Model: RS-70/RS-50
MIDI Implementation
1. Receive data (Sound Source Section)
■ Channel Voice Messages
*
Not received in Pattern(Performance) mode when the Receive Switch parameter
(PATTERN/PERFORM PART) is OFF.
3rd byte
vvH
00H
0H - FH (ch.1 - 16)
00H - 7FH (0 - 127)
00H - 7FH (0 - 127)
● Note on
Status
2nd byte
9nH
kkH
n = MIDI channel number:
kk = note number:
vv = note on velocity:
*
Status
2nd byte
BnH
07H
n = MIDI channel number:
vv = Volume:
*
3rd byte
vvH
0H - FH (ch.1 - 16)
00H - 7FH (0 - 127)
In Pattern(Performance) mode, the Part Level parameter (PATTERN/PERFORM PART)
will change.
Status
2nd byte
BnH
08H
n = MIDI channel number:
vv = Balance:
*
3rd byte
vvH
0H - FH (ch.1 - 16)
00H - 7FH (0 - 127)
The Tone Balance parameter (PATCH COMMON) will change.
❍Panpot (Controller number 10)
❍Bank Select (Controller number 0, 32)
*
Status
2nd byte
3rd byte
BnH
06H
mmH
BnH
26H
llH
n = MIDI channel number:
0H - FH (ch.1 - 16)
mm, ll = the value of the parameter specified by RPN/NRPN
mm = MSB, ll = LSB
❍Balance (Controller number 8)
3rd byte
vvH
0H - FH (ch.1 - 16)
00H - 7FH (0 - 127)
01H - 7FH (1 - 127)
● Control Change
Status
2nd byte
BnH
00H
BnH
20H
n = MIDI channel number:
mm, ll = Bank number:
❍Data Entry (Controller number 6, 38)
❍Volume (Controller number 7)
● Note off
Status
2nd byte
8nH
kkH
9nH
kkH
n = MIDI channel number:
kk = note number:
vv = note off velocity:
Date: 2003.6.16
Version:
1.00
3rd byte
mmH
llH
0H - FH (ch.1 - 16)
00 00H - 7F 7FH (bank.1 - bank.16384)
Not received in Pattern(Performance) mode when the Receive Bank Select (PATTERN/
PERFORM PART) is OFF.
The Patterns(Performances), Patches, and Rhythms corresponding to each Bank Select
are as follows.
RS-70
+—————+———————————+———————————+——————————————————————+———————————+
| BANK SELECT
| PROGRAM
| GROUP
| NUMBER
|
| MSB | LSB
| NUMBER
|
|
|
+—————+———————————+———————————+——————————————————————+———————————+
| 085 | 000
| 001 — 128 | User Pattern
| 001 — 128 |
|
| 001
| 001 — 128 | User Pattern
| 129 — 256 |
| 086 | 000
| 001 — 016 | User Rhythm
| 001 — 016 |
|
| 064
| 001 — 030 | Preset Rhythm
| 001 — 030 |
| 087 | 000
| 001 — 128 | User Patch
| 001 — 128 |
|
| 064
| 001 — 128 | Preset Patch
| 001 — 128 |
|
| :
|
| :
|
|
|
| 069
| 001 — 128 | Preset Patch
| 001 — 128 |
| 120 | 000
| 001 — 057 | GM Rhythm
| 001 — 009 |
| 121 | 000 —
| 001 — 128 | GM Patch
| 001 — 256 |
+—————+———————————+———————————+——————————————————————+———————————+
Status
2nd byte
BnH
0AH
n = MIDI channel number:
vv = Panpot:
*
3rd byte
vvH
0H - FH (ch.1 - 16)
00H - 40H - 7FH (Left - Center - Right),
In Pattern(Performance) mode, the Part Pan parameter (PATTERN/PERFORM PART)
will change.
❍Expression (Controller number 11)
Status
2nd byte
BnH
0BH
n = MIDI channel number:
vv = Expression:
3rd byte
vvH
0H - FH (ch.1 - 16)
00H - 7FH (0 - 127)
❍Effect Control 1 (Controller number 12)
Status
2nd byte
BnH
0CH
n = MIDI channel number:
vv = Control value (relative change):
3rd byte
vvH
0H - FH (ch.1 - 16)
00H - 40H - 7FH (-64 - 0 - +63)
❍Effect Control 2 (Controller number 13)
Status
2nd byte
BnH
0DH
n = MIDI channel number:
vv = Control value (relative change):
3rd byte
vvH
0H - FH (ch.1 - 16)
00H - 40H - 7FH (-64 - 0 - +63)
❍Hold 1 (Controller number 64)
RS-50
+—————+———————————+———————————+——————————————————————+———————————+
| BANK SELECT
| PROGRAM
| GROUP
| NUMBER
|
| MSB | LSB
| NUMBER
|
|
|
+—————+———————————+———————————+——————————————————————+———————————+
| 085 | 000
| 001 — 008 | User Performance
| 001 — 008 |
|
| 064
| 001 — 032 | Preset Performance
| 001 — 032 |
| 086 | 000
| 001 — 002 | User Rhythm
| 001 — 002 |
|
| 064
| 001 — 020 | Preset Rhythm
| 001 — 020 |
| 087 | 000
| 001 — 128 | User Patch
| 001 — 128 |
|
| 064
| 001 — 128 | Preset Patch
| 001 — 128 |
|
| :
|
| :
|
|
|
| 068
| 001 — 128 | Preset Patch
| 001 — 128 |
| 120 | 000
| 001 — 057 | GM Rhythm
| 001 — 009 |
| 121 | 000 —
| 001 — 128 | GM Patch
| 001 — 256 |
+—————+———————————+———————————+——————————————————————+———————————+
Status
2nd byte
BnH
40H
n = MIDI channel number:
vv = Control value:
3rd byte
vvH
0H - FH (ch.1 - 16)
00H - 7FH (0 - 127) 0-63 = OFF, 64-127 = ON
❍Portamento (Controller number 65)
Status
2nd byte
BnH
41H
n = MIDI channel number:
vv = Control value:
*
3rd byte
vvH
0H - FH (ch.1 - 16)
00H - 7FH (0 - 127) 0 - 63 = OFF, 64 - 127 = ON
The Portamento Switch parameter (PATCH TONE) will change.
❍Modulation (Controller number 1)
❍Sostenuto (Controller number 66)
Status
2nd byte
BnH
01H
n = MIDI channel number:
vv = Modulation depth:
Status
2nd byte
3rd byte
BnH
42H
vvH
n = MIDI channel number:0H - FH (ch.1 - 16)
vv = Control value:
00H - 7FH (0 - 127) 0 - 63 = OFF, 64 - 127 = ON
3rd byte
vvH
0H - FH (ch.1 - 16)
00H - 7FH (0 - 127)
❍Portamento Time (Controller number 5)
Status
2nd byte
BnH
05H
n = MIDI channel number:
vv = Portamento Time:
*
3rd byte
vvH
0H - FH (ch.1 - 16)
00H - 7FH (0 - 127)
❍Soft (Controller number 67)
Status
2nd byte
BnH
43H
n = MIDI channel number:
vv = Control value:
3rd byte
vvH
0H - FH (ch.1 - 16)
00H - 7FH (0 - 127) 0 - 63 = OFF, 64 - 127 = ON
The Portamento Time parameter (PATCH TONE) will change.
Copyright © 2003 ROLAND CORPORATION
No part of this publication may be reproduced in any form without the written permission of ROLAND CORPORATION.
1
❍Resonance (Controller number 71)
❍Effect 1 (Reverb Send Level) (Controller number 91)
Status
2nd byte
BnH
47H
n = MIDI channel number:
vv= Resonance value (relative change):
Status
2nd byte
BnH
5BH
n = MIDI channel number:
vv = Reverb Send Level:
*
3rd byte
vvH
0H - FH (ch.1 - 16)
00H - 40H - 7FH (-64 - 0 - +63),
The Resonance parameter (PATCH TONE) will change.
*
❍Release Time (Controller number 72)
Status
2nd byte
3rd byte
BnH
48H
vvH
n = MIDI channel number:
0H - FH (ch.1 - 16)
vv = Release Time value (relative change):
00H - 40H - 7FH (-64 - 0 - +63),
*
The Release Time parameter (PATCH TONE) will change.
❍Attack time (Controller number 73)
Status
2nd byte
3rd byte
BnH
49H
vvH
n = MIDI channel number:
0H - FH (ch.1 - 16)
vv = Attack time value (relative change):
00H - 40H - 7FH (-64 - 0 - +63),
*
The Attack Time parameter (PATCH TONE) will change.
❍Cutoff (Controller number 74)
Status
2nd byte
BnH
4AH
n = MIDI channel number:
vv = Cutoff value (relative change):
*
3rd byte
vvH
0H - FH (ch.1 - 16)
00H - 40H - 7FH (-64 - 0 - +63)
The Cutoff Frequency parameter (PATCH TONE) will change.
❍Decay Time (Controller number 75)
Status
2nd byte
3rd byte
BnH
4BH
vvH
n = MIDI channel number:
0H - FH (ch.1 - 16)
vv = Decay Time value (relative change):
00H - 40H - 7FH (-64 - 0 - +63)
*
The Decay Time parameter (PATCH TONE) will change.
*
In Pattern(Performance) mode, the Part Reverb Send Level parameter (PATTERN/
PERFORM PART) will change.
❍Effect 3 (Chorus Send Level) (Controller number 93)
Status
2nd byte
BnH
5DH
n = MIDI channel number:
vv = Chorus Send Level:
*
3rd byte
vvH
0H - FH (ch.1 - 16)
00H - 7FH (0 - 127)
In Pattern(Performance) mode, the Part Chorus Send Level parameter (PATTERN/
PERFORM PART) will change.
❍RPN MSB/LSB (Controller number 100, 101)
Status
2nd byte
3rd byte
BnH
65H
mmH
BnH
64H
llH
n = MIDI channel number:
0H - FH (ch.1 - 16)
mm = upper byte (MSB) of parameter number specified by RPN
ll = lower byte (LSB) of parameter number specified by RPN
<<< RPN >>>
Control Changes include RPN (Registered Parameter Numbers), which are extended.
When using RPNs, first RPN (Controller numbers 100 and 101; they can be sent in any
order) should be sent in order to select the parameter, then Data Entry (Controller numbers
6 and 38) should be sent to set the value. Once RPN messages are received, Data Entry
messages that is received at the same MIDI channel after that are recognized as changing
toward the value of the RPN messages. In order not to make any mistakes, transmitting
RPN Null is recommended after setting parameters you need.
This device receives the following RPNs.
RPN
MSB, LSB
00H, 00H
❍Vibrato Rate (Controller number 76)
Status
2nd byte
3rd byte
BnH
4CH
vvH
n = MIDI channel number:
0H - FH (ch.1 - 16)
vv = Vibrato Rate value (relative change):
00H - 40H - 7FH (-64 - 0 - +63)
3rd byte
vvH
0H - FH (ch.1 - 16)
00H - 7FH (0 - 127)
*
Notes
Pitch Bend Sensitivity
mm: 00H - 18H (0 - 24 semitones)
ll: ignored (processed as 00H)
Up to 2 octave can be specified in semitone steps.
The Pitch Bend Range parameter (PATCH TONE) will change.
00H, 01H
The LFO Rate parameter (PATCH TONE) will change.
*
Data entry
MSB, LSB
mmH, llH
mmH, llH
Channel Fine Tuning
mm, ll: 20 00H - 40 00H - 60 00H
(-4096 x 100 / 8192 - 0 - +4096 x 100 / 8192 cent)
The Fine Tune parameter (PATCH TONE) will change.
❍Vibrato Depth (Controller number 77)
Status
2nd byte
3rd byte
BnH
4DH
vvH
n = MIDI channel number:
0H - FH (ch.1 - 16)
vv = Vibrato Depth Value (relative change):
00H - 40H - 7FH (-64 - 0 - +63)
00H, 02H
*
00H, 05H
The LFO Depth parameter (PATCH TONE) will change.
❍Vibrato Delay (Controller number 78)
Status
2nd byte
3rd byte
BnH
4EH
vvH
n = MIDI channel number:
0H - FH (ch.1 - 16)
vv = Vibrato Delay value (relative change):
00H - 40H - 7FH (-64 - 0 - +63)
*
*
*
mmH, llH
Channel Coarse Tuning
mm: 10H - 40H - 70H (-48 - 0 - +48 semitones)
ll: ignored (processed as 00H)
The Coarse Tune parameter (PATCH TONE) will change.
mmH, llH
Not received in Patch mode.
7FH, 7FH
---, ---
The LFO Delay parameter (PATCH TONE) will change.
❍Portamento control (Controller number 84)
Status
2nd byte
BnH
54H
n = MIDI channel number:
kk = source note number:
*
*
*
3rd byte
kkH
0H - FH (ch.1 - 16)
00H - 7FH (0 - 127)
A Note-on received immediately after a Portamento Control message will change
continuously in pitch, starting from the pitch of the Source Note Number.
If a voice is already sounding for a note number identical to the Source Note Number,
this voice will continue sounding (i.e., legato) and will, when the next Note-on is
received, smoothly change to the pitch of that Note-on.
The rate of the pitch change caused by Portamento Control is determined by the
Portamento Time value.
Modularion Depth Range
mm: 00 00H - 06 00H
(0 - 16384 x 600 / 16384 cent)
RPN null
RPN and NRPN will be set as “unspecified.”
Once this setting has been made, subsequent
Parameter values that were previously set will
not change.
mm, ll: ignored
● Program Change
Status
2nd byte
CnH
ppH
n = MIDI channel number:
pp = Program number:
*
0H - FH (ch.1 - 16)
00H - 7FH (prog.1 - prog.128)
Not received in Pattern(Performance) mode when the Receive Program Change
parameter (PATTERN/PERFORM PART) is OFF.
2
● Channel Pressure
● POLY (Controller number 127)
Status
2nd byte
DnH
vvH
n = MIDI channel number:
vv = Channel Pressure:
Status
2nd byte
BnH
7FH
n = MIDI channel number:
0H - FH (ch.1 - 16)
00H - 7FH (0 - 127)
● Pitch Bend Change
Status
2nd byte
EnH
llH
n = MIDI channel number:
mm, ll = Pitch Bend value:
3rd byte
mmH
0H - FH (ch.1 - 16)
00 00H - 40 00H - 7F 7FH (-8192 - 0 - +8191)
*
*
The same processing will be carried out as when All Notes Off is received.
The Solo Switch parameter (PATCH COMMON) will change.
■ System Realtime Message
● Active Sensing
■ Channel Mode Messages
Status
FEH
*
*
Not received in Pattern(Performance) mode when the Receive Switch parameter
(PATTERN/PERFORM PART) is OFF.
● All Sounds Off (Controller number 120)
Status
2nd byte
BnH
78H
n = MIDI channel number:
*
3rd byte
00H
0H - FH (ch.1 - 16)
When this message is received, all notes currently sounding on the corresponding
channel will be turned off.
● Reset All Controllers (Controller number 121)
Status
2nd byte
BnH
79H
n = MIDI channel number:
*
3rd byte
00H
0H - FH (ch.1 - 16)
When this message is received, the following controllers will be set to their reset values.
Controller
Pitch Bend Change
Polyphonic Key Pressure
Channel Pressure
Modulation
Expression
Hold 1
Sostenuto
Soft
RPN
NRPN
Reset value
+/-0 (center)
0 (off)
0 (off)
0 (off)
127 (max)
0 (off)
0 (off)
0 (off)
unset; previously set data will not change
unset; previously set data will not change
● All Notes Off (Controller number 123)
Status
2nd byte
BnH
7BH
n = MIDI channel number:
*
3rd byte
00H
0H - FH (ch.1 - 16)
When All Notes Off is received, all notes on the corresponding channel will be turned
off. However, if Hold 1 or Sostenuto is ON, the sound will be continued until these are
turned off.
● OMNI OFF (Controller number 124)
Status
2nd byte
BnH
7CH
n = MIDI channel number:
*
3rd byte
00H
0H - FH (ch.1 - 16)
The same processing will be carried out as when All Notes Off is received.
● OMNI ON (Controller number 125)
Status
2nd byte
BnH
7DH
n = MIDI channel number:
*
3rd byte
00H
0H - FH (ch.1 - 16)
The same processing will be carried out as when All Notes Off is received. OMNI ON
will not be turned on.
● MONO (Controller number 126)
Status
2nd byte
BnH
7EH
n = MIDI channel number:
mm = mono number:
*
*
3rd byte
mmH
0H - FH (ch.1 - 16)
00H - 10H (0 - 16)
The same processing will be carried out as when All Notes Off is received.
The Solo Switch parameter (PATCH COMMON) will change.
3rd byte
00H
0H - FH (ch.1 - 16)
When Active Sensing is received, the unit will begin monitoring the intervals of all
further messages. While monitoring, if the interval between messages exceeds 420 ms,
the same processing will be carried out as when All Sounds Off, All Notes Off and Reset
All Controllers are received, and message interval monitoring will be halted.
■ System Exclusive Message
Status
F0H
Data byte
iiH, ddH, ......,eeH
F0H:
ii = ID number:
System Exclusive Message status
an ID number (manufacturer ID) to indicate the manufacturer whose
Exclusive message this is. Roland’s manufacturer ID is 41H.
ID numbers 7EH and 7FH are extensions of the MIDI standard;
Universal Non-realtime Messages (7EH) and Universal Realtime
Messages (7FH).
00H - 7FH (0 - 127)
EOX (End Of Exclusive)
dd,...,ee = data:
F7H:
Status
F7H
Of the System Exclusive messages received by this device, the Universal Non-realtime
messages and the Universal Realtime messages and the Global Parameter Control and the
Data Request (RQ1) messages and the Data Set (DT1) messages will be set automatically.
● Universal Non-realtime System Exclusive Messages
❍Identity Request Message
Status
F0H
Data byte
7EH, dev, 06H, 01H
Byte
F0H
7EH
dev
06H
01H
F7H
Explanation
Exclusive status
ID number (Universal Non-realtime Message)
Device ID (dev: 10H - 1FH, 7FH)
Sub ID#1 (General Information)
Sub ID#2 (Identity Request)
EOX (End Of Exclusive)
*
Status
F7H
When this message is received, Identity Reply message (p. ********) will be transmitted.
❍GM1 System On
Status
F0H
Data byte
7EH, 7FH, 09H, 01H
Byte
F0H
7EH
7FH
09H
01H
F7H
Explanation
Exclusive status
ID number (Universal Non-realtime Message)
Device ID (Broadcast)
Sub ID#1 (General MIDI Message)
Sub ID#2 (General MIDI 1 On)
EOX (End Of Exclusive)
*
Status
F7H
When this messages is received, this instrument will turn to the Pattern(Performance)
mode.
❍GM2 System On
Status
F0H
Data byte
7EH 7FH 09H 03H
Byte
F0H
7EH
7FH
09H
03H
F7H
Explanation
Exclusive status
ID number (Universal Non-realtime Message)
Device ID (Broadcast)
Sub ID#1 (General MIDI Message)
Sub ID#2 (General MIDI 2 On)
EOX (End Of Exclusive)
*
Status
F7H
When this messages is received, this instrument will turn to the Pattern(Performance)
mode.
3
● Global Parameter Control
❍GM System Off
Status
F0H
Data byte
7EH, 7F, 09H, 02H
Byte
F0H
7EH
7FH
09H
02H
F7H
Explanation
Exclusive status
ID number (Universal Non-realtime Message)
Device ID (Broadcast)
Sub ID#1 (General MIDI Message)
Sub ID#2 (General MIDI Off)
EOX (End Of Exclusive)
*
Status
F7H
*
When this messages is received, this instrument will return to the Pattern(Performance)
mode.
● Universal Realtime System Exclusive Messages
❍Master Volume
Status
F0H
Data byte
7FH, 7FH, 04H, 01H, llH, mmH
Byte
F0H
7FH
7FH
04H
01H
llH
mmH
F7H
Explanation
Exclusive status
ID number (universal realtime message)
Device ID (Broadcast)
Sub ID#1 (Device Control)
Sub ID#2 (Master Volume)
Master Volume lower byte
Master Volume upper byte
EOX (End Of Exclusive)
*
*
Status
F7H
The lower byte (llH) of Master Volume will be handled as 00H.
The Master Level parameter (SYSTEM GENERAL) will change.
❍Master Fine Tuning
Status
F0H
Data byte
7FH, 7FH, 04H, 03H, llH, mmH
Byte
F0H
7FH
7FH
04H
03H
llH
mmH
F7H
Explanation
Exclusive status
ID number (universal realtime message)
Device ID (Broadcast)
Sub ID#1 (Device Control)
Sub ID#2 (Master Fine Tuning)
Master Fine Tuning LSB
Master Fine Tuning MSB
EOX (End Of Exclusive)
mm, ll:
00 00H - 40 00H - 7F 7FH (-100 - 0 - +99.9 [cents])
*
Not received in Patch mode.
❍Reverb Parameters
Status
F0H
Data byte
7FH, 7FH, 04H, 05H, 01H, 01H,
01H, 01H, 01H, ppH, vvH
Byte
F0H
7FH
7FH
04H
05H
01H
01H
01H
01H
01H
ppH
vvH
Explanation
Exclusive status
ID number (universal realtime message)
Device ID (Broadcast)
Sub ID#1 (Device Control)
Sub ID#2 (Global Parameter Control)
Slot path length
Parameter ID width
Value width
Slot path MSB
Slot path LSB (Effect 0101: Reverb)
Parameter to be controlled.
Value for the parameter.
pp=0 Reverb Type
vv = 00H Small Room
vv = 01H Medium Room
vv = 02H Large Room
vv = 03H Medium Hall
vv = 04H Large Hall
vv = 08H Plate
pp=1 Reverb Time
vv = 00H - 7FH 0 - 127
EOX (End Of Exclusive)
F7H
❍Chorus Parameters
Status
F0H
Data byte
7FH, 7FH, 04H, 05H, 01H, 01H,
01H, 01H, 02H, ppH, vvH
Byte
F0H
7FH
7FH
04H
05H
01H
01H
01H
01H
02H
ppH
vvH
Explanation
Exclusive status
ID number (universal realtime message)
Device ID (Broadcast)
Sub ID#1 (Device Control)
Sub ID#2 (Global Parameter Control)
Slot path length
Parameter ID width
Value width
Slot path MSB
Slot path LSB (Effect 0102: Chorus)
Parameter to be controlled.
Value for the parameter.
pp=0 Chorus Type
vv=0 Chorus1
vv=1 Chorus2
vv=2 Chorus3
vv=3 Chorus4
vv=4 FB Chorus
vv=5 Flanger
pp=1 Mod Rate
vv= 00H - 7FH 0 - 127
pp=2 Mod Depth
vv = 00H - 7FH 0 - 127
pp=3 Feedback
vv = 00H - 7FH 0 - 127
pp=4 Send To Reverb
vv = 00H - 7FH 0 - 127
EOX (End Of Exclusive)
Status
F7H
The Master Tune parameter (SYSTEM GENERAL) will change.
❍Master Coarse Tuning
Status
F0H
Data byte
7FH, 7FH, 04H, 04H, llH, mmH
Byte
F0H
7FH
7FH
04H
04H
llH
mmH
F7H
Explanation
Exclusive status
ID number (universal realtime message)
Device ID (Broadcast)
Sub ID#1 (Device Control)
Sub ID#2 (Master Coarse Tuning)
Master Coarse Tuning LSB
Master Coarse Tuning MSB
EOX (End Of Exclusive)
llH:
mmH:
ignored (processed as 00H)
28H - 40H - 58H (-24 - 0 - +24 [semitones])
*
Status
F7H
Status
F7
F7H
Status
F7H
The Master Key Shift parameter (SYSTEM GENERAL) will change.
4
❍Channel Pressure
Status
F0H
Data byte
7FH, 7FH, 09H, 01H, 0nH, ppH, rrH
Byte
F0H
7FH
7FH
09H
01H
0nH
ppH
rrH
Explanation
Exclusive status
ID number (universal realtime message)
Device ID (Broadcast)
Sub ID#1 (Controller Destination Setting)
Sub ID#2 (Channel Pressure)
MIDI Channel (00 - 0F)
Controlled parameter
Controlled range
pp=0 Pitch Control
rr = 28H - 58H -24 - +24 [semitones]
pp=1 Filter Cutoff Control
rr = 00H - 7FH -9600 - +9450 [cents]
pp=2 Amplitude Control
rr = 00H - 7FH 0 - 200%
pp=3 LFO Pitch Depth
rr = 00H - 7FH 0 - 600 [cents]
pp=4 LFO Filter Depth
rr = 00H - 7FH 0 - 2400 [cents]
pp=5 LFO Amplitude Depth
rr = 00H - 7FH 0 - 100%
EOX (End Of Exclusive)
F7H
❍Key-based Instrument Controllers
Status
F7H
Data byte
7FH, 7FH, 09H, 03H, 0nH, ccH, ppH, rrH
Byte
F0H
7FH
7FH
09H
03H
0nH
ccH
ppH
rrH
Explanation
Exclusive status
ID number (universal realtime message)
Device ID (Broadcast)
Sub ID#1 (Controller Destination Setting)
Sub ID#2 (Control Change)
MIDI Channel (00 - 0F)
Controller number (01 - 1F, 40 - 5F)
Controlled parameter
Controlled range
pp=0 Pitch Control
rr = 28H - 58H -24 - +24 [semitones]
pp=1 Filter Cutoff Control
rr = 00H - 7FH -9600 - +9450 [cents]
pp=2 Amplitude Control
rr = 00H - 7FH 0 - 200%
pp=3 LFO Pitch Depth
rr = 00H - 7FH 0 - 600 [cents]
pp=4 LFO Filter Depth
rr = 00H - 7FH 0 - 2400 [cents]
pp=5 LFO Amplitude Depth
rr = 00H - 7FH 0 - 100%
EOX (End Of Exclusive)
Status
F0H
Data byte
7EH, 7FH, 08H, 08H, ffH, ggH, hhH, ssH...
Byte
F0H
7EH
7FH
08H
08H
ffH
Explanation
Exclusive status
ID number (Universal Non-realtime Message)
Device ID (Broadcast)
Sub ID#1 (MIDI Tuning Standard)
Sub ID#2 (scale/octave tuning 1-byte form)
Channel/Option byte 1
bits 0 to 1 = channel 15 to 16
bit 2 to 6 = Undefined
Channel byte 2
bits 0 to 6 = channel 8 to 14
Channel byte 3
bits 0 to 6 = channel 1 to 7
12 byte tuning offset of 12 semitones from C to B
00H = -64 [cents]
40H = 0 [cents] (equal temperament)
7FH = +63 [cents]
EOX (End Of Exclusive)
ssH
F7H
Explanation
Exclusive status
ID number (universal realtime message)
Device ID (Broadcast)
Sub ID#1 (Key-Based Instrument Control)
Sub ID#2 (Controller)
MIDI Channel (00 - 0FH)
Key Number
Control Number
Value
nn=07H Level
vv = 00H - 7FH 0 - 200% (Relative)
nn=0AH Pan
vv = 00H - 7FH Left - Right (Absolute)
nn=5BH Reverb Send
vv = 00H - 7FH 0 - 127 (Absolute)
nn=5D Chorus Send
vv = 00H - 7FH 0 - 127 (Absolute)
:
EOX (End Of Exclusive)
*
Status
F7H
This parameter affects drum instruments only.
This instrument can use exclusive messages to exchange many varieties of internal settings
with other devices.
The model ID of the exclusive messages used by this instrument is 00H 64H.
❍Data Request 1 RQ1 (11H)
This message requests the other device to transmit data. The address and size indicate the
type and amount of data that is requested.
When a Data Request message is received, if the device is in a state in which it is able to
transmit data, and if the address and size are appropriate, the requested data is transmitted
as a Data Set 1 (DT1) message. If the conditions are not met, nothing is transmitted.
Status
❍Scale/Octave Tuning Adjust
hhH
Byte
F0H
7FH
7FH
0AH
01H
0nH
kkH
nnH
vvH
Status
F7H
● Data Transmission
Status
F0H
ggH
Data byte
7FH, 7FH, 0AH, 01H, 0nH, kkH, nnH, vvH
:
F7
❍Controller
F7H
Status
F0H
Status
F7
F0H
data byte
41H, dev, 00H, 64H, 11H, aaH, bbH, ccH,
ddH, ssH, ttH, uuH, vvH, sum
Byte
F0H
41H
dev
00H
64H
11H
aaH
bbH
ccH
ddH
ssH
ttH
uuH
vvH
sum
F7H
Remarks
Exclusive status
ID number (Roland)
device ID (dev: 10H - 1FH, 7FH)
model ID #1 (RS-70/RS-50)
model ID #2 (RS-70/RS-50)
command ID (RQ1)
address MSB
address
address
address LSB
size MSB
size
size
size LSB
checksum
EOX (End Of Exclusive)
*
*
*
status
F7H
The size of data that can be transmitted at one time is fixed for each type of data. And
data requests must be made with a fixed starting address and size. Refer to the address
and size given in “Parameter Address Map” (p. 10).
For the checksum, refer to p. 26.
Not received when the Receive Exclusive parameter (SYSTEM MIDI) is OFF.
5
❍Data set 1
Status
F0H
Byte
F0H
41H
dev
00H
64H
12H
aaH
bbH
ccH
ddH
eeH
:
ffH
sum
F7H
*
*
*
*
Data byte
41H, dev, 00H, 64H, 12H, aaH, bbH,
ccH, ddH, eeH, ... ffH, sum
The amount of data that can be transmitted at one time depends on the type of data, and
data will be transmitted from the specified starting address and size. Refer to the address
and size given in “Parameter Address Map” (p. 10).
Data larger than 256 bytes will be divided into packets of 256 bytes or less, and each
packet will be sent at an interval of about 20 ms.
Regarding the checksum, please refer to p. 26.
Not received when the Receive Exclusive parameter (SYSTEM MIDI) is OFF.
Status
Byte
F0H
41H
dev
42H
12H
aaH
bbH
ccH
ddH
:
:
eeH
sum
F7H
*
*
*
Status
F7H
Explanation
Exclusive status
ID number (Roland)
Device ID (dev: 00H - 1FH, 7FH)
Model ID #1 (RS-70/RS-50)
Model ID #2 (RS-70/RS-50)
Command ID (DT1)
Address MSB: upper byte of the starting address of the data to be sent
Address: upper middle byte of the starting address of the data to be sent
Address: lower middle byte of the starting address of the data to be sent
Address LSB: lower byte of the starting address of the data to be sent.
Data: the actual data to be sent. Multiple bytes of data are transmitted in order
starting from the address.
:
Data
Checksum
EOX (End Of Exclusive)
Data byte
41H, dev, 42H, 12H, aaH, bbH, ccH,
ddH, ... eeH, sum
F0H
*
● Control Change
DT1 (12H)
Status
F7H
Explanation
Exclusive status
ID number (Roland)
Device ID (dev: 10H - 1FH, 7FH)
Model ID (GS)
Command ID (DT1)
Address MSB: upper byte of the starting address of the transmitted data
Address:
middle byte of the starting address of the transmitted data
Address LSB: lower byte of the starting address of the transmitted data
Data: the actual data to be transmitted. Multiple bytes of data are transmitted
starting from the address.
Data
Checksum
EOX (End Of Exclusive)
The amount of data that can be transmitted at one time depends on the type of data, and
data will be transmitted from the specified starting address and size. Refer to the address
and size given in “Parameter Address Map” (p. 10).
Data larger than 256 bytes will be divided into packets of 256 bytes or less, and each
packet will be sent at an interval of about 20 ms.
Regarding the checksum, please refer to p. 26.
Not received when the Receive Exclusive parameter (SYSTEM MIDI) is OFF.
2. Data Transmission (Sound Source Section)
■ Channel Voice Messages
❍Bank Select (Controller number 0, 32)
Status
2nd byte
BnH
00H
BnH
20H
n = MIDI channel number:
mm, ll = Bank number:
*
Status
2nd byte
BnH
01H
n = MIDI channel number:
vv = Modulation depth:
*
● Note on
Status
2nd byte
9nH
kkH
n = MIDI channel number:
kk = note number:
vv = note on velocity:
Sent when the Modulation/Pedal/C1-C3 Assign parameter (SYSTEM CONTROLLER) is
set to MODULATION.
Status
2nd byte
BnH
05H
n = MIDI channel number:
vv = Portamento Time:
*
3rd byte
vvH
0H - FH (ch.1 - 16)
00H - 7FH (0 - 127)
Sent when the Modulation/Pedal/C1-C3 Assign parameter (SYSTEM CONTROLLER) is
set to PORTA TIME.
❍Volume (Controller number 7)
Status
2nd byte
BnH
07H
n = MIDI channel number:
vv = Volume:
*
3rd byte
vvH
0H - FH (ch.1 - 16)
00H - 7FH (0 - 127)
Sent when the Modulation/Pedal/C1-C3 Assign parameter (SYSTEM CONTROLLER) is
set to VOLUME.
❍Balance (Controller number 8)
Status
2nd byte
BnH
08H
n = MIDI channel number:
vv = Balance:
*
3rd byte
vvH
0H - FH (ch.1 - 16)
00H - 7FH (0 - 127)
Sent when the Modulation/Pedal/C1-C3 Assign parameter (SYSTEM CONTROLLER) is
set to BALANCE.
❍Panpot (Controller number 10)
Status
2nd byte
BnH
0AH
n = MIDI channel number:
vv = Panpot:
*
3rd byte
vvH
0H - FH (ch.1 - 16)
00H - 40H - 7FH (Left - Center - Right),
Sent when the Modulation/Pedal/C1-C3 Assign parameter (SYSTEM CONTROLLER) is
set to PAN.
❍Expression (Controller number 11)
Status
2nd byte
BnH
0BH
n = MIDI channel number:
vv = Expression:
3rd byte
vvH
0H - FH (ch.1 - 16)
00H - 7FH (0 - 127)
Sent when the Modulation/Pedal/C1-C3 Assign parameter (SYSTEM CONTROLLER) is
set to EXPRESSION.
❍Effect Control 1 (Controller number 12)
Status
2nd byte
BnH
0CH
n = MIDI channel number:
vv = Control value (relative change):
*
3rd byte
vvH
0H - FH (ch.1 - 16)
00H - 7FH (0 - 127)
01H - 7FH (1 - 127)
3rd byte
vvH
0H - FH (ch.1 - 16)
00H - 7FH (0 - 127)
❍Portamento Time (Controller number 5)
*
3rd byte
vvH
0H - FH (ch.1 - 16)
00H - 7FH (0 - 127)
00H - 7FH (0 - 127)
These messages are transmitted when Patch, Rhythm Set or Pattern(Performance) is
selected. But not transmitted when Transmit Program Change or Transmit Bank Select
parameter (SYSTEM MIDI) is OFF.
❍Modulation (Controller number 1)
● Note off
Status
2nd byte
8nH
kkH
n = MIDI channel number:
kk = note number:
vv = note off velocity:
3rd byte
mmH
llH
0H - FH (ch.1 - 16)
00 00H - 7F 7FH (bank.1 - bank.16384)
3rd byte
vvH
0H - FH (ch.1 - 16)
0H - 40H - 7FH (-64 - 0 - +63)
Sent when the Modulation/Pedal/C1-C3 Assign parameter (SYSTEM CONTROLLER) is
set to MFX PARAMETER1.
❍Effect Control 2 (Controller number 13)
Status
2nd byte
BnH
0DH
n = MIDI channel number:
vv = Control value (relative change):
*
3rd byte
vvH
0H - FH (ch.1 - 16)
00H - 40H - 7FH (-64 - 0 - +63)
Sent when the Modulation/Pedal/C1-C3 Assign parameter (SYSTEM CONTROLLER) is
set to MFX PARAMETER2.
6
❍Hold 1 (Controller number 64)
❍Vibrato Depth (Controller number 77)
Status
2nd byte
BnH
40H
n = MIDI channel number:
vv = Control value:
Status
2nd byte
3rd byte
BnH
4DH
vvH
n = MIDI channel number:
0H - FH (ch.1 - 16)
vv = Vibrato Depth Value (relative change):
00H - 40H - 7FH (-64 - 0 - +63)
3rd byte
vvH
0H - FH (ch.1 - 16)
00H - 7FH (0 - 127) 0-63 = OFF, 64-127 = ON
❍Portamento (Controller number 65)
Status
2nd byte
BnH
41H
n = MIDI channel number:
vv = Control value:
*
3rd byte
vvH
0H - FH (ch.1 - 16)
00H - 7FH (0 - 127) 0 - 63 = OFF, 64 - 127 = ON
Sent when the Modulation/Pedal/C1-C3 Assign parameter (SYSTEM CONTROLLER) is
set to PORTAMENTO.
*
Sent when the Modulation/Pedal/C1-C3 Assign parameter (SYSTEM CONTROLLER) is
set to LFO DEPTH.
❍Vibrato Delay (Controller number 78)
Status
2nd byte
3rd byte
BnH
4EH
vvH
n = MIDI channel number:
0H - FH (ch.1 - 16)
vv = Vibrato Delay value (relative change):
00H - 40H - 7FH (-64 - 0 - +63)
❍Sostenuto (Controller number 66)
Status
2nd byte
BnH
42H
n = MIDI channel number:
vv = Control value:
*
3rd byte
vvH
0H - FH (ch.1 - 16)
00H - 7FH (0 - 127) 0 - 63 = OFF, 64 - 127 = ON
Sent when the Modulation/Pedal/C1-C3 Assign parameter (SYSTEM CONTROLLER) is
set to SOSTENUTO.
❍Soft (Controller number 67)
Status
2nd byte
BnH
43H
n = MIDI channel number:
vv = Control value:
*
3rd byte
vvH
0H - FH (ch.1 - 16)
00H - 7FH (0 - 127) 0 - 63 = OFF, 64 - 127 = ON
Sent when the Modulation/Pedal/C1-C3 Assign parameter (SYSTEM CONTROLLER) is
set to SOFT.
❍Resonance (Controller number 71)
Status
2nd byte
BnH
47H
n = MIDI channel number:
vv= Resonance value (relative change):
*
3rd byte
vvH
0H - FH (ch.1 - 16)
00H - 40H - 7FH (-64 - 0 - +63)
Sent when the Modulation/Pedal/C1-C3 Assign parameter (SYSTEM CONTROLLER) is
set to RESONANCE.
❍Release Time (Controller number 72)
Status
2nd byte
3rd byte
BnH
48H
vvH
n = MIDI channel number:
0H - FH (ch.1 - 16)
vv = Release Time value (relative change):
00H - 40H - 7FH (-64 - 0 - +63)
*
Status
2nd byte
3rd byte
BnH
49H
vvH
n = MIDI channel number:
0H - FH (ch.1 - 16)
vv = Attack time value (relative change):
00H - 40H - 7FH (-64 - 0 - +63)
Sent when the Modulation/Pedal/C1-C3 Assign parameter (SYSTEM CONTROLLER) is
set to ATTACK TIME.
*
3rd byte
vvH
0H - FH (ch.1 - 16)
00H - 40H - 7FH (-64 - 0 - +63)
Sent when the Modulation/Pedal/C1-C3 Assign parameter (SYSTEM CONTROLLER) is
set to CUTOFF.
❍Decay Time (Controller number 75)
Status
2nd byte
3rd byte
BnH
4BH
vvH
n = MIDI channel number:
0H - FH (ch.1 - 16)
vv = Decay Time value (relative change):
00H - 40H - 7FH (-64 - 0 - +63)
*
Status
2nd byte
BnH
5BH
n = MIDI channel number:
vv = Reverb Send Level:
*
3rd byte
vvH
0H - FH (ch.1 - 16)
00H - 7FH (0 - 127)
Sent when the Modulation/Pedal/C1-C3 Assign parameter (SYSTEM CONTROLLER) is
set to REV SEND LEVEL.
❍Effect 3 (Chorus Send Level) (Controller number 93)
Status
2nd byte
BnH
5DH
n = MIDI channel number:
vv = Chorus Send Level:
*
3rd byte
vvH
0H - FH (ch.1 - 16)
00H - 7FH (0 - 127)
Sent when the Modulation/Pedal/C1-C3 Assign parameter (SYSTEM CONTROLLER) is
set to CHO SEND LEVEL.
● Program Change
Status
2nd byte
CnH
ppH
n = MIDI channel number:
pp = Program number:
*
0H - FH (ch.1 - 16)
00H - 7FH (prog.1 - prog.128)
These messages are transmitted when Patch, Rhythm Set or Pattern(Performance) is
selected. But not transmitted when Transmit Program Change parameter (SYSTEM
MIDI) is OFF.
● Channel Pressure
Status
2nd byte
DnH
vvH
n = MIDI channel number:
vv = Channel Pressure:
*
0H - FH (ch.1 - 16)
00H - 7FH (0 - 127)
Sent when the Modulation/Pedal/C1-C3 Assign parameter (SYSTEM CONTROLLER) is
set to AFTERTOUCH.
● Pitch Bend Change
❍Cutoff (Controller number 74)
Status
2nd byte
BnH
4AH
n = MIDI channel number:
vv = Cutoff value (relative change):
Sent when the Modulation/Pedal/C1-C3 Assign parameter (SYSTEM CONTROLLER) is
set to LFO DELAY.
❍Effect 1 (Reverb Send Level) (Controller number 91)
Sent when the Modulation/Pedal/C1-C3 Assign parameter (SYSTEM CONTROLLER) is
set to RELEASE TIME.
❍Attack time (Controller number 73)
*
*
Sent when the Modulation/Pedal/C1-C3 Assign parameter (SYSTEM CONTROLLER) is
set to DECAY TIME.
Status
2nd byte
EnH
llH
n = MIDI channel number:
mm, ll = Pitch Bend value:
3rd byte
mmH
0H - FH (ch.1 - 16)
00 00H - 40 00H - 7F 7FH (-8192 - 0 - +8191)
■ System Realtime Messages
● Active Sensing
Status
FEH
*
*
This message is transmitted at intervals of approximately 250 msec.
This message is not sent when Transmit Active Sensing parameter (SYSTEM MIDI) is
OFF.
❍Vibrato Rate (Controller number 76)
Status
2nd byte
3rd byte
BnH
4CH
vvH
n = MIDI channel number:
0H - FH (ch.1 - 16)
vv = Vibrato Rate value (relative change):
00H - 40H - 7FH (-64 - 0 - +63)
*
Sent when the Modulation/Pedal/C1-C3 Assign parameter (SYSTEM CONTROLLER) is
set to LFO RATE.
7
■ System Exclusive Messages
3. Receive data (RS-70 Sequencer Section)
Universal Non-realtime System Exclusive Message” and Data Set 1 (DT1) are the only
System Exclusive messages transmitted by the RS-70/RS-50.
● Universal Non-realtime System Exclusive Message
■ 3.1
Messages recorded during recording
■ Channel Voice Messages
❍Identity Reply Message (RS-70)
Receiving Identity Request Message, the RS-70 send this message.
Status
F0H
Data byte
7EH, dev, 06H, 02H, 41H, 64H, 01H,F7H
00H, 00H, 00H, 03H, 00H, 00H
Status
Byte
F0H
7EH
dev
06H
02H
41H
64H 01H
00H 00H
00H 03H 00H 00H
F7H
Explanation
Exclusive status
ID number (Universal Non-realtime Message)
Device ID (dev: 10H - 1FH)
Sub ID#1 (General Information)
Sub ID#2 (Identity Reply)
ID number (Roland)
Device family code
Device family number code
Software revision level
EOX (End of Exclusive)
❍Identity Reply Message (RS-50)
Receiving Identity Request Message, the RS-50 send this message.
Status
F0H
Data byte
7EH, dev, 06H, 02H, 41H, 64H, 01H,
01H, 00H, 00H, 01H, 00H, 00H
Status
F7H
Byte
F0H
7EH
dev
06H
02H
41H
64H 01H
01H 00H
00H 01H 00H 00H
F7H
Explanation
Exclusive status
ID number (Universal Non-realtime Message)
Device ID (dev: 10H - 1FH)
Sub ID#1 (General Information)
Sub ID#2 (Identity Reply)
ID number (Roland)
Device family code
Device family number code
Software revision level
EOX (End of Exclusive)
● Data Transmission
❍Data set 1
Status
F0H
Byte
F0H
41H
dev
00H
64H
12H
aaH
bbH
ccH
ddH
eeH
:
ffH
sum
F7H
*
*
Status
2nd byte
8nH
kkH
9nH
kkH
n = MIDI channel number:
kk = note number:
vv = note off velocity:
3rd byte
vvH
00H
0H - FH (ch.1 - 16)
00H - 7FH (0 - 127)
00H - 7FH (0 - 127)
● Note on
Status
2nd byte
9nH
kkH
n = MIDI channel number:
kk = note number:
vv = note on velocity:
3rd byte
vvH
0H - FH (ch.1 - 16)
00H - 7FH (0 - 127)
01H - 7FH (1 - 127)
● Polyphonic Key Pressure
Status
2nd byte
AnH
kkH
n = MIDI channel number:
kk = note number:
vv = Polyphonic Key Pressure:
3rd byte
vvH
0H - FH (ch.1 - 16)
00H - 7FH (0 - 127)
00H - 7FH (0 - 127)
● Control Change
Status
2nd byte
BnH
kkH
n = MIDI channel number:
kk = control number:
vv = value:
*
3rd byte
vvH
0H - FH (ch.1 - 16)
00H - 78H (0 - 120)
00H - 7FH (0 - 127)
Not received when the Ctrl Change parameter (Rec Select) is OFF.
● Program Change
Status
2nd byte
CnH
ppH
n = MIDI channel number:
pp = Program number:
*
0H - FH (ch.1 - 16)
00H - 7FH (prog.1 - prog.128)
Not received when the Prog Change parameter (Rec Select) is OFF.
● Channel Aftertouch
DT1 (12H)
Data byte
41H, dev, 00H, 64H, 12H, aaH, bbH,
ccH, ddH, eeH, ... ffH, sum
● Note off
Status
F7H
Explanation
Exclusive status
ID number (Roland)
Device ID (dev: 00H - 1FH, 7FH)
Model ID #1 (RS-70/RS-50)
Model ID #2 (RS-70/RS-50)
Command ID (DT1)
Address MSB: upper byte of the starting address of the data to be sent
Address:
upper middle byte of the starting address of the data to be sent
Address:
lower middle byte of the starting address of the data to be sent
Address LSB: lower byte of the starting address of the data to be sent.
Data: the actual data to be sent. Multiple bytes of data are transmitted in order
starting from the address.
:
Data
Checksum
EOX (End Of Exclusive)
The amount of data that can be transmitted at one time depends on the type of data, and
data will be transmitted from the specified starting address and size. Refer to the address
and size given in “Parameter Address Map” (p. 10).
Data larger than 256 bytes will be divided into packets of 256 bytes or less, and each
packet will be sent at an interval of about 20 ms.
Status
2nd byte
DnH
vvH
n = MIDI channel number:
vv = Channel Pressure:
*
0H - FH (ch.1 - 16)
00H - 7FH (0 - 127)
Not received when the Ch After parameter (Rec Select) is OFF.
● Pitch Bend Change
Status
2nd byte
EnH
llH
n = MIDI channel number:
mm, ll = Pitch Bend value:
*
3rd byte
mmH
0H - FH (ch.1 - 16)
00 00H - 40 00H - 7F 7FH (-8192 - 0 - +8191)
Not received when the Pitch Bend parameter (Rec Select) is OFF.
■ Channel Mode Messages
● All Sounds Off (Controller number 120)
Status
2nd byte
3rd byte
BnH
78H
00H
n = MIDI channel number: 0H - FH (ch.1 - 16)
● Reset All Controllers (Controller number 121)
Status
2nd byte
3rd byte
BnH
79H
00H
n = MIDI channel number: 0H - FH (ch.1 - 16)
● OMNI OFF (Controller number 124)
Status
2nd byte
3rd byte
BnH
7CH
00H
n = MIDI channel number: 0H - FH (ch.1 - 16)
*
The same processing will be carried out as when All Notes Off is received.
8
● OMNI ON (Controller number 125)
● Start
Status
2nd byte
3rd byte
BnH
7DH
00H
n = MIDI channel number: 0H - FH (ch.1 - 16)
Status
FAH
*
The same processing will be carried out as when All Notes Off is received.
*
*
Received when the Clock Source parameter (SYSTEM GENERAL) is MIDI.
In Song Mode, playback will start from top of current step.
● MONO (Controller number 126)
● Continue
Status
2nd byte
BnH
7EH
n = MIDI channel number:
mm = mono number:
Status
FBH
*
3rd byte
mmH
0H - FH (ch.1 - 16)
00H - 10H (0 - 16)
The same processing will be carried out as when All Notes Off is received.
● POLY (Controller number 127)
Status
2nd byte
BnH
7FH
n = MIDI channel number:
*
3rd byte
00H
0H - FH (ch.1 - 16)
The same processing will be carried out as when All Notes Off is received.
■ System Exclusive Message
Status
F0H
Data byte
iiH, ddH, ......,eeH
F0H:
ii = ID number:
System Exclusive Message status
an ID number (manufacturer ID) to indicate the manufacturer whose
Exclusive message this is. Roland’s manufacturer ID is 41H. ID
numbers 7EH and 7FH are extensions of the MIDI standard; Universal
Non-realtime Messages (7EH) and Universal Realtime Messages
(7FH).
00H - 7FH (0 - 127)
EOX (End Of Exclusive)
dd,...,ee = data:
F7H:
*
Status
F7H
Not received when the SysEx parameter (Rec Select) is OFF.
■ 3.2
Messages not recorded during recording
■ Channel Mode Messages
● Local On/Off (Controller number 122)
Status
2nd byte
BnH
7AH
n = MIDI channel number:
vv = value:
3rd byte
vvH
0H - FH(ch.1 - 16)
00H,7FH (Local Off/Local On)
● All Notes Off (Controller number 123)
Status
2nd byte
BnH
7BH
n = MIDI channel number:
*
3rd byte
00H
0H - FH (ch.1 - 16)
When an All Note Off message is received, all notes of the corresponding channel that
are on will be sent Note Off’s, and the resulting Note Off messages will be recorded.
■ 3.3
Messages acknowledged for synchronization
■ System Common Messages
● Song Position Pointer
Status
F2H
mm,llH = value:
*
2nd byte
mmH
3rd byte
llH
00 00H - 7F 7FH (0 - 16383)
Not received in Song Mode.
*
Received when the Clock Source parameter (SYSTEM GENERAL) is MIDI.
● Stop
Status
FCH
*
Received when the Clock Source parameter (SYSTEM GENERAL) is MIDI.
4. Data Transmission (Sequencer Section)
4.1 Recorded messages will be transmitted during
playback.
4.2 When the Soft Through parameter (SYSTEM
MIDI&USB) is ON, messages received will be
transmitted. (except for System Common
messaged and System Realtime messages)
4.3 Messages that are generated and transmitted
■ Channel Mode messages
● OMNI OFF (Controller number 124)
Status
2nd byte
BnH
7CH
n = MIDI channel number:
*
At start-up, this message is transmitted to all channels.
● Poly
Status
2nd byte
BnH
7FH
n = MIDI channel number:
*
3rd byte
00H
0H - FH (ch.1 - 16)
At start-up, this message is transmitted to all channels.
■ System Common messages
● Song Position Pointer
Status
F2H
mm,llH = value:
2nd byte
mmH
3rd byte
llH
00 00H - 7F 7FH (0 - 16383)
■ System Realtime messages
● Timing Clock
Status
F8H
● Start
Status
FAH
■ System Realtime Messages
● Continue
● Timing Clock
Status
FBH
Status
F8H
● Stop
*
Status
FCH
Received when the Clock Source parameter (SYSTEM GENERAL) is MIDI.
3rd byte
00H
0H - FH (ch.1 - 16)
9
5. Parameter Address Map
*
Transmission of “#” marked address is divided to some packets. For example, ABH in hexadecimal notation will be divided to 0AH and 0BH, and is sent/received in this order.
■ RS-70/RS-50 (MODEL ID = 00H 64H)
RS-70
+——————————————————————————————————————————————————————————————————————————————+
| Start
|
|
|
Address |
Description
|
|—————————————+————————————————————————————————————————————————————————————————|
| 00 00 00 00 | Setup
|
|—————————————+————————————————————————————————————————————————————————————————|
| 01 00 00 00 | System
|
|—————————————+————————————————————————————————————————————————————————————————|
| 10 00 00 00 | Temporary Pattern
|
| 11 00 00 00 | Temporary Patch/Rhythm (Pattern Mode Part 1)
|
| 11 02 00 00 | Temporary Patch/Rhythm (Pattern Mode Part 2)
|
|
: |
|
| 11 1E 00 00 | Temporary Patch/Rhythm (Pattern Mode Part 16)
|
| 18 00 00 00 | Temporary Patch/Rhythm (Patch Mode)
|
| 1A 00 00 00 | Temporary Arpeggio
|
| 1C 00 00 00 | Temporary Chord
|
|—————————————+————————————————————————————————————————————————————————————————|
| 20 00 00 00 | User Pattern (001)
|
| 20 01 00 00 | User Pattern (002)
|
|
: |
|
| 21 7F 00 00 | User Pattern (256)
|
|—————————————+————————————————————————————————————————————————————————————————|
| 30 00 00 00 | User Patch (001)
|
| 30 01 00 00 | User Patch (002)
|
|
: |
|
| 30 7F 00 00 | User Patch (128)
|
|—————————————+————————————————————————————————————————————————————————————————|
| 40 00 00 00 | User Rhythm (01)
|
| 40 01 00 00 | User Rhythm (02)
|
|
: |
|
| 40 0F 00 00 | User Rhythm (16)
|
|—————————————+————————————————————————————————————————————————————————————————|
| 50 00 00 00 | User Arpeggio (1)
|
| 50 01 00 00 | User Arpeggio (2)
|
|
: |
|
| 50 07 00 00 | User Arpeggio (8)
|
|—————————————+————————————————————————————————————————————————————————————————|
| 60 00 00 00 | User Chord (1)
|
| 60 01 00 00 | User Chord (2)
|
|
: |
|
| 60 07 00 00 | User Chord (8)
|
+——————————————————————————————————————————————————————————————————————————————+
RS-50
+——————————————————————————————————————————————————————————————————————————————+
| Start
|
|
|
Address |
Description
|
|—————————————+————————————————————————————————————————————————————————————————|
| 00 00 00 00 | Setup
|
|—————————————+————————————————————————————————————————————————————————————————|
| 01 00 00 00 | System
|
|—————————————+————————————————————————————————————————————————————————————————|
| 10 00 00 00 | Temporary Performance
|
| 11 00 00 00 | Temporary Patch/Rhythm (Performance Mode Part 1)
|
| 11 02 00 00 | Temporary Patch/Rhythm (Performance Mode Part 2)
|
|
: |
|
| 11 1E 00 00 | Temporary Patch/Rhythm (Performance Mode Part 16)
|
| 18 00 00 00 | Temporary Patch/Rhythm (Patch Mode)
|
| 1A 00 00 00 | Temporary Arpeggio
|
| 1C 00 00 00 | Temporary Chord
|
|—————————————+————————————————————————————————————————————————————————————————|
| 20 00 00 00 | User Performance (001)
|
| 20 01 00 00 | User Performance (002)
|
|
: |
|
| 20 07 00 00 | User Performance (008)
|
|—————————————+————————————————————————————————————————————————————————————————|
| 30 00 00 00 | User Patch (001)
|
| 30 01 00 00 | User Patch (002)
|
|
: |
|
| 30 7F 00 00 | User Patch (128)
|
|—————————————+————————————————————————————————————————————————————————————————|
| 40 00 00 00 | User Rhythm (01)
|
| 40 01 00 00 | User Rhythm (02)
|
|—————————————+————————————————————————————————————————————————————————————————|
| 50 00 00 00 | User Arpeggio (1)
|
| 50 01 00 00 | User Arpeggio (2)
|
|
: |
|
| 50 07 00 00 | User Arpeggio (8)
|
|—————————————+————————————————————————————————————————————————————————————————|
| 60 00 00 00 | User Chord (1)
|
| 60 01 00 00 | User Chord (2)
|
|
: |
|
| 60 07 00 00 | User Chord (8)
|
+——————————————————————————————————————————————————————————————————————————————+
* Temporary Patch/Rhythm
+——————————————————————————————————————————————————————————————————————————————+
| Offset
|
|
|
Address |
Description
|
|—————————————+————————————————————————————————————————————————————————————————|
|
00 00 00 | Temporary Patch
|
|
01 00 00 | Temporary Rhythm
|
+——————————————————————————————————————————————————————————————————————————————+
10
* Pattern(Performance)
+——————————————————————————————————————————————————————————————————————————————+
| Offset
|
|
|
Address |
Description
|
|—————————————+————————————————————————————————————————————————————————————————|
|
00 00 00 | Pattern(Performance) Common
|
|
00 02 00 | Pattern(Performance) MFX
|
|
00 04 00 | Pattern(Performance) Chorus
|
|
00 06 00 | Pattern(Performance) Reverb
|
|
00 10 00 | Pattern(Performance) Part (Part 1)
|
|
00 11 00 | Pattern(Performance) Part (Part 2)
|
|
: |
|
|
00 1F 00 | Pattern(Performance) Part (Part 16)
|
+——————————————————————————————————————————————————————————————————————————————+
* Patch
+——————————————————————————————————————————————————————————————————————————————+
| Offset
|
|
|
Address |
Description
|
|—————————————+————————————————————————————————————————————————————————————————|
|
00 00 00 | Patch Common
|
|
00 02 00 | Patch MFX
|
|
00 04 00 | Patch Chorus
|
|
00 06 00 | Patch Reverb
|
|
00 10 00 | Patch Tone (1)
|
|
00 11 00 | Patch Tone (2)
|
+——————————————————————————————————————————————————————————————————————————————+
* Rhythm
+——————————————————————————————————————————————————————————————————————————————+
| Offset
|
|
|
Address |
Description
|
|—————————————+————————————————————————————————————————————————————————————————|
|
00 00 00 | Rhythm Common
|
|
00 02 00 | Rhythm MFX
|
|
00 04 00 | Rhythm Chorus
|
|
00 06 00 | Rhythm Reverb
|
|
00 10 00 | Rhythm Tone (Key # 21)
|
|
00 11 00 | Rhythm Tone (Key # 22)
|
|
: |
|
|
00 67 00 | Rhythm Tone (Key # 108)
|
+——————————————————————————————————————————————————————————————————————————————+
* Arpeggio
+——————————————————————————————————————————————————————————————————————————————+
| Offset
|
|
|
Address |
Description
|
|—————————————+————————————————————————————————————————————————————————————————|
|
00 00 00 | Arpeggio Setup
|
|
00 10 00 | (reserved)
|
+——————————————————————————————————————————————————————————————————————————————+
* Chord
+——————————————————————————————————————————————————————————————————————————————+
| Offset
|
|
|
Address |
Description
|
|—————————————+————————————————————————————————————————————————————————————————|
|
00 00 00 | Chord Pattern
|
|
00 01 00 | Chord Pattern
|
|
: |
|
|
00 0B 00 | Chord Pattern
|
|
00 10 00 | (reserved)
|
+——————————————————————————————————————————————————————————————————————————————+
* Setup
+——————————————————————————————————————————————————————————————————————————————+
| Offset
|
|
|
Address |
Description
|
|—————————————+————————————————————————————————————————————————————————————————|
|
00 00 | 0000 0aaa | Mode Select
(0 — 4) |
|
|
|
PATTERN, PATCH, GM1, GM2, GS |
|—————————————+———————————+————————————————————————————————————————————————————|
|
00 01 | 0aaa aaaa | Performance Bank Select MSB (CC# 0)
(0 — 127) |
|
00 02 | 0aaa aaaa | Performance Bank Select LSB (CC# 32)
(0 — 127) |
|
00 03 | 0aaa aaaa | Performance Program Number (PC)
(0 — 127) |
|—————————————+———————————+————————————————————————————————————————————————————|
|
00 04 | 0aaa aaaa | Patch Bank Select MSB (CC# 0)
(0 — 127) |
|
00 05 | 0aaa aaaa | Patch Bank Select LSB (CC# 32)
(0 — 127) |
|
00 06 | 0aaa aaaa | Patch Program Number (PC)
(0 — 127) |
|—————————————+———————————+————————————————————————————————————————————————————|
|
00 07 | 0000 000a | MFX Switch
(0 — 1) |
|
|
|
BYPASS, ON |
|
00 08 | 0000 000a | Chorus Switch
(0 — 1) |
|
|
|
OFF, ON |
|
00 09 | 0000 000a | Reverb Switch
(0 — 1) |
|
|
|
OFF, ON |
|—————————————+———————————+————————————————————————————————————————————————————|
|
00 0A | 0000 000a | Arpeggio Switch
(0 — 1) |
|
|
|
OFF, ON |
|
00 0B | 0000 000a | Arpeggio Group
(0 — 1) |
|
|
|
USER, PRESET |
|
00 0C | 0000 aaaa | Arpeggio Number
(0 — 8) |
|
|
|
1 — 9 |
|—————————————+———————————+————————————————————————————————————————————————————|
|
00 0D | 0000 000a | Chord Switch
(0 — 1) |
|
|
|
OFF, ON |
|
00 0E | 0000 000a | Chord Group
(0 — 1) |
|
|
|
USER, PRESET |
|
00 0F | 0000 aaaa | Chord Number
(0 — 15) |
|
|
|
1 — 16 |
|—————————————+———————————+————————————————————————————————————————————————————|
|
00 10 | 000a aaaa | D Beam Assign
(0 — 26) |
|
|
|
MODULATION, PORTA TIME, VOLUME, |
|
|
|
BALANCE, PAN, EXPRESSION, |
|
|
|
PORTAMENTO, SOSTENUTO, SOFT, |
|
|
|
RESONANCE, RELEASE TIME, ATTACK TIME, |
|
|
|
CUTOFF, DECAY TIME, LFO RATE, |
|
|
|
LFO DEPTH, LFO DELAY, CHO SEND LEVEL, |
|
|
|
REV SEND LEVEL, MFX PARAMETER1, MFX PARAMETER2, |
|
|
|
AFTERTOUCH, BEND UP, BEND DOWN, |
|
|
|
SEQ START/STOP, SOLO SYNTH, ACTIVE EXP |
|
00 11 | 0000 aaaa | D Beam Sens
(1 — 10) |
|
00 12 | 0000 000a | D Beam Polarity
(0 — 1) |
|
|
|
NORMAL, REVERSE |
|—————————————+————————————————————————————————————————————————————————————————|
| 00 00 00 13 | Total Size
|
+——————————————————————————————————————————————————————————————————————————————+
11
* System Common
+——————————————————————————————————————————————————————————————————————————————+
| Offset
|
|
|
Address |
Description
|
|—————————————+————————————————————————————————————————————————————————————————|
|#
00 00 | 0000 aaaa |
|
|
| 0000 bbbb |
|
|
| 0000 cccc |
|
|
| 0000 dddd | Master Tune
(24 — 2024) |
|
|
|
—100.0 — 100.0 [cent] |
|
00 04 | 00aa aaaa | Master Key Shift
(40 — 88) |
|
|
|
—24 — +24 |
|
00 05 | 0aaa aaaa | Master Level
(0 — 127) |
|—————————————+———————————+————————————————————————————————————————————————————|
|
00 06 | 0000 000a | Hold Pedal Polarity
(0 — 1) |
|
|
|
STANDARD, REVERSE |
|
00 07 | 000a aaaa | Control Pedal Assign
(0 — 23) |
|
|
|
MODULATION, PORTA TIME, VOLUME, |
|
|
|
BALANCE, PAN, EXPRESSION, |
|
|
|
PORTAMENTO, SOSTENUTO, SOFT, |
|
|
|
RESONANCE, RELEASE TIME, ATTACK TIME, |
|
|
|
CUTOFF, DECAY TIME, LFO RATE, |
|
|
|
LFO DEPTH, LFO DELAY, CHO SEND LEVEL, |
|
|
|
REV SEND LEVEL, MFX PARAMETER1, MFX PARAMETER2, |
|
|
|
AFTERTOUCH, PUNCH IN/OUT, TAP TEMPO |
|
00 08 | 000a aaaa | Modulation Assign
(0 — 21) |
|
|
|
MODULATION, PORTA TIME, VOLUME, |
|
|
|
BALANCE, PAN, EXPRESSION, |
|
|
|
PORTAMENTO, SOSTENUTO, SOFT, |
|
|
|
RESONANCE, RELEASE TIME, ATTACK TIME, |
|
|
|
CUTOFF, DECAY TIME, LFO RATE, |
|
|
|
LFO DEPTH, LFO DELAY, CHO SEND LEVEL, |
|
|
|
REV SEND LEVEL, MFX PARAMETER1, MFX PARAMETER2, |
|
|
|
AFTERTOUCH |
|
00 09 | 000a aaaa | C1 Knob Assign
(0 — 22) |
|
|
|
MODULATION, PORTA TIME, VOLUME, |
|
|
|
BALANCE, PAN, EXPRESSION, |
|
|
|
PORTAMENTO, SOSTENUTO, SOFT, |
|
|
|
RESONANCE, RELEASE TIME, ATTACK TIME, |
|
|
|
CUTOFF, DECAY TIME, LFO RATE, |
|
|
|
LFO DEPTH, LFO DELAY, CHO SEND LEVEL, |
|
|
|
REV SEND LEVEL, MFX PARAMETER1, MFX PARAMETER2, |
|
|
|
AFTERTOUCH, PATCH MODIFY |
|
00 0A | 000a aaaa | C2 Knob Assign
(0 — 22) |
|
|
|
MODULATION, PORTA TIME, VOLUME, |
|
|
|
BALANCE, PAN, EXPRESSION, |
|
|
|
PORTAMENTO, SOSTENUTO, SOFT, |
|
|
|
RESONANCE, RELEASE TIME, ATTACK TIME, |
|
|
|
CUTOFF, DECAY TIME, LFO RATE, |
|
|
|
LFO DEPTH, LFO DELAY, CHO SEND LEVEL, |
|
|
|
REV SEND LEVEL, MFX PARAMETER1, MFX PARAMETER2, |
|
|
|
AFTERTOUCH, PATCH MODIFY |
|
00 0B | 000a aaaa | C3 Knob Assign
(0 — 22) |
|
|
|
MODULATION, PORTA TIME, VOLUME, |
|
|
|
BALANCE, PAN, EXPRESSION, |
|
|
|
PORTAMENTO, SOSTENUTO, SOFT, |
|
|
|
RESONANCE, RELEASE TIME, ATTACK TIME, |
|
|
|
CUTOFF, DECAY TIME, LFO RATE, |
|
|
|
LFO DEPTH, LFO DELAY, CHO SEND LEVEL, |
|
|
|
REV SEND LEVEL, MFX PARAMETER1, MFX PARAMETER2, |
|
|
|
AFTERTOUCH, PATCH MODIFY |
|—————————————+———————————+————————————————————————————————————————————————————|
|
00 0C | 0000 0aaa | Patch Scale Tune Type
(0 — 3) |
|
|
| EQUAL, JUST(MAJOR) in C, JUST(MINOR) in C, ARABIC |
|
00 0D | 0aaa aaaa | Patch Scale Tune for C
(0 — 127) |
|
|
|
—64 — +63 |
|
00 0E | 0aaa aaaa | Patch Scale Tune for C#
(0 — 127) |
|
|
|
—64 — +63 |
|
00 0F | 0aaa aaaa | Patch Scale Tune for D
(0 — 127) |
|
|
|
—64 — +63 |
|
00 10 | 0aaa aaaa | Patch Scale Tune for D#
(0 — 127) |
|
|
|
—64 — +63 |
|
00 11 | 0aaa aaaa | Patch Scale Tune for E
(0 — 127) |
|
|
|
—64 — +63 |
|
00 12 | 0aaa aaaa | Patch Scale Tune for F
(0 — 127) |
|
|
|
—64 — +63 |
|
00 13 | 0aaa aaaa | Patch Scale Tune for F#
(0 — 127) |
|
|
|
—64 — +63 |
|
00 14 | 0aaa aaaa | Patch Scale Tune for G
(0 — 127) |
|
|
|
—64 — +63 |
|
00 15 | 0aaa aaaa | Patch Scale Tune for G#
(0 — 127) |
|
|
|
—64 — +63 |
|
00 16 | 0aaa aaaa | Patch Scale Tune for A
(0 — 127) |
|
|
|
—64 — +63 |
|
00 17 | 0aaa aaaa | Patch Scale Tune for A#
(0 — 127) |
|
|
|
—64 — +63 |
|
00 18 | 0aaa aaaa | Patch Scale Tune for B
(0 — 127) |
|
|
|
—64 — +63 |
|—————————————+———————————+————————————————————————————————————————————————————|
|
00 19 | 0000 000a | Receive Program Change
(0 — 1) |
|
|
|
OFF, ON |
|
00 1A | 0000 000a | Receive Bank Select
(0 — 1) |
|
|
|
OFF, ON |
|
00 1B | 0000 000a | Transmit Program Change
(0 — 1) |
|
|
|
OFF, ON |
|
00 1C | 0000 000a | Transmit Bank Select
(0 — 1) |
|
|
|
OFF, ON |
|
00 1D | 0000 aaaa | Patch Receive Channel
(0 — 15) |
|
|
|
1 — 16 |
|
00 1E | 000a aaaa | Patch Transmit Channel
(0 — 17) |
|
|
|
1 — 16, RxCH, OFF |
|
00 1F | 000a aaaa | Performance Control Channel
(0 — 16) |
|
|
|
1 — 16, OFF |
|—————————————+———————————+————————————————————————————————————————————————————|
|
00 20 | 0000 000a | System Clock Source
(0 — 1) |
|
|
|
INT, MIDI |
|#
00 21 | 0000 aaaa |
|
|
| 0000 bbbb |
|
|
| 0000 cccc | System Tempo
(5 — 300) |
|
|
|
5 — 300 [BPM] |
|—————————————+————————————————————————————————————————————————————————————————|
| 00 00 00 24 | Total Size
|
+——————————————————————————————————————————————————————————————————————————————+
12
* Pattern(Performance) Common
+——————————————————————————————————————————————————————————————————————————————+
| Offset
|
|
|
Address |
Description
|
|—————————————+————————————————————————————————————————————————————————————————|
|
00 00 | 0aaa aaaa | Pattern(Performance) Name 1
(32 — 127) |
|
|
|
32 — 127 [ASCII] |
|
00 01 | 0aaa aaaa | Pattern(Performance) Name 2
(32 — 127) |
|
|
|
32 — 127 [ASCII] |
|
00 02 | 0aaa aaaa | Pattern(Performance) Name 3
(32 — 127) |
|
|
|
32 — 127 [ASCII] |
|
00 03 | 0aaa aaaa | Pattern(Performance) Name 4
(32 — 127) |
|
|
|
32 — 127 [ASCII] |
|
00 04 | 0aaa aaaa | Pattern(Performance) Name 5
(32 — 127) |
|
|
|
32 — 127 [ASCII] |
|
00 05 | 0aaa aaaa | Pattern(Performance) Name 6
(32 — 127) |
|
|
|
32 — 127 [ASCII] |
|
00 06 | 0aaa aaaa | Pattern(Performance) Name 7
(32 — 127) |
|
|
|
32 — 127 [ASCII] |
|
00 07 | 0aaa aaaa | Pattern(Performance) Name 8
(32 — 127) |
|
|
|
32 — 127 [ASCII] |
|
00 08 | 0aaa aaaa | Pattern(Performance) Name 9
(32 — 127) |
|
|
|
32 — 127 [ASCII] |
|
00 09 | 0aaa aaaa | Pattern(Performance) Name 10
(32 — 127) |
|
|
|
32 — 127 [ASCII] |
|
00 0A | 0aaa aaaa | Pattern(Performance) Name 11
(32 — 127) |
|
|
|
32 — 127 [ASCII] |
|
00 0B | 0aaa aaaa | Pattern(Performance) Name 12
(32 — 127) |
|
|
|
32 — 127 [ASCII] |
|—————————————+———————————+————————————————————————————————————————————————————|
|
00 0C | 00aa aaaa | Voice Reserve 1
(0 — 32) |
|
00 0D | 00aa aaaa | Voice Reserve 2
(0 — 32) |
|
00 0E | 00aa aaaa | Voice Reserve 3
(0 — 32) |
|
00 0F | 00aa aaaa | Voice Reserve 4
(0 — 32) |
|
00 10 | 00aa aaaa | Voice Reserve 5
(0 — 32) |
|
00 11 | 00aa aaaa | Voice Reserve 6
(0 — 32) |
|
00 12 | 00aa aaaa | Voice Reserve 7
(0 — 32) |
|
00 13 | 00aa aaaa | Voice Reserve 8
(0 — 32) |
|
00 14 | 00aa aaaa | Voice Reserve 9
(0 — 32) |
|
00 15 | 00aa aaaa | Voice Reserve 10
(0 — 32) |
|
00 16 | 00aa aaaa | Voice Reserve 11
(0 — 32) |
|
00 17 | 00aa aaaa | Voice Reserve 12
(0 — 32) |
|
00 18 | 00aa aaaa | Voice Reserve 13
(0 — 32) |
|
00 19 | 00aa aaaa | Voice Reserve 14
(0 — 32) |
|
00 1A | 00aa aaaa | Voice Reserve 15
(0 — 32) |
|
00 1B | 00aa aaaa | Voice Reserve 16
(0 — 32) |
|—————————————+———————————+————————————————————————————————————————————————————|
|
00 1C | 0aaa aaaa | Performance Level
(0 — 127) |
|
00 1D | 000a aaaa | MFX Source
(0 — 16) |
|
|
|
PERFORM, PART1 — PART16 |
|—————————————+————————————————————————————————————————————————————————————————|
| 00 00 00 1E | Total Size
|
+——————————————————————————————————————————————————————————————————————————————+
* Pattern(Performance) MFX
+——————————————————————————————————————————————————————————————————————————————+
| Offset
|
|
|
Address |
Description
|
|—————————————+————————————————————————————————————————————————————————————————|
|
00 00 | 00aa aaaa | MFX Type
(0 — 47) |
|
|
|
00 THROUGH, 01 STEREO EQ, 02 OVERDRIVE, |
|
|
|
03 DISTORTION, 04 PHASER, 05 SPECTRUM, |
|
|
|
06 ENHANCER, 07 AUTO WAH, 08 ROTARY, |
|
|
|
09 COMPRESSOR, 10 LIMITER, 11 HEXA—CHORUS, |
|
|
|
12 TREMOLO CHO, 13 SPACE—D, 14 St CHORUS, |
|
|
|
15 St FLANGER, 16 STEP FLANGER, 17 St DELAY, |
|
|
|
18 LONG DELAY, 19 MOD DELAY, 20 3 TAP DELAY, |
|
|
|
21 4 TAP DELAY, 22 TM CTRL DLY, 23 2V PCH SHIFT, |
|
|
|
24 FB PCH SHIFT, 25 REVERB, 26 GATED REVERB, |
|
|
|
27 OD>CHORUS, 28 OD>FLANGER, 29 OD>DELAY, |
|
|
|
30 DIST>CHORUS, 31 DIST>FLANGER, 32 DIST>DELAY, |
|
|
|
33 ENH>CHORUS, 34 ENH>FLANGER, 35 ENH>DELAY, |
|
|
|
36 CHORUS>DELAY, 37 FLG>DELAY, 38 CHO>FLANGER, |
|
|
|
39 CHORUS/DELAY, 40 FLG/DELAY, 41 CHO/FLANGER, |
|
|
|
42 LOFI, 43 SLICER, 44 TREMOLO, |
|
|
|
45 AUTO PAN, 46 TUMBLING DELAY, |
|
|
|
47 FEEDBACK RIPPER |
|
00 01 | 0aaa aaaa | MFX Chorus Send Level
(0 — 127) |
|
00 02 | 0aaa aaaa | MFX Reverb Send Level
(0 — 127) |
|—————————————+———————————+————————————————————————————————————————————————————|
|
00 03 | 0000 aaaa | MFX Control Assign 1
(0 — 2) |
|
|
|
OFF, 1 — 2 |
|
00 04 | 0000 aaaa | MFX Control Assign 2
(0 — 2) |
|
|
|
OFF, 1 — 2 |
|#
00 05 | 0000 aaaa |
|
|
| 0000 bbbb |
|
|
| 0000 cccc |
|
|
| 0000 dddd | MFX Parameter 1
(12768 — 52768) |
|
|
|
—20000 — +20000 |
|#
00 09 | 0000 aaaa |
|
|
| 0000 bbbb |
|
|
| 0000 cccc |
|
|
| 0000 dddd | MFX Parameter 2
(12768 — 52768) |
|
|
|
—20000 — +20000 |
|#
00 0D | 0000 aaaa |
|
|
| 0000 bbbb |
|
|
| 0000 cccc |
|
|
| 0000 dddd | MFX Parameter 3
(12768 — 52768) |
|
|
|
—20000 — +20000 |
|#
00 11 | 0000 aaaa |
|
|
| 0000 bbbb |
|
|
| 0000 cccc |
|
|
| 0000 dddd | MFX Parameter 4
(12768 — 52768) |
|
|
|
—20000 — +20000 |
|#
00 15 | 0000 aaaa |
|
|
| 0000 bbbb |
|
|
| 0000 cccc |
|
|
| 0000 dddd | MFX Parameter 5
(12768 — 52768) |
|
|
|
—20000 — +20000 |
|#
00 19 | 0000 aaaa |
|
|
| 0000 bbbb |
|
|
| 0000 cccc |
|
|
| 0000 dddd | MFX Parameter 6
(12768 — 52768) |
|
|
|
—20000 — +20000 |
13
|#
00 1D | 0000 aaaa |
|
|
| 0000 bbbb |
|
|
| 0000 cccc |
|
|
| 0000 dddd | MFX Parameter 7
(12768 — 52768) |
|
|
|
—20000 — +20000 |
|#
00 21 | 0000 aaaa |
|
|
| 0000 bbbb |
|
|
| 0000 cccc |
|
|
| 0000 dddd | MFX Parameter 8
(12768 — 52768) |
|
|
|
—20000 — +20000 |
|#
00 25 | 0000 aaaa |
|
|
| 0000 bbbb |
|
|
| 0000 cccc |
|
|
| 0000 dddd | MFX Parameter 9
(12768 — 52768) |
|
|
|
—20000 — +20000 |
|#
00 29 | 0000 aaaa |
|
|
| 0000 bbbb |
|
|
| 0000 cccc |
|
|
| 0000 dddd | MFX Parameter 10
(12768 — 52768) |
|
|
|
—20000 — +20000 |
|#
00 2D | 0000 aaaa |
|
|
| 0000 bbbb |
|
|
| 0000 cccc |
|
|
| 0000 dddd | MFX Parameter 11
(12768 — 52768) |
|
|
|
—20000 — +20000 |
|#
00 31 | 0000 aaaa |
|
|
| 0000 bbbb |
|
|
| 0000 cccc |
|
|
| 0000 dddd | MFX Parameter 12
(12768 — 52768) |
|
|
|
—20000 — +20000 |
|#
00 35 | 0000 aaaa |
|
|
| 0000 bbbb |
|
|
| 0000 cccc |
|
|
| 0000 dddd | MFX Parameter 13
(12768 — 52768) |
|
|
|
—20000 — +20000 |
|#
00 39 | 0000 aaaa |
|
|
| 0000 bbbb |
|
|
| 0000 cccc |
|
|
| 0000 dddd | MFX Parameter 14
(12768 — 52768) |
|
|
|
—20000 — +20000 |
|#
00 3D | 0000 aaaa |
|
|
| 0000 bbbb |
|
|
| 0000 cccc |
|
|
| 0000 dddd | MFX Parameter 15
(12768 — 52768) |
|
|
|
—20000 — +20000 |
|#
00 41 | 0000 aaaa |
|
|
| 0000 bbbb |
|
|
| 0000 cccc |
|
|
| 0000 dddd | MFX Parameter 16
(12768 — 52768) |
|
|
|
—20000 — +20000 |
|#
00 45 | 0000 aaaa |
|
|
| 0000 bbbb |
|
|
| 0000 cccc |
|
|
| 0000 dddd | MFX Parameter 17
(12768 — 52768) |
|
|
|
—20000 — +20000 |
|#
00 49 | 0000 aaaa |
|
|
| 0000 bbbb |
|
|
| 0000 cccc |
|
|
| 0000 dddd | MFX Parameter 18
(12768 — 52768) |
|
|
|
—20000 — +20000 |
|#
00 4D | 0000 aaaa |
|
|
| 0000 bbbb |
|
|
| 0000 cccc |
|
|
| 0000 dddd | MFX Parameter 19
(12768 — 52768) |
|
|
|
—20000 — +20000 |
|#
00 51 | 0000 aaaa |
|
|
| 0000 bbbb |
|
|
| 0000 cccc |
|
|
| 0000 dddd | MFX Parameter 20
(12768 — 52768) |
|
|
|
—20000 — +20000 |
|—————————————+————————————————————————————————————————————————————————————————|
| 00 00 00 55 | Total Size
|
+——————————————————————————————————————————————————————————————————————————————+
* Pattern(Performance) Chorus
+——————————————————————————————————————————————————————————————————————————————+
| Offset
|
|
|
Address |
Description
|
|—————————————+————————————————————————————————————————————————————————————————|
|
00 00 | 0000 0aaa | Chorus Type
(0 — 7) |
|
|
|
CHORUS1, CHORUS2, CHORUS3, CHORUS4, |
|
|
|
FEEDBACK CHORUS, FLANGER, |
|
|
|
SHORT DELAY, SHORT DELAY(FB) |
|
00 01 | 0000 0aaa | Chorus Pre—LPF
(0 — 7) |
|
00 02 | 0aaa aaaa | Chorus Level
(0 — 127) |
|
00 03 | 0aaa aaaa | Chorus Feedback
(0 — 127) |
|
00 04 | 0aaa aaaa | Chorus Delay
(0 — 127) |
|
00 05 | 0aaa aaaa | Chorus Rate
(0 — 127) |
|
00 06 | 0aaa aaaa | Chorus Depth
(0 — 127) |
|
00 07 | 0aaa aaaa | Chorus Send Level to Reverb
(0 — 127) |
|—————————————+————————————————————————————————————————————————————————————————|
| 00 00 00 08 | Total Size
|
+——————————————————————————————————————————————————————————————————————————————+
* Pattern(Performance) Reverb
+——————————————————————————————————————————————————————————————————————————————+
| Offset
|
|
|
Address |
Description
|
|—————————————+————————————————————————————————————————————————————————————————|
|
00 00 | 0000 0aaa | Reverb Type
(0 — 7) |
|
|
|
ROOM1, ROOM2, ROOM3, |
|
|
|
HALL1, HALL2, PLATE, |
|
|
|
DELAY, PANNING DELAY |
|
00 01 | 0000 0aaa | Reverb Character
(0 — 7) |
|
00 02 | 0000 0aaa | Reverb Pre—LPF
(0 — 7) |
|
00 03 | 0aaa aaaa | Reverb Level
(0 — 127) |
|
00 04 | 0aaa aaaa | Reverb Time
(0 — 127) |
|
00 05 | 0aaa aaaa | Reverb Delay Feedback
(0 — 127) |
|—————————————+————————————————————————————————————————————————————————————————|
| 00 00 00 06 | Total Size
|
+——————————————————————————————————————————————————————————————————————————————+
14
* Pattern(Performance) Part
+——————————————————————————————————————————————————————————————————————————————+
| Offset
|
|
|
Address |
Description
|
|—————————————+————————————————————————————————————————————————————————————————|
|
00 00 | 0aaa aaaa | Patch Bank Select MSB (CC# 0)
(0 — 127) |
|
00 01 | 0aaa aaaa | Patch Bank Select LSB (CC# 32)
(0 — 127) |
|
00 02 | 0aaa aaaa | Patch Program Number (PC)
(0 — 127) |
|—————————————+———————————+————————————————————————————————————————————————————|
|
00 03 | 0aaa aaaa | Part Level (CC# 7)
(0 — 127) |
|
00 04 | 0aaa aaaa | Part Pan (CC# 10)
(0 — 127) |
|
|
|
RANDOM, L63 — 63R |
|
00 05 | 0000 000a | Part MFX Switch
(0 — 1) |
|
|
|
BYPASS, ON |
|
00 06 | 0aaa aaaa | Part Chorus Send Level (CC# 93)
(0 — 127) |
|
00 07 | 0aaa aaaa | Part Reverb Send Level (CC# 91)
(0 — 127) |
|
00 08 | 0000 aaaa | Receive Channel
(0 — 15) |
|
|
|
1 — 16 |
|
00 09 | 0000 000a | Receive Switch
(0 — 1) |
|
|
|
OFF, ON |
|
00 0A | 0000 000a | Receive Program Change
(0 — 1) |
|
|
|
OFF, ON |
|
00 0B | 0000 000a | Receive Bank Select
(0 — 1) |
|
|
|
OFF, ON |
|—————————————+———————————+————————————————————————————————————————————————————|
|
00 0C | 0000 0aaa | Part Scale Tune Type
(0 — 3) |
|
|
| EQUAL, JUST(MAJOR) in C, JUST(MINOR) in C, ARABIC |
|
00 0D | 0aaa aaaa | Part Scale Tune for C
(0 — 127) |
|
|
|
—64 — +63 |
|
00 0E | 0aaa aaaa | Part Scale Tune for C#
(0 — 127) |
|
|
|
—64 — +63 |
|
00 0F | 0aaa aaaa | Part Scale Tune for D
(0 — 127) |
|
|
|
—64 — +63 |
|
00 10 | 0aaa aaaa | Part Scale Tune for D#
(0 — 127) |
|
|
|
—64 — +63 |
|
00 11 | 0aaa aaaa | Part Scale Tune for E
(0 — 127) |
|
|
|
—64 — +63 |
|
00 12 | 0aaa aaaa | Part Scale Tune for F
(0 — 127) |
|
|
|
—64 — +63 |
|
00 13 | 0aaa aaaa | Part Scale Tune for F#
(0 — 127) |
|
|
|
—64 — +63 |
|
00 14 | 0aaa aaaa | Part Scale Tune for G
(0 — 127) |
|
|
|
—64 — +63 |
|
00 15 | 0aaa aaaa | Part Scale Tune for G#
(0 — 127) |
|
|
|
—64 — +63 |
|
00 16 | 0aaa aaaa | Part Scale Tune for A
(0 — 127) |
|
|
|
—64 — +63 |
|
00 17 | 0aaa aaaa | Part Scale Tune for A#
(0 — 127) |
|
|
|
—64 — +63 |
|
00 18 | 0aaa aaaa | Part Scale Tune for B
(0 — 127) |
|
|
|
—64 — +63 |
|—————————————+————————————————————————————————————————————————————————————————|
| 00 00 00 19 | Total Size
|
+——————————————————————————————————————————————————————————————————————————————+
* Patch Common
+——————————————————————————————————————————————————————————————————————————————+
| Offset
|
|
|
Address |
Description
|
|—————————————+————————————————————————————————————————————————————————————————|
|
00 00 | 0aaa aaaa | Patch Name 1
(32 — 127) |
|
|
|
32 — 127 [ASCII] |
|
00 01 | 0aaa aaaa | Patch Name 2
(32 — 127) |
|
|
|
32 — 127 [ASCII] |
|
00 02 | 0aaa aaaa | Patch Name 3
(32 — 127) |
|
|
|
32 — 127 [ASCII] |
|
00 03 | 0aaa aaaa | Patch Name 4
(32 — 127) |
|
|
|
32 — 127 [ASCII] |
|
00 04 | 0aaa aaaa | Patch Name 5
(32 — 127) |
|
|
|
32 — 127 [ASCII] |
|
00 05 | 0aaa aaaa | Patch Name 6
(32 — 127) |
|
|
|
32 — 127 [ASCII] |
|
00 06 | 0aaa aaaa | Patch Name 7
(32 — 127) |
|
|
|
32 — 127 [ASCII] |
|
00 07 | 0aaa aaaa | Patch Name 8
(32 — 127) |
|
|
|
32 — 127 [ASCII] |
|
00 08 | 0aaa aaaa | Patch Name 9
(32 — 127) |
|
|
|
32 — 127 [ASCII] |
|
00 09 | 0aaa aaaa | Patch Name 10
(32 — 127) |
|
|
|
32 — 127 [ASCII] |
|
00 0A | 0aaa aaaa | Patch Name 11
(32 — 127) |
|
|
|
32 — 127 [ASCII] |
|
00 0B | 0aaa aaaa | Patch Name 12
(32 — 127) |
|
|
|
32 — 127 [ASCII] |
|
00 0C | 0aaa aaaa | Patch Category
(0 — 127) |
|—————————————+———————————+————————————————————————————————————————————————————|
|
00 0D | 0000 00aa | Keyboard Mode
(0 — 2) |
|
|
|
SINGLE, SPLIT, DUAL |
|
00 0E | 0aaa aaaa | Patch Level
(0 — 127) |
|
00 0F | 0aaa aaaa | Tone Balance (CC# 8)
(0 — 127) |
|
|
|
—64(LOWER) — +63(UPPER) |
|
00 10 | 0aaa aaaa | Split Point
(21 — 108) |
|
|
|
A0 — C8 |
|
00 11 | 0000 00aa | Split Arpeggio
(0 — 2) |
|
|
|
UPPER, LOWER, BOTH |
|
00 12 | 0000 00aa | Solo Switch (MONO ON/POLY ON)
(0 — 3) |
|
|
|
OFF, ON, UPPER, LOWER |
|
00 13 | 0000 00aa | Modulation Destination
(0 — 2) |
|
|
|
UPPER, LOWER, BOTH |
|
00 14 | 0000 00aa | Pitch Bend Destination
(0 — 2) |
|
|
|
UPPER, LOWER, BOTH |
|
00 15 | 0000 00aa | Modify Destination
(0 — 2) |
|
|
|
UPPER, LOWER, BOTH |
|
00 16 | 0000 00aa | Expression Destination
(0 — 2) |
|
|
|
UPPER, LOWER, BOTH |
|
00 17 | 0000 000a | Active Expression Switch
(0 — 1) |
|
|
|
OFF, ON |
|—————————————+————————————————————————————————————————————————————————————————|
| 00 00 00 18 | Total Size
|
+——————————————————————————————————————————————————————————————————————————————+
15
* Patch MFX
+——————————————————————————————————————————————————————————————————————————————+
| Offset
|
|
|
Address |
Description
|
|—————————————+————————————————————————————————————————————————————————————————|
|
00 00 | 00aa aaaa | MFX Type
(0 — 47) |
|
|
|
00 THROUGH, 01 STEREO EQ, 02 OVERDRIVE, |
|
|
|
03 DISTORTION, 04 PHASER, 05 SPECTRUM, |
|
|
|
06 ENHANCER, 07 AUTO WAH, 08 ROTARY, |
|
|
|
09 COMPRESSOR, 10 LIMITER, 11 HEXA—CHORUS, |
|
|
|
12 TREMOLO CHO, 13 SPACE—D, 14 St CHORUS, |
|
|
|
15 St FLANGER, 16 STEP FLANGER, 17 St DELAY, |
|
|
|
18 LONG DELAY, 19 MOD DELAY, 20 3 TAP DELAY, |
|
|
|
21 4 TAP DELAY, 22 TM CTRL DLY, 23 2V PCH SHIFT, |
|
|
|
24 FB PCH SHIFT, 25 REVERB, 26 GATED REVERB, |
|
|
|
27 OD>CHORUS, 28 OD>FLANGER, 29 OD>DELAY, |
|
|
|
30 DIST>CHORUS, 31 DIST>FLANGER, 32 DIST>DELAY, |
|
|
|
33 ENH>CHORUS, 34 ENH>FLANGER, 35 ENH>DELAY, |
|
|
|
36 CHORUS>DELAY, 37 FLG>DELAY, 38 CHO>FLANGER, |
|
|
|
39 CHORUS/DELAY, 40 FLG/DELAY, 41 CHO/FLANGER, |
|
|
|
42 LOFI, 43 SLICER, 44 TREMOLO, |
|
|
|
45 AUTO PAN, 46 TUMBLING DELAY, |
|
|
|
47 FEEDBACK RIPPER |
|
00 01 | 0aaa aaaa | MFX Send Level to Chorus
(0 — 127) |
|
00 02 | 0aaa aaaa | MFX Send Level to Reverb
(0 — 127) |
|—————————————+———————————+————————————————————————————————————————————————————|
|
00 03 | 0000 aaaa | MFX Control Assign 1
(0 — 2) |
|
|
|
OFF, 1 — 2 |
|
00 04 | 0000 aaaa | MFX Control Assign 2
(0 — 2) |
|
|
|
OFF, 1 — 2 |
|#
00 05 | 0000 aaaa |
|
|
| 0000 bbbb |
|
|
| 0000 cccc |
|
|
| 0000 dddd | MFX Parameter 1
(12768 — 52768) |
|
|
|
—20000 — +20000 |
|#
00 09 | 0000 aaaa |
|
|
| 0000 bbbb |
|
|
| 0000 cccc |
|
|
| 0000 dddd | MFX Parameter 2
(12768 — 52768) |
|
|
|
—20000 — +20000 |
|#
00 0D | 0000 aaaa |
|
|
| 0000 bbbb |
|
|
| 0000 cccc |
|
|
| 0000 dddd | MFX Parameter 3
(12768 — 52768) |
|
|
|
—20000 — +20000 |
|#
00 11 | 0000 aaaa |
|
|
| 0000 bbbb |
|
|
| 0000 cccc |
|
|
| 0000 dddd | MFX Parameter 4
(12768 — 52768) |
|
|
|
—20000 — +20000 |
|#
00 15 | 0000 aaaa |
|
|
| 0000 bbbb |
|
|
| 0000 cccc |
|
|
| 0000 dddd | MFX Parameter 5
(12768 — 52768) |
|
|
|
—20000 — +20000 |
|#
00 19 | 0000 aaaa |
|
|
| 0000 bbbb |
|
|
| 0000 cccc |
|
|
| 0000 dddd | MFX Parameter 6
(12768 — 52768) |
|
|
|
—20000 — +20000 |
|#
00 1D | 0000 aaaa |
|
|
| 0000 bbbb |
|
|
| 0000 cccc |
|
|
| 0000 dddd | MFX Parameter 7
(12768 — 52768) |
|
|
|
—20000 — +20000 |
|#
00 21 | 0000 aaaa |
|
|
| 0000 bbbb |
|
|
| 0000 cccc |
|
|
| 0000 dddd | MFX Parameter 8
(12768 — 52768) |
|
|
|
—20000 — +20000 |
|#
00 25 | 0000 aaaa |
|
|
| 0000 bbbb |
|
|
| 0000 cccc |
|
|
| 0000 dddd | MFX Parameter 9
(12768 — 52768) |
|
|
|
—20000 — +20000 |
|#
00 29 | 0000 aaaa |
|
|
| 0000 bbbb |
|
|
| 0000 cccc |
|
|
| 0000 dddd | MFX Parameter 10
(12768 — 52768) |
|
|
|
—20000 — +20000 |
|#
00 2D | 0000 aaaa |
|
|
| 0000 bbbb |
|
|
| 0000 cccc |
|
|
| 0000 dddd | MFX Parameter 11
(12768 — 52768) |
|
|
|
—20000 — +20000 |
|#
00 31 | 0000 aaaa |
|
|
| 0000 bbbb |
|
|
| 0000 cccc |
|
|
| 0000 dddd | MFX Parameter 12
(12768 — 52768) |
|
|
|
—20000 — +20000 |
|#
00 35 | 0000 aaaa |
|
|
| 0000 bbbb |
|
|
| 0000 cccc |
|
|
| 0000 dddd | MFX Parameter 13
(12768 — 52768) |
|
|
|
—20000 — +20000 |
|#
00 39 | 0000 aaaa |
|
|
| 0000 bbbb |
|
|
| 0000 cccc |
|
|
| 0000 dddd | MFX Parameter 14
(12768 — 52768) |
|
|
|
—20000 — +20000 |
|#
00 3D | 0000 aaaa |
|
|
| 0000 bbbb |
|
|
| 0000 cccc |
|
|
| 0000 dddd | MFX Parameter 15
(12768 — 52768) |
|
|
|
—20000 — +20000 |
|#
00 41 | 0000 aaaa |
|
|
| 0000 bbbb |
|
|
| 0000 cccc |
|
|
| 0000 dddd | MFX Parameter 16
(12768 — 52768) |
|
|
|
—20000 — +20000 |
|#
00 45 | 0000 aaaa |
|
|
| 0000 bbbb |
|
|
| 0000 cccc |
|
|
| 0000 dddd | MFX Parameter 17
(12768 — 52768) |
|
|
|
—20000 — +20000 |
16
|#
00 49 | 0000 aaaa |
|
|
| 0000 bbbb |
|
|
| 0000 cccc |
|
|
| 0000 dddd | MFX Parameter 18
(12768 — 52768) |
|
|
|
—20000 — +20000 |
|#
00 4D | 0000 aaaa |
|
|
| 0000 bbbb |
|
|
| 0000 cccc |
|
|
| 0000 dddd | MFX Parameter 19
(12768 — 52768) |
|
|
|
—20000 — +20000 |
|#
00 51 | 0000 aaaa |
|
|
| 0000 bbbb |
|
|
| 0000 cccc |
|
|
| 0000 dddd | MFX Parameter 20
(12768 — 52768) |
|
|
|
—20000 — +20000 |
|—————————————+————————————————————————————————————————————————————————————————|
| 00 00 00 55 | Total Size
|
+——————————————————————————————————————————————————————————————————————————————+
* Patch Chorus
+——————————————————————————————————————————————————————————————————————————————+
| Offset
|
|
|
Address |
Description
|
|—————————————+————————————————————————————————————————————————————————————————|
|
00 00 | 0000 0aaa | Chorus Type
(0 — 7) |
|
|
|
CHORUS1, CHORUS2, CHORUS3, CHORUS4, |
|
|
|
FEEDBACK CHORUS, FLANGER, |
|
|
|
SHORT DELAY, SHORT DELAY(FB) |
|
00 01 | 0000 0aaa | Chorus Pre—LPF
(0 — 7) |
|
00 02 | 0aaa aaaa | Chorus Level
(0 — 127) |
|
00 03 | 0aaa aaaa | Chorus Feedback
(0 — 127) |
|
00 04 | 0aaa aaaa | Chorus Delay
(0 — 127) |
|
00 05 | 0aaa aaaa | Chorus Rate
(0 — 127) |
|
00 06 | 0aaa aaaa | Chorus Depth
(0 — 127) |
|
00 07 | 0aaa aaaa | Chorus Send Level to Reverb
(0 — 127) |
|—————————————+————————————————————————————————————————————————————————————————|
| 00 00 00 08 | Total Size
|
+——————————————————————————————————————————————————————————————————————————————+
* Patch Reverb
+——————————————————————————————————————————————————————————————————————————————+
| Offset
|
|
|
Address |
Description
|
|—————————————+————————————————————————————————————————————————————————————————|
|
00 00 | 0000 0aaa | Reverb Type
(0 — 7) |
|
|
|
ROOM1, ROOM2, ROOM3, |
|
|
|
HALL1, HALL2, PLATE, |
|
|
|
DELAY, PANNING DELAY |
|
00 01 | 0000 0aaa | Reverb Character
(0 — 7) |
|
00 02 | 0000 0aaa | Reverb Pre—LPF
(0 — 7) |
|
00 03 | 0aaa aaaa | Reverb Level
(0 — 127) |
|
00 04 | 0aaa aaaa | Reverb Time
(0 — 127) |
|
00 05 | 0aaa aaaa | Reverb Delay Feedback
(0 — 127) |
|—————————————+————————————————————————————————————————————————————————————————|
| 00 00 00 06 | Total Size
|
+——————————————————————————————————————————————————————————————————————————————+
* Patch Tone
+——————————————————————————————————————————————————————————————————————————————+
| Offset
|
|
|
Address |
Description
|
|—————————————+————————————————————————————————————————————————————————————————|
|#
00 00 | 0000 aaaa |
|
|
| 0000 bbbb |
|
|
| 0000 cccc | Original Tone Number
(0 — 4095) |
|
|
|
0 — ??? |
|
00 03 | 0aaa aaaa | Tone Pan
(0 — 127) |
|
|
|
L64 — 63R |
|
00 04 | 0000 000a | Tone MFX Switch
(0 — 1) |
|
|
|
BYPASS, ON |
|
00 05 | 0aaa aaaa | Tone Chorus Send Level
(0 — 127) |
|
00 06 | 0aaa aaaa | Tone Reverb Send Level
(0 — 127) |
|
00 07 | 0aaa aaaa | Coarse Tune (RPN# 2)
(16 — 112) |
|
|
|
—48 — +48 |
|
00 08 | 0aaa aaaa | Fine Tune (RPN# 1)
(14 — 114) |
|
|
|
—50 — +50 |
|
00 09 | 0aaa aaaa | LFO Rate (CC# 76)
(0 — 127) |
|
|
|
—64 — +63 |
|
00 0A | 0aaa aaaa | LFO Depth (CC# 77)
(0 — 127) |
|
|
|
—64 — +63 |
|
00 0B | 0aaa aaaa | LFO Delay (CC# 78)
(0 — 127) |
|
|
|
—64 — +63 |
|
00 0C | 0000 000a | LFO Filter Switch
(0 — 1) |
|
|
|
OFF, ON |
|
00 0D | 0aaa aaaa | Cutoff Frequency (CC# 74)
(0 — 127) |
|
|
|
—64 — +63 |
|
00 0E | 0aaa aaaa | Resonance (CC# 71)
(0 — 127) |
|
|
|
—64 — +63 |
|
00 0F | 0aaa aaaa | Attack Time (CC# 73)
(0 — 127) |
|
|
|
—64 — +63 |
|
00 10 | 0aaa aaaa | Decay Time (CC# 75)
(0 — 127) |
|
|
|
—64 — +63 |
|
00 11 | 0aaa aaaa | Release Time (CC# 72)
(0 — 127) |
|
|
|
—64 — +63 |
|
00 12 | 0000 000a | Portamento Switch (CC# 65)
(0 — 1) |
|
|
|
OFF, ON |
|
00 13 | 0aaa aaaa | Portamento Time (CC# 5)
(0 — 127) |
|
00 14 | 0aaa aaaa | Velocity Sens Depth
(0 — 127) |
|
|
|
—64 — +63 |
|
00 15 | 0aaa aaaa | Velocity Sens Offset
(0 — 127) |
|
|
|
—64 — +63 |
|
00 16 | 000a aaaa | Pitch Bend Range (RPN# 0)
(0 — 24) |
|—————————————+————————————————————————————————————————————————————————————————|
| 00 00 00 17 | Total Size
|
+——————————————————————————————————————————————————————————————————————————————+
17
* Rhythm Common
+——————————————————————————————————————————————————————————————————————————————+
| Offset
|
|
|
Address |
Description
|
|—————————————+————————————————————————————————————————————————————————————————|
|
00 00 | 0aaa aaaa | Rhythm Name 1
(32 — 127) |
|
|
|
32 — 127 [ASCII] |
|
00 01 | 0aaa aaaa | Rhythm Name 2
(32 — 127) |
|
|
|
32 — 127 [ASCII] |
|
00 02 | 0aaa aaaa | Rhythm Name 3
(32 — 127) |
|
|
|
32 — 127 [ASCII] |
|
00 03 | 0aaa aaaa | Rhythm Name 4
(32 — 127) |
|
|
|
32 — 127 [ASCII] |
|
00 04 | 0aaa aaaa | Rhythm Name 5
(32 — 127) |
|
|
|
32 — 127 [ASCII] |
|
00 05 | 0aaa aaaa | Rhythm Name 6
(32 — 127) |
|
|
|
32 — 127 [ASCII] |
|
00 06 | 0aaa aaaa | Rhythm Name 7
(32 — 127) |
|
|
|
32 — 127 [ASCII] |
|
00 07 | 0aaa aaaa | Rhythm Name 8
(32 — 127) |
|
|
|
32 — 127 [ASCII] |
|
00 08 | 0aaa aaaa | Rhythm Name 9
(32 — 127) |
|
|
|
32 — 127 [ASCII] |
|
00 09 | 0aaa aaaa | Rhythm Name 10
(32 — 127) |
|
|
|
32 — 127 [ASCII] |
|
00 0A | 0aaa aaaa | Rhythm Name 11
(32 — 127) |
|
|
|
32 — 127 [ASCII] |
|
00 0B | 0aaa aaaa | Rhythm Name 12
(32 — 127) |
|
|
|
32 — 127 [ASCII] |
|—————————————+———————————+————————————————————————————————————————————————————|
|
00 0C | 000a aaaa | Original Rhythm Number
(0 — 29) |
|—————————————+————————————————————————————————————————————————————————————————|
| 00 00 00 0D | Total Size
|
+——————————————————————————————————————————————————————————————————————————————+
* Rhythm MFX
+——————————————————————————————————————————————————————————————————————————————+
| Offset
|
|
|
Address |
Description
|
|—————————————+————————————————————————————————————————————————————————————————|
|
00 00 | 00aa aaaa | MFX Type
(0 — 47) |
|
|
|
00 THROUGH, 01 STEREO EQ, 02 OVERDRIVE, |
|
|
|
03 DISTORTION, 04 PHASER, 05 SPECTRUM, |
|
|
|
06 ENHANCER, 07 AUTO WAH, 08 ROTARY, |
|
|
|
09 COMPRESSOR, 10 LIMITER, 11 HEXA—CHORUS, |
|
|
|
12 TREMOLO CHO, 13 SPACE—D, 14 St CHORUS, |
|
|
|
15 St FLANGER, 16 STEP FLANGER, 17 St DELAY, |
|
|
|
18 LONG DELAY, 19 MOD DELAY, 20 3 TAP DELAY, |
|
|
|
21 4 TAP DELAY, 22 TM CTRL DLY, 23 2V PCH SHIFT, |
|
|
|
24 FB PCH SHIFT, 25 REVERB, 26 GATED REVERB, |
|
|
|
27 OD>CHORUS, 28 OD>FLANGER, 29 OD>DELAY, |
|
|
|
30 DIST>CHORUS, 31 DIST>FLANGER, 32 DIST>DELAY, |
|
|
|
33 ENH>CHORUS, 34 ENH>FLANGER, 35 ENH>DELAY, |
|
|
|
36 CHORUS>DELAY, 37 FLG>DELAY, 38 CHO>FLANGER, |
|
|
|
39 CHORUS/DELAY, 40 FLG/DELAY, 41 CHO/FLANGER, |
|
|
|
42 LOFI, 43 SLICER, 44 TREMOLO, |
|
|
|
45 AUTO PAN, 46 TUMBLING DELAY, |
|
|
|
47 FEEDBACK RIPPER |
|
00 01 | 0aaa aaaa | MFX Chorus Send Level
(0 — 127) |
|
00 02 | 0aaa aaaa | MFX Reverb Send Level
(0 — 127) |
|—————————————+———————————+————————————————————————————————————————————————————|
|
00 03 | 0000 aaaa | MFX Control Assign 1
(0 — 2) |
|
|
|
OFF, 1 — 2 |
|
00 04 | 0000 aaaa | MFX Control Assign 2
(0 — 2) |
|
|
|
OFF, 1 — 2 |
|#
00 05 | 0000 aaaa |
|
|
| 0000 bbbb |
|
|
| 0000 cccc |
|
|
| 0000 dddd | MFX Parameter 1
(12768 — 52768) |
|
|
|
—20000 — +20000 |
|#
00 09 | 0000 aaaa |
|
|
| 0000 bbbb |
|
|
| 0000 cccc |
|
|
| 0000 dddd | MFX Parameter 2
(12768 — 52768) |
|
|
|
—20000 — +20000 |
|#
00 0D | 0000 aaaa |
|
|
| 0000 bbbb |
|
|
| 0000 cccc |
|
|
| 0000 dddd | MFX Parameter 3
(12768 — 52768) |
|
|
|
—20000 — +20000 |
|#
00 11 | 0000 aaaa |
|
|
| 0000 bbbb |
|
|
| 0000 cccc |
|
|
| 0000 dddd | MFX Parameter 4
(12768 — 52768) |
|
|
|
—20000 — +20000 |
|#
00 15 | 0000 aaaa |
|
|
| 0000 bbbb |
|
|
| 0000 cccc |
|
|
| 0000 dddd | MFX Parameter 5
(12768 — 52768) |
|
|
|
—20000 — +20000 |
|#
00 19 | 0000 aaaa |
|
|
| 0000 bbbb |
|
|
| 0000 cccc |
|
|
| 0000 dddd | MFX Parameter 6
(12768 — 52768) |
|
|
|
—20000 — +20000 |
|#
00 1D | 0000 aaaa |
|
|
| 0000 bbbb |
|
|
| 0000 cccc |
|
|
| 0000 dddd | MFX Parameter 7
(12768 — 52768) |
|
|
|
—20000 — +20000 |
|#
00 21 | 0000 aaaa |
|
|
| 0000 bbbb |
|
|
| 0000 cccc |
|
|
| 0000 dddd | MFX Parameter 8
(12768 — 52768) |
|
|
|
—20000 — +20000 |
|#
00 25 | 0000 aaaa |
|
|
| 0000 bbbb |
|
|
| 0000 cccc |
|
|
| 0000 dddd | MFX Parameter 9
(12768 — 52768) |
|
|
|
—20000 — +20000 |
|#
00 29 | 0000 aaaa |
|
|
| 0000 bbbb |
|
|
| 0000 cccc |
|
|
| 0000 dddd | MFX Parameter 10
(12768 — 52768) |
18
|
|
|
—20000 — +20000 |
|#
00 2D | 0000 aaaa |
|
|
| 0000 bbbb |
|
|
| 0000 cccc |
|
|
| 0000 dddd | MFX Parameter 11
(12768 — 52768) |
|
|
|
—20000 — +20000 |
|#
00 31 | 0000 aaaa |
|
|
| 0000 bbbb |
|
|
| 0000 cccc |
|
|
| 0000 dddd | MFX Parameter 12
(12768 — 52768) |
|
|
|
—20000 — +20000 |
|#
00 35 | 0000 aaaa |
|
|
| 0000 bbbb |
|
|
| 0000 cccc |
|
|
| 0000 dddd | MFX Parameter 13
(12768 — 52768) |
|
|
|
—20000 — +20000 |
|#
00 39 | 0000 aaaa |
|
|
| 0000 bbbb |
|
|
| 0000 cccc |
|
|
| 0000 dddd | MFX Parameter 14
(12768 — 52768) |
|
|
|
—20000 — +20000 |
|#
00 3D | 0000 aaaa |
|
|
| 0000 bbbb |
|
|
| 0000 cccc |
|
|
| 0000 dddd | MFX Parameter 15
(12768 — 52768) |
|
|
|
—20000 — +20000 |
|#
00 41 | 0000 aaaa |
|
|
| 0000 bbbb |
|
|
| 0000 cccc |
|
|
| 0000 dddd | MFX Parameter 16
(12768 — 52768) |
|
|
|
—20000 — +20000 |
|#
00 45 | 0000 aaaa |
|
|
| 0000 bbbb |
|
|
| 0000 cccc |
|
|
| 0000 dddd | MFX Parameter 17
(12768 — 52768) |
|
|
|
—20000 — +20000 |
|#
00 49 | 0000 aaaa |
|
|
| 0000 bbbb |
|
|
| 0000 cccc |
|
|
| 0000 dddd | MFX Parameter 18
(12768 — 52768) |
|
|
|
—20000 — +20000 |
|#
00 4D | 0000 aaaa |
|
|
| 0000 bbbb |
|
|
| 0000 cccc |
|
|
| 0000 dddd | MFX Parameter 19
(12768 — 52768) |
|
|
|
—20000 — +20000 |
|#
00 51 | 0000 aaaa |
|
|
| 0000 bbbb |
|
|
| 0000 cccc |
|
|
| 0000 dddd | MFX Parameter 20
(12768 — 52768) |
|
|
|
—20000 — +20000 |
|—————————————+————————————————————————————————————————————————————————————————|
| 00 00 00 55 | Total Size
|
+——————————————————————————————————————————————————————————————————————————————+
* Rhythm Chorus
+——————————————————————————————————————————————————————————————————————————————+
| Offset
|
|
|
Address |
Description
|
|—————————————+————————————————————————————————————————————————————————————————|
|
00 00 | 0000 0aaa | Chorus Type
(0 — 7) |
|
|
|
CHORUS1, CHORUS2, CHORUS3, CHORUS4, |
|
|
|
FEEDBACK CHORUS, FLANGER, |
|
|
|
SHORT DELAY, SHORT DELAY(FB) |
|
00 01 | 0000 0aaa | Chorus Pre—LPF
(0 — 7) |
|
00 02 | 0aaa aaaa | Chorus Level
(0 — 127) |
|
00 03 | 0aaa aaaa | Chorus Feedback
(0 — 127) |
|
00 04 | 0aaa aaaa | Chorus Delay
(0 — 127) |
|
00 05 | 0aaa aaaa | Chorus Rate
(0 — 127) |
|
00 06 | 0aaa aaaa | Chorus Depth
(0 — 127) |
|
00 07 | 0aaa aaaa | Chorus Send Level to Reverb
(0 — 127) |
|—————————————+————————————————————————————————————————————————————————————————|
| 00 00 00 08 | Total Size
|
+——————————————————————————————————————————————————————————————————————————————+
* Rhythm Reverb
+——————————————————————————————————————————————————————————————————————————————+
| Offset
|
|
|
Address |
Description
|
|—————————————+————————————————————————————————————————————————————————————————|
|
00 00 | 0000 0aaa | Reverb Type
(0 — 7) |
|
|
|
ROOM1, ROOM2, ROOM3, |
|
|
|
HALL1, HALL2, PLATE, |
|
|
|
DELAY, PANNING DELAY |
|
00 01 | 0000 0aaa | Reverb Character
(0 — 7) |
|
00 02 | 0000 0aaa | Reverb Pre—LPF
(0 — 7) |
|
00 03 | 0aaa aaaa | Reverb Level
(0 — 127) |
|
00 04 | 0aaa aaaa | Reverb Time
(0 — 127) |
|
00 05 | 0aaa aaaa | Reverb Delay Feedback
(0 — 127) |
|—————————————+————————————————————————————————————————————————————————————————|
| 00 00 00 06 | Total Size
|
+——————————————————————————————————————————————————————————————————————————————+
* Rhythm Tone
+——————————————————————————————————————————————————————————————————————————————+
| Offset
|
|
|
Address |
Description
|
|—————————————+————————————————————————————————————————————————————————————————|
|
00 00 | 0aaa aaaa | Rhythm Tone Pitch
(0 — 127) |
|
|
|
—60 — +67 |
|
00 01 | 0aaa aaaa | Rhythm Tone Level
(0 — 127) |
|
00 02 | 0aaa aaaa | Rhythm Tone Pan
(0 — 127) |
|
|
|
RANDOM, L63 — 63R |
|
00 03 | 0aaa aaaa | Reverb Send Level
(0 — 127) |
|
00 04 | 0aaa aaaa | Chorus Send Level
(0 — 127) |
|—————————————+————————————————————————————————————————————————————————————————|
| 00 00 00 05 | Total Size
|
+——————————————————————————————————————————————————————————————————————————————+
19
* Arpeggio Setup
+——————————————————————————————————————————————————————————————————————————————+
| Offset
|
|
|
Address |
Description
|
|—————————————+————————————————————————————————————————————————————————————————|
|
00 00 | 0000 000a | Arpeggio Hold
(0 — 1) |
|
|
|
OFF, ON |
|
00 01 | 0000 000a | Arpeggio Style Group
(0 — 1) |
|
|
|
USER, PRESET |
|
00 02 | 0aaa aaaa | Arpeggio Style Number
(0 — 127) |
|
|
|
1 — 128 |
|
00 03 | 0aaa aaaa | Arpeggio Variation
(0 — 127) |
|
|
|
1 — 128 |
|
00 04 | 00aa aaaa | Arpeggio Motif
(0 — 9) |
|
|
|
UP, DOWN, UP&DOWN, RANDOM, |
|
|
|
NOTE—ORDER, GLISSANDO, CHORD, |
|
|
|
AUTO1, AUTO2, PHRASE |
|
00 05 | 0aaa aaaa | Arpeggio Accent Rate
(0 — 100) |
|
00 06 | 0aaa aaaa | Arpeggio Shuffle Rate
(0 — 100) |
|
00 07 | 0000 000a | Arpeggio Shuffle Resolution
(0 — 1) |
|
|
|
16TH, 8TH |
|
00 08 | 0aaa aaaa | Arpeggio Keyboard Velocity
(0 — 127) |
|
|
|
REAL, 1 — 127 |
|
00 09 | 0000 0aaa | Arpeggio Octave Range
(61 — 67) |
|
|
|
—3 — +3 |
|
00 0A | 0000 000a | Arpeggio Key Trigger
(0 — 1) |
|
|
|
OFF, ON |
|—————————————+————————————————————————————————————————————————————————————————|
| 00 00 00 0B | Total Size
|
+——————————————————————————————————————————————————————————————————————————————+
* Chord Pattern
+——————————————————————————————————————————————————————————————————————————————+
| Offset
|
|
|
Address |
Description
|
|—————————————+————————————————————————————————————————————————————————————————|
|
00 00 | 0aaa aaaa | Chord Pattern Assign 1
(20 — 108) |
|
|
|
OFF, A0 — C8 |
|
00 01 | 0aaa aaaa | Chord Pattern Assign 2
(20 — 108) |
|
|
|
OFF, A0 — C8 |
|
00 02 | 0aaa aaaa | Chord Pattern Assign 3
(20 — 108) |
|
|
|
OFF, A0 — C8 |
|
00 03 | 0aaa aaaa | Chord Pattern Assign 4
(20 — 108) |
|
|
|
OFF, A0 — C8 |
|
00 04 | 0aaa aaaa | Chord Pattern Assign 5
(20 — 108) |
|
|
|
OFF, A0 — C8 |
|
00 05 | 0aaa aaaa | Chord Pattern Assign 6
(20 — 108) |
|
|
|
OFF, A0 — C8 |
|
00 06 | 0aaa aaaa | Chord Pattern Assign 7
(20 — 108) |
|
|
|
OFF, A0 — C8 |
|
00 07 | 0aaa aaaa | Chord Pattern Assign 8
(20 — 108) |
|
|
|
OFF, A0 — C8 |
|—————————————+————————————————————————————————————————————————————————————————|
| 00 00 00 08 | Total Size
|
+——————————————————————————————————————————————————————————————————————————————+
20
Type 1: STEREO EQ
MFX Parameter
1
Low Freq
2
Low Gain
3
High Freq
4
High Gain
5
P1 Freq
Value
0-1
0 - 30
0-2
0 - 30
0 - 16
6
7
8
P1 Q
P1 Gain
P2 Freq
0-4
0 - 30
0 - 16
9
10
11
P2 Q
P2 Gain
Level
0-4
0 - 30
0 - 127
Type 2: OVERDRIVE
MFX Parameter
1
Drive
2
Pan
3
Amp Type
4
5
6
Low Gain
High Gain
Level
Type 3: DISTORTION
MFX Parameter
1
Drive
2
Pan
3
Amp Type
Value
0 - 127
0 - 127
0-3
0 - 30
0 - 30
0 - 127
Display
0 - 127
L64 - 63R
SMALL, BUILT-IN, 2-STACK, 3STACK
-15 - +15 [dB]
-15 - +15 [dB]
0 - 127
Low Gain
High Gain
Level
0 - 30
0 - 30
0 - 127
Display
0 - 127
L64 - 63R
SMALL, BUILT-IN, 2-STACK, 3STACK
-15 - +15 [dB]
-15 - +15 [dB]
0 - 127
Type 4: PHASER
MFX Parameter
1
Manual
2
Rate
3
Depth
4
Resonance
5
Mix
6
Pan
7
Level
Value
0 - 125
1 - 200
0 - 127
0 - 127
0 - 127
0 - 127
0 - 127
Display
100 - 8000 [Hz]
0.05 - 10.00 [Hz]
0 - 127
0 - 127
0 - 127
L64 - 63R
0 - 127
4
5
6
Value
0 - 127
0 - 127
0-3
Display
200, 400 [Hz]
-15 - +15 [dB]
2000, 4000, 8000 [Hz]
-15 - +15 [dB]
200, 250, 315, 400, 500, 630, 800, 1000,
1250, 1600, 2000, 2500, 3150, 4000, 5000,
6300, 8000 [Hz]
0.5, 1.0, 2.0, 4.0, 8.0
-15 - +15 [dB]
200, 250, 315, 400, 500, 630, 800, 1000,
1250, 1600, 2000, 2500, 3150, 4000, 5000,
6300, 8000 [Hz]
0.5, 1.0, 2.0, 4.0, 8.0
-15 - +15 [dB]
0 - 127
Type 5: SPECTRUM
MFX Parameter
1
Band1
2
Band2
3
Band3
4
Band4
5
Band5
6
Band6
7
Band7
8
Band8
9
Q
10
Pan
11
Level
Value
0 - 30
0 - 30
0 - 30
0 - 30
0 - 30
0 - 30
0 - 30
0 - 30
0-4
0 - 127
0 - 127
Display
-15 - +15 [dB]
-15 - +15 [dB]
-15 - +15 [dB]
-15 - +15 [dB]
-15 - +15 [dB]
-15 - +15 [dB]
-15 - +15 [dB]
-15 - +15 [dB]
0.5, 1.0, 2.0, 4.0, 8.0
L64 - 63R
0 - 127
Type 6: ENHANCER
MFX Parameter
1
Sens
2
Mix
3
Low Gain
4
High Gain
5
Level
Value
0 - 127
0 - 127
0 - 30
0 - 30
0 - 127
Display
0 - 127
0 - 127
-15 - +15 [dB]
-15 - +15 [dB]
0 - 127
Type 7: AUTO WAH
MFX Parameter
1
Filter Type
2
Rate
3
Depth
4
Sens
5
Manual
6
Peak
7
Level
Value
0-1
1 - 200
0 - 127
0 - 127
0 - 127
0 - 127
0 - 127
Display
LPF, BPF
0.05 - 10.00 [Hz]
0 - 127
0 - 127
0 - 127
0 - 127
0 - 127
Type 8: ROTARY
MFX Parameter
1
High Slow Rate
2
Low Slow Rate
3
High Fast Rate
4
Low Fast Rate
5
Speed
6
High Acceleration
7
Low Acceleration
8
High Level
9
Low Level
10
Separation
11
Level
Value
1 - 200
1 - 200
1 - 200
1 - 200
0-1
0 - 15
0 - 15
0 - 127
0 - 127
0 - 127
0 - 127
Display
0.05 - 10.00 [Hz]
0.05 - 10.00 [Hz]
0.05 - 10.00 [Hz]
0.05 - 10.00 [Hz]
SLOW, FAST
0 - 15
0 - 15
0 - 127
0 - 127
0 - 127
0 - 127
Type 9: COMPRESSOR
MFX Parameter
1
Sustain
2
Attack
3
Pan
4
Post Gain
5
Low Gain
6
High Gain
7
Level
Value
0 - 127
0 - 127
0 - 127
0-3
0 - 30
0 - 30
0 - 127
Display
0 - 127
0 - 127
L64 - 63R
0, +6, +12, +18 [dB]
-15 - +15 [dB]
-15 - +15 [dB]
0 - 127
Type 10: LIMITER
MFX Parameter
1
Threshold
2
Release
3
Ratio
4
Pan
5
Post Gain
6
Low Gain
7
High Gain
8
Level
Value
0 - 127
0 - 127
0-3
0 - 127
0-3
0 - 30
0 - 30
0 - 127
Display
0 - 127
0 - 127
1.5:1, 2:1, 4:1, 100:1
L64 - 63R
0, +6, +12, +18 [dB]
-15 - +15 [dB]
-15 - +15 [dB]
0 - 127
Type 11: HEXA-CHORUS
MFX Parameter
1
Pre Delay
2
Rate
3
Depth
4
Pre Delay Deviation
5
Depth Deviation
6
Pan Deviation
7
Balance
8
Level
Value
0 - 125
1 - 200
0 - 127
0 - 20
0 - 40
0 - 20
0 - 100
0 - 127
Display
0.0 - 100 [ms]
0.05 - 10.00 [Hz]
0 - 127
0 - 20
-20 - +20
0 - 20
D100:0W - D0:100W
0 - 127
Value
0 - 125
1 - 200
0 - 127
1 - 200
0 - 127
Display
0.0 - 100 [ms]
0.05 - 10.00 [Hz]
0 - 127
0.05 - 10.00 [Hz]
0 - 90
0 - 100
0 - 127
0 - 180 [deg]
D100:0W - D0:100W
0 - 127
Value
0 - 125
1 - 200
0 - 127
0 - 90
0 - 30
0 - 30
0 - 100
0 - 127
Display
0.0 - 100 [ms]
0.05 - 10.00 [Hz]
0 - 127
0 - 180 [deg]
-15 - +15 [dB]
-15 - +15 [dB]
D100:0W - D0:100W
0 - 127
Type 12: TREMOLO CHORUS
MFX Parameter
1
Pre Delay
2
Chorus Rate
3
Chorus Depth
4
Tremolo Rate
5
Tremolo Separation
0 - 127
6
Tremolo Phase
7
Balance
8
Level
Type 13: SPACE-D
MFX Parameter
1
Pre Delay
2
Rate
3
Depth
4
Phase
5
Low Gain
6
High Gain
7
Balance
8
Level
21
Type 14: STEREO CHORUS
MFX Parameter
1
Filter Type
2
Cutoff Freq
Value
0-2
0 - 16
3
4
5
6
7
8
9
10
0 - 125
1 - 200
0 - 127
0 - 90
0 - 30
0 - 30
0 - 100
0 - 127
Pre Delay
Rate
Depth
Phase
Low Gain
High Gain
Balance
Level
Type 15: STEREO FLANGER
MFX Parameter
1
Filter Type
2
Cutoff Freq
Pre Delay
Rate
Depth
Phase
Feedback
Low Gain
High Gain
Balance
Level
0 - 125
1 - 200
0 - 127
0 - 90
0 - 98
0 - 30
0 - 30
0 - 100
0 - 127
Display
OFF, LPF, HPF
200, 250, 315, 400, 500, 630, 800, 1000,
1250, 1600, 2000, 2500, 3150, 4000, 5000,
6300, 8000 [Hz]
0.0 - 100 [ms]
0.05 - 10.00 [Hz]
0 - 127
0 - 180 [deg]
-98 - +98 [%]
-15 - +15 [dB]
-15 - +15 [dB]
D100:0W - D0:100W
0 - 127
Type 16: STEP FLANGER
MFX Parameter
1
Pre Delay
2
Rate
3
Depth
4
Feedback
5
Step Rate
6
Phase
7
Balance
8
Reset
9
Level
Value
0 - 125
1 - 200
0 - 127
0 - 98
1 - 222
0 - 90
0 - 100
0-1
0 - 127
Display
0.0 - 100 [ms]
0.05 - 10.00 [Hz]
0 - 127
-98 - +98 [%]
0.1 - 20.00 [Hz] MUSICAL-NOTES
0 - 180 [deg]
D100:0W - D0:100W
OFF, ON
0 - 127
Type 17: STEREO DELAY
MFX Parameter
1
Feedback mode
2
Delay Left
3
Delay Right
4
Phase Left
5
Phase Right
6
Feedback
7
HF Damp
Value
0-1
0 - 430
0 - 430
0-1
0-1
0 - 98
0 - 17
Display
NORMAL, CROSS
0 - 420 [ms] MUSICAL-NOTES
0 - 420 [ms] MUSICAL-NOTES
NORMAL, INVERT
NORMAL, INVERT
-98 - +98 [%]
200, 250, 315, 400, 500, 630, 800, 1000,
1250, 1600, 2000, 2500, 3150, 4000, 5000,
6300, 8000, BYPASS [Hz]
-15 - +15 [dB]
-15 - +15 [dB]
D100:0W - D0:100W
0 - 127
3
4
5
6
7
8
9
10
11
8
9
10
11
Low Gain
High Gain
Balance
Level
Type 18: LONG DELAY
MFX Parameter
1
Delay
2
Feedback
3
HF Damp
4
5
6
7
Low Gain
High Gain
Balance
Level
Value
0-2
0 - 16
Display
OFF, LPF, HPF
200, 250, 315, 400, 500, 630, 800, 1000,
1250, 1600, 2000, 2500, 3150, 4000, 5000,
6300, 8000 [Hz]
0.0 - 100 [ms]
0.05 - 10.00 [Hz]
0 - 127
0 - 180 [deg]
-15 - +15 [dB]
-15 - +15 [dB]
D100:0W - D0:100W
0 - 127
0 - 30
0 - 30
0 - 100
0 - 127
Value
0 - 850
0 - 98
0 - 17
0 - 30
0 - 30
0 - 100
0 - 127
Display
0 - 840 [ms] MUSICAL-NOTES
-98 - +98 [%]
200, 250, 315, 400, 500, 630, 800, 1000,
1250, 1600, 2000, 2500, 3150, 4000, 5000,
6300, 8000, BYPASS [Hz]
-15 - +15 [dB]
-15 - +15 [dB]
D100:0W - D0:100W
0 - 127
Type 19: MODULATION DELAY
MFX Parameter
1
Feedback mode
2
Delay Left
3
Delay Right
4
Feedback
5
HF Damp
Value
0-1
0 - 370
0 - 370
0 - 98
0 - 17
6
7
8
9
10
11
12
1 - 200
0 - 127
0 - 90
0 - 30
0 - 30
0 - 100
0 - 127
Rate
Depth
Phase
Low Gain
High Gain
Balance
Level
Type 20: TRIPLE TAP DELAY
MFX Parameter
1
Delay Left
2
Delay Right
3
Delay Center
4
Feedback
5
HF Damp
Value
0 - 850
0 - 850
0 - 850
0 - 98
0 - 17
6
7
8
9
10
11
12
0 - 127
0 - 127
0 - 127
0 - 30
0 - 30
0 - 100
0 - 127
Left Level
Right Level
Center Level
Low Gain
High Gain
Balance
Level
Type 21: QUADRUPLE TAP DELAY
MFX Parameter
Value
1
Delay 1
0 - 850
2
Delay 2
0 - 850
3
Delay 3
0 - 850
4
Delay 4
0 - 850
5
Level 1
0 - 127
6
Level 2
0 - 127
7
Level 3
0 - 127
8
Level 4
0 - 127
9
Feedback
0 - 98
10
HF Damp
0 - 17
11
12
Balance
Level
0 - 100
0 - 127
Type 22: TIME CONTROL DELAY
MFX Parameter
Value
1
Delay
0 - 840
2
Feedback
0 - 98
3
Acceleration
0 - 15
4
HF Damp
0 - 17
5
6
7
8
9
Pan
Low Gain
High Gain
Balance
Level
0 - 127
0 - 30
0 - 30
0 - 100
0 - 127
Type 23: 2VOICE PITCH SHIFTER
MFX Parameter
Value
1
Mode
0-4
2
Coarse A
0 - 36
3
Coarse B
0 - 36
4
Fine A
0 - 100
5
Fine B
0 - 100
6
Pre Delay A
0 - 500
7
Pre Delay B
0 - 500
8
Pan A
0 - 127
9
Pan B
0 - 127
10
Level Balance
0 - 100
11
Balance
0 - 100
12
Level
0 - 127
Display
NORMAL, CROSS
0 - 370 [ms]
0 - 370 [ms]
-98 - +98 [%]
200, 250, 315, 400, 500, 630, 800, 1000,
1250, 1600, 2000, 2500, 3150, 4000, 5000,
6300, 8000, BYPASS [Hz]
0.05 - 10.00 [Hz]
0 - 127
0 - 180 [deg]
-15 - +15 [dB]
-15 - +15 [dB]
D100:0W - D0:100W
0 - 127
Display
0 - 840 [ms] MUSICAL-NOTES
0 - 840 [ms] MUSICAL-NOTES
0 - 840 [ms] MUSICAL-NOTES
-98 - +98 [%]
200, 250, 315, 400, 500, 630, 800, 1000,
1250, 1600, 2000, 2500, 3150, 4000, 5000,
6300, 8000, BYPASS [Hz]
0 - 127
0 - 127
0 - 127
-15 - +15 [dB]
-15 - +15 [dB]
D100:0W - D0:100W
0 - 127
Display
0 - 840 [ms] MUSICAL-NOTES
0 - 840 [ms] MUSICAL-NOTES
0 - 840 [ms] MUSICAL-NOTES
0 - 840 [ms] MUSICAL-NOTES
0 - 127
0 - 127
0 - 127
0 - 127
-98 - +98 [%]
200, 250, 315, 400, 500, 630, 800, 1000,
1250, 1600, 2000, 2500, 3150, 4000, 5000,
6300, 8000, BYPASS [Hz]
D100:0W - D0:100W
0 - 127
Display
0 - 840 [ms]
-98 - +98 [%]
0 - 15
200, 250, 315, 400, 500, 630, 800, 1000,
1250, 1600, 2000, 2500, 3150, 4000, 5000,
6300, 8000, BYPASS [Hz]
L64 - 63R
-15 - +15 [dB]
-15 - +15 [dB]
D100:0W - D0:100W
0 - 127
Display
1, 2, 3, 4, 5
-24 - +12 [semi]
-24 - +12 [semi]
-100 - +100 [cent]
-100 - +100 [cent]
0.0 - 500 [ms]
0.0 - 500 [ms]
L64 - 63R
L64 - 63R
A100:0B - A0:100B
D100:0W - D0:100W
0 - 127
22
Type 24: FBK PITCH SHIFTER
MFX Parameter
1
Mode
2
Coarse
3
Fine
4
Pre Delay
5
Feedback
6
Pan
7
Low Gain
8
High Gain
9
Balance
10
Level
Type 25: REVERB
MFX Parameter
1
Type
Value
0-4
0 - 36
0 - 100
0 - 500
0 - 98
0 - 127
0 - 30
0 - 30
0 - 100
0 - 127
Value
0-5
2
3
4
Pre Delay
Time
HF Damp
0 - 125
0 - 127
0 - 17
5
6
7
8
Low Gain
High Gain
Balance
Level
0 - 30
0 - 30
0 - 100
0 - 127
Type 26: GATED REVERB
MFX Parameter
1
Type
2
3
4
5
6
7
Pre Delay
Time
Low Gain
High Gain
Balance
Level
Value
0-3
0 - 125
0 - 99
0 - 30
0 - 30
0 - 100
0 - 127
Display
1, 2, 3, 4, 5
-24 - +12 [semi]
-100 - +100 [cent]
0.0 - 500 [ms]
-98 - +98 [%]
L64 - 63R
-15 - +15 [dB]
-15 - +15 [dB]
D100:0W - D0:100W
0 - 127
Display
ROOM1, ROOM2, STAGE1, STAGE2,
HALL1, HALL2
0.0 - 100 [ms]
0 - 127
200, 250, 315, 400, 500, 630, 800, 1000,
1250, 1600, 2000, 2500, 3150, 4000, 5000,
6300, 8000, BYPASS [Hz]
-15 - +15 [dB]
-15 - +15 [dB]
D100:0W - D0:100W
0 - 127
Display
NORMAL, REVERSE, SWEEP1,
SWEEP2
0.0 - 100 [ms]
5 - 500 [ms]
-15 - +15 [dB]
-15 - +15 [dB]
D100:0W - D0:100W
0 - 127
Type 27: OVERDRIVE->CHORUS
MFX Parameter
Value
1
OD Drive
0 - 127
2
OD Pan
0 - 127
3
Chorus Pre Delay
0 - 125
4
Chorus Rate
1 - 200
5
Chorus Depth
0 - 127
6
Chorus Balance
0 - 100
7
Level
0 - 127
Display
0 - 127
L64 - 63R
0.0 - 100 [ms]
0.05 - 10.00 [Hz]
0 - 127
D100:0W - D0:100W
0 - 127
Type 28: OVERDRIVE->FLANGER
MFX Parameter
Value
1
OD Drive
0 - 127
2
OD Pan
0 - 127
3
FLNG Pre Delay
0 - 125
4
FLNG Rate
1 - 200
5
FLNG Depth
0 - 127
6
FLNG Feedback
0 - 98
7
FLNG Balance
0 - 100
8
Level
0 - 127
Display
0 - 127
L64 - 63R
0.0 - 100 [ms]
0.05 - 10.00 [Hz]
0 - 127
-98 - +98 [%]
D100:0W - D0:100W
0 - 127
Type 29: OVERDRIVE->DELAY
MFX Parameter
1
OD Drive
2
OD Pan
3
Delay Time
4
Delay Feedback
5
Delay HF Damp
6
7
Delay Balance
Level
Value
0 - 127
0 - 127
0 - 500
0 - 98
0 - 17
0 - 100
0 - 127
Display
0 - 127
L64 - 63R
0 - 500 [ms]
-98 - +98 [%]
200, 250, 315, 400, 500, 630, 800, 1000,
1250, 1600, 2000, 2500, 3150, 4000, 5000,
6300, 8000, BYPASS [Hz]
D100:0W - D0:100W
0 - 127
Type 30: DISTORTION->CHORUS
MFX Parameter
Value
1
DIST Drive
0 - 127
2
DIST Pan
0 - 127
3
Chorus Pre Delay
0 - 125
4
Chorus Rate
1 - 200
5
Chorus Depth
0 - 127
6
Chorus Balance
0 - 100
7
Level
0 - 127
Display
0 - 127
L64 - 63R
0.0 - 100 [ms]
0.05 - 10.00 [Hz]
0 - 127
D100:0W - D0:100W
0 - 127
Type 31: DISTORTION->FLANGER
MFX Parameter
Value
1
DIST Drive
0 - 127
2
DIST Pan
0 - 127
3
FLNG Pre Delay
0 - 125
4
FLNG Rate
1 - 200
5
FLNG Depth
0 - 127
6
FLNG Feedback
0 - 98
7
FLNG Balance
0 - 100
8
Level
0 - 127
Display
0 - 127
L64 - 63R
0.0 - 100 [ms]
0.05 - 10.00 [Hz]
0 - 127
-98 - +98 [%]
D100:0W - D0:100W
0 - 127
Type 32: DISTORTION->DELAY
MFX Parameter
1
DIST Drive
2
DIST Pan
3
Delay Time
4
Delay Feedback
5
Delay HF Damp
6
7
Delay Balance
Level
Value
0 - 127
0 - 127
0 - 500
0 - 98
0 - 17
0 - 100
0 - 127
Display
0 - 127
L64 - 63R
0 - 500 [ms]
-98 - +98 [%]
200, 250, 315, 400, 500, 630, 800, 1000,
1250, 1600, 2000, 2500, 3150, 4000, 5000,
6300, 8000, BYPASS [Hz]
D100:0W - D0:100W
0 - 127
Type 33: ENHANCER->CHORUS
MFX Parameter
Value
1
Enhancer Sens
0 - 127
2
Enhancer Mix
0 - 127
3
Chorus Pre Delay
0 - 125
4
Chorus Rate
1 - 200
5
Chorus Depth
0 - 127
6
Chorus Balance
0 - 100
7
Level
0 - 127
Display
0 - 127
0 - 127
0.0 - 100 [ms]
0.05 - 10.00 [Hz]
0 - 127
D100:0W - D0:100W
0 - 127
Type 34: ENHANCER->FLANGER
MFX Parameter
Value
1
Enhancer Sens
0 - 127
2
Enhancer Mix
0 - 127
3
FLNG Pre Delay
0 - 125
4
FLNG Rate
1 - 200
5
FLNG Depth
0 - 127
6
FLNG Feedback
0 - 98
7
FLNG Balance
0 - 100
8
Level
0 - 127
Display
0 - 127
0 - 127
0.0 - 100 [ms]
0.05 - 10.00 [Hz]
0 - 127
-98 - +98 [%]
D100:0W - D0:100W
0 - 127
Type 35: ENHANCER->DELAY
MFX Parameter
1
Enhancer Sens
2
Enhancer Mix
3
Delay Time
4
Delay Feedback
5
Delay HF Damp
6
7
Delay Balance
Level
Value
0 - 127
0 - 127
0 - 500
0 - 98
0 - 17
0 - 100
0 - 127
Display
0 - 127
0 - 127
0 - 500 [ms]
-98 - +98 [%]
200, 250, 315, 400, 500, 630, 800, 1000,
1250, 1600, 2000, 2500, 3150, 4000, 5000,
6300, 8000, BYPASS [Hz]
D100:0W - D0:100W
0 - 127
23
Type 36: CHORUS->DELAY
MFX Parameter
1
Chorus Pre Delay
2
Chorus Rate
3
Chorus Depth
4
Chorus Balance
5
Delay Time
6
Delay Feedback
7
Delay HF Damp
8
9
Value
0 - 125
1 - 200
0 - 127
0 - 100
0 - 500
0 - 98
0 - 17
Display
0.0 - 100 [ms]
0.05 - 10.00 [Hz]
0 - 127
D100:0W - D0:100W
0 - 500 [ms]
-98 - +98 [%]
200, 250, 315, 400, 500, 630, 800, 1000,
1250, 1600, 2000, 2500, 3150, 4000, 5000,
6300, 8000, BYPASS [Hz]
D100:0W - D0:100W
0 - 127
Delay Balance
Level
0 - 100
0 - 127
Type 37: FLANGER->DELAY
MFX Parameter
1
FLNG Pre Delay
2
FLNG Rate
3
FLNG Depth
4
FLNG Feedback
5
FLNG Balance
6
Delay Time
7
Delay Feedback
8
Delay HF Damp
Value
0 - 125
1 - 200
0 - 127
0 - 98
0 - 100
0 - 500
0 - 98
0 - 17
9
10
0 - 100
0 - 127
Display
0.0 - 100 [ms]
0.05 - 10.00 [Hz]
0 - 127
-98 - +98 [%]
D100:0W - D0:100W
0 - 500 [ms]
-98 - +98 [%]
200, 250, 315, 400, 500, 630, 800, 1000,
1250, 1600, 2000, 2500, 3150, 4000, 5000,
6300, 8000, BYPASS [Hz]
D100:0W - D0:100W
0 - 127
Type 38: CHORUS->FLANGER
MFX Parameter
1
Chorus Pre Delay
2
Chorus Rate
3
Chorus Depth
4
Chorus Balance
5
FLNG Pre Delay
6
FLNG Rate
7
FLNG Depth
8
FLNG Feedback
9
FLNG Balance
10
Level
Value
0 - 125
1 - 200
0 - 127
0 - 100
0 - 125
1 - 200
0 - 127
0 - 98
0 - 100
0 - 127
Display
0.0 - 100 [ms]
0.05 - 10.00 [Hz]
0 - 127
D100:0W - D0:100W
0.0 - 100 [ms]
0.05 - 10.00 [Hz]
0 - 127
-98 - +98 [%]
D100:0W - D0:100W
0 - 127
Type 39: CHORUS/DELAY
MFX Parameter
1
Chorus Pre Delay
2
Chorus Rate
3
Chorus Depth
4
Chorus Balance
5
Delay Time
6
Delay Feedback
7
Delay HF Damp
Value
0 - 125
1 - 200
0 - 127
0 - 100
0 - 500
0 - 98
0 - 17
Display
0.0 - 100 [ms]
0.05 - 10.00 [Hz]
0 - 127
D100:0W - D0:100W
0 - 500 [ms]
-98 - +98 [%]
200, 250, 315, 400, 500, 630, 800, 1000,
1250, 1600, 2000, 2500, 3150, 4000, 5000,
6300, 8000, BYPASS [Hz]
D100:0W - D0:100W
0 - 127
8
9
Delay Balance
Level
Delay Balance
Level
0 - 100
0 - 127
Type 40: FLANGER/DELAY
MFX Parameter
1
FLNG Pre Delay
2
FLNG Rate
3
FLNG Depth
4
FLNG Feedback
5
FLNG Balance
6
Delay Time
7
Delay Feedback
8
Delay HF Damp
Value
0 - 125
1 - 200
0 - 127
0 - 98
0 - 100
0 - 500
0 - 98
0 - 17
9
10
0 - 100
0 - 127
Delay Balance
Level
Display
0.0 - 100 [ms]
0.05 - 10.00 [Hz]
0 - 127
-98 - +98 [%]
D100:0W - D0:100W
0 - 500 [ms]
-98 - +98 [%]
200, 250, 315, 400, 500, 630, 800, 1000,
1250, 1600, 2000, 2500, 3150, 4000, 5000,
6300, 8000, BYPASS [Hz]
D100:0W - D0:100W
0 - 127
Type 41: CHORUS/FLANGER
MFX Parameter
1
Chorus Pre Delay
2
Chorus Rate
3
Chorus Depth
4
Chorus Balance
5
FLNG Pre Delay
6
FLNG Rate
7
FLNG Depth
8
FLNG Feedback
9
FLNG Balance
10
Level
Value
0 - 125
1 - 200
0 - 127
0 - 100
0 - 125
1 - 200
0 - 127
0 - 98
0 - 100
0 - 127
Display
0.0 - 100 [ms]
0.05 - 10.00 [Hz]
0 - 127
D100:0W - D0:100W
0.0 - 100 [ms]
0.05 - 10.00 [Hz]
0 - 127
-98 - +98 [%]
D100:0W - D0:100W
0 - 127
Type 42: LOFI
MFX Parameter
1
BitDown
2
SRateDown
3
Post Gain
4
Low Gain
5
High Gain
6
Output
7
Level
Value
0 - 11
0-7
0-3
0 - 30
0 - 30
0-1
0 - 127
Display
0 - 11
0-7
0, +6, +12, +18 [dB]
-15 - +15 [dB]
-15 - +15 [dB]
MONO, STEREO
0 - 127
Type 43: SLICER
MFX Parameter
1
TimingPtn
2
AccentPtn
3
AccentLvl
4
Attack
5
Rate
6
Reset
7
Level
Value
0 - 33
0 - 15
0 - 127
0 - 127
1 - 222
0-1
0 - 127
Display
1 - 34
1 - 16
0 - 127
0 - 127
0.05 - 10.00 [Hz] MUSICAL-NOTES
OFF, ON
0 - 127
Type 44: TREMOLO
MFX Parameter
1
ModWave
2
Rate
3
Depth
4
Reset
5
Low Gain
6
High Gain
7
Level
Value
0-4
1 - 222
0 - 127
0-1
0 - 30
0 - 30
0 - 127
Display
TRI, SQR, SIN, SAW1, SAW2
0.05 - 10.00 [Hz] MUSICAL-NOTES
0 - 127
OFF, ON
-15 - +15 [dB]
-15 - +15 [dB]
0 - 127
Type 45: AUTOPAN
MFX Parameter
1
ModWave
2
Rate
3
Depth
4
Reset
5
Low Gain
6
High Gain
7
Level
Value
0-4
1 - 222
0 - 127
0-1
0 - 30
0 - 30
0 - 127
Display
TRI, SQR, SIN, SAW1, SAW2
0.05 - 10.00 [Hz] MUSICAL-NOTES
0 - 127
OFF, ON
-15 - +15 [dB]
-15 - +15 [dB]
0 - 127
Type 46: TUMBLING DELAY
MFX Parameter
1
Type
Value
0-5
2
3
4
Pre Delay
Delay Time
HF Damp
0 - 500
0 - 345
0 - 17
5
6
7
Feedback
Balance
Level
0 - 98
0 - 100
0 - 127
Display
TYPE1, TYPE2, TYPE3, TYPE4,
TYPE5, TYPE6
0 - 500 [ms]
0 - 345 [ms]
200, 250, 315, 400, 500, 630, 800, 1000,
1250, 1600, 2000, 2500, 3150, 4000, 5000,
6300, 8000, BYPASS [Hz]
-98 - +98 [%]
D100:0W - D0:100W
0 - 127
Value
0-4
1 - 222
0 - 127
0 - 430
0 - 430
0 - 98
0-1
0 - 127
Display
TRI, SQR, SIN, SAW1, SAW2
0.05 - 10.00 [Hz] MUSICAL-NOTES
0 - 127
0 - 420 [ms] MUSICAL-NOTES
0 - 420 [ms] MUSICAL-NOTES
-98 - +98 [%]
OFF, ON
0 - 127
Type 47: FEEDBACK RIPPER
MFX Parameter
1
ModWave
2
Rate
3
Depth
4
Delay Left
5
Delay Right
6
Delay Feedback
7
Reset
8
Level
24
6. Supplementary material
■ Examples of Actual MIDI Messages
<Example1> 92 3E 5F
■ Decimal and Hexadecimal Table
(An “H” is appended to the end of numbers in hexadecimal notation.)
In MIDI documentation, data values and addresses/sizes of Exclusive messages, etc. are
expressed as hexadecimal values for each 7 bits.
The following table shows how these correspond to decimal numbers.
+——————+——————++——————+——————++——————+——————++——————+——————+
| D
| H
|| D
| H
|| D
| H
|| D
| H
|
+——————+——————++——————+——————++——————+——————++——————+——————+
|
0 | 00H ||
32 | 20H ||
64 | 40H ||
96 | 60H |
|
1 | 01H ||
33 | 21H ||
65 | 41H ||
97 | 61H |
|
2 | 02H ||
34 | 22H ||
66 | 42H ||
98 | 62H |
|
3 | 03H ||
35 | 23H ||
67 | 43H ||
99 | 63H |
|
4 | 04H ||
36 | 24H ||
68 | 44H || 100 | 64H |
|
5 | 05H ||
37 | 25H ||
69 | 45H || 101 | 65H |
|
6 | 06H ||
38 | 26H ||
70 | 46H || 102 | 66H |
|
7 | 07H ||
39 | 27H ||
71 | 47H || 103 | 67H |
|
8 | 08H ||
40 | 28H ||
72 | 48H || 104 | 68H |
|
9 | 09H ||
41 | 29H ||
73 | 49H || 105 | 69H |
|
10 | 0AH ||
42 | 2AH ||
74 | 4AH || 106 | 6AH |
|
11 | 0BH ||
43 | 2BH ||
75 | 4BH || 107 | 6BH |
|
12 | 0CH ||
44 | 2CH ||
76 | 4CH || 108 | 6CH |
|
13 | 0DH ||
45 | 2DH ||
77 | 4DH || 109 | 6DH |
|
14 | 0EH ||
46 | 2EH ||
78 | 4EH || 110 | 6EH |
|
15 | 0FH ||
47 | 2FH ||
79 | 4FH || 111 | 6FH |
|
16 | 10H ||
48 | 30H ||
80 | 50H || 112 | 70H |
|
17 | 11H ||
49 | 31H ||
81 | 51H || 113 | 71H |
|
18 | 12H ||
50 | 32H ||
82 | 52H || 114 | 72H |
|
19 | 13H ||
51 | 33H ||
83 | 53H || 115 | 73H |
|
20 | 14H ||
52 | 34H ||
84 | 54H || 116 | 74H |
|
21 | 15H ||
53 | 35H ||
85 | 55H || 117 | 75H |
|
22 | 16H ||
54 | 36H ||
86 | 56H || 118 | 76H |
|
23 | 17H ||
55 | 37H ||
87 | 57H || 119 | 77H |
|
24 | 18H ||
56 | 38H ||
88 | 58H || 120 | 78H |
|
25 | 19H ||
57 | 39H ||
89 | 59H || 121 | 79H |
|
26 | 1AH ||
58 | 3AH ||
90 | 5AH || 122 | 7AH |
|
27 | 1BH ||
59 | 3BH ||
91 | 5BH || 123 | 7BH |
|
28 | 1CH ||
60 | 3CH ||
92 | 5CH || 124 | 7CH |
|
29 | 1DH ||
61 | 3DH ||
93 | 5DH || 125 | 7DH |
|
30 | 1EH ||
62 | 3EH ||
94 | 5EH || 126 | 7EH |
|
31 | 1FH ||
63 | 3FH ||
95 | 5FH || 127 | 7FH |
+——————+——————++——————+——————++——————+——————++——————+——————+
D: decimal
H: hexadecimal
*
*
*
*
Decimal values such as MIDI channel, bank select, and program change are listed as one
greater than the values given in the above table.
A 7-bit byte can express data in the range of 128 steps. For data where greater precision
is required, we must use two or more bytes. For example, two hexadecimal numbers aa
bbH expressing two 7-bit bytes would indicate a value of aa x 128+bb.
In the case of values which have a +/- sign, 00H = -64, 40H = +/-0, and 7FH = +63, so
that the decimal expression would be 64 less than the value given in the above chart. In
the case of two types, 00 00H = -8192, 40 00H = +/-0, and 7F 7FH = +8191. For example, if
aa bbH were expressed as decimal, this would be aa bbH - 40 00H = aa x 128+bb - 64 x
128.
Data marked “Use nibbled data” is expressed in hexadecimal in 4-bit units. A value
expressed as a 2-byte nibble 0a 0bH has the value of a x 16+b.
<Example1> What is the decimal expression of 5AH?
From the preceding table, 5AH = 90
<Example2> What is the decimal expression of the value 12 34H given as
hexadecimal for each 7 bits?
From the preceding table, since 12H = 18 and 34H = 52
18 x 128+52 = 2356
9n is the Note-on status, and n is the MIDI channel number. Since 2H = 2, 3EH = 62, and
5FH = 95, this is a Note-on message with MIDI CH = 3, note number 62 (note name is D4),
and velocity 95.
<Example2> CE 49
CnH is the Program Change status, and n is the MIDI channel number. Since EH = 14 and
49H = 73, this is a Program Change message with MIDI CH = 15, program number 74.
<Example3> EA 00 28
EnH is the Pitch Bend Change status, and n is the MIDI channel number. The 2nd byte (00H
= 0) is the LSB and the 3rd byte (28H = 40) is the MSB, but Pitch Bend Value is a signed
number in which 40 00H (= 64 x 12+80 = 8192) is 0, so this Pitch Bend Value is
28 00H - 40 00H = 40 x 12+80 - (64 x 12+80) = 5120 - 8192 = -3072
If the Pitch Bend Sensitivity is set to 2 semitones, -8192 (00 00H) will cause the pitch to
change -200 cents, so in this case -200 x (-3072) ÷ (-8192) = -75 cents of Pitch Bend is being
applied to MIDI channel 11.
<Example4> B3 64 00 65 00 06 0C 26 00 64 7F 65 7F
BnH is the Control Change status, and n is the MIDI channel number. For Control Changes,
the 2nd byte is the control number, and the 3rd byte is the value. In a case in which two or
more messages consecutive messages have the same status, MIDI has a provision called
“running status” which allows the status byte of the second and following messages to be
omitted. Thus, the above messages have the following meaning.
B3 64 00 MIDI ch.4, lower byte of RPN parameter number: 00H
(B3) 65 00 (MIDI ch.4) upper byte of RPN parameter number: 00H
(B3) 06 0C (MIDI ch.4) upper byte of parameter value:
0CH
(B3) 26 00 (MIDI ch.4) lower byte of parameter value:
00H
(B3) 64 7F (MIDI ch.4) lower byte of RPN parameter number: 7FH
(B3) 65 7F (MIDI ch.4) upper byte of RPN parameter number: 7FH
In other words, the above messages specify a value of 0C 00H for RPN parameter number
00 00H on MIDI channel 4, and then set the RPN parameter number to 7F 7FH.
RPN parameter number 00 00H is Pitch Bend Sensitivity, and the MSB of the value indicates
semitone units, so a value of 0CH = 12 sets the maximum pitch bend range to +/-12
semitones (1 octave). (On GS sound generators the LSB of Pitch Bend Sensitivity is ignored,
but the LSB should be transmitted anyway (with a value of 0) so that operation will be
correct on any device.)
Once the parameter number has been specified for RPN or NRPN, all Data Entry messages
transmitted on that same channel will be valid, so after the desired value has been
transmitted, it is a good idea to set the parameter number to 7F 7FH to prevent accidents.
This is the reason for the (B3) 64 7F (B3) 65 7F at the end.
It is not desirable for Pattern(Performance) data (such as Standard MIDI File data) to
contain many events with running status as given in <Example 4>. This is because if
playback is halted during the song and then rewound or fast-forwarded, the sequencer may
not be able to transmit the correct status, and the sound generator will then misinterpret the
data. Take care to give each event its own status.
It is also necessary that the RPN or NRPN parameter number setting and the value setting
be done in the proper order. On some sequencers, events occurring in the same (or
consecutive) clock may be transmitted in an order different than the order in which they
were received. For this reason it is a good idea to slightly skew the time of each event (about
1 tick for TPQN = 96, and about 5 ticks for TPQN = 480).
*
TPQN: Ticks Per Quarter Note
<Example3> What is the decimal expression of the nibbled value 0A 03
09 0D?
From the preceding table, since 0AH = 10, 03H = 3, 09H = 9, 0DH = 13
((10 x 16+3) x 16+9) x 16+13 = 41885
<Example4> What is the nibbled expression of the decimal value 1258?
16 ) 1258
16 ) 78 ...10
16 )
4 ...14
0 ... 4
Since from the preceding table, 0 = 00H, 4 = 04H, 14 = 0EH, 10 = 0AH, the result is: 00 04 0E
0AH.
25
■ Example of an Exclusive Message and
Calculating a Checksum
Example Settings
Note name Equal Temperament
C
0
C#
0
D
0
Eb
0
E
0
F
0
F#
0
G
0
G#
0
A
0
Bb
0
B
0
Roland Exclusive messages (RQ1, DT1) are transmitted with a checksum at the end (before
F7) to make sure that the message was correctly received. The value of the checksum is
determined by the address and data (or size) of the transmitted Exclusive message.
● How to calculate the checksum
(hexadecimal numbers are indicated by “H”)
The checksum is a value derived by adding the address, size, and checksum itself and
inverting the lower 7 bits.
Here’s an example of how the checksum is calculated. We will assume that in the Exclusive
message we are transmitting, the address is aa bb cc ddH and the data or size is ee ffH.
aa + bb + cc + dd + ee + ff = sum
sum ÷ 128 = quotient ... remainder
128 - remainder = checksum
<Example>
Setting
Just Temperament (Key-tone C)
0
-8
+4
+16
-14
-2
-10
+2
+14
-16
+14
-12
Arabian Scale
6
+45
-2
-12
-51
-8
+43
-4
+47
0
-10
-49
The values in the table are given in cents. Convert these values to hexadecimal, and transmit
them as Exclusive data.
For example, to set the tune (C-B) of the Part 1 Arabian Scale, send the following data:
CHORUS
TYPE
of
PATTERN(PERFORMANCE)
F0 41 10 42 12 40 11 40 3A 6D 3E 34 0D 38 6B 3C 6F 40 36 0F 76 F7
COMMON to SHORT DELAY (DT1)
According to the “Parameter Address Map” (p. 10), the
Pattern(Performance) is 10 00 00 00H, the offset
PATTERN(PERFORMANCE) COMMON is 04 00H, and the
00 00H. Therefore the address of CHORUS TYPE of
COMMON is;
start address of Temporary
address of CHORUS at
address of CHORUS TYPE is
PATTERN(PERFORMANCE)
To store the SYSTEM data, send the following message:
F0 41 10 00 64 11 7F 00 10 00 5A 00 7F 7F 19 F7
■ ASCII Code Table
SHORT DELAY has the value of 06H.
So the system exclusive message should be sent is;
41
(2)
This message requests the other device to store data into the internal memory.
To store the USER data, send the following message:
F0 41 10 00 64 11 7F 00 10 00 7F 00 7F 7F 74 F7
10 00 00 00H
04 00H
+)
00 00H
10 00 04 00H
F0
(1)
■ Data Store Message
10
(3)
00 64
(4)
12
(5)
10 00 04 00
address
06
data
Patch Name and Pattern(Performance) Name, etc., of MIDI data are described the ASCII
code in the table below.
??
checksum
F7
(6)
(1) Exclusive Status (2) ID (Roland) (3) Device ID (17)
(4) Model ID (RS-70/RS-50) (5) Command ID (DT1) (6) End of Exclusive
Then calculate the checksum.
10H + 00H + 04H + 00H + 02H = 16 + 0 + 4 + 0 + 6 = 26 (sum)
26 (sum) ÷ 128 = 0 (quotient) ... 26 (remainder)
checksum = 128 - 26 (remainder) = 102 = 66H
This means that F0 41 10 00 64 12 10 00 04 00 06 66 F7 is the message should be sent.
■The Scale Tune Feature (address: 40 1x 40)
The scale Tune feature allows you to finely adjust the individual pitch of the notes from C
through B. Though the settings are made while working with one octave, the fine
adjustments will affect all octaves. By making the appropriate Scale Tune settings, you can
obtain a complete variety of tuning methods other than equal temperament. As examples,
three possible types of scale setting are explained below.
❍Equal Temperament
This method of tuning divides the octave into 12 equal parts. It is currently the most widely
used form of tuning, especially in occidental music. On the RS-70/RS-50, the default
settings for the Scale Tune feature produce equal temperament.
❍Just Temperament (Tonic of C)
The principal triads resound much more beautifully than with equal temperament, but this
benefit can only be obtained in one key. If transposed, the chords tend to become
ambiguous. The example given involves settings for a key in which C is the keynote.
+——————+——————+——————++——————+——————+——————++——————+——————+——————+
| D
| H
| Char || D
| H
| Char || D
| H
| Char |
+——————+——————+——————++——————+——————+——————++——————+——————+——————+
|
32 | 20H | SP ||
64 | 40H |
@ ||
96 | 60H |
` |
|
33 | 21H |
! ||
65 | 41H |
A ||
97 | 61H |
a |
|
34 | 22H |
“ ||
66 | 42H |
B ||
98 | 62H |
b |
|
35 | 23H |
# ||
67 | 43H |
C ||
99 | 63H |
c |
|
36 | 24H |
$ ||
68 | 44H |
D || 100 | 64H |
d |
|
37 | 25H |
% ||
69 | 45H |
E || 101 | 65H |
e |
|
38 | 26H |
& ||
70 | 46H |
F || 102 | 66H |
f |
|
39 | 27H |
` ||
71 | 47H |
G || 103 | 67H |
g |
|
40 | 28H |
( ||
72 | 48H |
H || 104 | 68H |
h |
|
41 | 29H |
) ||
73 | 49H |
I || 105 | 69H |
i |
|
42 | 2AH |
* ||
74 | 4AH |
J || 106 | 6AH |
j |
|
43 | 2BH |
+ ||
75 | 4BH |
K || 107 | 6BH |
k |
|
44 | 2CH |
, ||
76 | 4CH |
L || 108 | 6CH |
l |
|
45 | 2DH |
— ||
77 | 4DH |
M || 109 | 6DH |
m |
|
46 | 2EH |
. ||
78 | 4EH |
N || 110 | 6EH |
n |
|
47 | 2FH |
/ ||
79 | 4FH |
O || 111 | 6FH |
o |
|
48 | 30H |
0 ||
80 | 50H |
P || 112 | 70H |
p |
|
49 | 31H |
1 ||
81 | 51H |
Q || 113 | 71H |
q |
|
50 | 32H |
2 ||
82 | 52H |
R || 114 | 72H |
r |
|
51 | 33H |
3 ||
83 | 53H |
S || 115 | 73H |
s |
|
52 | 34H |
4 ||
84 | 54H |
T || 116 | 74H |
t |
|
53 | 35H |
5 ||
85 | 55H |
U || 117 | 75H |
u |
|
54 | 36H |
6 ||
86 | 56H |
V || 118 | 76H |
v |
|
55 | 37H |
7 ||
87 | 57H |
W || 119 | 77H |
w |
|
56 | 38H |
8 ||
88 | 58H |
X || 120 | 78H |
x |
|
57 | 39H |
9 ||
89 | 59H |
Y || 121 | 79H |
y |
|
58 | 3AH |
: ||
90 | 5AH |
Z || 122 | 7AH |
z |
|
59 | 3BH |
; ||
91 | 5BH |
[ || 123 | 7BH |
{ |
|
60 | 3CH |
< ||
92 | 5CH |
\ || 124 | 7CH |
| |
|
61 | 3DH |
= ||
93 | 5DH |
] || 125 | 7DH |
} |
|
62 | 3EH |
> ||
94 | 5EH |
^ ||——————+——————+——————+
|
63 | 3FH |
? ||
95 | 5FH |
_ |
+——————+——————+——————++——————+——————+——————+
D: decimal
H: hexadecimal
*
“SP” is space.
❍Arabian Scale
By altering the setting for Scale Tune, you can obtain a variety of other tunings suited for
ethnic music. For example, the settings introduced below will set the unit to use the Arabian
Scale.
26