Sharp | AF-A24CE | Specifications | Sharp AF-A24CE Specifications

Sharp AF-A24CE Specifications
Asahi Pentax MX
posted 2-29-'04
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SMC Pentax lenses and Pentax accessories are engineered and produced meticulously to precise Asahi Pentax
specifications. Lenses and accessories from other manufacturers are not produced to these precise specifications and,
therefore, may cause difficulties with - or actual damage to - a Pentax camera. Asahi Pentax cannot assume any
responsibility for difficulties resulting from the use of any other brand of lenses or accessories with an Asahi Pentax
Nomenclature 2
Specifications 4
Lens Mounting 6
Inserting Batteries 7
Basic Operating Instructions 8
Film Loading and Winding 10
Setting ASA Film Speed 11
Setting the Shutter Speed Dial 12
Composing and Focusing 13
Exposure Measurement 14
Meter Coupling Range 22
Helpful Hints on Exposure Problems 23
Dual Control Exposure System 23
Shutter Button Lock 24
Manual Shutter Operation 25
Self-timer 26
Infra-red Photography 27
Multiple Exposure 28
Interchangeable Focusing Screens 29
Using Screw-mount Takumar Lenses 30
Holding the Camera 15
Unloading Film 16
Flash Synchronization 18
Depth-of-Field Preview Lever and Scale 20
Depth-of-Field Table: SMC Pentax-M 50mm f/1.4 Lens
Open-aperture and Stop-down Metering Lenses 32
Resistance to Temperature Extremes and Changes 33
Camera Maintenance 34
Warranty Policy 36
1. Exposure counter
2. Shutter button lock lever
3. Shutter-cocked indicator
4. Shutter release button
5. ASA window
6. ASA dial lock button
7. Shutter speed dial
8. Shutter speed index
9. Rapid-wind lever
10. Aperture read-out prism window
11. Hot shoe X contact
12. Film rewind knob/Back cover opener
13. Film rewind crank
14. Lens release lever
15. Self-timer lever/Depth-of-field preview
16. Upraised alignment dot
17. Focusing ring
18. Distance scale
19. Aperture/Distance index
20. Depth-of-field scale
21. Aperture ring
22. X-sync terminal
23. FP-sync terminal
24. Neck strap ring
25. Viewfinder eyepiece
26. Film pressure plate
27. Guide pin channel
28. Winder/Motor Drive direct
contact terminal
29. Film chamber
30. Battery chamber
31. Motor Drive/Tripod receptacle
32. Film rail
33. Film guide rail
34. Shutter curtains
36. Film transport coupler
37. Bulk magazine guide pin channel
38. Sprockets
39. Film take-up spool
40. Back cover
35. Film rewind button
35mm full-frame SLR camera with open-aperture center weighted
Lens mount
Through-The-Lens meter.
Pentax K bayonet.
Standard lenses
SMC Pentax 50mm f/1.2
SMC Pentax-M 50mm f/1.4
SMC Pentax-M 50mm f/1.7
SMC Pentax-M 40mm f/2.8
Horizontal-run, rubberized silk focal-plane shutter; speeds from 1
Flash synchronization
to 1 /1000 sec. plus B; shutter lock and "Cocked" indicator.
FP and X sockets, plus hot/cold accessory shoe for X contact; 1/60
sec. X synchronization.
Delays shutter release t04- 12 seconds; self-timer starter button
Mirror and diaphragm
Silver-coated pentaprism finder; split-image microprism focusing
screen (8 interchangeable screens); 95% of picture-taking area
and 0.97X magnification with 50mm lens at infinity); -1.0 diopter
eyepiece. Information viewfinder shows f/stop, shutter speed and
tri-colored LED read-out dots. Correction lens adaptor M,
M and Refconverter M fit the viewfinder frame.
Instant return mirror and automatic diaphragm. Depth-of-field
preview with self-timer lever.
Film wind and rewind
Ratchet-type rapid wind lever, plastic-tipped for winding comfort.
162° throw with a stand-off angle of 20°. Rewind crank for
speedy film rewind.
Film loading
New magic-needle quick/sure loading.
Automatic winder
MX camera body accepts Winder MX for up to 2 frames-persecond
Exposure counter
(single-frame and consecutive exposure operation possible) and
Motor Drive MX for up to 5 frames per second (single-frame and
consecutive exposure operation possible), for automatic, speedy
film wind and shutter cocking.
Automatic reset type.
Exposure meter
Open-aperture, center-weighted Through-The-Lens meter, with
Power source
Back cover
GPD cells for fast light response, with tri-colored LED exposure
read-out, rapid wind lever and shutter release button acting as
switch. Exposure range: EV1 - 19 (ASA100, f/1.4), Film speed
range: ASA25. 1600.
Two 1.5V silver oxide batteries (G13); LED's double as battery
check lamp.
Standard back with memo holder, interchangeable with Magazine
Body size
Back MX, Dial Data MX for data recording on film.
135.5mm x 82.5mm x 49.5mm.
Body weight
495 grams.
1. Remove the rear lens and body caps.
2. Match the red dot on the camera body with the red dot on the lens. Insert the
lens into the body and turn it clockwise until the lens locks with a click.
3. In the dark, when the red dots are difficult to see, align the upraised white
dot on the lens barrel with the lens release lever by touch. Then turn and lock
as above.
4. To detach, hold the camera with your left hand. Depress the lens release
lever while turning the lens counterclockwise with your right hand.
CAUTION: If you have to put the lens down
without the rear lens cap, place place it frontelement down never front element up.
Two silver oxide batteries are packed separately. Be sure to insert them into
the battery chamber before operating the camera.
CAUTION: The battery is like a phonograph record, it can be damaged by
skin acids. Handle by the edges with a dry cloth before insertion into the
camera. Also be especially sun to wipe off the battery with a cloth when
they are salted. The battery is not rechargeable Do not throw a dead battery
into a fire, as it may explode. Also keep it beyond the reach
INSERTION: Open the battery chamber cover with a coin. Insert the two
batteries into the battery holder of the cover as shown above, each with (+)
side facing up.
CHECK: One set of batteries will last about one year, or operate the
shutter about 10,000 times. To check battery life, depress the shutter
release button halfway, while looking through the viewfinder. If the
batteries are dead, the LED dots will not glow. For replacement, use
Eveready S76E or Mallory MS76H or equivalent.
1. Set Film Speed
While depressing the tiny button atop the shutter dial, turn the rim of the
shutter dial until the ASA number of the film you are using is centered in the
ASA window.
2. Cock Rapid-Wind Lever
Cock the rapid-wind lever all the way until it stops. The "Cocked" indicator
will turn red, showing that the shutter is cocked.
3. Set Shutter Speed
Turn the shutter speed dial until the speed you want to use is opposite the
index mark. Generally, you should use the fastest possible shutter speed to
avoid blurred pictures caused by camera movement. Try starting with 1/125
sec. outdoors in daylight and 1/30 sec. indoors.
4. Composing and Focusing
While viewing through the finder, turn the focusing ring until your subject
comes into sharp focus and choose the most pleasing composition.
5. Turn on Exposure Meter and Rotate Aperture Ring
Pull out the rapid-wind lever slightly (20°) and depress the shutter release
button halfway to turn on the exposure meter. The preselected shutter speed
plus the two adjacent speeds ("60" and
"250" in the case of "125") are visible on the right-hand side of the viewfinder.
Turn the aperture ring until the central green LED dot glows which indicates
proper exposure. (The f-stop you have selected is also visible in the small
window above the focusing screen). If the central green dot does not glow no
matter how far you turn the aperture ring, change the shutter speed.
6.Release Shutter
Hold your camera firmly and trip the shutter. Then cock the rapid-wind lever
for the next picture. (As long as the lever is at its pre-advance angle, the light
meter stays ON. If you push it back to the completely closed position, the
meter is turned OFF.)
1. Open the back by pulling up the
rewind knob until the back opens.
3. Advance the film by alternately
2. Place the film cartridge in the film
advancing the rapid wind lever and
chamber, and push down the rewind
depressing the shutter button until
knob. Insert the film leader in between
both top and bottom sprockets engage
any of the white plastic pins
the film perforations. Close the back
surrounding the film take-up spool.
by pressing it firmly.
4. Cock the rapid-wind lever, and confirm that the film rewind knob turns counterclockwise, indicating that the film is
properly loaded and is moving from cartridge to take-up spool. Trip the shutter. Advance the film until the exposure
counter turns to "1 ", indicating that the first picture is ready to be taken.
As a reminder of the type
of film in your camera, tear
off the top of the film box
and insert it into the Memo
Holder on the back of the
The ASA film speed rating of all 35mm films is given in the data sheet packed with each
roll of film. The higher the ASA number, the more sensitive the film is to light. While
depressing the ASA dial lock button, turn the rim of the shutter dial until the ASA
number of your film is aligned with the index mark.
Be sure to set the ASA film speed because it is coupled to the exposure meter
Turn the shutter speed dial clockwise or counter-clockwise to the shutter speed
desired. The shutter speed may be set either before or after cocking the rapidwind lever. As you cock the shutter by turning the rapid-wind lever, the
"cocked" indicator turns red showing that the shutter is cocked. The color of
the cocked indicator changes to black after tripping the shutter. For use of the
X setting on the shutter speed dial, refer to page 18.
With the shutter speed dial set on B (bulb), the shutter will stay open as long
as you depress the shutter button. As you release your finger from the shutter
button, the shutter closes. When a long exposure is desired while using the 8
setting, set the shutter button lock by moving the lever to the left (an "L"
becomes visible) while depressing the shutter button. Alternately, use a cable
release with a locking device for a time exposure.
At long speeds, longer than 1 /30 (1/15 - 1 sec.) support your camera
rigidly to prevent camera movement. To protect the shutter mechanism,
trip the shutter before putting the camera away for any extended period.
The standard focusing screen of your MX has a central split-image circle surrounded
by a microprism collar. While looking through the viewfinder, turn the focusing ring
until your subject comes into sharp focus. If your subject is not in focus, the image in
the split-image circle will appear divided into upper and lower portions, and the image
in the microprism collar will appear broken into many small fragments.
When the rapid-wind lever is pulled out 20° and the shutter button is
depressed halfway, the exposure meter is turned ON. Turn the aperture ring to
get a proper LED exposure read-out in the viewfinder.
On the right-hand side of the viewfinder, appear the preselected shutter speed
plus two adjacent speeds (e.g. "60" and "250" in the case of "125") on a
transparent disk which protrudes slightly into the focusing screen area.
On the right-hand side of the shutter speeds shown, there are 5 LED dots
which are normally not visible. If you depress the shutter button halfway and
the exposure is correct, the central green dot will illuminate. If the exposure is
1 /2 EV over, the orange dot next to "250" (in the above example) will glow;
as will the dot next to "60" in the case of 1 /2 EV underexposure. If it is 1 EV
or more over or under, the appropriate red dot will glow as a warning for
adjustment of either the f-stop or the shutter speed, unless you want to make
intentional over or underexposure.
As a general rule, your camera can be held more firmly in the left hand, which
does not release the shutter. If you hold your camera with the right hand - the
hand that releases the shutter - this may cause camera movement. Often,
blurred pictures are due to camera movement.
Vertical position
Horizontal position
Hold your camera tightly to your
Hold the camera firmly with your left
forehead with your left hand, and
hand, and draw your arms close to your
draw your right arm close to your
Vertical position
Hold your camera tightly to your
forehead with your left hand, raise
your right arm and draw your left arm
to your body.
After the final picture on the roll has been taken, the rapid-wind
lever will not advance further, indicating that the film must be
rewound. Lift up the rewind crank. Depress the film rewind button
and turn the rewind crank as indicated to rewind the film into its
cartridge. Rewind until the tension on the crank lessens, indicating
that the leader end of the film has been released from the take-up
spool. Pull out the film rewind knob (the back will open
automatically), and remove the film cartridge.
The MX has FP and X terminals on the front of the
camera body, and a separate X contact on the built-in hot
shoe. The table on the next page shows which flash
contact, which shutter speed and which flash bulb may be
combined for maximum lamp efficiency. Unless these
combinations are rigidly followed, there will be a failure
in flash synchronization. Note the "X" setting is exactly at
the 60 mark on the shutter speed dial. This indicates the
highest shutter speed at which electronic flash units may
be used. Use the hot shoe flash contact when using a
shoemount electronic flash like the Pentax Autostrob
which has a flash contact on the shoe bracket. When using
the hot shoe, there is no need to plug the flash cord into
the X terminal on the front of the body. The hot shoe flash
contact turns to "hot" (switched on) only when you insert
a shoe mount electronic flash. It remains "cold"
(disconnected) even when using an electronic flash with
its cord plugged into the X terminal on the body front.
This eliminates the danger of electric shocks.
There are basically two types of flash bulb attachments on the market: clip-on types and
bracket types. Either can be used with your camera. The clip-on types are attached to
the hot shoe and the bracket types are attached via the tripod socket.
Use one of these three bulb types: M, MF or FP. The correct terminal and the correct
shutter speed to use for each of these three types are outlined in the table below. Before
attaching the flash unit to the camera, you must remove the protective plug from the
proper terminal. When not using the terminals, keep the plugs inserted.
Depth of field is the range between the
nearest and farthest distances which are in
focus at a given lens aperture. If you want
to know how great the depth of field is at
a certain aperture, focus on a subject and
look through the viewfinder while moving
the Self-timer lever toward the lens, and
you will be able to preview the depth of
Or, after focusing, look at the depth-of-field scale on the lens. In the photograph below, the distance scale is set at 5
meters; that is, the lens is focused on a subject 5 meters away. The calibrations on each side of the distance index
correspond to the diaphragm setting and indicate the range of in-focus distance for different lens apertures. For
example, if a lens opening of f/4 is to be used, the range on the distance scale ring covered within the figure 4 on the
depth-of-field scale indicates the area in focus at that lens opening. You will note from the depth-of-field scale in the
photograph that the range from approximately 4 to 7m is in focus. Note that as the lens aperture changes, the effective
depth of field also changes. For the depths of field at different apertures and distances, refer to the next page.
The exposure meter of the MX measures the brightness of the ground glass. Therefore, the proper LED exposure
read-out should be obtained after you have focused your subject on the ground glass. The green area in the table
indicates the coupling range of the meter, and should not be interpreted as the camera's total range of f/stop-shutter
speed combinations. As you will note from the table below, with ASA100 film, you may use any shutter speed from 1
sec. to 1/1000 sec. in combination with any aperture that will illuminate the green LED in the viewfinder. The total
range of the aperture settings is, of course, determined by the minimum and maximum apertures of the lens being
used. For example, with the 50mm f/1.4 lens and ASA100 film, an aperture from f/1.4 (the maximum aperture of this
lens) to f/22 (the minimum aperture) may be used with any shutter speed from 1 sec. to 1 /1000 sec. that will
illuminate the green LED.
1. As exposure measurements made at 1/1000 sec. with 25 ASA film will not be accurate, exercise caution.
2. When using the 50mm f/1.4 lens, accurate exposure measurement at the points found in the shaded area in the
above table can be guaranteed only when using up to f/16 (f/1.4 - f/16).
The exposure meter built into your MX takes a center-weighted reading from the entire scene as seen through the
viewfinder. Sometimes, however, there is a great difference between the light reflected from the background and the
light reflected from the subject. In such a case, to achieve a really good photo, you must compensate for the difference
by opening or closing down the aperture 1 or 2 stops. As a general rule, when the subject is darker than the
background, you compensate by opening your aperture 1 or 2 stops more. For example: on a bright day, when your
subject has his back to the sun and you are shooting directly toward the sun ... or when you are shooting a subject
against snow or light-colored sand ... or when you are copying a page of black letters on white paper, increase the size
of the aperture somewhat. When your subject is brighter than the background - if he is standing in a spotlight, for
example - you make the aperture 1 or 2 stops smaller to compensate.
Since both the aperture and shutter speed are indicated within the viewfinder, you can control exposure by adjusting
either the shutter speed dial or the aperture ring. When the aperture size is the most important factor, set the aperture
desired by turning the aperture ring. Then adjust the shutter speed dial until the green LED illuminates.
When shutter speed is the more important factor, turn the dial to the speed you desire. Then adjust the aperture ring
until the green LED illuminates.
The shutter button lock lever is for your convenience while
you are making a particularly long exposure using the B
shutter speed setting. After depressing the shutter button,
turn the lock lever (which is on the collar at the base of the
shutter button) so that the letter "L" is visible. When the
exposure time is up, move the lock lever back to its original
position. This automatically releases the shutter button. In
addition to making "Time" exposure, the lock lever is also
used to turn off the meter circuit and simultaneously
prevent accidental release of the shutter.
The two silver oxide batteries in your MX are used only for powering the
exposure meter; the shutter mechanism is a totally manual operation.
Therefore, your camera can still be operated even if the batteries have worn
out. If the batteries have worn out and the exposure meter is no longer
functioning, you must determine the correct combination of shutter speed and
aperture size yourself, from your own experience. Also, packed in with most
types of 35mm film is a data sheet with suggestions for determining the
correct exposure in a variety of situations.
The Self-timer delays the shutter release by 4-.12 seconds,
depending upon how far counterclockwise (when camera
faces you) the lever is advanced. When using the Selftimer, do not depress the shutter button ... it will
immediately release the shutter without delayed action.
After cocking the rapid-wind lever, advance the Self-timer
lever 90° -180°. Then, push the start button, and the Selftimer will commence.
If you intend to take infra-red photographs,
remember to use the infra-red mark indicated
with an orange line on the depth-of-field scale.
First, bring your subject into sharp focus. Then
determine the subject-to-camera distance from
the distance scale on the lens. Then match your
subject-to-camera distance to the infra-red mark
by turning the focusing ring accordingly.
For instance, if your subject is in focus at infinity, turn the focusing ring and move the infinity (00) mark to the infrared mark.
NOTE: An infra-red focusing adjustment is not required when working with infra-red color film.
For deliberate multiple exposures, make the first exposure in the normal way.
Then tighten the film by turning the rewind knob , and keep hold of the
rewind knob. Depress the film rewind
release button and advance the rapid-wind lever. This cocks the shutter
without advancing the film. Finally release the shutter to make the second
exposure. Then make one blank exposure, before taking the next picture, to
avoid overlapping. As the exposure counter continues to function each time
the shutter is cocked, a double exposure will be counted as two frames.
In addition to the standard split-image + microprism focusing screen,
there are 7 other interchangeable focusing screens available for your
To remove the standard focusing screen, pull the screen retainer
pin toward you with the pincette supplied with the interchangeable
focusing screen. The focusing screen will then flip down. Remove
the screen from the frame by grasping the protruding portion of the
screen with the pincette.
To install the screen of your choice, place it on the screen frame,
pushing it back to the original position until it locks with a click. To
remove dust particles from the screen, never wipe it with a cloth, or
the like, but just use a blower.
Conventional screw-mount Takumar lenses (both SuperTakumar and SMC Takumar) can be easily mounted onto
your camera by attaching them first to a Mount Adaptor
K. However, when Adaptor K is used, the following is
1. Due to the difference in coupling systems, the
automatic diaphragm will not function.
2. Full-aperture metering lenses will function as stopdown metering lenses.
How to Use Mount Adaptor K
1. Screw the conventional Takumar lens into the Mount
Adaptor K.
2. Attach the Adaptor/lens unit to the camera body by
aligning the red dots and , and turning the lens clockwise
until it locks with a click. (This takes slightly less than a
quarter of a revolution.)
3. To remove the lens, leaving the Mount Adaptor K
attached to the camera body, simply unscrew the lens
counterclockwise. Other screw-mount
Takumar lenses can then be attached in the normal way.
To remove the Mount Adaptor K from the camera body,
first remove the screw-mount lens. Then press, with your
thumbnail or a pointed object such as a ballpoint pen,
against the spring pin
Turn the Mount Adaptor K counterclockwise until you
feel it release, and take it out.
Since the mechanism for locking in the Mount Adaptor K
is totally different from that which locks in an SMC
Pentax bayonet-mount lens, the lens release lever on the
camera body plays no part at all.
Open-aperture SMC Pentax lenses have a diaphragm coupling
lever on the back of the lens which couples with the camera body
to permit open-aperture metering. The ultra telephotos do not have
a diaphragm coupler, so they must be used with the stop-down
metering system. Use of the Auto-Extension Tube Set K permits
open-aperture metering.
Use of other K Series accessories - standard Extension Tube Set K,
Helicoid Extension Tube K, Auto-Bellows K and Bellows Unit K requires stop-down metering. Whenever any one of these is used
between the camera body and an SMC Pentax lens, the stopdown
metering system must be used.
The temperature range at which your camera will continue to function properly stretches from 50°C to -20°C.
However, resistance to cold could be hampered by oil which has become dirty. Therefore, if the camera is to operate
at full efficiency in very cold conditions, it must be overhauled and all oil must be replaced. Sudden changes in
temperature will often cause moisture to condense inside or outside your camera. This is a possible source of rust,
which may be extremely damaging to the mechanism. Furthermore, if the camera goes from a warm temperature to a
sub-freezing one, and if tiny drops of moisture freeze, further damage may be done by their expansion.
Thus, sudden temperature changes should be avoided as much as possible. As a guide, a temperature change of 10°C
should be allowed to take place gradually over a period of at least 30 minutes. If this is not possible, keeping the
camera in its case or bag will help somewhat in minimizing the effects of a rapid temperature change.
Extremely low temperature reduces the efficiency of the battery. Therefore, the camera should be protected against
low temperature. Put the batteries into the camera right before shooting. For extremely low temperature, use new
1. Always keep the viewfinder eyepiece, lens and filters as clean as
possible. To remove loose dust and dirt, first use the blower and then
the brush of a lens brush. Do not try to wipe off granular dirt or dust it's an excellent way of scratching the glass. Smudges, such as
fingerprints, should be carefully wiped away with either lens tissue or a
clean, soft cloth.
Clean, plain cotton handkerchiefs that have already been washed a few
times are particularly good for this. Breathing on the lens before wiping
is effective; but be sure to wipe away all moisture completely.
Commercial lens cleaners are also effective.
2. Never touch the mirror or the shutter curtain with your hands. (The natural acids on your skin are very damaging.)
Minor dirt or spots on the mirror will not affect the clarity of your pictures.
3. Take care not to drop the camera or knock it against anything solid. Accidents or rough
handling can easily damage the internal mechanism, even though externally nothing seems to have been hurt.
4. Your camera is not waterproof. There are several places where water can get inside and do a great deal of damage.
Take care to protect both body and lens from rain or splashing water. If
your camera should get wet, dry it off immediately with a clean, soft cloth.
Once a camera has become completely soaked, there is often nothing that can be done to make it right again.
However, in such a case, take your camera as soon as possible to an authorized Asahi Pentax Service Center.
5. Where to keep your camera while you are not using it is an important point. The best storage place is cool, dry,
clean and well-ventilated. Because of the possible build-up of humidity, it
is risky to store your camera in a cabinet or closet. It's also a good idea to keep your camera in its bag or case while
you are not using it.
6. When mounting your camera on a tripod, be sure the tripod
screw is no longer than 5.5mm. This is the depth of the tripod
socket on your camera. If you use a longer screw, you will
probably puncture the bottom of the socket, after which the
camera will not function properly.
7. In order to prevent large diameter lenses from interfering
with proper mounting of the camera to the tripod, attach the
Spacer Ring (packed with the camera) between camera and
All Asahi Pentax cameras purchased through authorized bona fide photographic distribution channels are guaranteed
against defects of material or workmanship for a period of twelve months from date of purchase. Service will be
rendered and defective parts will be replaced without cost to you within that period, provided the equipment has not
been abused, altered, or operated contrary to instruction. Because the tolerances, quality, and design compatibility of
lenses other than Pentax lenses are beyond our control, damage caused by use of such lenses will not be covered by
this warranty policy. The manufacturer or its authorized representatives shall not be liable for any repair or alterations
except those made with its written consent and shall not be liable for damages from delay or loss of use or from other
indirect or consequential damages of any kind, whether caused by defective material or workmanship or otherwise;
and it is expressly agreed that the liability of the manufacturer or its representatives under all guarantees or warranties,
whether expressed or implied, is strictly limited to the replacement of parts as hereinbefore provided.
Procedure During 12-month Warranty Period Any Asahi Pentax which proves defective during the 12-month
warranty period should be returned to the dealer from whom you purchased the equipment or to the manufacturer. If
there is no representative of the manufacturer in your country, send the equipment to the manufacturer, with postage
prepaid. In this case, it will take a considerable length of time before the equipment can be returned to you owing to
the complicated customs procedures required in Japan in importing and re-exporting photographic equipment. If the
equipment is covered by warranty, repairs will be made and parts replaced free of charge, and the equipment will be
returned to you upon completion of servicing. If the equipment is not covered by warranty, regular charges of the
manufacturer or of its representatives will apply. Shipping charges are to be borne by the owner. If your Asahi Pentax
was purchased outside of the country where you wish to have serviced during the warranty period, regular handling
and servicing fees may be charged by the manufacturer's representatives in that country. Notwithstanding this, your
Asahi Pentax returned to the manufacturer will be serviced free of charge according to this procedure and warranty
policy. In any case, however, shipping charges and customs clearance fees are to be borne by the sender. To prove the
date of your purchase when required, please keep the receipts or bills covering the purchase of your equipment for at
least a year. Before sending your equipment for servicing, please make sure that you are sending it to the
manufacturer's authorized representatives or their accredited repair shops, unless you are sending it directly to the
manufacturer. Always obtain a quotation of the service charge, and only after you accept the quoted service charge,
instruct the service station to proceed with the servicing.
This warranty policy does not apply to Asahi Pentax cameras purchased in the U.S.A. and U.K. For these cameras,
please refer to the separate Warranty Policy Card enclosed here.
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