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3-CHANNEL G U I T A R P R E A M P L I F I E R
Hughes & Kettner Musical Instruments GmbH Magdeburgerstr.6 6690 St.Wendel
Telefon ( 0 68 51
)
20 21 Telefax ( 0 68 51
)
48 86
WE AT HUGHES & KETTNER WOULD LIKE TO CONGRATULATE
YOU ON YOUR CHOICE OF THE ATTAX PREAMP!
The HUGHES & KETTNER ATTAX preamp is designed to meet the rigorous demands placed on contemporary musicians: superior sound quality, flexibility, and userfriendly operating define the ATTAX as a valuable tool in your quest for the ultimate sound.
The streamlined operating and control concept enables you to immediately dial in hot sounds. No fuss, no endless knob twiddling.This Operator’s Manual introduces
you to the ATTAX's features and options.
3 CHANNELS - THE STANDARD OF THE 9 0 ' s
The ATTAX features three separate channels: One solid state CLEAN for vintage and contemporary clean tones. The two tube channels, CRUNCH and LEAD, are carefully tuned for a broad overdrive spectrum, from a slight crunch to heavy duty shred.
TWO EFFECTS LOOPS!
The ATTAX features two separate loops for effects/multi-effects devices: a standard
MONO FX LOOP with SEND and RETURN jacks and a STEREO LOOP with a SEND and two RETURN jacks (Left/Right).
STEREO SETUP - NO PROBLEM!
The output, effect, and master sections feature stereo circuits enabling stereo setups, o. g. with a stereo power amp and two cabinets. Stereo effects processors can be added through the STEREO LOOP for optimum effects utilization.
FREQUENCY-CORRECTED RECORDING OUT JACKS
The two Recording Out jacks feature frequency-corrected signal paths that simulate the sound of a miked 4 x 12" cabinet, an ideal tool for home recording, studio situations, and on stage DI to the mixer.
MIDI - THE ULTIMATE CONTROL FEATURE!
The MIDI option requires no soldering. Installation is simple, and offers the ATTAX user all the comfort of MIDI capabilities. All three channels and the effects loop can be called via MIDI program change messages.
We hope you have fun and enjoy success with your ATTAX!
THE SOLID STATE CLEAN CHANNEL
This channel utilizes innovative solid state circuitry that is capable of producing warm, dynamic vintage tones, as well as contemporary, hi-fi clean sounds.
The HUGHES & KETTNER “SOFT CLICK” circuitry delivers the soft clip of a vintage tube amp at high volumes, except that you don’t have to alienate your neighbors to get that warm tone. It “feels” like a vintage amp; the preamp’s dynamics and response are true to classic tube performance criteria.
ATTAX CRUNCH - THE VINTAGE TUBE CHANNEL
The ATTAX CRUNCH tube channel covers the tonal spectrum from clean to overdrive. The emphasis on attack response in this channel enables you to control overdrive levels with your guitar’s volume pot. At higher gain settings, your tone is carried by lengthy sustain ideal for a singing blues tone with superior dynamic punch.
AT-TAX LEAD - HOT-RODDED HEAVY TUBE OVERDRIVE
The LEAD channel’s extreme gain reserves deliver the distinct performance characteristics of modified tube amps: fat, searing tube overdrive at any volume, ideal for modern lead playing and heavy-duty power chord chunk.
v SELECTING THE THREE CHANNELS: CLEAN / CRUNCH / LEAD
Channel switching is executed via the switch on the FRONT PANEL or the included STAGEBOARD.
The CLEAN /TUBE SWITCH (5) activates either the SOLID STATE (CLEAN channel), or the TUBE ( CRUNCH/LEAD ) sections.
The CRUNCH /TUBE SWITCH (12) activates either the CRUNCH or LEAD channel in the tube section.
An LED DESIGNATES the currently ACTIVE CHANNEL.:
CLEAN = GREEN, CRUNCH = YELLOW, LEAD = RED
1. INPUT
1/4"
instrument input jack.
( M ) MIDI LEARN BUTTON
MIDI OPTION installation is a prerequisite to
MIDI capability. Upon
MIDI OPTION installation, press the
MIDI LEARN BUTTON on the
ATTAX'a
front panel to save the current sound/effect parameter settings. Installation is a matter of just a few minutes, it requires no soldering. Talk to your
HUGHES & KETTNER DEALER for the details.
2.
(CLEAN ) VOLUME
Regulates the
CLEAN channel’s volume. Depending on your instrument’s pickups, a setting of 7 - 8 is the clip threshold
(SOFT CLICK).
3. GREEN CLEAN LED
The
GREEN LED illuminates when the solid state ( CLEAN ) section is active.
4. CLEAN /
BASS / TREBLE
The
THREE-BAND, PASSIVE VOICING section defines the ATTAX's tonal characteristics in the
CLEAN channel. Precise tuning and balance of filter frequencies enable you to quickly and efficiently dial in diverse sounds.
v SETTING VOICING PARAMETERS
Dial in the standard setting (BASS,
MID, TREBLE in the 12 o’clock position), and then modify the settings to suit your requirements.
5. CLEAN / TUBE SELECTOR SWITCH
Activates either the
SOLID STATE (
CLEAN channel ), or the TUBE SELECTION
( CRUNCH and LEAD channels).
6.
CRUNCH GAIN
The CRUNCH GAIN POT regulates the CRUNCH channel’s input sensitivity. Try different settings to achieve everything from ultra-clean sound to vintage tube overdrive.
7. CRUNCH LED
The YELLOW LED illuminates when the CRUNCH channel is active.
8. LEAD GAIN
The LEAD GAIN pot regulates the amount of disortion in the tube preamp’s LEAD channel. The intensity of the compression effect inherent in tube technology increases parallel to the amount of overdrive.
9. LEAD LED
The RED LED illuminates when the LEAD channel is active.
10. CRUNCH AND LEAD TUBE CHANNELS VOICING SECTION
The two tube channels’ tone controls are a combination of active and passive circuits designed to respond in a more musical manner. For instance, the active bass filters provide mid-range characteristics and provides additional presence (without unnecessary bending of frequency bands). The voicing section follows the tube section in the amp’s circuitry.
v SETTING VOICING PARAMETERS
Dial in the standard setting (BASS, MID, TREBLE in the 12 o’clock position), and then modify the settings to suit your requirements.
In addition to the tree channel’s respective VOLUME and/or GAIN controls, the
CRUNCH and LEAD channels each incorporate a MASTER control (CRUNCH
MASTER / LEADMASTER). The overall output of the ATTAX is defined via the STEREO
MASTER VOLUME knob (15). These features allow for an optimum volume balance between the three channels, an essential feature for gigs.
11. CRUNCHMASTER
Regulates the CRUNCH channel’s volume in relation to the CLEAN and LEAD channel’s respective volumes.
12. CRUNCH / LEAD SELECTOR SWITCH
Activates either the ATTAX's CRUNCH or LEAD channel.
page 5
13.
LEADMASTER
Regulates the LEAD channel’s volume in relation to CLEAN and CRUNCH channels’ respective volumes.
14.
FX-MIX
The FX MIX pot regulates the original signal’s volume and its relationship to that of the processed signal, i. e. the one sent from the effects device connected to the
STEREO EFFECTS LOOP. DRY = original signal only, WET = processed signal only.
You can dial in any signal blend between these two extreme settings.
NOTE: If no signal procession is connected to the STEREO LOOP, then the
FX-MIX
pot can be used as a master volume. The FX-MIX has no influence on overall ATTAX output when it is set to DRY (refer to the “Activating a Second MASTER VOLUME” paragraph on the following page ).
15.
MASTER VOL
The ATTAX's
overall output is defined via the MASTER VOLUME knob. It influences all outputs.
16.
PHONES
1/4" head phone jack. The PHONES output jack delivers a speaker-simulated signal, so the ATTAX sounds similar to your stage setup at headphone volumes.
17. MAIN SWITCH:
AC mains power switch
1 8 . M A I N S
The included
Euro-norm mains cable is connected to this socket. Ensure the voltage selector is set to the correct voltage (refer to the safety guidelines).
19. FUSE
Use a screwdriver to unlock and unscrew the FUSE holder.
Ensure replacement fuses’ specifications are identical to the original. The ATTAX is factory-set to the European norm of 230 V.
20.
RECORDING OUT JACKS
The RECORDING OUT jacks deliver a frequency-corrected STEREO SIGNAL, comparable to a that of a miked 4 x 12” cabinet, ideal for home recording, studio, and DI-to-mixer applications.
21. MONO FX
LOOP
Serial signal path for external effects processors. Connect the
ATTAX’S LOOP
RETURN
to the device’s
OUTPUT
jack. The output signal’s dry/wet mix is regulated at the processor.
22.
STEREO FX LOOP
The parallel
STEREO EFFECTS LOOP’s dry/wet mix
is regulated via the
FX MIX pot
(14). The effects signal can be activated via the STAGEBOARD or MIDI messages.
Connect the
ATTAX's LOOP SEND
jack to the
device’s INPUT,
and the
ATTAX's
LOOP LEFT/RIGHT RETURN
jacks to the device’s
LEFT/RIGHT OUTPUT
jacks.
Use the
ATTAX STEREO LOOP’S RIGHT RETURN
jack for mono signal processors.
The LOOP sends a mono signal if only the
RIGHT RETURN
jack is connected.
TIP 1: You
can connect other instruments/sound generation equipment to the
ATTAX
via the
STEREO LOOP’S RETURN
jacks instead of a signal processor/effects device.
A second guitar, keyboard, drum machine, tape player, etc. can be used for rehearsals
/ practice sessions.
v Adding a
STEREO SIGNAL
(tape deck, keyboard, etc.): l
Connect the device’s LEFT /RIGHT OUTPUTS to the ATTAX STEREO LOOP’S
LEFT / RIGHT INPUTS.
l
Step on the STAGEBOARD’S FX footswitch (the loop is activated).
l
Regulate the device’s volume via the
FX MIX pot
located on the front panel (to the left towards DRY =
volume down,
to the right towards WET = volume
up).
TIP 2: You
can also use the loop to activate an additional MASTER VOLUME, provided you do not connect a signal processor.
v Activating the additional MASTER VOLUME l
Step on the STAGEBOARD’S FX footswitch (the LED illuminates).
l
Dial in a separate MASTER VOLUME setting for the ATTAX via the FX MIX pot (to the left towards
DRY = volume up,
to the right towards
WET = volume down).
l
You
can switch back and forth between the two MASTER VOLUMES via the
FX footswitch.
Upon MIDI option installation, you can also call MASTER VOLUME changes via MIDI messages.
23. LINE OUT ( LEFT / RIGHT )
The two LINE OUT jacks (Left/Right) feed the preamp’s signal to a power amp(s). Use a single
LINE OUT
jack to drive a mono power amp and speaker cabinet.
page 7
24.
STAGEBOARD JACK
Connect the included ATTAX STAGEBOARD to this MULTIPIN jack.
Your ATTAX preamp package includes the STAGEBOARD which enables you to activate the 3 CHANNELS and the STEREO EFFECTS LOOP via footswitches.
NOTE: Ensure the CLEAN /TUBE and CRUNCH /
LEAD SELECTOR SWITCHES on the
FRONT PANEL
are set to
OFF
(not
pushed
in) when operating the
ATTAX
in
the
STAGEBOARD
footswitch
mode.
A combination of the two operating modes ( footswitch /front panel ) is not recommended.
QUICK
ACCESS TO THE CHANNELS VIA THE STAGEBOARD.
When you switch from the solid state preamp section to the tube section via the
STAGEBOARD, it is advisable to pre-select the channel via the LEAD /CRUNCH
SELCECTOR SWITCH. You can then switch channels in one motion.
LEDs are integrated in the STAGEBOARD to give you a clearer picture of the channel switching status for on-stage applications.
These LEDs tell you which of the two CRUNCH / LEAD channels is preset. The front panel LEDs denete the currently active channel.
EFFECTS LOOP SWITCHING VIA THE ATTAX STAGEBOARD
In addition to channel selection feature, the STAGEBOARD can also be used activate/deactivate the STEREO EFFECTS LOOP via the FX ON / OFF SWITCH. The appropriate LED illuminates when the LOOP is active.
Circuitry:
Channels:
Jacks:
1 Solid-State CLEAN ,2 Tube preamps CRUNCH / LEAD
CLEAN: Volume, Bass, Mid, Treble - Master Volume
CRUNCH: Volume, - Crunch Master
> Bass, Mid, Treble <
LEAD: Volume, Lead Master
Input, Phones, Recording Out ( Left / Right ), Mono Loop ( Send / Return ),
Stereo Loop ( Send / Return Left - Return Right ), Line Out ( Left / Right ),
Footswitch.
Dimensions: 19” / 1 HU
HUGHES & KETTNER ATTAX n._--
,zm.,“.__
-
POWERAMP E:G: HUGHES & KETTNER CF 200 / VS 250
Line Out Left Line Out Right
Input Left Input Right
Stereo Speaker Outs
Left Right
>
-&Law-
Input Input
HUGHES & KETTNER
GL 112/GL 212/GL-GR 412
Line Out L / R
Recording Out L / R
Mono FX Send
Mono FX Return
Stereo Send L / R
Stereo Return L / R
Phones
Stageboard
Poweramp / Cabinets
Signal for Recording /
Studio Applications
Effect / Tuner In
Effect Output
Input L / R
Output L / R
Phones
Stageboard page 9
The above examples are just hat examples. Your sound is ulimatly dependant on the type of instrument and the playing style you use. Nevertheless, these settings will give you a general impression of the ATTAX's sound spectrum.
V O L
.
B A S S M I D
TREBLE
C R
.
G A I N L E A
.
G A I N B
A
S S M I D T R E B L E
CFIMAST.~ CEA.MASY j
VOL.
B A S S M I D T R E B L E C R
.
G A I N L
E
A
. GAIN- BASS- AMID T
R E B L E C R
. MAST. LEA.MAST.]
VOL. BASS MID TREBLE CR. GAIN LEA. GAIN BASS MID TREBLE CR. MAST. LEA. MAST.
.
B
I MPORTANT SAFETY INSTRUCTIONS!
E F O R E C O N N E C T I N G , R E A D I N S T R U C T I O N S
Read all of these instructions
.
Save these instructions for later use
.
Follow all warnings and instructions marked on the product
.
Do not use this product near water
.
Do not place this product on an unstable cart, stand or table. The product may fall, causing serious damage to the product.
.
Slots and openings in the cabinet and the back or bottom are provided for ventilation; to ensure reliable operation of the product and to protect it from overheating, these openings must not be blocked or covered. This product should not be placed in a built-in installation unless proper ventilation is provided.
.
This product should be operated from the type of power source indicated on the marking label. If you are not sure of the type of power available, consult your dealer or local power company.
.
This product is equipped with a 3-wire grounding type plug, a plug having a third pin. This plug will only fit into a grounding-type power outlet. This is a safety feature. If you are unable to insert the plug into the outlet, contact your electrician to replace your obsolete outlet. Do not defeat the purpose of the grounding type plug.
.
Do not allow anything to rest on the power cord. Do not locate this product where persons will walk on the cord.
.
If an extension cord is used with this product make sure that it is a 3-wire grounding- type and that the total of the amp ere ratings on the products plugged into the extension cord do not exceed the extension cord ampere rating. Also make sure that the total of all products plugged into the wall outlet does not exceed 15 amperes.
.
Never push objects of any kind into this product through cabinet slots as may touch dangerous voltage points or short out parts that could result in risk of fire or electric shock. Never spill liquid of any kind on the product.
.
Do not attempt to service this product yourself, as opening or removing covers may expose you to dangerous voltage points or other risks. Refer all servicingto service personnel.
.
Unplug this product from the wall outlet and refer servicing to qualified service personnel under the following conditions: w
l
When the power cord or plug is damaged or frayed l
If liquid has been spilled into the product l
If the product has been exposed to rain or water l
If the product does not operate normally when the operating instructions are followed. Adjust only these controls that are covered by the operating instructions since improper adjustment of other controls may result in damage and will often require extensive work by a qualified technician to restore the product to normal operation.
l
If the product has been dropped or the cabinet has been damaged l
If the product exhibits a distinct change in performance, indicating a need of service! Selection of power supply cord. Use only a listed detachable power supply cord type SVT or SJT minimum 18
AWC, 3 conductor, one end configured for NEMA 5-l 5 other end for IEC 320/CEE 22!
l
Fuses: For continued protection against risk of fire, replace fuses only with same type and ratings
TO PREVENT THE RISK OF FIRE AND SHOCK HAZARD, DO NOT EXPOSE THIS APPLIANCE TO
MOISTURE OR RAIN. DO NOT OPEN CASE; NO USER SERVICEABLE PARTS INSIDE. REFER
SERVICING TO QUALIFIED SERVICE PERSONNEL.
page 12
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