Purity of Vision HD82 5 www.themescene.tv Purity is Key HD82 The astonishing HD82 Full HD projector brings to your home a paradigm shift; a truly astounding cinematic experience. New revolutionary PureEngine technologies combine to create the clearest and sharpest ever 1080P images with the purest, deepest colours, even with the highest speed action pictures; enhanced by our stunning new motion control processing. Easy to install with Pureshift and zoom there is absolutely no routine maintenance and because Optoma are the projector experts, we guarantee that the vibrant colours will be just as incredible after five years as they are out of the box. PureEngine PureDetail PureColour The PureEngine contains the finest collection of signal processing technologies expertly blended to enhance the image on the screen whilst maintaining the purity of the original image. Pure technologies included in the HD82: PureMotion, PureShift, Pure Colour and PureDetail. PureMotion With Without With Without PureDetail uses sophisticated motion adaptive edge enhancement algorithms to ensure that all the information contained in an image is faithfully reproduced on the screen giving a stunning crystal clear, pin sharp picture. PureShift Pure Optics The PureShift lens system enables the vertical and horizontal position of the projected image to be adjusted without moving the position of the projector. PureShift is an image shift system for purists. By using an innovative Telecentric lens system the contrast ratio, uniformity and brightness of the shifted image is maintained at a much higher level Nothing affects the image quality more than the lenses. Designed and manufactured in our own factory, specifically for this projector, each HD82 Pure Optics lens system is individually tested and evaluated to the most stringent standards of resolution, uniformity and focus. The result is a firstclass lens of unquestionable quality. Without PureMotion technology ensures you see all the detail in fast moving sequences. Traditional projection systems often suffer from “motion blur” or “judder” in moving images. These issues are not just distracting they also lower the resolution of the image – PureMotion eliminates these issues and ensures all of the detail from any source, especially High Definition, is preserved leaving a crystal clear image with pure natural motion. With PureColor provides vivid, perfectly balanced colour with impeccable colour uniformity for vibrant natural looking images. Deep Color makes it possible for the HD82 to reproduce billions of colours ensuring smooth tonal transitions and subtle graduations between hues. than is possible with traditional systems. 3 Clarity of vision HD82 ANSI Contrast Latest DLP™ technology ANSI Contrast is a way of measuring the true “real world” contrast performance you can expect from a projector. Only ANSI contrast has a documented, reproducible procedure that can be used to compare the performance of projectors using different display technologies. The latest DarkChip3 technology from Texas Instruments ensures an invisible pixel structure from normal viewing distances and provides the highest ANSI contrast ratios available. With an ANSI contrast ratio significantly higher (in some cases 2-3 times) than many LCD, LCOS or SXRD based projectors the HD82 is the only choice for Home Cinema purists that expect the ultimate image fidelity in their home. 5 Optoma guarantees colour quality will remain as new for 5 years* For Home Cinema colour accuracy is critical. We are so confident that, unlike competing technologies, the HD82 colour will not change in use that we have guaranteed it will stay the same as the day you bought it, for at least 5 years. The HD82 projector based on an all-digital DLP® chip delivers stunning picture quality again and again. Unlike competing analogue technologies, the semiconductor that makes DLP® projection possible is virtually immune to environmental factors that can cause an image to degrade over time. Run continuously for 4,000 hours in an independent laboratory test, projection systems using DLP® technology maintained their picture quality throughout. By contrast, in the same test ± , data projectors using LCD technology exhibited considerable picture degradation by 2558 hours on average. High ANSI Contrast ± Conducted by the Rochester Institute of Technology’s Munsell Color Science Laboratory and sponsored by Texas Instruments. The test included a sample of commercially available data projectors, five featuring LCD technology and two featuring DLP® technology. The projectors varied in features such as panel size, weight, resolution and brightness. All units were run in a continuous operation mode at an ambient room temperature of approximately 25°C. Low ANSI Contrast 24P PureMotion works in harmony with 1080P24. Most movies are shot at 24 frames per second. To preserve the purity of the original image the HD82 can accept High Definition sources at 24 frames per second and so display movies exactly as the director intended. 24 FPS HD82 – High contrast film-like images Conventional – Visible pixel structure mars image quality and reduces the contrast ratio 5 Natural Light HD82 VIDI Improved Colour technology Rotation 1 R Y G C Rotation 2 M B R Y G C M B dither noise. The HD82 incorporates VIDI, a Philips lighting technology that further improves image quality, brightness and contrast. VIDI technology enables the HD82 colour performance to be fine tuned directly from the lamp – this unprecedented control makes it possible to achieve vibrant, perfectly saturated colours across the whole light spectrum resulting in stunningly natural and life-like images. VIDI technology enables the HD82 to be fine tuned to provide vibrant natural colour, accurate greyscale performance and virtually eliminates I video frame Lamp Current Brilliant Pulse Dark Pulse Tuned Plateau With Without With Without DynamicBlack MAX MIN A large aperture for natural contrast during bright scenes DynamicBlack modulates the lamp output automatically based on the brightness information of each scene UHP Lamp Emmy award winning UHP lamp technology is used in the HD82. This advanced lighting technology provides an optimal colour spectrum and ultra reliable A smaller aperture for dynamic dark scenes operation. Bright scenes are crisp and clear Dark scenes are detailed with deep blacks 7 Installation is a breeze HD82 Flexible Placement The combination of PureShift and a wide 1.5 zoom range enables a wider range of projector placement possibilities. This remarkable combination makes it easier to position the projector in your viewing room and allows a wider range of screen size options. The shaded pyramids show the positions in which the projector can be placed to fill the screen. Diagrams are for illustration only. For detailed information please refer to the User Manual Projection Distance Projection Distance (m) Diagonal Image Size (inch) Max Vertical optical shift (m) Max Horizontal optical shift (m) 3.00 60.2 - 90.3 0.06 - 0.22 0.2 - 0.3 4.00 80.3 - 120.4 0.07 - 0.3 0.27 - 0.40 5.00 100 - 150 0.09 - 0.37 0.33 - 0.50 9 HD82 Br in ng gi e th c in e m a e Fully Automated Constant Height Projection Ceiling mount assembly What is Constant Height Projection? The optional Optoma BX-AL133-B Anamorphic Projection Kit, combined with the HD82 projector, provides a unique “fit and forget” solution for Constant Height projection. Most major movie titles are released in the 2.35:1 format and the BX-AL133-B Kit provides uncompromised widescreen reproduction of this format. When a change from a 1.78:1 (16:9) to a 2.35:1 movie is detected the image simply gets wider - the full screen height is maintained and so eliminates black bars. The resulting 2.35:1 image is bigger, brighter, higher resolution and completely immersive - exactly as it would be at the cinema. Many movies are presented in 2.35:1 aspect ratio. When these are viewed on a 16:9 projector with a 16:9 screen black bars are visible at the top and bottom of the image as below. A 16:9 source – like TV fills all of a 16:9 screen with no black bars. This is called Constant Width projection as with both formats the width of the image stays the same. 2.35:1 The BX-AL133 Anamorphic Projection Kit Comprises: 16:9 Anamorphic lens x p e r ie n ce • Five element, 100% glass, fully multicoated optical design corrected for chromatic aberration and astigmatism Constant Height projection is optimised for watching movies. When using the Optoma Anamorphic Kit the full potential of the projector is used when 2.35:1 Movie • Optics designed to exceed the resolution requirements for 1080P projection Image sizes For the same throw distance the Optoma Anamorphic Lens Kit increases the horizontal size of a 2.35:1 image by 33% relative to the same 2.35:1 image being displayed on a 16:9 screen. The vertical height stays the same. Motorised Lens Mount • Integrates with the ThemeScene Auto235 feature to automatically detect 2.35:1 presentations and configure the projector and anamorphic lens accordingly • High Precision maintenance free mechanism Mounting Plate • Allows the lens and the motorised lens mount to be mounted perfectly in relation to the projector displaying 2.35:1 movies. This enables a brighter, higher resolution image. 16:9 TV Constant Height projection uses a 2.35:1 aspect ratio screen. A 2.35:1 movie is displayed with no black bars top and bottom. 16:9 TV is displayed with black bars at the sides. • Enables the projector and the Anamorphic Projection Kit to be mounted as one 11 me ho Technical Specifications Highlights Full HD Native 1080P Display Technology DLP 1080P ANSI Contrast 680:1 Contrast 20,000:1 Audible Noise 26dB Standard mode Optical Image Shift Vertical : +105% ~ +130%, Horizontal : -15% ~ +15% Brightness 1300 Video Optimised Lumens Connections Signal Type 1 2 3 11 4 5 6 7 8 9 10 HD82 Connections 1 12V Trigger A 2 12V Trigger B 3 RS232 4 Composite Video 5 S-Video 6 Component Video 7 VGA Input 8 DVI-D Input (PC Digital and DVI-HDCP) 9 HDMI 1 10 HDMI 2 11 Power Socket Input Connector HDMI 2 x HDMI (V1.3 with Deep Color) Component 3 x RCA SCART RGB VGA via supplied adaptor S-Video (Y/C) 3 Pin Mini DIN Composite Video (CVBS) RCA DVI-D Computer DVI connector RGB Computer VGA Screen triggers 1 x Standard 12v screen trigger, 1 x Programmable 12v trigger RS232 9 pin D-Sub Video Compatibility PAL, SECAM (576i/p), NTSC (480i/p), HD1080P60\50\24, 1080i, 720p) Backup Remote control Main Remote Control Display Aspect Ratio 16:9 Throw Ratio 1.50-2.28 (Projection Distance/Image Width) Manual zoom x1.5 Projection Distance 1.5m – 12.5m Image Size 0.76 - 7.67m (16:9 Diagonal) Keystone Correction Vertical Projection Types Front, Ceiling, Rear, Rear ceiling Lamp Type 220w Lamp Life Standard mode 3000 hours Optoma Europe Limited 42 Caxton Way, Watford Business Park, Watford, Hertfordshire. WD18 8QZ General Dimensions 490 x 372 x 194 mm Weight 8.5 kg Power Consumption 330W Max, <1W standby Operating Temperature 5-35°C Max, 80% Humidity Mounting Ceiling mount points Warranty Warranty may vary by country. Please see www.optomaeurope.com or ask your local supplier for details Lamp Warranty 6 months or 1000 hours whichever is the sooner OSD Languages English, French, German, Spanish, Italian, Portuguese, Dutch, Swedish, Finnish, Greek, Danish, Norwegian, Polish, Russian, S Chinese, T Chinese, Korean, Japanese, Hungarian, Czech, Arabic & Turkish Supplied accessories AC power cord, 1 x HDMI cable 1.8m, SCART RGB to VGA 15 Pin D-Sub adaptor, VGA cable, Main Remote control with backlight, Backup remote control, Batteries for Remote controls, Lens cap, Users guide, 2 x 12v trigger connectors, 4 x M6 screws for use with ceiling mount Optional accessories Ceiling Mount Kit, Anamorphic Projection Kit BX-AL133-B EAN Number 5060059043637 Typical lamp life achieved through testing. Will vary according to operational use and environmental conditions Optical Image Shift – Both extremes of the horizontal and vertical shift can not be used simultaneously. See user manual for future details. Tel: +44 (0) 1923 691800 Fax: +44 (0) 1923 691888 www.optoma.eu V1.3 with DeepColor *Optoma guarantees that in normal use, Optoma DLP® colour quality will be indistinguishable from when new. Please note that worn lamps will give slight variance. Exclusions: *(1) Guarantee is voided if the projector is subject to damage through mis-use. (2) Guarantee may be void in industrial or commercial entertainment environments where dust or smoke is particularly excessive (3) Guarantee will not apply if lamp brightness is below 50% due to wear or if the projector is not working due to other fault. DLP®, BrilliantColor™ and the DLP logo are registered trademarks of Texas Instruments. TrueVivid™ and Image AI™ are registered trademarks of Optoma Technology, Inc. VIDI is a registered trademark of Philips. All other product names and company names used herein are for identifications purposes only and may be trademarks or registered trademarks of their respective owners. All images have been simulated. Errors and omissions excepted, all specifications are subject to change without notice. Copyright © 2008, Optoma Europe Ltd.