Professional
Camcorder
Family
XDCAM™ Handy Camcorders
NXCAM™ Camcorders
Accessories
*4K: 3840×2160pix
Connect this product to HDR (HLG) compatible TV via HDMI cable and turn to HDR (HLG) mode by
TV when displaying HDR (HLG) movie.
XDCAM™ Full Line-up
PXW-FS7M2/PXW-FS7M2K
PXW-FS7
PXW-FS5/FS5K
Camera Section
Imaging Device (Type)
Exmor Super35 CMOS
Exmor Super35 CMOS
Exmor Super35 CMOS
Effective Picture Elements (Video)
Approx. 8.3M (16:9)
Approx. 8.4M (17:9)
Approx. 8.3M (16:9)
Approx. 8.4M (17:9)
Approx. 8.3M (16:9)
Approx. 8.4M (17:9)
Built-in Optical Filters
Clear, 1/4, 1/16, 1/64, Variable (1/4 to 1/128)
Clear, 1/4, 1/16, 1/64
Clear, 1/4, 1/16, 1/64, Variable (1/4 to 1/128)
Slow & Quick Motion Function
Yes
Slow Motion
XAVC-I mode 1920x1080: 1 to 180 frames (59.94p, 29.97p,
23.98p), 1 to 150 frames (50p, 25p)
XAVC-I mode 1920x1080: 1 to 180 frames (59.94p, 29.97p,
23.98p), 1 to 150 frames (50p, 25p)
[60i] Frame rate selectable 120, 240, 480, 960 fps
[50i] Frame rate selectable 100, 200, 400, 800 fps
Gain
-3, 0, 3, 6, 9, 12, 18 dB, AGC
-3, 0, 3, 6, 9, 12, 18 dB, AGC
0, 3, 6, 9, 12, 15, 18, 24, 27, 30 dB, AGC
Gamma Curve
Minimum Illumination
Selectable
0.7 lx (+18dB, 23.98P, Shutter OFF, ND Clear, F1.4)
0.7 lx (+18 dB, 23.98p, Shutter OFF, ND Clear, F1.4)
0.16 lux [60i] (IRIS F1.4, GAIN Auto, Shutter Speed 1/24)
0.18 lux [50i] (IRIS F1.4, GAIN Auto, Shutter Speed 1/25)
1.28 lux [60i] (IRIS F4.0, GAIN Auto, Shutter Speed 1/24)
1.40 lux [50i] (IRIS F4.0, GAIN Auto, Shutter Speed 1/25)
Lens
Lens Mount
E MOUNT
Zoom Ratio
Focal Length
Iris
Filter Diameter
Input/Output
Audio Input
XLR-type 3-pin (female) (x2)
HDMI Output
SDI Output
Type A (x1)
BNC (x2), switchable with 3G-SDI/HD-SDI
BNC (x2), switchable with 3G-SDI/HD-SDI
Composite Output
No
Integrated into Multi/Micro USB jack (x1)
GENLOCK-IN
Option
Audio Output
No
TC In/Out
BNC type (x1), SD/HD/3G (Level-B) selectable
No
Integrated into Multi/Micro USB jack (x1)
Option
Remote
No
Stereo mini-mini jack (ø2.5 mm) (x1)
MI Shoe
Yes
Headphone Output
Stereo mini jack (x1)
i.LINK* Interface
No
Wired LAN
No
LAN Terminal 100BASE-TX/10BASE-T
Monitoring / Built-in Microphone & LED
Viewfinder / LCD
3.5 inch type
3.5 inch type
Built-in Microphone
Omni-directional monaural electret condenser microphone
Omni-directional electret condenser microphone
Built-in LED Light
0.39 inch type, 3.5 inch type
Omni-directional stereo electret condenser microphone
No
Media
Internal Memory/Type
XQD Card slot (x2), SD Card slot (x1) for saving configuration
data
XQD card slot (x2), SD card slot (x1) for saving configuration
data
Approx. 3 hrs with BP-U90 battery (while recording XAVC-I
QFHD 59.94p, SELP28135G Lens, Viewfinder ON, not using
external device)
Approx. 3 hrs with BP-U90 battery
(while recording XAVC-I QFHD 59.94p, SELP28135G Lens,
Viewfinder ON, not using external device)
Memory Stick Pro Duo™ and SD/SDHC/SDXC compatible
(x1), SD/SDHC/SDXC (x1)
General
Battery-type
Battery Operating Time
BP-U
Wireless functions
Wi-Fi remote control
NFC
Streaming/FTP/Wi-Fi remote control and monitoring
Yes
GPS
2
Approx.280 min. [60i], Approx 285 min. [50i] with BP-U90
battery (While recording with LCD On, EVF Off when the
external device connector is not used.)
Yes
Weight
Approx 4 lb 6.5 oz (Approx. 2.0 kg) (body only)
Approx 4 lb 6.5 oz (Approx. 2.0 kg) (body only)
Approx. 1lb 13.2 oz (Approx. 830 g) (Body only)
Dimension (W × H × D)
Approx. 6 3/8 × 9 3/4 × 9 3/4 inches
(Approx. 158.9 x 245.2 x 247 mm) (body without protrusions)
Approx. 6 1/4 × 9 1/2 × 9 3/4 inches
(Approx. 156 × 239 × 247 mm)
(body without protrusions)
Approx. 4 1/2 × 5 1/8 × 6 7/8 inches
(Approx. 111.3 × 128.7 × 172.4 mm)
(Body only including the projecting parts)
PMW-300K1
PXW-X200
PXW-X180/X160
Camera Section
Imaging Device (Type)
3-chip 1/2 type Exmor® CMOS
3-chip 1/3 type Exmor CMOS
Effective Picture Elements
(Video)
1920 (H) x 1080 (V)
Built-in Optical Filters
Clear, 1/4, 1/16, 1/64
Clear, 1/8, 1/64
Clear, 1/4, 1/16, 1/64, Variable (1/4-1/128)
Slow & Quick Motion Function
Yes
Yes
Yes
Slow Motion
No
No
No
Gain
-3, 0, 3, 6, 9, 12, 18 dB, AGC
-3, 0, 3, 6, 9, 12, 18 dB, AGC
Gamma Curve
Minimum Illumination
-3, 0, 3, 6, 9, 12, 15, 18 dB, AGC
Selectable
0.12 lx (typical) (1920 x 1080/59.94i mode, F1.9, +18 dB gain,
with 64-frame accumulation, Gamma off, 100% video level)
0.02 lx (typical) (1920 x 1080/59.94i mode, F1.9, +18 dB gain,
with 64-frame accumulation, Gamma on, 50% video level)
0.09 lx (typical, 1920 x 1080/59.94i)
0.07 lx (typical, 1920 x 1080/50i) (F1.9, +18 dB gain,
with 64-frame accumulation, Gamma off, 100% video level)
0.02 lx (typical, 1920 x 1080/59.94i)
0.02 lx (typical, 1920 x 1080/50i) (F1.9, +18 dB gain,
with 64-frame accumulation, Gamma on, 50% video level)
0.12lx (typical) (1920 x 1080/59.94i mode, F1.6, +18 dB gain,
with 16 frame accumulation, Gamma off, 100% video level)
0.02lx (typical) (1920 x 1080/59.94i mode, F1.6, +18 dB gain,
with 16 frame accumulation, Gamma on, 50% video level)
Lens
Lens Mount
EX MOUNT
Zoom Ratio
K1: 14x (optical), servo/manual
K2: 16x (optical), servo/manual
17x (optical), servo/manual
25x (optical), servo/manual
Focal Length
K1: f = 5.8 - 81.2 mm equivalent to 31.4 - 439 mm on 35 mm lens
K2: f = 5.8 - 93 mm equivalent to 31.4 - 503 mm lens
f = 5.6 - 95.2 mm equivalent to 29.3 - 499 mm lens
f = 3.7 - 92.5 mm equivalent to 26 - 650 mm on 35 mm lens
Iris
Filter Diameter
Fixed
F1.9 - F16 and Close auto/manual selectable
K1: M77 mm K2: M82 mm
F1.6 - F11 and C (close)
M77 mm
M82 mm
Input/Output
Audio Input
XLR-type 3-pin (female) (x2)
HDMI Output
Type A (x1)
SDI Output
BNC (x2), HD/SD selectable
Composite Output
BNC (x1)
GENLOCK-IN
BNC (x1)
Audio Output
Phono jack (CH-1,CH-2)
BNC (x1), 3G/HD/SD selectable
BNC (x1), 3G/HD/SD selectable
BNC (x1) (Switchable to Genlock In)
BNC (x1) (Switchable to Composite Output)
A/V multi connector (x1)
TC In/Out
Stereo mini jack ø3.5 mm (x1)
BNC (x1)
Remote
8-pin
MI Shoe
No
Headphone Output
Stereo mini jack (x1)
i.LINK* Interface
IEEE 1394, 4-pin (x1), HDV (HDV 1080i) input/output, DV input/
output, S400
8-pin, round (x1)
Stereo mini mini jack ø2.5 mm (x1)
Yes
Stereo mini jack (x1)
IEEE 1394, 4-pin (x1), HDV (HDV 1080i) input/output,
DV output, S400
Wired LAN
No
No
Monitoring / Built-in Microphone & LED
Viewfinder / LCD
3.5 type color LCD: Approx. 1.56M dots, 16:9
Built-in Microphone
3.5 type color LCD monitor: Approx. 1.56M dots, 16:9
0.45 type color LCD: 0.40M dots, 16:9
0.5 type color OLED: 2.36M dots
3.5 type color LCD monitor: 16:9, 1.56M dots
Omni-directional stereo electret condenser microphone
Built-in LED Light
No
Media
ExpressCard/34 slot (x2)
ExpressCard/34 slot (x2)
SD/SDHC (x1) forProxy
Battery Operating Time
Approx. 216 min. with BP-U90 battery
(while recording, with viewfinder, I/O Select Off)
Approx. 270 min. with BP-U90 battery
(while recording with LCD Off, EVF On, I/O Select Off and
Wireless function Off)
Approx. 240 min. with BP-U90 battery
(While recording with LCD Off, EVF On when the external device
connector is not used.)
Wireless Functions
No
QoS Streaming/Streaming/FTP/Wi-Fi remote control and
monitoring
X180: QoS Streaming/Streaming/FTP/Wi-Fi remote control and
monitoring X160: No
NFC
No
Yes
X180 : Yes X160 : No
GPS
No
Yes
X180 : Yes X160 : No
Weight
Approx 4 lb 14 oz (Approx. 2.2 kg) (body only)
Approx. 5 lb 4.7 oz (Approx. 2.4 kg) (body only)
Approx. 5lb 15.2 oz (Approx. 2.7 kg) (body only)
Dimension (W × H × D)
K1: Approx. 10 7/8 × 9 1/2 × 15 1/8 inches (Approx. 275 × 239 × 384
mm) (with lens, lens hood, viewfinder. without protrusions)
K2: Approx. 11 × 9 1/2 × 16 3/4 inches (Approx. 279 × 239 × 424 mm)
(with lens, lens mount adaptor, lens hood, viewfinder. without
protrusions)
Approx. 6 5/8 × 6 3/8 × 13 1/8 inches
(Approx. 168 × 161 × 331 mm) (without protrusions)
Approx. 7 5/8 × 8 × 16 1/4 inches
(Approx. 191.5 × 201.5 × 412 mm) (without protrusions)
Internal Memory/Type
ExpressCard/34 slot (x2) (for XAVC/MPEG2/AVCHD/DV)
SD/SDHC (x1) (for Proxy)* SD/SDHC (x1) (for Utility)
General
Battery-type
BP-U
3
PXW-Z150
PXW-Z90
PXW-X70
Camera Section
Imaging Device (Type)
1.0-type Exmor RS CMOS
1.0-type Exmor RS CMOS
1.0-type Exmor R CMOS
Effective Picture Elements (Video)
Approx. 14.2M (16:9)
Approx.14.2M (16:9)
Approx. 14.2M (16:9)
Built-in Optical Filters
Clear, 1/4, 1/16, 1/64
Clear, 1/4, 1/16, 1/64
Clear, 1/4, 1/16, 1/64
Slow & Quick Motion Function
Yes
Slow Motion
[60i]: XAVC HD: 120 fps [50i]: XAVC HD: 100 fps
[60i]1080p: Frame rate selectable 240,480,960fps
[50i]:1080p: Frame rate selectable 250,500,1000fps
Gain
-3, 0, 3, 6, 9, 12,15, 18, 21, B6, 27, 30, 33 dB, AGC
-3, 0, 3, 6, 9, 12,15, 18, 21, 24, 27, 30, 33 dB, AGC
Gamma Curve
Minimum Illumination
No
-3, 0, 3, 6, 9, 12,15, 18, 21, 24, 27, 30, 33 dB, AGC
Selectable
1.7 lux (LOW LUX mode)
1.7 lux (LOW LUX mode)
1.7 lux (LOW LUX mode)
Zoom Ratio
12x (optical), servo
[HD] 24x Clear image zoom,
[4K] 18x Clear image zoom
12x (optical), servo
[HD] 24x Clear image zoom,
[4K] 18x Clear image zoom
12x (optical), servo
[HD] 24x Clear image zoom,
[4K] 18x Clear image zoom (with CBKZ-X70FX)
Focal Length
f = 9.3 - 111.6 mm equivalent to f = 29.0 - 348.0 mm on 35 mm
lens (16:9)
f=9.3 - 111.6 mm equivalent to f=29.0 - 348.0 mm on 35 mm
lens (16:9)
f=9.3 - 111.6 mm equivalent to f=29.0 - 348.0 mm on 35 mm
lens (16:9)
Iris
F2.8 - F4.5 auto/manual selectable
F2.8 - F4.5 auto/manual selectable
F2.8 - F4.5 auto/manual selectable
Filter Diameter
M62 mm
M62 mm
M62 mm
Lens
Lens Mount
FIXED
Input/Output
Audio Input
XLR-type 3-pin (female) (x2)
XLR-type 3-pin (female) (x2)
HDMI Output
SDI Output
BNC (x1), 3G/HD/SD SMPTE ST 424/ST 292-1/ST 259 standards
Composite Output
Integrated into Multi/Micro USB jack (×1), Composite 1.0Vp-p, 75Ω
BNC (x1), 3G/HD/SD selectable
No
GENLOCK-IN
Audio Output
Integrated into Multi/Micro USB jack
Integrated into Multi/Micro USB jack
No
Stereo mini mini jack ø2.5mm (x1)
Integrated into Multi/Micro USB jack, Stereo mini-mini jack
(ø2.5mm)
MI Shoe
Integrated into Multi/Micro USB jack
Yes
Headphone Output
Stereo mini jack (x1)
i.LINK* Interface
Wired LAN
BNC (x1), 3G/HD/SD selectable
Integrated into Multi/Micro USB jack (×1), Composite 1.0Vp-p, 75Ω
No
Integrated into Multi/Micro USB jack (x1), RCA pin (Monaural)
(x1)
TC In/Out
Remote
XLR-type 3-pin (female) (x2)
Type A (x1)
No
Use with VMC-UAM2 and CBK-NA1. Both sold separately.
Use with VMC-UAM2 and CBK-NA1. Both sold separately.
Use with VMC-UAM2 and CBK-NA1. Both sold separately.
0.39 type OLED: Approx. 2.36M dots
3.5 type: Approx. 1.56M dots.
0.39 type OLED: Approx. 1.44M dots
3.5 type LCD monitor: Approx. 1.56M dots
Monitoring / Built-in Microphone & LED
Viewfinder / LCD
0.39 type OLED: Approx. 1.44M dots
3.5 type LCD monitor: Approx. 1.56M dots
Built-in Microphone
No
Omni-directional stereo electret condenser microphone.
Built-in LED Light
No
Media
Memory Stick Pro Duo™ and SD/SDHC/SDXC compatible (x1),
SD/SDHC/SDXC (x1)
Memory Stick Pro Duo™ and SD/SDHC/SDXC compatible (x1),
SD/SDHC/SDXC x1
Memory Stick Pro Duo™ and SD/SDHC/SDXC compatible (x1),
SD/SDHC/SDXC (x1)
Battery-type
InfoLITHIUM L
InfoLITHIUM V
InfoLITHIUM V
Battery Operating Time
Approx. 260 min. with NP-F770 battery (while recording with
LCD, XAVC 1080/60i, 50 Mbps) Approx. 400 min. with NP-F970
battery (while recording with LCD, XAVC 1080/60i, 50 Mbps)
Approx. 140 min. with NP-FV70A battery (while recording with
LCD, XAVC QFHD 2160/30p, 60Mbps)
Approx. 120 min. with NP-FV70 battery
(while recording with LCD, XAVC 1080/60i, 50 Mbps)
Wireless Functions
QoS Streaming/Streaming/FTP/Wi-Fi remote control and monitoring
QoS Streaming/Streaming/FTP/Wi-Fi remote control and monitoring
QoS Streaming/Streaming/FTP/Wi-Fi remote control and monitoring
Internal Memory/Type
General
4
NFC
Yes
GPS
No
Weight
Approx. 4 lbs 3 oz (1895 g) (body only)
Approx. 5 lbs (2270 g (with lens hood, eyecup, NP-F770 battery)
Approx. 2 lb 4.0 oz (Approx. 1020 g) (with lens hood,eyecup)
Approx. 1 lb 15 oz (900 g) (body only)
Dimension (W × H × D)
6 3/4 × 7 3/8 × 14 5/8 inches (171.3 × 187.8 × 371.3 mm)
(With the accessories (lens hood, large eyecup), excluding the
grip belt and including the projecting parts)
4 7/8 × 4 1/8 × 10 7/8 inches
(121.0 mm × 104.0 mm × 274.5 mm)
(With the accessories (lens hood, large eyecup) ,excluding the
grip belt and including the projecting parts)
Approx. 4 7/8 × 4 1/8 × 10 7/8 inches
(Approx. 120.7 × 103.5 × 274.3 mm)
(With the accessories (lens hood, large eyecup), excluding the
grip belt and including the projecting parts)
NXCAM™ Full Line-up
HXR-NX80
HXR-NX100
HXR-NX5R
HXR-MC2500
Camera Section
Imaging Device (Type)
1.0 type Exmor RS CMOS
1.0 type Exmor R CMOS
3-chips 1/2.8 type Exmor CMOS Sensor
1/3.95 type Exmor R CMOS
Effective Picture Elements (Video)
Approx.14.2M (16:9)
Approx. 14.2 M (16:9)/Approx. 10.6 M (4:3)
Approx. 2.07M
Approx. 6.14M (16:9)
Built-in Optical Filters
Clear, 1/4, 1/16, 1/64
Clear, 1/4, 1/16, 1/64
Clear, 1/4, 1/16, 1/64
Slow & Quick Motion Function
Slow Motion
[60i]1080p:Frame rate selectable
240,480,960fps
[50i]:1080p:Frame rate selectable
250,500,1000fps
Gain
-3, 0, 3, 6, 9, 12,15, 18, 21, 24, 27, 30, 33 dB, AGC
No
No
-3, 0, 3, 6, 9, 12,15, 18, 21, 24, 27, 30, 33 dB, AGC
Gamma Curve
Minimum Illumination
No
Yes
-6, -3, 0, 3, 6, 9, 12, 15, 18, 21, 24, 27, 30 dB, AGC
Selectable
1.7 lux (LOW LUX mode)
0, 3, 6, 9, 12, 15, 18, 21, 24, 27, 30, 33 dB, AGC
No
1.7 lux (LOW LUX mode)
60i: 1.2lux (1/30 Shutter Speed, iris/gain Auto)
[60i] 1.6 lux (MAN setting: SS 1/30sec, Iris F1.8, Gain 33dB)
[60i] 0.8 lux (MAN setting: SS 1/15sec, Iris F1.8, Gain 33dB)
[50i] 1.4 lux (MAN setting: SS 1/25sec, Iris F1.8, Gain 33dB)
[50i] 0.7 lux (MAN setting: SS 1/12sec, Iris F1.8, Gain 33dB)
Lens
Lens Mount
FIXED
Zoom Ratio
12x (optical), servo
[HD] 24x Clear image zoom,
[4K] 18x Clear image zoom
12x (optical), 24x Clear image zoom, servo
20x (optical), 40x (Clear Image Zoom),
servo/manual
12x (Optical), 24x Clear image zoom,
200x Digital zoom, servo/manual
Focal Length
f=9.3 - 111.6 mm
equivalent to f=29.0 - 348.0 mm on 35 mm lens (16:9)
f = 9.3 - 111.6 mm
equivalent to f = 29.0 - 348.0 mm on 35 mm lens (16:9)
f=4.1 - 82.0mm
equivalent to f=28.8 - 576mm on 35 mm lens(16:9)
equivalent to f=35.2 - 705mm on 35 mm lens(4:3)
f = 2.9-34.8 mm
equivalent to f = 26.8-321.6 mm on 35 mm lens (16:9)
Iris
F2.8 - F4.5 auto/manual selectable
F2.8 - F4.5 auto/manual selectable
F1.6 (Wide) - F3.4 (Tele) auto/manual selectable
F1.8 - F3.4 auto/manual selectable
Filter Diameter
M62mm
M62 mm
M72 mm
M37 mm
XLR-type 3-pin (female) (x2), line/mic/mic
+48 V selectable
XLR-type 3-pin (female) (×2)
XLR-type 3-pin (female) (x2), line/mic/mic +48
V selectable
No
Input/Output
Audio Input
HDMI Output
Type A (x1)
SDI Output
No
Composite Output
No
BNC type (x1), SD/HD/3G(Level-B) selectable
SMTPE 259M/292M/424M/425M standards
No
GENLOCK-IN
Audio Output
No
Integrated into Multi/Micro USB jack
RCA pin
Stereo mini jack (x1)
TC In/Out
Remote
RCA pin
No
Integrated into Multi/Micro USB jack,
Stereo mini-mini jack (ø2.5mm)
Stereo mini mini jack ø2.5mm (x1)
MI Shoe
Yes
Headphone Output
Stereo mini jack (x1)
i.LINK* Interface
Wired LAN
No
BNC (x1)
No
Option
*required VMC-UAM2 USB adapter cable and
network adaptor kit CBK-NA1
No
Monitoring / Built-in Microphone & LED
Viewfinder / LCD
0.39 type OLED: Approx. 2.36M dots
3.5 type: Approx. 1.56M dots.
0.24 type LCD: Approx. 1.56 M dots.
3.5 type LCD monitor: Approx. 1.56 M dots.
Built-in Microphone
0.39-inch* type OLED (1.0cm) Approx. 1.44 M dots
3.5-inch* type (8.8cm) Approx. 1.56 M dots.
0.39 type OLED: Approx. 1.44M dots
3.0 type LCD monitor: Approx. 921K dots.
Omni-directional stereo electret condenser microphone.
Built-in LED Light
No
No
Yes
No
Memory Stick Pro Duo™ and SD/SDHC/SDXC
compatible (x1), SD/SDHC/SDXC x1
Memory Stick Pro Duo™ and SD/SDHC/SDXC
compatible (x1), SD/SDHC/SDXC (x1)
Memory Stick Pro Duo™ and SD/SDHC/SDXC
compatible (x1), SD/SDHC/SDXC (x1)
Flash Memory 32GB
Memory Stick Pro Duo™ and SD/SDHC/SDXC
compatible (x1)
Media
Internal Memory/Type
General
Battery-type
InfoLITHIUM V
Approx. 240 min. with NP-F770 battery
(while recording with LCD, AVCHD 1080/60i FX)
Approx. 440 min. with NP-F770 battery
(while playing with LCD, AVCHD 1080/60i FX)
Battery Operating Time
Approx. 155 min. with NP-FV70A battery
(while recording with LCD, XAVC S 4K
2160/30p, 60Mbps)
Approx. 345 min. with NP-F770 battery
(while recording with LCD, AVCHD 1080/60i FX)
Wireless Functions
Streaming/Wi-Fi remote control
No
NFC
Yes
No
Weight
Approx. 2 lb 1.7 oz (Approx 955 g) (with lens
hood,eyecup)
Approx. 4 lb 3 oz (Approx. 1.90 kg) (body)
Approx. 4 lb 10 oz (Approx. 2.10 kg) (with
lens hood, eyecup, NP-F770 battery)
Approx 4 lb 10 oz (Approx. 2110 g) (body)
Approx. 5 lb 8 oz (Approx. 2500 g) (with lens
hood, eyecup, NP-F770 battery)
Approx 6 lb 2.8 oz (Approx. 2.80 kg) (body)
Dimension (W × H × D)
4 7/8 × 4 1/8 × 10 7/8 inches
(121.0mm × 104.0mm × 274.5mm)
(With the accessories (lens hood, large
eyecup) ,excluding the grip belt and
including the projecting parts)
Approx. 6 3/4 × 7 3/8 × 14 5/8 inches
(Approx. 171.3 × 187.8 × 371.3 mm)
(With the accessories (lens hood, large
eyecup), excluding the grip belt and
including the projecting parts)
7 × 7 7/8 × 15 1/4 inches
(176.0 × 199.5 × 385.0 mm)
(With the accessories (lens hood, large
eyecup), excluding the grip belt and
including the projecting parts)
Approx. 10 1/2 × 9 3/8 × 18 inches
(Approx. 265.0 × 235.0 × 455.0 mm) (body)
GPS
Approx. 285 min with NP-F570 battery
(video light Off)
Wi-Fi remote control
NFC Forum Type 3 Tag compliant
No
5
Recording Format
PXW-FS7M2/PXW-FS7M2K
PXW-FS7
NTSC / PAL
Switchable
PXW-FS5/FS5K
PMW-300K1
(Ver1.30 and above)
PXW-X200
PXW-X180/X160
Switchable
Recording Format (Video)
XAVC Intra
4096 x 2160
XAVC Intra
3840 x 2160
XAVC Intra
1920 x 1080
59.94p: 600Mbps, 50p: 500Mbps,
29.97p: 300Mbps, 25p: 250Mbps,
23.98p: 240Mbps
(after Upgrade in Mar.2015)
59.94p: 600Mbps, 50p: 500Mbps,
29.97p: 300Mbps, 25p: 250Mbps,
23.98p: 240Mbps
59.94p: 222Mbps max,
50p: 185Mbps max,
59.94i, 29.97p: 111Mbps max,
50i, 25p: 112Mbps max,
23.98p: 89Mbps max
59.94p: 600Mbps, 50p: 500Mbps,
29.97p: 300Mbps, 25p: 250Mbps,
23.98p: 240Mbps
(after Upgrade in Mar.2015)
59.94p: 600Mbps, 50p: 500Mbps,
29.97p: 300Mbps, 25p: 250Mbps,
23.98p: 240Mbps
59.94p: 222Mbps max,
50p: 185Mbps max,
59.94i, 29.97p: 111Mbps max,
50i, 25p: 112Mbps max,
23.98p: 89Mbps max
59.94i, 29.97p: 111Mbps, 50i, 25p: 112Mbps, 23.98p: 89Mbps
XAVC Intra
1280 x 720
59.94p:111Mbps, 50p: 112Mbps
XAVC-Long
3840 x 2160
59.94p, 50p: 150Mbps max, 29.97p,
25p, 23.98p: 100Mbps max
59.94p, 50p: 150Mbps max, 29.97p,
25p, 23.98p: 100Mbps max
29.97p, 25p, 23.98p:
100Mbps, 60Mbps
XAVC-Long
1920 x 1080
59.94p, 50p, 59.94i, 50i, 29.97p, 25p,
23.98p: 50/35Mbps max, 59.94i,
50i:h 25Mbps max
59.94p, 50p, 59.94i, 50i, 29.97p, 25p,
23.98p: 50/35Mbps max, 59.94i,
50i:h 25Mbps max
59.94p, 50p, 59.94i, 50i,
29.97p, 25p, 23.98p: 50Mbps,
35Mbps
59.94i, 50i: 25Mbps
XAVC-Long
1280 x 720
XAVC S 4K
3840 x 2160
59.94p, 50p: 50Mbps
59.94i, 50i: 50/35/25Mbps,
29.97p, 25p, 23.98p:
50/35Mbps
59.94i, 50i: 50/35/25Mbps,
59.94p, 50p, 29.97p, 25p, 23.98p: 50/35Mbps
59.94p, 50p:50Mbps
XAVC S
1920 x 1080
MPEG HD422
1920 x 1080
59.94i, 50i, 29.97p, 25p, 23.98p:
50Mbps max
59.94i, 50i, 29.97p, 25p, 23.98p:
50Mbps max
59.94i, 50i, 29.97p, 25p, 23.98p: 50Mbps
MPEG HD422
1280 x 720
59.94p, 50p, 29.97p, 25p, 23.98p:
50Mbps max
59.94p, 50p, 29.97p, 25p, 23.98p:
50Mbps max
59.94p, 50p, 29.97p, 25p, 23.98p: 50Mbps
MPEG HD420
1920 x 1080
59.94i, 50i, 29.97p, 25p, 23.98p: 35Mbps
MPEG HD420
1440 x 1080
59.94i, 50i, 23.98p: 35/25Mbps,
29.97p, 25p: 35Mbps
59.94i, 50i: 35Mbps
MPEG HD420
1280 x 720
59.94p, 50p, 29.97p, 25p, 23.98p: 35Mbps
59.94p, 50p: 35Mbps
MPEG IMX50
720 X 486
MPEG IMX50
720 x 576
AVCHD™
1920 x 1080
59.94i, 29.97p: 50Mbps
50i, 25p: 50Mbps
59.94p, 50p: 28Mbps
59.94i, 50i, 29.97p, 25p, 23.98p:
24Mbps, 17Mbps
59.94p, 50p: 28Mbps, 59.94i,
50i, 29.97p, 25p, 23.98p:
24Mbps
59.94p, 50p: 24Mbps, 17Mbps,
9Mbps
59.94p, 50p: 24Mbps
AVCHD
1440 x 1080
AVCHD
1280 x 720
DVCAM®
720 x 480
DVCAM
720 x 576
PROXY H.264
MP4
6
59.94i, 29.97p (NTSC): 25Mbps
50i, 25p (PAL): 25Mbps
1280 x 720:9Mbps,
640 x 360:3Mbps
480 x270:1Mbps,
480 x 270:500Kbps
59.94i (NTSC): 25Mbps
50i (PAL): 25Mbps
(X180 only)
1280 x 720:9Mbps,
640 x 360:3Mbps,
480 x 270:1Mbps, 500Kbps
PXW-Z150
PXW-Z90
NTSC / PAL
Switchable
PXW-X70
HXR-NX80
Switchable
HXR-NX100
NTSC
HXR-NX5R
PAL
Not Switchable
NTSC
PAL
HXR-MC2500
NTSC
PAL
Recording Format (Video)
XAVC Intra
4096 x 2160
XAVC Intra
3840 x 2160
XAVC Intra
1920 x 1080
XAVC Intra
1280 x 720
XAVC-Long
3840 x 2160
29.97p, 25p, 23.98p:
100Mbps, 60Mbps
29.97p, 25p, 23.98p:
100Mbps, 60Mbps
XAVC-Long
1920 x 1080
59.94p, 50p, 59.94i, 50i,
29.97p, 25p, 23.98p:
50Mbps, 35Mbps
59.94i, 50i: 25Mbps
59.94p, 50p, 29.97p, 25p,
23.98p: 50Mbps, 35Mbps
59.94i, 50i: 50Mbps,
35Mbps, 25Mbps
29.97p, 25p, 23.98p:
100Mbps.
60Mbps with CBKZ-X70FX
firmware option
59.94p, 50p, 29.97p, 25p,
23.98p: 50Mbps, 35Mbps
59.94i, 50i: 50Mbps,
35Mbps, 25Mbps
59.94p, 50p: 50Mbps
59.94p, 50p: 50Mbps
59.94p, 50p:50Mbps
XAVC-Long
1280 x 720
XAVC S 4K
3840 x 2160
29.97p, 25p, 23.98p:
100Mbps, 60Mbps
119.88p, 100p: 100Mbps, 60Mbps
59.94p, 50p: 50/25Mbps
29.97p, 25p: 50/16Mbps
23.98p: 50Mbps
XAVC S
1920 x 1080
MPEG HD422
1920 x 1080
MPEG HD422
1280 x 720
59.94i, 50i, 29.97p,
25p, 23.98p: 50Mbps
max
59.94p, 50p, 29.97p,
25p, 23.98p: 50Mbps
max
MPEG HD420
1920 x 1080
59.94i, 50i, 29.97p,
25p, 23.98p: 35Mbps
MPEG HD420
1440 x 1080
59.94i, 50i: 35Mbps
MPEG HD420
1280 x 720
59.94p, 50p: 35Mbps
59.94i, 50i, 29.97p,
25p, 23.98p: 50Mbps
(CBKZ-SLMP required)
59.94i, 50i, 29.97p,
25p, 23.98p: 50Mbps
(CBKZ-SLMP required)
59.94p, 50p: 50Mbps
(CBKZ-SLMP required)
59.94p, 50p: 50Mbps
(CBKZ-SLMP required)
59.94i, 50i, 29.97p,
25p, 23.98p: HQ mode
(35Mbps)
(CBKZ-SLMP required)
59.94i, 50i: HQ mode
(35Mbps)
(CBKZ-SLMP required)
59.94p, 50p: HQ mode
(35Mbps)
(CBKZ-SLMP required)
59.94i, 50i, 29.97p,
25p, 23.98p: HQ mode
(35Mbps)
(CBKZ-SLMP required)
59.94i, 50i: HQ mode
(35Mbps)
(CBKZ-SLMP required)
59.94p, 50p: HQ mode
(35Mbps)
(CBKZ-SLMP required)
59.94p, 50p: PS mode (28Mbps)
59.94i, 50i: FX mode (24Mbps), FH
mode (17Mbps)
29.97p, 25p, 23.98p: FX mode
(24Mbps)
59.94p, 50p: 28Mbps, 59.94i,
50i, 29.97p, 25p, 23.98p:
24/17Mbps
59.94p, 29.97p,
23.98p,
50 Mbps
50p, 25p,
50 Mbps
59.94p, 29.97p,
23.98p,
50 Mbps
50p, 25p,
50 Mbps
MPEG IMX50
720 x 486
MPEG IMX50
720 x 576
AVCHD
1920 x 1080
59.94p, 50p: 28Mbps, 59.94i,
50i, 29.97p, 25p, 23.98p:
24Mbps, 17Mbps
AVCHD
1440 x 1080
AVCHD
1280 x 720
59.94i, 50i: LP mode
(5Mbps)
59.94p, 50p: 24Mbps,
17Mbps, 9Mbps
59.94p, 50p: HQ mode
(9Mbps)
DVCAM®
720 x 480
DVCAM
720 x 576
PROXY H.264
59.94p, 50p: PS mode (28 Mbps)
59.94i/50i: FX mode (24 Mbps),
FH mode(17 Mbps)
29.97p/25p/23.98p: FX mode (24
Mbps)
59.94i, 50i: LP mode
(5Mbps)
59.94p, 50p: 24Mbps/
17Mbps/9Mbps
59.94p, 50p: HQ mode
(9 Mbps)
59.94i (NTSC): 25Mbps
50i (PAL): 25Mbps
1280 x 720:9Mbps,
640 x 360:3Mbps
1280 x 720:9Mbps,
640 x 360:3Mbps
1280 x 720:9Mbps,
640 x 360:3Mbps
(ver 2.0 is needed)
59.94p,
PS mode (28 Mbps)
59.94i/29.97p/23.98p,
FX mode (24 Mbps)
FH mode (17 Mbps)
59.94i,
HQ mode (9 Mbps)
LP mode (5 Mbps)
59.94p,
FX mode (24 Mbps)
FH mode (17 Mbps)
HQ mode (9 Mbps)
59.94i,
25 Mbps
50p,
PS mode (28 Mbps)
50i/25p,
FX mode (24 Mbps)
FH mode (17 Mbps)
50i,
HQ mode (9 Mbps)
LP mode (5 Mbps)
50p,
FX mode (24 Mbps)
FH mode (17 Mbps)
HQ mode (9 Mbps)
50i, 25 Mbps
59.94p,
PS mode (28 Mbps)
59.94i/29.97p/23.98p,
FX mode (24 Mbps)
FH mode (17 Mbps)
59.94i,
HQ mode (9 Mbps)
LP mode (5 Mbps)
59.94p,
FX mode (24 Mbps)
FH mode (17 Mbps)
HQ mode (9 Mbps)
59.94i,
25 Mbps
50p,
PS mode (28 Mbps)
50i/25p,
FX mode (24 Mbps)
FH mode (17 Mbps)
0i,
HQ mode (9 Mbps)
LP mode (5 Mbps)
50p,
FX mode (24 Mbps)
FH mode (17 Mbps)
HQ mode (9 Mbps)
59.94p: 28 Mbps
59.94i/29.97p/
23.98p: 24 Mbps,
17 Mbps
50p: 28 Mbps
50i/25p, 24 Mbps,
17 Mbps
59.94p, 24 Mbps, 17
Mbps, 9 Mbps
50p: 24 Mbps,
17 Mbps, 9 Mbps
59.94i,
25 Mbps
50i, 25 Mbps
50i, 25 Mbps
1280 x 720:9Mbps,
640 x 360:3Mbps
MP4
7
SELP18110G sold separately
PXW-FS7M2/PXW-FS7M2K
Ultimate Super35 versatility
How did we improve on our bestselling FS7? We listened to our
users to create an advanced version of the FS7 with technical,
mechanical and ergonomic enhancements to take your
products to even greater heights. A host of enhancements,
from an all-new lens mount to Electronic Auto Variable ND
system and enhanced ergonomics, transform the possibilities
of what you can do.
Shoot and move. Handheld, shoulder-mount or suspended
from a gimbal. FS7 II delivers the spectacular imagery you
expect from Sony.
Freedom to shoot & move with Electronic Auto
Variable ND
Shooting with FS7 II is a truly liberating experience – shoot and
move with no need to worry about changing light conditions,
no time wasted fiddling with exposure settings or changing
filters. Sony’s unrivalled technology continuously adjusts the
density of the electronic ND Filter without losing resolution while
maintaining color balance. See FS7 II in action for yourself to
discover how Sony has transformed shooting on the move.
E mount flexibility extended
E-mount offers unsurpassed compatibility with Sony’s E-mount
lenses, along with simple third-party adapter for PL Mount cinema
lenses, SLR and DSLR glass, and even classic rangefinder lenses.
And for FS7 II there’s an all-new lever lock design. Simply put the
lens in place and rotate the collar until it locks in place. A lens
release lever provides added security. The process of switching
lens can be simplified to save time. And of course, the E-mount
can take cinema lenses and SLR lenses with a third party adapter,
as well as Sony’s E-mount and A-mount lenses. Whatever your
lens requirements, FS7 II has you covered.
Super 35/APS-C power zoom for 4K movies
SELP18110G powered zoom lens delivers optimum performance
in Super 35/APS-C moviemaking applications, starting at 18 mm
wide-angle and extending through an impressive 6.1x zoom
range with a constant F4 maximum aperture.
Mount System
8
G Lens optical performance suitable for 4K throughout the zoom
range.
• Lag-free mechanical manual zoom for high-level, versatile
zoom control.
• Refined manual focus operation for subtle adjustment.
• Optical SteadyShot image stabilization helps keep images
blur-free as well as minimizing the need to boost ISO in low
light conditions.
• Compact, lightweight design ideal for active shooting and
when using gimbals.
• Reliable in challenging conditions with a sealed dust and
moisture-resistant design.
You also have the choice of purchasing the FS7 II on its own
(PXW-FS7M2) or with SELP18110G lens (PXW-FS7M2K).
180 fps High Frame Rates
High Frame Rate shots can turn everyday actions into slowmotion ballet, a visual feast of elegant movement. The FS7 II
delivers a maximum of 180 frames per second (fps) continuous
shooting in Full HD. If your project plays at the cinematic 24
fps, you get beautiful 7.5x Super Slow Motion. There's no
sacrifice in bit depth and no "windowing" of the sensor. So
there's no crop factor, no loss in angle of view. The camera
also performs Slow & Quick (S&Q) motion from 1 to 180 fps in
1 fps increments. So you can alter the narrative by selectively
speeding up or slowing down the action.
Luxurious color at money-saving bitrates
Long-form projects shine with Sony's XAVC™ L (Long GOP)
recording system. Record luxurious QFHD at 59.94p/50p at
a maximum bit rate of 150 Mbps. Or take advantage of the
superior grayscale rendition of 10-bit High Definition, plus the
uncompromised detail of 4:2:2 color – all at budget-friendly
data rates of 50, 35 or even 25 Mbps in HD mode. You can
also record on-board 4K (4096x2160) at cinema standard
24p, 59.94p, 50p, 29.97p, 23.98p or 25p. The camera captures
different color spaces, including the wide ITU-R BT.2020 for
Ultra High Definition.
Other formats include XAVC I (Intra) 4K at 600 Mbps, QFHD
(3840x2160) and Full HD (1920x1080), plus the well-accepted
MPEG HD 422, Apple ProRes 422 (with XDCA-FS7 extension
unit, sold separately), and even outboard RAW recording (with
XDCA-FS7 and outboard recorder, sold separately).
Shoulder mount comfort and control
FS7 delivered a revolution in ergonomics, but we listened
to cinematographers to make FS7 II even more comfortable
to use, especially when operating for hours in the field. The
number of assign buttons is increased from six to ten, all
extra large, while the LCD monitor arm and mic holder can
be swapped for left-eye shooting. The telescoping arm offers
even more settings, allowing the camcorder to be mounted
closer to your body. You no longer need a tool for adjustments.
You can be sure the remarkable Sony smart grip is always at
hand with all the key controls at your fingertips.
Next-generation memory
Long-form programs need media that's both reliable and
affordable. As specified by the CompactFlash Association,
XQD™ memory cards score big on both accounts. Reliability
comes from in-camera recovery. You get very low cost-perminute compared to CFast™ cards.
Sony’s G-Series XQD card extends these benefits with “EB
Stream” technology for a blistering 400 Mbps write-speed
and 440 Mbps read-speed. Using our 256GB G-Series card,
you can record approximately 45 minutes of 4K footage at 60P
or 3.5 hours at 30P in 2K. And when it’s finally time to swap out
cards, it’s now even easier – on FS7 II the card protrudes by a
more easily pinchable 8mm.
9
PXW-FS7
Solid-State Memory Camcorder
High-sensitivity 4K Super35 Exmor CMOS Sensor
Supports Various Formats
The FS7 is equipped with a Super 35 Exmor CMOS Sensor with
approximately 11.6 million total pixels and 8.8 million effective
pixels. The high image readout speed of the image sensor allows
the FS7 to support 4K motion- picture shooting and Super Slow
Motion. The sensor also realizes a high sensitivity of ISO2000 and
a wide dynamic range of 14 stops. Thanks to its full-pixel readout
capability without pixel binning and sophisticated camera
processing, jaggies and moiré are minimized.
The FS7 supports two formats, XAVC and MPEG-2 HD 422, which
can be selected to suit the application. Two XAVC compression
systems (IntraFrame and Long GOP) are provided through an
H.264/MPEG-4 AVC codec. IntraFrame supports recording with
4:2:2 10-bit sampling for 4K and Full HD, as well as a high bit rate
of up to 600 Mbps*3. In Long GOP, image quality and recording
time are balanced to allow Full HD shooting with 4:2:2 10-bit
sampling at 50, 35 or 25 Mbps, making this format suitable for
longer duration shooting. Support is also provided for the MPEG2
HD 422 recording format which is mainly used at broadcast
stations around the world. Supported formats and bit rates are
indicated below.
*3 During 4K 59.94 fps recording.
Support for S-Gamut3.Cine/S-Log3,
S-Gamut3/S-Log3 and Other Log Curves
Full HD Recording with Super Slow Motion
The FS7 offers Continuous Recording at Full HD image quality
and a frame rate of up to 180fps. This makes it possible to attain
up to 7.5x Super Slow Motion when played back at 23.98fps.
Furthermore, support for unlimited shooting at Super Slow
Motion means no more mistimed shots leading to extra takes. It
also lets you pick out footage at exactly the point that you want.
Internal Recording in 4K*1 Resolution at 60fps*2
The FS7 supports internal recording at 4Ki resolution as well as a
wide range of frame rates (59.94p, 50p, 29.97p, 25p, and 23.98p).
*1 Support for QFHD 3840 x 2160 resolution will be available by the date of launch.
4096 x 2160 resolution support will be provided by firmware update scheduled
for early 2015.
*2 59.94fps
The FS7 supports such log gamma curves as S-Gamut3. Cine/SLog3 and S-Gamut3/S-Log3. Due to the fact that 18% gray is set
at a bright level, S-Log3 is noted for delivering a wider dynamic
range than the 1300% achieved by S-log2 incorporated in a
camera such as the NEX-FS700R, a difference equal to 1.5 stops.
The log gamma itself is close to Cineon log, so color correction is
easier to perform and it is possible to achieve the look of film. In
addition, compared to the color gamut of S-Gamut3.Cine, which
is geared toward reproducing the wide color gamut of DCI-P3
color space used in digital cinema,the color gamut of S-Gamut3
is geared toward the reproduction of almost all actual colors, and
is thereby suitable for archival purposes. In latest version, S-log2
which is popular among cinematographers and videographers is
supported as well.
Two XQD Media Slots Support Simultaneous and
Relay Recording
Built-in Multi-Interface (MI) Shoe
Mount System
10
Built-in ND Filter Unit
Extension Unit "XDCA-FS7" for Shooting Support
Clear, 1/4 (2eV), 1/16 (4eV), and
1/64 (6eV)
Extension Unit "XDCA-FS7" can be connected directly to the PXW-FS7
to enable the use of functions that support the operator's shooting
style or workflow.
Support for
4-channel Audio
Input and Recording
XDCA-FS7
Flexible Design Supports
a Wide Range of Shooting Styles
The FS7 is equipped with a shoulder pad for stable shoulder-style
shooting. Users can also choose other supported shooting styles
including handy style, chest style (using the curved rear part of
the FS7), tripod shooting, etc. depending on conditions
VCT-FS7
RAW Output for External 4K/2K RAW Recording
The FS7’s FS RAW Interface can be connected to an HXR-IFR5
interface unit and RAW AXS-R5 recorder to enable external
4K/2K RAW recording. The interface also allows the use of
compatible third-party external recorders. Full HD footage
shot with the unit is time code-synchronized to allow offline
editing of the content.
Precise Timecode Synchronization Provided by
Genlock
Timecode In/Out Functions
Support for Apple ProRes 422 Recording
The FS7 now supports ProRes recording* (ProRes 422 HQ
and ProRes 422)**, providing an easy-to-use environment for
those accustomed to the ProRes workflow. * ProRes recording
requires attachment of the optional XDCA-FS7 extension unit
and a compatible optional power supply (BP-FL75 V-mount
battery, etc.) ** This function does not support simultaneous
recording, S&Q recording, Picture Cache Rec or other special
shooting functions. The corresponding frame rates are listed
below.
Format
Resolution
Wrap
Frame-Rate
59.94i
29.97p
ProRes 422 HQ
1920 × 1080
MOV
23.98p
50i
25p
59.94i
29.97p
ProRes 422
1920 × 1080
MOV
23.98p
50i
25p
11
PXW-FS5/FS5K
Solid-State Memory Camcorder
Grab and Shoot with Handheld Super35
Ultimate Mobility
A handheld camera should be able to get you into tight places. To
work in your lap. To move with the talent. To shoot high and low
angles with equal agility. And a handheld camera should function beautifully against your chest comfortably steadied by your
right hand with all the controls at your fingertips. Sony’s extraordinary PXW-FS5 does all of this, and more.
The FS5 is a radical re-imagining of the FS7 for unsurpassed on
the go shooting in the most demanding of conditions. With a
body-only weight less than half the FS7 at 0.83kg, you can shoot
almost anywhere. Handheld operation is simply exceptional as
the superbly balanced chassis is easily configured to shoot from
high to low angles thanks to a flexible, rotatable grip and a LCD
viewfinder that can be mounted in no less than nine locations.
Mount Flexibility
Sony’s
mount system offers unsurpassed compatibility with
both Sony and third-party lenses. The FS5’s E-Mount can take
Cinema lenses and SLR lenses with a third party adaptor, as well
as Sony’s E-mount and A-mount lenses. So whether buying new
lenses, or making use of lenses you’ve already purchased, the
FS5 makes it easy.
1 lb 12 oz
(0.8Kg)
E-mount
Lenses
+
+
Rotatable Grip
A-mount
Lenses
LA-E series mount adaptors
Other Lenses
Third party adaptor
Versatile Monitoring
Mount System
12
4K Super35 Exmor® Sensor
Color, Contrast and the XAVC Codec
The FS5 is built around a Exmor CMOS Sensor that offers all the
benefits of a large format sensor in combination with the exceptional image readout speeds required for 4K motion-picture
shooting and Super Slow Motion.
When quality is everything, make the most of the FS5’s Super35
Exmor sensor and shoot 100Mbps 4K (3840 x 2160) using Sony's
advanced XAVC (Long GOP) recording system. In the future, there
will even be the option to record RAW externally (details to be announced). If you need a fast turnaround, switch to Full-HD (1920
x 1080)- recording at up to 60p XAVC 10bit 4:2:2 50Mbps. The
FS5 has the flexibility to suit how you need to work, today and
tomorrow.
RAW Output Option*
Sony’s FS RAW allows user to record 4K (4096x2160) 60p/50p
and continuous 2K (2048x1080) 240fps/200fps on an external
recorder.
Note: Since lens compensation is not compliant with RAW output, distortion might appear
under specific condition with use of the SELP18105G, part of PXW-FS5K kit lens.
* Requires Version 2.0 firmware or above, plus CBKZ-FS5RIF upgrade kit.
Full HD
10
bit
High Frame Rate (HFR) Recording
The FS5 offers High Frame
Rate (HFR) cache recording at Full HD 10bit 4:2:2
image quality and a frame
rate of up to 240 fps. The
8-second cache recording means no more mistimed shots leading to
extra takes. It also lets
you pick out footage at
exactly the point that you
want. It is also possible to
record 120 fps with up to
16-second cache recording. Higher frame rates of
480 fps and 960 fps are
also possible
240
fps
Built-in Electronic Variable ND Filter / Auto ND
The FS5 is the world's first Super 35mm camcorder* with a
built-in electronic variable Neutral Density (ND) filter, further
expanding the depth of field capability of its large format
sensor. Unlike conventional optical ND filters, the electronic
ND filter on the FS5 can be controlled from 1/4ND to 1/128ND
linearly. This makes the FS5 ideal for fast-moving shoots in
changeable environments - there’s no need to change filters as
lighting conditions change and variable control makes it easy
to keep depth of field under control. Furthermore, ND filter can
be set to Auto* to automatically keep the best exposure while
keeping the aperture and depth of field.
*Requires Version 2.0 firmware or above.
1/128
ND
(Actual images)
Instant HDR workflows
Shoot, edit and view HDR content in HLG without the need for
additional colour grading*.
As the expanding need for HDR content continues, internet
video platforms and professionals producing corporate or
event content are paying more attention to the added value of
HDR. They need to deliver content quickly, without compromising on imaging expression and quality of content. To meet this
demand, the PXW-FS5 offers HLG (Hybrid Log Gamma) curve
and BT.2020 color space shooting, in addition to S-Log3, for
easy file-based workflows, whilst achieving the image quality
of HDR. This simple workflow enables the shooting, editing
and viewing of HDR content in HLG, without devoting a lot of
time to post-production work and additional color grading.
* HLG/BT.2020 compatible display required.
Std. Gamma, ISO1000 F2, No ND Filter (Clear)
Std. Gamma, ISO1000 F2, 1/128ND
13
PMW-300 K1
Solid-State Memory Camcorder
K1 supplied with 14x zoom lens
High Picture Quality
Comfortable and Stable Shooting
Three 1/2-inch type Full HD Exmor CMOS sensors (1920 x 1080)
to achieve high resolution, high sensitivity, low noise and a wide
dynamic range.
An improved extendable shoulder pad is included as standard,
which means the operator can always find a comfortable shooting position, even for long-duration shooting. Also, the operator
can keep a well-balanced camera position even when the unit is
docked with long lenses.
Powerful Noise Suppression
The camcorder’s advanced camera signal processing includes a
powerful noise suppression feature. The signal processor detects
the noise not only in vertical and horizontal directions in a frame
picture but also detects noise components in a time axis, utilizing correlation characteristics between video frames. Using this
feature, noise is effectively suppressed, creating cleaner images.
Variety of Interfaces
Various Conveniences via a Wireless Adapter
The PMW-300 is designed to support wireless operation using an
optional wireless adapter, the CBK-WA100. With this adapter, the
user can stream out pictures to a remote location. After shooting,
proxy files created on the CBK-WA100 can be immediately transmitted to a remote location. The adapter also provides remote
control of the PMW-300 with mobile application software.
Selectable Format and Bit Rates
The PMW-300 provides a wide variety of codec operation points.
Users can record Full-HD video (1920 x 1080) at up to 50 Mbps
using MPEG HD422 as well as MPEG HD™ at 35 Mbps / 25 Mbps,
MPEG IMX at 50 Mbps, and DVCAM® at 25 Mbps in MXF files. The
PMW-300 also incorporates XAVC Intra at 100 Mbps and XAVC
Long GOP at 50 Mbps / 35 Mbps / 25 Mbps data rate, enabling
the creation of rich content with 10-bit quality.
14
There are two lines of SDI output connection enabling, for example, one connection to an external recording device and one
to the optional CBK-WA100. Also, for monitoring purposes the
PMW-300 can be connected via HDMI to professional displays
as well as domestic-use TVs with an HDMI connector. The i.LINK
connector can be used for HDV™ when SP 1440 (FAT) mode is selected, and for DV when DVCAM (FAT) mode is selected, for both
input and output signal flows. In addition, the USB connector is
handy when connecting directly to a PC.
PXW-X200
Solid-State Memory Camcorder
1/2 inch-type 3CMOS Image Sensors
File Transfer and Streaming
The PXW-X200 incorporates three 1/2-inch type Exmor Full HD (1920 x 1080)
CMOS sensors to achieve high resolution, high sensitivity, low noise, and a
wide dynamic range. With these image sensors, the PXW-X200 achieves a
high sensitivity of F12 at 1080/59.94i and F13 at 1080/50i – essential levels
for professionals shooting under challenging lighting conditions.
Users can simply attach the supplied Wireless LAN module to activate the
wireless function on the PXW-X200. And by connecting with separately
sold internet routers, proxy or high resolution files can be transferred
to a cloud server, and the editing process can be started while location
shooting continues. The PXW-X200 also has a streaming capability*1. By
attaching a separately sold LTE USB module*2, live video and audio can
be streamed, watched, and recorded at a remote location. The QoS controlled streaming is supported by version 1.3.
1/2 inch-type 17x Zoom Lens
The PXW-X200 has a newly developed 17
times zoom lens. This compact body lens
can zoom from 29.3 mm to 499 mm (35 mm
equivalent), which is a powerful capability
for event shooting and many other applications. The lens also has focus, zoom, and
iris-independent manual control rings.
Each function has a physical end stop and
absolute marking which enable precise adjustment.
Multi-format Recording
The PXW-X200 has an XAVC recording capability. It uses 4:2:2 10-bit sampling, efficiently compressing Full HD (1920 x 1080) resolution images
using the MPEG-4 AVC/H.264 CODEC. In XAVC, the user can select intraframe compression at a maximum of 112 Mbps or high-efficiency long
GOP compression at 50/35/25 Mbps. In addition to XAVC intra/long GOP,
the PXW-X200 records in MPEG-2 HD422 at 50 Mbps, MPEG-2 HD420 at
35/25 Mbps, MPEG IMX at 50 Mbps and DV at 25 Mbps. Depending on
requirements, there is a flexible choice of CODEC. In XAVC long CODEC,
1080/59.94P or 50P can be selected as well as 1080/59.94i, 50i, etc. Four
channels of 24-bit 48 kHz LPCM audio is recorded in XAVC and MPEG-2
HD422, while four channels of 16-bit 48 kHz LPCM is recorded in MPEG-2
HD420.
Multi-interface (MI) Shoe
The PXW-X200 takes advantage of Sony’s flexible Multi-Interface (MI)
Shoe, which provides power, signal connections and coordinated on/off
switching to compatible Sony accessories. This function is supported by
version 1.2.
Timecode & Genlock
The PXW-X200 is equipped with timecode input/output (selectable) and
genlock input interfaces.
3.5 inch*-type QHD (960x540) Color LCD Panel
*1 Version 1.2 is required to activate this function.
*2 This function works only with compatible modules.
NFC
NFC allows close-range wireless communication between the PXW-X200 and an
NFC-equipped smartphone or tablet device.
Slow & Quick Motion
A Slow & Quick Motion function is available on the PXW-X200. The recording frame rate can be selected from 1 frame per second (fps) up to 60 fps
both in 1080P and 720P format to create high-quality slow motion or quick
motion images.*3
*3 The selectable frame rate depends on the CODEC selected in the camera.
SDI, HDMI™, and i.LINK Interface
The SDI interface allows the PXW-X200 to interface
with other professional products. The SDI connector is 3G, HD, and SD switchable and it outputs
1080/59.94P, 50P, 59.94i, 50i, 720/59.94P, 50P, or
SD signals. The PXW-X200 has a simple signal conversion function, and an 1080/59.94i (50i) signal
can be output for monitoring while the camcorder
is set to 1080/59.94P (50P). The PXW-X200 can also
be connected via HDMI to HD displays to perform
monitoring. The i.LINK connector can be used for
HDV™ when SP 1440 (FAT) mode is selected and for
DV when DVCAM (FAT) mode is selected.
* Viewable area measured diagonally.
15
PXW-X180/X160
1/3-inch type 3CMOS Solid-state Memory Camcorder
25x Optical Zoom G Lens with 26 mm Wide Angle
Variable ND Filter
This new lens delivers uncompromising Sony G Lens quality and a 26 mm
angle of view at the wide end of its 25x zoom range (35 mm equivalent:
26 mm to 650 mm). That’s more than
enough range for a wide variety of
shooting situations. Independent
manual zoom and focus rings with
end-stop and iris control are provided, and a slide mechanism on the
focus ring enables easy switching
between auto and manual focusing.
A new filter device that electronically controls density enables continuous adjustment from 1/4 ND to 1/128 ND via a simple dial operation. In
conjunction with iris setting that controls depth of field and brightness,
this advanced filter facilitates shooting techniques such as the use of slow
shutter in daylight and other bright conditions. For operators who prefer the conventional ND selector interface, the PXW-X180 and PXW-X160
feature a dual ND filter control mechanism that provides both continuous
electronic control and the standard four-position switch. By using Auto
ND filter function*, the PXW-180 and PXW-X160 can adjust the density of
the ND filter automatically.
* Firmware version 3.0 is required.
Sony's Innovative Image Sensor, Image Processor,
and Lens Achieve Outstanding Image Quality
Sony’s Exmor 3CMOS Sensor system provides independent 1/3-type
CMOS image sensors for the red, blue, and green color channels, each
with 2.07 effective megapixels (16:9). The result is high resolution and
sensitivity that contribute to superior color reproduction. An advanced
image processor that features sophisticated noise reduction and distortion compensation is instrumental in delivering superb detail and texture
reproduction, with image quality settings rivaling high end broadcast
camcorders.
Compatible with XAVC and a Range of Other Recording Formats
In addition to XAVC Intra/Long GOP, the PXW-X180 and PXW-X160 can
record in MPEG2, AVCHD, and DV format. The MXF file format is used for
XAVC recording, efficiently compressing full HD (1920 x 1080) resolution
using the MPEG-4 AVC/H.264 codec. Image sampling is 4:2:2 10-bit with
Intra-frame compression at 112 Mbps, or high-efficiency Long-GOP compression at 50/35/25 Mbps.
Support for SxS, XQD, and SD Memory Cards Plus Memory
Stick
3.5-inch* type LCD Panel and 0.5-inch* type OLED Viewfinder
* Viewable area measured diagonally.
Multi-Interface Shoe
Compatible accessories attached to the
Multi-Interface (MI) Shoe can be controlled
from the PXW-X180 or PXW-X160.
16
ND 1/4 Overexposed
ND 1/128 Optimum Exposure
(Simulated images)
Wireless functions for file transmission, remote control
and QoS streaming (PXW-X180 only)
The Content Browser Mobile*1 application enables confirmation of the
angle of the shot before shooting, monitor recording and operation of
the camcorder by remote. The use of separately sold mobile routers and
other mobile devices also allows transmission of files after shooting. In
addition, lightweight proxy video files can be generated separately from
the main line recording and recorded to SD cards for quick sharing of content over low-bandwidth mobile networks. By enabling the network client
mode*2 and connecting the camcorder to Connection Control Manager of
the PWS-100RX1 network RX station (sold separately).
Sony developed unique Quality of Service (QoS) technology that dramatically improves the clarity that’s possible on a single, affordable 3G/4G/
LTE cellular channel or your own Wi-Fi® network. You get better pictures,
even given the limitations of real-world networks (Version 3.0 is required).
*1 Firmware version 3.0 is required. The Content Browser Mobile can be downloaded
from the Google Play Store or App Store.
*2 Firmware version 3.0 is required.
PXW-Z150
4K Handheld Memory Camcorder
Imaging performance with Exmor RS™ sensor
Instant HDR workflows
To deliver imaging performance previously impossible for a compact
camcorder, Sony has developed the world's first 1.0-inch type stacked
CMOS image sensor that delivers amazing imaging performance professionals have come to expect.
Shoot, edit and view HDR content in HLG without the need for additional
colour grading*.
As the expanding need for HDR content continues, internet video platforms and professionals producing corporate or event content are paying
more attention to the added value of HDR. They need to deliver content
quickly, without compromising on imaging expression and quality of content. To meet this demand, the PXW-Z150 offers HLG (Hybrid Log Gamma)
curve and BT.2020 color space shooting for easy file-based workflows,
whilst achieving the image quality of HDR. This simple workflow enables
the shooting, editing and viewing of HDR content in HLG, without devoting a lot of time to post-production work and additional color grading.
Exmor RS sensor
Advanced ‘stacked' sensor design allows for a larger signal processing area without
reducing pixel size within a compact chassis.
Exmor R
Exmor RS
* HLG/BT.2020 compatible display required.
1.0-inch type
Pixel area
Flexible 4K and Full HD recordings
Hi-speed signal processing circuit
Sony's G lens with maximum 24× zoom
To maximize the quality of your images, the PXW-Z150 has a stunning
optical 12x zoom lens that offers high resolution and contrast across the
entirety of the image. Sony’s advanced Clear Image Zoom feature doubles
magnification to 18x when shooting in 4K QFHD and 24x in HD, to fully
exploit the imaging capabilities of the PXW-Z150's large 1.0-inch type
stacked sensor.
Compact and lightweight body
Stunning 4K picture performance is supported with 4K QFHD (3840x2160)
XAVC Long GOP at 100Mbps, while integration with established broadcast
workflow is simplified with Full HD recording in XAVC Long GOP(4:2:2/10bit
50Mbps) and MPEG-2 HD (50Mbps/35Mbps). You can even use AVCHD to
further expand workflow flexibility.
Networked for high mobility
The PXW-Z150 has advanced networking capabilities that give you more
mobility in your work, allowing you to FTP files directly from the camcorder or live stream from any event using built-in Wi-Fi® features with
no accessories required. Sony’s unique QoS technology*1 dramatically
improves the clarity that’s possible on a wireless connection, giving you
better pictures even with the limitations of today’s real-world networks.
You can also remotely control the PXW-Z150 with a smartphone or tablet, including the ability to adjust settings such as focus, zoom, iris, REC
START/STOP and more using Sony’s Content Browser Mobile*2 software.
The PXW-Z150 is ergonomically designed to provide a lightweight and
easy-to-use shooting experience. Three manual, independent lens rings
enable smooth, natural adjustment of focusing, zooming and iris control.
The camcorder can also be used in full-auto mode or completely manual
for maximum creative control. Exceptional 6.3W power efficiency offers
high performance within a compact handheld body style without compromising battery life. Up to 400 minutes with optional NP-F970 battery.*
High resolution monitoring
* While recording XAVC 1080/50i or 60i, 50Mbps with LCD on.
The PXW-Z150 takes advantage of Sony’s flexible built-in Multi-Interface
(MI) Shoe, which provides power, signal connections and coordinated
on/off switching to compatible accessories from Sony. For example, you
can connect and control Sony's wireless microphone systems such as the
UWP-D11 or UWP-D12 or attach the HVL-LBPC light.
The PXW-Z150 gives you precise monitoring and low latency, however you
choose to shoot, with its advanced, wide viewing-angle and high contrast
0.39 type 1440K dots OLED electronic viewfinder (EVF) with large eye-cap,
and an easily adjustable, flip-out 3.5-inch*3 type 1550K dots LCD panel.
Multi-Interface (MI) Shoe
*1 QoS will initially require a firmware update and PWS-100RX1 receiver.
*2 The Content Browser Mobile application can be downloaded at no additional cost from
the Google Play Store or App Store.
*3 Viewable area measured diagonally.
17
PXW-Z90
1.0 type Exmor RS CMOS sensor palm-sized XDCAM 4K camcorder with
XAVC, Fast Hybrid AF, Instant HDR Workflow & 3G-SDI
Revolutionary imaging performance with Exmor RS
Instant HDR workflows
Exmor RS is a Sony's CMOS image sensor
that adopts a unique "back- illuminated and
stacked structure. A large 14.2-megapixel
(effective) 1.0-type stacked CMOS image
sensor delivers beautiful background
bokeh defocus effects and superior
sensitivity for capturing high-quality
images with less noise, even under dark or
bright conditions. This sensor integrates
up to 273 phase-detection AF points that
densely cover approx. 84% of the image
area, for precise tracking of subjects
throughout the shooting frame.
Shoot, edit and view HDR content in HLG without the need for
additional colour grading*.
As the expanding need for HDR content continues, internet
video platforms and professionals producing corporate or event
content are paying more attention to the added value of HDR.
They need to deliver content quickly, without compromising
on imaging expression and quality of content. To meet this
demand, the PXW-Z90 offers HLG (Hybrid Log Gamma) curve
and BT.2020 color space shooting, in addition to S-Log3, for easy
file-based workflows, whilst achieving the image quality of HDR.
This simple workflow enables the shooting, editing and viewing
of HDR content in HLG, without devoting a lot of time to postproduction work and additional color grading.
* HLG/BT.2020 compatible display required.
Enhanced Fast Hybrid auto focus captures action
Enhanced Fast Hybrid auto focus (AF) is comprised of a number
of features: Phase-detection AF with up to 273 reference
points covering approximately 84% of the image area, face
detection and lock-on auto focus technology to estimate subject
movement. They all work together seamlessly to capture fastmoving subjects with amazing sharpness.
Stunning slow motion in Full HD
High Frame Rate shots can turn everyday actions into slow motion
ballet and the PXW-Z90 delivers up to 120 frames* per second
(fps) in Full HD, giving you a maximum of 5 times slow motion
expression. There’s no sacrifice in bit depth and no “windowing”
of the sensor. So there’s no crop factor, no loss in angle of view.
Higher frame rates** are also possible at specific resolutions.
* 120fps (NTSC)/100fps (PAL)
** 240, 480, 960 (NTSC)/250, 500, 1000fps (PAL)
Broadcast quality 4K (QFHD) and HD
The PXW-Z90 allows you to record a wide range of 4K (QFHD) and
HD formats for maximum flexibility from this stunning palm-sized
camcorder. The Z90 supports XAVC QFHD 100Mbps recordings
at 30p/25p/24p, XAVC HD Long GOP 422 50Mbps, MPEGHD422
50Mbps*, MPEGHD420 35Mbps and AVCHD.
* MPEG HD recording requires optional licence (CBKZ-SLMP) upgrade.
18
Networked for high mobility
Dual XLR inputs
The PXW-Z90 comes with 5GHz* and 2.4GHz Wi-Fi as standard –
simply turn on and log onto your preferred network to enable a
host of advanced wireless production features:
Two XLR inputs reject electromagnetic interference for unhindered
audio. Switchable phantom power supports mics that need it,
while true input level controls put you in charge of sound.
* 5GHz support dependent on country/regional regulation.
Remote operation
Ustream® Direct Streaming allows you to share scenes as they
happen with high quality picture and sound without a switcher.
QoS Streaming to XDCAM air allows images to be streamed live
from the camcorder for viewing at a remote location.
FTP Transfer allows content files recorded with MPEG HD
422/420 proxy feature (CBKZ-SLMP required) and other content
files shot in XAVC (QFHD/FHD) and AVCHD formats to be sent over
the internet for remote storage on an FTP server.
XDCAM air can upload proxy footage to the cloud from multiple
camera operators in the field, so editing can start immediately.
Uploaded content can be accessed securely from any location.
News teams can even start logging clips while shooting’s
still going on, saving even more valuable time when a story’s
breaking.
Wi-Fi/NFC (Near Field Communication) with Content Browser
Mobile™ allows the PXW-Z90 to be remotely controlled from
a smartphone or tablet computer (iOS 9.0 - 10.3 or Android 4.4
through 7.1) via a Wi-Fi connection. One-touch authentication is
also possible with smartphones that offer NFC connectivity
* The Content Browser Mobile™ application can be downloaded from the Google Play
Store or App Store. Wi-Fi operation cannot be guaranteed with all smartphones and
tablet computers.
Wired LAN connection allows the PXW-Z90 to be connected to
the internet over a wired connection via the separately available
VMC-UAM2 USB adapter cable and network adaptor kit (CBKNA1), allowing files to be streamed or transferred by FTP.
Wide-angle zoom lens with great control
The PXW-Z90 is supplied with a fixed 29mm wide-angle ZEISS
Vario-Sonnar T* lens, ideal for capturing panoramic landscapes.
The 12x optical zoom can be increased to 18x with Clear Image
Zoom, maintaining full QFHD resolution using Super Resolution
Technology or 24x in HD. In addition, the Digital Extender can
double this range again, up to 48x zoom.
The camcorder’s lens ring enables
smooth, natural adjustment of
focusing or zooming, depending
on which mode is selected; while
the manual dial and buttons on the
side of the body allow swift and
easy adjustment of IRIS (aperture),
ISO/GAIN and shutter speed.
Superb quality monitoring with enhanced OLED
viewfinder
You have superb monitoring options with the Z90: an enhanced
0.39-type 2359K dot OLED viewfinder and 3.5-type 1550K dot
LCD. The super high resolution OLED viewfinder offers excellent
quality brightness, contrast and response, giving you better
precision of manual focus operations and eliminating any
colour-breaking phenomenon. The LCD gives you further flexible
composition options.
The PXW-Z90 has a featured remote interface (2.5 mm stereo
mini-mini jack) wired interface. Using a wired remote controller
such as the RM-1BP or RM-30BP the focus, zoom, rec start/stop
and rec review can be controlled remotely.
Dual media slots
To extend recording time and workflow
flexibility, the PXW-Z90 is equipped with
two memory card slots and is compatible
with SDXC and SDHC cards.
Relay
mode
automatically
switches
recording from the first to the second memory card when the first
is full; Simul mode allows simultaneous recording to two memory
cards (for example to create an immediate back-up version).
The PXW-Z90’s two Start/Stop buttons on the handle grip and
camcorder body can independently start and stop recording on
different memory cards while recording in Simul mode.
Multi-Interface (MI) Shoe
The PXW-Z90 takes advantage of Sony’s
flexible Multi-Interface (MI) Shoe, which
provides power, signal connections and
coordinated on/off switching to compatible
various Sony accessories.
Wide choice of connections
The PXW-Z90 offers numerous connections
to suit the broadcast workflow, including
3G HD-SDI, HDMI®, Multi/Micro USB jack
and composite output. The Rec Trigger
signal can be sent through SDI and HDMI to
link an external recording device. HDMI/SDI/composite output is
possible during QFHD recording*.
* HDMI supports up QFHD resolution, 3G-SDI supports up to HD resolution. Composite
is SD-only.
Simple live solution
The PXW-Z90 is designed to work
seamlessly with Sony’s MCX-500
Multi Camera Live Producer, a robust
and cost-effective switcher that makes
it easy for one person to run a multi-camera
live event shoot. When used with the MCX-500 and
Remote Commander RM-30BP, a Tally indicator will automatically
appear on each PXW-Z90’s LCD panel and viewfinder – a red icon
indicates when the shot is live (PGM) while Green indicates preview
mode (PVW). The MCX-500 supports up to 9 video inputs, 5 channel
stereo inputs including XLR with both internal recording and live
streaming via Ustream™, Facebook Live, and Youtube Live*.
* Facebook live and YouTube live available with V2.0 firmware
Wirelessly Synchronise Multiple Camcorders
When shooting with multiple camcorders, you can synchronize the
timecode of each camcorder using Content Browser Mobile™ (CBM)
smartphone application* with optional CBKZ-WTCL upgrade. With this
feature, all camcorders
can synchronise to the
primary camcorder you
select or to a manually
set time – whichever
you prefer.
* Version 3.0 Content Browser
Mobile™ is required.
19
PXW-X70
1.0 type Exmor R CMOS Compact Solid-State Memory Camcorder
1.0-inch type Exmor® R CMOS Sensor with a
Resolution of 20 Megapixels
Wide Variety of Recording Format Capabilities
Including XAVC Long GOP (MXF)
The Exmor R CMOS sensor with 1.0-inch type picture elements delivers
high resolution and minimal noise even when shooting in low-light
conditions. The 20-megapixel sensor comfortably supports 4K resolution, and 4K recording requires purchase of an optional 4K Upgrade
License (CBKZ-X70FX).
The PXW-X70 provides multiple choices depending on the application
required, including XAVC, AVCHD™, and DV® file based recording. When
recording in XAVC, the PXW-X70 uses the MXF file format, efficiently compressing Full HD (1920 x 1080) resolution using the MPEG-4 AVC/H.264
CODEC. Image sampling is 4:2:2 10-bit with high-efficiency Long GOP
compression at 50 Mbps, 35 Mbps, or 25 Mbps. Moreover, the ability to
record in AVCHD format, which is widely used already, provides playback
compatibility with wide range of consumer electronics equipment.
29-mm Wide-angle Carl Zeiss Vario-Sonnar T* Lens with
12x Optical Zoom (Maximum 48x Zoom)
The wide-angle 29-mm ZEISS Vario-Sonnar T* lens ensures stunning quality to the very corners of the image and offers 12x optical zooming that can
be increased to 24x via Clear Image Zoom. Magnification can be further
increased to 48x by Digital Extender, which takes full advantage of the
20-megapixel high-resolution image sensor. From wide-angle to telephoto shooting, this lens enables various professional level applications.
Additionally, seven shutter blades contribute to impressive background
bokeh.
Wi-Fi and Wireless Functions for Remote Control
Streaming
3.5-inch* type LCD Panel and 0.39-inch* type OLED
Viewfinder
Four Position (clear, 1/4, 1/16, 1/64) Switchable
Compatibility with HDMI and 3G-SDI Output
XLR Handle Unit
This feature allows images to be streamed live from the PXW-X70 for viewing at a remote location. Data transfer rate, specified by two image quality
menu settings (9Mbps and 3Mbps), can be selected to suit the network
environment being used.
Dual Media Slots
FTP Transfer
Compatible Accessories Attached to the MultiInterface (MI) Shoe
This feature supports FTP file transfers on the PXW-X70, allowing content
files recorded with the XAVC Proxy Recording feature and other content
files shot in XAVC (4K/HD) and AVCHD formats to be sent over the Internet
for remote storage on an FTP server.
Wired LAN Connection
When wireless LAN is unavailable, this feature allows the PXW-X70 to be
connected to the Internet over a wired connection via a USB adapter cable
“VMC-UAM2” and Network adaptor kit “CBK-NA1R', both sold separately,
allowing files to be streamed or transferred by FTP.
XAVC Proxy Recording
Proxy recording supports the use of a low-bit-rate video file in place of an
XAVC format, high-bit-rate file with the same timecode.
Picture Profile Function
Optional 4K Upgrade License “CBKZ-X70FX”
CBKZ-X70FX is the Upgrade License which enables 4K recording on the
PXW-X70. Firmware version 2.0 is required for use of the Upgrade License.
* Viewable area measured diagonally.
Optional MPEG2HD Upgrade License "CBKZ-SLMP"
CBKZ-SLMP is the Upgrade License which enables MPEG2HD recording
on the PXW-X70. Firmware version 3.0 is required for use of the Upgrade
License.
* Requires Version 3.0 firmware or
above, plus CBKZ-SLMP upgrade kit.
20
HXR-NX80
1.0 type Exmor RS CMOS sensor palm-sized NXCAM 4K camcorder with
XAVC S, Fast Hybrid AF, & Instant HDR Workflow
Revolutionary imaging performance with Exmor RS
Instant HDR workflows
Exmor RS is a Sony's CMOS image sensor
that adopts a unique "back- illuminated and
stacked structure. A large 14.2-megapixel
(effective) 1.0-type stacked CMOS image
sensor delivers beautiful background
bokeh defocus effects and superior
sensitivity for capturing high-quality
images with less noise, even under dark or
bright conditions. This sensor integrates
up to 273 phase-detection AF points that
densely cover approx. 84% of the image
area, for precise tracking of subjects
throughout the shooting frame.
Shoot, edit and view HDR content in HLG without the need for
additional colour grading*.
As the expanding need for HDR content continues, internet
video platforms and professionals producing corporate or event
content are paying more attention to the added value of HDR.
They need to deliver content quickly, without compromising
on imaging expression and quality of content. To meet this
demand, the HXR-NX80 offers HLG (Hybrid Log Gamma) curve
and BT.2020 color space shooting, in addition to S-Log3, for easy
file-based workflows, whilst achieving the image quality of HDR.
This simple workflow enables the shooting, editing and viewing
of HDR content in HLG, without devoting a lot of time to postproduction work and additional colour grading.
* HLG/BT.2020 compatible display required.
Enhanced Fast Hybrid auto focus captures action
Enhanced Fast Hybrid auto focus (AF) is comprised of a number
of features: Phase-detection AF with up to 273 reference
points covering approximately 84% of the image area, face
detection and lock-on auto focus technology to estimate subject
movement. They all work together seamlessly to capture fastmoving subjects with amazing sharpness.
Stunning slow motion in Full HD
High Frame Rate shots can turn everyday actions into slow motion
ballet and the HXR-NX80 delivers up to 120 frames* per second
(fps) in Full HD, giving you a maximum of 5 times slow motion
expression. There’s no sacrifice in bit depth and no “windowing”
of the sensor. So there’s no crop factor, no loss in angle of view.
Higher frame rates** are also possible at specific resolutions.
* 120fps (NTSC)/100fps (PAL)
** 240, 480, 960 (NTSC)/250, 500, 1000fps (PAL)
Professional quality 4K (QFHD) and HD
The HXR-NX80 allows you to record a wide range of 4K (QFHD)
and HD formats for maximum flexibility from this stunning palmsized camcorder. The NX80 supports XAVC S 4K 100/60 Mbps
recordings at 30p/25p/24p, XAVC S and AVCHD.
21
Networked for high mobility
Remote operation
The HXR-NX80 comes with 2.4GHz Wi-Fi as standard – simply
turn on and log onto your preferred network to enable a host of
advanced wireless production features:
The HXR-NX80 has a featured remote interface (2.5 mm stereo
mini-mini jack) wired interface. Using a wired remote controller
such as the RM-1BP or RM-30BP the focus, zoom, rec start/stop
and rec review can be controlled remotely.
Ustream® Direct Streaming allows you to share scenes as they
happen with high quality picture and sound without a switcher.
Wi-Fi/NFC (Near Field Communication) with Content Browser
Mobile™ allows the HXR-NX80 to be remotely controlled from
a smartphone or tablet computer (iOS 9.0 - 10.3 or Android 4.4
through 7.1) via a Wi-Fi connection. One-touch authentication is
also possible with smartphones that offer NFC connectivity
* The Content Browser Mobile™ application can be downloaded from the Google Play
Store or App Store. Wi-Fi operation cannot be guaranteed with all smartphones and
tablet computers.
Wide-angle zoom lens with great control
The HXR-NX80 is supplied with a fixed 29mm wide-angle ZEISS
Vario-Sonnar T* lens, ideal for capturing panoramic landscapes.
The 12x optical zoom can be increased to 18x with Clear Image
Zoom, maintaining 4K resolution using Super Resolution
Technology or 24x in HD. In addition, the Digital Extender can
double this range again, up to 48x zoom.
The camcorder’s lens ring
enables smooth, natural
adjustment of focusing or
zooming, depending on
which mode is selected;
while the manual dial and
buttons on the side of
the body allow swift and
easy adjustment of IRIS
(aperture), ISO/GAIN and
shutter speed.
Superb quality monitoring with enhanced OLED
viewfinder
You have superb monitoring options with the NX80: an enhanced
0.39-type 2359K dot OLED viewfinder and 3.5-type 1550K dot
LCD. The super high resolution OLED viewfinder offers excellent
quality brightness, contrast and response, giving you better
precision of manual focus operations and eliminating any
colour-breaking phenomenon. The LCD gives you further flexible
composition options.
Dual media slots
To extend recording time and
workflow flexibility, the HXR-NX80
is equipped with two memory card
slots and is compatible with SDXC
and SDHC cards.
Relay mode automatically switches
recording from the first to the
second memory card when the
first is full; Simul mode allows
simultaneous recording to two memory cards (for example to
create an immediate back-up version). The HXR-NX80’s two
Start/Stop buttons on the handle grip and camcorder body can
independently start and stop recording on different memory
cards while recording in Simul mode.
Multi-Interface (MI) Shoe
The HXR-NX80 takes advantage of
Sony’s flexible Multi-Interface (MI)
Shoe, which provides power, signal
connections and coordinated on/
off switching to compatible various
Sony accessories. For example, you
can connect and control Sony UWP-D
wireless microphone systems (sold
separately).
Simple live solution
The HXR-NX80 is designed to work
seamlessly with Sony’s MCX-500
Multi Camera Live Producer,
a robust and cost-effective
switcher that makes it easy for
one person to run a multi-camera
live event shoot. When used with
the MCX-500 and Remote Commander RM-30BP,
a Tally indicator will automatically appear on each HXR-NX80’s
LCD panel and viewfinder – a red icon indicates when the shot
is live (PGM) while Green indicates preview mode (PVW). The
MCX-500 supports up to 9 video inputs, 5 channel stereo inputs
including XLR with both internal recording and live streaming via
Ustream™, Facebook Live, and Youtube Live*
* Facebook live and YouTube live available with V2.0 firmware
Easily Synchronise Multiple Camcorders
When shooting with multiple camcorders, you can synchronize
the timecode of each camcorder using Content Browser Mobile™
(CBM) smartphone application* with optional CBKZ-WTCL
upgrade. With this feature, all camcorders can synchronise to
the primary camcorder you select or to a manually set time –
whichever you prefer.
* Version 3.0 Content Browser Mobile™ is required.
Dual XLR inputs
Two XLR inputs reject electromagnetic interference for
unhindered audio. Switchable phantom power supports mics
that need it, while true input level controls put you in charge of
sound.
22
HXR-NX100
Large 1.0-inch type CMOS Compact Solid-State Memory Camcorder
Large 1.0-inch Type Exmor® R CMOS Sensor for Stunning
Picture Quality
Sony’s unique large 1.0-inch type Exmor R back-illuminated
CMOS sensor which is approximately the same size as a Super
16mm film frame, delivers high resolution and fantastic low light
performance, as well as offering more depth of field control as
demanded by today’s diverse shooting requirements. High sensitivity and fantastic resolution with 20 mega pixels*1 delivers
striking detail and colors, with minimum illumination 1.7 lux*2.
*1 14.2 million effective pixels *2 1/30 second shutter speed, Iris and gain Auto
1.0-inch
type Sensor
13.2 × 8.8mm
1/2.3-inch
type Sensor
5.9 × 4.4mm
1/3-inch
type Sensor
4.8mm x 3.6mm
Maximum 48x zoom for Wide Range Shooting
Sony's G lens offers a 12x Optical Zoom from 29mm angle of
view at wide end, which can be increased to 24x with Clear Image Zoom while retaining full resolution thanks to By Pixel Super
Resolution Technology. Zoom performance can be doubled at
any point with a Digital Extender up to 48x.
Three Independent Manual Lens Rings, Built-in 4-step ND Filter
and Other Professional Functions
3 manual lens rings ensure intuitive
control of zoom, focus and iris. The
HXR-NX100 is equipped with 4 step
conventional mechanical ND filter
positions (Clear, 1/4ND, 1/16ND
and 1/64ND) for better exposure
and depth of field control in bright
scene, 0.24 type 1550K dots EVF
and 3.5 type 1550K dots LCD for
easy monitoring.
Dual Media Slots for Recording Flexibility
Two memory card slots enable various recording options such as
backup, simultaneous, relay and independent recording.“SIMUL”
mode permits simultaneous recording to two memory cards,
while “RELAY” mode automatically switches recording from the
first to the second memory card when the first is full. The user can
also use buttons on the camcorder to independently start and
stop recording on different memory cards.
Wide Choice of Connections
The HXR-NX100 provides a wide variety of connectivity options
including HDMI, Multi/Micro USB, XLR terminals, REMOTE, Composite (BNC) and Multi Interface (MI) Shoe, which allows for a
wide range of accessories without the need for cables, such as
the HVL-LBPC Video Light and the UWP-D wireless microphone
series.
Breadth of Recording Format Capabilities
The HXR-NX100 provides multiple choices including AVCHD and
DV which are suitable for conventional workflow, and newly
implemented XAVC S 50Mbps ,which realizes better image
quality or professional needs.
0.24 type 1550K dots EVF
AUDIO INPUT
(XLR × 2)
VIDEO OUT,
Composite (BNC)
Dual Memory card slots
Focus ring
Zoom ring
Iris ring
4-Step ND filer
(Clear, 1/4ND, 1/16ND, 1/64ND)
AUDIO OUT (RCA)
Headphone OUT
REMOTE
HDMI OUT
DC IN
MULTI/MICRO USB
23
HXR-NX5R
Full-HD 3CMOS Compact Camcorder
Sony’s HXR-NX5U was a classic: our first NXCAM® camcorder and
a landmark in the transition from tape to memory recording. Now
that classic is reborn in the form of Sony’s new HXR-NX5R. With
enhanced features like Wi-Fi® file transfer, OLED viewfinder and
MI shoe, the NX5R is a worthy successor. It’s the ideal tool for documentaries and corporate assignments, weddings and events,
nature, sports and journalist newsgathering.
Stunning pictures made easy
Designed to get the job done quickly and efficiently, the NX5R’s
advanced three 1/2.8-type Full HD Exmor® CMOS system can be
relied upon to deliver sharp, cleanly focused imagery in almost
any shooting scenario. Recorded images are remarkably lifelike in texture and detail, while shooting is fast and hassle-free
with all the NX5R’s key functions right at your fingertips. Direct
Menu options display on-screen, so shooting parameters can be
changed quickly and conveniently without taking your eyes off
the action.
Working smarter
The NX5R’s advanced network functions mean there’s no need
for expensive add-on's to take advantage of new business opportunities or speed-up your workflow efficiency. The HXR-NX5R
is ready to go straight out of the box, whatever the business opportunity today or tomorrow – live streaming events, multi-camera shoots and FTP’ing breaking news to your editor are all just
a button press away.
Simple multi-camera shoots
The NX5R is also an ideal partner for Sony's innovative MCX-500
Multi Camera Live Producer* – an affordable, easy-to-operate
and full-featured switcher that delivers broadcast quality results.
Expand your business with multi-camera shoots for live presentation, live streaming and recording across a wide number of applications.
* RM-30BP Remote Commander required for advanced integrated functionality.
24
Everything you need
Forget about expensive accessories: the NX5R’s built-in features
include an adjustable brightness LED video light, 3G-SDI terminal
with Full HD 60p output and advanced Multi-Interface (MI) Shoe
to power and control key accessories. The HXR-NX5 and HXRNX3’s accessories are fully compatible,* including Sony’s popular L-Series batteries, so your existing investment is protected.
Widely available consumer SDHC and SDXC media make shooting
with NX5R both economical and convenient.
* HXR-FMU128 is not supported as dual-relay recording has been built into NX5R.
Features
Rich color imagery
The NX5R offers latest-generation imaging performance, with
Full-HD progressive image capture rather than the interlaced output of the original HXR-NX5. Its three 1/2.8-type Full HD Exmor
CMOS sensors provide 2.07 million effective pixel count at the
16:9 aspect ratio. Red, blue, and green light are independently
captured by separate image sensors, contributing to high resolution, high sensitivity and wide dynamic range. An advanced LSI
(featuring intelligent noise reduction, enhanced detail reproduction and distortion correction technologies) delivers remarkably
life-like images.
Built-in LED lighting
Get closer with 40x zoom
An easily adjustable brightness LED video light is positioned just
above the camcorder’s built-in microphone, providing convenient
illumination for a wide range of shooting situations and minimizing the need to carry external lighting equipment. Illumination is
approximately 200 lux/1m (approx. 800 lux/0.5m) with a beam
angle of 30° and a color temperature of approximately 5500K.
The NX5R’S high-performance Sony G lens offers an expansive 28.8
mm (35mm full-frame format equivalent) angle of view at the wide
end and a stunning 40X zoom.
The 20x optical zoom range will easily cover most shooting situations,
but when more reach is required, Sony’s advanced Clear Image Zoom
employs Super Resolution Technology to double your optical zoom
up to 40x while still delivering exceptional image quality.
*An external microphone connected via the XLR connector may cast a shadow if used simultaneously with the built-in LED video light.
Optical Zoom
(Simulated images)
Clear Image Zoom
Multi-format recording
Networked for high usability
Live internet stream from any event using hassle-free live streaming service such as Ustream™ or a generic streaming mode for a
local area network for a secure corporate presentation.
Remote control makes the NX5R perfect for multi-camera shoots.
Mount on a tripod and use your smart phone or tablet to monitor
and control focus, zoom, iris, REC START/STOP and more.*
FTP allows you to click and send Full-HD content to your editor for
fast-breaking news stories.
* Sony’s Content Browser mobile application can be downloaded from the Google Play
Store or App Store.
The NX5R is designed to provide exceptional performance for Full HD
productions, recording in AVCHD and DV to support proven legacy
workflows, as well as the newer, more advanced XAVC S at 50Mbps.
XAVC S offers stunning picture quality, but also workflow flexibility
and storage efficiency. In XAVC S, the NX5R uses the MP4 file format,
sampling at 50Mbps. Compared to AVCHD, XAVC S 50Mbps captures
more details and less noise, thanks to the higher bitrate.
Format
Color space/bit rate
Max rate
XAVC S
4:2:0/8 bit
50 Mbps
AVCHD
4:2:0/8 bit
28 Mbps
DV
DV 4:1:1 (60Hz)/8bit (NTSC)
25 Mbps
HD
SD
Flexible controls
Wide choice of connections including
3G-SDI
The NX5R provides all the connectivity options professionals expect, including 3GSDI (Full HD 60p output), plus REMOTE,
composite (BNC) and audio XLR terminals.
Multi-Interface (MI) Shoe
The NX5R takes advantage of Sony’s flexible
Multi-Interface (MI) Shoe, which provides
power, signal connections and coordinated
on/off switching to compatible Sony accessories. For example, you can connect and
control Sony’s UWP-D wireless microphone
systems (sold separately).
Dual media slots
To extend recording time and workflow flexibility, the NX5R has dual media slots compatible with SDXC and SDHC cards as well
as Memory Stick PRO Duo™ (Mark 2) and
PRO-HG Duo.™ Relay mode automatically
switches recording from the first to the second memory card when the first is full; Simul
mode allows simultaneous recording to two
memory cards (for example, to create a back-up). Start/Stop buttons
on the NX5R’s handle grip and camcorder body can independently
start and stop recording on different memory cards in Simul mode.
All of the NX5R’s key functions are at
your fingertips – from intuitive Direct
Menu controls to a responsive joystick on the hand grip. Direct Menu
options display on-screen, so shooting parameters can be changed
quickly and conveniently without
taking your eyes off the action.
Precision monitoring
However you choose to shoot, the
NX5R adapts to fit your style. It has a
high visibility wide viewing angle and
high contrast 0.39-type 1440K OLED
viewfinder and an easily adjustable,
flip-out 3.5-inch* type 1550K LCD, for
precision monitoring and low latency.
*Viewable area measured diagonally.
Perfect partnership
The NX5R was designed alongside
Sony’s MCX-500 Multi Camera Live
Producer, a robust and cost-effective switcher that makes it easy for
one person to run a multi-camera
live event shoot. When used with
the MCX-500 and optional RM-30BP
Remote Commander, a Tally indicator will automatically appear on each NX5R’s LCD panel and Electronic Viewfinder – a Red icon indicates when the shot is live (PGM)
while Green indicates preview mode (PVW). The MCX-500 supports
up to 9 video inputs, 5 channel stereo inputs including XLR with
both internal recording and live streaming via Ustream™ service.*
*Service agreement purchased separately.
25
HXR-MC2500
Solid-State Memory Camcorder
Highly-sensitive Exmor™ R CMOS Sensor and Built-in LED
Light
High Contrast 1.44 Million Dots OLED Viewfinder and 0.92
Million Dots 3-inch* Wide LCD Panel
The HXR-MC2500 is capable of shooting clearly even in
low-light or indoor environments. Its highly-sensitive Exmor R CMOS sensor adopts a back-illuminated technology
that enables the image sensor to utilize incidental light more
efficiently (minimum illuminance of 0.8 lux* [60i], 0.7 lux [50i]**). The
HXR-MC2500 is also equipped with a convenient built-in LED light for
valuable extra illumination.
* Viewable area measured diagonally.
* Manual setting mode: Shutter Speed - 1/15 sec, F1.8, Gain33dB
** Manual setting mode: Shutter Speed - 1/12 sec, F1.8, Gain33dB
32GB internal flash memory and low power consumption
A 32GB internal flash memory storage system on board of the
HXR-MC2500 enables longer duration recording of more than
150 minutes. In addition, by using a combination of the internal flash memory and memory card in the MS/SD slot, recording
functions such as “Relay” and “Simultaneous” for backup can be
available. When Sony’s L-Series InfoLithium batteries (such as the
optional NP-F970) are used, the HXR-MC2500 is capable of continuous long recording of up to 14 hours.
26.8 mm Wide-Angle Lens
Multi-Interface (MI) Shoe
Expands options to use accessories without cables, such as the
UWP-D11 wireless micro phone receiver and XLR audio input by
XLR adapter
BNC Composite Terminal
TC/UB Implementation
Wi-Fi/NFC Functions for Seamless Connection to
Smartphones
The HXR-MC2500 can connect to mobile devices such as smartphones or tablets via a Wi-Fi connection, enabling monitoring
and remote control functions such as start/stop recording, zoom
control, iris control and touch auto focus. Furthermore, it is also
NFC-capable (Near Field Communications) to allow easy, one
touch wireless connections to compatible mobile devices.
26
MCX-500
Multi-Camera Live Producer
The MCX-500 is an affordable, uniquely user-friendly and flexible production switcher that makes it simple for a single operator or small team to produce a broadcast-quality live event.
Multiple video inputs, including professional 3G-SDI, HDMI,®
Composite Video plus dedicated DSK, mean you can mix and
match as needed for each production.
Smart controls with configurable LCD Touchscreen
If you’re running the show on your own, you need controls that
suit the way you work – intuitive and yet somehow also fully
featured. The MCX-500 achieves this by carefully thought-out
physical controls that you will find easy to operate without
looking away from the action for a second.
More advanced features can be tuned to your exact workflow
requirements and mapped to an LCD touch-screen control with
easily recognizable ICON buttons. Trigger the sophisticated effects you’ve pre-defined with a single touch on a user-defined
ICON. It’s a robust, user-friendly system that’s easily extended
to bring in additional team members as productions grow.
Mix between 8 video sources + 1 Title (total 9 inputs)
The switcher is designed to expand your operations for full
control of a multi-camera shoot. There is no need to worry
about swapping out inputs during a production – the MCX-500
features no less than 8 video inputs (plus dedicated Title input)
to easily accommodate any small-to-medium sized production. Inputs include professional 3G-SDI (x4), standard HDMI
(x2) and even composite video (x2), allowing you to connect
a wide variety of cameras and other equipment. A dedicated
RGB Title input allows you to connect a PC or Macintosh to use
as a dedicated source of titles for your production.
Stream content live over the internet
The MCX-500 is ideal for live streaming events and productions. The switcher allows you to live-mix the output of multiple sources with direct streaming in real time using services
such as Ustream.® Share scenes as they happen with highquality picture and sound, direct from the MCX-500 to a router
via Ethernet – no PC required.
Multi-view monitoring
See all your sources simultaneously on one display. The
switcher’s multi-view output makes it easy for you to see all
your sources and outputs on a single screen. Monitoring on
the multi-view is always four inputs.
27
RM-30BP
Remote Commander
The RM-30BP is the successor to the RM-1000BP, one of the industry’s first comprehensive, multifunctional remote commanders.
Ideal for freelancers and small-budget productions, the lightweight remote can be handheld, placed on a table or attached
to a tripod arm for operation. The RM-30BP can control most
camera functions including:
• Lens control: one push auto / manual focus, iris and zoom
control
• Camera control: recording / display functions, shutter speed,
white balance - including six assignable buttons
• Playback and multi camera control (up to 3 cameras)
The RM-30BP can also be connected to the new MCX-500 for
multi-camera control directly from the switcher, and is compatible with the HXR-NX5R and PXW-FS7 v4.0, with plans to introduce compatibility for other camcorders from Sony. Check the
latest compatible camcorder on the Sony website.
28
FDR-AX700
1.0-type Exmor RS™ Sensor Handycam® with XAVC S™, Fast Hybrid AF, &
Instant HDR Workflow
Incomparable AF performance
4K HDR (HLG)* recording
The Fast Hybrid AF system with 273 phase-detection autofocus
points covering approx. 84% of the frame swiftly locks onto and
tenaciously tracks even fast subjects.
Produce movies of wide dynamic range without devoting a lot of
time to post-production work.
*1
High functionality
Advanced operation
Take command of movie production with a wide range of manual
controls, as well as ergonomic button and grip design for fluid
handheld shooting. The 2359k-dot high-resolution OLED TruFinder™ and 3.5-type 1555k-dot Extra Fine LCD make it easy to
preview and monitor shots in precise detail. A new menu system
offers faster access and live setting preview. Dual slots are
convenient for extended relay or simultaneous backup recording.
S-log2/S-log3 lets you capture far wider ranges of brightness and
colour for enhanced post-processing potential. With Super Slow
Motion*2 and Slow & Quick Motion*3, you can record within a vast
range of speeds, from the most fleeting at up to 40x super slow
motion, to up to 60x quick motion videos.*
Relative stops (from 18% gray) – video level (%)
18%
Gray
90%
White
1300% of
90% White
106%
100
94%
Video level (%)
80
60
41%
32%
40
S-Log2
20
S-Log3
0
-8
-6
-4
-2
0
2
Relative stops from 18% gray
4
6
8
*2Sound cannot be recorded. A Class 10
or higher SDHC/SDXC memory card is
required.
*3 Sound cannot be recorded. SDHC/SDXC
UHS-I (U3) memory card is required.
Other features
Built-in ND filters, Picture Profile, Zebra function, Peaking display,
Proxy recording, TC/UB, 4K movie playback capability on an HD
TV, manual setting for extra control, NIGHTSHOT, etc.
*1
*1 3840 x 2160 pixels. Connect this product to a HDR(HLG) compatible Sony TV via a USB cable when displaying HDR movies.
29
Ultra-high Sensitivity up to ISO 409600 with Wide
Dynamic Range and Internal 4K Movie Recording
••Ultra-high sensitivity up to ISO 409600*1 and wide dynamic
range for stills and movies, thanks to the 35mm full-frame
Exmor CMOS sensor with 12.2 megapixels*2
••Internal 4K (QFHD: 3840 x 2160)*3 movie recording in full-frame
format features full pixel readout*4 with no binning for higher
image quality
••Professional video features include S-Gamut3.Cine/S-Log3 profile as well as XAVC S
••Full HD recording at 120fps and 4x/5x slow motion recording
••5-axis optical image stabilization extends the expressive potential of still and movie images
••Fast Intelligent AF with enhanced speed and accuracy performs
35mm full frame 16:9 in 4K / Full HD
reliably in light as low as EV -4
••Full frame image sensor provides extensive control of plane of
focus for creative movie making
Super 35mm equivalent in Full HD
*1 Standard ISO range: 100-102400 for stills and movies.
Expandable ISO range: 50-409600 for stills, 100-409600 for movies.
*2 Approximate effective megapixels.
*3 Internal recording and HDMI output, both at 4K resolution, are available in full-frame format.
*4 1 In 29.97p (25p)/23.98p movie setting.
*5 The viewfinder magnification is approx. 0.78x (with 50mm lens at infinity, -1m-1).
3840 x 2160
RX0
Ultra-Compact Camera with Waterproof and
Shockproof Design
••15.3 megapixels*1 1.0-type stacked Exmor RS™ CMOS sensor with
DRAM chip
••24mm*2 F4 ZEISS® Tessar T* lens delivers high-resolution images
••Ultra-compact size, lightweight and rigid extra super duralumin body
••33 ft (10 m) waterproof*3, 6.5 ft (2.0 m) shockproof*3, 440 lbf/2,000 N
(200 kgf) crushproof*3
••Super slow motion movies*4 at high frame rates up to 960fps
(NTSC)/1000fps (PAL)
••Anti-distortion shutter of up to 1/32000 sec.
••Up to 16 fps*5 Continuous Shooting
••Picture Profile and S-Log2 gamma settings enable pro-style movie
expression
Optional Camera Control Box CCB-WD1
••Ultra-compact size as RX0
••Reliable wired multi-camera solution
••Multiple camera synchronization
30
••Uncompressed high-quality 4K QFHD data can be recorded on an
external recorder.
••Wireless*6 or Wired*7 multi camera control for multi-view applications
*1 Approx., effective
*2 35mm format equivalent
*3 Sony’s test condition. Depending on usage conditions and circumstances, no guarantee is
made regarding damage to, malfunction of, or waterproof performance of this camera.
*4 Sound cannot be recorded when shooting slow motion. A Class 10 or higher micro SDXC or
SDHC memory card is required.
*5 In Speed Priority Continuous mode. Focus and exposure settings fixed at first shot.
*6 Requires PlayMemories Mobile ver. 6.1 to control up to 5 cameras and 6.2 or higher more than
6 cameras
*7 Requires optional accessories Camera Control Box CCB-WD1
Mount System for a Wide Selection of Lenses
E-mount Interchangeable Lens System
Sony's E-mount interchangeable lens system enables the attachment of Sony's lenses as well as other brand lenses that utilize third-party adapters.
Mount Adaptors
+
A-mount Lenses
Mount Adaptors
+
E-mount camera
Other Lenses
Third party adaptor
E FE PZ 28-135mm F4 G OSS SELP28135G
E E PZ 18-110mm F4 G OSS SELP18110G
mount
mount
This top-quality powered zoom
lens for 35mm full-frame and
Super35 format cameras has been
created to satisfy professional
moviemaking requirements,
including the high resolution 4K
format. Focus breathing and zoom
image shift have been reduced
to an absolute minimum, while
aspherical elements and advanced
multi-coating technology
effectively suppress aberration. Quiet operation is also a priority, so an SSM
(Super Sonic wave Motor) drive system has been employed for precise,
quiet zooming. Independent control rings for zoom, focus, and aperture are
lens. Built-in Optical SteadyShot® image
provided for the first time in an
stabilization adds to the extraordinary performance of this outstanding lens.
18 to 110mm zoom (27-165mm
equiv. in 35mm full-frame format)
covers the most frequently
used range for Super 35mm/
APS-C movies with a constant
F4 maximum aperture. G Lens
optical performance delivers image
quality that is suitable for 4K
production throughout, right out
to the image periphery. Sony SMO
design minimizes image shift due
to lens operation, while high-level zoom control and refined focus add to
professional overall performance.
L ens groups/elements: 15/18
M
inimum focus: 0.4 (W) - 0.95 (T) m (AF / MF) ;0.95 m (Full MF) m
F ilter diameter: 95 mm
S ize: 110 mm (diameter) x 167.5 mm (length)
W
eight: approx. 1105 g (Without tripod mount)
L ens groups/elements: 12 / 18
M
inimum focus: 0.4 m (AF) / 0.95 m (MF)
F ilter diameter: 95 mm
S ize: 105 mm (diameter) x 162.5 mm (length)
W
eight: approx. 1190 g (without tripod mount)
Aspherical lens
28 mm focal length
Aspherical lens
ED glass
ED glass
135 mm focal length
18 mm focal length
110 mm focal length
80
80
80
60
40
20
0
4
8
12
16
20
Distance from optical center of lens (mm)
Max. aperture
60
40
20
0
4
8
12
16
20
Distance from optical center of lens (mm)
R 30 line pairs/mm
T 30 line pairs/mm
R 10 line pairs/mm
T 10 line pairs/mm
60
40
20
Max. aperture
R 30 line pairs/mm
T 30 line pairs/mm
R 10 line pairs/mm
T 10 line pairs/mm
(R: radial values, T: tangential values)
E FE 16-35mm F2.8 GM
SEL1635GM
mount
Full
XA
AF/MF Switch
Lens groups/elements: 13/16
M
inimum focus: 0.28 m
F ilter diameter: 82 mm
S ize: 88.5 mm (diameter) x 121.6 mm (length)
W
eight: approx. 680 g
E FE 24-70mm F2.8 GM
SEL2470GM
Full
40
20
F8 aperture
R 30 line pairs/mm
T 30 line pairs/mm
R 10 line pairs/mm
T 10 line pairs/mm
R 30 line pairs/mm
T 30 line pairs/mm
(R: radial values, T: tangential values)
mount
DDSSM
60
0
3
6
9
12
Distance from optical center of lens (mm)
0
3
6
9
12
Distance from optical center of lens (mm)
F8 aperture
R 10 line pairs/mm
T 10 line pairs/mm
Contrast (%)
100
80
Contrast (%)
100
Contrast (%)
100
Contrast (%)
100
XA
AF/MF Switch
Lens groups/elements: 13/18
M
inimum focus: 0.38 m
F ilter diameter: 82 mm
S ize: 87.6 mm (diameter) x 136 mm (length)
W
eight: approx. 886 g
E FE 70-200mm F2.8 GM OSS
SEL70200GM
mount
Full
XA
Linear
AF/MF Switch
Lens groups/elements: 18/23
M
inimum focus: 0.96 m
Filter diameter: 77 mm
S ize: 88 mm (diameter) x 200 mm (length)
Weight: approx. 1480g (without tripod mount)
Full
35 mm full frame format
APS-C/Super 35 format
Circular aperture
ED(Extra-low Dispersion) glass / Super ED
Aspherical lens / Advanced aspherical lens
XA extreme aspherical lens
Nano AR Coating
Internal focusing DDSSM Direct Drive Super Sonic wave Motor Linear Linear Motor
Super Sonic wave Motor
Smooth Motion Optics
Power Zoom
Rear focusing
Optical Steady Shot
Focus range limiter / Electronic Focus range limiter
Focus hold button
AF/MF Switch Auto Focus / Manual Focus switch
XA
31
Accessories
Battery and Charger BP-U Series
Specifications
BP-U90
BP-U60
BP-U60T
Maximum voltage
16.4 V DC
Nominal voltage
14.4 V DC
Nominal capacity
85 Wh
57 Wh
Operating temperature
Dimensions (W x H x D)
BP-U30
28 Wh
-4°F to +113°F (-20°C to +45°C)
1 11/16 x 4 7/8 x 2 3/4 inches
(41.5 x 120.7 x 69.7 mm)
1 11/16 x 3 1/4 x 2 3/4 inches
(41.5 x 82.5 x 69.7 mm)
1 11/16 x 4 1/8 x 2 3/4 inches
(41.5 x 102.5 x 69.7 mm)
1 11/16 x 1 13/16 x 2 3/4 inches
(41.5 x 41.5 x 69.7 mm)
1 lb 6 oz (630 g)
15 oz (420 g)
16 oz (450 g)
8 oz (220 g)
Weight
Supplied accessory
Operating Instructions (1)
BC-U2
BC-U1
Two-channel Simultaneous Battery Charger
Battery Charger
• Simultaneously charges two BP-U90/U60/U30 batteries
• Can charge one battery while supplying DC power to a camcorder
• Charges one BP-U90/U60/U30 battery
• 12 V DC power output
Specifications
BC-U2
BC-U1
Power requirements
100 V AC to 240 V AC, 50/60 Hz
Power consumption
85 Wh
38 Wh
Operating temperature
32°F to 113°F (0°C to 45°C)
7 x 8 1/8 x 5 1/2 inches
(177 x 53.2 x 137 mm)
Dimensions (W x H x D)
Weight
5 1/8 x 1 13/16 x 3 7/8 inches
(128 x 45 x 98 mm)
1 lb 7 oz (650 g)
12 oz (330 g)
12 V, 2.0 A
DC output
Number of mountable batteries
2
1
Chargable battery
BP-U90/BP-U60/U30
Supplied accessories
Operating Instructions (1), DC output cable (1), Warranty Booklet (1)
Approximate Charge Time
Model name (capacity)
BC-U2
1 battery
BC-U1
2 battery
1 battery
BP-U90 (85 Wh)
190
190
220
BP-U60 (57 Wh)
150
150
170
BP-U30 (28 Wh)
130
130
130
unit: minutes
32
Battery and Charger L / V / W-Series
Batteries L-series
Specifications
AC-VQ1051D
NP-F970
Voltage
7.2 V
Capacity
6300 mAh
Performance
AC Adapter / Charger compatible with L-series
• InfoLITHIUM™ batteries
45 Wh
Batteries V-series
Specifications
NP-FV50A
NP-FV70A
NP-FV100A
Voltage
7.3 V
7.3 V
7.4 V
Capacity
950 mAh
1900 mAh
3410 mAh
6.9 Wh
13.8 Wh
25.0 Wh
Performance
AC-VQV10
AC Adapter / Charger compatible with V-series
• Quick and easy charging for
InfoLITHIUM™ P/M/V series batteries
Batteries W-series
For
series
Specifications
BC-TRW
NP-FW50
Voltage
7.2 V
Capacity
1020 mAh
Performance
Video Light
Battery Charger compatible with W-series
• Quick and easy charging for
InfoLITHIUM™ W series batteries
7.3 Wh
Wireless LAN
HVL-LBPC
CBK-WA100/WA101
CBK-NA1
CBK-WA02
Battery Video Light
Wireless LAN Adapter
Network Adapter Kit
5GHz/2.4GHz Wireless LAN
Adapter
33
Related Products
Recording Media
SBP-256/128/64E
SBS-128/64/32G1C
QD-G256/128/64/32E
SF-G1/64/32/16UZ
SF-G1/64/32UX2
MS-HX32B
SxS PRO+ Memory Card
SxS-1 Memory Card
XQD Memory Card
SDXC/SDHC Memory Card
SDXC/SDHC Memory Card
Memory Stick® PRO-HG Duo™
QDA-EX1
MEAD-SD02
SBAC-UT100
SBAC-US30
MRW-E90
QDA-SB1
XQD Express Card Adapter
SD Card Adapter for XDCAM
Thunder bolt2 and USB3.0
Reader/Writer for SxS
USB3.0 reader/writer for SxS
Card Reader for XQD and SD
USB adapter for XQD
HXR-FMU128
128 GB flash memory recording unit
The HXR-FMU128 Flash Memory Unit is an optional solid-state memory recorder designed for
NEX-FS700, NEX-FS100 and NEX-EA50 camcorders, and attaches directly to the right side of the
camera with ease. Hybrid recording functionality is possible by being able to record on both the
HXR-FMU128 and Memory card at the same time. The unit also offers long recording times of up
to 10 hours at the highest HD quality (28Mbps) and 11 hours at 24 Mbps
Audio
UWP-D11
UWP-D12
UWP-D16
UTX-B03
URX-P03
UTX-M03
URX-P03
UTX-P03
UTX-B03
URX-P03
Bodypack Transmitter
Portable Receiver
Handheld Wireless
Microphone
Portable Receiver
Plug-on Transmitter
Bodypack Transmitter
Portable Receiver
URX-P03D
SMAD-P3D
SMAD-P3
1Channel use :
2-channel Portable
Receiver
MI Shoe Adapter
(For URX-P03D)
MI Shoe Adapter
(For URX-P03)
2Channel use :
SMAD-P3 + URX-P03 with Camcorder
ECM-VG1
ECM-MS2
Shotgun Microphone
Stereo Microphone
SMAD-P3D + URX-P03D with Camcorder
- Internal connection
- No need for separate audio cable
- Power supply from camera*1
- On/Off control from camera*1
*1 For details on cameras that support this unit, visit Sony's website: www.sony.com/professional.
34
LCD Picture Monitors
LMD-A240
LMD-A220
LMD-A170
LMD-B240
LMD-B170
Screen Size
(Inch, Diagonal)
24” (24.1”)
22” (21.5”)
17” (16.5”)
24” (23.8”)
17” (17.3”)
SDI Input
3G-SDI (x2)
3G-SDI (x2)
3G-SDI (x2)
HD-SDI (x2)
HD-SDI (x2)
HDMI Input
Image Comparison
l
l
l
l
l
Side by Side, False Color
Side by Side, False Color
Side by Side, False Color
Side by Side
Side by Side
Software
Catalyst Browse
Catalyst Browse is a free, simple viewing and logging tool exclusively
for all of Sony's Pro formats
Catalyst Browse offers simple media management functions such as browsing a collection of files
from a particular device, viewing in detail individual clips, viewing and editing metadata
associated with the media, source color space support for accurate viewing, basic color correction
and color looks, copying from the device to a local hard drive, transcoding files to a variety of
formats, and ingesting and exporting clip lists for Sony Professional Discs.
Catalyst Prepare
The fast, simple, reliable path form camera to post
The ultimate preproduction assistant that allows you to easily and intuitively browse your
camera, deck, or card reader, view clips, off-load the media for safe backup, view and edit
metadata, batch copy, batch transcode to a wide variety of pro formats, precisely perform firstpass color correction, and more.
Catalyst Production Suite
Focused, fast production for 4K, RAW, and HD video
Catalyst Production Suite fuses powerful media preparation and fast, focused video editing to
provide the backbone for video productions. Catalyst Prepare paves your path from camera to
post production, while Catalyst Edit provides a lean, focused video editing environment. Both
support 4K and Sony's RAW media from beginning to end.
To find out more and download a free trial please see:
http://www.sonycreativesoftware.com/catalyst
35
Distributed by
©2017 Sony Corporation. All rights reserved.
Reproduction in whole or in part without written permission is prohibited.
Features and specifications are subject to change without notice.
The values for mass and dimension are approximate.
“SONY” is a registered trademark of Sony Corporation.
XDCAM, NXCAM, Memory Stick, Memory Stick PRO, Memory Stick Duo, Memory Stick PRO Duo,
Memory Stick Micro, AVCHD, DV, DVCAM, HDV, XAVC, Exmor, i.LINK, BRAVIA, , XGA OLED
TruFinder, SteadyShot, InfoLITHIUM, and the Sony logo are trademarks of Sony.
WiFi is a trademark of the WiFi Alliance
The terms HDMI and HDMI High-Definition Multimedia Interface, and the HDMI Logo are
trademarks or registered trademarks of HDMI Licensing Administrator, Inc. in the United States
and other countries.
All other trademarks are the properties of their respective owners.
*i.LINK is a trademark of Sony used only to designate that a product contains an IEEE1394 connector.
Not all products with an i.LINK connector will necessarily communicate with each other. For
information on compatibility, operating conditions, and proper connection, please refer to the
documentation supplied with any device with an i.LINK connector.
MK20093V4OHB17DEC
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