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LENS CATALOGUE
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NEW CONCEPT, NEW LINE.
SIGMA presents a new way of looking at lenses
When you're taking photos, your lens is critical to capturing the desired image. Changing your lens changes the photos you take. By selecting and changing the lens to suit the purpose and the situation, the photographer creates a personal camera system that serves his or her specific needs. This is the system we know as the SLR camera, and its performance depends on lens selection. Over the decades, Sigma has contributed to the art of photography by developing some of the world’s finest lenses. Now, with our new lens lineup, you can transform not just your photographs but yourself as a photographer.
We've grouped our new lens models into three product lines: Contemporary, Art, and Sports. Each line has been assigned a clearly defined concept. From now on, all our products will be developed and presented in terms of how they embody these three concepts. Since digital SLR cameras are becoming increasingly multifunctional and diverse, we want to help photographers get the most out of their DLSR cameras and enjoy photography even more.
Sigma may be a small company, but we're determined to effect some big changes. And this is just the beginning.
Contemporary, Art, Sports: three lines, perfect order
Having taken our lenses to a new level of performance, Sigma has adopted a simple product identification strategy that makes it easy for users to identify the kind of lens for which they are looking. Building on this idea, we've reorganized all our lenses into three product lines, each characterized by its own clearly defined concept. From now on, every new lens we develop will be assigned to one of these product lines. Now finding the right lens is easier than ever.
C
Contemporary
Featuring the very latest technology and combining optical performance with compactness, our high-performance Contemporary line covers a wide range of needs.
A
Art
Designed with a focus on sophisticated optical performance and abundant expressive power, our Art line delivers high-level artistic expression.
S
Sports
Featuring sophisticated optical performance and expressiveness, our Sports line lenses deliver high action-capture performance, enabling photographers to get exactly the shots they want.
Standard zoom lenses
Telephoto zoom lenses
High-magnification zoom lenses
More
Large-aperture prime lenses
Wide-angle lenses
Ultra-wide-angle lenses
Macro lenses
Fisheye lenses
More
Telephoto lenses
Telephoto zoom lenses
Super telephoto lenses
Super telephoto zoom lenses
More
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ESSENTIALS
You
, ll find our philosophy and craftsmanship in every product
Our new lineup fully expresses our approach to lenses and photography itself. All of our lenses belong to one of three lines—Contemporary, Art, or Sports—all of which share our development philosophy and advanced manufacturing system. High performance, high quality, and high end in every respect, these lenses give people who love photography lasting value and consistent, exciting results. The secret is our passion for craftsmanship that we put into every production process and every product.
QUALITY
Inspecting each and every lens with our proprietary Foveon-based
A1 MTF measuring system, we deliver premium quality
There are three requirements for outstanding lenses: fine design, precise manufacturing and inspection that ensures compliance with all specifications. Sigma lenses are born of outstanding design concepts and excellent manufacturing technology.
But they’re not complete until they undergo our uncompromising lens performance evaluation. We've developed our own A1 proprietary MTF (Modulation Transfer Function) measuring system using 46-megapixel Foveon direct image sensors. Even previously undetectable high-frequency details are now within the scope of our quality control inspections. We check each and every lense in our new lines before we ship it.
Thanks to our ultra-high-resolution sensors, you enjoy ultra-high-performance.
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CRAFTSMANSHIP
“Made in Japan” craftsmanship is what makes our lenses high-performance, high-quality, and high-end
Apart from a handful of processes, we manufacture our lenses in house. We grind lenses, mold plastic parts, painting, mount substrates, perform assembly, and even manufacture screws, many other parts, and molds. With this integrated system, we produce all of our interchangeable lenses, cameras, and strobes at our Aizu factory. In fact, we are now one of the very few manufacturers whose products are solely made in Japan. We like to think our products are somehow imbued with the essence of our homeland, blessed as it is with great natural beauty and focused, hard-working people. We pride ourselves on the authentic quality of Sigma products, which are born of a marriage between highly attuned expertise and intelligent, advanced technology. Our sophisticated products have satisfied professionals and lovers of photography all over the world, since our manufacturing is based on genuine craftsmanship, underpinned by the passion and pride of our experts.
VALUE
This proprietary SIGMA service lets you use your cherished
SIGMA lenses for many years to come
We at Sigma understand that, to a photographer, a lens is not only a key device for photographic expression but also a valuable asset. We’d like our customers to be able to use the lens systems they have carefully put together for as long as possible.
Leveraging our expertise in manufacturing lenses with our own integrated production system, we are proud to present our new Mount Conversion Service. In this fee-based service, we will convert the mounts of your Sigma lenses to another mount system, allowing you to use your prized lenses with the camera system of your choice.
CUSTOMIZATION
Our new SIGMA USB DOCK accessory and exclusive software let you personalize the specification of your new SIGMA lenses
With our new lines of interchangeable lenses, the SIGMA USB DOCK accessory and exclusive SIGMA Optimization Pro software let photographers update lens firmware and customize focus position and other parameters. Simply connect the lens to a computer with the SIGMA USB DOCK and use the simple on-screen controls to create personal lens specifications. It is possible to select the autofocus speed and adjust the focus limiter and Optical Stabilizer (OS) function.
RESPONSIBILITY
In our manufacturing activities, we aim for sustainable growth and the highest standard of corporate social responsibility (CSR)
The history of our Aizu factory, our sole production base, is also the history of Sigma itself. From the moment we first conceived the idea of setting up a factory in Aizu, we have aimed to grow and develop as a member of the local community. We believe that when a company sets up a business base, it has an economic and cultural responsibility to the local community from that time onward. The global market may be the principal focus of our business, but our attention to responsibility begins at home.
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ABOUT OUR LENS
One SIGMA—Three product lines
We reorganize all of our interchangeable lenses into three product lines. Each line has its own clearly defined concept, and we develop each lens to exemplify the concept of one of the lines.
C
Contemporary
Incorporating the very latest technology in these lenses, Sigma has solved the difficult problem of keeping size and weight low without compromising on advanced optical performance or utility.
High-performance, versatile, compact and superbly portable, the lenses in our Contemporary line can handle landscape shots on your travels, casual snapshots, family pictures, and all sorts of other photo opportunities.
A
Art
With unsurpassed expressive performance, these lenses meet the highest standards demanded by photographers. Developed with the maximum emphasis on artistic touch, our Art line lenses are designed to meet the expectations of users who value a creative, dramatic outcome above compactness and multifunction. Along with landscapes, portraits, still-life, close-up and casual snaps, they're perfect for the kind of photography that unleashes the inner artist. Ideal for studio photography, they offer just as much expressive scope when capturing architecture, starry skies, underwater shots and many other scenes.
S
Sports
With their high-level optical performance and expressive power, these lenses can capture fast-moving subjects, even at distance. This high-performance line also offers a variety of functions to aid the photographer in challenging conditions and scenarios. Besides sports photography, the lenses are also perfect for nature shots featuring birds, wild animals and other creatures, and for capture of aircraft, trains, race cars and more. Our Sports line lenses also offer a wide range of customization functions: exclusive software allows many settings to be customized.
Lens categories for all major standards
For our three new lines, Sigma develops lenses optimized for 35mm full-frame, APS-C, and mirrorless interchangeable lens cameras.
SIGMA DN LENS
High-performance lenses for mirrorless interchangeable lens cameras
We have developed these high-performance, compact lenses with quiet autofocusing based on original technology and know-how we acquired through the development of digital cameras and interchangeable lenses. The superior telecentricity assures sharp and high-resolution image quality across the entire image plane. In addition, DN lenses benefit from a linear AF motor which moves the lens unit directly without the need for gears or other mechanical parts. This system ensures accurate and quiet autofocusing, making the lens suitable for video recording as well as still photos.
SIGMA DC LENS
High-performance Lens for APS-C format DSLR cameras
Optimized for DSLRs with APS-C size image sensors, these lenses leverage original technology fostered in the development of Sigma SD series cameras. The configuration of lens elements and the lens coatings represent the culmination of decades of optical engineering experience. The result is truly excellent performance in a compact, lightweight format that offers outstanding flexibility to the serious photographer.
Note 1: DC lenses have an image circle that covers APS-C size image sensors. Not for use on digital cameras having image sensors larger than APS-C size or on 35mm or APS film cameras, as vignetting will occur.
Note 2: To find the 35mm camera-equivalent focal length, multiply the DC lens focal length by the crop factor (digital multiplier) of 1.5, 1.6, or 1.7, depending on the brand of DSLR camera on which the lens will be used. To find which
DC lens is equivalent to a full-frame lens, divide the focal length of the full frame lens by the same crop factor.
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SIGMA DG LENS
High-performance SLR lenses with full-frame sensor coverage
Designed to deliver the ultimate in performance on full-frame digital SLRs, Sigma DG lenses also bring out the best in 35mm SLR film cameras and APS-C size DSLRs. Remarkable image rendition is achieved by comprehensive correction of aberrations and distortions. Special care is taken to thoroughly minimize color fringing caused by lateral chromatic aberration, which is particularly noticeable at high resolution in digital photography. DG lenses can offer both high contrast and subtle tonal gradations, unmarred by flare and ghosting, thanks to Sigma's digitally optimized optical design and original Super
Multi-Layer Coating technology, which suppress reflections between image sensor and lens surfaces.
Large image circles assure ample peripheral brightness to prevent vignetting.
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50mm F1.4 DG HSM ISO100 1/320 s F1.4 ©SHINICHI HANAWA
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C Contemporary DC LENS
Lens for APS-C format DSLR camera
17-70mm F2.8-4 DC MACRO OS HSM /
DC MACRO HSM
Hood (LH780-03) included
High-performance and compact—large-aperture APS-C format standard zoom lens
Covering the standard zoom range, this lens has a focal range equivalent to 25.5-
105mm on a 35mm lens. Thanks to Sigma's latest technologies, it's exceptionally lightweight and 30% more compact by volume than previous lenses of its type. Its low F-number equips photographers to shoot subjects at extremely close range, making this the perfect lens for travel, family photos, artistic compositions, and many other uses. A complement to uncompromising optical performance, functionality, quality, and elegance, the compact size of the lens makes it ideal for everyday use.
*Optical Stabilizer (OS) functionality not available for Sony and Pentax mounts.
| ASP | FLD/SLD | OS* | HSM | IF |
- Lens construction:
14 groups, 16 elements
- Minimum focusing distance:
22cm (8.7in.)
- Magnification: 1:2.8
- Filter size: ø 72mm
- Mounts:
17-70mm F2.8-4 DC MACRO OS
HSM for Sigma, Nikon, Canon
17-70mm F2.8-4 DC MACRO HSM for Sony, Pentax
18-200mm F3.5-6.3 DC MACRO OS HSM /
DC MACRO HSM
Hood (LH676-01) included
Definitive all-in-one ultra-compact superzoom lens
Aiming to create the ideal everyday lens, we designed this lens to be as compact as possible. Using double aspheric lens elements and making the motor even more compact, we have created a lens 4.6mm smaller in diameter and 11% lower in total volume than its predecessor. In fact, this lens is as compact and lightweight as a typical kit lens. You can easily change the angle of view to enjoy wide-angle, telephoto, and macro capabilities. In addition, the OS (Optical Stabilizer) function makes this lens a highly convenient choice for handheld close-ups, interior shots, and nighttime scenes.
*Optical Stabilizer (OS) functionality not available for Sony and Pentax mounts.
| ASP | SLD | OS* | HSM | IF |
- Lens construction:
13 groups, 16 elements
- Minimum focusing distance:
39cm (15.4in.)
- Magnification: 1:3
- Filter size: ø 62mm
- Mounts:
18-200mm F3.5-6.3 DC MACRO OS
HSM for Sigma, Nikon, Canon
18-200mm F3.5-6.3 DC MACRO HSM for Sony, Pentax
18-300mm F3.5-6.3 DC MACRO OS HSM /
DC MACRO HSM
Hood (LH780-07) included
16.6x high-zoom ratio lens featuring four FLD elements for outstanding optical performance
This lens features four FLD ("F" Low Dispersion) glass elements, which offer performance equal to that of fluorite, and one SLD (Special Low Dispersion) glass element. Optimized power distribution minimizes transverse chromatic aberration, which is particularly noticeable in the telephoto range. This lens offers outstanding image quality from the center of the image to the edges. Even while offering high-zoom ratio functionality, this lens features an ideal harmony specification, performance, and compactness. From wide angle to telephoto to macro, it delivers outstanding image quality throughout the zoom range.
*Optical Stabilizer (OS) functionality not available for Sony and Pentax mounts.
| ASP | FLD/SLD | OS | HSM | IF |
- Lens construction:
13 groups, 17 elements
- Minimum focusing distance:
39cm (15.4in.)
- Magnification: 1:3
- Filter size: ø 72mm
- Mounts:
18-300mm F3.5-6.3 DC MACRO OS
HSM for Sigma, Nikon, Canon
18-300mm F3.5-6.3 DC MACRO HSM for Sony, Pentax
C Contemporary
A Art
DG LENS
Lens for DSLR camera
150-600mm F5-6.3 DG OS HSM
Case, hood (LH1050-01), shoulder strap, tripod socket (TS-71), and protective cover
(PT-11) included
Sports line tech helps deliver Contemporary line style— high-performance super telephoto zoom lens
This lens retains insofar as possible the basic characteristics of the Sports line lens of equivalent specification. Yet it is also designed to be extremely compact and lightweight, making it easy to carry and comfortable to use in handheld photography for hours at a time. With optical performance a main priority, this lens features one FLD ("F" Low Dispersion) glass element, which offers performance equal to that of fluorite, and three SLD (Special Low Dispersion) glass elements, while optimized power distribution minimizes transverse chromatic aberration. Since super telephoto zoom lenses are often carried in the field, the lens is dust- and splashproof, and the tripod mount is detachable. These and other features contribute to the exceptional usability of this lens.
| FLD/SLD | OS | HSM | IF | CONV |
- Lens construction:
14 groups, 20 elements
- Minimum focusing distance:
280cm (110.2in.)
- Magnification: 1:4.9
- Filter size: ø 95mm
- Mounts: Sigma, Nikon, Canon
DC LENS
Lens for APS-C format DSLR camera
18-35mm F1.8 DC HSM
Case and hood (LH780-06) included
F1.8 brightness throughout the zoom range—large-aperature standard zoom lens for APS-C format cameras
SIGMA 18-35mm F1.8 DC HSM is the first zoom lens ever to achieve a maximum aperture of F1.8 throughout the zoom range.* It is a wide-aperture, standard zoomlens for digital single lens reflex cameras with APS-C size sensors. The lens has a focal range equivalent to 27-52.5mm in a 35mm format, and it can cover the angles of view of multiple fixed-focal length lenses. This wide-aperture, standard zoom lens enables the photographer to expand creative possibilities on any occasion.
*Among interchangeable lenses for DSLR cameras as of April, 2013
| ASP | SLD | HSM | IF |
- Lens construction:
12 groups, 17 elements
- Minimum focusing distance:
28cm(11.0in.)
- Magnification: 1:4.3
- Filter size: ø 72mm
- Mounts:
Sigma, Sony, Nikon, Pentax, Canon
*The angle of view depends on camera model. *Illustrations of lens configurations are color-coded as follows: Aspherical lens, SLD glass, ELD glass, FLD glass.
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A Art
A Art
DC LENS
Lens for APS-C format DSLR camera
30mm F1.4 DC HSM
Case and hood (LH686-01) included
Ideal for artistic shots—large-aperture standard lens with F1.4 brightness
This large-aperture standard lens with an angle of view equivalent to 45mm on a 35mm camera is a superb go-to for artistic photography on an APS-C format
DSLR camera. Offering a bright F1.4 aperture and an angle of view extremely close to that of human vision, this lens is ideal for many different types of photographic expression. Featuring an advanced design and the latest manufacturing technologies, this lens delivers highest-level image quality worthy of the Art line. The photographer can leverage the shallow depth of field for a beautiful bokeh effect in snapshots, portraits, landscapes, and many other types of photography.
| ASP | HSM | RF |
- Lens construction:
8 groups, 9 elements
- Minimum focusing distance:
30cm(11.8in.)
- Magnification: 1:6.8
- Filter size: ø 62mm
- Mounts:
Sigma, Sony, Nikon, Pentax, Canon
DG LENS
Lens for DSLR camera
24mm F1.4 DG HSM
Case and hood (LH830-03) included
From our Art line—F1.4 large-diameter wide-angle lens with best-in-class optical performance
This lens in the culmination of our experience designing wide-angle lenses, our design know-how nurtured through crafting the lenses in our Art line, and all of our manufacturing expertise. The result is high-resolution, outstanding image quality from the center of the image to the edges. While delivering high resolution of the part of the subject that is in focus, this lens also offers an attractive bokeh effect. Even at wide-open aperture, the image quality is extremely fine without streaking. FLD and SLD glass elements minimize transverse chromatic aberration, which can be most noticeable at the edges of an image. Optimized lens power distribution helps minimize axial chromatic aberration as well. Combined, these features deliver exceptionally sharp, high-contrast image quality without color bleeding throughout the entire image.
| ASP | FLD/SLD | HSM | IF |
- Lens construction:
11 groups, 15 elements
- Minimum focusing distance:
25cm(9.8in.)
- Magnification: 1:5.3
- Filter size: ø 77mm
- Mounts: Sigma, Nikon, Canon
35mm F1.4 DG HSM
Case and hood (LH730-03) included
Our Art line flagship—large-aperture wide-angle lens with F1.4 brightness
With unsurpassed expressive performance, this large-aperture lens offers a bright F-number of F1.4 in wide-angle photography and beautiful bokeh effects.
Coma of point light sources is minimized, making this lens an excellent choice for photographing illumination. The aspheric lens at the front of the lens series helps minimize both distortion and vignetting. The viewfinder image is bright from the center to the edges, and the rounded diaphragm produces an attractive round bokeh effect at large-aperture settings.
| ASP | FLD/SLD | HSM | IF |
- Lens construction:
11 groups, 13 elements
- Minimum focusing distance:
30cm(11.8in.)
- Magnification: 1:5.2
- Filter size: ø 67mm
- Mounts:
Sigma, Sony, Nikon, Pentax, Canon
50mm F1.4 DG HSM
Case and hood (LH830-02) included
Incredible resolution, ideal for the high-megapixel era.
Introducing the new benchmark large-aperture standard lens.
Thanks to its exceptional performance, 35mm F1.4 DG HSM has become one of our representative lenses. Now the 50mm F1.4 DG HSM joins the lineup, also fulfilling our design concept and quality requirements at the highest level. While producing a beautiful bokeh effect, it features exceptional peripheral brightness and minimal distortion. Uncompromising in every detail, this large-aperture standard lens offers the ultimate in image quality. Its high resolution makes it perfect for the high-megapixel era. Resolution is extremely crisp at the area in focus, while both front and rear bokeh are silky-smooth. Offering the ultra-high performance that characterizes our Art line, this lens inherits the design principles of the flagship Sigma 35mm F1.4 DG HSM, further empowering photographic imaginations.
| ASP | SLD | HSM | IF |
- Lens construction:
8 groups, 13 elements
- Minimum focusing distance:
40cm(15.7in.)
- Magnification: 1:5.6
- Filter size: ø 77mm
- Mounts: Sigma, Sony, Nikon, Canon
24-105mm F4 DG OS HSM / DG HSM
Case and hood (LH876-02) included
From wide-angle to medium telephoto—new standard zoom lens combining high image quality with convenience
When shooting nature or travel scenes, photographers need a high zoom ratio combined with excellent handling to capture all the subjects they encounter.
This new standard zoom lens covers the most commonly used zoom range, from wide-angle to medium telephoto, combining high and stable image quality with outstanding convenience. It also takes usability to the next level, offering F4 brightness throughout the zoom range, OS (Optical Stabilizer) functionality, and an HSM (hypersonic motor). Thanks to its convenient handling, this is an ideal lens for many types of photography such as snapshots, portraits, and landscapes.
*Optical Stabilizer (OS) functionality not available for Sony mounts.
| ASP | FLD/SLD | OS* | HSM | IF |
- Lens construction:
14 groups, 19 elements
- Minimum focusing distance:
45cm(17.7in.)
- Magnification: 1:4.6
- Filter size: ø 82mm
- Mounts:
24-105mm F4 DG OS HSM for
Sigma, Nikon, Canon
24-105mm F4 DG HSM for
Sony
*Illustrations of lens configurations are color-coded as follows: Aspherical lens, SLD glass, ELD glass, FLD glass.
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A Art
S Sports
Black
Silver
Black
Silver
Black
Silver
DN LENS
Lens for mirrorless camera
19mm F2.8 DN
Case and hood (LH520-03) included
High-performance wide-angle lens for mirrorless cameras
This high-performance standard lens offers an angle of view equivalent to 38mm on the Micro Four Thirds system and 28.5mm on the E-mount system (35mm equivalent focal length). A wide-angle lens with excellent mobility, it is ideal for casual snapshots as well as indoor photography that leverages its wide angle of view.
| ASP | IF |
- Lens construction:
6 groups, 8 elements
- Minimum focusing distance:
20cm (7.8in.)
- Magnification: 1:7.4
- Filter size: ø 46mm
- Mounts: Micro Four Thirds
System, Sony E-mount
30mm F2.8 DN
Case and hood (LH520-03) included
High-performance standard lens for mirrorless cameras
This high-performance standard lens offers an angle of view of equivalent to
60mm on the Micro Four Thirds system and 45mm on the E-mount system (35mm equivalent focal length). Designed with a focus on power distribution, this lens delivers exceptional image quality. With excellent mobility, it is ideal for both casual snapshots and portraits.
| ASP | IF |
- Lens construction:
5 groups, 7 elements
- Minimum focusing distance:
30cm (11.8in.)
- Magnification: 1:8.1
- Filter size: ø 46mm
- Mounts: Micro Four Thirds
System, Sony E-mount
60mm F2.8 DN
Case and hood (LH520-03) included
High-performance mid-range telephoto lens for mirrorless cameras
This high-performance mid-range telephoto lens offers an angle of view of equivalent to 120mm on the Micro Four Thirds system and 90mm on the E-mount system (35mm equivalent focal length). Offering a feeling of natural perspective, a shallow depth of field, and beautiful bokeh effects, this lens allows the photographer to single out and capture a particular part of a subject. It brilliantly realizes the photographer's intentions to create highly artistic shots.
| ASP | SLD | IF |
- Lens construction:
6 groups, 8 elements
- Minimum focusing distance:
50cm (19.7in.)
- Magnification: 1:7.2
- Filter size: ø 46mm
- Mounts: Micro Four Thirds
System, Sony E-mount
DG LENS
Lens for DSLR camera
120-300mm F2.8 DG OS HSM
Case, hood (LH1220-01), shoulder strap, and tripod socket (TS-51) included
Extending the range of photographic expression—high-performance large-aperture telephoto zoom lens
This lens combines the highest levels of optical performance and photographic expression with equally fine functionality and usability. It embodies the concept of the Sports line, which features outstanding action-capture performance. Fully customizable, it allows photographers to create their own specification. It is an ideal choice for photographing sports events, animals and natural environments, airplanes, motorsports, and even portraits. It greatly empowers photographic expression, allowing photographers to capture those crucial shots.
| FLD/SLD | OS | HSM | IF | CONV |
- Lens construction:
18 groups, 23 elements
- Minimum focusing distance:
150-250cm (59.1-98.4in.)
- Magnification: 1:8.1 (at 200mm)
- Filter size: ø 105mm
- Mounts: Sigma, Nikon, Canon
150-600mm F5-6.3 DG OS HSM | FLD/SLD | OS | HSM | RF | CONV |
Case, hood (LH1164-01), and shoulder strap included
Professional-use super telephoto zoom lens with the outstanding performance and quality worthy of our Sports line
This lens features incredible 600mm super telephoto capability, outstanding optical performance with minimized transverse chromatic aberration for clear image edges, and build quality that makes you proud to own and photograph with it.
Super telephoto zoom lenses are often used in tough photographic environments and conditions. For this reason, Sigma concentrated in this lens all functions necessary to offer the highest level of optical and action-capture performance and meet even the most difficult requirements. Even while offering exceptional maneuverability and durability, this lens delivers breathtaking image quality. This combination of qualities makes this high-performance super telephoto zoom truly worthy of our Sports line.
- Lens construction:
16 groups, 24 elements
- Minimum focusing distance:
260cm (102.4in.)
- Magnification: 1:5
- Filter size: ø 105mm
- Mounts: Sigma, Nikon, Canon
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WIDE ZOOM LENS DC
Wide-angle zoom lens for APS-C format DSLR camera
The wide angle of view and short focal length of these lenses make it possible to compress distance and emphasize perspective in striking and dynamic ways.
8-16mm F4.5-5.6 DC HSM
Case included
World’s first of its type—ultra-wide-angle zoom lens with 8mm minimum focal length
This is the world’s first ultra-wide-angle zoom lens with a minimum focal length of 8mm designed especially for DSLR cameras with APS-C image sensors. Its ultra-wide angle of 121.2° can create dramatic effects with exaggerated perspective. Four FLD glass elements and three aspherical lenses assure superb image quality, while the Super Multi-Layer Coating minimizes flare and ghosting. The
HSM provides fast and quiet autofocusing with full-time manual capability.
| ASP | FLD/SLD | HSM | IF |
- Lens construction:
11 groups, 15 elements
- Minimum focusing distance:
24cm (9.4in.)
- Magnification: 1:7.8
- Mounts:
Sigma, Sony, Nikon, Pentax, Canon
10-20mm F3.5 EX DC HSM
Case and hood (LH873-01) included
Ultra-wide-angle zoom lens for digital cameras with bright fixed
F-number
With a fixed maximum aperture of F3.5 throughout the entire zoom range, this ultra-wide-angle zoom lens lets you shoot in low light and create beautiful bokeh effects to isolate your subject. The maximum 109.7° angle of view makes possible bold use of perspective in expressive shots. ELD (Extraordinary Low Dispersion) and SLD (Special Low Dispersion) glass and aspherical lens elements help minimize optical aberrations and make possible a highly compact lens. Sigma's Super
Multi-Layer Coating minimizes flare and ghosting, while the HSM ensures fast and quiet autofocusing.
| EX | ASP | ELD/SLD | HSM | IF |
- Lens construction:
10 groups, 13 elements
- Minimum focusing distance:
24cm (9.4in.)
- Magnification: 1:6.6
- Filter size: ø 82mm
- Mounts:
Sigma, Sony, Nikon, Pentax, Canon
10-20mm F4-5.6 EX DC HSM / EX DC
Case and hood (LH825-04) included
For true wide-angle photography—ultra-wide-angle zoom lens for digital cameras
An ultra-wide-angle zoom lens that is ideal for capturing the grandeur of landscapes and creating a strong sense of perspective. The minimum focusing distance is only 24cm, so a small nearby subject can be shot against a far-off background. SLD glass and aspherical lens elements deliver high image quality throughout the entire zoom range. Models equipped with HSM offer fast and quiet autofocusing.
*Pentax and Sony mounts (non-HSM version)
| EX | ASP | SLD | HSM* | IF |
- Lens construction:
10 groups, 14 elements
- Minimum focusing distance:
24cm (9.4in.)
- Magnification: 1:6.7
- Filter size: ø 77mm
- Mounts:
10-20mm F4-5.6 EX DC HSM for
Sigma, Nikon, Canon
10-20mm F4-5.6 EX DC for
Sony, Pentax
WIDE LENS DC
Wide-angle lens for APS-C format DSLR camera
4.5mm F2.8 EX DC CIRCULAR FISHEYE HSM
Case included
World’s first of its type—circular fisheye lens for APS-C format DSLR cameras
This lens creates a circular image that can capture entire landscapes or serve as input for remapping to immersive panoramas. With its equisolid angle projection, the lens also has scientific applications. The maximum aperture of F2.8 permits relatively short exposures when the photographer is shooting celestial objects or auroras. The minimum focusing distance is 13.5cm, and the maximum magnification is 1:6. SLD glass provides powerful correction of aberration, while the Super
Multi-Layer Coating minimizes flare and ghosting. The HSM provides fast and quiet autofocusing with full-time manual capability.
| EX | SLD | HSM | IF |
- Lens construction:
9 groups, 13 elements
- Minimum focusing distance:
13.5cm (5.3in.)
- Magnification: 1:6
- Filter type: Gelatin
- Mounts: Sigma, Nikon, Canon
10mm F2.8 EX DC FISHEYE HSM
Case included
Ideal for close shots—fisheye lens for APS-C format DSLR cameras
This fisheye lens produces a diagonal angle of view of 180°* for striking images with exaggerated perspective and distortion. The minimum focusing distance of
13.5cm/5.3in. and maximum magnification of 1:3.3 allow subjects to be as close as 1.8cm/0.7in. from the lens's front element. The integral hood and Super Multi-
Layer Coating minimize flare and ghosting and create superior image quality.
| EX | HSM |
- Lens construction:
7 groups, 12 elements
- Minimum focusing distance:
13.5cm (5.3in.)
- Magnification: 1:3.3
- Filter type: Gelatin
- Mounts: Sigma, Nikon, Canon
*The angle of view depends on camera model. *Illustrations of lens configurations are color-coded as follows: Aspherical lens, SLD glass, ELD glass, FLD glass.
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WIDE ZOOM LENS DG
Wide-angle zoom lens for DSLR camera
12-24mm F4.5-5.6 II DG HSM
Case included
Ultra-wide-angle zoom lens for 35mm full-frame DSLR cameras
This ultra-wide-angle zoom lens incorporates the latest optical design technology to provide superior performance. FLD ("F" Low Dispersion) glass elements, which offer performance equal to that of fluorite, and SLD (Special Low Dispersion) glass elements provide excellent correction of chromatic aberration. Aspherical lenses contribute to the lens’s advanced performance and compact construction. The
Super Multi-Layer Coating reduces flare and ghosting. High image quality is assured throughout the entire zoom range. The HSM ensures quiet and high-speed autofocus, and the lens offers full-time manual focus capability as well. This lens has superior peripheral brightness and provides sharp and high-contrast images even at maximum aperture.
| ASP | FLD/SLD | HSM | IF |
- Lens construction:
13 groups, 17 elements
- Minimum focusing distance:
28cm (11.0in.)
- Magnification; 1:6.4
- Mounts:
Sigma, Sony, Nikon, Canon
WIDE LENS DG
Wide-angle lens for DSLR camera
8mm F3.5 EX DG CIRCULAR FISHEYE
Case included
Large F3.5 aperture and close-up capability—circular fisheye lens for DSLR cameras
This circular fisheye lens produces circular images* with a 180° angle of view. With the exaggerated perspective of its wide angle of view, this lens has great potential for creative expression. The lens also benefits from a F3.5 maximum aperture and autofocus. The minimum focusing distance is 13.5cm, and maximum magnification is 1:4.6. For outstanding image quality, Sigma's Super Multi-Layer Coating minimizes flare and ghosting, while SLD glass corrects chromatic aberration.
*A full-circle image can only be captured with full-frame (36 x 24mm sensor) DSLR and 35mm film SLR cameras.
| EX | SLD |
- Lens construction:
6 groups, 11 elements
- Minimum focusing distance:
13.5cm (5.3in.)
- Magnification: 1:4.6
- Filter type: Gelatin
- Mounts: Sigma, Nikon, Canon
15mm F2.8 EX DG DIAGONAL FISHEYE
Case included
Diagonal fisheye autofocus lens for DSLR cameras
This fisheye lens with a 180° angle of view across the diagonal offers distorted images and a minimum focusing distance of 15cm for creative photography. A photo with extreme perspective can be taken by shooting a subject in the foreground against a background wider than the range of human vision.
- Lens construction:
6 groups, 7 elements
- Minimum focusing distance:
15cm (5.9in.)
- Magnification: 1:3.8
- Filter type: Gelatin
- Mounts: Sigma, Nikon, Canon
| EX |
*Illustrations of lens configurations are color-coded as follows: Aspherical lens, SLD glass, ELD glass, FLD glass.
14
8-16mm F4.5-5.6 DC HSM FOCAL LENGTH 8mm ISO200 1/125 s F8.0 ©RYUICHI OSHIMOTO
15
STANDARD ZOOM LENS DC
Standard zoom lens for APS-C format DSLR camera
A zoom lens gives you flexible control over angle of view and apparent perspective. With a standard zoom lens
—a single lens lets you shoot large group portraits, architecture, landscapes, and more.
17-50mm F2.8 EX DC OS HSM / EX DC HSM
Case and Hood (LH825-03) included
Minimum focal length of 17mm—large-aperture standard zoom lens for DSLR cameras
This large-aperture standard zoom lens covers a wide-angle focal length of
17mm. Ideal for travel and other situations where you want mobility, this lens has a compact body and is only 91.8mm long. Two FLD glass elements and three aspherical lens elements correct aberrations, while the Super Multi-Layer Coating minimizes flare and ghosting. Plentiful peripheral brightness assures sharp, high-contrast images all the way to the maximum aperture. The HSM provides fast and quiet autofocusing.
*Optical Stabilizer (OS) functionality not available for Sony and Pentax mounts.
| EX | ASP | FLD | OS* | HSM | IF |
- Lens construction:
13 groups, 17 elements
- Minimum focusing distance:
28cm (11.0in.)
- Magnification: 1:5
- Filter size: ø 77mm
- Mounts:
17-50mm F2.8 EX DC OS HSM for
Sigma, Nikon, Canon
17-50mm F2.8 EX DC HSM for
Sony, Pentax
18-250mm F3.5-6.3 DC MACRO OS HSM /
DC MACRO HSM
Hood (LH680-04) included
High-performance and compact—high-zoom ratio lens for DSLR cameras
One single all-purpose lens for digital cameras does it all, offering exceptional wide-angle, telephoto, and macro functionality. Featuring revolutionary optical and structural designs, this lens offers a compact size, a minimum focusing distance of 35cm, and a maximum magnification ratio of 1:2.9. SLD (Special Low
Dispersion) glass elements effectively correct chromatic aberration. Thanks to precision-molded glass aspherical lens elements and control via a newly designed cam, this lens offers minimal optical aberrations and outstanding image quality throughout the zoom range. The barrel features a new TSC (Thermally Stable Composite) material. Ideal for keeping equipment to a minimum during travel, this lens is a versatile ally in a wide range of uses and situations.
*Optical Stabilizer (OS) functionality not available for Sony and Pentax mounts.
| ASP | SLD | OS* | HSM | IF |
- Lens construction:
13 groups, 16 elements
- Minimum focusing distance:
35cm (13.8in.)
- Magnification: 1:2.9
- Filter size: ø 62mm
- Mounts:
18-250mm F3.5-6.3 DC MACRO OS
HSM for Sigma, Nikon, Canon
18-250mm F3.5-6.3 DC MACRO
HSM for Pentax, Sony
STANDARD ZOOM LENS DG
Standard zoom lens for DSLR camera
24-70mm F2.8 IF EX DG HSM
Case and hood (LH876-01) included
Fully equipped with HSM—large-aperture standard zoom lens for full-frame SLR cameras
With a total length of only 94.7mm, this compact lens is ideal for a wide range of genres such as portrait and landscape photography. The F2.8 maximum aperture is maintained throughout the entire zoom range, which covers frequently used focal lengths down to a wide angle of 24mm. ELD and SLD glass together with aspherical lens elements correct aberrations to assure imaging excellence at all focal lengths. The rounded 9-blade circular diaphragm creates beautiful bokeh effects at larger aperture settings, while the HSM provides fast and quiet autofocusing with full-time manual capability.
| EX | ASP | ELD/SLD | HSM | IF |
- Lens construction:
12 groups, 14 elements
- Minimum focusing distance:
38cm (15.0in.)
- Magnification: 1:5.3
- Filter size; ø 82mm
- Mounts:
Sigma, Sony, Nikon, Canon
*The angle of view depends on camera model. *Illustrations of lens configurations are color-coded as follows: Aspherical lens, SLD glass, ELD glass, FLD glass.
16
17-50mm F2.8 EX DG OS HSM FOCAL LENGTH 23mm ISO200 1/320秒 F8.0 ©RYUICHI OSHIMOTO
17
APO 70-200mm F2.8 EX DG OS HSM FOCAL LENGTH 200mm ISO100 1/100s F4.0 © RYUICHI OSHIMOTO
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TELEPHOTO ZOOM LENS DG
Bridge distances and create dramatic ambience with a telephoto zoom lens.
Indispensable for wildlife and sports photography.
Telephoto zoom lens for DSLR camera
APO 50-500mm F4.5-6.3 DG OS HSM
Case, hood (LH1030-01), shoulder strap, stepdown ring, hood adapter (HA1030-01), and tripod socket (TS-31) included
Covering 50-500mm—10x telephoto zoom lens
This 10x telephoto zoom lens covers the range of 50mm (standard) to 500mm
(telephoto) and incorporates Sigma's Optical Stabilizer (OS). One lens allows photographers to handle everything from snapshots and macro photography to photographing aircraft and motorsports—all without a tripod. SLD glass corrects chromatic aberration to assure pristine image rendition throghout the entire zoom range. The HSM provides fast and quiet autofocusing with full-time manual capability.
| SLD | OS | HSM | RF |
- Lens construction:
16 groups, 22 elements
- Minimum focusing distance:
50-180cm (19.7-70.9in.)
- Magnification: 1:3.1
- Filter size: ø 95mm
- Mounts:
Sigma, Sony, Nikon, Pentax, Canon
APO 70-200mm F2.8 EX DG OS HSM
Case, hood (LH850-02), hood adapter (HA850-01), and tripod socket (TS-21) included
Fully equipped with OS—large-aperture telephoto zoom lens for full-frame SLR cameras
This large-aperture telephoto zoom lens has an open-aperture value of F2.8 throughout the entire zoom range. Two FLD glass elements, offering performance on par with fluorite glass, and three SLD glass elements effectively correct chromatic aberration to assure excellent image quality all the way to full aperture. The
Super Multi-Layer Coating minimizes flare and ghosting, and the HSM provides fast and quiet autofocusing with full-time manual capability.
| EX | FLD/SLD | OS | HSM | IF |
- Lens construction:
17 groups, 22 elements
- Minimum focusing distance:
140cm (55.1in.)
- Magnification: 1:8
- Filter size: ø 77mm
- Mounts:
Sigma, Sony, Nikon, Canon
APO 70-300mm F4-5.6 DG MACRO
Case and hood (LH635-01) included
Tele-macro functionality, digital compatibility—telephoto zoom for full-frame SLR cameras
This high-performance telephoto zoom lens offers macro functionality with a maximum magnification of 1:2 at the 300mm focal length. For macro convenience without having to change lenses, the minimum focusing distance can be switched from 150mm to 95mm, and zooming is possible between 200mm and 300mm to adjust framing. SLD corrects chromatic aberration to deliver high image quality throughout the entire zoom range.
| SLD |
- Lens construction:
10 groups, 14 elements
- Minimum focusing distance:
150*(95)cm / 59.1*(37.4)in.
- Magnification: 1:4.1 *(1:2)
- Filter size: ø 58mm
- Mounts:
Sigma, Sony, Nikon, Pentax, Canon
70-300mm F4-5.6 DG MACRO
Hood (LH635-01) included
Excellent cost performance—telephoto zoom lens for full-frame
SLR cameras
With a maximum magnification of 1:2 at the maximum focal length of 300mm, this telephoto zoom lens provides high-performance macro capability at a reasonable price. For macro photography, the minimum focusing distance can be switched to allow closer shots, and zooming is possible between 200mm and 300mm to adjust framing. The lens is highly suited to many other applications as well, such as portraiture from a distance and dynamic sports action. SLD glass corrects chromatic aberration, and Sigma's Super Multi-Layer Coating minimizes flare and ghosting to assure outstanding image rendition.
| SLD |
- Lens construction:
10 groups, 14 elements
- Minimum focusing distance:
150*(95)cm / 59.1*(37.4)in.
- Magnification: 1:4.1 *(1:2)
- Filter size: ø 58mm
- Mounts:
Sigma, Sony, Nikon, Pentax, Canon
*( ) indicates the maximum magnification and the minimum focusing distance when the built-in macro mode is used.
*The angle of view depends on camera model. *Illustrations of lens configurations are color-coded as follows: Aspherical lens, SLD glass, ELD glass, FLD glass.
19
TELEPHOTO ZOOM LENS DG
Telephoto zoom lens for DSLR camera
APO 150-500mm F5-6.3 DG OS HSM
Case, hood (LH927-01), shoulder strap, and tripod socket (TS-31) included
Fully equipped with OS and telephoto up to 500mm—ultra- telephoto zoom lens
This ultra-telephoto zoom lens allows photographers to bring the subject close with short perspective. Sigma's own Optical Stabilizer (OS) enables handheld telephoto shooting with minimal camera shake. SLD (Special Low Dispersion) glass effectively corrects chromatic aberration, while Sigma's rear focusing configuration inhibits fluctuation of aberration due to focusing. The HSM provides fast and quiet autofocusing with full-time manual capability.
| SLD | OS | HSM | RF |
- Lens construction:
15 groups, 21 elements
- Minimum focusing distance:
220cm (86.6in.)
- Magnification: 1:5.2
- Filter size: ø 86mm
- Mounts:
Sigma, Sony, Nikon, Pentax, Canon
APO 200-500mm F2.8 / 400-1000mm F5.6 EX DG
Exclusive hard case, exclusive strap, 400-1000mm F5.6 attachment, battery charger
(BC-21), and battery pack (BP-21) included
F2.8 at 500mm and F5.6 at 1000mm—large-aperture ultra- telephoto zoom lens.
This is the first ultra-telephoto lens with an F2.8 aperture at 500mm. An exclusive attachment transforms the lens into a 400-1,000mm F5.6 ultra-telephoto with autofocus capability. This opens up fresh possibilities of photographic expression for sports, action, nature photography, astrophotography, and even portraits. ELD and SLD glass effectively correct aberrations to assure superb image rendition even at full aperture. A revolving filter ring enables the use of a circular polarizing filter to cut glare and intensify color saturation.
| EX | ELD/SLD | IF |
- Lens construction:
13 groups, 17 elements
- Minimum focusing distance:
200-500cm (78.7-196.9in.)
- Magnification: 1:7.7
- Filter size: 72mm (rear)
- Mounts: Sigma, Nikon, Canon
APO 300-800mm F5.6 EX DG HSM
Case, hood (LH1571-02), shoulder strap, and circular PL filter included (lens is equipped with fixed tripod socket)
Telephoto up to 800mm—ultra-telephoto lens for full-frame SLR cameras
This lens covers the ultra-telephoto range up to 800mm, bringing distant subjects right in front of the camera. Ideal for capturing sports action on the other side of the playing field or the face of a climber scaling a peak. The angle of view can be seamlessly changed from 8.2° to 3.1°, taking considerable footwork out of picture composition. The HSM provides fast and quiet autofocusing with full-time manual capability.
| EX | ELD | HSM | IF |
- Lens construction:
16 groups, 18 elements
- Minimum focusing distance:
600cm (236.2in.)
- Magnification: 1:6.9
- Filter size: ø 46mm (rear)
- Mounts: Sigma, Nikon, Canon
*Illustrations of lens configurations are color-coded as follows: Aspherical lens, SLD glass, ELD glass, FLD glass.
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TELEPHOTO LENS DG
Long focal lengths compress distance and bring faraway subjects up close.
A telephoto lens is a powerful tool for adding atmospheric allure and stunning impact to your work.
Telephoto lens for DSLR camera
85mm F1.4 EX DG HSM
Case, hood (LH850-03), and hood adapter (HA850-02) included
Offering natural perspective—large-aperture medium telephoto lens for full-frame SLR cameras
This large-aperture medium telephoto lens ensures nearly natural perspective.
Its F1.4 maximum aperture is ideal for available-light photography, helping shoot landscapes, sunsets, and portraits. One SLD glass element and one precision-molded glass aspherical lens correct aberrations to ensure pristine image rendition at all focusing distances. The Super Multi-Layer Coating reduces flare and ghosting to maintain sharpness and contrast throughout the entire range of focusing distances. The HSM provides fast and quiet autofocusing with full-time manual capability, and the rounded 9-blade diaphragm creates an attractive bokeh effect even at wide-open aperture.
| EX | ASP | SLD | HSM | RF |
- Lens construction:
8 groups, 11 elements
- Minimum focusing distance:
85cm (33.5in.)
- Magnification: 1:8.6
- Filter size: 77mm
- Mounts:
Sigma, Sony, Nikon, Pentax, Canon
APO 300mm F2.8 EX DG HSM / EX DG
Case, hood (LH1196-01), circular PL filter, and tripod socket (TS-21) included
Maximum aperture of F2.8 and digital compatibility—large-aperture telephoto lens
A high-performance telephoto lens with an established reputation, this lens can handle sports action, portraits, and many other applications. ELD glass maximizes correction of chromatic aberration to assure sharp, high-contrast images.
Sigma's Super Multi-Layer Coating minimizes flare and ghosting, and the HSM models provide fast and quiet autofocusing with full-time manual capability. A rotatable drop-in filter holder in the rear part of the lens accepts the included circular polarizing filter.
*Pentax and Sony mounts (non-HSM version)
| EX | ELD | HSM* | IF |
- Lens construction:
9 groups, 11 elements
- Minimum focusing distance:
250cm (98.4in.)
- Magnification: 1:7.5
- Filter size: ø 46mm (rear)
- Mounts:
APO 300mm F2.8 EX DG HSM for
Sigma, Nikon, Canon
APO 300mm F2.8 EX DG for
Sony, Pentax
APO 500mm F4.5 EX DG HSM / EX DG
Case, hood (LH1236-01), shoulder strap, and circular PL filter included (lens is equipped with fixed tripod socket)
Digital compatibility—large-aperture telephoto lens
This large-aperture telephoto lens can capture sharp images of fast-moving subjects, such as athletes in action and animals in the wild. ELD glass delivers sharp, high-contrast images throughout the entire aperture range, and the Super
Multi-Layer Coating minimizes flare and ghosting. A rotatable drop-in filter holder in the rear part of the lens accepts the included circular polarizing filter. HSM models provide fast and quiet autofocusing with full-time manual capability.
*Pentax and Sony mounts (non-HSM version)
| EX | ELD | HSM* | IF |
- Lens construction:
8 groups, 11 elements
- Minimum focusing distance:
400cm (157.5in.)
- Magnification: 1:7.7
- Filter size: ø 46mm (rear)
- Mounts:
APO 500mm F4.5 EX DG HSM for
Sigma, Nikon, Canon
APO 500mm F4.5 EX DG for
Sony, Pentax
APO 800mm F5.6 EX DG HSM
Case, hood (LH1571-01), shoulder strap, and circular PL filter included (lens is equipped with fixed tripod socket)
800mm telephoto and digital compatibility—ultra-telephoto lens
Explore the full potential of ultra-telephoto photography with this large-aperture
800mm lens. ELD glass delivers pristine image rendition throughout the entire aperture range. A rotatable drop-in filter holder in the rear accepts the included circular polarizing filter. Sigma's inner focus configuration enhances focusing operation, and the HSM provides fast and quiet autofocusing with full-time manual capability.
| EX | ELD | HSM | IF |
- Lens construction:
9 groups, 12 elements
- Minimum focusing distance:
700cm (275.6in.)
- Magnification: 1:8.8
- Filter size: ø 46mm (rear)
-Mounts: Sigma, Nikon, Canon
*Illustrations of lens configurations are color-coded as follows: Aspherical lens, SLD glass, ELD glass, FLD glass.
21
MACRO 105mm F2.8 EX DG OS HSM ISO100 1/160s F8.0 © KIMIO YAJIMA
22
MACRO LENS DG
For shooting extreme close-ups, a macro lens can take you beyond the range of the naked eye to reveal a captivating world of breathtaking details.
Macro lens for DSLR camera
MACRO 105mm F2.8 EX DG OS HSM
Case, hood (LH680-03), and hood adapter (HA680-01) included
Fully equipped with OS—high-performance large-aperture medium telephoto macro lens for full-frame DSLR cameras
Equipped with Sigma's Optical Stabilizer (OS), this high-performance large-aperture medium-telephoto macro lens enables handheld close-up photography. SLD glass corrects aberrations, and Sigma's floating inner focus configuration renders images from life-size to infinity with pristine quality. The HSM provides fast and quiet autofocusing with full-time manual capability, and the rounded 9-blade diaphragm creates an attractive bokeh effect even at wide-open aperture.
| EX | SLD | OS | HSM | IF |
- Lens construction:
11 groups, 16 elements
- Minimum focusing distance:
31.2cm (12.3in.)
- Magnification: 1:1
- Filter size: ø 62mm
- Mounts:
Sigma, Sony, Nikon, Canon
APO MACRO 150mm F2.8 EX DG OS HSM
Case, hood (LH780-05), hood adapter (HA780-01), and tripod socket (TS-21) included
Fully equipped with OS—large-aperture telephoto macro lens for full-frame DSLR cameras
This is a large-aperture telephoto macro lens with the latest optical design technology and Sigma's Optical Stabilizer (OS). SLD glass corrects aberration, while the Super Multi-Layer Coating minimizes flare and ghosting. Sigma's floating inner focus configuration renders images from life-size to infinity with astounding image quality. The HSM provides fast and quiet autofocusing with full-time manual capability.
| EX | SLD | OS | HSM | IF |
- Lens construction:
13 groups, 19 elements
- Minimum focusing distance:
38cm (15.0in.)
- Magnification: 1:1
- Filter size: ø 72mm
- Mounts:
Sigma, Sony, Nikon, Canon
APO MACRO 180mm F2.8 EX DG OS HSM
Case, hood (LH927-01), hood adapter (HA927-01), and tripod socket (TS-21) included
Flagship lens offering F2.8 brightness—large-aperture telephoto macro lens
Equipped with Sigma's Optical Stabilizer (OS), this large-aperture telephoto macro lens features the latest optical design technology and outstanding image quality. SLD glass corrects aberration, while the Super Multi-Layer Coating minimizes flare and ghosting. Sigma's floating inner focus configuration renders images from life-size to infinity with astounding image quality. The HSM provides fast and quiet autofocusing with full-time manual capability.
| EX | FLD | OS | HSM | IF |
- Lens construction:
14 groups, 19 elements
- Minimum focusing distance:
47cm (18.5in.)
- Magnification: 1:1
- Filter size: ø 86mm
- Mounts:
Sigma, Sony, Nikon, Canon
*Illustrations of lens configurations are color-coded as follows: Aspherical lens, SLD glass, ELD glass, FLD glass.
23
SIGMA LENS TECHNOLOGY
Our lenses are packed with advanced and unique technologies, which we have developed over the decades as the lens expert.
Original technology minimizes secondary spectrum
Exclusive low-dispersion glass
The degree to which light is refracted (bent) by glass depends on the light’s wavelength (color). This fact causes different colors of light to focus at slightly different points. The result is chromatic aberration, the color fringing that is particularly noticeable in telephoto lenses. Most chromatic aberration can be removed by combining a high-refractivity convex lens element with a low-refractivity concave element. But residual chromatic aberration known as “secondary spectrum” can only be corrected with selected low-dispersion glass materials.
Large secondary spectrum
Ordinary glass
SLD, ELD or FLD glass element
Proprietary multi-layer coating technology that virtually eliminates ghosting and flare
Super Multi-Layer Coating
Sigma’s own Super Multi-Layer Coating suppresses flare and ghosting by preventing reflections within the lens. All lenses in the current Sigma range feature this original technology. In digital cameras, flare and ghosting may also be caused by reflections between the image sensor and lens surfaces. Here too, Sigma’s Super Multi-Layer Coating is highly effective, assuring images of outstanding contrast.
Advanced focusing mechanism that reduces lens movement and aberration variation
Floating system
This system adjusts the distance between lens groups during focusing, thereby reducing the amount of lens movement required. The result is less variation in aberration at different shooting distances.
The benefits are particularly great in macro lenses, since they cover a wide range of shooting distances, as well as in wide-angle SLR camera lenses that employ asymmetric configurations of lens elements.
Rear Focus System
30mm F1.4 DC HSM lens barrel. These incorporate smaller and lighter moving lens elements, which help improve autofocus speed. With their unchanging barrel length and small variation in center of gravity, these lenses also offer enhanced balance and stability. Furthermore, since the front of the lens does not rotate, it is easy to use polarizing filters.
Small secondary spectrum
Chromatic Aberration Correction
Floating System
50mm F1.4 DG HSM
In addition to ELD (Extraordinary Low Dispersion) glass and SLD (Special Low Dispersion) glass, Sigma uses FLD (“F” Low Dispersion) glass, which has the highly desirable anomalous dispersion characteristics of fluorite. Careful arrangement of these exclusive low-dispersion glass elements gives Sigma lenses superlative image rendition untarnished by residual chromatic aberration.
Focus systems for optimized performance
Inner and rear focus
In a conventional lens, focusing requires an extension of the entire lens or the front lens group. However, to better accommodate autofocusing mechanisms and closeup photography, a need has arisen for lenses that do not change their length during focusing or suffer from focus-dependent variation in aberration. Therefore, Sigma has developed focusing systems that only move elements within the
Effective correction of spherical aberration and distortion
Aspherical lens
Sigma’s aspherical lens technology contributes to outstanding optical performance and compact dimensions. These aspherical lens elements compensate for the spherical aberration and distortion which cannot be completely eliminated using conventional spherical lens elements alone. They are also key to reducing the size and weight of high-power zooms and other large lenses while improving image quality. Sigma has two kinds of aspherical lens technologies. Hybrid aspherical lens elements are made by forming a polymer in an aspherical shape on a glass lens surface. Precision-molded glass aspherical lens elements are made by direct forming of the glass lens material.
24
Inner Focus System
18-250mm F3.5-6.3 DC MACRO OS HSM
APO 70-200mm F2.8 EX DG OS HSM
Original SIGMA technology that counteracts camera shake
Optical Stabilizer (OS)
Sigma’s original Optical Stabilizer (OS) technology uses two sensors inside the lens to detect vertical and horizontal motion. By adjusting particular lens elements, the OS compensates for the detected movement, thereby minimizing the blur caused by camera shake. In addition, since stabilization takes place within the lens, what you see in the viewfinder is the resulting stabilized image. As a result, you can confidently judge focus and composition. Two OS modes are available, depending on the lens. Mode
1 detects and corrects vertical and horizontal motion, making it ideal for shooting with the camera in a fixed position. Mode 2 detects and corrects only vertical motion, making it ideal for panning, as when shooting motor sports, for example.
Designed to optimize bokeh near maximum aperture
Rounded diaphragm
The polygonal shape of a conventional iris diaphragm causes out-of-focus light points to appear polygonal. A rounded diaphragm is designed to pro-
Camera shake correction mechanism OFF
Camera shake correction mechanism ON
PRINCIPLES OF THE LENS
What you should know to choose the right lens for your needs.
duce rounded out-of-focus light points when opened to near maximum aperture. This creates attractive bokeh effects in many situations, such as when photographing a subject against an out-of-focus surface of water from which light is being reflected.
AF drive motor for rapid focusing and quiet operation
Hyper Sonic Motor (HSM)
The Hyper Sonic Motor (HSM) is an original Sigma development that uses ultrasonic waves to drive the autofocus mechanism. Its extremely quiet operation helps avoid disturbing photographic subjects. High torque and speed assure rapid autofocus response.
Sigma uses two types of HSM: ring HSM and micro
HSM. The Ring HSM configuration permits manual fine tuning of focus (manual override) by turning the focusing ring after autofocus is complete.
Angle of view
Angle of view is determined by the focal length of the lens and the size of the image (sensor or film format) frame. With a given image size, changing the focal length will change the area of the scene that appears in the photographic image. Expressed in degrees, this area of the scene is the angle of view, which in this catalog is computed in reference to the diagonal of image formats measuring 36mm x 24mm, 20.7mm x 13.8mm, and 23.55mm x 15.7mm. The longer the focal length, the smaller the angle of view and the greater the image magnification.
F-number
The aperture controls how much light can be gathered by the lens. The F-number (F2.8, F4, F5.6, etc.) is the ratio of the focal length to the entrance pupil diameter. The lower the F-number, the brighter the lens; the higher the F-number, the darker the lens.
The benefits of a low F-number include the ability to use higher shutter speeds, excellent bokeh effects, and a bright viewfinder image.
Perspective
Changing the focal length of the lens changes the apparent distance in an image between the subject and its background. This optical effect is called perspective. For example, a wide-angle lens causes the background to seem far away and vast, emphasizing the distance between it and the subject. In contrast, a telephoto lens with a long focal length will cause the background to appear close to the subject, deemphasizing perspective. Further, a wide-angle lens can bring the surroundings of the subject into the shot, while a telephoto lens can effectively isolate the subject. By leveraging the power of perspective in this way, one may greatly increase the range of photographic expression.
Depth of field
When you focus on a subject, some objects in front of and behind the subject will also be in focus. “Depth of field” refers to the depth of this foreground-background distance. A smaller lens aperture (higher
F-number) increases depth of field, bringing more foreground and background into focus. A larger aperture (lower F-number) isolates your subject with a blurred bokeh foreground and background. Focal length is also a factor. Telephoto lenses have less depth of field, whereas wide-angle lenses have more.
ANGLE OF VIEW AND FOCAL LENGTH
FISHEYE 180° 8mm FISHEYE 180° 15mm 122° 12mm 103.7° 17mm 94.5° 20mm
84.1° 24mm 75.4° 28mm 46.8° 50mm 34.3° 70mm 23.3° 105mm
18.2° 135mm 12.3° 200mm 8.2° 300mm 5° 500mm 3.1° 800mm
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DN LENS SINGLE FOCAL LENGTH LENS
A
19mm F2.8 DN
Case and hood (LH520-03) included
A
30mm F2.8 DN
Case and hood (LH520-03) included
A
60mm F2.8 DN
Case and hood (LH520-03) included
DC LENS SINGLE FOCAL LENGTH LENS
A
30mm F1.4 DC HSM
Case and hood (LH686-01) included
4.5mm F2.8 EX DC
CIRCULAR FISHEYE HSM
Case included
10mm F2.8 EX DC
FISHEYE HSM
Case included
DC LENS ZOOM LENS
8-16mm F4.5-5.6 DC HSM
Case included
10-20mm F3.5 EX DC HSM
Case and hood (LH873-01) included
10-20mm F4-5.6 EX DC HSM
10-20mm F4-5.6 EX DC
Case and hood (LH825-04) included
17-50mm F2.8 EX DC OS HSM
17-50mm F2.8 EX DC HSM
Case and hood (LH825-03) included
C
17-70mm F2.8-4 DC MACRO OS HSM
17-70mm F2.8-4 DC MACRO HSM
Hood (LH780-03) included
18-35mm F1.8 DC HSM
Case and hood (LH780-06) included
A C
18-200mm F3.5-6.3 DC MACRO OS HSM
18-200mm F3.5-6.3 DC MACRO HSM
Hood (LH676-01) included
18-250mm F3.5-6.3 DC MACRO OS HSM
18-250mm F3.5-6.3 DC MACRO HSM
Hood (LH680-04) included
C
18-300mm F3.5-6.3 DC MACRO OS HSM
18-300mm F3.5-6.3 DC MACRO HSM
Hood (LH780-07) included
DG LENS SINGLE FOCAL LENGTH LENS
8mm F3.5 EX DG
CIRCULAR FISHEYE
Case included
15mm F2.8 EX DG
DIAGONAL FISHEYE
Case included
A
24mm F1.4 DG HSM
Case and hood (LH830-03) included
35mm F1.4 DG HSM
Case and hood (LH730-03) included
A
50mm F1.4 DG HSM
Case and hood (LH830-02) included
A
85mm F1.4 EX DG HSM
Case, hood (LH850-03), and hood adapter
(HA850-02) included
APO 300mm F2.8 EX DG HSM
APO 300mm F2.8 EX DG
Case, hood (LH1196-01), circular PL filter, and tripod socket (TS-21) included
26
APO 500mm F4.5 EX DG HSM
APO 500mm F4.5 EX DG
Case, hood (LH1236-01), shoulder strap, and circular
PL filter included (lens is equipped with fixed tripod socket)
APO 800mm F5.6 EX DG HSM
Case, hood (LH1571-01), shoulder strap, and circular
PL filter included (lens is equipped with fixed tripod socket)
DG LENS ZOOM LENS
12-24mm F4.5-5.6 II DG HSM
Case included
24-70mm F2.8 IF EX DG HSM
Case and hood (LH876-01) included
A
24-105mm F4 DG OS HSM
24-105mm F4 DG HSM
Case and hood (LH876-02) included
APO 70-300mm F4-5.6
DG MACRO
Case and hood (LH635-01) included
70-300mm F4-5.6 DG MACRO
Hood (LH635-01) included
APO 150-500mm F5-6.3 DG OS HSM
Case, hood (LH927-01), shoulder strap, and tripod socket (TS-31) included
C
150-600mm F5-6.3 DG OS HSM
Case, hood (LH1050-01), shoulder strap, tripod socket (TS-71) , and protective cover (PT-11) included
150-600mm F5-6.3 DG OS HSM
Case, hood (LH1164-01), and shoulder strap included
S
APO 300-800mm F5.6 EX DG HSM
Case, hood (LH1571-02), shoulder strap, and circular PL filter included
(lens is equipped with fixed tripod socket)
APO 50-500mm F4.5-6.3 DG OS HSM
Case, hood (LH1030-01), shoulder strap, stepdown ring, hood adapter (HA1030-01), and tripod socket (TS-
31) included
APO 70-200mm F2.8 EX DG OS HSM
Case, hood (LH850-02), hood adapter (HA850-01), and tripod socket (TS-21) included
120-300mm F2.8 DG OS HSM
Case, hood (LH1220-01), shoulder strap, and tripod socket (TS-51) included
S
DG LENS MACRO LENS
MACRO 105mm F2.8 EX DG OS HSM
Case, hood (LH680-03), and hood adapter (HA680-01) included
APO MACRO 150mm F2.8 EX DG OS HSM
Case, hood (LH780-05), hood adapter (HA780-01), and tripod socket (TS-21) included
APO MACRO 180mm F2.8 EX DG OS HSM
Case, hood (LH927-01), hood adapter (HA927-01), and tripod socket (TS-21) included
C Contemporary A Art S Sports
APO 200-500mm F2.8 / 400-1000mm F5.6 EX DG
Exclusive hard case, exclusive strap, 400-1,000mm F5.6 attachment, battery charger (BC-21), and battery pack (BP-21) included
27
SOFTWARE SIGMA OPTIMIZATION PRO
Software for all new Sigma lines
Exclusive SIGMA Optimization Pro software can customize the following settings:
Art, Contemporary, and Sports
Lens firmware update: Users can connect to the Internet via the SIGMA USB DOCK and a computer to download the latest lens firmware from Sigma.
Focus setting: Multiple focus setting options are available: 4 categories for fixed focal length lenses, and 16 categories (4 options for focal length x 4 options for shooting distance) for zoom lenses.
Full-time MF Setting *: It is possible to adjust the timing to operate the Full-time MF function by customizing how much rotation of the focus ring is required.
*Currently only compatible with 24mm F1.4 DG HSM | Art, 50mm F1.4 DG HSM | Art, 150mm-600mm F5-6.3 DG OS
HSM | Contemporary, 150mm-600mm F5-6.3 DG OS HSM | Sports
Sports and Contemporary
AF speed selection: Three AF speed modes are available.
Focus limiter adjustment: Any value in the AF drive range may be selected.
OS adjustment: 3 unique view modes are available to suit OS function for any shooting style.
*Currently only compatible with 120-300mm F2.8 DG OS HSM | Sports, 150-600mm F4-5.6 DG OS HSM |
Sports,150-600mm F4-5.6 DG OS HSM | Contemporary
SIGMA Optimization Pro for Windows and SIGMA Optimization Pro for Macintosh may be downloaded from the following link:
Please refer to the condition of operation from the following link also: http://www.sigma-global.com/download http://www.sigma-global.com/download/en/index.html
Focus position adjustment screen
LENS ACCESSORIES USB DOCK
Accessory for all new Sigma lines
By connecting a Sigma Art, Contemporary, or
Sports lens to a computer with the SIGMA USB
DOCK, photographers can update the lens firmware and adjust focus position and other parameters. Exclusive SIGMA Optimization Pro software makes customization easy. It is possible to select the autofocus speed and adjust the focus limiter and Optical Stabilizer (OS) function.
UPC code
Sigma: 0085126-878566
Nikon: 0085126-878559
Canon: 0085126-878542
Sony: 0085126-878627
Pentax: 0085126-878610
Compatible lens
- 24mm F1.4 DG HSM | Art
- 35mm F1.4 DG HSM | Art
- 30mm F1.4 DC HSM | Art
- 18-35mm F1.8 DC HSM | Art
- 24-105mm F4 DG OS HSM / DG HSM | Art
- 50mm F1.4 DG HSM | Art
- 17-70mm F2.8-4 DC MACRO OS HSM /
DC MACRO HSM | Contemporary
- 18-200mm F3.5-6.3 DC MACRO OS HSM /
DC MACRO HSM | Contemporary
- 18-300mm F3.5-6.3 DC MACRO OS HSM /
DC MACRO HSM | Contemporary
- 150-600mm F5-6.3 DG OS HSM |
Contemporary
- 120-300mm F2.8 DG OS HSM | Sports
- 150-600mm F5-6.3 DG OS HSM | Sports
LENS ACCESSORIES SIGMA DG FILTER
SIGMA WR PROTECTOR
SIGMA WR CIRCULAR PL FILTER
SIGMA releases a range of filters with a new concept that suit the new "SGV" range of high optical performance lenses.
SIGMA WR filters enable easier handling while shooting and feature excellent water and oil repellent as well as having an antistatic function.
These WR filters are available in various sizes, both in
"UV" and "Circular PL (Polarizing)". UV type filters cut out ultraviolet rays that would normally have a negative effect on your images. Circular PL filters are ideal for removing reflections on subjects and emphasizing contrast.
Moreover, we added two types of "Protector" which is to protect the lens surface. Interchangeable lenses are required to perform their best in different shooting conditions and these new range of filters will certainly ensure their performance to the fullest.
46mm
49mm
52mm
55mm
58mm
62mm
67mm
72mm
77mm
82mm
86mm
95mm
105mm
WR
PROTECTOR PROTECTOR
930882
930899
930905
930912
930929
930936
930943
930950
930967
930974
930981
930998
931001
931018
931025
931032
931049
931056
931063
931070
931087
931094
931100
931117
931124
931131
WR UV
930622
930639
930646
930653
930660
930677
930684
930691
930707
930714
930721
930738
930745
WR
CIRCULAR PL
930752
930769
930776
930783
930790
930806
930813
930820
930837
930844
930875
930851
930868
Thinner frame type: 46mm, 49mm, 52mm, 55mm, 58mm, 62mm, 67mm,
72mm, 77mm, 82mm
Normal frame type: 86mm, 95mm, 105mm
LENS ACCESSORIES TRIPOD SOCKET
A tripod socket is used to mount telephoto lenses on a tripod. The socket collar permits rapid release for quick lens changing. Please refer to the major distinguishing characteristics on 30-31page.
TRIPOD SOCKET TS-21
UPC code: 566029
TRIPOD SOCKET TS-31
UPC code: 918415
TRIPOD SOCKET TS-51
UPC code: 929664
TRIPOD SOCKET TS-71
UPC code: 931322
28
LENS ACCESSORIES TELE CONVERTER
TELE CONVERTER TC-1401
Case included
TELE CONVERTER TC-2001
Case included
The SIGMA TELE CONVERTER is developed exclusively for the new lens lines. By mounting it in between a telephoto lens and a camera, the offered magnification of focal length of TC-1401 is 1.4 times and that of TC-
2001 is 2 times respectively.
Both models incorporate SLD (Special Low Dispersion) glass elements that offer excellent aberration correction. It is exceptional for a lens accessory to use one of the best glass materials, yet this is because Sigma is seeking for the best image quality, and it is necessary to meet the new "SGV" standards.
It is suitable for professional use since its durable construction is dust and splash-proof. It is compact and light, and provides easy extension of focal range.
TC-1401 Dedicated Lenses
120-300mm F2.8 DG OS HSM | Sports
150-600mm F5-6.3 DG OS HSM | Contemporary
150-600mm F5-6.3 DG OS HSM | Sports
SIGMA
879563
AF*1
AF*4
AF*4
Nikon
879556
Canon
879549
AF*2
AF*4
AF*4
AF*3
AF*4
AF*4
TC-2001 Dedicated Lenses
120-300mm F2.8 DG OS HSM | Sports
150-600mm F5-6.3 DG OS HSM | Contemporary
150-600mm F5-6.3 DG OS HSM | Sports
SIGMA
870560
AF*1
MF
MF
Nikon
870553
AF*2
MF
MF
Canon
870546
AF*3
MF
MF
*SIGMA TELE CONVERTER TC-1401 and TC-2001 are dedicated to
Tele Converter lenses, which should be used with only listed lenses.
*1 It becomes compatible with the new tele converters once the lens firmware is updated to Ver. 1.01 or later.
*2 It becomes compatible with the new tele converters once the lens firmware is updated to Ver. 1.02 or later.
*3 It becomes compatible with the new tele converters once the lens firmware is updated to Ver. 1.03 or later.
*4 When SIGMA TELE CONVERTER TC-1401 is attached to cameras that are compatible with AF at F8, it is possible to shoot with AF. In cases where contrast or brightness level of the shooting object is low, it may not focus properly.
LENS ACCESSORIES LENS HOOD
LH520-03
UPC code: 929831
LH635-01
UPC code: 501006
LH676-01
UPC code: 930226
LH680-03
UPC code: 928025
LH680-04
UPC code: 929008
LH686-01
UPC code: 929824
LH730-03
UPC code: 929466
LH780-03
UPC code: 929602
LH780-05
UPC code: 927936
LH780-06
UPC code: 930127
LH780-07
UPC code: 930592
LH825-03
UPC code: 916800
LH825-04
UPC code: 510244
LH830-02
UPC code: 930233
LH830-03
UPC code: 931346
LH850-02
UPC code: 927301
LH850-03
UPC code: 927455
LH873-01
UPC code: 926939
LH876-01
UPC code: 926731
LH876-02
UPC code: 930189
LH927-01
UPC code: 926052
LH1030-01
UPC code: 927059
LH1050-01
UPC code: 931339
LH1164-01
UPC code: 930615
LH1196-01
UPC code: 194000
LH1220-01
UPC code: 931261
LH1236-01
UPC code: 183004
LH1571-01
UPC code: 151003
LH1571-02
UPC code: 921637
LENS ACCESSORIES HOOD ADAPTER
HA680-01
UPC code: 928032
HA780-01
UPC code: 928049
HA850-01
UPC code: 927332
HA850-02
UPC code: 927462
HA927-01
UPC code: 929336
HA1030-01
UPC code: 927318
FUNCTION
Abbreviations used in this catalog to indicate function
EX
EX LENS
Sigma’s professional-grade prime lenses and wide-aperture zoom lenses that maintain their maximum F-number regardless of zoom position.
*There are some exceptions.
ASP
ASPHERICAL LENS
Aspherical lenses offer greater design latitude, raise performance, permit use of fewer lens elements, and allow a more compact size.
ELD/FLD/SLD
LOW DISPERSION LENS
These lenses include one or more elements made of ELD (Extraordinary Low
Dispersion), FLD (“F” Low Dispersion), or SLD (Special Low Dispersion) glass, which help minimize chromatic aberration, which can harm image quality.
OS
*
OPTICAL STABILIZER
An Optical Stabilizer mechanism built into the lens helps assure a sharp image while giving you freedom of movement and more latitude in camera settings.
HSM
*
HYPER-SONIC MOTOR
Using a motor driven by ultrasonic waves, these lenses offer speedy autofocusing and quiet operation.
IF
INNER FOCUS
To increase stability, this lens configuration uses movable internal lens elements that adjust focus without changing the length of the lens barrel.
RF
REAR FOCUS
Rear focus is one type of Sigma inner focus system, in which focusing is performed by moving particular elements within the lens interior.
*Note: OS and HSM are not included on mounts for certain camera systems. Please refer to the major distinguishing characteristics on 30-31page.
CONV
TELECONVERTER-COMPATIBLE LENS
This indicates a lens that will accept available Sigma TELE CONVERTER DG attachments, which increase focal length and support AE (automatic exposure) operation.
29
SIGMA DC LENSES The major distinguishing characteristics of high-performance lenses for APS-C format DSLR cameras
Mount / UPC code (please add 0085126 prefix in front)
DC LENSES
Product Edition
8-16mm F4.5-5.6 DC HSM
10-20mm F3.5 EX DC HSM
10-20mm F4-5.6 EX DC HSM
17-50mm F2.8 EX DC OS HSM *
17-70mm F2.8-4 DC MACRO OS HSM *
18-35mm F1.8 DC HSM
18-200mm F3.5-6.3 DC MACRO OS HSM *
18-250mm F3.5-6.3 DC MACRO OS HSM *
18-300mm F3.5-6.3 DC MACRO OS HSM *
4.5mm F2.8 EX DC CIRCULAR FISHEYE HSM
10mm F2.8 EX DC FISHEYE HSM
30mm F1.4 DC HSM
Contemporary
Art
Contemporary
Contemporary
Art
C013
A013
C014
C014
A013
SIGMA
203566 H
202569 H
201401 H
583569 H
884567 H
210564 H
885564 H
883560 H
886561 H
486563 H
477561 H
301569 H
Sony
203627 H
202620 H
201340
928636 H
884628 H
210625 H
885625 H
883621 H
886622 H
-
-
301620 H
Nikon
203559 H
202552 H
201555 H
583552 H
884550 H
210557 H
885557 H
883553 H
886554 H
486556 H
477554 H
301552 H
Pentax
203610 H
202613 H
201609
928629 H
884611 H
210618 H
885618 H
883614 H
886615 H
-
-
301613 H
Canon
203542 H
202545 H
201272 H
583545 H
884543 H
210540 H
885540 H
883546 H
886547 H
486549 H
477547 H
301545 H
Lens construction
Groups Elements
9
7
8
13
13
13
13
14
12
11
10
10
13
12
9
16
16
17
17
16
17
15
13
14
121.2°- 83.2°
109.7°- 70.7°
109.7°- 70.7°
79.7°- 31.7°
79.7°- 22.9°
76.5°- 44.2°
76.5°- 8.1°
76.5°- 6.5°
76.5°- 5.4°
180°
180°
50.7°
Angle of view (SD format)
SD1
SD9, SD10,
SD14, SD15
114.5°- 75.7°
102.4°- 63.8°
102.4°- 63.8°
72.4°- 27.9°
74.4°- 20.2°
69.3°- 39.1°
69.3°- 7.1°
69.3°- 5.7°
69.3°- 4.7°
180°
154°
45°
Number of blades in diaphragm
6
7
9
7
7
7
7
7
9
7
7
6
Minimum aperture
(wide)
22
22
16
22
22
22
22
22
16
22
22
22
Minimum focusing distance
(cm/in.)
24/9.4
24/9.4
24/9.4
28/11.0
22/8.7
28/11.0
39/15.4
35/13.8
39/15.4
13.5/5.3
13.5/5.3
30/11.8
Magnification
1 : 3
1 : 2.9
1 : 3
1 : 6
1 : 3.3
1 : 6.8
1 : 7.8
1 : 6.6
1 : 6.7
1 : 5
1 : 2.8
1 : 4.3
Filter size
(ø mm)
77
72
72
-
82
77
62
62
72
**
**
62
Diameter x length
(ø mm x mm/ø in. x in.)
75 × 105.7/3.0 × 4.2
87.3 × 88.2/3.4 × 3.5
83.5 × 81/3.3 × 3.2
83.5 × 91.8/3.3 × 3.6
79.0 × 82.0/3.1 × 3.2
78.0 × 121.0/3.1 × 4.8
70.7 × 86/2.8 × 3.4
73.5 × 88.6/2.9 × 3.5
79.0 × 101.5/3.1 × 4.0
76.2 × 77.8/3.0 × 3.1
75.8 × 83.1/3.0 × 3.3
74.2 × 63.3/2.9 × 2.5
Weight
(g/oz.)
555/19.6
520/18.3
465/16.4
565/19.9
465/16.4
810/28.6
430/15.2
470/16.6
585/20.6
470/16.6
475/16.8
435/15.3
Hood
(included)
-
LH873-01
LH825-04
LH825-03
LH780-03
LH780-06
LH676-01
LH680-04
LH780-07
-
-
LH686-01
SIGMA DN LENSES The major distinguishing characteristics of high-performance lenses for mirrorless interchangeable lens cameras
19mm F2.8 DN
30mm F2.8 DN
60mm F2.8 DN
DN LENSES
Product
Art
Art
Art
Edition
A013
A013
A013
Color
Black
Silver
Black
Silver
Black
Silver
Mount / UPC code
(please add 0085126 prefix in front)
SONY
E Mount
929749
929763
929701
929725
350659
929787
Micro
Four Thirds
Mount
929732
929756
929695
929718
350635
929770
Lens construction
Angle of view
Groups Elements Sony-E format
6
5
6
8
7
8
73.5°
50.7°
26.6°
Micro Four
Thirds format
59.3°
39.6°
20.4°
Number of blades in diaphragm
7
7
7
Minimum aperture
(wide)
22
22
22
Minimum focusing distance
(cm/in.)
Magnification
Filter size
(ø mm)
20/7.8
30/11.8
50/19.7
1 : 7.4
1 : 8.1
1 : 7.2
46
46
46
Diameter x length
(ø mm x mm/ø in. x in.)
60.8 × 45.7/2.4 × 1.8
60.8 × 40.5/2.4 × 1.6
60.8 × 55.5/2.4 × 2.2
Weight
(g/oz.)
160/5.6
140/4.9
190/6.7
Hood
(included)
LH520-03
LH520-03
LH520-03
SIGMA DG LENSES The major distinguishing characteristics of high-performance SLR lenses with full-frame sensor coverage
Mount / UPC code (please add 0085126 prefix in front)
DG LENSES
Product Edition
12-24mm F4.5-5.6 II DG HSM * 1
24-70mm F2.8 IF EX DG HSM * 1
24-105mm F4 DG OS HSM * 1 * 3
APO 50-500mm F4.5-6.3 DG OS HSM * 2
APO 70-200mm F2.8 EX DG OS HSM * 1
APO 70-300mm F4-5.6 DG MACRO * 1
70-300mm F4-5.6 DG MACRO * 1
120-300mm F2.8 DG OS HSM * 1
APO 150-500mm F5-6.3 DG OS HSM * 2
150-600mm F5-6.3 DG OS HSM * 1
150-600mm F5-6.3 DG OS HSM * 1
APO 200-500mm F2.8/400-1000mm F5.6 EX DG * 1
APO 300-800mm F5.6 EX DG HSM
8mm F3.5 EX DG CIRCULAR FISHEYE * 1
15mm F2.8 EX DG DIAGONAL FISHEYE
24mm F1.4 DG HSM * 1
35mm F1.4 DG HSM * 2
50mm F1.4 DG HSM * 1
85mm F1.4 EX DG HSM * 2
APO 300mm F2.8 EX DG HSM
APO 500mm F4.5 EX DG HSM
APO 800mm F5.6 EX DG HSM
MACRO 105mm F2.8 EX DG OS HSM * 1
APO MACRO 150mm F2.8 EX DG OS HSM * 1
APO MACRO 180mm F2.8 EX DG OS HSM * 1
Art
Sports
Sports
Contemporary
Art
Art
Art
A013
S013
S014
C015
A015
A012
A014
SIGMA
204563 H
571566 H
635565 H
738563 H
589561 H
508401
509408
137564 H
737566 H
740566 H
745561 H
597566
595562 H
485405
476403
401566 H
340568 H
311568 H
320560 H
195564 H
184568 H
152567 H
258566 H
106560 H
107567 H
Sony
-
-
-
-
-
-
340629 H
311629 H
320621 H
195342
184346
-
258627 H
106621 H
107628 H
204624 H
571627 H
635626 H
738624 H
589622 H
508340
509347
-
927233 H
-
Nikon
204556 H
571559 H
635558 H
738556 H
589554 H
508555 M
509552 M
137557 H
737559 H
740559 H
745554 H
597559
595555 H
485597
476441
401559 H
340551 H
311551 H
320553 H
195557 H
184551 H
152550 H
258559 H
106553 H
107550 H
Pentax
-
-
-
738617 H
-
508456
509453
-
927226 H
-
-
-
-
-
-
-
340612 H
-
320614 H
195458
184452
-
-
-
-
Canon
204549 H
571542 H
635541 H
738549 H
589547 H
508272
509279
137540 H
737542 H
740542 H
745547 H
597542
595548 H
485276
476274
401542 H
340544 H
311544 H
320546 H
195540 H
184544 H
152543 H
258542 H
106546 H
107543 H
17
10
10
18
15
13
12
14
16
6
6
11
16
14
13
16
8
9
11
13
14
8
9
11
8
Lens construction
Groups
Angle of view Angle of view (SD format)
11
12
16
19
19
13
13
11
11
11
7
15
24
20
17
18
Elements 35mm format
17
14
SD1
SD9, SD10,
SD14, SD15
122°- 84.1° 99.6°- 61.2° 92.1°- 54.8°
84.1°- 34.3° 61.2°- 22.9° 54.8°- 20.2°
19
22
22
14
14
23
21
84.1°- 23.3° 61.2°- 15.4° 54.8°- 13.5°
46.8°- 5.0°
34.3°- 8.2°
34.3°- 8.2°
20.4°- 8.2°
16.4°- 5°
31.7°- 3.3°
34.3°- 12.3° 22.9°- 8.1°
22.9°- 5.4°
22.9°- 5.4°
13.5°- 5.4°
10.8°- 3.3°
27.9°- 2.9°
20.2°- 7.1°
20.2°- 4.7°
20.2°- 4.7°
11.8°- 4.7°
9.5°- 2.9°
16.4°- 4.1°
16.4°- 4.1°
12.3°- 5°
8.2°- 3.1°
180°
180°
84.1°
10.8°- 2.7°
10.8°- 2.7°
8.1°- 3.2°
5.4°- 2.0°
180°
113°
61.2°
9.5°- 2.4°
9.5°- 2.4°
7.1°- 2.9°
4.7°- 1.8°
180°
98°
54.8°
63.4°
46.8°
28.6°
8.2°
5°
3.1°
23.3°
16.4°
13.7°
44.2°
31.7°
19.0°
5.4°
3.3°
2.0°
15.4°
10.8°
9°
39.1°
27.9°
16.7°
4.7°
2.9°
1.8°
13.5°
9.5°
7.9°
Number of blades in diaphragm
Minimum aperture
(wide)
9
9
9
9
9
9
9
6
9
6
7
9
9
9
9
9
9
9
9
9
9
9
9
9
9
22
22
22
22
22
22
22
22
22
22
22
16
22
22
22
32
32
32
22
22
22
16
16
16
32
Minimum focusing distance
(cm/in.)
28/11.0
38/15.0
45/17.7
50-180/19.7-70.9
1 : 6.4
1 : 5.3
1 : 4.6
1 : 3.1
140/55.1
1 : 8
150*(95)/59.1*(37.4) 1 : 4.1*(1:2)
150*(95)/59.1*(37.4) 1 : 4.1*(1:2)
150-250/59.1-98.4
220/86.6
1 : 8.1
1 : 5.2
260/102.4
280/110.2
200-500/78.7-196.9
600/236.2
13.5/5.3
15/5.9
25/9.8
1 : 5
1 : 4.9
1 : 7.7
1 : 6.9
1 : 4.6
1 : 3.8
1 : 5.3
30/11.8
40/15.7
85/33.5
250/98.4
400/157.5
700/275.6
31.2/12.3
38/15.0
47/18.5
1 : 5.2
1 : 5.6
1 : 8.6
1 : 7.5
1 : 7.7
1 : 8.8
1 : 1
1 : 1
1 : 1
77
58
58
105
86
-
82
82
95
105
95
72(Rear)
46(Rear)
**
**
77
67
77
77
46(Rear)
46(Rear)
46(Rear)
62
72
86
Diameter x length
(ø mm x mm/ø in. x in.)
Weight
(g/oz.)
Hood
(included)
Hood adapter
(included)
87 × 120.2/3.3 × 4.7
88.6 × 94.7/3.5 × 3.7
88.6 × 109.4/3.5 × 4.3
104.4 × 219/4.1 × 8.6
86.4 × 197.6/3.4 × 7.8
76.6 × 122/3.0 × 4.8
76.6 × 122/3.0 × 4.8
121.4 × 291/4.8 × 11.5
94.7 × 252/3.6 × 9.9
121 × 290.2/4.8 × 11.4
105 × 260.1/4.1 × 10.2
236.5 × 726/9.3 × 28.6
156.5 × 544/6.2 × 21.4
73.5 × 68.6/2.9 × 2.7
73.5 × 69/2.9 × 2.7
85 × 90.2/3.3 × 3.6
77 × 94.0/3.0 × 3.6
85.4 × 99.9/3.4× 3.9
86.4 × 87.6/3.4 × 3.4
119 × 214.5/4.7 × 8.4
123 × 350/4.8 × 13.8
156.5 × 521/6.2 × 20.5
78.3 × 126.4/3.1 × 5.0
79.6 × 150/3.1 × 5.9
95 × 203.9/3.7 × 8
670/23.6
790/27.9
885/31.2
1,970/69.5
1,430/50.4
550/19.4
545/19.2
3,390/119.6
1,780/62.8
2,860/100.8
1,930/68.1
15,700/553.7
5,880/207.4
400/14.1
370/13.0
665/23.5
665/23.5
815/28.7
725/25.6
2,400/84.6
3,150/111.1
4,900/172.8
725/25.6
1,150/40.6
1,640/57.8
-
LH876-01
-
-
LH876-02 -
LH1030-01 HA1030-01
LH850-02
LH635-01
LH635-01
LH1220-01
LH927-01
HA850-01
-
-
-
-
LH1164-01
LH1050-01
-
LH1571-02
-
-
LH830-03
-
-
-
-
-
-
-
LH730-03
LH830-02
LH850-03
LH1196-01
LH1236-01
LH1571-01
LH680-03
LH780-05
LH927-01
-
-
HA850-02
-
-
-
HA680-01
HA780-01
HA927-01
Tripod socket
-
-
-
TS-31
TS-21
-
-
TS-51
TS-31
Fixed
TS-71
-
-
-
TS-21
-
-
-
TS-21
TS-21
-
-
-
-
Notes for product names / Mounts and UPC codes
•All Sigma lens mounts are for Sigma lenses only and are fixed. They are compatible with all functions relating to general photography. For further information on compatibility with your camera, please contact your nearest authorized
Sigma Service Station. SIGMA World Network: http://www.sigma-photo.co.jp/english/network/ •AF lenses have different appearances depending on the corresponding mount. •In the UPC code, the H indicates a HSM lens, and the M indicates a lens with a built-in AF motor. Please confirm the AF drive system of your camera body. For Sony, Nikon, and Pentax mounts, autofocus may not work if the camera does not support the type of AF motor in the lens. All Sigma and
Canon mounts incorporate a built-in AF motor ( H indicates HSM lens). Sony mount for DG lens is Sony A-mount. *1: Nikon mount does not have an aperture ring. *2: Nikon and Pentax mounts do not have an aperture ring.
As of March 2015, a definite release date has yet to be determined.
30
DC LENSES
8-16mm F4.5-5.6 DC HSM
10-20mm F3.5 EX DC HSM
10-20mm F4-5.6 EX DC HSM
17-50mm F2.8 EX DC OS HSM *
17-70mm F2.8-4 DC MACRO OS HSM *
18-35mm F1.8 DC HSM
18-200mm F3.5-6.3 DC MACRO OS HSM *
18-250mm F3.5-6.3 DC MACRO OS HSM *
18-300mm F3.5-6.3 DC MACRO OS HSM *
4.5mm F2.8 EX DC CIRCULAR FISHEYE HSM
10mm F2.8 EX DC FISHEYE HSM
30mm F1.4 DC HSM
Product
Contemporary
Art
Contemporary
C013
A013
C014
Contemporary C014
Art
Edition
A013
SIGMA
203566 H
202569 H
201401 H
583569 H
884567 H
210564 H
885564 H
883560 H
886561 H
486563 H
477561 H
301569 H
Mount / UPC code (please add 0085126 prefix in front)
Sony
203627 H
202620 H
201340
928636 H
884628 H
210625 H
885625 H
883621 H
886622 H
-
-
301620 H
Nikon
203559 H
202552 H
201555 H
583552 H
884550 H
210557 H
885557 H
883553 H
886554 H
486556 H
477554 H
301552 H
Pentax
203610 H
202613 H
201609
928629 H
884611 H
210618 H
885618 H
883614 H
886615 H
-
-
301613 H
Canon
203542 H
202545 H
201272 H
583545 H
884543 H
210540 H
885540 H
883546 H
886547 H
486549 H
477547 H
301545 H
Lens construction
Groups Elements
9
7
8
13
13
13
13
14
12
11
10
10
13
12
9
16
16
17
17
16
17
15
13
14
121.2°- 83.2°
109.7°- 70.7°
109.7°- 70.7°
79.7°- 31.7°
79.7°- 22.9°
76.5°- 44.2°
76.5°- 8.1°
76.5°- 6.5°
76.5°- 5.4°
180°
180°
50.7°
Angle of view (SD format)
SD1
SD9, SD10,
SD14, SD15
114.5°- 75.7°
102.4°- 63.8°
102.4°- 63.8°
72.4°- 27.9°
74.4°- 20.2°
69.3°- 39.1°
69.3°- 7.1°
69.3°- 5.7°
69.3°- 4.7°
180°
154°
45°
Number of blades in diaphragm
6
7
9
7
7
7
7
7
9
7
7
6
Minimum aperture
(wide)
22
22
16
22
22
22
22
22
16
22
22
22
Minimum focusing distance
(cm/in.)
24/9.4
24/9.4
24/9.4
28/11.0
22/8.7
28/11.0
39/15.4
35/13.8
39/15.4
13.5/5.3
13.5/5.3
30/11.8
Magnification
1 : 3
1 : 2.9
1 : 3
1 : 6
1 : 3.3
1 : 6.8
1 : 7.8
1 : 6.6
1 : 6.7
1 : 5
1 : 2.8
1 : 4.3
Filter size
(ø mm)
77
72
72
-
82
77
62
62
72
**
**
62
Diameter x length
(ø mm x mm/ø in. x in.)
75 × 105.7/3.0 × 4.2
87.3 × 88.2/3.4 × 3.5
83.5 × 81/3.3 × 3.2
83.5 × 91.8/3.3 × 3.6
79.0 × 82.0/3.1 × 3.2
78.0 × 121.0/3.1 × 4.8
70.7 × 86/2.8 × 3.4
73.5 × 88.6/2.9 × 3.5
79.0 × 101.5/3.1 × 4.0
76.2 × 77.8/3.0 × 3.1
75.8 × 83.1/3.0 × 3.3
74.2 × 63.3/2.9 × 2.5
Weight
(g/oz.)
555/19.6
520/18.3
465/16.4
565/19.9
465/16.4
810/28.6
430/15.2
470/16.6
585/20.6
470/16.6
475/16.8
435/15.3
Hood
(included)
-
LH873-01
LH825-04
LH825-03
LH780-03
LH780-06
LH676-01
LH680-04
LH780-07
-
-
LH686-01
19mm F2.8 DN
30mm F2.8 DN
60mm F2.8 DN
DN LENSES
Product Edition
Art
Art
Art
A013
A013
A013
Color
Black
Silver
Black
Silver
Black
Silver
Mount / UPC code
(please add 0085126 prefix in front)
SONY
E Mount
929749
929763
929701
929725
350659
929787
Micro
Four Thirds
Mount
929732
929756
929695
929718
350635
929770
Lens construction
Angle of view
Groups Elements Sony-E format
6
5
8
7
73.5°
50.7°
Micro Four
Thirds format
59.3°
39.6°
6 8 26.6° 20.4°
Number of blades in diaphragm
7
7
7
Minimum aperture
(wide)
22
22
22
Minimum focusing distance
(cm/in.)
Magnification
Filter size
(ø mm)
20/7.8
30/11.8
50/19.7
1 : 7.4
1 : 8.1
1 : 7.2
46
46
46
Diameter x length
(ø mm x mm/ø in. x in.)
60.8 × 45.7/2.4 × 1.8
60.8 × 40.5/2.4 × 1.6
60.8 × 55.5/2.4 × 2.2
Weight
(g/oz.)
Hood
(included)
160/5.6
140/4.9
190/6.7
LH520-03
LH520-03
LH520-03
•Sony and Pentax mounts with * do not incorporate an OS function. •The H symbol in the UPC code indicates the lens includes HSM. •When Pentax mount lenses with HSM and/or OS function are attached to Pentax *ist series or K100D cameras, AF and OS will not function. Sony mount for DC lens is Sony A-mount. •A double asterisk (**) in the “Filter size” column indicates that a gelatin filter may be inserted into the rear of the lens. •Angle of view depends on camera model.
•Vignetting will occur if the lens is used with digital cameras with an image sensor larger than
APS-C size, with 35mm SLR cameras, or with APS film cameras. •The minimum focusing distance is measured from the image plane. •Figures for maximum diameter x length, weight, and minimum aperture setting (F-number) were obtained using a SIGMA mount lens. •Lens specification varies depending on mount type.
DG LENSES
Product
12-24mm F4.5-5.6 II DG HSM * 1
24-70mm F2.8 IF EX DG HSM * 1
24-105mm F4 DG OS HSM * 1 * 3
APO 50-500mm F4.5-6.3 DG OS HSM * 2
APO 70-200mm F2.8 EX DG OS HSM * 1
APO 70-300mm F4-5.6 DG MACRO * 1
70-300mm F4-5.6 DG MACRO * 1
120-300mm F2.8 DG OS HSM * 1
APO 150-500mm F5-6.3 DG OS HSM * 2
150-600mm F5-6.3 DG OS HSM * 1
150-600mm F5-6.3 DG OS HSM * 1
APO 200-500mm F2.8/400-1000mm F5.6 EX DG * 1
APO 300-800mm F5.6 EX DG HSM
8mm F3.5 EX DG CIRCULAR FISHEYE * 1
15mm F2.8 EX DG DIAGONAL FISHEYE
24mm F1.4 DG HSM * 1
35mm F1.4 DG HSM * 2
50mm F1.4 DG HSM * 1
85mm F1.4 EX DG HSM * 2
APO 300mm F2.8 EX DG HSM
APO 500mm F4.5 EX DG HSM
APO 800mm F5.6 EX DG HSM
MACRO 105mm F2.8 EX DG OS HSM * 1
APO MACRO 150mm F2.8 EX DG OS HSM * 1
APO MACRO 180mm F2.8 EX DG OS HSM * 1
Art
Sports
Sports
Contemporary
Art
Art
Art
Edition
A013
S013
S014
C015
A015
A012
A014
SIGMA
204563 H
571566 H
635565 H
738563 H
589561 H
508401
509408
137564 H
737566 H
740566 H
745561 H
597566
595562 H
485405
476403
401566 H
340568 H
311568 H
320560 H
195564 H
184568 H
152567 H
258566 H
106560 H
107567 H
Sony
-
-
-
-
-
-
340629 H
311629 H
320621 H
195342
184346
-
258627 H
106621 H
107628 H
204624 H
571627 H
635626 H
738624 H
589622 H
508340
509347
-
927233 H
-
Mount / UPC code (please add 0085126 prefix in front)
Nikon
204556 H
571559 H
635558 H
738556 H
589554 H
508555 M
509552 M
137557 H
737559 H
740559 H
745554 H
597559
595555 H
485597
476441
401559 H
340551 H
311551 H
320553 H
195557 H
184551 H
152550 H
258559 H
106553 H
107550 H
Pentax
-
-
-
738617 H
-
508456
509453
-
927226 H
-
-
-
-
-
-
-
340612 H
-
320614 H
195458
184452
-
-
-
-
Canon
204549 H
571542 H
635541 H
738549 H
589547 H
508272
509279
137540 H
737542 H
740542 H
745547 H
597542
595548 H
485276
476274
401542 H
340544 H
311544 H
320546 H
195540 H
184544 H
152543 H
258542 H
106546 H
107543 H
17
10
10
18
15
13
12
14
16
6
6
11
16
14
13
16
8
9
11
13
14
8
9
11
8
Lens construction
Groups
Angle of view Angle of view (SD format)
11
12
16
19
19
13
13
11
11
11
7
15
24
20
17
18
Elements 35mm format
17
14
SD1
SD9, SD10,
SD14, SD15
122°- 84.1° 99.6°- 61.2° 92.1°- 54.8°
84.1°- 34.3° 61.2°- 22.9° 54.8°- 20.2°
19
22
22
14
14
23
21
84.1°- 23.3° 61.2°- 15.4° 54.8°- 13.5°
46.8°- 5.0°
34.3°- 8.2°
34.3°- 8.2°
20.4°- 8.2°
16.4°- 5°
31.7°- 3.3°
34.3°- 12.3° 22.9°- 8.1°
22.9°- 5.4°
22.9°- 5.4°
13.5°- 5.4°
10.8°- 3.3°
27.9°- 2.9°
20.2°- 7.1°
20.2°- 4.7°
20.2°- 4.7°
11.8°- 4.7°
9.5°- 2.9°
16.4°- 4.1°
16.4°- 4.1°
12.3°- 5°
8.2°- 3.1°
180°
180°
84.1°
10.8°- 2.7°
10.8°- 2.7°
8.1°- 3.2°
5.4°- 2.0°
180°
113°
61.2°
9.5°- 2.4°
9.5°- 2.4°
7.1°- 2.9°
4.7°- 1.8°
180°
98°
54.8°
63.4°
46.8°
28.6°
8.2°
5°
3.1°
23.3°
16.4°
13.7°
44.2°
31.7°
19.0°
5.4°
3.3°
2.0°
15.4°
10.8°
9°
39.1°
27.9°
16.7°
4.7°
2.9°
1.8°
13.5°
9.5°
7.9°
Number of blades in diaphragm
Minimum aperture
(wide)
9
9
9
9
9
9
9
6
9
6
7
9
9
9
9
9
9
9
9
9
9
9
9
9
9
22
22
22
22
22
22
22
22
22
22
22
16
22
22
22
32
32
32
22
22
22
16
16
16
32
Minimum focusing distance
(cm/in.)
28/11.0
38/15.0
45/17.7
50-180/19.7-70.9
1 : 6.4
1 : 5.3
1 : 4.6
1 : 3.1
140/55.1
1 : 8
150*(95)/59.1*(37.4) 1 : 4.1*(1:2)
150*(95)/59.1*(37.4) 1 : 4.1*(1:2)
150-250/59.1-98.4
220/86.6
1 : 8.1
1 : 5.2
260/102.4
280/110.2
200-500/78.7-196.9
600/236.2
13.5/5.3
15/5.9
25/9.8
1 : 5
1 : 4.9
1 : 7.7
1 : 6.9
1 : 4.6
1 : 3.8
1 : 5.3
30/11.8
40/15.7
85/33.5
250/98.4
400/157.5
700/275.6
31.2/12.3
38/15.0
47/18.5
1 : 5.2
1 : 5.6
1 : 8.6
1 : 7.5
1 : 7.7
1 : 8.8
1 : 1
1 : 1
1 : 1
77
58
58
105
86
-
82
82
95
105
95
72(Rear)
46(Rear)
**
**
77
67
77
77
46(Rear)
46(Rear)
46(Rear)
62
72
86
Diameter x length
(ø mm x mm/ø in. x in.)
Weight
(g/oz.)
Hood
(included)
Hood adapter
(included)
87 × 120.2/3.3 × 4.7
88.6 × 94.7/3.5 × 3.7
88.6 × 109.4/3.5 × 4.3
104.4 × 219/4.1 × 8.6
86.4 × 197.6/3.4 × 7.8
76.6 × 122/3.0 × 4.8
76.6 × 122/3.0 × 4.8
121.4 × 291/4.8 × 11.5
94.7 × 252/3.6 × 9.9
121 × 290.2/4.8 × 11.4
105 × 260.1/4.1 × 10.2
236.5 × 726/9.3 × 28.6
156.5 × 544/6.2 × 21.4
73.5 × 68.6/2.9 × 2.7
73.5 × 69/2.9 × 2.7
85 × 90.2/3.3 × 3.6
77 × 94.0/3.0 × 3.6
85.4 × 99.9/3.4× 3.9
86.4 × 87.6/3.4 × 3.4
119 × 214.5/4.7 × 8.4
123 × 350/4.8 × 13.8
156.5 × 521/6.2 × 20.5
78.3 × 126.4/3.1 × 5.0
79.6 × 150/3.1 × 5.9
95 × 203.9/3.7 × 8
670/23.6
790/27.9
885/31.2
1,970/69.5
1,430/50.4
550/19.4
545/19.2
3,390/119.6
1,780/62.8
2,860/100.8
1,930/68.1
15,700/553.7
5,880/207.4
400/14.1
370/13.0
665/23.5
665/23.5
815/28.7
725/25.6
2,400/84.6
3,150/111.1
4,900/172.8
725/25.6
1,150/40.6
1,640/57.8
-
LH876-01
-
-
LH876-02 -
LH1030-01 HA1030-01
LH850-02
LH635-01
LH635-01
LH1220-01
LH927-01
HA850-01
-
-
-
-
LH1164-01
LH1050-01
-
LH1571-02
-
-
LH830-03
-
-
-
-
-
-
-
LH730-03
LH830-02
LH850-03
LH1196-01
LH1236-01
LH1571-01
LH680-03
LH780-05
LH927-01
-
-
HA850-02
-
-
-
HA680-01
HA780-01
HA927-01
Tripod socket
-
-
-
TS-31
TS-21
-
-
TS-51
TS-31
Fixed
TS-71
-
-
-
TS-21
-
-
-
TS-21
TS-21
-
-
-
-
Notes for Optical Stabilizer (OS) function
•The OS function will not work when the lens is attached to film SLR cameras (with the exception of the
Nikon F6 and Canon EOS-1v) or to Pentax *ist series and K100D cameras. •When using the OS function of a lens with a camera which incorporates a stabilizer unit, please turn the camera's stabilizer unit off.
*3: Sony mount do not incorporate an OS function.
•Appearances and specifications are subject to change without notice.
Other notes
•Figures for maximum diameter x length, weight, and minimum aperture setting (F-number) were obtained using a Sigma mount. Specification varies depending on mount type. •A double asterisk (**) in the “Filter size” column indicates that a gelatin filter may be inserted into the rear of the lens. •The angle of view depends on camera model. •An asterisk (*) indicates the maximum magnification and the minimum focusing distance when the built-in macro mode is used. •The minimum focusing distance is measured from the film surface. •The length of a lens is measured from the filter surface to its mount.
31
SIGMA CORPORATION
2-4-16 Kurigi Asao-ku Kawasaki-shi,
Kanagawa 215-8530 Japan
Tel.81-44-989-7437 Fax.81-44-989-7448
www.sigma-photo.co.jp/english
32
Caution: To ensure the correct and safe use of the product, be sure to read the user’s manual carefully prior to operation.
03/2015
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