HD82 Purity of Vision - Beamer

Purity of Vision
HD82
5
www.themescene.tv
Purity is Key
HD82
The astonishing HD82 Full HD projector brings to your home a paradigm shift; a truly astounding cinematic experience.
New revolutionary PureEngine technologies combine to create the clearest and sharpest ever 1080P images with the purest, deepest colours, even with the
highest speed action pictures; enhanced by our stunning new motion control processing.
Easy to install with Pureshift and zoom there is absolutely no routine maintenance and because Optoma are the projector experts, we guarantee that the vibrant
colours will be just as incredible after five years as they are out of the box.
PureEngine
PureDetail
PureColour
The PureEngine contains the finest collection of signal processing
technologies expertly blended to enhance the image on the screen whilst
maintaining the purity of the original image. Pure technologies included
in the HD82: PureMotion, PureShift, Pure Colour and PureDetail.
PureMotion
With
Without
With
Without
PureDetail uses sophisticated motion adaptive edge enhancement
algorithms to ensure that all the information contained in an image is
faithfully reproduced on the screen giving a stunning crystal clear, pin
sharp picture.
PureShift
Pure Optics
The PureShift lens system enables the vertical and horizontal position
of the projected image to be adjusted without moving the position of
the projector. PureShift is an image shift system for purists. By using
an innovative Telecentric lens system the contrast ratio, uniformity and
brightness of the shifted image is maintained at a much higher level
Nothing affects the image quality more than the lenses. Designed and
manufactured in our own factory, specifically for this projector, each HD82
Pure Optics lens system is individually tested and evaluated to the most
stringent standards of resolution, uniformity and focus. The result is a firstclass lens of unquestionable quality.
Without
PureMotion technology ensures you see all the detail in fast moving
sequences. Traditional projection systems often suffer from “motion
blur” or “judder” in moving images. These issues are not just distracting
they also lower the resolution of the image – PureMotion eliminates
these issues and ensures all of the detail from any source, especially
High Definition, is preserved leaving a crystal clear image with pure
natural motion.
With
PureColor provides vivid, perfectly balanced colour with impeccable
colour uniformity for vibrant natural looking images. Deep Color makes
it possible for the HD82 to reproduce billions of colours ensuring smooth
tonal transitions and subtle graduations between hues.
than is possible with traditional systems.
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Clarity of vision
HD82
ANSI Contrast
Latest DLP™ technology
ANSI Contrast is a way of measuring the true “real world” contrast
performance you can expect from a projector. Only ANSI contrast has a
documented, reproducible procedure that can be used to compare the
performance of projectors using different display technologies.
The latest DarkChip3 technology from Texas Instruments ensures an
invisible pixel structure from normal viewing distances and provides
the highest ANSI contrast ratios available.
With an ANSI contrast ratio significantly higher (in some cases 2-3
times) than many LCD, LCOS or SXRD based projectors the HD82 is
the only choice for Home Cinema purists that expect the ultimate image
fidelity in their home. 5
Optoma guarantees colour quality will
remain as new for 5 years*
For Home Cinema colour accuracy is critical. We are
so confident that, unlike competing technologies,
the HD82 colour will not change in use that we
have guaranteed it will stay the same as the day
you bought it, for at least 5 years.
The HD82 projector based on an all-digital DLP® chip delivers
stunning picture quality again and again. Unlike competing analogue
technologies, the semiconductor that makes DLP® projection possible
is virtually immune to environmental factors that can cause an image to
degrade over time.
Run continuously for 4,000 hours in an independent laboratory test,
projection systems using DLP® technology maintained their picture
quality throughout. By contrast, in the same test ± , data projectors using
LCD technology exhibited considerable picture degradation by 2558
hours on average.
High ANSI Contrast
± Conducted by the Rochester Institute of Technology’s Munsell Color Science Laboratory and
sponsored by Texas Instruments. The test included a sample of commercially available data
projectors, five featuring LCD technology and two featuring DLP® technology. The projectors
varied in features such as panel size, weight, resolution and brightness. All units were run in a
continuous operation mode at an ambient room temperature of approximately 25°C.
Low ANSI Contrast
24P
PureMotion works in harmony with 1080P24. Most
movies are shot at 24 frames per second. To preserve
the purity of the original image the HD82 can accept
High Definition sources at 24 frames per second and
so display movies exactly as the director intended.
24
FPS
HD82 – High contrast
film-like images
Conventional – Visible
pixel structure mars image
quality and reduces the
contrast ratio
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Natural Light
HD82
VIDI
Improved Colour
technology
Rotation 1
R
Y
G
C
Rotation 2
M
B
R
Y
G
C
M
B
dither noise.
The HD82 incorporates VIDI, a Philips lighting technology that further
improves image quality, brightness and contrast. VIDI technology
enables the HD82 colour performance to be fine tuned directly from the
lamp – this unprecedented control makes it possible to achieve vibrant,
perfectly saturated colours across the whole light spectrum resulting in
stunningly natural and life-like images.
VIDI technology enables the HD82 to be fine tuned to provide vibrant
natural colour, accurate greyscale performance and virtually eliminates
I video frame
Lamp Current
Brilliant Pulse
Dark Pulse
Tuned Plateau
With
Without
With
Without
DynamicBlack
MAX
MIN
A large aperture
for natural contrast
during bright scenes
DynamicBlack modulates the lamp output automatically based on the
brightness information of each scene
UHP Lamp
Emmy award winning UHP
lamp technology is used in the
HD82. This advanced lighting
technology provides an optimal
colour spectrum and ultra reliable
A smaller aperture
for dynamic dark
scenes
operation.
Bright scenes
are crisp and
clear
Dark scenes
are detailed with
deep blacks
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Installation is a breeze
HD82
Flexible Placement
The combination of PureShift and a wide 1.5 zoom range
enables a wider range of projector placement possibilities.
This remarkable combination makes it easier to position the
projector in your viewing room and allows a wider range of
screen size options.
The shaded pyramids show the positions in which the projector
can be placed to fill the screen.
Diagrams are for illustration only.
For detailed information please refer to the User Manual
Projection Distance
Projection
Distance (m)
Diagonal Image
Size (inch)
Max Vertical
optical shift (m)
Max Horizontal
optical shift (m)
3.00
60.2 - 90.3
0.06 - 0.22
0.2 - 0.3
4.00
80.3 - 120.4
0.07 - 0.3
0.27 - 0.40
5.00
100 - 150
0.09 - 0.37
0.33 - 0.50
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HD82
Br
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c in e m a e
Fully Automated Constant
Height Projection
Ceiling mount assembly
What is Constant Height Projection?
The optional Optoma BX-AL133-B Anamorphic Projection Kit, combined
with the HD82 projector, provides a unique “fit and forget” solution for
Constant Height projection. Most major movie titles are released in
the 2.35:1 format and the BX-AL133-B Kit provides uncompromised
widescreen reproduction of this format. When a change from a 1.78:1
(16:9) to a 2.35:1 movie is detected the image simply gets wider - the full
screen height is maintained and so eliminates black bars. The resulting
2.35:1 image is bigger, brighter, higher resolution and completely
immersive - exactly as it would be at the cinema.
Many movies are presented in 2.35:1 aspect ratio. When these are
viewed on a 16:9 projector with a 16:9 screen black bars are visible
at the top and bottom of the image as below. A 16:9 source – like TV
fills all of a 16:9 screen with no black bars. This is called Constant
Width projection as with both formats the width of the image stays
the same.
2.35:1
The BX-AL133 Anamorphic Projection Kit Comprises:
16:9
Anamorphic lens
x
p
e
r
ie
n
ce
• Five element, 100% glass, fully multicoated optical design corrected
for chromatic aberration and astigmatism
Constant Height projection is optimised for watching movies. When using
the Optoma Anamorphic Kit the full potential of the projector is used when
2.35:1 Movie
• Optics designed to exceed the resolution requirements for
1080P projection
Image sizes
For the same throw distance the Optoma Anamorphic Lens Kit
increases the horizontal size of a 2.35:1 image by 33% relative to the
same 2.35:1 image being displayed on a 16:9 screen. The vertical
height stays the same.
Motorised Lens Mount
• Integrates with the ThemeScene Auto235 feature to automatically
detect 2.35:1 presentations and configure the projector and
anamorphic lens accordingly
• High Precision maintenance free mechanism
Mounting Plate
• Allows the lens and the motorised lens mount to be mounted
perfectly in relation to the projector
displaying 2.35:1 movies. This enables a brighter, higher resolution image.
16:9 TV
Constant Height projection uses a 2.35:1 aspect ratio screen. A 2.35:1
movie is displayed with no black bars top and bottom. 16:9 TV is
displayed with black bars at the sides.
• Enables the projector and the Anamorphic Projection Kit to be
mounted as one
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me
ho
Technical Specifications
Highlights
Full HD
Native 1080P
Display Technology
DLP 1080P
ANSI Contrast
680:1
Contrast
20,000:1
Audible Noise
26dB Standard mode
Optical Image Shift
Vertical : +105% ~ +130%, Horizontal : -15% ~ +15%
Brightness
1300 Video Optimised Lumens
Connections
Signal Type
1
2
3
11
4
5
6
7
8
9
10
HD82 Connections
1 12V Trigger A
2 12V Trigger B
3 RS232
4 Composite Video
5 S-Video
6 Component Video
7 VGA Input
8 DVI-D Input
(PC Digital and DVI-HDCP)
9 HDMI 1
10 HDMI 2
11 Power Socket
Input Connector
HDMI
2 x HDMI (V1.3 with Deep Color)
Component
3 x RCA SCART RGB
VGA via supplied adaptor
S-Video (Y/C)
3 Pin Mini DIN
Composite Video (CVBS)
RCA
DVI-D Computer
DVI connector
RGB Computer
VGA
Screen triggers
1 x Standard 12v screen trigger, 1 x Programmable 12v trigger
RS232
9 pin D-Sub
Video Compatibility
PAL, SECAM (576i/p), NTSC (480i/p), HD1080P60\50\24, 1080i, 720p)
Backup Remote control
Main Remote Control
Display
Aspect Ratio
16:9
Throw Ratio
1.50-2.28 (Projection Distance/Image Width)
Manual zoom
x1.5
Projection Distance
1.5m – 12.5m
Image Size
0.76 - 7.67m (16:9 Diagonal)
Keystone Correction
Vertical
Projection Types
Front, Ceiling, Rear, Rear ceiling
Lamp Type
220w
Lamp Life
Standard mode 3000 hours
Optoma Europe Limited
42 Caxton Way,
Watford Business Park,
Watford, Hertfordshire.
WD18 8QZ
General
Dimensions
490 x 372 x 194 mm
Weight
8.5 kg
Power Consumption
330W Max, <1W standby
Operating Temperature
5-35°C Max, 80% Humidity
Mounting
Ceiling mount points
Warranty
Warranty may vary by country. Please see www.optomaeurope.com or ask
your local supplier for details
Lamp Warranty
6 months or 1000 hours whichever is the sooner
OSD Languages
English, French, German, Spanish, Italian, Portuguese, Dutch, Swedish,
Finnish, Greek, Danish, Norwegian, Polish, Russian, S Chinese, T Chinese,
Korean, Japanese, Hungarian, Czech, Arabic & Turkish
Supplied accessories
AC power cord, 1 x HDMI cable 1.8m, SCART RGB to VGA 15 Pin D-Sub
adaptor, VGA cable, Main Remote control with backlight, Backup remote
control, Batteries for Remote controls, Lens cap, Users guide, 2 x 12v trigger
connectors, 4 x M6 screws for use with ceiling mount
Optional accessories
Ceiling Mount Kit, Anamorphic Projection Kit BX-AL133-B
EAN Number
5060059043637

Typical lamp life achieved through testing. Will vary according to operational use and environmental conditions
Optical Image Shift – Both extremes of the horizontal and vertical shift can not be used simultaneously. See user manual for future details.

Tel: +44 (0) 1923 691800
Fax: +44 (0) 1923 691888
www.optoma.eu
V1.3 with DeepColor
*Optoma guarantees that in normal use, Optoma DLP® colour quality will be indistinguishable from when new. Please note that worn lamps will give slight variance. Exclusions: *(1) Guarantee
is voided if the projector is subject to damage through mis-use. (2) Guarantee may be void in industrial or commercial entertainment environments where dust or smoke is particularly excessive
(3) Guarantee will not apply if lamp brightness is below 50% due to wear or if the projector is not working due to other fault.
DLP®, BrilliantColor™ and the DLP logo are registered trademarks of Texas Instruments. TrueVivid™ and Image AI™ are registered trademarks of Optoma Technology, Inc. VIDI is a registered
trademark of Philips. All other product names and company names used herein are for identifications purposes only and may be trademarks or registered trademarks of their respective owners.
All images have been simulated. Errors and omissions excepted, all specifications are subject to change without notice. Copyright © 2008, Optoma Europe Ltd.