Additional Functions
This document provides descriptions and explanations only for the following
features added in Version 2.
Please read this while also referring to the “VG-88 Owner’s Manual.”
■ Additional Algorithms
New algorithms have been added to the COSM guitar, COSM amp, and effects (Modulation,
Wah).
● COSM Guitar
With the addition of “Sitar,” “Wave Synth,” and “Nylon II,” which produces an even more
realistic nylon guitar tone, the VG-88 now features 22 different COSM guitar types in all.
● COSM Amp
The addition of 18 new amp algorithms now means you have a total of 32 amp types to
choose from.
● Modulation
Addition of “Defretter” and “Uni-V” brings the total number of modulation algorithms to
12.
● Wah
5 types of “COSM Wah,” modeling vintage wah and other wah sounds, have been added to
the “Pedal Wah,” so now you can choose from 6 different pedal wah sounds.
■ Additional Functions
● GK Connection Detect
A new function, which automatically detects whether or not a GK instrument is connected,
and further, provides for the switching of the internal settings, has been added. Even when
the instrument is only connected to GUITAR INPUT, you can use all the functions except
COSM GUITAR (including the COSM AMP, effects, tuner, and other features).
● Bulk Load in Play page
It is possible to receive the bulk dump data in Play page.
Copyright © 2002 ROLAND CORPORATION
All rights reserved. No part of this publication may be reproduced in any form without the written
permission of ROLAND CORPORATION.
Chapter 5. Parameter Guide
COSM GUITAR
SITAR
TYPE
These settings adjust the sitar's characteristic buzzing sound
and tone.
Selects the COSM guitar type.
NYLONII (nylon string guitar II)
This is a newly developed nylon string guitar sound
included with Version 2.
The parameters for this algorithm differ from those used in
“NYLON STRINGS.”
(PAGE2)
NYLON2
(PAGE3)
EQ (p. 45)
PAN (p. 45)
MIXER (p. 45)
PAN (p. 45)
MIXER (p. 45)
* The reference pages can be found in the “VG-88 Owner‘s Manual.”
WAVE SYNTH
This is a synth sound that processes the string signal direct
from the GK pickup.
PAN (p. 45)
MIXER (p. 45)
NYLONII
ATTACK [0–100]
Specifies the strength of the attack when you pluck the string
strongly. As this setting is increased, the attack will be
sharper, and the sound will be crisper.
BODY [0–100]
This adjusts the body resonance. The body resonance is
boosted as the setting's value is increased.
* The body resonance is monophonic. This means that if this
Body parameter is set to 100, the panning of each string will
have less effect.
TONE [-50–+50]
Adjust the tone. Positive (+) values will boost the high range.
2
PIEZO:
BODY [0–100]
This adjusts the body resonance. The body resonance is
boosted as the setting’s value is increased.
* The body resonance is monophonic. This means that if this
Body parameter is set to 100, the panning of each string will
have less effect.
SENS (sensitivity) [0–100]
Adjusts the input sensitivity.
TONE [-50–+50]
* The reference pages can be found in the “VG-88 Owner‘s Manual.”
Adjust the volume.
Use the rear pickup.
Use the Piezo pickup.
This simulates the sitar's characteristic buzzing sound and its
changes in timbre.
LEVEL [0–100]
Use the front pickup.
F+R:
Use both front and rear pickups.
SITAR
(PAGE2)
WAVE
(PAGE3)
EQ (p. 45)
FRONT:
REAR:
* The reference pages can be found in the “VG-88 Owner‘s Manual.”
(PAGE2)
SITAR
(PAGE3)
EQ (p. 45)
PICKUP
This is the switch that selects pickups.
Adjusts the tone of the pickup. Positive (+) values will boost
the high range.
LEVEL [0–100]
Sets the volume of the pickup.
COLOR [0–100]
Adjusts the overall tone quality of the sitar.
DECAY [0–100]
Adjusts the time it takes following the attack for the tone to
change.
BUZZ [0–100]
This adjusts the amount of characteristic buzz produced by
the “buzz bridge” when the strings make contact with it.
ATK LEV (attack level) [0–100]
Adjusts the volume level of the attack.
COSM GUITAR
WAVE SYNTH
These settings determine the waveform and volume of the
synth sound, adjust filters, and affect other aspects of the
sound.
SHAPE
Chapter 5. Parameter Guide
F.DECAY (filter decay) [0–100]
Adjusts the time for the modulation of the filtering from
F.ATTACK and F.DEPTH to stabilize.
F.DEPTH (filter depth) [-50–+50]
This adjusts the depth of the filter. When the value is higher,
the filter will change more drastically. The polarity of the
filter will be opposite with “+” and “-.”
Selects the wave type on which the synth sound is based.
SAW:
Creates a synth sound with a sawtooth waveform.
SQUARE:
Creates a synth sound with a square waveform.
SENS (sensitivity) [0–100]
This controls the input sensitivity of the wave synth.
ATTACK [0–100]
Adjusts the time it takes for the synth sound to rise after a
string is plucked. When it is set to a lower value, the sound
will rise quickly. When it is set higher, the sound will rise
slowly.
DECAY [0–100]
Adjusts the time it takes for the synth sound to decay.
The synth sound decays more quickly when this parameter is
set to a lower value. Setting a higher value increases the
decay time.
LEVEL [0–100]
Adjusts the volume of the synth sound.
CUTOFF [0–100]
This adjusts the frequency at which the filter cuts off the
sound’s harmonic components (the cutoff frequency).
This parameter determines the sound that will result after the
filter has stopped varying due to F.DEPTH.
RESO (resonance) [0–100]
This sets the degree of resonance (distinctiveness) of the
sound. A higher value results in a sound that is more unique
and extraordinary.
F.TYPE (filter type) [-12 dB, -24 dB]
Selects the level of attenuation in the filter. The -24 dB setting
has very steep filtering characteristics.
F.ATTACK (filter attack) [0–100]
Sets the TVF attack time.
3
Chapter 5. Parameter Guide
COSM GUITAR
COSM AMP
* The trademarks listed in this document are trademarks of their respective owners, which are separate companies from Roland.
Those companies are not affiliated with Roland and have not licensed or authorized Roland’s VG-88. Their marks are used solely to
identify the equipment whose sound is simulated by Roland’s VG-88.
TYPE
The amp types indicated with a “★” are those added in
Version 2.
JC-120:
The sound of the Roland “JC-120” (Jazz Chorus 120), a
favorite of pro musicians around the world.
★ JAZZ COMBO:
This is a sound suited to jazz.
CLEAN TWIN:
This models a Fender Twin Reverb.
★ PRO CRUNCH:
This models a Fender Pro Reverb.
★ TWEED:
This models a Fender Bassman Combo.
CRUNCH:
Allows you to obtain a crunch effect that creates a
natural distortion.
★ STACK CRUNCH:
This is a crunch sound with high gain.
MATCH DRIVE:
This models the sound input to left input on a Matchless
D/C-30.
★ MATCH LEAD:
This models the sound input to right input on a
Matchless D/C-30.
★ FAT MATCH:
This models the sound of a MATCHLESS with a
modified high gain.
★ VO CLEAN:
This models the clean sound of a VOX AC-30TB.
VO DRIVE:
This models the drive sound of a VOX AC-30TB.
★ VO LEAD:
This models the lead sound of the VOX AC-30TB.
BLUES:
A lead sound with a rich middle ideal for Blues.
★ BG RHYTHM:
This models the rhythm channel of a MESA/Boogie.
★ BG DRIVE:
This models a MESA/Boogie with TREBLE SHIFT SW
on.
BG LEAD:
This models the lead sound of the MESA/Boogie combo
amp.
MS1959(I):
This models the sound input to Input I on a Marshall
1959.
MS1959(II):
This models the sound input to Input II on a Marshall
1959.
MS1959(I+II):
This models the sound of a Marshall 1959 with Inputs I
and II connected in parallel.
★ MS HI-GAIN:
This models the sound of a Marshall with a modified
midrange boost.
★ R-FIER RED:
This models the lead channel of a MESA/Boogie Dual
Rectifier.
★ R-FIER ORANGE:
This models the rhythm channel of a MESA/Boogie
Dual Rectifier.
★ R-FIER VINT:
This models a MESA/Boogie Rectifier with VINTAGE
SW on.
SLDN LEAD:
This models a Soldano SLO-100.
★ DRIVE STACK:
This is a drive sound with high gain.
★ LEAD STACK:
This is a lead sound with high gain.
METAL 5150:
This models the lead channel of a Peavey EVH 5150.
METAL DRIVE:
A high gain and powerful metal sound.
★ METAL STACK:
This is a drive sound suited to metal.
★ METAL LEAD:
This is a lead sound suited to metal.
AC.GUITAR:
This is a preamp for electric-acoustic guitars.
PRESENCE
* This appears only when anything other than
"MATCH DRIVE," "MATCH LEAD," "FAT MATCH,"
"VO DRIVE," "VO LEAD," or "VO CLEAN" is selected for
the COSM GUITAR TYPE setting.
HIGH CUT
* This appears only when "MATCH DRIVE,"
"MATCH LEAD," "FAT MATCH," "VO DRIVE,"
"VO LEAD," or "VO CLEAN" is selected for the COSM
GUITAR TYPE setting.
4
Chapter 5. Parameter Guide
COSM GUITAR
SPEAKER
The speaker types indicated with a “★” are those added in
Version 2.
fig.ver2-01
SP Simulator
Type
SMALL
MIDDLE
JC-120
TWIN ON
TWIN OFF
PRO RVB
TWEED
MATCH ON
MATCH OFF
VO ON
VO OFF
BG STACK ON
BG STACK OFF
MS STACK ON
MS STACK OFF
R-FIER
METAL STACK
ACOUSTIC
Cabinet
Speaker
Unit
Microphone
Setting
Small open-back enclosure
10 inch
On Mic
Open-back enclosure
12 inch
On Mic
Comments
Open-back enclosure 12 inch (two units)
On Mic
Roland JC-120 Simulation
Open-back enclosure 12 inch (two units)
On Mic
A setting suitable for CLEAN TWIN
Open-back enclosure 12 inch (two units)
Off Mic
A setting suitable for CLEAN TWIN
Open-back enclosure
On Mic
A setting suitable for PRO CRUNCH
Open-back enclosure 10 inch (four units)
On Mic
A setting suitable for TWEED
Open-back enclosure 12 inch (two units)
On Mic
A setting suitable for MATCH DRIVE
Open-back enclosure 12 inch (two units)
Off Mic
A setting suitable for MATCH DRIVE
Open-back enclosure 12 inch (two units)
On Mic
A setting suitable for VO DRIVE
Open-back enclosure 12 inch (two units)
Off Mic
A setting suitable for VO DRIVE
Large Sealed enclosure 12 inch (two units)
OnMic
A setting suitable for BG Lead
Large sealed enclosure 12 inch (two units)
Off Mic
A setting suitable for BG Lead
Large sealed enclosure 12 inch (four units)
On Mic
A setting suitable for MS1959
Large sealed enclosure 12 inch (four units)
Off Mic
A setting suitable for MS1959
Large dual stack
12 inch (four units)
Off Mic
A setting suitable for R-FIER
Large dual stack
12 inch (four units)
Off Mic
–
–
–
12 inch
FLAT
5
Chapter 5. Parameter Guide
COSM GUITAR
EFFECTS
WAH
5types od “COSM wah” have been added, you can now
select from 6 different types of pedal wah.
● When “PEDAL WAH” is selected as
the type
MODEL
This selects the pedal wah model.
ORIGINAL:
This is the original VG-88 pedal wah sound.
CRY WAH:
This models the sound of the CRY BABY wah pedal
popular in the ’70s.
VO WAH:
MOD (modulation)
TYPE
DEFRETTER:
This effect allows you to use a conventional guitar to
simulate a fretless guitar.
UNI-V:
Although this resembles a phaser effect, it also provides
a unique undulation that you can’t get with a regular
phaser.
● When “DEFRETTER” is selected as
the type
SENS (sensitivity) [0–100]
This controls the input sensitivity of the defretter.
This models the sound of the VOX V846.
FAT WAH:
This a wah sound featuring a bold tone.
LIGHT WAH:
This wah has a refined sound with no unusual
characteristics.
7STR WAH:
Wah featuring a broader range of variations for the
seven-string guitar. This is very effective when used in
combination with the COSM GUITAR pitch shift.
ATTACK [0–100]
Adjusts the attack of the picking sound.
DEPTH [0–100]
This controls the ratio of the harmonics.
RESO (resonance) [0–100]
This sets the degree of resonance (distinctiveness) of the
sound. A higher value results in a sound that is more unique
and extraordinary.
TONE [-50–+50]
Adjusts the amount of blurring between the notes.
E.LEVEL (effect level) [0–100]
Adjusts the volume of the defretter sound.
D.LEVEL (direct level) [0–100]
Adjusts the volume of the direct sound.
● When “UNI-V” is selected as the type
RATE [0–100, BPM –BPM ]
Adjusts the rate of the Uni-V effect.
DEPTH [0–100]
Adjusts the depth of the Uni-V effect.
LEVEL [0–100]
Adjusts the volume of the Uni-V effect.
6
Chapter 6. Changing the system settings
GK pickup settings
■ Setting the Automatic GK
Connection Detect Function
Version 2 includes a function that automatically
distinguishes whether or not a GK instrument is connected,
while allowing you to switch the internal settings, thus
enabling you to use all the functions except COSM GUITAR
(including the COSM AMP, effects, tuner, and other
features), even if the instrument is only connected to
GUITAR INPUT.
* You should normally use this with the AUTO setting (the
default value).
If this function does not work properly, such as when using a
pickup other than the GK-2A, use the following steps to
change the setting.
1. Make sure you’re in Play page.
If you’re not in Play page, press [EXIT] several times.
2. Press [F6] (SYSTEM).
3. Press [F1] (DRIVER).
4. Press [PAGE
] to access page 4.
fig.ver2-02
5. Rotate [VALUE] to set the value.
AUTO:
The GK connection is determined
automatically, and switching of the internal
settings is enabled.
ON:
The settings used for the GK connection
remain in effect at all times.
OFF:
The settings used for the GUITAR INPUT
connection remain in effect at all times.
6. Press [EXIT] several times to return to the Play page.
7
Chapter 7. Using MIDI
Transmitting/receiving all sound data
■ Receiving settings from an
external device (BULK LOAD)
Version 2 allows to receive the bulk dump data in Play page.
1. Make sure you're in Play page.
If you’re not in Play page, press [EXIT] several times.
2. Transmit the bulk data from the external MIDI device.
Every time one patch is received on Version 2, the
display shows this patch.
* Please use the data dumped from the VG-88 for transmitting
the data.
8
PEDAL/ASSIGN Parameter List
COSM GUITAR
NYLONII
ATTACK
BODY
TONE
LEVEL
SITAR
PICKUP
BODY
SENS
TONE
LEVEL
COLOR
DECAY
BUZZ
ATK LEV
WAVE (WAVE SYNTH)
SHAPE
SENS
ATTACK
DECAY
LEVEL
CUTOFF
RESO
F.ATTACK
F.DECAY
F.DEPTH
EFFECTS
FX:DEFRET (DEFRETTER)
SENS
ATTACK
DEPTH
RESO
TONE
E.LEVEL
D.LEVEL
FX:UNI-V (UNI-V)
RATE
DEPTH
LEVEL
9
VG-88
Version 2
PATCH LIST
The new patches indicated with a “★” are those installed in Version 2.
No.
Name
No.
Name
No.
Name
USER
1-1
V-GUITAR
USER
11-1
FatMETAL
USER
21-1
FAT 1959
USER
1-2
AcGt12st
USER
11-2
Ac PIEZO
USER
21-2
TELE DRV
USER
1-3
TEXS ST
USER
11-3
f HOLE
USER
21-3
SPACSTRT
USER
1-4
NYLON II
★
USER
11-4
RICK 12
USER
21-4
OCT SFX
USER
2-1
WAH DRV
★
USER
12-1
DropD -2
USER
22-1
’80s BG
USER
2-2
SITAR
★
USER
12-2
DETUNE12
USER
22-2
FAT BG
USER
2-3
FRETLESS
★
USER
12-3
JAZZBOX
USER
22-3
TL+BODY
USER
2-4
ECHO PAD
USER
12-4
BOWED
USER
22-4
SYN LD 2
USER
3-1
PKdNYLON
USER
13-1
WAH TL
USER
23-1
’70s LED
USER
3-2
12st+EGt
USER
13-2
ALL E
USER
23-2
TexsLead
USER
3-3
VIOLIN
USER
13-3
JAZZ TL
USER
23-3
DarkJAZZ
USER
3-4
ORGAN
USER
13-4
DRV BASS
USER
23-4
Bell Mix
USER
4-1
BG DRV
USER
14-1
MetalWah
USER
24-1
WAH LEAD
USER
4-2
AcGt+BS
USER
14-2
NASH Gt
USER
24-2
FuzzLead
USER
4-3
Raga
★
USER
14-3
BODY 12
USER
24-3
CLEAN 12
USER
4-4
SYN LEAD
★
USER
14-4
STEP SFX
USER
24-4
BASS AMP
USER
5-1
Heavy!
★
USER
15-1
WAH +7
USER
25-1
AngleWAH
USER
5-2
Chord ▼
★
USER
15-2
BANJO
USER
25-2
HARDROCK
USER
5-3
-1OCT ST
USER
15-3
PD SHIFT
USER
25-3
’60sECHO
USER
5-4
BASS DRV
USER
15-4
SlowEcho
USER
25-4
BAMBOO
USER
6-1
RTHM→ LD
USER
16-1
MTL SOLO
USER
6-2
CAPO -4
USER
16-2
CAPO 7
USER
6-3
MTL SLD
USER
16-3
TL TWIN
USER
6-4
PAN SFX
USER
16-4
OCTAVE24
USER
7-1
WoodStoc
★
USER
17-1
CoolLead
USER
7-2
Anlg SYN
★
USER
17-2
MINI AMP
USER
7-3
TELE MOD
USER
17-3
OPEN E
17-4
SMOOTH
★
★
★
★
USER
7-4
Em9
USER
USER
8-1
LP WAH
USER
18-1
FatBlues
USER
8-2
12ST AG
USER
18-2
DRV←→CLN
USER
8-3
WAVE w
USER
18-3
STRATCru
USER
8-4
ROTARY
USER
18-4
12st OCT
USER
9-1
CHOWAH
★
USER
19-1
OctMetal
USER
9-2
FLAMENCO
★
USER
19-2
LIP MTL
USER
9-3
BIG METL
★
USER
19-3
R&R
USER
19-4
BRASS+Gt
USER
20-1
LP DRIVE
USER
20-2
SMOKER
USER
20-3
BG CRUNC
USER
20-4
SLOW ATK
USER
9-4
FAT BASS
USER
10-1
METAL ST
USER
10-2
StudioAG
USER
10-3
CrunchTL
USER
10-4
ARPEGGIO
10
★
★
★
★
★
No.
Name
No.
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
26-1
26-2
26-3
26-4
27-1
27-2
27-3
27-4
28-1
28-2
28-3
28-4
29-1
29-2
29-3
29-4
30-1
V-GUITAR
AcGt12st
TEXS ST
NYLON II
WAH DRV
SITAR
FRETLESS
ECHO PAD
PKdNYLON
12st+EGt
VIOLIN
ORGAN
BG DRV
AcGt+BS
Raga
SYN LEAD
-1OCT ST
PRESET
PRESET
30-2
30-3
MTL SLD
TELE MOD
★
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
30-4
31-1
31-2
31-3
31-4
32-1
32-2
32-3
32-4
33-1
33-2
33-3
33-4
34-1
34-2
34-3
34-4
35-1
35-2
WAVE w
JAZZ TL
BODY 12
PD SHIFT
TL TWIN
SPACSTRT
TL+BODY
DarkJAZZ
CLEAN 12
JC CLEAN
HARMO 12
American
’60s BOX
335CUTIN
COOLJAZZ
E SITAR
ST LINE
SlowGEAR
EchoJAZZ
★
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
35-3
35-4
36-1
36-2
36-3
36-4
37-1
37-2
37-3
37-4
38-1
38-2
38-3
38-4
39-1
39-2
39-3
39-4
MatchWa
CLEAN ST
CH JAZZ
MildJazz
R+F CUT
TwCHORUS
LP FRONT
BRT HALF
MILD TL
TELE BRT
CLN-LEAD
COMP JC
RICK CLN
TweedWah
BIG METL
CrunchTL
f HOLE
JAZZBOX
★
★
★
★
★
★
★
★
★
★
★
★
★
★
Name
No.
40-1
40-2
40-3
40-4
41-1
41-2
41-3
41-4
42-1
42-2
42-3
42-4
43-1
43-2
43-3
43-4
44-1
44-2
44-3
44-4
45-1
45-2
45-3
45-4
46-1
46-2
46-3
46-4
47-1
47-2
47-3
47-4
48-1
48-2
48-3
48-4
49-1
49-2
49-3
OPEN E
STRATCru
R&R
BG CRUNC
’60sECHO
PHASE LP
CRY TELE
HALF DRV
’60s R&R
ST STACK
NATURAL
BLUES MS
SmallAmp
TELE TW
WahCRUNC
EC LEAD
Heavy!
RTHM→ LD
WoodStoc
LP WAH
CHOWAH
METAL ST
FatMETAL
DropD -2
WAH TL
MetalWah
WAH +7
MTL SOLO
CoolLead
FatBlues
OctMetal
LP DRIVE
FAT 1959
’80s BG
’70s LED
WAH LEAD
AngleWAH
’70s MS
BOOGIE
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
54-1
54-2
54-3
54-4
55-1
55-2
55-3
TIGHT MT
CH DRIVE
BEAT DRV
PEDAL+12
Chord ▼
CAPO -4
Anlg SYN
49-4
50-1
50-2
50-3
50-4
51-1
51-2
51-3
51-4
52-1
52-2
52-3
52-4
53-1
53-2
53-3
53-4
BLUES
MINI AMP
DRV←→CLN
LIP MTL
SMOKER
TELE DRV
FAT BG
TexsLead
FuzzLead
HARDROCK
DROP D
REVERSE
JB LEAD
OCT DIST
PAF LEAD
POLYDIST
FUZZ BOX
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
PRESET
55-4
56-1
56-2
56-3
56-4
57-1
57-2
57-3
57-4
58-1
58-2
58-3
58-4
59-1
59-2
59-3
59-4
60-1
60-2
60-3
60-4
61-1
61-2
61-3
61-4
62-1
62-2
62-3
62-4
63-1
63-2
63-3
63-4
64-1
64-2
64-3
64-4
65-1
65-2
12ST AG
FLAMENCO
StudioAG
Ac PIEZO
DETUNE12
ALL E
NASH Gt
BANJO
CAPO 7
BASS DRV
PAN SFX
Em9
ROTARY
FAT BASS
ARPEGGIO
RICK 12
BOWED
DRV BASS
STEP SFX
SlowEcho
OCTAVE24
SMOOTH
12st OCT
BRASS+Gt
SLOW ATK
OCT SFX
SYN LD 2
Bell Mix
BASS AMP
BAMBOO
12st 5th
CRYSTAL
RezoBASS
SPACE DS
MildHorn
NoizLoop
PWM LEAD
SoftLead
DrvSYNTH
PRESET
PRESET
65-3
65-4
GONG
VIRUS
★
★
★
★
Name
★
★
★
★
★
★
11
03129367
’02-10-E1-11TP