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NXAMP4X1 & NXAMP4X4
Powered TDcontrollers
User Manual v1.4 (LOAD2_48)
FCC INFORMATION (U.S.A.)
1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!
This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by
NEXO-SA may void your authority, granted by the FCC, to use the product.
2. IMPORTANT:
When connecting this product to accessories and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used.
Follow all installation instructions. Failure to follow instructions could void your
FCC authorization to use this product in the USA.
3. NOTE:
This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class “B” digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices. This equipment generates/uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may cause interference harmful to the operation of other electronic devices.
* This applies only to products distributed in the United States of America.
Compliance with FCC regulations does not guarantee that interference will not occur in all installations. If this product is found to be the source of interference, which can be determined by turning the unit “OFF” and “ON”, please try to eliminate the problem by using one of the following measures:
Relocate either this product or the device that is being affected by the interference.
Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line filter/s.
In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to co-axial type cable.
If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact the After Sales department of
NEXO-SA, Parc d’Activité du Pré de la Dame Jeanne, B.P. 5, 60128 PLAILLY
The above statements apply ONLY to those products distributed by NEXO-SA or its subsidiaries.
IMPORTANT SAFETY INSTRUCTIONS
1 Read these instructions.
2 Keep these instructions.
3 Heed all warnings.
4 Follow all instructions.
5 Do not use this apparatus near water.
6 Clean only with dry cloth.
7 Do not block any ventilation openings. Install in accordance with the manufacturer’s instructions.
8 Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatus (including amplifiers) that produce heat.
9 Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding type plug has two blades and a third grounding prong. The wide blade or the third prong are provided for your safety. If the
PRECAUTIONS
provided plug does not fit into your outlet, consult an electrician for replacement of the obsolete outlet.
10 Protect the power cord from being walked on or pinched particularly at plugs, convenience receptacles, and the point where they exit from the apparatus.
11 Only use attachments/accessories specified by the manufacturer.
12 Unplug this apparatus during lightning storms or when unused for long periods of time.
13 Refer all servicing to qualified service personnel. Servicing is required when the apparatus has been damaged in any way, such as power-supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped.
Please read carefully before proceeding. Please keep this manual in a safe place for future reference.
WARNING
Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock, short-circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following:
Power supply/Power cord
•
Only use the voltage specified as correct for the device. The required voltage is printed on the name plate of the device.
• Use only the included power cord.
• Do not place the power cord near heat sources such as heaters or radiators, and do not excessively bend or otherwise damage the cord, place heavy objects on it, or place it in a position where anyone could walk on, trip over, or roll anything over it.
Water warning
• Do not expose the device to rain, use it near water or in damp or wet conditions, or place containers on it containing liquids which might spill into any openings.
If any liquid such as water seeps into the device, turn off the power immediately and unplug the power cord from the AC outlet. Then have the device inspected by qualified NEXO-SA service personnel.
• Be sure to connect to an appropriate outlet with a protective grounding connection.
Improper grounding can result in electrical shock.
Do not open
• Do not open the device or attempt to disassemble the internal parts or modify them in any way. The device contains no user-serviceable parts. If it should appear to be malfunctioning, discontinue use immediately and have it inspected by qualified NEXO-
SA service personnel.
• Never insert or remove an electric plug with wet hands.
If you notice any abnormality
• If the power cord or plug becomes frayed or damaged, or if there is a sudden loss of sound during use of the device, or if any unusual smells or smoke should appear to be caused by it, immediately turn off the power switch, disconnect the electric plug from the outlet, and have the device inspected by qualified NEXO-SA service personnel.
• If this device should be dropped or damaged, immediately turn off the power switch, disconnect the electric plug from the outlet, and have the device inspected by qualified NEXO-SA service personnel.
CAUTION
Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage to the device or other property. These precautions include, but are not limited to, the following:
Power supply/Power cord possibility of panel disfiguration or damage to the internal components.
• Do not place the device in an unstable position where it might accidentally fall over.
• Remove the electric plug from the outlet when the device is not to be used for extended periods of time, or during electrical storms.
• When removing the electric plug from the device or an outlet, always hold the plug itself and not the cord. Pulling by the cord can damage it.
• Do not block the vents. This device has ventilation holes at th e front/rear to prevent the internal temperature from becoming too high. In particular, do not place the device on its side or upside down. Inadequate ventilation can result in overheating, possibly causing damage to the device(s), or even fire.
• If you are using the NXAMP4X4, be sure to plug each power cord into separate branch circuits employing separate service grounds. Plugging into the same circuit can result in electrical shock.
• Do not use the device in the vicinity of a TV, radio, stereo equipment, mobile phone, or other electric devices. Doing so may result in noise, both in the device itself and in the TV or radio next to it.
• To disconnect the NXAMP4X4 from the mains, unplug both power cords.
Connections
Location
• Before connecting the device to other devices, turn off the power for all devices.
Before turning the power on or off for all devices, set all volume levels to minimum.
• When transporting or moving the device, always use two or more people.
Attempting to lift the device by yourself may damage your back, result in other injury, or cause damage to the device itself.
• Use only speaker cables for connecting speakers to the speaker jacks. Use of other types of cables may result in fire.
• Before moving the device, remove all connected cables.
Maintenance
• When setting up the device, make sure that the AC outlet you are using is easily accessible. If some trouble or malfunction occurs, immediately turn off the power switch and disconnect the plug from the outlet. Even when the power switch is turned off, electricity is still flowing to the product at the minimum level. When you are not using the product for a long time, make sure to unplug the power cord from the wall
AC outlet.
• Inspect the cooling fans and clean them periodically. Dust and dirt can seriously degrade the effectiveness of the cooling fan and result in malfunction or fire.
• Remove the power plug from the AC outlet when cleaning the device.
Handling caution
• If this device is to be mounted in an EIA-standard rack, leave the back of the rack open and make sure that it is at least 10 cm away from walls or surfaces. Also, if this device is to be mounted with devices that tend to generate heat, such as power amplifiers, be sure to keep an adequate gap between this device and the heatgenerating devices or install ventilation panels to prevent high temperatures from developing inside this device.
Inadequate ventilation can result in overheating, possibly causing damage to the device(s), or even fire.
• When turning on the AC power in your audio system, always turn on the device
LAST, to avoid speaker damage. When turning the power off, the device should be turned off FIRST for the same reason.
• Do not insert your fingers or hands in any gaps or openings on the device (vents…)
• Avoid inserting or dropping foreign objects (paper, plastic, metal, etc.) into any gaps or openings on the device (vents, etc.) If this h appens, turn off the power immediately and unplug the power cord from the AC outlet. Then have the device inspected by qualified NEXO-SA service personnel.
• Do not use the device in a confined, poorly-ventilated location. If this device is to be used in a small space other than an EIA-standard rack, make sure that there is adequate space between the device and surrounding walls or other devices: at least
10 cm at the sides, 15 cm behind and 40 cm above. Inadequate ventilation can result in overheating, possibly causing damage to the device(s), or even fire.
• Do not use the device for a long period of time at a high or uncomfortable volume level, since this can cause permanent hearing loss. If you experience any hearing loss or ringing in the ears, consult a physician.
• Do not rest your weight on the device or place heavy objects on it, and avoid use excessive force on the buttons, switches or connectors.
• Do not expose the device to excessive dust or vibrations, or extreme cold or heat
(such as in direct sunlight, near a heater, or in a car during the day) to prevent the
• Do not use this device for any purpose other than driving loudspeakers.
XLR-type connectors are wired as follows (IEC60268 standard): pin 1: ground, pin 2: hot (+), and pin 3: cold (-).
Use only Neutrik NL4 plugs for connecting Speakon connectors.
NEXO-SA can not be held responsible for damage caused by improper use or modifications to the device or data that is lost or destroyed.
• Always turn the power off when the device is not in use.
• The performance of components with moving contacts, such as switches, volume controls, and connectors, deteriorates over time. Consult qualified NEXO-SA service personnel about replacing defective components.
• If you do not intend to rack-mount the NXAMP, attach the included rubber feet to the bottom surface of the device.
IMPORTANT NOTICE FOR THE UNITED KINGDOM
Connecting the Plug and Cord
WARNING: THIS APPARATUS MUST BE EARTHED
IMPORTANT. The wires in this mains lead are colored in accordance with the following code:
GREEN-AND-YELLOW: EARTH
BLUE : NEUTRAL
BROWN : LIVE
As the colors of the wires in the mains lead of this apparatus may not correspond with the colored markings identifying the terminals in your plug proceed as follows:
The wire which is colored GREEN-and-YELLOW must be connected to the terminal in the plug which is marked by the letter E or by the safety earth symbol
GREEN or GREEN-and-YELLOW.
or colored
The wire which is colored BLUE must be connected to the terminal which is marked with the letter N or colored BLACK.
The wire which is colored BROWN must be connected to the terminal which is marked with the letter L or colored RED.
• This applies only to products distributed in the United Kingdom.
COMPLIANCE INFORMATION STATEMENT
(DECLARATION OF CONFORMITY PROCEDURE)
1) This device may not cause harmful interference, and
2) This device must accept any interference received including interference that may cause undesired operation. See user manual instructions if interference to radio reception is suspected.
* This applies only to products distributed in the United States of America.
EUROPEAN MODELS
Purchaser/User Information specified in EN55103-1 and EN55103-2.
Inrush Current: 16 A
Conforms to Environments: E1, E2, E3 and E4.
This mark indicates a dangerous electrically live terminal. When connecting an external wire to this terminal, it is necessary either to have a “a person who have received appropriate guidance on handling” make the connection or to use leads or a cord that have been manufactured in such way that the connection can be made simply and without problem.
TABLE OF CONTENT
TABLE OF CONTENT
COMPLIANCE INFORMATION STATEMENT (DECLARATION OF CONFORMITY PROCEDURE) .............. 2
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TABLE OF CONTENT
ALANCED AUDIO INPUTS WITH LINK
SING THE AMPLIFIER WITHOUT THE
..................................................................................14
) ...........................................................16
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TABLE OF CONTENT
QUALISING WIDEBAND ACOUSTICAL RESPONSE
QUALISING SINGLE COMPONENT RESPONSE AND
(5) ................................................................... 30
OURCE SIGNALS FOR PROTECTION ALGORITHMS
MPLIFIER INTEGRATE CURRENT LIMITER
MPLIFIER SHORT CIRCUIT DETECTOR
EASURING AND ALIGNING PHASE IN THE OVERLAPPING REGION
........................................................................................... 46
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TABLE OF CONTENT
SING THE CONTROLLER AFTER A FIRMWARE UPDATE
HAT IS THE PHASE RELATION BETWEEN THE
? .....................................................65
PAGE 5 OF 81
TABLE OF CONTENT
? ..................................................................................... 65
ONSEQUENCES OF BADLY ALIGNED SYSTEMS
ENERAL DESCRIPTION OF THE SETUP
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NXAMP VERSUS NX242: WHAT’S NEW ?
NXAMP versus NX242: What’s new ?
The NXAMP Powered TDcontroller has been designed in order to provide ascendant compatibility with its predecessor – the NX242 Digital TDcontroller.
What’s remaining the same?
DSP core
The DSP used in the NXAMP are from the same family (same core) than the one used in
NX242 and on the NXTENSION board. Thus algorithms such as EQ will perform exactly the same on both platforms to allow the user to mix NXAMP and NX242 with traditional amplifiers at the same time.
Level and latency
Global delays due to analog to digital and/or digital to analog as well as global gain are identical on NXAMP on one side and NX242 with 26dB gain amplifiers on the other side (of course attenuators should be placed to 0 dB).
Also when used with Ethersound™ networks (through the optional NXES104 board) the
NXAMP has the same gain and delay from digital input to analog output than NX242-ES4 with traditional 26db amplifier.
Please note however that both NX242 and NXAMP should have the same firmware revision
(LOAD) to be phase compatible inside a same setup.
Software
Basic MENUs and functions are more or less the same; only little learning curve is needed to go from the NX242 to the NXAMP.
The same LOAD and NXWIN software are used to update both TDcontrollers and NXAMP
Powered TDcontroller firmware. The transition is transparent for the user. Note however, that the NXAMP can’t be flashed with LOADs prior to 2_46, and must use NXWIN 4 software.
What’s changed?
Integrated amplifier
The most notable improvement is the integration of the amplifier module that will simplify the cabling from the user point of view but also allow a much more efficient integration of loudspeaker controller with the amplifier needs. Thus the digital controller becomes also an amplifier controller. This is not simply two units inside the same box, but a powerful use of the DSP resources for both cabinets and amplifier being driven.
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NXAMP VERSUS NX242: WHAT’S NEW ?
Computing resources
The DSP resources have been multiply by 3.5 between the NX242ES4 and the NXAMP (so it means by 7 between the NX242 and the NXAMP). This will ensure that the NXAMP will have enough DSP resources to deal with many years of algorithm improvements. Other key components like CPU speed, memory quantities and so on have been also upgraded.
Four separate inputs
The analog input stage now offers 4 separate symmetrical inputs, each on XLR with link
(due to the 3U , on NXAMP4X1, or 4U , on NXAMP4X4 height of the unit, there is plenty of space for connectors at the back). All the inputs offer a considerable 28 dBu headroom
(same than on the NX242). These analog inputs leads to last generation 24 bits converters running at 48 KHz (like on the NX242-ES4).
Power supply
The NXAMP4X1 Powered TDcontroller uses three separate switch mode power supplies
(SMPS) whereas the NXAMP4X4 uses 5. A first small power supply is used for powering the
TDcontroller digital board, and to initiate the power amp. The other big power supplies are used for power amplifiers :
• On NXAMP4X1, channels 1 & 2 (on one power supply) and for channel 3 and 4 (on the other one).
• On NXAMP4X4, each channel has its own large power supply.
These large power supplies are precisely tailored to work around a precise Mains voltage, so separate model of NXAMP exists for 100 ~ 120 Volts on one side (these are models
NXAMP4X1U and NXAMP4X4U), and for 220 ~ 240 Volts on the other side (these are models NXAMP4X1C and NXAMP4X4C).
Ethersound™ optional board
The NXAMP is designed to accept the optional NXES104 board witch offers four digital inputs among a bidirectional 2x 64 channels Ethersound™ ES100 network. This optional board uses the new NEXO slot which prevents the necessity to open the top panel of the amplifier for installing the board. NXAMP firmware upgrade can also be performed through this Ethersound™ port.
User interface
The front panel LCD display is now a comfortable 2 x 40 characters display, for easy access to the parameters for each channel.
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QUICK START
Quick Start
This section will allow you to quickly understand the basic functions of this product. If you already know the previous NEXO digital TDcontrollers, such as NX241 or NX242, you may be able to use the NXAMP Powered TDcontroller quickly as it has been designed with a similar user interface. However please devote some attention to reading the user manual.
A better understanding of specific features of the NXAMP Powered TDcontroller will enable you to operate your system to its full potential.
Front panel description
10
3 8
9
7 6 5
1 2 4
11
NB: Front panel of NXAMP4X1 is shown here, but front panel of NXAMP4X4 is similar, except the model name and the global height of the unit.
(1) Power switch
Put the switch in the upper position to turn the power on. Put it down to power the amplifier off. Please note that even in the ‘Off’ position, high voltage is still present in some part of the amplifier, as long as it is connected to mains. Even if it is in the 'Off' position, the amplifier will consume a minimal current.
If you plan to use remote control to turn the amplifier ‘On’ or ‘Stand-by’, then you must first turn this power switch to the ‘On’ position. No operation is possible when the power switch is on the ‘Off’ position.
(2) Amplifier indicators
These Three LEDs above the power switch indicate the status of the amplifier. The two first
LEDs (Power and Stand-by) indicate the power status of the amplifier:
• If both are off, the amplifier is powered off.
• If Power is lit, the amplifier is in use.
• If Stand-by is blinking, the amplifier is in stand-by.
Stand-by mode consumes slightly more current than in Power off mode, but allows the
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QUICK START amplifier to be brought back from Stand-by to power on mode through remote control.
(N.B.: Stand-by mode not yet implemented in current Beta ESmonitor remote control
software).
The last LED, ‘Amp Protect’ reflects the protection status of the amplifier. If this LED is lit, it signifies that the amplifier is reducing or muting one or several outputs due to malfunctions as overheating, output DC, short circuitry … In combination with other LEDs indicators and
LCD display the cause of the problem will be clearly displayed. Please see further for more details.
(3) LCD display
This large and easily readable 2 x 40 characters display will allow the user to quickly setup the amplifier. Please note that in stand-by mode the backlight of the LCD remains on even if nothing is displayed.
(4) Encoder
The default function of the encoder is to adjust the volume of the amplifier. But depending on the current menu displayed on the LCD, other functions can be affected, such as delay adjustment or speaker setup selection.
(5) Navigation buttons (A & B)
These two buttons are used most of the time to navigate through the menus. However, depending on the LCD display, they can be used for a specific purpose.
Anytime, pressing the two buttons simultaneously will instantly enter the “Volume” menu, allowing the user to adjust the volume for each channel using the encoder.
(6) Volume indicators
These surrounding LEDs will indicate the position of the volume control for each channel, similar to the position given by analog potentiometers on classical amplifiers. If a channel is muted, corresponding Mute button will lit red, but the position of the volume control will blink alternatively for that channel, allowing the user to know what will be the level once the channel is unmuted.
(7) Mute buttons
Whatever the current menu is, pressing the mute button will set or release the mute of the chosen channel. The button will turn to red if the channel is muted.
(8) Select buttons
Use the select buttons to choose the channel on which you want to adjust parameters with the encoder. In most of the menus, the bottom line of the LCD is used to indicate the cabinet name for each channel. If this name is between brackets, it means that the channel is selected. Turning the encoder will then have an effect on this channel.
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QUICK START
(9) Channel indicators
For each channel, you have three LEDs indicator. The ‘Sense’ LED will light to green when a certain level of current is detected on the output, meaning that a cabinet is connected and that some signal is flowing to it. The ‘Protect’ LED will light to yellow if the TDcontroller is applying a VCEQ protection on that channel (see further for details). The ‘Peak’ LED will light to red to indicate that the peak limiter is working to protect the cabinet or the amplifier.
(10) Air intakes
The NXAMP uses forced-air cooling. The variable speed cooling fan draws air in from the front and exhausts it through the rear. Please be sure that you do not block the air intakes or exhaust vents.
Please be sure not to mix inside the same rack amplifiers with opposite air flow.
(11) Screw holes for handles
These four screw holes are for the optional handles. Fix the handles to the amplifier using the flat-head screws included with the handles (Screw driver or key TORX X20 is needed).
NB: Separate handle models exist for NXAMP4X1 and NXAMP4X4
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Back panels description
QUICK START
7
4
3
1 2
6 5
(1) Mains connectors
This is the mains input for the NXAMP. There is one mains plug on NXAMP4X1 and two mains plug on NXAMP4X4.
• On NXAMP4X1, the plug is a Powercon 20A for the 100 ~ 120 Volts model (ref.
NXAMP4X1U) and a standard IEC 3 pin for the 220 Volts model (ref. NXAMP4X1C).
• On NXAMP4X4, the plugs are two Powercon 30A for the 100 ~ 120 Volts model
(ref. NXAMP4X4U) and two Powercon 20A for the 220 Volts model (ref.
NXAMP4X4C).
The amplifier requires high-power so that it can demand high current from the AC service.
Connections must be properly rated for reliable operation. See specification part for details.
(2) Balanced audio inputs with link
For each of the four analog audio inputs you will find an XLR3 female input connector, and also an XLR3 male connector in parallel for sending back the input signal to another unit.
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QUICK START
(3) Expansion slot
This slot is used for extra audio inputs and remote control. See further in the manual for details about the available options.
(4) Power outputs
Use Neutrik NL4 cable plug into these ports for safely connecting the power amplifier outputs to the cabinets.
(5) RS-232 port
Through this serial port, you can upload a new firmware into the NXAMP from a computer.
New firmware adds new functionalities and new cabinets’ setups. Details about the update procedure are given further in this manual.
(6) GPIO port
This GPIO port is used for interfacing the amplifier to security system, or to allow a basic remote control of the unit. (N.B.: GPIO not yet implemented in current firmware release).
(7) Rear end mounting holes
If the NXAMP is to be rack mounted and transported frequently, be sure to support the rear end of the unit with mounting hardware that matches the size of the rack used.
Basic functions
Reset
You can reset the unit without powering off by simultaneously depressing buttons A, B &
“Select CH1” for 3 seconds at least.
(for 3 seconds)
Selecting cabinet family
Simultaneously depressing A & B buttons at power up or during device RESET accesses the system change menu. Keep the A & B Buttons held until all LEDs are off (approx. 20
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QUICK START seconds). This will allow the selection of any cabinet in any family. Using the rotary encoder, scroll through the configurations and press “B” to load the required settings.
Select your cabinet set-up
In the ‘Options’ menu, choose “Systm Config”, and you will be able to choose among the different set-ups within the same cabinet family. (i.e. you don't have to modify the amplifier to cabinet wiring).
Using the amplifier without the TDcontroller functionality
If you want to use the amplifier without the TDcontroller, just choose the “FLAT mode” setup. In this mode, no EQ and no protection is applied to the cabinets.
Please note that the amplifier will still have 2.2 ms analog input to analog output latency in that mode (i.e. the same latency than an NX242 TDcontroller in flat mode).
In Flat mode, full amplifier digital protections are still available, and some functionality like volume control, input patching, mute, delay, gain and ArrayEQ are working. Remote control can be used as well.
Back to default
Startup the amplifier with the “select 1” button down and you will have the possibility to reset the settings to default.
Auto save
The current set-up is automatically saved during power down. At power up the last saved settings are restored.
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WHAT’S INSIDE THE CARTON BOX
Enter the download mode
Keep the ‘mute 1’ button down during boot up will enter the download mode. See further for connection to the computer and download software (Nxwin) description.
What’s inside the carton box
WARNING ! The shipping weight of the NXAMP4X1 (U or C version) is nearly 21 Kg
(46 lb). The shipping weight of the NXAMP4X4 (U or C version) is nearly 30 Kg (66 lb).
Because of the large size of the carton box it is recommended to manipulate the box with two persons.
Open the box with care to prevent damage on the content. Inside you will find:
• 1 x NXAMP Quick start guide (32 pages, 7 languages)
• 4 x Rubber pad
• 1 x NXAMP Powered TDcontroller
• 1 x Mains cord (for NXAMP4X1) or 2 x Mains cord (for NXAMP4X4).
N.B.: The provided mains cord is Chinese type for NXAMP4X1C or NXAMP4X4C (220 ~ 240
Volts version) and US type for NXAMP4X1U or NXAMP4X4U (100 ~ 120 Volts version).
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SETTING-UP ADVICE
Setting-Up Advice
Earth connection
WARNING ! THIS APPLIANCE MUST BE EARTHED.
The green and yellow wire of the mains cord must always be connected to an installation safety earth or ground. The earth is essential for personal safety as well as the correct installation of the system, and is internally connected to all exposed metal surfaces. Any rack framework into which this unit may be mounted is assumed to be connected to the same grounding circuit.
Mains setting
NEXO NXAMP Powered TDcontrollers exists under two references for each model:
NXAMP Reference Mains Voltage Mains current
NXAMP4X1U 100 to 120 Volts Max 20 Amps
NXAMP4X1C
NXAMP4X4U
NXAMP4X4C
220 to 240 Volts
100 to 120 Volts
220 to 240 Volts
Max 10 Amps
Max 2x 30 Amps
Max 2x 16 Amps
Each model applies to various safety standards only when use with the correct mains voltage. Therefore, the amplifier won’t start (or will stop working) if the mains voltage is getting out of the following min and max limits:
NXAMP Reference
NXAMP4X1U or
NXAMP4X4U
NXAMP4X1C or
NXAMP4X4C
Mains Minimum Voltage
60 Volts
150 Volts
Mains Maximum Voltage
150 Volts
288 Volts
N.B.: The maximum amplifier output voltage is proportional to the mains voltage.
Mounting the NXAMP in a rack (Grounding, shielding & safety issues)
The NXAMP Powered TDcontroller is intended for rack mounting. The only accessible part during use shall be the front panel of the unit. Any space above or under the TDcontroller shall be obstructed with a blank panel.
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SETTING-UP ADVICE
The rack is a free grounding and shielding structure and it provides extra shielding.
Therefore, it is desirable that the screws used to fix the NXAMP Powered TDcontroller in the frame or rack provide an electrical contact between the chassis of the TDcontroller and the rack.
The primary reason for grounding is safety. Conformance to the applicable requirements of the authorities having jurisdiction is, of course, mandatory. However, grounding also has an impact on electromagnetic compatibility. From the EMC point of view, it is desirable to have a low impedance ground network, as a current flowing in the ground network will then produce low voltage in the network. A low impedance network can be obtained using a multipoint ground scheme, with as many closed ground loops as is economically possible.
Because of the amplifier weight, it is mandatory to fix the amplifier both from the front panel and from the rear ears. The picture bellow shows the dimensions between the rack holes on the front panel.
NXAMP4X1 rack holes position
NXAMP4X4 rack holes position
With NXAMP4X1, because of this layout, it is not possible to use some rack rails with 2 holes per rack unit (see picture bellow), because you will loose ½ U of rack space on the top and bottom of the amplifier. Thus continuous rack rails or with 4 holes per rack unit should be used.
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SETTING-UP ADVICE
Using the NXAMP without a rack
If you do not put the NXAMP into a rack, then it is mandatory to use the four rubber pads enclosed into the amplifier carton box. These auto adhesive pads should be stuck on each corner of the bottom of the amplifier. Without these rubber pads, some internal components can be damaged when there is a shock (for example dropping the amplifier on a table).
Fuses
The fuses provided in the unit will not blow during normal operation. If one of the fuses blows it means that the Powered TDcontroller has malfunctioned. This fuse must only be changed by NEXO certified service personnel. In any case do not replace the fuse with a non-certified NEXO fuse, as this will invalidate the NEXO warranty.
CAUTION!
This servicing instruction is for use by qualified service personnel only. To reduce the risk of electric shock, do not perform any servicing other than that contained in the operating instructions unless you are qualified to do so.
Electromagnetic environments
The emission (this word describes all types of electromagnetic noise radiated by the equipment) requirements which have been applied to Nexo’s Powered TDcontrollers are the stringent requirements of the “Commercial and light industrial environment” of the product family EMC standard for emission.
The immunity (this word describes the ability to cope with electromagnetic disturbance generated by other items and natural phenomena) requirements that we have considered exceed those applicable to the “Commercial and light industrial environment” of the
PAGE 18 OF 81
SETTING-UP ADVICE product family EMC standard for immunity. In order to provide a further safety margin, we recommend that you do not operate the Powered TDcontrollers in the presence of electromagnetic interference exceeding half of the limits found in this standard.
These two EMC standards are those applicable to pro-audio equipment for the implementation of the”EMC directive”.
Analogue input signal cables
Analogue signals should be connected to the input ports of the NXAMP Powered
TDcontroller via shielded twisted pair or Starquad cable fitted with XLR connectors on the
NXAMP side. We recommend the use of low transfer impedance cables with a braided shield and transfer impedance below 10 mΩ/m.
The NXAMP Powered TDcontroller is intended to be used with symmetrical (balanced) sources (for instance a mixer, see figure bellow). You can see that the TDcontroller provides a low impedance path between pin 1 of its XLR connectors and its chassis. The
TDcontroller can sustain high current in pin 1 without degradation of output noise. We recommend that the sources and loads you use have the same desirable characteristics.
It is sometimes claimed that connecting cable shield at both ends creates ground loops, and that the current flowing in such loops will produce noise. This is not the case for most professional audio equipment. In short, there are two kinds of loops in which voltages are present: the loops formed by signal wires, and the loops formed by grounded conductors, among which are protective earth conductors (PE) and signal cable shields.
When a cable shield is grounded at both ends, a loop is closed, and the resulting current causes a reduction of the voltage induced on signal lines. This effect is what the cable shield is intended to produce, since this is how it protects your signal from magnetic fields.
If you are using an asymmetrical (unbalanced) source (not recommended), it is best to use a shielded twisted pair and to connect wire 3 of the cable to the shield at the source output end (see figure bellow).
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SETTING-UP ADVICE
This technique prevents noise currents flowing on the return path of the signal. (Note that this is only acceptable for a short cable).
NXAMP power outputs wiring
NEXO recommends the exclusive use of multi-conductor cables to connect the system: the cable kit is compatible with all the cabinets, and there is no possible confusion between LF,
MF and HF sections.
Cable choice consists mainly of selecting cables of the correct sectional dimension (size) in relation to the load resistance and the cable length. Too small a cable section will increase both its serial resistance and its capacitance; this reduces the electrical power delivered to the loudspeaker and can also induce response (damping factor) variations.
For a serial resistance less or equal to 4% of the load impedance (damping factor = 25), the maximum cable length is given by:
L max
= Z x S S in mm
2
, Z in Ohm, L max
in meters
The table below indicates these values, for 3 common sizes.
Load Impedance (Ω)
Cable section
1,5 mm² (AWG #14)
Maximum Length (meters)
3 4.5 6 9 12 18 24
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GENERAL DESCRIPTION
GENERAL DESCRIPTION
Global architecture
NXAMP4X1 Global architecture
The diagram bellow shows the global architecture of the NXAMP4X1 amplifier.
NXAMP4X4 Global architecture
The diagram bellow shows the global architecture of the NXAMP4X4 amplifier.
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GENERAL DESCRIPTION
Power Supply Block
Power Supply is certainly the most important part of an amplifier. Most of the time, the
Power supply is limiting the power of an amplifier, more than the amplifying circuit itself.
• On NXAMP4X1, two large power supplies are used, one for channel (1 and 2) and the other for channel (3 and 4).
• On NXAMP4X4, four large power supplies are used, one for each channel.
They all are full resonant type with half bridge converter. The ZCS (Zero crossing
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GENERAL DESCRIPTION switches) design ensures high efficiency and low noise. Moreover, because the two converters work in opposite phase, some noise is cancelled; this is preferable for both sound quality and EMC (Electro magnetic compatibility).
Analog Input block
After linking the two XLRs for each channel, the analog input block has an EMC filter and a precision input buffer that will remove the common noise on the input signal. The maximum level allowed for the input signal is + 28 dBU (55 Volts peak to peak). The pin out of the input XLR is given bellow.
Control block
The control block contains several sub-block that are detailed bellow.
The plain lines show the audio or sense signal (sense are voltage or current signal measured at the output of each amplifier). The dashed lines show the digital communication signal among several block.
You can see the audio input on the left; there are four analog inputs (from input XLR) named Analog A, Analog B and so on… and four digital inputs (Digital A, Digital B and so on…) from the expansion slot. These eight signals can be patched inside the DSP to any
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GENERAL DESCRIPTION channel of processing/amplifying (see further for a block diagram of what is inside the
DSP).
All signals, audio or sense, use 24 bits converters. The CPU can also set up the analog input and output gain for each channel, thus ensuring that the dynamic range of the system is always optimized (regarding volume, gain, patch and bridge settings).
Monitoring of the amplifier modules and power supplies (including multiple measurement such as temperature, voltages, current, integrate current, …) are done both by the CPU and the DSPs.
Power amplifier blocks
The power amplifier part is a custom design to fit the very unique concept of digital protection of an analog amplifier. On the pure amplification side, it utilizes custom transistor (thin chip and small thermal resistance), and the well known Yamaha EEEngine technology, that offers the sonic quality of the conventional class AB amplifier with the efficiency of the class D. You can learn more about the EEEngine technology at the following address: http://www.yamahaproaudio.com/topics/leading_technology/learn_more_about_eeengine/index.html
Power outputs block
The power outputs block is used for current and voltage sensing at the output of the amplifier. These datas will be used by the DSP for protecting both the amplifier and the NEXO loudspeaker connected.
This stage features also a programmable routing unit that allows using the amplifier in bridge mode on the same speakon pins than in non bridge mode.
When using the NXAMP Powered TDcontroller in four channels mode, here is the output routing:
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GENERAL DESCRIPTION
Note the symmetrical structure between channel 1 and 2 on one hand and channel 3 and 4 on the other hand.
When using the NXAMP Powered TDcontroller in bridge mode, here is the output routing:
Now amplifier channel 1 and 2 works together in bridge mode (channel 2 is marked
“Bridge” above). This is same for channel 3 and 4. The pin-out on the speakon is the same as the channel 1 and 3 in non bridge mode, thanks to the programmable routing unit (not drawn here).
You can see with the dashed line on the above drawing that unused pins on output speakon are shorted together, but are not connected to ground. Therefore be careful as very high voltage might be present on these unused pins.
User interface block
The user interface block has already been described through the front panel description in the first part of this document. Please note that all the commands and displays are available through the ESmonitor software by Auvitran, through the Ethersound™ network
(except the mains switch).
Communication block
The communication block regroups the RS232 port (on a sub-D9 plug) and the GPIO port
(on a sub-D25 plug).
The RS232 port is mainly used to upgrade the firmware of the unit from a PC computer.
But it could also be used in the future for local communication with other equipments. The
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pin-out is given bellow:
GENERAL DESCRIPTION
The RxD pin is the “Receive data” pin from the NXAMP point of view. Thus this is an input.
The TxD pin is the “Transmit data” pin from the NXAMP point of view. Thus this is an output. GND is the ground.
A crossover cable (connecting RxD pin of NXAMP to TxD pin of computer, and so on) is needed to use this serial port. Please see further the dedicated part of this document on that subject.
The GPIO port is a Global Purpose Input/Output signals system that can be use for a wide range of application, mainly interfacing the NXAMP with security systems. There are the following signals available:
• 8 x General purpose output signals from NXAMP (5 Volts signals)
• 5 x General purpose input signals to NXAMP (5 Volts signals)
• 4 x 5 Volts outputs
• 8 x GND (ground) signals.
The pin out of these signals is given bellow:
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BLOCK DIAGRAM DESCRIPTION
It is mandatory to have a galvanic isolation between these signals and any another equipment. Thus, either the target equipment should present isolated GPIO system, or the signal should goes through small signal relays to guarantee that the NXAMP
GPIO will be isolated from the other equipment.
The maximum current available on the GPIO port is the following:
• Maximum 200 mA drawn from the totality of the +5 V outputs.
• Maximum 200 mA drawn from the totality of the GP Outputs, with a maximum of
32 mA for each outputs.
Expansion slot block
The expansion slot uses unique 80 pins connectors that will allow the user to simply fit a expansion board into the amplifier. At the moment, the only expansion board available is the NXES104 Ethersound™ board (compatible with the ES-100 standard, offering full remote control from a computer running ES monitor by Auvitran application, and 4 channels of 24 bits 48 KHz audio).
NEXO expansion slot form factor is not compatible with the Yamaha mini-YGDAI form factor. Thus, Yamaha mini-YGDAI card cannot be fitted inside NXAMP Powered
TDcontroller.
Block diagram description
The block diagram bellow shows the global signal path inside the DSPs, for one channel
(identical for all the channels):
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BLOCK DIAGRAM DESCRIPTION
The detail of each block numbered is given bellow.
Patching and routing (1)
Basically, any combination of the four XLR analog inputs (numbered A to D on the back panel) can be patched to each channel of the amplifier. If an expansion board is fitted, the four added digital input (numbered A to D also) can be mixed as well. In this patch section, digital gain and adjustment delay are also added to optimized signal to noise on the audio path and to ensure propagation delay equal to NX242 TDcontroller.
N.B.: There is no reason why analog and digital input should be in phase, so we
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BLOCK DIAGRAM DESCRIPTION
recommend a great care when patching both analog and digital input to the same channel
(it should be done most of the time only as a backup solution, to ensure analog feeding to the amplifier instantaneously instead of digital input for example if the digital input goes down).
Delay & polarity inversion (2)
Factory set-up delay
Note that each output may contain a small phase adjustment delay at the crossover point.
Also, a polarity inversion may be performed. These adjustments are part of the factory setups and are necessary to time-align the corresponding cabinet that is selected.
User set-up delay
The user can adjust the delay for each channel (see further about the delay menu, or delay setting from the ESmonitor). The maximum delay allowed is 66.6 meters per channel.
N.B.: This user delay will be added to the converter latency, DSP buffering latency and factory set-up delay.
The NXAMP TDcontroller will limit the delay adjustment to a group of channel in specific case such as:
• Active setups where two different channels are in the same physical cabinet: it is then impossible to delay one channel without the other one (for example PS15 Active setup, delay is linked between HF and LF).
• Cardioids setups will also prevent to adjust the delay on one channel only (for example CD18 setup, delay is linked between front and rear loudspeaker).
Equalisation & Filtering
Subsonic and VHF filtering (3)
Low and high-pass filters are used to filter out frequency components that could possibly degrade the performance of the NXAMP Powered TDcontroller and loudspeakers connected
(depending on the cabinet setup chosen). The filters are optimised to work in conjunction with overall system response.
The high pass filters are also extremely important as they optimise excursion at very low frequency which is a very important safety factor. (Therefore do not use set-ups which are not designed for the cabinet you are using).
Equalising wideband acoustical response (3)
This wideband equaliser section achieves the correction required to obtain a flat system response, as the cabinets are acoustically designed for maximum efficiency on the whole frequency range. Active rather than passive attenuation allows the lowering of amplifier voltages for a given output SPL and therefore increases the maximum SPL achievable with the same amplifier. Active equalisation also extends system band pass especially at low
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BLOCK DIAGRAM DESCRIPTION frequencies where acoustical performance is limited by cabinet size.
User set-up, Array EQ
(4)
For each channel, an Array EQ is currently implemented in the NXAMP. The cut off frequency of a low-shelving filter is factory tuned for each cabinet set-up. The user has access to the gain of this filter. The array EQ is tuned in order to reproduce the effect of the bass coupling, allowing the user to increase or diminish the effect of the stacking (see further about the Array EQ menu, or Array EQ setting from ESmonitor).
Equalising single component response and NXSTREAM processing (5)
This equaliser set allows acting on a specific driver after the crossover, rather than on the wideband section. This allows to EQ one driver without affecting the others (cleaning out of band response, fine tuning in a crossover…). All the parameters are factory set.
Last generation of NXSTREAM algorithm are also implemented in this section. This process uses sophisticated DSP program to go beyond the limits of the conventional EQ filtering, to manipulate for example the phase of the audio signal independently of the amplitude and so on.
Crossover section (6)
Crossover between different bands is tuned for every set-up of every cabinet. Each crossover is customized so that each transducer will fit with its neighbor by achieving a perfect phase alignment. Unconventional, crossover-defined filters are applied, ranging from 6dB/octave to near infinite slopes according to the type of crossover desired. Time alignment is also unconventionally achieved, by combining crossover filter group delays with all-pass and/or frequency dependent delays.
Post protection EQ and low pass (27) (28)
After the Protection block (using VCEQ and VCAs, see bellow), another set of EQ / low pass filtering is applied to remove some artefacts due to protection algorithm on some speaker setups.
Gain section (29)
In this section the digital gain is applied to the corresponding channel. This digital gain is computed by the CPU and depends on the user gain, the setup gain for the channel, and the optimization of the gain ranging done by the CPU.
The NXAMP TDcontroller will limit the user gain adjustment to a group of channel in specific case such as cardioids setups (for example on CD18 setup, gain is linked between front and rear loudspeaker).
Protections
Each channel has its own simulation and protection process. Each audio channel contains a combination of controlled gain stages (let's call them VCA’s as in our analogue circuitry).
These VCA's are embedded into complex composite structures in order to change their
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BLOCK DIAGRAM DESCRIPTION basic operation into frequency selective attenuation. This operation is similar to that of a voltage controlled dynamic equaliser (VCEQ).
Each VCEQ and VCA is controlled by the synthesis of several signals issued from the various detection sections. That synthesis is in fact the envelope of those signals, with an optimised release and attack time for each VCEQ and VCA (depending on its frequency range and the cabinet selected).
One or several of the protections below can be used depending on the setup chosen.
Source signals for protection algorithms (25)
Signals coming from amplifier output voltage/ current, processor output, and status from amplifier are all sources that will lead to protection system implementation.
Displacement control (7) (8) (9)
The amplifier output voltage sense input signal is sent to a shaping filter producing a signal whose instantaneous amplitude is proportional to the voice coil excursion (this is Global displacement block (7)). This signal, after rectification, is compared to a preset threshold matching the maximum usable value, as determined from laboratory measurements. Any part of the signal exceeding the threshold is sent to the VCEQ control buffer while the
VCEQ acts as an instantaneous limiter (very short attack time) to prevent displacement from overriding the maximum permissible value.
Another set of VCEQ (this is first displacement block (8)) is used to protect the loudspeaker from an excessive displacement in the next worst displacement frequency area (this usually is 3 dB bellow the global displacement protection area). In case of band pass cabinets, we need another set of VCEQ (this is first displacement band pass block (9)) to protect from another peak of secondary displacement.
All these VCEQs have separate shaping filter, separate action filters for VCEQ, and separate
Ratio, Attack and Release time.
Mechanical stress control (10) (11)
Whereas some frequency areas are dangerous at high level due to excessive displacement of the loudspeaker (see above), there is another area where the displacement of the loudspeaker is minimum, but then the mechanical stress on the cone during large input signals is maximum.
To protect from overstressing the loudspeaker, VCEQ process can also be used in these particular area (this is block (10)). As with displacement VCEQ, another set of mechanical stress VCEQ is needed for band-pass cabinets (this is block (11)).
HF displacement control (12)
In case of passive setups, a channel will deal with several loudspeakers after passing through the passive filter of the cabinet. That is why, as previous VCEQs deal with LF loudspeaker, another set of VCEQ is needed to protect HF driver from excessive displacement.
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BLOCK DIAGRAM DESCRIPTION
HF acceleration control (13)
Excessive acceleration on the HF driver can lead to the destruction of the diaphragms.
Another set of VCEQ is added here to protect HF driver from over acceleration.
Global purpose VCEQ (14)
The internal structure of the VCEQs processes inside the DSP allow up to eight different
VCEQ, in case you need extra VCEQing for dynamic EQ or whatever…
Loudspeaker Peak limiters(15)
These “loudspeaker” peak limiters are here to avoid huge amounts of power being sent to a driver. Each driver is protected in temperature and displacement but there could be other factors of destruction that cannot be predicted by simulation (especially mechanical damage to the cone…). Each driver is specified for a certain power handling and a factory set peak limiter threshold is tuned to avoid any abuse. A two-steps peak limiter is used here, each with a separate set of threshold, ratio, attack and release.
Temperature control (16) (17)
The sense signal from amplifier output is fed into a shaping filter, each one producing a signal proportional to the instantaneous current flowing into the voice coil of the transducer. After rectification, this signal is integrated with attack and release time constants equivalent to the thermal time constants of the voice coil and chassis, producing a voltage, which is representative of the instantaneous temperature of the voice coil.
When this voltage reaches the threshold value corresponding to the maximum safe operation temperature, the VCA or the VCEQ becomes active to reduce the Audio signal level and limit the effective temperature to fall under the maximum usable value.
In order to avoid detrimental effects induced by very long release time constants coming from the temperature detection signal (level being reduced for an extended period,
« pumping » effects...), the detection signal is modulated by another voltage integrated with faster time constants matching the sound level subjective perception. This allows the controller to reduce the effective operation duration of the temperature limiter and make it sound more natural, while the efficiency of protection is fully preserved and operation thresholds are unaffected (kept as high as possible).
In case of passive cabinet, another set of temperature simulation is done to protect the
H.F. driver (this is block (17)).
The so-called Physiologic Dynamic Control (see block diagram) is intended to avoid unwanted effects as a result of a too long attack time constant. By anticipating the operation of the temperature limiter, it prevents a high level Audio signal appearing suddenly then being kept up for a period, which is long enough to trigger the temperature limiter. Without this, a rough and delayed gain variation would result which would be quite noticeable and unnatural.
The Physio control voltage acts independently on the VCA with its operation threshold slightly lower (3 dB) that of the temperature limiter and a low compression ratio; its
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BLOCK DIAGRAM DESCRIPTION optimised attack time constant allows it to start operating without any subjectively unpleasant transient effects.
Interchannel regulation (19)
As described before, each transducer is individually servo-controlled for temperature. This means in practice that, in case of a potential risk detected, protective operation would only affect the concerned driver. Your driver will be protected but the overall system tonal balance could be altered if the different channels are not heating at the same time. In addition, triggering a temperature protection means that the loudspeaker has already lost some efficiency (power compression up to 3dB in extreme cases)
The purpose of interchannel regulation is to cancel that effect by linking VCAs together.
When the protection is activated on one channel and reaches a predetermined threshold, the regulation section begins to correct the balance between the different channels (HF,
MF, and LF) by acting on the concerned VCA.
Amplifier peak current limiter (20)
To prevent over-current on the output of the amplifier, this peak current limiter is implemented, leading to a separate VCA (block (30)) from the one being used for loudspeaker protection (block (26)). This protection is implemented here mostly in case of default of the power supply, and will barely be triggered during normal use, because it is set up at the limit of what can deliver the power supply of the amplifier.
Amplifier integrate current limiter (21)
This protection which is also triggering a VCA will compute the integration of the current over time to check that the current drawn by the amplifier will not go above what is acceptable for the mains. With musical signal should never trigger this protection, mainly implemented for protection against continuous signal like sine wave and so on.
Amplifier peak voltage limiter (22)
This is a “soft clip” limiter that will reduce the output level though a VCA process to limit the clipping of the amplifier.
Amplifier short circuit detector (24)
If a short circuit is detected on the output, the amplifier will mute itself, and will release the mute a few second after automatically. This is shown on the front panel by a blinking of the peak LED of the concerned channel, together with the “Amp protect” LED.
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MENU DESCRIPTION
MENU DESCRIPTION
The diagram bellow shows the internal structure of the menus accessible by the user from the front panel. Follow the arrow corresponding to the “A” or “B” button for each menu to enter the next one.
Default display is the display of the current setup name (see picture bellow). After two minutes of inactivity, the display will go back to the default display.
Changing Cabinet Family
In order to prevent end-user changing between different NEXO systems set-ups during use, the following procedure is obligatory. This procedure has been purposely designed to avoid any mistakes. It is nevertheless very easy to change set-up among the same family
(see further, “System config”).
Repressing A & B buttons while the NXAMP is starting (this last 20 seconds). At the end of
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MENU DESCRIPTION the boot time, you will hear the output relays moving. You should then see the two up and down arrows surrounded in the above drawing. This means that you can change between any speaker setup by turning the wheel. Select the appropriate setup by pressing “OK”
(button B) or press the button A to go back to current setup without changes.
N.B.: You can reset the unit without powering off by simultaneously repressing buttons A,
B & SELECT CH1 at the same time for at least 3 seconds.
Note: Selecting a new family will set all parameters to factory default settings.
N.B.: “FLAT –NO PROTN.” Is the default setup; it means no EQ (Flat) and no protection
(No protn.) for the speakers but of course amplifier protections will still work.
Adjusting Volume
The volume of each channel can be adjusted from the Volume menu (unit is dB). Bellow is a picture of this menu.
The volume setting for each channel can always be clearly seen from the front panel surrounding LED (white/blue) around each mute button. The position of the LED gives the value of the volume, like it would be for a traditional analog volume pot. The picture bellow gives the attenuation value for each LED.
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MENU DESCRIPTION
The attenuation value can also be read on the LCD screen. To change the attenuation for a given channel, select the channel first by pressing the corresponding “select” button. The channel name on screen will then be put between bracket (see on the picture above, channel 2 is selected). Then turn the wheel to change the volume setting.
You can select multiple channels by pressing several “select” buttons at the same time.
When a selected channel reaches the maximum value, it will cease to increase by continuing to turn the wheel, but other selected channels may still increase the setting: be careful not to change a gap between two channel settings when selecting multiple channels at the same time.
Please note that all the LEDS for volume indication are white except the last one
(corresponding to 0 dB attenuation) which is Blue. That allows to quickly checking that all volumes are correctly set on a NXAMP powered TDcontroller.
NB: You can adjust small differences of gain between channels with the gain menu (see further). There is basically no difference between volume setting and gain setting for a channel, this distinction is only done by analogy with traditional amplifiers. The CPU will always take care of gain and volume settings and decide what the best combination is between analog or digital gain to optimize dynamic range of the system.
Adjusting Delay
The delay of each channel can be adjusted from the Delay menu. Bellow is a picture of this menu.
The delay value can be read on the top of the LCD screen for each channel (unit is meters).
To change the delay for a given channel, select the channel first by pressing the corresponding “select” button. The channel name on screen will then be put between bracket (see on the picture above, channel 2 is selected). Then turn the wheel to change the delay setting (maximum delay is 66.6 meters).
You can select multiple channels by pressing several “select” buttons at the same time.
When a selected channel reaches the maximum value, it will cease to increase by continuing to turn the wheel, but other selected channels may still increase the setting: be careful not to change a gap between two channel settings when selecting multiple channels at the same time.
In some special situation (active setups in same enclosure for example, like PS15 active) it is mandatory to have same delay settings on two or more channels. Then, changing the delay on one of these channels will automatically adjust the delays on the other channels.
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MENU DESCRIPTION
Adjusting Gain
The gain of each channel can be adjusted from the Gain menu. Bellow is a picture of this menu.
The gain value can be read on the top of the LCD screen for each channel (unit is dB). To change the delay for a given channel, select the channel first by pressing the corresponding “select” button. The channel name on screen will then be put between bracket (see on the picture above, channel 2 is selected). Then turn the wheel to change the gain setting (from – 6 dB to + 6 dB).
You can select multiple channels by pressing several “select” buttons at the same time.
When a selected channel reaches the maximum value, it will cease to increase by continuing to turn the wheel, but other selected channels may still increase the setting: be careful not to change a gap between two channel settings when selecting multiple channels at the same time.
In some special circumstances (cardioids setups for example) it is mandatory to have same gain settings on two or more channels. Then, changing the gain on one of these channels will automatically adjust the gains on the other channels.
NB: You can adjust large differences of gain between channels with the volume menu (see above). There is basically no difference between gain setting and volume setting for a channel, this distinction is only done by analogy with traditional amplifiers. The CPU will always take care of gain and volume settings and decide what the best combination is between analog or digital gain to optimize dynamic range of the system.
Adjusting Array EQ
The Array EQ of each channel can be adjusted from the Array EQ menu. Bellow is a picture of this menu.
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MENU DESCRIPTION
The Array EQ value can be read on the top of the LCD screen for each channel (unit is dB).
To change the Array EQ for a given channel, select the channel first by pressing the corresponding “select” button. The channel name on screen will then be put between bracket (see on the picture above, channel 2 is selected). Then turn the wheel to change the Array EQ setting (from – 6 dB to + 6 dB).
You can select multiple channels by pressing several “select” buttons at the same time.
When a selected channel reaches the maximum value, it will cease to increase by continuing to turn the wheel, but other selected channels may still increase the setting: be careful not to change a gap between two channel settings when selecting multiple channels at the same time..
In some special circumstances (cardioids setups for example) it is mandatory to have same
Array EQ settings on two or more channels. Then, changing the Array EQ on one of these channels will automatically adjust the Array EQ on the other channels.
Options Menu
With this menu you can enter some sub-menu to adjust parameters of the NXAMP does do not need to be changed during the normal use of the amplifier (mainly during setup of the unit only). Bellow is a picture of this menu.
The sub-menu located on the top of the screen will blink (here it is 1.Systm Config).
Depressing “select” of channel 4 will enter this sub-menu (“OK” is displayed on the screen align with “select” 4 button). Turn the wheel to select another sub-menu. When coming back to the Options menu later, the last selected sub-menu will be displayed first.
System config
This menu allows changing between several speaker setups inside a same family. Same
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MENU DESCRIPTION family means that same cabinet are connected to same outputs of the amplifier. Mainly this menu is for comparing quickly to setup (Wideband and Crossover for example) without restarting the amplifier. To enter this menu, go to the OPTION menu, and display Bellow is a picture of this menu. First step to change the input patch is to go to the OPTION menu
(see above), then select the sub-menu “1.Systm Config”.
Select one speaker setup by turning the wheel till the setup appears blinking on the LCD screen (in this example, you can toggle between the Crossover (Xover) and the Wide setup). Then depress the “B” button (OK). Once the setup is loaded, the amplifier will go back to the default screen. If you don’t want to change the current speaker setup, simply press the “A” button (Back).
Input Patch
By default and depending on the selected speaker setup selected, some or all of the four inputs will be patched to the outputs. For example, 4 independent channels setups (like 4 x
PS15) will use each analog input patched to each output, but 4 way active setups (like
Alpha) will use only one analog input patched to all the outputs.
Most of the time, the user can freely change the way inputs are patched to the outputs.
However, in some special circumstances, like cardioids setups for example, it is mandatory to have same signal feeding two channels of amplifier or more. In this situation, changing the patch for one channel will automatically affect the other channels.
First step to change the input patch is to go to the OPTION menu (see above). Then select the sub-menu “2.Input Patch”.
Once this menu is selected, select the channel you want to change the input patch, by using the corresponding “select” button. Then only the selected channel will be displayed alone on the bellow line of the LCD screen. You can also go back to the previous step by
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depressing the “A” button.
MENU DESCRIPTION
Now that one of the channels is selected, you can see the inputs available on the top line of the screen. On the back of the amplifier, you can see Analog Input A, Analog Input B, and so on. These inputs are named “AA” (for Analog input A), “AB” (for Analog input B), “AC”
(for Analog input C) and “AD” (for Analog input D).
If an optional board is fitted inside the expansion slot, then four Digital inputs will be available too. These digital inputs are named “DA” (for Digital Input A), “DB” (for Digital
Input B), “DC” (for Digital Input C) and “DD” (for Digital Input D).
If one of the inputs is between brackets, it signifies that the input is currently patched to the channel displayed on the bottom line of the screen (in the example above, Analog input
A (shown as AA) is patched to the PS15 on the channel 1 of the amplifier).
You can toggle the status of the input which is blinking by depressing the “B” button. If the brackets appear around this input, the patch is ON, if it is clear, then the patch is OFF. You can go from one input to the other by turning the wheel.
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MENU DESCRIPTION
Of course several inputs can be patched to one output (in the example above, Analog input
C and Analog input D are summed to the PS15 on channel 1). Be careful when patching both analog and digital input together to one channel: It is very unlikely that the two signals can be in phase. We recommend using this solution only for analog backup of digital network, meaning that only digital or analog inputs will be used at a time.
Once a channel is patched, you can edit the patch for another channel by depressing the
“A” button (Back) and selecting another channel, or simply by directly pressing the corresponding “Select” button for another channel (then the name of that channel will appear on the bottom line of the LCD screen, in front of the channel select button).
On the above example you can see that input patch of channel 3 (PS15) is currently edited, and that Analog input A and Digital input C are patched to this channel.
Save/recall user setups
User setups contain all the settings of the NXAMP Powered TDcontroller, so you can consider that a user setup is a snapshot of the amplifier state. To access the Save/recall menu, go to the “OPTION” menu, and select the sub-menu “3. Save/Recall” (see above).
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MENU DESCRIPTION
On the center of the screen will be displayed the various setups with the setups name. On each side you can select either “Save” or “Recall” function.
To save a user setup select the memory block you want to use (there are 32 different memory blocks) by turning the wheel till the chosen memory block appears on the top line of the LCD screen. Then press the “Select 1” button (for “Save”). Anytime you can exit this menu by depressing the “A” button (for “Back”).
Once the button “Save” has been pressed, you will be requested to enter the name for that user setup (default name is USERSET followed by the setup number). Starting from the first character, turn the wheel to choose a letter, and then depress the “select 4” (for
“Next”) button to go to the next letter. Depressing button “select 1” (for “Prev”) will go back to the previous character. When the last letter has been reached, press the “B” button again to actually save the setup. A confirmation message will be displayed on screen.
To recall a user setup select the memory block you want to use by turning the wheel till the chosen memory block appears on the top line of the LCD screen. Then press the “Select 4” button (for “Recall”). Anytime you can exit this menu by depressing the “A” button (for
“Back”).
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MENU DESCRIPTION
Once the button “Recall” has been pressed, a confirmation step is added. Choose “Yes” to go on with recalling (this is button “Select 4”), or “No” to go back to the previous screen.
If the selected user setup is recalling a different speaker setup that the one currently in use, another confirmation message will be displayed. Choose “Yes” to go on with recalling
(this is button “Select 4”), or “No” to go back to the previous screen.
At the end of the recall, the default display is shown on the LCD screen.
Security
The menu will offer different security options to lock unit access from local interface or remote control, with different user level. This menu is not yet implemented in LOAD2_48.
GPIO Mode
This menu will allow choosing the way the GPIO are handled by the NXAMP Powered
TDcontroller. This menu is not yet implemented in LOAD2_48.
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INSTALLATION RECOMMENDATIONS
Miscellaneous options
This menu will allow tweaking different small options available in the NXAMP Powered
TDcontroller. This menu is not yet implemented in LOAD2_48.
Installation Recommendations
Audio Chain Recommendations
About « Loudspeaker Management Devices »
The NXAMP’s factory delay presets are optimised to provide the best possible crossover between the MAIN SYSTEM and SUB systems.
Optimum results are always obtained for strictly identical signals feeding simultaneously all the NEXO NXAMP Digital TDcontrollers.
Typically, this signal is delivered by the stereo bus output of a parametric/graphic stereo equalizer, which is fed by the stereo output of the mixing console.
Inserting devices such as “loudspeaker management controllers” that modify the
phase relationship between SUB’s NXAMP and MAIN SYSTEM’s NXAMP inputs will lead to unpredictable results, and will severely damage the final result. NEXO strongly recommends avoiding use of such devices.
N.B.: Do not use NEXO’s TDcontrollers (Analog or Digital) to feed the inputs of the NXAMP as this processing is already included inside the NXAMP.
Operating SUB’s fed through an Aux Output
If the SUB’s are to be operated through a different output than the main system, NEXO
strongly recommends that:
• The audio chain is strictly identical for SUB’s and MAIN SYSTEM’s mixing board outputs (same devices with same settings).
• Phase relation between the two feeds is aligned with proper measurement tools
(Easera Systune
TM
, Spectralab
TM
or WinMLS
TM
).
Operation of Multiple Powered TDcontrollers
Some MAIN SYSTEM/SUB systems require a minimum of two NXAMP’s per side (one for
MAIN SYSTEM’s, another for the SUB’s). Eventually, two or more NXAMP’s will operate within the same MAIN SYSTEM cluster. It is mandatory to verify the consistency of the setups and adjustment between processors to avoid the problems described below.
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INSTALLATION RECOMMENDATIONS
When using multiple NXAMP’s in a single array, all parameters should be identical and set to proper values.
System alignment
For a given measurement microphone or listening position, the reference point for this adjustment is the closest point of each array (SUB and Main System) to the given position
(see example below)
We recommend that the system is adjusted so that arrivals from MAIN SYSTEM array and
SUB speakers are coincident at a fairly distant listening position (typically further than the mixing position).
Geometrical alignment
In the example below, r
1 position, and r
2
being the smaller distance from SUB to listener position, the distance difference is then r
1
– r
2
being the smaller distance from MAIN SYSTEM array to listener
(specified meters or feet).
• r
1
> r
2
, the delay should be set on the SUB NXAMP Powered TDcontroller(s).
• r
1
< r
2
, the delay should be set on the MAIN SYSTEM NXAMP Powered
TDcontroller(s)
To convert the result in time delay (specified in seconds), apply:
∆t = ( r
1
r
2
)/C r
1
and r
2
in meters, C (sound speed) ≈ 343 m/S.
The delay parameter is set in MENU “Delay” (See above). r
1
750 mm
[29.53"]
750 mm
[29.53"]
750 mm
[29.53"]
750 mm
[29.53"]
750 mm
[29.53"]
750 mm
[29.53"]
1200 mm
[47.24"] r
2
1200 mm
[47.24"]
However, it is a safe practice to double-check geometrical alignment with a proper
1200 mm
[47.24"] acoustical measurement tool.
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NXES104 EXPANSION BOARD AND REMOTE CONTROL
Measuring and aligning phase in the overlapping region
Microphone must be set on the ground, at a fairly distant listening position (typically further than the mixing position).
Phase must be measured with a wrapped display, and measurement must be properly windowed on signal arriving time (same window for SUB and MAIN SYSTEM). When measurement is synchronized to the system-microphone distance, phase can be clearly displayed in the low-frequency range.
If the MAIN SYSTEM phase reading appears to be superior to the SUB phase reading, then
MAIN SYSTEM will have to be delayed with a value close to the one given by the geometrical alignment.
If SUB appears to be in advance to MAIN SYSTEM, then SUB will have to be delayed with a value close to the one given by the geometrical alignment.
Phase alignment can be considered as correct when phase is coincident over the entire overlapping range (typically an 1 octave from 60 Hz to 120 Hz), and when the overall response is always superior to SUB’s and MAIN SYSTEM’s individual response.
NXES104 expansion board and remote control
On the back panel of the NXAMP Powered TDcontroller there is a slot where the user can easily insert an expansion board to add digital inputs and remote control to the unit.
Today the only available expansion board is the NXES104, compatible with the
Ethersound™ network technology (in its ES100 version). This board offers 4 digital inputs chosen among the 2 x 64 Channels of 24 bits / 48 KHz audio data of the Ethersound™ frame, and also remote control of the unit through the PC based application ESmonitor™.
WARNING! Only 48 KHz Ethersound networks are supported.
NXES104 Physical description
The NXES104 is designed to fit the NEXO’s slot form factor that can be located on the back panel of the NXAMP Powered TDcontrollers.
NB: This slot features an 80-pins internal connector that is not compatible with the Yamaha mini-YGDAI slot.
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NXES104 EXPANSION BOARD AND REMOTE CONTROL
(1) Ethersound
™
IN Port
4 3 2 1
This Port features and Ethercon connector. Always use this type of connector to secure your Ethersound™ network from unwanted unplugs. This type of connector also ensures a longer life to the internal RJ-45 contacts, because it preserves it from external traction.
Use this port as an Ethersound™ IN port when connecting to an Ethersound™ network.
(2) Ethersound
™
network Status LEDs
These four LEDs reflect the status of the Ethersound™ links. The two LEDs next to the IN port shows that data is received from the IN port (when the top one, marked “Rx” blinks) or are send through the IN port (when the bottom one, marked “Tx” blinks).
NB: When used with mono-directional Ethersound™ network, if no remote control computer is connected, only the Rx LED of the IN port will blink.
The two LEDs next to the OUT port shows that data is received from the OUT port (when the top one, marked “Rx” blinks) or are send through the OUT port (when the bottom one, marked “Tx” blinks).
NB: When used with mono-directional Ethersound™ network, if no remote control computer is connected, only the Tx LED of the OUT port will blink.
(3) Ethersound
™
OUT Port
This Port features an Ethercon connector. Always use this type of connector to secure your
Ethersound™ network from unwanted unplugs. This type of connector also ensures a longer life to the internal RJ-45 contacts, because if preserves it from external traction.
Use this port as an Ethersound™ OUT port when connecting to an Ethersound™ network.
(4) Remote ES100 port
The ES100 is an upgrade of the original Ethersound™ standard. It offers new functionalities but can also be downgraded to standard Ethersound™ network for compatibility with older devices. See bellow for details.
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NXES104 EXPANSION BOARD AND REMOTE CONTROL
This Remote ES100 port is a remote control port only that is only designed to be used with
ESmonitor, the remote control software for Ethersound™ network. Connect the PC computer running ESmonitor to this port.
WARNING! Do not use this port if your NXAMP Powered TDcontroller is used in an
Ethersound network with some non ES-100 devices (see bellow for details).
On top of this RJ-45 plug you will find 2 LEDS: The left one is for “Link”, meaning that equipment is well connected to the plug, the right one is for “Activity” meaning that some
Ethernet frames are received on the port.
Various Ethersound™ devices description
Here is a short reminder about various Ethersound™ devices.
Mono-directional, non ES100 devices
Simplest Ethersound™ devices are mono-directional, non ES100: These devices features two ports (ES IN and ES OUT) and can be only connected to mono-directional networks
(64 channels of 24bits/48 KHz). Do not use them in a bidirectional part of an Ethersound network or in a network where ES100 functions are used.
Bi-directional, non ES100 devices
More sophisticated Ethersound™ devices are bi-directional, non ES100. These devices features two ports (ES IN and ES OUT) and can be connected to both mono and bidirectional networks (2 x 64 channels of 24 bits/48 KHz). Do not use them in a network where ES100 functions are used.
NB: The NEXO NX242-ES4 Digital TDcontroller is a bi-directional, non ES100 devices.
ES100 devices
These devices compatible with the ES100 variant of the Ethersound™ network are bidirectional devices (compatible with both mono and bi-directional networks) that offer new functionalities (we called them the ES100 functions). Here is a list of the new ES100 functions:
• Device to device communication: With classical Ethersound implementation, only the remote control computer can communicate with the various devices or the network, and only audio data can be exchanged between devices. With ES100, devices can send non-audio data between them without passing through the remote control computer.
• Ring topology: Instead of the classical daisy-chain Ethersound™ network, you can now connect the last OUT port of the network to the IN port of the primary master, that has to be defined as the Preferred Primary Master through ESmonitor
(every other device should be set as a loop back device). See ESmonitor User Manual included with this software for details. Thus one of the network cables can fail
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NXES104 EXPANSION BOARD AND REMOTE CONTROL without any lost on the network integrity. To control the network, at least one of the
ES100 devices inside the network should have a “Remote ES100 port” (see bellow).
• 3
rd
communication port: Optionally, a 3 rd
Ethernet port can be added on the
ES100 device (this is the “Remote ES100 port” that you can find on the NXES104).
From this port you can take control over the connected device, but also over the whole Ethersound™ network. To do so, connect a computer running the ESmonitor software, just like you were connecting to the IN port of the Primary Master device of the network.
N.B.: You can easily recognize the ES100 devices thanks to this logo
ES100/spkr devices
The ES100/spkr implementation is a light implementation of the ES100 above: ES100/spkr is compatible only with mono-directional Ethersound™ network, and can only extract a maximum of four outputs.
Ethernet Additional hardware
Hubs
A hub (also known as repeater) is a central connection point for computers on a startopology-based network. Any data it receives is broadcasted to all ports, and then only the computer that is ‘listening’ for the data actually receives and processes the transmission.
Hubs are the ‘unintelligent’ relatives of switches.
WARNING! Due to their internal architecture, repeater hubs MUST NOT be used in
Ethersound™ networks.
Switches
There are different types of switches, using different protocols that interact with other protocols to provide all the necessary transmission services. The outline for implementing protocols in altogether seven layers is defined in a worldwide ISO standard called OSI
(Open System Interconnection)
Layer 2, 3 or 4 switches
Layer 2 is the communication protocol that contains the physical address of a network device. It is called the “data link layer” or “MAC (=Media Access Control) layer” and contains the address inspected by a bridge or switch. Layer 2 processing is faster than layer 3 processing, because less analysis of the frame is required. As the EtherSound protocol contains exclusively layer 2 information, switches other than layer two must not be used.
WARNING! Layer 3 and Layer 4 switches are not compatible with the
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NXES104 EXPANSION BOARD AND REMOTE CONTROL
Ethersound™ networks. Only Layer 2 switches can be used.
These layer 2 switches can be either managed or unmanaged. Managed switches are necessary to set up VLAN networks so that EtherSound can co-exist on a larger network with other applications. Some switches provide functionalities of the so-called SPANNING
TREE PROTOCOL for inter-switch communication and network management. The
EtherSound protocol is NOT COMPATIBLE with the Spanning Tree Protocol (should be disabled on manageable switches).
Wireless LAN
A local area network that transmits over the air typically (but not exclusively) in an unlicensed frequency or, among others, infrared line of sight. Wireless access points (base stations) are connected to an Ethernet hub or server and transmit a radio frequency that can penetrate walls and other non-metal barriers. Roaming users can be handed off from one access point to another like, for example, in a cellular phone system. Wireless LANs are not suitable for EtherSound networks due to significant bandwidth limitations.
Ethernet cables
Cables used within the EtherSound network are straight cables. The cable used to connect directly the remote control PC to the Primary Master or to any of the “Remote ES100 port” is a crossover cable.
The following paragraphs describe the main twisted pair cable types used. Among them, you will find descriptions of cables listed for reasons of completeness, but that are not suited for EtherSound networks.
CAT5, 5e, 6, 7 cables
Level 5 cable supports transmission rates of up to 100Mbps (200Mbps in full-duplex),
CAT5e, even 1Gbps - is the most common today. Category 6 supports up to 10Gbps, for
CAT6 and CAT7 new standards are under development.
Horizontal (solid) cable and patch (stranded) cable
Both UTP (Unshielded Twisted Pair) and STP (Shielded Twisted Pair) come in stranded and solid wire varieties. The stranded wire is the most common and is also very flexible for bending around corners. Solid wire cable has less attenuation and can span longer distances, but is less flexible than stranded wire and cannot be repeatedly bent (and therefore not suitable for live applications). Following are the twisted pair categories.
Horizontal cable (also called solid cable) is made of plain copper conductors and has a low characteristics shift with aging. It must be used for long runs of steady cabling (typically the cables inside walls and ceiling).
Patch cable (also called stranded cable), more flexible, is made of stranded copper conductors and has larger losses and characteristics shifts than horizontal cable. It can be used for versatile termination between wall outlet and device, or between devices. These cables are explicitly labeled “PATCH”. The TIA/EIA 568A wiring standard allows the use of horizontal cable up to 90m(295ft) lengths with a maximum amount of 10m of patch cable for both ends added together.
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NXES104 EXPANSION BOARD AND REMOTE CONTROL
UTP, FTP (ScTP), STP, SFTP cables
UTP stands for Unshielded Twisted Pair. It is a cable type with one or more pairs of twisted insulated copper conductors contained in a single sheath. It is the most common type of cabling used in desktop communications applications.
WARNING! For optimum performance sake and electromagnetism behavior, the
UTP cables shall NOT be used.
FTP stands for Overall Foil Shielded Twisted Pair (ScTP for Screened Twisted Pair): Cable is wrapped with an aluminized plastic foil). That kind of cabling is not recommended for applications where the cable is repeatedly bent. The foil tends to break leading to severe loss of performance over the distance.
WARNING! Do not use FTP cabling for live application.
STP stands for Shielded Twisted Pair: Screen is made of copper braid. SFTP stands for
Overall Braid + Foil Shielded Twisted Pair: Foil screen and braid shield. For all these cables, transmission characteristics are the same. The difference is the behavior with respect to electromagnetic interference. We recommend cabling that has a superior quality sleeve in order to protect the cable. Ideally this sleeve should halogen free in order to comply for the installation standards.
Bellow is some various cables that have been seriously tested by Auvitran (see www.auvitran.com
for more information).
BELDEN
BELDEN
CAEGROUPE
CAEGROUPE
786OE
1875GB
AudioLan
AX CA23653
FTP
UTP
FTP
130 m
120 m
85 m
S-FTP 140m
Max length for reliability
Specific comments on tested cables
110 m
100 m
Ruggedized Cat6 Cable, Shielded, AWG24 difficult to fit in standard RJ45 "male" plugs
(Blue)
Flat smooth ruggedized Cat6 Cable, no shield (White)
75 m
120 m
Really smooth ruggedized cat5e, Look like a mic Cable, a little bit hard to mount on RJ45 at the begining (Black)
Ruggedized Cat5e cable, really good for exteriors, SFTP+One shield fold per pair
(Green)
CAEGROUPE Giga-Audio S-FTP 120
DRAKA
DRAKA
799090
CT2672600
S-FTP 140 m
FTP 100 m
120 m
90 m
Really Ruggedized Cat5e cable, Does not fit in standard RJ45 "male" plugs (0.22m
SFTP+One fold per pair (Black)
2 ),
Ruggedized Cat5e cable (Black)
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NXES104 EXPANSION BOARD AND REMOTE CONTROL
Harting
KLOTZ
KLOTZ
LINK
IP20 System cables 4-pole
S-TP 100 m
RC5 RAMCATS
100 ohms
S-TP 70 m
RC5 SU U/UTP 100 m
Eurocable
Extraflex Cat5 UTP
85 m
LINK
Neutrik
Proplex
Proplex
Fiber Optic
Eurocable
Extraflex Cat5
S-FTP 123 m
ZNK
CT2672601
S/FTP 90 m
PCCAT5EP - 97 m
PCCAT5EPUTPP UTP 88 m
100 m
65 m
90 m
75 m
105 m
80 m
85 m
80 m
Industrial Ethernet stranded cable.
STP stranded AWG26
AWG24/1
Very smooth Ruggedized Cat5, Without any shield so be careful with EMC problem
(Black)
Ruggedized Cat5 cable, very good live cable
(Black)
Cat5E Cable, Shielded
Cat5E Cable, Shielded
Cat5E Cable, No shield
Fiber Optic is similar to twisted pair but does not conduct electricity. It is used in situations where a network may suffer from environmental conditions (e.g. lightning), such as in LAN connections between buildings. Fiber optic is also very valuable where electronic emissions or electro-magnetic interferences may have an impact on the network, e.g. on particular factory floors. Furthermore, fiber optic cables and Ethernet standard allow for segments up to two km(1.24mi) long (cf. thin coaxial • 185m(607ft), UTP • 100m(328ft)) and thus permit to connect remote nodes and buildings that otherwise would not be accessible.
To use Fiber Optic cable in EtherSound networks, Media Converters or dedicated
Ethersound™ devices such as AVAVRed-ES100/FoNeutrik (EtherSound Redundant link with
2 multimode optical OptiCon Neutrik connectors) must be used.
Installation inside the NXAMP
To install the NXES104 card inside an NXAMP Powered TDcontroller, first remove the two screws on each side of the blank panel on the rear of the amplifier. Keep these screws as they will be used with the NXES104 card.
Slide the NXES104 board inside the rails, and push it firmly inside the NXAMP. Then put the two screws back to fix the NXES104 on the rear panel of the NXAMP.
N.B.: Keep the blank panel in a safe place as you would need to put it back if you decide to
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NXES104 EXPANSION BOARD AND REMOTE CONTROL
remove the NXES104 Board for some reason. Do not use the NXAMP Powered TDcontroller without blank panel or expansion board fitted.
NXAMP control page in ESmonitor software
ESmonitor software by Auvitran is a free PC based application running under Windows XP and Windows Vista, permitting full control over an Ethersound™ network. From this software you have access to the routing of the network and to some specific control depending on the device connected.
NEXO provides in each revision of the NXAMP firmware the last version of the ESmonitor software that has been successfully tested with this firmware. It is recommended to use this specific version of the ESmonitor software.
Please refer to the ESmonitor User Manual provided by Auvitran as a pdf file when installing the ESmonitor application on your computer. Once your Ethersound™ network is completed, you can access to the control page of the NXAMP Powered TDcontroller shown bellow:
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NXES104 EXPANSION BOARD AND REMOTE CONTROL
1 2 3 4 5
(1) Input meters choice
6 7 8 9 10 11 12
Here you can choose between analog input meters or digital inputs (from Ethersound™ network) meters. Mixed mode is not accessible in this release. Click on the text corresponding to the input you wish to monitor.
(2) Input meters
Here you can see the input meters for the four channels selected above.
(3) Delay Unit
This control is not accessible with this release: only meters is possible.
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NXES104 EXPANSION BOARD AND REMOTE CONTROL
(4) Security
This control is not accessible with this release: Security settings are not yet implemented.
However, you can use the security settings from the ESmonitor software itself, allowing several users to have access to the Ethersound™ network with different level of security.
Please refer to the ESmonitor User Manual for details.
(5) Volume control
This button can set up the volume for each channel of the NXAMP. To adjust the volume with this virtual pot, you can click and drag the button itself or simply use the mouse wheel while you are on the virtual pot area.
N.B.: On some setups the volume settings may be linked.
(6) Gain control
To adjust the gain on one channel, click and drag the virtual fader. You can also simply goes onto this control and use the mouse wheel.
N.B.: On some setups the volume settings may be linked.
(7) Output meters
For each channel there are two output meters; the left one is showing the output voltage, whether the right one is showing the output current.
(8) Mute button
Click on this button to mute or unmute a channel.
(9) Delay settings
Use the small buttons bellow the text box to increase or decrease the delay settings for each channel. You can also directly enter the delay value in the text box.
N.B.: On some setups the delay settings may be linked.
(10) Input patch
For each channel, you can see eight buttons corresponding to the eight available inputs (4 analog and 4 digital). Click on the button to patch or unpatch an input. If the button is dark, it means that the input is patched, if not it is white.
N.B.: On some setups the input patch may be linked.
(11) ArrayEQ settings
To adjust the ArrayEQ on one channel, click and drag the virtual fader. You can also simply
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NXWIN4 SOFTWARE FOR NXAMP FIRMWARE UPGRADE go to this control by utilizing the mouse wheel of your computer.
N.B.: On some setups the ArrayEQ settings may be linked.
(12) Virtual front panel
This virtual front panel is a copy of the NXAMP user interface. You can see the LCD display and the front panel LEDs status. You can use all the push buttons and the encoder wheel by clicking with your mouse or using its wheel. However, The Power button is not working at the moment.
N.B.: Some special characters may not be displayed correctly on the virtual LCD screen.
NXwin4 software for NXAMP firmware upgrade
Please check regularly on NEXO website ( www.nexo-sa.com
) for NXAMP Powered
TDcontroller firmware upgrade. These upgrades are freely downloadable and can improve:
• NEXO’s setup for cabinets (including new setups for new products).
• NXAMP firmware functions.
• NXAMP remote control functions.
WARNING! NXAMP Powered TDcontroller is delivered with a FLAT firmware only
(no NEXO setup installed), so it is mandatory to upgrade the firmware of the unit to the last available firmware that you will find on our website.
What you need to upgrade your NXAMP
NXAMP can be upgraded either:
• By its serial port (RS-232).
• By its “Ethersound™ IN” or “Remote ES100” port if a NXES104 board is fitted.
NB: Upgrade through one of the above Ethersound™ ports when the unit is a Primary
Master. This provides much faster results than the other solution.
Serial port upgrade
To upgrade from the serial port you will need:
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NXWIN4 SOFTWARE FOR NXAMP FIRMWARE UPGRADE
• A computer running Windows XP with NXwin4 installed
• A serial port or an USB to serial adapter
• A null-modem cable (“crossover” serial port cable, with 2 DB9 female plugs). See cabling bellow.
NEXO RS232 serial port PC COM port
2 RXD
3 TXD
5 GND
---------Receive---------
-----------Transmit-------
Signal ground
3
2
5
Ethersound™ upgrade
To upgrade from the Ethersound™ port you will need:
• A computer running Windows XP with NXwin4 installed
• A RJ-45 Ethernet 100 base TX full duplex port
• A crossover cat5 network cable.
Connect the computer to the NXAMP
Locate the serial port or the one of the usable Ethersound™ port at the back of the controller, and use the null-modem cable or the crossover cable to connect the computer.
(1) Remote ES100 port
1
2
3
This port can be used to upgrade the NXAMP when a NXES104 board is fitted. Be sure that no non-ES100 devices are connected to the other Ethersound™ ports of the NXAMP.
(2) Ethersound™ IN port
This port can be used to upgrade the NXAMP when a NXES104 board is fitted. You can either directly connect the computer to this port or reach the NXAMP through the
Ethersound™ network. If several NXAMP are connected together in an Ethersound™
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NXWIN4 SOFTWARE FOR NXAMP FIRMWARE UPGRADE network, you can upgrade automatically one after the other.
(3) RS-232 Serial port
This port can be used with or without NXES104 board fitted inside the amplifier. However, we recommend using one of the previous Ethersound™ ports if an NXES104 board is fitted because NXwin4 can also upgrade the firmware of the Ethersound™ board itself (what cannot be done through the serial port).
Using the NXwin4 software
Use the Nxwin4_setup.exe to install the software on a Windows XP based computer. If you are already using ESmonitor you don’t need to upgrade the Ethersound API.
NB: Even if you plan to use the serial port for upgrade, your computer must have an
Ethernet port for the software to set up correctly.
Then through the start menu, double-click on Programs> Nexo> Firmware Update>
NXwin4. The Nexo loader will appear on the screen of the computer. Use the “Browse” button to select the firmware file (the extension is .dld).
Then choose the serial port connected to the NXAMP Powered TDcontroller (note: only the detected and available serial port appears in the list), and finally press the download button. The following splash window should pop up on screen:
To upgrade the NXAMP (fitted with NXES104 board) through the Ethersound network, choose the Ethersound port interface and select the network card connected to the
Ethersound network. Select device that you want to upgrade.
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NXWIN4 SOFTWARE FOR NXAMP FIRMWARE UPGRADE
Note: the firmware of the Ethersound board will be upgraded at the same time if included inside the LOAD file (.DLD file).
Put the NXAMP in download mode
That means power the unit “ON” while having the ‘mute 1’ button down.
1 2
(1) Hold the mute 1 button down, and keep it down.
(2) Turn ON the NXAMP Powered TDcontroller.
The NXAMP screen will display the revision of the boot loader, and then the following message will appear:
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NXWIN4 SOFTWARE FOR NXAMP FIRMWARE UPGRADE
Begin the upgrade
You can now confirm the download in the splash screen. The Nxwin4 will detect the connected NXAMP target, and then download the appropriate software.
At the end of the download the NXAMP will start up normally, displaying the new firmware revision.
Using the controller after a firmware update
Choosing a cabinet setup
After the download of a new firmware, the NXAMP powered TDcontroller will be by default in FLAT mode, it means that the audio flows from the inputs to the outputs without treatment.
To load the wanted setup (for example GeoD or PS15, …) you have to reset the unit by repressing buttons A, B & “Select CH1” for 3 seconds at least.
(for 3 seconds)
Selecting cabinet family
Simultaneously repressing A & B buttons at power up or during device RESET accesses the system change menu. Keep the A & B Buttons held until the default display appears
(approx. 20 seconds). This will allow the selection of any cabinet in any family. Using the rotary encoder, scroll through the configurations and press “B” to load the required
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settings.
NXWIN4 SOFTWARE FOR NXAMP FIRMWARE UPGRADE
Select your cabinet set-up
In the ‘Options’ menu, choose “Systm Config”, and you will be able to choose among the different set-ups within the same cabinet family. (i.e. you don't have to modify the amplifier to cabinet wiring).
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TECHNICAL SPECIFICATIONS
TECHNICAL SPECIFICATIONS
POWER SPECIFICATIONS FOR NXAMP Powered TDcontroller
Number of channels 4 channels, 3 channels (2 non bridged + 1 bridged) or 2 channels (2 bridged)
NXAMP4X1 NXAMP4X4
Max. output power (8 Ω) 600 W (non bridged)
1800 W (2 channels bridged)
Max. output power (4 Ω) 900 W (non bridged)
1900 W (non bridged)
6600 W (2 channels bridged)
3300 W (non bridged)
2600 W (2 channels bridged mode)
Max. output power (2 Ω) 1300 W (non bridged)
Power consumption
8000 W (2 channels bridged)
4000 W (non bridged)
10 W Standby, 100 W Idle, 1100 W 1/8 Power 20 W Standby, 150 W Idle, 3000 W 1/8 Power
SPECIFICATIONS FROM ANALOG IN TO POWER OUT
Analog Inputs channels 4 channels analog inputs on XLR 3 with a second XLR 3 for linking
Frequency response
Input Impedance
Max Input Level
Dynamic Range
THD + Noise
Latency time
Power Supply
+/- 0.5 dB from 10 Hz to 20 KHz
20 KOhm.
+28 dBu
All Channels = 105dB unweighted
Typical 0.1% flat setup
2.2 ms on a flat setup (Compatible with NX241 and NX242)
Dedicated version for 100 ~ 120 Volts or 220 ~ 240 Volts
FRONT AND BACK PANEL FEATURES
Audio Inputs • 4 balanced analog inputs on XLR with link, using 24 bit converters.
• 4 digital inputs via the optional network card slot at the back.
Power Outputs
RS232 port
GPIO port
Front Panel
Rear Panel
Dimensions & Weight
4 Speakon outputs
Allow firmware upgrade for software improvement and new cabinet setups.
5 Global Purpose Inputs and 8 Global Purpose Outputs
On/Off switch, Wheel, A/B buttons, 40 char x 2 display. Amp protect/Stand-by/Power LED’s.
For each ch: volume (15 LEDs), Mute w LED, Output current LED, Protect LED, Peak LED.
1 mains socket (2 for NXAMP4X4); RS232; GPIO, Expansion slot, 4 XLR w link, 4 Speakon 4
NXAMP4X1
3U 19" Rack, 457 mm (18") Depth, 16.5kg
(33 lbs) net
NXAMP4X4
4U 19" Rack, 457 mm (18") Depth, 24.5kg
(33 lbs) net
USER CONTROLS
System Selection
System Set-up
Protection
Delay
Input Patching
Output Gain
Volume control
Save/Recall
Array EQ
Security Mode
Remote control
Certification
Green status
Allows control from all NEXO ranges.
Within the selected range when possible, allows the cabinet to be set for passive/active mode, wideband/crossover mode, choose among crossover point, cardiod/supercardiod mode.
Multiple Peak Limiters fitted for both selected cabinet and amplifier. Multiple Acceleration,
Displacement and Temperature protections on every channel.
Up to 66m (145 ft.) of delay in 10cm (.4in ) steps
Any of the 4 analog (or 8) inputs combination to be routed on each output.
Global and inter-channel gain +/-6dB in 0.5dB steps.
Each channel with 16 steps from – inf dB to 0 dB.
Set-up Stores 32 user set-ups
LF/HF shelving filters to compensate ground/stacking effects, +/-6dB
Password protected for Read-Only or Remote-Only Mode.
Full remote control via the Ethersound protocol and ESmonitor software.
UL, SEMKO (CE), CCC, KOREA, TSS, PSE
Compliant with ROHS and WEEE directive
PAGE 62 OF 81
THERMAL DISSIPATION AND CURRENT DRAWN
Thermal dissipation and current drawn
Test signal: Pink Noise, bandwidth limited 22Hz to 22 kHz. All channels driven.
NXAMP4X1
1/8out
Line Current (A)
8ohms/ch 11.1
4ohms/ch 16.7
6.1
9.2
Watts
Thermal
Dissipation
Btu/h kcal/h
95 326
390 1337
590 2023
620 2126
82
337
510
536
NXAMP4X4
1/8out
Line Current (A)
Watts
Thermal
Dissipation
Btu/h kcal/h
120 411
800 2743
1300 4457
1700 5829
104
691
1123
1469
1 BTU = 1,055.06 J = 0.252 kcal
(W)*864=cal
N.B. These values are for NXAMP without NXES104 board fitted. If card is fitted, please add
5 Watts to these values.
PAGE 63 OF 81
Dimensions
DIMENSIONS
NXAMP4X1 front view dimensions
NXAMP4X4 front view dimensions
NXAMP4X1 and NXAMP4X4 top view dimensions
PAGE 64 OF 81
APPLICATION NOTE: DRIVING THE SUB FROM THE AUX SEND
Application Note: Driving the Sub from the AUX send
It is quite common to use the AUX send of a mixing desk to drive the Sub section of a PA system. This gives the mixing engineer more flexibility to set the level of its subbass relative to the main PA, apply special effects, use a different EQ on the Sub…However, it also rises some serious issues for the performance & safety of the system (mostly time alignment).
What is the phase relation between the AUX and MAIN output of your Desk?
At NEXO, when we align systems, we take great care to have an optimum phase alignment from one octave above to one octave below the crossover frequency point. By doing so, we ensure that both drivers are working perfectly together and providing the best efficiency possible. It is then up to the user to adjust the delay on the NXAMP to match the physical path difference of the different systems. It is thus possible to get a well adjusted system, even without measuring instruments.
If you choose to drive the Sub from the AUX, you feed the NXAMP with two signals coming from different sources. If those two sources (MAIN output & AUX send) are not exactly in phase, you are introducing a delay –without knowing it- into the crossover between your main system and your sub. Without the proper measurement tools, you will never be able to tune the system as it should be.
Why it is unlikely the AUX and MAIN have the same phase?
• Signal paths are likely to be different; any filter modifying the bandwidth and EQ of the signal is also affecting the phase.
Example: a 24dB/oct high pass filter set at 15Hz is only affecting amplitude of the signal by 0.6dB at 30Hz but the phase shift is 90°!! At 100Hz we can still measure
25° of phase shift
• Should you want to restrict the bandwidth with a low pass filter, you can introduce a phase difference of up to 180° (completely out of phase) at the cross over point
• If the signal is passing though any digital equipment you are adding between 1.4ms and 2.2ms (around 70° phase shift at 100Hz) due to the converter delay only! The additional delay due to the processing itself (look ahead compressor, delay…) can be quite important
At the end of the day, if you have not measured both outputs in the actual configuration you can be 90% sure that you won’t get the correct phase alignment that you would have had if the NXAMP was fed by a single source.
Consequences of badly aligned systems
Mis-aligned systems have less efficiency: i.e. for the same SPL you will be obliged to drive the system harder, causing displacement & temperature protection at lower SPL than a properly aligned system. The sound quality will decrease. The reliability will decrease as the system is driven harder to achieve the same levels. In certain situations you may even need more speakers to do the same job…
PAGE 65 OF 81
APPLICATION NOTE: DRIVING THE SUB FROM THE AUX SEND
Consider the simple example of the AUX signal passing through a digital device (without processing) that is adding a delay of 2ms due to its conversion time. The AUX is then sent to a CD12 sub while the MAIN is send to the S850 rig. The first graph display the phase around the crossover point (85Hz in this case)
The two overlapping phases are those of the CD12 and S805 as they should be. The bellow curve is the same as the above one with a 2ms delay.
On the magnitude graph display the difference between the well aligned system and the one with the CD12 2ms delayed. The difference is 2dB at 100Hz. This example is displaying the consequences of a slightly incorrect alignment. If we add to this the delay introduced by a slightly different electric path plus the “small” delay introduced by some processing, plus a EQ filter done by the user near the cut off frequency…The graph above could shows differences in excess of 6dB. (Up to the point where the system might work better if you reverse the polarity of the sub !)
Precautions & check
Before using the AUX send of your desk ensure that the outputs are in phase (you can feed a 100Hz signal at the input and monitor the MAIN and AUX on a dual trace scope)
Always apply EQ or processing to all signals feeding the NXAMP. So the phase relation is not affected.
PAGE 66 OF 81
APPLICATION NOTE: DRIVING THE SUB FROM THE AUX SEND
Never add additional low pass filtering on the SUB. (or high pass to the main system)
Inverting polarity on one channel should always result in a massive difference near the crossover point. If the sound is more or less the same the system is no longer aligned.
PAGE 67 OF 81
APPENDIX A : LIST OF SUPPORTED PRESETS (LOAD2_48)
Appendix A : List of Supported presets (LOAD2_48)
At the time of printing, the following factory presets are supported by LOAD 2_48 by the
NXAMP. Please refer to the documentation enclosed with the firmware if the one loaded in your NXAMP is not LOAD 2_48.
Keep in mind that you should hold the A & B buttons down when resetting the NXAMP
Powered TD controller to switch from one family of setups to the other.
LOAD2_48 Setup List
Output patch
Setup Name
FLAT - NO PROTN.
[2 bridged ch ]
ALPHATD B1+B1+M3
Wideband-No Sub
ALPHATD B1+B1+M3
Crossover w S2
ALPHATD S2+B1+M3
S2-80Hz
ALPHATD S2+B1+M3
S2-63Hz
ALPHATD B1-WB+M3
(B1-15 Bridged)
S2 Cabinets x 4
S2-80Hz
S2 Cabinets x 4
S2-63Hz
S2 Bridged x 2
S2-63Hz
S2 Bridged x 2
S2-80Hz
ALPHAe Stereo
AEM + B1-18
ALPHAe Stereo X
AEM + B1-18xover
ALPHAe Stereo
(B1-18 Bridged)
ALPHAe Stereo X
(B1-18 Bridged)
ALPHAe Mono
AEM B1-18 S2-80
ALPHAe Mono
AEM B1-18 S2-63
ALPHAe ACTIVE 3W
2xB1-18 MF HF
ALPHAe ACTIVE 4W
S2 B1-18 MF HF
ALPHAe ACTIVE 3W
(B1-18 Bridged)
PS15 StereoXover
+ S2 Stereo
PS15Xov Bridged
+ S2 Bridged
PS15 Stereo Wide
+ LS1200 Stereo
PS15 StereoXover
+ LS1200 Stereo
FLAT NO PRTN
ALPHA B115 Wide
ALPHA B115 Xov
FLAT NO PRTN
ALPHA B115 Wide
ALPHA B115 Xov
ALPHA S2 80
ALPHA S2 63
ALPHA B115 Xov
ALPHA B115 Xov
ALPHA B115 Wide
ALPHA S2 80 ALPHA S2 80
ALPHA S2 63 ALPHA S2 63
ALPHA S2 63
ALPHA S2 80
ALPHA B118 Wide ALPHA B118 Wide
ALPHA B118 Xov ALPHA B118 Xov
ALPHA B118 Wide
ALPHA B118 Xov
ALPHA S2 80 ALPHA B118 Xov
ALPHA S2 63
ALPHA B118 Wide
ALPHA S2 63
ALPHA B118 Xov
ALPHA B118 Wide
ALPHA B118 Xov
ALPHA B118 Wide
ALPHA S2 XOV PS15 ALPHA S2 XOV PS15
ALPHA S2 XOV PS15
LS1200 LS1200
LS1200 LS1200
FLAT NO PRTN
ALPHA MF
ALPHA MF
ALPHA MF
ALPHA MF
ALPHA MF
ALPHA S2 80
FLAT NO PRTN
ALPHA HF
ALPHA HF
ALPHA HF
ALPHA HF
ALPHA HF
ALPHA S2 80
ALPHA S2 63 ALPHA S2 63
ALPHA S2 63
ALPHA S2 80
ALPHA E PASSIVE Xov ALPHA E PASSIVE Xov
ALPHA E PASSIVE Xov ALPHA E PASSIVE Xov
ALPHA E PASSIVE Xov
ALPHA E PASSIVE Xov
ALPHA E PASSIVE Xov
ALPHA E PASSIVE Xov
ALPHA E MF
ALPHA E MF
ALPHA E HF
ALPHA E HF
ALPHA E MF
PS15 Xov S2
ALPHA E HF
PS15 Xov S2
PS15 Xov S2
PS15 Wide
PS15 Xov
PS15 Wide
PS15 Xov
PAGE 68 OF 81
APPENDIX A : LIST OF SUPPORTED PRESETS (LOAD2_48)
LOAD2_48 Setup List
Output patch
Setup Name
PS15 StereoXover
+ LS1200 Bridged
PS15Wide Bridged
+ LS1200 Bridged
PS15Xov Bridged
+ LS1200 Bridged
2 PS15 Ch 3 + 4
2 PS10 Ch 1 + 2
2 PS15 Ch 3 + 4
2 PS8 Ch 1 + 2
4 PS15 Cabinets
Wideband
PS15Wide Bridged
RS15omni Bridged
PS15 Stereo Wide
(2 Bridged ch)
PS15 StereoXover
RS15 Omni 80Hz
PS15 Stereo Wide
RS15 Omni 80Hz
PS15 StereoXover
RS15omni Bridged
PS15 StereoXover
RS15 Cardio 80Hz
PS15Xov Bridged
RS15omni Bridged
LS1200 Cabinet
(4 Channels)
LS1200 Cabinet
(2 Bridged ch)
PS15 Active Wide
LF(1-3) HF(2-4)
PS15 ActiveXover
LF(1-3) HF(2-4)
PS15 Active Wide
(2 Bridged ch)
PS15 Active Xov
(2 Bridged ch)
PS15 Active Mono
S2 +S2 +LF +HF
PS15 Active Mono
2xLS1200 +LF +HF
PS15 Xover (2-4)
+ S2 Stereo(1-3)
PS15 Wide (2-4)
+ LS1200 St(1-3)
PS15 Xover (2-4)
+ LS1200 St(1-3)
PS10 StereoXover
+ LS500 Stereo
2 PS10 ch 3 + 4
2 PS8 ch 1 + 2
4 PS10 Cabinets
Wideband
PS10 Stereo Wide
RS15 Omni 80Hz
PS10 Stereo Wide
RS15 Cardio 80Hz
LS1200
LS1200
LS1200
PS10 Wide
PS8 Wide
PS15 Wide
PS10 Wide
PS8 Wide
PS15 Wide
RS15 Omni 80Hz
PS15 Wide
RS15 Omni 80Hz
RS15 Omni 80Hz
RS15 Omni 80Hz
RS15 Omni 80Hz
PS15 Xov
PS15 Wide
PS15 Wide
PS15 Wide
PS15 Xov RS15
PS15 Wide RS15
PS15 Wide
PS15 Xov
PS15 Xov
PS15 Wide
PS15 Wide RS15
PS15 Wide
PS15 Wide
PS15 Wide
PS15 Xov RS15
PS15 Wide RS15
RS15 Omni 80Hz
RS15 CARDIO Back 80Hz
LS1200 xxxxxx
RS15 CARDIO front 80Hz
LS1200
RS15 Omni 80Hz
LS1200
PS15 LF Wide
PS15 LF Xov
PS15 LF Wide
PS15 LF Xov
PS15 HF for WB
PS15 HF for XOV
ALPHA S2 XOV PS15
LS1200
ALPHA S2 XOV PS15
ALPHA S2 XOV PS15
LS1200
PS15 Xov S2
LS1200
LS1200
LS500
PS8 Wide
PS15 Wide
PS15 Xov
LS500
PS8 Wide
PS10 Wide PS10 Wide
RS15 Omni 80Hz RS15 Omni 80Hz
RS15 CARDIO Back 80Hz RS15 CARDIO front 80Hz
PS15 Xov RS15
PS15 Xov RS15
PS15 Xov RS15
PS15 Xov RS15
PS15 Xov RS15
LS1200 LS1200
PS15 LF Wide
LS1200
PS15 HF for WB
PS15 LF Xov PS15 HF for XOV
PS15 HF for WB
PS15 LF Xov
PS15 HF for XOV
PS15 HF for XOV
PS15 LF Xov
ALPHA S2 XOV PS15
PS15 HF for XOV
PS15 Xov S2
LS1200
LS1200
PS10 Xov
PS10 Wide
PS10 Wide
PS10 Wide RS15
PS10 Wide RS15
PS15 Wide
PS15 Xov
PS10 Xov
PS10 Wide
PS10 Wide
PS10 Wide RS15
PS10 Wide RS15
PAGE 69 OF 81
APPENDIX A : LIST OF SUPPORTED PRESETS (LOAD2_48)
LOAD2_48 Setup List
Output patch
Setup Name
PS10 StereoXover
RS15 Omni 80Hz
PS10 Stereo Wide
RS15omni Bridged
PS10 StereoXover
RS15omni Bridged
PS10 StereoXover
RS15 Cardio 80Hz
4 x LS500
Cabinets
PS10 Xover (2-4)
+ LS500 St (1-3)
PS8 Stereo Xover
+ LS400 Stereo
PS8 Stereo Wide
RS15 Omni 80Hz
PS8 Stereo Xover
RS15 Omni 80Hz
PS8 Stereo Wide
RS15omni Bridged
PS8 Stereo Wide
RS15 Cardio 80Hz
PS8 Stereo Xover
RS15omni Bridged
PS8 Stereo Xover
RS15 Cardio 80Hz
4 PS8 cabinets
Wideband
4 x LS400
Cabinets
PS8 Xover (2-4)
+ LS400 St (1-3)
S805 Stereo Wide
+CD12 130Hz Mono
S805 Stereo Wide
+CD12 90Hz Mono
S805 StereoXover
+CD12 130Hz Mono
S805 StereoXover
+CD12 90Hz Mono
S830 Stereo Wide
+CD12 130Hz Mono
S830 Stereo Wide
+CD12 90Hz Mono
S830 StereoXover
+CD12 130Hz Mono
S830 StereoXover
+CD12 90Hz Mono
4 S805 cabinets
Wideband
4 S830 cabinets
Wideband
S805 Stereo Wide
(2 Bridged ch)
S830 Stereo Wide
(2 Bridged ch)
S805 StereoXover
+ S2 80Hz Stereo
RS15 Omni 80Hz RS15 Omni 80Hz
RS15 Omni 80Hz
RS15 Omni 80Hz
RS15 CARDIO Back 80Hz RS15 CARDIO front 80Hz
LS500
LS500
LS500
PS10 Xov
LS400
RS15 Omni 80Hz
LS400
RS15 Omni 80Hz
RS15 Omni 80Hz RS15 Omni 80Hz
RS15 Omni 80Hz
RS15 CARDIO Back 80Hz RS15 CARDIO front 80Hz
RS15 Omni 80Hz
RS15 CARDIO Back 80Hz RS15 CARDIO front 80Hz
PS8 Wide PS8 Wide
LS400
LS400
CD12 Back 130
CD12 Back 90
LS400
PS8 Xov
CD12 Front 130
CD12 Front 90
CD12 Back 130
CD12 Back 90
CD12 Back 130
CD12 Back 90
CD12 Back 130
CD12 Back 90
GEO S805 Wide
GEO S830 Wide
CD12 Front 130
CD12 Front 90
CD12 Front 130
CD12 Front 90
CD12 Front 130
CD12 Front 90
GEO S805 Wide
GEO S830 Wide
GEO S805 Wide
GEO S830 Wide
ALPHA S2 XOV GEO ALPHA S2 XOV GEO
PS10 Xov RS15
PS10 Wide RS15
PS10 Xov RS15
PS10 Xov RS15
LS500
LS500
PS8 Xov
PS8 Wide
PS8 Xov RS15
PS8 Wide
PS8 Wide
PS8 Xov RS15
PS8 Xov RS15
PS8 Wide
LS400
LS400
GEO S805 Wide
GEO S805 Wide
GEO S805 Xov
GEO S805 Xov
GEO S830 Wide
GEO S830 Wide
GEO S830 Xov
GEO S830 Xov
GEO S805 Wide
GEO S830 Wide
GEO S805 Xov
GEO S805 Xov
GEO S830 Wide
GEO S830 Wide
GEO S830 Xov
GEO S830 Xov
GEO S805 Wide
GEO S830 Wide
GEO S805 Wide
GEO S830 Wide
GEO S805 Xov GEO S805 Xov
PS10 Xov RS15
PS10 Wide RS15
PS10 Xov RS15
PS10 Xov RS15
LS500
PS10 Xov
PS8 Xov
PS8 Wide
PS8 Xov RS15
PS8 Wide
PS8 Wide
PS8 Xov RS15
PS8 Xov RS15
PS8 Wide
LS400
PS8 Xov
GEO S805 Wide
GEO S805 Wide
PAGE 70 OF 81
APPENDIX A : LIST OF SUPPORTED PRESETS (LOAD2_48)
LOAD2_48 Setup List
Output patch
Setup Name
S830 Stereo Wide
+ S2 80Hz Stereo
S830 StereoXover
+ S2 80Hz Stereo
S805 StereoXover
+ S2 Bridged
S830 Stereo Wide
+ S2 Bridged
S830 StereoXover
+ S2 Bridged
S805 StereoXover
+CD18 85Hz Mono
S830 Stereo Wide
+CD18 85Hz Mono
S830 StereoXover
+CD18 85Hz Mono
S805 Stereo Wide
RS15 Omni 80Hz
S805 StereoXover
RS15 Omni 80Hz
S830 Stereo Wide
RS15 Omni 80Hz
S830 StereoXover
RS15 Omni 80Hz
S805 Stereo Wide
RS15omni Bridged
S830 Stereo Wide
RS15omni Bridged
S830 StereoXover
RS15omni Bridged
S805 StereoXover
RS15 Cardio 80Hz
ALPHA S2 XOV GEO
ALPHA S2 XOV GEO
ALPHA S2 XOV GEO
ALPHA S2 XOV GEO
ALPHA S2 XOV GEO
ALPHA S2 XOV GEO
ALPHA S2 XOV GEO
CD18 back 85
CD18 back 85
CD18 back 85
RS15 Omni 80Hz
RS15 Omni 80Hz
RS15 Omni 80Hz
RS15 Omni 80Hz
RS15 Omni 80Hz
RS15 Omni 80Hz
RS15 Omni 80Hz
RS15 CARDIO Back 80Hz
CD18 front 85
CD18 front 85
CD18 front 85
RS15 Omni 80Hz
RS15 Omni 80Hz
RS15 Omni 80Hz
RS15 Omni 80Hz
RS15 CARDIO front 80Hz
S830 StereoXover
RS15 Cardio 80Hz
S805 StereoXover
RS15omni Bridged
S805 StereoXover
GeoSub 35-80Hz
S805 StereoXover
GeoSub 35-200Hz
S830 StereoXover
GeoSub 35-80Hz
S830 StereoXover
GeoSub 35-200Hz
GeoT NXSTR 90Hz
Back(1) Front(3)
GeoT Xover 100Hz
Back(1) Front(3)
GeoT Xover 140Hz
Back(1) Front(3)
GeoT Xover 75Hz
Back(1) Front(3)
GeoT NXSTR 90Hz
HF (1-2-3-4)
GeoT Xover 100Hz
HF (1-2-3-4)
GeoT Xover 140Hz
HF (1-2-3-4)
RS15 CARDIO Back 80Hz
RS15 Omni 80Hz
GEO SUB BACK 35-80Hz
GEO SUB BACK 35-200Hz
GEO SUB BACK 35-80Hz
GEO SUB BACK 35-200Hz
GEO SUB FRONT 35-
80Hz
GEO SUB FRONT 35-
200Hz
GEO SUB FRONT 35-
80Hz
GEO SUB FRONT 35-
200Hz
GEO T4805 BACK NXSTR
GEO T4805 BACK 100
GEO T4805 BACK 140
GEO T4805 BACK 75
GEO T4805 HF 100
GEO T4805 HF NXSTR
GEO T4805 HF 75
RS15 CARDIO front 80Hz
GEO T4805 HF 100
GEO T4805 HF NXSTR
GEO T4805 HF 75
GEO S830 Wide
GEO S830 Xov
GEO S805 Xov
GEO S830 Wide
GEO S830 Xov
GEO S805 Xov
GEO S830 Wide
GEO S830 Xov
GEO S805 Wide
GEO S805 Xov
GEO S830 Wide
GEO S830 Xov
GEO S805 Wide
GEO S830 Wide
GEO S830 Xov
GEO S805 Xov
GEO S830 Xov
GEO S805 Xov
GEO S805 Xov
GEO S805 Xov
GEO S830 Xov
GEO S830 Xov
GEO T4805 FRONT NXSTR
GEO T4805 FRONT 100
GEO T4805 FRONT 140
GEO T4805 FRONT 75
GEO T4805 HF 100
GEO T4805 HF NXSTR
GEO T4805 HF 75
GEO S830 Wide
GEO S830 Xov
GEO S805 Xov
GEO S830 Wide
GEO S830 Xov
GEO S805 Xov
GEO S830 Wide
GEO S830 Xov
GEO S805 Wide
GEO S805 Xov
GEO S830 Wide
GEO S830 Xov
GEO S805 Wide
GEO S830 Wide
GEO S830 Xov
GEO S805 Xov
GEO S830 Xov
GEO S805 Xov
GEO S805 Xov
GEO S805 Xov
GEO S830 Xov
GEO S830 Xov
GEO T4805 HF 100
GEO T4805 HF NXSTR
GEO T4805 HF 75
PAGE 71 OF 81
APPENDIX A : LIST OF SUPPORTED PRESETS (LOAD2_48)
LOAD2_48 Setup List
Output patch
Setup Name
GeoT Xover 75Hz
HF (1-2-3-4)
CD18 Cardio
Crossover 140Hz
CD18 Cardio
Crossover 100Hz
CD18 Cardio
Crossover 75Hz
CD18 Cardio NXS
Crossover 85Hz
CD18 Bridged
Crossover 100Hz
CD18 Bridged
Crossover 140Hz
CD18 Bridged
Crossover 75Hz
CD18 Bridged NXS
Crossover 85Hz
CD12 stereo
Crossover 130 Hz
CD12 stereo
Crossover 90 Hz
CD12 Bridged
Crossover 130 Hz
CD12 Bridged
Crossover 90 Hz
GeoSUB 75-200Hz
+CD18 85Hz Mono
CD12-130Hz(3-4)
+CD18-85Hz (1-2)
GeoD Stereo
Wideband
GeoD Stereo
Crossover
GeoD Bridged
Crossover
GeoD Bridged
Wideband
GeoD Wide (3-4)
+CD18 85Hz Mono
GeoD Xover (3-4)
+CD18 85Hz Mono
GeoD Wide (3-4)
GeoSub 35-80Hz
GeoD Xover (3-4)
GeoSub 35-80Hz
GeoD Xover (3-4)
GeoSub 35-200Hz
GeoSub 35-200Hz
GeoSub 35-200Hz
GeoSub 35-80Hz
GeoSub 35-80Hz
GeoSub 75-200Hz
GeoSub 75-200Hz
GeoSub 35-200Hz
(2 Bridged ch)
GeoSub 35-80Hz
(2 Bridged ch)
GEO T4805 HF 75
CD18 back 140
CD18 back 100
CD18 back 75
CD18 back 85
CD18 back 100
CD18 back 140
CD18 back 75
CD18 back 85
CD12 Back 130
CD12 Back 90
GEO T4805 HF 75
CD18 front 140
CD18 front 100
CD18 front 75
CD18 front 85
CD12 Front 130
CD12 Front 90
CD12 Back 130
CD18 back 85
CD18 back 85
CD12 Back 90
GEOD 10 BACK Wide
GEOD 10 BACK Xov
CD18 front 85
CD18 front 85
GEOD 10 FRONT Wide
GEOD 10 FRONT Xov
GEOD 10 BACK Xov
GEOD 10 BACK Wide
CD18 back 85
CD18 back 85
GEO SUB BACK 35-80Hz
GEO SUB BACK 35-80Hz
GEO SUB BACK 35-200Hz
GEO SUB BACK 35-200Hz
GEO SUB BACK 35-80Hz
GEO SUB BACK 75-200Hz
CD18 front 85
CD18 front 85
GEO SUB FRONT 35-
80Hz
GEO SUB FRONT 35-
80Hz
GEO SUB FRONT 35-
200Hz
GEO SUB FRONT 35-
200Hz
GEO SUB FRONT 35-
80Hz
GEO SUB FRONT 75-
200Hz
GEO SUB BACK 35-200Hz
GEO SUB BACK 35-80Hz
GEO T4805 HF 75
CD18 back 140
CD18 back 100
CD18 back 75
GEO T4805 HF 75
CD18 front 140
CD18 front 100
CD18 front 75
CD18 back 85 CD18 front 85
CD18 front 100
CD18 front 140
CD18 front 75
CD12 Back 130
CD18 front 85
CD12 Front 130
CD12 Back 90 CD12 Front 90
CD12 Front 130
GEO SUB BACK 75-
200Hz
CD12 Back 130
CD12 Front 90
GEO SUB FRONT 75-
200Hz
CD12 Front 130
GEOD 10 BACK Wide
GEOD 10 BACK Xov
GEOD 10 FRONT Wide
GEOD 10 FRONT Xov
GEOD 10 FRONT Xov
GEOD 10 FRONT Wide
GEOD 10 BACK Wide
GEOD 10 BACK Xov
GEOD 10 BACK Wide
GEOD 10 BACK Xov
GEOD 10 FRONT Wide
GEOD 10 FRONT Xov
GEOD 10 FRONT Wide
GEOD 10 FRONT Xov
GEOD 10 BACK Xov
GEO SUB BACK 35-
200Hz
GEO SUB BACK 35-
80Hz
GEO SUB BACK 75-
200Hz
GEOD 10 FRONT Xov
GEO SUB FRONT 35-
200Hz
GEO SUB FRONT 35-80Hz
GEO SUB FRONT 75-
200Hz
GEO SUB FRONT 35-200Hz
GEO SUB FRONT 35-80Hz
PAGE 72 OF 81
APPENDIX A : LIST OF SUPPORTED PRESETS (LOAD2_48)
Setup Name
GeoSub 75-200Hz
(2 Bridged ch)
GeoD 3way Active
Wideband
GeoD 3way Active
Crossover
S1210 NXS Wide
GeoSub 35-80Hz
S1210 NXS Wide
GeoSub 35-200Hz
S1210 NXS Xover
GeoSub 35-80Hz
S1210 NXS Xover
GeoSub 35-200Hz
S1210 NXS Wide
+ S2 Stereo
S1210 NXS Xover
+ S2 Stereo
S1210 StereoWide
+ S2 Bridged
S1210 NXS Wide
+CD18 85Hz Mono
S1210 NXS Xover
+CD18 85Hz Mono
S1210 NXS Wide
RS15 Omni 80Hz
S1210 NXS Xover
RS15 Omni 80Hz
S1210 Stereo Xov
RS15omni Bridged
S1210 StereoWide
RS15omni Bridged
S1210 NXS Wide
RS15 Cardio 80Hz
S1210 NXS Xover
RS15 Cardio 80Hz
4 S1210 cabinets
Wideband NXS
4 S1210 cabinets
Crossover NXS
S1210 Stereo Xov
+ S2 Bridged
S1210 StereoWide
(2 Bridged ch)
S1210 StereoXov
(2 Bridged ch)
S1210 Active Xov
LF(1-3) HF(2-4)
S1210 ActiveWide
LF(1-3) HF(2-4)
S1210 Active Xov
(2 Bridged ch)
S1210 ActiveWide
(2 Bridged ch)
S1210 Active Xov
+CD18 85Hz Mono
S1210 Active Xov
GeoSub 35-80Hz
LOAD2_48 Setup List
Output patch
CH1 CH2 CH3 CH4
GEO SUB FRONT 75-200Hz GEO SUB BACK 75-200Hz
GEOD 10 BACK Wide
GEOD 10 BACK Xov
GEO SUB BACK 35-80Hz
GEO SUB BACK 35-200Hz
GEO SUB BACK 35-80Hz
GEO SUB BACK 35-200Hz
ALPHA S2 XOV GEO
GEOD 10 FRONT ACT.
Wide
GEOD 10 FRONT ACT.
Xov
GEO SUB FRONT 35-
80Hz
GEO SUB FRONT 35-
200Hz
GEO SUB FRONT 35-
80Hz
GEO SUB FRONT 35-
200Hz
ALPHA S2 XOV GEO
GEOD 10 HF ACT.
GEOD 10 HF ACT.
GEO S1210 Wide
GEO S1210 Wide
GEO S1210 Xov
GEO S1210 Xov
GEO S1210 Wide
NC
NC
GEO S1210 Wide
GEO S1210 Wide
GEO S1210 Xov
GEO S1210 Xov
GEO S1210 Wide
ALPHA S2 XOV GEO ALPHA S2 XOV GEO
ALPHA S2 XOV GEO
CD18 back 85
CD18 back 85
RS15 Omni 80Hz
RS15 Omni 80Hz
CD18 front 85
CD18 front 85
RS15 Omni 80Hz
RS15 Omni 80Hz
GEO S1210 Xov
GEO S1210 Wide
GEO S1210 Wide
GEO S1210 Xov
GEO S1210 Wide
GEO S1210 Xov
GEO S1210 Xov
GEO S1210 Wide
GEO S1210 Wide
GEO S1210 Xov
GEO S1210 Wide
GEO S1210 Xov
RS15 Omni 80Hz
RS15 Omni 80Hz
RS15 CARDIO Back 80Hz RS15 CARDIO front 80Hz
RS15 CARDIO Back 80Hz RS15 CARDIO front 80Hz
GEO S1210 Wide
GEO S1210 Xov
GEO S1210 Wide
GEO S1210 Xov
ALPHA S2 XOV GEO
GEO S1210 Wide
GEO S1210 Xov
GEO S1210 Wide
GEO S1210 Wide
GEO S1210 Xov
GEO S1210 Wide
GEO S1210 Xov
GEO S1210 Xov
GEO S1210 Wide
GEO S1210 Wide
GEO S1210 Xov
GEO S1210 Wide
GEO S1210 Xov
GEO S1210 Xov GEO S1210 Xov
GEO S1210 Wide
GEO S1210 Xov
GEO S1210 LF LF Xov GEO S1210 HF ACT.
GEO S1210 LF Wide GEO S1210 HF ACT.
GEO S1210 LF LF Xov
GEO S1210 LF Wide
CD18 back 85
GEO SUB BACK 35-80Hz
CD18 front 85
GEO SUB FRONT 35-
80Hz
GEO S1210 Xov
GEO S1210 LF LF Xov GEO S1210 HF ACT.
GEO S1210 LF Wide GEO S1210 HF ACT.
GEO S1210 HF ACT.
GEO S1210 HF ACT.
GEO S1210 LF LF Xov
GEO S1210 LF LF Xov
GEO S1210 HF ACT.
GEO S1210 HF ACT.
PAGE 73 OF 81
APPENDIX A : LIST OF SUPPORTED PRESETS (LOAD2_48)
LOAD2_48 Setup List
Output patch
Setup Name
S1210 Active Xov
GeoSub 35-200Hz
S1210 Active Xov
RS15 Cardio 80Hz
S1210 ActiveWide
RS15 Cardio 80Hz
S1210 Active Xov
+ S2 Stereo
S1210 Active Xov
RS15 Omni 80Hz
S1230 NXS Wide
GeoSub 35-80Hz
S1230 NXS Wide
GeoSub 35-200Hz
S1230 NXS Xover
GeoSub 35-80Hz
S1230 NXS Xover
GeoSub 35-200Hz
S1230 NXS Wide
+ S2 stereo
S1230 NXS Xover
+ S2 Stereo
S1230 NXS Xover
+ S2 Bridged
S1230 StereoWide
+ S2 Bridged
S1230 NXS Wide
+CD18 85Hz Mono
S1230 NXS Xover
+CD18 85Hz Mono
S1230 NXS Wide
RS15 Omni 80Hz
S1230 NXS Xover
RS15 Omni 80Hz
S1230 NXS Xover
RS15omni Bridged
S1230 StereoWide
RS15omni Bridged
S1230 NXS Wide
RS15 Cardio 80Hz
S1230 NXS Xover
RS15 Cardio 80Hz
4 S1230 cabinets
Wideband NXS
4 S1230 cabinets
Crossover NXS
S1230 StereoWide
(2 Bridged ch)
S1230 StereoXov
(2 Bridged ch)
S1230 Active Xov
RS15 Cardio 80Hz
S1230 ActiveWide
RS15 Cardio 80Hz
S1230 Active Xov
LF(1-3) HF(2-4)
S1230 ActiveWide
LF(1-3) HF(2-4)
GEO SUB BACK 35-200Hz
GEO SUB FRONT 35-
200Hz
GEO S1210 LF LF Xov
RS15 CARDIO Back 80Hz RS15 CARDIO front 80Hz GEO S1210 LF LF Xov
RS15 CARDIO Back 80Hz RS15 CARDIO front 80Hz GEO S1210 LF Wide
ALPHA S2 XOV GEO GEO S1210 LF LF Xov
RS15 Omni 80Hz
GEO SUB BACK 35-80Hz
GEO SUB BACK 35-200Hz
GEO SUB BACK 35-80Hz
GEO SUB BACK 35-200Hz
ALPHA S2 XOV GEO
ALPHA S2 XOV GEO
RS15 Omni 80Hz
GEO SUB FRONT 35-
80Hz
GEO SUB FRONT 35-
200Hz
GEO SUB FRONT 35-
80Hz
GEO SUB FRONT 35-
200Hz
ALPHA S2 XOV GEO
GEO S1210 LF LF Xov
GEO S1230 Wide
GEO S1230 Wide
GEO S1230 Xov
GEO S1230 Xov
GEO S1230 Wide
ALPHA S2 XOV GEO ALPHA S2 XOV GEO
ALPHA S2 XOV GEO
ALPHA S2 XOV GEO
CD18 back 85 CD18 front 85
CD18 back 85
RS15 Omni 80Hz
CD18 front 85
RS15 Omni 80Hz
RS15 Omni 80Hz RS15 Omni 80Hz
RS15 Omni 80Hz
RS15 Omni 80Hz
RS15 CARDIO Back 80Hz RS15 CARDIO front 80Hz
RS15 CARDIO Back 80Hz RS15 CARDIO front 80Hz
GEO S1230 Wide GEO S1230 Wide
GEO S1230 Xov
GEO S1230 Xov
GEO S1230 Wide
GEO S1230 Wide
GEO S1230 Xov
GEO S1230 Wide
GEO S1230 Xov
GEO S1230 Xov
GEO S1230 Wide
GEO S1230 Wide
GEO S1230 Xov
GEO S1230 Wide
GEO S1210 HF ACT.
GEO S1210 HF ACT.
GEO S1210 HF ACT.
GEO S1210 HF ACT.
GEO S1210 HF ACT.
GEO S1230 Wide
GEO S1230 Wide
GEO S1230 Xov
GEO S1230 Xov
GEO S1230 Wide
GEO S1230 Xov
GEO S1230 Xov
GEO S1230 Wide
GEO S1230 Wide
GEO S1230 Xov
GEO S1230 Wide
GEO S1230 Xov
GEO S1230 Xov
GEO S1230 Wide
GEO S1230 Wide
GEO S1230 Xov
GEO S1230 Wide
GEO S1230 Xov GEO S1230 Xov
GEO S1230 Wide
GEO S1230 Xov
RS15 CARDIO Back 80Hz RS15 CARDIO front 80Hz
GEO S1230 Xov
GEO S1230 Wide
GEO S1230 Xov
GEO S1230 LF Xov
RS15 CARDIO Back 80Hz RS15 CARDIO front 80Hz GEO S1230 LF Wide
GEO S1230 LF Xov
GEO S1230 LF Wide
GEO S1230 HF ACT.
GEO S1230 HF ACT.
GEO S1230 LF Xov
GEO S1230 LF Wide
GEO S1230 Xov
GEO S1230 HF ACT.
GEO S1230 HF ACT.
GEO S1230 HF ACT.
GEO S1230 HF ACT.
PAGE 74 OF 81
APPENDIX A : LIST OF SUPPORTED PRESETS (LOAD2_48)
Setup Name
S1230 Active Xov
(2 Bridged ch)
S1230 ActiveWide
(2 Bridged ch)
S1230 Active Xov
+CD18 85Hz Mono
S1230 Active Xov
GeoSub 35-80Hz
S1230 Active Xov
GeoSub 35-200Hz
S1230 Active Xov
+ S2 Stereo
S1230 Active Xov
RS15 Omni 80Hz
RS15 Omni 80Hz
RS15 Omni 80Hz
RS15 Omni 80Hz
(2 Bridged ch)
RS15 Cardio 80Hz
RS15 Cardio 80Hz
RS15 Cardio 80Hz
(2 Bridged ch)
LOAD2_48 Setup List
Output patch
CH1 CH2 CH3 CH4
GEO S1230 LF Xov GEO S1230 HF ACT.
GEO S1230 LF Wide
CD18 back 85
GEO SUB BACK 35-80Hz
GEO SUB BACK 35-200Hz
ALPHA S2 XOV GEO
CD18 front 85
GEO SUB FRONT 35-
80Hz
GEO SUB FRONT 35-
200Hz
ALPHA S2 XOV GEO
RS15 Omni 80Hz
RS15 Omni 80Hz
RS15 Omni 80Hz
RS15 Omni 80Hz
RS15 Omni 80Hz
RS15 CARDIO Back 80Hz RS15 CARDIO front 80Hz
RS15 CARDIO Back 80Hz
GEO S1230 HF ACT.
GEO S1230 LF Xov
GEO S1230 LF Xov
GEO S1230 LF Xov
GEO S1230 LF Xov
GEO S1230 LF Xov
RS15 Omni 80Hz
GEO S1230 HF ACT.
GEO S1230 HF ACT.
GEO S1230 HF ACT.
GEO S1230 HF ACT.
GEO S1230 HF ACT.
RS15 Omni 80Hz
RS15 Omni 80Hz
RS15 CARDIO Back
80Hz
RS15 CARDIO front 80Hz
RS15 CARDIO front 80Hz
PAGE 75 OF 81
& Kjær
APPENDIX B: HOW IS MEASURED THE AMPLIFIER POWER?
Appendix B: How is measured the amplifier power?
This part of the document describes the setup we have used to measure the power available on the NXAMP Powered TDcontroller outputs for each load (8, 4 and 2 Ohms).
General description of the setup
The drawing bellow shows the setup used to measure the output power:
Audio Generator with
Distortion Analyzer
Digital Scope
NXAMP Under Test
4x Dummy
Loads
The Audio Generator with distortion analyzer is used to generate test signals. It analyzes the output of the amplifier to measure the THD+N, thus we can know when we reach the clip of the amplifier with a certain value of distortion (typically 1 %).
The NXAMP under test is powered through a monitored power supply with voltage adjusted to 230 Volts (+2/- 0 Volts) and 50 Hz.
The 4 analog inputs of the NXAMP Powered TDcontroller are linked together so all the channels are fed. DSP setup is “FLAT – NO PROTN”, meaning that no EQ or gain is applied and that only the amplifier protections are working. The volume is set to 0 dB attenuation.
Each output of the amplifier is connected to a dummy load (8, 4 or 2 Ohms). On one channel, we loop the voltage back to the distortion analyzer and to a digital scope, to measure directly the output voltage on the screen.
PAGE 76 OF 81
APPENDIX B: HOW IS MEASURED THE AMPLIFIER POWER?
Precision of the measurement
• All the measurement tools (Digital scope and distortion analyzer) have been recently calibrated (less than one year).
• We’ve made some measurements on some batch of NXAMP to have a clear idea of the precision of the amplifier itself, from one unit to the other (small differences in the manufacturing of the custom transformer of the larges power supplies are the main factor for having different power capability).
• The precision on the dummy loads has also been checked with a calibrated ohmmeter.
Due to all this tolerances, we can compute a value for the power output of each channel of the amplifier in a precision of (+/- 10 %).
Measurement method
The input signal is a burst sine wave at 1 KHz, for 20 ms, every 500 ms. We increase the input level up to reaching 1 % THD+N on the distortion analyzer. We measure the signal with the scope cursor as shown in the picture bellow:
500 msec
Vburst
1 msec
20 msec
Close-up
The center of the emission line shall be adopted as the measurement value.
The last one wave of burst signal shall be measured.
Signal
Cursor
We do 4 measurements for each output, so we do 16 measurements per unit. Then we average on 4 units of NXAMP4X1C or NXAMP4X4C.
Then we redo the same with 4 units of NXAMP4X1U or NXAMP4X4U, mains being 120 Volts
(+2, -0 Volts at 60 Hz).
Finally we average all the measurements and this is the values which are written in the datasheet of the NXAMP Powered TDcontrollers.
PAGE 77 OF 81
USABLE MAINS CORD IN EUROPE
Usable mains cord in Europe
The SEMKO (CE) certification in Europe is based on the assumption that the user will use one of the following mains cord to use NXAMP4X4 or NXAMP4X1. Please choose one from the list bellow.
NXAMP4X1
WELL SHIN
WELL SHIN
WS-010
WS-010A
VOLEX
VOLEX
YUNG LI
YUNG LI
M2511
M2511A
YP-22
YP-23
NXAMP4X1 for UK
WELL SHIN H05VV-F 3G 1.0mm²
WELL SHIN H05VV-F 3G 1.0mm²
VOLEX
VOLEX
YUNG LI
YUNG LI
H05VV-F 3G 1.0mm²
H05VV-F 3G 1.0mm²
H05VV-F 3G 1.0mm²
H05VV-F 3G 1.0mm²
WELL SHIN WS-002-1
WELL SHIN WS-002-1
LONGWELL LS-60
LONGWELL
VOLEX
VOLEX
LS-60
V1625
V1625
YUNG LI
YUNG LI
YC-12
YC-12
WELL SHIN WS-012A
VOLEX MP5004
YUNG LI
NXAMP4X4
YP-60
WELL SHIN
WELL SHIN
WS-010
WS-010A
WELL SHIN H05VV-F 3G 1.0mm²
VOLEX
YUNG LI
H05VV-F 3G 1.0mm²
H05VV-F 3G 1.0mm²
WELL SHIN WS-002-1
LONGWELL LS-60
VOLEX
YUNG LI
V1625
YC-12
VOLEX
VOLEX
M2511
M2511A
NXAMP4X4 for UK
WELL SHIN WS-012A
WELL SHIN H05VV-F 3G 1.5mm²
WELL SHIN H05VV-F 3G 1.5mm²
VOLEX
VOLEX
H05VV-F 3G 1.5mm²
H05VV-F 3G 1.5mm²
Neutrik
Neutrik
Neutrik
Neutrik
Neutrik
Neutrik
NAC3FCA
NAC3FCA
NAC3FCA
NAC3FCA
NAC3FCA
NAC3FCA
VOLEX MP5004
WELL SHIN H05VV-F 3G 1.5mm²
VOLEX H05VV-F 3G 1.5mm²
Neutrik
Neutrik
Neutrik
NAC3FCA
NAC3FCA
NAC3FCA
PAGE 78 OF 81
ROHS certificate
ROHS CERTIFICATE
PAGE 79 OF 81
User Notes
USER NOTES
Nexo S.A.
Parc d’Activité de la Dame Jeanne
F-60128 PLAILLY
Tel: +33 3 44 99 00 70
Fax: +33 3 44 99 00 30
E-mail: [email protected]
www.nexo-sa.com
PAGE 80 OF 81
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