Ï.
í‡ÌÒÔÓÚËӂ͇
ñËÙÓ‚Ó ÔˇÌËÌÓ Clavinova ÏÓÊÌÓ ÔÂ‚ÓÁËÚ¸ ‚ÏÂÒÚÂ Ò ‰Û„ËÏË ‚¢‡ÏË. èÂÂÏ¢‡Ú¸ ËÌÒÚÛÏÂÌÚ
ÏÓÊÌÓ Í‡Í ‚ ÒÓ·‡ÌÌÓÏ, Ú‡Í Ë ‚ ‡ÁÓ·‡ÌÌÓÏ ‚ˉÂ.
ä·‚ˇÚÛ‡ ‰ÓÎÊ̇ ÔÂ‚ÓÁËÚ¸Òfl ‚ „ÓËÁÓÌڇθÌÓÏ ÔÓÎÓÊÂÌËË. ç ̇ÍÎÓÌflÈÚ ÂÂ Ë Ì ÒÚ‡‚¸Ú ̇·ÓÍ.
ç ÔÓ‰‚Â„‡ÈÚ ËÌÒÚÛÏÂÌÚ ˜ÂÁÏÂÌÓÈ ‚Ë·‡ˆËË ËÎË ÚflÒÍÂ.
8
CLP-110
ÑÓÔÓÎÌËÚÂθÌ˚ ÔË̇‰ÎÂÊÌÓÒÚË
ÇÓÁÏÓÊÌÓÒÚË
Yamaha Clavinova CLP-110 Ô‰ÒÚ‡‚ÎflÂÚ Û‰Ë‚ËÚÂθÌÓ ‡ÎËÒÚ˘Ì˚È Á‚ÛÍ, ‚ÓÁÏÓÊÌÓÒÚ¸ Ë„˚
‚ ÚÂÏ· ÓflÎfl, ÓË„Ë̇θÌÛ˛ ÚÂıÌÓÎӄ˲ „ÂÌÂ‡ˆËË ÚÓ̇ ÍÓÔÓ‡ˆËË Yamaha AWM Stereo
Sampling ‰Îfl ÒÓÁ‰‡ÌËfl flÍËı ÏÛÁ˚͇θÌ˚ı ÚÂÏ·Ó‚ Ë Í·‚ˇÚÛÛ Graded Hammer, „‰Â ‚ÂÒ Ë
˜Û‚ÒÚ‚ËÚÂθÌÓÒÚ¸ Í·‚Ë¯Ë Á‡‚ËÒflÚ ÓÚ Â ÔÓÎÓÊÂÌËfl.
íÂÏ·˚ Grand Piano 1 Ë 2 ËÒÔÓθÁÛ˛Ú ÌÓ‚˚Â Ò˝ÏÔÎ˚ ÍÓ̈ÂÚÌÓ„Ó ÓflÎfl. ÑÎfl ÚÂÏ·‡ E. Piano 1
ËÒÔÓθÁÛÂÚÒfl Ó‰ËÌ Ò˝ÏÔÎ, Á‡‚ËÒfl˘ËÈ ÓÚ ÒËÎ˚ ̇ʇÚËfl (‰Ë̇Ï˘ÂÒÍÓÂ Ò˝ÏÔÎËÓ‚‡ÌËÂ), ‡ ‰Îfl ÚÂÏ·‡
E. Piano 2 — ‰‚‡. èÓ˝ÚÓÏÛ Á‚ÛÍ CLP-110 Ó˜Â̸ ÔÓıÓÊ Ì‡ Á‚ÛÍ Ì‡ÒÚÓfl˘Â„Ó ÙÓÚÂÔ¸flÌÓ.
[PHONES]
ê‡Á˙ÂÏ ‰Îfl Òڇ̉‡ÚÌ˚ı
̇ۯÌËÍÓ‚ Ò ÏËÍÓÙÓÌÓÏ,
ÍÓÚÓ˚ Ì ÔÓÁ‚ÓÎfl˛Ú ‰Û„ËÏ
ÒÎ˚¯‡Ú¸ ‚‡¯Û Ë„Û (ÒÚ. 12).
[DAMPER PEDAL]
MIDI [IN/OUT/THRU]
èÓ‰Íβ˜Ë‚ Í ˝ÚÓÏÛ ‡Á˙ÂÏÛ ÔË·„‡˛˘Û˛Òfl Ô‰‡Î¸, ‚˚ ÒÏÓÊÂÚ ËÒÔÓθÁÓ‚‡Ú¸ ÂÂ Í‡Í Ô‡‚Û˛ Ô‰‡Î¸ (ÒÚ. 30).
èÓ‰Íβ˜Ë‚ Í ˝ÚÓÏÛ ‡Á˙ÂÏÛ MIDI-ÛÒÚÓÈÒÚ‚Ó,
ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ‡Á΢Ì˚ MIDI-ÙÛÌ͈ËË
(ÒÚ. 25-26). (é MIDI-ÙÛÌ͈Ëflı ÒÏ. ÒÚ. 22.)
MIDI
DAMPER PEDAL
THRU
OUT
IN
PHONES
MASTER
VOLUME
MIN
MAX
POWER
DEMO
METRONOME
VOICE
MASTER
VOLUME
[MASTER VOLUME]
ê„ÛÎflÚÓ „ÓÏÍÓÒÚË (ÒÚ. 11).
MIN
MAX
[DEMO]
DEMO
METRONOME
ÇÓÒÔÓËÁ‚‰ÂÌË ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı Ë 50 ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ (ÒÚ. 15).
[METRONOME]
ìÔ‡‚ÎÂÌË ÙÛÌ͈ËflÏË ÏÂÚÓÌÓχ (ÒÚ. 21).
VOICE
[VOICE]
Ç˚·Ë‡ÈÚ ËÁ 10 ‚ÒÚÓÂÌÌ˚ı ÚÂÏ·Ó‚, ‚Íβ˜‡fl ÚÂÏ·˚ Grand Piano 1 Ë 2 (ÒÚ. 17). åÓÊÌÓ
Ó·˙‰ËÌflÚ¸ ‰‚‡ ÚÂÏ·‡ (ÒÚ. 19), ‚˚·Ë‡Ú¸ ‡Á΢Ì˚ ˝ÙÙÂÍÚ˚ ‚·‡ˆËË (ÒÚ. 18) Ë Ú. ‰.
CLP-110
ÇÓÁÏÓÊÌÓÒÚË
9
èÓ‰„ÓÚӂ͇ Í ‡·ÓÚÂ
ä˚¯Í‡ Í·‚ˇÚÛ˚
óÚÓ·˚ ÓÚÍ˚Ú¸ Í˚¯ÍÛ Í·‚ˇÚÛ˚:
çÂÏÌÓ„Ó ÔËÔÓ‰ÌËÏËÚ Í˚¯ÍÛ Ë
ÔÓ‰‚Ë̸ڠ ‚ÔÂ‰.
óÚÓ·˚ Á‡Í˚Ú¸ Í˚¯ÍÛ Í·‚ˇÚÛ˚:
èÓÚflÌËÚ Í˚¯ÍÛ Ì‡ Ò·fl Ë ÓÒÚÓÓÊÌÓ
ÓÔÛÒÚËڠ ̇ Í·‚ˇÚÛÛ.
ÇçàåÄçàÖ!
äÓ„‰‡ ‚˚ ÓÚÍ˚‚‡ÂÚ ËÎË Á‡Í˚‚‡ÂÚ Í˚¯ÍÛ,
·Û‰¸Ú ‚ÌËχÚÂθÌ˚, ˜ÚÓ·˚ Ì Ôӂ‰ËÚ¸ ԇθˆ˚.
ÇçàåÄçàÖ!
éÚÍ˚‚‡fl Ë Á‡Í˚‚‡fl Í˚¯ÍÛ, ‰ÂÊËڠ ‰‚ÛÏfl Û͇ÏË. ç ÓÚÔÛÒ͇ÈÚ Í˚¯ÍÛ, ÔÓ͇ Ó̇ Ì ÓÚÍÓÂÚÒfl ËÎË ÌÂ
Á‡ÍÓÂÚÒfl ÔÓÎÌÓÒÚ¸˛. ç Á‡˘ÂÏËÚ ҂ÓË ËÎË ˜ÛÊË ԇθˆ˚ (ÓÒÓ·ÂÌÌÓ Ô‡Î¸ˆ˚ ‰ÂÚÂÈ) ÏÂÊ‰Û Í˚¯ÍÓÈ Ë ÍÓÔÛÒÓÏ.
ÇçàåÄçàÖ!
ç Í·‰ËÚ ̇ Í˚¯ÍÛ Í·‚ˇÚÛ˚ ÏÂÚ‡Î΢ÂÒÍË Ô‰ÏÂÚ˚ ËÎË ·Ûχ„Û. èË ÓÚÍ˚ÚËË Í˚¯ÍË ÏÂÎÍË Ô‰ÏÂÚ˚
ÏÓ„ÛÚ ÔÓÔ‡ÒÚ¸ ‚ÌÛÚ¸ ÍÓÔÛÒ‡ ÔˇÌËÌÓ, Ë ËÁ‚Θ¸ Ëı ÓÚÚÛ‰‡ ·Û‰ÂÚ Ô‡ÍÚ˘ÂÒÍË Ì‚ÓÁÏÓÊÌÓ. ùÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í
ÔÓ‡ÊÂÌ˲ ÚÓÍÓÏ, ÍÓÓÚÍÓÏÛ Á‡Ï˚͇Ì˲, ÔÓÊ‡Û Ë ËÌ˚Ï Ò¸ÂÁÌ˚Ï ÔÓ‚ÂʉÂÌËflÏ ËÌÒÚÛÏÂÌÚ‡.
è˛ÔËÚ
óÚÓ·˚ ÔÓ‰ÌflÚ¸ Ô˛ÔËÚ:
1. ç‡ÍÎÓÌËÚ ԲÔËÚ ̇ Ò·fl, ̇ÒÍÓθÍÓ ‚ÓÁÏÓÊÌÓ.
2. éÔÛÒÚËÚ ÏÂÚ‡Î΢ÂÒÍË ÙËÍÒ‡ÚÓ˚ ÒÔ‡‚‡ Ë Ò΂‡
̇ Ó·ÓÓÚÌÓÈ ÒÚÓÓÌ ԲÔËÚ‡.
3. ç‡ÍÎÓÌËÚ ԲÔËÚ ̇Á‡‰ Ú‡Í, ˜ÚÓ·˚ ÓÌ ÓÔË‡ÎÒfl ̇
ÙËÍÒ‡ÚÓ˚.
óÚÓ·˚ ÓÔÛÒÚËÚ¸ Ô˛ÔËÚ:
1. ç‡ÍÎÓÌËÚ ԲÔËÚ ̇ Ò·fl, ̇ÒÍÓθÍÓ ‚ÓÁÏÓÊÌÓ.
2. èÓ‰ÌËÏËÚ ÏÂÚ‡Î΢ÂÒÍË ÙËÍÒ‡ÚÓ˚
(ÓÌË Ì‡ıÓ‰flÚÒfl ̇ Ó·ÓÓÚÌÓÈ ÒÚÓÓÌ ԲÔËÚ‡).
3. éÒÚÓÓÊÌÓ Ì‡ÍÎÓÌflÈÚ ԲÔËÚ ̇Á‡‰, ÔÓ͇ ÓÌ
ÔÓÎÌÓÒÚ¸˛ Ì ‚ÒÚ‡ÌÂÚ Ì‡ ÏÂÒÚÓ.
ÇçàåÄçàÖ!
ç ËÒÔÓθÁÛÈÚ ԲÔËÚ, ÂÒÎË ÓÌ ÔÓ‰ÌflÚ Ì‡ÔÓÎÓ‚ËÌÛ. éÔÛÒ͇fl
Ô˛ÔËÚ, ÔˉÂÊË‚‡ÈÚ „Ó, ÔÓ͇ ÓÌ ÔÓÎÌÓÒÚ¸˛ Ì ÓÔÛÒÚËÚÒfl
̇ ÏÂÒÚÓ.
10
CLP-110
èÓ‰„ÓÚӂ͇ Í ‡·ÓÚÂ
ÇÍβ˜ÂÌË ÔËÚ‡ÌËfl
1. èÓ‰ÒÓ‰ËÌÂÌË ͇·ÂÎfl ÔËÚ‡ÌËfl
ÇÒÚ‡‚¸Ú ͇·Âθ: Ó‰ËÌ ÍÓ̈ ‚ ‡Á˙ÂÏ AC INLET ̇ ˆËÙÓ‚ÓÏ ÔˇÌËÌÓ Clavinova, ‡ ‚ÚÓÓÈ ÍÓ̈
‚ Òڇ̉‡ÚÌÛ˛ ÒÚÂÌÌÛ˛ ÓÁÂÚÍÛ.
Ç ÌÂÍÓÚÓ˚ı ÒÚ‡Ì‡ı ‚ ÍÓÏÔÎÂÍÚ ÔÓÒÚ‡‚ÍË ÏÓÊÂÚ ‚ıÓ‰ËÚ¸ ÔÂÂıÓ‰ÌËÍ ‰Îfl ÔÓ‰Íβ˜ÂÌËfl Í
ÓÁÂÚÍ‡Ï Ò ‰Û„ËÏ ‡ÒÔÓÎÓÊÂÌËÂÏ ÍÓÌÚ‡ÍÚÓ‚.
1
2
(‚ˉ ÒÌËÁÛ)
(Ç ‡ÁÌ˚ı ÒÚ‡Ì‡ı ¯ÚÂÔÒÂθÌ˚ ‚ËÎÍË ÓÚ΢‡˛ÚÒfl ÔÓ ÙÓÏÂ.)
2. ÇÍβ˜ÂÌË ÔËÚ‡ÌËfl
ç‡ÊÏËÚ ÍÌÓÔÍÛ [POWER].
• ᇄÓËÚÒfl Ë̉Ë͇ÚÓ ÔËÚ‡ÌËfl, ‡ÒÔÓÎÓÊÂÌÌ˚È ‚ ΂ÓÏ ÍÓ̈ Í·‚ˇÚÛ˚.
[POWER]
à̉Ë͇ÚÓ ÔËÚ‡ÌËfl
MASTRE
VOLUME
MIN
MAX
DEMO
METRONOME
VOICE
ÖÒÎË ‚˚ „ÓÚÓ‚˚ ‚˚Íβ˜ËÚ¸ ÔËÚ‡ÌËÂ, ÒÌÓ‚‡ ̇ÊÏËÚ ÍÌÓÔÍÛ [POWER].
• à̉Ë͇ÚÓ ÔËÚ‡ÌËfl ÔÓ„‡ÒÌÂÚ.
ä ëÇÖÑÖçàû
à̉Ë͇ÚÓ ÔËÚ‡ÌËfl
ÖÒÎË Á‡Í˚Ú¸ Í˚¯ÍÛ Í·‚ˇÚÛ˚, Ì ‚˚Íβ˜‡fl ËÌÒÚÛÏÂÌÚ, Ë̉Ë͇ÚÓ ÔÓ‰ÓÎʇÂÚ „ÓÂÚ¸, ÔÓ͇Á˚‚‡fl, ˜ÚÓ ‚
ËÌÒÚÛÏÂÌÚ ÔÓÒÚÛÔ‡ÂÚ ÔËÚ‡ÌËÂ.
ê„ÛÎËӂ͇ „ÓÏÍÓÒÚË
燘‡‚ Ë„Û, ÛÒÚ‡ÌÓ‚ËÚ ÓÔÚËχθÌÛ˛ „ÓÏÍÓÒÚ¸ „ÛÎflÚÓÓÏ [MASTER VOLUME].
MASTER
VOLUME
ìÏÂ̸¯ÂÌË „ÓÏÍÓÒÚË
ì‚Â΢ÂÌË „ÓÏÍÓÒÚË
MIN
MAX
ÇçàåÄçàÖ!
ç ËÒÔÓθÁÛÈÚ ÔˇÌËÌÓ Clavinova ̇ ‚˚ÒÓÍÓÏ ÛÓ‚Ì „ÓÏÍÓÒÚË ‰ÎËÚÂθÌÓ ‚ÂÏfl, ˝ÚÓ ÏÓÊÂÚ Ôӂ‰ËÚ¸ ÒÎÛı.
íÖêåàçéãéÉàü
ä ëÇÖÑÖçàû
MASTER VOLUME – ÛÓ‚Â̸ „ÓÏÍÓÒÚË ‚ÒÂÈ Í·‚ˇÚÛ˚
ê„ÛÎflÚÓÓÏ [MASTER VOLUME] ÏÓÊÌÓ Ú‡ÍÊ ̇ÒÚÓËÚ¸ „ÓÏÍÓÒÚ¸ ‚˚ıÓ‰ÌÓ„Ó Í‡Ì‡Î‡ ̇ۯÌËÍÓ‚ (‡Á˙ÂÏ [PHONES]).
CLP-110
èÓ‰„ÓÚӂ͇ Í ‡·ÓÚÂ
11
ç‡Û¯ÌËÍË
èÓ‰ÒÓ‰ËÌËÚ ̇ۯÌËÍË Í Ó‰ÌÓÏÛ ËÁ ‡Á˙ÂÏÓ‚ [PHONES]
(ç‡Û¯ÌËÍË).
ç‡ ËÌÒÚÛÏÂÌÚ ÂÒÚ¸ ‰‚‡ ‡Á˙Âχ [PHONES].
åÓÊÌÓ ÔÓ‰ÒÓ‰ËÌËÚ¸ ‰‚‡ ÍÓÏÔÎÂÍÚ‡ Òڇ̉‡ÚÌ˚ı
ÒÚÂÂÓ̇ۯÌËÍÓ‚. (ÖÒÎË ËÒÔÓθÁÛÂÚÒfl Ó‰ËÌ ÍÓÏÔÎÂÍÚ
̇ۯÌËÍÓ‚, Â„Ó ÏÓÊÌÓ ÔÓ‰ÒÓ‰ËÌËÚ¸ Í Î˛·ÓÏÛ ‡Á˙ÂÏÛ.)
MASTRE
VOLUME
MIN
MAX
DEMO
METRONOME
VOICE
‚ˉ ÒÌËÁÛ
PHONES
ÔÓ‰Íβ˜ÂÌËÂ
Òڇ̉‡ÚÌ˚ı
ÒÚÂÂÓ̇ۯÌËÍÓ‚
àÒÔÓθÁÓ‚‡ÌË Ͳ˜Í‡ ‰Îfl ̇ۯÌËÍÓ‚
ÇçàåÄçàÖ!
ç ‚¯‡ÈÚ ̇ ˝ÚÓÚ Í˛˜ÓÍ Ì˘„Ó, ÍÓÏ ̇ۯÌËÍÓ‚.
Ç ÔÓÚË‚ÌÓÏ ÒÎÛ˜‡Â ÏÓÊÌÓ Ôӂ‰ËÚ¸ ÔˇÌËÌÓ ËÎË Í˛˜ÓÍ.
12
CLP-110
èÓ‰„ÓÚӂ͇ Í ‡·ÓÚÂ
S
NE
O
PH
ä˛˜ÓÍ ‰Îfl ̇ۯÌËÍÓ‚ ‚ıÓ‰ËÚ ‚ ÍÓÏÔÎÂÍÚ ÔˇÌËÌÓ CLP-110,
˜ÚÓ·˚ ÏÓÊÌÓ ·˚ÎÓ ‚¯‡Ú¸ ̇ۯÌËÍË Ì‡ ÍÓÔÛÒ. á‡ÍÂÔËÚÂ
Í˛˜ÓÍ ‰Îfl ̇ۯÌËÍÓ‚ ̇ ÍÓÔÛÒÂ Ò ÔÓÏÓ˘¸˛ ‰‚Ûı ‚ËÌÚÓ‚
(4 × 10ÏÏ) Í‡Í ÔÓ͇Á‡ÌÓ Ì‡ ËÒÛÌÍÂ.
ëÔ‡‚Ó˜ÌËÍ
ê‡Á‰ÂÎ ÒÓ‰ÂÊËÚ ÔÓ‰Ó·Ì˚ ҂‰ÂÌËfl Ó Ì‡ÒÚÓÈÍÂ
‡Á΢Ì˚ı ÙÛÌ͈ËÈ ËÌÒÚÛÏÂÌÚ‡.
äÓÏÔÓÌÂÌÚ˚ ...........................................................14
èÓÒÎۯ˂‡ÌË ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÔÂÒÂÌ ...........15
èÓÒÎۯ˂‡ÌË 50 ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ ‰Îfl
ÙÓÚÂÔ¸flÌÓ .............................................................16
Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÚÂÏ·Ó‚ .......................17
Ç˚·Ó ÚÂÏ·Ó‚ ...................................................... 17
àÒÔÓθÁÓ‚‡ÌË Ô‡‚ÓÈ Ô‰‡ÎË............................. 17
ÑÓ·‡‚ÎÂÌËÂ Í Á‚ÛÍÛ ‚‡ˇˆËÈ – ˝ÙÙÂÍÚ
‚Â·Â‡ˆËË ..................................................... 18
ç‡ÎÓÊÂÌË ÚÂÏ·Ó‚ (ÂÊËÏ Dual)....................... 19
í‡ÌÒÔÓÌËÓ‚‡ÌË ............................................... 20
íÓÌ͇fl ̇ÒÚÓÈ͇ ‚˚ÒÓÚ˚ Á‚Û͇ .......................... 20
àÒÔÓθÁÓ‚‡ÌË ÏÂÚÓÌÓχ................................... 21
é· ËÌÚÂÙÂÈÒ MIDI .............................................23
èÓ‰Íβ˜ÂÌË ÍÓÏÔ¸˛ÚÂ‡ ....................................24
îÛÌ͈ËË MIDI.......................................................26
Ç˚·Ó ͇̇· Ó·ÏÂ̇ MIDI-‰‡ÌÌ˚ÏË ................ 26
îÛÌ͈Ëfl Local ...................................................... 26
îÛÌ͈Ëfl ËÁÏÂÌÂÌËfl ÔÓ„‡ÏÏ˚ ......................... 27
îÛÌ͈Ëfl ËÁÏÂÌÂÌËfl ÛÔ‡‚ÎÂÌËfl......................... 27
ìÒÚ‡ÌÂÌË ÌÂÔÓ·‰ÓÍ...........................................28
ÑÓÔÓÎÌÂÌËfl Ë ÏÓ‰ÛÎË ............................................28
ë·Ó͇ ÔÓ‰ÒÚ‡‚ÍË ‰Îfl Í·‚ˇÚÛ˚........................29
è‰ÏÂÚÌ˚È Û͇Á‡ÚÂθ...........................................31
CLP-110
13
äÓÏÔÓÌÂÌÚ˚
ÇÂıÌflfl Ô‡ÌÂθ (CLP-110)
6
8
7
MIDI
PHONES
DAMPER PEDAL
THRU
OUT
IN
MASTER
VOLUME
MIN
MAX
POWER
DEMO
METRONOME
1
VOICE
A-1 B-1 C0 D0 E0 F0 G0 A0 B0 C1 D1 E1 F1 G1 A1 B1 C2 D2 E2 F2 G2 A2 B2 C3 D3 E3 F3 G3 A3 B3 C4 D4 E4 F4 G4 A4 B4 C5 D5 E5 F5 G5 A5 B5 C6 D6 E6 F6 G6 A6 B6 C7
MASTER
VOLUME
2
MIN
MAX
DEMO
METRONOME
9
3
4
VOICE
5
1
2
3
4
5
14
CLP-110
[POWER]....................................................... 11
[MASTER VOLUME ...................................... 11
[[DEMO] ........................................................ 15
[METRONOME] ............................................ 21
[VOICE] .................................................... 17-19
äÓÏÔÓÌÂÌÚ˚
6
7
8
9
[PHONES]......................................................12
[DAMPER PEDAL]...................................17, 30
MIDI [IN] [OUT] [THRU] .................................23
臂‡fl Ô‰‡Î¸ .......................................17, 30
èÓÒÎۯ˂‡ÌËÂ
‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÔÂÒÂÌ
ÑÂÏÓÌÒÚ‡ˆËÓÌÌ˚ ÔÂÒÌË ÔÓÏÓ„ÛÚ ÎÛ˜¯Â ÛÁ̇ڸ ‚ÓÁÏÓÊÌÓÒÚË ÚÂÏ·Ó‚ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ CLP-110.
ÑÂÈÒÚ‚Ëfl
1. ÇÍβ˜ÂÌË ÔËÚ‡ÌËfl
(ÖÒÎË ÔËÚ‡ÌË ‚˚Íβ˜ÂÌÓ.) ç‡ÊÏËÚ ÍÌÓÔÍÛ [POWER].
燘‡‚ Ë„Û, ÛÒÚ‡ÌÓ‚ËÚ ÓÔÚËχθÌÛ˛ „ÓÏÍÓÒÚ¸ „ÛÎflÚÓÓÏ
[MASTER VOLUME].
èêàåÖóÄçàÖ
ÅÓΠÔӉӷ̇fl ËÌÙÓχˆËfl
Ó ı‡‡ÍÚÂËÒÚË͇ı ͇ʉӄÓ
ÚÂÏ·‡ ÒÓ‰ÂÊËÚÒfl ‚ ÒÔËÒÍÂ
ÚÂÏ·Ó‚ ̇ ÒÚ. 17.
2. ÇÍβ˜ÂÌË ÂÊËχ ‰ÂÏÓÌÒÚ‡ˆËË
óÚÓ·˚ ‚Íβ˜ËÚ¸ ÂÊËÏ ‰ÂÏÓÌÒÚ‡ˆËË, ̇ÊÏËÚ ÍÌÓÔÍÛ [DEMO].
ᇄÓËÚÒfl Ë̉Ë͇ÚÓ ÍÌÓÔÍË [DEMO].
3. ÇÓÒÔÓËÁ‚‰ÂÌË ‰ÂÏÓÌÒÚ‡ˆËË ÚÂÏ·‡
óÚÓ·˚ ‚˚·‡Ú¸ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌÛ˛ ÔÂÒÌ˛ Ë Ì‡˜‡Ú¸  ‚ÓÒÔÓËÁ‚‰ÂÌËÂ,
ÔË Ì‡Ê‡ÚÓÈ ÍÌÓÔÍ [DEMO] ̇ÊÏËÚ ӉÌÛ ËÁ Í·‚˯ C1-A1.
ÇÓÒÔÓËÁ‚‰ÂÌË ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÔÂÒÂÌ Ì‡˜ÌÂÚÒfl Ò ‚˚·‡ÌÌÓÈ
ÏÂÎÓ‰ËË Ë ·Û‰ÂÚ ÔÓ‰ÓÎʇڸÒfl ÔÓ͇ Â„Ó Ì ÓÒÚ‡ÌÓ‚flÚ.
íÖêåàçéãéÉàü
êÂÊËÏ — ÒÓÒÚÓflÌËÂ
ËÌÒÚÛÏÂÌÚ‡, ‚ ÍÓÚÓÓÏ ÏÓÊÌÓ
‚˚ÔÓÎÌËÚ¸ ÓÔ‰ÂÎÂÌÌÛ˛
ÙÛÌÍˆË˛. Ç ‰ÂÏÓÌÒÚ‡ˆËÓÌÌÓÏ
ÂÊËÏ ÏÓÊÌÓ ÒÎÛ¯‡Ú¸
‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ ÔÂÒÌË.
èêàåÖóÄçàÖ
íÂÏÔ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÔÂÒÂÌ
ËÁÏÂÌflÚ¸ ÌÂθÁfl.
DEMO
ä‡ÈÌflfl ΂‡fl Í·‚˯‡ C1
A1
ëÔËÒÓÍ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÔÂÒÂÌ
ÇÒ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ ÔÂÒÌË, ÍÓÏ ÚÂı ÔÂÒÂÌ, ÔÂ˜ËÒÎÂÌÌ˚ı ÌËÊÂ,
ÒÓÁ‰‡Ì˚ ÍÓÏÔ‡ÌËÂÈ Yamaha (© Yamaha Corporation, 2002).
é ÚÓÏ, ͇ÍÓÈ ÚÂÏ· ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ ÚÓÈ ËÎË ËÌÓÈ Í·‚˯Â, ÏÓÊÌÓ ÛÁ̇ڸ
‚ ÒÔËÒÍ ÚÂÏ·Ó‚ ̇ ÒÚ. 17.
èÂ˜ËÒÎÂÌÌ˚ ÌËÊ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ ÔÂÒÌË fl‚Îfl˛ÚÒfl ÓÚ˚‚͇ÏË ËÁ
ÔÓËÁ‚‰ÂÌËÈ ÒÓ Ò΄͇ ËÁÏÂÌÂÌÌÓÈ ‡‡ÌÊÂÓ‚ÍÓÈ.
ä·‚˯‡
ç‡Á‚‡ÌË ÚÂÏ·‡
ç‡Á‚‡ÌËÂ
äÓÏÔÓÁËÚÓ
C1
GrandPiano1
ìÚ¯ÂÌË 3
î. ãËÒÚ
E1
Harpsichord1
ɇ‚ÓÚ
à.ë. Ňı
F1
Harpsichord2
àÌ‚Â̈Ëfl 1
à.ë. Ňı
ç‡ÒÚÓÈ͇ „ÓÏÍÓÒÚË
ÑÎfl ̇ÒÚÓÈÍË „ÓÏÍÓÒÚË ËÒÔÓθÁÛÈÚ „ÛÎflÚÓ [MASTER VOLUME].
4. éÒÚ‡Ìӂ͇ ‰ÂÏÓÌÒÚ‡ˆËË ÚÂÏ·‡
óÚÓ·˚ ÔÂ‚‡Ú¸ ‚ÓÒÔÓËÁ‚‰ÂÌËÂ, ̇ÊÏËÚ ÍÌÓÔÍÛ [DEMO].
CLP-110
èÓÒÎۯ˂‡ÌË ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÔÂÒÂÌ
15
èÓÒÎۯ˂‡ÌË 50 ‚ÒÚÓÂÌÌ˚ı
ÔÂÒÂÌ ‰Îfl ÙÓÚÂÔ¸flÌÓ
Ç ËÌÒÚÛÏÂÌÚ Clavinova ‚ÒÚÓÂÌÓ 50 ÔÂÒÂÌ ‰Îfl ÙÓÚÂÔ¸flÌÓ. åÓÊÌÓ ÔÓÒÚÓ ÔÓÒÎÛ¯‡Ú¸ ˝ÚË ÔÂÒÌË.
åÓÊÌÓ Ú‡ÍÊ ӷ‡ÚËÚ¸Òfl Í ÔË·„‡ÂÏÓÏÛ Ò·ÓÌËÍÛ «50 Greats for the Piano» Ò ÌÓÚ‡ÏË 50 ‚ÒÚÓÂÌÌ˚ı
ÔÂÒÂÌ.
ÑÂÈÒÚ‚Ëfl
1. ÇÍβ˜ÂÌË ÂÊËχ ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ
óÚÓ·˚ ‚Íβ˜ËÚ¸ ÂÊËÏ ÔÂÒÂÌ ‰Îfl ÙÓÚÂÔ¸flÌÓ, ̇ÊÏËÚ ÍÌÓÔÍÛ [DEMO].
ᇄÓËÚÒfl Ë̉Ë͇ÚÓ ÍÌÓÔÍË [DEMO].
2. èÓÒÎۯ˂‡ÌË ‚ÒÚÓÂÌÌÓÈ ÔÂÒÌË
óÚÓ·˚ ‚˚·‡Ú¸ ÏÂÎӉ˲ Ë Ì‡˜‡Ú¸  ‚ÓÒÔÓËÁ‚‰ÂÌËÂ, ÔË Ì‡Ê‡ÚÓÈ
ÍÌÓÔÍ [DEMO] ̇ÊÏËÚ ӉÌÛ ËÁ Í·‚˯ C2-C 6. óÚÓ·˚ ÔÓÒΉӂ‡ÚÂθÌÓ
‚ÓÒÔÓËÁ‚ÂÒÚË ‚Ò ‚ÒÚÓÂÌÌ˚ ÔÂÒÌË, ÔË Ì‡Ê‡ÚÓÈ ÍÌÓÔÍ [DEMO]
̇ÊÏËÚ Í·‚Ë¯Û D6.
C6
DEMO
C2
D6
ä‡ÈÌflfl
Ô‡‚‡fl
Í·‚˯‡
ç‡ÒÚÓÈ͇ „ÓÏÍÓÒÚË
ÑÎfl ̇ÒÚÓÈÍË „ÓÏÍÓÒÚË ËÒÔÓθÁÛÈÚ „ÛÎflÚÓ [MASTER VOLUME].
3. éÒÚ‡Ìӂ͇ ‚ÓÒÔÓËÁ‚‰ÂÌËfl
ÇÓÒÔÓËÁ‚‰ÂÌË ‡‚ÚÓχÚ˘ÂÒÍË Á‡Í‡Ì˜Ë‚‡ÂÚÒfl ÔÓÒΠÁ‡‚Â¯ÂÌËfl
‚˚·‡ÌÌÓÈ ‚ÒÚÓÂÌÌÓÈ ÔÂÒÌË. óÚÓ·˚ ÓÒÚ‡ÌÓ‚ËÚ¸ ÔÂÒÌ˛ ‚Ó ‚ÂÏfl
‚ÓÒÔÓËÁ‚‰ÂÌËfl (ËÎË ÌÂÔÂ˚‚ÌÓ„Ó ‚ÓÒÔÓËÁ‚‰ÂÌËfl), ̇ÊÏËÚÂ
ÍÌÓÔÍÛ [DEMO].
• ä‡Í ÔÓ‰ÓÎÊËÚ¸ ‚ÓÒÔÓËÁ‚‰ÂÌË ‰Û„ÓÈ ÔÂÒÌË, ÓÔËÒ‡ÌÓ ‚˚¯Â ‚
ÔÛÌÍÚÂ 2.
íÖêåàçéãéÉàü
èÂÒÌfl – ‚ ˆËÙÓ‚ÓÏ ÔˇÌËÌÓ
CLP-110 ÔÂÒÌÂÈ Ì‡Á˚‚‡˛ÚÒfl
‰‡ÌÌ˚ ËÒÔÓÎÌflÂÏÓ„Ó ÔÓËÁ‚‰ÂÌËfl. ùÚÓ Ú‡ÍÊ ÓÚÌÓÒËÚÒfl
Í ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚Ï ÔÂÒÌflÏ Ë
‚ÒÚÓÂÌÌ˚Ï ÏÂÎÓ‰ËflÏ ‰Îfl
ÙÓÚÂÔ¸flÌÓ.
ä ëÇÖÑÖçàû
é‰ÌÓ‚ÂÏÂÌÌÓ Ò ‚ÓÒÔÓËÁ‚‰ÂÌËÂÏ ‚ÒÚÓÂÌÌÓÈ ÔÂÒÌË
ÏÓÊÌÓ Ë„‡Ú¸ ̇ Í·‚˯‡ı.
åÓÊÌÓ ËÁÏÂÌËÚ¸ ÚÂÏ· ‰Îfl
Í·‚ˇÚÛ˚.
ä ëÇÖÑÖçàû
åÓÊÌÓ Ì‡ÒÚÓËÚ¸ ÚËÔ Â‚Â·Â‡ˆËË (ÒÚ. 18), ÍÓÚÓ˚È ·Û‰ÂÚ
ËÒÔÓθÁÓ‚‡Ú¸Òfl ‰Îfl ÚÂÏ·‡
Í·‚ˇÚÛ˚ Ë ‚ÓÒÔÓËÁ‚‰ÂÌËfl
‚ÒÚÓÂÌÌÓÈ ÔÂÒÌË.
èêàåÖóÄçàÖ
èË ‚˚·ÓÂ Ë Ì‡˜‡Î ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÌÓ‚ÓÈ ‚ÒÚÓÂÌÌÓÈ
ÔÂÒÌË ‡‚ÚÓχÚ˘ÂÒÍË ‚˚·Ë‡ÂÚÒfl ÚÂÏÔ ÔÓ ÛÏÓΘ‡Ì˲.
èêàåÖóÄçàÖ
é ÚÓÏ, Í‡Í Ì‡ÒÚÓËÚ¸ ÚÂÏÔ
‚ÓÒÔÓËÁ‚‰ÂÌËfl ‚ÒÚÓÂÌÌÓÈ
ÔÂÒÌË, ÏÓÊÌÓ ÛÁ̇ڸ ̇ ÒÚ. 21.
èêàåÖóÄçàÖ
ÖÒÎË ‚˚·‡Ì‡ ‰Û„‡fl ÔÂÒÌfl (ËÎË
‰Û„‡fl ÔÂÒÌfl ‚˚·‡Ì‡ ‚Ó ‚ÂÏfl
‚ÓÒÔÓËÁ‚‰ÂÌËfl
ÔÓÒΉӂ‡ÚÂθÌÓÒÚË ÔÂÒÂÌ),
ÒÓÓÚ‚ÂÚÒÚ‚ÂÌÌÓ ·Û‰ÂÚ ‚˚·‡Ì
ÔÓ‰ıÓ‰fl˘ËÈ ÚËÔ Â‚Â·Â‡ˆËË.
èêàåÖóÄçàÖ
Ç ÂÊËÏ ÔÂÒÂÌ ‰Îfl ÙÓÚÂÔ¸flÌÓ
ÔËÂÏ MIDI ‰‡ÌÌ˚ı Ì‚ÓÁÏÓÊÂÌ.
чÌÌ˚ ÔÂÒÂÌ ‰Îfl ÙÓÚÂÔ¸flÌÓ
Ì Ô‰‡˛ÚÒfl ˜ÂÂÁ ‡Á˙ÂÏ˚
MIDI.
16
CLP-110
èÓÒÎۯ˂‡ÌË 50 ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ ‰Îfl ÙÓÚÂÔ¸flÌÓ
Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÚÂÏ·Ó‚
Ç˚·Ó ÚÂÏ·Ó‚
ÑÂÈÒÚ‚Ëfl
óÚÓ·˚ ‚˚·‡Ú¸ Ë Á‡ÔÛÒÚËÚ¸ ÚÂÏ·, ÔË Ì‡Ê‡ÚÓÈ ÍÌÓÔÍ [VOICE], ̇ÊÏËÚÂ
Ó‰ÌÛ ËÁ Í·‚˯ C1 – A1.
燘‡‚ Ë„Û, ̇ÒÚÓÈÚ „ÓÏÍÓÒÚ¸ „ÛÎflÚÓÓÏ [MASTER VOLUME].
ä ëÇÖÑÖçàû
óÚÓ·˚ ÔÓÌflÚ¸ ÓÒÓ·ÂÌÌÓÒÚË
‡Á΢Ì˚ı ÚÂÏ·Ó‚, ÏÓÊÌÓ
ÔÓÒÎÛ¯‡Ú¸ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚Â
ÔÂÒÌË ‰Îfl Í‡Ê‰Ó„Ó ËÁ ÌËı
(ÒÚ. 15).
C1 D1 F1 G1
VOICE
ä‡ÈÌflfl ΂‡fl Í·‚˯‡ C1 D1 E1 F1 G1 A1
ä·‚˯‡
ç‡Á‚‡ÌËÂ
ÚÂÏ·‡
íÖêåàçéãéÉàü
íÂÏ· – ‚ ˆËÙÓ‚ÓÏ ÔˇÌËÌÓ
Clavinova ÔÓ‰ ÚÂÏ·ÓÏ
ÔÓÌËχ˛Ú ÚÓÌ ËÎË ÓÚÚÂÌÓÍ ÚÓ̇.
éÔËÒ‡ÌËÂ
C1
Grand Piano 1
á‡ÔËÒË Ò˝ÏÔÎÓ‚ ÔÓÎÌÓ„Ó ÍÓ̈ÂÚÌÓ„Ó ÓflÎfl. ùÚÓÚ ÚÂÏ·
Ô‚ÓÒıÓ‰ÌÓ ÔÓ‰ıÓ‰ËÚ ‰Îfl ËÒÔÓÎÌÂÌËfl Í·ÒÒ˘ÂÒÍËı ÏÛÁ˚͇θÌ˚ı
ÔÓËÁ‚‰ÂÌËÈ, ‡ Ú‡ÍÊ ‰Û„Ëı ÔÓËÁ‚‰ÂÌËÈ, ËÒÔÓÎÌflÂÏ˚ı ̇
‡ÍÛÒÚ˘ÂÒÍÓÏ ÙÓÚÂÔ¸flÌÓ.
C1
Grand Piano 2
é·˙ÂÏÌ˚È Ë ˜ËÒÚ˚È Á‚ÛÍ ÙÓÚÂÔ¸flÌÓ Ò flÍÓÈ Â‚Â·Â‡ˆËÂÈ.
èÓ‰ıÓ‰ËÚ ‰Îfl ÔÓÔÛÎflÌÓÈ ÏÛÁ˚ÍË.
D1
E.PIANO 1
á‚ÛÍ ˝ÎÂÍÚ˘ÂÒÍÓ„Ó ÔˇÌËÌÓ, ÒÓÁ‰‡‚‡ÂÏ˚È Ò ÔÓÏÓ˘¸˛
˜‡ÒÚÓÚÌÓÈ ÏÓ‰ÛÎflˆËË. èÓ‰ıÓ‰ËÚ ‰Îfl ÔÓÔÛÎflÌÓÈ ÏÛÁ˚ÍË.
D1
E.Piano 2
á‚ÛÍ ˝ÎÂÍÚ˘ÂÒÍÓ„Ó ÔˇÌËÌÓ, „‰Â ÏÓÎÓÚÓ˜ÍË Û‰‡fl˛Ú ÔÓ
ÏÂÚ‡Î΢ÂÒÍËÏ Ô·ÒÚËÌ͇Ï. åfl„ÍËÈ ÚÓÌ ÔË Î„ÍÓÏ Ì‡Ê‡ÚËË Ì‡
Í·‚Ë¯Ë Ë ‡„ÂÒÒË‚Ì˚È ÔË ·ÓΠÒËθÌÓÏ.
E1
Harpsichord 1
á‚Û˜‡ÌË ˝ÚÓ„Ó ËÌÒÚÛÏÂÌÚ‡ ı‡‡ÍÚÂÌÓ ‰Îfl ÏÛÁ˚ÍË ·‡ÓÍÍÓ.
ä·‚ÂÒËÌ – ˝ÚÓ ÒÚÛÌÌ˚È ËÌÒÚÛÏÂÌÚ, ÍÓÚÓ˚È Ì ‡„ËÛÂÚ Ì‡
ÒËÎÛ Ì‡Ê‡ÚËfl ̇ Í·‚˯Ë.
F1
Harpsichord 2
íÓÚ Ê ҇Ï˚È ÚÂÏ·, Á‚Û˜‡˘ËÈ Ì‡ ÓÍÚ‡‚Û ‚˚¯Â ‰Îfl ÔÓÎÛ˜ÂÌËfl
·ÓΠflÍÓ„Ó Á‚Û͇.
F1
Vibraphone
ÇË·ÓÙÓÌ ÒÓ Ò‡‚ÌËÚÂθÌÓ Ïfl„ÍËÏË ÍÓÎÓÚۯ͇ÏË. àÒÔÓθÁÛÂÚÒfl
ÚËÔ˘Ì˚È ‰Îfl ‚Ë·ÓÙÓ̇ ˝ÙÙÂÍÚ ÚÂÏÓÎÓ.
G1
Church Organ 1
íËÔ˘Ì˚È Á‚ÛÍ Ó„‡Ì‡ Ò Â„ËÒÚ‡ÏË 8 ÙÛÚÓ‚, 4 ÙÛÚ‡ Ë 2 ÙÛÚ‡.
ïÓÓ¯ ‰Îfl ËÒÔÓÎÌÂÌËfl ‰ÛıÓ‚ÌÓÈ ÏÛÁ˚ÍË ÔÂËÓ‰‡ ·‡ÓÍÍÓ.
G1
Church Organ 2
á‚ÛÍ ÔÓÎÌÓÈ ÍÓÔÛÎ˚ Ó„‡Ì‡, ˜‡ÒÚÓ ‡ÒÒÓˆËËÛÂÏ˚È Ò íÓÍ͇ÚÓÈ Ë
îÛ„ÓÈ à.ë. Ňı‡.
A1
Strings
é·˙ÂÏÌ˚È Á‚ÛÍ ·Óθ¯Ó„Ó ÒÚÛÌÌÓ„Ó ‡Ì҇ϷÎfl. èÓÔÓ·ÛÈÚÂ
ÒÓ‰ËÌËÚ¸ ˝ÚÓÚ ÚÂÏ· Ò ÙÓÚÂÔ¸flÌÓ ‚ ÂÊËÏ DUAL.
àÒÔÓθÁÓ‚‡ÌË Ô‡‚ÓÈ Ô‰‡ÎË
ä ˆËÙÓ‚ÓÏÛ ÔˇÌËÌÓ Clavinova ÏÓÊÌÓ
ÔÓ‰Íβ˜ËÚ¸ Ô‡‚Û˛ Ô‰‡Î¸ (ÒÚ. 30).
è‡‚‡fl Ô‰‡Î¸ ‡·ÓÚ‡ÂÚ Ú‡Í ÊÂ Í‡Í Ô‡‚‡fl
Ô‰‡Î¸ ‡ÍÛÒÚ˘ÂÒÍÓ„Ó ÙÓÚÂÔ¸flÌÓ. ÖÒÎË
Ô‡‚‡fl Ô‰‡Î¸ ̇ʇڇ, ÌÓÚ‡ Á‚Û˜ËÚ ‰Óθ¯Â.
ÖÒÎË Ô‰‡Î¸ ÓÚÔÛÒÚËÚ¸, Á‚ÛÍ ÔÂÍ‡ÚËÚÒfl.
èÓ͇ ̇ʇڇ Ô‡‚‡fl Ô‰‡Î¸, ‚ÒÂ
ÔÓË„˚‚‡ÂÏ˚ ÌÓÚ˚ ·Û‰ÛÚ Á‚Û˜‡Ú¸
‰Óθ¯Â.
CLP-110
èêàåÖóÄçàÖ
èË ‚˚·Ó ÚÂÏ·‡
‡‚ÚÓχÚ˘ÂÒÍË ‚Íβ˜‡˛ÚÒfl
̇˷ÓΠÔÓ‰ıÓ‰fl˘Ë ‰Îfl Ì„Ó
ÚËÔ Ë „ÎÛ·Ë̇ ‚·‡ˆËË.
èêàåÖóÄçàÖ
ÖÒÎË Ô‡‚‡fl Ô‰‡Î¸ ÌÂ
‡·ÓÚ‡ÂÚ, ۷‰ËÚÂÒ¸, ˜ÚÓ ¯ÌÛ
Ô‰‡ÎË Ô‡‚ËθÌÓ ÔÓ‰Íβ˜ÂÌ Í
„·‚ÌÓÈ ˜‡ÒÚË (ÒÚ. 30).
èêàåÖóÄçàÖ
臂‡fl Ô‰‡Î¸ Ì ‰ÓÎÊ̇ ·˚Ú¸
̇ʇڇ ‚ ÏÓÏÂÌÚ ÂÂ
ÔÓ‰Íβ˜ÂÌËfl ËÎË ÓÚÒÓ‰ËÌÂÌËfl.
èêàåÖóÄçàÖ
èË ÔÓ‰Íβ˜ÂÌËË ËÎË
ÓÚÒÓ‰ËÌÂÌËË Ô‡‚ÓÈ Ô‰‡ÎË
ÔËÚ‡ÌË ‰ÓÎÊÌÓ ·˚Ú¸
ÓÚÍβ˜ÂÌÓ.
Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÚÂÏ·Ó‚
17
ÑÓ·‡‚ÎÂÌËÂ Í Á‚ÛÍÛ ‚‡ˇˆËÈ – ˝ÙÙÂÍÚ
‚Â·Â‡ˆËË
ùÚ‡ ̇ÒÚÓÈ͇ ÔÓÁ‚ÓÎflÂÚ ‚˚·Ë‡Ú¸ ‡Á΢Ì˚ ˝ÙÙÂÍÚ˚ ˆËÙÓ‚ÓÈ Â‚Â·Â‡ˆËË, ÍÓÚÓ˚ ‰Ó·‡‚Îfl˛Ú
Á‚ÛÍÛ „ÎÛ·ËÌÛ Ë ‚˚‡ÁËÚÂθÌÓÒÚ¸, ÒÓÁ‰‡‚‡fl ‡ÎËÒÚ˘ÌÛ˛ ‡ÍÛÒÚ˘ÂÒÍÛ˛ Ò‰Û.
ÑÂÈÒÚ‚Ëfl
ÖÒÎË ‚Â·Â‡ˆËfl ‚˚·‡Ì‡, Ó̇ ‚Íβ˜‡ÂÚÒfl ‡‚ÚÓχÚ˘ÂÒÍË.
óÚÓ·˚ ‚˚·‡Ú¸ ÚËÔ ‚Â·Â‡ˆËË, ÔË Ì‡Ê‡ÚÓÈ ÍÌÓÔÍ [VOICE] ̇ÊÏËÚ ӉÌÛ ËÁ
Í·‚˯ C2 – E2.
C2 D2
VOICE
ä‡ÈÌflfl ΂‡fl Í·‚˯‡
ä·‚˯‡
íËÔ
‚·‡ˆËË
C2 D2 E2
éÔËÒ‡ÌËÂ
C2
Room
ùÚÓÚ Ô‡‡ÏÂÚ ‰Ó·‡‚ÎflÂÚ Á‚ÛÍÛ ÌÂÔÂ˚‚Ì˚È ˝ÙÙÂÍÚ Â‚Â·Â‡ˆËË,
ÒıÓ‰Ì˚È Ò ‡ÍÛÒÚ˘ÂÒÍÓÈ Â‚Â·Â‡ˆËÂÈ, ÍÓÚÓÛ˛ ÒÎ˚¯ÌÓ ‚ ÍÓÏ̇ÚÂ.
C2
Hall1
óÚÓ·˚ Á‚ÛÍ Â‚Â·Â‡ˆËË ·˚Î ¯ËÂ, ËÒÔÓθÁÛÈÚ ԇ‡ÏÂÚ HALL 1.
ùÚÓÚ ˝ÙÙÂÍÚ ËÏËÚËÛÂÚ ÂÒÚÂÒÚ‚ÂÌÌÛ˛ ‚·‡ˆË˛ Ì·Óθ¯Ó„Ó
ÍÓ̈ÂÚÌÓ„Ó Á‡Î‡.
D2
Hall2
óÚÓ·˚ Á‚ÛÍ Â‚Â·Â‡ˆËË ·˚Î ‰ÂÈÒÚ‚ËÚÂθÌÓ ¯ËÓÍËÏ, ËÒÔÓθÁÛÈÚÂ
Ô‡‡ÏÂÚ HALL 2. ùÚÓÚ ˝ÙÙÂÍÚ ËÏËÚËÛÂÚ ÂÒÚÂÒÚ‚ÂÌÌÛ˛ ‚·‡ˆË˛
·Óθ¯Ó„Ó ÍÓ̈ÂÚÌÓ„Ó Á‡Î‡.
D2
Stage
àÏËÚËÛÂÚ Â‚Â·Â‡ˆË˛ ÒˆÂÌ˚.
E2
Off
ÅÂÁ ˝ÙÙÂÍÚ‡.
ç‡ÒÚÓÈ͇ „ÎÛ·ËÌ˚ ‚·‡ˆËË
óÚÓ·˚ ̇ÒÚÓËÚ¸ „ÎÛ·ËÌÛ ‚Â·Â‡ˆËË ‰Îfl ‚˚·‡ÌÌÓ„Ó ÚÂÏ·‡, ÔË Ì‡Ê‡ÚÓÈ
ÍÌÓÔÍ [VOICE] ̇ÊÏËÚ ӉÌÛ ËÁ Í·‚˯ C3 – G 4. ÑˇԇÁÓÌ „ÎÛ·ËÌ˚ —
ÓÚ 0 ‰Ó 20.
G 4: „ÎÛ·Ë̇ 20
VOICE
ä‡ÈÌflfl ΂‡fl Í·‚˯‡
C3: „ÎÛ·Ë̇ 0
óÂÏ Ô‡‚ ‡ÒÔÓÎÓÊÂ̇ Í·‚˯‡, ÍÓÚÓÛ˛ ̇ÊËχ˛Ú, ÚÂÏ ‚˚¯Â
·Û‰ÂÚ Á̇˜ÂÌË „ÎÛ·ËÌ˚ ‚·‡ˆËË.
18
CLP-110
Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÚÂÏ·Ó‚
ä ëÇÖÑÖçàû
臇ÏÂÚ˚ ÚËÔ‡ ‚·‡ˆËË
ÔÓ ÛÏÓΘ‡Ì˲ (‚ ÚÓÏ ˜ËÒÎÂ
Ô‡‡ÏÂÚ OFF) Ë Â „ÎÛ·Ë̇
Ò‚ÓË ‰Îfl Í‡Ê‰Ó„Ó ÚÂÏ·‡.
ä ëÇÖÑÖçàû
ÉÎÛ·Ë̇ 0: ·ÂÁ ˝ÙÙÂÍÚ‡.
ÉÎÛ·Ë̇ 20: χÍÒËχθ̇fl
„ÎÛ·Ë̇
‚·‡ˆËË.
ç‡ÎÓÊÂÌË ÚÂÏ·Ó‚ (ÂÊËÏ Dual)
ç‡ ‚ÒÂÈ Í·‚ˇÚÛ ÏÓÊÌÓ Ó‰ÌÓ‚ÂÏÂÌÌÓ Ë„‡Ú¸ ‰‚ÛÏfl ÚÂÏ·‡ÏË. ùÚÓ ÔÓÁ‚ÓÎflÂÚ ËÏËÚËÓ‚‡Ú¸
ÏÂÎӉ˘ÂÒÍËÈ ‰Û˝Ú ËÎË ÒÓ˜ÂÚ‡Ú¸ ‰‚‡ ÔÓıÓÊËı ÚÂÏ·‡ ‰Îfl ÔÓÎÛ˜ÂÌËfl ·ÓΠ̇Ò˚˘ÂÌÌÓ„Ó Á‚Û͇.
ÑÂÈÒÚ‚Ëfl
1. ÇÍβ˜ÂÌË ÂÊËχ Dual
èË Ì‡Ê‡ÚÓÈ ÍÌÓÔÍ [VOICE] ̇ÊÏËÚ ‰‚ Í·‚Ë¯Ë ËÁ Í·‚˯ C1 – A1
Ó‰ÌÓ‚ÂÏÂÌÌÓ (ËÎË Ì‡ÊÏËÚ ӉÌÛ Í·‚˯Û, Û‰ÂÊË‚‡fl ‰Û„Û˛).
ÑÓÒÚÛÔÌ˚ ÚÂÏ·˚ Û͇Á‡Ì˚ ‚ ÒÔËÒÍ ÚÂÏ·Ó‚ ̇ ÒÚ. 17.
VOICE
ä‡ÈÌflfl
΂‡fl
Í·‚˯‡
C1
A1
Ç ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò Ó˜Â‰ÌÓÒÚ¸˛ ÚÂÏ·Ó‚, ÔÓ͇Á‡ÌÌÓÈ ‚ ÒÔËÒÍ ÚÂÏ·Ó‚
(ÒÚ. 17), ÚÂÏ·, ‚˚·‡ÌÌ˚È ‰Îfl Í·‚˯Ë, ‡ÒÔÓÎÓÊÂÌÌÓÈ Î‚ÂÂ,
ÒÚ‡ÌÓ‚ËÚÒfl ÚÂÏ·ÓÏ Voice 1, ‰Û„ÓÈ — Voice 2.
èêàåÖóÄçàÖ
Ç ÂÊËÏ Dual ÌÂθÁfl ‚˚·‡Ú¸
Ó‰ËÌ Ë ÚÓÚ Ê ÚÂÏ· ‰Îfl
ÚÂÏ·Ó‚ Voice 1 Ë Voice 2.
ä ëÇÖÑÖçàû
ê‚·‡ˆËfl ‚ ÂÊËÏ Dual.
èËÓËÚÂÚÌ˚Ï fl‚ÎflÂÚÒfl ÚËÔ
‚·‡ˆËË, ‚˚·‡ÌÌ˚È ‰Îfl
ÚÂÏ·‡ 1 (Voice 1). ÖÒÎË Â‚Â·Â‡ˆËfl ÓÚÍβ˜Â̇, ·Û‰ÂÚ
ËÒÔÓθÁÓ‚‡Ú¸Òfl ÚËÔ Â‚Â·Â‡ˆËË ‚ÚÓÓ„Ó ÚÂÏ·‡ (Voice 2).
臇ÏÂÚ „ÎÛ·ËÌ˚ ‚·‡ˆËË (ÒÚ. 18) ·Û‰ÂÚ ÔËÏÂÌflÚ¸Òfl
ÚÓθÍÓ Í ÚÂÏ·Û Voice 1.
ëÎÂ‰Û˛˘Ë ԇ‡ÏÂÚ˚ ÏÓÊÌÓ Á‡‰‡Ú¸ ÚÓθÍÓ ‚ ÂÊËÏ Dual.
ìÒÚ‡Ìӂ͇ ÓÍÚ‡‚˚
Ç˚ÒÓÚÛ ÚÓ̇ ÏÓÊÌÓ ÒÏ¢‡Ú¸ ̇ ˆÂÎÛ˛ ÓÍÚ‡‚Û ‚‚Âı Ë ‚ÌËÁ ÓÚ‰ÂθÌÓ ‰Îfl
ÚÂÏ·Ó‚ 1 Ë 2. Ç Á‡‚ËÒËÏÓÒÚË ÓÚ ÍÓÏ·Ë̇ˆËË ÚÂÏ·Ó‚ ‚ ÂÊËÏÂ
̇ÎÓÊÂÌËfl, Á‚Û˜‡ÌË ÏÓÊÂÚ ÛÎÛ˜¯ËÚ¸Òfl, ÂÒÎË Ó‰ËÌ ËÁ ÚÂÏ·Ó‚
Ú‡ÌÒÔÓÌËÓ‚‡Ú¸ ̇ ÓÍÚ‡‚Û ‚‚Âı ËÎË ‚ÌËÁ.
èË Ì‡Ê‡ÚÓÈ ÍÌÓÔÍ [VOICE] ̇ÊÏËÚ ӉÌÛ ËÁ Í·‚˯ C5 – F5.
C5
F5
VOICE
ÑÎfl ÛÒÚ‡ÌÓ‚ÍË
ä‡ÈÌflfl Ô‡‚‡fl
ÓÍÚ‡‚˚. (C5–F5)
Í·‚˯‡
Í·‚˯‡ C5: –1 (Voice 1), Í·‚˯‡ C 5: 0 (Voice 1), Í·‚˯‡ D5:
+1(Voice 1), Í·‚˯‡ D 5: –1 (Voice 2), Í·‚˯‡ E5: 0 (Voice 2),
ìÒÚ‡Ìӂ͇ ·‡Î‡ÌÒ‡
é‰ËÌ ËÁ ÚÂÏ·Ó‚ ÏÓÊÌÓ ‚˚·‡Ú¸ ‚ ͇˜ÂÒÚ‚Â „·‚ÌÓ„Ó, ‡ ‰Û„ÓÈ ÏÓÊÂÚ
Á‚Û˜‡Ú¸ ‚ Ïfl„ÍÓÈ ÔË„ÎÛ¯ÂÌÌÓÈ Ï‡ÌÂÂ.
ì‰ÂÊË‚‡fl ÍÌÓÔÍÛ [VOICE], ̇ÊÏËÚ ӉÌÛ ËÁ Í·‚˯ F 5 – F 6.
èË ÛÒÚ‡ÌÓ‚Í Á̇˜ÂÌËfl 0 Ó·‡ ÚÂÏ·‡ ‚ ÂÊËÏ Dual ·Û‰ÛÚ Á‚Û˜‡Ú¸
Ó‰Ë̇ÍÓ‚Ó. á̇˜ÂÌËfl ÏÂ̸¯Â 0 Û‚Â΢˂‡˛Ú „ÓÏÍÓÒÚ¸ ÚÂÏ·‡ Voice 2 ÔÓ
Ò‡‚ÌÂÌ˲ Ò ÚÂÏ·ÓÏ Voice 1, ‡ Á̇˜ÂÌËfl ·Óθ¯Â 0 Û‚Â΢˂‡˛Ú
„ÓÏÍÓÒÚ¸ ÚÂÏ·‡ Voice 1 ÔÓ Ò‡‚ÌÂÌ˲ Ò Voice 2.
F6
F5
VOICE
-6 -4 -2
+1 +3
+6
-5 -3 -1 0 +2 +4 +5
ìÒÚ‡Ìӂ͇ ·‡Î‡ÌÒ‡ (F5—F6)
ä‡ÈÌflfl Ô‡‚‡fl
Í·‚˯‡
2. Ç˚ıÓ‰ ËÁ ÂÊËχ Dual Ë ‚ÓÁ‚‡Ú ‚ Ó·˚˜Ì˚È ÂÊËÏ Ë„˚
èË Ì‡Ê‡ÚÓÈ ÍÌÓÔÍ [VOICE] ̇ÊÏËÚ ӉÌÛ ËÁ Í·‚˯ C1 – A1.
CLP-110
Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÚÂÏ·Ó‚
19
í‡ÌÒÔÓÌËÓ‚‡ÌËÂ
îÛÌ͈Ëfl Ú‡ÌÒÔÓÌËÓ‚‡ÌËfl ‚ ˆËÙÓ‚ÓÏ ÔˇÌËÌÓ Clavinova ÔÓÁ‚ÓÎflÂÚ ÔÓ‚˚¯‡Ú¸ ËÎË ÔÓÌËʇڸ ‚˚ÒÓÚÛ
Á‚Û͇ ‚ÒÂÈ Í·‚ˇÚÛ˚ Ò ËÌÚ‚‡ÎÓÏ ‡‚Ì˚Ï ÔÓÎÛÚÓÌÛ, ˜ÚÓ ‰‡ÂÚ ‚ÓÁÏÓÊÌÓÒÚ¸ ΄ÍÓ ÔÓ‰Ó·‡Ú¸ ‚˚ÒÓÚÛ
Á‚Û͇ Í·‚ˇÚÛ˚, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ‰Ë‡Ô‡ÁÓÌÛ „ÓÎÓÒ‡ Ô‚ˆ‡ ËÎË ‰Û„Ëı ËÌÒÚÛÏÂÌÚÓ‚. ç‡ÔËÏÂ,
ÂÒÎË ÛÒÚ‡ÌÓ‚ËÚ¸ ‚Â΢ËÌÛ Ú‡ÌÒÔÓÌËÓ‚‡ÌËfl ̇ 5, ÚÓ ÔË Ì‡Ê‡ÚËË Ì‡ Í·‚ˇÚÛ Í·‚Ë¯Ë C (‰Ó) ·Û‰ÂÚ
Á‚Û˜‡Ú¸ ÌÓÚ‡ F (Ù‡). í‡ÍËÏ Ó·‡ÁÓÏ ÏÓÊÌÓ Ë„‡Ú¸ ÔÂÒÌ˛ Ú‡ÍÊÂ Í‡Í ‚ ÚÓ̇θÌÓÒÚË ‰Ó-χÊÓ, ‡
ˆËÙÓ‚Ó ÔˇÌËÌÓ Clavinova Ú‡ÌÒÔÓÌËÛÂÚ Á‚ÛÍ ‚ ÚÓ̇θÌÓÒÚ¸ Ù‡-χÊÓ.
ÑÂÈÒÚ‚Ëfl
óÚÓ·˚ ÛÒÚ‡ÌÓ‚ËÚ¸ ‚Â΢ËÌÛ Ú‡ÌÒÔÓÌËÓ‚‡ÌËfl, ÔË Ì‡Ê‡ÚÓÈ Í·‚˯Â
A-1 Ë C 0 ̇ÊÏËÚ ӉÌÛ ËÁ Í·‚˯ F 2 – F 3.
A-1 C 0
F 2
-6 -4 -2
C3
+1 +3
F 3
+6
-5 -3 -1 0 +2 +4 +5
í‡ÌÒÔÓÌËÓ‚‡ÌË í‡ÌÒÔÓÌËÓ‚‡ÌËÂ
‚ÌËÁ
‚‚Âı
é·˚˜Ì‡fl ‚˚ÒÓÚ‡
Á‚Û͇
ç‡Ê‡ÚË ̇ Í·‚Ë¯Û C3 Á‡‰‡ÂÚ Ó·˚˜ÌÛ˛ ‚˚ÒÓÚÛ Á‚Û͇ Í·‚ˇÚÛ˚.
ç‡Ê‡ÚË ̇ ÔÂ‚Û˛ Í·‚Ë¯Û Ò΂‡ ÓÚ C3 (=B2) Ú‡ÌÒÔÓÌËÛÂÚ Á‚ÛÍ
Í·‚ˇÚÛ˚ ̇ ÔÓÎÚÓ̇ ‚ÌËÁ, ̇ʇÚË ‚ÚÓÓÈ Í·‚Ë¯Ë Ò΂‡ (= Bb2)
Ú‡ÌÒÔÓÌËÛÂÚ Á‚ÛÍ Ì‡ ˆÂÎ˚È ÚÓÌ (‰‚‡ ÔÓÎÛÚÓ̇) ‚ÌËÁ Ë Ú. ‰. ‰Ó Í·‚˯Ë
F 2, Ú‡ÌÒÔÓÌËÛ˛˘ÂÈ Á‚ÛÍ Ì‡ ¯ÂÒÚ¸ ÔÓÎÛÚÓÌÓ‚ ‚ÌËÁ. í‡ÍËÏ Ê ӷ‡ÁÓÏ
ÔÓËÒıÓ‰ËÚ Ú‡ÌÒÔÓÌËÓ‚‡ÌË Á‚Û͇ ‚‚Âı, ÚÓθÍÓ ËÒÔÓθÁÛ˛ÚÒfl
Í·‚˯Ë, ‡ÒÔÓÎÓÊÂÌÌ˚ ÒÔ‡‚‡ ÓÚ Í·‚Ë¯Ë C3, ‰Ó Í·‚Ë¯Ë F 3,
ÍÓÚÓ‡fl Ú‡ÌÒÔÓÌËÛÂÚ Á‚ÛÍ Ì‡ ¯ÂÒÚ¸ ÔÓÎÛÚÓÌÓ‚ ‚‚Âı.
íÖêåàçéãéÉàü
í‡ÌÒÔÓÌËÓ‚‡ÌË —
ËÁÏÂÌÂÌË ÚÓ̇θÌÓÒÚË ÔÂÒÌË.
ç‡ ˆËÙÓ‚ÓÏ ÔˇÌËÌÓ Clavinova
Ú‡ÌÒÔÓÌËÓ‚‡ÌË ËÁÏÂÌflÂÚ
‚˚ÒÓÚÛ Á‚Û͇ ‚ÒÂÈ Í·‚ˇÚÛ˚.
ä ëÇÖÑÖçàû
çÓÚ˚ ÌËÊÂ Ë ‚˚¯Â ‰Ë‡Ô‡ÁÓ̇
ãfl ÒÛ·ÍÓÌÚÓÍÚ‡‚˚. ÑÓ ÔflÚÓÈ
ÓÍÚ‡‚˚ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ
CLP-110 Á‚Û˜‡Ú ÒÓÓÚ‚ÂÚÒÚ‚ÂÌÌÓ
̇ Ó‰ÌÛ ÓÍÚ‡‚Û ‚˚¯Â ËÎË ÌËÊÂ.
íÓÌ͇fl ̇ÒÚÓÈ͇ ‚˚ÒÓÚ˚ Á‚Û͇
åÓÊÌÓ Ì‡ÒÚÓËÚ¸ ‚˚ÒÓÚÛ Á‚Û͇ ‚ÒÂ„Ó ËÌÒÚÛÏÂÌÚ‡. ùÚ‡ ÙÛÌ͈Ëfl ÔÓÎÂÁ̇, ÂÒÎË Ì‡ ˆËÙÓ‚ÓÏ ÔˇÌËÌÓ
Clavinova Ë„‡˛Ú ‚ ÒÓÔÓ‚ÓʉÂÌËË ‰Û„Ëı ËÌÒÚÛÏÂÌÚÓ‚ ËÎË ÏÛÁ˚ÍË Ò ÍÓÏÔ‡ÍÚ-‰ËÒ͇.
ÑÂÈÒÚ‚Ëfl
ì‚Â΢ÂÌË ‚˚ÒÓÚ˚ (Ò ËÌÚ‚‡ÎÓÏ ÔËÏÂÌÓ 0,2 Ɉ):
é‰ÌÓ‚ÂÏÂÌÌÓ ‰ÂÊËÚ Í·‚Ë¯Ë A-1 Ë B-1 Ë Ì‡ÊÏËÚ β·Û˛ Í·‚Ë¯Û ÏÂʉÛ
Í·‚˯‡ÏË C3 Ë B3.
ìÏÂ̸¯ÂÌË ‚˚ÒÓÚ˚ (Ò ËÌÚ‚‡ÎÓÏ ÔËÏÂÌÓ 0,2 Ɉ):
é‰ÌÓ‚ÂÏÂÌÌÓ ‰ÂÊËÚ Í·‚Ë¯Ë A-1 Ë A -1 Ë Ì‡ÊÏËÚ β·Û˛ Í·‚Ë¯Û ÏÂʉÛ
Í·‚˯‡ÏË C3 Ë B3.
ÇÓÒÒÚ‡ÌÓ‚ÎÂÌË Òڇ̉‡ÚÌÓÈ ‚˚ÒÓÚ˚
é‰ÌÓ‚ÂÏÂÌÌÓ ‰ÂÊËÚ Í·‚Ë¯Ë A-1, A -1 Ë B-1 Ë Ì‡ÊÏËÚ β·Û˛ Í·‚˯Û
ÏÂÊ‰Û Í·‚˯‡ÏË C3 Ë B3.
èÓ‚˚¯ÂÌËÂ
A-1 B-1
èÓÌËÊÂÌËÂ
A -1
A-1
ÇÓÒÒÚ‡ÌÓ‚ÎÂÌË Òڇ̉‡ÚÌÓÈ ‚˚ÒÓÚ˚
A -1
A-1 B-1
C3
ÑˇԇÁÓÌ Á̇˜ÂÌËÈ: 427,0-453,0 Ɉ
ëڇ̉‡Ú̇fl ‚˚ÒÓÚ‡: 440,0 Ɉ
20
CLP-110
Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÚÂÏ·Ó‚
B3
íÖêåàçéãéÉàü
Ɉ („ˆ) — ˝ÚÓ Â‰ËÌˈ‡
ËÁÏÂÂÌËfl ˜‡ÒÚÓÚ˚ Á‚Û͇,
ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘‡fl ˜ËÒÎÛ
ÍÓη‡ÌËÈ Á‚ÛÍÓ‚ÓÈ ‚ÓÎÌ˚ ‚
ÒÂÍÛ̉Û.
àÒÔÓθÁÓ‚‡ÌË ÏÂÚÓÌÓχ
Ç ˆËÙÓ‚Ó ÔˇÌËÌÓ Clavinova ‚ÒÚÓÂÌ ÏÂÚÓÌÓÏ (ÛÒÚÓÈÒÚ‚Ó, Á‡‰‡˛˘Â ÚÂÏÔ), ˜ÚÓ Û‰Ó·ÌÓ ‰Îfl
ÛÔ‡ÊÌÂÌËÈ.
ÑÂÈÒÚ‚Ëfl
1. á‡ÔÛÒÍ ÏÂÚÓÌÓχ
óÚÓ·˚ ‚Íβ˜ËÚ¸ ÏÂÚÓÌÓÏ, ̇ÊÏËÚ ÍÌÓÔÍÛ [METRONOME].
ᇉ‡ÂÚ ˜‡ÒÚÓÚÛ Ò˄̇· ÏÂÚÓÌÓχ
èË Ì‡Ê‡ÚÓÈ ÍÌÓÔÍ [METRONOME] ̇ÊÏËÚ ӉÌÛ ËÁ Í·‚˯ C3 – F3.
C3 D3
METRONOME
èêàåÖóÄçàÖ
ÇÓ ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl
‚ÒÚÓÂÌÌÓÈ ÔÂÒÌË ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ ‰‡ÌÌ˚ı ÔÂÒÌË ÏÓÊÌÓ
ÛÒÚ‡ÌÓ‚ËÚ¸ ÚÂÏÔ ÏÂÚÓÌÓχ ‚
‰Ë‡Ô‡ÁÓÌ ÓÚ 20 ‰Ó 400 Û‰‡Ó‚
‚ ÏËÌÛÚÛ.
ä‡ÈÌflfl Ô‡‚‡fl Í·‚˯‡
C3 D3 E3 F3
Í·‚˯‡ C3: ÅÂÁ ÒËθÌ˚ı ‰ÓÎÂÈ Ú‡ÍÚ‡, Í·‚˯‡ C 3: 2/4, Í·‚˯‡ D3: 3/4,
Í·‚˯‡ D 3: 4/4, Í·‚˯‡ E3: 5/4, Í·‚˯‡ F3: 6/4
ê„ÛÎËӂ͇ ÚÂÏÔ‡
íÂÏÔ ÏÂÚÓÌÓχ Ë ‚ÓÒÔÓËÁ‚‰ÂÌËfl ‚ÒÚÓÂÌÌÓÈ ÔÂÒÌË ÏÓÊÌÓ
„ÛÎËÓ‚‡Ú¸ ‚ ‰Ë‡Ô‡ÁÓÌ ÓÚ 32 ‰Ó 280 Û‰‡Ó‚ ‚ ÏËÌÛÚÛ.
èË Ì‡Ê‡ÚÓÈ ÍÌÓÔÍ [METRONOME] ÔÓÒΉӂ‡ÚÂθÌÓ Ì‡ÊÏËÚ Í·‚˯Ë
C4-A4, ˜ÚÓ·˚ Á‡‰‡Ú¸ ÚÂıÁ̇˜ÌÓ ˜ËÒÎÓ.
Ç‚Ó‰ËÚ ˜ËÒÎÓ, ̇˜Ë̇fl Ò Ò‡ÏÓÈ Î‚ÓÈ ˆËÙ˚. ç‡ÔËÏÂ, ˜ÚÓ·˚
ÛÒÚ‡ÌÓ‚ËÚ¸ ÚÂÏÔ 95, ÔÓÒΉӂ‡ÚÂθÌÓ Ì‡ÊÏËÚ Í·‚Ë¯Ë C4 (0),
A4 (9) Ë F4 (5).
METRONOME
1 3
6 8
0 2 4 5 7 9
C4
ä‡ÈÌflfl Ô‡‚‡fl
Í·‚˯‡
A4
ÑÎfl Û‚Â΢ÂÌËfl ÚÂÏÔ‡ ÏÂÚÓÌÓχ ̇ ‰ËÌËˆÛ ÔË Ì‡Ê‡ÚÓÈ ÍÌÓÔÍÂ
[METRONOME] ̇ÊÏËÚ Í·‚Ë¯Û C 5. ÑÎfl ÛÏÂ̸¯ÂÌËfl ÚÂÏÔ‡ ÏÂÚÓÌÓχ ̇
‰ËÌËˆÛ ÔË Ì‡Ê‡ÚÓÈ ÍÌÓÔÍ [METRONOME] ̇ÊÏËÚ Í·‚Ë¯Û B4.
ÑÎfl Û‚Â΢ÂÌËfl ÚÂÏÔ‡ ÏÂÚÓÌÓχ ̇ ‰ÂÒflÚ¸ ÔË Ì‡Ê‡ÚÓÈ ÍÌÓÔÍÂ
[METRONOME] ̇ÊÏËÚ Í·‚Ë¯Û D5. ÑÎfl ÛÏÂ̸¯ÂÌËfl ÚÂÏÔ‡ ÏÂÚÓÌÓχ ̇
‰ÂÒflÚ¸ ÔË Ì‡Ê‡ÚÓÈ ÍÌÓÔÍ [METRONOME] ̇ÊÏËÚ Í·‚Ë¯Û A 4.
ÑÎfl ÛÒÚ‡ÌÓ‚ÍË ÚÂÏÔ‡ ÔÓ ÛÏÓΘ‡Ì˲ (ËÒıÓ‰Ì˚È ÚÂÏÔ ÏÂÚÓÌÓχ ËÎË
ËÒıÓ‰Ì˚È ÚÂÏÔ ÔÂÒÌË) ÔË Ì‡Ê‡ÚÓÈ ÍÌÓÔÍ [METRONOME] ̇ÊÏËÚÂ
Í·‚Ë¯Û C5.
A4
C5
METRONOME
B4
C5 D5
ä‡ÈÌflfl Ô‡‚‡fl
Í·‚˯‡
CLP-110
Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÚÂÏ·Ó‚
21
ç‡ÒÚÓÈ͇ „ÓÏÍÓÒÚË
ÉÓÏÍÓÒÚ¸ ÏÂÚÓÌÓχ ÏÓÊÌÓ ÏÂÌflÚ¸.
óÚÓ·˚ Á‡‰‡Ú¸ „ÓÏÍÓÒÚ¸, ÔË Ì‡Ê‡ÚÓÈ ÍÌÓÔÍ [METRONOME] ̇ÊÏËÚ ӉÌÛ
ËÁ Í·‚˯ C1 – G2.
METRONOME
ä‡ÈÌflfl ΂‡fl Í·‚˯‡ C1
G2
óÂÏ Ô‡‚ ‡ÒÔÓÎÓÊÂ̇ Í·‚˯‡, ÚÂÏ ‚˚¯Â „ÓÏÍÓÒÚ¸.
2. éÒÚ‡Ìӂ͇ ÏÂÚÓÌÓχ
éÚÍβ˜ËÚ¸ ÏÂÚÓÌÓÏ ÏÓÊÌÓ, ̇ʇ‚ ÍÌÓÔÍÛ [METRONOME].
22
CLP-110
Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÚÂÏ·Ó‚
é· ËÌÚÂÙÂÈÒ MIDI
MIDI (ˆËÙÓ‚ÓÈ ËÌÚÂÙÂÈÒ ‰Îfl ÏÛÁ˚͇θÌ˚ı ËÌÒÚÛÏÂÌÚÓ‚) — ˝ÚÓ
Òڇ̉‡ÚÌ˚È ÙÓÏ‡Ú Ô‰‡˜Ë Ë ÔËÂχ ‰‡ÌÌ˚ı. éÌ ÔÓÁ‚ÓÎflÂÚ
ÔÂÂÏ¢‡Ú¸ ‡·Ó˜Ë ‰‡ÌÌ˚Â Ë ÍÓχ̉˚ ÏÂÊ‰Û MIDI-ÛÒÚÓÈÒÚ‚‡ÏË
Ë ÔÂÒÓ̇θÌ˚ÏË ÍÓÏÔ¸˛Ú‡ÏË.
èË ÔÓÏÓ˘Ë MIDI-ËÌÚÂÙÂÈÒ‡ ÏÓÊÌÓ ÛÔ‡‚ÎflÚ¸ MIDI-ÛÒÚÓÈÒÚ‚ÓÏ,
ÔÓ‰Íβ˜ÂÌÌ˚Ï Í ÔˇÌËÌÓ Clavinova, ËÎË ÛÔ‡‚ÎflÚ¸ ÔˇÌËÌÓ Clavinova
Ò ÔÓ‰Íβ˜ÂÌÌÓ„Ó MIDI-ÛÒÚÓÈÒÚ‚‡ ËÎË ÍÓÏÔ¸˛Ú‡.
MIDI-‡Á˙ÂÏ˚
MIDI
THRU
MIDI [IN]:
MIDI [OUT]:
MIDI [THRU]:
OUT
ä ëÇÖÑÖçàû
ꇷӘË MIDI-‰‡ÌÌ˚Â Ë ÍÓχ̉˚
Ô‰‡˛ÚÒfl ‚ ‚ˉ ˆËÙÓ‚˚ı
Á̇˜ÂÌËÈ.
ä ëÇÖÑÖçàû
í‡Í Í‡Í MIDI-‰‡ÌÌ˚Â, ÍÓÚÓ˚Â
ÏÓÊÌÓ Ô‰‡‚‡Ú¸ Ë ÔÓÎÛ˜‡Ú¸,
Á‡‚ËÒflÚ ÓÚ ÚËÔ‡ MIDI-ÛÒÚÓÈÒÚ‚‡, Ôӂ¸Ú ÔÓ Ú‡·ÎˈÂ
‡ÎËÁ‡ˆËË ËÌÚÂÙÂÈÒ‡ MIDI,
͇ÍË ‰‡ÌÌ˚Â Ë ÍÓχ̉˚ ÏÓÊÂÚ
Ô‰‡‚‡Ú¸ Ë ÔËÌËχڸ ‚‡¯Â
ÛÒÚÓÈÒÚ‚Ó. 퇷ÎˈÛ
‡ÎËÁ‡ˆËË ËÌÚÂÙÂÈÒ‡ MIDI
‰Îfl Clavinova ÒÏ. ̇ ÒÚ. 38.
IN
ÑÎfl ÔËÂχ MIDI-‰‡ÌÌ˚ı.
ÑÎfl ÔÂ‰‡˜Ë MIDI-‰‡ÌÌ˚ı.
ÑÎfl ÔÂ‰‡˜Ë ‰‡ÌÌ˚ı, ÔÓÎÛ˜ÂÌÌ˚ı ˜ÂÂÁ ‡Á˙ÂÏ MIDI [IN],
·ÂÁ ËÁÏÂÌÂÌËfl.
MIDI-͇·ÂÎË
èÓ‰„ÓÚÓ‚¸Ú ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ë MIDI-͇·ÂÎË.
ä ëÇÖÑÖçàû
èÓ‰Ó·ÌÛ˛ ËÌÙÓχˆË˛
Ó· ËÌÚÂÙÂÈÒÂ MIDI ÏÓÊÌÓ
ÔÓÎÛ˜ËÚ¸ ËÁ ‡Á΢Ì˚ı
ÊÛ̇ÎÓ‚ Ë ‰Û„Ëı ËÁ‰‡ÌËÈ.
CLP-110
é· ËÌÚÂÙÂÈÒÂ MIDI
23
èÓ‰Íβ˜ÂÌË ÍÓÏÔ¸˛ÚÂ‡
èÓ‰Íβ˜Ë‚ ÍÓÏÔ¸˛ÚÂ Í ‡Á˙ÂÏÛ MIDI, ÏÓÊÌÓ ÔÓÒÎۯ˂‡Ú¸ ÏÛÁ˚͇θÌ˚ ‰‡ÌÌ˚Â Ò ÌÂ„Ó Ì‡ ÔˇÌËÌÓ
Clavinova.
èêàåÖóÄçàÖ
ÖÒÎË Clavinova ËÒÔÓθÁÛÂÚÒfl ‰Îfl ÔÓÒÎۯ˂‡ÌËfl, ÚÓ ÚÂÏ·˚, ÍÓÚÓ˚ı ÌÂÚ Ì‡ ÔˇÌËÌÓ Clavinova, ·Û‰ÛÚ ËÒ͇ʇڸÒfl.
Clavinova-Computer Connection – ˝ÚÓ ‰ÓÔÓÎÌËÚÂθÌÓ ÛÍÓ‚Ó‰ÒÚ‚Ó ‰Îfl ̇˜Ë̇˛˘Ëı, ‚ ÍÓÚÓÓÏ
‡ÒÒ͇Á˚‚‡ÂÚÒfl Ó ÚÓÏ, Í‡Í ËÒÔÓθÁÓ‚‡Ú¸ ˆËÙÓ‚Ó ÔˇÌËÌÓ Clavinova Ò ÔÂÒÓ̇θÌ˚Ï ÍÓÏÔ¸˛ÚÂÓÏ Ë
̇ÒÚÓËÚ¸ ÒËÒÚÂÏÛ Clavinova-ÍÓÏÔ¸˛ÚÂ (ÛÍÓ‚Ó‰ÒÚ‚Ó Ì ‡ÒÒ˜ËÚ‡ÌÓ Ì‡ ͇ÍÛ˛-ÎË·Ó ÍÓÌÍÂÚÌÛ˛ ÏÓ‰Âθ).
èÓÎÛ˜ËÚ¸ ˝ÚÓÚ ‰ÓÍÛÏÂÌÚ ‚ ‚ˉ هÈ· PDF ̇ ‡Ì„ÎËÈÒÍÓÏ flÁ˚Í ÏÓÊÌÓ ÔÓ ÒÎÂ‰Û˛˘ÂÏÛ ‡‰ÂÒÛ ‚ àÌÚÂÌÂÚÂ:
ë‡ÈÚ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova (̇ ‡Ì„ÎËÈÒÍÓÏ flÁ˚ÍÂ):
http://www.yamahaclavinova.com/
ÅË·ÎËÓÚÂ͇ ÛÍÓ‚Ó‰ÒÚ‚ ÔÓ ÔÓ‰ÛÍÚ‡Ï Yamaha:
http://www2.yamaha.co.jp/manual/english/
èÓ‰Íβ˜ËÚ¸ ÔˇÌËÌÓ Clavinova Í èä ÏÓÊÌÓ ‰‚ÛÏfl ÒÔÓÒÓ·‡ÏË.
1. èË ÔÓÏÓ˘Ë MIDI-ËÌÚÂÙÂÈÒ‡ Ë MIDI-‡Á˙ÂÏÓ‚ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova (ÒÚ. 25).
2. èË ÔÓÏÓ˘Ë USB-ÔÓÚ‡ ÍÓÏÔ¸˛Ú‡ Ë USB-ËÌÚÂÙÂÈÒ‡ (ÏÓ‰Âθ UX256, UX96 ËÎË UX16) (ÒÚ. 25).
èêàåÖóÄçàÖ
24
CLP-110
è‰ ÔÓ‰Íβ˜ÂÌËÂÏ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova Í ÔÂÒÓ̇θÌÓÏÛ ÍÓÏÔ¸˛ÚÂÛ ÓÚÍβ˜ËÚ ÔËÚ‡ÌËÂ Í‡Í ÍÓÏÔ¸˛Ú‡,
Ú‡Í Ë ËÌÒÚÛÏÂÌÚ‡. ëÓ‰ËÌË‚ ÛÒÚÓÈÒÚ‚‡ Ë ÛÒÚ‡ÌÓ‚Ë‚ ÔÂÂÍβ˜‡ÚÂθ, ‚Íβ˜ËÚ Ò̇˜‡Î‡ ÍÓÏÔ¸˛ÚÂ, ‡ Á‡ÚÂÏ ÔˇÌËÌÓ
Clavinova.
èÓ‰Íβ˜ÂÌË ÍÓÏÔ¸˛Ú‡
1. èË ÔÓÏÓ˘Ë MIDI-ËÌÚÂÙÂÈÒ‡ Ë MIDI-‡Á˙ÂÏÓ‚ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova
èÓ‰Íβ˜ÂÌËÂ
àÒÔÓθÁÛÈÚ MIDI-ËÌÚÂÙÂÈÒ ‰Îfl ÔÓ‰Íβ˜ÂÌËfl èä Í ÔˇÌËÌÓ Clavinova Ò ÔÓÏÓ˘¸˛ ÒÔˆˇθÌ˚ı MIDI-͇·ÂÎÂÈ.
Clavinova
MIDI
THRU
OUT
IN
MIDI
IN
MIDI OUT
MIDI
OUT
MIDI
OUT
MIDI
IN
MIDI
IN
MIDI-ËÌÚÂÙÂÈÒ
MIDI-ËÌÚÂÙÂÈÒ
Windows
Macintosh
2. èÓ‰Íβ˜ÂÌË Clavinova ˜ÂÂÁ USB-ÔÓÚ ÍÓÏÔ¸˛Ú‡ Ë USB-ËÌÚÂÙÂÈÒ, ̇ÔËÏ UX256,
UX96 ËÎË UX16
èË ÔÓÏÓ˘Ë USB-͇·ÂÎfl ÔÓ‰Íβ˜ËÚ USB-ÔÓÚ ÍÓÏÔ¸˛ÚÂ‡ Í USB-ËÌÚÂÙÂÈÒÛ (̇ÔËÏÂ UX256, UX96 ËÎË
UX16). ìÒÚ‡ÌÓ‚ËÚ ‰‡È‚Â (ÍÓÚÓ˚È ·˚Î ÔÓÎÛ˜ÂÌ ‚ÏÂÒÚÂ Ò USB-ËÌÚÂÙÂÈÒÓÏ) ̇ ÍÓÏÔ¸˛ÚÂ Ë ÔÓ‰Íβ˜ËÚÂ
USB-ËÌÚÂÙÂÈÒ Í ÔˇÌËÌÓ Clavinova, ËÒÔÓθÁÛfl ÔÓÒΉӂ‡ÚÂθÌ˚È Í‡·Âθ ËÎË MIDI-͇·ÂÎË.
ᇠ·ÓΠÔÓ‰Ó·ÌÓÈ ËÌÙÓχˆËÂÈ Ó·‡˘‡ÈÚÂÒ¸ Í ÛÍÓ‚Ó‰ÒÚ‚Û ÔÓ USB-ËÌÚÂÙÂÈÒÛ.
èËÏ ÔÓ‰ÒÓ‰ËÌÂÌËfl USB-ËÌÚÂÙÂÈÒ‡ Í ÔˇÌËÌÓ Clavinova Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ MIDI-͇·ÂÎÂÈ
MIDI
͇·Âθ USB
THRU
OUT
IN
MIDI-͇·ÂÎË
ÍÓÏÔ¸˛ÚÂ
Clavinova
USB-ËÌÚÂÙÂÈÒ
MASTER
VOLUME
MIN
MAX
POWER
DEMO
METRONOME
VOICE
CLP-110
èÓ‰Íβ˜ÂÌË ÍÓÏÔ¸˛Ú‡
25
îÛÌ͈ËË MIDI
åÓÊÌÓ Á‡‰‡Ú¸ ̇ÒÚÓÈÍË MIDI-ËÌÚÂÙÂÈÒ‡.
ÑÓÔÓÎÌËÚÂθÌÛ˛ ËÌÙÓχˆË˛ Ó MIDI ‚˚ ÏÓÊÂÚ ÔÓÎÛ˜ËÚ¸ ‚ ‡Á‰ÂΠé MIDI-ËÌÚÂÙÂÈÒ (ÒÚ. 23).
Ç˚·Ó ͇̇· Ó·ÏÂ̇ MIDI-‰‡ÌÌ˚ÏË
èË Ì‡ÒÚÓÈÍ ÛÔ‡‚ÎÂÌËfl MIDI-ËÌÚÂÙÂÈÒÓÏ ‰Îfl ÛÒÔ¯ÌÓÈ ÔÂ‰‡˜Ë ‰‡ÌÌ˚ı
MIDI-͇̇Î˚ ÔÂ‰‡˛˘Â„Ó Ë ÔËÌËχ˛˘Â„Ó Ó·ÓÛ‰Ó‚‡ÌËfl ‰ÓÎÊÌ˚ ·˚Ú¸
Ô˂‰ÂÌ˚ ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËÂ.
ë ÔÓÏÓ˘¸˛ ˝ÚÓ„Ó Ô‡‡ÏÂÚ‡ ÏÓÊÌÓ Û͇Á‡Ú¸ ͇̇Î, ÔÓ ÍÓÚÓÓÏÛ ˆËÙÓ‚ÓÂ
ÔˇÌËÌÓ Clavinova ·Û‰ÂÚ ÔÂ‰‡‚‡Ú¸ ËÎË ÔËÌËχڸ MIDI-‰‡ÌÌ˚Â.
ÑÂÈÒÚ‚Ëfl
ç‡ÒÚÓÈ͇ Ô‰‡˛˘Â„Ó Í‡Ì‡Î‡
ÑÂʇ Í·‚Ë¯Ë A-1 Ë C 0, ̇ÊÏËÚ ӉÌÛ ËÁ Í·‚˯ C1 – E2.
ç‡ÒÚÓÈ͇ ÔËÌËχ˛˘Â„Ó Í‡Ì‡Î‡
ÑÂʇ Í·‚Ë¯Ë A-1 Ë C 0, ̇ÊÏËÚ ӉÌÛ ËÁ Í·‚˯ C4 – F5.
A-1 C 0
E2
D2
C1
2 4
7 9 11
E5
F5
C4
14 16
2 4
7 9 11
14 16
1 3 5 6 8 10 12 13 15
1 3 5 6 8 10 12 13 15 1+2
ÑÎfl ̇ÒÚÓÈÍË
Ô‰‡˛˘Ëı ͇̇ÎÓ‚
ÑÎfl ̇ÒÚÓÈÍË
ÔËÌËχ˛˘Ëı ͇̇ÎÓ‚
(C1—D 2)
OFF (ÓÚÍβ˜ÂÌËÂ)
(C4—F5)
ÑÎfl ÂÊËχ ALL (‚ÒÂ)
îÛÌ͈Ëfl Local
îÛÌ͈Ëfl Local ‰‡ÂÚ ‚ÓÁÏÓÊÌÓÒÚ¸ ÛÔ‡‚ÎflÚ¸ ‡·ÓÚÓÈ ‚ÒÚÓÂÌÌÓ„Ó ÚÓÌ-„ÂÌÂ‡ÚÓ‡ Ò Í·‚ˇÚÛ˚ CLP-110, Ú.Â. ‚ÒÚÓÂÌÌ˚ ÚÂÏ·˚ ÏÓ„ÛÚ ÔÓË„˚‚‡Ú¸Òfl ÔflÏÓ
̇ Í·‚ˇÚÛÂ. ùÚÓ ‚ÓÁÏÓÊÌÓ, ÂÒÎË ÙÛÌ͈Ëfl Local ‚Íβ˜Â̇ (‚˚·‡Ì Ô‡‡ÏÂÚ
Local Control On), Ú. Â. ‚ÌÛÚÂÌÌËÈ ÚÓÌ-„ÂÌÂ‡ÚÓ ÍÓÌÚÓÎËÛÂÚÒfl ÎÓ͇θÌÓ, Ò
Í·‚ˇÚÛ˚ ËÌÒÚÛÏÂÌÚ‡.
ÖÒÎË ˝Ú‡ ÙÛÌ͈Ëfl ÓÚÍβ˜Â̇ (‚˚·‡Ì Ô‡‡ÏÂÚ Local control OFF), ‚ÒÚÓÂÌÌ˚Â
ÚÂÏ·˚ Ì ·Û‰ÛÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òfl Ò Í·‚ˇÚÛ˚ CLP-110, ÌÓ ÔË Ì‡Ê‡ÚËË
Í·‚˯ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘‡fl MIDI-ËÌÙÓχˆËfl ‚Ò ‡‚ÌÓ ÔÂ‰‡ÂÚÒfl ˜ÂÂÁ ‡Á˙ÂÏ
MIDI OUT. é‰ÌÓ‚ÂÏÂÌÌÓ Ò ˝ÚËÏ ‚ÒÚÓÂÌÌ˚È ÚÓÌ-„ÂÌÂ‡ÚÓ ‡„ËÛÂÚ Ì‡
MIDI-ËÌÙÓχˆË˛, ÔÓÎÛ˜ÂÌÌÛ˛ ˜ÂÂÁ ‡Á˙ÂÏ MIDI IN.
ÑÂÈÒÚ‚Ëfl
ì‰ÂÊË‚‡fl Í·‚Ë¯Ë A-1 Ë C 0, ̇ÊÏËÚ Í·‚Ë¯Û C6.
A-1 C 0
CLP-110
îÛÌ͈ËË MIDI
èêàåÖóÄçàÖ
Ç ÂÊËÏ Dual ‰‡ÌÌ˚ ÚÂÏ·‡
Voice 1 Ô‰‡˛ÚÒfl ÔÓ
ÒÔˆˇθÌÓ Û͇Á‡ÌÌÓÏÛ Í‡Ì‡ÎÛ,
‡ ÚÂÏ·‡ Voice 2 – ÔÓ ÒÎÂ‰Û˛˘ÂÏÛ Í‡Ì‡ÎÛ. ÖÒÎË ‚ ˝ÚÓÏ
ÂÊËÏ Ô‰‡˛˘ËÈ Í‡Ì‡Î
ÓÚÍβ˜ÂÌ, ‰‡ÌÌ˚ ÌÂ
Ô‰‡˛ÚÒfl.
ä ëÇÖÑÖçàû
ALL:
êÂÊËÏ ÔËÂχ ÌÂÒÍÓθÍËı
ÚÂÏ·Ó‚ (Multi-timbre). éÌ
ÔÓÁ‚ÓÎflÂÚ Ó‰ÌÓ‚ÂÏÂÌÌÓ
ÔËÌËχڸ Ô‡ÚËË ÔÓ ‚ÒÂÏ 16
Í‡Ì‡Î‡Ï MIDI, Ú.Â. Clavinova
ÏÓÊÂÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ÔÂÒÌË,
ÔÓÎÛ˜ÂÌÌ˚Â Ò ÍÓÏÔ¸˛Ú‡ ËÎË
ÒÂÍ‚ÂÌÒ‡ ÔÓ ÌÂÒÍÓθÍËÏ
͇̇·Ï.
1+2:
êÂÊËÏ ÔËÂχ 1+2. éÌ
ÔÓÁ‚ÓÎflÂÚ Ó‰ÌÓ‚ÂÏÂÌÌÓ
ÔËÌËχڸ ‰‡ÌÌ˚ ÚÓθÍÓ ÔÓ
Í‡Ì‡Î‡Ï 1 Ë 2, Ú.Â. Clavinova
ÏÓÊÂÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ÔÂÒÌË,
ÔÓÎÛ˜ÂÌÌ˚Â Ò ÍÓÏÔ¸˛Ú‡ ËÎË
ÒÂÍ‚ÂÌÒ‡ ÔÓ Í‡Ì‡Î‡Ï 1 Ë 2.
ä ëÇÖÑÖçàû
àÁÏÂÌÂÌË ÔÓ„‡ÏÏ˚ Ë ‰Û„ËÂ
ÔÓ‰Ó·Ì˚ ÒÓÓ·˘ÂÌËfl Ì ‚ÎËfl˛Ú
̇ ̇ÒÚÓÈÍË Ô‡ÌÂÎË CLP-110
ËÎË Á‚Û˜‡ÌË ÌÓÚ,
ÔÓË„˚‚‡ÂÏ˚ı ̇ Í·‚ˇÚÛÂ.
C6
ä‡ÈÌflfl
Ô‡‚‡fl
Í·‚˯‡
26
èêàåÖóÄçàÖ
чÌÌ˚ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı
Ë ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ ÌÂ
Ô‰‡˛ÚÒfl ˜ÂÂÁ MIDI.
èêàåÖóÄçàÖ
Ç ÂÊËÏ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı Ë
‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ Clavinova ÌÂ
ÔËÌËχÂÚ MIDI-‰‡ÌÌ˚Â.
îÛÌ͈Ëfl ËÁÏÂÌÂÌËfl ÔÓ„‡ÏÏ˚
é·˚˜ÌÓ CLP-110 ‡„ËÛÂÚ Ì‡ ÌÓÏÂ‡ ËÁÏÂÌÂÌËfl MIDI-ÔÓ„‡ÏÏ˚,
ÔÓÎÛ˜ÂÌÌ˚Â Ò ‚̯ÌÂÈ Í·‚ˇÚÛ˚ ËÎË ÓÚ ‰Û„Ó„Ó MIDI-ÛÒÚÓÈÒÚ‚‡, ‚˚·Ë‡fl
‰Îfl ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Â„Ó Í‡Ì‡Î‡ ÚÂÏ· Ò ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÏ ÌÓÏÂÓÏ (ÚÂÏ· ̇
Í·‚ˇÚÛ Ì ËÁÏÂÌflÂÚÒfl). èË ‚˚·Ó ӉÌÓ„Ó ËÁ Ò‚ÓËı ÚÂÏ·Ó‚, ˆËÙÓ‚ÓÂ
ÔˇÌËÌÓ CLP-110 Ó·˚˜ÌÓ ÔÂ‰‡ÂÚ ÌÓÏÂ ËÁÏÂÌÂÌËfl MIDI-ÔÓ„‡ÏÏ˚. ÖÒÎË
‚̯Ì MIDI-ÛÒÚÓÈÒÚ‚Ó Ì‡ÒÚÓÂÌÓ Ì‡ ÔËÂÏ ‰‡ÌÌ˚ı, ̇ ÌÂÏ ·Û‰ÂÚ ‚˚·‡Ì
ÚÂÏ· ËÎË ÔÓ„‡Ïχ Ò ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÏ ÌÓÏÂÓÏ.
èË ÔÓÏÓ˘Ë ˝ÚÓÈ ÙÛÌ͈ËË ÏÓÊÌÓ Á‡ÔÂÚËÚ¸ ÔËÂÏ Ë ÔÂ‰‡˜Û ÌÓÏÂÓ‚
ËÁÏÂÌÂÌËfl ÔÓ„‡ÏÏ˚, Ú. Â. ‚˚·‡ÌÌ˚ ̇ ÔˇÌËÌÓ CLP-110 ÚÂÏ·˚ Ì ·Û‰ÛÚ
‚ÎËflÚ¸ ̇ ‚̯Ì MIDI-ÛÒÚÓÈÒÚ‚Ó.
ä ëÇÖÑÖçàû
àÌÙÓχˆË˛ Ó ÌÓχı
ËÁÏÂÌÂÌËfl ÔÓ„‡ÏÏ˚ ‰Îfl ‚ÒÂı
ÚÂÏ·Ó‚ CLP-110 ÒÏ. ̇ ÒÚ. 34
‚ ‡Á‰ÂΠ«îÓÏ‡Ú MIDI‰‡ÌÌ˚ı».
ÑÂÈÒÚ‚Ëfl
ì‰ÂÊË‚‡fl Í·‚Ë¯Ë A-1 Ë C 0, ̇ÊÏËÚ Í·‚Ë¯Û C 6.
A-1 C 0
C6
ä‡ÈÌflfl
Ô‡‚‡fl
Í·‚˯‡
îÛÌ͈Ëfl ËÁÏÂÌÂÌËfl ÛÔ‡‚ÎÂÌËfl
é·˚˜ÌÓ CLP-110 ‡„ËÛÂÚ Ì‡ ‰‡ÌÌ˚ ӷ ËÁÏÂÌÂÌËË ˝ÎÂÏÂÌÚÓ‚ ÛÔ‡‚ÎÂÌËfl
MIDI, ÔÓÎÛ˜ÂÌÌ˚Â Ò ‚̯ÌÂ„Ó MIDI-ÛÒÚÓÈÒÚ‚‡ ËÎË Í·‚ˇÚÛ˚, ˜ÚÓ ÔË‚Ó‰ËÚ
Í ÚÓÏÛ, ˜ÚÓ Ì‡ ÚÂÏ· ‚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÏ Í‡Ì‡Î ‚ÎËflÂÚ Ô‰‡Î¸, ‡ Ú‡ÍÊ ‰Û„ËÂ
̇ÒÚÓÈÍË ÛÔ‡‚ÎÂÌËfl, ÔÓÎÛ˜ÂÌÌ˚Â Ò ˝ÚÓ„Ó ÛÒÚÓÈÒÚ‚‡ (˝ÚÓ Ì ‚ÓÁ‰ÂÈÒÚ‚ÛÂÚ
̇ ÚÂÏ· Í·‚ˇÚÛ˚). èˇÌËÌÓ CLP-110 Ú‡ÍÊ ÔÂ‰‡ÂÚ ËÌÙÓχˆË˛ Ó·
ËÁÏÂÌÂÌËË ˝ÎÂÏÂÌÚÓ‚ ÛÔ‡‚ÎÂÌËfl MIDI-ËÌÚÂÙÂÈÒÓÏ ÔË ‡·ÓÚ Ô‰‡ÎË
ËÎË ‰Û„Ëı ˝ÎÂÏÂÌÚÓ‚ ÛÔ‡‚ÎÂÌËfl.
èË ÔÓÏÓ˘Ë ˝ÚÓÈ ÙÛÌ͈ËË ÏÓÊÌÓ Á‡ÔÂÚËÚ¸ ÔËÂÏ Ë ÔÂ‰‡˜Û ‰‡ÌÌ˚ı Ó·
ËÁÏÂÌÂÌËË ˝ÎÂÏÂÌÚÓ‚ ÛÔ‡‚ÎÂÌËfl Ú‡Í, ˜ÚÓ, ̇ÔËÏÂ, Ô‰‡Î¸ Ë ‰Û„Ë ˝ÎÂÏÂÌÚ˚
ÛÔ‡‚ÎÂÌËfl CLP-110 Ì ·Û‰ÛÚ ‚ÎËflÚ¸ ̇ ‚̯Ì MIDI-ÛÒÚÓÈÒÚ‚Ó.
ä ëÇÖÑÖçàû
ÅÓΠ‰ÂڇθÌÛ˛ ËÌÙÓχˆË˛
Ó· ËÁÏÂÌÂÌËË ˝ÎÂÏÂÌÚÓ‚
ÛÔ‡‚ÎÂÌËfl, ÍÓÚÓ˚ ÏÓÊÌÓ
ËÒÔÓθÁÓ‚‡Ú¸ ‚ CLP-110, ÒÏ. ‚
‡Á‰ÂΠ«îÓÏ‡Ú MIDI-‰‡ÌÌ˚ı»
̇ ÒÚ. 34.
ÑÂÈÒÚ‚Ëfl
ÑÂʇ Í·‚Ë¯Ë A-1 Ë C 0, ̇ÊÏËÚ Í·‚Ë¯Û D6.
A-1 C 0
D6
ä‡ÈÌflfl
Ô‡‚‡fl
Í·‚˯‡
CLP-110
îÛÌ͈ËË MIDI
27
ìÒÚ‡ÌÂÌË ÌÂÔÓ·‰ÓÍ
èÓ·ÎÂχ
ÇÓÁÏÓÊÌ˚ Ô˘ËÌ˚ Ë ÒÔÓÒÓ·˚ ÛÒÚ‡ÌÂÌËfl
Clavinova Ì ‚Íβ˜‡ÂÚÒfl.
Clavinova ÌÂÔ‡‚ËθÌÓ ÔÓ‰Íβ˜Â̇ Í ÓÁÂÚÍÂ. èӂ¸Ú ÔÓ‰Íβ˜ÂÌË ͇·ÂÎfl Í
‡Á˙ÂÏÛ Ì‡ Clavinova Ë Í ÓÁÂÚÍ (ÒÚ. 11).
èË ‚Íβ˜ÂÌËË Ë ÓÚÍβ˜ÂÌËË ÔËÚ‡ÌËfl
ÒÎ˚¯Ì˚ ˘ÂΘÍË Ë ıÎÓÔÍË.
í‡Í ‚Ò„‰‡ ÔÓËÒıÓ‰ËÚ ÔË ÔÓ‰‡˜Â Ë ÓÚÍβ˜ÂÌËË ˝ÎÂÍÚÓÔËÚ‡ÌËfl.
ëÎ˚¯ÂÌ ¯ÛÏ ËÁ ‰Ë̇ÏËÍÓ‚ ËÎË Ì‡Û¯ÌËÍÓ‚.
òÛÏ ÏÓÊÂÚ ·˚Ú¸ ÒΉÒÚ‚ËÂÏ ÔÓÏÂı, ‚˚Á‚‡ÌÌ˚ı ËÒÔÓθÁÓ‚‡ÌËÂÏ ÏÓ·ËθÌÓ„Ó
ÚÂÎÂÙÓ̇ ‚ ÌÂÔÓÒ‰ÒÚ‚ÂÌÌÓÈ ·ÎËÁÓÒÚË ÓÚ Clavinova. éÚÍβ˜ËÚ ÏÓ·ËθÌ˚È ÚÂÎÂÙÓÌ
ËÎË ÔÂÂÌÂÒËÚÂ Â„Ó ÔÓ‰‡Î¸¯Â ÓÚ Clavinova.
é·˘ËÈ ÛÓ‚Â̸ „ÓÏÍÓÒÚË ÒÎ˯ÍÓÏ ÌËÁÍËÈ
ËÎË Á‚ÛÍ ÓÚÒÛÚÒÚ‚ÛÂÚ ‚ÓÓ·˘Â.
• Ç˚·‡Ì‡ ÒÎ˯ÍÓÏ ÌËÁ͇fl „ÓÏÍÓÒÚ¸. ìÒÚ‡ÌÓ‚ËÚ ÌÛÊÌÛ˛ „ÓÏÍÓÒÚ¸ ÔË ÔÓÏÓ˘Ë
„ÛÎflÚÓ‡ [MASTER VOLUME].
• ì·Â‰ËÚÂÒ¸, ˜ÚÓ Í ‡Á˙ÂÏÛ ‰Îfl ̇ۯÌËÍÓ‚ Ì ÔÓ‰Íβ˜ÂÌ˚ ̇ۯÌËÍË.
• ì·Â‰ËÚÂÒ¸, ˜ÚÓ ‰Îfl ÙÛÌ͈ËË Local (ÒÚ. 26) ‚˚·‡Ì Ô‡‡ÏÂÚ ON.
臂‡fl Ô‰‡Î¸ Ì ‡·ÓÚ‡ÂÚ ËÎË Á‚ÛÍ
ÔӉ΂‡ÂÚÒfl, ‰‡Ê ÂÒÎË Ó̇ Ì ̇ʇڇ.
ÇÓÁÏÓÊÌÓ, ͇·Âθ Ô‰‡ÎË ÔÓ‰Íβ˜ÂÌ ÌÂÔ‡‚ËθÌÓ. ì·Â‰ËÚÂÒ¸, ˜ÚÓ Í‡·Âθ Ô‰‡ÎË
̇‰ÂÊÌÓ ‚ÒÚ‡‚ÎÂÌ ‚ ‡Á˙ÂÏ [DAMPER PEDAL] (ÒÚ. 30).
ÑÓÔÓÎÌÂÌËfl Ë ÏÓ‰ÛÎË
ÑÓÔÓÎÌÂÌËfl
ë͇ÏÂÈ͇ BC-100
ì‰Ó·Ì‡fl Ò͇ÏÂÈ͇, ҉·Ì̇fl ÒÔˆˇθÌÓ ‰Îfl Ë„˚ ̇ ˆËÙÓ‚ÓÏ ÔˇÌËÌÓ Clavinova ÍÓÔÓ‡ˆËË Yamaha.
ëÚÂÂÓ̇ۯÌËÍË HPE-160
ã„ÍËÂ Ë ˝ÙÙÂÍÚË‚Ì˚ ̇ۯÌËÍË Ò Ïfl„ÍËÏË ÔÓÍ·‰Í‡ÏË ‰Îfl Û¯ÂÈ.
ÑÓÔÓÎÌËÚÂθÌ˚ ÏÓ‰ÛÎË
åÓ‰Ûθ DOU-10 Disk Orchestra Unit
êfl‰ MIDI-ÙÛÌ͈ËÈ ‰Îfl Á‡ÔËÒË Ë ‚ÓÒÔÓËÁ‚‰ÂÌËfl, ‡ Ú‡ÍÊ èé Yamaha DOC, Disklavier PianoSoft™ Ë ‰ËÒÍ Ò
هȷÏË General MIDI/Standard MIDI ‰Îfl ‡Ò¯ËÂÌËfl ‚ÓÁÏÓÊÌÓÒÚÂÈ ‚ÓÒÔÓËÁ‚‰ÂÌËfl.
28
CLP-110
ÑÓÔÓÎÌÂÌËfl
Ë ÏÓ‰ÛÎË
CLP-110
ìÒÚ‡ÌÂÌËÂ
ÌÂÔÓ·‰ÓÍ
ë·Ó͇ ÔÓ‰ÒÚ‡‚ÍË ‰Îfl Í·‚ˇÚÛ˚
ÇçàåÄçàÖ!
• ÅÛ‰¸Ú ‚ÌËχÚÂθÌ˚: Ì ÔÂÂÔÛÚ‡ÈÚ ÍÓÏÔÓÌÂÌÚ˚ Ë ÛÒڇ̇‚ÎË‚‡ÈÚ Ëı ‚ Ô‡‚ËθÌÓÏ Ì‡Ô‡‚ÎÂÌËË. Ç˚ÔÓÎÌflÈÚÂ
Ò·ÓÍÛ Òӄ·ÒÌÓ ÒÎÂ‰Û˛˘ÂÈ ËÌÒÚÛ͈ËË.
• ÑÎfl Ò·ÓÍË Ú·ÛÂÚÒfl Ì ÏÂÌ ‰‚Ûı ˜ÂÎÓ‚ÂÍ.
• àÒÔÓθÁÛÈÚ ‚ËÌÚ˚ ÚÓθÍÓ Û͇Á‡ÌÌÓ„Ó ‡Áχ. àÒÔÓθÁÓ‚‡ÌË ‰Û„Ëı ‚ËÌÚÓ‚ ÏÓÊÂÚ Ôӂ‰ËÚ¸ ËÌÒÚÛÏÂÌÚ.
• èÓÒΠÁ‡‚¯ÂÌËfl Ò·ÓÍË Í‡Ê‰ÓÈ ˜‡ÒÚË Á‡ÚflÌËÚ ‚ËÌÚ˚.
• ÑÎfl ‡Á·ÓÍË ËÌÒÚÛÏÂÌÚ‡ ‚˚ÔÓÎÌËÚ ËÌÒÚÛÍˆË˛ ‚ Ó·‡ÚÌÓÏ ÔÓfl‰ÍÂ.
èË„ÓÚÓ‚¸Ú ÍÂÒÚÓ‚Û˛ (+) ÓÚ‚ÂÚÍÛ.
B
C
Ç˚̸Ú ËÁ Ô‡ÍÂÚ‡ ÒÎÂ‰Û˛˘Ë ÍÓÏÔÎÂÍÚÛ˛˘ËÂ.
ÑÂÚ‡ÎË Ò·ÓÍË
ÇËÌÚ˚ Ò ÔÎÓÒÍÓÈ „ÓÎÓ‚ÍÓÈ 6 X 16 ÏÏ - 8 ¯Ú.
ÇËÌÚ Ò ÔÎÓÒÍÓÈ „ÓÎÓ‚ÍÓÈ 6 X 16 ÏÏ
䇷Âθ ÔËÚ‡ÌËfl
ÑÂʇÚÂÎË ‰Îfl ͇·ÂÎfl - 2 ¯Ú.
臂‡fl Ô‰‡Î¸
A
C
á‡ÍÂÔËÚ ÓÒÌÓ‚ÌÛ˛ ˜‡ÒÚ¸ (A) ̇ ·ÓÍÓ‚˚ı
Ô‡ÌÂÎflı (C) ÔË ÔÓÏÓ˘Ë ¯ÛÛÔÓ‚ ̇  ÌËÊÌÂÈ
Ô‡ÌÂÎË (ÔÓ Ì‡Ô‡‚ÎÂÌ˲ Í Á‡‰ÌÂÈ ÒÚÂÌÍÂ
ÓÒÌÓ‚ÌÓÈ ˜‡ÒÚË) ÔflÏÓ Á‡ Ô‡Á‡ÏË ‚ ÒÍÓ·‡ı,
‡ÒÔÓÎÓÊÂÌÌ˚ı ̇‚ÂıÛ ·ÓÍÓ‚˚ı Ô‡ÌÂÎÂÈ.
èÓ‰‚Ë̸Ú ÓÒÌÓ‚ÌÛ˛ ˜‡ÒÚ¸ ‚ÔÂ‰ ‰Ó ÛÔÓ‡.
ëÓ‚ÏÂÒÚËÚ ÓÚ‚ÂÒÚËfl ÌËÊÌÂÈ Ô‡ÌÂÎË ÓÒÌÓ‚ÌÓÈ
˜‡ÒÚË Ò ÓÚ‚ÂÒÚËflÏË ‚ ÒÍÓ·‡ı ̇ ·ÓÍÓ‚˚ı
Ô‡ÌÂÎflı. (ê‡ÒÔÓÎÓÊËÚ ËÌÒÚÛÏÂÌÚ ÔÓ ˆÂÌÚÛ
Ú‡Í, ˜ÚÓ·˚ Á‡ÁÓ˚ ÒÔ‡‚‡ Ë Ò΂‡ ·˚ÎË
Ó‰Ë̇ÍÓ‚˚ÏË, Í‡Í ÔÓ͇Á‡ÌÓ Ì‡ ËÒÛÌÍÂ.) á‡ÚÂÏ
ËÒÔÓθÁÛÈÚ ˜ÂÚ˚ ‚ËÌÚ‡ Ò ÔÎÓÒÍÓÈ „ÓÎÓ‚ÍÓÈ
6 ı16 ÏÏ, ˜ÚÓ·˚ Á‡ÍÂÔËÚ¸ ÓÒÌÓ‚ÌÛ˛ ˜‡ÒÚ¸. Ñ‚‡
‚ËÌÚ‡ ÏÓÊÌÓ Á‡ÍÂÔËÚ¸ ÒÔÂ‰Ë, ‡ ‰‚‡ ÒÁ‡‰Ë.
C
B
10 ÒÏ
A
1. èËÒÓ‰ËÌËÚ ˆÂÌڇθÌÛ˛ Ô‡ÌÂθ (B)
10 ÒÏ
Í ·ÓÍÓ‚˚Ï Ô‡ÌÂÎflÏ (C).
ñÂÌÚ‡Î¸Ì‡fl Ô‡ÌÂθ (B) ÛÒڇ̇‚ÎË‚‡ÂÚÒfl ÏÂʉÛ
·ÓÍÓ‚˚ÏË Ô‡ÌÂÎflÏË (C). ëÍÓ·˚ ̇ ͇ʉÓÈ ÒÚÓÓÌ ˆÂÌÚ‡Î¸ÌÓÈ Ô‡ÌÂÎË ‰ÓÎÊÌ˚ ‡ÒÔÓ·„‡Ú¸Òfl
Îˈ‚ÓÈ ÒÚÓÓÌÓÈ Í Á‡‰ÌÂÈ ÒÚÂÌÍ ÔÓ‰ÒÚ‡‚ÍË
‰Îfl Í·‚ˇÚÛ˚. ê‡ÒÔÓÎÓÊËÚ ͂‡‰‡ÚÌ˚Â
ÓÚ‚ÂÒÚËfl ÒÍÓ· ˆÂÌÚ‡Î¸ÌÓÈ Ô‡ÌÂÎË Ì‡‰
ÍÓ̯ÚÂÈ̇ÏË ·ÓÍÓ‚˚ı Ô‡ÌÂÎÂÈ, Á‡ÚÂÏ
ÓÔÛÒÚËÚ ˆÂÌÚ‡Î¸ÌÛ˛ Ô‡ÌÂθ. ä‡Ê‰‡fl ÒÚÓÓ̇
ˆÂÌÚ‡Î¸ÌÓÈ Ô‡ÌÂÎË Á‡ÍÂÔÎflÂÚÒfl ÔË ÔÓÏÓ˘Ë
‰‚Ûı ¯ÛÛÔÓ‚ 6 ı 16 ÏÏ Ò ÔÎÓÒÍÓÈ „ÓÎÓ‚ÍÓÈ.
A
ÇËÌÚ Ò ÔÎÓÒÍÓÈ „ÓÎÓ‚ÍÓÈ
6 X 16 ÏÏ
èË ÛÒÚ‡ÌÓ‚Í ‰ÂÊËÚÂ
ÛÍË Ì‡ ‡ÒÒÚÓflÌËË ÌÂ
ÏÂÌ 10 ÒÏ ÓÚ Í‡Â‚.
2. ìÒÚ‡ÌÓ‚ËÚ ÓÒÌÓ‚ÌÛ˛ ˜‡ÒÚ¸ (A).
C
A
C
ÇçàåÄçàÖ!
• ëΉËÚ Á‡ ÚÂÏ, ˜ÚÓ·˚ Ì Á‡˘ÂÏËÚ¸ ԇθˆ˚ ÏÂʉÛ
ÓÒÌÓ‚Ì˚Ï ÛÒÚÓÈÒÚ‚ÓÏ Ë Á‡‰ÌÂÈ ËÎË ·ÓÍÓ‚˚ÏË
Ô‡ÌÂÎflÏË. ÅÛ‰¸Ú ˜ÂÁ‚˚˜‡ÈÌÓ ÓÒÚÓÓÊÌ˚ Ë Ì ÛÓÌËÚÂ
ÓÒÌÓ‚ÌÛ˛ ˜‡ÒÚ¸.
• ÑÂÊËÚ Í·‚ˇÚÛÛ ÚÓθÍÓ Ú‡Í, Í‡Í ÔÓ͇Á‡ÌÓ Ì‡
ËÒÛÌÍÂ.
èêàåÖóÄçàÖ
ÖÒÎË ÓÚ‚ÂÒÚËfl ‚ ÒÍÓ·‡ı ̇ Ô‰ÌÂÈ Ô‡ÌÂÎË Ì ÒÓ‚Ï¢ÂÌ˚ Ò
ÓÚ‚ÂÒÚËflÏË ‰Îfl ‚ËÌÚÓ‚, ‡ÒÔÓÎÓÊËÚ ·ÓÍÓ‚˚ ԇÌÂÎË
Ô‡‡ÎÎÂθÌÓ ÒÚÓÓÌ‡Ï ÓÒÌÓ‚ÌÓÈ ˜‡ÒÚË.
CLP-110
ë·Ó͇ ÔÓ‰ÒÚ‡‚ÍË ‰Îfl Í·‚ˇÚÛ˚
29
3. ìÒÚ‡ÌÓ‚ËÚÂ
ÒÂÎÂÍÚÓ Ì‡ÔflÊÂÌËfl Ë
ÔÓ‰ÒÓ‰ËÌËÚ ͇·Âθ ÔËÚ‡ÌËfl.
220
240
110
127
ëÂÎÂÍÚÓ Ì‡ÔflÊÂÌËfl ÔÓÒÚ‡‚ÎflÂÚÒfl Ì ‚Ó
‚ÒÂı „ËÓ̇ı.
Ç ÌÂÍÓÚÓ˚ı „ËÓ̇ı ËÒÔÓθÁÛÂÚÒfl
ÔÂÂÍβ˜‡ÚÂθ ̇ÔflÊÂÌËfl. èÂʉ ˜ÂÏ
ÔÓ‰Íβ˜‡Ú¸ ͇·Âθ ÔËÚ‡ÌËfl, ÔÓ‚Â¸ÚÂ,
Ô‡‚ËθÌÓ ÎË ÓÌ ÛÒÚ‡ÌÓ‚ÎÂÌ. ÑÎfl ÛÒÚ‡ÌÓ‚ÍË
ÔÂÂÍβ˜‡ÚÂÎfl ̇ 110, 127, 220 ËÎË 240 Ç Ò
ÔÓÏÓ˘¸˛ ÓÚ‚ÂÚÍË ÔÓ‚ÂÌËÚ ‰ËÒÍ Ú‡Í, ˜ÚÓ·˚
Ô‡‚ËθÌÓ ̇ÔflÊÂÌË ‰Îfl ‚‡¯Â„Ó „ËÓ̇
̇ıÓ‰ËÎÓÒ¸ ̇ÔÓÚË‚ Û͇Á‡ÚÂÎfl ̇ Ô‡ÌÂÎË.
èË ÔÓÒÚ‡‚Í ÔÂÂÍβ˜‡ÚÂθ ̇ÔflÊÂÌËfl
ÛÒÚ‡ÌÓ‚ÎÂÌ Ì‡ ̇ÔflÊÂÌË ‚ 240 Ç. Ç˚·‡‚
ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Â ̇ÔflÊÂÌËÂ, ÔÓ‰Íβ˜ËÚÂ
͇·Âθ ÔËÚ‡ÌËfl Í ‡Á˙ÂÏÛ AC INLET Ë Í
˝ÎÂÍÚÓÒÂÚË. Ç ÌÂÍÓÚÓ˚ı „ËÓ̇ı ‰Îfl
ÔÓ‰Íβ˜ÂÌËfl Í ˝ÎÂÍÚÓÒÂÚË ÚÂ·Û˛ÚÒfl
ÔÂÂıÓ‰ÌËÍË Ò ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÏ
‡ÒÔÓÎÓÊÂÌËÂÏ ÍÓÌÚ‡ÍÚÓ‚.
èÓÒΠҷÓÍË Ôӂ¸Ú ÒÎÂ‰Û˛˘ÂÂ.
• ç ÓÒÚ‡ÎÓÒ¸ ÎË Î˯ÌËı ‰ÂÚ‡ÎÂÈ?
➝ èÓ‚Â¸Ú ҷÓÍÛ Ë ËÒÔ‡‚¸Ú ӯ˷ÍË.
• ç Ï¯‡ÂÚ ÎË ÔˇÌËÌÓ Clavinova ÓÚÍ˚‚‡Ú¸ ‰‚ÂË Ë
ÔÂÂÏ¢‡Ú¸ Ô‰ÏÂÚ˚?
➝ èÓÒÚ‡‚¸Ú ˆËÙÓ‚Ó ÔˇÌËÌÓ Clavinova ‚
Û‰Ó·ÌÓÂ ÏÂÒÚÓ.
• ç ·ÓÎÚ‡ÂÚÒfl ÎË ËÌÒÚÛÏÂÌÚ Clavinova, ÍÓ„‰‡ ‚˚ „Ó
ÚflÒÂÚ (Ó· ˝ÚÓÏ ÏÓÊÌÓ ÒÛ‰ËÚ¸ ÔÓ ¯ÛÏÛ)?
➝ á‡ÚflÌËÚ ‚Ò ‚ËÌÚ˚.
• 䇷ÂÎË Ô‰‡ÎË Ë ÔËÚ‡ÌËfl ÔÎÓÚÌÓ ‚ÒÚ‡‚ÎÂÌ˚ ‚
‡Á˙ÂÏ˚?
➝ èÓ‚Â¸Ú ÒÓ‰ËÌÂÌËfl.
• ÖÒÎË ÓÒÌӂ̇fl ˜‡ÒÚ¸ ËÌÒÚÛÏÂÌÚ‡ ÒÍËÔËÚ ËÎË
ÌÂÛÒÚÓȘ˂‡, ÍÓ„‰‡ ‚˚ Ë„‡ÂÚ ̇ Í·‚˯‡ı,
ÔÓÒÏÓÚËÚ ÒıÂÏÛ Ò·ÓÍË Ë Á‡ÚflÌËÚ ‚Ò ‚ËÌÚ˚.
èË ÔÂÂÌÓÒÍ ÒÓ·‡ÌÌÓ„Ó ËÌÒÚÛÏÂÌÚ‡ ‚Ò„‰‡
·ÂËÚÂÒ¸ Á‡ ÌËÊÌ˛˛ ˜‡ÒÚ¸ ÓÒÌÓ‚ÌÓ„Ó ·ÎÓ͇.
ä˚¯Í‡
ÇÂıÌflfl ˜‡ÒÚ¸
èêÖÑìèêÖÜÑÖçàÖ
çÂÔ‡‚Ëθ̇fl ÛÒÚ‡Ìӂ͇ ̇ÔflÊÂÌËfl ÏÓÊÂÚ
Ò¸ÂÁÌÓ Ôӂ‰ËÚ¸ ˆËÙÓ‚Ó ÔˇÌËÌÓ Clavinova
ËÎË ‚˚Á‚‡Ú¸ ÌÂÔ‡‚ËθÌÛ˛ ‡·ÓÚÛ.
ÇçàåÄçàÖ!
• èÓ‰Íβ˜ÂÌË ԇ‚ÓÈ Ô‰‡ÎË
ÑÎfl ËÒÔÓθÁÓ‚‡ÌËfl ÙÛÌ͈ËÈ Ô‰‡ÎË ÒΉÛÂÚ
ÔÓ‰ÒÓ‰ËÌËÚ¸ Ô‡‚Û˛ Ô‰‡Î¸ Í ˆËÙÓ‚ÓÏÛ
ÔˇÌËÌÓ Clavinova.
èÓ‰Íβ˜ËÚ ͇·Âθ Ô‰‡ÎË Í ‡Á˙ÂÏÛ [DAMPER
PEDAL], ‡ÒÔÓÎÓÊÂÌÌÓÏÛ ‚ÌËÁÛ ˆËÙÓ‚Ó„Ó
ÔˇÌËÌÓ Clavinova.
èËÒÓ‰ËÌËÚ ‰‚‡ ‰ÂʇÚÂÎfl ͇·ÂÎfl Í ÔˇÌËÌÓ
Clavinova, Í‡Í ˝ÚÓ ÔÓ͇Á‡ÌÓ Ì‡ ËÒÛÌÍÂ, Ë
Á‡ÊÏËÚÂ Â„Ó ‚ ‰ÂʇÚÂÎflı.
R
PE
M
DA
L
DA
PE
M
RU
TH
ID
I
T
U
O
IN
30
CLP-110
ë·Ó͇ ÔÓ‰ÒÚ‡‚ÍË ‰Îfl Í·‚ˇÚÛ˚
• ç ·ÂËÚÂÒ¸ Á‡ Í˚¯ÍÛ Í·‚ˇÚÛ˚ ËÎË Â ‚ÂıÌ˛˛
˜‡ÒÚ¸. çÂÔ‡‚Ëθ̇fl ˝ÍÒÔÎÛ‡Ú‡ˆËfl ÏÓÊÂÚ ÔË‚ÂÒÚË
Í ‚˚ıÓ‰Û ËÌÒÚÛÏÂÌÚ‡ ËÁ ÒÚÓfl ËÎË Í Ú‡‚ÏÂ.
è‰ÏÂÚÌ˚È Û͇Á‡ÚÂθ
0–9
å
50 Greats for the Piano ...............................................16
50 ÔÂÒÂÌ ‰Îfl ÙÓÚÂÔ¸flÌÓ ........................................16
ÏÂ˚ ·ÂÁÓÔ‡ÒÌÓÒÚË .................................................6–7
ç
D
DAMPER PEDAL..........................................14, 17, 30
DEMO......................................................................14, 15
M
MASTER VOLUME ............................................11, 14
METRONOME .....................................................14, 21
MIDI ..............................................................................23
MIDI [IN] [OUT] [THRU] .....................................14
MIDI-͇·ÂÎË.........................................................23, 25
MIDI-‡Á˙ÂÏ˚......................................................23, 25
P
PHONES .................................................................12, 14
POWER ...................................................................11, 14
V
̇ÎÓÊÂÌË ÚÂÏ·Ó‚ (ÂÊËÏ Dual)....................... 19
̇ÒÚÓÈ͇
„ÎÛ·Ë̇ ‚Â·Â‡ˆËË ....................................... 18
ÚÂÏÔ ÏÂÚÓÌÓχ ................................................... 21
̇ۯÌËÍË............................................................... 12, 14
è
ÔÂÒÌË ➝ 50 ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ ‰Îfl ÙÓÚÂÔ¸flÌÓ .... 16
ÔÂÒÌfl .............................................................................. 16
ÔÓ‰Íβ˜ÂÌË ÔÂÒÓ̇θÌÓ„Ó ÍÓÏÔ¸˛ÚÂ‡ ...... 24
Ô‡‚‡fl Ô‰‡Î¸.................................................. 14, 17, 30
Ô˛ÔËÚ .......................................................................... 10
ê
‚Â·Â‡ˆËfl .............................................................. 18
ÂÊËÏ Dual .................................................................. 19
ë
VOICE................................................................14, 17–19
Ò·Ó͇ ......................................................................29–30
É
„ÓÏÍÓÒÚ¸
50 ÔÂÒÂÌ ‰Îfl ÙÓÚÂÔ¸flÌÓ ..................................16
‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ ÔÂÒÌË ................................15
ÏÂÚÓÌÓÏ ................................................................22
í
Ñ
Ú‡·Îˈ‡ ı‡‡ÍÚÂËÒÚËÍ MIDI ............................... 38
ÚÂÏ· ..................................................................14, 17–19
ÚÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË ................................ 39
Ú‡ÌÒÔÓÌËÓ‚‡ÌË .................................................... 20
Ú‡ÌÒÔÓÚËӂ͇ ......................................................... 8
‰ÂÏÓÌÒÚ‡ˆËfl........................................................14, 15
‰ÓÔÓÎÌËÚÂθÌ˚ ÔË̇‰ÎÂÊÌÓÒÚË ........................8
ì
ÛÒÚ‡ÌÂÌË ÌÂÔÓ·‰ÓÍ ............................................. 28
á
Á‡ÔÛÒÍ Ë ÓÒÚ‡Ìӂ͇ ‚ÓÒÔÓËÁ‚‰ÂÌËfl
50 ÔÂÒÂÌ ‰Îfl ÙÓÚÂÔ¸flÌÓ ..................................16
‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ ÔÂÒÌË ................................15
î
ÙÓÏ‡Ú MIDI-‰‡ÌÌ˚ı ............................................. 34
ä
Í˚¯Í‡ Í·‚ˇÚÛ˚..................................................10
CLP-110
è‰ÏÂÚÌ˚È Û͇Á‡ÚÂθ
31
Ñãü áÄåÖíéä
32
CLP-110
è‰ÏÂÚÌ˚È Û͇Á‡ÚÂθ
èËÎÓÊÂÌËÂ
This section introduces reference material.
In diesem Abschnitt finden Sie Referenzmaterial.
Cette section présente le matériel de référence.
Ç ˝ÚÓÏ ‡Á‰ÂΠÒÓ‰ÂʇÚÒfl χÚÂˇÎ˚, ÒÒ˚ÎÍË Ì‡ ÍÓÚÓ˚ ÂÒÚ¸ ‚ ‰‡ÌÌÓÏ ÛÍÓ‚Ó‰ÒÚ‚Â.
MIDI Data Format / MIDI-Datenformat / Format des données MIDI / îÓÏ‡Ú MIDI-‰‡ÌÌ˚ı................. 34
퇷Îˈ‡ ‡ÎËÁ‡ˆËË MIDI / MIDI Implementierung stabelle /
Feuille dimplantation MIDI / 퇷Îˈ‡ ‡ÎËÁ‡ˆËË MIDI ...................................................................... 38
Specifications / Technische Daten / Caracteristiques techniques / íÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË............ 39
CLP-110
33
MIDI Data Format / MIDI-Datenformat /
Format des données MIDI / îÓÏ‡Ú MIDI-‰‡ÌÌ˚ı
If you’re already very familiar with MIDI, or are using a
computer to control your music hardware with computergener-ated MIDI messages, the data provided in this section
can help you to control the CLP-110.
Falls Sie bereits mit MIDI vertraut sind oder einen
Computer zur Erzeugung von MIDI-Steuermeldungen für die
Instrumente verwenden, können Sie sich zur Steuerung des
CLP-110 nach den im folgenden Abschnitt aufgeführten
Spezifikationen richten.
Si vous êtes très familier avec l’interface MIDI ou si vous
utilisez un ordinateur pour commander votre matériel de
musique au moyen de messages MIDI générés par
ordinateur, les données suivantes vous seront utiles et vous
aideront à commander le CLP-110.
1. NOTE ON/OFF
3. MODE MESSAGES
Data format: [9nH] -> [kk] -> [vv]
Data format: [BnH] -> [cc] -> [vv]
9nH = Note ON/OFF event (n = channel number)
kk =
Note number (Transmit: 09H ~ 78H = A-2 ~ C8 /
Receive: 00H ~ 7FH = C-2 ~ G8)*
vv =
Velocity (Key ON = 01H ~ 7FH, Key OFF = 00H)
Data format: [8nH] -> [kk] -> [vv] (reception only)
8nH = Note OFF event (n = channel number)
kk =
Note number: 00H ~ 7FH = C-2 ~ G8
vv =
Velocity
* If received value exceeds the supported range for the
selected voice, the note is adjusted by the necessary number of octaves.
2. CONTROL CHANGE
Data format: [BnH] -> [cc] -> [vv]
BnH = Control change (n = channel number)
cc =
Control number
vv =
Data Range
(1) Bank Select
ccH
Parameter
Data Range (vvH)
00H
Bank Select MSB
00H:Normal
20H
Bank Select LSB
00H...7FH
Bank selection processing does not occur until receipt of
next Program Change message.
(2) Main Volume (reception only)
ccH
Parameter
Data Range (vvH)
07H
Volume MSB
00H...7FH
(3) Expression
ccH
Parameter
0BH Expression MSB
Data Range (vvH)
00H...7FH
(4) Damper
ccH
Parameter
40H
Damper MSB
Data Range (vvH)
00H...7FH
(5) Sostenuto
ccH
Parameter
42H
Sostenuto
Data Range (vvH)
00H-3FH:off, 40H-7FH:on
(6) Soft Pedal
ccH
Parameter
43H
Soft Pedal
Data Range (vvH)
00H-3FH:off, 40H-7FH:on
(7) Effect1 Depth (Reverb Send Level)
ccH
Parameter
Data Range (vvH)
5BH Effect1 Depth
00H...7FH
Adjusts the reverb send level.
(8) Effect4 Depth (Variation Effect Send Level)
ccH
Parameter
Data Range (vvH)
5EH Effect4 Depth
00H...7FH
34
CLP-110
èËÎÓÊÂÌËÂ
ÖÒÎË ‚˚ Á̇ÍÓÏ˚ Ò MIDI ËÎË ËÒÔÓθÁÛÂÚ ÍÓÏÔ¸˛Ú ‰Îfl
ÛÔ‡‚ÎÂÌËfl ÏÛÁ˚͇θÌ˚ÏË ÛÒÚÓÈÒÚ‚‡ÏË ÔË ÔÓÏÓ˘Ë
ÒÓÁ‰‡‚‡ÂÏ˚ı ÍÓÏÔ¸˛ÚÂÓÏ MIDI-ÒÓÓ·˘ÂÌËÈ, ‰‡ÌÌ˚ ËÁ
˝ÚÓ„Ó ‡Á‰Â· ÔÓÏÓ„ÛÚ ‚‡Ï ÛÔ‡‚ÎflÚ¸ ÔˇÌËÌÓ CLP-110.
BnH = Control event (n = channel number)
cc =
Control number
vv =
Data Range
(1) All Sound Off
ccH
Parameter
Data Range (vvH)
78H
All Sound Off
00H
Switches off all sound from the channel. Does not reset Note
On and Hold On conditions established by Channel Messages.
(2) Reset All Controllers
ccH
Parameter
79H
Reset All Controllers
Resets controllers as follows.
Controller
Expression
Damper Pedal
Sostenuto
Soft Pedal
Data Range (vvH)
00H
Value
127 (max)
0 (off)
0 (off)
0 (off)
(3) Local Control (reception only)
ccH
Parameter
Data Range (vvH)
7AH Local Control
00H (off), 7FH (on)
(4) All Notes Off
ccH
Parameter
Data Range (vvH)
7BH All Notes Off
00H
Switches OFF all the notes that are currently ON on the specified channel. Any notes being held by the damper or sostenuto pedal will continue to sound until the pedal is released.
(5) Omni Off (reception only)
ccH
Parameter
Data Range (vvH)
7CH Omni Off
00H
Same processing as for All Notes Off.
(6) Omni On (reception only)
ccH
Parameter
Data Range (vvH)
7DH Omni On
00H
Same processing as for All Notes Off.
(7) Mono (reception only)
ccH
Parameter
Data Range (vvH)
7EH Mono
00H
Same processing as for All Sound Off.
(8) Poly (reception only)
ccH
Parameter
Data Range (vvH)
7FH
Poly
00H
Same processing as for All Sound Off.
• When control change reception is turned OFF in the Function
mode, control change data will not be transmitted or received
except for Bank Select and Mode messages.
• Local on/off, OMNI on/off are not transmitted. (The appropriate
note off number is supplied with “All Note Off” transmission).
• When a voice bank MSB/LSB is received, the number is
stored in the internal buffer regardless of the received order,
then the stored value is used to select the appropriate voice
when a program change message is received.
• The Multi-timbre and Poly modes are always active. No
change occurs when OMNI ON, OMNI OFF, MONO, or POLY
mode messages are received.
4. PROGRAM CHANGE
6. SYSTEM EXCLUSIVE MESSAGES
(Universal System Exclusive)
Data format: [CnH] -> [ppH]
CnH = Program event (n = channel number)
ppH = Program change number
P.C.#=Program Change number
CLP-110
Grand Piano 1
Grand Piano 2
E.Piano 1
E.Piano 2
Harpsichord 1
Harpsichord 2
Vibraphone
Church Organ 1
Church Organ 2
Strings
MSB
0
0
0
0
0
0
0
0
0
0
LSB
122
112
122
122
122
123
122
123
122
122
P.C.#
0
0
5
4
6
6
11
19
19
48
• When program change reception is turned OFF in the Function mode, no program change data is transmitted or
received. Also, Bank MSB/LSB is not transmitted or received.
5. SYSTEM REALTIME MESSAGES
[rrH]
F8H: Timing clock
FAH: Start
FCH: Stop
FEH: Active sensing
Data
Transmission
F8H
Transmitted every
96 clocks
FAH
Song start
FCH
Song stop
FEH
Transmitted every
200 milliseconds
Reception
Received as 96-clock tempo timing
when MIDI clock is set to External.
Song start
Not received when the MIDI clock is
set to Internal.
Song stop
Not received when the MIDI clock is
set to Internal.
If a signal is not received via MIDI for
more than 400 milliseconds, the
same processing will take place for
All Sound Off, All Notes Off and Reset
All Controllers as when those signals
are received.
• Caution: If an error occurs during MIDI reception, the Damper,
Sostenuto, and Soft effects for all channels are turned off and
an All Note Off occurs.
(1) Universal Realtime Message
Data format: [F0H] -> [7FH] -> [XnH] -> [04H] -> [01H] ->
[llH] -> [mmH] -> [F7H]
MIDI Master Volume
• Simultaneously changes the volume of all channels.
• When a MIDI master volume message is received, the volume
only has affect on the MIDI receive channel, not the panel
master volume.
F0H = Exclusive status
7FH = Universal Realtime
7FH = ID of target device
04H = Sub-ID #1=Device Control Message
01H = Sub-ID #2=Master Volume
llH = Volume LSB
mmH = Volume MSB
F7H = End of Exclusive
or
F0H = Exclusive status
7FH = Universal Realtime
XnH = When n is received n=0~F, whichever is received.
X = don’t care
04H = Sub-ID #1=Device Control Message
01H = Sub-ID #2=Master Volume
llH = Volume LSB
mmH = Volume MSB
F7H = End of Exclusive
(2) Universal Non-Realtime Message (GM On)
General MIDI Mode On
Data format: [F0H] -> [7EH] -> [XnH] -> [09H] -> [01H] ->
[F7H]
F0H = Exclusive status
7EH = Universal Non-Realtime
7FH = ID of target device
09H = Sub-ID #1=General MIDI Message
01H = Sub-ID #2=General MIDI On
F7H = End of Exclusive
or
F0H = Exclusive status
7EH = Universal Non-Realtime
XnH = When received, n=0~F.
X = don’t care
09H = Sub-ID #1=General MIDI Message
01H = Sub-ID #2=General MIDI On
F7H = End of Exclusive
When the General MIDI mode ON message is received, the
MIDI system will be reset to its default settings.
This message requires approximately 50ms to execute, so
sufficient time should be allowed before the next message is
sent.
CLP-110
èËÎÓÊÂÌËÂ
35
7. SYSTEM EXCLUSIVE MESSAGES (XG Standard)
(1) XG Native Parameter Change
Data format: [F0H] -> [43H] -> [1nH] -> [4CH] -> [hhH] ->
[mmH] -> [llH] -> [ddH] -> [F7H]
F0H = Exclusive status
43H = YAMAHA ID
1nH = When received, n=0~F.
When transmitted, n=0.
4CH = Model ID of XG
hhH = Address High
mmH = Address Mid
llH = Address Low
ddH = Data
|
F7H = End of Exclusive
Data size must match parameter size (2 or 4 bytes).
When the XG System On message is received, the MIDI system will be reset to its default settings.
The message requires approximately 50ms to execute, so
sufficient time should be allowed before the next message is
sent.
(2) XG Native Bulk Data (reception only)
Data format: [F0H] -> [43H] -> [0nH] -> [4CH] -> [aaH] ->
[bbH] -> [hhH] -> [mmH] -> [llH] ->[ddH] ->...->
[ccH] -> [F7H]
F0H = Exclusive status
43H = YAMAHA ID
0nH = When received, n=0~F.
When transmitted, n=0.
4CH = Model ID of XG
aaH = ByteCount
bbH = ByteCount
hhH = Address High
mmH = Address Mid
llH = Address Low
ddH = Data
|
|
|
|
ccH = Check sum
F7H = End of Exclusive
• Receipt of the XG SYSTEM ON message causes reinitialization of relevant parameters and Control Change values. Allow
sufficient time for processing to execute (about 50 msec)
before sending the CLP-110 another message.
• XG Native Parameter Change message may contain two or
four bytes of parameter data (depending on the parameter
size).
• For information about the Address and Byte Count values,
refer to Table 1 below. Note that the table’s Total Size value
gives the size of a bulk block. Only the top address of the
block (00H, 00H, 00H) is valid as a bulk data address.
8. SYSTEM EXCLUSIVE MESSAGES
(Clavinova MIDI Format)
Data format: [F0H] -> [43H] -> [73H] -> [xxH] -> [nnH] -> [F7H]
F0H = Exclusive status
43H = Yamaha ID
73H = Clavinova ID
01H = Product ID (CLP common)
or
7F=
Extended Product ID
xxH = Product ID (CLP-110: 24H)
nnH = Substatus
nn
Control
02H
Internal MIDI clock
03H
External MIDI clock
06H
Bulk Data (the bulk data follows 06H)
F7H = End of Exclusive
* When nn=02H or 03H, Clavinova common ID (01H) is
rec-ognized as well as 75H.
36
CLP-110
èËÎÓÊÂÌËÂ
9. SYSTEM EXCLUSIVE MESSAGES (Special Control)
Data format: [F0H] -> [43H] -> [73H] -> [66H] -> [11H] ->
[0nH] -> [ccH] -> [vvH] -> [F7H]
F0H =
43H =
73H =
7FH =
xxH =
11H =
0nH =
cc =
vv =
F7H =
Exclusive status
Yamaha ID
Clavinova ID
Extended Product ID
Product ID (CLP-110: 24H)
Special control
Control MIDI change (n=channel number)
Control number
Value
End of Exclusive
Control
Split Point
Metronome
Channel
Always 00H
Always 00H
ccH
14H
1BH
vvH
14H : Split Key Number
00H : off
01H : –
02H : 2/4
03H : 3/4
04H : 4/4
05H : 5/4
06H : 6/4
7FH : No accent
Damper Level ch: 00H-0FH 3DH(Sets the Damper Level
for each channel)
00H-7FH
Channel Detune ch: 00H-0FH 43H (Sets the Detune value
for each channel)
00H-7FH
Voice Reserve ch: 00H-0FH 45H
00H : Reserve off
7FH : on*
* When Volume, Expression is received for Reserve On, they
will be effective from the next Key On. Reserve Off is normal.
10. SYSTEM EXCLUSIVE MESSAGES (Others)
Data format: [F0H] -> [43H] -> [1nH] -> [27H] -> [30H] -> [00H]
-> [00H] -> [mmH] -> [llH] -> [ccH] -> [F7H]
Master Tuning (XG and last message priority) simultaneously
changes the pitch of all channels.
F0H = Exclusive Status
43H = Yamaha ID
1nH = When received, n=0~F.
When transmitted, n=0.
27H = Model ID of TG100
30H = Sub ID
00H
=
00H
=
mmH = Master Tune MSB
llH = Master Tune LSB
ccH = don’t care (under 7FH)
F7H = End of Exclusive
<Table 1>
MIDI Parameter Change table (SYSTEM)
Address (H) Size (H)
Data (H)
00 00 00
4
020C - 05F4(*1)
01
02
03
04
1
05
1
06
1
7E
7F
TOTAL SIZE 07
00 - 7F
—
34 - 4C(*2)
00
00
Parameter
MASTER TUNE
MASTER VOLUME
—
TRANSPOSE
XG SYSTEM ON
RESET ALL PARAMETERS
Description
-50 - +50[cent]
1st bit 3 - 0 ➝ bit 15 - 12
2nd bit 3 - 0 ➝ bit 11 - 8
3rd bit 3 - 0 ➝ bit 7 - 4
4th bit 3 - 0 ➝ bit 3 - 0
0 - 127
Default value (H)
00 04 00 00
400
-12 - +12[semitones]
00=XG sytem ON
00=ON (receive only)
40
7F
*1: Values lower than 020CH select -50 cents. Values higher than 05F4H select +50 cents.
*2: Values from 28H through 33H are interpreted as -12 through -1. Values from 4DH through 58H are interpreted as +1 through +12.
<Table 2>
MIDI Parameter Change table (EFFECT 1)
Refer to the “Effect MIDI Map” for a complete list of Reverb, Chorus and Variation type numbers.
Address (H)
02 01 00
Size (H)
2
02 01 40
2
Data (H)
00-7F
00-7F
Parameter
REVERB TYPE MSB
REVERB TYPE LSB
00-7F
VARIATION TYPE MSB
00-7F
VARIATION TYPE LSB
• “VARIATION” refers to the EFFECT on the panel.
Description
Refer to Effect MIDI Map
00 : basic type
Default value (H)
01(=HALL1)
00
Refer to Effect MIDI Map
00 : basic type
00(=Effect off)
00
Description
0 - 127
Default value (H)
7F
<Table 3>
MIDI Parameter Change table (MULTI PART)
Address (H) Size (H)
08 nn 11
1
nn = Part Number
Data (H)
00 - 7F
Parameter
DRY LEVEL
• Effect MIDI Map
REVERB
ROOM
HALL 1
HALL 2
STAGE
MSB
02H
01H
01H
03H
LSB
10H
10H
11H
10H
MSB
42H
48H
46H
05H
LSB
10H
10H
10H
10H
EFFECT
CHORUS
PHASER
TREMOLO
DELAY
CLP-110
èËÎÓÊÂÌËÂ
37
퇷Îˈ‡ ‡ÎËÁ‡ˆËË MIDI
YAMAHA [Clavinova]Date: 18 January, 2002
퇷Îˈ‡ ‡ÎËÁ‡ˆËË MIDI
Model: CLP-110
Function
Transmitted
Recognized
BasicDefault
ChannelChanged
1
1 - 16
1
1 - 16
Default
ModeMessages
Altered
3
X
*****************
1
X
X
Note
Number: True voice
9 - 120
*****************
0 - 127
0 - 127
VelocityNote ON
Note OFF
O 9nH, v=1 - 127
O 9nH, v=0
O 9nH, v=1 - 127
O 9nH, v=0 or 8nH
AfterKeys
TouchChs
X
X
X
X
Pitch Bender
X
X
Control Change0, 32
7
11
64
66
67
91
94
O
O
X
O
X
X
O
X
O
O
O
O
O
O
O
O
Program
Change: True #
O
*****************
O
System Exclusive
O
O
: Song Position
Common: Song Select
: Tune
X
X
X
X
X
X
System: Clock
Real Time: Commands
O
O
O
O
: All sounds off
Aux: Reset All Controllers
: Local ON/OFF
Messages: All Notes OFF
: Active Sense
: Reset
O
O
X
O
O
X
O (120, 126, 127)
O (121)
O (122)
O (123 - 125)
O
X
Notes : *1 = Recieve Mode is always multi timbre and Poly mode.
Mode 1: OMNI ON, POLYMode 2: OMNI ON, MONOO : Yes
Mode 3: OMNI OFF, POLYMode 4: OMNI OFF, MONOX : No
38
Version: 1.0
CLP-110
èËÎÓÊÂÌËÂ
Remarks
*1
Poly Mode only
Bank Select
Volume
Expression
Damper
Sostenuto
Soft pedal
Reverb Depth
Effect Depth
Specifications / Technische Daten /
Caracteristiques techniques / íÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË
ùÎÂÏÂÌÚ
CLP-110
ä·‚ˇÚÛ‡
88 Í·‚˯ (A-1 - C7)
àÒÚÓ˜ÌËÍ Á‚Û͇
ëÚÂÂÓ Ò˝ÏÔÎËÓ‚‡ÌË AWM Stereo Sampling
èÓÎËÙÓÌËfl
å‡ÍÒËÏÛÏ 32 ÌÓÚ˚
Ç˚·Ó ÚÂÏ·Ó‚
10
ùÙÙÂÍÚ
ê‚·‡ˆËfl
ÉÓÏÍÓÒÚ¸
é·˘‡fl „ÓÏÍÓÒÚ¸
ùÎÂÏÂÌÚ˚ ÛÔ‡‚ÎÂÌËfl
Dual, Metoronome, Transpose
Pedal
Damper
ÑÂÏÓÌÒÚ‡ˆËÓÌÌ˚Â
ÔÂÒÌË
10 ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÔÂÒÂÌ ÚÂÏ·Ó‚, 50 ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ
ÉÌÂÁ‰‡/‡Á˙ÂÏ˚
MIDI (IN/OUT/THRU), PHONES 2, DAMPER PEDAL
éÒÌÓ‚Ì˚Â ÛÒËÎËÚÂÎË
20 ÇÚ 2
ÑË̇ÏËÍË
邇θÌ˚ (12 ÒÏ 6 ÒÏ) 2
ê‡ÁÏÂ˚ (¯ËË̇ ‰ÎË̇
‚˚ÒÓÚ‡) (Ò Ô˛ÔËÚÓÏ)
1345 ÏÏ 426 ÏÏ 814 ÏÏ [52-15/16" 16-3/4" 32-1/2"]
(1345 ÏÏ 426 ÏÏ 967 ÏÏ) [53-15/16" 16-3/4" 38-11/16"]
ÇÂÒ
36 Í„ (79 ÙÛÌÚÓ‚ Ë 6 Û̈ËÈ)
ÑÓÔÓÎÌËÚÂθÌ˚Â
ÔË̇‰ÎÂÊÌÓÒÚË
êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl, ̇·Ó Ô‡ÚËÚÛ «50 greats for the Piano», Ò͇ÏÂÈ͇ (‚ıÓ‰ËÚ ËÎË ÌÂ
‚ıÓ‰ËÚ ‚ ÔÓÒÚ‡‚ÍÛ ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ ÏÂÒÚ‡ ÔÓÍÛÔÍË), ͇ÚÍÓ ÒÔ‡‚Ó˜ÌÓ ÛÍÓ‚Ó‰ÒÚ‚Ó, Ô‡‚‡fl
Ô‰‡Î¸
* Specifications and descriptions in this owner’s manual are for information purposes only. Yamaha Corp. reserves the right to change
or modify products or specifications at any time without prior notice. Since specifications, equipment or options may not be the
same in every locale, please check with your Yamaha dealer.
* Die technischen Daten und Beschreibungen in dieser Bedienungsanleitung dienen nur der Information. Yamaha Corp. behält sich
das Recht vor, Produkte oder deren technische Daten jederzeit ohne vorherige Ankündigung zu verändern oder zu modifizieren. Da
die technischen Daten, das Gerät selbst oder Sonderzubehör nicht in jedem Land gleich sind, setzen Sie sich im Zweifel bitte mit
Ihrem Yamaha-Händler in Verbindung.
* Les caractéristiques techniques et les descriptions du mode d’emploi ne sont données que pour information. Yamaha Corp. se
réserve le droit de changer ou modifier les produits et leurs caractéristiques techniques à tout moment sans aucun avis. Du fait que
les caractéristiques techniques, les équipements et les options peuvent différer d’un pays à l’autre, adressez-vous au distributeur
Yamaha le plus proche.
* íÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË Ë Ëı ÓÔËÒ‡ÌËfl ‚ ‰‡ÌÌÓÏ ÛÍÓ‚Ó‰ÒÚ‚Â ÔÓθÁÓ‚‡ÚÂÎfl Ô‰̇Á̇˜ÂÌ˚ ÚÓθÍÓ ‰Îfl Ó·˘Â„Ó
҂‰ÂÌËfl. äÓÔÓ‡ˆËfl Yamaha ÒÓı‡ÌflÂÚ Á‡ ÒÓ·ÓÈ Ô‡‚Ó ËÁÏÂÌflÚ¸ Ë ÏÓ‰ËÙˈËÓ‚‡Ú¸ ÔÓ‰ÛÍÚ˚ Ë Ëı ÚÂıÌ˘ÂÒÍËÂ
ı‡‡ÍÚÂËÒÚËÍË ·ÂÁ Ô‰‚‡ËÚÂθÌÓ„Ó Û‚Â‰ÓÏÎÂÌËfl. èÓÒÍÓθÍÛ ÚÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË, ‚ıÓ‰fl˘Â ‚ ÍÓÏÔÎÂÍÚ
Ó·ÓÛ‰Ó‚‡ÌËÂ Ë Â„Ó Ô‡‡ÏÂÚ˚ ÏÓ„ÛÚ ËÏÂÚ¸ ÌÂÍÓÚÓ˚ ÓÚ΢Ëfl ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ ÒÚ‡Ì˚, Ò‚flÊËÚÂÒ¸ Ò ÏÂÒÚÌ˚Ï ÚÓ„Ó‚˚Ï
Ô‰ÒÚ‡‚ËÚÂθÒÚ‚ÓÏ ÍÓÔÓ‡ˆËË Yamaha ‰Îfl ÔÓÎÛ˜ÂÌËfl ‰ÓÔÓÎÌËÚÂθÌ˚ı ҂‰ÂÌËÈ.
CLP-110
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39
Ñãü áÄåÖíéä
40
CLP-110
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Ñãü áÄåÖíéä
CLP-110
CLP-110
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41
Ñãü áÄåÖíéä
42
CLP-110
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IMPORTANT SAFETY INSTRUCTIONS
INFORMATION RELATING TO PERSONAL INJURY, ELECTRICAL SHOCK,
AND FIRE HAZARD POSSIBILITIES HAS BEEN INCLUDED IN THIS LIST.
WARNING- When using any electrical or electronic product,
basic precautions should always be followed. These precautions
include, but are not limited to, the following:
1.
Read all Safety Instructions, Installation Instructions, Special Message Section items, and any Assembly Instructions
found in this manual BEFORE making any connections, including connection to the main supply.
2.
Main Power Supply Verification: Yamaha products are
manufactured specifically for the supply voltage in the area
where they are to be sold. If you should move, or if any doubt
exists about the supply voltage in your area, please contact your
dealer for supply voltage verification and (if applicable) instructions. The required supply voltage is printed on the name plate.
For name plate location, please refer to the graphic found in the
Special Message Section of this manual.
3.
This product may be equipped with a polarized plug (one
blade wider than the other). If you are unable to insert the plug
into the outlet, turn the plug over and try again. If the problem
persists, contact an electrician to have the obsolete outlet
replaced. Do NOT defeat the safety purpose of the plug.
4.
Some electronic products utilize external power supplies
or adapters. Do NOT connect this type of product to any power
supply or adapter other than one described in the owners manual,
on the name plate, or specifically recommended by Yamaha.
5.
WARNING: Do not place this product or any other
objects on the power cord or place it in a position where anyone
could walk on, trip over, or roll anything over power or connecting cords of any kind. The use of an extension cord is not recommended! If you must use an extension cord, the minimum wire
size for a 25’ cord (or less) is 18 AWG. NOTE: The smaller the
AWG number, the larger the current handling capacity. For
longer extension cords, consult a local electrician.
6.
Ventilation: Electronic products, unless specifically
designed for enclosed installations, should be placed in locations
that do not interfere with proper ventilation. If instructions for
enclosed installations are not provided, it must be assumed that
unobstructed ventilation is required.
7.
Temperature considerations: Electronic products should
be installed in locations that do not significantly contribute to
their operating temperature. Placement of this product close to
heat sources such as; radiators, heat registers and other devices
that produce heat should be avoided.
8.
This product was NOT designed for use in wet/damp locations and should not be used near water or exposed to rain.
Examples of wet/damp locations are; near a swimming pool,
spa, tub, sink, or wet basement.
9.
This product should be used only with the components
supplied or; a cart, rack, or stand that is recommended by the
manufacturer. If a cart, rack, or stand is used, please observe all
safety markings and instructions that accompany the accessory
product.
10.
The power supply cord (plug) should be disconnected
from the outlet when electronic products are to be left unused for
extended periods of time. Cords should also be disconnected
when there is a high probability of lightning and/or electrical
storm activity.
11. Care should be taken that objects do not fall and liquids are
not spilled into the enclosure through any openings that may exist.
12.
Electrical/electronic products should be serviced by a
qualified service person when:
a. The power supply cord has been damaged; or
b. Objects have fallen, been inserted, or liquids have been
spilled into the enclosure through openings; or
c. The product has been exposed to rain: or
d. The product dose not operate, exhibits a marked change
in performance; or
e. The product has been dropped, or the enclosure of the
product has been damaged.
13. Do not attempt to service this product beyond that
described in the user-maintenance instructions. All other servicing should be referred to qualified service personnel.
14.
This product, either alone or in combination with an
amplifier and headphones or speaker/s, may be capable of producing sound levels that could cause permanent hearing loss.
DO NOT operate for a long period of time at a high volume level
or at a level that is uncomfortable. If you experience any hearing
loss or ringing in the ears, you should consult an audiologist.
IMPORTANT: The louder the sound, the shorter the time period
before damage occurs.
15.
Some Yamaha products may have benches and/or accessory
mounting fixtures that are either supplied as a part of the product
or as optional accessories. Some of these items are designed to be
dealer assembled or installed. Please make sure that benches are
stable and any optional fixtures (where applicable) are well
secured BEFORE using. Benches supplied by Yamaha are
designed for seating only. No other uses are recommended.
PLEASE KEEP THIS MANUAL
92-469-2
FCC INFORMATION (U.S.A.)
1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!
This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by
Yamaha may void your authority, granted by the FCC, to
use the product.
2. IMPORTANT: When connecting this product to accessories and/or another product use only high quality
shielded cables. Cable/s supplied with this product
MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA.
3. NOTE: This product has been tested and found to comply with the requirements listed in FCC Regulations,
Part 15 for Class “B” digital devices. Compliance with
these requirements provides a reasonable level of
assurance that your use of this product in a residential
environment will not result in harmful interference with
other electronic devices. This equipment generates/
uses radio frequencies and, if not installed and used
according to the instructions found in the users manual,
may cause interference harmful to the operation of
other electronic devices. Compliance with FCC regulations does not guarantee that interference will not occur
in all installations. If this product is found to be the
source of interference, which can be determined by
turning the unit “OFF” and “ON”, please try to eliminate
the problem by using one of the following measures:
Relocate either this product or the device that is being
affected by the interference.
Utilize power outlets that are on different branch (circuit
breaker or fuse) circuits or install AC line filter/s.
In the case of radio or TV interference, relocate/reorient
the antenna. If the antenna lead-in is 300 ohm ribbon
lead, change the lead-in to co-axial type cable.
If these corrective measures do not produce satisfactory results, please contact the local retailer authorized
to distribute this type of product. If you can not locate
the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service Division, 6600
Orangethorpe Ave, Buena Park, CA90620
The above statements apply ONLY to those products
distributed by Yamaha Corporation of America or its
subsidiaries.
* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA.
IMPORTANT NOTICE FOR THE UNITED KINGDOM
Connecting the Plug and Cord
IMPORTANT. The wires in this mains lead are coloured in
accordance with the following code:
BLUE
: NEUTRAL
BROWN : LIVE
As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured makings identifying the terminals in your plug proceed as follows:
The wire which is coloured BLUE must be connected to
the terminal which is marked with the letter N or coloured
BLACK.
The wire which is coloured BROWN must be connected to
the terminal which is marked with the letter L or coloured
RED.
Making sure that neither core is connected to the earth terminal of the three pin plug.
(2 wires)
• This applies only to products distributed by Yamaha-Kemble Music
(U.K.) Ltd.
CAUTION: TO PREVENT ELECTRIC SHOCK, MATCH
WIDE BLADE OF PLUG TO WIDE SLOT, FULLY INSERT.
ATTENTION: POUR ÉVITER LES CHOCS ÉLECTRIQUES, INTRODUIRE LA LAME LA PLUS LARGE DE
LA FICHE DANS LA BORNE CORRESPONDANTE DE LA
PRISE ET POUSSER JUSQU’AU FOND.
(polarity)
• This applies only to products distributed by Yamaha Canada Music
Ltd.
• Ceci ne s’applique qu’aux produits distribués par Yamaha Canada
Musique Ltée.
(class B)
For details of products, please contact your nearest Yamaha or the
authorized distributor listed below.
Pour plus de détails sur les produits, veuillez-vous adresser à Yamaha ou
au distributeur le plus proche de vous figurant dans la liste suivante.
NORTH AMERICA
CANADA
Yamaha Canada Music Ltd.
135 Milner Avenue, Scarborough, Ontario,
M1S 3R1, Canada
Tel: 416-298-1311
U.S.A.
Yamaha Corporation of America
6600 Orangethorpe Ave., Buena Park, Calif. 90620,
U.S.A.
Tel: 714-522-9011
CENTRAL & SOUTH AMERICA
MEXICO
Die Einzelheiten zu Produkten sind bei Ihrer unten aufgeführten
Niederlassung und bei Yamaha Vertragshändlern in den jeweiligen
Bestimmungsländern erhältlich.
èÓ‰Ó·Ì ӷ ËÌÒÚÛÏÂÌÚ ÏÓÊÌÓ ÛÁ̇ڸ Û ÛÔÓÎÌÓÏÓ˜ÂÌÌÓ„Ó
Ô‰ÒÚ‡‚ËÚÂÎfl ÍÓÔÓ‡ˆËË Yamaha ‚ ‚‡¯ÂÏ „ËÓÌÂ.
ASIA
FRANCE
Yamaha Musique France,
Division Claviers
BP 70-77312 Marne-la-Vallée Cedex 2, France
Tel: 01-64-61-4000
ITALY
Yamaha Musica Italia S.P.A.
Viale Italia 88, 20020 Lainate (Milano), Italy
Tel: 02-935-771
SPAIN/PORTUGAL
Yamaha-Hazen Electronica Musical, S.A.
Ctra. de la Coruna km. 17, 200, 28230
Las Rozas (Madrid) Spain
Tel: 91-201-0700
GREECE
Yamaha de Mexico S.A. De C.V.,
Departamento de ventas
Javier Rojo Gomez No.1149, Col. Gpe Del
Moral, Deleg. Iztapalapa, 09300 Mexico, D.F.
Tel: 686-00-33
BRAZIL
Yamaha Musical do Brasil LTDA.
Av. Rebouças 2636, São Paulo, Brasil
Tel: 011-853-1377
ARGENTINA
Philippe Nakas S.A.
Navarinou Street 13, P.Code 10680, Athens, Greece
Tel: 01-364-7111
SWEDEN
PANAMA AND OTHER LATIN
AMERICAN COUNTRIES/
CARIBBEAN COUNTRIES
Yamaha de Panamá S.A.
Torre Banco General, Piso 7, Urbanización Marbella,
Calle 47 y Aquilino de la Guardia,
Ciudad de Panamá, Panamá
Tel: 507-269-5311
EUROPE
THE UNITED KINGDOM
Yamaha-Kemble Music (U.K.) Ltd.
Sherbourne Drive, Tilbrook, Milton Keynes,
MK7 8BL, England
Tel: 01908-366700
IRELAND
Danfay Ltd.
61D, Sallynoggin Road, Dun Laoghaire, Co. Dublin
Tel: 01-2859177
GERMANY/SWITZERLAND
Yamaha Europa GmbH.
Siemensstraße 22-34, 25462 Rellingen,
F.R. of Germany
Tel: 04101-3030
AUSTRIA
Yamaha Music Austria
Schleiergasse 20, A-1100 Wien Austria
Tel: 01-60203900
THE NETHERLANDS
Yamaha Music Nederland
Kanaalweg 18G, 3526KL, Utrecht, The Netherlands
Tel: 030-2828411
BELGIUM
Yamaha Music Belgium
Keiberg Imperiastraat 8, 1930 Zaventem, Belgium
Tel: 02-7258220
Tom Lee Music Co., Ltd.
11/F., Silvercord Tower 1, 30 Canton Road,
Tsimshatsui, Kowloon, Hong Kong
Tel: 2737-7688
INDONESIA
PT. Yamaha Music Indonesia (Distributor)
PT. Nusantik
Gedung Yamaha Music Center, Jalan Jend. Gatot
Subroto Kav. 4, Jakarta 12930, Indonesia
Tel: 21-520-2577
KOREA
Yamaha Music Korea Ltd.
Tong-Yang Securities Bldg. 16F 23-8 Yoido-dong,
Youngdungpo-ku, Seoul, Korea
Tel: 02-3770-0661
MALAYSIA
Yamaha Music Malaysia, Sdn., Bhd.
Lot 8, Jalan Perbandaran, 47301 Kelana Jaya,
Petaling Jaya, Selangor, Malaysia
Tel: 3-703-0900
Yamaha Scandinavia AB
J. A. Wettergrens Gata 1
Box 30053
S-400 43 Göteborg, Sweden
Tel: 031 89 34 00
PHILIPPINES
DENMARK
Yamaha de Panamá S.A. Sucursal de Argentina
Viamonte 1145 Piso2-B 1053,
Buenos Aires, Argentina
Tel: 1-4371-7021
HONG KONG
YS Copenhagen Liaison Office
Generatorvej 8B
DK-2730 Herlev, Denmark
Tel: 44 92 49 00
FINLAND
F-Musiikki Oy
Kluuvikatu 6, P.O. Box 260,
SF-00101 Helsinki, Finland
Tel: 09 618511
Yupangco Music Corporation
339 Gil J. Puyat Avenue, P.O. Box 885 MCPO,
Makati, Metro Manila, Philippines
Tel: 819-7551
SINGAPORE
Yamaha Music Asia Pte., Ltd.
11 Ubi Road #06-00, Meiban Industrial Building,
Singapore
Tel: 65-747-4374
TAIWAN
NORWAY
Norsk filial av Yamaha Scandinavia AB
Grini Næringspark 1
N-1345 Østerås, Norway
Tel: 67 16 77 70
ICELAND
Skifan HF
Skeifan 17 P.O. Box 8120
IS-128 Reykjavik, Iceland
Tel: 525 5000
OTHER EUROPEAN COUNTRIES
Yamaha Europa GmbH.
Siemensstraße 22-34, 25462 Rellingen,
F.R. of Germany
Tel: 04101-3030
Yamaha KHS Music Co., Ltd.
10F, 150, Tun-Hwa Northroad,
Taipei, Taiwan, R.O.C.
Tel: 02-2713-8999
THAILAND
Siam Music Yamaha Co., Ltd.
121/60-61 RS Tower 17th Floor,
Ratchadaphisek RD., Dindaeng,
Bangkok 10320, Thailand
Tel: 02-641-2951
THE PEOPLE’S REPUBLIC OF CHINA
AND OTHER ASIAN COUNTRIES
Yamaha Corporation,
Asia-Pacific Music Marketing Group
Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650
Tel: 053-460-2317
AFRICA
Yamaha Corporation,
Asia-Pacific Music Marketing Group
Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650
Tel: 053-460-2312
MIDDLE EAST
TURKEY/CYPRUS
Yamaha Europa GmbH.
Siemensstraße 22-34, 25462 Rellingen,
F.R. of Germany
Tel: 04101-3030
OTHER COUNTRIES
Yamaha Music Gulf FZE
LB21-128 Jebel Ali Freezone
P.O.Box 17328, Dubai, U.A.E.
Tel: 971-4-881-5868
OCEANIA
AUSTRALIA
Yamaha Music Australia Pty. Ltd.
Level 1, 99 Queensbridge Street, Southbank, Victoria 3006, Australia
Tel: 3-9693-5111
NEW ZEALAND
Music Houses of N.Z. Ltd.
146/148 Captain Springs Road, Te Papapa,
Auckland, New Zealand
Tel: 9-634-0099
COUNTRIES AND TRUST
TERRITORIES IN PACIFIC OCEAN
Yamaha Corporation,
Asia-Pacific Music Marketing Group
Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650
Tel: 053-460-2312
HEAD OFFICE Yamaha Corporation, Pro Audio & Digital Musical Instrument Division
Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650
Tel: 053-460-3273
[CL] 23
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Ç·-Ò‡ÈÚ ÔˇÌËÌÓ Clavinova (̇ ‡Ì„ÎËÈÒÍÓÏ flÁ˚ÍÂ)
http://www.yamahaclavinova.com/
ëÓ·‡ÌË ÛÍÓ‚Ó‰ÒÚ‚ ÔÓ ÔÓ‰Û͈ËË ÍÓÏÔ‡ÌËË Yamaha
http://www2.yamaha.co.jp/manual/english/
M.D.G., Pro Audio & Digital Musical Instrument Division, Yamaha Corporation
C 2002 Yamaha Corporation
DIC 338