All images and effects simulated. All data is based
on Canon’s Standard Test Method. Specifications
and availability are subject to change without notice.
Weight and dimensions are approximate.
Not responsible for typographical errors.
At time of printing, the EOS-1D C has not been
authorized as required by the rules of the Federal
Communications Commission. This device is not,
and may not be offered for sale or lease, or sold or
leased, until authorization is obtained.
©2012 Canon U.S.A., Inc. All rights reserved. Canon,
CanoScan, DIGIC, ELPH, EOS, EOS Rebel, imagePROGRAF, LUCIA, PIXMA, PowerShot, REALiS, SELPHY, and
VIXIA are registered trademarks of Canon Inc. in the
United States and may also be registered trademarks
or trademarks in other countries. IMAGEANYWARE
is a trademark of Canon. HDMI, the HDMI logo and
High-Definition Multimedia Interface are registered
trademarks or trademarks of HDMI Licensing, LLC in
the United States and/or other countries. x.v. Color
is a trademark of Sony Corporation. AVCHD and the
AVCHD logo are trademarks of Matsushita Electric
Industrial Co., LTD. and Sony Corporation. HDV and
the HDV logo are trademarks of Sony Corporation
and Victor Company of Japan, limited (JVC). The SDXC
logo is a trademark of SD-3C, LLC. Wi-Fi and the Wi-Fi
CERTIFIED logo are registered trademarks of the Wi-Fi
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and is used under license. Microsoft and Windows
Vista are trademarks or registered trademarks of
Microsoft Corporation. All other product and brand
names are trademarks, or service marks of their
respective owners and are hereby acknowledged.
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Canon makes no representations or warranties
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Use of genuine Canon accessories is recommended;
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usa.canon.com/eos
Canon Optics. Optimized Creativity.
Incorporating cutting-edge technology, world-class optics and groundbreaking performance, there’s nothing
quite like the EOS System. Whether shooting stills or movies, EOS cameras and Canon lenses deliver true creative
excellence. Canon’s sensors and processors work in concert with advanced camera designs for incomparable
photographic and video performance, and showcase the brilliance of Canon’s superb collection of optics.
A comprehensive collection of PowerShot compact cameras, printers, projectors and software solutions work
together and serve as the ultimate complement to the EOS, a state-of-the art system of exceptional cameras,
lenses and accessories that make beautiful images with ease. Bolstered by a network of online support from
the Canon Digital Learning Center, the EOS System and Canon lenses set the standard for imaging excellence
in the 21st century—helping image makers realize their vision every time they pick up their camera.
EOS CAMERAS
Rugged construction, photographerfriendly features, and compatibility
with the entire line of EF lenses and
EOS accessories make Canon EOS
cameras benchmarks for performance,
ease of use, and quality.
EOS Technology
EOS Cameras
EOS System Chart
EOS Comparison Chart
Movie Recording Size and Time
Image Format and Capacity Chart
4
18
31
32
35
36
EF LENSES
A unique blend of hyper-advanced
optical, microelectronic, and precision
manufacturing technologies,
EF Lenses are perfected in Canon’s
laboratories and proven in the field.
EF Lens Technology
EF Lens Lineup
EF Lens Chart
EF Lens Accessories
38
44
50
52
SPEEDLITE FLASHES
Canon Speedlite flashes are the ideal
light source for EOS cameras. They are
technologically advanced to provide
perfect exposure and illumination with
just about any subject.
Speedlite Technology
Wireless Flash Photography
Speedlite Lineup
Speedlite Accessories
54
56
57
59
EOS SYSTEM
ACCESSORIES
CINEMA EOS SYSTEM
Canon accessories are the best way to
enhance EOS system performance and
get the most out of EOS cameras.
There are solutions for virtually any
shooting situation.
Batteries
Wireless File Transmitters and
GPS Receivers
Remote Control & Accessories
Viewfinder Accessories
Peripherals
Bags & Cases
60
62
63
64
66
67
Compatible with EF Lenses, Cinema
EOS is Canon’s entry into the world of
cinematography.
Cinema EOS Technology
70
POWERSHOT CAMERAS
Built on some of the same technologies
as EOS cameras, PowerShot cameras offer
spectacular quality and control in a
compact and easy-to-use body.
PowerShot Lineup
76
PHOTO PRINTERS
From large format to 4" x 6" prints,
Canon’s imagePROGRAF and PIXMA
photo printers enable photographers to
produce professional-grade photoprints
simply—almost anywhere, anytime.
Photo Printer Technology
Photo Printer Lineup
78
82
REALIS PROJECTORS
The REALiS Multimedia Projectors from
Canon feature LCOS (Liquid Crystal on
Silicon) technology and AISYS (Aspectual
Illumination System) Optics, raising the
bar for quality in presentation.
Projector Technology
Projector Lineup
84
85
EOS EDUCATION &
INSPIRATION
The Canon Digital Learning Center and
Canon Live Learning serve to educate,
inform and inspire EOS users. Learn
from professionals how to get the
maximum out of your EOS camera.
Canon Digital Learning Center
Canon Live Learning
Professional Service and Support
Canon Professional Services
86
87
88
89
EOS CAMERAS
conversion factor. Canon’s CMOS sensors
deliver outstanding resolution and signal
purity, making them ideal for the most critical
photo or video applications.
Full-Frame Canon CMOS Sensor
EOS 5D Mark III Full-Frame CMOS Sensor (actual size)
EOS TECHNOLOGY
The history of Canon EOS cameras is brimming with examples of technological
innovations that have set new industry standards for performance and usability.
And yet, at Canon, technology is never an end in itself.
Every technological advancement must yield tangible
benefits to the user. Does a new feature enable the
camera to more quickly and faithfully respond to the
photographer’s will? Does a new material
or process improve the camera’s
long-term reliability? Canon EOS
advancements endure because
they enhance the photographic
experience, whether you are
a seasoned professional or
a beginner. Put simply, the
technologies of Canon EOS
cameras are impressive
because of the quality of
the images they enable you
to create.
©Onne Van Der Wal
The Canon-manufactured full-frame
CMOS sensor delivers professional
performance with digital convenience.
EOS DSLR cameras with full-frame sensors, found
on the EOS-1D X, EOS 5D Mark III, EOS 6D and
EOS 5D Mark II, do not require a focal length
conversion factor common to other DSLR cameras
on the market. Instead, they deliver the same
angle-of-view as 35mm film cameras, so the
working distance to the subject, with a given lens,
is the same as it would be on film. Since you can
use EF lenses on either 35mm film cameras or
Canon DSLR cameras with the same results,
the switch from film to digital is truly seamless.
High ISO – Whether shooting stills or video, Canon EOS cameras capture silky-smooth low-noise images that are sharp
with a wide dynamic range of color and tone, even at high ISO speeds.
Extensive ISO Range*
EOS cameras feature an extensive ISO range
for greater flexibility in diverse photographic
situations. The EOS-1D X features the extended
ISO range of ISO 100–51200 (L: 50, H1: 102400,
H2: 204800)! The EOS 5D Mark III and EOS 6D
have an ISO range of ISO 100–25600 (L: 50, H1:
51200, H2: 102400). Even at higher ISO settings
where one might expect to see a higher degree
of noise, the renowned Canon CMOS sensor and
noise reduction system work to ensure superb
image quality. Accordingly, even the most critical
photographers can use EOS cameras with
confidence, no matter the light.
Effective Light-gathering
Canon CMOS Sensor
Taking advantage of its own proprietary
technologies, Canon develops and produces
its own CMOS sensors. Unlike CCD sensors,
CMOS sensors convert and amplify signals before
they are transferred to the image processor,
enabling them to produce exceptionally clean
image data and reduce power consumption by
as much as 90%. Data transfer speeds are
increased by using multi-channel signal paths
that dramatically improve the camera’s
responsiveness. Canon’s CMOS sensors
incorporate a unique on-chip noise reduction
technology to deal with both fixed pattern and
random noise. In addition, a multilayer low-pass
filter is placed in front of the sensor to isolate
false colors that the sensor may detect. Then,
Canon’s own
Image Processor processes
the image to help eliminate those colors while
retaining full detail. CMOS sensors can also be
fabricated to full-frame 35mm dimensions, an
important consideration for photographers
who wish to use their lenses without a
APS-C (1.6x)
Full-Frame (1.0x)
When using the same lens with different cameras, the
angle-of-view varies depending on the sensor size.
Full-frame sensors provide greater control over
depth-of-field, which helps to create beautiful
background blur, perfect for portraits. The
large sensor area also helps to enable a
marked reduction in noise levels at all ISO
values. When combined with high resolution
and smooth gradation from highlights to
shadows, Canon DSLR cameras with full-frame
sensors produce images that rival those taken
with professional medium-format and largeformat film cameras. For maximum control and
dependable performance, the choice is simple —
Canon full-frame DSLR cameras.
The EOS-1D X sensor has 18.1 effective
megapixels with individual 6.95 µm pixels,
the EOS 5D Mark III has a 22.3 megapixel
sensor with individual 6.25 µm pixels, and
the EOS 6D has a 20.2 megapixel sensor
with individual 6.55 µm pixels. An improved
S/N ratio plus a new photodiode structure
with an increased photoelectric conversion
rate on the EOS-1D X, EOS 5D Mark III and
EOS 6D’s sensor increases sensitivity by
approximately 2 stops over previous models,
meaning higher ISOs with even lower noise.
Advanced 14-bit A/D Conversion
EOS cameras employ 14-bit converters to
process the output of the imaging sensor.
Compared to the 12-bit converters used in
most digital cameras, the Canon design helps
ensure smoother tonal transitions, more
natural gradations, and superb color fidelity.
RAW images are recorded at 14 bits so that
processed 16-bit TIFF images contain the full
range of tonal values captured by the sensor.
5+/5/4 Image Processor
Dual DIGIC 5+ Image Processors (EOS-1D X)
Designed to maximize
the performance
between the capture
and recording stages of digital photography,
the
Image Processor uses advanced
signal processing technologies to enhance
image quality and deliver a more intuitive,
responsive camera. Processors like the
4
Image Processor, found on the majority of EOS
DSLRs, speed up camera operations such that
advanced technologies like Face Detection AF, Live
View composing, and Full HD video recording
are simple and easy. The Dual
5+ Image
Processors found in the EOS-1D X, the
5+
Image Processor in the EOS 5D Mark III and
EOS 6D, and the
5 Image Processor in
the EOS Rebel T4i turbocharge performance,
and can even support compensation for chromatic
aberration in both still and motion images.
EOS iSA System
The new 100,000-pixel RGB Metering Sensor
4 Image Processor,
with a dedicated
found on the EOS-1D X delivers substantial
improvements in evaluative ambient and flash
metering. The sensor has 252 distinct zones,
and reduces to 35 zones in low light. It detects
face and color to perform more accurate subject
recognition, which is used to enhance the
performance of the AE, E-TTL and AF systems.
* Standard output sensitivity. Recommended exposure index.
usa.canon.com/eos
5
EOS CAMERAS
balancers and two bounce-lock mechanisms,
thus effectively controlling mirror bounce. This
contributes not only to high-speed continuous
shooting, but also a stable viewfinder image
plus greater AF and AE accuracy.
5 central dual
cross-type points
(f/2.8 lenses)
20 outer
cross-type points
(f/4.0 lenses)
Live View Multi-point AF (Zone select)
sensor to assist in predicting subject location.
New Movie Servo AF provides continuous,
optimized focus tracking that is quick and easy in
movie recording and enhances focus performance.
Also available is FlexiZone-Multi mode that
divides the scene into 31 AF zones and uses
special algorithms that gives priority to the
center and closer subject for focusing. Taking
advantage of the EOS Rebel T4i’s touch screen
LCD monitor, users can simply touch one of nine
zones (center left, center right, center, center
top, center bottom, and left and right corners)
and select it for automatic focusing. Touch AF
allows for a single point to be selected. Face &
Tracking Priority AF detects faces and enables
the camera to focus and track the selected face
by switching the AF points. After detection, face
tracking will continue even if the face turns to
the side view. Other parts of the body besides
the face can also be selected on the monitor
and can be tracked in the same way.
Canon EOS cameras feature a number of dedicated
autofocus modes designed to enhance reliability in
specific shooting situations. One-Shot AF mode is
ideal for static subjects — the camera rapidly
selects the optimum focusing point, and the
subject is instantly brought into focus even if it is
off-center. AI Servo AF mode is excellent for moving
subjects. Aided by a highly intelligent predictive
focusing algorithm, it precisely tracks subject
movement across the wide AF coverage area,
automatically shifting the active focusing point
vertically and horizontally as required. AI Focus AF
mode, in which the camera automatically decides
between One-Shot and AI Servo AF modes based
on subject movement, is ideal for shooting
unpredictable subjects. The AI Servo AF III, found
on the EOS-1D X and EOS 5D Mark III, use more
advanced algorithms for even better predictive
focus tracking performance when shooting
subjects with unpredictable movement. Even
difficult, high-magnification subjects, such as a
flower in a breeze, are captured accurately with a
Canon macro lens using these tracking algorithms.
With the firmware update†, the viewfinder of
the EOS-1D X can now be illuminated in red
(intermittently) when the shutter button is
pressed halfway during AI Servo AF, for easy
viewing and shooting in low light.
High-Speed Shooting
Diverse AF Shooting Options
The AF system found on the EOS-1D X combines
fast 16-channel data readout from the camera’s
18.1 Megapixel CMOS sensor, the processing
speed of the Dual
5+ Image Processors
with a speedier shutter and mirror system to
raise the performance bar for all digital cameras,
all while capturing images full-frame. A mirror
mechanism provides improved AF precision,
speed and stability. The main mirror is equipped
with two balancers and one bounce-lock
mechanism, and the sub-mirror has two
On the EOS-1D X and EOS 5D Mark III, there are
6 AF point selection methods: spot, single point,
single point and adjacent 4 points, single point
and adjacent 8 points, zone selection and full
automatic, plus there’s a dedicated AF configuration tool for control of AI Servo AF tracking
parameters. And to manage all of the new
shooting options, both the EOS-1D X and
EOS 5D Mark III have a dedicated AF menu tab,
so AF settings are faster and easier to access
than ever before.
21 central
cross-type points
(f/5.6 lenses)
1 central
cross-type point
(f/8 maximum
aperture lens /
extender combination)#
#Available only on EOS-1D X with firmware update
©Adam Jones
Superlative Exposure Control
Canon EOS cameras incorporate advanced exposure
control systems, offering the photographer
exceptionally precise AE (auto exposure) with a
wide range of metering options. Full-frame
evaluative metering incorporates the camera’s
multi-zone sensor reading with specific focusing
point data. The onboard microcomputer compares
input from all zones and calculates optimum
exposure. While evaluative metering helps to
assure excellent results in even the most
challenging lighting situations, advanced
photographers can choose from among several
additional metering options. Center-Weighted
Multi-zone Metering — Canon’s sophisticated Multi-zone
Evaluative Metering System considers not only the active
focusing point, but also a range of metered values
throughout the frame to determine correct exposure even
in difficult lighting.
6
metering is available for those who prefer a more
traditional pattern. Partial metering limits
readings to sensor zones in the center of the
image area, giving the photographer more
area-specific control. Spot readings can be
taken at the center of the frame area or, with some
models, linked to an AF point. With certain EOS
cameras, up to eight separate spot meter readings
can be recorded and averaged. For cameras like
the EOS 5D Mark III, EOS 6D and the EOS 60D,
Canon developed the iFCL (intelligent Focus Color
Luminance) 63-zone dual-layer metering system
to incorporate the color wavelength surrounding
the chosen focus point to help ensure more
natural color rendition. Flash photography with
EOS Systems also benefits from the extraordinary
exposure control technology Canon has created.
E-TTL (Evaluative Through-The-Lens) and E-TTL II
autoflash systems work in combination with the
camera’s multi-zone metering sensor to help take
the guesswork out of flash photography. The
camera performs instantaneous calculations
based on readings from the preflash, ambient
lighting conditions and assessment of subject
location to determine the optimum flash output and
exposure settings. With E-TTL II, the calculations
also incorporate distance information from
compatible EF lenses, enabling the system to
better handle dark, light and highly reflective
subjects. Resulting images can have a virtually
perfect balance between ambient light and flash
illumination, even in complicated lighting
situations and compositions.
Autofocus Technology
Leading-Edge AF Technology — The EOS-1D X incorporates
a highly advanced 61-Point High Density Reticular AF that
delivers exceptional focus accuracy. It provides multi-zone
wide area coverage for better tracking and astonishing AF
performance in low light.
with a f/2.8 lens). It remains stable in adverse
conditions, with secondary imaging lenses that
use temperature and humidity resistant glass
molding. With the EOS-1D X firmware update†,
cross-type autofocusing is possible when the
maximum aperture of a Canon EF lens becomes
f/8 with an EF extender attached.
Enhanced Subject Tracking
61-Point High Density Reticular AF Sensor
The EOS system leads the way in
professional AF technology with
multi-point AF systems that deliver
an ever-increasing combination of
accuracy and speed in diverse situations. The
EOS-1D X and EOS 5D Mark III are a benchmark
in AF technology, with a 61-Point High Density
Reticular AF. It has improved tracking, 5 central
dual cross-type points (f/2.8 diagonal), 21
central cross-type points (f/5.6 horizontal &
vertical) and 20 outer cross-type points (f/4.0
horizontal), and is remarkably sensitive in
low-light situations (EV -2 for a central point
Reliable subject identification and tracking
features significantly improve a camera’s
performance in any number of situations. As
seen on the EOS-1D X, EOS iTR AF can use both
face detection and color to track a subject.
With acceleration and deceleration tracking,
the EOS-1D X’s AI Servo AF system can adjust
response and react to sudden stops and starts,
perfect especially for sports and wildlife
photography. Specific parameters can be adjusted
and refined and saved in the AF menu for later use.
AF Modes
Touch AF
Face & Tracking Priority AF
Enhanced Live View Focusing
Continuous subject autofocusing and tracking in
Live View shooting has been enhanced with the
new Hybrid CMOS AF (EOS Rebel T4i and EOS M)
system. It combines both phase and contrast
detection AF while aided by pixels on the camera’s
12.0 fps — Proprietary Canon technologies in the EOS-1D X deliver state-of-the-art performance: an astounding continuous
shooting speed of 12.0 fps* (RAW+JPEG) up to a maximum of 14.0 fps (JPEG) in Super High Speed Mode at full resolution.
* The maximum continuous shooting speed is restricted to 10 fps when the battery charge is less than 50% or when ISO speed is above 32000.
If the camera’s internal temperature is low and ISO speed is above 20000, the maximum continuous shooting speed is restricted to 10 fps.
† The EOS-1D X firmware update is now available at: usa.canon.com/eos1dxfirmwareupdate
usa.canon.com/eos
7
EOS CAMERAS
Movie Crop
EOS Full HD Video Advantage
Select EOS cameras feature 1920 x 1080 Full HD video capture
and offer the enhanced image quality, smooth frame rates and
adaptive exposure compensation necessary in professional
movie-making tools. By shooting video with an EOS camera,
it’s simple to take advantage of the image quality and
characteristics intrinsic to large sensor cameras, resulting
in richer, more detailed and more diverse images. The large
sensor found in EOS cameras means more high quality pixels
plus the potential to shoot at higher ISO sensitivities without
loss of detail.
EOS Full HD Video
Manual Control
Depth-of-field
EOS cameras increase shooting
flexibility for the videographer
in that they allow for full use of
Canon EF and EF-S lenses, including wide-angle,
macro, super-telephoto, tilt-shift and fisheye,
providing a wealth of focal lengths, depth-offield and other creative shooting options once
reserved for still photography. All Live View AF
features can also be used in shooting video, and
playback modes are available in-camera, with
sound. Combined with their size, image quality
and flexibility, EOS cameras with Full HD video
capture are superlative all-in-one, multimedia
image-capturing tools.
For complete creative decision-making on the
go, select EOS cameras offer flexible manual
controls for their movie modes. Not only can
one take advantage of the range of ISO
sensitivities, it’s simple to control exposure
and depth-of-field, all of which can have a
profound effect on the mood of a scene. It’s all
as easy as the press of a button. By controlling
depth-of-field, it’s simple to create gorgeous
background blur. Exposure can be determined
and set even in complex lighting situations,
maintaining the same look and feel throughout
an entire scene, not just the initial shot.
Movie Servo AF
With amazing Canon CMOS sensors, video is
easy to shoot, and looks better than ever before.
Large sensors provide a look and perspective
impossible to achieve with traditional video
cameras, and the quality must be seen to be
believed. Large sensors also capture more
light, and can record at high ISO sensitivities
with less digital grain and reduced image noise.
This enables low-light shooting, without loss of
detail, in situations previously impossible without
artificial light. Although many devices offer HD
recording, the quality of video captured by an
EOS camera and its CMOS sensor is markedly
vibrant and truer to life.
When shooting a video on an EOS camera, it’s
simple to control each shot’s depth-of-field, an
option previously available only when filming
with expensive professional cinema cameras.
Thanks to the physical size of the CMOS sensors
in EOS cameras, combined with the large
maximum apertures achieved by Canon lenses,
depth-of-field, or lack thereof, can be a creative
decision reached solely by the photographer. If
a large aperture is chosen, thus creating
shallow depth-of-field, evocative, dramatic
moving images with blurred backgrounds can
be attained with ease, something simply not
possible with smaller sensors or compact
cameras. If everything must be in focus,
shooting with a small aperture helps ensure
phenomenal depth-of-field, for illustrative
landscapes, architecture or anything else
where all details must be recorded. The drama,
beauty and mood achievable by controlling a
movie clip’s depth-of-field cannot be overstated
— and an EOS camera controls it with ease.
For accurate focus tracking during video shooting,
Canon developed Movie Servo AF found on the
EOS Rebel T4i DSLR and EOS M Digital Cameras.
Movie Servo AF takes advantage of the new
Hybrid CMOS AF system. It locks focus on
its subject with great speed and tracks it,
throughout the composition, to keep it focused.
Movie Servo AF automatically tracks subjects’
distance as their position moves through the
frame. When the EOS Rebel T4i DSLR and EOS M
Digital Cameras are used with one of Canon’s
new STM lenses, continuous AF performance
is remarkably quieter and smoother.
Large CMOS Sensor
Movie Servo AF – Movie Servo AF allows continuous autofocus tracking of moving subjects while recording video.
8
The Movie Crop function on the
EOS 60D enables zooming at 7x the
captured focal length for distant
action and extreme close-ups. This feature is
perfect when the chosen subject is in a crowd,
like a specific athlete, when it’s impossible to
get close to the action. Recorded as a VGA movie,
Movie Crop shots are perfect for emailing,
posting online, or editing into other movie clips.
staggering. With over 60 lenses available,
including the Canon EF 8-15mm f/4L Fisheye
USM, the world’s first real fisheye zoom
lens that functions as a circular fisheye and
full-frame fisheye for a full size CMOS sensor,
and as a full-frame fisheye for APS-C sizes,
there’s an EF or EF-S lens for everyone. No
matter the photographer, no matter the
situation, Canon’s superlative lenses help
ensure quality results.
Video Snapshot
Sound Recording Level Adjustment
With the Video Snapshot feature,
found on select EOS cameras, short
video clips (of 2, 4 or 8 seconds)
can be stitched together, in-camera, into one
video file as a “snapshot album”, perfect for
sharing online, or displaying to an HDTV
directly from the camera. In the EOS Rebel T4i,
the Video Snapshot feature makes in-camera
editing even simpler: Still images can be
recorded during video shooting simply by
pressing the camera’s shutter button. During
playback, video clips in an album can now be
reordered or deleted.
To ensure the best possible recording of
sound, a number of EOS cameras offer a host of
user-controlled sound recording adjustments.
The manual sound recording level can be
adjusted to one of 64 levels, and an optional
wind filter can minimize unwanted excess
sounds. Whether recording through an external
microphone (on certain EOS models) or through
the camera’s internal mic, this important
feature means more audible voices, less
unwanted noise, and better overall sound.
Creative Capabilities with EOS Lenses
From fisheye to super-telephoto, the amazing
Canon EF, EF-S and EF-M lenses offer a
stunning combination of sharpness, speed,
compactness and flexibility — the perfect
complement to a user’s creativity. With the ability
to create images of great beauty and with
controlled depth-of-field, interchangeable
lenses bring moviemaking to a whole new
level. And the range of focal lengths is simply
Resolution
fps
1920 x 1080 (Full HD)
30P (29.97), 25P, 24P (23.976)
1280 x 720 (HD)
60P (59.94), 50P
640 x 480 (SD)
60P (59.94), 50P
Movie Digital Zoom, found on models like the
EOS Rebel T3i, make it possible to zoom while
shooting motion video from 3x to 10x, adding
a whole new level of drama to video clips.
Automatic Splitting of Video Files
The FAT file system’s 4GB size limit cannot be
changed, but it no longer has to interrupt video
capture. Should a video file reach the 4GB limit
during shooting on select EOS cameras, a new
file is automatically created, enabling recording
Advanced Video Recording Options
Shooting HD video with an EOS camera, it’s
simple to take advantage of the image quality
and characteristics intrinsic to cameras with
large sensors. Found on all EOS cameras, the
large sensor means more high quality pixels,
the potential to shoot at higher ISO sensitivities
without loss of detail and full use of Canon EF
and EF-S/EF-M lenses with their wealth of focal
lengths, depth-of-field and other creative
shooting features. Most EOS cameras feature
1920 x 1080 Full HD video capture, delivering
professional frame rates, adaptive exposure
tools and phenomenal image quality. Select
EOS DSLRs offer users a choice between All-I
and IPB compression and supports High Profile
under the H.264/MPEG-4 AVC standard,
combining high image quality with high coding
efficiency and producing files that are well
suited for transmission or broadcast. It automatically splits files greater than 4GB (FAT
limitation) without interruption and offers the
option of timecoding at all times (Free Run) or
only during recording (Rec Run), useful for
multi-camera shots. It also features improved
sound recording adjustment capabilities,
offering 64-step volume control accessible
through the quick settings screen during video
shooting. The sensor technology in select
models significantly increases image quality,
reducing color artifacts and moiré.
Interchangeable EF/EF-S/EF-M Lenses – Creative opportunities are at your fingertips.
Frame Rates
In select models, EOS Full HD video movies can
be captured at 1920 x 1080 resolution, for up
to 4GB per clip. Movies are saved as MOV files
and can be viewed in Full HD with HDMI output.
Other recording sizes include HD at 1280 x 720
(50/60 fps) or SD/VGA at 640 x 480 (50/60 fps).
No matter the end-application, the proper
resolution and frame rate is easily defined
with EOS cameras.
Movie Digital Zoom
to continue without interruption. Sequential
files can later be joined in an editor with
seamless results.
Macro lenses let you
get up close for
detailed shots of small
subjects.
Wide-angle lenses are
perfect for shooting in tight
spaces or to capture large
expanses.
Fisheye lenses impart an
extraordinary perspective and
angle-of-view far beyond the
limits of human vision.
Tilt-shift lenses allow you
to control the area of focus.
Telephoto lenses
Canon’s amazing telephoto lenses
bring the action closer, emphasizing
the subject at hand.
usa.canon.com/eos
9
EOS CAMERAS
Intelligent Viewfinder – Change your viewfinder display to match any situation.
AF point automatic selection – The camera automatically chooses the correct AF point.
Spot metering display – Focus with a central,
circular zone for accurate exposure control.
Dual Axis Electronic Level Sensor
AF point expansion – Focus with a selected AF point
and points surrounding it. Great for moving subjects.
Zone AF – The AF points are divided into five
focusing zones, useful for off-center shots.
Unique Shooting Opportunities with the Vari-angle LCD Monitor
Developed by Canon and
featured in the EOS-1D X,
EOS 5D Mark III and EOS 7D, the
brilliant Dual Axis Electronic
Level display aids in achieving perfectly
oriented shots. Visible in the viewfinder and
on the camera’s LCD monitor, in both Live
View mode or as a standalone, and capable
of displaying both roll and pitch in 1°
increments, the Dual Axis Electronic Level
Sensor is invaluable for architecture, macro
photography, video, or any situation where
critical composition is important.
Low-angle position
High-angle position
Grid display – Useful for scenes where horizontal
or vertical lines are stressed, such as architecture.
Hide all – An unobstructed view lets you get
close to your subject and capture detail.
AI Servo AF tracking display – Provides instant
feedback of AF points tracking a moving subject.
Intelligent Viewfinder
Viewfinder
The Intelligent Viewfinder, found
on the EOS-1D X, EOS 5D Mark III
and EOS 7D, uses a transparent
LCD monitor to superimpose a
customizable combination of focus points,
gridlines and other shooting information
within the viewfinder. Whereas with other EOS
cameras’ viewfinders the representation of AF
points and metering areas are static, the
Intelligent Viewfinder allows the information
to be displayed, adjusted, or hidden with
ease. This means less distraction and more
clarity to view the image in its entirety. The
Intelligent Viewfinder includes a Grid Display
and in Spot metering mode, the specific area
metered is shown.
No matter the camera’s specifications, a clear, bright viewfinder is
the photographer’s first tool for
great images. Canon innovates
with their viewfinders, especially in the
EOS-1D X, EOS 5D Mark III and EOS 7D, by
offering approx. 100% viewfinder coverage,
and several EOS SLRs have a larger pentaprism for higher viewfinder magnification.
These cameras offer the best view of any EOS
digital camera to date. All EOS DSLR cameras
offer dioptric correction and several EOS DSLR
cameras have a number of different viewfinder
accessories, including up to 11 different focus
screens available for almost any application.
Superb Ergonomics
EOS cameras not only produce phenomenal
images, they are designed to be comfortable to
use and carry all day long. From bright viewfinders,
to tactile buttons and knobs, Canon is constantly
refining ergonomics based on the feedback of
real users. Canon’s Custom functions further
enable photographers to tailor features and
operations to their shooting style.
The EOS-1D X has
Spot AF – Focuses on an even smaller area for
precise focus on small subjects.
programmable function buttons located on the
front of the camera that enable fast access to
frequently used features the photographer
specifies. Its vertical grip is redesigned for
comfort and familiarity, and combined with a
vertical position Multi-controller, provides every
option and button found in the horizontal for
uninterrupted, intuitive shooting no matter
the camera’s orientation. Plus, the EOS-1D X’s
Multi Electronic Lock allows the Main Dial,
Quick Control Dial and Multi-controller to be all
locked, individually or together.
Viewfinder display with Intelligent Viewfinder
Vari-angle Touch Screen
3.0-inch Clear View LCD
Monitor II (EOS Rebel T4i only)
with the use of auxiliary camera grips or
tripods. As an added plus, the EOS Rebel T4i’s
LCD monitor has touch screen capabilities for
more intuitive control.
Live View Function
M.Fn Button
View of rear LCD monitor with Live View
M.Fn 2 Button
Depth-of-Field
Preview Button
Vertical-Grip
M.Fn 2 Button
Vertical-Grip
Depth-of Field
Preview Button
AE lock Button
AF ON Button
Vertical-Position
Multi-Controller
Button
Vertical-Position
Grip Button
10
Forward position
Vari-angle LCD Monitor
Found on the EOS Rebel T4i,
the EOS Rebel T3i and EOS 60D,
the brilliant Canon Vari-angle
3.0-inch Clear View LCD monitor
(Vari-angle Touch Screen 3.0-inch Clear View
LCD monitor II on the EOS Rebel T4i) with 180°
vertical rotation sets new standards for clarity
and flexibility. Designed to flip out from the
back of the camera, the Vari-angle monitor’s
180° rotation means it can be adjusted for low
angle or high angle and can even be positioned
forward directly at the subject (when facing the
subject, the displayed image automatically
flips, showing a right-side-up mirror image,
perfect for self-portraits). Because the monitor
opens out sideways, it switches between low
and high angle shooting without interfering
Canon’s spectacular Live View
shooting is now available on
all current EOS cameras. Live
View Function, where the photographer can
compose and shoot directly from the camera’s LCD
monitor is an indispensable feature for creative
photography in any number of situations. It
enables the photographer to zoom in and
Multi-control Dial
on EOS 60D
navigate the composition 5x or 10x its normal
size, while enabling critical focus and allowing
more attention to detail. Users can even
choose a grid overlay, perfect for architectural
photography. In the studio, Live View Function
can be used remotely (via a computer) through
the camera’s USB connection (via the Gigabit
Ethernet port on the EOS-1D X), or wirelessly if
the optional Wireless File Transmitter is used.
Live View Focusing
Canon’s Live View Function includes 3 focusing
modes: Quick mode, Live mode, and Face
Detection Live mode. In Quick mode, One-Shot
AF is set automatically and the AF point is
selectable even while the Live View image is
displayed. In Live mode, AF can be started by
pressing the AE button for either AF mode. In
Face Detection Live mode, the largest face
near center is detected initially, but the
multi-controller can be used to select any face
detected. The EOS Rebel T4i and EOS M also
features Hybrid CMOS AF during Live View for
continuous subject autofocusing and tracking.
Live View Function – With Live View Function, images
can be composed and captured from the camera’s LCD
monitor, including the ability to zoom in up to 10x.
usa.canon.com/eos
11
EOS CAMERAS
Custom Function
Lens Peripheral Illumination
Correction
Camera operations are enhanced by Custom
Functions, conceptualized and developed by
Canon. Custom Functions enable photographers
to tailor features and operating functions to suit
their own shooting style, or to optimize camera
performance for specific subjects, shooting
conditions or a signature style.
Advanced RAW+JPEG Recording
(in-camera processing)
Another feature available in Canon’s newest
EOS cameras is Canon’s Lens Peripheral
Illumination Correction feature. Taking into
account the lens in use, this feature automatically
brightens the light level at the four corners of
Auto Lighting Optimizer OFF
Lens Peripheral Illumination Correction ON
Auto Lighting Optimizer ON
©Tyler Stableford
Maximum Durability
and Performance
12
For professionals who demand
nothing less than the best, EOS
cameras are designed to perform
admirably and consistently no
matter the situation. Many EOS
bodies are constructed of rigid,
high-strength magnesium-alloy
for rugged performance and
professional cameras like the
EOS-1D X and EOS 5D Mark III
feature weather sealing surfaces
and connection points for seamless performance
in wet and dusty situations. The EOS-1D X even
has a lightweight shutter with carbon-fiber
blades that can maintain up to 14.0 fps*
performance without compromise, for up to
400,000 cycles and has a minimum shutter
release lag of 36ms (when shooting at
maximum aperture).
surface of the sensor’s IR-cut/Low-pass filter
cleans itself automatically with ultrasonic
vibrations every time the camera is turned on
or off. Removed dust adheres to material
around the filter to help it stay off. With DPP,
dust missed by the cleaning unit can be
captured by Canon’s Dust Delete Data Detection
and can be erased from the image file.
EOS Integrated Cleaning System
Ultrasonic Wave Motion Cleaning
Canon has designed an
Integrated Cleaning
System with a Self
Cleaning sensor unit customized to the
specifications and performance characteristics
of each EOS camera that helps combat stray
dust that can enter the camera when changing
a lens or when out in the field. The front
Found on the EOS-1D X, Canon’s
amazing new integrated cleaning
dust removal cleaning uses a
carrier wave type self-cleaning
sensor unit. While previous dust removal systems
removed dust adhered to the surface of the
infrared absorbing/ultraviolet-blocking glass
in a frontward direction by vibrating the glass
Built to Perform – Canon EOS cameras are built to go wherever your photography takes
you. Select cameras are sealed for dustproof and drip-proof measures (EOS-1D X shown).
with ultrasound, the new system effectively
rolls rather than shakes the dust particles off,
removing an even greater amount of dust,
especially smaller particles. As with previous
cameras, the IR/UV absorbing glass in front of
Best described as “digital
negatives”, RAW images contain
pre-processed image data as
captured by the sensor and,
with post-processing, they yield
the highest image quality possible from an
EOS camera. While professionals and advanced
amateurs often prefer to shoot in RAW mode,
JPEG images take up significantly less storage
space and are often more immediately pleasing
to the eye. With Canon’s EOS cameras, images
can be captured in a number of RAW and JPEG
modes, depending on the camera’s sensor, as
well as record numerous combinations of RAW,
sRAW and JPEG images simultaneously. Several
models even offer in-camera post processing.
Select EOS cameras feature in-camera post
processing with image correction options like
white balance, brightness, picture style and
more, plus image resizing with JPEG images.
Additional features include Expanded Quick
Control functions during playback like image
protect, image rotate, rating, RAW image
processing, resize, highlight alert, AF point
and image jump, meaning a streamlined
workflow can begin in the field.
Auto Lighting Optimizer
the EOS-1D X’s sensor is treated with an
anti-dust fluorine coating making it easier to
remove damp or sticky dust particles.
*The maximum continuous shooting speed is restricted to 10 fps when the battery charge is less than 50% or when ISO speed is above 32000.
If the camera’s internal temperature is low and ISO speed is above 20000, the maximum continuous shooting speed is restricted to 10 fps.
The Auto Lighting Optimizer automatically
corrects image exposure to help ensure
accurate brightness and contrast. It can
actually brighten areas of the composition
while maintaining highlight details and
accurate exposure in others, or darken areas
of composition while maintaining brightness
and shadow details in others. This remarkable
feature is available as both an automatic
feature in Full Auto and Creative Auto shooting
modes, and can be used and fine-tuned in
other modes. The Canon Auto Lighting Optimizer
ensures beautifully exposed images that
require little to no post-production work.
Lens Chromatic Aberration Correction
Lens Peripheral Illumination Correction OFF
the composition where light falloff may have
occurred. Peripheral illumination characteristics
and correction data are detected automatically
on a number of Canon lenses and can be
entered manually through Canon’s EOS utility
software. This function can be applied when
shooting to JPEG images, and in post-processing
with RAW images.
With the new EOS-1D X and its Dual
5+
Image Processors, the EOS 6D and
EOS 5D Mark III’s
5+ Image Processor,
and the EOS Rebel T4i’s
5 Image Processor,
chromatic aberration in Canon lenses can be
corrected at the time of shooting. Select EOS
cameras can read the correction data from
lenses, and those lenses can be registered
to the camera. These cameras can even
distinguish between different lenses of the
same model by supporting registration of
serial numbers (with compatible EF lenses).
Lens Chromatic Aberration
Correction ON
Lens Chromatic Aberration
Correction OFF
Highlight Tone Priority
Loss of highlight detail is one of the greatest
concerns for photographers shooting digitally
in brightly lit and contrasty situations. Canon’s
Highlight Tone Priority function calculates the
exposure to
expand the
image’s
dynamic
range so that
more detail is
Highlight Tone Priority: OFF
preserved in
highlights.
This renders a
more continuous tone
image without
blown highHighlight Tone Priority: ON
lights, and
helps to save time in post-processing for
highlight retrieval.
usa.canon.com/eos
13
EOS CAMERAS
Shooting Modes
Beyond normal shooting modes such as Auto,
Aperture priority and Shutter priority,
select EOS cameras offer shooting
features such as Picture Style
technology, which optimizes
camera settings for subjects like
landscapes and portraits, even
monochromes. For even more creative
imaging freedom, Canon developed Basic+.
Basic+ makes it easy to create whatever image
effects desired. Basic+ has two initial option
categories: In “Shoot by ambiance selection,”
standard white balance and exposure compensation are altered according to the chosen
ambience, such as vivid, soft, warm, intense,
cool, brighter, darker and monochrome. In
“Shoot by lighting or scene type,” white
balance is adjusted according to selections like
daylight, cloudy, shade, tungsten, fluorescent
and sunset. These features, complemented by
the Canon Auto Lighting Optimizer, Lens
Peripheral Illumination Correction, Highlight
Tone Priority and Noise Reduction feature help
ensure accurate, nuanced results.
EOS In-camera Features Give Your Photos a Creative Edge:
Picture Style Settings Help Fine-tune Images to Match Your Scene
Art Bold Effect
Multiple Exposure Mode
Bright – A number of images are merged into a single
image in-camera for incredible creative compositions.
Continuous Shooting Priority – Capture fast-action
photography on a single image.
High Dynamic Range Mode
Landscape – Great for shooting nature scenes and blue skies, this setting enhances the blues
and greens typical in landscapes, and enhances saturation, contrast and sharpening.
Scene Intelligent Auto
Creative Filters
Fun, in-camera filters give images a unique look:
Water Painting Effect
Picture Style
Auto
Auto
Exposure
Auto Lighting
Optimizer
Scene Intelligent Auto
Auto Focus
Auto White
Balance
Scene Intelligent Auto, found
on the EOS 5D Mark III, EOS 6D,
EOS Rebel T4i and Rebel T3i
merges a number of very complex
measurements into settings that will ensure
photographs of gorgeous tonality, accurate
color, sharp focus and phenomenal detail.
Creative Filters
EOS models like the EOS Rebel T4i, Rebel T3i
and EOS 60D borrow several popular creative
filters like those found in Canon’s popular
PowerShot cameras, like Grainy B&W, Fisheye
Effect, Toy Camera Effect and Miniature Effect.
The EOS Rebel T4i includes two new filters: Art
Bold Effect and Water Painting Effect.
Multi-Aspect Ratios
For the ultimate in custom shooting,
EOS models like the EOS 5D Mark III,
EOS 6D, EOS 60D, EOS Rebel T4i
and EOS Rebel T3i are able to
shoot in a number of aspect ratios, like 4:3, 3:2,
16:9, even 1:1 for square compositions!
14
Monochrome – This setting emulates the color filters of
silver halide film for bold black and white images and
allows for red, green and other types of filter work.
Picture Style Technology
With the myriad features
and settings available,
even the best photographer
might occasionally have
doubts as to whether all
of the camera settings are optimal for the
shot. Canon’s ingenious Picture Style feature
comes to the rescue, providing a number of
user-friendly presets, including standard,
neutral and landscape, giving the ability to
fine-tune the images the camera produces.
They enable the photographer to make optimal
choices based simply on the type of shooting.
These presets can be used in much the same
way one would use different types of film, and
more can be created using Canon’s included
Picture Style Editor Software. Individual
Twilight – Capture the subtle vibrancy of colors illuminated
by the soft glow of the receding sun using the twilight
setting. (Extended Function, online support only.)
camera settings—such as sharpening, contrast,
color tone, and saturation can be overridden if
need be. Select EOS models even feature Picture
Style Auto, which automatically determines
the best style for a particular scene.
Multiple Exposure Control
Cameras like the EOS-1D X,
EOS 5D Mark III and EOS 6D offer
multiple exposure shooting modes
for film-like image creation, with
the convenience of in-camera processing. It offers
up to four compositing methods for proper
exposure and composition: additive, average,
bright and dark (the EOS 6D features additive and
average only). Multiple exposure shots from 2 to
9 are stored as one final image and can be taken
in both RAW and JPEG shooting modes.
Miniature Effect
High Dynamic Range
Perfect for capturing scenes
with extreme highlights or
shadow, HDR (High Dynamic
Range) shooting, a feature
found on the EOS 5D Mark III
and EOS 6D merge three images of varying
exposure, in-camera, capturing a broad
range of shadow and highlight detail and
delivering an image with stunning tonal range.
Adjustable to cover a range of ±3 stops, and
with five different effect settings (Natural,
Art Standard, Vivid, Bold and Embossed),
on the EOS 5D Mark III, HDR recording expands
the parameters of the light and dark detail a
camera can actually record, displaying a range
of depth and detail previously impossible in
image capture.
High Dynamic Range – The camera automatically takes three shots at different exposures generating
a single composite image with a wide dynamic range, great for landscapes.
Enhanced GUI
(Feature Guide, Easier Menu System)
While Canon’s Graphical User Interface has
long been the industry standard, Canon is
constantly refining and developing new
features for a smoother user experience.
Accordingly, the GUI has been revamped for
the EOS-1D X and EOS 5D Mark III based on
the response and feedback of professional
users. Its Graphic User Interface is faster,
more precise and more intuitive than ever. The
menu structure has been redesigned so that
frequently used functions previously buried in
the menu hierarchy are brought to the front.
Operations previously assigned to buttons,
controls, menus and custom functions have
been consolidated for quick access in the
menu, ensuring the photographer can
concentrate on shooting images with the
knowledge that the camera’s settings are just
right. The EOS-1D X, EOS 5D Mark III, EOS 6D,
EOS Rebel T4i, EOS Rebel T3i and EOS Rebel T3
offer operational help through the press of
the Info button, identifying features quickly,
instructing on their use and minimizing
confusion, even for photographers operating
the camera for the first time.
usa.canon.com/eos
15
EOS CAMERAS
Wireless Transmitter Technology
— Wireless and Wireless LAN Functions —
As quickly as the DSLR
camera has become
commonplace in the
hands of professional
photographers and
enthusiasts alike, so
too has wireless
communication
progressed between
the SLR and external
components. The EOS
DSLRs have a number
Wireless File Transmitter
of dedicated
WFT-E6A
Wireless File Transmitters
that keep the camera connected to the
wireless world, simply, with tremendous
speed. Whether connected through a port on
the side of the camera, or incorporated into a
camera-integrated design – some units serve
as an auxiliary handgrip – Canon Wireless
Transmitters can connect securely to Local
Area Networks (LAN) wirelessly (with a range
up to approximately 500 feet) or directly, and
can connect and upload to FTP (File Transfer
Protocol) or dedicated WFT Servers.
16
External Media
FTP Transfer
Transfer images
to an FTP server
Linked Shooting
Record or backup images onto external media
Wirelessly trigger
shooting by slave
cameras linked to
a master camera
EOS Utility
Use EOS Utility to
capture, view, and
download images
remotely
View images on a
DLNA-compatible
TV or other devices
Use a web browser
to capture, view,
and download
images remotely
USB Host capability also allows connectivity
to some external hard drives for added
storage options.
Weather-Resistant Design –The WFT units
designed for the EOS-1D class professional
DSLRs feature rugged and lightweight
magnesium-alloy bodies, just like the cameras
to which they attach. Moreover, they feature
the same fully sealed construction, ensuring
that the highly weather-resistant design of the
camera is not compromised.
Extensive Wired and Wireless LAN Functions –
Select WFT units not only support wireless
LAN environments but also enable wired
network connections, providing high-speed
100Base-TX communication (the WFT-E7A
supports 1000Base-T).** Built-in WPS (Wi-Fi
Protected Setup) makes it easy to make secure
LAN connections.
©Adam Jones
Computer Connectivity – EOS Utility Mode, or
PTP (Point-to-Point) connectivity, allows the
photographer to connect a single camera to a
computer for advanced two-way communication
and professional tethered camera operation.
WFT units can also connect to select GPS†† units
adding location and time code shooting data.
Plus, WFT models can be used as remote control
receivers, allowing for wireless shooting and
control, from a range of Wi-Fi enabled handheld
devices including smartphones.
USB Host Capability with GPS Support –
Photographers can take full advantage of the
WFT unit’s USB host capability* by connecting a
compatible GPS device via USB cable or optional
Bluetooth dongle. This makes it possible to add
GPS coordinates, altitude and UTC time code to
embedded shooting data within image files.
Compatible GPS units include several in
Garmin’s GPSMAP series and in the Magellan
eXplorist series (using NMEA 0183 v.2.0.1
output data standard or “Garmin protocol”).
Linked Multi-Camera Shooting – Using multiple
WFT units on compatible EOS digital cameras,
GPS
Connected
by a USB cable
Media Server
WFT Server
Fast, Reliable Image Data Transfer – The
WFT-E6A (EOS-1D X), WFT-E7A (EOS 5D Mark III),
WFT-E5A (EOS 7D), and WFT-E4 II A
(EOS 5D Mark II) feature a/b/g compatibility,
WPS compatibility, WFT Server Remote Live
View, a camera linking function and Bluetooth
connectivity. The WFT-E6A and WFT-E7A
conform to IEEE 802.11 a/b/g/n standards,
performing up to 2.5x faster (for the WFT-E6A)
and 3x faster (for the WFT-E7A) than other models,
and features an image resend feature that
ensures that all images get transferred, even
if wireless signal drops interrupt transmission.
Media Server Function – Models such as the
WFT-E7A, WFT-E6A and WFT-E5A also include a
media server function. With all models, in WFT
Server mode, up to three separate computers
can access the camera’s memory card using a
standard Web browser from anywhere in the
world (Microsoft Internet Explorer®, Apple
Safari®, etc.). Images can be selected from the
browser window and dragged onto a computer’s
desktop or to a folder, which copies the full file
to a computer. Remote firing of the camera
over the Internet is also possible using the
Remote Live View function. With the EOS-1D X,
EOS 5D Mark III and the EOS 7D, a dedicated
media server can also be created with DLNA
(Digital Living Network Alliance) compliant
devices, allowing numerous points of access to
images instantaneously.
— Functions When Connected via USB or Bluetooth —
Connected
via Bluetooth
Add the latitude, longitude, altitude, date and time,
and other shooting information to images
up to ten Slave/Remote cameras can be linked
wirelessly to a master camera. Connections are
made simply and conveniently via wireless LAN.
Remote camera shutters are automatically
tripped when the master camera shutter is
released. With such a setup, a photographer
can, for example, shoot simultaneously from
various angles.
Built-in Wireless & GPS with
EOS Remote App
The EOS 6D features built-in Wi-Fi® and GPS
capabilities, incorporating cutting edge technology
into the camera’s compact and lightweight
design. And with Canon’s exclusive EOS Remote
App1 and built-in Wi-Fi®, the camera can connect
directly to a smartphone2 for remote operation.
Exposure settings, focus and shutter can be
operated wirelessly; images can be reviewed,
rated, deleted, filed and transferred. Full DLNA
(Digital Living Network Alliance) compatibility
means easy sharing between the EOS camera and
other DLNA certified products, like HDTVs, game
consoles and more. Images from the camera can
be uploaded instantly to CANON iMAGE GATEWAY#
for easy sharing, and photos can even be printed
directly and wirelessly to Wi-Fi® compatible
printers^ without the need for a PC. With built-in
GPS††, the EOS camera can record longitude,
latitude and altitude data as EXIF data, has a
logging function that can track movement at set
intervals and can even set the cameras internal
clock to local time!
Expandable Accessories
The GPS Receivers GP-E1† and GP-E2† attach to
the EOS-1D X and EOS 5D Mark III respectively.
The receivers offer the same dust and waterproof
protection as the camera body itself; the GP-E2
even features its own power supply. GPS
Receiver GP-E2 can also connect to the EOS 6D
and EOS Rebel T4i via hot shoe or a digital
terminal. Canon GPS receivers are always
ready to append location data to images. They
record latitude, longitude/elevation and UTC
time, and feature GPS Time Sync Function and
even an electronic compass that records the
camera’s orientation when shooting††.
*The WFT-E6A and WFT-E7A provide an internal Bluetooth function but do not have USB host
#One-time registration is required on CANON iMAGE GATEWAY.
capability. A dedicated GP-E1 accessory is available for the EOS-1D X. USB Host functional- ^DPS over IP certified printer is required.
ity is available only on the WFT-E2 II A, WFT-E5A, and WFT-E4A.
†T he GP-E1 does not require any additional USB or Bluetooth connections to
**The WFT-E6A has no provision for wired LAN connectivity because the EOS-1D X is equipped
communicate with the EOS-1D X. The EOS 5D Mark III requires a firmware
with a Gigabit Ethernet port.
upgrade to be compatible with the GPS Receiver GP-E2, which is now available.
1
T his software enables you to upload images to social network services. Before
††I n certain countries and regions, the use of GPS may be restricted. Therefore,
uploading images, please be aware that image files may contain privacy related
be sure to use GPS in accordance with the laws and regulations of your country
information such as people and places. If necessary, please delete such information.
or region. Be particularly careful when traveling outside your home country. As
Canon does not obtain, collect or use such images or any information included in
a signal is received from GPS satellites, take sufficient measures when using in
such images through this software.
locations where the use of electronics is regulated.
2
C ompatible with iOS version 5.0 or later and Android devices version 2.3/4.0 or later.
Data charges may apply.
usa.canon.com/eos
17
EOS CAMERAS
20.2 Megapixel
Full-Frame
CMOS sensor
The EOS 6D features a newly developed 20.2
Megapixel CMOS sensor for exceptional full-frame
performance. With no conversion factor, the
EOS 6D’s sensor ensures that lenses mounted on
the camera will deliver the same angle of view
they would on a traditional 35mm camera. A new,
enhanced manufacturing process delivers a more
sensitive sensor, with wider dynamic range and a
superb signal-to-noise ratio for phenomenal
performance and impressively detailed images.
The sensor captures images of 5496 x 3861
effective pixels with a pixel size of 6.55 µm
square for fantastic detail, and has a high-speed
4-channel readout enabling 4.5 frames per
second performance. Optimized for low power
consumption in addition to being lightweight and
compact, it’s the perfect sensor for the EOS 6D.
Wide ISO Range (100–25600)
EOS Full HD Video
Working in tandem with the EOS 6D’s
5+ Image Processor, the
camera’s Full-Frame CMOS sensor
delivers ISO sensitivities of 100–25600
(with expanded sensitivities of L: 50,
H1: 51200, H2: 102400), achieving images
of amazing detail and reduced noise in even
the sparest lighting situations.
The EOS 6D captures
Full HD video with a level of
sophistication on par with professional movie
cameras, offering incredible performance on a
DSLR. It offers both All-I (UHS-I memory card is
required) and IPB compression, supports H.264
/MPEG-4 AVC High Profile, and automatically
splits files greater than 4GB (FAT specifications)
for extended recording without interruption. It
offers the option of timecoding during recording
only (Rec Run) or at all times (Free Run), useful for
multi-camera shoots. It also features improved
sound recording adjustment capabilities, offering
64-step volume control accessible through the
Quick Control screen, plus a dedicated
microphone jack for convenience in shooting.
The CMOS sensor’s drive system significantly
increases image processor performance,
reducing color artifacts and moiré (a common
problem that occurs in scenes with fine parallel
lines), and ensures that the EOS 6D can record
at a number of frame rates up to ISO 25600 in
H mode. Exposure, focus and Live View features,
even in-camera editing, are simple to control with
the EOS 6D’s clear and intuitive interface.
iFCL Metering
The EOS 6D features Canon’s multi-layer
63-zone iFCL (intelligent Focus Color Luminance)
Metering System that integrates the camera’s AF
system into its readings. By taking into account
the color and luminosity surrounding the chosen
AF point(s), the iFCL system delivers a superb
level of accuracy, especially in situations where
the light changes quickly. The metering sensor
enables evaluative, center weighted, partial and
spot metering, plus offers 5-step exposure
compensation for perfectly exposed images,
every time.
11-point AF System
(Center point EV -3)
The EOS 6D has a brand new,
11-point AF system for fast, accurate
autofocus no matter the situation. With its
new centered cross-type AF point (at f/5.6)
with EV -3 sensitivity plus a newly developed
Recording Time (min.)
Resolution
fps
8GB Card
16GB Card
All-I
11 min.
22 min.
IPB
32 min.
64 min.
All-I
11 min.
22 min.
IPB
32 min.
64 min.
All-I
11 min.
22 min.
IPB
32 min.
64 min.
All-I
12 min.
25 min.
IPB
37 min.
74 min.
All-I
12 min.
25 min.
IPB
37 min.
74 min.
30P
(29.97)
IPB
97 min.
194 min.
25P
IPB
97 min.
194 min.
30P
(29.97)
EOS 6D Full-Frame CMOS Sensor (Actual Size)
1920 x 1080
(Full HD)
DIGIC 5+ Image Processor
Unlock Your Vision
Designed to bring all of the benefits of full-frame photography and moviemaking
to a compact, lightweight and simple to operate DSLR, the EOS 6D is the
perfect camera to realize your creative vision. The EOS 6D features a
20.2 Megapixel Full-Frame CMOS sensor, Canon’s amazing
5+ Image
Processor, a 63-zone AE sensor, and an 11-point AF system with a center point
light sensitive to EV -3 for exceptional performance even in low-light conditions.
The camera has a newly designed, bright viewfinder and a brilliant 3.0-inch
Clear View LCD monitor, and offers advanced, professional level HD capture for
beautiful, cinematic HD quality movies, can shoot up to 4.5 frames per second,
offers an extensive ISO range and conveniently features built-in Wi-Fi® and GPS!
It’s the ideal camera for advanced amateurs and videographers making the
move to a Full-Frame DSLR, as well as professionals seeking a secondary camera.
Whatever your inspiration, unlock your vision with the power of the EOS 6D.
”
18
5+ Image
The EOS 6D’s
Processor delivers supercharged
performance and features new
algorithms that promote greater
noise reduction at higher ISOs. With the power
5+ Image Processor, speed
of the
improvements are
noticeable from
the instant the
EOS 6D is turned
on with stunning,
responsive
performance
recording movies
and capturing 4.5
still frames per second. For high-speed analog
to digital conversion, the EOS 6D complements
5+ Image Processor with a 4-channel
the
front end processing circuit for speedy 4-channel
5+
full-frame capture. Meanwhile, the
Image Processor completes real-time scene
correction like HDR Backlight control and
Handheld Night Scene plus MultiShot Noise
Reduction and much, much more.
25P
24P
(23.976)
60P
(59.94)
1280 x 720
(HD)
50P
11-point , Center point is cross-type AF System
high defocus control support, the EOS 6D has
incredible AF performance, even in dim light.
Offering One-Shot AF, AI Servo AF, and AI
Focus AF, the EOS 6D’s AI Servo focus can be
customized with tracking, acceleration and
deceleration tracking sensitivities and 1st or
2nd image priority adjustments. The AF
Microadjustment allows photographers to
adjust both the telephoto and wide angle
ends of lenses, for even more focus
accuracy. This amazing AF system is
complemented by the EOS 6D’s bright 21mm
eye point viewfinder with 97% coverage for
easy composition.
640 x 480
(VGA)
Durable Construction
The EOS 6D is designed to be portable, light
and simple to operate yet maintains the build
quality one expects from EOS DSLRs. With an
aluminum alloy and polycarbonate chassis and
a magnesium, polycarbonate resin and glass
fiber exterior, plus a shutter rated to 100,000
cycles, the EOS 6D offers the perfect
combination of lightweight and rugged
materials for reliable operation day after day.
usa.canon.com/eos
19
EOS CAMERAS
Built-in Wi-Fi® & GPS
4.5 fps continuous shooting
4.5 fps Continuous Shooting
The EOS 6D complements its fullframe sensor with fast performance
across the board. Thanks to a front
end, 4-channel A/D converter and the
5+ Image Processor, a twin-motor
configuration with dedicated high-speed
motors for the mirror-drive and shutter
charge, and a smaller and lighter shutter
system, the EOS 6D can capture up to 4.5
frames per second. The new mirror and
shutter configuration make less noise and
vibration for quiet camera operation. The
EOS 6D even has a fast flash sync speed of
1/180 sec. for high-performance photography,
no matter the light.
3.0-inch Clear View
LCD monitor
For composing or reviewing of
images in Live View, the EOS 6D
features a high resolution 1,040,000 pixel,
3.0-inch Clear View LCD monitor with the
same 3:2 aspect ratio as its Full-Frame
sensor. It offers 100% coverage, is viewable
from 160° vertically and horizontally, and
can be set to one of 7 levels of brightness.
Its cover has a new, smudge resistant, antireflection coating for enhanced, low-glare
viewing, even in bright light.
Electronic Level
Viewable in both the LCD monitor and
viewfinder, the EOS 6D’s electronic level is an
indispensible tool for critical compositions
LCD menu options
20
when the level has to be just right. When
viewed through the viewfinder, it displays
horizontal tilt up to 9° in 1° increments. When
viewed on the monitor, it displays horizontal
tilt in 1° increments within 360°, and can be
displayed alone or superimposed over the
image in Live View shooting mode.
During Live View shooting
Composition Assist Grid
The EOS 6D features Wi-Fi® and GPS ##
capabilities, conveniently built in. Connecting
easily to a network or directly to an iOS or
Android smartphone* running Canon’s new
EOS Remote app**, a number of camera
functions can be controlled wirelessly, and
images can be reviewed, rated, deleted, filed
and transferred. The EOS 6D is also fully DLNA
(Digital Living Network Alliance) compatible for
easy sharing between the camera and other
DLNA products, like HDTVs, game consoles
and more. Images can be shared through
CANON iMAGE GATEWAY #, and photos can even
To assist in composition, the EOS 6D has a
number of different grids available: 3x3, 6x4,
plus 3x3+diagonal. In addition, the EOS 6D can
shoot in different aspect ratios of 3:2, 4:3, 16:9,
and even 1:1 square.
Silent Mode
When remaining discreet is a priority, the
EOS 6D has a silent mode where the mirror and
shutter are slowed for more quiet operation.
Silent mode is available with both single frame
and continuous shooting.
SD Card compatibility
The EOS 6D uses popular
SD, SDHC, SDXC memory
and it is even compatible
with the newest Ultra High
Speed (UHS-I)
memory cards. Compact,
inexpensive and available in
large capacities, SD, SDHC and
SDXC memory cards are perfect
for saving the high quality
images captured by the EOS 6D’s
Full-Frame sensor.
Transfer images
between cameras
Exchange images
Connect to a
smartphone
and Shutter-priority, the EOS 6D offers shooting
features that optimize camera settings for
subjects like landscapes and portraits, even
monochromes. For even more creative imaging
freedom, Basic + and Creative Auto (CA) modes
are simple ways to customize images while
maintaining automatic settings. Basic+ makes
it easy to create whatever image effects are
desired. Basic+ has two initial option categories:
In “Shoot by ambiance selection,” standard
white balance and exposure compensation are
altered according to the chosen ambience, like
vivid, soft, warm, intense, cool, brighter, darker
and monochrome. In “Shoot by lighting or scene
type,” white balance is adjusted according to
selections like daylight, cloudy, shade,
tungsten, fluorescent and sunset. These
features, complemented by Canon’s Auto
Lighting Optimizer, Lens Peripheral Illumination
Correction, Highlight Tone Priority and Noise
Reduction features help ensure accurate,
nuanced results. In Creative Auto mode, it’s
simple to control parameters like depth-of-field,
flash mode, Picture Style settings and image
quality without risk of a faulty exposure.
With its new High Dynamic Range
mode, the EOS 6D can merge
3 images of varying exposure, in camera, capturing
a broad range of shadow and highlight detail
and delivering a final image with stunning tonal
range. Adjustable to cover a range of
View images
(Canon Image Gateway)
Send images to
a Web service
Print images using
a Wi-Fi printer
Handheld Night Scene mode captures
nightscapes with bright highlights and
detailed dark areas, delivering results
previously impossible without the use of a
tripod. By shooting and combining four
consecutive shots at a shutter speed fast
enough to avoid camera shake, the EOS 6D’s
Handheld Night Scene mode makes dramatic
nighttime photography simple.
Handheld Night Scene mode
HDR Backlight Correction
The EOS 6D’s HDR Backlight Control mode
ensures that backlit subjects are not recorded
too dark. By shooting three consecutive
shots at different exposures (underexposed,
correctly exposed and overexposed) and then
combining the images, the final result
maintains detail in both the shadow and
highlight areas, ensuring the backlit subject
is properly exposed.
Three Images
are merged.
Operate the camera
remotely using EOS Utility
Remotely control the camera
Final HDR image
be printed directly and wirelessly to Wi-Fi
enabled printers^ without the need for a PC. The
EOS 6D’s built-in GPS can record longitude,
latitude and altitude data as EXIF data, has a
logging function that can track movement at set
intervals and can even set the camera’s internal
clock to local time!
®
Shooting Modes
(Basic+, Creative
Auto)
Beyond normal
shooting modes
such as Auto,
Aperture-priority
With Auto Lighting Optimizer enabled,
the EOS 6D recognizes the current lighting
conditions (ambient, backlight, flash) and
type of subject (person or not) and
automatically determines the optimal tonal
compensation. This can prevent blown out
highlights and maintain shadow detail that
might otherwise be eliminated in recording.
The Auto Lighting Optimizer even uses the
subject recognition advantages of the EOS 6D’s
AE system to obtain a more consistent effect.
Auto Lighting Optimizer OFF
HDR Backlight
Control mode OFF
Save and share images
Print images
Handheld Night Scene Mode
Auto Lighting Optimizer
HDR Mode
Viewing images using
a media player
Make images
viewable
Remote shooting
to 9 are stored as one final image and can be
taken in both RAW and JPEG shooting modes.
A RAW image previously captured by the
EOS 6D (3:2 aspect ratio only) can be used as
a starting point, and cumulative results can
be observed and corrected in real time on the
camera’s LCD screen.
±3 stops, HDR recording with the EOS 6D
expands the range of the light and dark detail
the camera can record, creating an image with
an impressive range of detail in the brightest
and darkest areas of the composition.
HDR Backlight Control mode ON
Multiple Exposure Mode
Highlight Tone Priority
The EOS 6D has a Multiple
Exposure mode for film-like
image creation with the
convenience of in-camera processing. It
offers two different compositing methods for
proper exposure and composition: additive
or average. Multiple exposure shots from 2
With highlight tone priority activated, the
EOS 6D shifts the exposure to capture the
tonal details in the bright areas of the
images. It’s a welcome feature that helps to
minimize washed out detail in critical areas
of the composition, and is available with ISOs
of 200–6400.
Auto Lighting Optimizer ON
Picture Style Settings
The EOS 6D not only features a
number of Canon’s Picture Style
settings but also Picture Style Auto to control
color tones for every composition, based on
information from the camera’s EOS Scene
Detection System. This can be an effective feature
not only in normal scenes, where standard
“punchy” contrast will be used, but also in nature
and outdoor scenes, where the blues and greens
will look more vivid without the need to switch the
camera’s Picture Style to Landscape.
* Compatible with iOS version 5.0 or later and Android
devices version 2.3/4.0 or later. Data charges may apply.
** The EOS Remote app will be available soon. This
software enables you to upload images to social
network services. Before uploading images, please
be aware that image files may contain privacy related
information such as people and places. If necessary,
please delete such information. Canon does not
obtain, collect or use such images or any information
included in such images through this software.
# One-time registration is required on CANON iMAGE
GATEWAY.
## In certain countries and regions, the use of GPS may
be restricted. Therefore be sure to use GPS in
accordance with the laws and regulations of your country
or region. Be particularly careful when traveling outside
your home country. As a signal is received from GPS
satellites, take sufficient measures when using in
locations where the use of electronics is regulated.
^ DPS over IP certified printer is required.
usa.canon.com/eos
21
EOS CAMERAS
©Tyler Stableford
1.1.1
UPDATE
**
The Ultimate EOS
The Power to Create
Canon has brought the best of the EOS-1 Series of digital cameras into one
phenomenal, go anywhere, shoot anything dynamo: the new flagship of the
EOS line, the EOS-1D X. With a full-frame 18.1 Megapixel CMOS sensor, all-new
5+ Image Processors, image capture at 12.0 fps* (14.0 fps in Super
Dual
High Speed Mode), faster, more accurate and customizable AF**, plus an
4 Image
all-new 100,000-pixel RGB Metering Sensor with its own
Processor, the EOS-1D X reaches new levels of performance with speed,
continuous shooting, focus and metering accuracy, light sensitivity, and ease of
use. With rugged construction, improved HD video capture, numerous connectivity options, and much, much more, the EOS-1D X is truly the ultimate EOS.
For stunning high resolution, full-frame photography with supercharged EOS
performance, there’s simply no match for the EOS 5D Mark III. With a brand new
5+
full-frame 22.3 Megapixel Canon CMOS sensor, Canon’s amazing new
Image Processor, a 61-Point High Density Reticular AF, dual card slots and
shooting performance up to 6.0 fps, the refined EOS 5D Mark III is designed to
perform. With an extended ISO range of 100–25600 (expandable to 50 (L),
51200 (H1) and 102400 (H2), a new intelligent viewfinder and Canon’s advanced
iFCL Metering System, plus HDR, multiple exposure, refined HD movie recording
and more, the EOS 5D Mark III is one of the most user-friendly, professional level,
full-frame EOS ever.
”
22
* The maximum continuous shooting speed is restricted to 10 fps when the battery charge is less than 50% or when ISO speed is above 32000.
If the camera’s internal temperature is low and ISO speed is above 20000, the maximum continuous shooting speed is restricted to 10 fps.
** With firmware update, AF points in the EOS-1D X’s viewfinder can now be illuminated in red (intermittently) when the shutter button is pressed halfway during AI Servo AF mode.
Additionally, the EOS-1D X allows cross-type autofocusing with the center AF point when the maximum aperture of a Canon EF lens becomes f/8 with an EF extender attached.
Download firmware now at: usa.canon.com/eos1dxfirmwareupdate
”
usa.canon.com/eos
23
EOS CAMERAS
*
High Performance for High Expectations
Beyond the Still
For phenomenal full-frame performance in a compact and easy to use digital SLR,
look no further than the brilliant EOS 5D Mark II. Featuring the ability to capture
video in Full HD with its large full-frame CMOS sensor, it is an exciting tool not
just for photographers, but also for videographers and cinematographers as
4 Image Processor
well. It has a 21.1 Megapixel Canon CMOS sensor, a
for speed, offers an extended ISO range and Live View shooting. Whether in
the hands of a wedding photographer, capturing breathtaking landscapes,
on a movie set, or anywhere in between, the EOS 5D Mark II helps bring
photographic brilliance.
With a host of phenomenal features designed to enhance and speed-up every
facet of the photographic and moviemaking process, the cutting-edge EOS 7D
represents the next level of photographic and filmmaking performance. With its
4 Image Processors, it shoots
18.0 Megapixel CMOS sensor and Dual
amazing stills and Full HD video without compromise. It has a bright and
customizable Intelligent Viewfinder with approximately 100% coverage, a
newly enhanced AF system, plus rugged, refined construction for reliable
pro-level performance anywhere, any time.
”
”
* Download firmware now at: usa.canon.com/eos7dfirmwareupgrade
24
usa.canon.com/eos
25
EOS CAMERAS
An EOS with Perspective
For photographers and enthusiasts looking for a camera with the perfect
combination of versatility, performance and ease-of-use, Canon has introduced
the EOS 60D. Featuring a brilliant Canon 18.0 Megapixel CMOS sensor, a
4 Image Processor, a Vari-angle 3.0-inch Clear View LCD monitor with
180° rotation — perfect for self-portraits — plus a host of features inspired by
Canon professional EOS DSLRs, the EOS 60D is powerful, compact and
lightweight, perfect for a day of shooting. It offers 5.3 fps maximum performance, Full HD video, a flash sync of 1/250 sec, and a shutter that’s durability tested to 100,000 cycles. It features a horizontal Electronic Level display,
accepts interchangeable focus screens and has a number of exciting in-camera functions. With all this and more, the EOS 60D offers a powerful imagecapturing perspective.
Inspiration On Demand
The new and sophisticated EOS Rebel T4i combines the best of EOS technologies
to make advanced photography simple and fun. It has an 18.0 Megapixel
5 Image Processor for creating
APS-C CMOS sensor and a powerful new
incredibly detailed images. A 9-point all cross-type AF system (including a
high-precision dual cross f/2.8 center point) delivers improved autofocus
performance, and new Hybrid CMOS AF increases autofocus speed when
shooting photos and video in Live View. Movie Servo AF provides continuous
focus of moving subjects for even more control while recording video; and a
first ever for an EOS Rebel Camera, the EOS Rebel T4i features a Vari-angle Touch
Screen 3.0-inch Clear View LCD monitor II, which allows fast and intuitive
camera operation. Add compatibility with Canon’s EF and EF-S lenses and a
family of EOS accessories, the EOS Rebel T4i unlocks the door to creativity!
”
26
usa.canon.com/eos
27
EOS CAMERAS
The REBEL on the Move
The Beauty of Simplicity
Photographers looking for an easy-to-use camera that will help them create
their next masterpiece need look no further than the Canon EOS Rebel T3i. The
next in a long line of phenomenal compact DSLRs, the EOS Rebel T3i continues
the Rebel tradition of easy operation, compact design and no-compromise
4 Image Processor and an 18.0 Megapixel
performance. Featuring Canon’s
CMOS sensor – plus cutting-edge technologies like a Vari-angle 3.0-inch Clear
View LCD monitor, Full HD 1080p video recording, Live View shooting and
Wireless flash photography – the Rebel T3i offers the best of EOS photography
in a compact package.
Perfect for photographers ready to make the move to digital SLR photography,
the EOS Rebel T3 delivers beautiful photos and video, speed, simplicity and
4
fun. It features a 12.2 Megapixel CMOS Image Sensor and Canon
Image Processor for richly detailed images and quick camera response. It has
Canon’s amazing 63-zone, Dual-layer metering for accurate exposures and
features Canon’s Basic+ function, HD video recording and Live View shooting.
Innovative features, such as an on-screen Feature Guide and Quick Control
screen, help the photographer use the camera’s advanced capabilities to
capture spectacular images.
”
28
”
usa.canon.com/eos
29
EOS CAMERAS
EOS System Chart
EOS-1D X/EOS-1Ds Mark III/EOS-1D Mark IV Only
1D X Only
600EX-RT
1Ds Mark III/EOS-1D Mark IV Only
EOS 5D Mark III/6D/5D Mark II Only
5D Mark III
Only
6D
Only
5D Mark II
Only
* EOS-1D X and
EOS 1D Mark IV only
EOS 5D Mark III,
6D, 5D Mark II,
7D and 60D only
Speedlite Transmitter
ST-E3-RT
Creativity in Motion
The new EOS M Digital Camera brings the moviemaking and still image performance
of EOS to a highly portable system. The EOS M Digital Camera captures Full HD
video with smooth, quiet and continuous autofocus with intuitive controls and
phenomenal optics. The camera’s AF system is made possible by its Movie Servo AF
mode, Canon’s brilliant STM lenses, advanced CMOS sensor technology, and the
5 Image Processor. The EOS M Digital Camera leverages these
powerful
technologies to deliver high-quality moving and still images with the advanced
features and outstanding performance of the EOS series. With the optional Mount
Adapter EF-EOS M, the EOS M Digital Camera is compatible with the entire line of
Canon’s EF and EF-S lenses for complete versatility. As a tool emboldening the
creative photographer and moviemaker, the EOS M is truly creativity in motion.
”
††
30
The EOS 5D Mark III and EOS 7D require a firmware upgrade to be compatible with the GPS Receiver GP-E2.
usa.canon.com/eos
31
EOS CAMERAS
EOS Camera Comparison Chart
EOS-1D X
32
EOS 5D Mark III
EOS 6D
EOS 5D Mark II
EOS 7D
EOS 60D
EOS Rebel T4i
EOS Rebel T3i
EOS Rebel T3
EOS M
DSLR
Yes
Yes
Yes
Yes
Yes
Yes
Yes
Yes
Yes
No
Autofocus System
61-Point High Density Reticular AF with Offset Array Sensor; TTL-AREA-SIR
AF-dedicated CMOS Sensor with 41 cross-type points (lens dependant) One-Shot
and AI Servo AF III with EOS iTR AF; Manual focusing confirmation possible with EF
lenses; Automatic or manual focus point selection
61-Point High Density Reticular AF with Offset Array Sensor; TTL-AREA-SIR
AF-dedicated CMOS Sensor with 41 cross-type points (lens dependant) OneShot and AI Servo III AF; Manual focusing confirmation possible with EF lenses;
Automatic or manual focus point selection
TTL-CT-SIR AF CMOS Sensor (only the center point is cross-type); One-Shot
and AI Servo with Focus Prediction; AI Focus AF; Manual focusing
confirmation possible with EF lenses; Automatic or manual point selection
TTL-CT-SIR CMOS Sensor (only the center point is cross-type);
One-Shot and Al Servo AF with Focus Prediction;
Manual focusing confirmation possible with EF lenses;
Automatic or manual focus point selection
TTL-CT-SIR CMOS Sensor;
One-Shot and AI Servo II AF with Focus Prediction;
Manual focusing confirmation possible With EF lenses;
Automatic or manual focus point selection
TTL-CT-SIR AF-dedicated CMOS sensor;
One-Shot and AI Servo AF with Focus Prediction;
Manual focusing confirmation possible with EF and
EF-S Lenses; Automatic or manual focus point selection
TTL-CT-SIR AF CMOS Sensor (all points are cross-type); One-Shot and AI
Servo with Focus Prediction; AI Focus AF; Manual focusing confirmation
possible with EF and EF-S lenses; Automatic or manual point selection
TTL-CT-SIR AF CMOS Sensor (only the center point is cross-type); OneShot and AI Servo with Focus Prediction; AI Focus AF; Manual focusing
confirmation possible with EF and EF-S lenses; Automatic or manual point
selection
TTL-CT-SIR AF CMOS Sensor (only the center point is cross-type);
One-Shot and AI Servo with Focus Prediction; AI Focus AF; Manual
focusing confirmation possible with EF and EF-S lenses; Automatic
or manual point selection
TTL-CT-SIR AF CMOS Sensor; One-Shot AF with Focus Prediction
and AI Servo AF; Manual focusing confirmation possible with
EF, EF-S, EF-M lenses; Automatic or manual point selection
Image Processor /
Image Sensor
Dual DIGIC 5+ and dedicated DIGIC 4 for metering / 36 x 24mm, Single-plate
CMOS Sensor with Ultrasonic Wave Motion Cleaning
DIGIC 5+ / 36 x 24mm, Single-plate CMOS Sensor with Ultrasonic Cleaning
DIGIC 5+ / 35.8 x 23.9mm single-plate CMOS sensor with Auto
Sensor Cleaning
DIGIC 4 / 36.0 x 24.0mm, Single-plate CMOS Sensor with Auto Sensor Cleaning
Dual DIGIC 4 / 22.3 x 14.9mm, single-plate CMOS Sensor with Auto Sensor Cleaning
DIGIC 4 / 22.3 x 14.9mm single-plate CMOS Sensor with Auto Sensor Cleaning
DIGIC 5 / 22.3 x 14.9mm single-plate CMOS Sensor with Auto Sensor
Cleaning
DIGIC 4 / 22.3 x 14.9mm single plate CMOS Sensor with Auto Sensor
Cleaning
DIGIC 4 / 22.0 x 14.7mm single plate CMOS Sensor
DIGIC 5 / 22.3 x 14.9mm single-plate CMOS sensor with Auto
Sensor Cleaning
Crop Factor
1.0x (Full-frame)
1.0x (Full-frame)
1.0x (Full-frame)
1.0x (Full-frame)
1.6x (APS-C)
1.6x (APS-C)
1.6x (APS-C)
1.6x (APS-C)
1.6x (APS-C)
1.6x (APS-C)
Special Features
•18.1MegapixelCMOSDSLRcamera
•Built-in3.2"(approx.1,040,000dots)
wide viewing angle color monitor
•31Customfunctionsin6sets
•2Multi-controllers
•SimultaneousRAWandJPEGimage
capture
•MultipleExposures(4modes)
•Dioptricadjustment
•Depth-of-fieldpreview
•FElock
•Mirrorlock
•In-cameraRAWprocessing
•Starratingsystem
•12.2MegapixelCMOSSensor
•Built-in,2.7"(approx.230,000)colormonitor
•10customfunctionswith32settings
•SimultaneousRAW+JPEGrecording
•USB2.0Hi-Speedcompatible
•FELock
•FeatureGuide
•Basic+
•PeripheralIlluminationCorrection
•HybridSingleBladeShutter
•HDVideoShooting
•SlideShow
•Ratings
•18.0Megapixel
CMOS sensor
•Built-inTouchScreen3.0"
Clear View LCD monitor II
(approx. 1,040,000 dots)
•7customfunctionswith
19 settings
•SimultaneousRAW+JPEG
image capture
•Basic+
•Multi-shotNoiseReduction
•CreativeFilters
•HDRBacklightControlmode
•HandheldNightScenemode
Video Recording Size
1920 x 1080 (Full HD): 30p (29.97) / 25p / 24p (23.976),
1280 x 720 (HD): 60p (59.94) / 50pm, 640 x 480 (SD): 30p (29.97) / 25p
1920 x 1080 (Full HD): 30p (29.97) / 25p / 24p (23.976), 1280 x 720 (HD): 60p
(59.94) / 50p, 640 x 480 (SD): 30p (29.97) / 25p
1920 x 1080 (Full HD): 30p (29.97) / 25p / 24p (23.976);
1280 x 720 (HD): 60p (59.94) / 50p; 640 x 480 (SD): 30p (29.97) / 25p
1920 x 1080 (Full HD): 30p, 640 x 480 (SD): 30p
1920 x 1080 (Full HD): 30p (29.97), 25p / 24p (23.976), 1280 x 720 (HD): 60p (59.94) / 50p, 640 x
480 (SD): 60p (59.94) / 50p
1920x1080 (Full HD): 30p / 25p / 24p, 1280x720: 60p / 50p, 640x480 (Movie Crop): 60p /50p
1920 x 1080 (Full HD): 30p (29.97) / 24p (23.976) / 25p, 1280 x 720
(HD): 60p (59.94) / 50p, 640 x 480 (SD): 30p (29.97) / 25p
1920 x 1080 (Full HD): 30p (29.97) / 24p (23.976) / 25p, 1280 x 720
(HD): 60p (59.94) / 50p, 640 x 480 (SD): 30p (29.97) / 25p
1280 x 720: 30p (29.97), 25p
1920 x 1080 (Full HD): 30p (29.97) / 25p / 24p (23.976); 1280 x
720 (HD): 60p (59.94) / 50p; 640 x 480 (SD): 30p (29.97) / 25p
Number of Focusing Points
61 (Area AF Ellipse); 61 points selectable, 41 cross-type points (lens dependant)
5 diagonal cross-type points, improved AI Servo AF III
61 (Area AF Ellipse); 61 points selectable, 41 cross-type points (lens dependent)
5 diagonal cross type points, improved AI Servo AF III
11; 1 Center Cross-type point; 11 point selectable (manually-selected AF point
position used in horizontal/vertical shooting can be set separately)
9 (plus 6 Assist AF points)
Center AF point is cross-type Hybrid high and standard precision
19; Each AF point has a cross-type sensor, Center AF point is dual-diagonal
high-precision cross-type sensor with f/2.8.
9; Each AF point has cross-type sensors — Center AF point also has
additional, high-precision dual cross-type sensor with f/2.8 or faster lenses
9; Each AF point has cross-type sensor – Center AF point also has additional,
high-precision dual cross-type sensor with f/2.8 or faster lenses
9; Center AF point is a high precision cross-type, vertical-line sensitive at
f/2.8.
9; Center AF point is cross-type, vertical-line sensitive at f/5.6.
31 (Live View only)
ISO Range*
(Still) ISO 100–51200, L: 50, H1: 102400, H2: 204800
(Video) ISO 100–25600, H: 51200, H1: 102400, H2: 204800
(Still) ISO 100–25600, L: 50, H1: 51200, H2: 102400
(Video) ISO 100–12800, H: 25600
(Still) ISO 100–25600, L: 50, H1: 51200, H2: 102400
(Video) ISO 100–12800, H: 25600
(Still) ISO 100–6400, L: 50, H1: 12800, H2: 25600
(Video) ISO 100–6400, H1: 12800
(Still) ISO 100–6400, H: 12800
(Video) ISO 100–6400, H: 12800
(Still) ISO 100–6400, H: 12800
(Video) ISO 100–6400
(Still) ISO 100–12800, H: 25600
(Video) ISO 100–6400, H: 12800
(Still) ISO 100–6400, H: 12800
(Video) ISO 100–6400
(Still) ISO 100–6400
(Video) ISO 100–6400 (AUTO SET)
(Still) ISO 100–12800, H: 25600
(Video) ISO 100–6400, H: 12800
Recording Media
2 ea. UDMA CF/CF card (Type I or II)
1 UDMA CF/CF card (Type I ) and 1 SD/SDHC/SDXC memory card
SD, SDHC, SDXC, UHS-I SD Memory Cards
UDMA CF/CF card (Type I or II)
UDMA CF/CF card (Type I or II)
SD/SDHC/SDXC memory card
SD/SDHC/SDXC memory card and compatible with UHS-I SD memory card
SD/SDHC/SDXC memory card
SD/SDHC/SDXC memory card
SD, SDHC, SDXC, UHS-I SD Memory Cards
Frames Per Second
Single, 12.0 fps***, 3.0 fps, 14.0 fps Super High Speed Mode
Single, 3.0 fps, 6.0 fps
Single and 4.5 fps
Single, 3.9 fps
Single, 8.0 fps, 3.0 fps
Single, 5.3 fps, 3.0 fps
Single and 5.0 fps
Single and 3.7 fps
Single and 3.0 fps
Single and 4.3 fps#
Shutter Speeds
30-1/8,000sec.&Bulb;manuallysettablein1/3-,1/2-,1-stopincrements
30-1/8,000sec.&Bulb;manuallysettablein1/3-and,1-stopincrements
30–1/4000sec.&Bulb,manuallysettablein1/3-or
1/2-stop increments
30–1/8000sec.&Bulb;manuallysettablein1/3-,1/2-stopincrements
30-1/8,000sec.&Bulb;manuallysettablein1/3-or1/2-stopincrements
30to1/8000sec.&Bulb;manuallysettablein1/3-or1/2-stopincrements
30to1/4,000sec.&Bulb,manuallysettablein1/3-or1/2-stopincrements
30-1/4,000sec.&Bulb,manuallysettablein1/3-or1/2-stopincrements
30-1/4,000sec.&Bulb,manuallysettablein1/3-or
1/2-stop increments
30–1/4000sec.&Bulb,manuallysettablein1/3-or
1/2-stop increments
Autofocus Sensitivity
EV -2 to 20 (at ISO 100 with f/1.4 lens)
EV -2 to 18 (at ISO 100 with f/1.4 lens)
Center AF Point: EV -3 to 18 (at ISO 100)
Other AF Points: EV +0.5 to 18 (at ISO 100)
EV -0.5 to 18 (at ISO 100)
EV -0.5 to 18 (at ISO 100)
EV -0.5 to 18 (at ISO 100)
EV -0.5 to 18 (at ISO 100)
EV -0.5 to 18 (at ISO 100)
EV 0 to 18 (at ISO 100)
EV 1 to 18 (at ISO 100)
Autofocus Auxiliary Light Built-in –
–
–
–
Yes (via built-in flash)
Yes (via built-in flash)
Yes (via built-in flash)
Yes (via built-in flash)
Yes (via built-in flash)
–
Shutter
Vertical-travel, focal-plane shutter with soft-touch electromagnetic release, all
speeds electronically controlled
Vertical-travel, focal-plane shutter with soft-touch electromagnetic release, all
speeds electronically controlled
Vertical-travel, mechanical, focal-plane shutter with all speeds
electronically controlled
Vertical-travel, mechanical, focal-plane shutter with soft-touch
electromagnetic release, all speeds electronically controlled
Vertical-travel, focal-plane shutter with soft-touch electromagnetic release, all speeds
electronically controlled
Vertical-travel, mechanical, soft-touch electromagnetic release,
focal-plane shutter with all speeds electronically controlled
Vertical-travel, mechanical, focal-plane shutter with all speeds
electronically controlled
Vertical-travel, mechanical, focal-plane shutter with all speeds
electronically controlled
Vertical-travel, mechanical, focal-plane shutter with all speeds
electronically controlled
Vertical-travel, mechanical, focal-plane shutter with all speeds
electronically-controlled
Maximum Flash Synchronization
Speed
Up to 1/250 sec.; high-speed sync. Available with EX-series Speedlites
Up to 1/200 sec.; high-speed sync. Available with EX-series Speedlites
Up to 1/180 sec.
Up to 1/200 sec.; high-speed sync. available with EX-series Speedlites
Up to 1/250 sec.; high-speed sync. Available with EX-series Speedlites
Up to 1/250 sec.; high-speed sync. Available with EX-series Speedlites
Up to 1/200 sec.; high-speed sync. available with EX-series Speedlites
Up to 1/200 sec.; high-speed sync. available with EX-series Speedlites
Up to 1/200 sec.; high-speed sync. available with EX-series
Speedlites
Up to 1/200 sec.
Metering System
TTL full-aperture metering:
•252-zoneEvaluativemetering
•6.5%Partialmetering
•2.5%Spotmetering(linkedtouserselected focusing point)
TTL full-aperture metering:
•63-zoneEvaluativemetering
•6.2%Partialmetering
•1.5%Spotmetering(CenterPoint)
TTL full-aperture metering:
•63-zoneEvaluativemetering
•Approx.11%partialmetering
•Approx.3%spotmetering
•Center-weightedaveragemetering
TTL full-aperture metering:
•35-zoneEvaluativemetering
•8%Partialmetering
•3.5%Centerspotmetering
•Center-Weightedaveragemetering
TTL full-aperture metering:
•63-zoneEvaluativemetering
•9.4%Partialmetering
•2.3%Centerspotmetering
•Center-Weightedaveragemetering
TTL full-aperture metering
•63-zoneEvaluativemetering
•6.5%Partialmetering
•2.8%Centerspotmetering
•Center-Weightedaveragemetering
TTL full-aperture metering:
•63-zoneEvaluativemetering
•9%Partialmetering
•4%Spotmetering
•Center-Weightedaveragemetering
TTL full-aperture metering:
•63-zoneEvaluativemetering
•9%Partialmetering
•4%Spotmetering
•Center-Weightedaveragemetering
TTL full-aperture metering:
•63-zoneEvaluativemetering
•Approx.10%Partialmetering
•Center-Weightedaveragemetering
•Pre-flashmetering(E-TTLII)
TTL full-aperture metering:
•63-zoneEvaluativemetering
•Approx.11%partialmetering
•Approx.2.8%spotmetering
•Center-weightedaveragemetering
Metering Sensitivity
EV 0–20 for all patterns (at ISO 100 with f/1.4 lens)
EV 0–20 for all patterns (at ISO 100 with f/1.4 lens)
EV 0–20 (at ISO 100 with f/1.4 lens)
EV 1–20 for all patterns (at ISO 100 with f/1.4 lens)
EV 1–20 for all patterns (at ISO 100 with f/1.4 lens)
EV 0–20 for all patterns (at ISO 100 with f/1.4 lens)
EV 1–20 (at ISO 100 with f/1.4 lens)
EV 1–20 (at ISO 100 with f/1.4 lens)
EV 0–20 (at ISO 100 with f/1.4 lens)
EV 1–20 (at ISO 100 with f/2 lens)
Exposure Compensation
±5 stops in 1/3- or 1/2-stop increments
±5 stops in 1/3- or 1/2-stop increments
±5 stops in 1/3- or 1/2-stop increments
±2 stops in 1/3- or 1/2-stop increments
±5 stops in 1/3- or 1/2-stop increments
±5 stops in 1/3- or 1/2-stop increments
±5 stop in 1/3- or 1/2-stop increments
±5 stops in 1/3- or 1/2-stop increments
±5 stops in 1/3- or 1/2-stop increments
±3 stops in 1/3- or 1/2-stop increments
Flash Exposure Compensation
±3 stops in 1/3- or 1/2-stop increments
±3 stops in 1/3- or 1/2-stop increments
±3 stops in 1/3- or 1/2-stop increments
±2 stops in 1/3- or 1/2-stop increments
±3 stops in 1/3- or 1/2-stop increments
±3 stops in 1/3- or 1/2-stop increments
Up to ±2 stops in 1/3- or 1/2-stop increments
Up to ±2 stops in 1/3- or 1/2-stop increments
Up to ±2 stops in 1/3- or 1/2-stop increments
±2 stops in 1/3- or 1/2-stop increments
AE Lock
Yes
Yes
Yes
Yes
Yes
Yes
Yes
Yes
Yes
Yes
Exposure Modes
•ShutterSpeed-priorityAE
•Aperture-priorityAE
•ProgramAE(shiftable)
•Manual
•E-TTLIIFlashAE
•Bulb
•ShutterSpeed-priorityAE
•Aperture-priorityAE
•ProgramAE(shiftable)
•Manual
•SceneIntelligentAuto
•E-TTLIIFlashAE
Viewfinder
Fixed eye-level pentaprism
Fixed eye-level pentaprism
Fixed eye-level pentaprism
Fixed eye-level pentaprism
Fixed eye-level pentaprism
Fixed eye-level pentamirror
Fixed eye-level pentamirror
Fixed eye-level pentamirror
–
Viewfinder Coverage
Approx.100%horizontalandverticalat0.76x
Approx.100%horizontalandverticalat0.71x
Approx.97%horizontalandverticalat0.71x
98%horizontal/verticalat0.71x
Approx.100%horizontal/verticalat1x
Approx.96%vertical/horizontal
95%horizontal/verticalat0.85x
95%horizontal/verticalat0.85x
95%horizontal/verticalat0.8x
–
Viewfinder Information
Insidethepicturearea:Sixty-onefocusingpoints,2.5%Spot
metering circle. Displayed at the bottom and side of the viewing area:
Numeric and textual information with 7-segment LCD
Insidethepicturearea:Sixty-onefocusingpoints,1.5%Spotmeteringcircle.
Displayed at the bottom of the viewing area: Numeric and textual information with
7-segment LCD
Insidethepicturearea:Elevenfocusingpoints,3%Spotmeteringcircle.
Numeric and textual information with 7-segment LCD
Insidethepicturearea:Ninefocusingpoints,3.5%Spotmeteringcircle.Displayedat
the bottom of the viewing area: Numeric and textual information with 7-segment LCD
Insidethepicturearea:Nineteenfocusingpoints,2.3%Spotmeteringcircle,CompositionalGrid.
Displayed at the bottom of the viewing area: Numeric and textual information with 7-segment LCD
IInsidethepicturearea:Ninefocusingpoints,2.8%Spotmeteringcircle,CompositionalGrid.
Displayed at the bottom of the viewing area: Numeric and textual information with 7-segment LCD
Insidethepicturearea:Ninefocusingpoints,4%Spotmeteringcircle.
Displayed at the bottom of the viewing area: Numeric and textual
information with 7-segment LCD
Insidethepicturearea:Ninefocusingpoints,4%Spotmeteringcircle.
Displayed at the bottom of the viewing area: Numeric and textual
information with 7-segment LCD
Inside the picture area: Nine focusing points. Displayed at the
bottom of the viewing area: Numeric and textual information
with 7-segment LCD
–
•Shutterspeed
•Aperturevalue
•AELock
•FELock
•Shotsremaining
•Max.burst
•Multi-spotreadings
•MeteringPattern
•Exposurelevel/Flashexposurelevel/
Manual Exposure level
•Exposurecompensation/Flash
compensation
•Shutterspeed
•Aperturevalue
•AELock
•FELock
•Shotsremaining
•Max.burst
•Multi-spotreadings
•MeteringPattern
•ManualExposurelevel
•Exposurecompensation/Flash
compensation
•Exposurebracketing
•Shutterspeed
•Aperturevalue
•AELock
•FELock
•Max.burst
•Exposurelevel
•Flashexposurecompensation
•Exposurebracketing
•Flashready/High-speedsync
•B/Wshooting
•HighlightTonePriority
•Focusconfirmation
•Shutterspeed
•Aperturevalue
•AELock
•FELock
•Max.burst
•Exposurelevel
•Flashexposurecompensation
•Exposurebracketing
•Flashready/High-speedsync
•Focusconfirmation
•HighlightTonePriority
•JPEGindicator
•Shutterspeed
•Aperturevalue
•AELock
•FELock
•Max.burst
•Exposurelevel
•Flashexposurecompensation
•Exposurebracketing
•Flashready/High-speedsync
•Focusconfirmation
•HighlightTonePriority
•JPEGindicator
•Shutterspeed
•ApertureValue
•AELock
•FELock
•Max.Burst
•ExposureLevel
•FlashExposureCompensation
•ExposureWarning
•AFpoints
•FlashReady/High-speedSync
•HighlightTonePriority(D+)
•Red-eyeReductionLight
•Shutterspeed
•ApertureValue
•AELock
•FELock
•Max.Burst
•ExposureLevel
•FlashExposureCompensation
•ExposureWarning
•AFpoints
•FlashReady/High-speedSync
•FocusConfirmation
•HighlightTonePriority(D+)
•USB2.0Hi-Speedcompatible
•Magnesium-alloybody
•PictureStyle
•Dustreductionfeature
•LiveViewFunction&FaceDetection
Live mode
•FullHDVideo
•SMPTETimeCode
•IntelligentViewfinder
•Lensaberrationcorrection
•Multi-spotmetering(upto8spot
readings)
•Center-Weightedaveragemetering
•Pre-flashmetering(E-TTLII)
•Exposurebracketing
•Flashready/Hi-speedsync
•HighlightTonePriority
•Focusconfirmation
•WhiteBalance+/-
•ISOspeed
•JPEGindicator
•RAWindicator
•Batterycheck
•Memorycardfullwarning
•ShootingMode
•AFIndicator
•22.3MegapixelCMOSDSLRcamera
•Built-in3.2"(approx.1,040,000dots)
wide viewing angle color monitor
•13Customfunctionsin3sets
•Multi-controllerandQuickControlDial
•DualAxisElectronicLevel
•SimultaneousRAWandJPEGimage
capture
•HDRShootingwith5effects
•MultipleExposures(4modes)
•Dioptricadjustment
•Depth-of-fieldpreview
•FElock
•Mirrorlock
•In-cameraRAWprocessing
•Starratingsystem
•USB2.0Hi-Speedcompatible
•Magnesium-alloybody
•PictureStyle
•Dustreductionfeature
•LiveViewFunction&FaceDetection
Live mode
•FullHDVideo
•SMPTETimeCode
•All-IorIPBCompression
•IntelligentViewfinder
•Lensaberrationcorrection
•Multi-spotmetering(upto8spot
readings)
•Center-Weightedaverage
metering
•Bulb
•Flashready/Hi-speedsync
•HighlightTonePriority
•Focusconfirmation
•WhiteBalance+/•ISOspeed
•JPEGindicator
•RAWindicator
•Batterycheck
•Memorycardfullwarning
•ShootingMode
•AFIndicator
•20.2MegapixelFull-Frame
CMOS sensor
•Built-in3.0"(approx.1,040,000dots)
wide viewing angle color monitor
•Built-inWi-Fi®
•Built-inGPS
•20customfunctions
•SimultaneousRAW+JPEGimage
capture
•MultipleExposures
•Dioptricadjustment
•FELock
•Basic+
•In-cameraRAWprocessing
•Program AE
•Shutter-priority AE
•Aperture-priority AE
•Manual Exposure
•Scene Intelligent Auto
•Creative Auto
•Shutterspeed
•Aperturevalue
•AElock
•FElock
•Maximumburst
•Exposure level / Exposure Warning
•FlashExposurecompensation
•Flashready/High-speedsync
•HighlightTonePriority
•FocusConfirmation
•WhiteBalance+/•ISOSpeed
•StarRatingSystem
•USB2.0Hi-speedcompatible
•PictureStyle
•Dustreductionfeature
•LiveViewFunction&Face
Detection Live mode
•FullHDVideo
•All-IorIPBCompression
•SMPTETimeCode
•Multi-shotNoiseReduction
•LensAberrationCorrection
•E-TTL II Flash AE
•Bulb
•JPEGindicator
•RAWindicator
•BatteryCheck
•Memorycardfullwarning
•ShootingMode
•ElectronicLevel
•21.1MegapixelCMOSDSLRcamera
•Built-in3.0"(approx.920,000dots)
wide viewing angle color monitor
•25Customfunctionswith
71 settings
•Multi-controller
•SimultaneousRAWandJPEGimage
capture
•Dioptricadjustment
•Depth-of-fieldpreview
•FElock
•Mirrorlock
•N3remotecontrolsocket
•USB2.0Hi-Speedcompatible
•ProgramAE(shiftable)
•ShutterSpeed-priorityAE
•Aperture-priorityAE
•CreativeAuto
•FullAuto
•Manual
•Magnesium-alloybody
•PictureStyle
•Dustreductionfeature
•LiveViewFunction
&FaceDetectionLivemode
•FullHDvideo
•Pre-flashmetering(E-TTLII)
•E-TTLIIFlashAE
•Bulb
•WhiteBalance+/-
•ISOspeed
•CFcardfullwarning
•18.0MegapixelCMOSDSLRcamera
•Built-in3.0"(approx.920,000dots)wideviewing
angle color monitor
•27CustomFunctionsin4Groups
•Multi-controller
•DualAxisElectronicLevel
•SimultaneousRAWandJPEGimagecapture
•Dioptricadjustment
•Depth-of-fieldpreview
•IntelligentViewfinderDisplay
•FElock
•Mirrorlock
•Retractablebuilt-inE-TTLIIflash,withintegrated
Speedlite transmitter and manual output control
•ProgramAE(shiftable)
•ShutterSpeed-priorityAE
•Aperture-priorityAE
•Depth-of-fieldAE
•FullAuto
•CreativeAuto
•USB2.0Hi-Speedcompatible
•Magnesiumalloybody
•PictureStyle
•DustReductionFeature
•LiveViewFunction&FaceDetectionLivemode
•FullHDvideo
•Pre-flashmetering(E-TTLII)
•Manual
•E-TTLIIFlashAE
•Bulb
•CFcardfullwarning
•18.0MegapixelCMOSDSLRcamera
•Built-inVari-angle3.0-inchClearViewLCD
monitor (approx. 1,040,000 dots)
•20CustomFunctionsin4Groups
•Multi-controller
•HorizontalLevel
•SimultaneousRAW+JPEGimagecapture
•Dioptricadjustment
•Depth-of-fieldpreview
•FELock
•MirrorLock
•Retractablebuilt-inE-TTLIIflash
•IntegratedSpeedlitetransmitter
•ProgramAE(shiftable)
•Shutter-priorityAE
•Aperture-priorityAE
•Manualexposure
•Bulb
•FullAuto
•Basic+
•MovieCrop
•In-cameraRAWprocessing
•Creativefilters
•Starratingsystem
•Aluminumandpolycarbonatewithglass
fiber chassis
•USB2.0Hi-Speedcompatible
•PictureStyle
•DustReductionFeature
•LiveViewFunction&FaceDetection
Live mode
•FullHDvideo
•FlashOff
•CreativeAuto
•ProgrammedImageControlmodes(5)
•E-TTLIIAutoflashProgramAE
•CFcardfullwarning
•Electroniclevel(Horizontalonly)
•Batterycheck
•18.0MegapixelCMOSSensor
•Built-inVari-angleTouchScreen
3.0-inch Clear View LCD monitor II
•8CustomFunctionswith
24 settings
•SimultaneousRAW+JPEGimage
capture
•FELock
•MirrorLock
•FeatureGuide
•Basic+
•PeripheralIlluminationCorrection
•LensAberrationCorrection
•MultiShotNoiseReduction
•ProgramAE
•Shutter-priorityAE
•Aperture-priorityAE
•Manualexposure
•Automaticdepth-of-fieldAE
•SceneIntelligentAuto
•CreativeFilters
•HDRBacklightControlmode
•HandheldNightScenemode
•EOSSceneDetection
Technology, Scene Intelligent
Auto and Picture Style Auto
•MultipleAspectRatios
•VideoSnapshotalbums
•Built-inflashwithSpeedlite
transmitter
•FullHDVideo
•Pre-flashmetering(E-TTLII)
•FlashOff
•CreativeAuto
•ProgrammedAEwith
ambience selection
•E-TTLIIautoflashprogramAE
•ISOSpeed
•WhiteBalanceCorrection
•Monochromeshooting
•SD/SDHC/SDXCmemory
card full warning
•18.0MegapixelCMOSSensor
•Built-inVari-angle3.0-inch
Clear View LCD monitor
(approx. 1,040,000 dots)
•11customfunctionswith34settings
•SimultaneousRAW+JPEGimage
capture
•USB2.0Hi-Speedcompatible
•FELock
•MirrorLock
•FeatureGuide
•Basic+
•PeripheralIlluminationCorrection
•CreativeFilters
•Shutter-priorityAE
•Aperture-priorityAE
•Manualexposure
•Automaticdepth-of-fieldAE
•SceneIntelligentAuto
•FlashOff
•EOSSceneDetection
Technology, Scene Intelligent
Auto and Picture Style Auto
•MultipleAspectRatios
•MovieDigitalZoom
•VideoSnapshotalbums
•Built-inflashwithSpeedlite
transmitter
•FullHDVideo
•Pre-flashmetering(E-TTLII)
•CreativeAuto
•ProgrammedAEwith
ambience selection
•E-TTLIIautoflashprogramAE
•Red-eyeReductionLight
•ISOSpeed
•WhiteBalanceCorrection
•Monochromeshooting
•SD/SDHC/SDXCmemorycard
full warning
•ProgramAE
•Shutter-priorityAE
•Aperture-priorityAE
•Manualexposure
•Automaticdepth-of-fieldAE
•FullAuto
•Shutterspeed
•ApertureValue
•AELock
•FELock
•Max.Burst
•ExposureLevel
•FlashExposure
Compensation
•ExposureWarning
•AFpoints
•FlashReady/High-speedSync
•FocusConfirmation
•FlashOff
•CreativeAuto
•ProgrammedAEwith
ambience selection
•E-TTLIIautoflashprogramAE
•MovieServoAF
•EOSSceneDetection
Technology, Scene Intelligent
Auto and Picture Style Auto
•FullHDVideo
•PictureStyle
•ProgramAE
•Shutter-priorityAE
•Aperture-priorityAE
•Manualexposure
•CreativeAuto
•HighlightTonePriority(D+)
•Red-eyeReductionLight
•ISOSpeed
•WhiteBalanceCorrection
•Monochromeshooting
•SD/SDHC/SDXCmemory
card full warning
Focusing Screens
Precision laser-matte screen Ec-C V
Interchangeable (Ec series)
Intelligent Viewfinder with adaptable LCD overlay displaying Dual Axis Electronic
Level (Non-interchangeable)
Standard screen Eg-A II. Interchangeable with precision laser-matte with
grid Eg-D and super precision laser-matte Eg-S; incompatible with Eg-A
Precision laser-matte screen Eg-A marked with focusing points and Spot metering circle
(interchangeable with Eg-series focusing screens)
Intelligent Viewfinder with adaptable LCD overlay displaying Dual Axis Electronic Level, Compositional
Grid, Spot Metering Circle, AF Selection Modes, and AF Points
Precision laser-matte screen Ef-A marked with focusing points and Spot metering circle (interchangeable
with dedicated Ef-series screens. Metering correction can be set with Custom Function IV-4)
Precision laser-matte screen marked with focusing points
(Non-interchangeable)
Precision laser-matte screen marked with focusing points
(Non-interchangeable)
Precision laser-matte screen marked with focusing points
(Non-interchangeable)
–
Self-Timer
Electronically controlled with 2- or 10-second delay
Electronically controlled with 2- or 10-second delay
Electronically controlled with 2- or 10-second delay
Electronically controlled with 2- or 10-second delay
Electronically controlled with 2- or 10-second delay
Electronically controlled with 2- or 10-second delay
Electronically controlled with 2- or 10-second delay
Electronically controlled with 2- or 10-second delay
Electronically controlled with 2- or 10-second delay
Electronically controlled with 2- or 10-second delay
Body Dimensions (W x H x D)
Approx. 6.2 x 6.4 x 3.3 in. / 158 x 163.6 x 82.7mm
Approx. 6.0 x 4.6 x 3.0 in. / 152 x 116.4 x 76.4mm
Approx. 5.7 x 4.4 x 2.8 in. / 144.5 x 110.5 x 71.2mm
Approx. 6.0 x 4.5 x 3.0 in. / 152 x 113.5 x 75mm
Approx. 5.8 x 4.4 x 2.9 in. / 148.2 x 110.7 x 73.5mm
Approx. 6.0 x 4.5 x 3.0 in. / 152 x 113.5 x 75mm
Approx. 5.2 x 3.9 x 3.1 in. / 133.1 x 99.8 x 78.8mm
Approx. 5.2 x 3.9 x 3.1 in. / 133.1 x 99.5 x 79.7mm
Approx. 5.1 x 3.9 x 3.0 in. / 129.9 x 99.7 x 77.9mm
Approx. 4.28 x 2.62 x 1.27 in. / 108.6 x 66.5 x 32.3mm
Weight (CIPA standards)
Approx. 54.0 oz. / 1,530g
Approx. 33.5 oz. / 950g
Approx. 26.7 oz. / 755g
Approx. 31.9 oz. / 905g
Approx. 32.1 oz. / 910g
Approx. 31.9 oz. / 905g
Approx. 20.3 oz. / 575g
Approx. 20.1 oz. / 570g
Approx. 17.4 oz. / 495g
Approx. 10.5 oz. / 298g
* Standard output sensitivity. Recommended exposure index.
** SDHC compatibility requires firmware update
*** Themaximumcontinuousshootingspeedisrestrictedto10fpswhenthebatterychargeislessthan50%orwhenISOspeedisabove32000.Ifthecamera’sinternaltemperatureislowandISOspeedisabove20000,themaximumcontinuousshootingspeedisrestrictedto10fps.
# 4.3 fps with One-Shot AF or MF.
usa.canon.com/eos
34
EOS CAMERAS
EOS CAMERAS
Movie Recording Size and Time
Movie
Recording Size
Frame
Rate
Total Recording Time
EOS-1D X
1920x1080
30fps
25fps
24fps
1280x720
60fps
50fps
640x480
All-I
64 min.
235 MB/min.
All-I
11 min.
22 min.
685 MB/min.
IPB
32 min.
64 min.
235 MB/min.
All-I
11 min.
22 min.
685 MB/min.
IPB
32 min.
64 min.
235 MB/min.
74 min.
205 MB/min.
All-I
12 min.
25 min.
610 MB/min.
EOS 60D
IPB
37 min.
74 min.
205 MB/min.
1920x1080
(16:9) Full HD
194 min.
78 MB/min.
60fps
8GB Card
All-I
11 min.
16GB Card
22 min.
685 MB/min
IPB
32 min.
64 min.
235 MB/min
All-I
11 min.
22 min.
685 MB/min
IPB
32 min.
64 min.
235 MB/min
All-I
11 min.
22 min.
685 MB/min
IPB
32 min.
64 min.
235 MB/min
All-I
12 min.
25 min.
37 min.
74 min.
205 MB/min
All-I
12 min.
25 min.
610 MB/min
37 min.
74 min.
205 MB/min
30fps
IPB
97 min.
194 min.
78 MB/min
25fps
IPB
97 min.
194 min.
78 MB/min
All-I
25fps
24fps
50fps
16GB Card
11 min.
22 min.
32 min.
64 min.
685 MB/min.
IPB
32 min.
64 min.
235 MB/min.
All-I
11 min.
22 min.
685 MB/min.
64 min.
12 min.
25 min.
610 MB/min.
IPB
37 min.
74 min.
205 MB/min.
All-I
12 min.
25 min.
610 MB/min.
IPB
37 min.
74 min.
205 MB/min.
30fps
IPB
97 min.
194 min.
78 MB/min.
25fps
IPB
97 min.
194 min.
78 MB/min.
1280x720
1920x1080
(16:9) Full HD
640x480
(4:3) SD
4GB Card
30fps
12 min.
25fps
60fps
50fps
60fps
50fps
330 MB/min.
60fps
30fps
24 min.
1 hr. 39 min.
165 MB/min
60fps
50fps
30fps
25fps
4608 x 3072
(Approx. 14.20 megapixels)
4.8
1470
Medium 2
3456 x 2304
(Approx. 8.0 megapixels)
3.3
2170
Small
2592 x 1728
(Approx. 4.50 megapixels)
2.1
3290
640 x 480
Image File
Size (MB)
Recording
Capacity (shot)
Large/Fine
Large/Normal
Medium/Fine
Medium/Normal
Small/Normal
Image Format
Compression
Rate
Image File
Size (MB)
Recording
Capacity (shot)
5184 x 3456
JPEG
(Approx. 17.90 megapixels)
Low Compression
6.6
490
High Compression 3.3
990
Large/Normal
3456 x 2304
(Approx. 8.00 megapixels)
Low Compression
940
Medium/Fine
High Compression 1.8
1930
Medium/Normal
2592 x 1728
(Approx. 4.50 megapixels)
Low Compression
2.2
1500
Small/Fine
Low Compression
1.1
3100
Small/Normal
Recording Resolution
Recording Method
EOS 60D
5616 x 3744
JPEG
(Approx. 21.00 megapixels)
Low Compression 6.1
310
JPEG
Large/Fine
High Compression 3.0
610
Large/Normal
4080 x 2720
(Approx. 11.10 megapixels)
Low Compression 3.6
510
Medium/Fine
High Compression 1.9
990
Medium/Normal
2784 x 1856
(Approx. 5.20 megapixels)
Low Compression 2.1
910
Small 1/Fine
High Compression 1.0
1680
Small 1/Normal
Image Format
Recording Resolution
Recording Method
Compression
Rate
Image File
Size (MB)
Recording
Capacity (shot)
5184 x 3456
(Approx. 17.9 megapixels)
JPEG
Low Compression
6.4
570
EOS Rebel T3i***
3.5
JPEG
Large/Fine
High Compression 3.2
1120
3456 x 2304
(Approx. 8.00 megapixels)
Low Compression
3.4
1070
High Compression 1.7
2100
2592 x 1728
(Approx. 4.5 megapixels)
Low Compression
2.2
1670
High Compression 1.1
3180
23.2
280
RAW
.CR2
5616 x 3744
Lossless Compression —
(Approx. 21.00 megapixels)
25.8
72
Small 2
1920 x 1280
(Approx. 2.50 megapixels)
1.3
2580
Small 2
1920 x 1280
(Approx. 2.5 megapixels)
1.3
2780
—
—
23.2+6.0 230
—
25.8 + 6.1 57
Small 3
720 x 480
(Approx. 0.35 megapixels)
0.3
10780
Small 3
720 x 480
(Approx. 0.35 megapixels)
0.3
10780
165 MB/min
RAW
+
JPEG
Large/Fine
1 hr. 39 min.
RAW
+
JPEG
Large
24 min.
RAW
.CR2
5184x 3456
Lossless Compression
(Approx. 17.90 megapixels)
—
24.5
130
RAW
.CR2
5184 x 3456
(Approx. 17.9 megapixels)
Lossless Compression
—
24.5
150
RAW
+
JPEG
Large/Fine
—
—
RAW+
JPEG
Large/Fine
—
RAW + Separate JPEG File
—
24.5+6.4
110
4272 x 2848
(Approx. 12.2 megapixels)
JPEG
Low Compression
4.4
830
12 min.
23.2+4.8 240
23.2+3.3 250
Small
23.2+2.1 260
mRAW Large
+
Medium 1
JPEG
Medium 2
330 MB/min.
RAW
+
Separate JPEG File
Medium 2
mRAW .CR2
16GB Card
49 min.
Medium 1
3888 x 2592
Lossless Compression
(Approx. 10.10 megapixels)
—
—
—
mRAW
+
Separate JPEG File
12 min.
24 min.
49 min.
1 hr. 39 min.
330 MB/min.
sRAW
+
JPEG
165 MB/min
18.3+3.3 300
44 min.
3 hr. 4 min.
22 min.
1 hr. 32 min.
44 min.
3 hr. 4 min.
Large/Fine
1930
3840 x 2560
(Approx. 9.80 megapixels)
3.8
1860
2.0
3430
2880 x 1920
(Approx. 5.50 megapixels)
2.5
2810
1.3
5240
1920 x 1280
(Approx. 2.50 megapixels)
1.4
5030
Small 3
720 x 480
(Approx. 350,000 Pixels)
0.3
19520
RAW
.CR2
5760 x 3840
Lossless Compression —
(Approx. 22.10 megapixels)
27.1
260
RAW+
JPEG
Large/Fine
—
RAW + Separate JPEG File —
27.1 + 7.0 210
3960 x 2640
(Approx. 10.5 megapixels)
Lossless Compression —
19.1
mRAW+ Large/Fine
JPEG
—
mRAW + Separate JPEG File —
19.1 + 7.0 270
sRAW
2880 x 1920
(Approx. 5.5 megapixels)
Lossless Compression —
15.1
—
sRAW + Separate JPEG File —
15.1+ 7.0 320
.CR2
sRAW+ Large/Fine
JPEG
JPEG
Large/Fine
5760x 3840
JPEG
(Approx. 22.10 megapixels)
480
1.1
6370
Small 2
1920 x 1280
(Approx. 2.5 megapixels)
1.2
6130
Small 3
720 x 480
(Approx. 0.35 megapixels)
0.3
23070
RAW
.CR2
5472 x 3648
(Approx. 20.0 megapixels)
Lossless Compression –
23.5
300
24 fps
RAW+
JPEG
Large/Fine
–
RAW + Separate JPEG File –
23.5+6.0 240
60 fps
mRAW .CR2
4104 x 2736
(Approx. 11.0 megapixels)
Lossless Compression –
18.5
mRAW+ Large/Fine
JPEG
–
mRAW + Separate JPEG File –
18.5+6.0 290
sRAW
2736 x 1824
(Approx. 5.0 megapixels)
Lossless Compression –
13.0
–
sRAW + Separate JPEG File –
Small/Fine
Small/Normal
4GB Card
16GB Card
30 fps
22 min.
22 min.
1 hr. 32 min.
44 min.
44 min.
3 hrs. 4 min.
330 MB/min.
330 MB/min.
82.5 MB/min.
.CR2
sRAW+ Large/Fine
JPEG
36
14.8 + 3.6 100
10.8
sRAW2 Large/Fine
+
JPEGt Large/Normal
Medium/Fine
—
sRAW2
+
Separate JPEG File
10.8 + 6.1 110
—
5472 x 3648
(Approx. 20.0 megapixels)
JPEG
3648 x 2432
(Approx. 8.9 megapixels)
10.8 + 1.9 140
Small/Fine
10.8 + 2.1 140
Small/Normal
10.8 + 1.0 150
EOS 7D
JPEG
Large/Fine
Large/Normal
Medium/Normal
Small/Fine
5184 x 3456
JPEG
(Approx. 17.90 megapixels)
3456 x 2304
(Approx. 8.00 megapixels)
2592x 1728
(Approx. 4.50megapixels)
550
Small 1/Normal
24.5 + 1.1 147
Small 2
24.5 + 1.3 TBA
Medium/Fine
24.5 + 0.3 TBA
Medium/Normal
16.7
Small
5184 x 3456
Lossless Compression
(Approx. 10.10 megapixels)
—
—
—
mRAW
+
Separate JPEG File
190
Small/Normal
16.7 + 6.4 140
Small 1/Fine
16.7 + 2.2 TBA
Small 1/Normal
16.7 + 1.1 TBA
Small 2
16.7 + 1.3 TBA
Small 3
Low Compression
2.6
1400
High Compression 1.4
2630
2256 x 1504
(Approx. 3.4 megapixels)
Low Compression
1.7
2130
High Compression 0.9
4060
1920 x 1280
(Approx. 2.5 megapixels)
1.2
2880
Small 3
720 x 480
(Approx. 0.35 megapixels)
0.3
11280
RAW
.CR2
4272 x 2848
(Approx. 12.2 megapixels)
Lossless Compression
—
16.7
5
RAW+
JPEG
Large/Fine
—
RAW + Separate JPEG File
—
16.7+4.4
1
5184 x 3456
(Approx. 17.9 megapixels)
JPEG
Low Compression 6.4
1140
High Compression 3.2
2240
3456 x 2304
(Approx. 8.0 megapixels)
Low Compression 3.4
2150
High Compression 1.7
4200
2592 x 1728
(Approx. 4.5 megapixels)
Low Compression 2.2
3350
High Compression 1.1
6360
16.7 + 3.4 TBA
16.7 + 1.7 TBA
1600
3088 x 2056
(Approx. 6.3 megapixels)
Small 2
16.7 + 3.2 TBA
Medium/Normal
High Compression 2.2
16.7 + 0.3 TBA
EOS M
sRAW
.CR2
2592 x 1728
(Approx. 4.50 megapixels)
Lossless Compression
—
11.1
sRAW
+
JPEG
Large/Fine
—
sRAW
+
Separate JPEG File
—
11.1 + 6.4 180
Large/Normal
11.1 + 3.2 TBA
Medium/Fine
Medium/Fine
11.1 + 3.4 TBA
Medium/Normal
300
JPEG
Large/Fine
1122
Medium/Normal
11.1 + 1.7 TBA
Small/Fine
High Compression 1.8
2178
Small 1/Fine
11.1 + 2.2 TBA
Small/Normal
Low Compression 2.2
1739
Small 1/Normal
11.1 + 1.1 TBA
Small 2
1.3
5570
Low Compression 1.1
3297
Small 2
11.1 + 1.3 TBA
1920 x 1080
(Approx. 2.5 megapixels)
155
Small 3
11.1 + 0.3 TBA
Small 3
720 x 480
(Approx. 0.35 megapixels)
0.3
21560
RAW
.CR2
5184 x 3456
(Approx. 17.9 megapixels)
Lossless Compression
—
24.5
290
RAW+
JPEG
Large/Fine
—
RAW + Separate JPEG File
—
24.5+6.4
230
Large/Fine
—
25.1 + 6.6 122
—
25.1 + 3.3 136
25.1 + 3.5 135
Medium/Normal
25.1 + 1.8 144
Small/Fine
25.1 + 2.2 141
Small/Normal
—
17.1
Large/Normal
EOS Rebel T4i*
JPEG
Large/Fine
Large/Normal
Medium/Fine
Medium/Normal
25.1 + 1.1 147
5184 x 3456
Lossless Compression —
(Approx. 10.10 megapixels)
Small/Fine
229
Small/Normal
17.1 + 6.6 164
Small
17.1 + 2.2 201
17.1 + 1.1 213
sRAW
.CR2
2592 x 1728
(Approx. 4.50 megapixels)
Lossless Compression —
11.4
sRAW
+
JPEG
Large/Fine
—
sRAW
+
Separate JPEG File
11.4 + 6.6 217
—
345
JPEG
Low Compression
6.4
1140
Low Compression
3.2
2240
3456 x 2304
(Approx. 8.00 megapixels)
Low Compression
3.4
2150
Low Compression
1.7
4200
2592 x 1728
(Approx. 4.5 megapixels)
Low Compression
2.2
3350
Low Compression
1.1
6360
1920 x 1280
(Approx. 2.5 megapixels)
1.3
5570
Small 3
720 x 480
(Approx. 0.35 megapixels)
0.3
21560
RAW
.CR2
5184 x 3456
(Approx. 17.9 megapixels)
Lossless Compression
—
24.5
290
RAW+
JPEG
Large/Fine
—
RAW + Separate JPEG File
—
24.5+6.4
230
17.1 + 3.5 189
17.1 + 1.8 206
5184 x 3456
(Approx. 17.9 megapixels)
Small 2
17.1 + 3.3 190
Medium/Normal
Large/Normal
Large/Fine
Large/Normal
Low Compression 3.5
RAW
+
JPEG
mRAW
+
Separate JPEG File
JPEG
1169
25.1
mRAW Large/Fine
+
Large/Normal
JPEG
Medium/Fine
EOS Rebel T3***
24.5 + 2.2 141
High Compression 3.3
5184x 3456
Lossless Compression —
(Approx. 17.90 megapixels)
mRAW .CR2
24.5 + 1.7 144
Small 1/Fine
593
.CR2
RAW
+
Separate JPEG File
24.5 + 3.4 135
Low Compression 6.6
RAW
Large/Normal
24.5 + 6.4 122
24.5 + 3.2 136
Medium/Normal
mRAW Large/Fine
+
Large/Normal
JPEG
Medium/Fine
10.8 + 3.6 130
Medium/Normal
RAW
+
Separate JPEG File
Medium/Fine
mRAW .CR2
10.8 + 3.0 130
Small/Normal
380
170
Large/Normal
Small 3
14.8 + 1.9 110
Medium/Fine
3450
Medium/Normal
222 MB/min.
14.8 + 3.0 100
Lossless Compression —
Small/Normal
2.1
1 hr. 8 min.
14.8 + 6.1 89
2784 x 1856
(Approx. 5.20 megapixels)
370
2736 x 1824
(Approx. 5.0 megapixels)
17 min.
—
120
sRAW2 .CR2
Medium/Fine
4240
Medium/Fine
16GB Card
sRAW1
+
Separate JPEG File
Medium/Normal
EOS 6D
82.5 MB/min.
—
14.8
13.0+2.1 420
1.7
4GB Card
sRAW1 Large/Fine
+
Large/Normal
JPEG
Medium/Fine
25.8 + 1.0 69
3861 x 2574
Lossless Compression —
(Approx. 10.00 megapixels)
Small
Small 1/Normal
330 MB/min.
25.8 + 2.1 66
14.8 + 1.0 110
Medium/Fine
330 MB/min.
Small/Fine
Small/Normal
1010
82.5 MB/min.
25.8 + 1.9 67
14.8 + 2.1 110
3.7
330 MB/min.
25.8 + 3.6 62
Medium/Normal
sRAW1 .CR2
13.0+6.0 340
Low Compression 7.0
330 MB/min.
Medium/Fine
Small
Large/Normal
16GB Card
44 min.
sRAW
+
Separate JPEG File
490
25.8 + 3.0 64
13.0+3.3 400
mRAW .CR2
22 min.
—
13.0
—
13.0+4.8 360
Small 2
1 hr. 32 min.
Lossless Compression
RAW
+
Separate JPEG File
Medium 2
Small 1/Fine
44 min.
2592 x 1728
(Approx. 4.50 megapixels)
Medium 1
Medium/Normal
22 min.
18.3+2.1 320
Large/Normal
Small/Normal
18.3+6.0 270
EOS 5D Mark III
16GB Card
JPEG
22 min.
Large
350
18.3+4.8 280
Small
S RAW .CR2
18.3
2300
30 fps
Compression
Rate
—
3.2
EOS M
Recording Method
5184 x 3456
Lossless Compression
(Approx. 17.90 megapixels)
2380
30fps
JPEG
Small/Fine
3.1
25fps
1280 x 720
1200
Medium 1
Large/Normal
1920 x 1080
Low Compression 6.0
1250
EOS Rebel T3
Recording Resolution
EOS 5D Mark II**
5184 x 3456
JPEG
(Approx. 17.90 megapixels)
Low Compression 6.0
25 fps
35
Large
Image Format
.CR2
24fps
1280x720
Image File Recording
Size (MB) Capacity (shot)
RAW
30fps
25fps
640x480
Compression
Rate
330 MB/min.
8GB Card
50 fps
30fps
330 MB/min.
30fps
EOS Rebel T3i
1280x720
Recording Method
49 min.
8GB Card
25fps
16GB Card
49 min.
49 min.
30fps
50fps
640x480
Recording Resolution
12 min.
4GB Card
25 fps
EOS 5D Mark II
12 min.
24fps
235 MB/min.
All-I
50fps
25fps
235 MB/min.
22 min.
32 min.
1920x1080
685 MB/min.
11 min.
50fps
EOS Rebel T4i
1920x1080
All-I
IPB
60fps
8GB Card
640x480 (4:3)
SD (Movie Crop)
610 MB/min
IPB
JPEG
16GB Card
24fps
1280x720
(16:9) HD
IPB
30fps
60fps
37 min.
97 min.
25fps
640x480
(4:3) SD
IPB
IPB
Image Format
30fps
60fps
610 MB/min.
25fps
File Size
EOS-1D X*
4GB Card
1280x720
(16:9) HD
25 min.
78 MB/min.
Total Recording Time
24fps
12 min.
194 min.
30fps
Frame
Rate
1920x1080
(16:9) Full HD
All-I
IPB
640 x 480
685 MB/min.
32 min.
EOS 6D
1280 x 720
22 min.
97 min.
50fps
1920 x 1080
11 min.
Movie
Recording Size
EOS 7D
IPB
24fps
640x480
16GB Card
30fps
25fps
1280x720
8GB Card
File Size
IPB
EOS 5D Mark III
1920x1080
Image Format and Capacity Chart
11.4 + 3.3 265
Medium/Fine
11.4 + 3.5 262
Medium/Normal
11.4 + 1.8 297
Small/Fine
11.4 + 2.2 287
Small/Normal
11.4 + 1.1 311
13.0+6.0 380
JPEG file sizes will vary depending on the subjects, shooting mode, and ISO speed. * The number of possible shots and maximum burst apply to a 8GB card based on Canon's testing standards. ** Based on a 2GB CF card, JPEG quality 8,
ISO 100, Standard Picture Style and Canon standard testing methods. *** The number of possible shots and maximum burst apply to a 4GB SDHC card based on Canon’s testing standards.
usa.canon.com/eos
37
EF LENSES
Image Stabilization:
It Belongs In the Lens
Optical Image Stabilizer
Parallel Movement Principle
Because every lens is different, different lenses
have different Optical Image Stabilizer needs.
• Reduces motion blur by counteracting camera shake during handheld photography
• With Optical Image Stabilizer in the lens, Canon can equip each Optical Image Stabilizer lens with
the stabilizer it needs
• Found on some telephoto lenses, Optical Image Stabilizer Mode 2 is especially effective when
doing panned shots
• With Canon Optical Image Stabilizer, the effects of the stabilization can be seen in the viewfinder—
the image is steadier, making composition more accurate
EF LENS TECHNOLOGY
Great images start with great optics. An SLR is often defined by the quality,
breadth and scope of its lens system. As such, Canon’s lenses alone are reason
enough to choose the EOS system. Combining some of the world’s most advanced
optical, microelectronic, and precision manufacturing technologies, EF lenses
are perfected in Canon’s laboratories, proven in the field and beloved by
generations of photographers. With over 80 million lenses produced to date,
whatever the project, whatever the budget, Canon
optics perform brilliantly every time.
Optical Image Stabilizer
Canon Optical Image Stabilizer technology
makes handheld photography more
practical at slow shutter speeds, accommodating
more low-light shooting situations than ever
before. Camera shake typically occurs at shutter
speeds less than 1/ [focal length], resulting
in image blur. Canon Optical Image Stabilizer
technology uses miniature sensors and a highspeed microcomputer built into the lens. The
sensors analyze vibrations and apply correction
via a special stabilizing lens group that shifts the
image parallel to the focal plane. Motion blur is
©Art Morris
canceled, resulting in a sharper image.
With Optical Image Stabilization, it’s like gaining
up to four stops. Canon Optical Image Stabilizer
technology is built into many EF or EF-S lenses and
outperforms in-camera stabilization technologies
found in other cameras by allowing for more
movement of the stabilizing lens group. Especially
with telephoto lenses, as the lens focal length
increases, the effect of shake and the degree of
correction needed to cancel it increase as well.
With the Optical Image Stabilizer in the lens,
Canon can equip each IS lens with a stabilization
unit optimized for the focal lengths and optical
characteristics unique to that lens. Other systems
are limited by how far they can move an image
sensor and, as a result, their stabilization is less
effective as telephoto lengths get longer. Also,
the result of Optical Image Stabilization can be
seen right in the viewfinder—impossible with
some other stabilizer systems.
Image Stabilizer OFF
Image Stabilizer ON
How the Image Stabilizer Works — The Optical Image
Stabilizer shifts a lens group in parallel to the focal plane.
When the lens jerks due to camera shake, the light rays
from the subject are bent relative to the optical axis,
resulting in a blurred image. Camera shake is detected
by two gyro sensors (one each for the yaw and pitch). The
gyro sensors detect the angle and speed of the camera
shake caused by handheld shooting. By moving select
lens elements according to how the entire lens is being
shaken, the image passing through the lens can be
steady and sharp when it hits the imaging sensor. The
figure on the extreme right shows what happens when
the lens is jerked downward. The center of the image
moves downward on the focal plane. When the Optical
Image Stabilizer lens group shifts downward, the light
rays are refracted so that the image center returns to the
1:No Camera Shake
Camera
Shake
center of the focal plane. Since image shake occurs in
both the horizontal and vertical directions, the Optical Image Stabilizer lens group can shift vertically and
horizontally on a plane perpendicular to the optical axis
to counteract the image shake.
2:Lens Front Shake Downward
3:Image-stabilizing group counteracting
downward camera shake
Optical Image Stabilizer Units
Interchangeable EF / EF-S / EF-M Lenses – Creative opportunities are at your fingertips.
Close-up — For close-up
shots, even the tiniest of
motions is magnified and
spoils a great shot!
Low-light — In low light
situations, when you
would normally expect to
have to use flash or tripod,
Canon’s Optical Image
Stabilizer lenses give you
the freedom of up to 4
stops of light.
Telephoto — Canon
designs each Optical
Image Stabilizer system
to complement the lens’
focal length. So even with
telephoto lenses you’ll
capture the shot!
usa.canon.com/eos
39
EF LENSES
STM
A challenge of shooting DSLR video has been
achieving continuous autofocus. In response,
certain new Canon EF, EF-S and EF-M lenses now
offer a stepping motor (STM) drive, designed to
deliver smooth and quiet continuous AF during
video shooting when paired with the Canon
EOS Rebel T4i and EOS M’s Movie Servo AF feature.
Canon’s decades of proven optical expertise
allows Canon to incorporate the right type of
stepping motor for each lens. The EF 40mm
f/2.8 STM utilizes a gear-type that allows the
lens to achieve an ultra-compact and lightweight design; whereas the EF-S 18–135mm
f/3.5–5.6 IS STM uses a lead-screw type,
which prioritizes AF performance, offering the
smoothest and quietest operation.
Diffractive Optics
Canon’s use of diffractive optics (DO) results
in high-performance lenses that are much
smaller and lighter than traditional designs.
Canon’s unique multilayer diffractive elements
are constructed by bonding diffractive coatings
to the surfaces of two or more lens elements.
These elements are then combined to form a
single multilayer DO element. Conventional
glass lens elements disperse incoming light,
causing chromatic aberration. The DO element’s
dispersion characteristics are designed to
cancel chromatic aberrations at various
wavelengths when combined with conventional glass optics. This technology results in
smaller lenses with no compromise in image
quality. Canon has also developed a new
Taken with EF 100–400mm f/4.5–5.6L IS USM
Optical Image Stabilizer Mode 2
and Mode 3
The standard settings of the Optical Image
Stabilizer are set so that it is most effective
when photographing stationary subjects.
However when panning with a moving subject
is attempted (tracking of the subject horizontally
or vertically), the shake-correction of the
OIS may inadvertently over-compensate and
interfere with framing. To help resolve this,
Canon developed Optical Image Stabilizer
Mode 2. In this mode, if you move the lens to
follow a subject for a pre-determined time,
the Optical Image Stabilizer does not correct
for the intentional panning while continuing
to correct any camera shake that’s perpendicular
to the panning motion. The result is a virtually
smooth viewfinder image as you follow the
moving subject. Optical Image Stabilizer
Mode 3 activates IS only when the shutter
button is fully pressed, allowing for easy
panning of fast-moving subjects.
40
Canon developed the
world’s first lens-based
Ring-type USM
Ultrasonic Motor (USM)
to power the lens
autofocus mechanism.
Instead of large noisy
drive trains powered by
conventional motors,
Micro USM
Canon USM lenses
employ the minute electronic vibrations
created by piezoelectric ceramic elements.
The focusing action of the lens is fast and
quiet, with virtually instantaneous stops and
starts. USM lenses also draw minimal power
from the camera, ensuring longer battery life.
Canon makes two types of Ultrasonic Motor
lenses. Ring-type USM lenses, found in large
aperture and super-telephoto designs, permit
manual focusing wit­­­­­­­­hout first switching out of
the auto mode. Micro USM designs bring the
performance benefits of Canon’s USM technology
to a wide assortment of affordable EF lenses.
L-Series Lenses
Most highly regarded among professional
photographers, Canon L-series lenses are
distinguished by a bold red ring around the
outer barrel. What makes them truly distinctive,
however, is their remarkable optical
performance — the result of sophisticated
Canon technologies, such as Ultra-low
Dispersion UD glass, Fluorite and Aspherical
elements and Super Spectra Coating.
Fluorite / UD Elements
Refractive Optical Element
Chromatic aberrations
Refractive Optical Element
and Multi-Layer Diffractive
Optical Element Combined
Hybrid Image Stabilizer
During normal shooting
situations, sudden camera
movement is rotational and can cause significant
image blur. During macro or close-up
photography however, the image blur caused
by linear camera shake—when the camera
moves parallel to the subject—is more
pronounced. Optical Image Stabilizer is
optimized to counteract rotational or linear
camera shake and works well for most camera
shooting situations. To help compensate
for linear camera shake, a new acceleration
sensor determines the amount of shift-based
camera movement. The new Canon Hybrid
Image Stabilizer technology employs a highly
sophisticated algorithm that combines the
feedback of both the acceleration sensor and
angular velocity sensor (found in Hybrid OIS
technology) and moves the image stabilizer
lens elements, effectively compensating for
both rotational and linear camera shake.
Ultrasonic
Motor
Image formation in the blue, green
and red wavelength order
Multi-Layer Diffractive Optical Element
Chromatic aberrations reversed from
that of a refractive optical element
Reducing color fringing, or chromatic aberration,
has been one of the great challenges in the
design of telephoto lenses. L-series telephoto
lenses – like the EF 70–200mm f/2.8 IS II USM
Comparison of optical characteristics between
optical glass and Fluorite
Chromatic aberration canceled out
Image formation in the red, green and
blue wavelength order
Linear Camera Shake
Hybrid IS dramatically enhances the effects
of Optical Image Stabilizer especially during
macro shooting, which may be difficult for
conventional image stabilization technologies.
Dynamic Image Stabilizer
During video shooting, Canon’s Dynamic IS
stabilization offers a greater image
stabilization correction range, creating an
Image Stabilizer effect equivalent to a shutter
speed approximately 4 settings faster,
effective for shooting handheld, while walking,
and in similar types of shooting situations.
Red
Green
Blue
Red
Correction of Chromatic Abberation by the Multi-Layer
Diffractive Optical Element
triple-layer type DO lens that uses an advanced
diffractive grating to deliver excellent
performance, with superb control of color
fringing. This configuration is ideal for
zoom lens optics and provides significant
reductions in size. A good example is the EF
70–300mm f/4.5–5.6 DO IS USM lens, which
is 28 percent shorter than the EF 70–300mm
f/4–5.6 IS USM lens.
Anomalous
dispersion
Glass
Blue
Red
Blue
Fluorite
and EF 300mm f/4L IS USM – employ Canon’s
Ultra-low Dispersion glass to minimize this effect,
providing much improved contrast and
sharpness. Even more effective at suppressing
chromatic aberration are Fluorite elements, used
in high-end super-telephoto L-series lenses.
Composed of crystallized calcium fluoride
(CaF2), a single Fluorite element, although
costly, has roughly the corrective power of
two UD-glass elements, giving these L-series
lenses their spectacular performance and
relatively compact design.
Aspherical Elements
Wide-angle lenses and fast normal-focallength lenses often suffer from spherical
aberration. When the light rays coming
through the center of the lens do not converge
at the same point as light rays coming through
the lens edge, the image appears blurred
because there is no sharp point of focus.
Canon’s Aspherical elements use a varying
curved surface to ensure that the entire image
plane appears focused. Aspherical optics
Spherical aberration
of spherical lens.
Convergence of parallel light
rays by an Aspherical lens.
also help to correct curvilinear distortion as
one might find in ultra wide-angle lenses.
Canon designs aspherical elements with
extremely precise variable curvature of one
or both sides, making possible lighter, more
compact lenses.
Subwavelength and Fluorine
Anti-smear Coatings
The Subwavelength Coating (SWC) is a
proprietary lens coating that helps control
ghost and flare to a far greater degree than
with earlier coating technologies. Utilizing SWC
technology on large-curvature lens elements
that are mainly found in wide-angle lenses,
will significantly minimize the occurrence of
ghosting and flare caused by reflected light in
environments that have posed problems. SWC
is used on the Canon wide-angle lens, EF 24mm
f/1.4L II USM. The Fluorine anti-smear coating
keeps soiling, smears and fingerprints to a
minimum for easy cleaning.
Focus Preset
Focus Preset enables you to program a focusing
distance in the camera’s memory. Normal
picture taking and focusing are unaffected
by preset distances. For example, at a soccer
game, you Focus Preset the goal area. Shoot
normally elsewhere on the field, but once the
action moves toward the goal, the user can
instantly return to the preset distance by turning
a ring on the lens.
usa.canon.com/eos
41
EF LENSES
Floating System
Typical lenses correct for optical aberrations
only at commonly used focusing distances. Not
surprisingly, at other focusing distances, especially close range, aberrations can compromise
image quality. Rather than using fixed spacings,
TS-E 24mm f/3.5L Floating System
Focal plane
Closest
shooting
distance
Floating
Dust- and Water-Resistant
Construction
Most L-series EF
telephoto lenses are
highly dust- and
water-resistant
thanks to rubber seals
at the switch panels,
exterior seams, dropin filter compartments
and lens mounts.
Moving parts, such as
the focusing ring and
switches, are also designed to help keep out
environmental contaminants, providing reliable
performance under harsh conditions.
EF 24mm f/1.4L II USM •f/2.8 •1/30 sec.
EF-S lenses — Designed for the Canon EOS 7D,
EOS 60D and all EOS Rebel models with APS-C
sized sensors with a 1.6x crop factor, Canon’s
EF-S lenses take advantage of the camera
sensor’s smaller size to help deliver optimized
performance in compact, lightweight designs.
EF 8–15mm f/4 Fisheye USM •f/4 •1024 sec.
Full-Time Manual Focusing
EF-M lenses — Even more compact, and
designed to complement the new EF-M lens
mount found on the EOS M Digital Camera,
EF-M lenses bring superb EOS optics and
performance to an even smaller package.
Canon EOS cameras with EF lenses deliver
impec-cable AF precision. Manual focusing
capability, nevertheless, can enhance
flexibility. Canon EF lenses with full-time
manual focusing enable the photographer to
manually tweak focus without switching out
of AF mode. Since AF action does not cause
the focusing ring to turn, it can be made wider
for improved grip and comfort.
Specialty Lenses
TS-E Movements
Astigmatism
Tilt Movements alter the angle of the plane of focus between the lens and focal plane, and Shift Movements move the lens’s
optical axis in parallel.
Canon’s floating system dynamically varies
the gap between key lens elements based
on focusing distance. Most aberrations are
effectively suppressed throughout the focusing
range, assuring high image quality in all
shooting situations.
Fisheye — With its unique focal length range,
the EF 8–15mm f/4L Fisheye USM is the world’s
widest fisheye zoom lens. It delivers 180°
diagonal angle of view images for all EOS SLR
cameras with imaging formats ranging from
full-frame to APS-C, and provides 180° circular
Macro — Canon’s EF lens lineup has a number
of options for true close-up and macro photography. With five macro lenses for precision,
and three screw-on close-up lenses for convenience—in addition to the Life-Size Converter EF
and two Extension Tubes—Canon’s macro lenses
and close-up accessories can uncover detail that
is nearly impossible for the unaided human eye
to detect.
The diagram below shows the relationship between each
image size and a 180˚ angle of view for each focal length.
Focal Length: 8 mm
Approx. 10 mm
Circular Aperture
Canon lenses featuring circular aperture
diaphragms employ curved blades to create
a smoothly rounded opening as the lens is
stopped down. As a result, most out-of-focus
background highlights are rendered as
natural-looking rounded shapes rather than
as distracting polygons. These lenses deliver
smooth, consistent stop-down action (even at
14.0 fps), near-silent operation and excellent
optical characteristics.
Reverse tilt and shift greatly reduces the range on which focusing is possible.
Shift was used to adjust the image to keep the building
perpendicular all the way to the top.
AF Stop Feature
Pressing the AF Stop button (featured on several
EF IS telephoto lenses) momentarily locks the
AF to help prevent the focus from shifting to a
passing obstruction. After the obstruction has
cleared, the focus will still be on the subject, and
you can quickly resume shooting. AF Stop buttons
are positioned at four locations around the lens
grip for easy access.
Approx. 12 mm
Approx. 15 mm
Full size
Full-frame fisheye
*The red circle for each forcal length is the size of a 180˚ angle of
view on the image plane.
The lens’s tilt mechanism is used to achieve a pan focus effect
that allows focusing all the way back.
Without using shift causes the image of the building to lean in
at the top.
Tilt Movements –Using a normal lens, shallow or deep focus is
controlled by the size of the aperture used to adjust depth-offield. Canon TS-E lenses can help achieve this by the tilting of
the lens barrel in relationship to the focal and subject planes.
This allows for the appearance of extremely deep focus even at
wide open apertures, and shallow focus at smaller apertures.
Shift Movements – By keeping the camera level, and
using the shift function to raise the lens instead, this
perspective effect can be corrected. With the camera’s
focal plane set parallel to the building, shifting the lens
upward will obtain a more rectangular-looking building.
fisheye images for full-frame EOS models. This
new Canon lens has a wide zoom range feature
that provides a truly elevated level of creativity
and performance for users shooting artistic
compositions or panoramic landscapes, as
well as astronomy and sports.
A life-size macro lens—that
is, a 1x magnification—
records an image on film at
its actual size. If you’re
photographing fruits, for
example, and it has a diameter of 1 in., it will occupy 1
in. of your actual slide or
0.25x
negative. With a digital
SLR, at 1.0x magnification,
the image projected onto
your camera’s sensor will
likewise be the same size at
the sensor plane as the
actual subject itself. Other
macro lenses have lower or
0.5x
higher magnifications. A
lens with 0.5x magnification will produce an image
on film that is half the
size of the actual subject.
Your 1 in. fruit then would
only occupy 0.5 in. on film.
EF Mount
In the other direction, a 5x 1.0x
magnification lens will convert the 1-in. fruit to a 5-in.
diameter image. Since the
entire image won’t fit in the
frame of your film, you will
have an enlarged image of
a detail of the fruit.
The Canon EF and EF-M mount are much more than
simply a way to attach a lens to a camera body. As
the communication conduit between camera and
lens, this fully electronic mount enables highspeed autofocus, precise aperture control and
preview, makes automatic compensation with
lens extenders possible and can communicate
data such as focal length, lens model, even
serial number for in camera processing and
recording. Ready for the future, the EF mount
offers both forward and backward compatibility
3.0x
Magnification is not the
same as focal length. A
50mm lens and a 180mm
might both be macro lenses
with, for example, 1.0x
magnification. The advantage of the longer lens is
that it allows greater distance from a subject, while 5.0x
allowing the same magnification in the final image. The 180mm lens is ideal for shooting tiny subjects without disturbing them; the 50mm is better choice for copying flat documents.
FOCAL LENGTH COMPARISON
Depth-of-field with tilt movements
Plane of optimum focus
15mm Fisheye
Film plane
With a normal lens
180°
14mm
114°
17mm
104°
20mm
94°
24mm
84°
28mm
75°
35mm
63°
50mm
46°
70mm
34°
With a TS-E lens
85mm
Using Tilt Movements to Focus an Oblique Subject Plane
42
APS-C
Full-frame fisheye
APS-H
Full-frame fisheye
Inner and Rear Focusing
An inner focusing lens has the focusing lens
group(s) in front of the diaphragm, while a
rear focusing lens has the focusing lens group(s)
behind the diaphragm. Both designs allow for
compact optical systems that produce faster AF.
And because the front of the lens does not rotate
to focus, filter orientation remains constant.
Full size
Circular fisheye
About Macro Magnification
TS-E — TS-E lenses are capable of tilt and
shift movements, which bring many of the
advantages of technical view cameras to the
EOS System. Tilt movements alter the angle of
the plane of focus between the lens and film
plane, making broad depth-of-field possible
even at larger apertures; shift movements
slide the lens’s optical axis along the film/
sensor plane, enabling photographers to
correct or alter perspective at almost any angle.
EF 8–15mm f/4 Fisheye USM •f/5.6 •1/200 sec.
Floating Effect
(TS-E 24mm f/3.5L)
with new lens technologies such as USM and
Hybrid IS—and new optical designs, such as EF-S
lenses and Cinema EOS lenses as they are developed by Canon. Similarly, the EF-M mount, found
on the new EOS M Digital Camera, offers all the
same communication points as the EF mount, and
is compatible with all EF and EF-S lenses when
used with an optional adapter.
Using Shift Movements to Focus Tall Building
28° 30'
100mm
24°
135mm
18°
200mm
12°
300mm
8° 15'
400mm
6° 10'
500mm
5°
600mm
4° 10'
1200mm
2° 5'
usa.canon.com/eos
43
EF LENSES
Take In the Wider View.
See It. Capture It.
Canon EF fixed-focal-length wide-angle lenses are exceptionally sharp, virtually distortionfree, and fast – making them great choices for low-light shooting. EF ultra-wide zooms deliver
stunning perspectives. The added versatility of zooming makes them perfect for enthusiasts
and professionals alike.
EF “standard” zooms cover a popular range of focal lengths for most photographers, from
wide-angle through telephoto. This versatility makes them great for a wide range of shooting
situations. EF medium telephoto lenses help deliver natural perspective with wide maximum
apertures that make them ideal for low-light shooting.
for EOS Cameras
EF/EF-S Lenses
for EOS Cameras
Standard Zoom
Ultra-Wide Zoom
EF 8–15mm f/4L Fisheye USM
EF-S 10–22mm f/3.5–4.5 USM*
EF 16–35mm f/2.8L II USM
EF-S 15–85mm f/3.5–5.6 IS USM*
EF-S 17–55mm f/2.8 IS USM*
EF-S 17–85mm f/4–5.6 IS USM*
EF-S 18–135mm f/3.5–5.6 IS STM*
EF-S 18–135mm f/3.5–5.6 IS*
EF-S 18–200mm f/3.5–5.6 IS*
EF 24–70mm f/2.8L II USM
EF 24–105mm f/4L IS USM
EF 28–135mm f/3.5–5.6 IS USM
EF-S 18–55mm f/3.5–5.6 IS II*
EF 17–40mm f/4L USM
Wide-Angle
EF 14mm f/2.8L II USM
EF 24mm f/1.4L II USM
EF 20mm f/2.8 USM
EF 24mm f/2.8
Standard and Medium Telephoto
EF 28mm f/2.8 IS USM • f/2.8 •1/4000 sec.
EF 24mm f/2.8 IS USM**
Diagram:
44
EF 28mm f/1.8 USM
• Super UD Lens • UD Lens • Aspherical Lens
EF 24–70mm f/2.8L USM
EF 28mm f/2.8
EF 28mm f/2.8 IS USM**
EF 35mm f/1.4L USM
EF 35mm f/2
Icons: See “EF Lens Technology” section.
* For EOS 7D, 60D, 50D, 40D, 30D, 20D/20Da, Rebel T4i, T3i, T2i, T3, T1i, XSi, XS and all versions of EOS Digital Rebel only.
** Please be advised that when EF 24mm f/2.8 IS USM and EF 28mm f/2.8 IS USM are used with EOS-1D Mark IV, the firmware of the camera should be updated to version 1.1.1 or later.
The update helps to optimize the exposure accuracy. The firmware is available on our website.
EF 40mm f/2.8 STM
Diagram:
EF 50mm f/1.2L USM
EF 50mm f/1.4 USM
• Super UD Lens • UD Lens • Aspherical Lens
EF 50mm f/1.8 II
EF 85mm f/1.2L II USM
EF 85mm f/1.8 USM
EF 100mm f/2 USM
Icons: See “EF Lens Technology” section.
usa.canon.com/eos
45
EF LENSES
Focus Your Attention.
Telephoto lenses make it easy to throw backgrounds out of focus, grab detail, or “get close” to
unapproachable subjects… and these EF zoom lenses are superb tools for the job. EF fixed-focallength telephotos combine great picture quality with fast maximum apertures, making them ideal
for handheld shooting in low light.
for EOS Cameras
Telephoto Zoom
EF 28–300mm f/3.5–5.6L IS USM
EF 70–200mm f/2.8L IS II USM
Telephoto
EF-S 55–250mm f/4–5.6 IS II*
EF 135mm f/2L USM
EF 135mm f/2.8 w/Softfocus
EF 300mm f/2.8L IS II USM
EF 300mm f/4L IS USM
EF 200mm f/2L IS USM
EF 200mm f/2.8L II USM
EF 70–200mm f/2.8L USM
70–300mm f/4–5.6L IS USM •f/5.6 •1/1600 sec.
EF 70–200mm f/4L IS USM
for EOS Cameras
EF 70–200mm f/4L USM
EF 70–300mm f/4–5.6L IS USM
EF 70–300mm f/4.5–5.6 DO IS USM
300mm f/2.8L IS II USM •f/2.8 •1/160 sec.
Extenders
EF 70–300mm f/4–5.6 IS USM
Diagram:
EF 75–300mm f/4–5.6 III USM
• Super UD Lens • UD Lens • Aspherical Lens
EF 75–300mm f/4–5.6 III
Icons: See “EF Lens Technology” section.
* For EOS 7D, 60D, 50D, 40D, 30D, 20D/20Da, Rebel T4i, T3i, T2i, T3, T1i, XSi, XS and all versions of EOS Digital Rebel only.
46
EF 100–400mm f/4.5–5.6L IS USM
EXTENDER EF 1.4x III
Diagram:
EXTENDER EF 2x III
• Super UD Lens • UD Lens • Aspherical Lens
Extension Tube EF 12 II
Extension Tube EF 25 II
Icons: See “EF Lens Technology” section.
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47
EF LENSES
Up Close Detail from Afar.
Solutions for Specialized Shooting.
Distinguished by their white color and seen at major sporting events around the world, the powerful
EF super-telephotos are also ideal for nature, scenic and even outdoor fashion photography. Canon’s
ring-type USM delivers a high level of focusing performance, and most feature Canon’s superb Image
Stabilization. EF tele extenders and extension tubes add even more power and versatility.
Canon’s manual focus TS-E (Tilt-Shift) lenses provide tilt capability to alter the plane of focus and
shift capability for perspective correction, offering solutions for numerous applications, from
architectural to studio photography. Canon also offers a range of close-up, high-magnification
shooting solutions with a lineup of exceptional macro lenses and accessories.
for EOS Cameras
Super Telephoto
Tilt-Shift
TS-E 17mm f/4L
EF 400mm f/2.8L IS II USM
for EOS Cameras
TS-E 24mm f/3.5L II
TS-E 90mm f/2.8
TS-E 45mm f/2.8
EF 400mm f/4 DO IS USM
Macro
600mm f/4L IS II USM •f/4 •1/400 sec.
EF 400mm f/5.6L USM
EF 50mm f/2.5 Compact Macro
EF-S 60mm f/2.8 Macro USM*
MP-E 65mm f/2.8 1–5x Macro Photo
EF 100mm f/2.8L Macro IS USM
EF 180mm f/3.5L Macro USM
Life-Size Converter EF
EF 100mm f/2.8 Macro USM
EF 500mm f/4L IS II USM
400mm f/2.8L IS II USM •f/2.8 •1/2500 sec.
EF 100mm f/2.8 L Macro IS USM •f/3.5 •1/100 sec.
EF-M Lenses
EF 600mm f/4L IS II USM
Diagram:
• Super UD Lens • UD Lens • Aspherical Lens
EF 600mm f/4L IS USM
Icons: See “EF Lens Technology” section.
Wide-Angle
Standard Zoom
EF-M 22mm f/2 STM***
EF-M 18–55mm f/3.5–5.6 IS STM***
EF 800mm f/5.6L IS USM
Diagram:
• Super UD Lens • UD Lens • Aspherical Lens
Icons: See “EF Lens Technology” section.
* For EOS 7D, 60D, 50D, 40D, 30D, 20D/20Da, Rebel T4i, T3i, T2i, T3, T1i, XSi, XS and all versions of EOS Digital Rebel only.
*** For EOS M only.
48
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49
EF LENSES
EF Lens Chart
CANON EF LENS
SPECIFICATIONS
Apparent Focal
length (mm)
APS-C
APS-H
Angle of View (Diagonal)
Focus Drive
35mm
APS-C
APS-H
Lens Construction Minimum
(Groups/
Aperture
Elements)
(f)
Filter
Diameter
(mm)
Closest Focusing
Distance
(ft.)
(m)
Length
(in.)
Weight
(mm)
(oz.)
Lens Hood
Lens Cap
Soft Case
(g)
EF/EF-S Lenses
Apparent Focal
length (mm)
APS-C
APS-H
Angle of View (Diagonal)
Focus Drive
35mm
APS-C
APS-H
Lens Construction Minimum
(Groups/
Aperture
Elements)
(f)
Filter
Diameter
(mm)
Closest Focusing
Distance
(ft.)
(m)
Length
(in.)
Weight
(mm)
(oz.)
Lens Hood
Lens Cap
Soft Case
(g)
Ultra Wide Zoom
• EF 8–15mm f/4L Fisheye USM
Standard Zoom
• EF-S 15–85mm f/3.5–5.6 IS USM ††
CANON EF LENS
SPECIFICATIONS
124–136
N/A
Ultrasonic
N/A
84°30'–18°25'
N/A
12/17
36
72
1.15
0.35
3–7/16
87.5
20.3
575
EW-78E
E-72U
LP1116
• EF-S 17–55mm f/2.8 IS USM ††
27–88
N/A
Ultrasonic
N/A
78°30'–27°50'
N/A
12/19
22
77
1.5
0.45
4–2/5
110.6
22.8
645
EW-83J
E-77U
–
•
EF-S 17–85mm f/4–5.6 IS USM ††
27–136
N/A
Ultrasonic
N/A
78°30'–18°25'
N/A
12/17
22
67
1.1
0.35
3–5/8
92.0
1.1 lbs.
475
EW-73B
E-67U
LP1116
• EF-S 18–55mm f/3.5–5.6 IS† / II ††
29–88
N/A
MM
N/A
74°20'–27°50'
N/A
9/11
22
58
0.82
0.25
2–3/4
68.5
7.8
200
EW-60C
E-58
LP814
• EF-S 18–55mm f/3.5–5.6 USM † / ††
29–88
N/A
Ultrasonic
N/A
74°20'–27°50'
N/A
9/11
22–38
58
0.92
0.28
2–5/8
66.2
6.7
190
EW-60C
E-58U
LP814
• EF-S 10–22mm f/3.5–4.5 USM ††
12.8–24
1
Ultrasonic
16–35
N/A
Ultrasonic
180°0'–175°30' 180° @ approx. 10mm 180° @ approx. 12mm
N/A
107°30'–63°30'
N/A
14/11
22
Gelatin
0.49
0.15
3.3
83
19.1
540
EW-77
8-15
LP1219
10/13
22
77
0.8
0.24
3–1/2
89.8
13.6
385
EW-83E
E-77U
LP1319
• EF 16–35mm f/2.8L II USM
26–56
21–45
Ultrasonic
108°10'–63°
80°56'–42°36'
93°08'–51°32'
12/16
22
82
0.92
0.28
4–2/5
111.6
22.4
635
EW-88
E-82U
LP1319
EF 16–35mm f/2.8L USM †
26–56
21–45
Ultrasonic
108°10'–63°
80°56'–42°36'
93°08'–51°32'
10/14
22
77
0.9
0.28
4-1/8
103
1.3 lbs.
600
EW-83E
E-77U
LP1319
–
–
Ultrasonic
104°–63°
78°30'–42°36'
89°39'–51°32'
10/15
22
77
1.38
0.42
3–3/4
95.7
19.1
545
EW-83C
E-77U
–
27–64
22–52
Ultrasonic
104°–57°30'
78°30'–37°41'
89°39'–45°48'
9/12
22
77
0.92
0.28
3–3/4
96.8
1.1 lbs.
475
EW-83E
E-77U
LP1319
EF 17–35mm f/2.8L USM †
• EF 17–40mm f/4L USM
EF 20–35mm f/2.8 USM †
–
–
AFD
94°–63°
78°37'–42°36'
80°23'–51°32'
12/15
22
72
1.6
0.5
3–1/2
89.0
1.2 lbs.
540
EW-75
–
–
32–56
26–46
Ultrasonic
94°–63°
68°37'–42°36'
80°23'–51°32'
11/12
22-27
77
1.1
0.34
2–3/4
68.9
11.9
340
EW-83II
E-77U
LP1214
• EF 40mm f/2.8 STM
64
52
STM
57°30'
37°41'
45°48'
4/6
22
52
0.98
0.3
0.9
22.8
4.6
130
ES-52
E-52
LP811
• EF 50mm f/1.0L USM †
–
–
Ultrasonic
46°
30°32'
37°21'
9/11
16
–
2.0
0.6
3–3/16
81.5
2.2 lbs.
985
ES-79
E-72U
–
EF 50mm f/1.2L USM
80
65
Ultrasonic
46°
30°32'
37°21'
6/8
16
72
1.5
0.45
2.58
65.5
18.7
580
ES-78
E-72U
LP1214
• EF-S 18–55mm f/3.5–5.6 †† ****
29–88
N/A
MM
N/A
74°20'–27°50'
N/A
9/11
22–38
58
0.92
0.28
2–5/8
66.2
6.7
190
EW-60C
E-58U
LP814
• EF-S 18–135mm f/3.5–5.6 IS ††
29–216
N/A
MM
N/A
74°20'–11°30'
N/A
12/16
36
67
1.5
0.45
4
101
16.0
455
EW-73B
E-67
LP1116
• EF-S 18–135mm f/3.5–5.6 IS STM††
29–216
N/A
STM
N/A
74°20'–11°30'
N/A
12/16
22–36
67
1.3
0.39
3.8
96
16.9
480
EW-73B
E-67
LP1116
Standard & Medium Telephoto
EF-S 18–200mm f/3.5–5.6 IS ††
29–320
N/A
DC motor
N/A
74°20'–07°48'
N/A
12/16
22-36
72
1.5
0.45
–
102
21.0
595
EW-78D
E-72
LP1116
• EF 22–55mm f/4–5.6 USM †
–
–
Ultrasonic
88°56'–42°52'
63°38'–27°52'
75°03'–34°09'
9/9
22–32
58
–
0.35
4–7/8
–
–
175
–
–
–
EF 24–70mm f/2.8L USM
38–112
31–91
Ultrasonic
84°–34°
59°15'–22°04'
70°18'–27°08'
13/16
22
77
1.25
0.38
4.4
123.5
2.1 lbs.
950
EW-83F
E-77U
LP1219
• EF 20–35mm f/3.5–4.5 USM †
• EF 24–70mm f/2.8L II USM
38–112
31–91
Ultrasonic
84°–34°
59°15'–22°04'
N/A
13/18
22
82
1.25
0.38
2–3/4
113
28.4
805
EW-88C
E-82U
LP1219
EF 50mm f/1.4 USM
80
65
Ultrasonic
46°
30°32'
37°21'
6/7
22
58
1.5
0.45
2
50.5
10.2
290
ES-71II
E-58U
LP1014
• EF 24–85mm f/3.5–4.5 USM †
38–136
31–111
Ultrasonic
84°–28°30'
59°15'–18°14'
70°18'–22°29'
12/15
22–32
67
1.6
0.5
3–5/16
69.5
13.4
380
EW-73II
E-67U
LP1014
EF 50mm f/1.8 II
80
65
MM
46°
30°32'
37°21'
5/6
22
52
1.5
0.45
1–5/8
41.0
4.6
130
ES-62#
E-52
LP1014
EF 24–105mm f/4L IS USM
38–168
31–136
Ultrasonic
84°—23°20'
59°15'—14°48'
70°18'—18°17'
13/18
22–27
77
1.5
0.45
4–5/8
83.5
1.5 lbs.
670
EW-83H
E-77U
LP1219
• EF 50mm f/1.8 †
80
65
MM
46°
30°32'
37°21'
5/6
22
52
1.5
0.45
1–5/8
41.0
4.6
130
ES-62#
E-52
LP1014
EF 28–70mm f/2.8 L USM †
–
–
Ultrasonic
75°–34°
51°58'—22°04'
62°13'—27°08'
11/16
22
77
1.6
0.5
–
117.6
1.9 lbs.
880
EW-83B
E-77U
–
• EF 85mm f/1.2L II USM / USM †
136
111
Ultrasonic
28°30'
18°14'
22°29'
7/8
16
72
3.2
0.95
3–5/16
84.0
2.3 lbs.
1,025
ES-79II
E-72U
LP1219
• EF 85mm f/1.8 USM
136
111
Ultrasonic
28°30'
18°14'
22°29'
7/9
22
58
2.8
0.85
2–13/16
71.5
15.0
425
ET-65III
E-58U
LP1014
EF 100mm f/2 USM
160
130
Ultrasonic
24°
15°32'
19°11'
6/8
22
58
3.0
0.9
2–7/8
73.5
1.0 lbs.
460
ET-65III
E-58U
LP1014
216
175
Ultrasonic
18°
11°32'
14°16'
8/10
32
72
3.0
0.9
4–7/16
112.0
1.6 lbs.
750
ET-78II
E-72U
LP1219
216
175
AFD
18°
11°32'
14°16'
6/7
32
52
4.3
1.3
3–7/8
98.4
13.8
390
ET-65III
E-52
LP1016
–
EF 28–70mm f/3.5–4.5 †
–
–
MM
75°–34°
51°58'—22°04'
62°13'—27°08'
9/10
29
52
–
0.39
2–13/16
–
–
300
–
–
–
EF 28–80mm f/3.5-5.6 IV USM † / V USM †
45–128
36–104
Ultrasonic
75°–30°
51°58'—19°21'
62°13'—25°51'
10/10
22–38
58
1.25
0.38
2–13/16
71.2
7.8
200
EW-60C
E-58
LP814
EF 28–80mm f/3.5–5.6 III † / II †
45–128
36–104
MM
75°–30°
51°58'—19°21'
62°13'—25°51'
10/10
22–38
58
1.25
0.38
2–13/16
71.2
7.8
200
EW-60C
E-58
LP814
• EF 28–80mm f/3.5–5.6 †
45–128
36–104
MM
75°–30°
51°58'—19°21'
62°13'—25°51'
10/10
22–38
58
1.25
0.38
2–13/16
71.2
7.8
200
EW-60C
E-58
LP814
• EF 28–90mm f/4–5.6 III / II USM †
45–144
36–117
MM/Ultrasonic
75°–27°
51°58'—17°14'
62°13'—21°16'
8/10
22–32
58
1.3
0.38
2–13/16
71.0
6.7
190
EW-60C
E-58U/E-58
LP814
• EF 28–90mm f/4–5.6 USM †
45–144
36–117
Ultrasonic
75°–27°
51°58'—17°14'
62°13'—21°16'
8/10
22–32
58
1.3
0.38
3
71.0
6.7
190
EW-60C
E-58
LP814
• EF 28–105mm f/3.5–4.5 II USM / USM †
45–168
36–136
Ultrasonic
75°–23°20'
51°58'—14°48'
62°13'—18°17'
12/15
22–27
58
1.6
0.5
2–11/16
75.0
13.1
375
EW-63II
E-58U
LP814
•
45–168
36–136
Ultrasonic
75°–23°20'
51°58'—14°48'
62°13'—18°17'
9/10
22–32
58
1.57
0.48
3–13/16
68.0
7.4
210
EW-63B
E-58U
LP814
EF 28–105mm f/4–5.6 USM †
• EF 28–135mm f/3.5–5.6 IS USM
42–216
36–176
Ultrasonic
75°–18°
51°58'—11°32'
62°13'—14°16'
12/16
22–36
72
1.64
0.5
3–1/2
96.8
1.2 lbs.
540
EW-78BII
E-72U
LP1116
• EF 28–200mm f/3.5–5.6 USM †
45–320
36–260
Ultrasonic
75°–12°
51°58'—07°48'
62°13'—09°39'
12/16
22–36
72
1.5
0.45
2–1/2
89.6
1.1 lbs.
500
EW-78D
E-72U
LP1116
• EF 35–80mm f/4–5.6 III † / II / USM †
56–128
46–104
MM
63°–30°
42°36'–19°21'
51°32'—23°51'
8/8
22–32
52
1.3
0.4
3–3/8
63.5
6.2
175
EW-54II
E-52
LP814
–
–
Ultrasonic
63°–18°
42°36'–11°32'
51°32'—14°16'
12/14
22–32
58
2.5
0.75
86.0
15.0
425
EW-62
–
–
45–480
36–390
Ultrasonic
75°–8°15'
51°58'–5°12'
62°13'—06°26'
16/22
38
77
2.3
0.7
7–1/4
184.0
3.7 lbs.
1,670
EW-83G
E-77U
LZ1324
–
–
Ultrasonic
63°—07°03'
42°36'—04°28'
51°32'—05°31'
15/21
22–32
72
2.0
0.6
6–9/16
167
3.0 lbs.
1,385
EW-78
E-72U
–
88–320
72–260
Ultrasonic
72–260
27°–07°48'
34°09'–09°39'
13/13
22–29
52
3.9
1.2
3–13/16
97.3
10.9
310
ET-54
E-52U
LP1016
• EF-S 55–250mm f/4–5.6 IS † / II ††
88–400
N/A
DC motor
N/A
27°5'–6°15'
N/A
10/12
22–32
58
3.6
1.1
4.3
108
13.8
390
ET-60
E-58
LP1019
• EF 70–200mm f/2.8L IS II USM
112-320
91-260
Ultrasonic
34°-12°
22°04'–07°48'
27°08'–09°39'
19/23
32
77
3.9
1.2
7.8
199
3.3 lbs
1,490
ET-87
E-77U
LZ1326
• EF 70–200mm f/2.8L USM †/ USM
112–320
91–260
Ultrasonic
34°–12°
22°04'–07°48'
27°08'–09°39'
18/23
32
77
4.6
1.4
7–13/16
197.0
3.2 lbs.
1,470
ET-86
E-77U
LZ1324
• EF 70–200mm f/4L IS USM
112–320
91–260
Ultrasonic
34°–12°
22°04'–07°48'
27°08'–09°39'
15/20
32
67
3.9
1.2
6–7/8
172.0
26.8
760
ET-74
E-67U
LP1224
EF 35–135mm f/4–5.6 USM †
EF 35–350mm f/3.5–5.6L USM †
EF 55–200mm f/4.5–5.6 II USM † / USM †
• EF 70–200mm f/4L USM
EF 70–300mm f/4–5.6L IS USM *****
• EF 70–300mm f/4.5–5.6 DO IS USM
• EF 70–300mm f/4–5.6 IS USM
EF 75–300mm f/4–5.6 IS USM †
• EF 75–300mm f/4–5.6 III USM/III/II USM †
EF 75–300mm f/4–5.6 USM
EF 80–200mm f/2.8L †
• EF 80–200mm f/4.5–5.6 II †/ USM †
EF 100–300mm f/4.5–5.6 USM †
• EF 100–300mm f/5.6 L †
EF 100–400mm f/4.5–5.6L IS USM
• EF 135mm f/2L USM
EF 135mm f/2.8 w/ Softfocus
EF 200mm f/1.8L USM †
–
–
Ultrasonic
12°
07°48'
09°39'
10/12
32
48 DI
8.2
2.5
8–3/16
208
6.6 lbs.
3,000
ET-123
E-162
• EF 200mm f/2L IS USM
320
260
Ultrasonic
12°
07°48'
09°39'
12/17
32
52 DI
6.2
1.9
8–3/16
208
5.6 lbs.
2,520
ET-120B
E-145B
–
• EF 200mm f/2.8L II USM / USM †
320
260
Ultrasonic
12°
07°48'
09°39'
7/9
32
72
4.9
1.5
5–3/8
136.2
1.6 lbs.
765
ET-83BII
E-72U
LP1222
300B
480
390
Ultrasonic
8°15'
05°12'
06°26'
16/12
32
52 DI
6.6
2.0
9.7
247.5
5.25lbs.
2,400
ET-120WII
E-145C
• EF 300mm f/2.8L IS USM † / USM †
EF 300mm f/2.8L IS II USM
480
390
Ultrasonic
8°15'
05°12'
06°26'
13/17
32
52 DI
8.2
2.5
9–7/8
252.0
5.6 lbs.
2,550
ET-120
E-145
–
• EF 300mm f/4L IS USM / USM †
480
390
Ultrasonic
8°15'
05°12'
06°26'
11/15
32
77
4.9
1.5
8–11/16
221.0
2.6 lbs.
1,190
Built-in
E-77U
LZ1128
Super Telephoto
Telephoto Zoom
• EF 28–300mm f/3.5–5.6L IS USM
Telephoto
112–320
91–260
Ultrasonic
34°–12°
22°04'–07°48'
27°08'–09°39'
13/16
32
67
3.9
1.2
6–7/8
172.0
19.2
705
ET-74
E-67U
LP1224
112–480
91–390
Ultrasonic
34°–8°15'
22°04'–05°12'
27°08'–06°26'
19/14
32
67
3.9
1.2
5.6
143
27.8
788
ET-73B
E-67U
LP1424
112–480
91–390
Ultrasonic
34°–8°15'
22°04'–05°12'
27°08'–06°26'
12/18
32–38
58
4.6
1.4
3–7/8
99.0
1.6 lbs.
720
ET-65B
E-58U
LP1116
LP1222
• EF 400mm f/2.8L IS II USM
640
520
Ultrasonic
6°10'
03°54'
04°50'
16/12
32
52 DI
8.86
2.7
13.5
343
9.25 lbs.
4,200
ET-155WII
E-180D
400C
• EF 400mm f/2.8L IS USM †/ II USM †/ USM †
640
520
Ultrasonic
6°10'
03°54'
04°50'
13/17
32
52 DI
9.8
3.0
13–11/16
349.0
11.7 lbs.
5,300
ET-155
E-180C
–
• EF 400mm f/4 DO IS USM
640
520
Ultrasonic
6°10'
03°54'
04°50'
13/17
32
52 DI
11.48
3.5
9–7/16
232.7
4.3 lbs.
1,940
ET-120
E-145 II
–
EF 400mm f/5.6L USM
640
520
Ultrasonic
6°10'
03°54'
04°50'
6/7
32
77 DI
11.5
3.5
10–1/16
256.5
2.8 lbs.
1,250
Built-in
E-77U
LZ1132
500B
• EF 500mm f/4L IS II USM
800
650
Ultrasonic
5°
03°07'
03°52'
16/12
32
52 DI
12.14
3.7
15.1
383
112.5 oz.
3190
ET-138
E-163B
EF 500mm f/4L IS USM †
800
650
Ultrasonic
5°
03°07'
03°52'
13/17
32
52 DI
14.8
4.5
15–3/16
387.0
8.5 lbs.
3,870
ET-138
E-163
–
EF 500mm f/4.5L USM †
–
–
Ultrasonic
5°
03°07'
03°52'
6/7
32
48 DI
16.4
5.0
15–3/8
390
6.6 lbs.
3,000
ET-123BII
E-130
–
• EF 600mm f/4L IS II USM
960
780
Ultrasonic
4°10'
02°36'
03°13'
16/12
32
52 DI
14.77
4.5
17.6
448
138.3 oz.
3920
ET-160
E-185B
600B
• EF 600mm f/4L IS USM † / USM †
960
780
Ultrasonic
4°10'
02°36'
03°13'
13/17
32
52 DI
18.0
5.5
18
456.0
11.8 lbs.
5,360
ET-160
E-185
–
• EF 800mm f/5.6L IS USM
1,280
1,040
Ultrasonic
3°5'
01°57'
02°25'
14/18
32
52 DI
19.69
6.0
18.1
461.0
9.9 lbs.
4,500
ET-155
E-180C
–
EF 1200mm f/5.6L USM †
1,920
1,560
Ultrasonic
2°5'
01°18'
01°36'
10/13
32
48 DI
45.9
14.0
33
836.0
36.4 lbs.
16,50
Built-in
Exclusive
–
112–480
91–390
Ultrasonic
34°–8°15'
22°04'–05°12'
27°08'–06°26'
10/15
32–45
58
4.9
1.5
5–7/16
137.2
1.4 lbs.
630
ET-65B
E-58U
120–480
98–390
Ultrasonic
32°11'–8°15'
20°37'–05°12'
25°23'–06°26'
10/15
32–45
58
4.9
1.5
5–7/16
137.2
1.4 lbs.
650
ET-64II
E-58U
LP1022
120–480
98–390
MM/Ultrasonic
32°11'–8°15'
20°37'–05°12'
25°23'–06°26'
9/13
32–45
58
4.9
1.5
4–13/16
122.0
1.1 lbs.
480
ET-60
E-58U
LP1019
EF 50mm f/2.5 Compact Macro
80
65
AFD
46°
30°32'
37°21'
8/9
32
52
0.8
0.23
2–1/2
63.0
9.9
280
Built-in
E-52
LP814
120–480
98–390
Ultrasonic
32°11'–8°15'
20°37'–05°12'
25°23'–06°26'
10/15
32–45
58
4.9
1.5
5–7/16
137.2
1.4 lbs.
650
ET-64II
E-58U
LP1022
• EF-S 60mm f/2.8 Macro USM ††
96
N/A
Ultrasonic
N/A
25°
N/A
8/12
32
52
0.65
0.2
2–3/4
69.8
11.8
335
ET-67B
E-52U
LP1016
–
–
AFD
30°–12°
19°21'–07°48'
25°31'–09°39'
13/16
32
72
5.9
1.8
7–5/16
186
2.9 lbs.
1330
ES-79
–
–
• MP-E 65mm f/2.8 1–5x Macro Photo *
104
85
Manual
18°40' (at 1x)
11°51' (at 1x)
14°39' (at 1x)
8/10
16
58
0.8
0.24
3–7/8
98.0
1.6 lbs.
730
–
E-58
LP1216
30°–12°
19°21'–07°48'
25°31'–09°39'
7/10
22–27
52
4.9
1.5
3–1/8
78.5
8.8
250
ET-54
E-52
LP1014
• EF 100mm f/2.8L Macro IS USM
160
130
Ultrasonic
23.4°
15°7'
19°12'
12/15
32
67
0.97
0.3
4–13/16
123.0
1.4 lbs.
625
ET-73
E-67U
LP1219
Ultrasonic
24°–8°15'
15°32'–05°12'
19°11'–06°26'
10/13
32–38
58
4.9
1.5
4–3/4
121.5
1.2 lbs.
540
ET-65III
E-58U
LP1019
• EF 100mm f/2.8 Macro USM
160
130
Ultrasonic
24°
15°32'
19°11'
8/12
32
58
1.0
0.31
4–11/16
119.0
1.3 lbs.
600
ET-67
E-58U
LZ1324
AFD
24°–8°15'
15°32'–05°12'
19°11'–06°26'
10/15
32
58
4.6
1.4
6–9/16
167
1.5 lbs.
695
ET-62II
–
–
• EF 180mm f/3.5L Macro USM
288
234
Ultrasonic
13°40'
08°40'
10°43'
12/14
32
72
1.6
0.48
7–3/8
186.6
2.4 lbs.
1,090
ET-78II
E-72U
LZ1324
Ultrasonic
24°–6°10'
15°32'–03°54'
19°11'–04°50'
14/17
32–38
77
5.9
1.8
7–7/16
189.0
3.0 lbs.
1,360
ET-83C
E-77U
LZ1324
–
–
–
–
–
–
3/4
–
–
0.8
0.24
1–3/8
34.9
5.6
160
–
R-F-3
LP811
LP1219
128–320 104–260 MM/Ultrasonic
160–480 130–390
–
–
160–640 130–520
Macro
Life Size Converter EF ***
Tilt-Shift
Wide-Angle
• EF 14mm f/2.8L II USM
22
18
Ultrasonic
114°
88°32'
100°43'
11/14
22
Gelatin
0.66
0.2
–3/4
116.0
22.8
645
Built-in
Exclusive
LP1016
• TS-E 17mm f/4L*
27
22
Manual
104°
78°30'
89°39'
13/18
22
–
0.82
0.25
4.20
106.7
1.8 lbs.
820
–
17
• EF 14mm f/2.8L USM †
22
18
Ultrasonic
114°
88°32'
100°43'
10/14
22
Gelatin
0.8
0.25
3–1/2
89.0
1.2 lbs.
560
Built-in
Exclusive
LP1016
• TS-E 24mm f/3.5L II *
38
31
Manual
84°
59°15'
70°18'
10/16
22
82
0.69
0.21
4.20
106.9
1.7 lbs.
780
EW-88B
E-82
LP1319
24
20
AFD
180°
108°15'
137°08'
7/8
22
Gelatin
0.7
0.2
2–7/16
62.2
11.6
330
Built-in
E-73
LP814
TS-E 24mm f/3.5L † *
38
31
Manual
84°
59°15'
70°18'
9/11
22
72
1.0
0.3
3–7/16
87.0
1.2 lbs.
570
EW-75BII
E-72
LP1216
EF 15mm f/2.8 Fisheye †
• EF 20mm f/2.8 USM
32
26
Ultrasonic
94°
68°37'
80°23'
9/11
22
72
0.8
0.25
2–13/16
70.6
14.3
405
EW-75II
E-72U
LP1214
TS-E 45mm f/2.8 *
72
59
Manual
51°
33°44'
41°10'
9/10
22
72
1.3
0.4
3–9/16
90.0
1.4 lbs.
645
EW-79BII
E-72
LP1216
• EF 24mm f/1.4L II USM
38
31
Ultrasonic
84°
59°15'
70°18'
10/13
22
77
0.8
0.25
3.4
86.9
22.9
650
EW-83K
E-77U
LP1319
TS-E 90mm f/2.8 *
144
117
Manual
27°
17°14'
21°16'
5/6
32
58
1.6
0.5
3–7/16
88.0
1.2 lbs.
565
ES-65III
E-58
LP1016
LP1214
• EF 24mm f/1.4L USM †
38
31
Ultrasonic
84°
59°15'
70°18'
9/11
22
77
0.82
0.25
3
77.4
1.2 lbs.
550
EW-83DII
E-77U
38
31
AFD
84°
59°15'
70°18'
10/10
22
58
0.8
0.25
1–7/8
48.5
9.5
270
EW-60II
E-58
LP811
• EF 24mm f/2.8 IS USM ‡
38
31
Ultrasonic
84°
59°15'
70°18'
9/11
22
58
0.66
0.2
2.2
55.7
9.9
280
EW-65B
E-58 U
LP1014
• EF 28mm f/1.8 USM
45
36
Ultrasonic
75°
51°58'
62°13'
9/10
22
58
0.8
0.25
2–3/16
55.6
10.9
310
EW-63II
E-58U
LP814
45
36
AFD
75°
51°58'
62°13'
5/5
22
52
1.0
0.3
1–11/16
42.5
6.5
185
EW-65II
E-52
LP1014
45
36
Ultrasonic
75°
51°58'
62°13'
7/9
22
58
0.75
0.23
2
51.5
9.2
260
EW-65B
E-58 U
LP1014
56
45
Ultrasonic
63°
42°36'
51°32'
9/11
22
72
0.98
0.25
3–2/5
86.0
1.3 lbs.
580
EW-78C
E-72U
LP1214
56
45
AFD
63°
42°36'
51°32'
5/7
22
52
0.8
1–11/16
42.5
7.4
210
EW-65II
E-52
LP1011
EF 24mm f/2.8
EF 28mm f/2.8
• EF 28mm f/2.8 IS USM ‡
• EF 35mm f/1.4L USM
EF 35mm f/2
Extenders
Extender EF 1.4x III **
–
–
–
–
–
–
7/3
–
–
–
–
1–1/16
27.2
7.9
225
–
Extender Cap E II
LP811
Extender EF 1.4x II † **
–
–
–
–
–
–
5/4
–
–
–
–
1–1/16
27.2
7.8
220
–
Extender Cap E II
LP811
Extender EF 2x III **
–
–
–
–
–
–
9/5
–
–
–
–
2–5/16
52.7
11.5
325
–
Extender Cap E II
LP811
Extender EF 2x II † **
–
–
–
–
–
–
7/5
–
–
–
–
2–5/16
103
9.3
265
–
Extender Cap E II
LP811
18–55
N/A
STM
N/A
74°20'–27°50'
N/A
11/13
22–38
52
0.82
0.25
2.4
61.0
7.4
210
EW-54
E-52 II
LP814
22
N/A
STM
N/A
63°30'
N/A
6/7
22
43
0.49
0.15
0.9
23.7
3.7
105
EW-43
E-43
LP811
–
–
–
–
–
–
0
–
–
–
–
1.0
26
3.9
110
–
R-F-3
LP811
EF-M Lenses
Standard Zoom
EF–M 18–55mm f/3.5–5.6 IS STM
Wide-Angle
‡ Please be advised that when EF 24mm f/2.8 IS USM and EF 28mm f/2.8 IS USM are used with EOS-1D Mark IV, the firmware of the camera should be updated to version 1.1.1 or later. The update helps to optimize the exposure accuracy. The firmware is available on our website.
EF–M 22mm f/2 STM
Mount Adapter
Mount Adapter EF-EOS M
† Discontinued. †† Compatible only with EOS 7D, 60D 50D, 40D, 30D, 20D/20Da, Rebel T4i/T3i/T2i/T3/T1i/XSi/XS and Digital Rebel XTi/XT only. • Incorporates distance information with E-TTL II. * TS-E AND MP-E lenses are manual focus only, with automatic diagram. ** Extenders EF 1.4x II/III and 2x II/III are for exclusive use with
EF 70–200mm f/2.8L IS II, EF 70–200mm f/2.8L, 70–200mm f/2.8L IS, 70–200mm f/4L, 100–400mm f/4.5–5.6L, 135mm f/2L, 180mm f/3.5L Macro, 200mm f/1.8L, 300mm f/2.8 L, 300mm f/2.8L IS II, 300mm f/4L, 300mm f/4L IS, 400mm f/2.8L IS, 400mm f/2.8L IS II, 400mm f/4 DO, 400mm f/5.6L, 500mm f/4L IS, 600mm f/4L IS,
and 1200mm f/5.6L (Manual focus only when EF 1.4x II/III is used with EF 100–400mm f/5.6L, 400mm f/5.6L, 500mm f/4.5L, 1200mm f/5.6L, and with 180mm f/3.5 Macro when focused closer than 2.6 feet; or with Extender EF 2x II/III when used with EF70–200mm f/4L, 100–400mm f/4.5–5.6L, 180mm f/3.5L Macro, 300mm f/4L IS,
300 f/4L, 400mm f/4 DO, 400mm f/5.6L, 500mm f/4L, 500mm f/4.5L, 600mm f/4L, and 1200mm f/5.6L). *** Life Size Converter EF is for exclusive use with 50mm f/2.5 Compact Macro. **** Available only with the EOS 40D, 30D, 20D and Digital Rebel Kit. ***** Not compatible with tele-extenders.
50
usa.canon.com/eos
51
EF LENSES
The Finest Accessories for Your Lenses.
To enhance the stellar features of the EF Lens system, there are a number of accessories designed
to perform perfectly with your system. Canon offers cases to help protect your lenses, hoods and
filters to help control glare, and a number of adapters to further expand the possibilities of your EF
Lenses and your EOS System.
Extension Tubes
Gelatin Filter Holders
Close-up Lenses
General Purpose
Haze (UV-1)
Lens Cases
The Haze (UV-1) filter absorbs ultraviolet light
and is most effective on sunny days for cutting
haze out of the shot.
Type
Screw-in
These close-up accessories are placed between the camera body and lens
to help enable high-magnification photography. Eight electronic contact
points allow communication between the camera and lens to continue as
usual. The magnification differs according to the lens, but for standard
zoom lenses it is about 0.3x to 0.5x for the EF 12 and 0.7x or more for
the EF 25. By using both tubes effectively, the choice of magnifications
can be greatly extended. However, for best results, manual focusing
is recommended.
With Close-up Lens
250D
Available Sizes
67mm, 72mm, 77mm, 82mm
500D
500
Close-up Lens 250D/500D/500
52mm Drop-in
Screw Filter Holder 52WII
Lens Hoods
Lens Cases and Lens Hoods
Drop-in Screw Filter Holder
These functional, rugged cases are indispensable
to help protect lenses. Lens hoods help prevent
unwanted glare from affecting your photographs.
A holder for screw-type filters, for use with
rear-mounted drop-in filters.
Type
Drop-in
Available Sizes
48mm, 52mm. Includes clear filter. For super-telephoto
lenses. Current IS Super-teles—52mm. Previous super-teles
without IS—48mm.
The 250D/500D series incorporates doubleelement achromatic design for maximum optical
performance. These screw-in lenses are used to
provide a shorter minimum focusing distance
with no loss of light. Each lens is optimized
for a particular focal length. Manual focus is
recommended with these lenses.
Type
Screw-in
Available Sizes
500D/500: 52mm, 72mm, 77mm. Optimized for lenses
70 thru 300mm.
250D: 52mm, 58mm. Optimized for lenses 50 thru 135mm.
Loupes
Screw-in
52mm Drop-in
Circular Polarizing
Filter PL-C 52WII
Circular Polarizing Filter PL-CB/PL-C
Using Circular PL Filter emphasizes the blue of the sky.
Polarizing filters enhance picture quality by
blocking harmful reflected light. Use it to reduce
light reflections from glass and water surfaces
or to improve color saturation. Simple to use,
these filters polarize light circularly, rather
than linearly, so they do not interfere with
autofocus or TTL light metering.
DROP-IN — For use with lenses using rear-mounted
drop-in filters, this polarizing filter can be rotated
from the outside without removing the holder
from the lens, helping enable precise control.
Type
Screw-in
Drop-in
Not using Circular PL Filter
52
Using Circular PL Filter suppresses the reflection from the
surface of the leaves and the surface of the water.
Available Sizes
52mm, 58mm, 67mm, 72mm, 77mm, 82mm
48mm, 52mm. For super-telephoto lenses. Current IS Superteles—52mm. Previous super-teles without IS—48mm.
Gelatin Filter
Holder Adapter III
This convenient holder system allows the use of commercially available
square filters without the need for cutting. The holder attaches to the lens
through an adapter that fits the filter diameter. A special hood is available
for use with the system. Use with 3-inch square type III and 4-inch square
type IV gelatin filters. Gelatin filters can be used with most EF lenses.
Holder for 3-inch square (III) or 4-inch (IV) gelatin filters.
Gelatin Filter Holder Hoods III & IV
Type
Available Sizes
Screw-in
Lens shades which attach to holder can be stacked with telephoto lenses.
Gelatin Filter Holder Adapter III & IV
Type
Available Sizes
Screw-in
Loupe 4x
III: 52mm, 58mm, 67mm, 72mm, 77mm.IV: 58mm, 67mm, 72mm, 77mm.
Drop-in Gelatin Filter Holder II
Mount Adapter
Up to three gelatin filters can be placed in these
holders. To use, insert a cut piece of gelatin film
between the holder’s filter frame and pressure
clip, and screw on to the lens.
Mount Adapter EF-EOS M
Extender EF Specifications
EF 135mm f/2L USM
EF 180mm f/3.5L Macro USM
EF 200mm f/2.8L II USM
EF 200mm f/2L IS USM
EF 300mm f/2.8L IS II USM
EF 300mm f/2.8L IS USM
EF 300mm f/4L IS USM
EF 400mm f/2.8L IS II USM
EF 400mm f/2.8L IS USM
EF 400mm f/4 DO IS USM
EF 400mm f/5.6L USM
EF 500mm f/4L IS USM
EF 500mm f/4L IS II USM
EF 600mm f/4L IS USM
EF 600mm f/4L IS II USM
EF 800mm f/5.6L IS USM
EF 1200mm f/5.6L USM
EF 70–200mm f/2.8L IS II USM
EF 70–200mm f/2.8L USM
EF 70–200mm f/4L IS USM / USM
EF 100–400mm f/4.5–5.6L IS USM
Gelatin Filter Holder III
Gelatin Filter Holder System
Screw-in
Designed for viewing 35mm film frames at high
magnifications, these loupes use a highperformance lens system that help to eliminate
all aberration and distortion. They offer
diopter adjustment of -4 to +1 dpt, and include
an eyecup, hood and case.
EF Lens Attachment
Gelatin Filter Hoods III
Gelatin Filter Holder III & IV
Type
Available Sizes
Loupe 4x
The optional Mount Adapter EF-EOS M makes the
EOS M Digital Camera compatible with the entire
line of Canon’s EF and EF-S lenses for complete
versatility, from a fisheye to telephoto and
everywhere in between.
Polarizing Filters
Not using Circular PL Filter
Gelatin Filter
Holder Adapter IV
Gelatin Filter Holder IV
Extension Tube EF 25 II & EF 12 II
Haze (UV-1)
Available Sizes
See EF Lens Specifications.
Gelatin Filter Hoods IV
EF 12 II
EF 25 II
Type
Available Sizes
Drop-in
48mm, 52mm. For super-telephoto lenses. Current IS Super-teles—52mm. Previous super-teles without
IS—48mm.
with Extender EF 1.4x III attached
Apparent Focal Length (mm)
35mm
189
252
280
280
420
420
420
560
560
560
560
700
700
840
840
1,120
1,680
98–280
98–280
98–280
140–560
APS-H
246
328
364
364
546
546
546
728
728
728
728
910
910
1,092
1,092
1,456
2,184
127–364
127–364
127–364
182–728
APS-C
302
403
448
448
672
672
672
896
896
896
896
1,120
1,120
1,344
1,344
1,792
2,688
157–448
157–448
157–448
224–896
f-stop (f)
2.5–45
4.5–45
2.5–32
2.8–45
4–45
4–45
5.6–45
4–45
4–45
5.6–45
8–45
5.6–64
5.6–45
5.6–64
5.6–45
8–45
8–45
4–45
4–45
5.6–45
6.7–54
52mm Drop-in
Gelatin Filter Holder 52WII
with Extender EF 2x III attached
Maximum
Magnification
0.27
1.4
0.22
0.18
0.15
0.15
0.33
0.22
0.22
0.17
0.18
0.17
0.21
0.17
0.21
0.2
0.12
0.22
0.22
0.29
0.28
Apparent Focal Length (mm)
AF
*1
*2 †
*4 †
*2*3 †
35mm
270
360
400
400
600
600
600
800
800
800
800
1,000
1,000
1,200
1,200
1,600
2,400
140–400
140–400
140–400
200–800
For Best Results with Your Canon EOS Camera Use Original Canon EF Lenses.
Each EOS camera body and each EF Lens has its own built-in microcomputer. These microcomputers store a range of special data to ensure the smooth operation of bodies and EF lenses which support two-way digital
communications between each part to allow exchange of information. Since the EOS System’s market launch in 1987, functions have been added and improved on a continuing basis, such as Optical Image Stabilizer to
some lenses, speeding up the AF function, increasing the number of focusing points, and the addition of the Eye Controlled Focus™ Function. As the system’s range of functions has evolved, the nature of the basic
system of communications between lens and body has evolved as well, ensuring that complete compatibility is maintained. This process of evolution will continue in the future with the addition of more new specifications,
resulting in still further gains in reliability. Accordingly, in order to realize the maximum performance of the EOS System and thereby achieve among the highest possible photographic
quality, we recommend that you use Canon EF lenses and Canon brand accessories, since they are designed and manufactured to match the special qualities of your EOS camera.
APS-H
351
468
520
520
780
780
780
1,040
1,040
1,040
1,040
1,300
1,300
1,560
1,560
2,080
3,120
182–520
182–520
182–520
260–1,120
APS-C
432
576
640
640
960
960
960
1,280
1,280
1,280
1,280
1,600
1,600
1,920
1,920
2,560
3,840
224–640
224–640
224–640
320–1,280
f-stop (f)
Maximum
Magnification
4–64
6.7–64
5.6–64
4–64
5.6–64
5.6–64
8–64
5.6–64
5.6–64
8–64
11–64
8–90
8–64
8–90
8–64
11–64
11–64
5.6–64
5.6–64
8–64
9.5–76
0.38
2.00
0.32
0.24
0.28
0.28
0.47
0.31
0.31
0.24
0.27
0.27
0.31
0.27
0.30
0.28
0.27
0.44
0.44
0.42
0.40
AF
*4
*2*3 †
*2*3 †
*2*3 †
*1 †
*2*3 †
*1 †
*4
*2 †
*3
*1 The autofocusing range is from 2.6 feet/0.8m to infinity. *2 With the EOS-1Ds Mark III, EOS-1Ds Mark II, EOS-1D Mark III,
EOS-1D Mark II, EOS-1Ds, EOS-1D, EOS-1v and EOS-3, AF is possible with the center focusing point only. *3 The Image
Stabilizer does not operate with the following cameras: EOS650, 630, 620, 600, RT, 700, 750, 850, EOS-1, A2, A2E, 10s,
ELAN, Rebel, Rebel S, Rebel II and Rebel SII. *4 With the EOS-1Ds Mark II, EOS-1Ds, EOS-1D Mark II N, EOS-1D Mark II,
EOS-1D, EOS-1v, EOS –1v HS and EOS-3, AF is possible with the center focusing point only. † With the firmware update, the
EOS-1D X allows cross-type autofocusing with the center AF point when the maximum aperture of the Canon EF lens becomes
f/8 with an EF extender attached. Download firmware now at: usa.canon.com/eos1dxfirmwareupdate
usa.canon.com/eos
53
SPEEDLITE FLASHES
SLR Compatibility
Camera Model
EOS-1D X
EOS-1Ds Mark III
EOS-1D Mark IV
EOS 5D Mark III
EOS 6D
EOS 5D Mark II
EOS 7D
EOS 60D / 50D / 40D / 30D
EOS Rebel T4i / T3i / T3 / T2i / T1i / XSi / XS
EOS Digital Rebel XTi / XT
EOS-1v / EOS-3
EOS ELAN 7ne
EOS Rebel T2 / T2 Date
EOS Rebel K2 / K2 Date
E-TTL
No
No
No
No
No
No
No
No
No
No
Yes
Yes
No
Yes
E-TTL II
Yes†
Yes†
Yes†
Yes†
Yes†
Yes†
Yes†
Yes†
Yes†
Yes†
No
Yes
Yes
No
A-TTL / TTL
Not Possible
Not Possible
Not Possible
Not Possible
Not Possible
Not Possible
Not Possible
Not Possible
Not Possible
Not Possible
4-point/3-zone
4-point/3-zone
Not Possible
4-point/3-zone
A-TTL
No
No
No
No
No
No
No
No
TTL
Yes†††
Yes†††
No
No
No
No
Yes†††
Yes†††
Manual
Yes
Yes
Yes
Yes
Yes
Yes
Yes
Yes
Speedlite Compatibility
E-TTL / E-TTL II
600EX-RT
580EX II
430EX II
320EX
270EX II
90EX
MR-14EX
MT-24EX
E-TTL / E-TTL II
Yes††
Yes††
Yes††
Yes††
Yes††
Yes††
Yes††
Yes††
† Not Linked to AF point. †† Requires EOS body that supports
E-TTL and E-TTL II respectively. ††† Defaults to TTL in all
conditions except direct flash in the camera’s Program mode.
SPEEDLITE TECHNOLOGY
Integral to the EOS System, Canon Speedlites
are the ideal flash source for EOS cameras.
They are technologically advanced to provide
perfect exposure and illumination with just
about any subject, yet operation is remarkably
simple. Whether you’re an amateur or an
expert, Canon Speedlites make it easy to
obtain professional results.
Sophisticated Flash Control Modes
E-TTL—In E-TTL (Evaluative Through-The-Lens)
flash exposure control mode, meter readings
are taken through the lens, but not off the focal
plane. Using a preflash fired after the shutter
button has been fully depressed—but before the
camera’s reflex mirror goes up—E-TTL uses the
camera’s Evaluative metering sensor to compare
the ambient light values with the light reflected
from the subject by the preflash. The camera then
calculates and stores the flash output required for
54
optimum exposure of the main subject (as
identified by the AF point) and the background.
E-TTL requires the use of EX-series dedicated
Speedlites such as the 600EX-RT, 580EX II,
430EX II, 320EX, 270EX II, MT-24EX, or MR-14EX
in combination with a compatible camera.
E-TTL II—Available on Canon’s EOS DSLR cameras,
E-TTL II incorporates distance information from
compatible EF lenses (see page 34 for details) for
more versatile flash exposure control. E-TTL II
minimizes underexposure that can occur with
straight reflections by ignoring sensor areas that
report abnormally high levels. This feature is
useful when shooting a subject with a highly
reflective object in the background, or if the
subject itself is highly reflective. In addition,
because distance information is used in
calculating the flash output level, E-TTL II
prevents overexposure when photographers
lock focus and recompose. For example, with
the EOS 5D Mark III the ambient light is first
measured using the camera’s 63-zone metering
when the shutter button is pressed. Next,
a preflash is fired and the metering sensor
takes readings. The ambient and preflash
readings are compared. The metering areas
having small differences are selected as the
main flash exposure areas. Areas with large
discrepancies between ambient and preflash
readings are excluded or down-weighted
because they are assumed to contain a highly
reflective subject, or the subject is not in that
part of the frame—an assumption validated by
distance information. The algorithm thus helps
avoid chronic underexposure problems in such
situations. These readings are weighted,
averaged, and compared with the ambient
light reading and the main flash output is then
set and stored in memory. The E-TTL II, in effect,
captures the subject as a “plane” and not as
a “point.” As a result, EOS SLR cameras can
help deliver consistent flash exposures even
if the subject contains various colors and
levels of reflection. The camera also allows
the user to select an averaged metering
pattern through custom function settings.
the camera’s AE Lock button is depressed,
storing a Spot meter reading of flash and
ambient lighting data for up to 16 seconds. This
provides enough time to not only recompose
the shot, but also alter the ambient light exposure for maximum creative control. FE Lock is
extremely useful when you wish to recompose
after focus lock or to place the main subject
in a part of the frame not covered by one of
the focusing points. It can also eliminate
potential exposure errors caused by unwanted
reflections from surfaces like windows or mirrors.
Adjusting Ambient Exposure in FE Lock**
—After preflashing the subject with the FE
Lock button, ambient exposure can be adjusted
by turning the Quick Control Dial. The ambient
exposure level is displayed on the exposure
level scale in the viewfinder and on the external
LCD panel.
FP Mode***
FP (focal-plane) flash, or High-speed Sync,
enables E-TTL and E-TTL II compatible cameras
equipped with an EX-series Speedlite to
synchronize flash at shutter speeds faster than the
camera’s normal maximum sync speed. Even in
bright daylight, for example, a fast lens can be
used at a wide aperture to reduce depth-of-field
and emphasize the subject. FP flash can be
combined with E-TTL, E-TTL II, or FE Lock, and
is available in all AE modes plus Manual.
Flash Exposure Compensation****
This setting adjusts flash output without
changing the shutter speed or aperture. It’s
a particularly effective way to fine-tune the
balance between foreground and background
exposure for fill flash shots, but it can also be
used to compensate for extremely bright or
dark tones in the subject.
Second-Curtain Sync
Instead of firing the instant the shutter opens,
Second-Curtain Sync fires the flash at the end
of the exposure, allowing streaks of light to
flow naturally behind a moving subject. This
creative flash mode is most effective with
slower shutter speeds and subjects with light
sources, such as the headlights of a moving car.
Stroboscopic Flash
Stroboscopic flash is a series of flashes fired
in rapid succession during a single exposure.
With stroboscopic flash, multiple images of
a moving subject appear in the photograph.
Using this mode, you can analyze a golf swing
or record the shattering of a windowpane.
(Available with Speedlite 600EX-RT, 580EX II,
Macro Ring Lite MR-14EX, Macro Twin Lite
MT-24EX, and the built-in flash of the EOS 7D).
LED Light
In a first for Canon
Speedlite flashes, the
320EX features a bright,
built-in LED light for
illumination when shooting
video or for use as a
modelling light. With fully
charged AA batteries, the
LED light can last for up to four hours of
continuous use.
TTL*—TTL (Through-The-Lens) is the standard
flash exposure control mode used by the
built-in flash units that come with some 35mm
EOS film cameras. Unlike E-TTL or E-TTL II, TTL
reads flash illumination reflected from the film
during the exposure. When the camera is set to
Program AE mode, TTL flash sets an aperture
based on the ambient light level.
Flash Release Function
Flash Exposure Lock (FE Lock)
FE Lock adds Auto Exposure lock and Spot
metering functions when shooting with EX-series
Speedlites and E-TTL compatible EOS cameras.
The EX-series Speedlite’s preflash fires when
High-Speed Sync — EF 135mm f/2.0L USM lens •f/2 •1/750 sec.
Taken with MT-24EX and EOS-1v HS
Select Speedlite models include a convenient
feature that enables photographers to release
the camera shutter from the remote flash
wirelessly with a 2-second delay. With EOS
DSLR cameras that provide a master function
with remote reception mode, this feature makes
it possible to reposition the flash with complete
freedom – even out of the camera’s line-ofsight and at some distance from the camera.
* A-TTL and TTL are not compatible with DSLR cameras. See lens chart for a listing of lenses that supply distance information. ** Ambient exposure cannot be adjusted when the
camera is set to Bulb mode or in low-light situations when the camera is set to Program AE or A-DEP. *** Unlike conventional electronic flash, FP flash output (guide number)
decreases as shutter speed increases above normal X-sync speed. **** Flash exposure compensation can be set with most current Speedlites, and it can also be set with all current
EOS cameras other than the EOS Rebel series and EOS Digital Rebel.
usa.canon.com/eos
55
Fig-06_R_Linked_shooting_E.eps
Transmission
distance
Approx. 30 m
(98.4 ft.)
SPEEDLITE FLASHES
Master unit
camera
Wireless Flash Photography
Ceiling
Auto external metering
E
Fig-04_R_Group_flash_example.eps
ETTL II
A
Canon offers a full range of Speedlite flash units compatible with EOS System cameras for a wide
variety of applications and photographers’ needs. They range from simple, economical flashes to
high-power, highly advanced Speedlites for professional use.
D
B
C
Manual flash
Amazing Flash System
Manual flash
ETTL II
Speedlite
Transmission distance
Approx. 30m/98.4 ft.
Group Firing1 – Set different flash modes for each
group (A, B, C, D, and E) and perform multiple
wireless flash shooting. Two or more units can be
set as the same group.
Fig-06_R_Linked_shooting_E.eps
Transmission
distance
Approx. 30 m
(98.4 ft.)
Master unit
camera
Linked shooting function – Releases the camera that
has the Speedlite 600EX-RT (or Speedlite Transmitter
ST-E3-RT) set as the master unit and release up to 15
cameras with the speedlite or transmitter set as
slave units.
Ceiling
Auto external metering
The Canon EX series Speedlites have made multiple-flash photography simple, wireless
and automatic. Using the Speedlite 600EX-RT, 580EX II, Macro Speedlite MR-14EX,
Macro Twin Lite MT-24EX, or Speedlite Transmitters ST-E2 Fig-04_R_Group_flash_example.eps
or ST-E3-RT as a master unit,
wireless signals are transmitted to numerous Speedlites, creating myriad possibilities
for lighting, no matter the location. Both the EOS 7D and EOS 60D have Integrated
Speedlite Transmitters, which have the transmitting features of the Speedlite 580EX II,
allowing users to wirelessly control EX series Speedlites and doing away with the need
for an external master unit. The new Speedlite 600EX-RT and the Speedlite Transmitter
ST-E3-RT take wireless control to the next level, using two-way radio signals in addition
to traditional wireless.
Wireless Radio Control
For sophisticated wireless flash setups, the
Speedlite 600EX-RT and the Speedlite Transmitter
ST-E3-RT represent the next generation in
wireless flash systems. In addition to traditional
optical wireless transmission, both the Speedlite
600EX-RT and the Speedlite Transmitter
ST-E3-RT
facilitate radio
controlled,
two-way
wireless
transmission
up to 100 feet,
Group firing mode
among up to
five groups or 15 individual Speedlites.
Communicating on 2.4 GHz frequencies for
radio transmission, radio controlled flash
systems do not have the same directional
limitations of traditional wireless optical
transmitters. Where other wireless systems
signals can be interrupted with physical
obstacles, radio controlled systems excel. To
avoid interference with other equipment on the
same frequency, 15 transmission channels are
available, selectable manually or automatically,
and radio transmission IDs can be set to prevent
misfiring in the event of signal interference on
the same channel. With diverse flash metering
options, and a number of flash modes all
accessible from the menu and quick control
screens of the EOS-1D X and the EOS 5D Mark III,
the Speedlite 600EX-RT and the Speedlite
Transmitter ST-E3-RT make complex lighting
setups simple. With compact, weather sealed and
reliable designs, combined with improved
information panels and controls, Speedlite
600EX-RT and the Speedlite Transmitter ST-E3-RT
are indispensible, eminently adaptable tools for
advanced, professional flash photography.
E-TTL/E-TTL II Wireless
ETTL II
Autoflash
Control
E
A
B
D
C
flash background)
Up to three groups (for main,Manual
fill and
ETTL II
of slave units can be set up for comprehensive
control ofTransmission
flash lighting.
The Speedlite slave
distance
30m/98.4 ft. to group A, B, or C,
units canApprox.
be assigned
with output ratio between groups A and B
adjustable from 8:1 to 1:1 or 1:1 to 1:8. The
output of the group C can be adjusted through
flash exposure compensation. Superb lighting
is simple thanks to the E-TTL/E-TTL II autoflash
system which controls the total flash output to
ensure consistently correct exposure. The EOS 7D,
EOS 60D and EOS Rebel T3i, with their Integrated
Speedlite Transmitters, can control and trigger
external Speedlites wirelessly through their
built-in pop up flash. The EOS 60D can wirelessly
control the ratio between A and B groups, along
with the built-in unit’s own output, while the
EOS 7D can control A, B, and C groups. Both
cameras also feature a modeling flash feature
for previewing the output of your external
Speedlites, available by pressing the depth of
field button. Even with multiple Speedlites, the
modeling flash fires according to the ratios you
have set. E-TTL/E-TTL II wireless autoflash also
supports most other Speedlite features, such
as FE Lock, FP Flash, Flash Exposure Bracketing/
Compensation, and Stroboscopic Flash. Finally,
for macro shooting, the Macro Ring Lite MR-14EX
and Macro Twin Lite MT-24EX can be used as
master units as well.
Manual flash
Speedlite 600EX-RT
Speedlite 580EX II
Speedlite 430EX II
• Wireless multiple flash system uses radio wave
communication for enhanced control of up to five
groups and 15 individual flash units.
• Auto conversion of flash coverage with
compatible EOS DSLR cameras.*
• Superb build quality, including a metal foot for added
strength.
• Superb evenness of exposure, center to
corner of frame.
• Approx. 20% faster recycle time, compared to
previous 430EX.
• Improved flash output consistency.
• Higher max. Guide No. at 105mm setting
(190 ft./58m at ISO 100).
• One-touch quick-lock mechanism for easy
attaching/detaching flash from camera.
• Improved flash head durability, and exceptional dust
and weather resistance.
• White Balance info communicated instantly to
compatible EOS DSLR cameras.*
• Full flash control possible on camera menu, with
compatible EOS DSLR cameras.
• AF Assist Beam compatible with Canon’s 61-Point
High Density Reticular AF.**
• Full swivel, 180˚ in either direction.
• Virtually silent flash recycle.
• AF-assist beam compatible with all AF points on every
EOS SLR.
• Full 180˚ swivel in either direction.
• Zoom flash head covers range of 20–200mm;
maximum Guide Number (197 ft./60m at ISO 100).
• Dot matrix LCD panel and backlit button
provide easy visibility.
• Zoom flash head covers range of 24–105mm; max.
Guide No. 141 ft./43m at ISO 100.
• Fully swiveling head, 180° in either direction.
• Dust- and water-resistance to match the
EOS-1D X, 1D Mark IV, and 1Ds Mark III.
Speedlite 320EX
Speedlite 270EX II
Speedlite 90EX
• Built-in LED illuminates nearby subjects in
dim light – especially useful for video.
• Ultra-compact, ultra-lightweight flash unit.
• Ultra-compact, ultra-lightweight flash unit,
perfect for the EOS M Digital Camera.
• Versatile vertical and horizontal bounce capability.
• Flash release function allows wireless shutter
release from the flash with a 2-second delay
for flash repositioning.
• Flash release function allows wireless shutter
release from the flash with a 2-second delay for
flash repositioning.
• Wireless Slave function supports three groups and
four channels.
• Two flash coverage settings, selectable by
extending or retracting flash head.
• Max. Guide No. at Tele setting: 105 ft./32m at
ISO 100.
• Vertical bounce capability up to 90 degrees.
• Slave function allows the flash to be
triggered wirelessly.
• Flash coverage can be switched between Normal
and Tele settings.
• Easy and intuitive operation.
• Wireless master function (optical) allows
multiple flash units to be controlled for
creative lighting effects.
• Supports 24mm wide-angle lenses
(35mm equivalent).
• Max. Guide No. 30 ft./9m at ISO 100.
• Max. Guide No. at Tele setting: 89 ft./27m at
ISO 100.
• Fast recycle time of approximately 2.0 seconds.
* Feature compatible with EOS-1D X, 1Ds Mark III, 1D Mark IV, 1D Mark III, 1Ds Mark II, 1D Mark II n, 1D Mark II, 5D Mark III, 5D Mark II, 5D, 7D, 60D, 50D, 40D, 30D, 20D, 20Da, Rebel T4i, Rebel T3i, Rebel T2i,
Rebel T3, Rebel T1i, Rebel XSi, Rebel XS, Digital Rebel XTi and Digital Rebel XT only (some earlier models require firmware upgrade). ** Feature compatible only with EOS-1D X and EOS 5D Mark III.
56
1 Group firing mode is supported by the EOS-1D X, EOS 5D Mark III and later camera models. In earlier camera models, all flashes will switch to E-TTL
automatically and group control is reduced to 3 groups.
usa.canon.com/eos
57
SPEEDLITE FLASHES
Macro Lites
Speedlite to the Max
Speedlite Transmitter
Whether adding a battery pack, connecting two or more Speedlite flashes, or creating a complex
wireless lighting solution, Canon has flash accessories for almost any photographic situation that
are perfect complements to your Speedlite.
EF-S 60mm f/2.8 Macro USM •f/3.2 •1/80
Macro Twin Lite MT-24EX
Macro Ring Lite MR-14EX
Speedlite Transmitter ST-E3-RT
• Attaches to all Canon EF macro lenses
(EF 180mm f/3.5L requires Macro Lite Adapter 72C).
• Twin-tube ring lite designed for close-up photography
with EF Macro lenses; Flash tubes can fire together or
independently.
• Uses two-way radio wave communication for enhanced
communication among master and slave units.
• Compatible with all EOS bodies.
• Achieves a transmission distance of up to 30m/98.4 ft.,
all at a 360° angle.
• Twin flash heads can be rotated over 80° angle
around lens in 5 degree increments.
• Heads can be swiveled or bounced and can be
removed from mounting ring for added control.
• Powerful Guide Number of 78 (feet, at ISO 100),
full E-TTL control and E-TTL features including FEL,
Hi-speed sync and FEB.
• Supports E-TTL/E-TTL II Wireless Autoflash in
conjunction with one or more compatible
EX Speedlites.
• Incandescent focusing lamps and two forms of
modeling flash permit preview of lighting effects.
• Compatible with Speedlite 600EX-RT
• Up to 5 groups, or 15 individual flashes can be
controlled via 1 transmitter.
• Supports E-TTL II flash, manual flash, strobe and
external flash metering.
• Dot matrix LCD panel displays information
simultaneously and backlit control panel means
easy operation.
Speedlite Transmitter ST-E2
• Dedicated transmitter to control unlimited
number of slave flashes.
Speedlite Release
Cable SR-N3
Compact Battery
Pack CP-E4
Provides remote release
and linked shooting
functions by transmitting
a wireless release signal
to the camera itself. It’s
compatible with cameras
that have E-TTL/ETTL II
autoflash; as well as
an N3-type remote
control terminal.
This dedicated external
power pack is dust/
water-resistant and
makes the flash system
dust/water-resistant.
The power pack’s
performance is the
same as the Compact
Battery Pack CP-E3.
Ni-Cd Pack TP
Battery Magazine TP
Additional rechargeable
Ni-Cd Pack TP batteries
are available separately. They can also be
freely interchanged with
Battery Magazine TP. The
charger TP recharges
a Ni-Cd Pack TP in
approximately 15 hours.
This magazine holds
six commonly available
C-size alkaline batteries.
Included with Transistor
Pack E, it is available
separately for instant
battery changes during
shooting. Can be used in
place of the Ni-Cd Pack
TP. Connecting Cord ET is
also available separately.
Color Filter Set
SCF-E1
Color Filter Holder
SCH-E1
Compatible with the EOS
Speedlite 600EX-RT, the
Color Filter Set SCF-E1
includes a light orange
filter and a dark orange
filter. These filters allow
the user to create various
lighting effects or to
prevent an unnatural
white balance when
shooting indoors.
Compatible with the
Speedlite 600EX-RT,
Color Filter Holder
SCH-E1 is a detachable
holder for gelatin filters.
It is particularly useful
for matching ambient
color temperature with
that of the flash head for
proper compensation.
Other Speedlite Accessories
A
B
C
D
E
F
• Compatible with Speedlites 600EX-RT, 580EX II, 430EX II,
320EX and 270EX II (also 580EX, 430EX and 420EX).
• Controls slave units up to 33 ft. outdoors
and 49.5 ft. indoors.
Speedlite 600EX-RT Speedlite 580EX II Speedlite 430EX II Speedlite 320EX II Speedlite 270EX II Speedlite 220EX II†
Dimensions
(W x H x D)
3.1 x 5.6 x 4.9 in.
80 x 143 x 125mm
3.0 x 5.4 x 4.6 in.
76 x 137 x 117mm
2.8 x 4.8 x 4.0 in.
72 x 122 x 101mm
2.8 x 4.5 x 3.1 in.
70 x 115 x 78.4 mm
2.6 x 2.6 x 3.0 in.
65.8 x 65.2 x 77 mm
2.7 x 3.62 x 2.42 in.
65 x 92 x 61.3mm
Speedlite 90EX
1.7 x 2.0 x 2.6 in.
44.2 x 52 x 65mm
Off-Camera
Shoe Cord
OC-E3
Camera
Compatibility
All EOS SLR
cameras
Description
Dust- and
water-resistant
2 ft. (0.6m) TTL
cord; retains all
on-camera flash
functions. Same
quick connect as
580EX II.
For off-camera
applications of
Speedlite flash
units, this adapter
will accept one
Speedlite and a
connecting cord
to the camera.
This connector
accepts up to
4 connecting
cords.
This 2 ft. / 60cm
coiled cord has
connections
on both ends for
TTL Distributor,
OA-2, and /
or Hot Shoe
Adapter 3.
F
This 9.8 ft. / 3m
straight cord has
connections on
both ends for
TTL Distributor,
OA-2, and / or
Hot Shoe
Adapter 3.
Speedlite
+
15.1 oz./428g
* These accessories provide TTL or manual flash control, but are not compatible with E-TTL or E-TTL II; no automatic flash with EOS digital SLR cameras.
Compatibility Chart
5.6 oz./160g
1.8 oz./50g
Compatibility
All EOS cameras
All EOS cameras
All EOS cameras
Type-A EOS
Cameras
Type-A EOS
cameras
All EOS cameras
EOS M
All EOS cameras
All EOS cameras
Max. Guide
Number (ISO 100)
196.9 ft./60m
190 ft./58m
141 ft./43m
105 ft./32m
89 ft./27m
72.2 ft./22m
30 ft./9m
79 ft./24m
45.9 ft./14m
Power Source
AA (Alkaline,
re-chargeable
NiCd, Lithium-ion,
Ni-MH)
batteries (x4);
Compact Battery
Pack CP-E4;
Transistor Pack E
(combined flash & control units)
AA (Alkaline,
re-chargeable
NiCd, Lithium-ion,
Ni-MH)
batteries (x4);
Compact Battery
Pack CP-E3;
Transistor Pack E
C
E
D
E
Speedlite+ B
(combined flash & control units)
AA (Alkaline,
re-chargeable
NiCd, Lithium-ion,
Ni-MH)
batteries (x4);
Compact Battery
Pack CP-E3;
Transistor Pack E
600EX-RT
580EX II
430EX II
320EX
270EX II
MR-14EX
MT-24EX
•
•
–
–
–
–
–
–
•
•
Compact Battery Pack CP-E4
(w / Alkaline Batteries)
Two AAA-size
(Alkaline,
re-chargeable
Ni-MH or
Lithium-ion)
batteries
Placed in the
EOS camera’s
accessory shoe,
this adapter
controls up to
4 off-camera
Speedlites.
20.64 oz./585g
5.5 oz./155g
AA (Alkaline,
re-chargeable
NiCd, Lithium-ion,
Ni-MH)
batteries (x4)
Speedlite+ C
All 35mm and APS SLR cameras
(Not compatible with digital SLR cameras or PowerShot digital cameras)
(Except 630 & RT)
Control Unit:
2.9 x 4.9 x 3.8 in.
74 x 125.9 x 97.4mm
Flash Unit:
4.44 x 4.96 x 1.02 in.
112.8 x 126 x 25.6mm
9.7 oz./275g
Two AA-size/
LR6 Alkaline
batteries
A
Connecting
Cord 300*
Control Unit:
2.9 x 4.9 x 3.8 in.
74 x 125.9 x 97.4mm
Flash Unit:
9.3 x 3.5 x 1.9 in.
235 x 90.4 x 49mm
11.3 oz./330g
Four AA-size
batteries
- alkaline,
lithium, or
re-chargeable
Ni-MH usable
Connecting
Cord 60*
Macro Ring Lite
MR-14EX
13.2 oz./375g
AA (Alkaline,
re-chargeable
NiCd, Lithium-ion,
Ni-MH)
batteries (x4)
TTL
Distributor*
Macro Twin Lite
MT-24EX
15.0 oz./425g
Weight
(without batteries)
AA (Alkaline,
re-chargeable
NiCd, Lithium-ion,
Ni-MH)
batteries (x4);
Compact Battery
Pack CP-E4;
Transistor Pack E
Speedlite
Off-Camera
Shoe Adapter
OA-2*
TTL Hot Shoe
Adapter 3*
Recycling Time
0.1~2.0
0.1~2.0
Shooting Capacity
TBA
350~2,450
(Sec.)
(No. of Flashes)
Compact Battery Pack
CP-E3†
•
•
–
–
–
–
–
–
0.1~3
450~2,800
•
0.1~3
Weight
5.5 oz. / 155g
450~2,800
•
5.5 oz. / 155g
† Discontinued product, for reference only.
58
usa.canon.com/eos
59
EOS SYSTEM ACCESSORIES
Batteries, Chargers and Adapters
Batteries
Designed to help you get the most out of your EOS cameras, Canon has designed a number of different
accessories, including power supplies and grips to help extend battery life. Other specialized
accessories include the Data Verification kit, CompactFlash (CF) cards, cases and much more.
EOS 5D Mark III with Battery Grip BG-E11
Battery Pack LP-E12
Battery Pack LP-E10
Battery Pack LP-E8
Battery Pack LP-E6
Battery Pack LP-E5
Battery Pack LP-E4N
Battery Pack LP-E4
Weight
1.2 oz./35g
1.6 oz./45g
1.8 oz. / 52g
2.8 oz./80g
1.8 oz./50g
6.5 oz./185g
6.3 oz./180g
Compatibility
EOS M
EOS Rebel T3
EOS Rebel T4i, T3i, T2i
EOS 5D Mark III, 6D,
5D Mark II, 7D, 60D
EOS Rebel T1i, XSi, XS
EOS-1D X, 1D Mark IV,
1Ds Mark III, 1D Mark III
EOS-1D X, 1D Mark IV,
1Ds Mark III, 1D Mark III
Description
Lithium-ion battery with a
rated voltage of 7.2V and a
rated capacity of 875 mAh,
for use exclusively with
the EOS M. Uses the
LC-E12 charger.
Lithium-ionbattery with
a rated voltage of 7.4V and
a ratedcapacity of 860mAh,
for use exclusively with the
EOS Rebel T3. Uses the
LC-E10 or LC-E10E charger.
It is a large-capacity
lithium-ion battery (7.2
V/1120 mAh) that provides
slightly more capacity than
the LP-E5. Uses the LC-E8
charger.
Lithium-ion battery pack for
the EOS 5D Mark III,6D,
5D Mark II, 7D, 60D. At
1800 mAh, it has 1.3x the
capacity of the EOS 5D’s
battery.
Lithium-ion battery pack,
exclusively for the EOS Rebel
T1i, XSi and XS. At
1080 mAh, it has 1.5x the
capacity of the EOS Rebel
Digital XTi’s battery.
Designed to be used with
the EOS-1D X, the LP-E4N is
a high-capacity (2450 mAH)
lithium-ion battery pack –
offering approximately 10%
larger capacity than the
LP-E4. Exact battery info can
be viewed on the camera’s
menu.
High-capacity (2300mAh)
lithium-ion battery pack is
40% less volume and 46%
lighter than the NP-E3. Exact
Battery Info can be viewed
on camera’s menu.
Battery Pack NP-E3
Battery Pack
BP-511A/ BP-512/
BP-514
Battery Charger LC-E5
Battery Grips
Battery Grip BG-E13†
Battery Grip BG-E11†
Battery Grip BG-E9 †
Battery Grip BG-E8 †
Weight
10.2 oz./290g (without batteries)
10.9 oz./310g (without batteries)
10.4 oz./295g (without batteries)
8.1 oz./230g (without batteries)
Compatibility
EOS 6D
EOS 5D Mark III
EOS 60D
EOS Rebel T4i, T3i, T2i
Functions
Shutter-Release button, AE/FE Lock button, Main
Shutter-Release button, AE/FE Lock button, Main
Dial. AF-point-select button, Vertical Grip Operation Dial, Multi-controller. AF-point-select button, MultiSwitch
function button, Vertical Grip Operation Switch
AE/FE Lock/ Index/ Reduce button, Main Dial, AF
point selection/ Magnify button, Aperture/exposure
compensation button, Attach/ Detach button,
Vertical-grip operation switch
AE/FE Lock/ Index/ Reduce button, Main Dial, AF
point selection/ Magnify button, Aperture/exposure
compensation button, Attach/ Detach button,
Vertical-grip operation switch
Battery Charger LC-E12 Battery Charger LC-E10 Battery Charger LC-E8
Battery Charger LC-E6
Weight
11.8 oz./325g
2.5 oz./70g
2.9 oz./81g
3.0 oz./85g (without cord)
2.9 oz./82g
4.6 oz./130g (without cord)
2.8 oz./80g
LP-E8 (x2); AA-size battery (x6), AC Adapter ACK-E8
Compatibility
EOS-1Ds Mark II, 1Ds,
1D Mark II N, 1D Mark II, 1D
EOS 5D, 50D, 40D, 30D,
20D,20Da,10D, D60, D30,
Digital Rebel
EOS M
EOS Rebel T4i, T3i, T2i
EOS Rebel T4i, T3i, T2i
EOS 5D Mark III, 6D,
5D Mark II, 7D, 60D
EOS Rebel T1i, XSi, XS
Description
Ni-MH battery with a rated
voltage of 12V, a rated capacity of 1,650 mAh. Water
and dust resistance. Uses
the NC-E2 charger (recharges
in about 120 minutes).
High-capacity lithium-ion
battery. BP-511A has a
different contour and 26%
more storage capacity than
BP-512. Note: EOS D30, D60
and Battery Grip BG-ED3
cannot use BP-512.
Dedicated charger for
LP-E12 battery pack is
microprocessor-controlled
and has built-in foldaway AC
plug. Universal 100–240V
AC input. Charging time is
approximately 2 hours.
Dedicated charger for
LP-E10 battery pack is
microprocessor-controlled
and has built-in foldaway AC
plug. Universal 100–240V
AC input. Charging time is
approximately 2 hours.
Plug-in type battery charger
with charge control system
(by microcomputer). Charging time is approximately
2 hours.
It charges an LP-E6 battery
in 2.5 hours, and can be
plugged-in nearly anywhere
in the world (100–240V).
Charger that’s included with
EOS Rebel T1i, XSi and XS.
It charges an LP-E5 battery
in 2 hours, and can be
plugged-in nearly anywhere
in the world (100–240V).
Power Source
LP-E6 (x2); AA-size battery (x6); or
AC Adaptor ACK-E6
LP-E6 (x2); AA-size battery (x6); or
AC Adaptor ACK-E6
LP-E6 (x2); AA-size battery (x6), AC Adapter ACK-E6
Battery Grip BG-E7†
Battery Grip BG-E6†
Battery Grip BG-E5†
Battery Grip BG-E2N†
Weight
12.0 oz./340g (without batteries)
11.1 oz./315g (without batteries)
8.1 oz./230g (without batteries)
11.5 oz./325g (without batteries)
Compatibility
EOS 7D
EOS 5D Mark II
EOS Rebel T1i, XSi, XS
EOS 50D, 40D
Functions
Shutter-Release button, AE/FE Lock/ Index/Reduce Shutter-Release button, AE/FE Lock/ Index/Reduce
button, Main Dial, AF-frame-select button, Aperture/ button, Main Dial, AF-frame-select button, AperExposure compensation button
ture/ Exposure compensation button
Shutter-Release button, AE/FE Lock/ Index/Reduce Shutter-Release button, AE/FE Lock button, Main
button, Main Dial, AF-frame-select button, Aperture/ Dial, AF frame-select button
Exposure compensation button
Power Source
LP-E6 (x2); AA-size battery (x6); or
AC Adapter ACK-E6
LP-E5 (x2); AA-size battery (x6); or
AC Adapter ACK-E5
LP-E6 (x2); AA-size battery (x6); or
AC Adapter ACK-E6
BP-511A/511/512/ 514 (x1 or x2),
AA-size batteries (x6), or AC Adapter Kit ACK-E2, or
Compact Power Adapter CA-PS400 plus
DC-Coupler DR-400
† Accepts optional Hand Strap E1.
Power Drive Booster/Battery Pack Chart
WEIGHT
Power Drive Booster PB-E2
Battery Pack BP-E1*
17.1 oz./484g
9.8 oz./280g
Power Drive Booster PB-E2 Accessories
Battery Magazine BM-E2
Ni-MH Pack NP-E2
Ni-MH NC-E2
WEIGHT
1.8 oz./50g
(without batteries)
10.9 oz./320g
12.5 oz./354g
Description
Magazine holds eight AA-size
alkaline, Lithium-ion, Ni-Cd or
Ni-MH batteries. (Provided with
the PB-E2)
Powerful rechargeable battery
pack dedicated to the PB-E2. The
rated voltage is 12V. It can be
recharged over 500 times. When
fully charged, it has enough
power for 70 rolls of 36-exposure
film at 68°F/20°C.
Charger dedicated to the NP-E3
Battery Pack and the NP-E2 Pack.
Two packs can be attached at
one time. The discharge feature
(taking up to 8.5 hrs) cancels
the pack’s memory effect. It
runs on 100-240V AC, ideal for
international travel.
(WITHOUT BATTERIES)
Compatibility
EOS-1v HS, 1v, 1N, 1, 3
Functions
Shutter Release button, AE Lock button, —
FE Lock/Multi-spot Metering button,
Main Dial, focusing point selector
Power Source
Ni-MH Battery Pack NP-E2 or Battery
Magazine BM-E2 and 8 AA-size
Alkaline, Lithium-ion, Ni-MH or Ni-Cd
batteries
EOS-1v HS, 1v, 1N, 1, 3
2CR5 Lithium-ion battery (x1),
AA-size (Alkaline, rechargeable Ni-Cd, Ni-MH)
batteries (x4)
* Not compatible with AA-size Lithium-ion batteries.
60
Battery Charger LC-E4N Battery Charger LC-E4
Battery Charger CG-580 Battery Charger CB-5L
DC Coupler DR-400
AC Adapter Kit ACK-E10 AC Adapter Kit ACK-E8
Weight
12.3 oz./350g
15.2 oz./431g
5.6 oz./160g
3.5 oz./110g (without cord)
3.9 oz./123g (without cord)
0.6 oz./17.5g (DC Coupler)
6.5 oz./185g (AC Adapter)
0.7 oz./20g
Compatibility
EOS-1D X, 1D Mark IV,
1Ds Mark III, 1D Mark III
EOS-1D X, 1D Mark IV,
1Ds Mark III, 1D Mark III
EOS 5D, 50D, 40D, 30D,
20D, 20Da, 10D, D60, D30,
Digital Rebel
EOS 5D, 50D, 40D, 30D,
20D, 20Da,10D, D60, D30,
Digital Rebel
EOS 5D, 50D, 40D, 30D,
20D, 20Da, 10D, D60, D30,
Digital Rebel
EOS Rebel T3
EOS Rebel T4i, T3i, T2i,
BG-E8
Description
Two battery packs can be
attached. It takes about
130 minutes to charge one
LP-E4N battery pack (120
minutes for LP-E4). It plugs
directly into AC outlets, and
with the optional CB-570
cable, into a car cigarette
lighter.
Two battery packs can be
attached. It takes about 120
min. to recharge one battery
pack. It plugs directly into AC
outlets, and with optional
CB-570 cable, into a car
cigarette lighter.
Compact and light battery
charger for BP-511A/
BP-511/ BP-512/BP-514 as
well as BP-522 and BP-533
for video camcorders.
Compact and light battery
charger for BP-511A/
BP-511/ BP-512/BP-514
as well as BP-522 and
BP-533 for video camcorders.
Allows the camera to draw
power directly from an
AC power source when
connected to the CA-PS400
Power Adapter or AC Adapter
ACK-E2.
Enables the EOS Rebel T3
to be operated from an AC
power source. Kit consists
of universal 100–240V AC
adapter (with power cord)
and DR-E10 DC coupler.
Comes with AC Adapter, DC
Coupler and Power Cord.
Assuring constant power
throughout a shoot, it’s
perfect companion to the
EOS Rebel T3i, EOS Rebel T2i
and BG-E8.
AC Adapter Kit ACK-E6
AC Adapter Kit ACK-E5
AC Adapter Kit ACK-E4
Compact Power Adapter
CA-PS400
DC Coupler Kit DCK-E1
Car Battery Charger
CBC-E6
Car Battery Charger
CBC-E5
Weight
3.9 oz./110g (DC Coupler)
6.2 oz./175g (AC Adapter)
15.0 oz./425g
14.1 oz./399g
10.1 oz./287g
5.3 oz./150g (DC Coupler)
7.2 oz./205g (AC Adapter)
3.7 oz./105g
4.9 oz./140g
Compatibility
EOS 5D Mark III, 6D
5D Mark II, 7D, 60D
EOS Rebel T1i, XSi, XS
EOS-1D Mark IV,
1Ds Mark III, 1D Mark III,
EOS 5D, 50D, 40D, 30D,
20D, 20Da, 10D, D60, D30,
Digital Rebel
EOS-1Ds Mark II, 1Ds, 1D
Mark II N, 1D Mark II, 1D
EOS 5D Mark III, 6D
EOS 5D Mark II, 7D, 60D
EOS Rebel T1i, XSi, XS
Description
Allows the camera to
connect the DC cord to the
AC adapter terminal. Kit
includes the AC adapter,
power cord, and DC coupler.
It prevents accidental
disconnection.
AC adapter Kit is a perfect
companion for the EOS
Rebel XSi. With constant
power, there’s no fear of
running out of power in the
middle of a shoot.
Allows the camera to
connect the DC cord to the
AC adapter terminal. Kit
includes the AC adapter,
power cord, and DC coupler.
It prevents accidental
disconnection.
It charges two BP-511A/
BP-511/BP-512/BP-514
battery packs. When
connected to the DR-400, it
allows the camera to draw
power directly from an
AC power source.
Allows the camera to draw
power directly from an AC
power source. Kit includes a
dedicated DC Coupler and
AC Adapter PA-V16.
A car battery charger,
dedicated to the EOS 5D
Mark II and its LP-E6 battery
pack plugged into a car’s
cigarette lighter, it charges a
battery pack in about
2.5 hours.
A car battery charger,
dedicated to the EOS Rebel
XSi and its LP-E5 battery
pack plugged into a car’s
cigarette lighter, it charges a
battery pack in about
2 hours.
(excluding AC cord)
usa.canon.com/eos
61
EOS SYSTEM ACCESSORIES
Wireless File Transmitters and GPS Receivers
Remote Control & Accessories
Canon’s Wireless File Transmitters help enable fast, wireless image transfer from EOS cameras
directly to a computer. Canon GPS receivers record location, including latitude, longitude and altitude,
include a compass, and can track the trajectory of the photographer’s movements.
Canon accessories are the perfect choice to help enhance your EOS System’s
performance. Whether through recording data or controlling your camera remotely,
Canon’s own accessories are designed to complement your EOS camera.
EOS 7D with Wireless File Transmitter WFT-E5A
Wireless File Transmitter
EF 100mm f/2.8L Macro IS USM •f/5.6 •1/80 sec.
Remote Controllers and Switches
Wireless File Transmitter
WFT-E7A
Wireless File Transmitter
WFT-E6A
Compatibility
EOS 5D Mark III
EOS-1D X
EOS 7D
Description
Designed for the EOS 5D Mark III. It transfers images from cameras
directly to a computer via wireless local area networks (LAN),
and offers a number of enhanced features to improve efficiency for
studios and media professionals including: wireless support for
IEEE 802.11 a/b/g and the latest standard 802.11n, which deliver
blazing communication speed, camera clock synchronization, linked
shooting function, Bluetooth support, and auto re-send of images
that were not sent during a sending error.
Canon’s Wireless File Transmitter WFT-E6A is designed for the
EOS-1D X. It transfers images from cameras directly to a computer via
wireless local area networks (LAN), and offers a number of enhanced
features to improve efficiency for studios and media professionals
including: wireless support for IEEE 802.11 a/b/g and the latest
standard 802.11n, which deliver blazing communication speed,
camera clock synchronization, linked shooting function, Bluetooth
support, and auto re-send of images that were not sent during a
sending error.
This wireless transmitter is dedicated to the EOS 7D. The transmitter
is compatible with Wi-Fi Protected Setup to connect easily to a
wireless LAN access point and automatically leads to the security
setting for secure image transfer. Images can be stored in selected
folders and the entire folder can be transferred. Added features
include IEEE 802.11a/b/g compatibility, WPS compatibility, WFT
server EOS 7D, camera linking function and Bluetooth function. It
allows wireless transmission (802.11a, b or g) to Mac or Windows
computers up to 492 ft.
Wireless
Controller LC-5
Remote Switch
RS-80N3
Timer Remote
Controller TC-80N3
Remote Switch
60T3
Compatibility
All EOS cameras except
EOS 60D, EOS M and Digital Rebel series,
1v Hs, 1v, 3
All EOS cameras except
EOS 60D, EOS M and Digital Rebel series,
1v Hs, 1v, 3
All EOS cameras except
EOS 60D, EOS M and Digital Rebel series,
1v Hs, 1v, 3
N3-compatible cameras**, with adapter 1n RS,
1n, 1, A2/A2e, RT,* 630*, 620*, 650*
Description
•Anextended-rangeWirelessControllersystem
designed for EOS cameras with N3 remote
control sockets.
•Providesremoteshutterreleasecapability.
•Max.transmittertoreceiverdistanceof
300 ft./91.5m
•Remoteswitchtopreventcamerashakefor
super-telephoto or macro shots and bulb
exposures.
•WorkslikeaShutterbutton,enablinghalfway
or complete pressing.
•Shutterreleaselock.
•ConnectstoN3-typesocket.
•Cordlength:2.6ft./80cm.
•Remoteswitchwithself-timer,intervaltimer,
long-exposure timer, and exposure-count
setting feature.
•Timersetfrom1sec.to99hrs.,59min.,59sec.
•Easyoperationswithnewdial.
•IlluminatedLCDpanel.
•N3-typeconnector.
•Cordlength:2.6ft./80cm.
•Electromagneticcablereleasewith
a 3-pin terminal.
•Allowsindependentcontroloflightmetering
and shutter release.
•Cordlength:2ft./60cm.
Remote Switch
RS-60E3
Wireless Remote
Controller RC-1
Wireless Remote
Controller RC-6
Wireless Remote
Controller RC-5
Compatibility
EOS 60D, Rebel T4i, T3i, T3, T1i, XSi,
Digital Rebel XTi/XT, Digital Rebel, ELAN 7 series,
ELAN II/IIe, Rebel T2, Ti, 2000, G, X, XS, XSN, IX
EOS 5D Mark II, 7D, 60D, Rebel T1i, XSi,
Digital Rebel XTi/XT, Digital Rebel, ELAN 7 series,
II/IIe, ELAN, Rebel T2 Date, Ti Date, K2 Date, 10S
EOS 5D Mark III, 6D, 5D Mark II, 7D, 60D, Rebel
T4i, T3i, T2i, T1i, XSi, Digital Rebel XTi/XT, Digital
Rebel, ELAN 7 series, II/IIe, ELAN, Rebel T2 Date, Ti
Date, K2 Date, IX, 10S
EOS 5D Mark II, 7D, 60D, Rebel T1i, Rebel XSi,
Digital Rebel XTi/XT, Digital Rebel, ELAN 7 series,
II/IIe, ELAN, Rebel T2 Date, Ti Date, K2 Date, IX,
10S
Description
•Compactremoteswitchreplicatingallthe
functions of a shutter release button.
•Cordlength:2ft./60cm.
•Miniatureinfraredtransmitter.
•Setforeitherinstantshutterreleaseor
2-sec. delay.
•Activatemirrorlockandbulbshutterfunctions.
•Operatesasfaras16.4ft./5m.
•Compactdesign.
•Operatesapproximately16.4ft/5mfromthe
camera.
•Setforeitherinstantshutterreleaseor
2-sec. delay.
•Activatemirrorlockandbulbshutterfunctions.
•Compactdesign.
•Operatesasfaras16ft./5mfromthecamera.
Remote Switch
Adapter RA-N3
Remote Switch
Adapter T3
Extension Cord
ET-1000N3
Extension Cord
1000T3
Compatibility
All EOS DSLR cameras except EOS 5D Mark II,
7D, 60D and Digital Rebel series, 1v Hs, 1v, 3
N3-compatible cameras**, EOS 1n RS, 1n, 1,
A2/A2e, RT*, 630*, 620*, 650*
All EOS DSLR cameras except EOS 5D mark II,
7D, 60D, 50D and Digital Rebel series,
1v Hs, 1v, 3
N3-compatible cameras**, EOS 1n RS, 1n, 1,
A2/A2e, RT*, 630*, 620*, 650*
Description
•Enablesold-model,T3terminal-equipped
accessories to be connected to cameras with
the N3-type socket.
•Enablesuseofremotecontroldeviceswith
standard 2-pin subminiature jacks with
T3-compatible EOS cameras.
•ConnectscompatibleEOScameraswith
Timer Remote Controller TC-80N3 or Remote
Switch RS-80N3.
•Cordlength:33ft./10m.
•UsedwithanyotherT3-compatibleaccessories
for extension.
•Cordlength:33ft./10m.
Wireless File Transmitter
WFT-E5A
Wireless File
Transmitter
WFT-E4 II A
Wireless File
Transmitter
WFT-E4A
Wireless File
Transmitter
WFT-E3A
Wireless File Transmitter
WFT-E2A
Compatibility
EOS 5D Mark II
EOS 5D Mark II
EOS 50D, 40D
EOS-1D Mark IV, 1Ds Mark III, 1D Mark III
Description
This wireless transmitter is dedicated to the
EOS-5D Mark II with firmware upgrade. The
transmitter is compatible with Wi-Fi Protected
Setup to connect to a wireless LAN access point
and automatically leads to the security setting
for secure image transfer. Images can be stored
in selected folders and the entire folder can be
transferred. Added functions include IEEE 802.11
a/b/g compatibility, WPS compatibility, camera
linking function, Bluetooth function, media server
function and WFT server Remote Live View. It allows
wireless transmission (802.11a, b or g) to Mac or
Windows computers up to 492 ft.
This wireless transmitter is dedicated to the
EOS 5D Mark II. The transmitter is compatible with
Wi-Fi Protected Setup to connect easily to a
wireless LAN access point and it automatically
leads to the security setting for secure image
transfer. Sending a batch of photos wirelessly is
easy with the WFT-E4A. Images can be stored in
selected folders and the entire folder can be
transferred at once. It retains the same features as
the WFT-E3A including great handling for vertical
shooting and wireless transmission (802.11b
or g) to Mac or Windows computers up to 492 ft.
(150m)* away.
This wireless transmitter is dedicated to the EOS
50D and 40D camera. Completely integrated
design for outstanding handling; includes vertical
controls. Wireless transmission (802.11b or g)
to Mac or Windows computers. Three separate
wireless methods, including wireless remote
control of camera from computer. Transmits up to
492 ft. (150m)*, depending on environment and
computer set-up; wired Ethernet connection up to
1,000 ft. (330m). Its USB port allows an external
hard drive to be directly connected to the camera.
Canon’s Wireless File Transmitter WFT-E2A allows
photographers to transmit images from cameras
directly to a computer over a wired or wireless
local area network (LAN), incorporates a number of
significant features into a robust, camera-powered
system to make wireless transfer up to 492 ft.
(150m)* faster, simpler and less cumbersome
than WFT-E1A. The WFT-E2A is smaller and attaches to the side of the camera.
Remote Control Accessories
GPS Accessories
GPS Receiver GP-E2***
GPS Receiver GP-E1***
Compatibility
EOS-1D X, 5D Mark III**, 6D, 7D**, EOS Rebel T4i, EOS M
EOS-1D X
Description
The GP-E2 allows photographers to geotag their photos. Its compact, lightweight design smoothly
integrates with the camera’s hot shoe or USB terminal without the need for additional power. The GPE2 automatically adds location information as EXIF data while shooting (latitude, longitude, altitude,
direction, universal coordinated time (UTC)). An on-board electronic compass supports shooting
even when held vertically, and the orientation can be displayed on a map with bundled software.
The camera’s clock can be easily set by the GP-E2’s atomic clock. It can also be used as a
stand-alone GPS logger.
To be used with the EOS-1D X, the GP-E1 is Canon’s first GPS Receiver. Its compact, lightweight design
smoothly integrates with the camera’s extension system terminal, allowing the hot shoe to remain
accessible without the need for additional power. The GP-E1 automatically adds location information
as EXIF data while shooting (latitude, longitude, altitude, direction, universal coordinated time (UTC)).
An on-board electronic compass supports shooting even when held vertically, and the orientation can
be displayed on a map with bundled software. The EOS-1D X’s clock can be easily set by the GP-E1’s
atomic clock.
* EOS RT, 650, 630 and 620 require Grip GR20 with built-in T3 remote socket.
** T3 accessories require Remote Switch Adapter RA-N3 with N3-series cameras.
* With no obstructions between the transmitting and receiving antennas, and no radio interference. With a large, high-performance antenna attached to the wireless LAN access point.
** The EOS 5D Mark III and EOS 7D require a firmware upgrade (which is now available) to be compatible with the GPS Receiver GP-E2.
*** In certain countries and regions, the use of GPS may be restricted. Therefore, be sure to use GPS in accordance with the laws and regulations of your country or region. Be particularly
careful when traveling outside your home country. As a signal is received from GPS satellites, take sufficient measures when using in locations where the use of electronics is regulated.
Note: When the EOS 7D is used with the GP-E2 the following restrictions will apply: a) geotagging function will not work for movies while recording; b) geotagging features will not work for
movies when using the Map Utility; c) electronic compass information and automatic time setting is not available; d) transmission via the hot shoe is not possible.
62
usa.canon.com/eos
63
EOS SYSTEM ACCESSORIES
Focusing Screens Ec Series
Viewfinder Accessories
For more customization, many of Canon’s EOS cameras are compatible
with a vast choice of eyecups, diopter lenses and more for greater
versatility in a number of shooting situations.
Ec-A: Microprism
EF 180mm f/3.5L Macro USM •f/4.5 •1/200 sec.
Eyecups, Rubber Frames and Dioptric Adjustment Lenses
Anti-Fog
Eyepiece Ec
Anti-Fog
Eyepiece Ed
Dioptric Adjustment Dioptric Adjustment Dioptric Adjustment Eyepiece Extender
Lens E
Lens Ed
Lens Eg
EP-EX15 II
Eyepiece Extender
EP-EX15
All EOS SLR cameras
except: 1Ds Mark III,
1D Mark III, 6D,
5D Mark II, 60D, 50D,
40D, EOS-3, A2/A2e,
ELAN 7 series,
ELAN II/IIe, IX, IX Lite
Compatibility
EOS-1Ds Mark II,
EOS-3, A2/A2e,
1Ds, 1D MarkII N,
ELAN 7 series,
1D Mark II, 1D,
ELAN II/IIe
D2000, 1v HS, 1v, 1N
RS, 1N, 1
All EOS SLR cameras EOS-3, A2/A2e,
except: EOS Mark III ELAN 7 series,
series, EOS-3, A2/A2e, ELAN II/IIe
ELAN 7 series,
ELAN II/IIe, IX, IX Lite
Description
These eyecups use specially treated
advanced-process glass, which helps to
prevent condensation, or fogging. The
eyecups are useful in warm, humid and cold
weather, when fogging is most likely to occur.
These Dioptric Adjustment lenses provide near- and far-sighted users
a clear viewfinder image without the use of eyeglasses. Available
in versions from +3 to -4 dpt to match many types of eyesight, each
Dioptric Adjustment Lens fits into the eyepiece holders of the
appropriate EOS model for convenient use and a comfortable fit.
Note: EOS-1Ds Mark III, EOS-1D Mark III and EOS 7D use
Anti-fog Eyepiece Eg only.
Note: EOS-1Ds Mark III and EOS-1D Mark III require Dioptric Adjustment Lens Eg only.
EOS-1D X, 1D Mark IV,
1Ds Mark III,
1D Mark III,
5D Mark III, 7D
EOS 5D Mark II,
60D, 50D, 40D,
Rebel T4i, T3i, T2i, T3,
T1i, XSi, XS
Extends the eyepiece 5/8" (15mm) from the
camera body and reduces viewfinder
magnification by 30%. Useful for eyeglass
wearers and others to keep the tip of the nose
from touching the camera body.
Angle Finder C
Eyecup Ed-E
All EOS SLR cameras
(Includes Adapter
Ec-C and Ed-C to fit
any EOS camera.)
EOS-3, A2/A2e,
ELAN 7 series,
ELAN II/IIe
Angle Finder C lets
users adjust the
viewing angle while
providing a 2.5x
magnification for
critical focusing, or
a full-screen image
(1.25x) that includes
exposure data.
Provided with built-in
dioptric adjustment
for variations in
eyesight.
This large eyecup
keeps out most
sunlight and other
external light, substantially enhancing
viewfinder visibility.
It is especially helpful
for eyeglass wearers
when photographing
outdoors. The mount
can be rotated for
vertical shots.
Ec-B: New Split
Ec-C III: Laser-Matte
Compatibility
EOS-1D X††, All models of EOS-1Ds and EOS-1D, EOS D2000, EOS-1v, 1N, 1N RS, EOS-1 and EOS-3
Description
This matte field screen with microprism
focusing spot in the center is used for
general photography with all lenses.It
achieves best results when using a lens
of f/5.6 or faster.
This matte field screen with split-image
focusing spot in the center is good for
general photography with all lenses.
Ec-l: Laser-Matte with
Ec-H: Laser-Matte with Scale Double Cross-Hair Reticle
Ec-L: Cross-Split Image
Compatibility
EOS-1D X††, All models of EOS-1Ds and EOS-1D, EOS D2000, EOS-1v, 1N, 1N RS, EOS-1 and EOS-3
Description
A matte field screen with vertical
and horizontal scales marked in
millimeters, this screen is
effective for close-up photography
and photo-micrography. Useful
in determining magnification
ratios and composition, this
screen can be used with all lenses.
This is a matte field screen with
a clear center spot containing
a double cross-hair reticule.
Focusing is possible using the
floating image of the central cross
hair. This screen is particularly
useful for photomicrography and
astrophotography. Surrounding
matte field can be used with all
lenses.
This matte field screen has a
cross-split image in the center,
which divides the subject in half
both vertically and horizontally for
accurate manual focusing. Used
for general photography with all
lenses, best results are obtained
when using a lens of f/5.6 or
faster.
Focusing Screen Sets for 4x5 and Square Formats
Compatibility
Eyecup Eb
Eyecup Ec-II
Eyecup Ed
Eyecup Ef
Eyecup Eg
Rubber Frame Eb*
EOS ELAN, Rebel series**,
700, 750, 850, 6D, 5D
Mark II, 5D, 60D, 50D,
40D, 30D, 20D, 20Da,
10D, D60, D30
EOS-1D Mark III,
1Ds Mark II, 1Ds,
1D Mark II N,1D Mark II,
1D, D2000, 1v HS, 1v,
1N RS, 1N, 1
EOS-3, A2/A2e,
ELAN 7 series,
ELAN II/IIe
EOS Rebel T4i, T3i, T2i,
T3, T1i, XSi/XS,
Digital Rebel XTi/XT,
EOS Digital Rebel,
Rebel T2, Ti, K2
EOS-1D X, 1D Mark IV,
EOS 10S, ELAN, 6D
1Ds Mark III, 1D Mark III, 5D Mark II, 5D, 60D,50D,
5D Mark III, 7D
40D, 30D, 20D, 20Da,
10D, D60, D30,
Rebel series**
Rubber Frame Ec*
Rubber Frame Ef*
EOS-1Ds Mark II, 1Ds,
1D Mark II N, 1D Mark II,
1D, D2000, 1v HS, 1v,
1N RS, 1N, 1
EOS Rebel T4i, T3i, T2i,
T3, T1i, XSi, XS, Digital
Rebel, Rebel T2, Ti, K2,
Required for use of Dioptric
Adjustment Lens E
Standard on the EOS-1D series,
EOS-1v HS/EOS-1v, and compatible with
all EF lenses, this screen includes an
Area AF ellipse and spot metering circle.
Manual focus can be checked anywhere
on the screen.
Ec-C IV: Laser-Matte
Ec-D: Laser-Matte with Sections
This Laser Matte Ec-C IV uses a shaping
method improved over the Ec-C III. It
achieves easier focusing and good
background blur. brighter, less grainy,
and better balanced.
This is a matte field screen with sections.
Grid lines assist in determining accurate
picture composition. It is especially well
suited for close-up photography or for
copy work using EF macro lenses, it can
also be used for general photography
with all lenses.
Ec-N: New Laser-Matte
Ec-R: New Laser-Matte
Ec-S: Super Precision Matte†
This is the standard screen for the
EOS-3. The outer oval-shape the
45 AF points; the inner circle is
for spot and FEL metering. When
shooting, the focusing points will
be indicated in red LCD markings.
Along with the Ec-R screen, it is
approximately 1/2 stop brighter
than the Laser- Matte series
screens.
This is the standard screen
provided with the EOS-1N RS.
It compensates for decreased
viewfinder brightness due to the
low reflection factor of the
pellicle mirror. It is about 1/2-stop
brighter but otherwise similar to
Focusing Screen Ec-CII. It can be
used in all EOS-1 series cameras,
as well as the EOS-3.
An all-matte focus screen for
the EOS-1D Mark II N with finer
microlens structure than the
standard screens. Out-of-focus
areas show more vividly than with
the other Ec type screens. Ideal
for fast lenses (f/1.8 through f/2.8
max aperture).
Focusing Screens Ee Series
* Used with Dioptric Adjustment Lens E. ** Except Digital Rebel, Rebel T2, Ti and Rebel K2
Focusing Screens Eg Series
64
Ec-1Ds/Ec-1D/Ee: Crop Lines
Focusing Screens Ef Series
Eg-A II:
Eg-A:
Eg-D:
Compatibility
EOS 6D
EOS 5D Mark II
EOS 6D, 5D Mark II
Description
Standard focus screen
exclusively for the EOS 6D.
Bright and easy to
distinguish focus. For
general photography with
all lenses.
Standard focus screen
exclusively for the
EOS 5D Mark II. Matte
surface with nine AF points
etched on screen. For
general photography with
all lenses.
Similar to standard Eg-A
screen for EOS 5D Mark II,
but with horizontal and
vertical lines for precise subject placement or alignment.
EOS 5D must be set to
Custom Function IV-5-1 for
accurate exposure metering.
Eg-S:
Ef-A:
Ef-D:
Ef-S:
Precision Matte surface,
with etched grid lines to
assist composition.
The EOS 40D’s AF points
remain fully visible. Focus
characteristics suited to
most lenses.
Exclusively for the EOS 40D,
this focus screen is optimized
for wide-aperture lenses
from f/1.8 to f/2.8. Areas
that are slightly out of focus
appear more out of focus,
making it easier to tell when
focus is right-on. Ideal
for users who frequently
manually-focus in dim light
with fast lenses.
EOS 60D, 50D, 40D
An all-matte focus screen for
the EOS 5D Mark II with finer
microlens structure than the
standard screens.
Out-of-focus areas show
more vividly than with EG-A
and EG-D screens.
EOS 5D Mark II must be set
to Custom FunctionIV-5-2 for
accurate exposure metering.
The standard focus screen
for EOS 40D. Standard
Precision Matte surface,
ideal with most lenses
including zooms f/3.5 thru
f/5.6. All matte surface.
Includes a special tool to
remove existing screen.
Ec-1Ds/Ec-1D/Ee: Black Mask
Ee-A: Precision Matte
Compatibility
EOS-1D X††, 1D Mark IV, 1Ds/1D Mark III, 1Ds/1D Mark II, 1Ds/1D
5D
Description
Ideal for the portrait and wedding photographer, the set “Crop Lines” includes
two focus screens—one with 4x5 (or 8x10) crop lines etched on the screen, and a
second screen with lines for square composition. All exposure metering can be
performed normally in camera, and red focus point illumination remains fully
active. The other sets “Black Mask” have and opaque black mask outside the
picture area. One screen of the set shows the area for 4x5 (or 8x10) cropping, the
other shows the area for square cropping. Partial or Spot metering is recommended
for these screens. E-TTL II flash exposure will definitely require significant
compensation. FEL (Flash Exposure Lock) in conjunction with either partial or spot
metering is recommended. 3 types are available for both sets respectively,
according to the size of the CMOS sensor and viewfinder optics: for full frame 1Ds
series*, 1D series and for 5D.
Replacement standard focus screen
exclusively for the EOS 5D. Matte surface
with nine AF points etched on screen. For
general photography with all lenses.
Ee-D: Precision Matte
with Grid Lines
Similar to standard Ee-A screen for EOS
5D, but with horizontal and vertical
lines for precise subject placement or
alignment. Overall matte surface gives
viewing and focusing very similar to
standard Ee-A screen. EOS 5D must be
set to Custom Function 00-1 for accurate
exposure metering.
Ee-S: Super-Precision Matte
An all-matte focus screen for the EOS
5D with finer microlens structure than
the standard screens. Out-of-focus
areas show more vividly than with Ee-A
and Ee-D screens. It works best with
lenses from f/1.8 to f/2.8 max aperture,
especially for manual focusing. EOS 5D
must be set to Custom Function 00-2 for
accurate exposure metering.
*Can also be attached to 35mm EOS-1 series and EOS-3 cameras.
Note: All focusing screens include a special tool for removing original screen and installing new screen. EOS-1Ds, EOS-1D Mark II, EOS-1D, EOS-1v HS and EOS-1v—If using New Laser Matte Focus Screens Ec-N or
Ec-R, be sure to set camera’s Custom Function C.Fn-0 to “0”. EOS-3—If using Laser Matte Ec-A, Ec-B, Ec-C II, Ec-C III, Ec-D, Ec-I or Ec-L focus screens, be sure to set camera’s Custom Function C.Fn-0 to “1”. Exposure
compensation is required when combining the focusing screen Ec-R with the EOS-1 or EOS-1N, and when combining the focusing screens Ec-A, B, Cll, D, H, I and L with the EOS-1 N RS. Refer to each focusing screen’s
instructions for detailed information. † EOS-1Ds Mark III, 1D Mark III and 1D Mark II N must be set to appropriate Custom Function for accurate exposure metering when this screen is installed. Manual exposure is
required for use with other EOS-1 series cameras. †† For the EOS-1D X, by changing the Focusing Screen Custom Function setting, the camera can be compatible with the Laser Matte focusing screens: Ec-A, B, D, H, I,
and L. The Ec-C IV and Ec-C, CII, CIII, S, N, and R focusing screens can also be installed, but since there is no Focusing Screen Custom Function setting for them, you must set exposure compensation as you shoot.
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65
EOS SYSTEM ACCESSORIES
Peripherals
Bags & Cases
To add more power, ergonomics and speed to your EOS SLR body, consider one
of Canon’s professional quality power boosters and grips. Check out the chart
below to find the best match for your EOS SLR.
Canon offers a comprehensive line of accessories for the photographer on the go.
Canon’s camera cases are built specially to help protect EOS models, and
the bags can accommodate a number of different camera configurations.
These are all built to the highest standards, and are the perfect complement to the EOS System.
Interface & Video Cables
Bag
Includes Custom
Media Case 10DG
Interface Cable
IFC-200U*/ IFC-500U
Interface Cable
IFC-200D6 / IFC-200D4***/
IFC-200D44
USB Interface Cable
IFC-400PCU****/
IFC-200PCU
Mini-HDMI cable
HTC-100
AV Cable
AVC-DC400ST†
Stereo Video cable
STV-250N
Length
6.9 ft. (1.9m) / 15.4 ft. (4.7m)
6.6 ft. (2m)
3.3 ft./1m
9.5 ft./2.9m
4.9 ft./1.5m
4.9 ft./1.5m
Compatibility
USB cable for EOS-1D X,
1Ds Mark III, 1D Mark III,
1D Mark IV, 5D Mark III, 6D,
5D Mark II, 7D, 60D, 50D, 40D,
Rebel T4i, T3i, T2i, T3, T1i, XSi,
XS, EOS M
D6: EOS-1Ds, 1D /
D4: 1Ds Mark II, 1Ds,
1D Mark II N, 1D Mark II,
1D / D44: 1Ds Mark II,
1D Mark II N, 1D Mark II,
IEEE 1394 (FireWire®) interface
cables used to connect the EOS to
a MAC or Windows.
400 cable: EOS-1Ds, 1D Mark II, EOS-1D X, 1D Mark IV, 5D Mark III, EOS-1D X, 1D Mark IV,
1D Mark II N, 1D Mark II,
6D, 5D Mark II, 7D, 60D, 50D,
5D Mark III, 6D, 7D, 60D, Rebel
5D, 30D, 20D, 20Da, 10D,
Rebel T4i, T3i, T2i, T3, T1i, EOS M T4i, T3i, T2i
Digital Rebel XTi, Rebel XT,
Digital Rebel 200 cable:
EOS-1Ds Mark II, 1D Mark II, 20D,
10D, Digital Rebel 200 cable:
EOS D60, D30
EOS-1D X††, All models of
EOS-1Ds and EOS-1D,
EOS D2000, EOS-1v, 1N, 1N RS,
EOS-1 and EOS-3
D6: 6-pin/6-pin, D4: 4-pin/6-pin, USB interface cables used to
D44: 4-pin/4-pin, Mark ll series
connect the EOS to a Mac or
cameras have 4-pin, FireWire
Windows.
connector.
Description
Cable to connect the Camera’s
mini-HDMI OUT terminal to the
TV’s HDMI port.
EOS 5D Mark II
Digital Gadget Bag 100DG
Storage
Capacity
1~ 2
2
~
3
1
Digital Gadget Bag 200DG
1~ 2
2
~
3
Professional Gadget Bag 1EG
2
7 ~ 10
Deluxe Gadget Bag 10EG
2
5 ~ 8
Compatibility
Inside: 13" x 9.5" x 6.25" (W x H x D)
Inside: 10.5" x 7.5" x 7" (W x H x D)
Inside: 14.2" x 8.7" x 8.3" (W x H x D)
Inside: 10.5" x 8.0" x 7.5" (W x H x D)
Description
To hold cameras, lenses, accessories and a laptop
computer. It features a durable, water-repellent
nylon extender, pockets and padded dividers. Also
Custom Media Case 10DG* to organize memory
cards and CDs is included.
This bag has a roomy main compartment for
camera body and extra lenses. Front and side
pocket hold extra batteries, storage media and
others. This functional bag is with non-slip
shoulder strap and water-resistant nylon covering
to keep your gear safe and sound.
Waterproof, urethane-coated material provides
this bag with superlative weather protection and
the weather flapped top cover. Fully padded
pockets and zippered pouches provide storage
spaces with fast access to equipment.
Made with rugged, waterproof material with all
the features of the Professional Gadget Bag 1EG.
Plus a built-in waist belt that tucks away behind
the rear pouch.
Gadget Bag 2400
Deluxe Back Pack 200EG
Custom Gadget Bag 100EG
Zoom Pack 1000
Enables direct image display from Cable to connect the
the EOS to an HD television or a
EOS 5D Mark II’s 3.5mm dia.
similar display device.
4-pole mini jack to the TV or other
appliance’s AV jack (video and
audio L/R).
* Comes standard with the EOS-1D X, 1Ds Mark III, 1D Mark IV, 1D Mark III, 5D Mark II, 7D, 60D, 50D, 40D, Rebel T2i, T1i, XSi, XS ** Comes standard with the EOS-1Ds
*** Comes standard with the EOS-1D Mark II **** Comes standard with the EOS-1Ds Mark III, 1D Mark IV, 1D Mark III, 1Ds Mark II,1D Mark II N, 1D Mark II, 5D Mark II, 7D, 5D,50D,
40D, 30D, 20D, 10D and all Digital Rebel † Comes standard with the EOS 1D Mark IV, 7D, 60D, Rebel T3i, T2i
Tripod & Monopod
Rain Cover
The rain cover can be used with any
EOS DSLR and select EOS film cameras
by replacing the eyecup. Comes in
small, medium and large to fit a wide
range of lenses.
Level Included
Deluxe Tripod 300
Quick Release
Photo Platform
Monopod 500
Length
62" extended/23" folded
64.5" extended/21.9" folded
Weight
2.65 lbs.
1.1 lbs.
Description
This lightweight tripod is designed for easy portability and maximum stability. It features a 3-way pan head for precise control. The 3-section tubular leg
construction allows for amazing stability. The tripod also features a built-in
water level and a quick release shoe.
A lightweight, high-quality monopod featuring a deluxe 4-section compact
tubular leg with quickside-lever leg locks and rubber tipped foot for added
stability. The Monopod 100 has a foam-covered handgrip, wrist strap and
also a ball socket head.
Storage
Capacity
1
1
~
2
1~2
3 ~ 4
1~2
3 ~ 4
1
1
Compatibility
Size: 9.5" x 7.0" x 6.0" (W x H x D)
Inside: 10" x 14.75" x 5" (W x H x D)
Inside: 9" x 7" x 5.5" (W x H x D)
Inside: 6.5" x 8.7" x 4.72" (W x H x D)
Description
A lightweight and versatile camera bag designed to
hold your important gear. Durable water-repellant
nylon sell and padded interior keep all equipment
secure. Front and side pockets add storage space
and easy access for smaller items.
Perfect for the active photographer. Constructed
of rugged water-repellant nylon, well arranged
dividers and multiple pockets and pouches mean
there is plenty of room for just about anything.
The front zippered pouch features 3 accessory
pockets. The rear flat-pouch is perfect for storing
things such as plane tickets. There is also a zippered full-length mesh pouch inside the tip cover.
Specially designed to comfortably transport one
camera with a standard zoom lens. It features
waterproof material, a belt strap and front pouch
for small items such as films, memory cards or
accessories.
Case
Canon Straps
Wide Neck Strap
EW-EOS 5D Mark II
Wide Strap
EW-EOS 7D
Wide Strap
EW-EOS 60D
Professional Neck Strap 1
Rugged, high quality neck strap designed for the most demanding
photographers. Features durable non-slip backing, quick-release clips and
anti-twist hardware to make carrying and shooting easy.
Semi-Hard Case
EH19-L
Wide Strap
EW-100DB III
Compatibility
Neck Strap
L4
Neck Strap
L3
EOS Rebel T4i, T3i, T3, T1i, XSi
Hand Strap
E2
* Also available separately. † For compatibility with specific lenses see your Canon Authorized Dealer or visit usa.canon.com/eos.
66
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67
EOS C500
EOS C300
EOS C100
EOS-1D C
CINEMA EOS
EF CINEMA LENSES
CN-E24mm
T1.5 L F
Canon already offers one of the
finest and most comprehensive
lens lineup available to
cinematographers and
videographers from any
single vendor. Over 60 prime
and zoom lenses in a variety
of configurations – from our
flagship zooms to compact
CN-E30–300mm
T2.95–3.7 L S/SP
primes. All share Canon’s
renowned accuracy, clarity and
optical brilliance to bring fresh
perspective to your vision. And now, with
our expanded lineup of 7 EF Cinema lenses
exclusively designed for cinematography,
we’ve covered the basics – and with more
on the way to stimulate your creativity.
Canon EF Cinema Lenses
CINEMA EOS SYSTEM
On the set of “SWORD,” a short film shot exclusively with the Canon Cinema EOS system.
Leave No Story Untold
Designed from the ground up, the Cinema EOS System was
created to serve the evolving needs of the cinematography
world. Beginning with the revolutionary EOS C300 Digital
Cinema Camera, the Cinema EOS System expands with the
EOS C500 4K Digital Cinema Camera, the EOS-1D C 4K DSLR
Cinema Camera* which is the first Canon hybrid DSLR to offer
onboard 4K motion imaging, and the versatile EOS C100 Digital
Video Camera which offers the same level of image quality and
designed for more independent operation. Compatible with the
evolving lineup of Canon EF Cinema and EF Lenses and complemented
by an extensive service, support and education infrastructure, the
Canon Cinema EOS System offers unrivaled versatility and limitless
potential for growth, allowing you to tell your story the way you
imagined it.
Uncompromising Design for Working
Professionals
EOS C300
70
Canon EF Cinema lenses are designed and
engineered to meet or exceed the exacting
standards of working professionals. Every
Canon EF Cinema lens is designed to fulfill
contemporary 4K production standards,
surpassing the performance requirements of
any HD imaging system. Zoom lenses feature
large aspherical lens elements to achieve
sharp, consistent images in virtually every
shooting situation. Geared inner focusing
minimizes focus-induced changes in the angle
of view, reducing focus breathing virtually
to zero. The 11-blade aperture diaphragms
ensure beautiful bokeh – and innovative glass
construction counteracts barrel expansion and
contraction to avoid temperature-induced
marking discrepancies.
EF Cinema lenses provide markings on angled
surfaces on both sides of the barrel, making
it easy to read focus and aperture settings
from behind or either side of the camera.
Focus markings can be switched from
standard labeling to metric. Control rings are
designed to maintain the proper amount of
resistance with consistent operating torque.
For zoom lenses, a covered flange-back
adjustment mechanism is included. Each
EF Cinema zoom lens or EF Cinema prime lens
shares uniform gear position, diameter and
CN-E50mm
T1.3 L F
CN-E85mm
T1.3 L F
CN-E14.5–60mm
T2.6 L S/SP
CN-E30–105mm
T2.8 L S/SP
rotation angle as well as front lens diameters,
enabling the film crew to quickly change
lenses without adjustment of the rig setup.
ø136mm
300° 160° 63°
ø114mm
300°
ø136mm
300° 160° 63°
ø114mm
300°
Broad Compatibility with
EOS Cameras
The versatility of the Canon Cinema EOS
approach also makes it compatible with more
cinema optics than any other camera system.
With their large image circle, EF Cinema prime
lenses are compatible with every Canon EOS
DSLR (manual operation only) – including fullframe models like the EOS-1D X and the EOS 5D
Mark III as well as cameras like the EOS 7D
and EOS 60D that utilize APS-C sized sensors.
EF Cinema Zoom Lenses
Canon EF Cinema zoom series offer extraordinary
optical performance for demanding high-end
productions, available in EF and PL mount
* At time of printing, this device has not been authorized as required by the rules of the Federal Communications Commission.
This device is not, and may not be offered for sale or lease, or sold or leased, until authorization is obtained.
CN-E15.5–47mm
T2.8 L S/SP
configurations. With fluorite, aspherical lens
elements and advanced optical design, these
unsurpassed EF Cinema lenses are capable
of 4K image reproduction. The wide-angle
CN-E14.5–60mm T2.6 L S/SP provides
industry-leading breadth of range; the
telephoto CN-E30–300mm T2.95–3.7 L S/
SP rivals best-in-class zoom magnification
and telephoto focal length. Together these
lenses cover the range most commonly used
in cinema shooting.
EF Cinema Prime Lenses
The brilliant series of EF Cinema prime lenses
offer spectacular 4K-image quality and a full
frame image circle, in lightweight, compact
designs. Three models for EF mount cameras
– CN-E24mm T1.5 L F, CN-E50mm T1.3 L F,
and CN-E85mm T1.3 L F – offer consistent
form factors and marking optimized for
motion picture production. Whether you
shoot with a Canon EOS C300 or EOS DSLR,
you will appreciate the compact and
consistent lens design; and your audience
will love the results from the 11-blade
aperture diaphragms, fast t-stops and
proven Canon lens elements.
Additional lenses are already under development,
reflecting Canon’s commitment to offer the
broadest range of professional cinema lenses
to meet your needs, now and in the future.
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71
CINEMA EOS
EOS C300/EOS C300 PL
of vertical skewing on fast-moving horizontal
subjects that is characteristic of CMOS
image sensors.
Technology – but never for its
own sake. Always to simplify
your shoot. Increase your
options. Advance your art.
Accelerate your project turn
time. And lower costs. The
technology behind Canon’s
Cinema EOS system draws
on everything we’ve learned
about digital image capture –
and every innovation that truly
serves your creative effort.
To integrate easily into the working style and
equipment array of film crews and production
houses, the Cinema EOS system begins with
two camera bodies. The EOS C300 has a Canon
EF lens mount and is compatible with all of
Canon’s EF lenses, including compact primes,
super telephotos, specialty Tilt-Shift, Macro
and fisheye – over 60 in all. It also has
communication contacts built into its mount,
allowing EF lens functions such as focus and iris
to be adjusted wirelessly via the optional Canon
Wireless File Transmitter WFT-E6A unit. This
offers huge potential for specialty applications
where cameras must be controlled remotely
such as nature documentaries or reality T V.
The EOS C300 PL has a PL mount and is
compatible, both with a new series of Canon EF
Cinema lenses (PL mount), as well as the majority
of third-party optics available for 35mm motion
picture cameras.
EOS C300 with EF mount
2160
3840
1920
Canon
CMOS sensor size comparison (not to scale)
Full Frame (16:9 video capture area)
Super 35mm (16:9 video capture area)
APS-C (16:9 video capture area)
4/3 sensor
(16:9 video capture area)
DV III Image Processor
Designed and built by Canon for the highest HD
RGB processing, the
DV III Image Processor
uses proprietary circuits and architecture to
deliver the highest image quality at the highest
speeds. It processes the RGB representations
originated in the single CMOS sensor into three
channels (Red, Blue and Green) to maintain the
rich resolution and clean color fidelity formerly
possible only in three-chip sensor designs.
EOS C300 and EOS C300 PL – ISO and Dynamic
Range specifications (Canon Log, Progressive scan)
S/N
Ratio
EOS C300 and EOS 7D / EOS 60D
EOS-1D X
EOS 5D Mark III EOS C300 PL EOS Rebel Models
EOS 5D Mark II
to perform the crucial optoelectronic
transformation of digital imaging. Each
photosite is a generous 6.4 x 6.4 micrometers
in area and each has a microlens that ensures
the highest efficiency in light transfer to the
individual photodiode. Proprietary technologies
within the photosite simultaneously lower the
image sensor noise floor while enhancing
the photon capacity of the photodiode – a
combination that assures superb dynamic
range. The image sensor utilizes an innovative
readout technique that delivers full bandwidth
individual RGB video components without the
need for any debayering algorithms. Each of
these components has a 1920 (H) x 1080 (V)
sampling structure at up to 60 frames. From
these original video components, a 1080-line
60i format or a 1280 (H) x 720 (V) at 60P format
is selectively derived. A high-speed readout
significantly reduces the subjective visibility
EOS C300 PL with PL mount
Modeled on the Super 35mm 3-perf motion
picture film standard, Canon’s CMOS sensor
has an effective screen size of 24.6 x 13.8mm.
It utilizes 3840 (H) x 2160 (V) photosites
Actual size
Shooting in Canon Log mode, cinematographers
can set the camera exposure value using their
customary light meter practices. Canon Log is a
special nonlinear transfer function embodied
within the
DV III RGB video processing
system. This transfer function is specifically
designed to facilitate the post-production of
digital images originating in Cinema EOS in a
Canon Log
Base
Sensitivity
GAIN
18%
GRAY
ISO
ISO
20000
41dB
6.7 Stops
30dB
5.3 Stops
45dB
6.7 Stops
26dB
5.3 Stops
50dB
6.7 Stops
20dB
5.3 Stops
ISO
6400
53dB
6.7 Stops
14dB
5.3 Stops
ISO
3200
54dB
6.7 Stops
8dB
5.3 Stops
ISO
1600
54dB
6.7 Stops
2.5dB
5.3 Stops
ISO
850
54dB
6.8 Stops
2dB
5.2 Stops
ISO
800
54dB
6.8 Stops
0dB
4.9 Stops
ISO
640
54dB
54dB
7.8 Stops
8.1 Stops
4.2 Stops
-4dB
3.9 Stops
-6dB
ISO
12800
ISO
400
ISO
320
Dynamic Range
Normal 1
Canon Log
INPUT
Canon Log – Ensures tonal reproduction for both
highlight and lowlight regions during post-production.
manner akin to the post-production of images
digitally transferred from motion picture
film (the contemporary DI process). By
managing the disposition of quantization
bits, Canon Log ensures excellent tonal
reproduction within both highlight and lowlight
regions of a given digital image – maintaining
a total dynamic range of 800%. These
sophisticated video grading processes
restructure a new digital representation that
achieves your sought-after creative look on a
quality reference display.
Comfortable
Ergonomic Controls
Modular design
Whether showing dailies to producers or beginning
the edit process, professionals demand images
of the highest quality – pictures that look great
and hold up during post-production. Canon
developed the EOS C300 and EOS C300 PL
sensor to capture images with a wide pixel pitch
for detailed, low-noise blacks and impressive
dynamic latitude even at higher sensitivities.
The EOS C300 and EOS C300 PL can also record
different frame rates, including 23.98, true 24.00
if you’re also shooting with a film camera, plus
25P/50i and 30P/60i. Capturing high-quality
images ready for post, the EOS C300 and
EOS C300 PL benefit everyone involved in the
cinematic process, from capture to post.
Canon Log Gamma
Super 35mm Canon CMOS Sensor
72
1080
OUTPUT
Canon EOS C300 (EF Mount) and
EOS C300 PL (PL Mount)
Signal processing
equivalent to that in a
3-chip RGB system
High Image Quality
for Post Production Benefits
The EOS C300 and EOS C300 PL incorporate the
first Canon CMOS sensor designed specifically
for high frame rate motion pictures, offering not
only high resolution and shallow depth-of-field
but also high sensitivity with low noise.
Working together, Canon’s Super 35mm sensor
and
DV III Image Processor achieve a
remarkably high signal-to-noise ratio that lets you
record with great detail and dynamic range even
in minimal light. A dark and stormy night? With
the EOS C300 and EOS C300 PL, no problem.
Compact Modular Design
The EOS C300 and EOS C300 PL are
surprisingly small (5.24" x 6.73"
x 7.05") and easily hand-held
at just over 3 lbs. They have a
bright 1.55 megapixel electronic viewfinder and come
bundled with a removable
combination 4" 1.23
Built-in ND filter
Camera and
lens only
With monitor unit
With monitor unit
and handle
With matte box, follow
focus and monitor unit
megapixel monitor and control panel. They also
have a rotatable and removable hand grip with
a control dial and function buttons for hand-held
shooting in DSLR style – or remove it and use
the supplied thumb rest for completely strippeddown shooting. The EOS C300 and EOS C300
PL have a manually-operated built-in Neutral
Density glass filter offering 2, 4 and 6 stops of
filtering. Hand-held or using a tripod, on location
or in the studio, the EOS C300 and EOS C300 PL
fit shooting situations that are challenging for
larger cameras.
Rugged, Durable and Quiet
The EOS C300 and EOS C300 PL’s dust-proof and
splash-proof design includes sealing gaskets
around the edges of all access covers, dials fitted
with o-rings on the axis of rotation, and button
key-tops sealed with rubber. The EOS C300 and
EOS C300 PL also feature a built-in silent cooling
system with a heat-dissipating duct in the
center of the body, a graphite sheet that
Dust-proof, splash-proof design
Sealed areas
conducts sensor heat towards the heat sink,
three ventilation holes and a cooling fan that
pulls hot air out through an exhaust opening. All
air is directed through a discrete pathway that
keeps dust particles away from sensitive components. Your camera runs cool, quiet and clean.
The moment you pick
up the EOS C300 or EOS
C300 PL, you’ll feel right
270˚
at home. The detachable
grip rotates 360° in
15-degree increments
so the start/stop, iris
control and multicontroller buttons are
always literally at your
fingertips. Four
separate start/stop
buttons and 15 other
135˚
135˚
customizable buttons
distributed over the
camera body mean quiet
and intuitive access. Large dials positioned in
two places can be customized for different
functions and are easy to operate from all
angles. The viewfinder tilts up to a convenient
60° angle. The 4" control panel and 1.23
megapixel monitor rotates 135° left/right or
270° down – and can be mounted directly
on the camera body or the handle unit. Top,
behind, from either side, on either shoulder –
the EOS C300 and EOS C300 PL operate from
any angle.
Designed with Filmmakers in Mind
With everything a cinematographer needs,
the EOS C300 and EOS C300 PL come ready
to produce. A logical layout of buttons and
dials make operation simple. A lock switch
turns off all controls except the recording
button and the function buttons. Small ridges
between the buttons help prevent activating
functions by mistake. The backlit display
panel is great for low-light viewing. A tally
lamp is clearly visible from the side or behind
the camera. The EOS C300 and EOS C300 PL
have a Waveform Monitor (WFM) function that
shows the overall brightness of a scene, with
RGB Parade Display to view red, green and
blue brightness or Spot Display to isolate
the luminance distribution of a chosen area.
The EOS C300 and EOS C300 PL Vectorscope
(VS) display shows real-time hue and saturation
levels. For sharp focus, the EOS C300 and
EOS C300 PL have two peaking modes
and a magnified focus assist function. An
Edge Monitor Focus Assist provides both a
waveform representing the overall degree
of focus and a red waveform that represents
focus in three specific areas displayed on
the camera’s 4" LCD monitor. It’s all in
the camera.
usa.canon.com/eos
73
CINEMA EOS
network. The WFT-E6A lets you start and
stop recording and also adjust focus, white
balance, gain and other parameters as well
as adjust the aperture of Canon EF lenses.
It also gives you input marking for metadata
and offers a live view of the composition. It
even supports incorporating GPS information
into the file metadata – useful for general
cinematic applications, and essential for
expedition filmmakers.
Accommodating File-Based Production
Rich Audio Controls
When mounted to the EOS C300 or EOS C300 PL
cameras, the included control unit provides two
XLR audio inputs with +48V phantom power. A
3.5mm microphone terminal is also built into the
camera. Audio is recorded uncompressed in
16-bit PCM format at 48 kHz for high fidelity
sound. Both XLR inputs, as well as the mic
terminal have the option for automatic, as well
as full manual gain control (-Infinity to +18dB).
Additionally, a 3.5mm headphone terminal
with 16 volume settings offers accurate
audio monitoring.
Compatibility with Third-Party
Accessories
Cinema EOS is designed to fit seamlessly into
your existing workflow. Not only is the EOS C300
series compatible with an extraordinary range
of PL and EF lenses, it’s also compatible with
major third-party shooting accessories like matte
boxes, flags and support rods, geared control
rings, marking disks, and knobs for follow focus.
You can step up to the Cinema EOS system and
not worry about leaving your favorite equipment
behind.
The Cinema EOS system creates files in the
internationally standardized Material eXchange
Format (MXF) – wrapping video and audio with
metadata in a single file that maintains access
to critical information throughout the production
process. The EOS C300 and EOS C300 PL record
to inexpensive and easy-to-find CF cards in dual
card slots, giving you unlimited hot-swappable
storage on reliable solid-state media. And for
industry standard peripherals, the EOS C300
and EOS C300 PL have all the right terminals:
Remote (2.5mm), Sync out (BNC), HDMI type A
out, GenLock (BNC), Time Code (BNC), HD/SDI
(BNC), Headphone, DC IN socket, plus MIC and
XLR connectors (CH1 & CH2) when using the
Canon Monitor/Controller unit. The camera
also includes a dedicated connection port for
the optional Canon Wireless File Transfer
WFT-E6A unit.
Industrystandard
terminals
Wireless Control for Remote Shooting
Greater mobility when you need it – that’s
the advantage of Canon’s optional Wireless
File Transmitter WFT-E6A. The EOS C300 and
EOS C300 PL come preconfigured so that
camera settings can be viewed and securely
controlled on third-party devices with common
webbrowsers,includingcomputers,smartphones
and tablets without the need for additional
software. With the WFT-E6A module, the
camera can be
controlled
from up to
150 feet
away over
an 802.11
b/g/n/a
wireless
74
of your image and sound is assured through
the editing process – and beyond.
XF Codec Image Quality
To create digital files robust enough for major
post-production, the EOS C300 and EOS C300 PL
deliver the highest image quality with its
XF Codec Quality Chart
4:2:2
Color difference signals:
B-Y(Pb)
Color difference signals:
R-Y(Pr)
4:2:0
Color difference signals:
B-Y(Pb)
Color difference signals:
R-Y(Pr)
These illustrations represent a color image
converted to RGB, after which each component
signal is converted to monochrome. Since B-Y
and R-Y signals lack a brightness component
and only indicate saturation, images produced
from them look quite unnatural to the human
eye. To avoid confusion, the illustrations are
produced by conversion to monochrome and
then, for convenience, conversion of saturation to
brightness.
Frame grab from the Sam Nicholson, A.S.C., film “XXIT.”
Shot with the EOS C300 and EF 8–15mm f/4L Fisheye USM.
XF Codec – the same codec used by Canon
XF-series professional camcorders. With
4:2:2 color sampling, EOS C300 and
EOS C300 PL image files have double the
vertical resolution of color components
created with 4:2:0 color sampling, minimizing
jagged edges between red and blue and
ensuring ample quality for chroma key
compositing with green screens. Thanks to
the Canon XF Codec and the EOS C300’s and
EOS C300 PL’s superb resolution, your color
quality and cinematic look will hold up
through post-production – and your result
will match your expectations.
Perfect for Mixed Shoot Editings
Non-Linear Editing Integration
The tremendous dynamic range of the EOS C300
and EOS C300 PL with Canon Log gamma
can be easily converted to industry standard
10-bit Cineon (.cin) Log format which assures
smooth integration with industry standard
post workflow and finishing. The EOS C300’s
and EOS C300 PL’s 24.00p mode matches the
exact frame rates of film cameras, so there’s
no need for time-consuming frame-rate
conversion. And you’ll have support for
leading NLE systems from Adobe ® , Apple ® ,
Avid® and Grass Valley®. Whether your entire
production is digital or your EOS C300 and
EOS C300 PL are used as an A, B, or C camera
on a primarily film-based shoot, the integrity
Thanks to the use of an industry-standard
XF Codec, transferring recorded material
from the EOS C300 and C300 PL to Non-Linear
Editing (NLE) programs can be done easily
and efficiently by either directldy importing
to Adobe or Grass Valley systems, or via Canon
supplied plug-ins to Apple or Avid. You’ll
also have Windows ® / Mac ® compatibility
for cross-platform versatility. For professional
editing or file management outside of NLE
programs, Canon's included XF Utilities
software offers basic playback, backup,
metadata management and much more in a simple logical package that doesn't
require extensive training.
EF LENSES FOR CINEMA EOS
Compatibility – your key to creativity, productivity and profit. The
lenses you already own and trust. The optical elements and coatings
that render every nuance of every scene. The systems
made famous by generations of the world’s
finest still photographers. All coming together
in Cinema EOS to give professionals every
opportunity to leave no story untold.
EF Lenses for Cinema EOS
Perfected in Canon laboratories and proven in
the field, Canon’s EF lenses incorporate a rare
array of the world’s most advanced optical,
microelectronic, and manufacturing
technologies. Many lenses make use of Canon’s
advanced Peripheral Illumination Correction
feature, rendering beautiful consistent color
and brightness across the entire image
plane when used with compatible cameras
such as the EOS C300. Their compatibility
with the EF mount of the EOS C300 not only
gives the Cinema EOS system access to the
finest optics on the market, it also opens
up new creative possibilities with Canon
specialty lenses – including Tilt-Shift, Macro
and Canon’s amazing EF 8–15mm f/4L Fisheye
USM zoom lens.
L-Series Lenses
Canon L-series lenses are highly regarded by
professionals who demand uncompromising
optical performance in specialized situations.
These specialty lenses incorporate innovative
Canon technologies such as Ultra-low
Dispersion (UD) glass, fluorite and aspherical
elements, and Super Spectra Multi Coating.
Canon L-series lenses have earned their
place on the cameras of serious photographers
across the globe.
EOS C300 with EF 8–15mm f/4L Fisheye
USM during filming of “XXIT.”
usa.canon.com/eos
75
POWERSHOT
The Perfect Complement to Your EOS System
With shared EOS technologies like Genuine Canon optics, Optical Image Stabilizer, DIGIC Image
Processor, and a familiar user interface, it’s easy to transition seamlessly between an EOS camera
and a PowerShot digital camera. They’re the perfect complement to each other.
The Pinnacle of PowerShot
1.5-inch CMOS Sensor
Intelligent IS
The 1.5-inch Canon CMOS sensor captures
stills and videos in amazing quality. Nearly the
size of an EOS APS-C size sensor, the bigger
sensor area enables each pixel to be larger
allowing more light to be captured, for
incredible low-light performance up to ISO
12800 with minimal noise and a wide dynamic
range even in shadow and highlight areas. An
added benefit of a fast f/2.8 lens offers better
control over depth-of-field for sharp images
with beautiful background blur.
The latest advance in Canon Optical
Image Stabilization technology,
Intelligent IS analyzes camera movement and
applies the best shake correction method for
the shooting situation. For still photos, the
system automatically select among Normal,
Panning, Macro (Hybrid IS) and Tripod IS modes.
When shooting video, the system automatically
selects among Dynamic, Powered, Macro and
Tripod IS modes. With Intelligent IS, you can
concentrate on image capture, letting the
camera make the most effective IS settings to
prevent blur.
5/4
Image Processors
The PowerShot G1 X will inspire those who have embraced the G-Series to
explore new realms of photographic expression, and give pros an excellent
camera that complements their creative demands. It’s 1.5-inch High-Sensitivity
CMOS sensor approaches an EOS DSLR’s APS-C sized sensor, with a light-sensitive area that’s
approximately 6.3 times larger than that of the previous G-Series camera sensors for stunningly
detailed images with beautiful background blur, lower noise—even in low light.
Bright Lenses
The PowerShot G1 X, G15 and S110 come
equipped with some of the most celebrated optics
offered by Canon. With maximum apertures,
fast lenses (f/2.8 on the G1 X and G15, and f/2.0
on the S110), wide-angle zooms (28–112mm
on the G1X, 28–140mm on the G15, and
24–120mm on the S110) and the lens-based
Optical Image Stabilizer (OIS), images are
guaranteed to be sharp and crisp. Now, Canon
takes it even further with
Hybrid IS to work in unison
with OIS to greatly reduce pitch
and yaw during macro photography to produce impressive
results no matter the subject.
Explore Imaging Excellence
The legacy of the G-series shines brightly with the new PowerShot G15 and
its bright f/1.8(W)–f/2.8(T) 5x Optical Zoom 28–140mm lens. A Wide-Angle
28mm lens captures scenes with a distinctive sweep and grandeur, while the
large aperture excels in low-light situations and produces shallow
depth-of-field for attractive background blur. The Canon HS SYSTEM is the powerful combination of a
12.1 Megapixel CMOS sensor and the latest-generation
5 Image Processor. You can now select
multiple aspect ratios when shooting in RAW mode, including 16:9, 3:2, 4:3, 1:1, and 4:5.
HS SYSTEM
The superb performance of the
PowerShot G1 X, G15 and S110 is
in no small part due to the
HS SYSTEM from Canon. The
combination of an advanced high-sensitivity
sensor and the brilliant
Image Processor,
along with the fast lenses (f/2.8 on the G1 X
and G15, and f/2.0 on the S110) and the Canon
Optical Image Stabilizer, ensure enhanced
performance. It delivers lower noise images
even at higher ISO speeds and an increase in
dynamic range. With less blurring and superb
detail, image quality is dramatically improved
in numerous shooting situations.
Superb Performance with a Wireless Touch
The PowerShot S110 offers advanced photographers and enthusiasts complete manual
control and stunning image quality in a slim, compact body. The 12.1 Megapixel CMOS
sensor and
5 Image Processor produce beautiful prints. The 5x Optical Zoom and
Wide-Angle lens with bright f/2.0 aperture opens up new photographic vistas. The
3.0-inch capacitive touch panel PureColor System LCD monitor and a control ring provide
full manual control of imaging functions. While built-in Wi-Fi® allows easy sharing of images to CANON iMAGE
GATEWAY #, social networking sites, and other Wi-Fi equipped PowerShot cameras and iOS or Android devices. The
PowerShot S110 allows you to wirelessly print to a Wi-Fi compatible printer^ and can also add GPS+ data, recorded on
your iOS or Android smartphone++ with the Canon CameraWindow app*, to images in the camera.
76
White
Black
Since their groundbreaking introduction
Image Processors
in 1999, Canon
have set the standard for performance and
brought powerful new features to PowerShot
digital cameras with each successive
4 Image Processor
generation. The
ushered in a new level of picture quality and
accelerated processing, making possible
features such as high-speed continuous
shooting, Full HD Video, and improved low-light
5 Image Processor, found
capture. The latest
in select new PowerShot models, delivers higher
quality continuous rapid shooting, improved
noise reduction under low light and an advanced
Multi-area White Balance.
HD Video
The PowerShot G1 X, G15 and
S110 do more than take amazing
photos. They are also exceptionally versatile
image capture tools that can shoot stunning
1080p Full HD video. Enjoy your spectacular HD
footage with stereo sound on your HDTV, with
the convenient HDMI output connector.
Optical Image Stabilizer
Handheld shooting can often
lead to camera shake, making
photos and videos blurry.
Canon’s Optical Image Stabilizer is a sophisticated
system that shifts a lens group to correct
unwanted camera movement. It makes
handheld photography more practical in more
shooting situations. For photos, it enables
shooting at slower shutter speeds, accommodating more low-light shooting situations
than ever before without having to boost
ISO sensitivity. With camera shake reduced,
you get a sharper, steadier image.
Still
Macro
Dynamic
Panning
Powered
Tripod
Movie Macro
RAW Image Capture
The PowerShot G1 X, G15 and S110
offer RAW image recording in addition
to JPEG. Perfect for images that the photographer
wishes to work with in post-production, RAW
files are the equivalent of digital negatives, in
that only the image data is recorded. With RAW
image files, the photographer can alter aspects
like color balance, sharpness, saturation and
more, infinite times in post-production
practically without image degradation.
Enhanced Camera Operation
Features like the Vari-angle
PureColor System LCDs as well as
the touch panel PureColor System
LCD and control ring bring a new
level of customization to the
photographic process. With a
Vari-angle PureColor System LCD,
it’s simple to compose and shoot with the camera
in almost any position, while a capacitive touch
panel, found on the S110, makes shooting more
intuitive. Built-in Wi-Fi®, found on the S110,
allows easy sharing of images to CANON iMAGE
GATEWAY#, social networking sites, and other
Wi-Fi equipped PowerShot cameras and iOS or
Android devices. It also allows for wireless
printing to a Wi-Fi compatible printerˆ and can
also add GPS+ data, recorded on your iOS
or Android smartphone++ with the Canon
CameraWindow app*, to images in camera.
* This software enables you to upload images to social network services. Before uploading images, please be aware that image files may contain privacy related information such as
people and places. If necessary, please delete such information. Canon does not obtain, collect or use such images or any information included in such images through this software.
# One-time registration is required on CANON iMAGE GATEWAY.
^ DPS over IP certified printer is required.
+ In certain countries and regions, the use of GPS may be restricted. Therefore, be sure to use GPS in accordance with the laws and regulations of your country or region. Be particularly
careful when traveling outside your home country. As a signal is received from GPS satellites, take sufficient measures when using in locations where the use of electronics is regulated.
Cellular data charges may apply.
++ Compatible with iOS version 4.3 or later and Android devices version 1.1.1.11 or later. Data charges may apply.
usa.canon.com/powershot
77
PHOTO PRINTERS
imagePROGRAF Printer Technology
Photographers seeking to produce their own
gallery-grade inkjet prints have had limited
choices until now. Understanding the demands
of professional photographers — especially those
who shoot with the EOS System — Canon has
responded with the imagePROGRAF series
Photo Printers. The imagePROGRAF printers
feature impressive new technologies that
bring superb quality and performance to large
format photo printing. It’s never been simpler or
more cost-effective to produce gallery-grade
prints at home or in the studio.
Incomparable 12-Color
LUCIA EX Ink Set
PHOTO PRINTER TECHNOLOGY
©Parish Kohanim
Built upon a foundation of leading-edge technologies, the EOS System puts photographers in touch with their mind’s eye,
enabling them to capture images of beauty and clarity that had once existed only in their imaginations. Canon’s commitment
to photographic excellence, however, does not end with image capture. Combining Canon’s superb expertise in photography,
photocopying and printing technologies, Canon imagePROGRAF and
PIXMA photo printers are redefining output quality, performance
and convenience. They are the perfect
complement to your EOS System with
results that are nothing short of stunning!
imagePROGRAF iPF6450
PIXMA PRO-100
78
PIXMA PRO-1
With increasing consumer
demand for professional and
high quality print output, high-end graphic and
photographic studios continue to seek the
capability to accurately produce vivid output of
their most demanding projects. The 12-Color
LUCIA EX pigment ink set from Canon, incorporated into the 60-inch iPF9400, 44-inch
iPF8400, 24-inch iPF6450/6400 printers,
increases the achievable color gamut by
approximately 20 percent when compared to
our previous LUCIA ink. The LUCIA EX ink set
provides photographers with the ability to
precisely achieve their desired results by
producing more expressive and crisp blacks,
smooth color gradations,
and the capability to faithfully reproduce the finest
details in the shadowed
areas of photographs.
Even very delicate
shading is reproduced
smoothly to give images
Canon RC Photogloss L=50
exquisite depth.
The pigment inks are also designed with an
innovative polymer structure that results in
greater scratch resistance and protection from
color fading, while also reducing bronzing and
metamerism, ensuring durable, stable output.
Additionally, LUCIA EX pigment inks exhibit
excellent short-term color drift (“dry-down”)
behavior, which is critically important for
color-managed workflows and in proofing
applications. The LUCIA EX inks are also
resistant to damage from atmospheric ozone,
a particular concern in urban environments
in situations where prints might be displayed
unframed and exposed to ambient indoor air.
LUCIA EX 12-Color Ink Set
Automatic Color Stability
Control System
All imagePROGRAF printers offer a sophisticated,
automatic color stability control system
for simple, predictable color. With a highperformance multi-sensor installed in the
printer, calibration is done easily and quickly
(approximately 10 minutes) with a simple
setup from the printer’s operation panel. When
calibrated, photographers will find amazing
consistency among all calibrated printers they
might use. Canon’s imagePROGRAF color
calibration will help ensure that the colors
photographers saw when they captured
their images, and on their calibrated
computer screens will be preserved in print.­
can be replaced with minimal downtime and
without service calls, saving time and money
and increasing productivity.
16-Bit Printing Support
While conventional inkjet printers support 8
bits per-channel and require a conversion from
16 bits somewhere during t­he workflow, the
imagePROGRAF printers provide advanced support for high-bit depth files. Software Plug-ins
enable high-bit depth images to be printed
directly from Digital Photo Professional. Also
included is an export module for printing 16-bit
files directly from Adobe® Photoshop® . These
Photolithographic User-Replaceable
Print Heads
Canon’s FINE (Full-photolithography Inkjet
Nozzle Engineering) print heads help ensure
accurate and detailed ink delivery, no matter
the medium being used for printing. This new,
advanced head design uses two print heads
— each with 15,360 nozzles — yielding over
30,000 nozzles, which release microscopic
ink droplets quickly and precisely. This not
only makes
extremely high
output resolution
simple, but also
provides for faster,
Multi-nozzle Dual Print Heads
more reliable
printing. Photographers no longer need to compromise on print
speed to attain high image quality because
Canon’s superb print head technologies
deliver both. The large number of nozzles
also substantially increases print head life, so
the printer requires less frequent maintenance.
The print heads are user replaceable, and
features provide the photographer with the
first true wide-dynamic-range workflow option
from capture to output. Images are reproduced with smoother tonal gradations for
greater photorealism. Dynamic-range-related
problems, such as posterizati­­­­­on and banding,
are significantly reduced.
Exclusive Canon L-COA Image Processor
High Performance
& Integration
Integrated System
& Engine Control
High Speed
Engine Control
High Fine
Image Process
High Accuracy & High Speed Control
of High Density Head
Integrated System
& Engine Control
usa.canon.com/pixma
79
PHOTO PRINTERS
PIXMA Printer Technology
Canon’s PIXMA photo printers
bring life to images taken with
EOS cameras. With the PIXMA
PRO-1 Professional Inkjet
Printer, Canon has entered the
realm of fine art printing while
remaining true to the Canon quality and speed
photographers everywhere know and trust.
12-color LUCIA Pigment-based Ink
System
©Lewis Kemper
Automated Black Ink Cartridge
Switching
The ink set includes both black and matte black
cartridges to allow printing on glossy photo
paper and matte paper respectively without
switching cartridges and needlessly wasting
ink. Other printers require the user to perform
an inconvenient and wasteful manual operation
to flush unused ink and switch cartridges.
However, with the Canon imagePROGRAF
Printers, both black ink cartridges are loaded
and live at all times, so switching between
media types is performed efficiently with a
simple push of a button.
Optional SU-21 Spectrophotometer
for iPF6450 Printer
The optional SU-21 Spectrophotometer for the
iPF6450 printer can be used for color calibration
of different types of media; color checking of
discrepancies in individual Lab value
measurements; and the color measurement of
charts used to create profiles. Used in conjunction
with commercial profile creation software, the
SU-21 spectrophotometer unit can also create
printer driver ICC profiles. The Canon system
incorporates a Color Calibration Management
Console for a centralized management of color
stability among multiple printers.
Vast Output Media Selection
The imagePROGRAF Printers support a wide
range of paper and specialty output media,
such as resin coated photo paper, canvas and
fine art paper.
The PIXMA PRO-1 Printer has
12 color ink set consisting of
six color inks: Cyan, Magenta,
Yellow, Photo Cyan, Photo Magenta and red; Five
monochrome inks: Photo Black, Matte Black,
Dark Gray, Gray and Light Gray plus a Chroma
Optimizer. The LUCIA pigment ink system not
only produces exceptionally beautiful prints, it
offers incredible stability and longevity*—an
estimated 200 years album life, lightfastness of
approximately 60 years when printing on Canon
Photo Paper Pro Platinum, and approximately 70
years when printing on Canon Photo Paper Plus
Semi-Gloss (Testing done by Wihlem Imaging
Research. Prints Frame Under Glass (with 5mm
gap). Plus, with 12 individual ink tanks, users
can replace a single tank, reduce waste and
save money.
Chroma Optimizer
Roll Paper
Automatic Head Clog Detection
Canon’s sophisticated nozzle clog detection
system automatically senses non-firing
nozzles and executes a print head cleaning
cycle as required. Should a clogged nozzle fail
to recover after cleaning, the system
automatically compensates by substituting
other functioning nozzles. This minimizes
print-head-related output failures, reduces
paper waste and improves print head
reliability, saving photographers both time
and money.
Advanced Connectivity
The imagePROGRAF printers are equipped
with USB 2.0 Hi-Speed and Ethernet interfaces. The printers also feature excellent
multi-platform support, helping to enable
seamless integration with a wide variety of
hardware and workflow configurations.
The Canon Chroma Optimizer, found on
the PIXMA PRO-1 Printer, enhances the LUCIA
pigment inks with a uniform standard of
glossiness and tonal continuity on the print.
A clear coat “ink” that is applied over the
printed image, Chroma Optimizer fills in surface
irregularities and reduces the difference in
height among ink droplets. The improved
surface reflection produces a more uniform
glossiness, enhanced black density and
expanded color gamut. The Chroma Optimizer
also reduces bronzing and delivers more
balanced color.
Five Monochrome Inks
For black and white prints of uncompromising
quality, The PIXMA PRO-1 Printer uses five
monochrome inks—black, Photo Black, and
three different shades of gray to help ensure
smooth gradations and natural tones. These
include light gray ink, which helps to suppress
graininess, especially in highlight areas where
graininess is often most noticeable; gray, for
gray balance adjustment and reduced graininess
in mid tones; dark gray for smoother gradations;
photo black for enhanced contrast; and matte
black for enhanced density (especially on
* Based on accelerated testing by Canon in dark storage under controlled temperature, humidity and gas conditions, simulating storage in an album with plastic sleeves.
Canon cannot guarantee the longevity of prints; results may vary depending on printed image, drying time, display/storage conditions, and environmental factors.
80
Fine Art Papers). Chroma Optimizer enhances
the PIXMA PRO-1 Printer’s monochrome inks
by reducing surface reflection on prints,
showcasing detail and richness in darker areas
of the composition.
Large-volume ink tanks
For higher levels of productivity and less ink tank
replacement, the PIXMA PRO-1 Printer features ink
tanks with 2.5x the capacity of those used by the
PIXMA Pro9500 Mark II Printer†. A separate,
improved print head, plus sub-tank and tubular
ink supply systems have been updated to
work together seamlessly with incredible
printing efficiency. By moving the ink tanks off
of the print head the printer is able to operate
much faster and more efficiently.
FINE Technology Print
Head with 12,288 Nozzles
The PIXMA PRO-1 Printer’s
amazing FINE (Full-photolithography Inkjet Nozzle Engineering) print head
delivers professional quality prints with
fine detail and a high resolution of 4800 x
2400 dpi max. Thanks to the FINE print head’s
microscopic ink nozzles, 1024 per color, 12,288
nozzles in total, ink droplets can be placed
with a pitch of 1/4800 inch at minimum,
resulting in detailed, precise, smooth and
glossy prints with exceptional longevity‡ .
Three Color Modes Including New
Photo Color Mode
The PIXMA PRO-1 Printer has three distinct
color printing modes, has a default color
mode tailored to professional photographer’s
requirements. Linear Tone mode, the printer’s
default mode, accurately reflects the image
while adjusting for optimal gradation. ICC
Profile mode prints faithfully to the photographer’s
previously chosen image characteristics,
whether Adobe RGB (1998) or the Picture Style
setting as recorded in the camera. Photo Color
mode, the default mode on previous printers,
places emphasis on a punchy, optimized look
by emphasizing blues and greens. While not as
“realistic” as other print modes, Photo Color
mode delivers prints often in line with perceived
color as remembered by the viewer.
OIG System
The Optimum Image Generating (OIG) system
improves the PIXMA PRO-1 Printer’s prints by
determining the optimal mix of inks and
placement of ink droplets. It analyzes colors in
the image and calculates the most desirable
results for the chosen print mode and media,
taking into account color reproduction, tonal
gradations, density of blacks, graininess
and glossiness of the print. Superior results
are obtained due to the precise placement
of ink droplets, combined with the printer’s
phenomenal range of inks and the Chroma
Optimizer.
Easy-PhotoPrint Pro Software
Few inkjet printers can take advantage of the
improved resolution in today’s digital cameras.
The PIXMA PRO-1 Printer can make full use of
1200ppi image data for improved reproduction
of fine lines and smoother, less jagged edges.
When images are processed at 1200ppi through
compatible software like Adobe Photoshop or
Easy PhotoPrint Pro then printed through the
PIXMA PRO-1 Printer, the difference in fine
detail is nothing short of remarkable.
Canon’s Easy-PhotoPrint Pro (EPP Pro)
software plug-in for Digital Photo
Professional, Adobe ® Photoshop ® and
Adobe ® Photoshop ® Elements ® provide an
intuitive photo printing experience. EPP Pro
has layout options such as pattern prints,
contact prints and prints with shooting
information. It also allows for color
adjustments, including ICC Profile-based
color management, Linear Tone, Photo
Color, monotone printing and grayscale
printing, and all settings can be saved.
PIXMA Pro printers also incorporate the
Ambient Light Correction functionality that
helps ensure consistent color regardless of
the different lighting conditions in which a
printed image is viewed.
Color Conversion Algorithm
PictBridge
Support for 1200ppi Input
This determines the optimum balance of ink
mixing for each print mode and media by
carefully calculating the best results using
various factors of the image such as color
reproduction, graininess, uniform glossiness,
reduced metamerism and anti-bronzing effect.
Shoot digital, print
direct. It’s a fast and easy way to print
pictures on the spot without a computer. Just
connect any PictBridge-compatible printer
to a digital camera and print.
Real-time Ink Ejection Control
By controlling the volume of ink ejected at all
times, the PIXMA PRO-1 Printer stabilizes
the printing color and maintains ink density
regardless of temperature fluctuations.
PIXMA PRO-1
EOS DSLR Cameras
USB Cable
(with Direct Print)
EOS-1D X
EOS-1Ds Mark III
EOS-1D Mark IV
EOS 5D Mark III
PictBridge
Compatible
Printers
Interface Cable
IFC-300PCU/IFC-400PCU (EOS 5D, Digital Rebel XTi/XT),
IFC-500U/IFC200U (EOS-1D X, EOS-1D Mark IV, 5D Mark III, 5D Mark II, 7D, 60D,
50D, 40D, Rebel T2i/ T1i/ XSi/ XS)
(with Direct Print)
Computers
PC Card Adapter
Inkjet
Photo Printer
PC Compatible
Computer
EOS 6D
EOS 5D Mark II
EOS 7D
EOS 60D
CF/SD Card Reader
CF/SD Cards
USB Cable
EOS 50D
EOS 40D
EOS Rebel T4i
EOS Rebel T3i
EOS Rebel T2i
EOS Rebel T3
Macintosh
Computer
USB Cable
Compact
Photo Printer
Scanner
35mm Slide 35mm Film
Medium format negatives or
transparencies up to 4"x 5"
CanoScan
EOS Rebel XS
† The PRO-1 ships with a full set of cartridges. When installing the ink tanks in the PRO-1 for the first time, part of the ink from the first set of cartridges is used for priming the printer.
The number of sheets that can be printed with the first tank is less than succeeding cartridges.
‡ Based on accelerated dark storage testing by Canon under controlled lighting, temperature and humidity conditions. Canon cannot guarantee the
longevity of the prints; results may vary depending on printed image, display/storage conditions and environmental factors.
usa.canon.com/pixma
81
POWERSHOT
PHOTO
PRINTERS
Photo Printing Redefined
Canon imagePROGRAF and PIXMA PRO printers deliver professional and lab-quality prints of images
taken by EOS DSLR cameras with convenience and speed. With the latest ink sets and technology
that improve the quality of color and black-and-white prints, Canon’s latest imagePROGRAF and
PIXMA PRO photo printers have redefined professional photo output.
Wireless2 Versatility, Professional Quality.
©Darrel Gulin
/
Capable of quickly printing lab-quality prints up to 13” x 19”, the Canon PIXMA PRO-100 wireless
printer offers the perfect combination of speed and versatility. Its FINE print head generates a
maximum resolution of 4800 x 2400 dpi and ChromaLife 100+ dye based inks create long lasting 1,
beautiful photos. Three monochrome inks help deliver smooth gradations and stunning black
and white prints, and the OIG System is designed to select the best combination of inks to
reproduce colors as you expect to see them.
/
LUCIA EX 12-Color Pigment Ink Set for
Professional Color Reproduction.
©Bruce Dorn
The Canon imagePROGRAF iPF9400/iPF8400/iPF6400/iPF6450 large format printers designed
for professional image-makers seeking the highest standards for quality-control and image
reproduction. With 30,720 nozzles for exacting detail, a vast color spectrum is produced by the
12-color LUCIA EX pigment ink set, creating expressive, crisp blacks, smooth color gradations
and the capability to reproduce the finest details in the shadow areas of photographs.
Superb Color Reproduction with
Canon’s LUCIA 12-Color Pigment Ink Set.
©Adam Jones
With Canon’s imagePROGRAF iPF5100, no-compromise large-format, fine art printing is incredibly
easy. Canon’s exclusive LUCIA 12-color pigment ink set yields a tremendous range of colors
and grays. For smooth, detailed color and black and white images, no matter the media. Canon’s
FINE photo-lithographic heads help to ensure accurate plotting of even the fine details thanks
to over 30,000 nozzles. Matte Black ink and Black ink cartridges are both loaded in the printer
at the same time, enabling automatic switching without wasting time or ink.
Fine Art on the Desktop.
The PIXMA PRO-1 Professional Inkjet Printer delivers amazing results for archival quality
fine art printing, right at your desk. Complete with an up to 4800 x 2400 dpi FINE technology
print head and 12 large individual tanks using LUCIA pigment inks, the PIXMA PRO-1 Printer
produces long-lasting lightfast1 prints quickly and easily. It features 5 monochrome inks
for phenomenal black and white prints, a Chroma Optimizer to help produce prints of great
tonal range and surface, and can print up to 13” x 19” fast.
82
Wireless Printing and Scanning Solution with
Features that Inspire.
2
Exceptional quality, versatility and ease-of-use, combined with high-speed is what makes the
PIXMA MG8220 Wireless Photo All-In-One the printer to have. The beautiful Intelligent Touch
System allows you to effortlessly operate your machine with gorgeous touch-sensitive
controls, and the built-in film scanning unit allows you to scan in slides and film with ease.
Also enjoy built-in wireless capabilities that let you print and scan wirelessly from almost
anywhere around the house and more.
High Quality and Portable.
Up to 9600 x 2400 color dpi3 with microscopic droplets as small as 1 picoliter, print a 4" x 6"
photo in approximately 50 seconds4, and your photo can be enhanced with Auto Image Fix. The
PIXMA iP100 Mobile Printer is also capable of printing wirelessly via IrDA5 or optional Bluetooth6.
1 Based on accelerated testing by Canon in dark storage under controlled temperature, humidity and gas conditions, simulating storage in an album with plastic sleeves. Canon cannot guarantee the longevity of prints;
results may vary depending on printed image, drying time, display/storage conditions and environmental factors.
2 Wireless printing requires a working network with wireless 802.11b/g or n capability. Wireless performance may vary based on terrain and distance between the printer and wireless network clients.
3 Resolution may vary based on printer driver setting. Color ink droplets can be placed with a horizontal pitch of 1/4800 inch or 1/9600 inch at minimum.
4 Photo print speeds are based on the standard mode driver setting using photo test pattern(s) and select Canon Photo Paper and will vary depending on system configuration, interface, software, document complexity,
print mode, types of paper used and page coverage. Copy speeds will vary depending on system configuration, interface, software, document complexity, print mode, types of paper used and page coverage.
See www.usa.canon.com/printspeed for additional details.
5 Requires mobile phone or other device with IrDA port and the phone positioned no more than 7.9 inches from the printer.
6 Bluetooth v2.0 with optional Canon Bluetooth Unit BU-30. Bluetooth operation depends on the devices and software version used. Operating distance is approximately 10 meters but may vary due to obstacles,
radio signals, locations where radio interference occurs, magnetic fields from microwave ovens, device sensitivity and/or antenna performance.
usa.canon.com/pixma
83
PROJECTORS
Digital Photo and Video Projection
Canon high-resolution REALiS projectors use LCOS technology to display all the detail and
texture captured by your digital camera – projecting sharp, seamless images with film-like quality.
Equipped with advanced color management settings, REALiS projectors have everything needed to
display photos and videos with exceptional color and accuracy, all in a compact unit.
RS-IL01ST
1.5x
Zoom Lens
Canon REALiS Technology
Goes to Work for Professionals
Technology Designed to Meet
Professional Demands
Canon has created the REALiS line of multimedia
projectors to meet the exacting demands of
professionals in fields ranging from medical
education to the fine arts. Used everywhere
from corporate boards and conference rooms
to classrooms, photo galleries, and houses of
worship, from the largest venues to the most
intimate spaces, REALiS projectors have the
technology professionals need built right in.
Incorporating LCOS (Liquid Crystal on Silicon)
technology, genuine Canon optics and Canon’s
high-accuracy color management system into
our patented AISYS (Aspectual Illumination
System) Optical Engine, Canon REALiS projec-
tors are able to reproduce even the subtlest
hues and color gradations. High resolution,
bright illumination and quiet performance
deliver compelling presentations that get
the job done. For professional performance,
true- to-life color reproduction and unmatched
clarity, there is no substitute for REALiS.
panels, high definition video leaps off the
screen with impressive quality and integrity.
The advantages of LCOS are easy to see for
presenter and audience alike: images and
video with rich color, deep contrast and
sharp resolution.
The LCOS Advantage
Canon’s proprietary AISYS
Optical Engine enhances
image quality by maximizing
the performance of the LCOS
panels and equalizing light from the
projection lamp. This results in notable
brightness, high contrast and exceptional
color reproduction. Designed for optimal
performance at a minimal size, the AISYS
Optical Engine allows for compact, lightweight, cost-effective projectors. Canon has
continued to improve the optical elements
LCOS (Liquid Crystal On Silicon) Technology
delivers the highest standard in projector
image quality. Lattice-free, seamless photo
reproduction and smooth, film-like quality
video are projected with realistic colors and
intricate detail down to the smallest text.
Thanks to the fast response time of LCOS
Comparing Technologies
LCOS Projector (Three-Panel)
LCD Projector (Three-Panel)
Screen
DLP Projector (Single-Chip)
Screen
Screen
The AISYS Optical Engine
RS-IL02LZ
Long Focus
Zoom Lens
RS-IL03WF
Ultra Wide
Angle Lens
High Resolution and Exceptional Detail
for Large Venues
High Definition and
Optical Excellence
The REALiS WUX5000, WUX4000, WX6000 and SX6000 are high-performance
projectors featuring Canon’s AISYS-enhanced LCOS technology and
Genuine Canon lenses to deliver rich, seamless images with exceptional
color reproduction. They offer superb resolution of up to WUXGA (1920 x 1200)
resolution, an impressive degree of brightness – from the 4000 lumens
of the REALiS WUX4000 to the spectacular 6000 lumens of the
REALiS SX6000 – to interchangeable lenses, powered vertical/horizontal
lens shift, and a full set of input/output terminals.
With cutting-edge WUXGA high-definition resolution (1920 x 1200)
and a superb degree of brightness at 3200 lumens, the widescreen
REALiS WUX10 Mark II adds impact to any presentation. Canon proprietary
AISYS-enhanced LCOS technology, a high-performance 1.5x optical zoom
lens and full 10-bit processing ensure outstanding color reproduction and
razor-sharp projected images. It offers versatile connectivity, including
an HDMI port (version 1.3 deep color), a DVI-I input and a built-in RJ-45
network connection for remote management.
High Brightness and Astounding
Color Reproduction
Amazing Versatility and
Performance
The Canon REALiS SX7 Mark II projects true-to-life, razor-sharp images
with exceptional color reproduction. This model features a special Adobe
RGB Color Match System, making it ideal for photo studios, art museums
and galleries. Other features of this powerful projector include the Canon
AISYS-enhanced LCOS technology, superb 1.7x optical zoom lens, bright
4000 lumens, and SXGA+ (1400 x 1050) high resolution.
Delivering 3000 lumens brightness, SXGA+ (1400 x 1050) resolution,
Canon AISYS-enhanced LCOS technology and a 1.5x optical zoom lens,
the Canon REALiS SX80 Mark II produces exceptionally accurate
images. Other features include a built-in USB port that allows “PC Free”
presentations and PictBridge compatibility, an HDMI terminal (version 1.3
deep color) for projection of high-quality digital images and 1080p video,
and a built-in RJ-45 network connection for remote management.
Projection lens
Projection lens
LCOS ( G )
Prism
Mirror
Mirror
PBS
Color separation/
recombination
panel
B
LCOS ( B )
Projection lens
LCD panel
R
G
Lens
Dichroic mirror
Mirror
LCOS ( R )
Dichroic mirror
Lamp
Lamp
LCOS
LCD
Reflective mirror
LCD
DMD (digital
micromirror device)
Lamp
Color wheel
DLP
LCD
micromirror
LCD drive circuit
LCD drive circuit
Light from the projector lamp is separated
into red, green and blue, and then reflected
from each of the three LCOS panels. The
separated light is then recombined by the
polarized beam splitter. Since the light is
reflecting from the LCOS panels, there is
virtually no “screen door” effect.
84
Light from the projector lamp is separated
into red, green and blue, then passed through
each of the three LCD panels. The seperated
light is then recombined by a prism. The light
passes through the LCD panels as small dots,
which tend to create a lattice-like pattern on
the screen.
A constantly rotating color wheel reflects red,
green, blue, and white image components
off a micro-mirror device to produce the
projected image. The three primary colors are
sequentially displayed and synthesized in the
viewer’s brain to produce images perceived
as full color.
incorporated into the AISYS optical engine.
The uniformity of light has been enhanced to
further optimize image quality, and the
Polarizing Beam Splitters (PBS) (integral parts
of the color separation and recombination
system) have been redesigned to achieve
more precise light control. REALiS projectors
set an entirely new standard in bright, beautiful,
high-definition, high-contrast images.
usa.canon.com/projector
85
EDUCATION
POWERSHOT
& INSPIRATION
Canon Digital Learning Center
Canon Live Learning
Canon’s collaborative effort with professional imagemakers, the Canon Digital Learning Center
(CDLC) is an on-line educational resource designed to help users evolve and advance their skills.
From information on a variety of Canon imaging equipment to tips on composition, lighting, video
and printing techniques, the CDLC informs and inspires at every step to help give your projects a
sleek, professional-looking polish. Simply visit learn.usa.canon.com and get started today!
Canon Live Learning (CLL) presents exclusive on-site educational experiences offered around the
country delivering dynamic learning opportunities for enthusiasts and professionals through workshops and high quality hands-on classes. Led by industry experts and professional photographers,
including Canon’s Explorers of Light, you will gain both technical and creative expertise through
these exciting programs.
For current course
offerings and behind
the scenes videos of our
workshops, visit:
usa.canon.com/
canonlivelearning
Galleries
Events Calendar
Home Page
Mobile Friendly
Video Knowledge Base
Expand Your Knowledge
The CDLC is free and open to the public, easily
accessible anytime, anywhere via the Internet,
using a personal computer or a mobile device.
For the pros and by the pros, yet a valuable
resource for all skill levels, the CDLC covers
topics of interest to advanced amateurs and
professional users of Canon imaging products.
Continuously updated, the CDLC contains an
ever-growing collection of practical information
with time-saving
navigation and
search tools that
help you find what
you need quickly
and easily.
Expand your
Speedlite Tutorials Gallery
product and
software knowledge and gain proficiency
through tutorials written by experts. Watch
How-To videos on a wide variety of imaging
86 learn.usa.canon.com
Learn from the Pros
topics, including equipment and techniques.
Visit galleries to be inspired by some of the
world’s most eye-catching and history-making
still and motion images.
The Tips and Techniques section, written by
professionals, instructs on how to make the
most of your Canon professional equipment,
from DSLRs and HD video cameras to largeformat printers, to create a spectacular endproduct. Download QuickGuides that you can
print and take with you for study and reference.
Go behind the scenes at professional photo and
video shoots and learn by watching the nation’s
greatest imagemakers practice their crafts.
Gain valuable insight from interviews with
top pros.
For those who want to go beyond online
learning, the CDLC also hosts a Sponsored
Events Calendar. Users can browse through
a comprehensive selection of workshops,
Camera Tutorials Gallery, and Sample
Tutorial Video
seminars, lectures and trade shows throughout
the country. All combined, the CDLC is an
extraordinary resource for pure inspiration and
technical mastery of your Canon professional
imaging products.
For Professionals
For Enthusiasts
For professionals, CLL offers high-level
instruction based on achieving results. Canon
provides professional imagemakers with the
educational resources needed to stay in touch
with industry demands across the country,
including the new Canon Hollywood
Professional Technology & Support Center.
With instruction from industry pros, discover
new creative and technical opportunities made
possible by EOS HD-capable DSLRs. Our handson intensive workshops are designed for video
and film professionals who want to master the
cinematographic capabilities of the EOS HD
DSLR, as well as still photographers looking
to expand their professional offerings to the
moving image. New professional offerings are
always in development for our range of still,
print and moving imagemakers.
Canon brings enthusiasts to a new level of
experience with single-day and weekend
immersion events to optimize creativity.
Canon’s inspirational Explorers of Light and
other industry professionals lead workshops
and seminars, teaching enthusiasts the keys
to maximizing their personal vision through
field proven techniques and creative insights.
Overviews on HD Video and Canon Speedlites
lay the groundwork for a broad range of
technical and creative skills aligned to your
personal style.
For the adventuresome enthusiast, Canon
combines some of the most beautiful and
exciting locations in the USA with our elite
Explorers of Light instructors for the EOS
Destination Workshops. These intimate twoday workshops take the CLL experience into the
field. Past workshop locations have included
Arches and Yosemite National Parks, surfing
competitions in California, and thoroughbreds
in the historic racetracks of Kentucky.
Canon Live Learning: Workshops and Classes page
usa.canon.com/canonlivelearning
87
World Class Service and Support For Professionals.
State-of-the-art, high-quality, easy to use – these describe Canon’s service and
support programs just as accurately as they do Canon’s products. Whether you’re
Nationwide
an individual or represent a large enterprise, your needs are critical, which is
Service & Support
why Canon provides unique customer service and support programs specifically
Network For
for professionals. Flexible and customized service offerings and membership
Professionals
programs designed to meet your needs and your budget give you access to 24/7
technical support at our 100% U.S.-based call center, factory-trained service
technicians, genuine Canon parts, a nationwide service network including the Canon
Hollywood Professional Technology & Support Center, loaner equipment…and much more.
Canon’s team of service and support professionals is here to assist you to get the most out of your Canon
products and to support you whenever you need it. You are never on your own.
Focused on Professionals.
Custom Service Programs.
Product Repair and Maintenance
• Nationwide State-of-the-Art Service Facilities
• Fast Repair Processing & Available Loaner Equipment
• Genuine Canon Parts
• Factory-Level Quality
• Precision Lens Centers
Canon’s custom service programs are designed for professionals
with even the most critical uptime requirements and high
priority needs, and provide extensive service and support
benefits to keep your business up and running.
Customer Service & Technical Support
• Team of Industry Experts
• Industry-Leading Response Times
• In-House Studio Test Environment
• 24/7 Support Available
• 100% US-Based
Canon Professional Services (CPS)
CANON
CORPORATE
SERVICES
Canon CarePAK and CarePAK PRO
for Professional Inkjet Printers
1-800-OK-CANON
Canon Professional Production System (PPS)
Support Pack for Cinema Professionals
• Discounted repair service
• Expedited repair turnaround
• Equipment evaluation loans
• 24/7 U.S.-based domestic & international* hotline
Personalized
• On-site support at major events and shows
Support for the
Imaging Professional.
Canon Professional Services (CPS) provides significant membership benefits to
individual working professionals who use qualifying Canon equipment.
Canon Corporate Services
Substantial discounts are applied to repairs sent in under a Gold or Platinum membership.
Members will also enjoy substantially reduced repair downtime with 2- or
3-day turnaround on most repairs depending on membership level.
RECOGNITION FOR EXCELLENCE
Canon understands the need for professional image makers to have a “try before
you buy” program. This unique evaluation loan program helps you save valuable time and
money on essential purchases (available to Gold & Platinum members only).
PCMag.com Readers’ Choice Award for Service & Reliability
PRO.USA.CANON.COM/SUPPORT
Canon’s highly skilled and US-based support agents are available around-the-clock
to help you with any technical issues that may arise. Members can also enjoy exclusive
on-site service and support at select sporting events, trade shows, and educational events.
Not a member? Learn more at: cps.usa.canon.com
PCMag.com logos are trademarks of Ziff Davis, Inc. Used under license. Reprinted with permission.
©2012 Ziff Davis, Inc. All rights reserved.
*
88
For US-based customers only.