Behringer | Ultrabass BXR1800H | User manual | Behringer Ultrabass BXR1800H User manual

User Manual
Version 1.0
May 2007
CAUTION: To reduce the risk of electric shock, do not remove
the top cover (or the rear section). No user serviceable
parts inside; refer servicing to qualified personnel.
WARNING: To reduce the risk of fire or electric shock, do not
expose this appliance to rain and moisture. The apparatus
shall not be exposed to dripping or splashing liquids and no
objects filled with liquids, such as vases, shall be placed
on the apparatus.
This symbol, wherever it appears, alerts you to
the presence of uninsulated dangerous voltage
inside the enclosure—voltage that may be
sufficient to constitute a risk of shock.
This symbol, wherever it appears, alerts you to
important operating and maintenance instructions
in the accompanying literature. Please read the
1) Read these instructions.
2) Keep these instructions.
3) Heed all warnings.
4) Follow all instructions.
5) Do not use this apparatus near water.
6) Clean only with dry cloth.
7) Do not block any ventilation openings. Install in
accordance with the manufacturer’s instructions.
8) Do not install near any heat sources such as radiators,
heat registers, stoves, or other apparatus (including
amplifiers) that produce heat.
9) Do not defeat the safety purpose of the polarized or
grounding-type plug. A polarized plug has two blades
with one wider than the other. A grounding type plug
has two blades and a third grounding prong. The wide
blade or the third prong are provided for your safety. If
the provided plug does not fit into your outlet, consult
an electrician for replacement of the obsolete outlet.
10) Protect the power cord from being walked on or
pinched particularly at plugs, convenience receptacles,
and the point where they exit from the apparatus.
11) The apparatus shall be connected to a MAINS socket
outlet with a protective earthing connection.
12) Where the MAINS plug or an appliance coupler is
used as the disconnect device, the disconnect device
shall remain readily operable.
13) Only use attachments/accessories specified by the
14) Use only with the cart, stand, tripod, bracket, or table
specified by the manufacturer, or sold with the
apparatus. When a cart is used, use caution when moving
the cart/apparatus combination to avoid injury from
15) Unplug this apparatus during lightning storms or
when unused for long periods of time.
16) Refer all servicing to qualified service personnel.
Servicing is required when the apparatus has been
damaged in any way, such as power supply cord or plug
is damaged, liquid has been spilled or objects have fallen
into the apparatus, the apparatus has been exposed to
rain or moisture, does not operate normally, or has been
17) CAUTION - These service instructions are for use by
qualified service personnel only. To reduce the risk of
electric shock do not perform any servicing other than
that contained in the operation instructions.
Ultra-Compact 180-Watt 2-Channel Bass Amplifier Head with FBQ Spectrum Analyzer, Compressor and
Ultrabass Processor
V Clean channel with dedicated Gain control
V Distortion channel with dedicated Gain, Shape and Level controls
V Ultra-musical, active 7-band graphic EQ with FBQ Spectrum Analyzer
V Revolutionary “see what you play” FBQ frequency indicator for instant sound shaping
V Switchable Ultrabass subharmonics processor for unbelievable low-end power
V Integrated Compressor smoothes out volume peaks when playing dynamic slaps
V Musical limiter for ultimate volume without distortion
V Dual footswitch for channel select and Ultrabass function included
V Separate Headphone output—perfect for quiet practicing
V Balanced XLR DI and Line outputs for direct connection to your mixing console
V CD input allows you to play along to your favorite music
V Dedicated FX Insert for external effects devices (stomp boxes, rack effects, etc.)
V Rack mount brackets included
V High-quality components and exceptionally rugged construction ensure long life
V Conceived and designed by BEHRINGER Germany
V Ultra-compact and rack-mountable 180-Watt 2-channel bass amplifier
Dear Customer,
Welcome to the team of
BEHRINGER users, and
thank you very much for
expressing your confidence in us by purchasing the BEHRINGER
Writing this foreword
for you gives me great
pleasure, because it
represents the culmination of many months
of hard work delivered
by our engineering
team to achieve a very
ambitious goal: to
present you with an
amplifier that is at the
forefront of what is technically possible and that offers you a
vast variety of sound shaping options.
The task of designing our new ULTRABASS certainly meant a
great deal of responsibility, which we assumed by focusing on
you, the discerning user and musician. Meeting your expectations
also meant a lot of work and night shifts. But it was fun, too.
Developing a product usually brings a lot of people together, and
what a great feeling it is when all who participated in such a
project can be proud of what they’ve achieved.
It is our philosophy to share our enjoyment with you, because
you are the most important member of the BEHRINGER team.
With your highly competent suggestions for new products you’ve
made a significant contribution to shaping our company and making
it successful. In return, we guarantee you uncompromising quality
as well as excellent technical and audio properties at an extremely
reasonable price. All of this will enable you to give free rein to
your creativity without being hampered by budget constraints.
We are often asked how we manage to produce such highquality devices at such unbelievably low prices. The answer is
quite simple: it’s you, our customers! Many satisfied customers
mean large sales volumes enabling us to get better purchasing
terms for components, etc. Isn’t it only fair to pass this benefit on
to you? Because we know that your success is our success
I would like to thank all of you who have made the ULTRABASS
possible. You have all made your own personal contributions,
from the developers to the many other employees at this company,
and to you, the BEHRINGER user.
My friends, it’s been worth the effort!
Thank you very much,
Uli Behringer
1. INTRODUCTION ......................................................... 5
1.1 Before you get started ................................................... 5
1.1.1 Shipment ............................................................... 5
1.1.2 Initial operation ...................................................... 5
1.1.3 Online registration ................................................ 5
3. FIRST STEPS ............................................................. 7
3.1 Connect your bass and get started ............................... 7
3.2 Sound processing .......................................................... 7
3.2.1 The FBQ equalizer ............................................... 7
3.2.2 The Shape function .............................................. 8
3.2.3 The Ultrabass function ......................................... 8
3.2.4 The compressor ................................................... 8
4. WIRING EXAMPLES ................................................... 8
Setup for practicing with playbacks .............................. 8
Expanded setup for gigs and studio recordings ........... 9
The ULTRABASS as a slave with an external pre-amp 9
ULTRABASS with speaker cabinet ............................... 9
5 INSTALLATION ......................................................... 10
5.1 Audio connections ....................................................... 10
6. SPECIFICATIONS ..................................................... 10
7. WARRANTY .............................................................. 11
Congratulations! With the ULTRABASS head, you have acquired
a state-of-the-art bass amp that sets new standards. The
ULTRABASS is an extremely powerful 2-channel bass amp. It
gives you loads of power and makes sure that you always have
a few extra watts available whenever you need them. The other
items on the list of features are no less impressive: The
ULTRABASS has one clean and one distortion channel plus one
equalizer with a ground-breaking “see-what-you-play” FBQ
frequency display, which immediately shows you which bass
frequency is assigned to which control—the perfect solution for
sound tuning as you play. A musical limiter circuit protects the
unit effectively against distortion, even at maximum volume. The
connectors for headphones and CD players are ideal for
This user’s manual will allow you to familiarize
yourself with the control elements of your new
ULTRABASS and learn all of its functions. After
reading this manual, store it where you can easily
find it for future reference.
1.1 Before you get started
1.1.1 Shipment
The ULTRABASS was carefully packed at the assembly plant to
ensure secure transport.
If the cardboard box is damaged, please inspect the ULTRABASS
equipment immediately for physical damage.
Damaged equipment should NEVER be sent directly
to us. Immediately inform the dealer from whom
you acquired it as well as the transportation
company from which you took delivery. Otherwise,
all claims for replacement/repair may be rendered
Power is delivered via the cable that was delivered with the
ULTRABASS. All mandatory safety precautions have been
adhered to.
Please make sure that all of your equipment is
grounded at all times. For your own protection, you
should never tamper with the grounding of the cable
or the unit itself. The unit shall always be connected
to a mains socket outlet with a protective earthing
The sound quality may diminish within the range of
powerful broadcasting stations and high-frequency
sources. Increase the distance between the
transmitter and the device and use shielded cables
for all connections.
1.1.3 Online registration
Please, do remember to register your new BEHRINGER equipment
right after your purchase by visiting
(alternatively and kindly read the terms and
conditions of our warranty carefully.
Should your BEHRINGER product malfunction, our goal is to have
it repaired as quickly as possible. To arrange for warranty service,
please contact the retailer from whom the equipment was
purchased. Should your BEHRINGER dealer not be located in
your vicinity, you may directly contact one of our subsidiaries.
Corresponding contact information is included in the original
equipment packaging (Global Contact Information/European
Contact Information). Should your country not be listed, please
contact the distributor nearest you. A list of distributors can be
found in the support area of our website (
Registering your purchase and equipment with us helps us
process your repair claims quicker and more efficiently.
Thank you for your cooperation!
If the unit needs to be shipped, please always use
the original packaging to avoid damage.
Never let unsupervised children play with the
device or with its packaging.
Please dispose of all packaging materials in an
environmentally-friendly fashion.
1.1.2 Initial operation
Please make sure that your ULTRABASS is provided with
sufficient ventilation, and never place it on other amplifiers or in
the vicinity of a heater to avoid the risk of overheating.
Before plugging your ULTRABASS into a power
socket, please make sure you have selected the
correct voltage:
The fuse retainer near the power cord connector has three
triangular markings. Two of these triangles point in opposite
directions. Your ULTRABASS is set up for the voltage
indicated near these markings, and can be altered by turning
the fuse mount by 180 degrees. ATTENTION: This does
not apply to export models built for 120 V, for
If you use your ULTRABASS unit with a different
voltage, you must change the fuses accordingly.
The correct value of the fuses needed can be found
in the section “SPECIFICATIONS”.
Faulty fuses must be replaced with fuses of
appropriate rating, without exception! The correct
value of the fuses needed can be found in the
Fig. 2.3: The master section
Use the MASTER control to set the overall volume.
The PHONES jack (¼" TRS jack) is for connecting a pair of
headphones. You can use headphones from the
BEHRINGER HP Series. This connector, when in use, mutes
the built-in bass speaker.
Fig. 2.1: The input section
INPUT. Connect your bass guitar to this input jack on the
ULTRABASS (¼" TS jack).
The POWER switch powers up your ULTRABASS. The
POWER switch should always be in the “Off” position before
you connect the ULTRABASS to the main power source.
The GAIN 1 control determines the input gain on channel 1.
Use the CH 2 button to switch between the two channels.
The CH 2 button lights up when channel 2 has been
activated. To switch channels, you can also use the
supplied footswitch.
The GAIN 2 control sets the degree of distortion of
channel 2. The further the control is turned clockwise,
the higher the degree of distortion.
SHAPE is a special filter for your personal sound design. It
gives you numerous options for shaping your bass sound.
Application examples of the shape function can be found
in section 3.2.2.
Please note: The POWER switch does not fully
disconnect the unit from the mains power cord
plug or extention cord. To disconnect the unit from
the main power source, pull out the main cord plug
or appliance coupler. When installing the product,
ensure the plug or appliance coupler is readily
operable. Unplug the power cord when the unit is
not used for prolonged periods of time.
The Shape filter is only effective on channel 2. The
signal in channel 1 remains unprocessed.
Use the LEVEL control to adjust the volume of channel 2.
Use this control to achieve the balance in volume that you
want between channels 1 and 2.
Fig. 2.4: The rear-panel connectors
Use the balanced DIRECT OUTPUT (XLR) to route the
audio signal from the ULTRABASS to the input on a mixing
console. The signal is taken from the point between the
equalizer and the MASTER control.
The FBQ EQUALIZER has 7 slide controls, one for each
frequency band. The maximum boost/cut is 12 dB.
The FBQ switch activates the FBQ spectrum analyzer.
The control LEDs, which are identical in brightness when
FBQ is off, now show the energy content of each
frequency band by lighting up with varying degrees of
brightness. The equalizer function is always active,
irrespective of the FBQ function. (For details on the FBQ
function see section 3.2.1.)
The SPEAKER OUTPUT jack is used to connect to a
speaker cabinet.
Your speaker cabinets should have a sufficient
power rating (>180 W) and preferably a total
impedance of 4 Ω to avoid speaker damage. Too
high load impedance will decrease the output power
rating of the power stage!
As an alternative to taking the signal from output
LINE OUT signal (¼" TS jack) can also be used.
, the
FX INSERT: The ULTRABASS features a serial
insert path, which allows you to connect external effects
devices (e. g. wah-wah pedal, floor effects or 19" effects
processors). Connect the SEND jack
to the input on
the effects device. Connect the output on the effects
device to the RETURN jack
on the ULTRABASS. In the
signal path of the amplifier, the FX insertion point occurs
before the Ultrabass processor (
The INSERT SEND can also be used as a parallel
output, for example, to connect a tuner. As long as
the RETURN jack is not in use, there will be no break
in the internal signal path.
Fig. 2.7: ULTRABASS function
The CD IN input (RCA) allows you to connect an external
stereo signal. For instance, you can play along with your
favorite songs played back from CD or MD, or with a drum
With the Ultrabass function enabled (button
) you can
use the ULTRABASS control to add ultra-low frequencies
to your bass signal. The ULTRABASS effect is available
for both channels (see section 3.2.3).
The BXR1800H head includes a dual footswitch. Connect
the footswitch to the FOOT SW(ITCH) jack. Use the
footswitch to select a channel (corresponds to the CH 2
) and to activate the Ultrabass function
(corresponds to the ON button
Press the ON button to switch on the ULTRABASS function.
The LED in the button lights up. You can also control this
effect using the footswitch supplied with the unit.
3.1 Connect your bass and get started
We’re sure you cannot wait to set up and connect your
ULTRABASS amp and check out its sounds. So, let’s get going!
Connect your instrument to the input jack
before you
switch on the unit. Use a standard instrument cable with
¼" TS connectors.
Turn the MASTER control
fully to the left, then switch
off the equalizer, compressor and Ultrabass function
) to start off with a neutral
Set the GAIN control to mid-travel position.
Switch on the ULTRABASS using the POWER switch
then adjust the desired volume level using the MASTER
Fig. 2.5: Fuse holder and IEC receptacle (rear panel)
that the voltage indicated by the voltage selector matches
the local voltage before you connect the unit to the main
power supply. Always replace blown fuses with fuses of
the same type and rating. Some units feature a fuse retainer
in which a selection between 230 V and 120 V is possible.
Please be aware: When using your unit outside Europe
and with 120 V, a fuse with a higher rating is required.
Power is supplied via an IEC connector. The matching
cable is provided with the unit.
The ULTRABASS has two input channels to be selected with
the channel selector
. When channel 1 is active (button LED
can be used to adjust the input
off), the GAIN 1 control
To distort sounds, use channel 2. On channel 2, you can also
create an alternative sound: one that is louder than or shaped
differently from the sound on channel 2. (For details about the
Shape control, see section 3.2.) Use the GAIN 2 control
adjust the input level of channel 2. This control also allows you to
determine the amount of distortion. If the signal becomes too
loud, you can use the LEVEL control
to cut back the volume
and align it with the volume of channel 1. This way, you can
avoid drastic level changes when switching channels.
3.2 Sound processing
The ULTRABASS offers a variety of features to modify your
bass sound. These processing functions are described in this
3.2.1 The FBQ equalizer
Fig. 2.6: COMPRESSOR function
The COMPRESSOR control governs the compression
intensity (see section 3.2.4).
The equalizer is a graphic 7-band EQ incorporating an FBQ
spectrum analyzer. When a slide control is set to the zero position,
the instrument signal remains unprocessed in the relevant
frequency band.
Use the ON switch to activate the compressor.
To raise the level of a specific frequency band, move its
slide control upwards.
To lower its volume, move the control downwards.
Each control has an LED which displays the level of the
respective frequency band by lighting up with varying degrees
of brightness. This feature helps you find the control(s) that you
need for sound processing. Press the FBQ switch
to switch
on the FBQ display. For example, if the sound is muddy or booming
at 160 Hz, this is shown by a brightly lit LED in the corresponding
control. Move the 160-Hz control down a bit (negative range) to
eliminate the booming sound. Conversely, you can accentuate
certain signal ranges that lack presence (LED lights up only
faintly) by moving the relevant controls upwards.
You don’t have to raise the volume of a frequency
range to make it seem louder. Instead, you can
lower the other frequency ranges by moving their
slide controls downwards. This prevents the
internal signal level from becoming too high and
also gives you some valuable dynamics headroom.
3.2.2 The Shape function
The Shape function on your ULTRABASS provides a
revolutionary type of filter that you can use to modify your bass
sound completely. The filter allows you to shape your sound—
which is a must for bass players today. Extreme filter settings
will give your bass sound more punch, for example:
You want to play a live bass solo but the sound doesn’t cut
through. The solo should stand out, rather than being drowned.
First, set up a solid basic sound on channel 1. Then, create a
very distinctive solo sound on channel 2 using the Shape filter.
Since the Shape filter is only effective on channel 2, you can
change sounds quickly and easily before you begin your solo.
3.2.4 The compressor
A compressor is used to limit the dynamic range of a signal.
Signal peaks are lowered and soft signals are raised in volume,
thus reducing the difference between the highest and the lowest
signal levels. The result is a much more powerful sound.
Some playing techniques, such as slapping, lead to high-level
differences. In this case, a compressor can be used to make the
low-level dead notes clearly audible, which gives the bass line
even more groove. What is more, the sustain of long notes is
Use the ON switch
Turn the COMPRESSOR control
raise the compression intensity.
Press the ON switch to compare the compressed signal
with the unprocessed one.
slowly to the right to
Compressors work best if provided with high input signals. If the
signal level is low, the effect will be activated only with high
settings. If so, enabling the compressor can lead to extreme
level differences. If GAIN is high, the compressor comes in quite
early. In this case, you don’t need to turn up the COMPRESSOR
control that far to achieve an effect. Experiment with it to find the
best setting for your needs!
The compressor works independently of the builtin protective limiter, which is always active and
protects the power amplifier from overload and
hence distortion.
The Shape filter is worth its weight in gold when you are using
two different bass guitars. Maybe you want to change from one
instrument to another with a completely different sound. During
gigs you often lack the time to set up your amp for a different
instrument. Because you can use channel 1 for one instrument
and channel 2, with its Shape filter, for another instrument, you’ll
be glad to have the ULTRABASS.
3.2.3 The Ultrabass function
In current music productions, extremely low bass sounds that
are one octave below the lowest available bass guitar frequency
are quite popular. Often, you can only create this sound in studios,
because most bass amplifiers have no sub-harmonics function.
This is not true with the ULTRABASS. The Ultrabass processor
gives you the ultimate tool to shape this contemporary sound.
You’ll be amazed to hear how deep your bass can sound with
the Ultrabass function. Extreme settings can be particularly
interesting if you want to give your sound added sparkle in the
treble range. By the way, if you already set the Shape filter to
create punchy sounds, but feel that there’s not enough power in
the bass range, the sub-harmonics processor is there to help
you. Even if the sound is still punchy, it will have much more depth.
The Ultrabass function can be controlled with the supplied
footswitch, in order to emphasize certain passages, for example.
to activate the compressor.
4.1 Setup for practicing with playbacks
To use an external effects device, connect the input of the
effects unit to the FX INSERT SEND on the ULTRABASS, and the
output of the effects device to the FX INSERT RETURN. Instead
of the floor effects shown here, you can also use a wah-wah
pedal or an external 19" effects unit.
If you want the bass signal to go through a PA system during live
gigs, you would normally need a DI box. (DI boxes process the
signals for long cables and provide a higher output level at the
mixing console). The ULTRABASS amps have a DI box already
built in! Connect the balanced DIRECT OUTPUT directly to the
mixing console input or to the multi-core cable leading to the
console. Use a microphone cable (2-core shielded cable with
XLR connectors).
Alternatively, you can use the LINE OUT (¼" TS jack) for short
cables and mixing consoles with line-level inputs (e.g. for
recording in your home studio without having to use a
microphone). Of course, you can also use this output as an
additional send path or to connect a tuner.
4.3 The ULTRABASS as a slave with an
external pre-amp
If you wish to use another bass preamp or modeling amp
(e. g. BASS V-AMP or BASS V-AMP PRO), you can connect this
amp to the FX INSERT RETURN jack. In this configuration, the
ULTRABASS is used as a power amp only, and the two input
channels are disabled.
Fig. 4.1: Standard setup
This setup is intended for rehearsals or practicing at home.
Connect the ULTRABASS as shown in Fig. 4.1. To feed in
playbacks, connect a CD player to the CD input. Of course, you
can also connect an MD player or a computer.
If you want to practice with headphones, just plug your
headphones in the PHONES jack. The built-in loudspeaker will be
muted automatically. Turn the MASTER control fully left before
you connect the headphones.
4.4 ULTRABASS with one loudspeaker cabinet
The following figure shows a connection between a speaker
cabinet and the SPEAKER OUTPUT jack of the BXR1800H head.
The speaker cabinet’s impedance requires a minimum of 4 Ω.
4.2 Expanded setup for gigs and studio recordings
Fig. 4.3: Connecting a speaker cabinet
Fig. 4.2: Expanded setup
The following wiring scheme is recommended for live gigs or
studio work. It builds on the standard setup.
Connect the footswitch supplied with the unit to the FOOT
SW(ITCH) jack on the ULTRABASS. Use the footswitch to switch
channels and to activate the Ultrabass function, which is
particularly useful when playing live.
5.1 Audio connections
Except for the headphones output, all ¼" jacks on the
OUTPUT is on a balanced XLR connector. The CD inputs are
on RCA connectors.
Please keep in mind that your ULTRABASS should
be installed and operated only by those who possess
sufficient technical knowledge about its installation
and operation. Everyone dealing with your
ULTRABASS should be sufficiently grounded both
during the installation as well as during actual usage.
Failure to do so may cause undesirable or faulty
operation due to electromagnetic discharges, etc.
Instrument input
Input impedance
CD input
Input impedance
FX Insert Return
Input impedance
¼" TS
250 kΩ
40 kΩ
¼" TS
50 kΩ
Phones Out
Direct Out
Output impedance
Line Out
Output impedance
FX Insert Send
Output impedance
Loudspeaker connector
Load impedance
¼" TRS stereo
100 Ω
¼" TS
100 Ω
¼" TS
2.2 kΩ
¼" TS
min. 4 Ω
Peak Power
180 W @ 4 Ω
Mains voltage
Fig. 5.1: XLR connections
Power consumption
Mains connection
Dimensions (H x W x D)
120 V~, 60 Hz
230 V~, 50 Hz
220 V~, 50/60 Hz
100 V~, 50 - 60 Hz
General export model
120/230 V~, 50 - 60 Hz
max. 290 W
100 - 120 V~: T 6.3 A H 250 V
220 - 240 V~: T 3.15 A H 250 V
Standard IEC receptacle
approx. 4 3/5" (117 mm)
x 17 4/5" (452 mm)
x 8 9/10" (225 mm)
approx. 16.5 lbs (7.5 kg)
Fig. 5.2: ¼" TS connector
Fig. 5.3: ¼" stereo TRS connector for PHONES
BEHRINGER is constantly striving to maintain the highest professional
standards. As a result of these efforts, modifications may be made from
time to time to existing products without prior notice. Specifications and
appearance may differ from those listed or illustrated.
1. This warranty does not exclude or limit the buyer’s statutory
rights provided by national law, in particular, any such rights
against the seller that arise from a legally effective purchase
2. The warranty regulations mentioned herein are applicable
unless they constitute an infringement of national warranty law.
2. If the product needs to be modified or adapted in order to
comply with applicable technical or safety standards on a national
or local level, in any country which is not the country for which
the product was originally developed and manufactured, this
modification/adaptation shall not be considered a defect in
materials or workmanship. The warranty does not cover any
such modification/adaptation, irrespective of whether it was
carried out properly or not. Under the terms of this warranty,
BEHRINGER shall not be held responsible for any cost resulting
from such a modification/adaptation.
Please do remember to register your new BEHRINGER equipment
right after your purchase by visiting
(alternatively and kindly read the terms and
conditions of our warranty carefully.
3. Free inspections and maintenance/repair work are expressly
excluded from this warranty, in particular, if caused by improper
handling of the product by the user. This also applies to defects
caused by normal wear and tear, in particular, of faders,
crossfaders, potentiometers, keys/buttons, tubes, guitar strings,
illuminants and similar parts.
Registering your purchase and equipment with us helps us
process your repair claims quicker and more efficiently.
4. Damages/defects caused by the following conditions are not
covered by this warranty:
Thank you for your cooperation!
improper handling, neglect or failure to operate the unit in
compliance with the instructions given in BEHRINGER user
or service manuals.
connection or operation of the unit in any way that does
not comply with the technical or safety regulations
applicable in the country where the product is used.
damages/defects caused by force majeure or any other
condition that is beyond the control of BEHRINGER.
1. BEHRINGER (BEHRINGER International GmbH including all
BEHRINGER subsidiaries listed on the enclosed page, except
BEHRINGER Japan) warrants the mechanical and electronic
components of this product to be free of defects in material and
workmanship for a period of one (1) year* from the original date
of purchase, in accordance with the warranty regulations
described below. If the product shows any defects within the
specified warranty period that are not excluded from this
warranty as described under § 5, BEHRINGER shall, at its
discretion, either replace or repair the product using suitable
new or reconditioned parts. In the case that other parts are used
which constitute an improvement, BEHRINGER may, at its
discretion, charge the customer for the additional cost of these
2. If the warranty claim proves to be justified, the product will be
returned to the user freight prepaid.
3. Warranty claims other than those indicated above are expressly
1. To obtain warranty service, the buyer (or his authorized dealer)
must call BEHRINGER (see enclosed list) during normal business
hours BEFORE returning the product. All inquiries must be
accompanied by a description of the problem. BEHRINGER will
then issue a return authorization number.
2. Subsequently, the product must be returned in its original
shipping carton, together with the return authorization number to
the address indicated by BEHRINGER.
5. Any repair or opening of the unit carried out by unauthorized
personnel (user included) will void the warranty.
6. If an inspection of the product by BEHRINGER shows that the
defect in question is not covered by the warranty, the inspection
costs are payable by the customer.
7. Products which do not meet the terms of this warranty will be
repaired exclusively at the buyer’s expense. BEHRINGER will
inform the buyer of any such circumstance. If the buyer fails to
submit a written repair order within 6 weeks after notification,
BEHRINGER will return the unit C.O.D. with a separate invoice
for freight and packing. Such costs will also be invoiced
separately when the buyer has sent in a written repair order.
This warranty is extended exclusively to the original buyer
(customer of retail dealer) and is not transferable to anyone
who may subsequently purchase this product. No other person
(retail dealer, etc.) shall be entitled to give any warranty promise
on behalf of BEHRINGER.
Failure of BEHRINGER to provide proper warranty service shall
not entitle the buyer to claim (consequential) damages. In no
event shall the liability of BEHRINGER exceed the invoiced value
of the product.
1. Warranty services will be furnished only if the product is
accompanied by a copy of the original retail dealer’s invoice.
Any product deemed eligible for repair or replacement under the
terms of this warranty will be repaired or replaced.
* Customers in the European Union please contact BEHRINGER
Germany Support for further details.
3. Shipments without freight prepaid will not be accepted.
Technical specifications and appearance are subject to change without notice. The information contained herein is correct at the time
of printing. All trademarks (except BEHRINGER, the BEHRINGER logo and JUST LISTEN) mentioned belong to their respective owners
and are not affiliated with BEHRINGER.BEHRINGER accepts no liability for any loss which may be suffered by any person who relies
either wholly or in part upon any description, photograph or statement contained herein. Colors and specifications may vary slightly
from product. Products are sold through our authorized dealers only. Distributors and dealers are not agents of BEHRINGER and
have absolutely no authority to bind BEHRINGER by any express or implied undertaking or representation. No part of this manual may
be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying and recording of any
kind, for any purpose, without the express written permission of BEHRINGER International GmbH.
BEHRINGER International GmbH,
Hanns-Martin-Schleyer-Str. 36-38, 47877 Willich-Muenchheide II, Germany.
Tel. +49 2154 9206 0, Fax +49 2154 9206 4903
Responsible party name:
MUSIC Group Services USA, Inc.
18912 North Creek Parkway,
Suite 200 Bothell, WA 98011,
Phone/Fax No.:
Phone: +1 425 672 0816
Fax: +1 425 673 7647
complies with the FCC rules as mentioned in the following paragraph:
This equipment has been tested and found to comply with the limits for a Class B
digital device, pursuant to part 15 of the FCC Rules. These limits are designed
to provide reasonable protection against harmful interference in a residential
installation. This equipment generates, uses and can radiate radio frequency
energy and, if not installed and used in accordance with the instructions, may cause
harmful interference to radio communications. However, there is no guarantee that
interference will not occur in a particular installation. If this equipment does cause
harmful interference to radio or television reception, which can be determined
by turning the equipment off and on, the user is encouraged to try to correct the
interference by one or more of the following measures:
• Reorient or relocate the receiving antenna.
• Increase the separation between the equipment and receiver.
• Connect the equipment into an outlet on a circuit different from that to which the
receiver is connected.
• Consult the dealer or an experienced radio/TV technician for help.
This device complies with Part 15 of the FCC rules. Operation is subject to the
following two conditions:
(1) this device may not cause harmful interference, and
(2) this device must accept any interference received, including interference that may
cause undesired operation.
Important information:
Changes or modifications to the equipment not expressly approved by MUSIC Group
can void the user’s authority to use the equipment.
Download PDF