Summer 2007 / English
Touring & Install
Hardware
EQ Station
XO24
Reverb 4000
Reverb 6000
M 3000
M-One XL
D-Two
C300
C400XL
M350
Software
VSS3
DVR2
Master X3
NonLin2
MD3 Stereo Mastering
The TC Heritage
TC Electronic was founded in 1976 with the objective of developing, designing and marketing first class audio products that
provide lasting user value for audio professionals and musicians. TC users include some of the most demanding customers in pro
audio, e.g. top artists, world class recording studios, the largest TV and radio stations, computer game developers, the most
prominent theaters, operas and other installations and public address companies.
Over 80 percent of all sound processing today uses TC Electronic products in some way, shape or form. TC Electronic’s position at
the forefront of the industry for more than three decades is a result of our genuine passion for making the best audio products
possible and some of our finest products are delivered to the touring and install circuit. From our EQ Station, Virtual EQ and
MotoFader 64 to the XO 24 speaker management system TC Electronic helps shape the professional live circuit.
Contents
Rack units
EQ Station ............................................................................. 3
XO24 ..................................................................................... 4
Reverb 4000 ..........................................................................5
Reverb 6000 ..........................................................................6
M-One XL ...............................................................................7
M3000 ...................................................................................7
D-Two ....................................................................................8
C300 ......................................................................................9
C400 XL ................................................................................10
M350 ....................................................................................11
Plug-ins
VSS3 Stereo Source Reverb .................................................12
DVR2 Digital Vintage Reverb ................................................12
Master X3 .............................................................................12
NonLin2 Stereo Effects Reverb .............................................12
MD3 Stereo Mastering .........................................................12
Technical Specifications
EQ Station ............................................................................14
XO24 ....................................................................................15
Reverb 4000 .........................................................................15
Reverb 6000 .........................................................................16
M3000 ..................................................................................17
M-One XL ..............................................................................17
D-Two ...................................................................................18
C300 .....................................................................................18
C400 XL ................................................................................19
M350 ....................................................................................19
/ Summer 2007
EQ Station – The Ultimate Live EQ
The New Benchmark in Live EQ
More than a decade ago TC Electronic introduced the multi­
awardwinning TC 1128/6032 EQ. It became the benchmark for
digitally controlled Graphic EQs. Now TC Electronic provides a
digital EQ using cutting edge 48 bit DSP processing and superb
ADA conversion technology – the result is EQ Station, the next
generation of EQ solutions for the most demanding live-sound
applications.
When Time and Control matter
With EQ Station’s intuitive user interface you will be up and
running within minutes! You no longer have to choose between
ease of operation and a full set of features. The layout of the
user interface is designed to fit the live sound requirement for
instant access to all major control functions.
Features
• Superior QVGA color TFT display (320 x 240 pixel resolution) • Separate views and bypassing for graphic, parametric and
dynamic EQs • Individual frequency, bandwidth and gain encoders • Store/recall of settings (250 user presets) • Linkable
channels for stereo and in-ear monitor applications • Takes up less rack space than most other solutions • 4 channel analog
(optional: upgrade to 8 channel digital AES) • 8 channel analog (optional: upgrade to 8 channel digital AES) • 8 channel
digital AES
Simultaneous Processing per Channel:
• 6 band parametric EQ • 29 band graphic EQ with 4 different types of EQ • 3 band dynamic EQ or 2 band paradynamic EQ
• Delay (600ms) • Peak limiter
VirtualEQ Station PC Application
Easy and Instant Access with MotoFader 64
During sound check you have more time and freedom to get
the job done. With a tablet PC or laptop, you’ll have full access
to all parameters and the freedom to remotely control the
EQ Station from the stage to the stands, and everywhere
in between. Standard TCP/IP network protocol – and even
optional wireless LAN – is easily set up, and full two-way communication gives you the reliability and freedom you need.
The 4U fader remote gives access to 64 channels of graphic EQ
that are within instant reach and will respond immediately at
the touch of a finger. With 29 motorized faders, a display that
shows the channel name and number, combined with accessbuttons for 64 channels of graphic EQs, it is a breeze to enter,
monitor and adjust a large number of channels with the MotoFader 64.
VirtualEQ Station
MotoFader 64
Summer 2007 / XO24 – GPS for Your Audio
Improve your Audio in an Instant
EQ in, EQ out
The TC Electronic XO24 digital speaker management controller
is a compact and powerful DSP based audio processing unit
that will improve the quality of your audio. It’s so easy to use
that you’ll be up and running in an instant and you’ll always
know where you are - it’s GPS for your audio.
In addition each input offers a 4 band parametric EQ that can be
used to compensate for the ill effects of poor room acoustics.
Bands 1 and 4 can be set for a LF & HF shelving response. Four
additional bands of parametric EQ can be found on each ­output
as well, providing a precision tool for final speaker tuning.
Easy Access to Loads of Features
Renowned TC Quality
Ideally suited for fixed and live applications, the XO24 is loaded
with features designed to optimize your loudspeaker system,
all accessible via the “one-click” architecture of the front panel.
Incorporating the unique routing engine, the XO24 can be
­configured as a 2-, 3- or 4 –way speaker management system.
Limiting, independent delay lines and the flexibility of ­selecting
infinitely variable x-overs on each channel are staple features,
and behind it all lays renowned TC Electronic quality.
Whether it’s channel distribution, room equalization or speaker
management, the XO24 combines the functions of multiple
products in a 1 RU configuration.
The unique routing engine allows any input to be routed to any output allowing
maximum flexibility of the XO24.
Features
• Intuitive user interface based on signal-flow • 4 band parametric EQ per input for room compensation • Route any input to any
output – 2 in, 4 out • 2, 3, & 4-way crossover (Butterworth, Bessel and Linkwitz-Riley type filters) on all outs • 4 band parametric
EQ per output for speaker tuning • Independent speaker alignment delay (200 ms per channel) on all outs • Independent digital
limiter on all outs • Factory and user presets
/ Summer 2007
TOURING & INSTALL / RACK UNITS
Reverb 4000 – The Offspring of a Giant!
The Stereo Incarnation of System 6000
The Ease of Reverb – At the Venue
Reverb 4000 is the first new technology main stereo reverb in
a decade. Its broad palette spans from new state-of-the-art
reverbs to world-renowned classics, and includes the best
stereo reverbs and presets from System 6000 and M5000.
From the front panel you have instant access to key para­meters
– locating presets from System 6000, M5000 and vintage
­devices is a breeze with the dedicated search function. Never
before has a main Reverb provided so many colors on the
­palette – switch between Character, Glory and Vintage Reverb
effects at the push of a button.
Studio Reverb Par Excellence
The quest for depth, localization, spaciousness and character
is paramount when working with music. Reverb 4000 gives
pro studios a definite reverb and spatial advantage and
complements any large-scale mixing console. For the first time
it is truly possible to process a composite stereo source or to
render credible spaces onto two discrete sources.
Control the Reverb 4000 directly from
the USB port of your Mac or PC with
the included TC Icon software.
Features
• True stereo reverbs from the System 6000 • New pristine stereo reverb • Favorite presets and algorithms from the M5000
• Realistic environments from a closet to a canyon • VSS-4, source-based reverb providing rooms with character • Classic reverbs
providing polished sustain • Vintage reverb emulations including EMT 250 • Instant access user interface • 44.1 to 96kHz sample
rates and 24 bit processing • One engine, massive SRAM, no compromise design • Digital and analog wide dynamic range design
• PC/Mac ICON editor program included • 24 bit AES/EBU, TOS-Link, S/PDIF, ADAT and Analog I/O
Summer 2007 / Reverb 6000 – Halls of Fame
Containing the entire Reverb and Delay palette of TC Electronic,
Reverb 6000 is a four engine monster for professional film and
music production. It delivers the finest, wildest and most
­research-intensive spatial effects of the audio industry today.
Reverb 6000 contains the entire family of award winning VSS
reverbs for mono, stereo, LtRt, 5.1 and 6.1 formats, the best
­algorithms and presets from M3000 and M5000 plus unique
­Reverb 6000 preset banks such as Halls of Fame and the
­Skywalker Sound Collection. Presets can be further adjusted
with numerous parameters to make them just the right fit for
any sound image you may be working on.
As a part of a continuous and free upgrade path, new effect
­reverbs have recently been added, as well as wild delay and
boundary effects for any format up to 6.1. Reverb 6000 even
runs 16 independent mono Reverbs in real-time – your insurance
of complete flexibility.
Reverb 6000 can be controlled from a TC Icon Remote, a Mac or
PC. Network it, share it, automate it against time code, or use
the automation built into a workstation.
Multichannel Reverb
This license includes everything from the Stereo Reverb
license – plus all LtRt, Quad Mono, 5.1 and 6.1 reverb and delay
algorithms from TC. It also gives access to SpacePan, and every
reverb and delay preset in the machine, including the complete
Halls of Fame bank and the Skywalker Sound Collection.
Please refer to the Stereo Reverb section for a description of
the Stereo Reverb license.
Stereo reverb
The license includes the best stereo and dual source Reverbs
and Delays from TC – for example VSS3, VSS4, Nonlin2 and
Reflector – plus access to hundreds of film and music presets,
as well as the stereo section of Halls of Fame.
/ Summer 2007
TOURING & INSTALL / RACK UNITS
Dual Effects Processor - Truly Flexible Reverbs and Effects
Flexibility without Compromising Sound
Reverbs Especially Suited for Live Applications
Use the M•One XL to run two of the best sounding reverbs or
other quality effects simultaneously. Individualize your sound
with the vast number of possible settings. Bring new life to
your mixes with TC’s unique compressor and limiter algorithms.
You can add incredible delays, wide chorus or enhance the
­details of your source material with the parametric equa­lizers.
The XL reverb technology benefits from the TC reverb heritage
and takes advantage of both complex early reflection patterns
and dense Reverb decays in order to bring more natural
reverbs to all applications.
Ease of Use
M•One XL is incredibly easy to use. With the four set-up
buttons, every function is just a few taps away. The factory
presets can be edited quickly to achieve any desired outcome.
Features
• Enhanced early reflections & reverb tails • Astonishing reverb density • Natural small rooms for ambience • 25 incredible
TC effects: XL reverbs, chorus, tremolo, pitch, delay, dynamics and more • Dual Balanced I/O (XLR) • Analog-style user interface
• Presets: 200 factory/100 user • Dual-engine™ design • 24 bit A/D-D/A converters • 24 bit S/PDIF digital I/O, 44.1-48kHz
• 24 bit Internal processing
M3000 – Reverberation Taken to a Higher Level
Reverb with a Story to Tell
VSS3™
M3000 is a pristine, dual-engine reverberator and room simulator, and much more than just a sustain effect. It can tell
stories. It lets you add room with a distinctive character. It lets you
position a source in a room. Polished decay reverb is available as
well, for the times where you haven’t got more to say.
The groundbreaking VSS3™ algorithm in M3000, with more
than 20 man-years of development behind it, ensures ultimate
realism, accurate early reflections, smooth decay and pitch
accuracy. Furthermore, the technology has the ability to keep
the signal 100% free of deteriorating modulation, yet still
provides modulation as an option.
Features
• VSS™3 / VSS™ FP technology • 600 high-grade factory presets: Halls, Rooms, Ambience, Plates, Springs, Post Small/Large,
Post Indoor/ Outdoor and Post Specials • Up to 300 User presets • Intuitive user interface with instant preset recall • compressor/
­expander, de-esser, chorus & flanger, tremolo, phaser, delay, pitch shift, parametric EQ • 24 bit A/D – D/A converters
• AES/EBU, S/PDIF, Optical TOS-Link & ADAT digital I/O
Summer 2007 / D-Two – Multitap Rhythm Delay – The Best Delay Available!
Delay Benchmark
Six Unique Direct-Access Features
When TC Electronic introduced the TC 2290, the Professional
Audio Industry was given an exceptional tool for creating
stunning delay effects. Since the introduction of the TC 2290,
digital delay processors have been built on the same basic
principle. With the introduction of the D-Two Rhythm Delay
TC once again revolutionizes the concept of delay effects
processing by adding the possibility of actually creating
rhythm delay patterns. The Rhythm Delay feature makes the
D-Two the most unique dedicated delay unit – ever!
•Spatial – extra wide Delay
Rhythm Tap
TC introduces the truly musical Rhythm Tap feature: Not only
tempo, but actual rhythm patterns can be tapped directly – or
quantized according to a specific tempo and subdivision. The
delays and rhythm patterns can be up to 10 seconds each.
­Control the exact number of repeats with Absolute Repeat
Control.
•Ping-Pong – Pick any of five patterns and set the
relationship between Panning speed and Delay tempo
•Reverse – Reverse Delay
•Dynamic – Set Release Time and Threshold to let the Input
signal control the level of Delay
•Chorus – Or Flanger? Hit one key and you have instantly
added it to your Delay
•Filter – Increase filtering as repeats decay
Features
• Multitap Rhythm Delay • Absolute Repeat Control • Up to 10 seconds of Delay • Pingpong, Reverse & Dynamic delay • Modulation,
Filtering and Spatial post processing • Presets: 50 Factory/100 User • 24 bit A/D-D/A Converters • 24 bit S/PDIF digital I/O,
44.1-48kHz • TRS balanced 1/4” Jacks stereo I/O • 24 bit Internal Processing
/ Summer 2007
TOURING & INSTALL / RACK UNITS
C300 – Compression beyond limits
Dual Stereo Gate/Compressor with the Sound of TC
Optimized presets
C300 is a dual engine dynamics processor that gives you superior
compression/limiting and gate/expansion. C300’s new sourcebased architecture takes the drudgery out of compression and
lets the box do the work for you in state-of-the-art TC quality
with an extremely intuitive and straightforward user interface.
The C300 gives you source-based presets that are tailor-made
for various types of sources. Depending on the preset you
select you have access to intelligent TC full-band- or multiband technology.
New Style Compression
Based on parallel compression technology you get a completely
new approach to working with compression. Take a compressed
signal and mix it with a dry signal and enhance all details in the
music.
The C300’s multi-band processing is built on a state-of-the-art
TC algorithm that bases it’s calculations on the incoming
source, and that’s why it’s called source-based. A multi-band
compressor, as opposed to a full band compressor, acts dif­
ferently on different frequency bands. This means that each
­f requency band actually has its own little compressor working
on it, with unique settings like threshold, ratio, attack and
­release. If you for instance prefer a steep compression on the
lower frequencies, a soft compression on the mid frequencies,
and a bright and light compression on the higher frequencies,
you should use a multi-band compressor.
The C300 comes with several presets that are fully optimized
for this kind of compression and you’ll be surprised just how
easy multi-band compression can be.
Features
Dual engine compressor or gate • 16 source specific compression & gate presets • Multi band compressor – for maximum transparency • Precision gating – ultra fast and click free • Brickwall limiting for peak stop and hot levels • Instant operation – select
preset and go! • Digital S/PDIF I/O – for digital console connection • Parallel compression – for that extra punch in your ­drumsound
• High resolution input and gain reduction metering • True dual mono, stereo or serial operation
Summer 2007 / C400XL – Source-based Gate | Compressor
Crucial tasks faster
Intuitive – yet advanced
The C400XL is a supreme Dual Gate | Compressor specially
­designed for audio professionals on the road as well as in the
studio. Combining award-winning multiband compression
technology with an extremely fast and intuitive user interface
as well as a super silent click free gate, the C400XL is made for
the uncompromising sound engineer.
C400XL features a TC Electronic exclusive ‘Mix’ knob allowing
parallel compression without complicated routing schemes.
The unique Parallel compression will lift hidden details in
­every vocal or drumkit track. To assure smooth operation,
C400XL is equipped with high resolution input, gain reduction
metering and threshold LED indication. Choose between true
dual mono for superior channel separation, stereo or serial
­operation. C400XL features brickwall limiting for peak stop
and hot levels prevention.
Multiband dynamics technology
The C400XL uses advanced TC Electronic multiband dynamics
technology to compress and adapt to any source - from vocals
and percussion to guitars and even keyboards. The inherent
transparency of the multiband compressor brings out the qualities
of the source material, yet secures a firm and consis­t­ent level at
all times. The optimized and super-fast gate offers a click free
and high precision gating of any source.
Three strikes and you’re in
The C400XL stands out in three distinct areas that make it the
ideal unit for demanding live and studio use. First there is the
sound quality – this quality is ensured by source-based multiband compression and ultra fast gating. Another great aspect
of the C400XL is its versatility – adapt to any source, analog or
digital, decide on gate, compression or a combination, and
C400XL is up for the task at hand. And finally there is the intuitive, fast use of C400XL – source-based compression, intuitive
user interface and a mix knob for parallel compression makes
for a fast, professional unit.
Analog and digital connectors
C400XL is the ideal choice for parallel compression, gating
and/or compressor applications. A C400XL channel transforms
from multiband compressor to ultra fast gate and back at a
flick of a switch. Gate and compressor functions can be serial
or parallel at the choice of the engineer, thus allowing e.g.
awesome combinations of compressor and gate on a snare
drum giving that tight and snappy impact sound. Balanced
Analog (XLR) and Digital AES/EBU (XLR) connectors make
C400XL the perfect solution for any pro sound engineer looking for high-end compression/gates to complement his analog
or digital setup.
Features
• Balanced analog XLR • Balanced digital (AES/EBU) • Sourcebased Multiband compression • ‘Mix’ knob for direct parallel compression • Precision gating - ultra fast and click free • De-essing • Dual engine compressor or gate • High resolution input and
gain reduction metering • Threshold LED indication • True dual mono, stereo or serial operation • Brickwall limiting for peak stop
and hot levels • Dual band expansion for non-percussive sources
10 / Summer 2007
TOURING & INSTALL / RACK UNITS
M350 – Depth & Perspective Redefined
Reverbs & Effects with seamless DAW integration
Hands-on design with helpful auto sensing
With the VST compatible software editor, M350 offers seamless control and editing integration with your favorite DAW
system. Through the included editor, parameters and preset
recalls may be fully automated or real-time controlled at your
convenience. In addition to the perfect studio fit, M350
­features a front panel user interface that is optimized for
speedy operation, giving you total and easy control during live
performances. The effects combinations of the two engines
are endless, and the dual input mode even allows individual
input and utilization of the two effects engines.
You have direct and easy access to all important parameters
and a simple yet highly effective preset display gives you
­instant overview of your current selection. The M350 comes
with TC quality converters and processing in 48 kHz 24-bit, and
a digital auto sensing features ensures seamless integration
with digital inputs, and there’s even an internal auto ­sensing
power supply that eradicates the need for clumsy wallwarts.
15 TC Quality Reverbs
• TC Classic Hall • Cathedral • Vocal Reverb Live Vocal • Hall Acoustic • Drum Ambience • Drum Room • Ambience • Living Room
• Nearfield • Damped Room • Silver Plate • Gold Plate • Spring Vintage • Live Stage
Legendary TC Effects
Comp • Hard Comp • De-Esser • Smooth Chorus • Lush Chorus • Inst. Flanger • Tremolo • Vintage Phaser • Smooth Phaser Delay
Slapback • Delay Pingpong • Soft Delay • Triplets Delay • Studio Delay • Dynamic Delay
Features
• Full DAW integration through VST compatible editor • 15 true and stunning stereo reverbs • 15 legendary effects • 5 seconds of
delay • 256 multi-effect/reverb presets + 99 user preset locations, a total of 355 presets • Internal power supply – no wall-wart!
• Dual send/return & serial style setups • Auto-sensing 24 bit S/PDIF digital I/O, 44.1-48kHz • 24 bit A/D-D/A converters • 24 bit
internal processing • Preset display • Tap tempo • MIDI In/Out • MIDI clock tempo sync With the included software editor, parameters and preset
recalls may be fully automated or real-time controlled.
Summer 2007 / 11
VSS3 Stereo Source Reverb
SYSTEM 6000 ALGORITHM
96 kHz
OPTIONAL
VSS3 is the reverb that finally brought the effect out of the
1980’s. The algorithm was researched and fine-tuned by TC
engineers over a period of several years, and represents a true
technology breakthrough. With its great sound, new possibilities and wide editing range, VSS3 has become an industry
standard in demanding production, and can be heard on thousands of ­albums and films.
In this version, the algorithm takes Pro Tools | HD hardware
to the limit to gain unprecedented control over image depth,
­localization and spatialization. Similar to the chaotic response
of a natural room, the VSS3 is not causal, and you will soon
­appreciate the authentic feel it adds to a mix. When you become
an addict, use several instances of VSS3 to create truly stunning
sound images by taking advantage of source based processing
on individual instruments and voices. Perfect imaging for your
audio sources, perfect integration with Pro Tools.
DVR2 Digital Vintage Reverb
SYSTEM 6000 ALGORITHM
96 kHz
OPTIONAL
DVR2 is a pristine legacy reverb with a true and genuine
vintage flavor. It is extremely well-suited for mixes where the
reverb itself cries out to be part of the mix.
DVR2 is the most precise EMT250 emulator to date, perfect for
both studio and live use. It presents fine-tuned qualities of
the original processor such as sweet modulation, spectral
balance, spaciousness and saturation. It also emulates its
predecessor in the way parameters interact for different
settings.
Using the Vintage Reset function, your sound will be close to a
well preserved EMT250. Engaging the High resolution parameters,
you can lower the noise, extend the bandwidth, and exaggerate
or back off the amount of chorusing.
Master X3 – virtual finalizer™
DYNAMICS
96 kHz
INCLUDED*
The knock out punch for any mixes or masters. MasterX3 is the
virtual incarnation of the TC Electronic Finalizer™, the standard
mastering processor in the pro audio field. MasterX3 expedites
the mastering process by integrating several phases of mastering into a single, easy to use interface. It features multiband
processing with expa sion, compression and limiting separately
for each band. High quality uncorrelated dithering is included as
well.
* Note: Available separately for Pro Tools HD
12 / Summer 2007
TOURING & INSTALL / SOFTWARE
NonLin2 Stereo Effects Reverb
SYSTEM 6000 ALGORITHM
96 kHz
OPTIONAL
NonLin2 is an effects reverb, which differs from the traditional
natural sounding TC reverbs. NonLin2 is capable of generating
compact vocal ambience, percussive and dramatic drum
sounds, reverse reverbs and completely new “twisted” effects.
Featuring an amplitude envelope that is capable of rendering
an untriggered gated reverb and a ‘twist’ parameter, which
can radically alter the sound, this plug-in offers you a serious
advantage over other gated reverbs.
The easy-to-tailor and compact room-feel that this reverb adds
to any lead vocal will set your mixes apart. As a producer or
studio engineer, you’ll be delighted by the creative power that
this master tool delivers and it won’t be long before you
­wonder how you coped without it.
MD3 Stereo Mastering
SYSTEM 6000 ALGORITHM
96 kHz
OPTIONAL
The MD3 Stereo Mastering package includes two algorithms, MD3 Multiband Dynamics and BrickWall Limiter, and allows the
PowerCore and TDM user to take advantage of multiband processing and precision limiting at its best. For stereo and single
sources, this package brings professional production and mastering possibilities to the realm of DAWs, and integrates smoothly
with serious music and film editing applications.
MD3 Multiband Dynamics
MD3 is a high-end mastering tool that offers dual mono and
stereo dynamics processing in three frequency bands. By
­offering a true side-chain split structure, MD3 is also capable
of demanding mono material compression/limiting on two
separate channels, not found in other multi-band dynamics
processors. In fact, M and S components of a stereo signal ­­­
can be processed separately and provide even more control
­making full use of the Spectral Stereo Enhancer.
Brickwall Limiter
BrickWall Limiter is a stereo/dual mono limiter with new
­features and technology. Today, clipping and maximizing in
­production and mastering are being exploited to an extent
where most rock and pop releases generate early listening
­f atigue. Distortion is generated in CD players and data reduction ­codecs because of mediocre processing and level control.
The BrickWall Limiter is designed to adapt to the signal, investi­
gate if the signal will create downstream distortion problems
– and to remove this hazard if so decided.
Summer 2007 / 13
Optional AES/EBU I/O on 25 pin
D-Sub connector and word clock
Input on BNC connector
8 channel balanced analog I/O on
XLR connectors
Ethernet “Input” for PC-editor control.
On Neutrik® EtherCon RJ45 connector
Analog Inputs and Outputs
Connectors:
Input Impedance:
Output Impedance:
Max Input Level:
Max Output Level:
Dynamic Range:
THD:
Frequency Response, +0/-0.1 dB:
Crosstalk:
AD and DA Conversion:
AD and DA + Processing Delay Total:
DSP
Internal sample rate:
Internal processing:
DSP power:
Control Interface
Ethernet:
Ethernet passive HUB for network:
MIDI:
14 / Summer 2007
Ethernet “Output” passive HUB for
network link of multiple EQ Stations.
On Neutrik® EtherCon RJ45 connector
MotoFader-64 remote:
XLR balanced (pin 2+, pin 3-)
11/4 kOhm (Balanced/unbalanced)
40/20 Ohm (Balanced/unbalanced)
+15 to +30 dBu with analog domain scaling
+15 to +24 dBu with analog domain scaling
> 110 dB (unweighted), BW: 20-20 kHz
< -100 dB @ BW: 20-20 kHz
12 Hz - 20 kHz
< -110 dB, 20 Hz to 20 kHz
24 bit (Dual bit delta sigma sampling at 6.1 MHz)
General
Display:
Finish:
1.54 ms
Dimensions:
Weight:
Mains voltage:
Power consumption:
EMC
Complies with:
48 kHz, high performance low jitter clock circuit
Routing and processing 48 bit fixed point throughout
600 Million Instructions Per Second
Safety
Certified to:
10/100 Mbits/s, Base-T
(RJ45 XLR-housed EtherCon connector)
10/100 Mbits/s, Base-T
(RJ45 XLR-housed EtherCon connector)
In/Out (5-pin DIN connector)
Environment
Operating/Storage Temperature:
Humidity:
Warranty Parts and Labor:
MIDI
In, Out
Remote connection
for Motofader on
9-Pin D-Sub
connector
Power Input
Custom serial interface
(9-pin D-Sub connector)
Color TFT, QVGA 320x240 pixels
450 cd/m2 Luminance
Anodized aluminum face and side plates
Plated and painted steel chassis
19” x 3.50” x 11” (483 mm x 89 mm x 274 mm)
11.95 lbs. (5.4 kg.)
100 to 240 VAC, 50 to 60 Hz (auto-select)
< 45W
EN 55103-1 and EN 55103-2
FCC part 15, Class B
CISPR 22, Class B
IEC 60065, EN 60065, UL 6500 and CSA E65
(CSA File#LR108093)
0° C to 50° C ( 32° F to 122° F)
-30° C to 70° C (-22° F to 167° F)
Max. 90% non-condensing
1 year
TOURING & INSTALL / Technical specifications
Balanced Inputs
on XLR for channels A/B.
Use channel A for mono Input.
Inputs
Connectors
Impedance
Max. Input Level
Sensitivity Range @ full scale
Outputs
Connectors
Impedance
Max. Output Level
Output Ranges
Max. Load
Performance
Conversion
Conversion Delay alone
Dynamic Range (#)
THD
Frequency Response
Crosstalk
Power Input
100 - 240V
Power Switch
Digital Inputs and Outputs
Connectors:
Formats:
Output Dither:
Word Clock Input:
Sample Rates:
Processing Delay:
Frequency Response DIO:
Analog Inputs
Connectors:
Impedance:
Max. Input Level:
Min. Input Level (for 0 dBFS):
Sensitivity:
A to D Conversion:
A to D Delay:
Dynamic Range:
THD:
Frequency Response:
Crosstalk:
Analog Outputs
Connectors:
Impedance:
Max. Output Level:
Full Scale Output Range:
D to A Conversion:
D to A Delay:
Balanced
Outputs 1-4 on XLR.
24 bit (1 bit, 128 times oversampling)
1.38 ms
Typ. > 102 dB, 20 Hz – 20 kHz
Typ. < -90 dB (0.0032%) @1 kHz, BW: 20 - 20 kHz
20Hz to 20kHz: +0/-0.7 dB
Typ. < -95 dB, BW: 20 - 20 kHz
XLR balanced (pin 2 hot)
20 kOhm
+22 dBu (balanced)
-10 dBu
@ 12 dB headroom: -22 dBu to +10 dBu
24 bit (6.144 MHz delta sigma @ 48/96 kHz)
0.8 ms @ 48 kHz, 0.4 ms @ 96 kHz.
>103 dB (unweighted, BW = 22 kHz), >106 dB(A)
-95 dB (0,0018 %) @ 1 kHz, -6 dBFS (FS @ +16 dBu)
10 Hz to 20 kHz : +0/-0.2 dB @ 48 kHz
10 Hz to 45 kHz : +0/-1 dB @ 96 kHz
<-80 dB, 10 Hz to 20 kHz
typical –100 dB @ 1 kHz
XLR balanced (pin 2 hot)
100 Ohm (active transformer)
+22 dBu (balanced)
-10 dBu to +22 dBu
24 bit (6.144 MHz delta sigma @ 48/96 kHz)
0.57 ms @ 48 kHz, 0.28 ms @ 96 kHz
Environment
Operating Temperature
Storage Temperature
Humidity
32 F TO 122 F (0 C to 50 C)
-22 F TO 167 F (-30 C to 70 C)
Max 90% non-condensing
Control Interface
Finish
Display Dimensions
Mains Voltage
Power Consumption
Warranty
Anodized aluminum front. Plated and painted steel chassis
2x16 character back light LCD
100 to 240 VAC, 50 to 60 Hz (auto-select)
< 15W
1 year warranty
Optical ADAT Word& TosLink Clock
RCA
XLR (AES/EBU)
RCA Phono (S/PDIF)
Optical (Tos-link, ADAT)
AES/EBU (24 bit),
S/PDIF (24 bit), EIAJ CP-340, IEC 958,
EIAJ Optical (Tos-link),
ADAT Lite pipe (24 bit)
HPF/TPDF dither 8-20 bit, independent dithered Output
RCA Phono, 75 Ohm, 0.6 to 10 Vpp
32 kHz, 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz
0.2 ms @ 48 kHz
DC to 23.9 kHz ± 0.01 dB @ 48 kHz
DC to 47.9 kHz ± 0.01 dB @ 96 kHz
Power Input.
The internal switchmode
powersupply accepts
from 100 to 240 VAC.
EN-55103-1 and EN 55103-2, FCC part 15, Class B,
CISPR 22, Class B
IEC 60065, EN 60065, UL6500, and CSA E60065
CSA File#108093
Safety
3 pin XLR (pin 2 hot)
40 Ohm
Balanced: 20 dBu / Unbalanced: 14 dBu
Balanced: 20/14/8/2 dBu / Unbalanced: 14/8/2 dBu
1200 Ohm @ Output Level > 14 dBu, 600 Ohm @
Output local < 14 dBu
Balanced
Analog Outputs
XLR
Com port for data
transfer.
NO user application.
Other
EMC
3 pin XLR (pin 2 hot)
Balanced: 21 kOhm, Unbalanced: > 10 kOhm
24 dBu
0 dBu to 24 dBu
Balanced
Analog Inputs
XLR
Digital S/PDIF In
and Thru
on RCA phono.
AES/EBU
Input/
Output
S/PDIF
Input/
Output
Dynamic Range:
THD:
Frequency Response:
Crosstalk:
EMC
Complies with:
Safety
Certified to:
Environment
Operating Temperature:
Storage Temperature:
Humidity:
PCMCIA Interface
Connector:
Standards:
Card Format:
Control Interface
MIDI:
GPI, Pedal, Fader:
General
Finish:
Display:
Dimensions:
Weight:
Mains Voltage:
Power Consumption:
Backup Battery Life:
Warranty parts and labor:
MIDI
In/Out/Thru
USB
>+100 dB (unweighted, BW = 22KHz), >+104 dB(A)
-82 dB (0.008 %) @ 1 kHz, -6 dBFS (FS @ +16 dBu)
10 Hz to 20 kHz : +0/-0.5 dB @ 48 kHz
10 Hz to 45 kHz : +0/-3 dB @ 96 kHz
<-60 dB, 10 Hz to 20 kHz
typical –90 dB @ 1 kHz
EN 55103-1 and EN 55103-2
FCC part 15, Class B
CISPR 22, Class B
IEC 60065, EN 60065, UL 6500 and CSA E65
CSA File#LR108093
32° F to 122° F (0° C to 50° C)
-22° F to 167° F (-30° C to 70° C)
Max. 90 % non-condensing
PC Card, 68 pin type 1 cards
PCMCIA 2.0, JEIDA 4.0
Supports up to 2 MB SRAM
In/Out/Thru: 5 Pin DIN
1/4” phone jack
Anodized aluminum front
Plated and painted steel chassis
56 x 128 dot graphic LCD
19” x 1.75” x 8.2” (483 x 44 x 208 mm)
5.2 lb. (2.35 kg)
100 to 240 VAC, 50 to 60 Hz (auto-select)
<20 W
>10 years
1 year
Summer 2007 / 15
DSP Slot & AES8
I/O Slot A
I/O Slot B
Digital Inputs and Outputs
Connectors:
Formats:
Word Clock Input:
Internal Sample Rate:
Internal Clock Precision:
Jitterrejection at External
Sample Rates:
Rejection Filter (4’th order):
Rejection Filter Peak (jitter gain):
Intrinsic Interface Jitter:
Digital Output Phase:
Input variation before
Sample Slip:
Output Dither:
Processing Delay:
I/O Slot C
Frequency Response DIO:
D-SUB, 25 pole (8 channels AES/EBU I/Out)
AES/EBU (24 bit)
BNC, 75 Ohm or Hi-Z, 0.6 to 10 Vpp
96 kHz, 88.2 kHz, 48.0 kHz, 44.1 kHz
+/- 30 ppm
30 to 34 kHz, 42.5 to 45.5 kHz, 46.5 to 48.5 kHz,
85 to 91 kHz and 93 to 97 kHz.
< -3 dB @ 50 Hz
< -65 dB @ 500 Hz
< -100 dB @ 1.4 kHz
< 1 dB @ 2 Hz
< 1 ns peak, BW : 700 Hz to 100 kHz
< 3 % of sample period
+27 % / -73 % of sample period
HPF/TPDF dither 8-24 bit, mono, stereo, inverted
0.15 ms + 0.21 ms per engine @ 48 kHz,
0.07 ms + 0.1 ms per engine @ 96 kHz
PCMCIA Interface
Connector:
Standards:
Floppy Drive:
Control Interface
MIDI:
GPI, Pedal, Fader:
Remote:
SMPTE:
Ethernet:
General
Dimensions:
Weight:
Mains Voltage:
Power Consumption:
Warranty parts and Labor:
Power Input
100 - 240V
LAN Ethernet
SMPTE
MIDI
In, Thru, Out
Remote External
Control
Input
DC to 23,9 kHz +- 0,01 dB @ 48 kHz,
DC to 47.9 kHz +- 0.01 dB @ 96 kHz
PC Card, 68 pin type 1 cards
PCMCIA 2.0, JEIDA 4.0
DOS compatible, 3 1/2”, 1.44 Mb
In/Out/Thru: 5 Pin DIN
Phone jack, 0 Ohm to 50 kOhm
Custom MIDI In & Out
Input for Cuelist Management
10/100 Mbits/s, Base-T
3 1/2 x 19 x 12 inches
19 lbs. (8.6 kg)
100 to 240 VAC, 50 to 60 Hz (auto-select)
45 watts
1 year
ADA 24/96 Analog I/O
Analog Input
Connectors:
Impedance:
XLR balanced (pin 2+, pin 3-)
10/3 kohm (Balanced/unbalanced):
Selectable Full Scale Input level:
6, 12, 18, 24, 30 dBu
Dynamic Range (A-In: 12, 18, 24,
30 dBu):
THD+N:
> 113 dB (unweighted), BW: 20-20kHz
< -105 dB @ 1 kHz, -3 dBFS
Frequency Response,
(*with linear filter):
Output Sample Rate:
@32 kHz
@44.1* kHz
@48* kHz
@96 kHz
+0/-0.1 dB:
+0/-3 dB:
1.2 Hz - 14.8 kHz
1.2 Hz - 19.9 kHz
1.2 Hz - 20.3
kHz 1.2 Hz - 44.4 kHz
0.2 Hz - 15.6 kHz
0.2 Hz - 20.6 kHz
0.2 Hz - 21.2 kHz 0.2 Hz - 46.8 kHz
Crosstalk:
< -120 dB, 20 Hz to 20 kHz
CMRR (A-In: 24 dBu, Rs: 2 x 20 ohm):
A to D Conversion:
> 80 dB@ 50/60 Hz & > 90 dB @ 1 kHz
24 bit (Dual bit delta sigma sampling at 4.1/5.6/6.1/6.1
MHz)
Analog Output
Connectors:
Impedance:
16 / Summer 2007
XLR balanced (pin 2+, pin 3-)
40/20 ohm (Balanced/unbalanced)
Impedance Balance:
Signal Balance:
> 60 dB, @ 20-20kHz
> 40 dB, @ 20-20kHz
Selectable Full Scale Output level:
6/0, 12/6, 18/12, 24/18 dBu (Balanced/unbalanced)
Dynamic Range (A-Out: 18, 24 dBu):
THD+N:
> 113 dB (unweighted), BW: 20-20kHz
< -95 dB @ 1 kHz, -3 dBFS
Frequency Response,
(*with linear filter):
+0/-0.3 dB:
+0/-3 dB:
Input Sample Rate:
Crosstalk:
D to A Conversion:
< -110 dB, 20 Hz to 20 kHz
24 bit (Multi-bit delta sigma sampling at 4.1/5.6/6.1/6.1
MHz )
Selectable Sample Conversion
Filters
In/Out Sample Rate 32/96 kHz:
In/Out Sample Rate 44.1/48 kHz:
@32 kHz
@44.1* kHz
@48* kHz
@96 kHz
4.6 Hz - 14.8 kHz
4.6 Hz - 19 kHz
4.6 Hz - 19 kHz
4.6 Hz – 19 kHz
0.7 Hz - 15.6 kHz
0.7 Hz - 20.5 kHz
0.7 Hz - 21.2 kHz
0.7 Hz – 44 kHz
Fixed filter
Filter choices: Linear, Natural, Vintage, Bright & Standard
TOURING & INSTALL / Technical specifications
Main Power
Switch
Digital Inputs and Outputs
Connectors:
Formats:
Output Dither:
Word Clock Input:
Sample Rates:
Processing Delay:
Frequency Response DIO:
Analog Inputs
Connectors:
Impedance:
Max. Input Level:
Min. Input Level (for 0 dBFS):
Sensitivity:
A to D Conversion:
A to D Delay:
Dynamic Range:
THD:
Frequency Response:
Crosstalk:
Analog Outputs
Connectors:
Impedance:
Max. Output Level:
Full Scale Output Range:
D to A Conversion:
D to A Delay:
Power
Input
100 - 240V
Balanced XLR
Analog Inputs
Balanced XLR
Analog Outputs
Digital Inputs and Outputs
Connectors:
Formats:
Output Dither:
Sample Rates:
Processing Delay:
Frequency Response DIO:
Analog Inputs
Connectors:
Impedance:
Max. Input Level:
Min. Input Level (for 0 dBFS):
Sensitivity:
A to D Conversion:
A to D Delay:
Dynamic Range:
THD:
Frequency Response:
Crosstalk:
Analog Outputs
Connectors:
Impedance:
Wordclock
RCA
Dynamic Range:
THD:
Frequency Response:
Crosstalk:
EMC
Complies with:
XLR (AES/EBU), RCA Phono (S/PDIF)
Optical (Toslink, ADAT)
AES/EBU (24 bit), S/PDIF (20 bit), EIAJ CP-340,
IEC 958, EIAJ Optical (Toslink), ADAT Lite pipe
HPF/TPDF dither 8-24 bit
RCA Phono, 75 Ohm, 0.6 to 10 Vpp
44.1 kHz, 48 kHz
0.2 ms @ 48 kHz
20 Hz to 23,9 kHz +0,01/-0,1 dB @ 48 kHz
XLR balanced (pin 2 hot)
20 kOhm
+22 dBu (balanced)
-10 dBu
@ 12 dB headroom: -22 dBu to +10 dBu
24 bit (1 bit, 128 times oversampling)
0.8 ms @ 48 kHz
>103 dB (unweighted), >106 dB (A)
-95 dB (0,0018 %) @ 1kHz, -6 dBFS (FS @ +16 dBu)
10 Hz to 20 kHz: +0/-0.2 dB
<-80 dB, 10 Hz to 20 kHz typical -100 dB @ 1 kHz
XLR balanced (pin 2 hot)
100 Ohm (active transformer)
+22 dBu (balanced)
-10 dBu to +22 dBu
24 bit (1 bit, 128 times oversampling)
0.57 ms @ 48 kHz
Balanced XLR
Analog Inputs
Digital In/Out
ADAT
Tos-link
RCA Phono (S/PDIF)
S/PDIF (24 bit), EIAJ CP-340, IEC 958
HPF/TPDF dither 24/20/16/8 bit
44.1 kHz, 48 kHz
0.1 ms @ 48 kHz
DC to 23.9 kHz ± 0.01 dB @ 48 kHz
XLR, balanced
40 Ohm
+20 dBu (balanced)
Balanced: 20/14/8/2 dBu
Unbalanced: 14/8/2 dBu
24 bit, 128 x oversampling bitstream
0.63 ms / 0.68 ms @ 48 kHz / 44.1 kHz
104 dB typ, 20 Hz to 20 kHz
typ <-94 dB (0.002 %) @ 1 kHz, +20 dBu Output
+0/-0.5 dB @ 48 kHz, 20 Hz to 20 kHz
<-100 dB, 20 Hz to 20 kHz
Digital S/PDIF
Input/Output
Max. Output Level:
Output Ranges:
D to A Conversion:
D to A Delay:
Dynamic Range:
THD:
Frequency Response:
Crosstalk:
Control Interface
MIDI:
Pedal:
General
Finish:
Display:
Dimensions:
Weight:
Mains Voltage:
Power Consumption:
Warranty Parts and labor:
MIDI
In,Thru,Out
External
Control Input
>100 dB (unweighted), >104 dB(A)
-86 dB (0.005%) @ 1 kHz, -6 dBFS (FS @ +16 dBu)
10 Hz to 20 kHz: +0/-0.5 dB
<-60 dB, 10 Hz to 20 kHz typical -90 dB @ 1 kHz
EN 55103-1 and EN 55103-2. FCC part 15, Class B.
CISPR 22, Class B
Safety
Certified to:
Environment
Operating Temperature:
Storage Temperature:
Humidity:
PCMCIA Interface
Connector:
Standards:
Card Format:
Control Interface
MIDI:
GPI, Pedal, Fader:
General
Finish:
Dimensions:
Weight:
Mains Voltage:
Power Consumption:
Backup Battery Life:
Warranty Parts and labor:
Balanced XLR
Analog Outputs
Digital In/Out
AES/EBU
S/PDIF
IEC 65, EN 60065, UL 1419, CSA E65
32° F to 122° F (0° C to 50°C)
-22° F to 167° F (-30° C to 70°C)
Max. 90% non-condensing
PC card, 68 pin type 1 cards
PCMCIA 2.0, JEIDA 4.0
Supports up to 2 MB SRAM
In/Out/Thru: 5 Pin DIN
1/4” phone jack, 0 Ohm to 50 kOhm
Anodized aluminum front. Plated & painted steel chassis.
19” x 1.75” x 8.2” (483 x 44 x 208 mm)
5.2 lb. (2.35 kg)
100 to 240 VAC, 50 to 60 Hz (auto-select)
<20W
>10 years
1 year
MIDI
In, Thru, Out
External
Control Input
for Bypass
Power Input
100 - 240V
+20 dBu (balanced)
Balanced: 20/14/8/2 dBu / Unbalanced: 14/8/2 dBu
24 bit, 128 x oversampling bitstream
0.63 ms / 0.68 ms @ 48 kHz / 44.1 kHz
104 dB typ, 20 Hz to 20 kHz
typ <-94 dB (0.002 %) @ 1 kHz, +20 dBu Output
+0/-0.5 dB @ 48 kHz, 20 Hz to 20 kHz
<-100 dB, 20 Hz to 20 kHz
In/Out/Thru: 5 Pin DIN
1/4” phone jack
Anodized aluminum front. Plated & painted steel chassis
23 character / 280 icon STN-LCD display
19” x 1.75” x 8.2” (483 x 44 x 195 mm)
4.1 lb. (1.85 kg)
100 to 240 VAC, 50 to 60 Hz (auto-select)
<15 W
1 year
XLR balanced (pin 2 hot)
40 Ohm
Summer 2007 / 17
TRS Balanced
Jack Analog
Inputs
Digital Inputs and Outputs
Connectors:
Formats:
Output Dither:
Sample Rates:
Processing Delay:
Frequency Response DIO:
Analog Inputs
Connectors:
Impedance, Bal / Unbal:
Max. Input Level:
Min. Input Level for 0 dBFS:
Sensitivity:
A to D Conversion:
A to D Delay:
Dynamic Range:
THD:
Frequency Response:
Crosstalk:
Analog Outputs
Connectors:
Impedance Balanced /
Unbalanced:
Max. Output Level:
Output Ranges:
D to A Conversion:
Routing modes
Digital Input and Output
Connector:
Formats:
Sample Rates:
Processing Delay:
Frequency Response DIO:
Analog Inputs
Connectors:
Impedance, Bal / Unbal:
Max. Input Level @ 0 dBFS:
A to D Conversion:
A to D Delay:
Dynamic Range:
THD:
Frequency Response:
Crosstalk:
Analog Outputs
Connectors:
Impedance :
Max. Output Level:
D to A Conversion:
D to A Delay:
18 / Summer 2007
TRS Balanced
Jack Analog
Outputs
Digital
S/PDIF
Input/Output
MIDI
In, Thru, Out
External
Control
Input
RCA Phono (S/PDIF)
S/PDIF (24 bit), EIAJ CP-340, IEC 958
HPF/TPDF dither 24/20/16/8 bit
44.1 kHz, 48 kHz
0.1 ms @ 48 kHz
DC to 23.9 kHz ± 0.01 dB @ 48 kHz
D to A Delay:
Dynamic Range:
THD:
Frequency Response:
Crosstalk:
EMC
Complies with:
1/4” phone jack, balanced
21 kOhm / 13 kOhm
+24 dBu
0 dBu
@ 12 dB headroom: -12 dBu to +12 dBu
24 bit, 128 x oversampling bitstream
0.65 ms / 0.70 ms @ 48 kHz / 44.1 kHz
100 dB typ, 20 Hz - 20 kHz
typ < 92 dB (0,0025 %) @ 1 kHz
+0/-0.1 dB @ 48 kHz, 20 Hz to 20 kHz
<-95 dB, 20 Hz to 20 kHz
Safety
Certified to:
Environment
Operating Temperature:
Storage Temperature:
Humidity:
Control Interface
MIDI:
Pedal:
General
Finish:
1/4” phone jack, balanced
Display
Dimensions:
Weight:
Mains Voltage:
Power Consumption:
Warranty Parts and labor:
40 Ohm
+20 dBu (balanced)
Balanced: 20/14/8/2 dBu
Unbalanced: 14/8/2 dBu
24 bit, 128 x oversampling bitstream
INPUTS
1/4” phone jack
bal. / unbal.
OUTPUTS
1/4” phone jack
bal. / unbal.
Digital I/O
S/PDIF
RCA phono
RCA Phono (S/PDIF)
S/PDIF (24 bit), EIAJ CP-340, IEC 958
48 kHz. (44.1 kHz only @ Digital Input)
0.08 ms @ 48 kHz
DC to 23.9 kHz ± 0.01 dB @ 48 kHz
1/4” phone jack balanced/unbalanced.
20 kOhm / 11 kOhm
+21 dBu
24 bit, 128 x oversampling bitstream
0.9 ms @ 48 kHz
Typ < -110 dB, 22 Hz to 22 kHz
Typ < -102 dB (0.0008 %) @ 1 kHz, -1 dBFS
+0/-0.1 dB, 20 Hz to 20 kHz
Typ < -115 dB, 20 Hz to 20 kHz
1/4” phone jack bal. / unbal.
Ground sensing design.
35 Ohm
+21 dBu
24 bit, 128 x oversampling bitstream
0.58 ms @ 48 kHz
MIDI
I/O
Power Input
100 - 240V
0.63 ms / 0.68 ms @ 48 kHz / 44.1 kHz
104 dB typ, 20 Hz to 20 kHz
typ <-94 dB (0.002 %) @ 1 kHz, +20 dBu Output
+0/-0.5 dB @ 48 kHz, 20 Hz to 20 kHz
<-100 dB, 20 Hz to 20 kHz
EN 55103-1 and EN 55103-2
FCC part 15, Class B, CISPR 22, Class B
IEC 65, EN 60065, UL6500 and CSA E65
32° F to 122° F (0° C to 50° C)
-22° F to 167° F (-30° C to 70° C)
Max. 90 % non-condensing
In/Out/Thru: 5 Pin DIN
1/4” phone jack
Anodized aluminum front
Plated and painted steel chassis
23 character / 280 icon STN-LCD display
19” x 1.75” x 8.2” (483 x 44 x 195 mm)
4.1 lb. (1.85 kg)
100 to 240 VAC, 50 to 60 Hz (auto-select)
<15 W
1 year
Power input. The internal
switchmode power supply
accepts from 100 to 240 VAC
Dynamic Range:
THD:
Frequency Response:
Crosstalk:
Environment
Operating Temperature:
Storage Temperature:
Humidity:
Control Interface
MIDI:
General
Finish:
Meter:
Dimensions:
Weight:
Mains Voltage:
Power Consumption:
Warranty parts and Labor:
typ < -110 dB typ, 22 Hz to 22 kHz
typ < -94 dB (0.002 %) @ 1 kHz, +21 dBu+0/-0.1
dB, 20 Hz to 20 kHz
typ < -100 dB, 20 Hz to 20 kHz
32° F to 122° F (0° C to 50° C)
-22° F to 167° F (-30° C to 70° C)
Max. 90 % non-condensing
In/Out: 5 Pin DIN
Anodized aluminum front.
Plated and coated steel chassis
2 x 6 LED’s in each channel
19” x 1.75” x 4.2”
(483 x 44 x 105.6 mm)
3.3 lb. (1.5 kg)
100 to 240 VAC, 50 to 60 Hz
(auto-select)
<15 W
1 year
TOURING & INSTALL / Technical specifications
Routing modes
Digital Input and Output
Connector:
Formats:
Sample Rates:
Processing Delay:
Frequency Response DIO:
Analog Inputs
Connectors:
Impedance, Bal / Unbal:
Max./Min. Input Level @ 0 dBFS:
Sensitivity Range @ 12 dB
headroom:
A to D Conversion:
A to D Delay:
Dynamic Range:
THD:
Frequency Response:
Crosstalk:
Analog Outputs
Connectors:
Impedance Bal / Unbal:
Max. Output Level:
D to A Conversion:
D to A Delay:
Dynamic Range:
THD:
Frequency Response:
Crosstalk:
Routing modes
Balanced XLR
Analog Inputs
INPUTS
1/4” phone jack
bal. / unbal.
OUTPUTS
Digital I/O
1/4” phone jack
S/PDIF
bal. / unbal.
RCA phono
-12 dBu to +12 dBu
24 bit, 128 x oversampling bitstream
0.70 ms / 0.65 ms @ 44.1 kHz / 48 kHz
typ < -92 dB, 22 Hz to 22 kHz
typ < -90 dB (0.0032 %) @ 1 kHz, -1 dBFS
+0/-0.1 dB, 20 Hz to 20 kHz
typ < -100 dB, 20 Hz to 20 kHz
Digital Input and Output
Connector:
Formats:
Sample Rates:
Processing Delay:
Frequency Response DIO:
XLR (AES/EBU)
AES/EBU (24bit)
48 kHz. (44.1 kHz only @ Digital Input)
0.08 ms @ 48 kHz
DC to 23.9 kHz ± 0.01 dB @ 48 kHz
Analog Inputs
Connectors:
Impedance, Bal / Unbal:
Max. Input Level @ 0 dBFS:
A to D Conversion:
A to D Delay:
Dynamic Range:
THD:
Frequency Response:
Crosstalk:
XLR balanced (pin 2+, pin 3-)
20 kOhm / 11 kOhm
+21 dBu
24 bit, 128 x oversampling bitstream
0.9 ms @ 48 kHz
Typ < -110 dB, 22 Hz to 22 kHz
Typ < -102 dB (0.0008 %) @ 1 kHz, -1 dBFS
+0/-0.1 dB, 20 Hz to 20 kHz
Typ < -115 dB, 20 Hz to 20 kHz
Analog Outputs
Connectors:
Max. Output Level:
D to A Conversion:
D to A Delay:
XLR balanced (pin 2+, pin 3-)
+21 dBu
24 bit, 128 x oversampling bitstream
0.58 ms @ 48 kHz
IEC 65, EN 60065, UL6500 and CSA E60065, CSA
FILE #LR108093
Environment
Operating Temperature:
Storage Temperature:
Humidity:
32° F to 122° F (0° C to 50° C)
-22° F to 167° F (-30° C to 70° C)
Max. 90 % non-condensing
Control Interface
MIDI:
Pedal:
In/Out: 5 Pin DIN
1/4” phone jack
General
Finish:
Anodized aluminum front
Plated and painted steel chassis
2 x 7 segment + LED’s
19” x 1.75” x 4.2”
(483 x 44 x 105.6 mm)
3.3 lb. (1.5 kg)
100 to 240 VAC, 50 to 60 Hz
(auto-select)
<15 W
1 year
Display:
Dimensions:
1/4” phone jack
40 Ohm / 20 Ohm
+14 dBu
24 bit, 128 x oversampling bitstream
0.68 ms / 0.63 ms @ 44.1 kHz / 48 kHz
typ < -105 dB typ, 22 Hz to 22 kHz
typ < -97 dB (0.0014 %) @ 1 kHz, +13 dBu
+0/-0.5 dB, 20 Hz to 20 kHz
typ < -100 dB, 20 Hz to 20 kHz
Digital In/Out
AES/EBU
EN 55103-1 and EN 55103-2
FCC part 15, Class B, CISPR 22,
Class B
Safety
Certified to:
1/4” phone jack, mono sense
21 kOhm / 13 kOhm
+24 dBu / 0 dBu
Power input. The internal
switchmode power supply
accepts from 100 to 240 VAC
Pedal
Input
EMC
Complies with:
RCA Phono (S/PDIF)
S/PDIF (24 bit), EIAJ CP-340, IEC 958
44.1 kHz. (48 kHz only @ Digital Input)
0.08 ms @ 48 kHz
DC to 23.9 kHz ± 0.01 dB @ 48 kHz
Balanced XLR
Analog Outputs
MIDI
I/O
Weight:
Mains Voltage:
Power Consumption:
Warranty Parts and labor:
MIDI
I/O
Power input. The internal
switchmode power supply
accepts from 100 to 240 VAC
Dynamic Range:
THD:
Frequency Response:
Crosstalk:
typ < -110 dB typ, 22 Hz to 22 kHz
typ < -94 dB (0.002 %) @ 1 kHz, +21 dBu+0/-0.1 dB, 20
Hz to 20 kHz
typ < -100 dB, 20 Hz to 20 kHz
Environment
Operating Temperature:
Storage Temperature:
Humidity:
32° F to 122° F (0° C to 50° C)
-22° F to 167° F (-30° C to 70° C)
Max. 90 % non-condensing
Control Interface
MIDI:
In/Out: 5 Pin DIN
General
Finish:
Meter:
Dimensions:
Weight:
Mains Voltage:
Power Consumption:
Warranty parts and Labor:
Anodized aluminum front. Plated and coated steel chassis
2 x 6 LED’s in each channel
19” x 1.75” x 4.2”
(483 x 44 x 105.6 mm)
3.3 lb. (1.5 kg)
100 to 240 VAC, 50 to 60 Hz
(auto-select)
<15 W
1 year
Summer 2007 / 19
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TC Support Interactive
The TC Support Interactive website is designed as an online support and information center. All resolved
problems are stored in a database searchable by product, category, keywords, or phrases. Under the
section “My Stuff ” you can login to check the status of your questions, download file attachments
and much more. We constantly update the database and you will find the site to be a huge resource of
information. Browse through Q&As and discover new aspects of your TC gear. If you can’t find an answer
online, feel free to submit a question to our technical support staff who will then reply to you by email.
The TC Support Team is on constant alert to help you in any possible way.
© TC Electronic A/S 2007. All product and company names are trademarks of their respective owners.
All specifications subject to change without notice. All rights reserved.
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