Yamaha RX-V595a Owner`s manual

Add to my manuals
63 Pages

advertisement

Yamaha RX-V595a Owner`s manual | Manualzz

RX-V595

Natural Sound AV Receiver

U

RX-V595-cv1 1 3/25/99, 11:54 AM

OWNER’S MANUAL

2

RX-V595-1

SAFETY INSTRUCTIONS

CAUTION

RISK OF ELECTRIC SHOCK

DO NOT OPEN

CAUTION: TO REDUCE THE RISK OF

ELECTRIC SHOCK, DO NOT REMOVE

COVER (OR BACK). NO USER-SERVICEABLE

PARTS INSIDE. REFER SERVICING TO

QUALIFIED SERVICE PERSONNEL.

• Explanation of Graphical Symbols

The lightning flash with arrowhead symbol, within an equilateral triangle, is intended to alert you to the presence of uninsulated “dangerous voltage” within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons.

The exclamation point within an equilateral triangle is intended to alert you to the presence of important operating and maintenance

(servicing) instructions in the literature accompanying the appliance.

WARNING

TO REDUCE THE RISK OF FIRE OR

ELECTRIC SHOCK, DO NOT EXPOSE THIS

UNIT TO RAIN OR MOISTURE.

1 Read Instructions – All the safety and operating instructions should be read before the unit is operated.

2 Retain Instructions – The safety and operating instructions should be retained for future reference.

3 Heed Warnings – All warnings on the unit and in the operating instructions should be adhered to.

4 Follow Instructions – All operating and other instructions should be followed.

5 Water and Moisture – The unit should not be used near water – for example, near a bathtub, washbowl, kitchen sink, laundry tub, in a wet basement, or near a swimming pool, etc.

6 Carts and Stands – The unit should be used only with a cart or stand that is recommended by the manufacturer.

6A A unit and cart combination should be moved with care. Quick stops, excessive force, and uneven surfaces may cause the unit and cart combination to overturn.

7 Wall or Ceiling Mounting – The unit should be mounted to a wall or ceiling only as recommended by the manufacturer.

8 Ventilation – The unit should be situated so that its location or position does not interfere with its proper ventilation. For example, the unit should not be situated on a bed, sofa, rug, or similar surface, that may block the ventilation openings; or placed in a built-in installation, such as a bookcase or cabinet that may impede the flow of air through the ventilation openings.

9 Heat – The unit should be situated away from heat sources such as radiators, stoves, or other appliances that produce heat.

10 Power Sources – The unit should be connected to a power supply only of the type described in the operating instructions or as marked on the unit.

11 Power-Cord Protection – Power-supply cords should be routed so that they are not likely to be walked on or pinched by items placed upon or against them, paying particular attention to cords at plugs, convenience receptacles, and the point where they exit from the unit.

12 Cleaning – The unit should be cleaned only as recommended by the manufacturer.

13 Nonuse Periods – The power cord of the unit should be unplugged from the outlet when left unused for a long period of time.

14 Object and Liquid Entry – Care should be taken so that objects do not fall into and liquids are not spilled into the inside of the unit.

15 Damage Requiring Service – The unit should be serviced by qualified service personnel when:

A. The power-supply cord or the plug has been damaged; or

B. Objects have fallen, or liquid has been spilled into the unit; or

C. The unit has been exposed to rain; or

D. The unit does not appear to operate normally or exhibits a marked change in performance; or

E. The unit has been dropped, or the cabinet damaged.

16 Servicing – The user should not attempt to service the unit beyond those means described in the operating instructions. All other servicing should be referred to qualified service personnel.

17 Power Lines – An outdoor antenna should be located away from power lines.

18 Grounding or Polarization – Precautions should be taken so that the grounding or polarization is not defeated.

2 3/25/99, 11:54 AM

19 For US customers only:

Outdoor Antenna Grounding – If an outside antenna is connected to this unit, be sure the antenna system is grounded so as to provide some protection against voltage surges and built-up static charges. Article 810 of the

National Electrical Code, ANSI/NFPA 70, provides information with regard to proper grounding of the mast and supporting structure, grounding of the lead-in wire to an antenna discharge unit, size of grounding conductors, location of antenna discharge unit, connection to grounding electrodes, and requirements for the grounding electrode.

Note to CATV system installer:

This reminder is provided to call the CATV system installer’s attention to Article 820-40 of the NEC that provides guidelines for proper grounding and, in particular, specifies that the cable ground shall be connected to the grounding system of the building, as close to the point of cable entry as practical.

EXAMPLE OF ANTENNA GROUNDING

MAST

GROUND

CLAMP

ANTENNA

LEAD IN

WIRE

ELECTRIC

SERVICE

EQUIPMENT

NEC – NATIONAL ELECTRICAL CODE

ANTENNA

DISCHARGE UNIT

(NEC SECTION 810–20)

GROUNDING CONDUCTORS

(NEC SECTION 810–21)

GROUND CLAMPS

POWER SERVICE GROUNDING

ELECTRODE SYSTEM

(NEC ART 250. PART H)

FCC INFORMATION (for US customers only)

1. IMPORTANT NOTICE : DO NOT MODIFY THIS UNIT!

This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by

Yamaha may void your authority, granted by the FCC, to use the product.

2. IMPORTANT : When connecting this product to accessories and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA.

3. NOTE : This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class “B” digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices.

This equipment generates/uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may cause interference harmful to the operation of other electronic devices.

Compliance with FCC regulations does not guarantee that interference will not occur in all installations. If this product is found to be the source of interference, which can be determined by turning the unit “OFF” and “ON”, please try to eliminate the problem by using one of the following measures:

Relocate either this product or the device that is being affected by the interference.

Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line filter/s.

In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to coaxial type cable.

If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha

Electronics Corp., U.S.A. 6660 Orangethorpe Ave,

Buena Park, CA 90620.

The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries.

We Want You Listening For A Lifetime

YAMAHA and the Electronic Industries Association’s Consumer

Electronics Group want you to get the most out of your equipment by playing it at a safe level. One that lets the sound come through loud and clear without annoying blaring or distortion – and, most importantly, without affecting your sensitive hearing.

Since hearing damage from loud sounds is often undetectable until it is too late, YAMAHA and the

Electronic Industries Association’s Consumer

Electronics Group recommend you to avoid prolonged exposure from excessive volume levels.

3

RX-V595-1 3 3/25/99, 11:54 AM

SUPPLIED ACCESSORIES

• Indoor FM Antenna

• After unpacking, check that the following parts are included.

• Remote control transmitter

• AM Loop Antenna

• Antenna adapter

(U.S.A. and Canada models only)

• Batteries (size AA, R6, UM-3)

4

RX-V595-1 4 3/25/99, 11:54 AM

FEATURES

5 Speaker Configuration

Main: 70W + 70W (8

) RMS Output

Power, 0.04% THD, 20 Hz – 20 kHz

Center: 70W (8

) RMS Output

Power, 0.04% THD, 20 Hz – 20 kHz

Rear: 70W + 70W (8

) RMS Output

Power, 0.04% THD, 20 Hz – 20 kHz

Digital Sound Field Processor

Dolby Digital Decoder

Dolby Pro Logic Surround Decoder

CINEMA DSP: Theater-like Sound

Experience by the Combination of Dolby

Surround and YAMAHA DSP Technology

6-Channel External Decoder Input for DTS and other future formats

Automatic Input Balance Control for

Dolby Pro Logic Surround

Test Tone Generator for Easier Speaker

Balance Adjustment

Speaker Output Mode Changing

Capability

40-Station Random Access Preset Tuning

Automatic Preset Tuning

Preset Station Shifting Capability

(Preset Editing)

Video Signal Input/Output Capability

SLEEP Timer

Universal Remote Control

Transmitter with Preset Manufacturer

Codes

CONTENTS

SUPPLIED ACCESSORIES ........................................... 4

FEATURES .................................................................... 5

CAUTION ....................................................................... 6

Introduction

FEATURES ON SOUND EFFECT ................................. 7

CONTROLS AND THEIR FUNCTIONS ......................... 9

Preparation

SPEAKER SETUP ....................................................... 12

CONNECTIONS ........................................................... 14

ADJUSTMENTS

BEFORE USING THIS UNIT .................................. 22

Basic Oparation

BASIC OPERATIONS .................................................. 27

TUNING OPERATIONS ............................................... 31

SETTING THE SLEEP TIMER ..................................... 36

Information about DSP

USING DIGITAL SOUND FIELD

PROCESSOR (DSP) .............................................. 37

Advanced Information

ADJUSTMENTS

IN THE “SET MENU” MODE ................................... 43

Remote Control Transmitter

REMOTE CONTROL TRANSMITTER ......................... 45

SETUP CODES ........................................................... 50

NOTES ABOUT THE REMOTE CONTROL

TRANSMITTER ...................................................... 51

TROUBLESHOOTING ................................................. 52

SPECIFICATIONS ....................................................... 54

LIST OF MANUFACTURER’S CODES ........................ 56

5

RX-V595-1 p5 5 8/21/98, 7:31 PM

6

CAUTION : READ THIS BEFORE OPERATING YOUR UNIT.

1.

To assure the finest performance, please read this manual carefully. Keep it in a safe place for future reference.

2.

Install this unit in a cool, dry, clean place – away from windows, heat sources, sources of excessive vibration, dust, moisture and cold. Avoid sources of humming

(transformers, motors). To prevent fire or electrical shock, do not expose the unit to rain or water.

3.

Never open the cabinet. If something drops into the set, contact your dealer.

4.

Do not use force on switches, controls or connection wires.

When moving the unit, first disconnect the power plug and the wires connected to other equipment. Never pull the wires themselves.

5.

The openings on the unit cover assure proper ventilation of the unit. If these openings are obstructed, the temperature inside the unit will rise rapidly. Therefore, avoid placing objects against these openings, and install the unit in a well-ventilated area to prevent fire and damage.

<Singapore model only>

Be sure to allow a space of at least 20 cm behind, 20 cm on the both sides and 30 cm above the top panel of the unit to prevent fire and damage.

6.

The voltage used must be the same as that specified on this unit. Using this unit with a higher voltage than specified is dangerous and may result in fire or other accidents.

YAMAHA will not be held responsible for any damage resulting from use of this unit with a voltage other than specified.

7.

Digital signals generated by this unit may interfere with other equipment such as tuners, receivers or TVs. Move this unit farther away from such equipment if interference is observed.

8.

Always set the VOLUME control to “

” before starting the audio source play. Increase the volume gradually to an appropriate level after playback has been started.

9.

Do not attempt to clean the unit with chemical solvents; this might damage the finish. Use a clean, dry cloth.

10. Be sure to read the “TROUBLESHOOTING” section regarding common operating errors before concluding that the unit is faulty.

11. When not planning to use this unit for long periods of time

(ie., vacation, etc.), disconnect the AC power plug from the wall outlet.

12. To prevent lightning damage, disconnect the AC power plug and disconnect the antenna cable when there is an electrical storm.

13. Grounding or polarization – Precautions should be taken so that the grounding or polarization of an appliance is not defeated.

14. AC outlet

Do not connect audio equipment to the AC outlet on the rear panel if that equipment requires more power than the outlet is rated to provide.

15. Voltage Selector (China and General Models only)

The voltage selector on the rear panel of this unit must be set for your local main voltage BEFORE plugging into the

AC main supply.

Voltages are 110/120/220/240 V AC, 50/60 Hz.

This unit is not disconnected from the AC power source as long as it is connected to the wall outlet, even if this unit itself is turned off. This state is called the standby mode.

In this state, this unit is designed to consume a very small quantity of power.

FREQUENCY STEP switch

(China and General Models only)

Because the interstation frequency spacing differs in different areas, set the FREQUENCY STEP switch (located at the rear) according to the frequency spacing in your area.

Before setting this switch, disconnect the AC power plug of this unit from the AC outlet.

FOR CANADIAN CUSTOMERS

TO PREVENT ELECTRIC SHOCK, MATCH WIDE BLADE

OF PLUG TO WIDE SLOT AND FULLY INSERT.

THIS CLASS B DIGITAL APPARATUS COMPLIES WITH

CANADIAN ICES-003.

WARNING

Do not change the IMPEDANCE SELECTOR switch setting while the power of this unit is on, otherwise this unit may be damaged.

IF THIS UNIT FAILS TO TURN ON WHEN THE STANDBY/

ON SWITCH IS PRESSED, the IMPEDANCE SELECTOR switch may not be fully set to either end. If so, set the switch to either end fully.

IMPEDANCE SELECTOR

(U.S.A. model)

IMPEDANCE SELECTOR

SET BEFORE POWER ON

MAIN

A OR B: 4 Ω MIN. /SPEAKER

A + B: 8 Ω MIN. /SPEAKER

CENTER: 6 Ω MIN. /SPEAKER

REAR : 6

MIN. /SPEAKER

MAIN

A OR B: 8

A + B:I6 Ω

MIN. /SPEAKER

MIN. /SPEAKER

CENTER: 8 Ω MIN. /SPEAKER

REAR : 8 Ω MIN. /SPEAKER

AC OUTLETS

SWITCHED

100W MAX. TOTAL

MAINS

IMPORTANT

Please record the serial number of this unit in the space below.

Serial No.:

The serial number is located on the rear of the unit.

Retain this Owner’s Manual in a safe place for future reference.

WARNING

TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK,

DO NOT EXPOSE THIS UNIT TO RAIN OR MOISTURE.

RX-V595-1 6 3/25/99, 11:54 AM

FEATURES ON SOUND EFFECT

This unit incorporates a sophisticated, multi-program digital sound field processor. The processor allows you to electronically expand and change the shape of the audio sound field from both audio and video sources, creating a theater-like experience in your listening room. This unit has a total of 8 digital sound field processor (DSP) modes. You can create an excellent audio sound field by selecting a suitable sound field

(this will, of course, depend on what you will be listening to), and adding desired adjustments.

Digital Sound Field Processing

What is it that makes live music so good? Today’s advanced sound reproduction technology lets you get extremely close to the sound of a live performance, but chances are you’ll still notice something missing, the acoustic environment of the live concert hall. Extensive research into the exact nature of the sonic reflections that create the ambience of a large hall has made it possible for YAMAHA engineers to bring you this same sound in your listening room, so you’ll feel all the sound of a live concert.

Dolby Pro Logic Surround

This unit employs a Dolby Pro Logic Surround decoder similar to professional Dolby Stereo decoders used in many movie theaters. By using the Dolby Pro Logic Surround decoder, you can experience the dramatic realism and impact of Dolby

Surround movie theater sound in your own home. Dolby Pro

Logic employs a four channel five speaker system. The Pro

Logic Surround system divides the input signal into four levels: the left and right main channels, the center channel (used for dialog), and the rear surround sound channels (used for sound effects, background noise, and other ambient noises). The center channel allows listeners seated in even less-than-ideal positions to hear the dialog originating from the action on the screen while experiencing good stereo imaging.

In addition, this unit incorporates a Dolby Pro Logic Surround decoder and Dolby Digital decoder for multi-channel sound reproduction of Dolby Surround encoded video sources. The operation of the Dolby Pro Logic Surround or Dolby Digital decoder can be controlled by selecting a corresponding DSP program including combined operations of the YAMAHA DSP and the Dolby Pro Logic Surround or Dolby Digital decoder.

Furthermore, our technicians, armed with sophisticated measuring equipment, have even made it possible to capture the acoustics of a variety of actual concert halls, theaters, etc.

from around the world, to allow you to accurately re-create any one of these live performance environments, all in your home.

Dolby Surround is encoded on the sound track of pre-recorded video tapes, laser discs, and some TV/cable broadcasts. When you play a source encoded with Dolby Surround on this unit, the Dolby Pro Logic Surround decoder decodes the signal and distributes the surround-sound effects.

This Dolby Pro Logic Surround decoder employs a digital signal processing system. This system improves the stability of sound at each channel and crosstalk between channels, so that positioning of sounds around the room is more accurate compared with conventional analog signal processing systems.

In addition, this unit features a built-in automatic input balance control. This always assures you the best performance without manual adjustment.

Dolby Digital

The built-in Dolby Digital decoder leads you into a totally new sound experiences.

Dolby Digital is a new generation of multi-channel digital audio technology, or the newest spatial sound processing format developed for 35 mm film-movies by employing a new kind of low bit-rate audio coding.

Compared to Dolby Pro Logic that is referred to a “3/1” system

(left front, center, right front and just one surround channel),

Dolby Digital features two surround channels, called stereo or split surrounds, each offering the same full range fidelity as the three front channels.

Sound of wide dynamic range reproduced by the five full range channels presents listeners much excitement that has never been experienced before. Precise sound orientation by the discrete digital sound processing expands realism that the original movie possesses.

Dolby Digital is a digital surround sound system that provides completely independent multi-channel audio to consumers. In multi-channel form, Dolby Digital provides five full range channels in what is sometimes referred to as a “3/2” configuration: three front channels (left, center and right), plus two surround channels. A sixth bass-only effect channel is also provided for output of LFE (low frequency effect), or low bass effects that are independent of other channels. This channel is counted as 0.1, thus giving rise to the term 5.1 channels in total.

LD and DVD are home audio formats that could benefit from

Dolby Digital. In the near future, Dolby Digital will also be applied to DBS, CATV and HDTV. The ongoing release of

Dolby Stereo Digital theatrical films now underway will provide an immediate source of Dolby Digital encoded video software.

7

RX-V595-1 7 3/25/99, 11:54 AM

Manufactured under license from Dolby Laboratories Licensing

Corporation. “Dolby”, “Pro Logic”, and the double-D symbol are trademarks of Dolby Laboratories Licensing Corporation.

Copyright 1992 Dolby Laboratories, Inc. All rights reserved.

The following original functions make the surround-sound effect of Dolby Digital become the most suitable for your audio system and the listening conditions.

• Dynamic range (sound scale) of source can be changed so that it will be suitable for the listening conditions.

• Output of low bass from any channel can be assigned to either the MAIN SPEAKERS terminals or SUBWOOFER terminal to maximize system performance.

• Output of LFE can be assigned to either the MAIN

SPEAKERS terminals or SUBWOOFER terminal to maximize system performance.

Dolby Surround + DSP (CINEMA DSP)

Dolby Surround sound system shows its full ability in a large movie theater, because movie sounds are originally designed to be reproduced in a large movie theater using many speakers.

It is difficult to create a sound environment similar to that of a movie theater in your listening room, because the room size, materials of inside walls, the number of speakers, etc. of your listening room is much different from those of a movie theater.

YAMAHA DSP technology made it possible to present you with nearly the same sound experience as that of a large movie theater in your listening room by compensating for lack of presence and dynamics in your listening room with its original digital sound fields combined with Dolby Surround sound field.

CINEMA DSP

The YAMAHA “CINEMA DSP” logo indicates those programs are created by the combination of Dolby Surround and

YAMAHA DSP technology.

Dolby Pro Logic + 2 Digital Sound Fields

Digital sound fields are created on the presence side and the rear surround side of the Dolby Pro Logic Surround-decoded sound field respectively. They create a wide acoustic environment and emphasize surround-effect in the room, letting you feel much presence as if you are watching a movie in a popular Dolby Stereo theater.

This combination is available when the sound field program

DOLBY PRO LOGIC ENHANCED/DOLBY DIGITAL

ENHANCED, 70 mm MOVIE THEATER/DIGITAL MOVIE

THEATER or TV SPORTS is selected, and the input signal of source is analog, PCM audio or encoded with the Dolby

Digital in 2-channel.

Dolby Digital + 3 Digital Sound Fields

Digital sound fields are created on the presence side and the independent left and right surround sides of the Dolby Digitaldecoded sound field respectively. They create a wide acoustic environment and much surround effect in the room without losing high channel separation. With wide dynamic range of Dolby Digital sound, this sound field combination lets you feel as if you are watching a movie in the newest Dolby

Stereo Digital theater. This will be the most ideal home theater sound at the present time.

This combination is available when the sound field program

DOLBY PRO LOGIC ENHANCED/DOLBY DIGITAL

ENHANCED, 70 mm MOVIE THEATER/DIGITAL MOVIE

THEATER or TV SPORTS is selected, and the input signal of source is encoded with the Dolby Digital (except in 2-channel).

8

RX-V595-1 8 3/25/99, 11:54 AM

CONTROLS AND THEIR FUNCTIONS

FRONT PANEL

1

STANDBY/ON

Press this switch to turn the power of this unit on. Press it again to turn this unit into the standby mode.

Standby mode

In this state, this unit consumes a very small quantity of power to receive infrared-signals from the remote control transmitter.

2

Remote control sensor

Receives signals from the remote control transmitter.

3

Display

Shows various information. (For details, refer to page 11.)

4

MEMORY (MAN’L/AUTO FM)

Press this button to store the broadcasting stations.

When this button is pressed and held for more than three seconds, the automatic preset tuning begins.

5

EDIT

This button is used to exchange the places of two preset stations with each other.

RX-V595-1 9

6

TUNING MODE (AUTO/MAN’L MONO)

Press this button to switch the tuning mode to automatic or manual. To select the automatic tuning mode, press this button so that the “AUTO TUNING” indicator lights up on the display.

To select the manual tuning mode, press this button so that the

“AUTO TUNING” indicator goes off.

7

FM/AM

Press this button to switch the reception band to FM or AM.

8

TUNING UP/DOWN

This button is used for tuning. Press the UP side to tune in to higher frequencies, and press the DOWN side to tune in to lower frequencies.

9

TAPE/MD MON / EXT. DECODER

Press this button to play a tape or an MD. The “TAPE/MD

MON” indicator lights up on the display.

When you press the button next, the “TAPE/MD MON” indicator goes off and “EXT. DECDR” appears on the display and you can play the signal connected to the EXTERNAL DECODER

INPUT terminals.

0

INPUT

Turn this selector to select the program source (VCR, VIDEO

AUX, TV/DBS, DVD/LD, CD, TUNER, PHONO) to listen to or watch.

The name of the selected program source appears on the display.

9

3/25/99, 11:54 AM

q

INPUT MODE

Switches the DVD/LD and TV/DBS input signal mode (AUTO/

ANALOG).

w

VOLUME

This control is used to raise or lower the volume level.

e

PHONES jack

When you use headphones, connect the headphones to the

PHONES jack. You can listen to the sound to be output from the main speakers through headphones.

When using headphones only, set both SPEAKERS A and B to the OFF position and switch off the digital sound field processor

(so that no DSP program name appears on the display) by pressing EFFECT.

PHONES r

SPEAKERS

Set A or B (or both A and B) to the ON position for the main speaker system (connected to this unit) you will use. Set it (or them) for the main speaker system you will not use to the OFF position.

t

A/B/C/D/E

Press this button to select a group (A to E) of preset stations.

y

Preset station number selector

Select a preset station number (1 to 8).

u

Tone controls

These controls are effective only for the sound from the main speakers.

BASS

Used to increase or decrease the low frequency response. The

“0” position produces flat response.

TREBLE

Used to increase or decrease the high frequency response.

The “0” position produces flat response.

i

BALANCE

This control is effective only for the sound from the main speakers.

Adjusts the balance of the output volume to the left and right speakers to compensate for sound imbalance caused by speaker location or listening room conditions.

o

TIME/LEVEL

Press this button to select the setting of delay time or speaker output levels in the TIME/LEVEL mode.

p

+/–

These buttons are used to adjust settings of the SET MENU mode and the TIME/LEVEL mode. In the TIME LEVEL mode, press + to increase delay time or speaker output levels. Press

to decrease delay time or speaker output levels.

a

SET MENU

Press this button to select functions in the SET MENU mode.

s

PROGRAM selector

Press or to select the DSP program.

The name of the selected program appears on the display.

d

EFFECT

Switches on and off the output from the center and rear speakers so that the sound becomes normal 2-channel.

* Even if the output from the center and rear speakers is off, when the Dolby Digital is decoded, the signals at all channels are distributed to the main channels and output from the main speakers.

f

VIDEO AUX terminals

Connect an auxiliary video or audio input source unit such as a camcorder to these terminals. The source connected to these terminals can be selected by INPUT.

10

RX-V595-1 10 3/25/99, 11:54 AM

DISPLAY PANEL

1

Multi-information display

Displays various information, for example station frequency, preset station number and name of selected input source.

2

MEMORY indicator

When MEMORY is pressed, this indicator flashes for about five seconds. During this period, the displayed station can be stored to the memory.

3

AUTO TUNING indicator

Lights up when this unit is in the automatic tuning mode.

4

TAPE/MD MON indicator

Lights up when the tape deck (or MD recorder etc.) is selected as the input source by pressing TAPE/MD MON / EXT. DECODER on the front panel or TAPE/MD on the remote control transmitter.

5

STEREO indicator

Lights up when an FM stereo broadcast with sufficient signal strength is received.

6

Signal-level meter

Indicates the signal level of the received station.

If multipath interference is detected, the indication decreases.

7

, and indicators

” lights up when the built-in Dolby Digital decoder is on and the signals of selected source encoded with the Dolby

Digital is not in 2-channel. “ ” lights up when the built-in digital sound field processor is on, and “ ” lights up when the built-in Dolby Pro Logic Surround decoder is on.

Depending on the selected DSP program, both “ ” and

”, or both “ ” and “ ” will light up.

8

SLEEP indicator

Lights up while the built-in SLEEP timer is functioning.

RX-V595-1 11 3/25/99, 11:54 AM

11

12

RX-V595-2

SPEAKER SETUP

SPEAKERS TO BE USED

This unit is designed to provide the best sound-field quality with a 5-speaker configuration, using main speakers, rear speakers and a center speaker.

The main speakers are used for the main source sound plus the effect sounds. They will probably be the speakers from your present stereo system. The rear speakers are used for the effect and surround sounds, and the center speaker is for the center sounds (dialog, vocals, etc.). If for some reason it is not practical to use a center speaker, you can do without it.

Best results, however, are obtained with the full system.

Use of a subwoofer expands your sound field

It is also possible to further expand your system with the addition of a subwoofer and amplifier. The use of a subwoofer is effective not only for reinforcing bass frequencies from any or all channels, but also for reproducing the LFE (low frequency effect) sound with high fidelity when playing back a source with the Dolby Digital decoded. You may wish to choose the convenience of a YAMAHA Active Servo Processing Subwoofer

System, which has its own built-in power amplifier.

The main speakers should be high performance models and have enough power handling capacity to accept the maximum output of your audio system.

Other speakers do not have to be equal to the main speakers.

For precise sound localization, however, it is ideal to use high performance models that can reproduce sounds in the full range for the center speaker and the rear speakers.

SPEAKER CONFIGURATION

5-Speaker Configuration

This configuration is the most effective and recommended one.

When playing back a source using the DSP program,

DOLBY PRO LOGIC/DOLBY DIGITAL, DOLBY PRO LOGIC

ENHANCED/DOLBY DIGITAL ENHANCED, 70 mm MOVIE

THEATER/DIGITAL MOVIE THEATER, MONO MOVIE or TV

SPORTS, or when playing back a source which contains center-channel signals (dialog, vocals, etc.) using any DSP program with the Dolby Digital decoded, conversations will be output from the center speaker and the ambience will be excellent.

Note: Set the CNTR (CENTER SPEAKER) mode to the

LARGE” or “SMALL” position. (For details, see page 22.)

4-Speaker Configuration

The center speaker is not used in this configuration. When playing back a source using the DSP program, DOLBY PRO

LOGIC/DOLBY DIGITAL, DOLBY PRO LOGIC ENHANCED/

DOLBY DIGITAL ENHANCED, 70 mm MOVIE THEATER/

DIGITAL MOVIE THEATER, MONO MOVIE or TV SPORTS, or when playing back a source which contains center-channel signals (dialog, vocals, etc.) using any DSP program with the

Dolby Digital decoded, the center sound is output from the left and the right main speakers. However, the sound effect of other programs will be the same as that of the 5-speaker configuration.

Note: Be sure to set the CNTR (CENTER SPEAKER) mode to the “NONE” position. (For details, see page 22.)

Main L Main R Main L Center Main R

Dialog

Dialog

Rear L Rear R Rear L Rear R

12 3/25/99, 11:54 AM

SPEAKER PLACEMENT

When you place the speakers, refer to the following diagram:

Main:

Rear:

The position of your present stereo speaker system.

Behind your listening position, facing slightly inward. Nearly 1.8 m (approx. 6 feet) up from the floor.

Center: Precisely between the main speakers. (To avoid interference with TV sets, use a magnetically shielded speaker.)

Subwoofer: The position of the subwoofer is not so critical because low bass tones are not highly directional.

Main speaker Center speaker Rear speaker

Subwoofer

RX-V595-2 13 3/25/99, 11:54 AM

13

CONNECTIONS

Never plug in this unit and other components until all connections are completed.

CONNECTIONS WITH OTHER COMPONENTS

When making connections between this unit and other components, be sure all connections are made correctly, that is to say L

(left) to L, R (right) to R, “+” to “+” and “” to “”. Also, refer to the owner’s manual for each component to be connected to this unit.

* If you have YAMAHA components numbered as !

, # , $ , etc. on the rear panel, connections can be made easily by making sure to connect the output (or input) terminals of each component to the same-numbered terminals of this unit.

Turntable Monitor TV DVD player, LD player, etc.

(U.S.A. model)

FM

ANT

75

UNBAL.

EXTERNAL DECODER INPUT

MAIN CENTER SURROUND

L

COAXIAL

DVD/LD

DIGITAL SIGNAL

OPTICAL

DVD/LD TV/DBS

GND

R

SUB WOOFER

VIDEO SIGNAL

GND

AM

ANT

MONITOR

OUT

AUDIO SIGNAL

DVD/LD TV/DBS

IN

VCR

OUT

OUTPUT

L L

R R

PHONO CD

IN

(PLAY)

TAPE/MD

OUT

(REC)

DVD/LD TV/DBS

IN

VCR

OUT SUB

WOOFER

R

L

REAR

(SORROUND) L

UAL FOR CORRECT SETTING.

IMPEDANCE SELECTOR

SET BEFORE POWER ON

MAIN

A OR B: 4 Ω MIN. /SPEAKER

A + B: 8 Ω MIN. /SPEAKER

CENTER: 6 Ω MIN. /SPEAKER

REAR : 6

MIN. /SPEAKER

MAIN

A OR B: 8

A + B:I6 Ω

MIN. /SPEAKER

MIN. /SPEAKER

CENTER: 8 Ω MIN. /SPEAKER

REAR : 8 Ω MIN. /SPEAKER

AC OUTLETS

SWITCHED

100W MAX. TOTAL

MAINS

To AC outlet

CD player

14

, : See the next page.

RX-V595-2 14

Tape deck,

MD recorder, etc.

TV/DBS tuner VCR

(Video cassette recorder)

3/25/99, 11:54 AM

SWITCHED AC OUTLET(S)

(U.S.A., Canada, Singapore, China and General models)

........................................................... 2 SWITCHED OUTLETS

(Australia model) ................................... 1 SWITCHED OUTLET

Use these to connect the power cords from your components to this unit.

The power to the SWITCHED outlets is controlled by this unit’s

STANDBY/ON or the provided remote control transmitter’s

POWER and STANDBY. These outlets will supply power to any component whenever this unit is turned on.

The maximum power (total power consumption of components) that can be connected to the SWITCHED AC OUTLET(S) is

100 watts.

GND terminal (For turntable use)

Connecting the ground wire of the turntable to the GND terminal will normally minimize hum, but in some cases better results may be obtained with the ground wire disconnected.

CONNECTING TO AN EXTERNAL DECODER

When using the DTS or other decoder with 6-channel discrete outputs, connect the 6CH DISCRETE OUTPUT terminals of the decoder to the EXTERNAL DECODER INPUT terminals of this unit.

L

6CH DISCRETE OUTPUT

MAIN CENTER SURROUND

L

R R

SUB

WOOFER

(U.S.A. model)

FM

ANT

75 Ω UNBAL.

EXTERNAL DECODER INPUT

MAIN CENTER SURROUND

L

COAXIAL

DVD/LD

DIGITAL SIGNAL

OPTICAL

DVD/LD TV/DBS

GND

R

SUB WOOFER

VIDEO SIGNAL

GND

AM

ANT

MONITOR

OUT DVD/LD

AUDIO SIGNAL

TV/DBS

IN

VCR

OUT

OUTPUT

L L

R R

PHONO CD

IN

(PLAY)

TAPE/MD

OUT

(REC)

DVD/LD TV/DBS

IN

VCR

OUT

SUB

WOOFER

DTS or other decoder with 6-channel discrete outputs

DVD player, LD player or other unit with digital outputs

15

RX-V595-2 15 3/25/99, 11:54 AM

CONNECTING TO DIGITAL (COAXIAL AND/OR OPTICAL) TERMINALS

If your DVD (LD) player, TV/DBS tuner, etc. are equipped with coaxial or optical digital audio signal output terminals, they can be connected to this unit’s COAXIAL and/or OPTICAL digital signal input terminals.

To make a connection between optical digital audio signal terminals, remove the cover from each terminal, and then connect them by using a commercially available optical fiber cable that conforms to EIAJ standards. Other cables might not function correctly.

Even if you connect an audio/video unit to the COAXIAL (or

OPTICAL) terminal of this unit, you must keep the unit connected with the same named analog audio signal terminals of this unit, because digital signal cannot be recorded by a tape deck or VCR connected to this unit. You can switch the selection of input signals between “digital” and “analog” easily.

(See page 29 for details.)

DVD or LD player

Notes

• When connecting an audio/video unit to both of the digital and analog terminals of this unit, make sure to connect to both terminals of the same name.

• Be sure to attach the covers when the OPTICAL terminals are not being used, in order to protect the terminals from dust.

• The input signal from the DVD/LD input terminals is selected in the following order of priority.

(input mode: AUTO position)

1 COAXIAL terminal

2 OPTICAL terminal

3 ANALOG terminal

• All digital audio signal input terminals are applicable to the sampling frequency of 32 kHz, 44.1 kHz and 48 kHz.

TV/DBS tuner

(U.S.A. model)

FM

ANT

GND

AM

ANT

75

UNBAL.

EXTERNAL DECODER INPUT

MAIN CENTER SURROUND

L

COAXIAL

DVD/LD

DIGITAL SIGNAL

OPTICAL

DVD/LD TV/DBS

R

SUB WOOFER

GND

VIDEO SIGNAL

MONITOR

OUT DVD/LD

AUDIO SIGNAL

TV/DBS

IN

VCR

OUT

OUTPUT

L L

R R

PHONO CD

IN

(PLAY)

TAPE/MD

OUT

(REC)

DVD/LD TV/DBS

IN

VCR

OUT

SUB

WOOFER

16

RX-V595-2 16 3/25/99, 11:54 AM

CONNECTING TO VIDEO AUX TERMINALS (ON THE FRONT PANEL)

These terminals are used to connect any video input source, such as a camcorder, to this unit.

VIDEO AUX

VIDEO L AUDIO R

R

L

VIDEO

Camcorder

RX-V595-2 17 3/25/99, 11:54 AM

17

CONNECTING SPEAKERS

Main speakers A

Right Left Right

Main speakers B

Left

R

SPEAKERS

MAIN L

OUTPUT

SUB

WOOFER

CENTER R

REAR

(SORROUND) L

CAUTION

SEE INSTRUCTION MANUAL FOR CORRECT SETTING.

Left

Rear speakers

Right

18

RX-V595-2

Subwoofer system

Center speaker

Note

Use speakers with the specified impedance shown on the rear panel of this unit.

Note on main speaker connections:

One or two speaker systems can be connected to this unit. If you use only one speaker system, connect it to either the

SPEAKERS A or B terminals.

Note on a subwoofer connection:

You may wish to add a subwoofer to reinforce low frequencies or to output low bass sound from the subwoofer channel.

If you have a subwoofer with built-in amplifier, including the

YAMAHA Active Servo Processing Subwoofer System, connect the SUBWOOFER OUTPUT terminal of this unit to the input terminal of the subwoofer system.

If you have an amplifier and a subwoofer, connect the

SUBWOOFER OUTPUT terminal of this unit to the input terminal of the subwoofer amplifier, and then connect the speaker terminals of the subwoofer amplifier to the subwoofer.

When the input signals to this unit are in normal 2-channel stereo, this terminal outputs only frequencies below 90 Hz from the main and center channels. When discrete signals are input to this unit and are selected as the input source, this terminal outputs signals from the subwoofer channel.

Note on center speaker connection:

Center speaker can be connected to this unit. Place it on or under the TV.

18 3/25/99, 11:54 AM

How to connect

Connect the SPEAKERS terminals to your speakers with wire of the proper gauge, cut as short as possible. If the connections are faulty, no sound will be heard from the speakers. Make sure that the polarity of the speaker wires is correct, that is the + and – markings are observed. If these wires are reversed, the sound will be unnatural and lack bass.

Caution

Do not let the bare speaker wires touch each other and do not let them touch any metal part of this unit. This could damage this unit and/or speakers.

For connecting to the MAIN SPEAKERS terminals

For connecting to the REAR and CENTER

SPEAKERS terminals

Red: positive (+)

Black: negative (–)

Red: positive (+)

Black: negative (–)

1 Unscrew the knob.

2 Insert the bare wire.

[Remove approx. 5 mm

(1/4”) insulation from the speaker wires.]

3 Tighten the knob and secure the wire.

1 Press the tab.

2 Insert the bare wire.

[Remove approx. 5 mm

(1/4”) insulation from the speaker wires.]

3 Release the tab and secure the wire.

Banana plug connections are also possible (except for

Singapore model). Simply insert the banana plug connector into the corresponding terminal.

RX-V595-2 19 3/25/99, 11:54 AM

19

IMPEDANCE SELECTOR SWITCH

WARNING

Do not change the IMPEDANCE SELECTOR switch setting while the power of this unit is on, otherwise this unit may be damaged.

IF THIS UNIT FAILS TO TURN ON WHEN THE STANDBY/

ON SWITCH IS PRESSED, the IMPEDANCE SELECTOR switch may not be fully set to either end. If so, set the switch to either end fully.

IMPEDANCE SELECTOR

(U.S.A. model)

Select the position whose requirements your speaker system meets.

(Upper position)

Main: If you use one pair of main speakers, the impedance of each speaker must be 4

or higher.

If you use two pairs of main speakers, the impedance of each speaker must be 8

or higher.

Center: The impedance of the speaker must be 6

or higher.

Rear: The impedance of each speaker must be 6

Ω or higher.

L

IMPEDANCE SELECTOR

SET BEFORE POWER ON

MAIN

A OR B: 4 Ω MIN. /SPEAKER

A + B: 8 Ω MIN. /SPEAKER

CENTER: 6

REAR : 6

MIN. /SPEAKER

MIN. /SPEAKER

MAIN

A OR B: 8 Ω MIN. /SPEAKER

A + B:I6 Ω MIN. /SPEAKER

CENTER: 8 Ω MIN. /SPEAKER

REAR : 8 Ω MIN. /SPEAKER

AC OUTLETS

SWITCHED

100W MAX. TOTAL

MAINS

(Lower position)

Main: If you use one pair of main speakers, the impedance of each speaker must be 8

or higher.

If you use two pairs of main speakers, the impedance of each speaker must be 16

or higher.

Center: The impedance of the speaker must be 8

or higher.

Rear: The impedance of each speaker must be 8

or higher.

20

RX-V595-2 20 3/25/99, 11:55 AM

ANTENNA CONNECTIONS

Each antenna should be correctly connected to the designated terminals, referring to the following diagram.

Both AM and FM indoor antennas are included with this unit. In general, these antennas will probably provide sufficient signal strength. Nevertheless, a properly installed outdoor antenna will give clearer reception than an indoor one. If you experience poor reception quality, an outdoor antenna may result in improvement.

Outdoor FM antenna

Outdoor AM antenna

Indoof FM antenna

(included)

75-ohm/300-ohm antenna adapter

75-ohm coaxial cable

(U.S.A. model)

FM

ANT

GND

AM

ANT

75 Ω UNBAL.

GND

AM loop antenna

(included)

PHONO 75-ohm/300-ohm antenna adapter

300-ohm feeder

Ground

Connecting the AM loop antenna

1

1

2

2

3

3

Orient so that the best reception is obtained.

* The AM loop antenna should be placed away from this unit. The antenna may be hung on a wall.

* The AM loop antenna always should be connected, even if an outdoor AM antenna is connected to this unit.

GND TERMINAL

For maximum safety and minimum interference, connect the

GND terminal to a good earth ground. A good earth ground is a metal stake driven into moist earth.

Notes

• When connecting the indoor FM antenna, insert its connector into the

FM ANT terminal firmly.

• If you need an outdoor FM antenna to improve FM reception quality, either 300-ohm feeder or coaxial cable may be used. In locations troubled by electrical interference, coaxial cable is preferable.

21

RX-V595-2 21 3/25/99, 11:55 AM

ADJUSTMENTS BEFORE USING THIS UNIT

SELECTING THE OUTPUT MODES

This unit provides you the following five functions to determine the method of distributing output signals to speakers suitable for your audio system. When speaker connections are all completed, select a proper position on each function to make the best use of your speaker system. (See “ADJUSTMENTS IN THE ‘SET MENU’ MODE” on page 43.)

1. CNTR (CENTER SPEAKER) 2. REAR (REAR SPEAKER)

4. BASS (LFE/BASS OUT) 5. M.LVL (MAIN LEVEL)

DESCRIPTION OF EACH FUNCTION

1. CNTR (CENTER SPEAKER)

Choices: LARGE/SMALL/NONE

Preset position: LARGE

LARGE: Select this position when your center speaker is approximately the same size as the main speakers.

SMALL: Select this position when you use a center speaker that is smaller than the main speakers.

In this position, low bass signals (below 90 Hz) at the center channel are output from the main speakers (or the SUBWOOFER OUTPUT terminal if the SMALL position is selected on “3. MAIN” and the SW position is selected on “4. BASS”).

NONE: Select this position when you do not have a center speaker. The center channel sound will be output from the left and right main speakers.

2. REAR (REAR SPEAKER)

Choices: LARGE/SMALL

Preset position: LARGE

LARGE: Select this position if your rear speakers have a high ability for bass reproduction, or a subwoofer is connected to the rear speaker in parallel.

In this position, full range signals are output from the rear speakers.

SMALL: Select this position if your rear speakers do not have a high ability for bass reproduction.

In this position, low bass signals (below 90 Hz) at the rear channels are output from the SUBWOOFER

OUTPUT terminal (or the main speakers if the MAIN position is selected on “4. BASS”).

3. MAIN (MAIN SPEAKER)

Choices: LARGE/SMALL

Preset position: LARGE

LARGE: Select this position if your main speakers have a high ability for bass reproduction.

In this position, full range signals present at the main channels are output from the main speakers.

SMALL: Select this position if your main speakers do not have a high ability for bass reproduction. However, if your system does not include a subwoofer, do not select this position.

In this position, low bass signals (below 90 Hz) at the main channels are output from the SUBWOOFER

OUTPUT terminal if the SW or BOTH position is selected on “4. BASS”.

3. MAIN (MAIN SPEAKER)

4. BASS (LFE/BASS OUT)

Choices: SW/MAIN/BOTH

Preset position: SW

MAIN: Select this position if your system does not include a subwoofer.

In this position, full range signals present at the main channels, signals from the LFE channel and other low bass signals that are selected on “1. CNTR” to

“3. MAIN” to be distributed from other channels are

SW/BOTH: output from the main speakers.

Select either the SW or BOTH position if your system includes a subwoofer.

In either position, signals at LFE channel and other low bass signals that are selected on “1. CNTR” to

“3. MAIN” to be distributed from other channels are output from the SUBWOOFER OUTPUT terminal.

When the LARGE position is selected on “3. MAIN”, in the SW position, no signal is distributed from the main channels to the SUBWOOFER OUTPUT terminal, however in the BOTH position, low bass signals from the main channels are output to both of the main speakers and the SUBWOOFER OUTPUT terminal.

5. M.LVL (MAIN LEVEL)

Choices: NORMAL (NRML)/–10 dB

Preset position: NORMAL (NRML)

NORMAL (NRML):

Normally select this position.

–10 dB: Select this position if the sound output from the main speakers is too loud and cannot be balanced with the sound output from the center and rear speakers.

In this position, the sound output from the main speakers is attenuated.

22

RX-V595-2 22 3/25/99, 11:55 AM

ADJUSTING METHOD

Operations should be made while watching the information on this unit’s display.

1 2

1

3

2

3

If you are using the remote control transmitter, set the

SELECTOR DIAL to the AMP/TUN or DSP position on the remote control transmitter.

or

1

Turn the power on.

Front panel Remote control or

2

Press SET MENU once or more to select the title

“1. CNTR” (so that “CNTR” appears on the display).

Front panel Remote control or

* After pressing SET MENU once on the remote control transmitter, you can also select the title by pressing .

(Pressing goes back one selection.)

3

Press + or once or more to select the position you want.

Front panel Remote control or

Changes.

4

Repeat steps 2 and 3 to change selections on

“2. REAR”, “3. MAIN”, “4. BASS” and/or “5. M.LVL” in the same way.

Appears.

23

RX-V595-2 23 3/25/99, 11:55 AM

SPEAKER BALANCE ADJUSTMENT

This procedure lets you adjust the sound output level balance between the main, center and rear speakers using the built-in test tone generator. When this adjustment is performed, the sound output level heard at the listening position will be the same from each speaker. This is important for the best performance of the digital sound field processor, the Dolby Digital decoder and the

Dolby Pro Logic Surround decoder.

The adjustment of each speaker output level should be done at your listening position with the remote control transmitter.

After completing the adjustment of the output level for each speaker, use VOLUME ( ) on the remote control transmitter at your listening position to check if the adjustments are satisfactory.

2 1 2

5,9

6

3 4 4,7

Set the SELECTOR DIAL to the AMP/TUN or DSP position on the remote control transmitter.

or

1

Set VOLUME to the “

” position.

Front panel

2

Turn the power on.

Front panel Remote control or

3

Select the main speakers to be used.

Front panel

8

* If you use two main speaker systems, press both A and B.

24

RX-V595-2 24 3/25/99, 11:55 AM

4

Set BASS, TREBLE and BALANCE to the “0” position.

Front panel

6

Turn up the volume.

Remote control

5

Press TEST (so that “TEST LEFT” appears on the display).

Remote control

Appears.

You will hear a test tone (like pink noise) from the left main speaker, then the center speaker, then the right main speaker, then the right rear speaker, and then the left rear speaker, for about two seconds each. The display changes as shown below.

Main (L)

Center

Main (R)

Rear (R)

Rear (L)

* If the function “1. CNTR” in the SET MENU mode is set to the NONE position, you will hear the center channel test tone from the left and right main speakers.

7

Adjust BALANCE so that the sound output level of the left main speaker and the right main speaker is the same.

Front panel

3/25/99, 11:55 AM

25

RX-V595-2 25

8

Adjust the sound output levels of the center speaker and the rear speakers so that they become almost as same as that of the main speakers.

Remote control a) Press or once or more so that “CENTER”, “R SUR.” or “L SUR.” appears on the display.

* Select “CENTER” to adjust the output level of the center speaker and select “R SUR.” or “L SUR.” to adjust the output level of the rear speakers.

Remote control

Notes

• Once you have completed these adjustments, you can adjust the overall sound level on your audio system by using

VOLUME (or VOLUME ( ) on the remote control transmitter) only.

• If you use external power amplifiers, you may also use their volume controls to achieve the proper balance.

• If the function “1. CNTR” in the SET MENU mode is set to the

NONE position, the sound output level of the center speaker cannot be adjusted in step 8. The center sound is automatically output from the left and right main speakers.

• If there is insufficient sound output from the center and rear speakers, you may decrease the main speaker output level by setting “5. M.LVL” to “–10 dB”.

b) Adjust the level.

* Pressing raises and lowers the level.

* While adjusting, the test tone is fixed on the selected speaker.

Remote control

9

Press TEST once more to cancel the test tone.

Remote control

“TEST” disappears.

26

RX-V595-2 26 3/25/99, 11:55 AM

TO PLAY A SOURCE

2

BASIC OPERATIONS

3 1,7

2 3,4

7

5 4

Notes

• Set the SELECTOR DIAL to the AMP/TUN position on the remote control transmitter.

• To operate the CD player, DVD/LD player, tape deck, MD recorder, or other components using this remote control transmitter, set the SELECTOR DIAL to the component to be used. (See “SETUP CODES” on page 50.)

1

Set VOLUME to the “

” position.

Front panel

3

Select the desired input source by using INPUT.

(For video sources, turn the TV/monitor ON.)

See page 29 if you are using an external decoder or playing a tape or an MD.

Front panel Remote control or

2

Turn the power on.

Front panel or

Remote control

The name of the selected input source will appear on the display.

3/25/99, 11:55 AM

27

RX-V595-3 27

4

For the DVD/LD or TV/DBS source, the current input mode is also shown.

* To change the input mode for the DVD/LD or TV/DBS source, press INPUT MODE (or the button that you have pressed to select the input source in step 3 on the remote control transmitter) once or more until the desired input mode (AUTO or ANALOG) is shown on the display. (See page 29 for details on switching the input mode.)

Front panel Remote control

8

If desired, adjust BASS, TREBLE, BALANCE, etc.

(see below) and use the digital sound field processor.

(see page 37.)

Selecting the SPEAKER system

Because one or two speaker systems (as main speakers) can be connected to this unit, SPEAKERS allow you to select speaker system A or B, or both at once.

or

Adjusting the BALANCE control

Adjust the balance of the output volume from the left and right speakers to compensate for sound imbalances caused by speaker location or listening room conditions.

Input mode

5

Select the main speakers to be used.

Front panel

* If you use two main speaker systems, press both A and B.

6

Play the source. (For detailed information on tuning, see page 31.)

7

Adjust the volume to the desired output level.

Front panel Remote control

Note

This control is effective only for the sound from the main speakers.

Adjusting the BASS and TREBLE controls

BASS: Turn this clockwise to increase (or counter-clockwise to decrease) the low frequency response.

TREBLE: Turn this clockwise to increase (or counter-clockwise to decrease) the high frequency response.

Note

These controls are effective only for the sound from the main speakers.

or

28

RX-V595-3 28 3/25/99, 11:55 AM

To play a tape or an MD

Press TAPE/MD MON / EXT. DECODER so that the “TAPE/MD

MON” indicator lights up on the display, then play the tape or MD.

Front panel Remote control or

To stop playing the tape or MD, press TAPE/MD MON / EXT.

DECODER twice so that the “TAPE/MD MON” indicator and

“EXT. DECDR” disappear from the display and the play stops

(or press TAPE/MD once on the remote control transmitter).

To use a decoder connected to the EXTERNAL

DECODER INPUT terminals

Press TAPE/MD MON / EXT. DECODER once or more so that the “EXT. DECDR” appears on the display.

Start the play by operating the DTS or other external decoder,

DVD player or LD player.

Front panel Remote control or

To stop playing, press TAPE/MD MON / EXT. DECODER once so that “EXT. DECDR” disappears from the display and the play stops (or press EXT. DEC. on the remote control transmitter).

When you finish using this unit

Press STANDBY/ON on the front panel again or STANDBY on the remote control transmitter to turn this unit into the standby mode.

Notes on using INPUT

• By using INPUT, you can select the program sources connected to the input terminals on the rear panel.

• To play a video source connected to the VIDEO AUX terminals on the front panel, set INPUT to the VIDEO AUX position.

• The audio source selected by INPUT will not be played if the

“TAPE/MD MON” indicator lights up or if “EXT. DECDR” is displayed.

• If you select INPUT for a video source without canceling the selection of TAPE/MD MON / EXT. DECODER on the front panel (or, TAPE/MD or EXT. DEC. on the remote control transmitter), the playback result will be the video image from the video source and the sound from the input source selected by TAPE/MD MON / EXT. DECODER on the front panel (or, TAPE/MD or EXT. DEC. on the remote control transmitter).

• Once you play a video source, its video image will not be interrupted even if INPUT for an audio source is selected.

• When you select an input source by using INPUT, the DSP program (or no DSP program) that was used when the same input source was selected the last time, will be automatically recalled.

Switching the input mode

(for DVD/LD and TV/DBS)

This unit allows you to switch the input mode only for sources connected to the DVD/LD and TV/DBS input terminals (on the rear panel of this unit) that input two or three types of signals.

The following two input modes are provided.

AUTO: For the source connected to the DVD/LD input terminals:

This mode is automatically selected when you turn the power of this unit on. In this mode, input signal is automatically selected in the following order of priority.

1. Digital input signal from the COAXIAL terminal

2. Digital input signal from the OPTICAL terminal

3. Analog input signal

For the source connected to the TV/DBS input terminals:

This mode is selected when you turn the power of this unit on if the AUTO position is selected on “10. INPUT” in the SET MENU mode. (For details, see page 44.)

In this mode, input signal is automatically selected in the following order of priority.

1. Digital input signal from the OPTICAL terminal

2. Analog input signal

ANALOG:

In this mode, only analog input signal is selected even if a digital signal is input at the same time.

Select this mode when you want to use the analog input signal instead of the digital input signal.

Notes on input mode selection

• To playback a source with the Dolby Digital-decoded, set the input mode to AUTO.

• For the TV/DBS source only, the input mode selected on the function “10. INPUT” in the SET MENU mode is effective when you turn the power of this unit on.

• When you want to enjoy a source which has normal

2-channel signals with a Dolby Pro Logic Surround program, select the ANALOG mode.

• In the AUTO mode, there may be a case depending on some

LD players or DVD players that when you make a search on a source encoded with the Dolby Digital during the play and then the play is restored, sound output is interrupted for a moment because the digital input signal is selected again.

29

RX-V595-3 29 3/25/99, 11:55 AM

TO RECORD A SOURCE TO TAPE OR MD

4 1 2

1,4

2

1

Select the source to be recorded.

Front panel or

Remote control

4

When the tape deck or MD recorder is used for recording, you can monitor the sounds being recorded by pressing TAPE/MD MON / EXT. DECODER so that the “TAPE/MD MON” indicator lights up on the display.

Front panel Remote control or

2

Play the source and then turn VOLUME up to confirm the input source. (For detailed information on tuning, see page 31.)

Front panel Remote control or

Notes

• The settings of DSP and VOLUME, BASS, TREBLE and

BALANCE have no effect on the material being recorded.

• A source that is connected to this unit through digital terminals only cannot be recorded by a tape deck or VCR connected to this unit.

• Please check the copyright laws in your country to record from records, compact discs, radio, etc. Recording of copyright material may infringe copyright laws.

If you watch a video software that uses scrambled or encoded signals to prevent it from being dubbed, there may be a case that the picture itself will be affected by those signals.

3

Begin recording on the tape deck, MD recorder or VCR connected to this unit.

30

RX-V595-3 30 3/25/99, 11:55 AM

TUNING OPERATIONS

Set the SELECTOR DIAL to the AMP/TUN position on the remote control transmitter and select the tuner by using INPUT.

Normally, if station signals are strong and there is no interference, quick automatic-search tuning (AUTOMATIC TUNING) is possible. However, if the signal from the station you want to select is weak, you must tune in to it manually (MANUAL TUNING).

2 3

AUTOMATIC TUNING

1

Select the reception band (FM or AM) confirming it on the display.

Front panel

1

MANUAL TUNING

1

Select the reception band (FM or AM) confirming it on the display.

Front panel

RX-V595-3

2

Press TUNING MODE (so that the “AUTO TUNING” indicator lights up on the display).

Front panel

2

Press TUNING MODE.

Front panel

3

Tune in to the desired station manually.

Front panel

Confirm that the “AUTO

TUNING’’ indicator goes off.

Lights up.

3

To tune in to a higher frequency, press the UP side of

TUNING once.

To tune in to a lower frequency, press the DOWN side of TUNING once.

Front panel

* If the station where the tuning search stops is not the desired one, press once more.

* If the tuning search does not stop at the desired station

(because the signal from the station is weak), operate the manual tuning procedure.

* To continue the tuning search, press and hold the button.

Note

• If you tune in to an FM station manually, it is received in monaural mode automatically to increase the signal quality.

31

31 3/25/99, 11:55 AM

MANUAL PRESET TUNING

This unit can store station frequencies selected by tuning. With this function, you can recall any desired station simply by selecting the preset station number with which it was stored. Up to 40 stations (8 stations x 5 groups) can be stored.

2,1 4,2 3

2,1

2

To store stations

1

Tune in to the desired station.

(See the previous page for tuning procedure.)

2

Press A/B/C/D/E once or more to select the desired group (A to E) of preset stations confirming it on the display.

Front panel Remote control or

3

Press MEMORY (so that the “MEMORY” indicator flashes for about five seconds).

Front panel

4

Select the preset station number with which you want to store the station before the “MEMORY” indicator goes off from the display.

Front panel

The displayed station has been stored to A1.

* In the same way, store other stations to A2, A3 ... A8.

* You can store more stations to preset station numbers in other groups in the same way by selecting other groups in step 2.

Flashes.

32

RX-V595-3 32 3/25/99, 11:55 AM

To recall a preset station

(See the illustration on previous page.)

1

Select the group of preset stations.

Front panel Remote control or

2

Select the preset station number.

Front panel Remote control or

Notes

• A new setting can be stored in place of the former one.

• For presets, the setting of the reception mode (stereo or monaural) is stored along with the station frequency.

Memory back-up

The memory back-up circuit prevents the stored data from being lost even if this unit is turned into the standby mode, or the power plug is disconnected from the AC outlet, or the power is cut due to temporary power failure. If, however, the power is cut for more than one week, the memory may be erased. If so, it can be re-stored by simply following the preset tuning procedures.

RX-V595-3 33 3/25/99, 11:55 AM

33

AUTOMATIC PRESET TUNING (For FM stations only)

You can also make use of an automatic preset tuning function for FM stations only. Using this function, this unit performs automatic tuning and sequentially stores FM stations with strong signals. Up to 40 stations are stored automatically in the same way as in the manual preset tuning method on page 32. Note that a new setting can be stored in place of the former one.

3 1

34

RX-V595-3

To store stations

1

Select the FM.

Front panel

2 4

4

To tune in to higher frequencies, press the UP side of

TUNING once.

To tune in to lower frequencies, press the DOWN side of TUNING once.

Front panel

2

Press TUNING MODE (so that the “AUTO TUNING” indicator lights up on the display).

Front panel

Lights up.

3

Press MEMORY and hold for about three seconds.

Front panel

Flashes.

* If TUNING is not pressed, in a while, the automatic preset tuning begins automatically toward higher frequencies.

The automatic preset tuning begins from the frequency currently displayed. Received stations are stored to A1, A2

... A8 sequentially.

* If more than 8 stations are received, they are also stored to the preset station numbers in other groups (B, C, D and

E) in that order.

If you want to store the first station received by the automatic preset tuning to a desired preset station number.

For example, if you want to store the first received station to C5, select “C5” while “A1”, the MEMORY indicator and the AUTO

TUNING indicator flash after pressing MEMORY in step 3. Then press TUNING. The first received station is stored to C5, and next stations to C6, C7 ... sequentially.

If stations are stored up to E8, automatic preset tuning stops automatically.

When automatic preset tuning is finished

The display shows the frequency of the last preset station.

Check the contents and the number of preset stations by following the procedures in the section “To recall a preset station” on page 33.

34 3/25/99, 11:55 AM

Notes

• You can replace a preset station with another FM or AM station manually by simply following the procedures in the section “To store stations” on page 32.

• Even if the number of received stations is not enough to be stored up to E8, the search is finished automatically after searching all frequencies.

• With this function, only FM stations with sufficient signal strength are stored automatically. If the station you want to store is weak in signal strength, tune in to it in monaural manually and store it by following the procedures in the section “To store stations” on page 32.

EXCHANGING PRESET STATIONS

You can exchange the places of two preset stations with each other as shown below.

2,4

Example

If you want to shift the preset station on E1 to A5, and vice versa.

1

Recall the preset station on E1 (by following the procedures in the section “To recall a preset station” on page 33).

2

Press EDIT.

Front Panel

3

Next, recall the preset station on A5 by following the same procedures as in step 1.

4

Press EDIT once more.

Front Panel

Flashes.

Flashes.

Shows the exchange of stations is completed.

35

RX-V595-3 35 3/25/99, 11:55 AM

SETTING THE SLEEP TIMER

If you use the SLEEP timer of this unit, you can make this unit automatically switch to the standby mode. When you are going to sleep while enjoying a broadcast or other desired input source, this timer function is useful. The SLEEP timer can be controlled only with the remote control transmitter.

Notes

• To set the SLEEP timer for this unit, set the SELECTOR DIAL to a position other than the TV postition. To set the SLEEP timer for your TV, set the SELECTOR DIAL to the TV position.

• The components on which the SLEEP timer is effective are the sources connected to the SWITCHED AC OUTLET(S) on the rear panel of this unit.

1

To set the SLEEP time

1

Press SLEEP once or more to select the desired

SLEEP time.

Remote control

To cancel the selected SLEEP time

Remote control

Indicates the SLEEP time.

Flashes.

Whenever SLEEP is pressed, the SLEEP time will change as follows.

(Minutes)

120 90 60 30

The SLEEP timer is off (SLEEP OFF).

(The state before SLEEP is pressed.)

After a while, the SLEEP indicator lights up and the display returns to the indication before the SLEEP timer was set.

2

The unit will be switched to the standby mode automatically at the selected SLEEP time.

Press SLEEP once or more so that “SLEEP OFF” appears on the display. (It will soon disappear and the “SLEEP” indicator will go off from the display.)

Note

The SLEEP timer setting can also be canceled by tuning this unit into the standby mode with STANDBY/ON on the front panel (or STANDBY on the remote control transmitter) or disconnecting the power plug of this unit from the AC outlet.

36

RX-V595-3 36 3/25/99, 11:55 AM

USING DIGITAL SOUND FIELD PROCESSOR

(

DSP

)

This unit incorporates a sophisticated, multi-program digital sound field processor. The processor allows you to electronically expand and change the shape of the audio sound field from both audio and video sources, creating a theater-like experience in your listening room. You can create an excellent audio sound field by selecting a suitable sound field program (this will, of course, depend on what you are listening to), and adding any desired adjustments.

The following list gives you a brief description of the sound fields produced by each of the DSP programs. Keep in mind that most of these are precise digital recreations of actual acoustic environments. The data for these sound fields was recorded at actual locations using sophisticated sound field measurement equipment.

Note

The channel level balance between the left and right rear speakers may vary depending on the sound field you are listening to. This is due to the fact that most of these sound field are re-creation of actual acoustic environments.

BRIEF OVERVIEW OF DIGITAL SOUND FIELD PROGRAMS

No.

PROGRAM

1 DOLBY PRO LOGIC ( )

Functions when the input signal is analog or PCM audio, or encoded with the Dolby Digital in

2-channel.

Speaker output: main, center, rear

DOLBY DIGITAL ( )

Functions when the input signal is encoded with the

Dolby Digital (not in 2-channel).

Speaker output: main, center, rear

2 DOLBY PRO LOGIC ENHANCED

( )

Functions when the input signal is analog or PCM audio, or encoded with the Dolby Digital in

2-channel.

Speaker output: main, center, rear

DOLBY DIGITAL ENHANCED

( )

Functions when the input signal is encoded with the

Dolby Digital (not in 2-channel).

Speaker output: main, center, rear

3 70 mm MOVIE THEATER

( )

Functions when the input signal is analog or PCM audio, or encoded with the Dolby Digital in

2-channel.

Speaker output: main, center, rear

DIGITAL MOVIE THEATER

( )

Functions when the input signal is encoded with the

Dolby Digital (not in 2-channel).

Speaker output: main, center, rear

FEATURE

Reproduces video discs, video tapes and similar sources which are Dolby Surround encoded and bear the “DOLBY SUR-

ROUND” logo.

The built-in Dolby Pro Logic Surround decoder or Dolby Digital decoder precisely reproduces sounds and sound effects of a source encoded with Dolby Surround. The realization of a highly efficient decoding process improves crosstalk and channel separation and makes sound positioning smoother and more precise.

Reproduces video discs, video tapes and similar sources which are Dolby Surround encoded and bear the “DOLBY SUR-

ROUND” logo.

This program ideally simulates the multi-surround speaker systems of the 35 mm film theater. The Dolby Surround decoding and the digital sound field processing is precisely performed without altering the original sound orientation. The surround effects produced by this sound field folds around the viewer naturally from the rear to the left and right and toward the screen.

Note: If the main channel sound is considerably altered by overadjustment of BASS or TREBLE, the relationship with the rear channels may produce an unnatural effect.

Ideal for reproducing video discs, video tapes and similar sources which are Dolby Surround encoded and bear the

“DOLBY SURROUND” logo.

This program is ideal for precisely reproducing the sound design of the newest 70 mm/Dolby Digital multi-track films.

The sound field is made to be similar to that of the newest movie theaters, so the reverberations of the sound field itself are restrained as much as possible. The three dimensional feeling of the sound field is emphasized, and dialog is precisely oriented on the screen. You can enjoy watching Sci-Fi, adventure movies, etc. with considerable presence.

37

RX-V595-4 37 3/25/99, 11:55 AM

38

RX-V595-4

No.

PROGRAM

4 MONO MOVIE

( )

Functions when the input signal is analog or PCM audio, or encoded with the Dolby Digital in

2-channel.

Speaker output: main, center, rear

( )

Functions when the input signal is encoded with the Dolby Digital (not in 2-channel).

Speaker output: main, center, rear

5 TV SPORTS

( )

Functions when the input signal is analog or PCM audio, or encoded with the Dolby Digital in

2-channel.

Speaker output: main, center, rear

( )

Functions when the input signal is encoded with the Dolby Digital (not in 2-channel).

Speaker output: main, center, rear

6 DISCO

( )

Functions when the input signal is analog or PCM audio, or encoded with the Dolby Digital in

2-channel.

Speaker output: main, rear

( )

Functions when the input signal is encoded with the Dolby Digital (not in 2-channel).

Speaker output: main, center, rear

7 ROCK CONCERT

( )

Functions when the input signal is analog or PCM audio, or encoded with the Dolby Digital in

2-channel.

Speaker output: main, rear

( )

Functions when the input signal is encoded with the Dolby Digital (not in 2-channel).

Speaker output: main, center, rear

8 CONCERT HALL

( )

Functions when the input signal is analog or PCM audio, or encoded with the Dolby Digital in

2-channel.

Speaker output: main, rear

( )

Functions when the input signal is encoded with the Dolby Digital (not in 2-channel).

Speaker output: main, center, rear

FEATURE

This program is designed specifically to enhance mono source programs. Compared to a strictly mono setting, the sound image created in this mode is wider and slightly forward of the speaker pair, lending an immediacy to the overall sound. It is particularly effective when used with old mono movies, news broadcasting and dialog.

This program is furnished with a tight sound field in which the sound will not spread excessively on the front side, but the rear surround side produces a dynamic sound expansion. This program is the most suitable for sports programs.

This program recreates the acoustic environment of a lively disco in the heart of a very lively city. The sound is dense and highly concentrated. It is also characterized by a high-energy,

“immediate” sound.

This program is ideally suited for rock music. You will experience a very dynamic and lively sound field.

In this program, the center will appear to be deep behind the main speakers, creating an expansive, large hall ambience.

Orchestra and opera music are suited to this sound field.

Note: When the NONE position is selected on “1. CNTR” in the SET MENU mode, no sound is output from the center speaker(s).

38 3/25/99, 11:55 AM

PLAYING A SOURCE WITH THE DIGITAL SOUND FIELD PROCESSOR (DSP)

EFFECT

2

2

1

Follow steps 1 to 7 shown in “BASIC OPERATIONS” on pages 27 to 28.

2

Select the desired DSP program that is suitable for the source.

Front panel Remote control

or

Press DSP. While the indicator lights up for about three seconds, select a DSP program using the numeric buttons (1 to 8).

* If the SELECTOR DIAL is set to the DSP position, you can also select a DSP program using the numeric buttons

(1 to 8).

3

If desired, adjust the delay time and the output level of each speaker. (For details, see pages 41 and 42.)

Notes

• You can select the program for each of the input sources.

Once you select a program, it is linked with the input source selected at that time. So, when you select the input source next time, the same program is automatically called.

• If you prefer to cancel the DSP, press EFFECT or EFCT ON/

OFF. The sound will be the normal 2-channel stereo without surround sound effect.

• When a monaural sound source is played with DOLBY PRO

LOGIC or DOLBY PRO LOGIC ENHANCED, no sound is heard from the main speakers and the rear speakers. Sound is heard only from the center speaker. However, if the NONE position is selected on “1. CNTR” in the SET MENU mode, the main speakers output the sound of the center channel.

• If the main-source sound is considerably altered by overadjustment of BASS or TREBLE when this unit’s Dolby

Pro Logic Surround decoder or Dolby Digital decoder is used, the relationship between the center and rear channels may produce an unnatural effect.

The name of selected program appears on the display.

39

RX-V595-4 39 3/25/99, 11:55 AM

This unit incorporates a Dolby Digital decoder and a Dolby Pro Logic Surround decoder for multi-channel sound reproduction of sources encoded with Dolby Surround. The operation of these decoders can be controlled by selecting a corresponding DSP program including the combined operation of YAMAHA DSP and Dolby Digital or Dolby Pro Logic Surround.

To enjoy a video source with the Dolby Pro

Logic Surround or Dolby Digital decoded

When you select the program DOLBY PRO LOGIC/DOLBY

DIGITAL, DOLBY PRO LOGIC ENHANCED/DOLBY DIGITAL

ENHANCED or 70 mm MOVIE THEATER/DIGITAL MOVIE

THEATER, and the input signal of the source is 2-channel stereo, Dolby Pro Logic Surround is decoded. When some program is selected and the input signal of the source is encoded with Dolby Digital, Dolby Digital is automatically decoded.

* The following indicators on the display show you what sound processing is being made.

Lights up when the Dolby Digital is being decoded and the input signals of selected source encoded with Dolby Digital is not in 2-channel.

Lights up when the digital sound field processor is turned on.

To cancel the effect sound

EFFECT on the front panel and EFCT ON/OFF on the remote control transmitter make it simple to compare the normal stereo sound with the fully processed effect sound.

To cancel the effect sound and monitor only the main sound, press EFFECT or EFCT ON/OFF. Press EFFECT or EFCT

ON/OFF once more to turn effect sounds on.

Front panel Remote control or

Lights up when the Dolby Pro Logic Surround is being decoded.

* In addition, for the program DOLBY PRO LOGIC/DOLBY

DIGITAL, DOLBY PRO LOGIC ENHANCED/DOLBY

DIGITAL ENHANCED or 70 mm MOVIE THEATER/DIGITAL

MOVIE THEATER, the name of the program on the display will change according to the type of decoding. (For details, see page 37.)

Note

If the input signals of the source are encoded with Dolby Digital in 2-channel only, the sound processing for them is similar to that for analog or PCM audio signals.

Notes

• If the effect sound is canceled when signals encoded with

Dolby Digital are input to this unit, signals of all channels are mixed and are output from the main speakers.

• If EFFECT or EFCT ON/OFF is pressed to turn effect sounds off when the Dolby Digital is decoded, it may happen that the sound is output faintly or not output normally depending on the source. In that case, press EFFECT or EFCT ON/OFF to turn effect sounds on, or use input signals not encoded with

Dolby Digital.

40

RX-V595-4 40 3/25/99, 11:56 AM

ADJUSTING DELAY TIME AND SPEAKER OUTPUT LEVELS

When using the digital sound field processor including the

Dolby Pro Logic Surround decoder or the Dolby Digital decoder, you can adjust the delay time between the main sound and effect sound, and each speaker’s output level as you prefer.

Note: These adjustments can be made only when the effect sound is on. If none of the indicators , and

light up on the display, press EFFECT on the front panel or EFCT ON/OFF on the remote control transmitter so that at least one of these indicators lights up on the display.

1

2

1

2

Adjusting method

If you are using the remote control transmitter, set the

SELECTOR DIAL to the AMP/TUN or DSP position on the remote control transmitter.

or

2

Press + or to adjust the settings for delay time or speaker output levels.

Front panel Remote control

1

Press TIME/LEVEL once or more until the name of item which you want to adjust appears on the display.

Front panel Remote control or

* After pressing TIME/LEVEL once on the remote control transmitter, you can also select the name of item by pressing .

When pressed, the selection changes as follows:

D E L A Y

C E N T E R

R S U R .

L S U R .

S W F R

* Pressing on the remote control transmitter changes the selection in the reverse order.

* Depending on the mode of this unit, you cannot select all items.

or

3

Repeat steps 1 to 3 to adjust settings on any other item.

41

RX-V595-4 41 3/25/99, 11:56 AM

Adjusting delay time

You can adjust the time difference between the beginning of the sound from the main speakers and the beginning of the effect sound from the rear speakers.

The larger the value, the later the effect sound is generated.

This adjustment can be made to all programs individually.

Notes

• Adding too much delay will cause an unnatural effect with some sources.

• When + or is pressed, the sound is momentarily interrupted.

Program

1.

DOLBY PRO LOGIC

DOLBY DIGITAL

2.

DOLBY PRO LOGIC ENHANCED

DOLBY DIGITAL ENHANCED

3.

70 mm MOVIE THEATER

DIGITAL MOVIE THEATER

4.

MONO MOVIE

5.

TV SPORTS

6.

DISCO

7.

ROCK CONCERT

8.

CONCERT HALL

Control range (ms)

15 to 30

0 to 15

15 to 30

0 to 15

15 to 30

1 to 99

1 to 99

1 to 99

1 to 99

1 to 99

1 to 99

Preset value

20

5

20

5

20

16

49

9

40

16

44

Adjusting output level of the center, right rear and left rear speakers, and subwoofer

If desired, you can adjust the sound output level of each speaker even if the output level is already set in “SPEAKER

BALANCE ADJUSTMENT” on pages 24 to 26.

Notes

• Output level of the center speaker cannot be adjusted when the program DISCO, ROCK CONCERT or CONCERT HALL is selected, and the input signal is analog, PCM audio, or encoded with Dolby Digital in 2-channel.

• If the function “1. CNTR” in the SET MENU mode is set to the

NONE position, the sound output level of the center speaker cannot be adjusted. This is because, in this mode, the center sound is automatically output from the left and right main speakers.

• Once the output level is adjusted, the level will be the same for all digital sound field programs.

Speakers

CENTER

RIGHT SURROUND (Rear)

LEFT SURROUND (Rear)

SUBWOOFER

Control range (dB)

MIN, –20 to +10

MIN, –20 to +10

MIN, –20 to +10

MIN, –20 to 0

Preset value

0

0

0

0

Note

The values of the delay time, center/rear/subwoofer output level you set the last time will remain memorized even when this unit is in the standby mode. However, if the power cord is kept disconnected for more than one week, these values will automatically change back to the original factory settings.

42

RX-V595-4 p42 42 8/21/98, 7:19 PM

ADJUSTMENTS IN THE “SET MENU” MODE

The following ten types of functions maximize the performance of your system and expand your enjoyment for audio listening and video watching.

1.

CNTR (CENTER SPEAKER)

2.

REAR (REAR SPEAKER)

3.

MAIN (MAIN SPEAKER)

4.

BASS (LFE/BASS OUT)

5.

M.LVL (MAIN LEVEL)

6.

7.

8.

9.

LFE (LFE LEVEL)

D.RNG (DYNAMIC RANGE)

C.DELAY (CENTER DELAY)

GUARD (MEMORY GUARD)

10. INPUT (INPUT MODE)

For details on “1. CNTR”, “2. REAR”, “3. MAIN”, “4. BASS” and

“5. M.LVL”, see page 22. (Once you have selected the appropriate modes, you do not have to change settings unless any alteration is made in your speaker system.)

6. LFE [Adjusting the output level of the

LFE (low frequency effect) channel]

Control range: –20 dB to 0 dB (in 1 dB step)

Preset value: 0 dB

* This adjustment is effective only when the Dolby Digital is decoded and the signals of selected source encoded with the

Dolby Digital contain LFE signals.

Adjusts the output level of the LFE (low frequency effect) channel. If the LFE signals are mixed with signals of other channels to output them from the same speakers, the ratio of

LFE signal level to the level of other signals are adjusted.

(See page 7 for details about the LFE channel.)

7. D.RNG

(Adjusting dynamic range)

Choices: MAX/STD/MIN

Preset position: MAX

* This adjustment is effective only when the Dolby Digital is decoded.

MAX:

MIN:

“Dynamic range” is the difference between the maximum level and the minimum level of sounds.

Sounds on a movie originally designed for movie theaters feature very wide dynamic range.

Dolby Digital technology can bring the original sound track into a home audio format with this wide dynamic range unchanged.

In this position, a source encoded with the Dolby

Digital is reproduced in the original sound track’s wide dynamic range providing you with powerful sounds just like in a movie theater.

Selecting this position will be even better if you can listen to a source in a high output level in a room specially soundproofed for audio/video enjoyment.

STD (Standard):

Powerful sounds of extremely wide dynamic range are not always suitable for home use. Depending upon the condition of your listening environment, it may not be possible to increase the sound output level as high as a movie theater. However, in a level suitable for listening to in your room, the low level parts of source sound often cannot be heard so well because they will be lost among noises in your environment.

Dolby Digital technology also made it possible to reduce an original sound track’s dynamic range for a home audio format by “compressing” the data of sound.

In this position, a source encoded with the Dolby

Digital is reproduced in the “compressed” dynamic range of the source suitable for low level listening.

In this position, dynamic range is more reduced than in the STD position.

Selecting this position will be effective when you must listen to a source at lower level.

43

RX-V595-5 43 3/25/99, 11:56 AM

8. C.DELAY [Adjusting the delay of center sounds (dialog etc.)]

Control range: 0 ms to 5 ms (in 1 ms step)

Preset value: 0 ms

Adjusting method

Operations should be made while watching the information on this unit’s display.

If you are using the remote control transmitter, set the

SELECTOR DIAL to the AMP/TUN or DSP position on the remote control transmitter.

* This adjustment is effective only when the Dolby Digital is decoded and the signals of selected source encoded with the

Dolby Digital contain center-channel signals.

Adjusts the delay between the main sounds (at the main channels) and dialog etc. (at the center channel).

The larger the value, the later the dialog etc. is generated.

This is for making sounds from the left main, center and right main speakers reach your listening position at the same time.

This is achieved by delaying the sound from the center speaker if the distance from the center speaker to your listening position is shorter than the distance from the left or right main speaker to your listening position.

or

Press SET MENU once or more so that the title of function which you want to change appears on the display.

Front panel Remote control or

9. GUARD

Choices: ON/OFF

Preset position: OFF

If you wish to prevent accidental alteration to SET MENU and other adjustments on this unit, select ON. The following functions on this unit can be locked by this operation.

• Functions in the SET MENU mode

• Functions in the TIME/LEVEL mode

• Functions when using TEST

10. INPUT (Selecting the initial input mode of the sources connected to the TV/DBS input terminals)

For the sources connected to the TV/DBS input terminals of this unit only, you can designate the input mode that is automatically selected when the power of this unit is switched on.

AUTO: In this position, the AUTO input mode is always selected when the power of this unit is switched on.

LAST: In this position, the input mode you selected last time is memorized and will not be changed even if the power of this unit is switched on.

* See page 29 for details about switching the input mode.

* After pressing SET MENU once on the remote control transmitter, you can also select the title by pressing .

(Pressing goes back one selection.)

Press + or to select any desired position or edit parameters on the function.

Front panel Remote control or

Repeat these steps to change and adjust settings on any other function.

44

RX-V595-5 44 3/25/99, 11:56 AM

REMOTE CONTROL TRANSMITTER

You can use this remote control transmitter to control not only this unit but also other components connected to it. This is factory set to control this unit and most YAMAHA audio components. To control other brands of components, you must preset the remote control transmitter with the manufacturer’s codes listed on pages 56 to 61.

Components which can be controlled

There are nine positions that you can select to control connected components with this remote control transmitter. When turning the

SELECTOR DIAL, the position changes as follows:

AMP/TUN:

You can perform basic operations of this unit with the

SELECTOR DIAL set to this position.

TV:

A television can be controlled.

CBL/DBS:

A cable television or

DBS tuner can be controlled.

VCR:

A VCR can be controlled.

SELECTOR

DIAL

TAPE/MD:

The code for a YAMAHA tape deck is preset.

(Be sure to preset the proper code when operating a YAMAHA

MD recorder.)

CD:

The code for a YAMAHA CD player is preset.

DSP:

This unit can be controlled and DSP programs can be selected directly.

DVD/LD & DVD MENU:

An LD player can be controlled using the DVD/LD position.

A DVD player can be controlled using the DVD/LD and DVD

MENU position. When using the YAMAHA DVD player

(DVD-1000 or DVD-S700), be sure to preset the code number

“4490”.

Notes

1.

The shaded positions in the diagram above indicate that you can preset the code for the manufacturer of your component.

Note that you can preset only one code for one position. For details, see “SETUP CODES” on page 50.

2.

The DVD/LD and DVD MENU positions

• Be sure that the SELECTOR DIAL is set to the DVD/LD position when presetting the code for a DVD or an LD player. The code that you preset to the DVD/LD position is also preset to the DVD MENU position simultaneously. You cannot preset the code for a DVD player when the SELECTOR DIAL is set to the DVD MENU position.

• DVD MENU operations cannot be performed for some DVD players.

3.

When using a second (and third) VCR (For details, see “To use a second (and third) VCR” on page 50.)

• If you are not using a CBL/DBS (cable TV or DBS tuner), the second (or third) VCR can be preset using the CBL/DBS position.

• If you are not using a DVD player, the second (or third) VCR can be preset using the DVD MENU position. Note that in this case you must preset a code for an LD player to the DVD/LD position even if an LD player is not used.

Basic Operations

1

Select the component that you want to control by turning the SELECTOR DIAL.

Note: Turn the SELECTOR DIAL until it stops with a click.

2

Press the desired operation button.

Note: Press the button with the remote control transmitter aimed at the front panel.

The component name is displayed in this window.

Indicator

The indicator will flash when the button is pressed.

45

RX-V595-6 45 3/25/99, 11:56 AM

Faintly colored buttons do not function.

AMP/TUN

1

Indicator window:

Displays the names of components which can be controlled.

7

8

9

(TV POWER)

DSP

2

3

4

5

6 q r

Note: TV POWER and TV VOLUME function if you have preset the code for your TV.

t

Indicator:

Flashes in red when the button is pressed.

SELECTOR DIAL:

Selects the component to be controlled.

y u

(TV VOLUME) p a s f

1

POWER

This button turns this unit on.

2

INPUT

Press these buttons to select the program source.

3

EXT. DEC.

Press this button when using a external decoder.

4

A/B/C/D/E

Press this button to select a group of preset stations.

5

DSP selector

Press this button. While the indicator lights up for about three seconds, select a DSP program using the number buttons (1 to

8). No DSP program can be selected after the indicator goes off.

6

PRESET (+/–)

Press these buttons to select the preset station number.

7

VOLUME ( )

Press these buttons to adjust the volume level.

8

MUTE

Press this button to mute the sound. To cancel mute, press this button once more, or press the operation buttons of this unit.

9

SLEEP

Press this button to set the SLEEP timer.

q

(LEFT)

This button is used to adjust the setting of the SET MENU mode and the TIME/LEVEL mode.

r

TIME/LEVEL

Press this button to select the item in the TIME/LEVEL mode.

t

STANDBY

Press this button to turn this unit into Standby mode.

y

TEST

Press this button to output a test tone for adjusting the output level of the speakers.

u

EFCT (EFFECT) ON/OFF

Press this button to switch the DSP program on or off.

p

(BACK)

Press this button to go back one selection in the SET MENU mode and TIME/LEVEL mode.

a

(RIGHT)

This button is used to adjust the settings of the SET MENU mode and the TIME/LEVEL mode.

s

(NEXT)

Press this button to advance one selection in the SET MENU mode and TIME/LEVEL mode.

f

SET MENU

Press this button to select functions in the SET MENU mode.

2

2

DSP program

Press these buttons to select the DSP program (1 to 8). When you select the input source, set the SELECTOR DIAL to the

AMP/TUN position.

Note: The function of all buttons other than DSP program is the same as with the AMP/TUN position.

46

RX-V595-6 46 3/25/99, 11:56 AM

Faintly colored buttons do not function. For the buttons which are not described here, see “AMP/TUN” on page 46.

For details, please refer to the instruction manual for each component.

TAPE/MD

1

(TV

POWER)

0 q w e

(TV

VOLUME) i o p a s d

Notes TV POWER and TV VOLUME function if you have preset the code for your TV.

• Be sure to preset the proper code for your MD recorder.

TAPE

1

POWER

This button turns this unit on under the default settings. (The code for a YAMAHA tape deck is preset as the default code.)

If other codes are preset, only those preset tape decks having a remote controller with a POWER button will be turned on.

0

(REC/PAUSE)

Press this button to pause recording on a tape deck.

q

DIR A

Press this button to select the playing direction of DECK A.

MD

1

POWER

This button turns this unit on if you have preset the code for the YAMAHA MD recorder. If other codes are preset, only those preset MD recorders having a remote controller with a POWER button will be turned on.

0

(REC/PAUSE) w

(PLAY)

Press this button to play a tape.

q

(SKIP) w

(PLAY) e

(REWIND)

Press this button to rewind a tape.

e

(BACKWARD) o

DECK A/B

Press this button to select double cassette tape deck A or B.

i

DISPLAY p

(PAUSE) a

DIR B

Press this button to select the playing direction of DECK B.

a

(SKIP) s

(STOP)

Press this button to stop operation of a tape.

s

(STOP) d

(FAST FORWARD) d

(FAST FORWARD)

Press this button to fast forward a tape.

CD

1

6

(TV

POWER) q w e

RX-V595-6 47

(TV

VOLUME)

DISPLAY

(TV INPUT) p s d

Note: TV POWER, TV VOLUME and TV INPUT function if you have preset the code for your TV.

1

POWER

This button turns this unit on under the default settings. (The code for a YAMAHA CD player is preset as the default code.) If other codes are preset, only those preset CD players having a remote controller with a POWER button will be turned on.

6

DISC SKIP (+/–)

Press this button to skip to the next or previous CD.

q

, (SKIP)

Press to skip to the next track. Press to skip to the previous track.

w

(PLAY)

Press this button to play a CD.

e

(BACKWARD)

Press this button to backward the track that is playing.

p

(PAUSE)

Press this button to pause operation. This button functions as PAUSE/STOP for operating YAMAHA CD players under default settings.

s

(STOP)

Press this button to stop operation. This button functions as PAUSE/STOP for operating YAMAHA CD players under default settings.

d

(FAST FORWARD)

Press this button to fast forward the track that is playing.

47

3/25/99, 11:56 AM

Faintly colored buttons do not function. For the buttons which are not described here, see “AMP/TUN” on page 46.

For details, please refer to the instruction manual for each component.

DVD/LD

Note: TV POWER, TV VOLUME and TV INPUT function if you have preset the code for your TV.

POWER

(DVD) This button turns this unit on under the default settings. (The code for a YAMAHA DVD player is preset as the default code.) If other codes are preset, only those preset DVD players having a remote controller with a POWER button will be turned on.

(LD) This button turns this unit on if you have preset the code for the YAMAHA LD player. If other codes are preset, only those preset LD players having a remote controller with a POWER button will be turned on.

DISC SKIP

(TV VOLUME)

(TV POWER)

SKIP/SEARCH

PLAY

SUBTITLE (DVD)/BACKWARD (LD)

SUBTITLE ON/OFF (DVD)

DISPLAY

(TV INPUT)

PAUSE

STOP

ANGLE (DVD)/FAST FORWARD (LD)

AUDIO (DVD)

48

RX-V595-6

DVD MENU

POWER

(DVD) This button turns this unit on under the default settings. (The code for a YAMAHA DVD player is preset as the default code.) If other codes are preset, only those preset DVD players having a remote controller with a POWER button will be turned on.

DISC SKIP

(TV POWER)

MENU LEFT

MENU SELECT

SET UP

TITLE

48

Note: TV POWER, TV VOLUME and TV INPUT function if you have preset the code for your TV.

Numeric buttons

CLEAR

+10

(TV VOLUME)

TITLE/INDEX

(TV INPUT)

MENU UP

MENU RIGHT

MENU DOWN

RETURN

MENU

3/25/99, 11:56 AM

Faintly colored buttons do not function. For the buttons which are not described here, see “AMP/TUN” on page 46.

For details, please refer to the instruction manual for each component.

VCR

Note: TV POWER, TV VOLUME and TV INPUT function if you have preset the code for your TV.

TV

Note: You can control your VCR if you have preset the code for it.

POWER

CHANNEL

CHANNEL ENTER

CHANNEL UP DOWN

(TV POWER)

VCR REC

Press this button twice to start recording.

PLAY

REWIND

(TV VOLUME)

DISPLAY

(TV INPUT)

PAUSE

STOP

FAST FORWARD

CHANNEL

CHANNEL ENTER

CHANNEL UP DOWN

TV MUTE

TV SLEEP

(VCR REC

TV POWER

Press this button twice.

)

(VCR PLAY)

(VCR REWIND)

TV EFFECT ON/OFF

TV VOLUME

DISPLAY

TV INPUT

(VCR PAUSE)

(VCR STOP)

(VCR FAST

FORWARD)

CBL/DBS

Note: TV POWER, TV VOLUME and TV

INPUT function if you have preset the code for your TV.

POWER

CHANNEL

CHANNEL ENTER

CHANNEL UP DOWN

(TV POWER)

MENU LEFT

MENU SELECT

+100

(TV VOLUME)

DISPLAY

(TV INPUT)

MENU UP

MENU RIGHT

MENU DOWN

RECALL

MENU

49

RX-V595-6 49 3/25/99, 11:56 AM

50

RX-V595-6

SETUP CODES

Presetting the remote control transmitter

Perform the presetting procedure for each component you want to control with this remote control transmitter.

Note: If your component does not respond to any of the codes listed for the manufacturer, use the original remote control that came with the component.

To control your components

(MD recorder, DVD player,

TV etc.)

1.

Turn on the component to be used.

2.

Set the SELECTOR DIAL to the desired component (TAPE/MD,

DVD/LD, TV etc.).

To use a second (and third) VCR

You can use the CBL/DBS and/or DVD

MENU positions to control a second

VCR (and/or third) if a CBL (or DBS) or

DVD player is not used.

If you are using the DVD MENU position for a second (or third) VCR, you must preset a code for an LD player to the

DVD/LD position.

1.

Turn on the VCR to be used.

2.

Set the SELECTOR DIAL to the

CBL/DBS or DVD MENU position.

6.

Press POWER (or any other button) on the remote control transmitter to check if you have preset the code correctly. If the VCR cannot be controlled using the remote control transmitter, try entering another code for the same manufacturer.

3.

Press both VOLUME buttons (

) at the same time until the indicator flashes twice.

4.

Use the numeric buttons to enter the four-digit manufacturer’s code for the component to be used. Make sure that the indicator flashes twice.

If the indicator does not flash, repeat step 3 and re-enter the code.

5.

Press POWER (or any other button) on the remote control transmitter to check if you have preset the code correctly. If the component cannot be controlled using the remote control transmitter, try entering another code for the same manufacturer.

3.

Press both VOLUME buttons (

) at the same time until the indicator flashes twice.

4.

Press MUTE.

5.

Use the numeric buttons to enter the four-digit code for a second (or third)

VCR. Make sure that the indicator flashes twice. If the indicator does not flash, repeat step 3 and 4, and re-enter the code.

Returning to the default code

To return all components to the default code, follow these steps.

1.

Press both VOLUME buttons (

) at the same time until the indicator flashes twice.

2.

Enter the code number “9987”.

3.

Make sure that the indicator flashes twice.

To return each component to the default code, follow these steps.

1.

Set the SELECTOR DIAL to the component to be return to the default code.

2.

Press both VOLUME buttons (

) at the same time until the indicator flashes twice.

3.

Enter the code number “9999”.

4.

Make sure that the indicator flashes twice.

The following codes are preset as the default code.

Default codes

POSITION Component Code

TV TV 0047

CBL/DBS DBS tuner 2566

VCR VCR 3060

DVD/LD DVD player 4545 YAMAHA

CD CD player 6187 YAMAHA

TAPE/MD Tape deck 8524 YAMAHA

We recommend that you write all code numbers you have preset on the “Quick

Reference Card”.

50 3/25/99, 11:56 AM

Battery installation

NOTES ABOUT THE REMOTE

CONTROL TRANSMITTER

Remote control transmitter operation range

1

3

2

Remote control sensor

Within approximately

6 m (20 feet)

Battery replacement

If the remote control transmitter operates only when it is closed to this unit, the batteries are weak. Replace both batteries with new ones.

Be sure to replace batteries within about two minutes. If it takes longer than two minutes, the codes preset for the remote control transmitter will return to the default codes.

Notes

• Use only AA, R6, UM-3 batteries for replacement.

• Be sure the polarities are correct. (See the illustration inside the battery compartment.)

• Remove the batteries if the remote control transmitter will not be used for an extended period of time.

• If batteries leak, dispose of them immediately. Avoid touching the leaked material or letting it come in contact with clothing, etc. Clean the battery compartment thoroughly before installing new batteries.

Notes

• There should be no large obstacles between the remote control transmitter and this unit.

• If the remote control sensor is directly illuminated by strong lighting (especially an inverter type of fluorescent lamp etc.), it might cause the remote control transmitter not to work correctly. In this case, reposition this unit to avoid direct lighting.

3/25/99, 11:56 AM

51

RX-V595-6 51

52

RX-V595-7

TROUBLESHOOTING

If the unit fails to operate normally, check the following points to determine whether the fault can be corrected by the simple measures suggested. If it cannot be corrected, or if the fault is not listed in the SYMPTOM column, disconnect the power cord and contact your authorized YAMAHA dealer or service center for help.

SYMPTOM

The unit fails to turn on when

STANDBY/ON is pressed, or turns into the standby mode suddenly soon after the power is turned on.

The unit does not work normally.

No sound or no picture.

The sound suddenly goes off.

Only one side speaker outputs the sound.

A “humming” sound can be heard.

The volume level is low while playing a record.

The volume level cannot be increased, or the sound is distorted.

No sound from the rear speakers.

No sound from the center speaker.

CAUSE

Power cord is not plugged in or is not completely inserted.

The IMPEDANCE SELECTOR switch on the rear panel is not fully set to the upper or lower end.

There is an influence of strong external noise (lightning, excessive static electricity, etc.) or a misoperation while using this unit.

Incorrect output cord connections.

Appropriate input source is not selected.

SPEAKERS are not set properly.

Speaker connections are not secure.

The protection circuit has been activated because of short circuit etc.

The SLEEP timer has functioned.

Incorrect setting of BALANCE.

Incorrect cord connections.

Incorrect cord connections.

REMEDY

Firmly plug in the power cord.

Set the switch fully to the upper or lower end.

Turn this unit into the standby mode and disconnect the AC power cord from the AC outlet. After about 30 seconds have passed, connect the power and operate this unit again.

Connect the cords properly. If the problem persists, the cords may be defective.

Select an appropriate input source with

INPUT.

Set SPEAKERS corresponding to the speakers in use to the ON position.

Secure the connections.

Turning the unit into the standby mode and then on again will reset the protection circuit.

Cancel the SLEEP timer function.

Adjust it to the appropriate position.

Connect the cords properly. If the problem persists, the cords may be defective.

Firmly connect the audio plugs. If the problem persists, the cords may be defective.

Make the GND connection between the turntable and this unit.

The turntable should be connected to the unit through the MC head amplifier.

Turn the power to the component on.

No connection from the turntable to the

GND terminal.

The record is being played on a turntable with an MC cartridge.

The component connected to the REC

OUT terminals of this unit is in the standby mode.

The sound output level of the rear speakers is set to minimum.

A monaural sound source is being played in DOLBY PRO LOGIC or

DOLBY PRO LOGIC ENHANCED mode.

The sound output level of the center speaker is set to minimum.

The center channel mode is in NONE mode.

Incorrect sound field program selection.

Raise the sound output level of the rear speakers.

Select another sound field program suitable for the monaural sound source.

Raise the sound output level of the center speaker.

Select LARGE or SMALL.

Select the appropriate program.

52 3/25/99, 11:56 AM

SYMPTOM

FM stereo reception is noisy.

There is distortion and clear reception cannot be obtained even with a good FM antenna.

The desired station cannot be tuned in with the automatic tuning method.

CAUSE

Because of the characteristics of FM stereo broadcasts, this is limited to cases where the transmitter is too far away or the antenna input is poor.

There is multipath interference.

The station is too weak.

Previously preset stations can no longer be tuned in.

The desired station cannot be tuned in with the automatic tuning method.

This unit has been unplugged for a long period.

Weak signal or loose antenna connections.

There are continuous crackling and hissing noises.

Noises will result from ligtning, fluorescent lamps, motors, thermostats and other electrical equipment.

A television set is being used nearby.

There are buzzing and whining noises (especially in the evening).

The remote control transmitter does not work.

The sound is degraded when listening with headphones to a CD player or tape deck that is connected to this unit.

Direct sunlight or lighting (of an inverter type of fluorescent lamp etc.) is striking the remote control sensor of the main unit.

The manufacturer’s code is not set properly.

The proper manufacturer’s code for the component to be controlled is not set.

The component to be controlled is not selected.

This unit is in the standby mode.

REMEDY

Check the antenna connections.

Try using a high quality directional FM antenna.

Set TUNING MODE to the manual tuning mode.

Adjust antenna placement to eliminate multipath interference.

Use the manual tuning method.

Use a high quality directional FM antenna.

Repeat the presetting procedure.

Tighten the AM loop antenna connections and rotate it for best reception.

Use the manual tuning method.

Use an outdoor antenna and a ground wire. This will help somewhat but it is difficult to eliminate all noise.

Relocate this unit away from the TV.

Change the position of the main unit.

Set the code again.

Try entering another code for the same manufacturer.

Set the SELECTOR DIAL to the proper position.

Turn the power of the unit on.

RX-V595-7 53 3/25/99, 11:56 AM

53

54

RX-V595-7

SPECIFICATIONS

AUDIO SECTION

Minimum RMS Output Power

8 ohms, 20 Hz to 20 kHz, 0.04% THD

[U.S.A. and Canada models]

MAIN L/R ............................. 70W + 70W

CENTER .......................................... 70W

REAR L/R ............................ 70W + 70W

[Australia, China, Singapore and General models]

MAIN L/R ............................. 65W + 65W

CENTER .......................................... 65W

REAR L/R ............................ 65W + 65W

8 ohms, 1 kHz, 0.07% THD

[U.S.A. and Canada models]

MAIN L/R ............................. 85W + 85W

CENTER .......................................... 85W

REAR L/R ............................ 85W + 85W

[Australia, China, Singapore and General models]

MAIN L/R ............................. 80W + 80W

CENTER .......................................... 80W

REAR L/R ............................ 80W + 80W

Maximum Power

[China and General models only]

8 ohms, 1 kHz, 10% THD

MAIN L/R ............................. 105W+105W

CENTER .......................................... 105W

REAR L/R ............................ 105W+105W

Dynamic Power per Channel

(by IHF Dynamic Headroom measuring method)

MAIN L/R

[U.S.A. and Canada models]

8/6/4/2 ohms ............... 100/120/145/170W

[Australia, China, Singapore and General models]

8/6/4/2 ohms ................. 90/110/135/160W

Dynamic Headroom (8 ohms)

[U.S.A. and Canada models only]

...................................................... 1.55 dB

Power Band Width

MAIN L/R

8 ohms, 35W, 0.1% THD

......................................... 10 Hz to 50 kHz

Damping Factor (SPEAKERS A)

MAIN L/R

8 ohms, 20 Hz to 20 kHz .......... 60 or more

Input Sensitivity/Impedance

PHONO MM ................... 2.5 mV/47 k-ohms

CD/TAPE·MD/DVD·LD/TV·DBS/VCR

/VIDEO AUX .................. 150 mV/47 k-ohms

EXT. DECODER

MAIN L/R .................... 150 mV/47 k-ohms

CENTER/SURROUND L/R

/SUBWOOFER ........... 150 mV/40 k-ohms

Maximum Input Signal

PHONO MM

1 kHz, 0.1% THD ............. 100 mV or more

CD/TAPE·MD/DVD·LD/TV·DBS/VCR

/VIDEO AUX (EFFECT ON)

1 kHz, 0.5% THD .................. 2.2V or more

Output Level/Impedance

REC OUT ..................... 150 mV/1.2 k-ohms

SUBWOOFER (MAIN SPEAKER: SMALL)

........................................... 4V/1.2 k-ohms

Headphones Jack Rated Output/Impedance

CD/TAPE·MD/DVD·LD/TV·DBS/VCR

/VIDEO AUX input, 1 kHz, 150mV,

RL = 8 ohms ........................ 0.5V/390 ohms

Frequency Response (20 Hz to 20 kHz)

CD/TAPE·MD/DVD·LD/TV·DBS/VCR

/VIDEO AUX to MAIN L/R SP OUT

.................................................... 0±0.5 dB

RIAA Equalization Deviation

PHONO MM .................................. 0±0.5 dB

Total Harmonic Distortion (20 Hz to 20 kHz)

PHONO MM to REC OUT

1V ........................................... 0.02% or less

Signal-to-Noise Ratio (IHF-A Network)

PHONO MM to REC OUT

[U.S.A., Canada, China and General models]

(5 mV, Input Shorted) .......... 86 dB or more

[Australia and Singapore models]

(5mV, Input Shorted) ........... 81 dB or more

CD/TAPE·MD/DVD·LD/TV·DBS/VCR

/VIDEO AUX to SP OUT (EFFECT OFF)

(150 mV, Input Shorted) ...... 96 dB or more

Residual Noise (IHF-A Network)

MAIN L/R SP OUT ................ 150 µV or less

Channel Separation

(Vol. –30 dB, EFFECT OFF)

PHONO MM

(Input Shorted, 1 kHz/10 kHz)

.................... 60 dB or more/55 dB or more

CD/TAPE·MD/DVD·LD/TV·DBS/VCR

/VIDEO AUX

(Input 5.1 k-ohms Terminated, 1 kHz/10 kHz)

.................... 60 dB or more/45 dB or more

Tone Control Characteristics

BASS: Boost/cut ............. ±10 dB (50 Hz)

Turnover Frequency ......... 350 Hz

TREBLE: Boost/cut ........... ±10 dB (20 kHz)

Turnover Frequency ........ 3.5 kHz

Filter Characteristics

MAIN L/R, REAR L/R (SPEAKER: SMALL)

(H.P.F.) .................... fc = 90 Hz, 12 dB/oct.

SUBWOOFER

(L.P.F.) ..................... fc = 90 Hz, 18 dB/oct.

VIDEO SECTION

Video Signal Type

[U.S.A. and Canada models] .............. NTSC

[Australia and Singapore models] ......... PAL

[China and General models] ....... NTSC/PAL

Video Signal Level ................ 1 Vp-p/75 ohms

Maximum Input Level .......... 1.5 Vp-p or more

Signal-to-Noise Ratio ............... 50 dB or more

Monitor Out Frequency Response

.............................. 5 Hz to 10 MHz, –3 dB

FM SECTION

Tuning Range

[U.S.A. and Canada models]

..................................... 87.5 to 107.9 MHz

[Australia and Singapore models]

..................................... 87.5 to 108.0 MHz

[China and General models]

100 kHz step ................ 87.5 to 108.0 MHz

50 kHz step .............. 87.50 to 108.00 MHz

50 dB Quieting Sensitivity (IHF)

(100% mod., 1 kHz)

Mono ................................. 1.6 µV (15.3 dBf)

Stereo ................................ 23 µV (38.5 dBf)

54 3/25/99, 11:56 AM

Usable Sensitivity (DIN)

[Australia and Singapore models]

Mono (S/N 26 dB) ........................... 0.9 µV

Stereo (S/N 46 dB) ........................... 28 µV

Alternate Channel Selectivity (±400 kHz )

[U.S.A., Canada, China and General models only] .................................................... 75 dB

GENERAL

Power Supply

[U.S.A. and Canada models]

......................................... AC 120V, 60 Hz

[Australia model] ................. AC 240V, 50 Hz

[General model]

............... AC 110/120/220/240V, 50/60 Hz

[China model] ..................... AC 220V, 50 Hz

[Singapore model] .............. AC 230V, 50 Hz

Selectivity (two signals, 40 kHz Dev. ±300 kHz)

[Australia and Singapore models only]

......................................................... 55 dB

Signal-to-Noise Ratio

(IHF) Mono/Stereo

[U.S.A., Canada, China and General models] .................................. 81 dB/75 dB

(DIN-Weighted, 40 kHz Dev.) Mono/Stereo

[Australia and Singapore models]

............................................... 75 dB/69 dB

Power Consumption

[U.S.A. model] .................................... 280W

[Canada model] ..................... 310W/410 VA

[Australia and Singapore model] ........ 300W

[China and General models] ............... 310W

Maximum Power Consumption

5 ch, 10% THD

[General model only] .......................... 650W

Harmonic Distortion (1 kHz)

Mono/Stereo .................................. 0.1/0.2%

Stereo Separation (1 kHz) .................... 48 dB

AC Outlets

2 SWITCHED OUTLETS

[U.S.A., Canada, China, Singapore and

General models] .............. 100W max. total

1 SWITCHED OUTLET

[Australia model] ............. 100W max. total

Frequency Response

20 Hz to 15 kHz ................................. 0 ±1 dB

Anrenna Input ............. 75 ohms, Unbalanced

Dimensions (W x H x D)

.................................. 435 x 151 x 391 mm

(17-1/8” x 5-15/16” x 15-3/8”)

Output Level

[U.S.A., Canada, China and General models]

(100% mod., 1 kHz) ...................... 550 mV

[Australia and Singapore models]

(40 kHz Dev., 1 kHz)] .................... 550 mV

Weight .......................... 12.5 kg (27 lbs. 8 oz.)

Accessories ......................... AM loop antenna

Indoor FM antenna

Remote control transmitter

Batteries

Antenna adapter

(U.S.A. and Canada models only)

AM SECTION

Tuning Range

[U.S.A. and Canada models]

....................................... 530 to 1,710 kHz

[Australia and Singapore models]

....................................... 531 to 1,611 kHz

[China and General models]

10 kHz step .................... 530 to 1,710 kHz

9 kHz step ...................... 531 to 1,611 kHz

Specifications are subject to change without notice.

Usable Sensitivity ............................ 300 µV/m

Signal-to-Noise Ratio ............................ 52 dB

Antenna .................................... Loop antenna

Output Level

(30% mod., 1 kHz) ........................ 150 mV

RX-V595-7 55 3/25/99, 11:56 AM

55

TV

Manufacturer

Blaupunkt

Blue Star

Bradford

Brandt

Britannia

Brockwood

Broksonic

Bush

CCE

CS Electronics

CXC

Candle

Carnivale

Carver

Cascade

Cathay

Celebrity

Centurion

Cimline

Cineral

Citizen

A-Mark

AOC

Abex

Acura

Admiral

Adventura

Adyson

Aiko

Akai

Akura

Alaron

Alba

Ambassador

0003

0030, 0019, 0003, 0052, 0185

0032

0009

0093

0046

0032

0092

0030, 0208

0264

0179, 0216

0009, 0037

0177

Amstrad

Anam

Anam National

Anitech

Arcam

Archer

Audinac

Audiosonic

Audiovox

BPL

Basic Line

Baur

Baysonic

Belcor

Bell & Howell

Beon

0009, 0171, 0177

0180, 0004, 0009, 0068

0161

0009, 0068

0216

0003

0391

0037, 0109

0451, 0180, 0003, 0092

0282

0009

0037, 0512, 0535, 0554

0180

0019

0154, 0016

0037

Clairtone

Clarivox

Concerto

0535, 0554

0282

0180

0109

0216

0019

0236, 0463, 0003, 0426

0282, 0009, 0037

0037

0216

0180

0030, 0056, 0046, 0186

0030

0054, 0170

0009

0037

0000

0037

0009

0451, 0092

0060, 0030, 0056, 0039,

0046, 0092, 0186, 0280

0185

0037

0056

LIST OF MANUFACTURER’S CODES

Code

Contec

Craig

0180, 0009, 0185, 0216

0180, 0161

Crosley 0054

Crown 0180, 0039, 0009, 0037, 0418

Curtis Mathes 0047, 0054, 0154, 0051,

0451, 0093, 0060, 0030,

0145, 0056, 0016, 0039, 0166

Daewoo

Dansai

Dayton

0451, 0019, 0039, 0009,

0037, 0066, 0092

0037

0009

Daytron

De Graaf

Decca

Denon

Dixi

Dumont

Ectec

Electroband

Elin

Elta

Emerson

Envision

Erres

Ferguson

Fidelity

Finlandia

Finlux

Firstline

Fisher

Formenti

Frontech

Fujitsu

Funai

Futuretech

GE

GEC

Geloso

Gibralter

GoldStar

0019

0208

0037

0145

0004, 0009, 0037

0017, 0019

0391

0000, 0185

0037

0009

0154, 0236, 0463, 0180,

0282, 0178, 0019, 0179,

0039, 0177, 0185, 0280

0030

0037

0037, 0109, 0287, 0560

0216

0208

0179, 0037

0009, 0216

0154, 0159, 0208

0037

0264

0179

0180, 0179, 0171, 0264

0180

0047, 0051, 0451, 0093,

0282, 0178, 0021, 0135

0037

0009

0017, 0030, 0019

0030, 0178, 0019, 0056,

Goodmans

0001, 0002, 0032, 0037, 0109

0179, 0037

Gradiente

Granada

0053, 0056, 0170

0037, 0208, 0339, 0502

Grandin

Grundig

Grunpy

HCM

Hallmark

0282

0037, 0535, 0554

0180, 0179

0282, 0009

0178

Hanseatic

Harley Davidson

Harvard

Hinari

Hisawa

Hitachi

0037

0179

0180, 0068

0179, 0009, 0037, 0283

0282

0145, 0056, 0032,

0109, 0151, 0576

Huanyu

Hypson

ICE

ITT

Imperial

Indiana

Infinity

Inteq

Interbuy

Interfunk

Intervision

JBL

JCB

JEC

JVC

Janeil

0216

0282, 0037, 0264

0264

0283

0418

0037

0054

0017

0068

0037, 0512

0037, 0068, 0264

0054

0000

0502

0053, 0069, 0160

0046

KEC

KTV

Kaisui

Kamp

Kawasho

Kaypani

Kendo

0180

0180, 0030, 0039, 0185, 0280

0282, 0009, 0216

0216

0216

0052

0037

Kenwood

Kingsley

Kloss

Korpel

Koyoda

LG

LXI

Leyco

0030, 0019

0216

0046

0037

0009

0056

0047, 0054, 0154, 0156, 0178

0037, 0264

Liesenk & Tter

Lloytron

Loewe

Logik

Luxman

M Electronic

MEI

MGA

MTC

0037

0032

0512

0016, 0001

0056

0009, 0037, 0068,

0109, 0287

0185

0150, 0030, 0178, 0019

0060, 0030, 0019, 0056,

0185, 0216, 0512

0054, 0030, 0179, Magnavox

Majestic

Manesth

Marantz

0186, 0187

0016

0264

0054, 0030, 0037

Mark 0037

Matsui 0009, 0035, 0037, 0177, 0208

Matsushita

Mediator

Megatron

Memorex

Metz

Midland

0250

0037

0178, 0145, 0003

0154, 0250, 0150, 0178,

0056, 0016, 0009

0535

0047, 0017, 0051,

Minerva

Minutz

0039, 0032, 0135

0535, 0554

0021

56

RX-V595-CODE 56 3/25/99, 11:56 AM

Mitsubishi

Mivar

Motorola

Multitech

NAD

NEC

NEI

0093, 0150, 0178,

0019, 0512, 0535

0216

0093

0180, 0009, 0216

0156, 0178, 0166

0030, 0019, 0056, 0170

0037

NTC

Neckermann

Nesco

Nikkai

0092

0037, 0554

0179

0032, 0035, 0037, 0216, 0264

Nikko

Nisato

Nordmende

Noshi

0030, 0178, 0092

0391

0109, 0287, 0560

0018

Onwa

Optimus

Optonica

Orion

0180

0154, 0250, 0166

0093, 0165

0236, 0463, 0179, 0037, 0177

Osaki

Osume

0032, 0264

0032

Otto Versand 0037, 0512, 0535, 0554

Palladium 0418

Panama

Panasonic

Pathe Cinema

Pausa

0264

0051, 0250, 0226

0216

0009

Penney 0047, 0156, 0051, 0060, 0030,

0178, 0021, 0019, 0018, 0056,

Phase

0039, 0002, 0003,

0032, 0135, 0149

0032

Philco

Philips

Phonola

Pilot

Pioneer

Portland

Prism

0054, 0463, 0030, 0145, 0019

0054, 0037, 0554

0037

0030, 0019, 0039

0109, 0166, 0287

0019, 0039, 0092

0051

Profex

Proscan

Protech

Proton

Pulsar

0009

0047

0009, 0037, 0264, 0418

0178, 0003, 0052

0017, 0019

Quasar 0051, 0250, 0165

Quelle 0037, 0252, 0512, 0535, 0554

R-Line 0037

RCA 0047, 0051, 0093, 0019,

0018, 0090, 0135

Radio Shack 0047, 0154, 0165, 0180,

0030, 0178, 0019, 0056,

Radiola

Realistic

Revox

0039, 0032

0037

0154, 0165, 0180, 0030,

0178, 0019, 0056, 0039, 0032

0037

Rex

Rhapsody

Roadstar

Runco

SBR

0264

0185, 0216

0009, 0264, 0418

0017, 0030

0037

Shogun

Siemens

Signature

Simpson

Sinudyne

Solavox

Sonitron

Sonoko

Sonolor

Sontec

Sony

Soundesign

Soundwave

Spectricon

Squareview

Standard

SEG

SEI

SSS

Saba

Saisho

Sampo

Samsung

Samsux

Sandra

Sansei

Sansui

Sanyo

Schneider

Scimitsu

0264

0177

0180, 0019

0109, 0287

0009, 0177, 0264

0030, 0039, 0032, 0052

0060, 0030, 0178, 0019,

0056, 0039, 0009, 0032,

0037, 0090, 0264, 0427

0039

0216

0451

0463

0154, 0159, 0208, 0339

0037

0019

Scotch

Scott

0178

0236, 0180, 0178, 0019, 0179

Sears 0047, 0054, 0154, 0156, 0178,

0179, 0056, 0149, 0159, 0171

Semivox

Semp

Sentra

Sharp

0180

0156

0035, 0283

0093, 0165, 0039

0019

0037, 0535, 0554

0016

0186, 0187

0177

0032

0208

0009, 0037

0208

0037

0000, 0080

0180, 0178, 0179, 0186

0037, 0418

0003

0171

0009

Starlite

Supra

Supre-Macy

Supreme

Sylvania

Symphonic

Sysline

TMK

Tandy

Tatung

Technics

Technol Ace

Techwood

Teknika

Telefunken

Teletech

Teleton

Texet

Thomson

Thorn

0180

0056

0046

0000

0054, 0030

0171

0037

0178, 0056, 0177

0093

0003, 0037

0051, 0250

0179

0051, 0056, 0003

0054, 0180, 0150, 0060,

0019, 0179, 0056, 0016,

0039, 0092, 0186

0056, 0109, 0252

0009

0186

0216

0109, 0287

0035, 0037, 0512, 0535

Tomashi

Toshiba

Tosonic

Totevision

Triumph

Ultra

Universum

0282

0154, 0156, 0060,

0035, 0149, 0502

0185

0039

0177

0391

0037, 0264, 0535

Vector Research

Vestel

Victor

Vidikron

0030

0037

0053

0054

Vidtech

Viking

0178, 0019

0046

Wards 0054, 0165, 0030, 0178, 0021,

0019, 0179, 0056, 0016, 0080

Watson

White Westinghouse

Yamaha

Yoko

Zenith

Zonda

0037

0037, 0216

0030, 0019

0037, 0264

0017, 0016, 0092

0003

CABLE

Manufacturer Code

ABC

Allegro

Archer

BBT

Belcor

British Telecom

Cable Star

Citizen

Colour Voice

Comtronics

Contec

Emerson

Everquest

Focus

GC Electronics

Gemini

1003, 1008, 1014, 1011

1315

1797

1267

1056

1003

1056

1315

1031

1040

1019

1797

1015, 1040

1400

1056

1015

General Instrument

GoldStar

Goodmind

Hamlin

1476, 1011

1144, 1040

1797

1020, 1259, 1009, 1034

Hitachi

Jasco

Jerrold

1011

1315

1003, 1012, 1476, 1014,

1015, 1011, 1024

MNet

Magnavox

Memorex

Movie Time

NSC

Novaplex

Oak

Optimus

PVP Stereo Visual Matrix

1019

1027

1000

1063

1063

1618

1019

1021

1003

57

RX-V595-CODE 57 3/25/99, 11:57 AM

DBS TUNER

Manufacturer

AST

Audio Ton

Avalon

Chaparral

Connexions

DNT

Echostar

Elta

Expressvu

Fuba

Galaxis

Galaxisat

General Instrument

Huth

JSR

JVC

Jerrold

Lemon

NEC

Signal

Signature

Sprucer

StarSight

Starcom

Stargate

Starquest

TV86

TeleCaption

Teleview

Timeless

Tocom

Toshiba

Tusa

United Cable

Universal

Viewstar

Zenith

Zentek

Panasonic

Paragon

Philips

Pioneer

Popular Mechanics

Prelude

Pulsar

RCA

Radio Shack

Recoton

Regal

Rembrandt

Runco

SL Marx

Samsung

Scientific Atlanta

1000, 1107, 1021

1000

1027, 1031

1144, 1533

1400

1770

1000

1021

1015, 1315

1400

1020, 1259

1011

1000

1040

1144, 1040

1008, 1477

1015, 1040

1011

1021

1422

1003, 1015

1015, 1040, 1770, 1797

1015

1063

1221

1040

1418

1012

1000

1015

1003

1056, 1191

1063, 1027

1000, 1054, 1525

1400

Code

2321

2364

2396

2053, 2209

2396

2396

2396

2364

2775

2396

2364

2321

2361

2364

2364

2775

2361

2692

2507

Neusat

Next-Wave

Primestar

Radix

SAT

SatPartner

Seemann

Triad

Wisi

Zehnder

(DSS)

AlphaStar

Echostar

General Instrument

HTS

Hitachi

Hughes Network System

Jerrold

Magnavox

Memorex

Panasonic

Philips

Primestar

RCA

Sony

Star Choice

Toshiba

Uniden

2692

2732

2361

2396

2321

2692

2396

2321

2321, 2396

2321

VCR

Manufacturer Code

ASA

Admiral

Adventura

Aiko

Aiwa

Akai

Akiba

Akura

3037, 3081

3048

3000

3278

3037, 3000

3041, 3061, 3281, 3288

3072

3271

Alba 3209, 3072, 3278, 3020, 3295

Ambassador 3020

American High

Amstrad

3035

3000, 3278

Anitech

Asha

Asuka

Audiovox

3072

3240

3037

3037

Baird

Basic Line

Beaumark

Bell & Howell

Blaupunkt

Brandt

Brandt Electronic

3000, 3104, 3041

3072, 3278, 3020

3240

3104

3162, 3034, 3195,

3226, 3227

3187, 3320

3041

2724

2701

2724

2627

2566

2639

2869

2790

2724

2772

2775

2869

2775

2819

2749

2627

2724

Broksonic

Bush

CCE

CGE

Calix

Canon

Capehart

Carver

Catron

Cimline

Cineral

Citizen

Clatronic

Colt

Condor

3184, 3121, 3209, 3002,

3295, 3361, 3479

3209, 3072, 3278

3072, 3278

3000

3037

3035

3020

3081

3020

3072

3278

3037, 3278

3020

3072

3020

Craig

Crown

3037, 3047, 3240, 3072, 3271

3072, 3278, 3020

Curtis Mathes 3060, 3035, 3041, 3162

Cybernex 3240

Cyrus

Daewoo

Dansai

Daytron

3081

3045, 3278, 3020

3072

3020

De Graaf

Decca

Denon

Dual

Dumont

Dynatech

ESC

Elbe

Elcatech

3042, 3166

3081, 3000

3042

3041

3081, 3000, 3104

3000

3240, 3278

3038

3072

Electrohome

Electrophonic

Emerex

Emerson

3037

3037

3032

3037, 3184, 3000, 3121,

3043, 3209, 3002, 3278,

3036, 3061, 3068, 3208,

3212, 3295, 3361, 3479

Ferguson

Fidelity

Finlandia

Finlux

3041, 3320

3000

3081, 3104

3081, 3000, 3042, 3104

Firstline 3037, 3045, 3043, 3209, 3072

Fisher 3047, 3104, 3046, 3054, 3066

Frontech 3020

Fuji 3035, 3033

Funai

GE

GEC

Garrard

General

GoldHand

GoldStar

Goodmans

3000

3060, 3035, 3048, 3240, 3202

3081

3000

3020

3072

3037, 3038, 3225, 3471

3037, 3000, 3072, 3278,

3062, 3020

Gradiente

Graetz

Granada

Grandin

Grundig

3000, 3008

3240, 3104, 3041

3081, 3104, 3046

3037, 3000, 3072

3081, 3072, 3195, 3226

58

RX-V595-CODE 58 3/25/99, 11:57 AM

HCM

HI-Q

Hanseatic

Harley Davidson

Harman/Kardon

3072

3047

3037

3000

3038

3072, 3068

3046

Harwood

Headquarter

Hinari

Hitachi

Hypson

ITT

ITV

Imperial

3240, 3072, 3208

3240, 3000, 3042,

3041, 3166, 3235

3072

3240, 3104, 3041, 3046, 3384

3037, 3278

3000

Interfunk

JVC

Jensen

KEC

KLH

Kaisui

Kendo

Kenwood

3081

3067, 3041, 3008, 3384

3041

3037, 3278

3072

3072

3209

3067, 3041, 3038, 3384

Kodak

Korpel

LXI

Lenco

Leyco

LIoyd’s

Loewe

Logik

3035, 3037

3072

3037

3278

3072

3000, 3208

3037, 3081

3240, 3072

Luxor 3048, 3104, 3043, 3062, 3046

M Electronic 3000

MEI

MGA

MGN Technology

3035

3240, 3043, 3061

3240

MTC

Magnasonic

Magnavox

3240, 3000

3278

3035, 3039, 3081, 3000

Magnin

Manesth

Marantz

Marta

Matsui

Matsushita

Memorex

3240

3045, 3072

3035, 3081, 3062, 3295

3037

3209, 3036, 3208, 3295

3035, 3162

3035, 3037, 3048, 3039,

3047, 3240, 3000, 3104,

3162, 3046

3072 Memphis

Metz

Minerva

Minolta

Mitsubishi

3162, 3195, 3227

3195

3042

3048, 3081, 3067, 3043,

3061, 3173, 3196

3035, 3048

3000, 3072

Motorola

Multitech

Murphy

NEC

Nikko

3000

3104, 3067, 3041, 3038, 3040

Neckermann

Nesco

3081

3072

3037

Nikon

Noblex

3034

3240

Nokia

Nordmende

Oceanic

Olympus

Optimus

Optonica

Orion

Osaki

Otto Versand

Palladium

Panasonic

3240, 3104, 3041, 3046

3041, 3320, 3384

3000, 3041

3035, 3226

3037, 3048, 3104, 3162

3062

3184, 3121, 3209, 3002,

3036, 3208, 3295, 3479

3037, 3000, 3072

3081

3037, 3041, 3072

3035, 3162, 3225,

3226, 3227

Pathe Cinema

Pathe Marconi

Penney

Pentax

Perdio

Philco

Philips

Phonola

Pilot

Pioneer

Portland

Profitronic

Proline

Proscan

Protec

Pulsar

Pye

Quarter

Quartz

Quasar

Quelle

RCA

3036

3041

3035, 3037, 3240, 3042,

3038, 3040, 3054

3042

3000

3035, 3209, 3038, 3479

3035, 3081, 3062, 3384

3081

3037

3081, 3067, 3162, 3235

3020

3240

3000

3060, 3202

3072

3039

3081

3046

3046

3035, 3162

3081

3060, 3035, 3048,

3240, 3042, 3202

Radio Shack

Radiola

Radix

Randex

Realistic

Rex

Ricoh

Roadstar

3037, 3000

3081

3037

3037

3035, 3037, 3048, 3047,

3000, 3104, 3062, 3046, 3066

3041, 3384

3034

3037, 3240, 3072, 3278

Runco

SBR

SEG

SEI

STS

Saba

Saisho

Salora

3039

3081

3240

3081

3042

3041, 3320, 3384

3209, 3036, 3208

3043, 3046

Samsung

Sanky

3240, 3045

3048, 3039

Sansui 3000, 3067, 3041, 3271, 3479

Sanyo 3047, 3240, 3104, 3046

Schaub Lorenz 3000, 3104, 3041

Schneider

Scott

3081, 3000, 3072

3184, 3045, 3121, 3043, 3212

Sears 3035, 3037, 3047, 3000, 3042,

3104, 3046, 3054, 3066

Seleco

Semp

Sentra

Sharp

3041

3045

3020

3048, 3062

Shintom

Shogun

3104, 3072

3240

Siemens 3037, 3081, 3104, 3054, 3195

Silva 3037

Singer

Sinudyne

Solavox

Sonolor

3045, 3072

3081

3020

3046

Sontec

Sony

Sunstar

Suntronic

3037

3035, 3032, 3000, 3033, 3034

3000

3000

Sylvania

Symphonic

TMK

Tashiko

Tatung

Teac

Tec

Technics

Teknika

Teleavia

Telefunken

Tenosal

Tensai

Thomas

Thomson

Thorn

Toshiba

3035, 3081, 3000, 3043

3000

3240, 3036, 3208

3000

3081, 3000, 3041

3000, 3041

3020

3035, 3162, 3226

3035, 3037, 3000

3041

3041, 3187, 3320, 3384

3072

3000

3000

3041, 3320, 3384

3104, 3041, 3036

3081, 3045, 3043, 3041,

Totevision

Triumph

Uher

Unitech

Universum

3066, 3212, 3366, 3384

3037, 3240

3208

3240

3240

3037, 3081, 3240,

3000, 3195

Vector

Vector Research

Video Concepts

Videosonic

Wards

3045

3038, 3040

3045, 3040, 3061

3240

3060, 3035, 3048, 3047,

3081, 3240, 3000, 3042,

3072, 3062, 3212

White Westinghouse 3278

XR-1000

Yamaha

Yamishi

Yokan

Yoko

Zenith

3035, 3000, 3072

3038

3072

3072

3240, 3020

3039, 3000, 3033, 3034

59

RX-V595-CODE 59 3/25/99, 11:57 AM

LD PLAYER

Manufacturer

Aiwa

Carver

Denon

Disco Vision

Funai

Hitachi

Magnavox

Marantz

Mitsubishi

NAD

Panasonic

Philips

Pioneer

Quasar

Realistic

Salora

Samsung

Sega

Sony

Technics

Telefunken

Theta Digital

Yamaha

DVD PLAYER

Manufacturer

JVC

Kenwood

Magnavox

Mitsubishi

Onkyo

Panasonic

Philips

Pioneer

Proscan

RCA

Sony

Technics

Toshiba

Yamaha

Zenith

Code

5203

5064, 5194, 5323

5059, 5172

5023

5203

5023

5194, 5217

5064, 5194

5059

5059

5204

5064, 5194

5059, 5023

5204

5203

5064

5323

5023

5193, 5201

5204

5059

5194

5217

Code

4558

4534

4503

4521

4503

4490

4503, 4539

4525

4522

4522

4533

4490

4503

4490, 4545

4503

CD PLAYER

Manufacturer Code

Hitachi

JVC

Kenwood

Kodak

Krell

Kyocera

LXI

Linn

Luxman

MCS

MTC

Magnavox

Marantz

Matsui

Mclntosh

Memorex

ADC

Acoustic Research

Adcom

Aiwa

Akai

Arcam

Audio Pro

Audio Research

Audio-Technica

Audio Ton

Audiolab

Audiomeca

BSR

Bestar

Burmester

Bush

6018

6420

6155

6157, 6012, 6124

6156

6157

6437

6157

6170

6157

6157

6157

6245

6164

6420

6245

California Audio Lab

Carver

Condor

Crown

Cyrus

DAK

DKK

Denon

6029

6157, 6179, 6437

6164

6122

6157

6245

6000

6003, 6034

Elektra

Emerson

6393, 6437

6305, 6155, 6164

Fisher 6179, 6048, 6088, 6342

Garrard 6420, 6393, 6245, 6280, 6425

Genexxa

Goodmans

Grundig

Harman/Kardon

6032, 6305, 6164, 6426

6305, 6245, 6280

6157

6426

Meridian

Micromega

6032, 6155

6072

6028, 6037, 6190, 6048

6287

6157

6018

6305

6157

6093

6029, 6043

6420

6157, 6305

6029, 6157, 6180

6157

6287

6032, 6305, 6155,

6164, 6180

6157

6157

Roadstar

Rotel

Royal

SAE

STS

Sansui

Sanyo

Scott

Sears

Sharp

Sherwood

Shure

Sony

Soundesign

Tascam

Teac

Mission

Mitsubishi

NAD

NEC

NSM

Nagaoka

Naim

Nakamichi

Nikko

Onkyo

Optimus

6164, 6170

6101

6000, 6032, 6179, 6305,

6037, 6420, 6048, 6145,

Panasonic

Parasound

Philips

Pioneer

Poppy

Proton

QED

Quad

Quasar

RCA

6468, 6087, 6280, 6342,

6426, 6437

6029, 6303

6420

6157, 6287

6032, 6305, 6468, 6244

6164

6157

6157

6157

6029

6179, 6305, 6053, 6155

Realistic 6179, 6420, 6155, 6164, 6180

Revox 6157

6157

6156

6000

6043

6157

6018

6157

6147

6461

6157, 6420

6420

6157

6018

6157, 6305, 6202

6179, 6048, 6087, 6342

6305, 6155, 6164

6305

6037, 6180, 6261

6114, 6180, 6426

6043

6000, 6185

6145, 6425

6420

6420, 6393, 6180

Technics

Universum

Victor

Wards

6029, 6303

6157, 6437

6072

6157, 6053

Yamaha 6036, 6187, 6261, 6082, 6712

Yorx 6461

MD RECORDER

Manufacturer

Kenwood

Sony

Yamaha

Code

7826

7490

7888

60

RX-V595-CODE 60 3/25/99, 11:57 AM

TAPE DECK

Manufacturer Code

ADC

Aiwa

Akai

Arcam

Carver

Denon

Fisher

Garrard

8171

8029, 8197

8283

8076

8029

8076

8074

8308, 8309, 8375

GoldStar

Grundig

JVC

Kenwood

8375

8029, 8375

8244, 8274, 8303, 8304, 8310

8071, 8092, 8233, 8234

Kyocera

Magnavox

Marantz

Memorex

Mitsubishi

Onkyo

Optimus

Panasonic

Philips

Phonotrend

Pioneer

Revox

Sansui

Sanyo

Sharp

Sherwood

Sonic

Sony

Teac

Technics

Universum

Victor

Wards

Yamaha

8171

8029

8029, 8009

8099

8283

8136, 8282

8027, 8220, 8337

8229

8029

8337

8027, 8220, 8099

8029, 8190

8029, 8009

8074

8231

8337

8375

8243, 8170, 8291

8280, 8289, 8308, 8309

8229

8375

8274

8027

8097, 8094, 8478, 8524

RX-V595-CODE 61 3/25/99, 11:57 AM

61

YAMAHA ELECTRONICS CORPORATION, USA 6660 ORANGETHORPE AVE., BUENA PARK, CALIF. 90620, U.S.A.

YAMAHA CANADA MUSIC LTD. 135 MILNER AVE., SCARBOROUGH, ONTARIO M1S 3R1, CANADA

YAMAHA ELECTRONIK EUROPA G.m.b.H. SIEMENSSTR. 22-34, 25462 RELLINGEN BEI HAMBURG, F.R. OF GERMANY

YAMAHA ELECTRONIQUE FRANCE S.A. RUE AMBROISE CROIZAT BP70 CROISSY-BEAUBOURG 77312 MARNE-LA-VALLEE CEDEX02, FRANCE

YAMAHA ELECTRONICS (UK) LTD. YAMAHA HOUSE, 200 RICKMANSWORTH ROAD WATFORD, HERTS WD1 7JS, ENGLAND

YAMAHA SCANDINAVIA A.B. J A WETTERGRENS GATA 1, BOX 30053, 400 43 VÄSTRA FRÖLUNDA, SWEDEN

YAMAHA MUSIC AUSTRALIA PTY, LTD. 17-33 MARKET ST., SOUTH MELBOURNE, 3205 VIC., AUSTRALIA

RX-V595-cv4 1 3/25/99, 11:57 AM

Printed in Malaysia ID V300850

Quick Reference Card

AMP/TUN

POWER STANDBY

INPUT

EXT. DEC.

A/B/C/D/E

DSP selector

PRESET

UP DOWN

VOLUME

MUTE

SLEEP

(TV POWER)

TIME/LEVEL

POWER

SELECTOR

DIAL

INPUT

TEST

EFFECT

ON/OFF

(TV VOLUME)

(TV POWER)

SET MENU

REC/PAUSE

DIR A (TAPE)

SKIP (MD)

PLAY

REWIND (TAPE)

BACKWARD (MD)

TAPE/MD

POWER

INPUT

DISC SKIP

(TV VOLUME)

DISPLAY (MD)

DECK A/B (TAPE)

PAUSE (MD)

DIR B (TAPE)

SKIP (MD)

STOP

FAST

FORWARD

(TV POWER)

SKIP

PLAY

BACKWARD

CD

POWER

INPUT

DISC SKIP

(TV VOLUME)

DISPLAY

(TV INPUT)

PAUSE

STOP

FAST

FORWARD

(TV POWER)

SKIP/SEARCH

PLAY

SUBTITLE (DVD)

BACKWARD (LD)

SUBTITLE

ON/OFF (DVD)

DVD/LD

(TV VOLUME)

DISPLAY

(TV INPUT)

PAUSE

STOP

ANGLE (DVD)

FAST

FORWARD (LD)

AUDIO (DVD)

DSP

DSP program

V296050

advertisement

Was this manual useful for you? Yes No
Thank you for your participation!

* Your assessment is very important for improving the workof artificial intelligence, which forms the content of this project

Related manuals