BSS Audio FDS 310 User manual

BSS Audio FDS 310 User manual
Professional Audio Signal Processing
.08
BSS AUDIO
And Distribution Equipment
BSS Audio is world renowned for outstanding sound
quality and reliable equipment that satisfies the real
demands of professional musicians and high-profile
installations. Products from BSS Audio are used on major tours, in recording and broadcast studios, churches,
casinos, arenas, and nightclubs on every continent.
Audio Signal Processing
Why do so many sound industry veterans swear by
BSS Audio? Because with every performance, installation, broadcast, and recording, these professionals put
their reputations on the line. The pros demand superior sound quality and a proven track record. They can
count on it with BSS Audio.
Contents:
Soundweb™ London: networked signal processors
(6)
(10)
(11)
Soundweb™ Original: networked signal processors
Soundweb™ Lite: signal processor
FDS-366T OMNIDRIVE™ COMPACT plus:
loudspeaker management system
(12)
(12)
(13)
(14) (15) (16) (17)
(17)
(17)
(18)
(19)
(19)
FDS-336T/FDS-334T Minidrive™:
loudspeaker management systems
WHISEWORKS™ - Neville Thiele Method™ Filters
FCS-960: dual mode graphic equalizer
FCS-966: constant Q graphic equalizer
DPR-504: four channel noise gate
DPR-404: four channel compressor de-esser
DPR-402: compressor peak limiter de-esser
DPR-901 II: dynamic equalizer
AR-133: active DI box/line balancer
MSR-604 II/MSR-602 II: active signal distribution system
PS-8810: digital processor/mixer
Reliability:
The uncompromising reliability achieved through superb design and
meticulous quality assurance is why more artists regularly choose BSS
Audio systems. From the rock-solid AR-133 Direct Injection Box, to the
state of the art Soundweb London networked signal processors, BSS
Audio offers the very best in signal processing.
Including BSS Audio components
as an integral part of any sound
installation will ensure years of
dependable performance and
reliability.
Live Sound:
Twenty years of live sound experience
let you focus on the job at hand.
For over 25 years, BSS Audio equipment has been manhandled on and off of trucks and planes, city after city, tour after
tour. And every time the show started, the performers and
the techs knew their BSS Audio gear would work. No wonder top performing artists like Metallica, Diana Krall, David
Bowie, and Oasis regularly choose BSS Audio systems.
Soundweb™ London
Networked Signal Processors
The power, flexibility and reliability for any
scale of installed sound system.
Long before networked digital audio, BSS Audio™ gained
its reputation for elegant-sounding signal processing
and crossovers. Innovative technologies like Progressive Knee Subtractive Compression, mid-filter crossover
limiting, dynamic equalization and ADE™ restoration of
leading-edge information in noise gates have elevated
BSS Audio to almost cult status among live sound and
recording engineers.
We’ve leveraged this analog audio expertise into what
many believe are the best-sounding digital signal processing algorithms available. Beginning with Soundweb™ Original…and now with the Soundweb™ London
family of networked digital signal processing systems,
we’ve brought the same warmth and clarity to a vast
6
BSS Audio - Full-line Catalog
palette of DSP modules. All are deployed within an intuitive, easy-to-use design and maintenance interface
called HiQnet™ London Architect™.
So you’re not just getting, for example a generic compressor module; you’re getting digital processing closely based on the acclaimed sound of our DPR-402. From
automixers to graphic and parametric EQs, from duckers to delays, you can hear the BSS Audio difference.
Bottom line: we’re a highly-regarded crossover and
analog signal processing company who started making
digital signal processing devices, not a DSP company
who ventured into the complex world of high-end professional audio.
BSS Audio
7
Soundweb™ London
Built on the foundations of an
industry standard
Our Soundweb™ Original series
sent ripples through the sound
contracting world. The first largescale system to offer a distributed,
programmable DSP system with
robust capabilities and simple
controls on a single Cat 5 cable, it
has inspired a host of imitators.
Yet there are key areas where the
original Soundweb philosophy
still stands above the rest:
• Easy creation of virtually any audio
system design with a free-design
programmable DSP system that
places no restrictions on signal
path, sub-mixing or object location
• The ability to change how your
audio system behaves according to
the type of event you are holding,
just with the recall of a preset
• Easy and quick addition of more
signal processing within the system
without increasing your hardware
budget
• Fast implementation of specification changes during or post-design
• The appropriate level of end-user
control without providing overlycomplex interfaces
The same philosophy is at the
heart of Soundweb™ London.
Moreover, the experience with,
and suggestions from thousands
of clients have enabled BSS Audio
to enhance Soundweb London’s
power and flexibility to unprecedented levels including:
8
BSS Audio - Full-line Catalog
• Pristine audio quality, with advanced
A/D and D/A conversion, together
with 96kHz-capable audio processing
and networking
• Simple, easy-to-learn drag-and-drop
system design, now even more powerful with named CobraNet™ bundle
assignment, signal path navigation
and scalable DSP objects
• Ethernet based control
over Cat 5 cable, with
network audio via
CobraNet™ with redundant capability
• An extensive range of
control options to offer
clients simple or sophisticated control interfaces
• Easy expansion or reconfiguration of system hardware in
the field
With years of experience to count
on, Soundweb London represents
your wisest choice when investing
in programmable DSP technology.
The system approach fully
realized
No one else can offer
our level of integration.
Because only Soundweb
London is the backbone
of a completely unified
system solution with microphones,
consoles, amplifiers and loudspeakers from sister Harman Pro companies AKG Acoustics® , Soundcraft®,
Crown Audio® and JBL Professional® , as well as dbx Professional
Products® and BSS Audio™ signal
processing devices.
Harman Pro is in the unique position to be able to provide components for the entire signal path
and through the use of HiQnet™,
the Harman Pro Communications Protocol, integration of these
components has never been easier.
System integrators will be familiar
with having to waste expensive
engineering time translating different protocols, so that products
using disparate languages will
communicate.
Imagine how much easier it is
when all of your system elements
“speak” the same language.
Via HiQnet™ London Architect™
software, you can also add integrated monitoring of Crown
Audio PIP-LITE, USP3 and USP3/CN
Programmable Input Processor
(‘PIP’) modules, as used in the CTs
series of amplifiers. You can also
configure BSS Audio FDS-334T and
FDS-336T Minidrive processors and the industry standard FDS-366T OMNIDRIVE
COMPACT plus system.
One control
application
can monitor
amplifier performance, speaker
conditions, log events and
report errors back to the operator.
Easy to design
System design should be drag-anddrop easy. Our Soundweb™ Original
software application, Soundweb™
Designer took system design and
control to an unprecedented level.
Now HiQnet™ London Architect™
brings even more power to your
design creativity. You enjoy total
flexibility of signal path flow and
connectivity, a massive range of
processing objects modeled on
classic BSS Audio processors, and
the freedom to design the system
exactly how you want it.
HiQnet™ London Architect™ uses
the familiar drag-and-drop design
interface that Soundweb users will
know well, but has been dramatically enhanced to provide a more
powerful, flexible and user-oriented interface:
• dockable tool menus
• creation of zones
• layout scrolling, zooming and minimap windows
• new innovative processing objects
such as scalable mixers that make
design and object selection easier
than ever
• new control panels with vast galleries of controls
• highly informative docking windows
• the ability to copy control values
across objects
— these are just a few of the ways
in which we’ve made HiQnet London ­Architect the most powerful
design software in its class.
Easy to install
Each Soundweb London processor
is totally self-contained, so devices
can be installed locally to their
amplifier racks rather than in one
centralized location. Category 5 cable is used to interconnect system
devices and Ethernet hardware,
with network hops of 300 feet (100
meters) possible.
Digital audio bus
The digital audio bus featured on
the BLU-800, BLU-320, BLU-160 and
BLU-120, is a fault-tolerant bus of
256 channels. In addition to providing a backbone for the transportation of multiple channels, the bus
also facilitates the creation of large,
fault-tolerant, centralized matrices
containing multiple bus-capable
devices.
Soundweb™ London Family of Products
With a choice of seven different processors within the Soundweb
London family and input / output card flexibility within each device,
Soundweb London represents a truly flexible and scalable system.
Whether you require the high bandwidth audio networking of a digital
audio bus, CobraNet compatibility, DSP capability, input / output expansion or a specific mix of functionality, Soundweb London offers the
building blocks of a tailor made system.
Create custom control panels
One of the advantages inherited
from Soundweb™ Designer has
been made even easier. Simple
mouse clicks create control panels
and pages and add “unbound” elements such as meters and faders
that can then be tied to distinct
processing objects. Not forgotten
is the “traditional” method of creating panels by dragging controls
directly onto these custom panels.
Pages can also be nested within
panels, increasing their versatility,
offering neater layout of controls
and taking the concept to an unprecedented level.
3IGNAL0ROCESSING
#OBRA.ET
$IGITAL!UDIO"US
",5
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",5
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BLU-8
BLU-3
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Proven DSP processing objects
All the familiar Soundweb™ Original processing objects are included; many modeled on the classic
and respected BSS Audio analog
processors. The platform has also
been designed to enable future
software releases to include new
leading edge DSP functions.
BLU-10
BLU-6
SW9015
SW9012
BSS Audio
9
Soundweb™ Original
Networked Signal Processors
Industry standard series of freely configurable
networked signal processors.
The Soundweb™ Original system
fast became an industry standard
for networked, programmable DSP
systems. It continues to provide
straight-forward design, installation and control of sophisticated
sound systems. Forming the basis
of countless audio installations
in night clubs, live music venues,
theme parks, sports stadiums,
leisure venues and corporate
board rooms, Soundweb Original
uses simple Cat 5 cabling to pass
8 channels of digital audio and
control signals bi-directionally up
to 1000 feet / 300 meters between
devices.
Soundweb™ Designer software.
System design and configuration
is easy thanks to Soundweb™
Designer. A vast palette of processing objects are provided including
Crossovers, Delays, Compressors,
10
BSS Audio - Full-line Catalog
Expander, Ducker, Gate, Limiter,
Graphic EQ, Parametric EQ, High
Pass and Low Pass filters, Gain,
Matrix Router, Matrix Mixers,
Metering, Mixers, Source Selectors,
Tone generator, Automixer, Leveller,
Source Matrices, Ambient Noise
Compensator and Stereo
Parametric EQs.
sophisticated, passsword-protected real-time control. Optimum
audio quality is assured by 24-bit
internal processing, headroom
management, advanced A/D and
D/A conversion and algorithms developed with the benefit of over 25
years of analog and digital design
experience.
Total Security.
Once configured, the computer
can be removed, leaving a fully
secure system with pre-described
levels of operator control provided
by a range of easy-to-operate
hardware panels. Or Soundweb
Original may be integrated with
other popular control systems.
Configurations can be switched
instantly without cable repatching or manual adjustments, giving
total flexibility between different
events. Alternatively, the computer
can remain online to provide more
Expandable and upgradable.
Soundweb Original systems are
easily expandable with further
devices added at a later date.
Start-up costs for small systems
are therefore low, while large-scale
installations are cost-effective and
extremely powerful. Soundweb
Original now incorporates video
and audio non-processed switching capabilities via the SW9016
and SW9026 Matrices. SW9012
and SW9015 single-box in-wall
panels are also available.
Soundweb™ Original
• Freely configurable DSP
• Distributed processing,
networking and DSP
• Proprietary networking
requires no external
hardware or set-ups
• Network carries control
data and 8 channels
of 24-bit/48kHz digital
audio
• Easy system design and
configuration using
Soundweb™ Designer
software
• High network tolerance
and stability
• Variety of limited-
access control options
• Systems can be easily
expanded or updated
• Optional Audio/Video
matrix and in-wall
control panels available
SW9010
SW9012 (UK Version)
SW9012 (US Version)
SW9015 (UK Version)
SW9015 (US Version)
Soundweb™ Lite
Standalone Signal Processor
The demand for simple standalone
DSP processing led BSS Audio to
introduce the Soundweb Lite 3088
Signal Processor. This standalone
non-networked 8x8 unit draws
on the phenomenal success of
the larger networked Soundweb
SW9088iis and associated products, but provides a cost-effective
solution for situations where the
design requires a maximum of 8
inputs and 8 outputs.
BSS Audio
11
FDS-366T OMNIDRIVE™ COMPACT plus
FDS-336T Minidrive™ / FDS-334T Minidrive™
Loudspeaker Management Systems
The OMNIDRIVE and Minidrive systems represent
the ultimate in loudspeaker management, monitoring, and zone control.
Minidrive™ provides the same core functions
as the OMNIDRIVE range: crossover (LinkwitzRiley, Bessel or Butterworth, WHISEWORKS - Neville
Thiele Method Filters), mid-band limiters, equalization (assignable to inputs and outputs), and
input and output delay. But the price is made
lower than the OMNIDRIVE’s by omitting a few of
the OMNIDRIVE’s more advanced features.
The FDS-366T OMNIDRIVE features WHISEWORKS
– Neville Thiele Method™* filter technology, letting
you take your loudspeakers closer to their operating bandwidths without fear of over-excursion.
One FDS-366T OMNIDRIVE COMPACT plus can
12
BSS Audio - Full-line Catalog
drive a true stereo 3-way system, or 3 bi-amp
outputs for monitors. Add more units and MIDI
slave linking to make stereo 4, 5 and even 6-way
systems.
The OMNIDRIVE COMPACT Plus and Minidrive
all have completely flexible routing allowing any
input to be sent to any output making the FDS
series of products suitable for a diverse range of
applications.
You can configure, control, and monitor the
FDS-366T, FDS-336T and FDS-334T via HiQnet™
London Architect™.
Whiseworks – Neville Thiele Method Filters
Included with Soundweb™ London, Soundweb™ Original, OMNIDRIVE COMPACT plus and Minidrive
“The cleanest and
clearest filters I’ve
heard to date.”
What are NTM™* Filters
all about?
A NTM™ Crossover Filter is a new type of
electrical/acoustical filter offering significant performance advantages over all
previous crossover filter types in audio
applications. The filter was developed by
Neville Thiele (pronounced “Teel”).
Andy Dockerty,
Adlib Audio, UK
How do they work?
“The new filters allow
me to put more power
to the devices without fear of overload
or over-excursion.
Once adjusted, sounds
better than standard
filters. The system
seemed louder and
clearer. We were setting off alarms in the
car park!”
The NTM crossover uses a unique notched
response to achieve a very steep roll-off
rate outside the pass-band. The 4th order
NTM crossover amplitude response looks
like this:
NTM Roll-off
Notches in
the responses
speed-up the
rate of roll-off.
Beyond the
notch, the
response rises
again, but remains
respectably attenuated.
Ferrit, Promix/Electrotec,
Las Vegas, Nevada, USA
Advantages
*WHISEWORKS - NTM™* and WHISEWORKS - Neville
Thiele Method™ are trademarks of Precision Audio Pty. Ltd.
“The biggest step forward in
digital crossover technology
since Linkwitz-Riley.”
Jerry Wing, Britannia Row
Productions, UK
Like the Linkwitz-Riley crossover shape,
NTM crossovers maintain a flat amplitude
response against frequency, and hold the
drivers in-phase throughout the crossover
region, preventing beam tilting. Additionally however, the 8th order NTM filter gives
the fastest roll-off rate of any of the common crossover shapes. The 4th order NTM
filter also offers the best group delay flatness of any crossover shape with a roll-off
of at least 24dB/Octave, whilst offering a
higher cut-off rate than any other 4th order
crossover.
For many years, Linkwitz-Riley crossovers
have been the ‘industry standard’ as they
offered the best compromise for most of
the important parameters.
The new NTM crossover shapes now represent the optimal combination of characteristics for most applications, assuring it at
least a place alongside Linkwitz Riley, if not
becoming the new industry standard.
BSS Audio
13
FCS-960 & FCS-966
Graphic Equalizers
FCS-960
Of all the features that distinguish the FCS
series among professional-grade equalizers, Constant Q filters are probably the
most prominent. Compared to the earlier
“gyrator” style of filters, Constant Q filters
provide a smoother and more predictable
interaction between adjacent faders, and
the resulting EQ curve more closely resembles the actual fader positions. And each
fader on the FCS equalizers has +/– 15dB of
adjustable gain, more than many competitive graphic equalizers. When you consider
the FCS series’ proven history of quality
and reliability as well as their impressive
feature set, you understand why so many
industry veterans include these equalizers
in their racks.
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BSS Audio - Full-line Catalog
Dual Mode Graphic Equalizer
The FCS-960 is the graphic EQ of choice among some
of the biggest names in the touring business. Dual
mode operation accommodates both Wide Q for Room
Contouring (to find the smoothest response) and Narrow
Q for monitoring (to “notch out” particular frequencies)
on each channel.
The FCS-960 provides two channels in 3U of rack space.
Constant Q-filters with filter-bypass center taps are
controlled by high grade, 45mm faders with molded
polymer fader knobs. These prominent knobs eradicate
visual parallax error even under low light conditions.
Also included are sweepable/switchable Hi-pass filter,
Gain control and electronically balanced inputs and
outputs.
FCS-966
Constant Q Graphic Equalizer
The FCS-966 is commonly
used for stage monitors and is
engineered using knowledge
and experience gained from the
FCS-960. Modern components
and manufacturing techniques
allow premium quality and reliability to be retained at a lower
price point.
room or loudspeaker response.
These filters are very musical
gentle boost and cut shelving
type, which can be used to add
(or remove) room effects that
change with temperature, audience numbers or humidity.
Traditionally, much general
equalization takes place on the
faders alone, but this restricts
the use of the faders at each end
of the scale for further precision
EQ work. So BSS Audio provides
the FCS-966 with separate LF
and HF contour filters, which can
change an overall sound balance
without disturbing a detailed
BSS Audio
15
DPR Series
Signal Processors
The DPR SERIES provides signal processors with
field proven quality and reliability.
DPR-504
Four Channel Noise Gate
Widely respected in the high-end
tour sound community, the DPR-504
quad noise gate has a reputation as a
workhorse. Dependable and durable,
you can count on this unit to perform
brilliantly when it matters most.
The Range switch selects between
7OdB and 2OdB gating depth to provide alternative release profiles. The
DPR-504 features electronically balanced inputs and outputs.
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BSS Audio - Full-line Catalog
Each DPR-504 channel features:
• A parametric key filter with key filter listening.
• Simultaneous key level and threshold metering
with average and peak metering.
• A gate status LED.
• A RELEASE/HOLD control
(hold tracks proportionally with release times).
• Attack switchable auto/fast
(auto tracks signal dynamics for optimum setting).
• Link (links two channels together).
• Key source allows external triggers.
The DPR-402 and DPR-404 enjoy elite status among compressors. Thanks to
their proven track records of reliability in world-class performance venues,
these units have become an industry standard, and the first choice among
many tour professionals.
DPR-402
DPR-404
Compressor Peak Limiter De-esser
Four Channel Compressor De-esser
The DPR-402 is a 2-channel compressor/limiter,
high frequency de-esser and wide band de-esser.
Each channel includes:
The DPR-404 is a 4-channel compressor with high
frequency de-essing. Each channel includes:
•
•
•
•
•
•
•
•
Threshold control
Peak limiting
Adjustable speed
Dynamics progam manipulation
A gain reduction meter
A clip LED
Gain control
High frequency de-esser
Auto mode provides program dependent attack
and release control.
•
•
•
•
•
•
•
•
Threshold control
Below threshold metering
Ratio control
A gain reduction meter
A clip LED
Gain control
Linking
High frequency de-esser
Attack and release time constants are automatically
and continually regulated by dynamic and harmonic
content of program material.
DPR-901 II
Dynamic Equaliser
The DPR-901 II is a four-band parametric Dynamic
Equalizer which allows frequency-selective compression (-30dB) and expansion (+16dB). Each band has
a frequency sweep, a bell width, an IN/OUT switch,
compress/expand control, compress/expand metering, threshold metering and time constants which
are automatically controlled by the dynamic and harmonic content of signal with selectable FAST RELEASE.
be monitored to allow precise tuning of the audio
spectrum to be effected. The inputs and outputs are
electronically balanced.
A filter switch on bands 1 & 4 which changes bell filter
response to a shelving response and on bands 2 & 3
cancels the filter for wide band operation. The unit
may be set up as a 1 input/4 band or 2 input/2 bands
per channel device, and the filter side chain may
BSS Audio
17
Active DI, Line Balancing & Signal Distribution
AR-133
Active DI Box/Line Balancer
The AR-133 is a single channel DI box with high input
impedance, W" jack input and parallel link ouputs to
feed backline amps. Though it’s a favorite among highprofile touring professionals, the AR-133 is priced to be
affordable for all musicians, studios and PA companies.
The rugged aluminum extrusion case’s unique arch
design lets you run cables back underneath the unit for
neat cable management.
The AR-133 uses an enhanced version of the same audio
path as the AR-116, regarded by many as an industry
standard. The sound quality is legendary, particularly
on acoustic and bass guitars.
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BSS Audio - Full-line Catalog
The AR-133 includes phantom power and battery supplies. Should the phantom power from the console
fail or accidentally switch off, the AR-133 automatically
switches over to the internal 9V battery, providing uninterrupted use. Numerous applications can be satisfied by the AR-133. For example, as well as the traditional guitar use, the AR-133 can be used with keyboards, DJ
mixers, link outputs, and other electronic sources. The
AR-133 can also be used as an active balancing device.
MSR-604 II
Active Signal Distribution System
The MSR-604 II is a 4-channel 1 x 4 way, active microphone/line level distribution system, capable of
supplying 4, 8, 12, or 16 outputs from a single input.
Each channel features an electronically balanced
input with transformer option, MIC/LINE switching,
GAIN switching, LISTEN facility for monitoring, phantom power, active outputs for main FOH and monitor
consoles, and two transformer-coupled feeds giving
2500V isolation for any application requiring isolation from the main PA system.
PS-8810
Digital Processor/Mixer
Ideal for applications requiring a relatively simple,
architecture processing path, the PS-8810 combines
easy to program DSP functions in an easily matrixable
format. User progammable DSP configurable blocks
(including Filters, Delay, Gate, Auto-level, Compressor and
Automix) can be stored along with routing data in 32
presets, selectable either from the front panel, IQwic™
software, switch closure, or scheduled from an internal
real-time clock/calendar.
BSS Audio
19
Product Specifcations:
The BSS Audio website, located at bssaudio.com is updated regularly
and provides a great source for all the latest news and product specifications. You will find useful information in the form of brochures, user
manuals, technical data sheets, applications guides and software updates. The website also contains contact information for all sales, technical support and service enquiries.
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BSS Audio - Full-line Catalog
û
Product information:
All specifications are subject to change. ©2006 All Rights Reserved, Harman International Industries, Inc. BSS Audio, Soundweb, London Architect,
OMNIDRIVE, Minidrive, and HiQnet are trademarks of Harman International Industries. WHISEWORKS NTM and Neville Thiele Method are trademarks
of Whiseworks Pty., Ltd. All other trademarks are the property of their respective holders.
Product Specifications:
BLU-16, BLU-32, BLU-80,
| BLU-120, BLU-160, BLU-320 and BLU-800
Soundweb London – Networked Signal Processors
4
2
3
1
3
4
2
1
B
blu-160/blu-120
S
+ –
S
+ –
S
+ –
S
+ –
S
+ –
S
+ –
S
+ –
S
+ –
A
S
+ –
S
+ –
S
+ –
S
+ –
S
+ –
S
+ –
S
+ –
S
+ –
D
(rear diagrams)
4
2
3
C
1
4
1
3
2
A
B
blu-800, blu-320
S
+ –
S
+ –
S
+ –
S
+ –
S
+ –
S
+ –
S
+ –
S
+ –
S
+ –
S
+ –
S
+ –
S
+ –
S
+ –
S
+ –
S
+ –
S
+ –
C
D
(rear diagram)
4
2
3
1
4
1
3
2
B
C
C
OPTO
+
–
blu-16
(rear diagram)
1
1
2
2
CONTROL INPUTS
LOGIC OUTPUTS
7
7
8
8
R
R
R
R
S
+ –
S
+ –
S
+ –
S
+ –
S
+ –
S
+ –
S
+ –
S
+ –
S
+ –
S
+ –
S
+ –
S
+ –
T1AL-250V FUSE
LOCATE
RS232
ETHERNET
S
+ –
S
+ –
S
+ –
S
+ –
4
PRIMARY
(rear diagrams)
Front Panel Led Indicators:
Per Input:
Other:
Analogue Inputs:
Mic/Line Inputs
Input Impedance
Maximum input level
CMRR
Input Noise (E.I.N.)
Phantom power
A/D Latency:
Digital Inputs:
Input impedance:
Sample Rate:
Sample Rate conversion:
THD+N:
Latency:
Analogue Outputs:
Maximum Output Level
Frequency Response
THD
Dynamic Range
Crosstalk
D/A Latency
Digital Outputs:
Input impedance:
+ –
S
+ –
S
+ –
S
+ –
S
+ –
S
+ –
S
+ –
S
+ –
D
100-240VAC ~ 50/60Hz 35VA
2
3
4
SECONDARY
1
1
2
2
CONTROL INPUTS
LOGIC OUTPUTS
7
7
8
8
R
R
R
R
RS232
ETHERNET
2
A
S
+ –
S
+ –
S
+ –
S
+ –
S
+ –
S
+ –
S
+ –
S
+ –
C
D
100-240VAC ~ 50/60Hz 35VA
LOCATE
1
3
B
C
C
OPTO
+
–
OUT
T1AL-250V FUSE
C
1
IN
Blu-32/blu-80
A
S
BUDDYLINK / 48K
Sample Rate:
Sample Rate conversion:
THD+N:
Latency:
Control Ports:
12 inputs and 6 outputs
Control Input Voltage
Control Input Impedance
Logic Output Voltage
Logic Output Impedance
Logic Output Current
Watchdog Output: Opto Output current
Withstanding voltage
Series Impedance
Control Network (All Models):
Connectors
Maximum cable length
Signal Present, CLIP, SYNC/48V, I/O card type (IN, OUT, DIG)
LCD Display, Conductor active, Net Link active, Data Activity.
Up to 16 electronically balanced on Phoenix Combicon removable
screw connectors
Nominal gain 0dB, electronically switchable up to +48dB,in +6dB
steps
3.5kΩ
+20dBu with 0dB input gain,+8dBu with 12dB gain
>75dB at 1KHz
<-128dBu typical with 150Ω source
48V nominal, selectable per input
38.7/Fs
Up to 16 AES/EBU or S/PDIF on Phoenix/Combicon removable
screw connectors
110 ohm (AES/EBU), 75 ohm (S/PDIF)
48kHz or 96kHz
8kHz-96kHz
-140dB
3/Fso + (56.581/Fsi) + (55.658/Fso).
Up to 16 electronically balanced on Phoenix/Combicon removable
screw connectors
+19dBu
15Hz-20KHz (+0.5dB/-1dB)
<0.01% 20Hz to 20KHz, +10dBu output
108dB typical, 22Hz-22KHz unweighted
<-75dB
28/Fs
Up to 16 AES/EBU or S/PDIF on Phoenix/Combicon removable
screw connectors.
110 ohm (AES/EBU), 75 ohm (S/PDIF)
48kHz or 96kHz
8kHz-96kHz
-140dB
3/Fso + (56.581/Fsi) + (55.658/Fso).
0 to 4.5v
4.7kΩ to +5V (2-wire mode), >1MΩ (3-wire mode)
0 or +5V unloaded
440Ωs
10mA source, 60mA sink
Phoenix/Combicon connector for failsafe control
14mA maximum
80V maximum (Off)
220Ω (isolated)
RJ45 Ethernet connector
100m/300ft on Category 5 cable between device and Ethernet
switch
(BLU-80, BLU-32 only)
2 x RJ45 connectors
100m/300ft on Category 5 cable between device and Ethernet
switch
CobraNet™ Audio Network:
Connectors:
Maximum cable length
Power and Dimensions:
Mains Voltage
Power Consumption
BTU Rating
Operating Temperature Range:
Dimensions
85-270V AC, 50/60Hz
<35VA
<120 BTU/hr
5(41) to 35(95) degrees C(degrees F)
(h (U) x w x d): 1.75" (1U) x 19" x 11.3"
(45mm x 483mm x 287mm)
18.6 lbs / 8.4kgs (estimated)
Weight
Soundweb Original – Networked Signal Processors
| 9088iis, 9008iis, 3088 and 9000iis
Soundweb Original
C
C
OPTO
+
–
SW9000iis
(rear diagram)
Aux RS232
100-240VAC ~ 50/60Hz 35VA
(rear diagram)
100-240VAC ~ 50/60Hz 35VA
2
2
CONTROL INPUTS
LOGIC OUTPUTS
7
7
8
8
C
C
Network 6
Out
C
C
Network 5
Out
Network 4
Out
T1AL-250V FUSE
Aux RS232
C
C
OPTO
+
–
1
1
2
2
CONTROL INPUTS
LOGIC OUTPUTS
7
7
8
8
R
R
Out 8
S
+ –
Input Section: (9088iis, 3088)
Line Inputs
Mic/Line Inputs
Input Impedance
Maximum input level
100-240VAC ~ 50/60Hz 35VA
T1AL-250V FUSE
Out 6
Out 7
S
In 8
(rear diagram)
Network 2
In
Network 1
In
R
R
Patent pending No 9706453.9
Network
In
Out
SW9088iis
Network 3
In
Patent pending No 9706453.9
Network
In
Out
SW9008iis
1
1
+ –
S
+ –
S
In 5
+ –
1
1
2
2
CONTROL INPUTS
LOGIC OUTPUTS
7
7
8
8
R
R
R
R
S
S
Out 8
S
CMRR
Input Noise
Phantom power
+ –
+ –
+ –
In 4
+ –
+ –
S
Out 6
+ –
S
+ –
Out 1
S
In 2
In 3
+ –
In 1
MIC
S
Out 7
S
Out 2
Out 3
S
LINE
C
C
OPTO
+
–
Patent pending No 9706453.9
8 Analog, electronically balanced, on Phoenix/Combicon
removable screw connectors
Nominal gain 0dB, electronically switchable to +12dB gain,
input impedance 10kΩ
Nominal gain 0dB, electronically switchable up to +72dB in
+6dB steps
3.5kΩ
+20dBu with 0dB input gain, +8dBu with 12dB gain
Out 4
Out 5
S
In 6
In 7
WORD
CLOCK IN
Aux RS232
+ –
S
+ –
+ –
S
Out 5
S
+ –
+ –
S
Out 4
S
+ –
+ –
S
+ –
S
Out 2
Out 3
S
+ –
S
+ –
+ –
Out 1
S
+ –
>75dB at 1KHz
(E.I.N.) <-128dBu typical with 150Ω source
48V nominal, selectable per inputDigital Input/Output option:
(9088iis, 3088) 2 x 2-channel inputs and 2 x 2-channel
outputs per card, on Phoenix/Combicon removable screw
connectors. Corresponding Analog outputs remain live and in
parallel with Digital Outputs.
BSS Audio incorporates high quality mechanical fans in some products. All mechanical fans have a limited life expectancy. We recommend annual inspection of fans for dust occlusion and excessive noise.
Fan assemblies should be replaced after six to ten years of use. Environmental factors such as elevated temperature, dust, and smoke can adversely affect fan life. Systems exposed to these conditions
should be inspected more frequently. Fan replacement can be performed either at the factory or by an experienced technician in the field. Please contact BSS Technical Support for more information on
purchasing replacement parts or product service. BSS Audio has a policy of continued product improvement and accordingly reserves the right to change features and specifications without prior notice.
BSS Audio
21
Product Specifications:
Soundweb Original – (Specifications Continued)
Interface standard
Digital resolution
Output sampling rates
Output clock source
AES/EBU
24-bitInput sampling rates
32-96kHz
44.1, 48. 88.2, 96kHz (independent for each output)
Internal, Inputs 1 & 2, External Word Clock or System Clock
(48kHz)
Input clock source
Independent or System Clock
Output Section: (9088iis, 9008iis, 3088)
Maximum output level
+20dBu
Frequency response
±0.5 dB) 15 Hz to 20 kHz
Harmonic Distortion (THD)
<0.01%, 20Hz-20kHz, +10dBu output
Dynamic range:
105 dB typical, 22 Hz-22 kHz unweighted, 108dB typical Aweighted
Inter-channel crosstalk
<-75 dB
Control Ports: (All devices)
Cntrl. input voltage
0 to 4.5V
Cntrl input impedance (2 wire)
4.7kΩ to +5V
Cntrl input impedance (3 wire)
>1mΩ
Logic output voltage
0 or +5v unloaded
Logic output impedance
440Ω Opto. output current
14mA max
Opto. output voltage
80V max
Opto. output series impedance
220Ω (isolated)
Network: (9000iiss, 9088iis, 9008iis)
Maximum network cable length
300m/1000ft between any two devices
Power & Dimensions: (9000iis, 9088iis, 9008iis, 3088)
Main supply
85-270VAC, 50/60Hz
Power consumption
<35VA
Dimensions:
(h (U) x w x d): 1.75" (1U) x 19" x 11.3"
(45mm x 483mm x 287mm)
Weight:
6.6 lbs / 3kgs
Soundweb 9010 Programmable Controller:
Mic Input
18 Bit A/D Conversion
External Input Specifications
Dynamic Range
81dB 22Hz-22kHz unweighted
Gain Control Range
34dB to 72.5dB
Max Input Level
-17dBu
Input Noise (E.I.N.)
-106dBu @ 150Ω
Audio Output
18 Bit D/A Conversion
Dynamic Range
>88dB 22Hz- 22kHz unweighted
Frequency Response ±0.5dB 30Hz to 20kHz
THD
<0.05% 20Hz-20kHz 0dBu
Max Output Level
+4dBu
Channel Separation
80dB, 20Hz-20kHz
Power Requirements
+24V DC, <5VAS
FCS Series – Graphic Equalizers
SW9016/9026 Video/Audio Switcher and Audio Switcher:
Video: (SW9016)
8 Composite Video inputs
(CBVS or S-Video) on BNC connectors with BNC loopthrough
connectors
Video Standard
PAL or NTSC (auto selected)
Video Bandwidth
150Mhz
Video Crosstalk
<70dBR up to 10MHz
Sync
Automatically either Channel 1 or ‘Sync‘ input
Impedance
75 Ohm self-terminating
Routing
8x4 Video Matrix
Video outputs:
4 x 75Ohm Composite Video Outputs on BNC connectors
Audio: (SW9016/SW9026)
16 Balanced Audio inputs
Phoenix/Combicon removable screw connectors
Routing
16x8 Audio Matrix, each channel independently addressable
Input Impedance
10kΩ
Maximum Input Level
+20dBu
THD
<0.02%
Frequency Response:
±.02dB 20Hz-20kHz
S/N Ratio
>110dBR at unity gain
Crosstalk
<-100dB
CMRR
>40dBR
Audio Outputs
8 Balanced Audio Outputs on Phoenix/Combicon removable
screw connectors.
Output gain
adjustable, -∞ to +20dB
Control & Presets:
Presets
8 presets per video output zone when used with standalone PC
application
Serial Control Port
RS232 connects to Soundweb 9088iis,9008iis 3088, 9000iis or
PC
Power and Dimensions:
Dimensions (h (U) x w x d)
SW9016
3.5" (2U) x 19" x 6.6"
89mm x 445mm x 168mm
SW9026
1.75" (1U) x 19" x 6.6"
44.5mm x 445mm x 168mm
SW9016
3kgs / 6.6 lbs
SW9026 2.3kgs / 5.3 lbs
Power
12-24V DC, <5VA via Phoenix screw terminal or 2.4mm inline
barrel connector
| FCS-960, FCS-966
FCS Series
CHANNEL 2
OUTPUT
MAINS
POWER
FCS-960
(rear diagram)
220
CHANNEL 1
INPUT
OUTPUT
INPUT
SELECT
VOLTAGE
ON
Pin 2 + (Hot) Pin 3 - (Cold)
Pin 2 + (Hot) Pin 3 - (Cold)
BALANCED CONNECTIONS
BALANCED CONNECTIONS
Tip + (Hot) Ring - (Cold)
Tip + (Hot) Ring - (Cold)
S
+ –
S
+ –
S
+ –
S
+ –
240
FCS-966
(rear diagram)
FCS-960
Inputs:
Impedance
Max Input Level
Connector
Output Section:
Output
Max Output Level
Connector
System Performance:
Frequency Response
Distortion (THD)
Output Noise (Flat)
Channel Separation (FCS-960)
Gain Control Range
Peak Indicator
Bypass
Filter
Power and Dimensions:
Power Requirements
Power Consumption
Dimensions (HxWxD): Weight
22
10kΩ, electronically balanced
+20dBu
XLR3-31
Electronically balanced and floating
+20dBu into 600Ω
XLR3-32
±0.25dB 20Hz-20kHz
<0.005% 20Hz-20kHz @ +4dBu
<-93dBu 22Hz-22kHz unweighted
>80dB from 20Hz-20kHz
±10dB
+18dBu
Passive fail-safe bypass relay
MFB Constant Q type
50/60Hz, 90V-264V
< 00VA
00" x 19" x 00"
000mm x 483mm x 000mm
6.6 lbs / 3 kg (estimated)
BSS Audio - Full-line Catalog
OUTPUT 2
FCS-966
Input Section:
Input Impedance
Maximum Input Level
CMRR
Output section:
Output Impedance
Maximum Output Level
Filters:
HP filter
LF contour
HF contour
Frequency bands
General Performance
Frequency Response
Noise
Dynamic Range
Cross Talk
Distortion
Gain control
Power and Dimensions:
AC Power
Dimensions
Weight
INPUT 2
OUTPUT 2
INPUT 2
10kΩ, electronically balanced
>+20dBu
>-40dB @1kHz
<50Ω, electronically balanced
>+20dBu into 600Ω
OUT to 250Hz @ 12dB/octave
±6dB shelving @ 50Hz 6dB/octave
±6dB shelving @ 14kHz 6db/octave
±15dB on ISO centers with a Q of 4
5Hz to 45kHz ±1dB
<-94dBu 22Hz to 22kHz
> 115dB
>-80dB @1kHz
<0.005%THD (80kHz measurement BW) 20Hz-20kHz
+10dB to ∞
115/230V AC, 50/60Hz, 30VA
19" x 5.25" x 7.1" / 483mm x 134mm x 180mm
6.6lbs / 3kgs
FDS-Series – Loudspeaker Management Systems
| FDS-366T, FDS-336T and FDS-334T
FDS-Series
INPUTS
FLOATING BALANCED OUTPUTS
CONTROLLER INTERFACES
RS232
FDS-334T
(rear diagram)
MIDI OUT
MIDI THRU
3
4
MIDI IN
2
1
B
A
INPUTS
FLOATING BALANCED OUTPUTS
CONTROLLER INTERFACES
RS232
FDS-336T
(rear diagram)
MIDI OUT
100-240VAC ~
50/60Hz 35VA
MIDI THRU
MIDI IN
6
5
4
2
3
1
FLOATING BALANCED OUTPUTS
FDS-366T
(rear diagram)
100-240VAC ~ 50/60Hz 35VA
RS485
RS485
RS232
PROGRAM SELECT
FDS-366T
Input Section:
Input Impedance
10kΩ, electronically balanced
Maximum Input Level
+20dBu
CMRR
>50dB 30Hz-20kHz
Input gain
+/-15dB variable in 0.1dB steps
Input Connector
XLR-3F
AES/EBU Interface:
Input Sample Rate
44.1kHz, 48kHz, 88.2kHz, 96kHz
Output Section:
Output Impedance
<50Ω, electronically balanced and floating
Maximum Output Level
+20dBu into 600Ω or greater
Output Gain ±21dB, variable in 0.1dB steps
Output Connector
XLR-3M. transformer Balancing optional
Crossover Filters:
Slopes
6, 12, 18, 24, 36, 48 or 52dB per octave
(Filter type dependant)
Type
WHISEWORKS–NTM™, Bessel, Butterworth, or LinkwitzRiley
Delays:
Available on Inputs
A, B, and C
Outputs
1, 2, 3, 4, 5, 6
Delay step
11 microseconds minimum
Max Delay time
2.6 seconds
EQ:
Max number of EQ filters
> 50 depending on crossover slopes
EQ Type
Parametric, Bell or shelving on any filter
EQ Gain
±15dB, variable in 0.2dB steps
Bandwidth
0.05 to 3 octaves, variable in 0.05 steps
EQ frequency
15Hz to 20kHz
Dynamic slope
2:1 to 20:1 (dynamic EQs only)
General Performance (filters out)
Frequency response
10Hz - 20kHz, ±0.25dB 10Hz - 40kHz, +/-2dB
Dynamic range
>112dB, unweighted 22Hz to 22kHz, >117dB when AES/
EBU inputs used
Channel Separation
>80dB, 30Hz-20kHz
Distortion (THD)
<0.005%, 20Hz - 20kHz @+10dBu output
Power and Dimensions
AC Power
90V-264V AC, 50/60Hz, 30VA
Dimensions
19” x 1.75” x 11.5” / 483mm x 45mm x 292mm
Weight
8.4lbs / 3.8kgs
MIDI OUT
MIDI IN
6
MINIDRIVE
Inputs
Max Level
Input Impedance
Outputs
FDS-336T
FDS-334T
Max Output Level
Output Impedance
General Performance:
Dynamic Range
Frequency Response
Distortion (THD)
Audio Sample Rate
Channel Separation
A/D & D/A Conversion:
Crossover Filters:
FDS-334T
FDS-336T
Crossover Slopes
Limiters:
Mid-filter
EQ:
Up to 38 bands of EQ
Type
Frequency range
Delay:
Delay Time
Delay Time Resolution
Delay Units
Power and Dimensions
Power Requirements
Power Consumption
Dimensions (HxWxD):
Weight (shipping)
5
4
3
2
1
C/MIC
B
A
LANCED
INPUTS
B
A/AES
+20dBu
10kΩ, electronically balanced
6 channels
4 channels
+20dBu, into 600Ω, electronically balanced
47Ω
>108dB unweighted 22Hz-22kHz
< ±0.25dB, 15Hz-20kHz with filters out
< 0.01%, 20Hz-20kHz @ +10dBu input level
48kHz
> 80dB, 20Hz-20kHz
24-bit, input and output
Mono 4-way, stereo 2-way
Mono 6-way, stereo 3-way, stereo 2-way with A+B sum
2-way, any combination of 2 inputs to up to 6 outputs
with individual passbands
Bessel, 12 & 24dB/octave; Linkwitz-Riley, 12, 24 or
48dB/octave; Butterworth, 6, 12, 18, 24 or 48dB/octave;
WHISEWORKS-NTM, 36 & 52dB/octave
2-stage limiters with threshold of -10 to +20dBu
Dependent upon used crossovers slopes.
High and Low shelving at 6dB or 12dB/octave or fully
parametric with bandwidth of 0.05 to 3.0 octaves
15Hz to 16kHz, gain of ±15dB in 0.5 dB steps
635ms maximum delay on each input to output path
21μs steps
Milliseconds, meters, feet or frames per second
50/60Hz, 90V-264V
< 30VA
1.75" x 19" x 8"
44.4mm x 483mm x 203mm
6.2 lbs / 2.8 kg
AR-133 – Active DI Box/Line Balancer
AR-133
Section:
Input
Max Input Level
Connectors
Output Section:
Output Transformer
Connector
1MΩ (pad at 0dB), 47kΩ (pad at -20dB),
47kΩ (pad at -40dB)
+9dBu (pad at 0dB), +29dBu (pad at -20dB),
+49dBu (pad at -40dB)
Two Parallel ¼" jacks, parallel XLR connector
(unbalanced)
Max Output Level +8dBu into 600Ω or greater
XLR3-32
General Performance:
Distortion (THD)
< 0.005% at 1kHz, 0dBu output
Noise
<-105dB unweighted, 22Hz-22kHz*
Frequency
30Hz to 20kHz, +0dB/-1dB
Power and Dimensions
Main/Standby Power
9 volt PP3 type, battery preferably alkaline
Current drain phantom:
<7.5mA; battery: <2mA
Phantom Power
+20 volts DC to +48 volts DC
Dimensions
2.3" x 4.9" x 5.6" / 59 mm x 124 mm x 143 mm
Weight
1.4 lbs / 650 gms, excluding batteries
* Noise measured relative to maximum output.
BSS Audio
23
Product Specifications:
DPR-Series – Signal Processors
DPR-Series
| DPR-504, DPR-404 and DPR-402
OUTPUT - BALANCED - INPUT
MAINS
POWER
CHANNEL 4
OUTPUT - BALANCED - INPUT
CHANNEL 3
EXTERNAL
S.C. INPUT
DPR-504/DPR-404
220
(rear diagram)
DPR-402
DPR-504
Input Section:
Impedance
Max Input Level
CMRR
Connector
Output Section:
Impedance
Max Output Level
Connector
Range
System Performance:
Frequency Response
Ultrasonic low pass filter
Noise
Maximum attenuation
Distortion (THD)
SMPTE IM
Crosstalk
Operating Controls:
Key Filter Frequency
Key Filter Width
Key Source
Threshold
Attack
Release
Link
Power and Dimensions:
AC Power
Dimensions
Weight (Shipping)
DPR-402
Input Section:
Impedance
Max Input Level
CMRR
Connector
Output Section:
Impedance
Max Output Level
Output Gain
Connector
General Performance:
Frequency
Ultrasonic Response Filter
Noise
Distortion
IMD 0.01% SMPTE
Crosstalk
Compressor:
Threshold
Ratio
Max VCA Range
Attack Time
24
CHANNEL 1
OUTPUT - BALANCED - INPUT
EXTERNAL
S.C. INPUT
EXTERNAL
S.C. INPUT
SELECT
VOLTAGE
ON
FAST
(rear diagram)
CHANNEL 2
OUTPUT - BALANCED - INPUT
EXTERNAL
S.C. INPUT
OUTPUT
CHANNEL 2
INPUTS WIRED:
OUTPUTS WIRED:
INPUT
1=O/C 2=COLD 3=HOT (BAL
1=EARTH 2=EARTH 3=HOT (LINBAL)
OFF
FAST
REFER TO MANUAL FOR OTHER CONFIGURATIONS
SLOW
ON
STEREO LINK
+1dB, 20Hz to 20kHz
3dB at 32kHz
(Measured to CCIR 4682 Zero attenuation) <-86dBu
<-90dBu
<0.005%, 20Hz to 20kHz
<.002%
>90dB 20Hz to 20kHz
Variable between 30Hz and 15kHz center
Variable between 0.5 and 10 octaves
Internal or External, via rear panel ¼"TRS jack
Variable between +20dBu and 50dBu
Audio attack switchable FAST (20μs) or AUTO (40μs 5ms
Program-dependant)
Combined Hold/Release function is variable 1ms to 3 sec
Hold period tracks proportionally with Release
Stereo linkable in pairs 1 & 2 and 3 & 4;
Channels 1 and 3 become masters
Switched 120/240V +10% 20% 50/60Hz.
19" x 1.75" x 11" / 482mm x 44mm x 282mm
11 lbs / 5kg
10kΩ, electronically balanced
+20dBu
>-50dB 30Hz-20Hz
XLR3-31
< 1 Ohm, unbalanced, current limited
+20dBu into 600Ω
+20dB continuously variable
XLR3-32
+1dB 25Hz-20kHz
[email protected] 30kHz
(E.I.N.) -86dBu 22Hz-22kHz, -82dBu CCIR weighted
(THD) Unity gain, +10 dBu output,
below threshold, 0.03% 20Hz-20kHz
10 dB compression. Threshold 0dBu
<-85dB 20Hz-20kHz
-30 to +20dBu continuously variable
1:1 continuously variable to ∞:1
30dBu
11 steps, 50s-80ms
BSS Audio - Full-line Catalog
INPUT
1=O/C 2=COLD 3=HOT (BAL
1=EARTH 2=EARTH 3=HOT (LINBAL)
SLOW
PEAK LIM
Release Time
Auto Time Constant
600Ω, balanced and floating to drive
+20dBu into 600Ω load
XLR3-32
Switchable attenuation between 70dB and 20dB
CHANNEL 2
INPUTS WIRED:
OUTPUTS WIRED:
REFER TO MANUAL FOR OTHER CONFIGURATIONS
PEAK LIM
Balanced 12kΩ differential
+20dBu
>50dB, 20Hz-20kHz
XLR3-31
OUTPUT
De-esser:
Threshold
Ratio
Frequency Range
Peak Limiter:
Threshold Range
Ratio
Attack Time
Release Time
Power and Dimensions
AC Power
Dimensions
Weight
DPR-404
Input Section
Impedance
Max Input Level
CMRR
Connector
Output Section
Impedance
Max Output Level
Connector
General Performance
Frequency Response
Ultrasonic Low Pass Filter
Noise
Distortion (THD)
SMPTE IM
Crosstalk
Operating Controls:
De-Ess Frequency
De-Ess Threshold
Threshold
Ratio
Limit
Attack
Release
Gain
Link
Power and Dimensions
Dimension
Weight
AC Power
10 steps 5ms to 5s and AUTO
Two part program-dependent time constant. Typical
attack time is 200s on fast transients, release time 10ms
for 63% recovery from a 10dB 4ms response, and 1 sec for
a 10dB 40ms response
-30 to +20 dBu continuously variable
Infinite, at and above twice the set frequency
800Hz to 15kHz continuously variable
+4dBv to +20dBu continuously variable
20:1
Fast setting 150s, Slow setting 750s
Fast setting 100ms, Slow setting 500ms
120-220V +105-20% 50/60Hz 15VA.
19" x 1-7.5" x 9" / 482mm x 44mm x 228mm
10 lbs / 4.5kg
Balanced 12kΩ differential
+20dBu
>50dB, 20Hz-20Khz
XLR3-31
Balanced and floating to ,drive 600Ω loads
+20dBu / 600Ω load
XLR3-32
+1dB, 20Khz
3db at 32kHz
<-86dBu measured to CCIR 4682
<0.05%, 20Hz to 20kHz
<0.02%
<90dB, 20Hz-20kHz
Variable from 10kHz to10kHz, dynamic HF shelf turnover
frequency
Variable from +20dBu to 30dBu, independent of
compressor/limiter settings
Variable between +20dBu and 30dBu
Variable from 1:1 to ∞:1
progressive soft to hard knee characteristic
Program dependent, auto time constant. Nominal
200microsec (30ms FAST) for 10% response, and nominal
2ms (300ms FAST) for 63% response.
Program dependant, 2 part auto time constant. Nominal
10ms (2ms FAST) to 63% recovery after 4ms overdrive
10db above threshold, and nominal 1s (300ms FAST) to
63% recovery after 40ms overdrive 10dB above threshold
Variable from 20dB to +20dB
Stereo linkable in pairs 1 & 2 and 3 and 4. Channels 1
and 3 become masters
19" x 1.75" x 11" / 482mm x 44mm x 282mm
11 lbs / 5kg
Switched 120/240V +10% 20% 50/60Hz
MSR-602 II/MSR-604 II – Active Signal Distribution System
DC POWER
DC FUSES
MAXIMUM LOAD TEN MSR-604 II UNITS
MSR-602 II
LOOP OUT
+ 48V
+ 27V
SYSTEM GROUND
- 27V
LOOP RETURN
DC CONNECTOR
SHOCK HAZARD
REMOVE AC CORD
BEFORE REMOVING COVERS
FOR SAFETY AND FOR MORE FREE OPERATION
REFER TO USER MANUAL BEFORE SETTING
SYSTEM GROUND SWITCH
LIFTED
240
MSR Series
EARTHED
(rear diagram)
ON
THIS EQUIPMENT
MUST BE EARTHED
SELECT VOLTAGE
CHANNEL 3
CHANNEL 4
INPUT
MAIN OUT
MON OUT
INPUT
MAIN OUT
AC FUSE
CHANNEL 2
MON OUT
INPUT
MAIN OUT
AC MAINS SUPPLY
AC ~ 30/60Hz
CHANNEL 1
MON OUT
INPUT
MAIN OUT
MON OUT
POWER SUPPLY ONLY
MSR-604 II
LOOP OUT
(rear diagram)
MSR-602 II
Power:
AC Input
90130/180-260 VAC 50/60Hz @ 150VA
Connector
3 pin IEC with locking clip
Voltage Selector
Rear panel: 120/240V
DC Outputs
+27V unregulated @ 4A max: low ripple
-27V unregulated @ 4A max: low ripple
48V +/-5% regulated @ 500mA max
System Ground Lift
Rear panel: Slide switch
Level Metering and Monitoring:
Indicators
3 LED’s, post fuse, on +27, -27 and +48V outputs
Headroom Meter
Via LISTEN bus and MSR-604 II
LISTEN switch (momentary) six point LED meter: 0, -1, -3, -6, -12, -26dB
Reference clip input: via DC loop out connector
Headphone Meter
Via LISTEN bus and MSR-604II
LISTEN switch
Input: via DC loop out connector
Connector: Stereo Mono ¼" Jack socket
Load Impedance: 4Ω to 600Ω
Maximum Output: 4Ω: 860mΩ RMS
Level Control
Continously variable -90 to 0dB
Headroom
>MSR-604 II Channel clip
MSR-604 II
Input Section:
Impedance
Mic
Line
Max. Input Level
Input CMMR
Connector
Phantom Power
Outputs:
Impedance
Connectors
electronically balanced
2kΩ
10kΩ
Mic +13dBu
Line +33dBu
>90dB @ 1kHz, >75dB 50Hz-10kHz
XLR3-31
48VDC
+3 out - <23Ω, +31 out - 71Ω, +23 out - 100Ω
XLR3-32
Maximum Output Levels
Max Load
Outputs
Impedance
Max Output Level
Max Load
Isolation
Gain Functions:
Gain
Gain Switch
Mic/Line Pad
Remote Pad
Output Scaling
System Performance:
Frequency Response
Noise (E.I.N.)
+3dBu / +13dBu / +23dBu internally preset
+3 out - 200Ω, +13out & +23 out 600Ω
Feeds, one and two, Transformer-balanced
Main (F.O.H.) & monitor, electronically balanced
<50Ω
+3 dBm
600Ω
2.5K VAC RMS
-40dB to +50dB
-10, 0, 10, 20, 30 via panel
0 / -20dB via panel
0 / -10dB via F.O.H. phantom
+20 / +10 / 0dB via internal jumper blocks
<±0.5dB 20Hz -20kHz
-10dB Gain <-114dBu, 0dB Gain <-121dBu,
10dB Gain <-124dBu, 20dB Gain <-125dBu,
30dB Gain <-126dBu
<0.01% 20Hz – 20kHz @ 10dB below clip
Distortion (THD)
Level Metering and Monitoring:
Channel
Clip LED @ 1dB below clip
Headroom Meter
On MSR-602 II PSU 6-point LED Meter -1, -3, -6, -12, -12,
-26dB via LISTEN switch (momentary)
Headphone Monitor On MSR-602 II PSU via LISTEN switch (momentary)
Stereo/Mono
¼" jack socket
Load Impedance
4Ω to 600Ω
Maximum Output
1 ohm RMS
Level Control
-90dB to 0dB
Power and Dimensions
Power Requirements
±27V DC, +48VDC from MSR-602 II PSU only
Dimensions
1.75" x 19" x 11.6" / 44mm x 482mm x 293mm
Weight
8.4 lbs / 3.8kg
PS-8810 – Digital Processor/Mixer
PS-8810
Audio Inputs and Outputs:
Connectors
Phantom Power Voltage
Input Gain Range
Maximum Input Level
Input Impedance
Output Impedance
Max. Output Level
Digital Sampling
General Performance:
Dynamic Range
Frequency Response
CMMR
Crosstalk
Distortion (THD)
RS232 Connector
Data Communication Rate
IQ Bus:
Connectors
Data Format
Data Communication Rate
Data Format
3-pin male removable barrier block connectors,
Euro-style cable connector supplied
+24VDC at 10mA
+20dB to –12dB
+32dBu (line) or +7dBu (mic)
20kΩ balanced, 10kΩ unbalanced
100Ω balanced, 50Ω unbalanced
+20dBu
24-bit, 48kHz
>100dB (A-weighted, 20Hz-20KHz)
± 0.5dB, 20Hz-20kHz
50dB at 60Hz (typical)
<80dB at 10kHz
<0.05% THD + N (1kHz, 0dBu)
DB9F computer interface for both component and
interace models
Selectable to 19.2K, 38.4K, 57.6K, or 115.2K Baud
RJ-45 for input/output, RJ-45 for daisy output
Serial, binary, asynchronous; 1 start bit; 1 stop bit;
8 data bits; no parity
38.4K Baud
Serial, binary, asynchronous; 1 start bit; 1 stop bit;
8 data bits; no parity
Interface Type
Operation
Distance
Control Port:
Connector
Power Supply
Outputs:
Logic Low
Logic High
Inputs:
Input Impedance
Logic Low
Logic High
Analog Range
Maximum Input Voltage
Power and Dimensions:
AC Power
Dimensions
Weight
Optically isolated 20mA current loop
Half-duplex transmission
Variable from 200 to 3000 feet /61 to 914 meters,
depending upon wire capacitance. Typically 1000 feet
(305 meters) using shielded twisted-pair wire, #26 AWG
or larger. Extendable with an IQ Repeater
DB37M for analog inputs, digital inputs, digital outputs,
+5VDC, +10VDC and Ground
+5VDC and +10VDC Outputs provided.
Total output current limited to 1A
<0.1V
10V (via internal pull-up) Output Current is limited to
10mA max. per pin
>50kΩ
<0.5V
>5V
0 to 10V (for inputs 9-16 only)
25V
100VAC to 240VAC, 24VA nominal
19"/483mm standard rack mount width (EIA RS-310-B),
16"/406mm) depth behind mounting surface, and 2U
high (3.5"/8.9mm)
13.25 lbs / 6.1 kg
BSS Audio
25
Professional Audio Signal Processing
and Distribution Equipment
8760 S. Sandy Parkway, Sandy, Utah 84070, USA
tel: +1 (801) 566-8800, Fax: +1 (801) 568-7662
bssaudio.com
PN: ZL-10033
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