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RX-V595
Natural Sound AV Receiver
U
RX-V595-cv1 1 3/25/99, 11:54 AM
OWNER’S MANUAL
2
RX-V595-1
SAFETY INSTRUCTIONS
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
CAUTION: TO REDUCE THE RISK OF
ELECTRIC SHOCK, DO NOT REMOVE
COVER (OR BACK). NO USER-SERVICEABLE
PARTS INSIDE. REFER SERVICING TO
QUALIFIED SERVICE PERSONNEL.
• Explanation of Graphical Symbols
The lightning flash with arrowhead symbol, within an equilateral triangle, is intended to alert you to the presence of uninsulated “dangerous voltage” within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons.
The exclamation point within an equilateral triangle is intended to alert you to the presence of important operating and maintenance
(servicing) instructions in the literature accompanying the appliance.
WARNING
TO REDUCE THE RISK OF FIRE OR
ELECTRIC SHOCK, DO NOT EXPOSE THIS
UNIT TO RAIN OR MOISTURE.
1 Read Instructions – All the safety and operating instructions should be read before the unit is operated.
2 Retain Instructions – The safety and operating instructions should be retained for future reference.
3 Heed Warnings – All warnings on the unit and in the operating instructions should be adhered to.
4 Follow Instructions – All operating and other instructions should be followed.
5 Water and Moisture – The unit should not be used near water – for example, near a bathtub, washbowl, kitchen sink, laundry tub, in a wet basement, or near a swimming pool, etc.
6 Carts and Stands – The unit should be used only with a cart or stand that is recommended by the manufacturer.
6A A unit and cart combination should be moved with care. Quick stops, excessive force, and uneven surfaces may cause the unit and cart combination to overturn.
7 Wall or Ceiling Mounting – The unit should be mounted to a wall or ceiling only as recommended by the manufacturer.
8 Ventilation – The unit should be situated so that its location or position does not interfere with its proper ventilation. For example, the unit should not be situated on a bed, sofa, rug, or similar surface, that may block the ventilation openings; or placed in a built-in installation, such as a bookcase or cabinet that may impede the flow of air through the ventilation openings.
9 Heat – The unit should be situated away from heat sources such as radiators, stoves, or other appliances that produce heat.
10 Power Sources – The unit should be connected to a power supply only of the type described in the operating instructions or as marked on the unit.
11 Power-Cord Protection – Power-supply cords should be routed so that they are not likely to be walked on or pinched by items placed upon or against them, paying particular attention to cords at plugs, convenience receptacles, and the point where they exit from the unit.
12 Cleaning – The unit should be cleaned only as recommended by the manufacturer.
13 Nonuse Periods – The power cord of the unit should be unplugged from the outlet when left unused for a long period of time.
14 Object and Liquid Entry – Care should be taken so that objects do not fall into and liquids are not spilled into the inside of the unit.
15 Damage Requiring Service – The unit should be serviced by qualified service personnel when:
A. The power-supply cord or the plug has been damaged; or
B. Objects have fallen, or liquid has been spilled into the unit; or
C. The unit has been exposed to rain; or
D. The unit does not appear to operate normally or exhibits a marked change in performance; or
E. The unit has been dropped, or the cabinet damaged.
16 Servicing – The user should not attempt to service the unit beyond those means described in the operating instructions. All other servicing should be referred to qualified service personnel.
17 Power Lines – An outdoor antenna should be located away from power lines.
18 Grounding or Polarization – Precautions should be taken so that the grounding or polarization is not defeated.
2 3/25/99, 11:54 AM
19 For US customers only:
Outdoor Antenna Grounding – If an outside antenna is connected to this unit, be sure the antenna system is grounded so as to provide some protection against voltage surges and built-up static charges. Article 810 of the
National Electrical Code, ANSI/NFPA 70, provides information with regard to proper grounding of the mast and supporting structure, grounding of the lead-in wire to an antenna discharge unit, size of grounding conductors, location of antenna discharge unit, connection to grounding electrodes, and requirements for the grounding electrode.
Note to CATV system installer:
This reminder is provided to call the CATV system installer’s attention to Article 820-40 of the NEC that provides guidelines for proper grounding and, in particular, specifies that the cable ground shall be connected to the grounding system of the building, as close to the point of cable entry as practical.
EXAMPLE OF ANTENNA GROUNDING
MAST
GROUND
CLAMP
ANTENNA
LEAD IN
WIRE
ELECTRIC
SERVICE
EQUIPMENT
NEC – NATIONAL ELECTRICAL CODE
ANTENNA
DISCHARGE UNIT
(NEC SECTION 810–20)
GROUNDING CONDUCTORS
(NEC SECTION 810–21)
GROUND CLAMPS
POWER SERVICE GROUNDING
ELECTRODE SYSTEM
(NEC ART 250. PART H)
FCC INFORMATION (for US customers only)
1. IMPORTANT NOTICE : DO NOT MODIFY THIS UNIT!
This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by
Yamaha may void your authority, granted by the FCC, to use the product.
2. IMPORTANT : When connecting this product to accessories and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA.
3. NOTE : This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class “B” digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices.
This equipment generates/uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may cause interference harmful to the operation of other electronic devices.
Compliance with FCC regulations does not guarantee that interference will not occur in all installations. If this product is found to be the source of interference, which can be determined by turning the unit “OFF” and “ON”, please try to eliminate the problem by using one of the following measures:
Relocate either this product or the device that is being affected by the interference.
Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line filter/s.
In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to coaxial type cable.
If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha
Electronics Corp., U.S.A. 6660 Orangethorpe Ave,
Buena Park, CA 90620.
The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries.
We Want You Listening For A Lifetime
YAMAHA and the Electronic Industries Association’s Consumer
Electronics Group want you to get the most out of your equipment by playing it at a safe level. One that lets the sound come through loud and clear without annoying blaring or distortion – and, most importantly, without affecting your sensitive hearing.
Since hearing damage from loud sounds is often undetectable until it is too late, YAMAHA and the
Electronic Industries Association’s Consumer
Electronics Group recommend you to avoid prolonged exposure from excessive volume levels.
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SUPPLIED ACCESSORIES
• Indoor FM Antenna
• After unpacking, check that the following parts are included.
• Remote control transmitter
• AM Loop Antenna
• Antenna adapter
(U.S.A. and Canada models only)
• Batteries (size AA, R6, UM-3)
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FEATURES
●
5 Speaker Configuration
Main: 70W + 70W (8
Ω
) RMS Output
Power, 0.04% THD, 20 Hz – 20 kHz
Center: 70W (8
Ω
) RMS Output
Power, 0.04% THD, 20 Hz – 20 kHz
Rear: 70W + 70W (8
Ω
) RMS Output
Power, 0.04% THD, 20 Hz – 20 kHz
●
Digital Sound Field Processor
●
Dolby Digital Decoder
●
Dolby Pro Logic Surround Decoder
●
CINEMA DSP: Theater-like Sound
Experience by the Combination of Dolby
Surround and YAMAHA DSP Technology
●
6-Channel External Decoder Input for DTS and other future formats
●
Automatic Input Balance Control for
Dolby Pro Logic Surround
●
Test Tone Generator for Easier Speaker
Balance Adjustment
●
Speaker Output Mode Changing
Capability
●
40-Station Random Access Preset Tuning
●
Automatic Preset Tuning
●
Preset Station Shifting Capability
(Preset Editing)
●
Video Signal Input/Output Capability
●
SLEEP Timer
●
Universal Remote Control
Transmitter with Preset Manufacturer
Codes
CONTENTS
SUPPLIED ACCESSORIES ........................................... 4
FEATURES .................................................................... 5
CAUTION ....................................................................... 6
●
Introduction
FEATURES ON SOUND EFFECT ................................. 7
CONTROLS AND THEIR FUNCTIONS ......................... 9
●
Preparation
SPEAKER SETUP ....................................................... 12
CONNECTIONS ........................................................... 14
ADJUSTMENTS
BEFORE USING THIS UNIT .................................. 22
●
Basic Oparation
BASIC OPERATIONS .................................................. 27
TUNING OPERATIONS ............................................... 31
SETTING THE SLEEP TIMER ..................................... 36
●
Information about DSP
USING DIGITAL SOUND FIELD
PROCESSOR (DSP) .............................................. 37
●
Advanced Information
ADJUSTMENTS
IN THE “SET MENU” MODE ................................... 43
●
Remote Control Transmitter
REMOTE CONTROL TRANSMITTER ......................... 45
SETUP CODES ........................................................... 50
NOTES ABOUT THE REMOTE CONTROL
TRANSMITTER ...................................................... 51
TROUBLESHOOTING ................................................. 52
SPECIFICATIONS ....................................................... 54
LIST OF MANUFACTURER’S CODES ........................ 56
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RX-V595-1 p5 5 8/21/98, 7:31 PM
6
CAUTION : READ THIS BEFORE OPERATING YOUR UNIT.
1.
To assure the finest performance, please read this manual carefully. Keep it in a safe place for future reference.
2.
Install this unit in a cool, dry, clean place – away from windows, heat sources, sources of excessive vibration, dust, moisture and cold. Avoid sources of humming
(transformers, motors). To prevent fire or electrical shock, do not expose the unit to rain or water.
3.
Never open the cabinet. If something drops into the set, contact your dealer.
4.
Do not use force on switches, controls or connection wires.
When moving the unit, first disconnect the power plug and the wires connected to other equipment. Never pull the wires themselves.
5.
The openings on the unit cover assure proper ventilation of the unit. If these openings are obstructed, the temperature inside the unit will rise rapidly. Therefore, avoid placing objects against these openings, and install the unit in a well-ventilated area to prevent fire and damage.
<Singapore model only>
Be sure to allow a space of at least 20 cm behind, 20 cm on the both sides and 30 cm above the top panel of the unit to prevent fire and damage.
6.
The voltage used must be the same as that specified on this unit. Using this unit with a higher voltage than specified is dangerous and may result in fire or other accidents.
YAMAHA will not be held responsible for any damage resulting from use of this unit with a voltage other than specified.
7.
Digital signals generated by this unit may interfere with other equipment such as tuners, receivers or TVs. Move this unit farther away from such equipment if interference is observed.
8.
Always set the VOLUME control to “
∞
” before starting the audio source play. Increase the volume gradually to an appropriate level after playback has been started.
9.
Do not attempt to clean the unit with chemical solvents; this might damage the finish. Use a clean, dry cloth.
10. Be sure to read the “TROUBLESHOOTING” section regarding common operating errors before concluding that the unit is faulty.
11. When not planning to use this unit for long periods of time
(ie., vacation, etc.), disconnect the AC power plug from the wall outlet.
12. To prevent lightning damage, disconnect the AC power plug and disconnect the antenna cable when there is an electrical storm.
13. Grounding or polarization – Precautions should be taken so that the grounding or polarization of an appliance is not defeated.
14. AC outlet
Do not connect audio equipment to the AC outlet on the rear panel if that equipment requires more power than the outlet is rated to provide.
15. Voltage Selector (China and General Models only)
The voltage selector on the rear panel of this unit must be set for your local main voltage BEFORE plugging into the
AC main supply.
Voltages are 110/120/220/240 V AC, 50/60 Hz.
This unit is not disconnected from the AC power source as long as it is connected to the wall outlet, even if this unit itself is turned off. This state is called the standby mode.
In this state, this unit is designed to consume a very small quantity of power.
FREQUENCY STEP switch
(China and General Models only)
Because the interstation frequency spacing differs in different areas, set the FREQUENCY STEP switch (located at the rear) according to the frequency spacing in your area.
Before setting this switch, disconnect the AC power plug of this unit from the AC outlet.
FOR CANADIAN CUSTOMERS
TO PREVENT ELECTRIC SHOCK, MATCH WIDE BLADE
OF PLUG TO WIDE SLOT AND FULLY INSERT.
THIS CLASS B DIGITAL APPARATUS COMPLIES WITH
CANADIAN ICES-003.
WARNING
Do not change the IMPEDANCE SELECTOR switch setting while the power of this unit is on, otherwise this unit may be damaged.
IF THIS UNIT FAILS TO TURN ON WHEN THE STANDBY/
ON SWITCH IS PRESSED, the IMPEDANCE SELECTOR switch may not be fully set to either end. If so, set the switch to either end fully.
IMPEDANCE SELECTOR
(U.S.A. model)
IMPEDANCE SELECTOR
SET BEFORE POWER ON
MAIN
A OR B: 4 Ω MIN. /SPEAKER
A + B: 8 Ω MIN. /SPEAKER
CENTER: 6 Ω MIN. /SPEAKER
REAR : 6
Ω
MIN. /SPEAKER
MAIN
A OR B: 8
Ω
A + B:I6 Ω
MIN. /SPEAKER
MIN. /SPEAKER
CENTER: 8 Ω MIN. /SPEAKER
REAR : 8 Ω MIN. /SPEAKER
AC OUTLETS
SWITCHED
100W MAX. TOTAL
MAINS
IMPORTANT
Please record the serial number of this unit in the space below.
Serial No.:
The serial number is located on the rear of the unit.
Retain this Owner’s Manual in a safe place for future reference.
WARNING
TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK,
DO NOT EXPOSE THIS UNIT TO RAIN OR MOISTURE.
RX-V595-1 6 3/25/99, 11:54 AM
FEATURES ON SOUND EFFECT
This unit incorporates a sophisticated, multi-program digital sound field processor. The processor allows you to electronically expand and change the shape of the audio sound field from both audio and video sources, creating a theater-like experience in your listening room. This unit has a total of 8 digital sound field processor (DSP) modes. You can create an excellent audio sound field by selecting a suitable sound field
(this will, of course, depend on what you will be listening to), and adding desired adjustments.
Digital Sound Field Processing
What is it that makes live music so good? Today’s advanced sound reproduction technology lets you get extremely close to the sound of a live performance, but chances are you’ll still notice something missing, the acoustic environment of the live concert hall. Extensive research into the exact nature of the sonic reflections that create the ambience of a large hall has made it possible for YAMAHA engineers to bring you this same sound in your listening room, so you’ll feel all the sound of a live concert.
Dolby Pro Logic Surround
This unit employs a Dolby Pro Logic Surround decoder similar to professional Dolby Stereo decoders used in many movie theaters. By using the Dolby Pro Logic Surround decoder, you can experience the dramatic realism and impact of Dolby
Surround movie theater sound in your own home. Dolby Pro
Logic employs a four channel five speaker system. The Pro
Logic Surround system divides the input signal into four levels: the left and right main channels, the center channel (used for dialog), and the rear surround sound channels (used for sound effects, background noise, and other ambient noises). The center channel allows listeners seated in even less-than-ideal positions to hear the dialog originating from the action on the screen while experiencing good stereo imaging.
In addition, this unit incorporates a Dolby Pro Logic Surround decoder and Dolby Digital decoder for multi-channel sound reproduction of Dolby Surround encoded video sources. The operation of the Dolby Pro Logic Surround or Dolby Digital decoder can be controlled by selecting a corresponding DSP program including combined operations of the YAMAHA DSP and the Dolby Pro Logic Surround or Dolby Digital decoder.
Furthermore, our technicians, armed with sophisticated measuring equipment, have even made it possible to capture the acoustics of a variety of actual concert halls, theaters, etc.
from around the world, to allow you to accurately re-create any one of these live performance environments, all in your home.
Dolby Surround is encoded on the sound track of pre-recorded video tapes, laser discs, and some TV/cable broadcasts. When you play a source encoded with Dolby Surround on this unit, the Dolby Pro Logic Surround decoder decodes the signal and distributes the surround-sound effects.
This Dolby Pro Logic Surround decoder employs a digital signal processing system. This system improves the stability of sound at each channel and crosstalk between channels, so that positioning of sounds around the room is more accurate compared with conventional analog signal processing systems.
In addition, this unit features a built-in automatic input balance control. This always assures you the best performance without manual adjustment.
Dolby Digital
The built-in Dolby Digital decoder leads you into a totally new sound experiences.
Dolby Digital is a new generation of multi-channel digital audio technology, or the newest spatial sound processing format developed for 35 mm film-movies by employing a new kind of low bit-rate audio coding.
Compared to Dolby Pro Logic that is referred to a “3/1” system
(left front, center, right front and just one surround channel),
Dolby Digital features two surround channels, called stereo or split surrounds, each offering the same full range fidelity as the three front channels.
Sound of wide dynamic range reproduced by the five full range channels presents listeners much excitement that has never been experienced before. Precise sound orientation by the discrete digital sound processing expands realism that the original movie possesses.
Dolby Digital is a digital surround sound system that provides completely independent multi-channel audio to consumers. In multi-channel form, Dolby Digital provides five full range channels in what is sometimes referred to as a “3/2” configuration: three front channels (left, center and right), plus two surround channels. A sixth bass-only effect channel is also provided for output of LFE (low frequency effect), or low bass effects that are independent of other channels. This channel is counted as 0.1, thus giving rise to the term 5.1 channels in total.
LD and DVD are home audio formats that could benefit from
Dolby Digital. In the near future, Dolby Digital will also be applied to DBS, CATV and HDTV. The ongoing release of
Dolby Stereo Digital theatrical films now underway will provide an immediate source of Dolby Digital encoded video software.
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RX-V595-1 7 3/25/99, 11:54 AM
Manufactured under license from Dolby Laboratories Licensing
Corporation. “Dolby”, “Pro Logic”, and the double-D symbol are trademarks of Dolby Laboratories Licensing Corporation.
Copyright 1992 Dolby Laboratories, Inc. All rights reserved.
The following original functions make the surround-sound effect of Dolby Digital become the most suitable for your audio system and the listening conditions.
• Dynamic range (sound scale) of source can be changed so that it will be suitable for the listening conditions.
• Output of low bass from any channel can be assigned to either the MAIN SPEAKERS terminals or SUBWOOFER terminal to maximize system performance.
• Output of LFE can be assigned to either the MAIN
SPEAKERS terminals or SUBWOOFER terminal to maximize system performance.
Dolby Surround + DSP (CINEMA DSP)
Dolby Surround sound system shows its full ability in a large movie theater, because movie sounds are originally designed to be reproduced in a large movie theater using many speakers.
It is difficult to create a sound environment similar to that of a movie theater in your listening room, because the room size, materials of inside walls, the number of speakers, etc. of your listening room is much different from those of a movie theater.
YAMAHA DSP technology made it possible to present you with nearly the same sound experience as that of a large movie theater in your listening room by compensating for lack of presence and dynamics in your listening room with its original digital sound fields combined with Dolby Surround sound field.
CINEMA DSP
The YAMAHA “CINEMA DSP” logo indicates those programs are created by the combination of Dolby Surround and
YAMAHA DSP technology.
Dolby Pro Logic + 2 Digital Sound Fields
Digital sound fields are created on the presence side and the rear surround side of the Dolby Pro Logic Surround-decoded sound field respectively. They create a wide acoustic environment and emphasize surround-effect in the room, letting you feel much presence as if you are watching a movie in a popular Dolby Stereo theater.
This combination is available when the sound field program
DOLBY PRO LOGIC ENHANCED/DOLBY DIGITAL
ENHANCED, 70 mm MOVIE THEATER/DIGITAL MOVIE
THEATER or TV SPORTS is selected, and the input signal of source is analog, PCM audio or encoded with the Dolby
Digital in 2-channel.
Dolby Digital + 3 Digital Sound Fields
Digital sound fields are created on the presence side and the independent left and right surround sides of the Dolby Digitaldecoded sound field respectively. They create a wide acoustic environment and much surround effect in the room without losing high channel separation. With wide dynamic range of Dolby Digital sound, this sound field combination lets you feel as if you are watching a movie in the newest Dolby
Stereo Digital theater. This will be the most ideal home theater sound at the present time.
This combination is available when the sound field program
DOLBY PRO LOGIC ENHANCED/DOLBY DIGITAL
ENHANCED, 70 mm MOVIE THEATER/DIGITAL MOVIE
THEATER or TV SPORTS is selected, and the input signal of source is encoded with the Dolby Digital (except in 2-channel).
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RX-V595-1 8 3/25/99, 11:54 AM
CONTROLS AND THEIR FUNCTIONS
FRONT PANEL
1
STANDBY/ON
Press this switch to turn the power of this unit on. Press it again to turn this unit into the standby mode.
Standby mode
In this state, this unit consumes a very small quantity of power to receive infrared-signals from the remote control transmitter.
2
Remote control sensor
Receives signals from the remote control transmitter.
3
Display
Shows various information. (For details, refer to page 11.)
4
MEMORY (MAN’L/AUTO FM)
Press this button to store the broadcasting stations.
When this button is pressed and held for more than three seconds, the automatic preset tuning begins.
5
EDIT
This button is used to exchange the places of two preset stations with each other.
RX-V595-1 9
6
TUNING MODE (AUTO/MAN’L MONO)
Press this button to switch the tuning mode to automatic or manual. To select the automatic tuning mode, press this button so that the “AUTO TUNING” indicator lights up on the display.
To select the manual tuning mode, press this button so that the
“AUTO TUNING” indicator goes off.
7
FM/AM
Press this button to switch the reception band to FM or AM.
8
TUNING UP/DOWN
This button is used for tuning. Press the UP side to tune in to higher frequencies, and press the DOWN side to tune in to lower frequencies.
9
TAPE/MD MON / EXT. DECODER
Press this button to play a tape or an MD. The “TAPE/MD
MON” indicator lights up on the display.
When you press the button next, the “TAPE/MD MON” indicator goes off and “EXT. DECDR” appears on the display and you can play the signal connected to the EXTERNAL DECODER
INPUT terminals.
0
INPUT
Turn this selector to select the program source (VCR, VIDEO
AUX, TV/DBS, DVD/LD, CD, TUNER, PHONO) to listen to or watch.
The name of the selected program source appears on the display.
9
3/25/99, 11:54 AM
q
INPUT MODE
Switches the DVD/LD and TV/DBS input signal mode (AUTO/
ANALOG).
w
VOLUME
This control is used to raise or lower the volume level.
e
PHONES jack
When you use headphones, connect the headphones to the
PHONES jack. You can listen to the sound to be output from the main speakers through headphones.
When using headphones only, set both SPEAKERS A and B to the OFF position and switch off the digital sound field processor
(so that no DSP program name appears on the display) by pressing EFFECT.
PHONES r
SPEAKERS
Set A or B (or both A and B) to the ON position for the main speaker system (connected to this unit) you will use. Set it (or them) for the main speaker system you will not use to the OFF position.
t
A/B/C/D/E
Press this button to select a group (A to E) of preset stations.
y
Preset station number selector
Select a preset station number (1 to 8).
u
Tone controls
These controls are effective only for the sound from the main speakers.
BASS
Used to increase or decrease the low frequency response. The
“0” position produces flat response.
TREBLE
Used to increase or decrease the high frequency response.
The “0” position produces flat response.
i
BALANCE
This control is effective only for the sound from the main speakers.
Adjusts the balance of the output volume to the left and right speakers to compensate for sound imbalance caused by speaker location or listening room conditions.
o
TIME/LEVEL
Press this button to select the setting of delay time or speaker output levels in the TIME/LEVEL mode.
p
+/–
These buttons are used to adjust settings of the SET MENU mode and the TIME/LEVEL mode. In the TIME LEVEL mode, press + to increase delay time or speaker output levels. Press
– to decrease delay time or speaker output levels.
a
SET MENU
Press this button to select functions in the SET MENU mode.
s
PROGRAM selector
Press or to select the DSP program.
The name of the selected program appears on the display.
d
EFFECT
Switches on and off the output from the center and rear speakers so that the sound becomes normal 2-channel.
* Even if the output from the center and rear speakers is off, when the Dolby Digital is decoded, the signals at all channels are distributed to the main channels and output from the main speakers.
f
VIDEO AUX terminals
Connect an auxiliary video or audio input source unit such as a camcorder to these terminals. The source connected to these terminals can be selected by INPUT.
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DISPLAY PANEL
1
Multi-information display
Displays various information, for example station frequency, preset station number and name of selected input source.
2
MEMORY indicator
When MEMORY is pressed, this indicator flashes for about five seconds. During this period, the displayed station can be stored to the memory.
3
AUTO TUNING indicator
Lights up when this unit is in the automatic tuning mode.
4
TAPE/MD MON indicator
Lights up when the tape deck (or MD recorder etc.) is selected as the input source by pressing TAPE/MD MON / EXT. DECODER on the front panel or TAPE/MD on the remote control transmitter.
5
STEREO indicator
Lights up when an FM stereo broadcast with sufficient signal strength is received.
6
Signal-level meter
Indicates the signal level of the received station.
If multipath interference is detected, the indication decreases.
“
7
, and indicators
” lights up when the built-in Dolby Digital decoder is on and the signals of selected source encoded with the Dolby
“
Digital is not in 2-channel. “ ” lights up when the built-in digital sound field processor is on, and “ ” lights up when the built-in Dolby Pro Logic Surround decoder is on.
Depending on the selected DSP program, both “ ” and
”, or both “ ” and “ ” will light up.
8
SLEEP indicator
Lights up while the built-in SLEEP timer is functioning.
RX-V595-1 11 3/25/99, 11:54 AM
11
12
RX-V595-2
SPEAKER SETUP
SPEAKERS TO BE USED
This unit is designed to provide the best sound-field quality with a 5-speaker configuration, using main speakers, rear speakers and a center speaker.
The main speakers are used for the main source sound plus the effect sounds. They will probably be the speakers from your present stereo system. The rear speakers are used for the effect and surround sounds, and the center speaker is for the center sounds (dialog, vocals, etc.). If for some reason it is not practical to use a center speaker, you can do without it.
Best results, however, are obtained with the full system.
Use of a subwoofer expands your sound field
It is also possible to further expand your system with the addition of a subwoofer and amplifier. The use of a subwoofer is effective not only for reinforcing bass frequencies from any or all channels, but also for reproducing the LFE (low frequency effect) sound with high fidelity when playing back a source with the Dolby Digital decoded. You may wish to choose the convenience of a YAMAHA Active Servo Processing Subwoofer
System, which has its own built-in power amplifier.
The main speakers should be high performance models and have enough power handling capacity to accept the maximum output of your audio system.
Other speakers do not have to be equal to the main speakers.
For precise sound localization, however, it is ideal to use high performance models that can reproduce sounds in the full range for the center speaker and the rear speakers.
SPEAKER CONFIGURATION
5-Speaker Configuration
This configuration is the most effective and recommended one.
When playing back a source using the DSP program,
DOLBY PRO LOGIC/DOLBY DIGITAL, DOLBY PRO LOGIC
ENHANCED/DOLBY DIGITAL ENHANCED, 70 mm MOVIE
THEATER/DIGITAL MOVIE THEATER, MONO MOVIE or TV
SPORTS, or when playing back a source which contains center-channel signals (dialog, vocals, etc.) using any DSP program with the Dolby Digital decoded, conversations will be output from the center speaker and the ambience will be excellent.
Note: Set the CNTR (CENTER SPEAKER) mode to the
“LARGE” or “SMALL” position. (For details, see page 22.)
4-Speaker Configuration
The center speaker is not used in this configuration. When playing back a source using the DSP program, DOLBY PRO
LOGIC/DOLBY DIGITAL, DOLBY PRO LOGIC ENHANCED/
DOLBY DIGITAL ENHANCED, 70 mm MOVIE THEATER/
DIGITAL MOVIE THEATER, MONO MOVIE or TV SPORTS, or when playing back a source which contains center-channel signals (dialog, vocals, etc.) using any DSP program with the
Dolby Digital decoded, the center sound is output from the left and the right main speakers. However, the sound effect of other programs will be the same as that of the 5-speaker configuration.
Note: Be sure to set the CNTR (CENTER SPEAKER) mode to the “NONE” position. (For details, see page 22.)
Main L Main R Main L Center Main R
Dialog
Dialog
Rear L Rear R Rear L Rear R
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SPEAKER PLACEMENT
When you place the speakers, refer to the following diagram:
Main:
Rear:
The position of your present stereo speaker system.
Behind your listening position, facing slightly inward. Nearly 1.8 m (approx. 6 feet) up from the floor.
Center: Precisely between the main speakers. (To avoid interference with TV sets, use a magnetically shielded speaker.)
Subwoofer: The position of the subwoofer is not so critical because low bass tones are not highly directional.
Main speaker Center speaker Rear speaker
Subwoofer
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13
CONNECTIONS
Never plug in this unit and other components until all connections are completed.
CONNECTIONS WITH OTHER COMPONENTS
When making connections between this unit and other components, be sure all connections are made correctly, that is to say L
(left) to L, R (right) to R, “+” to “+” and “–” to “–”. Also, refer to the owner’s manual for each component to be connected to this unit.
* If you have YAMAHA components numbered as !
, # , $ , etc. on the rear panel, connections can be made easily by making sure to connect the output (or input) terminals of each component to the same-numbered terminals of this unit.
Turntable Monitor TV DVD player, LD player, etc.
(U.S.A. model)
FM
ANT
75
Ω
UNBAL.
EXTERNAL DECODER INPUT
MAIN CENTER SURROUND
L
COAXIAL
DVD/LD
DIGITAL SIGNAL
OPTICAL
DVD/LD TV/DBS
GND
R
SUB WOOFER
VIDEO SIGNAL
GND
AM
ANT
MONITOR
OUT
AUDIO SIGNAL
DVD/LD TV/DBS
IN
VCR
OUT
OUTPUT
L L
R R
PHONO CD
IN
(PLAY)
TAPE/MD
OUT
(REC)
DVD/LD TV/DBS
IN
VCR
OUT SUB
WOOFER
R
L
REAR
(SORROUND) L
UAL FOR CORRECT SETTING.
IMPEDANCE SELECTOR
SET BEFORE POWER ON
MAIN
A OR B: 4 Ω MIN. /SPEAKER
A + B: 8 Ω MIN. /SPEAKER
CENTER: 6 Ω MIN. /SPEAKER
REAR : 6
Ω
MIN. /SPEAKER
MAIN
A OR B: 8
Ω
A + B:I6 Ω
MIN. /SPEAKER
MIN. /SPEAKER
CENTER: 8 Ω MIN. /SPEAKER
REAR : 8 Ω MIN. /SPEAKER
AC OUTLETS
SWITCHED
100W MAX. TOTAL
MAINS
To AC outlet
CD player
14
, : See the next page.
RX-V595-2 14
Tape deck,
MD recorder, etc.
TV/DBS tuner VCR
(Video cassette recorder)
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SWITCHED AC OUTLET(S)
(U.S.A., Canada, Singapore, China and General models)
........................................................... 2 SWITCHED OUTLETS
(Australia model) ................................... 1 SWITCHED OUTLET
Use these to connect the power cords from your components to this unit.
The power to the SWITCHED outlets is controlled by this unit’s
STANDBY/ON or the provided remote control transmitter’s
POWER and STANDBY. These outlets will supply power to any component whenever this unit is turned on.
The maximum power (total power consumption of components) that can be connected to the SWITCHED AC OUTLET(S) is
100 watts.
GND terminal (For turntable use)
Connecting the ground wire of the turntable to the GND terminal will normally minimize hum, but in some cases better results may be obtained with the ground wire disconnected.
CONNECTING TO AN EXTERNAL DECODER
When using the DTS or other decoder with 6-channel discrete outputs, connect the 6CH DISCRETE OUTPUT terminals of the decoder to the EXTERNAL DECODER INPUT terminals of this unit.
L
6CH DISCRETE OUTPUT
MAIN CENTER SURROUND
L
R R
SUB
WOOFER
(U.S.A. model)
FM
ANT
75 Ω UNBAL.
EXTERNAL DECODER INPUT
MAIN CENTER SURROUND
L
COAXIAL
DVD/LD
DIGITAL SIGNAL
OPTICAL
DVD/LD TV/DBS
GND
R
SUB WOOFER
VIDEO SIGNAL
GND
AM
ANT
MONITOR
OUT DVD/LD
AUDIO SIGNAL
TV/DBS
IN
VCR
OUT
OUTPUT
L L
R R
PHONO CD
IN
(PLAY)
TAPE/MD
OUT
(REC)
DVD/LD TV/DBS
IN
VCR
OUT
SUB
WOOFER
DTS or other decoder with 6-channel discrete outputs
DVD player, LD player or other unit with digital outputs
15
RX-V595-2 15 3/25/99, 11:54 AM
CONNECTING TO DIGITAL (COAXIAL AND/OR OPTICAL) TERMINALS
If your DVD (LD) player, TV/DBS tuner, etc. are equipped with coaxial or optical digital audio signal output terminals, they can be connected to this unit’s COAXIAL and/or OPTICAL digital signal input terminals.
To make a connection between optical digital audio signal terminals, remove the cover from each terminal, and then connect them by using a commercially available optical fiber cable that conforms to EIAJ standards. Other cables might not function correctly.
Even if you connect an audio/video unit to the COAXIAL (or
OPTICAL) terminal of this unit, you must keep the unit connected with the same named analog audio signal terminals of this unit, because digital signal cannot be recorded by a tape deck or VCR connected to this unit. You can switch the selection of input signals between “digital” and “analog” easily.
(See page 29 for details.)
DVD or LD player
Notes
• When connecting an audio/video unit to both of the digital and analog terminals of this unit, make sure to connect to both terminals of the same name.
• Be sure to attach the covers when the OPTICAL terminals are not being used, in order to protect the terminals from dust.
• The input signal from the DVD/LD input terminals is selected in the following order of priority.
(input mode: AUTO position)
1 COAXIAL terminal
2 OPTICAL terminal
3 ANALOG terminal
• All digital audio signal input terminals are applicable to the sampling frequency of 32 kHz, 44.1 kHz and 48 kHz.
TV/DBS tuner
(U.S.A. model)
FM
ANT
GND
AM
ANT
75
Ω
UNBAL.
EXTERNAL DECODER INPUT
MAIN CENTER SURROUND
L
COAXIAL
DVD/LD
DIGITAL SIGNAL
OPTICAL
DVD/LD TV/DBS
R
SUB WOOFER
GND
VIDEO SIGNAL
MONITOR
OUT DVD/LD
AUDIO SIGNAL
TV/DBS
IN
VCR
OUT
OUTPUT
L L
R R
PHONO CD
IN
(PLAY)
TAPE/MD
OUT
(REC)
DVD/LD TV/DBS
IN
VCR
OUT
SUB
WOOFER
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CONNECTING TO VIDEO AUX TERMINALS (ON THE FRONT PANEL)
These terminals are used to connect any video input source, such as a camcorder, to this unit.
VIDEO AUX
VIDEO L AUDIO R
R
L
VIDEO
Camcorder
RX-V595-2 17 3/25/99, 11:54 AM
17
CONNECTING SPEAKERS
Main speakers A
Right Left Right
Main speakers B
Left
R
SPEAKERS
MAIN L
OUTPUT
SUB
WOOFER
CENTER R
REAR
(SORROUND) L
CAUTION
SEE INSTRUCTION MANUAL FOR CORRECT SETTING.
Left
Rear speakers
Right
18
RX-V595-2
Subwoofer system
Center speaker
Note
Use speakers with the specified impedance shown on the rear panel of this unit.
Note on main speaker connections:
One or two speaker systems can be connected to this unit. If you use only one speaker system, connect it to either the
SPEAKERS A or B terminals.
Note on a subwoofer connection:
You may wish to add a subwoofer to reinforce low frequencies or to output low bass sound from the subwoofer channel.
If you have a subwoofer with built-in amplifier, including the
YAMAHA Active Servo Processing Subwoofer System, connect the SUBWOOFER OUTPUT terminal of this unit to the input terminal of the subwoofer system.
If you have an amplifier and a subwoofer, connect the
SUBWOOFER OUTPUT terminal of this unit to the input terminal of the subwoofer amplifier, and then connect the speaker terminals of the subwoofer amplifier to the subwoofer.
When the input signals to this unit are in normal 2-channel stereo, this terminal outputs only frequencies below 90 Hz from the main and center channels. When discrete signals are input to this unit and are selected as the input source, this terminal outputs signals from the subwoofer channel.
Note on center speaker connection:
Center speaker can be connected to this unit. Place it on or under the TV.
18 3/25/99, 11:54 AM
How to connect
Connect the SPEAKERS terminals to your speakers with wire of the proper gauge, cut as short as possible. If the connections are faulty, no sound will be heard from the speakers. Make sure that the polarity of the speaker wires is correct, that is the + and – markings are observed. If these wires are reversed, the sound will be unnatural and lack bass.
Caution
Do not let the bare speaker wires touch each other and do not let them touch any metal part of this unit. This could damage this unit and/or speakers.
For connecting to the MAIN SPEAKERS terminals
For connecting to the REAR and CENTER
SPEAKERS terminals
Red: positive (+)
Black: negative (–)
Red: positive (+)
Black: negative (–)
1 Unscrew the knob.
2 Insert the bare wire.
[Remove approx. 5 mm
(1/4”) insulation from the speaker wires.]
3 Tighten the knob and secure the wire.
1 Press the tab.
2 Insert the bare wire.
[Remove approx. 5 mm
(1/4”) insulation from the speaker wires.]
3 Release the tab and secure the wire.
Banana plug connections are also possible (except for
Singapore model). Simply insert the banana plug connector into the corresponding terminal.
RX-V595-2 19 3/25/99, 11:54 AM
19
IMPEDANCE SELECTOR SWITCH
WARNING
Do not change the IMPEDANCE SELECTOR switch setting while the power of this unit is on, otherwise this unit may be damaged.
IF THIS UNIT FAILS TO TURN ON WHEN THE STANDBY/
ON SWITCH IS PRESSED, the IMPEDANCE SELECTOR switch may not be fully set to either end. If so, set the switch to either end fully.
IMPEDANCE SELECTOR
(U.S.A. model)
Select the position whose requirements your speaker system meets.
(Upper position)
Main: If you use one pair of main speakers, the impedance of each speaker must be 4
Ω
or higher.
If you use two pairs of main speakers, the impedance of each speaker must be 8
Ω
or higher.
Center: The impedance of the speaker must be 6
Ω
or higher.
Rear: The impedance of each speaker must be 6
Ω or higher.
L
IMPEDANCE SELECTOR
SET BEFORE POWER ON
MAIN
A OR B: 4 Ω MIN. /SPEAKER
A + B: 8 Ω MIN. /SPEAKER
CENTER: 6
REAR : 6
Ω
Ω
MIN. /SPEAKER
MIN. /SPEAKER
MAIN
A OR B: 8 Ω MIN. /SPEAKER
A + B:I6 Ω MIN. /SPEAKER
CENTER: 8 Ω MIN. /SPEAKER
REAR : 8 Ω MIN. /SPEAKER
AC OUTLETS
SWITCHED
100W MAX. TOTAL
MAINS
(Lower position)
Main: If you use one pair of main speakers, the impedance of each speaker must be 8
Ω
or higher.
If you use two pairs of main speakers, the impedance of each speaker must be 16
Ω
or higher.
Center: The impedance of the speaker must be 8
Ω
or higher.
Rear: The impedance of each speaker must be 8
Ω
or higher.
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RX-V595-2 20 3/25/99, 11:55 AM
ANTENNA CONNECTIONS
Each antenna should be correctly connected to the designated terminals, referring to the following diagram.
Both AM and FM indoor antennas are included with this unit. In general, these antennas will probably provide sufficient signal strength. Nevertheless, a properly installed outdoor antenna will give clearer reception than an indoor one. If you experience poor reception quality, an outdoor antenna may result in improvement.
Outdoor FM antenna
Outdoor AM antenna
Indoof FM antenna
(included)
75-ohm/300-ohm antenna adapter
75-ohm coaxial cable
(U.S.A. model)
FM
ANT
GND
AM
ANT
75 Ω UNBAL.
GND
AM loop antenna
(included)
PHONO 75-ohm/300-ohm antenna adapter
300-ohm feeder
Ground
Connecting the AM loop antenna
1
1
2
2
3
3
Orient so that the best reception is obtained.
* The AM loop antenna should be placed away from this unit. The antenna may be hung on a wall.
* The AM loop antenna always should be connected, even if an outdoor AM antenna is connected to this unit.
GND TERMINAL
For maximum safety and minimum interference, connect the
GND terminal to a good earth ground. A good earth ground is a metal stake driven into moist earth.
Notes
• When connecting the indoor FM antenna, insert its connector into the
FM ANT terminal firmly.
• If you need an outdoor FM antenna to improve FM reception quality, either 300-ohm feeder or coaxial cable may be used. In locations troubled by electrical interference, coaxial cable is preferable.
21
RX-V595-2 21 3/25/99, 11:55 AM
ADJUSTMENTS BEFORE USING THIS UNIT
SELECTING THE OUTPUT MODES
This unit provides you the following five functions to determine the method of distributing output signals to speakers suitable for your audio system. When speaker connections are all completed, select a proper position on each function to make the best use of your speaker system. (See “ADJUSTMENTS IN THE ‘SET MENU’ MODE” on page 43.)
1. CNTR (CENTER SPEAKER) 2. REAR (REAR SPEAKER)
4. BASS (LFE/BASS OUT) 5. M.LVL (MAIN LEVEL)
DESCRIPTION OF EACH FUNCTION
1. CNTR (CENTER SPEAKER)
Choices: LARGE/SMALL/NONE
Preset position: LARGE
LARGE: Select this position when your center speaker is approximately the same size as the main speakers.
SMALL: Select this position when you use a center speaker that is smaller than the main speakers.
In this position, low bass signals (below 90 Hz) at the center channel are output from the main speakers (or the SUBWOOFER OUTPUT terminal if the SMALL position is selected on “3. MAIN” and the SW position is selected on “4. BASS”).
NONE: Select this position when you do not have a center speaker. The center channel sound will be output from the left and right main speakers.
2. REAR (REAR SPEAKER)
Choices: LARGE/SMALL
Preset position: LARGE
LARGE: Select this position if your rear speakers have a high ability for bass reproduction, or a subwoofer is connected to the rear speaker in parallel.
In this position, full range signals are output from the rear speakers.
SMALL: Select this position if your rear speakers do not have a high ability for bass reproduction.
In this position, low bass signals (below 90 Hz) at the rear channels are output from the SUBWOOFER
OUTPUT terminal (or the main speakers if the MAIN position is selected on “4. BASS”).
3. MAIN (MAIN SPEAKER)
Choices: LARGE/SMALL
Preset position: LARGE
LARGE: Select this position if your main speakers have a high ability for bass reproduction.
In this position, full range signals present at the main channels are output from the main speakers.
SMALL: Select this position if your main speakers do not have a high ability for bass reproduction. However, if your system does not include a subwoofer, do not select this position.
In this position, low bass signals (below 90 Hz) at the main channels are output from the SUBWOOFER
OUTPUT terminal if the SW or BOTH position is selected on “4. BASS”.
3. MAIN (MAIN SPEAKER)
4. BASS (LFE/BASS OUT)
Choices: SW/MAIN/BOTH
Preset position: SW
MAIN: Select this position if your system does not include a subwoofer.
In this position, full range signals present at the main channels, signals from the LFE channel and other low bass signals that are selected on “1. CNTR” to
“3. MAIN” to be distributed from other channels are
SW/BOTH: output from the main speakers.
Select either the SW or BOTH position if your system includes a subwoofer.
In either position, signals at LFE channel and other low bass signals that are selected on “1. CNTR” to
“3. MAIN” to be distributed from other channels are output from the SUBWOOFER OUTPUT terminal.
When the LARGE position is selected on “3. MAIN”, in the SW position, no signal is distributed from the main channels to the SUBWOOFER OUTPUT terminal, however in the BOTH position, low bass signals from the main channels are output to both of the main speakers and the SUBWOOFER OUTPUT terminal.
5. M.LVL (MAIN LEVEL)
Choices: NORMAL (NRML)/–10 dB
Preset position: NORMAL (NRML)
NORMAL (NRML):
Normally select this position.
–10 dB: Select this position if the sound output from the main speakers is too loud and cannot be balanced with the sound output from the center and rear speakers.
In this position, the sound output from the main speakers is attenuated.
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RX-V595-2 22 3/25/99, 11:55 AM
ADJUSTING METHOD
Operations should be made while watching the information on this unit’s display.
1 2
1
3
2
3
If you are using the remote control transmitter, set the
SELECTOR DIAL to the AMP/TUN or DSP position on the remote control transmitter.
or
1
Turn the power on.
Front panel Remote control or
2
Press SET MENU once or more to select the title
“1. CNTR” (so that “CNTR” appears on the display).
Front panel Remote control or
* After pressing SET MENU once on the remote control transmitter, you can also select the title by pressing .
(Pressing goes back one selection.)
3
Press + or – once or more to select the position you want.
Front panel Remote control or
Changes.
4
Repeat steps 2 and 3 to change selections on
“2. REAR”, “3. MAIN”, “4. BASS” and/or “5. M.LVL” in the same way.
Appears.
23
RX-V595-2 23 3/25/99, 11:55 AM
SPEAKER BALANCE ADJUSTMENT
This procedure lets you adjust the sound output level balance between the main, center and rear speakers using the built-in test tone generator. When this adjustment is performed, the sound output level heard at the listening position will be the same from each speaker. This is important for the best performance of the digital sound field processor, the Dolby Digital decoder and the
Dolby Pro Logic Surround decoder.
The adjustment of each speaker output level should be done at your listening position with the remote control transmitter.
After completing the adjustment of the output level for each speaker, use VOLUME ( ) on the remote control transmitter at your listening position to check if the adjustments are satisfactory.
2 1 2
5,9
6
3 4 4,7
Set the SELECTOR DIAL to the AMP/TUN or DSP position on the remote control transmitter.
or
1
Set VOLUME to the “
∞
” position.
Front panel
2
Turn the power on.
Front panel Remote control or
3
Select the main speakers to be used.
Front panel
8
* If you use two main speaker systems, press both A and B.
24
RX-V595-2 24 3/25/99, 11:55 AM
4
Set BASS, TREBLE and BALANCE to the “0” position.
Front panel
6
Turn up the volume.
Remote control
5
Press TEST (so that “TEST LEFT” appears on the display).
Remote control
Appears.
You will hear a test tone (like pink noise) from the left main speaker, then the center speaker, then the right main speaker, then the right rear speaker, and then the left rear speaker, for about two seconds each. The display changes as shown below.
Main (L)
Center
Main (R)
Rear (R)
Rear (L)
* If the function “1. CNTR” in the SET MENU mode is set to the NONE position, you will hear the center channel test tone from the left and right main speakers.
7
Adjust BALANCE so that the sound output level of the left main speaker and the right main speaker is the same.
Front panel
3/25/99, 11:55 AM
25
RX-V595-2 25
8
Adjust the sound output levels of the center speaker and the rear speakers so that they become almost as same as that of the main speakers.
Remote control a) Press or once or more so that “CENTER”, “R SUR.” or “L SUR.” appears on the display.
* Select “CENTER” to adjust the output level of the center speaker and select “R SUR.” or “L SUR.” to adjust the output level of the rear speakers.
Remote control
Notes
• Once you have completed these adjustments, you can adjust the overall sound level on your audio system by using
VOLUME (or VOLUME ( ) on the remote control transmitter) only.
• If you use external power amplifiers, you may also use their volume controls to achieve the proper balance.
• If the function “1. CNTR” in the SET MENU mode is set to the
NONE position, the sound output level of the center speaker cannot be adjusted in step 8. The center sound is automatically output from the left and right main speakers.
• If there is insufficient sound output from the center and rear speakers, you may decrease the main speaker output level by setting “5. M.LVL” to “–10 dB”.
b) Adjust the level.
* Pressing raises and lowers the level.
* While adjusting, the test tone is fixed on the selected speaker.
Remote control
9
Press TEST once more to cancel the test tone.
Remote control
“TEST” disappears.
26
RX-V595-2 26 3/25/99, 11:55 AM
TO PLAY A SOURCE
2
BASIC OPERATIONS
3 1,7
2 3,4
7
5 4
Notes
• Set the SELECTOR DIAL to the AMP/TUN position on the remote control transmitter.
• To operate the CD player, DVD/LD player, tape deck, MD recorder, or other components using this remote control transmitter, set the SELECTOR DIAL to the component to be used. (See “SETUP CODES” on page 50.)
1
Set VOLUME to the “
∞
” position.
Front panel
3
Select the desired input source by using INPUT.
(For video sources, turn the TV/monitor ON.)
See page 29 if you are using an external decoder or playing a tape or an MD.
Front panel Remote control or
2
Turn the power on.
Front panel or
Remote control
The name of the selected input source will appear on the display.
3/25/99, 11:55 AM
27
RX-V595-3 27
4
For the DVD/LD or TV/DBS source, the current input mode is also shown.
* To change the input mode for the DVD/LD or TV/DBS source, press INPUT MODE (or the button that you have pressed to select the input source in step 3 on the remote control transmitter) once or more until the desired input mode (AUTO or ANALOG) is shown on the display. (See page 29 for details on switching the input mode.)
Front panel Remote control
8
If desired, adjust BASS, TREBLE, BALANCE, etc.
(see below) and use the digital sound field processor.
(see page 37.)
Selecting the SPEAKER system
Because one or two speaker systems (as main speakers) can be connected to this unit, SPEAKERS allow you to select speaker system A or B, or both at once.
or
Adjusting the BALANCE control
Adjust the balance of the output volume from the left and right speakers to compensate for sound imbalances caused by speaker location or listening room conditions.
Input mode
5
Select the main speakers to be used.
Front panel
* If you use two main speaker systems, press both A and B.
6
Play the source. (For detailed information on tuning, see page 31.)
7
Adjust the volume to the desired output level.
Front panel Remote control
Note
This control is effective only for the sound from the main speakers.
Adjusting the BASS and TREBLE controls
BASS: Turn this clockwise to increase (or counter-clockwise to decrease) the low frequency response.
TREBLE: Turn this clockwise to increase (or counter-clockwise to decrease) the high frequency response.
Note
These controls are effective only for the sound from the main speakers.
or
28
RX-V595-3 28 3/25/99, 11:55 AM
To play a tape or an MD
Press TAPE/MD MON / EXT. DECODER so that the “TAPE/MD
MON” indicator lights up on the display, then play the tape or MD.
Front panel Remote control or
To stop playing the tape or MD, press TAPE/MD MON / EXT.
DECODER twice so that the “TAPE/MD MON” indicator and
“EXT. DECDR” disappear from the display and the play stops
(or press TAPE/MD once on the remote control transmitter).
To use a decoder connected to the EXTERNAL
DECODER INPUT terminals
Press TAPE/MD MON / EXT. DECODER once or more so that the “EXT. DECDR” appears on the display.
Start the play by operating the DTS or other external decoder,
DVD player or LD player.
Front panel Remote control or
To stop playing, press TAPE/MD MON / EXT. DECODER once so that “EXT. DECDR” disappears from the display and the play stops (or press EXT. DEC. on the remote control transmitter).
When you finish using this unit
Press STANDBY/ON on the front panel again or STANDBY on the remote control transmitter to turn this unit into the standby mode.
Notes on using INPUT
• By using INPUT, you can select the program sources connected to the input terminals on the rear panel.
• To play a video source connected to the VIDEO AUX terminals on the front panel, set INPUT to the VIDEO AUX position.
• The audio source selected by INPUT will not be played if the
“TAPE/MD MON” indicator lights up or if “EXT. DECDR” is displayed.
• If you select INPUT for a video source without canceling the selection of TAPE/MD MON / EXT. DECODER on the front panel (or, TAPE/MD or EXT. DEC. on the remote control transmitter), the playback result will be the video image from the video source and the sound from the input source selected by TAPE/MD MON / EXT. DECODER on the front panel (or, TAPE/MD or EXT. DEC. on the remote control transmitter).
• Once you play a video source, its video image will not be interrupted even if INPUT for an audio source is selected.
• When you select an input source by using INPUT, the DSP program (or no DSP program) that was used when the same input source was selected the last time, will be automatically recalled.
Switching the input mode
(for DVD/LD and TV/DBS)
This unit allows you to switch the input mode only for sources connected to the DVD/LD and TV/DBS input terminals (on the rear panel of this unit) that input two or three types of signals.
The following two input modes are provided.
AUTO: For the source connected to the DVD/LD input terminals:
This mode is automatically selected when you turn the power of this unit on. In this mode, input signal is automatically selected in the following order of priority.
1. Digital input signal from the COAXIAL terminal
2. Digital input signal from the OPTICAL terminal
3. Analog input signal
For the source connected to the TV/DBS input terminals:
This mode is selected when you turn the power of this unit on if the AUTO position is selected on “10. INPUT” in the SET MENU mode. (For details, see page 44.)
In this mode, input signal is automatically selected in the following order of priority.
1. Digital input signal from the OPTICAL terminal
2. Analog input signal
ANALOG:
In this mode, only analog input signal is selected even if a digital signal is input at the same time.
Select this mode when you want to use the analog input signal instead of the digital input signal.
Notes on input mode selection
• To playback a source with the Dolby Digital-decoded, set the input mode to AUTO.
• For the TV/DBS source only, the input mode selected on the function “10. INPUT” in the SET MENU mode is effective when you turn the power of this unit on.
• When you want to enjoy a source which has normal
2-channel signals with a Dolby Pro Logic Surround program, select the ANALOG mode.
• In the AUTO mode, there may be a case depending on some
LD players or DVD players that when you make a search on a source encoded with the Dolby Digital during the play and then the play is restored, sound output is interrupted for a moment because the digital input signal is selected again.
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RX-V595-3 29 3/25/99, 11:55 AM
TO RECORD A SOURCE TO TAPE OR MD
4 1 2
1,4
2
1
Select the source to be recorded.
Front panel or
Remote control
4
When the tape deck or MD recorder is used for recording, you can monitor the sounds being recorded by pressing TAPE/MD MON / EXT. DECODER so that the “TAPE/MD MON” indicator lights up on the display.
Front panel Remote control or
2
Play the source and then turn VOLUME up to confirm the input source. (For detailed information on tuning, see page 31.)
Front panel Remote control or
Notes
• The settings of DSP and VOLUME, BASS, TREBLE and
BALANCE have no effect on the material being recorded.
• A source that is connected to this unit through digital terminals only cannot be recorded by a tape deck or VCR connected to this unit.
• Please check the copyright laws in your country to record from records, compact discs, radio, etc. Recording of copyright material may infringe copyright laws.
If you watch a video software that uses scrambled or encoded signals to prevent it from being dubbed, there may be a case that the picture itself will be affected by those signals.
3
Begin recording on the tape deck, MD recorder or VCR connected to this unit.
30
RX-V595-3 30 3/25/99, 11:55 AM
TUNING OPERATIONS
Set the SELECTOR DIAL to the AMP/TUN position on the remote control transmitter and select the tuner by using INPUT.
Normally, if station signals are strong and there is no interference, quick automatic-search tuning (AUTOMATIC TUNING) is possible. However, if the signal from the station you want to select is weak, you must tune in to it manually (MANUAL TUNING).
2 3
AUTOMATIC TUNING
1
Select the reception band (FM or AM) confirming it on the display.
Front panel
1
MANUAL TUNING
1
Select the reception band (FM or AM) confirming it on the display.
Front panel
RX-V595-3
2
Press TUNING MODE (so that the “AUTO TUNING” indicator lights up on the display).
Front panel
2
Press TUNING MODE.
Front panel
3
Tune in to the desired station manually.
Front panel
Confirm that the “AUTO
TUNING’’ indicator goes off.
Lights up.
3
To tune in to a higher frequency, press the UP side of
TUNING once.
To tune in to a lower frequency, press the DOWN side of TUNING once.
Front panel
* If the station where the tuning search stops is not the desired one, press once more.
* If the tuning search does not stop at the desired station
(because the signal from the station is weak), operate the manual tuning procedure.
* To continue the tuning search, press and hold the button.
Note
• If you tune in to an FM station manually, it is received in monaural mode automatically to increase the signal quality.
31
31 3/25/99, 11:55 AM
MANUAL PRESET TUNING
This unit can store station frequencies selected by tuning. With this function, you can recall any desired station simply by selecting the preset station number with which it was stored. Up to 40 stations (8 stations x 5 groups) can be stored.
2,1 4,2 3
2,1
2
To store stations
1
Tune in to the desired station.
(See the previous page for tuning procedure.)
2
Press A/B/C/D/E once or more to select the desired group (A to E) of preset stations confirming it on the display.
Front panel Remote control or
3
Press MEMORY (so that the “MEMORY” indicator flashes for about five seconds).
Front panel
4
Select the preset station number with which you want to store the station before the “MEMORY” indicator goes off from the display.
Front panel
The displayed station has been stored to A1.
* In the same way, store other stations to A2, A3 ... A8.
* You can store more stations to preset station numbers in other groups in the same way by selecting other groups in step 2.
Flashes.
32
RX-V595-3 32 3/25/99, 11:55 AM
To recall a preset station
(See the illustration on previous page.)
1
Select the group of preset stations.
Front panel Remote control or
2
Select the preset station number.
Front panel Remote control or
Notes
• A new setting can be stored in place of the former one.
• For presets, the setting of the reception mode (stereo or monaural) is stored along with the station frequency.
Memory back-up
The memory back-up circuit prevents the stored data from being lost even if this unit is turned into the standby mode, or the power plug is disconnected from the AC outlet, or the power is cut due to temporary power failure. If, however, the power is cut for more than one week, the memory may be erased. If so, it can be re-stored by simply following the preset tuning procedures.
RX-V595-3 33 3/25/99, 11:55 AM
33
AUTOMATIC PRESET TUNING (For FM stations only)
You can also make use of an automatic preset tuning function for FM stations only. Using this function, this unit performs automatic tuning and sequentially stores FM stations with strong signals. Up to 40 stations are stored automatically in the same way as in the manual preset tuning method on page 32. Note that a new setting can be stored in place of the former one.
3 1
34
RX-V595-3
To store stations
1
Select the FM.
Front panel
2 4
4
To tune in to higher frequencies, press the UP side of
TUNING once.
To tune in to lower frequencies, press the DOWN side of TUNING once.
Front panel
2
Press TUNING MODE (so that the “AUTO TUNING” indicator lights up on the display).
Front panel
Lights up.
3
Press MEMORY and hold for about three seconds.
Front panel
Flashes.
* If TUNING is not pressed, in a while, the automatic preset tuning begins automatically toward higher frequencies.
The automatic preset tuning begins from the frequency currently displayed. Received stations are stored to A1, A2
... A8 sequentially.
* If more than 8 stations are received, they are also stored to the preset station numbers in other groups (B, C, D and
E) in that order.
If you want to store the first station received by the automatic preset tuning to a desired preset station number.
For example, if you want to store the first received station to C5, select “C5” while “A1”, the MEMORY indicator and the AUTO
TUNING indicator flash after pressing MEMORY in step 3. Then press TUNING. The first received station is stored to C5, and next stations to C6, C7 ... sequentially.
If stations are stored up to E8, automatic preset tuning stops automatically.
When automatic preset tuning is finished
The display shows the frequency of the last preset station.
Check the contents and the number of preset stations by following the procedures in the section “To recall a preset station” on page 33.
34 3/25/99, 11:55 AM
Notes
• You can replace a preset station with another FM or AM station manually by simply following the procedures in the section “To store stations” on page 32.
• Even if the number of received stations is not enough to be stored up to E8, the search is finished automatically after searching all frequencies.
• With this function, only FM stations with sufficient signal strength are stored automatically. If the station you want to store is weak in signal strength, tune in to it in monaural manually and store it by following the procedures in the section “To store stations” on page 32.
EXCHANGING PRESET STATIONS
You can exchange the places of two preset stations with each other as shown below.
2,4
Example
If you want to shift the preset station on E1 to A5, and vice versa.
1
Recall the preset station on E1 (by following the procedures in the section “To recall a preset station” on page 33).
2
Press EDIT.
Front Panel
3
Next, recall the preset station on A5 by following the same procedures as in step 1.
4
Press EDIT once more.
Front Panel
Flashes.
Flashes.
Shows the exchange of stations is completed.
35
RX-V595-3 35 3/25/99, 11:55 AM
SETTING THE SLEEP TIMER
If you use the SLEEP timer of this unit, you can make this unit automatically switch to the standby mode. When you are going to sleep while enjoying a broadcast or other desired input source, this timer function is useful. The SLEEP timer can be controlled only with the remote control transmitter.
Notes
• To set the SLEEP timer for this unit, set the SELECTOR DIAL to a position other than the TV postition. To set the SLEEP timer for your TV, set the SELECTOR DIAL to the TV position.
• The components on which the SLEEP timer is effective are the sources connected to the SWITCHED AC OUTLET(S) on the rear panel of this unit.
1
To set the SLEEP time
1
Press SLEEP once or more to select the desired
SLEEP time.
Remote control
To cancel the selected SLEEP time
Remote control
Indicates the SLEEP time.
Flashes.
Whenever SLEEP is pressed, the SLEEP time will change as follows.
(Minutes)
120 90 60 30
The SLEEP timer is off (SLEEP OFF).
(The state before SLEEP is pressed.)
After a while, the SLEEP indicator lights up and the display returns to the indication before the SLEEP timer was set.
2
The unit will be switched to the standby mode automatically at the selected SLEEP time.
Press SLEEP once or more so that “SLEEP OFF” appears on the display. (It will soon disappear and the “SLEEP” indicator will go off from the display.)
Note
The SLEEP timer setting can also be canceled by tuning this unit into the standby mode with STANDBY/ON on the front panel (or STANDBY on the remote control transmitter) or disconnecting the power plug of this unit from the AC outlet.
36
RX-V595-3 36 3/25/99, 11:55 AM
USING DIGITAL SOUND FIELD PROCESSOR
(
DSP
)
This unit incorporates a sophisticated, multi-program digital sound field processor. The processor allows you to electronically expand and change the shape of the audio sound field from both audio and video sources, creating a theater-like experience in your listening room. You can create an excellent audio sound field by selecting a suitable sound field program (this will, of course, depend on what you are listening to), and adding any desired adjustments.
The following list gives you a brief description of the sound fields produced by each of the DSP programs. Keep in mind that most of these are precise digital recreations of actual acoustic environments. The data for these sound fields was recorded at actual locations using sophisticated sound field measurement equipment.
Note
The channel level balance between the left and right rear speakers may vary depending on the sound field you are listening to. This is due to the fact that most of these sound field are re-creation of actual acoustic environments.
BRIEF OVERVIEW OF DIGITAL SOUND FIELD PROGRAMS
No.
PROGRAM
1 DOLBY PRO LOGIC ( )
Functions when the input signal is analog or PCM audio, or encoded with the Dolby Digital in
2-channel.
Speaker output: main, center, rear
DOLBY DIGITAL ( )
Functions when the input signal is encoded with the
Dolby Digital (not in 2-channel).
Speaker output: main, center, rear
2 DOLBY PRO LOGIC ENHANCED
( )
Functions when the input signal is analog or PCM audio, or encoded with the Dolby Digital in
2-channel.
Speaker output: main, center, rear
DOLBY DIGITAL ENHANCED
( )
Functions when the input signal is encoded with the
Dolby Digital (not in 2-channel).
Speaker output: main, center, rear
3 70 mm MOVIE THEATER
( )
Functions when the input signal is analog or PCM audio, or encoded with the Dolby Digital in
2-channel.
Speaker output: main, center, rear
DIGITAL MOVIE THEATER
( )
Functions when the input signal is encoded with the
Dolby Digital (not in 2-channel).
Speaker output: main, center, rear
FEATURE
Reproduces video discs, video tapes and similar sources which are Dolby Surround encoded and bear the “DOLBY SUR-
ROUND” logo.
The built-in Dolby Pro Logic Surround decoder or Dolby Digital decoder precisely reproduces sounds and sound effects of a source encoded with Dolby Surround. The realization of a highly efficient decoding process improves crosstalk and channel separation and makes sound positioning smoother and more precise.
Reproduces video discs, video tapes and similar sources which are Dolby Surround encoded and bear the “DOLBY SUR-
ROUND” logo.
This program ideally simulates the multi-surround speaker systems of the 35 mm film theater. The Dolby Surround decoding and the digital sound field processing is precisely performed without altering the original sound orientation. The surround effects produced by this sound field folds around the viewer naturally from the rear to the left and right and toward the screen.
Note: If the main channel sound is considerably altered by overadjustment of BASS or TREBLE, the relationship with the rear channels may produce an unnatural effect.
Ideal for reproducing video discs, video tapes and similar sources which are Dolby Surround encoded and bear the
“DOLBY SURROUND” logo.
This program is ideal for precisely reproducing the sound design of the newest 70 mm/Dolby Digital multi-track films.
The sound field is made to be similar to that of the newest movie theaters, so the reverberations of the sound field itself are restrained as much as possible. The three dimensional feeling of the sound field is emphasized, and dialog is precisely oriented on the screen. You can enjoy watching Sci-Fi, adventure movies, etc. with considerable presence.
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RX-V595-4 37 3/25/99, 11:55 AM
38
RX-V595-4
No.
PROGRAM
4 MONO MOVIE
( )
Functions when the input signal is analog or PCM audio, or encoded with the Dolby Digital in
2-channel.
Speaker output: main, center, rear
( )
Functions when the input signal is encoded with the Dolby Digital (not in 2-channel).
Speaker output: main, center, rear
5 TV SPORTS
( )
Functions when the input signal is analog or PCM audio, or encoded with the Dolby Digital in
2-channel.
Speaker output: main, center, rear
( )
Functions when the input signal is encoded with the Dolby Digital (not in 2-channel).
Speaker output: main, center, rear
6 DISCO
( )
Functions when the input signal is analog or PCM audio, or encoded with the Dolby Digital in
2-channel.
Speaker output: main, rear
( )
Functions when the input signal is encoded with the Dolby Digital (not in 2-channel).
Speaker output: main, center, rear
7 ROCK CONCERT
( )
Functions when the input signal is analog or PCM audio, or encoded with the Dolby Digital in
2-channel.
Speaker output: main, rear
( )
Functions when the input signal is encoded with the Dolby Digital (not in 2-channel).
Speaker output: main, center, rear
8 CONCERT HALL
( )
Functions when the input signal is analog or PCM audio, or encoded with the Dolby Digital in
2-channel.
Speaker output: main, rear
( )
Functions when the input signal is encoded with the Dolby Digital (not in 2-channel).
Speaker output: main, center, rear
FEATURE
This program is designed specifically to enhance mono source programs. Compared to a strictly mono setting, the sound image created in this mode is wider and slightly forward of the speaker pair, lending an immediacy to the overall sound. It is particularly effective when used with old mono movies, news broadcasting and dialog.
This program is furnished with a tight sound field in which the sound will not spread excessively on the front side, but the rear surround side produces a dynamic sound expansion. This program is the most suitable for sports programs.
This program recreates the acoustic environment of a lively disco in the heart of a very lively city. The sound is dense and highly concentrated. It is also characterized by a high-energy,
“immediate” sound.
This program is ideally suited for rock music. You will experience a very dynamic and lively sound field.
In this program, the center will appear to be deep behind the main speakers, creating an expansive, large hall ambience.
Orchestra and opera music are suited to this sound field.
Note: When the NONE position is selected on “1. CNTR” in the SET MENU mode, no sound is output from the center speaker(s).
38 3/25/99, 11:55 AM
PLAYING A SOURCE WITH THE DIGITAL SOUND FIELD PROCESSOR (DSP)
EFFECT
2
2
1
Follow steps 1 to 7 shown in “BASIC OPERATIONS” on pages 27 to 28.
2
Select the desired DSP program that is suitable for the source.
Front panel Remote control
or
Press DSP. While the indicator lights up for about three seconds, select a DSP program using the numeric buttons (1 to 8).
* If the SELECTOR DIAL is set to the DSP position, you can also select a DSP program using the numeric buttons
(1 to 8).
3
If desired, adjust the delay time and the output level of each speaker. (For details, see pages 41 and 42.)
Notes
• You can select the program for each of the input sources.
Once you select a program, it is linked with the input source selected at that time. So, when you select the input source next time, the same program is automatically called.
• If you prefer to cancel the DSP, press EFFECT or EFCT ON/
OFF. The sound will be the normal 2-channel stereo without surround sound effect.
• When a monaural sound source is played with DOLBY PRO
LOGIC or DOLBY PRO LOGIC ENHANCED, no sound is heard from the main speakers and the rear speakers. Sound is heard only from the center speaker. However, if the NONE position is selected on “1. CNTR” in the SET MENU mode, the main speakers output the sound of the center channel.
• If the main-source sound is considerably altered by overadjustment of BASS or TREBLE when this unit’s Dolby
Pro Logic Surround decoder or Dolby Digital decoder is used, the relationship between the center and rear channels may produce an unnatural effect.
The name of selected program appears on the display.
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RX-V595-4 39 3/25/99, 11:55 AM
This unit incorporates a Dolby Digital decoder and a Dolby Pro Logic Surround decoder for multi-channel sound reproduction of sources encoded with Dolby Surround. The operation of these decoders can be controlled by selecting a corresponding DSP program including the combined operation of YAMAHA DSP and Dolby Digital or Dolby Pro Logic Surround.
To enjoy a video source with the Dolby Pro
Logic Surround or Dolby Digital decoded
When you select the program DOLBY PRO LOGIC/DOLBY
DIGITAL, DOLBY PRO LOGIC ENHANCED/DOLBY DIGITAL
ENHANCED or 70 mm MOVIE THEATER/DIGITAL MOVIE
THEATER, and the input signal of the source is 2-channel stereo, Dolby Pro Logic Surround is decoded. When some program is selected and the input signal of the source is encoded with Dolby Digital, Dolby Digital is automatically decoded.
* The following indicators on the display show you what sound processing is being made.
Lights up when the Dolby Digital is being decoded and the input signals of selected source encoded with Dolby Digital is not in 2-channel.
Lights up when the digital sound field processor is turned on.
To cancel the effect sound
EFFECT on the front panel and EFCT ON/OFF on the remote control transmitter make it simple to compare the normal stereo sound with the fully processed effect sound.
To cancel the effect sound and monitor only the main sound, press EFFECT or EFCT ON/OFF. Press EFFECT or EFCT
ON/OFF once more to turn effect sounds on.
Front panel Remote control or
Lights up when the Dolby Pro Logic Surround is being decoded.
* In addition, for the program DOLBY PRO LOGIC/DOLBY
DIGITAL, DOLBY PRO LOGIC ENHANCED/DOLBY
DIGITAL ENHANCED or 70 mm MOVIE THEATER/DIGITAL
MOVIE THEATER, the name of the program on the display will change according to the type of decoding. (For details, see page 37.)
Note
If the input signals of the source are encoded with Dolby Digital in 2-channel only, the sound processing for them is similar to that for analog or PCM audio signals.
Notes
• If the effect sound is canceled when signals encoded with
Dolby Digital are input to this unit, signals of all channels are mixed and are output from the main speakers.
• If EFFECT or EFCT ON/OFF is pressed to turn effect sounds off when the Dolby Digital is decoded, it may happen that the sound is output faintly or not output normally depending on the source. In that case, press EFFECT or EFCT ON/OFF to turn effect sounds on, or use input signals not encoded with
Dolby Digital.
40
RX-V595-4 40 3/25/99, 11:56 AM
ADJUSTING DELAY TIME AND SPEAKER OUTPUT LEVELS
When using the digital sound field processor including the
Dolby Pro Logic Surround decoder or the Dolby Digital decoder, you can adjust the delay time between the main sound and effect sound, and each speaker’s output level as you prefer.
Note: These adjustments can be made only when the effect sound is on. If none of the indicators , and
light up on the display, press EFFECT on the front panel or EFCT ON/OFF on the remote control transmitter so that at least one of these indicators lights up on the display.
1
2
1
2
Adjusting method
If you are using the remote control transmitter, set the
SELECTOR DIAL to the AMP/TUN or DSP position on the remote control transmitter.
or
2
Press + or – to adjust the settings for delay time or speaker output levels.
Front panel Remote control
1
Press TIME/LEVEL once or more until the name of item which you want to adjust appears on the display.
Front panel Remote control or
* After pressing TIME/LEVEL once on the remote control transmitter, you can also select the name of item by pressing .
When pressed, the selection changes as follows:
D E L A Y
C E N T E R
R S U R .
L S U R .
S W F R
* Pressing on the remote control transmitter changes the selection in the reverse order.
* Depending on the mode of this unit, you cannot select all items.
or
3
Repeat steps 1 to 3 to adjust settings on any other item.
41
RX-V595-4 41 3/25/99, 11:56 AM
Adjusting delay time
You can adjust the time difference between the beginning of the sound from the main speakers and the beginning of the effect sound from the rear speakers.
The larger the value, the later the effect sound is generated.
This adjustment can be made to all programs individually.
Notes
• Adding too much delay will cause an unnatural effect with some sources.
• When + or – is pressed, the sound is momentarily interrupted.
Program
1.
DOLBY PRO LOGIC
DOLBY DIGITAL
2.
DOLBY PRO LOGIC ENHANCED
DOLBY DIGITAL ENHANCED
3.
70 mm MOVIE THEATER
DIGITAL MOVIE THEATER
4.
MONO MOVIE
5.
TV SPORTS
6.
DISCO
7.
ROCK CONCERT
8.
CONCERT HALL
Control range (ms)
15 to 30
0 to 15
15 to 30
0 to 15
15 to 30
1 to 99
1 to 99
1 to 99
1 to 99
1 to 99
1 to 99
Preset value
20
5
20
5
20
16
49
9
40
16
44
Adjusting output level of the center, right rear and left rear speakers, and subwoofer
If desired, you can adjust the sound output level of each speaker even if the output level is already set in “SPEAKER
BALANCE ADJUSTMENT” on pages 24 to 26.
Notes
• Output level of the center speaker cannot be adjusted when the program DISCO, ROCK CONCERT or CONCERT HALL is selected, and the input signal is analog, PCM audio, or encoded with Dolby Digital in 2-channel.
• If the function “1. CNTR” in the SET MENU mode is set to the
NONE position, the sound output level of the center speaker cannot be adjusted. This is because, in this mode, the center sound is automatically output from the left and right main speakers.
• Once the output level is adjusted, the level will be the same for all digital sound field programs.
Speakers
CENTER
RIGHT SURROUND (Rear)
LEFT SURROUND (Rear)
SUBWOOFER
Control range (dB)
MIN, –20 to +10
MIN, –20 to +10
MIN, –20 to +10
MIN, –20 to 0
Preset value
0
0
0
0
Note
The values of the delay time, center/rear/subwoofer output level you set the last time will remain memorized even when this unit is in the standby mode. However, if the power cord is kept disconnected for more than one week, these values will automatically change back to the original factory settings.
42
RX-V595-4 p42 42 8/21/98, 7:19 PM
ADJUSTMENTS IN THE “SET MENU” MODE
The following ten types of functions maximize the performance of your system and expand your enjoyment for audio listening and video watching.
1.
CNTR (CENTER SPEAKER)
2.
REAR (REAR SPEAKER)
3.
MAIN (MAIN SPEAKER)
4.
BASS (LFE/BASS OUT)
5.
M.LVL (MAIN LEVEL)
6.
7.
8.
9.
LFE (LFE LEVEL)
D.RNG (DYNAMIC RANGE)
C.DELAY (CENTER DELAY)
GUARD (MEMORY GUARD)
10. INPUT (INPUT MODE)
For details on “1. CNTR”, “2. REAR”, “3. MAIN”, “4. BASS” and
“5. M.LVL”, see page 22. (Once you have selected the appropriate modes, you do not have to change settings unless any alteration is made in your speaker system.)
6. LFE [Adjusting the output level of the
LFE (low frequency effect) channel]
Control range: –20 dB to 0 dB (in 1 dB step)
Preset value: 0 dB
* This adjustment is effective only when the Dolby Digital is decoded and the signals of selected source encoded with the
Dolby Digital contain LFE signals.
Adjusts the output level of the LFE (low frequency effect) channel. If the LFE signals are mixed with signals of other channels to output them from the same speakers, the ratio of
LFE signal level to the level of other signals are adjusted.
(See page 7 for details about the LFE channel.)
7. D.RNG
(Adjusting dynamic range)
Choices: MAX/STD/MIN
Preset position: MAX
* This adjustment is effective only when the Dolby Digital is decoded.
MAX:
MIN:
“Dynamic range” is the difference between the maximum level and the minimum level of sounds.
Sounds on a movie originally designed for movie theaters feature very wide dynamic range.
Dolby Digital technology can bring the original sound track into a home audio format with this wide dynamic range unchanged.
In this position, a source encoded with the Dolby
Digital is reproduced in the original sound track’s wide dynamic range providing you with powerful sounds just like in a movie theater.
Selecting this position will be even better if you can listen to a source in a high output level in a room specially soundproofed for audio/video enjoyment.
STD (Standard):
Powerful sounds of extremely wide dynamic range are not always suitable for home use. Depending upon the condition of your listening environment, it may not be possible to increase the sound output level as high as a movie theater. However, in a level suitable for listening to in your room, the low level parts of source sound often cannot be heard so well because they will be lost among noises in your environment.
Dolby Digital technology also made it possible to reduce an original sound track’s dynamic range for a home audio format by “compressing” the data of sound.
In this position, a source encoded with the Dolby
Digital is reproduced in the “compressed” dynamic range of the source suitable for low level listening.
In this position, dynamic range is more reduced than in the STD position.
Selecting this position will be effective when you must listen to a source at lower level.
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RX-V595-5 43 3/25/99, 11:56 AM
8. C.DELAY [Adjusting the delay of center sounds (dialog etc.)]
Control range: 0 ms to 5 ms (in 1 ms step)
Preset value: 0 ms
Adjusting method
Operations should be made while watching the information on this unit’s display.
If you are using the remote control transmitter, set the
SELECTOR DIAL to the AMP/TUN or DSP position on the remote control transmitter.
* This adjustment is effective only when the Dolby Digital is decoded and the signals of selected source encoded with the
Dolby Digital contain center-channel signals.
Adjusts the delay between the main sounds (at the main channels) and dialog etc. (at the center channel).
The larger the value, the later the dialog etc. is generated.
This is for making sounds from the left main, center and right main speakers reach your listening position at the same time.
This is achieved by delaying the sound from the center speaker if the distance from the center speaker to your listening position is shorter than the distance from the left or right main speaker to your listening position.
or
Press SET MENU once or more so that the title of function which you want to change appears on the display.
Front panel Remote control or
9. GUARD
Choices: ON/OFF
Preset position: OFF
If you wish to prevent accidental alteration to SET MENU and other adjustments on this unit, select ON. The following functions on this unit can be locked by this operation.
• Functions in the SET MENU mode
• Functions in the TIME/LEVEL mode
• Functions when using TEST
10. INPUT (Selecting the initial input mode of the sources connected to the TV/DBS input terminals)
For the sources connected to the TV/DBS input terminals of this unit only, you can designate the input mode that is automatically selected when the power of this unit is switched on.
AUTO: In this position, the AUTO input mode is always selected when the power of this unit is switched on.
LAST: In this position, the input mode you selected last time is memorized and will not be changed even if the power of this unit is switched on.
* See page 29 for details about switching the input mode.
* After pressing SET MENU once on the remote control transmitter, you can also select the title by pressing .
(Pressing goes back one selection.)
Press + or – to select any desired position or edit parameters on the function.
Front panel Remote control or
Repeat these steps to change and adjust settings on any other function.
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RX-V595-5 44 3/25/99, 11:56 AM
REMOTE CONTROL TRANSMITTER
You can use this remote control transmitter to control not only this unit but also other components connected to it. This is factory set to control this unit and most YAMAHA audio components. To control other brands of components, you must preset the remote control transmitter with the manufacturer’s codes listed on pages 56 to 61.
Components which can be controlled
There are nine positions that you can select to control connected components with this remote control transmitter. When turning the
SELECTOR DIAL, the position changes as follows:
AMP/TUN:
You can perform basic operations of this unit with the
SELECTOR DIAL set to this position.
TV:
A television can be controlled.
CBL/DBS:
A cable television or
DBS tuner can be controlled.
VCR:
A VCR can be controlled.
SELECTOR
DIAL
TAPE/MD:
The code for a YAMAHA tape deck is preset.
(Be sure to preset the proper code when operating a YAMAHA
MD recorder.)
CD:
The code for a YAMAHA CD player is preset.
DSP:
This unit can be controlled and DSP programs can be selected directly.
DVD/LD & DVD MENU:
An LD player can be controlled using the DVD/LD position.
A DVD player can be controlled using the DVD/LD and DVD
MENU position. When using the YAMAHA DVD player
(DVD-1000 or DVD-S700), be sure to preset the code number
“4490”.
Notes
1.
The shaded positions in the diagram above indicate that you can preset the code for the manufacturer of your component.
Note that you can preset only one code for one position. For details, see “SETUP CODES” on page 50.
2.
The DVD/LD and DVD MENU positions
• Be sure that the SELECTOR DIAL is set to the DVD/LD position when presetting the code for a DVD or an LD player. The code that you preset to the DVD/LD position is also preset to the DVD MENU position simultaneously. You cannot preset the code for a DVD player when the SELECTOR DIAL is set to the DVD MENU position.
• DVD MENU operations cannot be performed for some DVD players.
3.
When using a second (and third) VCR (For details, see “To use a second (and third) VCR” on page 50.)
• If you are not using a CBL/DBS (cable TV or DBS tuner), the second (or third) VCR can be preset using the CBL/DBS position.
• If you are not using a DVD player, the second (or third) VCR can be preset using the DVD MENU position. Note that in this case you must preset a code for an LD player to the DVD/LD position even if an LD player is not used.
Basic Operations
1
Select the component that you want to control by turning the SELECTOR DIAL.
Note: Turn the SELECTOR DIAL until it stops with a click.
2
Press the desired operation button.
Note: Press the button with the remote control transmitter aimed at the front panel.
The component name is displayed in this window.
Indicator
The indicator will flash when the button is pressed.
45
RX-V595-6 45 3/25/99, 11:56 AM
Faintly colored buttons do not function.
■
AMP/TUN
1
Indicator window:
Displays the names of components which can be controlled.
7
8
9
(TV POWER)
■
DSP
2
3
4
5
6 q r
Note: TV POWER and TV VOLUME function if you have preset the code for your TV.
t
Indicator:
Flashes in red when the button is pressed.
SELECTOR DIAL:
Selects the component to be controlled.
y u
(TV VOLUME) p a s f
1
POWER
This button turns this unit on.
2
INPUT
Press these buttons to select the program source.
3
EXT. DEC.
Press this button when using a external decoder.
4
A/B/C/D/E
Press this button to select a group of preset stations.
5
DSP selector
Press this button. While the indicator lights up for about three seconds, select a DSP program using the number buttons (1 to
8). No DSP program can be selected after the indicator goes off.
6
PRESET (+/–)
Press these buttons to select the preset station number.
7
VOLUME ( )
Press these buttons to adjust the volume level.
8
MUTE
Press this button to mute the sound. To cancel mute, press this button once more, or press the operation buttons of this unit.
9
SLEEP
Press this button to set the SLEEP timer.
q
(LEFT)
This button is used to adjust the setting of the SET MENU mode and the TIME/LEVEL mode.
r
TIME/LEVEL
Press this button to select the item in the TIME/LEVEL mode.
t
STANDBY
Press this button to turn this unit into Standby mode.
y
TEST
Press this button to output a test tone for adjusting the output level of the speakers.
u
EFCT (EFFECT) ON/OFF
Press this button to switch the DSP program on or off.
p
(BACK)
Press this button to go back one selection in the SET MENU mode and TIME/LEVEL mode.
a
(RIGHT)
This button is used to adjust the settings of the SET MENU mode and the TIME/LEVEL mode.
s
(NEXT)
Press this button to advance one selection in the SET MENU mode and TIME/LEVEL mode.
f
SET MENU
Press this button to select functions in the SET MENU mode.
2
2
DSP program
Press these buttons to select the DSP program (1 to 8). When you select the input source, set the SELECTOR DIAL to the
AMP/TUN position.
Note: The function of all buttons other than DSP program is the same as with the AMP/TUN position.
46
RX-V595-6 46 3/25/99, 11:56 AM
Faintly colored buttons do not function. For the buttons which are not described here, see “AMP/TUN” on page 46.
For details, please refer to the instruction manual for each component.
■
TAPE/MD
1
(TV
POWER)
0 q w e
(TV
VOLUME) i o p a s d
Notes • TV POWER and TV VOLUME function if you have preset the code for your TV.
• Be sure to preset the proper code for your MD recorder.
TAPE
1
POWER
This button turns this unit on under the default settings. (The code for a YAMAHA tape deck is preset as the default code.)
If other codes are preset, only those preset tape decks having a remote controller with a POWER button will be turned on.
0
(REC/PAUSE)
Press this button to pause recording on a tape deck.
q
DIR A
Press this button to select the playing direction of DECK A.
MD
1
POWER
This button turns this unit on if you have preset the code for the YAMAHA MD recorder. If other codes are preset, only those preset MD recorders having a remote controller with a POWER button will be turned on.
0
(REC/PAUSE) w
(PLAY)
Press this button to play a tape.
q
(SKIP) w
(PLAY) e
(REWIND)
Press this button to rewind a tape.
e
(BACKWARD) o
DECK A/B
Press this button to select double cassette tape deck A or B.
i
DISPLAY p
(PAUSE) a
DIR B
Press this button to select the playing direction of DECK B.
a
(SKIP) s
(STOP)
Press this button to stop operation of a tape.
s
(STOP) d
(FAST FORWARD) d
(FAST FORWARD)
Press this button to fast forward a tape.
■
CD
1
6
(TV
POWER) q w e
RX-V595-6 47
(TV
VOLUME)
DISPLAY
(TV INPUT) p s d
Note: TV POWER, TV VOLUME and TV INPUT function if you have preset the code for your TV.
1
POWER
This button turns this unit on under the default settings. (The code for a YAMAHA CD player is preset as the default code.) If other codes are preset, only those preset CD players having a remote controller with a POWER button will be turned on.
6
DISC SKIP (+/–)
Press this button to skip to the next or previous CD.
q
, (SKIP)
Press to skip to the next track. Press to skip to the previous track.
w
(PLAY)
Press this button to play a CD.
e
(BACKWARD)
Press this button to backward the track that is playing.
p
(PAUSE)
Press this button to pause operation. This button functions as PAUSE/STOP for operating YAMAHA CD players under default settings.
s
(STOP)
Press this button to stop operation. This button functions as PAUSE/STOP for operating YAMAHA CD players under default settings.
d
(FAST FORWARD)
Press this button to fast forward the track that is playing.
47
3/25/99, 11:56 AM
Faintly colored buttons do not function. For the buttons which are not described here, see “AMP/TUN” on page 46.
For details, please refer to the instruction manual for each component.
■
DVD/LD
Note: TV POWER, TV VOLUME and TV INPUT function if you have preset the code for your TV.
POWER
(DVD) This button turns this unit on under the default settings. (The code for a YAMAHA DVD player is preset as the default code.) If other codes are preset, only those preset DVD players having a remote controller with a POWER button will be turned on.
(LD) This button turns this unit on if you have preset the code for the YAMAHA LD player. If other codes are preset, only those preset LD players having a remote controller with a POWER button will be turned on.
DISC SKIP
(TV VOLUME)
(TV POWER)
SKIP/SEARCH
PLAY
SUBTITLE (DVD)/BACKWARD (LD)
SUBTITLE ON/OFF (DVD)
DISPLAY
(TV INPUT)
PAUSE
STOP
ANGLE (DVD)/FAST FORWARD (LD)
AUDIO (DVD)
48
RX-V595-6
■
DVD MENU
POWER
(DVD) This button turns this unit on under the default settings. (The code for a YAMAHA DVD player is preset as the default code.) If other codes are preset, only those preset DVD players having a remote controller with a POWER button will be turned on.
DISC SKIP
(TV POWER)
MENU LEFT
MENU SELECT
SET UP
TITLE
48
Note: TV POWER, TV VOLUME and TV INPUT function if you have preset the code for your TV.
Numeric buttons
CLEAR
+10
(TV VOLUME)
TITLE/INDEX
(TV INPUT)
MENU UP
MENU RIGHT
MENU DOWN
RETURN
MENU
3/25/99, 11:56 AM
Faintly colored buttons do not function. For the buttons which are not described here, see “AMP/TUN” on page 46.
For details, please refer to the instruction manual for each component.
■
VCR
Note: TV POWER, TV VOLUME and TV INPUT function if you have preset the code for your TV.
■
TV
Note: You can control your VCR if you have preset the code for it.
POWER
CHANNEL
CHANNEL ENTER
CHANNEL UP DOWN
(TV POWER)
VCR REC
Press this button twice to start recording.
PLAY
REWIND
(TV VOLUME)
DISPLAY
(TV INPUT)
PAUSE
STOP
FAST FORWARD
CHANNEL
CHANNEL ENTER
CHANNEL UP DOWN
TV MUTE
TV SLEEP
(VCR REC
TV POWER
Press this button twice.
)
(VCR PLAY)
(VCR REWIND)
TV EFFECT ON/OFF
TV VOLUME
DISPLAY
TV INPUT
(VCR PAUSE)
(VCR STOP)
(VCR FAST
FORWARD)
■
CBL/DBS
Note: TV POWER, TV VOLUME and TV
INPUT function if you have preset the code for your TV.
POWER
CHANNEL
CHANNEL ENTER
CHANNEL UP DOWN
(TV POWER)
MENU LEFT
MENU SELECT
+100
(TV VOLUME)
DISPLAY
(TV INPUT)
MENU UP
MENU RIGHT
MENU DOWN
RECALL
MENU
49
RX-V595-6 49 3/25/99, 11:56 AM
50
RX-V595-6
SETUP CODES
Presetting the remote control transmitter
Perform the presetting procedure for each component you want to control with this remote control transmitter.
Note: If your component does not respond to any of the codes listed for the manufacturer, use the original remote control that came with the component.
To control your components
(MD recorder, DVD player,
TV etc.)
1.
Turn on the component to be used.
2.
Set the SELECTOR DIAL to the desired component (TAPE/MD,
DVD/LD, TV etc.).
To use a second (and third) VCR
You can use the CBL/DBS and/or DVD
MENU positions to control a second
VCR (and/or third) if a CBL (or DBS) or
DVD player is not used.
If you are using the DVD MENU position for a second (or third) VCR, you must preset a code for an LD player to the
DVD/LD position.
1.
Turn on the VCR to be used.
2.
Set the SELECTOR DIAL to the
CBL/DBS or DVD MENU position.
6.
Press POWER (or any other button) on the remote control transmitter to check if you have preset the code correctly. If the VCR cannot be controlled using the remote control transmitter, try entering another code for the same manufacturer.
3.
Press both VOLUME buttons (
) at the same time until the indicator flashes twice.
4.
Use the numeric buttons to enter the four-digit manufacturer’s code for the component to be used. Make sure that the indicator flashes twice.
If the indicator does not flash, repeat step 3 and re-enter the code.
5.
Press POWER (or any other button) on the remote control transmitter to check if you have preset the code correctly. If the component cannot be controlled using the remote control transmitter, try entering another code for the same manufacturer.
3.
Press both VOLUME buttons (
) at the same time until the indicator flashes twice.
4.
Press MUTE.
5.
Use the numeric buttons to enter the four-digit code for a second (or third)
VCR. Make sure that the indicator flashes twice. If the indicator does not flash, repeat step 3 and 4, and re-enter the code.
Returning to the default code
To return all components to the default code, follow these steps.
1.
Press both VOLUME buttons (
) at the same time until the indicator flashes twice.
2.
Enter the code number “9987”.
3.
Make sure that the indicator flashes twice.
To return each component to the default code, follow these steps.
1.
Set the SELECTOR DIAL to the component to be return to the default code.
2.
Press both VOLUME buttons (
) at the same time until the indicator flashes twice.
3.
Enter the code number “9999”.
4.
Make sure that the indicator flashes twice.
The following codes are preset as the default code.
Default codes
POSITION Component Code
TV TV 0047
CBL/DBS DBS tuner 2566
VCR VCR 3060
DVD/LD DVD player 4545 YAMAHA
CD CD player 6187 YAMAHA
TAPE/MD Tape deck 8524 YAMAHA
We recommend that you write all code numbers you have preset on the “Quick
Reference Card”.
50 3/25/99, 11:56 AM
Battery installation
NOTES ABOUT THE REMOTE
CONTROL TRANSMITTER
Remote control transmitter operation range
1
3
2
Remote control sensor
Within approximately
6 m (20 feet)
Battery replacement
If the remote control transmitter operates only when it is closed to this unit, the batteries are weak. Replace both batteries with new ones.
Be sure to replace batteries within about two minutes. If it takes longer than two minutes, the codes preset for the remote control transmitter will return to the default codes.
Notes
• Use only AA, R6, UM-3 batteries for replacement.
• Be sure the polarities are correct. (See the illustration inside the battery compartment.)
• Remove the batteries if the remote control transmitter will not be used for an extended period of time.
• If batteries leak, dispose of them immediately. Avoid touching the leaked material or letting it come in contact with clothing, etc. Clean the battery compartment thoroughly before installing new batteries.
Notes
• There should be no large obstacles between the remote control transmitter and this unit.
• If the remote control sensor is directly illuminated by strong lighting (especially an inverter type of fluorescent lamp etc.), it might cause the remote control transmitter not to work correctly. In this case, reposition this unit to avoid direct lighting.
3/25/99, 11:56 AM
51
RX-V595-6 51
52
RX-V595-7
TROUBLESHOOTING
If the unit fails to operate normally, check the following points to determine whether the fault can be corrected by the simple measures suggested. If it cannot be corrected, or if the fault is not listed in the SYMPTOM column, disconnect the power cord and contact your authorized YAMAHA dealer or service center for help.
SYMPTOM
The unit fails to turn on when
STANDBY/ON is pressed, or turns into the standby mode suddenly soon after the power is turned on.
The unit does not work normally.
No sound or no picture.
The sound suddenly goes off.
Only one side speaker outputs the sound.
A “humming” sound can be heard.
The volume level is low while playing a record.
The volume level cannot be increased, or the sound is distorted.
No sound from the rear speakers.
No sound from the center speaker.
CAUSE
Power cord is not plugged in or is not completely inserted.
The IMPEDANCE SELECTOR switch on the rear panel is not fully set to the upper or lower end.
There is an influence of strong external noise (lightning, excessive static electricity, etc.) or a misoperation while using this unit.
Incorrect output cord connections.
Appropriate input source is not selected.
SPEAKERS are not set properly.
Speaker connections are not secure.
The protection circuit has been activated because of short circuit etc.
The SLEEP timer has functioned.
Incorrect setting of BALANCE.
Incorrect cord connections.
Incorrect cord connections.
REMEDY
Firmly plug in the power cord.
Set the switch fully to the upper or lower end.
Turn this unit into the standby mode and disconnect the AC power cord from the AC outlet. After about 30 seconds have passed, connect the power and operate this unit again.
Connect the cords properly. If the problem persists, the cords may be defective.
Select an appropriate input source with
INPUT.
Set SPEAKERS corresponding to the speakers in use to the ON position.
Secure the connections.
Turning the unit into the standby mode and then on again will reset the protection circuit.
Cancel the SLEEP timer function.
Adjust it to the appropriate position.
Connect the cords properly. If the problem persists, the cords may be defective.
Firmly connect the audio plugs. If the problem persists, the cords may be defective.
Make the GND connection between the turntable and this unit.
The turntable should be connected to the unit through the MC head amplifier.
Turn the power to the component on.
No connection from the turntable to the
GND terminal.
The record is being played on a turntable with an MC cartridge.
The component connected to the REC
OUT terminals of this unit is in the standby mode.
The sound output level of the rear speakers is set to minimum.
A monaural sound source is being played in DOLBY PRO LOGIC or
DOLBY PRO LOGIC ENHANCED mode.
The sound output level of the center speaker is set to minimum.
The center channel mode is in NONE mode.
Incorrect sound field program selection.
Raise the sound output level of the rear speakers.
Select another sound field program suitable for the monaural sound source.
Raise the sound output level of the center speaker.
Select LARGE or SMALL.
Select the appropriate program.
52 3/25/99, 11:56 AM
SYMPTOM
FM stereo reception is noisy.
There is distortion and clear reception cannot be obtained even with a good FM antenna.
The desired station cannot be tuned in with the automatic tuning method.
CAUSE
Because of the characteristics of FM stereo broadcasts, this is limited to cases where the transmitter is too far away or the antenna input is poor.
There is multipath interference.
The station is too weak.
Previously preset stations can no longer be tuned in.
The desired station cannot be tuned in with the automatic tuning method.
This unit has been unplugged for a long period.
Weak signal or loose antenna connections.
There are continuous crackling and hissing noises.
Noises will result from ligtning, fluorescent lamps, motors, thermostats and other electrical equipment.
A television set is being used nearby.
There are buzzing and whining noises (especially in the evening).
The remote control transmitter does not work.
The sound is degraded when listening with headphones to a CD player or tape deck that is connected to this unit.
Direct sunlight or lighting (of an inverter type of fluorescent lamp etc.) is striking the remote control sensor of the main unit.
The manufacturer’s code is not set properly.
The proper manufacturer’s code for the component to be controlled is not set.
The component to be controlled is not selected.
This unit is in the standby mode.
REMEDY
Check the antenna connections.
Try using a high quality directional FM antenna.
Set TUNING MODE to the manual tuning mode.
Adjust antenna placement to eliminate multipath interference.
Use the manual tuning method.
Use a high quality directional FM antenna.
Repeat the presetting procedure.
Tighten the AM loop antenna connections and rotate it for best reception.
Use the manual tuning method.
Use an outdoor antenna and a ground wire. This will help somewhat but it is difficult to eliminate all noise.
Relocate this unit away from the TV.
Change the position of the main unit.
Set the code again.
Try entering another code for the same manufacturer.
Set the SELECTOR DIAL to the proper position.
Turn the power of the unit on.
RX-V595-7 53 3/25/99, 11:56 AM
53
54
RX-V595-7
SPECIFICATIONS
AUDIO SECTION
Minimum RMS Output Power
8 ohms, 20 Hz to 20 kHz, 0.04% THD
[U.S.A. and Canada models]
MAIN L/R ............................. 70W + 70W
CENTER .......................................... 70W
REAR L/R ............................ 70W + 70W
[Australia, China, Singapore and General models]
MAIN L/R ............................. 65W + 65W
CENTER .......................................... 65W
REAR L/R ............................ 65W + 65W
8 ohms, 1 kHz, 0.07% THD
[U.S.A. and Canada models]
MAIN L/R ............................. 85W + 85W
CENTER .......................................... 85W
REAR L/R ............................ 85W + 85W
[Australia, China, Singapore and General models]
MAIN L/R ............................. 80W + 80W
CENTER .......................................... 80W
REAR L/R ............................ 80W + 80W
Maximum Power
[China and General models only]
8 ohms, 1 kHz, 10% THD
MAIN L/R ............................. 105W+105W
CENTER .......................................... 105W
REAR L/R ............................ 105W+105W
Dynamic Power per Channel
(by IHF Dynamic Headroom measuring method)
MAIN L/R
[U.S.A. and Canada models]
8/6/4/2 ohms ............... 100/120/145/170W
[Australia, China, Singapore and General models]
8/6/4/2 ohms ................. 90/110/135/160W
Dynamic Headroom (8 ohms)
[U.S.A. and Canada models only]
...................................................... 1.55 dB
Power Band Width
MAIN L/R
8 ohms, 35W, 0.1% THD
......................................... 10 Hz to 50 kHz
Damping Factor (SPEAKERS A)
MAIN L/R
8 ohms, 20 Hz to 20 kHz .......... 60 or more
Input Sensitivity/Impedance
PHONO MM ................... 2.5 mV/47 k-ohms
CD/TAPE·MD/DVD·LD/TV·DBS/VCR
/VIDEO AUX .................. 150 mV/47 k-ohms
EXT. DECODER
MAIN L/R .................... 150 mV/47 k-ohms
CENTER/SURROUND L/R
/SUBWOOFER ........... 150 mV/40 k-ohms
Maximum Input Signal
PHONO MM
1 kHz, 0.1% THD ............. 100 mV or more
CD/TAPE·MD/DVD·LD/TV·DBS/VCR
/VIDEO AUX (EFFECT ON)
1 kHz, 0.5% THD .................. 2.2V or more
Output Level/Impedance
REC OUT ..................... 150 mV/1.2 k-ohms
SUBWOOFER (MAIN SPEAKER: SMALL)
........................................... 4V/1.2 k-ohms
Headphones Jack Rated Output/Impedance
CD/TAPE·MD/DVD·LD/TV·DBS/VCR
/VIDEO AUX input, 1 kHz, 150mV,
RL = 8 ohms ........................ 0.5V/390 ohms
Frequency Response (20 Hz to 20 kHz)
CD/TAPE·MD/DVD·LD/TV·DBS/VCR
/VIDEO AUX to MAIN L/R SP OUT
.................................................... 0±0.5 dB
RIAA Equalization Deviation
PHONO MM .................................. 0±0.5 dB
Total Harmonic Distortion (20 Hz to 20 kHz)
PHONO MM to REC OUT
1V ........................................... 0.02% or less
Signal-to-Noise Ratio (IHF-A Network)
PHONO MM to REC OUT
[U.S.A., Canada, China and General models]
(5 mV, Input Shorted) .......... 86 dB or more
[Australia and Singapore models]
(5mV, Input Shorted) ........... 81 dB or more
CD/TAPE·MD/DVD·LD/TV·DBS/VCR
/VIDEO AUX to SP OUT (EFFECT OFF)
(150 mV, Input Shorted) ...... 96 dB or more
Residual Noise (IHF-A Network)
MAIN L/R SP OUT ................ 150 µV or less
Channel Separation
(Vol. –30 dB, EFFECT OFF)
PHONO MM
(Input Shorted, 1 kHz/10 kHz)
.................... 60 dB or more/55 dB or more
CD/TAPE·MD/DVD·LD/TV·DBS/VCR
/VIDEO AUX
(Input 5.1 k-ohms Terminated, 1 kHz/10 kHz)
.................... 60 dB or more/45 dB or more
Tone Control Characteristics
BASS: Boost/cut ............. ±10 dB (50 Hz)
Turnover Frequency ......... 350 Hz
TREBLE: Boost/cut ........... ±10 dB (20 kHz)
Turnover Frequency ........ 3.5 kHz
Filter Characteristics
MAIN L/R, REAR L/R (SPEAKER: SMALL)
(H.P.F.) .................... fc = 90 Hz, 12 dB/oct.
SUBWOOFER
(L.P.F.) ..................... fc = 90 Hz, 18 dB/oct.
VIDEO SECTION
Video Signal Type
[U.S.A. and Canada models] .............. NTSC
[Australia and Singapore models] ......... PAL
[China and General models] ....... NTSC/PAL
Video Signal Level ................ 1 Vp-p/75 ohms
Maximum Input Level .......... 1.5 Vp-p or more
Signal-to-Noise Ratio ............... 50 dB or more
Monitor Out Frequency Response
.............................. 5 Hz to 10 MHz, –3 dB
FM SECTION
Tuning Range
[U.S.A. and Canada models]
..................................... 87.5 to 107.9 MHz
[Australia and Singapore models]
..................................... 87.5 to 108.0 MHz
[China and General models]
100 kHz step ................ 87.5 to 108.0 MHz
50 kHz step .............. 87.50 to 108.00 MHz
50 dB Quieting Sensitivity (IHF)
(100% mod., 1 kHz)
Mono ................................. 1.6 µV (15.3 dBf)
Stereo ................................ 23 µV (38.5 dBf)
54 3/25/99, 11:56 AM
Usable Sensitivity (DIN)
[Australia and Singapore models]
Mono (S/N 26 dB) ........................... 0.9 µV
Stereo (S/N 46 dB) ........................... 28 µV
Alternate Channel Selectivity (±400 kHz )
[U.S.A., Canada, China and General models only] .................................................... 75 dB
GENERAL
Power Supply
[U.S.A. and Canada models]
......................................... AC 120V, 60 Hz
[Australia model] ................. AC 240V, 50 Hz
[General model]
............... AC 110/120/220/240V, 50/60 Hz
[China model] ..................... AC 220V, 50 Hz
[Singapore model] .............. AC 230V, 50 Hz
Selectivity (two signals, 40 kHz Dev. ±300 kHz)
[Australia and Singapore models only]
......................................................... 55 dB
Signal-to-Noise Ratio
(IHF) Mono/Stereo
[U.S.A., Canada, China and General models] .................................. 81 dB/75 dB
(DIN-Weighted, 40 kHz Dev.) Mono/Stereo
[Australia and Singapore models]
............................................... 75 dB/69 dB
Power Consumption
[U.S.A. model] .................................... 280W
[Canada model] ..................... 310W/410 VA
[Australia and Singapore model] ........ 300W
[China and General models] ............... 310W
Maximum Power Consumption
5 ch, 10% THD
[General model only] .......................... 650W
Harmonic Distortion (1 kHz)
Mono/Stereo .................................. 0.1/0.2%
Stereo Separation (1 kHz) .................... 48 dB
AC Outlets
2 SWITCHED OUTLETS
[U.S.A., Canada, China, Singapore and
General models] .............. 100W max. total
1 SWITCHED OUTLET
[Australia model] ............. 100W max. total
Frequency Response
20 Hz to 15 kHz ................................. 0 ±1 dB
Anrenna Input ............. 75 ohms, Unbalanced
Dimensions (W x H x D)
.................................. 435 x 151 x 391 mm
(17-1/8” x 5-15/16” x 15-3/8”)
Output Level
[U.S.A., Canada, China and General models]
(100% mod., 1 kHz) ...................... 550 mV
[Australia and Singapore models]
(40 kHz Dev., 1 kHz)] .................... 550 mV
Weight .......................... 12.5 kg (27 lbs. 8 oz.)
Accessories ......................... AM loop antenna
Indoor FM antenna
Remote control transmitter
Batteries
Antenna adapter
(U.S.A. and Canada models only)
AM SECTION
Tuning Range
[U.S.A. and Canada models]
....................................... 530 to 1,710 kHz
[Australia and Singapore models]
....................................... 531 to 1,611 kHz
[China and General models]
10 kHz step .................... 530 to 1,710 kHz
9 kHz step ...................... 531 to 1,611 kHz
Specifications are subject to change without notice.
Usable Sensitivity ............................ 300 µV/m
Signal-to-Noise Ratio ............................ 52 dB
Antenna .................................... Loop antenna
Output Level
(30% mod., 1 kHz) ........................ 150 mV
RX-V595-7 55 3/25/99, 11:56 AM
55
TV
Manufacturer
Blaupunkt
Blue Star
Bradford
Brandt
Britannia
Brockwood
Broksonic
Bush
CCE
CS Electronics
CXC
Candle
Carnivale
Carver
Cascade
Cathay
Celebrity
Centurion
Cimline
Cineral
Citizen
A-Mark
AOC
Abex
Acura
Admiral
Adventura
Adyson
Aiko
Akai
Akura
Alaron
Alba
Ambassador
0003
0030, 0019, 0003, 0052, 0185
0032
0009
0093
0046
0032
0092
0030, 0208
0264
0179, 0216
0009, 0037
0177
Amstrad
Anam
Anam National
Anitech
Arcam
Archer
Audinac
Audiosonic
Audiovox
BPL
Basic Line
Baur
Baysonic
Belcor
Bell & Howell
Beon
0009, 0171, 0177
0180, 0004, 0009, 0068
0161
0009, 0068
0216
0003
0391
0037, 0109
0451, 0180, 0003, 0092
0282
0009
0037, 0512, 0535, 0554
0180
0019
0154, 0016
0037
Clairtone
Clarivox
Concerto
0535, 0554
0282
0180
0109
0216
0019
0236, 0463, 0003, 0426
0282, 0009, 0037
0037
0216
0180
0030, 0056, 0046, 0186
0030
0054, 0170
0009
0037
0000
0037
0009
0451, 0092
0060, 0030, 0056, 0039,
0046, 0092, 0186, 0280
0185
0037
0056
LIST OF MANUFACTURER’S CODES
Code
Contec
Craig
0180, 0009, 0185, 0216
0180, 0161
Crosley 0054
Crown 0180, 0039, 0009, 0037, 0418
Curtis Mathes 0047, 0054, 0154, 0051,
0451, 0093, 0060, 0030,
0145, 0056, 0016, 0039, 0166
Daewoo
Dansai
Dayton
0451, 0019, 0039, 0009,
0037, 0066, 0092
0037
0009
Daytron
De Graaf
Decca
Denon
Dixi
Dumont
Ectec
Electroband
Elin
Elta
Emerson
Envision
Erres
Ferguson
Fidelity
Finlandia
Finlux
Firstline
Fisher
Formenti
Frontech
Fujitsu
Funai
Futuretech
GE
GEC
Geloso
Gibralter
GoldStar
0019
0208
0037
0145
0004, 0009, 0037
0017, 0019
0391
0000, 0185
0037
0009
0154, 0236, 0463, 0180,
0282, 0178, 0019, 0179,
0039, 0177, 0185, 0280
0030
0037
0037, 0109, 0287, 0560
0216
0208
0179, 0037
0009, 0216
0154, 0159, 0208
0037
0264
0179
0180, 0179, 0171, 0264
0180
0047, 0051, 0451, 0093,
0282, 0178, 0021, 0135
0037
0009
0017, 0030, 0019
0030, 0178, 0019, 0056,
Goodmans
0001, 0002, 0032, 0037, 0109
0179, 0037
Gradiente
Granada
0053, 0056, 0170
0037, 0208, 0339, 0502
Grandin
Grundig
Grunpy
HCM
Hallmark
0282
0037, 0535, 0554
0180, 0179
0282, 0009
0178
Hanseatic
Harley Davidson
Harvard
Hinari
Hisawa
Hitachi
0037
0179
0180, 0068
0179, 0009, 0037, 0283
0282
0145, 0056, 0032,
0109, 0151, 0576
Huanyu
Hypson
ICE
ITT
Imperial
Indiana
Infinity
Inteq
Interbuy
Interfunk
Intervision
JBL
JCB
JEC
JVC
Janeil
0216
0282, 0037, 0264
0264
0283
0418
0037
0054
0017
0068
0037, 0512
0037, 0068, 0264
0054
0000
0502
0053, 0069, 0160
0046
KEC
KTV
Kaisui
Kamp
Kawasho
Kaypani
Kendo
0180
0180, 0030, 0039, 0185, 0280
0282, 0009, 0216
0216
0216
0052
0037
Kenwood
Kingsley
Kloss
Korpel
Koyoda
LG
LXI
Leyco
0030, 0019
0216
0046
0037
0009
0056
0047, 0054, 0154, 0156, 0178
0037, 0264
Liesenk & Tter
Lloytron
Loewe
Logik
Luxman
M Electronic
MEI
MGA
MTC
0037
0032
0512
0016, 0001
0056
0009, 0037, 0068,
0109, 0287
0185
0150, 0030, 0178, 0019
0060, 0030, 0019, 0056,
0185, 0216, 0512
0054, 0030, 0179, Magnavox
Majestic
Manesth
Marantz
0186, 0187
0016
0264
0054, 0030, 0037
Mark 0037
Matsui 0009, 0035, 0037, 0177, 0208
Matsushita
Mediator
Megatron
Memorex
Metz
Midland
0250
0037
0178, 0145, 0003
0154, 0250, 0150, 0178,
0056, 0016, 0009
0535
0047, 0017, 0051,
Minerva
Minutz
0039, 0032, 0135
0535, 0554
0021
56
RX-V595-CODE 56 3/25/99, 11:56 AM
Mitsubishi
Mivar
Motorola
Multitech
NAD
NEC
NEI
0093, 0150, 0178,
0019, 0512, 0535
0216
0093
0180, 0009, 0216
0156, 0178, 0166
0030, 0019, 0056, 0170
0037
NTC
Neckermann
Nesco
Nikkai
0092
0037, 0554
0179
0032, 0035, 0037, 0216, 0264
Nikko
Nisato
Nordmende
Noshi
0030, 0178, 0092
0391
0109, 0287, 0560
0018
Onwa
Optimus
Optonica
Orion
0180
0154, 0250, 0166
0093, 0165
0236, 0463, 0179, 0037, 0177
Osaki
Osume
0032, 0264
0032
Otto Versand 0037, 0512, 0535, 0554
Palladium 0418
Panama
Panasonic
Pathe Cinema
Pausa
0264
0051, 0250, 0226
0216
0009
Penney 0047, 0156, 0051, 0060, 0030,
0178, 0021, 0019, 0018, 0056,
Phase
0039, 0002, 0003,
0032, 0135, 0149
0032
Philco
Philips
Phonola
Pilot
Pioneer
Portland
Prism
0054, 0463, 0030, 0145, 0019
0054, 0037, 0554
0037
0030, 0019, 0039
0109, 0166, 0287
0019, 0039, 0092
0051
Profex
Proscan
Protech
Proton
Pulsar
0009
0047
0009, 0037, 0264, 0418
0178, 0003, 0052
0017, 0019
Quasar 0051, 0250, 0165
Quelle 0037, 0252, 0512, 0535, 0554
R-Line 0037
RCA 0047, 0051, 0093, 0019,
0018, 0090, 0135
Radio Shack 0047, 0154, 0165, 0180,
0030, 0178, 0019, 0056,
Radiola
Realistic
Revox
0039, 0032
0037
0154, 0165, 0180, 0030,
0178, 0019, 0056, 0039, 0032
0037
Rex
Rhapsody
Roadstar
Runco
SBR
0264
0185, 0216
0009, 0264, 0418
0017, 0030
0037
Shogun
Siemens
Signature
Simpson
Sinudyne
Solavox
Sonitron
Sonoko
Sonolor
Sontec
Sony
Soundesign
Soundwave
Spectricon
Squareview
Standard
SEG
SEI
SSS
Saba
Saisho
Sampo
Samsung
Samsux
Sandra
Sansei
Sansui
Sanyo
Schneider
Scimitsu
0264
0177
0180, 0019
0109, 0287
0009, 0177, 0264
0030, 0039, 0032, 0052
0060, 0030, 0178, 0019,
0056, 0039, 0009, 0032,
0037, 0090, 0264, 0427
0039
0216
0451
0463
0154, 0159, 0208, 0339
0037
0019
Scotch
Scott
0178
0236, 0180, 0178, 0019, 0179
Sears 0047, 0054, 0154, 0156, 0178,
0179, 0056, 0149, 0159, 0171
Semivox
Semp
Sentra
Sharp
0180
0156
0035, 0283
0093, 0165, 0039
0019
0037, 0535, 0554
0016
0186, 0187
0177
0032
0208
0009, 0037
0208
0037
0000, 0080
0180, 0178, 0179, 0186
0037, 0418
0003
0171
0009
Starlite
Supra
Supre-Macy
Supreme
Sylvania
Symphonic
Sysline
TMK
Tandy
Tatung
Technics
Technol Ace
Techwood
Teknika
Telefunken
Teletech
Teleton
Texet
Thomson
Thorn
0180
0056
0046
0000
0054, 0030
0171
0037
0178, 0056, 0177
0093
0003, 0037
0051, 0250
0179
0051, 0056, 0003
0054, 0180, 0150, 0060,
0019, 0179, 0056, 0016,
0039, 0092, 0186
0056, 0109, 0252
0009
0186
0216
0109, 0287
0035, 0037, 0512, 0535
Tomashi
Toshiba
Tosonic
Totevision
Triumph
Ultra
Universum
0282
0154, 0156, 0060,
0035, 0149, 0502
0185
0039
0177
0391
0037, 0264, 0535
Vector Research
Vestel
Victor
Vidikron
0030
0037
0053
0054
Vidtech
Viking
0178, 0019
0046
Wards 0054, 0165, 0030, 0178, 0021,
0019, 0179, 0056, 0016, 0080
Watson
White Westinghouse
Yamaha
Yoko
Zenith
Zonda
0037
0037, 0216
0030, 0019
0037, 0264
0017, 0016, 0092
0003
CABLE
Manufacturer Code
ABC
Allegro
Archer
BBT
Belcor
British Telecom
Cable Star
Citizen
Colour Voice
Comtronics
Contec
Emerson
Everquest
Focus
GC Electronics
Gemini
1003, 1008, 1014, 1011
1315
1797
1267
1056
1003
1056
1315
1031
1040
1019
1797
1015, 1040
1400
1056
1015
General Instrument
GoldStar
Goodmind
Hamlin
1476, 1011
1144, 1040
1797
1020, 1259, 1009, 1034
Hitachi
Jasco
Jerrold
1011
1315
1003, 1012, 1476, 1014,
1015, 1011, 1024
MNet
Magnavox
Memorex
Movie Time
NSC
Novaplex
Oak
Optimus
PVP Stereo Visual Matrix
1019
1027
1000
1063
1063
1618
1019
1021
1003
57
RX-V595-CODE 57 3/25/99, 11:57 AM
DBS TUNER
Manufacturer
AST
Audio Ton
Avalon
Chaparral
Connexions
DNT
Echostar
Elta
Expressvu
Fuba
Galaxis
Galaxisat
General Instrument
Huth
JSR
JVC
Jerrold
Lemon
NEC
Signal
Signature
Sprucer
StarSight
Starcom
Stargate
Starquest
TV86
TeleCaption
Teleview
Timeless
Tocom
Toshiba
Tusa
United Cable
Universal
Viewstar
Zenith
Zentek
Panasonic
Paragon
Philips
Pioneer
Popular Mechanics
Prelude
Pulsar
RCA
Radio Shack
Recoton
Regal
Rembrandt
Runco
SL Marx
Samsung
Scientific Atlanta
1000, 1107, 1021
1000
1027, 1031
1144, 1533
1400
1770
1000
1021
1015, 1315
1400
1020, 1259
1011
1000
1040
1144, 1040
1008, 1477
1015, 1040
1011
1021
1422
1003, 1015
1015, 1040, 1770, 1797
1015
1063
1221
1040
1418
1012
1000
1015
1003
1056, 1191
1063, 1027
1000, 1054, 1525
1400
Code
2321
2364
2396
2053, 2209
2396
2396
2396
2364
2775
2396
2364
2321
2361
2364
2364
2775
2361
2692
2507
Neusat
Next-Wave
Primestar
Radix
SAT
SatPartner
Seemann
Triad
Wisi
Zehnder
(DSS)
AlphaStar
Echostar
General Instrument
HTS
Hitachi
Hughes Network System
Jerrold
Magnavox
Memorex
Panasonic
Philips
Primestar
RCA
Sony
Star Choice
Toshiba
Uniden
2692
2732
2361
2396
2321
2692
2396
2321
2321, 2396
2321
VCR
Manufacturer Code
ASA
Admiral
Adventura
Aiko
Aiwa
Akai
Akiba
Akura
3037, 3081
3048
3000
3278
3037, 3000
3041, 3061, 3281, 3288
3072
3271
Alba 3209, 3072, 3278, 3020, 3295
Ambassador 3020
American High
Amstrad
3035
3000, 3278
Anitech
Asha
Asuka
Audiovox
3072
3240
3037
3037
Baird
Basic Line
Beaumark
Bell & Howell
Blaupunkt
Brandt
Brandt Electronic
3000, 3104, 3041
3072, 3278, 3020
3240
3104
3162, 3034, 3195,
3226, 3227
3187, 3320
3041
2724
2701
2724
2627
2566
2639
2869
2790
2724
2772
2775
2869
2775
2819
2749
2627
2724
Broksonic
Bush
CCE
CGE
Calix
Canon
Capehart
Carver
Catron
Cimline
Cineral
Citizen
Clatronic
Colt
Condor
3184, 3121, 3209, 3002,
3295, 3361, 3479
3209, 3072, 3278
3072, 3278
3000
3037
3035
3020
3081
3020
3072
3278
3037, 3278
3020
3072
3020
Craig
Crown
3037, 3047, 3240, 3072, 3271
3072, 3278, 3020
Curtis Mathes 3060, 3035, 3041, 3162
Cybernex 3240
Cyrus
Daewoo
Dansai
Daytron
3081
3045, 3278, 3020
3072
3020
De Graaf
Decca
Denon
Dual
Dumont
Dynatech
ESC
Elbe
Elcatech
3042, 3166
3081, 3000
3042
3041
3081, 3000, 3104
3000
3240, 3278
3038
3072
Electrohome
Electrophonic
Emerex
Emerson
3037
3037
3032
3037, 3184, 3000, 3121,
3043, 3209, 3002, 3278,
3036, 3061, 3068, 3208,
3212, 3295, 3361, 3479
Ferguson
Fidelity
Finlandia
Finlux
3041, 3320
3000
3081, 3104
3081, 3000, 3042, 3104
Firstline 3037, 3045, 3043, 3209, 3072
Fisher 3047, 3104, 3046, 3054, 3066
Frontech 3020
Fuji 3035, 3033
Funai
GE
GEC
Garrard
General
GoldHand
GoldStar
Goodmans
3000
3060, 3035, 3048, 3240, 3202
3081
3000
3020
3072
3037, 3038, 3225, 3471
3037, 3000, 3072, 3278,
3062, 3020
Gradiente
Graetz
Granada
Grandin
Grundig
3000, 3008
3240, 3104, 3041
3081, 3104, 3046
3037, 3000, 3072
3081, 3072, 3195, 3226
58
RX-V595-CODE 58 3/25/99, 11:57 AM
HCM
HI-Q
Hanseatic
Harley Davidson
Harman/Kardon
3072
3047
3037
3000
3038
3072, 3068
3046
Harwood
Headquarter
Hinari
Hitachi
Hypson
ITT
ITV
Imperial
3240, 3072, 3208
3240, 3000, 3042,
3041, 3166, 3235
3072
3240, 3104, 3041, 3046, 3384
3037, 3278
3000
Interfunk
JVC
Jensen
KEC
KLH
Kaisui
Kendo
Kenwood
3081
3067, 3041, 3008, 3384
3041
3037, 3278
3072
3072
3209
3067, 3041, 3038, 3384
Kodak
Korpel
LXI
Lenco
Leyco
LIoyd’s
Loewe
Logik
3035, 3037
3072
3037
3278
3072
3000, 3208
3037, 3081
3240, 3072
Luxor 3048, 3104, 3043, 3062, 3046
M Electronic 3000
MEI
MGA
MGN Technology
3035
3240, 3043, 3061
3240
MTC
Magnasonic
Magnavox
3240, 3000
3278
3035, 3039, 3081, 3000
Magnin
Manesth
Marantz
Marta
Matsui
Matsushita
Memorex
3240
3045, 3072
3035, 3081, 3062, 3295
3037
3209, 3036, 3208, 3295
3035, 3162
3035, 3037, 3048, 3039,
3047, 3240, 3000, 3104,
3162, 3046
3072 Memphis
Metz
Minerva
Minolta
Mitsubishi
3162, 3195, 3227
3195
3042
3048, 3081, 3067, 3043,
3061, 3173, 3196
3035, 3048
3000, 3072
Motorola
Multitech
Murphy
NEC
Nikko
3000
3104, 3067, 3041, 3038, 3040
Neckermann
Nesco
3081
3072
3037
Nikon
Noblex
3034
3240
Nokia
Nordmende
Oceanic
Olympus
Optimus
Optonica
Orion
Osaki
Otto Versand
Palladium
Panasonic
3240, 3104, 3041, 3046
3041, 3320, 3384
3000, 3041
3035, 3226
3037, 3048, 3104, 3162
3062
3184, 3121, 3209, 3002,
3036, 3208, 3295, 3479
3037, 3000, 3072
3081
3037, 3041, 3072
3035, 3162, 3225,
3226, 3227
Pathe Cinema
Pathe Marconi
Penney
Pentax
Perdio
Philco
Philips
Phonola
Pilot
Pioneer
Portland
Profitronic
Proline
Proscan
Protec
Pulsar
Pye
Quarter
Quartz
Quasar
Quelle
RCA
3036
3041
3035, 3037, 3240, 3042,
3038, 3040, 3054
3042
3000
3035, 3209, 3038, 3479
3035, 3081, 3062, 3384
3081
3037
3081, 3067, 3162, 3235
3020
3240
3000
3060, 3202
3072
3039
3081
3046
3046
3035, 3162
3081
3060, 3035, 3048,
3240, 3042, 3202
Radio Shack
Radiola
Radix
Randex
Realistic
Rex
Ricoh
Roadstar
3037, 3000
3081
3037
3037
3035, 3037, 3048, 3047,
3000, 3104, 3062, 3046, 3066
3041, 3384
3034
3037, 3240, 3072, 3278
Runco
SBR
SEG
SEI
STS
Saba
Saisho
Salora
3039
3081
3240
3081
3042
3041, 3320, 3384
3209, 3036, 3208
3043, 3046
Samsung
Sanky
3240, 3045
3048, 3039
Sansui 3000, 3067, 3041, 3271, 3479
Sanyo 3047, 3240, 3104, 3046
Schaub Lorenz 3000, 3104, 3041
Schneider
Scott
3081, 3000, 3072
3184, 3045, 3121, 3043, 3212
Sears 3035, 3037, 3047, 3000, 3042,
3104, 3046, 3054, 3066
Seleco
Semp
Sentra
Sharp
3041
3045
3020
3048, 3062
Shintom
Shogun
3104, 3072
3240
Siemens 3037, 3081, 3104, 3054, 3195
Silva 3037
Singer
Sinudyne
Solavox
Sonolor
3045, 3072
3081
3020
3046
Sontec
Sony
Sunstar
Suntronic
3037
3035, 3032, 3000, 3033, 3034
3000
3000
Sylvania
Symphonic
TMK
Tashiko
Tatung
Teac
Tec
Technics
Teknika
Teleavia
Telefunken
Tenosal
Tensai
Thomas
Thomson
Thorn
Toshiba
3035, 3081, 3000, 3043
3000
3240, 3036, 3208
3000
3081, 3000, 3041
3000, 3041
3020
3035, 3162, 3226
3035, 3037, 3000
3041
3041, 3187, 3320, 3384
3072
3000
3000
3041, 3320, 3384
3104, 3041, 3036
3081, 3045, 3043, 3041,
Totevision
Triumph
Uher
Unitech
Universum
3066, 3212, 3366, 3384
3037, 3240
3208
3240
3240
3037, 3081, 3240,
3000, 3195
Vector
Vector Research
Video Concepts
Videosonic
Wards
3045
3038, 3040
3045, 3040, 3061
3240
3060, 3035, 3048, 3047,
3081, 3240, 3000, 3042,
3072, 3062, 3212
White Westinghouse 3278
XR-1000
Yamaha
Yamishi
Yokan
Yoko
Zenith
3035, 3000, 3072
3038
3072
3072
3240, 3020
3039, 3000, 3033, 3034
59
RX-V595-CODE 59 3/25/99, 11:57 AM
LD PLAYER
Manufacturer
Aiwa
Carver
Denon
Disco Vision
Funai
Hitachi
Magnavox
Marantz
Mitsubishi
NAD
Panasonic
Philips
Pioneer
Quasar
Realistic
Salora
Samsung
Sega
Sony
Technics
Telefunken
Theta Digital
Yamaha
DVD PLAYER
Manufacturer
JVC
Kenwood
Magnavox
Mitsubishi
Onkyo
Panasonic
Philips
Pioneer
Proscan
RCA
Sony
Technics
Toshiba
Yamaha
Zenith
Code
5203
5064, 5194, 5323
5059, 5172
5023
5203
5023
5194, 5217
5064, 5194
5059
5059
5204
5064, 5194
5059, 5023
5204
5203
5064
5323
5023
5193, 5201
5204
5059
5194
5217
Code
4558
4534
4503
4521
4503
4490
4503, 4539
4525
4522
4522
4533
4490
4503
4490, 4545
4503
CD PLAYER
Manufacturer Code
Hitachi
JVC
Kenwood
Kodak
Krell
Kyocera
LXI
Linn
Luxman
MCS
MTC
Magnavox
Marantz
Matsui
Mclntosh
Memorex
ADC
Acoustic Research
Adcom
Aiwa
Akai
Arcam
Audio Pro
Audio Research
Audio-Technica
Audio Ton
Audiolab
Audiomeca
BSR
Bestar
Burmester
Bush
6018
6420
6155
6157, 6012, 6124
6156
6157
6437
6157
6170
6157
6157
6157
6245
6164
6420
6245
California Audio Lab
Carver
Condor
Crown
Cyrus
DAK
DKK
Denon
6029
6157, 6179, 6437
6164
6122
6157
6245
6000
6003, 6034
Elektra
Emerson
6393, 6437
6305, 6155, 6164
Fisher 6179, 6048, 6088, 6342
Garrard 6420, 6393, 6245, 6280, 6425
Genexxa
Goodmans
Grundig
Harman/Kardon
6032, 6305, 6164, 6426
6305, 6245, 6280
6157
6426
Meridian
Micromega
6032, 6155
6072
6028, 6037, 6190, 6048
6287
6157
6018
6305
6157
6093
6029, 6043
6420
6157, 6305
6029, 6157, 6180
6157
6287
6032, 6305, 6155,
6164, 6180
6157
6157
Roadstar
Rotel
Royal
SAE
STS
Sansui
Sanyo
Scott
Sears
Sharp
Sherwood
Shure
Sony
Soundesign
Tascam
Teac
Mission
Mitsubishi
NAD
NEC
NSM
Nagaoka
Naim
Nakamichi
Nikko
Onkyo
Optimus
6164, 6170
6101
6000, 6032, 6179, 6305,
6037, 6420, 6048, 6145,
Panasonic
Parasound
Philips
Pioneer
Poppy
Proton
QED
Quad
Quasar
RCA
6468, 6087, 6280, 6342,
6426, 6437
6029, 6303
6420
6157, 6287
6032, 6305, 6468, 6244
6164
6157
6157
6157
6029
6179, 6305, 6053, 6155
Realistic 6179, 6420, 6155, 6164, 6180
Revox 6157
6157
6156
6000
6043
6157
6018
6157
6147
6461
6157, 6420
6420
6157
6018
6157, 6305, 6202
6179, 6048, 6087, 6342
6305, 6155, 6164
6305
6037, 6180, 6261
6114, 6180, 6426
6043
6000, 6185
6145, 6425
6420
6420, 6393, 6180
Technics
Universum
Victor
Wards
6029, 6303
6157, 6437
6072
6157, 6053
Yamaha 6036, 6187, 6261, 6082, 6712
Yorx 6461
MD RECORDER
Manufacturer
Kenwood
Sony
Yamaha
Code
7826
7490
7888
60
RX-V595-CODE 60 3/25/99, 11:57 AM
TAPE DECK
Manufacturer Code
ADC
Aiwa
Akai
Arcam
Carver
Denon
Fisher
Garrard
8171
8029, 8197
8283
8076
8029
8076
8074
8308, 8309, 8375
GoldStar
Grundig
JVC
Kenwood
8375
8029, 8375
8244, 8274, 8303, 8304, 8310
8071, 8092, 8233, 8234
Kyocera
Magnavox
Marantz
Memorex
Mitsubishi
Onkyo
Optimus
Panasonic
Philips
Phonotrend
Pioneer
Revox
Sansui
Sanyo
Sharp
Sherwood
Sonic
Sony
Teac
Technics
Universum
Victor
Wards
Yamaha
8171
8029
8029, 8009
8099
8283
8136, 8282
8027, 8220, 8337
8229
8029
8337
8027, 8220, 8099
8029, 8190
8029, 8009
8074
8231
8337
8375
8243, 8170, 8291
8280, 8289, 8308, 8309
8229
8375
8274
8027
8097, 8094, 8478, 8524
RX-V595-CODE 61 3/25/99, 11:57 AM
61
YAMAHA ELECTRONICS CORPORATION, USA 6660 ORANGETHORPE AVE., BUENA PARK, CALIF. 90620, U.S.A.
YAMAHA CANADA MUSIC LTD. 135 MILNER AVE., SCARBOROUGH, ONTARIO M1S 3R1, CANADA
YAMAHA ELECTRONIK EUROPA G.m.b.H. SIEMENSSTR. 22-34, 25462 RELLINGEN BEI HAMBURG, F.R. OF GERMANY
YAMAHA ELECTRONIQUE FRANCE S.A. RUE AMBROISE CROIZAT BP70 CROISSY-BEAUBOURG 77312 MARNE-LA-VALLEE CEDEX02, FRANCE
YAMAHA ELECTRONICS (UK) LTD. YAMAHA HOUSE, 200 RICKMANSWORTH ROAD WATFORD, HERTS WD1 7JS, ENGLAND
YAMAHA SCANDINAVIA A.B. J A WETTERGRENS GATA 1, BOX 30053, 400 43 VÄSTRA FRÖLUNDA, SWEDEN
YAMAHA MUSIC AUSTRALIA PTY, LTD. 17-33 MARKET ST., SOUTH MELBOURNE, 3205 VIC., AUSTRALIA
RX-V595-cv4 1 3/25/99, 11:57 AM
Printed in Malaysia ID V300850
Quick Reference Card
AMP/TUN
POWER STANDBY
INPUT
EXT. DEC.
A/B/C/D/E
DSP selector
PRESET
UP DOWN
VOLUME
MUTE
SLEEP
(TV POWER)
TIME/LEVEL
POWER
SELECTOR
DIAL
INPUT
TEST
EFFECT
ON/OFF
(TV VOLUME)
(TV POWER)
SET MENU
REC/PAUSE
DIR A (TAPE)
SKIP (MD)
PLAY
REWIND (TAPE)
BACKWARD (MD)
TAPE/MD
POWER
INPUT
DISC SKIP
(TV VOLUME)
DISPLAY (MD)
DECK A/B (TAPE)
PAUSE (MD)
DIR B (TAPE)
SKIP (MD)
STOP
FAST
FORWARD
(TV POWER)
SKIP
PLAY
BACKWARD
CD
POWER
INPUT
DISC SKIP
(TV VOLUME)
DISPLAY
(TV INPUT)
PAUSE
STOP
FAST
FORWARD
(TV POWER)
SKIP/SEARCH
PLAY
SUBTITLE (DVD)
BACKWARD (LD)
SUBTITLE
ON/OFF (DVD)
DVD/LD
(TV VOLUME)
DISPLAY
(TV INPUT)
PAUSE
STOP
ANGLE (DVD)
FAST
FORWARD (LD)
AUDIO (DVD)
DSP
DSP program
V296050
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Table of contents
- 2 SAFETY INSTRUCTIONS
- 5 FEATURES
- 5 CONTENTS
- 6 CAUTION
- 7 FEATURES ON SOUND EFFECT
- 9 CONTROLS AND THEIR FUNCTIONS
- 12 SPEAKER SETUP
- 14 CONNECTIONS
- 22 ADJUSTMENTS BEFORE USING THIS UNIT
- 27 BASIC OPERATIONS
- 31 TUNING OPERATIONS
- 36 SETTING THE SLEEP TIMER
- 37 USING DIGITAL SOUND FIELD PROCESSOR ( DSP )
- 43 ADJUSTMENTS IN THE “SET MENU” MODE
- 45 REMOTE CONTROL TRANSMITTER
- 50 SETUP CODES
- 51 NOTES ABOUT THE REMOTE CONTROL TRANSMITTER
- 52 TROUBLESHOOTING
- 54 SPECIFICATIONS
- 56 LIST OF MANUFACTURER’S CODES