Sim2 | GRAND CINEMA HT HT500 LINK | Installation manual | Sim2 GRAND CINEMA HT HT500 LINK Installation manual

User and Installation Manual
The home theater projector
cod.46.0376.100
HT500 LINK
BACK LIGHT
Turn on the back light
LIGHT
STAND-BY
Switches off to stand-by.
0-9 Keys
Switch on from stand-by
and allow direct source
selection.
SOURCE
Displays the Source
Selection menu.
ESCAPE
Deactivates th e On Screen Display.
Up/Down/Left/Right Arrow keys
Activates test patterns
Navigate through and make adjustments
to the On Screen menus.
Arrow Up/Down activate Quick
menus.
MENU Activates the On Screen
Display menus.
Navigates menu pages.
MENU +
Activates the On Screen Display menus.
Navigates menu pages.
MEMORIES
FREEZE
Freezes a moving
picture.
ZOOM
Activates Memories menu
F1
F1
Select lens zoom
adjustment
F2
Select focus
lens adjustment
AUTO
Selects Auto Adjust
(automatic optimisation
of the displayed image).
INFO
F2
FOCUS
Displays the selected source information
and the projector status.
VCR
Improves the video recorder
signals quality.
ASPECT
Selects image Aspect ratio.
1 INTRODUCTION
Congratulations on your choice of the SIM2 Grand Cinema HT500LINK system!
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The HT500LINK system combines the signal processing capabilities of the DigiOptic™ Image Processor with the high fidelity
reproduction of the DLP™ technology Projector by linking the
two units via a fibre optic cable.
The DigiOptic™ Image Processor, which should be ideally
located close to the signal sources, supports and processes a
wide range of video signals, transmitting them to the Projector
by means of a fibre optic link cable.
The large number of inputs available (2 Composite Video inputs,
2 S-Video inputs, up to 4 Component or RGB inputs, 2 graphic
RGB inputs, 1 DVI-D input, 1 HDMI™ Input) ensures the system
supports a wide variety of analogue and digital sources: DVD
players, VCRs, satellite and terrestrial receivers, computers,
game consoles, video cameras, etc.
The signal processing capabilities of the Image Processor ensure optimum reproduction of a broad range of input signals,
from interlaced video to high definition and graphics.
Conversion of interlaced video signals to progressive signals by
means of prestigious DCDi™ technology produces fluid, natural,
images free of flicker and stairstepping artefacts.
Faithful reproduction of signals at higher resolutions (such
as high definition video and graphics) occurs without loss of
information or reduction of image sharpness thanks to the processor’s high pixel rate signal acquisition capabilities.
Adaptation of the input signal resolution to the Projector resolution occurs without alterations of image quality, in accordance
with an ample choice of aspect ratios, including several definable by the user. All image adjustments can be performed
with the remote control with the aid of the On Screen Display;
alternatively, the unit can be controlled by from a home automation system through the serial port.
Thanks to the new optical system based on three chip DMD™,
the HT 500 LINK allows to take advantage from DLP™ technology, the Texas Instruments technology.
Each of the three DMD™ chip is dedicated to the modulation of
one of the primary colors coming from the optical prism, the refl
ected light, after combination by a second prism, is projected
outside using an appropriate lens system.
The technology of the HT 500 LINK allows to obtain images
without rainbow effect or any other type of artefact, in order to
enjoy an even more realistic images
The two units are connected via a three-core fibre optic cable for transmission of the digital signal from the DigiOptic™
Image Processor to the Projector and control signals in both
directions.
Transmission occurs without interference or attenuation over
distances of up to 500 m.
Moreover, the flexibility and small size of the cable allow the
maximum freedom when installing the system in your home.
SIM2 carries out comprehensive functional testing
in order to guarantee the maximum product quality.
For this reason, when you start using the product
lamp operating hours may already be at between
30 and 60.
In addition to the regular tests, the Quality Control
department performs additional statistical tests at
the time of shipment.
In this case the packing may show signs of having
been opened, and the accumulated lamp operating
hours may be slightly higher than the hours associated with the standard tests.
DLP and DMD are registered trademarks of Texas Instruments.
DCDi is a registered trademark of Faroudja, a division of Genesis
Microchip, Inc.
DigiOptic is a registered trademark of SIM 2
HDMI, the HDMI logo and High-Definition Multimedia Interface are
trademarks or registered trademarks of HDMI Licensing LLC
2
2 IMPORTANT SAFETY INSTRUCTIONS
ATTENTION:
To reduce the risk of electric shock, disconnect
the power supply cable on the rear panel before
removing the top cover of the projector.
Refer to trained, authorised personnel for technical assistance.
This symbol indicates the possible electric shock
hazard associated with uninsulated live components
in the interior of the unit.
This symbol indicates the presence of important
instructions regarding use and maintenance of the
product.
The HT500LINK system consists of two parts connected by a fibre optic cable: the DigiOptic™ Image Processor and the Projector.
In this manual references to the “unit” refer to one of the two units that make up the system.
Prior to switching on the projector please read each chapter of
this manual carefully as this manual provides basic instructions
for using the projector.
The installation of the lamp assembly, preliminary adjustments
and procedures that necessitate the removal of the top cover,
must be carried out by authorised, trained technicians. There are
no user serviceable parts inside. To ensure safe and long term
reliability please use power cables supplied with the projector.
Observe all warnings and cautions.
CLASS 1 LASER PRODUCT
This product complies with fda radiation performance standards, 21 cfr chapter
1 subchapter j.
This product complies with european standard en 60825.
This product is classified as a class 1 laser product and there is no hazardous
radiation with the safety protection.
Danger! Invisible laser radiation when open. avoid direct exposure to beam.
Do not open the covers of the product and never touch the internal parts in order
to avoid exposure to visible or invisible laser radiation.
• Federal Communication Commission (FCC Statement)
This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC rules. These
limits are designed to provide reasonable protection against harmful interference when the equipment is used in a commercial environment. This
equipment generates, uses and can radiate radio frequency energy and, if not installed and used in accordance with the instruction manual, may
cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation.
If this equipment does cause harmful interference to radio or television reception, which can be determinated by turning the equipment off and
on, the user is encuraged to try to correct the interference by one or more of the following measures:
- Reorient or relocate the receiving antenna
- Increase the separation between the equipment and receiver.
- Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.
- Consult the dealer or an experienced radio/TV technician for help.
• For customers in Canada
This Class B digital apparatus complies with Canadian ICES-003.
• For customers in the United Kingdom
ATTENTION: This apparatus must be earthed
The wires in this mains lead are coloured in accordance with the following code:
Green-and-Yellow: Earth
Blue:
Neutral
Brown:
Live
As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying the terminals in your
plug proceed as follows:
The wire which is coloured green-and-yellow must be connected to the terminal in the plug which is marked by the letter E or by the safety earth
symbol
or coloured green or green-and-yellow.
The wire which is coloured blue must be connected to the terminal which is marked with the letter N or coloured black.
The wire which is coloured brown must be connected to the terminal which is marked with the letter L or coloured red.
3
PROJECTOR
3
5
1
11
2
500 LI
NK
1
2
3
-
CLASS
6
7
4
1
2
3
4
5
6
Projection lens
Cooling air inlet vents
Remote control IR sensor
Adjustable levelling feet
Cooling air outlet vents
Rear keyboard pad
7
8
9
10
11
1 LASER
PRODUCT
8
10
9
Remote control rear IR sensor
Fiber Optic cable connections
Fused power socket
Main power switch
Ceiling bracket fixing holes
DIGIOPTIC™ IMAGE PROCESSOR
HD
...
12
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4
R/
2
3
DC
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1
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12
ON/OFF switch
Power connection
Outputs for motorized screens
Inputs
Fiber Optic cable connections
HV
H/
PO
2
VO
UT
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3
O
VI
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Cr
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Y
G/
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•
Read this manual carefully and keep it in a safe
place for future consultation.
This manual contains important information on how to
install and use this equipment correctly. Before using the
equipment, read the safety prescriptions and instructions
carefully. Keep the manual for future consultation.
•
Do not touch internal parts of the units.
The units contain electrical parts carrying high voltages
and operating at high temperatures. Do not remove the
cover from the units, refer to qualified service personnel
for all repair and maintenance requirements.
The warranty will be automatically invalidated if the cover
is removed from the units.
•
•
Fig.2
•
Replace the safety fuse
Power supply disconnect device.
The device for disconnecting the units from the mains
power supply is constituted by the power cable plug. Ensure that the power cable plugs and the electrical mains
socket outlets are easily accessible during installation
operations. To disconnect the units from the electric power
supply, pull the plug to remove it from the socket outlet. Do
not pull the power cable.
Use only the specified type of mains power supply.
Connect the units to a mains electrical supply with rated
voltage of between 120-240 VAC, 50/60 Hz and equipped
with a protective earth connection. If you are unsure of
the type of mains power supply in your home, consult a
qualified electrician. Ensure that the power draw of the
units is commensurate with the rating of the electrical socket outlets and any extension cables that are used.
For the DigiOptic™ Image Processor use exclusively the
power supply unit provided or an alternative power supply
unit expressly approved by SIM2.
Fig.1
250 V
T 5A H
4
2
1
3
Fig.3
•
Beware of power supply cables.
Position the power supply cables so that they do not constitute an obstruction. Position the power supply cables
where they cannot be reached by children. Install the units
as close as possible to the wall electrical socket outlet. Do
not tread on the power cables, make sure that they are not
tangled or pulled; do not expose the power cables to heat
sources; make sure that the power cables do not become
knotted or kinked. If the power cables become damaged,
stop using the system and request the assistance of an
authorised technician.
•
Disconnect the apparatus from the mains power
supply in the event of electrical storms and
when not in use.
To avoid damage that could be caused by lightning striking
in the vicinity of your home, disconnect the units in the event
5
of electrical storms or when the system will remain unused
for prolonged periods.
•
•
•
6
Avoid contact with liquids and exposure to humidity.
Do not use the units near water (sinks, tanks, etc.); do not
place objects containing liquids on top of or near the units
and do not expose them to rain, humidity, dripping water
or spray; do not use water or liquid detergents to clean the
units.
Prevent the units from overheating.
In order to allow the Projector cooling, keep at least 40 cm
( 16”) of space between the rear of the projector and the
nearest wall or obstruction. Do not place the devices near
heat sources such as heaters, radiators or other devices
that generate heat (including amplifiers).
Do not obstruct ventilation openings.
Do not place the units in confined, poorly ventilated positions (bookcases, shelves, etc.).
Do not expose the eyes to the intense light
emitted by the lamp.
Never look directly at the lamp through the ventilation
opening when the unit is switched on.
Risk of eyesight impairment. Ensure also that children do
not look directly at the lamp.
•
Beware of the lens movements
Avoid positioning objects close the lens. The movements
( horizontal and vetical) could be obstructed by objects,
or damage may arise from the fall of the objects.
•
Position the unit on a stable surface.
To avoid serious injury to persons and damage to property,
make sure the units are placed on a level, flat and stable
surface from which they cannot fall, tip over or slide. Pay
special attention if the units are placed on a trolley so that
they can be moved around. Ensure that the units are not
subjected to impact.
•
Do not insert objects through the units’ openings.
Make sure that no objects are inserted inside the units. If
this should occur, disconnect the unit from the power supply
immediately and call an authorised technician.
•
Energy Saving
When the system is left idle for a long period disconnect
the Projector and the DigiOptic™ Image Processor from
the main power supply.
This precaution allows to save energy and to prevent wear
and tear of the electronics devices.
3 UNPACKING
2
To unpack the projector safely and easily please follow steps
1 to 5, as per drawing (Fig. 4).
It is recommended that the carton and packaging is retained
for future use and in the unlikely event that your projector needs
to be returned for repair.
DIGI
OPT
IC
™
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Fig.4
7
PACKAGE CONTENTS
Projector
I
O
User and installation �
manual.
Alimentatore�
DigiOptic™�
Image Processor
Triple fiber �
optic cable �
for linking
DIGIO
PTIC
™ IM
AG
E PR
OC
ESSO
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ON
OFF
DigiOptic™�
Image Processor
Fig.5
Cable HDMI™-DVI
Brackets
Remote control
1.5V AAA batteries
Power cables EU, UK, USA (x2)
The carton should contain the following:
- the projector
- the DigiOptic™ Image Processor
- the remote control
- four 1.5V AAA batteries (for remote control)
- DigiOptic™ Image Processor power supply unit
- three power cables for the projector (EU, UK, USA)
- three power cables for the DigiOptic™ Image Processor (EU, UK, USA)
- triple fiber optic cable for linking DigiOptic™ Image Processor and the projector
- one cable HDMI™-HDMI™
- one cable HDMI™-DVI
- two brackets for mounting the DigiOptic™ Image Processor to the rack.
- the user and installation manual.
If any accessories are missing, contact your Dealer as soon as possible.
8
Cable HDMI™-HDMI™�
4 INSTALLATION
POSITIONING THE TWO UNITS
The HT500LINK system consists of two separate units (the DigiOptic™ Image Processor and the Projector), each of which is
equipped with a power cable; the two units are interconnected by a 20 m fibre optic cable.
POSITIONING DIGIOPTIC™ IMAGE PROCESSOR
POSITIONING PROJECTOR
The ideal location for the DigiOptic™ Image Processor is on
a cabinet shelf or on a rack (dimensions compatible with a
standard 19" rack). Make sure that the support surface is stable
and that the unit has sufficient space around it for ventilation
purposes (at least 3 cm).
The unit is connected to the mains via an external power supply
unit with an output of +7 Vdc; the unit’s main power switch is
on the power supply unit.Connect the power supply unit output
cable to the POWER socket located on the rear panel (Fig. 2).
Use exclusively the power supply unit provided with the system or an alternative power supply unit expressly approved
by SIM2.
Position the projector on a stable, suitable platform or utilise
the optional bracket for a fixed ceiling installation.
To mount the DigiOptic™ Image Processor on an equipment
rack use the screws and RH / LH supports supplied with the
appliance. Unscrew the screws that secure the cover to the
DigiOptic™ unit base, position the RH and LH supports and
fix into place with the supplied screws. To secure the unit to
the rack use the supplied screws (Fig.6).
DIGI
OP
TIC
™ IM
AG
CAUTION: In the case of ceiling mounting using a suspension bracket, follow the instructions carefully and comply with
the safety standards you will find in the box together with the
bracket. If you use a bracket different to the one supplied by
SIM2 Multimedia, you must make sure that the projector is at
least 65 mm (2-9/16 inch) from the ceiling and that the bracket
is not obstructing the air vents of the projector.
Position the projector the desired distance from the screen: the
size of the projected image is determined by the distance from
the lens of the projector to the screen and the zoom setting.
See ADDITIONAL INFORMATION for more information.
E PR
OC
ESSO
R
ON
OFF
Fig.6
9
The connection between the two units is made with a single
cable containing three fibre optic cables each terminating in
an LC connector. The standard cable length of 20m will be
sufficient for most installation requirements.
During installation of the fibre optic cable:
• The individual optical cables are delicate: always handle
the main cable without touching the individual optical cables (Fig. 7).
Never pull the individual optical cables or connectors; if
necessary, you may pull the main three-core cable.
•
•
Check that the connectors are correctly inserted.
Make sure that the cable does not constitute an obstacle
for persons moving around the room.
Take care not to create knots in the cable; the minimum
radius of bends in the cable is 2 cm.
Prevent the cable from pulling and mechanical stress: this
could cause the connectors to be pulled out and damaged.
12
CO
NT
1
Protective cap
OP
TIC
R
(R
OL
2
FIB
AL
3
S2
2)
-
3
ER
LIN
K
3
The system can be fully controlled using the supplied IR (infrared) remote control handset. There is a single remote control
for both the DigiOptic™ Image Processor and the Projector; the
remote control can be directed towards either unit since they
are both equipped with an IR sensor.
•
•
3
CONNECTING THE TWO UNITS
Protective
cap
Ferrule
Fig.8
Separation point
Connector
Protective
cap
Fibre
Cable
•
•
•
10
Fig.7
Only remove the cap protecting the connector ferrule immediately before inserting the connector; if the ferrule is
allowed to come into contact with foreign material it may
be damaged, making the connector unusable.
Take particular care when inserting fibre optic connectors in
their respective sockets on the rear panel of the DigiOptic™
Image Processor and the rear panel of the Projector.
Make sure that the single optical cables are not switched:
the numbers on the cables must match the numbers on
the connectors (Fig.8-9).
Fig.9
To activate an electric motorised screen a 12 Volt output is
provided at the rear of the DigiOptic™ Image Processor. This
can be connected to a screen interface unit, which can be
supplied by screen manufacturers (Fig.10).
with black, non-reflecting borders, which will perfectly frame
the projected image.
Avoid light shining directly on the screen during projection as
this will reduce contrast and black level detail on the projected
image. For the true cinema experience best results are achieved with little or no ambient light.
Furniture and other objects with reflecting surfaces, as well as
light coloured walls should be avoided, as they are likely to
interfere with the screen’s characteristics.
CONNECTING THE VIDEO SOURCES
Connect the cables from the video sources, the serial cable
from the external control unit and the optical fibre cables for
connection to the Projector, to the rear panel of the DigiOptic™
Image Processor.
Fig.10
The output is activated (Voltage: 12 Vdc) when the Projector is
switched on and is de-activated (no Voltage output) when the
projector is in stand-by mode.
Some manufacturers offer screen-masking systems to help
frame the projected image and improve picture contrast.
These systems can be connected to output, at the rear of the
DigiOptic™ Image Processor (Fig.11).
Fig.11
To obtain the best performance from the HT500 LINK system,
connect the various signal sources using good quality cables
designed for video applications (rated impedance 75 ).
Ensure that:
• the cables are routed in such a way that they do not present
an obstruction to people moving around the room;
• the connectors are inserted carefully to avoid damaging the
pins;
• the cables are not twisted or crushed;
• when disconnecting the cables the connectors are not
violently pulled out of the sockets on the various units.
Video sources (television receivers, VCRs, DVD players, etc.)
often feature several outputs. To obtain the best performance
from your system, carefully choose which output to use. Generally, the type of signal offering the best picture quality is
DVI-D, followed by RGB, Components, S-Video and Composite
Video, in that order.
However, the HT500 LINK system is equipped with an excellent
Video Decoder and Deinterlacer and therefore even inferior
quality signals will produce high quality results.
Table 1 shows the types of signals usually available for the most
common types of video sources and the corresponding input
connectors to use on the DigiOptic™ Image Processor).
For rear projection the screen must be translucent. For front
projection, we recommend the use of screens with low gain
specifications (i.e. 1.3 to 2). The use of high gain screens
should be avoided due to their limited viewing angle, which
is undesirable for a large audience. Preferably, use a screen
11
Table 1
These inputs should be connected to an S-Video signal by
means of a cable with a 4-pin mini-DIN type connector.
The corresponding output on the source can be identified by
the wording S-VIDEO or Y/C.
Almost as widespread as Composite Video, S-VIDEO is preferable because it offers a clearer and sharper picture.
R is red, G is green, B is blue, H/HV is white and V is black.
By using a suitable SCART to RCA (or BNC) connector adapter
cable, an RGB video signal from a source equipped with an
SCART connector can be connected to this input.
Component signals are connected to inputs Y, Cr and Cb, taking
care to observe the correspondence with the outputs on the
source. Since the latter can be labelled in various ways, refer
to Table 1 to establish the correspondence between the various
signals. The connector colours can also be of help, as shown
in the table. Input 5 is dedicated for RGB and YCrCb signals
up to 32 KHz only. In fact, in order to guarantee a high image
quality, even with not so accurate sources, the input signal is
elaborated by specific circuit boards in the DigiOptic™ Image
Processor.The video signal suitable for inputs 6-7-8 can have a
scan frequency of 15KHz (standard video resolution) or 32KHz
or more (progressive scan video, high definition video).
Some sources provide the facility to choose between a
progressive signal or an interlaced signal. Although in general
a progressive signal is higher quality than an interlaced signal,
it is often preferable to perform the deinterlacing operation on
the HT500LINK system rather than on the source because the
HT500LINK system is equipped with Faroudja’s sophisticated
directional correlation deinterlacing technology (DCDi™).
Progressive signals usually provide better quality than interlaced signals, but if the source features both progressive and
deinterlaced signal outputs it is good practice to compare the
quality of the pictures reproduced by the HT500LINK system
in the two cases: deinterlacing performed by the HT500 LINK
system (thanks to Faroudja DCDi™ technology) is often more
effective than that performed at the source (typically a DVD
player)
COMPONENT / RGBS 5 6 7 8
GRAPHICS RGB 9 10
These inputs are composed of three sets of 5 RCA connectors
(5,6,7) and a set of 5 BNC connectors (8).
Each set of connectors is suitable for RGB and Component
signals.
RGB signals can have the following synchronisations: composite sync on the green signal (RGsB), H+V Composite Sync,
or separate H/V Sync.
Connect the R, G, B outputs of the source to the respective R,
G, B inputs of the DigiOptic™ Image Processor (paying attention
not to invert the positions) and any synchronisation signals to
the HV input or the H and V inputs. When connecting the three
sets of RCA connectors use the colours as a guide: connector
This input should be connected to an RGB-type video or graphic
signal using a cable with a DB15HD type connector.
The signal source device (typically a personal computer or
game console) must be able to provide separate H/V synchronisation or composite H+V.
The video or graphic signals that can be connected to this input
can have horizontal scan frequencies (H-sync) of between 32
and 80 kHz and a vertical frequency (V-sync) of between 48
and 100 Hz. Image resolution can vary between 640x480 and
1600x1200 pixels (VGA, SVGA, XGA, SXGA, UXGA).
DigiOptic ™
Imag e Processor
Connector
V ideo signa l
so urce connector
Y (green)
Y
Y
Y
C r (re d)
PR
R -Y
V
C b ( blue)
PB
B -Y
U
VIDEO 1 2
These inputs should be connected to a Composite Video signal
(CVBS) by means of a cable with an RCA connector.
The connector on the source is usually yellow and is frequently
labelled VIDEO.
Although other types of signals are preferable (since they
allow better picture quality), this is still the most common type
of output, and nearly all television receivers, video-recorders,
DVD players, video cameras, etc., are equipped with CVBS
outputs.
S-VIDEO 3 4
12
DVI-D 11
This input allows you to advantage from the quality of the
digital images .
If your source is equipped with a DVI-D output, YCrCb or RGB
connect it to this input to exploit the quality of the HT500LINK
system.
HDMI 12
With this input it is possible to integrate the optimal quality of a
digital image with a multichannel audio signal.
The HDMI™ (High Definition Multimedia Interface) in fact integrates a multichannel audio signal with the uncompressed
high definition video signal.
The interface also allows the exchange between the video
source and the HT500 LINK system of control data to optimise
the quality of the projected image.
The HDMI™ input allows connection to video sources that use
the HDCP (High-Bandwidth Digital Content Protection) protocol
to protect their contents. This protocol is in fact incorporated in
the definition of the HDMI™ technology.
Once the video source has been connected to the HDMI™
input, internal processing by the DigiOptic™ Image Processor
separates the video information from the audio information.
This information is then made available via an optical digital
output with a female TOSLINK connector in accordance with
the S/PDIF standard.
CONTROL (RS232)
The system can be controlled via a personal computer or home
automation systems by means of the serial port: simply connect this input via a serial cable from an RS232 serial port. On
request, SIM2 will send you a document containing the serial
port settings and the list of main commands.
13
14
5 SWITCHING ON AND OFF
The HT500LINK system consists of the Projector and the DigiOptic™ Image Processor (which is also the system control
centre). The DigiOptic™ Image Processor sends commands to
the Projector and receives operating status information from the
Projector and function commands from the user. The system can
be controlled from either the remote control (via the infrared sensors on the DigiOptic™ Image Processor and on the Projector)
or the keypad located on the rear of the Projector.
The two units have separate power supplies however: after
connecting the unit to the electrical mains supply:
1) Set the two power switches to “I”; the DigiOptic™ Image
Processor power switch is located on the external power supply
unit (Fig. 13c), while the Projector switch is on the rear panel
(Fig. 13a).
2) Turn on the DigiOptic™ Image Processor by pressing the
button on the front panel (Fig. 13b).
Significant status signals are given in Table 3.
Table 3
DigiOp tic ™ Im age
Pro ce ss or
Status
Gree n LED
B lue LED
Pro jec tor
Gree n LED
Off
Initialisation
S tand-by
On
C ooling
Optical link not active
Insi
gnificant
:
-
C aution
Err or
: Off
0 LIN
: F las hing
: On
If the No optical link or Error signals are active the system
cannot be operated; if the Warning signal is active the system
will operate but it may be unable to read certain input signals
correctly.
Fig.13a
50
B lue LED
K
1
2
SWITCHING ON FROM STAND-BY
3
-
CLA
SS
1 LAS
ER
PR
OD
UC
T
Switching on the system (Fig.14):
• from the remote control (keys 0-9)
• from the Projector keypad (keys · and ‚).
I
O
I
O
DIG
IOP
Fig.13c
TIC
™
IMA
GE
PR
OC
ES
S OR
ON
OF
F
IMA
GE
PR
OC
E SS
OR
ON
O FF
0
Fig.13b
50
0 L
IN
K
R
2
IG
I
L
C
H
5
T
00
After a few seconds (system initialisation interval), the DigiOptic™ Image Processor and the Projector assume stand-by
mode.
System status information is provided by two LEDs (green and
blue) on the front panel of the DigiOptic™ Image Processor, a
blue and green LEDs on the rear of the Projector.
1
2
3
-
CLA
S
S
1L
AS
ER
PRO
DU
CT
Fig.14
15
Typically, the picture will appear after 15-20 seconds. Pressing
a key from 1-9 on the remote control selects the corresponding
input; pressing 0 selects the input active at the time the system
was last switched off.
If the system is switched on very soon after it was last switched
off, the lamp may fail to come on because it is too hot. In this
case just wait a few minutes to allow the lamp to cool.
Switching the system off (Fig.15):
• from the remote control ( key)
• from the Projector keypad ( key).
If you wish to power off the system completely, wait at least one
minute in stand-by before setting the mains power switches on
the units to the “O” position or disconnecting the power supply
cables. This is to allow the fans in the Projector unit sufficient
time to cool the lamp.
50
0 L
IN
R
2
IG
I
L
C
H
5
T
00
1
2
3
-
CLA
S
S
1L
AS
ER
PRO
DU
CT
Fig.15
16
K
In case the Projector unit is shut down (for example due to a
shut down of the projector unit by putting the switch in the “O”
position or by accidentally unplugging the power cord cable)
to re-boost the HT500LINK system it is necessary to shut down
the DigiOptic™ Image Processor and repeat the power-on procedure described in point 1 and 2.
In case the connection with the fiber optics between the two unit
is interrupted (for example by unplagging one or more cable),
to restore the system, it is necessary to turn off the two units
through the main switches and once the connecectin is restored,
repeat steps 1 and 2 of the power-on procedure.
6 KEYBOARD PAD
Eight push buttons, at the rear of the projector, will allow complete operation without the use of the remote control.
Auto
Menu
Selects AUTO Adjust
(automatic optimisation
of the displayed image).
Activates the On Screen Display
menus. Navigates Menu pages.
Switches off to stand-by.
Up/Down/Left/Right arrow keys
Navigate through and make adjustments to the On
Screen Display menus.
Arrow Up/Down switch on from stand-by and recall
Source Selection menu.
-Focus-Esc
De-activates the On Screen Display and gives
access to the lens ZOOM/FOCUS adjustment functions.
7 REMOTE CONTROL
The remote control transmits commands to the system by
infrared signals.
There are three infrared sensors, one at the front of the Projector,
one at the rear of the Projector and one on the front panel of
the DigiOptic™ Image Processor.
It is possible to control the projector by pointing the remote
control at the screen; the sensor at the front of the projector will
pick up the reflected infrared commands. (Fig. 16).
Avoid placing obstructions between the remote control and the
infrared sensor at the front of the projector; this will impair the
remote control performance.
500
L IN
Insert the batteries, taking care to match the polarity, as indicated in the battery recess of the remote (Fig. 17).
Change the batteries in the remote control if experiencing
difficulty in sending commands to the projector.
If the remote control is not to be used for a long period of time
remove the batteries. Replace all batteries at the same time;
do not replace one new battery with a used battery. If the batteries have leaked, carefully wipe the case clean and replace
with new batteries.
-
+
+
-
+
+
-
Four 1.5V�
AAA type�
batteries
K
1
2
3
-
CLASS
1 LASER
PRODUCT
1
2
Fig. 16
Fig. 17
17
8 ON SCREEN MENU
All system functions can be activated from the keypad or remote control with the aid of a practical and comprehensive system
of on screen menus.
INPUTS
The input selection menu (Inputs) is called by pressing 0 on the
remote control and, when no other menu is displayed, using
the · and ‚ keys on the keypad. To select an input, scroll the
list with the · and ‚ keys until the desired input is highlighted,
then press ‡.
Display of the input selection menu is terminated
by pressing the ESC key, or when the time allowed for displaying
the on-screen menu has lapsed (set in the Set-up Menu).
Input 5 can accept RGB and YCrCb signals with a scan frequency up to 32Khz.
Inputs 6, 7 and 8 can receive RGB and YCrCb signals, at 15
kHz, 32 kHz or higher. The association between the input and
the type of signal (RGB or YCrCb) is made from the pull-down
menu that appears on the right of the < symbol after pressing
the fl key (Fig. 18b).
Inputs
1
2
3
4
5
6
7
8
9
10
11
12
VIDEO 1
VIDEO 2
S- VIDEO 3
S- VIDEO 4
C OMP/RGB
C OMP/RGB
C OMP/RGB
C OMP/RGB
GR AP H RGB
GR AP H RGB
DVI -D 11
HDMI 1 2
5
6
7
8
9
10
1
2
3
4
5
6
7
8
9
10
11
12
Y C rC b 32kHz
RGB S 15kHz
Y C rC b
Y C rC b 15kHz
Y C rC b
Fig. 18a
Inputs
1
2
3
4
5
6
7
8
9
10
11
12
18
VIDEO 1
VIDEO 2
S- VIDEO 3
S- VIDEO 4
C OMP/RGB
C OMP/RGB
C OMP/RGB
C OMP/RGB
GR AP H RGB
GR AP H RGB
DVI -D 11
HDMI 12
5
6
7
8
9
10
1
2
3
4
5
Y C rC b 32kHz
6 Y C rCRGB
S 15kHz
b AutoS
ync
7 Y C rCYbC1rC
5KbHz
8 Y C rCYbC rC b 15kHz
9 RGB Auto S ync
10RGB 1 5K hz
11RGB Y C rC b
12
Fig. 18b
In the pull-down menu it is also possible to choose the horizontal frequency or use the AutoSync feature; in this case the
system detect the horizontal frequency signal (15KHz, 32KHz
or higher) automatically.
Input 11 is capable of receiving YCrCb or RGB signals coming
from DVI-D sources.
The selection should be made from the drop menu following
the indications described above.
After selecting the source signal (by means of the · and ‚
keys), press MENU+/MENU- to confirm and close the pull-down
menu; the value you have just set will be displayed on the right
of the < symbol.
As with the other inputs, you can now select the input just set
by pressing the ‡ key.
During the short time it takes to find the signal, a box appears
showing the signal requested. As soon as the signal is shown
in the box additional information is displayed concerning the
video standard (for video signals) or resolution (for graphic
signals), and format.
Fom the SETUP menu it is possible to choose to visualize or not
this information, for more details check the SOURCE INFORMATION
in MENU section.
MAIN MENU
Image
To access the main menu of the On Screen Display press
the MENU key on the keypad or the MENU+ or MENU- key on the
remote control.
The main menu is divided into four windows, PICTURE,
IMAGE, SETUP and MENU, in which the various adjustments are
grouped according to the frequency of use. Use · and ‚ to
select the line corresponding to the adjustment you wish to
make (Fig. 19).
Picture
B rightness
60
Contrast
Co lour
Ti nt
Sh ar pness
F ilter
C inema Mode
V ideo Type
Nois e R eduction
50
50
50
3
2
Off
Auto
Normal VC R1
Auto
1
Normal
Anamorphic
Letterbox
P anoramic
P ixel to pixel
Us er 1
Us er 2
Us er 3
Fig. 20b
These submenus are accessed by pressing the � key, while
exit and return to the upper level occurs by pressing MENU+/-.
Press ESC on the remote control or keypad to interrupt the
menu display or wait for it to disappear automatically after the
number of seconds set on the SETUP page.
PICTURE
VC R 2
Fig. 19
The various menus only offer the relevant adjustments in accordance with the type of input signal displayed (e.g. certain
typical adjustments for video signals, not necessary for graphic
signals, do not appear on the menus, and vice versa).
Some adjustments (e.g. BRIGHTNESS and CONTRAST) are associated with a numerical value that can be varied within the set
limits using the keys fl / ‡. For others (e.g. VIDEO TYPE) you can
choose among three options presented on the same
fl / ‡).
Other adjustments (marked by the < symbol) provide submenus, which appear as a superimposed window in which the
selection is made with the · and ‚ keys (Fig. 20).
Image
As pect
Colour T emperature
G amma Corr ection
Ov ers can
P os ition
Y/C Delay
As pect
Colour T emperature
G amma Corr ection
Ov ers can
P os ition
Y/C Delay
1
1
Fig. 20a
This menu features the adjustments related to picture quality.
Adjustments that are not available for a given input do not
appear on the menu. Table 4 summarises the adjustments available for each input. For a complete overview of the on-screen
menus, consult the ON SCREEN MENU LAYOUT in the ADDITIONAL
INFORMATION section.
BRIGHTNESS
Use this control to adjust the image’s black level without
affecting white areas. Increasing the value will give more detail
in darker parts of the picture. For correct adjustment it may prove useful to display the signal relative to the grey scale within
which the black level and the level immediately above it must
be separately identifiable. Alternatively use a scene composed
of black objects alongside other dark coloured objects.
CONTRAST
Use this control to adjust the image’s black level without affecting white areas.
To ensure correct adjustment, it may prove useful to display the
signal relative to the grey scale, within which the white level and
the level immediately below it must be separately identifiable.
Alternatively use a scene composed of well-lit white objects
surrounded by light coloured objects with lower level lighting.
COLOR
This control (also called Saturation) increases or decreases
19
Table 4
Inputs
RG B G rafico
DVI-D
HDMI™
Co lour
-
-
-
Tint
-
-
-
Adjustments
FILTER
This allows you to select the mode in which the input signal
is processed. Selecting the most appropriate value for a given
input signal ensures the best horizontal and vertical definition
and makes the picture sharper.
Brightness
CINEMA MODE
In AUTO the deinterlacer recognises if the video signal source
is a movie film (obtained from a Telecine device with 3:2 or 2:2
pull-down) and applies a deinterlace algorithm optimised for
this type of signal.
If the video signal source is not identified as a film, or if you
select NO the deinterlacer applies a Motion compensated algorithm optimised for video camera signals.
S harpness Mode
VIDEO TYPE
Activates a filter to improve stability of pictures from video recorders or DVD players. To toggle between NORMAL, VCR1 mode
and VCR2 mode press
on the remote control.
20
Y C rC b
SHARPNESS MODE
This allows you to select the type of processing associated
with sharpness adjustment. In the case of a progressive or interlaced video signal VIDEO mode is advisable; with PC graphic
signals use GRAPHIC MODE.
RG B S
SHARPNESS
Use this adjustment to increase and decrease the level of
picture detail.
When the sharpness value is reduced the image details
appear less pronounced, while increasing the value raises
image definition, making the outline of objects sharper.
Note that an excessively high value may result in a ‘noisy’ picture
and the edges of objects may be unnaturally defined.
RG B S 15kHz
Y C rC b 15kHz
TINT
Controls the purity of the colours. Basically determines the
red-green ratio of the picture.
Reducing the value will boost the red contents of the picture, increasing the value will boost the green tones. For this
adjustment use skin tones or a test pattern image with colour
bars as a reference.
NOISE REDUCTION
This adjustments allows to choose the filter value for noise
reduction purposes.
As soon as this option is selected on the menu, the image is
divided in two parts.
In the left side the image is not altered by the filter, in the right
part the filter is activated.
This allows you to compare the effect of the filter.
It is possible to deactivated the filter (NOT ACTIVE), to use the
automatic adjustments (AUTO) or to manually select (MANUAL)
the value suitable for the image with the VALUE adjustment.
In case of using the VALUE adjustement, it is enoght to select
to cursor below and set the value with the fl / ‡ keys of the
remote control.
Associated to the NOISE REDUCTION there is the possibility to
use the specific function (FLESH TONE CORRECTION) to make skin
tone more natural. Often the use of noise reduction filter slightly
degrades the image in those areas where skin tones are visible.
With the use of this function it is possible to maintain an excellent
image quality throughout the entire projected image.
Video
S- Video
the picture colour intensity. When set to zero, colour images
will be shown in black and white. Increasing the value, try to
find the point at which the colours look natural: suitable references include skin tones and grass in landscape shots.
Co ntrast
S harpness
-
-
F ilter
-
-
-
-
C inema Mode
-
-
-
-
Video Type
-
-
-
-
Noise reduction
-
-
-
-
F lesh tone correction
-
-
-
-
P resent only if the Video S tandard is NT S C
IMAGE
This menu features adjustments relating to picture position,
aspect ratio, etc.
ASPECT
This adjustment allows you to change the dimensions and
aspect ratio (relationship between width and height) of the
displayed image. There are five preset aspects available and
three personalised aspects (with user-settable parameters).
You can select a different aspect for each source: the selected
aspect ratio will be automatically called the next time the relative
source is called.
You can also select the required aspect ratio by repeatedly
pressing the
key, or by pressing
and a numerical
key (1...8).
The following aspects are available.
NORMAL: projects the image occupying the full height of the
screen while maintaining the aspect ratio of the input signal.
When the input signal aspect ratio is 4:3 black vertical bands
are displayed on the right and left of the picture.
ANAMORPHIC: allows a 16:9 picture to be displayed correctly.
LETTERBOX: serves to display 4:3 letterbox image (with source
signal having black bands above and below the picture) so that
it fills the 16:9 screen and maintains the correct aspect ratio.
PANORAMIC: this aspect stretches the 4:3 image, slightly cropping the upper and lower parts.
Panoramic is ideal for displaying a 4:3 image on the 16:9 screen
of the Display.
PIXEL TO PIXEL: this aspect displays the image as it is input without
adapting it to the screen.
The image is projected in the centre of the screen and if its horizontal and/or vertical dimensions are smaller than the display,
it is bounded by vertical and/or horizontal black bands.
USER 1, 2, 3: When none of the preset formulas are suitable,
the User formulas are available, with the facility for continuous
horizontal and vertical adjustment of picture size.
SCREEN CONTROL
If an appropriate screen-masking interface is connected to the
12V output socket it is possible, for each aspect chosen, to re-
frame the screen to a variety of aspect ratios and screen sizes
(please refer to the screen manufacturer’s manual).
COLOR TEMPERATURE
Changes the colour balance of the image.
Colours can be adjusted towards the red end of the spectrum
(low colour temperature values - expressed in degrees Kelvin)
or the blue end (high values).
Colour temperature can be selected with three preset values:
HIGH (corresponding to approx. 9000 degrees Kelvin), MEDIUM
(approx. 8000 degrees Kelvin), LOW (approx. 6500 degrees
Kelvin) and one PERSONAL setting controlled by the user with
separate adjustments for RED, GREEN and BLUE.
In the personale color adjustment for all three colors it is possible to set an Offset value and Gain.
The Offset adjustments have an impact of the low IRE values,
while the Gain adjustments impact of the higher IRE values.
Generally, the HIGH value is more suitable for displaying graphic
images, MEDIUM and LOW for video images.
These adjustments are reserved for expert users since there is
a risk of obtaining results that impair projected image quality.
GAMMA CORRECTION
Determines the system’s response to the grey scale, emphasising or attenuating the different grades of brightness (blacks,
dark, medium, light grey, whites) in the projected image.
There are 6 types of gamma curves FILM,FILM1,VIDEO, VIDEO1, GRAPHIC and USER. Whit USER curve the the user
may select the exponent (gamma value) used for gamma
compensation.
Values between 1.5 to 2.2 enhance the details in the dark image
content, resulting in a lower contrast perception.
Values higher than 2.2 , occurs a fade away of details in the dark
image content, resulting in a higher contrast perception.
With the value equal to 2.2 (the standard value) , the image’s
colours displayed are the most natural colours available with
the common video sources.
OVERSCAN
Remove noise around image. Some sources can produce a
picture with noise along edges, thanks to the overscan function
it is possible to drop such imperfections outside the projected
area. The overscan value can be included between 0 (no overscan) and 32 (maximum value). The image maintains in any
case the aspect.
21
FREQUENCY/PHASE
These adjustments, available for progressive signals and for
signals from PC, ensure correspondence between the number
of pixels making up the signal and the number of pixels making
up the projected image.
These parameters do not normally require adjustment because
the system checks the input signal and automatically sets the
most suitable values.
However, if the image appears disturbed (loss of position within
the equidistant vertical bands or instability and lack of sharpness on the narrow vertical lines) it may help to prompt the
system to repeat the input signal analysis and determination
of the best parameters by calling the automatic adjustment
procedure with the AUTO key on the remote control or on the
keypad.
If the automatic procedure fails to have the required effect, enter
the frequency and phase values manually and approach the
screen sufficiently to observe the effects of the adjustments.
Table 5
Position
DVI-D
HDMI™
RGB G rafico
YCrCb
RGB S
Adjustments
RGB S 15kHz
YCrCb 15kHz
Inputs
Video
S- Video
POSITION
Use this adjustment to position the image vertically and horizontally. Determines the aspect ratio of the projected image.
These parameters do not normally require adjustment because
the system checks the input signal and automatically sets the
most suitable values.
However, if the image is not perfectly centralised it may prove
useful to request the system to repeat the input signal analysis
and image positioning, calling the automatic control procedure
from the AUTO button on the remote control or keypad. When this
procedure is called it is helpful to have a white or light coloured
background on the screen in the current picture.
-
Aspect
F requency
-
-
-
P hase
-
-
-
C olour Temperature
G amma C orrection
Overscan
-
Y /C Delay
-
-
-
SETUP
The setup menu contains less frequently used adjustments that
may be required during installation (e.g. On Screen Display
language selection or the display of Test Patterns).
ORIENTATION
Select the option that best describes the installation i.e. desktop
front, ceiling front, desktop rear and ceiling rear.
Y / C DELAY
In the case of Video and S-Video signals, it may be necessary
to correct horizontal colour misalignment within the projected
image. For a given video standard (e.g. PAL or NTSC) the stored
value does not normally require further fine-tuning, unless the
source or connection cable has changed.
50
0 L
IN
K
1
2
3
-
CLASS
1 LASER
PRODU
CT
Fig. 21
22
HORIZONTAL/VERTICAL KEYSTONE
To obtain maximum quality of the projected image, we recommend the installation of the projector on a level platform parallel
and central to the screen.
Adjust the feet underneath to obtain a level position, lining up
the base of the projected image to the base of the projection
screen (Fig. 22).
50
0 L
IN
K
1
2
3
-
CLASS
1 LASER
PRODU
CT
Fig. 22
LENS
The ZOOM adjustment impacts on the motorized zoom lens
allowing to increase or decrease the dimension of the projected
image. The FOCUS adjustment impacts on the motorized lens
focus, allowing to obtain the highest definition on the projected
image, an accurate focus setting should allow the viewer to distinguish each pixel that create the image one from another.
If the video signal used is not suitable for this purpose, the
HT 500 LINK system provide two test pattern , each available
with the ajustment mentioned above, in order to select the
appropriate value for ZOOM and FOCUS.
This test pattern is displayed by pressing the • key, once the
right adjustments are reached using the fl and ‡ keys, the
test image can be easly removed pressing again the • key of
the remote control. The LENS SHIFT adjustment allows to move
horizontally (keys fl and ‡) and vertically (keys · and ‚) the
lens, in order to center the image.
O
ZO
ZOOM
FOCUS
M
If the projected images needs to be centred, the LENS SHIFT
(see next paragraph) adjustment allows the projected image
to be moved vertically and horizontally, in relation to the centre
of the screen (Fig. 23).
The keystone adjustement helps to compensate possible horizontal tilts of the projector.
??
FOCUS
?
ZO
OM
OM
ZO
FOCUS
FOCUS
O
ZO
M
500
LIN
K
1
2
3
-
CLASS
1 LASER
PRODU
CT
Fig. 24
50
0 L
IN
K
1
2
3
-
CLASS
1 LASER
PRODUCT
In the initial phase of installation the configurable keys (F1, F2)
serve as optical zoom and optical focus (Fig.24).
50
0 L
IN
K
1
2
3
-
CLASS
1 LASER
PRODUCT
Fig. 23
In the event you are unable to centre the image within the screen
area, tilt the projector until the image is correctly positioned. Any
keystone error can be removed by the Keystone adjustment
in the Set up menu.
LAMP POWER
If your room is especially dark, the images from the system
HT500LINK could result execessively bright. In order to enjoy
wonderful images, the ECOMODE function activation allows to re
du ce the power used to feed the lamp. In this way, the brightness of the image will be adapted to your projection conditions
and a grater life lamp will be guaranteed.
POWER ON
If active (AUTO) allows to power up the system directly from the
power feeder, once the initializing phase is completed.
23
If not active (STAND-BY) once the initializing phase is completed
the system remains in a stand-by mode waiting to receive the
power on command from the remote control or the key pad.
TEST PATTERNS
Displays a series of five test patterns, useful for the installation
of the projector.
Press · and ‚ keys to browse pattern.
FACTORY DEFAULTS
Reconfigures the projector to original factory settings except
Position, Orientation, Y/C Delay, Zoom and Focus.
C onfirm?
No
Yes
MENU
LANGUAGE
Lists the languages available for the On Screen Display menus.
SOURCE LIST
In order for the HT500LINK system to be more flexible, the following described functions allow to modify the input selection
menu making it more user friendly.
The main window shows all the inputs available on the DigiOptic™ Image Processor. If one or more inputs are not utilized,
it is often helpful to blank them from the input list (accessed
with the 0 key).
Once the input has been chosen, in the drop menu that
appears by pressing the fl key, it is possible to activate the
source (Fig. 25). The exclusion or activation of the source will
automatically renumber the remaining active inputs.
24
Source list/Edit sou
1
2
3
4
5
6
7
8
9
10
11
12
rce name
VIDEO 1
VIDEO 2
S- VIDEO 3
S- VIDEO 4
C OMP ONE NT / RGB
C OMP ONE NT / RGB
C OMP ONE NT / RGB
C OMP ONE NT / RGB
GRAPH IC S RGB 9
GRAPH IC S RGB 10
DVI -D 11
HDMI 12
S
S
S
S
5
6
7
8
VIDEO 1
VIDEO 2
VIDEO 3 Yes
AC ST IVE
S- VIDEO 4
NAME
C OMP RGB 5
C OMP RGB 6
C OMP RGB 7
C OMP RGB 8
GRAPH RGB 9
GRAPH RGB 10
DVI -D 11
HDMI 12
No
The inputs with an active video signal (visible in the input selection menu) are marked with a check symbol.
It can be also helpful to identify the input with a name chosen by
the user (for example with the name of the connected source)
rather than with the signal type.
Once chosen to have the input visible, in the drop menu, by
selecting the Name option it is possible to rename the source
in use.
This will make it easier to remember the source connected to
a specific input. You can use up to 12 alphanumeric letters
to name the source (for more details check the “Insert text”
section)
Insert text
You will be able to insert text easily and rapidly by accessing
the text insertion menu (fig. 26)
Ed it s ource na me
__________ _
Cancel
-
C onfirm
+
()?@
1
AB C
2
DE F
3
GHI
4
JKL
5
MNO
6
PQRS
7
TUV
8
WXYZ
9
0
Fig.26
The text insertion mode remains the same if text is being inserted for the first time or if a previously inserted name is being
edited. The letter insertion can be done in any available position
(represented by horizontal lines).
Use the fl and ‡ keys to move between letters either left or
right respectively.
Press the numeric key matching the letter (Fig. 26), the first click
of the key selects the first letter, the second click the second
letter and so on.
The available letters are shown in the text insertion menu.
Once one letter has been inserted, to insert the following one it
is necessary to move with the cursor in the next right position
with the ‡ key of the remote control, repeat this procedure to
insert other letters.
Use the · key to switch from small case to capital letters and
viceversa.
Any mistake can be deleted with the ‚ key once it has been
positioned on the wrong letter.
Once the text insertion process is finished, it can be confirmed
and saved by clicking the MENU+ key.
If you want to delete the modifications use the MENU- key of the
remote control.
F1/F2 KEYS
This allows to assign different functions to the remote control
keys, named F1 and F2.
The window is made of 6 options, once for each line and by
two columns showing the F1-F2 keys. The choice between F1
and F2 is made by the fl and ‡ keys of the remote control; the
function given to F1 and F2 is chosen with the ‚ and · keys.
The function delivered by the key is memorized by the intersection on the line and column.
In the following window are described the 6 options
Menu
Language
E nglish
Source list
F1/F2 keys
Source i nfo
Zoom
OS D Ba ckgroung
Focus
OS D Position
Magnification
OS D T imeout B lank
Focus
Once selected, the fl and ‡ keys allow to focus the image.
Magnification
Allows you to select the area to be viewed and then magnify
the projected image. The degree of enlargement is selected in
Zoom mode (identified by a magnifying glass in the centre of
the image) using the fl and ‡ keys. The area of the picture
to be enlarged is selected in Pan mode (symbol in the centre
of the picture) using the fl,‡, ‚ and · arrow keys. You can
toggle between Zoom and Pan mode by pressing the F1/F2
key on the remote control.
Blank
Blanks the active video signal producing a completely black
screen. Once pressed the key an indication of a few seconds
on the OSD will confirm its activation. A click of any other key
of the remote control allows to restore the previous settings.
Color temperature
The following click of the key (F1 or F2) allows to choose
between the different color temperatures available. HIGH, MID,
LOW, USER.
Gamma correction
The following click of the key (F1 or F2) allows to choose
between the different gamma curves available.
SOURCE INFORMATION
When active (YES) each source change will show the information
related to the signal. If not active (NO) there will be no information
on the selected source.
OSD BACKGROUND
Determines the type of background for the On Screen Display.
F1 F2
OSD TIMEOUT
Use this adjustment to set the display time after which the On
Screen Display will disappear.
C olour temperature
G amma correctio n
Fig.27
Zoom
Allows to access the optic zoom, where the � and � keys allow
to increase or decrease the size of the projected image.
OSD POSITION
Allows the On Screen Display to be positioned in a particular
area of the projected image. The OSD can be positioned using
the arrow keys for fine adjustments or keys 1...9 on the remote
control to select one of 9 preset positions.
25
MEMORIES
The main parameters of the image may be saved in distinct
groups of values (known as ‘Memories’); these parameters
can subsequently be applied all together by way of a single
command.
There are 3 distinct Memories (Memory 1, Memory 2, Memory
3) for each of the 25 signal types managed:
Some of these parameters may not be available for certain
inputs or certain input signals, as indicated in Tables 4 and 5.
The menu page for the Memories management functions is
activated by pressing the
key on the remote control or the
fl key on the keypad (Fig.28).
1 V IDE O
2 V IDE O
3 S -V IDE O
50
0 L
I
NK
R
4 S -V IDE O
H
T
5
00
G
I2
LI
C
�
��
�
5 COMP/RGB(RGB 15KHz)
5 COMP/RGB(RGB
�
5 COMP/RGB(YCrCb 15KHz)
5 COMP/RGB(YCrCb
32KHz)
32KHz)
1
2
6 COMP/RGB(YCrCb 15KHz)
6 COMP/RGB(RGB
6 COMP/RGB(YCrCb)
6 COMP/RGB(RGB)
7 COMP/RGB(YCrCb 15KHz)
7 COMP/RGB(RGB 15KHz)
7 COMP/RGB(YCrCb)
7 COMP/RGB(RGB)
8 COMP/RGB(YCrCb 15KHz)
8 COMP/RGB(RGB
8 COMP/RGB(YCrCb)
8 COMP/RGB(RGB)
15KHz)
CLA
SS
1L
AS
ER
PRO
DU
CT
15KHz)
9 GR APH IC S RGB
10 GR APH IC S RGB
11 DV I-D (RGB)
11 DV I-D (YCrCb)
12 H DMI
making a total of 75 different available Memories.
The image parameters that can be saved/recalled by the Memories management system are the following:
Image
BRIGHTNESS
CONTRAST
COLOR
TINT
SHARPNESS
FILTER
SHARPNESS MODE
VIDEO TYPE
NOISE REDUCTION
3
-
Picture
ASPECT
COLOR TEMP. GAIN (R/G/B)
COLOR TEMP. GAIN OFFSET (R/G/B)
COLOR TEMP.
OVERSCAN
GAMMA
Fig.28
The operations that can be performed on each memory selected are described here below.
Save a memory
To save the current values of the image parameters in Memory
1, use the · and ‚ keys to move to line ‘1’ and then open the
pull-down menu by pressing the fl key (Fig.29). Then select
the option ‘Save current settings’. To confirm that the operation
has been completed successfully, the message Current settings
saved in Memory 1 is displayed at the bottom of the screen and
the letter ‘S’ appears to the left of the memory name. The same
procedure is used to save parameters in Memories 2 and 3.
Memories
0 Auto
1
S
S ave current se ttings
2
I
S ave initial se ttings
3
S MEMORI
R ena meA 1
Setup
LAMP POWER
Fig.29
Recall a memory
To recall a Memory, select the desired line and press ‡. The
parameters saved in the selected Memory will be applied to
the image displayed and a message will appear to confirm
the operation Memory 1 recalled. The Memory recalled will be
26
associated with the source and signal type, and will be automatically recalled every time that particular source and signal
type combination is selected.
Save default settings
To restore the original values to a previously modified Memory,
select the line corresponding to the Memory in question and
open the pull-down menu ( fl key). Then select the line Initial
settings saved in Memory 1. To confirm that the operation has
been completed successfully, the message Memory 1 initialised
is displayed at the bottom of the screen and the letter ‘I’ appears
to the left of the name of the memory.
Rename a memory
It is possible to assign a name to each Memory. To assign a
name (with a maximum length of 12 alphanumeric characters)
to a Memory, select the option ‘Rename’ from the corresponding
pull-down menu. Enter the text following the procedure indicated in paragraph SOURCE LIST.
Restore Current Settings
On entering the MEMORIES menu, a copy of the current settings
is saved in a temporary menu (labelled with 0 - AUTO). Once
one or more memories have been recalled, you can restore the
settings that were effective at the moment the Memories menu
was accessed by selecting 0 - AUTO. However, this operation
must be completed before the MEMORIES menu page disappears (30 seconds after the last operation commanded from
the remote control or the keypad). The next time it appears,
the temporary memory will contain new information that takes
into account any Memories selected the penultimate time the
‘Memories’ page was accessed.
Memory 0 (- AUTO) can be used even when you do not wish
to enable the Memories management function for the signal
currently in use. Once Memory 0 has been selected, when a
source is chosen, the settings that were effective at the time
the Memory was previously recalled will be automatically
applied.
INFO
Displays the current status of the projector and information
concerning the projected video/graphic signal.
This function is displayed on pressing
on the remote control
(or, in the absence of the On Screen Display, the � key on the
remote control).
QUICK MENUS
The quick menus provide access to the main adjustments
that affect image quality, without calling the main On Screen
menus.
BRIGHTNESS, CONTRAST, COLOUR, TINT, SHARPNESS and FILTER adjustments appear at the bottom of the screen one after the other
when the · and keys are pressed ‚.
MESSAGES
The following messages may appear during operation of the
system:
No signal
The system does not recognise any signal applied to the selected input. In this case:
• Make sure the selected input is connected to a video or
graphic signal and that that source is functioning correctly.
• Check the condition of the cables used to connect the system to the various sources.
• Make sure the video or graphic signals supplied by the source are compatible with the system’s technical specifications
and, in particular, with those of the selected input.
Out of Range
This message appears when either the resolution or the vertical/
horizontal frequency of the input signal exceeds system specifications (e.g. a QXGA graphic signal) or when an input is supplied with an incompatible signal (after setting the components
input to YCrCb 15kHz a progressive signal is connected).
Substitution lamp
If the lamp hours exceed the 90% of the life lamp, at every
switching on , a brief message appears on the screen to remember the need of replacing it in a short time.
If the lamp life is greater than 100% the message above persists
until the ESC key is pressed.
27
9 CLEANING AND MAINTENANCE
The Projector and DigiOptic™ Image Processor do not require
internal cleaning. There are no user serviceable parts inside
the projector. Please refer all service requirements to qualified
personnel.
Cleaning the projector’s cover:
Use a soft slightly damp cloth. Do not use abrasive cleaners,
solvents or other harsh chemicals, as this will damage the
finish of the cover. Avoid direct cleaning of the rear panel’s
screen-printing.
Cleaning the lens:
The lens may be cleaned with a very soft, non-abrasive small
brush, in order to remove dust particles. Alternatively, use a soft
dry cleaning cloth (of the type used for camera lens cleaning)
to remove fingerprints and grease marks.
10 TROUBLESHOOTING GUIDE
No power (Green and red LED are OFF)
• Check the power switch at the rear: it must be in position I.
• Check if the power cable has been connected correctly to a
working socket.
• Check the power socket fuse, at the rear of the projector.
• Replace the fuse on the mains socket with an identical type
(T 5A H) (Fig. 2).
• Should the problem persist, seek authorised technical assistance.
The lamp is not coming on
• Allow a few minutes pause between switching off and turning
on again (from stand-by). This will allow the lamp to cool down
sufficiently.
• If the lamp doesn’t come on – even though the projector has
had sufficient time to cool down – seek technical assistance
from your nearest Dealer.
No image
• Check that the selected input is actually connected to a active
video or graphic signal.
• Check that the above source actually works.
• Verify compatibility of video/graphic signals with the technical
specifications of the projector.
28
• Check the integrity of cables used to connect various sources.
• Check the cooling air inlets or air outlets on the units are
not obstructed and the room temperature is below 35°C
(95°F).
Image is disturbed, unstable or noisy
• Verify compatibility of video/graphic signals with the technical
specifications of the projector.
• Check the integrity of cables connecting projector to various
sources.
• If the signal source is a terrestrial broadcast (via a VCR) check
that the receiving channel has been correctly tuned in and
that the aerial system is in good working order.
• Should the problem be present with a signal coming from a
video-recorder, ensure that the videotape is an Original “first
generation” copy and in good condition.
• Adjust the VCR’s tracking control for optimum picture performance. Ensure the VCR mode is active in the Picture
menu.
Incomplete image along borders (vertical and horizontal)
• Compare compatibility of video/graphic signals and technical
specifications of your projector.
• Press A on your remote control or AUTO on keypad to execute
automatic adjustments.
• Adjust the horizontal and vertical position of projected image
by selecting POSITION on the IMAGE ADJUSTMENTS menu.
• Adjust the width and height of image, selecting ASPECT in the
IMAGE ADJUSTMENTS menu.
• Adjust the Overscan value in the IMAGE/OVERSCAN menu.
Image too dark, too pale or unnaturally coloured
• Verify compatibility of video/graphic signals with technical
specifications of your projector.
• Go to PICTURE menu, select and regulate any of the following,
accordingly: CONTRAST, BRIGHTNESS, COLOR, and TINT.
• If necessary, reset the COLOR TEMPERATURE and GAMMA CORRECTION (found on the IMAGE ADJUSTMENTS / ADVANCED SETTINGS
menu).
Graphic image with poor quality vertical detail
• Verify compatibility of video/graphic signals with technical
specifications of your projector.
• Press A on your remote control or AUTO on keypad to execute automatic adjustments.
• Adjust FREQUENCY and PHASE parameters, found in the
IMAGE ADJUSTMENTS menu, to optimise vertical detail of the
projected image.
Video Image showing colour misalignment on vertical details
• Verify compatibility of video/graphic signals with technical
specifications of your projector.
• Adjust Y/C DELAY settings in the IMAGE ADJUSTMENTS / ADVANCED
SETTINGS to reduce colour misalignment. For best results use
an external colour bar test pattern source.
Remote control does not work
• Check the batteries and for correct polarity.
• Ensure that the area between the infrared sensor (front of
projector) and the remote control is free of obstruction.
• Ensure that infrared sensors (front and rear of projector) are
not exposed to intense light levels.
11 OPTIONAL ACCESSORIES
You can purchase the following optional accessories at your
Dealer:
- Ceiling Bracket Kit.
- Type of lens
Up to six types of lenses are available to accommodate different
throw distances and your specific installations. See ADDITIONAL INFORMATION for more details on throw distances and
the dimensions of the image projected. To change the lens,
contact always your nearest dealer.
Use only original, or SIM2 Multimedia approved, accessories.
CAUTION: for ceiling installation, by means of suspension bracket, carefully follow the instructions
and safety instructions recommended by the Manufacturer in the bracket’s literature.
29
12 ADDITIONAL INFORMATION
A TECHNICAL SPECIFICATION
PROJECTOR
OTTICA
Projection system:
triple panel DMD™ HD2(1280x720 pixel)
Color Filter
Dichroic Filter (50mmx50)
Contrast ratio:
3000:1 (objective G100 )
Projection lens:
“zoom”, focus, zoom,and horizontal/vertical shift motorized
Lamp:
250W
Lamp life time:
1500 hours (average value measured in the laboratory under optimal conditions; it can be sensibly
reduced by the unit misusing)
Type
Lens
Throw
Ratio
GR-1
(FWA)
G-80
G-100
G-200
G-400
G-500
0.64
1.2— 1.44
1.44—1.8
1.8—2.4
2.4—3.6
3.6— 5.6
Projection distance (between the screen and the center of the lens)
Type
Lens
GR-1
(FWA)
Image
width
Fixed
Min
Max
Min
Max
Min
Max
Min
Max
Min
Max
1.1
1.4
2.1
-
1.6
2.1
2.6
4.0
5.3
6.7
1.9
2.5
3.1
4.8
6.4
8.0
1.9
2.5
3.1
4.8
6.4
8.0
9.5
2.4
3.1
3.9
6.0
8.0
10.0
-
2.4
3.1
3.9
6.0
8.0
10.0
11.9
14.0
3.1
4.2
5.2
8.0
10.6
13.3
15.9
18.6
3.1
4.2
5.2
8.0
10.6
13.3
15.9
18.6
4.7
6.3
7.8
12.0
15.9
20.0
23.8
27.9
4.7
6.3
7.8
12.0
15.9
20.0
23.3
27.9
7.3
9.8
12.2
18.5
24.8
31.0
37.1
-
1.3m (51”)
1.7m (69”)
2.2m (86”)
3.3m (130”)
4.4m (175”m)
5.5m (220”m)
6.6m (260”)
7.8m (300”)
30
G-80
G-100
G-200
G-400
G-500
DIGIOPTIC™ IMAGE PROCESSOR
ELECTRICAL
Input/Output:
Control:
3-channel fibre
Panel (keypad), remote control
GENERAL PROJECTOR
Power supply cable:
Supply:
Consumption:
Fuse:
Dimensions of projector:
Weight of projector:
Operation temperature:
Transportation temp.:
Storage temperature:
Humidity:
Safety:
Transportability:
Compatibility:
Transportation:
(EU, UK e US); lenght 2m
da 100 a 240 Vac, tolerance +/- 10% ,
frequency from 48 to 62 Hz
340 W max
T 5 A H, 5 x 20 mm
540 x 210 x 615 mm (LxAxP)
28 kg
10 to 35°C
-15 to 55°C
-15 to 55°C
20% a 95% humidity non-condensing
EN 60950
desktop equipment
EN 55022 Class B
EN 55024
EN 61000-3-2
EN 61000-3-3
IEC 68-2-31, IEC 68-2-32
ELECTRICAL
Input signals:
• 2 COMPOSITE VIDEO (CVBS)
RCA type connectors, gold-plated
1,0 Vpp / 75 Ω, negative synchronisation
• 2 S-VIDEO (Y/C)
4-pin mini-DIN connectors
Y: 1,0 Vpp / 75 Ω, negative synchronisation
C: 0,286 Vpp / 75 Ω, [NTSC nominal burst level]
0,3 Vpp / 75 Ω [PAL, SECAM nominal burst level]
• 4 COMPONENTI (Y/Cr/Cb/H/V) - RGBHV
3 sets of 5 RCA connectors, gold-plated
1 set of 5 BNC type connectors, gold-plated
- Components signal
Y: 1,0 Vpp / 75 Ω, negative or 3-level synchronisation
Cr,Cb:0,7 Vpp / 75 Ω
- RGB signal
R,B:0,7 Vpp / 75 Ω
G: 0,7 Vpp / 75 Ω, separate H/V Sync or H+V Sync
1,0 Vpp / 75 Ω,negative or 3-level synchronisation
H,V: TTL positive or negative, 0,3-5 Vpp / 1 kΩ
• 2 RGBHV (analogue RGB)
female DB15HD connectors
R,B: 0,7 Vpp / 75 Ω
G:0.7 V / 75 Ω, separate H/V Sync or H+V Sync
1.0 V / 75 Ω, negative or 3-level synchronisation
H,V: positive or negative TTL, 0.3-5 V / 1 kΩ
• 1 DVI (digital RGB)
DVI-D female connector
• 1 HDMI™
pp
pp
pp
Input/Output:
Control:
Horizontal frequency:
Vertical frequency:
Video standards:
High definition video:
Graphic standards:
Deinterlacer:
Colour temperature:
Control:
3-channel fibre optic link
Remote control, via RS232 from PC or
home automation devices
from 15 to 110 kHz (up to UXGA, 85 Hz)
48 -100 Hz
automatically selected (PAL B, G, H, I, M,
N, 60, SECAM, NTSC 3.58 and 4.43)
ATSC HDTV (480p, 720p, 1080i, 1080p)
VGA, SVGA, XGA, SXGA, UXGA
Faroudja chipset, DCDi™, 3:2 pull down
sequence conversion
from 5000 to 9300 °K (three presets and
one user settable)
infrared remote control, RS232 serial (DB9
connector, female)
31
Outputs:
- 2 12-V jack connector outputs (1 active
with system powered on, 1 active with
16:9 aspect ratio selected)
- 1 Optical S/PDIF audio output Toslink
connector
GENERAL DIGIOPTIC™ IMAGE PROCESSOR
Power supply cable:
Power supply:
(EU, UK and US); length 2 m
100 to 240 VAC, tolerance ± 10%,
frequency from 48 to 62 Hz
Consumption:
30W max
Dimensions:
440 x 57 x 289 mm (WxHxD); compatible
with 19" rack
Weight (approx.):
2.5 kg
Operating Temperature: 10 to 35 °C
Transportation temperature: -15 to 55 °C
Storage temperature:
-15 to 55 °C
Humidity:
20% to 95% non-condensing
Safety:
EN 60950, UL 60950
Transportability:
desktop equipment
Electromagnetic
compatibility:
EN 55022 Class B
EN 55024
EN 61000-3-2
EN 61000-3-3
Transport:
IEC 68-2-31, IEC 68-2-32
32
LINK CABLE
Composition:
Connectors:
Length:
Diameter:
Tensile strength:
Type Approval:
three 50/125 μm multimode optical fibre
cables
LC type
20.0±0.2m
5 mm max
1200N*
UL OFNP
*traction applied on outer cable, not on
fibre cores or connectors.
B DIMENSIONS
PROJECTOR
210
540
615
unit: mm
57
DIGIOPTIC™ IMAGE PROCESSOR
DIGIOPTIC™ IMAGE PROCESSOR
ON
OFF
440
289
unit: mm
33
C ON SCREEN MENU LAYOUT
Pictur e
V ideo • S -V ideo
[NT S C ]
Y C rC b15kHz
RG B S 15kHz
Brightness
Co ntrast
Co lor
T int
S harpness
F ilter
C inema Mode
V ideo Type
Noise reduction
V ideo • S -V ideo
[PAL, S E C AM]
Brightness
Co ntrast
Co lor
S harpness
F ilter
C inema Mode
V ideo Type
Noise reduction
Not active
Y C rC b
Brightness
Co ntrast
S harpness
S harpness Mode
Brightness
Co ntrast
Co lor
T int
S harpness
S harpness Mode
Auto
F lesh tone correction
RG B S
RG B G rafico
DV I-D
HDMI™
M anual
On
Off
Value
F lesh tone correction
On
Off
Imag e
V ideo • S -V ideo
As pect
Co lor Temperature
G amma Co rrection
Overs can
Position
Y /C Delay
Y C rC b 15kHz
RG B S 15kHz
As pect
Co lor Temperature
G amma Co rrection
Overs can
Position
As pect
Normal
Anamorphic
Letterbox
Panoramic
P ixel to P ixel
User 1
User 2
User 3
34
Y C rC b
RG B
RG B G rafico
As pect
Co lor Temperature
G amma Co rrection
Overs can
Position
Frequency
P hase
Horizontal
Vertical
S creen control
Horizontal
Vertical
S creen control
Horizontal
Vertical
S creen control
As pect
Co lor Temperature
G amma Co rrection
Overs can
G amma Co rrection
Co lor Temperature
High
Medium
Low
User
DV I-D
HDMI™
R ed Offset
G reen Offset
B lue Offset
R ed G ain
G reen G ain
B lue G ain
F ilm
F ilm 1
V ideo
V ideo 1
G raphics
Horizontal
Vertical
S creen control
S etup
Orientation
Keystone
Lens
Lamp Power
Power ON
Test patterns
Initial settings
Zoom
Focus
Lens S hift
Auto
S tand-by
E nglish
Italiano
Français
Deus ch
E s pañol
Português
Menu
Language
S ource list
F 1/F 2 keys
S ource info
OS D background
OS D Position
OS D T imeout
1
2
3
4
5
6
7
8
9
10
11
12
F loor
F loor-rear
C eiling
C eiling-rear
Horizontal
Vertical
V IDE O 1
V IDE O 2
S -V IDE O 3
S -V IDE O 4
C OMP ONE NT / RG B S
C OMP ONE NT / RG B S
C OMP ONE NT / RG B S
C OMP ONE NT / RG B S
GR AP HIC S RG B 9
GR AP HIC S RG B 10
DV I-D 11
HDMI 12
F1 F2
Yes
5
6
7
8
No
Zoom
Focua
Magnification
B lank
Co lor temperature
G amma correction
V IDE O 1
V IDE O 2
S -V IDE O 3
S -V IDE O 4
C OMP RG B 5
C OMP RG B 6
C OMP RG B 7
C OMP RG B 8
GR AP H RG B 9
GR AP H RG B 10
DV I-D 11
HDMI 12
Active
Yes No
Name
Ed it s ourc e name
__________ _
C anc el
-
C onfir m
+
()?@
1
AB C
2
DE F
3
GH I
4
JKL
5
MNO
6
P QR S
7
TUV
8
WXYZ
9
0
35
Mem ori es
11 DV I-D 11
12 HDMI 12
DV I-D 11
HDMI 12
C anc el
-
C onfir m
+
7
8
9
0
Mem ori es
Mem ori es
0 Auto
1
S M E MORY 1
2
S M E MORY 2
3
S M E MORY 3
36
S ave current settings
S ave initial settings
R ename
Ed it mem ory name
__________ _
C anc el
-
C onfir m
+
()?@
1
AB C
2
DE F
3
GH I
4
JKL
5
MNO
6
P QR S
7
TUV
8
WXYZ
9
0
INDEX
1
Image
21
2 IMPORTANT SAFETY INSTRUCTIONS
3
Set up
22
3
7
Menu
24
8
Memories
26
9
Info
27
Positioning the two unit
9
Quick menus
27
Positioning DigiOptic™
9
Messagges
27
Positioning the two unit
9
9
Connecting the two units
10
10 TROUBLESHOOTING GUIDE
28
Connecting the video sources
11
11 OPTIONAL ACCESSORIES
29
15
12 ADDITIONAL INFORMATION
30
15
A Technical specification
30
6 KEYBOARD PAD
17
B Dimensions
33
7 REMOTE CONTROL
17
C On screen menu layout
34
8 ON SCREEN MENU
18
1
INTRODUCTION
UNPACKING
Package contents
4
5
INSTALLATION
SWITCHING ON AND OFF
Switching on from stand-by
Inputs
18
Main menu
19
Picture
19
CLEANING AND MAINTENANCE
28
37
SIM2 Multimedia S.p.a. • Viale Lino Zanussi, 11 • 33170 Pordenone - ITALY
Phone +39.434.383.253-256 • Fax +39.434.383260-261
www.sim2.com • e-mail: info@sim2.it
SIM2 USA Inc. • 10108 USA Today Way • 33025 Miramar FL - USA
Phone +1.954.4422999 • Fax +1.954.4422998
www.sim2usa.com • e-mail: sales@sim2usa.com
SIM2 Deutschland GmbH • Gewerbepark, 17 D-35606 Solms
Phone 0800.800.7462 • Fax 0800.900.7462
www.sim2.com • e-mail: info.de@sim2.it
SIM2 UK LTD • Steinway House Worth Farm,
Little Horsted Nr. Uckfield, East Sussex TN22 5TT
Phone +44.01825.750850 • Fax +44.01825.750851
www.sim2.co.uk • e-mail: kate.buckle@sim2.co.uk
SIM2 Multimedia is certified
• Due to the constant product development, specifictions and design might be subject to change without a notice.
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