Yamaha | YDSP-1 | Owner's Manual | Yamaha YDSP-1 Owner's manual

Yamaha YDSP-1 Owner's manual
 @ After unpacking, check that the following parts
are contained.
SUPPLIED ACCESSOR
Mounting hardware
Magic fastener
4 5m extension cable “or | хо
5x16 tapping hex screw
with washer x4
Power cords
a M2x5 screw x4
al M5x8 screw x4
M5x8 hex screw with
washer x4
Thank you for purchasing the YAMAHA YDSP-1 Digital Sound Field Processor
e 8 preset DSP programs and 4 preset digital
EQ programs
® Adjustable DSP/EQ parameters for creating
your original programs
e 12 user programmable areas (8 for DSP and
4 for EQ)
@ Selectable 3 acoustic modes for vehicle's
interior
e Selectable 5 modes for speaker output and
phase balance adjustment according to
seating condition
e 9-band digital graphic equalizer (EQ)
e Separate configuration (main and control
sections) for easy installation
® 2 extra subwoofer terminals
® Selectable high frequency (80/130Hz) cutoff
points for subwoofer output
® Test tone generator for easier speaker
output balance adjustment
E CONNECTIONS
IMPORTANT! improper connections and
installation can damage the unit. Please read
the installation instructions thoroughly before
installing or connecting.
EB FUSES (2A rush resistant)
If a fuse has blown (no wire visible in the glass
vial), first check if all connections are correct
and the car's electrical system is operating
properly. Replace ONLY with a fuse of the
designated rating. If the fuse blows again,
contact your nearest YAMAHA dealer or an
authorized YAMAHA service center.
E OPERATING TEMPERATURE
Extreme hot or cold indoor car temperature
levels (parking in direct sunlight, snow, etc.)
may result in malfunction. if this condition
occurs, turn the unit off and allow the car's
interior temperature to acclimate to a moderate
level before use.
Note on temperature
To protect the display, the illumination becomes
darker at high temperature. Whenthe
temperature lowers, the illumination becomes
normal.
E POWER INTERRUPTION
The unit has presets. This feature requires a
constant power supply to retain their memories.
If the car's power supply is interrupted for a
long time (battery change, engine repair, etc.),
the preset memories may be cleared. In this
case, please reprogram them into memory as
necessary.
NOISE INTERFERENCE
If the noise from another unit (Car receiver, Car
tuner, etc.) is noticeable, change the location of
this unit so that the noise is minimized.
ATTENTION
This sophisticated unit will enable the user to
adjust various parameters of the soundfieids
and digital equalizer settings, allowing itto
be tailored to the particular installation and
owners taste. To prevent a traffic accident,
THESE ADJUSTMENTS SHOULD ONLY BE
PERFORMED WHILE THE VEHICLE IS
STATIONARY. Once these setup adjustments
have been completed, they may be stored in
user memory for use while driving. Do not
attempt altering any DSP settings while
operating a moving vehicle.
WARNING
To prevent fire or shock hazard, do not
expose this appliance to rain or moisture.
FCC INFORMATION (U.S.A)
1. IMPORTANT NOTICE : DO NOT MODIF
THIS UNIT!
This product, when installed as indicated in
the instructions contained in this manual,
meets FCC requirements. Modifications not
expressly approved by Yamaha may void
your authority, granted by the FCC, to use
the product.
2. IMPORTANT : When connecting this pro-
duct to accessories and/or another product
use only high quality shielded cables.
Cable/s supplied with this product MUST be
used. Follow all installation instructions.
Failure to follow instructions could void your
FCC authorization to use this product in the
USA.
3. NOTE : This product has been tested and
in FCC Regulations, Part 15 for Class “B”
digital devices. Compliance with these
requirements provides a reasonable level of
assurance that your use of this product in a
residential environment will not result in
harmful interference with other electronic
devices.
found to comply with the requirements listed |
This equipment generates/uses radio
frequencies and, if not installed and used
according to the instructions found in the
users manual, may cause interference
harmful to the operation of other electronic
devices.
Compliance with FCC regulations does not
guarantee that interference will not occur in
all installations. If this product is found to be
the source of interference, which can be
determined by turning the unit “OFF” and
“ON”, please try to eliminate the probiem by
using one of the following measures: |
Relocate either this product or the device
that is being affected by the interference.
Utilize power outlets that are on different
branch (circuit breaker or fuse) circuits or
install AC line filter/s, |
In the case of radio or TV interference,
relocate/reorient the antenna. If the antenna
lead-in is 300 ohm ribbon lead, change the
lead-in to co-axial type cable.
If these corrective measures do not produce
satisfactory results, please contact the local
retailer authorized to distribute this type of
product. If you can not locate the
appropriate fetailer, please contact Yamaha
Electronics Corp., U.S.A. 6722
Orangethorpe Ave, Buena Park, CA 90620.
The above statements apply ONLY to those
products distributed by Yamaha Corporation
of America or its subsidiaries.
WARNING: CHEMICAL CONTENT NOTICE!
The solder used in the manufacture of this
product contains LEAD. in addition, the
electrical/electronic and/or plastic (where
applicable) components may also contain
traces of chemicals found by the California
Health and Welfare Agency (and possibly other
entities) to cause cancer and/or birth defects or
other reproductive harm.
DO NOT REMOVE ANY ENCLOSURE
COMPONENTS!
There are no user serviceable parts inside. All
service should be performed by a service
representative authorized by Yamaha to
perform such service.
4 |
IMPORTANT MESSAGE: Yamaha sirves to
produce products that are both user safe and
environmentally “friendiy”. We sincerely believe
“that our products meet these goals. However,
in keeping with both the spirit and the letter of
various statutes we have included the
preceding messages and others in various
locations in this manual.
What is it that makes live music so good? Today's advanced sound reproduction technology lets you get
extremely close to the sound of a live performance, but chances are you'll still notice something
missing, the acoustic environment of the live concert hall. Extensive research into the exact nature of the
sonic reflections that create the ambience of a large hall has made it possible for Yamaha engineers to
bring you this same sound in your own listening room, so you'll feel all the sound of a live concert.
What's more, our technicians, armed with sophisticated measuring equipment, have even made it
possible to capture the acoustics of a variety of actual concert halls, jazz clubs, theaters, etc. from
around the world, to allow you to accurately recreate one of a large variety of actual live performance
environments, all in your own listening space.
The basic theory and principles governing car-use DSP are the same as those that underlie home audio
use DSP. However, a different operational process is necessary to achieve an effective sound field in the
car environment. Employing a new kind of processing system, this unit derive an impressive audio
performance for in-car listening while creating a sound field effect with surperb presence and depth.
SETTING UP YOUR SPEAKER SYSTEM
You can enjoy various excellent acoustic environments by using the conventional 4-speaker system that
currently forms the main trend among car audio enthusiasts, thus eliminating the need to install special
effect speakers.
Front speakers and rear speakers are both used for reproducing source (main) sound and effect sound
(to characterize sound reflections, reverberations, etc.). As for the concept of the DSP for home use, the
rear speakers are for effect sound only. However, for car audio use, we considered that the rear
speakers should be used for reproducing both source (main) and effect sounds. The reason for this
idea is that, though source (main) sound must be reproduced through a higher graded speaker system
to maintain the whole sound quality, as the main trend of four speaker system setting up for car audio,
the higher graded speaker system is usually used for the rear speakers (not for the front speakers).
In addition, this unit is designed to allow you to select whether to reproduce source (main) sound
through the rear speakers or not. Furthermore, you can adjust the mixing rate of source (main) sound
with effect sound at the rear speaker at will.
Front speakers
Rear speakers
This unit consists of a main unit and a commander unit. Both of the units need to be installed on the
proper locations. Refer to the following instructions on their installation.
Before Installation
1. Be sure to remove the ground cable from the negative (-) terminal of the car battery to prevent
accidental short-circuit during installation.
2. Check whether the provided mounting screws are complete.
- 3. Avoid the locations shown below:
e Locations which can be subject to splashes of water, such as on the car floor i in the vicinity of a
door.
Locations in the driver's legroom area which can pose a hazard to driving safety.
Locations subject to hot air flow such as in the vicinity of heating outlets.
® Locations which obstruct heat dissipation of the unit, such as in the glove compartment or under
a floor mat, etc.
e Locations which are close to the car's antenna.
If an electronic ignition fuel injection or other microprocessor control unit is located inside the car,
mount the unit as far away as possible to avoid interference.
. Use the provided mounting screws and install the unit, referring to the illustration.
. If work on the car body, such as drilling holes etc., is necessary, consult your dealer,
. When installing the unit under a seat, make sure that it does not touch any part of the seat.
In car models where the antenna is mounted in the trunk, the unit should not be mounted inside the
trunk.
м оо ть
Install the unit under a seat or in the trunk by using the provided 5x16 tapping hex screws observing the
above.
Screw
(5x16)
Main unit
Screw O
(5x16) E,
Before Installation
1. Do not install the unit where it will be exposed to extreme temperatures, such as near the car heater,
air conditioner or in direct sunlight. Mount the unit where it will not interfere with your driving nor be
subject to excessive vibration and dust.
2. There are two ways, and [В] to install the commander unit as shown below.
3. Read the CAUTION LABEL attached on the commander unit to select the proper installation position.
Installation by Attaching the Unit to the Dashboard
1.
Detach the sheets from the magic fasteners on one side.
2.
Attach the adhesive surface to the back of the
unit.
3.
Separate the sheets from the other side of the magic
fasteners.
4.
N Le Attach the unit onto the proper position of the
dashboard.
| |
> —
— * Refer to the CAUTION LABEL for proper
7 | | installation position.
installation by Inserting the Unit into the DIN-sized Hollowed Space of the
Dashboard
Notes
® Check whether the installation position has sufficient dimensions: width, depth, and height.
e Use the provided mounting hardware and install the unit, referring to the illustration. If work on the
car body, such as drilling holes etc., is necessary, consult your dealer.
1. Fix the commander unit to the mounting hardware by using the provided screws (M2x5).
Commander
unit
Mounting hardware
Screw (M2x5)
FIT | ==" | X Car dashboard
—
~~
Ё
3. Secure the component by using at least 4 screws (M5x8).
Sorew | Ч 3 | Screw
(M5x8) I | J = 200020000027 (M5x8)
“
~ J
lose)
|
4. Attach the frame and secure the unit to the dashboard.
Ш С [НН]
Dashboard _ | |
ooo |
sme >]
For Secure and Safe Connections
1. Before making any connection, be sure to remove the ground cable from the negative (-) terminal of
the car battery, to prevent accidental short-circuiting during connections.
2. After completing all connections, check once more for correctness, re-install all parts of the car in
their original position, and then reconnect the negative (=) terminal of the car battery.
3. After checking all connections, initialize the unit. (Refer to the page 12.)
When making connections between this unit and other components, be sure all connections are made
correctly, that is to say L (left) to L, R (right) to R. Also, refer to the owner's manual for each component
to be connected to this unit.
The commander unit
CENA reas aan mi reta vous 1
INPUT SOURCE
. (Car receiver,
Car CD tuner, etc.) .
To PRE QUT
terminals
SUCWGOFER
FRONT
REAR
© yO) Er
Email 5 8 | =X 7 |
EN @ EI ( = e A)
. | FILTER fo SELECT |
| To INPUT To INPUT To INPUT
terminals terminals terminals
POWER POWER POWER
AMPLIFIER AMPLIFIER AMPLIFIER
Subwoofer Front speakers Rear speakers
Notes
e If the provided connection cable between the commander unit and the main unit is too short in your
installation, use the provided 4.5m extension cable. |
e This unit provides two monaural output terminals for subwoofers, so allowing you to connect two
power amplifiers for driving subwoofers.
10
To obtain the best performance ef this unit, adjust the sound output control of the input source
as shown below.
Set the sound output control of the input source to about the half way position between the middle and
max. level. However, decrease the level if the sound is distorted, or increase the level if the sound is
output with noise.
* If you use YAMAHA YCDT-720, set its sound output level to the max. and then, press the volume
control (-) button four times.
SUBWOOFER SWITCH
By using this switch, you can adjust the bass range to be output
from the subwoofer output terminals to the subwoofer amplifier.
e 80Hz
Selecting this position sets the cutoff frequency of the
subwoofer at 80Hz.
The subwoofer output terminal outputs low-frequency sound of
80Hz and below,
® 130Hz MT
Selecting this position sets the cutoff frequency of the вон: 5 56 5 THaAU
subwoofer at 130Hz. 130Hz
The subwoofer output terminal outputs low-frequency sound of FILTER fo SELECT
130Hz and below. |
e THRU
The subwoofer output terminal outputs a full-range frequency -
sound.
Refer to the diagram for proper connections. Be sure to make good, well insulated connections.
Connect to the positive (+) terminal
which is always live.
Connect to a metal part on the
car body.
Black
Remote wire to the cassette receiver,
car CD tuner, etc.
Remote-Red Yellow
000 000000000
000 000000000
11
After the installation and c
onnection, initialize the unit as shown below.
hf
:
+
+
Arts 1 a
a 1
r
+
YAMAHA CHITA, FOUND FIELD FROCCEGÓN YOSP-CM
I 2 quee i
|
Disappears
after a while
FRONT/AIGHT
te 3
MOCE SCLCÈT
Press and hold by using the point
of a mechanical pencil, etc.
“This procedure is necessary
even after disappearing of
the "HELP!" message.
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The display changes as shown above.
Note |
For other functions of initializing, refer to the page 25.
12
FROMNT/ RIGHT
YAMAHA CISITAL SOUNO FIELO PROCEESOR YORBP-D1
ray,
DSP
/
PRESET
REAR/LEFT
Q
RESET
MOOE SELECT
La
AUDIO
Used for sound output level and balance
— adjustment. (See pages 19-21.)
@ RESET
Initializes the unit. (See pages 12 and 25.) *
POSITION |
Selects speaker output and phase balance
modes suitable for the seating condition.
(See page 17.)
DSP ON/OFF
Switches the digital sound field processor
(DSP) on/off. (See page 26.)
| ЕО ON/OFF
Switches the digital graphic equalizer (EQ)
on/off. (See page 26.)
Mutes the sound output level by 20dB. (See
page 25.)
DSP - EQ MODE SELECT
Select DSP/EQ programs or user program-
mable areas. (See pages 26-30, 37.)
den
5 6 А
E e
no
UTILITY — |
Selects four types of useful functions to
derive the best performance from this unit.
® Adjustment of the main sound mixing
level at rear speakers (See page 22.)
e Switching (on/off) of the main sound
mixing at rear speakers. (See page 23.)
Test tone generator (See pages 14 and
15.)
® Selection of acoustic modes suitable for
the vehicle's interior (See page 16.)
8
EDIT
Selects three types of editing mode.
@ Adjustment of effect sound level (See
page 24.)
9 Adjustment of DSP parameters (See
page 32.)
e Adjustment of EQ parameter (See page
36.)
{) MEMO (MEMORY) |
Used to store user's original programs. (See
pages 37 and 38.) |
P.SEL
Selects DSP/EQ parameters. (See pages
32 and 36.)
"a |
Used to change values for various
adjustments.
13
Using the built-in test tone generator, this procedure lets you adjust the sound output balance to the
best condition between the front, rear, left and right speakers. This is important for the best performance
of this unit.
Once performed, this adjustment will not be necessary. However, if you change any of the connected
components, speaker position, or your car itself, this adjustment should be performed again.
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POSTEA DSP EG REAR MIX
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1 Set the display as shown below. |
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POSITION DSP EG
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Start the test TONE. You will hear a test TONE sound from the left front speaker, then the right
front speaker, then the right rear speaker, then the left rear speaker and finally from all the
speakers simultaneously.
* When the test TONE sound output level is too high or low, first adjust the sound output level.
(Refer to the page 19 on how to adjust.) Then, return to the step 1 and start again.
4 All speakers >
Е |
Rear (L) = >. Front (L)
ed -
À Ÿ
Rear (R) E te ik Front (R)
_/
The indicator changes as shown above.
14
While the test TONE is being output from each speaker in turn, select the speaker to be
adjusted.
The indicator for the selected speaker flashes on
and off continuously.
At the same time, the test TONE comes to be
output only through the selected speaker.
By adjusting the INPUT LEVEL control of the power amplifiers, make the test TONE from each
selected speaker the same level.
* The position where you perform this procedure should be in the center of the car room.
Stop the test TONE.
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POSITION ОБР EG - REAR MIX
“ть
The display before these procedures
will be again re-displayed.
Notes
e Inthe step 3, instead of selecting each speaker mode in furn, selecting all speakers mode at the
same time may make the next adjustment easier.
In the most cases, you will use two power amplifiers; one for the front speakers, and another for the
rear speakers. If you adopt this configuration, the left and right speakers should be in a pair.
Because, in this configuration, it may not be possible to adjust the left-right balance of thersound —
output level,
If one of your power amplifiers can adjust its input level and another one can not, the step 4
procedure should be performed only by adjusting the adjustable one.
15
You can match the sound field to the acoustics of your vehicle's interior or speaker installation condition.
Once performed, this adjustment will not be necessary. However, if you change any of speaker units,
speaker positions, or your car itself, this adjustment should be performed again.
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The indicator changes as shown above.
TYPE-A ooo. Car with front speakers in the dash board.
TYPE-B e... Car with front speakers in the doors.
TYPE-C ovine Van type vehicle,
16
You can match the volume and phase balance setting only by selecting a current seating condition to
obtain the best possible performance. Note that “PREPARATION TO GAIN THE BEST CONDITION OF
SPEAKER OUTPUT BALANCE” and “PREPARATION TO MATCH THE SOUND FIELD TO YOUR CAR"
are necessary before this procedure.
This adjustment should be performed when the seating conditions are changed. At that time, you
de not have to stop the input source sound.
FRONT/RIBHT
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Select the desired position.
About 10 seconds after selecting the position,
when the display before these procedures is
again re-displayed, the setting is completed.
Flashes on |,
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Flashes on and off continuousiy for a while.
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17
You can enjoy the sound of the input source with the DSP and/or EQ effect after performing
“ADJUSTMENTS BEFORE OPERATION” procedures. Now, only you have to do is select your favorite
program and adjust the sound output level.
For details on the DSP/EQ programs, refer to the corresponding pages.
To select DSP and/or EQ programs
Refer to the pages 26 and 27.
Features of each program
Refer to the pages 28-30.
Furthermore, if you plan to realize the sound field closer to your ideal, refer to the corresponding part in
“USEFUL FUNCTIONS” and “CREATING YOUR OWN SOUND FIELDS”.
To create your own DSP and/or EG programs
Refer to the pages 31-36.
To siore your own programs
Refer to the pages 37 and 38.
18
00:09 cm —
UTILITY EQIT MEW
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FHOJHE sezosy Ï E
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ACOSET TERERE WERTE VESTE
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Changes on each press.
(Changeable range: 0 — — 76)
(Af minimum: ——-)
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To decrease the level.
Notes
e About 10 seconds later, the display before these procedures will be again re-displayed.
® Only following the step 2 can also adjust the sound output level except when the unit is showing the
"BAL" or “FAD” on the display.
Note on pressing the AUDIO bution
Note that the display changes as shown below when you press the AUDIO button repeatedly.
EU 30 |
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NEAR MX
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| eer Refer to the page 21 for details.
19
By using this adjustment, you will be able to compensate for sound imbalance caused by speaker
settings or listening conditions.
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YAMAHA DIGITAL SOUNO FISLC PROCESECA YOSP—-D1
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To raise the sound output proportion at the left and
e e Trans” 7 Í Former ET
FCSITICN OSPF ES | REAR ых
Adjust the right and left balance.
To raise the sound output proportion at the right and — —
lower the sound output proportion at the left. food fl | om, Li
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POSITION DSP EG REAR MIX A
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Display changes in this range.
(Max. value: 9)
lower the sound output proportion at the right.
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Display changes in this range.
(Max. value: 9)
- Note
20
About 10 seconds later, the display before these procedures will be again re-displayed.
By using this adjustment, you will be able to compensate for sound imbalance caused by speaker
settings or listening conditions.
DSP
/
YAMARA DCEGITAL EMO FIELO PACTERSOR Y OSP-C1
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7 Set the display as shown below
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EE REAR MIX
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Adjust the front and rear balance
To raise the sound output proportion at the front and "ЧЕТ a"
lower the sound output proportion at the rear. | PE EEE Pme ed
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To raise the sound output proportion at the rear and
lower the sound output proportion at the front.
FAIRE PRETAX SNIE
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Ml 7 # # ZE
SUB OBERE 5 ff
F ШЕЛ
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F ATNEUA
(Max, value: 9)
fou fut FU fi
Display changes in this range
+
7
F ,
EG
Display changes in this range
(Max. value: 9)
21
Note
About 10 seconds later, the display before these procedures will be again re-displayed
Taking the speaker setting of this unit into consideration, adjustment will be necessary to the mixing
level of the main sound with the effect sound on the rear speakers. By this adjustment, the mixing level
of the main sound with the effect sound can suit to your listening condition and taste.
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Should be illuminating.
The value changes.
(Max. value: 100)
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POSIFIEN DSP EQ REAR MIX
Notes
e After a while, the display before these procedures will be again re-displayed.
@ Inthe step 1, confirm whether the "REAR MIX” indicator is illuminating or not at the bottom of the
display. If not, follow the procedures on the next page.
© Note that only the display still shows the level value changes even when this adjustment is not
functioning.
22
To select use of the mixing level adjustor of the main sound on the rear
speakers.
if you prefer to use the main sound mixing level adjustor on the rear speakers, check the procedures
shown below are completed. If not, perform these procedures.
r
FROME YAMAHA CGAL SOUND FIELD PROCESSOR YDSP—C4
DSP
(A) 7
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Huminates.
Shows the mixing level
adjustment function
is ON.
Note
previous page.
If in the step 1, the “REAR MIX" indicator at the bottom of the display is already illuminating, pressing
the + or — button turns off this indicator. in this state, you can not perform the adjustment shown in the
23
You can adjust the output level of the effect sound {on activating DSP) at all speakers
pee RIGHT
r
En
YAMAHA DIGITAL EOUMD FIELO PROCESSION YosP-C1
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Adjust to the most appropriate level
To raise the level,
To lower the level.
Note
24
Changes.
(Changeable range: 0-100)
(Preset value: 50)
FET pen if
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POSITION
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DSP EQ REAR MEX
You cannot adjust the output level of the effect sound while the display shows the mode for adjusting
the DSP (or EQ) parameters. {Refer to the pages 32 and 36.)
You can attenuate the sound output level at all speakers oy 20dB when you are in a situation that its
level needs to be low for a moment.
OMT RIBHT
FA am, YAMAHA DIGITAL SOUND FIELD PADCESSCA — YDSP-C4
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POSITION DSP EG REAR MIX,
MOCE SELECT UTAJEY EDIT M0
Muting on | - " a F ANTUEa $ 7
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POSITION DSP EG — MUTE — REAR MIX
7 | N
Flashes on and off
continuously.
Muting off
This procedure is necessary in the cases shown below.
A) When trying to delete ali data you input.
В) When escaping the "HELP!" message.
(Refer to the “TROUBLE SHOOTING”. Note that all data you input will be deleted.)
,
IGH
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MODE SELECT
Press and hold by using the point of a mechanical pencil, etc..
25
This unit has 8 preset programs for digital sound field processing (DSP) from actual acoustic
environments from around the world, and 4 preset programs for graphic equalizer (EQ). You are allowed
to select one of them which match the music you are listening to, All programs consist of some
parameters that can be adjusted to provide an even wider range of sounds.
This unit also has 12 user programmable areas where you can store some DSP or EQ programs of your
own editing, 8 areas for digital sound field processing and 4 for graphic equalizer. Refer to other
sections for detailed information about editing your own programs. |
Pa
FRONT AIR
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1 Set on the digital sound field processor (DSP) and/or the graphic equalizer (EQ).
* If "DSP” (or “EQ”) has already illuminated, you do not have to press the button.
бе)
ee | |
POSITICN~— DSP —
NA :
7 | <
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POSITION — ED —
Se
> |
— PRESET — or N | A
7 — USER —
SANS
PRESET. Preset programs can be selected in this mode.
USER: User preset programs (or blank areas to be programmed) can be selected in this
mode.
26
Select a desired program by pressing the DSP1 or DSP2 button for DSP programs, and the EQ
button for EQ programs.
Each button will select one of four programs in turn whenever it is pressed.
In the PRESET mode In the USER preset mode
1 HALL | | USER1
J | J
2 CHAMBER USER?
o J
3 CHURCH - USER3
JL : |
4 STADIUM USER4
5JAZZ CLUB E USERS
$ J
6 ROCK CON USER6
J
7 DISCO | USER?
J J
8 THEATER — USERS
1 POPS — USERT
J J
2 VOCAL | USER?
J +
3 CLASSIC USER3
«À +
4FLAT — — USER4
Notes
e A DSP program and an EQ program can be selected together.
To do so, first select a DSP program, and next select an EQ program. If the order of selection is
reversed, only a DSP program is selected.
Also, you cannot select a preset program and a user preset program together.
e When you do not need any DSP (or EQ) effect, press the DSP (or EQ) button so that “DSP” (or "EQ™)
disappears from the display. |
Display information
| .
Ds
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@ 2 : f Joana Ésoaga Peces f ff f — E, —(@)
@ 8) 7 , Bd я / I
TSIEN POYSIS # O3 EH GASED ВЕЛННН О # | РЕННЯЕ —
1k Be 4x Hk 8k FAESET “| |
POSITION ose EQ REAR MIX |
. a+
(M Shows the name of selected program.
Shows the corresponding number(s) of selected program(s).
Shows whether the unit is in the PRESET mode or the USER preset mode.
27
SOUND FIELD PROGRAMS
The following list gives brief descriptions of the sound fields produced by each of the DSP programs.
Keep in mind that most of these are precise digital recreations of actual acoustic environments, and
furthermore, they are adjusted for car audio use. The data for them was recorded at the locations
described using sophisticated Yamaha digital sound field data acquisition equipment.
Note
The preset values change according as the selected vehicle interior type. (Refer to page 16.)
1. HALL This is a fairly common type of concert hall in Europe. It has
approximately 2500 seats and features a very beautiful (and
acoustically active) wood-panel interior. The overall sound is rich but
reserved,
Preset Parameter
TYPEA | TYPEB TYPE C
IN-DLY 50ms 45ms 45ms
REV-TIME 2.28 1.8s 1.8s
HIGH 0.9 0.7 0.7
2, CHAMBER This is the “chamber” that goes with “chamber music.” It is a large
regularly-shaped room with a high ceiling. A perfect environment for
small renaissance and classical ensembles.
Preset Parameter
TYPEA | TYPEB | TYPEC
IN-DLY 33ms 33ms 33ms
REV-TIME 1.8s 1.6s 1.0s
HIGH 1.0 0 1.0
3, CHURCH This program recreates the acoustic environment of a modern church
with a high pointed dome and columns along the sides. This interior
produces a very few primary reflections.
Preset Parameter
TYPE A TYPE B TYPEC
IN-DLY 55ms 55ms 55ms
REV-TIME 2.88 2.85 2.85
HIGH 0.8 | 09 0.9
28
4. STADIUM
This program gives you the long delays and extraordinarily spacious
feel of a stadium that is no less than 300 meters (990 feet) in
diameter.
Preset Parameter
TYPE A TYPEB | TYPEC
IN-DLY 55ms 58ms 55ms
R-TIME 2.2 23 2.3
LIVE 5 8 7
5. JAZZ CLUB A traditional New York jazz club. This room has a low ceiling, and the
“stage” is located in a corner. This program does not produce nearly
as many reflections as the HALL or CHURCH programs, but creates
an intimate “close-to-the-music” feel.
Preset Parameter
TYPEA TYPEB — TYPE C
IN-DLY 20ms 8ms 14ms
R-SIZE 1.0 1.2 1.1
LIVE 3 4 4
6. ROCK “The ideal program for lively, dynamic rock music.
CONCERT The data for this program was recorded at LA's “hottest” rock live
spot.
Preset Parameter
TYPE A TYPE B ТУРЕ С
IN-DLY 35ms 33ms 30ms
R-SIZE 1.2 1.2 1.4
LIVE - 5 6 6
7. DISCO Discos tend to have a high-energy, “immediate” sound. This one is no
exception. The room itself is circular, approximately 20 meters (65
feet) in diameter.
Preset Parameter
| TYPEA TYPEB ТУРЕ С
IN-DLY - 10ms 10ms 12ms
R-SIZE 1.0 1.3 1.0
LIVE 9 7 8
8. THEATER By providing clean projection of music and dialogue, this program
produces an excellent acoustic environment for the theater.
For example, this program is more effective if used in a drive-in
theater,
Preset Parameter ВЕ
| ТУРЕ А ТУРЕ В ТУРЕ С
IN-DLY 20ms 20ms 20ms
R-SIZE 1.2 1.2 1.2
LIVE 5 5 5
29
GRAPHIC EQUALIZER PROGRAMS
The following list gives brief descriptions of preset graphic equalizer programs.
You can select one of four programs to match the tonal response to the type of music you are listening
to.
1. POPS | Low range and high range of the source sound are somewhat
emphasized. It is suitable for listening to pop or rock music.
2. VOCAL Vocal part of the source sound is emphasized.
3. CLASSIC | More expanded sound is gained.
It is suitable for listening to classic music, etc.
4. FLAT The source sound is played back without any particular sound-
processing. |
30
WHAT IS A SOUND FIELD?
In order to explain the impressive functions of the DSP system, let's go where it all begins, and find out
what a sound field really is.
What really creates the rich, full tones of a live instrument are the multiple reflections from the walls of the
room. In addition to making the sound “live”, these reflections enable us to tell where the player is
situated, and the size and shape of the room in which we are sitting. We can even tell whether it is
highly reflective, with steel and glass surfaces, or more absorbent—wood panels, carpeting and
curtains.
THE ELEMENTS OF A SOUND FIELD
in any environment, in addition to the direct sound coming straight to our ears from the player's
instrument, there are two distinct types of sound reflections that combine to make up the sound field.
(1) Early Reflections (ER-type). Reflected sounds that reach our ears extremely rapidly (50 ms — 100 ms
after the direct sound), after reflecting from one surface only—for example, from the ceiling or one
wall. These reflections fall into specific patterns as shown in the diagram on pages 33-35 for any
particular environment, and provide vital information to our ears. Early reflections actually add clarity
to the sound.
(2) Subsequent Reverberations (REV-type). These are caused by reflections from more than
surface—walls, ceiling, the back of the room—so numerous that they merge together to form a
continuous sonic “afterglow”. They are non-directional, and lessen the clarity of any sound.
Direct sound, early reflections and subsequent reverberations taken together indicate to us very clearly
the subjective size and shape of the room, and it is this information that the DSP system reproduces in
order to create sound fields.
if you could only create the appropriate early reflections and subsequent reverberations in your car
room, you would be able to create your own listening environment. The acoustics in your car room could
be changed to those of a concert hall, a dance floor, or virtually any size room at all. This ability to
create sound fields at will is exactly what Yamaha has done with the DSP system.
In addition to allowing you to recreate the sound fields of famous listening environments from around the
world, the DSP system allows you to create your own sound fields. Starting with one of the built-in
programs, you can adjust such parameters as apparent room size, reverberation time, and distance
from you to the performer. |
31
* Never perform these operations while driving.
“o YAHAHA CGITAL EGUND FIELO PROCEGEDA — YDSP-C1
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MODE SELECT UTILITY ET MASA
Select a preset program by following the procedure on page 26 and 27.
Set the display as shown below.
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PRESET
POSITICN sp EG MUTE REAR MIX
Select any parameter.
ER-type REV-type
IN-DLY (Initial Delay) IN-DLY (Initial Delay)
+
R-SIZE (Room Size)
HIGH (High Frequency
LIVE (Liveness)
Reverberation Time Ratio)
® Programs of ER-type ...... SN
© Programs of REV-type ............ HALL/CHAMBER/CHURCH
* One of three parameters is selected in turn whenever the.P.SEL button is pressed.
REV-TIME (Reverberation Time)
|
STADIUM/JAZZ CLUB/ROCK CON/DISCO/THEATER
32
Increase or decrease the value of the selected parameters.
In the same way, edit other parameters.
Notes |
e Each DSP preset program has a preset equalizer mode.
To edit parameters of the equalizer mode, foliow the steps on page 36.
e Parameter edits made in this way will remain until it is switched to a different program.
e The original display mode is resumed 30 seconds after the above operations.
Not all of the following parameters are found in every program. Refer to the “DSP PROGRAM
PARAMETER TABLE" on pages 39-41 for a complete list of the parameters in each program.
e IN-DLY (Initial Delay)
How it Affects the Sound:
Changes the apparent distance from the source sound.
Since the distance from the sound source from a reflective surface determines the delay between the
direct sound and the first reflection, this parameter changes the location of the sound source within the
acoustic environment.
What it Does:
Adjusts the delay between the direct sound and the first reflection heard by the listener.
Control Range:
1 — 100 milliseconds
Level Level Direct Sound Level
Early Reflections i
!
|
| |
| | |
|
—le—iNTO Time wl le INTDLY Time — —»! le —INTDLY Time
Small
fr шее име ыы ны ый сн Sa
e R-SIZE (Room Size)
How it Affects the Sound:
Changes the apparent size of the listening space. The larger the value, the larger the simulated listening
space will sound.
What it Does:
Adjusts the timing between the early reflections. Early reflections are the first group of reflections you
hear before the subsequent, dense reverberation begins.
Control Range:
0.1-4.0
Changing this parameter from 1 to 2 increases the apparent volume of the listening space eight times
(length, width, and height all doubled).
Level Direct Sound Level Direct Sound Level Direct Sound
* Early Reflections A Early Reflections
CUA
“Time TT Time Time
Smail Space | Large Space
e LIVE (Liveness)
How it Affects the Sound:
This parameter changes the apparent reflectivity of the walls in the hall.
The early reflections from a sound source will lose intensity (decay) much faster in a listening space with
acoustically absorbent inner surfaces than in one which has mostly reflective surfaces. A listening
space with highly reflective surfaces in which the early reflections decay slowly is termed “live”, while a
listening space with absorbent characteristics in which the reflections decay rapidly is termed “dead”.
The LIVE parameter lets you adjust the early reflection decay rate, and thus the “liveness” of the
listening space. | |
What it Does:
Changes the rate at which the early reflections decay.
Control Range:
0-10.
Level Level Direct Sound: Level
pe
| |
| !
! i
| 1
| i
| |
J
Вечный we WE ee Ah
Time | — Time Time
Dead ; Live
34
e REY-TIME (Reverberation Time)
How it Affects the Sound:
The natural reverberation time of a listening space depends primarily on its size and the characteristics
of its inner surfaces. This parameter, therefore, changes the apparent size of the acoustic environment
over an extremely wide range.
What it Does:
Adjusts the amount of time it takes for the level of the dense, subsequent reverberation sound to decay
by 60dB (@ 1 kiHz).
Control Range:
0.3 — 10.0 seconds.
Level Level Direct Sound
i
~~ Early Reflections Level
1 1 |
| 1 {
| | [
| | 60dB
| |
| 1 ! |
i i !
1 Wi
[lemme Time | REVTIME Time | REV me— Time
Reverberations Reverberations Reverberations
e HIGH (High Frequency Reverberation Time Ratio)
How it Affects the Sound: | |
Because of dissipation in the air, and depending on the characteristics of the listening space's inner
surfaces, the high frequency reverberation in a real acoustic environment generally decays quicker than
the low frequency reverberation. The HIGH parameter accurately simulates this effect. A HIGH setting of
0.5, for example, results in high frequency reverberation time only one-half as long as the low-frequency
reverberation.
What it Does:
Changes the reverberation time of the high frequencies in relation to the lower frequencies.
Control Range:
0.1 - 1.0
Level Direct Sound
«— Early Reflections
IE
|
i
| HIGH
!
!
|
|
1
60dB
“NON
> REV TIME”
Time
35
The built-in graphic equalizer consists of nine frequency bands. You are allowed to adjust the {onal
balance of each EQ preset program at will by separately attenuating or emphasizing nine distinct
frequency bands (63, 125, 250, 500, 1k, 2k, 4k, 8k and 16 kHz). Each band is adjustable within a range
of -12dB to +12dB. Setting to a higher value emphasizes, and setting to a lower value attenuates the
frequency response.
* Never perform these operations while driving.
YAMAHA DIGITAL SOUNO FIELO PASCESSOR Y OSP-C 1
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Select a frequency band |
* One of nine bands is selected in turn whenever the P.SEL button is pressed.
ST
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= SEES ou =
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POSITION DEP ES AN REAR MIX
The selected frequency
flashes on and off.
Adjust the value.
* The value will change by 2dB
everytime a button is pressed.
In the same way, adjust the value for other bands.
Notes
e In step 4, in the display, the bar indicator above the selected frequency band will flash when it is set
to the center (0dB) position.
e Adjustments made in this way will remain until it is switched to a different program.
@ The original display mode is resumed 30 seconds after the above operations.
36
Once you've edited the parameters of one of the DSP/EQ preset programs and created the sound you
want, you can store your original program into one of this unit's 12 user programmable areas (8 for DSP
and 4 for EQ) so you can recall it again later without having to re-edit all the parameters individually..
* Never perform these operations while driving.
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YAMAHA DIGITAL SCUNO FIELO PRUG:SSCA YOSP-CA
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editing, do not switch to a different program.
1 Edit your original program following the procedures on page 32 or 36. After you've finished
will return to the previous mode.
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Flashes,
* Follow the next step while the display is flashing. Otherwise, after a few seconds, the display
Select a user programmable area which you wish to store the program to by using a
corresponding button. (Refer to pages 26 and 27 for the procedure.)
1. USER1 5, USERS 1. USER!
2. USER? 6. USERS 2. USER?
3. USERS 7. pa 3. USERS
4, py 8. USERS 4. USER
The corresponding number of the
selected area is displayed.
Shortly press the ME button again.
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POSITION ОБР EQ REAR MIX
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USER
in the same way, store more original programs into other areas.
To call your original program stored in the memory
Follow the procedure on pages 26 and 27.
Notes ; |
e In one of the DSP programmable user areas (1-8), a DSP program and a EQ program can be stored
as a pair. On the otherhand, in one of the EQ user programmable areas (1-4), only a EQ program
can be stored.
e in step 3, if auser programmable area is selected after the display have stopped flashing, all your
original parameter data will be erased and you'll have to re-edit the entire program.
If the display stop flashing before you get a chance to select a user programmable area, simply
press the ME button again.
e If you store a new program to a user programmable area which contains a previous program, the
program originally contained in the user programmable area will be erased and replaced with the
new data.
Memory back-up
The memory back-up circuit prevents the stored program data from being lost even if the power is cut
by the ignition key. If, however, the battery is removed or goes weak or goes flat for more than three
days, the memory may be erased. in this case, when the power is supplied again, the display shows
“HELP!” for about 10 seconds and this unit is initialized automatically. After then, you can re-store your
programs by simply following the above steps.
38
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41
« TYPE A
EQ parameter preset value (dB)
No. Program Name |
63 125 | 250 | 500 1k 2k 4k 8k 16k
1 POPS +2 Q 0 0 +2 0 0 +4 +4
2 VOCAL 0 0 0 +2 +2 +2 0 0 +2
3 CLASSIC +2 0 0 0 0 0 0 +2 +4
4 FLAT O O 0 0 0 0 0 0 0
о ТУРЕ В
EQ parameter preset value (dB)
No. Program Name |
63 125 | 250 | 500 ik 2k 4K 8k 16k
1 POPS 0 0 0 0 0 +2 0 +2 +4
2 | VOCAL -2 | 2 | 0 | +2 | +2 | +2 | 0 0 | +2
3 CLASSIC +2 o 0 0 0 0 0 +2 +4
4 FLAT 0 0 О 0 0 0 0 0 O
е ТУРЕ С
EQ parameter preset value (dB)
No. Program Name
63 125 | 250 | 500 ik 2k 4k 8k 16k
1 POPS +2 +2 0 0 0 0 +2 +4
2 VOCAL 0 0 +2 +2 +2 +2 0 +2 +4
3 CLASSIC +4 +2 0 0 0 0 O O +4
4 FLAT 0 0 0 0 0 0 0 0 0
42
172 (6-3/4”)
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215 (8-7/16”)
183 (7-3/16")
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Unit: mm (inch)
43
PROBLEM CAUSE REMEDY
No power. Fuse blown. Replace the fuse.
Improper connection of lead Connect the leads properly referring to
wire. the connection diagram.
No sound. Bad or incorrect speaker Check connections.
connection.
Bad or incorrect input connection.
Left/right channel Leads have been connected Check colors of leads and connect
sound reversed.
in reverse,
correctly.
The unit will not work
as it is commanded
(In this case, “HEL PI”
appears in the
display.)
Built-in microprocessor is not
functioning.
Stop the car first. Cut the power
supply to this unit and then supply
it again by swiiching the ignition key.
If this step is of no effect, press the
RESET bution. (However, this
operation will erase all data you stored.)
If both the steps are of no effect,
contact your Yamaha dealer.
“HELP!” appears in
the display when
power ls supplied after
the battery Is replaced,
the battery goes flat,
etc.
It shows that the data you stored
have been all erased.
This unit will be initialized automatically.
Output Level/Impedance.………..…...…..….…..…..…….……eeremennnnnennnnnnnnnnnnnnnnnn u 15 V/560 Q
input Sensiivity/impedantS Мннннненнннннннннннененеененннненнннненнененне) 1.5 V/20 kQ
Frequency Response ......................e.e.enemerrin eee DD DD e e e RI e 20 Hz — 20 kHz
Total Harmonic Distortion (20 Hz — 20 kHz)
Output Level! 1.5 V, 20 kHz LOW PASS FILTER as EEE Less than 0.03%
Signal-to-Noise Ratio (IHF-A NetWork)... rrr II III IR IR IG IR RIA More than 90 dB
Equalizer Band .....................e....eceecreerc Te ee reee erre eeecoceceeener rec arrentereceececere nar erareeecena 9-band
Center Frequency see Gescsspsenen sense sc ane rennes 63, 125, 250, 500, 1k, 2k, 4k, 8k, 16 kHz
Boost/Aitenuation............….….........…...…cereerecereecmennennnntnnnnenmnnnnanennnnnnnnnnnnn +12 dB (2 dB per a step)
Subwoofer Frequency (Tl HROUGH, 130 Hz, 80 HE) ar EEE EHELEUTE EEE —6 dB/oct.
Audio Muting ....................e..eeee + DD IDO EÍ CR A ER e eN e RR eacececerececernariroroneoreoecoreuerrERErUrenoooeeccomeee —20 dB
DSP Preset PrOgramsS ….….…...…………rrrisssercamençençentsnenMnÊMnnnnnnennnnnnnnnnnn 8 (HALL, CHAMBER, CHURCH,
STADIUM, JAZZ CLUB, ROCK CON, DISCO, THEATER)
DSP User Programmable Areas... arenerenesesraneesnee necernoniecaoenenenenerenecoenecamae 8
EQ Preset Programs..…........…..…..….…...…...…rererenenennnnnnnnnnnnnnnnn 4 (POPS, VOCAL, CLASSIC, FLAT)
EQ User Programmable Areas ..….....…...............……ereeeennnnnnnnnnnnnnnnnnnnennnnnnnnnnennnnnnnnnnnnnnnnnnnnnn 4
Power Suppiy................—...-.......eee... enenonooon een nanececnaree eee ceee ee nee eceenenoreoranr erre tancrarecoeerecenercecs 14.4 V
Power Consumption ................................. 1.1000 EEE 800 mA (Less than 1 mA for memory back up)
Dimensions (W x H x D)
BABIN Uriit …..….….….............……rrrereeceererensensanesssrenrrercee 215 x 52.5 x 162 mm (8-7/16" x 2-1/16" x 6-5/16")
Commander Unit... EEE 172 x 25 x 49 mm (6-3/4" x 1-1/16" x 1-15/16")
Welght |
N eee reser eases 1.5 kg (3 lbs. 5 oz.)
Сопитлалавет (ти... sree rrr esas sans reeseens 0.2 kg (7 oz.)
(eee) 1 TT .… Commander unit
4.5 m extension cable -
Power cords
Frame
Mounting hardware
Magic fastener x2
5x16 tapping hex screw with washer x4
M2x5 screw x4
M5x8 screw x4
M5x8 hex screw with washer x4
* Specifications are subject to change without notice.
. YAMAHA ELECTRONICS CORPORATION, USA 6722 ORANGETHORPE AVE., BUENA PARK, CALIF. 90620, U.S.A.
YAMAHA CANADA MUSIC LTD. 135 MILNER AVE., SCARBOROUGH, ONTARIO M18 3R1, CANADA
YAMAHA ELECTRONIK EUROPA G.m.b.H. SIEMENSSTR. 22-34, D-2084 RELLINGEN, BEI HAMBURG, F.R. OF GERMANY
YAMAHA ELECTRONIQUE FRANCE S.A. 17 RUE DES CAMPANULES, LOGNES 77321 MARNE LA VALLEE CEDEX 2 FRANCE
YAMAHA ELECTRONICS (UK) LTD. YAMAHA HOUSE, 200 RICKMANSWORTH ROAD WATFORD, HERTS WD1 7JS, ENGLAND
YAMAHA SCANDINAVIA A.B. J AWETTERGRENS GATA 1, BOX 30053, 400 43 VASTRA FROLUNDA, SWEDEN
YAMAHA MUSIC AUSTRALIA PTY, LTD. 17-33 MARKET ST., SOUTH MELBOURNE, 3205 VIC., AUSTRALIA
VK99840 BWWB, O Printed in Japan Y E
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