Yamaha | DSP-1 | Owner's Manual | Yamaha DSP-1 Owner's manual

Yamaha DSP-1 Owner's manual
PARAMETERS . ts -
PARAMETER LIST ......
SPECIFICATIONS ......
USER PROGRAM TABLE
TROUBLESHOOTING
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Back cover
WARNING |
Retain this Demers Mandel in a safe place for future reference.
To prevent fire. or shock hazard, do not expose this appliance to rain
or moisture,
RISK OF E ELECTRIC IC SHOCK
DO NOT OPEN
CAUTION: TO REDUCE THE RISK OF
ELECTRIC SHOCK, DO NOT REMOVE
COVER (OR BACK), NO USER-SERVICEABLE
PARTS INSIDE. REFER SERVICING TO
QUALIFIED SERVICE PERSONNEL.
® Explanation of Graphical Symbols
The lightning flash with arrowhead
symbol, within an equilateral triangle,
js intended to alert you to the presence
of uninsulated "dangerous voltage”
within the product's enciosure that
may be of sufficient magnitude to
constitute a risk af electric shock to
persons.
The exclamation point within an
equilateral triangle is intended to alert
vou to the presence of important
operating and maintenance (servicing)
instructions in the literature accom-
panying the appliance.
SAFETY INSTRUCTIONS
1 Read Instructions — All the safety and operating
instructions should be read before the * appliance | IS
operated.
2 Retain Instructions — The safety and operating
instructions should be retained for future reference.
3 Heed Warnings — All warnings on the appliance
and in the operating instructions should be adhered
to.
4 Follow Instructions — All operating and other
instructions should be followed.
5 Water and Moisture — The appliance should not
be used near water — for example, near a bathtub,
washbowl, kitchen sink, laundry tub, in a wet
basement, or near a swimming pool, etc.
© Carts and Stands — The appliance should be
used only with a cart or stand that is recommended
by the manufacturer.
7 Wall or Ceiling Mounting — The appliance should
be mounted to a wall or ceiling only as recommended
by the manufacturer.
8 Ventilation — The appliance should be situated
so that its location or position does not interfere with
its proper ventilation. For example, the appliance
should not be situated on a bed, sofa, rug, or similar
surface, that may block the ventilation openings; or
cabinet that may impede the flow of air through the
ventilation openings.
9 Heat — The appliance should be situated away
from heat sources such as radiators, stoves, or other
appliances that produce heat.
10 Power Sources — The appliance should be
connected to a power supply only of the type
described in the operating instructions or as marked
on the appliance.
11 Power-Cord Protection — Power-supply cords
should be routed so that they are not likely to be
walked on or pinched by items placed upon or against
them, paying particular attention to cords at plugs,
convenience receptacles, and the point where they
exit from the appliance.
12 Cleaning — The appliance should be cleaned
only as recommended by the manufacturer.
13 Nonuse Periods — The power cord of the
appliance should be unplugged from the outlet when
left unused for a long period of time.
14 Object and Liquid Entry — Care should be
taken so that objects do not fall into and liquids are
not spilled into the inside of the appliance.
15 Damage Requiring Service — The appliance
should be serviced by qualified service personnel
when:
A. The power-supply cord or the plug has been
damaged; or
B. Objects have fallen, or liquid has been spilled into
the appliance; or
C. The appliance has been exposed to rain; or
D. The appliance does not appear to operate
normally or exhibits a marked change in
performance; or
E. The appliance has been dropped, or the cabinet |
damaged.
16 Servicing — The user should not attempt to
service the appliance beyond those means described
in the operating instructions. All other servicing should
be referred to qualified service personnel.
17 Power Lines — An outdoor antenna should be
located away from power lines.
18 Grounding or Polarization — The precautions
that should be taken so that the grounding or
polarization of an appliance is not defeated.
To ensure the finest performance, please read this
manual carefully. Keep it in a safe place for future
reference.
2
Install your unit in a cool, dry, clean place—away from
windows, heat sources, and too much vibration, dust,
moisture or cold. Avoid sources of hum (transformers,
motors). To prevent fire or electrical shock, do not
expose to rain and water.
а
Do not operate the unit upside-down. It may overheat,
possibly causing damage.
4
Never open the cabinet. If a foreign object drops into
the set, contact your dealer.
5
Do not place records or other objects on top of the
unit; this will block the ventilation holes, cause the
internal temperature to rise and may result in a failure.
6
Do not use force on switches, knobs or cords. When
moving the set, first turn the unit off. Then gently
disconnect the power plug and the cords connecting
to other equipment. Never yank the cords.
7 |
Do not attempt to clean the unit with chemical
solvents; this might damage the finish. Use a clean,
dry cioth.
8
Be sure to read the “troubleshooting” section on
common operating errors before concluding that your
unit is faulty.
9
Do not connect audio equipment to the AC outlets on
the rear panel if that equipment requires more power
than the outlets are rated to provide.
10 |
This equipment generates and uses radio frequency
energy and if not installed and used properly, that is,
in strict accordance with the manufacturer's
instructions, may cause interference to radio and
television reception. it has been type tested and found
to comply with the limits for a Class B computing
device in accordance with the specifications in
Subpart J of Part 15 of FCC Rules, which are
designed to provide reasonable protection against
such interference in a residential installation.
However, there is no guarantee that interference will
not occur in a particular installation. If this equipment
does cause interference to radio or television
reception, which can be determined by turning the
equipment off and on, the user is encouraged to try to
correct the interference by one or more of the
following measures:
Reorient the receiveing antenna
Relocate the DSP-1 with respect to the receiver
Move the DSP-1away from the receiver
Plug the DSP-1into a different outlet so that the
DSP-1and receiver are on different branch
circuits.
If necessary, the user, should consult the dealer or an
experienced radio/ television technician for additional
suggestions. The user may find the following booklet
prepared by the Federal Communications
Commission helpful: “How to identify and Resolve
Radio-TV Interference Problems”.
This booklet is available from the U.S. Government
Printing Office, Washington, DC 20402, Stock No.
004-000-00345-4,
ACCESSORIES
REMOTE CONTROL TRANSMITTER
The following three accessories are provided: | In this unit, most operations are controlled by the is linear, use the remote control transmitter in the
| | remote control transmitter (RS-DSP1) provided. appropriate area taking care of the angles to the
Before operating, place the provided batteries into the remote sensor of the DSP-1 main unit.
E — ch, — remote contro! transmitter properly. As the infrared ray
7
ZB
Audio connection cord x 4 N
«
(About 23 feet) > =
В @ Remove the battery
@ compartment cover.
21 @ After placing the
U> batteries, replace the
cover until the click
sound is heard.
@ Place two
batteries
in correct
polarity.
Remote control transmitter
(RS-DSP1) rear view
M BATTERY REPLACEMENT
When the remote controllable distance becomes
short, batteries are exhausted. Replace two batteries
with new ones.
Battery cautions
Incorrect use of the battery may cause leakage or
explosion. Be careful the following items:
When replacing:
® Place the batteries in correct (+) and (~) polarities
as indicated in the battery compartment.
® Do not use the old battery together with new one.
e Do not use the different kind of batteries at the
same time even though in the same shape.
Rechargeabie batteries:
e There are two kinds of batteries in the market:
rechargeable and non-rechargeable. Read the
caution labeles on the battery carefully.
Use with the remote control transmitter:
e When not in use for an extended period of time,
remove the batteries from the remote control
transmitter.
® Replace the exhausted batteries earlier in good
time.
To prevent accident:
® Never disassemble, heat the battery, or throw into
the fire. Dispose the batteries in the specified
places.
e Do not connect (short) (+) and () directly with the
metal piece, etc.
in case of leakage:
Wipe off the electrolyte in the battery compartment
completely before replace with the new batteries.
Speakers may be placed in various kinds of patterns depending on the extent of the room or the room acoustic characteristics.
The placement examples shown below are the typical patterns for effective use of this unit. Place the speakers on the most suitable position for your listening room while
listening actually.
B 6-CHANNEL SYSTEM
Standard placement example
Sub speaker (For effect sound reproduction)
(Place the sub speakers in a high place.)
Main speaker (For source sound reproduction).
@ 4-CHANNEL SYSTEM
Standard placement example
—
Main speaker (For source sound + effect sound reproduction)
Sub speaker (For effect sound reproduction)
(Place the sub speakers in a high place.)
PRECAUTIONS ON CONNECTIONS
Power switch: |
Turn off the power of this unit and other equipment before making connections.
Power plug: |
After confirming that all connections are correct, insert the power plug of this unit into the AC outlet.
Connection cords:
Connect all the audio cords with correct L (left) and R (right) channels firmly. -
Installation: |
It this unit interfere with the other equipment (such as a tuner or amplifier), place this unit away from the other units.
USING WITH SEPARATE AMPLIFIERS
e Set the FRONT MIX switch of this unit to “OFF 6ch”.
® When only two speakers are used as the sub speaker, the FRONT MIX switch setting and PROCESSING jacks connections are different. Refer to page 10.
O
O |:
Main speakers
Set this switch to "OFF 6ch”.
=
en \
Control amplifier FRONT MIX Power amplifier
INPUT
PRE OUT No /
INPUT :
—— INPUT OUTPUT - _
PLANO FRONT Mix í rear vane!
© Md B O,
INPUT Bon ach
BALANCE ;
MAIN LEVEL |
BL LOW PASS OB ps
fc: 20CHz à
INPUT
Power amplifier | Power amplifier
r y
INPUT |
MAIN LEVEL <©
a ® a.
QdB -IDdB
q р
*To drive the sub speakers, we recommend to use the
Set this switch to “—10dB". YAMAHA M-35 power amplifier (optional).
| ©
O
FRONT|
| ©
O
. Sub speakers
10
O
FE
| ©
O
e Set the FRONT MIX switch of this unit to “OFF 6ch”.
@ USING WITH THE INTEGRATED AMPLIFIER OR RECEIVER HAVING PRE-OUT AND MAIN-IN JACKS
e When only two sub speakers are used, the FRONT MIX switch setting and the PROCESSING jack connections and different. Refer to page 10.
® When the COUPLER switch is provided with the integrated amplifier or receiver, set the switch to ON (SEPARATE). When the PRE OUT jacks and
MAIN IN jacks are shorted with jumper pins, unplug the jumper pins before making connections.
O
O
Main speakers
Integrated
amplifier
or receiver
‘Set the switch to “OFF ech”.
PRE QUT
e
©,
©,
MAIN IN
INPUT
Ma
Si
MONO OUT FRONT MX
FULL BAND
- -
CFF ON
Een den
7 MAIN LEVEL
ro
. +
LOW PASS DaB 1008
fc. 200Hz
Power amplifier
INPUT
TAPE
TAPE FB REC OUT
A
É
MAIN LEVEL
+ в
Od8 ~i0dB
ha r
Set this switch to “—10dB”.
Power amplifier
(Oo
DSP-1
rear pane!
(o
Sub speakers
-©
INPUT
-8
Do
*To drive the sub speakers, we recommend to use the
YAMAHA M-35 power amplifier (optional).
(o
EE USING WITH THE INTEGRATED AMPLIFIER OR RECEIVER WITHOUT PRE-OUT AND MAIN-IN JACKS
e Set the FRONT MIX switch of this unit to “OFF 6ch”.
e When only two sub speakers are used, the FRONT MIX switch setting and the PROCESSING jack connections are different. Refer to page 10.
O
O
Main speakers
Set the switch to “OFF 6ch”.
€
Power amplifier
OS
TAPE DSP-1
Г N
FRONT MIX
OFF ON
Sch 4cn
| INPUT
NN
Integrated amplifier INPUT 4 FRONT
INPUT - Ur OUTPUT
or receiver REC QUT MOND DUT FRONT ME MAIN PROCESSING TAPE PB REC OUT
9, La ee £1
о © © oom NZ
MAIN LEVEL
е ©@ ©
LOW PASS Oct —t008
TAPE PB fe. 200: #
/
r N
MAIN LEVEL
e. INPUT
Oda -10dB NP
Ч J
Set this switch to "OdB”.
rear panel
Do
Sub speakers
Do
— *To drive the sub speakers, we recommend to use the
YAMAHA M-35 power amplifier (optional).
or
E WHEN A PAIR OF SUB SPEAKERS ARE USED
—e Set the FRONT MIX switch of this unit to “ON 4ch”
@ Use only the PROCESSING REAR jacks.
Set the switch to “ON 4ch”.
=>
FRONT MIX
Power amplifier
OFF ON
Bch 4ch
©
INPUT
TAPE
TAPE PE REC OUT
DSP-1
rear panel
For setting of this switch,
refer to pages 7~8.
O
Sub speakers
REAR
О
O
10
EB TAPE DECK CONNECTION
A tape deck can be connected to the TAPE jacks of the integrated amplifier or receiver (or control
this unit to record/ play the source of effect sound. amplifier), connect the tape deck to these jacks as
Also when this unit is connected to the tape jacks of shown below.
Tape deck
LINE OUT LINE IN Polarity indication:
y А The polarity indication
DSP-1 rear panel TAPE PB REC OUT pd is to align the polarity
of your audio system.
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Monaural To AC outlet
power amplifier AC 120V,
60 Hz
Up to 200W can be supplied to other equipment.
The supply is not controlled by the DSP-1" $
POWER switch
O
Center speaker
11
E CONNECTION OF OTHER EQUIPMENT
% Connection of synthesizer or keyboard, etc.
(MIX INPUT jacks)
Stereo inputs (L, R) and mono input (MONO) are
provided for variety of use.
*To connect a microphone, a microphone amplifier
IS required.
* Connection of the center speaker (MONO OUT
terminals)
The MONO OUT terminals which output the L-ch
+ R-ch mix signal are provided. Use the LOW
PASS terminal when adding the subwoofer to
compensate the very low frequency sound. Use the
FULL BAND terminal when adding the center
speaker between the left and right speakers to fill
up the localization of the sound image.
* The AC outlet supplies the AC power (200W max.)
to the other audio component. This AC outlet is not
interlocked with the POWER switch of this unit.
FRONT PANEL
YAMAHA NATURAL SOUND DIGITAL SOUND FIELD PROCESSOR DSP-1
МН
MONO L
PROGRAM NO.
SLRAOLND §
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USER PROGE
RIT SE EIN wR
PROGR AN
@ YAMAHA LEEN
120 VOLTS JSWAITTS
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60H
NIPPON GAKKI CO.,LTD.
© MADE IN JAPAN
[ Complies with the limits for
Е Class B computing device
BE
rsuant to Subpart J of
art 15 of FCC Rules.
ATTENTION : RISQUE DE CHOC ELECTRIQUE NE PAS GUVRIR.
RISK 0
00
WARNING : 70 PREVENT FIRE OR SHOCK HAZARD. DO NOT EXPOSE THIS APPLIANCE TO RAIN OR MOISTURE.
MOND GUT
FULL BAND
AC OUTLET ==
UNSWITCHED
===)
ISSUE
204 BH?
2ОСМУ МАХ.
i FRONT PANEL
4 POWER switch
Turn the power on and off. When the power is turned
on, the last program before the power has been
turned off is automatically recalied
*For several seconds after the power is turned on, the
sound is muted by the protection circuit.
@ MIX INPUT jacks (MONO, L, R)
Used to mix the sound signal with the input source
from the INFUT jacks on the rear panel. Use MONO
when the output terminal of the equipment to be
connected is monaural, and connect L and R jacks
when the equipment is stereo.
If both the MONO and L/R jacks are used
simultaneously, the level from the MONO jacks may
be lowered.
& MIX INPUT LEVEL control
Used to adjust the input level from the MIX INPUT jacks.
Turning it clockwise increase the input signal level.
O TAPE selector |
Selects the input source or the signal recording/
playback with the tape deck connected to this unit.
According to the knob position, the signal path
changes as follows: |
® NORM: Sound field effect or special sound effect
can be applied to the input source from the rear
panel INPUT jacks or the front panel MIX INPUT
jacks. |
13
Input jacks
INPUT
| Signal path In the DSP-1
Output jacks
ç > O MAIN/MONO
O FRONT —
PROCESSING
e O REAR
Digital signal
MIX INPUT processing circuit |
TAPE PE
REC QUT
® MONITOR: Sound field effect or special sound
effect can be applied to the signal from the tape
deck connected to this unit
| Signal path in the DSP-1 | Output jacks *
INPUT E y - BO MAIN/MONO
; Fe O FRONT
MIX INPUT Digital signal
PROCESSING
processing circuit | REAR
TAPE -
TAPE PB
REC OUT O ————
e EFFECT REC: The effected sound (that the sound
field effect or special sound effect is applied to the
input source from the INPUT or MIX INPUT jacks)
can be recorded onto the tape deck. This signal is
output only from the REC OUT jacks.
Input jacks | Signal path in the DSP-1 | Output Jacks
INPUT y - MAIN/MONO
Y O FRONT
Digital signai й —1
rocessing circuit > E PROCESSING
P 9 clreu REAR ——l
MIX INPUT
TAPE PB
REC CUT Ot
@ TAPE PB LEVEL control -
Used to adjust the tape sound level input from the
TAPE PB jacks on the rear panel. -
() Remote sensor
Receives the remote control infrared signal from the
remote control tramsmitter.
€ MUTE indicators (MAIN, EFFECT)
Lights when the MUTE key on the remote control
transmitter is pressed to mute the sound.
® MAIN: Lights when the MAIN MUTE key is
pressed to mute the source sound.
e EFFECT: Lights when the EFFECT MUTE key is
pressed to mute the effect sound.
€) MODE indicators
These show the current mode; ACOUSTIC,
SURROUND, EFFECTOR or USER PROG mode.
O PROGRAM NO. display
Displays the selected program number.
© PROGRAM display
Displays the selected program name, parameter, etc.
* The display panel may not be understandable when
viewed from the certain direction. See it from the
front when operating. |
E REAR PANEL
Ü INPUT BALANCE control
Balances the left and right effect sound. Normally set
to the center position. *
® INPUT jacks
Inputs the signal from the control amplifier, integrated
amplifier or receiver.
9 MONO OUT jacks (FULL BAND, LOW PASS
fc: 200 Hz) a
Outputs the left and right mix (MONO) signal. Use
these jacks when the left and right speakers are too
separated or the low frequencies are unsatisfied.
~ ® FULL BAND: Outputs the full range signal.
e LOW PASS: Outputs the low frequency signal
below 200 Hz.
LE) FRONT MIX switch
Used to mix the source signal with the front effect
signal sent to the main speakers. When the switch is
set to “ON 4ch”, both signals are mixed, and when it
is set to “OFF 6ch”, they are output independently.
® When used in 4-channel system (with 4 speakers),
set this switch to the “ON 4ch” position. The
source sound is mixed with the front effect sound
and output from the main speakers.
e When used in 6-channel system (with 6 speakers),
set this switch to the “OFF 6ch” position. The
source signal is output from the MAIN jacks and
the front effect signal is output from the
PROCESSING FRONT jacks separately.
{9 MAIN LEVEL switch
The signal level output to the MAIN jacks canbe
selected between 0 dB and —10 dB with this switch.
When the DSP-1 is connected between the control
amplifier and power amplifier, set this switch to
"—10dB”.
When the DSP—1 is connected to REC OUT and
TAPE PB jacks of the integrated amplifier or
receiver, set this switch to "0 dB”.
© MAIN jacks
These jacks output the signal to the amplifier or
receiver which drives the main speakers.
@ PROCESSING jacks (FRONT, REAR)
These jacks output the signal to the amplifier which
drives the sub speakers.
{) TAPE PB jacks
These jacks input the signal output from the tape
deck.
(9 REC OUT jacks
These jacks output the signal to the tape deck. The
signal output from these jacks can be selected by the
TAPE selector.
@) AC OUTLET (UNSWITCHED)
This supplies the AC power to the equipment
regardiess of the POWER switch setting of this unit.
* Be sure to check the power consumption of the
equipment to be connected and use below 200 watts.
HALL 1 HALL 2 HALL 3
DELAY ST ECHO À STFLANGE B
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MUNSTER CHURCH JAZZCLLB ROCKCNET
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DISCO PAVIION WHSELOFT STADIUM §
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14
U) MEMORY key
Used to store the program modified as desired into
the user program area.
@ MODE keys
Select the desired mode with these keys. (See table
below.)
When the mode is changed, the program which is
stored in the same program position as the previous
mode is called.
ACOUSTIC/SURROUND mode:
Programs for sound field effect or surround effect are
preset.
SOUND EFFECTOR mode:
Programs for special sound effect are preset.
USER PROGRAM mode: |
For storing the user-modified program.
HALL 1, HALL 2, HALL 3, CHAMBER,
Münster, CHURCH, JAZZ CLUB,
ROCK CNCT (CONCERT), DISCO,
PAVILION, WHSE (WARE HOUSE)
LOFT, STADIUM, PRESENCE, SUR
(SURROUND) 1, SUR (SURROUND) 2,
DE] SUR (DOLBY SURROUND)
ACOUSTIC/
SURROUND
DELAY ST (STEREO) ECHO, ST
(STEREO) FLANGE A, B, CHORUS A, B,
ST (STEREO) PHASING, TREMOLO,
SYMPHONIC, ECHO ROOM, PITCH
CHANGE A, B, L (LEFT) TURN,
R (RIGHT) TURN, F-R (FRONT-REAR),
L-R (LEFT-RIGHT)
SOUND
EFFECTOR
When shipping, the same programs as the
USER ACOUSTIC/SURROUND mode are preset
PROGRAM at the factory. The program modified by
the user can be stored in this area.
15
E) PROGRAM keys
Select the desired program with these keys. After
selecting the desired mode with the MODE keys,
select the desired one from the following.
0) PARAMETER key
.. Used to recall the program parameter (factor/element
to determine the effect) and the setting value
displayed on the panel. Each time this key is pressed,
the parameter is changed in sequence. Press this key
to display the parameter whose value is to be
changed.
@ TITLE EDIT key
Used to change the program title (name) stored in the
User Program area. (See page 22.)
@) MUTE keys (MAIN, EFFECT)
Mute the sound from the speakers with these keys.
® MAIN: When this key is pressed, the main sound is
muted and the MUTE MAIN indicator lights.
Also the signal output from the MONO OUT jack is
canceled.
e EFFECT: When this key is pressed, the effect
sound is muted and the MUTE EFFECT indicator
lights.
@) DEC key, INC key
These keys are used to change the parameter value.
To increase the value, press the INC key, and to
decrease it, press the DEC key. When the key is kept
pressing, the value is changed continuously and
stopped at the minimum or maximum point. These
keys are also used to change the program title
(name) stored in the user program area. (See pages
20 and 22.)
@3 BALANCE key (REAR, FRONT) |
Used to balance the effect sound between the front
and the rear speakers.
When the REAR key is pressed, the rear effect sound
level is increased and the front sound is decreased.
When the FRONT key is pressed, the front effect
sound level is increased and the rear effect sound is
decreased. When one of the BALANCE keys is
pressed, the indication shown below is displayed on
the PROGRAM display as the reference for
adjustment.
EFFECT BALANCE
R HEF 50%
R: Rear
F: Front
@: Cursor (This position shows the volume balance between the
front and rear.)
%: Percent (This figure shows the volume balance between the
front and the rear.)
@) LEVEL keys (DOWN, UP)
Used to adjust the volume level of the effect sound.
DOWN: When this key pressed, the effect sound is
decreased. |
® UP: When this key is pressed, the effect sound is
increased. When one of the LEVEL keys is pressed,
the Indication shown below is displayed on the
- PROGRAM display as the reference for adjustment.
EFFECT LEVEL
ZERRNEZSENE
E: Cursor (Number of lighting cursor shows the volume level of
the effect sound.) о
%: Percent (Shows the effect sound level in figures.)
Note: After adjusting the parameter value or
level/balance of the effect sound, recalling the
other program resets the parameter values to
initial settings. To keep the adjusted value,
store the program in the user program area.
(See page 21.)
In à concert hall, the extent or shape, image
localization, and echoicness or anechoicness can be
appreciated even if the eyes are closed.
This is because sound reflections from all directions
are heard besides the direct sound from stage
(Instruments or voices) simultaneously.
Our auditory sense can recognize the extent of the
hall by the time difference between the direct sound
and the reflections, the shape of the hall by the
directions of the reflections, and the echoic or
anechoic characteristic by the attenuations of the
sound. :
Therefore, simulating the time difference or direction
of the reflections and the attenuating time may
reproduce the sound field of an actual concert hall.
As sound produced by performers is reflected by all
objects in the hall, it is heard not only from the direct
front but also from the sides, rear or ceiling.
These reflections cannot be reproduced by the
conventional 2-channel (2-speaker) system, but
require extra speakers to reproduce sound reflection
(this is called the sub speaker). The DSP-1 is
designed to reproduce the realistic sound field
experienced in a concert hall in a normal listening
room by simulating sound reflection from all directions
based on actual measured data, using extra speakers
surrounding the listener. Furthermore, the digital signal
processing circuit adopted in this unit can be used to
produce special sound effects, such as combining
phase-difference signals, changing pitch or changing
imaging position periodically. |
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16
Sound field such as a wide and deep grand hall. Suitable for reproducing operates
1 HALL 1 or orchestra music.
2 HALL 2 Sound field such as a medium-sized hall (smaller than that of HALL 1).
| Suitable for reproducing the orchestra music, etc.
3 HALL 3 Sound field such as the multi-purpose hall which can store 1000 people.
Deeper ambience is obtained.
4 CHAMBER Sound field Suen lhe grand ball room in the court. Suitable for reproducing
5 Münster Sound field such as in the cathedral.
6 CHURCH Sound field such as in the church. Suitable for reproducing pipe organ music or ACOUSTIC
7 JAZZ CLUB Sound field such as in the jazz club.
8 ROCK CONCERT Sound field with tight ambience, suitable for rock or rock-related music.
9 DISCO Sound field such as in the disco.
10 PAVILION Sound field such as in the indoor stadium. -
11 WAREHOUSE LOFT Sound field such as in the concrete-built warehouse.
12 STADIUM Sound field such as in the stadium or open-air theater.
13 PRESENCE Effect sound is delayed separately and reproduced from the front and rear speakers.
14 SURROUND 1 Sound field applying the depth to the screen. Suitable for AV sources.
15 SURROUND 2 Sound field applying a width to the screen. Suitable for AV sources. SURROUND
16 Used to reproduce the Dolby Surround-encoded movies.
DOLBY SURROUND
17
SOUND EFFECTOR mode
1 DELAY This program shifts the delay time* between the front/re rear, and left/ right channels.
я STEREO ECHO Shifts the delay time* between the left and right channels slightly so that the
| stereophonic echo effect is obtained.
3 STEREO FLANGE A Effect that tone is varying and swirling is obtained.
STEREO FLANGE A has faster speed and light swirling effect inst B.
4 STEREO FLANGE B S SET Speed and gn swiring elect agal
5 CHORUS A Effect that sound is rolling and swaying (drifting) is obtained.
6 CHORUS B CHORUS A has faster speed and deep effect against B.
7 STEREO PHASING Effect that tone is varying periodically is obtained.
8 TREMOLO The swirling effect obtained by CHORUS is multiplied and the volume change is —
emphasized.
9 SYMPHONIC The swiring effect obtained by CHORUS is multiplied and the timing is changed
irregularly.
10 ECHO ROOM Effect such as in the echo chamber of the recording studio is obtained.
11 PITCH CHANGE A These programs are used to change the pitch, however, initially in the preset
— program, pitch is not changed.
12 PITCH CHANGE B | (See pages 28 and 29.)
13 PAN L-TURN Sound image is turned to the left.
14 PAN R-TURN: Sound image is turned to the right.
15 PAN F-R Sound image is moved from the front to the rear continuously.
16 PAN L-R Sound image is moved from the left to the right continuously.
* Delay Time: The time difference between the time source sound is heard and the time effect sound is heard.
18
~ * Confirm that all the components are connected
correctly before turning the power on.
The 32 kind of programs have been preset in this unit.
Among this, 16 present programs are used to
reproduce the sound field (ACOUSTIC/SURROUND -
mode) and the rest 16 presets are used to obtain the
special sound effect (SOUND EFFECTOR mode). For
the features of each program, refer to the “Program
Contents” on page 17.
* When using with the integrated amplifier having pre-
out and main-in terminals:
When the REC OUT
selector is provided
When the TAPE MONI-
TOR switch is provided
Set the input selector Set the switch to ON.
to TAPE.
El OPERATION
1 Power ON
Turn the power of this unit and audio system on.
2 TAPE SELECTOR switching
® When playing the amplifier's input source, or when
mixing the input signal with the signal from the MIX
INPUT signal, set the TAPE selector of this unit to
the “NORM” position.
e When playing the tape deck connected to this unit,
set the TAPE selector of this unit to the
“MONITOR” position.
For example, recall the HALL 1 program in the
ACOUSTIC /SURROUND mode.
19
3 Mode selection
Press the mode key (ACOUSTIC/SURROUND, in this
example) on the remote control transmitter.
4 Program Recall
Press the program key (HALL 1, In this example) on
the remote control transmitter.
5 Source selection
(When playing the ampiifiers input source)
e Using the separate amplifiers:
Select the desired source with the input selector of
the control amplifier.
e Using the integrated amplifier or receiver
having pre-out/main-in jacks:
Select the source with the input selector of the
integrated amplifier or receiver.
® Using the integrated amplifier or receiver
having no pre-out/main-in jacks: |
When the REC OUT
selec
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