Yamaha AVX-700 Owner's manual

 OWNER'S MANUAL
| - MODE D'EMPLOI
ITE
RISK OF ELECTRIC o
DO HOT OPEN
CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT
REMOVE COVER (OR BACK).
NO USER-SERVICEABLE PARTS INSIDE.
REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
e Explanation of Graphical Symbois
The lightning flash with arrowhead
symbol, within an equilateral triangle, is
intended to alert you to the presence of
uninsulated “dangerous voltage” within
the product's enclosure that may be of
sufficient magnitude to constitute a risk
of electric shock to persons.
The exclamation point within an
equilateral triangle is intended to alert
{ you to the presence of important
instructions in the literature
accompanying the appliance.
operating and maintenance (servicing) |
IMPORTANT
Please record the serial number of your unit in
the space below.
Model: AVX-700
Serial No.:
Keep this owner's manual in a safe place for
future reference.
_ moved with care. Quick
and uneven surfaces may
SAFETY INSTRUCTIONS
‘À Read Instructions — All the safety and operating
instructions should be read before the appliance i is
operated.
2 Retain Instructions — The safety and Operating
instructions should be retained for future reference.
3 Heed Warnings — All warnings on the appliance
and in the operating instructions should be adhered
to.
4 Foliow Instructions — All operating and other
- instructions should be followed.
5 Water and Moisture — The appliance should not
be used near water — for example, near a bathtub,
washbowl, kitchen sink, laundry tub, in a wet
basement, or near swimming pool, etc.
6 Carts and Stands — The appliance should be used
only with a cart or stand that is recommended by the
manufacturer.
6A An applicance and
cart combination should be
stops, excessive force,
cause the appliance and
cart combination to
overturn.
7 Wall or Ceiling Mounting — The appliance should
be mounted to a wall or ceiling only as recommended
by the manufacturer.
9 Heat —
8 Ventilation — The appliance should be situated sc
that its location or position does not interfere with its
proper ventilation. For example, the appliance shoulc
not be situated on a bed, sofa, rug or similar surface,
that may block the ventilation openings: or placed in.
built-in installation, such as a bookcase or cabinet th:
may impede the flow of air through the ventilation
openings.
The appliance should be situated away
from heat sources such as radiators, stoves, or other
appliances that produce heat.
10 Power Sources — The appliance should be
connected to a power supply only of the type
described in the operating instructions or as marked
on the appliance. |
11 Power-Cord Protection — Power-supply cords
should be routed so that they are not likely to be
walked on or pinched by items placed upon or again:
them, paying particular attention to cords at plugs,
convenience receptacies, and the point where they
exit from the appliance.
12 Cleaning — The appliance should be cleaned
only as recommended by the manufacturer.
13 Nonuse Periods — The power cord of the
appliance should be unplugged from the outlet when
left unused for a long period of time. —
14 Object and Liquid Entry — Care should be take
so that objects do not fall into and liquids are not
spilled into the inside of the appliance.
15 Damage Requiring Service — The appliance
should be serviced by qualified service personnel
when:
A.
B
С.
D. The appliance does not appear to operate normally
or exhibits a marked change in performance; or
E.
The power-supply cord or the plug has been
damaged; or
. Objects have fallen, or liquid has been spilled into
the appliance; or
The appliance has been exposed to rain; or
The appliance has been dropped, or the cabinet
damaged.
16 Servicing — The user should not attempt to
service the appliance beyond those means described
in the operating instructions. All other servicing should:
be referred to qualified service personnel.
17 Power Lines — An outdoor antenna should be
located away from power lines.
18 Grounding or Polarization — The precautions
that should be taken so that the grounding or
polarization of an appliance is not defeated.
Remote Control Transmitter
Emetteur de télécommande
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Remote Control Cable (5-pin, tuner) Video Cord
Cáble de télécommande (5 broches, syntoniseur) Câble vidéo
Batteries (size “AA”, RO6)
Piles (Taille "AA", RO6)
Remote Control Cable (6-pin, cassette deck)
Câble de télécommande (6 broches, platine à cassette)
Seais and Tweezers
Etiquettes et pinces
Remote Control Cable (mini-plug, turntable) |
Cáble de télécommande (mini-prise, platine tourne-disque)
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REMOTE CONTROL
Détecteur de télécon
e Thank you for purchasing the YAMAHA AVX-700 stereo amplifier.
CAUTION: READ THIS BEFORE OPERATING YOUR AVX-700
1. To ensure the finest performance, please read
this manual carefully. Keep it in a safe place for
future reference.
2. Install your unit in a cool, dry, clean place —
away from windows, heat sources, and too much
vibration, dust, moisture, or cold. Avoid sources of
hum (transformers, motors.). To prevent fire or
electrical shock, do not expose to rain and water.
3. Never open the cabinet. If a foreign object drops
into the set, contact your dealer.
4. Do not use force on switches, knobs or cords.
When moving the unit, first disconnect the power
plug and the cords connecting the other equipment.
Never pull the cord itself.
5. Always set the volume control of the amplifier to
“co” while lowering the tonearm to play a record; turn
the volume up with the stylus in the groove.
6. Do not attempt to clean the unit with chemical
solvents; this might damage the finish. Use a clean,
dry cloth.
7. Be sure to read the “troubleshooting” section on
common operating errors before concluding tha
your unit is faulty. 8
8. Do not connect audio equipment to the AC
outlets on the rear panel if that equipment requires
more power than the outlets are rated to provide.
9. If your unit has a voltage selector (General model
- only), check that it is set to your local voltage before
you plug it in. If not properly set, reset the switch to
indicate your supply voltage.
Special instructions for U.K. Model
WARNING
TO REDUCE THE RISK OF FIRE OR
ELECTRIC SHOCK, DO NOT EXPOSE THIS
APPLIANCE TO RAIN OR MOISTURE.
CAUTION FOR CANADA MODEL
TO PREVENT ELECTRIC SHOCK DO NOT
USE THIS (POLARIZED) PLUG WITH AN
EXTENSION CORD, RECEPTACLE OR OTHER
OUTLET UNLESS THE BLADES CAN BE
FULLY INSERTED TO PREVENT BLADE
EXPOSURE. a
THIS DIGITAL APPARATUS DOES NOT
EXCEED THE "CLASS B” LIMITS FOR RADIO
NOISE EMISSIONS FROM DIGITAL
APPARATUS SET OUT IN THE RADIO
INTERFERENCE REGULATION OF THE
CANADIAN DEPARTMENT OF
COMMUNICATIONS.
IMPORTANT
The wires in the mains lead are coloured in
accordance with the following code:
Blue: NEUTRAL
Brown: LIVE
As the colours of the wires in the mains lead
of this apparatus may not correspond with the
coloured markings identifying the terminals in
your plug, proceed as follows. The wire which
is coloured BLUE must be connected to the
terminal which is marked with the letter N or
coloured BLACK. The wire which is coloured
BROWN must be connected to the terminals
which is marked with the letter L or coloured
RED.
(See Fig. [1] )
After unpacking, check that the following parts are contained.
Remote control transmitter
Batteries (size “AA”)
Remote control cabie (5-pin, tuner)
Remote control cable (6-pin, cassette deck)
Remote control cable (mini-plug, turntable)
Video cord
Seels and Tweezers .
Bl FRONT PANEL (See Fig. [2] .)
(1) POWER switch
This switch is used to turn the power to the unit on and off. Press it to supply
power and press it again to turn the power off.
STANDBY indicator
When the POWER key on the remote control transmitter is pressed to turn off the
power instead of the POWER switch on the front panel, the STANDBY indicator
lights. In this state, pressing the POWER key on the remote control transmitter
again turns the power on and the STANDBY indicator goes off. To completely
turn off the power, press the POWER switch on the front panel.
(3) TEST indicator
Flashes during test mode.
COPY button and indicator
When this button is pressed, the indicator lights and this unit outputs only the
video/audio signal of the video source selected with one of the video input
selectors at REC OUT jacks.
Once this button is pressed, the recording source is determined and the other
“video input selectors cannot function.
(5) Video input selectors
These selectors are used to select the video source you wish to monitor (Video
Cassette Recorder 2, Video Cassette Recorder 1, Auxiliary, or *LD player). Whe
one of these selectors is pressed, the corresponding indicator lights.
* “LD player” is short for Laser vision Disc player.
(6) Audio input selectors
These selectors are used to select the audio source you wish to monitor (Tape
deck 2, Tape deck 1, Tuner, CD player, or Turntable). When one of these
selectors is pressed, the corresponding indicator lights.
The TAPE 2 MON! selector is also used to monitor the sound to be recorded
while recording is being carried out on tape deck 2.
(7) Bass/Treble, Rear balance, Delay time, Center Level/Rear level
indicators and meters
BASS/TREBLE indicators: The BASS indicator lights when the low frequency
response is being adjusted, and the TREBLE indicator lights when the high
frequency response is being adjusted. The meter shows the adjusted level with
lighted segments.
R.BAL (Rear balance) indicator: When adjusting the relative volume levels of
the left and right rear speakers, this indicator lights and the meter shows the =
shifted sound image with lighted segments.
D.TIME/mS indicator: When adjusting the sound delay time to the rear speaker
pair, this indicator lights and the meter shows the adjusted delay time in
milliseconds. |
C.(Center) LEVEL/R.{Rear) LEVEL: When adjusting the volume level of the
center speaker or rear speakers, the meter shows the adjusted volume level with
lighted segments.
VOLUME control and indicator
This control is used to adjust the output volume level. Turning the control
clockwise increases the sound level, and turning it counterclockwise decreases
the sound level. This control acts as the master volume control; it increases and
decreases the volume level to the front and rear speaker pairs and center
speaker.
(9) BASS, TREBLE, REAR BALANCE, and DELAY TIME buttons and
LEVEL/R.BAL/D.TIME controls
~ When adjusting the low frequency or high frequency response, press the BASS
button or TREBLE button and adjust the level with the LEVEL/R.BAL/D.TIME ( <q,
B ) controls.
When adjusting the relative volume levels of the left and right rear speakers,
press the REAR BALANCE button and adjust the level with the LEVEL/R.BAL/ -
D.TIME ( «, b> ) controls.
When varying the delay time to the rear speaker pair, press the DELAY TIME
button and vary the level of the delay time with the LEVEL/R.BAL/D.TIME ( <q,
» ) controls.
Pressing the » control increases the level and pressing the <« control
decreases the level.
REAR LEVEL controls
These controls are used to adjust the volume level of the rear speakers. Press
the UP control to raise the volume level and press the DOWN control to lower it.
O CENTER LEVEL controls
These controls are used to adjust the volume leve! of the center speaker. They
do not affect subwoofer output (connected to the lower CENTER jack). Press the
UP control to raise the volume level and press the DOWN control to lower it.
(12 CENTER MODE (NORM/PHANTOM/OFF) indicators
In Dolby Pro Logic Surround mode, the center speaker mode can be selected
with the CENTER MODE button and the corresponding indicator (NORM,
PHANTOM or OFF) lights.
INPUT BALance control
Use this control to obtain the best surround condition.
© CENTER MODE button
In Dolby Pro Logic Surround mode, this button is used to select the center
speaker mode. When the center speaker is used (5-speaker system), set this
button to NORM. Conversely, when the center speaker is not used (4-speaker
system), set this button to PHANTOM.
When adjusting the surround condition, set this button to OFF to cut off the sound
from the center speaker.
TEST button
When this bution is pressed in Dolby Pro Logic Surround mode, the unit
generates a pink noise signal that is sent in succession to the right, center, left,
- and rear speakers. This function is useful for adjusting the output level of the
various speakers from the listening position.
® AUX jacks
These jacks are used to connect an auxiliary video or audio input source, such
as a video camera, to the amplifier.
Surround PROGRAM buttons and indicators
These buttons are used to select a Surround Program. When the SIMULATED
SURROUND, LIVE, HALL, or Of PRO LOGIC button is pressed, the
corresponding indicator lights. When surround sound is not desired, press the
OFF button. For details, see the "SURROUND PROGRAMS” section.
Remote control sensor
Receives the signal from the remote control transmitter.
PHONES jack
This jack is used when privately lisiening to the sound using headphones. Insert
the headphones plug into this jack. When headphones are plugged into this
jack, the sound to the speakers is cut off.
| i REAR PANEL (See Fig. )
REMOTE CONTROL cable connectors
These connectors are used to connect compatible YAMAHA components
equipped with a remote control terminal (marked with an sg symbol) to your
. amplifier to enable remote control of each component. Cables for various
components are supplied with this unit.
PHONO — Connect to a turntable using the cable with the mini- plug connector.
TUNER — Connect tc a tuner using the cable with the 5-pin connector.
TAPE 1/2 — Connect a cassette tape deck using the cable with the 6-pin
connector.
E GND terminal
Connect to the ground wire of your turntable.
©) AUDIO SIGNAL jacks
These jacks are used to connect the audio signal cables from your components
to the amplifier. They should be connected to the proper input/output jacks of
each unit. Be sure that the L and R channels are connected properly.
PHONO — Connect to a turntable.
CD — Connect to a compact disc player.
TUNER — Connect to a tuner.
TAPE 1 — Connect to a cassette tape deck for both recording and playback.
TAPE 2 — Connect to a second cassette tape deck for both recording and
playback.
* If you have only one cassette tape deck, connect it to the TAPE 2 jacks. Thi
allows you to monitor the sound to be recorded by setting the front panel
TAPE 2 MON! selector.
LD — Connect to an LD player.
VCR 1 — Connect to a video cassette recorder for both recerding and playbact
VCR 2 — Connect to a second video cassette recorder for both recording and
playback. |
@) VIDEO SIGNAL jacks
LD — Connect to an LD player.
VCR 1 — Connect to a video cassette recorder for both recording and playback
VCR 2 — Connect to a second video cassette recorder for both recording and
playback.
MONI OUT — Connect to the video IN terminal on a LTV monitor.
(24) AC OUTLETS
e The number and type of AC outlets provided on the unit differ according to
sales area.
(U.S.A. Canada and General models: switched x 2, unswitched x 1
Europe, U.K. and Australia models: switched x 1)
These outlets are used to connect the power cords from your components to the
amplifier.
The power to the SWITCHED outlets is controlled by the amplifier’s power switch
These outlets will supply power to any component that is connected to them
whenever the amplifier is turned on, whether by the front panel POWER switch o
by the remote control transmitter POWER key. The total maximum power
consumption of the components attached to these outlets must not exceed 100
watts.
The power to the UNSWITCHED outlet is not controlled by the amplifier. This
outlet will continually supply power to any unit connected to it regardless of the
setting of the amplifiers power switch. The maximum power consumption of the
component connected to this outlet must not exceed 200 watts,
E AC power cord
This cord is used to connect the amplifier to an AC wall outlet.
SPEAKERS terminals
@ terminals are used to connect one pair of front speakers, one pair of rear
speakers, and a center speaker. See the "SYSTEM POSSIBILITIES AND
SPEAKER CONNECTIONS” section for details on speaker connections.
27) OUTPUT jacks
e If you wish to drive rear speakers and/or a center speaker with another power
amplifier, use these jacks. For details, see the “SYSTEM POSSIBILITIES AND
SPEAKER CONNECTIONS” section.
REAR OUTPUT jacks — Connect these output jacks to the left and right channel
input jacks of the power amplifier that will drive your rear speakers.
CENTER OUTPUT jack --— Connect this output jack to the input jack on the
center channel power amplifier.
LOW PASS jack — Use this jack for output to a Yamaha electronic super woofer
system or to a mono amplifier driving a subwoofer. Frequencies above 200 Hz
are filtered out so only the low bass range remains.
- @) S VIDEO connectors
These connectors are used to connect to a TV/monitor, Video Cassette Recorder
or Laser Vision Disc player equipped with S connectors.
CARTRIDGE holder (only for Active Servo Technology system
speakers)
If your front speakers are Active Servo Technology system exclusive speakers
(YST-SF50, etc.), insert the cartridge supplied with Active Servo Technology
system speakers in this holder. For details, see the Owner's Manual supplied
with your Active Servo Technology system speakers.
(See Fig. [4] )
The remote control transmitter supplied with your amplifier is designed to control
all the most commonly used features of the amplifier. If the CD player, LD
player, CD/CDV/LD compatible player, tuner, turntable and cassette deck
connected to your amplifier are YAMAHA components designed for remote
control compatibility (components with an == mark), then this remote control
transmitter will also control various functions of each component. Please consult
your YAMAHA dealer for information on which components are compatible with
the remote control transmitter. Note that this Remote Control transmitter will
directly operate compatible YAMAHA CD player, LD player, CD/CDV/LD
compatible player, and some Tuners or Cassette Decks bearing the 558 mark
and having the remote sensor.
NOTE: |
This remote control transmitter has a learning function. For details, refer to the
“HOW TO USE THE LEARNING FUNCTION” section described later.
E OPERATION KEYS
(1) LD player keys
LD/CDV:
To monitor the Laser Vision Disc player, press this key.
OPEN/CLOSE:
Press this key to open/close the disc tray. -
PAUSE/STOP:
Press this key once to temporarily stop the player operation. When it is pressed
again, the player enters stop mode. |
PLAY:
Press this key to start play. If this key is pressed when the disc tray is opened,
the disc tray will close and the unit will enter play mode. When this key is
pressed during other modes (pause, still, etc.), that mode is released and play is
resumed.
CHAPTER:
Press the — key to detect the beginning of the current chapter. If it is kept
pressed, the chapter number is reversed continuously.
Press the + key to detect the beginning of the next chapter. If it is kept pressed,
the chapter number is advanced continuously.
SEARCH:
When the «« key is pressed during play, play is reversed at high speed.
When the E» key is pressed during play, play is advanced at high speed.
10
STILL (for CAV disc only):
When one of these keys is pressed during CAV disc play, the picture freezes,
Every time the « key is pressed again, the picture reverses frame-by-frame.
Every time the » key is pressed again, the picture advances frame-by-frame.
SOUND:
Every time this key is pressed, the audio signal changes in the order:
STEREO —> 1/L-CH — 2/R-CH —> STEREO.
DISPLAY:
When this key is pressed during play, the monitor screen shows the following
data.
With L.D/CDV-LD (CAV) discs:
Chapter and frame numbers
With L.D/CDV-LD (CLV) discs:
Chapter and time numbers
With CD discs or the audio section of CDV discs:
Total time, remain time or track time
With the video section of CDV discs:
Track/index numbers and track time
SURROUND keys
ON/OFF:
When surrond sound is desired, press this key. The last selected surround mode
is automatically set.
When surround sound is not desired, press this key again.
MODE:
Press these keys to select the surround program.
REAR LEVEL: |
These keys are used to adjust the volume level of the rear speakers. Press the
UP key to raise the volume level and press the DOWN key to lower it.
CENTER LEVEL:
These keys are used to adjust the volume level of the center speaker. Press the
UP key to raise the volume level and press the DOWN key to lower it.
DELAY TIME:
These keys are used to adjust the delay time of the rear speakers. Press the UP
key to increase the delay time and press the DOWN key to reduce it.
(3) Turntable keys
PHONO:
Press this key to monitor a turntable.
PLAY/CUT:
This key is used to control the start and stop operations of a turntable bearing the
ESE Mark.
11
CD player keys
CD: |
— Press this key to monitor a compact disc player.
SKIP:
Press the 14d key to return to the beginning of the current selection. When this
key is pressed at the beginning of a selection, play will start at the beginning of
the previous selection.
Press the mi key to advance to the beginning of the next selection.
SEARCH:
Press the «« key to fast-reverse play, and press the pp key to fast-forward
play.
DISC:
When a CD player which has an Auto charger mechanism is used, press | these
Keys to select the disc No. to be played.
e With carousel-type CD player, the DOWN key does not function.
PAUSE/STOP:
Press this key once to temporarily stop play and press it again to completely stc
play.
PLAY:
Press this key to start play. If this key is pressed when the disc tray is opened,
the tray will close and the unit will enter play mode. When this key is pressed
during pause mode, play will be resumed.
(5) Tuner keys
TUNER: |
Press this key to monitor a radio program.
PRESET A/B/C:
This key is used to change the preset station range.
PRESET UP/DOWN: |
Thse keys are used to select the preset station frequency.
Tape deck keys
TAPE 1/TAPE 2 MONI: |
To monitor the cassette tape deck connected to the TAPE 1 or TAPE 2 jacks,
press the corresponding key. When recording onto a cassette tape deck
connected to the TAPE 2 jacks, the sound to be recorded can be heard by
pressing the TAPE 2 MONI key. |
DIR A key (for a double cassette deck only):
Press this key to change the tape running direction of DECK A.
PLAY key:
Press this key to start tape play or to begin recording from Rec Standby mode o
Rec Pause mode.
DIR B (for a double cassette deck only):
Press this key to change the tape running direction of DECK B.
DECK A/B key (for a double cassette deck only):
Press this key to select which deck is to be operated, either DECK A or DECK B.
REC/PAUSE key:
Press this key to put the deck into Rec Standby mode or Rec Pause mode.
REC MUTE key:
Press this key to make a blank section during recording.
>> and <a key: |
These keys are used with a deck that has a Direction button. Press either the
> Or «4d key, the one pointing in the same direction as the Direction indicator,
to fast-forward a tape. To fast-rewind a tape, press either the bb Or <i key,
the one pointing in the opposite direction as the Direction indicator.
If you deck has no Direction button, press the e» key to fast-forward a tape and
press the << key to fast-rewind a tape.
STOP key:
Press this key to stop a tape.
(7) VOLUME control keys
These keys are used to increase or decrease the output volume level of front and
rear speaker pairs and center speaker.
AUX/VCR 1/VCR 2 keys
To monitor the equipment connected to the AUX, VCR 1 or VCR 2 jacks of this
unit, press the corresponding key.
BASS and TREBLE keys
Pressing the BASS UP key increases the low frequency response. Conversely,
pressing the BASS DOWN key decreases it.
Pressing the TREBLE UP key increases the high frequency response.
Conversely, pressing the TREBLE DOWN key decreases it.
MUTING key
This key is used to lower the output volume of the amplifier to a — dB level.
(1) POWER key
This key is used to turn the unit on and off.
mM BATTERY INSTALLATION (See Fig. [5] .)
The remote control unit uses 4 batteries (size “AA”, RO6). Install them according
to the illustration. Be sure that they are installed correctly.
M BATTERY REPLACEMENT
When the remote controllable distance decreases the batteries are exhausted.
Replace with 4 new batteries.
Install the batteries with the correct + and — polarities as indicated in the battery
compartment. |
BATTERY PRECAUTIONS
Incorrect use of a battery may result in personal injury or remote control
transmitter damage. Be aware of the following measures:
e Read all safety labels on batteries.
Do not use an old battery with a new one.
Do not mix battery types (alkaline, heavy duty, carbon, nickel cadmium, etc.).
Do not short circuit, heat, disassemble, or dispose of batteries into a fire.
If leakage occurs, thoroughly wipe off all.electrolyte residue from the battery
compartment. Replace with new batteries.
mM OPERATION RANGE (See Fig. [6] .)
You must point the remote control unit toward the amplifier and be within about 7
meters (23 feet) of it for proper operation.
12
In a full 5-channel system you will use two sets of stereo speakers: the front main
speakers, the rear surround speakers, and the center speaker. You may also be
using a subwoofer.
You can use Active Servo Technology system speakers or conventional stereo
speakers for the front main speaker pair. The rear and center speakers do not
need to be of such high quality. However, if a separate power amplifier is used
to drive the rear and center speakers, the speakers should have a sufficiently
high power handling capacity to accept the maximum output of the amplifier that
will drive them. The rear channel output is filtered so that it covers only the
frequencies between 100 Hz and 7 kHz. Therefore, you do not need to worry
about reproduction of the high treble and low bass tones — they are not present
in the surround channel signal.
Place the front main speakers in their normal position.
Place the rear surround speakers behind your listening position and facing
inward. They should be placed approximately six feet (1.8 m) up from the floor.
If you use two sets of surround speakers, place the second pair for even greater
effectiveness.
Place the center speaker precisely between the two front main speakers. (To
avoid interference, keep the speaker away from TV sets, or use a magnetically
shielded speaker.)
If you are using a subwoofer such as a Yamaha electronic super woofer system,
the position of the speaker is not critical because low bass tones are not highly
directional.
13
Front main speaker R
Rear surround speaker
Rear surround speaker
The Basic System |
To achieve the dynamic sound, the Dolby Pro Logic Surround circuit built into
this unit breaks the Dolby Surround encoded stereo signal into several different
channels: a center channel for dialog, the front main left and right channels, and
rear surround channels. A typical system setup includes five speakers. This unit
provides five channels of amplification to satisfy this typical system. The center
dialog speaker is placed adjacent to the screen, the front main speakers are
placed in their usual positions for stereo listening, and the rear surround
speakers are placed at the left and right sides to the rear of the listening position.
If for some reason it is not practical for you to use five speakers for your surround
system, you can eliminate the center dialog speaker. In this case, use the
“Phantom” mode to route the dialog to the front main speakers. However, the
best results are obtained with a full five-speaker system.
It is also possible to further expand your system with the addition of a subwoofer
and amplifier.
5-CHANNEL SYSTEM (ONE PAIR OF FRONT MAIN SPEAKERS
+ ONE PAIR OF REAR SPEAKERS + ONE CENTER SPEAKER)
e True center channel capability is one of the most important features of the
Dolby Pro Logic Surround system.
(1) This unit can be used as an Integrated Amplifier for driving the front
main speakers, the rear surround speakers and the center speaker.
To set up this system:
1. Connect the front main speakers to the FRONT SPEAKERS terminals.
2. Connect the rear surround speakers to the REAR SPEAKERSterminals.
3. Connect the center speaker to the CENTER SPEAKERS terminals.
Center speaker Front main speakers
Rear surround speakers
14
(2) This unit can also be used as an Integrated Amplifier using two
separate power amplifiers for both the rear surround speakers and the
center speaker.
To set up this system:
1. Connect the REAR OUTPUT jacks to the input jacks of a 2-channel power
amplifier. Connect the rear surround speakers to the speaker terminals of the
power amplifier.
2. Connect the upper CENTER OUTPUT jack to the input jack of a mono power
amplifier. Connect the center speaker to the speaker terminals of the power
amplifier.
3. Connect the front main speakers to the FRONT SPEAKERS terminals of this
unit.
NOTE:
When the REAR OUTPUT jacks and/or CENTER OUTPUT jack is connected, the
signal at the REAR SPEAKERS and/or CENTER SPEAKERS does not output.
15
Center speaker
Mano power amplifier
Front main speakers
Stereo power amplifier
Rear surround speakers
Notes on subwoofer and center speaker
The lower CENTER OUTPUT jack marked “LOW PASS fc:200 Hz" is used for
connecting to a subwoofer. A Yamaha electronic super woofer system is highly
suited to this purpose since it combines a mono power amplifier and subwoofer
speaker in a single cabinet.
e The signals from these jacks are monophonic, so separate mono amplifiers
are recommended to provide independent amplification. The use of a stereo
power amplifier to handle both of these mono signals is another alternative.
erm BREAKERS
FRONT/REAR/CENTER
ВОММ. УВРЕАК
SOME AUT -PANLEUR
LOW PASS fc:200 Hz jack
9 9-0 x
Speaker with built-in amplifier
16
SPEAKER CONNECTIONS
Follow these points when making SPEAKERS FRONT, REAR, and CENTER
terminal connections.
" When connecting the speaker terminals to your speakers, use wire of the
proper gauge which is cut to be as short as possible.
* Make sure that the polarity of the speaker wires is correct; that is, that the +
and — markings are observed. If the speakers wires are reversed, the sound
will be unnatural and lack bass.
* Do not coil up any excess speaker wire or bundle the speaker cables with the
power cords.
* Strip approximately 3/8" (10 mm) of the insulation from the end of the speaker
cords {regardless of their gauge).
Press the SPEAKERS terminal tabs down, then insert the stripped ends of the
wires into the terminals and secure them by releasing the tabs. If these
connections are faulty, no sound will be heard from the speakers.
* If the rear and/or center speakers are connected to a separate power
amplifier, observe the proper speaker connection procedures for the power
amplifier.
When using Active Servo Technology system speakers
Active Servo Technology system exclusive speakers (YST-SF50, etc.) can be
used for the front main speaker pair. If Active Servo Technology system
speakers are used, insert the cartridge supplied with the speakers into the
CARTRIDGE holder.
NOTE:
When using conventional speakers for the front main speakers, remove the
cartridge from the CARTRIDGE holder.
Active Servo Technology system
The theory of the Active Servo Technology system is based upon two major
factors, the Helmholtz resonator and negative-impedance drive. Active Servo
Technology speakers reproduce the bass frequencies through a port, which is a
small port or opening in the speaker's cabinet, This opening is used instead of,
and performs the functions of, a woofer in a conventionally designed speaker
system. Thus, signals of low amplitude within the cabinet can, according to the
Helmholtz rescnance theory, be output from this opening as waves of great
amplitude if the design is such that the size of the opening and the volume of the
cabinet are in the correct proportion to satisfy a certain ratio.
In order to accomplish this, moreover, the amplitudes within the cabinet must be
both precise and of sufficient power because these amplitudes must overcome
the “load” presented by the air that exists within the cabinet.
Thus it is that this problem is resolved through the employment of a design in
which this Stereo Amplifier functions to supply the signals. If the electrical
17
resistance of the voice coil is reduced to zero, the movement of the speaker uni
would become linear with respect to signal voltage, and, to accomplish this, a
special negative-impedance output-drive amplifier for subtracting output
impedance of the receiver is used,
By employing negative-impedance drive circuits, this amplifier | is able to
generate precise, low-amplitude low-frequency waves with superior damping
characteristics, and these waves are then radiated from the cabinet opening as
high-amplitude signals. The system can, therefore, by employing the negative-
impedance output drive amplifier and a speaker cabinet with the Helmholz
resonator, reproduce an extremely wide range of frequencies with amazing
sound quality and less distortion.
The features described above, are combined to the fundamental structure of the
Active Servo Technology system.
Red is positive,
black is negati
CARTRIDGE holder |
en, RHIAN FRE maze
FRONT/REAR/CENTER Senet
SOMIM. /8PEAXER —
ana, AHALT-PARLEJA es
- ое
Active Servo Technology cartri
System Connection Diagram
LD player
Audio output jacks
D; =: | Line in
не: ocd 1 === %
1 Е = TIL
o 2: 9665
@ он — .. . : %
E TEEN NY Line out
Second cassette tape deck
= o DU ni Tos ] 4 Line in
a E OD]
Ya ENDS Line out |
Cassette tape deck
AAA. eE A | Output
| = Era SA ЧР yn { >
= Sn AT . 24
TJ =] | |
Tuner
| TT —ч Fi e= | Output
- EEE © |
! LJ J
CD player
Ground wire
“TV/Monitor with
Second VCR video input jack
or ==
|
Video output jack
tor
Qutput
for a turntable with an
zz Mark
Remote control terminals for a tuner
and a cassette tape deck with an 595 mark
Note that the remote control transmitter will
directly operate some tuners or cassetis
tape decks bearing the mark. For
these components, the remote control cable
connections are not necessary. When a
tuner or a cassette tape deck equipped with
a remote control terminal and bearing the
AS Mark is used, connect the component's
remote contro! termina! to the REMOTE
TUNER or REMOTE TAPE 1/2 terminal of
this unit.
Remote control terminal
Audio output jacks
| Video output jack J
í Audio input jacks y
i Video input jack |
i Audio output jacks | £
- Video output jack В
й Audio output jacks y
Г Video input jack |
й Video input jack р
5 o
он?) Пр O.
ell + Ne
For connections of these parts, see the
"SYSTEM POSSIBILITIES AND SPEAKER
CONNECTIONS" section located previously
in this manual and set up your system.
S VIDEO connectors
These connectors are used to connect 10 a
TV/monitor, video cassette recorder, or LD
player equipped with S connectors. For
details, refer to the “CONNECTIONS FOR
EACH COMPONENT” section.
Power outlet(s) for other components
UNSWITCHED (U.S.A., Canada and
general models only):
Handles up to 200 W.
Not linked to the POWER switch of this unit.
SWITCHED:
Handles up to 100 W.
Linked to the POWER switch of this unit.
18
CONNECTIONS FOR EACH COMPONENT
e Remember to turn off the power to all of the units before making any
connections.
e [or audio component connections, make sure hat the left (L) and right (R)
channels are correctly connected. That means that a jack marked "L” on this
unit must be connected to the corresponding jack marked “L” on the audio
component. Likewise with the “R” jacks. Incorrect connections can be
avoided by always using the red plugs for the “R” jacks and the other plugs
for the “L” jacks. By convention, the “R” jacks are located below the “L” jacks
on this unit. |
e When making the connections, make sure that all of the cables are well away
from sources of hum, such as the power cords or power transformers of other
components.
Notes on REMOTE CONTROL terminals
The REMOTE CONTROL terminals are used when you have YAMAHA compatible
components equipped with the remote control terminal and bearing the ===
mark. These terminals allow you to control the connected components with the
supplied remote control transmitter.
Connect the remote control cables from the components to the correct terminals
on your amplifier (i.e. PHONO, TUNER, TAPE).
Note that no cable is necessary for a CD, LD player, some tuners or cassette
tape decks as the remote control transmitter operates the equipment directly.
AUDIO COMPONENTS
8 TURNTABLE
Connect the output cables of the turntable to the PHONO jacks, and connect the
ground wire to the GND terminal on the rear panel of this unit. This should
produce minimum hum, but in some cases better results are obtained with this
wire disconnected. When a turntable bearing the z=@ mark is used, connect the
remote control terminal on the turntable to the REMOTE CONTROL PHONO
terminal on the rear panel of this unit, using the remote cable with mini-plug.
19
E COMPACT DISC PLAYER
Connect the output jacks of the compact disc player to the CD jacks on the rea
panel of this unit.
e The digital input jacks are not equipped with this unit.
E TUNER
Connect the output jacks of the tuner to the TUNER jacks on the rear panel of th
unit,
When a tuner equipped with the remote control terminal and bearing the ==
mark is used, connect the remote control terminal on the tuner to the REMOTE
CONTROL TUNER terminal on the rear panel of this unit, using the 5- -pin remote
control cable.
* If your tuner bears the == mark, and it can be directly operated with the
remote control transmitter, the remote control cable connections are not
necessary.
B TAPE DECK
Connect the cable from a cassette tape deck, or other audio tape unit, to the
TAPE 1 jacks and connect a second cassette tape deck or another audio tape
unit to the TAPE 2 jacks. The playback (LINE OUT) jacks of the cassette deck ç
to the TAPE PB jacks, and the record (LINE IN) jacks go to the REC OUT jacks
on the rear panel of this unit. When a cassette deck equipped with the remote
control terminal and bearing the == mark is used, connect the remote control
terminal on the cassette deck to the REMOTE CONTROL TAPE 1/2 terminal on
the rear panel of this unit, using the 6-pin remote control cable.
* If your cassette tape deck bears the sm mark, and it can be directly
operated with the remote control transmitter, the remote control cable
connections are not necessary.
VIDEO COMPONENTS
El ED (Laser vision Disc player)
Connect the video output jack from your LD player to the LD video jack and
connect the audio output jacks from the LD player to the LD audio jacks.
Using the S VIDEO connector
When an LD player that has an S connector is used, connect the S connector of
the player to the S VIDEO LD connector of this unit. With S VIDEO connections, a
high resolution picture is obtained, resulting in much clearer image reproduction.
e Even when using the S VIDEO connection, retain the conventional LD video
and audio jack connections between the LD player and this unit.
E VIDEO COMPONENTS
Connect the video jacks of the VCR to the VCR 1 jacks, and connect the video —
jacks of a second VCR to the VCR 2 jacks on the rear panel of this unit. The video
playback (VIDEO OUT) jack of the VCR goes to the IN jack, and the video record
(VIDEO IN) jack goes to the OUT jack.
Connect the audio output jacks of the VCR to the VCR 1 jacks, and connect the
audio output jacks of a second VCR to the VCR 2 jacks.
The audio playback (AUDIO LINE OUT) jacks of the VCR go to the TAPE PB
jacks, and the audio record (AUDIO LINE IN) jacks go to the REC OUT jacks.
When using the $ connector
When a VCR that has S connectors is used, connect the S VIDEO connectors.
With the 5 VIDEO connections, a high resolution picture will be obtained,
resulting in a much clearer reproduction.
Connect the S output connector of the VCR to the S VIDEO IN connector in the
VCR 1 section on the rear panel of this unit, and connect the S input connector of
the VCR to the S VIDEO CUT connector.
e Keep the VCR IN and OUT jacks, and TAPE PB and REC OUT jacks
connected between the VCR and this unit.
If the second YCR has S connectors, connect the S output and input connectors
to the S VIDEO IN and OUT connectors in the VCR 2 section on the rear panel of
this unit in the same way.
E TV/MONITOR
Connect the video jack from the TV/monitor to the MONI OUT jack on the rear
panel of this unit. Note that audio connections to the monitor are not necessary,
as the audio portion of the signal is sent to your speakers through the amplifier.
When using the S connector
When a monitor that has an S video connector is used, connect S VIDEO MONI
OUT connector.
With the S VIDEO connections, a high resolution picture will be obtained,
resulting in a much clearer reproduction.
E } OTHER VIDEO SOURCE
If necessary, you can connect a third video input source, such as a video
camera, to the AUX jacks on the front panel of this unit. When connecting a mono
audio source, connect it to the L jack
_ S VIDEO connector and VIDEO SIGNAL jacks
® The S VIDEO input/output connector and the conventional RCA pin-
type video signal jacks provided on this unit are connected to
completely separate circuits and function independently of each other.
e The input selector is coupled to both the S VIDEO inputs and the pin-
jack inputs. When a program source with no S VIDEO input is
selected, no signal is output to the MONI OUT S VIDEO connector.
e Incases where both the S VIDEO input connector and the pin-type
input jack of VCR1 (or VCR2) are connected, when the input selector is
set to VCR1 (or VCR2), signals are output to both the MONI OUT S
VIDEO connector and the MONI OUT pin jack. In this case, you must
select whether to monitor the S video signal or the pin jack signal on
the monitor TV side.
Caution concerning use of S VIDEO connector
Due to the circuit configuration of this unit, do not leave the S VIDEO
connection cable plugged into the VCR2 S VIDEO OUT connector if the
other end of the cable is not connected to the VCR component.
20
POWER CORDS
21
Connect the power cord of your tuner, cassette deck or other component to
one of the two SWITCHED AC OUTLETS to automatically turn it on when the
amplifier is turned on. |
The maximum total power consumption of the components connected to the
SWITCHED AC OUTLETS must not exceed 100 watts. |
Connect the power cord of your VCR or other unit to the UNSWITCHED AC -
QUTLET (U.S.A., Canada and general models only) to supply power to it
constantly. The maximum power consumption of the unit connected to the
UNSWITCHED AC OUTLET must not exceed 200 watts.
Make sure that the power cords are not tied together with the input/output
cables. |
Connect the power cord of your amplifier to an AC outlet.
Dolby Pro Logic Surround
The Dolby Pro Logic Surround system is designed for use with program material
(mainly videotaped movie soundtracks) encoded with the Dolby Surround
system. When playing these program sources, use this mode.
Simulated Surround
This mode is designed to enhance mono source programs. Since this mode
Creates a more expansive sound image, it can also be used to advantage with
stereo programs. Compared to a strictly mono setting, the sound image createc
in this mode is wider and slightly forward of the speaker pair, lending an
immediacy to the overall sound.
Live Surround
This mode takes advantage of the delay signal and a feedback circuit for the rez
surround speakers to create a bright, lingering, and somewhat resonant sound
that characterizes a small concert space.
Hall Surround |
In this mode, the center image seems to be located even more deeply behind th
front main speaker pair, creating an expansive, large hall ambience. The
apparent listening position is in the center of the hall rather than in front of the
stage.
This preparation is important for proper Dolby Pro Logic Surround operation.
mM INPUT BALANCE AND FRONT MAIN/CENTER/REAR
SURROUND SPEAKER BALANCE ADJUSTMENTS
1. Press the OO PRO LOGIC button and then press the CENTER MODE button
so that the CENTER MODE OFF indicator lights.
2. Use the input selector to select a component which can play a Dolby
Surround encoded program and begin playback of the Dolby Surround
encoded program.
3. While listening to spoken dialog, adjust the INPUT BAL control so that the
dialog volume (heard from the left and right main and surround speakers) is
reduced to the minimum level. (During normal operation, this dialog is
reproduced from the center speaker.)
4, Select the Dolby Pro Logic mode with the CENTER MODE button. When
using a 5-speaker system, press the CENTER MODE button so that the
CENTER MODE NORM indicator lights. When using a 4-speaker system (i.e.,
no center speaker), press the CENTER MODE button so that the CENTER
MODE PHANTOM indicator lights. |
5. Press the TEST button,
6. Increase the volume level with the VOLUME UP key on the remote control
transmitter. You will hear a test tone (pink noise) emitted from the front right
main speaker, which then proceeds seguentially to the center speaker, the
left main speaker, and then the rear surround speakers, for about two
seconds each.
e When using a 4-speaker system (Phantom mode), you will hear the center
channel test tone from both the front left and front right main speakers.
7. Adjust the VOLUME control, CENTER LEVEL, and/or REAR LEVEL keys on the
remote control transmitter so that the volume heard at the listening position is
the same from each speaker.
e If you wish to adjust the relative volume levels of the left and right rear
speakers, press the REAR BALANCE button and adjust the levels with the
LEVEL/R.BAL/D. TIME buttons. Pressing the < button shifts the sound image
to the left. Pressing the » button shifts the sound image to the right.
8. After completing this adjustment, press the TEST button again.
NOTE:
Once you have completed these adjustments, use only the VOLUME control of
this unit.
Do not change any other volume settings in the system.
PLAYBACK WITH SURROUND MODE
1. Turn on the power of all components to be used in the system.
2. Select a Surround Mode.
With Dolby Surround
Press the D] PRO LOGIC button and then select the center mode with the
CENTER MODE button. When using a 5-speaker system, press the CENTER
MODE button so that the CENTER MODE NORM indicator lights. When using
a 4-speaker system, press the CENTER MODE button so that the CENTER
MODE PHANTOM indicator lights.
With another Surround Mode (SIMULATED SURROUND, LIVE, or
HALL)
Press the SIMULATED SURROUND button, LIVE button, or HALL button
according to the Surround mode to be used. |
e When a Surround Mode other than ONO PRO LOGIC is selected, the CENTER
MODE button does not function even when a 5-speaker system is used.
Select the program source with the input selectors.
Play the program source.
Adjust the VOLUME control to increase or decrease the overall output volume
level of the speakers.
6. Adjust the tone, if necessary. For adjusting low frequency response, press
— the BASS button and then adjust the level with the LEVEL/R.BAL/D.TIME ( =,
» ) controls. For adjusting high frequency response, press the TREBLE
button and then adjust the level with the LEVEL/R.BAL/D.TIME ( =, » )
controls. Pressing the B= button increases the level, and pressing the «
button decreases the level. The “DEFEAT” position produces a flat response.
e When using Dolby Pro Logic Surround, extremely cutting or boosting the high
or low frequency response using the tone controls result in losing the
continuity of the sound between center speaker and rear speaker pair.
7. Adjust the delay time, if necessary. Press the DELAY TIME button and then
adjust the LEVEL/R.BAL/D.TIME ( «, = ) controls. For details, see the
“Delay Time Adjustment” section. |
с № ©
NOTE:
The Dolby Pro Logic Surround system is designed for use with program material
(mainly videotaped movie soundtracks) encoded with the Dolby Surround
system. If the Dolby Pro Logic Surround system is used with material not
encoded with Dolby Surround, the results may be unnatural.
22
Delay Time Adjustment
The Delay Time Adjustment is effective with all Surround Modes. With Simulated
Surround, Live Surround, or Hall Surround mode, the delay time can be adjusted
within a range of 5 mS to 30 mS. With Dolby Pro Logic Surround Normal or
Phantom mode, the delay time can be adjusted within a range of 15 mS to 30
ms.
By applying a stronger or weaker delay sound effect, the background noise and
- ambient noise coming at you from the rear speakers can be enhanced or
subdued for extra effect. Adding too much delay will cause an unnatural effect
with some sources. Experiment with the delay time adjustment to create the
effect that you find most suitable. |
PLAYBACK WITHOUT SURROUND MODE
1. Turn on the power of all components to be used in the system.
2. If the Surround PROGRAM indicator is lit, press the Surround PROGRAM OFF
button,
3. Select the desired program source with the input selectors.
4. Play the program source. |
5. Adjust the VOLUME control to increase or decrease the overall output volume
level of the speakers. | |
6. Adjust the tone, if necessary. For adjusting low frequency response, press
the BAGS button and then adjust the level with the LEVEL/R.BAL/D.TIME ( <,
# ) controls. For adjusting high frequency response, press the TREBLE
button and then adjust the level with the LEVEL/R.BAL/D.TIME ( «, » )
controls. Pressing the » button increases the level, and pressing the <@
button decreases the level. The "DEFEAT" position produces a flat response.
7. Adjust the CENTER LEVEL and REAR LEVEL controls, if necessary.
NOTE: В |
Whenever the power is turned on, the state of the last surround program is
automatically set. | |
23
RECORDING
1. Turn on the power of all components to be used in the system.
2. To record an audio program source or a video program source
Select the audio program source or video program source to be recorded
with the audio or video input selector.
e When recording a video program source, press the COPY button to lock in
the selected recording position. When the COPY button is pressed, this unit
outputs only the selected video signal at the REC OUT jacks and other video
input selectors cannot function. Thus, if you wish to listen to an audio
program while recording a video program source, select the audio program
with the input selector. | ‘
e Make sure that only the selected video input indicator lights when recording :
video program source. If an audio input indicator is lit, press the selected
video input selector again. The audio input indicator will go out.
To record the video portion of a video program source mixed with audio
from a separate audio program source
Select the video program source with the video input selector and then selec!
the audio program source with the audio input selector.
® Be sure to select the video source first. Otherwise, the indicator of the
selected audio source goes off and the signal of the audio source cannot be
input. |
s Make sure that the COPY button is turned off.
3. Play the program source to be recorded and set the cassette tape deck or
video cassette recorder to record mode. |
e If your cassette tape deck is connected to the TAPE 2 jacks on the rear panel
you can monitor the sound to be recorded during recording by pressing the
TAPE 2 MONI selector. To listen to the source sound, press the TAPE 2
MONI selector again,
NOTE: |
The settings of the various controls and buttons on this unit do not affect the
recording.
The supplied remote control transmitter is a “learning” remote control unit that
allows for centralized control of various Audio/Visual equipment, solving the
complicated problem of operating several remote controllers for your system.
NOTES
e lfthe indicators a are only dimly lit when pressing a key, the batteries are weak
Replace the batteries.
e All memorized functions will be retained while you replace the batteries.
However, if no batteries are installed for an hour, the memory will be erased
and will have to programmed again.
CONTROLS AND FUNCTIONS
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"EI, REMOTE CONTAGL TRANSMITTER
®
(1) LEARNED and ERROR indicators
These indicators show the operation mode of the remote control transmitter.
(2) RESET button
Used to clear a programmed signal.
(3) LEARN/NORM switch
This switch is used to select between LEARN (program) and NORM (control)
modes.
(4) VOLUME UP DOWN (preset/learning) keys
These keys have already been preset with signals for controlling volume up/
down,
However, if desired, other signals can be "learned” by these keys (over the
preset signals), in the same way as for the ordinary learning keys.
(5) Learning keys (35 keys)
These keys can be used to “learn” (program) signals from another remote
controller.
24
OPERATIONS
To program the signals of another remote controller in this remote control unit,
please follow the steps below.
1. Switch the LEARN/NORM switch to the LEARN position.
LEARNED ERROR RESET LEARN NORM
CI = | O =I] =]
2. Position this remote control unit and the remote controller unit to be
memorized head to head.
25
3. Select and press the learning or preset/learning key on this remote control
unit to be programmed.
The LEARNED indicator will flash for about 15 seconds. If the ERROR
indicator lights up when the key is pressed, a signal has already been
programmed in that key. If the programmed signal can be replaced, proceed
to the next step.
If the programmed signal cannot be replaced, press another learning or
preset/learning key on this remote control unit.
. While the LEARNED indicator is flashing, press a key on the other remote
controller.
The LEARNED and ERROR indicators will light steadily while receiving the
signal. Press the other remote controller's key until these indicators turn off.
The LEARNED indicator will light for about 2 seconds when the memorization
of a function is successfully complete.
The ERROR indicator will light for about 2 seconds when the memorization of
a function is unsuccessful. In this kcase, please try again.
5. Repeat steps 3 and 4 until all programming is complete.
6. Once programming is complete, set the LEARN/NORM switch to the NORM
position.
LEARNED ERROR RESET LEARN NOAM
с 1
O ©
7. Use the supplied seals to indicate the functions for which the learning and
preset/learning keys have been programmed.
It is recommended that you first determine the best and most convenient
layout of the keys for the various functions you plan to program and attach the
seals accordingly, then program the keys correspondingly.
If programming is not carried out successfully, or if the remote control operation
is not successful although programming was successful, check the following:
e Are the batteries of the other remote controller weak? In this case, even when
the other remote controller can operate the unit, its signal strength is too weak
for this remote control unit. Replace the batteries of the other remote
controller.
e Is the distance to the other remote controller too small or too large, or are they
not in line?
e Is a strong light, such as direct sunlight, incident on this remote control unit?
If the signal to be stored is too long.
When the signal to be stored is too long, this remote control unit automatically
enlarges the work area capacity and stands by for a second entry. Please try the
storage operation again.
If the indicators do not function during programming, remove the batteris
and replace them after a few minutes to initialize the remote control
transmitter.
TO ERASE A PROGRAMMED SIGNAL
To erase a signal programmed on a learning key or a preset/learning key,
proceed as follows.
1. Set the LEARN/NORM switch to the LEARN position.
2. Press the RESET button.
The LEARNED and ERROR indicators will flash for about 15 seconds.
LEARNED ERROR
3. While the LEARNED and ERROR indicators are flashing, press the learning or
preset/learning key for which you want the programmed signal to be erased.
The ERROR indicator wilkl turn off, and then the LEARNED indicator will ligth
up for about 1 second to indicate the completion of the erasure.
For the VOLUME UP/DOWN (preset/learning) keys, your programmed signal
is erased and the originally preset signal resumes.
4. Repeat steps 2 and 3 for other keys, if necessary.
26
AUDIO SECTION
Minimum RMS Output Power Per Channel
20 Hz - 20 kHz
0.03% THD, 8 ohms ........................0000000 00000 De ner reee. 65W
0.05% THD, 6 ohms ee eee eter eet teehee eater eater ee arenes 70W
1 kHz |
1% THD, 80hms .....................ee.eeeeecineriiver ree e ere RE 14W
1% THD, GONMS eee sr ars arr e rare nana nan ne nr anna a caen aan at deca ne nse e... 15 W
Dynamic Power Per Channel (by IHF Dynamic Headroom measuring method)
BONMS ooo e RD reheat erent 85W
GONMS LL... ee er ecran ne san ans ana ns a nana en aan ana ne eine ana nan ae ana sen a aan caen 105 W
DIN Standard Output Power Per Channel (Europe model only)
1 kHz, 1% THD, 4 ohms ARA 85 W
Dynamic Heaciroom
BONMS a, 1.2 dB
ohms... e... eee aaa rere 1.8dB
IEC Power (Europe model only)
1 kHz, 0.03% THD
gohms ................. eh eee eee cae creara een carecer. re, 70W
6 0hms ..................... eunoecaaoreraeonareae ene rocanaTeareaanianeroe aerea toreros 75 W
Damping Factor
1 KHZ, BONMS LL ee, More than 80
input Sensitivity/inpedance | |
PHONO MM ees een 2.5 mV/47 k-ohms
CD BC. oi eee 150 mV/47 k-ohms
Output Level/Impedance |
REC OUT EEE 150 mV/150 ohms
PRE OUT (REAR L/R, CENTER)... 02... 2 V/1 k-ohms
(LOW Pass)........…..........recerienensennes sense nca ss anne en 0.7 V/4 k-ohms
Maximum Voltage Output
20 Hz - 20 kHz, 0.02% THD cc. 4V
Headphone Jack Rated Output/Impedance
0.03% THD, 1 kHz, RL=150 ohims .......... ean ee nene. 3 V/100 ohms
Frequency Response (20 Hz - 20 kHz)
6] + RE) ME … 0x2 dB
27
RIAA Equalization Deviation
PHONOMM Lee rene ren r were sea ne naar ena sea réa na nada ner een rende nana nan O+0.5d
Total Harmonic Distortion (20 Hz - 20 kHz
PHONO MM, BV ee Less than 0.01¢
CD, etc. to Sp Out, 35 W/8 ohms errr OA a Less than 0.02
CENTER Sp Out, 7 W/8 ohms... Less than 0.5
REAR L/R Sp Out, 7 W/8 ohms (Voi -30 dB, 1kHz) ............ Less than 0.5¢
Signal to Noise Ratio (IHF-A-Network)
PHONO MM (5 mY Input Shorted) ................... re More than 86 di
e > BR. EEE More than 98 dl
Residual Noise (IHF-A Network)... eee Less than 150 u
Channel Separation (Vol -30 dB) |
PHONO MM input shorted, 1 kHz/10kHz .............................. 65 dB/50 dl
CD, etc., input 5.1 k-ohms terminated, 1 kHz/10 kHz ............... 65 dB/50 dl
Tone Control Characteristics
BASS (boosticut) ..............c.ooiiiiii enana res +10 dB (50 Hz
— (turnover freQUeNCY) see 350 H
TREBLE (boost/cut) .............e.......—. ea +10 dB (20 kHz
(turnover frequency) .................... ere rere 3.5 КН.
Filter Characteristics | |
Subsonic (DU) eee einen eea. 15 Hz, 12 dB/oci
High (surround rear L/R) ................................ SI 7 kHz, 30 dB/oci
Gain tracking error (0 - -60 dB)... ne Less than 3 di
VIDEO SECTION |
Video Signal Type resserre NTSC (U.S.A. and Canada models
NTSC/PAL (General model
PAL (Australia, Europe and U.K. models
Video Signal Input/Qutput ........................... e. 1 Vp-p, 75 ohm:
S-Video Signal Input/Output .......... Ger Y (Luminance): 1 Vp-p, 75 ohm:
| | C (Color): 0.286 p-p, 75 ohm:
Maximum input Level... sa sacs nana cree More than 1.5 Vp-r
Video S/N ooo e e ee eee More than 55 dE
GENERAL
Power Supply ` |
Europe Model ............ errar aer carre renaceAA. AC 220Y, 50 Hz
General Model AC 110/120/220/240V, 50/60 Hz
U.K. and Australia Models ...................... een AC 240V, 50 Hz
US.A.and CanadaModels ............................. PT EEG AC 120 Y, 60 Hz
Power Consumption ....................._.e_... | ... 300W (U.S.A. and General models)
| 360 VA (Canada model)
200 W (Australia, Europe and U.K. models)
AC Outlets
Switched X2 ....................... RR 100W max (Total).
| (U.S.A., Canada and General models)
Switchecl X 1 ............... RESTE 100W max.
о (Europe, U.K. and Australia models)
Unswitched x1 ................ eee eee 200W max.
| - (Except for U.K. model)
Dimensions (WxHxD) ..................... ee ens 435 x 145 x 377 mm
(17-1/8" x 5-11/16" x 14-13/16")
Weight oo, 10 kg (22 lbs. 1oz.)
Accessories ...…...............….esesssesse sea ese Remote control cable (mini-plug) x 1
Remote control cable (5-pin) x 1
Remote control cable (6-pin) x 1
Video cord x 1
Remote control transmitter x 1
Battery (size "AA", R06) x 4
Specification subject to change without notice.
Da DOLBY SURROUND|™
Manufactured under license from Dolby Laboratories Licensing Corpoiration.
Additionally licensed under one or more of the following patents: U.S. numbers
3,632,886, 3,746, 792, and 3,959, 590; canada numbers 1,004,603 and
1,037,877. “Dolby” and the double-D symbol are trademarks of Dolby
— Laboratories Licensing Corporation.
28
If the unit fails to operate normally, check the following points to determine whether the fault can be corrected by the simple measures suggested. If it cannot be
corrected, or if the fault is not listed in the SYMPTOM column, disconnect the power cord and contact your dealer or service center for help.
The amplifier fails to turn on when the
POWER swiich is pressed. |
E Und E НЕ НЫ E EC RE TE : hE ee Std ie
e Power cord is not plugged in or is not completely inserted.
e Firmiy plug in the power cord.
No sound.
e incorrect output cord connections.
e Connect cord properly. If the problem persists, the cables
may be defective.
e incorrect amplifier operation.
e Set the amplifier controls to the correct input selection.
Sound “hums”.
e Incorrect cable connections.
e Firmly connect the audio plugs. If the problem persists, the
cord may be defective.
No picture.
e incorrect cord connections.
e Wrong video unit selected.
e Video unit not turned on.
e Connect the video plugs correctly.
e Select correct video unit.
e Turn video unit on.
29
YAMAHA ELECTRONICS CORPORATION, USA 6722 ORANGETHORPE AVE., BUENA PARK, CALIF. 90620, U.S.A.
YAMAHA CANADA MUSIC LTD. 135 MILNER AVE., SCARBOROUGH, ONTARIO M15 3R1, CANADA
YAMAHA ELECTRONIK EUROPA G.m.b.H. 2084 RELLINGEN, BEI HAMBURG, SIEMENSSTR. 22/34, F.R. OF GERMANY
YAMAHA ELECTRONIQUE FRANCE S.A. 17 RUE DES CAMPANULES, LOGNES 77321 MARNE LA VALLEE CEDEX 2, FRANCE
YAMAHA ELECTRONICS (UK) LTD. YAMAHA HOUSE, 200 RICKMANSWORTH ROAD WATFORD, HERTS WD1.7JS, ENGLAND
YAMAHA SCANDINAVIA AB. J A WETTERGRENS GATA 1, BOX 30053, 400 43 VASTRA FROLUNDA, SWEDEN
YAMAHA MUSIC AUSTRALIA PTY, LTD. 17-33 MARKET ST., SOUTH MELBOURNE, 3205 VIC., AUSTRALIA
YAMAHA CORPORATIC
10-1 NAKAZAWA-CHO, HAMAMATSU, JA
VI17230-0 BWeW, BB? SC @ Printed in Ja,

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