Yamaha | VL Visual Editor | Owner`s manual | Yamaha VL Visual Editor Owner`s manual

Yamaha Virtual Acoustic Plug-in Board
Virtual Acoustic Plug-in-Karte
Carte Plug-in Acoustique Virtuelle
Owner’s Manual
Bedienungsanleitung
Mode d’emploi
Precautions
● Do not expose the plug-in board to direct sunlight,
excessive humidity, high temperatures, excessive dust
or strong vibrations.
● Before handling the plug-in board, be sure to touch a
metal surface to discharge any static electricity which
may be in your body.
● When holding the plug-in board, do not touch the inside
area of the circuit board or apply excessive pressure to
the board, and be sure to protect the board from contact
with water or other liquids.
● Before installing the plug-in board onto a tone generator/sound card, unplug the power connector of your
computer.
● Before connecting the computer to other devices, turn
off the power switches of all devices.
● Yamaha is not responsible for loss of data through computer malfunctions or operator actions.
● The plug-in board contains no user-serviceable parts, so
never touch the inside area of the circuit board or
tamper with the electronic circuitry in any way. Doing
so may result in electrical shock or damage to the plugin board.
YAMAHA CANNOT BE HELD RESPONSIBLE
FOR DAMAGE CAUSED BY IMPROPER
CARE AND USE OF THE PLUG-IN BOARD.
* The company names and product names in this Owner’s Manual are the trademarks or registered
trademarks of their respective companies.
* The screens as illustrated in this owner’s manual are for instructional purposes only, and may
appear somewhat different from the ones of your instrument.
FCC INFORMATION (U.S.A.)
1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!
This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications
not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product.
2. IMPORTANT: When connecting this product to accessories and/or another product use only high quality shielded cables.
Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void
your FCC authorization to use this product in the USA.
3. NOTE: This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class
”B” digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product
in a residential environment will not result in harmful interference with other electronic devices. This equipment generates/uses
radio frequencies and, if not installed and used according to the instructions found in the users manual, may cause interference
harmful to the operation of other electronic devices. Compliance with FCC regulations does not guarantee that interference will
not occur in all installations. If this product is found to be the source of interference, which can be determined by turning the unit
”OFF” and ”ON”, please try to eliminate the problem by using one of the following measures:
Relocate either this product or the device that is being affected by the interference.
Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line filter/s.
In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the
lead-in to co-axial type cable.
If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this
type of product. If you can not locate the appropriate, please contact Yamaha Corporation of America, Electronic Service Division, 6600 Orangethorpe Ave, Buena Park, CA 90620
* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA.
CANADA
This Class B digital apparatus complies with Canadian ICES-003.
Cet appareil numérique de la classe B est conforme à la norme NMB-003 du Canada.
• This applies only to products distributed by Yamaha Canada Music Ltd.
• Ceci ne s’applique qu’aux produits distribués par Yamaha Canada Musique Ltée.
2
Introduction
Virtual Acoustic Plug-in Board PLG150-VL will expand your synthesizer of the Modular Synthesis Plug-in System (such as CS6x and S80) by adding 256 VL voices, created by the unique Virtual Acoustic Synthesis (including 137 VL-XG, XG compatible, voices). It also expands your
tone generator/ sound card of the XG Plug-in System (such as MU128 and SW1000XG) as
well. Using the included software, VL Visual Editor, you can edit VL voices and create your own
voices from scratch.
Please read through this manual to take full advantage of the PLG150-VL before use and keep
the manual in a safe place for future reference.
Table of Contents
Overview of the PLG150-VL .......................................................... 4
Virtual Acoustic Synthesis ........................................................... 9
Voice Organization ................................................................... 13
Selecting Voices ...................................................................... 15
Editing VL Voice Part Parameters ................................................ 19
VL System Parameters ............................................................. 30
Q & A .................................................................................... 34
Appendix
Voice List ............................................................................... 36
MIDI Data Format ..................................................................... 40
MIDI Implementation Chart ......................................................... 48
3
Overview of the PLG150-VL
Main Features
● Allows you to play back the songs which are programmed with the VL-XG voice data (p.13).
● Lets you edit the VL parameters on the synthesizer/ tone generator (a model with LCD screen)
(p.19).
● Allows you to simulate an acoustic musical instrument and create a “virtual” musical instrument
using the “VL Visual Editor,” even if you don't have further musical knowledge (p.7).
● Allows you to play the PLG150-VL by WX5 (via BT7) connected to the tone generator via MIDI
(p.33).
About the Modular Synthesis Plug-in System
The Yamaha Modular Synthesis Plug-in System offers powerful expansion and upgrade capabilities for Modular Synthesis-Plug-in-compatible synthesizers, tone generators and sound cards.
This enables you to easily and effectively take advantage of the latest and most sophisticated
synthesizer and effects technology, allowing you to keep pace with the rapid and multi-faceted
advances in modern music production.
About the XG Plug-in System
The Yamaha XG Plug-in System offers powerful expansion and upgrade capabilities for XGPlug-in-compatible tone generators and sound cards. This enables you to easily and effectively
take advantage of the latest and most sophisticated synthesizer and effects technology, allowing
you to keep pace with the rapid and multi-faceted advances in modern music production.
About Sondius XG
Products bearing the SONDIUS-XG logo are licensed under patents of Stanford University and
Yamaha as listed on the internet web site, <http://www.sondius-xg.com>.
About VL-XG
The VL Extension for XG (“VL Extension for XG” is abbreviated to VL-XG) included in the
PLG150-VL significantly enhances and expands the musical capabilities of the XG format with
the superior sound and expressive potential of Yamaha Virtual Acoustic Synthesis. The
PLG150-VL provides superior wind and string instrument voices while the XG tone generator/
sound card supplies drums, percussion, keyboard, and other voices.
4
Overview of the PLG150-VL
VL Voice Edit
Editing VL-XG Voices
If you want to edit the existing MIDI files or create a MIDI song using various VL-XG voices from
the PLG150-VL, you need to use a sequencing software which is capable of editing system exclusive
messages and transmit bank select/program change messages and/or parameter changes to the
PLG150-VL. See MIDI Data Format (p. 40) for more information on the system exclusive messages.
However, using the XG Editor Window of the music sequencing software, “XGworks lite” (an Windows application, provided in the “mother” synthesizer/ tone generator) lets you visually and easily
enter the VL program change data and edit its data instead of inputting rather complicated system
exclusive messages.
Creating Your Own VL Voices
Even if you have no experience in voice creation, the “VL Visual Editor” (provided in the included
disk) lets you easily create VL voices (p. 7).
To use the “XGworks lite” and “VL Visual Editor” you need to connect the “mother” synthesizer/ tone
generator/ sound card to your PC, and properly set the “Driver” and “Input/ Output devices.” For the
details refer to the owner’s manual of the “XGworks lite.”
Installation
For the installation of the PLG150-VL see the manual of respectiv “mother” synthesizer/ tone generator/ sound card.
Included Items
• PLG150-VL
• Demonstration & Plug-in Voice Disk (FD)
• TOOLS for PLG150-DX/PLG150-VL (CD-ROM)
• Owner’s Manual
5
Overview of the PLG150-VL
Specifications
Tone Generator :
S/VA
(Self-oscillating Virtual Acoustic Synthesis: VLR Algorithm)
Polyphony :
1 note monophonic (latest note priority)
Sound Module Mode :
VL-XG
Interface :
XG Plug-in Connector (15-pin Digital Connector)
Number of Voice :
256 Preset voices (including 137 VL-XG voices)
6 Custom voices
64 Internal voices
Dimensions (W x H x D) :
138.5mm(W) 89mm(D) 8.5mm(H)
WEIGHT :
56g
* Specifications subject to change without notice.
About the Demonstration Data in the Included Floppy Disk
The demonstration songs, and the performances for XG tone generators and the Plug-in voice data
for "Modular Synthesis Plug-in System" synthesizers are provided in the included floppy disk, which
will give you an idea of some of the PLG150-VL’s capability.
Contents
1. XG Demonstration Songs (only for the XG tone generator)
File Name
COOLJIVA.MID
OXYGEN.MID
Song Name
Cool JiVA
Oxygen
NOBODY.MID
SILHOUET.MID
Nobody Knows
Silhouettes
VAMBIENT.MID
DOGROOVA.MID
CLOUDS.MID
VAmbient
Do GrooVA
Clouds
Composer
Katsunori Ujiie
Andy Mowat
Daniel Powell (YAHAMA R&D London)
Akio Suzuki
Tom Scott (GRP Recording Artist)
Nate Tschetter
Charles Feilding (YAMAHA Sound Design Office)
Katsunori Ujiie
Katsunori Ujiie
Akio Suzuki
XG Demonstration songs can be played back using the XGworks lite (sequencing software, provided in the “mother”
synthesizer/tone generator) or a sequencer like QY700.
2. Performance Data (only for the XG tone generators)
VLPFM1.MID
VLPFM2.MID
VLPFM3.MID
VLPFM4.MID
Performance data : send them as the bulk data to the XG tone generator using the “XGworks lite.”
3. MSPS Demonstration song (only for the Modular Synthesis Plug-in System synthesizers)
02VlDemo.mid
MSPS Demonstration song can be played back using the XGworks lite or an external MIDI data storage device like
MDF3.
6
Overview of the PLG150-VL
4. Plug-in voice data (only for the Modular Synthesis Plug-in System synthesizers)
• for the PLG1 slot
01PlgV1A.mid (Wind instruments for TouchEG) (64 voices)
01PlgV1B.mid (Keyboards) (64 voices)
01PlgV1C.mid (Wind instruments for Breath controller) (64 voices)
• for the PLG2 slot
01PlgV2A.mid (Wind instruments for TouchEG) (64 voices)
01PlgV2B.mid (Keyboards) (64 voices)
01PlgV2C.mid (Wind instruments for Breath controller) (64 voices)
See page 39 for the information on each voice.
Plug-in voice data are provided as MIDI files. You can get the voices by playing back the MIDI files using a
sequencer. The voice data will be loaded onto the Plug-in voice data area of your synthesizer.
About the Applications in the Included CD-ROM
A voice editing tool, VL Visual Editor, is provided in the included CD-ROM. You can create VL
voices using the VL Visual Editor.
Contents
• VL Visual Editor (for Windows) : This is a Plug-in software for the XGworks lite, which is included in your
“mother” XG tone generator or “Modular Synthesis Plug-in System” synthesizer.
• VL Visual Editor for Macintosh : This software can run on the models, PowerPC or upper.
• DX Easy Editor : A tool for the PLG150-DX, another Plug-in board.
• DX Simulator : A tool for the PLG150-DX, another Plug-in board.
• OMS (Open Music System 2.3.6) : Enables you to use several MIDI applications on the Macintosh OS at the
same time.
Installing and Starting the VL Visual Editor
■ Installing the Software
Windows
1
Double-click on the “Setup.exe” file in the CD-ROM.
Installer will be started up.
2
Execute the installation by following the directions appearing on the
screen.
After the installation, [VL Visual Editor] is added to the [Plug-in] menu on the XGworks lite.
7
Overview of the PLG150-VL
Macintosh : English version only
1
Double-click on the “Install VL Visual Editor” in the “English”/“VL Visual
Editor” folder of the CD-ROM.
Installer will be started up.
2
Execute the installation by following the directions appearing on the
screen.
After the installation, “VL Visual Editor 1.02E” is added to the Hard Disk as the default.
■ Starting up the VL Visual Editor
Windows
Start up the XGworks lite, and then select [VL Visual Editor] from its [Plug-in]
menu.
The VL Visual Editor window appears.
Macintosh : English version only
Double-click on the "VL Visual Editor for Mac" icon in the "VL Visual Editor
1.02E" folder.
The VL Visual Editor window appears.
●
●
For the detailed information about the VL Visual Editor see the on-line manual of the VL Visual Editor.
When using a “Modular Synthesis Plug-in System” synthesizer:
When in the Voice Mode, assign the Part number 1 to the VL Visual Editor.
In the Performance (Multi) Mode, you can not use the VL Visual Editor.
The VL voices created by the VL Visual Editor can be loaded to the Custom Voice Bank (p.13) of the PLG150-VL
and played back. However, the loaded data will be lost once you turn off the “mother” synthesizer/ tone generator.
You need to load the data again if you want to use the voices. You can save the VL voice data in a file as a part of
the “XGworks lite” song data or in an external MIDI data storage device such as MDF3 as a part of bulk data
(voice file).
8
Virtual Acoustic Synthesis
Unlike previous tone generation systems which use oscillators, function generators, preset waveforms or samples to produce sound, Yamaha Virtual Acoustic (“VA”) Synthesis applies sophisticated
computer-based “physical modeling” technology to musical sound synthesis. In the same way that
computer “models” are used to simulate weather systems or the flight characteristics of aircraft in
the design stage, the PLG150-VL simulates the very complex vibrations, resonances, reflections
and other acoustic phenomena that occur in a real wind or string instrument.
VA Advantages
The PLG150-VL offers many advantages in terms of musical performance. Not just in terms of
sound, but also in terms of the “behavior” that makes acoustic instruments so … well, musical!
Yamaha Virtual Acoustic Synthesis is simply the most musical tone generation system ever created.
•
The PLG150-VL sounds better, has more depth, and is more realistic in the musical sense than any
other tone generation system.
•
Simply playing a note in the same way does not always produce precisely the same sound. The
instrument is responsive and “alive”.
•
Note-to-note transitions have the same continuity exhibited by acoustic instruments. What goes on
in between the notes is just as important musically as the notes themselves.
•
It has extraordinary expressive capability. Rather than simply controlling parameters like volume
or pitch, you can control characteristics such as breath and reed pressure with appropriate complex
effects on the timbre of the sound.
VL Tone Generator Model
The overall VL tone generation model or “algorithm” consists of three main blocks: the instrument,
controllers, and modifiers. In schematic form these blocks are arranged as follows:
Controllers (also envelopes)
Instrument
Modifiers
Sound out
9
Virtual Acoustic Synthesis
The Instrument
The key block in this algorithm is the instrument, since it is here that the fundamental tone or “timbre” of the sound is defined. The instrument model consists primarily of a driver — the reed/mouthpiece, lip/mouthpiece, or bow/string system — and a resonant system corresponding to the tube and
air column or string..
In all these instruments pressure applied here (the driving point)
causes vibration which results in sound.
Reed vibration
Lip vibration
Air vibration
String vibration
●
●
The sound thus produced is amplified and sustained by the body of the instrument.
The pitch of the sound is determined by the length of the air column or string, and the timbre is a
complex product of the driving source (reed, lip, air, string), the shape of the resonant cavity, the
materials from which the instrument is made, etc.
One of the remarkable features of the Virtual Acoustic Synthesis system is that just about any driver
can be used with any type of pipe or string.
Drivers
10
Pipes/String
Virtual Acoustic Synthesis
The Controllers
The input to an acoustic wind instrument comes from the player’s lungs, trachea, oral cavity, and lips.
In a string instrument it comes from the player’s arm movement, transmitted to the string via a bow.
These elements actually form an important part of the sound generating system and, in the PLG150VL, are included in the controllers block. The player also influences the sound of the instrument by
playing the keys, tone holes, or frets, and this aspect of control constitutes another part of the controllers block. These and other control parameters provided by the PLG150-VL are listed in the illustration below.
In essence, the controller parameters determine how the instrument “plays”. All of these parameters
can be assigned to any external controller that can be used with the PLG150-VL: breath controller,
foot controller, modulation wheel, etc. The pressure parameter, for example, will normally be
assigned to a breath controller so the player can control the dynamics of the instrument by varying the
breath pressure applied to the controller — a natural, instinctive way to play wind-instrument voices.
At the same time the growl and throat parameters might also be assigned to the breath controller in
order to achieve life-like response and effects.
Embouchure
The tightness of the lips against the
reed or against each other, or the force
of the bow against the string.
Tonguing
Simulates the half-tonguing technique
used by saxophone players by changing the “slit” of the reed.
Throat
Controls the characteristics of the
“player’s” throat or bowing arm.
Pressure
The amount of breath pressure
applied to the reed or mouthpiece, or
bow velocity applied to the string.
Growl
A periodic pressure (bow velocity)
modulation which produces the “growl”
effect often heard in wind instruments.
Pitch
Changes the length of the air column
or string, and thereby the pitch of the
sound.
Scream
Drives the entire system into chaotic
oscillation, creating effects that can
only be achieved with physical modelling technology.
Damping & Absorption
Simulate the effects of air friction in the
pipe or on the string, and of high-frequency losses at the end of the pipe or
string.
11
Virtual Acoustic Synthesis
The Modifiers
The modifiers block consists of 4 sections as shown in the diagram. Although these may appear to be
simple effects, they are actually intimately related to the PLG150-VL’s sound-producing model and
have a significant effect on the sound.
● Harmonic Enhancer
The Harmonic Enhancer determines the harmonic structure of the sound to
the extent that it can produce radical timbral variations within an instrument “family” (e.g. saxes). Adjusting the Harmonic Enhancer may not
produce audible effects since many of the PLG150-VL voices’ harmonics
are created without the Harmonic Enhancer.
Harmonic
Enhancer
Dynamic
Filter
● Dynamic Filter
This section is similar to the dynamic filters found in many conventional
synthesizers, with high-pass, bandpass, band elimination, and low-pass
modes. Some filter parameters are available via the PLG150-VL controls,
but the filter type cannot be changed.
●
Frequency
Equalizer
Resonator
The degree how much the filter is applied can be changed using
the key scaling.
●
The incline of the filters is -12dB/oct.
●
This effect may vary depending on the selected voice.
● Frequency Equalizer
The Equalizer boosts or decreases the output level around the designated frequency. The PLG150-VL
lets you access the equalizer function using “Low Gain (Bass)” and “High Gain (Treble)” parameters.
● Resonator
The Resonator uses simulated “resonator” pipes or strings and delays to produce a “woody” resonance effect — although it has little or no effect on some voices. The resonator parameters are not
accessible but preset for some of the preset voices.
12
Voice Organization
The VL voices have each program number and are organized into 12 banks. For the voice list see
page 36.
• Banks 112 through 119: VL-XG Banks
These banks are used when the PLG150-VL functions as the VL-XG tone generator.
The voices from the PRESET 1 and PRESET 2 banks are assigned to MIDI banks and program
change numbers conforming to the Yamaha XG format.
Since the PLG150-VL does not have a full set of XG-compatible voices, some voice numbers will be skipped (e.g.
22, 23, 25, 27, etc.). If the truncated number is designated, the XG voice having the same program number in the
bank 1 will sound, instead.
• Bank 000: PRESET 1 (Pr1)
The PRESET 1 bank contains 128 preset voices which have been created primarily to be played via a
keyboard.
• Bank 001: PRESET 2 (Pr2)
The PRESET 2 bank contains 128 preset voices which have been created to provide maximum
expressive capability when played with a breath controller or WX-series Wind MIDI Controller.
• Bank 002: CUSTOM (Cst)
The CUSTOM bank has 6 memory locations (program numbers 001 - 006) in which you can load the
voices created by the Yamaha VL Visual Editor (p. 7).
The loaded voices cannot be backed up. When the “mother” tone generator/sound card is turned off,
the voices are reset to their defaults, the sound-effect type voices from the PRESET banks.
• Bank 003: INTERNAL (Int)
The INTERNAL voices of the VL70-m can be received and loaded (bulk data). The loaded voices
cannot be backed up. When the “mother” tone generator/sound card is turned off, the voices are reset
to their defaults, the voices from the PRESET banks, set up to be played via a WX-series Wind MIDI
Controller.
●
●
●
●
The edited voices cannot be stored in the INTERNAL voice bank.
(When using a synthesizer/ tone generator) Saving a performance containing a VL voice as a part records the
program number of the VL voice and the VL parameter settings edited on the “mother” synthesizer/ tone generator.
The VL-XG voices edited with XG Editor Window of the “XGworks lite” can be saved as a part of the song data.
Note that the “program numbers” here are 001–128 and the “MIDI program change numbers” are 000–127.
When selecting voices (programs) using an external MIDI device, subtract a value of “1” from the “program
numbers” to match the “MIDI program change numbers.”
13
Voice Organization
Selecting Banks
Use the MIDI bank MSB (control number 00) and LSB (control number 32) numbers listed below to
select VL banks from an external MIDI device.
BANK
BANK 112
BANK 113
BANK 114
BANK 115
BANK 116
BANK 117
BANK 118
BANK 119
PRESET 1
PRESET 2
CUSTOM
INTERNAL
14
MSB
97 or 81
97 or 81
97 or 81
97 or 81
97 or 81
97 or 81
97 or 81
97 or 81
33
33
33
33
LSB
112
113
114
115
116
117
118
119
0
1
2
3
Selecting Voices
Modular Synthesis Plug-in System
■ Selecting VL Voices
When the PLG150-VL is properly installed on your synthesizer, the VL voices can be selected in the
same way as the internal voices of the synthesizer. For more information see the manual of the synthesizer.
The example displays used in the following explanations are all taken from CS6x. Therefore, the illustrations may
be somewhat different from the LCDs of your instrument.
1
Press the VOICE button.
Voice mode will be displayed.
VCE Play)
INT:001(A01)[Sq:Generation]
EQLow-G EQMid-G EQHi-G FLT-Rez
EfHPF
2
Press the appropriate PLG button (PLG1 or PLG2, depending on which
slot the PLG150-VL board has been installed to).
VCE Play) PLG1:001(A01)[--:Plug-InVce]
EQLow-G EQMid-G EQHi-G ------- -------
3
Then select the VL voice by pressing the appropriate BANK button and
PROGRAM button.
To select a different voice bank, simultaneously hold down the appropriate PLG button and turn knob C
(or press the INC/ DEC buttons). The bank is expressed in two numbers: MSB and LSB. If a selected
bank is not available, the bank letter indication in the display (A - H) will not change.
15
Selecting Voices
XG Plug-in System
The VL voices can be selected as you do with the XG voices. However, you have to select XG Mode
or Performance Mode from the “mother” tone generator/sound card Sound Module Mode, first. You
also have to designate the Part, to which you want to assign the VL voice, in the Utility sub-mode
(PLUGIN).
●
●
The sound cards like the SW1000XG do not include “Performance Mode.” Please check the owner’s
manual of the “mother” tone generator/sound card whether it includes the Performance Mode, or
not.
The steps how to select a VL voice, set up the utilities and edit the VL part parameters shown below
are explained using the MU128. Therefore, the illustrations may be somewhat different from the
LCDs of your instrument.
IMPORTANT
When you use a sound card or a tone generator with no panel buttons...
To select a VL voice, to set up the utilities and to edit the VL part parameters, you need to use a
sequencing software and transmit the MIDI messages such as XG System On, Bank Select
MSB/LSB, program change and parameter change to the “mother” sound card/tone generator,
instead of following the steps below.
Using the“XGworks lite,” properly installed in your PC (which is connected to the sound card/
tone generator) allows you to access the VL-XG voices through the Voice List dialog of the
“XGworks lite.”
■ Selecting VL Voice
1
Select XG or PERFORM from the “mother” tone generator Sound Module
Mode.
When you select XG, Multi Play Mode will be engaged.
When you select PERFORM, Performance Play Mode will be engaged.
The VL voices can be selected only when “normal” is selected in the Part Mode.
The VL voices can be played as a “part” in the XG Mode and as a “layer” in the Performance
Mode.
2
Press SELECT button to place the cursor at the Bank Number.
3
Press VALUE button to select the Bank you want to use.
Depending on the Bank selected, 112–119 (VL-XG), 000 (Preset 1), 001 (Preset 2), 002 (Custom) or 003 (Internal) appears at the Bank Number location on the LCD.
16
Selecting Voices
When a VL voice is selected VL voice icon will be displayed on the LCD.
You may unintentionally select a bank number of the “mother” tone generator. Be sure to confirm that
the VL voice icon is displayed on the LCD.
4
Press SELECT button to place the cursor at the Program Number.
5
Press VALUE button to select the Program Number (voice) you want to
use.
If an invalid Program Change Number is selected while one of the VL-XG Banks (112–119) is chosen,
VL voice icon will be replaced with one of the XG voice icons.
■ Designating the Part for the VL Voice
1
Press UTIL button to enter the Utility Mode.
2
Press SELECT button to place the cursor at PLUGIN.
3
Press ENTER.
The following display appears.
(If necessary) Press SELECT button to place the cursor at PLG150-VL.
4
Press ENTER.
The System Parameter Edit display exclusive to the PLG150-VL appears.
(If necessary) Press SELECT button to place the cursor at Part Assign.
17
Selecting Voices
5
Press VALUE button to select the Part you want to use.
In the XG Mode: 01–16, off
In the Performance Mode: 01–04, off
The VL voices cannot be assigned to several parts at the same time since the PLG150-VL is monophonic.
When you use a sound card or a tone generator with no panel buttons...
To select a part for the VL voice you need to use a sequencing software and transmit the following system exclusive message (part assign parameter) to the “mother” sound card/tone generator:
F0 43 1n 4C 70 nn ss pp F7 (Hexadecimal)
n : Device Number
nn : Plug-in Board Type (PLG150-VL is “00.”)
ss : Serial Number (which identifies the PLG boards when two same boards are installed)
“00” : for the first PLG150-VL
“01” : for the second PLG150-VL
pp : Part Number (to which the PLG150-VL is assigned)
“00” : Part 1
:
:
:
:
“0F” : Part 16
“7F” : off
18
Editing VL Voice Part Parameters
Modular Synthesis Plug-in System
The example displays used in the following explanations are all taken from the CS6x.
● See the manual of the synthesizer how to save the edited voices.
● The VL-XG voices edited using XG Editor Window of the "XGworks lite" can be saved as a part of the song
data.
1
Select the desired VL voice, as described in "Selecting Voices" on page 15.
2
Press the EDIT button.
The EDIT menu display appears.
GEN Name) Ctgry
Common
3
0-? Cursor
[--:Plug-InVce]
Turn knob A clockwise until "Elem" is shown at the bottom left of the display.
OSC Assign)
Elem
4
a-Z
Bank
NORM/000
Number
1[
]
Turn the PAGE knob clockwise until "PLG150-VL" is shown at the bottom
left of the display.
The VL part parameters will be displayed above the knob C and knob 2.
NTV Param)
PLG150-VL
5
FilEG Dept
+00
Prs CC NO.
off
Use knobs C and 2 to select the desired parameter and change the value.
Once one of the parameters is selected (the arrow cursor appears next to the value), you can also
adjust the value with the DATA knob or the DEC/INC buttons.
The element parameters available on the “mother” synthesizer/tone generator can also be applied to
the VL voices. However, some of them may not be applied to the VL voices.
19
Editing VL Voice Part Parameters
XG Plug-in System
The editings done to the parameters below affect all the voices in the XG mode. In other words the
voices cannot be individually edited. The parameter settings are effective even when you select a different voice.
The edited voices cannot be stored in the INTERNAL voice bank. Instead, the VL-XG voices edited using XG Editor Window of the “XGworks lite” can be saved as a part of the song data.
1
Enter the Multi Part Edit Mode.
The sub-mode menu appears on the LCD.
2
Press SELECT button to place the cursor to PLUGIN.
3
Press ENTER.
The Part Parameter Edit display exclusive to the PLG150-VL appears.
4
Press SELECT button to select the parameter you want to edit.
5
Use VALUE button to set the value of the selected parameter as required.
6
Press the EXIT button to quit editing.
The part parameters available on the “mother” tone generator can also be applied to the VL voices
except for the following parameters: HPF Cutoff Frequency, EQ Low/High Frequency, Element Reserve
and Velocity Limit Low/High.
20
Editing VL Voice Part Parameters
VL Part Parameter
The parameters below can be divided into the following two types: ones for selecting the controller
(Control Number) by which the parameter will be controlled and the others for setting the depth of the
parameter. Even though you have designated the controller, you cannot get audible changes if you set
the parameter to be controlled to 0 or around 0.
For the relationship between the control numbers and controllers see page 29.
IMPORTANT
When you use a sound card or a tone generator with no panel buttons...
To edit the VL part parameters you need to use a sequencing software and transmit the system
exclusive messages shown on the MIDI Data Format (p. 40), to the “mother” sound card/tone
generator.
Using the “XGworks lite,” properly installed in your PC (which is connected to the sound card/
tone generator) allows you to access almost all the VL part parameters (except for Filter EG
Depth) for VL-XG voices through the “XG Editor window.”
1
Filter EG Depth
FilEG Dept (Filter Envelope Generator Depth) ..................................... Settings: -64 … +63
The “FilEG Dept” parameter determines to what degree the amplitude/filter envelope generator
affects the filter's cutoff frequency. Higher values allow the envelope generator to vary the filter
cutoff frequency over a wider range.
2
Pressure
Prs CC No. (Pressure Control Change Number) ................ Settings: off … 95, AT, VEL, PB
“Pressure” corresponds to the amount of breath pressure applied to a reed or mouthpiece, or the
speed of the bow applied to a string. Pressure variations affect both volume and timbre. The “Prs
CC No.” parameter specifies the controller to be used for pressure control. When set to “off” maximum pressure is applied at all times.
• Please note that pressure affects not only volume, but timbre and pitch as well. Accurate keyboard/controller
pitch is produced only at maximum pressure.
21
Editing VL Voice Part Parameters
PrsCtrlDpt (Pressure Control Depth) ...................................................... Settings: -64 … +63
Sets the amount of variation produced by the controller assigned to pressure. The higher the value
the greater the variation. Positive values cause an increase in pressure in response to higher controller values (e.g. increased breath pressure or higher modulation wheel position), while minus
values cause a decrease in pressure in response to higher controller values.
3
Embouchure
Emb CC No. (Embouchure Control Change Number) ...... Settings: off … 95, AT, VEL, PB
“Embouchure” corresponds to the tightness of the lips against the reed or against each other. In a
string instrument voice embouchure corresponds to how strongly the bow is pressed against the
string. Affects both pitch and timbre. The “Emb CC No.” parameter specifies the controller to be
used for embouchure control. When set to “off” medium embouchure is applied at all times.
• Please note that with many voices accurate keyboard/controller pitch is produced only at medium embouchure.
EmbCtrlDpt (Embouchure Control Depth) .............................................Setting: -64 … +63
Sets the amount of variation produced by the controller assigned to embouchure. The higher the
value the greater the variation. Positive values cause an increase in embouchure in response to
higher controller values (e.g. increased breath pressure or higher modulation wheel position),
while minus values cause an decrease in embouchure in response to higher controller values.
4
Tonguing
Tng CC No. (Tonguing Control Change Number) ............. Settings: off … 95, AT, VEL, PB
“Tonguing” simulates the half-tonguing technique used by saxophone players by changing the
“slit” of the reed. The slit is the space between the tip of the reed and the mouthpiece. The “Tng
CC No.” parameter specifies the controller to be used for tonguing control. When set to “off” no
tonguing is applied.
22
Editing VL Voice Part Parameters
• Please note that accurate keyboard pitch is produced only when maximum tonguing is applied or the tonguing
controller is turned off.
TngCtrlDpt (Tonguing Control Depth) ................................................... Settings: -64 … +63
Sets the amount of variation produced by the controller assigned to tonguing. The higher the
value the greater the variation. Positive values cause an decrease in tonguing in response to higher
controller values (e.g. increased breath pressure or higher modulation wheel position), while
minus values cause an increase in tonguing in response to higher controller values.
5
Scream
Scr CC No. (Scream Control Change Number) .................. Settings: off … 95, AT, VEL, PB
“Scream” drives the entire system into chaotic oscillation, creating effects that can only be
achieved with physical modeling technology. The “Scr CC No.” parameter specifies the controller
to be used for scream control. When set to “off” no scream variation can be produced via a controller, but a continuous scream value is determined by the “ScrCtrlDpt” parameter, below (negative values increase the scream level).
ScrCtrlDpt (Scream Control Depth) ........................................................ Settings: -64 … +63
Sets the amount of variation produced by the controller assigned to scream. The higher the value
the greater the variation. Positive values cause an increase in scream effect in response to higher
controller values (e.g. increased breath pressure or higher modulation wheel position), while
minus values cause a decrease in scream effect in response to higher controller values.
23
Editing VL Voice Part Parameters
6
Breath Noise
Bnz CC No. (Breath Noise Control Change Number) ....... Settings: off … 95, AT, VEL, PB
“Breath Noise” can be used to add the required amount of breath noise to a voice. The “Bnz CC
No.” parameter specifies the controller to be used for breath noise control. When set to “off” no
breath noise variation can be produced via a controller, but a continuous breath noise value is
determined by the “BnzCtrlDpt” parameter, below (negative values increase the breath noise
level).
BnzCtrlDpt (Breath Noise Control Depth) ............................................. Settings: -64 … +63
Sets the amount of variation produced by the controller assigned to breath noise. The higher the
value the greater the variation. Positive values cause an increase in breath noise in response to
higher controller values (e.g. increased breath pressure or higher modulation wheel position),
while minus values cause a decrease in breath noise in response to higher controller values.
7
Growl
Grl CC No. (Growl Control Change Number) ................... Settings: off … 95, AT, VEL, PB
“Growl” produces a periodic pressure modulation which produces the “growl” effect often heard
in wind instruments. The “Grl CC No.” parameter specifies the controller to be used for growl
control. When set to “off” no growl variation can be produced via a controller, but a continuous
growl value is determined by the “GrlCtrlDpt” parameter, below (negative values increase the
growl level).
24
Editing VL Voice Part Parameters
GrlCtrlDpt (Growl Control Depth) ......................................................... Settings: -64 … +63
Sets the amount of variation produced by the controller assigned to growl. The higher the value
the greater the variation. Positive values cause an increase in growl effect in response to higher
controller values (e.g. increased breath pressure or higher modulation wheel position), while
minus values cause a decrease in growl effect in response to higher controller values.
8
Throat Formant
Thr CC No. (Throat Formant Control Change Number) ...... Settings: off … 95, AT, VEL, PB
“Throat Formant” controls the characteristics of the simulated player’s lungs, trachea, and oral
cavity. Can add a realistic “roughness” to the sound. The “Thr CC No.” parameter specifies the
controller to be used for throat formant control. When set to “off” no throat formant variation can
be produced via a controller, but a continuous throat formant value is determined by the “ThrCtrlDpt” parameter, below (negative values increase the throat formant level).
• Throat Formant only applies to some reed-type voices.
ThrCtrlDpt (Throat Formant Control Depth) ........................................ Settings: -64 … +63
Sets the amount of variation produced by the controller assigned to throat formant. The higher the
value the greater the variation. Positive values cause an increase in throat formant effect in
response to higher controller values (e.g. increased breath pressure or higher modulation wheel
position), while minus values cause a decrease in throat formant effect in response to higher controller values.
25
Editing VL Voice Part Parameters
9
Harmonic Enhancer
Hrm CC No. (Harmonic Enhancer Control Change Number)
.................................................................................................. Settings: off … 95, AT, VEL, PB
The Harmonic Enhancer can vary the harmonic structure of the sound over a wide range. The
“Hrm CC No.” parameter specifies the controller to be used for harmonic enhancer depth (wet/
dry balance) control. When set to “off” no harmonic enhancer depth variation can be applied via a
controller.
• Since most VL voices have sufficient natural harmonic content, the Harmonic Enhancer is actually only used
on a few voices. Therefore changing the controller destination with many voices will produce either no change
in the sound or a simple change in amplitude.
HrmCtrlDpt (Harmonic Enhancer Control Depth) ............................... Settings: -64 … +63
Sets the amount of variation produced by the controller assigned to the harmonic enhancer. The
higher the value the greater the variation. Positive values cause an increase in harmonic enhancer
depth in response to higher controller values (e.g. increased breath pressure or higher modulation
wheel position), while minus values cause a decrease in harmonic enhancer depth in response to
higher controller values.
10 Damping
Dmp CC No. (Damping Control Change Number) ............ Settings: off … 95, AT, VEL, PB
“Damping” simulates the effect of damping due to losses within the body of a wind instrument or
in a string due to air friction. Affects both pitch and timbre. The “Dmp CC No.” parameter specifies the controller to be used for damping control. When set to “off” no damping variation can be
applied via a controller.
• Please note that accurate keyboard pitch is produced only when damping is maximum.
26
Editing VL Voice Part Parameters
DmpCtrlDpt (Damping Control Depth) .................................................. Settings: -64 … +63
Sets the amount of variation produced by the controller assigned to damping. The higher the
value the greater the variation. Positive values cause a decrease in damping in response to higher
controller values (e.g. increased breath pressure or higher modulation wheel position), while
minus values cause an increase in damping in response to higher controller values.
11 Absorption
Abs CC No. (Absorption Control Change Number) .......... Settings: off … 95, AT, VEL, PB
“Absorption” simulates the effect of high-frequency loss at the end of the air column or string.
The “Abs CC No.” parameter specifies the controller to be used for absorption control. When set
to “off” no absorption variation can be applied via a controller.
• Please note that accurate keyboard pitch is produced only at when absorption is maximum.
AbsCtrlDpt (Absorption Control Depth) ................................................ Settings: -64 … +63
Sets the amount of variation produced by the controller assigned to absorption. The higher the
value the greater the variation. Positive values cause a decrease in absorption in response to
higher controller values (e.g. increased breath pressure or higher modulation wheel position),
while minus values cause an increase in absorption in response to higher controller values.
27
Editing VL Voice Part Parameters
12 Breath Mode
................................................ Settings: System, BC/WX, Velocity, Touch EG
Set the control source to be used for "breath" control. This Breath Mode is the same as the one in
the VL System Parameters except for the setting, "System." When set to "System," the control
source is determined by the setting done in the VL System Parameters.
This parameter should be set to “BC/WX” when a breath controller or Yamaha WX-series Wind
MIDI Controller is being used. When set to “Velocity,” breath variation is controlled by keyboard
initial touch response. When “Touch EG” is selected breath variation is controlled by a combination of initial keyboard touch response and aftertouch pressure. Initial key velocity sets the initial
breath level, then aftertouch pressure determines the shape of the subsequent breath envelope.
Expressivity of Each Controller
The expressivity will differ depending on the selected controller.
Original Image of
Breathing
127
Breath Control
0
BC/WX
127
Breath Control
0
You can accomplish the breathing as you blow
the Breath controller.
127
Velocity
Breath Control
0
The initial attack determines the sustained breath
strength from the beginning through the end.
Touch EG
127
Breath Control
0
A
B
You can express the portion “A” with the velocity
and “B” with the aftertouch.
28
Editing VL Voice Part Parameters
MIDI Control Number Assignments
Control No.
Controller
off(00)
off (used by Bank Select MSB)
01
Modulation Wheel
02
Breath Controller
03
Unassigned
04
Foot Controller
05
Portamento Time
06
Data Entry MSB
07
Volume Control
08…09
Unassigned
10
Panpot
11
Expression
12…31
Unassigned
off(32)
off (used by Bank Select LSB)
33…37
Unassigned
38
Data Entry LSB
39…63
Unassigned
64
Hold1
65
Portamento Switch
66
Unassigned
67
Soft Pedal
68…70
Unassigned
71
Harmonic Content
72
Release Time
73
Attack Time
74
Brightness
75…90
Unassigned
91
Effect Send Level 1 (Reverb Effect)
92
Unassigned
93
Effect Send Level 3 (Chorus Effect)
94
Effect Send Level 4 (Variation Effect)
95
Unassigned
AT(96)
After Touch
VEL(97)
Velocity
PB(98)
Pitch Bend
29
VL System Parameters
Modular Synthesis Plug-in System
Five System related parameters for PLG150-VL will be added to the “mother” synthesizer.
The example displays used in the following explanations are all taken from the CS6x.
1
Press the UTILITY button.
The Utility Mode display appears.
MSTR TG)
Sys
2
Vol
127
NoteShift
+ 0 +
Tune
0.0c
Turn the PAGE knob clockwise until “PLG150-VL” is shown at the bottom
left of the display.
The VL system parameters will be displayed above the knob C and knob 2.
PLG1 MIDI)
PLG150-VL
3
Clock
off
DevNo
1
Use knobs C and 2 to select the desired VL System parameter and change
the value.
Once one of the parameters is selected (the arrow cursor appears next to the value), you can also
adjust the value with the DATA knob or the DEC/INC buttons.
XG Plug-in System
Five System related parameters for PLG150-VL will be added to the “mother” tone generator.
1
Press UTIL button to enter the Utility Mode.
The sub-mode menu appears on the LCD.
2
30
Press SELECT button to place the cursor to PLUGIN.
VL System Parameters
3
Press ENTER.
The following display appears.
(If necessary) Press SELECT button to place the cursor to PLG150-VL.
4
Press ENTER.
The System Parameter Edit display exclusive to the PLG150-VL appears.
5
Press SELECT button to select the parameter you want to edit.
6
Press VALUE button to change its setting.
7
Press the EXIT button to quit editing.
System Parameters
1
Part Assign ..................................................Settings: In the XG Mode: 01…16, off
In the Performance Mode: 01…04 , off
Designates the Part to which the VL voice is assigned.
• The VL voices cannot be assinged to several parts at one time since the PLG150-VL is monophonic.
• The SW1000XG doesn’t include “Performance” mode.
31
VL System Parameters
2
WX Lip Mode ............................................................Settings:Norm (Normal), Expd (Expand)
WX-series Wind MIDI Controllers produce pitch bend data ranging from “-16” to “+32” in
response to lip (reed) pressure. The “WX Lip” parameter determines whether these values are
used as is (“Norm”), or expanded to a full “-64” through “+63” range (“Expd”). The pitch bend
data transmitted from the device other than WX-series can be received.
• The “Expd” setting is recommended when using a WX controller in the “tight lip” mode. The “Norm” setting is
recommended when using the WX controller “loose lip” mode.
• The settings made here is effective only for the PLG150-VL.
Pitch Bend Range When Using a WX Controller in the “tight lip” Mode
When “Norm” is selected
When “Expd” is selected
+63
+32
+32
0
+32
0
-16
Received data
-16
-16
Data sent to the
tone generator
-64
Received data
3
Data sent to the
tone generator
Breath Mode ................................................................. Settings: BC/WX, Velocity, Touch EG
The same parameter, Breath Mode, can be found in the VL Part Parameters. The setting done here
is effective only when the Breath Mode in the VL Part Parameters is set to “System.”
See page 28 for the detailed information on each parameter.
32
VL System Parameters
4
Breath Control ............................................. Settings:BC (Breath Control), Exp (Expression)
Specifies the MIDI control change number to be used for breath control when breath control is
applied from a breath controller or WX-series Wind MIDI Controller. When “BC” is selected
control change number “02” (breath control) is used for breath control. When “Exp” is selected
control change number “11” (expression) is used for breath control.
• This parameter is also available for the breath controller data transmitted from a device other than the WXseries.
• This parameter is effective only when “BC/WX” is selected from Breath Mode.
5
Breath Curve .............................................................................................Settings: -16 … +16
Determines the relationship between breath control data received from a breath controller, WXseries Wind MIDI Controller (via the BT7 and MIDI IN connector), and the actual amount of
breath variation applied. Minus settings result in a large breath variation with a relatively small
amount of breath pressure applied to the controller, while plus settings required a greater range of
input breath control values to produce the same degree of breath variation.
• This parameter is also available for the breath controller data transmitted from the device other than WXseries.
• The settings made here is effective only when “BC/WX” is selected from Breath Mode.
• Connection Between WX-series and “mother” tone generator/sound card
WX5
CS6x
WX IN
BT7
MIDI
OUT
MIDI
IN
MU128
MIDI OUT
When you use a sound card built into PC...
To control PLG150-VL using WX-series Wind Controller, select “SW1000 #1 Synthesizer” for the
MIDI Thru setting in the System Setup dialog of the “XGworks lite.”
33
Q&A
1 Some voices sound as if they are in the original octave even when
shifted down an octave.
This is because Virtual Acoustic synthesis accurately simulates the acoustic
behaviour of a pipe or string. Simply stated, the harmonic balance of the voice
when played in the normal octave is retained even when the voice is shifted down
an octave. The change in timbre can be greater or less, depending on the selected
voice.
2 Portamento doesn't produce smooth effect on some voices.
Trumpets and some other brass instruments tend to exhibit this phenomenon more
than others. In a VA tone generator portamento is produced by lengthening or
shortening the instrument's pipe. A trumpet is designed to emphasize the “modes”
of the pipe(s) to produce notes over a wide range using only three valves. When
portamento is applied to a trumpet voice, the pitch tends to jump from mode to
mode, thus producing the observed glissando effect. The same effect occurs with
some flute voices. Saxophone modes are not nearly as strong as trumpet modes,
but some sax voices do have two definite modes which, when spanned by a portamento slide, can produce irregularities.
3 The filter, EG, and other parameters have more effect on some voices
than others.
Most voices use the low-pass filter type, but some use the bandpass or high-pass
type. Some voices use very little filter processing at all. Changing the filter settings
may not produce a particularly noticeable effect. Also the Breath Noise, Throat Formant, Growl, Harmonic Enhancer and Pitch EG parameter settings cannot have a
significant effect on some voices.
4 Some bowed string instrument voices tend to “squeak.”
As anyone who has played (or tried to play) a real violin knows, these instruments
naturally tend to squeak if not properly controlled. The same occurs with VA synthesis. As with a real bowed string instrument, bow speed and pressure must be
properly controlled to produce the desired sound. Bow speed is usually controlled
either via breath control or an expression pedal. Bow pressure is controlled via
control number 13: “64” is medium pressure, lower values produced reduced bow
pressure, and higher values produce increased bow pressure.
34
Q&A
5 Pitch bends produced by a pitch bend wheel are not always accurate.
Natural acoustic musical instruments have no “pitch parameter.” Pitch is determined by the properties of the instrument’s resonant body as well as the condition
of the instrument’s driver. The same applies to Virtual Acoustic Synthesis: in the
pitch bend is simulated by manipulating the appropriate pipe/string length and
driver characteristics. As a result, the pitch bend range may not always be “mathematically” accurate.
With reed instruments such as saxophone or clarinet, highly realistic pitch bends
are produced by controlling both pitch and embouchure at the same time. Since
the embouchure component of the pitch bend behaves with characteristics acoustic unpredictability, precise pitch bends are not always produced.
6 Some voices don’t respond as expected to EG edits.
The effect of editing envelope generator parameters may not always be as
expected — particularly with plucked string instrument voices such as guitar or
bass. This is because the VL actually simulates the plucking, free oscillation, and
muting of the strings rather than simply using an EG to approximate these events.
If the sound of a string voice decays naturally, for example, setting a long release
time will have little or no effect on the actual sound of the voice. Since the attack
and decay portions of the voice also have natural timbre variations, these can be
unnaturally altered by inappropriate EG settings — which is OK if you’re trying to
produce an unnatural effect. Trial and experimentation and the only sure ways to
determine how the EG parameters are going to affect a particular voice.
7 The PLG150-VL is a monophonic tone generator. Why is the “poly”
mode initialy selected when the VL-XG sound module mode is
engaged?
This is to provide compatibility between the current XG format and future polyphonic VL-series tone generators. It also provides a certain degree of compatibility
to allow playback of VL-XG song data on existing tone generators which do not
feature the VL-XG extension. Specifically, to switch the PLG150-VL to the mono
mode a “mono mode” command (control change no.126, value 0-16) is embedded
in the song data which, when received by a 32-note or 64-note polyphonic XG tone
generator, switches the appropriate parts to the mono mode. The same will apply
to future polyphonic VL-series tone generators, so no changes will be required.
The PLG150-VL therefore has a “poly” which is automatically selected when a
MIDI “XG on” system exclusive message is received.
35
Appendix
Voice List
■ VL-XG Voice List
Instrument
Group
Organ
Guitar
Bass
Strings
Brass
Reed
Pipe
Synth Lead
Ethnic
Percussive
*
36
Bank Select MSB=81, 97
Pch#
Bank 112
22
23
25
27
28
33
34
35
36
37
39
40
41
42
43
44
57
58
59
60
61
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
88
105
110
111
115
Squeeze
MouthKey
Spanish
JazzGtr!
L7 Pluck
Upright
Fnground
FlageoBs
Fretles!
New Slap
AcidBas!
PulsClav
NuViolin
BrtViola
Cello!
Contrair
Trumpet!
Trmbone!
Tuba!
MuteTp!
Horn!
SoprSax!
AltoSax!
TenrSax!
BariSax!
Oboe!
EngHorn!
Bassoon!
Clarint!
Piccolo!
C Flute
Recordr!
Pan Pipe
YamaBotl
Shakuha!
BowedSaw
Ocarina!
50 / 50
Brassyn
Maysbe?
Grunge
MizuHorn
SoftReed
Chamlion
Sitar!
Chanter
JetLpBow
YamSteel
Bank 113
Bank 114
AmpdHarp
CromHarp
Carlos
WetPluck
Destiny
Birdland
DampBass
Frtles!2
ThumBass
SqrBass!
MogueBas
Viol Inn
ViolOutt
Eleanor
DoublBow
Trumpt!2
Melwbone
MuteTp!2
Horn!2
CvSopSax
SweetAlt
MildTenr
VoxoSaxo
Oboe!2
Loboe
Flurinet
LitePipe
Piccol!2
C Flute2
Claricrd
PanPicol
Bamboo
ChalPuls
AcoSynLd
Air Sax
Ossyncro
Floboe
BrethBow
Old Mini
India
ThaiReed
C Violin
Bank 115
Bank 116
BrtVioln
MuteViol
Bank 117
Bank 118
Bank 119
GlassAlt
GlasTenr
FnkyTenr
OldTenor
Nu Cello
FluglHr!
Cornet
SoprPipe
LiteAlto
Jazz Sax
LiteSopr
HarpAlto
TenorSub
DblReedy
TripleRd
HyperCla
BowPicol
JazFlute
SoftPipe
Andean
PluckLd
VintgLd
Baroquen
Talk Box
HarpAlt2
BellMike
OakFlute
BtlFlute
BtlFlut2
LipClari
When the Bank Select MSB is set to “81,” the voices of the Bank 112 will be used and played for the above empty spaces of each bank.
When the Bank Select MSB is set to “97,” the voices of the Bank 1 of the XG tone generator will be used and played for the above empty
spaces of each bank.
Voice List
Bank Select MSB=81
Instrument
Synth
Effects
Sound
Effects
*
Pch#
97
98
99
100
101
102
121
122
123
124
125
126
127
128
Bank 112
Mad Tube
StoneHng
Mu
Moby
Igneous
SquealAT
Jurassic
Formula
Waterphn
Devil
SpcHorse
DinoPerc
SpaceZoo
Jason
Bank 113
Bank 114
Bank 115
Bank 116
Bank 117
Bank 118
Bank 119
When the Bank Select MSB is set to “81,” the voices of the Bank 112 will be used and played for the above empty spaces of each bank.
When the Bank Select MSB is set to “97,” the voices in the above list is not available.
■ Preset 1 Voice List
Voice
No.
001
002
003
004
005
006
007
008
009
010
011
012
013
014
015
016
017
018
019
020
021
022
023
024
025
026
027
028
029
030
031
032
033
034
035
036
037
038
039
040
041
042
043
Voice Name
Mad Tube
VintgLd
SpaceZoo
GuitHero
StoneHng
Whizzer
SimpleBa
ClavBass
SuperBas
New Slap
RockPigs
Igneous
50 / 50
Cybastrg
Wynth
BuzzSaw
ZubZub
Blue
OsciLead
SqrLead
Bigger
AnaSquid
SharpSyn
AnaWave
AnaWurl
Babalog
FngerBass
Upright
Fnground
Birdland
FlageoBs
DampBass
Fretles!
Frtles!2
ThumBass
RockBass
SmooBass
WarmBass
YamaBass
Box Bass
BassCab
FruitBas
AcidBas!
Recommended
Range
C0~B3
B-1~C6
***
G-1~C4
F0~G6
G#-1~F#4
C-1~C5
C-1~E2
C-1~F#2
C-1~D4
C-1~E3
C0~C5
C0~F5
C-2~C5
A-1~G5
E-1~C6
B-1~C6
G-1~D2
C-1~G4
D#0~C6
C-1~C6
G-2~C5
G-1~C5
C-1~E3
C-1~C5
C0~C6
B-2~C3
B-2~C3
A-2~C3
A-2~C3
G-1~C3
G-2~C2
E-2~C3
B-2~C#3
C-1~C2
G-2~C3
B-2~A#2
B-2~C3
A-2~C3
C-1~C3
B-2~G#3
C-1~C3
B-2~C4
Voice
No.
044
045
046
047
048
049
050
051
052
053
054
055
056
057
058
059
060
061
062
063
064
065
066
067
068
069
070
071
072
073
074
075
076
077
078
079
080
081
082
083
084
085
086
Voice Name
SqrBass!
PulsClav
MogueBas
BoppaBas
BuzzrBas
MuteHrBs
TekBass
TranzBas
Chamlion
ParaSyn
SteamBas
BooBass
WhelkBas
AtackSyn
Q.Klav
Sitar!
India
YamSteel
StungSt
Mu
Waterphn
DinoPerc
Formula
Jurassic
Devil
SpcHorse
Jason
Suedhead
Spanish
JazzGtr!
JazzyGtr
L7 Pluck
WetPluck
Comp Gtr
FunkyGtr
Thin Gtr
Carlos
Destiny
Gonzo
Grunge
Ossyncro
Talk Box
SyncLed
Recommended
Range
B-2~G3
A-1~G5
B-2~C#6
B-2~C3
D-1~E3
C-1~C4
B-2~C3
C-1~F#3
C-1~B3
A-2~C3
C-1~C#6
B-2~C4
E-2~C#4
G0~B4
A-2~C#3
G-1~E3
F#-1~C5
A2~C6
F#0~B5
***
***
***
***
***
***
***
***
F-2~C5
F-1~E4
B-1~A4
A-1~C6
B-1~E4
B-1~E4
B-1~A4
B-1~D5
B-1~G5
B-1~G4
C0~C5
B-1~G5
C0~B6
B-2~G4
F#0~E7
B-1~E6
Voice
No.
087
088
089
090
091
092
093
094
095
096
097
098
099
100
101
102
103
104
105
106
107
108
109
110
111
112
113
114
115
116
117
118
119
120
121
122
123
124
125
126
127
128
Voice Name
Old Mini
Fat Mini
Parlopho
SimpleSy
Choronic
SlitMinu
SynHarmo
Flaggoot
SynSkex
ResoSqr
WurliLd
FlatLead
PhilTur
ChalPuls
Pluck Ld
Brassyn
AcoSynLd
Moby
Digitrn
LyricOff
Rezzawi
Macro
Claribo
Binaphon
MokoPipe
AliBaba
Persinet
PicoPipe
Gertrude
Xynth
Duality
AltKwek
Softblow
AlbaPipe
Electrum
Edgeopho
BassCla!
WX Clari
WX Oboe
WX J Gtr
Shakuha!
LipClari
Recommended
Range
A-1~A5
G-1~A5
B-1~C5
B-1~E5
C-1~G4
F0~C6
B-2~G5
C-1~D3
C-1~A#4
A-2~D4
B-1~C6
G#1~G5
B-1~C6
B-1~C6
B-1~C6
B-1~C6
A-1~C6
G-2~F4
C0~C6
B-1~C6
B-1~G5
B-1~C6
G#-1~G5
C0~C6
C-1~C5
B-1~C6
B-1~G5
Ab0~C6
C0~C6
G-1~C6
G-1~C6
G#2~C8
C-1~C5
C0~C6
C0~C6
B-1~F5
C0~C6
C1~C6
C0~B5
C0~A4
C1~C6
F-1~C6
37
Voice List
■ Preset 2 Voice List
38
Voice No.
Voice Name
001
002
003
004
005
006
007
008
009
010
011
012
013
014
015
016
017
018
019
020
021
022
023
024
025
026
027
028
029
030
031
032
033
034
035
036
037
038
039
040
041
042
043
044
045
046
047
048
049
050
051
052
053
054
055
056
057
058
059
060
061
062
063
064
Vento
Floboe
Sintax
Eastern
Trumpet!
SoprSax!
LiteAlto
Trmbone!
BtlFlute
Air Sax
TenrSax!
Coca
JetLpBow
Viol Inn
MuteCone
BrethBow
Trumpt!2
FluglHr!
Cornet
JzTrump
JzTrump2
Flumpet
WXTrumpt
MuteTp!
MuteTp!2
Melwbone
NerzoBr
Horn!
Horn!2
NuHorne
WX Horn
Tuba!
NuViolin
C Violin
BrtVioln
MuteViol
BrtViola
ViolOutt
Cello!
Eleanor
Nu Cello
Contrair
DoublBow
Piccolo!
Piccol!2
BowPicol
C Flute
C Flute2
JazFlute
OakFlute
BtlFlut2
RzdeFlt
Flutuen
Nz Flute
WX Shaku
Pan Pipe
PanPicol
Bamboo
Andean
Flurinet
SoftReed
Flurmod
Jhopali
Baroquen
Recommended
Range
C0~C6
C0~C6
F0~G5
E0~C6
C0~C6
C0~C6
E0~C6
C0~C6
C0~C6
G0~C6
C-1~C5
C1~C6
A-1~C6
C0~C6
G0~C6
B-1~C6
C0~C6
C0~C6
C0~C6
F#2~C6
G#1~C6
D0~C6
C0~C6
E0~C6
C0~C6
C0~C6
E0~C6
B-1~C6
C0~C6
B-1~C6
B-2~C5
C-1~C5
C0~C6
C0~C6
C0~C6
C0~C6
C0~C6
C0~C6
C-1~C4
C-1~C4
B-2~C5
A-2~C4
A-2~C4
C0~C7
C0~C7
C0~G6
C0~C6
C0~C6
B-1~C6
E0~C6
C0~C6
E0~C6
G1~C6
C0~C6
C1~C6
E0~G5
C0~G6
C0~C6
C0~C6
F0~C6
C0~C6
F0~B5
G0~C5
C-1~C5
Voice No.
Voice Name
065
066
067
068
069
070
071
072
073
074
075
076
077
078
079
080
081
082
083
084
085
086
087
088
089
090
091
092
093
094
095
096
097
098
099
100
101
102
103
104
105
106
107
108
109
110
111
112
113
114
115
116
117
118
119
120
121
122
123
124
125
126
127
128
SquealAT
NuSopSax
CvSopSax
SoprPipe
LiteSopr
AnaSoprn
NuAltSax
SweetAlt
AltoSax!
HarpAlto
HarpAlt2
GlassAlt
AcidSax
WackSax
NuTenrSx
MildTenr
Jazz Sax
TenorSub
BellMike
GlasTenr
FnkyTenr
OldTenor
BrtTenor
BariSax!
VoxoSaxo
Oboe!
Oboe!2
Noboe
OboeWhi
DblReedy
TripleRd
EngHorn!
Loboe
Bassoon!
Clarint!
LitePipe
HyperCla
Clarint2
IslePipe
Chanter
ThaiReed
Recordr!
Claricrd
SoftPipe
BowdSaw
Ocarina!
Lonely
Ophelia
Maysbe?
MizuHorn
PicoStrg
Sylophon
BowLead
Squeeze
MouthKey
AmpdHarp
CromHarp
WahUpHp
YamaBotl
Blowsoo
Brappo
Crumbon
Klarina
ReedWin
Recommended
Range
C0~C6
C0~G5
A-1~C6
F0~C6
E0~C6
F0~C6
C0~C5
F#0~E5
E0~C6
G0~C6
G0~C6
C0~C6
C0~C6
G#0~E5
D-1~E4
C-1~C5
A#-1~E4
A#-1~A4
C-1~C4
G-1~E4
C-1~G4
C-1~A4
C-1~C5
C-1~C4
C-1~C4
F0~C6
C0~C6
C0~G5
G2~G7
C0~A5
C0~C6
C0~C6
C0~C6
C-1~C4
A0~C6
C0~C6
C0~C6
F0~C6
C1~C5
D1~C6
C0~C5
C0~A5
C0~C5
G0~C5
C0~C5
F1~C8
C#3~E7
C0~C6
D#0~A5
C0~C6
G#0~C5
C0~C5
C-1~C5
C0~C6
C0~C6
C0~C6
A-1~C6
B-1~C6
A#-1~C6
G-2~C4
C-1~C4
E0~G5
E0~B5
E0~C6
Voice List
■ VL Plug-in Voice Data
(provided by Floppy Disk)
For PLG1/2 Slot : Wind Instrument Voices (01PlgV1A.mid, 01PlgV1C.mid, 01PlgV2A.mid, 01PlgV2C.mid)
Voice Name
No. Category
1
Br
Trumpet 1
2
Br
Trombone
3
Rd
Alto Sax
4
Rd
TenorSax 1
5
Rd
Clarinet
6
Rd
Oboe
7
Pi
C Flute
8
Pi
Shakuhachi
9
Pi
Ocarina
10
St
Violin 1
11
Br
Trumpet 2
12
Br
FlugelHorn
13
Br
JzTrumpet
14
Br
MuteTrumpt
15
Br
NerzoBrass
16
Br
Horn
No. Category
Voice Name
17
Br
Tuba
18
Rd
SopranoSax
19
Rd
Cv SopSax
20
Rd
SoprnoPipe
21
Rd
Sweet Alto
22
Rd
Lite Alto
23
Rd
Glass Alto
24
Rd
TenorSax 2
25
Rd
Tenor Sub
26
Rd
BellMike
27
Rd
Old Tenor
28
Rd
BaritonSax
29
Rd
Eng Horn
30
Rd
Bassoon
31
Rd
Bass Cla
32
Pi
Jazz Flute
No. Category
Voice Name
33
Pi
Piccolo
34
Pi
Pan Pipe
35
Pi
Bamboo
36
Pi
Recorder
37
Pi
Isle Pipe
38
Ld
VoxoSaxo
39
Ld
AnaSoprano
40
Ld
Air Sax
41
Ld
Sintax
42
Ld
JetLipBow
43
Ld
AltKwek
44
Ld
Noboe
45
Ld
Flurinet
46
Ld
Soft Reed
47
Ld
Flumod
48
Ld
Baroquen
No. Category
Voice Name
49
Ld
Floboe
50
Ld
TripleReed
51
Ld
Lite Pipe
52
Ld
Hyper Cla
53
Ld
Lip Clari
54
Ld
Chanter
55
Ld
Thai Reed
56
Ld
Bowed Saw
57
Or
Squeeze
58
Or
Crom Harp
59
Or
Amped Harp
60
Or
WahUp Harp
61
St
Violin 2
62
St
Brt Violin
63
St
Cello 1
64
St
Cello 2
For PLG1/2 Slot : Keyboard Voices (01PlgV1B.mid, 01PlgV2B.mid)
No. Category
Voice Name
1
Ld
Mad Tube
2
Ld
VintageLd
3
Ld
Igneous
4
Ld
50/50
5
Ba
SimpleBass
6
Ba
New Slap
7
Gt
GuiterHero
8
Sc
Q.Klav
9
Et
Sitar
10
Et
Steel Drum
11
Ld
Buzz Saw
12
Ld
Ana Wave
13
Ld
Osci Lead
14
Ld
SquareLead
15
Ld
Babalog
16
Ld
Ossyncro
Br : brass
Et : ethnic
No. Category
Voice Name
17
Ld
Talk Box
18
Ld
Old Mini
19
Ld
Parlophone
20
Ld
WurliLead
21
Ld
AcoSynLead
22
Ld
Digitoron
23
Ld
Lyric Off
24
Ld
Rezzawi
25
Ba
FingerBass
26
Ba
Upright
27
Ba
Birdland
28
Ba
Damp Bass
29
Ba
Bass Cab
30
Ba
Acid Bass
31
Ba
Tranz Bass
32
Ba
Steam Bass
Rd : reed
Pi : pipe
St : strings
Ld : synth lead
Fx : synth effects
No. Category
Voice Name
33
Ba
Boo Bass
34
Gt
Spanish
35
Gt
JazzGuiter
36
Gt
L7 Pluck
37
Gt
ThinGuiter
38
Gt
Destiny
39
Ld
Macro
40
Ld
Binaphone
41
Ld
AliBaba
42
Ld
Pico Pipe
43
Ld
Gertrude
44
Ld
Moko Pipe
45
Ld
Persinet
46
Ld
Xynth
47
Ld
Duality
48
Ld
Softblow
No. Category
Voice Name
49
Ld
Alba Pipe
50
Ld
Electrum
51
Ld
Edgeophone
52
Ld
Maysbe
53
Ld
Mizu Horn
54
Ld
Sylophone
55
Fx
Stonehenge
56
Fx
Moby
57
Se
Mu
58
Se
Suedhead
59
Se
Dino Perc
60
Se
Waterphone
61
Se
Space Zoo
62
Se
Formula
63
Se
Jurassic
64
Se
Jason
Or : organ Gt : guitar Ba : bass
Se : sound effects Sc : synth comp
■ Voices Used for MSPS Demonstration Song
Voice Name
No. Category
1
Rd
TenorSax 1
2
Rd
Alto Sax
3
Rd
SopranoSax
4
Pi
Jazz Flute
5
Pi
Shakuhachi
6
Br
Trumpet 1
7
Br
Trombone
8
Gt
Spanish
9
Ba
Damp Bass
10
Sc
Q.Klav
11
Et
Sitar
12
St
Cello 2
13
Or
Amped Harp
Br : brass
Et : ethnic
group
Wind Instrument
Wind Instrument
Wind Instrument
Wind Instrument
Wind Instrument
Wind Instrument
Wind Instrument
Keyboard
Keyboard
Keyboard
Keyboard
Wind Instrument
Wind Instrument
Rd : reed
Pi : pipe
St : strings
Ld : synth lead
Fx : synth effects
No. Category
Voice Name
14
Ld
AliBaba
15
Pi
Bamboo
16
Ld
Thai Reed
17
Ld
Maysbe
18
Ld
Floboe
19
Ld
Soft Reed
20
Ld
Hyper Cla
21
Ld
Mizu Horn
22
Ld
Sylophone
23
Ld
AcoSynLead
24
Se
Jason
25
Se
Jurassic
26
Se
Waterphone
group
Keyboard
Wind Instrument
Wind Instrument
Keyboard
Wind Instrument
Wind Instrument
Wind Instrument
Keyboard
Keyboard
Keyboard
Keyboard
Keyboard
Keyboard
Or : organ Gt : guitar Ba : bass
Se : sound effects Sc : synth comp
39
MIDI Data Format
1. KEY ON / KEY OFF
<Soft Pedal> 43H
Status: 9nH/8nH
If the Part Parameter Rcv NOTE MESSAGE = OFF, that Part will ignore Key ON and Key
OFF messages.
2. PROGRAM CHANGE
Status: CnH
If the Part Parameter Rcv PROGRAM CHANGE = OFF, that Part will not receive Program Change Messages.
3. PITCH BEND
Status: EnH
If the Part Parameter Rcv PITCH BEND = OFF, that Part will not receive Pitch Bend Messages.
Cntrl# parameter
Data Range
67
Soft Pedal
0...127 (0-63:Off, 64-127:On)
If the Part Parameter Rcv SOFT PEDAL = OFF, that Part will not receive Soft Pedal Messages. When the SOFT PEDAL is set “ON” the effect will take place from the next Key
On signal. Messages will control the Filter Cutoff Frequency. Depending upon the Voice,
the effect may or may not have an effect.
<Harmonic Content> 47H
Cntrl# parameter
Data Range
71
Harmonic Content
0...127 (0:-64, 64:+0, 127:+63)
Messages which adjust the resonance set for each. Based on a standard of 64, these values
will be added to or subtracted from the Voice data. Depending on the Voice, the effective
range may be narrower.
<Release Time> 48H
4. CONTROL CHANGE
Status: BnH
If the Part Parameter Rcv CONTROL CHANGE = OFF, that Part will not receive Control
Change Messages.
<Bank Select MSB/LSB> 00H/20H
Cntrl#
0
parameter
Bank Select MSB
Data Range
33:Preset1/Preset2/Custom/Internal
81: VL-XG non alternative voice.
97: VL-XG alternative voice.
32
Bank Select LSB
0 :Preset1
1 :Preset2
2 :Custom
3 :Internal
112...119: VL-XG Alternative or non alternative variation.
If the Part Parameter Rcv BANK SELECT = OFF, that Part will not receive Bank Select
Messages. A new bank selection will not become effective until the next Program Change
is received.
<Modulation> 01H
Cntrl# parameter
Data Range
1
Modulation
0...127
If the Part Parameter Rcv MODULATION = OFF, that Part will not receive Modulation
Messages.
<Breath Controller> 02H
Cntrl#
2
parameter
Breath Controller
Data Range
0...127
<Foot Controller> 04H
Cntrl#
4
parameter
Foot Controller
Data Range
0...127
<Portamento Time> 05H
Cntrl# parameter
Data Range
5
Portamento Time
0...127
When the Portamento parameter = ON, values will adjust the speed of pitch change.
A setting of 0= minimum portamento time, and 127 = maximum portamento time.
<Data Entry MSB/LSB> 06H/26H
Cntrl# parameter
Data Range
6
Data Entry MSB
0...127
38
Data Entry LSB
0...127
Messages which set the value for the parameter specified by RPN, NRPN.
<Main Volume> 07H
Cntrl# parameter
Data Range
7
Main Volume
0...127
If the Part Parameter Rcv MAIN VOLUME = OFF, that Part will not receive Main Volume
Messages.
<Pan> 0AH
Cntrl# parameter
Data Range
10
Panpot
0...127
If the Part Parameter Rcv PAN = OFF, that Part will not receive Pan Pot Messages.
1=Left, 127=Right; 0=Center
<Expression> 0BH
Cntrl# parameter
Data Range
11
Expression
0...127
If the Part Parameter Rcv EXPRESSION = OFF, that Part will not receive Expression
Messages.
<Control Change 13> 0DH
Cntrl#
13
parameter
Control Change13
Data Range
0...127
<Hold1> 40H
Cntrl# parameter
Data Range
64
Hold1
0...127 (0-63:Off, 64-127:On)
If the Part Parameter Rcv HOLD 1 = OFF, that Part will not receive Hold 1 Messages.
<Portamento> 41H
Cntrl# parameter
Data Range
65
Portamento
0...127 (0-63:Off, 64-127:On)
If the Part Parameter Rcv PORTAMENTO = OFF, that Part will not receive Portamento
Messages. If the Portamento parameter = ON, values will adjust the speed of the portamento. If the Mono mode is activated and Portamento = ON, the Single Trigger Mode will
be activated. If not, the Multi-Trigger Mode will be effective.
40
Cntrl# parameter
Data Range
72
Release Time
0...127 (0:-64, 64:+0, 127:+63)
Messages which adjust the envelope release time. Based on a standard of 64, values will
be added to or subtracted from the Voice data. Depending on the Voice, the effective range
may be narrower.
<Attack Time> 49H
Cntrl# parameter
Data Range
73
Attack Time
0...127 (0:-64, 64:+0, 127:+63)
Messages which adjust the envelope attack time. Based on a standard of 64, values will be
added to or subtracted from the Voice data. Depending on the Voice, the effective range
may be narrower.
<Brightness> 4AH
Cntrl#
74
parameter
Brightness
Data Range
0...127 (0:-64, 64:+0, 127:+63)
Default:40H
Messages which adjust the filter cutoff frequency. Based on a standard of 64, values will
be added to or subtracted from the Voice data. Depending on the Voice, the effective range
may be narrower.
<Data Increment / Decrement> 60H/61H
Cntrl# parameter
Data Range
96
Increment
0...127
97
Decrement
0...127
The data byte is ignored.
RPN messages which increase or decrease the MSB value of the parameter by 1.
<NRPN (Non-Registered Parameter Number) LSB/MSB> 62H/63H
Cntrl# parameter
Data Range
98
NRPN LSB
0...127
99
NRPN MSB
0...127
If the Part Parameter Rcv NRPN = OFF, that Part will not receive NRPN Messages.
First send the NRPN MSB and NRPN LSB to specify the parameter which is to be controlled. Then use the Data Entry to set the value of the specified parameter.
The following NRPN numbers can be received.
NRPNData-entry
MSB LSB MSB
parameter
01H 08H mmH
Vibrato Rate
Data Range
mm:00H-40H-7FH
(-64-0-+63)
01H 09H mmH
Vibrato Depth
mm:00H-40H-7FH
(-64-0-+63)
01H 0AH mmH
Vibrato Delay
mm:00H-40H-7FH
(-64-0-+63)
The Rate, Depth, and Delay Time for the Vibrato is controlled.
01H 20H mmH
mm:00H-40H-7FH
Filter Cutoff Frequency
(-64-0-+63)
01H 21H mmH
Filter Resonance
mm:00H-40H-7FH
(-64-0-+63)
01H 22H mmH
Filter EG Depth
mm:00H-40H-7FH
(-64-0-+63)
The Cut-off frequency, Resonance, and Envelope Depth for the Filter is controlled.
01H 30H mmH
Bass
mm:00H-40H-7FH
(-64-0-+63)
01H 31H mmH
Treble
mm:00H-40H-7FH
(-64-0-+63)
The Bass and Treble are controlled.
01H 63H mmH
EG Attack Time
mm:00H-40H-7FH
(-64-0-+63)
01H 64H mmH
EG Decay Time
mm:00H-40H-7FH
(-64-0-+63)
01H 66H mmH
EG Release
mm:00H-40H-7FH
(-64-0-+63)
The Attack time, Decay time, and Release time for the Envelope are controlled. Based on
a standard of 64, values will be added to or subtracted from the Voice data. Depending on
the Voice, the effective range may be narrower.
<RPN (Registered Parameter Number) LSB/MSB> 64H/65H
Cntrl# parameter
Data Range
100 RPN LSB
0...127
101 RPN MSB
0...127
If the Part Parameter Rcv RPN = OFF, that Part will not receive RPN Messages.
In correspondence to the following parameters.
MIDI Data Format
RPN Data-entry
LSB MSB MSB
parameter
00H 00H mmH
Pitch Bend Sensitivity
01H
00H
mmH
Fine Tune
02H
00H
mmH
Coarse Tune
7FH
7FH
—
Null
Data Range
mm:00H-18H (0-+24)
Default:02H
mm:00H-40H-7FH
(-64-0-+63)
Default : 40H 00H
mm:28H-40H-58H
(-24-0-+24)
Default : 40H 00H
—
5. CHANNEL MODE MESSAGES
<All Sounds Off> 78H
Cntrl# parameter
Data Range
120 ————
0
Terminates all sounds currently sounding. However, the status of channel messages are
maintained.
<Reset All Controllers> 79H
Cntrl# parameter
Data Range
121 ————
0
The values of the following controllers will be reset to the defaults.
Pitch Bend
Center
Channel Aftertouch
0
Modulation
0
Breath Control
Max
Foot Control
Max
Expression
Max
Control Change 13
Center
Hold 1
Off
Portamento
Off
Soft Pedal
Off
RPN
Null
<All Notes Off> 7BH
Cntrl# parameter
Data Range
123 ————
0
Terminates all notes currently on. However, if Hold 1 is on, notes will continue sounding
for the time set previously.
<Omni Off> 7CH
Cntrl# parameter
Data Range
124 ————
0
Performs the same function as when an All Notes Off message is received.
<Omni On> 7DH
Cntrl# parameter
Data Range
125 ————
0
Performs the same function as when an All Notes Off message is received. It will not activate OMNI ON.
<Mono> 7EH
Cntrl# parameter
Data Range
126 Mono
0...16
Performs the same function as when an All Sounds Off message is received, and if the 3rd
byte (mono number) is in the range of 0 - 16, and sets the instrument to Mono Mode.
<Poly> 7FH
Cntrl# parameter
Data Range
127 ————
0
Performs the same function as when an All Sounds Off message is received, and sets the
instrument to Poly mode.
6. CHANNEL AFTERTOUCH
Status: DnH
If the Part Parameter Rcv CHANNEL AFTER TOUCH = OFF, that Part will not receive
Channel After Touch Messages.
7. SYSTEM EXCLUSIVE MESSAGES
If the Part Parameter Rcv SYSTEM EXCLUSIVE = OFF, that Part will not receive System Exclusive Messages.
<UNIVERSAL REALTIME MESSAGES>
1)MIDI Master Volume(receive only)
F0H, 7FH, xnH, 04H, 01H, llH, mmH, F7H
xn : n=Device Number, xn=7F : Broadcast
ll : Master Volume LSB
mm : Master Volume MSB
When received, the Volume MSB will be effective for the System Parameter MASTER
VOLUME.
2)General MIDI System On (receive only)
F0H, 7EH, 7FH, 09H, 01H,F7H or F0H, 7EH, xnH, 09H, 01H, F7H
xn : n=Device Number
1)
2)
3)
4)
VL System Parameters
Current Voice / Common Misc Parameters
VL Part Parameters
Current Voice / Element Parameters
See <Table 3>
See <Table 4>
See <Table 6>
See <Table 8>
[XG Format]
F0H, 43H, 1nH, 4CH, ahH, amH, alH, ddH, ~, ddH, F7H
1n : n=Device Number
ah : Address High
am : Address Mid
al : Address Low
dd : Data
1) XG System On(receive only)
2) XG System Parameters
3) Multi Part Parameters
When this message is sent, the preset Part Number is used.
See <Table 1>
See <Table 2>
See <Table 3>
[Other]
1) MIDI Master Tune(receive only)
F0H, 43H, 1nH, 27H, 30H, 00H, 00H, mmH, llH, ccH, F7H
1n : n=Device Number
mm : Master Tune MSB
ll : Master Tune LSB
cc : Don’t care
When received, the System Parameter will reflect the Master Tune.
<BULK DUMP> (receive only)
[VL70-m Native Format]
F0H, 43H, 0nH, 57H, bmH, blH, ahH, amH, alH, ddH, ~, ddH, ccH, F7H
0n : n=Device Number
bm : Byte Count MSB
bl : Byte Count LSB
ah : Address High
am : Address Mid
al : Address Low
dd : Data
cc : Check Sum
1) VL System Parameters
See <Table 3>
2) Current Voice / Common Misc Parameters
See <Table 4>
3) VL Part Parameters
See <Table 6>
4) Current Voice / Element Parameters
See <Table 8>
5) Custom Voice Parameters
See <Table 9>
6) Internal Voice Parameters
See <Table 10>
[XG Format]
F0H, 43H, 0nH, 4CH, bmH, blH, ahH, amH, alH, ddH, ~, ddH, ccH, F7H
0n : n=Device Number
bm : Byte Count MSB
bl : Byte Count LSB
ah : Address High
am : Address Mid
al : Address Low
dd : Data
cc : Check Sum
1) XG System Parameters
See <Table 2>
2) Multi Part Parameters
See <Table 5>
For the Address and Byte Count, refer to the supplementary tables.
Here, the Byte Count is indicated by the “TOTAL SIZE” in the table.
The block’s leading byte is the Bulk Dump and Dump Request’s Address.
A “Block” is the lumped together unit which is bound by the “Total Size”.
The Check Sum is the value that results in a value of 0 for the lower 7 bits when the
Address, Byte Count, Data, plus the Check Sum itself are added.
3) Part Assign (MIDI Parameter Change)
See <Table 7>
F0H 43H 1nH 4CH 70H nnH ssH ppH F7H
n: Device Number
nn: Plug-in Board Type (PLG150-VL is "00.")
ss: Serial Number (which identifies the PLG boards when two same boards are installed)
00: for first PLG150-VL
01: for second PLG150-VL
pp: Part Number (to which the PLG150-VL is assigned.)
00: Part 1
.
.
0F: Part 16
7F: off
8. REALTIME MESSAGES
<Active Sensing> (receive only)
Status: FEH
Once Active Sensing is received, if no MIDI data is received for longer than an interval of
300msec, the instrument will perform the same function as when ALL SOUND OFF and
ALL NOTE OFF, RESET ALL CONTROLLER messages are received, and will return to
the status in which Active Sensing is not monitored.
<PARAMETER CHANGE>
[VL70-m Native Format]
F0H, 43H, 1nH, 57H, ahH, amH, alH, ddH, ~, ddH, F7H
1n : n=Device Number
ah : Address High
am : Address Mid
al : Address Low
dd : Data
41
MIDI Data Format
<Table 1>
XG System On
Address
(H)
00 00 7E
00 00 7F
TOTAL SIZE
Size
(H)
1
1
2
<Table 2>
Address
(H)
00 00
Parameter
Description
XG SYSTEM ON
ALL PARAMETERS RESET
0:VL-XG
0:ON
Parameter
Description
MASTER TUNE
-102.4 - +102.3[cent]
1st bit3-0→bit15-12
2nd bit3-0→bit11-8
3rd bit3-0→bit7-4
4th bit3-0→bit3-0
0 - 127
0 - 127
-24 - +24[semitones]
XG System Parameters
00
04
05
06
TOTAL SIZE
<Table 3>
Address
(H)
00 00
Data
(H)
00
00
Size
(H)
4
Data
(H)
0000 - 07FF
1
1
1
7
00 - 7F
28 - 58
MASTER VOLUME
MASTER ATTENUATOR
TRANSPOSE
00
Size
(H)
4
Data
(H)
0000 - 07FF
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
18
00 - 7F
28 - 58
00 - 01
30 - 50
00 - 01
00 - 01
00 - 01
00 - 02
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
Parameter
Description
MASTER TUNE
-102.4 - +102.3[cent]
1st bit3-0→bit15-12
2nd bit3-0→bit11-8
3rd bit3-0→bit7-4
4th bit3-0→bit3-0
0 - 127
0 - 127
-24 - +24[semitones]
MASTER VOLUME
MASTER ATTENUATOR
TRANSPOSE
NOT USED
NOT USED
NOT USED
NOT USED
BREATH CONTROL NUMBER
BREATH CONTROL CURVE
WX LIP LOCK
BREATH SET LOCK
WX LIP
SYSTEM BREATH MODE
VELOCITY DEPTH
VELOCITY OFFSET
TOUCH EG TIME
AT LOW DEPTH
AT LOW OFFSET
AT HIGH DEPTH
AT HIGH OFFSET
BC, EXPRESSION
-16 - +16
OFF/ON
OFF/ON
NORMAL,EXPAND
BC/WX, VELOCITY, TOUCH EG
0 - 127
0 - 127
0 - 127
0 - 127
0 - 127
0 - 127
0 - 127
* Addresses 00 00 0B through 00 00 17 are supported for parameter changes.
<Table 4>
00
01
02
03
04
05
06
07
08
09
0A
0B
0C
0D
0E
TOTAL SIZE
42
7F
00
40
VL System Parameters
04
05
06
07
08
09
0A
0B
0C
0D
0E
0F
10
11
12
13
14
15
16
17
TOTAL SIZE
Address
(H)
10 00
Default
value(H)
00 04 00 00
Current Voice / Common Misc Parameters
Size
(H)
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
0F
Data
(H)
20 - 7F
20 - 7F
20 - 7F
20 - 7F
20 - 7F
20 - 7F
20 - 7F
20 - 7F
00 - 7F
00 - 02
00 - 01
Parameter
Description
VOICE NAME #1 (Only for VL70-m)
VOICE NAME #2 (Only for VL70-m)
VOICE NAME #3 (Only for VL70-m)
VOICE NAME #4 (Only for VL70-m)
VOICE NAME #5 (Only for VL70-m)
VOICE NAME #6 (Only for VL70-m)
VOICE NAME #7 (Only for VL70-m)
VOICE NAME #8 (Only for VL70-m)
NOT USED
VOICE LEVEL
ASSIGN MODE
NOT USED
NOT USED
PORTAMENTO MODE
NOT USED
32 - 127 (ASCII)
32 - 127 (ASCII)
32 - 127 (ASCII)
32 - 127 (ASCII)
32 - 127 (ASCII)
32 - 127 (ASCII)
32 - 127 (ASCII)
32 - 127 (ASCII)
0 - 127
BOTTOM, TOP, LAST
FULLTIME, FINGERED
Default
value(H)
00 04 00 00
7F
00
40
----00
40
00
00
00
00
30
50
2A
1B
50
25
65
MIDI Data Format
<Table 5>
Address
(H)
08 0p
Multi Part Parameters
00
01
02
03
04
05
06
07
08
09
Size
(H)
1
1
1
1
1
1
1
1
1
2
Data
(H)
00 - 7F
00 - 7F
00 - 7F
00 - 0F, 7F
00 - 01
00 - 05
28 - 58
00 - FF
0B
0C
0D
0E
0F
10
11
12
13
14
15
16
17
18
19
1A
1B
1C
1D
1E
1F
20
21
22
23
24
25
26
27
28
TOTAL SIZE
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
29
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
28 - 58
00 - 7F
00 - 7F
00 - 7F
00 - 7F
Address
(H)
08 0p
Size
(H)
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
Data
(H)
00 - 01
00 - 01
00 - 01
00 - 01
30
31
32
33
34
35
36
37
38
39
3A
3B
3C
3D
3E
3F
40
41
42
43
44
45
46
47
48
49
4A
4B
4C
4D
4E
4F
50
51
52
53
54
55
56
57
58
59
28 - 58
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 01
00 - 01
00 - 01
00 - 01
00 - 01
00 - 01
00 - 01
00 - 01
00 - 01
00 - 01
00 - 01
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
28 - 58
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 5F
Parameter
NOT USED
BANK SELECT MSB
BANK SELECT LSB
PROGRAM NUMBER
Rcv CHANNEL
MONO/POLY MODE
NOT USED
PART MODE
NOTE SHIFT
DETUNE
VOLUME
VELOCITY SENSE DEPTH
VELOCITY SENSE OFFSET
PAN
NOTE LIMIT LOW
NOTE LIMIT HIGH
DRY LEVEL
CHORUS SEND
REVERB SEND
VARIATION SEND
VIBRATO RATE
VIBRATO DEPTH
VIBRATO DELAY
FILTER CUTOFF FREQUENCY
FILTER RESONANCE
EG ATTACK TIME
EG DECAY TIME
EG RELEASE TIME
MW PITCH CONTROL
MW FILTER CONTROL
MW AMPLITUDE CONTROL
MW LFO PMOD DEPTH
MW LFO FMOD DEPTH
NOT USED
BEND PITCH CONTROL
BEND FILTER CONTROL
BEND AMPLITUDE CONTROL
BEND LFO PMOD DEPTH
BEND LFO FMOD DEPTH
NOT USED
Description
Default
value(H)
0 - 127
0 - 127
1 - 128
ch1 - ch16, OFF
0:MONO, 1:POLY
00
00
00
00
01
-00
40
-08 00
64
40
40
40
00
7F
7F
00
28
00
40
40
40
40
40
40
40
40
40
40
40
0A
00
-42
40
40
00
00
0:NORMAL
-24 - +24[semitones]
-12.8 - +12.7[Hz],
1st bit3-0→bit7-4, 2nd bit3-0→bit3-0
0 - 127
0 - 127
0 - 127
CENTER (0), L63...C...R63 (1...64...127)
C-2 - G8
C-2 - G8
0 - 127
0 - 127
0 - 127
0 - 127
-64 - +63
-64 - +63
-64 - +63
-64 - +63
-64 - +63
-64 - +63
-64 - +63
-64 - +63
-24 - +24[semitones]
-9600 - +9450[cent]
-100 - +100[%]
0 - 127
0 - 127
-24 - +24[semitones]
-9600 - +9450[cent]
-100 - +100[%]
0 - 127
0 - 127
Parameter
Description
Rcv PITCH BEND
Rcv CH AFTER TOUCH(CAT)
Rcv PROGRAM CHANGE
Rcv CONTROL CHANGE
NOT USED
Rcv NOTE MESSAGE
Rcv RPN
Rcv NRPN
Rcv MODULATION
Rcv MAIN VOLUME
Rcv PAN
Rcv EXPRESSION
Rcv HOLD1
Rcv PORTAMENTO
NOT USED
Rcv SOFT PEDAL
Rcv BANK SELECT
SCALE TUNING C
SCALE TUNING C#
SCALE TUNING D
SCALE TUNING D#
SCALE TUNING E
SCALE TUNING F
SCALE TUNING F#
SCALE TUNING G
SCALE TUNING G#
SCALE TUNING A
SCALE TUNING A#
SCALE TUNING B
AT PITCH CONTROL
AT FILTER CONTROL
AT AMPLITUDE CONTROL
AT LFO PMOD DEPTH
AT LFO FMOD DEPTH
NOT USED
NOT USED
NOT USED
NOT USED
NOT USED
NOT USED
NOT USED
AC1 CONTROLLER NUMBER
OFF/ON
OFF/ON
OFF/ON
OFF/ON
OFF/ON
OFF/ON
OFF/ON
OFF/ON
OFF/ON
OFF/ON
OFF/ON
OFF/ON
OFF/ON
OFF/ON
OFF/ON
-64 - +63[cent]
-64 - +63[cent]
-64 - +63[cent]
-64 - +63[cent]
-64 - +63[cent]
-64 - +63[cent]
-64 - +63[cent]
-64 - +63[cent]
-64 - +63[cent]
-64 - +63[cent]
-64 - +63[cent]
-64 - +63[cent]
-24 - +24[semitones]
-9600 - +9450[cent]
-100 - +100[%]
0 - 127
0 - 127
off - 95
Default
value(H)
01
01
01
01
-01
01
01
01
01
01
01
01
01
-01
01
40
40
40
40
40
40
40
40
40
40
40
40
40
40
40
00
00
-------10
43
MIDI Data Format
5A
5B
5C
5D
5E
5F
60
61
62
63
64
65
66
67
68
69
6A
6B
6C
6D
6E
TOTAL SIZE
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
3F
28 - 58
00 - 7F
00 - 7F
00 - 7F
00 - 7F
Address
(H)
08 0p
Size
(H)
1
1
1
1
04
Data
(H)
28 - 58
00 - 7F
00 - 7F
00 - 7F
Address
(H)
09 0p
Size
(H)
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
17
Data
(H)
00 - 01
00 - 03
70
71
72
73
TOTAL SIZE
00
01
02
03
04
05
06
07
08
09
0A
0B
0C
0D
0E
0F
10
11
12
13
14
15
16
TOTAL SIZE
* p = Part Number
<Table 6>
00 - 01
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 62
00 - 7F
00 - 62
00 - 7F
00 - 62
00 - 7F
00 - 62
00 - 7F
00 - 62
00 - 7F
00 - 62
00 - 7F
00 - 62
00 - 7F
00 - 62
00 - 7F
00 - 62
00 - 7F
00 - 62
00 - 7F
17
18
19
1A
1B
1C
TOTAL SIZE
* p = Part Number
<Table 7>
Size
(H)
1
1
1
1
1
1
06
Data
(H)
00 - 7F
00 - 7F
00 - 7F
00 - 7F
OFF/ON
0 - 127
-64 - +63
-64 - +63
-64 - +63
-64 - +63
Parameter
Description
BEND PITCH LOW CONTROL
FILTER EG DEPTH
BASS
TREBLE
-24 - +24[semitones]
-64 - +63
-64 - +63
-64 - +63
Parameter
Description
NOTE ASSIGN
BREATH MODE
NOT USED
PRESSURE CONTROL NO.
DEPTH
EMBOUCHURE CONTROL NO.
DEPTH
TONGUING CONTROL NO.
DEPTH
SCREAM CONTROL NO.
DEPTH
BREATH NOISE CONTROL NO.
DEPTH
GROWL CONTROL NO.
DEPTH
THROAT FORMANT CONTROL NO.
DEPTH
HARMONIC ENHANCER CONTROL NO.
DEPTH
DAMPING CONTROL NO.
DEPTH
ABSORPTION CONTROL NO.
DEPTH
OFF/ON
SYSTEM, BC/WX, VELOCITY, TOUCH EG
off - 95, AT, VELOCITY, PB
-64 - +63
off - 95, AT, VELOCITY, PB
-64 - +63
off - 95, AT, VELOCITY, PB
-64 - +63
off - 95, AT, VELOCITY, PB
-64 - +63
off - 95, AT, VELOCITY, PB
-64 - +63
off - 95, AT, VELOCITY, PB
-64 - +63
off - 95, AT, VELOCITY, PB
-64 - +63
off - 95, AT, VELOCITY, PB
-64 - +63
off - 95, AT, VELOCITY, PB
-64 - +63
off - 95, AT, VELOCITY, PB
-64 - +63
40
40
40
00
00
--------00
00
40
40
40
40
---
Default
value(H)
3E
40
40
40
Default
value(H)
01
00
-00
40
00
40
00
40
00
40
00
40
00
40
00
40
00
40
00
40
00
40
Parameter
Description
AMP LEVEL SCALE BREAK POINT
DEPTH
FILTER CUTOFF SCALE BREAK POINT
DEPTH
NOT USED
NOT USED
C-2 - G8
-64 - +63
C-2 - G8
-64 - +63
Default
value(H)
3C
40
3C
40
---
MIDI Parameter Change (VL Part Assign)
Address
Size
Data
(H)
(H)
(H)
70 00 ss
1
00 - 0F, 7F
TOTAL SIZE
01
* ss = Serial Number for PLG150-VL
<Table 8>
44
-24 - +24[semitones]
-9600 - +9450[cent]
-100 - +100[%]
0 - 127
0 - 127
VL Part Parameters
Address
(H)
09 0p
Address
(H)
20 00
00
00
00
00
00
AC1 PITCH CONTROL
AC1 FILTER CONTROL
AC1 AMPLITUDE CONTROL
AC1 LFO PMOD DEPTH
AC1 LFO FMOD DEPTH
NOT USED
NOT USED
NOT USED
NOT USED
NOT USED
NOT USED
NOT USED
NOT USED
PORTAMENTO SWITCH
PORTAMENTO TIME
PITCH EG INITIAL LEVEL
PITCH EG ATTACK TIME
PITCH EG RELEASE LEVEL
PITCH EG RELEASE TIME
NOT USED
NOT USED
Parameter
Description
Part Assign
A 1.....A 16, off
Current Voice / Element Parameter
00
01
02
03
04
05
Size
(H)
1
1
1
1
1
1
Data
(H)
20 - 7F
20 - 7F
20 - 7F
20 - 7F
20 - 7F
20 - 7F
Parameter
Description
ELEMENT NAME #1
ELEMENT NAME #2
ELEMENT NAME #3
ELEMENT NAME #4
ELEMENT NAME #5
ELEMENT NAME #6
32 - 127 (ASCII)
32 - 127 (ASCII)
32 - 127 (ASCII)
32 - 127 (ASCII)
32 - 127 (ASCII)
32 - 127 (ASCII)
Default
value(H)
0
MIDI Data Format
00 06
00 07
00 08
00 09
00 0A
00 0B
00 0C
00 0E
00 0F
00 10
00 12
00 13
00 14
00 16
00 17
00 18
00 1A
00 1C
00 1D
00 1E
00 20
00 21
00 22
00 24
00 25
00 26
00 28
00 29
00 2A
00 2C
00 2D
00 2E
00 30
00 31
00 32
00 34
00 35
00 36
00 38
00 39
00 3A
00 3C
00 3D
|
|
0A 6A
TOTAL SIZE
<Table 9>
Address
(H)
30 00
1
1
1
1
1
1
2
1
1
2
1
1
2
1
1
2
2
1
1
2
1
1
2
1
1
2
1
1
2
1
1
2
1
1
2
1
1
2
1
1
2
1
20 - 7F
20 - 7F
20 - 7F
20 - 7F
00 - 01
00 - 62
01 01 - 00 7F
70 - 10
00 - 62
01 01 - 00 7F
70 - 10
00 - 62
01 01 - 00 7F
70 - 10
00 - 62
01 01 - 00 7F
01 01 - 00 7F
00 - 01
00 - 62
01 01 - 00 7F
70 - 10
00 - 62
01 01 - 00 7F
70 - 10
00 - 62
01 01 - 00 7F
70 - 10
00 - 62
01 01 - 00 7F
70 - 10
00 - 62
01 01 - 00 7F
70 - 10
00 - 62
01 01 - 00 7F
70 - 10
00 - 62
01 01 - 00 7F
70 - 10
00 - 62
01 01 - 00 7F
70 - 10
ELEMENT NAME #7
ELEMENT NAME #8
ELEMENT NAME #9
ELEMENT NAME #10
EXPRESSION MODE
PRESSURE CONTROL NO.
DEPTH
CURVE
FILTER CONTROL NO.
DEPTH
CURVE
AMPLITUDE CONTROL NO.
DEPTH
CURVE
EMBOUCHURE CONTROL NO.
UPPER DEPTH
LOWER DEPTH
MODE
TONGUING CONTROL NO.
DEPTH
CURVE
SCREAM CONTROL NO.
DEPTH
CURVE
BREATH NOISE CONTROL NO.
DEPTH
CURVE
GROWL CONTROL NO.
DEPTH
CURVE
THROAT FORMANT CONTROL NO.
DEPTH
CURVE
HARMONIC ENHANCER CONTROL NO.
DEPTH
CURVE
DAMPING CONTROL NO.
DEPTH
CURVE
ABSORPTION CONTROL NO.
DEPTH
CURVE
NOT USED
NOT USED
NOT USED
32 - 127 (ASCII)
32 - 127 (ASCII)
32 - 127 (ASCII)
32 - 127 (ASCII)
BC, VOLUME
off - 95, AT, VELOCITY, PB
-127 - +127
-16 - +16
off - 95, AT, VELOCITY, PB
-127 - +127
-16 - +16
off - 95, AT, VELOCITY, PB
-127 - +127
-16 - +16
off - 95, AT, VELOCITY, PB
-127 - +127
-127 - +127
CENTER BASE, MINIMUM BASE
off - 95, AT, VELOCITY, PB
-127 - +127
-16 - +16
off - 95, AT, VELOCITY, PB
-127 - +127
-16 - +16
off - 95, AT, VELOCITY, PB
-127 - +127
-16 - +16
off - 95, AT, VELOCITY, PB
-127 - +127
-16 - +16
off - 95, AT, VELOCITY, PB
-127 - +127
-16 - +16
off - 95, AT, VELOCITY, PB
-127 - +127
-16 - +16
off - 95, AT, VELOCITY, PB
-127 - +127
-16 - +16
off - 95, AT, VELOCITY, PB
-127 - +127
-16 - +16
56B
Custom Voice Parameters
0n
Size
(H)
1
1
1
1
1
1
1
1
1
1
1
2
1
1
1
1
2
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
Data
(H)
20 - 7F
20 - 7F
20 - 7F
20 - 7F
20 - 7F
20 - 7F
20 - 7F
20 - 7F
00 - 7F
00 - 02
00 00 - 1F 1F
00 - 01
00 - 01
28 - 58
00 - FF
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
28 - 58
00 - 7F
00 - 7F
00 - 7F
00 - 7F
28 - 58
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
Parameter
Description
VOICE NAME #1
VOICE NAME #2
VOICE NAME #3
VOICE NAME #4
VOICE NAME #5
VOICE NAME #6
VOICE NAME #7
VOICE NAME #8
NOT USED
VOICE LEVEL
ASSIGN MODE
POLY EXPAND
PORTAMENTO MODE
NOT USED
MONO/POLY MODE
NOTE SHIFT
DETUNE
NOT USED
VELOCITY SENSE DEPTH
VELOCITY SENSE OFFSET
PAN
NOT USED
NOT USED
DRY LEVEL
CHORUS SEND
REVERB SEND
VARIATION SEND
MW PITCH CONTROL
MW FILTER CONTROL
MW AMPLITUDE CONTROL
MW LFO PMOD DEPTH
MW LFO FMOD DEPTH
BEND PITCH CONTROL
BEND FILTER CONTROL
BEND AMPLITUDE CONTROL
BEND LFO PMOD DEPTH
BEND LFO FMOD DEPTH
SCALE TUNING C
SCALE TUNING C#
32 - 127 (ASCII)
32 - 127 (ASCII)
32 - 127 (ASCII)
32 - 127 (ASCII)
32 - 127 (ASCII)
32 - 127 (ASCII)
32 - 127 (ASCII)
32 - 127 (ASCII)
0 - 127
BOTTOM, TOP, LAST
off...32>32
FULLTIME, FINGERED
0:MONO, 1:POLY
-24 - +24[semitones]
-12.8 - +12.7[Hz], 1st bit3-0Æbit7-4, 2nd bit3-0→bit3-0
0 - 127
0 - 127
RANDOM (0), L63...C...R63 (1...64...127)
0 - 127
0 - 127
0 - 127
0 - 127
-24 - +24[semitones]
-9600 - +9450[cent]
-100 - +100[%]
0 - 127
0 - 127
-24 - +24[semitones]
-9600 - +9450[cent]
-100 - +100[%]
0 - 127
0 - 127
-64 - +63[cent]
-64 - +63[cent]
45
MIDI Data Format
TOTAL SIZE
Address
(H)
31 00
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
62
A3
Size
(H)
0n
1
1
1
1
1
1
1
1
1
1
1
1
2
1
1
2
1
1
2
1
1
2
2
1
1
2
1
1
2
1
1
2
1
1
2
1
1
2
1
1
2
1
1
2
1
1
2
1
52E
TOTAL SIZE
56B
n = Voice Number(0 - 5)
46
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
28 - 58
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 5F
28 - 58
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 01
00 - 7F
28 - 58
SCALE TUNING D
SCALE TUNING D#
SCALE TUNING E
SCALE TUNING F
SCALE TUNING F#
SCALE TUNING G
SCALE TUNING G#
SCALE TUNING A
SCALE TUNING A#
SCALE TUNING B
AT PITCH CONTROL
AT FILTER CONTROL
AT AMPLITUDE CONTROL
AT LFO PMOD DEPTH
AT LFO FMOD DEPTH
AC1 CONTROLLER NUMBER
AC1 PITCH CONTROL
AC1 FILTER CONTROL
AC1 AMPLITUDE CONTROL
AC1 LFO PMOD DEPTH
AC1 LFO FMOD DEPTH
PORTAMENTO SWITCH
PORTAMENTO TIME
BEND PITCH LOW CONTROL
NOT USED
-64 - +63[cent]
-64 - +63[cent]
-64 - +63[cent]
-64 - +63[cent]
-64 - +63[cent]
-64 - +63[cent]
-64 - +63[cent]
-64 - +63[cent]
-64 - +63[cent]
-64 - +63[cent]
-24 - +24[semitones]
-9600 - +9450[cent]
-100 - +100[%]
0 - 127
0 - 127
off - 95
-24 - +24[semitones]
-9600 - +9450[cent]
-100 - +100[%]
0 - 127
0 - 127
OFF/ON
0 - 127
-24 - +24[semitones]
Data
(H)
20 - 7F
20 - 7F
20 - 7F
20 - 7F
20 - 7F
20 - 7F
20 - 7F
20 - 7F
20 - 7F
20 - 7F
00 - 01
00 - 62
01 01 - 00 7F
70 - 10
00 - 62
01 01 - 00 7F
70 - 10
00 - 62
01 01 - 00 7F
70 - 10
00 - 62
01 01 - 00 7F
01 01 - 00 7F
00 - 01
00 - 62
01 01 - 00 7F
70 - 10
00 - 62
01 01 - 00 7F
70 - 10
00 - 62
01 01 - 00 7F
70 - 10
00 - 62
01 01 - 00 7F
70 - 10
00 - 62
01 01 - 00 7F
70 - 10
00 - 62
01 01 - 00 7F
70 - 10
00 - 62
01 01 - 00 7F
70 - 10
00 - 62
01 01 - 00 7F
70 - 10
Parameter
Description
ELEMENT NAME #1
ELEMENT NAME #2
ELEMENT NAME #3
ELEMENT NAME #4
ELEMENT NAME #5
ELEMENT NAME #6
ELEMENT NAME #7
ELEMENT NAME #8
ELEMENT NAME #9
ELEMENT NAME #10
EXPRESSION MODE
PRESSURE CONTROL NO.
DEPTH
CURVE
FILTER CONTROL NO.
DEPTH
CURVE
AMPLITUDE CONTROL NO.
DEPTH
CURVE
EMBOUCHURE CONTROL NO.
UPPER DEPTH
LOWER DEPTH
MODE
TONGUING CONTROL NO.
DEPTH
CURVE
SCREAM CONTROL NO.
DEPTH
CURVE
BREATH NOISE CONTROL NO.
DEPTH
CURVE
GROWL CONTROL NO.
DEPTH
CURVE
THROAT FORMANT CONTROL NO.
DEPTH
CURVE
HARMONIC ENHANCER CONTROL NO.
DEPTH
CURVE
DAMPING CONTROL NO.
DEPTH
CURVE
ABSORPTION CONTROL NO.
DEPTH
CURVE
NOT USED
32 - 127 (ASCII)
32 - 127 (ASCII)
32 - 127 (ASCII)
32 - 127 (ASCII)
32 - 127 (ASCII)
32 - 127 (ASCII)
32 - 127 (ASCII)
32 - 127 (ASCII)
32 - 127 (ASCII)
32 - 127 (ASCII)
BC, VOLUME
off - 95, AT, VELOCITY, PB
-127 - +127
-16 - +16
off - 95, AT, VELOCITY, PB
-127 - +127
-16 - +16
off - 95, AT, VELOCITY, PB
-127 - +127
-16 - +16
off - 95, AT, VELOCITY, PB
-127 - +127
-127 - +127
CENTER BASE, MINIMUM BASE
off - 95, AT, VELOCITY, PB
-127 - +127
-16 - +16
off - 95, AT, VELOCITY, PB
-127 - +127
-16 - +16
off - 95, AT, VELOCITY, PB
-127 - +127
-16 - +16
off - 95, AT, VELOCITY, PB
-127 - +127
-16 - +16
off - 95, AT, VELOCITY, PB
-127 - +127
-16 - +16
off - 95, AT, VELOCITY, PB
-127 - +127
-16 - +16
off - 95, AT, VELOCITY, PB
-127 - +127
-16 - +16
off - 95, AT, VELOCITY, PB
-127 - +127
-16 - +16
MIDI Data Format
<Table 10>
Address
(H)
40 00
Internal Voice Parameters
Size
Data
(H)
(H)
nn
1
20 - 7F
1
20 - 7F
1
20 - 7F
1
20 - 7F
1
20 - 7F
1
20 - 7F
1
20 - 7F
1
20 - 7F
1
00 - 7F
1
00 - 02
2D
1
00 - 7F
1
00 - 7F
1
00 - 7F
1
00 - 7F
1
00 - 02
1
00 - 7F
33
1
00 - 01
1
00 - 62
2
01 01 - 00 7F
1
70 - 10
1
00 - 62
2
01 01 - 00 7F
1
70 - 10
1
00 - 62
2
01 01 - 00 7F
1
70 - 10
1
00 - 62
2
01 01 - 00 7F
2
01 01 - 00 7F
1
00 - 01
1
00 - 62
2
01 01 - 00 7F
1
70 - 10
1
00 - 62
2
01 01 - 00 7F
1
70 - 10
1
00 - 62
2
01 01 - 00 7F
1
70 - 10
1
00 - 62
2
01 01 - 00 7F
1
70 - 10
1
00 - 62
2
01 01 - 00 7F
1
70 - 10
1
00 - 62
2
01 01 - 00 7F
1
70 - 10
1
00 - 62
2
01 01 - 00 7F
1
70 - 10
1
00 - 62
2
01 01 - 00 7F
1
70 - 10
TOTAL SIZE
A3
nn = Voice Number (00 - 3F)
Parameter
Description
VOICE NAME #1
VOICE NAME #2
VOICE NAME #3
VOICE NAME #4
VOICE NAME #5
VOICE NAME #6
VOICE NAME #7
VOICE NAME #8
VOICE LEVEL
ASSIGN MODE
NOT USED
AMP LEVEL SCALE BREAK POINT
DEPTH
FILTER CUTOFF SCALE BREAK POINT
DEPTH
BANK POINTER
PROGRAM POINTER
NOT USED
EXPRESSION MODE
PRESSURE CONTROL NO.
DEPTH
CURVE
FILTER CONTROL NO.
DEPTH
CURVE
AMPLITUDE CONTROL NO.
DEPTH
CURVE
EMBOUCHURE CONTROL NO.
UPPER DEPTH
LOWER DEPTH
MODE
TONGUING CONTROL NO.
DEPTH
CURVE
SCREAM CONTROL NO.
DEPTH
CURVE
BREATH NOISE CONTROL NO.
DEPTH
CURVE
GROWL CONTROL NO.
DEPTH
CURVE
THROAT FORMANT CONTROL NO.
DEPTH
CURVE
HARMONIC ENHANCER CONTROL NO.
DEPTH
CURVE
DAMPING CONTROL NO.
DEPTH
CURVE
ABSORPTION CONTROL NO.
DEPTH
CURVE
32 - 127 (ASCII)
32 - 127 (ASCII)
32 - 127 (ASCII)
32 - 127 (ASCII)
32 - 127 (ASCII)
32 - 127 (ASCII)
32 - 127 (ASCII)
32 - 127 (ASCII)
0 - 127
BOTTOM, TOP, LAST
C-2 - G8
-64 - +63
C-2 - G8
-64 - +63
PRESET1, PRESET2, CUSTOM
1 - 128
BC, VOLUME
off - 95, AT, VELOCITY, PB
-127 - +127
-16 - +16
off - 95, AT, VELOCITY, PB
-127 - +127
-16 - +16
off - 95, AT, VELOCITY, PB
-127 - +127
-16 - +16
off - 95, AT, VELOCITY, PB
-127 - +127
-127 - +127
CENTER BASE, MINIMUM BASE
off - 95, AT, VELOCITY, PB
-127 - +127
-16 - +16
off - 95, AT, VELOCITY, PB
-127 - +127
-16 - +16
off - 95, AT, VELOCITY, PB
-127 - +127
-16 - +16
off - 95, AT, VELOCITY, PB
-127 - +127
-16 - +16
off - 95, AT, VELOCITY, PB
-127 - +127
-16 - +16
off - 95, AT, VELOCITY, PB
-127 - +127
-16 - +16
off - 95, AT, VELOCITY, PB
-127 - +127
-16 - +16
off - 95, AT, VELOCITY, PB
-127 - +127
-16 - +16
47
48
x
x
**************
Default
Messages
Altered
Mode
Change
Control
0,32
1,2,4,5,13
6,38
64,65,67
71-74
96-97
98-99
100-101
Key’s
Ch’s
After
Touch
Pitch Bend
Note ON
Note OFF
Velocity
x
x
x
x
x
x
x
x
x
x
x
x
x
x
: True voice **************
x
x
Default
Changed
Basic
Channel
Note
Number
*2
o
o
o
o
o
o
o
o
o 0-24 semi
x
o
o 9nH,v=1-127
x
0 - 127
0 - 127
3
3,4 (m=1)
x
1
1 - 16
*1
*1
*1
*1
*1
*1
*1
*1
*1
*1
Sound Controller
RPN Inc,Dec
NRPN LSB,MSB
RPN LSB,MSB
Data Entry
Bank Select
Remarks
Transmitted
Recognized
Date:21-SEP-1999
Version : 1.0
[ Virtual Acoustic Plug-in Board ]
Model PLG150-VL MIDI Implementation Chart
Function...
YAMAHA
MIDI Implementation Chart
: True #
x
x
x
x
x
x
Aux
*3
*3
o(120,126,127)
o(121)
x
o(123-125)
o
x
x
x
x
x
x
o
o 0 - 127
Mode 2 : OMNI ON ,MONO
Mode 4 : OMNI OFF,MONO
*1 receive if switch is on.
*2 m is always treated as "1" regardless of its value.
*3 transmit/receive if exclusive switch is on.
Mode 1 : OMNI ON , POLY
Mode 3 : OMNI OFF, POLY
Notes:
:All Sound OFF
:Reset All Cntrls
:Local ON/OFF
:All Notes OFF
Mes- :Active Sense
sages:Reset
x
x
x
x
x
o
x
**************
System
: Clock
Real Time: Commands
Common
: Song Pos.
: Song Sel.
: Tune
System Exclusive
Prog
Change
o : Yes
x : No
MIDI Implementation Chart
49
SOFTWARE LICENSING AGREEMENT
The following is a legal agreement between you, the end user, and Yamaha Corporation (“Yamaha”). The enclosed Yamaha
software program is licensed by Yamaha to the original purchaser for use only on the terms set forth herein. Please read this
licensing agreement with care. Opening this package indicates that you accept all terms outlined herein. If you do not agree
to the terms, return this package unopened to Yamaha for a full refund.
1. GRANT OF LICENSE AND COPYRIGHT
Yamaha grants you, the original purchaser, the right to use one copy of the enclosed software program and data (“SOFTWARE”) on a single-user computer system. You may not use it on more than one computer or computer terminal. The
SOFTWARE is owned by Yamaha and is protected by Japanese copyright laws and all applicable international treaty provisions. You are entitled to claim ownership of the media in which the SOFTWARE is included. Therefore, you must treat the
SOFTWARE like any other copyrighted materials.
2. RESTRICTIONS
The SOFTWARE program is copyrighted. You may not engage in reverse engineering or reproduction of the SOFTWARE
by other conceivable methods. You may not reproduce, modify, change, rent, lease, resell, or distribute the SOFTWARE in
whole or in part, or create derivative works from the SOFTWARE. You may not transmit or network the SOFTWARE with
other computers.
You may transfer ownership of the SOFTWARE and the accompanying written materials on a permanent basis provided that
you retain no copies and the recipient agrees to the terms of the licensing agreement.
3. TERMINATION
The licensing condition of the software program becomes effective on the day that you receive the SOFTWARE. If any one
of the copyright laws or clauses of the licensing conditions is violated, the licensing agreement shall be terminated automatically without notice from Yamaha. In this case, you must destroy the licensed SOFTWARE and its copies immediately.
4. PRODUCT WARRANTY
Yamaha warrants to the original purchaser that if the SOFTWARE, when used in normal conditions, will not perform the
functions described in the manual provided by Yamaha, the sole remedy will be that Yamaha will replace any media which
proves defective in materials or workmanship on an exchange basis without charge. Except as expressly set forth above, the
SOFTWARE is provided “as is,” and no other warranties, either expressed or implied, are made with respect to this software,
including, without limitation the implied warranties of merchantability and fitness for a particular purpose.
5. LIMITED LIABILITY
Your sole remedies and Yamaha’s entire liability are as set forth above. In no event will Yamaha be liable to you or any other
person for any damages, including without limitation any incidental or consequential damages, expenses, lost profits, lost
savings or other damages arising out of the use or inability to use such SOFTWARE even if Yamaha or an authorized dealer
has been advised of the possibility of such damages, or for any claim by any other party.
6. GENERAL
This license agreement shall be interpreted according to and governed by Japanese laws.
50
SOFTWARE-LIZENZVEREINBARUNG
Die folgende Vereinbarung ist eine rechtsgültige Vereinbarung zwischen Ihnen, dem Endanwender, und der Yamaha Corporation („Yamaha”). Yamaha erteilt dem ursprünglichen Käufer für das beiliegende Yamaha-Softwareprogramm ausschließlich
zu den hier ausgeführten Bedingungen eine Lizenz zur Verwendung. Bitte lesen Sie diese Lizenzvereinbarung sorgfältig.
Durch das Öffnen dieser Packung bringen Sie zum Ausdruck, daß Sie alle darin enthaltenen Bedingungen akzeptieren. Wenn
Sie nicht mit den Bedingungen einverstanden sind, können Sie die Packung ungeöffnet an Yamaha zurückgeben; der Kaufpreis wird in voller Höhe zurückerstattet.
1. ERETILUNG VON LIZENZ UND COPYRIGHT
Yamaha erteilt Ihnen, dem ursprünglichen Käufer, das Recht, ein Exemplar des beiliegenden Softwareprogramms und der
darin enthaltenen Daten („SOFTWARE”) als Einzelperson auf jeweils einem Computer zu verwenden. Sie dürfen sie nicht
auf mehr als einem Computer bzw. einer Computerstation verwenden. Die SOFTWARE bleibt im Besitz von Yamaha und ist
durch japanische Copyrightgesetze sowie alle anwendbaren internationalen Vertragsbestimmungen geschützt. Sie haben ein
Anspruchsrecht auf das Eigentum an den Medien, denen die SOFTWARE beiliegt. Daher müssen Sie die SOFTWARE wie
alle anderen durch Copyright geschützten Materialien behandeln.
2. EINSCHRÄNKUNGEN
Die SOFTWARE ist durch Copyright geschützt. Sie dürfen Sie weder analysieren noch durch anderweitige Methoden reproduzieren. Sie dürfen die SOFTWARE weder ganz noch teilweise reproduzieren, modifizieren, verändern, gegen Entgelt oder
unentgeltlich verleihen, verkaufen oder vertreiben, und Sie dürfen auf der Grundlage der SOFTWARE keine Ableitungen
erstellen. Sie dürfen die SOFTWARE nicht an andere Computer senden oder in Netzwerke einspeisen. Sie dürfen das Eigentum an der SOFTWARE und den schriftlichen Begleitmaterialien auf unbefristeter Basis unter den Voraussetzungen übertragen, daß Sie keine Kopien zurückbehalten und sich der Empfänger mit den Bedingungen der Lizenzvereinbarung
einverstanden erklärt.
3. BEENDIGUNG
Die Lizenzbedingung des Softwareprogramms wird am Tag, an dem Sie die SOFTWARE erhalten, wirksam. Falls ein Copyrightgesetz oder eine Bestimmung der Lizenzbedingungen verletzt wird, wird automatisch und ohne Benachrichtigung durch
Yamaha die Lizenzvereinbarung beendet. In diesem Fall müssen Sie die lizensierte SOFTWARE und ihre Kopien unverzüglich vernichten.
4. PRODUKTGARANTIE
Yamaha garantiert dem ursprünglichen Käufer, daß, falls die SOFTWARE bei Verwendung unter normalen Bedingungen
nicht die in der von Yamaha bereitgestellten Anleitung beschriebenen Funktionen erfüllt, die einzige Abhilfe darin bestehen
wird, daß Yamaha auf Austauschbasis kostenlos jedes Medium ersetzen wird, das Material- oder Verarbeitungsfehler aufweist. Abgesehen von dem oben Ausgeführten wird die SOFTWARE „wie die Ware liegt und steht” geliefert, und es werden
keine anderen ausdrücklichen oder stillschweigenden Garantien hinsichtlich dieser Software übernommen, einschließlich,
aber nicht beschränkt auf, die stillschweigenden Garantien für handelsübliche Qualität und Eignung für einen bestimmten
Einsatzzweck.
5. BESCHRÄNKTE HAFTUNG
Ihre einzige Abhilfe und die gesamte Haftung Yamahas bestehen in dem oben Ausgeführten. Keinesfalls haftet Yamaha Ihnen
oder einer anderen Person gegenüber für etwaige Schäden, einschließlich, aber nicht beschränkt auf, zufällige Schäden oder
Folgeschäden, Kosten, Verdienstausfall, verlorene Ersparnisse oder andere Schadenersatzansprüche, die aus der Verwendung
der SOFTWARE oder aus der Tatsach hervorgehen, daß diese SOFTWARE nicht verwendet werden konnte, selbst wenn
Yamaha oder ein autorisierter Händler über die Möglichkeit derartiger Schadenersatzansprüche informiert wurde, oder für
etwaige andere Ansprüche einer anderen Partei.
6. ALLGEMEINES
Diese Lizenzvereinbarung soll gemäß und in Übereinstimmung mit den japanischen Gesetzen ausgelegt werden.
51
CONTRAT DE LICENCE DE LOGICIEL
Ceci est un contrat entre vous-même, l’utilisateur final, et Yamaha Corporation (“Yamaha”). Le logiciel Yamaha ci-inclus est
concédé sous licence par Yamaha à l’acheteur original et ne peut être utilisé que dans les conditions prévues aux présentes.
Veuillez lire attentivement ce contrat de licence. Le fait d’ouvrir ce coffret indique que vous acceptez l’ensemble des termes
du contrat. Si vous n’acceptez pas lesdits termes, renvoyez le coffret non ouvert à Yamaha pour en obtenir le remboursement
intégral.
1. CONCESSION DE LICENCE ET DROITS D’AUTEUR
Yamaha vous concède le droit d’utiliser, en tant qu’acheteur original, un exemplaire du logiciel et des données afférentes à
celui-ci (“LOGICIEL”) sur un ordinateur pour utilisateur unique. Vous n’êtes pas autorisé à utiliser ces éléments sur plus
d’un ordinateur ou terminal d’ordinateur. Le LOGICIEL est la propriété de Yamaha. Il est protégé par les dispositions relatives au droit d’auteur contenues dans la législation japonaise et les traités internationaux. Vous êtes en droit de revendiquer
l’appartenance du support du LOGICIEL. A ce titre, vous devez traiter le LOGICIEL comme tout autre élément protégé par
le droit d’auteur.
2. RESTRICTIONS
Le LOGICIEL est protégé par le droit d’auteur. Vous n’êtes pas autorisé à reconstituer la logique du LOGICIEL ou à reproduire ce dernier par quelque autre moyen que ce soit. Vous n’êtes pas en droit de reproduire, modifier, prêter, louer, revendre
ou distribuer le LOGICIEL en tout ou partie, ou d’utiliser le LOGICIEL à des fins de création dérivée. Vous n’êtes pas autorisé à transmettre le LOGICIEL à d’autres ordinateurs ou à l’utiliser en réseau.
Vous êtes en droit de céder, à titre permanent, le LOGICIEL et la documentation imprimée qui l’accompagne, sous réserve
que vous n’en conserviez aucun exemplaire et que le bénéficiaire accepte les termes du présent contrat.
3. RESILIATION
Les conditions énoncées dans le présent contrat de licence prennent effet à compter du jour où le LOGICIEL vous est remis.
Si l’une quelconque des dispositions relatives au droit d’auteur ou des clauses du contrat ne sont pas respectées, le contrat de
licence sera résilié de plein droit par Yamaha, ce sans préavis. Dans ce cas, vous devrez immédiatement détruire le LOGICIEL concédé sous licence ainsi que les copies réalisées.
4. GARANTIE PRODUIT
Si, dans des conditions normales d’utilisation, le LOGICIEL ne remplit pas les fonctions décrites dans le manuel fourni,
Yamaha s’engage vis-à-vis de l’acheteur original à remplacer gratuitement, sur la base d’un échange, tout support reconnu
défectueux par suite d’un défaut de matière première ou d’un vice de fabrication. Ceci constitue le seul recours opposable à
Yamaha. Hormis dans les cas expressément énoncés plus haut, le LOGICIEL est livré “en l’état” et toute autre garantie
expresse ou implicite le concernant, y compris, de manière non limitative, toute garantie implicite de qualité marchande et
d’adéquation à un usage particulier, est exclue.
5. RESPONSABILITE LIMITEE
Votre unique recours et la seule responsabilité de Yamaha sont tels qu’énoncés précédemment. En aucun cas Yamaha ne
pourra être tenu responsable, par vous-même ou une autre personne, de quelques dommages que ce soit, notamment et de
manière non limitative, de dommages indirects, frais, pertes de bénéfices, pertes de fonds ou d’autres dommages résultant de
l’utilisation ou de l’impossibilité d’utiliser le LOGICIEL, même si Yamaha ou un distributeur agréé ont été prévenus de
l’éventualité de tels dommages, ou de quelque autre revendication formulée par une tierce partie.
6. REMARQUE GENERALE
Le présent contrat de licence est régi par le droit japonais, à la lumière duquel il doit être interprété.
52
For details of products, please contact your nearest Yamaha or
the authorized distributor listed below.
Pour plus de détails sur les produits, veuillez-vous adresser à
Yamaha ou au distributeur le plus proche de vous figurant dans
la liste suivante.
NORTH AMERICA
CANADA
Yamaha Canada Music Ltd.
135 Milner Avenue, Scarborough, Ontario,
M1S 3R1, Canada
Tel: 416-298-1311
U.S.A.
Yamaha Corporation of America
6600 Orangethorpe Ave., Buena Park, Calif.
90620, U.S.A.
Tel: 714-522-9011
CENTRAL & SOUTH AMERICA
MEXICO
Yamaha de Mexico S.A. De C.V.,
Departamento de ventas
Javier Rojo Gomez No.1149, Col. Gpe Del
Moral, Deleg. Iztapalapa, 09300 Mexico, D.F.
Tel: 686-00-33
BRAZIL
Yamaha Musical do Brasil LTDA.
Av. Rebouças 2636, São Paulo, Brasil
Tel: 011-853-1377
ARGENTINA
Yamaha Music Argentina S.A.
Viamonte 1145 Piso2-B 1053,
Buenos Aires, Argentina
Tel: 1-371-7021
PANAMA AND OTHER LATIN
AMERICAN COUNTRIES/
CARIBBEAN COUNTRIES
Yamaha de Panama S.A.
Torre Banco General, Piso 7, Urbanización Marbella,
Calle 47 y Aquilino de la Guardia,
Ciudad de Panam*, Panam*
Tel: 507-269-5311
EUROPE
THE UNITED KINGDOM
Yamaha-Kemble Music (U.K.) Ltd.
Sherbourne Drive, Tilbrook, Milton Keynes,
MK7 8BL, England
Tel: 01908-366700
IRELAND
Die Einzelheiten zu Produkten sind bei Ihrer unten aufgeführten
Niederlassung und bei Yamaha Vertragshändlern in den jeweiligen Bestimmungsländern erhältlich.
Para detalles sobre productos, contacte su tienda Yamaha más
cercana o el distribuidor autorizado que se lista debajo.
ITALY
Yamaha Musica Italia S.P.A.,
Combo Division
Viale Italia 88, 20020 Lainate (Milano), Italy
Tel: 02-935-771
SPAIN/PORTUGAL
Yamaha-Hazen Electronica Musical, S.A.
Jorge Juan 30, 28001, Madrid, Spain
Tel: 91-577-7270
GREECE
Philippe Nakas S.A.
Navarinou Street 13, P.Code 10680, Athens,
Greece
Tel: 01-364-7111
Yamaha Europa GmbH.
Siemensstraße 22-34, 25462 Rellingen,
F.R. of Germany
Tel: 04101-3030
AUSTRIA
Yamaha Music Austria
Schleiergasse 20, A-1100 Wien Austria
Tel: 01-60203900
THE NETHERLANDS
Yamaha Music Nederland
Kanaalweg 18G, 3526KL, Utrecht, The Netherlands
Tel: 030-2828411
BELGIUM
Yamaha Music Belgium
Keiberg Imperiastraat 8, 1930 Zaventem, Belgium
Tel: 02-7258220
Yamaha Scandinavia AB
J. A. Wettergrens Gata 1
Box 30053
S-400 43 Göteborg, Sweden
Tel: 031 89 34 00
YS Copenhagen Liaison Office
Generatorvej 8B
DK-2730 Herlev, Denmark
Tel: 44 92 49 00
FINLAND
F-Musiikki Oy
Kluuvikatu 6, P.O. Box 260,
SF-00101 Helsinki, Finland
Tel: 09 618511
FRANCE
Yamaha Musique France,
Division Professionnelle
BP 70-77312 Marne-la-Vallée Cedex 2, France
Tel: 01-64-61-4000
SY20
PT. Yamaha Music Indonesia (Distributor)
PT. Nusantik
Gedung Yamaha Music Center, Jalan Jend. Gatot
Subroto Kav. 4, Jakarta 12930, Indonesia
Tel: 21-520-2577
KOREA
Yamaha Music Malaysia, Sdn., Bhd.
Lot 8, Jalan Perbandaran, 47301 Kelana Jaya,
Petaling Jaya, Selangor, Malaysia
Tel: 3-703-0900
PHILIPPINES
Yupangco Music Corporation
339 Gil J. Puyat Avenue, P.O. Box 885 MCPO,
Makati, Metro Manila, Philippines
Tel: 819-7551
SINGAPORE
NORWAY
Norsk filial av Yamaha Scandinavia AB
Grini Næringspark 1
N-1345 Østerås, Norway
Tel: 67 16 77 70
ICELAND
Skifan HF
Skeifan 17 P.O. Box 8120
IS-128 Reykjavik, Iceland
Tel: 525 5000
Yamaha Music Asia Pte., Ltd.
11 Ubi Road #06-00, Meiban Industrial Building,
Singapore
Tel: 65-747-4374
TAIWAN
Yamaha KHS Music Co., Ltd.
10F, 150, Tun-Hwa Northroad,
Taipei, Taiwan, R.O.C.
Tel: 02-2713-8999
THAILAND
OTHER EUROPEAN COUNTRIES
Yamaha Europa GmbH.
Siemensstraße 22-34, 25462 Rellingen, F.R. of
Germany
Tel: 04101-3030
Siam Music Yamaha Co., Ltd.
121/60-61 RS Tower 17th Floor,
Ratchadaphisek RD., Dindaeng,
Bangkok 10320, Thailand
Tel: 02-641-2951
THE PEOPLE’S REPUBLIC OF CHINA
AND OTHER ASIAN COUNTRIES
Yamaha Corporation,
International Marketing Division
Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650
Tel: 053-460-2317
AFRICA
Yamaha Corporation,
International Marketing Division
Nakazawa-cho 10-1, Hamamatsu, Japan 4308650
Tel: 053-460-2312
MIDDLE EAST
TURKEY/CYPRUS
Yamaha Europa GmbH.
Siemensstraße 22-34, 25462 Rellingen,
F.R. of Germany
Tel: 04101-3030
Yamaha Music Gulf FZE
LB21-128 Jebel Ali Freezone
P.O.Box 17328, Dubai, U.A.E.
Tel: 971-4-81-5868
INDONESIA
MALAYSIA
DENMARK
OTHER COUNTRIES
Tom Lee Music Co., Ltd.
11/F., Silvercord Tower 1, 30 Canton Road,
Tsimshatsui, Kowloon, Hong Kong
Tel: 2737-7688
Cosmos Corporation
1461-9, Seocho Dong, Seocho Gu, Seoul, Korea
Tel: 02-3486-0011
SWEDEN
Danfay Ltd.
61D, Sallynoggin Road, Dun Laoghaire, Co. Dublin
Tel: 01-2859177
GERMANY/SWITZERLAND
ASIA
HONG KONG
OCEANIA
AUSTRALIA
Yamaha Music Australia Pty. Ltd.
17-33 Market Street, South Melbourne, Vic.
3205, Australia
Tel: 3-699-2388
NEW ZEALAND
Music Houses of N.Z. Ltd.
146/148 Captain Springs Road, Te Papapa,
Auckland, New Zealand
Tel: 9-634-0099
COUNTRIES AND TRUST
TERRITORIES IN PACIFIC OCEAN
Yamaha Corporation,
International Marketing Group
Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650
Tel: 053-460-2312
HEAD OFFICE Yamaha Corporation, Electronic Musical Instrument Division
Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650
Tel: 053-460-2445
This document is printed on recycled chlorine free (ECF) paper.
Auf Recycling-Umweltpapier gedruckt.
Ce document a été imprimé sur du papier recyclé non blanchi au chlore.
M.D.G., EMI Division, Yamaha Corporation
© 1999 Yamaha Corporation
V?????? 911PO???.?-01A0 Printed in Japan
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