YAMAHA CORPORATION
PRELIMINARY
General Specifications
PM1D
DSP1D: DSP Unit
Number of scene memories
Sampling Frequency
Fader
Fader Resolution
Total Harmonic
Distortion
Frequency Response
Dynamic Range
(maximum level to noise level)
Hum & Noise
(Rs=150½)
(Input Gain=Max.)
(Input Sensitivity=-70dB)
1000
Internal: 48kHz/44.1kHz
External: 44.1kHz-6% ~ 48kHz+6%
67 x 100mm motorized
+10~-90, - ° dB
Less than 0.1% 20Hz~20kHz @+14dB into 600 W
Less than 0.01% 1kHz @+18dB into 600 W
CH IN to STEREO OUT
+1, -3dB 20Hz~20kHz @+4dB into 600 W
124dB min. DA Converter (STEREO OUT)
118dB typ. AD+DA (CH IN to STEREO OUT)
110dB min. AD+DA (CH IN to STEREO OUT)
-128dB Equivalent Input Noise. (20Hz ~ 20KHz)
68pin digital signal connector
68pin digital signal connector
2pair BNC 50W, 68pin digital signal connector
Cascade I/O
Word clock I/O
68pin digital signal connector
BNC 75W
AI8-ML8: AD unit
Slot
Phantom switch
Gain control
8slots for AD card
+48V DC for Mic/Line inputs
80dB (-70~+10) for Mic/Line inputs
A/B switch
AD converter
Digital signal Output
Word clock & control
A/B input selectable for Mic/Line inputs
28bit, 128 times over-sampling
3 (A, B, C) 68pin digital connector
Master select switch (A/B/C)
AO8-DA8: DA unit
Input section CH1-96, ST IN1-8
De-emphasis/DC cut
Phase
Normal/Reverse
Patch
Input, Direct out, Insert in/out
Attenuation
Equalizer
Gate
Comp
Delay
0~-96dB
HPF+4 band PEQ (LPF/HSF selectable 1band, LSF selectable 1band)
Gate/Ducking selectable
Comp/Expander/comp+expander selectable
Delay time (0~200ms: fs=48kHz)
Fader
On/Off
Cue/Solo
Pan
Surround
Stereo/group assign
100mm motorized
Metering
pre att peak, comp/gate gain reduction,
pre att/pre gate/pre fader/post fader/post on selectable
On/Off (PFL/AFL)
LR/LCR selectable
2+2, 3+1, 5.1
STEREO/GROUP 1-48 (FIX/VARI selectable)
Output section STEREOA, B, GROUP1-48, MATRIX1-24
Patch
Output, Insert in/out
Attenuation
Equalizer
Comp
Delay
Fader
0~-96dB
6 band PEQ (LPF selectable 1band, HPF selectable 1band)
Comp/Expander/comp+expander selectable
Delay time (0~1000ms: fs=48kHz)
100mm motorized
On/Off
Cue/Solo
Balance
Mono
to stereo assign
On/Off (PFL/AFL)
Stereo A, B, Paired group & Matrix
Stereo B
from group output
to matrix assign
Metering
Dither
from group/stereo output
comp gain reduction, pre att/pre fader/post fader/post on selectable
On/Off, Word length 16~24bit
Other mixer section
Effects
10 digital signal in
6 digital signal out
Console I/O
Internal patchable eight multi-effecter
Graphic equalizer
Internal patchable twenty four 31bands graphic equalizer
with 4 notch filter each
Oscillator
Talk back
Communication In
12 DCA
12 Mute master
sign/pink/band filtered pink
From console A & B
Including ducking control
with DCA mute, DCA cue/solo
Monitor A
Monitor B
2tr in 1-6
2tr in1, 2, ST A, B, user define selectable with delay (max 300msec)
2tr in1, 2, ST A, B, moni A, user define selectable
from console A & B
Cascade In/Out
group, stereo & cue bus cascade
LCD Display
VGA output
Keyboard
Mouse
MIDI
800 x 600 Dots Graphic color LCD with backlit
SVGA out D-Sub 15 pin connector (female)
PS2 mini DIN 6 pin connector
PS2 mini DIN 6 pin connector
In, Out, Thru
Slot
Maximum Output level
DA converter
8slots for DA card
24/18/15dB selectable
27bit, 128 times over-sampling
Digital signal Input
Word clock & control
2 (A, B) 68pin digital signal connector
Master select switch (A/B)
DIO8: Digital I/O unit
Slot
Digital signal I/O
Word clock & control
mini-YGDAI 8slots (ADAT, TASCAM, AES/EBU card)
4 (in A, B, out A, B) 68pin digital signal connector
master select switch (OUT1-4/5-8, in/out)
Dimensions
■ CS1D: Control Surface
Height
353mm
Depth
974mm
Width
Weight
1904mm
120kg
■ PW1D: Power supply
Height
88mm (2U)
Depth
355mm
Width
480mm
Weight
7kg
Power Consumption 1000W
■ DSP1D: DSP unit
Height
396mm (9U)
Depth
480mm
Width
480mm
Weight
22kg
Power Consumption 200W
■ AI8: AD unit (no cards)
■ AO8: DA unit (no cards)
Height
132mm (3U)
Depth
555mm
Width
480mm
Weight
14kg
Power Consumption 180W
Leading Digital Technology Plus
PM-series Features & Flexibility
■ DIO8: Digital I/O unit (no cards)
Height
176mm (4U)
Depth
400mm
Width
480mm
Weight
12kg
Power Consumption 100W
Others
Timecode In
SMPTE XLR3-31 type Connector
GPI
D-Sub 25 pin connector (female)
USB
USB connector
PCMCIA card slot for external memory
The Yamaha PM1D Digital Mixing System takes sound reinforcement to unprecedented levels of performance and flexibility.
It combines digital mixing and signal processing technology attained through more than 12 years experience with digital sound
— more than 100,000 Yamaha digital mixers have already been sold worldwide —
with the type of features and flexibility that have made the PM-series sound reinforcement consoles the leading choice of sound
professionals worldwide. Available in 48-channel and 96-channel base configurations,
the PM1D offers outstanding digital sound quality and controllability in a system that is
remarkably compact, easy to set up, and cost-effective.
The Yamaha PM1D defines the next generation of sound reinforcement.
TEAC, TASCAM are registered trademarks of TEAC Corporation.
ADAT, ALESIS are registered trademarks of Alesis Corporation.
ADAT Digital Interface is a trademark of Alesis Corporation.
*Specifications and appearance subject to change without notice.
YAMAHA Web Site
http://www.yamaha.co.jp/english/
http://www.yamaha.co.jp/product/proaudio/homeenglish/
RPA99-8
8
Printed in japan
1
Extraordinary Programmability, Repeatability, and Instantaneous Total Recall
Fast, Easy Setup and Minimum Cabling with Ethernet-based System Connections
The entire PM1D system offers extraordinary power and flexibility in terms of programmability and repeatability. In addition to a sophisticated
analog-style control surface, all parameters can be accessed and edited via a familiar computer interface, with graphic readout for easy, efficient
operation. In fact, the entire setup can be programmed off-line on a standard desktop or laptop computer and then loaded into the PM1D when
needed. Instantaneous total recall of as many as 1,000 scenes makes it a snap to keep up with even the most complex programs, and undo
capability makes it easy to avoid potential mistakes.
In stark contrast to the snakes and bundles of cables required for analog sound reinforcement, all PM1D console-to-stage audio and control
signals are carried via one 68-pin cable per 32 channels, and three Ethernet cables. So once the console and rack(s) are in position, it
shouldn’t take more than a few minutes to have the whole rig connected and ready to run.
All-digital Sound & Processing
Yamaha is no newcomer to digital sound. Yamaha digital mixing consoles have revolutionized the recording and production industries, and
there is no question that the sound quality and processing power they provide are first class. The same type of technology has been applied in
the PM1D — with many advancements and improvements that take overall audio performance to new levels. Top-quality 28-bit AD and 27bit DA conversion deliver extraordinary sonic resolution for totally clean, natural sound. The same goes for signal processing whether it’s EQ,
compression, or effects. The PM1D offers vast processing power and unmatched performance in all areas so you won’t need any external
processing gear. Of course, if there’s a device that you simply have to use to achieve your sound, the PM1D lets you patch it in just about
anywhere in the system. In fact, all signal routing and patching is controlled digitally via a comprehensive centralized display that makes
system setup a snap.
Performance You Can Depend On
Reliability is another important feature of the PM1D. Since all console settings are duplicated within the rack-mount processing engine,
operation will continue uninterrupted even if the control surface itself is accidentally shut down.
Compact, Streamlined Configuration for Easy Transport & Positioning
The entire PM1D system — the console itself and one or two equipment racks (depending on your I/O requirements) — is considerably
smaller, lighter, and much more easy to handle than comparable anlog systems. And because of the small size of the console, you have more
freedom in selecting and setting up your mixing location. The PM1D is also a natural choice for mobile applications..
2
3
48-channel Basic System Easily Expandable to 96 Channels
The “heart” of the PM1D system is the rack-mounted DSP1D mix and processing engine. Virtually all digital audio signal processing occurs within the DSP1D. Input and output is handled by
appropriate modules which can be mixed and matched to create the system that ideally meets your mixing requirements.
x4
x8
x4
x8
DSP1D
AI8-ML8
AI8-AD8
AI8-ML4AD4
AO8-DA8
DIO8
Mix & Processing Engine
Mic/Line Head Amplifier Unit
Line Input AD Unit
Line Output DA Unit
Mini YGDAI Card Unit
The main “engine” controlling all console
and I/O functions. The base-model DSP1D can
handle up to 48 channels, expandable to 96
channels with the optional Input Processing
Board (IDB1D).
This is an AI8 analog-input rack-mount unit
fitted with 8 LMY2-ML Mic/Line Input
modules. Each LMY2-ML Mic/Line Head
Amplifier cardf features 4 balanced XLR-type
input connectors (dual A/B switchable
mic/line inputs) and the corresponding AD
conversion circuitry. Microphone gain trim
and phantom power are supported, and can
be controlled from the console.
The AI8-AD8 is an AI8 analog-input rackmount unit fitted with 8 LMY4-AD Line-input
AD modules. LMY4-AD Line Input AD
modules feature 4 line inputs and the
corresponding AD conversion circuitry.
Mic/Line Head Amplifier &
Line Input AD Unit
An AO8 analog-output rack-mount unit with
8 LMY4-DA Line Output DA modules. LMY4DA Line Output DA modules feature 4 line
outputs and the corresponding DA conversion
circuitry.
Rack-mount unit capable of accomodating
up to 8 mini-YGDAI digital I/O cards to
conveniently interface with AES/EBU, ADAT,
and TASCAM format digital systems.
4
An AI8 analog-input rack-mount unit fitted
with 4 LMY2-ML Mic/Line Input Modules and
4 LMY4-AD Line Input AD modules.
5
Dimensions
The CS1D Digital Console & PW1D Power Supply Unit
1904
Sleek, analog-style control surface for the entire PM1D system, and high-performance power supply.
6
6
4
353
2
5
974
3
1
1
Input Control Section
The CS1D has 4 fully assignable input control sections like this, each accessing 12 channels for a total of 48 channels
up front - 96 using the console’s flip switches.
2
PM1D : Digital Audio Mixing System Basic Configuration
Channel Details & Effects
All controls for EQ, dynamics, send level etc. for the selected channel are accessible via these analog-style controls.
48 CH MODEL
3
Group/Matrix
96 CH MODEL
ENGINE
ENGINE
B
A
Fully assignable output group and matrix bus controls make signal routing exceptionally flexible and easy.
COMMUNICATION
COMMUNICA
TION
1
2
1
2
48CH
96CH
48CH
96CH
DSP Unit
DSP2000
DSP1D
4
B
A
COMMUNICATION
COMMUNICA
TION
DSP2000
DSP1D-EX•
(extra IDB1D)
CS1D
LCD Display
PW1D
Large 800 x 600 pixel color display for efficient programming and control.
5
Master Control and Data Entry Section
Master EQ and dynamics control for group and matrix output.
Function buttons, track pad, encoder and INC/DEC keys for easy function selection and data entry.
6
INPUT
AI8
AI8-ML8
16 in
AI8
AI8-ML8
16 in
AI8
AI8-ML4AD4
8+16 in
Level Meters
Assignable meter position for comprehensive level monitoring.
OUTPUT
7
AI8-ML8
16 in
Communication
AO8-DA8
32 out
AO8-DA8
32 out
Simple connection to the rack system via BNC coaxial and 68-pin cables.
INPUT•
48 mono•
4 st•
16 insert•
Total 72 in
+48V
+48V
+48V
+48V
AI8
A
B
AO8
A
B
AO8
OUTPUT•
2 stereo•
24 mix•
12 matrix•
16 insert out•
8 (talkback, monitor,etc)•
Total 64 out
AI8-ML8
16 in
AI8
AI8-ML8
16 in
AI8
AI8-ML8
16 in
AI8
AI8-ML8
16 in
AI8
+48V
+48V
+48V
+48V
AO8-DA8
32 out
A
B
AO8
AO8-DA8
32 out
INPUT•
96 mono•
8 st•
32 insert•
Total 144 in
AI8
AI8-ML8
16 in
AI8
AI8-ML8
16 in
AI8
AI8-AD8
32 in
AI8
+48V
+48V
+48V
+48V
AO8-DA8
32 out
A
B
AO8
A
B
AO8
OUTPUT•
2 stereo•
24 mix•
12 matrix•
32 insert out•
24 (talkback, monitor,etc)•
Total 96 out
7
6
AI8-ML8
16 in
7
MODEL• 48 CH
CS1D••
PW1D••
DSP1D•
1•
DSP1D-EX
AI8-ML8•
AI8-ML4AD4•
AI8-AD8•
AO8-DA8•
•
Required Quantity
96 CH •
1•
1•
0•
0
3•
1•
0•
2•
1•
1•
1•
7•
0•
1•
3•
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