ACMP
The Cha m b er Musi c Networ k
Newsletter
Winter 2009
That Carbon Fiber Cello
By now we all probably know that Yo Yo Ma did NOT play his carbon fiber cello
at the Inauguration and we didn’t hear the real notes he actually did play. But Mr
Ma does play a carbon fiber cello and did play one at the Washington Mall for 10
days in 100-degree heat during a Smithsonian Folklife Festival in 2003. He said
that in heat like that he could control the strings on his carbon fiber cello in a way
not possible on a wooden cello, and joked that the instrument could probably even
double as a barbeque.
Because the instruments are virtually unbreakable, they are perfect for travel (easily checked as baggage with a really sturdy case) and extreme weather conditions.
There are amazing weather stories. A cello owned by Kaaren Makas, (37 years
principal cello, New Orleans Philharmonic, Emeritus principal, Louisiana Philharmonic) survived the flood waters of Hurricane Katrina, needing only new strings,
bridge and soundpost, to be as new after spending two weeks under water.
When we finally made it home I let it sit for an hour or so while the snow melted
off into a pool on the greenhouse floor. Upon opening the case I found that drifting
snow had gotten inside and there was water running down the face of the cello. So I dried it off with a
paper towel and sure enough, it was not only playable, but still perfectly in tune!!!!! Now that I can feel
my fingers again, I am going to go play it!”
Julia Adams, violist in the Portland (ME) String Quartet agrees. She says, “Here in Maine, especially in
the winter months, our fine wooden instruments have many problems adjusting to changes in temperature and humidity. The carbon fiber Luis and Clark eliminates those worries completely.”
Price is another consideration. ACMP cellist Wayne Benjamin (Chicago, IL), who has owned his carbon
fiber cello for about a year and a half, writes, “When you compare the price of these carbon fiber cellos (circa $7000) to the wood instruments available for a similar price, such as an Eastern European or
Chinese “student” level cello, I think the choice is unambiguous. The carbon fiber cello, to me, sounds
as good as or better than instruments currently selling for $30-75,000.”
The carbon fiber cello is the brainchild of Luis Leguia, a cellist with the Boston Symphony Orchestra for over 40 years, who then, as he says, “Got bitten by the sailing bug.” A comparison between the
way old wooden boats were crafted and the manufacture of ultra-sophisticated boats in carbon fiber
prompted him to wonder what a cello would sound like in such a medium. He made the first few cellos
himself, and then teamed up with Steve Clark, a master in the production and fabrication of carbon fiber products and chairman of Vanguard Sailboats (an industry leader in supplying boats, accessories
and services to the small sailboat market) for production. The coincidence has a certain serendipity
that the new company, exploring new technology for instruments, should be named Luis and Clark and
bring to mind the famous explorers, Lewis and Clark, who searched for the Northwest Passage in the
early 19th century.
What’s it like to play? Luis says, “It’s lighter and responsive, and very strong. I wanted a cello that would
sound great. I wanted the tone of a Stradivarius or Montagnana cello and I wanted it to carry out over
orchestra when you play a concerto. And I wanted it with a beautiful quality. In the final result, you can
see it’s not a wood cello but the quality is beautiful, the power and reverberation is just superb, and the
depth of it I find wonderful. I’m extremely pleased.”
Wayne Benjamin now plays it exclusively, saying “It’s so easy to play. It’s not at all moody like a wood
cello because the carbon fiber is totally inert and doesn’t react to temperature or humidity. The body is
Photo: Kevin Sprague ©2008
Mark W. Dudrow, a cellist in Colorado, has another remarkable story at the other
weather extreme. In a major blizzard, he had to abandon his jeep in deep drifts
and white-out conditions to walk the final 3 miles to his home. He says, “I could
not bear to leave my cello in the car due to risk of theft or being demolished by a
snowplow... besides who wants to be snowed in without their cello?” He continues,
“My Luis and Clark cello is housed in a molded SKG case, so I flipped it over on its
face and dragged it like a sled, with the molded part of the case that protects the
strings and bridge acting as a sort of keel/runner.
In This Issue
Page 1
Carbon Fiber Cellos
Page 3
Foundation News
Page 4
Grants to
Youth Chamber Music Programs
Page 5
Community Music Programs
Page 6
Workshops
Home Coaching
Page 7
Programs for Less Experienced
Players
Counterpoints
Page 8
From the Mailbox
Sharing Your Music
The Directory at Work
Page 9
Recommended by Members
Sharps and Flats
Page 10
Book Reviews
Page 11
Website Follow Up
Cadences
Bequests
Retirement Notice
Bulletin Board
narrower front to back than a wood cello, so it is closer to the player and easier to
bow and finger and its continuous curve on the sides (similar to a guitar) make it
very comfortable to hold with no digging into ones knees. The cello speaks VERY
fast – the notes just fly off of it. The response is really amazing. I can play this cello
for hours without encountering arm, shoulder or back problems. On my wood cello
I need to take an Advil break after about 30 minutes.”
Violinist Laura Goldberg bought a carbon fiber violin after performing with Luis
and his “carbon fiber choir” ensemble in August, 2007. She says, “I bought it because it is a lot of fun to play! The tone is exciting and robust, and the design is cool
and modern. The experience of playing on the carbon is different from traditional
violins made of wood. The “feel” of the neck on the traditional violin is not the same
as the smooth, slippery feeling of the carbon, so shifting positions feels very different. The instrument “speaks” a bit differently, too. The tone of the carbon is more
direct and immediate than the wood. Also a bit brighter and stronger.”
ACMP Board Member Linda Rosenthal (Vn, Juneau, AK) says, “My husband
Paul, the Artistic Director of the Sitka Summer Festival, and I each have a Luis
and Clark violin and we also own a Luis and Clark viola. Paul uses them in performances. In fact, he’s quoted on Luis’s testimonial page as follows: “The Luis and
Clark violin is not only a terrific solo violin, but it spent the entire month of June
performing chamber music with Stradivaris, Guarneris, Amatis and many other superb traditional instruments. It takes its place completely naturally in the company
of great string instruments.”
It is quite an experience to hear the carbon fiber choir. Outside the Hall, if you hear
them before you see them, you have no idea that unusual instruments are inside.
The appearance is dramatic — all the performers play carbon fiber instruments,
and all wear white shirts with black skirts or pants to contrast with and highlight the
rich black sheen of the instruments. On Friday, January 30, 2009, the choir performed in New York City The program, designed to show off the versatile range of
the instruments, included Villa Lobos Bachianas Brasilieras No. 5 for 8 celli and
soprano, and Bachianas Brasilieras No.1 for “cello orchestra,” the Edward Elgar
Elegy, and Concerto Grosso No 1 by Ernst Bloch. Performers included the cellists
Luis Leguia himself, Peter Sachon who is currently playing his carbon fiber cello
in the Lincoln Center Theater production of South Pacific, and Mihai Marica, principal cello in the New Haven Symphony, who won the distinguished first prize and
the audience choice award at the 2006 Dr. Luis Sigall International Competition in
Viña del Mar, Chile, playing his carbon fiber cello.
The Carbon Fiber Choir performing at the Calhoun Performing
Arts Series in the Mary Lea Johnson Performing Arts Center,
New York City.
Back (L-R): Paul Ognissanti, Ben Clinesmith
Front: Mihai Marica, Peter Sachon
Conductor: Daniel Epstein
Below: The group performing Bloch’s Concerto Grosso
Inset: creator of the carbon fiber instruments, Luis Leguia
Photos by Beth Krieger, The Calhoun Performing Arts Center
And the remark of the day? Musician to Luis: “Do you still recommend Windex to
clean them?” Response: “Absolutely!”
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To learn more about carbon fiber instruments, including a link to video clips of their manufacture, visit the Luis and Clark website, <www.luisandclark.com.>