KODAK EKTACHROME 100D Color Reversal Film 5285 / 7285

KODAK EKTACHROME 100D Color
Reversal Film 5285 / 7285
TECHNICAL DATA / COLOR REVERSAL FILM
KODAK EKTACHROME 100D Color Reversal Film 5285 /
7285 is a 100-speed, high-color reversal motion picture
camera film intended for photography under daylight
illumination (5500K). It offers strikingly saturated color
performance while maintaining a neutral gray scale and
accurate flesh reproduction.
5285/7285 Film has exceptional sharpness that is
unsurpassed by any other 100-speed reversal film, and its
grain performance is excellent. This film also offers very
strong reciprocity uniformity and keeping stability.
This film offers outstanding results in outdoor and
studio applications where strong color saturation is
desired. It is excellent for advertising, nature
cinematography, documentaries, music videos, and is
especially good for telecine transfers and television
filming.
5285 Film is available in 35mm formats. 7285 Film is
available in several 16mm formats, as well as Super 8 50-ft
cartridges.
BASE
Acetate safety base.
STORAGE
Store unexposed film at 13° C (55° F) or lower. For
extended storage, store at -18° C (0° F) or lower. Process
exposed film promptly. Store processed film according to
the recommendations in NAPM IT9.11-1992: for
medium-term storage (minimum of ten years), store at
10° C (50° F) or lower at a relative humidity of 20 to 30
percent; for extended-term storage (for preservation of
material having permanent value), store at 2° C (35° F) or
lower at a relative humidity of 20 to 30 percent. For active
use, store at 25° C (77° F) or lower, at a relative humidity of
50 +/- 5 percent. This relates to optimized film handling
rather than preservation; static, dust-attraction and
curl-related problems are generally minimized at the
higher relative humidity. After usage, the film should be
returned to the appropriate medium- or extended-term
storage condition as soon as possible.
For more information about medium- and
extended-term storage, see NAPM IT9.11-1998, SMPTE
RP131-2002, and KODAK Publications No. H-1, KODAK
Motion Picture Films and No. H-23, The Book of Film Care.
February 2010 • H-1-5285
EXPOSURE INDEXES
Daylight (5500K): 100
Tungsten (3200K): 25 (with 80A filter)
Use these indexes with incident- or reflected-light
exposure meters and cameras marked for ISO or ASA
speeds or exposure indexes. These indexes apply for
meter readings of average subjects made from the camera
position or for readings made from a gray card of
18-percent reflectance held close to and in front of the
subject. For unusually light- or dark-colored subjects,
decrease or increase the exposure indicated by the meter
accordingly.
Super 8 Exposure
Some older cameras may automatically set the exposure to
ISO 160. In many situations, results at an ISO 160 exposure
setting (approximately 1 ⁄2 stop underexposed) would still
be acceptable.
It is believed that the majority of S8 cameras
manufactured prior to 1970 came with a fixed film
exposure setting of ISO 40. At an ISO 40 exposure setting
(approximately 1 1⁄4 stop overexposed), this film would
require either the use of a neutral density filter
(approximatel 0.3 ND) or Process E-6 "Pull Processing" to
compensate for the overexposure. Prior to exposing the
film at an ISO 40 setting, verify with your processing
laboratory that they offer the appropriate Process E-6 "Pull
Process."
DARKROOM RECOMMENDATIONS
Do not use a safelight. Handle unprocessed film in total
darkness.
EXPOSURE TABLE - DAYLIGHT
ILLUMINATION
At 24 frames per second (fps), 170-degree shutter
opening:
Lens
Aperture
Footcandles
Required
f/1.4
f/2
f/2.8
f/4
f/5.6
f/8
f/11
25
50
100
200
400
800
1600
RECIPROCITY CHARACTERISTICS
You do not need to make any filter corrections or exposure
adjustments for exposure times from 1/10,000 to 1
second.
©Eastman Kodak Company, 2010
COLOR BALANCE
PROCESSING
This film is balanced for exposure with daylight
illumination (5500K). For other light sources, use the
correction filters in the table below.
Process this film in KODAK Chemicals, Process E-6, cine
machine only.
Light Source
*
KODAK Filters on Camera*
Exposure
Index
Daylight (5500 K)
None
100
Tungsten (3000 K)
WRATTEN Gelatin No. 80A
25
Tungsten (3200 K)
WRATTEN Gelatin No. 80A
25
Fluorescent, Cool
White
Color Compensating Filter
CC20M
80
Fluorescent, Deluxe
Cool White
WRATTEN Gelatin No. 82C
80
Metal Halide (H.M.I.)
None
100
These are approximate corrections only.
Note: Consult the manufacturer of high-intensity
ultraviolet lamps for safety information on ultraviolet
radiation and ozone generation.
Color Balance and Filtration with Older S8 Cameras
Many cameras utilize an internal conversion filter to
convert daylight illumination into a tungsten balance. This
amber-colored filter is be placed into the optical path when
the manual selector is placed on the sun setting (the sun
icon). With the daylight balanced 100D Film, it will be
necessary to disengage this filter. Although it may sound
counter-intuitive, this is accomplished by setting the
manual exposure setting to the tungsten setting (the bulb
icon), no matter what conditions you are shooting under. If
you will be using 100D Film under tungsten illumination,
we recommend the use of an 80A external filter.
Consult the camera manufacturer's manual for specific
information on your camera's operation.
2
Note: KODAK EKTACHROME 100D Color Reversal Film
5285 / 7285 contains special sensitizing and filter dyes
that improve color reproduction. Because these dyes are
designed to rinse out of the film during processing, they
will change the color of the first developer, the reversal
bath, the final wash, and the final rinse. This solution
discoloration is only cosmetic. It will not affect
sensitometry or the quality of any Process E-6 film or
control material. However, the solutions will cause
splicing tape and processing equipment (rollers, racks,
etc.) to have a pinkish color. The pink dye residue can
easily be washed off processing equipment by following
normal maintenance procedures.
IDENTIFICATION
After processing, the product code numbers (5285 or
7285) , emulsion and roll number identification, KEYKODE
numbers, and internal product symbol (EA) are visible
along the length of the film.
KODAK EKTACHROME 100D Color Reversal Film 5285 / 7285 • H-1-5285
When you transfer the film directly to video, you can set up
the telecine using the KODAK EKTACHROME Telecine
Analysis Film (TAF) supplied by Eastman Kodak Company.
The TAF consists of a neutral density scale and an eight-bar
color test pattern with a LAD gray surround.
The TAF gray scale provides the telecine operator
(colorist) with an effective way to adjust subcarrier
balance and to center the telecine controls before timing
and transferring a film. The TAF color bars provide the
utility of electronic color bars, even though they do not
precisely match the electronically generated color bars.
Using the TAF will help obtain optimum quality and
consistency in the film-to-video transfer. For more
information regarding TAF, see KODAK Publication No.
H-822, KODAK Telecine Analysis Film User's Guide.
CURVES
Characteristic Curves
4.0
B
G
DENSITY (Status A)
FILM-TO-TAPE TRANSFERS
The modulation-transfer and diffuse rms granularity
curves were generated from samples of 5285 Film exposed
with daylight illumination and processed as recommended
in Process E-6 chemicals. For more information on
image-structure characteristics, see KODAK Publication
No. H-845, The Essential Reference Guide for Filmmakers,
available online at http://motion.kodak.com/US/en/
motion/Support/Technical_Information/
Essential_reference_guide/index.htm.
rms Granularity
The "perception" of the graininess of any film is highly
dependent on scene content, complexity, color, and
density. Other factors, such as film age, processing,
exposure conditions, and telecine transfer may also have
significant effects.
2.0
1.0
8
6
4
2
N
2
4
6
8
CAMERA STOPS
F002_1044AC
Modulation Transfer Function Curves
200
100
70
50
Modulation Transfer Function
B
30
RESPONSE (%)
The "perceived" sharpness of any film depends on various
components of the motion picture production system. The
camera and projector lenses and film printers, among other
factors, all play a role. But the specific sharpness of a film
can be measured and is charted in the Modulation Transfer
Function Curve.
R
3.0
0.0
IMAGE STRUCTURE
Exposure: Daylight, 1/100 second
Process: E-6
Densitometry: Status A
G
20
R
10
7
5
3
2
1
1
2
3 4 5
10
20
50
100
200
600
SPATIAL FREQUENCY (cycles/mm)
F002_1043AC
MTF curve - This graph shows a measure of the visual
sharpness of the film. The x-axis, "Spatial Frequency",
refers to the number of sine waves per millimetre that can
be resolved. The y-axis, "Response", corresponds to film
sharpness. The longer and flatter the line, the more the
film can resolve, and therefore, the sharper the film.
KODAK EKTACHROME 100D Color Reversal Film 5285 / 7285 • H-1-5285
3
Diffuse rms Granularity Curves
Spectral Dye Density Curves
4.0
1.5
R
2.0
.100
B
R
.050
.030
.020
.010
G
1.0
DIFFUSE SPECTRAL DENSITY
DENSITY (Status A)
3.0
Process: E-6
B
GRANULARITY SIGMA D
G
Process: E-6
Visual Neutral
1.0
Cyan
Yellow
Magenta
0.5
.006
.003
.002
0.0
3.0
0.0
.001
2.0
F002_1047AC
1.0
400
0.0
LOG EXPOSURE (lux-seconds)
To find the rms Granularity value for a given density, find
the density on the left vertical scale and follow horizontally
to the characteristic curve and then go vertically (up or
down) to the granularity curve. At that point, follow
horizontally to the Granularity Sigma D scale on the right.
Read the number and multiply by 1000 for the rms value.
Note: This curve represents granularity based on modified
measuring techniques. A slight variation from
sensitometric curve may be noticed.
2.0
LOG SENSITIVITY *
1.0
MagentaForming
Layer
CyanForming
Layer
0.0
1.0
2.0
Effective Exposure: 0.1 second
Process: E-6
Densitometry: Status A
Density: 1.0
250
300
350
400
450
500
550
500
550
600
650
700
WAVELENGTH (nm)
These curves depict the spectral absorptions of the dyes
formed when the film is processed. They are useful for
adjusting or optimizing any device that scans or prints the
film.
Note: Cyan, Magenta, and Yellow Dye Curves are
peak-normalized.
SIZES AVAILABLE
Standard Products Available
Spectral Sensitivity Curves
YellowForming
Layer
450
F002_1046AC
600
650
700
Identification
No.
Length in
Metres
(Feet)
Core
35 mm
KCR727
305
(1000)
U
16 mm
SP455
30 (100)
R-90
Winding B
1R-7605
(1R-2994)
16 mm
SP457
122 (400)
T
Winding B
1R-7605
(1R-2994)
16 mm
SP467
122 (400)
Z
8 mm–2
Edges
2R-1497
Super 8
SP464
15 (50)
Cartridge
Winding B
Description Perforations
BH-4740
(BH-1866)
750
WAVELENGTH (nm)
2
*Sensitivity = reciprocal of exposure (ergs/cm ) required
to produce specified density
F002_1045AC
These curves depict the sensitivity of this film to the
spectrum of light. They are useful for determining,
modifying, and optimizing exposure for blue- and
green-screen special-effects work.
4
KODAK EKTACHROME 100D Color Reversal Film 5285 / 7285 • H-1-5285
KODAK EKTACHROME 100D Color Reversal Film 5285 / 7285
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KODAK EKTACHROME 100D Color
Reversal Film 5285 / 7285
KODAK Publication No. H-1-5285
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Revised 2-10
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