TECHNICAL DATA / COLOR PAPER

April 2003

•

E-4028

KODAK PROFESSIONAL ENDURA

Metallic Paper

p.o.p. that pops

KODAK PROFESSIONAL ENDURA Metallic Paper is a color negative paper with a unique metallic appearance. It is coated on a patented multi-laminate base that provides durable, tear-resistant prints.

This paper is ideal for a variety of portrait/social applications—for example, glamour, wedding, prom, and special-events photography and for many commercial applications. It can be exposed both digitally and optically, providing consistency and efficiency in the lab.

Like other KODAK PROFESSIONAL ENDURA Papers and Materials, ENDURA Metallic Paper features significantly improved image stability. Other improvements include process robustness and a dramatic increase in D-max in digital applications. The new paper is easily distinquished from KODAK PROFESSIONAL Color Metallic Paper by its unique watermark on the back. ENDURA Metallic Paper has a single gray dot under "PAPER", while Color Metallic

Paper has two dots separating "PAPER", "PAPIER" and

"PAPEL".

ENDURA Metallic Paper is available in a variety of roll and sheet sizes. It can be intermixed with other KODAK

PROFESSIONAL Papers in KODAK EKTACOLOR

Chemicals for Process RA-4.

FEATURES

• New emulsion technology for digital and optical performance

• Patent-pending dual layer coupler blending technology

• State-of-the-art image stability

BENEFITS

• One paper for all exposing devices from digital (CRT,

LED) exposing devices to optical enlargers and automatic printers

• Excellent latent image keeping from 5 seconds to 24 hours means improved consistency, especially in digital devices

• Excellent print quality in both high quality and high productivity modes of bi-directional printers

• Excellent color accuracy and brightness

• Striking prints and flattering portraits

• Improved color saturation for blues, cyans and purples

• Improved light stability - over

100 years before noticeable fading in typical home display

• Significantly improved dark stability - over 200 years before noticeable fading under most common storage conditions

• Superior performance in professional applications creating new standards for image permanence

©Eastman Kodak Company, 2003

FEATURES

• Metallic look combined with a smooth glossy surface

• Patented high intensity reciprocity characteristics

BENEFITS

• Distinctive, cutting-edge appearance

• More robust processing capability in KODAK

EKTACOLOR RA

Chemicals

• Reduced developer replenishment rates

• Exposure range of 32 stops - from 50 nanoseconds to 10 minutes

• Can be used for all types of exposing devices, from optical enlargers and automatic printers to digital exposing devices (CRT, LED, Laser)

• Broad print engine applicability for CRT, LED,

Laser devices

• Optimized text and fringing characteristics in all digital devices

• Rapid access and convenient processing with other papers and materials for Process

RA-4

• Less sensitive to process chemical activity variations

• Reduced sensitivity to process fluctuations caused by:

– Image density content (low key/high key)

– Inadvertent low level of bleach-fix contamination

– Utilization changes

– Product mix

• More complete paper development for improved consistency

• Lower process RA-4 processing costs

• Lower environmental impact

• 50% less calcium

• Reduced sensitometric variability

• Significantly reduced propensity for calcium buildup

• Reduced maintenance and cleaner running paper processors

• Long print life • Exceptional durability and tear resistance

• Minimum curl with humidity changes

• Pencil writeability on the back

• Improved raw stock color— patented technology

• Improved print appearance and handling

• Convenience in marking prints for identification

• Lighter, more neutral raw stock color for easier dodging and burning

• Easier printer setup and focus

• More consistent quality within an emulsion blend

STORAGE AND HANDLING

Store unprocessed paper at 13

°

C (55

°

F) or lower in the original sealed package. High temperatures or high humidity may produce unwanted print quality changes.

To avoid moisture condensation on unexposed paper that has been refrigerated, allow the paper to warm up to room temperature before opening the package. For best results, remove the paper from cold storage the day before you use it, or allow the paper to warm up for the appropriate time from the following table:

Warm-Up Times (Hours) to Reach

Room Temperature of 21

°

C (70

°

F)

Size

From a Storage Temperature of

-18

°

C

(0

°

F)

2

(35

°

°

C

F)

13

(55

°

°

C

F)

8 x 10-inch

(100-sheet box)

4 hours 3 hours 2 hours

16 x 20-inch

(50-sheet box)

20 x 24-inch

(50-sheet box)

3 1/2-inch x 775-foot roll

8-inch x 575-foot roll

20-inch x 50-foot roll

30-inch x 100-foot roll

40-inch x 100-foot roll

3 hours

3 hours

8 hours

6 hours

8 hours

9 hours

2 hours

2 hours

6 hours

10 hours 7 hours

5 hours

6 hours

7 hours

2 hours

2 hours

4 hours

4 hours

3 hours

4 hours

5 hours

Handle the paper carefully by the edges. The paper is packaged with the emulsion side of all sheets facing in the same direction. For complete light and moisture protection, use the inner bag and the two-part cardboard box to store the paper.

Note: Be sure to use sharpened cutting equipment. The effects of dull cutting blades will be more noticeable with this paper than with traditional papers because of its tear-resistant characteristics.

DARKROOM RECOMMENDATIONS

Handle unprocessed paper in total darkness. Be sure that your darkroom is light tight. Eliminate stray light from enlarger heads, timers, LEDs, etc.

Note: Using a safelight will affect your results. If absolutely

necessary, you can use a safelight equipped with a KODAK

13 Safelight Filter (amber) with a 7 1/2-watt bulb. Keep the safelight at least 1.2 metres (4 feet) from the paper. Keep safelight exposure as short as possible. Run tests to determine that safelight use gives acceptable results for your application.

EXPOSURE

Digital Printing

You can expose KODAK PROFESSIONAL ENDURA

Metallic Paper with many types of digital printers. It performs well with the following Kodak digital printers:

• KODAK PROFESSIONAL LED Color Printer

• KODAK PROFESSIONAL LED II Printer 20P/20R

• KODAK PROFESSIONAL Digital Multiprinter

• KODAK PROFESSIONAL Digital Multiprinter II

• KODAK PROFESSIONAL LF CRT Color Printer

• KODAK PROFESSIONAL RP 30 Laser Printer*

• KODAK PROFESSIONAL RR 30 Laser Printer

• KODAK PROFESSIONAL SRP 30 Laser Printer*

• KODAK PROFESSIONAL RP 50 LED Printer

* Calibration routines will become available in June 2003.

Because new digital printers are being developed and introduced rapidly, any comprehensive list of appropriate equipment becomes outdated quickly.

Starting values for Kodak digital printers and other manufacturers’ equipment will be added to at

www.kodak.com/go/endura as they become available.

Look for KODAK Publication CIS-241, Digital Printer

Aims for KODAK PROFESSIONAL ENDURA Metallic

Paper, in April 2003.

Device Calibration

Manufacturers of digital printing equipment normally provide specific calibration procedures with their equipment.

Note: The unique reflective characteristics of KODAK

PROFESSIONAL ENDURA Metallic Paper may require one or two extra calibration runs.

Optical Printing

Expose KODAK PROFESSIONAL ENDURA Metallic

Paper in automatic printers or enlargers equipped with tungsten or tungsten-halogen light sources or photo enlarger lamps. Set up and balance the printer or enlarger according to the manufacturer's instructions.

Do not use fluorescent lamps to expose this paper. Use a heat-absorbing glass to remove infrared radiation. Because voltage changes affect light output and color quality, use a voltage regulator.

Keep negatives and the equipment optical system clean.

Mask negatives to eliminate stray light. You can use the white-light or tricolor exposure method.

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Printer Setup

KODAK PROFESSIONAL ENDURA Metallic Paper is slightly slower than KODAK PROFESSIONAL PORTRA and SUPRA ENDURA Papers. As a starting point, use the same printing times and include a density series to determine your preferred exposure.

Initial conversion to this paper from KODAK

PROFESSIONAL Color Metallic Paper involves rebalancing your printers. Since the green speed is about a

1/2 stop faster than Color Metallic Paper, increase your magenta filtration by approximately 15CC.

White-Light Exposure Method

Control color balance with dichroic filters built into the printer or enlarger, or with KODAK Color Printing (CP)

Filters (Acetate) placed between the lamp and the negative.

You can use any number of filters between the light source and the negative. If you use cyan filtration, use filters with the suffix “-2,” (e.g. “CP10C-2”).

1. Start with a filter pack of 60M + 45Y to make a test print.

2. Evaluate the test print under light of the same color and brightness that you will use to display the final print.

(See “Viewing.”)

3. Judge print density first. If necessary, make another print by adjusting the exposure as recommended in the following table:

If your print is

Do this

TOO LIGHT Open the lens aperture to increase the light level

TOO DARK Close the lens aperture to decrease the light level

OR Do this

Increase the exposure time

Decrease the exposure time

4. Then judge the color balance. You can use the KODAK

Color Print Viewing Filter Kit, KODAK Publication

No. R-25, to evaluate your test print. The kit contains

18 color-print viewing filters and instructions to help you determine filter adjustments for the white-light exposure method.

If your print is

CYAN

MAGENTA

YELLOW

Subtract these filters

Magenta + Yellow

(Red)

Cyan + Yellow

(Green)

Magenta + Cyan

(Blue)

OR Add these filters

Cyan

Magenta

Yellow

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E-4028

If your print is

RED

GREEN

BLUE

Subtract these filters

Cyan

Magenta

Yellow

OR Add these filters

Magenta + Yellow

Cyan + Yellow

Cyan + Magenta

5. Remove neutral density from your filter pack. For example, if you determine that a filter pack of

40R + 10Y + 10C will give you a pleasing print: a. Convert any primary filters (R, G, B) to their subtractive equivalents (C, M, Y):

40R = 40M + 40Y.

b. Add filters of the same color: 10Y + 40Y = 50Y.

c. If the new filter pack has all three subtractive colors, cancel the neutral density by subtracting the smallest density value from all three densities:

10C

-10

40M

-10

30M

50Y

-10

40Y = filtration without neutral density

6. Adjust the exposure for the new filter pack. An exposure time that produced a print of satisfactory density may not produce an acceptable density when you change the filter pack. The following table gives filter factors for calculating exposure adjustments when you use KODAK Color Printing (CP) Filters.

Filter

05M

10M

20M

30M

40M

50M

05Y

10Y

20Y

30Y

40Y

50Y

05C

10C

20C

30C

40C

50C

Filter Factors for CP Filters

Factor Filter

1.2

1.3

1.5

1.7

1.9

2.1

1.1

1.1

1.1

1.1

1.1

1.1

1.1

1.2

1.3

1.4

1.5

1.6

05R

10R

20R

30R

40R

50R

05G

10G

20G

30G

40G

50G

05B

10B

20B

30B

40B

50B

Factor

1.1

1.2

1.3

1.4

1.5

1.7

1.2

1.3

1.5

1.7

1.9

2.2

1.1

1.3

1.6

2.0

2.4

2.9

Note: The filter factors listed in the table take into account the effects of filter surfaces.

To use the factors, divide the old exposure time by the factor for any filter you remove. If you add a filter, multiply the time by the factor. If you add or remove two or more filters, multiply the individual factors and use the result as your factor. You may need to modify these factors for your equipment.

When you adjust the filtration in equipment that has built-in dichroic filters, any noticeable differences in density

3

are due to differences in the color density of the print. For example, you have a print with acceptable density, but a magenta balance. When you add magenta filtration to correct the color balance, the print will become too light, so you must use a longer exposure time.

A rule of thumb for magenta dichroic filtration is to change the exposure time by one percent for every unit of change in filtration. For example, if you increase the magenta filtration by 20M, increase the exposure time by

20 percent. Changes in yellow dichroic filtration do not usually affect the apparent print density. If you use cyan dichroic filtration, use the filter factors in the table above as starting points for adjusting exposure.

Tricolor Exposure Method

Use KODAK WRATTEN Gelatin Filters No. 25 (red),

No. 99 (green), and No. 47B (blue) to give the paper three separate exposures. Do not move the paper or the enlarger until you have made all three exposures. Typical exposure times for making an enlargement from a normally exposed negative are given in the table below.

Filter

Red

Green

Blue

Times for an Aperture Setting of f/8 * for

8 X 10 Enlargement of a 120 size KODAK

PROFESSIONAL PORTRA Film Negative)

0.7 seconds

0.9 seconds

1.2 seconds

* For an enlarger equipped with a Photo Enlarger Lamp No. 212 or

No. 302; the setting may vary with other types of lamps.

Evaluate the test print under light of the same color and brightness that you will use to display the final print.

(See “Viewing.”)

Judge the print density first. If necessary, make another print by adjusting the exposure as recommended in the table below:

If your print is

Do this

TOO LIGHT Open the lens aperture to increase the light level

OR

OR

TOO DARK Close the lens aperture to decrease the light level

Do this

OR

Increase all exposure times proportionally

Decrease all exposure times proportionally

Then judge color balance:

If your print is

CYAN

MAGENTA

YELLOW

RED

GREEN

BLUE

Subtract these filters

Red

Green

Blue

Blue + Green

Red + Blue

Red + Green

OR

Add these filters

Blue + Green

Red + Blue

Red + Green

Red

Green

Blue

LATENT-IMAGE KEEPING

Under normal conditions, you should not notice shifts in the latent image with keeping times from 5 seconds to 24 hours.

Therefore, you do not need to change your printing procedures to compensate for latent-image shifts under normal temperature and handling conditions. (If shifts do occur, minimize them by keeping the interval between exposure and processing as consistent as possible.)

PROCESSING

Use KODAK EKTACOLOR RA Chemicals for Process

RA-4, and use KODAK PROFESSIONAL Pro Srips Color

Negative Paper Control Strips for Process RA-4 (see

"Process Control").

When fully converted to this paper, your developer replenishment rate should be approximately 10% lower than with KODAK PROFESSIONAL PORTRA III and SUPRA

III Papers or KODAK PROFESSIONAL Color Metallic

Paper. Review your process control charts and make adjustments as needed to stay in control.

Bleach-fix replenishment rates will stay the same for

Process RA-4. When using KODAK EKTACOLOR PRIME

Bleach-Fix Replenisher, replenishment rates will need to increase.

For detailed information on replenishment rates and processing this paper in continuous or roller-transport processors, see KODAK Publication No. Z-130, Using

KODAK EKTACOLOR RA Chemicals. For information on processing this paper in trays or rotary-tube and drum processors, see KODAK Publication No. J-39, Tray, Drum, and Rotary-Tube Processing with KODAK EKTACOLOR

RA Chemicals. Both publications are available through our website at www.kodak.com/go/photochemicals.

Do not use drying temperatures above 93

°

C (200

°

F) to avoid damaging prints. Underdrying can produce tackiness that tends to make paper stick when it is wound into rolls before cutting. Overdrying can cause curl and complicate transport in print finishing.

Do not ferrotype this paper-its surface dries to a natural gloss without ferrotyping.

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PROCESS CONTROL

To produce high-quality color prints consistently and with a minimum of waste, you need to match your process to a standard for density, color, and contrast each time you process paper. In addition to monitoring process parameters such as solution times, temperature, replenishment rates, solution concentrations, etc., you should regularly run control strips to ensure best results.

KODAK PROFESSIONAL Pro Strips Color Negative

Paper Control Strips / for Process RA-4 (CAT 129 8587) are designed specifically for use with KODAK

PROFESSIONAL Papers and KODAK PROFESSIONAL

Print and Display Materials in professional labs. These control strips are designed to detect process conditions that can degrade the quality of your finished prints. They are better able to track the papers that are processed in professional finishing laboratories.

For more information, see KODAK Publication No.

CIS-202, Using KODAK PROFESSIONAL Pro Strips

Color Negative Paper Control Strips / for Process RA-4.

SCANNER TOOLS

The KODAK Q-60 Color Input Targets are available on

KODAK EKTACHROME Professional Film in both 35 mm and 4 x 5 inch formats and on KODAK EKTACOLOR Paper.

Developed primarily for use by prepress houses in the printing industry, this target can also be used by professional photographers, desktop publishers, and in the emerging hybrid imaging area.

The target is designed for use in the commercial and desktop arenas as a comparative control tool to help customers calibrate their input product to the final output.

This target maps the gamut of color space that KODAK

EKTACHROME Film and EKTACOLOR Paper can reproduce.

When used properly, customers will be able to compare their output—whether it is separations for the printed page and four-color printing, or second-generation originals from a film recorder to the originals. This will help customers optimize the capabilities of their system for color reproduction of an extreme range of color gamut.

Scanner color characterization targets produced in accordance with ANSI IT8.7/1 (transmission) and IT8.7/2

(reflection) Standards (or ISO 12641) are available from

Kodak.

The KODAK PROFESSIONAL Q-60 Color Input

Target

⁄

Q-60R2 is manufactured on KODAK

PROFESSIONAL ENDURA Paper, and is likewise identified by a watermark with a single grey dot under

PAPER. This target can be used with both the newer

ENDURA Papers and older papers. The older Q-60R1 target, which has the same two-dot watermark as the older papers, can be used with the newer papers.

ILLUMINATION FOR EVALUATION OF

PRINTS

Evaluation of prints for color and density requires higher illumination levels than those used in normal display conditions. A good average condition is a light source with a color temperature of 5000 K

±

1000, a Color Rendering

Index of 85 to 100, and an illuminance of at least 50 footcandles (538 lux). Fluorescent lamps such as cool white deluxe (made by several manufacturers) meet these conditions.

You can also use a mixture of incandescent and fluorescent lamps. For each pair of 40-watt cool white deluxe fluorescent lamps, use a 75-watt frosted, tungsten bulb.

Viewing conditions should meet ANSI Standard

PH2.30-1989.

RETOUCHING

If possible, do any required retouching on color negatives before you make prints—especially if you plan to make more than one print from each negative. For information on retouching negatives, see KODAK Publication No. E-71,

Retouching Color Negatives.

If the negative image is small, you can make corrections much more easily by applying dry or liquid dyes to small or large areas of the enlarged print. Although you’ll probably do most retouching with dyes, you may sometimes want to use black lead, colored pencils, or opaque. Because color prints have separate dye layers, you can’t use an etching knife to reduce density as you can with black-and-white materials. For information on retouching prints, see

KODAK Publication No. E-70, Retouching Prints on

KODAK EKTACOLOR and EKTACHROME Papers.

KODAK PROFESSIONAL ENDURA Metallic Paper

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E-4028 5

POST-PROCESS TREATMENTS

Mounting Prints

You can mount prints with dry mounting tissue. The temperature across the heating platen should be 82 to 93

°

C

(180 to 200

°

F). Preheat the cover sheet that you use over the face of the print to remove moisture. Apply pressure for 30 seconds, or up to 3 minutes in the case of a thick mount.

Caution

Temperatures above 93

°

C (200

°

F) for long peroids of time can cause physical and color changes in prints. Excessive moisture can also cause color shifts. To minimize these changes, mount at the lowest temperature and over the shortest possible time.

Note: Images on KODAK PROFESSIONAL ENDURA

Metallic Paper may shift towards a pink balance after heated to excessive temperatures, but will return to normal color balance when completely cooled to room temperature.

You can also use contact-type adhesive or cement for cold-mounting.

For information on lacquering and other post-process treatments, see KODAK Publication No. E-176,

Post-Processing Treatment of Color Prints—Effects on

Image Stability, available through our website at

www.kodak.com/go/professional.

DISPLAY

KODAK PROFESSIONAL ENDURA Metallic Paper has been formulated to provide improved dye stability and print longevity for prints displayed under typical home lighting conditions (i.e., 120 lux for 12 hours a day) and typical home dark storage conditions (i.e., 20 to 30

°

C [68 to 73.4

°

F] and

50% humidity).

Photographic dyes, like all dyes, can change with time and exposure to sunlight, ultraviolet radiation, excessive heat, and high humidity. To help prevent changes in photographic dyes, follow these guidelines:

• Illuminate prints with tungsten light whenever possible.

• Display prints in the lowest light level consistent with your viewing needs.

• If a print is exposed to direct or indirect sunlight or fluorescent light, use an ultraviolet-absorbing filter

(such as glass) between the light source and the print.

• If prints are displayed behind glass, maintain a slight separation between the prints and the glass.

• Keep the temperature and humidity as low as possible.

• Use album materials described in KODAK Publication

No. E-30, Storage and Care of KODAK Photographic

Materials - Before and After Processing.

PRINTER CONTROL TOOLS

The following tools are manufactured by Kodak for optimization of printer balance and slope controls of

KODAK PROFESSIONAL PORTRA Films printed on

KODAK PROFESSIONAL Papers.

Product

KODAK PROFESSIONAL

PORTRA

Printer Control

Negative Set / Size 135

Features /

Description

Size 135 Film

Includes one of each: Very Under,

Under, Normal,

Over, Very Over

CAT No.

179 8511

KODAK PROFESSIONAL

PORTRA

Printer Control

Negative - Normal

KODAK PROFESSIONAL

PORTRA

Printer Control

Negative - Very Under

KODAK PROFESSIONAL

PORTRA

Printer Control

Negative - Under

KODAK PROFESSIONAL

PORTRA

Printer Control

Negative - Over

KODAK PROFESSIONAL

PORTRA

Printer Control

Negative - Very Over

Size 120 Film

Normal

Size 120 Film

Very Under

Size 120 Film

Under

Size 120 Film

Over

Size 120 Film

Very Over

846 0958

107 1398

841 1902

177 1302

144 5741

The following tools are manufactured by Kodak for optimization of printer balance and slope controls of

KODAK PROFESSIONAL PORTRA Films printed on

KODAK PROFESSIONAL Papers.

Product

KODAK PROFESSIONAL

PORTRA 400BW

Printer Control

Negative Set / Size 135

KODAK PROFESSIONAL

PORTRA 400BW

Printer Control

Negative Set / Size 120

Features /

Description

Size 135 Film

Includes one of each: Very Under,

Under, Normal,

Over, Very Over

Size 135 Film

Includes one of each: Very Under,

Under, Normal,

Over, Very Over

CAT No.

156 8286

114 4419

The following tools are manufactured by Kodak for optimization of printer balance and slope controls of

KODAK PROFESSIONAL T400 CN Film printed on

KODAK PROFESSIONAL Papers.

Product

KODAK T400 CN

Printer Balancing Kit /

Sizes 135 and 120

Features /

Description

Sizes 135, 120

CAT No.

865 3552

6 KODAK PROFESSIONAL ENDURA Metallic Paper

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CURVES

Characteristic Curves

4.0

Exposure: 0.5 sec.

Process: RA-4, 95°F (35°C), 45 sec.

Densitometry: Status A

3.0

R

G

B

2.0

1.0

0.0

3.0

2.5

Spectral-Dye-Density Curves

Process: RA-4

2.0

1.5

1.0

Yellow

Magenta Cyan

0.5

0.0

400 500 600

WAVELENGTH (nm)

700

2.0

1.0

0.0

LOG EXPOSURE (lux-seconds)

1.0

Spectral-Sensitivity Curves

4.0

3.0

2.0

Yellow-

Forming

Layer

Magenta-

Forming

Layer

1.0

Effective Exposure: 0.5 sec.

Process: RA-4

0.0

250 300 350 400 450 500 550 600 650

Cyan-

Forming

Layer

700 750

WAVELENGTH (nm)

2

*Sensitivity = reciprocal of exposure (erg/cm ) required to produce specified density

NOTICE: The sensitometric curves and data in this publication represent product tested under the conditions of exposure and processing specified. They are representative of production coatings, and therefore do not apply directly to a particular box or roll of photographic material. They do not represent standards or specifications that must be met by Eastman Kodak Company. The company reserves the right to change and improve product characteristics at any time.

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KODAK PROFESSIONAL ENDURA Metallic Paper

MORE INFORMATION

Kodak has many publications to assist you with information on Kodak products, equipment, and materials.

Additional information is available on the Kodak website and through the U.S.A./Canada faxback system.

The following publications are available from dealers who sell Kodak products, or you can contact Kodak in your country from more information.

E-30

E-70

E-71

E-176

J-39

K-4

Z-130

Storage and Care of KODAK Photographic

Materials—Before and After Processing

Retouching Prints on KODAK EKTACOLOR and EKTACHROME Papers

Retouching Color Negatives

Post-Processing Treatment of Color Prints—

Effects on Image Stability

Tray, Drum, and Rotary-Tube Processing with

KODAK EKTACOLOR RA Chemicals

How Safe is Your Safelight?

Using KODAK EKTACOLOR RA Chemicals

For the latest version of technical support publications for

KODAK PROFESSIONAL Products, visit Kodak on-line at:

http://www.kodak.com/go/professional

If you have questions about KODAK PROFESSIONAL

Products, call Kodak.

In the U.S.A.:

1-800-242-2424, Ext. 19, Monday–Friday

9 a.m.–7 p.m. (Eastern time)

In Canada:

1-800-465-6325, Monday–Friday

8 a.m.–5 p.m. (Eastern time)

Note: The Kodak materials described in this publication for use with KODAK PROFESSIONAL ENDURA Metallic

Paper are available from dealers who supply KODAK

PROFESSIONAL Products. You can use other materials, but you may not obtain similar results.

KODAK PROFESSIONAL ENDURA

Metallic Paper

KODAK Publication No. E-4028

Kodak, Kodak Professional, Ektachrome, Ektacolor, Endura, Portra, Supra and Wratten are trademarks.

New 2-03

Printed in U.S.A.