Canon EOS C300 PL User manual

Canon EOS C300 PL User manual
Power to
tell stories.
you can
Power to realise
every creative vision
Great story telling demands the power to
capture superb tonal accuracy, brilliant
colour reproduction, subtle image
adjustments and surprising angles and
points of view, as well as digital files
robust enough to survive extensive postproduction. Canon’s Cinema EOS System
has that power.
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Canon Cinema EOS System –
a new era in filmmaking
Presenting the Cinema EOS system. A range
of revolutionary cameras with Canon’s EF
mount or industry-standard PL mount,
supporting resolutions up to 4K, and a
family of Canon EF Cinema lenses designed
specifically for filmmaking.
Canon’s Cinema EOS system is the
culmination of years spent studying the film
and TV industry and its changing needs.
To meet those needs our optical, electronic
and mechanical engineers designed a
new system, including a range of high
performance cameras to empower the
creativity of working cinematographers,
whatever field they operate in.
The result is a system that provides
resolution suitable for projection on the
big screen, vibrant colour reproduction,
and depth of field enabling beautiful blur
(bokeh). A system that that fits stretched
production budgets and offers unrivalled
versatility plus limitless potential for growth
– adding new lenses, camera bodies and
enhanced shooting and editing features, as
technology advances.
Creativity in Mind
Designed for cinematographers,
the Cinema EOS system fuses Canon’s
proven video technology and lens
heritage with EOS creativity.
Compact size; modular design; outstanding
low light performance; high resolution
imaging; wide dynamic range thanks to
Canon Log Gamma.
These are some of the core concepts behind
the design and technology of the Cinema
EOS system, but all were chosen with the
same goal in mind: helping filmmakers
realise their vision and tell their story.
Whether it’s shooting in a wider range of
locations, with less lighting, in challenging
high contrast situations, or simply carrying
a smaller bag on the plane, the Cinema EOS
system provides outstanding images without
obstructing the creative process.
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High Performance,
Exceptional Quality
The technology behind Canon’s Cinema EOS System is designed to
simplify your shoot, increase your options, enhance your creativity,
accelerate your project and lower costs.
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EF and PL Mount cameras
For easy integration into the working style and
equipment array of film crews and production
houses, the Cinema EOS system offers
powerful, modular camera bodies with two
different lens mounts.
Canon EF lens mount cameras include the
EOS C100, EOS C300, EOS C500 and the
EOS-1D C. They are compatible with Canon’s
new series of Cinema lenses (EF mount)
plus all of Canon’s EF lenses – over 60 in all –
including speciality Tilt-Shift, Macro and Fisheye.
Communication contacts built into the EF
mount of the EOS C300 and EOS C500 allow
lens functions such as focus and aperture to
be adjusted wirelessly via the optional Canon
Wireless File Transmitter WFT-E6.
The EOS C300 PL and EOS C500 PL have a
PL mount and are compatible with Canon
Cinema lenses (PL mount), as well as the
majority of third-party optics available for
35mm motion picture cameras.
EOS C300 PL
with PL mount
EOS C300
with EF mount
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Unrivalled technical heritage
The Cinema EOS System features a variety of unique Canon technologies,
capitalising on decades of digital expertise in order to provide superb
imaging performance.
QFHD (Quad Full HD)
HD x 4 pixels: 3840 x 2160. This is a common
format at the moment because it’s possible to record
with two HD recorders.
HD
HD
HD
HD
DCI 4K
Pixel count: 4096 x 2160. 4K format standardised
by the Digital Cinema Initiative
DCI
2160
A range of video resolutions
are commonly used today
4K capture is becoming increasingly prevalent
in cinematic productions or high-quality TV
shoots, providing more resolution to record
the finest details and sharpest images.
Two types of 4K exist: DCI (Digital Cinema
Initiative) 4K and Quad Full HD 4K - 4096 x
2160 and 3840 x 2160 pixels respectively.
3840
2160
4096
Content is now regularly captured and
delivered in Full HD (1920x1080) resolution
throughout the industry.
The Cinema EOS system supports all of
these resolutions, providing for the needs
of filmmakers whatever genre they are
working in.
2K is widely used for cinema, drama and
other TV genres, providing slightly more
horizontal resolution than Full HD recording.
Seeing in the dark: high sensitivity,
low noise Canon CMOS sensors
The EOS C100 and EOS C300/C300 PL
feature a newly developed 8.3 Megapixel
Super 35mm CMOS sensor designed and
built by Canon, capable of providing
three-channel RGB readout. The EOS
C500/C500 PL has the same sensor but
with 8.85 effective megapixels.
The superb low-light performance of these
models is facilitated by larger pixels than
those found on conventional professional
cameras. Greater light-gathering capability
allows for superb high-resolution images
with enhanced sensitivity, reduced noise and
impressive dynamic range even in minimal
light. High performance image capture is
possible at up to ISO20000.
The sensor in these cameras utilises Canon
technology to reduce rolling shutter effects
and power consumption, providing typical
large sensor benefits such as beautifully
shallow depth-of-field.
The EOS-1D C features an 18.1MP full
frame CMOS sensor optimised for video,
which can be cropped to record 4k,
Full HD or super 35mm format as required.
It produces exceptional low noise,
high-resolution images across a huge
ISO range of 100 to 25600 for movies.
CMOS sensor size comparison (not to scale)
Full Frame (16:9 video capture area)
Super 35mm (16:9 video capture area)
APS-C (16:9 video capture area)
4/3 sensor
(16:9 video capture area)
EOS-1D C
EOS-5D Mk III
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EOS C100,
EOS C300 /
EOS C300 PL,
EOS C500 /
EOS C500 PL
Canon DIGIC Image Processing
Canon’s purpose-built DIGIC image processors deliver ultra-fast processing speeds
for highly responsive camera operation together with the highest image quality.
The DIGIC DV III Image Processor featured in the EOS C100, EOS C300/ C300 PL
and EOS C500/500PL is the latest in Canon’s DIGIC DV family, designed and
optimised specifically for video capture.
The EOS-1D C features powerful and fast, advanced Dual “DIGIC 5+” processors for
best-in-class image quality. A DIGIC 4 processor is dedicated solely to the camera’s
exposure metering system.
Canon Cinema EOS Range – ISO and Dynamic Range
specifications (Canon Log, Progressive scan)
GAIN
18%
GRAY
ISO
41dB
6.7 Stops
30dB
5.3 Stops
20000
45dB
6.7 Stops
26dB
5.3 Stops
12800
50dB
6.7 Stops
20dB
5.3 Stops
6400
53dB
6.7 Stops
14dB
5.3 Stops
3200
54dB
6.7 Stops
8dB
5.3 Stops
1600
54dB
6.7 Stops
2.5dB
5.3 Stops
850
54dB
6.8 Stops
2dB
5.2 Stops
800
54dB
6.8 Stops
0dB
4.9 Stops
640
54dB
54dB
7.8 Stops
8.1 Stops
-4dB
-6dB
4.2 Stops
3.9 Stops
400
320
Canon Log Gamma –
800% Dynamic Range
Film has an extremely wide dynamic range;
to achieve a truly film-like quality our
Cinema EOS digital cameras were also
designed to include built-in Canon Log
Gamma. A method of storing data in a
more efficient logarithmic, rather than
linear fashion, it delivers neutral image
quality and excellent tonal reproduction
within both highlight and low light areas of
a digital image, with none of the white and
black clipping typical of video. The result is
a mellow film-like tone that looks like it was
actually captured using a film camera.
The Canon log format also offers maximum
freedom in post production. As well as
supporting high-quality log based video
production using a PC-based desktop
environment; it is also easily converted to
industry standard Cineon 10 –bit log files
for full-scale cinematic productions.
A Look-Up Table (LUT) applies a transform to
a log signal to convert the neutral image into
another colour space. LUTs are typically used
for monitoring on set, or during the colour
grading process.
LUTs for the EOS C300/C300 PL can be
found at: http://www.canon.co.uk/Support/
Consumer_Products/products/camcorders/
Digital/Digital_Cinema_Camera
This chart only applies to C100, C300 and C500
OUTPUT
Canon Log Base Sensitivity
S/N
Ratio
Normal 1
Canon Log
INPUT
Canon Log – Ensures tonal reproduction for both highlight
and lowlight regions during post-production.
Canon Log before colour grading
Canon Log after colour grading
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Power to
tell stories
High resolution
LCD
Camera and
lens only
Versatile and powerful, Cinema EOS System cameras are
designed with filmmakers in mind. Every control you need
is placed exactly where you expect it to be – in a package so
compact, rugged and easy to use you can tell any story.
Small, lightweight, modular design
Rugged and Durable
Cinema EOS system cameras are small
and portable – ideal for handheld shooting
in very small or unusual places that are
impossible for larger cameras.
Cinema EOS system cameras run cool
and clean and are designed to be tough
and reliable in the studio or on location.
Protective sealing prevents dust and water
ingression, allowing filmmakers to work
in a wide range of shooting conditions.
The EOS-1D C brings 4K recording and
advanced video functions to a lightweight
compact DSLR body. Other cameras in the
range incorporate a unique modular design,
giving you the chance to make them as
small or as large as you wish.
Without
monitor
unit
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High resolution LCD
for easy operation
For easy operation and monitoring, cameras
feature a high resolution LCD. The EOS
C300/ C300 PL and EOS C500/C500 PL
both have a rotatable 10.1cm (4”) backlit
monitor and control panel that can be
mounted directly on the camera body or the
handle unit for operation from any angle and
offers assist functions such as magnification,
peaking and an edge monitor.
The entry level EOS C100 has an 8.8cm
(3.5”) LCD offering 100% field of view, while
the EOS-1D C has a slightly smaller 8.1cm
(3.2”) screen that reflects its compact size.
With monitor
unit and top
handle
With monitor
unit and side
handle
Professional Audio Controls
Remote control shooting
Professional standard audio controls
feature on the EOS C100, EOS C300/ C300
PL and EOS C500/C500 PL. They include
inputs with options for Line, Mic and +48V
phantom power, plus 3.5mm microphone
and headphone terminals. Audio is recorded
uncompressed in 16-bit LPCM format at 48
kHz for high fidelity sound. The EOS C100
also offers Dolby AC3 audio recording and
features a stereo microphone built into the
detachable handle.
Shooting can be controlled remotely in a
variety of ways, depending on the camera
and the needs of your production.
Wireless File
Transmitter Wft-E6
EOS C300/300PL and EOS C500/C500 PL
can be controlled wirelessly using Canon’s
optional Wireless File Transmitter WFT-E6.
No special software is required - simply use
a common web browser from up to 150
metres away.
A variety of controls and readouts are
available. You can start and stop recording,
adjust white balance, gain and other
settings as well as control the focus and
aperture of Canon EF lenses (EOS C300
and EOS C500 only).
Wired remote control is also possible for
these cameras and for EOS C100, using a
standard 2.5mm Remote input terminal.
The EOS-1D C can be controlled remotely
via ethernet or USB, using the supplied
EOS Utility software.
Wireless
Controller
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Freedom
to create
Whatever you’re shooting, the EOS Cinema
System is designed to deliver. The only limit to
your creativity is your imagination.
Options for different productions
Terminals
Card Slots
The Cinema EOS system offers a variety of
recording options to suit different shooting
situations, from RAW image capture, suitable
for extensive colour grading to 50Mbps MXF
recording for Full HD broadcast.
For accurate file transfer, great audio
recording and communication during
multi-camera shoots, the EOS C300/ C300
PL and EOS C500/C500 PL have all the right
terminals. In addition the EOS C500/C500 PL
has SDI outputs to record 4K or RAW footage
to an external recorder and connect to an
external monitor.
Video files are recorded internally to memory
cards in dual card slots. The EOS C300/
C300 PL, EOS C500/C500 PL and EOS-1D C
all record to Compact Flash memory cards,
which are both affordable and widely
available, as well as robust and fast enough
for professional use. The compact, entry
level EOS C100 records to SHDC or SDXC
memory cards.
Recording Modes
The Cinema EOS system is a truly global
tool. Offering a range of frame rates from
23.98P to 59.94P, you can shoot in the most
appropriate format for each customer with
flawless results every time.
Black Balance Adjustment
The EOS C100, EOS C300/ C300 PL and
EOS C500/C500 PL allow easy black balance
adjustment, if black in the video signal shifts
out of alignment. A simple process with the
body cap on the camera, this is especially
useful when there’s a lot of moving around
on set or a change of location.
Custom Pictures
To achieve the look and feel you want in less
time during post-production, the EOS C100,
EOS C300/ C300 PL and EOS C500/C500 PL
are highly customisable, letting you adjust
a wide range of variables including gamma,
knee, colour matrix, sharpness, noise
reduction and more - and store as Custom
Picture profiles in-camera, or on SD card for
easy setup of multiple cameras.
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Fast Motion, Slow Motion
For more creative possibilities you can use the
EOS C300/ C300 PL and the EOS C500/C500
PL to record high-speed action or slow down
motion. The EOS C500/C500 PL can output
footage at up to 120P in 4K or 2K modes
(compatible external recorder required).
For amazing time-lapse photography you
can also programme them to record a set
number of frames at defined intervals – and
their frame recording feature is perfect for
stop-frame animation.
One system –
unparalleled creativity
Canon’s Cinema EOS System offers unparalleled creative options for professional
filmmakers, cinematographers and videographers. It spans Digital Cinema
Cameras, EF and PL Mount Lenses and DSLR cameras, and merges several of
Canon’s existing technologies to produce a superb filmmaking system.
The EOS C100 is the entry
level camera in the Cinema
EOS system and available with
an EF mount only. It is designed
to meet the needs of individual
operators such as high-end
wedding and corporate video
producers.
The EOS C300/ C300 PL –
the first camera released in
the Cinema EOS range – is
a compact modular, highly
versatile camera, in EF and
PL mount versions, for
demanding professional
filmmakers shooting movies,
documentaries, TV and
commercial video.
EOS C500/C500 PL cameras
offer all the advantages of the
EOS C300/ C300 PL plus nextgeneration 4K and 2K resolution
video, with RAW output during
4K shooting. They are ideal for
motion pictures and other highquality productions.
2K
The EOS-1D C is a DSLR
offering 4k movie recording
and advanced video including
Canon Log Gamma and clean
HDMI output. Perfect for
multi-media journalists and
documentary makers.
MJPEG 4K
recording
Together with an unprecedented range of
compatible lenses – including Canon’s range
of Cinema lenses and over 60 EF lenses –
these cameras have the power to tell stories.
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Versatile, compact
storytelling
For filmmakers wishing to upgrade from capture on
DSLR, the EOS C100 is the ideal video production
camera, offering a unique combination of professional
HD imaging, compact design and lens versatility.
The EOS C100 shares many features in
common with the successful EOS C300
camera. It offers the same advanced
Super 35mm sensor technology for high
sensitivity, low noise Images, built in Canon
Log Gamma and compatibility with the full
range of EF mount lenses, including EF-S and
Cine lens EF mount models.
At around 15% smaller than the EOS C300,
the EOS C100 is ideally configured for single
person use, with functions such as 1-touch
auto iris, 1-shot auto focus and auto white
balance. Full manual control over exposure
and focus is also available when required.
Highly compact, lightweight modular design
The modular design includes a removable
side grip. The top handle is also
demountable and provides stereo on-board
microphones and external XLR connections
for professional audio recording.
8.3MP Super 35mm Canon CMOS sensor
optimised for high-quality Full HD imaging
High sensitivity: low noise images up to
ISO20000
24Mbps AVCHD recording (4:2:0) to
2 SDHC/SDXC cards; Live HDMI output
with embedded timecode
Built-in Canon Log Gamma for maximum
freedom in post production
Huge range of interchangeable lenses via EF
mount; 3 built-in ND filters
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One-Shot Auto focus and Auto Iris.
Focus assist function
Professional LPCM or Dolby AC3 audio
recording; 2 XLR inputs and stereo
microphone
Broad NLE support for seamless integration
with existing workflows
Exclusive support from Canon Professional
Services
Leave no story untold
EOS C300 and C300 PL Digital Cine Cameras fuse Canon’s
proven video technology and lens heritage with the creativity
of the EOS system. With a choice of EF or PL Mount models
they give filmmakers the flexibility to tell every story.
This highly versatile camera is ideal for a
wide spectrum of demanding professional
filmmakers – from movie directors to
documentary makers, major television
channels to commercial makers, and more.
Sophisticated Canon camera technologies,
an industry standard MPEG-2 MXF 4:2:2
codec and extensive customisation options
deliver top quality imaging performance,
whilst multi-camera connectivity provides
straightforward integration into studio
environments. A range of recording modes
and compatibility with all of the major NLE
software packages ensures straightforward
workflow integration.
8.3MP Super 35mm Canon CMOS sensor
optimised for high-quality Full HD imaging
Extensive image customisation, including
built-in Canon Log Gamma
Interchangeable lenses via industry-standard
PL lens mount or EF mount; 3 built-in
ND filters
Robust, splash-resistant body with
magnesium alloy components
Compact, modular design. Lightweight:
1669g basic setup (body only)
PAL, NTSC, and 24.00p modes as standard.
Slow/fast motion, adjustable in 1fps steps
Wi-Fi remote capability
Broadcast-ready 50Mbps MPEG-2 MXF
recording (4:2:2) to 2 CF cards. Industrystandard outputs including HD-SDI
Seamless integration with existing workflows
High sensitivity: low noise images at up
to ISO20000
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Raw Power:
4K RAW, 2K, 120P,
Canon Log Gamma
Ideal for both motion picture and high resolution digital
production industries, the EOS C500 and C500 PL offer
all the advantages of the EOS C300/ C300 PL plus nextgeneration 4K-resolution video capture and RAW data
output to an external device – for exceptional video results
without any loss in quality.
The camera’s uncompressed 4K output
unleashes the full potential of Canon’s
premium range of EF Cinema lenses,
combining with Canon Log Gamma
to deliver the high-resolution video
and wide exposure latitude that many
cinematographers desire.
12-bit RGB 4:4:4 sampling during 2K
(2048x1080 pixels) video capture delivers
rich colour and high compatibility with
image processes such as chroma key
compositing. Support for frame rates up to
120p in both 4K and 2K modes provides
enhanced creative flexibility, enabling
high-speed (slow motion) video capture
in high resolution.
A Full HD MXF backup or proxy file can be
recorded to CF cards simultaneously with
4K/2K output to a suitable external device,
helping to reduce the time and processing
power required during editing.
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4K RAW, 2K video capture to external
recording device with simultaneous HD
recording to CF cards
8.85MP Super 35mm Canon CMOS sensor
with Bayer Array filter
High sensitivity: low noise images up to
ISO20000
Broadcast-ready 50Mbps MPEG-2 MXF
recording (4:2:2) to 2 CF cards
Compact, modular and lightweight
Interchangeable lenses via industry-standard
PL lens mount or EF mount; 3 built-in ND filters
PAL, NTSC, and 24.00p modes as standard.
Slow/fast motion, adjustable frame rates up
to 120p
Extensive image customisation includes
built-in Canon Log Gamma
Wi-Fi remote control
Integrates with existing workflows
Superb 4k movies,
stunning stills,
one camera
The most technically advanced EOS DSLR
ever made by Canon, it is compatible
with both Canon’s EF mount range of
interchangeable lenses for SLRs and Canon
EF mount Cinema Lenses.
Designed to appeal to a wide spectrum of
demanding professional filmmakers – from
documentary filmmakers to commercial
makers – it also offers superb still image
shooting capabilities thanks to its 18.1
megapixel Full Frame CMOS sensor. The
sensor can be cropped in camera to meet
the requirements of Full HD, super 35mm or
4K video capture – making it the ideal choice
for photographers who desire a potent
combination of high-quality stills and movie
capabilities for multimedia productions.
A revolutionary multimedia camera that excels at both
stills and movie shooting, the EOS-1D C brings 4k
movies and advanced video functions like Canon Log
Gamma to a compact high performance DSLR body.
4k movie capture - 24fps 8bit 4.2.2 MJPEG
recording to 2 CF cards
61 point AF system with 41 cross and 5 dual
cross type sensors
Advanced video functions: 1080p video at
50/60fps, custom control and built-in Canon
Log Gamma
High sensitivity: low noise images from
100-25600 ISO for movies
Uncompressed HDMI output at Full HD 8bit
4.2.2
Dual DIGIC 5+ high-speed processors for
superb image quality
18.1 Megapixel Full Frame CMOS sensor
Clear View II 8.1cm (3.2”) 1040k dot LCD
with reflection prevention construction
Up to 12fps continuous stills shooting with
14fps super high-speed mode
Compatible with all Canon EF lenses and
EF cine lenses
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Cinema Lenses –
Power to stimulate
creative expression
Exclusively designed to capture your creative vision, Canon’s range of 4K EF Cinema
Lenses includes wide-angle and telephoto lenses, including compact zooms, for EF
and PL Mounts and single-focal-lenses for EF Mounts. Reliable and robust with a host
of advanced features, they deliver exceptional image quality and usability.
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Superb Performance
for Exceptional Results
Uncompromising Design
for Working Professionals
Aspherical lens elements ensure sharp,
consistent images in virtually every shooting
situation. Anomalous dispersion glass
reduces chromatic aberrations and the
11-blade aperture diaphragms ensure
beautiful bokeh – while innovative glass
construction counteracts barrel expansion
and contraction to avoid temperatureinduced marking discrepancies. On zoom
lenses geared inner focusing reduces the
focus breathing point.
Angled markings on both sides of the barrel
make it easy to read focus and aperture
settings from behind or either side of the
camera. Industry standard manual control
rings maintain the proper amount of
resistance with consistent operating torque.
Zoom lenses include a covered flangeback
adjustment mechanism. Lenses also share
uniform gear position, diameter and rotation
angle as well as front lens diameters, for
quick lens changes without adjustment of
the rig setup.
Top-end Zoom Lenses
Compact Zoom Lenses
Prime Lenses
Canon Cinema zoom lenses offer
extraordinary 4K image reproduction for
demanding high-end productions. Available
in EF and PL mount configurations they
feature fluorite, aspherical lens elements and
advanced optical design.
The lightweight range of compact Cinema
zoom lenses allows you to realise the full
potential of Cinema EOS camera. Ideal
for handheld and shoulder shooting they
are comfortable to carry, fit into spaces
impossible for larger cameras and combine
high performance and responsive manual
operation with excellent mobility. The range
offers compact zooms in both EF and PL
mount versions.
The brilliant series of EF Cinema prime lenses
offer spectacular 4K-image quality and a full
frame image circle, in lightweight, compact
designs. Three models for EF mount cameras
– CN-E24mm T1.5 L F, CN-E50mm T1.3 L F,
and CN-E85mm T1.3 L F – offer consistent
form factors and marking optimised for
motion picture production. 11-blade
aperture diaphragms, fast t-stops and
proven Canon lens elements deliver
exceptional results.
Top-end zoom lenses:
CN-E30-300mm T2.95-3.7 L S (EF mount)
CN-E30-300mm T2.95-3.7 L SP (PL mount)
CN-E14.5-60mm T2.6 L S (EF mount)
Compact zoom lenses:
CN-E14.5-60mm T2.6 L SP (PL mount)
CN-E30-105mm T2.8 L S (EF mount)
CN-E30-105mm T2.8 L SP (PL mount)
CN-E15.5-47mm T2.8 L S (EF mount)
CN-E15.5-47mm T2.8 L SP (PL mount)
Additional cinema lenses are already
under development, reflecting Canon’s
commitment to offer the broadest range of
professional cinema lenses to meet your
needs, now and in the future.
Prime lenses:
CN-E85mm T1.3 L F
CN-E50mm T1.3 L F
CN-E24mm T1.5 L F
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EF Lenses for Cinema EOS –
Power to leave no story untold
Compatibility with Canon’s renowned EF Lenses opens up a
world of creative opportunities. Perfected in Canon laboratories,
tried and tested by the finest still photographers, they offer the
accuracy, clarity and optical brilliance to capture the subtlety of
every scene and add a new perspective to your creative vision.
EF Lenses for Cinema EOS
Canon’s EF lenses offer one of the finest and
most comprehensive lens line-ups available
to cinematographers and videographers.
Compatible with the EF mount of EOS
Cinema System cameras, the range includes
over 60 prime and zoom lenses in a variety
of configurations – from our flagship zooms
to compact fixed focal length lenses. Many EF
lenses support Canon’s advanced Peripheral
Illumination Correction feature, which
renders beautiful consistent colour and
brightness across the entire image plane.
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L-Series Lenses – deliver uncompromising
optical performance in specialised situations.
With innovative Canon technologies such
as Ultra-low Dispersion (UD) glass, fluorite
and aspherical elements, and Super Spectra
Multi Coating, these speciality lenses are
the choice of serious photographers and
videographers across the globe.
EF Speciality Lenses
Canon EF speciality lenses open up a wealth of new creative
possibilities to expand your creative expression including:
Macro Lenses – reveal the finest detail and
achieve extraordinary edge-to-edge accuracy
at very shallow depth-of-field. Canon’s
superb range includes six ultra-precise
macro lenses and three screw-on close-up
lenses, plus a Life-Size Converter EF and two
Extension Tube accessories.
Tilt-Shift Lenses – incorporate tilt and shift
movement capabilities to bring the shooting
advantages of technical view cameras to the
EOS system.
Fisheye and Fisheye Zoom Lenses –
for super wide-angle and special effects
photography. Canon’s fisheye zoom lens,
the EF 8–15mm f/4L Fisheye USM, creates
circular images with a 180° angle of view
on full-frame DSLRs, while the Canon EF
15mm f/2.8 Fisheye lens can focus as
close as 8 inches (0.2m) for exceptionally
sharp images.
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In post-production –
working the way you do
With Canon’s Cinema EOS System digital workflow is simple and
seamless. It integrates with file-based standards, can match the
exact frame rates of film cameras, offers plug-ins for leading NLE
programs and adds every essential professional facility.
Accommodating
File-Based Production
EOS C100: 24Mbps MPEG-4 AVCHD /H.264
(4:2:0) codec to SDXC/SDHC cards. Supplied
with Data Transfer Utility*
EOS C300/ C300 PL: MXF format, MPEG -2,
4:2:2 50Mbps Long GOP codec to CF cards.
Supplied with XF Utility and Canon MXF
plug-ins for Apple Final Cut Pro and Avid
Media Composer.
EOS C500/C500 PL: uncompressed 2k, 4K
output to external recorder. MXF format, MPEG
-2, 4:2:2 50Mbps Long GOP codec to CF cards.
Supplied with Cinema Raw Development
software*, XF Utility and Canon MXF plug-ins for
Apple Final Cut Pro and Avid Media Composer.
EOS 1 DC: 4K MJPEG (4:2:2) or Full HD H.264
(4:2:0) recording to CF card. Supplied with EOS
Utility and 4K playback software*.
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Perfect for Mixed Shoot Editing
If your Cinema EOS camera is used on a
primarily film-based shoot, your footage can
integrate smoothly with existing workflows.
The tremendous dynamic range of Canon
Log Gamma is easily converted to industry
standard 10-bit Cineon (.cin) Log format and
the 24.00p mode matches the exact frame
rates of film cameras, so there’s no need for
time-consuming frame-rate conversion.
Non-Linear Editing Integration
Files can be imported directly from memory
cards to Non Linear Editing (NLE) programs,
using Canon software plug-ins where
required. Plug-ins are supplied for Apple
Final Cut Pro and Avid Media Composer, but
are not required for NLE systems from Adobe
and Grass Valley.
EOS C500 4K
Production Workflow
SHOOTING
POST-PRODUCTION
(Simplified Generic Workflow)
3rd Party Digital Recorder
3G-SDI
Colour Grading
Restore Canon
RAW Data Stream
Playback
3G-SDI
Develop and Transcode (PC / Mac)
3rd Party Digital Recorder
DPX or
EDL
Canon Developing Application Software
Open EXR (4K)
Convert
Canon RAW DATA Stream
to Recorder File Format
Record
RAW
Processing
De-Bayer
Process RGB Files to
DPX or Open EXR
& Create Proxy
Proxy (HD)
offline editing
HD Proxy
EOS-1D C 4K / HD
Production Workflow
HD 4:2:2 50Mbps MPEG2
SHOOTING
POST-PRODUCTION
(Simplified Generic Workflow)
4K 24p Motion JPEG
or Full [email protected]
60p/50p/25p/24p
MPEG-4 h.264
HDMI
Output
Alternative
industry
formats
Transcode
(PC / Mac)
EDL
Transcoded Signal
(if required)
Alternative Recording
1920 x 1080
HD
3rd Party
Digital Recorder
EOS C300 / C500 HD
Production Workflow
Colour Grading
offline editing
1920 x 1080 Proxy Video
SHOOTING
POST-PRODUCTION
No Plug-in required for some NLE Packages
(Simplified Generic Workflow)
High Bitrate to
External Recorder
Back-up / Archive
Import files via XF Utility
PLUG-IN For
AVID/FCP
CF Card
CF Card
Edit
Output
Colour Grade
Offline edit
EDL
Simultaneous recording
EOS C100 AVCHD
Production Workflow
SHOOTING
POST-PRODUCTION
(Simplified Generic Workflow)
High Bitrate to
External Recorder
Back-up / Archive
Edit
Import files via Data Import Utility
SD Card
SD Card
Output
Colour Grade
Offline edit
EDL
Simultaneous recording
Standard Workflow
Alternative Workflow
Supplied Canon software includes:
XF Utility – A file management program that
doesn’t require extensive training. Back-up,
archive and review your clips, edit metadata,
merge files and update file names.
Data Import Utility* – A simple tool
designed for easy copying of files recorded
on EOS C100 to a computer.
Cinema Raw Development software* –
A tool to process RAW footage from
EOS C500/C500 PL, converting it into a
format that can be viewed, edited and
colour graded.
EOS Utility – Control selected camera
functions remotely via USB, Wi-Fi or
ethernet interfaces.
4K playback software* – Review 4K movies
shot using the EOS-1D C camera.
*Software names and supplied configurations may change. Please check with your local Canon dealer.
21
Cinema EOS Range Comparison Chart
Sensor Size
Super 35mm CMOS, 8.3MP
Super 35mm CMOS, 8.3MP
Super 35mm CMOS, 8.85MP
Full frame 35mm CMOS, 18.1MP
Internal Recording Format
AVCHD
(Full HD, 4:2:0, 8-bit)
MXF, MPEG-2 Long GOP
(Full HD, 4:2:2, 8-bit)
MXF, MPEG-2 Long GOP
(Full HD, 4:2:2, 8-bit)
4K: MJPEG (4:2:2, 8-bit)
HD/SD: MPEG-4 AVC/H.264 intra- or
inter-frame (4:2:0 8-bit)
Max internal recording bit rate
24 Mbps
50 Mbps
50 Mbps
–
Recording Media
2x SDHC/SDXC card
(simultaneous recording possible)
2x CF Card
(simultaneous recording possible)
2x CF Card
(simultaneous recording possible)
2x CF Card
Full HD: 4:2:2, 8-bit
Output Signal Options
for External Recording
Full HD: 4:2:2, 8-bit
Full HD: 4:2:2, 8-bit
4K: RAW/HRAW, 10-bit. 2K: RGB 4:4:4, 12-bit.
RGB 4:4:4, 10-bit. YCC 4:2:2, 10-bit
Full HD: 4:2:2, 8-bit
Audio
48kHz Linear PCM (24Mbps mode only);
Dolby Digital AC3
48kHz Linear PCM
48kHz Linear PCM
48kHz Linear PCM
Built-in Microphone
YES (stereo mic in handle unit)
NO
NO
YES (mono)
Lens Mount Option
EF mount only
C300: EF / C300 PL: PL
C500: EF / C500 PL: PL
EF Mount only
Built-in ND Filter
Yes. 2/4/6 stops. Manual control
Yes. 2/4/6 stops. Electronic control
Yes. 2/4/6 stops. Electronic control
NO
Custom Picture Settings
9, including Canon Log Gamma
and Wide Dynamic Range
8, including Canon Log Gamma
8, including Canon Log Gamma
9 Picture Styles; Canon Log Gamma
ISO Range
320 - 20000
320 - 20000
320 - 20000
100 - 25600 (video)
Automatic Functions
One-Push Auto Iris;
One-Shot AF; Auto Audio Level;
Auto white balance.
NO
NO
AF
1920 x 1080:
60i, 50i, PF30, PF25, PF24, 24p
1920 x 1080:
59.94i, 50i, 29.97p, 25p, 24.00p, 23.98p;
4K/2K:
59.94p, 50p, 29.97p, 25p, 24.00p, 23.98p;
4K:
23.976 fps
1280 x 720:
59.94p, 50p, 29.97p, 25p, 24.00p, 23.98p;
1920 x 1080:
59.94i, 50i, 29.97p, 25p, 24.00p, 23.98p;
1920 x 1080:
59.94p, 50p, 29.97p, 25p, 23.976p
1440 x 1080:
59.94i, 50i, 29.97p, 25p, 23.98p.
1280 x 720:
59.94p, 50p, 29.97p, 25p, 24.00p, 23.98p;
1280 x 720:
59.94p, 50p
1440 x 1080:
59.94i, 50i, 29.97p, 25p, 23.98p.
640 x 480:
25p, 30p
Available Frame Rates
Slow/Fast Motion
NO
YES, up to 60p to CF card (1280 x 720)
YES, up to 120P to compatible
external recorder (4K HRAW / 2K 4:2:2)
NO
LCD
8.8cm, 920k dots
10.1cm, 1.23m dots
10.1cm, 1.23m dots
8.11cm 1.04m dots
EVF
0.61cm, 1.56m dots
1.3cm, 1.55m dots
1.3cm, 1.55m dots
–
NO
YES (x1, output only)
YES (2x 3G HD-SDI; 1x HD/SD-SDI;
all output only)
NO
YES (output only, embedded timecode)
YES (output only)
YES (output only)
YES (mini terminal, embedded timecode,
output only)
NO
YES
YES
NO
YES (embedded in HDMI signal)
YES (in/out switchable)
YES (in/out switchable)
YES (embedded in HDMI signal)
Monitor
NO
YES (1x SD, video output only via BNC)
YES (2x 2K, 1x SD, video output only via BNC)
Yes (USB, output only)
Sync
NO
YES
YES
NO
Mic
YES
YES
YES
YES
Headphone
YES
YES
YES
YES
YES (x2)
YES (x2)
YES (x2)
NO
USB
YES (output only)
NO
NO
YES
Wifi
NO
YES (optional accessory)
YES (optional accessory)
YES (optional accessory)
Ethernet
NO
NO
NO
YES
Wired input
Wired via Remote terminal;
Wireless via WFT-E6 (optional)
Wired via Remote terminal;
Wireless via WFT-E6 (optional)
Wired via USB or Ethernet terminals
Terminals
HD-SDI
HDMI
Genlock
Timecode
XLR audio
Remote control
22
Specifications
– compatible with Canon EF and EF Cinema Lenses
CAMERA
Image Sensor
Sensor
System
Total pixels per sensor
Effective pixels per sensor
Minimum illumination
Sensitivity
S/N Ratio
Dynamic Range
Horizontal Resolution
Lens
Lens mount
Focal length
Peripheral illumination
correction
ND filter
Focus control
Iris control
Image stabilization system
Image Processor
Type
SHOOTING FUNCTIONS
Super35mm type CMOS
RGB primary colour filter (Bayer array)
9.84 megapixels
8.29 megapixels
NTSC Mode 0.3 Lux [F1.2 lens, 24 dB, 29.97P mode, shutter
speed 1/30], PAL Mode 0.25 Lux [F1.2 lens, 24 dB, 25.00P mode,
shutter speed 1/25]
NTSC: F9 [1920x1080/59.94i, ISO640 (0dB), 2000 Lux, 89.9%
reflection], PAL: F10 [1920x1080/50.00i, ISO640 (0dB), 2000
Lux, 89.9% reflection
NTSC: 54dB (Typical) [1920x1080/29.97P, Canon Log base
sensitivity ISO850 (Dynamic range 800%)], PAL: 54dB (Typical)
[1920x1080/25.00P, Canon Log base sensitivity ISO850
(Dynamic range 800%)]
During normal shooting: 300% With Canon Log Gamma: 800%
(ISO 850 or above/gain 2.5 dB or more)
Up to 1000 TV lines or more (1920 x 1080i mode),
depends on lens used.
Canon EF mount, including EF-S and EF Cinema lens
Equivalent to 1.53x the focal length of EF lenses;
As indicated for EF-S lenses and Canon cine lenses
YES (dependent on lens used)
4 glass filters in camera body: Off, 2 stops; 4 stops; 6 stops.
Operate via dial on body.
Via lens or by using ONE-SHOT AF mode.
Via body, grip, remote control or Push Auto Iris control.
1/2-stop, 1/3-stop or FINE control.
Possible to maintain constant F-number during zoom.
Depends on lens used
DIGIC DV III
RECORDING
Video storage media
Recording time
Recording file format
Recording format
Recording frame rate
Slow/Fast motion
Interval Record
Frame Record
Pre Record (cache record)
Relay Recording
Double Slot (simultaneous)
Recording
Scan Reverse
HD->SD conversion
Internal Data Transfer
Photo storage media
Still quality
SD/SDHC/SDXC card (2 card slots)
64GB SD card: up to 5 hours, 55 minutes. (1920 x 1080
@24Mbps VBR)
AVCHD
MPEG-4 AVC/H.265 24 Mbps LPCM VBR (4:2:0); 24 Mbps
VBR (4:2:0); 17 Mbps VBR (4:2:0); 7 Mbps VBR (4:2:0)
(1440 x 1080);
59.94 Hz mode (NTSC): 60i/PF30/pf24/24p
50.00 z mode (PAL)50i/PF25.
Note: PF records images by converting them into 60i or 50i
NO
NO
NO
YES (3 seconds)
YES
YES
YES. Both, verical or horizontal mode.
Yes MPEG-2, 9 Mbps. HD -SD conversion not possible for
recordings in 24P or to same memory card
Clips Yes (SD card to SD card)
SD/SDHC memory card
During video recording: 1920 x 1080; During playback: 1920x1080
SYSTEM
LCD
Size
Dots
Image quality adjustments
Adjustable
Waveform Monitor
Focus Assist
Peaking
Zebra
Markers
EVF
Size
Dots
Image quality adjustments
Adjustable
Correction lens
Inputs/Outputs
Audio in
Headphone output
Video monitor output
HDMI
IEEE 1394 (Firewire)
USB
HD/SD-SDI output
Time code
Genlock
Synch
Component out
AV terminal
DC input
Remote Control Terminal
Wireless Control Terminal
Colour Bars
8.8 cm (3.5"), 100% view
922,000
Brightness, contrast, colour, sharpness, backlight, black & white
Up/down/left/right according to camera configuration
Waveform Monitor
Peaking; Magnifying; Edge Monitor (using waveform display)
Peaking 1, Peaking 2 (Colour, Gain, Frequency customisable for each)
Level 1; Level 2; Both Output via HD-SDI or HDMI
On/Off (Aspect ratio, Aspect marker, Safety Zone Area, Safety Zone,
Grid, Horizontal, Centre)
Exposure
Exposure metering
Exposure compensation
Auto Exposure mode
Push Auto Iris
Exposure Lock
Auto Gain Control setting
Shutter speed
Control Modes
Shutter speed
Shutter Angle
Slow Shutter (SLS)
Clear Scan
Custom Picture
Stored Configurations
Storage Medium
Gamma
White balance
Auto
Preset
White Balance Shift
Black balance
Black balance adjustment
Time code
Countup system
Audio
Recording
Control
Microphone attenuation
Microphone level meter
Off; Speed; Angle; Clear Scan (CS); Slow Shutter (SLS)
1/3 to 1/2000 depending on frame rate and Shutter Control Mode
11.25º to 360º depending on frame rate
1/3, 1/4, 1/6, 1/8, 1/12, 1/15, 1/25, 1/30 depending
on frame rate
60i: 59.94 Hz - 250.27 Hz, PF30: 29.97 Hz - 250.27 Hz, 24p/
PF24: 23.98 Hz - 250.27 Hz, 50i: 50.00 Hz - 250.78 Hz,
PF25: 25.00 Hz - 250.78 Hz
9, including 3 presets (CINEMA, Wide Dynamic Range (Wide DR)
and EOS Std)
SD/SDHC memory card (all customisation data and metadata), up
to 20 Custom Pictures per card
9 profiles
YES
Daylight (5400K), Tungsten (3200K), Kelvin (2000K-15000K,
100K intervals), Set A, Set B
YES. -9 to +9 (Daylight and Tungsten only)
YES
Regen, RecRun, FreeRun, Hold (Drop frame available for some
frame rates), NDF only in 24P
16-bit 2ch (48 kHz) linear PCM when 24 MbpsLPCM selected
Dolby Digital AC3 when 24/17/7 Mbps selected
Independent limiters and auto/manual settings
YES, for built in microphone (in handle unit) and 3.5mm MIC jack
YES
ACCESSORIES
Supplied
Optional
Battery
Power Consumption
Continuous Recording Time
Data Tansfer Application, Handle Unit with microphone,
Thumbrest, Grip,Tripod base adaptor plate, Shoulder strap, EVF cap,
Battery Charger CG-930, Battery pack BP-955.
Batteries BP-955, BP-975, Compact Power Adaptor CA-940,
Compact Battery Charger CG-940, Tripod Adapter TA-100, Shooting
Brace SBR-1000
TBC (NTSC mode), TBC (PAL mode)
Supplied BP-955:
Optional BP-975:
MISCELLANEOUS
Dimensions
Detachable handle
Weight (camera only)
Weight (fully equipped)
Operating Temperature range
0.61cm (0.24”)
1.555 million
Brightness, contrast, colour, sharpness, backlight, black & white
Not possible
+ 2.0 to -5.5 diopters
In Auto Iris mode:
(i) Standard (Centre-weighted metering)
(ii) Spotlight
(iii) Backlight (compensation)
YES. AE Shift function. +/-2, +/-1.5, +/-1.25, +/-1.0, +/-0.75, +/-0.5,
+/-0.25, +/-0
Yes (See Push Auto Iris)
YES. Automatic setting of appropriate exposure. Exposure control
adjusted when exposure deviates from the correct setting.
AE response changeable via Custom Function menu
NO. All functions except start/stop can be locked using the
Camera lock function
NO
Approx 135 x 170 x 129mm (thumbrest attached);
Approx 182 x 170 x 129mm (grip attached);
Approx 182 x 281 x 236mm (grip, monitor unit and handle
attached)
Approx 142 x 281 x 236mm (thumbrest and handle unit
YES
TBC
TBC (grip, monitor unit, handle, hook, BP-955,
2x SD card)
-5ºC to +45ºC, 60% relative humidity
Disclaimers
All specifications are subject to change without notice
1. 320 and 20000 are not 1-stop increments but represent highest and lowest supported ISO values
2. [850] = Lowest ISO sensitivty achieving 800% dynamic range with Canon Log function.
XLR inputs with 48V phantom power (x2), 3.5mm microphone
input jack
3.5mm stereo jack
YES. HDMI Out, AV Out
YES (Type A, output only)
NO
YES. In/Out.
NO
YES (Superimposed on HDMI Output signal)
NO
NO
NO
NO
YES
2.5mm mini jack
NO
EBU, SMPTE, ARIB
23
Specifications
– compatible with Canon EF and EF Cinema Lenses
– compatible with PL Mount Lenses, including the Canon EF Cinema Lens range
CAMERA
Image Sensor
Sensor
System
Total pixels per sensor
Effective pixels per sensor
Minimum illumination
Sensitivity
S/N Ratio
Dynamic Range
Horizontal Resolution
Lens
Lens mount
Focal length
Peripheral illumination
correction
ND filter
Focus control
Iris control
Image stabilization system
Image Processor
Type
SYSTEM cont.
Super35mm type CMOS
RGB primary colour filter (Beyer array)
9.84 megapixels
8.29 megapixels
NTSC Mode 0.3 Lux. [F1.2 lens, 24dB, 29.97p mode, shutter
speed 1/30]. PAL Mode 0.25 Lux. [F1.2 lens, 24dB, 25p mode,
shutter speed 1/25]
NTSC: F9. [1920x1080/59.94i, ISO640 (0dB), 2000 Lux, 89.9%
reflection]. PAL: F10. [1920x1080/50.00i, ISO640 (0dB), 2000
Lux, 89.9% reflection]
NTSC: 54dB (Typical). [1920x1080/29.97P, Canon Log base
sensitivity ISO850 (Dynamic range 800%)] PAL: 54dB (Typical).
[1920x1080/25.00P, Canon Log base sensitivity ISO850
(Dynamic range 800%)]
During normal shooting: 300% With Canon Log Gamma: 800%
(ISO 850 or above/gain 2.5 dB or more)
Up to 1000 TV lines or more (1920 x 1080i mode),
depends on lens used
C300
Canon EF mount
C300 PLPL mount
C300Equivalent to 1.53x the focal length of EF lenses;
As indicated for EF-S lenses and Canon cine lenses
C300 PLAs indicated for Canon Cinema Lenses and other
PL mount lenses
C300
YES (dependent on lens used)
C300 PLNo
3 glass filters in camera body: 2 stops; 4 stops; 6 stops.
Operate via body or wireless control.
C300Via lens, wireless control or wired remote
(dependent on lens used)
C300 PL
Manual via lens
C300Via body, grip, wireless control or wired remote.
1/2-stop, 1/3-stop or FINE control. Possible to
maintain constant F-number during zoom
C300 PL
Manual via lens
C300
Depends on lens used
C300 PL
No
DIGIC DV III
RECORDING
Video storage media
Type
Recording time
Recording file format
Recording format
Recording frame rate
Slow/Fast motion
Interval Record
Frame Record
Pre Record (cache record)
Relay Recording
Double Slot (simultaneous)
Recording
Scan Reverse
Internal Data Transfer
Photo storage media
Still quality
Type 1 Compact Flash memory cards (2 card slots)
UDMA4, 30MB/s or faster (40MB/s or faster for Fast/Slow recording)
64GB CF card: Up to 160mins (1080/50i @ 50 Mbps)
Material eXchange Format (MXF); OP-1a pattern
MPEG-2 Long GOP. 50Mbps CBR (4:2:2) MPEG-2 [email protected];
35Mbps VBR (4:2:0) MPEG-2 [email protected];
25Mbps CBR (4:2:0) MPEG-2 [email protected]
50Mbps: 1920 x 1080/59.94i, 50i, 29.97p, 25p, 24p, 23.98p;
1280 x 720/59.94p, 50p, 29.97p, 25p, 24p, 23.98p.
35Mbps: 1920 x 1080/59.94i, 50i, 29.97p, 25p, 23.98p;
1280 x 720/59.94p, 50p, 29.97p, 25p, 23.98p.
25Mbps: 1440 x 1080/59.94i, 50i, 29.97p, 25p, 23.98p.
YES. 720p: 1-60fps in 1fps steps. 1080p: 1-30fps in 1fps steps
(available options may differ according to recording mode selected)
YES. 1, 2, 3, 6, 9 or 12 frames, 25 time intervals
(available options may differ according to recording mode selected)
YES. 1, 2, 3, 6, 9 or 12 frames
(available options may differ according to recording mode selected)
YES (3 seconds)
YES
YES
YES. Up/down, left/right, up/down/left/right image inversion.
MOVIE: Yes (CF card to CF card)
SD/SDHC memory card
During video recording: 1920 x 1080;
During playback: 1920 x 1080, 1280 x 720
SYSTEM
LCD
Size
Dots
Image quality adjustments
Adjustable
Waveform Monitor
Focus Assist
Peaking
Zebra
Markers
EVF
Size
Dots
Image quality adjustments
Adjustable
Correction lens
Inputs/Outputs
Audio in
Headphone output
Video monitor output
HDMI
HD/SD-SDI output
Time code
Genlock
Synch
DC input
Remote Control Terminal
Wireless Control Terminal
Colour Bars
Misc
Tally lamp
Accessory shoe
Custom key
XLR inputs with 48V phantom power (x2),
3.5mm microphone input jack
3.5mm stereo jack
YES (BNC, SD output only via Synch terminal)
YES (Type A, output only)
YES (BNC, output only, embedded audio and time code)
YES (BNC, switchable input/output)
YES (BNC, input only)
YES (BNC, output only, 5 modes: HD Sync, HD-Y, SD blackburst,
SD composite, Off)
YES
2.5mm mini jack
YES (optional accessory required for wireless control)
EBU, SMPTE, ARIB
YES
YES (cold shoe, 3 locations: top of body, top of handle, front of handle)
YES (15 assignable buttons; select from 30 functions)
SHOOTING FUNCTIONS
Exposure
Exposure metering
ISO Sensitivity
Gain setting
Shutter speed
Control Modes
Shutter speed
Shutter Angle
Slow Shutter (SLS)
Clear Scan
Custom Picture
Stored Configurations
Storage Medium
Gamma
White balance
Auto
Preset
White Balance Shift
Black balance
Black balance adjustment
Audio
Recording
Control
Microphone attenuation
Microphone level meter
Manual exposure determined by shutter setting, iris setting,
ISO/gain setting and ND filter setting
1-stop display: 3201, 400, 800, [850]2, 1600, 3200, 6400,
12800, 20000
1/3rd stop display: 320, 400, 500, 640, 800, [850]2, 1000, 1250,
1600, 2000, 2500, 3200, 4000, 5000, 6400, 8000, 10000,
12800, 16000, 200001
NORMAL: -6dB, -3dB, 0dB, 3dB, 6dB, 9dB, 12dB, 15dB, 18dB,
21dB, 24dB, 30dB; FINE: 0dB to 24dB (0.5dB increments)
Off; Speed; Angle; Clear Scan (CS); Slow Shutter (SLS)
1/3 to 1/2000 depending on frame rate and Shutter Control Mode
11.25º to 360º depending on frame rate
1/3, 1/4, 1/6, 1/8, 1/12, 1/15, 1/25, 1/30
depending on frame rate
59.94i/p: 59.94 - 250.27Hz; 50i/p: 50 to 250.78Hz;
29.97p: 29.97 - 250.27Hz; 25p: 25 to 250.78Hz;
23.98/24p: 23.98 - 250.27Hz
9, including 2 presets (CINEMA and EOS Std)
SD/SDHC memory card (all customisation data and metadata),
up to 20 Custom Pictures per card
8 profiles
NO
Daylight (5400K), Tungsten (3200K), Kelvin (2000K-15000K,
100K intervals), Set A, Set B
YES. -9 to +9 (Daylight and Tungsten only)
YES
16-bit 2ch (48 kHz) linear PCM
Independent limiters and auto/manual settings
YES
YES
MISCELLANEOUS
Dimensions
Detachable handle
Weight (camera only)
10.1cm (4"), 100% view
1.23 million
Brightness, contrast, colour, sharpness, backlight, black & white
Up/down/left/right according to camera configuration
Waveform Monitor and Vectorscope
Peaking; Magnifying; Edge Monitor (using waveform display)
Peaking 1, Peaking 2 (Colour, Gain, Frequency customisable for each)
Level 1; Level 2; Both. Output via HD-SDI or HDMI
On/Off (Aspect ratio, Aspect marker, Safety Zone Area, Safety Zone,
Grid, Horizontal, Centre)
1.3cm (0.52")
1.55 million
Brightness, contrast, colour, sharpness, backlight, black & white
Vertical tilt
+ 2.0 to -5.5 diopters
Weight (fully equipped)
Operating Temperature range
Approx 133 x 179 x 177mm (thumbrest attached);
Approx 174 x 179 x 177mm (grip attached);
Approx 185 x 284 x 301mm (grip, monitor unit and handle attached)
YES
C3001430g
C300 PL 1630g
C300Approx 2700g
(grip, monitor unit, handle, BP-955, 2x CF card)
C300 PLApprox 2900g
(grip, monitor unit, handle, BP-955, 2x CF card)
-5ºC to +45ºC, 60% relative humidity
All data is based on Canon’s standard testing methods. This Leaflet and the specifications of the product have
been developed prior to the date of product launch.
Specifications are subject to change without notice. ™and ®: All company and/or product names are trademarks
and/or registered trademarks of their respective manufacturers in their markets and/or countries.
1. 320 and 20000 are not 1-stop increments but represent highest and lowest supported ISO values
2. [850] = Lowest ISO sensitivity achieving 800% dynamic range with Canon Log function.
3. 50Mbps CBR mode, HD-SDI off, using EVF.
24
Specifications
– compatible with Canon EF and EF Cinema lenses
– compatible with PL Mount lenses, including the Canon EF Cinema Lens range
CAMERA
Image Sensor
Sensor
System
Total pixels per sensor
Effective pixels per sensor
Minimum illumination
Sensitivity
S/N Ratio
Dynamic Range
Horizontal Resolution
Lens
Lens mount
Focal length
Peripheral illumination
correction
ND filter
Focus control
Iris control
Image stabilization system
Image Processor
Type
SYSTEM cont.
Super35mm type CMOS
RGB primary colour filter (Beyer array)
9.84 megapixels
8.85 megapixels
NTSC Mode 0.3 Lux. [F1.2 lens, 24 dB, 29.97P mode, shutter
speed 1/30]. PAL Mode 0.25 Lux. [F1.2 lens, 24 dB, 25.00P mode,
shutter speed 1/25]
NTSC: F9. [1920x1080/59.94i, ISO640 (0dB), 2000 Lux, 89.9%
reflection]. PAL: F10 [1920x1080/50.00i, ISO640 (0dB), 2000
Lux, 89.9% reflection]
NTSC: 54dB (Typical). [1920x1080/29.97P, Canon Log base
sensitivity ISO850 (Dynamic range 800%)]
PAL: 54dB (Typical). [1920x1080/25.00P, Canon Log base
sensitivity ISO850 (Dynamic range 800%)]
During normal shooting: 300%. With Canon Log Gamma: 800%
(ISO 850 or above/gain 2.5 dB or more)
Up to 1000 TV lines or more (1920 x 1080i mode),
depends on lens used.
C500
C500
Canon EF mount, C500 PL – P
L mount
Equivalent
to 1.53x the focal length of EF lenses;
As indicated for EF-S lenses and Canon cine lenses
C500 PLAs indicated for Canon Cinema lenses and other PL
mount lense
C500 YES (dependent on lens used)
C500 PLNo
3 glass filters in camera body: 2 stops; 4 stops; 6 stops.
Operate via body or wireless control.
C500Via lens, wireless control or wired remote
(dependent on lens used)
C500 PLManual via lens
C500Via body, grip, wireless control or wired remote.
1/2-stop, 1/3-stop or FINE control.
Possible to maintain constant F-number during zoom.
C500 PLManual via lens
C500 Depends on lens used
C500 PLNo
DIGIC DV III
RECORDING
Video storage media
Type
Recording time
Recording file format
Recording format
Recording frame rate
Slow/Fast motion
Interval Record
Frame Record
Pre Record (cache record)
Relay Recording
Double Slot (simultaneous)
Recording
Scan Reverse
Internal Data Transfer
Photo storage media
Still quality
4K/2K3: External recording device required
HD: Type 1 Compact Flash memory cards (2 card slots
CF card: UDMA4, 30MB/s or faster (40MB/s or faster for
Fast/Slow recording)
64GB CF card: Up to 160mins (1080/50i @ 50 Mbps)
4K/2K3: Dependent on external recorder
HD: Material eXchange Format (MXF); OP-1a pattern
4K3: RAW/HRAW, 10 bit (4096 x 2160/3840 x 2160, Canon Log
only). 2K: RGB 12 bit (2048x1080/1920x1080, 4:4:4, Canon
Log only). RGB 10 bit (2048x1080/1920x1080, 4:4:4, Canon
Log only). YCC 10 bit (2048x1080/1920x1080, 4:2:2, Canon Log
only). HD MPEG-2 Long GOP: 50Mbps CBR (4:2:2) MPEG-2 [email protected]
PHL; 35Mbps VBR (4:2:0) MPEG-2 [email protected]; 25Mbps CBR (4:2:0)
MPEG-2 [email protected]
4K & 2K3: 60 Hz (NTSC) mode: 59.94P / 29.97P / 23.98P
50 Hz (PAL) mode: 50.00P / 25.00P. 24.00P mode: 24.00P
HD: 50Mbps: 1920 x 1080/59.94i, 50i, 29.97p, 25p, 24.00p,
23.98p; 1280 x 720/59.94p, 50p, 29.97p, 25p, 24.00p, 23.98p.
35Mbps: 1920 x 1080/59.94i, 50i, 29.97p, 25p, 23.98p;
1280 x 720/59.94p, 50p, 29.97p, 25p, 23.98p.
25Mbps: 1440 x 1080/59.94i, 50i, 29.97p, 25p, 23.98p.
YES (4K/2K3 dependent on external recorder)
4K3: RAW: 1 to 60 fps. HRAW: 1 to 60 fps, 62 to 120fps (in 2-fps
increment). 2K3: 2K RGB 444: 1 to 60 fps. YCC 422: 1 to 60 fps, 62
to 120fps (in 2-fps increment). HD: 1080p: 1-30fps in 1fps steps
720p: 1-60fps in 1fps steps. (available options may differ according
to recording mode selected)
YES. 1, 2, 3, 6, 9 or 12 frames, 25 time intervals
(available options may differ according to recording mode selected)
YES. 1, 2, 3, 6, 9 or 12 frames
(available options may differ according to recording mode selected)
YES (3 seconds)
YES
YES
YES. Up/down, left/right, up/down/left/right image inversion.
MOVIE: Yes (CF card to CF card)
SD/SDHC memory card
During video recording: 1920 x 1080;
During playback: 1920x1080, 1280 x 720
EVF
Size
Dots
Image quality adjustments
Adjustable
Correction lens
Inputs/Outputs
Audio in
1.3cm (0.52")
1.55 million
Brightness, contrast, colour, sharpness, backlight, black & white
Vertical tilt
+ 2.0 to -5.5 diopters
DC input
Remote Control Terminal
Wireless Control Terminal
Colour Bars
XLR inputs with 48V phantom power (x2),
3.5mm microphone input jack
3.5mm stereo jack
YES (BNC, SD output only via Synch terminal)
YES (Type A, output only)
YES. 2x 3G-SDI (BNC, output only, embedded audio and time
code), 2x 2K Monitor Output (BNC, output only)
1x HD/SD-SDI (BNC, output only, embedded audio and time code)
YES (BNC, switchable input/output)
YES (BNC, input only)
YES (BNC, output only, 5 modes: HD Sync, HD-Y, SD blackburst,
SD composite, Off)
YES
2.5mm mini jack
YES (optional accessory required for wireless control)
EBU, SMPTE, ARIB
Misc
Tally lamp
Accessory shoe
Custom key
YES
YES (cold shoe, 3 locations: top of body, top of handle, front of handle)
YES (15 assignable buttons; select from 30 functions)
Headphone output
Video monitor output
HDMI
HD/SD-SDI output
Time code
Genlock
Synch
SHOOTING FUNCTIONS
Exposure
Exposure metering
ISO Sensitivity
Gain setting
Shutter speed
Control Modes
Shutter speed
Shutter Angle
Slow Shutter (SLS)
Clear Scan
Custom Picture
Stored Configurations
Storage Medium
Gamma
White balance
Auto
Preset
White Balance Shift
Black balance adjustment
Audio
Recording
Control
Microphone attenuation
Microphone level meter
Manual exposure determined by shutter setting, iris setting,
ISO/gain setting and ND filter setting
1-stop display: 3201, 400, 800, [850]2, 1600, 3200, 6400,
12800, 20000
1/3rd stop display: 320, 400, 500, 640, 800, [850]2, 1000, 1250,
1600, 2000, 2500, 3200, 4000, 5000, 6400, 8000, 10000,
12800, 16000, 200001
NORMAL: -6dB, -3dB, 0dB, 3dB, 6dB, 9dB, 12dB, 15dB, 18dB,
21dB, 24dB, 30dB; FINE: 0dB to 24dB (0.5dB increments)
Off; Speed; Angle; Clear Scan (CS); Slow Shutter (SLS)
1/3 to 1/2000 depending on frame rate and Shutter Control Mode
11.25º to 360º depending on frame rate
1/3, 1/4, 1/6, 1/8, 1/12, 1/15, 1/25, 1/30
depending on frame rate
59.94i/p: 59.94 - 250.27Hz; 50i/p: 50 to 250.78Hz;
29.97p: 29.97 - 250.27Hz; 25p: 25 to 250.78Hz;
23.98/24p: 23.98 - 250.27Hz
9, including 2 presets (CINEMA and EOS Std)
SD/SDHC memory card (all customisation data and metadata),
up to 20 Custom Pictures per card
8 profiles
NO
Daylight (5400K), Tungsten (3200K), Kelvin (2000K-15000K,
100K intervals), Set A, Set B
YES. -9 to +9 (Daylight and Tungsten only)
YES
16-bit 2ch (48 kHz) linear PCM
Independent limiters and auto/manual settings
YES
YES
MISCELLANEOUS
Dimensions
Detachable handle
Weight (camera only)
Weight (fully equipped)
Operating Temperature range
TBC
YES
TBC
TBC (monitor unit, handle, BP-955, 2x CF card)
-5ºC to +45ºC, 60% relative humidity
All specifications are subject to change without notice
1. 320 and 20000 are not 1-stop increments but represent highest and lowest supported ISO values 2. [850] = Lowest ISO sensitivty achieving 800% dynamic range with Canon Log function.
3. Internal recording available in Full HD resolution only. External device required for 4K or 2K recording.
SYSTEM
LCD
Size
Dots
Image quality adjustments
Adjustable
Waveform Monitor
Focus Assist
Peaking
Zebra
Markers
10.1 cm (4”), 100% view
1.23 million
Brightness, contrast, colour, sharpness, backlight, black & white
Up/down/left/right according to camera configuration
Waveform Monitor and Vectorscope
Peaking; Magnifying; Edge Monitor (using waveform display)
Peaking 1, Peaking 2 (Colour, Gain, Frequency customisable for each)
Level 1; Level 2; Both. Output via HD-SDI or HDMI
On/Off (Aspect ratio, Aspect marker, Safety Zone Area, Safety Zone,
Grid, Horizontal, Centre)
25
Specifications
– compatible with Canon EF and EF Cinema lenses
IMAGE SENSOR
Type
Effective pixels
Total pixels
Aspect Ratio
Low-Pass Filter
Sensor Cleaning
Colour Filter Type
Video FILE TYPE
36 x 24 mm CMOS
Approx. 18.10 megapixels
Approx. 19.3 megapixels
Stills: 3.2. Movies: 16:9 (4K, Super 35mm, Full HD, HD) 4:3 (SD)
Built-in/Fixed with fluorine coating
EOS integrated cleaning system
Primary Colour
IMAGE PROCESSOR
Type
Dual “DIGIC 5+”
LENS
Lens mount
Focal Length
EF including limted support for EF cine zooms (excludes EF-S lenses)
Equivalent to 1.0x the focal length of the lens
IMAGE SENSOR
Type
AF System / Points
AF working range
AF Modes
AF Point Selection
Selected AF point display
AF lock
AF assist beam
Manual Focus
AF Microadjustment
TTL-CT-SIR with a dedicated CMOS sensor
61 Point / 41 f/4 cross-type AF points inc 5 dual cross type
at f/2.8 The number of cross-type AF points will differ depending
on the lens.
EV -2 - 18 (at 23°C & ISO100)
One Shot, AI Servo
Automatic selection: 61 point AF. Manual selection: Single point AF
(61, 41 cross type only, 15 or 9 points selectable)
Manual selection: Spot AF
Manual selection: AF point Expansion 4 points (up, down, left, right)
Manual selection: AF point Expansion surrounding 8 points
Manual selection: Zone AF. AF points can be selected separately for
vertical and horizontal shooting
Superimposed in viewfinder
Locked when shutter button is pressed half way in One Shot AF
mode or AF-ON button is pressed.
Emitted by optional dedicated Speedlite
Selected on lens, default in Live View Mode
AF Menu. +/- 20 steps ( wide and tele setting for Zooms)
Adjust all lenses by same amount. Adjust up to 40 lenses
individually. Adjustments remembered for lens by serial number
EXPOSURE CONTROL
Metering modes
Metering range
AE Lock
Exposure Compensation
AEB
ISO Sensitivity
TTL full aperture metering with 252 zone from 100,000-pixel RGB
AE sensor. (1) Evaluative metering (linked to all AF point)
(2) Partial metering (approx. 6.5% of viewfinder at centre)
(3) Spot metering: Center spot metering (approx. 2.5% viewfinder)
AF point-linked spot metering. Multi/Spot metering (Max 8 spot
metering entries). (4) Center weighted average metering
EV 0 - 20 (at 23°C with 50mm f/1.4 lens ISO100)
Auto: In One-shot AF mode with evaluative metering exposure
is locked when focus is achieved.
Manual: By AE lock button in P, TV and AV modes.
+/-5 EV in 1/3 or 1/2 stop increments
(can be combined with AEB).
2, 3, 5 or 7 Shots +/-3 EV 1/3 or 1/2 stop increments
Auto (100-51200), 100-51200 (in 1/3-stop or whole stop
increments) (movie 100- 25600)
ISO can be expanded to L: 50, H1 102400, H2 204800
SHUTTER
Type
Speed
Custom White Balance
WB Bracketing
Auto white balance with the imaging sensor
AWB, Daylight, Shade, Cloudy, Tungsten, White
Fluorescent light, Flash, Custom, Colour Temperature Setting.
White balance compensation: 1. Blue/Amber +/-9
2. Magenta/ Green +/-9.
Yes, 5 setting can be registered
+/-3 levels in single level increments. 3 bracketed images per shutter release. Selectable Blue/Amber bias or Magenta/ Green bias.
VIEWFINDER
Type
8.11cm (3.2”) Clear View II TFT, approx. 1040K dots
Approx. 100%
Approx. 170°
Anti-reflection and Solid Structure
Adjustable to one of seven levels
(1) Quick Control Screen (2) Camera settings
(3) Dual Axis Electronic Level
Live View MODE
Type
Coverage
Frame Rate
Focusing
Metering
Display options
26
Movie Length
Folders
File Numbering
MOV Video: 4K - MJPEG, FULL HD/ HD/SD - H.264 Intra frame /
inter frame, Uncompressed 8bit 4.2.2 via HDMI. Sound: Linear
PCM, recording level can be manually adjusted by user
4096 x 2160 (23.976 fps). 1920 x 1080 (59.94, 50, 29.97, 25,
23.976 fps) intra or inter frame. 1280 x 720 (59.94, 50 fps) intra
or inter frame. 640 x 480 (59.94, 50 fps) inter frame
Max duration; capacity of card
New folders can be manually created and selected
(1) Consecutive numbering. (2) Auto reset
(3) Manual reset
Other features
Custom Functions
Metadata Tag
LCD Panel / Illumination
Water / Dust resistance
Sound Memo
Intelligent Orientation Sensor
Playback zoom
Display formats
Slide show
Histogram
Highlight Alert
Image Erase / Protection
Menu Categories
Menu Languages
Firmware update
31 Custom Functions with 99 settings
User copyright information (can be set in camera)
Yes / Yes
Yes
Up to 30sec per image - 48Khz or 8Khz
Yes
1.5x - 10x, Pixel level magnification
(1) Single image with information (2 levels). (2) Single image
(3) 4 image index. (4) 9 image index. (5) Magnified view
(6) Movie edit
Image selection: All images, by Date, by Folder, Movies, Stills,
Rating. Playback time: 1/2/3/5/10 or 20 seconds
Repeat: On/Off
Brightness: Yes. RGB: Yes
Yes
Erase: Single image, All images in folder, Checkmarked images,
unprotected images. Protection: Erase protection of one image
at a time
(1) Shooting menu (x4). (2) AF Menu (x5). (3) Playback menu (x3).
(4) Setup menu (x4). (5) Custom Functions menu (x7)
(6) My Menu
25 Languages. English, German, French, Dutch, Danish, Portuguese,
Finnish, Italian, Norwegian, Swedish, Spanish, Greek, Russian,
Polish, Czech, Hungarian, Romanian, Ukrainian, Turkish, Arabic,
Thai, Simplified Chinese, Traditional Chinese, Korean and Japanese
Update possible by the user.
interface
Computer
Other
Hi-Speed USB
Video output (PAL/ NTSC) (integrated with USB terminal), HDMI
mini output (HDMI-CEC compatible), Extension system terminal
(for WFT-E6/ GP-E1), External microphone (Stereo mini jack),
Headphone socket (Stereo mini jack), RJ-45(gigabyte ethernet)
STORAGE
Type
2x CompactFlash Type I/II (incompatible with Microdrive)
(UDMA 7 compatible)
SUPPORTED
OPERATING SYSTEM
PC & Macintosh
Windows XP (SP2/SP3) / Vista inc SP1 (excl. Starter Edition) / 7
(excl. Starter Edition). OS X v10.6-10.7
POWER SOURCE
Battery Life
Battery Indicator
Power saving
Power Supply & Battery
Chargers
Rechargeable Li-ion Battery LP-E4N (supplied), 1xCR2025 for date
& settings
TBC (at 23°C)
TBC (at 0°C)
6 levels + percentage
Power turns off after 1, 2, 4, 8, 15, 30mins or Off.
AC Adapter Kit ACK-E4, Battery charger LC-E4n, Car Battery charger
cable CG-570 (use with LC-E4)
PHYSICAL
SPECIFICATIONS
Body Materials
Operating Environment
Dimensions (WxHxD)
Weight (body only)
Magnesium Alloy body covers
0 – 45 °C, 85% or less humidity
158x 163.6x 82.7mm
TBC
ACCESSORIES
Pentaprism
LCD MONITOR
Type
Coverage
Viewing angle
(horizonally / vertically)
Coating
Brightness Adjustment
Display options
Movie Size
Batteries
Electronically-controlled focal-plane shutter
30-1/8000 sec (1/2 or 1/3 stop increments) + Bulb (Shutter
speed range available varies according to shooting mode)
WHITE BALANCE
Type
Settings
Movie Type
Electronic viewfinder with image sensor
Approx. 100% (horizontally and vertically)
30 fps
Manual Focus (Magnify the image 5x or 10x at any point on screen).
Autofocus: Quick mode, Live mode, Live Face detection mode
Real-time evaluative metering with image sensor
Active metering time can be changed
Grid overlay (x3), Histogram, Aspect ratios
Viewfinder
Case
Wireless File Transmitter
Lenses
Flash
Battery Grip
Remote Controller / Switch
Other
Eyecup Eg, Eg-series Dioptric Adjustment lens with Rubber Frame
Eg, Anti Fog Eyepiece Eg, Focusing Screens Ec, Angle Finder C
–
Wireless File Transmitter WFT-E6
All EF lenses including limited support for EF Cine zooms
(excludes EF-S lenses)
Canon Speedlites (220EX, 270EX, 270EX II, 320EX, 420EX, 430EX,
430EX II, 550EX, 580EX, 580EX II, 600EX, 600EX-RT, Macro-RingLite, MR-14EX, Macro Twin Lite MT-24EX, Speedlite Transmitter
ST-E2, Speedlite Transmitter ST-E3-RT)
–
Remote control with N3 type contact, Wireless Controller LC-5
Hand Strap E2, GP-E1 GPS reciever, GP-E2 GPS reciever
Lens Specifications
EF Cinema Lens
Canon Top-end zoom lenses
Mount
CN-E14.5–60mm
T2.6 L SP
PL
CN-E14.5–60mm
T2.6 L S
EF
CN-E30–300mm
T2.95–3.7 L SP
PL
CN-E30–300mm
T2.95–3.7 L S
EF
Focal
Length
14.5–
60mm
Zoom
Ratio
Max. Relative
Aperture
(T-Number)
4.1x
1:2.6 at
14.5–60mm
30–300mm 10x
1:2.95 at
30–240mm/
1:3.7 at 300mm
Angle Of View
Iris
Blades
1.78:1
24.6 x 13.8mm
Object Dimensions at M.O.D.
M.O.D. (from
Front
1.78:1
1.78:1
1.78:1
image sensor)
Diameter
24.0 x 13.5mm
24.6 x 13.8mm 24.0 x 13.5mm
11
79.2° x 49.9°
at 14.5mm
22.6° x 12.8°
at 60mm
74.2° x 57.8°
at 14.5mm
20.7° x 15.2°
at 60mm
11
43.6° x 25.4°
at 30mm
4.6° x 2.6°
at 300mm
44.6° x 25.9°
at 30mm
4.7° x 2.6°
at 300mm
Approx. Size
(W x H x L)
Approx. Mass
0.70m/2'4"
65.2 x 36.7cm
at 14.5mm
15.0 x 8.4cm
at 60mm
5.35 x 6.42 x 12.52 in./
66.9 x 37.5cm
136.0 x 163.1 x 318.0mm
at 14.5mm
Ø136mm
15.4 x 8.6cm
5.35 x 6.42 x 12.83 in./
at 60mm
136.0 x 163.1 x 326.0mm
9.9 lb./
4.5kg
1.5m/5'
98.8 x 55.6cm
at 30mm
9.6 x 5.4cm
at 300mm
5.67 x 6.58 x 13.47 in. /
101.3 x 56.8cm
144.0 x 167.1 x 342.1mm
at 30mm
Ø136mm
9.9 x 5.6cm
5.67 x 6.58 x 13.78 in./
at 300mm
144.0 x 167.1 350.1mm
12.79 lb./
5.8kg
Canon Compact zoom lenses
Angle Of View
Object Dimensions at M.O.D.
Iris
M.O.D. (from
Front
1.78:1
1.9:1
Blades Apect ratio 1.78:1 Apect ratio 1.9:1 image sensor)
Diameter
24.0 x 13.5mm 26.2 x 13.8mm
24.0 x 13.5mm 26.2 x 13.8mm
Mount
Focal
Length
Zoom
Ratio
Max. Relative
Aperture
(T-Number)
CN-E15.5–47mm
T2.8 L SP/S
PL(SP)
/ EF(S)
15.5–
47mm
3.0x
T2.8 at
15.5–47mm
11
75.5° x 47.1° at
15.5mm
28.6° x 16.3° at
47mm
80.4° x 48.0° at
15.5mm
31.1° x 16.7° at
47mm
0.50m/1'8"
CN-E30–105mm
T2.8 L SP/S
PL(SP)
/ EF(S)
30–
105mm
3.5x
T2.8 at
30–105mm
11
43.6° x 25.4° at
30mm
13.0° x 7.4° at
105mm
47.2° x 25.9° at
30mm
14.2° x 7.5° at
300mm
0.60m/2'
Iris
Blades
Approx. Size
(W x H x L)
Approx. Mass
43.6 x 24.5cm at 47.6 x 25.1cm at
15.5mm
15.5mm
Ø114mm
15.4 x 8.1cm at 14.1x7.9cm at
47mm
47mm
114 x 125 x 214mm (SP)
114 x 125 x 222mm (S)
2.2kg
32.3 x 18.2cm at 35.3 x 18.6cm at
30mm
30mm
Ø114mm
9.3 x 5.2cm at 10.2 x 5.4cm at
105mm
105mm
114 x 125 x 210mm (SP)
114 x 125 x 218mm (S)
2.2kg
Approx. Size
(W x H x L)
Approx. Mass
Canon Prime lenses
Angle Of View
Object Dimensions at M.O.D.
M.O.D. (from
Front
1.5:1
1.78:1
1.78:1
image sensor)
Diameter
24.6 x 13.8mm
36.0 x 24.0mm 24.6 x 13.8mm
Mount
Focal
Length
Zoom
Ratio
Max. Relative
Aperture
(T-Number)
CN-E24mm T1.5 L F
EF
24mm
–
1:1.5
11
73.7° x 53.1°
54.3° x 32.1°
0.30m/12"
28.8 x 19.2cm
19.7 x 11.0cm Ø114mm
4.66 x 4.66 x 4.0 in./
118.4 x 118.4 x 101.5mm
2.65 lb./
1.2kg
CN-E50mm T1.3 L F
EF
50mm
–
1:1.3
11
39.6° x 27.0°
27.6° x 15.7°
0.45m/18"
24.9 x 16.6cm
17.0 x 9.5cm
Ø114mm
4.66 x 4.66 x 4.0 in./
118.4 x 118.4 x 101.5mm
2.43 lb./
1.1kg
CN-E85mm T1.3 L F
EF
85mm
–
1:1.3
11
23.9° x 16.1°
16.5° x 9.3°
0.95m/3'2"
34.3 x 22.9cm
23.4 x 13.1cm Ø114mm
4.66 x 4.66 x 4.0 in./
118.4 x 118.4 x 101.5mm
2.87 lb./
1.3kg
1.5:1
36.0 x 24.0mm
27
Canon Inc.
Canon (UK) Ltd
Canon Ireland
canon.com
Woodhatch
Reigate
Surrey
RH2 8BF
Telephone no 01737 220000
facsimile 01737 220022
canon.co.uk
3006 Lake Drive
Citywest, Saggart
Co.Dublin, Ireland
Telephone No: 01 2052400
Facsimile No: 01 2052525
canon.ie
Canon Europe
canon-europe.com
English Edition 0167W029
© Canon Europa N.V., 2012
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