Canon EOS System Catalog
C
EOS EDUCATION & INSPIRATION
Expand Your Knowledge.
For in-depth information and examples of the best of Canon EOS Digital photography,
there’s nothing like the Canon Digital Learning Center. Found at www.usa.canon.com/dlc,
the Digital Learning Center is full of educational material presented from a photographer’s
perspective. Browse learning modules on select EOS Digital SLR cameras and professional
printing, visit the Tips & Techniques area to learn about digital workflow with Canon
Digital Photo Professional software and make the most out of your digital photography.
Visit the Explorers of Light & PrintMasters Gallery where noted professionals teach and inspire us with stunning
photography created with Canon products. Whether a novice or veteran EOS user looking for tips on how to get the
most out of your equipment, you’ll find what you’re looking for right here.
1-800-OK-CANON
www.canoneos.com
Canon Explorers of Light & PrintMasters
Formed by Canon in the mid-1990’s as a broad ranging initiative for photographic education
and inspiration, Canon’s Explorers of Light group is comprised of 85 of the most influential
photographers in the world, each a master of their own creative specialty. Explorers of Light
use Canon EOS photographic equipment to capture images from disciplines as varied as photojournalism,
aviation, fashion, sports, wedding, nature, advertising, portraiture, food and travel photography. In
2006, Canon called together the PrintMasters: artists representing the highest levels of photographic
achievement. Canon PrintMasters push the boundaries of fine print making in each of their respective
disciplines. Canon PrintMasters use EOS photographic
equipment and Canon PIXMA Pro and/or imagePROGRAF professional printers, inspiring
and educating with their unique blends of photographic vision, digital imaging experience,
and pronounced command of the fine photographic print. Explorers of Light and PrintMasters
share their photographic and technical expertise with eager audiences of photo professionals,
hobbyists and enthusiasts in a variety of personal appearances, seminars and gallery
showings throughout the United States. The images used throughout this brochure are
from Canon’s Explorers of Light and PrintMaster photo galleries. To learn more and see
more images, visit the Canon Digital Learning Center.
©Bruce Dorn/Explorer of Light & PrintMaster
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2 0 0 7
Canon: Shaping the
Future of Digital
Celebrating its 20th Anniversary, Canon’s remarkable EOS System has been defining
the cutting edge with an ever-evolving system of SLR cameras, lenses and accessories.
In the digital era, the EOS System leads the way with innovative, powerful, flexible and
fast performance. With experience gained in over seven decades of camera manufacturing, Canon conceives, designs
and produces its own sensors and processors, incorporating them brilliantly with proven digital SLR and lens designs.
This kind of technological synergy not only creates a comprehensive photographic solution from vision to print, it also
helps make better photographs, faster. As EOS celebrates its 20th anniversary, it’s a perfect time to pick up a Canon
digital SLR—making it clear that Canon is shaping the future of digital photography.
EOS TECHNOLOGIES
EOS SLR CAMERAS
EF LENSES
SPEEDLITES
EOS SYSTEM ACCESSORIES POWERSHOT
Canon EOS technologies set the pace and endure
because they enhance the photographic experience,
whether you are a seasoned professional or new to
SLR shooting.
• EOS SLR Technology . . . . . . . . . . . . . . . . . . . . . . . 4
Rugged construction, photographer-friendly features,
and compatibility with the entire line of EF lenses and
EOS accessories make Canon EOS SLRs benchmarks
for performance, ease of use, and quality.
• EOS Digital SLR Camera . . . . . . . . . . . . . . . . . . 10
• EOS 35mm Film SLR Camera . . . . . . . . . . . . . . 19
• EOS Digital SLR Comparison Chart . . . . . . . . . 20
• EOS Film SLR Comparison Chart . . . . . . . . . . 22
• EOS System Chart . . . . . . . . . . . . . . . . . . . . . . 23
A unique blend of the world’s most advanced optical,
microelectronics, and precision manufacturing
technologies, EF lenses are perfected in Canon’s
laboratories and proven in the field.
• EF Lens Technology . . . . . . . . . . . . . . . . . . . . . 24
• EF Lens Lineup . . . . . . . . . . . . . . . . . . . . . . . . . 30
• EF Lens Chart . . . . . . . . . . . . . . . . . . . . . . . . . . 35
• EF Lens Accessories . . . . . . . . . . . . . . . . . . . . . 36
Canon Speedlites are the ideal flash light source for
EOS SLRs. They are technologically advanced to provide
perfect exposure and illumination with just about
any subject.
• Speedlite Technology . . . . . . . . . . . . . . . . . . . 38
• Wireless Flash Photography . . . . . . . . . . . . . . 40
• Speedlite Lineup . . . . . . . . . . . . . . . . . . . . . . . 41
• Speedlite Accessories . . . . . . . . . . . . . . . . . . . 43
Canon accessories are the best way to enhance EOS
system performance and get the most out of EOS SLRs.
There are solutions for virtually any shooting situation.
• Digital Accessories . . . . . . . . . . . . . . . . . . . . . 44
• Wireless . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46
• Remote Control & Date Backs . . . . . . . . . . . . . 47
• Shooting Accessories . . . . . . . . . . . . . . . . . . . 48
• Power Supplies . . . . . . . . . . . . . . . . . . . . . . . . 50
• Peripherals . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51
Built on some of the same technologies as EOS SLRs,
they offer the spectacular quality and control in a
compact, easy-to-use body.
• PowerShot Lineup . . . . . . . . . . . . . . . . . . . . . . 52
PHOTO PRINTERS
Canon’s imagePROGRAF, PIXMA and SELPHY photo
printers enable photographers to produce professionalgrade photoprints simply—anywhere, anytime.
• Photo Printer Technology . . . . . . . . . . . . . . . . 54
• Photo Printer Lineup . . . . . . . . . . . . . . . . . . . . 58
• Printer & Scanner Comparison Chart . . . . . . . 60
EOS TECHNOLOGIES
45-point Area AF — Canon’s unique 45-point High-Density
Area AF not only delivers much greater freedom of composition but also provides improved subject tracking.
lag time of 40ms, an 80ms
viewfinder blackout time (at
speeds of 1/60th and above);
shutter speeds up to 1/8000 sec.,
and a flash sync as fast as 1/300 sec.
when used with EOS Speedlites.
Combined with Canon’s superlative
high-speed focusing options, the
1D Mark III is the fastest Digital
SLR* on the market. *as of August 2007
Exclusive Eye Controlled Focus
taneously. Other models offer an eye-controlled
focus point selection. Some EOS SLR cameras
additionally provide the AI Focus AF mode, which
automatically switches between One Shot and
AI-Servo AF modes based on subject movement—
ideal for shooting stop-and-go subjects. No matter
which camera, or which mode chosen, Canon’s
EOS autofocus is fast, reliable, and versatile.
Y
Featured on the EOS ELAN 7 NE SLR, Canon’s
exclusive Eye Controlled Focus adds an extra
dimension to the photographer-camera interface.
When activated, Eye Controlled Focus enables
the camera to respond to your eye movement,
automatically selecting the best AF point based
on where in the frame you are looking.
Unparalleled Exposure Control
High-Speed Response
©Rod Evans
EOS SLR TECHNOLOGY
The history of Canon EOS SLR cameras is replete with examples of technological
innovations that have set new industry standards for performance and usability. And
yet, at Canon, technology is never an end in itself. Every technological advance must
yield tangible benefits to the user. Does a new feature enable the camera to more quickly
and faithfully respond to the photographer’s will? Does a new material or process
improve the camera’s long-term reliability? Canon EOS advancements endure (and
are often imitated) because they enhance the photographic experience, whether you are a seasoned
professional or new to SLR shooting. Put simply,
Canon EOS SLR technologies are impressive
because of the quality of the images they
enable you to create.
Autofocus Technology
An autofocus system with multiple focusing points
is preferable to one with a single central point, but
for a multi-point AF system to be truly useful, it
must be sophisticated enough to select the correct
focusing point for any given image. Canon EOS SLR
cameras have consistently featured leading-edge
AF technologies. Today, the
top EOS SLR cameras use
an extraordinary 45-point
high-density Area AF sys- AF Sensor
tem that provides not only the industry’s largest
AF coverage area, but also the greatest range of
control over focusing point selection. The focusing
point can be selected automatically by the camera
(based on high-speed microcomputer analysis
of image content) or manually by the user. With
Canon’s flagship EOS-1Ds Mark III, users
can select from 19 high precision, crosstype AF points which are complemented
by 26 contrast light analyzing Assist
Points for pin sharp accuracy, instan-
The high-speed microcomputers in EOS SLR cameras use advanced algorithms that ensure the
fastest, most accurate AF performance under the
widest variety of conditions. The One-Shot AF mode
is ideal for more static subjects. The camera rapidly
selects the optimum focusing point, and the subject is instantly brought into focus even if it is
off-center. The AI Servo AF mode is excellent for
moving subjects. Aided by a highly “intelligent”
predictive focusing algorithm, it precisely tracks
subject movement across the wide AF coverage
area, automatically shifting the active focusing
point as required, even at shooting speeds of up to
10 fps. Even with erratic or rapid subject movement, the photographer can shoot continuously,
concentrating solely on image composition.
High-Speed Shooting
EOS Digital SLR cameras have always been associated with speedy operation. Canon’s EOS-1D
Mark III is the fastest DSLR* in the world, offering
10 frames-per-second continuous shooting, up to
30 RAW files or 110 full-resolution JPEGs. Other
aspects of the camera’s responsiveness have been
improved as well: the 1D Mark III has a minimum
10 fps — This highly responsive AF technology contributes
to the rapid continuous shooting capability of EOS SLRs—
a maximum of 10 fps (frames per second) with the EOS-1D
Mark III & EOS-1v equipped with Power Drive Booster.
and have the system average the light readings for
you. Flash photography with EOS Systems also
benefits from Canon’s extraordinary exposure
control technology. E-TTL (Evaluative Through-TheLens) and E-TTL II autoflash systems work in
combination with the camera’s 21-, 35- or 63-zone
Canon EOS SLR cameras incorporate uniquely
advanced exposure control systems, offering the
photographer exceptionally precise AE (auto exposure) with the widest range of metering options.
You can choose full-frame Evaluative Metering,
where the EOS SLR camera’s proven 21-zone,
35-zone or 63-zone sensor is used in conjunction
with specific focusing point data. The onboard
microcomputer compares input from all zones and
calculates optimum exposure using a sophisticated
program. While Evaluative Metering assures excellent results in even the most challenging lighting
situations, advanced photographers can choose
from among several additional metering options.
Center-weighted metering is available for those
who prefer a more traditional pattern. Partial
metering limits readings to sensor zones in the
center of the image area, giving the photographer
more area-specific control. Spot readings can be
taken at the center of the frame area or linked to an
AF point. You can even take up to eight separate
spot meter readings with high-end EOS cameras,
63-zone Metering System — Canon’s sophisticated 63-zone
evaluative metering system considers not only the active
focusing point but also a range of metered values from adjacent
areas to determine correct exposure even in difficult lighting.
metering sensor to take the guesswork out of flash
photography. The camera performs instantaneous
calculations based on readings from the preflash,
ambient lighting conditions, and assessment of
subject location to determine the optimum flash
output and exposure settings. With E-TTL II, the
calculations additionally incorporate distance
information from compatible EF lenses, enabling
the system to better handle dark, light and highly
reflective subjects. Your photographs will have
the perfect balance between ambient light and
flash illumination, even in complicated lighting
situations and compositions.
Flexible Shooting Modes
Most EOS models with the Mode
Dial let photographers select
from a variety of preprogrammed
shooting modes, making it easy for even novice
shooters to get professional-looking results. When
you want the camera to make all the decisions
for you, choose one of the Image Zone shooting
modes. For greater control over camera settings,
including full manual operation, select from the
Creative Zone.
5
EOS TECHNOLOGIES
EOS TECHNOLOGIES
≥ III/≥ II
Image-processing Sequence Diagram
Image Processor
Canon Full-Frame CMOS Sensor — The EOS-1Ds Mark III and
EOS 5D come with a newly developed, full-frame CMOS
sensor, so it is possible to shoot with any EF lens without
a conversion factor.
Canon CMOS Sensor
Taking advantage of its own proprietary technologies, Canon develops and produces its own CMOS
sensors. Unlike CCD sensors, CMOS sensors convert
and amplify signals before they are transferred to
the image processor, enabling them to produce
exceptionally clean image data and reduce power
consumption by as much as 90%. Data transfer
speeds are increased by using multi-channel signal
paths that dramatically improve the camera’s
responsiveness. Canon’s CMOS sensors incorporate
a unique on-chip noise reduction technology to
deal with both fixed pattern and random noise.
In addition, a multilayer low-pass filter is placed
in front of the sensor to isolate false colors that
Dichroic mirror
(Reflects infrared rays)
Infrared-absorbing glass
CMOS sensor
Low-pass filter
(Separates image in vertical direction)
Phaser layer
(Converts linear polarized light
into circular polarized light)
Low-pass filter
(Separates image in horizontal direction)
Cross-section of multi-layer low-pass, IR-cut filter
the sensor may detect. Then, the ≥ Image
Processor processes the image to eliminate those
colors while retaining full detail. CMOS sensors can
also be fabricated to full-frame 35mm dimensions,
an important consideration for photographers who
wish to use their lenses without a conversion
factor. Lauded by the best in the business, Canon’s
CMOS sensors deliver outstanding resolution and
signal purity, making them ideal for the most critical
photographic applications.
6
Developed to maximize
performance between
capturing and recording stages of digital photography, Canon’s ≥ III/≥ II chips use
advanced signal-processing technologies to
dramatically enhance image quality and deliver a
more intuitive, responsive camera. The latestgeneration ≥III/≥II Image Processors
work in concert with Canon’s CMOS sensors to
achieve even higher levels of performance. Signal
processing algorithms work with the multichannel
signal from the sensor and the high-speed DDRSDRAM buffer to deliver significantly improved
camera response. Power consumption has been
further reduced for even longer battery life. Color
reproduction and noise reduction in low light
situations have been significantly improved as well.
Simultaneous
RAW + JPEG
Recording
Often referred to as
“digital negatives,”
RAW images essentially contain unaltered image
data as captured by the sensor. RAW mode shooting
has the potential to yield the highest image quality
from a digital SLR. In post-processing, it’s even
possible to find and extract added highlight and
shadow detail from RAW images. While professionals and advanced amateurs will often prefer to
shoot in RAW mode, or in Canon’s new sRAW mode
(which saves files to approximately half the size
of a normal RAW), JPEG images take up even less
storage space and are often more immediately
pleasing to the eye, thanks to Canon’s high-performance DIGIC Image Processors. With Canon’s
EOS Digital SLRs, you can capture images in RAW
or JPEG mode as well as record RAW and JPEG
images simultaneously.
Extensive ISO Range*
EOS Digital SLR cameras feature an extensive ISO
range for greater flexibility in different photographic
situations. The EOS-1D Mark III features the widest
ISO range found on EOS Digital SLR cameras at ISO
100–3200 with 1/3-stop increments plus ISO 50
(L) and ISO 6400 (H) in extended mode. Even at
higher ISO settings where one might expect to see
a higher degree of noise, Canon’s renowned CMOS
sensor and noise reduction system work to ensure
the highest image quality. The result, EOS Digital
SLR cameras that even the most critical photographers can use with confidence.
*Standard output sensitivity. Recommended exposure index.
10M
CMOS
14-bit A/D
Conversion
Front-end
processing
circuit
DDR
SDRAM
Experience the Full-frame Advantage.
Dual
DIGIC III
CF card
SD card
Dual “DIGIC III” Image Processors — The EOS-1D
Mark III features a 10.1 Megapixel APS-H size
CMOS Sensor with a top continuous shooting
speed of 10 fps. To cope with the voluminous
signal processing required, Dual “DIGIC III” Image Processors
have been incorporated for parallel signal processing. In
addition, a 14-bit analog-to-digital conversion processor is
used to create images featuring a much finer gradation.
RAW/sRAW (small RAW) images are recorded with 14-bits
and can be developed using DPP software. When saved as a
16-bit TIFF image, the image retains the full range of tones
obtained with 14-bits.
Highlight Tone Priority
Loss of highlight
detail is one of the
greatest concerns
for photographers
shooting digitally in
brightly lit and
contrasty situations.
Highlight Tone Priority: ON
Canon’s Highlight
Tone Priority function, found on the
EOS-1Ds Mark III,
1D Mark III and the
EOS 40D, calculates
the exposure to
Highlight Tone Priority: OFF
ensure that more
detail is preserved in highlights. This renders a more
continuous tone image without blown highlights,
and helps to save time in postprocessing for
highlight retrieval.
©George Lepp
Full-Frame Canon CMOS Sensor
Live View Function
The EOS-1Ds Mark III, EOS-1D Mark III, and the
EOS 40D have an exciting Live View Function,
where the photographer can compose and shoot
directly from the camera’s 3.0-inch LCD monitor.
Achieved by raising the SLR camera’s mirror and
perfect for a number of applications, Live View
Function enables the photographer to zoom in
and navigate the composition 5x or 10x normal
size, while enabling critical focus and allowing
more attention to detail. Users can even choose
a grid overlay, perfect for architectural photography.
In the studio, Live View Function can be used
remotely via a computer through the camera’s
USB connection, or wirelessly if the optional
Wireless File Transmitter is used.
EOS 5D
APS-C (1.6x)
APS-H (1.3x)
Full-Frame (1.0x)
EOS-1Ds Mark III Full-Frame CMOS Sensor
(actual size)
The Canon-manufactured fullframe CMOS sensor delivers
professional performance with
digital convenience. EOS Digital
SLR cameras with full-frame
sensors, found on the EOS-1Ds Mark III and EOS 5D,
do not require a focal length conversion factor
common to other digital SLR cameras on the market.
Instead, they deliver the same angle-of-view as
35mm film cameras, so the working distance to
When using the same lens with different cameras, the
angle-of-view varies depending on the sensor size.
EOS-1Ds Mark III
the subject, with a given lens, is the same as it
would be on film. Since you can use EF lenses
on either 35mm film cameras or Canon Digital
SLR cameras with the same results, the switch
from film to digital is truly seamless. Full-frame
sensors provide greater control over depth-offield, which helps to create beautiful background
blur, perfect for portraits. The large sensor area
also enables a marked reduction in noise levels
at all ISO values. When combined with high
resolution and smooth gradation from highlights to
shadows, Canon digital SLR cameras with full-frame
sensors produce images that rival those taken with
professional medium-format and large-format film
cameras. Currently, no other camera manufacturer
offers a digital SLR with a full-frame sensor in a
35mm form factor; Canon offers two: the EOS-1Ds
Mark III and the EOS 5D*. For maximum control and
dependable performance, the choice is simple—
Canon full-frame Digital SLR cameras.
* As of August 2007.
7
EOS TECHNOLOGIES
Maximum
Durability and
Performance
Hold a Canon EOS SLR in
your hands. The look
and feel of quality and
reliability are the result of decades of cameramaking experience and these translate to realworld performance and durability second to
none. The newest EOS-1D class professional
The entire body of the EOS-1D Mark III, including its internal chassis
and mirror box, is made of an advanced magnesium alloy.
SLRs, for example, feature bodies made of coated cast magnesium alloy, which, while light in
weight, deliver outstanding strength, rigidity
and electromagnetic shielding. Furthermore, the
body is extensively gasketed and sealed, making the cameras exceptionally water and dustresistant. These are truly cameras built to take
on the world’s harshest shooting conditions.
Viewfinder
EOS TECHNOLOGIES
Superb Ergonomics and
Custom Functions
Refined ergonomics and smooth operability
are Canon EOS traditions, and even with the
unavoidable complexities involved with digital
capture, Canon’s EOS interface design puts
the most frequently used controls where they
make the most sense—in the hands of the
photographer. Operation is enhanced by
custom functions, a concept pioneered by
Canon. Custom functions enable photographers
to tailor features and operating functions to
suit their Canon shooting style. Whether
customizing a shutter speed range, specifying
the parameters of bracketing, or specifying the
preferred type of flash metering, to name a few,
photographers have literally hundreds of choices
in how they want their EOS Digital SLR to operate.
Among digital camera makers, Canon is unique
in its in-house capabilities. Canon’s ability to
rapidly develop and manufacture proprietary
ASICs (Application-Specific Integrated Circuits)
eliminates dependence on common “off-the-shelf”
components and enables the fast deployment of
new, innovative solutions in digital camera design.
Canon EOS Digital SLRs thus incorporate the
world’s most advanced sensors, processors, and
other key components—components that are
unavailable to other camera makers. Combined
with Canon’s unequaled electromechanical and
optical design know-how, these digital technologies
make EOS simply the finest digital SLR system
anyone can own.
EOS Integrated
Cleaning System
No matter the camera’s specifications, a clear,
bright viewfinder is the photographer’s first
tool for great images. Canon leads the way with
their viewfinders, and has entirely revamped
the viewfinder in the new EOS-1Ds Mark III and
EOS-1D Mark III. Offering 100% viewfinder coverage,
and a larger pentaprism for higher viewfinder
magnification, these two cameras offer the best
view of any digital EOS to date. All EOS Digital
SLR cameras offer dioptric correction and a number
of different viewfinder accessories, including
up to 11 different focus screens available for
most any application.
8
Canon has designed
its Integrated Cleaning System with a Self-Cleaning
Sensor for select EOS Digital SLR cameras to
combat stray dust that can enter the camera
when changing a lens or when out in the field.
The front surface of the sensor's IR-cut/Low-pass
filter cleans itself automatically with ultrasonic
vibrations every time the camera is turned on or
off. Removed dust adheres to material around
the filter to ensure it stays off. With DPP, dust
missed by the cleaning unit is captured by Canon’s
Canon's renowned ergonomics and ease-of-use.
Dust Delete Data Detection and can be erased
from the image file.
Advanced Camera Direct Capabilities
Some Canon Digital SLR cameras give photographers an unprecedented level of in-camera control
over image optimization with Canon’s advanced
camera direct capabilities. Photographers can
adjust images, using the Face Brightener and
Red-eye Correction functions. With control over
contrast, saturation, color tone, and color balance
levels, high image quality is attainable without
post-production software. Also, photographers
can crop a vertical image to create a horizontal
image or, by simply zooming in on a detail, an
image can be cropped with the in-camera trimming
tool. When connecting a Canon digital printer,
photographers can generate 35-frame contact
sheets and single image or 20-image prints along
with shooting information. Printers like the PIXMA
Pro9000 and Pro9500 Photo Printers are designed
to allow advanced camera direct settings to
override its default settings, so even the finest
image adjustments on Canon Digital SLR cameras
are accurately translated onto prints.
Standard
This default setting produces vivid, crisp images that look
great immediately and are optimal for printing directly from
the camera without post-processing.
Landscape
Great for shooting nature scenes and blue skies, this setting
enhances the blues and greens typical in landscapes, and
enhances saturation, contrast and sharpening.
Standard
Portrait
The perfect setting for photographing people, the portrait
setting adds warmer skin tones with a slight boost in contrast and in-camera sharpening.
Neutral
Ideal starting point for image-editing in the computer:
reduced saturation, contrast and sharpening.
Picture Style
Technology
Color Management
At every step of the design and manufacturing
process, Canon ensures that your SLR, lens and
computer will work together seamlessly, resulting
in color that is accurate and pleasing to the eye.
Canon’s proprietary image-rendering processes
utilize numerous data for color rendition. The sensor
captures an even wider gamut of colors than your
computer is capable of displaying, and through
complex operations, the processor ensures that
whether you’re shooting in sRGB for the Web, or in
Adobe RGB color space for commercial applications,
your colors will turn out just right. Advanced users
can set their own white balance, color temperature,
saturation and much more.
Faithful
An excellent choice for shooting
reproductions and still-lifes with
accurate colors, this setting “faithfully” reproduces the subjects’
colors without enhancement.
Standard
Standard
Monochrome
This setting emulates the color filters of silver halide film for
bold black and white images and allows for red, green and
other types of filter work.
With the myriad features
and settings available,
even the best photographer might occasionally
have doubts as to whether all of the camera
settings are optimal for the shot. Canon’s ingenious
Picture Style feature comes to the rescue, providing
a number of user-friendly presets, including
standard, neutral and landscape, giving the ability
to fine-tune the images the camera produces.
They enable the photographer to make optimal
choices based simply on the type of shooting.
These presets can be used in much the same way
one would use different types of film. Individual
camera settings—such as sharpening, contrast,
color tone, and saturation can be overridden if
need be.
9
EOS DIGITAL SLR CAMERAS
EOS DIGITAL SLR CAMERAS
State Of The Art… Period.
The rich heritage of Canon EOS professional SLR cameras is abundantly evident in the digital
era. Top-of-the-line EOS Digital SLR cameras continue to set new standards for innovation,
reliability, speed, versatility, and image quality, providing professional photographers tools
for the job that are unequaled and indispensable.
EOS-1Ds Mark III TECHNOLOGY
EOS-1Ds Mark III: The New Mark in Digital
The new EOS-1Ds Mark III is the culmination of over 70 years of Canon photographic expertise,
bringing a host of new technologies and unparalleled imaging power to demanding professional
photographers. The EOS-1Ds Mark III houses an entirely new 21.1-megapixel full-frame Canon
CMOS sensor and Dual “≥III” Image Processors for a combination of resolution and speed until
now unknown in a digital SLR. Reduced shadow noise, an ISO range of 50-3200*, and Highlight
Tone Priority provide the finest reproduction of the photographer’s subject as they see it. Robust
weather sealing and the EOS Integrated Cleaning System with Self-Cleaning Sensor provide the
clearest photos imaginable while the 3.0-inch LCD with Live View Function and compatibility with
EOS System accessories, including the Wireless File Transmitter WFT-E2A, make the EOS-1Ds Mark III
the most productive and powerful digital SLR on the market.
Features for the Complete Professional
Solution
The EOS-1Ds Mark III, in the
tradition of professional
EOS Digital SLR cameras, is extensively
sealed against the
elements and can be
used with confidence
in the most extreme
locations. The EOS-1Ds
Mark III also utilizes Canon’s advanced EOS Integrated
Cleaning System with Self Cleaning Sensor to keep
dynamic range that would normally be blown-out or
dust and debris from interfering with the superb
overexposed. In situations where lighting cannot be
rendering properties of the CMOS Sensor. The second
rigorously controlled, or when the dynamic range of
part of the EOS Integrated Cleaning System is the
subjects is extremely subtle, the EOS-1Ds Mark III instills
EOS-1Ds Mark III’s ability to transfer
confidence that the scene can be captured as the
the location of troublesome spots as
photographer sees it. Working between the shadows
Dust Delete Data which is read by
and the light, a 14-bit A/D converter supplies rich
Canon Digital Photo
reproduction of gradations and tonal subtleties.
Professional (v.3.1 and
Photographers will value the way the EOS-1Ds Mark III
up) and deleted from
captures changes between shadows and highlights,
your file. It is the most
and between shades of the most delicate hue. The
complete solution to the
complete, all-around responsiveness of the EOS-1Ds
dust problem in digital
Mark III and its ability to protect and reveal the entire
photography. Whether in the studio or on location,
At the heart of the EOS-1Ds Mark III’s
dynamic range of a scene make it
the EOS-1Ds Mark III provides flexibility when shooting:
capabilities is an entirely new 21.1-
the best solution for photographers
the bright and brilliant viewfinder provides 100%
megapixel Canon CMOS sensor.
in any field, in or out of the studio.
coverage and a magnification of 0.76x—the best in
The full-frame dimensions and ISO
Despite the increased sensor count,
its class†, and the 3.0-inch LCD monitor supports
the speed of the sensor is also
Canon’s Live View Function. Using Live View Function,
Beyond the Leading Edge of Imaging
Performance
Full-Frame CMOS Sensor (actual size)
performance of the EOS-1Ds Mark III
Highlight Tone Priority: ON
photographers can zoom in for critical focus adjust-
but additional
ments or apply overlays for architectural photography
features give the
or photography with Canon Tilt-Shift Lenses. When
EOS-1Ds Mark III a
using Live View Function, shooting can be accessed
substantial advan-
from the camera or a remote computer and monitor,
tage in capturing
meaning the photographer has the free-
images more faith-
dom to step away from the camera and
fully than ever. In
view the subject from any angle. The
EOS Reborn.
the EOS-1Ds MarkIII,
enhanced with 8-channel circuits performing parallel
EOS-1Ds Mark III is also compatible
The all new EOS-1Ds Mark III is designed from the ground up to be the most powerful, go anywhere,
capture anything EOS ever made. It features an all-new 21.1-megapixel Full-frame Canon CMOS sensor,
with 14-bit A/D Conversion and Highlight Tone Priority for tremendous, outstanding images. It features
Dual “DIGIC III” Image Processors, Live View Function, a 3.0-inch LCD monitor and shoots at speeds
of up to 5 fps for up to 15 RAW or 45 JPEGs. With all these features and more, the EOS-1Ds Mark III is
truly the new flagship EOS.
shadow noise has
calculations and Ultra Direct Memory Access (high-
with the Wireless File Transmitter WFT-
been reduced up
speed CF card) compatibility. These new capabilities
E2A. The WFT-E2A can interact via WiFi
to 50% while
give the EOS-1Ds Mark III data transfer speeds twice
to a remote computer up to 492 feet
Highlight Tone
that of even the EOS-1D Mark III. Canon Dual “≥III”
(150m)†† away and features USB and
Priority preserves
Image Processors allow a shooting rate of 5.0
detail in the upper
fps while rendering the colors and intricacies of
reaches of the
your photography in all their richness.
”
10
have been retained,
Highlight Tone Priority: OFF
Wireless File
Transmitter
WFT-E2A
Ethernet connectivity for mass-storage
options and wired remote connection
to computers.
* Standard output sensitivity. Recommended exposure index.
† As of August 2007.
†† Wireless transmission to computer with high-performance antenna attached to Wireless LAN access point receiver; transmission distance will vary depending on receiver and environmental conditions.
11
EOS DIGITAL SLR CAMERAS
EOS DIGITAL SLR CAMERAS
EOS 40D TECHNOLOGY
EOS 40D: Dedicated to All Artistic Photographers
Along with its new 10.1-million pixel sensor, the EOS 40D is designed to take advantage of a host of new
Canon digital SLR technologies like the new ≥III processor, 14-bit A/D conversion, a spectacular 3.0-inch
LCD, Canon’s Live View Function and Dust Reduction systems, plus advanced wireless and much more.
Advanced Technology for a Clear
Difference in Image Quality
AF Technology and Speed
The EOS 40D offers blistering performance to the
The Complete System in a Compact
Package
experienced photographer. Whether it’s sports,
The EOS 40D employs a Self-Cleaning Sensor Unit
wildlife, or just the kids at play, it’s the fastest
that combats stray dust that can enter the camera
camera in its class: up to an unprecedented 6.5 fps.
when changing a lens or when out in
And its burst rate is equally impressive: shoot up to
the field. The sensor’s low-pass filter is
75 full-resolution JPEGs, or 17 RAW files, in a row
cleaned automatically with ultrasonic
without pausing.
vibrations every time the
camera is turned on or
off. Removed dust
Its AF system is no less
CMOS Sensor (actual size)
impressive. For the first
The EOS 40D uses a totally new CMOS sensor, with
time ever in an EOS
many of the same incredible sensor technologies first
Digital SLR, every AF point has true cross-type
ensure it stays off. Any
seen in the EOS-1D Mark III. In particular, light-gathering
coverage—meaning the AF system sees twice as
dust that may remain can be cloned-out with
efficiency and low noise levels are outstanding, even in
much information at the subject, and meaning that
Canon’s Dust Delete Data software solution, using
low light or at high ISO settings. Combined with the
the camera is more likely to latch solidly onto sub-
the supplied Digital Photo Professional software.
≥III Image Processor, the sensor is able to capture
jects the first time, without hesitation. And this is
more, faster than any of its predecessors. It has an
with any lens that’s f/5.6 or faster.
adheres to material
around the filter to
AF Unit
The EOS 40D’s Live View Function enables the photographer to compose and shoot directly from the
extensive ISO range (from 100 to 1600
plus ISO 3200* in extended mode),
But the EOS
EOS 40D’s 3.0-inch LCD monitor. The photographer
selectable in 1/3-stop increments and
40D’s entirely
can zoom in and navigate the composition 5x or
the sensor is designed to
new AF system
10x normal size for critical focus. There are even
perform at all ISOs. Analog
doesn’t stop
two silent shooting modes for nearly inaudible
to digital signal conversion
there. The center
operation when discrete shooting is a priority. Live
is executed by a 14-bit
AF point has a
View Function is
processor (16,384 tones
digital SLR first:
sure to provide
per color channel) which
not only is there
new opportunities
a standard-preci-
and inspiration for
9-point AF system
generates digital data of
The Spirit of Photography.
Canon’s new EOS 40D combines Canon’s tremendous know-how in both the digital
and photographic worlds, into a camera that does everything one would expect of a
traditional digital SLR, while incorporating staggering leaps forward in technological
innovation. With new features like Canon’s EOS Integrated Cleaning System, Live View
Function, a more powerful ≥ III Image Processor, plus a new 10.1-megapixel
CMOS sensor, a 3.0-inch LCD monitor and more, the EOS 40D enhances the shooting
experience, delivering images one could only expect from a Canon.
fine gradation without tonal skipping. The Highlight
sion, cross-type sensor, but in addition, there’s a
photographers and
Tone Priority feature extends the tonal range of bright
high-precision sensor with full cross-type coverage,
their photographic
which kicks-in with lenses f/2.8 or faster. It gives
visions.
Image-processing Sequence Diagram
even more accuracy, when its needed most.
Designed to withstand the rigors of everyday use,
10.1 MP
CMOS
14-bit A/D
Conversion
Front-end
processing
circuit
DIGIC III
DDR
SDRAM
CF card
The EOS 40D can automatically select the AF point, or
the EOS 40D is constructed with lightweight and
the user can easily and quickly manually choose the
ultra-rigid magnesium-alloy that fits perfectly in the
point they'd like, using the intuitive Multi Controller on
hands of the photographer, and the shutter unit is
the back of the camera. There’s also a new AF-ON
designed with remarkable 100,000-cycle shutter life.
button at the rear of the camera, allowing separation
The 40D is also compatible with a number of new
of AF activation from shooting at the shutter button.
accessories designed to expand the photographic
experience including three new focusing screens
areas enabling smoother gradations in bright sections
”
of the photograph and minimizing loss in highlight
With its unmatched speed and the power of its new
and the new dedicated Wireless File Transmitter
detail. Improved white balance, brightness and contrast
focusing system, the EOS 40D is pure photographic
WFT-E3A. The Wireless Transmitter supports tethered
controls add to the capabilities of this amazing sensor.
performance.
and wireless shooting and GPS support.
* Standard output sensitivity. Recommended exposure index.
12
13
EOS DIGITAL SLR CAMERAS
EOS DIGITAL SLR CAMERAS
©Michele Celentano
©George Lepp
EOS Reborn.
Advanced Design, Full-Frame Sensor.
Canon’s feature-packed EOS-1D Mark III is the fastest EOS ever produced.*
It has a 10.1-megapixel CMOS sensor (APS-H size) with Canon’s EOS Integrated
Cleaning System and a 3.0-inch LCD monitor with Canon’s Live View Function.
The EOS-1D Mark III has a redesigned 100% viewfinder, a 45-point AF system,
and can shoot up to 10 fps. Dual “≥III” Image Processors work in tandem
to speed up every process while refining image quality; a lighter body has
improved weather sealing and shutter durability. Every facet of the EOS
experience has been enhanced with the EOS-1D Mark III.
The world’s smallest and lightest full-frame-sensor digital SLR,* the EOS 5D is ideal
for experienced SLR users seeking to transition to digital—especially EOS owners who
have an investment in EF lenses. The EOS 5D’s full-frame sensor allows you to use your
lenses without a conversion factor. The EOS 5D is also the perfect backup body for
professionals shooting with EOS-1 class Digital SLR cameras. The 12.8-megapixel
full-frame Canon CMOS sensor and Canon’s ≥II Image Processor deliver superb
image quality and performance—3 fps for up to 60 JPEG or 17 RAW images in a burst.
Advanced features include a large 2.5-inch LCD monitor, high-precision 9-point AF,
and the Picture Style feature. The strong, light magnesium-alloy body houses a
high-performance shutter that’s been durability tested to 100,000 cycles.
*as of August 2007.
*as of August 2007.
”
14
”
15
EOS DIGITAL SLR CAMERAS
EOS DIGITAL SLR CAMERAS
Unleash Your Creativity.
Looking for professional-quality features and performance in a more affordable digital SLR?
Look no further than Canon EOS. Designed to bring all of the capabilities and fun of digital
SLR photography to advanced amateurs and serious photo hobbyists, these EOS cameras
are highly sophisticated yet simple to use.
©Peter Read Miller
©Vincent Laforet
Incredibly Advanced.
Remarkably Simple.
Perfection Refined.
The EOS 30D features Canon’s exclusive 8.2-megapixel CMOS sensor and ≥ II
Image Processor. After a speedy 0.15-second startup, you can shoot 30 JPEG or 11 RAW
images in a burst of 5 fps high-speed continuous shooting, or choose low-speed 3 fps
continuous shooting. The large 2.5-inch LCD monitor provides an extremely wide viewing
angle. Other advanced features include Picture Style, 3.5% spot metering, precision 9-point AF,
advanced camera direct capabilities, a durable 100,000-cycle shutter and a rugged
magnesium-alloy body. Compatible with over 60 EF and EF-S lenses and numerous
EOS System accessories, the 30D brings high-end digital SLR performance within reach.
”
16
EOS Digital Rebel XTi offers an unbeatable combination of performance, ease-of-use and value.
It has a 10.1-megapixel CMOS sensor, ≥ II Image Processor plus a host of features:
a 2.5-inch LCD monitor, the exclusive EOS Integrated Cleaning system with Self Cleaning
Sensor Unit, a shooting speed of up to 3 fps for up to 27 JPEG and 10 RAW images, plus
Canon Picture Style technology, all in a lightweight, ergonomic body. The Digital Rebel XTi is
proof positive that Canon continues to lead the way with our phenomenal digital SLRs.
Available in black or silver.
”
17
EOS FILM SLR CAMERAS
EOS DIGITAL SLR CAMERAS
35mm SLR Photography at its Finest
With rugged construction, pace-setting features, and, of course, compatibility with the
entire line of EF lenses and EOS accessories, Canon EOS 35mm SLRs are the benchmarks
for performance, ease of use, and quality in 35mm SLR photography. Whether professional
or novice, there’s an EOS 35mm SLR that’s perfect for you.
35mm Film
The Ultimate in Professional Vision.
With the world’s fastest AF, a continuous shooting speed of up to 10 fps† and a
comprehensive feature set, the EOS-1v continues Canon’s tradition of innovation
and speed. The EOS-1v has a 45-point AF system, a top shutter speed of 1/8000
sec., a flash sync of 1/250 sec., 21-zone evaluative metering and E-TTL autoflash.
The magnesium alloy body, hybrid chassis, 72 individual gaskets for proven moisture
and dust resistance and a shutter tested to 150,000 cycles make this 35mm camera
the ultimate professional SLR.
† with optional Power Drive Booster PB-E2 attached.
Inspired, with the Fastest AF in its Class.*
With Eye Controlled Focus, a top shutter speed of 1/4000 sec. and 4.0 fps – all in a
nearly silent and durable package – the EOS ELAN 7NE is the perfect camera to take
your photography to the next level. A fast, 7-point AF system, a backlit display, Canon’s
Whisper Drive technology, enhanced E-TTL II autoflash – plus compatibility with
Canon EF lenses, Speedlites and accessories—make the EOS ELAN 7NE the perfect
camera for the serious SLR enthusiast.
©Peter Read Miller
*As of August 2007.
Limitless Performance.
EOS Rebel: Get Into It!
The EOS Digital Rebel XT brings Canon’s 8.0-megapixel CMOS sensor, ≥II Image Processor,
and compatibility with over 60 EF lenses (including the EF-S series)—to photographers at an
extremely attractive price. The Digital Rebel XT can shoot at 3 fps for up to 14 JPEG images and
features wide-area 7-point AF—all in the smallest and lightest EOS Digital SLR to date.* With
improved performance across the board, superior ergonomic design, and unprecedented
*As of August 2007.
affordability, the Rebel XT is the EOS Digital SLR for everyone.
”
Available in black or silver.
18
The EOS Rebel Series brings you the essence of refined Canon SLR photography in
lightweight, economical cameras. With the Rebel T2 and Rebel K2, there has never
been a more affordable way to get into the Canon EOS System. Each Rebel SLR
has a host of advanced automatic camera controls that make taking stunning
photographs fast and fun. And when you’re ready, the superb creative controls
will take you to the next level. The ergonomic, modern designs and compatibility
with nearly all EOS System accessories make the Rebel a camera you’ll never
want to put down.
19
EOS DIGITAL SLR COMPARISON CHART
EOS FILM SLR COMPARISON CHART
EOS-1Ds Mark III
EOS-1D Mark III
EOS 5D
EOS 40D
EOS 30D
EOS DIGITAL REBEL XTi
EOS DIGITAL REBEL XT
Autofocus System
TTL-AREA-SIR CMOS Sensor; One-Shot and Al Servo AF with
Focus Prediction; Manual focusing confirmation possible with EF
lenses; Automatic or manual focus point selection
TTL-AREA-SIR CMOS Sensor; One-Shot and Al Servo AF with
Focus Prediction; Manual focusing confirmation possible with EF
lenses;Automatic or manual focus point selection.
TTL-CT-SIR CMOS Sensor; One-Shot and Al Servo AF with Focus
Prediction; Manual focusing confirmation possible with EF lenses;
Automatic or manual focus point selection.
TTL-CT-SIR CMOS Sensor; One-Shot and Al Servo AF with Focus
Prediction; Manual focusing confirmation possible with EF and EF-S
lenses; Automatic or manual focus point selection.
TTL-CT-SIR CMOS Sensor; One-Shot and Al Servo AF with Focus
Prediction; Manual focusing confirmation possible with EF and EF-S
lenses; Automatic or manual focus point selection.
TTL-CT-SIR CMOS Sensor; One-Shot and Al Servo AF with Focus
Prediction; Manual focusing confirmation possible with EF lenses;
Automatic or manual focus point selection.
TTL-CT-SIR CMOS Sensor; One-Shot and Al Servo AF with Focus
Prediction; Manual focusing confirmation possible with EF lenses;
Automatic or manual focus point selection.
Special Features
• 21.1 Megapixel CMOS
Digital SLR camera
• Built-in 3.0" wide viewing
angle color monitor
• 57 Custom functions with 4
settings
• Quick Control Dial
• Simultaneous RAW and JPEG
image capture
• Dioptric adjustment
• Depth-of-field preview
• FE lock
• Mirror lock
• N3 remote control socket
• USB compatible
• Magnesium alloy body
• 10.1 Megapixel CMOS Digital
SLR camera
• Built-in 3.0" wide viewing
angle color monitor
• 57 Custom functions in 4 sets
• Quick Control Dial
• Simultaneous RAW and JPEG
image capture
• Dioptric adjustment
• Depth-of-field preview
• FE lock
• Mirror lock
• N3 remote control socket
• USB 2.0 Hi-speed
• Magnesium alloy body
• 12.8 Megapixel CMOS
Digital SLR camera
• Built-in 2.5" wide viewing
angle color monitor
• 21 Custom functions with 57
settings
• Multi-controller
• Simultaneous RAW and JPEG
image capture
• Dioptric adjustment
• Depth-of-field preview
• FE lock
• Mirror lock
• N3 remote control socket
• USB 2.0 Hi-Speed compatible
• Magnesium alloy body
• 10.1 Megapixel CMOS
Digital SLR camera
• Built-in 3.0" wide viewing
angle color monitor
• 24 Custom functions with 62
settings
• Multi-controller
• Simultaneous RAW and JPEG
image capture
• Dioptric adjustment
• Depth-of-field preview
• FE lock
• Mirror lock
• Retractable built-in E-TTL II flash
• N3 remote control socket
• USB 2.0 Hi-Speed compatible
• Magnesium alloy body
• 8.2 Megapixel CMOS Digital
SLR camera
• Built-in 2.5" wide viewing
angle color monitor
• 19 Custom functions with 53
settings
• Multi-controller
• Simultaneous RAW and JPEG
image capture
• Dioptric adjustment
• Depth-of-field preview
• FE lock
• Mirror lock
• Retractable built-in E-TTL II flash
• N3 remote control socket
• USB 2.0 Hi-Speed compatible
• Magnesium alloy body
• 10.1 Megapixel CMOS
Digital SLR camera
• Built-in 2.5" wide viewing
angle color monitor
• 11 Custom functions with 29
settings
• Cross keys for instant control
• Simultaneous RAW and JPEG
image capture
• Dioptric adjustment
• Depth-of-field preview
• FE lock
• Retractable built-in E-TTL II flash
• USB 2.0 Hi-Speed compatible
• Double hybrid stainless steel
internal chassis
• Dust reduction feature
• 8.0 Megapixel CMOS Digital
SLR camera
• Built-in 1.8" color monitor
• 9 Custom functions with 24
settings
• Cross keys for instant control
• Simultaneous RAW and JPEG
image capture
• Dioptric adjustment
• Depth-of-field preview
• FE lock
• Retractable built-in E-TTL II flash
• USB 2.0 Hi-Speed compatible
• Double hybrid stainless steel chassis
35mm
EOS-1v
EOS ELAN 7NE
EOS REBEL T2
EOS REBEL K2
Autofocus System
TTL-AREA-SIR CMOS Sensor. One-shot and AI Servo AF
with Focus Prediction. Manual focusing confirmation possible with EF Lenses. Automatic and manual focusing point
selection.
TTL-CT-SIR* CMOS sensor. One-shot and AI Servo AF with
Focus Prediction. Manual focusing confirmation possible with
EF Lenses. Focusing point selection by Eye Controlled Focus,
automatic and manual focusing point selection.
TTL-CT-SIR* CMOS sensor. Auto switching between Oneshot and AI Servo AF with Focus Prediction. Manual focusing confirmation possible with EF Lenses. Automatic and
manual focusing point selection.
TTL-CT-SIR* CMOS sensor. Auto switching between Oneshot and AI Servo AF with Focus Prediction. Manual focusing confirmation possible with EF Lenses. Automatic and
manual focusing point selection.
Special Features
• Custom Functions (20 • Multiple Exposure
custom functions with • Depth-of-field
63 settings; 3 userPreview
set groups possible) • Mirror Lock
• Quick Control Dial
• PC Terminal
• PC Link (with optional • N3 Remote Control
ES-E1 software)
Socket
• Auto Exposure Bracketing
(±3 stops in 1/3-stop increments)
• Accepts optional Power Drive Booster PB-E2
• Metal exterior with
•
Ultra Matte Coating
• Electroform parts for
nameplate and top dials
• Retractable built-in flash •
• Custom Functions
•
(13 functions, 34 settings)•
• Depth-of-field Preview
• Quick Control Dial
•
• Retractable built-in
•
E-TTL II flash
• Safety Shutter-release •
• Dark metallic finish
with rubber grip
•
• Dioptric Adjustment •
• Depth-of-field Preview
• Multiple Exposure Panel
• Illuminated oversize •
LCD
•
•
•
•
35mm
Auto Exposure
Bracketing
(±2 stops in 1/2-stop
increments)
Multiple Exposure
Mirror Lock
Compatible with
Pack BP-300
Compatible with RS60E3 Remote Control
Orientation Detection
Sensor
Superimposed AF
Point
FE Lock
Compatible with
RS-60E3 Remote
Control
Compatible with
Battery Pack BP-220
Retractable built-in TTL flash
Multiple Exposure
Oversize LCD Panel
Compatible with Battery Pack BP-220
Sensor Size
36.0 x 24.0mm
28.1 x 18.7mm
35.8 x 23.9mm
22.2 x 14.8mm
22.5 x 15.0mm
22.2 x 14.8mm
22.2 x 14.8mm
Crop Factor
1.0x (Full-frame)
1.3x (APS-H)
1.0x (Full-frame)
1.6x (APS-C)
1.6x (APS-C)
1.6x (APS-C)
1.6x (APS-C)
Number of Focusing
Points
45 (Area AF Ellipse)
7 central high-precision cross-type AF points.
7; Center AF point is cross-type; works with lenses f/5.6 and
faster.
7; Center AF point is cross-type; works with lenses f/5.6 and
faster.
7; Center AF point is cross-type; works with lenses f/5.6 and
faster).
Number of Focusing Points
45 (Area AF Ellipse)
19 cross-type AF points (plus 26 Assist AF points).
45 (Area AF Ellipse)
19 cross-type AF points (plus 26 Assist AF points).
9; Center AF point is cross-type; Hybrid high and standard precision.
6 Assist AF Points in central area activated in AI Servo AF.
9; Each AF point has cross-type sensors; Center AF point also has
additional cross-type sensor with f/2.8 or faster lenses
9; Center AF point is cross-type;
Hybrid high and standard precision.
9; Center AF point is cross-type;
Hybrid high and standard precision.
7; Center AF point is cross-type,
works with lenses f/5.6 and faster.
Autofocus Sensitivity
EV 0-18 (at ISO 100)
EV 1-18 (at ISO 100)
EV 1-18 (at ISO 100)
EV 1-18 (at ISO 100)
Autofocus Auxiliary
Light Built-In
—
Yes
Yes
Yes
Shutter
Vertical-travel focal-plane shutter with soft-touch electromagnetic release and all speeds
electronically controlled.
30 - 1/8,000 sec. & Bulb, manually selectable in 1/3, 1/2 or
1-stop increments.
Up to 1/250 sec.; high-speed sync. available with EX-series
Speedlites.
Vertical-travel focal-plane shutter with soft-touch electromagnetic release and all speeds electronically controlled.
Vertical-travel focal-plane shutter with all speeds
electronically-controlled.
Vertical-travel focal-plane shutter with all speeds
electronically-controlled.
30- 1/4,000 sec. & Bulb, manually selectable in 1/2-stop
increments.
Up to 1/125 sec.; high-speed sync. available with EX-series
Speedlites.
30 -1/4,000 sec. & Bulb, manually selectable in 1/2-stop
increments.
Up to 1/125 sec.; high-speed sync. available with EX-series
Speedlites.
30 -1/2,000 sec. & Bulb, manually selectable in 1/2-stop
increments.
Up to 1/90 sec.; high-speed sync. available with EX-series
Speedlites.
Automatic. Film automatically advances to the first frame.
Automatic. Film automatically advances to the first frame.
Film automatically prewound to the end of the roll when
loaded; rewinds one frame at a time during shooting.
Film automatically prewound to the end of the roll when
loaded; rewinds one frame at a time during shooting.
Single and 3.5 fps.
(Single, 3.5 fps and up to 10.0 fps with PB-E2 / NP-E2)
Single and 4.0 fps.
Single and 3.0 fps.
Single and 1.5 fps.
Film Rewind
Automatic. Film automatically rewinds at end of roll. Choice
of high-speed or silent rewind.
Automatic. Film automatically rewinds at end of roll. Choice
of high-speed or silent rewind.
Automatic. Film automatically rewinds at end of roll.Mid-roll
rewind possible.
Automatic. Film automatically rewinds at end of roll. Midroll rewind possible.
Metering System
TTL full-aperture metering:
• 21-zone evaluative • Multi-spot metering
metering
(up to 8 spot readings)
• 8.5% partial area
• Center-weighted
metering
average metering
• 2.4% center spot
• Pre-flash metering
metering
(E-TTL)
•2.4% spot metering • 3 Zone off- the-film
(Linked to user selectedTTL flash
focusing pointmetering)
EV 0-20 for all patterns (at ISO 100 with f/1.4 lens).
TTL full-aperture metering:
• 35-zone evaluative
•
metering
•Center-weighted
•
average metering
• 10% partial area
•
metering
TTL full-aperture metering:
• 35-zone space
•
evaluative metering
•9.5% partial area
metering
• Center-weighted
average metering
(in manual mode only)
TTL full-aperture metering:
• 35-zone space
•
evaluative metering
• 9.5% partial area
metering
• Center-weighted
average metering
(in manual mode only)
EV 1-20 for all patterns (at ISO 100 with f/1.4 lens).
EV 1-20 (at ISO 100 with f/1.4 lens).
EV 1-20 (at ISO 100 with f/1.4 lens)
Exposure
Compensation
± 3 stops in 1/3 or 1/2-stop increments
± 2 stops in 1/2-stop increments
± 3 stops in 1/2-stop increments
± 2 stops in 1/2-stop increments
Autofocus Sensitivity
EV -1–18 (at ISO 100)
EV -1–18 (at ISO 100)
EV -0.5-18 (at ISO 100)
EV -0.5–18 (at ISO 100)
EV -0.5–18 (at ISO 100)
EV -0.5–18 (at ISO 100)
EV 0.5–18 (at ISO 100)
Autofocus Auxiliary Light Built-In
–
–
–
Yes (via built-in flash)
Yes (via built-in flash)
Yes (via built-in flash)
Yes (via built-in flash)
Shutter
Vertical-travel, focal-plane shutter with soft-touch electromagnetic
release, all speeds electronically controlled
Vertical-travel, focal-plane shutter with soft-touch electromagnetic
release, all speeds electronically controlled
Vertical-travel focal-plane shutter with soft-touch electromagnetic
release and all speeds electronically controlled
Vertical-travel, focal-plane shutter with soft-touch electromagnetic
release, all speeds electronically controlled
Vertical-travel, focal-plane shutter with soft-touch electromagnetic
release, all speeds electronically controlled
Vertical-travel, focal-plane shutter with soft-touch electromagnetic
release, all speeds electronically controlled
Vertical-travel focal-plane shutter with soft-touch electromagnetic
release and all speeds electronically controlled
Shutter Speeds
30–1/8000 sec. & Bulb; manually settable in 1/3-, 1/2-, 1-stop
increments
30–1/8000 sec. & Bulb; manually settable in 1/3-, 1/2-, 1-stop
increments
30 - 1/8,000 sec. & Bulb, manually selectable in 1/3-stop increments
30–1/8000 sec. & Bulb; manually settable in 1/3- or 1/2-stop increments
30–1/8000 sec. & Bulb; manually settable in 1/3- or 1/2-stop increments
30-1/4,000 sec. & Bulb, manually selectable in 1/3 or 1/2-stop
increments
30-1/4,000 sec. & Bulb, manually selectable in 1/3 or 1/2-stop
increments
Maximum Flash Synchronization Speed
Up to 1/250 sec.; high-speed sync. available with EX-series
Speedlites
Up to 1/300 sec.; high-speed sync. available with EX-series
Speedlites
Up to 1/200 sec.; high-speed sync. available with EX-series
Speedlites
Up to 1/250 sec.; high-speed sync. available with EX-series
Speedlites
Up to 1/250 sec.; high-speed sync. available with EX-series
Speedlites
Up to 1/200 sec.; high-speed sync. available with EX-series
Speedlites
Up to 1/200 sec.; high-speed sync. Available with EX-series
Speedlites
Media
Digital images are stored on removable CompactFlash™
(Type I or II) or SD/SDHC† memory card.
Digital images are stored on removable CompactFlash™
(Type I or II) or SD/SDHC† memory card.
Digital images are stored on removable
CompactFlash™ (Type I or II).
Digital images are stored on removable
CompactFlash™ (Type I or II).
Digital images are stored on removable
CompactFlash™ (Type I or II).
Digital images are stored on removable CompactFlash™ (Type I or II).
Digital images are stored on removable CompactFlash™ (Type I or II).
Frames Per Second
Single, 3.0 fps, 5.0 fps
Single, 3.0 fps, 10.0 fps
Single and 3.0 fps
Single, 3.0 fps, 6.5 fps
Single, 3.0 fps, 5.0 fps
Single and 3.0 fps
Single and 3.0 fps
Metering System
TTL full-aperture metering:
• 63-zone Evaluative metering,
• 8.5% Partial metering,
• 2.4% Center spot metering,
• 2.4% Spot metering (linked
to user-selected focusing
point),
TTL full-aperture metering:
• 63-zone Evaluative metering,
• 13.5% Partial metering,
• 3.8% Center spot metering,
• 3.8% Spot metering (linked
to user-selected focusing
point),
TTL full-aperture metering:
• 35-zone Evaluative metering
• 8% Partial metering
• 3.5% Center spot metering
• Center-weighted average metering
• Pre-flash metering (E-TTL II)
TTL full-aperture metering:
• 35-zone Evaluative metering
• 9% Partial metering
• 3.8% Center spot metering
• Center-weighted average metering
• Pre-flash metering (E-TTL II)
TTL full-aperture metering:
• 35-zone Evaluative metering
• 9% Partial metering
• 3.5% Center spot metering
• Center-weighted average metering
• Pre-flash metering (E-TTL II)
TTL full-aperture metering:
• 35-zone Evaluative metering
• 9% Partial metering
• Center-weighted average metering
• Pre-flash metering (E-TTL II)
TTL full-aperture metering:
• 35-zone Evaluative metering
• 9% Partial metering
• Center-weighted average metering
• Pre-flash metering (E-TTL II)
• Multi-spot metering (up to 8
spot readings),
• Center-weighted average
metering,
• Pre-flash metering (E-TTL II)
• Multi-spot metering (up to 8
spot readings),
• Center-weighted average
metering,
• Pre-flash metering (E-TTL II)
Shutter Speeds
Maximum Flash
Synchronization Speed
Media
Frames Per Second
Metering Sensitivity
TTL/ A-TTL autoflash
Pre-flash metering
(E-TTL)
3-zone off-the-film
TTL flash metering
E-TTL pre-flash
metering (with
built-in flash and
EX-series
speedlites)
E-TTL pre-flash
metering (with
built-in flash
and EX-series
speedlites)
Metering Sensitivity
EV 0–20 for all patterns (at ISO 100 with f/1.4 lens)
EV 0–20 for all patterns (at ISO 100 with f/1.4 lens)
EV 1-20 for all patterns (at ISO 100 with f/1.4 lens)
EV 0–20 for all patterns (at ISO 100 with f/1.4 lens)
EV 1–20 for all patterns (at ISO 100 with f/1.4 lens)
EV 1–20 for all patterns (at ISO 100 with f/1.4 lens)
EV 1-20 for all patterns (at ISO 100 with f/1.4 lens)
Exposure Compensation
±3 stops in 1/3- or 1/2-stop increments
±3 stops in 1/3- or 1/2-stop increments
± 2 stops in 1/3 or 1/2-stop increments
±2 stops in 1/3- or 1/2-stop increments
±2 stops in 1/3- or 1/2-stop increments
±2 stops in 1/3- or 1/2-stop increments
± 2 stops in 1/3 or 1/2-stop increments
±3 stops in 1/3-stop increments
± 2 stops in 1/3-stop increments
±2 stops in 1/3- or 1/2-stop increments
±2 stops in 1/3- or 1/2-stop increments
±2 stops in 1/3- or 1/2-stop increments
± 2 stops in 1/3 or 1/2-stop increments
± 3 stops in 1/3 or 1/2-stop increments (works with all EOS
Speedlites)
± 2 stops in 1/2-stop increments (works with all EOS
Speedlites)
N/A
±3 stops in 1/3- or 1/2-stop increments
Flash Exposure
Compensation
N/A
Flash Exposure Compensation
Yes
Yes
AE Lock
Yes
Yes
Yes
Yes
Exposure Modes
• Shutter-priority AE
• Manual
• Aperture-priority AE • E-TTL, A-TTL,TTL
• Depth-of-field AE
Flash AE
• Intelligent Program • Bulb
AE with variable shift
• Intelligent Program AE • Programmed Image
• Shutter-priority AE
Control (6 settings)
• Aperture-priority AE • Metered Manual
• Depth-of-field AE
• E-TTL II, A-TTL, TTL
• Full Auto Mode
Program flash AE
• Intelligent program AE • Programmed Image
with variable shift
Control (7 settings)
• Shutter-priority AE
• Metered manual
• Aperture-priority AE • E-TTL II Autoflash
• Auto Depth-of-field AE Program flash AE
• Intelligent program AE •
with variable shift
• Shutter-priority AE
•
• Aperture-priority AE •
• Auto Depth-of-field AE
Viewfinder
Fixed eye-level pentaprism.
Fixed eye-level pentaprism.
Fixed eye-level pentamirror.
Fixed eye-level pentamirror.
Viewfinder Coverage
100% horizontal and vertical at 0.72x
92% horizontal and 90% vertical at 0.70x
90% horizontal and vertical at 0.70x.
90% horizontal and vertical at 0.70x
Inside the picture area: Area AF ellipse, illuminated AF
frames and fine spot metering circle. Displayed at the bottom
and right side of the viewing area: LCD numerals, two analog scales and text display.
• Shutter speed
• Exposure level scale
• Aperture value scale • Flash exposure level
• Depth-of-field AE
• Remaining frame
• AE Lock / FE Lock
• indicator double digit
• Flash charge
• Manual Exposure
completion indicator
mode indicator
• High-speed sync
• Multi-Spot readings
indicator
Inside the picture area: Seven focusing points. Displayed at
the bottom of the viewing area: Numeric and textual information with 7-segment LCD.
• Shutter speed
• FP mode indicator
• Aperture value
(Hi-speed sync)
• Exposure level scale • Flash compensation
indicator
• AF-in-focus indicator
• Flash status
• Eye Control icon
Viewfinder Information: Inside the picture area: Seven focusing points, plus 9.5% partial metering circle. Displayed at
the bottom of the viewing area: Numeric and textual information with 7-segment LCD.
• Shutter speed
• Flash status
• Aperture value
• FP mode indicator
• AE Lock / FE Lock
(Hi-speed sync)
• Exposure level scale • In-focus indicator
Viewfinder Information: Inside the picture area: Seven focusing points, plus 9.5% partial metering circle. Displayed at the
bottom of the viewing area: Numeric and textual information
with 7-segment LCD.
• Shutter speed
• FP mode indicator
• Aperture value
(Hi-speed sync)
• AE Lock / FE Lock
• In-focus indicator
• Exposure level scale • Active AF point
• Flash status
indicator
Laser-matte screen marked with focusing points. (Non-interchangeable)
Laser-matte screen marked with focusing points. (Non-interchangeable)
Laser-matte screen marked with focusing points. (Non-interchangeable)
Focusing Screens
Laser-matte screen Ec-C III, with area AF ellipse, and fine
spot metering circle provided as the standard screen.
(Interchangeable with Ec-series focusing screens. Metering
correction data can be set with a Custom Function for the
Laser-matte and New Laser-matte screens.)
Self-Timer
Electronically controlled with 2- or 10-second delay.
Electronically controlled with 10-second delay.
Electronically controlled with 10-second delay.
Electronically controlled with 10-second delay.
Body Dimensions
(W x H x D)
6.3 x 4.7 x 2.8 in. / 161 x 120.8 x 70.8mm
5.8 x 4.0 x 2.7 in. / 146.7 x 103 x 69mm
5.1 x 3.5 x 2.5 in. / 130 x 90 x 64mm
5.1 x 3.5 x 2.5 in. / 130 x 88 x 64mm
Weight (Body Only)
33.3 oz. / 945g
20.3 oz. / 575g
12.9 oz. / 365g
12.9 oz. / 365g
AE Lock
Yes
Exposure Modes
• Shutter Speed-priority AE
• Aperture-priority AE
• Program AE (shiftable)
• Manual
• E-TTL II Flash AE
• Flash Metered Manual
Viewfinder
20
35mm
35mm
Yes
• Bulb
Fixed eye-level pentaprism
• Shutter Speed-priority AE
• Aperture-priority AE
• Program AE (shiftable)
• Manual
• E-TTL II Flash AE
• Flash Metered Manual
• Bulb
Fixed eye-level pentaprism
Yes
Yes
• Program AE (shiftable)
• Shutter Speed-priority AE
• Aperture-priority AE
• Full Auto
• Manual
• E-TTL II Flash AE
• Shutter Speed-priority AE
• Aperture-priority AE
• Auto Depth-of-Field AE
• Program AE (shiftable)
• Manual
• E-TTL II Flash AE
Fixed eye-level pentaprism
Fixed eye-level pentaprism
• 6 PIC (Programmed Image
Control) modes
• Full Auto Mode
• 3 user-defined Custom
Modes
• Shutter Speed-priority AE
• Aperture-priority AE
• Auto Depth-of-Field AE
• Program AE (shiftable)
• Manual
• E-TTL II Flash AE
Yes
• 6 PIC (Programmed Image
Control) modes
• Full Auto Mode
Fixed eye-level pentaprism
• Shutter Speed-priority AE
• Aperture-priority AE
• Auto Depth-of-Field AE
• Program AE (shiftable)
• Manual
• 6 PIC (Programmed Image
control) modes
• E-TTL II Flash AE
• Full Auto Mode
Fixed eye-level pentamirror
• Shutter Speed-priority AE
• Aperture-priority AE
• Auto Depth-of-Field AE
• Program AE (shiftable)
• Manual
• E-TTL II Flash AE
• 6 PIC (Programmed Image
Control) modes
• Full Auto Mode
• Smallest EOS Digital SLR
camera
Fixed eye-level pentamirror
Viewfinder Coverage
100% horizontal/vertical at 0.75x
100% horizontal/vertical at 0.76x
96% horizontal and vertical at 0.71x
95% horizontal/vertical at 0.76x
95% horizontal/vertical at 0.9x
95% horizontal/vertical at 0.8x
95% horizontal and vertical at 0.8x
Viewfinder Information
Inside the picture area: Area AF Ellipse, illuminated AF points and Spot
metering circle. Displayed at the bottom and right side of the viewing area:
• Exposure compensation/
• Shutter speed
Flash compensation
• Aperture value
• Exposure bracketing
• AE Lock
• Flash ready/Hi-speed sync
• FE Lock
• Focus confirmation
• Shots remaining
• White Balance +/• Max. burst
• ISO speed
• Multi-spot readings
• JPEG indicator
• Metering Pattern
• RAW indicator
• Highlight tone Priority
• Battery check
• Exposure level/Flash exposure
• Memory card full warning
level/Manual Exposure level
Inside the picture area: Area AF Ellipse, illuminated AF points and Spot
metering circle. Displayed at the bottom and right side of the viewing area:
• Exposure compensation/
• Shutter speed
Flash compensation
• Aperture value
• Exposure bracketing
• AE Lock
• Flash ready/Hi-speed sync
• FE Lock
• Focus confirmation
• Shots remaining
• White Balance +/• Max. burst
• ISO speed
• Multi-spot readings
• JPEG indicator
• Metering Pattern
• RAW indicator
• Highlight tone Priority
• Battery check
• Exposure level/Flash exposure
• Memory card full warning
level/Manual Exposure level
Inside the picture area: Nine focusing points, 3.5% Spot metering
circle. Displayed at the bottom of the viewing area:
Numeric and textual information with 7-segment LCD:
• Flash ready/High-speed sync
• Shutter speed
• Focus confirmation
• Aperture value
• White Balance +/• AE Lock
• ISO speed
• FE Lock
• JPEG indicator
• Max. burst
• CF card full warning
• Exposure level
• Flash exposure compensation
• Exposure bracketing
Inside the picture area: Nine focusing points, 3.8% Spot metering
circle. Displayed at the bottom of the viewing area: Numeric and textual information with 7-segment LCD:
• Focus confirmation
• Shutter speed
• White Balance +/• Aperture value
• CF card full warning
• AE Lock
• FE Lock
• Max. burst
• Exposure level
• Flash exposure compensation
• Exposure bracketing
• Flash ready/High-speed sync
Inside the picture area: Nine focusing points, 3.5% Spot metering
circle. Displayed at the bottom of the viewing area: Numeric and textual information with 7-segment LCD:
• Flash ready/High-speed sync
• Shutter speed
• Focus confirmation
• Aperture value
• White Balance +/• AE Lock
• CF card full warning
• FE Lock
• Max. burst
• Exposure level
• Flash exposure compensation
• Exposure bracketing
Inside the picture area: Nine focusing points. Displayed at the
bottom of the viewing area: Numeric and textual information with
7-segment LCD:
• Focus conformation
• Shutter speed
• White Balance +/• Aperture value
• CF card full warning
• AE Lock
• FE Lock
• Max. burst
• Exposure level
• Flash exposure compensation
• Exposure bracketing
• Flash ready/High-speed sync
Inside the picture area: Seven focusing points. Displayed at the
bottom of the viewing area: Numeric and textual information with
7-segment LCD:
• Focus confirmation
• Shutter speed
• White Balance +/• Aperture value
• CF card full warning
• AE Lock
• FE Lock
• Max. burst
• Exposure level
• Flash exposure compensation
• Exposure bracketing
• Flash ready/High-speed sync
Focusing Screens
Laser-matte screen Ec-C IV with area AF Ellipse and fine Spot
metering circle provided as the standard screen (interchangeable
with Ec-series focusing screens, metering correction data can be set
with a custom function for the Laser-matte screens)
Laser-matte screen Ec-C IV with area AF Ellipse and fine Spot
metering circle provided as the standard screen (interchangeable
with Ec-series focusing screens, metering correction data can be set
with a custom function for the Laser-matte screens)
Precision laser-matte screen Ee-A marked with focusing points and
partial metering circle. (Interchangeable with Ee-series focusing
screens. Metering correction data can be set with a custom
function)
Precision laser-matte screen marked with focusing points and Spot
metering circle (interchangeable with dedicated Ef-series screens.
Metering correction can be set with Custom Function IV-5)
Precision laser-matte screen marked with focusing points and Spot
metering circle (Non-interchangeable)
Precision laser-matte screen marked with focusing points (Noninterchangeable)
Precision laser-matte screen marked with focusing points (Noninterchangeable)
Self-Timer
Electronically controlled with 2- or 10-second delay
Electronically controlled with 2- or 10-second delay
Electronically controlled with 10-second delay
Electronically controlled with 2- or 10-second delay
Electronically controlled with 2- or 10-second delay
Electronically controlled with 2- or 10-second delay
Electronically controlled with 2- or 10-second delay
Body Dimensions (W x H x D)
6.1 x 6.3 x 3.1 in./156 x 159.6 x 79.9mm
6.1 x 6.2 x 3.1 in./156 x 156.6 x 79.9mm
6.0 x 4.4 x 3.0 in. / 152 x 113 x 75mm
5.7 x 4.2 x 2.9 in./145.5 x 107.8 x 73.5mm
5.7 x 4.2 x 2.9 in./144 x 105.5 x 73.5mm
4.98 x 3.71 x 2.56 in./126.5 x 94.2 x 65mm
4.98 x 3.71 x 2.63 in./126.5 x 94.2 x 64mm
Weight (Body Only)
42.5 oz. / 1,205 g
40.7 oz./ 1,155g
28.6 oz. / 810g
26.1 oz./740g
24.7 oz./700g
18 oz./510g
17.1 oz./485g
*TTL-CT-SIR (Through-the-Lens Cross-Type Secondary-Image-Registration)
†
SDHC compatibility requires firmware update
21
Viewfinder
Information
Programmed Image
Control (7 settings)
Metered manual
E-TTL Flash AE
Program flash AE
22
EOS SYSTEM CHART
EF LENSES
EOS-1Ds Mark III and EOS-1D Mark III Only
Battery Pack
LP-E4
Battery Charger
LC-E4
Interface Cable
IFC-200U
Eyecup Eg
Video Cable
VC-100
Anti-Fog Eyepiece Eg
USB Cable Protector
Wireless File Transmitter
WFT-E2A
Wireless Controller
LC-5†
EOS-1Ds Mark III
580EX II
Car Battery Cable
CB-570
AC Adaptor Kit
ACK-E4
EOS-1D Mark III
Interface Cable
IFC-500U
Dioptric Adjustment Lenses Eg
Remote Switch
RS-80N3†
Original Data Security Kit
OSK-E3
Ec-Series Focusing Screens
EOS 5D Only
Timer Remote
Controller TC-80N3†
430EX
Battery Charger
CB-5L
Eyecup
Eb
Rubber Frame
Eb
Dioptric Adjustment
Lens E
Compact Power Adapter
CA-570
USB Interface Cable
IFC-400PCU
Video Cable
VC-100
Data Verification Kit
DVK-E2 or OSK-E3
Battery Pack
BP-511A/514
Battery Grip BG-E4
Cable Release
Adapter T3*†
EOS 5D
AC Adapter Kit
ACK-E2
220EX
Car Battery Cable
CB-570
Remote Switch
Adapter T3*†
EOS 40D Only
Interface Cable
IFC-200U
Battery Grip BG-E2N
Macro Twin Lite
MT-24EX
Image Stabilization:
It Belongs In the Lens.
Remote Switch
Adapter RA-N3†
Ee-Series Focusing
Screens
Battery Pack
BP-511A
Battery Charger
CG-580 or CB-5L
Battery Magazine
BGM-E2
AC Adapter Kit
ACK-E2
Compact Power Adapter
CA-PS400
Eyecup
Eb
Rubber Frame
Eb
Interface Cable
IFC-500U
Dioptric Adjustment
Lens E
Ef-Series Focusing
Screens
Video Cable
VC-100
Data Verification Kit
DVK-E2 or OSK-E3
Because every lens is different, different lenses
have different Optical Image Stabilizer needs.
Extension Cord
1000T3*†
• Reduces motion blur by counteracting camera shake during handheld photography
EOS 40D
Wireless File Transmitter
WFT-E3A
DC Coupler
DR-400
Car Battery Cable Compact Power Adapter
CB-570
CA-570
Battery Grip BG-E2
• With Optical Image Stabilizer in the lens, Canon can equip each Optical Image Stabilizer lens with the
stabilizer it needs
Remote Switch
60T3*†
EOS 30D Only
Macro Ring Lite
MR-14EX
Battery Charger
CG-580 or CB-5L
Eyecup
Eb
Compact Power Adapter
CA-PS400
Rubber Frame
Eb
Dioptric Adjustment
Lens E
• With Canon Optical Image Stabilizer, the effects of the stabilization can be seen in the viewfinder—the
image is steadier, making composition more accurate
Camera
Shake
Eyepiece Extender
EP-EX15
EOS 30D
AC Adapter Kit
ACK-E2
Speedlite Transmitter
ST-E2
Car Battery Cable
CB-570
DC Coupler
DR-400
Compact Power Adapter
CA-570
USB Interface Cable
IFC-400PCU
Video Cable
VC-100
Data Verification Kit
DVK-E2 or OSK-E3
Angle Finder C
©Onne van der Wal
EOS Digital Rebel XTi and Digital Rebel XT Only
EOS Digital Rebel XTi
Off-Camera Shoe Cord
OC-E3
Battery Grip BG-E3
EOS Digital Rebel XT
TTL Hot Shoe
Adapter 3*
AC Adapter Kit
ACK-DC20
Compact Power
Adapter CA-PS700
Wireless Remote
Controller RC-5
Battery Charger
CB-2LW
Battery Pack
NB-2LH
USB Interface Cable
IFC-400PCU
Wireless Remote
Controller RC-1
Video Cable
VC-100
*Requires RA-N3 with EOS-1Ds Mark II, 1D Mark II, 1Ds, 1D, 30D, 10D, D60, D30 and D2000.
†Not
Eyecup
Ef
Remote Switch
RS-60E3
Extended Range
Antenna ERA-E1†
Rubber Frame
Ef
Dioptric Adjustment
Lens E
Wireless File
Transmitter WFT-E1A †
compatible with EOS Digital Rebel XTi/XT.
Connecting Cord
60*
Battery Magazine BM-E2
Connecting Cord
300*
Power Drive
Booster PB-E2
Ni-MH Pack
NP-E2
Ni-MH Charger
NC-E2
Wireless Controller
LC-5
Anti-Fog
Eyepiece Extender
Eyepiece Ec
EP-EX15
Eyecup
Ec-II
Rubber Frame
Ec
Dioptric Adjustment
Lens E
Angle Finder C
Ec-Series Focusing
Screens
EOS-1V
TTL
Distributor*
Battery Pack BP-E1
Timer Remote
Controller TC-80N3
Remote Switch
RS-80N3
Extension Cord
ET-1000N3
Remote Switch
Adapter RA-N3
Extension Cord
1000T3*
Remote Switch
60T3*
Cable Release
Adapter T3*
Off-Camera
Shoe Adapter
OA-2*
Battery Pack BP-300
Wireless Remote
Controller RC-1
Wireless Remote
Controller RC-5
Remote Switch
RS-60E3
Anti-Fog
Eyepiece Ed
Eyecup Ed
Dioptric Adjustment
Lens Ed
Eyecup Ed-E
Battery Pack BP-220
Wireless Remote
Controller RC-1*
Wireless Remote
Controller RC-5*
Remote Switch
RS-60E3**
Eyecup Ef
Rubber Frame Ef
Dioptric Adjustment
Lens E
Angle Finder C
EOS REBEL T2
EOS REBEL K2
23
EOS Link Software ES-E1
*Requires RA-N3 with EOS-1V / 3
EOS ELAN 7NE
* These accessories
provide TTL or manual
flash control, but are not
compatible with E-TTL or
E-TTL II; no automatic
flash with EOS digital
SLRs.
Remote Switch
Adapter T3*
*EOS Rebel T2 Date / Rebel K2 Date only
**EOS Rebel T2 only
1: No Camera Shake
• Found on some telephoto lenses, Optical Image Stabilizer Mode 2 is especially effective when doing
panned shots
Extension Cord
ET-1000N3†
Battery Pack
BP-511A
Optical Image Stabilizer Parallel Movement Principle
EF LENS TECHNOLOGY
Great images start with great lenses and, in many ways, an SLR is defined by the quality,
breadth and scope of the associated system of lenses. For many, Canon EF series lenses
alone are reason enough to choose the EOS System. A unique blend of the world’s most
advanced optical, microelectronic, and precision manufacturing technologies, EF lenses are perfected in Canon’s
laboratories and proven in the field. Whatever
you shoot, whatever your budget, there are
Canon EF lenses perfect for your needs.
Optical Image Stabilizer
Canon Optical Image Stabilizer technology makes
handheld photography more practical at slow
shutter speeds, accommodating more low-light
shooting situations than ever before. Camera
shake typically occurs at shutter speeds less
than 1/ [focal length], resulting in image blur.
Canon Optical Image Stabilizer technology uses
miniature sensors and a high-speed microcomputer built into the lens. The sensors analyze
vibrations and apply correction via a special
stabilizing lens group that shifts the image
parallel to the focal plane. Motion blur is
Image Stabilizer OFF
Image Stabilizer ON
canceled, resulting in a sharper image. With Image
Stabilization, it’s like gaining up to four stops.
Canon Optical Image Stabilizer technology is built
into EF or EF-S lenses and outperforms in-camera
stabilization technologies found in other cameras
by allowing for more movement of the stabilizing
lens group. Especially with telephoto lenses, as the
lens focal length increases, the effect of shake
and the degree of correction needed to cancel it
increase as well. With the rest of the Optical Image
Stabilizer in the lens, Canon can equip each
IS lens with the stabilizer it needs for effective
shake correction. Other systems are limited by
how far they can move an image sensor, and as
a result their stabilization is less effective as
telephoto lengths get longer. Also, the result
of Optical Image Stabilization can be seen right
in the viewfinder—impossible with some other
stabilizer systems.
How the Image Stabilizer Works — The Optical Image
Stabilizer shifts a lens group in parallel to the focal plane.
When the lens jerks due to camera shake, the light rays
from the subject are bent relative to the optical axis, resulting in a blurred image. Camera shake is detected by two
gyro sensors (one each for the yaw and pitch). The gyro sensors detect the angle and speed of the camera shake
caused by handheld shooting. By moving select lens elements according to how the entire lens is being shaken, the
image passing through the lens can be steady and sharp
when it hits the imaging sensor. The figure on the right
shows what happens when the lens is jerked downward.
The center of the image moves downward on the focal
plane. When the Optical Image Stabilizer lens group shifts
downward, the light rays are refracted so that the image
center returns to the center of the focal plane. Since image
2: Lens Front Shake Downward
Optical Image Stabilizer units
shake occurs in both the horizontal and vertical directions,
the Optical Image Stabilizer lens group can shift vertically
and horizontally on a plane perpendicular to the optical axis
to counteract the image shake.
3: Image-stabilizing group counteracting
downward camera shake
Optical Image Stabilizer in effect, right in the viewfinder.
Close-up — For close-up shots,
even the tiniest of motion is magnified and spoils a great shot!
Low-light — In low light situations, when you would normally
expect to have to use flash,
Canon’s Optical Image Stabilizer
lenses give you the freedom of
up to 4 stops of light.
Telephoto — Canon designs
each Optical Image Stabilizer
system to complement the
lens’ focal length. So even
with telephoto lenses you’ll
capture the shot!
25
EOS SYSTEM CHART
EF LENSES
EOS-1Ds Mark III and EOS-1D Mark III Only
Battery Pack
LP-E4
Battery Charger
LC-E4
Interface Cable
IFC-200U
Eyecup Eg
Video Cable
VC-100
Anti-Fog Eyepiece Eg
USB Cable Protector
Wireless File Transmitter
WFT-E2A
Wireless Controller
LC-5†
EOS-1Ds Mark III
580EX II
Car Battery Cable
CB-570
AC Adaptor Kit
ACK-E4
EOS-1D Mark III
Interface Cable
IFC-500U
Dioptric Adjustment Lenses Eg
Remote Switch
RS-80N3†
Original Data Security Kit
OSK-E3
Ec-Series Focusing Screens
EOS 5D Only
Timer Remote
Controller TC-80N3†
430EX
Battery Charger
CB-5L
Eyecup
Eb
Rubber Frame
Eb
Dioptric Adjustment
Lens E
Compact Power Adapter
CA-570
USB Interface Cable
IFC-400PCU
Video Cable
VC-100
Data Verification Kit
DVK-E2 or OSK-E3
Battery Pack
BP-511A/514
Battery Grip BG-E4
Cable Release
Adapter T3*†
EOS 5D
AC Adapter Kit
ACK-E2
220EX
Car Battery Cable
CB-570
Remote Switch
Adapter T3*†
EOS 40D Only
Interface Cable
IFC-200U
Battery Grip BG-E2N
Macro Twin Lite
MT-24EX
Image Stabilization:
It Belongs In the Lens.
Remote Switch
Adapter RA-N3†
Ee-Series Focusing
Screens
Battery Pack
BP-511A
Battery Charger
CG-580 or CB-5L
Battery Magazine
BGM-E2
AC Adapter Kit
ACK-E2
Compact Power Adapter
CA-PS400
Eyecup
Eb
Rubber Frame
Eb
Interface Cable
IFC-500U
Dioptric Adjustment
Lens E
Ef-Series Focusing
Screens
Video Cable
VC-100
Data Verification Kit
DVK-E2 or OSK-E3
Because every lens is different, different lenses
have different Optical Image Stabilizer needs.
Extension Cord
1000T3*†
• Reduces motion blur by counteracting camera shake during handheld photography
EOS 40D
Wireless File Transmitter
WFT-E3A
DC Coupler
DR-400
Car Battery Cable Compact Power Adapter
CB-570
CA-570
Battery Grip BG-E2
• With Optical Image Stabilizer in the lens, Canon can equip each Optical Image Stabilizer lens with the
stabilizer it needs
Remote Switch
60T3*†
EOS 30D Only
Macro Ring Lite
MR-14EX
Battery Charger
CG-580 or CB-5L
Eyecup
Eb
Compact Power Adapter
CA-PS400
Rubber Frame
Eb
Dioptric Adjustment
Lens E
• With Canon Optical Image Stabilizer, the effects of the stabilization can be seen in the viewfinder—the
image is steadier, making composition more accurate
Camera
Shake
Eyepiece Extender
EP-EX15
EOS 30D
AC Adapter Kit
ACK-E2
Speedlite Transmitter
ST-E2
Car Battery Cable
CB-570
DC Coupler
DR-400
Compact Power Adapter
CA-570
USB Interface Cable
IFC-400PCU
Video Cable
VC-100
Data Verification Kit
DVK-E2 or OSK-E3
Angle Finder C
©Onne van der Wal
EOS Digital Rebel XTi and Digital Rebel XT Only
EOS Digital Rebel XTi
Off-Camera Shoe Cord
OC-E3
Battery Grip BG-E3
EOS Digital Rebel XT
TTL Hot Shoe
Adapter 3*
AC Adapter Kit
ACK-DC20
Compact Power
Adapter CA-PS700
Wireless Remote
Controller RC-5
Battery Charger
CB-2LW
Battery Pack
NB-2LH
USB Interface Cable
IFC-400PCU
Wireless Remote
Controller RC-1
Video Cable
VC-100
*Requires RA-N3 with EOS-1Ds Mark II, 1D Mark II, 1Ds, 1D, 30D, 10D, D60, D30 and D2000.
†Not
Eyecup
Ef
Remote Switch
RS-60E3
Extended Range
Antenna ERA-E1†
Rubber Frame
Ef
Dioptric Adjustment
Lens E
Wireless File
Transmitter WFT-E1A †
compatible with EOS Digital Rebel XTi/XT.
Connecting Cord
60*
Battery Magazine BM-E2
Connecting Cord
300*
Power Drive
Booster PB-E2
Ni-MH Pack
NP-E2
Ni-MH Charger
NC-E2
Wireless Controller
LC-5
Anti-Fog
Eyepiece Extender
Eyepiece Ec
EP-EX15
Eyecup
Ec-II
Rubber Frame
Ec
Dioptric Adjustment
Lens E
Angle Finder C
Ec-Series Focusing
Screens
EOS-1V
TTL
Distributor*
Battery Pack BP-E1
Timer Remote
Controller TC-80N3
Remote Switch
RS-80N3
Extension Cord
ET-1000N3
Remote Switch
Adapter RA-N3
Extension Cord
1000T3*
Remote Switch
60T3*
Cable Release
Adapter T3*
Off-Camera
Shoe Adapter
OA-2*
Battery Pack BP-300
Wireless Remote
Controller RC-1
Wireless Remote
Controller RC-5
Remote Switch
RS-60E3
Anti-Fog
Eyepiece Ed
Eyecup Ed
Dioptric Adjustment
Lens Ed
Eyecup Ed-E
Battery Pack BP-220
Wireless Remote
Controller RC-1*
Wireless Remote
Controller RC-5*
Remote Switch
RS-60E3**
Eyecup Ef
Rubber Frame Ef
Dioptric Adjustment
Lens E
Angle Finder C
EOS REBEL T2
EOS REBEL K2
23
EOS Link Software ES-E1
*Requires RA-N3 with EOS-1V / 3
EOS ELAN 7NE
* These accessories
provide TTL or manual
flash control, but are not
compatible with E-TTL or
E-TTL II; no automatic
flash with EOS digital
SLRs.
Remote Switch
Adapter T3*
*EOS Rebel T2 Date / Rebel K2 Date only
**EOS Rebel T2 only
1: No Camera Shake
• Found on some telephoto lenses, Optical Image Stabilizer Mode 2 is especially effective when doing
panned shots
Extension Cord
ET-1000N3†
Battery Pack
BP-511A
Optical Image Stabilizer Parallel Movement Principle
EF LENS TECHNOLOGY
Great images start with great lenses and, in many ways, an SLR is defined by the quality,
breadth and scope of the associated system of lenses. For many, Canon EF series lenses
alone are reason enough to choose the EOS System. A unique blend of the world’s most
advanced optical, microelectronic, and precision manufacturing technologies, EF lenses are perfected in Canon’s
laboratories and proven in the field. Whatever
you shoot, whatever your budget, there are
Canon EF lenses perfect for your needs.
Optical Image Stabilizer
Canon Optical Image Stabilizer technology makes
handheld photography more practical at slow
shutter speeds, accommodating more low-light
shooting situations than ever before. Camera
shake typically occurs at shutter speeds less
than 1/ [focal length], resulting in image blur.
Canon Optical Image Stabilizer technology uses
miniature sensors and a high-speed microcomputer built into the lens. The sensors analyze
vibrations and apply correction via a special
stabilizing lens group that shifts the image
parallel to the focal plane. Motion blur is
Image Stabilizer OFF
Image Stabilizer ON
canceled, resulting in a sharper image. With Image
Stabilization, it’s like gaining up to four stops.
Canon Optical Image Stabilizer technology is built
into EF or EF-S lenses and outperforms in-camera
stabilization technologies found in other cameras
by allowing for more movement of the stabilizing
lens group. Especially with telephoto lenses, as the
lens focal length increases, the effect of shake
and the degree of correction needed to cancel it
increase as well. With the rest of the Optical Image
Stabilizer in the lens, Canon can equip each
IS lens with the stabilizer it needs for effective
shake correction. Other systems are limited by
how far they can move an image sensor, and as
a result their stabilization is less effective as
telephoto lengths get longer. Also, the result
of Optical Image Stabilization can be seen right
in the viewfinder—impossible with some other
stabilizer systems.
How the Image Stabilizer Works — The Optical Image
Stabilizer shifts a lens group in parallel to the focal plane.
When the lens jerks due to camera shake, the light rays
from the subject are bent relative to the optical axis, resulting in a blurred image. Camera shake is detected by two
gyro sensors (one each for the yaw and pitch). The gyro sensors detect the angle and speed of the camera shake
caused by handheld shooting. By moving select lens elements according to how the entire lens is being shaken, the
image passing through the lens can be steady and sharp
when it hits the imaging sensor. The figure on the right
shows what happens when the lens is jerked downward.
The center of the image moves downward on the focal
plane. When the Optical Image Stabilizer lens group shifts
downward, the light rays are refracted so that the image
center returns to the center of the focal plane. Since image
2: Lens Front Shake Downward
Optical Image Stabilizer units
shake occurs in both the horizontal and vertical directions,
the Optical Image Stabilizer lens group can shift vertically
and horizontally on a plane perpendicular to the optical axis
to counteract the image shake.
3: Image-stabilizing group counteracting
downward camera shake
Optical Image Stabilizer in effect, right in the viewfinder.
Close-up — For close-up shots,
even the tiniest of motion is magnified and spoils a great shot!
Low-light — In low light situations, when you would normally
expect to have to use flash,
Canon’s Optical Image Stabilizer
lenses give you the freedom of
up to 4 stops of light.
Telephoto — Canon designs
each Optical Image Stabilizer
system to complement the
lens’ focal length. So even
with telephoto lenses you’ll
capture the shot!
25
EF LENSES
EF LENSES
Diffractive Optics
Canon’s use of diffractive optics (DO) results in
high-performance lenses that are much smaller and
lighter than traditional designs. Canon’s unique
multilayer diffractive elements are constructed
by bonding diffractive coatings to the surfaces of
two or more lens elements. These elements are
then combined to form a single multilayer DO
element. Conventional glass lens elements disperse
incoming light, causing chromatic aberration.
The DO element’s dispersion characteristics are
designed to cancel chromatic aberrations at various
wavelengths when combined with conventional
glass optics. This technology results in smaller
lenses with no compromise in image quality.
Canon has also developed a new triple-layer
type DO lens that uses an advanced diffractive
grating to deliver excellent performance, with
superior control of color fringing. This configuration is ideal for zoom lens optics and provides
EF 400mm f/4 IS DO USM •f/4 • 1/1250 sec.
Refractive Optical Element
Chromatic aberrations
Taken with EF 100-400mm f/4.5-5.6L IS USM
Refractive Optical Element
and Multi-Layer Diffractive
Optical Element Combined
Image formation in the blue, green
and red wavelength order
Optical Image Stabilizer Mode 2 — The stabilization characteristics of the Optical Image Stabilizer are set so that it is
most effective when photographing stationary subjects, but
when panning of a moving subject
is attempted, shake-return may
affect the finder image, interfering
with framing. This occurs because
camera movement such as panning
is judged to be shaking, activating
the image stabilizer. To resolve this
problem, Canon developed Optical
Image Stabilizer Mode 2. In this
mode, if you move the lens to follow a subject for a pre-determined time, the Optical Image
Stabilizer continues to correct any camera shake that's perpendicular to the panning motion. However, the Optical
Image Stabilizer doesn't try to correct for the intentional
panning, giving you a smooth viewfinder image as you follow the moving subject.
Optical Image Stabilizer Mode 2 Stabilization Control
Chromatic aberration canceled out
Image formation in the red, green and
blue wavelength order
Green
Blue
Red
Correction of Chromatic Abberation by the Multi-Layer
Diffractive Optical Element.
Camera Movement
(Image Stabilization
stopped)
Image Stabilization
Direction
Taken with EF 300mm f/4L IS USM
2: Vertical Camera Movement
significant reductions in size. A good example is
the EF 70-300mm f/4.5-5.6 DO IS USM lens, which
is 28 percent shorter than the EF 70-300mm f/4-5.6
IS USM lens.
Ultrasonic Motor
Camera Movement
(Image Stabilization
stopped)
26
Chromatic aberrations reversed from
that of a refractive optical element
Image Stabilization
Direction
Canon developed the world’s first lens-based
Ultrasonic Motor (USM) to power the lens autofocus mechanism. Instead of large noisy drive
trains powered by conventional motors, Canon
USM lenses employ the minute electronic vibrations created by piezoelectric ceramic elements.
The focusing action of the lens is fast and quiet,
Blue
Anomalous
dispersion
Red
Blue
Fluorite
Comparison of optical characteristics between
optical glass and Fluorite
EF 300mm f/2.8L IS USM •f/3.5 •1/180 sec.
with virtually instantaneous stops and starts.
USM lenses also draw minimal power from the
camera, ensuring longer battery life. Canon makes
two types of Ultrasonic Motor lenses. Ring-type
USM lenses, found in
large aperture and supertelephoto designs, permit
manual focusing without
first switching out of the
Ring-type USM
auto mode. Micro USM
designs bring the performance benefits of Canon’s
USM technology to a
wide assortment of
affordable EF lenses.
Micro USM
L-series Lenses
Multi-Layer Diffractive Optical Element
1: Horizontal Camera Movement
Red
Glass
Most highly regarded among professional photographers, Canon L-series lenses are distinguished
by a bold red ring around the outer barrel. What
makes them truly distinctive, however, is their
remarkable optical performance — the result of
sophisticated Canon technologies, such as Ultralow Dispersion UD glass, Fluorite and Aspherical
elements, and Super Spectra Coating.
Fluorite / UD Elements
Reducing color fringing, or chromatic aberration,
has been one of the great challenges in the design
of telephoto lenses. L-series telephoto lenses —
like the EF 70-200mm f/2.8L IS USM and EF
300mm f/4L IS USM — employ Canon’s Ultra-low
Dispersion glass to minimize this effect, providing
much improved contrast and sharpness. Even
more effective at suppressing chromatic aberration
are Fluorite elements, used in high-end supertelephoto L-series lenses. Although costly, a single
Fluorite element has roughly the corrective power
of two UD-glass elements, giving these L-series
lenses their spectacular performance and relatively
compact design.
Aspherical Elements
Wide-angle lenses and fast normal-focal-length
lenses often suffer from spherical aberration.
When the light rays coming through the center
Spherical aberration
of spherical lens.
Convergence of parallel light
rays by an Aspherical lens.
of the lens do not converge at the same point as
light rays coming through the lens edge, the
image appears blurred because there is no sharp
point of focus. Canon’s Aspherical elements use
a varying curved surface to ensure that the entire
image plane appears focused. Aspherical optics
also help to correct curvilinear distortion as one
might find in ultra wide-angle lenses. Finally,
Canon can design aspherical elements with
extremely precise variable curvature of one or
both sides, making possible lighter, more
compact lenses.
Focus Preset
Focus Preset enables you to program a focusing
distance in the camera’s memory. Normal picture
taking and focusing are unaffected by preset
distances. For example, at a soccer game, you
Focus Preset the goal area. Shoot normally
elsewhere on the field, but once the action moves
toward the goal, the user can instantly return to
the preset distance by turning a ring on the lens.
27
EF LENSES
EF LENSES
Floating System
Typical lenses correct for optical aberrations
only at commonly used focusing distances. Not
surprisingly, at other focusing distances, especially
close range, aberrations compromise image quality.
TS-E 24mm f/3.5L Floating System
Focal plane
Closest
shooting
distance
Floating
Dust- and Water-Resistant
Construction
Most L Series EF telephoto
lenses are highly dustand water-resistant
thanks to rubber seals
at the switch panels,
exterior seams, drop-in
filter compartments and
lens mounts. Moving
parts, such as the focusing ring and switches,
are also designed to keep out environmental
contaminants, providing reliable performance
under harsh conditions.
EF 15mm f/2.8 Fisheye •f/16 •1/640 sec.
EF 100mm f/2.8 Macro USM •f/5.6 •1/6 sec.
Specialty Lenses
Full-Time Manual Focusing
Canon EOS cameras with EF lenses deliver impeccable AF precision. Manual focusing capability,
nevertheless, can enhance flexibility. Canon EF
lenses with full-time manual focusing enable the
photographer to manually tweak focus without
switching out of AF mode. Since AF action does
not cause the focusing ring to turn, it can be made
wider for improved grip and comfort.
TS-E Movements
Floating Effect
(TS-E 24mm f/3.5L)
Tilt movements alter the angle of the plane of focus between the lens and focal plane, and shift movements move the lens’s
optical axis in parallel.
Fisheye — Perfect for super wide-angle and special
effect photography, Canon’s full-frame fisheye
can focus as close as eight inches (0.2m), and
delivers exceptionally sharp images throughout
its focus range. Up to three gel filters can be inserted
into its built-in rear filter holder.
Astigmatism
Rather than using fixed spacings, Canon’s floating
system dynamically varies the gap between
key lens elements based on focusing distance.
Aberrations are effectively suppressed throughout
the focusing range, assuring high image quality
in all shooting situations.
Circular Aperture
Canon lenses featuring circular aperture diaphragms
employ curved blades to create a smoothly rounded
opening as the lens is stopped down. As a result,
out-of-focus background highlights are rendered as
natural-looking rounded shapes rather than as
distracting polygons. These lenses deliver smooth,
consistent stop-down action (even at 10 fps),
near-silent operation and excellent optical characteristics.
Inner and Rear Focusing
An inner focusing lens has the focusing lens
group(s) in front of the diaphragm, while a rear
focusing lens has the focusing lens group(s) behind
the diaphragm. Both designs allow for compact
optical systems that produce faster AF. And because
the front of the lens does not rotate to focus, filter
orientation remains constant.
AF Stop Feature
Pressing the AF Stop button (featured on several
EF IS telephoto lenses) momentarily locks the AF
to prevent the focus from shifting to a passing
obstruction. After the obstruction has cleared, the
focus will still be on the subject, and you can quickly
resume shooting. AF Stop buttons are positioned
at four locations around the lens grip for easy access.
28
EF-S Lenses — Designed for Canon Digital EOS 40D,
30D and all EOS Digital Rebel models with APS-C
sized sensors (with a 1.6x crop factor), Canon’s
EF-S lenses take advantage of the sensor’s smaller
size to deliver optimized performance in compact,
lightweight designs. The EF-S 17-85mm f/4-5.6 IS
USM is a perfect example of this new technology.
With a compact design, a 35mm equivalent
range of 27-136mm, and Image Stabilization
technology, it’s a superlative walk-around lens…
possibly the only lens you’ll need to enjoy basic
Canon digital SLR photography.
Photo 1a: TS-E 45mm f/2.8 – Reverse tilt and shift greatly
reduces the range on which focusing is possible.
Photo 2a: TS-E 24mm f/3.5L – Shift was used to adjust the image
to keep the building perpendicular all the way to the top.
TS-E — TS-E lenses are capable of tilt and shift
movements, which bring many of the advantages
of technical view cameras to the EOS System. Tilt
movements alter the angle of the plane of focus
between the lens and film plane, making broad
depth-of-field possible even at larger apertures;
shift movements slide the lens’s optical axis along
the film/sensor plane, enabling photographers
to correct or alter perspective at almost any angle.
Macro — Canon’s EF lens lineup has a number of
options for true close-up and macro photography.
With five macro lenses for precision, and three
screw-on close-up lenses for convenience—in
addition to Life-Size Converter EF and two Extension
Tubes—Canon’s macro lenses and close-up
accessories can uncover detail that is impossible
for the unaided human eye to detect.
EF Mount
In designing the EF lens mount, Canon engineers
gave photographers a lot more than a way to quickly
attach a lens to a camera body. As the communication conduit between camera and lens, this
fully electronic mount system has none of the shock,
operational noise, abrasion, play, lubrication
requirements, slow response, lever operation
limitations, or other design restrictions related to
mechanical linkage mechanisms. A self-test system,
using the lens’s built-in microcomputer, can even
warn of malfunctions through the camera’s display.
The EF mount makes possible high-speed autofocus,
precise aperture control and preview, automatic
compensation with lens extenders, and forward
compatibility with new lens technologies—such
as USM and IS—as they are developed by Canon.
About Macro Magnification
A life-size macro lens—that is, a 1x magnification—records an
image on film at its actual size. If you’re photographing a
flower, for example, and it has a diameter of 1 in., it will occupy 1 in. of your actual slide or
negative. With a digital SLR, at
1.0x magnification, the image
projected onto your camera’s
sensor will likewise be the
same size at the sensor plane
as the actual subject itself.
0.25x
Other macro lenses have lower
or higher magnifications. A
lens with 0.5x magnification
will produce an image on film
that is half the size of the actual subject. Your 1 in. flower,
then would only occupy 0.5 in.
on film.
0.5x
In the other direction, a 5x
magnification lens will convert
the 1-in. flower to a 5-in.
diameter image. Since the
entire image won’t fit in the
frame of your film, you will
have an enlarged image of a
1.0x
detail of the flower.
Magnification is not the same
as focal length. A 50mm lens
and a 180mm might both be
macro lenses with, for example,
1.0x magnification. The advantage of the longer lens is that 3.0x
it allows greater distance from
a subject, while allowing the
same magnification in the final
image. The 180mm lens is
ideal for shooting tiny subjects
without disturbing them; the
50mm is better choice for
copying flat documents.
5.0x
FOCAL LENGTH COMPARISON
Photo 1b: The lens’s tilt mechanism is used to achieve a pan
focus effect that allows focusing all the way back.
Photo 2b: Without using shift causes the image of the building to
lean in at the top.
Tilt Movements – If you want to bring the entire field of flowers
into focus, you could use a wide-angle lens and a small aperture
to obtain a wide depth of field. With tilt movements, you can
achieve this wide depth of field even at the maximum aperture. By tilting the center of the TS-E lens barrel, you can tilt
the lens so that the plane of focus is uniform on the focal
plane (Photo 1b). Reversing it will have the opposite effect,
narrowing the depth of field (Photo 1a).
Shift Movements – Normally, when you point your camera
up at a tall building, the building will look slimmer toward
the top. It becomes trapezoidal (Photo 2b). This perspective
effect is more pronounced with shorter focal lengths,
distorting the building even more. By keeping the camera
level, and using the shift function to raise the lens instead,
this perspective effect can be corrected. With the camera’s
focal plane set parallel to the building, shifting the lens
upward will obtain a more rectangular-looking building
(Photo 2a).
Depth of field with tilt movements
Plane of optimum focus
15mm Fisheye
14mm
180°
35mm
17mm
114°
50mm
63°
20mm
104°
70mm
46°
24mm
94°
85mm
34°
28mm
84°
100mm
28° 30'
75°
135mm
24°
18°
Film plane
With a normal lens
Using Tilt Movements to Focus an Oblique Subject Plane
With a TS-E lens
Using Shift Movements to Focus Tall Building
200mm
300mm
12°
400mm
8° 15'
500mm
6° 10'
600mm
5°
1200mm
4° 10'
2° 5'
29
EF LENSES
EF LENSES
Take In the Wider View.
See It. Capture It.
Canon EF fixed-focal-length wide-angle lenses are exceptionally sharp, distortionfree, and fast – making them great choices for low-light shooting. EF ultra-wide
zooms deliver stunning perspectives. The added versatility of zooming makes
them perfect for enthusiasts and professionals alike.
for EOS Cameras
Ultra-Wide Zoom
EF-S 10-22mm f/3.5-4.5 USM*
EF “standard” zooms cover the most popular range of focal lengths for most photographers, from wide-angle through telephoto. This versatility makes them great for
a wide range of shooting situations. EF medium telephoto lenses deliver natural
perspective with wide maximum apertures that make them ideal for low-light shooting.
for EOS Cameras
Standard Zoom
EF 16-35mm f/2.8L II USM
EF 17-40mm f/4L USM
EF-S 17-55mm f/2.8 IS USM*
EF 20-35mm f/3.5-4.5 USM
EF-S 17-85mm f/4-5.6 IS USM*
EF-S 18–55mm f/3.5–5.6 IS*
EF 24-105mm f/4L IS USM •f/10 •1/125 sec.
Wide-Angle
EF 15mm f/2.8 Fisheye
EF 14mm f/2.8L II USM
EF 20mm f/2.8 USM
EF 24mm f/1.4L USM
EF-S 18-55mm f/3.5-5.6 USM*
EF 24-70mm f/2.8L USM
EF 24-85mm f/3.5-4.5 USM
EF 24-105mm f/4L IS USM
EF 28-90mm f/4-5.6 III
EF 28-105mm f/3.5-4.5 II USM
EF 28-105mm f/4-5.6 USM
EF 28-135mm f/3.5-5.6 IS USM EF 28-200mm f/3.5-5.6 USM
EF 24mm f/1.4L USM •f/8 •5 sec.
Standard and Medium Telephoto
EF 24mm f/2.8
EF 28mm f/1.8 USM
Icons: See “EF Lens Technology” section. Diagram:
30
•
EF 28mm f/2.8
Super UD Lens
•
UD Lens
EF 35mm f/1.4L USM
•
EF 35mm f/2
Aspherical Lens
* For EOS 40D, 30D, 20D/20Da, Digital Rebel XTi, Digital Rebel XT and Digital Rebel cameras only.
EF 50mm f/1.2L USM
EF 50mm f/1.4 USM
Icons: See “EF Lens Technology” section. Diagram:
EF 50mm f/1.8 II
•
Super UD Lens
EF 85mm f/1.2L II USM
•
UD Lens
•
EF 85mm f/1.8 USM
EF 100mm f/2 USM
Aspherical Lens
* For EOS 40D, 30D, 20D/20Da, Digital Rebel XTi, Digital Rebel XT and Digital Rebel cameras only.
31
EF LENSES
EF LENSES
Focus Your Attention.
Up Close Detail From Afar.
Telephoto lenses make it easy to throw backgrounds out of focus, grab detail, or
“get close” to unapproachable subjects… and these EF zoom lenses are superb tools
for the job. EF fixed-focal-length telephotos combine great picture quality with
fast maximum apertures, making them ideal for handheld shooting in low light.
for EOS Cameras
Telephoto Zoom
EF 55-200mm f/4.5-5.6 II USM
Distinguished by their white color and seen at major sporting events around the
world, the powerful EF super-telephotos are also ideal for nature, scenic, and
even outdoor fashion photography. Canon’s ring-type USM delivers unmatched
focusing performance, and most feature Canon’s superb Image Stabilization.
EF tele extenders and extension tubes add even more power and versatility.
for EOS Cameras
Super Telephoto
EF 70-200mm f/2.8L IS USM
EF 70-200mm f/2.8L USM
EF 70-200mm f/4L IS USM
EF 70-200mm f/4L USM
EF 400mm f/2.8L IS USM
EF 400mm f/5.6L USM
EF 400mm f/4 DO IS USM
EF 400mm f/4 DO IS USM •f/4 •1/1250 sec.
EF 28-300mm f/3.5-5.6L IS USM
EF 70-300mm f/4.5-5.6 DO IS USM
EF 70-300mm f/4-5.6 IS USM
EF 75-300mm f/4-5.6 III USM
EF 75-300mm f/4-5.6 III
EF 600mm f/4L IS USM
EF 500mm f/4L IS USM
EF 100-300mm f/4.5-5.6 USM
EF 100-400mm f/4.5-5.6L IS USM
EF 600mm f/4L IS USM •f/10 •1/500 sec.
EF 100-400mm f/4.5-5.6L IS USM •f/14 •1/80 sec.
Telephoto
EF 135mm f/2L USM
Extenders
EF 135mm f/2.8 with Softfocus
Icons: See “EF Lens Technology” section. Diagram:
32
•
EF 300mm f/2.8L IS USM
EF 200mm f/2.8L II USM
Fluorite Lens
•
Super UD Lens
•
UD Lens
•
DO Lens
•
Aspherical Lens
EF 300mm f/4L IS USM
Extender EF 1.4x II
Extender EF 2x II
Icons: See “EF Lens Technology” section. Diagram:
Extension Tube EF 12 II
Extension Tube EF 25 II
•
Fluorite Lens
•
Super UD Lens
•
UD Lens
•
DO Lens
33
EF LENSES
CANON EF LENS
SPECIFICATIONS
•
•
Solutions for Specialized Shooting.
•
•
•
•
•
•
•
Canon’s manual focus TS-E (Tilt-Shift) lenses provide tilt capability to alter the
plane of focus and shift capability for perspective correction, offering solutions
for numerous applications, from architectural to studio photography. Canon
also offers a range of close-up, high-magnification shooting solutions with a
lineup of exceptional macro lenses and accessories.
for EOS Cameras
•
•
•
Tilt-Shift
•
•
•
•
•
•
•
TS-E 24mm f/3.5L
TS-E 45mm f/2.8
•
•
•
•
•
•
•
•
•
•
TS-E 90mm f/2.8
•
•
•
•
TS-E 45mm f/2.8
•
•
Macro
•
•
•
•
EF 50mm f/2.5 Compact Macro
EF-S 60mm f/2.8 Macro USM*
MP-E 65mm f/2.8 1-5x Macro Photo
•
•
•
•
•
•
•
•
•
•
EF 100mm f/2.8 Macro USM
EF 180mm f/3.5L Macro USM
•
•
•
•
Life-Size Converter EF
MP-E 65mm f/2.8 1-5x Macro Photo •f/11 •1/125 sec. (3.0x)
Icons: See “EF Lens Technology” section. Diagram:
34
•
UD Lens
•
Aspherical Lens
* For EOS 40D, 30D, 20D/20Da, Digital Rebel XTi, Digital Rebel XT and Digital Rebel cameras only.
Ultra-Wide Zoom
EF-S 10-22mm f/3.5-4.5 USM ††
EF 16-35mm f/2.8L II USM
EF 16-35mm f/2.8L USM †
EF 17-35mm f/2.8L USM †
EF 17-40mm f/4L USM
EF 20-35mm f/2.8 USM †
EF 20-35mm f/3.5-4.5 USM
Standard Zoom
EF-S 17-55mm f/2.8 IS USM ††
EF-S 17-85mm f/4-5.6 IS USM ††
EF-S 18-55mm f/3.5-5.6 IS ††
EF-S 18-55mm f/3.5-5.6 USM ††
EF-S 18-55mm f/3.5-5.6 ††****
EF 22-55mm f/4-5.6 USM †
EF 24-70mm f/2.8L USM
EF 24-85mm f/3.5-4.5 USM
EF 24-105mm f/4L IS USM
EF 28-70mm f/2.8 L USM †
EF 28-70mm f/3.5-4.5 †
EF 28-80mm f/3.5-5.6 IV USM† / V USM †
EF 28-80mm f/3.5-5.6 III † / II †
EF 28-80mm f/3.5-5.6 †
EF 28-90mm f/4-5.6 III / II USM
EF 28-90mm f/4-5.6 USM †
EF 28-105mm f/3.5-4.5 II USM / USM †
EF 28-105mm f/4-5.6 USM
EF 28-135mm f/3.5-5.6 IS USM
EF 28-200mm f/3.5-5.6 USM
EF 35-80mm f/4-5.6 III † / II / USM †
EF 35-135mm f/4-5.6 USM †
Telephoto Zoom
EF 28-300mm f/3.5-5.6L IS USM
EF 35-350mm f/3.5-5.6L USM †
EF 55-200mm f/4.5-5.6 II USM / USM †
EF 70-200mm f/2.8L IS USM/ USM
EF 70-200mm f/4L IS USM
EF 70-200mm f/4L USM
EF 70-300mm f/4.5-5.6 DO IS USM
EF 70-300mm f/4–5.6 IS USM
EF 75-300mm f/4–5.6 IS USM †
EF 75-300mm f/4-5.6 III USM/III/II USM†
EF 75-300mm f/4-5.6 USM
EF 80-200mm f/2.8L
EF 80-200mm f/4.5-5.6 II †/ USM †
EF 100-300mm f/4.5-5.6 USM
EF 100-300mm f/5.6 L †
EF 100-400mm f/4.5-5.6L IS USM
Wide-Angle
EF 14mm f/2.8L II USM
EF 14mm f/2.8L USM†
EF 15mm f/2.8 Fisheye
EF 20mm f/2.8 USM
EF 24mm f/1.4L USM
EF 24mm f/2.8
EF 28mm f/1.8 USM
EF 28mm f/2.8
EF 35mm f/1.4L USM
EF 35mm f/2
Standard & Medium Telephoto
EF 50mm f/1.0L USM †
EF 50mm f/1.2L USM
EF 50mm f/1.4 USM
EF 50mm f/1.8 II
EF 50mm f/1.8 †
EF 85mm f/1.2L II USM / USM †
EF 85mm f/1.8 USM
EF 100mm f/2 USM
Telephoto
EF 135mm f/2L USM
EF 135mm f/2.8 w/ Softfocus
EF 200mm f/1.8L USM †
EF 200mm f/2.8L II USM / USM †
EF 300mm f/2.8L IS USM / USM †
EF 300mm f/4L IS USM / USM †
Super Telephoto
EF 400mm f/2.8L IS USM/II USM†/USM†
EF 400mm f/4 DO IS USM
EF 400mm f/5.6L USM
EF 500mm f/4L IS USM
EF 500mm f/4.5L USM †
EF 600mm f/4L IS USM / USM †
EF 1200mm f/5.6L USM †
Macro
EF 50mm f/2.5 Compact Macro
EF-S 60mm f/2.8 Macro USM ††
MP-E 65mm f/2.8 1-5x Macro Photo *
EF 100mm f/2.8 Macro / Macro USM
EF 180mm f/3.5L Macro USM
Life Size Converter EF ***
Tilt-Shift
TS-E 24mm f/3.5L *
TS-E 45mm f/2.8 *
TS-E 90mm f/2.8 *
Extenders
Extender EF 1.4x II **
Extender EF 2x II **
Apparent Focal
length (mm)
Angle of View (Diagonal)
Focus Drive
Lens
Minimum Filter
Closest Focusing
Construction Aperture Diameter
Distance
(Groups/
(mm)
(f)
(ft.)
(m)
Elements)
Lens Cap
Soft Case
385
635
600
545
475
540
340
EW–83E
EW–88
EW-83E
EW–83C
EW–83E
EW–75
EW–83II
E–77U
E–82U
E–77U
E–77U
E–77U
–
E–77U
LP1319
LP1319
LP1319
–
LP1319
–
LP1214
22.8
1.1 lbs.
7.8
6.7
6.7
–
2.1 lbs.
13.4
1.5 lbs.
1.9 lbs.
–
7.8
7.8
7.8
6.7
6.7
13.1
7.4
1.2 lbs.
1.1 lbs.
6.2
15.0
645
475
200
190
190
175
950
380
670
880
300
200
200
200
190
190
375
210
540
500
175
425
E-77U
EW–83J
E–67U
EW–73B
E–58
EW–60C
E–58U
EW–60C
E–58U
EW–60C
–
–
E–77U
EW–83F
E–67U
EW–73II
E–77U
EW–83H
E–77U
EW–83B
–
–
E–58
EW–60C
E–58
EW–60C
E–58
EW–60C
EW–60C E–58U/E-58
E–58
EW–60C
E–58U
EW-63II
E–58U
EW–63B
E–72U
EW–78BII
E–72U
EW–78D
E–52
EW–54II
–
EW–62
(g)
3–1/2
4–2/5
4-1/8
3–3/4
3–3/4
3–1/2
2–3/4
89.8
111.6
103
95.7
96.8
89.0
68.9
13.6
22.4
1.3 lbs.
19.1
1.1 lbs.
1.2 lbs.
11.9
0.35
0.35
0.25
0.28
0.28
0.35
0.38
0.5
0.45
0.5
0.39
0.38
0.38
0.38
0.38
0.38
0.5
0.48
0.5
0.45
0.4
0.75
4–2/5 110.6
92.0
3–5/8
68.5
2–3/4
66.2
2–5/8
66.2
2–5/8
–
–
4–7/8 123.5
69.5
2–3/4
3–5/16 83.5
4–5/8 117.6
–
–
2–13/16 71.2
2–13/16 71.2
2–13/16 71.2
2–13/16 71.0
2–13/16 71.0
75.0
3
2–11/16 68.0
3–13/16 96.8
89.6
3–1/2
63.5
2–1/2
86.0
3–3/8
N/A
21–45
21–45
–
22–52
–
26–46
Ultrasonic
Ultrasonic
Ultrasonic
Ultrasonic
Ultrasonic
AFD
Ultrasonic
N/Aa
108°10'–63°
108°10'–63°
–
104°–57°30'
–
94°–63°
N/A
107°30'–63°30'
86°–50°
68°9'–39°41'
86°–50°
68°9'–39°41'
–
–
65°54'–36°13' 83°12'–46°
–
–
59°13'–39°41' 75°12'–50°24'
10/13
12/16
10/14
10/15
9/12
12/15
11/12
22
22
22
22
22
22
22-27
77
82
77
77
77
72
77
0.8
0.92
0.9
1.38
0.92
1.6
1.1
0.24
0.28
0.28
0.42
0.28
0.5
0.34
27–88
27–136
29–88
29–88
29–88
–
38–112
38–136
38–168
–
–
45–128
45–128
45–128
45–144
45–144
45–168
45–168
42–216
45–320
56–128
–
N/A
N/A
N/A
N/A
N/A
–
31–91
31–111
31–136
–
–
36–104
36–104
36–104
36–117
36–117
36–136
36–136
36–176
36–260
46–104
–
Ultrasonic
Ultrasonic
MM
Ultrasonic
MM
Ultrasonic
Ultrasonic
Ultrasonic
Ultrasonic
Ultrasonic
MM
Ultrasonic
MM
MM
MM/Ultrasonic
Ultrasonic
Ultrasonic
Ultrasonic
Ultrasonic
Ultrasonic
MM
Ultrasonic
N/A
N/A
N/A
N/A
N/A
–
84°–34°
84°–28°30'
84°—23°20'
–
–
75°–30°
75°–30°
75°–30°
75°–27°
75°–27°
75°–23°20'
75°–23°20'
75°–18°
75°–12°
63°–30°
–
N/A
78°30'–27°50'
N/A
78°30'–18°25'
N/A
74°20'–27°50'
N/A
74°20'–27°50'
N/A
74°20'–27°50'
–
–
52°55'–21°25' 67°12'–27°12'
52°55'–17°57' 67°12'–22°48'
52°55'—14°40' 67°12'—18°24'
–
–
–
–
60°–24°
47°15'–18°54'
60°–24°
47°15'–18°54'
60°–24°
47°15'–18°54'
60°–21°36'
47°15'–17°
60°–21°36'
47°15'–17°
47°15'–14°40' 60°–18°24'
47°15'–14°40' 60°–18°24'
47°15'–11°20' 60°–14°24'
60°–9°36'
47°15'–7°34'
39°41'–18°54' 50°24'–24°
–
–
12/19
12/17
9/11
9/11
9/11
9/9
13/16
12/15
13/18
11/16
9/10
10/10
10/10
10/10
8/10
8/10
12/15
9/10
12/16
12/16
8/8
12/14
22
22
22
22–38
22–38
22–32
22
22–32
22–27
22
29
22–38
22–38
22–38
22–32
22–32
22–27
22–32
22–36
22–36
22–32
22–32
77
67
58
58
58
58
77
67
77
77
52
58
58
58
58
58
58
58
72
72
52
58
1.5
1.1
0.82
0.92
0.92
–
1.25
1.6
1.5
1.6
–
1.25
1.25
1.25
1.3
1.3
1.6
1.57
1.64
1.5
1.3
2.5
45–480
–
88–320
112–320
112–320
112–320
112–480
112–480
120–480
120–480
120–480
–
128–320
160–480
–
160–640
36–390 Ultrasonic
75°–8°15'
–
Ultrasonic
–
72–260 Ultrasonic
72–260
91–260 Ultrasonic
34°–12°
91–260 Ultrasonic
34°–12°
91–260 Ultrasonic
34°–12°
91–390 Ultrasonic
34°–8°15'
91–390 Ultrasonic
34°–8°15'
98–390 Ultrasonic 32°11'–8°15'
98–390 MM/Ultrasonic 32°11'–8°15'
98–390 Ultrasonic 32°11'–8°15'
–
AFD
–
104–260 MM/Ultrasonic
30°–12°
130–390 Ultrasonic
24°–8°15'
–
AFD
–
130–520 Ultrasonic
24°–6°10'
APS-H
Lens Hood
(oz.)
16–35
26–56
26–56
–
27–64
–
32–56
APS-C
Weight
(mm)
APS-H
35mm
Length
(in.)
APS-C
–
LP1116
LP814
LP814
LP814
–
LP1219
LP1014
LP1219
–
–
LP814
LP814
LP814
LP814
LP814
LP814
LP814
LP1116
LP1116
LP814
–
47°15'–5°24'
–
27°5'–7°34'
21°15'–7°34'
21°15'–7°34'
21°15'–7°34'
21°15'–5°24'
21°15'–5°24'
20°17'–5°24'
20°17'–5°24'
20°17'–5°24'
–
18°54'–7°34'
15°7'–5°24'
–
15°7'–3°53'
60°–6°36'
–
34°24'–9°36'
27°12'–9°36'
27°12'–9°36'
27°12'–9°36'
27°12'–6°36'
27°12'–6°36'
25°46'–6°36'
25°46'–6°36'
25°46'–6°36'
–
24°–9°36'
19°12'–6°36'
–
19°12'–4°56'
16/22
15/21
13/13
18/23
15/20
13/16
12/18
10/15
10/15
9/13
10/15
13/16
7/10
10/13
10/15
14/17
38
22–32
22–29
32
32
32
32–38
32–45
32–45
32–45
32–45
32
22–27
32–38
32
32–38
77
72
52
77
67
67
58
58
58
58
58
72
52
58
58
77
2.3
2.0
3.9
4.6
3.9
3.9
4.6
4.9
4.9
4.9
4.9
5.9
4.9
4.9
4.6
5.9
0.7
0.6
1.2
1.4
1.2
1.2
1.4
1.5
1.5
1.5
1.5
1.8
1.5
1.5
1.4
1.8
7–1/4
6–9/16
3–13/16
7–13/16
6–7/8
6–7/8
3–7/8
3
5–7/16
4–13/16
5–7/16
7–5/16
3–1/8
4–3/4
6–9/16
7–7/16
184.0
167
97.3
197.0
172.0
172.0
99.0
76.5
137.2
122.0
137.2
186
78.5
121.5
167
189.0
3.7 lbs.
3.0 lbs.
10.9
3.2 lbs.
26.8
19.2
1.6 lbs.
1.4 lbs.
1.4 lbs.
1.1 lbs.
1.4 lbs.
2.9 lbs.
8.8
1.2 lbs.
1.5 lbs.
3.0 lbs.
1,670
1,385
310
1,470
760
705
720
630
650
480
650
1330
250
540
695
1,360
EW–83G
EW–78
ET–54
ET–86
ET–74
ET–74
ET–65B
ET–65B
ET–64II
ET–60
ET–64II
ES–79
ET–54
ET–65III
ET–62II
ET–83C
E–77U
E–72U
E–52U
E–77U
E–67U
E–67U
E–58U
E–58U
E–58U
E–58U
E–58U
–
E–52
E–58U
–
E–77U
LZ1324
–
LP1016
LZ1324
LP1224
LP1224
LP1116
LP1222
LP1022
LP1019
LP1022
–
LP1014
LP1019
–
LZ1324
22
22
24
32
38
38
45
45
56
56
18
18
20
26
31
31
36
36
45
45
Ultrasonic
Ultrasonic
AFD
Ultrasonic
Ultrasonic
AFD
Ultrasonic
AFD
Ultrasonic
AFD
114°
114°
180°
94°
84°
84°
75°
75°
63°
63°
71°49'
71°49'
113°24'
59°13'
52°55'
52°55'
47°15'
47°15'
39°41'
39°41'
91°12'
91°12'
144°
75°12'
67°12'
67°12'
60°
60°
50°24'
50°24'
11/14
10/14
7/8
9/11
9/11
10/10
9/10
5/5
9/11
5/7
22
22
22
22
22
22
22
22
22
22
Gelatin
Gelatin
Gelatin
72
77
58
58
52
72
52
0.66
0.8
0.7
0.8
0.82
0.8
0.8
1.0
0.98
0.8
0.2
0.25
0.2
0.25
0.25
0.25
0.25
0.3
0.3
0.25
3–3/4 116.0
3–1/2
89.0
2–7/16 62.2
2–13/16 70.6
3
77.4
1–7/8
48.5
2–3/16 55.6
1–11/16 42.5
3–2/5
86.0
1–11/16 42.5
22.8
1.2 lbs.
11.6
14.3
1.2 lbs.
9.5
10.9
6.5
1.3 lbs.
7.4
645
560
330
405
550
270
310
185
580
210
Built-in
Built-in
Built-in
EW–75II
EW–83DII
EW–60II
EW–63II
EW–65II
EW–78C
EW–65II
Exclusive
Exclusive
E–73
E–72U
E–77U
E–58
E–58U
E–52
E–72U
E–52
LP1016
LP1016
LP814
LP1214
LP1214
LP811
LP814
LP1011
LP1214
LP1011
–
80
80
80
80
136
136
160
–
65
65
65
65
111
111
130
Ultrasonic
Ultrasonic
Ultrasonic
MM
MM
Ultrasonic
Ultrasonic
Ultrasonic
–
46°
46°
46°
46°
28°30'
28°30'
24°
–
28°59'
28°59'
28°59'
28°59'
17°57'
17°57'
15°7'
–
36°48'
36°48'
36°48'
36°48'
22°48'
22°48'
19°12'
9/11
6/8
6/7
5/6
5/6
7/8
7/9
6/8
16
16
22
22
22
16
22
22
–
72
58
52
52
72
58
58
2.0
1.5
1.5
1.5
1.5
3.2
2.8
3.0
0.6
0.45
0.45
0.45
0.45
0.95
0.85
0.9
3–3/16
2.58
2
1–5/8
1–5/8
3–5/16
2–13/16
2–7/8
81.5
65.5
50.5
41.0
41.0
84.0
71.5
73.5
2.2 lbs.
18.7
10.2
4.6
4.6
2.3 lbs.
15.0
1.0 lbs.
985
580
290
130
130
1,025
425
460
ES–79
ES–78
ES–71II
ES–62#
ES–62#
ES–79II
ET–65III
ET–65III
E–72U
E–72U
E–58U
E–52
E–52
E–72U
E–58U
E–58U
–
LP1214
LP1014
LP1014
LP1014
LP1219
LP1014
LP1014
216
216
–
320
480
480
175
175
–
260
390
390
Ultrasonic
AFD
Ultrasonic
Ultrasonic
Ultrasonic
Ultrasonic
18°
18°
–
12°
8°15'
8°15'
11°20'
11°20'
–
7°34'
5°24'
5°24'
14°24'
14°24'
–
9°36'
6°36'
6°36'
8/10
6/7
10/12
7/9
13/17
11/15
32
32
32
32
32
32
72
52
48 DI
72
52 DI
77
3.0
4.3
8.2
4.9
8.2
4.9
0.9
1.3
2.5
1.5
2.5
1.5
4–7/16
3–7/8
8–3/16
5–3/8
9–7/8
8–11/16
112.0
98.4
208
136.2
252.0
221.0
1.6 lbs.
13.8
6.6 lbs.
1.6 lbs.
5.6 lbs.
2.6 lbs.
750
390
3,000
765
2,550
1,190
ET–78II
ET–65III
ET–123
ET–83BII
ET–120
Built-in
E–72U
E–52
E–162
E–72U
E–145
E–77U
LP1219
LP1016
–
LP1222
–
LZ1128
640
640
640
800
–
960
1920
520
520
520
650
–
780
1560
Ultrasonic
Ultrasonic
Ultrasonic
Ultrasonic
Ultrasonic
Ultrasonic
Ultrasonic
6°10'
6°10'
6°10'
5°
–
4°10'
2°5'
3°53'
3°53'
3°53'
3°9'
–
2°37'
1°19'
4°56'
4°56'
4°56'
4°
–
3°20'
1°40'
13/17
13/17
6/7
13/17
6/7
13/17
10/13
32
32
32
32
32
32
32
52 DI
52 DI
77
52 DI
48 DI
52 DI
48 DI
9.8
11.48
11.5
14.8
16.4
18.0
45.9
3.0 13–11/16 349.0 11.7 lbs.
9–7/16 232.7 4.3 lbs.
3.5
3.5 10–1/16 256.5 2.8 lbs.
4.5 15–3/16 387.0 8.5 lbs.
15–3/8
5.0
6.6 lbs.
390
18
5.5
456.0 11.8 lbs.
33
14.0
836.0 36.4 lbs.
E–180C
E–145 II
E–77U
E–163
E–130
E–185
Exclusive
–
–
LZ1132
–
–
–
–
80
96
104
160
288
–
65
N/A
85
130
234
–
AFD
Ultrasonic
Manual
Ultrasonic
Ultrasonic
–
46°
N/A
18°40' (at 1x)
24°
13°40'
–
28°59'
25°
11°46' (at 1x)
15°7'
8°37'
–
36°48'
N/A
14°56' (at 1x)
19°12'
10°56'
–
8/9
8/12
8/10
8/12
12/14
3/4
32
32
16
32
32
–
52
52
58
58
72
–
0.8
0.65
0.8
1.0
1.6
0.8
0.23
0.2
0.24
0.31
0.48
0.24
2–1/2
63.0
2–3/4
69.8
3–7/8
98.0
4–11/16 119.0
7–3/8 186.6
1–3/8
34.9
9.9
11.8
1.6 lbs.
1.3 lbs.
2.4 lbs.
5.6
280
335
730
600
1,090
160
Built-in
ET–67B
–
ET–67
ET–78II
–
E–52
E–52U
E–58
E–58U
E–72U
R–F–3
LP814
LP1016
LP1216
LP1219
LZ1324
LP811
38
72
144
31
59
117
Manual
Manual
Manual
84°
51°
27°
52°55'
32°8'
17°1'
67°12'
40°48'
21°48'
9/11
9/10
5/6
22
22
32
72
72
58
1.0
1.3
1.6
0.3
0.4
0.5
3–7/16
3–9/16
3–7/16
87.0
90.0
88.0
1.2 lbs.
1.4 lbs.
1.2 lbs.
570
645
565
EW–75BII
EW–79BII
ES–65III
E–72
E–72
E–58
LP1216
LP1216
LP1016
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
1–1/16
2–5/16
27.2
103
7.8
9.3
220
265
–
–
Extender Cap II
Extender Cap II
LP811
LP811
5,300 ET–155
1,940 ET–120
1,250 Built-in
3,870 ET–138
3,000 ET–123BII
5,360 ET–160
16,500 Built-in
† Discontinued. †† Compatible only with EOS 40D, 30D, 20D and Digital Rebel XTi / XT only. • Incorporates distance information with E-TTL II. * TS-E AND MP-E lenses are manual focus only, with automatic diagram. ** Extensions EF 1.4x II and 2x II are for exclusive use with EF70-200mm f/2.8L, 70-200mm f/2.8L IS,
70-200mm f/4L, 100-400mm f/4.5-5.6L, 135mm f/2L, 180mm f/3.5L Macro, 200mm f/1.8L, 300mm f/2.8 L, 300mm f/4L, 300mm f/4L IS, 400mm f/2.8L IS, 400mm f/4 DO, 400mm f/5.6L, 500mm f/4L IS, 600mm f/4L IS, and 1200mm f/5.6L (Manual focus only when EF 1.4x II is used with EF 100-400mm f/5.6L, 400mm
f/5.6L, 500mm f/4.5L, 1200mm f/5.6L, and with 180mm f/3.5 Macro when focused closer than 2.6 feet; or with Extender EF 2x II when used with EF70-200mm f/4L, 100-400mm f/4.5-5.6L, 180mm f/3.5L Macro, 300mm f/4L IS, 300 f/4L, 400mm f/4 DO, 400mm f/5.6L, 500mm f/4L, 500mm f/4.5L, 600mm f/4L, and
1200mm f/5.6L). *** Life Size Converter EF is for exclusive use with 50mm f/2.5 Compact Macro. **** Available only with the EOS 40D, 30D, 20D and Digital Rebel Kit. # With Adapter Ring. Rear Cap for EF lenses = Lens Dust Cap E. Body Cap for EOS Cameras, Life Size Converter EF = Camera Cover R-F-3.
35
EF LENS ACCESSORIES
EF LENS ACCESSORIES
The Finest Accessories for Your Lenses.
To enhance the stellar features of the EF Lens system, there are a number of accessories designed to perform perfectly with your system. Canon offers cases to protect
your lenses, hoods and filters to control glare, and a number of adapters to further
expand the possibilities of your EF Lenses and your EOS System.
Softmat Filters
Extension Tubes
Gelatin Filter Holders
Close-up Lenses
Gelatin Filter Hoods IV
EF 25 II
Gelatin Filter Holder IV
Gelatin Filter
Holder Adapter IV
EF 12 II
Extension Tube EF 25 II & EF 12 II
These close-up accessories are placed between the
camera body and lens to enable high-magnification
photography. Eight electronic contact points allow
communication between the camera and lens
to continue as usual. The magnification differs
according to the lens, but for standard zoom lenses
it is about 0.3x to 0.5x for the EF 12 and 0.7x or
more for the EF 25. By using both tubes effectively,
the choice of magnifications can be greatly
extended. Manual focusing is recommended.
General Purpose
Without Softmat Filter
Haze (UV-1)
Haze (UV-1)
Lens Cases
The Haze (UV-1) filter absorbs ultraviolet light
and is most effective on sunny days for cutting
haze out of the shot.
Type
Screw-in
With Close-up Lens
250D
Available Sizes
52mm, 58mm, 72mm
500D
500
Loupes
Lens Cases and Lens Hoods
These functional, rugged cases are indispensable
for protecting lenses. Lens hoods help prevent
unwanted flare from affecting your photographs.
Available Sizes
See EF Lens Specifications.
52mm Drop-in
Screw Filter Holder
Drop-in Screw Filter Holder
A holder for screw-type filters, for use with rearmounted drop-in filters.
Type
Drop-in
Available Sizes
48mm, 52mm. Includes clear filter. For super-telephoto lenses.
Current IS Super-teles—52mm. Previous super-teles without
IS—48mm.
The 250D/500D series incorporates doubleelement achromatic design for maximum optical
performance. These screw-in lenses are used to
provide a shorter minimum focusing distance
with no loss of light. Each lens is optimized for
a particular focal length. Manual focus is recommended with these lenses.
Type
Screw-in
Available Sizes
500D/500: 52mm, 72mm, 78mm. Optimized for lenses
70-300mm.
250D: 52mm, 58mm. Optimized for lenses 50-135mm.
Polarizing Filters
Screw-in
48mm Drop-in
Circular Polarizing Filter PL-C
Not using Circular PL Filter
Using Circular PL Filter emphasizes the blue of the sky.
DROP-IN — For use with lenses using rear-mounted
drop-in filters, this polarizing filter can be rotated
from the outside without removing the holder
from the lens, enabling precise control.
Gelatin Filter
Holder Adapter III
Gelatin Filter Holder System
This convenient holder system allows the use of
commercially available square filters without the
need for cutting. The holder attaches to the lens
through an adapter that fits the filter diameter.
A special hood is available for use with the system.
Use with 3-inch square type III and 4-inch square
type IV gelatin filters. Gelatin filters can be used
with most EF lenses.
Loupe 4x
Use a Softmat Filter for a soft effect.
Softmat No. 1
Gelatin Filter Holder Hoods III & IV
Type
Available Sizes
Screw-in
Lens shades which attach to holder can be stacked with
telephoto lenses.
Softmat No. 2
Gelatin Filter Holder Adapter III & IV
Type
Available Sizes
Screw-in
III: 52mm, 58mm, 67mm, 72mm, 77mm.
IV: 58mm, 67mm, 72mm, 77mm.
Loupe 8x
Softmat No. 1 & No. 2
Drop-in Gelatin Filter Holder II
Softmat filters mildly soften the focus for flattering
portraits and dreamy landscapes. These filters
utilize the effect of diffraction, which occurs
between light passing through the transparent
part and light passing through the coated part.
Use Softmat No. 1 filter for a gentle soft focus
effect, and Softmat No. 2 for a stronger effect.
Type
Screw-in
Polarizing filters enhance picture quality by
blocking harmful reflected light. Use it to reduce
polarized light reflections from glass and water
surfaces or to improve color saturation. Simple
to use, these filters polarize light circularly,
rather than linearly, so they do not interfere with
autofocus or TTL light metering.
Gelatin Filter Holder III
Gelatin Filter Holder III & IV
Type
Available Sizes
Screw-in
Holder for 3-inch square (III) or 4-inch (IV) gelatin filters.
Close-up Lens 250D/500D/500
Lens Hoods
Gelatin Filter Hoods III
Loupe 4x and 8x
Designed for viewing 35mm film frames at high
magnifications, these loupes use high-performance
lens system that eliminates all aberration and
distortion. They offer diopter adjustment of -4 to
+1 dpt, and include an eyecup, hood and case.
Available Sizes
52mm, 58mm
Extender EF Specifications
EF Lens Attachment
EF 135mm f/2L USM
EF 180mm f/3.5L Macro USM
EF 200mm f/2.8L II USM
EF 300mm f/2.8L IS USM
EF 300mm f/4L IS USM
EF 400mm f/2.8L IS USM
EF 400mm f/4 DO IS USM
EF 400mm f/5.6L USM
EF 500mm f/4L IS USM
EF 600mm f/4L IS USM
EF 1200mm f/5.6L USM
EF 70-200mm f/2.8L IS USM
EF 70-200mm f/2.8L USM
EF 70-200mm f/4L IS USM / USM
EF 100-400mm f/4.5-5.6L IS USM
Up to three gelatin filters can be
placed in these holders. To use, insert a
cut piece of gelatin film between the
holder’s filter frame and pressure
48mm Drop-in
clip, and screw on to the lens.
Gelatin Filter Holder II
Type
Drop-in
with Extender EF 1.4x II attached
Apparent Focal Length (mm)
35mm
189
252
280
420
420
560
560
560
700
840
1,680
98–280
98–280
98–280
140—560
APS-H
246
328
364
546
546
728
728
728
910
1,092
2,184
127–364
127–364
127–364
182—728
APS-C
302
403
448
672
672
896
896
896
1,120
1,344
2,688
157–448
157–448
157–448
224—896
Available Sizes
48mm, 52mm. For super-telephoto lenses. Current IS Superteles—52mm. Previous super-teles without IS—48mm.
with Extender EF 2x II attached
f-stop (f)
Maximum
Magnification
2.5–45
4.5–45
2.5–32
4–45
5.6–45
4–45
5.6–45
8–45
5.6–64
5.6–64
8–45
4–45
4–45
5.6–45
6.7—54
0.27
1.4
0.22
0.15
0.33
0.22
0.17
0.18
0.17
0.17
0.12
0.23
0.22
0.29
0.28
Apparent Focal Length (mm)
AF
*2
*3
*1
*3*4
35mm
270
360
400
600
600
800
800
800
1,000
1,200
2,400
140–400
140–400
140–400
200—800
APS-H
351
468
520
780
780
1,040
1,040
1,040
1,300
1,560
3,120
182–520
182–520
182–520
260—1,120
APS-C
432
576
640
960
960
1,280
1,280
1,280
1,600
1,920
3,840
224–640
224–640
224–640
320—1,280
f-stop (f)
Maximum
Magnification
4–64
6.7–64
5.6–64
5.6–64
8–64
5.6–64
8–64
11–64
8–90
8–90
11–64
5.6–64
5.6–64
8–64
9.5–76
0.38
2.00
0.32
0.28
0.47
0.31
0.24
0.27
0.27
0.27
0.27
0.34
0.44
0.42
0.40
AF
*3*4
*3*4
*3*4
*3*4
*1
*3
*4
For Best Results with your Canon EOS Camera Use Original Canon EF Lenses.
Type
Screw-in
Drop-in
Not using Circular PL Filter
36
Using Circular PL Filter suppresses the reflection from the surface
of the leaves and the surface of the water.
Available Sizes
58mm, 72mm, 77mm, 82mm
48mm, 52mm. For super-telephoto lenses. Current IS Superteles—52mm. Previous super-teles without IS—48mm.
As an owner of a Canon EOS camera, you will achieve the best results in your photography using Canon's own EF lenses. Each EOS camera body and each EF Lens has its own
built-in microcomputer. These microcomputers store a range of special data to ensure the smooth operation of bodies and EF lenses which support two-way digital communications
between each part to allow exchange of information. Since the EOS System's market launch in 1987, new functions have been added on a continuing basis. These improvements
include adding Optical Image Stabilizer to some lenses, speeding up the AF function, increasing the number of focusing points, and the addition of the Eye Controlled Focus™
Function. As the system's range of functions has evolved, the nature of the basic system of communications between lens and body has evolved as well, ensuring that complete
compatibility is maintained. This process of evolution will continue in the future with the addition of more new specifications, resulting in still further gains in reliability.
Accordingly, in order to realize the maximum performance of the EOS System and thereby achieve the highest possible photographic quality,
we recommend that you use Canon EF lenses and Canon brand name accessories, since they are designed and manufactured to match the special
qualities of your EOS camera.
*1 If the EF 70–200mm f/2.8L USM lens is attached to an EOS camera having multiple focusing points and an Extender is attached to the lens, only the center focusing
point will be useable for AF. *2 The autofocusing range is from 2.6 feet (0.8m) to infinity. *3 With the EOS-1Ds Mark III, EOS-1Ds Mark II, EOS-1D Mark III, EOS-1D
Mark II, EOS-1Ds, EOS-1D, EOS-1v and EOS-3. AF is possible with the center focusing point only. *4 The Image Stabilizer does not operate with the following
cameras: EOS650, 630, 620, 600, RT, 700, 750, 850, EOS-1, A2, A2E, 10s, ELAN, Rebel, Rebel S, Rebel II and Rebel SII.
37
SPEEDLITES
SLR Compatibility
E-TTL
No
No
No
No
No
No
Yes
Yes
No
Yes
Camera Model
EOS-1Ds Mark III
EOS-1D Mark III
EOS 5D
EOS 40D
EOS 30D
EOS Digital Rebel XTi / XT
EOS-1v / EOS-3
EOS ELAN 7NE
EOS Rebel T2 / T2 Date
EOS Rebel K2 / K2 Date
E-TTL II
Yes†
Yes†
Yes†
Yes†
Yes†
Yes†
No
Yes
Yes
No
A-TTL / TTL
Not Possible
Not Possible
Not Possible
Not Possible
Not Possible
Not Possible
4-point/3-zone
4-point/3-zone
Not Possible
4-point/3-zone
Speedlite Compatibility
580EX II
430EX
220EX
MR-14EX
MT-24EX
E-TTL / E-TTL II
Yes††
Yes††
Yes††
Yes††
Yes††
A-TTL
No
No
No
No
No
TTL
Yes†††
No
Yes†††
Yes†††
Yes†††
Manual
Yes
No
No
Yes
Yes
† Not Linked to AF point.
†† Requires EOS body that supports E-TTL and E-TTL II respectively.
††† Defaults to TTL in all conditions except direct flash in the camera’s Program mode.
metering when the shutter button is pressed.
Next, a preflash is fired and the metering sensor
takes readings. The ambient and preflash readings
are compared. The metering areas having small
differences are selected as the main flash exposure areas. Areas with large discrepancies between
ambient and preflash readings are excluded or
down-weighted because they are assumed to
contain a highly reflective subject, or the subject
is not in that part of the frame—an assumption
validated by distance information. The algorithm
thus avoids chronic underexposure problems in
such situations. These readings are weighted,
averaged, and compared with the ambient light
reading and the main flash output is then set
and stored in memory.
SPEEDLITE TECHNOLOGY
Integral to the EOS System, Canon Speedlites are
the ideal flash source for EOS SLRs. They are
technologically advanced to provide perfect
exposure and illumination with just about any
subject, yet operation is remarkably simple.
Whether you’re an amateur or an expert,
Canon Speedlites make it easy to obtain
professional results.
Sophisticated Flash Control Modes
E-TTL—In E-TTL (Evaluative Through-The-Lens)
flash exposure control mode, meter readings
are taken through the lens, but not off the focal
plane. Using a preflash fired after the shutter
button has been fully depressed—but before the
camera’s reflex mirror goes up—E-TTL uses the
camera’s evaluative metering sensor to compare
the ambient light values with the light reflected
from the subject by the preflash. The camera then
calculates and stores the flash output required
for optimum exposure of the main subject (as
identified by the AF point) and the background.
E-TTL requires the use of EX-series dedicated
Speedlites such as the 580EX II, 430EX, 220EX,
MT-24EX, or MR-14EX in combination with a
compatible camera.
E-TTL II—Available on Canon’s EOS SLR cameras,
E-TTL II incorporates distance information from
compatible EF lenses (see page 35 for details) for
more versatile flash exposure control. E-TTL II
minimizes underexposure that can occur with
straight reflections by ignoring sensor areas that
report abnormally high levels. This feature is useful
when shooting a subject with a highly reflective
object in the background, or if the subject itself is
highly reflective. In addition, because distance
information is used in calculating the flash output
level, E-TTL II prevents overexposure when photographers lock focus and recompose.
For example, with the EOS-1D Mark III, the ambient
light is first measured using the camera’s 63-zone
The E-TTL II, in effect, captures the subject as a
“plane” and not as a “point.” As a result, EOS SLR
cameras can deliver consistent flash exposures
even if the subject contains various colors and
levels of reflection. The camera also allows the user
to select an averaged metering pattern through
custom function settings.
High-Speed Sync — EF 135mm f/2.0L USM lens •f/2 •1/750 sec.
recompose the shot, but also alter the ambient
light exposure for maximum creative control. FE
Lock is extremely useful when you wish to recompose after focus lock or to place the main subject
in a part of the frame not covered by one of the
focusing points. It can also eliminate potential
exposure errors caused by unwanted reflections
from surfaces like windows or mirrors.
Adjusting Ambient Exposure in FE Lock**—After
preflashing the subject with the FE Lock button,
ambient exposure can be adjusted by turning
the Quick Control Dial. The ambient exposure level
is displayed on the exposure level scale in the
viewfinder and on the external LCD panel.
FP Mode***
FP (focal-plane) flash, or High-speed Sync, enables
E-TTL and E-TTL II compatible cameras equipped
with an EX-series Speedlite to synchronize flash at
TTL*—TTL (Through-The-Lens) is the standard flash
exposure control mode used by the built-in flash
units that come with some 35mm EOS cameras.
Unlike E-TTL or E-TTL II, TTL reads flash illumination
reflected from the film during the exposure. When
the camera is set to Program AE mode, TTL flash
sets an aperture based on the ambient light level.
Flash Exposure Compensation****
This setting adjusts flash output without changing the shutter speed or aperture. It’s a particularly effective way to fine-tune the balance
between foreground and background exposure
for fill flash shots, but it can also be used to
compensate for extremely bright or dark tones in
the subject.
Second-Curtain Sync
Instead of firing the instant the shutter opens,
Second-Curtain Sync fires the flash at the end of
the exposure, allowing streaks of light to flow
naturally behind a moving subject. This creative
flash mode is most effective with slower shutter
speeds and subjects with light sources, such as
the headlights of a moving car.
Stroboscopic Flash
Stroboscopic flash is a series of flashes fired in
rapid succession during a single exposure. With
stroboscopic flash, multiple images of a moving
subject appear in the photograph. Using this
mode, you can analyze a golf swing or record
the shattering of a windowpane. (Available with
Speedlite 580EX II, Macro Ring Lite MR-14EX
and Macro Twin Lite MT-24EX).
Flash Exposure Lock (FE Lock)
FE Lock adds auto exposure lock and spot metering
functions when shooting with EX-series Speedlites
and E-TTL compatible EOS cameras. The EX-series
Speedlite’s preflash fires when the camera’s AE Lock
button is depressed, storing a spot meter reading
of flash and ambient lighting data for up to 16
seconds. This provides enough time to not only
shutter speeds faster than the camera’s normal
maximum sync speed. Even in bright daylight,
for example, a fast lens can be used at a wide
aperture to reduce depth-of-field and emphasize
the subject. FP flash can be combined with ETTL, E-TTL II, or FE Lock, and is available in all AE
modes plus Manual.
Taken with MT-24EX and EOS-1v HS
* A-TTL and TTL are not compatible with digital SLRs. See lens
chart for a listing of lenses that supply distance information.
** Ambient exposure cannot be adjusted when the camera is set to
Bulb mode or in low-light situations when the camera is set to
Program AE or A-DEP.
*** Unlike conventional electronic flash, FP flash output (guide number)
decreases as shutter speed increases above normal X-sync speed.
**** Flash exposure compensation can be set with most current
Speedlites, and it can also be set with all current EOS cameras
other than the EOS Rebel series and EOS Digital Rebel.
39
SPEEDLITES
SPEEDLITES
Perfect Flash Illumination
(B)
Canon offers a full range of Speedlite flash units compatible with EOS System
cameras for a wide variety of applications and photographers’ needs. They range
from simple, economical flashes to high-power, highly advanced Speedlites
for professional use.
(B)
Speedlites
Camera
with Master (A)
A:B=1:2
Speedlite 580EX II
Bounce
• Approx. 20% faster recycling time compared to 580EX.
Sample Photo Analysis – Three flash units
provided illumination. The light from the
master flash unit (A), a Speedlite 580EX II
mounted on the camera, was bounced off the
wall to soften its intensity before reaching
the two violin makers. A slave 580EX II (B)
was set far enough away on a desk to be
pointed directly at the statue, and another
580EX II (B) was used to light up the overall
office. Based on the results displayed on
the camera’s LCD monitor, the brightness
of the master flash unit was halved to
achieve natural lighting.
• Superior evenness of exposure, center to corner of frame.
• Higher max. Guide No. at 105mm setting (max. GN 190, feet).
• Auto conversion of flash coverage with compatible digital SLR cameras.*
• White Balance info communicated instantly to compatible digital SLR
cameras.*
• Full swivel, 180˚ in either direction.
• AF-assist beam compatible with all AF points on every EOS SLR.
• Dust- and water-resistance to match the EOS-1D Mark III.
Speedlite 430EX
Wireless Flash Photography
• Approx. 40% faster recycling time compared to 420EX.
• High Guide No. at 105mm setting (max. GN 141, feet).
Canon’s EX series Speedlites have made multiple-flash photography simple, wireless
and automatic. Using either the Speedlite 580EX II or the Speedlite Transmitter ST-E2 as
a master unit, wireless signals are transmitted to an unlimited number of Speedlites
580EX II or 430EX, creating myriad possibilities for lighting, no matter the location.
Bounce
(B)
Bounce
Bounce
Camera
with Master (A)
1. Set up the main flash unit – To
prevent the strong shadows a direct
flash would produce, the main flash
was bounced off a wall near the camera to soften the lighting.
Bounce
(A)
Bounce
Camera
with Master (A)
2. Add an auxiliary flash unit –
Remaining shadows were weakened by
bouncing an auxiliary flash (A) off another
wall to hit the subjects from a direction
opposite that of the main flash unit.
(A)
Bounce
Camera
with Master (A)
3. Add another auxiliary flash unit – To
improve gradation and contrast, another
auxiliary flash unit (B) was set up behind
the subjects. Its light was bounced off the
back wall to accent key details of the image.
• Camera tells Flash about Autozoom (24-105mm), to adjust for camera
sensor size.*
E-TTL/E-TTL II Wireless Autoflash Control
• Flash tells Camera about color temperature: to adjust white balance.*
Up to three groups (for main, fill, and background)
of slave units can be set up for comprehensive
control of flash lighting. The Speedlite slave units
can be assigned to group A, B, or C, with output
ratio between groups A and B adjustable from
8:1 to 1:1 or 1:1 to 1:8. The output of the group C
can be adjusted through flash exposure compensation. You can concentrate on perfect lighting
because the E-TTL/E-TTL II autoflash system controls
the total flash output to ensure consistently correct
exposure. Also, when Speedlite 580EX II is used with
EOS Digital, EOS-1v, EOS-3, EOS ELAN 7 series,
or EOS Rebel T2 SLRs, you can fire a modeling
(preview) flash for a full second at 70Hz by pressing
the depth-of-field preview button. Even with
multiple Speedlites, the modeling flash fires
according to the ratios you have set. E-TTL/E-TTL II
wireless autoflash also supports most other
Speedlite features, such as FE Lock, FP Flash,
Flash Exposure Bracketing/Compensation, and
Stroboscopic Flash. Finally, for macro shooting,
the Macro Ring Lite MR-14EX and Macro Twin Lite
MT-24EX can be used as master units, as well.
• AF-assist beam compatible with up to nine AF points of an EOS SLR.
• Rear LCD panel and six Custom Functions setting button.
• Built-in wide panel for 14mm angle of view.
Speedlite 220EX
• Smallest and lightest EOS Speedlite, with full E-TTL compatibility.
• Covers lenses as wide as 28mm (full-frame cameras) or 17mm (APS-C
size sensors).
• Hot-shoe lock with a single motion.
• Flash confirmation lamp (after firing).
• Fast recycle time, and Save Energy (SE) feature.
Speedlite Transmitter
Speedlite Transmitter ST-E2
• Dedicated transmitter to control unlimited number of slave flashes.
• For Speedlites 580EX II and 430EX (also 580EX, 550EX and 420EX).
• Controls slave units up to 33 ft. outdoors and 49.5 ft. indoors.
*Feature compatible with EOS-1Ds Mark III, 1D Mark III, 1Ds Mark II, 1D Mark II N, 1D Mark II, 5D, 40D, 30D, 20D, 20Da, Digital Rebel XTi and Digital Rebel XT only
(some earlier models require firmware upgrade).
40
41
SPEEDLITES
SPEEDLITE ACCESSORIES
Speedlite to the Max
Macro Lites
Whether adding a battery pack, connecting two or more Speedlite flashes, or creating
a complex wireless lighting solution, Canon has flash accessories for almost any
photographic situation that are perfect complements to your Speedlite.
EF 85mm f/1.2L USM •f/2 •1/30
Macro Twin Lite MT-24EX
• Attaches to all Canon EF macro lenses (EF 180mm f/3.5L requires
Macro Lite Adapter 72C).
• Twin flash heads can be rotated over 80° angle around lens in
5 degree increments.
• Heads can be swiveled or bounced and can be removed from
mounting ring for added control.
• Powerful Guide Number of 78 (feet, at ISO 100), full E-TTL control
and E-TTL features including FEL, Hi-speed sync, and FEB.
Taken with MT-24EX and EOS-1D
Compact Battery Pack CP-E4
Transistor Pack E
This dedicated external power pack
is dust/water-resistant and makes
the entire flash system dust/waterresistant. The power pack's performance is the same as the
Compact Battery Pack CP-E3.
A high-performance battery pack
with interchangeable power supplies. Available as Transistor Pack
E (six alkaline batteries in Battery
Magazine TP) or transistor Pack E
Ni-Cd Set (Ni-Cd Pack TP and charger). Both versions includes
Connecting Cord ET.
Ni-Cd Pack TP/Ni-Cd Charger
TP
Additional rechargeable Ni-Cd Pack
TP batteries are available separately. They can also be freely
interchanged with Battery
Magazine TP. The charger TP
recharges a Ni-Cd Pack TP in
approximately 15 hours.
Battery Magazine TP
This magazine holds six commonly
available C-size alkaline batteries.
Included with Transistor Pack E, it
is available separately for instant
battery changes during shooting.
Can be used in place of the Ni-Cd
Pack TP. Connecting Cord ET is also
available separately.
Other Speedlite Accessories
A
B
C
D
E
F
Macro Ring Lite MR-14EX
Speedlite
• Twin-tube ring lite designed for close-up photography with EF Macro
lenses; Flash tubes can fire together or independently.
• Compatible with all EOS bodies.
• Supports E-TTL/E-TTL II Wireless Autoflash in conjunction with one or
more compatible EX Speedlites.
Off-Camera Shoe
Cord OC-E3
Camera
Compatibility
All EOS SLRs
Off-Camera Shoe
Adapter OA-2*
TTL
Distributor*
Connecting
Cord 60*
A
Connecting
Cord 300*
C
All 35mm and APS SLRs (Not compatible with Digital SLRs or PowerShot digital
cameras)
(Except 630 & RT)
Speedlite+
F
Description
• Incandescent focusing lamps and two forms of modeling flash permit
preview of lighting effects.
Taken with MR-14EX, EOS-1Ds and EF 50mm f/2.5 Compact Macro Lens
©Rick Sammon
TTL Hot Shoe
Adapter 3*
Dust- and waterresistant 2 ft.
(0.6m) TTL cord;
retains all on-camera flash functions.
Same quick connect as 580EX II.
Placed in the EOS
camera’s accessory shoe, this
adapter
controls up to 4
off-camera
Speedlites.
For off-camera
applications of
Speedlite flash
units, this adapter
will accept one
Speedlite and a
connecting cord to
the camera.
This connector
accepts up to 4
connecting cords.
This 2 ft. /60cm
coiled cord has
connections on
both ends for TTL
Distributor, OA-2,
and/or Hot Shoe
Adapter 3.
This 9.8 ft. /3m
straight cord has
connections on
both ends for TTL
Distributor, OA-2,
and/or Hot Shoe
Adapter 3.
Speedlite
+
C
E
D
Speedlite+ B
E
* These accessories provide TTL or manual flash control, but are not compatible with E-TTL or E-TTL II; no automatic flash with EOS digital SLRs.
EX-series Speedlite Lineup
Compatibility Chart
Dimensions (W x H x D)
Speedlite 580EX II
Speedlite 430EX
Speedlite 220EX
Macro Twin Lite MT-24EX
Macro Ring Lite MR-14EX
3.0 x 5.4 x 4.6 in.
76 x 137 x 117mm
2.8 x 4.8 x 4.0 in.
72 x 122 x 101mm
2.7 x 3.62 x 2.42 in.
65 x 92 x 61.3mm
Control Unit: 2.9 x 4.9 x 3.8
in. 74 x 125.9 x 97.4mm
Flash Unit: 9.3 x 3.5 x 1.9 in.
235 x 90.4 x 49mm
20.64 oz./585g (combined
flash & control units)
Control Unit: 2.9 x 4.9 x 3.8
in. 74 x 125.9 x 97.4mm
Flash Unit: 4.44 x 4.96 x 1.02
in. 112.8 x 126 x 25.6mm
15.1 oz./428g (combined
flash & control units)
Weight
(without batteries)
13.2 oz./375g
11.6 oz./330g
5.6 oz./160g
Compatibility
All EOS SLRs
All EOS SLRs
All EOS SLRs
All EOS SLRs
All EOS SLRs
141 ft./43m
72.2 ft./22m
79 ft./24m
45.9 ft./14m
AA (Alkaline, re-chargeable
NiCd, Lithium, Ni-MH)
batteries (x4)
AA (Alkaline, re-chargeable
NiCd, Lithium, Ni-MH)
batteries (x4)
AA (Alkaline, re-chargeable
NiCd, Lithium, Ni-MH)
batteries (x4); Compact
Battery Pack CP-E3;
Transistor Pack E
AA (Alkaline, re-chargeable
NiCd, Lithium, Ni-MH)
batteries (x4); Compact
Battery Pack CP-E3;
Transistor Pack E
Max. Guide Number (ISO 100) 190 ft./58m
Power Source
AA (Alkaline, re-chargeable
NiCd, Lithium, Ni-MH)
batteries (x4); Compact
Battery Pack CP-E4;
Transistor Pack E
Recycling Times and Shooting Capacities (580EX II,
Compact Battery
Pack CP-E4
480EG†,
MR-14EX and MT-24EX)
With the 480EG†
Recycling Shooting
Time
Capacity
MR-14EX
Recycling
Time
Shooting
Capacity
Recycling
Time
Shooting
Capacity
Speedlite 580EX II
(sec.)
(No. of Flashes)
(sec.)
(No. of Flashes)
(sec.)
(No. of Flashes)
(sec.)
(No. of Flashes)
Speedlite 430EX
0.1~2.0
350~2,450
0.1~5
400~2,500
0.1~3
450~2,800
0.1~3
450~2,800
0.1~1.5
400~2,800
0.1~5
150~1,000
0.1~5
150~1,000
0.1~5
150~1,000
(w / Alkaline Batteries)
Compact Battery
Pack CP-E4
(w / Ni-MH Batteries)
Transistor Pack E
(w / Alkaline Batteries)
Transistor Pack
E Ni-Cd Set
Compact
Compact
Transistor
†
Battery
Battery † Pack E
Pack CP-E4 Pack CP-E3
MT-24EX
With the 580EX II
Recycling Shooting
Time
Capacity
Speedlite 220EX
Macro Twin Lite
MT-24EX
Macro Ring Lite
MR-14EX
†
Speedlite 540EZ
0.1~5
350~2,200
0.2~17
100~700
0.1~4
400~2,500
0.1~4
400~2,500
Speedlite 480EG
†
†
Speedlite 430EZ
0.1~3
300~1,800
0.2~6
350~2,000
0.1~3
330~2,000
0.1~3
330~2,000
Weight
•
–
–
•
•
–
–
•
•
–
–
•
•
•
•
•
•
•
•
•
•
•
•
•
oz./530g
5.5 oz./155g 5.5 oz./155g 29.8
(without batteries)
† Discontinued product, for reference only.
42
43
EOS SYSTEM ACCESSORIES
EOS SYSTEM ACCESSORIES
Digital Accessories
Designed to help you get the most out of your EOS digital SLR, Canon has
designed a number of different accessories, including power supplies and
grips to extend battery life. Other specialized accessories include the Data
Verification kit, CompactFlash (CF) cards, cases and much more.
EOS 40D with Battery Grip BG-E2N
Battery Grips
Battery Grip BG-E4*
Battery Grip BG-E3*
Battery Grip BG-E2*
Battery Grip BG-E2N*
11.3 oz./320g (without batteries)
8.1 oz./230g (without batteries)
10.2 oz./290g (without batteries)
TBA
Compatibility
EOS 5D
EOS Digital Rebel XTi, Digital Rebel XT
EOS 30D, 20D, 20Da
EOS 40D
Functions
Shutter-Release button, AE/FE Lock button,
Main Dial, AF-frame-select button
Shutter-Release button, AE/FE Lock butShutter-Release button, AE/FE Lock/ Index/
Reduce button, Main Dial, AF-frame-select but- ton, Main Dial, AF frame-select button
ton, Aperture/ Exposure compensation button
Shutter-Release button, AE/FE Lock button, Main Dial, AF frame-select button
BP-511A/511/ 512/514 (x1 or x2), sizeAA-size batteries (x6), or AC Adapter Kit
ACK-E2, or Compact Power Adapter CAPS400 plus DC-Coupler DR-400
BP-511A/511/ 512/514 (x1 or x2), sizeAA-size batteries (x6), or AC Adapter Kit
ACK-E2, or Compact Power Adapter CAPS400 plus DC-Coupler DR-400
Weight
Power Source
Image Format and Capacity Chart
Original Data Security Kit OSK-E3/
Data Verification Kit DVK-E2
BP-511A/511/512/514 (x1 or x2), AA-size NB-2LH x2; AA-size battery (x6); or AC
Adapter ACK700
batteries (x6), AC Adapter Kit ACK-E2,
Compact Power Adapter CA-PS400 plus
DC Coupler DR-400
An invaluable tool for law enforcement and other
documentary purposes, Canon’s exclusive Data
Verification that verifies images taken with the
EOS-1Ds Mark III, EOS-1D Mark III, EOS-1Ds Mark II,
1Ds, 1D Mark II N, 1D Mark II, 5D, 40D, 30D, 20D
or 20Da have not been altered in any manner.
Containing a dedicated card (Original Data Security
(OS) card with OSK-E3 and Secure Mobile Card
with DVK-E2) and USB reader/writer (writer only
with OSK-E3), together with special Windows
98SE/2000/ME/XP software (2000/ XP only
with OSK-E3 and DVK-E2), the Data Verification
Kit can detect even the slightest discrepancy or
alteration on any image taken with a compatible
camera. The encryption feature can only be used
with the EOS-1Ds Mark III and EOS-1D Mark III.
Image Format
EOS-1Ds Mark III*
JPEG
Large
Medium 1
Medium 2
OSK-E3 (for EOS-1Ds Mark III,
1D Mark III, 1Ds Mark II, 1Ds,
1D Mark II N, 1D Mark II,
5D, 40D, 30D, 20D, 20Da)
Ni-MH Pack NP-E3
11.8 oz./325g
2.5 oz./70g
Compatibility
EOS-1Ds Mark II,
1Ds, 1D Mark II N,
1D Mark II, 1D
EOS 5D, 40D, 30D,
EOS-1Ds Mark III,
20D, 20Da, 10D, D60, 1D Mark III
D30, Digital Rebel
EOS Digital Rebel
XTi,
Digital Rebel XT
EOS-1Ds Mark III,
1D Mark III
EOS 5D, 40D, 30D,
EOS 5D, 40D, 30D,
EOS Digital Rebel
20D, 20Da, 10D, D60, 20D, 20Da, 10D, D60, XTi, Digital Rebel
D30, Digital Rebel
D30, Digital Rebel
XT
Battery pack has a
rated voltage of 12V,
a rated capacity of
1,650 mAh and is
lined with silicon
rubber packing to
enhance water and
dust resistance.
Uses the NC-E2
charger (recharges
in about 120 minutes).
High-capacity lithium-ion battery. BP511A has a different
contour and 26%
more storage
capacity than BP512. Note: EOS D30,
D60 and Battery
Grip BG-ED3 cannot
use BP-512 series
batteries.
Lithium-ion battery
pack with a
720mAh capacity.
The battery cover
has a little hole
whose orientation
can be used to
remind you whether
the battery has been
recharged or not.
Two battery packs
can be attached. It
takes about 120 min.
to recharge one battery pack. To enable
an accurate battery
check, calibration is
possible. The
charger is compatible with DC power
(12 V/24 V).
Compact and light
battery charger for
BP-511A/BP-511/
BP-512/BP-514
as well as BP-522
and BP-533 for
video camcorders.
Description
Battery Pack LP-E4
Battery Pack NB-2LH
Battery ChargerLC-E4
Battery ChargerCG-580
6.3 oz./180g
1.52 oz./43g
TBA
5.6 oz./160g
High-capacity
(2300mAh) lithiumion battery pack is
40% less volume
and 46%lighter than
the NP-E3. It can
also communicate
information with the
camera and be
viewed with Battery
Info. Menu.
Battery Charger CB-5L
3.5 oz./110g
(including cord)
Compact and light
battery charger for
BP-511A/BP-511/
BP-512/BP-514
as well as BP-522
and BP-533 for
video camcorders.
Dedicated battery
charger for Battery
Pack NB-2LH. It
has a built-in power
plug and can be
recharge the battery about
90 minutes.
DVK-E2 (for EOS-1Ds
Mark II, 1Ds, 1D Mark II N,
1D Mark II, 5D, 40D, 30D,
20D and 20Da)
DC Coupler DR-400
Weight
Compatibility
Description
44
3.9 oz./123g (including cord)
TBA
AC Adapter Kit ACK-DC20
13.6 oz./386 (including cord)
EOS5D,40D,30D,20D, 20Da, EOS-1Ds Mark III,
10D, D60, D30,Digital Rebel 1D Mark III
EOS Digital Rebel XTi,
Digital Rebel XT
Allows the camera to draw
power directly from an AC
power source when connected to the CA-PS400
Power Adapter
or AC Adapter ACK-E2.
Allows the camera to draw
power directly from an AC
power source. Kit includes
Compact Power Adapter
CA-PS700, DC Coupler DR700 and DR20.
Allows the camera to connect the DC cord to the AC
adapter terminal. Kit
includes the AC adapter,
power cord, and DC coupler. It prevents accidental
disconnection.
DC Coupler Kit DCK-E1
5.3 oz./150g (DC Coupler)
10.1 oz./287g (excluding AC cord) 7.2 oz./205g (AC Adapter)
EOS 5D, 40D, 30D, 20D, 20Da, EOS-1Ds Mark II, 1Ds, 1D
10D, D60, D30, Digital Rebel Mark II N, 1D Mark II, 1D
AC Adapter Kit ACK-E2
Successively charges two
BP-511A/BP-511/
BP-512/BP-514 battery
packs. When connected to
the DR-400, it allows the
camera to draw power
directly from an AC power
source.
Allows the camera to draw
power directly from an AC
power source. Kit includes
a dedicated AC Adapter
and DC Coupler DR-400.
Compact and lightweight
design (smaller than the
CA-PS400).
Allows the camera to draw
power directly from an AC
power source. Kit includes
a dedicated DC Coupler
and AC Adapter PA-V16.
3.9 oz./123g (AC-E2 unit only)
Interface Cable
IFC-450D6*/IFC-450D4/
IFC-450D44
Length
6.9 ft. (1.9m)/15.4 ft. (4.7m)
6.6 ft. (2m)
14.8 ft. (4.5m)
Compatibility
USB cable for EOS-1Ds
Mark III and EOS-1D
Mark III.
D6: EOS-1Ds, 1D
IEEE 1394 (FireWire ) interface cables used to
connect the EOS to a MAC or Windows.
®
D6: 6-pin/6-pin, D4: 4-pin/6-pin, D44: 4-pin/4-pin
Mark ll series cameras have 4-pin FireWire connector.
Video Cable
VC-100****
Length
3.3 ft./1m
4.8 ft./1.45m
Compatibility
400 cable: EOS-1Ds
Mark II, 1D Mark II N,
1D Mark II, 5D, 30D, 20D,
20Da, 10D, Digital Rebel
XTi, Rebel XT, Digital
Rebel 200 cable: EOS-1Ds
Mark II, 1D Mark II, 20D,
10D, Digital Rebel 200
cable: EOS D60, D30
All EOS Digital SLRs
except original EOS-1D
and EOS-1Ds
Description
USB interface cables
used to connect the EOS
to a MAC or Windows.
.CR2
RAW
+
JPEG
Large
Medium 1
Medium 2
Small
.CR2
Large/Fine
Large/Normal
Medium/Fine
Medium/Normal
Small/Fine
Small/Normal
EOS 40D*
Large/Fine
JPEG
Large/Normal
Medium/Fine
Medium/Normal
Small/Fine
Small/Normal
.CR2
RAW
RAW
+
JPEG
D4: EOS-1Ds Mark II, 1Ds, 1D Mark II N, 1D Mark II, 1D
D44: EOS-1Ds Mark II,1D Mark II N, 1D Mark II
EOS 5D, 40D, 30D, 20D, 20Da,
10D, D60, D30, Digital Rebel
RAW
RAW
+
JPEG
Comes standard with the
EOS-1Ds Mark III, 1D Mark III,
40D
* Comes standard with the
EOS-1Ds
AC Adapter Kit ACK-E4
Small
Large
Medium 1
Medium 2
Small
EOS 5D**
Large/Fine
JPEG
Large/Normal
Medium/Fine
Medium/Normal
Small/Fine
Small/Normal
.CR2
RAW
†
Compact
Power Adapter CA-PS400
Image File Recording
Size (MB) Capacity (shot)
5616 x 3744
(Approx. 21.00 megapixels)
4992 x 3328
(Approx. 16.6 megapixels)
4080 x 2720
(Approx. 11.0 megapixels)
1936 x 1288
(Approx. 2.5 megapixels)
5616 x 3744
(Approx. 21.00 megapixels)
—
JPEG
Low Compression
TBA
TBA
TBA
TBA
TBA
TBA
TBA
TBA
2784 x 1856
(Approx. 5.2 megapixels)
Lossless Compression
—
TBA
TBA
RAW + Separate JPEG File
—
Lossless Compression
—
TBA
TBA
TBA
TBA
TBA
TBA
TBA
TBA
TBA
TBA
TBA
TBA
TBA
TBA
TBA
TBA
TBA
TBA
3.5
260
2.8
320
2.1
420
1.2
710
sRAW + Separate JPEG File —
3888 x 2592
(Approx. 10.10 megapixels)
3456 x 2304
(Approx. 8.0 megapixels)
2816 x 1880
(Approx. 5.3 megapixels)
1936 x 1288
(Approx. 2.5 megapixels)
3888 x 2592
(Approx. 10.10 megapixels)
—
JPEG
1936 x 1288
(Approx. 2.5 megapixels)
Enables direct image display
from the EOS to a television
or a similar display device.
** Comes standard with the EOS-1D
Mark II
*** Comes standard with the
EOS 10D and Digital Rebel
**** Comes standard with the
EOS-1Ds Mark III, 1D Mark III,
1Ds Mark II,1D Mark II N,
1D Mark II, 5D, 40D, 30D, 20D,
10D, Digital Rebel XTi,
Digital Rebel XT and Digital Rebel
sRAW
Large/Fine
Large/Normal
Medium/Fine
Medium/Normal
Small/Fine
Small/Normal
.CR2
Large/Fine
Large/Normal
Medium/Fine
Medium/Normal
Small/Fine
Small/Normal
EOS 30D**
Large/Fine
JPEG
Large/Normal
Medium/Fine
Medium/Normal
Small/Fine
Small/Normal
.CR2
RAW
sRAW
+
JPEG
Large/Fine
Large/Normal
Medium/Fine
Medium/Normal
Small/Fine
Small/Normal
EOS Digital Rebel XTi**
Large/Fine
JPEG
Large/Normal
Medium/Fine
Medium/Normal
Small/Fine
Small/Normal
.CR2
RAW
RAW
+
JPEG
Large/Fine
RAW+
JPEG
EOS Digital Rebel XT**
Large/Fine
JPEG
Large/Normal
Medium/Fine
Medium/Normal
Small/Fine
Small/Normal
.CR2
RAW
RAW+
JPEG
Large/Fine
Low Compression
Lossless Compression
—
13.0
66
RAW + Separate JPEG File
—
Lossless Compression
—
13.0 + 3.5
13.0 + 2.8
13.0 + 2.1
13.0 + 1.2
7.6
52
54
56
60
110
7.6 + 3.5
7.6 + 2.8
7.6 + 2.1
7.6 + 1.2
76
81
87
95
Lossless Compression
Low Compression
High Compression
Low Compression
High Compression
Low Compression
High Compression
—
4.6
2.3
2.7
1.4
2.0
1.0
12.9
101
196
168
319
233
446
29
sRAW + Separate JPEG File —
sRAW
+
JPEG
Interface Cable
IFC-200D6/IFC-200D4**/
IFC-200D44
USB Interface Cable
IFC-400PCU****/
IFC-200PCU
Large
Medium 2
sRAW
Interface Cable
IFC-200U†/IFC-500U
Description
Compression
Rate
Large
Medium 1
Medium 2
Small
Medium 1
SimpleTech CF and SD cards are available through
Canon. These memory cards come in a variety
of capacities including 512MB, 1GB and 4GB.
TBA
Large
Medium 1
Medium 2
Small
.CR2
JPEG
CompactFlash (CF) and SD Cards
Battery Charger CB-2LW
RAW
+
JPEG
Recording Method
EOS-1D Mark III*
Interface & Video Cable
Weight
.CR2
sRAW
+
JPEG
* accepts optional Hand Strap E1.
Battery Pack BP-511A/
BP-512/BP-514
RAW
sRAW
®
Batteries, Chargers and Adapters
Small
Recording Resolution
4368 x 2912
(Approx. 12.7 megapixels)
3168 x 2112
(Approx. 6.7 megapixels)
2496 x 1664
(Approx. 4.2 megapixels)
4368 x 2912
(Approx. 12.7 megapixels)
—
JPEG
RAW + Separate JPEG File
—
−
−
−
−
−
−
22
25
24
26
25
27
3888 x 2592
(Approx. 10.10 megapixels)
2816 x 1880
(Approx. 5.3 megapixels)
1936x 1288
(Approx. 2.5 megapixels)
3888 x 2592
(Approx. 10.10 megapixels)
—
JPEG
Lossless Compression
Low Compression
High Compression
Low Compression
High Compression
Low Compression
High Compression
—
3.5
1.8
2.1
1.1
1.2
0.7
12.4
274
523
454
854
779
1451
76
RAW + Separate JPEG File
—
1936 x 1288
(Approx. 2.5 megapixels)
—
Lossless Compression
—
12.4 + 3.5
12.4 + 1.8
12.4 + 2.1
12.4 + 1.1
12.4 + 1.2
12.4 + 0.7
7.1
59
66
65
70
69
72
135
7.1 + 3.5
7.1 + 1.8
7.1 + 2.1
7.1 + 1.1
7.1 + 1.2
7.1 + 0.7
90
107
103
116
115
124
3504 x 2336
(Approx. 8.2 megapixels)
2544 x 1696
(Approx. 4.3 megapixels)
1728 x 1152
(Approx. 2.0 megapixels)
3504 x 2336
(Approx. 8.2 megapixels)
—
JPEG
Lossless Compression
Low Compression
High Compression
Low Compression
High Compression
Low Compression
High Compression
—
3.6
1.8
2.2
1.1
1.2
0.6
8.7
133
267
225
442
392
761
55
RAW + Separate JPEG File
—
−
−
−
−
−
−
39
45
44
49
48
51
3888 x 2592
(Approx. 10.1 megapixels)
2816 x 1880
(Approx. 5.3 megapixels)
1936 x 1288
(Approx. 2.5 megapixels)
3888 x 2592
(Approx. 10.1 megapixels)
—
JPEG
Lossless Compression
Low Compression
High Compression
Low Compression
High Compression
Low Compression
High Compression
—
3.8
2.0
2.3
1.2
1.3
0.7
9.8
130
249
216
410
376
709
50
RAW + Separate JPEG File
—
−
36
3456 x 2304
(Approx. 8.0 megapixels)
2496 x 1664
(Approx. 4.2 megapixels)
1728 x 1152
(Approx. 2.0 megapixels)
3456 x 2304
(Approx. 8.0 megapixels)
—
JPEG
Lossless Compression
Low Compression
High Compression
Low Compression
High Compression
Low Compression
High Compression
—
3.3
1.7
2.0
1.0
1.2
0.6
8.3
145
279
245
466
419
790
58
RAW + Separate JPEG File
—
−
41
sRAW + Separate JPEG File —
JPEG file sizes will vary depending on the subjects, shooting mode, and ISO speed.
*Based on a 1GB CF card, JPEG quality 8, ISO 100, Standard Picture Style and Canon’s testing standard.
**Based on ISO 100, 512MB CF card and Canon’s testing standards.
45
EOS SYSTEM ACCESSORIES
EOS SYSTEM ACCESSORIES
Wireless
Remote Control & Date Backs
Canon’s Wireless File Transmitters enable fast, wireless image transfer
from EOS Digital cameras directly to a computer. This amazing productivity
tool eliminates the need to stop and upload image files to the computer,
allowing photographers to concentrate on shooting photographs.
Canon accessories are the perfect choice to enhance your EOS System’s
performance. Whether through recording data or controlling your camera
remotely, there’s no substitute for Canon’s own accessories.
EOS-1D Mark III with Wireless File Transmitter WFT-E2A
EF 100mm f/2.8 Macro •f/4 •1/125 sec.
Remote Controller and Switches
Wireless File Transmitter
Shown with
Extended Range
Antenna ERA-E1
Wireless Controller
LC-5
Remote Switch
RS-80N3
Timer Remote
Controller TC-80N3
Remote Switch
60T3
Remote Switch
RS-60E3
Wireless Remote
Controller RC-1
Wireless Remote
Controller RC-5
All EOS Digital SLRs
except EOS Digital
Rebel series, 1v Hs,
1v, 3
All EOS Digital SLRs
except EOS Digital
Rebel series, 1v Hs,
1v, 3
All EOS Digital SLRs
except EOS Digital
Rebel series, 1v Hs,
1v, 3
N3-compatible
cameras**, 1N RS,
1N, 1, A2 /A2E, RT*,
630*, 620*, 650*
EOS Digital Rebel XTi,
Rebel XT, Digital Rebel,
ELAN 7 series, ELAN
II/IIE, Rebel T2, Ti,
2000, G, X, XS, XSN,
IX
EOS Digital Rebel XTi,
Rebel XT, Digital Rebel,
ELAN 7 series, II/IIE,
ELAN, Rebel T2 Date,
Ti Date, K2 Date, 10S
EOS Digital Rebel XTi,
Rebel XT, Digital Rebel,
ELAN 7 series, II/IIE,
ELAN, Rebel T2 Date,
Ti Date, K2 Date, IX,
10S
• An extended-range
Wireless Controller
system designed
for EOS cameras
with N3 remote
control sockets.
• Provides remote
shutter release
capability.
• Max. transmitter to
receiver distance of
300 ft./91.5m
• Remote switch to
prevent camera
shake for supertelephoto or macro
shots and bulb
exposures.
• Works like a Shutter
button, enabling
halfway or complete
pressing.
• Shutter release lock
• Connects to N3type socket.
• Cord length: 2.6
ft./80cm.
• Remote switch
with self-timer,
interval timer, longexposure timer, and
exposure-count
setting feature.
• Timer set from 1
sec. to 99 hrs., 59
min., 59 sec.
• Easy operations
with new dial.
• Illuminated LCD panel.
• N3-type connector.
• Cord length: 2.6 ft./
80cm.
• Electromagnetic
cable release with a
3-pin terminal.
• Allows independent
control of light
metering and
shutter release.
• Cord length: 2 ft./
60cm.
• Miniature infrared
• Compact remote
transmitter.
switch replicating all
• Set for either
the functions of a
instant shutter
shutter release butrelease or 2-sec.
ton.
delay.
• Cord length: 2 ft./
• Activate mirror lock
60cm.
and bulb shutter
functions.
• Operates as far as
16.4 ft. /5m.
• Compact design.
• Operates as far as
16 ft. /5m from the
camera.
Remote Switch
Adapter RA-N3
Remote Switch
Adapter T3
Cable Release
Adapter T3
Extension Cord
ET-1000N3
Extension Cord
1000T3
Compatibility
All EOS Digital SLRs
except EOS Digital
Rebel series, 1v Hs,
1v, 3
N3-compatible
cameras**, EOS 1N
RS, 1N, 1, A2/A2E,
RT*, 630*, 620*, 650*
N3-compatible
cameras**, EOS 1N
RS, 1N, 1, A2/A2E,
RT*, 630*, 620*, 650*
All EOS Digital SLRs
except EOS Digital
Rebel series, 1v Hs,
1v, 3
N3-compatible
cameras**, EOS 1N
RS, 1N, 1, A2/A2E,
RT*, 630*, 620*, 650*
Description
• Enables old-model,
T3 terminal-equipped
accessories to be
connected to
cameras with the
N3-type socket.
• Enables use of
remote control
devices with
standard 2-pin
subminiature jacks
with T3-compatible
EOS cameras.
• Allows conventional
mechanical cable
release to be used
with T3-type
remote control
sockets.
• Connects compatible EOS cameras
with Timer Remote
Controller TC-80N3
or Remote Switch
RS-80N3.
• Cord length: 33 ft./
10m.
• Used with any
other T3compatible
accessories for
extension.
• Cord length: 33 ft. /
10m.
Compatibility
Wireless File Transmitter WFT-E3A
Wireless File Transmitter WFT-E2A
Wireless File Transmitter WFT-E1A
New wireless transmitter dedicated to the EOS
40D camera. Completely integrated design for
outstanding handling; includes vertical controls.
Wireless transmission (802.11b or g) to Mac or
Windows computers. Three separate wireless
methods, including wireless remote control of
camera from computer. Transmits up to 492 ft.
(150m), depending on environment and computer
set-up; wired Ethernet connection up to 1,000 ft.
(330m). Its USB port allows an external hard
drive to be directly connected to the camera.
Canon’s Wireless File Transmitter WFT-E2A allows
photographers transmit images from cameras directly
to a computer over a wired or wireless local area
network (LAN), incorporates a number of significant
features into a robust, camera-powered system to
make wireless transfer up to 492 ft. (150m) faster,
simpler and less cumbersome than WFT-E1A.
The WFT-E2A is smaller and attaches to the side of
the camera.
The WFT-E1A offers several different ways of
transmitting image data: it can communicate
directly with a local computer outfitted with a
wireless LAN computer, or with a direct Ethernet
connection. It can also connect to a remote server
through a wireless access point connection. Built
to withstand the rigors of professional shooting,
the WFT-E1A is the perfect complement to an
EOS System.
Compatibility
EOS 40D
Compatibilitiy
EOS-1Ds Mark III, 1D Mark III
Description
Compatibilitiy
EOS-1Ds Mark II, 1D Mark II N, 1D Mark II, 5D, 30D, 20D and 20Da
only (some earlier models require firmware upgarde).
Remote Control Accessories
Wireless Technology at Work
Sports/Photojournalism
Commercial Studio Photography
Wedding Photography
Wireless File transfer has already found a home with sports
photographers and photojournalists, who benefit from the
speed and ease of transferring images while they shoot:
by transmitting images to a local computer, an assistant
manages and transmits image files immediately. This way,
the photographer can meet any deadline and can even
get feedback on images while shooting. And, since they
are transmitting their files, photographers don’t have to
worry about changing memory cards. Whether capturing
the winning serve, or the handshake at the net, the photographer will never miss a minute of the action.
Studio photographers can transfer images automatically,
either immediately or after the shooting session. In immediate
mode, the art director, client, and assistants can be working,
even off-site, giving feedback during the session for greater
spontaneity and efficiency. In operation, images transfer to
an FTP server via wireless or wired LAN. Wirelessly, the antenna
supplied allows approx. up to 492 ft. with the WFT-E1A, more
than sufficient for most studios. In wired mode, a port on the
side of the unit connects, with an appropriate Ethernet cable,
to a computer or other Ethernet device.
Wedding photographers can have one less thing to worry
about with the Wireless File Transmitter attached to their
camera. Free to roam about the ceremony and reception,
photographers can feel confident knowing their images are
being transferred to their computer as they shoot. They
won’t run out of memory cards or lose important shots while
offsite downloading images to the computer. They can shoot
either vertically or horizontally, transferring their images
without worry of getting tangled up in wires. Results can be
shared and orders can be taken on the spot, from clients
and guests; showing photographs in print or on screen.
Publish
Layout
* With no obstructions between the transmitting and receiving antennas, and no radio interference. With a large, high-performance antenna attached to the wireless LAN access point.
46
Sell
* EOS RT, 650, 630 and 620 require Grip GR20 with built-in T3 remote socket.
** T3 accessories require Remote Switch Adapter RA-N3 with N3-series cameras.
47
EOS SYSTEM ACCESSORIES
EOS SYSTEM ACCESSORIES
Shooting Accessories
Focusing Screens Ec Series
For more customization, many of Canon’s EOS cameras are compatible
with a vast choice of eyecups, diopter lenses and more for greater
versatility in a number of shooting situations.
Ec-A: Microprism
Dioptric
Adjustment Lens E
Dioptric
Adjustment Lens Ed
Eyecup Ed-E
Eyepiece Extender
EP-EX15
Angle Finder C
Compatibility
1Ds Mark II, 1Ds,
1D Mark II N, 1D
Mark II, 1D, D2000,
1V HS,1V, 1N RS, 1N, 1
EOS-3, A2 /A2E,
ELAN 7 series,
ELAN II/IIE
All EOS SLRs
except: EOS-3,
A2/A2E, ELAN 7
series, ELAN
II/IIE, IX, IX Lite
EOS-3, A2/A2E,
ELAN 7 series,
ELAN II/IIE
EOS-3, A2/A2E,
ELAN 7 series,
ELAN II/IIE
All EOS SLRs except: EOS3, A2 /A2E, ELAN 7 series,
ELAN II/IIE, IX, IX Lite
All EOS SLRs
(Includes Adapter Ec-C and
Ed-C to fit any EOS camera.)
Description
These eyecups use specially treated
advanced-process glass, which prevents condensation, or fogging. The
eyecups are useful in warm, humid
and cold weather, when fogging is
most likely to occur.
This large eyecup keeps
out most sunlight and
other external light, substantially enhancing
viewfinder visibility. It is
especially helpful for eyeglass wearers when photographing outdoors. The
mount can be rotated for
vertical shots.
Extends the eyepiece 5/8"
(15mm) from the camera
body and reduces
viewfinder magnification
by 30%. Useful for eyeglass wearers and others
to keep the tip of the nose
from touching the camera
body.
Angle Finder C lets users
adjust the viewing angle
while providing a 2.5x
magnification for critical
focusing, or a full-screen
image (1.25x) that includes
exposure data. Provided
with built-in dioptric
adjustment for variations
in eyesight.
Note: EOS-1Ds Mark III and EOS-1D Mark III use Antifog Eyepiece Eg only.
These Dioptric Adjustment lenses provide near- and far-sighted users a clear
viewfinder image without the use of
eyeglasses. Available in ten types from
+3 to -4 dpt to match many types of
eyesight, each Dioptric Adjustment
Lens fits into the eyepiece holders of
the appropriate EOS model for convenient use and a comfortable fit.
Note: EOS-1Ds Mark III and EOS-1D Mark III require
Dioptric Adjustment Lens Eg only.
Compatibility
Eyecup Eb
Eyecup Ec-II
Eyecup Ed
Eyecup Ef
Eyecup Eg
EOS ELAN, Rebel
series**, 700, 750,
850, 5D, 40D,
30D, 20D, 20Da,
10D, D60, D30
EOS-1D Mark III, 1Ds
Mark II, 1Ds, 1D
Mark II N,1D Mark
II, 1D, D2000, 1V
HS, 1V, 1N RS, 1N, 1
EOS-3, A2/A2E,
ELAN 7 series,
ELAN II/IIE
EOS Digital Rebel
XTi, Digital Rebel
XT, EOS Digital
Rebel, Rebel T2,
Ti, K2
EOS-1D Mark III
Only
* Used with Dioptric Adjustment Lens E.
Rubber Frame
Eb*
Rubber Frame
Ec*
EOS 10S, ELAN,
5D, 40D, 30D,
20D, 20Da, 10D,
D60, D30, Rebel
series**
EOS-1Ds Mark II,
1Ds, 1D Mark II N,
1D Mark II, 1D,
D2000, 1V HS, 1V,
1N RS, 1N, 1
Description
This matte field screen
with microprism
focusing spot in the
center is used for
general photography
with all lenses.
It achieves best results
when using a lens of
f/5.6 or faster.
Ec-l: Laser-Matte with
Double Cross-Hair Reticle
Standard on the EOS-1D
series, EOS-1V HS/
EOS-1V , and compatible
with all EF lenses, this
screen includes an Area
AF ellipse and spotmetering circle. Manual
focus can be checked
anywhere on the screen.
This Laser Matte Ec-C
IV uses a shaping
method improved
over the Ec-C III. It
achieves easier focusing
and good background
blur. brighter, less
grainy, and better
balanced.
Ec-L: Cross-Split Image
Ec-N: New Laser-Matte
Ec-R: New Laser-Matte
All models of EOS-1Ds and EOS-1D, EOS D2000, EOS-1V, 1N, 1N RS, EOS-1 and EOS-3
Description
This is a matte field
screen with a clear center
spot containing a double
cross-hair reticule.
Focusing is possible
using the floating image
of the central cross hair.
This screen is particularly
useful for photomicrography and astrophotography. Surrounding
matte field can be used
with all lenses.
This matte field screen
has a cross-split image
in the center, which
divides the subject in
half both vertically and
horizontally for accurate
manual focusing. Used
for general photography
with all lenses, best
results are obtained
when using a lens of
f/5.6 or faster.
Focusing Screen Sets for 4x5 and Square Formats
This is the standard screen
for the EOS-3. The outer
oval-shaped area defines
the coverage of the 45 AF
points; the inner circle is
for spot and FEL metering.
When shooting, the focusing points will be indicated
in red LCD markings.
Along with the Ec-R screen,
it is approximately 1/2
stop brighter than the
Laser-Matte series screens.
This is the standard
screen provided with the
EOS-1n RS. It compensates for decreased
viewfinder brightness
due to the low reflection
factor of the pellicle mirror. It is about 1/2-stop
brighter but otherwise
similar to Focusing Screen
Ec-CII. It can be used in
all EOS-1 series cameras,
as well as the EOS-3.
Ec-D: Laser-Matte
with Sections
Ec-H: Laser-Matte
with Scale
This is a matte field
screen with sections.
Grid lines assist in
determining accurate
picture composition. It
is especially well suited
for close-up photography or for copy work
using EF macro lenses,
it can also be used for
general photography
with all lenses.
A matte field screen with
vertical and horizontal
scales marked in millimeters, this screen is
effective for close-up
photography and photomicrography. Useful in
determining magnification
ratios and composition,
this screen can be used
with all lenses.
Ec-S: Super Precision
Matte*
An all-matte focus
screen for the EOS-1D
Mark II N with finer
microlens structure than
the standard screens.
Out-of-focus areas show
more vividly than with
the other Ec type screens.
It’s ideally suited for use
with f/2.8 and faster
lenses, especially for
manual focusing.
Focusing Screens Ee Series
** Except Digital Rebel, Rebel T2, Ti and Rebel K2
Ec-1Ds/Ec-1D/Ee:
Crop Lines
Focusing Screens Ef Series
Ef-A:
48
This matte field screen
with split-image
focusing spot in the
center is good for
general photography
with all lenses.
Compatibility
Rubber Frame Ef*
EOS Digital Rebel,
Rebel T2, Ti, K2
Ec-CIV: Laser-Matte
All models of EOS-1Ds and EOS-1D, EOS D2000, EOS-1V, 1N, 1N RS, EOS-1 and EOS-3
Eyecups, Rubber Frames and Dioptric Adjustment Lenses
Anti-Fog
Eyepiece Ed
Ec-CIII: Laser-Matte
Compatibility
EF 180mm f/3.5L Macro USM •f/4.5 •1/200 sec.
Anti-Fog
Eyepiece Ec
Ec-B: New Split
Compatibility
EOS 40D
Description
The standard focus screen
for EOS 40D. Standard
Precision Matte surface, ideal
with most lenses including
zooms f/3.5 thru 5.6. All
matte surface. Includes a
special tool to remove existing screen.
Ef-D:
Ef-S:
Precision Matte surface, with
etched grid lines to assist
composition. The EOS 40D's
AF points remain fully visible.
Focus characteristics suited
to most lenses.
Exclusively for the EOS 40D,
this focus screen is optimized
for wide-aperture lenses from
f/1.8 to f/2.8. Areas that are
slightly out of focus appear
more out of focus, making it
easier to tell when focus is
right-on. Ideal for users who
frequently manually-focus in
dim light with fast lenses.
Note: All focusing screens include a special tool for removing original screen and
installing new screen. EOS-1Ds, EOS-1D Mark II, EOS-1D, EOS-1v HS and EOS-1v—
If using New Laser Matte Focus Screens Ec-N or Ec-R, be sure to set camera’s
Custom Function C.Fn-0 to “0”. EOS-3—If using Laser Matte Ec-A, Ec-B, Ec-C II,
Ec-C III, Ec-D, Ec-I or Ec-L focus screens, be sure to set camera’s Custom Function
C.Fn-0 to “1”. Exposure compensation is required when combining the focusing
screen Ec-R with the EOS-1 or EOS-1n, and when combining the focusing screens
Ec-A, B, Cll, D, H, I and L with the EOS-1n RS. Refer to each focusing screen’s
instructions for detailed information.
*EOS-1Ds Mark III, 1D Mark III and 1D Mark II N must be set to Custom Function
00-2 for accurate exposure metering when this screen is installed. Manual exposure
is required for use with other EOS-1 series cameras.
Ec-1Ds/Ec-1D/Ee:
Black Mask
Ee-A: Precision Matte
Compatibility
EOS-1Ds/1D Mark III, 1Ds/1D Mark II, 1DS/1D
Compatibility
EOS 5D
Description
Ideal for the portrait and wedding photographer, the set
“Crop Lines” includes two focus screens—one with 4x5
(or 8x10) crop lines etched on the screen, and a second
screen with lines for square composition. All exposure
metering can be performed normally in camera, and
red focus point illumination remains fully active. The
other sets “Black Mask” have and opaque black mask
outside the picture area. One screen of the set shows
the area for 4x5 (or 8x10) cropping, the other shows the
area for square cropping. Partial or spot metering is
recommended for these screens. E-TTL II flash exposure will definitely require significant compensation.
FEL (Flash Exposure Lock) in conjunction with either
partial or spot metering is recommended.
3 types are available for both sets respectively, according
to the size of the CMOS sensor and viewfinder optics:
for full frame 1Ds series*, 1D series and for 5D.
*can also be attached to 35mm EOS-1 series and
EOS-3 cameras.
Description
Replacement standard
focus screen exclusively
for the EOS 5D. Matte
surface with nine AF
points etched on screen.
For general photography
with all lenses.
Ee-D: Precision Matte
with Grid Lines
Ee-S: Super-Precision
Matte
Similar to standard Ee-A
screen for EOS 5D, but
with horizontal and
vertical lines for precise
subject placement or
alignment. Overall matte
surface gives viewing
and focusing very similar to standard Ee-A
screen. EOS 5D must be
set to Custom Function
00-1 for accurate exposure metering.
An all-matte focus
screen for the EOS 5D
with finer microlens
structure than the standard screens. Out-offocus areas show more
vividly than with Ee-A
and Ee-D screens. It's
ideally suited for use
with f/2.8 and faster
lenses, especially for
manual focusing. EOS
5D must be set to
Custom Function 00-2
for accurate exposure
metering.
49
EOS SYSTEM ACCESSORIES
EOS SYSTEM ACCESSORIES
Power Supplies
Peripherals
To add more power, ergonomics and speed to your EOS
SLR body, consider one of Canon’s professional quality
power boosters and grips. Check out the chart below to
find the best match for your EOS SLR.
Canon offers a comprehensive line of accessories for the photographer on the go.
Canon’s camera cases are built specially to protect EOS models, and the bags can
accommodate a number of different camera configurations. These are all built to
the highest standards, and are the perfect complement to the EOS System.
Bag
Power Drive Booster / Battery Pack Chart
Includes Custom
Media Case 10DG
Digital Gadget Bag 100DG
Power Drive
Booster PB-E2
Battery Pack
BP-E1*
Battery Pack
BP-220*
Battery Pack
BP-50*
Weight
(without batteries)
17.1 oz. /484g
9.8 oz. /280g
4.1 oz. /115g
5.3 oz. /150g
Compatibility
EOS-1V HS, 1V, 1N, 1, 3
EOS-1V HS, 1V, 1N, 1, 3
Rebel T2/Ti/K2
ELAN II/IIE
Functions
Shutter Release
button, AE Lock
button, FE Lock/Multi-spot Metering
button, Main Dial, focusing point
selector
—
Shutter Release button,
on/off switch
Shutter Release button,
on/off switch
Ni-MH Battery Pack NP-E2 or
Battery Magazine BM-E2 and
8 AA-size Alkaline, Lithium, Ni-MH or
Ni-Cd batteries
2CR5 lithium battery (x1), AA-size
(Alkaline, rechargeable Ni-Cd,
Ni-MH) batteries (x4)
AA-size (Alkaline, Ni-MH)
batteries (x4)
2CR5 lithium battery (x1),
AA-size batteries (x4)
Power Source
Storage
Capacity
1~ 2
Power Drive Booster PB-E2 Accessories
3
1
1~ 2
2
~
3
Professional Gadget Bag 1EG
7 ~ 10
2
Deluxe Gadget Bag 10EG
2
5 ~ 8
Dimensions
Inside: 13" x 9.5" x 6.25" (W x H x D)
Inside: 10.5" x 7.5" x 7" (W x H x D)
Inside: 14.2" x 8.7" x 8.3" (W x H x D)
Inside: 10.5" x 8.0" x 7.5" (W x H x D)
Description
To hold cameras, lenses, accessories and
a laptop computer. It features a durable,
water-repellent nylon extender, pockets
and padded dividers. Also Custom Media
Case 10DG* to organize memory cards
and CDs is included.
This bag has a roomy main compartment
for camera body and extra lenses. Front and
side pocket hold extra batteries, storage media
and others. This functional bag is with nonslip shoulder strap and water-resistant nylon
covering to keep your gear safe and sound.
Waterproof, urethane-coated material
provides this bag with superlative weather protection and the weather flapped top
cover. Fully padded pockets and zippered
pouches provide storage spaces with fast
access to equipment.
Made with rugged, waterproof material
with all the features of the Professional
Gadget Bag 1EG. Plus a built-in waist belt
that tucks away behind the rear pouch.
Gadget Bag 2400
Deluxe
Back Pack 200EG
Custom Gadget Bag 100EG
Zoom Pack 1000
Bag
Storage
Capacity
* Not compatible with AA-size lithium batteries.
~
2
Digital Gadget Bag 200DG
~
1
1
1~2
2
3 ~ 4
Inside: 10" x 14.75" x 5" (W x H x D)
Dimensions
Size: 9.5" x 7.0" x 6.0" (W x H x D)
Description
Perfect for the active photographer.
A lightweight and versatile camera bag
Constructed of rugged water-repellant
designed to hold your important gear.
nylon, well arranged dividers and multiple
Durable water-repellant nylon sell and
padded interior keep all equipment secure. pockets and pouches mean there is plenty
Front and side pockets add storage space of room for just about anything.
and easy access for smaller items.
Grips
3 ~ 4
1~2
1
1
Inside: 9" x 7" x 5.5" (W x H x D)
Inside: 6.5" x 8.7" x 4.72" (W x H x D)
The front zippered pouch features 3
accessory pockets. The rear flat-pouch is
perfect for storing things such as plane
tickets. There is also a zippered full-length
mesh pouch inside the tip cover.
Specially designed to comfortably transport
one camera with a standard zoom lens. It
features waterproof material, a belt strap
and front pouch for small items such as
films, memory cards or accessories.
Case
Battery Magazine
BM-E2
Weight
Description
50
Ni-MH Pack NP-E2
Ni-MH NC-E2
1.8 oz. /50g
(without batteries)
10.9 oz. /320g
12.5 oz. /354g
Magazine holds
eight AA-size
alkaline, lithium,
Ni-Cd or Ni-MH
batteries. (Provided
with the PB-E2)
Powerful rechargeable battery pack
dedicated to the
PB-E2. The rated
voltage is 12V. It can
be recharged over
500 times. When
fully charged, it has
enough power for 70
rolls of 36-exposure
film at 68ºF/20ºC.
Charger dedicated
to the NP-E3 Battery
Pack and the NP-E2
Pack. Two packs can
be attached at one
time. The discharge
feature (taking up
to 8.5 hrs) cancels
the pack's memory
effect. It runs on
100-240V AC, ideal
for international
travel.
†
Compatibility
Grip GR100TP
Grip GR-80TP
Weight
9.5 oz. /271g
10.5 oz. /300g
Compatibility
Rebel 2000
Rebel G, X, XS, XSN
Description
Incorporates a mini tripod, excellent for use with
self-timer, low-angle or night photography. The tripod can
easily be adjusted vertically and horizontally, and when
folded up, it is integrated with the body. Combined use
with the hand strap ensures a secure grip on the camera.
Semi-Hard Case
EH18-L
Semi-Hard Case
EH17-L
Semi-Hard Case
EH14-L
Semi-Hard Case
EH15-L
EOS Digital Rebel XTi, Digital Rebel XT
EOS 30D, 20D, EOS 20Da
EOS ELAN 7 series
EOS Rebel T2, Ti, K2
Canon Straps
Tripod &
Monopod
Level Included
Deluxe
Tripod 200
Quick Release
Photo Platform
Monopod 100
Length
59.33" extended/21.67" folded
63.0" extended/20.5" folded
Weight
2.65 lbs.
16 oz.
Description
This lightweight tripod is designed for easy
portability and maximum stability. It features a
3-way pan head for precise control. The 3-section tubular leg construction allows for exceptional stability. The tripod also features a built-in
spirit level and a quick release shoe.
A lightweight, high-quality monopod featuring a
deluxe 4-section compact tubular leg with quickside-lever leg locks and rubber tipped foot for
added stability. The Monopod 100 has a foamcovered handgrip, wrist strap and also a ball
socket head.
*Also available separately.
† For compatibility with specific lenses see your Canon Authorized Dealer or visit www.canoneos.com.
Wide Neck Strap L3
Color: Black
Professional Neck Strap 1
Rugged, high quality neck strap
designed for the most demanding
photographers. Features durable
non-slip backing, quick-release
clips and anti-twist hardware to
make carrying and shooting easy
Digital EOS Strap
Color: Black
51
POWERSHOT
POWERSHOT
The Perfect Complement to Your EOS System
With shared EOS technologies like Canon optics, Optical Image Stabilizer,
DIGIC Image Processor, and a familiar user interface, it’s easy to transition
seamlessly between an EOS SLR and a PowerShot point and shoot. They’re
the perfect complement to each other.
Amazing Zoom, Amazing Camera.
This camera has an 8.0-megapixel CCD, 12x optical zoom with Optical Image Stabilizer Technology
and DIGIC III Image Processor that features advanced Face Detection AF/AE/FE and Red-eye
Correction. It even has a built-in hot shoe adapter for external professional flashes such as
Canon’s Speedlites. This is appealing to photographers who own Canon Digital SLR cameras and
wish to have smaller and convenient cameras that run on AA-size batteries.
Photographic Genius.
This sophisticated, luxuriously appointed successor to Canon’s
G Series takes image quality to new levels with 12.1-megapixel
resolution. A RAW mode gives you unparalleled creative control,
while the oversized, extra-durable, vibrant PureColor LCD II screen with wider
viewing angle makes shooting a pure pleasure. The G9 is also compatible with
the entire lineup of Canon Speedlites, giving you professional EOS power in a
compact package.
AF
Frame
Resize
High Performance and Value.
Canon PowerShot A Series raises the bar again, pairing a sporty feel and easy operability with a
formidable array of features and capabilities. 12.1-megapixel resolution, 6x optical zoom with
Optical Image Stabilizer Technology and Face Detection Technology create impeccably detailed,
beautifully clear images. And shooting is especially fun with the big, wide-view, vari-angle LCD
screen plus optical viewfinder.
Superior AF
The PowerShot G9 features
Canon’s newest evolution in focus:
AF Frame size selection. Now you
have a choice of either normal or small AF areas,
which makes it easier to achieve sharp focus in
very specific areas of the frame. Combined with
Face Detection, 9-point AiAF or with the
PowerShot’s Flexizone AF, the choice of focus
point size greatly enhances your options for any
given situation.
Speedlite Compatibility
The PowerShot G9 has a built-in
hot shoe that works seamlessly
with Canon’s Speedlite flashes and
has access to all their features through the
camera’s LCD. The G9 can use FP flash, FE lock
and FE composition and even manual flash
metering (with Speedlite 580EX II attached),
extending the G9’s use as a powerful, creative
photographic tool.
RAW Capture
For the ultimate in convenience,
the PowerShot G9 can capture RAW
images. This feature is perfect in
that it maintains a pristine RAW file for precise
post-processing yet allows for easy sharing and
quick printing without post-production from
JPEG files. As for another advantage of shooting
in RAW format, you can control noise that tends
to occur when shooting high speed or long
exposure (Noise Adaptation Control level
between 0 and 10).
Wide & Tele Converter
Lenses
Face Detection Technology
PureColor LCD II
The G9’s 230,000 pixel 3.0-inch
PureColor II PureColor LCD II features improved
LCD
contrast and color reproduction,
which greatly increases the viewing angle for
composing shots above or below the head. It’s
finished with multiple coatings to prevent
smudging, scratches and reflection and even
has a protective frame.
52
Canon’s Face Detection AF/AE/FE
analyzes the image, finds faces,
tracks them and selects the appropriate focus for them. It controls exposure (and
flash in FE mode) to ensure proper illumination
of both the faces and the overall scene, eliminating the common problem of backlit or overexposed faces. There’s even a Face Priority AF setting to ensure Face Detection gets priority.
All PowerShot digital cameras are compatible with SD memory cards.
The PowerShot G9
is compatible with
Wide Converter
WC-DC58B* for a wide
focal length of 26mm
(35mm Equivalent) and
Tele Converter TC-DC58C* for
a telephoto range of
approximately 420mm
(35mm equivalent).
*Conversion Lens
Adapter LA-DC58H
required.
POWERSHOT TECHNOLOGY
FACE DETECTION
AF/AE/FE
Cameras equipped with the ≥ III
Image Processor feature Face Detection
AF/AE/FE. Face Detection tracks and
finds faces automatically. When the
shutter button is pressed halfway, it
focuses and meters to provide proper
illumination of both the faces and the
overall scene, and to provide flash that
is correctly adjusted for the location of
the faces.
Face Detection AF finds
faces, tracks them as
you frame your shot,
then delivers perfect
focus. New models let
you select, track and
focus a single face within a group.
With Face Detection
Without Face Detection
Face Detection AE makes all your group shots
better by properly illuminating both the faces
and the background areas.
Face Detection FE adjusts the flash exposure
based on the location of the faces in the
frame.
With Face Selector AF
Without Face Detection
With Face Detection
Face Selector AF* enables focusing on
a specific face only. The selected face
is double-framed and tracked when
the face moves in the frame.
*on select models
All PowerShot digital cameras are compatible with SD memory cards.
53
PHOTO PRINTERS
imagePROGRAF Printer Technology
Photographers seeking to produce their own
gallery-grade inkjet prints have had limited
choices until now. Understanding the demands of
professional photographers—especially those who
shoot with the EOS System—Canon has responded
with the imagePROGRAF series Photo Printers.
Both feature impressive new technologies that
bring unprecedented quality and performance to
large format photo printing. It’s never been simpler
or more cost-effective to produce gallery-grade
prints at home or in the studio.
LUCIA 12Color Pigment
Ink Set
©Bruce Dorn
PHOTO PRINTER TECHNOLOGY
Built upon a foundation of leading-edge technologies, the EOS System puts photographers in touch with their minds’ eyes, enabling
them to capture images of beauty and clarity that had once existed only in their imaginations. Canon’s commitment to photographic
excellence, however, does not end with image capture. Combining Canon’s unparalleled expertise in photography, photocopying and
printing technologies, Canon imagePROGRAF and PIXMA photo printers
are redefining output quality, performance and convenience. They are
the perfect complement to your EOS System with
results that are nothing short of stunning!
imagePROGRAF iPF5100
PIXMA Pro9500
54
PIXMA Pro9000
Canon’s 12-color
LUCIA ink set
includes Red,
Blue, Green,
LUCIA Ink
Photo Cyan, Photo
Magenta, Gray,
Photo Gray and
Matte Black inks
in addition to the
traditional Cyan,
Magenta, Yellow
Canon LUCIA Ink set vs. Adobe RGB
and Black inks. This Canon RC Photogloss L=50
enables the imagePROGRAF printers to reproduce
a much wider range of colors with superior saturation
and tonal gradation. Moreover, the two Gray
inks ensure
black-andwhite photo
prints of exceptional tonal
depth and
detail with
substantially reduced metamerism. The LUCIA
ink set for imagePROGRAF iPF6100 and iPF5100
feature the same wide color gamut of their
predecessors, but with improved features. They
offer improved scratch resistance and longevity
thanks to an improved polymer coating that
allows the ink to bond more efficiently and
effectively to the paper. Reformulated Gray and
Photo Gray inks combine with processing optimization to ensure better gradation, resulting in
even less visible grain than their predecessors,
and offer a higher overall print quality with
dramatically reduced bronzing.
LUCIA 12-Color Pigment Ink Set
Automatic Color Stability Control
System (iPF6100/iPF5100)
The iPF6100 and iPF5100 offer a sophisticated,
automatic color stability control system for simple,
predictable color. With a high-performance multisensor installed in the printer, calibration is done
easily and quickly (under 10 minutes) with a simple
setup from the printer’s operation panel. When
calibrated, photographers will find amazing consistency among all calibrated printers they might
use. Canon’s imagePROGRAF color calibration will
ensure that the colors photographers saw when
they shot, and on their calibrated computer screens
will be preserved in print.
PhotoLithographic User-Replaceable
Print Heads
Canon’s FINE (Full-photolithography Inkjet Nozzle
Engineering) print heads ensure accurate and
detailed ink
delivery, no
matter the
medium being
used for printing. This new,
Multi-nozzle Dual Print Heads
advanced
head design uses two print heads—each with
15,360 nozzles—yielding over 30,000 nozzles,
which release microscopic ink droplets quickly
and precisely. This not only makes extremely high
output resolution simple, but also ensures faster,
more reliable printing. Photographers no longer
need to compromise on print speed to attain high
image quality because Canon’s superior print
head technologies deliver both. The large number
of nozzles also substantially increases print head
life, so the printer requires less frequent maintenance.
The print heads are user replaceable, can be
replaced with minimal downtime and without
service calls, saving time and money and increasing
productivity.
16-Bit Printing Support
While conventional inkjet printers support 8 bits
per-channel and require a conversion from 16 bits
somewhere during the workflow, the imagePROGRAF
Printers provide advanced support for high-bit
depth files. Software Plug-ins enable high-bit
depth images to be printed directly from Digital
Photo Professional 2.1. Also included is an export
module for printing 16-bit files directly from
Adobe® Photoshop®. These features provide the
photographer with the first true wide-dynamic-range
workflow option from capture to output. Images
are reproduced with smoother tonal gradations
for greater photorealism. Dynamic-range-related
problems, such as posterization and banding,
are significantly reduced.
Exclusive Canon L-COA Image Processor
High Performance
& Integration
Integrated System
& Engine Control
High Speed
Engine Control
High Fine
Image Process
High Accuracy & High Speed Control
of High Density Head
Integrated System
& Engine Control
55
PHOTO PRINTERS
PHOTO PRINTERS
PIXMA Printer Technology
Canon’s PIXMA photo printers
bring life to images taken with
EOS Digital SLRs. With the
introduction of the PIXMA
Pro9500 and Pro9000, Canon has entered the
realm of fine art printing while remaining true
to the Canon quality and speed photographers
everywhere know and trust.
FINE Print Head
Technology
Automated Black Ink Cartridge
Switching
The ink set includes black and matte black cartridges to allow printing on photo paper and matte
paper respectively without switching cartridges or
wasting of ink every time. Other printers require the
user to perform an inconvenient and wasteful
manual operation to flush unused ink and switch
cartridges. However, with the Canon imagePROGRAF
Printers, both black ink cartridges are loaded and
live at all times, so switching over is performed
efficiently with a simple push of a button.
Unsurpassed Output Media Selection
The imagePROGRAF Printers support a wide range
of paper and specialty output media, such as
resin coated photo paper, canvas and fine art
more than 35 different types of compatible paper,
with additional paper and media types in the works.
Moreover, the supplied Media Configuration Tool
enables the user to update the driver, using a
periodically published database, to accommodate
new Canon media as they become available.
*iPF6100 and iPF5100 handles: 0.08 to 1.5
millimeters
paper. 4-way media feeding, including a roll feed,
enable the printers to handle media thicknesses
from 0.08 to 0.8 millimeters*. Besides media
available from other manufacturers, Canon offers
56
Cassette
Automatic Head Clog Detection
Canon’s sophisticated nozzle clog detection
system automatically senses non-firing nozzles
and executes a print head cleaning cycle as
required. Should a clogged nozzle fail to recover
after cleaning, the system automatically compensates by substituting other function-ing nozzles.
This minimizes print-head-related output failures, reduces paper waste and improves print
head durability, saving photog-raphers both
time and money.
Advanced
Connectivity
Roll Paper
4-way Media Feed (iPF5100 only)
The imagePROGRAF
Printers are equipped with
USB 2.0 Hi-Speed and Ethernet interfaces. An
IEEE 1394 Firewire interface is also an available
option. The printers also feature excellent multiplatform support, enabling seamless integration
with a wide variety of hardware and workflow
configurations.
Manual from the top
Manual from the front
Total 6,144 nozzles
Canon’s high-precision FINE (Full-photolithography Inkjet
Nozzle Engineering)
FINE
2 pl
2 pl (conceptual diagram)
print heads each
PIXMA Pro9000
have thousands of
nozzles designed to release
microscopic ink droplets as
small as 2-picoliters in a single
pass, resulting in fast, high-resolution printing.
Capable of plotting thousands of ink droplets
each second, the high-density nozzle pitch produces sharper detail and less grain. Canon’s print
heads are engineered using a photo-lithographic
process that produces incredibly high-precision
output and equally incredible prints.
10-Color Pigment Ink
System
Featuring the same LUCIA pigment ink found in the
imagePROGRAF printers, the PIXMA Pro9500’s
10-color pigment ink set produces professionalquality, archival prints. The gray, black and matte
black ink produce monochrome photographs of
unrivaled quality on fine art and glossy paper.
Gray ink reduces grain, banding and metamerism
and virtually eliminates color shifts. Unlike black ink
that increases contrast, matte black ink increases
black density on fine art paper while maintaining
detail in shadows. With 10 individual ink tanks,
users can replace a single color, reducing waste and
saving money. Since the Pro9500’s ink is less
sensitive to light and environmental factors, prints
have incredibly smooth gradations and are archival.
Consistent Ink Ejection System
Roll (optional)
To enable smooth prints, all of the ink below the
cartridge’s heater is expelled by the generated
bubble, eliminating the need to break the ink away.
The ejection volume is therefore not affected by
differences in ink temperature, so ink droplets of
a prescribed volume are ejected consistently.
The ChromaLife100
System
The PIXMA Pro9000 is outfitted with a 8-color
dye-based ink system. With the addition of red
and green inks, red saturation is increased by
approximately 60% and green saturation is
increased by
approximately
30%. The PIXMA
Pro9000 uses
ChromaLife100 ChromaLife100 Ink System
ink for improved image longevity. Photos have a
100-year print life when kept in albums, and
when these inks are combined with Canon’s
genuine photo media, prints will withstand 30year light fastness and 10-year gas fastness.
This advantage is achieved without compromising print quality or speed.
use print effects to finely tune images and can
arrange images in a variety of useful layouts—all on
their cameras. Ultimately, this level of connectivity
enables photographers to print directly from their
cameras with the exact color tones and saturation
they specify.
Easy-PhotoPrint Pro
Software
Canon’s Easy-PhotoPrint Pro
(EPP Pro) software plug-in
augments post-production
Pattern Print
software. EPP Pro has new
layout options such as pattern prints, contact
prints and prints with shooting information. It
also allows for color adjustments, including ICC
Profile, Linear Tone, Photo Color, monotone printing and grayscale printing, and with advanced
color management, all settings can be saved.
Advanced Paper Handling
The PIXMA Pro9500/9000 features two paper
paths: a standard top loader and a manual front
loader for increased versatility and convenience.
The front loader can accept thick, fine art media,
creating a straight paper path that prevents the
media from bending while printing.
Improved Camera to Printer Connectivity
When shooting with selected EOS digital SLRs and
printing with the PIXMA Pro9500/9000, photographers can take advantage of improved advanced
camera direct capabilities. Photographers can
EOS Digital
Cameras
(with Direct Print)
PictBridge
Shoot digital, print direct.
It’s a fast and easy way to print pictures on
the spot without a computer. Just connect any
PictBridge-compatible printer to a digital camera and print.
1. Connect – Connect your EOS digital camera
directly to a PictBridge-compatible photo printer.
2. Select – Choose the image, print size and style
from the camera’s LCD menu screen.
3. Print – Press the print function from the menu
and you’ll have photo lab-quality prints in minutes.
USB Cable
PictBridge
Compatible
Printers
Interface Cable
IFC-300PCU/IFC-400PCU (EOS-1D Mark II N, 5D, 20D, Digital Rebel XTi/ XT)
(with Direct Print)
Computers
EOS-1Ds Mark III
EOS-1D Mark III
PC Card Adapter
CF/SD Card
Reader
EOS 5D
CF/SD Cards
EOS 40D
PC Compatible
Computer
Macintosh
Computer
Inkjet
Photo Printer
USB Cable
Compact
Photo Printer
USB Cable
(FireWire IFC-200D4/D44 or IFC-450D4/D44 cable
for EOS 1Ds Mark II and EOS 1D Mark II N)
EOS 30D
Scanner
EOS
Digital Rebel XTi
EOS
Digital Rebel XT
CanoScan
35mm Slide 35mm Film
Medium format negatives or
transparencies up to 4” x 5”
57
PHOTO PRINTERS
PHOTO PRINTERS
Photo Printing Redefined
Canon photo printers deliver professional, lab-quality prints of images taken by EOS
digital cameras with convenience and speed. Augmented by new ink sets and technology that improve the quality of color and black and white prints, Canon’s new
imagePROGRAF and PIXMA photo printers have redefined professional photo output.
Featuring Improved LUCIA Ink Set for
Long-Lasting Photos.
The iPF6100 features a 24-inch wide paper feed. A new, refined LUCIA pigment based inkset
offers improved scratch resistance and longevity thanks to an improved polymer coating that
allows the ink to bond more efficiently and effectively to the paper. The printer operation is easy
to set up from the operation panel. FINE print head technology supports stable ink firing, printing speeds, accurate color adjustments and quality—beautiful and smooth color gradations.
Superb Color Reproduction with
Canon’s LUCIA 12-Color Pigment Ink Set.
With Canon’s imagePROGRAF iPF5100, no-compromise large-format, fine art printing has never
been easier. Canon’s exclusive LUCIA 12-color pigment ink set yields a tremendous range of colors and grays. For smooth, detailed color and black and white images, no matter the media.
Canon’s FINE photo-lithographic heads ensure accurate plotting of even the finest details thanks
to over 30,000 nozzles. Matter Black ink and Black ink cartridges are both loaded in the printer
at the same time, enabling automatic switching without wasting time or ink.
LUCIA 10-Color Pigment Ink Set Creates Rich Color
Photos.
For the highest quality color and black and white photographs, up to 13" x 19", one needs
look no further than the PIXMA Pro9500. With the LUCIA 10-color pigment ink system,
there’s no other printer out there that can print both stunning color and smooth black and
white photographs like the Pro9500. The inclusion of gray, matte and photo black pigment
tanks, combined with 3 pl droplets ensure the smoothest gradations possible and the
results are prints that will astound.
58
Professional Quality Photos for Big Ideas.
Capable of quickly printing lab-quality prints up to 13" x 19", Canon’s PIXMA Pro9000 raises
the bar thanks to its combination of speed and versatility. Its FINE print head generates a maximum
resolution of 4800 x 2400 dpi and ChromaLife100 dye-based inks create long lasting, beautiful
photos. Canon’s Easy-PhotoPrint Pro software, including plug-ins for Digital Photo Professional
V2.1 and Adobe Photoshop CS/CS2/CS3, combined with a new printer driver for advanced color
control, ensuring accurate prints from the start.
The Ultimate Photo All-In-One.
Ready to print, copy and scan at the highest levels? You’ll create 4˝ x 6˝ photos with spectacular
9600 x 2400 color dpi resolution (max.) in only about 35 seconds. The 7-color ink system produces
photos that are richer and more life-like than ever before. Scans of photos, negatives and even
thick notebooks will yield superb 4800 x 9600 color dpi results, and copies will be more faithful to
your originals. Built-in Duplex Printing capability allows you to print on both sides of a sheet of
paper easily. The Ethernet interface enables networking, and the large 3.5˝ TFT display lets you
preview images in high resolution, then print directly from memory cards—without a computer.
Compact. Stylish. Exceptional Performance.
For the ultimate in portable printing, there’s no substitute for the PIXMA iP90v. With its optional
battery and wireless connectivity options, you’ll get lab-quality results whether off site with
clients or with family and friends at the park.
59
PRINTER & SCANNER COMPARISON CHART
PRINTER & SCANNER COMPARISON CHART
Pro Series
Photo All-In-One
Photo Printers
Compact Photo Printers
Office All-In-One
Color Image Scanners
CanoScan 8800F
Color Image Scanner
PIXMA Pro9500
Photo Printer
Ink Type
LUCIA Ink
Number of
Ink Tanks
Maximum DPI
Print Head
Print Speed*
(Approx.)
LCD/ TFT
PIXMA Pro9000
Photo Printer
ChromaLife100
PIXMA MP970
Photo All-In-One
PIXMA MP610
Photo All-In-One
PIXMA MP520
Photo All-In-One
PIXMA MP470
Photo All-In-One
PIXMA MP210
Photo All-In-One
ChromaLife100
ChromaLife100
ChromaLife100
ChromaLife100
ChromaLife100
7
5
4
2
2
Ink Type
Number of Ink
Tanks
10
4800x2400
7,680 Nozzles
8
4800x2400
6,144 Nozzles
4x6 Borderless
in 75 sec.*
4x6 Borderless
in 30 sec.*
—
—
Maximum DPI
9600x2400
9600x2400
4800x1200
4800x1200
4800x1200
(Approx.)
3,584 Nozzles
4x6 Borderless
in 35 sec.*
4,608 nozzles
4x6 Borderless
in 21 sec.*
1,600 Nozzles
4x6 Borderless
in 46 sec.*
1,472 Nozzles
4x6 Borderless
in 46 sec.*
1,472 Nozzles
4x6 Borderless
in 46 sec.*
LCD/TFT
–/•
–/•
–/•
•/–
–/–
Print Head
Print Speed*
Borderless Print Sizes
13" x 19"
—
—
—
—
—
8.5" x 11"
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
8" x 10"
Borderless Print Sizes
5" x 7"
•
13" x 19"
•
Credit Card Size
8.5" x 11"
•
•
Photo Stickers
8"x10"
•
•
System Compatibility
•
•
5" x 7"
•
•
Credit Card Size
—
—
Photo Stickers
•
•
16 Mini-Labels
—
—
4" x 6"
Duplex Printing
Dual Paper Path
PictBridge
Easy-PhotoPrint/
Easy-PhotoPrint EX
Easy-PhotoPrint
Easy Photo Print
Pro
Pro
—
•
•
•/–
•
ThinkTank
System
•
FINE Technology
•
USB 2.0
Hi-Speed**
Memory Card
Slots***
Bluetooth /
IrDA††
Duplex Printing
Dual Paper Tray
PictBridge
Easy-PhotoPrint/
Easy-PhotoPrint EX
ThinkTank
System
•
—
—
•
•
•
•/–
•
•
•
•
—
†
–/–
–/–
—
—
—
—
•
•
•
•
–/•
—
—
—
•
•
•
–/•
—
—
•
•
–/•
•
•
–/•
Number of
Ink Tanks
Maximum DPI
Print Speed*
–/–
–/–
(Approx.)
LCD/ TFT
Borderless Print Sizes
5" x 7"
—
•
—
•
4" x 6"
•
•
•
Credit Card Size
•
•
Credit Card Size
•
•
•
—
2 on 1 Image
Combination
—
—
Auto
Magnification
•
•
•
•
—
Fading
Correction
•
•
•
—
—
Fit to Page
Image Repeat
Dual Color Gamut
Processing
Technology
•
•
•
•
•
—
•
—
•
—
4800x1200
1,472 Nozzles
Batch Scans
Up to 12 35mm negs,
4 35mm slides, 120 roll
Up to 4
35mm mounted slides
Print Speed*
4x6 Borderless
in 36 sec.*
4x6 Borderless
in 46 sec.*
4x6 Borderless
in 46 sec.*
FARE Level 3
–
•/–
•/–
–/–
•
•
13" x 19"
—
—
—
Retouching
Technology
USB 2.0 HiSpeed
Firewire
(Mac only)
–
–
8.5" x 11"
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
Built-In Networking
—
•
—
CanoScan LiDE 600F
Color Image Scanner
CanoScan LiDE 90
Color Image Scanner
Duplex Printing
•
•
•
•
•/–
—
—
•
•
•
–/•
—
•
•
•
•
•
•
•
•
—
–/–
•
–/–
•
–/–
•
Scanning
Resolution
2400x4800
48-bit internal
2400x4800
48-bit internal
1200x2400
48-bit internal
Copy Speed
29 cpm blk
24 cpm color*
30 cpm blk
20 cpm color*
22 cpm blk
17 cpm color*
2-sided ADF
Copy/Scan
•
—
—
Automatic Exposure
—
Fit to Page
•
•
•
•
•
•
•
•
•
•
Borderless Print Sizes
Credit Card Size
Photo Stickers
16 Mini-Labels
•
—
•
•
Dual Paper Tray
PictBridge
Exif Print
•
Easy-Photo Print/
Easy-Photo Print EX
—
ThinkTank
System
FINE Technology
USB 2.0 Hi-Speed**
Duplex Printing
—
—
—
Memory Card
Slots***
—
•
Dual Paper Tray
—
—
—
PictBridge
•
•
PictBridge
•
•
•
Bluetooth†/
IrDA††
Exif Print
•
•
Exif Print
•
•
•
Easy-PhotoPrint Pro
ThinkTank System
–/•
Easy-PhotoPrint/
Easy-PhotoPrint EX
•/–
–/•
Fax Capable
–/•
•
•
—
—
—
Easy-Photo Print
Pro
—
—
—
—
•
ThinkTank System
—
—
—
•
•
FINE Technology
—
•
—
Image Repeat
2 on 1 Image
Combination
•
•
•
•
Auto
Magnification
—
•
—
Fading
Correction
—
•
—
Dual Color Gamut
Processing
Technology
•
•
•
USB 2.0 Hi-Speed**
—
•
USB 2.0 Hi-Speed**
—
•
—
Memory Card
Slots***
—
—
Memory Card
Slots***
•
•
•
Bluetooth†/
IrDA††
•
•
–/•
•/•
—
†
Bluetooth /
IrDA††
•/•
•/•
CanoScan LiDE 25
Color Image Scanner
Copy/Scan Capabilities
Special Features
Three-way design for
upright and horizontal
scanning
Resolution
Up to 4800x9600 dpi
48-bit in/out
Up to 2400x4800 dpi
48-bit in/out
Up to 1200x2400 dpi
48-bit in, 24-bit out
Batch Scans
Up to 6 frames of 35mm
film (neg./pos.)
–
–
Retouching
Technology
USB 2.0 HiSpeed
Firewire
(Mac only)
FARE Level 3
QARE Level 3
–
•
•
–
–
–
–
4 easy buttons to scan, One Cable for USB and
copy, create PDF or email
Power
Copy/Scan Capabilities
Frame Erase Copy
FINE Technology
9600x2400
Photo Stickers
System Compatibility
•/–
Up to 4800x9600 dpi
48-bit in/out
4800x1200
1,600 Nozzles
—
Easy-PhotoPrint/
Easy-PhotoPrint EX
Up to 4800x9600 dpi
48-bit in/out
3,584 Nozzles
—
Duplex Printing
Resolution
System Compatibility
•
•
2
4
8" x 10"
—
4" x 6"
—
—
—
Built-in adapter for scanning film up to medium
format
5
5" x 7"
—
White LED eliminates
warm-up time
ChromaLife100
4" x 6"
13" x 19"
Copy/Scan Capabilities
Special Features
ChromaLife100
LCD/TFT
Borderless Print Sizes
•
—
•
•
•
•/–
•
—
•
•
•
•
–/•
5" x 7"
—
•
•
•
•
•/–
—
Fax Capable
•
•
•
•
•
4x6 Borderless
in 58 sec.*
—
—
Automatic Exposure
4x6 Borderless
in 40 sec.*
—
•/–
—
4x6 Borderless
in 69 sec.*
8" x 10"
•/–
—
—
•
•/•
—
1,536 Nozzles
PIXMA MX310
Office All-In-One
(Available in October)
Print Head
(Approx.)
—
PIXMA MX700
Office All-In-One
(Available in October)
ChromaLife100
Maximum DPI
300x300
•
•/•
—
9600x2400
8" x 10"
16 Mini-Labels
Ink Type
1
—
Bluetooth†/
IrDA††
Film Copy
300x600
1
—
Dual Paper Tray
Copy Speed
1
—
Photo Stickers
PIXMA MP830
Office All-In-One
Number of Ink
Tanks
8.5" x 11"
—
22 cpm blk
17 cpm color*
Dye-Sub
•
•
22 cpm blk
17 cpm color*
ChromaLife100
•
•
30 cpm blk
20 cpm color
Dye-Sub
8.5" x 11"
•
31 cpm blk
24 cpm color
SELPHY CP740
Compact Photo Printer
—
•
30 cpm blk
22 cpm color*
LCD/ TFT
PIXMA mini320
Compact Photo Printer
—
Memory Card
Slots***
600x1200
48-bit internal
(Approx.)
SELPHY ES1
Compact Photo Printer
13" x 19"
•
•
2400x4800
48-bit internal
Maximum DPI
4x6 Borderless
in 47 sec.*
•
•
2400x4800
48-bit internal
4800x1200
4x6 Borderless
in 81 sec.*
USB 2.0
Hi-Speed
4800x9600
48-bit internal
4800x1200
4
Number of
Ink Tanks
Print Speed*
System Compatibility
4800x9600
48-bit internal
2
Ink Type
Print Head
—
Scanning
Resolution
ChromaLife100
1,600 Nozzles
•
•
•
Copy/Scan Capabilities
ChromaLife100
1,088 Nozzles
•
•
•
—
PIXMA iP3500
Photo Printer
Print Head
•
•
•
FINE Technology
•
Exif Print
•
•
•
•
•
–/•
Built-In Networking
Exif Print
System Compatibility
60
4" x 6"
Ink Type
PIXMA iP90v
Photo Printer
CanoScan 4400F
Color Image Scanner
•/–
61
* Print speed measured as soon as first page begins to feed into printer. Copy speed is measured
after the first page is ejected. Output speed will vary depending upon a number of factors.
For additional information, see www.usa.canon.com/printspeed
** USB 2.0 Hi-Speed requires Windows XP, 2000, Vista or Mac OS X operating systems. For
Windows 98, Me and Mac OS X v.10.2 or higher operating systems, the printer will operate
at USB 1.1 specifications.
*** Compatible memory cards include SD Memory CardTM, SDHCTM, miniSDTM, microSDTM (except
ES1), MultiMediaCard®, CompactFlash®, Microdrive®, xD-Picture CardTM, Memory Stick® and
Memory Stick PROTM, DuoTM, PRO DuoTM, and miniSDHCTM (ES1 and CP740 only). In addition,
CP740 is compatible with Memory Stick MicroTM, MMC MicroTM, MMCMobileTM, MMCplusTM,
and MicroSDHCTM. Some cards may require an additional adapter that must be purchased
separately.
†
Bluetooth v1.1 with optional Canon Bluetooth Adapter BU-10 (PIXMA iP90v only) and
Bluetooth v1.2 with optional Canon Bluetooth Adapter BU-20. Bluetooth operation depends
on the devices and software version used. Operating distance is approximately 10 meters
but may vary due to obstacles, radio signals, locations where radio interference occurs,
magnetic fields from microwave ovens, device sensitivity and/or antenna performance.
††
JPEG files 3MB or smaller only. Requires mobile phone with IrDA port and support for IrMC
version 1.1 protocol, with phone positioned no more than 7.9 inches from printer.
62
C
EOS EDUCATION & INSPIRATION
Expand Your Knowledge.
For in-depth information and examples of the best of Canon EOS Digital photography,
there’s nothing like the Canon Digital Learning Center. Found at www.usa.canon.com/dlc,
the Digital Learning Center is full of educational material presented from a photographer’s
perspective. Browse learning modules on select EOS Digital SLR cameras and professional
printing, visit the Tips & Techniques area to learn about digital workflow with Canon
Digital Photo Professional software and make the most out of your digital photography.
Visit the Explorers of Light & PrintMasters Gallery where noted professionals teach and inspire us with stunning
photography created with Canon products. Whether a novice or veteran EOS user looking for tips on how to get the
most out of your equipment, you’ll find what you’re looking for right here.
1-800-OK-CANON
www.canoneos.com
Canon Explorers of Light & PrintMasters
Formed by Canon in the mid-1990’s as a broad ranging initiative for photographic education
and inspiration, Canon’s Explorers of Light group is comprised of 85 of the most influential
photographers in the world, each a master of their own creative specialty. Explorers of Light
use Canon EOS photographic equipment to capture images from disciplines as varied as photojournalism,
aviation, fashion, sports, wedding, nature, advertising, portraiture, food and travel photography. In
2006, Canon called together the PrintMasters: artists representing the highest levels of photographic
achievement. Canon PrintMasters push the boundaries of fine print making in each of their respective
disciplines. Canon PrintMasters use EOS photographic
equipment and Canon PIXMA Pro and/or imagePROGRAF professional printers, inspiring
and educating with their unique blends of photographic vision, digital imaging experience,
and pronounced command of the fine photographic print. Explorers of Light and PrintMasters
share their photographic and technical expertise with eager audiences of photo professionals,
hobbyists and enthusiasts in a variety of personal appearances, seminars and gallery
showings throughout the United States. The images used throughout this brochure are
from Canon’s Explorers of Light and PrintMaster photo galleries. To learn more and see
more images, visit the Canon Digital Learning Center.
©Bruce Dorn/Explorer of Light & PrintMaster
Canon U.S.A., Inc.
One Canon Plaza
Lake Success, NY 11042 U.S.A.
Canon Canada, Inc.
6390 Dixie Road
Mississauga, Ontario L5T 1P7 Canada
Canon Latin America, Inc.
703 Waterford Way, Suite 400
Miami, FL 33126 U.S.A.
Canon Mexicana, S. de R.L. de C.V.
Blvd. Manuel Ávila Camacho No. 138, Piso 17
Col. Lomas de Chapultepec
C.P. 11000 México, D.F. México
F A L L
0113W799 8/07
www.canoneos.com
©2007 CANON U.S.A., INC.
PRINTED IN U.S.A.
2 0 0 7
C
EOS EDUCATION & INSPIRATION
Expand Your Knowledge.
For in-depth information and examples of the best of Canon EOS Digital photography,
there’s nothing like the Canon Digital Learning Center. Found at www.usa.canon.com/dlc,
the Digital Learning Center is full of educational material presented from a photographer’s
perspective. Browse learning modules on select EOS Digital SLR cameras and professional
printing, visit the Tips & Techniques area to learn about digital workflow with Canon
Digital Photo Professional software and make the most out of your digital photography.
Visit the Explorers of Light & PrintMasters Gallery where noted professionals teach and inspire us with stunning
photography created with Canon products. Whether a novice or veteran EOS user looking for tips on how to get the
most out of your equipment, you’ll find what you’re looking for right here.
1-800-OK-CANON
www.canoneos.com
Canon Explorers of Light & PrintMasters
Formed by Canon in the mid-1990’s as a broad ranging initiative for photographic education
and inspiration, Canon’s Explorers of Light group is comprised of 85 of the most influential
photographers in the world, each a master of their own creative specialty. Explorers of Light
use Canon EOS photographic equipment to capture images from disciplines as varied as photojournalism,
aviation, fashion, sports, wedding, nature, advertising, portraiture, food and travel photography. In
2006, Canon called together the PrintMasters: artists representing the highest levels of photographic
achievement. Canon PrintMasters push the boundaries of fine print making in each of their respective
disciplines. Canon PrintMasters use EOS photographic
equipment and Canon PIXMA Pro and/or imagePROGRAF professional printers, inspiring
and educating with their unique blends of photographic vision, digital imaging experience,
and pronounced command of the fine photographic print. Explorers of Light and PrintMasters
share their photographic and technical expertise with eager audiences of photo professionals,
hobbyists and enthusiasts in a variety of personal appearances, seminars and gallery
showings throughout the United States. The images used throughout this brochure are
from Canon’s Explorers of Light and PrintMaster photo galleries. To learn more and see
more images, visit the Canon Digital Learning Center.
©Bruce Dorn/Explorer of Light & PrintMaster
Canon U.S.A., Inc.
One Canon Plaza
Lake Success, NY 11042 U.S.A.
Canon Canada, Inc.
6390 Dixie Road
Mississauga, Ontario L5T 1P7 Canada
Canon Latin America, Inc.
703 Waterford Way, Suite 400
Miami, FL 33126 U.S.A.
Canon Mexicana, S. de R.L. de C.V.
Blvd. Manuel Ávila Camacho No. 138, Piso 17
Col. Lomas de Chapultepec
C.P. 11000 México, D.F. México
F A L L
0113W799 8/07
www.canoneos.com
©2007 CANON U.S.A., INC.
PRINTED IN U.S.A.
2 0 0 7
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