Sennheiser HME 26-600 S Specifications

Sennheiser Electronic Corporation
One Enterprise Drive, Old Lyme, CT 06371
Tel: (860) 434-9190 • Fax: (860) 434-1759
Latin America: Telephone: 52-55-5639-0956 • Fax: 52-55-5639-9482
Canada: Tel: (514) 426-3013 Fax: (514) 426-3953
www.sennheiser.ca
04/2010 Printed in USA. ©2010. Sennheiser is a registered trademark of Sennheiser electronic GmbH & Co. KG.
www.sennheiserusa.com
General
CATALOG
Sennheiser Products 2010
Contents
Audiology
Introduction
004
006
Aviation Boomsets
088
Headsets for broadcast and communication solutions 094
008
010
013
Information Systems
014
026
028
030
034
Microphones
evolutionTM – The Microphone Series
Classic Microphones
Reporter‘s Microphones Headset Microphones
Lavalier Microphones
Installed Sound
Optical Microphone
K6 Microphones MKH 8000 Series
MKH Condenser Microphones
098
101
103
Conference Systems
Wireless Conference System WiCOS
106
SDC 8200 Digital Conference and Interpretation System 109
Microphones
Large-Diaphragm Microphones
Tube Microphones
Digital Microphones
Vocal Microphones
Shotgun Microphones
Miniature Microphones
Broadcast Microphones
Special Microphones
Accessories
112
113
115
116
120
125
122
123
124
125
Sennheiser Communications
065
067
069
072
076
Unified Communications
Internet telephony
Music, entertainment
Gaming
Mobile music
Wireless mobile communication
Standard headsets
078
079
081
Distributed Brands
Infrared Wireless Systems
Infrared Audio Distribution Systems Single/Two-Channel Wideband Systems Multi-Channel Systems Tourguide 2020-D-US Unique Guided Tour System RF Wireless 2020-D-US
GuidePort
Neumann
036
047
048
050
051
054
057
058
060
062
RF Wireless Systems
5000 Series
3000 Series
2000 Series
evolution wireless
freePORT
084
086
Aviation
Headphones
High-end headphones Home Entertainment
Wired headphones Wireless headphones
TV headphones
Portable Entertainment
Music
Sports
Travel
Professional
DJ and monitoring headphones Portable in-ear monitoring Assistive Listening Devices
Audiometric Headphones
K-array
HHB
126
128
130
132
134
136
137
140
151
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Introduction
For more than sixty years, Sennheiser has been creating
superlative audio products for professionals and consumers
the world over, winning count­less awards and earning the
accolades of critics and competitors alike. This alone is
incentive enough for the Sennheiser Group, comprising the
Sennheiser, Neumann and Sennheiser Communications
brand names, to continue driving the development of
electro-acoustics as a global market leader.
From the very beginning, our headphones and microphones
have distin­guished themselves. They are characterized by
innovation and dedication to quality, as exemplified by
the introduction of Open AireTM technology pioneered by
the HD 414 headphones in 1968. The unparalleled Orpheus
headphone system offers the finest audio reproduction
available, while the RS series headphones feature both
exceptional quality and wireless ease. Call center employees
enjoy the same benefits when they use headsets, designed
entirely for their needs, by Sennheiser Communications.
Our microphones are equally impressive: the MD 421 II
reissue combines the characteristics of the most popular
professional dynamic mic ever (the MD 421) with enhanced
frequency response. The U 87 is probably the most wellknown and widely used Neumann studio microphone (with
dual diaphragm capsule). Covering vocal, instrumental and
backline, the evolutionTM microphone series answers every
conceivable live performance requirement. The latest additi­
on to this line are the e900 series microphones, which offer
the same exceptional performance and affordable prices as
the other mics in this line.
Our wireless systems, whether RF or infrared, are widely
recognized to be the finest wireless systems available
anywhere. From the fabled 5000 series, which has won
many awards – including an Emmy Award for “Outstanding
Achievement in the Sciences of Television Technology for
RF Wireless Systems” to our brand new evolution g series
and wireless monitoring systems, our RF wireless line offers
exceptional performance. And Sennheiser infrared wireless
systems provide nearly limitless configurations, offering
wireless ease and excellent sound quality for applications
from personal use to conference audio. Our state-of-the-art
conference systems set standards worldwide. Whether for
small seminars or large international congresses –
Sennheiser offers a premier conference and interpretation
solution. And our award-winning GuidePort visitor information system is the product of choice when it comes to
providing quality audio for theme parks and exhibitions.
Audiology products by Sennheiser exhibit the same
excellent audio specifications as their music-oriented
counterparts, providing assistive listening for many varied
applications, from TV and theater listening to ambient
sound amplification. A recent addition to our audiology line,
the Sennheiser Soundfield system combats poor acoustics in
classrooms and thus improves academic performance.
Our complete line of aviation boomsets and headsets has
become the industry standard for discerning pilots, crew
members, and passengers alike. Enhanced by our NoiseGardTM active noise compensation system, built-in passive
noise cancellation, high-quality noise compensating microphones and unrivaled comfort, these products also share
traditional Sennheiser audio quality – as do our boomsets
and headphones for automotive applications.
This catalog listing the entire product range of the Sennhei­
ser Group offers you more than just leading audio products.
The following pages also document standards that apply all
over the world.
Prof. Dr.
Jörg Sennheiser
Sennheiser prOduCTS 2010
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The true-to-life, unadulterated sound of our audiophile headphones will
transport you into another world. Lean back and enjoy.
HD 650 With hand-selected magnet
systems for each transducer, these open,
dynamic hi-fi headphones set the standard
for premium-class headphones.
Extremely detailed playback with high
pulse fidelity
Frequency response: 10–39,500 Hz
Max. SPL (at 1 kHz): 103 dB Awards:
Golden Ear (Audio 2009, 2006, 2005)
Five of five possible stars
(WHAT HI-FI 02/2004)
Sound: First class, Price/performance:
Outstanding (Stereoplay 05/2003)
Test verdict: Very good, best buy
(HOME electronic 11/2003)
Price/performance: Very good
(STEREO 12/2003)
HD 600 Experience purity and exceptional
dynamic response with these open, dynamic
hi-fi headphones.
Natural spatial sound
Frequency response: 12–39,000 Hz
Max. SPL (at 1 kHz): 97 dB
Awards:
Golden Ear (Audio 1998, 1999, 2000, 2001)
1st prize, readers’ choice 2000 (Stereoplay)
Test winner (VIDEO 08/2002)
HD 800 The HD 800 are handmade
reference class headphones that set new
standards for pure sound, spatial perception
and precision resolution.
Large, circular transducers
Frequency response: 6–51,000 Hz
Max. SPL (at 1 kHz): 102 dB Awards:
EISA Award 2009
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high-end headphones Audiophile Headphones
Audiophile sound.
High-end headphones.
These wired stereo headphones allow you to experience your favorite music
with greater immediacy and comfort than ever before.
HD 555 The HD 555 are open, dynamic
high-end headphones for home use. The Duofol membranes and surround reflector ensure a clear and spatial sound.
E.A.R. technology
Frequency response: 15–28,000 Hz
Max. SPL (at 1 kHz): 112 dB
Awards:
Stereoplay HIGHLIGHT
(Stereoplay 07/2004)
Five of five possible stars, best buy
(What video 12/2004)
Best buy (Audio 02/2005)
HD 515 Built as an ideal entry into hi-fidelity listening. DuoFol transducer membranes
reproduce fast transients and low, tight bass.
E.A.R. technology
Frequency response: 14–26,000 Hz
Max. SPL (at 1 kHz): 108 dB
Awards:
CES Innovations Award 2004
HD 595 These open, dynamic stereo
headphones bring home entertainment to
another level. Their premium components
deliver impeccable fidelity and natural,
detailed linearity.
E.A.R. technology
Frequency response: 12–38,500 Hz
Max. SPL (at 1 kHz): 112 dB
Awards:
reddot design award winner 2004
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Wired headphones home entertainment
Home entertainment.
Wired headphones.
Sennheiser’s line of wireless headphones bring the highest quality audio
to any corner of the house. Outstanding sound, long battery life, practical
range and long-term wearing comfort will make your next movie night the
best one yet.
RS 170 The RS 170 are closed, digital
wireless transmission headphones, distinguished by their powerful and detailed 3-D
cinema surround sound.
KLEER digital transmission for a
“wired” sound
Frequency response: 18–21,000 Hz
Transmission frequencies: 2.4–2.48 GHz
RS 160 These closed, digital wireless
transmission headphones provide highvolume, bass-driven sound. The compact
transmitter fits into any bag.
KLEER digital transmission for a
“wired” sound
Frequency response: 18–21,000 Hz
Transmission frequencies: 2.4–2.48 GHz
RS 180 These open wireless headphones
with digital transmission technology provide an
extremely detailed, pure sound.
KLEER digital transmission for a “wired” sound
Frequency response: 18–21,000 Hz
Transmission frequencies: 2.4–2.48 GHz
Up to 320 ft range
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Wireless headphones Home entertainment
Home entertainment.
Wireless headphones.
Headphone operating time:
approx. 20-25 hours
Frequency response: 22–19,500 Hz
Transmission frequencies: 926-928 MHz
Awards: reddot design award winner 2004
RS 110 These open, dynamic wireless
headphones are the perfect entry into
Sennheiser wireless sound.
Headphone operating time:
approx. 20–25 hours
Frequency response: 22–19,500 Hz
Transmission frequencies: 926-928 MHz
IS 410 TV This infrared stethoset system
transmits excellent TV stereo sound within
a room. Its attractive eye-catching design
pro­vides a convincing argument.
Frequency response: 50–16,000 Hz
Max. SPL (at 1 kHz): 125 dB
Receiver operating time: up to 16 hours
Awards: iF product design award 2007
Set 50 TV The mono Set 50 TV is the solid
entry-level model in the infrared stethoset
systems range. It offers you great mobility
and high Sennheiser quality at a low price.
Frequency response: 50–12,000 Hz
Max. SPL (at 1 kHz): 120 dB
Receiver operating time: up to 9 hours Sennheiser prOduCTS 2010
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TV headphones Home entertainment
RS 120 This open, dynamic wireless
headphone system delivers exciting, crystal
clear sound through walls and ceilings up to
300 feet.
MX 980 Ultra-premium portable hi-fi ear-
A dynamic, balanced sound and their varied range of applications
distinguish these classic, portable head- and earphones. The sound quality
and features are made to exceed the highest standards of music lovers.
Neodymium magnets for a powerful,
precise sound
Integrated volume control
Frequency response: 16–23,000 Hz
Max. SPL (at 1 kHz): 120 dB
bud headphones. The bold design lets others
know who you are without saying a word.
new
CX 980 Ultra-premium portable hi-fi
in-ear headphones. A broad range of ear
adapters fine-tunes your sound and comfort
to perfection.
Patented airline adaptor
Integrated volume control
Frequency response: 16–24,000 Hz
Max. SPL (at 1 kHz): 115 dB
new
MX W1 If you have ever dreamed of
being completely wireless without compromises, your headphones have arrived.
OMX 980 Ultra-premium portable hi-fi
earclip headphones. Their reinforced, elegant
design provides a secure, comfortable fit.
Neodymium magnets for a powerful,
precise sound
Integrated volume control
Frequency response 16–23,000 Hz
Max. SPL (at 1 kHz): 120 dB
new
Totally wireless, KLEER digital transmission
for a “wired” sound
Frequency response: 19–20,000 Hz
Max. SPL (at 1 kHz): 115 dB Awards:
Editor´s choice award, Popular mechanics, EISA Award 2008 European Headphones 2008-2009
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Music Portable entertainment
Portable entertainment.
Music.
have powerful passive noise attenuation.
This enables the precise, bass-driven stereo
sound to come into its own.
Exchangeable ear-canal adaptors
for a comfortable fit
Frequency response: 17–22,500 Hz
Max. SPL (at 1 kHz): 115 dB)
new
OCX 880 These ear-canal clip-on headphones block ambient noise with stability and
comfort for long listening sessions.
Exchangeable ear adaptors and a
practical carrying case
Integrated volume control
Frequency response: 19–21,000 Hz
Max. SPL (at 1 kHz): 108 dB
new
MX 880 These earbud headphones feature
impressive, clear audio with a functional ergonomic design.
Integrated volume control
Frequency response: 18–22,000 Hz
Max. SPL (at 1 kHz): 120 dB
CX 880 These ear-canal headphones block
ambient noise so you can easily hear the amazing detail from each ear-speaker.
Exchangeable ear-canal adaptors for a
comfortable fit
Integrated volume control
Frequency response: 17–23,000 Hz
Max. SPL (at 1 kHz): 115 dB
new
new
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Music Portable entertainment
CX 870 These premium ear-canal phones
Stereo audio (listen only) Bluetooth® 2.1
Frequency response: 15–22,000 Hz
Max. SPL (at 1 kHz): 107 dB
PX 200-II Available in black or white, the
foldable, noise blocking design is perfect for
the urban commuter.
Mini-headphones with closed construction
Frequency response: 10–21,000 Hz
Max. SPL (at 1 kHz): 115 dB
PX 100-II Available in black or white, these
foldable, open-aire headphones make portable
hi-fi a reality.
Mini-headphones with open construction
Frequency response: 15–27,000 Hz
Max. SPL (at 1 kHz): 114 dB
PMX 60 The PMX 60 offers an excellent,
balanced stereo sound, exceeding all the
usual expectations from neckband headphones.
Bass tube for rich bass sounds
Frequency response: 18–21,000 Hz
Max. SPL (at 1 kHz): 122 dB
HD 238 Precision Experience huge,
natural sound in tandem with luxurious
comfort on-the-go.
Open, supra-aural construction
Frequency response: 16–23,000 Hz
Max. SPL (at 1 kHz): 114 dB
HD 228 This closed on-the-ear headphone features explosive bass response
perfect for today’s modern music.
Neodymium magnets for a
bass-driven sound
Frequency response: 18–22,000 Hz
Max. SPL (at 1 kHz): 110 dB
HD 218 Feel rhythm and bass with fluid,
dynamic response. The on-ear design blocks
noise and folds flat.
Neodymium magnets for a
bass-driven sound
Frequency response: 19–21,000 Hz
Max. SPL (at 1 kHz): 108 dB
CX 300-II These ear-canal phones
provide precise and clear stereo sounds
with great vitality. They are available in various colours and with a 2.5-mm jack.
Ideal fit for every ear
Frequency response: 19–20,000 Hz
Max. SPL (at 1 kHz): 113 dB
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Music Portable entertainment
PX 210 BT These wireless folding mini
headphones provide listening pleasure while
blocking out distracting ambient noise.
MX 371 These in-ear phones deliver a
powerful stereo sound and the ergonomic
design makes them perfectly suited, even
for users with small ears.
Carrying pouch
Integrated volume control
Frequency response: 18–21,000 Hz
Max. SPL (at 1 kHz): 119 dB
new
Cable winder prevents tangles
Frequency response: 18–20,000 Hz
Max. SPL (at 1 kHz): 118 dB
new
MX 581 With a compact design fit for
smaller ears, these earbuds deliver excellent
sound quality and value.
MX 370 These lightweight earbud phones
provide dynamic bass reproduction.
Cable winder prevents tangles
Frequency response: 18–20,000 Hz
Max. SPL (at 1 kHz): 118 dB
Adaptor for two headphone connectors
Integrated volume control
Frequency response: 18–21,000 Hz
Max. SPL (at 1 kHz): 119 dB
new
new
MX 271 The MX 271 offer a dynamic
sound on the move. Their ergonomic design
was specially optimized for people with
smaller ears.
MX 471 The MX 471’s LiveBass system
provides outstanding bass sounds. The
compact earphones are especially ideal for
users with small ears.
Carrying bag for fourth-generation iPod nanos
Frequency response: 18–20,000 Hz
Max. SPL (at 1 kHz): 119 dB
Cable winder prevents tangles
Frequency response: 19–20,000 Hz
Max. SPL (at 1 kHz): 118 dB
new
new
MX 470 The LiveBass system enables
MX 270 No sacrifice in sound quality or portability. The ergonomic MX 270
earphones deliver a powerful stereo sound
experience.
Carrying bag for fourth-generation iPod nanos
Frequency response: 18–20,000 Hz
Max. SPL (at 1 kHz): 119 dB
Ideal for connecting with portable
media devices
Ergonomic design for a superior fit
Frequency response: 19–20,000 Hz
Max. SPL (at 1 kHz): 118 dB
these ergonomically shaped earphones to
provide thumping bass sounds. The ear
sleeves fit comfortably in the ears.
new
new
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Music Portable entertainment
MX 580 Using a new comfort sleeve for
the best fit, these earbuds offer an exceptional
upgrade from stock earbuds.
OMX 181 LiveBass enhances the low-frequency response of these earclip headphones
for smaller ears.
With volume control on the cable
Frequency response: 18–20,000 Hz
Max. SPL (at 1 kHz): 118 dB
Adaptor for two headphone connectors
Integrated volume control
Frequency response: 19–20,500 Hz
Max. SPL (at 1 kHz): 120 dB
new
CX 280 The CX 280 high performance
ear-canal headphones reveal subtle details in
your music with clarity and detail you would
expect to cost more.
Three ear adaptors for perfect fit
Frequency response: 19–20,500 Hz
Max. SPL (at 1 kHz): 120 dB
new
OMX 180 LiveBass enhances the
low-frequency response of these earclip
headphones.
With volume control on the cable
Frequency response: 18–20,000 Hz
Max. SPL (at 1 kHz): 118 dB
new
CX 200 Street II Ear-canal phones
with an innovative casing that ensures
extremely comfortable fit and high passive
attenuation of ambient noise.
Powerful, bass-driven stereo sound
Frequency response: 20–20,000 Hz
Max. SPL (at 1 kHz): 110 dB
new
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Music Portable entertainment
CX 281 The clear and detailed sound from
these ear-canal phones is impressive. The
three ear adaptors ensure an ideal fit, even
for users with small ears.
With carrying pouch & extension cable
Frequency response: 16–24,000 Hz
Max. SPL (at 1 kHz): 114 dB
HD 438 Inspired by the wheels on exotic
cars, the HD 438 offers excellent bass reproduction and high quality sound to match.
Short / long cables for home/portable use
Frequency response: 17–22,500 Hz
Max. SPL (at 1 kHz): 112 dB
HD 428 The HD 428 are closed headphones
with great stereo playback. The rubberized
outer shell enhances the durability and noise
blocking capabilities of this bass enhanced
headphone.
Neodymium magnets for powerful bass
Frequency response: 18–22,000 Hz
Max. SPL (at 1 kHz): 110 dB
HD 201 The entry-level model for a so-
phisticated sound experience brings out its
bass-driven sound through passive attenuation.
Closed construction
Frequency response: 21–18,000 Hz
Max. SPL (at 1 kHz): 108 dB
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Music Portable entertainment
HD 448 Natural sound and aggressive
noise attenuation make these closed headphones ideal for any situation.
MX 680 Sports Featuring an innovative holding mechanism, the MX 680 is perfect
for keeping the energy up during intensive
workouts.
The innovative design of the Sennheiser/adidas sport line offers outstanding sound, and a comfortable, secure fit that does not fall out when
running or at the gym. Sweat and water resistant construction performs
as hard as you even in low temperatures.
Different ear-adaptor sizes for an ideal fit
Integrated volume control
Frequency response: 18–20,000 Hz
Max. SPL (at 1 kHz): 118 dB
Includes extension cable
new
OMX 680 Sports Featuring an flexible
earhook system, these headphones are perfect for your next outdoor adventure.
Different ear-adaptor sizes for an ideal fit
Integrated volume control
Frequency response: 18–20,000 Hz
Max. SPL (at 1 kHz): 118 dB
Includes extension cable
new
PMX 680 Sports The neckband
design and verticle transducer system keep
the speakers comfortably in place no matter
the sport.
CX 680 Sports These ear-canal phones
Integrated volume control
Frequency response: 18–20,000 Hz
Max. SPL (at 1 kHz): 120 dB
Includes extension cable
are ideal for an excellent sound experience
during sports. High-output ear-canal drivers for energising sound and superb noise
insulation.
Two ear-adaptor sizes for an ideal fit
Integrated volume control
Frequency response: 18–20,000 Hz
Max. SPL (at 1 kHz): 120 dB
new
new
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SportS Portable entertainment
Portable entertainment.
Sports.
Sennheiser’s Travel line upgrades any seat to first class. The NoiseGard TM
system effectively reduces fatiguing cabin noise so you can relax and enjoy
the trip.
PXC 310 BT The folding PXC 310 BT is
the ideal travel companion with a stereo
Bluetooth audio source.
NoiseGard™ 2.0 and TalkThrough function
Frequency response: 15–22,000 Hz
Max. SPL (at 1 kHz): 107 dB
PXC 310 The PXC 310 are the perfect
mini-headphones for noisy environments like
airplanes or trains. They are easy to fold up
and comfortable to wear.
NoiseGard™ 2.0 and TalkThrough function
Frequency response: 15–22,000 Hz
Max. SPL (at 1 kHz): 107 dB
PXC 250-II These closed stereo miniPXC 450 These around-the-ear headphones fit in the smallest carryons thanks
to a unique folding design. NoiseGard 2.0
cancels up to 90% of noise.
headphones are foldable and easy to carry.
Additionally, the steel-reinforced headband is extremely durable and robust.
NoiseGard™ technology
Frequency response: 10–21,000 Hz
Max. (SPL) (at 1 kHz): 106 dB
NoiseGard™ 2.0 and TalkThrough function
Frequency response: 8–28,000 Hz
Max. SPL (at 1 kHz): 108 dB Awards:
Golden Ear (Audio 2008 and 2009) Plus X Award 2008, What Hi-Fi Award 2007
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Travel Portable entertainment
Portable entertainment.
Travel.
Sennheiser’s Professional headphones provide effective shielding from all
ambient noise and outstanding monitoring characteristics. They are extremely
robust and resilient – perfect for clubs and studios.
HD 280 Silver The HD 280 Silver are
dynamic headphones with a closed construction, which provide – besides a comfortable
fit – a linear, natural sound.
True-to-detail linear reproduction
Frequency response: 8–25,000 Hz
Max. SPL (at 1 kHz): 110 dB
Easily exchangeable components
HD 280 pro Because of the robust
construction and excellent shielding, the HD
280 Professional headphones are ideal for
listening in noisy environments.
True-to-detail linear reproduction
Frequency response: 8–25,000 Hz
Max. SPL (at 1 kHz): 110 dB
Easily exchangeable components
HD 380 pro The foldable high-end
headphones are ideal for professional use
in a studio. The closed construction ensures
excellent attenuation; the E.A.R. technology
provides a perfectly channelled sound.
Includes a storage case
Frequency response: 8–27,000 Hz
Max. SPL (at 1 kHz): 110 dB
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DJ and monitoring headphones Professional
Professional.
DJ and monitoring headphones.
Split headband
Frequency response: 16–22,000 Hz
Max. SPL (at 1 kHz): 120 dB
HD 25 SP II The HD 25 SP II are closed,
dynamic headphones. They are extremely
comfortable, making them outstanding for
nightly DJ use.
Exchangeable OFC cable
Frequency response: 30–16,000 Hz
Max. SPL (at 1 kHz): 114 dB
HD 205-II The HD 205-II are mediumsized, supra-aural headphones with outstanding sound characteristics and great
attenuation.
Rotatable earpiece for DJ use
Frequency response: 14–20,000 Hz
Max. SPL (at 1 kHz): 112 dB
HD 203 Due to their high sound pressure
level and reliable shielding, these closed hi-fi
stereo headphones are particularly ideal for
tracking work at the DAW.
Punchy bass and precise trebles
Frequency response: 18–18,000 Hz
Max. SPL (at 1 kHz): 115 dB
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DJ and monitoring headphones Professional
HD 25 II A legend and broadcasters standard. Incredible noise isolation, acoustical
detail and stabilitiy.
These practically indestructible and robust earphones were specially
developed for in-ear monitoring on stage. They provide artists & sound
technicians with outstanding, detailed stereo sound.
IE 7 These ear-canal phones provide an
extremely precise sound for in-ear monitor­ing.
The broad range of earpieces ensures
a comfortable and secure fit in the ear.
Excellent shielding from outside noise
Frequency response: 10–19,000 Hz
Max. SPL (at 1 kHz): 120 dB IE 6 The IE 6 in-ear monitoring model fea­­­
tures strong attenuation of ambient noise
and true-to-detail, high-bass stereo sound.
Broad range of accessories
Frequency response: 10–18,000 Hz
Max. SPL (at 1 kHz): 115 dB Awards:
International Design Excellence Award 2008
IE 8 Using a tunable bass control, these earcanal monitoring headphones provide a truly
custom private sound experience.
High noise attenuation of up to 26 dB
Frequency response: 10–20,000 Hz
Max. SPL (at 1 kHz): 125 dB
Awards:
Golden Ear (Audio 2009)
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Portable in-ear monitoring Professional
Professional.
Portable in-ear monitoring.
The evolutionTM Series presents a complete range of microphones covering vocal, instrument and backline. Evolution microphones feature roadworthy construction, full-metal body, minimum handling noise,
amazing SPL and outstanding feedback rejection. All e900 Series wired
microphones feature a 10 Year Warranty.
900 Series
e935 A cardioid vocal microphone
developed to cut through high stage levels.
Highly insensitive to feedback and handling
noise, the e935’s durable design will take
all the inevitable knocks on stage. A hum
compensating coil reduces electromagnetic
interference.
Frequency response: 40–18,000 Hz
Nominal impedance: 350 Ω
e965 A hand-held vocal microphone
with a true condenser capsule in largediaphragm technology. It combines the best
available features of a stage microphone
with Sennheisers pioneering experience in
the field of acoustics. Able to cut through
high on-stage levels the e965 is the top
model of the award-winning evolution
900 Series.
e945 A top-class super-cardioid vocal
microphone for professional use. The e945
easily cuts through the mix and provides
exceptional presence. Precise, full sound is
matched with high insensitivity to feedback
and handling noise. Rugged design with
shock-mount capsule and hum compen­
sating coil.
Frequency response: 40–18,000 Hz
Nominal impedance: 350 Ω
Switchable pick-up pattern (cardiod/
super-cardiod)
Frequency response: 40–20,000 Hz
Nominal impedance: 50 Ω
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Evolution – The Microphone Series Microphones
Microphones.
– The Microphone Series.
Frequency response: 20–20,000 Hz
Nominal impedance: < 100 Ω
e905 With a high maximum SPL and
fast transient response, the cardioid,
dynamic e905 is an all-rounder suitable for
a wide range of instruments, and an ideal
choice for the snare drum, where the short
mic body allows it to be positioned close to
the drum skin.
Frequency response: 40–18,000 Hz
Nominal impedance: 350 Ω
e902 The frequency response of the
e902 has been optimized for very low frequencies, making this cardioid dynamic microphone an ideal choice for kick drums, bass
guitar amps, tuba and other low-frequency
instruments. Very fast attack.
Frequency response: 20–18,000 Hz
Nominal impedance: 350 Ω
e906 The super-cardioid e906 is de-
signed specially for guitar amps but is also
excellent for drums, percussion and brass
instruments. It features three adjustable
sound characteristics (bright, normal,
smooth).
e904 A cardioid dynamic micro­phone
for drums (especially toms and snare drums)
and percussion. Its very compact design
allows a positioning very close to the drum
skin. With clip for attaching to the drum rim.
Frequency response: 40–18,000 Hz
Nominal impedance: 350 Ω
Frequency response: 40–18,000 Hz
Nominal impedance: 350 Ω
Sennheiser prOduCTS 2010
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Evolution – The Microphone Series Microphones
e901 A “semi”-cardioid condenser
boundary microphone, ideal for miking
kick drums. It features an integral phantom
power adapter and a highly robust, stepresistant housing.
condenser microphone guarantee optimum
miking solutions and exceptionally vivid,
clear sound. The e908 B is designed for
brass instruments, but its multifunctional
bell clip also makes it particularly suitable
for drums with suspension system or congas.
Complete with phantom power adapter.
The e908 B ew (without phantom power
adapter) has been specially designed for
wireless miking of saxophones, and is used
in combination with an evolution wireless
bodypack transmitter (not included).
The same applies to the e908 T ew, which
is the ideal solution for miking trumpets,
flugelhorns and trombones.
e912 S A high-quality, pre-polarized
condenser microphone with half-cardioid
pick-up pattern, acoustically optimized for
picking up speech. Due to its unobtrusive,
flat design, it is ideally suited for use on
conference tables, altars and lecterns. The
e912 S can be switched on and off via an
integrated membrane switch. Available in
cream white and black.
Frequency response: 20–20,000 Hz
Nominal impedance: 100 Ω
The e908 D has been specially developed
for drums and percussion. It includes a multifunctional drum clip with integral shock
absorber and an intelligent MZA 900 P phantom power adapter with an LED for cable,
phantom power and level check. MZA 900 P/
MZA 900 P-4 also available separately.
Frequency response: 40–20,000 Hz
Nominal impedance: 100 Ω
(at the phantom power adapter)
e912 pre-polarized condenser boundary
e914 A condenser microphone designed
for ambitious recordings and live performances. It is ideal for cymbals, hi-hats,
overhead miking, choirs, and orchestras.
The e914 is fitted with a three-position
sensitivity switch and a three-position bass
roll-off/cut-off switch.
Frequency response: 20–20,000 Hz
Nominal impedance: 100 Ω
microphone with half-cardioid pick-up pattern.
Its acoustic properties have been optimized
for instruments, vocals and speech. The e912
is an ideal choice for pianos, theater and
opera productions, conference applications,
altars and lecterns. Available in black or
cream white.
Frequency response: 20–20,000 Hz
Nominal impedance: 100 Ω
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Evolution – The Microphone Series Microphones
e908 The four versions of this cardioid
e815 S The most affordable way
to enjoy the legendary evolution sound.
Rugged, cardioid vocal microphone, which
efficiently suppresses handling noise and
sounds outside the pick-up angle. With hum
compensating coil for reducing electromagnetic interference and lockable, noiseless
on/off switch.
e840 Professional cardioid vocal
microphone developed to cut through high
on-stage levels. Rugged, durable construction,
insensitive to handling noise. The e840
efficiently suppresses sounds emanating
from outside its pick-up angle, and is fitted
with a hum compensating coil for reducing
electromagnetic interference. Also available
as e840 S with noiseless on/off switch.
Frequency response: 40–18,000 Hz
Nominal impedance: 350 Ω
Frequency response: 80–12,000 Hz
Nominal impedance: 350 Ω
Variants:
e815 S-C: with microphone clip
e 815 S-J: with microphone clip
and XLR-jack cable
e 815 S-X: with microphone clip
and XLR-XLR cable
e825 S Multi-purpose vocal and instru-
e845 High performance super-cardioid
vocal microphone with exceptional feedback
rejection. Ensures vocal projection through
high on-stage sound levels. Also available as
e845 S with noiseless on/off switch.
Frequency response: 40–16,000 Hz
Nominal impedance: 350 Ω
ment microphone. Full metal construction
with on/off switch – Sennheiser quality at
an unbeatable price.
Frequency response: 80–15,000 Hz
Nominal impedance: 350 Ω
e865 The highlight of evolution 800
e835 High-quality vocal microphone.
Cardioid pick-up pattern for good feedback rejection and uniform on and off-axis
response. Also available as e835 S with
noiseless on/off switch.
Frequency response: 40–16,000 Hz
Nominal impedance: 350 Ω
Series stage microphones. Rugged condenser
mic that cuts easily through high on-stage
levels. Full, precise sound, especially in the
treble. Also available as e865 S with noiseless on/off switch.
Frequency response: 40–20,000 Hz
Nominal impedance: 200 Ω
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Evolution – The Microphone Series Microphones
800 Series
provides all you need for your live performance. Besides the professional evolution
vocal microphone e835 the epack includes
a high-quality K&M microphone stand, a 5
m XLR cable, a microphone clip and a robust
microphone pouch. The e835 is a cardioid
lead vocal stage microphone specially designed to perform under pressure.
Frequency response: 40–16,000 Hz
Nominal impedance: 350 Ω
600 Series
e602-II Dedicated mic for bass instruments. Delivers very low bass response
(down to 20 Hz) and fast transient signals.
No corrective EQing necessary, even on the
most problematic bass signal sources.
Frequency response: 20–16,000 Hz
Nominal impedance: 350 Ω
e604 Robust mic for close-miking
drums, brass and woodwind instruments,
capable of handling very high sound
pressure levels in excess of 160 dB.
Delivered with drum clip for attachment
to rim of drum.
Frequency response: 40–18,000 Hz
Nominal impedance: 350 Ω
e609 Silver Rugged super- cardioid
microphone for guitar and bass amplifiers,
able to handle extreme sound pressure
levels.
Frequency response: 40–15,000 Hz
Nominal impedance: 350 Ω
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044 045
Evolution – The Microphone Series Microphones
epack e835 The epack e835
microphone with a full-size sound quality.
Newly developed clamp and gooseneck
mounting for positioning the mic close
to the sound source.
Frequency response: 40–16,000 Hz
Nominal impedance: 250 Ω
Classic Microphones. Microphones
e608 The world’s smallest dynamic
Microphones
Classic Microphones.
Renowned for decades, Sennheiser’s line of classic dynamic microphones has been updated with the complete re-engineering of the
famous MD 421.
MD 421 II The current version of our
enormously popular dynamic mic, optimal
for recording drums, guitars, many other
instruments, and even group vocals.
Frequency response: 30–17,000 Hz
Nominal impedance: 200 Ω
MD 431 II The classic dynamic mic for
e614 A pre-polarized condenser instru-
ment microphone with super-cardioid
pick-up pattern. Designed for demanding
applications, which require a wide frequency
response, high SPL, fast transient response
and a compact design.
live vocals.
Frequency response: 40–16,000 Hz
Nominal impedance: 250 Ω
Frequency response: 40–20,000 Hz
Nominal impedance: 50 Ω
MD 441 U Super-cardioid, dynamic, and
suited to nearly any miking situation. A true
classic.
Frequency response: 30–20,000 Hz
Nominal impedance: 200 Ω
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Headset microphones MICROPHONES
Microphones.
Reporter‘s Microphones.
Microphones.
Headset Microphones.
MKE 400 Rugged, compact and versatile
The Ear Set 1 and Ear Set 4 are
high-quality pre-polarized condenser earworn microphones designed for professional
applications. They differ from each other
in their pick-up patterns.
for great video sound: the MKE 400 is a small
shotgun microphone for cameras with a
lighting shoe mount and external microphone
input.
Frequency response: 40–20,000 Hz
Operating Time: approx. 300 hrs
Ear Set 1:
Ear Set 4:
MD 42 A high-quality microphone with an
Ear Set 1
omni-directional pick-up pattern, optimized
for use in live reporting and broadcast
environments. The dynamic MD 42 features
an extra-long microphone body, phenomenal
sound quality and excellent suppression
of handling noise. The two-ply sound inlet
basket provides increased protection from
wind and pop noise.
Frequency response: 40–18,000 Hz
Nominal impedance: 350 Ω
MD 46 A high-quality microphone with
cardioid pick-up pattern, optimized for use
in live reporting and broadcast environments with high levels of background noise.
The two-ply sound inlet basket provides increased protection from wind and pop noise.
Frequency response: 40–18,000 Hz
Nominal impedance: 350 Ω
Ear Set 4
Features of the Ear Set 1 / Ear Set 4:
Compatible with all Sennheiser wireless
microphone systems
Individually adjustable to the ear due to
flexible earband
Cable is insensitive to structure-borne noise
Modular design, i.e. all system components
are easily interchangeable
Very small dimensions
Very insensitive to the penetration of
sweat and moisture
High maximum sound pressure level and
excellent speech intelligibility
Based on the proven acoustics
of the MKE 1 sub-miniature clip-on
microphone (Ear Set 1) or the HSP 4
headmic (Ear Set 4)
Transparent and skin-friendly
hypoallergenic adhesive tape ensures a
perfect fit of the microphone boom even
during strong movements and provides
strain relief for the cable
Sennheiser prOduCTS 2010
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headmic with omni-directional pick-up pattern, designed for professional “hands-free”
applications. The adjustable neckband is
visually unobtrusive and very comfortable
to wear. The different HSP 2 variants differ
in color, size and connector, and can, for
example, be used with evolution wireless
or 3000 and 5000 Series transmitters. Also
available in medium size and beige.
Frequency response: 20–20,000 Hz
HSP 4 High-quality pre-polarized
condenser headmic with cardioid pick-up
pattern, designed for professional “handsfree” applications. The adjustable neckband
is visually unobtrusive and very comfortable
to wear. The six available HSP 4 variants differ
in color, size and connector, and can, for example, be used with evolution wireless transmitters or 3000 and 5000 Series transmitters.
Also available in medium size and beige.
HS 2 The HS 2 is an omni-directional condenser headset microphone using an MKE 2
capsule and fitted with a steel wire cable and
a special 3-pin connector to fit Sennheiser
3000 and 5000 Series bodypack transmitters. The small capsule and gooseneck assembly can be optimally positioned for both
vocal and speech applications. Also available
as HS 2-1 in beige and black.
Microphones.
Lavalier Microphones.
Embodying Sennheiser’s extensive knowledge of microphone technology
in sub-miniature packages, these microphones have become the
industry’s standards in theater, television, and film applications.
MKE 1 Our Smallest Sound Pro: at its best
in all situations where a microphone needs
to be virtually invisible and still offer outstanding sound quality. Special gauze and
multi-purpose cap offer additional protection
from moisture. In addition to traditional
black and beige, the MKE 1 is now available
in brown and white.
Frequency response: 20–20,000 Hz
MZ1 Accessory kit for the MKE 1. The accessory set comes in a convenient
transparent box that includes:
(2) MZQ 1 mini clips (black and beige)
(2) “Dracula” mounts (black and beige)
(2) MZM 1 magnetic mount with lanyard
(2) MZQ 10 mini-clamps (black and beige)
(2) MZW 01 windshield baskets
(4) foam windshields
ME 3 Headmic for SK 100, SK 300 and
SK 500, condenser, cardioid.
Sound pressure level: 150 dB
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Lavalier microphones Microphones.
HSP 2 High-quality polarized condenser
lavalier mic, features innovative, Sennheiser patented “Umbrella” diaphragm
for optimum moisture protection. Delivered
complete with various accessories.
ME 2 Omni-directional lavalier micro­-
phone to be used with evolution wireless
or FreePort bodypack transmitters or
MZA 900 P phantom power adapter with
wireless applications.
Frequency response: 20–20,000 Hz
Frequency response: 40–18,000 Hz
MKE platinum features Sennheiser’s
patented “Umbrella” dia phragm for optimum
moisture protection. It has a warm and natural sound requiring minimal EQ adjustment,
and features an extremely thin and fl exible
Kevlar®-reinforced cable. Special connectors
are available for 3000 and 5000 Series bodypack transmitters.
ME 102* Omni-directional miniature
lavalier mic with interchangeable microphone
capsule. (* shown with optional cable)
ME 4 Lavalier mic with cardioid pattern
and exceptional feedback rejection. Can be
used together with evolution wireless series
or FreePort bodypack transmitters or
MZA 900 P phantom power adapter with
wireless applications.
Frequency response: 80–16.000 Hz
Frequency response: 40–20,000 Hz
Nominal impedance: 1000 O
ME 104* Cardioid miniature lavalier mic
with interchangeable microphone capsule.
(* shown with optional cable)
Frequency response: 100–20,000 Hz
MZA 900 P/MZA 900 P-4
The MZA 900 P phantom power adaptor is
used to connect pre-polarized condenser
microphones with a 3.5mm jack plug to
microphone inputs with 10 – 52 V phantom
powering (P12 – P48). The connected microphone is supplied via the adaptor.
ME 105* Super-cardioid miniature
lavalier microphone with interchangeable
capsule. (* shown with optional cable)
Frequency response: 100–20,000 Hz
Nominal impedance: 800 Ω
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052 053
Lavalier microphones Microphones.
MKE 2 Omni-directional subminiature
Sennheiser’s Installed Sound product line consists of three versatile
pre-polarized condenser microphone heads, which can be combined with
various goosenecks, ceiling and table mounts. They are suitable for a
wide range of applications, including conferences, public address, studios,
broadcasts, houses of worship, and telelvision productions.
ME 34 High sound quality and low equivalent noise level are the features of this
cardioid microphone capsule. The durable,
matte black or Nextel metal housing has a
special anti-reflection coating.
Frequency response: 40–20,000 Hz
ME 35 Similar to ME 34, however, this
microphone has a super-cardioid pick-up
pattern for greater rejection of ambient
sounds.
Frequency response: 50–20,000 Hz
MZH 3015/MZH 3015 L Metal
gooseneck for use with the ME 34, 35 and 36
microphone heads. The durable matte black
or Nextel gooseneck is fitted with a balanced, floating XLR-3 output, enabling the
microphone to work with 12–48 V phantom
power. Also available as MZH 3015 L in matte
black finish with red LED ring and XLR-5
connector.
Length: 6 in.
MZH 3040/MZH 3040 L Metal
gooseneck for use with ME 34, ME 35 and
ME 36 microphone capsules. The durable
matte black or Nextel gooseneck is fitted
with a ba­­lanced, floating XLR-3 output,
enabling the microphone to work with from
12–48 V phantom power. Also available as
MZH 3040 L in black finish with red LED ring
and XLR-5 connector.
Length: 16 in.
MZH 3042/MZH 3042 L Metal
gooseneck with two flexible sections for use
with ME 34, ME 35 and ME 36 microphone
capsules. The durable matte black or Nextel
gooseneck is fitted with a balanced, floating
XLR-3 output, enabling the microphone to
work with 12–48 V phantom power. Also
available as MZH 3042 L in black finish with
red LED ring and XLR-5 connector.
Length: 16 in.
MZH 3062 Metal gooseneck with two
ME 36 The ME 36 microphone capsule features a super-cardioid/lobar pick-up pattern
with excellent directivity and maximum rejection of unwanted sounds. Its superior sound
quality and high gain before feedback is
matched by a low equivalent noise level. The
durable, matte black or Nextel metal housing
has a special anti-reflection coating.
Frequency response: 40–20,000 Hz
flexible sections for use with ME 34, ME 35
and ME 36 microphone capsules. The durable
matte black or Nextel gooseneck is fitted
with a balanced, floating XLR-3 output, enabling the microphone to be powered from
12–48 V phantom power.
Length: 23 in.
MZH 3072 Metal gooseneck with two
flexible sections for use with ME 34, ME 35
and ME 36 microphone heads. The durable
matte black or Nextel gooseneck is fitted
with a balanced, floating XLR-3 output, enabling the microphone to be powered from
12–48 V phantom power.
Length: 27 in.
Sennheiser prOduCTS 2010
054 055
Installed Sound Microphones
Microphones.
Installed Sound.
for MZH 3015, MHZ 3040 and MZH 3042
goosenecks. Available heights: 23.6 and 31.5
in. Available in matte black or Nextel finish.
Can be converted to wireless operation using
a SKP plug-on transmitter with phantom
powering. Available in matte black or Nextel
finish.
MZS 31 Shock-mount for MZH
goosenecks.
MZC 30 Connecting cable XLR-3M to
Optical Microphone Microphone
MZFS 60/MZFS 80 Floor stands
Microphone.
Optical Microphone.
MO 2000 With a non-metallic, non-electric
microphone head, the optical microphone is
completely insensitive to electrostatic and
magnetic fields, ionizing radiation and extreme humidity. It is ideal for use in computer tomography, as a measuring microphone
in EMC testing equipment, for industrial
applications and in hazardous areas.
Polar pattern: Omni-directional
Sensitivity: 15 mV/Pa
Max. sound pressure level: 134 dB
special coax connector (ME 34, 35, 36) for
ceiling-mounting.
MZH 30 Metal ceiling mount for optimal
positioning of mic capsules ME 34, 35 and 36.
IAS MO 2000 SET IAS MO 2000 SET
includes the MZWW 2000 weather and wind
protection. It complies with IP 54. This system is ideal for use in outdoor applications
especially in explosion endangered areas (e.g.
acoustical surveillance of gas pipelines).
MZTX 31/MZTX 31 PTT Table
stands with XLR-3 connector. The MZTX 31
PTT offers a microphone button that can be
switched between mic on/off and push-totalk operation. The stands can be converted
to wireless operation using a SKP plug-on
transmitter that provides phantom powering. Available in matte black or Nextel finish.
Sennheiser prOduCTS 2010
056 057
K6 microphones MiCROPHONES
Microphones.
K6 Microphones.
ME 64 Cardioid mic capsule.
Frequency response: 40 Hz–20 kHz
The K6 Modular System is a versatile professional condenser microphone
system of exceptionally high quality. Available with a wide variety of
modules for different powering arrangements, polar patterns, and
capsule sizes, the K6 System provides a flexible tool for all recording
and sound reinforcement work.
K6 Battery/phantom power module.
Frequency response: 20 Hz–20 kHz ± 1 dB
Rated impedance: 200 Ω
K6P Phantom power only module.
Frequency response: 20 Hz–20 kHz ± 1 dB
Rated impedance: 200 Ω
ME 62 Omni-directional mic capsule.
Frequency response: 20 Hz–20 kHz
ME 65 Super-cardioid handheld
mic capsule.
Frequency response: 40 Hz–20 kHz
ME 66 Shotgun mic capsule.
Frequency response: 40 Hz–20 kHz
ME 67 Long shotgun mic capsule.
Frequency response: 40 Hz–20 kHz
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The MKH 8000 Condenser Microphone Series has been designed to
capture the soul of sound, reproducing music with an unprecedented
warmth and transparency.
MKH 8050 The super-cardioid MKH 8050
will give higher attenuation of off-axis
sound from the side than its cardioid sister
model. It is a good choice for recording
soloists, where the requirements for lateral
acoustic separation are higher.
Frequency response: 30–50,000 Hz
Nominal impedance: 25 Ω
MKH 8020 The omni-directional
MKH 8020 is ideal for recording large and
small sound sources, for a “Decca Tree” or
for use in an OSS “Jecklin Disk” array. As it
does not suffer from a proximity effect, it
is also a good choice for close-miking. The
extra octave at the bottom end makes the
MKH 8020 perfect for recording pipe organs,
grand piano and acoustic double-bass.
Frequency response: 10–60,000 Hz
Nominal impedance: 25 Ω
MZF 8000 is a new filter module for the
MKH 8000 professional RF condenser microphone series. Especially in the broadcast
and film industries, it effectively blocks
interference caused by infrasound, such as
low-frequency noises caused by wind and
handling.
Nominal impedance: 50 Ω
MKH 8040 The cardioid MKH 8040
is suitable for almost any application. It
considerably reduces pick-up of a reverberant room. This is very helpful in rooms with
poor acoustics or when disturbing sounds
interfere mainly from the rear.
Frequency response: 30–50,000 Hz
Nominal impedance: 25 Ω
MZD 8000 The Digital Module for
MKH 8000 is simply screwed onto the microphone head in place of the XLR module,
turning the audio signal of the MKH 8020
(omni-directional), MKH 8040 (cardioid) and
MKH 8050 (super-cardioid) into a digital one.
The new digital module ensures that the
warm, natural, yet fantastically clear and
powerful sound of the MKH 8000 series is
main­­tained in full quality along the entire
signal chain. In contrast to conventional
digitization, which uses a separate analog/
digital converter at some stage in the chain,
the Sennheiser MZD 8000 digital module
eliminates cable losses and, most importantly, features a converter and surrounding
circuitry that have been optimally matched
to the microphone.
Frequency response: 10–80,000 Hz
Sennheiser prOduCTS 2010
060 061
MKH 8000 Series Microphones
Microphones.
MKH 8000 Series.
The sophisticated MKH Series microphones incorporate Sennheiser
technology into condenser mics of superlative quality. Used by recording studios, film and television production companies, and broadcast
professionals all over, the MKH line provides a flexible array of polar patterns and sizes, all optimized for totally transparent, “colorless” sound
reproduction.
MKH 20 RF condenser microphone with
omni-directional pick-up pattern.
Frequency response: 12–20,000 Hz
Nominal impedance: 150 Ω
MKH 30 RF condenser microphone with
figure-8 pick-up pattern.
Frequency response: 40–20,000 Hz
Nominal impedance: 150 Ω
MKH 40 RF condenser microphone with
cardioid pick-up pattern.
Frequency response: 40–20,000 Hz
Nominal impedance: 150 Ω
MKH 50 RF condenser microphone with
super cardioid pick-up pattern.
Frequency response: 40–20,000 Hz
Nominal impedance: 150 Ω
MKH 60 Shotgun microphone with super
cardioid/lobar pick-up pattern for use in film
and location sound.
Frequency response: 60–20,000 Hz
Nominal impedance: 150 Ω
Dimensions: d 25 x 280 mm
MKH 70 Shotgun microphone with lobar
pick-up pattern for use in film and location
sound.
Frequency response: 60–20,000 Hz
Nominal impedance: 150 Ω
Dimensions: d 25 x 410 mm
MKH 800 Dual capsule RF condenser
microphone with switchable polar
patterns.
Frequency response: 30–50,000 Hz
Nominal impedance: 150 Ω
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062 063
MKH Condenser Microphones Microphones
Microphones.
MKH Condenser Microphones.
MKH 800 TWIN Dual capsule RF con­
denser microphone with remote controlled
polar patterns. By providing both capsule
signals at the output, the polar pattern can
be adjusted steplessly at the mixing desk
during post production. Nextel and Nickel
finish available.
F requency response: 30–50,000 Hz
Nominal impedance: 150 Ω
MKH 416 Light weight shotgun micro­
phone with super cardioid/lobar pick-up
pattern for use in ENG and broadcasting.
Most users do not need a license to operate a wireless microphone system.
Nevertheless, operating a microphone system without a license is subject
to certain restrictions: the system may not cause harmful interference;
it must operate at a low power level (not in excess of 50 milliwatts); and
it has no protection from interference received from any other device.
Purchasers should also be aware that the FCC is currently evaluating use of
wireless microphone systems, and these rules are subject to change. For
more information, call the FCC at 1-888-CALL-FCC (TTY: 1-888-TELL-FCC)
or visit the FCC’s wireless microphone website at:
www.fcc.gov/cgb/wirelessmicrophones
RF Wireless Systems.
5000 Series.
The state-of-the-art 5000 Series, with its innovative modular
receiver design, exceptional flexibility, optional computer control
and high performance transmitters, provides unsurpassed wireless
performance.
F requency response: 40–20,000 Hz
Output Impedance: 10 Ω balanced
floating 8 Ω
MKH 418 S M/S shotgun microphone
with super cardioid (M) and figure-8 (S)
pick-up patterns for use in ENG and location
sound.
F requency response: 40–20,000 Hz
Nominal impedance: 25 Ω
SKM 5200-II As Sennheiser’s flagship RF
wireless model, the SKM 5200-II sets a new bench­
mark for stage and broadcast applications alike.
Nine interchangeable microphone heads adapt
the handheld transmitter to virtually any task at
hand. The highest frequency agility and transmis­
sion reliability, durability, adjustable sensitivity,
three-stage low-cut filter, backlit display and easy
operation via a multi-function switch are further
features of the SKM 5200-II. The transmitter body
is available in nickel, black, and steel blue.
Switching bandwidth: Up to 184 MHz
Output power: 50 mW
S/N ratio: ≥ 114 dBA
Sennheiser prOduCTS 2010
064 065
5000 Series RF Wireless Systems
CONSUMER ALERT
frequency RF technology, the EM 1046
receiver system offers eight channels of
pristine RF wireless audio.
Frequency groups are
available between: UHF 450–960 MHz
S/N ratio: ≥ 117 dBA
RF Wireless Systems.
3000 Series.
The 3000 Series offers superb performance with durable, heavy-duty
construction for touring and broadcast applications.
EM 3732-II/EM 3731-II Highest
opera­tional reliability with great conve­
nience and comfort for the user! The wide
switching bandwidth of up to 184 MHz and
many connection options make these receiv­
ers the most flexible tools in the market.
They feature a number of innovative func­
tions, such as a digital audio output, highcontrast OLED display and extraordinarily
intuitive operation via an icon-based menu.
With the Ethernet connector, the receivers
can easily be integrated into any network.
SK 50-A/SK 250 Tunable RF bodypack
transmitters.
Frequency groups are
available between: UHF 450–960 MHz
Output power: 5
0 mW (SK 50-A)
250 mW (SK 250)
S/N ratio: ≥ 117 dB (A)
new
ASA 3000 Active 2 x 1:8 antenna split­
SK 5212-II Extremely small bodypack
transmitter with durable metal housing for
broadcast and musical applications. New:
Enhanced switching bandwidth with up to
184 MHz.
ter for multi-channel wireless microphone
systems with up to 16 channels with twin
receivers. DC power supplied to antenna
boosters.
Frequency range: 470–870 MHz
Switching bandwidth up to 184 MHz
Output power: typ. 50 mW, 10 mW,
10 mW LoI switchable
S/N ratio: ≥ 110 dB (A)
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3000 Series RF Wireless Systems
EM 1046-U The heart of multiple-
Frequency groups are
available between: 450–960 MHz
Switching bandwidth: 36 MHz
SKM 3072-U Handheld transmitter
with up to 32 switchable channels. Supplied
with super-cardioid mic head for vocals and
close-miking. Also available: interchangeable
super-cardioid microphone head for speech
applications.
Frequency groups are
available betweeen: 450–960 MHz
S/N ratio: ≥ 117 dB (A)
Output power: 30 mW
SK 3063-U Pocket transmitter with up
RF Wireless Systems.
2000 Series.
Whether theater, broadcast, live or at a convention: Sennheiser’s 2000
series is the first choice of sound engineers and rental agencies. This ver­
satile, flexible system lets you take sure control of complex stage events.
When it comes to broadcasting, the 2000 series is your personal entry into
the world of professional audio transmission.
SKM 2000 The hand-held transmitter
of the 2000 Series shows its strength during
use, in its performance, in its features: swit­
chable transmission power, intuitive menu
navigation, an easy-to-read graphic display
make it convenient for daily use. The SKM
2000 is compatible with all evolution wireless
capsules, including the MMK 965-1 true con­
denser capsule, whose wired version, e 965,
has already proven to be a great success.
Colors: nickel and black
Frequency range: 516–865 MHz
Switching bandwidth: max. 75 MHz
Transmission power: 10, 30, 50 mW
(US: 100 mW)
to 16 selectable frequencies. For use with
clip-on mics or headworn microphones.
Frequency groups are
available between: 450–960 MHz
S/N ratio: ≥ 112 dB (A)
Output power: 30 mW
SKP 3000 Plug-on transmitter, which
converts any cabled microphone (even
condenser micro-phones) for RF wireless
operation.
Frequency groups are
available between: 518–866 MHz
S/N ratio: ≥ 114 dB (A)
Output power: 30 mW
SK 2000 The compact SK 2000 bodypack
transmitter is versatile and reliable during
the wireless transmission of instruments and
voice. Bass guitarists especially appreciate its
excellent audio quality due to the enhanced
frequency response (25–20,000 Hz). Three
RF output powers (four in the US version)
provide longer transmission ranges or more
channels per frequency range.
Frequency range: 516–865 MHz
Switching bandwidth: max. 75 MHz
Transmission power: 10, 30, 50 mW
(US: 100 mW)
Sennheiser prOduCTS 2010
068 069
2000 Series RF Wireless Systems
EK 3241 Miniature true diversity receiver
designed for use with camcorders. Its excep­
tional frequency agility and reliability ensure
flexible operation worldwide.
Frequency range: 516–865 MHz
Switching bandwidth: max. 75 MHz
Transmission power: 10, 30, 50 mW
(US: 100 mW)
EM 2000 / EM 2050 The EM 2000
EM 2000
true diversity receiver is the heart of the
2000 Series. With 5 frequency ranges and a
switching bandwidth of up to 75 MHz, the
EM 2000 provides maximum flexibility. The
Ethernet connection lets you control your
system from your PC or Mac directly over the
WSM (Wireless System Manager) software.
The integrated active antenna daisy-chain
outlet makes it possible to build up systems
having up to 16 channels without requiring
an external splitter.
EM 2050
EK 2000 IEM This wireless monitoring
bodypack receiver is extremely robust. The
metal battery compartment cover is wellsuited to the hard life on the stage. Adaptive
diversity technology has also increased
transmission reliability significanty. The
earphone cable serves as a second antenna,
which considerably reduces the number of
drop-outs.
2000 Series RF Wireless Systems
SKP 2000 The SKP 2000 plug-on
transmitter with phantom powering makes
wireless audio transmission from wired
reporters‘ microphones possible. The graphic
display makes adjusting and saving settings
easy, even under poor light conditions. Its
switchable output power turns the SKP 2000
into a strong companion during any mobile
recording session.
Frequency range: 516–865 MHz
Output power: 100 mW @32 Ω
EK 2000 It is nice when you can concen­
trate fully on the picture because you know
the sound is reliable. This camera receiver
allows you to do just that.
Equipped with adaptive diversity, this cam­
era receiver ensures reliable reception in five
frequency ranges with up to 75 MHz switch­
ing bandwidth. The transmitter settings can
be synchronized quickly from the EK 2000
using infrared technology.
Frequency range: 516–865 MHz
Switching bandwidth: max. 75 MHz
AC 3000 Active antenna combiner for
creating 8-channel wireless monitoring
systems.
Frequency range: 470–870 MHz
RF input power: max. 80 mW per input
SR 2000 / SR 2050 When it comes
SR 2000
SR 2050
to wireless monitoring, the 2000 Series is set­
ting new standards. The switching bandwidth
of up 75 MHz and a switchable transmission
power of 10, 30 and 50 mW (plus 100 mW
in the US version) let you reach a maximum
of reliability and flexibility. The built-in
Ethernet interface provides ideal viewing of
the monitoring system from your PC or Mac,
plus perfect integration, even into complex
wireless systems.
AC 3200 Active antenna combiner for
creating 8-channel wireless monitoring
systems.
Frequency range: 500–870 MHz
RF input power: max. 250 mW per input
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071
RF Wireless Systems.
300 Series.
The 500 Series is the top line of evolution wireless. Sound professionals
and artists who work on the world’s biggest stages rely on g.
A wireless system at this price point cannot be more flexible and
versatile.
You Know You Can Set New Standards
The 300 Series is at its best at conferences, presentations and live
events. Speakers and presenters love the crystal-clear sound of the
microphones, and as a technician, you can rely on a flexible and versatile
wireless system that gives you full control of your event.
300 Series Features
500 Series Features
Mac and PC controlled frequency management
Ethernet port for Wireless Systems Manager (WSM) software
Enhanced frequency bank management with up to
32 compatible frequencies
Frequency ranges: 516-558, 566-608, 626-668, and 823-865 MHz
ac and PC controlled frequency management
M
Ethernet port for Wireless Systems Manager (WSM) software
Enhanced frequency bank management with up to
24 frequencies per bank
Enhanced muting functions
Frequency ranges: 516-558, 566-608, 626-668, 823-865 MHz
Vocal Set Raise your voice with the tour-
Vocal Set With the crystal-clear sound
proven wireless microphone and absolutely
reliable sound transmission. Choose between
three professional microphone heads (two
dynamic and one condenser) from the re­
nowned Sennheiser evolution 900 line.
of the handheld microphone, you can make
yourself heard right back to the last row. The
microphone’s mute function can be used for
push-to-talk and push-to-mute offering you
full control of your performance.
Instrument Set Rocking the crowd
HeadSet The lightweight and comfort­
Presentation Set There is no better
Presentation Set Make your speech
has never been so easy or professional. The
integrated control menu with guitar cable
emulation, the RF/AF mute for multiple guitars
and the integrated guitar tuner ensure that
you have absolute control of your gig.
way to express yourself and impress your
audience than with the professional g pre­
sentation set. The extremely small MKE 2
clip-on microphone is renowned for its high­
est sound quality and robustness.
able headset microphone offers you total
freedom to move during your speech or
presentation. A special frequency response
ensures a safe and clear sound transmission.
or presentation state-of-the-art with the
small clip-on microphone that is easy to
Set with clip-on microphone wear and nearly invisible on stage. Its clear
ME 2
sound transmission gives you the freedom
to move and act.
Set with clip-on microphone
ME 4
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EVOLUTION Series RF wireless systems
RF Wireless Systems.
500 Series.
You Know You Can Count On Breakthrough Sound. Thanks to its expanded
bandwidth (42 MHz), 1680 switchable frequencies, and the perfect Sennheiser
live sound, the 100 Series is the ideal choice for musicians and presenters,
and best suitable for camera and wireless monitor applications.
Presentation Set A professional
Set with clip-on
microphone ME 2
quality standard that has proven itself for
moderation and on stages alike. Impress
your audience with a crystal-clear presenta­
tion. The small clip-on microphone offers
excellent speech intelligibility withits special
frequency response.
100 Series Features
• Infrared interface for synchronization of transmitters
• Increased audio range
• More control options (menu)
• E nhanced frequency bank with up to
12 compatible frequencies per bank
• Frequency ranges: 516-558, 566-608, 626-668, and 823-865 MHz
Set with clip-on
microphone ME 4
ENG Set Capture the right moment with
the ENG Set for perfect sound transmission
while filming. Four different sets are available
including either a handheld transmitter or a
body pack transmitter with an omni-direc­
tional or cardioid clip-on microphone.
Vocal Set Gone are the days when a
singer had to shout into the microphone to
be heard. The robust handheld transmitter
delivers full first-rate live sound. You can
choose from 5 exchange­able microphone
heads (4 dynamic and one condenser).
Instrument Set Who says a guitar­
ist always has to stand in one place? The g
Instrument Set gives you the freedom to
rock the crowd wherever you are on stage:
no strings attached. Brand new with g:
the integrated guitar tuner makes a tuning
device unnecessary.
HeadSet Regardless of whether you
are a singer, actor, dancer or fitness trainer:
With the special frequency response of this
headset microphone, your voice will be heard
at the very back in the last row.
4 Sets available
with different system
components
Wireless Monitor Set The Wireless
Monitor Set gives you complete control of
your performance across the entire stage.
The body pack diversity receiver with volume
control is as easy to use as the stereo trans­
mitter, which offers PC-controlled monitor­
ing of multi-channel appli­cations via the
Wireless Systems Manager (WSM) software.
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EVOLUTION Series RF wireless systems
RF Wireless Systems.
100 Series.
Presentation Set
With freePORT TM, Sennheiser offers the ideal entry-level RF wireless sys­
tems – easy to use, durable and affordable. Simply insert the transmitter
batteries, connect the receiver and you’re ready to go! freePORT is ideal
for applications such as garage band gigs, singers, presenters, a smallscale theater production, and a company presentation.
Vocal Set Asser­
tive, punchy sound is the hallmark of the
freePORT vocal set. It includes a handheld
transmitter with dynamic capsule and a
diversity receiver.
Handheld Transmitter
Dynamic capsule, cardioid
Frequency response: 80–18,000 Hz
LED for battery power
Receiver
Diversity
Signal-to-noise ratio: > 95 dB (A)
THD: < 1 %
The presentation set ensures excellent
speech intelligibility for talks, presenta­
tions and small-scale theater productions.
It consists of a bodypack transmitter, a
diversity receiver, and an inconspicuous clipon microphone with omni-directional pick-up
pattern.
Bodypack Transmitter
Frequency response: 60–18,000 Hz
MIC/Line switch
LED for battery power
Clip-on Microphone
Natural sound
Inconspicuous to wear
Instrument Set
The instrument set impresses with durability,
full-bodied sound and wide dynamics. It con­
tains a bodypack transmitter with instrument
cable and a diversity receiver, and is ideal for
guitars or any other instrument with a jack
output.
Instrument Transmitter
Frequency response: 60–18,000 Hz
MIC/Line switch
LED for battery power
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Freeport rf wireless systems
RF Wireless Systems.
Suitable for public addresses, conferences, museums, exhibtions,
translation and other applications. Sennheiser infrared wireless
systems are an effective and convenient alternative to conventional
hard-wired systems. With their unique amplitude and frequency mod­
ulation process they convey high-quality, dependable audio. Available
in both narrow band (for multi-channel setups) and wide band (for
exceptional sound quality) systems, Sennheiser infrared wireless is
powerful and flexible enough for use in any setting.
Single/Two-Channel
Wideband Systems
SZI 1015 Medium area DC
powered emitter. Also avialable in white.
Transmission area: 4,000 sq. ft. (single
channel) 2,000 sq. ft. (Two channel)
SZI 1015-T Single-channel master
modulator/emitter.
Carrier Frequency: 2.3 MHz
Transmission area: 4,000 sq. ft.
SI 30/SZI 30 Small area modulator/
emitter or emitter only.
T ransmission area: 750 sq. ft. (single-chan­
nel), 375 sq. ft. (two-channel)
Carrier frequencies: 2.3 MHz/2.8 MHz
SI 1015 Two-channel wideband
modulator
Single/Two Channel Wideband Systems
C arrier frequencies: 2.3 MHz/2.8 MHz
Frequency response: 20–15,000 Hz
SZI 1029 Large area emitter. Also avialable in white
Transmission area: 12,500 sq. ft (single channel)
6,250 sq. ft (two channel)
SZI 1029-24 24-volt DC powered emitter.
SZI 1029-10 10 watt version for
coverage up to 18,000 sq. ft.
Also available in white
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Infrared Wireless Systems Infrared Systems
Infrared Systems.
Infrared Audio Distribution
Systems.
C arrier Frequency: 2.3 MHz
Frequency response: 18–18,000 Hz
Powered by BA151 rechargeable battery
Multi-Channel Systems
SI 29-5 Single rack-space modulator
transmits up to five narrowband channels.
May be daisy-chained up to 32 channels.
Carrier frequencies: 55–1,335 kHz
L151-10/NT Charger for ten RI 150
receivers
HDI 1029 PLL 16 A lightweight,
easy-to-use stethophone receiver with 16
channels. Also available as PLL 16-H version,
(channels 16-31)
HDI 830 Professional stereo or
two-channel receiver with volume control
C arrier frequency: 2,3/2,8 MHz
Frequency response: 50–16,000 Hz
Automatic On/Off
RI 830 S Professiona stereo or two-chan­
nel receiver with 3.5mm jack-plug
(Induction loop available as accessory)
C arrier frequency 2.3/2.8 MHz
Frequency response 50–16,000 Hz
Powered by BA300 rechargeable battery
C arrier frequencies: 55–1,335 kHz
Powered by BA90 rechargeable battery
L92-10/NT Charger for ten BA90 batter­
ies. Also available as L92-10/NT for twenty
BA90 batteries.
EKI 1029 PLL 16/PLL 32 Slim,
compact multi-channel bodypack receiver
with 16 or 32 channels. Also available as PLL
16-H version (channels 16-31). Offers 3.5mm
audio input.
C arrier frequencies: 55–1,335 kHz
Powered by BA1209 rechargeable battery
L1029-20/NT Carrying case and char­
L300-10 Charger for HDI 830 or RI 830 S
recievers. Also charges an additional ten
BA300 batteries.
gers for twenty EKI 1029 receivers.
L1029-75/NT Carrying case and char­
gers for seventy five EKI 1029 receivers.
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Infrared Wireless Systems Infrared Systems
RI 150 Ultralight mono stethophone
receiver.
Set 840-TV The stereo Set 840-TV
allows you complete freedom of movement
throughout the house. Thanks to modern
radio technology you can move around
within a radius of 300 ft. – in the home or
in the garden – and still enjoy television
news, audio books or music in great sound
quality. There are three hearing settings on
the transmitter, so you can choose the best
for optimum speech intelligibility: volume
compression and treble emphasis can be
activated and combined, the treble emphasis
can also be adjusted individually. Conve­
nient: the receiver turns on automatically
when it is put on. Even more convenient:
the flexible ear pads fit exactly and are very
comfortable to wear.
Drawing from Sennheiser‘s longstanding audio expertise, these products
bring exceptional sound quality, infrared and RF wireless technology, and
precision engineering to the assistive listening market.
Carrier frequencies:
925.95 MHz/ 926.8 MHz/ 927.5 MHz
Frequency response: 50–16,000 Hz
Range: up to 300 ft. or 98 ft.
new
Set 830-TV The Set 830-TV is a stereo
Set 900 is a lightweight mobile sound booster and cord­
less infrared stereo listening system. It is ideal for use at
public performance venues via an installed infrared system
or in home with TV sets, hi-fi systems or radios. Sound and
speech can be tailored to one’s hearing. Additionally, two
switchable microphones integrated in the receiver enhance
conversation and enable you to remain aware of ambient
sounds while watching TV.
TV listening system. The infrared model
enables listening anywhere in the room
without the need for cables and without
‘disturbing others. Directly connectable to
a TV, hi-fi system or radio, the Set 830-TV
guarantees outstanding sound quality which
you can customize to your own hearing with,
for example, individual treble emphasis.
What’s more, the receiver is extremely
lightweight and, with its perfect-fitting ear
pads, offers maximum comfort when worn.
Ergonomic controls and visual signals for the
individual control processes mean that op­
eration of the Set 830-TV couldn’t be easier.
Carrier frequencies: 2.3 MHz/ 2.8 MHz
Frequency response: 50–16,000 Hz
Range: up to 40 ft.
Transmission frequencies: 2.3 MHz/ 2.8 MHz
Reception frequencies: 2.3 MHz/ 2.8 MHz / 95 kHz
Frequency response: 50–16,000 Hz
Range (Transmitter): up to 40 ft.
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Assistive Listening Devices AudiologY
Audiology.
Assistive Listening Devices.
Audioport A 200 The A 200 audio­
port is a good alternative for people who
would like amplified sound occasionally,
but do not want to wear a hearing aid. Two
integrated microphones transmit voices and
sounds in detail and amplified to the ears.
Furthermore, the A 200 is very easy to use.
The on/off switch and the volume control
are positioned directly on the receiver. And
when it is not needed, it is simply put in the
cradle to recharge.
wearers of hearing aids, the Set 840 S trans­
mits stereo sound via a radio frequency con­
nection from the television or hi-fi system
up to 100 m – even through walls. The signal
is received clearly and precisely by a hearing
aid with activated telecoil via the induction
loop. Alternatively, normal headphones or
induction couplers can be connected to the
receiver. After use the receiver can be placed
in the charging cradle facing either way.
Carrier frequencies:
925.95 MHz/ 926.8 MHz/ 927.5 MHz
Frequency response: 50–16,000 Hz
Range: up to 300 ft. or 98 ft.
Frequency response: 200–12,000 Hz
Microphones: Pre-polarized condenser
mics, stereo
new
Set 830 S The Set 830 S is essentially the
same as the Set 840 S, but does not transmit
a radio frequency signal, it transmits an
infrared signal up to 12 m within a room.
The signal is transmitted from the receiver
to the hearing aid with activated telecoil
via the induction loop supplied with the set.
You can choose from three hearing settings
on the transmitter and adjust compression
and treble emphasis to optimise the speech
intelligibility and sound quality. Volume and
balance control are conveniently located on
the receiver.
EZT 3011 The EZT 3011 is an induction
loop for use with the RI 830 S and RR 840 S
receivers. It transmits the audio signal from
the receiver to hearing aids with an induction
coil. You can attach the receiver directly to
the induction loop and wear it. The EZT 3011
is equipped with a 3.5 mm stereo jack plug.
EZT 3012 The EZT 3012 is an induction
loop for use with Sennheiser’s wireless
receivers. It transmits the audio signal from
the receiver to hearing aids with an induction
coil. The induction loop is equipped with a
40 cm long connection cable with a 3.5 mm
stereo jack plug.
Carrier frequencies: 2.3 MHz/ 2.8 MHz
Frequency response: 50–16,000 Hz
Range: up to 40 ft.
new
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Assistive Listening Devices AudiologY
Set 840 S – Specially designed for
audiometric headphones AudiologY
Audiology.
Audiometric Headphones.
Hearing aid acousticians and ENT doctors have to be able to rely on modern
diagnostic technology and so they expect the highest quality – especially
when diagnosing hearing problems with the aid of an audiometer.
Sennheiser offers specially developed headphones that relay the test
sounds produced in different frequencies to the patient’s ears accurately
and exactly: for precise measurement readings.
HDA 280 Closed, dynamic headphones
for use with audiometers, with fold-up
and swivelling earpieces for space-saving
transport.
Frequency range: 20–20,000 Hz
Nominal impedance: 37 Ω
Tested and certified by the PhysikalischTechnische Bundesanstalt (PTB) (German
institute for standards) in accordance with
IEC 60645-1
HDA 200 Closed dynamic audiometric
headphones designed for extended highfrequency testing.
Frequency range: 20–20,000 Hz
Nominal impedance: 40 Ω
Reference headphones listed in ISO
standards ISO 389-5 and ISO 389-8
Tested and certified by the PhysikalischTechnische Bundesanstalt (PTB) (German
institute for standards) in accordance with
IEC 60645-1
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Bringing Sennheiser technology to the air, these products provide the
finest aviation communication available. The active noise cancellation
headsets, featuring Sennheiser’s exclusive NoiseGardTM attenuation cir­
cuitry for hearing protection and safety, are already in use by professional
and private aviators throughout the world. The headsets equipped with a
Sennheiser electret microphone are perfect for hands-free operation.
Active Noise
Cancellation Headsets
HMEC 46
series very lightweight and comfortable
open boomset with NoiseGard active noise
compensation. Different connector and
powering versions are available to suit all
possible cockpit configuration.
Headphones
Frequency response: 20–14,000 Hz
Active noise reduction: 15 dB +/- 3 dB
between 100–500 Hz
Microphone
Type: BKE 46 Prepolarized condenser
capsule, noise-compensated
Frequency response: 350–6,000 Hz
(RTCA/DO-214)
ETSO C57a & C58a, TSO C139
HMEC 460 Series Closed-cup headset
with NoiseGardTM active noise compensation
and excellent passive attenuation. Ideal for
the loud cockpits of propeller-driven and
turboprop aircraft. With volume control,
audio-in, cellphone-in.
HMEC 26
series A lightweight supra-aural closed-cup headset
designed to actively reduce cockpit noise. The HMEC 26-T
Version offers a Talk-Through function.
Headphones
Frequency response: 20–14,000 Hz
Active noise reduction: typ. 18 dB between
100–300 Hz
Headphones
Frequency response: 45–15,000 Hz
Noise Compensation (active and passive):
25–40 dB
Microphone
Type: BKE 45-1 Prepolarized condenser,
noise-compensated
Frequency response: 300–5,000 Hz
10 year warranty
Microphone
Type: BKE 46 prepolarized condenser,
noise-compensated
Frequency response: 300–6,000 Hz
Available with various connectors,
ETSO C57a & C58a, TSO-C139
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Aviation Boomsets Aviation
Aviation.
Aviation Boomsets.
GardTM active noise compensation. Ideal for
the loud cockpits of helicopters, propellerdriven and turboprop aircraft. With volume
control, mono/stereo switch and flexible
microphone boom.
Headphones
Frequency response: 45–15,000 Hz
Noise Compensation (active und passive):
25–40 dB
Microphone
Type: BKE 45-1 Prepolarized condenser,
noise-compensated
Frequency response: 300–5,000 Hz
(RTCA/DO-214)
Available with various connectors, FAA & JAA
TSO approval C57a, C58a.
The New Generation:
Due to their very attractive and foldable
design the HME 95 and HMEC 250 are the
first models of a new design generation of
Sennheiser General Aviation Headsets.
HMEC 250 The HMEC 250 is an entry
headset with active noise compensation
NoiseGardTM 2.0. With volume control,
audio-in, cellphone-in.
Headphones
Frequency response:
8–28,000 Hz (headphone)
300–5,000 Hz (talk-through)
Nominal impedance (passive):
150 Ω mono, 300 Ω stereo
Active: 600 Ω mono, 1200 Ω stereo
Microphone
Type: BKE 46 Prepolarized condenser,
noise-compensated
Frequency response:
300–6,000 Hz (headphone)
HME 95 The HME 95 is an entry level
headset with passive noise attenuation
that is good value for money. With volume
control, audio-in, cellphone-in.
Headphones
Frequency response: 8–28,000 Hz
Nominal impedance
passive): 2
25 Ω mono,
300 Ω stereo
Microphone
Type: BKE 46 Prepolarized condenser,
noise-compensated
Frequency response: 300–6,000 Hz
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Aviation Boomsets Aviation
HMEC 350
series Closed-cup headset with Noise­
HME 26 Series A lightweight headset
with closed headphone systems. The new
models are extremely comfortable because
of the especially soft earpads.
Headphone
Frequency response: 20–14,000 Hz
Microphone
Type: BKE 46 prepolarized condenser,
noise-compensated
Frequency response: 350–6,000 Hz
(RTCA/DO-214)
Available with various connectors,
ETSO C57a & C58a, TSO C139
HME 110 The special edition featuring an
elegant high-tech finish, the HME 110 pilot’s
headset is ideal for use in propeller and
turbo-prop aircraft. This headset is extremely
comfortable thanks to soft earpads and an
optimized headband.
Headphones
Frequency response: 45–15,000 Hz
Microphone
Type: BKE 45-1 Prepolarized condenser,
noise-compensated
Frequency response: 300–5,000 Hz
10 year warranty
(RTCA/DO-214)
FAA & JAA TSO C57a, C58a
HME 46 Series These boomsets suc­
cessfully combine proven functionality with
the latest audio technology and maximum
user comfort. The HME 46 incorporates peak
level protection.
Headphones
Frequency response: 20–14,000 Hz
Microphone
Type: BKE 46 Condenser, prepolarized,
noise-compensated
Frequency response: 350–6,000 Hz
HME 100 Passive, closed-cup aviation
headset – the lower-cost alternative to the
HMEC 350 NoiseGardTM model. With volume
control and flexible microphone boom. Mono/
stereo compatible.
Headphones
Frequency response: 45–15,000 Hz
ETSO C57a & C58a, TSO C139
HME 43 Pilot’s headset with closed ear
protector headphones and ultra noise-can­
celing microphone for use in airline jets and
business jets.
Microphone
Type: BKE 45-1 Prepolarized condenser,
noise-compensated
Frequency response: 300–5,000 Hz
(RTCA/DO-214)
FAA & JAA TSO C57a, C58a
Headphone
Frequency response: 200–6,000 Hz
Nominal impedance: 300 Ω
Microphone
Type: BKE 43 Prepolarized condenser,
noise-compensated
Frequency response: 350–3,400 Hz
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Aviation Boomsets Aviation
Passive Noise
Cancellation Headsets
Professional headsets
Headsets for broadcast and
communication solutions.
HMD 26 Headset for broadcasting
applications in noisy environments.
Dynamic microphone with highly linear
frequency response. Also available in
monaural (HMD 26-600S) variant.
Headphones
Frequency response: 20–18,000 Hz
Nominal impedance: 50 Ω mono/100 Ω stereo
and 300 Ω mono/600 Ω stereo
HMD 280 Professional Professional
headset for communications in high-noise
environments. Its dynamic, super-cardioid
microphone has been optimized for close
talking distances.
Microphone
Type: BMD 424, dynamic (hyper-cardioid)
Frequency response: 40–16,000 Hz
new
HMD 26-600S Headset for broadcast­
ing applications in noisy environments.
Dynamic microphone with highly linear
frequency response. Also available in
binaural (HMD 26).
Headphones
Frequency response: 8–25,000 Hz
(–10 dB/1 kHz)
Microphone
Type: dynamic, super cardioid
Frequency response: 50–13,500 Hz
Headphones
Frequency response: 20–18,000 Hz
Nominal impedance: 600 Ω mono
Microphone
Type: BMD 424, dynamic (hyper-cardioid)
Frequency response: 40–16,000 Hz
HMD 281 Professional Single-sided
professional headset for talkback situations
in film and TV applications. Its dynamic,
super-cardioid microphone has been opti­
mized for close talking distances.
new
HMDC 26 Headset for broadcasting
applications in extremely noisy environ­
ments. Equipped with NoiseGard active
noise compensation. Dynamic microphone
with highly linear frequency response.
Headphones
Frequency response:
8–25,000 (Hz –10 dB/1 kHz)
Headphones
Frequency response: 20–18,000 Hz
Nominal impedance: 50 Ω mono/100 Ω stereo
and 300 Ω mono/600 Ω stereo
Microphone
Type: dynamic, super cardioid
Frequency response: 50–13,500 Hz
Microphone
Type: BMD 424, dynamic (hyper-cardioid)
Frequency response: 40–16,000 Hz
new
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HMD 46/HME 46 The HME 46 and
HMD 46 series headsets are ideal for air
traffic control. The headsets are equipped
with ActiveGard™, which protects controllers
from the effects of an acoustic burst.
Headphones
Frequency response: 20–14,000 Hz
Nominal impedance: 300 O
Headphone
Frequency response: 20–14,000 Hz
new
Microphone
Type: BMD 46-413 dynamic (HMD 46)
condenser or BKE 46 prepolarized
condenser, noise-compensated (HME 46)
Frequency response: 100–12,000 Hz
(HMD 46) 100–15,000 Hz (HME 46)
Microphone
Type: Prepolarized condenser,
noise-compensated
Frequency response:
350–6,000 Hz (RTCA/DO-214)
Available with various connectors,
ETSO C57a & C58a, TSO C-139
HME 26-600S Lightweight headsets
for radio and television studios for particu­
larly high sound pressure levels.
The microphone features excellent acoustic
performance, with linear frequency response
and high feedback rejection. Also available
as binaural version (HME 26).
HME 43-3/HME 43-3S Entry-level
headsets for Air Traffic Control (ATC) in
monaural and binaural designs.
Headphone
Frequency response: 20–18,000 Hz
Impedance: 600 O mono
new
Headphones
Frequency response: 100–6,000 Hz
Nominal impedance: 150 O mono/300 O
stereo
Microphone
Type: BKE 4-2 pre-polarized condenser
microphone, omni-directional
Frequency response: 40 Hz–16,000 Hz
Microphone
Type: BKE 43 pre-polarized condenser
microphone
Frequency response: 400–4,500 Hz
HME 26-4 Headset for broadcasting
applications in noisy environments. The
microphone offers broad frequency response
for natural speech reproduction with excellent
feedback rejection.
Headphones
Frequency response: 20–18,000 Hz
Nominal impedance: 50 O mono/100 O stereo
and 300 O mono/600 O stereo
new
Microphone
Type: BKE 4-4, pre-polarized condenser
microphone (cardioid)
Frequency response: 40–20,000 Hz
new
Sennheiser prOduCTS 2010
096 098
Professional headsets
HME 26 Lightweight headsets for radio
and television studios for particularly high
sound pressure levels. The microphone fea­
tures excellent acoustic performance, with
linear frequency response and high feedback
rejection. Also available as monaurale
version. (HME 26-600 S)
EK 2020-D-US The rugged and
versatile bodypack receiver can be
used with headphones or an induction
neckloop (for telecoil-equipped hearing
aids).
The Tourguide 2020 system allows a tour leader to speak at a normal con­
versational level and be clearly heard and understood by an entire group
– even in high-noise areas! The system consists of a wireless microphone,
any number of receivers, and a convenient charging and carrying case.
The case makes the system extremely portable, allowing you to take the
reliable, interference-free system with you!
Channels:
6 (selectable)
Frequency range: 926–928 MHz
new
SK 2020-D-US The bodypack transmit­
ter, when used with an HS 2 headworn
microphone, will give you total freedom
of movement. You will have both hands free
to describe an object, make a presentation
and express your point.
SK 2020-D-US
Channels: 6 (selectable)
Frequency range: 926–928 MHz
HDE 2020-D-US Makes sure that
everyone will understand you: no longer will
your audience have to carry any more equip­
ment than is absolutely necessary. This truly
unique device integrates both the receiver
and headphones.
HS 2-ew
Nominal impedance: 1 Ω
Frequency response: 20–20.000 Hz ± 3 dB
C hannels: 6 (configurable to 8)
Frequency range: 926–928 MHz Sennheiser prOduCTS 2010
098 099
Tourguide Information systems
Information Systems.
Tourguide 2020-D-US Unique
Guided Tour System.
transmitter is the easiest way to address
your audience. Furthermore, if a partici­
pant has a question, just hand over the
microphone and the entire group will hear
clearly. The transmitter is exceptionally
durable and easy to operate.
RF Wireless Systems.
2020-D-US.
Sennheiser digital RF systems offer high-quality, reliable wireless assis­
tive listening and language transmission for theaters, houses of worship,
courtrooms, conferences, museums, and much more! With up to eight
available channels in the license-free ISM band (926 - 928 MHz), the sys­
tem is extremely flexible, quick to configure and easy to operate.
Channels:
6 (selectable)
Frequency range: 926–928 MHz (US)
SR 2020-D-US Rack-mountable
transmitter features professional XLR-3
input for either mic or line level input.
6 channels for combined application
mobile/stationary or 8 channels for station­
ary applications can be set-up.
Channels: 6 for mobile receivers
8 for stationary use
Frequency range: 926–928 MHz
EZL 2020-20 L The convenient charger
case acts as both the storage case for all
equipment and charging station for the
TourGuide receivers and transmitter. The
charger accommodates up to twenty receiv­
ers, as well as a transmitter.
The Copy button is another impressive fea­
ture of the charging case. Just press it once,
and all the other receivers in the case are im­
mediately set to the same selected channel.
L 2021-40 Rack-mountable charger
has been specially designed for stationary
applications. It holds up to 40 receivers and
offers automatic quick-charge to be ready
for the next event. For instant channel
configuration, the green Copy button sets all
receivers to the same channel. The Ethernet
inter­face of L 2021-40 allows networking of
up to 125 chargers with up to 5000 receiv­
ers.
CC 2021 Control software offers users
and service staff easy channel set-up and
monitoring. Up to 125 chargers can be con­
trolled via Ethernet. Any number of receivers
or chargers can be grouped and configured
simultaneously on your PC.
Sennheiser prOduCTS 2010
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Tourguide Information systems
SKM 2020-D-US The handheld
versatile bodypack receiver can be
used with headphones or an induction
neckloop (for telecoil-equipped hearing
aids).
Channels:
6 (cinfigureable to 8)
Frequency range: 926–928 MHz
Information Systems.
GuidePort.
GuidePort is a revolutionary new digital tourguide and information system
for both indoor and outdoor use. Visitors can choose their own route through
an exhibition or theme park and this system provides them with the audio
information relevant to the area they are in or the exhibits they see.
GP EK 3202-4 The digital GuidePort RF
wireless diversity receiver supplies the visi­
tors of a theme park or exhibition with the
selected audio program. It features four but­
tons for adjusting the volume and repeat­
ing or stopping the audio information. The
receiver can store up to 20 hours of audio
information and is fitted with an anti-theft
feature. The anti-theft alarm is triggered
by an identifier and produces a loud alarm
sound of approx. 104 dB.
new
HDE 2020-D-US Makes sure that
everyone will understand you: no longer will
your audience have to carry any more equip­
ment than is absolutely necessary. This truly
unique device integrates both the receiver
and headphones.
GP EK 3202-5 Similar to the GP EK
3202-4 with the additional ‘magnifier’ key,
which allows access to additional information.
C hannels: 6 (configurable to 8)
Frequency range: 926–928 MHz GP EK 3202-0 Similar to the GP EK
3202-4 with an additional full numeric
keypad that permits manual keying of
specific locations or switching to alternate
languages or levels.
Sennheiser prOduCTS 2010
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GuidePort Information systems
EK 2020-D-US The rugged and
GP SR 3200-2 The cell transmitter
stores the audio information that is trans­
mitted to visitors. Pre-produced digital
audio is stored as flash memory, while real
time analog audio sources, such as films or
live shows, are fed to the GP SR 3200-2 via
configurable inputs.
GP ID 3200 Identifier for automatically
GP L 3202-10 Charger unit for up to ten
GuidePort receivers.
GP 03 M Open, single-sided clip-on
headphone for the GuidePort receiver.
Announcement Manager The
GP 03 Open, dynamic clip-on headphones
Statistics Manager The Statistics
together with a wireless microphone allow
you to address visitors as a separate group,
e.g. during guided tours of towns or plants
or your exhibition. Other guidePORT users do
not receive the transmission.
triggering audio information for visitors.
The range and trigger mode can be chosen
individually. The inconspicuous transmitter
is available in both indoor (as pictured)
and specially protected outdoor versions.
for the GuidePort receiver.
Announcement Manager handles any type
of announcement at an exhibition or theme
park. It is possible to exclusively address
selected groups, languages or areas or to
use this module as a service channel for the
staff. The Manager handles both pre-record­
ed messages and spontaneous announce­
ments recorded on the spot.
Manager allows the organizers of an exhibi­
tion or theme park to gather additional
information about visitor behavior.
Sennheiser prOduCTS 2010
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GuidePort Informationssysteme
GP SK 3202 The mobile transmitter
WiCOS C The chairman unit for basic
discussion systems. Features include a
detachable gooseneck microphone, built-in
loudspeaker, two headphone connectors and
the MIC on/off key with status-LED. In addi­
tion, the WiCOS C offers two function keys,
as well as two conrol keys. Power supply via
Lithium-Ion battery pack.
WiCOS is an advanced, flexible wireless conference system that transmits
in both the license-free 2.4 and 5 GHz ranges. WiCOS offers unmatched
stability and immunity from interference, with added encryption options
for enhanced security. With an operating time of more than 20 hours and
the ability to integrate up to 16 interpretation channels, WiCOS is the
ideal solution for standard discussion systems, as well as demanding
conference applications.
new
WiCOS DV Delegate unit for conference
systems with voting and/or interpretation.
Features include a detachable gooseneck
microphone, built-in loudspeaker, two head­
phone connectors with individual volume
controls, channel selection with two OLED
displays and MIC on/off key with LED. The
DV unit also offers three voting keys. Power
supply via Lithium-Ion battery pack.
WiCOS D The basic version of the WiCOS
delegate unit for discussion systems. Features include a de­
tachable gooseneck microphone, built-in loudspeaker, two
headphone conenctors with individual volume controls
and the prominent MIC on/off key with status-LED. Power
supply via Lithium-Ion battery pack.
new
new
Sennheiser prOduCTS 2010
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Wireless Conference System Conference Systems
Conference Systems.
Wireless Conference System.
systems with voting and/or interpretation.
Features include a detachable gooseneck
microphone, built-in loudspeaker, two head­
phone connectors, channel selection and
MIC on/off key with LED. In addition, the CV
offers two OLED displays for voting, volume
or media control; three voting keys; and
two additional control keys. Power supply
via Lithium-Ion battery pack.
Conference Systems.
SDC 8200 Digital Conference
and Interpretation System.
The premier conference solution that offers the benefits and performance
of digital communication management. Extremely flexible and readily
expandable, SDC 8200 is an ideal choice for any conference and interpre­
tation application, from small conferences to large congresses.
SDC 8200 D The basic version of the
new
WiCOS AP The wireless access point
is the center of the WiCOS system and the
interface to the SDC 8200 system. It features
three antennas with an operating radius of
up to 100 ft. in the license-free frequency
range of 2.4 GHz or 5 GHz. Additional fea­
tures include three status LED’s, an Ethernet
connection for configuration, as well as op­
tions for wall, tripod or table mounting.
new
WiCOS L-6 Rack-mountable charger
tray for six WiCOS BA battery packs.
new
SDC 8200 delegate unit features a goose­
neck microphone, built-in loudspeaker,
headphone socket, MIC key and LED status
display. Three voting keys for electronic vot­
ing: Yes, Abstain, No. Also available as SDC
8200 C chairman’s unit.
SDC 8200 DC This delegate unit has
been designed for two users and features
two separate headphone sockets with
volume controls and channel selection keys
for listening to different language channels.
Three voting keys for electronic voting: Yes,
Abstain, No. Also available as SDC 8200 CC
chairman’s unit.
Sennheiser prOduCTS 2010
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Wireless Conference System Conference Systems
WiCOS CV Chair unit for conference
SDC 8200 AO This optional audio
inter­face can be connected to the central
unit, providing the floor language channel
plus eight interpreted language channels for
connecting recording equipment or infrared
transmission systems.
SDC 8200 Software The software
SDC 8200 ID The interpreter unit has
been designed according to international
ISO standards. It features a headphone con­
nector, volume and tone controls, display,
A/B output channel selection and three
relay-preset keys for selection of incoming
languages. Alternatively, a headset can
be used in place of the built-in gooseneck
microphone.
SDC 8200 CU The heart of every
system: The central unit powers and controls
up to 120 delegate units. It features control
functions and the connectors required for
the delegate units, additional audio sources,
monitoring headphones, interpretation
management of up to 28 channels, camera
control and system expandability with ad­
ditional SDC 8200 CU‘s.
makes it easy for conference managers to
organize the speeches and contributions
from participants throughout the hall. De­
pending on the license package selected, the
following options are available:
Microphone control with seating plan
Microphone control via name list
Participant database
Voting module
Agenda administration
Graphic display of voting results
Print-out of voting results via network
slave PCs
Chip card programming
Text messaging
Interpreter configuration
Conference control via network slave PCs
SDC 8200 SYS-M This configuration
and control software is designed for use
with the SDC 8200 CU-M, making it ideal for
small and mid-size conferences of up to 50
participants. It offers the same functionality
with voting, database and agenda options as
SDC 8200 conference software.
SDC 8200 CU-M This central unit pow­
ers and controls up to 50 delegate and chair
units. Interpretation management for up to
four channels, as well as media and camera
control interfaces are included.
Sennheiser prOduCTS 2010
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Conference and Interpretation System Conference systems
SDC 8200 DV A delegate unit for one
user, featuring five voting keys, a slot for the
personal identification chip card reader, plus
a graphical display unit for messages and
voting result display. Also available as SDC
8200 CV chairman’s unit.
Neumann.Berlin
Large-Diaphragm Microphones.
They are regarded as classic studio microphones for vocal and instru­
mental recording, although their possible fields of application are
much more extensive. Many Neumann models have become milestones
in the history of audio technology.
“TLM” Series: The transformerless output circuitry ensures extremely
high dynamic range, accurate handling of all frequencies and an output
sufficient to drive even the longest cable runs. Like traditional transform­
ers, it provides good common mode rejection, and prevents RF interfer­
ence that could affect the balanced audio signal. “U” Series: The linear
solid-state capsule amplification of a field effect transistor is combined
with the classic character of a transformer-balanced output stage.
TLM 67 A contemporary development
of the legendary U 67. The K 67 capsule
and the new circuit design closely reproduce
the U 67 sound characteristics. Three direc­
tional characteristics, pre-attenuation and
low-cut filter. Unique Neumann dual-color
design.
TLM 102 The TLM 102 defines a new
generation of Neumann studio microphones.
It is ideal for applications in home record­
ing and broadcasting, especially for vocals
(high speech intelligibility), acoustic guitars,
percussion, drums and recording guitar
amplifiers (high max. SPL).
new
TLM 49 Studio microphone with a retro look.
Warm sound, optimized for vocal recordings.
The capsule is derived from that of the legendary
U 47 and M 49. Set includes elastic suspension.
TLM 103 The standard for home recording and the music industry. This mic is
for anyone who, despite budget constraints,
does not want to do without the true
Neumann sound. Cardioid directional characteristic and very low self-noise. Also
available as a studio set, including elastic
suspension, and as a stereo set.
neumann prOducts 2010
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Neumann.berlin microphones
Neumann.Berlin
Microphones
TLM 193 A large-diaphragm mic
reduced to the essentials, with no compro­
mise in quality. Neutral, transparent sound.
Featuring a cardioid directional character­
istic and a classic design. Includes swivel
mount.
U 87 Ai The Neumann classic. It is the
world’s most widely used large-diaphragm
condenser microphone. Three directional
characteristics and switchable pre-attenu­
ation ensure suitability for a wide range of
applications. Also available as a stereo set in
an aluminum case, incl. elastic suspensions.
U 89 i The 5 directional characteristics,
two-level low-cut filter and switchable preattenuation provide maximum flexibility.
Neumann.Berlin
Tube Microphones.
Neumann’s modern approach to classic tube-amplified design combined
with state-of-the-art transformerless output ensures extremely high
dynamic range, accurate handling of all frequencies and an output
sufficient to drive even the longest cable runs.
M 147 Tube Neumann tube sound with
a cardioid directional characteristic and a
classic design. The double-diaphragm capsule
is derived from that of its legendary prede­
cessors, the U 47 and M 49. Complete set in a
high-quality aluminum case, including power
supply, swivel mount and cables.
M 149 Tube Universal high-end
tube microphone, nine directional charac­
teristics, 7-position low-cut filter. The cap­
sule is derived from that of the legendary U
47 and M 49. Complete set in a highquality aluminum case, including power
supply, elastic suspension and cables.
M 150 Tube A redesigned classic
with new circuit technology and correspond­
ingly low self-noise. Like the legendary M 50,
it is ideal for orchestral recording. Complete
set in a high-quality aluminum case, incl.
power supply, elastic suspension and cables.
Also available as a stereo set.
USM 69 i Compact switchable stereo
microphone for MS and XY stereophony,
with freely adjustable pickup angles and
selectable directional characteristics.
Legend of symbols on page 129
neumann prOducts 2010
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Neumann.berlin microphones
TLM 170 R The first Neumann mic
with transformerless technology, featuring
5 directional characteristics, selectable at the
mic or remotely. Pre-attenuation and low-cut
filter. Transparent, natural sound quality.
Excellent sound pressure handling makes this
mic ideal for recording wind instruments, for
example. Also available as a stereo set.
Pure Neumann sound in the digital domain. The signal is converted di­
rectly at the capsule via an exclusive Neumann A/D converter. Concerns
about optimal preamps and A/D converters, level mismatches, signal
bottlenecks, noise and harmonic distortion are things of the past.
With the Solution-D system, Neumann has now succeeded in bringing the
dynamic range and signal fidelity of the best analog microphones into the
digital realm. This means that, for the first time, the whole audio produc­
tion chain is entirely digital.
Different types of interface are available: a) the DMI-2/DMI-8, RCS
software-controlled, fully-featured, two-/eight-channel AES/EBU units,
or b) a simple Connection Kit, connected directly to the microphone or
in-line to the cable, which converts AES42 signals to either AES/EBU or
S/PDIF, depending upon the model.
TRUE NEUMANN SOUND:
The legendary Neumann sound in the digital realm
for use with AES/EBU, S/PDIF or AES42 standards.
TRUE TIME SAVINGS:
Reduced time requirements and personnel costs,
particularly due to faster post-production and
shorter setup times for live concerts.
TRUE CONVERSION:
The guarantee of having one of the best A/D con­
verters available.
TRUE HANDLING SAFETY:
Anti-clipping processing ensures handling safety,
and reduces stress in the studio and in live situ­
ations.
TRUE TO THE ORIGINAL:
The satisfaction of recording the uncolored original,
with no „bottlenecks“ between the capsule and the
recording system.
TRUE ECONOMY:
Lower investment costs, since separate A/D
converters and preamps are no longer needed.
This also means space and weight savings
(e.g. in the OB van).
TYPICAL CONFIGURATIONS OF A DIGITAL SYSTEM:
Plug-In Power Supply
XLR 3 Cable
AES42
S/PDIF Module
KM D (nx) *
S/PDIF
Portable Recording
Device with
S/PDIF Input
S/PDIF Connection Kit
Computer for
Remote Control
Software
XLR 3 Cable
Power
AES42
AES/EBU
AES42
KM D (nx) *
DMI-2
Digital Mixing Console
or
Recording Device
with AES/EBU
Wordclock / AES11
XLR 3 Cable
D-01 *
Control Bus
USB
* or any other AES42 compatible microphone
(e.g. Sennheiser MKH 8000 with MZD 8000)
neumann prOducts 2010
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Neumann.berlin microphones
Neumann.Berlin
Digital Microphones.
KM D With the KM D microphones, the
well-known, successful 180 miniature
microphone series enters the digital domain.
In the analog realm the KM 184 in particular
is regarded as a standard for miniature con­
denser mics, and is one of the best-selling of
all Neumann microphones. The KM D micro­
phones have a modular construction, allow­
ing the output stage to be combined with
capsules having eight different directional
characteristics. KM D Starter Sets include a
KM 184 D in Nextel with clip, windscreen and
a Connection Kit for AES/EBU or S/PDIF.
Miniature Microphone
[Passive Capsule Head* + Output Stage]
KK 183 + KM D = KM 183 D:
Omni, diffuse field equalized
KK 184 + KM D = KM 184 D: Cardioid
KK 185 + KM D = KM 185 D: Hypercardioid
KK 120 + KM D: Figure-8
KK 131 + KM D: Omni, free field equalized
KK 133** + KM D:
Omni, diffuse field equalized
KK 143 + KM D: Wide angle cardioid
KK 145 + KM D:
Cardioid with low frequency roll-off
* The KK... capsule heads can be used as
well as with the analog KM A output
stage.
**incl. SBK 133
TLM 103 D The analog version of
the TLM 103 D has for many years played
a key role in ambitious project and home
recording studios, and has made the
Neumann sound available to a wider group
of dedicated audio engineers and musicians.
The TLM 103 D provides all of the sound
features of its analog counterpart, as well as
the advantages of completely digital circuit
technology. TLM 103 D Starter Sets include
the microphone in nickel, an elastic suspen­
sion and a Connection Kit.
DMI-2/DMI-8 & RCS Software
The DMIs are two-/eight-channel devices
which interface the AES42 data format
supplied by the microphone into an AES/
EBU signal. The DMIs are operated via the
Neumann RCS remote control software. The
RCS is installed on a PC or Mac, which is con­
nected to the DMI via an USB port. If a large
number of microphones is used, several
DMIs can be cascaded. In addition to word
clock input, the DMIs have an internal word
clock generator. The DMI-8 offers several
possibilities for an easy integration in audio
networks.
Available soon:
– Portable 2-Channel-DMI
– MCA Multichannel Audio Interface to connect up to 8 DMI-8
Connection Kit
AES/EBU or S/PDIF The Connec­
tion Kits serve to supply power to digital
microphones, which are in accordance with
the AES42 standard. The microphone audio
signal is made available at the Connection
Kit output in S/PDIF or AES/EBU format,
depending upon the model. The remote con­
trol and synchronization capabilities of the
AES42 standard cannot be used with
the Connection Kit.
neumann prOducts 2010
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Neumann.berlin microphones
D-01 With its 15 different remotely
controlled directional characteristics and
numerous additional features, the D-01
can be optimally adapted to almost any
recording situation. It has a newly de­
veloped capsule, and is valued by users
particularly for its hitherto unknown
transparency and fidelity to detail. Also
available as a complete mono or stereo set
in a high-quality aluminum case, including
elastic suspension, DMI-2 interface, RCS
software and all necessary cables.
Neumann.Berlin
Shotgun Microphones.
The legendary Neumann sound takes to the stage! The high acoustic
resolution and smooth frequency response of KMS microphones and
KK capsules ensure that artists have ideal control of their stage perfor­
mances at all times.
Neumann shotgun mics provide a high level of directivity that remains
within the acceptance angle, independently of the frequency. Thus the
apparent tonal balance will not change when a sound source, such as an
actor, moves within this area.
KMS 104* (plus) With a cardioid
directional characteristic, the KMS 104 excels
at suppressing sounds originating from 180°
behind the microphone. The KMS 104 plus
is optimized for female voices. Thick-walled,
robust metal housing. Includes stand clamp
and padded nylon bag.
KMR 81 i* Short version of the classic
KMS 105* With a supercardioid direc­
tional characteristic, the KMS 105 provides
very good suppression of sounds originating
from the entire 180° hemisphere behind
the microphone. Thick-walled, robust metal
housing. Includes stand clamp and padded
nylon bag.
KMR 82 i Long version of the classic
shotgun mic, with switchable low-cut and
high-cut filters. Excellent off-axis (lateral
and rear) attenuation. Free of coloration. In­
cludes windscreen and leather carrying case.
KK 104 S The capsule head of the
RSM 191 A Set A remotely controlled
KMS 104 vocal microphone (cardioid),
designed exclusively for use with the Sen­
nheiser SKM 5200 / 5000 N wireless system,
makes possible wireless Neumann sound on
the stage. Padded nylon bag.
KK 105 S / KK 105 HD The cap­
sule head of the KMS 105 vocal microphone
(supercardioid), designed exclusively for
use with the Sennheiser SKM 5200 / 5000 N
wireless system, makes possible wireless
Neumann sound on the stage. Padded
nylon bag.
shotgun mic, with switchable filter and
pre-attenuation functions. Excellent offaxis (lateral and rear) attenuation. Free of
coloration. Includes windscreen and leather
carrying case.
short shotgun system with adjustable
pickup angle for MS and XY stereophony.
The system consists of the microphone,
matrix amplifier (which can be operated
with batteries), output and adapter cables,
windscreen and aluminum case.
* Digital version available soon.
neumann prOducts 2010
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Neumann.berlin microphones
Neumann.Berlin
Vocal Microphones.
Neumann.Berlin
Broadcast Microphones.
Due to their streamlined construction and tendency toward neutral sound,
miniature microphones are suited to a wide range of applications, from
instrumental recording, to a great variety of stereo recording techniques,
to unobtrusive use on television.
Emotion conveyed with technical perfection. This is the ideal which these
microphones have been designed to achieve. Their character is assured via
fine-tuning to the requirements of professional broadcast studios and the
unique functionally-optimized design.
Series 180 Because of its optimized
mechanical construction and conscious
omission of modularity, the Series 180 is
ideal for budget conscious production and
home studios. The KM 184 (cardioid) has
become the classic high-quality miniature
microphone and the KM 183 and KM 185
are based on its design. Available individu­
ally and in attractive stereo sets.
BCM 104 Broadcast microphone with
a large-diaphragm condenser capsule,
featuring integrated pop protection, sup­
pression of structure-borne noise and a
cardioid directional characteristic.
Exchangeable BCK baskets with integrated
identification rings promote hygiene in
heavy usage environments.
KM 100 System / KM A
BCM 705 The first Neumann microphone
with a small-diaphragm dynamic capsule.
Integrated pop protection, suppression of
structure-borne noise, and a hypercardioid
directional characteristic. Exchangeable
BCK baskets with integrated identifica­
tion rings promote hygiene in heavy usage
environments.
Modular miniature microphone systems
for professional users. A comprehensive
selection of accessories permits adaptation
to a wide range of mounting, hanging and
installation requirements.
KM 100: Active Capsule Head
+ Output Stage
KM 120: Figure-8
KM 130: Omni, diffuse field equalized
KM 131: Omni, free field equalized
KM 140: Cardioid
KM 143: Wide angle cardioid
KM 145: Cardioid, low frequency roll-off
KM 150: Hypercardioid
KM A: Passive Capsule Head*
+ Output Stage
KK 183 + KM A = KM 183 A:
Omni, diffuse field equalized
KK 184 + KM A = KM 184 A: Cardioid
KK 185 + KM A = KM 185 A: Hypercardioid
KK 120 + KM A: Figure-8
KK 131 + KM A: Omni, free field equalized
KK 133** + KM A:
Omni, diffuse field equalized
KK 143 + KM A: Wide angle cardioid
KK 145 + KM A: Cardioid with low frequency
roll-off
new
* The KK... capsule heads can be used as well
as with the digital KM D output stage.
neumann prOducts 2010
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Neumann.berlin microphones
Neumann.Berlin
Miniature Microphones.
Neumann.Berlin
Accessories.
While most Neumann microphones are designed for maximum flexibility,
certain situations call for special tools. Neumann has developed a range of
solutions that address specific problems.
Part of any good microphone program is a practical portfolio of acces­
sories. Neumann offers a comprehensive range of accessories, facilitating
use of the microphones in almost any conceivable situation.
GFM 132 The problem solver for special
recording situations. The uniform frequency
response for all angles of incidence, with an
increase in the upper frequency range, en­
sures clarity and presence even when sound
from distant sources is recorded. However,
optimal results are also obtainable when
the mic is located in the bass drum! Includes
windscreen and cable.
TLM 50 Set A high-end microphone
Elastic
Suspensions
Stands
Stereo Mounts
Stand Mounts
Goosenecks
Auditorium
Hangers
Popscreens
Foam
Windscreens
Windscreen
Sets
Power Supplies
Connecting
Cables
Adapter Cables
for top-quality recording, particularly in
the classical realm. Excellent transmission
down to the lowest frequencies. Omni­
directional characteristic, with special
capsule mounting. Includes swivel mount
cable and auditorium hanger.
Directional Characteristics:
KU 100 The KU 100 binaural dummy
head transports the listener to the scene
of the original performance, rather than
bringing the acoustic event to the listener,
as is the case with other stereo techniques.
Includes output cable, adapter cable,
power supply and aluminum case. Battery
operation is possible.
Cardioid
Omnidirectional
Figure-8
Hemispherical
Wide angle cardioid
Omni free field equalized
Hyper-/Supercardioid
Omni diffuse field equalized
Lobe
Cardioid, low frequency roll-off
Features:
Colors:
High-Cut Filter
Matte Black
Low-Cut Filter
Nickel
Switchable Low-Cut Filter
Black
Remote Controllable
Nextel Black
Pad
Nickel / Pearl Grey
neumann prOducts 2010
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Neumann.berlin microphones
Neumann.Berlin
Special Microphones.
Our wireless headset solutions are optimized for wherever work occurs,
whenever needed – in a crowded and noisy desk area, a home office or while
traveling. Just connect to your communications devices. – Comfort calls.
VMX Office VMX Office is the perfect
headset for the amodern, dynamic profes­
sional. Offering outstanding listening and
wearing comfort, it can connect to desk
phones, PCs and Bluetooth® mobile phones.
VMX Office – the headset you can wear
comfortably all day long.
BW 900 Featuring Adaptive Intelli­
gence™ for great speech recognition in any
situation, the BW 900 is a premium wireless
headset. This is a headset that automatically
adapts to changing sound environments,
remembering your preferred settings and
delivering all-day listening comfort. It can
connect to desk phones, Bluetooth® mobile
phones and PCs.
BW 900 Mobile Business
Solution Able to connect to all Blu­
DW Office DW Office is an all new
single-sided DECT headset for your desk
phone and softphone. The design places
a premium on comfort and effectiveness,
allowing you to move freely around without
any wires to hold you back. With its longdistance wireless range, DW Office gives you
true comfort calls.
new
etooth® mobile phones, the BW 900 Mobile
Business Solution is ideal for dynamic,
mobile professionals. It features Adaptive
Intelligence™ for great speech recognition in
any situation and all-day listening comfort.
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SEnnheiser Communications
Sennheiser Communications.
Unified Communications.
PC 26 USB The next-generation
PC 26 USB internet telephony headset
combines single-sided comfort with an
in-line volume/mute control and integrated
soundcard for Sennheiser sound quality
with every call.
Your voice is being transferred with a crystal-clear sound while using
internet telephony. Say hello to internet telephony and goodbye to
expensive phone bills.
PC 11 The PC 11 Internet Telephony
headset makes it easy to phone over the net
thanks to one-hand operation – while the
ultra-light on-ear design is stylishly discreet.
neW
PC 31 The PC 31 stereo headset is ideal for
internet communication/VoIP and listening
to music. It is easy to use and delivers excel­
lent voice clarity thanks to its noise-cancel­
ing microphone.
new
PC 21 The single-sided PC 21 is perfect for
all kind of internet communication/VoIP. It is
easy to use and delivers excellent voice clarity
thanks to its noise-canceling microphone.
PC 36 USB The next-generation
PC 36 USB headset gives the user an
in-line volume/mute control and integrated
soundcard – for internet calls, music and
movies with Sennheiser sound guaranteed.
PC 121 In ultra-light design, the PC 121 is
just the right one to phone via internet while
travelling, working or when at home. The
in-ear headset does not need much space,
neither in your bagage nor on your desk.
neW
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SEnnheiser Communications
Sennheiser Communications.
Internet telephony.
PC 146 USB Thanks to its superb stereo
sound, the PC 146 USB is perfect for enjoying
music and movies as it is for making calls on
the internet. It features a detachable USB
adapter with an integrated soundcard giving
you that great Sennheiser stereo experience.
Its neckband design delivers outstanding
comfort – in style.
Listen to music, watch movies and game into tomorrow.
With our headsets you can enjoy all sound in superb
Sennheiser stereo.
PC 131 Thanks to superb stereo sound,
the PC 131 is the ideal headset for enjoying
music, movies and internet communication.
It is lightweight and comfortable to wear all
day long.
PC 141 Thanks to its superb stereo sound,
the PC 141 is just as great for enjoying music
and movies as it is for making calls on the
internet. Its stylish neckband makes it an
extremely comfortable piece of kit.
PC 230 The multimedia headset with
cutting-edge stereo sound and added com­
fort for pristine telephony and an inspira­
tional entertainment experience. Automatic
microphone mute, left/right reversibility and
on-ear cup volume control put the PC 230 in
a comfort class of its own.
neW
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Sennheiser Communications.
Music, Entertainment and
Gaming.
Sennheiser Communications.
Gaming.
We develop our gaming headsets in close cooperation with pro gamers
and that‘s why we know exactly what you – as a gamer – need.
They all deliver great stereo sound.
PC 350 G4ME This award-winning
headset for pro gamers features oversized
ear cup pads for endless gaming, an ex­
tremely rugged design, a microphone mute
function and a pro microphone for optimal
speech clarity. The PC 350 G4ME is in a class
of its own!
PC 161 The PC 161 is a headset for seri­
ous online match play, competition or LAN
parties. It uses the open speaker system
to deliver true-to-life sound for superior
gaming performance and XL ear cups with
the velour pads provides maximum comfort!
8
PC 300 G4ME The perfect choice for
the gamer who likes to travel: the PC 300
G4ME is a lightweight, in-ear headset.
Thanks to three ear sleeve sizes, the PC 300
is comfortable to wear and delivers the full
Sennheiser audio experience without any
distracting background noise.
PC 360 G4ME Developed with the top
eSport team mTw, the PC 360 is a new flag­
ship for pro gaming. It has an open design
that makes sure you keep a cool head – and
delivers a natural listening experience so you
can stay in touch with your surroundings.
Thanks to the ultra-comfortable ear cups,
pro microphone and quick-access controls,
it’s also the only headset you’ll ever need for
PC 330 G4ME The high-performance
headset for ambitious global gamers, the
PC 330 has all you need to stay in the game.
Like a closed design that keeps you focused
on the win and right DJ Hinge ear cup for talk­
ing directly with your teammates.
new
new
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PC 151 The PC 151 features an adjustable,
ultra-comfort headband, in-line volume
control, microphone mute switch and extra
large velour ear cup pads – just the right
features for intensive gaming!
MM 200 The MM 200 is a stereo Blu­
etooth® headset offering the premium
sound quality Sennheiser is famous for.
Chosing one of three ear sleeve sizes will
give you a comfortable fit, high insulation
from noisy surroundings and an excellent
bass response.
Do you want to be able to switch between great music and crystal-clear
conversations when using your mobile phone? Whatever you go for, a
Sennheiser Communications headset will take your mobile experience to
the next level.
MM 50 for iPhone Delivering
pro-quality stereo sound, the MM 50 iPhone
maximises your listening enjoyment with an
iPhone, iPod and even the latest MacBooks.
With three ear sleeve sizes for a perfect fit
and high insulation from noisy surroundings,
a superb bass response is guaranteed. Avail­
able either in white or black.
MM 400 The MM 400 is a state-of-the-art
Stereo Bluetooth® headset for multimedia
mobile phones. With one press of a button,
you can quickly switch between calls and
music delivered in superb stereo sound.
The high-performance invisible microphone
ensures that conversations are clear, making
this foldable headset the perfect all-in-one
sound solution.
MM 60 for iPhone The MM 60 iPhone
gives you a brilliant music experience and
you will never miss a call anymore. The Hi-Fi
quality sound maximizes your listening en­
joyment with an iPhone, iPod and even the
latest MacBooks. The detachable cable with
an in-line microphone makes the foldable
headset very convenient: you just need to
change the cable when using a new mobile
phone.
new
MM 450 TRAVEL Silence is golden
with the MM 450 TRAVEL for multimedia
mobile phones. This best-of-breed Stereo
Bluetooth® headset features Sennheiser’s
NoiseGard™ 2.0 active noise cancelling system.
With 90% of background noise canceled out,
you can take a call in crystal-clear quality or
relax with your favorite music in outstand­
ing Sennheiser stereo sound.
MM 100 The MM 100 Bluetooth® stereo
headset lets you enjoy music and never miss
a call all from your mobile phone. Not only is
clear Sennheiser sound quality a given – the
lightweight neckband style is perfect for
sports, walking the streets or just relaxing in
the park without getting tangled up in a cord.
new
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Sennheiser Communications.
Mobile music and
entertainment.
Sennheiser Communications.
Standard headsets.
Comfortable and lightweight, our wireless Bluetooth® headsets make perfect
companions for your mobile phone. Able to connect to any Bluetooth®enabled device, you can keep your hands free and make calls in comfort
wherever your busy life takes you.
Perfect for office- and call center staff, our headsets deliver your calls in clear
sound quality, helping you to truly concentrate on your caller. All headsets
are equipped with ActiveGard™ assuring you’re always 100% protected from
acoustic shock and sudden surges in volume, so you can talk in comfort as
long as you like. – Comfort calls.
EZX 60 The stylish EZX 60 Bluetooth®
CC 550 The CC 550 is our top-of-the-line,
binaural headset that delivers powerful,
accurate sound to both ears for excellent
speech comprehension. Its durable construc­
tion makes it perfect for any type of office
or professional communication. Also avail­
able as wideband version for connecting to
your PC / softphone.
headset is the wire-free answer to making
easy phone calls with superb sound quality
while on the go. Whether you’re talking with
business partners or friends on busy streets,
Sennheiser Communications’ digital noise
and echo cancellation technologies ensure
every word of your conversation comes
through clear and sharp.
CC 540 The CC 540 is the headset for
maximum productivity. The binaural headset
delivers powerful, precise sound to both ears
for excellent speech comprehension.
Its durable construction makes it perfect
for any type of office or professional
communication.
CC 530 The CC 530 is an extremely robust
monaural headset. It provides excellent
sound and is very comfortable to wear.
Its durable construction makes it perfect
for any type of office or professional
communication.
CC 520 This binaural headset delivers
powerful, accurate sound to both ears for
excellent speech comprehension. Its durable
construction makes it perfect for any type of
office or professional communication. Also
available as wideband version for connecting
to your PC / softphone.
new
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Sennheiser Communications.
Wireless mobile communication.
robust monaural headset with an extralarge ear cup that improves fit and comfort.
The perfect headset to maximize work per­
formance. Also available as wideband ver­
sion for connecting to your PC / softphone.
SH 330 The SH 330 is a lightweight,
all-purpose monaural headset ideal for
longer conversations. Its noise-canceling
microphone and superb sound make it ideal
for users who value making their calls in
comfort. Also available as wideband version
for connecting to your PC / softphone.
CC 510 The CC 510 is an extremely robust
SH 300 The SH 300 is an all-purpose,
SH 350 Featuring crystal-clear sound in
SH 250 SH 250 is a binaural, lightweigt
SH 335 The SH 335 is a flexible head­
SH 230 SH 230 is a monaural, lightweight
monaural headset. It provides excellent
sound and is very comfortable to wear.
Its durable construction makes it perfect
for any type of office or professional
communication.
both ears and a noise-canceling microphone,
the SH 350 is the headset of choice for pro­
fessionals. Also available as wideband ver­
sion for connecting to your PC / softphone.
set that delivers comfort as well as great
speech clarity thanks to its noise canceling
microphone. Switch between ear-clip and
headband to find the wearing style that
best suits you.
ultra-lightweight monaural headset, ideal
for longer conversations. If you value great
comfort and superb speech definition in any
professional situation, this stylish and highquality headset is the one for you.
headset which delivers high comfort and
great speech clarity.
headset which delivers high comfort and
great speech clarity. Also available as wide­
band version for connecting to your
PC / softphone.
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CC 515 The CC 515 is an extremely
K-array’s incredible thin & lightweight loudspeakers are manufactured in
Italy, distributed and supported in the U.S. exclusively by Sennheiser. Despite
their small size K-array speakers deliver impressive power and audio quality
for small, medium, and large-scale applications. The K-array line covers all
needs for Live Sound, Installed Sound, and Portable Audio.
KK50vb The KK50vb is a professional 3D
line array speaker system that can produce
extremely high sound pressure levels with
unprecedented quality. This slim column is
a mere 2.2” (5.6 cm) deep and weighs in at
an extremely modest 5.5 lbs (2.5Kg), yet
it delivers true crystal clear audio with an
output of 114dB.
KK50 The KK50 loudspeaker is a very com­
pact, 3D array loudspeaker element. It allows
you to perform 3D arrays with virtually no
phase issues, creating a coherent wave front
that can perfectly cover the venue with con­
stant pressure and equalization, drastically
reducing undesired ambient reflections.
KK100 The larger KK100 offers twice as
many drivers (16) as the KK50. It provides a
full choice of presets from KA amplifiers to
optimize Kobra performance in any applica­
tion.
KK200 The KK200 loudspeaker is a very
compact, 3D array loudspeaker element,
boasting thirty two (32) 2” long-excursion
drivers. As with all other Kobra systems, it
can deliver virtually phase-free 3D arrays.
KK50 The KV50 loudspeaker is a very
compact-ultra flat loudspeaker. In contrast
to conventional low power 70-volt trans­
former-based systems, the KV50 connects
directly to the amplifier and is capable of
producing high sound pressure levels while
dramatically reducing distortion. It employs
sophisticated 1” transducers and a full
choice of presets from KA amplifiers to opti­
mize Vyper performances in any application.
KT20 The KT20 miniature speaker is a
passive loudspeaker designed for high
quality distributed systems. Housed in a
compact aluminum enclosure, the KT20 is
especially suitable for installations involving
space limitations and visibility concerns. Its
flexible and easy-to-configure mounting
options, make it an excellent choice for fixed
applications, theatrical presentations, and
small portable systems for corporate AV
solutions.
KT20c The KT20c miniature sound source
is a passive loudspeaker, designed for ceiling
mounted, high quality distributed systems.
Housed in a compact aluminum enclosure,
the KT20c is especially suitable for instal­
lations involving space limitations and vis­
ibility concerns.
KT20ma The KT20ma delivers an in­
credible maximum peak of 107dB from its
integrated amplifier in a unit that fits in the
palm of your hand. The elegant but rugged
enclosure is built to aircraft specifica­
tions from a single piece of aluminum and
measures a mere 2.5” (6.4cm) (dia) x 3.7”
(9.3cm) (deep).
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DISTRIBUTED BRANDS: K-array
Distributed Brands:
KR100s The KR100s is a high perfor­
mance ultra-slim powered two way system
designed for use with small to medium
wavefront systems, in both mobile and
install applications. The ultra-light reflex
cabinet is fitted with two pocket handles
and one 35mm pole mounting point for easy
installation of satellite speakers, and offers
large area porting to reduce air noise. It fea­
tures a line array of 2” high efficiency drive
units with neodymium magnet structure
and suspensions engineered for maximum
linear excursion and minimum noise prob­
lems. The ultra-strong chassis ensures high
durability.
KKS50 The Kobra KKS50 subwoofer is
designed to be used with any Systems Inte­
gration Series loudspeakers to produce clear,
concise, thunderous bass and subharmonics.
KR200s The larger KR200s offers the
same state-of-the art features as the
KR100s but boasts a line array of (32) 2”
high efficiency drive units. It excels in small
to medium wave-front systems, in both
mobile and install applications. Its ultrastrong chassis ensures high resistance and
durability.ensures high durability.
KA Amplifiers The KA professional
rack amplifier line has been designed to
support all touring and installation applica­
tions in which a large amount of power and
maximum flexibility is needed. On-board
DSP provides perfect signal processing for all
K-array products, offering a large choice of
dedicated presets to handle most any highend application. A dedicated remote control
ensures a constant connection with all the
units, and allows complete management
of the installed presets (and the ability to
download new ones).
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DISTRIBUTED BRANDS: K-array
KZ10 The Lyzard KZ10 is a remarkable
ultra-micro line array, designed for discreet
use in a variety of situations such as restau­
rants, bars and museums. This tiny line array
is housed in a sleek case built around a super
strong chassis . This rugged enclosure con­
tains a line array of 4 x 0.5” long excursion
full range drivers.
full range coaxial speaker. Despite its ultracompact size, it offers an incredible reserve
of power that ensures high SPL over wide 3D
coverage, with consistently excellent sound
quality. Ideal for medium throw applications,
like theaters, concert halls and churches, the
KF12 is designed to easily integrate with the
KL18 ultra light subwoofer, powered by the
sub power output.
KL12 The KL12 is a high performance sub-
bass system designed for use with small to
medium wavefront systems, in both touring
and install applications. It features a 600
watt 12” drive unit with neodymium magnet
structure and suspension engineered for
maximum linear excursion. The ultra-light
reflex cabinet is fitted with two pocket
handles and one 35mm pole mounting point
for easy installation with satellite speakers.
It features large area porting to reduce air
noise, and is designed to be powered by sub
power output. Also available in a 1000W
self-powered version.
KH4 The KH4 is a self-powered 2-way line
array speaker that offers an incredible re­
serve of power for very high SPL with consis­
tently superior sound quality. It is ideal for
longer throw applications in large venues,
yet it is a mere 6.3” (16cm) flat and weighs
just 104 lbs (47Kg) for easy use in more
compact spaces. The KH4 boasts twelve 8”
cone drivers (each with a 2.5” voice coil) for
low-mid frequencies, powered by six power
amplifier channels. The mid-high frequencies
section uses five 1.75” voice coil compression
drivers that drive 1”x4” constant directivity
waveguides. Its drivers form an array exactly
in the centre of the speaker, and a mechani­
cal system allows different vertical coverage
(from 7° to 37°) on each. The transducers
are driven by an internal DSP module, and
dedicated remote control software lets you
control the speaker from a PC.
KH15 The KH15 is a self-powered 2 way
line array design speaker. Despite its ultracompact size, it has an incredible reserve
of power ensuring very high SPL over wide
horizontal coverage with consistently excel­
lent sound quality. Ideal for medium throw
applications in theatres, concert halls and
churches, its low profile box also excels in
frontfill or corporate AV applications.
KL18 The KL18 is a high performance sub-
bass system designed for use with small to
medium wavefront systems, in both touring
and install applications. It features a 1600watt 18” drive unit with neodymium magnet
structure and suspension engineered for
maximum linear excursion. The ultra-light
reflex cabinet is fitted with two pocket
handles and one 35mm pole mounting point
for easy installation of satellite speakers.
It features large area porting to reduce air
noise, and is designed to be powered by sub
power output. Also available in a 1200W
self-powered version.
KS4 The KS4 is a self -powered dipole high
performance subwoofer offering plenty of
power for high SPL with superb sound qual­
ity. It is ideal for large live applications, espe­
cially touring P.A. systems. Only 6.3” (16cm)
flat and weighing just 82 lbs (37Kg), the KS4
thrives in compact spaces. It easily inte­
grates with other units, such as satellites.
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DISTRIBUTED BRANDS: K-array
KF12 The KF12 is a self-powered 2-way
output subwoofer boasting an incredible
reserve of power that delivers very high SPL
with stellar sound quality. Ideal for medium
and large live applications, especially touring
P.A. systems, the Ko70 easily integrates with
other units. The Ko70 features two 21” very
high excursion cone drivers (each with a 6”
voice coil) for very low frequencies, powered
by two power amplifier channels, (3500 watt
RMS each).
Ko40 The Ko40 is a self-powered high
output subwoofer offering very high SPL
with superb sound. It sports a 21” very high
excursion cone driver with a 6” voice coil for
very low frequencies and is powered by a
4000 watt RMS power amplifier. The woofer
is sturdily mounted in a box that ensures
high rigidity and resistance to vibrations.
KM8 The KM8 is a compact, high per­
formance stage monitor combining high
output and controlled dispersion design to
meet critical requirements in professional
applications. It features a high–excursion
8” mid-low frequency drive unit and two
1.75” compression drivers mounted on two
waveguides. Unlike standard monitoring
systems, the KM8 does away with annoying
phase problems.
KJ50vb Ninja Along with its ultra-slim
profile, substantial output capability and
smooth frequency response over the full
vocal range, the KJ50vb Ninja has the unique
capability to switch-select the Horizontal
coverage pattern and to vary the Vertical
coverage through DSP control.
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DISTRIBUTED BRANDS: K-array
Ko70 The Ko70 is a self-powered high
DRM85-C Cardiod FlashMic Digital Re­
cording Microphone
HHB Communications is one of Europe‘s leading supplier of professional audio
technology. From the CDR882 DualBurn, DRM-85 Flashmic to the HHB
recording media, HHB is defining itself as a leader in the development and
production of digital recording products and recording media.
FlashMic Available in 4 models, FlashMic
is the world‘s first digital recording micro­
phone. Combining a studio quality Sennheis­
er mic capsule with a broadcast quality Flash
recorder and high-speed USB file transfer,
FlashMic makes it easy to capture and
deliver high quality recordings, leaving the
journalist free to concentrate on the story.
DRM85-LI Omni-directional FlashMic
Digital Recording Microphone with line input
DRM85 Omni-directional FlashMic Digital
Recording Microphone
DRM85-CLI Cardioid FlashMic Digital
Recording Microphone with line input
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DISTRIBUTED BRANDS: HHB
Distributed Brands:
CDR882 DUALBURN The HHB
CDR882 is a dual drive CD recorder designed
from the ground up for uncompromised
professional performance. A genuine RECREC drive configuration supports seamless
extended recording time across two or more
discs, simultaneous recording of two discs,
and high speed duplication, equipping the
CDR882 for a wide range of professional
applications including broadcast, music
production, live sound recording, houses of
worship and duplication.
PROFESSIONAL RECORDING
MEDIA HHB Professional Recording Media
is designed to provide audio and video pro­
fessionals with the highest possible levels of
performance, compatibility and long-term
archival security across all major digital
recording formats.
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DISTRIBUTED BRANDS: HHB
UDP-89 The HHB UDP-89 is designed to
provide the system integrator with a highly
robust, flexible and professionally specified
alternative to the consumer players that
have previously been pressed into service.
The UDP-89 is a universal DVD/CD player
that delivers broadcast-quality video and
audio playback and has a host of profes­
sional interfacing features that make it ideal
for use in a wide variety of mobile and fixed
installations.
CONSUMER ALERT
Most users do not need a license to operate a wireless microphone sys­
tem. Nevertheless, operating a microphone system without a license
is subject to certain restrictions: the system may not cause harmful
interference; it must operate at a low power level (not in excess of
50 milliwatts); and it has no protection from interference received
from any other device. Purchasers should also be aware that the
FCC is currently evaluating use of wireless microphone systems, and
these rules are subject to change. For more information, call the FCC
at 1-888-CALL-FCC (TTY: 1-888-TELL-FCC) or visit the FCC’s wireless
microphone website at: www.fcc.gov/cgb/wirelessmicrophones