Katalog výrobků en 2010

2010

product catalogue

I

europe

I

naturally

partners

a message from the president

… I have been giving high goals… high goals means developing innovative products and delivering high quality support to our client base...

Dear European customer

Welcome to the new 2010 Audio-Technica European catalogue.

In my message to you in last year’s catalogue, I spoke about how our global economy had been facing the most severe financial crisis since 1929 and the predicted worldwide recession, and how we were approaching 2009 with a “serene” attitude.

I also spoke about the privilege I feel to be the President of Audio-Technica Corporation – and that unlike many companies, we remain a family owned $300million company that is not reliant on either the fluctuations of the stock market or the financial support of the banks, but also that we and our associated companies and personnel would have to work hard to adapt to the reality that major changes in exchange rates would have on the economy and on customer behavior.

I am pleased to see that as we enter 2010 our European team choosing as a symbol of Audio-Technica in Europe this legendary fish that we in Japan call “Nishiki-koy”.

In Japan we associate the Koi with perseverance in adversity and strength of purpose, and due to his determination to overcome obstacles, “Nishiki-koy” also stands for courage and the ability to attain high goals.

I have been giving high goals to all our associated staff in the Audio-Technica organization, and high goals means developing innovative products and delivering high quality support to our client base in order to keep providing you with the right products.

I would like to thank the professional users such as yourselves who have continued to have confidence in our products in 2009, and I am sure that with the wisdom of our people you will continue to choose Audio-Technica as your tool to accomplish your missions and passions whether you work in television, in recording, in installation, or as a musician.

Sincerely yours

Kazuo

Matsushita

President

Audio-Technica Corporation

1

website

www.

audio-technica

.com

Support

¬

Using Microphones

¬

A Brief Guide to Microphones

¬

Wireless Quick Tips

¬

Wireless Basics

¬

Advanced Wireless Topics

Current Happenings

¬

Press Releases

¬

Audio-Technica endorsement

¬

Product launch

¬

Trade Shows & Conventions

Download

¬

Download our European catalogue in 20 languages it contains specifications, prices and pictures of the entire range

¬

Download product photos with 300 dpi downloadable files;

¬

Download product literature in PDF format including spec sheets,

¬

Download manuals, brochures, etc;

¬

Download PDFs of the latest Audio-Technica advertisements

index

Studio Microphones

40 Series

20 Series

Live Sound Microphones

Artist Elite

®

Artist Series

Multipurpose Microphones

Pro Series

Midnight Blues

®

ATR Series

Broadcast & Production Microphones

Shotgun Mono & Stereo Microphones

Subminiature Microphones

BP892 MicroSet

®

Microphones

Lavalier Microphones

Stereo, Handheld, Gooseneck

Headset

Windscreens

Installed Sound Microphone

UniPoint

®

ProPoint

®

Engineered Sound

Infrared Conference System

ATCS-60 serie

Wireless Microphones and Accessories

IEM Systems

1800 Series

Artist Elite

®

5000 Series

Artist Elite

®

4000 Series

3000b Series

2000a Series

700 Series

Wireless Essentials

®

Wireless Accessories

Headphones, Electronics, Genuine Accessories

Studio Professional Headphones

Headphones and Headsets

SmartMixer

®

Automatic Mixers

Turntables, DJ Headphones

Power Supplies, Power Modules, UniTools

®

, Attenuators

Microphone Mounts

Windscreens

Sabra-Som systems

Universal shock mounts

Microphones supports and adapters

Pop filters

Pop filters, arms & shock mount kits

Universal clamp

Surround sound and decca tree microphones supports

Alphanumeric Product Listing

Terms, Sales Policies & Limited Warranty

113

129

140

67

85

91

5

23

35

47

3

AT4080

bidirectional active ribbon microphone

studio microphones

experience more: 40 series microphones

Introducing the silky smooth, classic sound of Audio-Technica’s first-ever ribbon microphones, the

AT4080

and

AT4081

. With 18 patents pending, Audio-Technica’s proprietary handcrafted ribbon transducer advances the evolution of ribbon microphone design, offering remarkable durability and phantom-powered active electronics.

Use these breakthrough microphones in recording studios and live-sound settings.

Audio-Technica has also added two

new 40 Series

condenser microphones: the

AT4050ST

, a stereo sideaddress condenser with independent cardioid and figure-of-eight elements configured in a mid-side arrangement with switch-selectable internal matrixing; and the new

AT4047MP

, offering vintage sound and switchable omnidirectional, cardioid and figure-eight polar patterns.

Wherever your passion for music takes you, experience more inspired sound.

page 6 to 15

20 series microphones

When Audio-Technica engineers set out to raise the bar for affordable studio condensers, they created the

AT2020

. This cardioid condenser—widely praised for its quality, durability, articulation, and amazing ability to handle anything you throw at it—became the starting point for the remarkable line of 20 Series studio condensers.

page 16 to 19

application guide

page 20

40 series

*Lifetime Warranty informations

(see below).

40 series

precision studio microphones

( PC 345-MC 210)

With the groundbreaking

AT4080

, Audio-Technica achieves the coveted ribbon microphone sound while solving the problems of fragility and low output that have historically plagued ribbon mics.

Delivering the warm, smooth sound of a classic ribbon microphone, Audio-Technica’s handcrafted

AT4080 Active Ribbon Microphone offers a robust build for long-lasting, reliable performance and higher output for maximum compatibility with microphone preamplifiers.

Equally at home in recording studios and live-sound settings, the microphone features Audio-Technica’s innovative

MicroLinear™

ribbon imprint, which protects the dual ribbons from lateral flexing and distortion. With 18 patents pending, Audio-Technica’s innovative ribbon transducer advances the evolution of ribbon microphone design. Experience the difference.

AT4080

890,00

Bidirectional active ribbon microphone

figure-of-eight

NEW

AT4080

Bidirectional Active

Ribbon Microphone

*The Lifetime Warranty applies to the serviceable life of the product deemed to be 15 years and is available only to the original purchaser of the microphone upon completion of the guarantee registration form online at www.audio-technica.com/warranty within 30 days of purchase.

6

European professional guide 2010-2011, prices in Euro Ex-VAT

(1)

Specifications

Element

Polar Pattern

Frequency Response

Open Circuit Sensitivity

Impedance

Maximum Input Sound Level

Noise

Dynamic Range

(typical)

Signal-to-Noise Ratio

Phantom Power Requirements

Weight

Dimensions

Output Connector

Accessories Furnished

AT4080

Ribbon

Figure-of-eight

20-18,000 Hz

– 39 dB (11.2 mV) re 1V at 1 Pa

100 ohms

150 dB SPL, 1 kHz at 1% T.H.D.

22 dB SPL

128 dB, 1 kHz at Max SPL

72 dB, 1 kHz at 1 Pa

48V DC, 3.0 mA typical

474 g

177.5 mm long, 53.4 mm maximum body diameter

Integral 3-pin XLRM-type

AT8449/SV shock mount for 5/8”-27 threaded stands; microphone dust cover; protective carrying case

*1 Pascal = 10 dynes/cm 2 = 10 microbars = 94 dB SPL

40 series

precision studio microphones

( PC 345-MC 210)

Delivering the warmth and natural sound of a classic ribbon microphone, Audio-Technica’s handcrafted

AT4081

offers a robust build for long-lasting performance and higher output for maximum compatibility with microphone preamplifiers. With its low-profile stick design, this microphone is a natural for use on a wide range of instruments (horns, strings, drum overheads, orchestras and more) and guitar cabinets in recording studios and live-sound settings.

Equally at home in recording studios and live-sound settings, the microphone features Audio-Technica’s innovative

MicroLinear™

ribbon imprint, which protects the dual ribbons from lateral flexing and distortion.

With 18 patents pending, Audio-Technica’s innovative ribbon transducer advances the evolution of ribbon microphone design. Experience the difference.

AT4081

690,00

Bidirectional active ribbon microphone

figure-of-eight

40 series

Specifications

Capsule

Polar Pattern

Frequency Response

Open Circuit Sensitivity

Impedance

Maximum Input Sound Level

Noise

Dynamic Range

(typical)

Signal-to-Noise Ratio

Phantom Power Requirements

Weight

Dimensions

Output Connector

Accessories Furnished

AT4081

Ribbon

Figure-of-eight

30-18,000 Hz

– 42 dB (7.9 mV), re 1V at 1 Pa

100 ohms

150 dB SPL, 1 kHz at 1% T.H.D.

25 dB SPL

125 dB, 1 kHz at Max SPL

69 dB, 1 kHz at 1 Pa

48V DC, 3.0 mA typical

152 g

155.0 mm long, 21.0 mm maximum body diameter

Integral 3-pin XLRM-type

AT8471 isolation clamp for 5/8”-27 threaded stands; 5/8”-27 to 3/8”-16 threaded adapter; windscreen; protective carrying case

*1 Pascal = 10 dynes/cm 2 = 10 microbars = 94 dB SPL

*Lifetime Warranty informations

(see page 6).

NEW

AT4081

Bidirectional Active

Ribbon Microphone

European professional guide 2010-2011, prices in Euro Ex-VAT

(1)

7

40 series

*Lifetime Warranty informations (see page 6).

40 series

precision studio microphones

( PC 345-MC 210)

The

AT4050

offers a remarkable combination of high SPL capability with transparent airy upperand mid range frequencies complemented by a rich low-end quality. Numerous legendary studio engineers agree that it is the perfect studio tool for use on vocals, piano, strings, drum overheads, guitar amps and ensembles. The externally polarized (DC bias) true condenser element utilizes dual, gold-vaporized, aged, large diaphragms to provide consistent, superior performance in three switchable polar patterns, cardioid, omnidirectional and figure-of-eight.

AT4050SM

659,00

Multi-pattern condenser microphone with AT8449 shock mount

AT4050SC

719,00

Multi-pattern condenser microphone with AT8430 stand clamp

8

AT4050SM

AT4047SVSM

European professional guide 2010-2011, prices in Euro Ex-VAT

(1)

*Lifetime Warranty informations (see page 6).

The precision engineered large diaphragm provides a warm, vintage sonic characteristic reminiscent of early

F.E.T. studio microphone designs. The dual diaphragm design maintains a precise polar pattern across the full frequency range. The wide dynamic range, high SPL capability and exceptionally low self-noise create a versatile tool that excels in any digital recording environments or critical applications in broadcast and live sound.

AT4047SVSM

699,00

Cardioid condenser microphone with AT8449SV shock mount

AT4047SVSC

749,00

Cardioid condenser microphone with AT8430 stand clamp

Specifications

Element

Polar Pattern

Frequency Response

AT4050SM and AT4050SC

Externally polarized condenser

Cardioid, omnidirectional, figure-of-eight

Open Circuit Sensitivity

Impedance

Maximum Input Sound Level

20-18,000 Hz

– 36 dB (15.8 mV), re 1V at 1 Pa*

100 Ω

149 dB SPL, 1 kHz, T.H.D. 1%

159 dB SPL, with 10 dB pad (nominal)

Signal-to-Noise Ratio

Dynamic Range

Noise

Low Frequency Roll-Off

Power Requirement

Weight

(less accessories)

Dimensions

Output Connector

Accessories Furnished

77 dB, 1 kHz at 1 Pa*

132 dB, 1 kHz at Max SPL

17 dB SPL

80 Hz, 12 dB/octave

48V DC, 4.2 mA

510 g (18.0 oz)

188 mm (7.40”) long - 53.4 mm (2.10”) diameter

Integral 3-pin XLRM type

Protective carrying case AT8449 shock mount (AT4050SM)

AT8430 stand clamp (AT4050SC)

*1 Pascal = 10 dynes/cm

2

= 10 microbars = 94 dB SPL

AT4047SVSM and AT4047SVSC

Externally polarized (DC bias) condenser

Cardioid

20-18,000 Hz

– 35 dB (17.7 mV) ± 2 dB, re 1V at 1 Pa*

250 Ω

149 dB SPL, 1 kHz, T.H.D. 1%

159 dB SPL, with 10 dB pad (nominal)

85 dB, 1 kHz at 1 Pa*

140 dB,1 kHz at Max SPL

9 dB SPL

80 Hz, 12 dB/octave

Phantom 48 V, 3.0 mA

410 g (14.5 oz)

170 (6.69”) long - 53.4 mm (2.10”) diameter

Integral 3-pin XLRM type

Protective carrying case AT8449SV shock mount (with

AT4047SVSM); or AT8430 stand clamp (with AT4047SVSC)

40 series

precision studio microphones

( PC 345-MC 210)

Offering the realism of a live sound field, the

AT4050ST

is a side-address condenser with cardioid and figure-of-eight elements configured in a Mid-Side arrangement. This innovative stereo condenser allows sound recordists the choice of selecting a left-right stereo output or choosing discrete Mid-Side signals for later manipulation, a remarkable flexibility. The microphone’s dual-diaphragm capsules maintain precise polar pattern definition across the full frequency range. Its transformerless circuitry virtually eliminates low-frequency distortion.

AT4050ST

1190,00

Cardioid condenser microphone with shock mount

Mid

S

ide 127° 90°

40 series

*Lifetime Warranty informations

(see page 6).

Specifications

Element

Polar Patterns

Frequency Response

AT4050ST

Externally-polarized (DC bias) condenser

Cardioid and Figure-of-eight

Low Frequency Roll-off

Open Circuit Sensitivity

20-18,000 Hz

80 Hz, 12 dB/octave

Stereo 90°: – 42 dB (7.9 mV) dB re 1V at 1 Pa

Stereo 127°: – 41 dB (8.9 mV) dB re 1V at 1 Pa

Mid: – 36 dB (15.8 mV) dB re 1V at 1 Pa

Side: – 36 dB (15.8 mV) dB re 1V at 1 Pa

Impedance

Max. Input Sound Level

Noise

Dynamic Range

(typical)

Signal-to-Noise Ratio

Phantom Power Requirements

Switches

Weight

Dimensions

Output Connectors

Cable

50 ohms

Mid and Side: 149 dB SPL, 1 kHz at 1% T.H.D.;

159 dB SPL, with 10 dB pad (nominal)

Stereo 90°: 25 dB SPL

Stereo 127°: 16 dB SPL

Mid: 15 dB SPL

Side: 17 dB SPL

Mid: 134 dB, 1 kHz at Max SPL

Side: 32 dB, 1 kHz at Max SPL

Stereo 90°: 69 dB, 1 kHz at 1 Pa

Stereo 127°: 78 dB, 1 kHz at 1 Pa

Mid: 79 dB, 1 kHz at 1 Pa

Side: 77 dB, 1 kHz at 1 Pa

48V DC, 6.4 mA typical (both channels total)

90°, 127°, M-S; Flat, roll-off; 10 dB pad (nominal)

517 g

193.0 mm long, 53.4 mm maximum body diameter

Integral 3-pin XLRM-type

5.0 m long, 8-conductor, shielded, vinyl-jacketed stereo cable with 5-pin XLRF-type connector at microphone end and two 3-pin XLRM-type connectors at output end

Accessories Furnished

AT8449/SV shock mount for 5/8”-27 threaded stands; 5/8”-27 to 3/8”-16 threaded adapter; microphone dust cover; protective carrying case

*1 Pascal = 10 dynes/cm 2 = 10 microbars = 94 dB SPL

NEW

AT4050ST

Stereo Condenser

Microphone

European professional guide 2010-2011, prices in Euro Ex-VAT

(1)

9

40 series

*Lifetime Warranty informations

(see page 6).

NEW

AT4047MP

Multi-pattern Condenser

Microphone

10

European professional guide 2010-2011, prices in Euro Ex-VAT

(1)

40 series

precision studio microphones

( PC 345-MC 210)

Audio-Technica’s

AT4047MP

delivers vintage sound in a multi-pattern design with selectable omnidirectional, cardioid, and figure-of-eight polar patterns. The microphone’s transformer-coupled output and specially tuned element provide sonic characteristics reminiscent of early F.E.T. studio microphone designs. With a wide dynamic range, incredibly low self-noise and high SPL capability, this versatile microphone excels on vocals, strings, acoustic guitar, instrument ensembles, small vocal groups and voiceovers.

AT4047MP

790,00

Multi-pattern condenser microphone –vintage sound.

Cardioid Omnidirectional figure-of-eight

Specifications

Element

Polar Patterns

Frequency Response

Low Frequency Roll-off

Open Circuit Sensitivity

Impedance

Max. Input Sound Level

AT4047MP

Externally-polarized (DC bias) condenser

Cardioid, Omnidirectional, Figure-of-eight

20-18,000 Hz

80 Hz, 12 dB/octave

– 42 dB (7.9 mV), re 1V at 1 Pa

100 ohms

155 dB SPL, 1 kHz at 1% T.H.D.; 165 dB SPL, with 10 dB pad (nominal)

Noise

Dynamic Range

(typical)

Signal-to-Noise Ratio

Phantom Power Requirements

14 dB

141 dB, 1 kHz at Max SPL

80 dB, 1 kHz at 1 Pa

48V DC, 3.4 mA typical

Switches

Weight

Dimensions

Output Connectors

Polar selection; Flat, roll-off; 10 dB pad (nominal)

524 g

188.0 mm long, 53.4 mm maximum body diameter

Integral 3-pin XLRM-type

Accessories Furnished

AT8449/SV shock mount for 5/8”-27 threaded stands; microphone dust cover; protective carrying case

*1 Pascal = 10 dynes/cm 2 = 10 microbars = 94 dB SPL

40 series

precision studio microphones

( PC 345-MC 210)

A strong up front crisp sound characterizes the sonic signature that created this studio classic.

The low noise circuitry is symmetrical and transformerless, resulting in exceptional transient response and clean output even under high-output conditions. Used on vocals, drum overheads, woodwind sections and guitar cabinets as well as on-air announcing, the

AT4033a

is a microphone of many talents, as useful on a live stage and broadcast facility as it is in the recording studio.

AT4033aSM

399,00

Cardioid condenser microphone with shock mount

40 series

*Lifetime Warranty informations

(see page 6).

A marriage of technical precision and artistic inspiration, the

AT4040

features an advanced large diaphragm, tensioned specifically to provide smooth, natural sonic characteristics.

Designed as a multi-purpose performer, this externally polarized (DC bias) true condenser microphone offers exceptionally low noise, wide dynamic range and high SPL capability for greatest versatility.

Being symmetrical and transformerless the microphone is totally free of the distortion associated with conventional transformer-coupled outputs. Its fast response to transients contributes to the open, transparent reproduction of even the most troublesome of instruments and sound effects.

AT4040

399,00

Cardioid condenser microphone with shock mount

AT4040SC

459,00

Cardioid condenser microphone with stand clamp

Specifications

Element

Polar Pattern

Frequency Response

Open Circuit Sensitivity

Impedance

Maximum Input Sound Level

Signal-to-Noise Ratio

Dynamic Range

Noise

Low Frequency Roll-Off

Phantom Power Requirement

Weight

(less accessories)

Dimensions

Output Connector

Accessories Furnished

AT4033aSM AT4040 and AT4040SC

Permanently polarized condenser Externally polarized condenser

Cardioid Cardioid

30-20,000 Hz

– 32 dB (25.1 mV), re 1V at 1 Pa*

100 Ω

145 dB SPL, 1 kHz at 1% T.H.D.

155 dB SPL, with 10 dB pad (nominal)

77 dB, 1 kHz at 1 Pa*

128 dB, 1 kHz at Max SPL

17 dB SPL

80 Hz, 12 dB/octave

48V DC, 3.2 mA

380 g (13.4 oz)

170 mm (6.69”) long - 53.4 mm (2.10”) diameter

Integral 3-pin XLRM type

Protective carrying case

AT8449 shock mount

20-20,000 Hz

– 32 dB (25.1 mV), re 1V at 1 Pa*

100 Ω

145 dB SPL, 1 kHz at 1% T.H.D.

155 dB SPL, with 10 dB pad (nominal)

82 dB, 1 kHz at 1 Pa*

133 dB, 1 kHz at Max SPL

12 dB SPL

80 Hz, 12 dB/octave

48V DC, 4.2 mA

360 g (12.7 oz)

170 mm (6.69”) long - 53.4 mm (2.10”) diameter

Integral 3-pin XLRM type

Protective carrying case

AT8449 shock mount (AT4040SM)

AT8430 stand clamp (AT4040SC)

*1 Pascal = 10 dynes/cm 2 = 10 microbars = 94 dB SPL

AT4033aSM

AT4040

*Lifetime Warranty informations (see page 6).

European professional guide 2010-2011, prices in Euro Ex-VAT

(1)

11

40 series

40 series

precision studio microphones

( PC 345-MC 210 )

The

AT4041

features a transformerless output for a very high SPL handling capability. The surface of the back plate is precision milled reducing unnatural frequency response peaks and distortion. The back plate is aged providing energy stability, holding a fixed charge allows a weight reduction of the diaphragm improving transient response and increasing the frequency bandwidth.

The rugged microphone is housed in a case of turned brass with black chrome plating for durability and low reflectivity.

AT4041

289,00

Cardioid condenser microphone

AT4041

*Lifetime Warranty informations

(see page 6).

12

European professional guide 2010-2011, prices in Euro Ex-VAT

(1)

Specifications

Element

Polar Pattern

Frequency Response

Open Circuit Sensitivity

Impedance

Maximum Input Sound Level

Signal-to-Noise Ratio

Dynamic Range

Noise

Low Frequency Roll-Off

Phantom Power Requirement

Weight

(less accessories)

Dimensions

Output Connector

Accessories Furnished

*1 Pascal = 10 dynes/cm 2 = 10 microbars = 94 dB SPL

AT4041

Permanently polarized Condenser

Cardioid

20-20,000 Hz

– 36 dB (15.8 mV), re 1V at 1 Pa*

100

Ω

145 dB SPL, 1 kHz at 1% T.H.D.

70 dB, 1 kHz at 1 Pa*

121 dB, 1 kHz at Max SPL

24 dB SPL

80 Hz, 12 dB/octave

48V DC, 3.2 mA typical

120 g (4.20 oz)

159.5 mm (6.28”) long; 21 mm (0.83”) diameter

Integral 3-pin XLRM type

Protective carrying case; AT8405a snap-in clamp; AT8159 foam windscreen

40 series

cardioid condenser microphone

( PC 345-MC 210)

The

AT4021

offers a flat, extended frequency response, high maximum SPL and wide dynamic range.

Its low self-noise is perfectly suited for the most sophisticated recording equipment. Its low-mass diaphragm improves transient response and reduces handling and mechanical noise transfer.

AT4021

319,00

Cardioid condenser microphone

• Outstanding performance and rugged construction, ideal for critical studio & live applications

• High SPL handling and wide dynamic range

• Flat, extended frequency response

• Switchable 80 Hz hi-pass filter and 10 dB pad

• High front-to-back rejection ratio – cardioid polar pattern improves isolation of desired sound source

• Low self-noise perfectly suited for digital recording equipment

• Exceptional reproduction of low-frequency sounds

• Low-mass element for superb transient response

The low-profile

AT4022

is outstanding for piano, acoustic guitar and other acoustic instruments. Offering a flat, extended frequency response and wide dynamic range, it handles high SPLs with ease. Its low-mass diaphragm improves transient response and reduces handling/mechanical noise transfer.

AT4022

349,00

Omnidirectional condenser microphone

• Outstanding performance and rugged construction, ideal for critical studio & live applications

• High SPL handling and wide dynamic range

• Flat, extended frequency response

• Switchable 80 Hz hi-pass filter and 10 dB pad

• Omnidirectional polar pattern provides maximum ambient pickup

• Low-self noise perfectly suited for digital recording equipment

• Exceptional reproduction of low-frequency sounds

• Low-mass element for superb transient response

Specifications

AT4021

Element

Polar pattern

Frequency Response

Low Frequency Roll Off

Open Circuit Sensitivity

Impedance

Maximum Input Sound Level

Fixed-charge back plate permanently polarized condenser

Cardioid

20-20,000 Hz

80 Hz, 12 dB/octave

–34 dB (19.9 mV) re 1V at 1 Pa*

250 ohms

146 dB SPL, 1 kHz at 1% T.H.D.;

156 dB SPL, with 10 dB pad (nominal)

14 dB SPL

Noise

Dynamic Range

(typical)

Signal-to-Noise Ratio

Phantom Power Requirements

Switches

Weight

Dimensions

Output Connector

Accessories Furnished

132 dB, 1 kHz at Max SPL

80 dB, 1 kHz at 1 Pa*

48V DC, 3.0 mA typical

Flat, roll-off; 10 dB pad

119 g (4.2 oz)

144.0 mm (5.67") long, 21.0 mm (0.83") maximum body diameter

Integral 3-pin XLRM-type

AT8405a stand clamp for 5/8”-27 threaded stands; windscreen; protective carrying case

*1 Pascal = 10 dynes/cm 2 = 10 microbars = 94 dB SPL

AT4022

Fixed-charge back plate permanently polarized condenser

Omnidirectional

20-20,000 Hz

80 Hz, 12 dB/octave

–34 dB (19.9 mV) re 1V at 1 Pa*

250 ohms

146 dB SPL, 1 kHz at 1% T.H.D.;

156 dB SPL, with 10 dB pad (nominal)

13 dB SPL

133 dB, 1 kHz at Max SPL

81 dB, 1 kHz at 1 Pa*

48V DC, 3.0 mA typical

Flat, roll-off; 10 dB pad

124 g (4.4 oz)

144.0 mm (5.67") long, 21.0 mm (0.83") maximum body diameter

Integral 3-pin XLRM-type

AT8405a stand clamp for 5/8”-27threaded stands; windscreen; protective carrying case

AT4021

40 series

*Lifetime Warranty informations

(see page 6).

*Lifetime Warranty informations

(see page 6).

AT4022

European professional guide 2010-2011, prices in Euro Ex-VAT

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13

40 series

14

European professional guide 2010-2011, prices in Euro Ex-VAT

(1)

40 series

precision studio microphones

( PC 345-MC 210)

Those versatile modular microphones may be used with confidence in a wide variety of professional miking applications. Featuring direct-coupled balanced outputs for clean signals in high-output conditions, the microphone is totally free of the distortion associated with conventional transformercoupled outputs. And its fast response to transients contributes to the open, transparent reproduction of even the most difficult-to-capture instruments. The microphone is fully RoHS-compliant – free from all substances specified in the EU directive on the reduction of hazardous substances (RoHS).

Each microphone consists of two modular subassemblies: an

AT4900b-48

body and a corresponding condenser head capsule (

AT4049b-EL

omni,

AT4051b-EL

cardioid and

AT4053b-EL

hypercardioid).

All head capsules interchangeable and available separately.

• Specially engineered to meet the most critical acoustic requirements of professional recording, broadcast and sound reinforcement

• Direct-coupled, balanced output results in a clean signal even under high-output conditions

• Transformerless circuitry virtually eliminates low-frequency distortion and provides superior correlation of high-speed transients

• Switchable 80 Hz hi-pass filter and 10 dB pad

• Rugged turned-brass microphone housing for enduring dependability

• State-of-the-art design and manufacturing techniques ensure compliance with A-T’s stringent consistency and reliability standards

MICROPHONE COMPONENTS

AT4900B-48

299,00

Electronic / body only

AT4049B-EL

199,00

Omnidirectional element only

AT4051B-EL

199,00

Cardioid element only

AT4053B-EL

199,00

Hypercardioid element only

40 series

precision studio microphones

( PC 345-MC 210)

MODULAR MICROPHONES

AT4049B

498,00

Omnidirectional condenser microphone

Recommended for professional recording and critical applications in broadcast.

• Omnidirectional polar pattern provides maximum ambient pickup

AT4051B

498,00

Cardioid condenser microphone

Ideal for professional recording and critical applications in broadcast

• High front-to-back rejection ratio-cardioid polar pattern improves isolation of desired sound source

AT4053B

498,00

Hypercardioid condenser microphone

• Hypercardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source

Specifications

Element

Polar Pattern

Frequency Response

AT4049B

Externally polarized (DC bias) condenser

Omnidirectional

Low Frequency Roll-Off

Open Circuit Sensitivity

20-20,000 Hz

80 Hz, 12 dB/octave

– 34 dB (19.9 mV) re 1V at 1 Pa*

Impedance

50 ohms

Max. Input Sound Level

(nominal) 145 dB SPL, 1 kHz at 1% T.H.D.;

155 dB SPL, with 10 dB pad (nominal)

AT4051B

Externally polarized (DC bias) condenser

Cardioid

20-20,000 Hz

80 Hz, 12 dB/octave

– 34 dB (19.9 mV) re 1V at 1 Pa*

50 ohms

AT4053B

Externally polarized (DC bias) condenser

Hypercardioid

20-20,000 Hz

80 Hz, 12 dB/octave

– 34 dB (19.9 mV) re 1V at 1 Pa*

50 ohms

145 dB SPL, 1 kHz at 1% T.H.D.;

155 dB SPL, with 10 dB pad

145 dB SPL, 1 kHz at 1% T.H.D.;

155 dB SPL, with 10 dB pad

Noise

Dynamic Range

(typical)

Signal-to-Noise Ratio

Phantom Power Requirements

Switches

(nominal)

Weight

(less accessories)

Dimensions

Output Connector

Optional

Interchangeable Elements

Accessories Furnished

16 dB SPL

129 dB, 1 kHz at Max SPL

78 dB, 1 kHz at 1 Pa*

48V DC, 4.8 mA typical

Flat, roll-off; 10 dB pad (nominal)

130 g (4.6 oz)

16 dB SPL

129 dB, 1 kHz at Max SPL

78 dB, 1 kHz at 1 Pa*

48V DC, 4.8 mA typical

Flat, roll-off; 10 dB pad

126 g (4.4 oz)

16 dB SPL

129 dB, 1 kHz at Max SPL

78 dB, 1 kHz at 1 Pa*

48V DC, 4.8 mA typical

Flat, roll-off; 10 dB pad

127 g (4.5 oz)

155.0 mm long, 21.0 mm maximum body Ø 155.0 mm long, 21.0 mm maximum body Ø 155.0 mm long, 21.0 mm maximum body Ø

Integral 3-pin XLRM-type Integral 3-pin XLRM-type Integral 3-pin XLRM-type

AT4051b-EL (cardioid);

AT4053b-EL (hypercardioid)

AT8405a stand clamp for 5/8”-27 threaded stands; windscreen; protective carrying case

*1 Pascal = 10 dynes/cm 2 = 10 microbars = 94 dB SPL

AT4049b-EL (omnidirectional);

AT4053b-EL (hypercardioid)

AT8405a stand clamp for 5/8”-27 threaded stands; windscreen; ` protective carrying case

AT4049b-EL (omnidirectional);

AT4051b-EL (cardioid)

AT8405a stand clamp for 5/8”-27 threaded stands; windscreen; protective carrying case

40 series

AT4049B

*Lifetime Warranty informations (see page 6).

AT4051B

*Lifetime Warranty informations

(see page 6).

*Lifetime Warranty informations

(see page 6).

AT4053B

European professional guide 2010-2011, prices in Euro Ex-VAT

(1)

15

20 series

AT2050

20 series

cardioid condenser microphone

( PC 342-MC 210)

The

AT2050

’s dual large-diaphragm design provides consistent, superior performance in switchable cardioid, omnidirectional and figure-of-eight polar pattern settings. Its dual large diaphragms are goldvaporized and aged to achieve optimum characteristics over years of use.

AT2050

249,00

Multi-pattern condenser microphone

• Three switchable polar patterns: omni, cardioid, figure-of-eight

• Dual-diaphragm capsule design maintains precise polar pattern definition across the full frequency range of the microphone

• Switchable 80 Hz high-pass filter and 10 dB pad

• State-of-the-art surface-mount electronics ensure compliance with A-T's stringent consistency and reliability standards

• Dual large diaphragms are gold-vaporized and aged to maintain optimum characteristics over years of use

16

European professional guide 2010-2011, prices in Euro Ex-VAT

(1)

Specifications

Element

Polar Patterns

Frequency Response

Low Frequency Roll-Off

Open Circuit Sensitivity

Impedance

Maximum Input Sound Level

Noise

Dynamic Range

(typical)

Signal-to-Noise Ratio

Phantom Power Requirements

Switches

Weight

Dimensions

Output Connector

Accessories Furnished

*1 Pascal = 10 dynes/cm 2 = 10 microbars = 94 dB SPL

AT2050

Externally polarized (DC Bias) condenser

Cardioid, Omnidirectional, Figure-of-Eight

20-20,000 Hz

80 Hz, 12 dB/octave

–42 dB (10.0 mV) re 1V at 1 Pa*

120 ohms

149 dB SPL, 1 kHz at 1% T.H.D.; 159 dB SPL with 10 dB pad (nominal)

17 dB SPL

132 dB, 1 kHz at Max SPL

77 dB, 1 kHz at 1 Pa*

11-52V DC (±4V), 4.7 mA typical

Pattern selection; Flat, roll-off; 10 dB pad (nominal)

412 g (14.5 oz)

170.0 mm (6.69”) long, 52.0 mm (2.05") maximum body diameter

Integral 3-pin XLRM-type

AT8458 Shock mount for 5/8”-27 threaded stands; 5/8”-27 to 3/8”-16 threaded adapter; soft protective pouch

20 series

cardioid condenser microphone

( PC 342-MC 210)

Designed for critical home/project/professional studio applications and live performance, the

AT2035

delivers exceptional detail and low noise.

With its extended low-frequency response, the

AT2035

provides rich, full sound reproduction and handles extremely high sound pressure levels with ease.

AT2035

179,00

Cardioid condenser microphone

• Large diaphragm for smooth, natural sound and low noise

• High SPL handling and wide dynamic range provide unmatched versatility

• Custom shock mount provides superior isolation

• Switchable 80 Hz high-pass filter and 10 dB pad

• Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source

20 series

AT2035

The AT2050 and AT2035 includes the AT8458 shock mount, threaded adapter, soft protective pouch.

Specifications

Element

Polar Pattern

Frequency Response

Low Frequency Roll Off

Open Circuit Sensitivity

Impedance

Maximum Input Sound Level

Noise

Dynamic Range

(typical)

Signal-to-Noise Ratio

Phantom Power Requirements

Switches

Weight

Dimensions

Output Connector

Accessories Furnished

*1 Pascal = 10 dynes/cm 2 = 10 microbars = 94 dB SPL

AT2035

Fixed-charge back plate permanently polarized condenser

Cardioid

20-20,000 Hz

80 Hz, 12 dB/octave

– 33 dB (25.1 mV) re 1V at 1 Pa*

120 ohms

148 dB SPL, 1 kHz at 1% T.H.D.; 158 dB SPL, with 10 dB pad (nominal)

12 dB SPL

136 dB, 1 kHz at Max SPL

82 dB, 1 kHz at 1 Pa*

11-52V DC, 3.8 mA typical

Flat, roll-off; 10 dB pad (nominal)

403 g (14.2 oz)

170.0 mm (6.69”) long, 52.0 mm (2.05”) maximum body diameter

Integral 3-pin XLRM-type

AT8458 shock mount for 5/8”-27 threaded stands; 5/8”-27 to 3/8”-16 threaded adapter; soft protective pouch

European professional guide 2010-2011, prices in Euro Ex-VAT

(1)

17

20 series

20 series

cardioid condenser microphones

( PC 342-MC 210)

The new

AT2010

is designed to bring the studio-quality articulation and intelligibility of Audio-Technica’s renowned 20 Series to the stage, for crystal-clear vocal performances. Featuring the same 16 mm low-mass diaphragm found in the critically acclaimed

AT2020

side-address studio condenser, the

AT2010

excels wherever articulate vocals are needed: in houses of worship, for solo performances, jazz vocalists, singer/songwriters, and more.

AT2010

119,00

Cardioid condenser handheld microphone

• Extended frequency response and superior transient response for smooth, natural sonic characteristics

• High SPL-handling and wide dynamic range provide unmatched versatility

• Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source

• Multi-stage grille design offers excellent protection against plosives and sibilance without compromising highfrequency clarity

• Rugged, all-metal construction for years of trouble-free use

AT8466

18

AT2020

European professional guide 2010-2011, prices in Euro Ex-VAT

(1)

AT2010

The

AT2020

sets a standard for price performance in a side-address studio condenser way ahead of its time.

The low mass diaphragm is custom engineered for an extended frequency response, superior transient response, wide dynamic range, high SPLs and low noise making it perfectly suited for modern digital recording equipment.

A real favorite for female vocal recording, its rugged construction and manufacturing techniques ensure stringent consistency and reliability designed for years of use.

AT2020

119,00

Cardioid condenser microphone

• The price/performance standard in side-address studio condenser microphone technology

• Ideal for project/home-studio applications

• High SPL handling and wide dynamic range provide unmatched versatility

• Custom-engineered low-mass diaphragm provides extended frequency response and superior transient response

• Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source

• Pivoting, threaded stand mount attaches securely for easy and precise placement of the microphone

• Low self-noise–perfectly suited for sophisticated digital recording equipment

Specifications

Element

Frequency Response

Open Circuit Sensitivity

Impedance

Maximum Input Sound Level

Noise

Dynamic Range

(typical)

Signal-to-Noise Ratio

Phantom Power Requirements

Weight

(less accessories)

Dimensions

Output Connector

Accessories Furnished

AT2010

Fixed-charge back plate permanently polarized condenser

40-20,000 Hz

– 48 dB (3.9mW), re 1V at 1 Pa*

100 Ω

136 dB SPL, 1kHz at 1% T.H.D.

23 dB SPL

113 dB, 1kHz at Max SPL

71 dB, 1kHz at 1 Pa*

48 V DC, 2 mA typical

233g (8.2 oz)

179.1 mm (7.05”) long, 50.8 mm (2.00”) maximum body Ø

Integral 3-pin XLRM-type

AT8470 Quiet-Flex™ stand clamp for 5/8”-27 threaded stands;

5/8”-27 to 3/8”- 16 threaded adapter; soft protective pouch

*1 pascal = 10 dynes/cm 2 = 10 microbars = 94 dB SPL

AT2020

Fixed-charge back plate permanently polarized condenser

20-20,000 Hz

– 37 dB (14.1 mW), re 1V at 1 Pa*

100 Ω

144 dB SPL, 1 kHz at 1% T.H.D.

20 dB SPL

124 dB, 1 kHz at max SPL

74 dB, 1 khz at 1 Pa*

48V DC, 2mA typical

345 g (12.1 oz)

162.0 mm (6.38”) long, 52.0 mm (2.05”) maximum body Ø

Integral 3-pin XLRM-type

AT8466 stand mount for 5/8”-27 threaded stands;

5/8”-27 to 3/8”-16 threaded adapter; soft protective pouch

20 series

USB cardioid condenser microphones

( PC 342-MC 210)

Designed for computer-based recording, the new

AT2020USB

cardioid condenser microphone is ideal for digitally capturing music or any acoustic audio source using your favorite recording software. Equipped with a USB digital output, the

AT2020USB

offers studio-quality articulation and intelligibility perfect for home studio recording, field recording, podcasting, and voiceover use. Based on the design of Audio-Technica’s critically acclaimed

AT2020

cardioid condenser microphone, the

AT2020USB

features a low-mass diaphragm, custom-engineered for extended frequency response and superior transient response. Audio-Technica’s state-ofthe-art design and manufacturing techniques ensure that the microphone complies with the company’s renowned consistency and reliability standards.

WINDOWS AND MAC COMPATIBLE

SIDE-ADDRESS STUDIO CONDENSER WITH USB DIGITAL OUTPUT.

AT2020USB

169,00

USB cardioid condenser microphone

• Side-address cardioid condenser with USB digital output (Windows and Mac compatible)

• Ideal for podcasting, home studio recording, field recording, and voiceover use

• Custom-engineered low-mass diaphragm provides extended frequency response and superior transient response

• Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source

• Low self-noise – perfectly suited for sophisticated digital recording equipment

• USB powered; connects directly to computer’s USB input

• Pivoting, threaded stand mount attaches securely for easy and precise placement of the microphone

• Tripod desk stand with folding legs offers secure and easily portable tabletop base

Specifications

Element

Polar Pattern

Frequency Response

Bit Depth

Sample Rate

Power Requirements

Weight

(less accessories)

Dimensions

Output Connector

Accessories Furnished

AT2020USB

Fixed-charge back plate permanently polarized condenser

Cardioid

20 -16,000 Hz

16 bit

44.1 kHz

USB power (5V DC)

374 g (13.2 oz)

162.0 mm (6.38") long, 52.0 mm (2.05") maximum body diameter

USB-type connector

Pivoting stand mount for 5/8"-27 threaded stands; 5/8"-27 to 3 /8"-16 threaded adapter; soft protective pouch; tripod desk stand; 3.1 m (10’) USB cable

20 series

AT2020USB

European professional guide 2010-2011, prices in Euro Ex-VAT

(1)

19

20

studio microphones application guide

40 series 20 series

A

T4080

A

T4081

A

T4050

A

T4050ST

A

T4047

A

T4047MP

A

T4033a

A

T4040

A

T4041

A

T4021

A

T4022

A

T4049B

A

T4051B

A

T4053B

A

T2050

VOCAL

Vocal (singing)

Vocal (speaking)

Vocal (choir)

Overheads

Hi-Hat

Snare drum

Toms

● ●

DRUMS (1)

Cymbals

Kick Drum

● ● ● ●

PERCUSSION (1)

General percusions

Classic percussion

Minor percussion

● ●

● ● ●

● ●

● ●

SPECIAL APPLICATION

Vintage sound

✪ ✪

● ●

PIANO

Piano

● ●

● ● ● ● ●

BRASS

Trumpet

Trombone

WOODWIND

Clarinet & Oboe

Flute & Piccolo

Saxophone

Bassoon

● ● ●

● ●

WIND INSTRUMENT

Harmonica

Accordion

● ●

● ● ● ●

ORCHESTRAL STRINGS

Cello

Violin

ContraBass

● ●

STRINGS

Acoustic guitar

Banjo

● ●

INSTRUMENT AMPLIFIER

Guitar amp

Bass guitar amp

Leslie Speaker

● ● ●

● ● ●

● ● ● ●

(1) For drums and percussions, see Artist Elite ® application chart, page 32. (2) Equipped with a USB digital output mainly use for speaking or singing but can as well be used with acoustic instrument.

This application chart is a guide to selecting an Audio-Technica microphone for a specific application.

Feel free to experiment with different microphone options as we realise the importance of personal taste and the acoustic environment.

A

T2035

A

T2020

A

T2010

A

T2020

Our Recommendation

Best Choice

USB

(2)

21

AE5400

cardioid condenser microphone

live sound microphones

*Lifetime Warranty informations

(see page 6).

artist elite

®

To find what makes the best sounding, most reliable and consistent microphones for the live sound industry we have worked closely with industry professionals from the top touring companies, award show designers, front of house engineers, monitor engineers, audio consultants and artists. We listened carefully and applied this knowledge to the creation of the Artist Elite ® line. A high end range of high performance microphones with the ultimate design goal that each model must extend the performance of a sound system, not limit it.

page 24 to 25

*Lifetime Warranty informations

(see page 6).

artist series

Artist Series is packed with the culmination of more than 40 years of R & D into these road proven, reliable designs. The range includes an affordable dual element kick drum/ guitar cabinet microphone, a cute sideaddress pencil condenser for endless placement options and a road worthy vocal condenser microphone with great off-axis response. The artist series durable rugged design is engineered to perform flawlessly despite the inevitable bumps and bruises of life on the road. With clear detailed reproduction, low distortion and fast transients to capture every live performance the artist series offers superb reliability.

page 26 to 31

application guide

page 32

23

artist elite

AE3300 - AE5400

®

AE4100 - AE6100

24

European professional guide 2010-2011, prices in Euro Ex-VAT

(1)

artist elite

®

microphones

( PC 304-MC 220)

CONDENSER VOCAL MICROPHONES

AE5400

380,00

Cardioid condenser microphone

• Pristine sound quality demanded by the most discriminating microphone user

• Large-diaphragm element and true condenser design

• Superior anti-shock engineering ensures low handling noise and quiet performance

• Excellent protection against plosives and sibilance without compromising high-frequency clarity

• Robust design for enduring dependability on the road

• Integral 80 Hz HPF switch and 10 dB pad

AE3300

320,00

Cardioid condenser microphone

• Exacting detail, brilliant clarity and uncoloured realism

• Well-tempered polar pattern with outstanding rejection qualities

• Superior anti-shock engineering ensures low handling noise and quiet performance

• Excellent protection against plosives and sibilance without compromising high-frequency clarity

• Robust design for enduring dependability on the road

• Integral 80 Hz HPF switch and 10 dB pad

DYNAMIC VOCAL MICROPHONES

AE6100

196,00

Hypercardioid dynamic microphone

• Great presence with excellent monitor cut

• High output, fast transients and clean articulation

• Maximum feedback rejection

• Superior anti-shock engineering for low handling noise

• Outstanding pop protection

• Tough, durable, resilient – built for the road

AE4100

196,00

Cardioid dynamic microphone

• Aggressive sound that stays up-front in the mix

• Optimized for the stage with excellent isolation properties

• Superior anti-shock engineering for low handling noise

• Outstanding pop protection

• Tough, durable, resilient – built for the road

AE5400:

The same large-diaphragm element used in the

AT4050

.

AE3300:

The same element used in the legendary

AT4033

.

Specifications

Element

Polar Pattern

AE5400

Externally polarized condenser

Frequency Response

Open Circuit Sensitivity

Impedance

Maximum Input Sound Level

20-20,000 Hz

– 40 dB (10.0 mV), re 1V at 1 Pa*

150 Ω

147 dB SPL, 1 kHz at 1% T.H.D.

157 dB SPL, with 10 dB pad

80 dB, 1 kHz at 1 Pa*

Signal-to-Noise Ratio

Dynamic Range

Noise

133 dB, 1 kHz at Max SPL

14 dB SPL

Low Frequency Roll-Off

80 Hz, 12 dB/octave

Phantom Power Requirements

11-52V DC, 4 mA

Weight

(less accessories)

Dimensions

Output Connector

330 g (11.6 oz)

179 mm (7.05”) long;

50 mm (1.97”) diameter

3-pin XLRM-type

Accessories Furnished

AT8470 Quiet-Flex™; stand clamp; soft protective pouch

*1 Pascal = 10 dynes/cm

2

= 10 microbars = 94 dB SPL

AE3300

Electret condenser

AE6100

Dynamic

AE4100

Dynamic

30-18,000 Hz 60-15,000 Hz 90-18,000 Hz

– 42 dB (7.9 mV), re 1V at 1 Pa* – 55 dB (1.7 mV), re 1V at 1 Pa* – 55 dB (1.7 mV), re 1V at 1 Pa*

250 Ω 250 Ω 150 Ω

147 dB SPL, 1 kHz at 1% T.H.D.

157 dB SPL, with 10 dB pad

75 dB, 1 kHz at 1 Pa*

128 dB, 1 kHz at Max SPL

19 dB SPL

80 Hz, 12 dB/octave

11-52V DC, 3 mA

300 g (10.6 oz)

179 mm (7.05”) long;

50 mm (1.97”) diameter

3-pin XLRM-type

AT8470 Quiet-Flex™; stand clamp; soft protective pouch

310 g (10.9 oz)

177 mm (6.97”) long;

48 mm (1.89”) diameter

3-pin XLRM-type

AT8470 Quiet-Flex™; stand clamp; soft protective pouch

310 g (10.9 oz)

177 mm (6.97”) long;

48 mm (1.89”) diameter

3-pin XLRM-type

AT8470 Quiet-Flex™; stand clamp; soft protective pouch

artist elite

®

microphones

( PC 304-MC 220)

AE2500

590,00

Dual-element cardioid microphone

• Revolutionary, first-of-its-kind dual-element design represents a ground-breaking transducer achievement

• Two elements (condenser and dynamic) are enclosed in a single housing

• Dynamic element delivers the aggressive attack of the beater while the condenser captures the round tonalities of the shell

• Elements are positioned in a perfect phase relationship, something practically unachievable with two separate microphones

• Robust design for enduring dependability on the road

• Integral 80 Hz HPF switch and 10 dB pad

• 5 m dual-shielded, 8-conductor cable, 5-pin XLRF-type connector at microphone, two 3-pin XLRM-type output connectors

AE3000

260,00

Cardioid condenser microphone

• Excels in high-SPL applications such as guitar cabinets, toms, snare, timpani and overheads

• Large-diaphragm capsule combines with the open architecture of the headcase to provide an extremely accurate and open sound

• Low-profile side-address design with tapered grille allows optimal positioning of element vis-à-vis sound source

• Robust design for enduring dependability on the road

• Integral 80 Hz HPF switch and 10 dB pad artist elite ®

AE2500

Cardioid

AE5100

290,00

Cardioid condenser microphone

• Uncompromising sound quality for overheads, percussion, acoustic guitar, strings and other acoustic instruments

• Large-diaphragm capsule delivers accurate, uncoloured and extremely natural response.

• Low-profile design permits innovative placement options previously unattainable with a large-diaphragm condenser

• Robust design for enduring dependability on the road

• Integral 80 Hz HPF switch and 10 dB pad

Specifications

Element

Polar Pattern

Frequency Response

Open Circuit Sensitivity

Impedance

Max. Input Sound Level

Signal-to-Noise Ratio

Dynamic Range

Low Frequency Roll-Off

Power Requirement

Weight

(less accessories)

Dimensions

Output Connector

Accessories Furnished

AE2500

Condenser, dynamic

AE3000

Electret condenser

Dynamic : 30-10,000 Hz / Condenser : 20-17,000 Hz 20-20,000 Hz

Dynamic : – 54 dB (1.9 mV) / Condenser : – 51 dB (2.8 mV), re 1V at 1 Pa* – 43 dB (7 mV), re 1V at 1 Pa*

Dynamic : 600

Ω

/ Condenser : 100

Ω

Condenser : 148 dB SPL, 1 kHz at 1% T.H.D.

158 dB SPL, with 10 dB pad

100

Ω

148 dB SPL, 1 kHz at 1% T.H.D.

158 dB SPL, with 10 dB pad

Condenser : 70 dB, re 1V at 1 Pa*

Condenser : 124 dB, 1 kHz at Max SPL

80 Hz, 12 dB/octave

11-52V DC, 3 mA

390 g (13.8 oz)

165 mm long, 55 mm Ø

Integral 5-pin XLRM type

Protective pouch; AT8471 Isolation clamp; cable 16.5’ (5 m) dual shielded, 8-conductor cable, 5-pin XLRF-type connector at microphone, two 3-pin XLRM-type output connectors

*1 Pascal = 10 dynes/cm 2 = 10 microbars = 94 dB SPL

83 dB, re 1V at 1 Pa*

137 dB, 1 kHz at Max SPL

80 Hz, 12 dB/octave

11-52V DC, 3 mA

170 g (6.0 oz)

115.5 mm long, 48 mm Ø

Integral 3-pin XLRM type

Protective pouch;

AT8471 Isolation clamp

AE5100

Electret condenser

20-20,000 Hz

– 36 dB (15.8 mV), re 1V at 1 Pa*

150

Ω

148 dB SPL, 1 kHz at 1% T.H.D.

158 dB SPL, with 10 dB pad

83 dB, re 1V at 1 Pa*

137 dB, 1 kHz at Max SPL

80 Hz, 12 dB/octave

11-52V DC, 3.2 mA

143 g (5.0 oz)

148.5 mm long, 26 mm Ø

Integral 3-pin XLRM type

Protective pouch; AT8471 Isolation clamp; AT8136 Windscreen

AE3000

European professional guide 2010-2011, prices in Euro Ex-VAT

(1)

25

artist series

artist series

condenser vocal microphone

(PC 305-MC 220)

ATM710

179,00

High-fidelity handheld condenser

A user friendly condenser microphone tailored for high-fidelity vocal reproduction. The studio quality performance of the

ATM710

is brought to the stage with an extremely tight cardioid pattern making feedback and stage sound easier to manage. An 80Hz hi-pass filter switch provides a low frequency roll-off while a switchable 10 dB pad lowers the microphone’s sensitivity providing higher SPL capability to deal with any extreme vocal presence.

• Excels in venues with controlled stage volume or in-ear monitoring

• Multi-stage grille design offers excellent protection against plosives and sibilance without compromising highfrequency clarity

• Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source

• Superior anti-shock engineering for low handling noise

• Condenser design for studio-quality performance

• Integral 80 Hz HPF switch and 10 dB pad

• Gold-plated XLRM-type connector and rugged, all-metal design

The ATM710 includes the AT8470 Quiet-Flex™ stand clamp and a soft protective pouch.

ATM710

26

European professional guide 2010-2011, prices in Euro Ex-VAT

(1)

UK Singer / Songwriter Jodie Jones using ATM710.

Specifications

Element

Polar Pattern

Frequency Response

Low Frequency Roll-Off

Open Circuit Sensitivity

Impedance

Maximum Input Sound Level

Dynamic Range

(typical)

Signal-to-Noise Ratio

Phantom Power Requirements

Switches

Weight

Dimensions

Output Connector

Accessories Furnished

ATM710

Fixed-charge back plate permanently polarized condenser

Cardioid

40-20,000 Hz

80 Hz, 12 dB/octave

– 40 dB (10.0 mV) re 1V at 1 Pa*

200 ohms

148 dB SPL, 1 kHz at 1% T.H.D.

127 dB, 1 kHz at Max SPL

73 dB, 1 kHz at 1 Pa*

11-52V DC, 3.5 mA typical

Flat, roll-off; 10 dB pad

274 g (9.7 oz)

179.0 mm (7.05”) long, 50.0 mm (1.97”) diameter

Integral 3-pin XLRM-type

AT8470 Quiet-Flex™ stand clamp for 5/8”-27 threaded stands; 5/8”-27 to 3/8”-16 threaded adapter; soft protective pouch

*1 Pascal = 10 dynes/cm 2 = 10 microbars = 94 dB SPL

artist series

dynamic vocal microphone

(PC 305-MC 220)

ATM610

139,00

Hypercardioid dynamic vocal microphone

• Tailored for extended-range, high-fidelity vocal reproduction

• Hypercardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source

• Durable performance for professional applications

• Special dual-wall floating construction reduces handling noise and assures consistent performance from mic to mic

• Hi-ENERGY ® neodymium magnet for articulate vocal reproduction

• Multi-stage grille design offers excellent protection against plosives and sibilance without compromising highfrequency clarity

• Quiet-Flex™ stand clamp provides silent, flexible microphone positioning

ATM410

99,00

Cardioid dynamic vocal microphone

• Tailored for smooth, natural vocal reproduction

• Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source

• Durable performance for professional applications

• Hi-ENERGY ® neodymium magnet for improved output and transient response

• Excellent off-axis rejection for minimum feedback

• Superior anti-shock engineering for low handling noise

• Multi-stage grille design offers excellent protection against plosives and sibilance without compromising highfrequency clarity

• Quiet-Flex™ stand clamp provides silent, flexible microphone positioning

ATM610

The ATM610 and 410 includes the AT8470 Quiet-Flex™ stand clamp and a soft protective pouch.

Specifications

Element

Polar Pattern

Frequency Response

ATM610

Dynamic

Hypercardioid

40-16,000 Hz

Open Circuit Sensitivity

Impedance

Weight

Dimensions

– 55 dB (1.7 mV) re 1V at 1 Pa*

300 ohms

280 g (9.9 oz)

177.0 mm (6.97”) long, 48.0 mm (1.89”) diameter

Output Connector

Accessories Furnished

Integral 3-pin XLRM-type

AT8470 Quiet-Flex™ stand clamp for 5/8”-27 threaded stands;

5/8”-27 to 3/8”-16 threaded adapter; soft protective pouch

*1 Pascal = 10 dynes/cm 2 = 10 microbars = 94 dB SPL

ATM410

Dynamic

Cardioid

90-16,000 Hz

– 55 dB (1.7 mV) re 1V at 1 Pa*

300 ohms

233 g (8.2 oz)

170.0 mm (6.69”) long, 53.5 mm (2.11”) diameter

Integral 3-pin XLRM-type

AT8470 Quiet-Flex™ stand clamp for 5/8”-27 threaded stands;

5/8”-27 to 3/8”-16 threaded adapter; soft protective pouch artist series

ATM410

European professional guide 2010-2011, prices in Euro Ex-VAT

(1)

27

artist series

ATM250DE

28

European professional guide 2010-2011, prices in Euro Ex-VAT

(1)

ATM250 artist series

dual element instrument microphone

(PC 305-MC 220)

ATM250DE

339,00

Dual-element instrument microphone

• Audio-Technica’s proven dual-element design features two elements

(condenser and dynamic) enclosed in a single housing

• Neodymium dynamic element provides punch and attack, while the condenser element captures the full audio spectrum

• Elements are positioned in a perfect phase relationship, something practically unachievable with two separate microphones

• Perfect for

kick drum

,

guitar amps

and instrument use

• Integral 80 Hz HPF switch and 10 dB pad (condenser element)

• Includes AT8471 isolation clamp for shock protection, secure mounting and easy positioning

artist series

dynamic instrument microphone

(PC 305-MC 220)

ATM250

209,00

Hypercardioid dynamic instrument microphone

• Frequency response tailored for

kick drum

,

percussion

, brass, and other highly dynamic instruments

• Handles very high SPL at close range

• Big, warm low-frequency response with excellent presence

• Hypercardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source

• Durable performance for professional applications

• Hi-ENERGY ® neodymium magnet for improved output and transient response

• Superior off-axis rejection for maximum gain before feedback

• Includes isolation clamp for shock protection, secure mounting and easy positioning

Specifications

Element

Polar Pattern

Frequency Response

Low Frequency Roll-Off

Open Circuit Sensitivity

ATM250DE

Condenser, dynamic

Cardioid (condenser) - Hypercardioid (dynamic)

40-20,000 Hz (condenser) - 40-15,000 Hz (dynamic)

80 Hz, 12 dB/octave (condenser)

– 49 dB (3.5 mV), re 1V at 1 Pa* (condenser)

– 53 dB (2.2 mV), re 1V at 1 Pa* (dynamic)

Impedance

Maximum Input Sound Level

Dynamic Range

(typical)

Signal-to-Noise Ratio

50 ohms (condenser) - 600 ohms (dynamic)

148 dB SPL, 1 kHz at 1% T.H.D. (condenser)

122 dB, 1 kHz at Max SPL (condenser)

68 dB, 1 kHz at 1 Pa* (condenser)

Phantom Power Requirements

Switches

Weight

Dimensions

11-52V DC, 3.5 mA typical (condenser)

Flat, roll-off; 10 dB pad (condenser only)

320 g (11.3 oz)

143.6 mm (5.65”) long, 55.0 mm (2.17”) diameter

Output Connector

Cable

Integral 5-pin XLRM-type

5.0 m (16.5’) dual shielded, 8-conductor cable, 5-pin XLRF-type connector at microphone, two 3-pin XLRM-type output connectors

Accessories Furnished

AT8471 isolation clamp for 5/8”-27 threaded stands;

5/8”-27 to 3/8”-16 adapter; soft protective pouch

*1 Pascal = 10 dynes/cm 2 = 10 microbars = 94 dB SPL

ATM250

Dynamic

Hypercardioid

40-15,000 Hz

– 54 dB (1.9 mV), re 1V at 1 Pa*

600 ohms

252 g (8.9 oz)

127.5 mm (5.02”) long, 55.0 mm (2.17”) diameter

Integral 3-pin XLRM-type

AT8471 isolation clamp for 5/8”-27 threaded stands;

5/8”-27 to 3/8”-16 threaded adapter; soft protective pouch

artist series

dynamic instrument microphone

(PC 305-MC 220)

ATM650

109,00

Hypercardioid dynamic instrument microphone

• Tailored response for musical instrument

pickup–guitar cabinets

,

snare

and other

percussion

• Hypercardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source

• Durable performance for professional applications

• Special dual-wall floating construction reduces handling noise and assures consistent performance from mic to mic

• Hi-ENERGY ® neodymium magnet for improved output and transient response

• Multi-stage flat grille design is engineered to enable easy placement as close as possible to sound source

artist series

side-address condenser instrument microphone

(PC 305-MC 220)

ATM450

219,00

Cardioid condenser instrument microphone

• Unique side-address stick design maximizes placement options with minimal obstructions

• Uncompromising sound quality for overheads,

percussion

,

acoustic guitar

,

strings

and other acoustic instruments

• Integral 80 Hz HPF switch and 10 dB pad

• Durable performance for professional applications

• Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source

• Includes AT8471 isolation clamp for shock protection, secure mounting and easy positioning

Specifications

Element

Polar Pattern

Frequency Response

Low Frequency Roll-Off

Open Circuit Sensitivity

Impedance

Maximum Input Sound Level

Dynamic Range

(typical)

Signal-to-Noise Ratio

(1)

Phantom Power Requirements

Switches

Weight

Dimensions

Output Connector

Accessories Furnished

ATM650

Dynamic

Hypercardioid

80-17,000 Hz

– 56 dB (1.5 mV), re 1V at 1 Pa*

300 ohms

279 g (9.8 oz)

164.2 mm (6.46”) long, 38.8 mm (1.53”) diameter

Integral 3-pin XLRM-type

AT8470 Quiet-Flex™ stand clamp for 5/8”-27 threaded stands; 5/8”-27 to 3/8”-16 threaded adapter; soft protective pouch

*1 Pascal = 10 dynes/cm 2 = 10 microbars = 94 dB SPL

ATM450

Fixed-charge back plate permanently polarized condenser

Cardioid

40-20,000 Hz

80 Hz, 18 dB/octave

– 41 dB (8.9 mV), re 1V at 1 Pa*

200 ohms

152 dB SPL, 1 kHz at 1% T.H.D.

127 dB, 1 kHz at Max SPL

69 dB, 1 kHz at 1 Pa*

11-52V DC, 3.5 mA typical

Flat, roll-off; 10 dB pad

98 g (3.5 oz)

126.9 mm (5.00”) long, 21.0 mm (0.83”) diameter

Integral 3-pin XLRM-type

AT8471 isolation clamp for 5/8”-27 threaded stands;

5/8”-27 to 3/8”-16 threaded adapter; windscreen; soft protective pouch

ATM650

artist series

ATM450

European professional guide 2010-2011, prices in Euro Ex-VAT

(1)

29

artist series

artist series

special purpose instrument

(PC 305-MC 220)

ATM350

299,00

Cardioid condenser clip-on microphone

• Low-profile design for minimum visibility

• Attaches to

brass

,

reeds

,

piano

,

double bass

,

snare

,

toms

, and

violin

• UniMount ® clip permits accurate positioning, provides shock resistance and protects element

• Unique violin mount permits unobtrusive placement of microphone between the instrument’s bridge and tailpiece

• Crisp, clear, well-balanced response, even at high SPLs

• Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source

• Interchangeable elements available for hypercardioid and omnidirectional polar patterns

ATM350

30

European professional guide 2010-2011, prices in Euro Ex-VAT

(1)

ATM350

interchangeable elements

(PC 310-MC 230)

UE-H

92,00

UE-O

92,00

Hypercardioid interchangeable element

Omnidirectional interchangeable element

Specifications

Element

Polar Pattern

Frequency Response

Low Frequency Roll-Off

Open Circuit Sensitivity

Impedance

ATM350

Fixed-charge back plate permanently polarized condenser

Cardioid

40-20,000 Hz

80 Hz, 12 dB/octave

– 49 dB (3.5 mV) re 1V at 1 Pa*

50 ohms

Maximum Input Sound Level

Dynamic Range

(typical)

Signal-to-Noise Ratio

Phantom Power Requirements

149 dB SPL, 1 kHz at 1% T.H.D.

122 dB, 1 kHz at Max SPL

67 dB, 1 kHz at 1 Pa*

11-52V DC, 3.5 mA typical

Switches

Weight

(less cable and accessories)

Dimensions

Flat, roll-off

Microphone: 14.5 g (0.5 oz) Power Module: 81.2 g (2.9 oz)

Microphone: 37.8 mm (1.49”) long,

12.2 mm (0.48”) diameter

Power Module: 92.9 mm (3.66”) long,

18.9 mm (0.74”) diameter

Output Connector

Cable

(power module) Integral 3-pin XLRM-type

4.0 m (13.1”) long (permanently attached to microphone), 3.2 mm (0.13”) diameter,

2-conductor shielded cable with TA3F-type connector

Accessories Furnished

AT8542 power module; AT8418 UniMount ® microphone instrument mount;

AT8468 violin mount; soft protective pouch

*1 Pascal = 10 dynes/cm 2 = 10 microbars = 94 dB SPL

artist series

headworn microphone

(PC 305-MC 220)

ATM73a

219,00

Cardioid condenser headworn microphone

• Ideal for drummers, keyboard players or anyone requiring hands-free operation

• Comfortable, unobtrusive headband design with side-of-mouth pickup

• Belt-mounted power module operates on battery or phantom power

• Cardioid polar pattern improves isolation of desired sound source

• Also available as ATM73cW – less power module; 55” (1.4 m) cable terminated with locking 4-pin connector for A-T UniPak™ wireless systems

• Also available as ATM73ac; less power module; cable unterminated

ATM73ac

119,00

Same as ATM73a but unterminated for wireless and special applications

Includes AT8125 and AT8128 windscreens; no power module.

ATM75

179,00

Cardioid condenser headworn microphone

• Professional-quality vocal pickup with hands-free operation

• Low-visibility headband provides stable, comfortable fit

• Pivot-mounted flexible mic boom descends from left or right side

• Belt-mounted power module operates on battery or phantom power

• Cardioid polar pattern improves isolation of desired sound source

ATM75c

79,00

Same as ATM75 but unterminated for wireless and special applications

Includes AT8139L large windscreen and AT8439 cable clothing clip; no power module.

Specifications

Element

Polar Pattern

Frequency Response

Low Frequency Roll-Off

Open Circuit Sensitivity

ATM73a

Fixed-charge back plate permanently polarized condenser

Cardioid

40-15,000 Hz

80 Hz, 18 dB/octave

Phantom: –55 dB (1.7 mV) re 1V at 1 Pa*

Battery: –56 dB (1.5 mV) re 1V at 1 Pa*

Impedance

Phantom: 200 ohms

Battery: 270 ohms

Max. Input Sound Level

Battery Type

Battery Current/Life

Switch

Weight

Phantom: 146 dB SPL, 1 kHz at 1% T.H.D.

Battery: 132 dB SPL, 1 kHz at 1% T.H.D.

Dynamic Range

(typical)

Signal-to-Noise Ratio 1

Phantom Power Requirements

Phantom: 111 dB, 1 kHz at Max SPL

Battery: 97 dB, 1 kHz at Max SPL

59 dB, 1 kHz at 1 Pa*

11-52V DC, 2 mA typical

1.5V AA/UM3

0.4 mA / 1200 hours typical (alkaline)

Dimensions

Off, on-flat, on-roll-off

Microphone: 31 g (1.1 oz)

Power Module: 139 g (4.9 oz)

Headset: 165.0 mm (6.49”) nominal at widest point,

67.0 mm (2.64”) flexible boom

Microphone: 10.0 mm (0.39”) diameter

Power Module: 84.0 mm(3.31”) H x 63.0 mm (2.48”) W x 22.0 mm (0.87”) D

Output Connector

Cable

Power Module: Integral 3-pin XLRM-type

1.4 m (4.6’) long (permanently attached to microphone), 2.6 mm (0.10”) diameter,

2-conductor shielded cable with TA3F-type connector

Accessories Furnished

AT8531 power module; AT8128 windscreen;

AT8125 windscreen; battery

*1 Pascal = 10 dynes/cm

2 = 10 microbars = 94 dB SPL

ATM75

Fixed-charge back plate permanently polarized condenser

Cardioid

100-13,000 Hz

80 Hz, 18 dB/octave

–51 dB (2.8 mV) re 1V at 1 Pa*

–53 dB (2.2 mV) re 1V at 1 Pa*

200 ohms

270 ohms

132 dB SPL, 1 kHz at 1% T.H.D.

121 dB SPL, 1 kHz at 1% T.H.D.

96 dB, 1 kHz at Max SPL

85 dB, 1 kHz at Max SPL

58 dB, 1 kHz at 1 Pa*

11-52V DC, 2 mA typical

1.5V AA/UM3

0.4 mA / 1200 hours typical (alkaline)

Off, on-flat, on-roll-off

Microphone: 60 g (2.1 oz)

Power Module: 139 g (4.9 oz)

120.0 mm (4.72”) nominal at widest point,

80.5 mm (3.17”) flexible boom

20.4 mm (0.80”) diameter

84.0 mm (3.31”) H x 63.0 mm (2.48”) W x 22.0 mm (0.87”) D

Integral 3-pin XLRM-type

1.4 m (4.6’) long (permanently attached to microphone),

2.8 mm (0.11”) diameter, 2-conductor shielded cable with TA3F-type connector

AT8531 power module; AT8439 clothing clip; AT8139L large windscreen; AT8139S small windscreen; battery

ATM75

artist series

ATM73a

European professional guide 2010-2011, prices in Euro Ex-VAT

(1)

31

32

live sound microphones application guide

artist elite ® artist series

(1) (1) (1) (1)

(3) (3)

VOCAL

Lead vocal

Choir

(Classic & Church)

Back vocals

Karaoke

AE5400

AE3300

AE6100

AE4100 AE2500 AE3000

DRUMS

Overheads

Hi-Hat

Snare drum

Toms

Cymbal

Kick Drum

● ●

Timpani

a

Ethnics drums

PERCUSSION

Conga & Bongo

Classic percussion

Xylophone

Minor percussion

PIANO

Piano

● ● ● ●

BRASS

Trumpet

Tuba

Trombone

WOODWIND

Clarinet

Flute & piccolo

Saxophone

Bassoon

WIND INSTRUMENT

Organ

● ●

Harmonica

Accordion

Bandoneon

Banjo (2)

STRINGS

Acoustic guitar (2)

● ●

ORCHESTRAL STRINGS

Cello

Violin

Contrabass

INSTRUMENT AMPLIFIER

Guitar cabinet

Bass guitar cabinet

Leslie speaker

(1) Exists in wireless version (2) Use AT831, see page 55 (3) Exist for wireless transmitter, see page 107 to 109

This application chart is a guide to selecting an Audio-Technica microphone for a specific application.

Feel free to experiment with different microphone options as we realise the importance of personal taste and the acoustic environment.

AE5100

A

TM710

A

TM610

A

TM410

A

TM250DE

A

TM250

A

TM650

A

TM450

A

TM350

A

TM73a

A

TM75

Our Recommendation

Best Choice

(3)

33

PRO35

cardioid condenser clip-on instrument microphone

multipurpose microphones

pro series

Hard working, dependable microphones to meet every sound reproduction and reinforcement challenge on every budget. State of the art electronics with a smooth and clear sound has helped the Pro Series earn a reputation for the highest sonic quality and most durable design in their class.

page 36 to 39

midnight blues

With its high output design, superior sound and all metal rugged construction, this totally redesigned series is the industry standard in affordable vocal and instrument microphones.

page 40 to 41

atr series

A line of professional microphones for use with standard consumer microphone inputs on computers, camcorders, mp3 recorders or mini-disks at home or the office for work and for play.

page 42 to 43

application guide

page 44

35

pro series microphones

PRO31 pro series

dynamic microphones

( PC 320-MC 240 )

DYNAMIC HANDHELD MICROPHONES

The Pro Series handheld dynamic microphones feature a Hi-ENERGY ® and transient response neodymium magnet for improved output

PRO31

59,00

Cardioid dynamic microphone

• Designed for close-up vocal use

• Silent on-off operation switch

• Two-stage ball-type headcase reduces wind noise and ”popping” during close use

• XLRM-XLRF cable furnished

PRO31QTR

49,00

Cardioid dynamic microphone

• PRO31 including an XLRF to 6,3 m jack cable

PRO41

59,00

Cardioid dynamic microphone

• Provides natural, full-range vocal reproduction

• Silent on-off operation switch

• Two-stage ball-type headcase reduces wind noise and ”popping” during close use

• Superior internal shock mounting reduces handling noise

• XLRM-XLRF cable furnished

PRO61

79,00

Hypercardioid dynamic microphone

• Premier Pro Series vocal microphone delivers excellent gain before feedback and outstanding stage presence

• Two-stage ball-type headcase reduces wind noise and ”popping” during close use

• XLRM-XLRF cable furnished

PRO41

36

European professional guide 2010-2011, prices in Euro Ex-VAT

(1)

PRO61

Specifications

Elements

Polar Pattern

Frequency Response

PRO31 / PRO31QTR

Dynamic

Cardioid

Open Circuit Sensitivity

Impedance

Switch

Weight

Dimensions

60-13,000 Hz

– 55 dB (1.7 mV), 1 V at 1 pa*

600 Ω

MagnaLock™ on/off

312 g

Length 185.0 mm

Head Diameter 53.1 mm

Cable

4.5 m XLRF-XLRM

XLRF-1/4” (PRO31QTR)

*1 Pascal = 10 dynes/cm 2 = 10 microbars = 94 dB SPL

PRO41

Dynamic

Cardioid

90-16,000 Hz

–55 dB (1.7 mV), 1 V at 1 pa*

300 Ω

MagnaLock™ on/off

304 g

185.0 mm

53.1 mm

4.5 m XLRF-XLRM

PRO61

Dynamic

Hypercardioid

70-16,000 Hz

–55 dB (1.7 mV), 1 V at 1 pa*

300 Ω

335 g

192.0 mm

52.6 mm

4.5 m XLRF-XLRM

pro series

dynamic microphones

( PC 320-MC 240 )

DYNAMIC INSTRUMENT MICROPHONES

PRO25ax

149,00

High-SPL hypercardioid dynamic instrument microphone

• Ideal for kick drum, percussion, brass, and other highly dynamic instruments

• Warm low-frequency response with excellent presence

• Superior off-axis rejection for maximum gain before feedback

• Versatile mounting options and effective dampening of mechanical noise thanks to included AT8471 isolation clamp

PRO63

59,00

Cardioid Hi-ENERGY ® dynamic microphone

• Tailored response provides natural, full-range reproduction

PRO25ax

pro series microphones

HEADWORN MICROPHONE

PRO8HEx

79,00

Hypercardioid Hi-ENERGY ® dynamic headworn microphone

• Low-visibility, lightweight headband and cushioned support pads provide stable, comfortable fit

• Pivot-mounted flexible mic boom descends from left or right side

Specifications

Elements

Polar Pattern

Frequency Response

PRO25ax

Dynamic

Hypercardioid

Open Circuit Sensitivity

Impedance

Weight

Dimensions

30-12,000 Hz

–54 dB (1.9 mV), re 1 V at 1 pa*

600 Ω

230 g

Length 113.0 mm

Head Diameter 50.0 mm

Cable

(no cable furnished)

*1 Pascal = 10 dynes/cm 2 = 10 microbars = 94 dB SPL

PRO63

Dynamic

Cardioid

70-16,000 Hz

–55 dB (1.7 mV), re 1 V at 1 pa*

300 Ω

309 g

182.1 mm

41.4 mm

4.5 m XLRF-XLRM

PRO8HEx

Dynamic

Hypercardioid

200-18,000 Hz

–55 dB (1.7 mV), 1 V at 1 pa*

600 Ω

60 g

80.5 mm (flexible boom)

20.4 mm

2.2 m permanently attached

PRO63

PRO8HEx

European professional guide 2010-2011, prices in Euro Ex-VAT

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37

pro series microphones

PRO70 pro series

condenser microphones

( PC 320-MC 240 )

CONDENSER INSTRUMENT MICROPHONES

PRO70

129,00

Cardioid condenser lavalier / instrument microphone

• Provides articulate, full-sounding voice and instrument pickup

• Excels in pickup of acoustic guitar with included AT8444 guitar mount

• Switchable low-frequency roll-off

PRO35

199,00

Cardioid condenser clip-on instrument microphone

• Ideal for sax, toms, brass and percussion

• Excels in high-SPL applications

• Perfect for active stage performances

PRO37

179,00

Small-diaphragm cardioid condenser microphone

• Ideal for acoustic guitar, overheads, piano and group vocals

• Excels in high-SPL applications

PRO35

38

European professional guide 2010-2011, prices in Euro Ex-VAT

(1)

PRO37

Specifications

Elements

PRO70

Fixed charge back plate permanently polarized condenser

Polar Pattern

Frequency Response

Low Frequency Roll-Off

Open Circuit Sensitivity

Cardioid

100-14,000 Hz

80 Hz, 8 dB / octave

Impedance

Max. Input Sound Level

– 45 dB (5.6 mV), re 1V at 1 Pa*

200

Ω

123 dB SPL, 1 kHz at 1% T.H.D.

Dynamic Range

(typical)

Signal-to-Noise Ratio

Power Requirements

Battery Type / Life

Switch

Weight

Microphone

Dimensions

96 dB, 1kHz at max. SPL

67 dB, 1 kHz at 1 Pa*

Phantom 11-52V DC or battery

1,5 V AA / 1200 hours typical

Off, on-flat, on-roll-off

8 g / 134 g (power module)

Length: 25.0 mm (0.98”) long,

Body Diameter: 10.2 mm (0.40”) diameter

3 pin XLRM (power module)

Output Connector

Cable

Accessories Furnished

Integral 1.8 m (6.0’), permanently attached between microphone and power module

AT8411 clothing clip;

AT8444 instrument adapter; power module; AT8116 windscreen; battery; soft protective pouch

*1 Pascal= 10 dynes/cm 2 = 10 microbars = 94 dB SPL

PRO35

Fixed charge back plate permanently polarized condenser

Cardioid

50-15,000 Hz

80 Hz, 12 dB / octave

– 45 dB (5.6 mV), re 1V at 1 Pa*

250

Ω

145 dB SPL, 1 kHz at 1% T.H.D.

115 dB, 1kHz at max. SPL

64 dB, 1 kHz at 1 Pa*

Phantom 11-52V DC

Phantom only

Flat, roll-off

8 g / 81 g (power module)

25mm (0.98”) long

10.2mm (0.40” diameter

3 pin XLRM (power module)

1.8 m (6.0’) long (permanently attached to mic.), 2.6 mm (0.10”) Ø, 2-conductor, shielded cable with TA3F-type connector

AT8418 UniMount ® microphone instrument mount; AT8538 power module; soft protective pouch

PRO37

Fixed charge back plate permanently polarized condenser

Cardioid

30-15,000 Hz

– 42 dB (7.9 mV), re 1V at 1 Pa*

200

Ω

141 dB SPL, 1 kHz at 1% T.H.D

112 dB, 1kHz at max. SPL

65 dB, 1 kHz at 1 Pa*

Phantom 11-52V DC

Phantom only

49 g (1.7 oz)

99.0 mm (3.9”) long,

21.0 mm (0.83”) max. body diameter

Integral 3-pin XLRM-type none

AT8405a stand clamp for 5/8”-27 threaded stands; 5/8”-27 to 3/8”-16 threaded adapter;

AT8159 windscreen; soft protective pouch

pro series

condenser microphones

( PC 320-MC 240 )

STEREO CONDENSER MICROPHONES

PRO24

99,00

Stereo condenser microphone

• Designed for a wide range of stereo applications

• Compact, lightweight design

• Pair of cardioid condenser elements in X/Y configuration provides the spatial impact and realism of a live sound field

• Battery-free operation when used with recording devices that provide ”plug-in power” at the mic input

PRO24-CMF

119,00

Stereo condenser microphone

• Stereo condenser microphone for use with camcorders

• Pair of cardioid elements in X-Y configuration

• On/off swith; permanently attached 15 cm - 30 cm (6”-12”) coiled cable with right-angle moded

3.5 mm stereo plug at output end

• Powered by included battery or plug-in power provided by some camcorders

• Includes: windscreen, battery, video camera shoe mount, soft protective pouch, windjammer AT8123

PRO24

pro series microphones

PRO24-CMF + AT8123

Specifications

Elements

Polar Pattern

Frequency Response

Open Circuit Sensitivity

Impedance

Max. Input Sound Level

Dynamic Range

(typical)

Signal-to-Noise Ratio

Power Requirements

Battery Type / Life

Switch

Weight

Microphone Dimensions

Output Connector

Cable

Accessories Furnished

PRO24

Fixed charge back plate permanently polarized condenser

X/Y stereo

100-17,000 Hz

– 50 dB (3.1 mV), re 1V at 1 Pa*

600 Ω

119 dB SPL, 1 kHz at 1% T.H.D.

82 dB, 1kHz at max. SPL

57 dB, 1 kHz at 1 Pa*

Plug in power or battery

1.5 V LR44 / 200 hours typical

On-off

111 g

116.5 mm long, 21.0 mm max. body diameter

3.5 mm stereo mini-plug

1.8 m, permanently attached with 3.5 mm stereo plug

AT8405a stand clamp for 5/8”-27 threaded stands;

5/8”-27 to 3/8” - 16 threaded adapter; windscreen; soft protective pouch - LR44 battery

PRO24-CMF

Fixed charge back plate permanently polarized condenser

X/Y stereo

100-17,000 Hz

– 50 dB (3.1 mV), re 1V at 1 Pa*

600 Ω

119 dB SPL, 1 kHz at 1% T.H.D.

82 dB, 1kHz at max. SPL

57 dB, 1 kHz at 1 Pa*

Plug in power or battery

1.5 V LR44 / 200 hours typical

On-off

111 g

116.5 mm long, 21.0 mm max. body diameter

3.5 mm stereo mini-plug

152.4 mm - 304.8 mm permanently attached coiled cable with right angle molded 3.5 mm stereo plug

AT8472 Video-camera shoe mount;

LR44 battery; windscreen; soft protective pouch

AT8123 windjammer

PRO24-CMF

European professional guide 2010-2011, prices in Euro Ex-VAT

(1)

39

midnight blues

MB 1k MB 2k

MB 3k MB 4k

40

European professional guide 2010-2011, prices in Euro Ex-VAT

(1)

midnight blues

®

microphones

( PC 323-MC 220 )

The all-metal construction and velvety finish gives a secure, comfortable grip. This ultra soft touch surface minimizes mechanical noise. All the switches on the dynamic models are noise less sealed magnetic reed design and contoured to fit the sleek profile. High SPL with low distortion clarifies the intensity of vocals and instruments with even subtle nuances clean and precise.

DYNAMIC MICROPHONES

MB 1k

39,00

Dynamic vocal microphone with high-output

• Hi-ENERGY ® dynamic neodymium element for improved output and transient response

MB 2k

44,00

Dynamic instrument microphone

• For amplified and acoustic instruments at an attractive price

• Tailored frequency response for optimal instrument reproduction

• Hi-ENERGY ® dynamic neodymium element for improved output and transient response

MB 3k

49,00

Dynamic vocal microphone with extended response

• Extended frequency response for optimal vocal reproduction

• Hi-ENERGY ® dynamic neodymium element for improved output and transient response

• Antishock suspension reducing handling noise

CARDIOID CONDENSER MICROPHONE

MB 4k

99,00

Cardioid condenser microphone

• A quality studio microphone at a quality price

• Electret technology for vocal and instrument studio applications

• Extended frequency response

• Antishock suspension reducing handling noise

• Phantom power 11-52V DC 2 mA typical or 1.5 V AA

• Includes AT8405a stand clamp

Specifications

Elements

Polar Pattern

Frequency Response

Open Circuit Sensitivity

re 1V at 1 Pa*

Impedance

Switch

Max. Input Sound Level

MB1k

Neodymium Dynamic

Unidirectional

80-12,000 Hz

– 53 dB (2.2 mV)

600 Ω

MagnaLock™ ON/OFF

Signal-to-Noise-Ratio

Dynamic Range

(typical)

Phantom Power Requirements

Battery Type / Current / Life

Weight

(less accessories)

Dimensions

337 grams (11.9 oz)

Length : 184.7mm (7.27")

Head diameter : 55,6 mm (2.19”)

Output Connector

(integral) 3-pin gold-plated XLRM-type

Accessories Furnished

AT8470 Quiet-Flex™stand clamp; AT8422 adapter

MB2k

Neodymium Dynamic

Unidirectional

60-14,000 Hz

– 54 dB (1.9 mV)

MB3k

Neodymium Dynamic

Unidirectional

60-14,000 Hz

– 54 dB (1.9 mV)

MB4k

Fixed-charge back plate permanently polarized condenser

Cardioid

80-20,000 Hz

600

Ω

MagnaLock™ ON/OFF

600 Ω

MagnaLock™ ON/OFF

Phantom: – 46 dB (5.0 mV)

Battery: – 48 dB (3.9 mV)

Phantom: 200 Ω - Battery: 250 Ω

ON/OFF

Phantom: 137dB SPL

Battery: 125dB SPL, 1 kHz at 1% T.H.D.

– –

70 dB, 1 kHz at 1 Pa*

Phantom: 113 dB - Battery:101 dB**

11-52 DC, 2mA typical

1.5V AA/UM / 0,4 mA / 1200 h typical – –

337 grams (11.9 oz )

183.6 mm (7.23”)

41.4 mm (1.63”)

343 grams (12.1 oz)

192 mm (7.56”)

53.8 mm (2.12”)

182 grams (6.4 oz)

205.7 mm (8.10”)

41,7 mm (1.64”)

3-pin gold-plated XLRM-type 3-pin gold-plated XLRM-type 3-pin gold-plated XLRM-type

AT8470 Quiet-Flex™stand AT8470 Quiet-Flex™stand clamp; soft protective pouch; clamp; soft protective

AT8422 adapter; pouch; AT8422 adapter;

AT8405a stand clamp, battery; soft protective pouch;

AT8422 adapter;

*1 Pascal = 10 dynes/cm 2 = 10 microbars = 94 dB SPL

MB Packs ™

drum pack

( PC 324-MC 220 )

MB/Dk5

199,00

Midnight Blues 5 microphones drum pack

The

MB/Dk5

Drum Pack includes a core selection of five microphones specifically engineered for drum applications. The four included MB5k snare/tom microphones and one MB6k kick microphone feature low-profile design for minimum visibility and versatile placement options around the drum kit. Also included in the package are four

AT8665

drum-rim microphone mounts and a durable carrying case.

MB/Dk7

399,00

Midnight Blues 7 microphones drum pack

Studio-quality performance.

The comprehensive

MB/Dk7

Drum Pack expands on the MB/Dk5 Drum Pack with the addition of two MB4k cardioid condenser microphones ideal for drum overhead miking.

MB packs

MB/Dk5

MB/Dk7

Specifications

Elements

Polar Pattern

Frequency Response

Open Circuit Sensitivity

Impedance

Weight

Dimensions

Output connector

MB5k

Dynamic

Cardioid

100-12,000 Hz

– 58 dB (1.2 mV), re 1V at 1 Pa*

500

Ω

324 grams (11.4 oz )

Length : 113.2 mm (4.46”)

Head diameter : 41.5 mm (1.63”)

Integral 3-pin XLRM-type

*1 Pascal= 10 dynes/cm 2 = 10 microbars = 94 dB SPL

MB6k

Dynamic

Cardioid

60-12,000 Hz

– 59 dB (1.1 mV), re 1V at 1 Pa*

500

Ω

317 grams (11.2 oz )

116.5 mm (4.59”)

53.5 mm (2.11”)

Integral 3-pin XLRM-type

MB 5k MB 6k

European professional guide 2010-2011, prices in Euro Ex-VAT

(1)

41

atr series

atr

series

microphones

( PC 312-MC 240)

ATR6250

49,00

Stereo condenser video/recording microphone

Capture the realism of live sound with two mics in one. The

ATR6250

provides extremely affordable, highquality stereo pickup in a single microphone. Its compact design is ideal for use with video cameras and portable audio recorders. Provided with a range of professional accessories, this price/performance leader is ruggedly built to endure the realities of day-to-day use.

• High-quality stereo pickup in a single mic

• Plugs into your video camera or audio recorder

• Includes short camera cable & long recording cable

• Generously equipped with accessories

ATR6250

42

European professional guide 2010-2011, prices in Euro Ex-VAT

(1)

ATR6550

ATR6550

79,00

Condenser Shotgun Microphone

Crisp & intelligible pickup—far away or up close. In its “Tele” range setting, this cardioid condenser is engineered to pick up dialogue and sound effects at a distance, while bypassing ambient noise such as traffic, air-handling systems, room reverberation and mechanically coupled vibrations. Designed especially for use with video cameras.

• 3.5 mm connector plugs into your video camera

• Two range settings: “Normal” for close & medium-distance; “Tele” for long-distance

• Includes camera-mount, stand clamp, foam windscreen, battery, 1/4” adapter

Specifications

Elements

Polar Pattern

Frequency Response

Open Circuit Sensitivity

ATR6220

Stereo condenser

Dual cardioid

70 – 18,000 Hz

– 50 dB

Impedance

600 Ω

Weight

79 g without cable

Output Connector

Cables

Screw-in 3.5 mm stereo (female)

Camera Cable: 0.2 m long, 3.5 mm (1/8”) stereo to 3.5 mm (1/8”) stereo

Recording Cable: 3 m long, 3.5 mm (1/8”) stereo to two 3.5 mm (1/8”) mono plugs

Accessories Furnished

Professional camera mount; interchangeable mic-stand base; foam windscreen; two 3.5 mm (1/8”) to 6.3 mm (1/4”) mono adapters; AA battery

*1 Pascal = 10 dynes/cm 2 = 10 microbars = 94 dB SPL

ATR6550

Condenser

Normal: Cardioid

Tele: Supercardioid

70 – 18,000 Hz

Normal: – 56 dB

Tele: – 45 dB

113 g

1 m long, permanently attached cable with 3.5 mm (1/8”)

Camera mount; microphone stand clamp; foam windscreen; 6.3 mm (1/4") adapter plug; AA battery

atr

series

microphones

( PC 312-MC 240)

ATR3350

29,00

Omnidirectional condenser lavalier microphone

Audio-Technica’s newscaster-style omnidirectional

ATR3350

lavalier is engineered for intelligible, accurate voice reproduction. This high-quality condenser is ideal for video use, and is a favorite choice for aerobics/dance/sports instructors. Its low-profile design assures minimum visibility.

• Newscaster-style miniature mic is perfect for video use

• Ideal for aerobics/dance/sports instructors

• Integrated 6 m cable with 3.5 mm mini-plug for use with most cameras

• Omni pickup pattern offers full coverage

• Includes tie clip, battery, foam windscreen, and 1/4" adapter

ATR4697

29,00

Omnidirectional condenser boundary microphone

Ideal for meetings & teleconferencing, the

ATR4697

is a condenser boundary microphone with an omnidirectional polar pattern. It is useful in surface-mounted applications, for meetings, teleconferencing and desktop computer use. The microphone’s low-profile design assures minimum visibility.

• Perfect for teleconferencing, meetings & desktop computer use

• Omni pickup pattern offers full coverage

• Rugged construction for long-lasting performance

• On/off switch on bottom of microphone

• Permanently attached 1.5 m cable (3.5 mm mini-plug)

Specifications

Elements

Polar Pattern

Frequency Response

Open Circuit Sensitivity

Impedance

Weight

Cable

Accessories Furnished

ATR3350

Condenser

Omnidirectional

50 – 18,000 Hz

– 54 dB

1,000 Ω

6 g

6 m terminated with 3.5 mm (1/8”) mini-plug

Tie clip; battery; foam windscreen; 6.3 mm (1/4”) adapter

*1 Pascal = 10 dynes/cm 2 = 10 microbars = 94 dB SPL

ATR4697

Condenser

Omnidirectional

50 – 15,000 Hz

– 46 dB

1,000 Ω

48 g

1.5 m terminated with 3.5 mm (1/8”) mini-plug

6.3 mm (1/4”) adapter plug atr series

ATR3350

ATR97

European professional guide 2010-2011, prices in Euro Ex-VAT

(1)

43

44

multipurpose microphones application guide

pro series midnight blues

(1)

(1)

atr series

PRO31

PRO41

PRO61

PRO8HEx

MB1k

MB2k

MB3k

A

TR6250

A

TR6550

A

TR3350

A

TR4697

VOCAL

Lead Vocal

Choir (classic/church)

Back vocal

Aerobics

DRUMS

Karaoke

Overheads

Hi-Hat

Snare drum

Toms

Cymbal

Kick Drum

PERCUSSION

Congas/Bongo

Ethnics drums

Classic percussion

Xylophone

Minor percussion

PIANO

Piano

BRASS

Trumpet

Tuba

Trombone

WOODWIND

Clarinet & Oboe

Flute & piccolo

Saxophone

Bassoon

WIND INSTRUMENT

Organ

Harmonica

Accordion

STRINGS

Acoustic guitar

Banjo

ORCHESTRAL STRINGS

Cello

Violin

Contrabass

INSTRUMENT AMPLIFIER

Guitar amp

Bass guitar amp

AUDIO-VISUAL

Camcorder

Presenter/Speaker

Conference recording

Ambient recording

Internet-chat

PC video editing

PRO25ax

PRO63

PRO70

PRO35

PRO37

PRO24

● ●

MB4k MB5k

MB6k

● ●

(1) Exists in wireless version This application chart is a guide to selecting an Audio-Technica microphone for a specific application. Feel free to experiment with different microphone options as we realise the importance of personal taste and the acoustic environment.

45

BPHS-1

broadcast stereo headset

broadcast & production microphones

shotgun microphones

Broadcast & Production shotgun microphones offer crisp, clear, intelligible speech reproduction for critical long distance pickup in broadcast, film and TV production. Engineered to pick up dialogue and sound effects at a distance, while bypassing ambient noise such as traffic, airhandling systems, room reverberation and mechanically coupled vibrations. With a smooth, natural sounding audio quality, these highly directional microphones are also ideal for wildlife recording and theatre sound reinforcement applications.

page 48 to 51

subminiature condenser microphones

Designed to be worn as a lavalier clip-on, hidden in clothes or in the hairline, the discreet cardioid AT898 and omnidirectional AT899 are engineered for intelligible, accurate voice reproduction with an unobtrusive appearance for use in theatres, broadcast studios and houses of worship.

page 52

subminiature omnidirectional condenser lavalier microphone BP896

Offered in wired & wireless models, the BP896 comes generously equipped with an extensive accessory kit—mic holders, windscreens, element covers & more.

page 53

BP892 MicroSet ® microphones

MicroSet has a sound quality which is open and natural. Its rugged construction is designed to meet the challenges of day to day use in theatre, broadcast production and houses of worship. Available in black, beige and cocoa for use with all the major wireless transmitter brands, the MicroSet delivers a industry standard for secure, discreet, natural sounding headset.

page 54

clip-on lavalier microphones

With Audio-Technica’s legendary innovations in electro-acoustic design, Audio-Technica’s

Broadcast & Production Micro phones are ideal for applications where quality sound and unobtrusive design are imperative: TV / film / radio broadcast, AV presentations, houses of worship venues, and theatre sound reinforcement.

page 55

stereo microphones

The Broadcast & Production stereo microphones for field recording and ambient pickup are designed for high quality sound reinforcement and recording applications in doors or out in the field. These robust microphones deliver clear and intelligible audio reproduction.

page 56

handheld and gooseneck microphones

The handheld AT8004 is an ideal dynamic omnidirectional interviewer microphone for high pressure environments that have to be right first time. The AT808G is designed for use as a quality talk-back microphone in entertainment, commercial and industrial applications. The AT8010, AT8031 and AT8033 condenser microphones are industry standard in studio and broadcast applications.

page 57 to 58

broadcast stereo headset

Created especially for on-air news & sports broadcasting, announcing & interviews, this rugged stereo headset offers natural, highly intelligible and focused vocal reproduction, closed-back circumaural (around-the-ear) ear cups to seal out background noise, and a high-output dynamic microphone mounted on a flexible gooseneck boom.

page 59

windscreens

A new range of professional windscreens designed for sound field pick up, different size adapted for all our range of broadcast microphones – shotguns, handhelds, stereo and lavalier microphones. Many sizes of pull-on fur socks from small windsocks for sub-miniature microphones to large zeppelin housings and Soft-Zep. Most models are designed to fit over a foam, plastic or metal microphone windshields.

page 60 to 64

application guide

page 54

47

broadcast & production

line + gradient condenser microphones

( PC 306-MC 210)

BP4071L

LEGEND

200 Hz

5 kHz

8 Hz

Windscreens informations

(see page 60 to 63).

BP4071+ BPZ-L

LEGEND

200 Hz

1 kHz

5 kHz

8 Hz

BP4073

LEGEND

200 Hz

5 kHz

8 Hz

Specifications

Element

Polar Pattern

Frequency Response

Low Frequency Roll-Off

Open Circuit Sensitivity

Impedance

Maximum Input Sound Level

BP4071L / BP4071

Externally polarized (DC bias) condenser

Line + gradient

20-18,000 Hz / 20-20,000 Hz

80 Hz, 12 dB/octave

Noise

(A-weighted)

Dynamic Range

(typical)

13 dB SPL

128 dB, 1 kHz at Max. SPL

Signal-to-Noise Ratio

Phantom Power Requirement

81 dB, 1 kHz at 1 Pa

48V DC, 4.6 mA typical

Switches

Weight

Dimensions

– 29 dB (35.5 mV), re 1V at 1 Pa*

50 Ω

141 dB SPL, 1 kHz at 1% T.H.D.

151 dB SPL, with 10 dB pad (nominal)

Flat, roll-off; 10 dB pad (nominal)

175 g / 136 g

L 539 mm; 21 mm maxi body Ø

L 395 mm; 21 mm maxi body Ø

Accessories Furnished

48

BP4073

Externally polarized (DC bias) condenser

Line + gradient

20-20,000 Hz

80 Hz, 12 dB/octave

– 29 dB (35.5 mV), re 1V at 1 Pa*

50 Ω

141 dB SPL, 1 kHz at 1% T.H.D.

151 dB SPL, with 10 dB pad (nominal)

13 dB SPL

128 dB, 1 kHz at Max. SPL

81 dB, 1 kHz at 1 Pa

48V DC, 4.6 mA typical

Flat, roll-off; 10 dB pad (nominal)

99 g

L 233 mm; 21 mm maxi body Ø

AT8405a stand clamp for 5/8”-27 threaded stands;

5/8”-27 to 3/8”-16 threaded adapter; AT8145 windscreen;

AT8405a stand clamp for 5/8”-27 threaded stands;

5/8”-27 to 3/8”-16 threaded adapter; AT8144 windscreen;

AT8147 windscreen (L); protective carrying case; two O-Rings protective carrying case; two O-Rings

*1 Pascal = 10 dynes/cm 2 = 10 microbars = 94 dB SPL

European professional guide 2010-2011, prices in Euro Ex-VAT

(1)

Based on extensive in-the-field research and user input, Audio-Technica’s new

BP4071L, BP4071

and

BP4073

microphones are ideal for creating high-quality audio for documentaries and feature films, wildlife recording and theatre sound reinforcement. The highly directional mics offer low self-noise and extremely focused pickup. They are also fully

RoHS-compliant – free from all substances specified in the EU directive on the reduction of hazardous substances (RoHS).

• Designed for critical long-distance pickup in broadcasting, film/ TV production and theatre sound reinforcement applications

• Transformerless design for improved pickup of transients

• Direct-coupled, balanced output ensures a clean signal even in high-output conditions

• Rugged housing made of lightweight structural-grade aluminum alloy

BP4071L

1060,00

Line + gradient condenser microphone, 539 mm long

• Overall length of 539 mm with an extremely narrow, highly directional pickup pattern

• Ideal for use in broadcasting, film/TV production, and theatre sound reinforcement

• Direct-coupled, balanced output ensures a clean signal even in high-output conditions

• Transformerless design for improved pickup of transients

• Rugged housing made of lightweight structural-grade aluminum alloy

• Interference tube design for narrow acceptance angle

• Switchable 80 Hz high-pass filter & 10 dB pad

BP4071L-Z

(BP4071L + BPZ-XL)

1 248,00

Same shotgun microphone as above with Soft-Zep system BPZ-XL

(Length 490 mm) including windscreens and pistol grip

BP4071L-W

1 134,00

(BP4071L + BPW-470)

Same shotgun microphone as above with Windshield BPW-470

(Length 470 mm)

BP4071L-F

(BP4071L + BPF-470)

1 098,00

Same shotgun microphone as above with Fur Socks BPF-470

(Length 470 mm)

BP4071

940,00

Line + gradient condenser microphone, 395 mm long

• Designed for use in broadcasting, film/TV production, and theatre sound reinforcement applications

• Direct-coupled, balanced output ensures a clean signal even in high-output conditions

• Innovative acoustic design provides same directivity as mics up to 50% longer

• Rugged housing made of lightweight structural-grade aluminum alloy

• Transformerless design for improved pickup of transients

• Switchable 80 Hz high-pass filter & 10 dB pad

BP4071-Z

(BP4071 + BPZ-L)

1 128,00

Same shotgun microphone as above with Soft-Zep system BPZ-L

(Length 360 mm) including windscreens and pistol grip

BP4071-W

(BP4071 + BPW-365)

1 014,00

Same shotgun microphone as above with Windshield BPW-365 (Length 365mm)

BP4071-F

(BP4071 + BPF-340)

978,00

Same shotgun microphone as above with Fur Socks BPF-340 (Length 340 mm)

BP4073

820,00

Line + gradient condenser microphone, 233 mm long

• Designed for use in broadcasting, film/TV production and theatre sound reinforcement applications

• Direct-coupled, balanced output ensures a clean signal even in high-output conditions

• Innovative acoustic design provides same directivity as mics up to 50% longer

• Switchable 80 Hz hi-pass filter & 10 dB pad

• Rugged housing made of lightweight structural-grade aluminum alloy

BP4073-Z

(BP4073 + BPZ-M)

1008,00

Same shotgun microphone as above with Soft-Zep system BPZ-L

(Length 310 mm) including windscreens and pistol grip

BP4073-W

894,00

(BP4073 + BPW-180)

Same shotgun microphone as above with Windshield BPW-365 (Length 365mm)

BP4073-F

(BP4073 + BPF-175)

856,00

Same shotgun microphone as above with Fur Socks BPF-175

(Length 175 mm)

shotgun microphones

( PC 306-MC 210)

STEREO SHOTGUN MICROPHONES

Based on models originally developed for the Sydney Olympics in 2000, the new

BP4027

and

BP4029

Stereo Shotgun models are engineered for high-end broadcast and production use. Both microphones feature independent line-cardioid and figure-of-eight elements configured in an MS (Mid-Side) arrangement with switch-selectable internal matrixing.

These innovative microphones allow sound recordists the choice of selecting a left-right stereo output

(wide or narrow) via the microphone’s internal matrixing system or choosing discreet Mid-Side signals for later manipulation, a flexibility not available from any other manufacturer.

A switchable low frequency roll-off filter helps minimize the pickup of unwanted low frequency noise.

These phantom-powered models feature a rugged lightweight design and sleek black color scheme, perfect for on-camera use.

BP4027

980,00

380 mm phantom only stereo shotgun microphone

BP4027-Z

(BP4027 + BPZ-L)

1 168,00

Same shotgun microphone as above with Soft-Zep system BPZ-L

(Length 360 mm) including windscreens and pistol grip

BP4027-W

(BP4027 + BPW-330)

1 054,00

Same shotgun microphone as above with Windshield BPW-330

(Length 330 mm)

BP4027-F

(BP4027 + BPF-340)

1 018,00

Same shotgun microphone as above with Fur Socks BPF-340 (Length 340 mm)

BP4029

860,00

236 mm phantom only stereo shotgun microphone

BP4029-Z

(BP4029 + BPZ-M)

1 048,00

Same shotgun microphone as above with Soft-Zep system

BPZ-M including windscreens and pistol grip (Length 310 mm)

BP4029-W

(BP4029 + BPW-180)

934,00

Same shotgun microphone as above with Windshield BPW-180

(Length 180 mm)

BP4029-F

(BP4029 + BPF-175)

896,00

Same shotgun microphone as above with Fur Socks

BPF-175

(Length 175 mm)

Specifications

BP4027

Mid Side LR stereo

Elements

Polar patterns

Frequency Response

Low frequency roll-off

Fixed-charge back plate permanently polarized condenser

Line-Cardioid and figure-of-eight

30-20,000 Hz

80 Hz, 12 dB/octave

Open circuit sensitivity

(re 1V at 1 Pa*)

Impedance

– 30 dB (31,6mV)

200 Ohms

Max. Input Sound Level

(1 kHz at 1% T.H.D.) 123 dB SPL

Signal-to-Noise Ratio

(1 kHz at 1 Pa) 72 dB SPL

– 34 dB (19,9 mV)

127 dB SPL

68 dB SPL

– 36 dB (15,8 mV)

126 dB SPL

70 dB SPL

Dynamic Range

(Typical, 1 kHz at 1% T.H.D.) 101 dB

Phantom power requirements

101 dB 102 dB

11-52V DC, 4 mA typical at 48V Each channel

Switches

Weight

(less cable and accessories)

Mid Side, LR-Wide, LR-Narrow; flat, roll-off

142 g

Dimensions

Output Connector

Cable

380 mm long, 21 mm diameter

Integral XLR5M-Type

Dual 0.61m shielded two-conductor, terminated in two XLR3M-type connectors

Accessories Furnished

AT8405a stand clamp for 5/8”-27 threaded stands;

AT8135 foam windscreen, 5/8”-27 to 3/8”-16 threaded adapter; protective carrying case; two O-Rings

*1 Pascal = 10 dynes/cm 2 = 10 microbars = 94 dB SPL

BP4029

Mid Side LR stereo

Fixed-charge back plate permanently polarized condenser

Line-Cardioid and figure-of-eight

40-20,000 Hz

80 Hz, 12 dB/octave

– 30 dB (31,6mV)

200 Ohms

123 dB SPL

72 dB SPL

– 34 dB (19,9 mV)

127 dB SPL

68 dB SPL

– 36 dB (15,8 mV)

126 dB SPL

70 dB SPL

101 dB 101 dB 102 dB

11-52V DC, 4 mA typical at 48V Each channel

Mid Side, LR-Wide, LR-Narrow; flat, roll-off

103 g

236 mm long, 21 mm diameter

Integral XLR5M-Type

Dual 0.61m shielded two-conductor, terminated in two XLR3M-type connectors

AT8405a stand clamp for 5/8”-27 threaded stands;

AT8134 foam windscreen, 5/8”-27 to 3/8”-16 threaded adapter; protective carrying case; two O-Rings broadcast & production

BP4027

BP4029 + BPW180

0

330 30

300 60

270

240

LEGEND

1 kHz

210 150

180

SCALE IS 5 DECIBELS PER DIVISION

120

90

European professional guide 2010-2011, prices in Euro Ex-VAT

(1)

Windscreens informations

(see page 60 to 63).

49

50

broadcast & production

Windscreens informations

(see page 60 to 63).

AT897

European professional guide 2010-2011, prices in Euro Ex-VAT

(1)

AT875R+BPW120

short shotgun microphone

( PC 306-MC 210)

SHORT SHOTGUN SIZED TO STAY OUT OF THE FRAME

AT897

299,00

279 mm long. Short shotgun microphone

Audio-Technica’s

AT897

is designed for field audio acquisition in film/TV/video production, professional recording, and broadcast applications. It mounts conveniently on a DV camcorder without adding noticeable heft, and remains out of the frame even with compact digital cameras.

This battery/phantom-powered short shotgun offers outstanding long-distance audio pickup due to the narrow acceptance angle of the line + gradient design. It also features smooth, natural-sounding on-axis audio quality and excellent off-axis rejection of sound arriving from the sides and rear of mic.

• Outstanding long-distance audio pickup due to narrow acceptance angle of line + gradient design

• Smooth, natural-sounding on-axis audio quality

• Excellent off-axis rejection of sound arriving from the sides and rear of mic

• Two versatile powering options: phantom and internal AA battery

• Switchable low-frequency roll-off improved dialogue capture and reduced pickup of unwanted sounds

• Lightweight, rugged construction adds negligible weight to camcorders

AT897-Z

487,00

(AT897 + BPZ-M)

Same shotgun microphone as above with Soft-Zep system BPZ-M (Length 310 mm) including windscreens and pistol grip

AT897-W

373,00

AT897-F

335,00

(AT897 + BPW-180)

Same shotgun microphone as above with Windshield BPW-180 (Length 180 mm)

(AT897 + BPF-175)

Same shotgun microphone as above with Fur Socks BPF-175 (Length 175 mm)

LINE + GRADIENT CONDENSER SHORT MICROPHONE

A small, discrete phantom powered shotgun, for use in field production where a compact, lighter camera mounted line microphone is required. The

AT875R

is ideal for corporate, event and wild life videographers or field sound engineers.

AT875R

164,00

178 mm line + gradient condenser microphone

AT875R -Z

(AT875R + BPZ-M)

352,00

Same shotgun microphone as above with Soft-Zep system BPZ-M (Length 310 mm) including windscreens and pistol grip

AT875R

-W

(AT875R + BPW-120)

238,00

Same shotgun microphone as above with Windshield BPW-120

(Length 120 mm)

AT875R -F

(AT875R + BPF-120)

200,00

Same shotgun microphone as above with Fur Socks BPF-120 (Length 120 mm)

Specifications

Element

Polar Pattern

AT897

Fixed-charge back plate permanently polarized condenser

AT875R

Condenser

Frequency Response

Low Frequency Roll-Off

Open Circuit Sensitivity

Impedance

Line + gradient

20-20,000 hz

Weight

(less accessories)

Dimensions

Output Connector

Accessories Furnished

145 g (5.1 oz)

279 mm (10.98”) long, 21 mm ( 0.83” ) Ø

Integral 3-pin XLRM-type

AT8405a stand clamp for 5/8”- 27 threaded stands; AT8134 windscreen; battery; 5/8”- 27 to 3/8”-16 threaded adapter; protective carrying case; two O-Rings

*1 Pascal = 10 dynes/cm 2 = 10 microbars = 94 dB SPL

Line + gradient

90Hz-20,000Hz

80 hz, 12 dB/octave

Phantom – 40 dB (10.0 mV), re 1V at 1 Pa* Battery – 41 dB (8.9 mV), re 1V at 1 Pa* – 30 dB (31.6 mV), re 1V at 1 Pa*

Max. Input Sound Level

Dynamic Range

(typical)

Signal-to-Noise Ratio

Switch

Phantom 200 Ω Battery 300 Ω 100 Ω

Phantom 129 dB SPL, 1 kHz at 1% T.H.D. Battery 115 dB SPL, 1 kHz at 1% T.H.D. 127 dB SPL, 1 kHz at 1% T.H.D.

Phantom 112 dB, 1 kHz at Max SPL

77 dB, 1 kHz at 1 Pa*

Battery 98 dB, 1 kHz at Max SPL

Flat, roll-off (recessed)

Battery Type / Current / Life

Phantom Power Requirements

1.5v AA/UM3 / 0.4 ma typical / 1200 hours (alkaline battery)

11-52V DC, 2 ma typical

107 dB, 1 kHz at Max SPL

74 dB, 1 kHz at 1 Pa*

11-52V DC, 2 ma typical

80 g (2.8 oz)

175 mm (6.89”) long, 21 mm (0.83”) Ø

Integral 3-pin XLRM-type

AT8405a stand clamp for 5/8”- 27 threaded stands;

AT8133 windscreen; 5/8”- 27 to 3/8”-16 threaded adapter; protective carrying case; two O-Rings

shotgun microphones

( PC 306-MC 210)

LINE + GRADIENT CONDENSER MICROPHONES

Designed for video production and broadcast (ENG/EFP) audio acquisition, the new

AT8015

and

AT8035

provide the narrow acceptance angle desirable for long-distance sound pickup. They offer excellent sound rejection from the sides and rear, switchable low-frequency roll-off, and the convenience of battery or phantom power operation.

AT8015

330,00

460 mm line + gradient condenser microphone

AT8015-Z

(AT8015 + BPZ-L)

518,00

Same shotgun microphone as above with Soft-Zep system BPZ-L (Length 360 mm) including windscreens and pistol grip

AT8015-W

(AT8015 + BPW-330)

404,00

Same shotgun microphone as above with Windshield BPW-330

(Length 330 mm)

AT8015-F

(AT8015 + BPF-340)

368,00

Same shotgun microphone as above with Fur Socks BPF-340 (Length 340 mm)

AT8035

310,00

369 mm line + gradient condenser microphone

AT8035-Z

(AT8035 + BPZ-M)

498,00

Same shotgun microphone as above with Soft-Zep system

BPZ-M including windscreens and pistol grip (Length 310 mm)

AT8035-W

(AT8035 + BPW-250)

384,00

Same shotgun microphone as above with Windshield BPW-250

(Length 250 mm)

AT8035-F

(AT8035 + BPF-250)

346,00

Same shotgun microphone as above with Fur Socks BPF-250

(Length 250 mm)

Specifications

Element

Polar Pattern

Frequency Response

Low Frequency Roll-Off

Open Circuit Sensitivity

Impedance

Max. Input Sound Level

Dynamic Range

(typical)

Signal-to-Noise Ratio

Phantom Power Requirements

Battery Type

Battery Current

Battery Life

Switch

Weight

(less accessories)

Dimensions

Output Connector

Accessories Furnished

AT8015

Fixed-charge back plate permanently polarized condenser

Line + gradient

40-20,000 hz

80 hz, 12 dB/octave

Phantom -38 dB (12.5 mv) Battery -39 dB (11.2 mv), re 1V at 1 Pa*

Phantom 250 Ω / Battery 300 Ω

Phantom 132 dB SPL/ Battery 120 dB SPL, 1 kHz at 1% T.H.D.

Phantom 110 dB / Battery 98 db, 1 kHz at Max SPL

72 dB, 1 kHz at 1 Pa*

11-52V DC, 2 ma typical

1.5v AA/UM3

0.4 mA typical

1200 hours typical (alkaline)

Flat, roll-off

195 g (6.9 oz)

460 mm (18.11”) long, 21 mm (0.83”) Ø

Integral 3-pin XLRM-type

AT8405a stand clamp for 5/8”- 27 threaded stands;

5/8”- 27 to 3/8”-16 threaded adapter; AT8135 windscreen; battery; protective carrying case; two O-Rings

*1 Pascal = 10 dynes/cm 2 = 10 microbars = 94 dB SPL

AT8035

Fixed-charge back plate permanently polarized condenser

Line + gradient

40-20,000 hz

80 hz, 12 dB/octave

Phantom -38 dB (12.5 mv) Battery -39 dB (11.2 mv), re 1V at 1 Pa*

Phantom 250 Ω / Battery 300 Ω

Phantom 132 dB SPL/ Battery 120 dB SPL, 1 kHz at 1% T.H.D.

Phantom 110 dB / Battery 98 db, 1 kHz at Max SPL

72 dB, 1 kHz at 1 Pa*

11-52V DC, 2 ma typical

1.5v AA/UM3

0.4 mA typical

1200 hours typical (alkaline)

Flat, roll-off

170 g (6.0 oz)

369 mm (14.53”) long, 21 mm (0.83”) Ø

Integral 3-pin XLRM-type

AT8405a stand clamp for 5/8”- 27 threaded stands;

5/8”- 27 to 3/8”-16 threaded adapter; AT8132 windscreen; battery; protective carrying case; two O-Rings broadcast & production

Windscreens informations

(see page 60 to 63).

AT8035

AT8015+BPW330

European professional guide 2010-2011, prices in Euro Ex-VAT

(1)

51

broadcast & production

Windscreens informations

(see page 60 to 63).

AT898-AT898c

AT899-AT899c AT899c-TH

52

AT899AK

European professional guide 2010-2011, prices in Euro Ex-VAT

(1)

AT899AK-TH

subminiature condenser

microphones

( PC 306-MC 210)

AT898 AND AT899 SYSTEMS

With A-T’s legendary innovations in electro-acoustic design, Audio-Technica’s Broadcast & Production Subminiature

Lavalier Microphones are ideal for applications where quality sound and unobtrusive design are imperative.

AT898

295,00

Subminiature cardioid condenser microphone

With

AT8537

power module,

AT898

Acc Set, and

AT8463

neck wire. Designed to be worn as a lavalier or hidden in clothing, Audio-Technica’s discreet-design cardioid

AT898

offers maximum intelligibility, accurate voice reproduction and unobtrusive appearance for use in houses of worship, broadcast studios, theatres, etc. Its switchable low frequency roll-off reduces sensitivity to popping. Battery or phantom power.

AT898c

155,00

AT899

295,00

Unterminated version of AT898

Subminiature omnidirectional condenser microphone

For interviews, documentary, film and theatre applications. With

AT8537

power module and

AT899AK

accessory kit. Audio-Technica’s omnidirectional

AT899

is engineered for intelligible, accurate voice reproduction.

Its low-profile design (a mere 5 mm in diameter) assures minimum visibility. The mic may be worn as a lavalier and is easily hidden in clothing or hair. It offers the convenience of battery or phantom power; its switchable lowfrequency roll-off reduces popping.

AT899c

148,00

Unterminated version of AT899, 1.40 m cable

AT899c-TH

148,00

Unterminated version of AT899 in beige

AT899AK

56,00

Accessories pack for AT899 and AT898

AT899AK-TH

56,00

Accessories pack in beige for AT899c-TH

Specifications

Element

Polar Pattern

Frequency Response

Low Frequency Roll-Off

Open Circuit Sensitivity

AT898

Fixed-charge back plate permanently polarized condenser

AT899

Fixed-charge back plate permanently polarized condenser

Cardioid Omnidirectional

200-15,000 Hz 20-20,000 Hz

Impedance

Maximum Input Sound Level

80 hz, 12 dB/octave

Phantom – 43 dB (7.0 mV), re 1V at 1 Pa*

Battery – 46 dB (5.0 mV), re 1V at 1 Pa*

Phantom 200 Ω - Battery 250 Ω

Phantom 131 dB spl, 1 kHz at 1% T.H.D.

Battery 115 dB spl, 1 kHz at 1% T.H.D.

80 hz, 12 dB/octave

– 43 dB (7.0 mV), re 1V at 1 Pa*

– 46 dB (5.0 mV), re 1V at 1 Pa*

Phantom 200 Ω - Battery 250 Ω

138 dB spl, 1 kHz at 1% T.H.D.

116 dB spl, 1 kHz at 1% T.H.D.

Dynamic Range

(typical) Phantom 100 dB, 1 kHz at max SPL

Battery 84 dB, 1 kHz at max SPL

108 dB, 1 kHz at max SPL

86 dB, 1 kHz at max SPL

Signal-to-Noise Ratio

Switch

Battery Type / Current / Life

Phantom Power Requirements

63 dB, 1 kHz at 1 pa* flat, roll-off (recessed)

Weight

(less cable and accessories)

Dimensions

Microphone 0.9 g (0.03 oz ) - Power module 102 g (3.6 oz )

Microphone 23.0 mm (0.91”) long, 5.3 mm (0.21”) diameter

Power Module 145.0 mm (5.71”) long, 21.0 mm (0.83”) diameter

Output Connector

(power module) Integral 3-pin XLRM-type

Cable

3.0 m (9.8’) long (permanently attached to microphone),

2.0 mm (0.08” ) diameter, 2-conductor, shielded cable with TA3F output connector that mates with TB3M jack on power module

Accessories Furnished

AT8537 power module; AT8439 cable clip; clothing clip base; viper clip base; magnet clip base and plate with lanyard; three single mic holders; two double mic holders; two windscreens; battery; protective carrying case

*1 Pascal = 10 dynes/cm 2 = 10 microbars = 94 dB SPL

64 dB, 1 kHz at 1 pa* flat, roll-off (recessed)

1.5V AA-UM3 / 0.4 ma typical / 1200 hours (alkaline battery) 1.5V AA-UM3 / 0.4 ma typical / 1200 hours (alkaline battery)

11- 52V DC, 2 ma typical 11- 52V DC, 2 ma typical

0.5 g (0.02 oz ) - Power module 102 g (3.6 oz )

16.0 mm (0.63”) long, 5.0 mm (0.20”) diameter

145.0 mm (5.71”) long, 21.0 mm (0.83”) diameter

Integral 3-pin XLRM-type

3.0 m (9.8’) long (permanently attached to microphone),

2.0 mm (0.08”) diameter, 2-conductor, shielded cable with TA3F output connector that mates with TB3M jack on power module

AT8537 power module; AT8439 cable clip; clothing clip base; viper clip base; magnet clip base and plate with lanyard; three single mic holders; two double mic holders; two element covers; two windscreens; battery; protective carrying case

subminiature condenser

microphones

BP896

MicroPoint

With a capsule diameter not much bigger than the head of a pin, Audio-Technica’s smallest-ever lavalier microphone virtually disappears in props or clothing to create highest-quality audio for broadcast and theatre sound reinforcement. The

BP896 MicroPoint™

omnidirectional lavalier delivers extremely intelligible natural audio and handles high sound pressure levels with ease. Its subminiature omni element is enclosed in a durable housing designed to minimize noise from handling, clothing and wind. Flip a switch to eliminate low-frequency hum without affecting intelligibility.

Offered in wired & wireless models, the

BP896

comes generously equipped with an extensive accessory kitmic holders, windscreens, element covers & more.

• Inconspicuous, lightweight capsule

• Extremely intelligible natural audio

• Handles high sound pressure levels with ease

• Rugged built for long-lasting performance

• High-pass

UniSteep

®

filter provides a steep low-frequency attenuation to improve sound pickup without affecting voice quality

• Requires 11V to 52V DC phantom power

• Includes generous accessory kit & protective case

• RoHS compliant—free from all substances specified in the EU directive on hazardous substances

• Available in black and beige, wired and wireless models:

SUBMINIATURE WIRELESS HEADWORN MICROPHONES

FOR USE WITH AUDIO-TECHNICA UNIPAK™ WIRELESS SYSTEMS

( PC 495-MC 430)

BP896cW

229,00

Less power module; 1.4 m cable terminated with locking 4-pin connector for audio-technica UniPak ® wireless systems

BP896cW-TH

229,00

Same as

BP896cW

, but in “theatre” color (beige)

SUBMINIATURE WIRELESS HEADWORN MICROPHONES UNTERMINATED

This microphone cannot be terminated to be used with Sennheiser wireless systems

( PC 317-MC 250)

BP896c

209,00

Less power module; 1.4 m cable, unterminated

BP896c-TH

209,00

Same as

BP896c

, but in “theatre” color (beige)

SUBMINIATURE HEADWORN MICROPHONES FOR WIRED APPLICATIONS

( PC 317-MC 250)

BP896

339,00

Subminiature omnidirectional condenser lavalier microphone, includes

AT8539

power module

BP896-TH

339,00

Same as

BP896

, but in “theatre” color (beige)

SUBMINIATURE HEADWORN MICROPHONES FOR USE WITH OTHER MANUFACTURERS’

WIRELESS TRANSMITTERS

( PC 495-MC 430)

BP896cL4

249,00

Less power module; 1.4 m cable terminated for Sennheiser wireless systems using Lemo connector

BP896cL4-TH

249,00

Same as

BP896cL4

, but in “theatre” color (beige)

BP896cLM3

219,00

Less power module; 1.4 m cable terminated for Sennheiser wireless systems using locking 3.5 mm connector

Full accessories kit (black or beige) included.

BP896cLM3-TH

219,00

Same as

BP896cLM3

, but in “theatre” color (beige)

BP896cT4

219,00

Less power module; 1.4 m cable terminated with TA4F-type connector for Shure wireless systems

BP896cT4-TH

219,00

Same as

BP896cT4

, but in “theatre” color (beige)

NEW

BP896

Subminiature

Omnidirectional

Condenser Lavalier

Microphone

Omnidirectional

BP896

Windscreens informations

(see page 60 to 63).

Specifications

Element

Polar Pattern

Frequency Response

Low Frequency Roll-Off

Open Circuit Sensitivity

Impedance

BP896

Fixed-charge back plate, permanently polarized condenser

Omnidirectional

20-20,000 Hz

80 Hz, 18 dB/octave (wired only)

– 49 dB (3.5 mV) re 1V at 1 Pa

250 ohms (wired only)

Maximum Input Sound Level

Dynamic Range

(typical)

Signal-to-Noise Ratio

Phantom power requirements

135 dB SPL, 1 kHz at 3% T.H.D.

104 dB, 1 kHz at Max SPL (wired only)

63 dB, 1 kHz at 1 Pa

11-52V DC, 2 mA typical (wired only)

Switch

Weight

Flat, roll-off (wired only)

Microphone : 0.14 g - Power module : 85 g (wired only)

Dimensions

Microphone : 10.8 mm long, 2.6 mm diameter - Power module : 97.6 mm long, 18.9 mm diameter (wired only)

Output Connector

(power module) Integral 3-pin XLRM-type

Cable

1.4 m long (permanently attached to microphone),

1.6 mm Ø, 2-conductor shielded cable with locking 4-pin connector (wired only)

Accessories Furnished

BP896: AT8539 power module (wired only); two AT8157 windscreens; six element covers (2 white,

2 beige, 2 black); viper clip base; clothing clip base; 3 black single mic holders; 2 black double mic holders; belt clip (wired only); carrying case

BP896-TH: AT8539 power module (wired only); two AT8157-TH windscreens; six element covers (2 white,

2 beige, 2 black); viper clip base; clothing clip base; 3 beige single mic holders; 2 beige double mic holders; belt clip (wired only); carrying case

*1 Pascal = 10 dynes/cm 2 = 10 microbars = 94 dB SPL

European professional guide 2010-2011, prices in Euro Ex-VAT

(1)

53

AT-PR2010 (GB) (extra page).qxd:Mise en page 1 16/03/10 13:26 Page 54

BP892

MicroSet

®

AT8464

NEW

AT8464

Dual-Ear Microphone mount

BP892

Subminiature Omnidirectional

Condenser Headworn

Microphone

BP892

BP892-TH

• Inconspicuous, lightweight design is ideal for applications requiring minimum visibility

• Under-ear design for ultimate comfort and ultra-secure fit

54

Specifications

Element

Polar Pattern

Frequency Response

Low Frequency Roll-Off

Open Circuit Sensitivity

Impedance

BP892

Fixed-charge back plate, permanently polarized condenser

Omnidirectional

20-20,000 Hz

80 Hz, 18 dB/octave (wired only)

– 49 dB (3.5 mV) re 1V at 1 Pa

250 ohms (wired only)

Maximum Input Sound Level

Dynamic Range

(typical)

Signal-to-Noise Ratio

Phantom power requirements

135 dB SPL, 1 kHz at 3% T.H.D.

104 dB, 1 kHz at Max SPL (wired only)

63 dB, 1 kHz at 1 Pa

11-52V DC, 2 mA typical (wired only)

Switch

Weight

Flat, roll-off (wired only)

Microphone : Microphone, boom & earpiece: 2.6 g

Dimensions

Microphone : 8.1 mm long, 2.6 mm diameter

Boom: 98.4 mm long, 1.07 mm diameter

Power module: 97.6 mm long, 18.9 mm diameter (wired only)

Output Connector

(power module) Integral 3-pin XLRM-type

Cable

1.4 m long (permanently attached to microphone),

1.6 mm Ø, 2-conductor shielded cable with locking 4-pin connector (wired only)

Accessories Furnished

BP892: AT8539 power module (wired only); AT8440 cable clip; two AT8157 windscreens; two AT8156 element covers; moisture guard; belt clip (wired only); carrying case; AT8464 dual-ear

BP892-TH: AT8539 power module (wired only); AT8440 cable clip; two AT8157-TH windscreens; two AT8156-TH element covers; moisture guard; belt clip (wired only); carrying case; AT8464-TH dual-ear

*1 Pascal = 10 dynes/cm 2 = 10 microbars = 94 dB SPL

European professional guide 2010-2011, prices in Euro Ex-VAT (1)

ADDENDUM

omnidirectional condenser headworn microphone

Audio-Technica’s new high-SPL

BP892 MicroSet

®

offers the ultimate in low-profile, high-performance audio. Delivering clear and accurate sound in a tiny package, the ultra-lightweight

BP892

hooks securely behind either ear and can be worn for hours without fatigue. The microphone features a flat, extended frequency response and other outstanding performance specifications, resulting in extremely intelligible, natural audio for stage and television talent, lecturers and houses of worship. Protected by a highly durable

Parylene coating, the new headworn mic is built to stand up to the rigors of day-to-day use.

There will be no COCOA color anymore.

SUBMINIATURE WIRELESS HEADWORN MICROPHONES

FOR USE WITH AUDIO-TECHNICA UNIPAK™ WIRELESS SYSTEMS

( PC 495-MC 430)

BP892cW

299,00

Less power module; 1.4 m cable terminated with locking 4-pin connector for Audio-Technica UniPak ® wireless systems

BP892cW-TH

299,00

Same as

BP892cW

, but in “theatre” color (beige)

SUBMINIATURE WIRELESS HEADWORN MICROPHONES UNTERMINATED

( PC 306-MC 210)

This microphone cannot be terminated to be used with Sennheiser wireless systems

BP892c

279,00

Less power module; 1.4 m cable, unterminated

BP892c-TH

279,00

Same as

BP892c

, but in “theatre” color (beige)

SUBMINIATURE HEADWORN MICROPHONES FOR WIRED APPLICATIONS

( PC 306-MC 210)

BP892

399,00

AT8539

109,00

Subminiature omnidirectional condenser headworn microphone, includes

AT8539

power module

BP892-TH

399,00

Same as

BP892

, but in “theatre” color (beige)

See description page 121.

SUBMINIATURE HEADWORN MICROPHONES

FOR USE WITH OTHER MANUFACTURERS’ WIRELESS TRANSMITTERS

( PC 306-MC 430)

BP892cT4

299,00

Less power module; 1.4 m cable terminated with TA4F-type connector for Shure wireless systems

BP892cT4-TH

299,00

Same as

BP892cT4

, but in “theatre” color (beige)

BP892cL4

329,00

Less power module; 1.4 m cable terminated for Sennheiser wireless systems using Lemo connector

BP892cL4-TH

329,00

Same as

BP892cL4

, but in “theatre” color (beige)

BP892cLM3

309,00

Less power module; 1.4 m cable terminated for Sennheiser wireless systems using locking

3.5 mm connector

BP892cLM3-TH

309,00

Same as

BP892cLM3

, but in “theatre” color (beige)

BP892cM1

289,00

Microset headworn microphone unterminated, black colour to be used with Sennheiser wireless systems only

BP892cM1-TH

289,00

Same as

BP892cM1

, but in “theatre” color (beige)

AUDIO-TECHNICA’S DUAL-EAR MICROPHONE MOUNT

AT8464

39,00

Audio-Technica’s Dual-Ear Microphone Mount allows you to convert your single ear-worn

BP892

or

AT892

MicroSet ® to a dual-ear-worn unit for maximum stability and comfort.

The

BP892

fits on either side of the Dual-Ear Microphone Mount, allowing the microphone to be worn either on the left or right side of your head. The headband easily adjusts to fit both children and adults.

AT8464-TH

39,00

Same as

AT8464

, but in “theatre” colour (beige)

cardioid clip-on microphones

( PC 306-MC 210)

MICROPHONES WITH POWER MODULES

AT831R

210,00

Miniature cardioid condenser microphone (phantom only)

For musical instruments and lavalier use where feedback or room noise is a problem.

Phantom power only. 4m cable with TA3F plug. Includes AT8538 power module, AT8444 instrument adapter,

AT8116 windscreen, AT8419 clothing clip and protective carrying case.

AT831b

184,00

Miniature cardioid condenser microphone (both battery and phantom)

Same as AT831R but both battery and phantom power. 1.8 m cable attached to power module.

Includes AT8531 power module (off/on/roll/off), same accessories as AT831R furnished

UNTERMINATED MICROPHONE

AT831c

82,00

Unterminated version of AT831R

(less power module)

Comes with AT8419 clothing clip and AT8116 windscreen. 3,2 m integral unterminated cable broadcast & production

Windscreens informations

(see page 60 to 63).

AT831R / AT831b / AT831c

AT831R

AT831b

omnidirectional clip-on microphones

( PC 306-MC 210)

ELECTRET LAVALIER MICROPHONES WITH POWER MODULES

AT803b

179,00

Miniature omnidirectional condenser microphone

For lavalier and musical instrument use phantom power or battery.

1.8 m cable attached to AT8531 power module (off/on/roll/off) switch.

Includes AT8116 windscreen, AT8419 clothing clip, battery and protective carrying case.

MT830R

220,00

Miniature omnidirectional condenser microphone

For use as lavalier, or may be worn in clothing or hair. Phantom power only. 8 m cable with TA3F plug.

Includes AT8538 power module, AT8130 self-adhesive windscreens (3) and AT8420 clothing clip.

UNTERMINATED ELECTRET LAVALIER MICROPHONES

AT803cb

68,00

Unterminated version of AT803b

(less power module)

Comes with AT8419 clothing clip and AT8116 windscreen. 1,8 m integral unterminated cable

MT830c

74,00

Unterminated version of MT830R

(less power module). Comes with AT8420 clothing clip and AT8130 windscreen.

MT838b

58,00

1,5 m integral unterminated cable

MT350b

28,00

Ultra miniature omnidirectional cosmetic stage/ theatre microphone, unterminated version. Comes with AT8435 clothing clip, AT8129 windscreen. 4,6 m integral unterminated cable

Miniature omnidirectional condenser lavalier microphone, unterminated version with integral windscreen. Comes with MT838TC clip. 1,8 m integral unterminated cable

Specifications

Element

Polar Pattern

Frequency Response

Open Circuit Sensitivity

(re 1V at 1 Pa*)

Impedance

Max. Input Sound Level

(1 kHz at 1% T.H.D.)

Signal-to-Noise Ratio

AT831R

Condenser

Cardioid

40-16,000 Hz

Phantom: – 42 dB (7.9 mV)

Battery:

Battery:

Phantom: 141 dB SPL

Battery:

65 dB, 1 kHz at 1 Pa

AT831b

Condenser

Cardioid

40-18,000 Hz

– 44 dB (6.3 mV)

– 46 dB (5.0 mV)

200 Ω

270 Ω

135 dB SPL

121 dB SPL

65 dB, 1 kHz at 1 Pa

Low Frequency Roll-Off

Power Requirement

Battery life

Output Connector

80 Hz, 18 dB/octave 80 Hz, 18 dB/octave

11-52V DC or 1.5 V AA battery 11-52V DC, phantom only

XLRM (on power module)

1200 hours (alkaline battery)

XLRM (on power module)

Accessories Furnished

AT8538 remote power module; AT8531 power module;

AT8444 instrument adapter; AT8444 instrument adapter;

AT8419 clothing clip;

AT8116 windscreen; protective carrying case

AT8419 clothing clip;

AT8116 windscreen; battery; protective carrying case

*1 Pascal = 10 dynes/cm 2 = 10 microbars = 94 dB SPL

AT803b / AT803cb MT830R / MT830c

AT803b

Condenser

Omnidirectional

30-20,000 Hz

– 45 dB (5.6 mV)

– 46 dB (5mV)

200 Ω

270 Ω

135 dB SPL

121 dB SPL

65 dB, 1 kHz at 1 Pa

80 Hz, 18 dB/octave

9-52V DC or 1.5 V AA battery

1200 hours (alkaline battery)

XLRM (on power module)

AT8531 power module;

AT8419 clothing clip;

AT8116 windscreen protective carrying case

MT350b

MT830R

Condenser

Omnidirectional

30-20,000 Hz

– 37 dB (14.1 mV)

200 Ω

135 dB SPL

67 dB, 1 kHz at 1 Pa

80 Hz, 18 dB/octave

11-52V DC phantom only

XLRM (on power module)

AT8538 power module;

AT8130 windscreen;

AT8420 clothing clip;

MT838b

55

European professional guide 2010-2011, prices in Euro Ex-VAT

(1)

broadcast & production

AT8022

Windscreens informations

(see page 60 to 63).

56

BP4025

European professional guide 2010-2011, prices in Euro Ex-VAT

(1)

professional stereo microphone

( PC 306-MC 210)

AT8022

420,00

X/Y stereo microphone

This stereo microphone uses a unique coincident capsule configuration to produce an accurate stereo image in a very small housing. A standard for broadcast and professional field recording, the compact and lightweight

AT8022

is perfect for handheld, boom or camera mount use. With optional balanced or unbalanced output the

AT8022

is extremely versatile for all stereo microphone applications from field recording, ambient pickup and interviews.

In balanced mode a Y-split cable provides two separate XLR output connectors with the option to power the microphone via phantom power.

Unbalance mode requires one AA battery to power the microphone and uses a 3.5mm mini-jack output connector providing the most professional broadcast microphone for use with camcorders, mp3 or mini-disk recorders.

AT8022-F

(AT8022 + BPF-2)

456,00

Same stereo microphone as above with Fur Socks BPF-2

Length of the BPF-2: 125mm

studio / broadcast stereo microphone

( PC 306-MC 210)

BP4025

540,00

Large diaphragm X/Y microphone

A unique large diaphragm coincident capsule configuration offers a pristine stereo image with an exceptional low noise floor. The image and excellent channel separation captured by this one microphone is natural and powerful to create that feeling of being there.

A new standard for top quality broadcast ambient recordings, this microphone is as happy in the studio as it is in the high sound pressure volumes of motoring events offering a an astounding 155dB SPL, 80Hz roll off and 10dB pad.

BP4025-F

576,00

(BP4025+BPF-2)

Same stereo microphone as above with Fur Socks BPF-2

Length of the BPF-2: 125mm

Specifications

Element

Channel Balance

AT8022

Fixed-charge back plate permanently polarized condenser

Polar Pattern

Frequency Response

Low Frequency Roll-Off

Open Circuit Sensitivity

< 2.5 dB

X/Y Stereo

20-15,000 Hz

80 Hz, 12 dB/octave

Impedance

Maximum Input Sound Level

Dynamic Range

(typical)

Signal-to-Noise Ratio

Phantom: – 38 dB (12.5 mV) - Battery: –38 dB (12.5 mV)

Phantom: 250 ohms - Battery: 300 ohms

Phantom: 128 dB - Battery: 120 dB SPL, 1 kHz at 1% T.H.D.

Phantom: 109 dB - Battery: 101 dB, 1 kHz at Max SPL

Phantom Power Req.

Battery type / Battery current / life

Switches

Weight

(less cable and accessories)

Dimensions

75 dB, 1 kHz at 1 Pa*

11-52V DC, 2 mA typical (each channel)

1.5V AA/UM3 / 0.7 mA / 700 hours typical (alkaline)

Battery On/Off; Flat, roll-off

247 g (8.7 oz)

186.0 mm (7.32") long, 47.6 mm (1.87") head diameter,

21.0 mm (0.83") maximum body diameter

Output Connector

Cables

Integral 5-pin XLRM-type

Balanced: 2.0 m (6.5') long, 8 conductor, shielded, vinyl-jacketed stereo cable with 5-pin XLRF-type connector at microphone end and two 3-pin XLRM-type connectors at output end;

Unbalanced: 0.6 m (2.0') long stereo cable with 5-pin XLRF-type connector at microphone end and 3.5mm TRS connector at output end

Accessories furnished

AT8405a stand clamp for 5/8"-27 threaded stands;

AT8120 windscreen; battery; soft protective pouch

*1 Pascal = 10 dynes/cm 2 = 10 microbars = 94 dB SPL

BP4025

Fixed-charge back plate permanently polarized condenser

< 2.5 dB

X/Y Stereo

20-17,000 Hz

80 Hz, 12 dB/octave

– 32 dB (25.1 mV) re 1V at 1 Pa*

170 ohms

145 dB SPL, 1 kHz at 1% T.H.D. - 155 dB SPL, with 10 dB pad

131 dB, 1 kHz at Max SPL

80 dB, 1 kHz at 1 Pa*

11-52V DC, 7 mA typical (both channels total)

10 dB pad (nominal)

269 g (9.5 oz)

186.0 mm (7.32") long, 47.6 mm (1.87") head diameter

21.0 mm (0.83") body diameter

Integral 5-pin XLRM-type

5.0 m (16.5') long, 8 conductor, shielded, vinyl-jacketed stereo cable with 5-pin XLRF-type connector at microphone end and two 3-pin XLRM-type connectors at output end

AT8405a stand clamp for 5/8"-27; threaded stands;

AT8120 windscreen; soft protective pouch

handheld general purpose

microphones

( PC 306-MC 210 )

AT8031

199,00

Cardioid condenser handheld microphone

Replacement model of

ATM31a

and

AT813a

The

AT8031

is ideal for close-up interviews, vocals, overheads, piano, and strings. Its cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source.

The mic’s proximity effect provides added warmth when used close up.

Features include a large protective screen that reduces “popping” and sibilant distortion. It operates on battery or phantom power.

AT8033

179,00

Cardioid condenser microphone

Replacement model of

ATM33a

Ideal for general audio acquisition such as interviews, acoustic guitar, percussion, overheads, vocals and more, the

AT8033

features high-SPL capability and wide frequency response. Its cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source.

The mic excels in both studio and stage applications. It operates on battery or phantom power.

gooseneck microphone

( PC 306-MC 210 )

XLR GOOSENECK MICROPHONE

AT808G

135,00

Subcardioid moving coil dynamic console microphone

412.7 mm long.

XLRM-type output plugs directly into

XLRF-type panel mount or console connector.

Specifications

Element

AT8031

Fixed-charge back plate, permanently polarized condenser

AT8033

Fixed-charge back plate, permanently polarized condenser

Polar Pattern

Frequency Response

Open Circuit Sensitivity

Cardioid

30-20,000 Hz

Cardioid

30-20,000 Hz

Phantom: – 44 dB (6.3 mV), re at 1Pa*

Battery: – 45 dB (5.6 mV), re at 1Pa*

– 44 dB (6.3 mV), re at 1Pa*

– 45 dB (5.6 mV), re at 1Pa*

Impedance

Max. Input Sound Level

Phantom: 250 − Battery: 300 Ω

Phantom: 137 dB SPL, 1 kHz at 1% T.H.D.

Battery: 123 dB SPL, 1 kHz at 1% T.H.D.

70 dB, 1 kHz at 1 Pa*

Phantom: 250 Ω − Battery: 300 Ω

137 dB SPL, 1 kHz at 1% T.H.D.

123 dB SPL, 1 kHz at 1% T.H.D.

70 dB, 1 kHz at 1 Pa*

Signal-to-Noise Ratio

Dynamic Range

Phantom: 113 dB, 1 kHz at Max SPL

Battery: 99 dB, 1 kHz at Max SPL

113 dB, 1 kHz at Max SPL

99 dB, 1 kHz at Max SPL

Power Requirement

Weight

(less accessories)

Dimensions

(mm)

Output Connector

Accessories Furnished

Phantom: 11-52V, 2 mA or 1.5 V AA / UM3

205 g (7.2 oz)

193.0 long, 50.3 head Ø max

Integral 3-pin XLRM-type

Phantom 11-52V, 2 mA or 1.5 V AA / UM3

159 g (5.6 oz)

194.2 long, 26 head Ø max

Integral 3-pin XLRM-type

AT8405a stand clamp for 5/8”-27 threaded AT8405a stand clamp for 5/8”-27 threaded stands; 5/8”-27 to 3/8”-16 threaded adapter; stands; 5/8”-27 to 3/8”-16 threaded adapter;

AT8114 windscreen; battery; soft protective pouch

AT8136 windscreen; battery; soft protective pouch

*1 Pascal = 10 dynes/cm 2 = 10 microbars = 94 dB SPL

AT808G

Dynamic

Subcardioid

200 - 5,000 Hz

– 60 dB (1.0 mV), re at 1Pa*

800 Ω

115g (4.8 oz)

412.7 long, 25 head Ø, 18.9 base Ø

Integrated 3-pin XLRM

AT808G

broadcast & production

AT8031

AT8033

European professional guide 2010-2011, prices in Euro Ex-VAT

(1)

57

58

broadcast & production

AT8010

Windscreens informations

(see page 60 to 63).

AT8004L

AT8004+BPW-1

European professional guide 2010-2011, prices in Euro Ex-VAT

(1)

handheld general purpose

microphones

( PC 306-MC 210 )

OMNIDIRECTIONAL MICROPHONES

AT8010

180,00

Omnidirectional condenser microphone

Replacement model of

ATM10a

The

AT8010

is ideal for interviews, sportscasting and for use as the ”mono” mic in conjunction with a stereo microphone. Its omnidirectional polar pattern provides natural reproduction of surrounding ambience. The mic’s rugged housing with hardened-steel grille stands up to field use; its internal shock mounting minimizes handling and cable noise.

Operates on battery or phantom power.

AT8004

120,00

Omnidirectional dynamic microphone

Replacement model of

AT804

The

AT8004

is ideal for interviews, sportscasting and for use as the ”mono” mic in conjunction with a stereo microphone. Its omnidirectional polar pattern provides natural reproduction of surrounding ambience. The mic’s rugged housing with hardened-steel grille stands up to field use; its internal shock mounting minimizes handling and cable noise.

AT8004-W

(AT8004+BPW-1)

194,00

Same microphone as above with Windshield BPW-1

Length of the BPW-1: 95mm

AT8004L

130,00

Omnidirectional dynamic microphone with extended handle

Replacement model of

AT804L

The

AT8004L

has been optimised for broadcasted interviews; The length of 239,5 mm allows the use of ”customized mic flags” with Broacaster’s logos proudly displayed.

AT8004L-W

(AT8004L+BPW-1)

204,00

Same microphone as above with Windshield BPW-1

Length of the BPW-1: 95mm

Specifications

Element

Polar Pattern

Frequency Response

Open Circuit Sensitivity

Impedance

AT8010

Fixed-charge back plate permanently polarized condenser

Omnidirectional

20-20,000 Hz

Phantom: – 44 dB (6.3 mV), re 1V at 1Pa*

Battery: – 45 dB (5.6 mV), re 1V at 1Pa*

Max. Input Sound Level

Phantom: 137 dB SPL, 1 kHz at 1% T.H.D.

Battery: 123 dB SPL, 1 kHz at 1% T.H.D.

70 dB, 1 kHz at 1 Pa*

Signal-to-Noise Ratio

Dynamic Range

Phantom Power Requirement

Weight

(less accessories)

Dimensions

Phantom: 113 dB, 1 kHz at Max SPL

Battery: 99 dB, 1 kHz at Max SPL

11-52V DC, 2 mA or 1.5V AA/UM3 battery

165 g (5.8 oz)

178.0 mm (7.01”) long.,

26.0 mm (1.02”) maximum head diameter

Output Connector

Accessories Furnished

Integral 3-pin XLRM-type

AT8405a stand clamp for 5/8”-27 threaded stands; 5/8”-27 to 3/8”-16 threaded adapter;

AT8136 windscreen; battery; soft protective pouch

*1 Pascal = 10 dynes/cm 2 = 10 microbars = 94 dB SPL

AT8004

Dynamic

Omnidirectional

80-16,000 Hz

– 51 dB (2.8 mV), re 1V at 1Pa*

300

Ω

AT8004L

Dynamic

Omnidirectional

80-16,000 Hz

– 51 dB (2.8 mV), re 1V at 1Pa*

300

Ω

160 g (5.6 oz)

150.5 mm (5.93”) long

35.8 mm (1.41”) head Ø

Integral 3-pin XLRM-type

AT8405a stand clamp for

5/8”-27threaded stands; 5/8”-27 to 3/8”-16 threaded adapter; soft protective pouch

215 g (7.6 oz)

239.5 mm (9.43”) long

35.8 mm (5.93”) head Ø

Integral 3-pin XLRM-type

AT8405a stand clamp for

5/8”-27threaded stands; 5/8”-27 to 3/8”-16 threaded adapter; soft protective pouch

broadcast stereo headset

( PC 319-MC 250)

The

BPHS1

is a rugged broadcast stereo headset with closed-back circumaural (around-the-ear) ear cups and a professional boom-mounted microphone that can be worn from either side. It is designed for news and sports broadcasting, announcing and interviews.

The headset’s microphone has a unidirectional polar pattern tailored for pickup of speech with maximum voice intelligibility over a wide range of frequencies. It is more sensitive to sound originating directly in front of the element, making it useful in reducing pickup of unwanted sounds. The flexible gooseneck boom swivels for easy positioning on either the right or left side.

The dual earphones offer an extended frequency response of 20-20,000 Hz and smooth, natural sound reproduction. At the heart of each earpiece, a 40 mm neodymium driver offers impressive power handling ideal for high maximum sound pressure levels. Generously padded circumaural ear cups provide acoustic isolation and long-wearing comfort; the adjustable headband is also crafted and cushioned for listening comfort.

BPHS-1

159,00

Broadcast stereo headset

• Microphone features polar pattern and frequency response tailored for natural, highly intelligible vocal reproduction

• Closed-back circumaural ear cups help seal out crowd noise and other background distractions

• Neodymium magnets in microphone and headphones for high output level & detailed sound reproduction

• Rugged design with user-replaceable cable and ear pads

• Unidirectional pickup pattern in dynamic microphone rejects off-axis sounds

• Boom-mounted microphone can be positioned on the left or right side

• Adjustable cushioned headband and lightweight design for longwearing comfort

• Cable termination: 3-pin XLRM-type connector for microphone 1/4” 3-conductor for headphones broadcast & production

NEW

BPHS-1

Broadcast Stereo Headset

Accessories included

Specifications

Casque

Headphone Driver

Microphone Element

Microphone Polar Pattern

Frequency Response

BPHS-1

Closed-back Dynamic

40 mm, neodymium magnet, copper-clad aluminum wire voice coil

Dynamic

Cardioid

Headphone: 20-20,000 Hz

Microphone: 40-20,000 Hz

Microphone: – 57 dB (1.4 mV) re 1V at 1 Pa

Open circuit sensitivity

Sensitivity

Maximum Input Power

Impedance

Weight

Dimensions

Cable

Accessories Included

Headphone: 100 dB

1,600 mW at 1 kHz

Headphone: 65 ohms

Microphone: 560 ohms

264 g

82.0 mm wide (earcup); 46.0 mm wide (headband);

180.1 mm long (boom), microphone extended; 24.0 mm diameter (microphone)

3.3 m long with 8-pin connector at headset end; 3-pin XLRM-type connector (microphone) and 6.3 mm phone plug (headphone) outputs

3 windscreens; spare connector screw

*1 Pascal = 10 dynes/cm 2 = 10 microbars = 94 dB SPL

Polar pattern

European professional guide 2010-2011, prices in Euro Ex-VAT

(1)

59

broadcast & production

windshield guide for shotgun microphones

SOFT-ZEP SERIES

Soft-Zep for ultimate windnoise protection.

• Confortable hand grip

• Extremely light weight

• Neutrik XLR 3 pin connectors

• 3/8 inch boom-pole mount

SOFT-ZEP

WINDSHIELD SERIES

Complete encapsulated Windshield system, for quick and easy application in the field and superior windnoise reduction.

Windsock closed with“velcro”

Microphone

Foam windscreen

60

European professional guide 2010-2011, prices in Euro Ex-VAT

(1)

FUR SOCKS

WINDSHIELD

FUR SOCKS SERIES

Pull-on Fur Socks fit over an existing foam, windshield for enhanced windnoise protection.

WIND

light normal

SOFT-ZEP SERIES

WINDSHIELD SERIES

FUR SOCKS SERIES

(*)NEEDS ADDITIONAL EXTERNAL MOUNTING HARDWARE

strong

extreme held

MOUNT

hand integrated

held with grip hand external camera

(*)

mount

stand mount

boom pole

soft-zep series

( PC 350-MC 410)

The Soft-Zep is lightweight, robust and simple to use and has a permanently mounted high quality fur windcover around a an open cell foam core and a very comfortable hand grip made from Kraton rubber with soft gel inserts. A thread in the base of the handle allows a boom pole to be attached. The rubber handle can be easily removed and the microphone cable threaded through the handle so it is out of the way.

A special handle is also available as an accessory, which has a built in XLR connector in the base. For ease of use, the microphone is simply inserted into the rear of the Soft-Zep in the same way as a “Windshield”.

Soft-Zep features:

• Models available to fit virtually all shotgun microphones.

• Neutrik XLR connectors.

• Quick and easy to switch microphones.

• No bayonets, screws or fiddly microphone holders to wrestle with.

BPZ-M

188,00

Soft-Zep serie system with permanently mounted fur windcover and pistol grip

Length 310 mm - weight 360g (without cable)

Boom pole mount : 3/8 inch.

Connectors : Neutrik XLR 3 pin

BPZ-L

188,00

Soft-Zep serie system with permanently mounted fur windcover and pistol grip

Length 360 mm - weight 400g (without cable)

Boom pole mount : 3/8 inch.

Connectors : Neutrik XLR 3 pin

BPZ-XL

188,00

Soft-Zep system with permanently mounted fur windcover and pistol grip

Length 490 mm - weight 450g (without cable)

Boom pole mount : 3/8 inch.

Connectors : Neutrik XLR 3 pin broadcast & production

BPZ-M

BPZ-L

SOFT-ZEP SERIES

BPZ-M

BPZ-L

BPZ-XL

shotguns

A

T8015

A

T8035

A

T875R

A

T897

BP4073

BP4071

BP4071L

BP4027

BP4029

BPZ-XL

European professional guide 2010-2011, prices in Euro Ex-VAT

(1)

61

broadcast & production

Complete encapsulated windshield systems

The Windshield is perfect for camera, boom or handheld microphones where speed of mounting and outstanding performance is required. The Windshield is especially for ENG,

Drama, Film due to speed of application, noise free microphone changes and light weight.

The microphone is quickly and easily withdrawn for filter switch changes.

Unique construction

The Windshield has a foam core of 20PPi open cell foam which gives enhanced windnoise reduction while giving optimum high frequency performance. The fur covering is a 30mm synthetic fur, especially chosen for its acoustic properties and light weight. The

Windshield end cap is made of neoprene with genuine soft black leather trim for a snug fit and attractive finish.

windshield series

( PC 351-MC 410)

BPW-120

74,00

Complete Windshield system

– Length 120 mm

BPW-180

74,00

Complete Windshield system – Length 180 mm

BPW-250

74,00

Complete Windshield system

– Length 250 mm

BPW-330

74,00

Complete Windshield system – Length 330 mm

BPW-365

74,00

Complete Windshield system

– Length 365 mm

BPW-470

74,00

Complete Windshield system – Length 470 mm

BPW-1

74,00

Windscreen for reporter microphones

– Length 95 mm

BPW-365

BPW-330

BPW-120

BPW-1

62

European professional guide 2010-2011, prices in Euro Ex-VAT

(1)

BPW-470

BPW-250

BPW-180

WINDSHIELD SERIES

shotguns

BPW-120

BPW-180

BPW-250

BPW-330

BPW-365

BPW-470

BPW-1

A

T8015

A

T8035

A

T875R

A

T897

BP4073

BP4071

BP4071L

BP4027

BP4029

Inter view mikes

A

T8004

A

T8004L

● ●

fur socks series

( PC 350-MC 410)

Windscreens for broadcast and production microphones

Fur Socks are used most often when the supplied foam windshield is not adequate in windy conditions.

Fur Socks are easily pulled over the existing foam and are fastened with velcro.

BPF-120

36,00

Fur Socks for shotgun microphones

Length 120 mm

BPF-175

36,00

Fur Socks for shotgun microphones

Length 175 mm

BPF-250

36,00

Fur Socks for shotgun microphones

Length 250 mm

BPF-340

38,00

Fur Socks for shotgun microphones

Length 340 mm

BPF-470

38,00

Fur Socks for shotgun microphones

Length 470 mm

BPF-2

36,00

Fur Socks for stereo microphones

Length 125 mm

BPF-LAV

12,00

Fur Socks for lavalier microphones

BPF-470 BPF-340

broadcast & production

BPF-250 BPF-175

BPF-LAV

BPF-120 BPF-2

FUR-SOCKS SERIES

shotguns

BPF-120

BPF-175

BPF-250

BPF-340

BPF-470

BPF-2

BPF-LAV

A

T8015

A

T8035

A

T875R

A

T897

BP4073

BP4071

BP4071L

BP4027

BP4029

stereo mics

A

T8022

BP4025

● ●

lavaliers

A

T831

A

T898

● ● ●

A

T899

BP896

European professional guide 2010-2011, prices in Euro Ex-VAT (1)

63

broadcast & production microphones application guide

64

(6)

(6)

(6) (6) (6) (6)

(6)

(6)

A

T4071a

A

T4073a

BP4027 BP4029 A

T8015

A

T8035

A

T897

A

T875R

A

T892

A

T898

A

T899

A

T803

THEATRE & MUSIC HALL

Stage overheads

Ambience

Stage floor (2)

Actor

Singer

Speaker

FILM PRODUCTION

Boom (4)

Lavalier

Ambience

Long Distance Pick up

FIELD TV

Interview and Reporter (5)

Camera mount

Stereo recording

Long Distance Pick up

STUDIO TV

Long Distance Pick up

Live Music (1)

Interview

Newscaster / Presenter

Camera Mount

Audience Ambience

Talk-back

RADIO STATION

Field Interview & Reporter

Studio Newscaster (3)

Radio Studio host (3)

AUDIO-VISUAL

Camcorder Mount

Ambient Recording

(1) See live sound and Studio microphones (2) See Unipoint U851& U841 page 72 (3) See AT4047 page 8 and Studio Microphones application chart page 20

(4) See AE5100 page 25 (5) See Artist Elite Wireless page 98 (6) Exists in Wireless version

This application chart is a guide to selecting an Audio-Technica microphone for a specific application.

Feel free to experiment with different microphone options as we realise the importance of personal taste and the acoustic environment.

A

T831

MT830

MT350b

MT838b

A

T8031

A

T8033

A

T8022

BP4025

A

T8010

A

T8004

A

T8004L

A

T808G

Our Recommendation

Best Choice

65

U857AU

UniLine™ condenser adapter-mount gooseneck microphone

installed sound microphones

unipoint ®

The first and still the best miniature condenser installed-sound microphones on the market. unipoint ® soundreinforcement solutions make speech and music clearly and comfortably audible, yet never draw attention to themselves or their operation. Regardless of acoustic constraints, they achieve maximum clarity and help overcome auditory distractions with natural, easy-to-listen-to sound.

page 68 to 73

propoint

Designed for sound reinforcement, broadcasting and recording, ProPoint miniature condenser microphones bring crisp, intelligible audio reproduction to the podium, stage, conference table and beyond. These pro-audio boundary, hanging and gooseneck microphones are engineered to meet every sound-installation challenge. ProPoint microphones make speech and music clearly and comfortably audible, yet never draw attention to themselves or their operation. With sleek, compact designs, they offer low-profile appearance, uncompromising sound quality and versatile miking choices for every application.

page 74 to 75

engineered sound microphones

Engineered Sound microphones have been the first choice of leading contractors and system integrators at the highest level of broadcast and installation. Includes UniGuard™ RFI immunity protecting the microphones from any

RF interference from mobile phone beeps to laptop buzzes. The discreet size and look of the engineered sound microphone means the best quality of sound is available with the least visibility. Includes gooseneck microphones with interchangeable capsules, ultra low profile boundary, hanging, lavalier clip-on and handheld microphones.

page 76 to 81

application guide

page 82

67

unipoint

UniGuard™

unipoint

®

gooseneck microphones

( PC 310-MC 230) unipoint

® adjustable gooseneck microphones are the flexible choice for boardroom, school, government, house of worship and other installed applications worldwide. These distinctive, durable mics feature an improved small-diameter gooseneck with virtually no ”memory.” The ultra-flexible, robust design permits easy adjustment into desired shape while resisting inadvertent repositioning: When you move the gooseneck, it stays put.

Equipped with A-T’s innovative UniGuard™ (On all

unipoint

® gooseneck microphones except U859QL) technology, the new

unipoint

® gooseneck microphones deliver unsurpassed immunity from radio frequency interference. All gooseneck microphones in the line also feature an 80 Hz UniSteep ® filter that reduces pickup of unwanted low-frequency ambient noise.

A two-stage foam windscreen yields outstanding resistance to P-pops and other breath blasts.

QUICK-MOUNT (XLR) GOOSENECK MICROPHONES PHANTOM POWER ONLY

Quick-mount design plugs into any standard XLRF-type surface or cable connector.

U857Q

252,00

Cardioid condenser quick-mount gooseneck microphone

Overall length of 36.5 cm.

U857QU

288,00

UniLine™ condenser quick-mount gooseneck microphone

Narrow 90º acceptance angle; overall length of 48.7 cm.

U857QL

256,00

Cardioid condenser quick-mount gooseneck microphone

Long version of U857Q; overall length of 48.1 cm.

U857QLU

292,00

UniLine™ condenser quick-mount gooseneck microphone

Long version of U857QU; overall length of 60.3 cm.

U859QL

186,00

Cardioid condenser quick-mount gooseneck microphone

Overall length of 48 cm.

Not equipped with

UniGuard™

technology

68

U857QU U857QLU U857QL U859QL

European professional guide 2010-2011, prices in Euro Ex-VAT

(1)

U857Q

Specifications

Element

Polar Pattern

Frequency Response

Open Circuit Sensitivity

Impedance

Max. Input Sound Level

Dynamic Range

(typical)

Signal-to-Noise Ratio

Low Frequency Roll-Off

Power Requirement

(phantom only)

Weight

(less accessories)

Dimensions

Output Connector

Accessories Furnished

U857Q (QL)

Polarized condenser

Cardioid

30-20,000 Hz

– 39 dB (11.2 mV), re 1V at 1 Pa*

250 Ω

139 dB SPL, 1 kHz at 1% T.H.D.

115 dB, 1 kHz at Max SPL

70 dB, 1 kHz at 1 Pa

80 Hz, 18 dB/octave

11-52V DC, 2 mA

144 grams (5.1 oz)

Ø head: 12.2 mm - base: 18.9 mm

Integral 3-pin XLRM-type

AT8153 two-stage foam windscreen;

AT8662 shock mount

*1 Pascal = 10 dynes/cm 2 = 10 microbars = 94 dB SPL

U857QU (QLU)

Polarized condenser

Line cardioid

30-20,000 Hz

– 35 dB (17.7 mV), re 1V at 1 Pa*

250 Ω

135 dB SPL, 1 kHz at 1% T.H.D.

115 dB, 1 kHz at Max SPL

74 dB, 1 kHz at 1 Pa

80 Hz, 18 dB/octave

11-52V DC, 2 mA

161 grams (5.7 oz)

Ø head: 12.2 mm - base: 18.9 mm

Integral 3-pin XLRM-type

AT8154 two-stage foam windscreen;

AT8662 shock mount

U859QL

Polarized condenser

Cardioid

100-16,000 Hz

– 43 dB (7.0 mV), re 1V at 1 Pa*

250 Ω

140 dB SPL, 1 kHz at 1% T.H.D.

111 dB, 1 kHz at Max SPL

65 dB, 1 kHz at 1 Pa

80 Hz, 18 dB/octave

11-52V DC, 2 mA

152 grams (5.4 oz)

Ø head: 12.3 mm - base:18.9 mm

Integral 3-pin XLRM-type

AT8153 two-stage foam windscreen

unipoint

®

gooseneck microphones

( PC 310-MC 230)

ADAPTER-MOUNT GOOSENECK MICROPHONES BATTERY OR PHANTOM POWER

Direct mounts to any 5/8”-27 stand.

U857AL

330,00

Cardioid condenser adapter-mount gooseneck microphone

Overall length of 42 cm.

U857AU

366,00

UniLine™ condenser adapter-mount gooseneck microphone

Narrow 90º acceptance angle; overall length of 42.7 cm.

ADAPTER-MOUNT GOOSENECK MICROPHONES PHANTOM POWER ONLY

Direct mounts to any 5/8”-27 stand.

U857R

266,00

Cardioid condenser adapter-mount gooseneck microphone

Overall length of 30 cm.

U857RU

302,00

UniLine™ adapter-mount gooseneck microphone

Narrow 90º acceptance angle; overall length of 42.7 cm.

U857RL

266,00

Cardioid condenser adapter-mount gooseneck microphone

Long version of U857R; overall length of 42 cm.

U857RLU

302,00

UniLine™ adapter-mount gooseneck microphone

Long version of U857RU; overall length of 54.3 cm.

UniGuard™

unipoint

Specifications

Element

Polar Pattern

Frequency Response

Open Circuit Sensitivity

U857AL (AU)

Polarized condenser

Cardioid (Line cardioid)

30-20,000 Hz

Phantom: – 42 dB (7.9 mV), re 1V at 1 Pa*

Battery: – 43 dB (7.0 mV), re 1V at 1 Pa*

Impedance

Max. Input Sound Level

Dynamic Range

(typical)

Phantom: 200 - Battery: 270 Ω

Phantom: 133 dB SPL, 1 kHz at 1% T.H.D.

Battery: 123 dB SPL, 1 kHz at 1% T.H.D.

Phantom: 109 dB, 1 kHz at Max SPL

Battery: 99 dB, 1 kHz at Max SPL

70 dB, 1 kHz at 1 Pa*

Signal-to-Noise Ratio

Low Frequency Roll-Off

Power Requirement

Weight

(less accessories)

Dimensions

Output Connector

Accessories Furnished

80 Hz, 18 dB/octave

11-52V DC, 2 mA or 1.5V AA/UM3

131 grams (4.6 oz)

Ø head : 12.2 mm - 421mm long

3-pin XLRM-type

AT8531 power module;

AT8153 two-stage foam windscreen;

AT8663 A-mount flange;

AT8664 A-mount cable pass-through adapter; battery

*1 Pascal = 10 dynes/cm 2 = 10 microbars = 94 dB SPL

U857R (RL)

Polarized condenser

Cardioid

30-20,000 Hz

– 39 dB (11.2 mV), re 1V at 1 Pa*

250 Ω

139 dB SPL, 1 kHz at 1% T.H.D.

115 dB, 1 kHz at Max SPL

70 dB, 1 kHz at 1 Pa*

80 Hz, 18 dB/octave

11-52V DC, 2 mA (phantom only)

124 grams (4.4 oz)

Ø head: 12.2 mm - base: 18.9 mm

3-pin XLRM-type

AT8538 power module;

AT8663 A-mount flange;

AT8664 A-mount cable pass-through adapter;

AT8153 two-stage foam windscreen

U857RU (RLU)

Polarized condenser

Line cardioid

30-20,000 Hz

– 35 dB (17.7 mV), re 1V at 1 Pa*

250 Ω

135 dB SPL, 1 kHz at 1% T.H.D.

115 dB, 1 kHz at Max SPL

74 dB, 1 kHz at 1 Pa*

80 Hz, 18 dB/octave

11-52V DC, 2 mA (phantom only)

141 grams (9.4 oz )

Ø head: 12.2 mm - 427mm long

3-pin XLRM-type

AT8538 power module;

AT8663 A-mount flange;

AT8664 A-mount cable pass-through adapter;

AT8154 two-stage foam windscreen

U857R U857AU U857RU U857AL U857RL U857RLU

European professional guide 2010-2011, prices in Euro Ex-VAT

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69

70

unipoint

UniGuard™

U853AU - U853RU

U853A - U853R

U853AWU - U853RWU

European professional guide 2010-2011, prices in Euro Ex-VAT

(1)

U853AW - U853RW

unipoint

®

hanging microphones

( PC 310-MC 230 )

Maintaining the Audio-Technica tradition of clear and transparent sound quality, the new

unipoint

® overhead microphones are ideal for speech, theatre, orchestra and choir sound reinforcement and recording. With robust construction, unobtrusive appearance, and unsurpassed immunity to radio frequency interference, these hanging mics offer sophisticated and versatile sound-reinforcement solutions.

Equipped with A-T’s new UniGuard™ technology, the new

unipoint

® hanging microphones offer unsurpassed immunity from radio frequency interference. All hanging microphones in the line feature an 80 Hz UniSteep ® filter that reduces pickup of low-frequency ambient noise, while preserving a full sound.

BATTERY OR PHANTOM POWERED MICROPHONES

U853A

290,00

Cardioid condenser hanging microphone

Low-reflectance black finish.

U853AW

298,00

Cardioid condenser hanging microphone

White version of U853A.

U853AU

326,00

UniLine™ condenser hanging microphone

Narrow 90º acceptance angle; low-reflectance black finish.

U853AWU

334,00

UniLine™ condenser hanging microphone

White version of U853AU.

PHANTOM POWERED ONLY MICROPHONES

U853R

255,00

Cardioid condenser hanging microphone

Low-reflectance black finish.

U853RW

263,00

Cardioid condenser hanging microphone

White version of U853R.

U853RU

291,00

UniLine™ condenser hanging microphone

Narrow 90º acceptance angle; low-reflectance black finish.

U853RWU

299,00

UniLine™ condenser hanging microphone

White version of U853RU.

Specifications

Element

Polar Pattern

Frequency Response

Open Circuit Sensitivity

U853A - U853AW (U853AU - U853AWU)

Permanently polarized condenser

Cardioid (line cardioid for U853AU and U853AWU)

30-20,000 Hz

Phantom: – 42 dB (7.9 mV), re 1 V at 1 Pa*

Battery: – 43 dB (7.0 mV), re 1 V at 1 Pa*

Impedance

Max. Input Sound Level

Dynamic Range

(Typical)

Signal-to-Noise Ratio

Low Frequency Roll-Off

Power Requirement

Weight

(less accessories)

Dimensions

Output Connector

Accessories Furnished

Phantom: 200 Ω - Battery: 270 Ω

Phantom: 133 dB SPL, 1 kHz at 1% T.H.D.

Battery: 123 dB SPL, 1 kHz at 1% T.H.D.

Phantom: 109 dB, 1 kHz at Max SPL

Battery: 99dB, 1 kHz at Max SPL

70 dB, 1 kHz at 1 Pa*

80 Hz, 18 dB/octave

9-52V DC or battery 1.5V AA

14 grams

34 mm long ; Ø 12.2 mm

Integral 3-pin XLRM-type

AT8153 (A - AW) and AT8154 (AU - AWU) Windscreen

AT8451 Steel hanger; Cable 7.6 m long - 3.2 mm Ø;

AT8531 Power module; AT8438 Stand adapter for 5/8”-27 stands

*1 Pascal = 10 dynes/cm 2 = 10 microbars = 94 dB SPL

U853R - U853RW (U853RU - U853RWU)

Permanently polarized condenser

Cardioid (line cardioid for U853RU and U853RWU)

30-20,000 Hz

– 39 dB (11.2 mV) re 1 V at 1 Pa*

250 Ω

139 dB SPL, 1 kHz at 1% T.H.D.

115 dB, 1 kHz at Max SPL

70 dB 1 kHz at 1 Pa*

80 Hz, 18 dB/octave

11-52V DC phantom power only, 2 mA typical

14 grams

34 mm long ; Ø 12.2 mm

Integral 3-pin XLRM-type

AT8153 (R - RW) and AT8154 (RU - RWU) Windscreen

AT8451 Steel hanger; Cable 7.6 m long - 3.2 mm Ø

AT8538 Power module; AT8438 Stand adapter for 5/8”-27 stands

unipoint

®

microphones & elements

( PC 310-MC 230 )

U873R

229,00

Handheld Hypercardioid Condenser Microphone

The

U873R unipoint

® hypercardioid condenser microphone is equipped with Audio-Technica’s

UniGuard™ technology for unsurpassed immunity from radio frequency interference. It also features an

80 Hz UniSteep ® filter that reduces pickup of unwanted low-frequency ambient noise. New interchangeable elements permit selection of angle of acceptance from 100° to 360°.

new

unipoint

®

interchangeables elements

New interchangeable elements are also compatible with first-generation

unipoint

® microphones.

UE-C

92,00

Cardioid element only, 120° pickup pattern.

U873R

UE-H

92,00

Hypercardioid element only, 100° pickup pattern.

UE-O

92,00

Omnidirectional element only, 360° pickup pattern.

UE-UL

128,00

UniLine™

unipoint

® element only, 90° pickup pattern.

unipoint

® UniLine™ element are only compatible with U853 and U857 models.

Specifications

Element

Polar Pattern

Frequency Response

U873R

Polarized condenser

Hypercardioid

70-20,000 Hz

Open Circuit Sensitivity

Impedance

– 41 dB (8.9 mV), re 1V at 1 Pa*

200 Ω

Max. Input Sound Level

155 dB SPL, 1 kHz at 1% T.H.D.

Dynamic Range

(typical) 131 dB, 1 kHz at Max SPL

Signal-to-Noise Ratio

Low Frequency Roll-Off

70 dB, 1 kHz at 1 Pa*

80 Hz, 18 dB/octave

Power Requirement

11-52V DC, 3 mA (phantom only)

Weight

(less accessories) 160 grams

Dimensions

Output Connector

Accessory Furnished

L : 156.7 mm - Ø : 37.7 mm

3-pin XLRM-type

AT8122 foam windscreen; AT8405a stand clamp for 5/8”-27threaded stands; soft protective pouch

*1 Pascal = 10 dynes/cm 2 = 10 microbars = 94 dB SPL unipoint

UE-C

UE-H

UE-O

UE-UL

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71

unipoint

U851RW

UniGuard™

PivotPoint

Engineered for maximum flexibility, the new

unipoint

® boundary mic housing incorporates PivotPoint™ (On all

unipoint

® boundary microphone models except the U841A), a unique rotating output connector that allows the cable to exit from either the back or the bottom of the microphone.

72

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U841A

U851A

unipoint

®

boundary microphones

( PC 310-MC 230)

INSTALLATION FLEXIBILITY

On conference tables, in houses of worship, in theatre applications and beyond,

unipoint

® boundary microphones are recognized for outstanding speech intelligibility and transparent sound quality. With superior off-axis rejection and maximum gain-before-feedback, these professional microphones set audio-quality standards in challenging acoustic environments.

The new generation of

unipoint

® boundary microphones incorporates

Audio-Technica’s latest RFI-shielding innovations: breakthrough UniGuard™ technology offers unsurpassed immunity from radio frequency interference.

The microphones’ low-profile design assures inconspicuous appearance for surface-mount use in boardroom, school, government, house of worship and other installed applications.

The

U891R

,

U891RW

and

U891RC

boundary mics are equipped with programmable switches and LED status indicators for easy, flexible control in conference and boardroom installations. Innovative new interchangeable cardioid, hypercardioid and omnidirectional elements offer superior on- and off-axis response, resulting in exceptional sonic quality.

U841A

298,00

Omnidirectional condenser boundary microphone

Operates on battery or phantom power; low-reflectance black finish.

U851A

290,00

Cardioid condenser boundary microphone

Operates on battery or phantom power; low-reflectance black finish.

U851R

266,00

Cardioid condenser boundary microphone

Operates on phantom power only; low-reflectance black finish.

U851RW

266,00

Cardioid condenser boundary microphone

White version of U851R.

Specifications

Element

Polar Pattern

Frequency Response

Open Circuit Sensitivity

U841A

Polarized condenser Polarized condenser

Omnidirectional Cardioid

30-20,000 Hz

Phantom: – 39 dB (11.2 mV), re 1V at 1 Pa*

Battery: – 40 dB (10.0 mV), re 1V at 1 Pa*

Impedance

Max. Input Sound Level

Dynamic Range

(typical)

Battery: 270 Ω

Phantom: 132 dB, 1 kHz at 1% T.H.D.

Battery: 122 dB, 1 kHz at 1% T.H.D.

Phantom: 111 dB, 1 kHz at Max SPL

Battery: 101 dB, 1 kHz at Max SPL

73 dB, 1 kHz at 1 Pa*

Signal-to-Noise Ratio

Low Frequency Roll-Off

Power Requirement

Weight

(less accessories)

Dimensions

Long x max width x height

Output Connector

Accessories Furnished

80 Hz, 18 dB/octave

11-52V DC, 2 mA or 1.5V AA/UM3

78 grams (2.8 oz)

Ø 65.0 - h : 15.1 mm

3-pin XLRM-type

AT8531 power module; battery; soft protective pouch

*1 Pascal = 10 dynes/cm 2 = 10 microbars = 94 dB SPL

U851A

30-20,000 Hz

– 40 dB (10.0 mV), re 1V at 1 Pa*

– 41 dB (8.9 mV), re 1V at 1 Pa*

200 Ω

270 Ω

133 dB, 1 kHz at 1% T.H.D.

123 dB, 1 kHz at 1% T.H.D.

111 dB, 1 kHz at Max SPL

101 dB, 1 kHz at Max SPL

72 dB, 1 kHz at 1 Pa*

80 Hz, 18 dB/octave

11-52V DC, 2 mA or 1.5V AA/UM3

244 grams (8.6 oz)

108.0 x 84.0 x 23.0 mm

3-pin XLRM-type

AT8531 power module; battery; soft protective pouch

U851R (RW)

Polarized condenser

Cardioid

30-20,000 Hz

– 34 dB (19.9 mV), re 1V at 1 Pa*

200 Ω

134 dB, 1 kHz at 1% T.H.D.

108 dB, 1 kHz at Max SPL

68 dB, 1 kHz at 1 Pa*

80 Hz, 18 dB/octave

11-52V DC, 4 mA (phantom only)

262 grams (9.2 oz)

108.0 x 84.0 x 23.0 mm

TB3M-type

Soft protective pouch

unipoint

®

boundary microphones with switch

( PC 310-MC 230)

U891R

298,00

Cardioid condenser boundary microphone with switch

On-off switch can be set to three modes: touch-on/touch-off, press to talk, and press to mute. Operates on phantom power only; red LED status indicator; low-reflectance black finish.

U891RW

299,00

Cardioid condenser boundary microphone with switch

White version of U891R.

U891RC

324,00

Cardioid condenser boundary microphone with local or remote switching

External contact closure switch allows user to control a remote device – a camera, for instance – from a switch on the microphone. Red LED status indicator can be controlled remotely. On-off switch can be set to three modes: touch-on/touch-off, press to talk, and press to mute. Operates on phantom power only; low-reflectance black finish.

U843R

420,00

Three channel boundary cardioid condenser microphone

Three cardioid condenser elements are mounted in the U843R’s housing, by default set with an angle of

120 degrees between them to give complete 360 degree coverage. For added flexibility, two of the three elements may be reoriented to give angles of 90/90/180 degrees between elements – suited to positioning at the end of long conference tables for example. Elements can also be powered and used individually, or in any combination.

• Each element can be powered and used individually or in any combination.

• Designed for surface-mount applications such as highquality sound reinforcement and provide total coverage of round table or longer table with fewer microphones.

• U843R is ideal for a variety of video and audio conferencing application, especially when used with an Audio-

Technica automatic SmartMixer™.

• Small-diameter UniPoint capsule near boundary eliminates phase distortion and delivers clear, high-output performance.

• UniGuard™ RFI-shielding technology offers outstanding rejection of radio frequency interference (RFI).

• Heavy die-cast case and non-slip silicon foam bottom pads minimize coupling of surface vibration to the microphone.

• Low-profile design with low-reflectance finish for minimum visibility.

Specifications

Element

Polar Pattern

U891R (RW)

Polarized condenser

Cardioid

Frequency Response

Open Circuit Sensitivity

Impedance

Max. Input Sound Level

Dynamic Range

(typical)

Signal-to-Noise Ratio

Low Frequency Roll-Off

30-20,000 Hz

–34 dB (19.9 mV), re 1V at 1 Pa*

200 Ω

130 dB SPL, 1 kHz at 1% T.H.D.

104 dB, 1 kHz at Max SPL

68 dB, 1 kHz at 1 Pa*

80 Hz, 18 dB/octave

Power Requirement

Switch

Cable

11-52V DC, 4 mA (phantom only)

Touch-sensitive control: on/off;

Weight

(less accessories) 264 grams

Dimensions

108.0 mm long x 84.0 mm max. width x 23.0 mm height

Output Connector

TB3M-type

7.6 m long, 3.2 mm Ø, 2-conductor, shielded cable with TA3F and XLRM-type connectors

Accessory Furnished

Soft protective pouch

*1 Pascal = 10 dynes/cm 2 = 10 microbars = 94 dB SPL

U891RC

Polarized condenser

Cardioid

30-20,000 Hz

–34 dB (19.9 mV), re 1V at 1 Pa*

200 Ω

130 dB SPL, 1 kHz at 1% T.H.D.

104 dB, 1 kHz at Max SPL

68 dB, 1 kHz at 1 Pa*

80 Hz, 18 dB/octave

11-52V DC, 4 mA typical

Touch-sensitive control: on/off;

266 grams

108.0 mm long x 84.0 mm max.

width x 23.0 mm height

TB5M-type

7.6 m long, 3.2 mm Ø, 5-conductor shielded cable (2 conductors under shield; 3 control wires outside shield); TA5F-type connector at microphone end, output end stripped and tinned for connection to electronic device

Soft protective pouch

U843R

Polarized condenser

Hemispherical Cardioid x 3

(combine to omni-directional or bidirectional)

70-16,000 Hz

–37 dB (14.1 mV) re 1V at 1 Pa*

100 Ω

134 dB SPL, 1 kHz at 1% T.H.D.

105 dB, 1 kHz at Max SPL

65 dB, 1 kHz at 1 Pa*

11-52V DC, 2mA typical (phantom only)

The lever of elements can adjust the proper position

160 grams

20.0 mm - height 85.0 mm - maximum body diameter

3-pin XLRM-type

7.6 m long (permanently attached to microphone),

4 mm diameter, 6 conductor, shielded cable; output end stripped and tinned for connection to electronic device

Soft protective pouch unipoint

UniGuard™

U891R and U891RC

U891RW

U843R

European professional guide 2010-2011, prices in Euro Ex-VAT

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73

propoint

Frequency Response

10 dB

LEGEND

50 100 200 500

Frequency in Hertz

12" or more on axis

1k 2k 5k 10k 20k

1

PRO44

PRO42

propoint

®

microphones

( PC 311-MC 230 )

Designed for sound reinforcement, broadcasting and recording, ProPoint miniature condenser microphones bring crisp, intelligible audio reproduction to the podium, stage, conference table and beyond. These pro-audio boundary, hanging and gooseneck microphones are engineered to meet every sound-installation challenge.

ProPoint microphones make speech and music clearly and comfortably audible, yet never draw attention to themselves or their operation. With sleek, compact designs, they offer low-profile appearance, uncompromising sound quality and versatile miking choices for every application.

BOUNDARY MICROPHONES

PRO 42

99,00

Miniature unidirectional condenser boundary microphone

• 7.6 m cable with XLRM-type output connector.

• Dimensions 36.6mm x 54.3mm x 15.5mm

PRO 44

129,00

Unidirectional condenser boundary microphone

• Includes 7.6 m cable with TA3F connector; XLRM-type connector at equipment end.

• Dimensions 73mm x 90.5mm x 15mm

HANGING MICROPHONES

PRO 45

109,00

Cardioid condenser hanging microphone

• 7.6 m cable with XLRM-type output connector. Includes AT8146 windscreen and AT8451 steel hanger.

PRO 45W

139,00

White finished version of PRO45

White cable with XLRM-type output connector. Includes AT8146 (WH) windscreen and AT8451 (WH) steel hanger.

74

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PRO45

Specifications

PRO 42

Element

Polar Pattern

Frequency Response

Open Circuit Sensitivity

Impedance

Maximum Input Sound Level

Condenser

Cardioid

70-14,000 Hz

–38 dB (12.5 mV), re 1V at 1 Pa*

100 Ω

134 dB, 1 kHz at 1% T.H.D.

65 dB 1 kHz at 1 Pa

Signal-to-Noise Ratio

Dynamic Range

Phantom Power Requirement

105 dB, 1 kHz at Max. SPL

9-52V DC 2 mA typical

*1 Pascal = 10 dynes/cm 2 = 10 microbars = 94 dB SPL

PRO 44

Condenser

Cardioid

70-16,000 Hz

–25 dB (56.2 mV), re 1V at 1 Pa*

100 Ω

114 dB, 1 kHz at 1% T.H.D.

66 dB 1 kHz at 1 Pa

86 dB, 1 kHz at Max. SPL

9-52V DC 2 mA typical

PRO 45 / PRO 45W

Condenser

Cardioid

70-16,000 Hz

–37 dB (14.1 mV), re 1V at 1 Pa*

100 Ω

134 dB, 1 kHz at 1% T.H.D.

66 dB 1 kHz at 1 Pa

106 dB, 1 kHz at Max. SPL

9-52V DC 2 mA typical

propoint

®

microphones

( PC 311-MC 230 )

GOOSENECK MICROPHONES

PRO 47T

139,00

Cardioid condenser thread-mount gooseneck microphone attaches to 5/8”-27 thread

• 3 m cable with XLRM-type output connector. 315 mm long. Includes AT8146 windscreen and AT8425 threaded mounting stud

PRO 47TL

149,00

Cardioid condenser thread-mount gooseneck microphone attaches to 5/8”-27 thread

• 3 m cable with XLRM-type output connector. 401 mm long.

Includes AT8146 windscreen and AT8425 threaded mounting stud

PRO 49Q

119,00

Cardioid condenser quick-mount gooseneck microphone

• Plugs directly into a panel- or desk-mounted XLRF-type connector, or to a standard XLRF-type microphone cable 332 mm long. Includes AT8146 windscreen.

PRO 49QL

129,00

Cardioid condenser quick-mount gooseneck microphone

• Plugs directly into a panel- or desk-mounted XLRF-type connector, or to a standard XLRF-type microphone cable 418 mm long. Includes AT8146 windscreen.

PRO47T

PRO47TL

propoint

Specifications

PRO 47T / PRO 47TL

Element

Polar Pattern

Frequency Response

Open Circuit Sensitivity

Impedance

Maximum Input Sound

Condenser

Cardioid

70-16,000 Hz

–37 dB (14.1 mV), re 1V at 1 Pa*

100 Ω

134 dB, 1 kHz at 1% T.H.D.

66 dB 1 kHz at 1 Pa

Signal-to-Noise Ratio

Dynamic Range

Phantom Power Requirement

106 dB, 1 kHz at Max. SPL

9-52V DC 2 mA typical

*1 Pascal = 10 dynes/cm 2 = 10 microbars = 94 dB SPL

PRO 49Q / PRO 49QL

Condenser

Cardioid

70-16,000 Hz

–37 dB (14.1 mV), re 1V at 1 Pa*

100 Ω

134 dB, 1 kHz at 1% T.H.D.

66 dB 1 kHz at 1 Pa

106 dB, 1 kHz at Max. SPL

9-52V DC 2 mA typical

PRO49Q PRO49QL

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75

engineered sound

ES915C12 ES915C18 ES915C21

double-gooseneck

microphones

( PC 309-MC 230 )

ES915ML21

Engineered Sound gooseneck microphones are ideal for boardroom, school, government, house of worship and other installed applications. The improved, easy-to-adjust, small-diameter gooseneck with virtually no

“memory” permits quick positioning into desired shape. The goosenecks’ super-robust design also resists inadvertent repositioning. All models are RoHS- compliant and equipped with Audio-Technica’s

UniGuard™

RFI protection, and include a universal isolation mount and quick-mount stand adapter.

ES915C12

266,00

Cardioid condenser gooseneck microphone

Overall length 304.8 mm

ES915C18

286,00

Cardioid condenser gooseneck microphone

Overall length 457.2 mm

ES915C21

306,00

Cardioid condenser gooseneck microphone

Overall length 533.4 mm

ES915H12

266,00

Hypercardioid condenser gooseneck microphone

Overall length 304.8 mm

ES915H18

286,00

Hypercardioid condenser gooseneck microphone

Overall length 457.2 mm

ES915H21

306,00

Hypercardioid condenser gooseneck microphone

Overall length 533.4 mm

ES915ML12

289,00

MicroLine ® condenser gooseneck microphone

Narrow 90° acceptance angle; Overall length 423.8 mm

ES915ML18

309,00

MicroLine ® condenser gooseneck microphone

Narrow 90° acceptance angle; Overall length 576.2 mm

ES915ML21

329,00

MicroLine ® condenser gooseneck microphone

Narrow 90° acceptance angle; Overall length 652.4 mm

ES915SC12 ES915SC18 ES915SC21 ES915SCML18

76

UniGuard™

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DOUBLE-GOOSENECK MICROPHONES WITH MUTE SWITCH AND LED

Condenser gooseneck microphone with interchangeable capsules.

XLR mount with recessed flat response/low-roll-off switch and mute/on switch with status LED.

ES915SC12

290,00

Cardioid condenser gooseneck microphone with mute switch/LED

Overall length 304.8 mm

ES915SC18

310,00

Cardioid condenser gooseneck microphone with mute switch/LED

Overall length 457.2 mm

ES915SC21

330,00

Cardioid condenser gooseneck microphone with mute switch/LED

Overall length 533.4 mm

ES915SML12

323,00

MicroLine ® condenser gooseneck microphone with mute switch/LED

Narrow 90° acceptance angle; Overall length 423.8 mm

ES915SML18

333,00

MicroLine ® condenser gooseneck microphone with mute switch/LED

Narrow 90° acceptance angle; Overall length 576.2 mm

(see page 79 for ES Series interchangeable elements)

single-gooseneck

microphones

( PC 309-MC 230 )

ES935 SINGLE-GOOSENECK MICROPHONES

Fixed length. Phantom power only, 11-52V; plugs into XLR3F-type connector. Incorporates

UniGuard™

RFI-immunity technology. Includes: foam windscreen; integral power module with roll-off switch (80 Hz high-pass

UniSteep

® filter);

AT8474

low-profile isolation mount;

AT8473

stand clamp.

ES935C6

249,00

Cardioid condenser gooseneck microphone

Overall length 197.3 mm

ES935H6

249,00

Hypercardioid condenser gooseneck microphone

Overall length 197.3 mm

ES935ML6

272,00

MicroLine ® condenser gooseneck microphone

Narrow 90° acceptance angle; Overall length 316.3 mm

ES935S SINGLE-GOOSENECK MICROPHONES WITH MUTE SWITCH AND LED

Fixed length mic with touch-on/touch-off mute switch and light “on” indicator.

Phantom power only, 11-52V; plugs into XLR3F-type connector. Incorporates

UniGuard™

RFI-immunity technology. Includes: foam windscreen; integral power module with roll-off switch (80 Hz high-pass

UniSteep

® filter);

AT8474

low-profile isolation mount;

AT8473

stand clamp.

ES935SC6

279,00

Cardioid condenser gooseneck microphone with mute switch/LED

Overall length 197.3 mm

ES935SH6

279,00

Hypercardioid condenser gooseneck microphone with mute switch/LED

Overall length 197.3 mm

ES935SML6

302,00

MicroLine ® condenser gooseneck microphone with mute switch/LED

Narrow 90° acceptance angle; Overall length 316.3 mm

ES935C6 ES935ML6

engineered sound

Specifications

ES915C-ES915SC

ES935C-ES935SC

Condenser

Element

Polar Pattern

Frequency Response

Open Circuit Sensitivity

Impedance

1000

Ω

without power module

Max. Input Sound Level

Cardioid

30-20,000 Hz

– 40 dB (10.0 mV), re 1 V at 1 Pa*

250

Ω

138 dB SPL, 1 kHz at 1% T.H.D.

Signal-to-Noise Ratio

Low Frequency Roll-off

Phantom Power Requirement

Output Connector

Head and Base Diameters

Accessories Furnished

65 dB, 1 kHz at 1 Pa

80 Hz, 18 dB/octave

11-52V DC

Integral 3-pin XLRM-type

Ø 8.4 mm - 18.9 mm

AT8109 windscreen;

AT8474 universal isolation mount;

AT8473 quick mount stand adaptor;

*1 Pascal = 10 dynes/cm 2 = 10 microbars = 94 dB SPL

ES915H

ES935H-ES935SH

Condenser

Hypercardioid

80-20,000 Hz

– 40 dB (10.0 mV), re 1 V at 1 Pa*

250

Ω

138 dB SPL, 1 kHz at 1% T.H.D.

65 dB, 1 kHz at 1 Pa

80 Hz, 18 dB/octave

11-52V DC

Integral 3-pin XLRM-type

Ø 8.4 mm - 18.9 mm

AT8109 windscreen;

AT8474 universal isolation mount;

AT8473 quick mount stand adaptor;

ES915ML-ES915SML

ES935ML-ES935SML

Condenser

MicroLine ®

30-20,000 Hz

– 35 dB (17.7 mV), re 1 V at 1 Pa*

250

Ω

133 dB SPL, 1 kHz at 1% T.H.D.

68 dB, 1 kHz at 1 Pa

80 Hz, 18 dB/octave

11-52V DC

Integral 3-pin XLRM-type

Ø 8 mm - 18.9 mm

AT8138 windscreen;

AT8474 universal isolation mount;

AT8473 quick mount stand adaptor;

ES935SC6 ES935SML6

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77

engineered sound

ES933C ES933ML

hanging

microphones

( PC 309-MC 230 )

Phantom power only, 11-52V;

15 m cable permanently attached to mic, free end connects to the provided AT8538 power module via TA3Ftype connector. Incorporates

UniGuard™

RFI-immunity technology.

ES933C

274,00

Cardioid condenser hanging microphone

ES933WC

284,00

White version ES933C (cardioid)

ES933H

274,00

Hypercardioid condenser hanging microphone

ES933WH

284,00

White version ES933H (hypercardioid)

ES933ML

297,00

MicroLine ® condenser hanging microphone

ES933WML

307,00

White version ES933ML (MicroLine ® )

UniGuard™

Specifications

Element

Polar Pattern

Frequency Response

Open Circuit Sensitivity

Impedance

1000 Ω without power module

Max. Input Sound Level

Signal-to-Noise Ratio

Low Frequency Roll-off

Phantom Power Requirement

Output Connector

Head and Base Diameters

Accessories Furnished

ES933C-ES933WC

Condenser

Cardioid

30-20,000 Hz

– 40 dB (10.0 mV), re 1 V at 1 Pa

250 Ω

138 dB SPL, 1 kHz at 1% T.H.D.

65 dB, 1 kHz at 1 Pa

80 Hz, 18 dB/octave

11-52V DC

Integral 3-pin XLRM-type

Ø 8.4 mm - 18.9 mm

AT8109 windscreen;

AT8452 steel hanger;

AT8538 power module

*1 Pascal = 10 dynes/cm 2 = 10 microbars = 94 dB SPL

ES933H-ES933WH

Condenser

Hypercardioid

80-20,000 Hz

– 40 dB (10.0 mV), re 1 V at 1 Pa

250 Ω

138 dB SPL, 1 kHz at 1% T.H.D.

65 dB, 1 kHz at 1 Pa

80 Hz, 18 dB/octave

11-52V DC

Integral 3-pin XLRM-type

Ø 8.4 mm - 18.9 mm

AT8109 windscreen;

AT8452 steel hanger;

AT8538 power module

ES933ML-ES933WML

Condenser

MicroLine ®

30-20,000 Hz

– 35 dB (17.7 mV), re 1 V at 1 Pa

250 Ω

133 dB SPL, 1 kHz at 1% T.H.D.

68 dB, 1 kHz at 1 Pa

80 Hz, 18 dB/octave

11-52V DC

Integral 3-pin XLRM-type

Ø 8 mm - 18.9 mm

AT8138 windscreen;

AT8452 Steel hanger;

AT8538 power module

78

European professional guide 2010-2011, prices in Euro Ex-VAT

(1)

interchangeables elements

( PC 309-MC 230)

For microphones

ES905, ES915, ES933, ES935, ES943

ESE-C

66,00

Cardioid element only; standard on all

ES905

,

ES915

,

ES933

,

ES935

and

ES943 “C” models

.

120° pickup pattern.

ESE-H

66,00

Hypercardioid element only; standard on all

ES915

,

ES933

,

ES935

and

ES943 “H” models

.

100° pickup pattern.

ESE-O

66,00

Omnidirectional element only.

360° pickup pattern.

ESE-ML

89,00

MicroLine ® element only; standard on all

ES915

,

ES933

and

ES935 “ML” models

.

90° pickup pattern.

NB : This capsule is not suitable for microphones

ES943

(tie clip) engineered sound

ESE-C

ESE-H

ESE-O

ESE-ML

European professional guide 2010-2011, prices in Euro Ex-VAT

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79

engineered sound

ES945W

UniGuard™

ES947

boundary

microphones

( PC 309-MC 230)

ES945

159,00

Omnidirectional fixed charge condenser boundary microphone

For table or ceiling mounting (maximum 45 mm pannel thickness), in 24 mm diameter hole.

Operates on 9-52V phantom power only.

Power module is built-in, integral XLRM-type output.

ES945W

169,00

White finished version of ES945

ES947

189,00

Cardioid wide range fixed charge condenser boundary microphone

For table or ceiling mounting in 15/16” (24 mm) diameter hole.

Operates on 9-52V phantom power only.

Power module is built-in, integral XLRM-type output.

ES947W

199,00

White finished version of ES947

Specifications

Element

ES945 - ES945W

Fixed-charge back plate, permanently polarized condenser

Polar Pattern

Frequency Response

Open Circuit Sensitivity

Impedance

Maximum Input Sound Level

Dynamic Range

Signal-to-Noise Ratio

Phantom Power Requirement

Omnidirectional

40-18,000 Hz

– 42 dB (7.9 mV) re 1 V at 1 Pa

200 Ω

142 dB SPL, 1 kHz at 1% T.H.D.

112 dB, 1 kHz at Max SPL

64 dB, 1 kHz at 1 Pa

11-52V DC, 2 mA typical

Output Connector

Dimensions

Integral 3-pin XLRM-type

69 mm long; Ø 28 mm

Accessories Furnished

One pair isolators

*1 Pascal = 10 dynes/cm 2 = 10 microbars = 94 dB SPL

ES947 - ES947 W

Fixed-charge back plate, permanently polarized condenser

Half-cardioid (Cardioid in hemisphere above mounting surface)

40-12,000 Hz

– 42 dB (7.9 mV) re 1 V at 1 Pa

200 Ω

142 dB SPL, 1 kHz at 1% T.H.D.

113 dB, 1 kHz at Max SPL

65 dB, 1 kHz at 1 Pa

11-52V DC, 2 mA typical

Integral 3-pin XLRM-type

69 mm long; Ø 30 mm

One pair isolators

80

European professional guide 2010-2011, prices in Euro Ex-VAT

(1)

rigid-pipe

microphones

( PC 309-MC 230 )

Rigid-pipe design with ball-in-socket base for permanent mounting to flat surface. Attached wire mesh windscreen with internal pop protection. 2.90 m cable permanently attached to mic, free end connects to the provided AT8538 power module via TA3F-type connector. XLRM-type output connector on power module.

Incorporates

UniGuard

® RFI-immunity technology. Includes: foam windscreen;

AT8538

power module with roll-off switch (80 Hz high-pass UniSteep ® filter).

ES905CL

440,00

Cardioid rigid-pipe condenser microphone

Operates on phantom power; ball-in-socket base for flexible positioning.

lavalier

microphones

( PC 309-MC 230 )

ES943C

249,00

Cardioid condenser lavalier microphone

Phantom power only, 11-52V; 1.4 m integral cable.

Incorporates

UniGuard™

RFI-immunity technology.

Includes: AT8460 clothing clip;

AT8110

foam windscreen;

AT8538

power module with roll-off switch (80 Hz high-pass

UniSteep ®

filter); belt clip.

The

ES943C

uses ESE-C element.

Specifications

Element

Polar Pattern

ES905CL

Fixed-charge back plate, permanently polarized condenser

Frequency Response

Open Circuit Sensitivity

Impedance

Maximum Input Sound Level

Cardioid

60-20,000 Hz

– 38 dB (12.5 mV) re 1 V at 1 Pa

250 Ω

138 dB SPL, 1 kHz at 1% T.H.D.

111 dB, 1 kHz at Max SPL

Dynamic Range

Signal-to-Noise Ratio

Low Frequency Roll-off

Phantom Power Requirement

67 dB, 1 kHz at 1 Pa

80 Hz, 18 dB/octave

Output Connector

Dimensions

Cable

11-52V DC, 2 mA typical

Integral 3-pin XLRM-type

523.4 mm long; Ø 24.6 mm

2.9 m long, (permanently attached to microphone)

3.2 mm diameter, 2-conductor, shielded cable terminated with TA3F-type connector

Optional Interchangeable Elements

Accessories Furnished

ESE-H hypercardioid (100°) - ESE-O omnidirectional (360°)

AT8538 power module ; (3) #8 x 1” black oxide wood screws for microphone mount

*1 Pascal = 10 dynes/cm 2 = 10 microbars = 94 dB SPL

ES943C

Fixed-charge back plate, permanently polarized condenser

Cardioid

30-20,000 Hz

– 40 dB (10.0 mV) re 1 V at 1 Pa

250 Ω

138 dB SPL, 1 kHz at 1% T.H.D.

109 dB, 1 kHz at Max SPL

65 dB, 1 kHz at 1 Pa

80 Hz, 18 dB/octave

11-52V DC, 2 mA typical

3-pin XLRM-type (power module)

27.5 mm long, 8.4 mm head diameter

1.4 m long (permanently attached to microphone),

2.2 mm diameter, 2-conductor shielded cable, terminated TA3F-type connector

AT8110 windscreen; AT8460 clothing clip;

AT8538 power module; belt clip

engineered sound

accessories

( PC 315-MC 410 )

WINDSCREEN

AT8161

68,00

Metal windshield with additional outer foam for use with engineered sound gooseneck microphones

MOUNTS

AT8473

27,00

Stand clamp permits attachment of the gooseneck mic base to a standard 5/8”-27 or 3/8”-16 threaded mic stand or mounting flange.

AT8474

37,00

Low-profile isolation mount (allows mounting above or beneath mounting surface).

ES943C

engineered sound

ES905CL

AT8161 AT8473 AT8474

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81

installed sound microphones application guide

82

unipoint

® propoint engineered sound

Series Series

(1)

Series

(1) (1)

&

RW

&

RW

&

ES973

T

&

TL

&

Q

L

Series

Series

Series

Series

Series Series

7

Series

Series

MEETING ROOM

Lectern

Video conference

Conference

Convention

VEHICLE - TRANSPORT

Metro

Tramway

P.A. announcement

Bus

COUNTERS

Bank

Ticket window

Reception desk

U853A U857Q

U857AL

✪ ✪

✪ ✪

✪ ✪

✪ ✪

U857AU U857R

U841A U851A

U851R U891R

U891RC

SECURITY

Announcement

Surveillance

Paging

● ● ● ●

● ● ● ●

PLACE OF WORSHIP

Lectern altar

Choir

PUBLIC UTILITY

Parlement

Court of justice

Press conference

✪ ✪

● ●

✪ ✪

(1) Exists in wireless version

This application chart is a guide to selecting an Audio-Technica microphone for a specific application.

Feel free to experiment with different microphone options as we realise the importance of personal taste and the acoustic environment.

U873 PRO42

● ●

PRO44 PRO45 PRO47

● ●

PRO49Q

ES915

ES915S

ES935

ES935S ES905

● ●

ES933

ES945/ ES943

Our Recommendation

Best Choice

83

ATCS-M60

delegate unit with

ATCS-60MIC

microphone

Infrared conference systems

The infrared conference system developed by Audio-Technica offers all the advantages of infrared communication and features 100% wireless microphone units. As a result, it offers users more flexibility, with the freedom to easily change microphone locations and system configurations.

page 86 to 89

85

IR conference system

Everything begins with Audio-Technica

The ATCS-60 infrared conference system has all the advantages of infrared communication complete with wireless transceiver microphone units. Wireless infrared technology provides the user with greater flexibility whilst configuring the system and freedom of choice when placing microphones. From intimate meetings to large boardrooms and events, the ATCS-60 will adapt to your needs.

Additional features include 4 selectable channels for multi-language conferences and an automated camera function facilitating audio visual integration.

The option of software control is also available, with the user able to adjust camera position and microphone settings from within the provided software.

1996

2000

2004

2007

infrared

conference system

( PC 491-MC 134)

As a pioneer of infrared systems Audio-Technica offers you peace of mind.

The arrival of 800MHz radio wireless products marked the beginning of Audio-Technica’s work with IR technology. Resulting in sales of the ATIR series infrared microphones.

The dawn of the 21st century saw the release of the ATCS-M50 as part of the ATCS-50 series, capable of handling up to 150 microphones.

Another new addition to the ATCS-50 series is the ATCS-M55 which showcases a system which requires the smallest installation area in the industry.

Audio-Technica introduces the first fully automatic hands-free conference system with voice detection technology. By automatically recognizing the speakers voice, the microphone can be turned on and off without pressing a button.

Infrared technology keeps your information in your conference room

In the 21st century the security of information is of top priority. With the ATCS-60 conference system your wireless signal won't leave the room, let alone reach another building. When compared to a UHF wireless system which acts in the same way as a radio station transmitting over a broad area, the infrared system excels, providing no information leakage.

Infrared technology offers you peace of mind and the confidence that your information is secure.

86

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(1)

infrared

conference system

( PC 491-MC 134)

IR conference system

Features

Flexible and easy modify

• Microphone and camera settings can be controlled by a PC running the supplied software.

The upgradable structure of the system makes it easier to adapt your conference setup.

Unit selection function

• By utilising ID-switching methodology, the ATCS-60 guarantees prompt and responsive unit selection.

All finish function

• The chairperson’s unit has control to override all other units with the “all finish” function

Battery life indication

• When battery life is low both the power LED and microphone LED will flash rapidly as a warning.

Listening options

• Built in speaker and headphone jack with personal volume control.

Voice Detection

• The user can select automatic or manual mode. In the automatic mode, the microphone is turned on when spoken into and turned off when there is no voice. The holding time can be altered to cater to users needs. In manual mode, the simple operation of pressing the TALK

(speech) button enables the on/off switching.

Simultaneous interpretation

• Up to 4 separate channels for multi language meetings, making it possible to have one mother tongue and three additional translations.

Wireless design for flexible configuration

Board rooms meetings, Video conferencing and general meetings

As cost is of great importance to all companies, conference rooms are increasingly utilised for other purposes. The infrared system is flexible and space efficient making it the perfect choice for such multi-purpose environments.

Remote lectures and meetings in institutions and universities

As the technology for remote lectures and meetings increases universities are introducing the remote lecture system to enhance the course agenda. A conference system with improved audio quality makes communication swift and efficient.

Committee rooms and assembly halls of self-governing bodies

The semi permanent nature of the ATCS-60 means it can be seamlessly installed into any space without the hassle of exposed wires and lengthy setup times.

Take it with you wherever it is required.

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87

88

atcs-60 series

• Microphones can turn on automatically when a voice is detected.

• Unique DSP voice detection ignores the sound of rustling papers when using the automatic microphone mode.

• A built-in loudspeaker and headphone output for personal amplification removes the need for an additional P.A. system .

• It enables simultaneous speeches by up to 5 people.

• Priority setting function may enable priority to microphones other than the chairperson unit.

• 4 monitor channels are available to easily integrate multiple language translations

ATCS-M60 with ATCS-60MIC

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infrared

conference system

(PC 491-MC 134)

ATCS-60MIC ATCS-L60MIC

ATCS-C60

ATCS-C60

3 990,00

Master control unit

• The number of units with priority settings can be selected.

• Option for FIFO “First In First Out” or FILO “First In Last Out” modes when selecting which order people speak.

• Automatic mode and manual or traditional button press mode are both available.

• Adjustable threshold setting for automatic mode.

• Adjustable hold time for how long the microphone stays on after speech ceases.

• Direct output of up to 5 separate audio channels can be output via the software.

ATCS-M60

990,00

Delegate unit

ATCS-60MIC

129,00

Dedicated microphone

• Overall length 43 cm

ATCS-L60MIC

139,00

Dedicated long-type microphone

• Overall length 58 cm

Technical Data

Model

Polar Pattern

Frequency Response

(microphone only)

Sensitivity

(0 dB = 1V/ 1 pa, 1 kHz)

Maximum Input Sound Level

Signal-Noise Ratio

(1kHz,1 pa)

Output Impedance

Finish

Weight

Technical Data

Bandwidth

Number of Channels

Modulation Method

Infrared Data Communication

Speaker Output

Headphone Output

Power Supply

Standard Operation Time

Dimensions

Weight

Optional Accessories

Technical Data

Bandwidth

Number of Channels

Modulation Method

Infrared Data Communication

Audio Input

Audio Output

System Frequency Response

Power Supply

Weight

Accessories

ATCS-60MIC, ATCS-L60MIC

Fixed-charge back plate

Hyper cardioid

50 ~ 15,000 Hz (–3 dB point)

– 45 dB

100 dB S.P.L. (1kHz,THD 1%)

> 61 dB

< 680 Ω , unbalanced

Black, matted paint spraying

115 g (ATCS-60MIC)

ATCS-M60

1 ~ 10MHz

Voice 5 ch, monitor 4 ch and data 2 ch

FM modulation

9,600 bps

8

Ω

, 2W

Ø 3.5mm monaural mini-jack

Dedicated lithium-ion battery with 7.4 VDC, 2400 mAh or AC adaptor with 12 VDC, 1A

Continuous speeches: 6 hr; Signal reception status: 10 hr.

H75.5×W187×D149mm

0.6 kg (microphone and battery excluded)

LI-240 lithium-ion battery, AC adaptor

ATCS-C60

1 ~ 10 MHz

Voice 5 ch, monitor 4 ch and data 2 ch

FM modulation

9,600 bps

Monitor input (-10dBV, unbalanced) 4 systems

External input 1 (-10dBV, unbalanced) 1 system

External input 2 (-10dBV, balanced) 1 systems (-50dBV, unbal.) 1 system

Direct output (-10dBV, unbalanced) 5 systems

Output 1(-10dBV, unbalanced) 1 system; Output 2 (-10dBV, bal.) 1 system

Recording output (-10dBV, unbalanced) 2 systems

200 ~ 13,000 Hz

AC100 ~ 240V 50/60Hz 75W

4.2 kg (Main body only)

2 rack adaptors, 6 rack adaptor installation screws, 5 mini screwdrivers, AC power cord

infrared

conference system

( PC 491-MC 134)

ATCS-A60

810,00

IR transmitter/receiver unit

The ceiling or wall mounted antenna transceiver connects via 75 ohm, BNC-terminated coaxial cable to the master control unit. Utilizing an automated gain gives the A60's greater IR performance.

ATCS-D60

169,00

Distributor

The 1 in 2 out distributors increase the number of BNC inputs into the master control unit from 4 inputs for up to 16 antenna transceiver connections covering a larger transmission area.

ATCS-B60

1 040,00

Battery Charger

An intelligent quick-charger has 10 individual advanced monitor sockets, taking only 5 and a half hours for a full charge.

LI-240

149,00

Lithium-ion battery

Exclusively manufactured high specification batteries especially designed for the ATCS-M60 system.

DMQ-60

24,00

Monaural earphone

Monaural earphone is designed for clear intelligible audio, a comfortable fit for either ear and easy to maintain.

ATCS-A60

atcs-60 series

ATCS-D60

CONFERENCE MANAGER (dedicated software)

Using the dedicated software you can take full control over the conference system. Arrange delegate layouts with names and departments over an image of the conference room, fully monitor the working conference, control the order of speakers or implement a “press to request” function. Control audio hold times, thresholds and individual gain settings are easily accessible. The audio routing for language translation is implemented through the software as is automatic pan/tilt/zoom for integrated video cameras. With video / audio recording facilities and integrated minute-taking application, reviewing your conference is a breeze.

ATCS-C60MAG

Conference Manager Standard version included of charge with each central unit

Setup of all basic functions of the ATCS-60;

Manual mode up to 150 microphones;

Automatic mode up to 50 microphones

Overall gain

Gain for individual delegate units

Individual thresholds for in automatic mode

Arrange delegate layouts with names over an image of the conference room

Selectable speaker order modes of operation

“Press to Request” total control mode

Audio routing for interpretation integration

ATCS-C60MAG-REG

1 400,00

Conference manager extended version

Video follows audio control (external camera required)

Video recording

Audio recording

Minute taking

Conference record

ATCS-B60

LI-240 DMQ-60

Technical Data

Bandwidth

Number of Channels

Connecting terminal

Power Supply

Weight

Accessories

Technical Data

Number of Distributions

Transmission Frequency Bandwidth

Connecting Terminals

Current Pass Through

Weight

Technical Data

No. of batteries charged

Charging Time

Rating Capacity

Power Supply

Weight

Accessories

ATCS-A60

1 ~ 10MHz

Voice 5 ch, monitor 4ch and data 2ch

BNC terminal x 1

DC24V (provided by master control unit ATCS-C60)

151 g

1 installation bracket, 2 installation bracket fixation screws

ATCS-D60

2 ways

1~10MHz

BNC terminal x 3 below 30V and below 1A

167 g

ATCS-B60

10

About 5.5 hours (for LI-240 charging)

60VA (10V 6A)

AC100-240V 50/60Hz (using AC adaptor of 10V 7.2A)

2 kg (excluding AC adaptor and AC cords)

AC adaptor and AC power cord

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89

AEW-T5400

cardioid large diaphragm condenser UHF transmitter

wireless systems

in-ear monitor system

The M2 and M3 Wireless In-Ear Monitor Systems are designed to provide comfortable, crystal-clear sound on stage.

page 92 to 95

1800 series

Dual-channel 1800 Series systems provide extremely flexible, professional, easy-to-use portable wireless solutions. Two independent receiver channels allow simultaneous operation of two microphones. True Diversity, frequency agility, UHF. The 1800 Series system is now also available as a single channel option.

page 96 to 97

artist elite ® 5000 & 4000 series

Audio-Technica’s Artist Elite ® 5000 and 4000 Series provides incredible audio quality and proven, critically acclaimed performance for artists, regional touring, fixed installations broadcasters and presenters worldwide. True Diversity, frequency-agile, UHF.

page 98 to 101

3000b series

For the wireless user ready to step up to an advanced system, the 3000b Series is the solution. True Diversity, frequency-agile, UHF.

page 102 to 103

2000a series

The 2000a Series Frequency-agile True Diversity UHF Wireless Systems offer serious advances in affordable professional wireless.

page 104 to 105

700 series

Audio-Technica’s 700 Series wireless delivers professional features and sound quality unheard of in its class. These easy-to-use wireless systems feature eight selectable frequency-coordinated channels, diversity operation for increased range/reliability, automatic frequency scanning, Tone Lock™ squelch and more. 700 Series systems come equipped with your choice of handheld, headworn, or lavalier microphones; or choose a system designed for guitar hookup. For multiple-mic applications, as many as eight systems may be used together per frequency band.

page 106

microphones for wireless

In the Wireless Essentials range, the microphones are compatible with all Audio-Technica

UniPak™ body-pack wireless transmitters.

page 107 to 109

wireless accessories

Cables, antennas and antenna distribution systems.

page 110 to 111

91

in-ear monitor

Why in-ear monitors?

Clarity is first among the many reasons to make the switch from traditional floor monitors to wireless in-ear monitor systems for live performance. Many musicians find that traditional floor monitors do not give them the articulate sound they need; they either can’t hear themselves clearly, or can’t hear themselves at all when stage volume is loud.

As a result, they may experience voice strain from singing at unsustainable levels in an attempt to be heard above the on-stage noise level.

There are other benefits to using in-ear monitors: as traditional floor wedges contribute to rising noise levels on stage, many performers are troubled by feedback, and by an overall audience mix that is muddied by stage spill from the floor monitors.

Often, artists choose in-ear monitors because they want to control what they hear on stage, creating a personal mix that’s tailored for their best performance. Others turn to inear monitors to help control and limit exposure to high sound pressure levels for hearing conservation. Some are simply tired of lugging heavy and cumbersome monitor equipment to each gig.

• Crystal-clear audio

Hear yourself clearly on stage

• Personal Mix Control

Control what you hear as you perform

• Avoid feedback

Get cleaner, more articulate house sound

• Help conserve hearing

Experience articulate audio at lower volume

• Travel light

Never carry a heavy monitor system again

wireless in-ear monitor system

SYSTEM APPLICATIONS

The nature of in-ear monitoring allows for endless experimentation; the M2 and M3 Wireless In-Ear Monitor

Systems can be easily configured to meet your individual needs. While there are countless ways to use the system, we have illustrated some typical applications in the diagrams below.

Typical two-channel set-up

(Personal Mix Control)

This is most often used when the transmitter receives two very distinct mixes—such as band and vocal. In this example, the performer can control how much vocal is heard relative to the band mix.

By turning the stereo receiver’s balance control to the left, the performer will hear more vocal in both ears; by turning the receiver’s balance control to the right, the user will hear more band mix in both ears.*

PERSONAL MIX CONTROL

MIXER

Left

(more vocals)

STEREO RECEIVER

Right

(more band mix)

STEREO

TRANSMITTER

AMBIENT MICROPHONE

(optional)

Typical two-channel set-up

(Stereo)

In a typical stereo set-up, the signals from

L/1 and R/2 are separate (not mixed).

The user hears L/1 through the left earphone, and R/2 through the right earphone, and adjusts the relative level of each signal via the stereo receiver’s balance control.*

*Additional IEM receivers can be used with the same transmitter as needed.

92

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wireless in-ear monitor system

SYSTEM APPLICATIONS

(continuation) in-ear monitor

Direct Outputs

SYSTEM 1 SYSTEM 2 SYSTEM 3

STEREO TRANSMITTER

(SYSTEM 1)

Left

(more vocals)

MIXER

STEREO RECEIVER

Right

(more band mix)

Left

(more vocals)

AMBIENT MICROPHONE

(optional)

STEREO RECEIVER

Right

(more band mix)

AMBIENT MICROPHONE

(optional)

Left

(more vocals)

STEREO RECEIVER

Right

(more band mix)

AMBIENT MICROPHONE

(optional)

STEREO TRANSMITTER

(SYSTEM 2)

STEREO TRANSMITTER

(SYSTEM 3)

Advanced two-channel setup

(Personal Mix Control using direct outputs)

This set-up enables each individual band member to control his/her relative mix levels using the balance control on his/her stereo receiver. Turn the stereo receiver’s balance control toward the right to hear more band level

(R/2) in both ears; turn the receiver’s balance control to the left to hear more vocal or instrument of choice (L/1) in both ears. In this example, the loop output is used to send the same band mix to each IEM transmitter, saving your mixer’s aux outputs for other uses.

Advanced two-channel stereo setup

(Multiple aux sends and ambient audience microphones)

This advanced set-up enables you to create custom stereo mixes using individual auxiliary outputs and IEM systems for each band member. This type of set-up is typically used with a dedicated monitor engineer and mixer.

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93

94

m2 in-ear monitor

m2 wireless in-ear monitor system

( PC 486-MC 138)

M2R receiver

M2T transmitter

European professional guide 2010-2011, prices in Euro Ex-VAT

(1)

EP3 earphones

M2 FEATURES

• High-fidelity sound with clean, articulate mix allows you to hear yourself better at lower volume

• 100 selectable UHF channels

• Up to 10 simultaneous systems per frequency band

• Three receiver modes: Personal Mix, stereo, and mono

• Personal Mix Control allows you to adjust your own mix on stage

• Auxiliary input offers connection point for ambient microphone, click track, or other mic–or line-level input

• LED indicators provide easy-to-read level monitoring

• XLR loop output (true pass-through) connects signal to mixing console, additional IEM system or recording device with no signal degradation

• Adjustable squelch eliminates annoying static

• Pilot tone protects against RF interference when the transmitter is turned off

• Limiter (defeatable) helps protect your hearing from sudden peaks

• Portable system is quick to load and set up

• Reduces on-stage audio clutter for better overall mix & less feedback

• Use any number of M2R Stereo Receivers on the same frequency

• Audio-Technica earphones with proprietary dynamic drivers offer full frequency response and outstanding isolation

• Personal fit with 3 sizes of rubber eartips plus an ear-conforming foam tip

The M2 is designed to make professional in-ear monitoring features accessible for performers who want to be free from the problems associated with floor wedges. The system offers Personal Mix Control, which gives each musician independent control of volume and mix on stage, via easy-to-use controls on the M2R stereo body-pack receiver. The wireless UHF M2T stereo transmitter provides a choice of 100 selectable frequencies and is equipped with two 1/4”/XLR combo input connectors into which users can connect line-level inputs (from a mixing console, for example). While up to 10 complete M2 systems may be used on stage simultaneously, any number of M2R stereo receivers may be used on the same frequency with a single M2T stereo transmitter. These rugged systems are built to stand up to the inevitable bumps of life on the road, delivering clear, natural sound for touring and installed-sound uses.

M2

499,00

M2 Wireless in-ear monitor system

Monitor system including 1 stereo transmitter, 1 stereo receiver and EP3 headphones

M2R

299,00

Stereo receiver for M2 in-ear monitor system

Personal mix control in a lightweight body-pack

M2T

P.O.A.

Stereo transmitter for M2 in-ear monitor system

Wireless UHF transmitter (frequency-agile) offers 100 user-selectable frequencies

EP3

59,00

In-ear dynamic headphones

In-ear dynamic headphones offer high-fidelity sound and excellent isolation.

Including hard case, extension cable, ear tip L/M/S, ear foam and soft pouch.

Add the letter E, F, L or M to the end of the part number to denote required frequency band.

M2 specifications

Operating Frequencies

Minimum Frequency Step

Modulation Mode

Maximum Deviation

Dynamic Range

Total Harmonic Distortion

Operating Range

Operating Temperature Range

Frequency Response

Simultaneous Use

Band: Frequency Range (UHF) Number of Frequencies

Band E: 795.500 - 820.000 MHz

Band F: 840.125 - 864.900 MHz

25 kHz

FM stereo

100

100

Band: Frequency Range (UHF) Number of Frequencies

Band L: 575.000 - 608.000 MHz

Band M: 614.000 - 647.000 MHz

100

100

±40 kHz

90 dB (typical), A-weighted

<1% (at 1 kHz, ±20 kHz deviation)

100 m (300'), typical. Open range environment with no interfering signals.

-5º C (23º F ) to +50º C (122º F). Battery performance may be reduced at very low temperatures.

60 Hz to 13 kHz (±3 dB)

10 channels per band (max recommended). For assistance with multi-band operation or other frequency coordination issues, please contact your regional Audio-Technica customer service representative.

Receiver

Receiving System

RF Sensitivity

Headphone Output Connector

Headphone Output Power

Antenna Input

Aux Input Connector

Batteries / Battery Life

Dimensions / Net Weight

Accessories Included

Transmitter

RF Power Output

Spurious Emissions

Input Connection

Maximum Input Level

Loop Output Connection

Power Requirement

Antenna

Dimensions / Net Weight

Accessories Included

Double conversion superheterodyne

20 dBµV (at 60 dB S/N ratio, 50 ohms termination)

3.5 mm TRS stereo phone jack

65 mW (at 32 ohms)

SMA-type, 50 ohms

3.5 mm TRS stereo phone jack

2 x 1.5V AA (not included) / 8 hours (alkaline) (depending on battery type and use pattern)

70.0 mm (2.76") W x 25.0 mm (0.98") D x 110.0 mm (4.33") H / 110 g (3.9 oz), without batteries

EP3 earphones; frequency sticker; flexible antenna

10 mW/30 mW (switchable), 50 ohms (following national regulations)

Following federal and nationalregulations

XLRF-type/6.3 mm stereo (1/4") combination connector - Pin 1 and Sleeve: Ground - Pin 2 and Tip: Hot - Pin 3 and Ring: Cold

Balanced: XLRF-type/6.3 mm stereo (1/4"): +26 dBu - Unbalanced: 6.3 mm (1/4") mono: +26 dBu

XLRM-type connector - Pin 1: Ground - Pin 2: Hot - Pin 3: Cold

12-18V DC, 600 mA

Attached whip

210.0 mm (8.30") W x 132.0 mm (5.20") D x 44.0 mm (1.70") H / 870 g (30.7 oz), without accessories

AC adapter (country dependent); rack-mount adapters

m3 wireless in-ear monitor system

( PC 488-MC 138)

M3

699,00

M3 Wireless in-ear monitor system

Monitor system including 1 stereo transmitter, 1 stereo receiver and EP3 headphones

M3R

380,00

Stereo receiver for M3 in-ear monitor system

Personal mix control in a lightweight body-pack with backlit LCD display

M3T

P.O.A.

Stereo transmitter for M3 in-ear monitor system

Wireless UHF transmitter (frequency-agile) offers LCD display and up to 1321 user-selectable frequencies

EP3

59,00

In-ear dynamic headphones

In-ear dynamic headphones offer high-fidelity sound and excellent isolation. Including hard case, extension cable, ear tip L/M/S, ear foam and soft pouch.

Add the letter E, F, L or M to the end of the part number to denote required frequency band.

ACCESSORIES

AT8623

29,00

Joining plate mounts two M2 or M3 transmitters in a single 19” rack space

AM3

79,00

Omnidirectional Condenser Lavalier Microphone

Ambient omnidirectional condenser lavalier microphone terminated with a right-angle 3.5 mm connector

(compatible with Audio-Technica M2 & M3 Wireless Monitor Systems). Includes clothing clip and windscreen.

MCB4

599,00

Audio-Technica MCB4 Antenna Combiner

(see the complete description page 111)

M3 specifications

Operating Frequencies

Minimum Frequency Step

Modulation Mode

Maximum Deviation

Dynamic Range

Total Harmonic Distortion

Operating Range

Operating Temperature Range

Frequency Response

Simultaneous Use

Band: Frequency Range (UHF) Number of Frequencies Band: Frequency Range (UHF) Number of Frequencies

Band E: 795.500 - 820.000 MHz

Band F: 840.125 - 864.900 MHz

25 kHz

1280

1280

Band L: 575.000 - 608.000 MHz

Band M: 614.000 - 647.000 MHz

FM stereo

±40 kHz

90 dB (typical), A-weighted

<1% (at 1 kHz, ±20 kHz deviation)

100 m (300'), typical. Open range environment with no interfering signals.

-5º C (23º F ) to +50º C (122º F). Battery performance may be reduced at very low temperatures.

1321

1321

60 Hz to 13 kHz (±3 dB)

16 channels per band (max recommended). For assistance with multi-band operation or other frequency coordination issues, please contact your regional Audio-Technica customer service representitive.

Receiver

Receiving System

RF Sensitivity

Headphone Output Connector

Headphone Output Power

Antenna Input

Aux Input Connector

Batteries / Battery Life

Dimensions / Net Weight

Accessories Included

Transmitter

RF Power Output

Spurious Emissions

Input Connection

Maximum Input Level

Loop Output Connection

Power Requirement

Headphone Output Connector

Headphone Output Power

Antenna

Dimensions / Net Weight

Accessories Included

Double conversion superheterodyne

20 dBµV (at 60 dB S/N ratio, 50 ohms termination)

3.5 mm TRS stereo phone jack

65 mW (at 32 ohms)

SMA-type, 50 ohms

3.5 mm TRS stereo phone jack

2 x 1.5V AA (not included) / 8 hours (alkaline) (depending on battery type and use pattern)

70.0 mm (2.76") W x 25.0 mm (0.98") D x 110.0 mm (4.33") H / 133 g (4.7 oz), without batteries

EP3 earphones; frequency sticker; flexible antenna

10 mW/50 mW (switchable), 50 ohms (following national regulations)

Following federal and national regulations

XLRF-type/6.3 mm stereo (1/4") combination connector - Pin 1 and Sleeve: Ground - Pin 2 and Tip: Hot - Pin 3 and Ring: Cold

Balanced: XLRF-type/6.3 mm stereo (1/4"): +26 dBu - Unbalanced: 6.3 mm (1/4") mono: +26 dBu

XLRM-type connector - Pin 1: Ground - Pin 2: Hot - Pin 3: Cold

12-18V DC, 600 mA

6.3 mm (1/4") TRS stereo phone jack

120 mW (at 32 ohms)

BNC, 50 ohms

210.0 mm (8.30") W x 132.0 mm (5.20") D x 44.0 mm (1.70") H / 930 g (32.8 oz), without accessories

AC adapter (country dependent); rack-mount adapters, flexible antenna

m3 in-ear monitor

Audio-Technica’s advanced

M3 IEM system

offers a full range of professional in-ear monitoring features, with a choice of up to 1321 frequencies UHF channels and easy-to-read LCD information displays on both transmitter and receiver for setting preferences. The system is equipped with Audio-Technica’s versatile Personal Mix Control, which gives each musician independent control of volume and mix on stage, via controls on the

M3R

stereo body-pack receiver. While up to 16 complete

M3 systems

may be used simultaneously, any number of

M3R

stereo receivers can operate on the same frequency with a single

M3T

stereo transmitter.

The

M3T

stereo transmitter is equipped with two 1/4”/ XLR combo input connectors into which users can connect line-level inputs (from a mixing console, for example). The

M3T

also offers a headphone output that allows you to monitor transmitter input signals directly.

AM3

M3T transmitter

EP3 earphones

M3R receiver

M3 FEATURES

• High-fidelity sound with clean, articulate mix allows performers to hear themselves clearly at lower volume

• Up to 1321 frequencies selectable UHF channels with automatic frequency scanning

• Up to 16 simultaneous systems per frequency band

• Three receiver modes: Personal Mix, stereo, and mono

• Personal Mix Control allows you to adjust your own mix on stage

• Back-lit LCD information display offers stepthrough menus for setting preferences

• XLR loop output (true pass-through) connects signal to mixing console, additional IEM system or recording device with no signal degradation

• Adjustable squelch eliminates annoying static

• Detachable antenna on transmitter

• Headphone monitor on transmitter

• Pilot tone protects against RF interference when transmitter is turned off

• Multi-level limiter (defeatable) helps protect hearing from sudden peaks

• Portable system is quick to load and set up

• Reduces on-stage audio clutter for better overall mix & less feedback

• Use any number of Stereo Receivers on the same frequency

• Audio-Technica earphones with proprietary dynamic drivers offer full frequency response and outstanding isolation

• Personal fit with 3 sizes of rubber eartips plus an ear-conforming foam tip

• Selectable auxiliary input offers connection point for ambient microphone, click track, or other mic- or line-level input

95

European professional guide 2010-2011, prices in Euro Ex-VAT

(1)

96

1800 series

dual channel E.N.G. UHF wireless systems

( PC 465-MC 130)

ATW-R1820

ATW-R1810

BEC-HSA-VERT

BEC-AT1820 BEC-AT1810

Overall system

UHF Operating Frequency

Number of Operating Frequencies

Frequency Stability

Modulation Mode

Operating Range

Operating Temperature Range

Frequency Response

Band C : 541.500 to 566.375 MHz

Band D : 655.500 to 680.375 MHz

Band E : 795.500 to 820.000 MHz

Band F : 840.125 to 864.900 MHz

981 - 996 total per band

±0.005%, Phase Lock Loop frequency control

FM

100m (300') typical

– 5º C (23º F) to 45º C (113º F)

70 Hz to 15 kHz

All

1800 systems

are designed for all kind of applications where a portable receiver is needed, like

Electronic News Gathering (E.N.G.) or others.

• Extremely compact receiver easy to mount on a camera with included Velcro-type fastener

• UHF reception with up to 996 frequencies selectable in 25 kHz steps

• Automatic frequency scanning for easy selection of open channels

• Tone Lock™ squelch system eliminates interference when transmitter is off

• Headphone monitor output with independent level control

• Battery level indicator.

• Soft-touch controls for easy frequency selection

• True Diversity operation for freedom from dropouts

• LCD frequency and battery status display with backlight

• Antenna and AF Peak LED indicators

• Easy, user-friendly operation

• Clear, natural sound quality

1800 SERIES RECEIVER

ATW-R1820

899,00

Dual channel True diversity receiver

This system is equipped with a dual receiver, which consists of two completely independent receiver channels in a single unit, for simultaneous operation of two microphones, which can be mixed already in the receiver to ease the operation and get rid of the needs for additional equipment.

• Two independent balanced outputs (you can assign function of each, independently)

ATW-R1810

529,00

Single channel True diversity receiver

• Balanced output on receiver allows connection to a balanced microphone-level input on camera, mixer or amplifier.

accessories

( PC 458-MC 140)

BEC-AT1810

129,00

Wireless receiver holder for the ATW-R1810

BEC-AT1820

129,00

Wireless receiver holder for the ATW-R1820

BEC-HSA-VERT

89,00

Hot-shoe vertical mounting for the ATW-R1810

Receiver Specifications

Receiving System

Image Rejection

Signal-to-Noise Ratio

Total Harmonic Distortion

Sensitivity

Audio Output

(balanced)

Output Connector

ATW-R1820

True diversity

ATW-R1810

>50 dB typical >50 dB typical

104 dB at 30 kHz deviation (A-weighted), max.modulation 37 kHz 104 dB at 30 kHz deviation (A-weighted), max.modulation 37 kHz

<1% (±10 kHz deviation at 1 kHz)

25 dBµV, (S/N 60 dB at 5 kHz deviation, A-weighted)

27 mV (at 1 kHz, ±5 kHz deviation)

3-pin mini XLR (TA3M-type)

Monitor Headphone Ouput

(typical)

Monitor Headphone Jack

External Power Requirements

Batteries

(not included)

35 mW max., 32 Ω load (per channel)

3.5 mm TRS, signals on both Tip and Ring

12V DC nominal, 500 mA

Six 1.5V AA alkaline

Battery Life

Dual / Single Channel Operation 6 hours typical* / 10 hours typical*

* depends on battery type and use pattern

Dimensions

85.0 mm (3.35”) W x 133.0 mm (5.24”) H x 36.0 mm (1.42”) D

Net Weight

(without batteries)

Accessories Included

425 grams (15.0 oz)

Two flexible UHF antennas; two 45 cm (18”) TA3F to XLRM output cables; belt pouch, velcro

True diversity

<1% (±10 kHz deviation at 1 kHz)

25 dBµV, (S/N 60 dB at 5 kHz deviation, A-weighted)

27 mV (at 1 kHz, ±5 kHz deviation)

3-pin mini XLR (TA3M-type)

35 mW max., 32 Ω load

3.5 mm TRS, signals on both Tip and Ring

12V DC nominal, 500 mA

Four 1.5V AA alkaline

Single Channel Operation 10 hours typical*

75.0 mm (2.95”) W x 125.00 mm (4.92”) H x 32.0 mm (1.25”) D

300 grams (10.5 oz)

Two flexible UHF antennas; one 45 cm (18”) TA3F to XLRM output cables; belt pouch, velcro

European professional guide 2010-2011, prices in Euro Ex-VAT

(1)

dual channel E.N.G. UHF wireless systems

( PC 465-MC 130)

1800 series

1800 SERIES TRANSMITTER

ATW-T1801

269,00

UniPak ™ Body-pack transmitter

ATW-T1802

329,00

Plug-on transmitter controls plug-on transmitters feature a locking XLR connector for adapting dynamic and condenser microphones

1800 SERIES SYSTEM PACKS

ATW-1824

1437,00

Dual channel UHF Wireless Microphone System with Body-pack transmitters

ATW-R1820 Dual-channel receiver

Two ATW-T1801 UniPak

Bodypack Transmitters

ATW-1822

1557,00

Dual channel UHF Wireless Microphone System with Plug-on transmitters

ATW-R1820 Dual-channel receiver

Two ATW-T1802 Plug-on Transmitters

ATW-1826

1497,00

Dual channel UHF Wireless Microphone System with Body-pack and Plug-on transmitters

ATW-R1820 Dual-channel receiver

ATW-T1801 UniPak

Bodypack Transmitter

ATW-T1802 Plug-on Transmitter

ATW-1812

858,00

Single channel UHF Wireless Microphone System with Plug-on transmitter

ATW-R1810 Single-channel receiver

ATW-T1802 Plug-on Transmitter

ATW-1814

798,00

Single channel UHF Wireless Microphone System

ATW-R1810 Single-channel receiver

ATW-T1801 UniPak

Bodypack Transmitter with Body-pack transmitter

For use with ATW-T1801 and all A-T UniPak

Wireless Transmitters, see page 108 to 109

Wireless Essentials ®

.

System components of the 1800 Series and 3000b Series Wireless Systems can be used interchangeably*

Add the letter C, D, E or F to the end of the part number to denote required frequency band

*Note: The 1800 Series offers UHF Wireless operation frequenci in 25kHz step, therefore the 1800 transmitters and receivers features up to 996 selectable frequencies (depending on the frequency band). The components of the 1800 Series and 3000b Series are compatible, however considering that transmitters and receivers of the 3000b Series operate only on 200 programmed frequencies, a system composed of mixed elements from

1800 Series and 3000b Series will only operate on the 200 pre-programmed frequencies of the 3000b element. Be certain to set each transmitter/receiver pair to identical frequencies.

ATW-T1801

ATW-T1802

ATW-T1801 Body-pack Transmitter

RF Power Output

High: 30 mW; Low: 10 mW, nominal

Spurrious Emissions

Dynamic Range

Input Connections

Antenna Tip Color

According to R&TTE Directive

>105 dB, A-weighted

High impedance, low impedance, bias

Band C: Blue

Band D: Green

Band E: Black

Band F: Grey

Batteries

(not included)

Battery Life

Dimensions

Net Weight

(without batteries)

Two 1.5V AA alkaline

Approximately 6 hours (High); 8 hours (Low), depending on battery type and use pattern

66.0 mm (2.60”) W x 87.0 mm (3.43”) H x 24.0 mm (0.94”) D

80 grams (2.8 oz.)

ATW-T1802 Plug-on Transmitter

RF Power Output

High: 30 mW; Low: 10 mW, nominal

According to R&TTE Directive

Spurrious Emissions

Dynamic Range

Input Connector

Microphone Power

>105 dB, A-weighted

3-pin locking XLRF-type

Compatible with Condenser microphones rated to operate on 12V phantom power or less.

Batteries

(not included)

Battery Life

Dimensions

Net Weight

(without batteries)

Two 1.5V AA alkaline

Approximately 6 hours (High); 8 hours (Low), depending on battery type and use pattern

40.0 mm (1.57”) x 111.0 mm (4.37”) x 40.0 mm (1.57”)

199 grams (7.0 oz)

European professional guide 2010-2011, prices in Euro Ex-VAT

(1)

97

98

artist elite wireless

AEW-T5400

330

Polar Pattern

0

30

300

60

270

240

210 150

180

SCALE IS 5 DECIBELS PER DIVISION

LEGEND

200 Hz

1 kHz

5 kHz

8 kHz

Same as 1 kHz

120

90

AEW-T3300

330

Polar Pattern

0

30

300 60

270

240

LEGEND

200 Hz

1 kHz

5 kHz

8 kHz

210 150

180

SCALE IS 5 DECIBELS PER DIVISION

120

90

artist elite

®

handheld transmitters

( PC 480-MC 130 )

• All transmitters offer rugged, ergonomic metal bodies, programmable features, soft-touch controls, and

10 mW/35 mW switchable RF power

• All components store up to five preset configurations, with customized “names” if desired

• All components operate on two 1.5V AA batteries

UHF SERIES ARTIST ELITE ® WIRELESS TRANSMITTERS (4000 & 5000)

AEW-T5400

820,00

Cardioid large diaphragm condenser UHF transmitter

Including AT8456a stand clamp.

The same element as AE5400 (using the large-diaphragm element as in the AT4050)

AEW-T3300

680,00

Cardioid condenser UHF transmitter

Including AT8456a stand clamp.

The same element as AE3300 (used in the legendary AT4033)

AEW-T4100

580,00

UHF Cardioid dynamic transmitter

I ncluding AT8456a stand clamp.

The same element used in the AE4100

AEW-T6100

580,00

UHF Hypercardioid dynamic transmitter

Including AT8456a stand clamp.

The same element used in the AE6100.

AEW-T5400:

The same large-diaphragm element used in the

AT4050

.

AEW-T3300:

The same element used in the legendary

AT4033

.

Katherine Jenkins, the young Welsh soprano using the AEW-T5400

AEW-T4100

330

Polar Pattern

0

30

300 60

270

240

LEGEND

200 Hz

1 kHz

5 kHz

8 kHz

210

150

180

SCALE IS 5 DECIBELS PER DIVISION

120

90

AEW-T6100

330

Polar Pattern

0

30

300 60

270

240

LEGEND

200 Hz

1 kHz

5 kHz

8 kHz

210 150

180

SCALE IS 5 DECIBELS PER DIVISION

120

90

European professional guide 2010-2011, prices in Euro Ex-VAT

(1)

artist elite

®

UniPak transmitters

( PC 480-MC 130 )

4000/5000 UniPak™ TRANSMITTER

AEW-T1000

420,00

UHF UniPak™ transmitter

Compatible with the

Wireless Essentials ®

range.

Rugged, ergonomic metal housing.

Includes field-replaceable helical and flexible-whip antennas.

Three-position sliding cover limits access to controls as desired: full access, Power/Mute button only, or no access. Two position mounting clip.

• Locking battery door on UniPak body-pack transmitter.

For use with AEW-T1000 and all Audio-Technica UniPak ™ Wireless Transmitters, see

Wireless Essentials ®

page 108 to 109. artist elite wireless

AEW-T1000

AEW-T1000 on a curling player, part of a 44 channel set up installed during 2006 Winter Games.

Specifications

RF Power Output

Dynamic Range

Batteries

(not included)

Battery Life

AEW-T1000 UniPak™

Hi-35 mW, Low-10 mW

110 dB, A-weighted

Two 1.5V AA alkaline

Approx. 8 hours (High) - 10 hours (Low)

Handheld Transmitters

Hi-35 mW, Low-10 mW

110 dB, A-weighted

Two 1.5V AA alkaline

Approx. 6 hours (High) - 8 hours (Low)

European professional guide 2010-2011, prices in Euro Ex-VAT

(1)

99

artist elite wireless

artist elite

®

wireless receivers

( PC 480-MC 130 )

5000 SERIES RECEIVER FREQUENCY-AGILE TRUE DIVERSITY UHF WIRELESS SYSTEMS

WITH COMPUTER INTERFACE

• Two independent receiver channels in a single housing

• 996 selectable UHF channels per band and True Diversity reception for interference-resistant operation

• Dual compander circuitry processes high and low frequencies separately for unmatched audio quality

• Advanced digital Tone Lock™ squelch effectively blocks stray RF; the digitally encoded tone also communicates transmitter data for receiver display

• Link and coordinate multiple AEW receivers via included data cable and/or built-in Ethernet computer interface

• IntelliScan™ feature automatically finds and sets best available frequencies on all linked receivers

• On-board Ethernet interface for monitoring and controlling system parameters with included software

AEW-R5200

2 600,00

Frequency-agile true diversity UHF dual receiver with ethernet connection

Included CD-Rom with computer interface software

• Ethernet interface for controlling system parameters (new wireless control software included

See page 110 and 111,

Wireless Accessories

On-board Ethernet interface and included software on CD permit monitoring and controlling system parameters and operation from an associated computer.

100

European professional guide 2010-2011, prices in Euro Ex-VAT

(1)

AEW-R5200

Receiver Specifications

Receiving System

Image Rejection

AEW-R5200

True diversity

60 dB typical

Signal-to-Noise Ratio

Total Harmonic Distortion

Sensitivity

Audio Output

(ATTN switch at ”0“)

115 dB at 40 kHz deviation (IEC weighted), maximum modulation 75 kHz

≤ 1% (10 kHz deviation at 1 kHz)

20 dBµV (S/N 60 dB at 5 kHz deviation, IEC weighted)

Instrument : 50 mV (at 1kHz, ±5 kHz deviation, 10k ohms load)

Microphone : 25 mV (at 1kHz, ±5 kHz deviation, 10k ohms load) Both outputs are transformer isolated and balanced

Three-position switch: 0 / -6 dB / -12 dB

Audio Output Attenuator

(ATTN)

Output Connector

Microphone (balanced) : XLRM-type

Instrument (balanced) : 1/4” (6.3 mm) TRS phone jack

External Mute

Headphone Output

1/4” (6.3 mm) TS phone jack

Connector : 1/4” (6.3 mm) TRS (“stereo”) phone jack

Computer Interface

Dimensions

Net Weight

(without accessories)

Accessories Furnished

Power Output : 10 mW + 10mW into 32 ohms (at 1kHz, ±15 kHz deviation); max. output: 220 mW + 220 mW into 32 ohms

Ethernet 10 BaseT, RJ45 connector proprietary software supplied on CD-Rom

482 mm x 44 mm x 275.5 mm (W x H x D)

4.0 kg (8.8 lbs)

Detachable IEC-type power cable, two flexible UHF half-wave antennas, link cable ;

IEC-type AC pass-through cable ; front-mount antenna cables and connectors ;

CD-ROM with computer-interface software ; AEW-TB44 transmitter bag

artist elite

®

wireless systems

( PC 480-MC 130 )

Audio-Technica’s upgraded

4000 Series

frequency-agile UHF body-pack and handheld wireless systems bring outstanding clarity and versatility to live performance, regional touring, fixed installations and more.

At the heart of the

4000 Series

is a rugged True Diversity half-rack receiver, the

AEW-R4100

, with

996 selectable channels offered in each of two available UHF bands.

Receivers from both the

4000

and

5000 Series

may be linked; they may be monitored by the newly upgraded

5000 Series

system software. The included IntelliScan™ feature automatically determines and sets the best available frequencies on all linked receivers.

4000 SERIES RECEIVER FREQUENCY-AGILE TRUE DIVERSITY UHF WIRELESS SYSTEMS

• 996 selectable UHF channels per band and True Diversity reception for interference-resistant operation

• Dual Compander circuitry processes high and low frequencies separately for unmatched audio quality

• Advanced digital Tone Lock™ squelch effectively blocks stray RF; the digitally encoded tone also communicates transmitter data for receiver display

• Link and coordinate multiple AEW receivers via included data cables; also link to 5000 Series receiver

• IntelliScan™ feature automatically finds and sets best available frequencies on all linked receivers

AEW-R4100

980,00

Frequency-agile true diversity UHF receiver

ACCESSORIES

(PC 458-MC 140)

AT8628B

32,00

Joining plate kit allow mounting two AEW-R4100 receivers in a single 19” rack space

See page 110 and 111,

Wireless Accessories

Overall 4000 and 5000 Series systems specifications

UHF Operating Frequency

F-Band Frequency Range

E-Band Frequency Range

C-Band Frequency Range

D-Band Frequency Range

Number of Channels

840.125 to 864.900 MHz

795.500 to 820.000 MHz

541.500 to 566.375 MHz

655.500 to 680.375 MHz

996 channels per band

Frequency Stability

Modulation Mode

Operating Range

Frequency Response

±0.005%, Phase Lock Loop frequency control

FM

100 m typical

70 Hz to 15 kHz

Receiver Specifications

Receiving System

Image Rejection

Signal-to-Noise Ratio

Total Harmonic Distortion

Intermediate Frequency

Sensitivity

Audio Output

(ATTN switch at ”0“)

Audio Output Attenuator

(ATTN)

Dimensions

Net Weight

Accessories Furnished

AEW-R4100

True diversity

60 dB typical

115 dB at 40 kHz deviation (IEC weighted), maximum modulation 75 kHz

≤ 1% (10 kHz deviation at 1 kHz)

65.75 MHz, 10.7 MHz

20 dBµV (S/N 60 dB at 5 kHz deviation, IEC weighted)

Instrument : 50 mV (at 1kHz, ±5 kHz deviation, 10k ohms load)

Microphone : 25 mV (at 1kHz, ±5 kHz deviation, 10k ohms load)

Three position switch: 0/–6/–12 dB

211 mm x 44 mm x 235 mm (W x H x D)

1.7 kg

Two flexible UHF half-wave antennas; link cable; detachable IEC-type cable; rack mount adapters

(back) artist elite wireless

AEW-R4100

European professional guide 2010-2011, prices in Euro Ex-VAT

(1)

101

3000b series

ATW-T341b

NEW FREQUENCY

BANDS AVAILABLE

(see page 103)

ATW-T310b

102

European professional guide 2010-2011, prices in Euro Ex-VAT

(1)

ATW-T371b

frequency-agile true diversity UHF wireless systems

( PC 468-MC 120 )

Audio-Technica’s third-generation

3000b Series

wireless systems offer up to 1001 selectable UHF frequencies and new features for clear sound & intuitive operation. We’ve simplified selection of usable frequencies, increased system reliability, and illuminated transmitter screens for clearer visibility on dark stages. It all adds up to the luxury of rock-solid, richly detailed high-fidelity sound.

The

3000b Series

is designed for a wide range of applications including live performance, fixed installation, public address, and houses of worship.

The new

ATW-R3100b

receiver benefits from a newly designed high specification front end filtering system, dual independent diversity along with the latest Audio-Technica 1/2 wave antenna technology (depending on frequency band) to maximise both simultaneous frequency use and range. The 12VDC bias voltage on both

BNC antenna inputs allows operation with the ATW-B80 antenna booster or other active components.

The new frequency scan function enables automatic assignment of clear open channel selection.

All components in the new

3000b Series

have soft-touch controls for quick, easy access to the most important functions during set-up and operation. The system is compatible with the entire line of

Wireless Essentials ®

mics and cables.

3000b SERIES TRANSMITTERS

ATW-T310b

240,00

3000b Series UniPak™ transmitter with a new locking battery compartment providing a more secure latch and more robust design

For use with

ATW-T310b

and all Audio-Technica UniPak ™ Wireless Transmitters, see

Wireless Essentials ®

page 108 to 109.

ATW-T341b

300,00

3000b Series handheld microphone/ transmitter with cardioid dynamic element.

The same element used in the

AE4100

.

ATW-T371b

380,00

3000b Series handheld microphone/ transmitter with cardioid condenser element.

The same element used in the

ATM710

.

• The

ATW-T371b

is the latest addition to the 3000b Series line up of products. It features a cardioid polar pattern to efficiently reduce feedback making it the first choice for on-stage use where you need to combine high reliability with the extended sound performance of a high class condenser microphone.

Specifications

RF Power Output

Dynamic Range

Microphone Element

Batteries

(not included)

Battery Life

Dimensions

Weight

(without battery)

Accessories Furnished

ATW-T310b UniPak™

High: 30 mW, Low: 10 mW

≥ 110 dB, A-weighted

Two 1.5V AA alkaline

Approx. 6 hours (High);

8 hours (Low)

66 mm x 87 mm x 24 mm (W x H x D)

80 grams

Transmitter

ATW-T341b and

ATW-T371b

Handheld Transmitters

High: 30 mW, Low: 10 mW

≥ 110 dB, A-weighted

ATW-T341b Dynamic cardioid

ATW-T371b Condenser cardioid

Two 1.5V AA alkaline

Approx. 6 hours (High);

8 hours (Low) depending on battery type and use pattern

237 mm long - Ø 48 mm

280 grams

AT8456a Quiet-Flex™ stand clamp

frequency-agile true diversity UHF wireless systems

( PC 468-MC 120 )

3000b series

3000b SERIES RECEIVER

ATW-R3100b

219,00

UHF diversity receiver with up to 1001 frequencies, with frequency scan function enabling automatic channel assignment

• Nine pre-coordinated frequency scan groups

• True Diversity operation reduces dropouts

• Advanced digital Tone Lock™ squelch

RECEIVERS ACCESSORIES

(PC 458-MC 140)

AT8630

29,00

Joining plate kit for mounting two 3000b Series receivers in a single 19” rack space

ATW-RM1

69,00

Rack-mount hardware kit for Audio-Technica 2000a and 3000b Series wireless systems and for ATW-DA49 antenna distribution system.

Allows mounting a half-rack receiver or distribution system in a 19” audio equipment rack;

Includes: brings antennas to the front for improved reception.

Long rack ear ;

Short rack ear ;

Two BNC bulkhead connectors with mounting hardware ;

Two 86 cm BNC-to-BNC cables

3000b SERIES SYSTEMS

(PC 458-MC 140)

ATW-3141b

449,00

Handheld transmitter system

• ATW-T341b handheld microphone/ transmitter with AE4100 dynamic capsule

• ATW-R3100b receiver

ATW-3171b

529,00

Handheld transmitter system

• ATW-T371b handheld condenser microphone with ATM710 condenser capsule

• ATW-R3100b receiver

ATW-3110b

399,00

3000b Series UniPak ™

• ATW-R3100b receiver system

• ATW-T310b UniPak ™ transmitter

ATW-3110b/G

419,00

3000b Series UniPak ™ guitar system

• with AT-GcW instrument cable

• ATW-3110b UniPak ™ transmitter system

ATW-3110b/P

439,00

UniPak™ system with AT829cW

• AT829cW miniature cardioid condenser mic.

• ATW-3110b UniPak ™ transmitter system

ATW-3110b/P1

549,00

UniPak

™ system with AT899cW

• AT899cW subminiature omnidirectional condenser mic.

• ATW-3110b UniPak ™ transmitter system

ATW-3110b/P2

509,00

UniPak ™ system with AT831aW

• AT831aW miniature cardioid condenser mic.

• ATW-3110b UniPak ™ transmitter system

ATW-3110b/P3

479,00

UniPak

™ system with MT838cW

• MT838cW omnidirectional condenser

Lavalier microphone

• ATW-3110b UniPak ™ transmitter system

ATW-3110b/H

459,00

UniPak ™ system with PRO8HEcW

• PRO8HEcW headworn hypercardioid dynamic microphone

• ATW-3110b UniPak ™ transmitter system

ATW-3110b/HC1

479,00

UniPak ™ system with ATM75cW

• ATM75cW headworn cardioid condenser microphone

• ATW-3110b UniPak™ transmitter system

ATW-3110b/HC2

559,00

UniPak ™ system with ATM73cW

• ATM73cW professional headworn cardioid condenser microphone

• ATW-3110b UniPak™ transmitter system

ATW-R3100b

ATW-3141b

ATW-T310b

ATW-T341b

ATW-3110b

ATW-R3100b

ATW-R3100b Receiver Specifications

Receiving System

True diversity

Image Rejection

Dynamic Range

Total Harmonic Distorsion

Sensitivity

Audio Output

60 dB nominal, 55 dB minimum

>110 dB (A-weighted), typical

≤ 1% (10 kHz deviation at 1 kHz)

24 dBµV (S/N 60 dB at 5 kHz deviation, IEC-weighted)

Unbalanced : +7 dBV, 1/4” phone jack

Balanced : +9 dBV, XLRM-type

Antenna Input

Dimensions

Weight

Accessories Furnished

Optional System Accessory

BNC-type 50 Ohms Bias voltage 12V DC, 60mA each

210 mm x 49 mm x 176 mm (W x H x D)

1.1 kg (2.4 lbs)

Two flexible UHF antennas, rack mount adapters

AT8630 joining-plate kit, mounts two ATW-R3100b receivers in one rack space

Overall System Specifications

Number of Channels

Frequency Stability

Modulation Mode

Operating Range

Frequency Response

up to 1001 depending on frequency band

±0.005% Phase Lock Loop frequency control

FM

100 m typical

70 Hz to 15,000 Hz

UHF band

C Band

D Band

E Band

F Band

G Band

I Band

Frequency Range Nbr Frequencies

541.500 - 566.375 MHz

655.500 - 680.375 MHz

795.500 - 820.000 MHz

840.125 - 864.900 MHz

721.500 - 746.375 MHz

482.000 - 507.000 MHz

996

996

981

853

996

1001

Not all frequencies are available in all areas.

Please check with local regulations.

European professional guide 2010-2011, prices in Euro Ex-VAT

(1)

103

2000a series

ATW-T210a

NEW FREQUENCY

BANDS AVAILABLE

(see page 105)

ATW-CHG2

104

European professional guide 2010-2011, prices in Euro Ex-VAT

(1)

ATW-T220a

2000a series

frequency-agile UHF wireless systems

( PC 466-MC 120 )

Audio-Technica’s second generation of the well known

2000 Series

now offers increased RF power on both the handheld and beltpack transmitters for increased link stability. Charging contacts on the transmitters allow easy operation with rechargeable batteries.The new

ATW-R2100a

receiver benefits from the latest

Audio-Technica 1/2 wave antenna technology (depends on the frequency range) to maximise range.

The 12VDC bias voltage on both BNC antenna inputs allows operation with the ATW-B80 antenna booster or other active components.With this breakthrough series, Audio-Technica makes easy setup, automatic scanning and other advanced wireless features affordable as never before. Automatic frequency scanning—standard on all

2000a Series

wireless receivers—finds and sets the best available channel at the touch of a button.

For those using multiple wireless systems simultaneously, the

2000a Series

offers another ease-of-use feature: any of its 10 channels may be used together—eliminating confusing frequency groups and other frequency-coordination problems.

2000a SERIES INDIVIDUAL COMPONENTS

ATW-T210a

160,00

2000a Series UniPak™ transmitter

ATW-T220a

220,00

2000a Series handheld microphone/ transmitter with unidirectional dynamic element

2000a SERIES RECEIVER

ATW-R2100a

160,00

UHF diversity receiver

2000a CHARGER

ATW-CHG2

T.B.A.

Plug-in charging unit for two 2000a Series radio transmitters

The

ATW-CHG2

charging unit can charge two transmitters simultaneously.

Both the handheld and beltpack transmitters of the 2000a series have integrated charging contacts and there is no risk of overcharging.

ACCESSORIES

(PC 458-MC 140)

AT8630

29,00

Joining plate kit for mounting two ATW-R2100 receivers in a single 19” rack space

ATW-RM1

69,00

Rack-mount hardware kit for Audio-Technica 2000a and 3000b Series wireless systems and for ATW-DA49 antenna distribution system.

Specifications

RF Power Output

Microphone Element

Batteries

(not included)

Battery Life

Dimensions

Weight

(without battery)

Accessories Furnished

ATW-T210a UniPak™

Transmitter

10mW / 30mW

Two 1.5V AA alkaline or rechargeable AA NiMH

Approximately 9 hours (low), 7 hours (high)

66 mm x 92,3 mm x 22,5 mm (W x H x D)

80 grams

ATW-T220a

Handheld Transmitter

10mW / 30mW

Dynamic, unidirectional

Two 1.5V AA alkaline or rechargeable AA NiMH

Approximately 9 hours (low), 7 hours (high)

229 mm long - Ø 53,5 mm max.

221 grams

AT8456a stand clamp

2000a series

frequency-agile UHF wireless systems

( PC 466-MC 120 )

• Automatic frequency scanning finds an open channel at the touch of a button

• Up to 10 user selectable channels are available. Compatibility varies from country to country

• True Diversity operation selects the better signal from the two receiver sections, reducing dropouts

• Tone Lock™ tone squelch system fights interference

• Rugged metal half-rack receiver with soft-touch controls and LCD display featuring RF and AF metering

• Ground-lift switch helps eliminate audible hum caused by ground loops between the sound system and receiver

ATW-T220a

Handheld Microphone/Transmitter features a

PRO 41

capsule for maximum feedback rejection and consistent sound

ATW-2120a

349,00

Handheld transmitter system

• ATW-T220a handheld microphone/transmitter

• ATW-R2100a receiver

ATW-2110a

299,00

2000a Series UniPak ™ system

• ATW-T210a UniPak ™ transmitter

• ATW-R2100a receiver

ATW-2110a/G

319,00

2000a Series UniPak ™ guitar system

• With AT-GcW instrument cable

• ATW-2110a UniPak ™ transmitter system

ATW-2110a/P

339,00

UniPak™ system with AT829cW

• AT829cW miniature cardioid condenser mic.

• ATW-2110a UniPak ™ transmitter system

ATW-2110a/P1

449,00

UniPak ™ system with AT899cW

• AT899cW subminiature omnidirectional condenser mic.

• ATW-2110a UniPak ™ transmitter system

ATW-2110a/P2

409,00

UniPak ™ system with AT831aW

• AT831aW miniature cardioid condenser mic.

• ATW-2110a UniPak

™ transmitter system

ATW-2110a/P3

379,00

UniPak ™ system with MT838cW

• MT838cW omnidirectional condenser Lavalier microphone

• ATW-2110a UniPak ™ transmitter system

ATW-2110a/H

359,00

UniPak ™ system with PRO8HEcW

• PRO8HEcW headworn hypercardioid dynamic microphone

• ATW-2110a UniPak ™ transmitter system

ATW-2110a/HC1

379,00

UniPak ™ system with ATM75cW

• ATM75cW headworn cardioid condenser microphone

• ATW-2110a UniPak™ transmitter system

ATW-2110a/HC2

459,00

UniPak ™ system with ATM73cW

• ATM73cW professional headworn cardioid condenser microphone

• ATW-2110a UniPak™ transmitter system

ATW-T220a

ATW-2110a

ATW-T210a

ATW-2120a

2000a series

ATW-R2100a

(band D-I)

ATW-R2100a

(band E-F-G)

ATW-R2100a Receiver Specifications

Receiving System

True diversity

Image Rejection

Signal-to-Noise Ratio

Total Harmonic Distorsion

Sensitivity

Audio Output

55 dB nominal, 50 dB minimum

>100 dB at 40 kHz deviation (A-weighted), maximum modulation 40 kHz

≤ 1% (10 kHz deviation at 1 kHz)

20 dBµV (S/N 60 dB at 5 kHz deviation, IEC-weighted)

Antenna Input

Dimensions

Weight

Accessories Furnished

Optional System Accessory

Unbalanced : 25 mV (100k ohms load), 1/4” phone jack

Balanced : 50mV (Attenuator; 0dB)

12.5mV (Attenuator; -12dB) at 1kHz, +/- 5kHz deviation, 100k ohm load., XLRM-type

BNC-type 50 Ohms - Bias voltage 12V DC, 60mA each

210 mm x 44 mm x 162.2 mm (W x H x D)

1.0 kg (2.2 lbs)

Two flexible UHF antennas, rack mount adapters, AC Adapters

AT8630 joining-plate kit, mounts two ATW-R2100 receivers in single 19” rack space

Overall System Specifications

Number of Channels

10 total

±0.005% Phase Lock Loop frequency control

Frequency Stability

Modulation Mode

Operating Range

Frequency Response

FM

100 m (300’) typical

100 Hz to 15,000 Hz

UHF band

D Band

Frequency Range

656.125 - 678.500 MHz

E Band

F Band

G Band

I Band

800.100 - 813.900 MHz

856.100 - 864.900 MHz

721.500 - 746.375 MHz

487.125 - 506.500 MHz

Not all frequencies are available in all areas.

Please check with local regulations.

European professional guide 2010-2011, prices in Euro Ex-VAT

(1)

105

700 series

ATW-T 701

ATW-T 702

ATW-R700 Receiver Specifications

Receiving System

Image Rejection

Antenna-switching diversity

55 dB minimum

Signal-to-Noise Ratio

Total Harmonic Distortion

Power Supply

>80 dB at 10 kHz deviation (IEC-weighted) maximum modulation 25 kHz

≤ 1% (10 kHz deviation at 1 kHz)

Sensitivity

Audio Output

(1 kHz modulation, 10 kHz deviation)

Output Connector

25 dBµV for 60 dB S/N (IEC-weighted)

Unbalanced: 211 mV (-13.5 dBV)

Balanced: 150 mV (-16.5 dBV)

Unbalanced: 1/4” TS (“mono”) phone jack

Balanced: XLRM-type

230VAC (50Hz) to 12V DC 500mA (center positive), external power supply

Dimensions

Weight

Accessories Furnished

190.0 mm W x 42.0 mm H x 130.0 mm D

365 g

Power supply

Overall System 700 Specifications

E-Band Frequency Range

F-Band Frequency Range

Frequency Stability

UHF - 800.000 MHz to 820.000 MHz

UHF - 840.000 MHz to 865.000 MHz

±0.005% Phase Lock Loop frequency control

Modulation Mode

Operating Range

Frequency Response

FM

80 m

100 Hz to 12,000 Hz

Specifications

RF Power Output

Dynamic Range

Input connections

Microphone Element

Battery

Battery Life

Dimensions

Net Weight

Accessory included

ATW-T701 UniPak™

Transmitter

High: 10 mW ; Low: 5 mW

> 100 dB, A-weighted

High impedance, low impedance, bias

Two 1.5V AA alkaline (not included)

Approximately 8 hours (High); 10 hours (Low), depending on battery type and use pattern

65.0 mm W x 105.0 mm H x 18.5 mm D

80 g

ATW-T702

Handheld Transmitter

10 mW

> 100 dB, A-weighted

Dynamic, unidirectional

Two 1.5V AA alkaline (not included)

Approximately 12 hours, depending on battery type and use pattern

245.0 mm long, 53.5 mm diameter

257 g (without batteries)

AT8456a Quiet-Flex™ stand clamp

106

European professional guide 2010-2011, prices in Euro Ex-VAT

(1)

ATW-R700

700 series

wireless systems

( PC 473-MC 110)

Audio-Technica’s

700 Series

wireless delivers professional features and sound quality unheard of in its class.

These easy-to-use wireless systems feature eight selectable frequency-coordinated channels, diversity operation for increased range/reliability, automatic frequency scanning, Tone Lock™ squelch and more. 700 Series systems come equipped with your choice of handheld, headworn, or lavalier microphones; or choose a system designed for guitar hookup. For multiple-mic applications, as many as eight systems may be used together per frequency band.

• 8 selectable per frequency band-coordinated UHF channels

• Use up to 8 simultaneous systems—all channels compatible

• Automatic frequency scanning

• Diversity operation for increased range/reliability

• LED Channel display plus Antenna, AF Peak indicators

• Balanced XLR and unbalanced 1/4” output connectors

• Tone Lock™ squelch system eliminates interference when transmitter is off

• UniPak™ transmitter features: separate guitar/mic trim control, switchable high/low RF power, internal channel selector, multi-color battery/power indicator

• Handheld transmitter features: variable trim control, internal channel selector, multi-color battery/power indicator

• Body-pack systems are compatible with all Audio-Technica Wireless Essentials ® microphones and cables

ATW-702

199,00

Vocal

700 Series frequency-agile diversity UHF handheld transmitter system

• ATW-R700 receiver and ATW-T702 handheld unidirectional dynamic microphone/transmitter.

Includes AT8456a Quiet-Flex™ stand clamp.

ATW-7 01

179,00

Options

700 Series frequency-agile diversity UHF UniPak transmitters system

• ATW-R700 receiver and ATW-T701 UniPak™ transmitter.

• Select a

Wireless Essentials ®

microphone or cable to complete the system (see pages 97 to 99).

ATW-7 01/G

199,00

Guitar

700 Series frequency-agile diversity UHF guitar system

• ATW-R700 receiver and ATW-T701 transmitter with AT-GcW Hi-Z instrument/guitar cable with 1/4” phone plug

ATW-7

01/P

219,00

Presenter

700 Series frequency-agile diversity UHF lavalier microphone system

• ATW-R700 receiver and ATW-T701 UniPak™ transmitter with AT829cW lavalier microphone.

ATW-7 01/H

239,00

Active

700 Series frequency-agile diversity UHF dynamic headworn microphone system

• ATW-R700 receiver and ATW-T701 UniPak™ transmitter with PRO8HEcW headworn microphone.

ATW-7 01/P+

289,00

Presenter +

700 Series frequency-agile diversity UHF UniPak transmitters system

• ATW-R700 receiver and ATW-T701 UniPak™ transmitter with PRO92cW-TH headworn microphone

700 SERIES INDIVIDUAL COMPONENTS

ATW-T7

01

89,00

700 Series UniPak™ transmitter

ATW-T702

109,00

700 Series handheld microphone / transmitter with unidirectional dynamic element

ACCESSORIES

(PC 458-MC 140)

AT8671

39,00

AT8672

39,00

Rack mount tray for one receiver

Rack mount tray for two receivers

microphones for use with

Audio-Technica UniPak™ transmitters

( PC 495-MC 430)

All microphones page 107 to 109 are fitted with a 4-pin HRS connector, for use with Audio-Technica UniPak™ transmitters.

MICROSET WIRELESS HEADWORN MICROPHONES

BP892cW

299,00

MicroSet ® headworn omnidirectional condenser microphone

Includes two element covers, two windscreens and cable clip

BP892cW-TH

299,00

MicroSet ® headworn microphone beige colour

BP892cW with beige colour finish microphone and cable

BP892cW-TH

PRO92cW

120,00

Omnidirectional condenser headworn microphone

Includes AT8442 clothing clip, storage pouch and AT8158 windscreen.

PRO92cW-TH

120,00

Omnidirectional condenser headworn microphone beige colour

PRO92cW with beige colour finish microphone and cable

HEADWORN MICROPHONES FOR AUDIO-TECHNICA UniPak ™

AT889cW

249,00

Noise canceling headworn condenser microphone

Humidity and perspiration resistant.

PRO8HEcW

80,00

Headworn hypercardioid dynamic microphone

( full description page 37)

ATM75cW

90,00

Headworn cardioid condenser microphone.

( full description page 31)

ATM73cW

170,00

Headworn cardioid condenser microphone

( full description page 31)

PRO92cW

AT889cW

wireless essentials

BP892cW

ATM73cW

European professional guide 2010-2011, prices in Euro Ex-VAT

(1)

107

wireless essentials

ATR35cW

AT831aW

®

108

AT899cW

European professional guide 2010-2011, prices in Euro Ex-VAT

(1)

MT830cW

AT829cW

microphones for use with

Audio-Technica UniPak™ transmitters

( PC 495-MC 430)

TIE CLIP AND LAVALIER MICROPHONES

ATR35cW

39,00

Miniature omnidirectional condenser microphone

AT829cW

58,00

Miniature cardioid condenser microphone

AT831aW

139,00

Miniature cardioid condenser microphone

( full description page 55)

AT803aW

129,00

Omnidirectional tie clip microphone for broadcast applications

( full description page 55)

ES943cW/C

169,00

Cardioid condenser lavalier microphone, 1.4 m cable

Includes windscreen and clothing clip

SUB-MINIATURE MICROPHONES FOR AUDIO-TECHNICA UNIPAK ™

AT898cW

169,00

Subminiature cardioid condenser microphone

( full description page 52)

AT899cW

169,00

Subminiature omnidirectional condenser microphone

( full description page 52)

AT899cW-TH

169,00

Beige version of AT899cW

( full description page 52)

BP896cW

229,00

Less power module;

1.4 m cable terminated with locking 4-pin connector for A-T UniPak ® wireless systems

BP896cW-TH

229,00

Same as

BP896cW

, but in “theater” color (beige)

MT830cW

79,00

Miniature omnidirectional condenser microphone

( full description page 55)

MT838cW

99,00

Omnidirectional microphone with clip and windscreen

INSTRUMENT MICROPHONES FOR AUDIO-TECHNICA UNIPAK ™

ATM350cW

260,00

Cardioid condenser clip-on instrument microphone

PRO35cW

110,00

Cardioid condenser clip-on instrument microphone

( full description page 38)

microphones for use with

Audio-Technica UniPak™ transmitters

( PC 495-MC 430)

CONFERENCE MICROPHONES FOR AUDIO-TECHNICA UniPak ™

U851cW

222,00

Unidirectional condenser boundary microphone

( full description page 73)

U841cW

252,00

Omnidirectional condenser boundary microphone

( full description page 73)

U857ALcW

232,00

Cardioid condenser gooseneck microphone 42 cm long

( full description page 73)

U851cW

wireless essentials ®

U841cW

connecting cables for

Audio-Technica

UniPak™ transmitters

( PC 458-MC 140)

XLRW

(same as

AT8317

)

39,00

XLRF cable to HRS connector; 1.50 m

AT-GcW

(same as

AT8319

)

24,00

Guitar cable 6.35 mm jack to HRS connector

AT-GcW-PRO

38,00

Professional guitar input cable for wireless

Professional ¼” straight connector to locking 4-pin connector for use between instrument and Audio-Technica UniPak ® body-pack wireless transmitter

Length: 90 cm

AT-GRcW-PRO

38,00

Professional guitar input cable for wireless with right-angle connector

Professional ¼” right-angle connector to locking 4-pin connector for use between instrument and Audio-Technica UniPak ® body-pack wireless transmitter

Length: 90 cm

ATW-RCS1

169,00

Remote momentary mute cough switch

Features a large momentory push button switch

ATW-RMS1

229,00

Remote mute switch

Features a toggle switch with positive on-off function

XLRW (AT8317)

ATW-RCS1

AT-GcW (AT8319)

U857LcW

ATW-RMS1

European professional guide 2010-2011, prices in Euro Ex-VAT

(1)

109

110

wireless accessories

ATW-49CB

Specifications

Description

Bandwidth

VSWR

Gain

Impedance

Termination Type

Weight

Dimensions

DC Input

Current

Pass-through Current

ATW-49SP

2-Way Active Antenna Splitter

440 MHz to 900 MHz

< 1.7:1 (within specified bandwidth)

0 dB typical (within specified bandwidth)

50 ohms, typical (within specified bandwidth)

3-BNC Female

51 g (1.8 oz.)

61 mm (2.38”) W x 47 mm (1.83”) L x 23 mm (0.92”) H

5-14V DC

30 mA @ 12V DC

100 mA

Specifications are subject to change without notice.

ATW-49CB

2-Input Active Combiner

440 MHz to 900 MHz

< 1.7:1 (within specified bandwidth)

0 dB typical (within specified bandwidth)

50 ohms, typical (within specified bandwidth)

3-BNC Female

51 g (1.8 oz.)

61 mm (2.38”) W x 47 mm (1.83”) L x 23 mm (0.92”) H

5-14V DC

30 mA @ 12V DC

120 mA (maximum to both inputs combined)

European professional guide 2010-2011, prices in Euro Ex-VAT

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ATW-B80

ATW-49SP

wireless accessories

( PC 458-MC-140 )

NEW ATW-49SP ACTIVE ANTENNA SPLITTER KIT

The Audio-Technica

ATW-49SP

Active Antenna Splitter Kit includes a pair of Active Antenna Splitters.

• Each Active Antenna Splitter is a broadband device that splits an incoming RF signal into two identical outgoing RF signals.

• One set of Active Antenna Splitters enables one set of antennas to feed wireless receivers of different frequency bands.

• Originally designed for use with Audio-Technica 4000 and 5000 Series UHF wireless receivers and

ATW-A49 LPDA antennas, the AT-49SP is also suitable for use with a variety of other receivers and antennas

ATW-49SP

289,00

Active Antenna Splitter Kit

• Each kit includes:

2 x one-input, two-output Active Antenna Splitters;

4 x 45 cm BNC-to-BNC RG 58 coaxial antenna cables;

2 x BNC-to-BNC barrel adapters

NEW ATW-49CB ACTIVE ANTENNA COMBINER KIT

The Audio-Technica

ATW-49CB

Active Antenna Combiner Kit includes two Active Antenna Combiners designed for use with Audio-Technica 4000 and 5000 Series UHF wireless receivers and ATW-A49 LPDA antennas. Each Active Antenna Combiner is a broadband device (frequency range from 440 to 900 MHz) that combines two incoming RF signals into one outgoing RF signal. One set of Active Antenna Combiners enables two sets of antennas to feed one wireless receiver or distribution system.

• One set of Active Antenna Combiners enables two sets of antennas to feed one wireless receiver or distribution system

• Each Active Antenna Combiner is a broadband device (frequency range from 440 to 900 MHz) that combines two incoming RF signals into one outgoing RF signal

• Designed for use with Audio-Technica 4000 and 5000 Series UHF wireless receivers and ATW-A49 LPDA antennas

• The Active Antenna Combiner provides unity gain to compensate for RF signal loss associated with combining signals

• Also suitable for use with a variety of other receivers and antennas

ATW-49CB

289,00

Active Antenna Combiner Kit

• Each kit includes:

2 dual-input, one-output Active Antenna Combiners; 2 x 45 cm BNC-to-BNC RG 58 coaxial antenna cables

ANTENNA BOOSTERS

Gain

: +10db / +3db with switch

Input/Output connector:

BNC-R (50 ohms)

Power Supply

: 12V DC

(Carried by antenna cable)

Size

: 25mm (width) x 100mm x (height) x 25mm (depth)

ATW-B80E

399,00

Pair of antenna boosters for use with 795 – 820 MHz UHF systems

ATW-B80F

399,00

Pair of antenna boosters for use with 840 to 865 MHz UHF systems

ATW-B80D

399,00

Pair of antenna boosters for use with 655 – 681 MHz UHF systems

ATW-B80C

399,00

Pair of antenna boosters for use with 540 – 567 MHz UHF systems

AT-PR2010 (GB) (extra page).qxd:Mise en page 1 16/03/10 13:26 Page 111

wireless accessories

( PC 458-MC-140 )

ANTENNA CABLES

AC12

19,00

AC25

99,00

BNC - BNC 4 m link cable, type RG58

BNC - BNC 8 m link cable, type RG8

AC50

P.O.A.

AC100

P.O.A.

BNC - BNC 16 m link cable, type RG8

BNC - BNC 33 m link cable, type RG8

TRANSMITTERS ACCESSORIES

AEW-TB44

56,00

Transmitter bag for AEW Series Holds 4 handheld and 4 body pack transmitters

ANTENNAS

ATW-A49

340,00

Pair of wide band dipole antennas for use with 440-900 MHz UHF systems

ATW-A49S

187,00

Single wide band dipole antennas for use with 440-900 MHz UHF systems

MCB4

599,00

ANTENNA COMBINER

Audio-Technica MCB4 Antenna Combiner allows the signals of up to four

M3

Wireless In-Ear Monitor stereo transmitters to be combined into a single transmitting antenna, reducing rack clutter. It is also suitable for many other in-ear wireless systems (with external BNC antenna connections) operating within the 440 to 865 MHz range.

The

MCB4

provides one output and four isolated transmitter inputs. All RF connectors are BNC-type. Four jacks on the rear panel (controlled by the unit's power switch) provide 12V DC (center positive) to power as many as four transmitters operating on 12 volts at up to 600 mA each. Included with the unit are four DC cables appropriate for use with

M3T

(or like-powered) transmitters. The 12-volt supplies for powering transmitters are short-circuit protected.

The unit features all-metal construction for extreme durability and protection from radio frequency interference.

• Broadband UHF operation (440-865 MHz range)

• Centralized power supply with ability to power four individual transmitters

• Maintains clean signals with low distortion

• Includes hardware for front-mounting the antenna for improved performance

• Includes adapters to allow the unit to be mounted into a single rack space

DIVERSITY UHF ANTENNA DISTRIBUTION SYSTEMS

The UHF active unity-gain antenna distribution systems provides two “1-in, 4-out” RF channels; connects a pair of antennas to as many as four diversity receivers; cascade output provided as a directional coupler for additional distribution system or a fifth diversity receiver. AC pass-through allows daisy-chain AC hookup. Defeatable antenna power. Includes power cables, ten RF cables, front-mount antenna cables and connectors, and four DC power cables.

AEW-DA800E

619,00

Active unity-gain distribution amplifier for UHF bands 795.500 MHz to 820.000 MHz

AEW-DA860F

619,00

Active unity-gain distribution amplifier for UHF bands 840.125 MHz to 864.875 MHz

AEW-DA660D

619,00

Active unity-gain distribution amplifier for UHF bands 655.500 MHz to 680.375 MHz

AEW-DA550C

619,00

Active unity-gain distribution amplifier for UHF bands 540.000 MHz to 567.000 MHz

ATW-DA49

UHF

Antenna distribution system

379,00

The ATW-DA49 is a UHF (wide-band 440-900 MHz) active unity-gain diversity antenna distribution system that enables one pair of antennas to feed multiple wireless systems.

Provides two “1-in, 4-out” RF channels; connects a pair of antennas to as many as four wireless receivers. Both input jacks offer switchable +12V DC output on their center pins to operate

Audio-Technica active in-line RF devices if desired. The ATW-DA49 is designed to complement

Audio-Technica 2000 and 3000b Series wireless systems. It is also suitable for many other wireless systems operating within the 440-900 MHz range. Includes ten RF cables, front-mount antenna cables and connectors, four DC power cables,

+12V DC desktop power supply with detachable IEC power cable, and ATW-RM1 rack-mount hardware kit to permit attachment in a standard 19” rack space.

ATW-RM1

69,00

Rack-mount hardware kit

(see the complete description page 103).

wireless accessories

AC12

ATW-A49

MCB4

AEW-TB44

AEW-DA660D

ATW-DA49

European professional guide 2010-2011, prices in Euro Ex-VAT (1)

ADDENDUM

111

ATH-PRO700

SV

professional monitor headphones

headphones, electronics, accessories

headphones

A collection of precision reference studio headphones, semi professional studio headphones and computer headset combinations that provide outstanding natural sonic performance.

page 114 to 115

electronics

Audio-Technica SmartMixers ® offer automatic control of mixing/selecting inputs, providing simple setup and hands-off operation for many applications.

Problem-solving UniTools ® and phantom power supplies, plus in-line attenuators and impedance-matching transformers.

page 116 to 117

turntables and dj headphones

Audio-Technica professional stereo turntable systems.

A selection of Headphones for DJ applications, providing outstanding sonic performance and comfort in any

DJing environment.

page 118 to 119

genuine accessories

A selection of Audio-Technica professional microphone Clamps, Mounts and Suspensions for secure and flexible positioning. A selection of Audio-Technica foam windscreens designed to reduce air-flow noise, protect against breath sounds (plosives and sibilants), and help to protect the microphone.

page 120 to 127

113

headphones

ATH-M40 fs

ATH-M30

ATH-D40 fs

114

ATH-M20

European professional guide 2010-2011, prices in Euro Ex-VAT

(1)

ATH-M50

ATH-M35

studio professional

headphones

PRECISION “STUDIOPHONES”

( PC 245-MC 320)

Full-sized closed back stereo headphones for studio monitoring and home listening applications. Fully field serviceable. Terminated in a 6,3 mm (1/4”) plug.

ATH-M50

149,00

Professional studio monitor headphones

ATH-M50 professional studio monitor headphones provide exceptionally accurate response combined with longwearing listening comfort. Designed especially for professional monitoring and mixing, these studiophones feature an efficient collapsible design for space-saving portability and storage. Circumaural ear pieces swivel 180° for easy one-ear monitoring; luxuriously padded ear cushions create an outstanding seal for maximum isolation. The adjustable headband is generously padded for the ultimate comfort during long mixing/recording sessions. A coiled cable at the left earpiece terminates to a gold-plated mini-plug with included screw-on 1/4” adapter.

ATH-M50S

149,00

Same as ATH-M50 with straight cable

ATH-M40

fs

79,00

Extended-response closed-back dynamic monitor headphones

Audio-Technica’s premium professional studiophones offer a flat, extended frequency response for professional studio monitoring. Superior components provide very high SPL capabilities while maintaining exceptional clarity of sound. Exterior design features include sturdy strain-relief cable and comfortable circumaural earpieces that can be rotated 180º to permit one-ear monitoring. The studiophones utilize 40-millimeter drives with neodymium magnets and copper-clad aluminium wire voice coils for lowest mass. They are equipped with an 3.4 m (11’) cable terminated in a standard 6.3mm (1/4”) connector. This field-serviceable model allows elements, cables, and earpads to be replaced in the field if needed.

ATH-D40

fs

79,00

Enhanced-bass closed-back dynamic monitor headphones

With their bass-enhanced frequency response, these premium professional studiophones are ideal for use with drums, bass and other low-frequency sound sources.

The

ATH-M30

is a closed-back dynamic headphone for mixing with high power handling for tracking sessions.

65 ohms. Terminated in a 3.5 mm connector with screw-on 6.3 mm adapter.

ATH-M30

59,00

Closed-back dynamic monitor headphones

ATH-M35

69,00

Same as ATH-M30 with foldable earcups designed for space saving portability and storage

SEMI-PROFESSIONAL HEADPHONES

( PC 205-MC 320)

The

ATH-M20

is a closed-back dynamic headphones with neodymium magnets. Impedance 40 ohms, terminated in a 3.5 mm stereo mini plug with 6.3 mm adapter

ATH-M20

39,00

Closed-back headphones

Specifications

Type

Driver Size

Magnet

ATH-M50

Closed-back dynamic

45 mm diameter

ATH-M40fs / ATH-D40fs

Closed-back dynamic

40 mm diameter

Voice Coil

Frequency Response

Maximum Input Power

Sensitivity

Neodymium

Copper-clad aluminium wire

15-28,000 Hz

1 600 mW at 1 kHz

Neodymium

Copper-clad aluminium wire

5-28,000 Hz / 20-28,000 Hz

1 600 mW at 1 kHz

Impedance

Weight

Cables

(without cable)

99dB

38 ohms

284 g (10 oz)

1.2-3.0 m (3.9’-9.8’) coiled,

(OFC litz wire)

100 dB / 102 dB

60 ohms / 66 ohms

250 g (8.8 oz)

3.4 m (11’)

(OFC litz wire, left-side exit)

Connectors

3.5 mm (1/8”) gold-plated stereo mini-plug 6.3 mm (1/4”) phone-plug

Screw-on 6.3 mm (1/4”) adapter, protective pouch

ATH-M30

Closed-back dynamic

40 mm diameter

Neodymium

Copper-clad aluminium wire

20-20,000 Hz

1 600 mW at 1 kHz

100 dB

65 ohms

200 g (7.0 oz)

3.4 m (11’)

(OFC litz wire, left-side exit)

3.5 mm (1/8”) with screw-on and 6.3 mm (1/4”) adapter

ATH-M20

Closed-back dynamic

40 mm diameter

Neodymium

Copper-clad aluminium wire

30-20,000 Hz

1 200 mW at 1 kHz

98 dB

40 ohms

230 g (7.1 oz)

3.0 m (10’)

(coiled, left-side exit)

3.5 mm (1/8”) stereo mini-plug and 6.3 mm (1/4”) adapter

studio professional

headphones

ATH910PRO HEADPHONES

( PC 245-MC 320)

Full-size closed-back dynamic headphones featuring Samarium Cobalt magnets, large diaphragm drivers. Ideal for both home listening and studio monitoring applications.

ATH910PRO

109,00

Closed-back headphones, 40 ohms

T SERIES SEMI-PROFESSIONAL HEADPHONES

( PC 205-MC 320)

These dynamic headphones feature proprietary 40 mm drivers and A-T’s innovative self-adjusting lightweight headband and generously padded ear cushions for comfortable listening.

• Circumaural design ensures superior isolation

• Rotating earpieces for easy one-ear monitoring

ATH-T200

28,00

Adjustable dual headband for superior comfort

The

ATH-T200

features a large double headband for a comfortable fit around the head. The over-the-ear earpads are soft and prevents the sound from leaking. The 40mm driver unit produces high quality sound for users to enjoy the listening experience. Built with Ø3.5mm gold-plating stereo mini-plug attached with a standard plug.

ATH-T300

39,00

Adjustable dual headband for superior comfort

Uses the copper-clad aluminium wire (or CCAW) voice coil driver units that makes you feel like you’re “right there” listening to the music. (A CCAW driver combines the strength and conductivity of a copper core with a lightweight outer coating of aluminium resulting in an extended high frequency range and a cleaner bass)

Wide adjustable head support and soft ear pads allow you to listen in comfort for long periods of time

ATH910PRO

ATH-T300

COMMUNICATION HEADSETS

( PC 215-MC 340)

ATH-COM1

34,00

Monophone / dynamic boom mic combination headset

Designed for hands-free computer and multimedia applications, the ATH-COM1 provides a single earpiece with

40-millimeter driver for one-ear monitoring, along with a neodymium dynamic microphone for crisp, accurate vocal pickup. The flexible mic boom, cushioned ear pads and lightweight design provide added convenience and prolonged listening comfort.

ATH-COM2

49,00

Stereophone / dynamic boom mic combination headset

With two earphones for stereo sound and a neodymium dynamic microphone for accurate vocal pickup, the

ATH-COM2 is ideal for hands-free computer and multimedia applications.

Specifications

Type

Driver Size

Microphone Type

Voice Coil

Frequency Response

Maximum Input Power

Sensitivity

Impedance

Weight

(without cable)

Cables

Connectors

ATH-910PRO

Closed-back dynamic

44 mm diameter

ATH-T200

Closed-back dynamic

40 mm diameter

Copper-clad aluminium wire

20-22,000 Hz

120 mW at 1 kHz

92 dB

40 ohms

205 g

3.0 m

(OFC litz wire, left-side exit)

Stereo jack 6.35 mm (1/4”)

20-22,000 Hz

500 mW at 1 kHz

100 dB

40 ohms

210 g

3.0 m

3.5 mm (1/8”) stereo mini-plug and 6.3 mm (1/4”) adapter

ATH-T300

Closed-back dynamic

40 mm diameter

ATH-COM1 - ATH-COM2

Open-back dynamic

40 mm diameter

Copper-clad aluminium wire

18-20,000 Hz

500 mW at 1 kHz

Neodymium dynamic

Copper-clad aluminium wire

30-20,000 Hz

50 mW at 1 kHz

104 dB

40 ohms

90 dB

40 ohms

230 g

3.0 m

70 g - 100 g

1.5 m

(coiled, left-side exit)

3.5 mm (1/8”) stereo mini-plug 2 gold-plated 6.3 mm (1/4”) adapter and 6.3 mm (1/4”) adapter

ATH-COM2

headphones

ATH-T200

ATH-COM1

European professional guide 2010-2011, prices in Euro Ex-VAT

(1)

115

116

smart mixers

Specifications

Input Impedance

Output Impedance

Maximum Input Level

Maximum Gain

Frequency Response

(–3 dB)

Equivalent Input Noise

Microphone Phantom Power

Power Supply

Operating Temperature

Dimensions

(including feet, knobs and connectors)

Weight

Accessories Furnished

Comparison Chart

Automatic Mic/Line balanced inputs

Unbalanced Aux input

Priority pre-select switch for each

Automatic threshold setting

Single threshold setting for all channels

Phantom power selectable for each channel

Switchable manual mode

Master output level control

Individual gain controls for each channels

Limiter on each mic/line channel

Output level meter with Peak and RMS mode

Off attenuation for each input adjustable to:

TTL logic output

Closure control of each input

Pre- or post-controller audio output

Switchable NOMA operation

Headphone output with adjustable level

19” rack mounting space (1U)

Rack-mount adapters included

4

AT-MX351

yes yes yes yes yes yes

–40 dB yes full yes

48V yes yes yes

1 yes yes

AT-MX351

Mic: 8,000 Ω

Line: 50,000 Ω

Mic: 200 Ω

Line: 300 Ω

Mic: –24 dBV

Line: +27 dBV

73 dB

40 Hz to 22 kHz

–128 dBV (150 Ω )

+48V DC

120V/230V AC

0° to 40° C

W 430 mm

D 238 mm

H 44 mm

3.1 kg

AT8325/1.0 link cable; rack-mount adapters;

AC power cable

AT-MX341a

Mic: 4,000 Ω

Line: 30,000 Ω

Mic: 320 Ω

Line: 200 Ω

Mic: –20 dBV

Line: +30 dBV

70 dB

60 Hz to 30 kHz

–120 dBV (150 Ω )

+12V DC

12V AC, 150 mA

0° to 40° C

W 210 mm

D 238 mm

H 44 mm

1.6 kg

AT8325/1.0 link cable; rack-mount adapters;

AC power supply

4

AT-MX341a

– yes

–20 dB yes

1/2 yes

– yes

– yes

12V yes yes yes

AT-MX351

automatic

mixers

( PC 630-MC 510)

Innovative automatic mixers are microprocessor controlled for uncomplicated, automated operation.

• Easy to install, easy to operate and completely transparent in operation

• Choice of one-channel-at-a-time operation, all active, or any mix of moderator override

• Versatile, switchable inputs accept microphones or line-level devices; mic- or line-level out

• Individual gain controls for each channel

• Last microphone on stays on so that ambient sound is never muted

• XLR inputs with phantom power provided for condenser mics

AT-MX341a

680,00

Automatic SmartMixer ® featuring four switchable microphone or line channels

Half rack width,1U high. Supplies 12V phantom power on each channel.

AT-MX351

880,00

Automatic SmartMixer ® microphone mixer featuring four switchable microphone or line channels and one auxiliary input. 19" rack width 1U high. Supplies

48V phantom power on each channel.

RACK MOUNT ACCESSORIES

(PC 458-MC 140)

AT8628B

32,00

Joining plate for mounting two AT-MX341a mixers in a single rack space

ACCESSORIES

(PC 630-MC 510)

AT8325/1.0

29,00

Link cable (included with SmartMixer ® )

AT-MX341a

European professional guide 2010-2011, prices in Euro Ex-VAT

(1)

new automatic

mixer

AT-MX381

( PC 630-MC 510)

• Audio-Technica’s new

AT-MX381 SmartMixer ®

is designed to deliver instant, intuitive control of your multiple-microphone installations.

• The

AT-MX381

allows control of basic functions–like gain and level settings for each channel–from the

SmartMixer’s front panel. Control more detailed settings via computer with included software.

• The SmartMixer’s simplicity and sophistication make it ideal as the hands-free heart and soul of multi-mic sound systems for meetings, courtrooms, classrooms, distance learning, and worship services.

AT-MX381 SmartMixer ®

1980,00

Eight channel automatic mixer

• Eight balanced mic/line inputs with EQ

• Automatic threshold setting

• 48V phantom power (individually selectable)

• NOMA circuitry (selectable) helps control feedback

• Selectable manual mode

• Priority of each microphone can be independently assigned

• Last Mic On (selectable) for continuous room ambiance

• Linking capability for 16 units (up to 128 microphones)

• Logic output signals control camera selection and other circuitry

• RS232 data port provides a connection point for a PC running the SmartMixer Software to configure key operating functions

• Compatible with Crestron ® and AMX ® systems smart mixers

AT-MX381

AT-MX381 SmartMixer ®

Input Impedance

Mic Level: 6600 ohms

Line Level: 8500 ohms

Output Impedance

Balanced

Line Level: 300 ohms

Mic Level: 350 ohms

Unbalanced: 400 ohms

Direct Output: 60 ohms

–50 dBu (gain at Max)

Maximum Input Level

Maximum Output Level

Maximum Monitor Output

Maximum Gain

Frequency Response

Equivalent Input Noise

Microphone Phantom Power

Control Voltage Out

Power Supply

Operating Temperature

Dimensions

(not including feet, knobs and connectors)

Weight

22 dBm (THD+N at 1%)

50mW (@ 1% THD+N) with 16 ohm load

69 dB

20 to 20K Hz (±3 dB)

–130 dBu*

+48V DC

+4V DC

100/240V AC (auto-select), 50/60 Hz, 20W

0° to 40° C (32° to 104° F)

430 mm (16.93”) W x 230 mm (9.05”) D x 44 mm (1.75” ) H

3.8 kg (8 lbs. 6 oz)

* Input terminated with 150 ohms, A-Weighted using Audio-Precision System Two.

European professional guide 2010-2011, prices in Euro Ex-VAT

(1)

117

turntables

AT-PL120-USB

professional

turntable

( PC 640-MC 510)

AT-PL120-USB

249,00

Direct-Drive Professional Turntable (USB & Analog)

This professional stereo turntable features a high-torque direct-drive motor for quick start-ups and a USB output that connects directly to your computer. Other features include: forward and reverse play capability; cast aluminum platter with slip mat and a start/stop button; three speeds 33/45/78; selectable high-accuracy quartz-controlled pitch lock and pitch change slider control with +/-10% or +/-20% adjustment ranges; and removable hinged dust cover. A selectable internal stereo phono pre-amplifier allows the turntable to plug directly to components with no dedicated turntable input. A USB cable and adapter cables are included along with Mac- and PC-compatible Audacity software to digitize your LPs.

AT-LP120-USB Direct-Drive Professional Turntable

• USB output—connects directly to your computer for plug-&-play use

• Mac- and PC-compatible Audacity software digitizes your LPs

• Direct drive high-torque motor

• Selectable 33/45/78 RPM speeds

• Professional cast aluminum platter with slip mat

• Integral Dual Magnet™ phono cartridge

• Balanced tone arm with soft damping control

• Switchable built-in pre-amplifier with line-level RCA output cables

• Included cables connect to your stereo or powered speakers

• Stroboscopic platter speed indicator

• Forward and reverse play

Includes

• Direct Drive Professional Stereo USB turntable

• Mac- and PC-compatible Audacity software

• USB cable

• Adapter cables

System requirements

• PC or Mac with an available USB port (USB1.1 or higher)

• CD-R or CD-RW writer for burning CDs & installation

• Includes Audacity software for PC & Mac users

Audacity requires Mac running OS X 10.1 or later or PC running Windows (98 and above)

118

European professional guide 2010-2011, prices in Euro Ex-VAT

(1)

professional stereo DJ

headphones

(PC 256-MC 330)

ATH-PRO700

159,00

Monitor Headphones

Top of the line monitor headphones.

53mm driver that gives a rich and accurate bass.

Folding system reduces space use and ease one-ear monitoring.

Ultra stylish design with a total comfort around your ears in any DJing environment.

ATH-PRO700SV

159,00

Silver version of ATH-PRO700

ATH-PRO500BK

119,00

Professional monitor headphones

• DJ monitor headphones features professional performances specifications and rugged reliability

• Rotating earpieces for easy one-ear monitoring

ATH-PRO500SV

119,00

Silver version of ATH-PRO500

STEREO DJ HEADPHONES

(PC 255-MC 330)

ATH-PRO5V

69,00

Professional Monitor and DJ headphones

• Rotating earpieces for easy one-ear monitoring

• Closed-back dynamic stereo headphones deliver exceptional clarity

• 40 mm drivers with neodymium magnets and copper-clad aluminium wire voice coils

• Rich bass response with extended high end

• Circumaural design ensures superior isolation

• Adjustable cushioned headband and lightweight design for maximum comfort

• Ultra-flexible coiled cable with left-side entry

ATH-PRO700

headphones

ATH-PRO500SV

Specifications

Type

Driver Size

Magnet

Frequency Response

Maximum Input Power

Sensitivity

Impedance

Weight

(without cable)

Cables

Connectors

ATH-PRO700 - 700SV

Closed-back dynamic

53 mm diameter

Neodymium

5-33.000 Hz

3,500 mW at 1 kHz

105 dB/mW (JEITA)

36 ohms

320 g

1.2 - 3 m coiled

3.5 mm (1/8”) stereo mini-plug with 6.3 mm adapter

ATH-PRO500BK - 500SV

Airtight dynamic

40 mm diameter

Neodymium/ CCAW

10~30,000Hz

1,500 mW at 1 kHz

38 ohms

280 g

1.2 m (Coiled) / Max. 3.0m

3.5 mm (1/8”) stereo mini-plug with 6.3 mm adapter

ATH-PRO5V

Closed-back dynamic

40 mm diameter

Neodymium

15-28.000 Hz

1,300 mW at 1 kHz

103 dB/mW (JEITA)

40 ohms

200 g

1.5 m coiled

3.5 mm (1/8”) stereo mini-plug with 6.3 mm adapter

ATH-PRO5V

ATH-PRO700SV

European professional guide 2010-2011, prices in Euro Ex-VAT

(1)

119

accessories

AT8681

AT8801

120

ESRSC

European professional guide 2010-2011, prices in Euro Ex-VAT

(1)

AT8684

AT8202

power supplies, power modules, attenuators and

UniTools

®

POWER SUPPLIES

(PC 630-MC 510)

AT8801

98,00

Single channel 48V DC phantom supply (AC power adapter included)

This line-powered device allow the use of remote-powered microphones with systems that do not supply phantom power. The rugged steel case is finished in enamel and provides shielding from electrostatic interference.

ATTENUATORS

( PC 315-MC 410)

AT8202

68,00

Adjustable In-line Attenuator

• Provides –10 dB, –20 dB or –30 dB attenuation

• Compatible for use in phantom power applications

• Durable steel case provides optimum shielding from hum

• Can be plugged directly into a female 3-pin chassis-mount connector

UNITOOLS ®

( PC 630-MC 510)

Phantom-powered in-line microphone accessories overcome commonly-encountered sound installation challenges quickly, easily and effectively.

All units permit phantom voltage to pass on to the microphone.

Featuring rugged steel housings, UniTools ® can be installed anywhere in-line, either at the mixer input or near the mic.

AT8681

78,00

UniMix ® 2-to-1 mic combiner with balance control

Combines the output from two microphones into one channel. Balance control attenuates each microphone by

6 dB (typical) at midpoint.

AT8684

68,00

UniMute ® mic attenuator with user-definable switch function

Type of external single-pole switch the user supplies determines muting function; closed contact causes muting. Use for on/off, push-to-talk, push-to-mute, etc.

REMOTE SWITCH CONTROL INTERFACE

( PC 630-MC 510)

ESRSC

148,00

The ESRSC is a control interface that enables a contractor to add external control, contact closure, programmable mute functions and status indication to any dynamic or condenser microphone. Switch function can be set to any of three operating modes: Touch-On/Off, Touch-to-talk (momentary on), and Touch-to-mute

(momentary off). External contact closure capability permits control of remote devices from a user-supplied switch. A three-position switch “Local/ Remote / LED Remote” – enables the microphone and the LED status to be controlled locally or from an external device. In remote operation, the user-supplied LED and switch operate independently from the microphone. In LED Remote operation, the user-supplied LED is controlled from an external source.

• Adds external control, contact closure, programmable mute functions and status indication to any dynamic or condenser microphone

• Programmable Momentary On, Momentary Off, and Touch On/Off

• External contact closure capability permits control of remote devices from user-supplied switch

• External LED control allows for accurate depiction of the live status of the microphone

• 3-pin Phoenix-type connectors included for mic-in, mic-out, control and switch

• Contractor-exclusive product

power modules for microphones elements and

wireless essentials

®

CONDENSER MICROPHONES REMOTE POWER MODULES

( PC 630-MC 510)

AT8531

89,00

Belt Pack type power module,

1.5V AA battery & phantom, with low frequency roll-off, input onTA3M, output on integral XLRM 3-pin.

• Furnished with U853A series, U857A series, U851A and U841A series

AT8542

79,00

Phantom power only in-line power module, with low frequency roll-off, input onTA3M, output on integral XLRM 3-pin.

• Furnished with ATM350

AT8538

79,00

Phantom power only in-line power module, with bass roll-off, Input TA3M, output on 3-pin line XLRM.

• Furnished with U853R, U857R and PRO35

AT8537

159,00

In-Line 1.5V AA battery & phantom power module,

TA3M to XLRM line 3-pin.

• Furnished with AT898 and AT899

REMOTE POWER MODULE FOR ALL WIRELESS ESSENTIALS

( PC 630-MC 510)

AT8539

109,00

Phantom power only in-line power module

Input on HRS connector for all wireless essentials.

Power module for AT892 MicroSet ® , with bass roll-off.

Also suitable for use with any Audio-Technica Wireless Essentials ® microphone terminated with 4-pin locking connector. The AT8539 allows you to convert your wireless microphone into a wired model.

Comes equipped with a snap-on belt clip. accessories

AT8531

AT8542

AT8538

AT8539

European professional guide 2010-2011, prices in Euro Ex-VAT

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121

genuine accessories

AT8405a

AT8470

AT8422

AT8406a

AT8471

AT8433

AT8407

AT8456a

AT8423

AT8459 AT8665

122

European professional guide 2010-2011, prices in Euro Ex-VAT

(1)

AT8472

accessories

( PC 315-MC 410)

Our genuine Audio-Technica microphone clamps have an American standard

5/8

” female thread, therefore because most European microphone stands use

3/8

” male thread, an adaptor

5/8

(use AT8423 or AT8422).

male to

3/8

”female is needed

MICROPHONE CLAMPS

AT8405a

11,20

Snap-in mic clamp, metal base, for 21 mm body diameter mics

AT8406a

10,60

Tapered slip-in mic clamp, metal base for all tapered mics

AT8407

16,30

Universal mic clamp, spring loaded clip, metal base. Fits most mics with diameter 15 to 25 mm

AT8470

14,00

Quiet-Flex ™ stand clamp for tapered Artist Elite and Midnight Blues

® microphones AT2010, ATM710, ATM610, ATM410

AT8471

25,60

Microphone isolation stand clamp

Provides effective reduction of stand-transmitted noise Dependably maintains positioning while securely holding the microphone Compatible with

5/8

”-27 threaded stands

AT8456a

20,80

Clamp for wireless handheld microphones in the Artist Elite ® AEW and 3000b, 2000 and 700 Series

ADAPTERS AND STAND ACCESSORIES

AT8422

1,40

Plastic threaded adapter, converts

3

/8

” stands to

5

/8

” threaded mic clamp

AT8433

10,30

Shoe clamp with two locking nuts and

5

/8

” microphone adaptor

Fits to the accessory shoe of a camcorder. Enables a microphone clamp to be attached to the camera

AT8423

1,60

Brass threaded adapter, converts

3

/8

” stands to

5

/8

” threaded mic clamp

AT8459

44,00

Swivel mount microphone clamp adapter. Provides unlimited number of angles/ positions.

Compatable with

5

/8

-27 threaded stands

AT8665

7,80

Drum microphone clamp adapter (

5

/8

” thread)

AT8472

29,00

Slip-in mic clamp for PRO24 or any 21 mm body diameter microphone with camera shoe mount

accessories

( PC 315-MC 410)

Our genuine Audio-Technica microphone clamps have an American standard

5/8

” female thread, therefore because most European microphone stands use

3/8

” male thread, an adaptor

5/8 male to

3/8

”female is needed (use AT8423 or AT8422).

CLAMPS, SHOCK MOUNTS FOR STUDIO MICROPHONES

AT8430

142,00

Stand clamp with

5

/8

- 27 thread for AT4033a / AT4040 / AT4050 / AT4047SV

AT8447

164,00

Shock mount for AT4060

AT8449

78,00

Shock mount for AT4033a / AT4040 / AT4050 / AT2035 / AT2050

AT8449SV

98,00

Shock mount for AT4047SV

AT8458

76,00

Shock mount for AT3035 / AT3060 / AT2020 / AT2035 / AT2050

AT8466

16,00

Stand mount for AT2020

AT8430

AT8449

UNIVERSAL SHOCK MOUNTS

AT8410a

59,00

Shock mount, spring loaded, fits most mics with diameter 15 to 22 mm

AT8415

72,00

Low-profile shock mount with flexible bands. Fits most mics

AT8466

ACCESSORIES FOR MINIATURE MICROPHONES

AT8418

40,00

UniMount ® microphone instrument mount ATM350 / AT803 / AT831/ AT829 /

PRO35 / PRO70

AT8444

34,00

Instrument adapter ATM350 / AT803 / AT831 / AT829 / PRO35 /

PRO70 for acoustic guitar/violin

AT8468

9,80

Violin mount for ATM350

• permits unobtrusive placement of microphone between the instrument’s bridge and tailpiece

AT8418

genuine accessories

AT8447

AT8449SV

AT8410a

AT8458

AT8415

AT8444 AT8468

European professional guide 2010-2011, prices in Euro Ex-VAT

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123

genuine accessories

AT8411

AT8419

AT8461

AT8461-TH

AT8412

AT8434

AT899AK

AT8414

AT8435

124

AT8439 AT8440

European professional guide 2010-2011, prices in Euro Ex-VAT

(1)

AT8417

AT8460

AT899AK-TH

accessories

( PC 315-MC 410)

CLAMPS AND ACCESSORIES FOR TIE CLIP MICROPHONES

AT8411

10,30

Plastic clothing clip, fits AT803/AT829/ AT831

AT8412

16,20

Plastic double clothing clip, fits AT803/ AT831/AT829

AT8414

20,80

Metal tie tac, fits AT803/AT831/AT829

AT8417

11,80

Wire clothing clip, AT803/AT831/AT829

AT8419

11,50

Wire clothing clip which allows to position the microphone in 45° steps

AT8420

8,30

Metal clothing clip, for MT830

AT8434

8,30

Plastic clothing clip, for AT829

AT8435

8,30

Tie clip for MT350

AT8442

8,30

Clothing clip for PRO92cW

AT8460

16,20

Clothing clip for ES943

AT899 MINIATURE MICROPHONE ACCESSORIES

AT8461

16,20

Clothing clip base for AT899 and AT898 with single and double microphone holders

AT8461-TH

16,20

Clothing clip base for AT899 and AT898 with single and double microphone adapters in beige

AT899AK

56,00

Accessory kit for AT899 and AT898 models in black

AT899AK-TH

56,00

Accessory kit for AT899 and AT898, models in beige

ACCESSORIES FOR HEADWORN AND MINIATURE MICROPHONES

AT8439

6,00

Cable clothing clip for headworn, tie clip, and miniature microphone.

AT8440

28,00

Cable clothing clip for AT892

accessories

( PC 315-MC 410)

DESK STANDS

AT8601

22,00

Desk stand for all 5/8”-27 mic holders

AT8615A

83,00

QM plug-in desk stand; XLRF in, XLRM out for all QM mics

AT8615RS

88,00

Same as AT8615A with switch

AT8666

91,00

Low-profile microphone desk stand

The low-profile AT8666 microphone desk stand with sturdy metal base is equipped with a 3-pin XLRF-type in, and an XLRM-type output connector.

AT8666RSC

172,00

Microphone desk stand with switch and external contact closure

This quick-mount plug-in desk stand features a user-programmable switch and an external contact closure. The sturdy metal base is equipped with a 3-pin XLRF-type in, and a 5-pin XLRM-type output connector. It is designed to fit any phantom-powered gooseneck microphone with an XLRM-type output.

AT8666RSP

149,00

Microphone desk stand with switch

The low-profile AT8666RSP quick-mount desk stand base with user-programmable switch offers three settings: press on/press off, momentary on, and momentary off. The sturdy metal base is equipped with a 3-pin XLRF-type in and an XLRM-type output connector.

SUSPENSION ACCESSORIES FOR FIXED INSTALLATION MICROPHONES

AT8416

62,00

AT8438

18,00

AT8451

14,00

Shockmount for all UniPoint AM and ES range. For fixed installation

Custom stand adapter for U853 and U853W fits 5/8”-27 stands

Wire hanger adapter for overhead applications with U853 and PRO45

AT8451WH

14,00

White version of AT8451

AT8452

14,00

Wire hanger adapter for overhead MicroLine

®

ES933

AT8452WH

14,00

White version of AT8452

AT8646AM

39,00

Shockmount plate with 5/8”-27 threaded adapter mount

AT8646QM

55,00

Shockmount plate with XLRF connector

AT8647QM/S

98,00

Shockmount plate for quick mount microphones with on/off switch for fixed installation

AT8651

8,00

AT8662

32,00

AT8663

11,00

AT8664

11,00

Thread mount adapter for old ES range

Shockmount for gooseneck microphone supplied with U857Q Series

Low profile table or wall mount plate

with 5/8” for thread gooseneck microphones, standard microphone clips and remote mounted antennas in conjunction with the AT8459 swivel mount clamp adaptor

A-mount cable pass-through adapter for Unipoint

AT8473

27,00

AT8474

37,00

Stand clamp permits attachment of the gooseneck mic base to a standard 5/8”-27 or 3/8”-16 threaded mic stand or mounting flange.

Low-profile isolation mount (allows mounting above or beneath mounting surface)

AT8601

AT8666

genuine accessories

AT8651 AT8438 AT8451-AT8451WH AT8452

AT8646AM

AT8663

AT8666RSC - AT8666RSP

AT8646QM

AT8615A

AT8647QM/S

AT8615RS

AT8416

AT8664 AT8473

European professional guide 2010-2011, prices in Euro Ex-VAT

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AT8474

125

accessories

AT8137

AT8106

AT8101

AT8111 AT8112 AT8115

AT8159

AT8136

AT8120

windscreens

(PC-315-MC410)

WINDSCREENS FOR 20 AND 40 SERIES MICROPHONES

AT8137

44,00

Large studio foam windscreen for AT4033a / AT4040 / AT4050/AT4047SV/ AT2020

AT8106

46,00

Metal slip-on pop filter for AT4041 (for ultimate pop and wind protection, use an AT8114 in addition)

AT8159

7,00

Small egg-shaped foam windscreen for AT4041 / PRO37 / AT4021 / AT4022 / AT4049b / AT4051b /

AT4053b

WINDSCREENS FOR VOCAL AND INSTRUMENT MICROPHONES

AT8101

9,00

AT8111

11,00

AT8112

9,00

AT8114

11,00

AT8115

13,00

AT8118

5,00

AT8120

17,00

AT8122

9,00

AT8123

9,40

AT8136

10,00

Large cylindrical foam windscreen for AT8004 / AT8004L

Thin cylindrical foam windscreen for ATM650

Large cylindrical foam windscreen for ATM610 / AE4100 / AE6100

Ball-shaped foam windscreen for ATM31a / ATM410 / ATM710 / AE3300 / AE5400

Large-pore egg-shaped foam windscreen for ATM650

Small foam windscreen for ATM350

Large foam windscreen for AT8022 / PRO25ax / AT4025 / AE3000

Small foam windscreen for U873

Windshield for PRO24-CMF

Small egg-shaped foam windscreen for ATM10a / ATM33a

WINDSCREENS FOR SHOTGUN MICROPHONES

AT8132

21,00

AT8133

18,00

AT8134

19,00

AT8135

22,00

Shotgun windscreen for AT8035

Shotgun windscreen for AT875R

Shotgun windscreen for BP4073 / AT897 / BP4029 / ATR55

Shotgun windscreen for AT8015 / BP4071 / BP4027

126

AT8135

AT8132

European professional guide 2010-2011, prices in Euro Ex-VAT

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AT8134

windscreens

(PC-315-MC410)

HEADWORN MICROPHONE WINDSCREENS

AT8119

3,00

AT8125

8,20

Windscreen for headworn ATM73

Large foam golfball windscreen for ATM73

AT8128

9,50

Small foam torpedo windscreen for headworn mic ATM73

AT8139L

8,00

Large foam windscreen for headworn mic ATM75 / PRO8HE

AT8139S

8,00

Small foam windscreen for headworn mic ATM75 / PRO8HE

AT8142A

3,00

Foam temple pads (pair) for headworn mic ATM75 / PRO8HE

AT8142B

3,00

Foam temple pads (pair) for headworn mic ATM73

AT8143

26,00

Coloured windscreen pack suitable for ATM75 / PRO8HE, set of 4 (pink, purple, green and yellow) includes temple pads

AT8125

AT8119

AT8128

AT8139S

TIE CLIP MICROPHONE WINDSCREENS

AT8110

15,00

AT8116

11,20

AT8129

2,90

AT8130

6,80

AT8131

2,90

Foam windscreen for ES943

Mini windscreen for AT803b/ AT829 / AT831 / PRO70

Miniature foam windscreen for MT350

Subminiature foam windscreens (packet of 3) for MT830

Miniature foam windscreen for AT829 / AT803 / AT831 / PRO70

AT8143

accessories

MINIATURE AT899 AND AT898 MICROPHONES ACCESSORIES

AT8150

15,00

Element covers (pack of 3)

AT8150-TH

15,00

Beige element covers (pack of 3)

AT8151

13,00

Windscreen (pack of 3)

AT8151-TH

13,00

Beige windscreen (pack of 3)

AT8150 AT8150-TH AT8151 AT8151-TH

MICROSET HEADWORN AND LAVALIER MICROPHONES ACCESSORIES

AT8156

12,00

AT892 element cover

AT8156-TH

12,00

Beige version of AT8156

AT8156-CO

12,00

Cocoa version of AT8156

AT8157

11,00

AT892 and BP896 windscreen

AT8157-TH

11,00

Beige version of AT8157

AT8157-CO

11,00

Cocoa version of AT8157

AT8158

13,90

PRO92 windscreen

AT8158-TH

13,90

Beige version of AT8158

AT8156-TH AT8157-TH

AT8109

AT8104a

AT8117

UNIPOINT ® , PROPOINT ® AND ENGINEERED SOUND ® WINDSCREENS

AT8153

10,80

Small 2-stage foam windscreen for use with U853 / U859 / U857

AT8153WH

19,80

White version of AT8153

AT8102

9,90

Small 2-stage foam windscreen for use with U853 / U859 / U857

AT8102WH

11,20

White version of AT8102

AT8104a

Small metal lockable windscreen with additional outer foam

62,00

€ windscreen provided suitable for U853 / U857 / U859

AT8109

15,00

Snap-on foam windscreen for ES Series gooseneck mics

AT8117

11,40

Large high density foam windscreen for U853 outdoor use

AT8161

68,00

AT8154

11,80

Metal windshield with additional outer foam for use with engineered sound gooseneck microphones

Small 2-stage foam windscreen for use with U853 / U859 / U857 with UniLine™ elements

AT8154WH

23,20

White version of AT8154

(see page 81)

AT8138

11,20

Windscreen for MicroLine ® All ML/suffix mics

AT8138WH

18,60

White version of AT8138

AT8146

9,80

Windscreen for PRO47 / PRO49

AT8146WH

9,60

White version of AT8146

AT8138

AT8146

AT8102

European professional guide 2010-2011, prices in Euro Ex-VAT

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AT8138WH

127

SSM-POP

shock mount and articulated pop filter kit

Since 1972,

SABRA-SOM

acquired know-how in all aspects of the entertainment industry, namely audio, sound reinforcement, acoustics, musical and artistic productions in general.

Our vast experience and credibility in the market and a constant demand for innovative solutions lead SABRA-SOM to develop high quality products for professional studios, home studios and stage.

multiple use mounting system for microphones

SABRA-SOM

developed a patented

SYSTEM

whose market differential is its unique modular architecture.

The universal shock mount, pop filter, ‘T’ bar, magic clamp and other products can be used independently or combined to form the ultimate solution for microphone setup. This

TOOL KIT

means endless options to hold, position and protect microphones. Various arms and attachments give you the freedom to create and customize your setup.

No other products in the market, from the inexpensive to the more sophisticated ones, can provide the valueadded solution that

SABRA-SOM SYSTEM

does.

SABRA-SOM

combined products make any setup solution possible during all phases of audio production.

page 130 to 135

sabra-som

SSM-1/SL

130

SSM-1/ANC

European professional guide 2010-2011, prices in Euro Ex-VAT

(1)

SSM-1

universal shock mounts

( PC 790-MC 565)

In audio signal capturing by microphones, there is a leak of unwanted mechanical noises through the microphone stand, caused by vibrations on stage, by the kick drum, by low frequencies of the amplifier, by the artist's choreography on stage, etc. One of the conventional solutions is to adopt electronic recourses, such as noise gate reduction, re-equalization (shut down of low frequencies), etc. Thus, no doubt, we are interfering with the signal's dynamics, reducing our system's head room, consequently harming the signal's quality and naturalness.

The

SSM-1

(Universal Noise Suppressor Microphone Support) comes to meet the following premise:

”For acoustic problems, acoustic solutions.”

SSM-1

44,90

Universal shock mount for microphones

Isolating physically the microphone from its stand, the

SSM-1

succeeds in filtering the undesirable noises to an extent of approximately 15 dB and at a very low cost. Its mounting versatility and adjustability makes it compatible with most microphone sizes and types available on the market.

For the correct mounting of the mic. just weave it through the parallel rubber bands of each ring, two by two.

Suitable to any mic. shape (tubular or conical) up to 2” diameter.

The central articulated support can be fixed anywhere on the hexagonal rod, to compensate for any imbalance of the mic's gravity center.

SSM-1/SL

54,90

Sabra shock mount with quick release (speed-lock ® )

Same function as the

SSM-1

, The SPEED-LOCK allows you to pull the mount off your mic stand with a simple ¼ turn.

The additional cost due to the SPEED LOCK embedded in the product is less that the spare quick-locks available in the market.

Assemble and disassemble is quicker more steady and more efficient, especially in live performances.

SSM-1/ANC

19,90

Replacement rings for the sabra shock mount

Consists of two complete rings with four suspension elastics, over mounted two by two.

• Broke a ring on your

SSM-1

?

• Need to add an additional ring or two for your existing

SSM-1

?

• Want to create a shock mount for longer microphones, using the hexagonal bar from a Sabra-Som

ST2

or

ST4

?

SSM1ANC

is a great solution.

microphones supports and adapters

( PC 790-MC 565)

ST2

34,90

Universal double support with 3/8” and 5/8” threads

Could be called Multifunction T-Bar as it is a MODULAR and totally adjustable product.

Features:

• Variable distance and angle between mics (towers’ movement).

• 2 Thread adapters: 3/8” (European standard) and/or 5/8” 27 threads/inch (universal standard) each, fixed on two sliding towers, respectively.

• Relative angles between the towers are totally variable.

• Central elbow with horizontal movement for the adjustment of gravity center.

• Central elbow with 360° of movement and an efficient locking system.

• Can be connected to the top of a boom stand with any relative angle. In particular horizontal and vertical configuration (XY format) and, vertical configuration (BLUMLEIN format) sabra-som

ST2

ST4

44,90

Universal quad mic support

The

ST4

, consists of four sliding microphone mounts with 5/8” male thread adapters and one articulated

5/8” female thread support that fits a mic stand, all sliding on a 30 cm (12”) long hexagonal rod.

This allows the mounting of four mics on the same stand with variable distance and angulations between them.

Due to SABRA’s modular system, the 12”long rod can be used to support some extremely long mic

(SHOTGUNN), connecting the

SSM-1/ANC

spare rings.

NIPLEX-PRO

10,90

Long-Neck thread adapter 3/8” fem. To 5/8” male with an extended body

• One of its advantages is to make possible the connection of mics where the XLR plug is extremely close to the boom connection.

The NIPLEX-PRO can be used on the

ST2

or

ST4

towers instead of the simple thread adapters.

NIPLEX-PRO/10

99,90

One package of 10 niplex-pro

Special package for dealers or Suppliers.

Contains 10 NIPLEX-PRO, individually packaged for retail.

ST4

NIPLEX-PRO

NIPLEX-PRO/10

European professional guide 2010-2011, prices in Euro Ex-VAT

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131

sabra-som

pop filters

( PC 790-MC 565)

UNI-POP

28,90

Double faced pop filter

Replaceable double faced pop filter with a simplified universal connection to any 5/8” screw thread mic stand.

Popping sounds occur particularly in the pronunciation of aspirated plosives (such as the first 'p' in the

English word "popping"). Hissing sounds or sibilance frequently result from the pronunciation of fricatives such as the 'sh' in the English word "seashells". Pop filters are designed to attenuate the energy of plosives, which otherwise might exceed the design input capacity of the microphone, leading to clipping.

The

SABRA’S

5” Screens are made of special ortophonic fabric, creating hard phonetic noise attenuation, maintaining the frequency curve of the original sound.

UNI-POP

S-POP

59,90

Pop Filter with Universal connection to any mic stand

S-POP

PF

132

European professional guide 2010-2011, prices in Euro Ex-VAT

(1)

SPF

64,90

Articulated pop filter

• Two parallel ortophonic screens, mounted onto a brace and fixed on an ARTICULATED arm.

• The advantage of it’s articulated arm: Ones firmly adjusted, avoids the problems created by a flexible

Gooseneck.

• The

SPF

is suitable to any Sabra support by attaching it to their hexagonal rods.

• The SABRA’s replaceable pop screens are made of special ortophonic fabric, attenuating high impact phonetic noise without frequencies cut.

SPF

PF

18,00

Replacement screens for sabra’s pop filters

• Replacement screens for high pressure phonetic peaks filtering.

• The

PF

is suitable to all SABRA’S Pop Filters

• The 5” diameter double-faced screen is made of a special ortophonic fabric and due to its high filtering factor, the

PF

can be positioned very close to the mic, thus conserving its pick-up level fidelity, without frequencey cut.

pop filters, arms & shock mount kits

( PC 790-MC 565)

ST-POP

54,90

Two in one mini kit (ST2 + UNI-POP)

An excellent and inexpensive combination between the

ST2

– stereo bar and the

UNI-POP

– The double faced pop filter in a unique package, aiming the simultaneous mounting of both – MIC and POP

FILTER on the same boom stand. sabra-som

.

SSM-POP

56,90

Shock mount and articulated pop filter kit for large side address microphones

This most recent configuration of the SABRA microphone modular system meets the need to position firmly, safely and with versatility, larger and heavier microphones, combining in a single set-up the renown

SSM-1

universal noise suppressing elastic microphone support with the high precision, 5” diameter, double face pop filter – SPF at a surprising low cost.

The

SSM-POP

consists of the following items:

• One articulated arm, formed by a 200 mm hexagonal aluminum bar and a 150 mm hexagonal aluminum bar.

• Two elastic suspension rings.

• One central elbow with ratcheted central axis, with a 5/8” universal female thread at its base, attachable to any conventional microphone stand.

• One double-face 5” diameter POP FILTER

The significant firmness of the

SSM-POP

is due to the elastic suspension rings being attached to the

200 mm bar and to the pop filter’s 150 mm bar, creating a compact structure with the necessary flexibility to attach the pop-filter.

The

SSM-POP

, predominantly designed to be used vertically, perfectly accommodates larger and heavier side address microphones, or other similar large and heavy microphones, with extremely easy adjustment and locking, allowing conventional or inverted configuration, conserving the high performance of the microphone being used.

SPK

139,90

Sabra protector kit

Create your own placement and protecting accessories for microphones, using the SABRA’s MODULAR

SYSTEM.

SPK

consists of three basic items:

One

SSM-1

: Adjustable universal mic shock mount with elastic suspension.

One

SPF

: Articulated 5’’ double faced POP FILTER

One

ST2

: Double support for microphones, well known as STEREO BAR

Each product can be used individually or either be combined for a diversity of applications.

Commonly used by studios to place the MICROPHONE and the

SPF

(pop filter) on the same stand. The

SPK

can be assembled in different forms based on your needs.

ST-POP

SSM-POP

SPK

European professional guide 2010-2011, prices in Euro Ex-VAT

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133

sabra-som

SMC

universal clamp

( PC 790-MC 565)

SMC

84,90

Sabra’s magic clamp

• The

SMC

comes with a L format hexagonal aluminum bar with adjustable 5/8” screw thread connections, mounted on a steel claw, attachable to tubular systems from ¼” to 1” and to rectangular rods with ¼” thickness up to 1 ¼” (like a drum hoop).

• The

SMC

’s attachment is so efficient and strong, making it a powerful tool to hold any size of microphone.

• The

SMC

is of simple intuitive and friendly handling.

• Easily attached to the percussion instruments hardware, allowing a great variety of adjustments.

• The most attractive feature is that the arm adjustment and fixing is done, manipulating a single screw.

SMC

+

SSM1

+

SSM1

134

SSM-GRIP

European professional guide 2010-2011, prices in Euro Ex-VAT

(1)

S-GRIP

S-GRIP

39,00

The mic stand that fits in your pocket

The s-grip is a powerful and efficient support for any type of microphone and can be easily attached to any mic stand or tubular system of up to 25 mm diameter.

Consists of:

• One ergonomic aluminum claw for tubular systems of up to 25 mm diameter.

• One hexagonal aluminum bar of 100 mm length with a 3/8” in. male thread.

• One LONG NECK thread adapter nipple with a 5/8” in. male thread (mic) to 3/8” in. female thread –

NIPLEX PRO.

Using

SABRA-GRIP

system, you can easily couple and fasten as many microphones as you want to a single mic stand for different directional capturing, for example: “Miking” a percussion kit;

Using one stand to hold several mics to the interior of a Grand Piano;

Easily attach a shotgun mic to any pole at the edges of a soccer field, etc.

SSM-GRIP

59,00

Universal shock mount with 25 mm diameter grip

The well known

SSM-1

(Highly efficient elastic microphone shock mount) now is offered with a new option to be connected to a mic stand – a highly mechanical endurance aluminum grip with coupling capacity of up to 25 mm diameter.

The grip system allows any tubular tripod of up to 25 mm diameter to be used as a microphone stand as well as to attach several mics to the same stand.

surround sound and decca tree microphones supports

( PC 791-MC 565)

SMS 5.1 / CASE

989,00

Universal surround microphone support with professional case

A new and revolutionary conception of natural 5.1 surround capturing, allows simultaneous positioning of five directional mics. In five different directions in a 360 degrees spectrum with full angular capturing adjustment.

The

SMS-5.1

consists of a disc to which five hexagonal, 30 cm long, arms are attached radially, with adjustable angulations. At the external end of each arm a

SSM-1

Universal Shock Mount, is mounted, which can be vertically adjusted, allowing the placement of any microphone.

The

SMS-5.1

can be placed either on a conventional microphone stand or hung through a THREE-PENDULUM, and can be balanced.

sabra-som

SMS 5.1 / CASE

SDT / CASE

998,00

Sabra’s decca tree with professional custom storage case

Totally hand made, The SABRA’S DECCA TREE is a variation of the

SMS 5.1.

Consists of a disc to which three hexagonal, 1 m long, arms are attached in a perpendicular configuration.

At the external end of each arm there is a sliding microphone mounts with 3/8” & 5/8” O.D. threaded studs, aiming the adjustment of three omni-mics.

SDT / CASE

European professional guide 2010-2011, prices in Euro Ex-VAT

(1)

135

136

accessory charts studio microphones

Microphone clamps

AT8405A

AT8407

AT8471

AT8470

Adapters and stand accessories

AT8422

Clamps and shock mounts for studio mics

AT8430

AT8447

AT8449

AT8449SV

AT8458

AT8466

Universal shock mounts

AT8410A

AT8415

Windscreens for 20 and 40 series microphones

AT8137

AT8106

AT8159

live sound microphones

Power modules

AT8531

AT8542

Microphone clamps

AT8405A

AT8406A

AT8407

AT8470

AT8471

Adaptors and stand accessories

AT8422

AT8423

AT8665

Universal shock mounts

AT8410A

AT8415

Accessories for miniature microphones

AT8418

AT8468

Accessories for headworn microphones

AT8439

Windscreens for vocal and instrument microphones

AT8106

AT8111

AT8112

AT8114

AT8115

AT8136

AT8153

AT8153WH

AT8159

AT8160

Windscreens for headworn microphones

AT8119

AT8125

AT8128

AT8139L

AT8139S

AT8142A

AT8142B

AT8143

= FURNISHED -

=

O

PTI

O

NAL - (1) except f o r Wireless versi o ns

AE5400

A

T4033aSM

A

T4040

A

T4040SC

A

T4050SM

A

T4050SC

A

T4047SVSM

A

T4047SVSC

A

T4041

AE3300

AE6100

AE4100

AE2500

AE3000

AE5100

A

TM250

A

T4021

A

TM650

A

T4022

A

T4049b

A

T4051b

A

T4053b

A

TM250DE

A

TM450

A

TM410

A

T2050

A

TM610

A

T2035

A

TM710

A

TM350

A

TM73a

(1)

(1)

A

TM75

(1)

A

T2020

A

T2010

A

T2020USB

multipurpose microphones

Power modules

AT8538

(1)

Microphone clamps

AT8401

AT8405A

AT8406A

AT8407

AT8470

AT8471

Adapters and stand accessories

AT8665

AT8422

AT8472

Universal shock mounts

AT8410A

AT8415

Accessories for miniature microphones

AT8418

AT8444

Clamps and accessories for tie clip/lavalier microphones

AT8411

AT8412

AT8414

AT8417

AT8419

Accessories for headworn microphones

AT8439

Suspension accessories for fixed installation microphones

AT8438

AT8438WH

AT8451

AT8451WH

Windscreens for 20 and 40 series microphones

AT8106

AT8159

Windscreens for vocal and instrument microphones

AT8101

AT8111

AT8112

AT8114

AT8115

Windscreens for headworn microphones

AT8139L

AT8139S

AT8142A

AT8143

Windscreens for tie clip/lavalier microphones

AT8116

Windscreens for Unipoint, Propoint and ES microphones

AT8102

AT8102WH

AT8153

= FURNISHED -

= OPTIONAL - (1) except for Wireless versions

137

MB1k

MB2k

MB3k

MB4k MBDK5 MBDK7 PRO31 PRO31QTR PRO41 PRO61

PRO8HEx PRO25ax PRO63 PRO70 PRO35

(1)

✪ ✪

PRO37 PRO24 PRO24CM

● ●

● ● ●

138

accessory charts broadcast

& production

BP4071L

Power modules

AT8531

AT8537

AT8538

Microphone clamps

AT8405A

AT8407

AT8471

Adaptors and stand accessories

AT8422

AT8423

Universal shock mounts

AT8410A

AT8415

Accessories for miniature microphones

AT8418

AT8444

Clamps and accessories for tie clip/lavalier microphones

AT8411

AT8412

AT8414

BP4071

BP4073

BP4027

BP4029

A

T8015

A

T8035

A

T897

A

T875R

(1)

A

T898

AT8417

AT8419

AT8420

AT8435

AT898 and AT899 miniature microphone accessories

AT8461

AT8461TH

AT899AK-TH

AT899AK

Accessories for headworn microphones

AT8439

AT8440

Windscreens for vocal and instrument microphones

AT8101

AT8114

AT8120

AT8136

Windscreens for shotgun microphones

AT8132

AT8133

AT8134

AT8135

AT8144

AT8145

AT8147

Windscreens for tie clip/lavalier microphones

AT8116

AT8129

AT8130

Windscreens and element covers for AT899

AT8150

AT8150TH

AT8151

AT8151TH

Windscreens and element covers for AT892 MicroSet™

AT8156

AT8156-TH

AT8156-CO

AT8157

AT8157-TH

AT8157-CO

= FURNISHED -

= OPTIONAL - (1) except for Wireless versions

A

T898c

(1)

A

T899

A

T899c

A

T899c-TH

A

T892c

A

T892c-TH

A

T892c-CO

A

T803b

(1)

(1)

A

T831R

(1)

A

T831b

(1)

MT830R

A

T803cb

A

T831c

MT830c

MT350b

MT838b

A

T8031

A

T8033

BP4025

A

T8022

A

T8010

A

T8004

A

T8004L

● ●

139

installed sound mics

PRO45

Power modules

AT8538

AT8531

Microphone clamps

AT8405A

AT8407

Desk stands

AT8615A

AT8615RS

AT8666

AT8666RSP

AT8666RSC

Accessories for miniature microphones

AT8418

Clamps and accessories for tie clip/lavalier microphones

AT8460

● ●

Suspension accessories for fixed installation microphones

AT8416

AT8438

AT8438WH

AT8451

AT8451WH

AT8452

AT8452WH

AT8651

AT8658

AT8662

AT8663

AT8664

AT8646AM

AT8646QM

AT8647QMS

AT8474

AT8473

Windscreens for vocal and instrument microphones

AT8122

Windscreens for tie clip/lavalier microphones

AT8110

Windscreens for Unipoint, Propoint and ES microphones

AT8102

AT8102WH

AT8104A

AT8109

AT8109WH

AT8117

AT8138

AT8138WH

AT8146

AT8146WH

AT8153

AT8153WH

✪ ✪

● ●

AT8154

AT8154WH

= FURNISHED -

= OPTIONAL - (1) except for Wireless versions

U853A

W

U853AU U853A

✪ ✪ ✪ ✪

WU

✪ ✪ ✪ ✪

U853R

U853RW U853RU U853RWU U841A

U851A

U857AL U857AU U857Q

✪ ✪ ✪ ✪

✪ ✪

✪ ✪

✪ ✪

● ●

U857QL U857QU U857QLU U857R

✪ ✪ ✪ ✪

✪ ✪

● ●

✪ ✪ ✪ ✪

● ● ●

✪ ✪ ✪ ✪

✪ ✪ ✪ ✪

● ● ● ●

● ●

✪ ✪

● ●

U857RL U857RU U857RLU U859QL

✪ ✪

● ●

U873R

✪ ✪ ✪ ✪ ✪ ✪ ✪ ✪

✪ ✪ ✪ ✪ ✪ ✪ ✪ ✪

ES915C/H ES915ML ES915SC ES915SML ES935C/H ES935ML ES935SC/H ES935SML ES905CL

ES933C/H ES933WC/HES933ML ES933WML ES943C

✪ ✪ ✪ ✪ ✪ ✪

(1)

140

alphanumeric

product listing

Product Code

AT8015-W

AT8015-Z

AT8022

AT8022-F

AT8031

AT8033

AT8035

AT8035-F

AT8035-W

AT8035-Z

AT803aW

AT803b

AT803cb

AT808G

AT8101

AT8102

AT4050SM

AT4050ST

AT4051B

AT4051B-EL

AT4053B

AT4053B-EL

AT4080

AT4081

AT4900B-48

AT8004

AT8004L

AT8004L-W

AT8004-W

AT8010

AT8015

AT8015-F

AT8102WH

AT8104a

AT8106

AT8109

AT8110

AT8111

AT8112

AT8114

AT8115

Product Code Page

AC100

AC12

AC25

AC50

AE2500

AE3000

AE3300

AE4100

AE5100

AE5400

AE6100

AEW-DA550C

AEW-DA660D

AEW-DA800E

AEW-DA860F

AEW-R4100

AEW-R5200

AEW-T1000

AEW-T3300

AEW-T4100

100

99

98

98

AEW-T5400

AEW-T6100

98

98

AEW-TB44 111

AM3 95

AT2010

AT2020

AT2020USB

AT2035

AT2050

AT4021

AT4022

AT4033aSM

16

13

13

11

18

18

19

17

AT4040

AT4040SC

AT4041

AT4047MP

AT4047SVSC

AT4047SVSM

AT4049B

AT4049B-EL

AT4050SC

15

14

8

8

8

11

11

12

10

25

24

24

111

111

111

111

101

111

111

111

111

25

25

24

24

Product Code

AT8128

AT8129

AT8130

AT8131

AT8132

AT8133

AT8134

AT8135

AT8116

AT8117

AT8118

AT8119

AT8120

AT8122

AT8123

AT8125

AT8136

AT8137

AT8138

AT8138WH

AT8139L

AT8139S

AT8142A

AT8142B

AT8143

AT8146

AT8146WH

AT8150

AT8150-TH

AT8151

AT8151-TH

AT8153

AT8153WH

AT8154

AT8154WH

AT8156

AT8156-CO

AT8156-TH

AT8157

AT8157-CO

AT8157-TH

Page

51

51

108

55

55

57

126

127

57

57

51

51

51

51

56

56

127

127

126

127

127

126

126

126

126

58

58

51

51

14

58

58

58

15

14

6

7

15

14

8

9

Product Code

AT8420

AT8422

AT8423

AT8430

AT8433

AT8434

AT8435

AT8438

AT8411

AT8412

AT8414

AT8415

AT8416

AT8417

AT8418

AT8419

AT8158

AT8158-TH

AT8159

AT8161

AT8161

AT8202

AT829cW

AT831aW

AT831b

AT831c

AT831R

AT8325/1.0

AT8405a

AT8406a

AT8407

AT8410a

AT8439

AT8440

AT8442

AT8444

AT8447

AT8449

AT8449SV

AT8451

AT8451WH

Page

127

127

127

127

126

126

126

126

127

127

126

127

126

126

126

127

126

126

127

127

127

127

127

127

127

127

127

127

127

127

127

127

127

127

127

127

127

127

127

127

127

Product Code Page

AT8466

AT8468

AT8470

AT8471

AT8472

AT8473

AT8473

AT8474

AT8452

AT8452WH

AT8456a

AT8458

AT8459

AT8460

AT8461

AT8461-TH

AT8474

AT8531

AT8537

AT8538

AT8539

AT8539

AT8542

AT8601

AT8614

AT8615A

125

125

AT8615RS 125

AT8623 95

AT8628B

AT8628B

AT8630

AT8630

101

116

103

104

81

121

121

121

121

54

121

125

AT8646AM

AT8646QM

AT8647QM/S

AT8651

AT8662

AT8663

AT8664

AT8665

AT8666

125

125

125

125

125

125

125

122

125

123

123

122

122

122

125

81

125

125

125

122

123

122

124

124

124

Page

124

122

122

123

122

124

124

125

124

124

124

123

125

124

123

124

124

124

124

123

123

123

123

125

125

55

55

55

116

122

122

122

123

127

127

126

127

81

120

108

108

Product Code Page

AT898

AT898c

AT898cW

AT899

AT899AK

AT899AK

AT899AK-TH

AT899AK-TH

AT899c-TH

AT899cW

AT899cW-TH

ATCS-60MIC

ATCS-A60

ATCS-B60

ATCS-C60

ATCS-C60MAG

AT8666RSC

AT8666RSP

AT8671

AT8672

AT8681

AT8684

AT875R

AT875R-F

AT875R-W

AT875R-Z

AT8801

AT889cW

AT897

AT897-F

AT897-W

AT897-Z

ATCS-C60MAG-REG 89

ATCS-D60 89

ATCS-L60MIC

ATCS-M60

88

88

AT-GcW

AT-GcW-PRO

AT-GRcW-PRO

ATH910PRO

ATH-COM1

109

109

109

115

115

50

50

120

107

50

50

50

50

125

125

106

106

120

120

50

50

52

108

108

88

89

89

88

89

52

52

108

52

124

52

124

52

Product Code Page

ATH-COM2

ATH-D40fs

ATH-M20

ATH-M30

ATH-M35

ATH-M40fs

ATH-M50

ATH-M50S

ATH-PRO500BK

ATH-PRO500SV

ATH-PRO5V

ATH-PRO700

ATH-PRO700SV

ATH-T200

ATH-T300

AT-LP120-USB

ATM250

ATM250DE

ATM350

ATM350cW

ATM410

ATM450

ATM610

ATM650

ATM710

ATM73a

ATM73ac

ATM73cW

26

31

31

107

ATM75

ATM75c

ATM75cW

AT-MX341a

31

31

107

116

AT-MX351 116

AT-MX381

SmartMixer®

117

AT-PL120USB 118

28

28

30

108

27

29

27

29

ATR3350

ATR35cW

ATR4697

ATR6250

ATR6550

ATW-1812

43

108

43

42

42

97

119

119

119

119

119

115

115

118

115

114

114

114

114

114

114

114

Page

103

110

110

106

106

106

106

106

103

103

103

103

103

103

103

103

106

111

111

110

110

110

110

104

111

105

105

105

105

105

105

103

103

105

105

105

105

97

97

97

97

Product Code

ATW-1814

ATW-1822

ATW-1824

ATW-1826

ATW-2110/G

ATW-2110a

ATW-2110a/H

ATW-2110a/HC1

ATW-2110a/HC2

ATW-2110a/P

ATW-2110a/P1

ATW-2110a/P2

ATW-2110a/P3

ATW-2120a

ATW-3110b

ATW-3110b/G

ATW-3110b/H

ATW-3110b/HC1

ATW-3110b/HC2

ATW-3110b/P

ATW-3110b/P1

ATW-3110b/P2

ATW-3110b/P3

ATW-3141b

ATW-3171b

ATW-49CB

ATW-49SP

ATW-701

ATW-701/G

ATW-701/H

ATW-701/P

ATW-701/P+

ATW-702

ATW-A49

ATW-A49S

ATW-B80C

ATW-B80D

ATW-B80E

ATW-B80F

ATW-CHG2

ATW-DA49

Product Code Page

ATW-R1810

ATW-R1820

ATW-R2100

ATW-R3100b

ATW-RCS1

ATW-RM1

ATW-RM1

ATW-RM1

ATW-RMS1

ATW-T1801

109

97

ATW-T1802 97

ATW-T210a 104

ATW-T220a

ATW-T310b

ATW-T341b

ATW-T371b

104

102

102

102

96

96

104

103

109

103

104

111

ATW-T702

BEC-AT1810

BEC-AT1820

BEC-HSA-VERT

BP4025

BP4025-F

BP4027

BP4027-F

BP4027-W

BP4027-Z

BP4029

BP4029-F

BP4029-W 49

BP4029-Z 49

BP4071

BP4071-F

48

48

49

49

49

49

106

96

96

96

56

56

49

49

BP4071L

BP4071L-W

48

48

BP4071L-Z 48

BP4071-W 48

BP4071-Z 48

BP4073 48

BP4073-F

BP4073-W

BP4073-Z

48

48

48

Product Code

BP896cW

BP896cW

BP896cW-TH

BP896cW-TH

BP896-TH

BPF-120

BPF-175

BPF-2

BPF-250

BPF-340

BPF-470

BPF-LAV

BPHS-1

BPW-1

BPW-120

BPW-180

Page

BP892

BP892c

BP892cL4

BP892cL4-TH

BP892cLM3

BP892cLM3-TH

BP892cM1

BP892cM1-TH

BP892cT4

BP892cT4-TH

BP892c-TH

BP892cW

BP892cW

BP892cW-TH

BP892cW-TH

BP892-TH

BP896 53

BP896c 53

BP896cL4 53

BP896cL4-TH 53

BP896cLM3 53

BP896cLM3-TH 53

BP896cT4 53

BP896cT4-TH 53

BP896c-TH 53

54

54

54

107

54

107

54

54

54

54

54

54

54

54

54

54

59

62

62

62

63

63

63

63

108

53

108

53

53

63

63

63

Product Code Page

ES915H21

ES915ML12

ES915ML18

ES915ML21

ES915SC12

ES915SC18

ES915SC21

ES915SML12

ES915SML18

ES933C

ES933H

ES933ML

ES933WC

ES933WH

ES933WML

ES935C6

BPW-250

BPW-330

BPW-365

BPW-470

BPZ-L

BPZ-M

BPZ-XL

DMQ-60

EP3 94

EP3 95

ES905CL

ES915C12

81

76

ES915C18

ES915C21

ES915H12

ES915H18

76

76

76

76

61

61

61

89

62

62

62

62

ES935H6

ES935ML6

ES935SC6

ES935SH6

ES935SML6

ES943C

ES943cW/C

ES945

ES945W

77

81

108

80

80

77

77

77

77

78

78

78

77

76

78

78

78

76

76

76

76

76

76

76

76

Product Code Page

ES947

ES947W

ESE-C

ESE-H

ESE-ML

ESE-O

ESRSC

LI-240

M2 94

M2R 94

M2T 94

M3 95

M3R 95

M3T 95

MB 1k

MB 2k

40

40

79

79

120

89

80

80

79

79

MB 3k

MB 4k

MB/Dk5

MB/Dk7

MT350b

MT830c

MT830cW

MT830R

MT838b

MT838cW

NIPLEX-PRO

NIPLEX-PRO/10

PF

PRO 42

PRO 44

PRO 45

PRO 45W

PRO 47T

PRO 47TL

PRO 49Q

PRO 49QL

PRO24

PRO24-CMF

PRO25ax

PRO31

75

39

39

37

36

74

75

75

75

55

108

131

131

132

74

74

74

55

55

108

55

40

40

41

41

Product Code

SPF

SPK

S-POP

SSM-1

SSM-1/ANC

SSM-1/SL

SSM-GRIP

SSM-POP

ST2

ST4

ST-POP

U841A

U841cW

U843R

U851A

U851cW

PRO31QTR

PRO35

PRO35cW

PRO37

PRO41

PRO61

PRO63

PRO70

PRO8HEcW

PRO8HEx

PRO92cW

PRO92cW-TH

SDT / CASE

S-GRIP

SMC

SMS 5.1 / CASE

U851R

U851RW

U853A

U853AU

U853AW

U853AWU

U853R

U853RU

U853RW

Product Code

U853RWU

U857AL

U857ALcW

U857AU

U857Q

U857QL

U857QLU

U857QU

U857R

U857RL

U857RLU

U857RU

U859QL

U873R

U891R

U891RC

U891RW

UE-C

UE-H

UE-H

UE-O

UE-O

UE-UL

UNI-POP

XLRW

Page

131

131

133

72

109

73

72

109

132

133

132

130

130

130

134

133

70

70

70

70

70

72

72

70

70

107

37

107

107

135

134

134

135

36

38

108

38

36

36

37

38

Page

68

71

73

73

69

69

69

69

70

69

109

69

68

68

68

68

30

71

71

132

109

73

71

30

71

141

142

notes

notes

143

144

Terms, Sales Policies & Limited Warranty

Prices and Sales Policy in Europe

(1) Prices featured in this catalogue are intended as an indication only of the current average prices for our products in continental Europe.

The price indications exclude VAT.

Please note that due to currency exchange rate fluctuations, varying taxation systems, differences in overheads and operating costs between European countries, prices may vary from country to country. As our prices are recommended prices only, product prices may also vary between dealers and between distributors.

Audio-Technica Product Availability and Sales Policies in Europe

The Audio-Technica products featured in this catalogue are available throughout Great Britain, Western and Eastern

Europe, Africa and the Middle East.

They are supplied through the European Division of Audio-Technica Ltd, Leeds, UK. Our products are available through a network of authorised distributors, as well as from dealers.

The European Division of Audio-Technica Ltd does not sell directly to European end users.

Limited Warranty

All Audio-Technica products purchased from Audio-Technica Ltd are guaranteed for TWO years from date of purchase to be free of defects in materials and workmanship. In the event of such defect, the product will be repaired or replaced without charge.

Such products should be returned to Audio-Technica Ltd or to the authorised distributor together with proof of purchase.

Before return to Audio-Technica Ltd European Division, prior authority must be sought from Audio-Technica Ltd. Contact your local Audio-Technica authorised distributor or dealer before trying to obtain a return authorisation number from

Audio-Technica Ltd.

Wherever Audio-Technica has an authorised distributor, warranty terms will be exercised by the local Audio-Technica distributor. Please contact your local distributor for the warranty details. Shall the warranty period from the distributor/dealer exceed the Audio-Technica warranty period it will remain the responsibility of the distributor. Shall the standard warranty terms of the distributor/dealer expire before those of Audio-Technica, the Audio-Technica terms will apply and the balance of the warranty period will be the European Division of Audio-Technica Ltd. The Audio-Technica warranty excludes defects due to normal wear, abuse, shipping damage, or failure to use the product in accordance with the instructions. This warranty is void in the event of unauthorised repair or modification, or removal or defacing of the product label and / or serial number.

product catalogue

I

europe

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2010

Audio-Technica Ltd

Technica House

Royal London Industrial Estate

Old Lane, Leeds LS11 8AG England

Tel. : + 44 (0) 113 277 1441

Fax : + 44 (0) 113 270 4836 e-mail : [email protected]

www.

audio-technica

.com

EUR 2010 Full-line Catalogue-ENG-

©2010 Audio-Technica Ltd - Printed in UK.

E&OE*: Published prices and specifications may be subject to change without notice.

(*Errors and Omissions Excepted)

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