CL Editor
Owner’s
Owner’s Manual
Manual
Special Notices
Contents
• The software and this owner’s manual are the exclusive copyrights of Yamaha Corporation.
• Copying of the software or reproduction of this
manual in whole or in part by any means is expressly
forbidden without the written consent of the manufacturer.
• Copying of the commercially available music
sequence data and/or digital audio files is strictly
prohibited except for your personal use.
• Yamaha makes no representations or warranties
with regard to the use of the software and documentation and cannot be held responsible for the results
of the use of this manual and the software.
• The screen displays as illustrated in this owner’s
manual are for instructional purposes, and may
appear somewhat different from the screens which
appear on your computer.
• For information on modification of system software,
certain functions, or specifications due to version
update of the application, please visit the following
website:
http://www.yamahaproaudio.com/
Getting Started ......................................... 2
Master window ......................................... 9
Overview window ................................... 12
Selected Channel window....................... 25
Library window ....................................... 45
Premium Rack Library window ............... 48
Patch Editor window ............................... 49
Virtual Rack window................................ 55
Meter window ......................................... 71
Group/Link window ................................ 73
Scene window ......................................... 78
Custom Fader Bank Setup window......... 88
Custom Fader Bank window ................... 89
User Defined Keys Setup window........... 90
User Defined Knobs Setup window ........ 91
Sends On Fader window ......................... 93
Outport Setup window ........................... 94
Keyboard Shortcuts................................. 96
Index........................................................ 97
• Windows is a registered trademark of Microsoft®
Corporation in the U.S. and other countries.
• Apple, Mac and Macintosh are trademarks of Apple
Inc., registered in the U.S. and other countries.
• The company names and product names in this
Owner’s Manual are the trademarks or registered
trademarks of their respective companies.
* Specifications and descriptions in this owner’s manual are
for information purposes only. Yamaha Corp. reserves the
right to change or modify products or specifications at any
time without prior notice.
❏ Yamaha Pro Audio Global Site
http://www.yamahaproaudio.com/
Description of menus and buttons
In the event that menu and button names on a Windows
system are different from those on a Mac, this manual uses
the Windows menu and button names followed by the Mac
menu and button names in parentheses.
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CL Editor Owner’s Manual
Getting Started
Overview of CL Editor
CL Editor enables you to remotely control a Yamaha CL mixing console (such as CL5, CL3, or CL1; hereinafter collectively
called “CL” in this document). CL Editor also enables you to save the parameter settings on your computer.
Configuring CL Editor
❏ System Setup
To open the System Setup dialog box, choose [System Setup] from the [File] menu.
1 Network
Specify the IP Address of your CL console to communicate.
1
2 Model Select
Select the model of your CL (CL5/CL3/CL1) when 2
CL Editor is not synchronized with the CL console.
If CL Editor is synchronized with the CL console,
the model will automatically be selected and other 3
model options will be grayed out.
3 Channel Select/Sends On Fader
4
7
This checkbox enables you to specify whether or
not the CL console and CL Editor are linked to each
5
other for the following operations:
• Selecting channels
6
• Switching between normal mode and SENDS
ON FADER mode
9
• Switching between MIX and MATIRX in
SENDS ON FADER mode
• Selecting [CUE] buttons
If you do not check the box, the CL console and CL Editor will operate independently.
NOTE
8
If the box is not checked, the [CUE] button will be hidden in each window.
4 Synchronization
This allows synchronization to be done automatically when a CL Editor file is loaded. This function is enabled by
default.
5 Window Control From Console
This option determines whether or not using the USER DEFINED KEYS on the console enables you to remotely open
and close the CL Editor windows.
6 Level Meter
This option specifies whether the level meter functionality will be enabled. By disabling the meter function you can
reduce the processing load caused by screen drawing and communication.
7 Confirmation
These check boxes specify whether a confirmation dialog box will appear when you store (Store Confirmation), recall
(Recall Confirmation), patch (Patch Confirmation), or make a patch change that would modify an existing patch (Steal
Patch Confirmation).
8 Administrator Password
Enter the Administrator password that was specified on the CL console. If this password is not entered correctly, it will
not be possible to synchronize from CL Editor to the CL console.
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CL Editor Owner’s Manual
9 Set Default
Press this button to use the settings (except for the IP Address in the Network section) currently specified in the System
Setup dialog box as the default settings. The next time when you start up CL Editor, it will use these settings.
❏ Mixer Setup
To open the Mixer Setup dialog box, choose [Mixer Setup] from the [File] menu.
1 Mix Bus Setup
Here you can make settings relating to the MIX buses.
Signal Type: Choose either MONOx2 or STEREO for each 1
two adjacent odd-numbered/even-numbered MIX buses.
Bus Type/Send Point: Choose either VARI (PRE
FADER) or VARI (PRE EQ) or FIXED for each two adjacent
odd-numbered/even-numbered MIX buses.
Pan Link: The PAN setting for signals sent to stereo MIX
buses will link to the PAN setting for the STEREO bus. This
parameter is valid only if the Signal Type is set to STEREO
and the Bus Type is set to VARI.
2 Matrix Bus Setup
Here you can make settings relating to the MATRIX buses.
Signal Type: Choose either MONOx2 or STEREO for each 2
two adjacent odd-numbered/even-numbered MATRIX
buses.
Send Point for Input Channels: Choose either PRE
FADER or PRE EQ for each two adjacent odd-numbered/
even-numbered MATRIX buses.
Pan Link: The PAN setting for signals sent to stereo
MATRIX buses will link to the PAN setting for the STEREO
bus. This parameter is valid only if the Signal Type is set to STEREO.
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CL Editor Owner’s Manual
❏ Creating a user key
To open the Create User Key dialog box, choose [Create User Key] from the [File] menu.
This creates a user key (with “.CLU” file name extension) that can be read from a USB flash drive by the CL console to
automatically set user-specific parameters.
1
3
5
2
4
6
7
8
9
0
A
E
F
D C
B
1 User Name
Specify the name of the user. You can enter up to eight single-byte alphanumeric characters.
2 Comment
Enter a comment for each user. You can enter up to thirty-two single-byte alphanumeric characters.
3 Password
Enter a password that will be used when this user key is read by the CL console. You can enter up to eight single-byte
alphanumeric characters. Uppercase and lowercase are distinguished.
4 Re-Enter Password
Enter the password once again as a safeguard against mistaken entry.
5 POWER USER
Specify whether this user is a power user. Power users can use the CL console to create or edit a user authentication key
with a specified user level.
6 Administrator Password
Enter the Administrator password that was specified on the CL console. This is not required if no Administrator password has been specified on the CL console, but if this password is incorrect you will be asked to enter it when the user
key is read.
7 ACCESS PERMISSION
In this area, specify the parameters that this user will be allowed to operate.
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CL Editor Owner’s Manual
8 CH OPERATION
INPUT, ST IN, MIX, MATRIX, ST/MONO, DCA: Select the channels whose parameters will be operable.
HA: Change the operating privileges for the head amp gain (analog gain) and phantom power of the selected channels.
PROCESSING: Change the operating privileges for overall signal processing parameters (except for fader and
[ON] button) of the selected channel. For the specific parameters included in PROCESSING, refer to the CL’s manual.
FADER/ON: Change the operating privileges for the pan/balance, fader, channel on, send on/off, and send level of
the selected channels.
Set All: Turn on HA, PROCESSING, and FADER/ON for all channels.
Clear All: Turn off HA, PROCESSING, and FADER/ON for all channels.
Set by One Click: If this button is on, pressing the channel select button repeatedly will set HA, PROCESSING,
and FADER/ON to On or Off simultaneously.
9 SCENE LIST
STORE/SORT: Change the operating privileges for scene store and sort operations.
RECALL: Change the operating privileges for scene recall operations.
0 LIBRARY LIST
STORE/CLEAR: Change the operating privileges for library store and clear operations.
RECALL: Change the operating privileges for library recall operations.
A FILE LOAD
USER SETUP: Change the operating privileges for loading user-defined keys and preferences when loading a file.
SYSTEM SETUP MONITOR SETUP: Change the operating privileges for loading system setup and monitor
setup settings when loading a file.
CURRENT SCENE: Change the operating privileges for loading the current scene when loading a file.
SCENE LIST: Change the operating privileges for loading the scene list when loading a file.
LIBRARY LIST: Change the operating privileges for loading the library list when loading a file.
B CURRENT SCENE
INPUT PATCH: Change the operating privileges for input patch operations.
INPUT NAME: Change the privileges for editing the input names.
OUTPUT PATCH: Change the operating privileges for output patching.
OUTPUT NAME: Change the privileges for editing the output names.
BUS SETUP: Change the operating privileges for buses.
GEQ 1-16: Change the operating privileges for GEQ (Graphic Equalizer) rack operations.
EFFECT: Change the operating privileges for EFFECT rack operations.
PREMIUM RACK: Change the operating privileges for PREMIUM rack operations.
MUTE GROUP ASSIGN: Change the privileges for assigning mute groups.
MUTE GROUP MASTER: Change the operating privileges for enabling/disabling mute groups.
C MONITOR SETUP
OSCILLATOR: Change the operating privileges for oscillator settings.
TALKBACK: Change the operating privileges for talkback settings.
D SYSTEM SETUP
MIXER SETUP: Change the privileges for making mixer setup settings.
OUTPORT SETUP: Change the privileges for making outport setup settings.
MIDI/GPI: Change the privileges for making MIDI and GPI settings.
E Create
Creates the user key.
F Cancel
Closes the dialog box.
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CL Editor Owner’s Manual
Handling Files
The following table describes how to handle files.
Creating a new file
Choose [New] from the [File] menu.
Opening a previously saved file
Choose [Open...] from the [File] menu.
Saving the current file
Choose [Save] from the [File] menu.
Saving the current file with a new name
Choose [Save As...] from the [File] menu.
Quitting the CL Editor
Choose [Exit] from the [File] menu.
Files dedicated for CL Editor have a filename extension of “.CLE”. Files in which only the CL console data is saved (filename extension “.CLF”) can also be handled, allowing you to use a USB flash drive to exchange data with the CL console.
Undo/Redo Function
In CL Editor, you can cancel the latest operation (Undo) and also cancel the cancellation of the latest operation (Redo). If
you perform an Undo operation twice in a row, you can cancel the two most-recent operations. If you perform an Undo
operation three times in a row, you can cancel the three most-recent operations. In this way, you can cancel multiple recent
operations.
The following table describes how to use the Undo/Redo function.
Undo
Choose [Undo] from the [Edit] menu.
Redo
Choose [Redo] from the [Edit] menu.
Please note, however, that after you perform one of the following operations, you cannot successfully undo or redo any
previous operation:
• Operations on the CL console
• Synchronizing with the CL console
NOTE
You cannot Undo or Redo the following operations:
• Edits in the Setup window
• Synchronization
• Opening and closing the windows
• Resizing or moving the windows
There are certain other operations that cannot be undone, depending on the function.
NOTE
For library or scene operations, Undo/Redo applies only to the single most recent operation. You cannot
undo any operations prior to this. Undo/Redo in these windows is available only using the [UNDO] button within the respective window. Even if you perform a scene recall from the Master window, you cannot
use a shortcut or menu operation to undo the recall.
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CL Editor Owner’s Manual
Window operations
You can select and open each window from the [Windows] menu.
You can choose Tile or Cascade to arrange the windows within the editor.
● Tile
● Cascade
In the Library window or Scene window, click the tabs located at the top of the window to switch between pages.
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CL Editor Owner’s Manual
Synchronizing CL Editor
When CL Editor starts up, the parameter settings on the console and the parameter settings in CL Editor may be different.
Therefore, you must first match the parameter settings on the console with those in CL Editor. This operation is called
“synchronization.” Follow the steps below to synchronize CL Editor.
1 Select [Synchronization], then [Re-synchronize].
The following window opens.
NOTE
If CL Editor is in the offline status the
[Re-synchronize] function is not available.
2 Select whether you want to transfer your settings to
CL Editor, or vice versa.
Console -> PC: Transfers the current parameter settings of
your console to the CL Editor.
PC -> Console: Transfers the current parameter settings in CL Editor to your console.
At this time, the All Libraries option determines whether or not Library data is synchronized.
If you select the [Dante Setup and I/O Device] check box, Dante settings will also be synchronized. Clear this check box
if you want to preserve the Dante settings of the CL console when using PC -> Console.
NOTE
• The Dante settings of the CL console will be copied to CL Editor if you clear this check box and select
PC -> Console, or if you select Console -> PC.
• During synchronization using the PC -> Console option, if the CL unit contains read-only scenes, a
dialog appears asking you whether you want to copy the read-only scenes to CL Editor. If you select
not to copy, the read-only scenes will not be synchronized.
If you recall a read-only scene that is not synchronized, the operation between the CL unit and CL Editor
will not be synchronized.
3 Click [OK].
Do not operate the console while synchronization is in progress.
Offline Edit Function
If you do not want to synchronize your console with CL Editor, select [Offline Edit] from the [Synchronization] menu. To
apply your off-line edits to your console, select [Re-Synchronize] from the [Synchronization] with the PC -> Console
option to synchronize the console with CL Editor.
The Offline Edit function is also activated when you click the [ONLINE]/[OFFLINE] button in the Master window.
NOTE
Some effect parameters in the console change their displayed values depending on the sampling frequency. If you switch CL Editor from OFFLINE to ONLINE, displayed parameter values may change
because CL Editor loads the sampling frequency from the console and updates the display.
Other Functions
❏ Resetting to the default value (Ctrl( )+click)
Move the cursor to a control or a parameter value, then hold down the <Ctrl>(< >) key and click the mouse button to
reset the value to the default (e.g., to reset a pan setting to Center).
However, the channel faders and the send knobs and bar graphs can be set to –∞ regardless of the default value.
❏ Ctrl( )+Shift+Click
Move the mouse cursor to a channel fader or to a send knob or bar graph, and click while holding down the
<Ctrl>(< >) key and <Shift> key to set the nominal value regardless of the default value.
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CL Editor Owner’s Manual
Master window
In the Master window you can synchronize to the CL itself, recall scenes, and display the Overview window. To open this
window, choose [Master] from the [Windows] menu.
❏ CHANNEL SELECT
This indicates the number and name of the channel to which your operations will apply. To
switch channels, you can either click the [SELECT] button and choose from the list that
appears, or you can click the plus/minus (+/–) channel select buttons on the left or right side
of the icon. You can also use the channel name text box to edit the name.
If the Channel Select/Sends On Fader checkbox in the System Setup dialog box is selected,
this parameter is linked with the [SEL] buttons on the CL console panel.
You can right-click (<control> key + click) the icon to select a different one. You can also leftclick the icon to select a channel color.
❏ SENDS ON FADER
This button indicates whether normal mode or SENDS ON FADER mode is engaged. Click
the button to switch modes. When SENDS ON FADER mode is engaged, the Sends On Fader
window appears. (➥ p.93)
If the Channel Select/Sends On Fader checkbox in the System Setup dialog box is selected,
this parameter will be linked with the SENDS ON FADER mode setting on the CL console.
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CL Editor Owner’s Manual
❏ SYNC
This indicates the status of connection and synchronization between CL Editor and the CL.
1 [ONLINE]/[OFFLINE] button
1
2
The ONLINE/OFFLINE status will alternate each time you click this button.
This has the same function as [Synchronization] menu ➔[Offline Edit]. (➥ p.8)
This indicator is shown when CL Editor is correctly connected to
the CL itself. In this state, the parameters of CL Editor and the CL
itself are linked.
This indicator is shown when CL Editor and the CL itself are not
connected, or when there is a problem with the connection, or when
Offline Edit is selected. In this state, the parameters of CL Editor
and the CL itself are not linked.
2 [RE-SYNC] button
Clicking this button opens the Synchronization dialog box.
This has the same function as [Synchronization] menu ➔ [Re-Synchronize]. (➥ p.8)
NOTE
If CL Editor is in the offline status the [Re-synchronize] function is not available.
❏ SCENE MEMORY
Here you can view the currently-recalled scene, and recall or store scenes.
23
1
1 Scene number display
Indicates the number of the scene that is selected for store or recall.
2Protect indicator
The lock icon is displayed for scenes that are protected. You will be unable to overwrite or
modify the titles of such scenes. For read-only scenes, “R” appears instead.
3Edit indicator
The edit indicator will light when you edit the parameters after recalling a scene.
4 [STORE] button
5
6
This button stores the current scene into the number shown by the scene number display
(1).
5 [INC]/[DEC] buttons
These buttons increment or decrement the number shown in the scene number display
(1). The scene number display (1) will blink until you actually store or recall, and while
blinking will not match the scene number indicated on the CL.
6 [RECALL] button
This button recalls the scene of the number shown in the scene number display (1).
4
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CL Editor Owner’s Manual
❏ Bank Select Keys
Opens the corresponding window in the Overview window.
NOTE
1 2
These are not linked with the bank select key section on the panel of the CL itself.
3 4
INPUT
1 [1-16] button
Opens the INPUT CH 1–16 window.
2 [17-32] button
Opens the INPUT CH 17–32 window.
5
6 7
3 [33-48] button
Opens the INPUT CH 33–48 window.
4 [49-64] button
Opens the INPUT CH 49–64 window (only CL5/CL3.)
5 [65-72] button
Opens the INPUT CH 65–72 window (only CL5.)
6 [ST IN] button
Opens the ST IN window.
7 [DCA] button
Opens the DCA (Digital-Controlled Amplifier) window.
OUTPUT
8 [1-16] button
Opens the MIX CH 1–16 window.
8 9 0 A
9 [17-24] button
Opens the MIX CH 17–24 window.
0 [MTRX] button
Opens the MATRIX window.
A [ST] button
Opens the STEREO/MONO window.
CUSTOM FADER
B [A1]/[A2] button (CL1: [A1] button)
Opens the CUSTOM FADER bank A1/A2 window.
C [B1] button (CL3: [B1]/[B2] button, CL1: [B1]–[B4] button)
Opens the CUSTOM FADER bank B1 window.
B C
D
D [C1]–[C6] button (only CL5)
Opens the CUSTOM FADER bank C1-C6 window.
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CL Editor Owner’s Manual
Overview window
INPUT CH window
This window displays the mix parameters of INPUT CH 1–16, 17–32, 33–48, 49–64 (only CL3/CL5), or 65–72 (only CL5.)
The parameters shown in the window can be selected from the [View] menu or the menu that appears when you rightclick (<control> key + click) in the window.
You can access this window in the following ways.
• From the [Windows] menu, choose [Overview] and select CH 1–16, 17–32, 33–48, 49–64 (only CL3/CL5), or 65–72
(only CL5)
• Use the bank select keys in the Master window to turn on the [1-16] button/[17-32] button/[33-48] button/[49-64] button (only CL3/CL5), or [65-72] button (only CL5)
3
1
2
1 Input patch
Click here to select the input source that will be assigned to the INPUT CH, from the following choices.
NONE
DANTE 1–DANTE 64
OMNI 1–OMNI 8
PB OUT L, PB OUT R
SLOT1-1, SLOT1-2...SLOT3-15,
SLOT3-16
FX1L(A), FX1R(B)...FX8L(A), FX8R(B)
PR1L(A), PR1R(B), PR2L(A), PR2R(B)
No assignment
DANTE INPUT 1–64
OMNI IN jacks 1–8
L/R outputs of PLAYBACK
Input channels of an I/O card installed in slots 1–3
L/R outputs of EFFECT rack 1–8
L/R outputs of PREMIUM rack 1–2
2 HA (HA analog gain)
Drag the knob in the screen to adjust the analog gain of the internal head amp or of the
external head amp patched to the INPUT CH.
3 48V (Phantom power)
Switches on/off the phantom power (+48V) of the internal head amp or of the external head
amp patched to the INPUT CH.
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CL Editor Owner’s Manual
4 Ø (Phase)
Inverts the phase polarity of the signal after AD conversion.
4
5 Digital Gain
Drag the knob in the screen to adjust the input gain of each input channel.
5
6 HPF (High Pass Filter)
Switches the high pass filter on/off. You can drag the numeric value up or down to edit the
cutoff frequency.
6
7 INSERT
7
8
9
Enables/disables the insert-in.
8 D. OUT (Direct out)
Enables/disables the direct output.
9 EQ (Equalizer)
Switches the EQ on/off. The graph immediately below the button shows the approximate
response of the EQ. Double-click within the graph to open the Selected Channel window of
the corresponding channel. To open the Selected Channel window as an additional view,
hold down the <Ctrl>(< >) key of your computer keyboard and double-click the graph.
0
0 DYNA1/DYNA2 (Dynamics 1/Dynamics 2)
Turns the two dynamics processors on/off.
If Gate is assigned (Dynamics 1 only), the status of the gate is shown immediately below the
button.
A
B
Gate status
indication
On/off status
On
On
On
Off
Open/closed
status
Closed
Open
Open
—
Gain reduction amount
is 30 dB or more
Gain reduction
amount is 0–30 dB
Gain reduction
amount is 0 dB
—
Remarks
If something other than Gate is assigned, a GR meter is shown immediately below the button, and the amount of gain reduction is shown while this is on.
The type for each dynamics processor can be selected in the Selected Channel window.
Double-click anywhere other than the DYN1 or DYN2 button to open the Selected Channel
window of the corresponding channel. To open the Selected Channel window as an additional view, hold down the <Ctrl>(< >) key of your computer keyboard and double-click
anywhere other than the DYN1 or DYN2 button.
A DELAY
Turns the input delay processors on/off. The current delay value is shown in the numerical
box located immediately below the button. You can also edit the delay value in this text box.
B MIX/MATRIX (MIX/MATRIX SEND)
Switches between the send indications to MIX buses 1–24 and to MATRIX buses 1–8.
The bar graphs located immediately below the button show the send level of the signals sent
from the INPUT CH to VARI type MIX/MATRIX buses. You can also drag the bar graph to
left or right to set the send level. While you drag the bar graph, the send level is shown in the
numerical display area for PAN/TO STEREO MONO (C).
You can set the minimum value (–∞ dB) by holding down the <Ctrl>(< >) key of your
computer keyboard and clicking the bar graph, or set the nominal value (0.00 dB) by holding down the <Ctrl>(< >) key and <Shift> key and clicking the bar graph.
The bar graph display will change according to the send position (pre/post) and on/off status of the signal sent from the INPUT CH to the MIX/MATRIX buses.
To switch a send on/off, click the channel number located at the left of the bar graph.
NOTE
For FIXED-type MIX buses, the bar graph is fixed at nominal level (0 dB),
and only the on/off status is shown.
NOTE
In SENDS ON FADER mode, this button enables you to adjust the send
level using the fader.
Pre/on (green)
Pre/off (green)
Post/on (orange)
Post/off (orange)
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CL Editor Owner’s Manual
C PAN/ST/M(C)
The PAN knob adjusts the panning of the signal that is sent from the INPUT CH to the
STEREO bus L/R channels (or the L/C/R channels.) You can set this to the center value by
holding down the <Ctrl>(< >) key of your computer keyboard and clicking this knob.
The [ST] button is an on/off switch for the signal that is sent from the INPUT CH to the
STEREO bus. The [M(C)] button is an on/off switch for the signal that is sent from the
INPUT CH to the MONO bus.
If LCR MODE is selected in the Selected Channel window, the [LCR] button will appear
instead of the [ST] button and [M(C)] button, and the [LCR] button will be an on/off switch
for the signal that is sent from the INPUT CH to the LCR bus.
C
D
E
F
D SEL (Channel selection)
G
Selects the INPUT CH for which you want to perform operations.
E CUE
This button cue-monitors the signal of the INPUT CH.
NOTE
If the Channel Select/Sends On Fader checkbox in the System Setup dialog box is not checked, the [CUE] button will be hidden in the screen.
F ON
Switches the INPUT CH or send on/off.
The button is color-coded and indicates status as follows:
White:
INPUT CH is on (normal mode.)
Black:
INPUT CH/Send are off.
Other colors: Send is on (SENDS ON FADER mode.)
H
I
G Fader
Adjusts the input level of the INPUT CH, or the send level.
The fader is color-coded and indicates status as follows:
White:
You can adjust the input level of the INPUT CH (normal mode.)
Gray:
INPUT CH is off.
Other colors: You can adjust the send level (SENDS ON FADER mode.)
The current fader value is shown in the numerical box located immediately below the fader.
You can set this to the minimum value (–∞ dB) by holding down the <Ctrl>(< >) key of your computer keyboard and
clicking the fader knob, or set it to the nominal value (0.00 dB) by holding down the <Ctrl>(< >) key and <Shift> key
and clicking the fader knob.
The numbers and alphabetical letters at the right of the fader indicate the DCA group and mute groups to which that
channel belongs, and show the Recall Safe and Mute Safe status of the channel.
Mute Group indicator
DCA Group indicator
Level Meter
The numbers of mute groups to
which this channel belongs are
shown in red when those groups are
muted. If the dimmer levels for those
groups are set in a non-default
status, those are shown in orange.
The numbers of DCA groups
to which this channel belongs
are shown in yellow.
If this channel is set to Mute Safe,
the M character is shown in green.
If this channel is set to Recall
Safe, the R character is
shown in green.
NOTE
This level meter is displayed
at the same metering point
with the input channel in
Meter window setup (➥ p.71.)
• Click the indicator area to switch between 3 indicators.
• Drag & drop the area around the fader to move the channel (CH MOVE). While holding down the <Ctrl> (<
key of your computer keyboard, drag & drop the area around the fader to copy the channel (CH COPY).
>)
H Channel number
This is the number of the INPUT CH. You can open the Selected Channel window for this channel by double-clicking
this number. If you hold down the <Ctrl>(< >) key of your computer keyboard and double-click this, the Selected
Channel window will open as an additional view.
I Channel name
This is a text box that displays the channel name. You can also edit the channel name in this text box.
You can right-click (<control> key + click) the text box to select a channel color.
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CL Editor Owner’s Manual
ST IN window
In this window you can view and edit the mix parameters of ST IN channels 1–8. The parameters shown in the window can
be selected from the [View] menu or the menu that appears when you right-click (<control> key + click) in the window.
You can access this window in the following ways.
• From the [Windows] menu, choose [Overview] and then choose “ST IN”
• Use the bank select keys in the Master window to turn on the [ST IN] button
34
1
2
5
6
7
1 Input patch
Selects the input source that will be assigned to the ST IN channel. The input sources that
can be assigned are the same as for an INPUT CH (➥ p.12.)
2 HA (HA analog gain)
Drag the knob in the screen to adjust the analog gain of the internal head amp or of the
external head amp patched to the ST IN channel.
3 48V (Phantom power)
Switches on/off the phantom power (+48V) of the internal head amp or of the external head
amp patched to the ST IN channel.
4 Ø (Phase)
Inverts the phase polarity of the signal after AD conversion.
5 Digital Gain
Drag the knob in the screen to adjust the input gain to each ST IN channel.
6 HPF (High Pass Filter)
Switches the high pass filter on/off. You can drag the numeric value up or down to edit the
cutoff frequency.
7 EQ (Equalizer)
Switches the EQ on/off (the L/R settings are linked.) This is the same as the equalizer for
INPUT CH (➥ p.13.)
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CL Editor Owner’s Manual
8 DYNA1/DYNA2 (Dynamics 1/Dynamics 2)
These buttons switch the two dynamics processors on/off. This is the same as the
dynamics 1/dynamics 2 for INPUT CH (➥ p.13.)
8
9
0
9 DELAY
Turns the input delay processors on/off. The current delay value is shown in the numerical
box located immediately below the button. You can also edit the delay value in this box.
0 MIX/MATRIX (MIX/MATRIX SEND)
Switches between the send indications to MIX buses 1–24 or to MATRIX buses 1–8. This is
the same as the mix/matrix send for INPUT CH (➥ p.13.)
A PAN/BALANCE/ST/M(C)
Displays the PAN/BALANCE knobs for L/R channels. PAN/BALANCE is synchronized to
the Pan/Balance of the “TO STEREO/MONO” section. The BALANCE knob adjusts the
balance of the signal that is sent from the ST IN channel to the STEREO bus L/R channels
(or the L/C/R channels.)The PAN knob adjusts the panning of the signal that is sent from
the INPUT CH to the STEREO bus L/R channels. Other than the PAN/BALANCE knob,
this is the same as PAN/TO STEREO MONO for an INPUT channel (➥ p.14.)
B SEL (Channel selection)
A
B
C
D
E
F
G
Selects the ST IN channel for which you want to perform operations. (L and R can be
selected separately.)
C CUE
This button cue-monitors the signal of the ST IN channel.
NOTE
If the Channel Select/Sends On Fader checkbox in the System Setup dialog box is not checked, the [CUE] button will be hidden in the screen.
D ON
Switches the ST IN channel on/off.
The button is color-coded and indicates status as follows:
White:
ST IN channel is on (normal mode.)
Black:
ST IN channel/Send are off.
Other colors: Send is on (SENDS ON FADER mode.)
E Fader
Adjusts the input level of the ST IN channel.
The fader is color-coded and indicates status as follows:
White:
You can adjust the input level of the ST IN channel (normal mode.)
Gray:
ST IN channel is off.
Other colors: You can adjust the send level (SENDS ON FADER mode.)
The current fader value is shown in the numerical box located immediately below the fader.
This is the same as the fader for INPUT CH (➥ p.14.)
NOTE
• Click the indicator area at the right side of the fader to switch between 3
indicators (mute group indicator, DCA group indicator, level meter).
• Drag & drop the area around the fader to move the channel (CH MOVE).
While holding down the <Ctrl> (< >) key of your computer keyboard, drag
& drop the area around the fader to copy the channel (CH COPY).
F Channel number
This is the number of the ST IN channel. You can double-click this number to open the
Selected Channel window for this channel. If you hold down the <Ctrl>(< >) key of your
computer keyboard and double-click this, the Selected Channel window will open as an
additional view.
G Channel name
This is a text box that displays the channel name. You can also edit the channel name in this
text box. You can right-click (<control> key + click) the text box to select a channel color.
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CL Editor Owner’s Manual
MIX window
In this window you can view and edit the parameters of MIX channels 1–24. The parameters shown in the window can be
selected from the [View] menu or the menu that appears when you right-click (<control> key + click) in the window.
You can access this window in the following ways.
• From the [Windows] menu, choose [Overview] and then choose “MIX1-16 or MIX17-24”
• Use the bank select keys in the Master window to turn on the [MIX1-16] button or [MIX17-24] button
1
2
3
4
1 Output Patch
Click here to select the output port that will be assigned to the MIX channel, from the following choices.
NONE
No assignment
DANTE 1–DANTE 64
DANTE OUTPUT 1–64
OMNI 1-OMNI 8
OMNI OUT jacks 1–8
REC L, REC R
L/R inputs of RECORDER
SLOT1-1, SLOT1-2...SLOT3-16
Output channels of an I/O card installed in slot 1–3
FX1L(A), FX1R(B)...FX1L(A), FX8R(B)
L/R inputs of EFFECT rack 1–8
PR1L(A), PR1R(B), PR2L(A), PR2R(B)
L/R inputs of PREMIUM rack 1–2
DIGI L, DIGI R
L/R channels of the DIGITAL OUT jack
If multiple patches have been made, only the first port is shown.
If you change the patching in this window, the port that had been assigned until then will be
cancelled, and only the newly selected port will be assigned.
2 EQ (Equalizer)
Switches the EQ on/off. This is the same as the equalizer for INPUT CH (➥ p.13.)
3 DYNA1 (Dynamics 1)
Switches the dynamics processor on/off. This is the same as the dynamics 2 for INPUT CH
(➥ p.13.)
4 INSERT
Enables/disables the insert-in.
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5 MATRIX (MATRIX SEND)
5
6
7
8
9
0
A
• Pre/on (green)
These bar graphs indicate the send levels of the signals sent from the
MIX channel to MATRIX 1–8 bus. You can also adjust the send levels
by dragging a bar graph to left or right. While you drag the bar graph, • Pre/off (green)
the send level is shown in the numerical display area for TO STEREO/
• Post/on (orange)
MONO.
You can set the minimum value (–∞ dB) by holding down the
• Post/off (orange)
<Ctrl>(< >) key of your computer keyboard and clicking the bar
graph, or set the nominal value (0.00 dB) by holding down the
<Ctrl>(< >) key and <Shift> key and clicking the bar graph.
The bar graph display will change as follows according to the send position (pre/post) and
on/off status of the signal sent from the MIX channel to the MATRIX buses.
To switch a send on/off, click the channel number located at the left of the bar graph.
6 PAN/BALANCE/ST/M(C)
The PAN knob adjusts the panning of the signal that is sent from the mix channel to the
STEREO bus L/R channels (or the L/C/R channels.) You can set this to the center value by
holding down the <Ctrl>(< >) key of your computer keyboard and clicking this knob. If
assigned as a stereo bus, this adjusts the balance of the odd-numbered channel and evennumbered channel. The stereo bus setting can be made in Mix Bus Setup of the Mixer Setup
dialog box.
The [ST] button is an on/off switch for the signal that is sent from the mix channel to the
STEREO bus.
The [M(C)] button is an on/off switch for the signal that is sent from the mix channel to the
MONO bus.
If LCR MODE is selected in the Selected Channel window, the [LCR] button will appear
instead of the [ST] button and [MONO] button, and the [LCR] button will be an on/off
switch for the signal that is sent from the mix channel to the LCR bus.
7 VARI/FIXED
Indicates the type (VARI or FIXED) of the currently selected MIX bus. This parameter can
be switched in Mix Bus Setup of the Mixer Setup dialog box.
B
8 SEL (Channel selection)
Selects the MIX channel for which you want to make settings.
9 CUE
C
This button cue-monitors the signal of the MIX channel.
NOTE
If the Channel Select/Sends On Fader checkbox in the System Setup dialog box is not checked, the [CUE] button will be hidden in the screen.
0 ON
Switches the MIX channel on/off.
The button is color-coded and indicates status as follows:
White:
MIX channel is on (normal mode.)
Black:
MIX channel/Send is off.
Other colors: Send is on (SENDS ON FADER mode.)
A Fader
Adjusts the output level of the MIX channel. The current fader value is shown in the
numeric box immediately below the fader. You can set this to the minimum value (–∞ dB)
by holding down the <Ctrl>(< >) key of your computer keyboard and clicking the fader
knob, or set it to the nominal value (0.00 dB) by holding down the <Ctrl>(< >) key and
<Shift> key and clicking the fader knob.
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CL Editor Owner’s Manual
The numbers and alphabetical letters at the right of the fader indicate the DCA group and
mute groups to which that channel belongs, and show the Recall Safe and Mute Safe status
of the channel.
Mute Group indicator
DCA Group indicator
Level Meter
The numbers of mute groups to
which this channel belongs are
shown in red when those groups are
muted. If the dimmer levels for those
groups are set in a non-default status, those are shown in orange.
The numbers of DCA groups
to which this channel belongs
are shown in yellow.
If this channel is set to Mute Safe,
the M character is shown in green.
If this channel is set to Recall
Safe, the R character is
shown in green.
NOTE
This level meter is displayed
at the same metering point
with the input channel in
Meter window setup (➥ p.71.)
• Click the indicator area to switch between 3 indicators.
• While holding down the <Ctrl> (< >) key of your computer keyboard, drag
& drop the area around the fader to copy the channel (CH COPY).
The fader is color-coded and indicates status as follows:
White:
You can adjust the input level of the MIX channel (normal mode.)
Gray:
MIX channel is off.
Other colors: You can adjust the send level (SENDS ON FADER mode.)
B Channel number
Indicates the number of the MIX channel. You can double-click this number to open the
Selected Channel window for this channel. If you hold down the <Ctrl>(< >) key of your
computer keyboard and double-click this, the Selected Channel window will open as an
additional view.
C Channel name
This is a text box that displays the channel name. You can also edit the channel name in this
text box. You can right-click (<control> key + click) the text box to select a channel color.
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CL Editor Owner’s Manual
MATRIX window
In this window you can view and edit the parameters of MATRIX channels 1–8. The parameters shown in the window can
be selected from the [View] menu or the menu that appears when you right-click (<control> key + click) in the window.
You can access this window in the following ways.
• From the [Windows] menu, choose [Overview] and then choose “MATRIX”
• Use the bank select keys in the Master window to turn on the [MTRX] button
1
1 MIX/CH/ST IN (Send levels from the MIX/INPUT CH/ST IN to
the MATRIX bus)
This switches between indicating the sends from MIX channels 1–24, the sends from
INPUT CH 1–16/17–32/33–48/49-64 (CL3), 49-72 (CL5), and the sends from ST IN.
The bar graphs located immediately below the button indicate/adjust the level of the signal
that is sent from each channel to the MATRIX bus. The method of operation and the meaning of the display are the same as for (5) MATRIX in the MIX window (➥ p.18.)
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CL Editor Owner’s Manual
2
3
2 STEREO (Send levels from the STEREO channels to the MATRIX
bus)
Here you can view and edit the send levels of the signals sent from the STEREO channels to
the MATRIX bus. While you drag the bar graph, the send level is shown in the numerical
display area immediately below. The method of operation and the meaning of the display
are the same as for (5) MATRIX in the MIX window (➥ p.18.)
3 EQ (Equalizer)
4
5
6
7
8
Switches the EQ on/off. The graph immediately below the button shows the approximate
response of the EQ. This is the same as the equalizer for INPUT CH (➥ p.13.)
4 DYNA1 (Dynamics 1)
Switches the dynamics processor on/off. This is the same as the dynamics 2 for INPUT CH
(➥ p.13.)
5 INSERT
Enables/disables the insert-in.
6 SEL (Channel selection)
Selects the MATRIX channel for which you want to make settings.
7 CUE
9
This button cue-monitors the signal of the MATRIX channel.
NOTE
If the Channel Select/Sends On Fader checkbox in the System Setup dialog box is not checked, the [CUE] button will be hidden in the screen.
8 ON
This switches the MATRIX channel on/off.
If the corresponding channel is off, the fader will be grayed out.
0
A
9 Fader
This adjusts the output level of the MATRIX channel. The current fader value is shown in
the numeric box immediately below the fader.
The numbers and alphabetical letters at the right of the fader indicate the DCA group and
mute groups to which that channel belongs, and show the Recall Safe and Mute Safe status
of the channel. (For the significance of the numbers and alphabetical letters, see ➥ p.18.)
NOTE
• Click the indicator area at the right side of the fader to switch between 3
indicators (mute group indicator, DCA group indicator, level meter).
• While holding down the <Ctrl> (< >) key of your computer keyboard, drag
& drop the area around the fader to copy the channel (CH COPY).
0 Channel number
Indicates the number of the MATRIX channel. You can double-click this number to open
the Selected Channel window for this channel. If you hold down the <Ctrl>(< >) key of
your computer keyboard and double-click this, the Selected Channel window will open as
an additional view.
A Channel name
This is a text box that displays the channel name. You can also edit the channel name in this
text box. You can right-click (<control> key + click) the text box to select a channel color.
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CL Editor Owner’s Manual
STEREO/MONO window
In this window you can view and edit the parameters of the STEREO and MONO channels. The parameters shown in the
window can be selected from the [View] menu or the menu that appears when you right-click (<control> key + click) in
the window.
You can access this window in the following ways.
• From the [Windows] menu, choose [Overview] and then choose “STEREO/MONO”
• Use the bank select keys in the Master window to turn on the [ST] button
1
1 EQ (Equalizer)
2
2 DYNA1 (Dynamics 1)
3
4
Switches the EQ on/off (the L/R settings are linked.) This is the same as the equalizer for
INPUT CH (➥ p.13.)
Switches the dynamics processor on/off. This is the same as the dynamics 2 for INPUT CH
(➥ p.13.)
3 INSERT
Enables/disables the insert-in. (The L/R settings are linked.)
4 MATRIX (MATRIX SEND)
Here you can view and edit the send levels of the signals sent from the STEREO/MONO
channel to MATRIX 1–8 bus. The method of operation and the meaning of the display are
the same as for MATRIX in the MIX window (➥ p.18.)
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5 BALANCE
5
6
7
8
Adjusts the left/right balance of the STEREO channel.
For MONO channels, this control indicates the send level to the MATRIX bus.
6 SEL (Channel selection)
Selects the channel for which you want to make settings. (You can specify L and R independently.)
7 CUE
9
This button cue-monitors the signal of the STEREO/MONO channel.
NOTE
If the Channel Select/Sends On Fader checkbox in the System Setup dialog box is not checked, the [CUE] button will be hidden in the screen.
8 ON
0
A
This switches the STEREO/MONO channel on/off.
The button is color-coded and indicates status as follows:
White:
STEREO/MONO channel is on (normal mode.)
Black:
STEREO/MONO channel/Send is off.
Other colors: Send is on (SENDS ON FADER mode.)
9 Fader
Adjusts the output level of the STEREO/MONO channel.
The current fader value is shown in the numeric box immediately below the fader.
The numbers and alphabetical letters at the right of the fader indicate the DCA group and
mute groups to which that channel belongs, and show the Recall Safe and Mute Safe status
of the channel. (For the significance of the numbers and alphabetical letters, see ➥ p.18.)
NOTE
• Click the indicator area at the right side of the fader to switch between 3
indicators (mute group indicator, DCA group indicator, level meter).
• While holding down the <Ctrl> (< >) key of your computer keyboard, drag
& drop the area around the fader to copy the channel (CH COPY).
The fader is color-coded and indicates status as follows:
Red or Yellow: You can adjust the input level of the STEREO/MONO channel (normal
mode.)
Gray:
STEREO/MONO channel is off.
Other colors: You can adjust the send level (SENDS ON FADER mode.)
0 Channel number
This is the channel number (ST or M.) You can double-click this number to open the
Selected Channel window for this channel. If you hold down the <Ctrl>(< >) key of your
computer keyboard and double-click this, the Selected Channel window will open as an
additional view.
A Channel name
This is a text box that displays the channel name. You can also edit the channel name in this
text box. You can right-click (<control> key + click) the text box to select a channel color.
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DCA window
In this window you can view and edit the parameters of DCA (Digital-Controlled Amplifier) groups 1–16.
You can access this window in the following ways.
• From the [Windows] menu, choose [Overview] and then choose “DCA”
• Use the bank select keys in the Master window to turn on the [DCA] button
1 CUE
1
This button cue-monitors all channels that are assigned to the DCA group.
NOTE
2
If the Channel Select/Sends On Fader checkbox in the System Setup dialog box is not checked, the [CUE] button will be hidden in the screen.
2 ON
3
If you turn this button off, no signal will be output from the channels assigned to the DCA
group. If you turn this button on, that status will be cancelled.
3 DCA fader
4
5
This fader adjusts the level of the DCA group.
The current fader value is shown in the numeric box immediately below the fader.
You can set this to the minimum value (–∞ dB) by holding down the <Ctrl>(< >) key of
your computer keyboard and clicking the fader knob, or set it to the nominal value
(0.00 dB) by holding down the <Ctrl>(< >) key and <Shift> key and clicking the fader
knob. If the fader is at nominal level, the green indicator at the right of the fader will light.
If a DCA group is set to Recall Safe, the R character at the lower right of the fader is displayed in green.
4 DCA number
This is the number of the DCA group.
5 DCA group name
This is a text box that displays the DCA group name. You can also edit the DCA group name
in this text box. You can right-click (<control> key + click) the text box to select a channel
color.
6 Level Meter
6
This level meter indicates the post-meter of DCA.
NOTE
Click the level meter area to switch between the recall-safe indicator and
the level meter.
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CL Editor Owner’s Manual
Selected Channel window
Here you can set the parameters of the currently selected input channel (INPUT CH 1–72(*), ST IN channels 1–8) or output channel (MIX channels 1–24, MATRIX channels 1–8, STEREO/MONO channels.)
You can access this window in the following ways.
• From the [Windows] menu, choose [Selected Channel] and select “Main View”
• Double-click the channel number, EQ, DYNA1, or DYNA2 button in one of the Overview windows.
NOTE
By choosing [Selected Channel] from the [Windows] menu and then selecting “Additional View,” you
can view a window for a channel that is not selected. This Additional View is not linked with [SEL] button
operations on the panel of the CL.
The type of parameters that can be edited in this window depends on the type of the currently selected channel. The
parameters of the Selected Channel window are explained below, in the order of input channels (input channels 1–72(*),
ST IN channels 1–8), or output channels (MIX channels 1-24, MATRIX channels 1-8, and STEREO/MONO channels.)
(*) CL3: 1-64, CL1: 1-48
If an input channel is selected
● INPUT CH window
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CL Editor Owner’s Manual
● ST IN channel window
NOTE
Unless otherwise specified, the parameters explained below are common to INPUT CH 1–72 (CL3: 1-64,
CL1: 1-48) and ST IN channels 1–8.
❏ CHANNEL SELECT (Channel selection)
2
1
3
1 SELECT (Channel selection)
Indicates the number and name of the channel you are editing. To switch channels, you can either click the [SELECT]
button and choose from the list that appears, or you can click the plus/minus (+/–) channel select buttons on the left or
right side of the icon. You can right-click (<control> key + click) the icon and select the desired choice. If you left-click
the icon, you can select the channel color. You can also edit the channel name in the text box.
2 LIBRARY
Accesses the Input Channel Library. Click this button to open the INPUT CH page of the Library window.
3 PATCH (Input patch)
Selects the input source assigned to the input channel (for the selectable input sources, ➥ p.12.)
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❏ TO MIX/TO MATRIX SEND
1
2
3
1
2
3
4
4
1 MIX/MATRIX send level
This adjusts the send level of the signal sent from the input channel to VARI-type MIX bus and MATRIX bus. The current value is shown in the numerical box immediately below.
2 PRE (PRE on/off)
This selects PRE or POST as the point from which the signal is sent from the input channel to the MIX bus and
MATRIX bus. The point will be PRE EQ or PRE FADER when this is on, and POST FADER when this is off. The PRE
EQ/FADER setting can be specified in the Mixer Setup dialog box.
NOTE
You can right-click (<control> key + click) the PRE button to display a context-sensitive menu that will
enable you to specify ALL PRE, ALL POST, or other options.
3 ON (MIX/MATRIX send on/off)
This is an on/off switch for the signal sent from the input channel to the MIX bus and MATRIX bus.
HINT
• When MIX buses or MATRIX
buses are being used in stereo,
the odd-numbered knob will be
PAN or BAL (BALANCE.) If the
INPUT CH is selected, the oddKnob of odd-numbered side
numbered knob will be always
PAN. If the ST IN is selected, the odd-numbered will be PAN or BAL.
You can switch between Pan and Balance in the TO STEREO/MONO section.
Knob of odd-numbered side
• If the FIXED type is selected for the MIX bus, only the ON button is valid.
• The stereo/mono setting and the VARI type/FIXED type setting can be
made in the Mixer Setup dialog box.
4 Channel name
This section indicates the name of the MIX channel or MATRIX channel.
❏ HA/D.GAIN/HPF/Ø/GC
1
2
1 HA (HA analog gain)
3
Adjusts the analog gain of the internal head amp or of the external
head amp patched to the input channel. The current value is shown
in the numerical box below the knob. You can set this to the default
value (– 6dB) by holding down the <Ctrl>(< >) key and clicking
the knob. You can also use the [48V] button to switch phantom
power on/off.
2 D.GAIN (Digital Gain)
45
6
7
Drag the knob in the screen to adjust the digital gain (input gain) of
the input channel.
3 HPF (High Pass Filter)
Use the [ON] button at the right to switch the high-pass filter on/off. You can use the knob at left to adjust the cutoff
frequency. The current value is shown in the numerical box below the knob. An indication of “H” will appear on the
EQ graph of the equalizer.
4 GC (Gain Compensation)
This is an on/off switch for the head amp’s analog gain correction. If you want to share the same I/O rack with the multiple CL consoles, this function maintains the audio signal at a specific level throughout the network. This button will
be displayed only if the DANTE ports have been patched.
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5 A.GAIN-D.GAIN Link
If GC (Gain Compensation) is on, this turns on or off the function that links the digital gain to the analog gain operation.
6 Ø (Phase)
Inverts the phase polarity of the signal after AD conversion.
7 HPF Type
Switches the attenuation (per octave) of the high pass filter between –12dB/oct and –6dB/oct.
❏ TO STEREO/MONO
Here you can specify how the signal will be sent from the input channel to the STEREO bus/MONO bus.
MODE
• ST/MONO button
When this button is on, the signal will be sent to the STEREO L/R bus and independently to the MONO bus.
[INPUT CH 1–72]
[ST IN channel 1–8]
PAN
(PAN/BALANCE for ST IN)
The PAN knob adjusts the panning of the signal sent from the input channel to the STEREO bus L/R channels. You can set this to the center position by holding down the
<Ctrl>(< >) key of the computer keyboard and clicking the knob. You can select Pan or
Balance for ST IN. The BALANCE knob adjusts the balance of the signal that is sent from
the ST IN channel to the STEREO bus L/R channels. PAN/BALANCE can be switched
with the [PAN]/[BALANCE] buttons.
ST
Switches the signal sent from the input channel to the STEREO bus on/off.
M(C)
Switches the signal sent from the input channel to the MONO bus on/off.
• LCR button
When this button is on, the signal will be sent to the L/C/R buses which work in conjunction with each other.
[INPUT CH 1–72]
[ST IN channel 1–8]
PAN
(PAN/BALANCE for ST IN)
The PAN knob adjusts the panning of the signal that is sent from the input channel to each
of the L/C/R channels. You can set this to the center position by holding down the
<Ctrl>(< >) key of the computer keyboard and clicking the knob. You can select Pan or
Balance for ST IN. The BALANCE knob adjusts the balance of the signal that is sent from
the ST IN channel to the STEREO bus L/R channels. PAN/BALANCE can be switched
with the [PAN]/[BALANCE] buttons.
CSR (Center Side Ratio)
Adjusts the proportion of the CENTER channel level relative to the STEREO bus L/R in a
range of 0–100%.
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❏ EQ (EQUALIZER)
1
2
3
5
6
4
7
8
9
0
A
1 LIBRARY
Accesses the INPUT EQ page of the Library window.
2 ON
Switches the EQ (Parametric Equalizer) on/off of the currently selected channel.
3 EQ graph
Indicates the response for the EQ of the currently selected channel. To reset the EQ to flat response, hold down the
<Ctrl>(< >) key of your computer keyboard and click the graph (The HPF setting will remain.)
4Q
These knobs adjust the Q level of the frequency range selected in the EQ graph.
5 FREQ (FREQUENCY)
These knobs adjust the center frequency for the four bands LOW, LO-MID, HI-MID, and HIGH.
6 GAIN
These knobs adjust the Q, center frequency, and boost/cut amount for the four bands LOW, LO-MID, HI-MID, and
HIGH.
7
HIGH shelving
If this button is on, the HIGH EQ will be switched to a shelving type (the Q knob of the HIGH EQ will disappear.)
8
LPF (Low Pass Filter)
If this button is on, the HIGH EQ will function as a low pass filter. The Q knob of the HIGH EQ will disappear, and the
GAIN knob will act as the low pass filter on/off switch.
9
LOW shelving
If this button is on, the LOW EQ will be switched to a shelving type (the Q knob of the LOW EQ will disappear.)
0 TYPE I/TYPE II (EQ type)
Selects either TYPE I or TYPE II as the EQ type.
A ATT (Attenuation)
Adjusts the amount of attenuation for the signal level of pre EQ.
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❏ DYNAMICS1/2
You can select one of the following types for each of the two dynamics processors.
DYNAMICS1
GATE, DUCKING, COMPRESSOR, EXPANDER
DYNAMICS2
COMPRESSOR, COMPANDER-H, COMPANDER-S, DE-ESSER
If GATE/DUCKING is selected
5
1
2
3
6
7
8
4
9
0
A
B
C
1 TYPE
Indicates the type of the currently selected gate/ducking. You can click here to select the type. Ducking is the effect that
activates compressor triggered by another sound source.
2 LIBRARY
This button accesses the dynamics library. Clicking this button will open the DYNAMICS page of the Library window.
3 ON
This button switches on/off for the gate or the ducking.
4 Response curve
Indicates the response for the gate/ducking of the currently selected channel.
5 GR meter (Gain Reduction meter)
This meter indicates the amount of gain reduction produced by the gate/ducking.
6 THRESH (Threshold level)
Specifies the level (the threshold level) at which the gate/ducking will activate. The gate will open (or the ducking will
activate) when the key-in signal exceeds this level, and the gate will close (or the ducking will deactivate) when the signal falls below this level.
7 RANGE
Specifies the amount by which the signal is attenuated while the gate is closed (or while the ducking is activated.)
8 DECAY
Specifies the time over which the gate will close (or the time to return to normal signal gain of ducking) after the hold
time has elapsed.
9 ATTACK
Specifies the time from when the key-in signal exceeds the threshold level until the gate opens (or from when the ducking has been triggered until the signal is ducked.)
0 HOLD
Specifies the time that the gate will remain open (or the ducking will remain activate) after the key-in signal falls below
the threshold.
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CL Editor Owner’s Manual
A KEY IN SOURCE
Click this to select one of the following signals to use as the key-in source.
SELF PRE EQ
The pre-EQ signal of the currently selected input channel
SELF POST EQ
The post-EQ signal of the currently selected input channel
MIX OUT 21–24
The output signal of the corresponding MIX channel immediately before the output attenuation
CH 1–72 POST EQ
STIN1L–STIN8R POST EQ
The post-EQ signal of the corresponding input channel (however, you can only choose channels belonging to the same group, within the eleven groups CH1–8, CH9–16, CH17–24,
CH25–32, CH33–40, CH41–48, CH49-56, CH57-64, CH65-72, STIN1L–STIN4R, and
STIN5L–STIN8R)
B CUE
This button cue-monitors the currently selected key-in signal. This is not shown in the Additional View.
NOTE
If the Channel Select/Sends On Fader checkbox in the System Setup dialog box is not checked, the
[CUE] button will be hidden in the screen.
C KEY IN FILTER
Select the type of filter applied to the selected key-in signal; HPF (high pass filter), BPF (band pass filter), or LPF (low
pass filter.) The ON/OFF button switches the filter on/off.
If you’ve selected BPF, use the two knobs to adjust the band pass frequency and Q. If you’ve selected HPF or LPF, use
the knob to adjust the cutoff frequency.
If COMPRESSOR/EXPANDER is selected
5
1
2
3
6
7
8
4
9
0
A
B
1 TYPE
Indicates the currently selected compressor or expander. You can click here to select the type.
2 LIBRARY
This button accesses the dynamics library. Clicking this button will open the DYNAMICS page of the Library window.
3 ON
This button switches on/off for the compressor or the expander.
4 Response curve
Indicates the response for the compressor/expander of the currently selected channel.
5 GR meter (Gain Reduction meter)
This meter indicates the amount of gain reduction produced by the compressor/expander.
6 THRESH (Threshold level)
Specifies the threshold level at which the compressor/expander will operate. If the compressor is selected, the input signal will start being compressed when the key-in signal exceeds this level; compression will be removed when the signal
falls below this level. If the expander is selected, the input signal will start being compressed when the key-in signal falls
below this level; compression will be removed when the signal exceeds this level.
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CL Editor Owner’s Manual
7 RATIO
If the compressor is selected, specifies the ratio at which the input signal will be compressed when the key-in signal
exceeds the threshold. If the expander is selected, specifies the ratio at which the input signal will be compressed when
the key-in signal falls below the threshold.
8 KNEE
Specifies the sharpness at which the output level will change. You can select from HARD or 1–5.
9 ATTACK
If the compressor is selected, specifies the time (the attack time) from when the key-in signal exceeds the threshold
level until the signal starts being compressed. If the expander is selected, specifies the time (the attack time) from when
the key-in signal falls below the threshold level until the signal starts being compressed.
0 GAIN
Adjusts the gain of the signal after it has passed through the compressor/expander.
A RELEASE
If the compressor is selected, specifies the time (the release time) from when the key-in signal falls below the threshold
level until compression is removed. If the expander is selected, specifies the time (the release time) from when the keyin signal exceeds the threshold level until compression is removed.
B KEY IN SOURCE
Click this to select the key-in signal that you want to use.
The choices are the same as for GATE.
If COMPANDER-H, COMPANDER-S is selected
5
1
2
3
6
7
8
4
9
0
A
B
1 TYPE
Indicates the type of the currently selected compander (a combination of compressor and expander.) You can click here
to select the type.
2 LIBRARY
This button accesses the dynamics library. Clicking this button will open the DYNAMICS page of the Library window.
3 ON
This button switches the compander on/off.
4 Response curve
Indicates the response for the compander of the currently selected channel.
5 GR meter (Gain Reduction meter)
This meter indicates the amount of gain reduction produced by the compander.
6 THRESH (Threshold level)
Specifies the threshold level at which compression and expansion are applied. The input signal will be compressed
when the key-in signal exceeds this level. The expander effect will apply to levels below THRESHOLD + WIDTH.
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CL Editor Owner’s Manual
7 RATIO
Specifies the ratio (the amount of compression.)
8 WIDTH
Specifies the width between the threshold level of the compressor (THRESHOLD) and the threshold level of the
expander.
9 ATTACK
Specifies the time (the attack time) until it starts to compress and expand the input signal once the compander has been
triggered.
0 GAIN
Adjusts the gain of the signal after it has passed through the compander.
A RELEASE
Specifies the time (the release time) from when the key-in signal falls below the threshold level until compression and
expansion are removed.
B KEY IN SOURCE
Click this to select the key-in signal that you want to use.
The choices are the same as for GATE.
If DE-ESSER is selected
5
1
2
3
6
7
8
4
9
0
1 TYPE
This indicates that De-Esser is the currently selected type.
2 LIBRARY
This button accesses the dynamics library. Clicking this button will open the DYNAMICS page of the Library window.
3 ON
This button switches the de-esser on/off.
4 Response curve
Indicates the response for the de-esser of the currently selected channel.
5 GR meter (Gain Reduction meter)
This meter indicates the amount of gain reduction produced by the de-esser.
6 THRESH (Threshold level)
Specifies the threshold level at which the de-esser will operate. The input signal will start being compressed when the
key-in signal exceeds this level; compression will be removed when the signal falls below this level.
7 FREQ (Minimum frequency/Center frequency)
Specifies the minimum frequency (for HPF) or the center frequency (for BPF) at which the key-in signal will activate
the de-esser.
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CL Editor Owner’s Manual
8 TYPE
Drag the knob in the screen to select the HPF (High Pass Filter) or BPF (Band Pass Filter.)
9Q
Adjust the Q level of the frequency range at which the key-in signal will activate the de-esser.
This parameter is valid only if the TYPE is set to BPF.
0 KEY IN SOURCE
The key-in signal is set to the SELF POST EQ.
❏ DELAY
2
1
1 ON
Turns the delay on/off of the currently selected channel.
2 Delay time
Drag the knob in the screen to adjust the delay time of the currently selected channel.
❏ INSERT 1/2 (except for ST IN channels)
1
2
5
6
3
4
1 POINT (Insert point)
Selects the position at which insert-in/out will be patched. Choose from PRE EQ, PRE FADER, or POST ON.
2 ON
Enables/disables insert-in/out.
3 OUT (Insert out)
Click this to select the output port that will be assigned to insert-out, from the following choices.
NONE
No assignment
OMNI 1-OMNI 8
OMNI OUT jacks 1–8
SLOT1-1, SLOT1-2...SLOT3-15, SLOT3-16
Output channels of an I/O card installed in slots 1–3
FX1L(A), FX1R(B)...FX8L(A), FX8R(B)
L/R inputs of EFFECT rack 1–8
PR1L(A), PR1R(B)...PR8L(A), PR8R(B)
L/R inputs of PREMIUM rack 1–8
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CL Editor Owner’s Manual
4 IN (Insert in)
Click this to select the input port that will be assigned to insert-in, from the following choices.
NONE
No assignment
OMNI 1-OMNI 8
OMNI IN jacks 1–8
SLOT1-1, SLOT1-2...SLOT3-15, SLOT3-16
Input channels of an I/O card installed in slots 1–3
FX1L(A), FX1R(B)...FX8L(A), FX8R(B)
L/R outputs of EFFECT rack 1–8
PR1L(A), PR1R(B)...PR8L(A), PR8R(B)
L/R outputs of PREMIUM rack 1–8
5 HA (HA analog gain)
Adjusts the analog gain for OMNI IN. This knob appears only if you select OMNI as INSERT IN (4).
6 48V (Phantom power)
Switches phantom power (+48V) on/off. This button appears only if you select OMNI as INSERT IN (4).
NOTE
The number of available insert-ins/outs is limited. (➥ p.51, p.52)
If you assign more insert-ins/outs than the limitation, invalid insert-ins/outs will be grayed out. Also, the
indicator will appear.
❏ DIRECT OUT (except for ST IN channels)
1
2
3
4
1 ON
Turns the direct output on/off. You can right-click (<control> key + click) the button to display a popup menu and
select ALL ON or ALL OFF.
2 DIRECT OUT GAIN
Adjusts the gain of the direct output. The current value is shown in the numerical box below the knob. You can set this
to the nominal value (0.0 dB) by holding down the <Ctrl>(< >) key and clicking the knob.
3 DIRECT OUT PORT
Click this to select one of the following output ports as the one used for direct out.
NONE
No assignment
DANTE 1–DANTE 64
DANTE OUTPUT 1–64
OMNI 1–OMNI 8
OMNI OUT jacks 1–8
REC L, REC R
L/R inputs of RECORDER
SLOT1-1, SLOT1-2...SLOT3-16
Output channels of an I/O card installed in slots 1–3
4 DIRECT OUT POINT
Selects the position at which direct out will be patched. Choose from PRE HPF, PRE EQ, PRE FADER, or POST ON.
❏ RECALL SAFE/MUTE SAFE
These enable/disable Recall Safe and Mute Safe for the channel.
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CL Editor Owner’s Manual
❏ DCA GROUP/MUTE GROUP
3
3
1 DCA GROUP
Selects the DCA group (1–16) to which that channel belongs.
2 MUTE GROUP
Selects the mute group (1–8) to which that channel belongs.
3 DCA/MUTE
1
2
These buttons enable/disable DCA group and Mute group for the
channel.
❏ Fader
1
2
1 ON
Switches the input channel on/off.
If the corresponding channel is off, the fader will be grayed out.
2 Fader
Adjusts the input level of the input channel. A meter indicating the signal level is shown at
the right of the fader, and the current value is shown in the numerical box immediately
below. You can set this to the minimum value (–∞ dB) by holding down the <Ctrl>(< >)
key of your computer keyboard and clicking the fader knob, or set it to the nominal value
(0.00 dB) by holding down the <Ctrl>(< >) key and <Shift> key and clicking the fader
knob.
3 CUE
This button cue-monitors the signal of the input channel.
NOTE
3
If the Channel Select/Sends On Fader checkbox in the System Setup dialog box is not checked, the [CUE] button will be hidden in the screen.
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CL Editor Owner’s Manual
If a MIX channel is selected
❏ CHANNEL SELECT (Channel selection)
1
2
1 SELECT (Channel selection)
Except for the fact that your editing applies to a MIX channel, this is the
same as the channel selection for an input channel (➥ p.26.)
2 LIBRARY
Accesses the Output Channel Library. Click this button to open the
OUTPUT CH page of the Library window.
3 PATCH (Output patch)
3
Selects the output source assigned to the Mix channel (for the selectable
output sources, ➥ p.17.)
❏ TO MATRIX
1 MATRIX send level
1
2
3
4
This adjusts the send level of the signal sent from the MIX channel to the MATRIX buses.
2 PRE (PRE on/off)
Select either PRE or POST as the position from which the signal is sent from the MIX
channel to the MATRIX bus. PRE EQ or PRE FADER is selected if this is on, or POST
FADER is selected if this is off. The PRE EQ/PRE FADER setting can be made in the Mixer
Setup dialog box.
NOTE
You can right-click (<control> key + click) the PRE button to display a context-sensitive menu that will enable you to specify ALL PRE, ALL POST, or other options.
HINT
• If you are using MATRIX buses in stereo,
the knob for the odd-numbered bus will be
PAN or BALANCE.
• The stereo/mono status can be specified in
the Mixer Setup dialog box.
Knob of odd-numbered side
3 ON (MATRIX send on/off)
This is an on/off switch for the signal sent from the MIX channel to the MATRIX bus.
4 Channel name
This section indicates the MATRIX channel name.
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CL Editor Owner’s Manual
❏ TO STEREO/MONO
Here you can specify how the signal will be sent from the MIX channel to the STEREO bus/MONO bus.
MODE
• ST/MONO button
When this button is on, the signal will be sent to the STEREO bus and independently to the MONO bus.
[for MONO mix channel]
[for STEREO mix channel]
PAN (BALANCE for
STEREO bus)
The PAN knob adjusts the panning of the signal sent from the MIX channel to the STEREO bus L/R channels. You can set this to the center position by holding down the
<Ctrl>(< >) key of the computer keyboard and clicking the knob. If the selected MIX bus
is used as a stereo bus, this will be the BALANCE. The BALANCE knob adjusts the balance of the signal that is sent from the MIX channel to the STEREO bus L/R channels.
ST
Switches the signal sent from the MIX channel to the STEREO bus on/off.
M(C)
Switches the signal sent from the MIX channel to the MONO bus on/off.
• LCR button
When this button is on, the signal will be sent to the L/C/R buses which work in conjunction with each other.
[for MONO mix channel]
[for STEREO mix channel]
PAN (BALANCE for
STEREO bus)
The PAN knob adjusts the panning of the signal that is sent from the MIX channel to each
of the L/C/R channels. You can set this to the center position by holding down the
<Ctrl>(< >) key of the computer keyboard and clicking the knob. If the selected MIX bus
is used as a stereo bus, this will be the BALANCE. The BALANCE knob adjusts the balance of the signal that is sent from the MIX channel to the STEREO bus L/R channels.
CSR (Center Side Ratio)
Adjusts the proportion of the CENTER channel level relative to the STEREO bus L/R in a
range of 0–100%.
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CL Editor Owner’s Manual
❏ EQ (Equalizer)
1
2
3
4
5
6
7
8
9
0
A
B
1 LIBRARY
Accesses the OUTPUT EQ page of the Library window.
2 ON
Switches the EQ on/off.
3 EQ graph
Indicates the response for the EQ of the currently selected channel. To reset the EQ to flat response, hold down the
<Ctrl>(< >) key of your computer keyboard and click the graph.
4Q
These knobs adjust the Q level of the frequency range selected in the EQ graph.
5 FREQ (FREQUENCY)
These knobs adjust the center frequency for the four bands LOW, LO-MID, HI-MID, and HIGH.
6 GAIN
These knobs adjust the Q, center frequency, and boost/cut amount for the four bands LOW, LO-MID, HI-MID, and
HIGH.
7
HIGH shelving
If this button is on, the HIGH EQ will be switched to a shelving type (the Q knob of the HIGH EQ will disappear.)
8
LPF (Low Pass Filter)
If this button is on, the HIGH EQ will function as a low pass filter. The Q knob of the HIGH EQ will disappear, and the
GAIN knob will act as the low pass filter on/off switch.
9
(LOW shelving)
If this button is on, the LOW EQ will be switched to a shelving type (the Q knob of the LOW EQ will disappear.)
0
HPF (High Pass Filter)
If this button is on, the LOW EQ will function as a high pass filter EQ. The Q knob of the LOW EQ will disappear, and
the GAIN knob will act as the high pass filter on/off switch.
A TYPE I/TYPE II (EQ type)
Selects either TYPE I or TYPE II as the EQ type.
B ATT (Attenuation)
Adjusts the amount of attenuation for the signal level of pre EQ.
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CL Editor Owner’s Manual
❏ DYNAMICS1
Except for the fact that the available types are COMPRESSOR, EXPANDER, COMPAND H and COMPAND S, and that
you can select more than one signal as the key-in signal, this is the same as the dynamics for input channels (➥ p.30.)
❏ INSERT
Except for the fact that the insert ports that can be selected are different, this is the same as for the insert settings of an
input channel (➥ p.34.)
❏ RECALL SAFE/MUTE SAFE
These are the same as the Recall Safe and Mute Safe functions for input channels (➥ p.35.)
❏ DCA GROUP/MUTE GROUP
These are the same as the DCA GROUP/MUTE GROUP functions for input channels (➥ p.36.)
❏ Fader
1
1 ON
Switches the MIX channel on/off.
2 Fader
2
Adjusts the output level of the MIX channel. A meter indicating the signal level is shown at
the right of the fader, and the current value is shown in the numerical box immediately
below. You can set this to the minimum value (–∞ dB) by holding down the <Ctrl>(< >)
key of your computer keyboard and clicking the fader knob, or set it to the nominal value
(0.00 dB) by holding down the <Ctrl>(< >) key and <Shift> key and clicking the fader
knob.
3 CUE
This button cue-monitors the signal of the MIX channel.
NOTE
If the Channel Select/Sends On Fader checkbox in the System Setup dialog box is not checked, the [CUE] button will be hidden in the screen.
3
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CL Editor Owner’s Manual
If a MATRIX channel is selected
❏ CHANNEL SELECT (Channel selection)
Except for the fact that your editing applies to a MATRIX channel, this is the same as the channel selection for a MIX
channel (➥ p.37.)
❏ FROM MIX, ST/MONO(C)
1 FROM MIX, ST/MONO(C) send level
1
2
3
These adjust the send levels of the signals sent from the MIX
buses or STEREO/MONO buses to the MATRIX bus. The current value is shown in the numerical box immediately below.
2 PRE (PRE on/off)
4
1
2
3
4
These select either PRE or POST as the position from which the
signal is sent from the MIX buses or STEREO/MONO buses to
the MATRIX bus. PRE EQ or PRE FADER is selected if this is
on, or POST FADER is selected if this is off. The PRE EQ/
FADER setting can be made in the Mixer Setup dialog box.
3 ON(FROM MIX, ST/MONO send on/off)
These are on/off switches for the signal sent from the MIX buses
or STEREO/MONO buses to the MATRIX bus.
4 Channel name
This section indicates the name of the MIX channel or STEREO/
MONO channel.
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CL Editor Owner’s Manual
❏ BALANCE
This is shown only if the selected MATRIX bus is being used as stereo. It
adjusts the left/right volume balance of the stereo signal. You can set this to the
center value by holding down the <Ctrl>(< >) key of your computer keyboard and clicking this knob.
❏ EQ (Equalizer)
This is the same as for the equalizer of a MIX channel (➥ p.39.)
❏ DYNAMICS1
Except for the fact that the available types are COMPRESSOR, EXPANDER, COMPAND H and COMPAND S, and that
you can select more than one signal as the key-in signal, this is the same as the dynamics for input channels (➥ p.30.)
❏ INSERT
Except for the fact that the insert ports that can be selected are different, this is the same as for the insert settings of an
input channel (➥ p.34.)
❏ RECALL SAFE/MUTE SAFE
These are the same as the RECALL SAFE/MUTE SAFE of a MIX channel (➥ p.40.)
❏ DCA GROUP/MUTE GROUP
These are the same as the DCA GROUP/MUTE GROUP functions for input channels (➥ p.36.)
❏ Fader
1
1 ON
This switches the MATRIX channel on/off.
2 Fader
2
This adjusts the output level of the MATRIX channel. A meter indicating the signal level is
shown at the right of the fader, and the current value is shown in the numerical box immediately below. You can set this to the minimum value (–∞ dB) by holding down the
<Ctrl>(< >) key of your computer keyboard and clicking the fader knob, or set it to the
nominal value (0.00 dB) by holding down the <Ctrl>(< >) key and <Shift> key and clicking the fader knob.
3 CUE
This button cue-monitors the signal of the MATRIX channel.
NOTE
If the Channel Select/Sends On Fader checkbox in the System Setup dialog box is not checked, the [CUE] button will be hidden in the screen.
3
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CL Editor Owner’s Manual
If a STEREO/MONO channel is selected
● STEREO channel window
● MONO channel window
❏ CHANNEL SELECT (Channel selection)
Except for the fact that your editing applies to a STEREO/MONO channel, this is the same as the channel selection for
a MIX channel (➥ p.37.)
❏ TO MATRIX
These are the same as the TO MATRIX of a MIX channel (➥ p.37.)
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CL Editor Owner’s Manual
❏ BALANCE (except for MONO channel)
This adjusts the left/right volume balance in the STEREO bus. You can set this
to the center value by holding down the <Ctrl>(< >) key of your computer
keyboard and clicking this knob.
❏ EQ (Equalizer)
This is the same as the equalizer settings of a MIX channel (➥ p.39.)
❏ DYNAMICS1
Except for the fact that the available types are COMPRESSOR, EXPANDER, COMPAND H and COMPAND S, and
that you can select more than one signal as the key-in signal, this is the same as the dynamics for input channels
(➥ p.30.)
❏ INSERT
Except for the fact that the insert ports that can be selected are different, this is the same as for the insert settings of an
input channel (➥ p.34.)
❏ RECALL SAFE/MUTE SAFE
These are the same as the RECALL SAFE/MUTE SAFE of a MIX channel (➥ p.40.)
❏ DCA GROUP/MUTE GROUP
These are the same as the DCA GROUP/MUTE GROUP functions for input channels (➥ p.36.)
❏ Fader
STEREO
1
MONO
1
1 ON
This switches the STEREO/MONO channel on/off.
2 Fader
2
2
Adjusts the output level of the STEREO/MONO channel. A
meter indicating the signal level is shown at the right of the
fader, and the current value is shown in the numerical box
immediately below.
3 CUE
This button cue-monitors the signal of the STEREO/MONO
channel.
NOTE
3
If the Channel Select/Sends On Fader checkbox
in the System Setup dialog box is not checked,
the [CUE] button will be hidden in the screen.
3
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CL Editor Owner’s Manual
Library window
Here you can edit the CL’s various libraries. You can also load library files that were saved on a drive of your computer, edit
the order or title of library items, recall the desired library data, or copy desired library data to a library within the CL.
This window is divided into DYNAMICS, INPUT EQ, OUTPUT EQ, EFFECT, GEQ (Graphic Equalizer), INPUT CH, and
OUTPUT CH pages; to switch pages, click the tabs located at the top of the window.
To display this window, choose [Library] from the [Windows] menu, and select either “DYNAMICS,” “INPUT EQ,” “OUTPUT EQ,” “EFFECT,” “GEQ,” “INPUT CH,” or “OUTPUT CH.”
NOTE
Regardless of the file type of the opened file, executing SAVE or SAVE AS in this window will save only
the library data relative to the opened tab.
1
2
3
4
5
1 OPEN (Open a file)
Opens a library file located on a drive of your computer. Use this when you want to edit library data that you’ve saved
on a USB flash drive.
2 CLOSE (Close a file)
Closes the currently-open library file.
3 SAVE
Saves the currently-open library file on a drive of your computer. Use this to re-save an edited library on a USB flash
drive, or to create a backup on the hard disk of your computer.
4 SAVE AS (Save under a different name)
Saves the currently-open library file under a different name on a drive of your computer.
5 File name
Indicates the file name of the currently-open library.
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CL Editor Owner’s Manual
7
8
0
B
(Effect/GEQ page only)
A
(DYNAMICS page only)
9
C
6
D
E
F
G
6 FILE
This list shows the contents of the data in the library file you opened using the OPEN button (1). The list includes the
following items.
7 No. (Number)
This column indicates the number of each item in the library.
8 TITLE
This column indicates the title assigned to each library item. You can also double-click this area and edit the title.
9 R (READ ONLY)
Read-only data is indicated by an “R” in this column. It cannot be overwritten, nor can its title be edited.
0 TYPE
This column indicates the effect type.
In the case of dynamics, there is also an indication of the dynamics processor(s) of this channel into which each library
item can be recalled. Only library items with an indication of “1” can be recalled to DYNAMICS 1, and only library
items with an indication of “2” can be recalled to DYNAMICS 2. Library items with neither of these indications cannot
be recalled to this channel.
A DYNAMICS (DYNAMICS page only)
Select which of the two dynamics processors will be subject to the Store or Recall operation.
B RACK No. (Rack selection) (Effect/GEQ page only)
Select which rack will be subject to the Store or Recall operation. In the EFFECT library, it indicates the rack number 18 of the EFFECT rack. In the GEQ library, it indicates the rack number 1-16 of the GEQ and the rack number 1-8 of the
EFFECT rack. If you select the rack number that Flex 15 GEQ is assigned to, it displays the A/B select button. And this
A/B select button will be hidden if you select the rack number that 31 Band GEQ is assigned to.
NOTE
HQ Pitch and Freeze cannot be recalled to an effect module mounted in the even-numbered rack.
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C INTERNAL DATA
This area shows the CL’s library contents. The items displayed are the same as in the FILE list (6).
As desired, you can copy single or multiple data items between the FILE list and the INTERNAL DATA list, and copy or
move them to a different location within a list.
To do this, use the following methods to select the data item(s) that you want to copy or move.
• To select a single data item
Click the line containing the desired data item.
• To select multiple consecutive data items
Click the first data item to select it; then hold down the <Shift> key and
click the last data item.
• To select multiple non-consecutive data items
Click the first data item; then hold down the <Ctrl>(< >) key and click
each of the remaining data items.
When you have selected the data item(s) that you want to move or copy, drag
them to the desired location in the other list (if you’re copying between lists)
or in the same list (if you’re copying/moving within the same list.)
• To copy data items (overwriting the destination)
Drag the copy-source data item(s) to the desired line in the other list or to
another line in the same list. At this time, a  symbol will appear at the
right of the data item number.
When you drop the data item in this state, a dialog box will appear, asking
you to confirm the Save operation. If you click the OK button, the copysource data item(s) will be overwritten onto the copy-destination data
items, and the copy-source data item(s) will remain unchanged. (If the
copy-source selection contains multiple data items, the data will be overwritten onto consecutive data items starting at that data item.)
• To move data items
Within the same list, you can move the selected data item(s) to another
location to rearrange the order of the data items in the list. To do this,
drag the selected data item(s) to a location between two other lines in the
same list. At this time, a
symbol will appear between the lines.
When you release the mouse button in this state, the selected data item(s)
will move to that location, and the data item numbers will also change
accordingly. (If the move-source selection contains multiple data items,
those data items will be inserted consecutively at the location you specify.)
NOTE
You cannot copy the Initial Data of the GEQ library.
D STORE
Stores the current settings to the data item that is selected in the list.
E RECALL
Recalls the data item that is selected in the list.
F CLEAR
Clears the data item(s) selected in the list.
G UNDO
Cancels the last-performed library recall, store, copy, or move operation.
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CL Editor Owner’s Manual
Premium Rack Library window
Here you can edit the libraries of each EQ or compressor of the PREMIUM rack. You can also load library files that were
saved on a drive of your computer, edit the order or title of library items, recall the desired library data, or copy desired
library data to a library within the CL.
This window is divided into Portico5033, Portico5043, U76, Opt-2A, EQ-1A, and DynamicEQ pages; to switch pages, click
the tabs located at the top of the window. To display this window, choose [Premium Rack Library] from the [Windows]
menu, and select either “Portico5033,” “Portico5043,” “U76,” “Opt-2A,” “EQ-1A,” or “DynamicEQ.”
The operating procedure is the same as for the Library window (➥ p.45.)
NOTE
Regardless of the file type of the opened file, executing SAVE or SAVE AS in this window will save only
the library data relative to the opened tab.
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Patch Editor window
Here you can assign the input/output port for each channel, its direct output, and its insert-in/out.
This window is divided into INPUT PATCH, OUTPUT PATCH, INPUT INSERT PATCH, OUTPUT INSERT PATCH,
DIRECT OUT PATCH, and PATCH LIST pages. To switch pages, click the tabs shown in the upper part of the window.
To display this window, choose [Patch Editor] from the [Windows] menu, and select either “INPUT PATCH,” “OUTPUT
PATCH,” “INPUT INSERT PATCH,” “OUTPUT INSERT PATCH,” “DIRECT OUT PATCH,” or “PATCH LIST.”
INPUT PATCH page
1
3
2
4
Here you can select the input port that is assigned to the input of each input channel.
❏ HA INFO
Specifies whether the HA setting for the input port will be copied from the original channel when you modify the patching.
1 TAKE FROM PORT button
The HA setting will not be copied from the original channel. The HA setting for the port will remain the same, even if
patching is changed.
2 TAKE FROM CHANNEL button
The HA setting will be copied from the original channel. The HA setting for the previously-patched port will be applied
to a newly-patched port.
❏ AUTO SETUP
3 PRESET button
Initializes the patching in this page.
4 CLEAR ALL button
Clears all patching in this page.
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OUTPUT PATCH page
1
Here you can select the input port that is assigned to the output of each output channel.
1 CLEAR ALL
Clears all patching in this page.
INPUT INSERT PATCH page
Output port selection
Input port selection
Here you can assign input/output ports to the insert-in/out of each input channel. Select the output port in the left side of
the screen, and the input port in the right side of the screen.
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1
2
3
1 INSERT1/INSERT2
These buttons switch the display between INSERT 1 and INSERT 2.
2 Current number of inserts
The number of inserts that are currently assigned for the group.
If you assign more inserts than the maximum available number, this number will be displayed in red, and the
cator will appear next to it.
NOTE
indi-
If you assign more inserts than the maximum available number, the excessive inserts will be invalid.
Also, the
indicator will appear in the corresponding channel grid.
3 Maximum available number of inserts
The maximum number of inserts that are available for the group.
There is a limitation to the sum of INSERT 1 and INSERT 2 for each channel group, as shown below. You can assign
inserts for input ports and output ports separately.
Channel group
Maximum available
number of inserts
CH1–16
CH17–32
CH33–48
CH49–64
(CL5 and CL3 only)
CH65–72
(CL5 only)
16
16
16
16
8
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CL Editor Owner’s Manual
OUTPUT INSERT PATCH page
Output port selection
Input port selection
Here you can assign input/output ports to the insert-in/out of each output channel. Select the output port in the left side of
the screen, and the input port in the right side of the screen.
1
2
3
1 INSERT1/INSERT2
These buttons switch the display between INSERT 1 and INSERT 2.
2 Current number of inserts
The number of inserts that are currently assigned for the group.
If you assign more inserts than the maximum available number, this number will be displayed in red, and the
cator will appear next to it.
NOTE
indi-
If you assign more inserts than the maximum available number, the excessive inserts will be invalid.
Also, the
indicator will appear in the corresponding channel grid.
3 Maximum available number of inserts
The maximum number of inserts that are available for the group.
There is a limitation to the sum of INSERT 1 and INSERT 2 for each channel group, as shown below. You can assign
inserts for input ports and output ports separately.
Channel group
Maximum available
number of inserts
MIX/ST MONO
MATRIX
30
8
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CL Editor Owner’s Manual
DIRECT OUTPUT PATCH page
1
Here you can select the output port that will directly output each input channel.
1 CLEAR ALL
Clears all patching in this page.
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PATCH LIST page
Here you can view and edit the input patch and output patch settings.
1 2
3
4
5
6
1 Input channel number
This is the number of the input channel.
2 Input channel name
This is the name of the input channel. You can click the channel name box to edit the name in this page.
3 Input port
This shows the input port assigned to the input channel. You can click this box and choose the input port from the
popup menu that appears.
4 Output channel number
This is the number of the output channel.
5 Output channel name
This is the name of the output channel. You can click the channel name box to edit the name in this page.
6 Output port
This shows the output port assigned to the output channel. You can click this box, then choose or cancel the output port
from the popup menu that appears.
NOTE
You can assign multiple output ports. If you assign multiple output ports, it will display the first output
port in the order of the pop-up menu.
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Virtual Rack window
Here you can make settings for GEQ (Graphic Equalizer), effects, and PREMIUM rack.
This window is divided into GEQ 1-8, GEQ 9-16, EFFECT, and PREMIUM page. To switch pages, click the tabs located at
the top of the window.
GEQ 1-8/9-16 page
1
2
7
3
46
5
1 Mount
Select a GEQ module for mounting in the rack, from the following choices.
BLANK
No assignment
31BandGEQ
31-band 1-in/1-out graphic equalizer
Flex15GEQ
2-in/2-out graphic equalizer that allows any fifteen of the 31 bands to be controlled
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2 Input patch
Select the input port (s) that will be assigned to the rack, from the following choices.
NONE
No assignment
INS1 MIX 1–24
MIX channel 1–24 insert out 1
INS1 MTRX1–8
MATRIX channel 1–8 insert out 1
INS1 ST L, INS1 ST R, INS1 M(C)
Insert out 1 of STEREO channel L/R or the MONO channel
INS2 MIX 1–24
MIX channel 1–24 insert out 2
INS2 MTRX1–8
MATRIX channel 1–8 insert out 2
INS2 ST L, INS2 ST R, INS2 M(C)
Insert out 2 of STEREO channel L/R or the MONO channel
This is not shown if nothing is mounted in the rack.
NOTE
GEQ rack is for only output channels. If you want to use GEQ modules to the input channels, you can
mount them in the EFFECT rack ( ➥ p.60.)
3 Module graphic
This area shows a graphic of the GEQ module that is currently assigned to the rack, and the parameters of that module.
You cannot edit the parameters in this screen.
Double-click this to open the module editor for that rack unit.
By holding down the <Ctrl>(< >) key of your computer keyboard and double-clicking this, you can open multiple
rack module editors. For these additional editors, the rack select buttons are not linked with the RACK popup window
of the CL itself.
4 Input meter/Output meter
These indicate the level of the signals being input and output from the rack.
5 Output patch
Select the output port(s) that will be assigned to the rack, from the following choices.
NONE
No assignment
INS1 MIX 1–24
MIX channel 1–24 insert in 1
INS1 MTRX1–8
MATRIX channel 1–8 insert in 1
INS1 ST L, INS1 ST R, INS1 M(C)
Insert in 1 of STEREO channel L/R or the MONO channel
INS2 MIX 1–24
MIX channel 1–24 insert in 2
INS2 MTRX1–8
MATRIX channel 1–8 insert in 2
INS2 ST L, INS2 ST R, INS2 M(C)
Insert in 2 of STEREO channel L/R or the MONO channel
6 ON
This switches the GEQ module between active and bypassed states.
A GEQ module is active when the ON button is lit.
7 GEQ Link Indicator
If a GEQ LINK is active, the GEQ Link indicator will be displayed in the left side of the rack (➥ p.59.)
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CL Editor Owner’s Manual
Rack module editor — GEQ window
● 31BandGEQ
● Flex15GEQ
In this window you can select the insertion destination of GEQ, and edit the parameters.
1 Rack No. (Rack selection)
1
Select the rack module of the GEQ rack that you want to control.
2 LIBRARY
This button accesses the GEQ library. Clicking this button will open the
GEQ page of the Library window.
2
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3
3 Input patch
4
Click the CHANNEL field, and choose one of the following as the signal route that will be
patched to the input channel(s) of the currently selected GEQ module.
NONE
No assignment
INS1 MIX 1–24
MIX channel 1–24 insert out 1
INS1 MTRX1–8
MATRIX channel 1–8 insert out 1
INS1 ST L, INS1 ST R,
INS1 M(C)
Insert out 1 of STEREO channel L/R or the MONO channel
INS2 MIX 1–24
MIX channel 1–24 insert out 2
INS2 MTRX1–8
MATRIX channel 1–8 insert out 2
INS2 ST L, INS2 ST R,
INS2 M(C)
Insert out 2 of STEREO channel L/R or the MONO channel
The channel name is shown in the boxes immediately below.
4 Input meter
This indicates the level of the signal that is being input to the currently selected GEQ module.
5 Output patch
Click the CHANNEL field, and choose one of the following as the signal route that will be
patched to the output channel(s) of the currently selected GEQ module.
5
6
NONE
No assignment
INS1 MIX 1–24
MIX channel 1–24 insert in 1
INS1 MTRX1–8
MATRIX channel 1–8 insert in 1
INS1 ST L, INS1 ST R,
INS1 M(C)
Insert in 1 of STEREO channel L/R or the MONO channel
INS2 MIX 1–24
MIX channel 1–24 insert in 2
INS2 MTRX1–8
MATRIX channel 1–8 insert in 2
INS2 ST L, INS2 ST R,
INS2 M(C)
Insert in 2 of STEREO channel L/R or the MONO channel
The channel name is shown in the boxes immediately below.
6 Output meter
This indicates the level of the signal that is being output from the currently selected GEQ
module.
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● 31BandGEQ
8
9
7
0
A
● Flex15GEQ
8
B
7
0
A
7 ON (GEQ on/off)
Switches the currently selected GEQ module on/off.
8 LINK
This button links the settings of two adjacent odd-numbered/even-numbered 31BandGEQ modules, or the group A
and group B settings of a Flex15GEQ. When you click this button, a window will ask you for confirmation. Click the
buttons for the modules you want to use as the parameter copy-source and copy-destination. If you click the RESET
BOTH button, the parameters of both modules will be reset to the default state.
9 GEQ graph
This graph shows the response of the currently selected GEQ module.
0 GEQ faders
These faders cut/boost the frequency bands of the GEQ module. The value of each fader is shown in the numerical box
below it. Hold down the <Ctrl>(< >) key and click to set the value to 0.00 dB.
A EQ FLAT
This button resets all GEQ faders to the 0 dB position.
B AVAILABLE BANDS (number of operable bands) (Flex15GEQ only)
For a Flex15GEQ, you can operate any fifteen of the thirty-one bands. This numerical display box shows the remaining
number of bands that can be operated. If you have operated fifteen bands, this number will be zero, and you won’t be
able to operate any additional bands. If you want to operate another band in this state, you’ll need to return a previously-operated band back to the 0 dB position.
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CL Editor Owner’s Manual
EFFECT page
1
2
3
6 4
5
1 Mount
Select an effect module or GEQ module for mounting in the rack, from the following choices.
BLANK
31BandGEQ
Flex15GEQ
EFFECT
No assignment
31-band 1-in/1-out graphic equalizer
2-in/2-out graphic equalizer that allows any fifteen of the 31 bands to be controlled
Internal effect
2 Input patch
Click the L CHANNEL or R CHANNEL area, and choose one of the following as the signal route that will be patched to
the L/R input channels of the internal effect. This is not shown if nothing is mounted in the rack.
NONE
No assignment
MIX 1–24
MIX channel 1–24
MATRIX1–8
MATRIX channel 1–8
ST L, ST R, MONO(C)
STEREO channel L/R, MONO channel
INS1 CH 1–72(*)
INPUT channel 1–72(*) insert out 1
INS1 MIX 1–24
MIX channel 1–24 insert out 1
INS1 MTRX1–8
MATRIX channel 1–8 insert out 1
INS1 ST L, INS1 ST R, INS1 M(C)
Insert out 1 of STEREO channel L/R or the MONO channel
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INS2 CH 1–72(*)
INPUT channel 1–72(*) insert out 2
INS2 MIX 1–24
MIX channel 1–24 insert out 2
INS2 MTRX1–8
MATRIX channel 1–8 insert out 2
INS2 ST L, INS2 ST R, INS2 M(C)
Insert out 2 of STEREO channel L/R or the MONO channel
(*) CL3: 1–64, CL1: 1–48
3 Module graphic
This area shows a graphic of the effect module or the GEQ module that is currently assigned to the rack, and the
parameters of that module. Double-click this to open the module editor for that rack unit. By holding down the
<Ctrl>(< >) key of your computer keyboard and double-clicking this, you can open multiple rack module editors. For
these additional editors, the rack select buttons are not linked with the RACK popup window of the CL itself.
4 Input meter/Output meter
These indicate the level of the signals being input and output from the effect module or the GEQ module.
5 Output patch
Click the L CHANNEL or R CHANNEL area, and choose one of the following as the signal route that will be patched to
the L/R output channels of the internal effect.
NONE
No assignment
CH 1–72(*)
INPUT channel 1–72(*)
STIN1L–STIN8R
ST IN channel 1–8 L/R
INS1 CH 1–72(*)
INPUT channel 1–72(*) insert in 1
INS1 MIX 1–24
MIX channel 1–24 insert in 1
INS1 MTRX1–8
MATRIX channel 1–8 insert in 1
INS1 ST L, INS1 ST R, INS1 M(C)
Insert in 1 of STEREO channel L/R or the MONO channel
INS2 CH 1–72(*)
INPUT channel 1–72(*) insert in 2
INS2 MIX 1–24
MIX channel 1–24 insert in 2
INS2 MTRX1–8
MATRIX channel 1–8 insert in 2
INS2 ST L, INS2 ST R, INS2 M(C)
Insert in 2 of STEREO channel L/R or the MONO channel
(*) CL3: 1–64, CL1: 1–48
6 BYPASS
This switches the effect module or the GEQ module between active and bypassed states. An effect module is active
when the BYPASS button is dark.
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Rack module editor — Effect window
Here you can select the effect type for an internal effect, edit the parameters, and specify the input/output patching.
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1
2 3
1 Rack No. (Rack selection)
Select the rack module of the EFFECT rack that you want to
control.
2 BYPASS
This button temporarily bypasses the effect.
3 CUE
This button cue-monitors the output of the currently selected
effect.
4
5
NOTE
6
If the Channel Select/Sends On Fader checkbox
in the System Setup dialog box is not checked,
the [CUE] button will be hidden in the screen.
4 EFFECT NAME
Indicates the title of the currently selected effect.
5 TYPE (EFFECT TYPE)
Indicates the currently selected effect type. You can also switch the effect type from this window. To do so, click the text
box, and select the desired effect type from the popup menu that appears.
6 LIBRARY
This button accesses the effect library. Clicking this button will open the EFFECT page of the Library window.
7 Input patch
Click the L CHANNEL or R CHANNEL area, and choose one of the following as the signal route that will be patched to the L/R input channels of
the internal effect.
8
7
NONE
No assignment
MIX 1–24
MIX channel 1–24
MATRIX1–8
MATRIX channel 1–8
ST L, ST R, MONO(C) STEREO channel L/R, MONO channel
0
9
A
INS1 CH 1–72(*)
INPUT channel 1–72(*) insert out 1
INS1 MIX 1–24
MIX channel 1–24 insert out 1
INS1 MTRX1–8
MATRIX channel 1–8 insert out 1
INS1 ST L, INS1 ST R,
INS1 M(C)
Insert out 1 of STEREO channel L/R or the MONO
channel
INS2 CH 1–72(*)
INPUT channel 1–72(*) insert out 2
INS2 MIX 1–24
MIX channel 1–24 insert out 2
INS2 MTRX1–8
MATRIX channel 1–8 insert out 2
INS2 ST L, INS2 ST R,
INS2 M(C)
Insert out 2 of STEREO channel L/R or the MONO
channel
(*) CL3: 1–64, CL1: 1–48
The channel name is shown in the boxes immediately below.
8 Input meter
Indicates the level of the signal being input to the internal effect.
9 Output patch
Click the L CHANNEL or R CHANNEL area, and choose one of the following as the signal route that will be patched to
the L/R output channels of the internal effect.
NONE
No assignment
CH 1–72(*)
INPUT channel 1–72(*)
STIN1L–STIN8R
ST IN channel 1–8 (L/R)
INS1 CH 1–72(*)
INPUT channel 1–72(*) insert in 1
INS1 MIX 1–24
MIX channel 1–24 insert in 1
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INS1 MTRX1–8
MATRIX channel 1–8 insert in 1
INS1 ST L, INS1 ST R, INS1 M(C)
Insert in 1 of STEREO channel L/R or the MONO channel
INS2 CH 1–72(*)
INPUT channel 1–72(*) insert in 2
INS2 MIX 1–24
MIX channel 1–24 insert in 2
INS2 MTRX1–8
MATRIX channel 1–8 insert in 2
INS2 ST L, INS2 ST R, INS2 M(C)
Insert in 2 of STEREO channel L/R or the MONO channel
(*) CL3: 1–64, CL1: 1–48
The channel name is shown in the boxes immediately below.
0 Output meter
Indicates the level of the signal being output from the internal effect.
A Parameter display select button
If “REV-X HALL,” “REV-X ROOM,” “REV-X PLATE,” or VCM effect is selected as the effect type, this button switches
between the standard parameter screen and a dedicated GUI screen.
B MIX BALANCE
B
Adjusts the balance of the effect sound relative to the original sound. 0 (%) outputs only the
original sound, and 100 (%) outputs only the effect sound.
C TEMPO
If a tempo-type or modulation-type effect is selected, this allows you to adjust time-related
parameters such as DELAY (delay time) and FREQ. (modulation speed.)
To set the value of the TEMPO parameter, you can either input the BPM (Beats Per Minute)
in the numerical box, or repeatedly click the TAP TEMPO button at the desired tempo.
If the MIDI CLK button is on, the TEMPO parameter value will synchronize to the MIDI
timing clock being received from the MIDI port.
C
D SOLO
D
If “M.BAND DYNA” or “M.BAND COMP” are selected as the effect type, these buttons
allow you to monitor only the specified band from the three bands HIGH, MID, and LOW.
E GR meter (Gain Reduction meter)
If “M.BAND DYNA” or “M.BAND COMP” are selected as the effect type, this indicates the
gain reduction amount for the H (HIGH), M (MID), and L (LOW) bands.
E
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F
G
F PLAY/REC (Play/Record) buttons
If “FREEZE” is selected as the effect type, you can use these buttons to record and play back the signal being input to
the effect.
G Effect parameters
This area shows the effect parameters and knobs for the currently selected effect type. It also shows the GUI screen that
are specific to the following each effect type: REV-X HALL, REV-X ROOM, REV-X PLATE, COMP276, COMP276S,
COMP260, COMP260S, EQUALIZER601, and OPENDECK.
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CL Editor Owner’s Manual
PREMIUM page
1
2
3
6 4
5
1 Mount
Select a PREMIUM rack module (EQ or compressor) for mounting in the rack, from the following choices: BLANK,
Portico5033 (DUAL/STEREO), Portico5034 (DUAL/STEREO), U76 (DUAL/STEREO), Opt-2A (DUAL/STEREO),
EQ-1A (DUAL/STEREO), and DynamicEQ (DUAL/STEREO.)
U76 (DUAL/STEREO) can be mounted only in an odd-numbered rack, and occupies two rack spaces.
2 Input patch
Click the CHANNEL field (Click L CHANNEL or R CHANNEL area for the stereo EQ or compressor), and choose one
of the following as the signal route that will be patched to the input channel(s) of the currently selected PREMIUM rack
module.
NONE
No assignment
MIX 1–24
MIX channel 1–24 (only for rack 1–2)
MATRIX1–8
MATRIX channel 1–8 (only for rack 1–2)
ST L, ST R, MONO(C)
STEREO channel L/R, MONO channel (only for rack 1–2)
INS1 CH 1–72(*)
INPUT channel 1–72(*) insert out 1
INS1 MIX 1–24
MIX channel 1–24 insert out 1
INS1 MTRX1–8
MATRIX channel 1–8 insert out 1
INS1 ST L, INS1 ST R, INS1 M(C)
Insert out 1 of STEREO channel L/R or the MONO channel
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INS2 CH 1–72(*)
INPUT channel 1–72(*) insert out 2
INS2 MIX 1–24
MIX channel 1–24 insert out 2
INS2 MTRX1–8
MATRIX channel 1–8 insert out 2
INS2 ST L, INS2 ST R, INS2 M(C)
Insert out 2 of STEREO channel L/R or the MONO channel
(*) CL3: 1–64, CL1: 1–48
3 Module graphic
This area shows a graphic of the PREMIUM rack module that is currently assigned to the rack, and the parameters of
that module. Double-click this to open the module editor for that rack unit. By holding down the <Ctrl>(< >) key of
your computer keyboard and double-clicking this, you can open multiple rack module editors. For these additional editors, the rack select buttons are not linked with the RACK popup window of the CL itself.
4 Input meter/Output meter
This indicates the level of the signal that is being input and output from the currently selected PREMIUM rack module.
5 Output patch
Click the CHANNEL field (Click L CHANNEL or R CHANNEL area for the stereo EQ or compressor), and choose one
of the following as the signal route that will be patched to the output channel(s) of the currently selected PREMIUM
rack module.
NONE
No assignment
CH 1–72(*)
INPUT channel 1–72 (only for rack 1-2(*))
STIN1L–STIN8R
ST IN channel 1–8 L/R (only for rack 1-2)
INS1 CH 1–72(*)
INPUT channel 1–72(*) insert in 1
INS1 MIX 1–24
MIX channel 1–24 insert in 1
INS1 MTRX1–8
MATRIX channel 1–8 insert in 1
INS1 ST L, INS1 ST R, INS1 M(C)
Insert in 1 of STEREO channel L/R or the MONO channel
INS2 CH 1–72(*)
INPUT channel 1–72(*) insert in 2
INS2 MIX 1–24
MIX channel 1–24 insert in 2
INS2 MTRX1–8
MATRIX channel 1–8 insert in 2
INS2 ST L, INS2 ST R, INS2 M(C)
Insert in 2 of STEREO channel L/R or the MONO channel
(*) CL3: 1–64, CL1: 1–48
6 BYPASS
This switches the PREMIUM rack module between active and bypassed states. A PREMIUM rack module is active
when the BYPASS button is dark.
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Rack module editor — Premium window
Here you can select the module type (EQ or compressor) for the PREMIUM rack, edit the parameters, and specify the
input/output patching. Parameter changes can be made in the specific GUI displayed on the right side of the screen for
each PREMIUM rack module. For information on the parameters of each PREMIUM rack module, please refer to the “CL’s
Reference Manual”
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1
2 3 1 Rack No. (Rack selection)
Select the PREMIUM rack module that you want to control.
2 BYPASS
This button temporarily bypasses the PREMIUM rack module.
3 CUE
This button cue-monitors the output of the currently selected
PREMIUM rack module.
4
NOTE
6
5
If the Channel Select/Sends On Fader checkbox
in the System Setup dialog box is not checked,
the [CUE] button will be hidden in the screen.
4 EFFECT NAME
Indicates the title of the currently selected PREMIUM rack module.
5 TYPE (Module type)
Indicates the currently selected PREMIUM rack module type.
NOTE
Selecting the module type is not available in the PREMIUM rack.
6 LIBRARY
This button accesses the Premium rack library. Clicking this button will open the PREMIUM rack module (EQ or compressor) page of the Premium Rack Library window.
7 Input patch
Click the CHANNEL field (Click L CHANNEL or R CHANNEL area for the
stereo EQ or compressor), and choose one of the following as the signal route
that will be patched to the input channel(s) of the currently selected PREMIUM rack module.
8
7
<
9
NONE
No assignment
MIX 1–24
MIX channel 1–24 (only for rack 1–2)
MATRIX1–8
MATRIX channel 1–8 (only for rack 1–2)
ST L, ST R, MONO(C)
STEREO channel L/R, MONO channel (only for
rack 1–2)
INS1 CH 1–72(*)
INPUT CH 1–72(*) insert out 1
INS1 MIX 1–24
MIX channel 1–24 insert out 1
INS1 MTRX1–8
MATRIX channel 1–8 insert out 1
INS1 ST L, INS1 ST R,
INS1 M(C)
Insert out 1 of STEREO channel L/R or the MONO
channel
INS2 CH 1–72(*)
INPUT CH 1–72(*) insert out 2
INS2 MIX 1–24
MIX channel 1–24 insert out 2
INS2 MTRX1–8
MATRIX channel 1–8 insert out 2
INS2 ST L, INS2 ST R,
INS2 M(C)
Insert out 2 of STEREO channel L/R or the MONO
channel
(*) CL3: 1–64, CL1: 1–48
7
8
The channel name is shown in the boxes immediately below.
8 Input meter
Indicates the level of the signal being input to the PREMIUM rack module.
When the stereo EQ or compressor has been selected, display the meter of
both the L/R.
9 Output patch
9
<
Click the CHANNEL field (Click L CHANNEL or R CHANNEL area for the
stereo EQ or compressor), and choose one of the following as the signal route
that will be patched to the output channel(s) of the currently selected PREMUIM module.
NONE
No assignment
CH 1–72(*)
INPUT channel 1–72 (only for rack 1–2(*))
STIN1L–STIN8R
ST IN channel 1–8 L/R (only for rack 1–2)
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INS1 CH 1–72(*)
INPUT channel 1–72(*) insert in 1
INS1 MIX 1–24
MIX channel 1–24 insert in 1
INS1 MTRX1–8
MATRIX channel 1–8 insert in 1
INS1 ST L, INS1 ST R,
INS1 M(C)
Insert in 1 of STEREO channel L/R or the MONO
channel
INS2 CH 1–72(*)
INPUT channel 1–72(*) insert in 2
INS2 MIX 1–24
MIX channel 1–24 insert in 2
INS2 MTRX1–8
MATRIX channel 1–8 insert in 2
INS2 ST L, INS2 ST R,
INS2 M(C)
Insert in 2 of STEREO channel L/R or the MONO
channel
(*) CL3: 1–64, CL1: 1–48
The channel name is shown in the boxes immediately below.
0 Output meter
Indicates the level of the signal being output from the PREMIUM rack module.
• When the stereo EQ or compressor has been selected, display the meter of both the L/R.
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Meter window
This window shows the signal levels of each section in the CL, letting you check for the presence of signals and whether an
overload is occurring.
This window is divided into INPUT METER and OUTPUT METER; to switch pages, click the tabs located at the top of the
window.
NOTE
In order to view the CL’s signal levels in the Meter window, make sure that CL Editor and the CL itself are
synchronized. Also, please make sure that the Level Meter is enabled in the System Setup dialog box
( ➥ p.2.)
INPUT METER page
1
2
3
1 METERING POINT
Select one of the following as the point where metering will occur.
PRE G.C, PRE D.GAIN, POST D.GAIN, PRE FADER, POST ON
2 PEAK HOLD
Switches peak hold on/off.
3 Meters
These peak level meters show the input level of each channel. The current fader value is shown in the box below.
If clipping occurs at any one of the detection points in the channel, the  segment will light.
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OUTPUT METER page
1
2
3
1 METERING POINT
Select one of the following as the point where metering will occur.
PRE EQ, PRE FADER, POST ON
2 PEAK HOLD
This is the same as in the INPUT METER page.
3 Meters
This is the same as in the INPUT METER page.
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Group/Link window
In this window you can select the channels that will be assigned to each DCA group and mute group. This window is
divided into three pages; the DCA GROUP ASSIGN page, the MUTE GROUP ASSIGN page and CHANNEL LINK page.
DCA GROUP ASSIGN page
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CL Editor Owner’s Manual
Here you can specify the channels that will be assigned to DCA groups 1–16.
1
2
3
4
5
1 DCA group
This is the number of the DCA group.
2 DCA group name
This is the name of the DCA group. You can also click the mouse on this area to edit the name.
3 PRE&POST (DCA MUTE TARGET)
These buttons determine whether a Send signal routed to the bus (that features a send point set to PRE) can be muted.
Turn this button on to specify PRE and POST as the mute target. Turn this button off to specify only POST as the mute
target.
4 Grid
This grid lets you assign channels (horizontal rows) to DCA groups (vertical columns.) Currently-patched grids are
indicated by a
symbol. To enable or disable an assignment, click the desired grid.
5 CLEAR
These buttons clear all channels assigned to the corresponding DCA group. When you click one of these buttons a window will appear, asking you to confirm the operation. To execute the Clear operation, click the OK button.
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MUTE GROUP ASSIGN page
Here you can specify the channels that will be assigned to mute groups 1–8. The upper part of the screen lets you assign
input channels to mute groups, and the lower part of the screen lets you assign output channels to mute groups.
1
2
3
4
6
5
7
1 Mute group
This area shows the mute group number.
2 Mute group name
This area shows the mute group name. Click this area to edit the name.
3 MUTE (MUTE MASTER)
These buttons enable/disable each input channel or output channel mute group. If the mute groups are completely
muted, they are shown in red. If the dimmer levels for those groups are set in a non-default status, they are shown in
orange.
4 Grid
This grid lets you assign channels (horizontal rows) to mute groups (vertical columns.) Currently-patched grids are
indicated by a
symbol. To enable or disable an assignment, click the desired grid.
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5 MUTE SAFE ON
These buttons switch Mute Safe on/off for each channel. Channels for which this button is on will be excluded from
mute groups.
6 CLEAR
These buttons clear all input channels and output channels assigned to the corresponding mute group. When you click
one of these buttons a window will appear, asking you to confirm the operation. To execute the Clear operation, click
the OK button.
7 DIMMER LEVEL
These knobs adjust the dimmer level for each group to lower the signal level of the group to the amount of attenuation
you set. For example, a certain amount of the monitor speaker level for a group of musicians can be lowered temporarily to avoid an excessive monitor speaker level during MC in between songs.
CHANNEL LINK page
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If you link two or more input channels, the parameters of these channels will interlock with each other and change simultaneously.
1
2
3
4
5
1 Link buttons
Use these buttons to select the link group A-Z, a-n to which you want each input channel to be assigned. If you don’t
want an input channel to be linked, select NONE. You can assign up to forty groups (CL5: 40 groups, CL3: 36 groups,
CL1: 28 groups) for INPUT CH 1–72 (CL3: 1–64, CL1: 1–48.)
2 CLEAR ALL
Clears the link settings for all channels.
3 LINK GROUP button
If you select a link group using one of the corresponding Link buttons (1), the LINK GROUP button will automatically select the same link group.
4 LINK PARAMETER
This section enables you to select the parameters to interlock.
HA
HPF
DIGITAL GAIN
EQ
DYNAMICS1
DYNAMICS2
INSERT
DIRECT OUT
MIX SEND
MIX ON
MATRIX SEND
MATRIX ON
FADER
DCA
CH ON
MUTE
TO ST
DELAY
NOTE
Head amp gain and phantom power settings
HPF settings
DIGITAL GAIN settings
Equalizer settings
Dynamics 1 settings
Dynamics 2 settings
INSERT settings
DIRECT OUT settings
Send amount from input channel to MIX bus
MIX SEND on/off
Send amount from input channel to MATRIX bus
MATRIX SEND on/off
Fader level value
DCA settings
Input channel module output on/off
Mute settings
TO ST settings
Delay settings
The HA, FADER, DIGITAL GAIN, and DELAY parameters will maintain level differences between linked channels.
5 SEND PARAMETER
Specify the link status for each MIX/MATRIX SEND bus.
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Scene window
Here you can manage scene memories, and make various settings related to scene recall operations.
This window is divided into SCENE MEMORY, RECALL SAFE, FADE TIME, and FOCUS RECALL pages. To switch
pages, click the tabs shown in the upper part of the window.
NOTE
Regardless of the file type of the opened file, executing SAVE or SAVE AS in this window will save only
the scene library data.
SCENE MEMORY page
Here you can edit the CL’s scene memories. You can also load scene library files from a USB flash drive or from a drive of
your computer, and edit them. In this case, you can re-save all scenes to a file after editing, recall just a desired scene, or
copy a desired scene to the scene memory of the CL itself.
1
2 3 4
1 File name
5
Indicates the file name of the currently-open scene
library.
2 OPEN (Open a file)
Opens a scene library file located on a drive of
your computer.
3 CLOSE (Close a file)
Closes the currently-open scene library file.
4 SAVE
Saves the currently-open scene library file on a
drive of your computer.
6
5 SAVE AS (Save as a different name)
Saves the currently-open scene library file under a
different name on a drive of your computer.
6 FILE
This area lists the scenes in the file you opened
using the OPEN button (2). The list includes the
following items.
HINT
78
To view items that are not currently
shown, scroll the list to the right.
CL Editor Owner’s Manual
7
8
9
0
A
B
C
D
7 No.
This is the scene number in the file you opened.
8 TITLE
This is the scene title. You can also double-click this area and edit the title.
9 PROTECT
This indicates whether protect is on or off for each scene. This area displays a lock icon for protected scenes; these
scenes cannot be overwritten, nor their title edited. Read-only scenes are indicated by “R” displayed in this column.
NOTE
You can use this protect function for read-only scenes only on the CL unit. Read-only scenes (excluding
scene No. 000) are indicated by an R symbol if the CL Editor and the CL unit are connected online.
0 COMMENT
This column shows the comment assigned to each scene. You can also double-click this column and edit the comment.
A FOCUS
This displays the parameters that will be recalled by scene recall.
RACK
GEQ and internal effect settings will be recalled
HA
Internal head amp and external head amp settings will be recalled
IN PATCH
Input patch settings will be recalled
OUT PATCH
Output patch settings will be recalled
IN
Input channels (INPUT, ST IN, DCA) settings will be recalled except for head amp settings
OUT
Output channel (MIX, MATRIX, STEREO/MONO) settings will be recalled
WITH SEND
Send settings to the output channels will be recalled
DCA
DCA settings will be recalled
OTHERS
Other settings will be recalled
• [FOCUS] button
This switches the FOCUS button on/off.
• [SET] button (only for INTERNAL
DATA list)
Click this to access the Focus Recall Setup
screen (shown at right), where you can view
the Focus function settings for each scene.
For an explanation of the contents shown, refer
to the FOCUS RECALL page. (➥ p.85)
• FOCUS Indicator
Indicates the status of the Focus Recall settings.
The indicator will lit in black when all parameters are set to off.
It will lit in green when all parameters are set
to on and lit in blue when only some parameters are set to on.
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B TIME STAMP
Indicates the time at which the scene was last stored, in the format of month/day/year/hours/minutes/seconds. This
column is only for display, and cannot be edited.
C FADING
This switches FADING on/off for each scene.
D FADE TIME
Indicates the FADE TIME for each scene. You can edit the FADE TIME by double-clicking this field.
E
F
G
H
I
J
E INTERNAL DATA
This area shows the CL’s scene memory contents. The items displayed are the same as in the FILE list (6).
As desired, you can copy single or multiple scenes between the FILE list and the INTERNAL DATA list, and copy or
move them to a different location within a list.
F STORE
Stores the current settings to the scene that is selected in the list.
G RECALL
Recalls the settings of the scene selected in the list.
H CLEAR
Clears the scene(s) selected in the list.
I UNDO
Cancels the last-performed scene recall, store, copy, or move operation.
J PROTECT
Turns on the Protect setting for the scene(s) selected in the list.
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RECALL SAFE page
Here you can make settings for the Recall Safe function that excludes only specific channels from recall operations of all
scenes.
❏ INPUT SAFE PARAMETERS field
In this area you can view and edit the Recall Safe settings for all input channels and ST IN channels. This area contains the
following items.
1
2
1 SAFE ON/OFF
These are on/off buttons that select the channels to be excluded
from recall operations.
2 Parameter matrix grid
Here you can select the parameters to be excluded from recall
operations. If the ALL button is on, all parameters will be
excluded.
3 SET ALL
These buttons turn on all buttons for all input channels or ST IN
channels, or for the corresponding parameter.
4 CLEAR ALL
These buttons turn off all buttons for all input channels or ST IN
channels, or for the corresponding parameter.
3
4
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❏ OUTPUT SAFE PARAMETERS field
In this area you can view and edit the Recall Safe settings for all output channels. The items in this area are the same as in
the INPUT SAFE PARAMETERS field.
❏ GLOBAL RECALL field
In this area you can view and edit the Recall Safe parameters. These are not channel parameters, but CL global parameters
for such things as patches, DCA groups, and racks.
05
6
7
A B
8
9
D
E
F
G
CI
H
5 INPUT PATCH
Excludes INPUT PATCH settings from recall operations when the button is on.
6 INPUT NAME
Excludes the channel names of input channels from recall operations when the button is on.
7 HA
Excludes Head Amps of I/O rack currently connected to the CL from recall operations when the button is on.
8 CH LINK
Excludes CH LINK settings from recall operations when the button is on.
9 OUTPUT NAME
Excludes the channel names of output channels from recall operations when the button is on.
0 OUTPUT PATCH
Excludes OUTPUT PATCH settings from recall operations when the button is on.
A MUTE NAME
If this button is turned on, the mute group name will be excluded from the recall target.
B CUSTOM FADER
If this button is turned on, the custom fader banks will be excluded from the recall target.
C DCA
These buttons exclude DCA groups from recall operations. If the ALL button is on, the LEVEL, ON, and DCA group
names will be excluded. If the LV/ON button is on, LEVEL and ON settings will be excluded.
D GEQ RACK
Excludes GEQ rack settings from recall operations when the button is on.
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E EFFECT RACK
Excludes EFFECT rack settings from recall operations when the button is on.
F PREMIUM RACK
Excludes PREMIUM rack settings from recall operations when the button is on.
G FADER BANK SELECT
If these buttons are turned on, the banks that have been selected in fader blocks A and B (or A, B, and C on the CL5) on
the top panel will be excluded from the recall target.
H SET ALL
This button switches on all buttons for all parameters.
I CLEAR ALL
This button switches off all buttons for all parameters.
FADE TIME page
1
2
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Here you can make settings for the Fade Time function which adjusts the time over which fader and pan will reach their
new values when a scene is recalled. Since the Fade function settings are independent for each scene, you must recall the
desired scene before you make these settings.
1 INPUT/ST IN/DCA
These on/off buttons select the input channels that will be excluded from recall operations.
2 SET ALL
This button switches on the buttons of all input channels.
3 CLEAR ALL
This button switches off the buttons of all input channels.
4
5
6
7
8
4 MIX, MATRIX, STEREO/MONO
These are on/off buttons that select the output channels that will be excluded from recall operations.
5 SET ALL
This button switches on the buttons of all output channels.
6 CLEAR ALL
This button switches off the buttons of all output channels.
7 FADING ENABLE
This button enables/disables the Fade function for the faders of the current scene.
8 FADE TIME
Drag this knob in the screen to adjust the fade time. The current value is shown in the numerical box immediately
below.
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FOCUS RECALL page
Here you can make focus recall settings to specify the channels and parameters that will be recalled for the currently
selected scene.
1
2
3
❏ FOCUS field
1 ENABLE
Enables/disables focus recall.
❏ INPUT FOCUS PARAMETERS field
Here you can view and edit all of the focus recall settings for the
input channels and ST IN channels. This includes the following
items.
2 FOCUS ON/OFF
Acts as an on/off button that selects the channels that will be
recalled by scene recall.
3 Parameter matrix grid
Select the parameters that will be recalled by scene recall. If the
ALL button is on, all parameters will be recalled.
4 SET ALL
Turns on the buttons of all input channels, ST IN channels, or
the corresponding parameter.
4
5
5 CLEAR ALL
Turns off the buttons of all input channels, ST IN channels, or
the corresponding parameter.
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❏ OUTPUT FOCUS PARAMETERS field
Here you can view and edit all of the focus recall settings for the output channels. The included items are the same as for
the INPUT FOCUS PARAMETERS field.
❏ FOCUS PARAMETERS field
Here you can make global focus recall settings for the entire CL console such as for patching, DCA groups, and racks (as
opposed to focus recall settings for individual channels).
A6
7
8
B C
9
0
E
F
G
H
DJ
I
6 INPUT PATCH
If this button is on, input patch settings will be recalled by scene recall.
7 INPUT NAME
If this button is on, the channel names of input channels will be recalled by scene recall.
8 HA
If this button is on, the head amps of all detected I/O racks will be recalled by scene recall.
9 CH LINK
If this button is on, channel link settings will be recalled by scene recall.
0 OUTPUT NAME
If this button is on, the channel names of output channels will be recalled by scene recall.
A OUTPUT PATCH
If this button is on, output patch settings will be recalled by scene recall.
B MUTE NAME
If this button is turned on, the mute group name will be included in the recall target.
C CUSTOM FADER
If this button is turned on, the custom fader banks will be included in the recall target.
D DCA
These buttons specify the DCA groups that will be recalled by scene recall. If the ALL button is on, LEVEL, ON, and
DCA group names will be recalled by scene recall. If the LV/ON button is on, LEVEL and ON will be recalled by scene
recall.
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E GEQ RACK
If these buttons are on, the corresponding GEQ rack will be recalled by scene recall.
F EFFECT RACK
If these buttons are on, the corresponding EFFECT rack will be recalled by scene recall.
G PREMIUM RACK
If these buttons are on, the corresponding PREMIUM rack will be recalled by scene recall.
H FADER BANK SELECT
If these buttons are turned on, the banks that have been selected in fader blocks A and B (or A, B, and C on the CL5) on
the top panel will be included in the recall target.
I SET ALL
Turns on the buttons of all parameters.
J CLEAR ALL
Turns off the buttons of all parameters.
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Custom Fader Bank Setup window
In this window you can make settings for the Custom Fader Bank and Master Fader. This window is divided into A, B, C
(only CL5), and MASTER pages. It is set for 8 channel faders section or 16 channels units for each A/B/C Bank.
4
1
2
3
To open these pages, choose [Custom Fader Bank Setup] from [Windows] menu and click the tabs shown in the upper part
of the window.
1 CURRENT USER
Displays the name of the user currently logged into the CL console. If the CL has not yet been synchronized with the
Editor, this field displays “Administrator.”
2 EDIT
Displays and enables you to specify the user level (Administrator, Guest, or Ext.User) of the Custom Fader Bank or
Master Fader that you are editing. “Ext.User” is the user who is currently logged into the CL console via a user authentication key stored on a USB flash drive or the CL console. You can select this user only when the CL console is synchronized with the Editor.
NOTE
Ext.User’s Custom Fader Bank or Master Fader settings will not be stored in a file.
3 CLEAR ALL
This button clears all settings of a Custom Fader Bank or Master Fader page currently opened.
4 Fader channel
Select the fader channel you wish to assign to the Custom Fader Bank or Master Fader.
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Custom Fader Bank window
This window shows the channels of the custom fader bank setup. To open this window, choose [Custom Fader Bank] from
[Windows] menu and then choose one of the pages.
1
2
1 Channel Patch
Click here to select the channel that will be assigned to the channel strips, from the following choices.
CH 1–72(*)
STIN1L-STIN8R
MIX 1–24
MTRX1–8
ST L, ST R, MONO(C)
DCA 1–16
MONITOR
STIN 1–8
ST
CUE
SEL CH
SEND MSTR
(*) CL3: 1–64, CL1: 1–48
INPUT CH 1–72(*)
ST IN channel 1–8 (L/R)
MIX channel 1–24
MATRIX channel 1–8
STEREO channel L/R or MONO(C) channel
DCA channel 1–16
MONITOR channel
ST IN channel 1–8
STEREO channel
CUE channel
Selected channel
SEND MASTER (in SENDS ON FADER mode)
This patch is color-coded and indicates the type of channel as follows:
Blue: Input channels
Orange: Output channels
White: Other channels.
2 Channel Strip
Shows the channel strip that is assigned to the channel patch. This is the same as the channel strip in the Overview window.
Indicates only L or R channel for the ST IN and ST channel. You can switch between L and R by clicking the [SEL] button.
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User Defined Keys Setup window
In this window, you can specify the functions or parameters to be assigned to the USER DEFINED keys of the CL. Operation of each parameter is done by the USER DEFINED keys of the CL.
1
2
3
To open this window, choose [User Defined Keys Setup] from [Windows] menu.
1 CURRENT USER
Displays the name of the user currently logged into the CL console. If the CL has not yet been synchronized with the
Editor, this field displays “Administrator.”
2 EDIT
Displays and enables you to specify the user level (Administrator, Guest, or Ext.User) of the User Defined keys that you
are editing. “Ext.User” is the user who is currently logged into the CL console via a user authentication key stored on a
USB flash drive or the CL console. You can select this user only when the CL console is synchronized with the Editor.
NOTE
Ext.User’s User Defined key settings will not be stored in a file.
3 Function names
Select the functions or parameters you wish to assign to the User Defined keys.
Click a User Defined key to open the Parameter List dialog box.
NOTE
For more information on the assignable parameters, please refer to the CL’s manual.
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User Defined Knobs Setup window
In this window, you can specify the functions or parameters to be assigned to the USER DEFINED knobs and Assignable
Encoder of the CL. Operation of each parameter is done by the USER DEFINED knobs and Assignable Encoder of the CL.
3
1
2
4
To open this window, choose [User Defined Knobs Setup] from [Windows] menu.
1 CURRENT USER
Displays the name of the user currently logged into the CL console. If the CL has not yet been synchronized with the
Editor, this field displays “Administrator.”
2 EDIT
Displays and enables you to specify the user level (Administrator, Guest, or Ext.User) of the User Defined knobs that
you are editing. “Ext.User” is the user who is currently logged into the CL console via a user authentication key stored
on a USB flash drive or the CL console. You can select this user only when the CL console is synchronized with the Editor.
NOTE
Ext.User’s User Defined knob settings and Assignable Encoder settings will not be stored in a file.
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3 User Defined Knobs
Select the functions or parameters you
wish to assign to the USER DEFINED
knobs of the CL. Click a User Defined
knob to open the Parameter List dialog box.
4 Assignable Encoder
Select the functions or parameters you wish to assign to the Assignable Encoder of
the CL. Click the Assignable Encoder knob to open the Parameter List dialog box.
NOTE
For more information on the assignable parameters, please refer to the CL’s Manual.
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Sends On Fader window
SENDS ON FADER mode enables you to adjust the send level to the MIX/MATRIX bus using the fader. In this mode, the
signals sent from all input channels to a specific MIX/MATRIX bus can be adjusted simultaneously.
Use the SENDS ON FADER button in the Sends On Fader window or Master window to switch this mode on and off.
To display this window, do one of the following:
• Select [Sends On Fader] in the [Windows] menu.
• Click the SENDS ON FADER button in the Master window.
In SENDS ON FADER mode, the color and function of the [ON] button and the fader in the Overview window will
change.
Color of the send destination
Send is on.
Gray
Send is off.
Color of the send destination
The signal is sent to the bus.
Gray
The signal is NOT sent to the bus.
[ON] button
Fader
Click the button (in the Sends On Fader window) for the MIX/MATRIX bus for which you want to adjust the send level.
Then switch the send level off or on, and adjust the send level using the [ON] button and fader for the input channel displayed in the Overview window.
NOTE
For MATRIX bus send, not only the input channels but MIX channels and STEREO/MONO channels can
be in SENDS ON FADER mode.
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Outport Setup window
In the Outport Setup window you can assign the source channel for each output port and set the parameters.
1
2
3
4
5
6
8 7
9
0
A
The window includes the following items.
1 Output port select tabs
These tabs switch the output ports controlled in the window in groups of up to eight ports.
2 DELAY SCALE field
Here you can select the units for the delay time shown below the delay time knob (8). If the RECORDER tab is
selected for the Output port select tabs (1), the DELAY SCALE field will be hidden in the screen.
• meter (343.59m/s)
The delay time is shown as a distance in meters, calculated as the speed of sound (343.59 m/s) at an air temperature
of 20°C (68°F) multiplied by the delay time (seconds.)
• feet (1127.26ft/s)
The delay time is shown as a distance in feet, calculated as the speed of sound (1127.26 feet/s) at an air temperature
of 20°C (68°F) multiplied by the delay time (seconds.)
• sample
The delay time is shown as a number of samples. If you change the sampling frequency at which the CL operates,
the number of samples will change accordingly.
• ms
The delay time is shown in units of milliseconds.
3 Output port
This indicates the type and number of the output port to which the channel is assigned.
4 Channel select
This area lets you select the channel that is assigned to the output port.
5 Channel name
Indicates the name of the channel that is assigned to the corresponding output port.
6 DELAY button
Switches the output port delay on/off.
7 Delay time
The millisecond delay time value is shown above the knob.
The delay time value in the units selected in the DELAY SCALE field (2) is shown below the knob.
Click the ▲/▼ buttons to make detailed settings.
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8 DELAY TIME (Delay time knob)
This knob sets the delay time of the output port. Rotate (by dragging) this knob to set the delay time.
9 Ø (Phase) button
Switches the phase of the signal assigned to the output port between normal phase (black) and reverse phase (orange.)
It is not adjustable if the output-port is set to the RECORDER.
0 GAIN knob
Adjusts the gain level for the signal assigned to the output port. To change the value, rotate (by dragging) the knob in
the screen. You can adjust the setting in 0.1 dB steps over a range of –96 to +0 dB. The current value is shown immediately below the knob.
A Level meter
This meter indicates the level of the signal assigned to the output port.
95
CL Editor Owner’s Manual
Keyboard Shortcuts
Key operation
Menu
Action
Windows
File menu
Mac
Creates a new Session
Ctrl+N
+N
Opens a previously saved Session
Ctrl+O
+O
Saves the current Session
Ctrl+S
+S
Undo
Ctrl+Z
+Z
Redo
Ctrl+Y
+Y
Closes the active window
Ctrl+W
+W
Closes all windows
Ctrl+Alt+W
+Option+W
Tiles all windows
Ctrl+T
+T
Cascades all windows
Ctrl+Alt+T
+Option+T
Opens the Master window
Ctrl+1
+1
Opens the Sends On Fader window
Ctrl+2
+2
Opens the INPUT CH (CH1-16) window
Ctrl+Alt+1
+Option+1
Opens the INPUT CH (CH17-32) window
Ctrl+Alt+2
+Option+2
Opens the INPUT CH (CH33-48) window
Ctrl+Alt+3
+Option+3
Opens the INPUT CH (CH49-64) window (CL5, 3)
Ctrl+Alt+4
+Option+4
Opens the INPUT CH (CH65-72) window (CL5)
Ctrl+Alt+5
+Option+5
Opens the ST IN window
Ctrl+Alt+6
+Option+6
Opens the MIX 1–16 window
Ctrl+Alt+7
+Option+7
Opens the MIX 17–24 window
Ctrl+Alt+8
+Option+8
Opens the MATRIX window
Ctrl+Alt+9
+Option+9
Opens the STEREO/MONO window
Ctrl+Alt+0
+Option+0
Opens the Selected Channel window
Ctrl+3
+3
Opens the Library window
Ctrl+4
+4
Opens the Patch Editor window
Ctrl+5
+5
Opens the Virtual Rack window
Ctrl+6
+6
Opens the Meter window
Ctrl+7
+7
Opens the Group/Link window
Ctrl+8
+8
Opens the Scene window
Ctrl+9
+9
Opens the Re-Synchronize window
Ctrl+0
+0
Selects consecutive multiple items (memories)
Shift+click
shift+click
Selects non-consecutive multiple items (memories)
Ctrl+click
+click
Selects all memories in a section
Ctrl+A
+A
Edit menu
Windows menu
Synchronization menu
Library window or
SCENE MEMORY page
of the Scene window
96
CL Editor Owner’s Manual
Index
B
K
BYPASS ..........................61, 63, 67, 69
Keyboard Shortcuts .........................96
C
L
CLEAR ............................47, 74, 76, 80
CLEAR ALL ............ 49, 77, 81, 83–88
CLOSE ........................................ 45, 78
COMMENT ..................................... 79
Ctrl(#)+click .......................................8
Ctrl(#)+Shift+Click ............................8
Custom Fader Bank Setup window
Library window ................................45
............................................ 88
Custom Fader Bank window ......... 89
D
DCA fader ........................................ 24
DCA group ...................................... 74
DCA window ................................... 24
DIRECT OUTPUT PATCH page . 53
E
Effect
GR meter .................................... 64
SOLO .......................................... 64
EFFECT module .............................. 62
Effect parameters ............................ 65
EFFECT TYPE ................................ 63
EQ FLAT .......................................... 59
F
Fade ................................................... 84
Fade function (enables/disables) ... 84
FADE TIME page ........................... 83
FILE ............................................ 46, 78
File
Close ..................................... 45, 78
Open ..................................... 45, 78
FOCUS RECALL page ................... 85
FROM MIX, ST/MONO(C) .......... 41
G
GEQ faders ....................................... 59
GEQ graph ....................................... 59
GEQ module .................................... 57
Group/Link window ....................... 73
CHANNEL LINK page ............ 76
DCA GROUP ASSIGN page ... 73
MUTE GROUP ASSIGN page 75
I
INPUT CH window ........................ 12
INPUT INSERT PATCH page ...... 50
INPUT PATCH page ..................... 49
INTERNAL DATA ................... 47, 80
M
Master window .................................. 9
MATRIX Bus Setup .........................13
MATRIX SEND ...............................22
MATRIX window ............................20
Meter window ..................................71
MIX BALANCE ...............................64
MIX Bus Setup .................................13
MIX/CH/ST IN ................................20
MIX/MATRIX SEND .....................27
MONO ..............................................43
Mute group .......................................75
MUTE MASTER .............................75
MUTE SAFE ON .............................76
O
Offline Edit ......................................... 8
OPEN ..........................................45, 78
Outport Setup window ...................94
OUTPUT INSERT PATCH page ..52
OUTPUT PATCH page ..................50
P
Patch Editor window .......................49
DIRECT OUTPUT PATCH page
..........................................53
INPUT INSERT PATCH page 50
INPUT PATCH page ................49
OUTPUT INSERT PATCH page
..........................................52
OUTPUT PATCH page ...........50
PATCH LIST page ....................54
PATCH LIST page ...........................54
PLAY/REC .......................................65
Premium Rack Library window ....48
PROTECT ..................................79, 80
R
RECALL ......................................47, 80
Recall Safe .........................................81
RECALL SAFE page ........................81
REDO .................................................. 6
Re-synchronize .................................. 8
SCENE MEMORY page ................. 78
Scene window .................................. 78
FADE TIME page ..................... 83
FOCUS RECALL page ............. 85
RECALL SAFE page ................. 81
SCENE MEMORY page ........... 78
Selected Channel window .............. 25
Channel selection ....26, 37, 41, 43
COMPANDER .......................... 32
COMPRESSOR, EXPANDER . 31
DCA GROUP/MUTE GROUP 36
DE-ESSER .................................. 33
EQUALIZER ....................... 29, 39
Fader .........................36, 40, 42, 44
FROM MIX, ST/MONO(C) .... 41
GATE/DUCKING .................... 30
HA/D.GAIN/HPF/Ø/GC ........ 27
Input channel ............................ 25
INSERT ...................................... 34
MATRIX channel ..................... 41
MIX channel .............................. 37
MIX/MATRIX SEND ............... 27
RECALL SAFE/MUTE SAFE .. 35
STEREO/MONO channel ....... 43
TO MATRIX ............................. 37
TO STEREO/MONO ......... 28, 38
Sends On Fader window ................ 93
SET ALL ...............................81, 83, 84
Setup
Mixer ............................................ 3
System ........................................... 2
ST IN window .................................. 15
STEREO/MONO window ............. 22
STORE ........................................ 47, 80
Synchronization ................................ 8
Synchronize ....................................... 8
T
Tabs ..................................................... 7
TEMPO ............................................ 64
TIME STAMP ................................. 80
U
UNDO ....................................6, 47, 80
User Defined Keys Setup window 90
User Defined Knobs Setup window
............................................ 91
USER KEY .......................................... 4
V
Virtual Rack window ...................... 55
S
SAVE ...........................................45, 78
SAVE AS .....................................45, 78
Save as a different name ...........78
Save under a different name ....45
C.S.G., PA Development Division
© 2012-2014 Yamaha Corporation
97
Published
05/2014
IP-E0
PM5D Editor
Owner’s
Manual