Tascam X-48MKII Owner's Manual

X-48

MK

"

48 Track Digital Audio Workstation

OWNER'S MANUAL

D01152220A

IMPORTANT SAFETY PRECAUTIONS

CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK,

DO NOT REMOVE COVER (OR BACK). NO USER-

SERVICEABLE PARTS INSIDE. REFER SERVICING TO

QUALIFIED SERVICE PERSONNEL.

The lightning flash with arrowhead symbol, within equilateral triangle, is intended to alert the user to the presence of uninsulated

“dangerous voltage” within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons.

The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the appliance.

WARNING: TO PREVENT FIRE OR SHOCK

HAZARD, DO NOT EXPOSE THIS

APPLIANCE TO RAIN OR MOISTURE.

For U.S.A.

TO THE USER

This equipment has been tested and found to comply with the limits for a Class A digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference when the equipment is operated in a commercial environment. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instruction manual, may cause harmful interference to radio communications.

Operation of this equipment in a residential area is likely to cause harmful interference in which case the user will be required to correct the interference at his own expense.

CAUTION

Changes or modifications to this equipment not expressly approved by TEAC CORPOR ATION for compliance could void the user's authority to operate this equipment.

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For European Customers

WARNING

This is a Class A product. In a domestic environment, this product may cause radio interference in which case the user may be required to take adequate measures.

CE Marking Information a) Applicable electromagnetic environment: E4 b) Peak inrush current: 20 A

Disposal of electrical and electronic equipment

(a) All electrical and electronic equipment should be disposed of separately from the municipal waste stream via collection facilities designated by the government or local authorities.

(b) By disposing of electrical and electronic equipment correctly, you will help save valuable resources and prevent any potential negative effects on human health and the environment.

(c) Improper disposal of waste electrical and electronic equipment can have serious effects on the environment and human health because of the presence of hazardous substances in the equipment.

(d) The Waste Electrical and Electronic Equipment (WEEE) symbol, which shows a wheeled bin that has been crossed out, indicates that electrical and electronic equipment must be collected and disposed of separately from household waste.

(e) Return and collection systems are available to end users. For more detailed information about the disposal of old electrical and electronic equipment, please contact your city office, waste disposal service or the shop where you purchased the equipment.

This appliance has a serial number located on the rear panel. Please record the model number and serial number and retain them for your records.

Model number ______________________________

Serial number ______________________________

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TASCAM X-48MKII

1 Read these instructions.

2 Keep these instructions.

3 Heed all warnings.

4 Follow all instructions.

5 Do not use this apparatus near water.

6 Clean only with dry cloth.

7 Do not block any ventilation openings. Install in accordance with the manufacturer’s instructions.

8 Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatus (including amplifiers) that produce heat.

9 Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding type plug has two blades and a third grounding prong. The wide blade or the third prong are provided for your safety. If the provided plug does not fit into your outlet, consult an electrician for replacement of the obsolete outlet.

10 Protect the power cord from being walked on or pinched particularly at plugs, convenience receptacles, and the point where they exit from the apparatus.

11 Only use attachments/accessories specified by the manufacturer.

12 Use only with the cart, stand, tripod, bracket, or table specified by the manufacturer, or sold with the apparatus.

When a cart is used, use caution when moving the cart/ apparatus combination to avoid injury from tip-over.

IMPORTANT SAFETY INSTRUCTIONS

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Do not expose this apparatus to drips or splashes.

Do not place any objects filled with liquids, such as vases, on the apparatus.

Do not install this apparatus in a confined space such as a book case or similar unit.

The apparatus draws nominal non-operating power from the AC outlet with its POWER or STANDBY/ON switch not in the ON position.

The apparatus should be located close enough to the

AC outlet so that you can easily grasp the power cord plug at any time.

The mains plug is used as the disconnect device, the disconnect device shall remain readily operable.

Products with Class I construction are equipped with a power supply cord that has a grounding plug. The cord of such a product must be plugged into an AC outlet that has a protective grounding connection.

If the product uses batteries (including a battery pack or installed batteries), they should not be exposed to sunshine, fire or excessive heat.

CAUTION for products that use replaceable lithium batteries: there is danger of explosion if a battery is replaced with an incorrect type of battery. Replace only with the same or equivalent type.

Caution should be taken when using earphones or headphones with the product because excessive sound pressure (volume) from earphones or headphones can cause hearing loss.

13 Unplug this apparatus during lightning storms or when unused for long periods of time.

14 Refer all servicing to qualified service personnel.

Servicing is required when the apparatus has been damaged in any way, such as power-supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped.

TASCAM X-48MKII

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Safety Information

This product has been designed and manufactured according to FDA regulations "title 21, CFR, chapter 1, subchapter J, based on the Radiation Control for Health and Safety Act of 1968", and is classified as a class 1 laser product. There is no hazardous invisible laser radiation during operation because invisible laser radiation emitted inside of this product is completely confined in the protective housings.

The label required in this regulation is shown at 1.

CAUTION

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DO NOT REMOVE THE PROTECTIVE HOUSING USING A

SCREWDRIVER.

USE OF CONTROLS OR ADJUSTMENTS OR

PERFORMANCE OF PROCEDURES OTHER THAN THOSE

SPECIFIED HEREIN MAY RESULT IN HAZARDOUS

RADIATION EXPOSURE.

IF THIS PRODUCT DEVELOPS TROUBLE, CONTACT YOUR

NEAREST QUALIFIED SERVICE PERSONNEL, AND DO

NOT USE THE PRODUCT IN ITS DAMAGED STATE.

CLASS 1M INVISIBLE LASER RADIATION WHEN OPEN

AND INTERLOCKS DEFEATED. DO NOT VIEW DIRECTLY

WITH OPTICAL INSTRUMENTS.

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Rack-mounting the Unit

Use the supplied rack-mounting kit to mount the unit in a standard 19-inch rack, as shown below.

Remove the feet of the unit before mounting.

Optical pickup

Type:

Manufacturer:

OWY 8/35, OWY 8/36, OWY8/44, OWY8/45

Pioneer CORP.

Laser output (CD): Less than 1.3mW (Play) and 104.7mW (Record) on the objective lens

Wavelength:

(DVD): Less than 1.08mW (Play) and 102mW (Record) on the objective lens

777-787 nm (CD)

656-663 nm (DVD)

For China

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Leave 2U of space above the unit for ventilation.

Allow at least 10 cm (4 in) at the rear of the unit for ventilation.

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TASCAM X-48MKII

1 – Introduction ..............................................7

Features ..................................................................................7

Unpacking .............................................................................7

Manual Conventions ..........................................................8

Required Equipment ..........................................................8

Intellectual property rights .............................................8

Precautions for placement and use ..............................9

Connecting the power ......................................................9

Beware of condensation ...................................................9

Other precautions ...............................................................9

Cleaning the unit .................................................................9

About optical discs .............................................................9

Handling of optical discs ...........................................9

Supported optical media ........................................10

2 – Names and Functions of Parts ...............11

Front panel ..........................................................................11

Rear panel ............................................................................12

3 – Setup ........................................................14

I/O Card Installation .........................................................14

Making Connections ........................................................14

TDIF .................................................................................14

S/PDIF .............................................................................14

AES/EBU .........................................................................14

ADAT ...............................................................................14

Digital Audio Clock ....................................................14

Word Clock ...................................................................14

Analog Audio ...............................................................15

Synchronization and Control ........................................15

MIDI .................................................................................15

Time Code .....................................................................15

Footswitch ....................................................................15

Remote (Sony 9-Pin) ..................................................15

Video Reference (Tri Level Sync) ...........................15

Keyboard, Mouse & Monitor ..................................16

Network .........................................................................16

External Drives ............................................................16

Powering On / Standby ...................................................16

External Applications ......................................................16

MX-View .........................................................................16

TASCAM Mixer Companion ....................................16

Using the X-48MKII System Restore CD ....................17

4 – Configuration ..........................................18

Display Settings .................................................................18

Setting the date and time ..............................................18

Navigating the LCD Interface........................................18

Sample Rates ......................................................................18

Digital Audio Clock ...........................................................19

Contents

I/O Settings ..........................................................................20

Analog I/O Operating Level...........................................20

Control Mode .....................................................................20

MIDI Device ID ....................................................................21

Sony 9-Pin ............................................................................21

Video Reference ................................................................21

Pull Up/Pull Down Sample Rates .................................21

Networking .........................................................................22

Checking Free Hard Drive Space .................................23

Drive Benchmarking Utility ...........................................23

Formatting a New Drive .................................................24

Factory Defaults ................................................................24

Store/Recall User Settings ..............................................24

Mixer Bypass ......................................................................25

Make a Default Project ....................................................25

5 – Recorder ..................................................26

Working With Projects ....................................................26

Creating a New Project ............................................26

Destructive versus Non-Destructive

Recording ......................................................................26

Opening a Project .....................................................26

Saving a Project ..........................................................27

Auto-Saving Projects ................................................27

Importing a Project ...................................................27

Exporting a Project ....................................................27

Copying a Project .......................................................28

Backing Up a Project to CD/DVD ..........................28

Deleting a Project ......................................................28

Load Last Project ........................................................29

Transport Operations ......................................................29

Local ................................................................................29

One-Button Record ..................................................29

TC Chase ........................................................................29

Rehearse .......................................................................30

Pre/Post Roll .................................................................30

Varispeed ......................................................................30

Recording as a timecode slave ..............................30

Recording and Playing Back ..........................................30

Input Monitoring ........................................................30

Record Enable ................................................ 31

Punch Crossfade Time ..............................................31

Undo/Redo ..................................................................31

Metering ........................................................................31

Using Markers ..............................................................32

Loop Playback .............................................................32

Loop Mode ...................................................................33

Auto Punch ...................................................................33

Loop Recording ..........................................................34

TASCAM X-48MKII

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Contents

Audio pool ...................................................................34

Using the VGA Recorder Interface ..............................34

Meters.............................................................................34

Naming Tracks .............................................................34

Scrolling .........................................................................34

Timebar Format ..........................................................35

Clip Properties .............................................................35

Navigating the Timeline ..........................................35

Status Displays ............................................................35

Changing part colors on the track screen ........35

Synchronization .................................................................35

Requirements ..............................................................35

Sample Rate .................................................................36

Clock Source.................................................................36

BNC Clock In/BNC Clock Out ..................................37

BNC Word Clock Output Polarity ..........................37

Video Clock Frame-Edge Resolve .........................37

Frame Rate ....................................................................37

Control Mode ...............................................................38

Chase Freewheel ........................................................39

Chase Relock ................................................................39

Chase Relock Threshold ...........................................39

Timecode Offset .........................................................40

Chase Lock Deviation ...............................................40

Timecode Output Muting .......................................40

Advanced Recorder Operations ..................................40

Audio File Naming .....................................................40

Track Key Punch ..........................................................41

Recording time ..................................................................41

6 – Editing ......................................................42

Edit Tools ..............................................................................42

I-Beam Tool...................................................................42

Object Tool ...................................................................42

Smart Tool .....................................................................42

Magnify Tool ................................................................42

Selecting & Editing ...........................................................43

Selecting Clips .............................................................43

Selecting Time ............................................................43

In and Out Points ........................................................43

Clip Properties .............................................................43

Snap to Grid .................................................................43

Cut, Copy, Delete, Paste ...........................................43

Repeat Paste ................................................................43

Crop .................................................................................43

Insert Time ....................................................................44

Delete Time ..................................................................44

Split .................................................................................44

Play From Selection ...................................................44

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TASCAM X-48MKII

History List ....................................................................44

Moving clip borders and adjusting crossfades .....................................................................44

Fade-in, fade-out and crossfade curves.............45

Audio Processing...............................................................45

Pitch/Time Stretch .....................................................45

Consolidate ..................................................................45

7 – Mixer ........................................................46

Mixer Interface ...................................................................46

Mixer Introduction .....................................................46

Mixer Bypass ................................................................46

DSP View .......................................................................46

Mixer Tabs .....................................................................46

Automation ..................................................................47

Third-Party Plug Ins ...................................................47

Routing ..........................................................................47

Mixer Applications ............................................................47

Submixing .....................................................................47

Monitoring While Recording..................................47

Final Mix.........................................................................48

8 – Specifications ..........................................49

Media and formats ...........................................................49

Digital audio input/output ............................................49

Control input/output .......................................................49

General .................................................................................49

Options .................................................................................50

Dimensional drawings ....................................................50

9 – Appendix .................................................51

Functions controlled using a mouse and display ..51

Front panel function list ................................................54

Shortcuts ..............................................................................57

MIDI machine control (MMC) protocol .....................59

SONY P2 protocol ..............................................................59

Thank you very much for purchasing the TASCAM

X-48MKII 48 Track Digital Audio Workstation.

Before connecting and using the unit, please take time to read this manual thoroughly to ensure you understand how to properly set up and connect the unit, as well as the operation of its many useful and convenient functions.

After you have finished reading this manual, please keep it in a safe place for future reference.

You can also download the Owner's Manual from the

TASCAM web site (http://tascam.com/).

Features

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48-track hard disk recorder

Transport keys and meters on the front panel can be used to control the multitrack recorder

1TB hard disk built-in

Recording to external hard disks using high-speed eSATA connection

Built-in hard disk format: NTFS

Audio file format: Broadcast Wave Format (BWF)

Operation modes include standalone (unsynchronized), timecode synchronization and Theater Play

Edit tracks using the graphical user interface (GUI), including cut, copy, delete and undo/redo

Undo operations using the UNDO command (up to

1000 changes) and History List

Non-real-time time compression editing

Support for 44.1, 48, 88.2 and 96 kHz sampling frequencies, including pull-up and pull-down

±6% pitch control playback

Support for LTC and MTC timecode synchronization

Support for video resolve synchronization to video frame-edge for timecode synchronization

Fail Safe Recording refreshes file headers every 5 seconds

Digital mixer has 48 channels, 12 stereo subgroups, 6 aux sends and 1 stereo master

Digital mixer can be used for mixing down during playback

Each channel and group includes dynamics

(compressor), 4-band EQ and 6 AUX sends

Volume automation on all 48 channels by writing volume curves

Internal 32-bit floating-point processing

GUI can be controlled by connecting a display, keyboard and mouse

6 TDIF digital input and output connectors support a total of 48 inputs and outputs at 96 kHz sampling frequency

2 option card slots for 24 channels of audio input and output (analog, AES/EBU, ADAT)

1 coaxial stereo digital input and output (S/PDIF)

1 – Introduction

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Clock source options: internal, WORD, S/PDIF, TDIF,

SLOT 1, SLOT 2

Support for WORD SYNC IN/OUT/THRU, with WORD

SYNC OUT supporting clocks at both high and normal

(base) sampling frequencies

VIDEO IN/THRU (video resolve, NTSC/PAL Black Burst and up to 1080p Tri-level HDTV Sync)

TRS balanced LTC input and output

MIDI IN and MIDI OUT

Machine control using RS-422 9-pin connection

Audio data and EDL data import (OPEN TL) and export

(OPEN TL/AAF) supported

Built-in DVD drive for backup

Projects can be copied to external hard drives connected to the eSATA connector and USB 2.0 jacks

Data can be transmitted to a host computer via

Ethernet (supports 1000BASE-TX)

Footswitch can trigger playback in Theater Play mode, and can be set to PLAY/STOP, PUNCH IN/OUT when in

Internal mode

4U rackmount size

Theater mode playlist can be used to change playback order

Continuous recording for 48 hours

Recording past 00:00 (24 hours)

USB 2.0 jacks can be used to connect USB devices, including mice, keyboards, hard disks and flash memory

Big Meter screen shows level meters for 48 tracks

Unpacking

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The X-48MKII has been packed to ensure its safety during shipment. Inspect the unit for damage immediately upon unpacking and contact the shipper or retailer if damage is discovered or items appear to be missing. Please keep all boxes and packing material in case your X-48MKII needs to be shipped in the future. Inside the shipping carton, you will find the following:

X-48MKII Unit

Power Cord specific to the country where you purchased it

A rack-mounting screw kit

Two white plastic spacers and screws for installation of digital cards (IF-AE24/IF-AD24)

System Restore CD

Documentation CD

A warranty card

This Owner’s Manual

TASCAM X-48MKII

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Manual Conventions

The following typefaces will be used in this Owner’s

Manual as indicated.

• The names of keys and controls are given in the following typeface: ENTER.

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Messages shown on the VGA monitor are given in the following typeface: Settings.

Messages shown in the alphanumeric portion of the

LCD are given in the following typeface:

Midi Device ID

.

The following icons will be used in this Owner’s Manual as indicated:

CAUTION

Instructions that should be followed to avoid injury, damage to the unit or other equipment, and loss of data.

TIP

This icon indicates a hint or tip on using the X-48MKII.

NOTE

This icon indicates explanation of actions in special situation and supplement.

This icon indicates instructions related to using the keyboard, mouse and monitor interface.

minimum resolution), a two-button PC mouse (PS/2 or

USB) and a PC keyboard (PS/2 or USB).

Intellectual property rights

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TASCAM is a trademark of TEAC Corporation, registered in the U.S. and other countries.

Microsoft, Windows, Windows Embedded and Windows

Vista are either registered trademarks or trademarks of Microsoft Corporation in the United States and/or other countries.

Apple, Macintosh, Mac OS and Mac OS X are trademarks of Apple Inc., registered in the U.S. and other countries.

The SANEWAVE logo is a trademark of Tudor Products

Inc.

Other company names, product names and logos in this document are the trademarks or registered trademarks of their respective owners.

Any data, including, but not limited to information, described herein are intended only as illustrations of such data and/or information and not as the specifications for such data and/or information. TEAC

Corporation disclaims any warranty that any use of such data and/or information shall be free from infringement of any third party’s intellectual property rights or other proprietary rights, and further, assumes no liability of whatsoever nature in the event of any such infringement, or arising from or connected with or related to the use of such data and/or information.

This icon indicates instructions related to using the front panel of the X-48MKII .

Required Equipment

While the X-48MKII is a comprehensive piece of professional audio gear, there are other things you may need to take full advantage of its capabilities:

• A console with a minimum of 8 outputs (at least 24 is recommended) and enough inputs to handle your expected track count.

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An optional IF-AN24X analog I/O card if connecting the

X-48MKII to an analog console. The IF-AN24X provides the X-48MKII with 24 analog inputs and 24 analog outputs.

An optional digital I/O card (IF-AD24(X) or IF-AE24(X)) if connecting your X-48MKII to a digital console so equipped. These cards provide the X-48MKII with 24 digital inputs and 24 digital outputs per card.

Analog or digital cables appropriate to your console and choice of I/O format.

In order to use the X-48MKII’s editing, DSP and mixing capabilities, you will need a VGA monitor (1024 x 768

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TASCAM X-48MKII

This product is designed to help you record and reproduce sound works to which you own the copyright, or where you have obtained permission from the copyright holder or the rightful licensor.

Unless you own the copyright, or have obtained the appropriate permission from the copyright holder or the rightful licensor, your unauthorized recording, reproduction or distribution thereof may result in severe criminal penalties under copyright laws and international copyright treaties. If you are uncertain about your rights, contact your legal advisor. Under no circumstances will TEAC Corporation be responsible for the consequences of any illegal copying performed using the recorder.

Precautions for placement and use

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The operating temperature should be between 5°C and

35°C (41°F and 95°F).

Do not install in the following types of places. Doing so could degrade the sound quality and/or cause malfunctions.

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Places with significant vibrations or that are otherwise unstable

Near windows or other places exposed to direct sunlight

Near heaters or other extremely hot places

Extremely cold places

Places with bad ventilation or high humidity

Very dusty locations

Make sure that the unit is mounted in a level position for correct operation.

Do not place any object on the unit for heat dissipation.

Avoid installing this unit on top of any heat-generating electrical device such as a power amplifier.

Connecting the power

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Insert the included power cord into the AC IN connector completely.

Hold the power cord by the plug when connecting or disconnecting it.

Beware of condensation

If the unit is moved from a cold to a warm place, or used immediately after a cold room has been heated or otherwise exposed to a sudden temperature change, condensation could occur. Should this happen, leave the unit for one or two hours before turning the unit on.

Other precautions

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Do not change the BIOS settings of this unit . Changing them could cause the unit to not start up or otherwise malfunction. Please be aware that repairing problems caused by changing BIOS settings will require payment.

When using the included System Restore CD to reinstall the system, always disconnect all external hard disks connected by eSATA or USB, including USB flash drives.

Failure to do so will result in erasing all data on these external hard disks.

Before connecting or disconnecting anything to a connector, turn OFF the power of this unit and the devices being connected (particularly, with VGA and

1 – Introduction similar connections). Failure to do so could cause this unit or connected equipment to be damaged.

Cleaning the unit

To clean the unit, wipe it gently with a soft dry cloth. Do not wipe with chemical cleaning cloths, benzene, paint thinner, ethyl alcohol or other chemical agents to clean the unit as they could damage the surface.

The inside of the unit should be cleaned about once every five years. If the unit is not cleaned for a long time and dust is allowed to accumulate inside it, this could cause fire or malfunction. In particular, it is more effective to clean the inside of the unit before seasons with high humidity. Please contact a retailer that sells the unit or a TASCAM service center for cleaning and information about the cleaning fee.

About optical discs

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Handling of optical discs

Always place the discs in the tray with their label facing upward. (Only single-sided discs can be used with this unit.)

To remove a disc from its case, press down on the center of the disc holder, then lift the disc out, holding it carefully by the edges.

Do not touch the data side (the unlabeled side).

Fingerprints, oils and other substances can cause errors.

To clean the data side of a disc, wipe gently with a soft dry cloth from the center towards the outside edge.

Dirt on discs can cause errors, so clean them and always store them in a clean state.

Do not use any record spray, anti-static solutions, benzene, paint thinner or other chemical agents to clean discs as they could damage the delicate surface.

It may cause discs to become unusable.

Always store discs in their cases to avoid dirt and dust accumulating on their surfaces.

Do not place the unit where it is exposed to direct sunlight, high temperatures or high humidity.

Remaining in such a place for a long time could result in warping and other damage.

Do not try to use 8 cm (single) discs, “business card” discs and other nonstandard discs for recording. This unit cannot record to such discs. Use standard 12 cm discs for recording.

When labeling discs, always use a soft oil-based felttipped pen to write the information. Never use a ballpoint or hard-tipped pen, as this may cause damage to the recorded side.

TASCAM X-48MKII

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Do not apply labels or other materials to discs. Do not use discs that have had tape, stickers or other materials applied to their surface. Do not use discs that have sticky residue from stickers, etc. Such discs could become stuck in the unit or cause it to malfunction.

Do not use commercially available lens cleaners because the high-speed rotation of such discs could break the lens protection mechanism.

Never use a commercially available disc stabilizer. Using stabilizers with this unit will damage the mechanism and cause it to malfunction.

Do not use cracked discs.

Only use circular compact discs. Avoid using noncircular promotional, etc. discs.

• If you are in any doubt as to the care and handling of a disc, read the precautions supplied with the disc, or contact the disc manufacturer directly.

Supported optical media

This unit supports the following types of media use.

DVD-R

DVD-RW

DVD+R

DVD+RW

Reading/writing

Reading/writing/rewriting

Reading/writing

Reading/writing

CD-R

CD-RW

Reading/writing

Reading/writing/rewriting

This unit does not support the following types of media use.

DVD+RW Rewriting

Dual layer media

CD-R and CD-RW discs sold for music

CD-RW disks that have been used as CD-DA

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TASCAM X-48MKII

Front panel

2 – Names and Functions of Parts

1 Track record arming button

Puts that track into record ready unless “All Safe” is turned on. Record Ready status is reported by a flashing red light directly above that track’s record arming button.

2 Track meter

Displays signal level from –60 dBfs to –1 dBfs and overload.

3 Status Lights

These lights flash when the X-48MKII is accessing the hard drive, busy with a task, has MIDI input or encounters an error.

CAUTION

When the BUSY indicator is lit, do not try to save or conduct other important operations.

4 Sample Rate

These lights report the current sample rate. If the

X-48MKII is set to 96 kHz, the 48k and 2X lights will be lit. If it isn’t set to one of these standard rates (i.e.

47952 Hz/48k pulldown), the NON STD light will turn on.

5 Timecode Rate indicator

Displays the current frame rate.

6 STANDBY/ON button/indicator

Turns the unit on and standby. A system prompt will confirm shutdown. Holding the button down for several seconds will shut the unit off without a confirmation.

7 System Lights

These indicators light when sample locked to an external source (SAMPLE LOCK), when in destructive recording mode (DEST REC) and when using varispeed (VARISPEED).

8 Display

This shows a variety of information.

9 Optical drive

The internal DVD optical drive for backup, import and export of files.

0 Transport buttons

See the Recorder chapter if you’re unsure how to use these. q Enter button

Confirms menu selections. The Exit button is directly below it to cancel a menu option. w Change button

Use this button to change a menu item in the Project,

Sync, etc. menus. e CLEAR/HOME button

When in menu mode, press this to return to the Home

Screen display. Use this button also to clear a set value.

r Menu buttons

These access menu groups like Project, Sync,

Preferences, etc. You can also change the input status, unmount a disk and more. t 5

/ b

buttons

Use these to scroll through menus and change their settings.

TASCAM X-48MKII

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Rear panel

y TDIF Inputs and Outputs

Each of these jacks transmits 8 channels of TDIF-format digital audio input and output at up to 96 kHz/24-bit.

NOTE

To get all 8 channels of audio input and output at 96 kHz, the equipment connected to the X-48MKII must have the latest TDIF capabilities, such as TASCAM’s DM-3200 and

DM-4800 digital mixers. u Option card slot 1

This slot adds an additional I/O format for channels

1-24. It’s compatible with interface cards such as the

IF-AN24X analog, IF-AD24 ADAT optical and IF-AE24

AES/EBU cards (sold separately). i Option card slot 2

Adds an additional I/O format for channels 25-48.

Cards 1 and 2 do not need to be the same, you can mix and match Analog and AES for example. o MIDI Input and Output

Used to generate and receive MIDI Timecode. Also used to receive MIDI Machine Control commands.

p Timecode Input and Output

Generates and receives SMPTE LTC timecode through balanced 1/4” jacks. a Footswitch jack

Compatible with a momentary footswitch like the

TASCAM RC-30P for punch in/punch out and so on.

NOTE

To operate correctly, a footswitch must be connected before the X-48MKII is powered on. s Remote

Compatible with RS-422 / Sony 9-pin edit controllers for machine control d Video clock in/thru

Use these BNC connectors to input black burst and trilevel sync signals and for thru output.

f Mouse/Keyboard

PS/2-compatible mouse and keyboard inputs. You can also use a USB mouse and keyboard. g Option

Not used.

Option

Not used.

j VGA output

Your monitor should be capable displaying a resolution of at least 1024x768 pixels at a refresh rate of at least 60 Hz. The maximum resolution of the

X-48MKII’s display output is 2048x1536 pixels.

k Word Sync In/Out/Thru

Compatible with BNC word clock generators. l USB

Four USB 2.0 jacks for connecting a keyboard, mouse, flash drive or hard drive.

; Ethernet

100/1000 (Gigabit compatible) ethernet jack. See the section on Networking for more information.

z S/PDIF

Stereo coaxial digital input and output.

Option

Not used.

c eSATA

eSATA connector for connecting external hard drives

12

TASCAM X-48MKII

v Cooling fan

Make sure that this fan is not blocked off in a rack to prevent overheating the system. b AC-IN jack

Connect the included power cord here.


TASCAM X-48MKII

13

3 – Setup

I/O Card Installation

I/O cards of different types may be installed in the

X-48MKII simultaneously. For example, an X-48MKII may have one analog card and one digital card installed, with independent I/O routing. Each X-48MKII option card provides 24 channels of input and output.

CAUTION

To install an I/O card, please contact the retailer where you bought the unit or TASCAM support.

Making Connections

You may not use all the connections provided on the rear of the X-48MKII, but they are there if you need them.

Just skip over the sections below that don’t apply to your setup. For further information on routing to and from these connectors, please refer to Section ‘I/O Settings’

(page 20).

CAUTION

Before connecting or disconnecting anything to a connector, turn OFF the power of this unit and the devices being connected (particularly, with VGA and similar connections). Failure to do so could cause this unit or connected equipment to be damaged.

TDIF

The X-48MKII comes standard with six DB25 connectors, each one capable of carrying eight channels of I/O at normal sample rates (44.1k, 48k) or double speed sample rates (88.2k, 96k).

NOTE

Eight channels of double speed sample rate I/O on a single TDIF connection is a new development for TASCAM recorders and mixers. Please ensure that the equipment you are connecting the X-48MKII to will support this by contacting the manufacturer of that equipment.

CAUTION

Use only cables that are specified by the manufacturer as “TDIF” cables. Using incorrect cables can damage your equipment.

S/PDIF

The X-48MKII comes standard with two RCA jacks for

S/PDIF I/O at both normal and double speed sample rates.

CAUTION

To ensure clean data transmission, use only cables specified by the manufacturer as “S/PDIF” cables.

AES/EBU

When installed into an X-48MKII Slot, an AES/EBU digital

I/O card (TASCAM IF-AE24X) will provide 24 channels of

I/O at normal sample rates (44.1k, 48k) or double speed sample rates (88.2k, 96k).

The AES/EBU DB-25 pinout is pictured :

CAUTION

Use only DB25 cables specified by the manufacturer as

“AES/EBU” cables. Many cables look the same on the outside.

Digital In Digital Out

13

25 14

1

ADAT

When installed into an X-48MKII slot, an ADAT digital

I/O card will provide 24 channels of I/O at normal sample rates (44.1k, 48k).

Digital Audio Clock

Any time multiple digital audio devices are connected together, or multiple digital audio connections are used simultaneously on a single device, all the digital audio clock rates of the connected devices must be locked together. If this is not done, or if it is done incorrectly, clicks, distortion, or muted audio may result. The X-48MKII may act as the master clock to other devices in a system, or it can lock its clock to an external device.

This section will only deal with the physical connections to achieve clock lock. For system configuration, please refer to ‘Digital Audio Clock’ (page 19). Note that all digital audio clock related connections may be connected simultaneously, with the needed one selected in the user interface.

If the X-48MKII is digitally connected to only one other device, the clocks may be locked via that connection, requiring no other connection be made.

Word Clock

If the X-48MKII is digitally connected within a system of more than two digital devices, it is recommended to use Word Clock from one master source, distributed to all devices. The X-48MKII’s rear panel BNC Word Clock connectors have the following uses:

IN

OUT

This connector receives word clock from another device. When used, the X-48MKII should be configured to Lock to Word Clock.

This connector transmits word clock to other devices. When used, the X-48MKII should be configured to Internal Clock.

14

TASCAM X-48MKII

THRU This connector passes the Word Clock signal present at the Word Clock IN through without adding any delay. This allows additional devices to be locked in a daisy-chain fashion in configurations where there is no way to directly distribute clock from a single source.

Analog Audio

The IF-AN24X provides 24 channels of balanced analog inputs and 24 channels of balanced analog outputs.

The X-48MKII can be configured to one of five possible operating reference levels by applying the appropriate software settings. Please refer to ‘Analog I/O Operating

Level’ (page 20) for details.

The analog DB-25 pinout is pictured below:

13

25

1

14

CAUTION

Use only DB25 cables specified by the manufacturer as

“Analog” cables. Many cables look the same on the outside.

Synchronization and Control

This section will deal with the physical connections needed in various synchronized applications. For details about the appropriate software settings, please refer to the ‘Synchronization’ section (page 35).

MIDI

There are two MIDI connectors on the rear of the

X-48MKII. These are used for MIDI Machine Control (MMC) and MIDI Time Code (MTC).

IN This connector receives MTC, which the

X-48MKII can chase, or MMC, which the

X-48MKII can respond to. The front panel MIDI

LED will illuminate when valid MIDI signals are present at this connector.

OUT This connector outputs MTC any time the transport is in motion. That MTC output follows the frame rate and output options set for LTC output. MIDI machine control (MMC) open loop and closed loop are supported.

3 – Setup

Time Code

There are two 1/4” TRS connectors on the rear of the

X-48MKII, used for sending and receiving time code (LTC).

These connectors are balanced to allow for long cable runs with minimal interference. Please refer to pages 37-

40 for details on time code options.

Footswitch

A momentary footswitch may be connected to this 1/4”

TS connector for hands free play, stop, and punch-in/out operation.

NOTE

To operate correctly, a footswitch must be connected before the X-48MKII is powered on.

Remote (Sony 9-Pin)

This is also known as “P2” or “Sony P2” or “RS-422”. Various recording consoles and video controllers support this protocol for transport control and track record enable.

This requires a specifically constructed cable. If in doubt, pre-made RS-422 cables are readily available.

Pin No.

7

8

5

6

9

3

4

1

2

Controlling end

GND

RX–

TX+

TX common

Spare (NC)

RX common

RX+

TX–

GND

Non-controlling end

GND

TX–

RX+

RX common

Spare (NC)

TX common

TX+

RX–

GND

Video Reference (Tri Level Sync)

IN When the X-48MKII is used in a film/video post production environment, it may be necessary to resolve a consistent sample range with the time code edge. A video reference (blackburst) signal applied to this connector makes this possible. Please refer to page 19 for details on configuring the use of signals present at this connector.

Tri Level Sync is the video reference signal used for High

Definition Video. This connector automatically senses the type of signal present.

THRU The video reference signal present at the IN

connector is passed through out this connector without additional processing delay.

This allows for daisy-chaining another device, after the X-48MKII, which requires a video reference signal.

TASCAM X-48MKII

15

3 – Setup

Keyboard, Mouse & Monitor

A standard PC keyboard and mouse (or trackball) may be connected to the P/S2 or USB ports on the rear of the

X-48MKII. To take full advantage of these peripherals, it is recommended that a full keyboard with numerical keypad and a scrolling wheel mouse be used.

Your monitor should be capable displaying a resolution of at least 1024x768 pixels at a refresh rate of at least 60 Hz.

The maximum resolution of the X-48MKII’s display output is 2048x1536 pixels.

NOTE

The extra controls present on some multimedia keyboards, such as media player transport controls, are not supported by the X-48MKII. Similarly, a mouse or trackball that depends on the installation of custom driver software is not supported by the X-48MKII.

Network

This unit has a 100/1000 (gigabit) port as a network connector (Ethernet).

You can use the unit’s software to configure it.

Network cable used for the port should be minimally CAT-

5. While network hubs and switches can be used with the

X-48MKII, such devices may reduce network throughput, particularly on a network with much traffic.

To use the preinstalled MX-View software to control a

TASCAM MX-2424, you must set the IP address correctly.

Otherwise, communication with the MX-2424 will fail.

For more details about software configurations to use the

X-48MKII within a networked environment, please refer to

‘Networking’ (page 22).

External Drives

External hard drives may be connected to the eSATA or

USB 2.0 ports on the rear of the X-48MKII to be used as record destination or copy destination drives.

USB Flash Drives, “Thumb Drives”, may be connected to an

X-48MKII’s USB port. Such drives can be useful as source drives for copying material onto the X-48MKII’s drive, copy destination drives for moving material off an X-48MKII, or for software updating. It is not recommended to record directly to such a drive due to their slow write speeds.

External optical drives (DVD, CDR, CDR/W) are not supported.

CAUTION

When recording to any external drive, it is strongly recommended to run the Drive Benchmarking utility to ensure the drive is fast enough for the desired number of record tracks. For example, while eSATA itself is fast enough for high track counts, the actual drive inside an external drive enclosure may be a low RPM drive, not capable of high track counts.

Powering On / Standby

Now that things are connected, it’s time to plug in the

X-48MKII and power it on.

Momentarily press the STANDBY/ON button on the front panel and the X-48MKII will boot up. The boot process takes about 1 1/4 minutes to complete. When ready, the

X-48MKII will display its track screen on a connected VGA monitor and the currently loaded project with time code on the front panel LCD display.

To power off the X-48MKII, either select Shutdown from the File menu in the VGA UI or momentarily press the front panel STANDBY/ON button. In either case, you will be prompted to save the currently loaded project then confirm the shutdown.

NOTE

Disconnect all USB flash drives before starting the unit.

Starting the unit with a USB flash drive connected could prevent the unit from functioning properly. If this should happen, follow these procedures.

1) When the Press F1 To Continue prompt appears, press the F1 key on the keyboard.

2) Disconnect the USB flash drive.

After disconnecting the USB flash drive the unit might restart 2–3 times to restore its ordinary state.

External Applications

CAUTION

While the X-48MKII is based on PC/Windows architecture, it is not configured for general PC use. The Windows

Embedded operating system used on the X-48MKII does not include general use components. We strongly advise you not to install non-qualified software on the X-48MKII.

Doing so could lead to undesirable results, including

X-48MKII malfunction, requiring you to use the X-48MKII

System Restore CD to restore it to its original factory configuration.

MX-View

Pre-installed on the X-48MKII is MX-View Version 1.40, for control of any existing MX-2424 machines you may have.

For MX-View operational instructions, please refer to the

MX-View Manual.

TASCAM Mixer Companion

Pre-installed on the X-48MKII is TASCAM Mixer Companion

Version 1.50. This allows the X-48MKII to act as the host computer for TMC when connected via USB to a TASCAM

DM-3200 or DM-4800 digital mixer.

TMC updates may be installed by running the TMC update installer by selecting Launch External Application from the

X-48MKII’s File menu. The TMC update installer would have

16

TASCAM X-48MKII

to be on a piece of media that the X-48MKII has access to, such as a CD or USB flash drive.

CAUTION

Only Version 1.50 or higher (Windows version) is designed to operate on the X-48MKII. Earlier versions of TMC should not be installed on the X-48MKII.

Using the X-48MKII System

Restore CD

In the event it becomes necessary to use the X-48MKII

System Restore CD to restore your X-48MKII to its original factory configuration, following the steps below will ensure a smooth restore process:

1 Back up all audio data. This should already be done as part of a regular workflow.

2 Check the TASCAM website (http://tascam.com/) for the latest firmware and patch updates. If any are available, download them and use them to update the unit after using the System Restore CD to reinstall the system.

3 With the X-48MKII powered on, insert the System

Restore CD then restart the X-48MKII. The VGA UI doesn’t have to be displayed, all that is required is power to open the drive tray. If necessary, the

X-48MKII can be forced to shut down by holding the front panel power button for a few seconds.

4 The X-48MKII will automatically boot from the

System Restore CD and run the X-48MKII Installer.

Please follow the steps in the X-48MKII Installer screens.

CAUTION

When using the included System Restore CD to reinstall the system, always disconnect all external hard disks connected by eSATA or USB, including USB flash drives.

Failure to do so will result in the System Restore CD erasing all data on these external hard disks.

NOTE

When formatting you can select whether to format only the OS partition (Windows XP Embedded and the X-48

Application) and rewrite the software or to also format the data partition at the same time.

3 – Setup

TASCAM X-48MKII

17

4 – Configuration

This section helps you with the software settings you’ll need to make in order for the X-48MKII to work smoothly in your application.

Display Settings

Your monitor should be capable displaying a resolution of at least 1024x768 pixels at a refresh rate of at least 60 Hz.

The maximum resolution of the X-48MKII’s display output is 2048x1536 pixels. You change the display resolution from the Windows menu.

NOTE

Resolution depends on the resolution of the connected display.

Mouse/Keyboard Operation

1 Click the Windows menu and select Display Settings...

2 Move the slider to change the display resolution

(the minimum resolution is 1024 x 768) and press

Apply.

Setting the date and time

Set the built-in clock for accurate timestamping.

Mouse/Keyboard Operation (only)

Select Set Date and Time from the File menu, and set the date and time.

Navigating the LCD Interface

To access menus and settings from the X-48MKII front panel, use the six buttons directly below the LCD display.

Front Panel Operation

1 Press one of the seven menus on the bottom right corner of the unit: PROJ, DISK, INP 1-24, INP 25-48,

SYNC, PREF or SYS. See below for an explanation of each of these menus.

2 Press the 5 / b buttons to scroll through menus.

3 When you find a setting you want to edit, press

CHNG (Change).

4 Press the

5

/ b

buttons to choose a setting.

5 When you’re finished, press ENTER to save or EXIT to cancel your edit.

6 At any time, you can press HOME to get out of the menu system and back to the main screen.

18

TASCAM X-48MKII

The seven menu keys are used to access the following functions:

PROJ

DISK Goes directly to the list of hard drive management functions such as a

Free

Space

display and disk formatting utility.

INP 1-24 Goes directly to input routing menus for inputs 1 through 24. In most cases, these will be left at their default settings since much output routing can be done from a recording console. The choices presented in this menu allows the use of consoles with less than 48 outputs.

INP 25-48 Goes directly to input routing menus for inputs 25 through 48. In most cases, these will be left at their default settings since much output routing can be done from a recording console. The choices presented in this menu allows the use of consoles with less than 48 outputs.

SYNC

Goes directly to the list of project management functions such as

New

,

Open

,

Save

,

Save As

,

Delete

and

Copy

.

Goes directly to the list of synchronization settings and functions such as time code frame rate, digital audio clock settings and time code chase options.

PREF

SYS

Goes directly to a list of general operating preferences for the X-48MKII such as transport options, pre/post roll options, front panel UI options and external control options.

Goes directly to a list of system settings such as save/load of user configurations and network settings.

Sample Rates

The X-48MKII supports the base sample rates of 44.1k, 48k,

88.2k and 96k. The sample rate for your project should be set immediately after creating the project and before recording any audio. New projects will be created at the currently set sample rate by default. A project’s sample rate is stored as part of the project.

If a project’s sample rate is changed after recording audio into that project, a confirmation dialog will be presented.

Proceeding with the sample rate change will cause the project to play back faster or slower than it was originally recorded.

You will notice many other sample rates in the list besides the four noted above. Those are “pull up” and “pull down” rates for use in film and video applications. This will be covered in ‘Synchronization’ (page 35).

To set the sample rate:


1 Click on the Windows menu and choose Settings...

2 Click on the Sync tab.

3 Click on the Rate pull-down menu under

Sample Clock.

4 You will see the currently selected sample rate with a check mark. Select another sample rate by clicking on it.


1 Press SYNC.

2 Use the 5 / b buttons until you see

Sample Rate.

3 Press CHNG.

4 Use the

5

/ b

buttons until you see your desired sample rate.

5 Press ENTER/YES.

6 When

Changing Sample Rate OK?

appears, press the ENTER/YES button.

Digital Audio Clock

When digitally connected, two or more pieces of audio equipment must be running at exactly the same digital audio clock rate and have their sample exactly lined up. If this is not done, audio artifacts like clicking and popping or completely muted audio will result.

The X-48MKII provides the ability to operate in many digital audio clock scenarios. Each available setting is shown below along with an example of why it may be used. These settings are made on the Sync tab of the

Settings window.

Internal

When selected, the X-48MKII’s digital audio clock is running on its own at the selected sample rate. Choose this when the X-48MKII is connected to an analog mixer or when the X-48MKII is the clock master for other pieces of digital audio equipment.

Varispeed

The term “varispeed” refers to a recorder’s ability to run faster or slower than a base rate. This may be used to record off speed for later playback at normal speed for a special effect. It can also be used to slightly alter the pitch of a recording for tuning purposes. Varispeed is only available when the X-48MKII is set to Internal clock. When clocked externally, the X-48MKII must follow the rate of that external clock.

Word Clock

When selected, the X-48MKII’s digital audio clock will be locked to any word clock signal present at its BNC Word


Clock input. If this is selected, but no word clock signal is present, the sample rate indication in the GUI and the

Sample Lock LED on the front panel will flash indicating no clock lock.

Word clock is commonly used when many pieces of digital audio gear are connected together in a system and clock is correctly distributed from a central clock generator or one of the connected devices.

Invert Word Out Polarity

Some manufacturers of digital audio equipment lock to the rising edge of a clock signal while others use the falling edge. This setting allows the X-48MKII to operate as a clock master with either type of equipment. This may not be documented by all manufacturers, so if your clock configuration appears correct but you are still hearing artifacts such as clicks, try changing the value of this setting.

Clock Rate Multipliers

Some older word clock generators only support base clock rates (44.1k, 48k). For scenarios where such a clock generator is used in a system running at higher clock rates, the X-48MKII provides the ability to lock to, and output, word clock rates that are exact multiples of its operating rate. For example, a system may be running at

96k, but the clock generator’s maximum output rate is

48k.

ADAT Card/AES Card (1, 2)

When selected, the X-48MKII’s digital audio clock will be locked to the digital audio signal present at the first group of eight inputs of a digital I/O card installed in the specified slot. This would typically be used when the X-48MKII is digitally connected via one of its slots to one other piece of equipment such a mixer or another recorder.

S/PDIF

When selected, the X-48MKII’s digital audio clock will be locked to the digital audio signal present at the rear panel S/PDIF input. This would typically be used when the X-48MKII is digitally connected to the S/PDIF output of a piece of equipment when transferring stereo audio into the X-48MKII. On the SETTINGS screen I/O tab, set S/

PDIF output mode to Professional (Professional Mode check box checked) or Consumer (Professional Mode check box unchecked).

TDIF Port 1

When selected, the X-48MKII’s digital audio clock will be locked to the digital audio signal present at the first TDIF port (1-8). This would typically be used when the X-48MKII is digitally connected via TDIF to one other piece of equipment such as a mixer or another recorder.

Resolve to Video In

When checked, the X-48MKII will align the frame edge of its timecode with the edge of the video reference signal. This is not used as a sample clock source. Check this box when the X-48MKII is synchronized via time

TASCAM X-48MKII

19

4 – Configuration code to devices such as video recorders, cameras, or edit controllers and all devices are locked to the same video reference signal (a.k.a. black burst). For more information on synchronization and working with film or video, please see the “Video Clock Frame-Edge Resolve” section on page

37 in chapter 5.

I/O Settings

This section explains how to configure the optional I/O cards for the X-48MKII.


Choose Settings from the Windows menu and click on the

I/O tab.

I/O Cards

At the top of the display, you will see a list of installed optional I/O cards (if any).

I/O Setup

Using the I/O Card Select menus, you can select Input and

Output types in groups of eight from the selection pull down menus. (They are all set to TDIF by default.) The Input

Routing pull down menus set track input sources in groups of eight. They can be used to configure the recorder inputs for a console that has less than 48 routing outputs.

For example, a console with 24 TDIF outputs could be connected to the X-48MKII this way:

1 Connect console TDIF outs 1-24 to X-48MKII TDIF in

1-24.

2 Set Input Routing for channels 1-8 and 25-32 as Input

Grp 1 1-8.

3 Set Input Routing for channels 9-16 and 33-40 as Input

Grp 2 9-16.

4 Set Input Routing for channels 17-24 and 41-48 as

Input Grp 3 17-24.

This allows all 48 tracks to receive signal without physical re-patching. Console out 1 will feed track 1 and 25, console out 2 will feed tracks 2 and 26, etc. There is a track-by-track input selection pull down menu in the

TRACK screen which over-rides the selection made in the

Settings window.

You can also select the I/O operating level from the pulldown menu at the bottom of the window. See the next section for more information.

S/PDIF

Use the Sample rate conversion on S/PDIF inputs checkbox to set whether or not the S/PDIF input sampling rate is converted or not.


To configure the I/O cards from the front panel:

20

TASCAM X-48MKII

1 Press the INP 1-24 or INP 25-48 key.

2 Use the

5

/ b

buttons to select a bank of 8 inputs and outputs, i.e. “

IO Card Select 1-8,

” and press CHNG.

3 Select either

TDIF 1-8

or

Slot 1 (1-8)

and press ENTER.

4 Press the EXIT button when you are finished changing physical I/O types.

To send a different bank of inputs to tracks, for example send inputs 1-24 to 25-48 (see example above):

1 Press the INP 1-24 or INP 25-48 key.

2 Use the 5 / b buttons to select routing for a bank of tracks, such as “

Input Routing 25-32,

” and press CHNG.

3 Select a bank of inputs, i.e.

Input Grp1 1-8, and press ENTER.

4 Press the EXIT button when you are finished changing input groups.

5 Press the CLEAR/HOME button to return to the

Home Screen.

Analog I/O Operating Level

You can set the analog operating level from the Settings menu. Choose Settings from the Windows menu, click the I/O tab and click the I/O Operating Level from the pulldown menu. The levels (in dBFS) that can be selected are

20dB, 18dB, 16dB, 14dB and 9dB.

Control Mode

This unit has the following four transport control modes, which can be set on the SETTINGS screen. From the

Windows menu, select Settings and click the Sync tab. In the

Time Code section, use the Control Mode pull-down menu to select the desired control mode.

Internal

Use this mode to run the unit following its own timecode.

SMPTE

When enabled and the front panel TC CHASE key is enabled, the X-48MKII chases the SMPTE timecode from its input jack.

MIDI (MTC)

In this mode with the front panel TC CHASE key enabled, the X-48MKII chases incoming MIDI timecode from it’s

MIDI input.

Theater Play

This is a special playback mode similar to Auto Cue on a

CD Player. Please refer to page 38 for details on the use of this mode.

MIDI Device ID

When working with MIDI Machine Control, you can set a MIDI device ID so that other devices do not intercept commands for the X-48MKII (and vice-versa).

To set the MIDI device ID:


1 Click the Windows menu, select Settings and click the

System tab.

2 Click the MIDI Device ID pulldown.

3 Select a device ID from the list.


1 Press the SYS button.

2 Press the 5 / b buttons to select

Midi Device

ID

and press CHNG.

3 Select an ID and press ENTER.


Home Screen.

Sony 9-Pin

This section explains how to control the X-48MKII using

Sony 9-pin, also called P2 or RS-422.

Track Arm

Setting it to Digital/Console allows you to arm tracks over

9-pin. Set this to Local if you don’t want to arm tracks this way.

Punch Delay

You can set the punch-in delay from off to 6 frames. This is used when it is necessary for the X-48MKII to emulate an older video deck to match what is expected by the controller.

Chase Control

Choose LTC (SMPTE) or MTC (MIDI) or disable it here.

To access these settings


1 Click the Windows menu and select Settings.

2 Click the Prefs tab.

3 There are three settings under the Sony 9-pin

heading: Track Arm, Punch Delay and Chase Control.



1 Press the PREF button.


P2 Track Arm ,

P2 Punch Delay or P2 Chase Control

and press CHNG.

Video Reference

When working in video, use video black burst to align your audio playback and time code to exactly a frame edge.

To switch on video reference:


1 Click the Windows menu and choose Settings.

2 Select the Sync tab.

3 Check the box labeled Resolve to Video In.


1 Press the SYNC button.

2 Press the

5

/ b

buttons to select

Resolve to

Video In

and press CHNG.

3 Use the 5 / b buttons to select

On

and press

ENTER.

The Video Clock input supports Tri-Level Sync for High

Definition Video. If the black burst input is Tri-Level, the

X-48MKII automatically enables this feature. See Chapter 5,

Recorder, for more on sample clock and video sync.

Pull Up/Pull Down Sample Rates

The X-48MKII supports pull-up and pull-down sample rates for use in film and video post-production. When you select the sample rate for the new session, be sure to consider the final delivery format and set your sample rate accordingly. See Chapter 5, Recorder for more on sample rates.

TASCAM X-48MKII

21


Networking

The X-48MKII can be connected to a computer using the fast Gigabit Ethernet connection. You need an

Ethernet crossover cable to connect your computer to the

X-48MKII, unless you know that your computer’s Ethernet connector is “auto-sensing” (such as most modern Apple computers). Once the ethernet cable is connected, you need to configure both the X-48MKII and your PC for networking.

To configure the X-48MKII for networking:


1 View the Settings window, System tab.

2 Press the Configure button.

3 Select Use the following IP address.

4 Set IP address to be 192.168.1.1. If this address is already in use by your router, choose a different number for the last digit.

5 Set Subnet mask to be 255.255.255.0.

6 Leave the Default gateway blank.

7 Use the following DNS server addresses should be selected already.

8 Preferred DNS server and Alternate DNS server should be blank.

9 Press OK.

10 Begin sharing the X-48MKII’s hard drive by

selecting Drive Sharing... from the File menu.

To configure your Windows XP computer for networking to the X-48MKII:

NOTE

Before starting the following procedures, you must launch the Windows file manager from the X-48 Disk Management menu, and enable sharing of the relevant folder (right click the relevant folder, select the Properties menu item and open the Sharing tab to make this setting).

1 Select Start->Control Panel->Network Connections.

2 You should see a list of network connections, with

one called Local Area Connection.

3 Right-click on Local Area Connection and select

Properties.

4 Click on Internet Protocol (TCP/IP) so that it is highlighted. (Its check box must remain checked.)

5 Press the Properties button.

6 Select Use the following IP address.

7 Set IP address to 192.168.1.2. (Note: This is different from the X-48MKII’s IP address.) If this IP address is already in use on your network, pick a different number for the last digit.

8 Set Subnet mask to be 255.255.255.0.

9 Leave the Default gateway blank.

22

TASCAM X-48MKII

10 Use the following DNS server addresses should be already selected.

11 Preferred DNS server and Alternate DNS server should be

blank. Press OK.

12 Close the Local Area Connection Properties window.

13 Select Start->My Network Places.

14 On the left side of the My Network Places window is a

list of Network Tasks.

15 Select View workgroup computers. If this left side

display is not visible, enable it by going to Tools >

Folder Options > General tab and click Show common

tasks in folders. Alternatively, you could double click

Entire Network then Microsoft Windows Network to see the available workgroups. Inside the workgroup

named Workgroup will be the X-48MKII. If your computer and X-48MKII workgroup names are different, navigate one level up to see all the workgroups present on the network and look

inside WORKGROUP to find the X-48MKII.

Your X-48MKII will show up similar to this: “X48-

uo0t97er5vk”. (It is possible that you may need to wait a minute or so for the X-48MKII to show up in this list.)

NOTE

Note that the X-48MKII’s workgroup name is fixed as

WORKGROUP. Your PC’s network name may not be

WORKGROUP. For example, Windows XP Home has a default network name of MSHOME. To find the workgroup name of your computer go to Control Panels > System >

Computer Name tab.

16 Double click on the icon that represents the connected X-48MKII.

17 You should be prompted to enter a user name and password.

18 The user name is “administrator” and the password is

“admin”.

19 Now when you double click on the icon, you should be able to see the X-48MKII’s internal hard drive. It

is called “X48 Data Drive”.

20 Double-click on X48 Data Drive to see its contents.

21 Look in the XProjects directory for projects.

To configure your Mac OS X computer for networking to the X-48MKII:

1 Click on System Preferences... under the Apple menu

and choose Network.

2 (Optional:) You may want to make a new Location

under the Location pull-down menu.

3 Double-click on Built-In Ethernet.

4 Click the Configure IPv4 pull-down menu and choose

Manually.

5 Set IP Address to 192.168.1.2. (Note: This is different from the X-48MKII’s IP address.) If this IP address is already in use on your network, pick a different number for the last digit.

6 Set Subnet Mask to be 255.255.255.0.

7 Leave Router, DNS Servers and Search Domains blank.

8 Click Apply Now and close the window.

9 Open a new Finder window and click the Network globe on the left side of the window.

10 Your X-48MKII will show up similar to this: “X48-

uo0t97er5vk”. (It is possible that you may need to wait a minute or so for the X-48MKII to show up in this list.)

11 Double click on the icon that represents the connected X-48MKII.

12 You should be prompted to enter a user name and

password. The user name is “administrator” and the

password is “admin”.

13 The Finder will ask you which drive you want to

mount. There is only one choice, “X48 Data Drive”.

Click OK.

14 Double-click on X48 Data Drive to see its contents.

15 Look in the XProjects directory for projects.

If you’re having trouble getting things to work, you should be able to “ping” the X-48MKII from the PC. Open an MS-

DOS window (Windows) or the Terminal in Applications/

Utilities (Mac OS X) and type “ping 192.168.1.1”. Note that this example uses the IP address specified in the above steps. If the X-48MKII does not respond then something is not connected or configured correctly.

You can change this unit’s network name. This is the name shown on a computer connected to the unit by a network.

To change this name, click Set X48 Name in the File menu shown on the display connected to the unit.

Checking Free Hard Drive Space

Prior to beginning a recording project, you’ll probably want to check your available hard drive space.


1 Click the Options menu Disk Usage Display item.

2 When Disk Usage is selected, the hard disk usage

(%) is shown to the left of the CPU meter on the connected display.

When Record Time Remaining is selected, the amount of recording time possible for the set Rec Track number is shown.


1 Press the DISK button

2 Use the

5

/ b


Free Space

, and press CHNG button.


3 Press the

5

/ b

buttons to see the free space on each of your drives.

4 Press HOME when you’re finished.

Drive Benchmarking Utility

The X-48MKII includes a utility that you can use to test any connected drive before using it. The recorder runs a series of write/read tests and then reports how many tracks it can record to that drive disk for each sample rate by converting the transmission capability into numbers of tracks.

NOTE

•

•

The number of usable tracks cannot exceed 48.

We recommend using this utility whenever you connect a new hard disk drive (particularly when connecting eSATA/USB external drive enclosures with unknown disks inside) and when recording in cold temperatures. (In cold temperatures, reading and writing speeds might be reduced.)

To run the Drive Benchmarking Tool:


1 Click the File menu and choose Drive Benchmarking...

2 Choose your hard drive from the pull-down menu.

3 Click OK to start the test. In about a minute, the

X-48MKII will report how many tracks you can record to this drive at 48 kHz and at 96 kHz.

8

Maintaining good hard disk performance

In order for this unit to write 48 tracks, which is a great amount of data, to a hard disk, the data transmission rate must be sufficient. To assure this, it is necessary to always keep hard disks in good condition. This is especially important when using external hard disk drives and when using 88.2 and 96 kHz “double” sampling rates.

In order to prevent errors caused by insufficient data transmission rates, please conduct the following maintenance operations regularly.

•

•

If 3 or more projects have already been created on a single hard disk partition, erase all the projects and format that partition first before creating a new project on it.

Before starting a long recording, format the hard disk and create a new project first.

CAUTION

At around 0° C and below, hard drive performance decreases and the number of recordable tracks can be affected. Before undertaking important recording, check the drive performance using the File menu Drive

Benchmarking… item. We also recommend testing recording for 1–2 minutes.

TASCAM X-48MKII

23


8

Recommended specifications for external hard drives

We recommend using external hard drives that have rotation speeds of 7200 rpm or more and a cache of 8 MB or more. Hard drives with lower specifications might not be able to handle the transmission of 48 tracks. Moreover, we highly recommend that you use the File menu Drive

Benchmarking… item to check external hard drives regularly.

Formatting a New Drive

A new hard drive needs to be formatted before recording on the X-48MKII. To do this:


1 Click the File menu and choose Disk Management...

2 The X-48MKII warns you that it will shut down after

running this application. Click Yes (or No) to save your project first.

3 The next prompt warns you that you can do some serious damage by misusing the Disk Management

tool, such as modifying the C: drive. Click OK when you’re ready to begin.

4 The Disk Management tool opens. Disk0 should be the startup disk, partitioned into the C: drive (your operating system and program files), and the D: drive (the Data partition you can write to).

5 If you’ve connected an eSATA drive, you should see

it mounted as Disk1. To format this disk, right-click

the bar on the right and select Format.

6 Give the disk a name and click OK twice.

7 When you’re finished, click the Close box in the top right corner. The X-48MKII will shut down. Restart the recorder to begin using your drive.


1 Press the DISK button.


Quick Format and press CHNG.

3 Select a drive using the 5 / b buttons and press

ENTER.

4 The display will ask you if you want to format the drive. Press ENTER/YES.

Factory Defaults

This section tells you how to restore the X-48MKII to factory defaults.


1 Open the Windows menu and select Settings.

2 Click the System tab.

3 Click the System Settings Reset button. The recorder will ask you if you want to restore the X-48MKII to

factory settings, click OK.



2 Press the

5

/ b

buttons until you select

Settings and press CHNG.

3 Select

Recall Defaults

using the

5

/ b

buttons and press CHNG.

4 The display will ask,

Reset settings to factory defaults?

Press ENTER/YES.


Home Screen.

Store/Recall User Settings

You can store your own settings for later recall. You might do this if you do multiple types of sessions that require different configurations:



2 Click the System tab.

3 Click the System Settings Store button. Type a name

for the settings and click Save.

4 To restore the system settings you’ve saved, click

the Recall button and find your backup.



2 Press the

5

/ b


Settings and press CHNG.

3 Select

Store...

using the 5 / b buttons and press

CHNG.

4 Give your settings a name using the 5 / b buttons and the CHNG button to cursor forward, then press

ENTER/YES.

5 To recall your settings, select

Recall...

from the previous menu and locate your backup file.

24

TASCAM X-48MKII

Mixer Bypass

Bypassing the mixer section improves input to output delay and reduces CPU usage by keeping the mixer EQ, level, etc. settings disabled when using the X-48MKII strictly as a recorder. Mixer Bypass is switched on by default, so you will need to disable it before using the mixer section.

To access this setting:



2 Select the System tab.

3 Check or uncheck the Mixer Bypass checkbox.

Make a Default Project

You can define a default project which has all of the routing and sync presets you typically use.

To do this:


1 Open the File menu and select Save Project As...

2 Double-click D:, XProjects and Startup in order.

3 Name your project “Startup”. Click OK to replace the old file.


TASCAM X-48MKII

25

5 – Recorder

Working With Projects

Creating a New Project


1 Click on the File menu and select New Project... or press Control-N on the keyboard.

2 The display will ask you if you wish to save changes

to the current project. Click on Yes or No.

3 The display prompts you for the following information:

Name

Type a name for the project using the keyboard

Drive

Select which drive to record to

Mode

Either Non-Destructive or Destructive. See next section for explanation.

Sample Rate

The sample rate for the session. Most users will choose either 44.1k (CD-standard), 48k (DVD-standard), 88.2k (2x

CD) or 96k (2x DVD). A number of other sample rates are provided for post production use. See “Sample Rates“

(page 18) for more information on when to use these sample rates.

Bit Depth

Choices of 16-bit, 24-bit, or 32-bit Floating Point are provided.

4 Click OK when complete.


1 On the front panel of the X-48MKII, press the PROJ button, press the

5

/ b

arrows to select

New

and press CHNG.

2 Press the Yes or No button to save the current project.

3 Choose a drive to record to with the 5 / b buttons and press ENTER.

4 Select the bit depth

16 Bit

,

24 Bit

or

Floating

Point

and press Enter.

5 Give the project a name using the

5

/ b

buttons to change letters, the CHNG button to select the next letter. Press Enter to create the project or EXIT to cancel.

Destructive versus Non-Destructive

Recording

The X-48MKII provides two methods for recording, Non-

Destructive (the default) and Destructive.

When Non-Destructive recording is selected, new recordings are written to the hard drive as new WAVE files. With this method, you can return to an old take of a recording using Undo or by editing the previous take.

The disadvantage to this method is that your hard drive is filled with Wave files. If you imported all of these files into a digital workstation, you may not be able to tell which was the final approved recording unless you had exported an AAF file as well.

Using Destructive recording is just like using a multitrack tape, and is often referred to as “tape mode.” If you look at the hard drive after recording this way, you will see one long WAVE file for every track that you recorded to. Film re-recording mixers use destructive recording to record their final mixes. As they punch in and out of their mix recorder all day, they only want one master file of the approved mix to encode into Dolby Digital or however it’s being processed for release. Destructive recording also has the advantage that it uses less hard drive space, since old takes aren’t kept. But just like the multitrack tape it emulates, when you record over something it’s gone forever. There’s no undo in destructive recording mode.

DEST REC is shown at the top center of the connected display, and appears lit when in destructive mode.

NOTE

This has the same meaning as the DEST REC (SYSTEM) indicator on the front panel.

Opening a Project


1 Click on the File menu and select Open Project... or press Control-O on the keyboard.

2 The display will ask you if you wish to save changes

to the current project. Click on Yes or No.

3 The Open Project window appears. At the top of

this window, click the Up button to navigate up a level on your hard drive, or all the way up to see all drives connected to the system.

4 Double-click on the folder containing your project.

You should see a project with the filename you

chose ending in an “.ndr” extension. Double-click on this file to open the project.

26

TASCAM X-48MKII



5

/ b


Open

and press CHNG.

2 Press the Yes or No button to save the current project.

3 Choose a folder.

4 Select the file/folder to open using the

5

/ b buttons and press ENTER, or EXIT to cancel.

Saving a Project


• Click on the File menu and select Save Project... or press Control-S on the keyboard.


• On the front panel of the X-48MKII, press the PROJ button, press the 5 / b arrows to select

Save

and press CHNG.

Saving Your Work

How often do you need to save? The X-48MKII writes data to the drive during recording. You should periodically save during recording, and whenever you change something in the mixer.

You may also want to switch on Auto Save, described below. During recording, however, audio clips are captured with Fail Safe recording, which updates the WAV file headers every 5 seconds.

For best results and peace of mind, save early and often.

Auto-Saving Projects

You may want to enable auto-save so that your recordings and mixes are saved in the event of a power outage.


1 Click on the Windows menu and select Settings, or press Alt-F8 on the keyboard.

2 Select the Prefs tab.

3 Click the Auto-save Projects checkbox. You can specify how often the machine saves, from every 1 to 120 minutes (10 minutes is the default).

5 – Recorder


1 On the front panel of the X-48MKII, press the PREF button.

2 Press the 5 / b arrows until you select

Auto

Save

and press CHNG.


On

and press

ENTER.

4 Press the PREF button again, press the Up button once to select

Auto Save Time

and press CHNG.

5 Change the Auto-save interval time (10 minutes is the default) and press ENTER.

NOTE

Turn the Auto Save function OFF when using the unit only for playback.

Importing a Project

The X-48MKII can import an Open TL project. This function can only be accessed from the mouse and keyboard. It is not possible to import a file using the LCD on the front panel.


1 To open this project, select Import Project... from the

File menu.

2 The recorder will prompt you to save your project,

click either Yes or No.

3 Select a project to import using the window interface. You can navigate up to select another

drive. Click Open or Cancel to select a project.

A progress bar appears while importing.

Exporting a Project

The X-48MKII can export the recording project as either an AAF file (Advanced Authoring Format) or an Open

TL file. AAF files are supported by most digital audio workstations, including Pro Tools, Logic and Nuendo. You may need additional software to import an AAF file, such as DigiTranslator for Pro Tools. Consult your workstations documentation or support website for more information.

This function can only be accessed from the mouse and keyboard. It is not possible to import a file using the front panel LCD.


1 To open this project, select Export Project... from the

File menu.

2 Using the Filter control at the bottom of the window,

select either AAF or Open TL as your output format.

TASCAM X-48MKII

27

5 – Recorder

3 You can navigate up to select another drive. Click

Save to export the project.

8

Exporting as an AAF file

When exporting as an AAF file, you can export as an embedded or non-embedded file. When you choose the File menu “Export Project...” item the export screen appears. On this screen, you can set whether to export an embedded AAF file or a non-embedded AAF file. The difference between embedded and non-embedded files is explained below.

•

•

Embedded AAF files contain all the information and audio files for a project. In other words, the entire project can be stored in a single embedded AAF file

(.aaf). The maximum size of a single AAF file, however, cannot exceed 2 GB. For this reason, if the total data of the project exceeds 2 GB (because it has many tracks and/or very long clips), you must export it as a non-embedded AAF. If you try to export a project that is larger than 2 GB as an embedded AAF, an error message will appear and exporting will be canceled.

Non-embedded AAF files only contain the project information. When you export this way, a folder that contains all the audio files will also be created. As with embedded AAF files, the maximum size is 2 GB, but this limitation has no practical effect since non-embedded

AAF files do not contain audio files.

Copying a Project

You can make a copy of a project with the X-48MKII, for instance as a backup to another drive. This copies the project and all of its wave recordings, unlike Save As... which only copies the project file.


1 Click on the File menu and select File Manager or press Ctrl-F on the keyboard.

2 You should see the File Manager window with two panes on the left and right. In the left hand pane, navigate to the project folder you want to copy

(containing the .ndr file and Audio folder). Click on this folder so it’s highlighted.

3 Using the controls on the right side, navigate to where you want to copy the project to, i.e. a removable eSATA hard drive.

4 When you’re ready to begin copying, press the

>> button under the word Copy between the two panes.



5

/ b


Copy

and press CHNG.

28

TASCAM X-48MKII

2 Press the

5

/ b

arrows until you select a source project folder and press ENTER.

3 Press the

5

/ b

arrows and select a project file (.ndr file) and press ENTER.

4 Press the 5 / b arrows and select a destination drive and press ENTER.

5 Enter a destination project name by using 5 / b arrows and CHNG button, and press ENTER.

For details about how to copy projects in a connected network, see “Networking” on page 22.

Backing Up a Project to CD/DVD

Use the built-in DVD drive to make a backup.


1 Click on the File menu and select File Manager or press Control-F on the keyboard.

2 You should see the File Manager window with two panes on the left and right. In the left hand pane, navigate to the project folder you want to back up

(containing the .ndr file and Audio folder). Click on this folder so it is highlighted.

3 In the center pane, click the Backup button.

4 The Burn Options window should appear. It will tell you how large the project folder you selected is, and will give you the option to burn the project

to a 650MB CD , 700MB CD or 4.7GB DVD. You can also click a checkbox to verify the disk after it has been burned.

•

•

NOTE

Backups can only be made using the built-in DVD drive or a different hard disk.

Only one project can be backed up at a time.

Deleting a Project


1 Click on the File menu and select File Manager or press Control-F on the keyboard.

2 You should see the File Manager window with two panes on the left and right. In the left hand pane, navigate to the project folder you want to delete

(containing the .ndr file and Audio folder). Click on this folder so it’s highlighted.

3 In the center pane, click the Delete button.

4 In the Confirm Delete window that opens, click OK.



5

/ b


Delete and press CHNG.

2 Press the 5 / b arrows to select a project folder and press ENTER.

3 Press the 5 / b arrows and select a project file

(

.ndr

file) and press ENTER.

4 A confirmation message appears. Press YES/NO to execute/cancel the delete operation.

Load Last Project

The X-48MKII can default to loading the last project used at startup. This is useful for working on long-term projects, or when the X-48MKII is used as a playback device for live or theater use.


1 Click on the Windows menu and select Settings or press Alt-F8 on the keyboard.

2 The Settings window will open. Click on the tab at

the bottom of this window titled Prefs.

3 At the top of the screen is a checkbox labeled Load

Last Project on startup. Check this box.


1 On the front panel of the X-48MKII, press the PREF button, press the

5

/ b


Load

Last Project

and press CHNG.


On

and press

ENTER.

Transport Operations

Local

The X-48MKII has six transport buttons you should already be familiar with. These buttons are found on the front panel and on the VGA display:

REW Rewinds the transport. After rewinding for three seconds, it rewinds at a faster rate. After another three seconds, faster still.

F FWD Puts the transport in Fast-Forward. It moves at increasingly faster rates like the

Rewind button.

STOP Stops playback, recording or loop playback.

PLAY Starts playback, loop playback or loop recording.

5 – Recorder

RHSL Starts Rehearsal recording. This simulates recording (changing input monitor modes as selected) without actually punching into record. It can also be used to set punch in/out

REC points.

Starts recording when pressed at the same time as PLAY. It can start recording on its own if

One Button Record

is set to on, (see next section).

One-Button Record

This function allows recording to begin when the record button is pressed by itself, instead of requiring both the

record and play buttons to be pressed at the same time.




the bottom of this window titled Transport.

3 At the top of the screen is a checkbox labeled One

Button Record. Check this box.


1 On the front panel of the X-48MKII, press the

PREF button, press the

5

/ b


One

Button Record

and press CHANGE.

2 Use the

5

/ b


On


TC Chase

The TC Chase feature allows your X-48MKII to chase incoming timecode.


Click TC Chase at the top center of the connected display.


• On the front panel of the X-48MKII, press the TC

CHASE button. The unit will chase time code according to the setting made in the

Settings menu

Time Code

item.

NOTE

To set the timecode, click the Windows menu and select the Settings item (or press Alt-F8 on the keyboard) to open the SETTINGS screen. Click the Sync tab and select the timecode next to the Timecode item.

TASCAM X-48MKII

29

5 – Recorder

Rehearse

The Rehearse feature allows you to hear the effects of recording without actually recording to disk. This feature is useful for testing auto-punch in and out points or for rehearsing talent before recording.


• Click on the REH button in the transport section in the top-right corner of the screen.


• Press the RHSL button.

This function, however, works only when “One-button rehearsal” has been set, as described below.

8

One-button rehearsal


1 Click the Windows menu and select the Settings item (or press Alt-F8 on the keyboard) to open the

SETTINGS screen. Click the Transport tab.

2 Put a check into the One Button Rehearse checkbox at the top of the screen.


1 Press the PREF button.

2 Use the

5

/ b


One Button

Rehearse

and push the CHNG button.

3 Use the

5

/ b


On

and push the

ENTER/YES button.

Pre/Post Roll

You can set the pre-roll and post-roll times for starting and ending points when looping. For details about looping, see “Loop Playback” on page 32.




the bottom of this window titled Transport.

3 Click the checkbox labeled Enable Pre/Post-Roll. You

can click on the fields for pre-roll and post-roll to specify how many seconds you require.


1 On the front panel of the X-48MKII, press the PREF button. Use the

5

/ b


Use Pre/

Post-Roll

and press CHNG.


On


3 Pre-roll and Post-roll times can also be changed in the

Preferences

menu.

Varispeed

Varispeed playback changes the playback speed of the recorder, re-sampling at the output to maintain the selected sample rate. It can be useful when an instrument cannot be tuned to match a recording or to speed up or slow down a song’s playback (while simultaneously changing the pitch).



2 Click the Sync tab.

3 Click on the checkbox labeled Varispeed. Use the slider or click in the text box to specify the amount of varispeed.

Recording as a timecode slave

In order to assure recording when functioning as a timecode slave, if unlocked recording operations are disabled and recording cannot be conducted. This is the same as with TASCAM DTRS series and MX-2424 units. To start recording when functioning as a timecode slave, the unit must be locked (PLAY LED lit).

Recording and Playing Back

Input Monitoring

There are four options for input monitoring:

Normal input monitoring

Normal input monitoring puts any track that’s in record in input monitoring. Whether the transport is in play, record or stop, you will hear the input only and not what is recorded. This mode is typically used for tracking.

Auto Input mode

When the recorder is in Auto Input mode, you will hear the input when the transport is in stop or record. When the transport is in play, you will hear what was previously recorded. This mode is used for punch-in recording, so that the artist and engineer can hear what was previously

30

TASCAM X-48MKII

on the track before recording over a section of that performance.

ADR Monitoring Mode

ADR Monitoring Mode is similar to Auto Input, but puts the track in input only when the transport is in record.

The track reverts to playback in stop or play to prevent feedback.

All Input mode

All Input mode enables input monitoring for all tracks, whether they are armed for recording or not. This mode is often used for live recording.

Input monitoring can be set the following ways.


• For Auto Input, click on the Options menu, scroll

over the Auto Input submenu and select On or ADR.

• For All Input, click on the Options menu and select

All Input.


• To enable Auto Input, press the AUTO INPUT button on the front panel.

• For All Input mode, hold the SHIFT button while pressing AUTO INPUT.

Putting Individual Tracks into Input

TIP

When auto input is off, you can set the input mode for individual tracks.

You can put tracks into input mode on a channel-bychannel basis.

1 From the Mouse/Keyboard interface, click the I button next to any track number.

2 From the front panel, hold the SHIFT button and press any track arming button.

Record Enable


• Click on the R button to the right of the track

numbers on the left side of the screen in the Tracks view. The button will flash red to indicate it is ready for record.

5 – Recorder


• Press the Record Enable buttons on the front panel. The Record indicator will flash on tracks that are ready to record.

Punch Crossfade Time

To avoid an audio click when punching in and out of record, the X-48MKII automatically fades into and out of record. This crossfade time is very fast, but prevents an audio pop. The crossfade time can be set between 0ms

(disabled) and 90ms in increments of 10ms.


• Click on the Windows menu and select Settings. Select

the Prefs tab and click the Punch Crossfades submenu.

Select the desired crossfade time.


• Press the PREF button and use the 5 / b buttons to select

Punch Crossfade

. Press the CHNG button, select the desired crossfade time using the

5 / b buttons and press CHNG again.

Undo/Redo

Unlike tape machines, you can undo a recording pass and then put it back with redo. Undo/redo is only available from the mouse/keyboard interface.


• Click the Edit menu and choose Undo or press

Control-Z on the keyboard.

• To redo an operation, click the Edit menu and select

Redo (or press Control-Y on the keyboard). You can also use the History List to undo and redo. For details, see “History List” on page 44.

Metering

You can change various settings for the GUI meters shown at the top of the screen on a connected display.

TIP

If the GUI meters are not shown, click the meter button or press the keyboard “1” key to show them. (The numeric keypad “1” does not have this function.)

Meter button

TASCAM X-48MKII

31

5 – Recorder

Peak Hold

Turn Peak Hold on or off.

Pre-fader/Post-fader

Select whether the meters show the signals before (pre) or after (post) the faders. (This option is disabled when in mixer bypass mode.)

View Masters

Set the track level meter display area to show the GROUP and AUX Master level meters.

Clear Overloads

Select to clear overload indicators.


1 Click the Options menu and select the Meters item.

From this item, you can select Mode, Peak Hold, View

Masters and Clear Overloads.

2 Select the Mode item and click Pre-Fader or Post-Fader to select whether the meters show the signals before or after the faders.

3 Click the Peak Hold item, putting a check next to it, to turn it on.

4 Click View Master, putting a check next to it, to switch from showing level meters for the 48 tracks to showing them for GROUP and AUX masters.

NOTE

You can also directly click the meters on the screen to show the levels of the GROUP, AUX and stereo masters.

5 Click Clear Overloads to clear overload indicators.

NOTE

To set the length of time that overloads are shown, click the Windows menu and select the Settings item. Click the

Prefs tab and from the Clear Overloads pulldown, select

1 second, 5 seconds, 30 seconds or Hold (∞).


1 Press the PREF button, and use the

5

/ b


Meters

and press the CHNG button.

2 Set the

Peak Hold

,

Meter Mode

and

Meter

View Range

items.

• Peak Hold setting

Use the

5

/ b


Peak Hold

.

Use the

5

/ b


On

(default) or

Off and press the ENTER/YES button to change the setting.

• Pre-Fader/Post-Fader selection

Use the

5

/ b


Meter Mode


Use the 5 / b buttons to select

Pre-Fader

or

Post-Fader

and press the ENTER/YES button to change the setting.

• Changing the scale (Meter View Range)

Use the

5

/ b


Meter View

Range


Use the

5

/ b


∞ to 0dB

(default),

-24dB to 0dB

or

-12dB to 0dB and press the ENTER/YES button to change the setting.

TIP

A finer dB scale is useful, for example, when sending a test tone to a recorder for adjustment of an analog I/O card or a Dolby encoder.

Using Markers

Markers allow you to label sections of a recording for visual reference and to locate back to later.


• To create a marker, click the Edit menu and

select New Marker or press the Enter key on your keyboard’s number pad.

• To access a memory location, open the Markers

window from the Windows menu. From here you can select a memory location, rename it and locate to it.

Loop Playback

You can loop a section of the timeline for playback or recording. The loop plays back (with preroll and postroll settings, if assigned) until the stop button is pressed.

Depending on the loop playback mode settings, the number of times playback loops, for example, will differ.

Loop button


1 Click the loop button to enable loop playback

(button lights).

The beginning and stop points of the loop are shown with blue triangles on the timeline ruler. By default, both the start and stop points are set at 00:00:00:00.

2 Drag the loop start and stop points to the location you want them.

In addition, you can also capture the current time

as the loop start or stop point by opening the I/O

32

TASCAM X-48MKII

Marker Properties screen (select from Windows menu)

and selecting Loop. You can also enter them directly on this screen.

You can also capture loop points during loop playback. Use the keyboard F key to set the start point and the T key to set the stop point.

NOTE

The loop interval is not shown on the screen when the loop function is off.

3 Press Play.

4 To disable the loop function, click the loop button again.

Loop Mode

The X-48MKII has three Loop Modes:

Play Once and Cue

Play Once and Cue plays through the loop once, then locates to the beginning of the loop (or pre-roll point if enabled) and stops.

Play Once and Stop

Play Once and Stop plays through the loop once and then stops at the loop end (or post-roll point if enabled).

Play Repeatedly

Play Repeatedly plays through the loop, locates to the beginning of the loop (or preroll point if enabled) and plays again, repeating until the stop button is pressed.

By default, the Loop mode is set to Play Once and Cue. To change this behavior:


1 Click on the Windows menu and choose Settings.

2 Select the Transport tab.

3 The submenu titled Loop Mode has the three choices explained above.

You can also set the playback mode using the LOOP

MODE item on the I/O MARKER Properties screen (select

from the Windows menu).


1 Press the PREF button. Press the

5

/ b


Loop Mode

and press CHNG.

2 Select one of the three choices explained above and press Enter.

5 – Recorder

Auto Punch

The Auto Punch function automatically drops into and out of record when switched on. This is used to automate a difficult punch in and out, such as one word in a lead vocal or an ADR (automated dialog replacement) line that will be attempted several times.


1 First, set the punch in and punch out points. At the default setting, the starting and ending points of the last recording are automatically set as the in and out points, respectively. You can disable this

automatic setting by opening the Transport tab of

the SETTINGS screen (select the Settings item from the

Windows menu), and remove the check mark next to

the Update Punch Points item. )

You can also drag the punch in and out points in the timeline ruler, they are the red triangles that fill the timeline ruler. You may want to zoom into a waveform and set the markers manually if you’re trying to replace or spot-erase some recorded audio.

In addition, you can also capture the current time as the punch in or punch out point by opening

the I/O Marker Properties screen (select from Windows

menu) and selecting Punch. You can also enter them directly on this screen.

2 Hold the Shift button and click the Record button

on the onscreen transport to switch on Auto Punch

mode. The Record light will flash.

3 Move the transport to a location before the punch-

in point and press Play. When the transport reaches the punch-in point it will punch into record. When it passes the punch-out point it will go into play again.


1 First, set the punch in and out points. By default, the recorder remembers the last timecode that you punched into and out of record and uses these for your punch in and out points. (To change this behavior, press the PREF button to open the

Preferences menu and use the  and  buttons to select

Update Punch Points

and change that setting to Off.) You can use the Rehearse button to punch in and out of record without actually recording to set new punch in and out points.

2 To enter

Auto Punch

mode, hold the SHIFT button and press RECORD. The Record light will flash.

3 Move the transport to a location before the punchin point and press PLAY. When the transport reaches the punch-in point it will punch into

TASCAM X-48MKII

33

5 – Recorder record. When it passes the punch-out point it will go into play again.

NOTE

Press the SHIFT and REC buttons again to disable Auto

Punch mode.

Loop Recording

You can also record while in loop mode. When you record in loop mode (and non-destructive recording is selected), a new audio file is written each time the recorder makes a pass. You might use this feature when trying multiple successive takes of a guitar solo, for example. To use the loop recording feature, turn on both Loop Playback and

Auto Punch and press Play. (See previous sections.)

Audio pool

Select the Windows menu Audio Pool... item on the connected display, or press Ctrl-P on the keyboard to open the audio pool screen.

The audio pool screen shows all the audio files referenced by the currently open project and allows the following operations.

Relink

If an audio file that is referenced by an audio clip cannot be found, click the name of that audio clip and click the

“Relink” button. The currently missing audio file will be searched for and relinked automatically. A referenced audio file can be lost when it has been moved manually using the File Manager, for example, or the external drive that it is on is disconnected.

Rename

You can change the file name of an audio file. Doing this will not break links between audio files and audio clips.

Remove

You can remove references to audio files. Use this function on audio files that are no longer necessary, for example.

Remove Unused

This removes audio regions that are not used in the project from the audio pool. If you put a check next to the

Delete unreferenced audio files item before clicking OK, those audio files will also be erased from the hard disk.

Using the VGA Recorder Interface

Meters

The X-48MKII displays meters on the top of the screen by default. To show or hide these meters, click the meter button in the middle of the display. For more about the on-screen meters, see page 31, Metering.

Meter button

Naming Tracks

Each of the tracks can be named for easy reference and for auto-naming recorded wave files.

To name a track:


1 Click on the Tracks tab at the bottom of the screen or press F1.

2 Double click on the track-name on the left side of

the screen, such as Track 1.

3 Type a new name and press Enter.

Scrolling

You can control the way that tracks scroll on the X-48MKII.

None

None means that playback will not change the view selected in the screen

Auto-Scroll

Auto-Scroll means that the center line will remain stationary and the waveform will move under that. The playback line needs to move to the center of the display first, but once it “catches up” it will remain there.

Page Flip

Page Flip tells the playback line to scroll across the screen, then advance to the next chunk of timeline and scroll across that. This is the same as the default view for Pro

Tools.

To change the scrolling behavior:

1 Click the Options menu and select Scrolling.

2 Choose either None, Auto-Scroll or Page-flip.

You can also click the Auto Scroll button in the top left corner of the Tracks display:

Auto Scroll button

34

TASCAM X-48MKII

Timebar Format

The time ruler can be displayed in SMPTE time or in samples.

To change this behavior:

1 Click the Options menu and select Timebar Format.

2 Choose either SMPTE or Samples.

You can also show a large display of the timecode

position in a separate window. Click Time Display in

the Windows menu to open the timecode position display in a separate window.

Clip Properties

To specify information about a clip, open the Clip Properties window:

1 Use the Smart tool to select a clip.

2 Under the Windows menu, select Clip Properties... or press Control-2 from the keyboard.

• You can check file name changes, start point and end point settings, audio clip movements

(timecode contained in broadcast wave files or changes in playback position), track numbers and other metadata (Coding History).

• You can also specify a fade in and fade out time and shape from this window, mute or lock the clip position.

Another way to edit these values, without opening the

Clip Properties window, is to click the Info button in the display. A new panel opens up below the transport with the same clip options.

Info button

Navigating the Timeline

There are several ways to change the playhead position:

• Drag the bottom scrollbar left and right, then click in the track display to jump to that position.

• Use the Fast Forward and Rewind buttons, either on-screen or on the front panel.

• Double-click the timecode position readout and type in a new location with the keyboard.

• Use an external machine control device (see next section on Synchronization).

Status Displays

To the right of the menu displays, you should see a screen similar to the one above. This shows, from left to right:

5 – Recorder

•

•

•

•

•

Current sample rate

Auto input (AUTO IN), all recordings safe (REC SAFE),

Timecode Chase (TC CHASE) and destructive recording

(DEST REC) status (indicators appear blue when enabled)

Hard disk usage and remaining recording time

CPU load

Project name

Changing part colors on the track screen

Click Color Setup in the Option menu to open the Color

SETUP screen where you can change the color of clip backgrounds, clip waveforms and other items, allowing you to customize their appearance.

These color changes are saved with the project.

Synchronization

Requirements

In order to reliably synchronize the X-48MKII to another device, two references are required:

Location reference

Usually, this is SMPTE (LTC) timecode input through the unit’s TIME CODE IN connector or MTC timecode input through the MIDI IN connector. This tells the X-48MKII where in the timeline to go.

Clock reference

A clock reference, typically word clock sent to the

X-48MKII through a BNC cable. This tells the X-48MKII how fast to go once it gets to the right location.

The X-48MKII can run without an external word clock source, but it will eventually drift out of sync. (You can also use a digital audio signal such as AES/EBU as a clock source.) You will also hear clicks and pops in the digital audio if your entire studio is not resolved to a single master clock.

Note that video clock is available on the X-48MKII, but it cannot be used as the reference clock. Video clock is only updated 60 times per second, where word clock is updated 48,000 times or more per second. Long cable runs can also cause video clock to go out of phase, which may cause problems with digital consoles. Video clock on the X-48MKII is used to define the frame edge of the

SMPTE input.

Word Clock

Word Clock sets the playback speed. Once the transport position has been determined by the SMPTE input, the unit follows the clock rate of the sample clock source when playing back. (Set the clock source with the Source item on the Sync tab of the SETTINGS screen (select the

Settings item from the Windows menu).)

TASCAM X-48MKII

35

5 – Recorder

Video Clock

Video Clock gives a precise frame edge to the SMPTE timecode. Not available as a clock reference.

SMPTE Timecode

SMPTE Timecode is used as a location reference, defining where in the timeline to locate to.

MIDI Timecode

MIDI Timecode (MTC) is sometimes used as a location reference with MIDI sequencing software or computerbased DAW software

RS-422

In addition to receiving playback, record and other transport commands, track record arming can also be controlled

As these reference sources are all related, you can see the importance of making sure that all of your devices are resolved to the same clock reference. Another way to look at sync on the X-48MKII is to examine the order that things happen when the X-48MKII is online:

1. The X-48MKII either sees a transport command from the RS-422 signal or sees SMPTE timecode and goes into play.

2. The X-48MKII looks at either the SMPTE input or the

RS-422 to determine where in the timeline to begin playback.

3. If enabled, the X-48MKII looks to the video clock input for a more exact timestamp for the incoming SMPTE.

4. Once the X-48MKII is locked to the right SMPTE frame, it starts playing at the rate dictated by its sample clock source.

5. If the input SMPTE drops out or is otherwise interrupted, playback (or recording) will stop while the timecode is interrupted depending on the Chase

Freewheel setting. Moreover, if the input timecode and the unit’s timecode drifts beyond the Relock Threshold value, the input timecode will either be rechased or the drift will be ignored and playback will continue depending on the Chase Relock setting.

6. When SMPTE timecode stops or an RS-422 stop command is received, the transport stops.

Sample Rate

•

•

•

•

•

•

•

•

A sample rate should be chosen when first creating a project, with consideration to what will be done with the final product. Your choices are:

44100 (CD standard)

48000 (DVD standard)

88200 (2x CD standard)

96000 (2x DVD standard)

42336 (44.1k conversion from film (24) to PAL (25))

44056 (44.1k pull-down)

44144 (44.1k pull-up)

45938 (44.1k conversion from PAL (25) to film (24))

36

TASCAM X-48MKII

• 46080 (48k conversion from film (24) to PAL (25))

• 47952 (48k pull-down)

• 48048 (48k pull-up)

• 50000 (48k conversion from PAL (25) to film (24))

• 84672 (2x 44.1k conversion from film (24) to PAL (25))

• 88112 (2x 44.1k pull-down)

• 88288 (2x 44.1k pull-up)

• 91875 (2x 44.1k conversion from PAL (25) to film (24))

• 92160 (2x 48k conversion from film (24) to PAL (25))

• 95904 (2x 48k pull-down)

• 96096 (2x 48k pull-up)

• 100000 (2x 48k conversion from PAL (25) to film (24))

If you change the sample rate after audio has been recorded, that audio will play back at a different pitch. To change the sample rate:


1 Click the Windows menu and select the Settings window.

2 Click the Sync tab and set the sampling frequency

using the Rate item in the Sample Clock section.


1 Press the SYNC button. Press the

5

/ b


Sample Rate

and press CHNG.

2 Select a sample rate from the list using the 5 / b buttons and press Enter.

3 When

Changing Sample Rate OK?

appears, press the ENTER/YES button.

Clock Source

One of the most important settings on the X-48MKII is the sample clock source, which governs playback speed and keeps audio pops from happening. There are five choices.

Internal

Internal is the default. This can be used if the X-48MKII is either used by itself, with an analog console or as the master clock for the studio.

Word Clock

Word Clock should be used when you have an external, dedicated master clock available. The word clock generator needs to be set to the same sample rate as the

X-48MKII.

S/PDIF

S/PDIF clocks the X-48MKII from the digital audio signal coming into the S/PDIF Digital Input.

TDIF Port 1

TDIF Port 1 clocks the X-48MKII from the digital audio signal coming into the TDIF Digital Input channels 1-8.

If you have digital audio option cards installed (IF-AD24(X)

/ IF-AE24(X) ), those will show up as an available clock source as ‘ADAT Card’ / ‘AES/EBU Card’.

When in doubt, use Word Clock as the reference source. To change the clock source:


• Click the Windows menu and select the

Settings window.

• Click the Sync tab and click the Source item in the

Sample Clock section.

Choose your desired master clock from the list.



5

/ b


Sample Clock Source

and press CHNG.

2 Select a clock source from the list using the 5 / b buttons and press Enter.

BNC Clock In/BNC Clock Out

These parameters allow the word clock signal input or output to be multiplied or divided by 2, or used as-is. This allows, for example, a 48 kHz word clock generator to be used when recording at 96 kHz, or allows 48k and 96k devices to be used at the same time.

To change these settings:


1 Click the Windows menu and select the

Settings window.

2 Click the Sync tab and click the BNC In or BNC Out

item in the Sample Clock section. Choose a setting from the list.



5

/ b


BNC Clock In

or

BNC Clock Out

and press CHNG.

2 Use the 5 / b buttons to select a setting and press Enter.

5 – Recorder

BNC Word Clock Output Polarity

This setting allows the Word Clock signal outphase to be reversed. This may be necessary in large systems or with long cable runs.



2 Click on the Sync tab and check the box labeled

Invert Word Out Polarity.


1 Press the SYNC button. Press the 5 / b buttons to select

Word Out Polarity

and press CHNG.

2 Use the

5

/ b

buttons to select either

Normal

or

Inverted


Video Clock Frame-Edge Resolve

Video Clock in the X-48MKII can be used to define the frame edge of incoming and generated timecode for stability and repeatability. (But not as a sample clock source, see ”Requirements” on page 35.)

To enable video clock:


1 Click the Windows menu, select the Settings window

and click the Sync tab.

2 Check the box labeled Resolve to Video In in the Time

Code area.



Resolve to Video In

and press CHNG.

2 Press the

5

/ b


On

and press

Enter.

Frame Rate

•

•

The X-48MKII syncs to any frame rate of SMPTE timecode:

• 30-frame non-drop (30 NDF) is occasionally used in music studios to sync console automation to a tape machine (2” reel-to-reel tape may be striped with this format)

30-frame drop (30 Drop) is rarely used

29.97 non-drop (29.97 NDF) is the standard for nonbroadcast post-production in the U.S.

TASCAM X-48MKII

37

5 – Recorder

•

•

•

•

29.97 drop (29.97 Drop) is the standard for broadcast television post production in the U.S.

25-frame non-drop (25 NDF) is the standard in Europe

24-frame non-drop (24 NDF) is sometimes used for

HDTV production or film location recording

24.975 non-drop (24.975 NDF) is 25-frame pulldown, used to play 25-frame videos on American NTSC monitors

• 23.976 non-drop (23.976 NDF) is “HD pull-down,” used to play down-converted HD videos on American

NTSC monitors

To change the frame rate:



2 Click on the Sync tab and click the Frame Rate submenu. Choose your desired frame rate from the list.


• Press the SYNC button. Press the 5 / b buttons to select

Frame Rate

and press CHNG.

• Select a frame rate from the list using the

5

/ b buttons and press Enter.

Control Mode

Four control modes are available:

Internal

Internal is the default setting, the X-48MKII controls its own transport and ignores the SMPTE timecode input.

SMPTE

SMPTE follows the SMPTE timecode input for location, from the TIME CODE input on the rear panel.

MIDI (MTC)

MIDI (MTC) looks to the MIDI input for timecode.

Theater Play

Theater Play plays a section of the timeline, stops, and waits for a Play command to play the next section.

8

Theater Play mode overview

Using the Theater Play mode, you can play back cues one after another. This function is useful for triggering the playback of musical cues and effects during theater and radio performances, for example.

To activate this mode, use a mouse and keyboard or the front panel of the unit to set the control mode to Theater

Play.

In this mode, you can playback and locate to cues.

38

TASCAM X-48MKII

Each cue contains two items of time data: the start point and the stop point.

Cue number 1 starts at the time set for marker #0 and stops at the time set for marker #1. Cue number 2 starts at marker #2 and stops at marker #3. Cue number 3 uses markers #4 and #5, and so on.

Before enabling Theater Play mode, a cue must be set within the project.

The total number of markers in a project must be even

(e.g. #00–#07). If the total number of markers in a project is odd, the transport will not locate to the final marker.

In this mode, press the PLAY button to start playback from the beginning of the first cue (marker #0). Playback will continue until the end of the cue (marker #1) and then the transport will locate to the beginning of the next cue

(marker #2) and stop. When the unit is instructed to play again, it will play this cue.

If you connect a footswitch to the FOOT SWITCH jack on the rear panel of the unit, you can trigger playback by pressing the footswitch. In other words, the footswitch functions as the PLAY button in theater mode.

8

•

Theater Play mode operation

When the control mode is set to Theater Play, pressing the FF or REW button will locate to the playback start marker of the previous or next cue and standby.

•

•

During playback of a cue, press the STOP button to stop playback at that point. Press the PLAY button again to locate to the starting marker of that cue and start playback again.

Recording is not possible when the control mode is set to Theater Play.

•

•

The second line of the front panel display shows the current cue number and the marker numbers assigned to that cue when the control mode is set to Theater

Play.

During Theater Play, you can press the REH button to enable rehearsal mode, allowing playback from the middle of a cue.

Click the Markers item in the Windows menu to open the

MARKERS screen. On the MARKERS screen, you can locate to the cue you want, and play it back. In addition, you can click the Theatre Playlist in the Windows menu to open the THEATER PLAYLIST screen. On the THEATER

PLAYLIST screen, you can reorder cues as you like.

Put a check next to Enable Theatre Playlist to play back cues in the THEATER PLAYLIST order.

To change the control mode:



2 Click on the Sync tab and click the Control Mode submenu. Choose the desired control mode from the list.



Control Mode

and press CHNG.

2 Select a control mode from the list using the 5 / b buttons and press Enter.

Chase Freewheel

Use the Chase Freewheel item to set how much drift caused by input timecode dropouts and other gaps will be tolerated before the unit stops chasing timecode.

Playback stops when drift exceeds this value.

When input timecode is next recognized, chase is restarted (when in recording mode, it stays unlocked).

Use the following procedures to set freewheel to 0, 5, 10,

20, 50, 100 frames or ∞ (Infinite).

When set to ∞ (Infinite), the unit will continue playback/ recording regardless of input timecode.

To change the setting:



2 Click on the Sync tab and click the Chase Freewheel submenu. Choose the desired setting from the list.



Chase Freewheel

and press CHNG.

2 Select a value from the list using the 5 / b buttons and press Enter.

Chase Relock

If the SMPTE drifts outside of the Chase Relock Threshold window (see next section), this setting tells the X-48MKII what to do.

Always

Always tells the transport to shift to the correct timecode value, even if it’s in record.

If the threshold value is exceeded and rechase occurs, recording mode will be disabled.

5 – Recorder

Only if not recording

Only if not recording shifts the transport in play but not in record.

During recording, timecode drift is ignored and recording continues.

Never

During both recording and playback, timecode drift is ignored.

To change the re-lock setting:



2 Click on the Sync tab and click the Chase Relock submenu. Choose a setting from the list.



5

/ b

buttons to

select Chase Relock and press CHNG.

2 Choose a setting from the list using the

5

/ b buttons and press Enter.

Chase Relock Threshold

This parameter governs how far out of sync the X-48MKII can drift before the Chase Relock feature forces it back in sync. (Or not, see previous section.) The range is AUTO, 1/3

frame, 1 frame, 2 frames, 5 frames or 10 frames.

During recording, if the chase relock threshold setting is exceeded and rechase occurs, recording mode will be disabled.

This setting can only be changed from the GUI interface.



2 Click on the Sync tab and click the Relock Threshold submenu. Choose a setting from the list.

TASCAM X-48MKII

39

5 – Recorder

Timecode Offset

This offsets the transport from the incoming timecode.

The offset can be either positive or negative.

To change the offset:



2 Click on the Sync tab and click in the Time Code Offset field. Type a new offset with the keyboard.



5

/ b


Chase Offset

and press CHNG.

2 Use the CHNG and HOME buttons to cursor through the display. Use the 5 / b buttons to change the offset. Press the Enter button to save your offset.

Chase Lock Deviation

Chase Lock Deviation displays the difference between incoming timecode and the X-48MKII’s transport. It can be useful if you think that the machine is drifting out of sync or for troubleshooting. There is no setting to change, it’s only a display of how far out of sync the machine is (ideally

0). To view this setting:



2 Select the Sync tab. Look at the Lock Deviation display at the bottom of the screen.



5

/ b


Chase Lock Deviation

and press

CHNG.

2 Watch the lock deviation. When you’re finished, press the Exit or Home button.

Timecode Output Muting

This setting is useful when the device receiving timecode cannot accept off-speed timecode, such as some console automation systems.

Play Only

Outputs timecode only when the transport is running at a normal play speed.

Mute FF/Rew

Mutes the timecode output when in FF or REW.

Mute Jog/Shuttle

Mutes the timecode when the transport is running at a non-play speed such as shuttle.

None

The timecode is never muted.

To change this setting:



2 Select the Timecode Output Muting submenu and choose a setting.



5

/ b


Output Muting

and press CHNG.

2 Select a setting and press Enter.

Advanced Recorder Operations

Audio File Naming

The X-48MKII can auto-name new audio files either based on the project name or the track name. This setting can only be changed from the GUI. Since there are no track names visible when using the LCD, it defaults to naming audio files based on the project name.

To change this preference:


1 Click the Windows menu and select the Settings item

and then the Prefs screen.

2 Select the Audio File Naming submenu and choose your preferred naming convention.

40

TASCAM X-48MKII

5 – Recorder

Track Key Punch

The X-48MKII can be set to enter record mode without any tracks armed. Recording will then begin on any channel whose track-arming button is pressed.

In other words, even when all track record arming buttons are off, you can press the transport REC and PLAY buttons to start recording mode. Then, recording will start when you press a track record arming button.

To enable this function:



2 Select the Transport tab. Check the box labeled Track

Key Punch.


1 Press the PREF button. Press the 5 / b buttons to select

Track Key Punch

and press CHNG.

2 Select either

Off

or

On

using the 5 / b buttons and press Enter.

Recording time

•

•

Sampling frequencies

44.1 kHz

48 kHz

88.2 kHz

96 kHz

Quantization rates

16 bit

24 bit

32 bit floating

16 bit

24 bit

32 bit floating

16 bit

24 bit

32 bit floating

16 bit

24 bit

32 bit floating

Built-in HDD data volume 960 GB

48 track 24 track

60 hr 33 min

40 hr 22 min

30 hr 16 min

55 hr 37 min

37 hr 05 min

27 hr 49 min

30 hr 16 min

20 hr 11 min

15 hr 08 min

27 hr 49 min

18 hr 32 min

13 hr 54 min

121 hr 7 min

80 hr 44 min

60 hr 33 min

111 hr 16 min

74 hr 11 min

55 hr 38 min

60 hr 33 min

40 hr 22 min

30 hr 16 min

55 hr 37 min

37 hr 05 min

27 hr 48 min

Per 100 GB of external drive capacity

48 track 24 track

6 hr 33 min

4 hr 22 min

3 hr 16 min

6 hr 01 min

4 hr 01 min

3 hr 00 min

3 hr 16 min

2 hr 11 min

1 hr 38 min

3 hr 00 min

2 hr 00 min

1 hr 30 min

13 hr 07 min

8 hr 44 min

6 hr 33 min

12 hr 03 min

8 hr 02 min

6 hr 01 min

6 hr 33 min

4 hr 22 min

3 hr 16 min

6 hr 01 min

4 hr 01 min

3 hr 00 min

The above recording times are estimates. Actual times will vary depending on the effective data capacity of a drive, the number of projects and other factors.

The built-in hard disk data volume capacity is the built-in hard disk less the space taken by the system volume.

TASCAM X-48MKII

41

6 – Editing

Edit Tools

I-Beam Tool

The I-beam tool is used to select a portion of a recorded clip or clips. When the I-beam tool is dragged through the middle of a clip, only that section will be edited. For example, if you wanted to erase a cough in the middle of a recorded voiceover, the I-beam would allow you to select just that cough and then hit delete on the keyboard.

Double-clicking on a clip with the I-beam tool selects the entire clip.

NOTE

Editing is only possible using the keyboard and mouse.

You cannot edit tracks from the front panel. So all of the instructions in this chapter refer to the mouse, keyboard and monitor interface. These instructions also assume that you have selected the Tracks view at the bottom of the screen or by pressing F1.


1 Click on the I-Beam button in the top-left corner of the screen (pictured above) or press F9 on your keyboard.

2 Click and drag a portion or a complete clip in the timeline, or multiple clips across multiple tracks.

Any editing functions you perform (i.e. cut, copy, paste, delete) will be applied only to the portion of the clip you selected and highlighted.

Object Tool

Press F8 to select the Object tool, or click the button pictured above in the top-left corner of the screen.

This tool does different things depending where the mouse is:

• When it’s not hovering over a clip, it looks like a cursor (

+

) sign. You can click and drag over clips to select multiple objects. (It doesn’t select only portions of clips like the I-Beam).

• When you mouse over the bottom left or bottom right corner of a clip, you get a tool that looks like a horizontal line with arrowhead on either side.

This tool allows you to change the beginning or ending point of a clip. Drag the end point inward to shorten a clip, or drag it back out to lengthen it (if there is any waveform there).

42

TASCAM X-48MKII

• Mouse over the top left or top right corner, and the tool changes to a horizontal line under a white arc. This is the fade tool, which allows you to add a fade-in or fade-out to a clip. If clips on multiple tracks are selected, the fade-in or -out is changed on all of those tracks.

• Move to the middle of a clip, and your cursor changes into the finger tool. Click and drag to move the clip (or multiple selected clips).

Smart Tool

Press F11 to select the Smart tool, or click the button pictured above in the top-left corner. Like the Object tool, this tool does different things depending where your mouse is:

• When it’s not hovering over a clip, or if it is over the bottom half of a clip, it acts like the I-Beam tool.

Like the I-Beam tool, you can select a portion of a waveform. However, unlike the I-Beam tool, you can only select audio on a single track.

• When you mouse over the bottom left or bottom right corner of a clip, you get a tool that looks like a horizontal line with arrowhead on either side.

This tool allows you to change the beginning or ending point of a clip. Drag the end point inward to shorten a clip, or drag it back out to lengthen it (if there is any waveform there).

• Mouse over the top left or top right corner, and the tool changes to a horizontal line under a white arc. This is the fade tool, which allows you to add a fade-in or fade-out to a clip. If clips on multiple tracks are selected, the fade-in or -out is changed on all of those tracks.

• Move to the top half of a clip, and your cursor changes into the finger tool. Click and drag to move the clip (or multiple selected clips).

• Double-click on a clip with the Finger tool and you

get the Clip Properties window. See page 35 for more on this window.

Magnify Tool

Press F12 to select the Magnify tool, or click the button pictured above in the top-left corner. The magnify tool allows you to select a section of the timeline to fill the screen. To use this tool, click and drag over the section you want to focus on, such as a pair of clips on tracks 1 and 2.

When you release the mouse, those two clips will fill the

VGA screen.

Selecting & Editing

Selecting Clips

To select complete clips, use the Object tool. To select a portion of a clip or clips, use the I-beam or Smart tool. See the previous section for more information.

Selecting Time

To select a range of time across all tracks, mouse over the timeline above all of the tracks. No matter which tool you’ve been using, the cursor will change into an I-beam tool. Click and drag in the time ruler to select a time range across all tracks. Your selection is displayed with in/out point markers, described in the next section.

In and Out Points

Your selection range is displayed on-screen by the in and out point markers, which look like small blue flags in the timeline ruler.

To see exactly what has been selected, click the info button. The screen will show information about your selection start and end points as well as the length of the selection. For an exact time selection, such as 00:02:00:00, you can click in these fields and type in a new in point, out point or selection length.

In addition, you can open the I/O Marker Properties screen

(select from the Windows menu) and select Selection to input in and out points directly.

Info button

Clip Properties

There are three ways to call up this window:

• With a clip selected, click the Windows menu and

select Clip Properties.

• With a clip selected, press Control-2 on the keyboard.

• Double-click a clip using the Finger tool in the

Smart Tool.

This window gives you several options for working with a clip:

• You can name the clip.

• Type in exact start, end and length times.

• You can also specify an exact fade-in and fadeout time and crossfade shapes, either linear, exponential or reverse exponential.

• Clips can also be muted or locked by clicking these checkboxes. Locking a clip makes it impossible to edit until unlocked.

6 – Editing

• Another set of buttons in the Clip Properties window allow you to move the clip either to the timecode

embedded in a Broadcast WAVE file (“Broadcast

Time”) or to the current Play Position.

Click OK or Cancel to confirm or ignore the changes.

Snap to Grid

Clips can snap to a grid for exact placement of imported or recorded audio in the timeline. To access this feature, click on the Options menu and select Snapping. This menu has three settings:

Enable Snapping

Turns the snap feature on or off.

Draw Snap Grid

Displays vertical grid lines in the timeline for visual reference.

Snap To

Snap To is another submenu that selects how fine the snap grid is drawn. The options are Hours, Minutes, Seconds,

Frames or Subframes.

Cut, Copy, Delete, Paste

These commands do the expected edit functions to the selected audio. Keyboard shortcuts are Control-X for Cut,

Cntl-C for Copy, Cntl-V for paste and Delete for Delete.

The only one that requires further explanation is Delete, which does not actually delete the audio off the drive but just removes it from the Edit Decision List (EDL). You can always undo the operation or, if you have deleted a range of a clip, pull the new clip’s head or tail to fill the deleted space.

Repeat Paste

Repeat Paste (Control-Alt-V) pastes the audio in the clipboard multiple times. You might use this feature to create a loop that plays through a song or to fill a section of film dialog with room tone for ADR. When you select the repeat paste command, the system will prompt you to ask how many times it should repeat the audio loop.

Crop

Crop (Control-U) cuts the head and tail of a clip outside of the selected range. Select a range inside of a clip using the I-Beam tool, then use the Crop command to shorten its length to include only the selected range.

TASCAM X-48MKII

43

6 – Editing

Insert Time

This command (Control-T) inserts silence into the selected time range and shifts all audio after that selection later. It’s the same as splitting the clip at the In point and moving all audio after that point back the same amount of time as the selection length.

Delete Time

This command deletes the time from the timeline represented by the selected time range and shifts all audio after that selection forward.

Split

The Split command (Control-E) slices a clip wherever the timeline is. If you have selected a range of a clip, it separates that selection into a new clip. This separation would allow one part of a clip to be treated or editing differently from the other part of the clip.

Play From Selection

This function (shortcut “P” on the keyboard) begins playback from the beginning of the selection range. It ignores the pre-roll setting, if any. You might use it to hear the effects of an edit in context of the program.

History List

The History List command (Control-H) opens a window that shows you every edit you’ve done in the project, up to a maximum of 200 edits. You can press the Undo and Redo buttons at the bottom of this window, or click on a command in the list and it will undo that edit and everything after it.

History is saved with a project, so undoing is possible even after closing and reloading a project.

You can also Clear the history list. Check Delete unreferenced

audio file and press OK to delete all editing data, including unused, unnecessary audio files, from the undo history.

After doing this, previous operations cannot be undone.

Moving clip borders and adjusting crossfades

As shown below, the following example of editing involves three clips—Clip 1, Clip 2 and Clip 3.

1 Clip 2 is a recorded WAVE file that has been edited to remove unnecessary beginnings and endings and then copied and pasted into place. In this case, the beginning and end of Clip 2 can be extended, altering the borders with Clip 1 and 2.

Clip 1 Clip 2 Clip 3

2 Select the object tool.

When you move the cursor near the border of Clip

1 and Clip 2, it becomes the fade tool, which can be used to adjust the fade-in or fade-out at the top of the clips. At the bottom of the clips, it becomes a double-headed arrow cursor, which can be used to adjust the border between Clip 1 and Clip 2.


3 First, move the double-headed arrow cursor a little to the right of the border and click to make Clip 2 active, and then move the border to the left.


4 You can also edit the crossfade once the clips overlap. Move the double-headed arrow cursor a little to the right of the border and click to make

Clip 1 active.


5 Drag right to adjust the crossfade.


6 You can also drag left to adjust the endpoint of Clip

1. This will not adjust the crossfade.


7 In step 4 above, move the double-headed arrow cursor a little to the left of the border and click to make Clip 2 active.


8 Drag left to adjust the crossfade.


9 You can also drag right to adjust the start point of

Clip 2. This will not adjust the crossfade.


44

TASCAM X-48MKII

10 When adjusting the crossfade is possible, the fades of Clip 1 and Clip 2 will not be adjusted, so the fade tool will not appear even when the cursor is placed at the top of a clip.

In addition, if you adjust the start point of Clip 2 or the end point of Clip 1 in step 6 or 9, the clips will no longer overlap, making it impossible to adjust the crossfade. If you have done this, undo the edit so that you can adjust the crossfade.

11 To readjust the clip border, fix the start point of the clip on the right and the end point of the clip on the left first. For example, adjust the border position so that it is the same as in step 3.


12 To move the clip border further to the left, move the double-headed arrow cursor little to the left of the border and click to make Clip 2 active.


13 If you drag to the left, the crossfade will be adjusted as in step 8, so drag to the right first.


14 Then, drag to the left to adjust the clip border.


15 To move the clip border set in step 11 to the right, place the double-headed arrow cursor little to the right of the border and click to make Clip 1 active.


16 If you drag to the right, the crossfade will be adjusted as in step 5, so drag to the left first.


17 Next, drag to the right to adjust the position of the clip border.


6 – Editing

Fade-in, fade-out and crossfade curves

Select the Object tool.

Double-click on a clip to open the CLIP PROPERTIES dialogue or double-click on a crossfade to open the

CROSSFADE PROPERTIES dialogue. In each dialogue you can alter fade curves.

Please refer to “Clip properties” on page 35 of this manual for further information.

Audio Processing

Pitch/Time Stretch

Selecting this item from the Process menu opens the Time

Compression/Pitch Shift window. There are two options in this window.

Time Compression allows the length of a clip to be changed without changing the pitch. Use a mouse and keyboard to set the length of a clip.

The start time for the clip remains the same while the end point changes to reflect the new length. The clip’s fade in or out remains non-destructive.

Pitch Shift allows the pitch of a clip to be changed without changing the length.

Click OK to process the clip.

Consolidate

Selecting this item from the Process menu merges all selected clips or time into one audio file. Any crossfades or fade ins/outs that were added to the clip are also written to the new clip. This command may be used before exporting all of the edits on a track as one long Broadcast

WAVE file.

Audio clips that are merged using the consolidate function must be given a new name. When you execute the Consolidate item from the Process menu a naming screen opens.

TASCAM X-48MKII

45

7 – Mixer

Mixer Interface

Mixer Introduction

•

•

•

•

The X-48MKII includes a software digital mixer/router with the following features:

•

•

48 playback channels, each with 4-band parametric EQ and compression

Level, pan, solo and mute controls

Input and output source selection per track/channel

6 aux sends, pre or post-fader

•

6 stereo aux returns

12 stereo subgroups

Dynamic automation engine supporting mouse-drawn break-point style automation

Mixer Bypass

When you first use the X-48MKII, the mixer section is disabled to improve input to output delay and CPU usage.

Before using any of the mixer functions you need switch off Mixer Bypass.

To do this:

1 Click the Windows menu and choose Settings

2 Select the System tab. Uncheck the box labeled Mixer

Bypass.

DSP View

Click the DSP button pictured above or press F6 on the keyboard to open the DSP panel. When you open this window, you should see five panes (you may need to click the reveal triangle or scroll down):

Track

The Track section includes the fader, meter and pan controls. There’s a record arming button, input monitor button, solo and mute buttons. The Mix button sends that track/channel to the Master output. You also get a field to name the track and another input and output menu for setting the source and destination for your track.

Aux Sends

Aux Sends shows the six aux sends and allows you to send the selected channel to them. The Pre button, when lit, makes these pre-fader sends. The On button turns the send on or off. The knob at the bottom shows the amount of that channel sent to the send.

Dynamics

Dynamics is a compressor for the selected track. Threshold changes the channel’s compressor threshold and is displayed in dBfs. Ratio is the amount of gain reduction that occurs after the audio crosses the threshold. Attack and Release control the amount of time until gain reduction is fully-functional, and Soft applies a soft knee for extreme ratio settings. On turns the effect on and off and Gain is a post-compressor makeup stage.

Equalizer

The Equalizer section houses a four-band full parametric

EQ section. The On button at the top-right corner of this panel switches the EQ on, and the On button above each band switches that band on. (Note that you need to press two On buttons to hear EQ, the master ON button and one band’s ON button.) The Type pulldown menu gives you a choice of Low Shelf, High Shelf, Peaking, Low Pass and High

Pass for each band. You can use the Gain, Frequency and

Q knobs to change EQ, or grab the dots in the graphic display.

•

•

•

•

•

You can double-click number boxes for faders and pan controls, as well as for AUX SEND, DYNAMICS, EQUALIZER and other items on the DSP screen and directly input numerical values.

Hold the keyboard Control key while clicking on the pan control of a track to set the pan value to the center

(C).

Hold the keyboard Control key while clicking on the fader of a track to set the fader value to 0 dB.

Hold the keyboard Shift key while clicking on the pan or fader of a track and then drag to copy that pan or fader value to other tracks.

Hold the keyboard Alt key while clicking on a control or fader to make precise adjustments.

Mixer Tabs

There are six tabs at the bottom of the VGA display: Click the tab or press the associated function key.

Tracks Track/waveform view (F1)

Ch. 1-24 First 24 channels of the mixer (F2)

Ch. 25-48 Second 24 channels of the mixer (F3)

Groups Subgroups and aux returns (F4)

Masters Master output (F5)

Big Meters Level meters for all 48 tracks are shown filling the screen.

All of the mixer channels, groups and masters are located in one large window, so you can see channels 12-35 if necessary.

46

TASCAM X-48MKII

Automation

To display automation, click the button pictured above or press Alt-A. You can automate the level of a track using this, and also play back automation from imported projects. The edit tools change in this mode:

• Use the Cursor tool (click the “

+

” button or press F8) to write automation. Click and drag on a track to write new automation points. Automation can be enabled by track using WRITE switches.

• If you mouse over one of the automation points with the Cursor tool, your cursor turns into the

Finger tool. Click and drag any automation point to change its level or time position. When writing automation data, the fader for each track is shown at the 0 dB line. The cursor position shows the fader volume.

• In automation mode, the Smart tool becomes an

Eraser so that you can delete automation entries.

• Use the I-beam tool to select automation. You can cut, copy, paste or delete automation from the

keyboard or Edit menu.

• Place a check next to Playback Automation Bypass

under Options to disable automation during playback.

Third-Party Plug Ins

Support will not be provided to use VST plug-ins from

Waves, Antares, or other companies. Installing them could cause problems.

CAUTION

If problems should occur with the unit, reinstalling its software from the System Restore CD might be necessary.

Routing

Each recorder track goes directly to the mixer channel that has the same number as the track. Mixer channels can be routed to various destinations, like physical outputs or Groups. Click the bottom-most text display on a mixer channel to reveal a menu of output routing choices, or open the DSP View to see the same menu along with other parameters of that mixer channel. You can change the output to a group or pair of outputs for submixing use, see the next section for examples.

7 – Mixer

Mixer Applications

Submixing

One of the typical uses for the subgroups is to combine tracks when you do not have enough mixer inputs for your session. For example, 17 tracks of percussion can be combined into a stereo group then sent through a pair of outputs to come up on a pair of faders on your console.

To use this feature:

1 Make sure Mixer Bypass is disabled, see “Mixer

Bypass” on page 46.

2 Click on the tab at the bottom of the screen where

your tracks are, such as Ch. 1-24.

3 Find your track in the mixer view. You can change the level, pan it left or right, add EQ, etc.

4 Click the Output field at the bottom of the channel strip. This opens a menu of options. Mouse over the

Groups submenu and choose a stereo group from 1

to 12.

5 Select the Groups tab at the bottom of the screen.

Click on the output field at the bottom of the group

channel. Select Stereo Outs and choose a pair of outputs for your Group.

Monitoring While Recording

Another useful feature of the mixing engine is to monitor tracks while recording. During a live event, the X-48MKII can serve as a 48-track recorder as well as your monitor mixer. Connect your mic preamps to the (optional) analog inputs and connect the S/PDIF output to a D/A converter or 2-track recorder, like the TASCAM DV-RA1000HD. You can then monitor through the D/A converter or recorder using headphones or monitors.

To set up the X-48MKII for record monitoring:

1 Make sure Mixer Bypass is disabled. (See “Mixer

Bypass” on page 46.)

2 Check your channel strips to make sure the MIX button is on/green so that tracks are being routed to the stereo mix out.

3 Click on the Masters tab at the bottom of the screen.

4 Click the Output field on the Master channel on the right side of this window. This opens a menu of

options. Mouse over the Stereo Outputs submenu

and choose SPDIF.

5 Connect the S/PDIF digital out to the S/PDIF digital in on your D/A converter or recorder. Change the on-screen mixer channels to mix. Since the mixer is after the recorder, any changes made to the monitor mix will not affect the recording.

TASCAM X-48MKII

47

7 – Mixer

Final Mix

It is possible to complete your project entirely inside the

X-48MKII. You can add EQ and compression and automate channel levels during mixdown. You will still need a master recorder to monitor and capture the final mix, like the TASCAM DV-RA1000HD.

To mix on the X-48MKII:

1 Click the Output field on the Master channel on the right side of this window. This opens a menu of

options. Mouse over the Stereo Outputs submenu

and choose SPDIF.

2 Make sure that the Mix button is on/green for any tracks/channels you want to go to the Master out.

3 Connect the S/PDIF digital out to the S/PDIF digital in on your D/A converter or recorder. Change the on-screen mixer channels and DSP settings to mix your project.

48

TASCAM X-48MKII

Media and formats

Recording media

Hard disk

File system

NTFS

File format

BWF (Broadcast Wave Format)

Number of channels

48 channels (44.1/48/88.2/96 kHz)

Quantization rate

16 bit, 24 bit, 32-bit floating point

Sampling frequencies

42.336k (44.1k × 24/25), 44.056k (44.1k−), 44.1k, 44.144k

(44.1k+), 45.938k (44.1k × 25/24), 46.080k (48k × 24/25),

47.952k (48k−), 48k, 48.048k (48k+), 50k (48k × 25/24),

84.672k (88.2k × 24/25), 88.112k (88.2k−), 88.2k, 88.288k

(88.2k+), 91.875k (88.2k × 25/24), 92.160k (96k × 24/25),

95.904k (96k−), 96k, 96.096k (96k+), 100k (96k × 25/24) Hz

Note: + is 0.1% pull up, − is 0.1% pull down

Clock references

Internal, Word in, Digital slot 1/2, SPDIF IN, TDIF Port 1

Timecode frame

23.976NDF, 24NDF, 24.975NDF, 25NDF, 29.97DF, 29.97NDF,

30DF, 30NDF

Digital audio input/output

TDIF connector (x6)

Conector: DB25 (Female) connector (mm screws)

Format: Conforms to TDIF-1 standards

Word length: 24 bit

S/PDIF IN/OUT connector

Connector: RCA connector

Format: IEC 60958-3 (S/PDIF)

Control input/output

WORD SYNC IN connector

Connector: BNC (Unbalance), TTL level, 75Ω termination

(auto on/off selection)

WORD SYNC TRU, WORD SYNC OUT connector

Connector: BNC (Unbalance), TTL level, 75Ω

MIDI IN, MIDI OUT connector

Connector: DIN 5 pin

Format: Standard MIDI format

8 – Specifications

TIME CODE IN, TIME CODE OUT connector

Connector: 6.3 mm (1/4”) TRS standard jack (Tip: HOT,

Ring: COLD, Sleeve: GND)

Format: Conforms to SMPTE standards

FOOT SW connector

Conector: 6.3 mm (1/4”) TS standard jack (Tip: HOT, Sleeve:

GND)

REMOTE connector

Connector: DE9 (Female, mm screws), Conforms to RS-

422, Sony 9-pin serial protocol (P2)

USB port (x4)

Connector: A type, 4 pin

Protocol: Conforms to USB 2.0 High speed (480 Mbps)

100/1000 connector

Connector: RJ45 LAN connector

100BASE-TX/1000BASE-TX Ethernet

VGA connector

Connector: DE15 (Female) VGA connector (inch screws)

MOUSE connector

Connector: Mini DIN connector (PS/2)

Keyboard connector

Connector: Mini DIN connector (PS/2) eSATA connector

Connector: eSATA (External Serial ATA) 7 pin (Female)

Specifications: SATA2, 3 Gb/s

General

Power

AC 100-240 V, 50-60 Hz

Power consumption

49 W

Dimensions (W x H x D)

483 x 184 x 439 mm/19.02 x 7.24 x 17.28 in.

Weight

13.7 kg/30.2 lb

Operating temperature

5 - 35°C/41 - 95°F

TASCAM X-48MKII

49

8 – Specifications

Options

IF-AN24X

24-channel analog input and output card with 96 kHzcompatible connectors (D-sub 25-pin, inch screws)

IF-AE24X

24-channel AES/EBU input and output card with 96 kHzcompatible connectors (D-sub 25-pin, inch screws)

IF-AD24

24-channel ADAT input and output card

Dimensional drawings

432 mm

483 mm

465 mm

•

•

Illustrations in this manual might differ from the actual product.

In order to improve the product, specifications and appearance could be changed without prior notice.

50

TASCAM X-48MKII

9 – Appendix

Functions controlled using a mouse and display

Function list

Create new project

Open existing project

Save current project

Save current project with a different name

Convert project to non-destructive mode

Import OpenTL project

Export project as OpenTL or AAF

Import audio file

VGA display, MENU

File q New Project…

File q Open Project…

File q Save Project

File q Save Project As…

File q Convert To Non-Destructive

Operation/Confirmation

Front panel operation (press these buttons to open the menu item)

PROJ q 5/b q (New) q

CHNG

PROJ q 5/b q (Open) q

CHNG

PROJ q 5/b q (Save) q

CHNG

PROJ q 5/b q (Save As...) q CHNG

—

Keyboard shortcut

Ctrl + N

Ctrl + O

Ctrl + S

Ctrl + Shift + S

—

File q Import Project…

File q Export Project…

File q Import Audio File…

Open file manager screen

Open disk management screen

Open benchmark screen for hard disk being used

Launch shared drive mode when connected to a network

Set the built-in clock

File q File Manager…

File q Disk Management…

File q Drive Benchmarking…

File q Drive Sharing…

File q Set Date and Time

Set the name of the X-48MKII File q Set X48 name...

Open the Launch External

Application screen

File q Launch External

Application…

Launch MX View for MX-2424 units File q Launch MX View…

Launch TASCAM mixer companion File q Launch Mixer Companion…

Shutdown the unit File q Shutdown…

Undo editing or recording, etc.

Edit q Undo

Redo the last undone operation

Copy the audio clip or selection

Edit q Redo

Edit q Copy

Cut the designated audio clip range

(and keep it in the copy buffer)

Delete that audio clip or designated range

Paste the data in the copy buffer

Edit q Cut

Edit q Delete

Edit q Paste

Paste multiple times (number can be set)

Trim around a designated range in an audio clip and discard the rest

Divide an audio clip

Edit q Repeat Paste

Edit q Crop

Edit q Split

Insert a period of silence at the selected interval, shifting the existing audio data to after it.

Delete the selected interval, shifting the audio after it forward

Add a marker

Edit q Insert Time

Edit q Delete Time

Edit q New Marker

Playback the designated range from its starting point

Edit q Play From Selection

Open the History List screen Edit q History List

Activate the I-Beam Tool for editing Edit q I-Beam and VGA icon

—

—

PROJ q 5/b q (Open) q

CHNG

—

—

—

—

—

—

—

STANDBY/ON q

—

—

—

—

—

—

—

—

—

—

—

—

—

—

—

Ctrl + Shift + I

Ctrl + Shift + E

Shift + Alt + I

Ctrl + F

Ctrl + Z

Ctrl + Y

Ctrl + C

Ctrl + X

Delete (Backspace)

Ctrl + V

Ctrl + Alt

Ctrl + U

Ctrl + E

Ctrl + T

—

—

—

—

+ V

—

Num + Return

P

Ctrl + H

F9

—

—

—

TASCAM X-48MKII

51

9 – Appendix

Function list

Activate the Object Tool for editing

Activate the Smart Tool for editing


Edit q Object and VGA icon

Edit q Smart and VGA icon

Activate the Magnify Tool for editing Edit q Magnfty and VGA icon

Select all audio clips on a track Edit q Select All On Track

Select all audio clips Edit q Select All

Open the Pitch/Time Stretch screen Process q Pitch/Time Stretch

Open the Consolidate (for audio clips) screen

Process q Consolidate

Set mixer meter display to pre-fader Options q Meters q Mode q

Pre-Fader

Set mixer meter display to post-fader Options q Meters q Mode q

Post-Fader

Turn peak hold ON/OFF Options q Meters q Peak Hold

Change track meter display to

GROUPS and AUXES

Clear overloads

Options q Meters q View Masters

Select Solo Mix

Options q Meters q Clear

Overloads

Options q Solo q Solo Mix

Select Solo Exclusive Options q Solo q Solo Exclusive

Unsolo the selected track

Enable automatic scrolling

Options q Solo q Clear Solos

Select disk usage display Options q Disk Usage Display q

Disk Usage

Select remaining recording time display

Options q Disk Usage Display q

Record Time Remaining

Enable snapping Options q Snapping q Enable

Snapping

Show the snap grid Options q Snapping q Draw

Snap Grid

Set the snapping unit to hours

Set the snapping unit to minutes

Options q Snapping q Snap To q Hours

Options q Snapping q Snap To q Minutes

Set the snapping unit to seconds Options q Snapping q Snap To q Seconds

Set the snapping unit to frames Options q Snapping q Snap To q Frames

Set the snapping unit to subframes Options q Snapping q Snap To q Subframes

Disable scrolling Options q Scrolling q None

Options q Scrolling q Auto-Scroll

Set to scroll by page Options q Scrolling q Page-Flip

Set the timebar unit to SMPTE

Set the timebar unit to samples

Open the Color Setup screen

Enable looping

Enable one button recording

Options q Timebar Format q

SMPTE

Options q Timebar Format q

Samples

Options q Color Setup

Options q Transport q Enable

Looping

Options q Transport q One

Button Record



—

—

—

—

—

—

—

—

—

—

—

—

—

—

—

—

—

—

—

—

—

—

—

—

—

—

—

—

—

—

—


F8

F11

F12

Ctrl + A

(on the selected track)

—

—

—

Ctrl + 6

Alt + F12

—

—

—

—

—

—

—

—

—

—

—

—

—

—

—

—

—

—

—

—

—

—

—

52

TASCAM X-48MKII

9 – Appendix

Function list




Disable Auto Input

Enable Auto Input

Enable Auto Input ADR Monitoring

Mode

Enable All Input

Options q Auto Input q Off

Options q Auto Input q On

Options q Auto Input q ADR

Enable All Safe

Enable automation writing

Options q All Input

Options q All Safe

Options q Automation Write

Set to ignore automation data during playback

Options q Automation Bypass

Check the X-48MKII software version Windows q About

—

—

Open settings screen

Open Display Settings screen

Windows q Settings

Windows q Display Settings…

—

—

Display information about the selected audio clip

Open Audio Pool screen

Windows q Clip Properties…

Windows q Audio Pool…

—

—

Open Markers screen Windows q Markers —

Open I/O Marker Properties screen Windows q I/O Marker Properties —

Open Time Display screen Windows q Time Display —

Open theatre playlist screen Windows q Theatre Playlist —

Enable/disable Meter bridge display Windows q Panels q Meterbridge —

AUTO/ALL INPUT

SHIFT + AUTO/ALL INPUT

—

AUTO/ALL INPUT

ALL SAFE/REC

—

Enable/disable Track Overview display

Windows q Panels q Track

Overview

—

Enable/disable clip property display Windows q Panels q Information —

Enable/disable DSP screen display

Show Tracks screen

Show track 1-24 mixer screen

Show track 25-48 mixer screen

Show Groups mixer screen

Show stereo and AUX channel mixer screen

Show large 48-track meter screen

Close all windows

Windows q Panels q Channel

DSP View

Windows q Ch.25-48 or Ch.25-48 tab

—

Windows q Tracks or Tracks tab —

Windows q Ch.1-24 or Ch.1-24 tab —

—

Windows q Groups or Groups tab —

Windows q Masters or Masters tab —

Windows q Big Meters (or the screen tab on the connected display)

Windows q Clear All Windows

—

—


Alt + F9

Alt + F9

—

Alt + F10

Alt + F11

—

—

—

Alt + F8

—

Ctrl + 2

Ctrl + P

Ctrl + 3

Ctrl + 4

Ctrl + 5

—

—

—

—

F6

F1

F2

F3

F4

F5

F7

Ctrl + W

TASCAM X-48MKII

53

9 – Appendix

Front panel function list

Front panel

Track meter 1-48

REC LED 1-48

REC key 1-48

STATUS indicator

ERROR indicator

BUSY indicator

MIDI indicator

DISK indicator

SAMPLE RATE indicator

TIME CODE indicator

SYSTEM indicator

SAMPLE LOCK indicator

DEST REC indicator

VARISPEED indicator

STANDBY/ON switch

Built-in DVD drive

Transport button

Display

ENTER/YES button

EXIT/NO button

CHNG button

CLEAR/HOME button

5 /b button

TC CHASE button

ALL SAFE/REC button

AUTO/ALL INPUT button

SHIFT button

PROJ button

DISK button

INP 1-24 button

INP 25-48 button

EXT MNT/UNMNT button

SYNC button

PREF button

SYS button

Description

Show each track’s signal level (−60 dBFS - 1 dBFS) and overload status

Show each track’s record arming status

Use to arm each track for recording.

Blinks when a system error occurs

Blinks when the system is busy

Lights when a MIDI command is input

Lights when the built-in hard disk is being accessed

Shows the currently selected sampling frequency

Shows the currently selected frame rate

When syncing to an external clock source, lights when the unit is locked and blinks when not locked

Lights when in destructive (“tape”) mode

Lights when varispeed is enabled

Turn unit (power) on and puts it into standby; press and hold for several seconds to force the unit into standby

Use DVD discs to backup and restore projects and import and export files

Operate the recorder transport

Use to view information and settings

Use to confirm and execute items and move down levels in the settings menu

Use to cancel operations and settings and move up levels in the settings menu

Change setting items

Use to clear a setting or return to the LCD home position

Moves the cursor. When SHIFT is active, sets punch-in and punch-out points

Turn the timecode synchronization function ON/OFF

When SHIFT is not active, use to prevent/allow recording on all tracks.

When SHIFT is active, use to put all tracks into recording standby or take them out of standby.

When SHIFT is not active, use to turn Auto Input mode ON/OFF. When

SHIFT is active, use to set input monitoring of all tracks.

Turn SHIFT ON/OFF. To use the shift function of buttons that have one,

• When the SHIFT button is lit, press the button with the shift function

• While pressing and holding the SHIFT button, press the button with the shift function

Open the PROJ menu where you can create, open, save, erase and copy projects

Open the DISK menu where you can check the open space on the built-in hard disk and format it

Open the input settings menu for tracks 1-24

Open the input settings menu for tracks 25-48

Mount and unmount USB external storage devices

Open the synchronization settings menu where you can set sampling frequency, clock source and other audio synchronization and timecode synchronization settings

Open a menu where you can set various preferences

Open the system settings screen where you can save and recall system settings, as well as make MIDI and network settings

54

TASCAM X-48MKII

DISK

INP 1-24

INP 25-48

SYNC

Main unit settings menu

Free Space

Quick Format

IO Card Select 1-8

Input Routing 1-8

IO Card Select 9-16

Input Routing 9-16

IO Card Select 17-24

Input Routing 17-24


Input Routing 25-32


Input Routing 33-40


Input Routing 41-48

Sample Rate

Sample Clock Source

BNC Clock In

BNC Clock Out

Word Out Polarity

Frame Rate

Control Mode

Output Muting

Chase Freewheel

Chase Relock

Chase Relock Thresh

Chase Offset

Resolve to Video In

Chase Lock Deviation

9 – Appendix

Description

View open space on each hard disk

Format external hard disks

Select track 1-8 inputs

Set track 1-8 input routings











Set the sampling frequency

Set the audio clock source

Set the word clock input frequency

Set the word clock output frequency

Set the word clock output polarity

Set the timecode frame type

Set the timecode synchronization mode

Set the timecode output muting method

Set the freewheel time when functioning as a timecode slave

Set the relock when functioning as a timecode slave

Set the relock threshold value when functioning as a timecode slave

Set the time code offset when functioning as a timecode slave

Set to synchronize timecode output with VIDEO IN signal frame-edges

Display time difference between timecode input and internal timecode

TASCAM X-48MKII

55

9 – Appendix

PREF

SYS

Main unit settings menu

Auto Chase

One Button Record

One Button Rehearse

Update Punch Points

Track Key Punch

Use Pre/Post-Roll

Pre-Roll

Post-Roll

TimeCode Display

Mixer Bypass

Loop Mode

AES 2X Mode

S/PDIF Input SRC

S/PDIF Pro Mode

Auto Input

Punch Crossfade

EDL Crossfade Shape

Overload LED Time

Audio File Naming

Auto Save

Auto Save Time

P2 Track Arm

P2 Punch Delay

P2 Chase Control

Meters

Looping

Scrolling

Load Last Project

Settings

Midi Device ID

Network

About

Description

Turn Auto Chase mode ON/OFF

Enable recording with just the record button

Enable activating rehearsal mode with just the rehearsal button

Set whether or not punch-in and punch-out point settings are automatically updated when starting and stopping recording

Set whether REC keys 1-48 can be used to punch-in and punch-out

Turn pre-roll and post-roll ON/OFF

Set the pre-roll time

Set the post-roll time

Set the time axis display unit

Turn mixer bypass mode ON/OFF

Select the loop playback method

Set the AES/EBU card transmission mode when using 2x sampling frequencies.

Turn the S/PDIF input sampling rate converter ON/OFF

Set the S/PDIF input professional mode

Select the auto input mode

Set the crossfade time when punch recording

Set the EDL crossfade shape type

Set how long the (overload) indicator lights

Set how names are given automatically to audio clips

Turn the EDL automatic saving function ON/OFF

Set the time interval between when saving when using EDL automatic saving

Set whether or not tracks can be armed over the Sony 9-pin connection

Set the amount of delay until execution after receiving a punch-in command over the Sony 9-pin connection

Set the target chase source (LTC or MMC) when commanded to chase from the Sony 9-pin port.

Make various meter display settings

Turn loop playback ON/OFF

Set track screen scrolling

Set whether or not to load the project that was in use the last time the unit was shut down

View and save system settings

Set the MIDI device ID

Make various address settings for the LAN network

Show the software version

56

TASCAM X-48MKII

9 – Appendix

Shortcuts

Category

Naming Channels

Dialog Boxes

Editing

F-Keys

Function

Move to beginning/end of edit contents

Move single letters at a time

Select entire word

Move down/up rows

New Project

Open Project

Save Project

Open Settings Window

Save As…

File Manager

Export Project

Import Project

Open Import Audio window

Open Audio Pool

Nudge selection or region right/left by Nudge value

Select entire track in Edit window

Repeat Paste

Redo

Crop

Insert Time

Split

Cycle through Edit Tools

Select entire region in Edit window

Cut

Copy

Paste

Undo

Display History List

Delete (do not place in clipboard)

Go to Song Start

Extend selection to Song Start

Go to end of session

Extend selection to end of session

Toggle Automation view

New Marker

Play From Beginning of Selection

Select I-Beam Tool

Select Object Tool

Select Smart Tool

Select Magnify Tool

Show Track Screen

Show Mixer CH 1-24

Show Mixer CH 25-48

Show Groups Mixer

Show Master Mixer


Home / End

Left/Right Arrow keys

Double-click on word

Tab/Shift + Tab

Ctrl + N

Ctrl + O

Ctrl + S

Alt + F8

Ctrl + Shift + S

Ctrl + F

Ctrl + Shift + E

Ctrl + Shift + I

Alt + Shift + I

Ctrl + P

+/– on numeric keypad only

Ctrl + A

Ctrl + Alt + V

Ctrl + Y

Ctrl + U

Ctrl +T

Ctrl + E

ESC or simultaneously press both mouse keys

Double-click with I-Beam

Ctrl + X

Ctrl + C

Ctrl + V

Ctrl + Z

Ctrl + H

F1

F2

F3

F4

F9

F8

F11

F12

F5

Delete (Backspace)

Home

Shift + Home

End

Shift + End

Alt + A

Enter on numeric keypad

P

TASCAM X-48MKII

57

9 – Appendix

F-Keys

Global

Zoom

Category

Recording and Playback

Timecode Data Entry

Clear entered numeric value and stay in time entry Retype value

Function

Show Big Meter

Toggle DSP CH display

Toggle Auto Input (On/Off)

Toggle All Input

Toggle All Safe

Toggle One Button Record

Fine adjust mode

Increase or decrease track height

Color Setup

Audio Pool…

Markers

I/O Marker Properties

Time Display

Theatre Playlist

Clear All Windows

Play/Stop

Rewind

F Fwd

Record

Stop recording

Start/stop playback

Solo-safe track

Punch In/Out of Record

Stop recording & do undo

Toggle TC Chase (Online)

Loop toggle

Toggle Pre/Post Roll

Create a marker

Move sub-unit selection to the right

Move sub-unit selection to the left/right

Increment/decrement the current sub-unit

Apply entered numeric value

Clear entered numeric value & exit time entry

Horizontal zoom in/out

Vertical zoom in/out

ESC

Ctrl + @ / [

Ctrl + Alt + @ / [


F7

F6

Alt + F9

Alt + F10

Alt + F11

Alt + F12

Ctrl + click on control

Start + Up Arrow key/Start + Down Arrow key

Ctrl + 6

Ctrl + P

Ctrl + 3

Ctrl + 4

Ctrl + 5

Ctrl + 7

Ctrl + W

0 on numeric keypad

1 on numeric keypad

2 on numeric keypad

3 on numeric keypad spacebar spacebar

Ctrl + click on track solo enable button

Ctrl + spacebar or F12

Ctrl + . (period on a QWERTY keyboard)

Ctrl + J or Alt + spacebar

Alt + L

Ctrl + K

Enter on the numeric keypad

. (period on a QWERTY keyboard)

Left/Right Arrow keys

Up/Down Arrow keys

Enter

58

TASCAM X-48MKII

MIDI machine control (MMC) protocol

List of supported MMC commands

STOP

PLAY

DEFERRED PLAY

FAST FORWARD

REWIND

RECORD STROBE

RECORD EXIT

CHASE

MMC RESET

WRITE

MASKED WRITE

READ

UPDATE

LOCATE

SEARCH

SHUTTLE

STEP

* List of information fields that respond to WRITE,

MASKED WRITE, READ and UPDATE commands

SELECTED TIME CODE

SIGNATURE

UPDATE RATE

MOTION CONTROL TALLY

VELOCITY TALLY

RECORD MODE

RECORD STATUS

TRACK RECORD STATUS

TRACK RECORD READY

GLOBAL MONITOR

RECORD MONITOR

NOTE

See the MIDI Machine Control 1.0 specifications for details about how to use these commands.

SONY P2 protocol

9 – Appendix stop play sync, play record fast forward rewind cue, data jog, forward jog, reverse shuttle, forward shuttle, reverse varispeed, forward varispeed, reverse select, ee, on full, ee, on full, ee, off edit, on edit, off edit, preset edit, field, select current, time, sense timer, mode, sense

TASCAM X-48MKII

59

X-48 MK

"

TEAC CORPORATION

Phone: +81-42-356-9143 http://tascam.jp/

1-47 Ochiai, Tama-shi, Tokyo 206-8530, Japan

TEAC AMERICA, INC.

Phone: +1-323-726-0303

7733 Telegraph Road, Montebello, California 90640 USA

TEAC CANADA LTD.

Phone: +1905-890-8008 Facsimile: +1905-890-9888

5939 Wallace Street, Mississauga, Ontario L4Z 1Z8, Canada

TEAC MEXICO, S.A. de C.V.

Phone: +52-55-5010-6000

Río Churubusco 364, Colonia Del Carmen, Delegación Coyoacán, CP 04100, México DF, México

TEAC UK LIMITED

Phone: +44-8451-302511

Suites 19 & 20, Building 6, Croxley Green Business Park, Hatters Lane, Watford, Hertfordshire, WD18 8TE, UK

TEAC EUROPE GmbH

Phone: +49-611-71580

Bahnstrasse 12, 65205 Wiesbaden-Erbenheim, Germany http://tascam.com/ http://tascam.com/ http://www.teacmexico.net/ http://www.tascam.co.uk/ http://tascam.de/

Printed in Taiwan

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