Fishman Aura Sixteen User manual
Fishman Aura Sixteen is an acoustic imaging pedal that uses digital algorithms to restore a studio-miked sound to an acoustic instrument. It features 16 pre-loaded Images recorded using popular dreadnought guitars, with an option to download additional Images from the Aura Image Gallery software. The pedal offers controls for volume, select, blend, phase, and a foot switch for bypass or mute. It can be powered by a 9V battery or an AC adapter.
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www.fishman.com
USER GUIDE
AURA
®
SIXTEEN
Welcome
Thank you for making Fishman a part of your acoustic experience. We are proud to offer you the fi nest acoustic amplifi cation products available; high-quality professional-grade tools to empower you to sound your very best. We are confi dent Aura Sixteen will both enhance and inspire your music making.
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Quick Start
Power – Install a 9V alkaline or lithium battery (not included).
Set the controls – Volume at minimum, select at #1 and blend at its mid-point.
Plug in – Use standard ¼-inch shielded instrument cables. Place any other pedals after Aura Sixteen.
Set trim – Play hard and adjust input trim (right side) so clip/batt LED fl ashes occasionally.
Select an Image – Raise the volume and audition the 16 Images with the select knob. Since Aura Sixteen ships with dreadnought Images, it’s important to use a dreadnought style guitar or see page 12 on downloading Images for your instrument.
Blend to taste – turn left for more pickup and right for more Image.
Kill feedback – If feedback starts, change the position of the phase switch.
Bypass – Step on the foot switch to alternate between blended Image sound and dry pickup (this is the default setting).
Mute – To alternate between blended Image sound and mute, hold the foot switch down until the LED fl ashes. Repeat to return to bypass.
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What is Aura?
Aura Acoustic Imaging Technology uses digital algorithms developed in
Fishman’s audio laboratories to restore a studio-miked sound to an acoustic instrument. To achieve this, we record instruments using worldclass microphones and techniques to capture an “Image” of the natural sound that your acoustic instrument emits when miked in a professional studio. This Image, when recorded direct or played through an amp, mixer or PA, blends with your instrument’s pickup to produce an incredibly accurate recreation of the original recording.
Aura Acoustic Imaging processors sound best when used with Fishman undersaddle pickups and magnetic soundhole pickups. When we record each instrument, we use our Acoustic Matrix undersaddle pickup. So, when you play through an Aura processor, you’ll get the best results using our Acoustic Matrix pickup. We do not recommend soundboard-mounted pickups, bridge-plate pickups, multi-sensor pickups or microphones for
Aura products since they include unnecessary resonances that can interfere with the Aura processing.
Choosing an Image
To get the most realistic tone from Aura Acoustic Imaging, you should
always match your Images with the instrument type you’re playing. For example, choose dreadnought Images when plugging in a dreadnought body style guitar; choose mandolin Images if you’re playing a mandolin.
Don’t hope to derive a mandolin sound from a dreadnought or try to turn your orchestra body style guitar into a 12-string. If you are not sure which body type your guitar falls into, we suggest you audition several Images from using the search tools in the Aura Image Gallery and let your ears decide. See page 12 for details on Downloading Images.
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Aura Custom Shop
For the ultimate in Aura Imaging, be sure to check out the Aura Custom
Shop at fi shman.com. For a modest fee, you send us your instrument and we’ll create a set of Images using our best microphones, custom recorded for you.
Aura Image Gallery
The Aura Image Gallery software manages a vast library of Images created from an ever-expanding list of instruments, and provides tools to search and store sets of Images. Browse the Image Library to fi nd your instrument, then drag and drop an Image into an Image Set for download into Aura Sixteen.
Making Connections
Playing live
For the best sound reproduction when performing live, connect your Aura
Sixteen to an acoustic instrument amp, PA system, powered monitor or other full-range system.
Going direct
For direct recording, there is no better solution than using Aura Sixteen.
In fact, an acoustic track recorded with just a pickup can be re-recorded using Aura to restore the miked sound.
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About the Images
Dreadnought
Aura Sixteen comes pre-loaded with 16 Images recorded using the most popular dreadnought guitars.
Be sure to check out the section on Downloading Images (pg. 12) from the Aura Image Gallery if you’re not playing a dreadnought style guitar.
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Image # Top Wood Back and Sides
1 Spruce Rosewood
2 Spruce Mahogany
3
4
5
Spruce
Spruce
Spruce
Rosewood
Rosewood
Rosewood
Spruce
Spruce
Spruce
Spruce
Spruce
Spruce
Rosewood
Rosewood
Rosewood
Rosewood
Rosewood
Mahogany
12
13
14
15
16
Spruce
Spruce
Rosewood
Rosewood
Composite Composite
Spruce
Spruce
Rosewood
Mahogany
Microphone Type
DPA ® 4011
Soundelux
Soundelux ® E47
Neumann ® KM84
Schoeps
Schoeps ® CMC64
Shure ® KSM141
Neumann
Neumann ® M147
Schoeps ® CMC64
AKG
DPA
®
Neumann
Neumann
®
Shure
® CMC64
C414
4011
Neumann
®
®
®
®
®
® E47
M147
U87
U87
M147
SM57
Fishman Transducers, Inc. is not affi liated with any of the forementioned companies or their respective trademarks, registered trademarks, product models or copyrights.
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Using effects
When using your Aura Sixteen with other effects devices, place the Aura
Sixteen fi rst in the chain after your guitar.
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Left Side Panel
Output
Use a standard ¼-inch instrument cable to connect the output to your amplifi er, mixer or effects devices. You can also connect this output to an unbalanced input on a recording system.
9VDC
Power may be supplied by either a 9V battery (battery compartment underneath the pedal) or the Fishman 910-R (for 110V). Insert a plug into the input jack, and Aura Sixteen powers up. To conserve the battery, remove the plug from the input when not in use.
The clip/batt indicator will light steadily when it is time to change the battery. When the clip/batt LED comes on you have approximately one hour of remaining battery life.
For AC power, use the Fishman 910-R (for 110V) or other suitable 9V adapter (see Specifi cations).
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Right Side Panel
Input
Plug in your instrument here with a standard ¼-inch instrument cable. If you have a passive undersaddle pickup (no battery onboard), always plug into Aura Sixteen fi rst, even if you use a pedal tuner.
Insert a plug into the input jack, and Aura Sixteen powers up. To conserve the battery, remove the plug from the input when not in use.
Trim
Raise or lower the trim to optimize the input level for your pickup. Play hard and adjust trim so clip/batt fl ashes occasionally. Some pickup systems may not cause the light to fl ash at all and other onboard preamps may require you to turn their output down to achieve an optimum level.
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Controls
Volume
For the cleanest signal, set the volume as high as possible without clipping the next device in the signal chain. If you hear distortion and the
clip/batt light is not fl ashing, reduce the volume.
Select
The 16 Images you can choose with the select knob are hand picked for a dreadnought body style guitar. Try all 16 and pick the ones that compliment your playing style and sound good in the room. For example, dark/deep sounding Images may add impact to a solo performance.
Brighter/lighter Images may compliment an ensemble. There are no rules; try them all and decide which works best for you.
Blend
Position the blend knob straight-up at 12 o’clock and you’ll hear a 50/50 mix of Image and pickup. Turn the blend all the way right for just Image; all the way more pickup more
Image left for just pickup. Most performers blend in some pickup with the Image for clarity and defi nition.
Suggestions
• For live performance try backing off the
Image by setting blend to about 10 or 11 o’clock or about 65% pickup. You won’t need too much Image blended in to achieve a great live sound. If feedback occurs, fl ip the phase switch.
• For recording, try blending in more Image for a realistic acoustic sound. Set the blend to taste. Again, you’ll often get good results with a little bit of pickup blended in with the Image for clarity and defi nition.
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Controls (continued)
Phase switch
Use the phase switch to improve bass response at low volume or to control feedback at high volume. Play your guitar and toggle the phase switch back and forth until you achieve the desired result.
Foot switch
Step on the foot switch to bypass the Aura effect. When you stomp, you’ll hear the dramatic difference between the Image blend and the dry pickup. When the light above the footswitch is on, the Image is active.
Note when the effect is bypassed, your guitar signal remains buffered.
Also, if the blend knob is set to 7 o’clock, you will hear no difference between active and bypass states.
Mute (optional mode)
You may set up the foot switch to alternate between the Image blend and muted output. To enable the mute option, hold the foot switch down until the LED fl ashes. Repeat to return to bypass.
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Downloading Images
The Aura Image Gallery software manages a vast library of Images created from an ever-expanding list of instruments, and provides tools to search and store sets of Images.
If you can’t fi nd your exact instrument in the list, use the built-in Image
Wizard to fi nd the closest match. For example, if one of our hundreds of
Images doesn’t match your instrument exactly, you can still fi nd a great sounding Image by matching similar tone woods and body styles.
Experiment with these tools, and use your ears to determine what sounds best for your playing or musical style.
To access this library of additional instrument Images, install the Aura
Image Gallery on your computer. Then, gently remove the USB cover from the right side of the unit and connect the included USB cable to the side of the preamp and your computer. Create a new Image Set and load your Images into Aura Sixteen
Be sure to install the Aura Image Gallery software prior to connecting
Aura Sixteen for the fi rst time.
USB mini jack
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Specifi cations
Input impedance:
Input trim gain range:
10M Ohm
-10dB to +2dB
Nominal Output impedance: 3.5k Ohm
Max. Output level (onset of clipping): +2.4dBV
Digital signal path:
A/D, D/A conversion:
Signal processing:
Baseline noise:
Dynamic range:
24-bit
32-bit
-92dBV (A-weighted)
94dB (A-weighted)
Power supply: 9V battery or 9VDC adapter
Typical in-use current consumption: 18mA
Typical 9V battery life: 27 hours using alkaline battery
54 hours using lithium battery)
9V adapter (optional): Fishman 910-R (for 110V) or suitable fi ltered & regulated,
200mA type, tip = negative
5.5mm O.D., 2mm I.D.
Phase switch: Left position = non-inverting
All specifi cations subject to change without notice
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www.fi shman.com
Fishman and Fishman Transducers are trademarks or tradenames of Fishman Transducers Inc. 513-300-162 Rev A, 1-10

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