Ashdown ABM EVO III Operating instructions

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Ashdown ABM EVO III Operating instructions | Manualzz

OPERATING INSTRUCTIONS

ABM EVO III Preamplifier, Amplifier Heads and Combos

Thank you for purchasing your Ashdown Engineering Amplifier. If you live in the UK, please register your purchase by completing this form and return it to the following address:

Ashdown Engineering, The Stables, Stevens Farm, Mashbury Road, Chignal St James,

Chelmsford, Essex CM1 4TX, England

(Alternatively you can register online at http://www.ashdownmusic.com)

If you live outside the UK, the local Ashdown distributor may have included a specific registration form for your country.

Your Ashdown Engineering product details:

Model . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Colour . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Voltage . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

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Serial number . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

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1 YEAR WARRANTY

Your Ashdown Engineering amplifier has been manufactured to the highest standards, using the bestselected materials. To ensure its optimum performance, please ensure your amplifier is regularly serviced. This product carries a one year warranty, against defects in materials and workmanship, for the original purchaser. Ashdown Engineering will, at their discretion, replace or repair any product or part thereof, which is found by Ashdown Engineering to be defective. This warranty shall not apply to the damage of covering, fittings or finishes when affected by carelessness, accident or extreme climate changes. Nor does it apply to normal wear and tear of parts such as valves, fuses, light bulbs, speakers, controls etc.

Please complete the lower section of this warranty and return it within 10 days of purchase to Ashdown

Engineering Ltd. at the above address. In the unlikely event of any defect, please contact an authorised

Ashdown Engineering dealer. All transport charges are to be pre-paid by the Owner. Unless the registration card is returned normal country warranty laws apply.

IMPORTANT - REGISTRATION CARD

Please complete and return this warranty within 10 days of purchase. Include any comments if possible.

Name . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Address . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

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Email . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Age . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Purchased from . . . . . . . . . . . . . . . . . . . . . . . . . . .

Date . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Model . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Serial Number . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Comments . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

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Important Safety Instructions

BASIC PRECAUTIONS

WARNING - When using electrical products, basic precautions should be followed, including the following:

10. Do not attempt to service the product.

All servicing should be referred to qualified service personnel.

1.

Read all the instructions before using the product.

11. For continued protection against the risk of fire, replace fuses only with those of the same type and rating as indicated on the back of the product.

2.

Do not use this product near water – for example, near a bathtub, washbowl, kitchen sink, in a wet basement or near a swimming pool.

3.

This product may cause permanent hearing loss. Do not operate for long periods of time at a high volume level or at any level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should consult an audiologist.

WARNINGS USED ON THE EQUIPMENT

4.

Make sure nothing interferes with the ventilation of the product when in use.

5.

The product should be located away from heat sources such as radiators, heat registers, or other products that produce heat.

6.

The product should be connected to a power supply of the type described in the operating instructions or as marked on the product.

7.

The power supply cord of the product should be unplugged from the outlet when left unused for a long period of time.

The lightning flash with the arrow head symbol within an equilateral triangle is intended to alert the user to the presence of uninsulated ‘dangerous voltage’ within this product’s enclosure that may be of sufficient magnitude to constitute a risk of electric shock.

8.

Care should be taken so that objects do not fall and liquids are not spilled into the enclosure through openings.

9.

The product should be serviced by qualified personnel when: a. The power supply cord or the plug has been damaged; or b. Objects have fallen, or liquid has been spilled into the product: or c. The product has been exposed to rain or moisture: or d. The product does not appear to operate normally or exhibits marked change in performance: or e. The product has been dropped, or the enclosure damaged.

The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying this product.

GROUNDING INSTRUCTIONS

This product must be grounded (earthed). If it should malfunction or break down, grounding provides a path of least resistance for electric current to reduce the risk of electric shock. This product is equipped with a supply cord having an equipment grounding conductor and a grounding plug.

The plug must be plugged into an appropriate outlet that is properly installed and grounded in accordance with the local codes and ordinances.

DANGER - Improper connection of the equipment grounding conductor can result in a risk of electric shock. Check with a qualified electrician or serviceman if you are in doubt as to whether the product is properly grounded. Do not modify the plug provided with the product – if it will not fit the outlet, have a suitable outlet fitted.

The wires in this mains cord are coloured in accordance with the following code:

Green & Yellow - Earth

Blue - Neutral

Brown - Live

CE MARK FOR EUROPEAN

HARMONISED STANDARDS

The CE mark which is attached to these products means it conforms to EMC

Directive (89/69/EEC), CE mark Directive

(93/68/EEC) and Low Voltage Directive

(72/23/EEC).

ABM EVO III Design Philosophy

This is a NO COMPROMISE design using the best parts available wherever possible.

Some examples of this are as follows:

• Gold plated jack sockets for reliability and long life.

• Powerful output stages for extra headroom (rated in English RMS real power and not MUSIC or PEAK power as these can claim to be 2 or 3 times the actual real power of the amplifier).

• Doubling up of the cooling fans for reliability and reduced fan noise (2 fans can run at half the speed to provide the same cooling capacity and as a consequence generate only half the noise of one fan running at twice the speed).

• Speed controlled fan drive circuit. Again this reduces the amount of fan noise as the fans run slow when the unit is cool and increase in speed with output power demands.

• Powerful TOROIDAL mains transformer.

This is more expensive than a laminated stack transformer but has better regulation, i.e., provides more power on demand without sagging out and also has a minimal external magnetic field which means that single coil pick up basses are less likely to pick up mains hum from the amplifier.

• FET input circuit to the preamp for

‘Warmth’ even when using the CLEAN input mix setting.

• D.C. heaters for the TUBE section for low noise operation.

• Switch on delay for silent power up.

• Thermal trip for output protection.

• Relay switched speaker output lines for silent power down.

• Sub Bass output and Sub Harmonics facility for really serious bottom end.

Everything possible has been done to make this a reliable, top of the range, minimum service, high quality, long lasting powerful bass amplifier.

We know you will appreciate the effort that has been put into the design and manufacture of this unit and you will be rewarded in your choice of bass amplifier by long life and reliability.

Front Panel Facilities

INPUTS - There is a single instrument input provided linked to a PASSIVE/ACTIVE selector switch. The Passive input (switch out) is high sensitivity and also high impedance to suit the output from PASSIVE basses. The Active input (switch in) is low sensitivity and lower impedance to suit the output from ACTIVE basses.

INPUT CONTROL - The INPUT control sets the signal level through the preamp in conjunction with the INPUT LEVEL VU Meter.

This is adjusted to give a reading of 0VU on the meter for average playing dynamics with occasional peaks into the red region. Please note that the setting of this may have to be re-adjusted after modification of the EQ controls.

PUSH FLAT / SHAPE - With this button in its

OUT position a fixed E.Q. is superimposed on the preamp to give a bright but punchy character to the sound. Pushing this button

IN returns the preamp to a Flat frequency response.

This function may also be controlled from a footswitch. For the footswitch to operate this button must be in its OUT position.

VALVE DRIVE - This routes the signal either through a clean Solid State amplification section (control on zero) or through a Dual

Triode Tube amplification/overdrive section in order to add either tonal character i.e.

warmth with the control set at 9 o’clock, a slight edge in the sound at 12 0’clock through to an increasing degree of Tube distortion/overdrive as the control is advanced to maximum.

A Mix of these two amplification sections can be achieved with this control.

N.B. The degree of tube distortion provided by this control will also depend on the setting of the INPUT control.

VALVE DRIVE IN/OUT - This push button switches the valve drive section IN or OUT.

This function may also be controlled from the

Ashdown 4 way footswitch. For the footswitch to operate this button must be in its OUT position.

E.Q. IN / OUT - This push button switches the

Equalisation section IN or OUT i.e. the Bass,

Middle and Treble controls plus the two sets of sliders placed between each of these.

This function may also be controlled from the

Ashdown 4 way footswitch. For the footswitch to operate this button must be in its OUT position.

EQUALISATION - This consists of BASS,

MIDDLE and TREBLE controls with two sliders placed between each control. This can be used in a number of ways:

Firstly as a very simple Bass, Middle and

Treble tone control section as found on older traditional amplifiers. This is done by leaving the two sets of sliders interposed between these controls set in their centre positions and using only the BASS, MIDDLE and TREBLE controls to alter the overall tone.

Secondly, if more control is required then the sliders can also be used to tailor the E.Q. in the regions between the main tone controls.

This provides a very versatile Equalisation section, it is simple to understand and operate, yet provides a wide degree of variation. It retains the simplicity of a threecontrol tone section but provides the flexibility of a graphic equaliser.

COMPRESSION – Adding a small amount of compression gives a fat bottom end to the sound and allows a greater volume of amplification to be used without the playing peaks distorting the amplifiers output stage.

You will also find that this will add definition to your playing bringing out notes within a run more clearly as it evens out the dynamics of your playing.

A large amount of compression can be used as an effect but it will tend to reduce the dynamics in your playing to such an extent that the volume of the note will be the same no matter how hard or soft you hit the string.

Compression also adds sustain to notes making them longer before they die away.

The Compression Level control adjusts the degree of compression applied to the bass signal. For this to function correctly the Input

Level must be correctly set as described in the INPUT CONTROL section (left).

When the Input Level is correctly set there will be hardly any difference in volume between Compression IN and Compression

OUT. This is because the amplifier automatically compensates for the reduction in level that would be apparent when

Compression is added by increasing the overall gain to restore the volume to its pre compression level, because of this you may notice an increase in background noise with high compression settings.

COMPRESSION IN/OUT – This push button switches the Compression IN or OUT. This function may also be controlled from the

Ashdown 4 way footswitch. For the footswitch to operate this button must be in its OUT position.

SUB HARMONICS - This section produces

Sub Harmonics an octave below the notes being played. The level of these Sub

Harmonics relative to the straight bass sound can be adjusted using the LEVEL control.

This is very effective in thickening the sound and you will find in use that only a small degree of this lower octave is required to really fill out the sound and provide a character that is not possible by any other means.

The degree of Sub Harmonics is also dependant on the setting of the BASS control.

Front Panel Facilities (continued)

DIRECT INJECT (D.I.) - A balanced D.I. is provided on a latching XLR socket. This has a push button placed below it that allows the user to choose either a Pre E.Q. signal (button pushed IN) or a Post E.Q. Post Sub and effects signal (button OUT).

The output signal from this XLR socket is set to a level and impedance suitable for connecting directly into the Microphone input of a mixing desk for either Direct

Injection into the PA system or for recording.

This must ONLY be used into a Balanced

Microphone input, it is not intended for any other type of connection.

This has a floating ground that is referenced to the mixing console it is plugged into and should not need ground lifting. It is also unaffected by Phantom Powering on the

Microphone input.

Make sure your XLR plug does not have the shell of the plug internally connected to signal ground or this will connect the system to chassis ground of the ABM and may cause problems with hum.

PUSH TO MUTE - When pushed IN this button mutes the output from the preamp to the power amp, mutes the output from the

D.I. socket and mutes the output from the

LINE Out socket as well. This leaves the output from the TUNER socket still available to allow muted tuning. An LED is provided next to this switch to indicate when the amplifier is muted. This function operates only from the front panel MUTE push switch.

i.e. pressing this button mutes all sound from the amplifier and allows a tuner connected to the TUNER socket to operate for silent tuning.

Release the button and you are back in action again.

OUTPUT LEVEL - The OUTPUT control adjusts the overall level of the amplifier.

Adjust this for your preferred overall stage playing volume.

TUNER OUT - This output socket provides a line level signal that can be used for a permanent connection to a tuner.

The signal from this socket remains when all other outputs from the amplifier are Muted allowing all sound from the amplifier to be silenced while tuning is in progress.

LINE OUT -This output socket provides a line level/post Output Level control signal for connection to an external power amplifier driving additional speaker cabinets.

Rear Panel Facilities

EVOIII 500

EVOIII 900

I o

EVOIII Rackmount Preamp

LINE INPUT - The rear panel has a Line Input socket for connection of other signal sources into the system. This can be used for plugging a CD, Tape or MP3 player into the amplifier for practising, rehearsing or for connection of a second pre-amp into the system.

4-WAY FOOTSWITCH SOCKET - For the 4 way footswitch to operate it is essential that the corresponding front panel push buttons be in the OUT position.

EFFECTS SEND / RETURN - A serial effects loop is provided at a level of 0dB.

The EFFECTS SEND socket can also be used as a Line Out socket if required as the signal path through the preamp is only broken when a jack plug is inserted into the EFFECTS

RETURN socket.

This is a mono jack socket for connection of the optional Ashdown 4 way footswitch only

(available from your Ashdown dealer, or online at www.ashdownmusic.com/shop).

Always connect this prior to turning on the power to the amplifier as the footswitch derives its power from the amplifier and sends a serial data stream to the amplifier in order to operate the various functions.

Each of the 4 facilities available for selection is indicated by an LED that will light when that facility is selected from the footswitch.

The EFFECTS SEND is situated after the EQ, the Valve section the Compression and the

Sub Bass Processor.

CROSSOVER AND OUTPUTS (Rack Preamp

only) - The BASS MAGNIFIER RACK PRE-AMP has a built in high precision CROSSOVER with separate jack socket outputs for the HIGH

PASS and LOW PASS signals.

Crossover frequency is adjustable from 35 to

160Hz with a level control for the LOW PASS output to adjust the balance between LOW and HIGH outputs signals.

There is also a FULL RANGE jack line output provided.

This section is provided with switched output levels for simplified connection to power amplifiers that require either a 0dB or +4dB signal level. This switches the levels of all three outputs.

SPEAKER OUTPUT (except Rack Preamp) -

The Speaker Output sockets are also situated on the rear panel of the unit.

Specifications

INPUTS

High Input

Low Input

Line Input

Effects Return

OUTPUTS

Tuner Output

Line Output

Effects Send

D.I. Output

(rackmount preamp only)

Low Pass (RPM-1 only)

High Pass (RPM-1 only)

Full Range (RPM-1 only)

EQUALISATION

Shape (Push Flat)

Bass

Middle

Treble

Slider1

Slider 2

Slider 3

Slider 4

Frequency Response

Rackmount Preamp Crossover

Speaker Outputs

Impedance 3.9M Ohms

Impedance 10K Ohms

Impedance 22K Ohms

Impedance 22K Ohms

Impedance 1K Ohms

Impedance 10K Ohms

Impedance 22K Ohms

600 Ohms balanced

Impedance 1K Ohms

Impedance 1K Ohms

Impedance 1K Ohms

Input range 150mV to 20V p-p

Input range 300mV to 40V p-p

Input level 0dBu nominal

Input level 0dBu nominal

Level 0dBu nominal

Level 0dBu nominal

Level 0dBu nominal

Level -20dBu nominal

Level switched 0/+4dBU

Level switched 0/+4dBU

Level switched 0/+4dBU

+8dB @ 50Hz & 4kHz, -8dB @ 400Hz, filter slope - 6dB/octave

+/-15dB @ 45Hz

+/-15dB @ 660Hz

+/-15dB @ 7kHz shelving

+/-15dB @ 110Hz

+/-15dB @ 340Hz

+/-15dB @ 1.3kHz

+/-15dB @ 2.6kHz

-3dB at 17Hz and 30KHz

Variable between 35 and 160Hz

Minimum impedance 4 Ohms

www.ashdownmusic.com

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